欧宝娱乐

Jump to ratings and reviews
Rate this book

賲賱丕卅賰丞 亘賷賳 丕賱賱賴亘

Rate this book
Ninety-three, the last of Victor Hugo's novels, is regarded by many including such diverse critics as Robert Louis Stevenson and Andr茅 Maurois as his greatest work.

1793, Year Two of the Republic, saw the establishment of the National Convention, the execution of Louis XVI, the Terror, and the monarchist revolt in the Vend茅e, brutally suppressed by the Republic. Hugo's epic follows three protagonists through this tumultuous year: the noble royalist de Lantenac; Gauvain, who embodies a benevolent and romantic vision of the Republic; and Cimourdain, whose principles are altogether more robespierrean.The conflict of values culminates in a dramatic climax on the scaffold.

287 pages, Unknown Binding

First published February 19, 1874

481 people are currently reading
10792 people want to read

About the author

Victor Hugo

5,801books12.7kfollowers
After Napoleon III seized power in 1851, French writer Victor Marie Hugo went into exile and in 1870 returned to France; his novels include The Hunchback of Notre Dame (1831) and Les Mis茅rables (1862).

This poet, playwright, novelist, dramatist, essayist, visual artist, statesman, and perhaps the most influential, important exponent of the Romantic movement in France, campaigned for human rights. People in France regard him as one of greatest poets of that country and know him better abroad.

Ratings & Reviews

What do you think?
Rate this book

Friends & Following

Create a free account to discover what your friends think of this book!

Community Reviews

5 stars
2,444 (39%)
4 stars
2,205 (35%)
3 stars
1,164 (18%)
2 stars
252 (4%)
1 star
87 (1%)
Displaying 1 - 29 of 489 reviews
Profile Image for Maziyar Yf.
741 reviews532 followers
August 4, 2023
賳賵丿 賵 爻賴 丿丕爻鬲丕賳蹖 丕蹖爻鬲 丕夭 賵蹖讴鬲賵乇 賴賵诏賵 . 丕賵 丿乇 丕蹖賳 讴鬲丕亘 亘賴 噩賳诏 丿丕禺賱蹖 倬乇丿丕禺鬲賴 讴賴 丿乇 爻丕賱 賳賵丿 賵 爻賴 賲蹖丕賳 胤乇賮丿丕乇丕賳 噩賲賴賵乇蹖 賵 爻賱胤賳鬲 胤賱亘 賴丕 蹖 賲賵乇丿 丨賲丕蹖鬲 丕賳诏賱爻鬲丕賳 乇禺 丿丕丿賴 亘賵丿 . 丿乇 丕蹖賳 讴鬲丕亘貙 爻賴 卮禺氐蹖鬲 丕氐賱蹖 讴賴 賴乇 讴丿丕賲 賳賲丕蹖賳丿賴 蹖讴 賳诏丕賴 賵 胤乇夭 賮讴乇 丿乇 丕賳賯賱丕亘 賮乇丕賳爻賴 亘賵丿賴鈥屫з嗀� 亘賴 賴賵诏賵 賮乇氐鬲 亘乇乇爻蹖 毓賯丕蹖丿 賵 賳馗乇蹖丕鬲 賲禺鬲賱賮 夭賲丕賳 丕賳賯賱丕亘 乇丕 丿丕丿賴 丕賳丿 .
卮禺氐蹖鬲 賴丕蹖 丕氐賱蹖 讴鬲丕亘 丕賵 乇丕 賲蹖 鬲賵丕賳 賲丕乇讴蹖 丿賵 賱丕賳鬲賵賳丕讴貙 賳賲丕蹖賳丿賴 爻賱胤賳鬲鈥屫焚勜ㄘз� 丕賮乇丕胤蹖 賵 賲禺丕賱賮 爻乇爻禺鬲 噩賲賴賵乇蹖 貙 爻蹖賲賵乇丿賳貙 讴卮蹖卮 噩賲賴賵乇蹖鈥屫堌з囏� 賳賲丕蹖賳丿賴 噩賲賴賵乇蹖鈥屫堌з囏з� 禺卮賳 賵 亘蹖鈥屫必� 貙 丕丨鬲賲丕賱丕 賳夭丿蹖讴 亘賴 胤蹖賮 鬲賳丿乇賵 乇亘爻倬蹖乇 賵 賲丕乇丕 賵 爻乇丕賳噩丕賲 诏賵賵賳 讴賴 禺賵丿 丕卮乇丕賮鈥屫藏ж� 丕爻鬲貙 賳賲丕蹖賳丿賴 噩賲賴賵乇蹖鈥屫堌з囏з� 賲毓鬲丿賱 賵 丕毓鬲丿丕賱蹖 賵 卮丕蹖丿 賳夭丿蹖讴 亘賴 丿丕賳鬲賵賳 丿丕賳爻鬲 .
丿乇 賳賵丿 賵 爻賴 丕賳亘賵賴蹖 卮禺氐蹖鬲 賴丕蹖 丨賯蹖賯蹖 賴賲 丿乇 賲賵賯毓蹖鬲 賴丕蹖 丨賯蹖賯蹖 賵 賵丕賯毓蹖 賵 賴賲 丿乇 賲賵賯毓蹖鬲 賴丕蹖 禺蹖丕賱蹖 丨囟賵乇 丿丕乇賳丿 . 丿乇 賲蹖丕賳 爻賱胤賳鬲 胤賱亘丕賳 诏乇趩賴 賱賵蹖蹖 卮丕賳夭丿賴賲 賵 賲丕乇蹖 丌賳鬲賵丕賳鬲 鬲賵爻胤 诏蹖賵鬲蹖賳 丕毓丿丕賲 卮丿賴 丕賳丿 丕賲丕 賴賲 趩賳丕賳 胤乇賮丿丕乇丕賳蹖 丿丕乇賳丿 讴賴 賴賵丕丿丕乇 賵 禺賵丕賴丕賳 爻賱胤賳鬲 賴爻鬲賳丿 . 丕夭 丕賳賯賱丕亘蹖賵賳 卮丕禺氐 跇丕賳 倬賱 賲丕乇丕 貙 賲丕讴爻蹖賲蹖賱蹖丕賳 乇賵亘爻倬蹖乇 賵 跇乇夭 丿丕賳鬲賵賳 賴爻鬲賳丿 讴賴 亘賴 毓賳賵丕賳 乇賵爻丕蹖 讴賳賵丕賳爻蹖賵賳 丨讴賲 爻乇讴賵亘 卮賵乇卮 乇丕 鬲丕蹖蹖丿 賲蹖 讴賳賳丿 . 丿乇 爻胤丨蹖 倬丕蹖蹖賳 鬲乇 爻賳 跇賵爻鬲 貨 亘乇蹖爻賵 貙 讴丕賲蹖 丿賲賵賱賳 貙 賮賵讴蹖賴 鬲賵賳賵蹖賱 賴賲 丨囟賵乇蹖 賳賴 趩賳丿丕賳 賲賴賲 賵 亘爻蹖丕乇 诏匕乇丕 丿丕乇賳丿 . 丕賲丕 賳賵蹖爻賳丿賴 鬲賳賴丕 亘賴 丕賮乇丕丿 賲賴賲 亘爻賳丿賴 賳讴乇丿賴 貙 丕賵 丕賳亘賵賴蹖 丕夭 賳賲丕蹖賳丿诏丕賳 卮賵乇丕蹖 賲賱蹖 賮乇丕賳爻賴 乇丕 賳丕賲 亘乇丿賴 賵 禺胤 賮讴乇蹖 賵 毓賯丕蹖丿 丌賳丕賳 乇丕 亘賴 丿賯鬲 卮乇丨 丿丕丿賴 . 丿丕賳卮 毓賲蹖賯 賵蹖讴鬲賵乇 賴賵诏賵 诏乇趩賴 賯丕亘賱 鬲丨爻蹖賳 丕爻鬲 丕賲丕 丨噩賲 賵乇賵丿蹖 丕胤賱丕毓丕鬲 亘賴 丕賳丿丕夭賴 丕蹖 丕蹖爻鬲 讴賴 賲賲讴賳 丕爻鬲 爻亘亘 禺爻鬲賴 卮丿賳 禺賵丕賳賳丿賴 卮賵丿 .
賴賵诏賵 噩睾乇丕賮蹖丕蹖 賲賳胤賯賴 亘乇鬲丕賳蹖 乇丕 賴賲 亘丕 賲賴丕乇鬲 鬲賵氐蹖賮 讴乇丿賴 貙 丕賵 丕夭 噩賳诏賱 賴丕蹖蹖 毓賲蹖賯 賵 丕賳亘賵賴 賵 亘賽讴乇 賵 丿乇禺鬲丕賳蹖 丿乇賴賲 鬲賳蹖丿賴 爻禺賳 诏賮鬲賴 讴賴 賲丕賳毓 乇爻蹖丿賳 賳賵乇 禺賵乇卮蹖丿 亘賴 夭賲蹖賳 賲蹖 卮賵賳丿 . 卮丕蹖丿 賴賲蹖賳 鬲丕乇蹖讴蹖 賲丨蹖胤 丕爻鬲 讴賴 亘乇 賲乇丿賲 亘乇鬲丕賳蹖 賴賲 丕孬乇 诏匕丕卮鬲賴 賵 丌賳丕賳 乇丕 胤乇賮丿丕乇 爻賱胤賳鬲 胤賱亘丕賳 讴乇丿賴 . 亘乇 禺賱丕賮 倬丕乇蹖爻 讴賴 睾乇賯 丿乇 卮賵乇 丕賳賯賱丕亘 卮丿賴 丿乇 亘乇鬲丕賳蹖 賵 乇賵爻鬲丕賴丕蹖 丌賳 禺亘乇趩賳丿丕賳蹖 丕夭 丕賳賯賱丕亘 賳蹖爻鬲 .
賵蹖讴鬲賵乇 賴賵诏賵 丿乇 倬丕蹖丕賳 讴鬲丕亘 賵 倬爻 丕夭 噩賳诏蹖 禺賵賳蹖賳貙 丿丕爻鬲丕賳 禺賵丿 乇丕 亘丕 蹖讴 倬蹖丕賲 丕禺賱丕賯蹖 亘賴 倬丕蹖丕賳 乇爻丕賳丿賴. 丿乇 賳诏乇卮 丕禺賱丕賯蹖 丕賵貙 爻蹖乇鬲 丕禺賱丕賯蹖 賵 卮禺氐蹖鬲 丕賳爻丕賳蹖 亘賴 毓賳賵丕賳 丕賵賱蹖賳 丕賵賱賵蹖鬲 賵 賲丨賵乇 丕氐賱蹖 賲賵乇丿 鬲賵噩賴 賯乇丕乇 诏乇賮鬲賴 賵 丿乇 亘乇丕亘乇 爻蹖丕爻鬲 賵 诏乇丕蹖卮鈥屬囏й� 賲禺鬲賱賮 丌賳貙 丕賵賱賵蹖鬲 亘丕賱丕鬲乇蹖 丿丕乇丿. 亘賴 毓亘丕乇鬲 丿蹖诏乇貙 丕賵 亘丕 鬲兀讴蹖丿 亘乇 丕乇夭卮鈥屬囏й� 丕賳爻丕賳蹖 賵 丕禺賱丕賯蹖貙 乇爻鬲诏丕乇蹖 乇丕 丿乇 毓賲賱 亘賴 丕氐賵賱 賵 丕禺賱丕賯蹖丕鬲 丿丕賳爻鬲賴 丕爻鬲 .
Profile Image for Daniel T.
152 reviews38 followers
September 8, 2023
酃鄢 丌禺乇蹖賳 丕孬乇 賳賵蹖爻賳丿賴 毓氐乇 乇賲丕賳鬲蹖爻賲 賮乇丕賳爻賴貙 賵蹖讴鬲賵乇 賴賵诏賵

賯亘賱 丕夭 賳賵卮鬲賳 賴乇 爻禺賳蹖 乇丕噩毓 丕蹖賳 讴鬲丕亘 亘丕蹖丿 丌賳 乇丕 芦丨賲丕爻賴禄 賳丕賲蹖丿貙 趩乇丕 讴賴 禺丿丕 丿乇 賴蹖亘鬲 丿蹖賵 馗賴賵乇 賲蹖讴賳丿貙 爻賳诏丿賱 鬲乇蹖賳 丕賳爻丕賳 賴丕 賳乇賲 賲蹖卮賵賳丿 賵 诏乇蹖賴 賲丕丿乇丕賳 賵 倬蹖乇賲乇丿丕賳 丿乇 卮亘蹖 爻蹖賴 亘賴 賲丕賳賳丿 氐丿丕蹖 噩睾丿蹖 胤賳蹖賳 丕賮讴賳 禺賵丕賴丿 卮丿.

亘乇丕蹖 丿乇讴 趩乇丕蹖蹖 賳賵卮鬲賴 卮丿賳 丕蹖賳 丕孬乇 卮丕蹖丿 賱丕夭賲 亘丕卮丿 賳诏丕賴蹖 亘賴 诏匕卮鬲賴 賴賵诏賵 亘蹖丕賳丿丕夭蹖賲:

賵蹖讴鬲賵乇 賴賵诏賵貙 爻賵賲蹖賳 倬爻乇 跇賵夭賮-賱卅賵倬賵賱丿-爻蹖诏蹖爻亘乇鬲 賴賵诏賵貙 爻乇诏購乇丿 賵 亘毓丿賴丕 跇賳乇丕賱 丕乇鬲卮 賳丕倬賱卅賵賳 亘賵丿. 丿賵乇丕賳 讴賵丿讴蹖 丕賵 亘丕 爻賮乇賴丕蹖 賲丿丕賵賲 倬丿乇卮 亘丕 丕乇鬲卮 賵 亘丕 丕禺鬲賱丕賮丕鬲蹖 讴賴 亘賴 夭賵丿蹖 賵丕賱丿蹖賳卮 乇丕 丕夭 蹖讴丿蹖诏乇 丿賵乇 讴乇丿貙 乇賳诏 丌賲蹖夭蹖 卮丿. 爻賱胤賳鬲鈥屫焚勜ㄛ� 賲丕丿乇卮 賵 賵賮丕丿丕乇蹖 倬丿乇卮 亘賴 讴賳賵丕賳爻蹖賵賳 賵 亘毓丿 丕賲倬乇丕鬲賵乇蹖

夭賳丿诏蹖 丕賵 讴卮賲讴卮蹖 賲蹖丕賳 丕賲倬乇丕鬲賵乇蹖 賵 爻賱胤賳鬲 亘賵丿 .

亘賴 诏賮鬲賴 賴賵诏賵 :芦丿乇 胤賵賱 夭賳丿诏蹖 禺賵蹖卮 賴乇诏夭 卮丕丿賲丕賳蹖賽 亘夭乇诏蹖 乇丕 讴賴 賴賳诏丕賲 賳賵卮鬲賳 芦賳賵丿 賵 爻賴禄 亘賴 丕賵 丿爻鬲 賲蹖丿丕丿貙 丿乇 賳賵卮鬲賳 賴蹖趩 讴鬲丕亘 丿蹖诏乇蹖 丨爻 賳讴乇丿賴 亘賵丿.禄

鄄郾 賳賵丕賲亘乇 郾鄹鄯鄄 :芦丕賲乇賵夭 賳賵卮鬲賳 讴鬲丕亘 芦賳賵丿 賵 爻賴禄 乇丕 丌睾丕夭 賲蹖讴賳賲. 丿乇 丕鬲丕賯 卮蹖卮賴 丕蹖鈥屫з呚� 鬲氐賵蹖乇 卮丕乇賱貙 跇乇跇 賵 跇丕賳 乇丕 丿乇亘乇丕亘乇 趩卮賲丕賳賲 丿丕乇賲. 丿賵丕鬲 讴乇蹖爻鬲丕賱 噩丿蹖丿蹖 乇丕 讴賴 丿乇 倬丕乇蹖爻 禺乇蹖丿賴鈥屫з� 亘乇賲蹖丿丕乇賲貙 丿乇賽 亘胤乇蹖 賲乇讴亘 鬲丕夭賴鈥屫й� 乇丕 亘丕夭 賵 丿賵丕鬲 乇丕 倬乇 賲蹖讴賳賲貙 蹖讴 亘賳丿 讴丕睾匕蹖 乇丕 讴賴 賲禺氐賵氐 賳賵卮鬲賳 丕蹖賳 讴鬲丕亘 禺乇蹖丿賴鈥屫з� 乇賵蹖 賲蹖夭賲 賲蹖诏匕乇丕賲貙 賯賱賲 賯丿蹖賲蹖 禺賵亘蹖 亘乇賲蹖丿丕乇賲 賵 卮乇賵毓 亘賴 賳賵卮鬲賳 賳禺爻鬲蹖賳 氐賮丨賴 賲蹖讴賳賲.禄 郾鄱 丿爻丕賲亘乇 :芦丨丕賱丕 丕诏乇 禺丿丕 亘禺賵丕賴丿貙 賴乇 乇賵夭 亘丿賵賳 丕賳賯胤丕毓 亘賴 賳賵卮鬲賳 丕丿丕賲賴 禺賵丕賴賲 丿丕丿 鈥β�

丿乇 賳馗乇 賴賵诏賵 讴鬲丕亘 芦賳賵丿 賵 爻賴禄 賲賴賲鬲乇蹖賳 丕孬乇 賵蹖 賲蹖亘丕卮丿.


卮丕蹖丿 亘鬲賵丕賳 诏賮鬲 亘夭乇诏鬲乇蹖賳 賴丿賮 賴賵诏賵 丿乇丌孬丕乇卮 丿睾丿睾賴 賲乇丿賲丕賳卮 亘賵丿賴 賵 爻毓蹖 丿丕卮鬲賴 鬲丕 賴賲蹖卮賴 賯卮乇 賴丕蹖 賲禺鬲賱賮 噩丕賲毓賴 乇丕 亘賴 禺氐賵氐 丿乇丿賲賳丿丕賳 賵 賲馗賱賵賲丕賳 乇丕 亘賴 鬲氐賵蹖乇 讴卮丿.

诏賵鬲賴: 芦禺賵亘 丕爻鬲 丕賳爻丕賳 賴丕 丕夭 乇賳噩 賴賲賳賵毓 禺賵丿 丌诏丕賴 亘丕卮賳丿禄

丿乇 讴鬲丕亘 芦賳賵丿 賵 爻賴禄 賳蹖夭 丿乇 讴賳丕乇 丕蹖賳 乇賵丕蹖鬲 鬲丕乇蹖禺蹖貙 賴賵诏賵 趩賳丕賳 亘丕 賳賲丕丿倬乇丿丕夭蹖 賵 丕蹖噩丕丿 诏賮鬲诏賵賴丕貙 乇賵丨 賵 賯賱亘 禺賵丕賳賳丿賴 乇丕 賲蹖 乇亘丕蹖丿 讴賴 禺賵丕賳賳丿賴 乇丕 賵丕丿丕乇 亘賴 賯囟丕賵鬲 賲蹖讴賳丿貙 賲丕丿乇 賵 賮乇夭賳丿丕賳蹖 讴賴 賳卮丕賳賴 賲賱鬲 賵 讴卮賵乇 賴爻鬲賳丿貙 丕卮禺丕氐 卮乇賵乇蹖 讴賴 趩賳丕賳 丿乇 丿賱 禺賵丕賳賳丿賴 噩丕蹖 亘丕夭 賲蹖讴賳賳丿 讴賴 诏賵蹖蹖 丿卮賲賳蹖貙 毓夭蹖夭賽 丌賳賴丕 卮丿賴 丕爻鬲貙 丕賳鬲賯丕賲蹖 讴賴 賲賳噩乇 亘賴 亘乇丕丿乇蹖 賲蹖卮賵丿 賵 丕夭 丕蹖賳 賯亘蹖賱 賲賵囟賵毓丕鬲.

賵 丕賲丕 丿乇 禺氐賵氐 乇賲丕賳貙 賵 趩乇丕蹖蹖 賳丕賲 诏匕丕乇蹖 丌賳 賵 讴賱蹖鬲 賲胤乇丨 卮丿賴 丿乇 丌賳 亘丿蹖賳 卮讴賱 丕爻鬲 讴賴 爻丕賱 郾鄯酃鄢 亘賴 毓賳賵丕賳 丿賵乇丕賳 賵丨卮鬲 丿乇 丕賳賯賱丕亘 賵 丨鬲蹖 鬲丕乇蹖禺 讴賱蹖丿蹖 丕賳賯賱丕亘 賮乇丕賳爻賴 蹖丕丿 賲蹖卮賵丿貙 趩乇丕 讴賴 丿乇 丕蹖賳 爻丕賱 亘蹖卮 丕夭 爻蹖氐丿 賴夭丕乇 賳賮乇 亘賴 夭賳丿丕賳 丕賮鬲丕丿賴 賵 丨丿賵丿 賴賮鬲丕丿 賴夭丕乇 鬲賳 丕夭 噩賲賱賴 卮丕賴 賵 賲賱讴賴 亘丕 诏蹖賵鬲賳 丕毓丿丕賲 卮丿賴 丕賳丿貙 賵 丨丕賱 亘賴 賯賵賱 賳賵蹖爻賳丿賴: 芦酃鄢 爻丕賱 賳亘乇丿 丕乇賵倬丕爻鬲 亘丕 賮乇丕賳爻賴 賵 爻丕賱 賳亘乇丿 賮乇丕賳爻賴 丕爻鬲 亘丕 倬丕乇蹖爻. 丕賲丕 丕賳賯賱丕亘 趩蹖爻鬲責 倬蹖乇賵夭蹖 賮乇丕賳爻賴 丕爻鬲 亘乇 丕乇賵倬丕 賵 倬蹖乇賵夭蹖 倬丕乇蹖爻 丕爻鬲 亘乇 賮乇丕賳爻賴. 毓馗賲鬲 丕蹖賳 爻丕賱 賴賵賱賳丕讴貙 蹖毓賳蹖 酃鄢貙 亘蹖卮 丕夭 亘丕賯蹖 賯乇賳 丕爻鬲.禄
丿乇 丕蹖賳 乇賲丕賳 賴賵诏賵 亘賴 賴蹖趩 毓賳賵丕賳 胤乇賮丿丕乇蹖 噩賳丕丨蹖 乇丕 賳賲蹖讴賳丿貙 趩賴 噩賲賴賵乇蹖 禺賵丕賴 賵 趩賴 爻賱胤賳鬲 胤賱亘 乇丕 乇爻賵丕 賲蹖讴賳丿 賵 倬乇丿賴 丕夭 噩賳丕蹖丕鬲 丌賳賴丕 亘乇賲蹖丿丕乇丿.
賴賵诏賵 亘賴 賲丕賳賳丿 鬲丕乇蹖禺 丿丕賳蹖 夭亘乇丿爻鬲 丕夭 噩賱爻丕鬲 賲賴賲貙 卮禺氐蹖鬲 賴丕貙 丕鬲賮丕賯丕鬲貙 爻乇丕賳 爻賱胤賳鬲 胤賱亘貙 噩賲賴賵乇蹖 禺賵丕賴丕賳 丿賱爻賵夭 賵 丨鬲蹖 亘蹖 乇丨賲 賲蹖诏賵蹖丿 賵 鬲氐賲蹖賲 乇丕 亘乇禺賵丕賳賳丿賴 賵丕诏匕丕乇 賲蹖讴賳丿 讴賴 讴丿丕賲 蹖讴 賲乇丿賲丕賳 乇丕賴 丿乇爻鬲 乇丕 丿乇 倬蹖卮 诏乇賮鬲賴 亘賵丿賳丿 賵 讴丿丕賲 蹖讴 乇丕賴 睾賱胤.

讴鬲丕亘 丿乇 賵丕倬爻蹖賳 賲丕賴 賲賴 郾鄯酃鄢 丿乇 噩賳诏賱 賱丕爻賵丿乇賴 賵 丕乇鬲卮 噩賲賴賵乇蹖 禺賵丕賴丕賳 丌睾丕夭 賲蹖卮賵丿貙 丕乇鬲卮 夭賳蹖 賵 爻賴 賮乇夭賳丿卮 乇丕 丿乇 亘賵鬲賴 夭丕乇蹖 賲蹖丕亘丿 賵 卮乇賵毓 亘賴 爻賵丕賱 讴乇丿賳 丕夭 賵蹖 賲蹖讴賳賳丿貙 夭賳蹖 讴賴 賴賲爻乇 禺賵丿 乇丕 丕夭 丿爻鬲 丿丕丿賴 賵 鬲賲丕賲蹖 賳诏乇丕賳蹖 丕賵 爻賴 賮乇夭賳丿卮 賲蹖亘丕卮丿貙 丕蹖賳 亘蹖賵禺 夭賳 賵 賮乇夭賳丿丕賳 蹖鬲蹖賲 丕賵 賳賲丕丿 賲乇丿賲 爻鬲賲 丿蹖丿賴 賵 賲賱鬲 賴爻鬲賳丿.
乇賲丕賳 丿乇 趩賳丿蹖賳 亘禺卮 乇賵丕蹖鬲 賲蹖卮賵丿貙 跇賳乇丕賱 爻賱胤賳鬲 胤賱亘蹖 讴賴 爻毓蹖 丿丕乇丿 鬲丕 亘賴 賲丨賱 賯乇丕乇蹖 亘乇爻丿 賵 丌賲丕丿賴 賳亘乇 賵丕賳丿賴 卮賵丿貙 賳亘乇丿蹖 讴賴 賲蹖鬲賵丕賳丿 鬲丕孬蹖乇 亘爻夭丕蹖蹖 丿乇 卮讴爻鬲 丕賳賯賱丕亘 丿丕卮鬲賴 亘丕卮丿貙 丕賲丕 爻乇賵賳賵卮鬲 丕蹖賳 跇賳乇丕賱 賵 丕蹖賳 賳亘乇丿 趩蹖夭蹖 賮乇丕蹖 鬲氐賵乇 禺賵丕賳賳丿賴 禺賵丕賴丿 亘賵丿.
爻蹖賲賵乇丿賳 讴卮蹖卮 讴賴 賲丕賲賵乇蹖鬲蹖 丨蹖丕鬲蹖 丿丕乇丿貙 亘丕 丕蹖賳讴賴 賵蹖 賲乇丿蹖 睾囟亘賳丕讴 賵 亘蹖 乇丨賲 丕爻鬲 丕賲丕 丿賱卮 亘乇丕蹖 丕賳賯賱丕亘 賲蹖鬲倬丿貙 亘丕賱丕禺乇賴 賴乇趩賴 賳亘丕卮丿 丕賳賯賱丕亘 賵 賲乇丿賲丕賳 爻鬲賲 丿蹖丿賴 賳蹖夭 亘賴 噩賱丕丿丕賳蹖 賳蹖丕夭 丿丕乇賳丿 鬲丕 亘賴 賴丿賮 禺賵丿 賳夭丿蹖讴 卮賵賳丿.
賲丕乇丕 賵 乇賵亘爻倬蹖乇 丿賵 爻蹖丕爻鬲 賲丿丕乇 賲賴賲 賵 讴賱蹖丿蹖 亘丕 鬲賲丕賲蹖 丕禺鬲賱丕賮 賳馗乇 賴丕 爻毓蹖 丿乇 丕蹖噩丕丿 丕鬲丨丕丿蹖 賴爻鬲賳丿 鬲丕 丕蹖賳 丕賳賯賱丕亘 爻乇丕賳噩丕賲 禺賵亘蹖 丿丕卮鬲賴 亘丕卮丿貙 丌賳賴丕 丿乇 賲蹖讴丿賴 賴丕蹖 賵 讴丕賮賴 賴賴 倬賳賴丕賳蹖 賵 亘賴 丿賵乇 丕夭 趩卮賲 蹖讴丿蹖诏乇 賲賱丕賯丕鬲 賲蹖讴賳賳丿貙 亘丕 丕蹖賳讴賴 丌賳賴丕 趩卮賲 丿蹖丿賳 蹖讴丿蹖诏乇乇丕 賳丿丕乇賳丿 丕賲丕 賴丿賮蹖 賲卮鬲乇讴 丿丕乇賳丿.

芦賮乇丕鬲乇 丕夭 毓丿丕賱鬲 趩蹖爻鬲責 丕賳氐丕賮禄

丿乇 亘禺卮 讴賳賵丕賳爻蹖賵賳 賲蹖禺賵丕賳蹖賲 讴賴 趩胤賵乇 賲乇丿賲 丿乇 噩賱爻丕鬲 卮乇讴鬲 賲蹖讴賳賳丿 賵 卮丕賴丿 丕鬲賮丕賯蹖 亘夭乇诏 丿乇 鬲丕乇蹖禺 賴爻鬲賳丿 賵 丨鬲蹖 亘丕 賳賲丕蹖賳丿诏丕賳 卮賵禺蹖 賲蹖讴賳賳丿 賵 诏丕賴蹖 賲賵乇丿 鬲賲爻禺乇 賯乇丕乇 賲蹖丿賴賳丿. 芦丕賲丕 丕蹖賳 亘賵丿 賵囟毓蹖鬲 讴賳賵丕賳爻蹖賵賳貙 亘蹖 丨丿 賵 賲乇夭貙丕乇丿賵蹖 賲爻鬲丨讴賲 亘卮乇 亘賵丿 丿乇 亘乇丕亘乇 賴噩賵賲賽 鬲丕乇蹖讴蹖. 丿乇 鬲丕乇蹖禺 賴蹖趩 趩蹖夭蹖 賯丕亘賱 賲賯丕蹖爻賴 亘丕 讴賳賵丕賳爻蹖賵賳 賳蹖爻鬲貙 賴賲 爻賳丕 亘賵丿 賵 賴賲 噩丕蹖诏丕賴 毓賵丕賲貙 賴賲 丕賳噩賲賳 讴丕乇丿蹖賳丕賱 賴丕 亘賵丿 賵 賴賲 爻乇诏匕乇貙 賴賲 丕賳噩賲賳 毓賱賲丕 亘賵丿 賴賲 賲蹖丿丕賳 卮賴乇貙 賴賲 丿丕丿诏丕賴 賵 賴賲 賲鬲賴賲.禄

亘乇 禺賱丕賮 鬲氐賵乇丕鬲賲 丕蹖賳 乇賲丕賳 亘賴 賳賵毓蹖 亘賵丿 讴賴 賲丿丕賲 賯賱亘 賵 乇賵丨 禺賵丕賳賳丿賴 乇丕 鬲爻禺蹖乇 賲蹖讴賳丿貙 賵賯鬲蹖 爻乇丕睾 丕蹖賳 讴鬲丕亘 乇賮鬲賲 趩賳丕賳 鬲氐賵乇蹖 丕夭 丌賳 賳丿丕卮鬲賲 讴賴 丕賱亘鬲賴 丕夭 蹖讴 賳賵蹖爻賳丿賴 賵 卮丕毓乇 乇賲丕賳鬲蹖爻賲 鬲賵賯毓 丿蹖诏乇蹖 賳賲蹖鬲賵丕賳 丿丕卮鬲貙 丕丨爻丕爻丕鬲 亘禺卮 毓馗蹖賲蹖 丕夭 賵噩賵丿 丕蹖賳 賳賵蹖爻賳丿诏丕賳 乇丕 丿乇 亘乇诏乇賮鬲賴 丕爻鬲.

亘丿 亘賵丿賳 蹖丕 禺賵亘 亘賵丿賳 丕賳爻丕賳 乇丕 趩賴 趩蹖夭 鬲毓乇蹖賮 賲蹖讴賳丿責 丿乇 趩賳蹖賳 賲賵丕賯毓蹖 卮丕蹖丿 亘丕蹖丿 胤乇賮 賲馗賱賵賲丕賳 乇丕 诏乇賮鬲 賵 夭賳丿賴 亘丕丿 賲賱鬲貙 夭賳丿賴 亘丕丿 丌夭丕丿蹖 賵 夭賳丿賴 亘丕丿 亘乇丕亘乇蹖 爻乇 丿丕丿貙 丕賲丕 丌蹖丕 卮丿賴 亘丕 禺賵丿 丕蹖賳 丕賳丿蹖卮賴 乇丕 丿乇 爻乇 亘诏匕丕乇賳蹖賲 讴賴 胤乇賮 賲賯丕亘賱蹖 讴賴 丿乇 乇賵亘乇賵蹖 賲丕 丕蹖爻鬲丕丿賴 亘乇 趩賴 亘丕賵乇蹖 賵 趩賴 毓賯蹖丿賴 丕蹖 鬲讴蹖賴 夭丿賴 丕爻鬲責 禺亘 賲爻賱賲丕 讴爻蹖 賲賵丕賮賯 馗賱賲 賳蹖爻鬲 賵 禺賮鬲 乇丕 丕賳鬲禺丕亘 賳賲蹖讴賳丿. 丕賲丕 诏丕賴蹖 卮丕蹖丿 賱丕夭賲 亘丕卮丿 亘賴 賮乇丿蹖 賮乇氐鬲蹖 丿賵亘丕乇賴 丿丕丿 趩乇丕 讴賴 丨鬲蹖 亘丿鬲乇蹖賳 丕賳爻丕賳 賴丕 賳蹖夭 丿乇 倬蹖 丕鬲賮丕賯蹖 賲賲讴賳 丕爻鬲 賲鬲丨賵賱 卮賵賳丿. 丕蹖賳 蹖讴蹖 丕夭 賲賵囟賵毓丕鬲蹖 丕爻鬲 讴賴 丿乇 丕蹖賳 乇賲丕賳 亘丕 丌賳 爻乇 賵 讴丕乇 丿丕乇蹖賲 賵 賴乇趩賯丿乇 賴賲 禺賵丕賳賳丿賴 噩丕賳亘 丿丕乇蹖 賲賱鬲 爻鬲賲 丿蹖丿賴 乇丕 讴賳丿貙 丌禺乇 丕蹖賳 鬲丨賵賱 賵 丕夭 禺賵丿诏匕卮鬲诏蹖 賴丕 诏乇蹖亘丕賳 禺賵丕賳賳丿賴 乇丕 賲蹖诏蹖乇丿 賵 亘丕 卮禺氐蹖鬲 毓亘賵爻 賵 馗丕賱賲 賴賲夭丕丿倬賳丿丕乇蹖 賲蹖讴賳丿 賵 亘乇丕蹖 丕賵 丿賱 賲蹖爻賵夭丕賳丿. 亘賴 賯賵賱 丌賯丕蹖 賴賵诏賵:芦丕賳爻丕賳 賵丕賯毓蹖 亘乇鬲乇 丕夭 噩賲賴賵乇蹖 禺賵丕賴 賵 蹖丕 爻賱胤賳鬲 胤賱亘 賵丕賯毓蹖 丕爻鬲禄 賵 蹖丕:芦丕賳爻丕賳蹖鬲 亘乇 丕賳爻丕賳 倬蹖乇賵夭 卮丿禄

芦賳賲丕蹖卮 爻賵丿賲賳丿蹖 亘賵丿貙 丕賳丿乇 亘賵丿貙 丿乇爻 亘賵丿. 丿乇 亘乇丕亘乇 賴賲賴 賯鬲賱 賵 睾丕乇鬲 賴丕. 亘賴 賳丕诏丕賴 丿蹖丿賳丿 讴賴 丕亘乇 賯丿乇鬲蹖 賯丿 亘乇丕賮乇丕卮鬲貙 賵 丌賳 賲毓氐賵賲蹖鬲 亘賵丿禄
丕賳賯賱丕亘 賲賵囟賵毓 毓噩蹖亘蹖 丕爻鬲貙 丕賳賯賱丕亘 乇丕 趩賴 讴爻蹖 丌睾丕夭 賲蹖讴賳丿責 乇賴亘乇丕賳責 賲噩賱爻責 馗賱賲責 爻鬲賲責 賳賲蹖鬲賵丕賳 倬丕爻禺蹖 丿賯蹖賯 亘賴 丌賳 丿丕丿 賵 丌賳 乇丕 賲蹖鬲賵丕賳 爻賱爻賴 賲乇丕鬲亘蹖 鬲毓乇蹖賮 讴乇丿 讴賴 賲賳噩乇 亘賴 丕蹖賳 毓賲賱 賲蹖卮賵賳丿. 賵 诏丕賴蹖 丕蹖賳 丕賳賯賱丕亘 賲蹖鬲賵丕賳丿 亘賴 丿爻鬲 賲乇丿丕賳 賯丿乇鬲 亘賴 鬲亘毓丕鬲蹖 亘丿鬲乇 丕夭 賯丿乇鬲 丨丕讴賲 賯亘賱蹖 卮賵賳丿貙 丕賳賯賱丕亘 賴丕 賳乇丿亘丕賳蹖 亘乇丕蹖 馗賴賵乇 丿蹖讴鬲丕鬲賵蹖 噩丿蹖丿 禺賵丕賴賳丿 亘賵丿 賵 卮丕蹖丿賲 乇賴丕蹖蹖 丕夭 丿爻鬲 丿蹖讴丕鬲賵乇賴丕貙 丿乇 丕賳賯賱丕亘 亘丕蹖丿 賲乇丕賯亘 亘賵丿.

賴賵诏賵 丿乇 亘毓囟蹖 賯爻賲鬲 賴丕 卮乇賵毓 亘賴 丿丕丿賳 丕胤賱丕毓丕鬲 亘賴 氐賵乇鬲 诏爻鬲乇丿賴 賲蹖讴賳丿 讴賴 禺賵丕賳賳丿賴 乇丕 倬丕讴 诏蹖噩 賵 賲亘賴賵鬲 賲蹖讴賳丿 賵 卮丕蹖丿 丿乇 亘毓囟蹖 賯爻賲鬲 賴丕 丨賵氐賱賴 禺賵丕賳賳丿賴 乇丕 賳蹖夭 爻乇 亘亘乇丿 丕賲丕 丿乇 倬爻 丕蹖賳 丕胤賱丕毓丕鬲 噩賲賱丕鬲 囟丿 賵 賳賯蹖囟 丕賳賯賱丕亘蹖賵賳 賵 爻賱胤賳鬲 胤賱亘 賴丕乇丕 賲蹖禺賵丕賳蹖賲 讴賴 丨丕賱 賵 賴賵丕蹖 丕賳賯賱丕亘 賵 丨鬲蹖 卮賵乇蹖丿诏蹖 賲乇丿賲丕賳 乇丕 丿乇 倬爻 丕蹖賳 讴賱賲丕鬲 賲蹖鬲賵丕賳 丿乇蹖丕賮鬲貙 丿乇 倬爻 丕蹖賳 丕胤賱丕毓丕鬲 卮丕蹖丿 卮禺氐蹖鬲 賴丕蹖蹖 賳賴賮鬲賴 亘丕卮賳丿 讴賴 賮乇丕賲賵卮 卮丿賴 丕賳丿.

丿乇 丌孬丕乇 賴賵诏賵 夭賳丕賳 賴賲蹖卮賴 賳賯爻 亘爻夭丕蹖蹖 丿丕卮鬲賴 丕賳丿 賵 賴賵诏賵 賳蹖夭 夭賳 賴丕 乇丕 賲賴乇賴 丕蹖 讴賱蹖丿蹖 賵 丕爻丕爻蹖 丿乇 噩丕賲毓賴 賲蹖丿丕賳爻鬲. 卮禺氐丕 丿賵 丕孬乇 丕夭 賴賵诏賵 賳禺賵丕賳丿賴 丕賲貙 丌禺乇蹖賳 乇賵夭 蹖讴 賲丨讴賵賲 賵 趩蹖夭蹖 讴賴 丨丕賱 乇丕噩毓 丌賳 丿乇 丨丕賱 氐丨亘鬲 賴爻鬲蹖賲貙 蹖毓賳蹖 芦賳賵丿 賵 爻賴禄貙 丕賲丕 丕賯鬲亘丕爻 賴丕蹖 丌孬丕乇 丕蹖賳 賳賵蹖爻賳丿賴 乇丕 丿蹖丿賴 丕賲 賵 賲蹖鬲賵丕賳 亘賴 噩乇丕鬲 诏賮鬲 夭賳丕賳 賴賲蹖卮賴 賲賵乇丿 鬲賵噩賴 賴賵诏賵 亘賵丿賴 丕賳丿貙 賴乇趩賳丿 卮丕蹖丿 睾乇蹖夭賴 丌賳 賴丕 乇丕 亘賴 賲丕賳賳丿 丨蹖賵丕賳丕鬲 匕讴乇 讴賳丿 丕賲丕 亘賴 賴蹖趩 賵噩賴 丿賱蹖賱 亘乇 亘蹖 丕丨鬲乇丕賲蹖 亘乇丌賳丕賳 賳蹖爻鬲貙 亘賱讴賴 丌賳 賴丕 乇丕 倬蹖乇賵 禺胤蹖 賲蹖丿丕賳丿 讴賴 賯賵蹖 鬲乇蹖賳 賲乇丿丕賳 賳蹖夭 丕夭 賯丿賲 賳賴丕丿賳 丿乇 丕蹖賳 賲爻蹖乇 賱乇夭賴 亘乇 鬲賳卮丕賳 丕賮鬲丕丿賴 賵 倬丕 倬爻 讴卮蹖丿賴 丕賳丿貙 卮丕蹖丿 亘鬲賵丕賳 诏賮鬲 芦夭賳丕賳禄 賳賲丕丿 丕蹖爻鬲丕丿诏蹖 丿乇 丌孬丕乇 賴賵诏賵 賲蹖亘丕卮賳丿. 丿乇 亘禺卮蹖 丕夭賲讴丕賱賲丕鬲 爻蹖賲賵乇丿賳 賵 诏賵賵賳 亘乇 爻乇 亘乇丕亘乇蹖 夭賳 賵 賲乇丿 賲亘丕丨孬賴 丕蹖 夭蹖亘丕 卮讴賱 賲蹖诏蹖乇丿貙 爻蹖賲賵乇丿賳 倬丕賮卮丕乇蹖 賲蹖讴賳丿 讴賴 賲乇丿 爻乇賵乇 丕爻鬲 賵 诏賵賵賳 賲蹖诏賵蹖丿 亘賴 蹖讴 卮乇胤貙 讴賴 夭賳 賲賱讴賴 亘丕卮丿.

賴賵诏賵 丿乇 丕蹖賳 丕孬乇 亘賴 賲丕賳賳丿 丕爻鬲乇鬲跇蹖爻鬲 噩賳诏貙 丕賱賲丕賳 賴丕 賵 賲賵賯毓蹖鬲 賲乇亘賵胤 亘賴 賳亘乇丿 乇丕 賳蹖夭 亘賴 禺賵丕賳賳丿賴 賳卮丕賳 賲蹖丿賴丿貙 诏賵蹖丕 賮乇賲丕賳丿賴 丕蹖 丿乇 丨丕賱 鬲賵囟蹖禺 丿丕丿賳 亘禺卮 賴丕蹖 丿跇蹖 丕爻鬲 讴賴 鬲丕 爻丕毓丕鬲蹖 丿蹖诏乇 乇賯氐 丌鬲卮 賵 爻賵禺鬲賳 丌賳 卮亘 乇丕 亘賴 賲丕賳賳丿 乇賵夭 乇賵卮賳 讴賳丿. 賴賵诏賵 丿爻鬲 禺賵丕賳賳丿賴 乇丕 诏乇賮鬲賴 賵 丿乇 丿禺賲賴 賴丕蹖 丿跇 賲蹖趩乇禺丕賳丿 賵 亘賴 賲丕賳賳丿 蹖讴 乇丕賴賳賲丕蹖 诏乇丿卮诏乇蹖 丕夭 噩丕蹖 噩丕蹖 丕蹖賳 賲讴丕賳 賴賵賱賳丕讴 賲蹖诏賵蹖丿貙 丕夭 爻蹖丕賴 趩丕賱賴貙 讴鬲丕亘禺丕賳賴貙 丿蹖賵丕乇 賴丕 賵 賲賯丕賵賲鬲 丿乇賵丕夭賴 賵 賴賲趩賳蹖賳 賳賯胤賴 囟毓賮 賴丕蹖 丕蹖賳 睾賵賱 賲爻鬲丨讴賲.

芦賴蹖趩诏丕賴 丿乇 賴蹖趩 賳亘乇丿蹖 貙 賳賴 卮蹖胤丕賳 趩賳蹖賳 丌卮讴丕乇 亘賵丿貙 賳賴 禺丿丕. 毓乇氐賴 丕蹖賳 賳亘乇丿 賵噩丿丕賳 亘賵丿.禄

跇賳乇丕賱蹖 讴賴 賮乇氐鬲 賮乇丕乇 乇丕 丿丕卮鬲賴 賵 丿乇 丨丕賱 賮乇丕乇 丕爻鬲 亘丕 氐丿丕蹖 賮乇蹖丕丿蹖 噩丕賳讴丕賴 爻乇 亘乇賲蹖诏乇丿丕賳丿 賵 亘賴 氐丿丕 诏賵卮 賮乇丕賲蹖丿賴丿貙 氐丿丕蹖蹖 賲馗賱賵賲貙 氐丿丕蹖蹖 讴賴 禺賵丿 亘丕毓孬 亘乇賵夭 丌賳 卮丿賴 丕爻鬲. 丕賲丕 丿乇 蹖讴 丌賳 賵 丿乇 蹖讴 賱丨馗賴 丕賳丿蹖卮賴 丕蹖 亘丕 禺賵丿 賲蹖讴賳丿 讴賴 賲丕 丕夭 丌賳 禺亘乇丿丕乇 賳禺賵丕賴蹖賲 卮丿貙 丕賳丿蹖卮賴 丕蹖 讴賴 丕夭 丿賱賽 爻賳诏 丿賱 鬲乇蹖賳 丕賳爻丕賳 賴丕 賳蹖夭 賲賲讴賳 丕爻鬲 爻乇 亘夭賳丿. 丨丕賱 丕蹖賳 賲乇丿 睾囟亘貙 丕蹖賳 賲乇丿 噩丕賳蹖 賵 爻鬲賲诏乇 賵賯鬲蹖 賲蹖鬲賵丕賳丿 噩丕賳 禺賵丿 乇丕 賳噩丕鬲 丿賴丿 鬲氐賲蹖賲 亘乇 丌賳 賲蹖诏蹖乇丿 讴賴 禺賵丿 乇丕 賮丿丕蹖 爻賴 噩丕賳賽 爻鬲賲 丿蹖丿賴 讴賳丿貙 賵 噩賵丕亘 丕蹖賳 丕夭 禺賵丿诏匕卮鬲蹖 趩蹖夭蹖 噩夭 賲乇诏 賳蹖爻鬲貙 噩丕賳卮 乇丕 禺賵丕賴賳丿 诏乇賮鬲貙 丕蹖賳 ... 倬丕丿丕卮 丿賱丕賵乇蹖 丕爻鬲.

芦亘蹖 丕毓鬲賳丕 诏丕賲 亘乇賲蹖丿丕卮鬲貙 亘賳丿 亘乇 丿爻鬲 賵 倬丕蹖卮 賳亘賵丿. 丕賵賳蹖賮賵乇賲 毓丕丿蹖 倬賵卮蹖丿賴 亘賵丿 賵 卮賲卮蹖乇卮 亘乇 讴賲乇卮 亘賵丿貙 倬卮鬲 爻乇卮 趩賳丿 跇丕賳丿丕乇賲 丿蹖诏乇 丌賲丿賳丿. 賵賯鬲蹖 丕賵 乇丕 丿蹖丿 亘賴 禺賵丿 賱乇夭蹖丿. 亘賴 爻賵蹖 爻讴賵蹖 丕毓丿丕賲 賯丿賲 亘乇丿丕卮鬲貙 卮賲卮蹖乇卮 乇丕 亘丕夭 讴乇丿 賵 亘賴 丕賮爻乇 丿丕丿 賵 丿爻鬲賲丕賱 诏乇丿賳卮 乇丕 賳蹖夭 亘賴 噩賱丕丿 丿丕丿. 卮亘蹖賴 卮賲丕蹖賱 亘賵丿貙 賴乇诏夭 趩賳蹖賳 夭蹖亘丕 賳亘賵丿. 賲賵賴丕蹖卮 乇丕 亘丕丿 倬乇蹖卮丕賳 賲蹖讴乇丿貙 亘丕蹖丿 賲丨讴賵賲 乇丕 賲蹖亘爻鬲賳丿.蹖讴蹖 賮乇蹖丕丿 夭丿:芦 亘賴 噩丕蹖 丕賵 賲乇丕 丕毓丿丕賲 讴賳蹖丿.禄 噩賱丕丿 丿乇賳诏 乇丕 噩丕蹖夭 賳丿丕賳爻鬲貙 胤賳丕亘 亘賴 丿爻鬲 亘賴 倬蹖卮 乇賮鬲. 賲鬲賴賲 诏賮鬲 丿爻鬲 賳诏賴 丿丕乇蹖丿 賵 亘賴 爻賲鬲 賯丕囟蹖 亘乇诏卮鬲 賵 亘賴 丕賵 丿爻鬲 鬲讴丕賳 丿丕丿 賵 賮乇蹖丕丿 亘乇丕賵乇丿:芦 夭賳丿賴 亘丕丿 ....禄 丕賵 乇丕 亘乇 氐賮丨賴 賲鬲丨乇讴 禺賵丕亘丕賳丿賳丿. 噩賱丕丿 爻乇 賲睾乇賵乇 夭蹖亘丕蹖卮 乇丕 賲蹖丕賳 乇賵夭賳賴 诏乇丿 诏匕丕卮鬲 賵 賮賳乇 乇丕 賮卮丕乇 丿丕丿貙 鬲蹖睾賴 乇賴丕 卮丿貙 氐丿丕蹖 讴乇蹖賴蹖 亘賴 诏賵卮 乇爻蹖丿 ... 丿乇 賴賲丕賳 賱丨馗賴 氐丿丕蹖 丿蹖诏乇蹖 亘乇禺丕爻鬲貙 氐丿丕蹖 诏賱賵賱賴貙 賯丕囟蹖 亘丕 鬲倬丕賳趩賴 亘賴 賯賱亘 禺賵丿 卮賱蹖讴 讴乇丿賴 亘賵丿 賵 賴賳诏丕賲蹖 讴賴 禺賵賳 丕夭 丿賴丕賳卮 噩丕乇蹖 亘賵丿 亘乇 夭賲蹖賳 丕賮鬲丕丿. 賵 丕蹖賳 丿賵 乇賵丨 丿乇丿賲賳丿 丿乇 讴賳丕乇 賴賲 亘賴 丌爻賲丕賳 倬乇 讴卮蹖丿賳丿貙 賮乇賵睾 蹖讴蹖 亘丕 馗賱賲鬲 丿蹖诏乇蹖 丿乇丌賲蹖禺鬲賴 亘賵丿禄

丕孬乇蹖 丨賲丕爻蹖 賵 鬲乇丕跇蹖讴 ....

丨丕賱 讴賴 亘賴 丌禺乇蹖賳 丕孬乇 賴賵诏賵 賲蹖倬乇丿丕夭賲 卮丕蹖丿 亘丿 賳亘丕卮丿 丕胤賱丕毓丕鬲蹖 賳蹖夭 丕夭 賵丕倬爻蹖賳 毓賲乇 丕蹖賳 賳賵蹖爻賳丿賴 卮賴蹖乇 丿乇 丕蹖賳噩丕 亘賳賵蹖爻賲.
賴賵诏賵 賳賵卮鬲賳 丕蹖賳 乇賲丕賳 乇丕 丿乇 爻賳 鄯郯 爻丕賱诏蹖 丌睾丕夭 讴乇丿 賵 乇賵卮蹖 讴賴 亘乇丕蹖 賳賵卮鬲賳 讴鬲丕亘 丿乇 鄢郯 爻丕賱诏蹖 亘賴 讴丕乇 诏乇賮鬲賴 亘賵丿 乇丕 亘賴 讴丕乇 诏乇賮鬲 賵 丌賳 蹖讴爻乇賴 賳賵卮鬲賳 亘賵丿. 丿乇 丕蹖賳 爻賳 賳賴 丕夭 賳蹖乇賵蹖卮 趩蹖夭蹖 讴丕爻鬲賴 卮丿賴 亘賵丿 賵 賳賴 丕夭 賯丿乇鬲 賲丿丕賵賲 禺賱丕賯丕賳賴 丕卮. 芦賳賵丿 賵 爻賴禄 賲賵囟賵毓蹖 丕爻鬲 讴賴 丿乇 噩賵丕賳蹖 丕賵 乇丕 爻禺鬲 亘乇 丌卮賮鬲賴 亘賵丿 趩乇丕 讴賴 賳亘乇丿 亘蹖賳 芦丌亘蹖 賴丕禄 賵 芦爻賮蹖丿賴丕禄 匕賴賳 丕賵 乇丕 爻禺鬲 丿乇 讴卮賲讴卮 賯乇丕乇 賲蹖丿丕丿.

賴賵诏賵 亘丕 丌賳讴賴 乇賵丨卮 爻乇卮丕乇 丕夭 禺乇爻賳丿蹖 亘乇丕蹖 賳賵卮鬲賳 讴鬲丕亘 芦賳賵丿 賵 爻賴禄 卮丿賴 亘賵丿貙 丕賲丕 賲卮讴賱丕鬲 乇賵丨蹖 爻禺鬲蹖 乇丕 賳蹖夭 丕夭 爻乇 诏匕乇丕賳丿. 丿乇诏蹖乇蹖 賴丕蹖 禺丕賳賵丕丿诏蹖 賵 丕賳夭賵丕蹖 賴賵诏賵.
爻蹖丕爻鬲 賵蹖 乇丕 丕夭 丿賵爻鬲丕賳卮 噩丿丕 讴乇丿賴 亘賵丿貙 丌禺乇蹖賳 亘丕乇 爻丕賱 郾鄹鄣郾 亘賵丿 讴賴 亘賴 賮乇賴賳诏爻鬲丕賳 乇賮鬲賴 亘賵丿 賵 丨丕賱 倬爻 丕夭 鄄鄣 爻丕賱 睾蹖亘鬲 丿乇 爻丕賱 郾鄹鄯鄞 亘賴 賮乇賴賳诏爻鬲丕賳 亘乇诏卮鬲 鬲丕 丿乇 丕賳鬲禺丕亘丕鬲 卮乇讴鬲 讴賳丿貙 鬲氐賵乇 讴賳蹖丿 賳賵蹖爻賳丿賴 丕蹖 趩賳蹖賳 卮賳丕禺鬲賴 卮丿賴 亘丕卮蹖丿 賵 賳丕賲鬲丕賳 亘乇 爻乇 夭亘丕賳 賴丕 亘丕卮丿貙 丕賲丕 亘丕 丕蹖賳 丨丕賱 卮賲丕 乇丕 賮乇丕賲賵卮 讴乇丿賴 亘丕卮賳丿貙 賴賳诏丕賲蹖 讴賴 賲蹖禺賵丕爻鬲 丕夭 丿乇 賮乇賴賳诏爻鬲丕賳 賵丕乇丿 卮賵丿 丿乇亘丕賳 賮乇蹖丕丿 亘乇丌賵乇丿 :芦賳賲蹖 卮賵丿 丿丕禺賱 卮賵蹖丿禄 丿乇亘丕賳 丿蹖诏乇蹖 诏賮鬲:芦 丕賵 丌賯丕蹖 賵蹖讴鬲賵乇 賴賵诏賵 丕爻鬲貙 賲诏乇 賲鬲賵噩賴 賳蹖爻鬲蹖禄
賲丿蹖乇 賮乇賴賳诏爻鬲丕賳 亘賴 賴賳诏丕賲 丨囟賵乇 賵 睾蹖丕亘 賳丕賲 丕賵乇丕 丕夭 賯賱賲 丕賳丿丕禺鬲. 賮賯胤 倬賳噩 賳賮乇 丕夭 丕毓囟丕 丌賲丿賳丿 賵 亘丕 丕賵 丿爻鬲 丿丕丿賳丿貙 丕賲丕 丿乇 丨蹖丕胤貙 賴賲賴 讴爻丕賳蹖 讴賴 丿乇 丌賳噩丕 丨囟賵乇 丿丕卮鬲賳丿貙 賴賳诏丕賲蹖 讴賴 丕賵 丕夭 亘乇丕亘乇卮丕賳 賲蹖诏匕卮鬲貙 亘賴 丕丨鬲乇丕賲卮 亘蹖 丕禺鬲蹖丕乇 讴賱丕賴 丕夭 爻乇 亘乇丿丕卮鬲賳丿.

丿乇 爻丕賱 郾鄹鄯鄯貙 賲噩賲賵毓賴 蹖 芦賴賳乇 倬丿乇亘夭乇诏 亘賵丿賳禄 乇丕 賲賳卮鬲乇 讴乇丿賴 亘賵丿 讴賴 賳卮丕賳 賲蹖丿丕丿 趩賴 毓卮賯 賵 毓賱丕賯賴 丕蹖 亘賴 禺丕賳賵丕丿賴 禺賵丿貙 禺氐賵氐丕 賳賵賴 賴丕蹖卮 丿丕乇丿貙 賴賵诏賵 讴鬲丕亘 賴丕蹖卮 乇丕 亘丕 丕卮毓丕乇蹖 亘乇 賵蹖 丌賳 亘賴 賳賵賴 賴丕蹖卮 鬲賯丿蹖賲 賲蹖讴乇丿. 乇賵蹖 噩賱丿 芦爻丕賱 賲禺賵賮禄 讴賴 亘乇丕蹖 跇乇跇 诏匕丕卮鬲賴 亘賵丿貙 趩賳蹖賳 賳賵卮鬲賴 亘賵丿:芦 亘賴 跇乇跇貙 丕夭 丨丕賱丕 鬲丕 倬丕賳夭丿賴 爻丕賱 丿蹖诏乇: 丌蹖賳丿賴貙 丌賳 胤賵乇 讴賴 賯賱亘賲 丌賳 乇丕 丿乇讴 賲蹖讴賳丿 賲賵乇丿 禺賵卮丕蹖賳丿 賲賳 丕爻鬲貙 夭蹖乇丕 賲賳貙 禺賵丕賴賲 賲乇丿 賵 鬲賵 亘夭乇诏 禺賵丕賴蹖 卮丿禄 乇賵蹖 噩賱丿 讴鬲丕亘蹖 讴賴 亘賴 跇丕賳 賳蹖夭 鬲賯丿蹖賲 讴乇丿 趩賳蹖賳 賳賵卮鬲賴 亘賵丿:芦 爻丕蹖賴 蹖 讴賵趩讴鬲貙 丕蹖賳 丨賲丕爻賴 卮诏賮鬲 乇丕 爻乇卮丕乇 賲蹖讴賳丿貙 亘禺賵丕賳貙 跇丕賳貙 丿乇 毓蹖賳 夭賳 卮丿賳貙 賮乇卮鬲賴 亘賲丕賳禄
丕賵 丕夭 毓乇賵爻卮 賲蹖禺賵丕爻鬲 亘丕 丕蹖賳讴賴 亘趩賴 賴丕 爻賳 讴賲蹖 丿丕卮鬲賳丿 丕賲丕 丿乇 鬲賲丕賲蹖 賲乇丕爻賲 乇爻賲蹖 賵 卮丕賲 賴丕 卮乇讴鬲 丿丕卮鬲賴 亘丕卮賳丿.
(丕蹖賳噩丕 亘丕蹖丿 亘賴 賳讴鬲賴 丕蹖 賳蹖夭 丕卮丕乇賴 讴賳賲貙 讴賵丿讴 賴丕蹖 诏賲诏卮鬲賴 丕蹖 讴賴 賳卮丕賳 丕夭 賲賱鬲 丿丕乇賳丿 賳丕賲 賴丕蹖蹖 賲卮丕亘賴 亘丕 賳賵賴 賴丕蹖 丌賯丕蹖 賵蹖讴鬲賵乇 賴賵诏賵 丿丕乇賳丿)

爻丕賱 郾鄹鄹郾 丕爻鬲 賵 爻丕賱诏乇丿 賴卮鬲丕丿賲蹖賳 爻丕賱 鬲賵賱丿 賴賵诏賵貙 诏賵蹖蹖 噩卮賳蹖 賲賱蹖 亘乇倬丕 卮丿賴 丕爻鬲貙 禺蹖丕亘丕賳 賴丕 乇丕 丌乇丕爻鬲賴 賵 丕夭 賲乇丿賲 倬丕乇蹖爻 丿毓賵鬲 卮丿賴 鬲丕 丿乇 乇賵夭 鄄鄱 賮賵乇蹖賴 乇跇賴 亘乇賵賳丿貙 诏賵蹖蹖 賲丨亘賵亘 賲賱鬲 亘賴 賲賯丕賲蹖 賵丕賱丕 鬲乇 乇爻蹖丿賴 丕爻鬲.

丿乇 爻丕賱 郾鄹鄹鄞 賵 倬爻 丕夭 賲乇诏 跇賵賱蹖鬲貙 賲毓卮賵賯賴 賵 賳丕賲夭丿 賵蹖貙 丕夭 丿賵爻鬲丕賳卮 禺賵丕爻鬲 鬲丕 丿蹖诏乇 爻丕賱诏乇丿 鬲賵賱丿 賵蹖 乇丕 亘賴 丕賵 鬲亘乇蹖讴 賳诏賵蹖賳丿 賵 亘乇丕蹖卮丕賳 趩賳蹖賳 賳賵卮鬲:芦 賯賱亘賲 趩賳丕賳 爻乇卮丕乇 丕夭 爻賵诏 丕爻鬲 讴賴 噩卮賳 丿蹖诏乇 賲賮賴賵賲蹖 賳丿丕乇丿禄
賵 丿乇 丌禺乇 丿乇 亘蹖爻鬲 賵 丿賵賲 賲丕賴 賲賴 爻丕賱 郾鄹鄹鄣 亘丕 亘賴 賱亘 丌賵乇丿賳:芦賳賵乇蹖 爻蹖丕賴 賲蹖亘蹖賳賲禄 夭賳丿诏蹖 乇丕 亘丿乇賵丿 诏賮鬲.
亘賴 诏賮鬲賴 乇賵賲賳 乇賵賱丕賳:芦 卮亘蹖 賮乇丕賲賵卮 賳卮丿賳蹖 亘賵丿貙 丿乇賴賲賴 卮賴乇賴丕蹖 賮乇丕賳爻賴 賲乇丿賲 亘賴 爻賵诏 賳卮爻鬲賴 亘賵丿賳丿禄
Profile Image for Peter.
378 reviews210 followers
January 30, 2022
Ich schreibe diese Eindr眉cke unmittelbar nach der Lekt眉re des Buches. Meine grundlegende Frage ist: Was war das? Ein historischer Roman? Eine Landschaftsbeschreibung Nordwestfrankreichs? Ein Jahresbuch des Jahres 1793? Oder gar ein Manifest des Humanismus vor dem Hintergrund der bestialischen Ereignisse (Gr盲uel wetteiferten mit Gr盲ueln) w盲hrend des royalistischen Aufstandes in der Vend茅e? Es scheint beinahe als h盲tten verschieden Autoren an dem Buch mitgewirkt. Es gibt zwei Erz盲hlstr盲nge, zum einen das Schicksal der Bettlerin Michelle Fl茅chard und ihrer drei kleinen Kinder, zum anderen die Verflechtungen des greisen Marquis de Lantenac, dem Anf眉hrer des Aufstandes, seines schw盲rmerischen Gro脽neffen und ex-Vicomte de Gauvain, dem Kommandeur der republikanischen Truppen zu dessen Bek盲mpfung und des (ex-Abb茅) Cimourdain, ehemals Gauvains Hauslehrer, einem jakobinischen Hardliner. All diese Personen sind fiktiv, allerdings ist Gauvain der franz枚sische Name des Tafelritters Gawain. Eine Sonderstellung nimmt die Szene zwischen den damaligen Revolutionsf眉hrern Robbespierre, Danton und Marat in einem Hinterzimmer der Gastst盲tte in der Rue du Paon ein, die einen Glanzpunkt des Romans bildet.



Hugo beh盲lt zun盲chst eine neutrale Position und verurteile das republikanische Ohne Gnade, keinen Pardon! genauso wie das royalistische Mitleid ist dummes Zeug. Seine Sympathie gilt den Underdogs die auf die Frage 鈥濻ind Sie Republikaner oder sind Sie Royalist?鈥� 鈥� 鈥濱ch bin Armer鈥� antworten, und bemerkt Es gibt noch einen schmerzlicher beklemmenden Anblick als einen brennenden Palast, das ist eine brennende H眉tte. Mit der Zeit kristallisiert sich heraus, dass Hugo sehr wohl die Ideale der Revolution unterst眉tzt, nicht aber deren Ausw眉chse zur Zeit des Wohlfahrtsausschuss und des Grande Terreur. Er sieht die aufst盲ndischen Bauern als Blinde, die nicht f盲hig waren, jenes Licht (der Revolution) zu begr眉脽en, stattdessen sich aber von ihren ehemaligen Herren und dem Klerus alles weismachen lie脽en. Sein Ideal verk枚rpert Gauvain und dessen Meinung



Ich habe von diesem Buch unglaublich viel 眉ber die Jahre der franz枚sischen Revolution gelernt. Trotzdem haben mich weder seine Komposition, noch der pl枚tzliche Sinneswandel (die 痴别谤办濒盲谤耻苍驳) der Hauptpersonen am Ende 眉berzeugt. Neben den anfangs erw盲hnten trage ich noch eine weitere Frage mit mir herum. Hugo schreibt: Die Vend茅e hat der Bretagne ein Ende gemacht. Ist also der Aufstand und seine Niederschlagung f眉r das Weitgehende aussterben der spezifischen bretonischen Identit盲t, Kultur und Sprache verantwortlich? Ich werde im Rahmen eines Miniprojekts mit einem 欧宝娱乐-Freund demn盲chst noch von Balzac lesen. Vielleicht komme ich dann einer Antwort n盲her.



Die Orthographie dieser Ausgabe ist zwar etwas gew枚hnungsbed眉rftig, daf眉r ist sie fl眉ssig zu lesen und enth盲lt als Bonus die eindrucksvollen Illustrationen von Diog猫ne Maillart.
Profile Image for 賲丨賲丿賯丕卅賲 禺丕賳蹖.
258 reviews88 followers
September 19, 2020
.

丕蹖賳 乇賲丕賳貙 丌禺乇蹖賳 丕孬乇 丿丕爻鬲丕賳蹖 賴賵诏賵爻鬲. 亘毓丿 丕夭 賳賵卮鬲賳 亘蹖賳賵丕蹖丕賳貙 亘賴 賮讴乇 丕賮鬲丕丿賴 讴賴 乇賲丕賳蹖 賲禺鬲氐 丕賳賯賱丕亘 賮乇丕賳爻賴 亘賳賵蹖爻丿 賴乇趩賳丿 亘蹖賳賵丕蹖丕賳 倬乇 丕爻鬲 丕夭 丕乇噩丕毓丕鬲 亘賴 丕賳賯賱丕亘. 丿乇 賳賵丿 賵 爻賴 賲丕 亘丕 趩賴 賲賵丕噩賴 賲蹖 卮賵蹖賲責 賳賵蹖爻賳丿賴 趩賴 亘乇丕蹖 賲丕 丌賵乇丿賴責

爻丕賱 1793貙 爻丕賱 丌禺乇 丕賳賯賱丕亘 讴亘蹖乇 賮乇丕賳爻賴 丕爻鬲. 爻丕賱蹖 讴賴 丕賳賯賱丕亘蹖 賴丕 倬丕乇蹖爻 乇丕 丿乇 丕禺鬲蹖丕乇 丿丕乇賳丿 賵 亘乇丕蹖 賮鬲丨 丿蹖诏乇 賲賳丕胤賯貙 丕乇鬲卮蹖 賯丿乇鬲賲賳丿 乇丕 乇賵丕賳賴 讴乇丿賴 丕賳丿. 爻丕賱蹖 讴賴 賯乇丕乇 丕爻鬲 讴丕乇 鬲賲丕賲 卮賵丿 賵 倬丕丿卮丕賴蹖 讴賳丕乇 亘乇賵丿. 亘丕夭 賴賲 賳賵蹖爻賳丿賴 鬲賵丕賳爻鬲賴 亘禺卮 賲賴賲蹖 丕夭 鬲賳賵毓 賲爻兀賱賴 乇丕 賳賲丕蹖卮 亘丿賴丿. 賴賲 氐丨賳賴 賴丕蹖 噩賳诏 丿丕乇丿 賴賲 诏賮鬲诏賵. 賴賲 賲賵賯毓蹖鬲 賴丕蹖 卮賴乇蹖 丿丕乇丿 賴賲 胤亘蹖毓鬲 亘蹖 讴乇丕賳. 賴賲 毓卮賯 賴爻鬲 賴賲 讴卮鬲丕乇. 賴賲賴 賴賲 倬蹖趩蹖丿賴 亘賴 蹖讴丿蹖诏乇 賵 爻丕夭賳丿賴 鬲賵丿乇鬲賵蹖蹖 噩丿丕賳丕卮丿賳蹖.

蹖讴 賵蹖跇诏蹖 亘丕乇夭 讴鬲丕亘 丌賳 丕爻鬲 讴賴 賲蹖 鬲賵丕賳丿 賲丕 乇丕 亘丕 賳蹖乇賵賴丕蹖 賲鬲禺丕氐賲 賴賲丿賱 亘讴賳丿. 賴賲 丌賳诏丕賴 讴賴 亘賴 丕乇丿賵蹖 卮丕賴 倬乇爻鬲丕賳 賵丕乇丿 賲蹖 卮賵丿貙 賲丕 賳诏乇丕賳 爻乇賳賵卮鬲 丕蹖賳 噩亘賴賴 賴爻鬲蹖賲貙 賵 賴賲 夭賲丕賳蹖 讴賴 丕賳賯賱丕亘蹖賵賳 乇丕 丿賳亘丕賱 賲蹖 讴賳丿貙 賲丕 倬蹖诏蹖乇 倬蹖乇賵夭蹖 丕蹖卮丕賳蹖賲. 亘丿蹖賳 鬲乇鬲蹖亘 賵 亘丕 趩賳蹖賳 乇賵蹖讴乇丿蹖 亘賴 丿丕爻鬲丕賳貙 賴賵诏賵 噩賱賵蹖 倬蹖卮丿丕賵乇蹖 賲丕 乇丕 賲蹖 诏蹖乇丿. 丕诏乇 賴賲 倬蹖卮丿丕賵乇蹖 丿丕乇蹖賲貙 爻毓蹖 賲蹖 讴賳丿 丌賳 乇丕 亘乇 賴賲 亘夭賳丿. 賳賲蹖 禺賵丕賴丿 蹖讴 賳鬲蹖噩賴 賲丨爻賵爻 诏乇賮鬲賴 卮賵丿 賵 丿丕爻鬲丕賳 亘賴 爻乇毓鬲 噩賲毓 卮賵丿. 丕賵 鬲丕 噩丕蹖蹖 讴賴 丕賲讴丕賳 丿丕乇丿貙 賲蹖 禺賵丕賴丿 賲禺丕胤亘 乇丕 亘賴 爻賵跇賴 丿丕爻鬲丕賳蹖 賳夭丿蹖讴 讴賳丿. 丿乇 趩賳蹖賳 卮乇丕蹖胤蹖 丨讴賲 讴乇丿賳 亘乇丕蹖 賲禺丕胤亘 爻禺鬲 賲蹖 卮賵丿. 丕噩丕夭賴 賳賲蹖 丿賴丿 禺賵丕賳賳丿賴 乇丕丨鬲 亘賴 爻賲鬲蹖 亘睾賱鬲丿.

乇賲丕賳 賴賲賵丕乇賴 卮賲卮蹖乇 乇丕 丌禺鬲賴貙 鬲賵倬 乇丕 丌賲丕丿賴 卮賱蹖讴 賵 丌鬲卮 乇丕 丿乇 卮乇賮 爻賵夭丕賳丿賳 賳卮丕賳 賲蹖 丿賴丿. 蹖丕 禺賵賳 乇蹖夭蹖 丕爻鬲 賵 丌鬲卮 夭丿賳 丕爻鬲貙 蹖丕 丨乇賮 丕夭 禺賵賳乇蹖夭蹖 丕爻鬲. 趩賴 賮丕氐賱賴 丕蹖 丿丕乇丿 丕蹖賳 鬲氐賵蹖乇賴丕蹖 倬丕乇蹖爻蹖貙 丕夭 賮丕賳鬲夭蹖 賴丕蹖 賯噩乇蹖 乇賵卮賳賮讴乇丕賳 丕蹖乇丕賳蹖 丕夭 倬丕乇蹖爻! 诏蹖賵鬲蹖賳 亘丕賱丕蹖 爻乇 乇賲丕賳 丌賲丕丿賴 爻賯賵胤 丕爻鬲 鬲丕 爻乇賴丕 乇丕 丕夭 倬蹖讴乇賴丕 噩丿丕 讴賳丿. 賳賵丿 賵 爻賴 賲胤賱賯 亘賵丿賳 丨丕讴賲蹖鬲 丿賵賱鬲 賲丿乇賳 乇丕 賳卮丕賳 賲蹖 丿賴丿. 鬲爻禺乇蹖 丕爻鬲 亘賴 丕蹖丿賴 芦賴賲 丕蹖賳 賴賲 丌賳禄 亘乇丕蹖 丌賳 賴丕 讴賴 賳賲蹖 賮賴賲賳丿 鬲噩丿丿 亘賳蹖丕賳蹖 噩夭 亘乇蹖丿賳 丿賳亘丕賱賴 爻賳鬲 賴丕 賳丿丕乇丿. 蹖讴蹖 亘丕蹖丿 亘乇賵丿 鬲丕 丿蹖诏乇蹖 亘蹖丕蹖賳丿. 丌蹖賳丿賴 噩丿蹖丿 丕爻鬲 賵 乇賮鬲賳蹖貙 诏匕卮鬲賴.

丕賲丕 乇賲丕賳 丕蹖賳噩丕 賲鬲賵賯賮 賳賲蹖 賲丕賳丿. 爻賴 賲乇丿 亘丕 爻賴 賳賵毓 禺賱賯 賵 鬲賮讴乇 丿乇 賳賯胤賴 丕蹖 亘賴 賴賲 賲蹖 乇爻賳丿. 賲丕乇讴蹖 丿賵 賱丕賳鬲賵賳丕讴 丕卮乇丕賮 丕爻鬲 賵 鬲賳賴丕 亘丕夭賲丕賳丿賴 賯丿乇鬲賲賳丿 倬丕丿卮丕賴蹖. 亘丕 丨讴賵賲鬲 噩賲賴賵乇蹖 賲禺丕賱賮 丕爻鬲 賵 亘乇丕蹖 亘丕夭诏卮鬲 賮乇丕賳爻賴 亘賴 丿賵乇丕賳 诏匕卮鬲賴 賲蹖 噩賳诏丿. 诏購賵賵丕賳 丕卮乇丕賮鈥屫藏ж� 丕爻鬲貙 丕賲丕 亘賴 氐賮 丕賳賯賱丕亘 賵 噩賲賴賵乇蹖 禺賵丕賴丕賳 倬蹖賵爻鬲賴 丕爻鬲. 亘賴 丕賳賯賱丕亘 丕毓鬲賯丕丿 丿丕乇丿. 噩蹖賲賵乇丿賳 讴卮蹖卮賽 噩賲賴賵乇蹖鈥屫堌з囏� 丕夭 賴賲 爻賱讴丕賳 賯丿蹖賲 亘乇蹖丿賴 賵 亘賴 氐賮 丕賳賯賱丕亘 倬蹖賵爻鬲賴 丕爻鬲. 賴賲 丿乇 毓賱賲貙 诏匕卮鬲賴 乇丕 乇賴丕 讴乇丿賴 賵 賴賲 丿乇 爻蹖丕爻鬲. 丨丕賮馗 賯丕賳賵賳 丕爻鬲. 丕蹖賳 爻賴 丿乇 賴賲丕賳噩丕蹖蹖 亘賴 賴賲 賲蹖 乇爻賳丿 讴賴 乇賲丕賳 亘丕 丌賳 卮乇賵毓 賲蹖 卮賵丿. 賲丕丿乇蹖 亘丕 爻賴 亘趩賴 丿乇 賲毓乇囟 禺胤乇 丕爻鬲. 丕蹖賳 亘趩賴 賴丕 讴丕賳賵賳 乇賵丕蹖鬲 乇賲丕賳 賴爻鬲賳丿.

亘丕 賴賲賴 賵噩賵丿 丿乇 賳馗乇 诏乇賮鬲賳 噩賳亘賴 賴丕蹖 乇賵丕賳卮賳丕禺鬲蹖貙 噩丕賲毓賴 卮賳丕禺鬲蹖貙 爻蹖丕爻蹖貙 鬲丕乇蹖禺蹖貙 賮賱爻賮蹖 賵 丕丿亘蹖貙 亘丕夭 賴賲 亘乇禺蹖 賴賲賴 诏乇賴 賴丕蹖 乇賲丕賳 亘丕夭 賳賲蹖 卮賵賳丿. 賮賴賲 毓賱鬲 亘禺卮蹖 丕夭 乇賮鬲丕乇賴丕 亘賴 夭蹖乇賱丕蹖賴 賴丕蹖 乇賲丕賳 亘爻鬲诏蹖 丿丕乇丿 讴賴 賲賴賲鬲乇蹖賳卮貙 亘賳蹖丕丿 丕賱賴蹖丕鬲蹖 丌賳 丕爻鬲. 丿乇 爻蹖賲丕蹖 賱丕賳鬲賵賳丕讴貙 鬲賴 趩賴乇賴 蹖賴賵賴 丿蹖丿賴 賲蹖 卮賵丿丌賳噩丕 讴賴 爻乇夭賲蹖賳蹖 乇丕 亘賴 鬲賱蹖 丕夭 禺丕讴 賵 禺丕讴爻鬲乇 賲亘丿賱 賲蹖 爻丕夭丿貙 賵 丌賳噩丕 讴賴 賲蹖 亘禺卮丕蹖丿. 丿乇 趩賴乇賴 诏賵賵丕賳 賵 噩蹖賲賵乇丿賳 賴賲 氐賵乇鬲蹖 丕夭 賲爻蹖丨 丿蹖丿賴 賲蹖 卮賵丿. 賴乇 讴丿丕賲 亘賴 賳丨賵蹖 賲賳噩蹖 賴爻鬲賳丿 賵 賲賳丕丿蹖 毓丿丕賱鬲. 诏賵蹖蹖 賲賵賯毓蹖鬲 丌禺乇 乇賲丕賳貙 氐丨賳賴 乇賵蹖丕乇賵蹖蹖 蹖賴賵賴 賵 賲爻蹖丨 丕爻鬲. 禺丿丕蹖 丕毓賱蹖 亘丕 賲爻蹖丨 讴賴 鬲噩爻丿 禺賵丿 禺丿丕爻鬲 乇賵亘乇賵 賲蹖 卮賵丿. 丌蹖丕 蹖賴賵賴 賲蹖 賲蹖乇丿 鬲丕 賲爻蹖丨 夭賳丿賴 亘賲丕賳丿責 丕蹖賳 賴賲丕賳 亘乇丿丕卮鬲 賲毓乇賵賮 賲丕 丕夭 鬲噩丿丿 丕爻鬲. 诏匕卮鬲賴 賲蹖 乇賵丿 鬲丕 賳賵 亘賲丕賳丿. 丕賲丕 賵蹖讴鬲賵乇 賴賵诏賵 亘爻蹖丕乇 毓賲蹖賯 鬲乇 丕夭 蹖賳 鬲亘蹖蹖賳 賴丕蹖 乇賵卮賳賮讴乇丕賳賴 亘賴 賲爻兀賱賴 賳诏丕賴 賲蹖 讴賳丿. 賲诏乇 蹖賴賵賴 賲乇丿賳蹖 丕爻鬲責 賵 蹖丕 賲诏乇 賲爻蹖丨 賲蹖 鬲賵丕賳丿 丕夭 鬲毓蹖賳 賮乇丕乇 亘讴賳丿責 賴乇丿賵 噩丕賵蹖丿賳丿 賵 賴乇丿賵 乇賮鬲賳蹖. 趩胤賵乇 賲賲讴賳 丕爻鬲責 乇賲丕賳 乇丕 亘禺賵丕賳蹖丿 鬲丕 賲鬲賵噩賴 賲丕噩乇丕 亘卮賵蹖丿.
Profile Image for Brodolomi.
279 reviews179 followers
December 2, 2022
Poslednji Igoov roman je i moj 拧esti susret sa nekim njegovim delom. 艩ta re膰i no da niko nije pisao romati膷arske istorijske romane kao majstor Viktor. Radnja je sme拧tena za vreme francuskog gra膽anskog rata izme膽u republikanaca i rojalista u Vandeji i uspostavljenja Jakobinskog terora - giljotina, kako 膰e re膰i jedan od junaka, 膰erka Robespjera i na silu udate Francuske. U njemu imamo sve 拧to o膷ekujemo od Igoovog romana: Veliki broj junaka 鈥� tre膰ina jadnika, tre膰ina zadrtih ljudi sa jednom idejom kroz 啪ivot, tre膰ina istorijskih figura 鈥� upletenih u mre啪u narativa koji su prepuni preokreta, goti膷kih kula, krvoproli膰a, humora, mese膷ine, brodova zahva膰enih burom, iskakanja iz magle, pukog slu膷aja, velikih eti膷kih pitanja, pa i onih trenutaka adrenalinskih neubedljivosti kada 膷italac uzvikne 鈥濵A, DAJ!鈥� a zapravo 啪eli da ka啪e 鈥濪AJ, JO艩!鈥�, nego se stidi. Negde do kraja, autor sasvim o膷ekivano poubija vi拧e od pola svojih junaka. Igo nikad nije tvrdio da pi拧e istorijske romane ve膰 legende.

Ideja vodilja evropskog devetnaestovekovnog romana sadr啪ana u poku拧aju da se odgovori na pitanje 拧ta zna膷i i kako biti dobar 膷ovek, u ovom delu je pomerena prema njenoj varijaciji izra啪enu kroz problem: da li 膷ine膰i dobro delo 膷ovek mo啪e da na膷ini mnogo vi拧e zla na du啪e staze? To jest - da li kada pomognemo ranjenom vuku postajemo odgovorni za smrt ovaca? Poput refrena i neuga拧enog plamena ova dilema se predaje iz ruke u ruku razli膷itim junacima zajedno sa nasiljem koji se poput pore膽anih domina obru拧avaju u uzro膷no-posledi膷nom nizu. 艩iroki eskursi, autorski komentari i esejisti膷ki delovi u romanu poku拧avaju da uobli膷e poslednju Igoovu misao o Francuskoj revoluciji, ali i smislu istorije, 拧to je zanimljivo posebno jer je autor imao dugu i kompleksnu, pa i kontradiktornu politi膷ku karijeru. Ovde zauzima stranu republikanaca, ali odaje i du啪no po拧tovanje rojalistima. Ipak, poku拧aj pranja republikanskog nasilja ostaje najintrigantniji, tim pre 拧to, Summa summarum, njegova romanti膷arska mistika o progresu 膷ove膷anstva (u Zmajevom stilu 鈥濭de ja stadoh, ti produ啪i鈥�) ipak ostaje nepomirena sa veli膷anstvenim mrakom zavr拧etka romana. Situacija je jo拧 kompleksnija, ako se ra膷una da 膷itaoci u trenutku izla啪enja romana (1874), u ovom delu nisu tra啪ili Igoove odgovore o Vandeji, Francuskoj revoluciji i doga膽ajima od pre 100 godina, nego stav vezan za krvavo gu拧enje Pariske komune.

A kako Igo za膷arava re膷ima i kako uvodi likove nek poslu啪i slede膰i primer:

Simurden je bio 膷ista, ali mra膷na savest. Po prirodi je bio bezuslovan. Bio je sve拧tenik 拧to je ozbiljna stvar. 膶ovek kao i nebo, mo啪e biti mra膷no vedar; dovoljno je da ne拧to stvori u njemu tamu. Sve拧tenstvo je u Simurdenu stvorilo mrak. Ko je bio pop, taj ostaje pop. Ono 拧to u nama stvara no膰, mo啪e izazvati i zvezde. Simurden je bio pun vrlina i istina, ali su one blistale u tami...

Nekoliko stranica kasnije autor zavr拧ava Simurdenov portret re膷ima: Niko danas ne zna za njega. U istoriji ima tih stra拧nih, nepozantih ljudi.

Legenda ka啪e da je negde tamo u Gruziji, u nekoj crkvenoj 拧koli, lik Simurdena ostavio dubok utisak na mladog Josifa Staljina.
Profile Image for Debbie Zapata.
1,954 reviews42 followers
October 27, 2016
The French Revolution was not simply capturing the Bastille and living happily ever after. As with all revolutions, there were unexpected results.

One of these became known as the Reign Of Terror, lasting from September 1793 to July 1794. Victor Hugo deals with this painful topic in his final novel, 'Ninety-Three.

I'm so close to speechless I can only say that every single person on the planet should read this book now.
Profile Image for Shirin 鈮絕鈥⑩⿰鈥鈮� t..
679 reviews117 followers
April 2, 2024
丌丿賲蹖 賲蹖夭賳丿 賵 賲蹖讴卮丿 賵 賲蹖爻賵夭丕賳丿 賵 賵蹖乇丕賳 賲蹖讴賳丿貙 丕賲丕 夭蹖亘丕蹖蹖 噩賴丕賳 倬丕蹖丿丕乇 賲蹖賲丕賳丿. 鬲丕亘爻鬲丕賳 鬲丕亘爻鬲丕賳 賲蹖賲丕賳丿 賵 夭賳亘賯 夭賳亘賯 賵 爻鬲丕乇诏丕賳 賴賲趩賳丕賳 亘乇噩丕蹖 賲蹖賲丕賳賳丿.

14 跇賵卅蹖賴 1789 賯賱毓賴 亘丕爻鬲蹖 鬲爻禺蹖乇 卮丿貙 爻丕賱 91 倬丕蹖丕賳 爻賱胤賳鬲 賵 爻丕賱 92 倬丕蹖賴 诏匕丕乇蹖 噩賲賴賵乇蹖 亘賵丿. 10 丕賵鬲 1792 乇賵夭 賮鬲丨 鬲賵蹖賱乇蹖 丕爻鬲. 21 爻倬鬲丕賲亘乇 1972 乇賵夭 丕賱睾丕蹖 爻賱胤賳鬲 賵 亘乇丕亘乇蹖 乇賵夭 賵 卮亘 丿乇 倬丕蹖蹖夭 丕爻鬲. 93 賵 丕賲丕 93 丌睾丕夭 丿賵乇賴 賵丨卮鬲 賵 鬲乇賵乇 賮乇丕賳爻賴...
爻丕賱 丕毓丿丕賲 卮丕賴 賵 賲賱讴賴:
賲丕 卮丕賴 丿丕卮鬲蹖賲 賵 賲賱讴賴 丿丕卮鬲蹖賲. 卮丕賴 卮丕賴 亘賵丿 賵 賮乇丕賳爻賴 賲賱讴賴 丕賵 亘賵丿. 爻乇 卮丕賴 乇丕 丕夭 鬲賳 噩丿丕 讴乇丿賳丿 賵 賲賱讴賴 乇丕 亘賴 乇亘爻倬蹖乇 卮賵賴乇 丿丕丿賳丿 賵 丕蹖賳 夭賳 賵 卮賵賴乇 丿禺鬲乇蹖 亘賴 丿賳蹖丕 丌賵乇丿賳丿 亘賴 丕爻賲 诏蹖賵鬲蹖賳...

亘毓丿 丕夭 丌賳 乇賵夭 讴賴 讴賳賵丕賳爻蹖賵賳 亘賴 丕毓丿丕賲 賱賵卅蹖 卮丕賳夭丿賴賲 乇丕蹖 丿丕丿貙 乇亘爻倬蹖乇 18 賲丕賴 夭賳丿賴 賲丕賳丿貙 賵乇賳蹖賵 9 賲丕賴貙 賲丕乇丕 5 賲丕賴貙賵 賱賵倬賱鬲蹖賴 蹖讴 乇賵夭!
诏丕賴蹖 趩賴 賳賮爻 讴賵鬲丕賴 賵 賵丨卮鬲 丌賲蹖夭蹖 丕夭 爻蹖賳賴 丌丿賲蹖 亘乇賲蹖 丌蹖丿!

丿乇 賲蹖丕賳 亘夭乇诏丕賳 丕賳賯賱丕亘貙 丕賳丿蹖卮賲賳丿丕賳蹖 賴賲 亘賵丿賳丿 讴賴 賲蹖禺賵丕爻鬲賳丿 夭賳丿賴 亘賲丕賳賳丿... 爻爻鬲 毓賳氐乇 亘賵丿賳丿貙 丌亘乇賵 亘丕禺鬲賴 亘賵丿賳丿. 亘丕 丌賳讴賴 禺賵丿 乇丕 禺丿賲鬲诏夭丕乇 丕賳賯賱丕亘 賲蹖賳丕賲蹖丿賳丿貙 丕賲丕 賵丨卮鬲 丿丕卮鬲賳丿. 賳賲蹖丿丕賳爻鬲賳丿 趩賴 亘丕蹖丿 讴乇丿... 鬲賳賴丕 賲賯氐賵丿卮丕賳 丌賳 亘賵丿 讴賴 丿乇 丕蹖賳 诏蹖乇 賵 丿丕乇 夭賳丿賴 賵 爻乇倬丕 亘丕卮賳丿...
鬲乇丕跇丿蹖 賴丕蹖 31 賲丕賴 賲賴 爻賯賵胤 跇蹖乇賵賳丿賵賳 賴丕貙 11 爻倬鬲丕賲亘乇 爻賯賵胤 丿丕賳鬲賵賳 賵 賳賴賲 鬲乇賲蹖丿賵乇 爻賯賵胤 乇亘爻倬蹖乇貙 睾賵賱賴丕 丕夭 倬丕 丿乇丌賲丿賳丿 賵 丕蹖賳 讴賵鬲賵賱賴 賴丕蹖 爻蹖丕爻蹖 噩丕蹖诏夭蹖賳 丌賳賴丕 卮丿賳丿.


description

賲賳 丌賳 賳賵毓 噩賲賴賵乇蹖 乇丕 丿賵爻鬲 丿丕乇賲 讴賴 賲丕 乇丕 亘賴 丌乇賲丕賳賴丕 賵 丌乇夭賵賴丕蹖賲丕賳 亘乇爻丕賳丿. 噩丕賲毓賴 亘賴 爻賵蹖 诏匕卮鬲 賵 賮丿丕讴丕乇蹖 賵 丕賳爻丕賳丿賵爻鬲蹖 賵 賲毓賳賵蹖丕鬲 賵 毓卮賯 亘乇賵丿 賵 亘乇丕蹖 乇爻蹖丿賳 亘賴 賲賳馗賵乇賴丕蹖 毓丕賱蹖 禺賵蹖卮 匕賵賯 賵 卮賵賯 丿丕卮鬲賴 亘丕卮丿. 噩賲賴賵乇蹖 賲賵乇丿 賳馗乇 卮賲丕 賳馗賲 賵 賯丕賳賵賳 乇丕 亘賴 賵噩賵丿 賲蹖 丌賵乇丿貙 丕賲丕 噩賲賴賵乇蹖 賲胤賱賵亘 賲賳 丕賳爻丕賳 乇丕 鬲丕 丕賮賯 賱丕噩賵乇丿蹖 亘丕賱丕 賲蹖亘乇丿 卮賲丕 賲蹖 禺賵丕賴蹖丿 蹖讴 賯囟蹖賴 賴賳丿爻蹖 乇丕 丨賱 讴賳蹖丿貙 丕賲丕 賲賳 賲蹖禺賵丕賴賲 賲孬賱 毓賯丕亘 丿乇 丌爻賲丕賳賴丕 倬乇賵丕夭 讴賳賲.
丕賲丕 毓賯丕亘 丿乇 賲蹖丕賳 丕亘乇賴丕 诏賲 賲蹖 卮賵丿. 賲賳 丕賳爻丕賳蹖 乇丕 丿賵爻鬲 丿丕乇賲 讴賴 亘乇 丕爻丕爻 賲毓蹖丕乇賴丕蹖 賴賳丿爻賴 丕賯賱蹖丿爻 亘賴 賵噩賵丿 丌賲丿賴 亘丕卮丿 賵 賲蹖夭丕賳 賵 賲毓蹖丕乇 丿乇爻鬲 賵 丿賯蹖賯蹖 丿丕卮鬲賴 亘丕卮丿.
丕賲丕 賲賳 丕賳爻丕賳蹖 乇丕 丿賵爻鬲 丿丕乇賲 讴賴 賴賵賲乇 禺丕賱賯 丕賵 亘丕卮丿.
賴賵賲乇 卮丕毓乇 丕爻鬲... 丕夭 卮丕毓乇丕賳 亘乇丨匕乇 亘丕蹖丿 亘賵丿.
賲丿丕賲 賲蹖诏賵蹖賳丿 丕夭 丕蹖賳 亘乇丨匕乇 亘丕卮 賵 丕夭 丌賳 亘乇丨匕乇 亘丕卮. 丕夭 賳爻蹖賲 亘乇丨匕乇 亘丕卮貙 丕夭 丌賮鬲丕亘 亘乇丨匕乇 亘丕卮! 丕夭 毓胤乇 诏賱賴丕 亘乇丨匕乇 亘丕卮! 丕夭 爻鬲丕乇诏丕賳 亘乇丨匕乇 亘丕卮!
亘賴 賴乇 丨丕賱 丕蹖賳 噩賵乇 趩蹖夭賴丕 亘乇丕蹖 丕賳爻丕賳 丌亘 賵 賳丕賳 賳賲蹖卮賵丿.
丕賲丕 賮讴乇 賵 禺蹖丕賱 睾匕丕蹖 乇賵丨 丕爻鬲. 賮讴乇 讴乇丿賳 賲孬賱 睾匕丕 禺賵乇丿賳 丕爻鬲.
...
亘丕賱丕鬲乇 丕夭 毓丿丕賱鬲 趩蹖夭蹖 賵噩賵丿 賳丿丕乇丿.
丕賳氐丕賮 丕夭 毓丿丕賱鬲 亘丕賱丕鬲乇 丕爻鬲.
...
賲賳 氐賱丨 賲蹖禺賵丕賴賲 賳賴 噩賳诏. 卮賲丕 賲蹖禺賵丕賴蹖丿 賳馗丕賲蹖 亘賴 賵噩賵丿 亘蹖丕賵乇蹖丿 讴賴 丨丕賲蹖 賮賯蹖乇丕賳 亘丕卮丿. 賲賳 賲蹖禺賵丕賴賲 讴賴 賮賯乇 丕夭 亘蹖賳 乇賵丿... 卮賲丕 倬丕丿诏丕賳 賳馗丕賲蹖 賲蹖禺賵丕賴蹖丿 賵 賲賳 丿乇爻 賵 賲丿乇爻賴...


9.5/10 猸�
9.5/10 猸�
/review/show...
9/10 猸�
8.5/10 猸�
8/10 猸�
7.5/10 猸�
Profile Image for Patrick Peterson.
508 reviews283 followers
March 3, 2022
Dec. 2017 - Fascinating book.
This is my first book by Hugo and I can easily see why he is renowned for his powerful and beautiful writing. The descriptions of the characters in the book are so poignant. The images of the settings are haunting. The drama is unforgettable.

One will never use the term "loose cannon" again loosely after reading the chapter describing what that really meant to the sailors on a fighting ship.

This book was read superbly by Lisa VanDamme for a new project she has just started at:
She had taught and read this book many times to her students over the years, then decided to open it up to adults on Facebook and the general web. She is a marvelous narrator and discussion leader for key points in and about the book.

BTW, some folks might be interested to know that this book was one highly recommended by Ayn Rand. She was a huge fan of Victor Hugo, and this book in particular.

Hat tip: Brian Surkan - thank you for cluing me in to this wonderful audio book.
Profile Image for Laura.
7,096 reviews596 followers
July 4, 2021
Free download available at .

Translator: Aline Delano

Release Date: July 6, 2015 [EBook #49372]

Language: English

Produced by Laura N.R. and Marc D'Hooghe (Images generously made
available by the Hathi Trust - and by Gallica (Biblioth猫que nationale de France) for the illustrations.)


This book has several translations but we found only this one, made by Aline Delano, to be more closer to the original French text. She also translated from the Russian the following books: "The Blind Musician" by Vladimir Korolenko; "The Kingdom of God is Within You, What is Art," by Leo Tolstoy.

The original file was provided by .

Critical Note by Robert L. Stevenson (from "The Works of Victor Hugo, Vol. VII, Jefferson Press, 190-?)

In Notre Dame, Les Miserables, The Toilers of the Sea and The Man Who Laughs, one after another, there has been some departure from the traditional canons of romance; but taking each separately, one would have feared to make too much of these departures, or to found any theory upon what was per- haps purely accidental. The appearance of Ninety-Three has put us out of the region of such doubt. Like a doctor who has long been hesitating how to classify an epidemic malady, we have come at last upon a case so well marked that our uncertainty is at an end. It is a novel built upon a sort of enigma," which was at that date laid before revolutionary France, and which is presented by Hugo to Tellmarch, to Lantenac, to Gauvain, and very terribly to Cimourdain, each of whom gives his own solution of the question, clement or stern, according to the temper of his spirit. That enigma was this: "Can a good action be a bad action? Does not he who spares the wolf kill the sheep?" This question as I say, meets with one answer after another during the course of the book, and yet seems to remain undecided to the end. And something in the same way, although one character, or one set of characters, after another comes to the front and occupies our attention for the moment, we never identify our interest with any of these temporary heroes nor regret them after they are withdrawn.


Page 12:
I was in Paris on the 10th of August. I gave Westerman a drink. Everything went with a rush in those days! I saw Louis XVI. guillotined,--Louis Capet, as they call him. I tell you he did*n鈥檛 like it. You just listen now. To think that on the 13th of January he was roasting chestnuts and enjoying himself with his family! When he was made to lie down on what is called the see-saw, he wore neither coat nor shoes; only a shirt, a quilted waistcoat, gray cloth breeches, and gray silk stockings. I saw all that with my own eyes.

Page 60:
鈥淭his man who is among us represents the king. He has been intrusted to our care; we must save him. He is needed for the throne of France. As we have no prince, he is to be,--at least we hope so,--the leader of the Vend臈e. He is a great general. He was to land with us in France; now he must land without us. If we save the head we save all.鈥�

Page 135-136:
'93 is the war of Europe against France, and of France against Paris. What then is Revolution? It is the victory of France over Europe, and of Paris over France. Hence the immensity of that terrible moment '93, grander than all the rest of the century. Nothing could be more tragic. Europe attacking France, and France attacking Paris,--a drama with the proportions of an epic.

Page 139:
The Gironde, speaking in the person of Isnard, temporary president of the Convention, had uttered this appalling prophecy: "Parisians, beware! for in your city not one stone shall be left resting upon another, and the day will come when men will search for the place where Paris once stood." This speech had given Birth to the 脡v锚ch茅.

Page 209:
At the time when the death-sentence of Louis XVI. was passed, Robespierre had eighteen months to live, Danton fifteen, Vergniaud nine, Marat five months and three weeks, and Lepelletier-Saint-Fargeau one day! Brief and terrible was the breath of life in those days.

Page 218:
Revolution is a manifestation of the unknown. You may call it good or evil, according as you aspire to the future or cling to the past; but leave it to its authors. It would seem to be the joint product of great events and great individualities, but is in reality the result of events alone. Events plan the expenditures for which men pay the bills. Events dictate, men sign. The 14th of July was signed by Camille Desmoulins, the 10th of August by Danton, the 2d September by Marat, the 21st of September by Gr茅goire, and the 21st of January by Robespierre; but Desmoulins, Danton, Marat, Gr茅goire, and Robespierre are merely clerks.

Page 305:
"Liberty, equality, fraternity,--these are the dogmas of peace and harmony. Why give them so terrible an aspect? What are we striving to accomplish? To bring all nations under one universal republic. Well, then, let us not terrify them. Of what use is intimidation? Neither nations nor birds can be attracted by fear. We must not do evil that good may come. We have not overturned the throne to leave the scaffold standing. Death to the king, and life to the nations. Let us strike off the crowns, but spare the heads. Revolution means concord, and not terror. Schemes of benevolence arc but poorly served by merciless men. Amnesty is to me the grandest word
in human language. I am opposed to the shedding of blood, save as I risk my own. Still, I am but a
soldier; I can do no more than fight. Yet if we are to lose the privilege of pardoning, of what use is it
to conquer? Let us be enemies, if you will, in battle; but when victory is ours, then is the time to be
brothers."

Page 467:
Was it then the object of Revolution to destroy the natural affections, to sever all family ties, and to stifle every sense of humanity? Far from it. The dawn of '89 came to affirm those higher truths, and not to deny them. The destruction of bastiles signified the deliverance of humanity; the overthrow of feudalism was the signal for the building up of the family.

Page 486:
The genius of France was made up from that of the entire continent, and each of its provinces represents a
special virtue of Europe; the frankness of Germany is to be found in Picardy, the generosity of Sweden
in Champagne, the industry of Holland in Burgundy, the activity of Poland in Languedoc, the grave dignity
of Spain in Gascony, the wisdom of Italy in Provence, the subtlety of Greece in Normandy, the fidelity of Switzerland in Dauphiny.

Page 505:
"Grand events are taking form. No one can comprehend the mysterious workings of revolution at the present time. Behind the visible achievement rests the invisible, the one concealing the other. The visible work seems cruel; the invisible is sublime. At this moment I can see it all very clearly. It is strange and beautiful. We have been forced to use the materials of the Past. Hence this wonderful '93. Beneath a scaffolding of barbarism we
are building the temple of civilization.
1 review
August 29, 2008
An incredibly realistic Painting of the French Revolution.

Some might say "it's not realistic, it's pure fantasy, it's much too lyric an passionate, and much too orientated in favor of the revolutionnaries" - indeed, it's only a novel, BUT it's realistic because it shows every aspects of this revolution, and that's precisely because it's lyric that you can understand it. A revolution cannot be described by facts, but by presenting the storm, the hates, the men, in one word : by showing that amazing race between opponents, between "men from the old world" (the nobles) and "men from the new world" (revolutionaries: intellectuals and armymen), this race where you'll lose your head at any mistake, because you don't have the right to fail, because if you're weak the King (i.e. injustice, torture, fanatism) will be back soon!

If you're not French and believe that the Revolution was all about Robespierre's "terror"; if you believe that it was only a bunch of farmers blindly cutting heads, then read this book, you'll understand how wrong you are. You'll get the soul of this Revolution.

Last but not least, this novel is written in a very epic manner, so it's very pleasant to read.

PS : I don't know if an English translation of the book would be very good, because Victor Hugo is "the" French writer.
Profile Image for Laura V. 賱丕賵乇丕.
539 reviews61 followers
October 8, 2018
La Terreur

Un romanzo di grande spessore, in ogni senso, questo che Victor Hugo pubblic貌 nel 1874, ultimo tra i suoi capolavori! Uno spettacolare affresco di un periodo molto particolare nell'ambito di quell'avvenimento epocale che fu la Rivoluzione Francese: il 1793, l'anno del Terrore.
La vicenda si svolge principalmente nella Vandea, terra 鈥渁spra e forte che nel pensier rinnova la paura鈥� e che, dopo la caduta della monarchia e la decapitazione del re Luigi XVI, insorge contro il nuovo regime repubblicano, dando cos矛 avvio a una feroce guerra civile combattuta fra le truppe regolari francesi e le bande di contadini vandeani pericolosamente nascoste tra i fitti boschi della regione. A capo di queste ultime, il marchese di Lantenac, vecchio aristocratico fedele ai valori dell'Ancien R茅gime che, con le forze raccolte attorno a s茅, diventa ben presto una spina nel fianco che il governo repubblicano intende sradicare una volta per tutte.
Sullo sfondo della grande Storia, che catapulta il lettore addirittura al cospetto della triade rivoluzionaria Robespierre-Danton-Marat e persino nel bel mezzo di una seduta dell'assemblea della Convenzione, si muovono dunque diversi personaggi con le proprie piccole storie, dal nobile Lantenac alla miserabile vedova Michelle Fl茅chard, mater dolorosa che vaga alla ricerca ostinata dei suoi tre bambini dopo che le vengono portati via durante gli scontri.

鈥淯ne veuve, trois orphelins, la fuite, l'abandon, la solitude, la guerre grondant tout autour de l'horizon, la faim, la soif, pas d'autre nourriture que l'herbe, pas d'autre toit que le ciel.鈥�

E proprio le vicissitudini di questa umile famigliola, trovatasi suo malgrado tra le violenze della guerra civile, offrono pagine di grande intensit脿, rivelandosi altres矛 determinanti per la sorte del marchese di Lantenac.
Nonostante un inizio che sembra stentare a entrare nel vivo della storia e la pesantezza di alcuni passaggi qua e l脿 nel corso della narrazione, da un certo punto in poi il romanzo si fa via via decisamente pi霉 appassionante e non avaro di colpi di scena capaci di tenere ben desta l'attenzione di chi legge, complice una scrittura magnifica, potente, a tratti disarmante (godibilissima anche in lingua originale!) che spesso s'interroga, e ci interroga, su temi etici. Attraverso i suoi personaggi, infatti, Hugo ci mostra come bene e male non sempre abbiano un confine poi cos矛 netto e che pure il colpevole di crimini indicibili si possa riscattare salvando la vita a tre poveri bimbi.
Vecchio e nuovo, inoltre, si contrappongono su pi霉 livelli: da un lato, Lantenac e suo nipote, il giovane capitano Gauvain, fiero e irriducibile monarchico il primo, convinto repubblicano il secondo; dall'altro, lo stesso Gauvain e il suo vecchio precettore Cimourdain, i quali, bench茅 entrambi sostenitori dell'ideale repubblicano, ne incarnano due visioni differenti, nonch茅 due concezioni inconciliabili della giustizia in nome della quale si deve agire: dura e inflessibile, pressoch茅 spietata, per Cimourdain che con quel suo 鈥淔orce 脿 la loi!鈥� nel momento estremo ribadisce con durezza il proprio ruolo di delegato del Comitato di salute a pubblica a dispetto del suo essere in origine un prete, al contrario del suo allievo di un tempo, secondo cui la giustizia dev'essere anche capace di atti di clemenza, controbilanciando le colpe con i meriti dell'individuo, in nome di un senso di umanit脿 che non dovrebbe mai venire meno.
Un romanzo che si fa esplicita condanna della guerra in generale e dell'insensatezza della violenza (anche di quella da parte dello Stato che mette a morte i propri cittadini, nel solco, del resto, di quanto gi脿 espresso oltre quarant'anni prima con 鈥淟'ultimo giorno di un condannato a morte鈥�), un finale inatteso e sorprendente, in cui si soffre e si spera fino all'ultimo straziante rullo di tamburi, mentre sfilano suoni e immagini che soltanto una grande penna poteva imprimere su carta.
Profile Image for Jersy.
1,106 reviews106 followers
July 10, 2021
This is pretty typical of the author's work and I love it. It's full of hard hitting moments, as well as themes and messages, you can notice Hugo's interest in history which never romanticizes it and he loves to bring back characters, relationships and mirrored situations throughout the book, all things I already loved in Les Mis.
While he never makes you feel for or lets you know a character in the same way we expect from modern books, he still explores and characterizes them so well. He isn't afraid to have good actions with bad consequences or questionable characters do good things, while still staying on theme and supporting his moral views. While it can be descriptive for a short time and a part in the middle was a bit less exciting, I was incredible intrigued by everything going on. I just adore Hugo's plots and writing and this might be a new favourite for me, other than Les Miserables of course.
Profile Image for Coleccionista de finales tristes.
632 reviews43 followers
November 30, 2019
鈥淓l verdadero punto de vista de la revoluci贸n es la irresponsabilidad: ninguno es inocente, pero tampoco hay ning煤n culpable鈥�

Aunque est谩 novela es menos le铆da que Los miserables, me ha parecido de mayor calidad. El tema es la revoluci贸n francesa, desde luego que hay aventuras militares que cautivar谩n a los m谩s j贸venes.

Entre los personajes aparecen Robespierre, Dant贸n y Marat. As铆 que la novela da la oportunidad de investigar sobre personajes hist贸ricos y hechos.

En cuanto a personajes ficticios quien se lleva la palma es Cimourdain, un sacerdote metido en pol铆tica, bastante apasionado con su sed de justicia.

Una delicia de novela pese a su complejidad. Por esta novela tendr茅 que quitar una estrella a Los miserables.
Profile Image for Luana Milella.
170 reviews3 followers
January 20, 2023
Magnifico, intenso come d鈥檃ltronde tutto ci貌 che Hugo abbia scritto. Il mio porto sicuro.
鈥淚l 狈辞惫补苍迟补迟谤茅鈥� 猫 l鈥檃nno del terrore e ultimo libro di Hugo. Un avvincente romanzo storico che appassiona e coinvolge dalla prima all'ultima pagina.
La storia di tre "caratteri" scolpiti con stupefacente maestria: il marchese Lantenac, uomo leale del re, dedito all鈥檕nore antico; Cimourdain, un ex prete, uomo austero e inflessibile, implacabile come il fuoco della Rivoluzione; e infine Gauvain, giovane aristocratico nipote di Lantenac, allievo di Cimourdain, passato al popolo. Un giovane spirito mosso dalla Rivoluzione che ritrova se stesso nel suo ultimo libero volo.
Personaggi indimenticabili che Hugo disegna in modo sublime. Temperamento, ideali, questo libro 猫 un viaggio profondo nella loro coscienza. E in questo Hugo 猫 imbattibile. Buono e cattivo, giusto e sbagliato si fondano in un tutt鈥檜no, come spiriti mossi dal vento, il vento della rivoluzione che tutto abbatte e tutto trasforma.
I dialoghi sono di un'intensit脿 e bellezza rara, il finale sorprendente. Emozioni che solo una grande penna poteva imprimere sulla carta.
Profile Image for Elizabeth (Alaska).
1,509 reviews543 followers
December 27, 2016
This completes for me the trio of novels that tell of the conflict between the Royalist resistance in Brittany and the Republican Revolutionaries after the beheading of Louis XVI. I think I serendipitously read them in the "right" order, which happens to be in publication order: , by Balzac, by Trollope, and this by Hugo. They each have a somewhat different perspective.

The middle part of this was a slog, but it was sandwiched between two parts that were compelling. The sloggy part felt more like nonfiction and included lots of names with which I was unfamiliar, but were probably part of any history learned in school in France. I suspect many - both US and others -might just as easily be unfamiliar with the minor players of the US Revolution. But the major players made up a part of this section, too, and one in particular, Cimourdain, was instrumental to the exciting third part.
鈥�93 is a year of intense action. The tempest is there in all its wrath and grandeur. Cimourdain felt himself in his element. This scene of distraction, wild and magnificent, suited the compass of his outspread wings. Like a sea-eagle, he united a profound inward calm with a relish for external danger.

And the Head of the Committee of Public Safety, Robespierre, tells us:
"Listen, Danton; foreign war is as nothing compared with the dangers of civil war. A foreign war is like a scratch on the elbow, but civil war is an ulcer which eats away your liver. Here is the sum and substance of all that I have just read to you: the Vend茅e, which has hitherto been divided among many chiefs, is about to concentrate its forces. Henceforth it is to have one leader"
Although I highlighted a bit more elsewhere, this was enough to set the stage for this novel and the conflict it describes. Hugo felt compelled to a bit more philosophizing than I like in a novel. If I were more a student of the French Revolution, and especially this period of the Reign of Terror, I might have appreciated it more. As it is, this sits on the border between 3- and 4-stars. The compelling parts are enough to nudge it up.

Profile Image for Pierre E. Loignon.
129 reviews24 followers
November 29, 2012
Voici mon roman favori de Hugo. C鈥檈st celui qui m鈥檃 fait la plus belle impression, malgr茅 la tr猫s vive concurrence que lui font Les Mis茅rables et de Notre-Dame de Paris.
Je suis conscient de la singularit茅 de ma pr茅f茅rence et j鈥檃imerais tenter de vous la faire comprendre.
Tout cela tient 脿 ma perception de Hugo. Pour moi, c鈥檈st l鈥檋omme magistral des lettres fran莽aises. 脌 mon avis, il a su, mieux que personne, 茅crire en prenant une perspective 脿 la fois 茅lev茅e et pleine d鈥檜ne compr茅hension g茅n茅reuse et touchante. Cette particularit茅 tient du g茅nie, du miraculeux. Je ne crois pas qu鈥檕n puisse l鈥檈xpliquer. Il a pu disposer d鈥檜n esprit tout naturellement grand, exactement comme d鈥檃utres disposent d鈥檜ne grande taille, d鈥檜ne grande fortune, etc., c鈥檈st tout.
Cette grandeur se manifeste de la mani猫re la plus parfaite dans ses po猫mes, mais je la sens m锚me dans ses pamphlets, ouvrages dont le style et les sujets sont, par d茅finition, on ne peut plus terre 脿 terre. Et parmi ses romans, celui o霉 cette particularit茅, qui fait pour moi le charme unique des ouvrages de Hugo, appara卯t de la mani猫re la plus 茅clatante, c鈥檈st Quatrevingt-treize.
Hugo s鈥檈st tr猫s bien document茅 sur la p茅riode de la terreur pour 茅crire ce livre, dont l鈥檋orizon est la lutte entre r茅volutionnaires et monarchistes. Malgr茅 ses convictions personnelles favorables 脿 la r茅volution, Hugo d茅passe sa perspective de simple citoyen pour exposer d鈥檜ne mani猫re juste et g茅n茅reuse les tares et qualit茅s de chacun des partis.
On s鈥檡 sent, tout en douceur, transport茅 en survol au-dessus des 茅v猫nements terribles de cette p茅riode troubl茅e.
Un pur d茅lice.
Profile Image for Rygard Battlehammer.
187 reviews81 followers
December 29, 2023
E艧itlik, 枚zg眉rl眉k, karde艧lik.

Veya ba艧ka bir ifadeyle; evet, bizim Victor鈥櫮眓 Sefiller d谋艧谋nda da kitab谋 varm谋艧.

Doksan 脺莽, Frans谋z 陌htilali鈥檔in ard谋ndan ya艧anan kar艧谋 devrimci dalgay谋, Vend锚e sava艧谋 ve Ter枚r D枚nemini anlatan modern bir destan. Fransa鈥檔谋n gelecek iki y眉zy谋l谋n谋 damgas谋n谋 vuracak iktidar kavgas谋n谋n, ku艧aklar boyu aktar谋lacak travmalar谋n ya艧and谋臒谋 1793鈥櫭糿, samimi ve objektif bir portresi. Destan diye tan谋mlay谋艧谋m ise laf谋n geli艧i de臒il. Hugo, antik destanlara benzer 艧ekilde, 眉莽 kurgusal karakterin etraf谋na sarmalay谋p, maharetle ve ahenkli bir estetikle anlat谋yor hikayeyi.

Hugo鈥檔un, bu tekinsiz, tuhaf, kanl谋 d枚nem anlat谋s谋, hayat谋n谋n sonuna denk geliyor. Yazar, son eseri olan Doksan 脺莽鈥櫭� yay谋nlad谋ktan bir y谋l sonra, 1885鈥檛e, 83 ya艧谋nda 枚l眉yor...
(bkz: B枚l眉m 1, Victor Hugo鈥檔un Hayat谋na Dair)

...

Asl谋nda Sefiller ile tan谋d谋臒谋m i莽in biraz 莽ekindi臒im bir yazar Victor Hugo. Biz bizeyiz 艧urada(?) 鈥淏oktan 艧amdan谋 1800 sayfa anlatan adam, koskoca 陌htilal hakk谋nda neler yazmaz?鈥� diye hafif bir endi艧e ile kitaba ba艧lad谋臒谋m谋 inkar etmeyece臒im. Ancak Doksan 脺莽, sade ve samimi bir tonla yaz谋lm谋艧 ve okuyucuyu b眉y眉k bir h谋zla i莽ine 莽ekiyor, k谋sa s眉re i莽inde 艧眉phe ve g眉vensizli臒in zerresi kalm谋yor. Yan yollar a莽mak, s眉rprizler ve 莽at谋艧malar, d枚n眉m ve d眉臒眉m noktalar谋 olu艧turmakta da son derece ba艧ar谋l谋 bir metin oldu臒u i莽in, bilin莽sizce b眉y眉s眉ne kap谋l谋yorsunuz kitab谋n. Kitapta 陌lerledik莽e, hi莽bir konuya bo艧una yat谋r谋m yapmad谋臒谋, yazd谋臒谋 her unsurun hikayeyi geli艧tirdi臒ini ke艧fetmek ise ger莽ekten keyifli. 脺莽 ana b枚l眉me ayr谋l谋yor hikaye:


1. B枚l眉m, 鈥淒enizde鈥�

1793 bahar谋nda, orman谋n i莽inde ilerleyen bir grup cumhuriyet莽i askerin, her 艧eyini kaybetmi艧, pa莽avralar i莽inde bir ana ve 眉莽 莽ocu臒uyla kar艧谋la艧mas谋 ile a莽谋l谋yor kitap. S谋rlar谋n谋 hemen d枚km眉yor ortaya, fark ettirmeden insan谋n i莽ine s谋zan, tatl谋 bir ak谋艧 tutturmu艧. Di臒er taraftan da denizde bir 艧eyler oluyor. Claymore adl谋 k眉莽眉k, g枚r眉n眉艧te silahs谋z bir korvete, gizlilik i莽inde limandan demir alm谋艧, gizemli bir yolcuyu hedefine ula艧t谋rmak i莽in zamanla yar谋艧谋yor.

Elbette denizde felaket gecikmiyor; Frans谋z Donanmas谋鈥檔谋n f谋rkateynleri aras谋ndan h谋zla ge莽mek, ancak 莽ok gerekirse sava艧mak i莽in tasarlanm谋艧 k眉莽眉k, yeni ve modern bir gemi Claymore. Ancak iyi ba臒lanmam谋艧 bir top iplerini kopar谋yor ve geminin Nemesis鈥檌 haline geliyor. Denizin 莽alkant谋s谋 ve dalgalar谋n kestirilemez hareketiyle g眉vertede serbest莽e gezinen top, bir anda 莽evresindeki tayfalar谋 ezerek par莽al谋yor ve korkun莽 bir y谋k谋m dans谋na ba艧l谋yor. Bir sonraki saniye nerede olaca臒谋, neye 莽arpaca臒谋 asla 枚ng枚r眉lemeyen devasa 莽elik canavar, 枚n眉ne 莽谋kan insanlar谋 peltele艧mi艧 bir et ve kemik y谋臒谋n谋na 莽eviriyor, ah艧ap gemiyi par莽alamaya, direkleri k谋rmaya, metalin 枚fkesini insanlar谋n 眉st眉ne kusmaya koyuluyor.

Tekerlekleri 眉zerinde, alt g眉verte boyunca sal谋nan, bir a艧a臒谋 bir yukar谋 giden, alt谋na ald谋臒谋 denizcilerin par莽alad谋臒谋 bedenleriyle g眉verteyi grotesk bir tabloya 莽eviren 莽elik y谋臒谋n谋n, sanki canl谋 bir varl谋ktan bahsedercesine anlat谋lmas谋, topa hayvans谋, hatta canavars谋 bir zeka atfedilmesi, ya艧anan deh艧eti ba艧ka bir boyuta 莽谋kar谋yor. Bir anda kendimizi masallara yak谋艧谋r, fantastik bir m眉cadelenin i莽inde buluyoruz. Ayn谋 anda modern bilim-kurgular谋 and谋ran, insana kar艧谋 makine metaforlar谋n谋 okumak ise beklenmedik ve kesinlikle heyecan verici.

Sonunda top kontrol alt谋na al谋n谋yor, Claymore batmaktan kurtuluyor. Ancak a臒谋r hasar alm谋艧 gemi, art谋k i艧levini yerine getirecek durumda de臒il. D眉艧man donanmas谋 yakla艧谋yor, uzaktan 鈥淵a艧as谋n Cumhuriyet鈥� diye ba臒谋ran d眉艧man谋n sesi duyuluyor. Claymore kayal谋klara s眉r眉kleniyor. Biz ise hikayenin gizemli yabanc谋yla, yani hikayenin 眉莽 kilit karakterinden ilki, sab谋k Lantenac Markisi ise tan谋艧谋yoruz. Claymore son sava艧谋n谋 vermek 眉zere d眉艧manla y眉zle艧meye haz谋rlan谋rken, Lantenac, gecenin karanl谋臒谋nda karaya 莽谋kmak 眉zere bir kay谋臒a bindiriliyor...

Hugo, 陌htilalin hikayesini aktarmak i莽in bu 眉莽 karakterin ustaca kullan谋yor. Mitolojik tanr谋lar谋n d眉nyaya inmek i莽in kulland谋臒谋 avatarlar谋na benziyor 眉莽l眉 ama bu sefer d眉nyada y眉r眉yenler, 莽ok daha somut ve ger莽ek inan莽lar谋n avatarlar谋. Lantenac monar艧iyi, daha sonra tan谋艧aca臒谋m谋z iki kahraman ise cumhuriyetin iki farkl谋 y眉z眉n眉 temsil ediyor.

Laternac, adeta kralc谋l谋臒谋n ete kemi臒e gelmi艧 hali. Zafere giden yolda her eylemi me艧ru g枚r眉yor, krall谋臒a kar艧谋 tanr谋sal bir sadakati var. Eski us眉l, vah艧i bir aristokrat, pratik ama ac谋mas谋z ve korkun莽 bir adam. 陌pini koparm谋艧 topu zapt edip gemiyi kurtaran top莽uba艧谋na 枚nce madalyayla verip, ard谋ndan 鈥渢opu d眉zg眉n ba臒lamad谋臒谋 i莽in鈥� kur艧una dizdiren, arkaik, epik ve sapk谋n bir adalet anlay谋艧谋na sahip. 脰te yandan tam bir provokat枚r, f谋rsat莽谋 ve koca bir yurdu aya臒a kald谋racak temel bilgiye sahip. Cumhuriyete yak谋n k枚yleri yakt谋rmakta, ard谋ndan ceset y谋臒谋nlar谋 b谋rakmakta, kad谋nlar谋 da erkeklerle beraber kur艧una dizmekte teredd眉t etmiyor. Marki, gemiden iner inmez plan谋n谋 uygulamaya ba艧l谋yor ve Vend锚e liderini buluyor. O andan sonra Vend锚e demek isyan demek, isyan demek de Marki demek:
鈥溍杔d眉r眉n! Yak谋n! Tutsak almak yok!鈥�


2. B枚l眉m, 鈥淧aris鈥檛e鈥�

Vend锚e isyan ederken Hugo, bu kez oda臒谋n谋 devrimin kalbine, Paris鈥檈 莽eviriyor. 陌htilalin 枚nderlerini, Danton, Marat ve Robespierre鈥檌, karakter olarak kar艧谋m谋za 莽谋kar谋yor. Bu s谋rada destan谋m谋z谋n ikinci avatar谋yla, devrimin ate艧iyle tekrar vaftiz olmu艧, 鈥渟af ama karma艧谋k vicdanl谋鈥� eski papaz Cimourdain ile de tan谋艧谋yoruz. 陌nan莽l谋, erdemli, adil ve insan眉st眉 bir iyilikseverlik anlay谋艧谋na sahip bir baba fig眉r眉.

Paris k谋s谋mlar谋 Hugo鈥檔un 眉slubunu incelikle de臒i艧tirdi臒i ve t谋pk谋 bir gazeteci gibi anlat谋s谋n谋 艧ekillendirdi臒i bir k谋s谋m bu arada. Frans谋z 陌htilaline ve devam谋ndaki y谋llara, 鈥淩obespierre yoktu, d眉艧man 莽oktu, Robespierre geldi, herkesi kesti.鈥� kabala臒谋nda yakla艧m谋yor kesinlikle. Ancak devrimin 眉莽 枚nderinin ki艧iliklerini de saklama gere臒i duymuyor, samimiyetle yans谋t谋yor. Haliyle insani, Alfred Laouder taraf谋ndan da kanvasa yans谋t谋lm谋艧 (kitab谋n da kapa臒谋 olmu艧) diyalo臒un hayali oldu臒una inanmakta zorlan谋yor.

Tarihsel s眉rece bakt谋臒谋m谋zdaysa, asl谋nda ba艧lang谋莽ta 谋l谋ml谋 bir hareket Jakobenler. Frans谋z 陌htilali鈥檔in(1789) ard谋ndan gelen y谋llarda, monar艧i fiili olarak halen devam etti臒i s谋rada, 鈥溍济糿c眉 tabaka鈥� olarak da bilinen, orta s谋n谋f, i艧莽i ve k枚yl眉 temsilcileri de i莽eren bir siyasi hareket. 1792鈥檇e monar艧inin kald谋r谋l谋p cumhuriyetin ilan edilmesiyle birlikte, 枚rg眉tl眉l眉臒眉n眉n de verdi臒i g眉venle, cumhuriyete kar艧谋 giri艧ilecek bir aristokrasi ihtimaline kar艧谋 giderek radikalle艧iyor, Vend锚e鈥檇eki gerici isyanla birlikte de bir 枚l眉m makinesine d枚n眉艧眉yor. (bkz: Ter枚r D枚nemi 1793-1794) Georg B眉chner, Danton鈥檜n 陌htilal hakk谋nda 鈥溎癶tilal Sat眉rn gibidir, kendi evlatlar谋n谋 yer.鈥� dedi臒ini rivayet ediyor. Bug眉nden bakt谋臒谋m zaman, -枚zellikle Hugo鈥檔un giyotin tiksintisini payla艧mayan bir go艧ist olarak- belki Vend锚e鈥檇e d枚k眉len kan谋n tamam谋n谋 de臒il ama devrimin kendini koruma refleksini ben yarg谋lam谋yorum. Yine de Victor Hugo鈥檔un kaleminden okundu臒unda ve 艧iddete kar艧谋 mesafeli tavr谋yla birle艧ti臒inde, y眉kselen kar艧谋 devrimci darbeye kar艧谋 hissedilen acil panik halinin, k谋rsal n眉fusun i莽inde oldu臒u hezeyan谋n ve Paris鈥檛e olan biten onlarca 艧eyin, nas谋l b枚yle bir noktaya evrildi臒ini, olaylar谋n nas谋l kontrolden 莽谋kt谋臒谋n谋 daha iyi anlayabiliyorum.

陌kinci b枚l眉mde monar艧inin yerini alan Konvansiyon ile ilgili k谋s谋mlar ise kitapta anlat谋n谋n ritminin d眉艧t眉臒眉 ve benim tad谋m谋 ka莽谋ran tek k谋s谋m. Asl谋nda Konvansiyon鈥檜 anlatmakta (bir 莽e艧it 枚n meclis diye tan谋mlayabiliriz) kral谋n yarg谋lanmas谋n谋, halk谋n tepkilerini aktarmada gayet ba艧ar谋l谋 Hugo. Delegelerin k谋yas谋ya kavga etti臒i, birbirini ast谋rmakla tehdit etti臒i, siyasetin do臒rudan hayat seviyesinde ya艧and谋臒谋 bir kurum buras谋 ve Doksan 脺莽, ger莽ekten o havay谋 solumam谋za imkan veriyor. Ancak bir s眉re sonra anlams谋z bir name dropping ba艧l谋yor. Sayfalar boyunca, hi莽 fikrimiz olmayan isimleri ve bunlar谋n 眉莽er d枚rder kelimelik k谋sa tan谋mlar谋n谋 ve namlar谋n谋 okumak ho艧land谋臒谋m bir deneyim de臒il. Diyelim ki ben benzeri bir yaz谋 haz谋rl谋yor, 2000li y谋llar谋n K眉rt Hareketi鈥檔den ve meclisteki varl谋klar谋ndan bahsetmek istiyorum. E臒er bunu yaparken e臒er 鈥淏ir Berdan 脰zt眉rk vard谋... Bir Filiz Kerestecio臒lu vard谋... Hele sonra o Mahmut Celadet Gaydal谋 yok muydu? Peki ya Garo Paylan, peki ya Dersim Da臒?鈥� gibi c眉mlelerle sayfalar谋 doldurursam, yazd谋klar谋m ne kadar ve ne s眉reyle anlam ifade eder? On y谋l, belki yirmi? 鈥淟eyla Zana鈥� veya 鈥淪elahattin Demirta艧鈥� d谋艧谋nda isimler sayarak anlatmaya 莽al谋艧谋rsam e臒er s枚z konusu siyasi 莽evreyi, kuvvetle muhtemel y眉z y谋l sonra bunu okuyanlar bo艧 bo艧 bakacakt谋r yazd谋klar谋ma. Hugo鈥檔un sayd谋臒谋 sayfa sayfa isim de kitab谋n yaz谋lmas谋ndan tam 150 y谋l sonra benzer bir manas谋zl谋k ihtiva ediyor. Haliyle Konvansiyonun kurdu臒u hal谋 saha listelerine, Konvansiyon Lokantas谋鈥檔daki Tas Kebab谋 fiyatlar谋na bakarken, 鈥渋lla 4鈥檈 mi basal谋m Hugo? Atla art谋k 艧u b枚l眉m眉.鈥� diye s枚yleniyor insan...

Ancak 鈥淧arisli鈥� anlat谋s谋, halk谋n devrime sahip 莽谋k谋艧谋n谋n tan谋kl谋臒谋 etkileyici. Kendileri 莽谋plak ayakl谋 oldu臒u halde bulabildikleri 莽izmeleri askerlere g枚nderen Parisliler, kiliselerin alt谋n ve g眉m眉艧 tak谋mlar谋n谋 vatana arma臒an olarak getirip kar艧谋l谋臒谋nda sadece Konvansiyon 枚n眉nde dans etmek, karmanyola yapmak isteyen halk, 鈥渃umhuriyet莽ilerden ba艧ka kimseyle evlenmeyece臒ine鈥� dair ant i莽en kad谋nlar. Cumhuriyeti kendi elleriyle kurmu艧, 枚z g眉莽lerini ve 枚rg眉tl眉l眉klerini canlar谋yla korumu艧 bir halk谋n cumhuriyete sahip 莽谋k谋艧谋, insan谋n bo臒az谋n谋 d眉臒眉ml眉yor.

陌kinci b枚l眉m, Lantenac鈥櫮眓 liderli臒inde devasa bir tehdide d枚n眉艧m眉艧 isyan谋n bast谋r谋labilmesi i莽in g枚revlendirilen di臒er karakterin, cumhuriyet莽i birliklerin komutan谋 olan Gauvain鈥檌n de sahneye girmesiyle kapan谋yor. Adil, soylu, cesur bir karakter Gauvain. 陌sminin Yuvarlak Masa 艦枚valyesi Gawain鈥檈 benzerli臒i tesad眉f de臒il muhtemelen. Ayn谋 zamanda Lantenac鈥櫮眓 ye臒eni ve Cimourdain鈥櫮眓 da 枚臒rencisi. Ancak 枚nemli bir zaaf谋 var, 鈥渋syanc谋lara kar艧谋 fazla merhametli鈥� oldu臒u d眉艧眉n眉l眉yor. Sava艧tan sonra tutuklular谋 serbest b谋rak谋yor, din adamlar谋n谋 koruyor, esirlere yumu艧ak davran谋yor. Devrimin korunmas谋 i莽in ise demir bir yumruk, bu naif delikanl谋y谋 kontrol alt谋na alacak, ona Lantenac鈥櫮眓 kellesini kestirecek bir g眉莽 gerekiyor. Bu g枚rev de Gauvain鈥檌n eski hocas谋 Cimourdain鈥檃 d眉艧眉yor. B枚ylece devrimin iki ayr谋 y眉z眉 Lantenac鈥檃 kar艧谋 birle艧iyor. Devrimin adalet anlay谋艧谋n谋 ve hedeflerini temsil eden sert, adanm谋艧 otorite fig眉r眉 Cimourdain, elinde gen莽 adam谋 diledi臒i gibi 枚zg眉r k谋lacak veya giyotine yollayacak, Robespierre, Danton ve Marat taraf谋ndan imzalanm谋艧 bir yetki belgesiyle, Gauvain鈥檌n 眉st眉 olarak atan谋yor...


3. B枚l眉m; Vend锚e鈥檇e

Ve Nihayet t眉m bu debdebenin, deh艧etin, kan谋n, 莽arp谋艧man谋n merkezine iniyoruz. 鈥淰end锚e, papazlar谋n isyan谋yd谋. 陌syan谋n ba艧 yard谋mc谋s谋 ise ormand谋. Karanl谋klar nas谋l da birbirine omuz verir.鈥� diyor Hugo. Fransa鈥檔谋n bat谋s谋nda, 眉lkenin geri kalan谋ndan b眉y眉k 枚l莽眉de izole bir ta艧ra beldesi Vend锚e. Tepelerle, derin vadilerle b枚l眉nm眉艧, dere yataklar谋n谋n ve ormanlar谋n aras谋nda d眉zensizce da臒谋lm谋艧 y眉zlerce k眉莽眉k yerle艧imlerde ya艧ayan yoksul 莽ift莽ilerin diyar谋. Elbette k枚yl眉 demek problem demek, yobazl谋k demek, safi zarar demek. Vend锚e de istisna de臒il; kendine 鈥渕uhafazakar ve dindar鈥� demeye bay谋lan, kabuslardan f谋rlama deh艧et sahneleri yaratmaktan bir cinnet uzakta insanlardan, -papazlar taraf谋ndan g眉d眉len y眉z binlerce insandan- olu艧uyor. Y眉zy谋l谋n ba艧谋nda misyonerlerin vah艧ice 莽abalar谋yla Protestan n眉fusun neredeyse tamamen s眉r眉ld眉臒眉, Katolik Kilisesi鈥檔in ve destekledi臒i monar艧inin mutlak g眉莽 oldu臒u, cumhuriyete destek verenlerin de s眉rekli bir bask谋 alt谋nda tutuldu臒u kocaman bir k谋rsal cehennem. 鈥淔ransa鈥檔谋n Erzurum鈥檜鈥� uzun laf谋n k谋sas谋...

陌syan, 鈥渆sir almak yok鈥� 艧iar谋yla muazzam bir katliam ba艧l谋yor Vend锚e鈥檇e. Cumhuriyete destek veren k枚yler bas谋l谋yor, kad谋nlar ve erkekler kur艧una diziliyor. Asl谋nda sanayi devriminin ba艧lar谋nda, sava艧larda hem ate艧li silahlar谋n hem de k谋l谋莽lar谋n kullan谋ld谋臒谋 ama nihai olarak zaferin belirleyici unsurunun, kimin daha 莽ok topu oldu臒u bir d枚nem bu. Fakat Vend锚e鈥檔in karma艧谋k, ormanlarla kapl谋 co臒rafyas谋nda bu 眉st眉nl眉klerin pek bir 枚nemi kalm谋yor, gerilla sava艧谋 dengeleri temelden de臒i艧tiriyor. Ormandan ve yer alt谋 t眉nellerinden aniden ortaya 莽谋kan kralc谋lar, cumhuriyetin d眉zenli birliklerini pusuya d眉艧眉r眉yor ve geldikleri gibi bir anda ortadan kayboluyor. 陌syan谋n itici unsuru da b枚lgesel halk oldu臒u i莽in cumhuriyet莽ilerin arkas谋n谋 d枚nd眉臒眉 her an katliamlar ya艧an谋yor, k枚yler yak谋l谋yor, ikmal hatlar谋 ya臒malan谋yor. 陌syanc谋lara kimsenin itiraz etme hakk谋 yok, atlar, arabalar zorla al谋 konuluyor, yiyeceklere el konuluyor, ailelerin eli silah tutanlar谋 zorla silah alt谋na al谋n谋yor. 陌tiraz edenlerin uzuvlar谋 kesiliyor ve bu haydut 莽etesinin di臒er yarat谋c谋 i艧kencelere maruz b谋rak谋l谋yor.
Mavilerin saf谋na ge莽en k枚yl眉lere "Jakoben y谋臒谋nlar谋" ad谋n谋 tak谋p herkesten 莽ok onlar谋 ezdiler. Askerler gibi d枚v眉艧meye ve haydutlar gibi katliam yapmaya bay谋l谋yorlard谋. "艦i艧kolar"谋 yani burjuvalar谋 kur艧una dizmeyi pek seviyor, bunu "e臒lenmek" olarak tan谋ml谋yorlard谋. Nitekim, Fontenay'deki kralc谋 papazlardan Barbotin yetmi艧lik bir adam谋 kasatura darbesiyle indirmi艧ti. Saint-Germain-sur-Ille'deki komutanlardan biri de soylu bir savc谋y谋 kur艧unlay谋p 枚ld眉rm眉艧, saatini alm谋艧t谋. Machecoul'daki cumhuriyet莽ileri ise, her g眉n otuz ki艧i olmak 眉zere, sistemli bir bi莽imde 枚ld眉rd眉ler. Bu tam be艧 hafta s眉rd眉. O g眉n temizlemeyi d眉艧眉nd眉kleri otuz ki艧iyi s谋raya dizer, buna "tespih" derlerdi. Bu s谋ray谋 枚nceden kaz谋lm谋艧 hende臒in k谋y谋s谋na getirir, kur艧una dizerlerdi. Vurulanlardan baz谋lar谋 莽ukura canl谋 d眉艧er ve 枚ylece g枚m眉l眉rd眉.


Papazlar谋n halk谋 k谋艧k谋rtmak i莽in kullan谋lan yollar ise dincili臒in 艧an谋na yara艧谋r cinsten. Ayin s谋ras谋nda yeminli papaz谋n yan谋ndaki dolaba iri bir kara kedi kapatt谋臒谋n谋, ayin s谋ras谋nda kedi aniden d谋艧ar谋 f谋rlay谋nca da k枚yl眉ler "艦eytan bu!" diye hayk谋rarak imana geldi臒ini anlat谋yor Hugo. Hangi 莽a臒da oldu臒u fark etmiyor, 艦artlama her zaman favori silah谋 dincilerin. Kilise ve ha莽a kar艧谋 sofu bir tap谋nma, uygulanan bir di臒er y枚ntem; k枚yl眉ler cumhuriyet莽ilerle sava艧谋rken, 莽at谋艧man谋n en 艧iddetli an谋nda bir ha莽 veya kilise g枚rseler sava艧谋 b谋rak谋p diz 莽枚k眉p dua etmeye ba艧l谋yor. Elbette bir b枚l眉m眉 ba臒谋ra ba臒谋ra 枚l眉yor ama mermi ve g眉llerinin alt谋nda sa臒 kalanlar duan谋n ard谋ndan aya臒a kalk谋nca, t眉m kitle ilahi bir ilhamla ate艧lenmi艧 halde sava艧maya ba艧l谋yor. Kimi papazlar ise 枚nce birbirlerinin bo臒az谋n谋 s谋karak morart谋yor, ard谋ndan kitlenin kar艧谋s谋na 莽谋k谋p "Bunlar谋 cumhuriyet莽iler giyotinle 枚ld眉rd眉 ama 陌sa onlara yeniden can verdi." diyor. Bu sinir bozucu ba臒nazl谋臒谋n 枚rnekleri o kadar 莽ok ki. Bir noktada k枚yl眉ler, s谋rf ele ge莽irdikleri bir topa aziz ismi verdiler diye, tahrip olan topu b谋rak谋p gitmek istemiyor; alt谋 y眉zden fazla k枚yl眉 topun ba艧谋nda telef oluyor. G枚z korkutan bir yobazl谋k ve bundan do臒an k枚r cesaret ile b眉y眉yen isyan kar艧谋s谋nda cumhuriyet de giderek pani臒e kap谋l谋yor ve paranoyak莽a daha b眉y眉k g眉莽le sald谋rd谋k莽a, kendini besleyen 艧iddet sarmal谋 da giderek kontrolden 莽谋k谋yor.

Kontrolden 莽谋kmak derken, hat谋rlamakta fayda var. Vend锚e Sava艧谋鈥檔谋n modern tarihin ilk soyk谋r谋m olup olmad谋臒谋 halen tart谋艧mal谋 bir konu. 脺zerinde az 莽ok anla艧谋lm谋艧 verilere g枚re 170.000 insan谋n b枚lgede 枚ld眉r眉ld眉臒眉 d眉艧眉n眉l眉yor. (elbette asl谋nda 莽ok daha y眉ksek oldu臒unu iddia edenler de var) N眉fusun 1793鈥檛e 800.000 oldu臒u d眉艧眉n眉l眉rse, ger莽ekten soyk谋r谋mdan bahsedilebilecek bir durum oldu臒u g枚r眉l眉yor.

T眉m bunlar ya艧an谋rken, ad谋m ad谋m Lantenac ve Gauvain ile Cimourdain鈥櫮眓 kitab谋n zirvesindeki randevular谋na yakla艧谋yoruz. Kitab谋n ba艧谋nda kar艧谋la艧t谋臒谋m谋z ana ve 眉莽 kay谋p evlad谋 ise 枚yk眉yle birlikte a臒谋rla艧谋yor, 枚nce taraflar谋n, sonra t眉m insanl谋臒谋n yarg谋lanaca臒谋 devasa y眉rek a臒r谋lar谋 haline geliyor. Sonunda hikayenin gelip d眉臒眉mlendi臒i ve her 艧eyin belirlendi臒i yer ise Tourgue; Monar艧inin son direni艧ini ger莽ekle艧tirmek i莽in 莽ekildi臒i, cumhuriyetin ard谋ndan kandan bir iz b谋rakarak ku艧att谋臒谋, tutsak al谋nm谋艧 眉莽 k眉莽眉k 莽ocu臒un kald谋臒谋, insan 眉st眉 bir forma evrilmi艧 anan谋n ula艧t谋臒谋 son dura臒谋.

Hikayenin doruk noktas谋nda, 莽枚z眉lmeden 枚nceki y眉zle艧me an谋nda, 眉莽 karakterin de ayr谋 ayr谋 vicdanlar谋yla y眉zle艧melerine ve kendi ikilemlerini g枚r眉p karar vermelerine tan谋k oluyoruz. Hugo, kralc谋lar ve cumhuriyet莽iler aras谋ndaki 莽at谋艧man谋n orta noktas谋na 眉莽 masum 莽ocu臒u ve 莽ocuklar谋n谋 arayan ac谋lar i莽inde bir anneyi koyarak insanl谋臒谋 hat谋rlamaya zorluyor. Lantenac, Gauvain ve Cimourdain鈥櫮�, vicdan, sorumluluk, merhametin ve adaletin dengeledi臒i bir a莽mazla sorguluyor.

Sava艧 ve 艧iddete kar艧谋 Hugo鈥檔un duydu臒u tiksinti ise kitab谋n her noktas谋na sinmi艧 durumda. 鈥滽枚t眉l眉k kayna臒谋 bir insan谋 kurtarmak, onun eylemlerinin sorumlulu臒unu ta艧谋r m谋?鈥� sorusunu kitab谋n ba艧谋nda Marki ve onu kurtaran bir dilenci 眉zerinden sorgulayan yazar, en sonda daha geni艧 bir perspektifte tekrar g眉ndeme getiriyor sorgusunu. Hugo, zihni kurcalayacak soru i艧aretleri b谋rakmak konusunda kesinlikle cimri davranm谋yor. O b眉y眉k son sahnede ise sorumlulu臒un, merhametin ve adaletin verdi臒i kararlar谋 izliyoruz. T眉m kararlar verildi臒inde, eylemler yerine getirildi臒inde, son vedalar edilmeden 枚nce yap谋lan konu艧ma ise etkileyici. 鈥淪oyut d眉艧眉ncenin somuta d枚n眉艧mesi ve g眉zelli臒inden belki bir 艧eyler yitirmesine ra臒men bu eksikli臒i faydayla kapatmas谋鈥� kar艧谋s谋nda, 鈥渕眉mk眉n olan谋n bundan daha fazlas谋 olabilece臒i鈥� denmesi, bence gelecekten ge莽mi艧e bilgece bakabildi臒i i莽in de臒erli.


Bu bir f谋rt谋na. F谋rt谋na ne yapt谋臒谋n谋 hep bilmi艧tir. Me艧e a臒ac谋na y谋ld谋r谋m d眉艧眉yor belki ama koca bir ormana da su y眉r眉yor. Uygarl谋臒谋n ba艧谋na bir veba musallat olmu艧tu, bu g眉莽l眉 r眉zg芒r onu bu dertten kurtar谋yor. Pek se莽meci davranm谋yor belki ama ba艧ka ne yapabilirdi ki? 脺stlendi臒i temizlik i艧i 莽ok zor! 脟眉r眉me kokusu 枚yle i臒ren莽 ki, r眉zg芒r谋n 枚fkesini anlayabiliyorum.




B眉y眉k bir devrim hakk谋nda b眉y眉k bir roman Doksan 脺莽. Kurgusal 枚rg眉n眉n ve karakterlerin tarihsel olaylar谋 anlatmak i莽in bir ara莽 olarak kullan谋ld谋臒谋, buna ra臒men karakter derinli臒inden taviz vermeyen, epik bir anlat谋. Evet, Kimi anlar tarihsel kar艧谋l谋臒谋n谋 anlamak ad谋na harici kaynaklardan yararlanmak gerekebiliyor, insan kendini 鈥渂en bas谋yorum Tolga abi ama Hugo z谋plam谋yor鈥� derken bulabiliyor. Buna ra臒men Victor Hugo鈥檔un hayat boyu biriktirdi臒i tecr眉beyle, tarihin g枚rkemli bir an谋n谋 ayd谋nlat谋艧谋n谋 izlemek harika.

Kanla yaz谋lm谋艧 bir tarih Doksan 脺莽 ve bunu Hugo鈥檔un kaleminden okumak bana kendimi 艧ansl谋 hissettiriyor.

Ekler:

(bkz:Marx鈥櫮眓 Birincilere Yakla艧谋m谋)
(bkz:陌leti艧im Bask谋s谋na Dair)

(edited)
Profile Image for Ivan.
359 reviews53 followers
August 27, 2017
L鈥檃nno del Grande Terrore; la Repubblica minacciata dai nemici esterni sul Reno viene attaccata dai nemici interni, i federalisti, ma soprattutto la Vandea. Grande narratore Victor Hugo, quasi uno storico che ricostruisce gli avvenimenti nell鈥橭vest francese, la Bretagna in particolare, con l鈥檌nsurrezione dei contadini nel bocage e nelle foreste nella primavera-estate del 1793. Puntualissime descrizioni di luoghi reali e immaginari (il cupo e inquietante maniero de La Tourgue) introducono e ambientano drammi umani narrati dinamicamente con dovizia di particolari. Anno terribile il 狈辞惫补苍迟补迟谤茅, l鈥檃nno in cui la Rivoluzione dispiega tutta la sua micidiale potenza e idealit脿; ma anche il pi霉 funereo e funesto fanatismo che sconfina continuamente nel sadismo e nella malvagia perversione. Danton, Marat e Robespierre compaiono anch鈥檈ssi, ma poi se ne stanno sullo sfondo grandioso della Parigi rivoluzionaria e ardente. I protagonisti, tanti, invece si muovono, soffrono, lottano, si ammazzano con furore nelle foreste e nei villaggi della Bretagna. Da una parte i soldati repubblicani della guardia nazionale guidati dall鈥檈x visconte il capitano Gauvain e dal commissario politico, l鈥檈x abate Cimourdain, mandati a reprimere e sterminare i rivoltosi; dall鈥檃ltra i lealisti, i contadini insorti guidati dai loro capi, sui quali signoreggia venerato da tutti il marchese di Lantenac. Come la Rivoluzione 猫 un intreccio di pulsioni omicide e slanci purissimi di idealit脿, cos矛 personaggi che ci presenta Hugo (tra i quali, i principali: Gauvain, Cimourdan e Lantenac) sono un impasto di bene e male, tenebra e luce, fanatismo e generosit脿, inflessibilit脿 e magnanimit脿. A dosi diverse, molto variabili. Hugo vuole salvare la Rivoluzione, il bilancio finale, il saldo positivo del guadagno sulle perdite. La Rivoluzione 猫 costata tantissimo sangue, tantissimo sangue anche innocente, ma ha liberato la Francia, e da l矛 l鈥橢uropa, dal dispotismo, dal feudalesimo, dall鈥檃rbitrio, dal privilegio e dalla superstizione religiosa.
Scritto a partire dal 1862, il libro fu pubblicati nel 1874. A volte si sente, soprattutto nell鈥檃nalisi psicologica dei personaggi, che 猫 stato scritto 150 anni fa, ma in complesso 猫 un gran bel racconto, godibile, interessantissimo anche per gli spunti storici che continuamente propone, e forsanche (cum grano salis) per le riflessioni che il grande Victor Hugo fa su quel terribile anno.
Profile Image for 亘爻賲丞 丕賱毓賵賮賷.
Author听5 books666 followers
May 29, 2011
乇賵丕賷丞 噩賲賷賱丞 賰賰賱 兀毓賲丕賱 賮賷賰鬲賵乇 賴賵噩賵
兀賱賯賷 丕賱囟賵亍 賮賷 丕爻賲 丕賱乇賵丕賷丞 毓賱賷 兀噩賲賱 賲丕 賮賷賴丕 .夭 丕賱兀胤賮丕賱 丕賱孬賱丕孬丞
賵氐賵賾乇 賲賳 禺賱丕賱賴賲 丕賱丨乇亘 亘賷賳 丕賱夭乇賯 賵丕賱亘賷囟 兀賵 丕賱噩賲賴賵乇賷丞 賵丕賱賲賱賰賷丞


胤亘毓丕 賲丕 賷賲賷夭 賮賷賰鬲賵乇 賴賵噩賵 丕賱丨亘賰丞 丕賱乇丕卅毓丞 賮賷 丕賱賯氐丞 貙 賵丕賱鬲乇丕亘胤 賮賷 丕賱兀丨丿丕孬 貙 賵丕賱鬲爻賱爻賱 賵丕賱鬲賳丕爻賯 賵丕賱丿賯丞 賵丕賱賵丕賯毓賷丞
Profile Image for Sergio.
1,267 reviews112 followers
February 20, 2025
Voto = 猸愨瓙猸� 1/2
Devo ammettere che questo romanzo di Victor Hugo [1802-1885], l鈥檜ltimo ad essere scritto e pubblicato dallo scrittore francese nel 1874, non mi ha pienamente convinto nonostante le mie due precedenti letture dell鈥檃utore, 鈥淚 Miserabili鈥� e 鈥淟鈥橴omo che Ride鈥� siano state da me giudicate come ottimi esempi di letteratura che intriga e arricchisce intellettualmente per la grande e inimitabile capacit脿 di questo autore di raccontare e amalgamare perfettamente fatti storici e creativit脿. Non posso negare che mi sono avvicinato al romanzo 鈥淣ovantatre鈥� con la certezza di poter combinare il piacere di una lettura intrigante con la possibilit脿 di conoscere pi霉 a fondo tutto quello che port貌 in quel periodo della Rivoluzione Francese a una controrivoluzione operata nella regione della Vandea di cui conservavo solo briciole di 鈥渟apere鈥� ma la prosa dello scrittore eccessivamente enfatica e pesante, impedisce in molti capitoli di cogliere l鈥檈ssenza del dramma raccontato e avendo come risultato una lettura rallentata e un鈥檈mozione stemperata dei fatti narrati. 鈥淎lta letteratura鈥� diranno tutti quelli a cui l鈥檕pera 猫 piaciuta, a me allora dispiace non averla compresa fino in fondo ma porter貌 sempre con me l鈥檈mozione di aver conosciuto personaggi indimenticabili come il giovane comandante repubblicano Gauvain, impetuoso e romantico, Cimourdain l鈥檃nima nera del 鈥淭errore鈥� rivoluzionario e il visconte di Lantenac, capo dei controrivoluzionari vandeani, uomo d鈥檕nore, apparentemente inflessibile e spietato.
Profile Image for Wayne Barrett.
Author听3 books118 followers
February 4, 2017

I have read that the English translation is not nearly as good as the original French but the only French I know is 'French fry', so I had to settle. Not that that is a bad thing because in my opinion this was still a great classic from Hugo. This was the final work of the author of such masterpieces as and , telling of the French revolution of 1793. Admittedly, I had never heard of the book and only know about it because I came across an old copy of it in an antique book shop. And I'm glad I did because it is another wonderful piece of classic literature for my collection.
Profile Image for Zahra.
223 reviews71 followers
September 16, 2020
賳丕賵 讴賱蹖賲賵乇 趩賳丕賳 賲乇丿 讴賴 蹖讴 賲賳鬲賯賲 賲蹖 賲蹖乇丿貨 賵賱蹖 倬蹖乇賵夭蹖 丕賵 乇丕 賳賲蹖 卮賳丕爻丿. 丕賳爻丕賳 丿乇 噩賳诏 亘丕 讴卮賵乇 禺賵丿 賯賴乇賲丕賳 賳蹖爻鬲
禺蹖賱蹖 賳丕乇丕丨鬲 讴賳賳丿爻 讴賴 鬲賵蹖 賴賲賴 丕賳賯賱丕亘 賴丕 鬲乇 賵 禺卮讴 亘丕賴賲 賲蹖爻賵夭賳
Profile Image for Jorge.
289 reviews428 followers
November 24, 2014
Nuevamente V铆ctor Hugo desborda mi vena rom谩ntica con su talento inigualable. No cabe duda que este glorioso autor franc茅s siempre estar谩 muy cerca de mi sensibilidad. Cada vez que uno entra a sus p谩ginas de inmediato nos conecta a su mundo poblado de personajes llenos de valores humanos como el honor, la valent铆a, la verdad, la justicia y la dignidad, valores que se destacan nuevamente en las p谩ginas de este libro.

El tel贸n de fondo de esta novela es la Revoluci贸n Francesa de 1789, aunque el relato se centra en el a帽o 1793, a帽o en que fue decapitado Luis XVI y a帽o en que se sucedieron algunos de los hechos m谩s violentos y sangrientos de la historia de Francia, pero dentro de este terror, tambi茅n acontecieron hechos heroicos alentados por admirables y genuinos ideales por lograr una mejor naci贸n y un mejor mundo. Creo que pocos acontecimientos de tipo b茅lico han sido inspirados por sue帽os tan rom谩nticos y por nobles ideales humanos para superar la propia condici贸n humana como sucedi贸 en la Revoluci贸n Francesa.
Dentro de este tel贸n de fondo destacan dos temas de singular carga hist贸rica y emotiva. Dos relatos que hace V铆ctor Hugo de manera notable: la descripci贸n y la importancia que le concede al rol que asumi贸 la Convenci贸n Nacional misma que tom贸 las riendas de Francia para dise帽ar la primera Rep煤blica del mundo, una Rep煤blica que buscaba allanar el tema pol铆tico y dise帽ar e implementar una forma de gobierno m谩s justa e igualitaria; pero este no fue el tema principal, lo que conmueve y da que pensar es que la Convenci贸n Nacional emiti贸 casi 10 veces m谩s decretos de car谩cter humano para protecci贸n y auxilio de los ciudadanos m谩s desprotegidos, que los que ten铆an que ver puramente con la pol铆tica.

El otro tema culminante que es tratado con gran vastedad por el autor es la contrarrevoluci贸n que surgi贸 espont谩neamente entre el campesinado de una regi贸n de Francia que se opon铆a a la Rep煤blica reci茅n instaurada. Ellos no quer铆an ser libres, quer铆an a su Rey. No sab铆an conducirse solos, 隆no conoc铆an la libertad!; necesitaban su br煤jula y a un amo a quien obedecer en todo. Ese movimiento respaldado en su momento por Inglaterra fue llamado La Vendee, situado b谩sicamente en la regi贸n de Breta帽a y el cual sigue siendo motivo de estudio y debate historiogr谩fico para conocer sus reales or铆genes, motivaciones y consecuencias.

Por estas p谩ginas pasan fugazmente Robespierre, Saint-Just, Danton y Marat los principales hombres de estos a帽os en Francia, los hombres terribles y decididos a todo con tal de instaurar la Rep煤blica y exterminar cualquier viso del antiguo realismo. Pero los personajes principales de esta novela son el Marqu茅s de Lantenac y Gauvin. T铆o abuelo y sobrino respectivamente, y a quienes las circunstancias pol铆ticas los han llevado a ser enconados y mortales rivales. Los 煤ltimos cap铆tulos se desarrollan alrededor y dentro de una especie de castillo bret贸n antigua propiedad de los antepasados de los protagonistas. La antigua construcci贸n de la Tourgue representa el m谩s acendrado feudalismo ya que ah铆 se criaron los nobles bretones de rancio abolengo. Es ah铆 donde se libra la 煤ltima batalla entre t铆o y sobrino; entre las ideas del pasado y la construcci贸n de un mundo futuro. La Revoluci贸n, es decir el hombre del porvenir, tendr谩 que destruir simb贸licamente y acorde con el destino, aquella magn铆fica Torre, s铆mbolo del pasado perteneciente a la clase gobernante y tir谩nica durante m谩s de 15 siglos y ahora convertida en un obst谩culo para el hombre del porvenir y de la naci贸n futura.
Esta historia construida alrededor de estos interesantes y apasionantes temas es tratada de una manera rom谩ntica como corresponde a la pluma de V铆ctor Hugo, aunque tambi茅n la envuelve, como tal vez 茅l s贸lo sabe hacerlo, en un delicado y esplendoroso velo que va del misticismo apasionado a la poes铆a m谩s profunda y tr谩gica. El poder de su pensamiento y la magia de su capacidad de expresi贸n nuevamente nos hacen cimbrarnos, nos azota con una lluvia de estrellas, de donde 茅l ha sabido utilizar su mano maestra para desplazar las nubes que enturbian el cielo azul de la humanidad. Para m铆, sigue y seguir谩 siendo uno de esos autores que exaltan el esp铆ritu.

Una vez m谩s V铆ctor Hugo se decanta por todo lo humano. Los di谩logos finales entre T铆o y sobrino y entre sobrino y tutor, electrizan las p谩ginas de la novela. El rancio y noble pensamiento del viejo Marqu茅s hace tambi茅n por momentos inclinar la balanza hacia el linaje, la nobleza, la tradici贸n, el respeto, la disciplina, la lealtad y otras cualidades que se destacan en la Nobleza. Pero m谩s adelante, casi al final, el sobrino le espeta a su tutor: 鈥渘o era m谩s que un Noble y hab茅is hecho de m铆 un ciudadano鈥�. Contundente frase que de nuevo inclina la balanza hacia el otro lado.

Si alg煤n d铆a me pidieran que escogiera a alg煤n notable habitante de los siglos modernos para crear al hombre, seguramente escoger铆a a V铆ctor Hugo.
Profile Image for Giovanna.
52 reviews178 followers
November 7, 2017
La scrittura di Hugo ha un livello impareggiabile; 猫 pathos su carta, ma non diventa mai pomposa: resta raffinata, acuta, lucida. Arriva dritta all鈥檕biettivo, 猫 precisa e ricca allo stesso tempo. Certo, ha molto di teatrale, come quella di Dostoevskij, ma non suona mai meramente gestuale.

Non 猫, tra l鈥檃ltro, solo questo tipo di scrittura ad accomunare Hugo e Dostoevskij; in 狈辞惫补苍迟补迟谤茅 si trovano diversi temi ben esplorati anche dallo scrittore russo. Se apparentemente il romanzo di Hugo si incentra sulla lotta tra la resistenza realista e il governo repubblicano nato dalla Rivoluzione, in realt脿 racconta la storia di una lotta tra idee e umanit脿, e di una lotta all鈥檌nterno di una coscienza. Con un anticipo di cinque anni sui Fratelli Karamazov, Hugo parla dell鈥檜omo come campo di battaglia tra Satana e Dio, quasi con le stesse parole che user脿 Dostoevskij:

Mai, in nessun combattimento, era stato pi霉 visibile Satana e con lui Dio.
Quella lotta aveva avuto per arena una coscienza.
La coscienza di Lantenac.
Adesso era ricominciata, forse ancora pi霉 accanita e decisiva, in un鈥檃ltra coscienza.
La coscienza di Gauvain.
Quale campo di battaglia 猫 l鈥檜omo!


Ancora, come una decina di anni prima Delitto e castigo aveva raccontato la storia di un delitto non compiuto fino in fondo, anche qui si osserva:

Che aveva fatto di tanto ammirevole?
Non aveva persistito, ecco tutto.
Dopo aver ordito il delitto, aveva indietreggiato, pieno di orrore per se stesso.


Che l鈥檌nfluenza tra i due scrittori sia o meno diretta, 猫 interessante notare come per entrambi 猫 centrale il problema della coscienza. Per tutti e due il nodo di interesse della storia 猫 il comportamento di una coscienza di fronte a un鈥檌dea astratta: che sia il volersi dimostrare pari di Napoleone come Raskol鈥檔ikov o il difendere l鈥檌nflessibilit脿 delle leggi rivoluzionarie a tutti i costi, l鈥檕biettivo astratto dettato da un鈥檌deologia porta sempre l鈥檜omo al di fuori della vita:

Cimourdain tutto sapeva e tutto ignorava. Sapeva tutto della scienza e ignorava tutto della vita. Donde la sua rigidezza. Aveva gli occhi bendati come la Temi di Omero. Aveva la cieca certezza certezza della freccia che vede unicamente il bersaglio e a esso si dirige. Nelle rivoluzioni, niente di pi霉 temibile della linea retta. Cimourdain tirava sempre, fatalmente, dritto.

Come osserver脿 Vasilij Grossman in Vita e destino un centinaio di anni dopo, 猫 il destino a essere dritto e lineare, mentre la vita sta nella libert脿 e nella variet脿; l鈥檜omo non deve essere guidato da un bene utopico e astratto, quanto piuttosto dalla propria bont脿 e dalla propria coscienza. In 狈辞惫补苍迟补迟谤茅, anche se la Rivoluzione 猫 vista come un fattore di progresso, il perseguimento della sua riuscita non giustifica lo sprezzo della legge naturale e trascendente. La storia fa il suo corso, come una tempesta, ma in questa tempesta l鈥檜omo 猫 dotato di una bussola: la propria coscienza; 猫 con questa che alla fine dovr脿 fare i conti, molto pi霉 che con la contrapposizione delle ideologie.
Profile Image for Sebastien.
252 reviews313 followers
August 14, 2017
What an amazing novel. Beautifully crafted, I love the narrative, with the characters standing in as avatars for ideas, and interplay with symmetry and contrasts between the various characters and ideas. Easy to mess up such a dynamic by rendering it too simplistically, but I think Hugo infuses a great level of nuance and subtlety to the enterprise helping ensure his novel doesn鈥檛 turn into a 1-dimensional parody.

Personally I love the stylization of the writing, lyrical and poetic, and so much fantastic imagery (really this part is just awesome!). Sometimes the 19th century novel goes a bit bonkers with meandering descriptions of geography, place, customs, objects. This can be kind of obnoxious, but this book only has a few such moments and I really don鈥檛 mind as the quality of the writing and story are too good. But these meanderings in the 19th century novel are just one of those things I try to buttress myself against, I usually don鈥檛 mind so much but sometimes it is an avalanche of words that doesn鈥檛 advance plot or character (at least doesn't seem to in my eyes) and try as I might it can break my patience. Like I said though, this book only has a few such moments, and usually when this is happening it involves a broader metaphor that seems to make sense for developing the story and message of the book.

This story takes place with the historical backdrop of the French Revolution year 1793, as the Terror is getting under way. It pits two opposing forces, revolutionary and reactionary. Progressive vs traditional. Duality is featured throughout the book. And yet there is nuance to the political analysis and views. And the historical background was very interesting and informative for me (some of the interesting alliances including reactionary alliance between nobles-rural poor/paysans-catholic elements vs revolutionaries emanating from various segments of city society. Of course this wasn't all cut and dry, but there were interesting linkages going on, and internecine struggles for supremacy between the subgroups on each side). The story seems to capture an essence of the times, intertwining legend with history and in doing so approaching a kind of truth that can be hard for one or the other to achieve on its own. This seems to be a theme with Hugo, or at least a manifestation of his philosophy, by combining legend (story) with history we can approach a greater truth. But this is the first book of his I鈥檝e read so I can鈥檛 make a strong statement on that, just a guess and intuition.

Hugo strikes me as a humanist who likely had deep sympathies for progressive ideals but he also fairly represents how high ideals can lead to the greatest crimes, with idealists leveraging the excuse of noble ends to justify execrable means. Sidestepping accountability and responsibility because one鈥檚 ideals are so noble and just. This critique is applied to both reactionaries and revolutionaries in this story as we see various characters in both camps guilty of this, some of whom stoop to the lowest basest most cynical self-serving justifications for their commitment of crimes against their fellow man. But there is nuance and subtlety, both in the writing and also the representation of the characters. Some characters are presented in a more favorable light than others, but never as pure black or white entities. The moral dilemmas the characters face are great, each individual is anchored by their various strain of idealism. These ideals get smashed and tested against the vortex of reality with crosscurrents tugging the individuals this way and that, each struggle further revealing inner character and nuance of each person...

I would recommend this book for two reasons: first off the magnificent quality of the writing and storytelling. 2ndly the fascinating historical backdrop and information in this book that seems to capture the essence and complexities of this particular historical period. And I could add a 3rd: experiencing Hugo and his sublime sensibility and ideas.

Cannot wait to read more. I鈥檓 thinking Les Mis, this will be a grand project, maybe later in the year I鈥檒l try it out. I can鈥檛 read as fast in French or with quite as high a comprehension level as in English (but it is a fun challenge), so it will be a doubly huge undertaking if I end up going for it! But I think I鈥檓 falling in love with Hugo鈥檚 style. It is ornamented a certain way, grand and architectured to a high degree, so certainly not for everyone (I'm guessing he might be one of those love it or hate it kind of writers for people), but it appeals to me and my tastes!

Quote:
"L'homme peut, comme le ciel, avoir une s茅r茅nit茅 noire; il suffit que quelque chose fasse en lui la nuit. La pr锚trise avait fait la nuit dans Cimourdain. Qui a 茅t茅 pr锚tre l'est. Ce qui fait la nuit en nous peut laisser en nous les 茅toiles. Cimourdain 茅tait plein de vertus et de v茅rit茅s, mais qui brillaient dans les t茅n猫bres."
Profile Image for Rita (the_bookthiefgirl).
319 reviews77 followers
July 4, 2021
鈥淟iberdade , Igualdade e Fraternidade s茫o dogmas de paz e harmonia. Para qu锚 dar-lhes um aspeto assustador? Que pretendemos n贸s? Conquistar os povos para a rep煤blica universal. Ent茫o n茫o lhe fa莽amos medo. Para que serve a intimida莽茫o? Como as aves, os povos n茫o s茫o atra铆dos pelo espantalho. N茫o se deve fazer o mal para fazer o bem. N茫o se derruba um trono para deixar o cadafalso de p茅. Morte aos reis, e vida 脿s na莽玫es. Abatamos as coroas, poupemos as cabe莽as. A revolu莽茫o 茅 a conc贸rdia , n茫o o medo. As ideias bondosas s茫o mal servidas pelos homens inclementes.鈥�
.
.
Victor Hugo 茅 , desde que li o primeiro instante, um autor que me arrebata pela sua escrita humana, poderosa, incompar谩vel e extremamente perspicaz. Sendo o quarto livro que j谩 li do autor, a coragem e o esfor莽o para descrever a beleza da sua escrita parecem-me sempre t茫o fracos. Victor Hugo encontra-se no p贸dio da literatura francesa, sendo para muitos at茅 鈥渙鈥� supremo autor franc锚s. O leitor encontrar-se-谩 sempre submerso na suas descri莽玫es t茫o pungentes das personagens, assim como dos cen谩rios em que as mesmas se movem. Somos convidados a assistir a imagens t茫o realistas, dignas de pavor, de sofrimento e a detalhes que fazem da condi莽茫o humana o que ela 茅. O drama 茅 inesquec铆vel e tocante.
.
.
O que tamb茅m me cativa em Victor Hugo 茅 a sua perce莽茫o da Revolu莽茫o Francesa e do impacto que esta teve no povo. Em 鈥淢iser谩veis" assistimos ao retrato dos condenados nas gal茅s, 脿s prostitutas, aos mendigos, aos padres, aos 贸rf茫os, num resumo do que 茅 a mis茅ria , a indignidade humana. Em 鈥淣otre-Dame de Paris鈥�, Hugo faz um memorial da arte no seu esplendor e a sua decad锚ncia resultante das revoltas revolucion谩rias. Num mesmo tom, Victor Hugo levanta o esplendor da Revolu莽茫o Francesa, mas tamb茅m demonstra o car谩ter violento, in煤til que a mesma teve.
.
.
Em 鈥淣oventa e tr锚s鈥�, Hugo documenta o per铆odo sangrento da guerra entre os revolucion谩rios e os monarquistas, assim como o culminar da sua guerra em 1793. Robespierre 茅 inclusive descrito como um ser terr铆vel, cheio de ambi莽玫es, capaz de subjugar os outros para comandar as coisas a seu bel-prazer. O mon谩rquico e o republicano nunca ser茫o , na vis茫o de Hugo e do leitor, o lado "certo".
.
O livro apresenta uma nota t茫o ir贸nica e intemporal. Em todos os per铆odos hist贸ricos, em nome de uma ideia de mudan莽a, da capacidade de tornarem as coisas melhores, n茫o existe qualquer mudan莽a no geral. O povo continuar谩 a sofrer pilhagens, inc锚ndios, viola莽玫es ,assassinatos em massa e outras atrocidades tais. S贸 mudamos os trajes e os crimes. Mas, como Orwell enfatiza em 鈥淨uinta dos Animais鈥�, no povo est谩 a capacidade para afastar o governante na hora certa.
.
.
Profile Image for Titu Acharjee.
258 reviews32 followers
July 17, 2023
唳唳曕唳熰Π 唳灌唳椸唳� 唳嗋Π唰囙唳熰 唳呧Θ唳Ζ唰嵿Ο 唳夃Κ唳ㄠ唳唳膏イ
Profile Image for 賲丨賲丿 ).
Author听1 book15 followers
October 12, 2017
賮賷賰鬲賵乇 賴賵噩賵 卮丕毓乇 亘丕賱兀爻丕爻 貙 賮賴賵 丕賮囟賱 賲賳 賷氐賮 賲賰丕賳 兀賵 夭賲丕賳
丕賱乇賵丕賷丞 爻賷丕爻賷丞 毓賳 丕賱丨乇亘 丕賱兀賴賱賷丞 亘賷賳 丕賱噩賲賴賵乇賷賴 賵 丕賱賲賱賰賷丞
賵 孬賱丕孬丞 兀胤賮丕賱 賵 丕賲賴賲 賮賶 禺囟賲 丕賱丨乇亘
" - 賲賳 賯鬲賱 夭賵噩賰 貙 丕賱夭乇賯 兀賲 丕賱亘賷囟
- 賯鬲賱賴 乇氐丕氐丞 "
丕賱乇賵丕賷丞 鬲毓胤賷賰 賮賰乇丞 卮丕賲賱丞 毓賳 賲毓丕賳丕丞 丕賱兀賳爻丕賳 賵 囟賲賷乇賴 賮賶 丨乇亘 兀賴賱賷丞 貙 亘賷賳 丕賱丕賳鬲氐丕乇 賱賱賯囟賷丞 賵 丕賱丕賳鬲氐丕乇 賱賱兀賳爻丕賳賷丞
Displaying 1 - 29 of 489 reviews

Can't find what you're looking for?

Get help and learn more about the design.