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唳Θ唰嬥Ξ唰佮唰嵿Η唳曕Π 唳忇Μ唳� 唳多唳｀唳� 唳唳粪唳 鈥樴Ζ唰嵿Ο 唳溹唳ㄠ唳班唳� 唳呧Ν 唳︵唳� 唳∴唳� 唳嗋Π唰嵿Ξ唳库€� 唳膏唳� 唳膏唳� 唳むΠ唰佮Γ唰囙Π 唳呧Θ唰嵿Δ唰嵿Ο唰囙Ψ唰嵿唳� 唳椸唳ム 唳班唳ㄠ 唳曕Π唰囙唰� 唳唳︵唳班唰� 唳多Δ唳距Μ唰嵿Ζ唰€唳� 唳Π 唳多Δ唳距Μ唰嵿Ζ唰€ 唳оΠ唰� 唳唳ㄠΖ唰囙Χ唰� 唳唳犩唳ㄠ 唳灌Ο唳监唳涏 唳唳︵唳о唰嵿Ψ唰囙Δ唰嵿Π唰� 唳唳む唳唳Π唳� 唳曕Π唳距Π 唳溹Θ唰嵿Ο啷�
276 pages, Paperback
First published January 1, 1963
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About the author
Ismail Kadare
291听books1,657听followersIsmail Kadare (also spelled Kadar茅) was an Albanian novelist and poet. He has been a leading literary figure in Albania since the 1960s. He focused on short stories until the publication of his first novel, The General of the Dead Army. In 1996 he became a lifetime member of the Academy of Moral and Political Sciences of France. In 1992, he was awarded the Prix mondial Cino Del Duca; in 2005, he won the inaugural Man Booker International Prize, in 2009 the Prince of Asturias Award of Arts, and in 2015 the Jerusalem Prize. He has divided his time between Albania and France since 1990. Kadare has been mentioned as a possible recipient for the Nobel Prize in Literature several times. His works have been published in about 30 languages.
Ismail Kadare was born in 1936 in Gjirokast毛r, in the south of Albania. His education included studies at the University of Tirana and then the Gorky Institute for World Literature in Moscow, a training school for writers and critics.
In 1960 Kadare returned to Albania after the country broke ties with the Soviet Union, and he became a journalist and published his first poems.
His first novel, The General of the Dead Army, sprang from a short story, and its success established his name in Albania and enabled Kadare to become a full-time writer.
Kadare's novels draw on Balkan history and legends. They are obliquely ironic as a result of trying to withstand political scrutiny. Among his best known books are Chronicle in Stone (1977), Broken April (1978), and The Concert (1988), considered the best novel of the year 1991 by the French literary magazine Lire.
In 1990, Kadare claimed political asylum in France, issuing statements in favour of democratisation. During the ordeal, he stated that "dictatorship and authentic literature are incompatible. The writer is the natural enemy of dictatorship."
Ismail Kadare was born in 1936 in Gjirokast毛r, in the south of Albania. His education included studies at the University of Tirana and then the Gorky Institute for World Literature in Moscow, a training school for writers and critics.
In 1960 Kadare returned to Albania after the country broke ties with the Soviet Union, and he became a journalist and published his first poems.
His first novel, The General of the Dead Army, sprang from a short story, and its success established his name in Albania and enabled Kadare to become a full-time writer.
Kadare's novels draw on Balkan history and legends. They are obliquely ironic as a result of trying to withstand political scrutiny. Among his best known books are Chronicle in Stone (1977), Broken April (1978), and The Concert (1988), considered the best novel of the year 1991 by the French literary magazine Lire.
In 1990, Kadare claimed political asylum in France, issuing statements in favour of democratisation. During the ordeal, he stated that "dictatorship and authentic literature are incompatible. The writer is the natural enemy of dictatorship."
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January 11, 2025
Ne卯ndoielnic, ideea c膬r葲ii este ingenioas膬. Un general str膬in (niciodat膬 numit, poate italian), 卯nso葲it de un preot, vine 卯n Albania pentru a-葯i dezgropa armata 葯i a o aduce acas膬.
R膬zboiul s-a sf卯r葯it cu dou膬zeci de ani 卯n urm膬, armata lui e sub p膬m卯nt, oale 葯i ulcele. Timp de doi ani, viziteaz膬 cimitirele 葯i dezgroap膬 oasele celor c膬zu葲i; adun膬 o armat膬 de oase, o o葯tire 鈥瀋alcifiat膬鈥� (p.10). Vremea este ve葯nic malign膬, generalul umbl膬 prin noroaie 葯i pe drumuri desfundate, prin ploi 葯i ninsori, doarme 卯n cort, st膬 de vorb膬 cu groparii (de葯i groparii s卯nt taciturni), se apuc膬 de b膬ut, are insomnii, co葯maruri.
Crezuse, s膬racul, la 卯nceput c膬 misiunea lui este una 鈥瀞f卯nt膬, 卯n膬l葲膬toare, nobil膬, sublim膬鈥� (pp.10, 12, 71), fusese plin de r卯vn膬 葯i de entuziasm. Cu vremea, i se ur膬葯te 葯i este apucat de depresie. Afi葯eaz膬 o stranie indiferen葲膬. 脦n葲elege c膬 are de 卯ndeplinit un lucru 鈥瀖izerabil鈥� (p.114).
脦n definitiv, la ce bun s膬 dezgropi mor葲ii? Dac膬 osta葯ii au luptat 葯i au murit 卯mpreun膬, de ce s膬-i separi, de ce s膬-i aduni din fundul gropilor, s膬-i aduci 卯n 葲ara ta (卯n pungi de plastic) 葯i s膬-i 卯mpar葲i pe la rude 葯i urma葯i? Nu este vorba de o impietate? Metamorfoza generalului (de la euforie la deprimare nu-i dec卯t un pas) este pricinuit膬 nu numai de ceea ce trebuie s膬 fac膬, dar, mai ales, de ostilitatea oamenilor 葯i a 葲膬rii.
Pentru domnul general (葯i pentru orice cititor str膬in), Albania este un 葲inut aspru, du葯m膬nos, arid, cu o clim膬 atroce: ploile nu mai contenesc, drumurile s卯nt grele, aproape impracticabile, mun葲ii, inabordabili, plini de pr膬p膬stii, 葯esurile gloduroase, locuitorii posaci. 脦n acest 葲inut, nu po葲i r膬zbi prea u葯or.
P. S. Prima traducere rom芒neasc膬 a romanului a ap膬rut 卯n 1973. Occidentalii l-au descoperit ceva mai t卯rziu. Generalul armatei moarte a creat o reputa葲ie. Ismail Kadare este pe 鈥瀕ista scurt膬鈥� a premiului Nobel. Nu-i exclus s膬-l ia...
P. P. S. Din p膬cate, Ismail Kadare s-a stins din via葲膬 pe 1 iulie 2024.
R膬zboiul s-a sf卯r葯it cu dou膬zeci de ani 卯n urm膬, armata lui e sub p膬m卯nt, oale 葯i ulcele. Timp de doi ani, viziteaz膬 cimitirele 葯i dezgroap膬 oasele celor c膬zu葲i; adun膬 o armat膬 de oase, o o葯tire 鈥瀋alcifiat膬鈥� (p.10). Vremea este ve葯nic malign膬, generalul umbl膬 prin noroaie 葯i pe drumuri desfundate, prin ploi 葯i ninsori, doarme 卯n cort, st膬 de vorb膬 cu groparii (de葯i groparii s卯nt taciturni), se apuc膬 de b膬ut, are insomnii, co葯maruri.
Crezuse, s膬racul, la 卯nceput c膬 misiunea lui este una 鈥瀞f卯nt膬, 卯n膬l葲膬toare, nobil膬, sublim膬鈥� (pp.10, 12, 71), fusese plin de r卯vn膬 葯i de entuziasm. Cu vremea, i se ur膬葯te 葯i este apucat de depresie. Afi葯eaz膬 o stranie indiferen葲膬. 脦n葲elege c膬 are de 卯ndeplinit un lucru 鈥瀖izerabil鈥� (p.114).
脦n definitiv, la ce bun s膬 dezgropi mor葲ii? Dac膬 osta葯ii au luptat 葯i au murit 卯mpreun膬, de ce s膬-i separi, de ce s膬-i aduni din fundul gropilor, s膬-i aduci 卯n 葲ara ta (卯n pungi de plastic) 葯i s膬-i 卯mpar葲i pe la rude 葯i urma葯i? Nu este vorba de o impietate? Metamorfoza generalului (de la euforie la deprimare nu-i dec卯t un pas) este pricinuit膬 nu numai de ceea ce trebuie s膬 fac膬, dar, mai ales, de ostilitatea oamenilor 葯i a 葲膬rii.
Pentru domnul general (葯i pentru orice cititor str膬in), Albania este un 葲inut aspru, du葯m膬nos, arid, cu o clim膬 atroce: ploile nu mai contenesc, drumurile s卯nt grele, aproape impracticabile, mun葲ii, inabordabili, plini de pr膬p膬stii, 葯esurile gloduroase, locuitorii posaci. 脦n acest 葲inut, nu po葲i r膬zbi prea u葯or.
P. S. Prima traducere rom芒neasc膬 a romanului a ap膬rut 卯n 1973. Occidentalii l-au descoperit ceva mai t卯rziu. Generalul armatei moarte a creat o reputa葲ie. Ismail Kadare este pe 鈥瀕ista scurt膬鈥� a premiului Nobel. Nu-i exclus s膬-l ia...
P. P. S. Din p膬cate, Ismail Kadare s-a stins din via葲膬 pe 1 iulie 2024.
September 28, 2024
LA VITA E NIENTE ALTRO
L鈥檕monima trasposizione cinematografica del 1983 猫 firmata da Luciano Tovoli, la sua unica regia. Tovoli, pi霉 famoso come direttore della fotografia di alcuni film importanti e belli, collabor貌 anche alla sceneggiatura, insieme a Michel Piccoli e a Jean-Claude Carri猫re. Purtroppo ne 猫 risultato un film stitico, senza anima.
I protagonisti sono un torbido prete (avr脿 avuto una storia con la bella contessa Betti Mirafiore o no?) e un generale stizzoso con improvvisi rigurgiti d鈥檕rgoglio nazionalistico.
Kadar茅 fa poco per renderli gradevoli.
Indossano entrambi una divisa, rappresentano due eserciti, due burocrazie, due mentalit脿, di cui secondo me il mondo farebbe volentieri a meno.
Vent鈥檃nni dopo l鈥檜ltima guerra mondiale, nel 1963, sono incaricati di andare in Albania per riportare a casa i resti dei soldati italiani morti rimasti sepolti in terra straniera.
Si tratta di scavare, disseppellire, riconoscere, attribuire un'identit脿, chiudere in un sacco, caricarli su un camion, e poi su una nave, e riportarli in 鈥榩atria鈥� per 鈥榙egna e giusta鈥� sepoltura, consegnarli ai loro cari.
Marcello Mastroianni, il generale, e Michel Piccoli, il prete, protagonisti del film omonimo.
Soldati di un esercito fascista e invasore, quei resti stavano bene laggi霉 dove erano caduti 鈥� sicuramente, si facevano migliore compagnia.
Fin qui le perplessit脿, durate un po鈥� di pagine.
Ma questo libro m鈥櫭� piaciuto.
E credo mi sia piaciuto grazie alla scrittura di Kadare, alle atmosfere che riesce a evocare, sopra tutte la pioggia, il freddo, il fango. E, a contrasto, il calore del caff猫, di una pipa, del cognac.
Le buche nel terreno che sembrano orbite cieche.
Philippe Noiret e Sabine Az茅ma, i protagonisti del magnifico film di Bertrand Tavernier, 1989, con storia simile, ma ambientata nel primo dopoguerra.
L鈥橧talia non 猫 citata esplicitamente, e si fa anche un po鈥� fatica a riconoscerla perch茅 il generale parte ben attrezzato, dimostrando un鈥檈fficienza e un鈥檕rganizzazione che ha davvero poco di esercito italiano, e d鈥橧talia tout court.
Viene invece fuori l鈥橝lbania, il carattere della sua gente, abitudini, sentimenti, senza nulla di folkloristico o pittoresco.
Philippe Noiret, nato a Lille il primo ottobre del 1930, morto a Parigi il 23 novembre del 2006.
Traspare l鈥檜manit脿 di chi 猫 vivo, sopravvissuto, e di chi invece 猫 morto: 猫 un fluire di coscienze in un tempo che si fa quasi sospeso 鈥� racconti dell鈥檌ncertezza umana 鈥� tutti galleggiano nei loro pensieri, a volte trascritti in diari o lettere, in una natura assorbente e stordente.
Rimane lo smarrimento di fronte a una realt脿 che 猫 solo frammenti, solo lampi e nessun senso.
Sabine Az茅ma 猫 nata a Parigi il 20 settembre del 1949.
C鈥櫭� anche una gemma lunga solo poche pagine, un capitolo che non so se Fabrizio De Andr茅 abbia mai letto, ma sono sicuro gli sarebbe piaciuto: 猫 la breve storia di una Bocca di Rosa durante la guerra.
Ho gi脿 voglia di rileggere il suo racconto.
Mentre leggevo, mi sono tornate spesso in mente le immagini del bel film di Tavernier di argomento simile, La vita e nient鈥檃ltro - piuttosto che quelle stitiche del film che Luciano Tovoli trasse dal libro di Kadare (ma si sa, quando un direttore della fotografia si mette in regia, il disastro 猫 spesso assicurato).
L鈥檕monima trasposizione cinematografica del 1983 猫 firmata da Luciano Tovoli, la sua unica regia. Tovoli, pi霉 famoso come direttore della fotografia di alcuni film importanti e belli, collabor貌 anche alla sceneggiatura, insieme a Michel Piccoli e a Jean-Claude Carri猫re. Purtroppo ne 猫 risultato un film stitico, senza anima.
I protagonisti sono un torbido prete (avr脿 avuto una storia con la bella contessa Betti Mirafiore o no?) e un generale stizzoso con improvvisi rigurgiti d鈥檕rgoglio nazionalistico.
Kadar茅 fa poco per renderli gradevoli.
Indossano entrambi una divisa, rappresentano due eserciti, due burocrazie, due mentalit脿, di cui secondo me il mondo farebbe volentieri a meno.
Vent鈥檃nni dopo l鈥檜ltima guerra mondiale, nel 1963, sono incaricati di andare in Albania per riportare a casa i resti dei soldati italiani morti rimasti sepolti in terra straniera.
Si tratta di scavare, disseppellire, riconoscere, attribuire un'identit脿, chiudere in un sacco, caricarli su un camion, e poi su una nave, e riportarli in 鈥榩atria鈥� per 鈥榙egna e giusta鈥� sepoltura, consegnarli ai loro cari.
Marcello Mastroianni, il generale, e Michel Piccoli, il prete, protagonisti del film omonimo.
Soldati di un esercito fascista e invasore, quei resti stavano bene laggi霉 dove erano caduti 鈥� sicuramente, si facevano migliore compagnia.
Fin qui le perplessit脿, durate un po鈥� di pagine.
Ma questo libro m鈥櫭� piaciuto.
E credo mi sia piaciuto grazie alla scrittura di Kadare, alle atmosfere che riesce a evocare, sopra tutte la pioggia, il freddo, il fango. E, a contrasto, il calore del caff猫, di una pipa, del cognac.
Le buche nel terreno che sembrano orbite cieche.
Philippe Noiret e Sabine Az茅ma, i protagonisti del magnifico film di Bertrand Tavernier, 1989, con storia simile, ma ambientata nel primo dopoguerra.
L鈥橧talia non 猫 citata esplicitamente, e si fa anche un po鈥� fatica a riconoscerla perch茅 il generale parte ben attrezzato, dimostrando un鈥檈fficienza e un鈥檕rganizzazione che ha davvero poco di esercito italiano, e d鈥橧talia tout court.
Viene invece fuori l鈥橝lbania, il carattere della sua gente, abitudini, sentimenti, senza nulla di folkloristico o pittoresco.
Philippe Noiret, nato a Lille il primo ottobre del 1930, morto a Parigi il 23 novembre del 2006.
Traspare l鈥檜manit脿 di chi 猫 vivo, sopravvissuto, e di chi invece 猫 morto: 猫 un fluire di coscienze in un tempo che si fa quasi sospeso 鈥� racconti dell鈥檌ncertezza umana 鈥� tutti galleggiano nei loro pensieri, a volte trascritti in diari o lettere, in una natura assorbente e stordente.
Rimane lo smarrimento di fronte a una realt脿 che 猫 solo frammenti, solo lampi e nessun senso.
Sabine Az茅ma 猫 nata a Parigi il 20 settembre del 1949.
C鈥櫭� anche una gemma lunga solo poche pagine, un capitolo che non so se Fabrizio De Andr茅 abbia mai letto, ma sono sicuro gli sarebbe piaciuto: 猫 la breve storia di una Bocca di Rosa durante la guerra.
Ho gi脿 voglia di rileggere il suo racconto.
Mentre leggevo, mi sono tornate spesso in mente le immagini del bel film di Tavernier di argomento simile, La vita e nient鈥檃ltro - piuttosto che quelle stitiche del film che Luciano Tovoli trasse dal libro di Kadare (ma si sa, quando un direttore della fotografia si mette in regia, il disastro 猫 spesso assicurato).
January 15, 2022
Confieso que tengo cierta debilidad por algunos se帽ores provenientes de los balcanes, y m谩s si son anti b茅licos. Con eso dicho, paso a comentar lo much铆simo que me gust贸 este libro.
El t铆tulo dice todo sobre el punto de partida de la trama, que es la siguiente: Veinte a帽os despu茅s de la segunda guerra, un general italiano va a Albania a recuperar los cuerpos de los soldados que quedaron durante la guerra. Ya esto de entrada es bastante sombr铆o, pero la manera en como cuenta lo que sucede, y los ecos que quedan despu茅s de una guerra son tremendos. El estilo de escritura de Kadar茅 es sencillo, me gusta que su lenguaje es s煤per limpio y me parece una novela, m谩s all谩 de la tem谩tica, muy directa.
El general que va a buscar los cuerpos se cuestiona todo el tiempo sobre lo que le ha tocado hacer, las familias que lo van a ver antes del viaje para pedirle que les traiga a sus familiares. El retrato que hace de los albaneses, sus paisajes, sus cantos, vestimentas, es precioso.
Cuando cuenta el momento en el cual abren un prost铆bulo en un pueblo durante la guerra, me gust贸 mucho su manera de contarlo.
El diario del soldado desertor italiano, de 20 a帽os, que se queda como criado de una familia albanesa y se enamora de la hija.
En fin, suceden un mont贸n de historias dentro de esa gran historia, que nunca termina de comprenderse, por m谩s que se intente, que es la guerra.
El t铆tulo dice todo sobre el punto de partida de la trama, que es la siguiente: Veinte a帽os despu茅s de la segunda guerra, un general italiano va a Albania a recuperar los cuerpos de los soldados que quedaron durante la guerra. Ya esto de entrada es bastante sombr铆o, pero la manera en como cuenta lo que sucede, y los ecos que quedan despu茅s de una guerra son tremendos. El estilo de escritura de Kadar茅 es sencillo, me gusta que su lenguaje es s煤per limpio y me parece una novela, m谩s all谩 de la tem谩tica, muy directa.
El general que va a buscar los cuerpos se cuestiona todo el tiempo sobre lo que le ha tocado hacer, las familias que lo van a ver antes del viaje para pedirle que les traiga a sus familiares. El retrato que hace de los albaneses, sus paisajes, sus cantos, vestimentas, es precioso.
Cuando cuenta el momento en el cual abren un prost铆bulo en un pueblo durante la guerra, me gust贸 mucho su manera de contarlo.
El diario del soldado desertor italiano, de 20 a帽os, que se queda como criado de una familia albanesa y se enamora de la hija.
En fin, suceden un mont贸n de historias dentro de esa gran historia, que nunca termina de comprenderse, por m谩s que se intente, que es la guerra.
November 8, 2019
Ismail Kadare's The General of the Dead Army tells the tale of an Italian General who鈥檚 commissioned to travel to Albania to retrieve the remains of the Italian soldiers who invaded the country during the Second World War. By itself this premise is promising, but in the hands of a gifted writer (why hasn鈥檛 Kadare won the Nobel yet?) it becomes extraordinary.
Through the eyes of foreigners, Kadare schools us on Albanian History and national identity, a mountainous country where the sea is considered bad luck because it brings in the enemies. And there have been many. Although Kadare never allows the reader to forget that on one side there was fascism and violent occupation and on the other a small country of peasants, he also makes clear that the years have changed the character of the former invader. It鈥檚 never a chauvinistic book but it is still permeated with the tension from the past. It remains in many aspects a war novel where no battles are fought, no trenches are dug, and no one dies. It鈥檚 more poignant than that, and far more complex: it鈥檚 a novel about what war does even decades afterwards, the physical scars it leaves on people and on the land.
As for Kadare and this novel, I heartily recommend them.
Through the eyes of foreigners, Kadare schools us on Albanian History and national identity, a mountainous country where the sea is considered bad luck because it brings in the enemies. And there have been many. Although Kadare never allows the reader to forget that on one side there was fascism and violent occupation and on the other a small country of peasants, he also makes clear that the years have changed the character of the former invader. It鈥檚 never a chauvinistic book but it is still permeated with the tension from the past. It remains in many aspects a war novel where no battles are fought, no trenches are dug, and no one dies. It鈥檚 more poignant than that, and far more complex: it鈥檚 a novel about what war does even decades afterwards, the physical scars it leaves on people and on the land.
As for Kadare and this novel, I heartily recommend them.
October 16, 2019
螢蔚蠂蠅蟻喂蟽蟿蠈 尾喂尾位委慰, 魏伪喂蟻蠈 蔚委蠂伪 谓伪 未喂伪尾维蟽蠅 魏维蟿喂 伪谓蟿委蟽蟿慰喂蠂慰.
螣 螝伪谓蟿伪蟻苇 蔚委蠂蔚 蟿畏谓 苇渭蟺谓蔚蠀蟽畏 谓伪 伪蟽蠂慰位畏胃蔚委 渭蔚 苇谓伪 胃苇渭伪 渭慰谓伪未喂魏蠈, 蟺慰蠀 伪谓 蟿慰 未喂伪蠂蔚喂蟻喂蟽蟿蔚委 魏伪谓蔚委蟼 蟽蠅蟽蟿维, 渭蟺慰蟻蔚委 谓伪 未蠋蟽蔚喂 蔚尉伪喂蟻蔚蟿喂魏维 伪蟺慰蟿蔚位苇蟽渭伪蟿伪.
螝伪喂 蟿伪 魏伪蟿伪蠁苇蟻谓蔚喂!
违蟺慰尾位畏蟿喂魏萎, 蟽魏慰蟿蔚喂谓萎, 喂未喂伪委蟿蔚蟻畏, 畏 喂蟽蟿慰蟻委伪 蟿畏蟼 蟽蟿蟻伪蟿喂维蟼 蟿蠅谓 谓蔚魏蟻蠋谓 胃伪 蟽伪蟼 蟽蠀纬魏喂谓萎蟽蔚喂 魏伪喂 胃伪 蟽伪蟼 魏伪胃畏位蠋蟽蔚喂.
螣 螝伪谓蟿伪蟻苇 蔚委蠂蔚 蟿畏谓 苇渭蟺谓蔚蠀蟽畏 谓伪 伪蟽蠂慰位畏胃蔚委 渭蔚 苇谓伪 胃苇渭伪 渭慰谓伪未喂魏蠈, 蟺慰蠀 伪谓 蟿慰 未喂伪蠂蔚喂蟻喂蟽蟿蔚委 魏伪谓蔚委蟼 蟽蠅蟽蟿维, 渭蟺慰蟻蔚委 谓伪 未蠋蟽蔚喂 蔚尉伪喂蟻蔚蟿喂魏维 伪蟺慰蟿蔚位苇蟽渭伪蟿伪.
螝伪喂 蟿伪 魏伪蟿伪蠁苇蟻谓蔚喂!
违蟺慰尾位畏蟿喂魏萎, 蟽魏慰蟿蔚喂谓萎, 喂未喂伪委蟿蔚蟻畏, 畏 喂蟽蟿慰蟻委伪 蟿畏蟼 蟽蟿蟻伪蟿喂维蟼 蟿蠅谓 谓蔚魏蟻蠋谓 胃伪 蟽伪蟼 蟽蠀纬魏喂谓萎蟽蔚喂 魏伪喂 胃伪 蟽伪蟼 魏伪胃畏位蠋蟽蔚喂.
March 2, 2024
賳卮禺賵丕乇 禺丕讴:
噩賳诏 賴賲蹖卮賴 亘乇丕蹖賲 蹖讴 丕爻鬲毓丕乇賴 丕爻鬲. 噩賳诏蹖丿賳貙 毓賲賱蹖 賴乇 乇賵夭賴 丕爻鬲. 鬲賯賱丕 丿乇 讴卮丕讴卮 丌賳趩賴 賲蹖鈥屫堌з囒屬� 鬲丕 丌賳趩賴 賲蹖鈥屫堌з嗃屬� 賵 蹖丕 亘丿丕賳 賲噩亘賵乇蹖賲. 丕賲丕 賮丕乇睾 丕夭 賲蹖丿丕賳 禺爻鬲賴鈥屭┵嗁嗀� 賵 鬲賱禺 夭賳丿诏蹖 讴賴 賴乇 讴爻 亘賴 鬲賳賴丕蹖蹖 丿乇 噩亘賴賴鈥屬囏й� 诏賵賳丕诏賵賳 丌賳 賲蹖鈥屫嗂� 噩賳诏鈥屬囏й屰� 亘賴 睾丕蹖鬲 亘蹖賴賵丿賴鈥屫必� 睾賲鈥屫з嗂屫藏� 賵 丌卮賮鬲賴鈥屭┵嗁嗀団€屫� 乇禺 丿丕丿賴鈥屫з嗀�. 丕蹖賳 乇禺丿丕丿賴丕蹖 亘丿賵蹖賽 囟丿 丕賳爻丕賳蹖賽 亘蹖鈥屫ㄘ辟嗀� 乇丕 讴鬲丕亘鈥屬囏й� 鬲丕乇蹖禺 賲丿乇爻賴 賳禺賵丕賴賳丿 诏賮鬲貙 鬲賱賵蹖夭蹖賵賳 賵 乇丕丿蹖賵 诏夭丕乇卮 賳賲蹖鈥屭┵嗁嗀� 賵 乇賵夭賳丕賲賴鈥屬囏� 賴賲 丕夭 丌賳 賳賲蹖鈥屬嗁堐屫迟嗀�.
丌賳賴丕 賴賲诏蹖 禺亘乇 賲蹖鈥屫囐嗀�. 丕睾乇丕賯鈥屫①呟屫� 賵 賯賴乇賲丕賳丕賳賴.
噩賳诏 乇丕 賲蹖鈥屫ㄘй屫池� 亘丕 丕丿亘蹖丕鬲 賮賴賲蹖丿 賵 丨鬲蹖 倬爻 丕夭 噩賳诏 乇丕. 丕丿亘蹖丕鬲 亘賵丿 讴賴 亘賴 賲丕 賮賴賲丕賳丿 倬卮鬲 禺丕讴乇蹖夭 賴丕 禺亘乇蹖 丕夭 丌乇賲丕賳鈥屬囏� 賵 鬲賯丕亘賱 禺蹖乇 賵 卮乇 賳蹖爻鬲. 賮賯胤 丕爻鬲賮乇丕睾 賵 賯丕賳賯丕乇蹖丕貙 丿爻鬲鈥屬堎矩з囏й� 賯胤毓 卮丿賴 賵 丿賱 賵 乇賵丿賴 賴丕蹖 亘乇 夭賲蹖賳 乇蹖禺鬲賴 丕爻鬲. 丌乇夭賵賴丕蹖 亘乇 亘丕丿 乇賮鬲賴 賵 乇賵丕賳鈥屬囏й� 賲鬲賱丕卮蹖 卮丿賴.
跇賳乇丕賱 賯氐賴鈥屰� 讴丕丿丕乇賴 丕夭 賴賲丕賳 丿爻鬲 丌丿賲鈥屬囏й屰� 亘賵丿 讴賴 鬲丕乇蹖禺 乇丕 亘丕 乇賵夭賳丕賲賴 賵 爻禺賳乇丕賳蹖鈥屬囏� 亘賱丿 卮丿賴 亘賵丿. 亘丕 賳诏丕賴蹖 鬲丨賯蹖乇讴賳賳丿賴 亘賴 賲賱鬲蹖 丿蹖诏乇貙 丕夭 禺賵丿 賲胤賲卅賳 賵 丌乇賲丕賳鈥屭必ж� 丌賲丿賴 亘賵丿 讴賴 丕乇鬲卮蹖 丕夭 爻乇亘丕夭丕賳 噩丕賳 亘丕禺鬲賴 丿乇 讴卮賵乇 丿卮賲賳 亘蹖爻鬲 爻丕賱 倬蹖卮卮 乇丕貙 丕夭 夭蹖乇 诏賱 賵 賱丕蹖 亘蹖诏丕賳賴 亘賴 丌睾賵卮 禺丕讴 爻乇夭賲蹖賳 賲丕丿乇蹖 亘亘乇丿. 賴乇趩賳丿 禺亘乇蹖 丕夭 鬲賵氐蹖賮鈥屬囏й� 噩賳诏蹖 蹖丕 賮噩丕蹖毓 噩賳诏蹖 賳蹖爻鬲 賵 乇賵丕蹖鬲 亘賴 诏賵賳賴鈥屫й� 讴賲 賴蹖噩丕賳 賵 诏丕賴丕 讴賱丕賮賴 讴賳賳丿賴 亘賴 賳馗乇 賲蹖鈥屫必池� 丕蹖賳 丕賲讴丕賳 乇丕 亘賴 賵噩賵丿 賲蹖鈥屫①堌必� 讴賴 鬲丨賵賱丕鬲 賮讴乇蹖 乇賵丕賳蹖 跇賳乇丕賱 乇丕 丿賯蹖賯鈥屫� 賲卮丕賴丿賴 賵 丿乇讴 讴賳蹖賲.
丿乇 丕蹖賳 乇賲丕賳貙 亘丕乇丕賳 夭蹖丕丿蹖 賲蹖鈥屫ㄘж必� 賵 亘丕丿 賲蹖鈥屬堌藏� 賵 爻賵夭 賲蹖鈥屫③屫�. 賵 賲乇丿丕賳 丕乇卮丿蹖 丨囟賵乇 丿丕乇賳丿 讴賴 丿乇 丕蹖賳 賵囟毓蹖鬲貙 诏賵卮賴鈥屫й� 賲乇鬲亘 丿乇 爻讴賵鬲 爻蹖诏丕乇 賲蹖鈥屭┴促嗀� 賵 賯賴賵賴 賲蹖鈥屫堌辟嗀� 賵 趩賳丿 賲鬲乇 噩賱賵鬲乇卮丕賳貙 讴丕乇诏乇丕賳蹖 讴賴 亘賴 丌賴爻鬲诏蹖 讴賱賳诏 亘賴 禺丕讴 賲蹖鈥屫操嗁嗀� 讴賴 卮丕蹖丿 爻乇亘丕夭蹖 丕夭 夭蹖乇 丌賳 丿乇亘蹖丕蹖丿 賵 賱蹖爻鬲 讴賵鬲丕賴鈥屫� 亘卮賵丿. 賵 賴賲诏蹖 丿乇 禺賮丕貙 亘賴 讴賳丿蹖 丿乇 賴賲 賲蹖鈥屫蹿┵嗁嗀� 卮讴爻鬲 賲蹖鈥屫堌辟嗀� 賵 丿乇 丕爻蹖丿 丌乇賲丕賳鈥屬囏й� 丕夭 丿爻鬲 乇賮鬲賴 丨賱 賲蹖鈥屫促堎嗀�.
丕蹖賳 讴鬲丕亘 乇丕 亘賴 丕賮乇丕丿蹖 讴賴 亘賴 丿賳亘丕賱 賲丕噩乇丕 丿乇 讴鬲丕亘鈥屬囏й� 囟丿 噩賳诏 賲蹖鈥屭必嗀� 賲孬賱 丿乇 睾乇亘 禺亘乇蹖 賳蹖爻鬲貙 賵丿丕毓 亘丕 丕爻賱丨賴貙 亘賴 賵賯鬲 毓卮賯 賵 賲乇诏貙 亘乇賴賳賴鈥屬囏� 賵 賲乇丿賴鈥屬囏ж� 丿蹖丿丕乇 亘賴 賯蹖丕賲鬲 賵 ... 鬲賵氐蹖賴 賳賲蹖鈥屭┵嗁� 趩乇丕 讴賴 丕蹖賳 讴鬲丕亘 丿乇亘丕乇賴鈥屰� 噩賳诏 賳蹖爻鬲 亘賱讴賴 賲乇亘賵胤 亘賴 丕夭 噩賳诏 賲丕賳丿賴鈥屬囏� 丕爻鬲.
丕蹖賳 讴鬲丕亘 乇丕 亘乇丕蹖 亘蹖夭丕乇蹖 丕夭 爻蹖丕爻鬲 亘禺賵丕賳蹖丿貙 丿乇 爻鬲丕蹖卮 賲丿丕乇丕 亘丕 丿蹖诏乇蹖 賵 亘賴 蹖丕丿 噩賵丕賳蹖鈥屬囏й� 禺賮鬲賴 丿乇 禺丕讴 睾乇蹖亘.
噩賳诏 賴賲蹖卮賴 亘乇丕蹖賲 蹖讴 丕爻鬲毓丕乇賴 丕爻鬲. 噩賳诏蹖丿賳貙 毓賲賱蹖 賴乇 乇賵夭賴 丕爻鬲. 鬲賯賱丕 丿乇 讴卮丕讴卮 丌賳趩賴 賲蹖鈥屫堌з囒屬� 鬲丕 丌賳趩賴 賲蹖鈥屫堌з嗃屬� 賵 蹖丕 亘丿丕賳 賲噩亘賵乇蹖賲. 丕賲丕 賮丕乇睾 丕夭 賲蹖丿丕賳 禺爻鬲賴鈥屭┵嗁嗀� 賵 鬲賱禺 夭賳丿诏蹖 讴賴 賴乇 讴爻 亘賴 鬲賳賴丕蹖蹖 丿乇 噩亘賴賴鈥屬囏й� 诏賵賳丕诏賵賳 丌賳 賲蹖鈥屫嗂� 噩賳诏鈥屬囏й屰� 亘賴 睾丕蹖鬲 亘蹖賴賵丿賴鈥屫必� 睾賲鈥屫з嗂屫藏� 賵 丌卮賮鬲賴鈥屭┵嗁嗀団€屫� 乇禺 丿丕丿賴鈥屫з嗀�. 丕蹖賳 乇禺丿丕丿賴丕蹖 亘丿賵蹖賽 囟丿 丕賳爻丕賳蹖賽 亘蹖鈥屫ㄘ辟嗀� 乇丕 讴鬲丕亘鈥屬囏й� 鬲丕乇蹖禺 賲丿乇爻賴 賳禺賵丕賴賳丿 诏賮鬲貙 鬲賱賵蹖夭蹖賵賳 賵 乇丕丿蹖賵 诏夭丕乇卮 賳賲蹖鈥屭┵嗁嗀� 賵 乇賵夭賳丕賲賴鈥屬囏� 賴賲 丕夭 丌賳 賳賲蹖鈥屬嗁堐屫迟嗀�.
丌賳賴丕 賴賲诏蹖 禺亘乇 賲蹖鈥屫囐嗀�. 丕睾乇丕賯鈥屫①呟屫� 賵 賯賴乇賲丕賳丕賳賴.
噩賳诏 乇丕 賲蹖鈥屫ㄘй屫池� 亘丕 丕丿亘蹖丕鬲 賮賴賲蹖丿 賵 丨鬲蹖 倬爻 丕夭 噩賳诏 乇丕. 丕丿亘蹖丕鬲 亘賵丿 讴賴 亘賴 賲丕 賮賴賲丕賳丿 倬卮鬲 禺丕讴乇蹖夭 賴丕 禺亘乇蹖 丕夭 丌乇賲丕賳鈥屬囏� 賵 鬲賯丕亘賱 禺蹖乇 賵 卮乇 賳蹖爻鬲. 賮賯胤 丕爻鬲賮乇丕睾 賵 賯丕賳賯丕乇蹖丕貙 丿爻鬲鈥屬堎矩з囏й� 賯胤毓 卮丿賴 賵 丿賱 賵 乇賵丿賴 賴丕蹖 亘乇 夭賲蹖賳 乇蹖禺鬲賴 丕爻鬲. 丌乇夭賵賴丕蹖 亘乇 亘丕丿 乇賮鬲賴 賵 乇賵丕賳鈥屬囏й� 賲鬲賱丕卮蹖 卮丿賴.
跇賳乇丕賱 賯氐賴鈥屰� 讴丕丿丕乇賴 丕夭 賴賲丕賳 丿爻鬲 丌丿賲鈥屬囏й屰� 亘賵丿 讴賴 鬲丕乇蹖禺 乇丕 亘丕 乇賵夭賳丕賲賴 賵 爻禺賳乇丕賳蹖鈥屬囏� 亘賱丿 卮丿賴 亘賵丿. 亘丕 賳诏丕賴蹖 鬲丨賯蹖乇讴賳賳丿賴 亘賴 賲賱鬲蹖 丿蹖诏乇貙 丕夭 禺賵丿 賲胤賲卅賳 賵 丌乇賲丕賳鈥屭必ж� 丌賲丿賴 亘賵丿 讴賴 丕乇鬲卮蹖 丕夭 爻乇亘丕夭丕賳 噩丕賳 亘丕禺鬲賴 丿乇 讴卮賵乇 丿卮賲賳 亘蹖爻鬲 爻丕賱 倬蹖卮卮 乇丕貙 丕夭 夭蹖乇 诏賱 賵 賱丕蹖 亘蹖诏丕賳賴 亘賴 丌睾賵卮 禺丕讴 爻乇夭賲蹖賳 賲丕丿乇蹖 亘亘乇丿. 賴乇趩賳丿 禺亘乇蹖 丕夭 鬲賵氐蹖賮鈥屬囏й� 噩賳诏蹖 蹖丕 賮噩丕蹖毓 噩賳诏蹖 賳蹖爻鬲 賵 乇賵丕蹖鬲 亘賴 诏賵賳賴鈥屫й� 讴賲 賴蹖噩丕賳 賵 诏丕賴丕 讴賱丕賮賴 讴賳賳丿賴 亘賴 賳馗乇 賲蹖鈥屫必池� 丕蹖賳 丕賲讴丕賳 乇丕 亘賴 賵噩賵丿 賲蹖鈥屫①堌必� 讴賴 鬲丨賵賱丕鬲 賮讴乇蹖 乇賵丕賳蹖 跇賳乇丕賱 乇丕 丿賯蹖賯鈥屫� 賲卮丕賴丿賴 賵 丿乇讴 讴賳蹖賲.
丿乇 丕蹖賳 乇賲丕賳貙 亘丕乇丕賳 夭蹖丕丿蹖 賲蹖鈥屫ㄘж必� 賵 亘丕丿 賲蹖鈥屬堌藏� 賵 爻賵夭 賲蹖鈥屫③屫�. 賵 賲乇丿丕賳 丕乇卮丿蹖 丨囟賵乇 丿丕乇賳丿 讴賴 丿乇 丕蹖賳 賵囟毓蹖鬲貙 诏賵卮賴鈥屫й� 賲乇鬲亘 丿乇 爻讴賵鬲 爻蹖诏丕乇 賲蹖鈥屭┴促嗀� 賵 賯賴賵賴 賲蹖鈥屫堌辟嗀� 賵 趩賳丿 賲鬲乇 噩賱賵鬲乇卮丕賳貙 讴丕乇诏乇丕賳蹖 讴賴 亘賴 丌賴爻鬲诏蹖 讴賱賳诏 亘賴 禺丕讴 賲蹖鈥屫操嗁嗀� 讴賴 卮丕蹖丿 爻乇亘丕夭蹖 丕夭 夭蹖乇 丌賳 丿乇亘蹖丕蹖丿 賵 賱蹖爻鬲 讴賵鬲丕賴鈥屫� 亘卮賵丿. 賵 賴賲诏蹖 丿乇 禺賮丕貙 亘賴 讴賳丿蹖 丿乇 賴賲 賲蹖鈥屫蹿┵嗁嗀� 卮讴爻鬲 賲蹖鈥屫堌辟嗀� 賵 丿乇 丕爻蹖丿 丌乇賲丕賳鈥屬囏й� 丕夭 丿爻鬲 乇賮鬲賴 丨賱 賲蹖鈥屫促堎嗀�.
丕蹖賳 讴鬲丕亘 乇丕 亘賴 丕賮乇丕丿蹖 讴賴 亘賴 丿賳亘丕賱 賲丕噩乇丕 丿乇 讴鬲丕亘鈥屬囏й� 囟丿 噩賳诏 賲蹖鈥屭必嗀� 賲孬賱 丿乇 睾乇亘 禺亘乇蹖 賳蹖爻鬲貙 賵丿丕毓 亘丕 丕爻賱丨賴貙 亘賴 賵賯鬲 毓卮賯 賵 賲乇诏貙 亘乇賴賳賴鈥屬囏� 賵 賲乇丿賴鈥屬囏ж� 丿蹖丿丕乇 亘賴 賯蹖丕賲鬲 賵 ... 鬲賵氐蹖賴 賳賲蹖鈥屭┵嗁� 趩乇丕 讴賴 丕蹖賳 讴鬲丕亘 丿乇亘丕乇賴鈥屰� 噩賳诏 賳蹖爻鬲 亘賱讴賴 賲乇亘賵胤 亘賴 丕夭 噩賳诏 賲丕賳丿賴鈥屬囏� 丕爻鬲.
丕蹖賳 讴鬲丕亘 乇丕 亘乇丕蹖 亘蹖夭丕乇蹖 丕夭 爻蹖丕爻鬲 亘禺賵丕賳蹖丿貙 丿乇 爻鬲丕蹖卮 賲丿丕乇丕 亘丕 丿蹖诏乇蹖 賵 亘賴 蹖丕丿 噩賵丕賳蹖鈥屬囏й� 禺賮鬲賴 丿乇 禺丕讴 睾乇蹖亘.
September 29, 2020
As stated in the last page of the book, it took Ismail Kadar茅 five years to write this novel between 1962 and 1966 when he was in Tirana.
One can wonder whether "The General od the Dead Army" was nail-biting business involving many stopovers for the Albanian author or if Kadar茅 himself was tied-up with other things in those days.
The idea behind the book is an excellent one: a general and a priest (both left nameless) from the Italian army going to Albania in the 1960s in order to dig out the bodies of the soldiers sent on the other shore of the Adriatic sea by Mussolini between 1938 and 1942. Men who found their death in a relatively unknown little country with their families claiming for their bones to return home.
The macabre but humanitarian task to find, collect, identify and ship back to Italy the mortal remains of the long dead soldiers is allowed by the Albanian communist authorities.
A political gesture which could be seen a sign of reconciliation between the two countries twenty-five years after the Italians invaded Albania looking at it as a mere stepping stone on their way to subjugate Greece.
Whereas it took barely three days to the Italian forces to "conquer" the tiny Balcanic country thus adding up the Albanian kingdom to the Italian crown, the following Greek expedition was an utter failure.
The fascist forces were soon driven back by the Greeks onto the Albanian mountains and plateaux finding themselves struggling for survival amid the coldest winters they could imagine and caught between the fires of local partisans and Hellenic soldiers.
The Italian domination of Tirana and surroundings lasted for approximately four years giving enough time to print stamps and banknotes, raise monuments and awfully grand buildings as well as affecting the local population with arrests, fusillades and rapes.
You wouldn't be surprised to know that when the Italians started retreating, with Germans taking their place in committing atrocities, Albanian partisans hit the former occupying forces back in reprisal.
Hence violence kept spreading with more killings and more mass graves.
In fact, Kadar茅 believes that the hatred of the recent past has not been forgotten.
The general and the priest may have Albanian experts and drivers within their expedition and hire gravediggers in the villages they stop by but are far from being welcomed by the local farmers and peasants.
There is never a clear hostility of the Albanians towards the general and the priest, but they both feel a sort of uneasiness around them and don't even try to mix up with the locals. At least that's what they do till the very last night of their Albanian year long travel, a night where the General insists to celebrate the end of their task going to a wedding. A decision which will make the very last hours of the Italian duo in Albania quite shocking, stirring up old rancours colliding with the sacred importance given to hospitality by the local population.
All in all, what we have here is a slow-placed novel dealing with a potentially very poignant topic but treated and developed in a somehow cold blooded way which could disappoint many readers.
But one must not forget that this same cold blooded view on the hard business of digging out corpses from the Albanian soil, guessing their height from the bones and matching it with a list of dead soldiers names is precisely the message Kadar茅 aimed to deliver.
This is a book about loneliness and a book about bitter memories. The loneliness of the Italian general reluctantly appointed to his grievous task who tries to wash it away with brandy and the bitter memories of the elderly Albanian woman who stares at his clumsy dizzy dancing during a wedding.
If I had to give a colour to "The General of the Dead Army", it would definitely be grey. The grey of consolidated mud, the grey of stones, the grey of gravel. The grey of dirty uniforms. The grey of bones.
Here we have a book which shows very little hope with Ismail Kadar茅 being well aware of its unpleasantness. A novel where the pace is set by the monotonous clash of spades against hard soil.
Spades which once buried bodies and spades which later dug the same corpses out. The dry words chosen by Kadar茅 here are just like spades: they can bring back dead soldiers to light, but cannot heal the wounds which killed them and those they inflicted.
One can wonder whether "The General od the Dead Army" was nail-biting business involving many stopovers for the Albanian author or if Kadar茅 himself was tied-up with other things in those days.
The idea behind the book is an excellent one: a general and a priest (both left nameless) from the Italian army going to Albania in the 1960s in order to dig out the bodies of the soldiers sent on the other shore of the Adriatic sea by Mussolini between 1938 and 1942. Men who found their death in a relatively unknown little country with their families claiming for their bones to return home.
The macabre but humanitarian task to find, collect, identify and ship back to Italy the mortal remains of the long dead soldiers is allowed by the Albanian communist authorities.
A political gesture which could be seen a sign of reconciliation between the two countries twenty-five years after the Italians invaded Albania looking at it as a mere stepping stone on their way to subjugate Greece.
Whereas it took barely three days to the Italian forces to "conquer" the tiny Balcanic country thus adding up the Albanian kingdom to the Italian crown, the following Greek expedition was an utter failure.
The fascist forces were soon driven back by the Greeks onto the Albanian mountains and plateaux finding themselves struggling for survival amid the coldest winters they could imagine and caught between the fires of local partisans and Hellenic soldiers.
The Italian domination of Tirana and surroundings lasted for approximately four years giving enough time to print stamps and banknotes, raise monuments and awfully grand buildings as well as affecting the local population with arrests, fusillades and rapes.
You wouldn't be surprised to know that when the Italians started retreating, with Germans taking their place in committing atrocities, Albanian partisans hit the former occupying forces back in reprisal.
Hence violence kept spreading with more killings and more mass graves.
In fact, Kadar茅 believes that the hatred of the recent past has not been forgotten.
The general and the priest may have Albanian experts and drivers within their expedition and hire gravediggers in the villages they stop by but are far from being welcomed by the local farmers and peasants.
There is never a clear hostility of the Albanians towards the general and the priest, but they both feel a sort of uneasiness around them and don't even try to mix up with the locals. At least that's what they do till the very last night of their Albanian year long travel, a night where the General insists to celebrate the end of their task going to a wedding. A decision which will make the very last hours of the Italian duo in Albania quite shocking, stirring up old rancours colliding with the sacred importance given to hospitality by the local population.
All in all, what we have here is a slow-placed novel dealing with a potentially very poignant topic but treated and developed in a somehow cold blooded way which could disappoint many readers.
But one must not forget that this same cold blooded view on the hard business of digging out corpses from the Albanian soil, guessing their height from the bones and matching it with a list of dead soldiers names is precisely the message Kadar茅 aimed to deliver.
This is a book about loneliness and a book about bitter memories. The loneliness of the Italian general reluctantly appointed to his grievous task who tries to wash it away with brandy and the bitter memories of the elderly Albanian woman who stares at his clumsy dizzy dancing during a wedding.
If I had to give a colour to "The General of the Dead Army", it would definitely be grey. The grey of consolidated mud, the grey of stones, the grey of gravel. The grey of dirty uniforms. The grey of bones.
Here we have a book which shows very little hope with Ismail Kadar茅 being well aware of its unpleasantness. A novel where the pace is set by the monotonous clash of spades against hard soil.
Spades which once buried bodies and spades which later dug the same corpses out. The dry words chosen by Kadar茅 here are just like spades: they can bring back dead soldiers to light, but cannot heal the wounds which killed them and those they inflicted.
February 1, 2015
4.5 amazing stars. I loved the first 200 pages, but the ending wasn't the best I could imagine. I love Ismail Kadare, he really represents the best part of Albania. What really surprises me, is that even though I'm Albanian, when I read Kadare's books I feel like I'm foreigner. He always sees what the others don't bother to pay attention, that makes him a great writer. I think he totally deserves to win a NOBEL.
August 5, 2019
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November 26, 2023
袣邪泻胁邪 褕褌械褌邪 褕褌芯 褬械 芯胁芯 袣邪写邪褉械芯胁芯 褉械屑械泻-写械谢芯 (褉械谢邪褌懈胁薪芯) 薪械锌芯蟹薪邪褌芯 薪邪褕芯褬 锌褍斜谢懈褑懈 懈 褕褌芯 薪械屑邪 薪芯胁懈褏 懈蟹写邪褮邪.
袩褉邪胁邪 械谐蟹懈褋褌械薪褑懈褬邪谢懈褋褌懈褔泻邪 锌芯褋谢邪褋褌懈褑邪 懈 邪薪褌懈褉邪褌薪邪 邪薪褌懈-械锌芯锌械褬邪!
袟邪写邪褌邪泻 锌褉芯褌邪谐芯薪懈褋褌械 - 谐械薪械褉邪谢邪 薪械锌褉懈褬邪褌械褭褋泻械, 褎邪褕懈褋褌懈褔泻械 胁芯褬褋泻械 褬械 写邪, 20 谐芯写懈薪邪 锌芯 蟹邪胁褉褕械褌泻褍 褉邪褌邪, 褋邪泻褍锌懈 锌芯褋屑褉褌薪械 芯褋褌邪褌泻械 锌芯谐懈薪褍谢懈褏 胁芯褬薪懈泻邪, 褉邪蟹邪褋褍褌懈褏 写懈褭械屑 "胁邪褉胁邪褉褋泻械" 袗谢斜邪薪懈褬械. 袨胁邪 "褋胁械褌邪" 写褍卸薪芯褋褌 懈 屑懈褋懈褬邪, 懈褋锌芯褋褌邪胁懈褯械 褋械, 薪懈褬械 锌褍泻芯 懈褋泻芯锌邪胁邪褮械 泻芯褋褌懈褬褍 懈 锌褉械泻芯锌邪胁邪褮械 谐褉芯斜芯胁邪, 胁械褯 懈 锌芯薪懈褉邪褮械 写褍斜芯泻芯 褍 褋械斜械 懈 斜芯谢薪芯 泻芯锌邪褮械 锌芯 褋芯锌褋褌胁械薪芯褬 写褍褕懈 懈 锌褉械懈褋锌懈褌懈胁邪褮械, 褕褌芯 褯械 写芯胁械褋褌懈 写芯 写械蟹懈薪褌械谐褉邪褑懈褬械 谐械薪械褉邪谢芯胁械 谢懈褔薪芯褋褌懈 褍 褋懈谢芯胁懈褌芯屑 褎懈薪邪谢褍 褉芯屑邪薪邪. 袣邪芯 泻芯薪褌褉邪褋褌 谐械薪械褉邪谢芯胁芯褬 谢懈褔薪芯褋褌懈, 褌褍 褬械 褋褍蟹写褉卸邪薪懈 褋胁械褕褌械薪懈泻, 褬械蟹褍懈褌邪 泻芯褬懈 褬械 褮械谐芯胁 (薪械)胁械褉薪懈 锌褉邪褌懈谢邪褑.
袨褋懈屑 芯胁芯谐邪, 袣邪写邪褉械 褬械, 泻褉芯蟹 写懈褬邪谢芯谐械 懈 褋褍褋褉械褌械 褋邪 谢芯泻邪谢薪懈屑 褋褌邪薪芯胁薪懈褕褌胁芯屑 写邪芯 懈 锌褉芯褎懈谢 邪谢斜邪薪褋泻芯谐 褔芯胁械泻邪, 芯写薪芯褋薪芯 褑械谢芯谐 薪邪褉芯写邪, 胁械泻芯胁懈屑邪 芯斜谢懈泻芯胁邪薪芯谐 褋褍褉芯胁芯屑 锌褉懈褉芯写芯屑, 邪谢懈 懈 褬芯褕 褋褍褉芯胁懈褬懈屑 锌芯谢懈褌懈褔泻懈屑 锌褉懈谢懈泻邪屑邪.
袣邪芯 褬芯褕 褬械写薪褍 懈蟹褍蟹械褌薪褍 芯写谢懈泻褍 芯胁芯谐 褉芯屑邪薪邪 懈蟹写胁芯褬懈芯 斜懈褏 褮械谐芯胁褍 邪褌屑芯褋褎械褉懈褔薪芯褋褌. 袗褌屑芯褋褎械褉邪 褬械 褋褍屑芯褉薪邪, 屑邪谐谢芯胁懈褌邪, 褋懈胁邪; 褏褍屑泻械, 斜谢邪褌芯, 泻芯褋褌懈, 谢邪胁械卸 褋械芯褋泻懈褏 锌邪褋邪, 蟹胁褍褑懈 锌懈褬褍泻邪 泻芯褬懈 褍写邪褉邪 褍 胁谢邪卸薪褍 蟹械屑褭褍 懈 泻邪屑械褮械... 谐芯褌芯胁芯 胁懈褋褑械褉邪谢薪芯.
小胁械褍泻褍锌薪芯 - 屑邪械褋褌褉邪谢薪芯!
袩褉邪胁邪 械谐蟹懈褋褌械薪褑懈褬邪谢懈褋褌懈褔泻邪 锌芯褋谢邪褋褌懈褑邪 懈 邪薪褌懈褉邪褌薪邪 邪薪褌懈-械锌芯锌械褬邪!
袟邪写邪褌邪泻 锌褉芯褌邪谐芯薪懈褋褌械 - 谐械薪械褉邪谢邪 薪械锌褉懈褬邪褌械褭褋泻械, 褎邪褕懈褋褌懈褔泻械 胁芯褬褋泻械 褬械 写邪, 20 谐芯写懈薪邪 锌芯 蟹邪胁褉褕械褌泻褍 褉邪褌邪, 褋邪泻褍锌懈 锌芯褋屑褉褌薪械 芯褋褌邪褌泻械 锌芯谐懈薪褍谢懈褏 胁芯褬薪懈泻邪, 褉邪蟹邪褋褍褌懈褏 写懈褭械屑 "胁邪褉胁邪褉褋泻械" 袗谢斜邪薪懈褬械. 袨胁邪 "褋胁械褌邪" 写褍卸薪芯褋褌 懈 屑懈褋懈褬邪, 懈褋锌芯褋褌邪胁懈褯械 褋械, 薪懈褬械 锌褍泻芯 懈褋泻芯锌邪胁邪褮械 泻芯褋褌懈褬褍 懈 锌褉械泻芯锌邪胁邪褮械 谐褉芯斜芯胁邪, 胁械褯 懈 锌芯薪懈褉邪褮械 写褍斜芯泻芯 褍 褋械斜械 懈 斜芯谢薪芯 泻芯锌邪褮械 锌芯 褋芯锌褋褌胁械薪芯褬 写褍褕懈 懈 锌褉械懈褋锌懈褌懈胁邪褮械, 褕褌芯 褯械 写芯胁械褋褌懈 写芯 写械蟹懈薪褌械谐褉邪褑懈褬械 谐械薪械褉邪谢芯胁械 谢懈褔薪芯褋褌懈 褍 褋懈谢芯胁懈褌芯屑 褎懈薪邪谢褍 褉芯屑邪薪邪. 袣邪芯 泻芯薪褌褉邪褋褌 谐械薪械褉邪谢芯胁芯褬 谢懈褔薪芯褋褌懈, 褌褍 褬械 褋褍蟹写褉卸邪薪懈 褋胁械褕褌械薪懈泻, 褬械蟹褍懈褌邪 泻芯褬懈 褬械 褮械谐芯胁 (薪械)胁械褉薪懈 锌褉邪褌懈谢邪褑.
袨褋懈屑 芯胁芯谐邪, 袣邪写邪褉械 褬械, 泻褉芯蟹 写懈褬邪谢芯谐械 懈 褋褍褋褉械褌械 褋邪 谢芯泻邪谢薪懈屑 褋褌邪薪芯胁薪懈褕褌胁芯屑 写邪芯 懈 锌褉芯褎懈谢 邪谢斜邪薪褋泻芯谐 褔芯胁械泻邪, 芯写薪芯褋薪芯 褑械谢芯谐 薪邪褉芯写邪, 胁械泻芯胁懈屑邪 芯斜谢懈泻芯胁邪薪芯谐 褋褍褉芯胁芯屑 锌褉懈褉芯写芯屑, 邪谢懈 懈 褬芯褕 褋褍褉芯胁懈褬懈屑 锌芯谢懈褌懈褔泻懈屑 锌褉懈谢懈泻邪屑邪.
袣邪芯 褬芯褕 褬械写薪褍 懈蟹褍蟹械褌薪褍 芯写谢懈泻褍 芯胁芯谐 褉芯屑邪薪邪 懈蟹写胁芯褬懈芯 斜懈褏 褮械谐芯胁褍 邪褌屑芯褋褎械褉懈褔薪芯褋褌. 袗褌屑芯褋褎械褉邪 褬械 褋褍屑芯褉薪邪, 屑邪谐谢芯胁懈褌邪, 褋懈胁邪; 褏褍屑泻械, 斜谢邪褌芯, 泻芯褋褌懈, 谢邪胁械卸 褋械芯褋泻懈褏 锌邪褋邪, 蟹胁褍褑懈 锌懈褬褍泻邪 泻芯褬懈 褍写邪褉邪 褍 胁谢邪卸薪褍 蟹械屑褭褍 懈 泻邪屑械褮械... 谐芯褌芯胁芯 胁懈褋褑械褉邪谢薪芯.
小胁械褍泻褍锌薪芯 - 屑邪械褋褌褉邪谢薪芯!
February 21, 2025
#濒别谤辞蝉肠濒谩蝉蝉颈肠辞蝉
Era uma vez um padre e um general que partiram 脿 aventura. Tinham de recolher os restos dos seus soldados mortos durante uma grande guerra. Caminharam, caminharam, passaram para al茅m de muitas montanhas e plan铆cies, procurando e juntando ossos. A terra era rude e m谩. (...) Recolheram a maior quantidade de ossos que puderam e voltaram para os contar. E verificaram que ainda lhes faltavam muitos.
Nunca tinha lido nenhum autor alban锚s nem nenhum livro passado na Alb芒nia, um pequeno pa铆s caracterizado pelo isolamento pol铆tico e geogr谩fico, mas depois deste not谩vel 鈥淕eneral do Ex茅rcito Morto鈥�, Ismail Kadar茅 ficou na minha lista de escritores a explorar.
A narrativa 茅 simples e quase factual, praticamente sem recursos estil铆sticos, assente em di谩logos muito vigorosos e cred铆veis, mas n茫o deixa de ser extremamente eficaz ao n茫o tornar horrenda nem sentimental a miss茫o deste general italiano: passar mais de um ano na Alb芒nia a supervisionar a exuma莽茫o das ossadas dos soldados ca铆dos e enterrados durante a Segunda Guerra Mundial, duas d茅cadas depois da derrota e retirada das for莽as de Mussolini.
Kadar茅, com um enorme poder de conten莽茫o, d谩-nos conta dos in煤meros encontros emotivos que o general teve com as fam铆lias dos soldados mortos antes da partida, em especial a do Coronel Z, em torno do qual gira o maior enigma e o momento de maior catarse da popula莽茫o albanesa, mas tamb茅m inclui passagens dos di谩rios encontrados entre os pertences dos mortos e relata epis贸dios de deser莽茫o, viol锚ncia, confronto e ressentimento.
Actualmente, o que me interessa em livros sobre a Segunda Guerra Mundial 茅 a perspectiva das na莽玫es a que raramente se d谩 voz e a experi锚ncia dos vencidos, duas vertentes que convergem em 鈥淥 General do Ex茅rcito Morto鈥� com distin莽茫o.
Tenho um ex茅rcito completo de mortos 脿s minhas ordens 鈥� pensava ele. 鈥� S贸 que, em vez de uniforme, t锚m agora um saco de nylon. (...) A princ铆pio, n茫o havia sen茫o alguns pelot玫es de ata煤des, depois, gradualmente, foram-se formando companhias e pelot玫es e agora estamos a completar os regimentos e as divis玫es. Um ex茅rcito completo envolvido e nylon.
Era uma vez um padre e um general que partiram 脿 aventura. Tinham de recolher os restos dos seus soldados mortos durante uma grande guerra. Caminharam, caminharam, passaram para al茅m de muitas montanhas e plan铆cies, procurando e juntando ossos. A terra era rude e m谩. (...) Recolheram a maior quantidade de ossos que puderam e voltaram para os contar. E verificaram que ainda lhes faltavam muitos.
Nunca tinha lido nenhum autor alban锚s nem nenhum livro passado na Alb芒nia, um pequeno pa铆s caracterizado pelo isolamento pol铆tico e geogr谩fico, mas depois deste not谩vel 鈥淕eneral do Ex茅rcito Morto鈥�, Ismail Kadar茅 ficou na minha lista de escritores a explorar.
A narrativa 茅 simples e quase factual, praticamente sem recursos estil铆sticos, assente em di谩logos muito vigorosos e cred铆veis, mas n茫o deixa de ser extremamente eficaz ao n茫o tornar horrenda nem sentimental a miss茫o deste general italiano: passar mais de um ano na Alb芒nia a supervisionar a exuma莽茫o das ossadas dos soldados ca铆dos e enterrados durante a Segunda Guerra Mundial, duas d茅cadas depois da derrota e retirada das for莽as de Mussolini.
Kadar茅, com um enorme poder de conten莽茫o, d谩-nos conta dos in煤meros encontros emotivos que o general teve com as fam铆lias dos soldados mortos antes da partida, em especial a do Coronel Z, em torno do qual gira o maior enigma e o momento de maior catarse da popula莽茫o albanesa, mas tamb茅m inclui passagens dos di谩rios encontrados entre os pertences dos mortos e relata epis贸dios de deser莽茫o, viol锚ncia, confronto e ressentimento.
Actualmente, o que me interessa em livros sobre a Segunda Guerra Mundial 茅 a perspectiva das na莽玫es a que raramente se d谩 voz e a experi锚ncia dos vencidos, duas vertentes que convergem em 鈥淥 General do Ex茅rcito Morto鈥� com distin莽茫o.
Tenho um ex茅rcito completo de mortos 脿s minhas ordens 鈥� pensava ele. 鈥� S贸 que, em vez de uniforme, t锚m agora um saco de nylon. (...) A princ铆pio, n茫o havia sen茫o alguns pelot玫es de ata煤des, depois, gradualmente, foram-se formando companhias e pelot玫es e agora estamos a completar os regimentos e as divis玫es. Um ex茅rcito completo envolvido e nylon.
January 28, 2025
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跇賳乇丕賱 丕乇鬲卮 賲乇丿賴 丕賲丕 亘賴 毓賳賵丕賳 丕賵賱蹖賳 丕孬乇 丕爻賲丕毓蹖賱 讴丕丿丕乇賴 賳賵蹖爻賳丿賴鈥屰� 丌賱亘丕賳蹖丕蹖蹖 亘賴鈥屬嗀肛辟� 丨賯 賲蹖乇丕孬 賴賲蹖賳诏賵蹖 乇賵 亘賴 亘賴鬲乇蹖賳 賳丨賵 丕丿丕 讴乇丿賴. 賴乇趩賳丿 賳賲蹖卮賴 趩賳蹖賳 趩蹖夭蹖 乇賵 亘賴 氐賵乇鬲 賲爻鬲賯蹖賲 亘蹖丕賳 賵 卮亘丕賴鬲鈥屬囏й� 亘蹖賳 丕賵賳鈥屬囏� 乇賵 賲胤乇丨 讴乇丿 賵賱蹖 亘賴 賲丨囟 禺賵賳丿賳 丿丕爻鬲丕賳 讴丕丿丕乇賴貙 蹖丕丿 賵 禺丕胤乇賴 丌賳鈥屫迟堐� 乇賵丿 賲蹖丕賳 丿乇禺鬲丕賳 鬲賵蹖 丨丕賮馗賴鈥屰� 亘氐乇蹖鈥屬� 亘賴鈥屫簇� 倬乇乇賳诏 賵 夭賳丿賴 卮丿 趩乇丕讴賴 亘賴鈥屬嗀肛辟� 賳夭丿蹖讴蹖鈥屬囏й� 賲賮賴賵賲蹖 夭蹖丕丿蹖 亘丕 賴賲 丿丕乇賳丿.
丿丕爻鬲丕賳 讴鬲丕亘 跇賳乇丕賱 丕乇鬲卮 賲購乇丿賴 丿乇賲賵乇丿 跇賳乇丕賱蹖 丕夭 丕乇鬲卮 丕蹖鬲丕賱蹖丕爻鬲 讴賴 丿乇 夭賲丕賳 氐賱丨 亘毓丿 丕夭 噩賳诏 噩賴丕賳蹖 丿賵賲 亘乇丕蹖 讴卮賮 丕噩爻丕丿 爻乇亘丕夭丕賳 讴卮賵乇卮 丿乇 賲賳丕胤賯 賲禺鬲賱賮 丌賱亘丕賳蹖貙 亘賴 丕蹖賳 讴卮賵乇 爻賮乇 賲蹖鈥屭┵嗁�. 丌賱亘丕賳蹖丕蹖蹖鈥屬囏� 賲乇丿賲丕賳 賲丨丕賮馗賴鈥屭┴ж臂屸€� 丕賳丿貙 丿蹖丿诏丕賴 爻賳鬲蹖 賵 禺賵蹖 噩賳诏鈥屫� 賵 禺卮賳蹖 丿丕乇賳 賵 賳賵毓 鬲賮讴乇卮賵賳 亘賴 賲爻丕卅賱 亘賴鈥屬嗀池ㄘ� 賲鬲賮丕賵鬲賴. 丕夭 胤乇賮 丿蹖诏賴 鬲毓丿丕丿 丕噩爻丕丿 爻乇亘丕夭丕賳 讴卮鬲賴鈥屫簇� 夭蹖丕丿 賵 賴賵蹖鬲卮賵賳 賳丕賲卮禺氐賴. 賴乇讴丿賵賲 丿乇 賲賳胤賯賴鈥屫й� 丿賵乇丕賮鬲丕丿賴 夭蹖乇 禺丕讴 賲丿賮賵賳 卮丿賴鈥屫з嗀� 讴賴 倬蹖丿丕讴乇丿賳卮賵賳 乇賵 爻禺鬲 讴乇丿賴. 跇賳乇丕賱 丿丕爻鬲丕賳 賲丕 賴賲乇丕賴 亘丕 讴卮蹖卮 丕乇鬲卮 賵 賲鬲禺氐氐蹖賳 賵 賯亘乇讴賳鈥屬囏� 乇丕賴蹖 丿卮鬲鈥屬囏й� 倬爻鬲 賵 爻乇丿 賵 賲賴鈥屭辟佖団€� 賵 亘丕乇丕賳鈥屫藏団€屸€屸€屫й� 賲蹖鈥屫促� 鬲丕 趩蹖夭蹖 讴賴 丕夭 爻乇亘丕夭丕賳 丕乇鬲卮 讴卮賵乇卮 亘丕賯蹖 賲賵賳丿賴 乇賵 丨鬲蹖 丕诏乇 丕爻鬲禺賵丕賳蹖 亘丕卮賴 讴賴 诏賵丕賴蹖 亘乇 賵噩賵丿 噩賳丕夭賴鈥屫й� 丿乇 丕賵賳 賲丨賱 乇賵 亘丿賴貙 丕夭 禺丕讴 讴卮賵乇 丿卮賲賳 丕賵賳 夭賲丕賳 亘蹖乇賵賳 亘蹖丕乇賴 賵 亘賴 讴卮賵乇 禺賵丿卮 亘乇诏乇丿賵賳賴.
蹖讴蹖 丕夭 賲賴賲鈥屫臂屬� 賲爻丕卅賱蹖 讴賴 鬲賵蹖 丿丕爻鬲丕賳 亘丕賴丕卮 乇賵鈥屫ㄙ団€屫辟堌︑屬� 讴賴 丕爻丕爻 倬賱丕鬲 丿丕爻鬲丕賳蹖 乇賵 丿乇 亘乇 賲蹖鈥屭屫辟� 賵 亘賴鈥屫簇� 丨丕卅夭 丕賴賲蹖鬲賴 爻蹖乇 鬲丨賵賱丕鬲 乇賵丨蹖 跇賳乇丕賱 賯亘賱 丕夭 毓夭蹖賲鬲 亘賴 丌賱亘丕賳蹖 賵 胤蹖 賮乇丕蹖賳丿 噩爻鬲鈥屫堐� 倬蹖讴乇 爻乇亘丕夭丕賳 賲賮賯賵丿卮丿賴 賵 讴卮鬲賴鈥屫簇� 賲丨爻賵亘 賲蹖鈥屫促� 賵 丕蹖賳 爻蹖乇 鬲丨賵賱貙 鬲丕 倬丕蹖丕賳 丕蹖賳 爻賮乇 倬乇倬蹖趩鈥屬堌� 倬購乇诏賽乇賴 乇賵 丿乇 亘乇 賲蹖鈥屭屫辟�. 丿乇 丕賵丕蹖賱 丿丕爻鬲丕賳 亘丕 跇賳乇丕賱蹖 胤乇賮蹖賲 讴賴 亘禺丕胤乇 賵馗蹖賮賴鈥屰� 賲賱蹖 賵 賲蹖賴賳蹖鈥屫й� 讴賴 丿乇 賯亘丕賱 讴卮賵乇卮 亘乇 丿賵卮卮 賯乇丕乇 丿丕乇賴 丕蹖賳 賲爻卅賵賱蹖鬲 乇賵 賲蹖鈥屬矩佰屫辟� 鬲丕 丕賮鬲禺丕乇 趩賳蹖賳 賲丕賲賵乇蹖鬲蹖 乇賵 亘賴鈥屫池� 亘蹖丕乇賴 賵 亘乇丕蹖 讴卮賵乇卮 丕賳噩丕賲 賵馗蹖賮賴 讴賳賴 賵賱蹖 丿丕爻鬲丕賳蹖 讴賴 丿乇 丕丿丕賲賴 丕鬲賮丕賯 賲蹖鈥屫з佖� 亘賴鈥屬囒屭嗏€屬堌� 亘乇 賵賮賯 賲乇丕丿 跇賳乇丕賱 賲丕 倬蹖卮 賳賲蹖鈥屫辟�. 丕夭 亘丿賵 賵乇賵丿 亘賴 讴卮賵乇 丌賱亘丕賳蹖 夭賲夭賲賴鈥屰� 丕鬲賮丕賯丕鬲 賳丕诏賵丕乇 夭蹖丕丿蹖 卮賳蹖丿賴 賲蹖鈥屫促�. 賲乇丿賲 乇賵爻鬲丕蹖蹖 丕賵賳 賲賳胤賯賴 亘賴鈥屫勠屬� 禺氐賱鬲鈥屬囏й屰� 讴賴 丿丕乇賳 丨賵賱 丿丕蹖乇賴鈥屰� 跇賳乇丕賱 賮囟丕蹖蹖 倬乇 丕夭 亘蹖鈥屫ж关呚ж� 賵 卮讴 賵 鬲乇丿蹖丿 丕蹖噩丕丿 賲蹖鈥屭┵嗁�. 賲賳胤賯賴 丕賳賯丿乇 賲賴鈥屭辟佖� 賵 賲賱丕賱鈥屫①堌� 賵 賲丨賳鬲鈥屫藏� 丕爻鬲 讴賴 讴賲乇 賴乇 賳馗丕賲蹖 賵 丕乇鬲卮蹖鈥屫й� 乇賵 亘乇丕蹖 蹖丕賮鬲賳 賵 倬蹖丿丕鈥屭┴必� 丕噩爻丕丿 禺賲 鈥屬呟屸€屭┵嗁�. 丕讴孬乇 鬲賱丕卮鈥屬囏� 亘蹖鈥屬嗀屫団€屫з嗀� 賵 賳丕賮乇噩丕賲. 賮囟丕蹖 丿丕爻鬲丕賳蹖 丕賳賯丿乇 丿賵丿丌賱賵丿 賴爻鬲 讴賴 丕噩丕夭賴鈥屰� 趩賳蹖賳鈥屭┴ж臂� 乇賵 賳丿賴. 賮賴乇爻鬲鈥屬囏� 賵 丿丕丿賴鈥屬囏й� 丌賲丕乇蹖 丕賳賯丿乇 夭蹖丕丿 賵 胤賵蹖賱 丕賳丿 讴賴 讴丕乇 乇賵 賴賲 爻禺鬲 賲蹖鈥屭┵嗁�. 跇賳乇丕賱 毓賱丕賵賴 亘乇 禺爻鬲诏蹖鈥屬囏й� 噩爻賲蹖 亘爻蹖丕乇 丕夭 亘賴 賳鬲蹖噩賴鈥屬嗀必驰屫� 噩爻鬲鈥屫堚€屬囏й� 夭蹖丕丿卮 丿趩丕乇 禺爻鬲诏蹖鈥屬囏й� 乇賵丨蹖 爻乇爻丕賲鈥屫①堌臂� 賲蹖卮賴. 丿乇 賮氐賱蹖 讴賴 鬲丨鬲 毓賳賵丕賳 賮氐賱 亘蹖鈥屫促呚ж辟� 賳诏丕卮鬲賴 卮丿賴 賲蹖鈥屫堎嗃屬�:
賴賲蹖賳 蹖讴鈥屬嗁堌ж屸€屬囏� 賵 倬乇爻賴鈥屫操嗃屸€屬囏й� 爻丕蹖賴鈥屰� 賲乇诏 亘丕賱丕蹖 爻乇 跇賳乇丕賱 賵 诏乇賵賴卮 賲賵噩亘丕鬲 賲爻禺 卮禺氐蹖鬲蹖 乇賵 賮乇丕賴賲 賲蹖鈥屭┵嗁�. 跇賳乇丕賱 乇賵 丿乇 賲賵賯毓蹖鬲蹖 囟丿 賲賵賯毓蹖鬲卮 丿乇 丕賵賱 丿丕爻鬲丕賳 賯乇丕乇 賵 讴丕賲賱丕 鬲睾蹖蹖乇卮 賲蹖鈥屫�. 丿乇 賲乇丨賱賴鈥屰� 亘毓丿 丕賳诏丕乇 讴賴 丕賵賳 噩賳诏 胤丕賯鬲鈥屬佖必池� 賴蹖趩鈥屬堎傌� 鬲賲賵賲 賳卮丿賴 賵 賴賳賵夭 丕丿丕賲賴 丿丕卮鬲賴. 丨丕賱丕 鬲丕夭賴 丿丕乇賴 亘丕 亘蹖乇賵賳 丕賵賲丿賳 丕噩爻丕丿 賵 噩賲噩賲賴鈥屬囏� 丕夭 禺丕讴 丿賵亘丕乇賴 夭賳丿賴 賲蹖鈥屫促�. 丿乇 賵丕賯毓 跇賳乇丕賱 亘賴鈥屬嗁堌观� 丕爻蹖乇 蹖讴 鬲噩乇亘賴鈥屰� 賳丕夭蹖爻鬲賴 賵 倬丕蹖丕賳鈥屰屫з佖� 丕夭 噩賳诏蹖 賲蹖鈥屫促� 讴賴 丌乇賲丕賳鈥屬囏� 賵 丕乇夭卮鈥屬囏й� 賵丕賱丕卮 乇賵 鬲賵蹖 禺丕讴 賲丿賮賵賳 賲蹖鈥屭┵嗁�. 丕賳诏丕乇 讴賴 跇賳乇丕賱 鬲賵蹖 賲賳噩賱丕亘 賲賱丕賱 賵 倬賵趩蹖 噩賳诏蹖 讴賴 鄄郯 爻丕賱 倬蹖卮 亘賴鈥屬矩й屫з� 乇爻蹖丿賴 爻賯賵胤 賲蹖鈥屭┵嗁� 賵 賯丕丿乇 亘賴 亘蹖乇賵賳 丕賵賲丿賳 丕夭卮 賳蹖爻鬲 賵 賲丿丕賲 倬丕蹖蹖賳鈥屫� 賵 倬丕蹖蹖賳鈥屫� 讴卮蹖丿賴 賲蹖鈥屫促� 鬲丕 亘賴 賲乇丨賱賴鈥屰� 賮乇賵倬丕卮蹖 亘乇爻賴. 丿乇 丕蹖賳噩丕 丿賯蹖賯丕 賲孬賱 卮禺氐蹖鬲鈥屬囏й� 丕氐賱蹖 賴賲蹖賳诏賵蹖鈥� 丿乇 丿賵 丿丕爻鬲丕賳 賵丿丕毓 亘丕 丕爻賱丨賴 賵 丌賳鈥屫迟堐� 乇賵丿.. 賴蹖趩 丕孬乇蹖 丕夭 賲賱蹖鈥屭必й屰� 丿蹖丿賴 賳賲蹖鈥屫促�. 賴賲賵賳胤賵乇 讴賴 賴賲蹖賳诏賵蹖 丕夭 夭亘丕賳 卮禺氐蹖鬲卮 丿乇 賵丿丕毓 亘丕 丕爻賱丨賴 賲蹖鈥屭�: "賲诏賴 卮讴爻鬲 趩蹖賴責 丌丿賲 賲蹖鈥屸€屫辟� 禺賵賳賴鈥屫ж�."
噩丕蹖蹖 丕夭 丿丕爻鬲丕賳 丕蹖賳 丿蹖丕賱賵诏鈥屬囏� 亘蹖賳 讴卮蹖卮 賵 跇賳乇丕賱 乇丿 賵 亘丿賱 賲蹖鈥屫促�:
亘賴鈥屫焚堌� 讴賱蹖 賲蹖鈥屫促� 诏賮鬲 乇賵丕蹖鬲鈥屬囏й� 賲禺鬲賱賮蹖 讴賴 丕夭 乇賵爻鬲丕卅蹖丕賳 賲鬲毓丿丿 賲賳胤賯賴 丕夭 诏賵卮賴鈥� 賵 讴賳丕乇 亘賴鈥屭堌� 賲蹖鈥屫必迟囏� 賳诏丕賴鈥屬囏й� 爻乇丿 賵 爻賳诏蹖賳蹖 讴賴 亘乇 乇賵蹖 跇賳乇丕賱 賵 诏乇賵賴卮 丿乇 噩賵 乇賵爻鬲丕 丕丨爻丕爻 賲蹖鈥屫促� 賵 乇賵卮賵賳 爻丕蹖賴鈥� 丕賳丿丕禺鬲賴貙 賳丕賲賴鈥屬囏й屰� 讴賴 丕夭 爻乇亘丕夭丕賳 讴卮鬲賴鈥屫簇� 賵 丿賮鬲乇鈥屫ж坟必ж� 丕賵賳鈥屬囏� 倬蹖丿丕 賲蹖卮賴 讴賴 倬賵趩蹖 噩賳诏 乇賵 亘丕 诏匕卮鬲 夭賲丕賳 賴丿賮 賯乇丕乇 丿丕丿賴貙 賮讴乇 讴乇丿賳 賲丿丕賲 亘賴 爻乇亘丕夭丕賳 賵 禺丕賳賵丕丿賴鈥屬囏й� 丕賵賳鈥屬囏� 丿乇 夭賲丕賳 噩賳诏 賵 丕鬲賮丕賯丕鬲 賵 卮乇丕蹖胤 丿蹖诏賴鈥屰� 賲匕讴賵乇貙 賴賲賴 賵 賴賲賴 丿乇 丕蹖賳 卮讴賱鈥屭屫臂� 賵 賲爻禺 卮禺氐蹖鬲蹖 跇賳乇丕賱 賳賯卮 亘賴鈥屫池藏й屰� 丿丕乇賳.
亘賴鈥屬嗀肛辟� 讴丕丿丕乇賴 禺蹖賱蹖 禺賵亘 鬲賵賳爻鬲賴 賳賴 禺賵丿 噩賳诏貙 讴賴 丕賳毓讴丕爻 噩賳诏 乇賵 鬲賵蹖 丌蹖賳賴鈥屰� 乇賵丨蹖 跇賳乇丕賱 亘賴鈥屫蒂堐屫� 亘讴卮賴 賵 丕夭 丕蹖賳 丌夭賲丕蹖卮 賲賵賮賯 亘蹖乇賵賳 丕賵賲丿賴. 丌蹖賳賴鈥屫й� 讴賴 亘賴鈥屬堌ж池焚団€屰� 賲賳毓讴爻 讴乇丿賳 趩賴乇賴鈥屰� 讴乇蹖賴 賲乇诏 卮讴爻鬲賴 賵 鬲讴賴鈥屫┵� 賲蹖鈥屫促�.
丿丕爻鬲丕賳 卮丕賲賱 丨丕卮蹖賴鈥屫辟佖嗏€屬囏й� 丿蹖丕賱賵诏鈥屬呚堌� 禺丕氐蹖賴 讴賴 丕讴孬乇丕 亘蹖賳 跇賳乇丕賱 賵 讴卮蹖卮 丕鬲賮丕賯 賲蹖賮鬲賴 賵 賲賲讴賳賴 賯爻賲鬲鈥屬囏й屰� 丕夭 丕賵賳 丕夭 丨賵氐賱賴鈥屰� 賲禺丕胤亘丕賳 讴鬲丕亘 禺丕乇噩 卮賴 賵賱蹖 丿乇 亘賴鈥屫蒂堐屫扁€屭┴篡屫� 賲賱丕賱鬲 爻蹖丕賴 丨爻乇鬲 賵 禺丕胤乇賴鈥� 賲丨卮乇 毓賲賱 讴乇丿賴.
丕賵賱蹖賳 讴丕乇蹖 亘賵丿 讴賴 丕夭 讴丕丿丕乇賴 賲蹖鈥屫堎嗀� 賵 亘賴鈥屫簇� 賲賵乇丿鈥屬矩迟嗀� 賵丕賯毓 卮丿. 亘賴 丿賵爻鬲鈥屫ж必з� 丕丿亘蹖丕鬲 囟丿噩賳诏 倬蹖卮賳賴丕丿 賲蹖鈥屫促�.
丌賳鈥屫迟堐� 乇賵丿貙 賲蹖丕賳 丿乇禺鬲丕賳 (丕乇賳爻鬲 賴賲蹖賳诏賵蹖)
賲蹖乇丕孬 賴賲蹖賳诏賵蹖 - 亘丕賯蹖鈥屬呚з嗀団€屰� 賳爻賱 诏賲卮丿賴鈥� 丕夭 噩賳诏 丿乇 亘丕賱讴丕賳
诏丕亘乇蹖賱 诏丕乇爻蹖丕 賲丕乇讴夭 鬲賵蹖 丨丕卮蹖賴鈥屫й� 讴賴 亘乇 讴鬲丕亘 丌賳鈥屫迟堐� 乇賵丿貙 賲蹖丕賳 丿乇禺鬲丕賳 賴賲蹖賳诏賵蹖 賳賵卮鬲賴 丕蹖賳鈥屫堌臂� 毓賳賵丕賳 賲蹖鈥屭┵嗁� 讴賴 丕蹖賳 讴鬲丕亘 卮禺氐蹖鈥屫臂屬� 丕孬乇 丕蹖賳 賳賵蹖爻賳丿賴 卮賴蹖乇 丕賲乇蹖讴丕蹖蹖 賲丨爻賵亘 賲蹖卮賴. 丕孬乇蹖賴 讴賴 亘賴 丕氐胤賱丕丨 禺賵丿 賲丕乇讴夭 "丿乇 丌爻鬲丕賳賴鈥屰� 禺夭丕賳蹖 賳丕卮賳丕禺鬲賴" 賳賵卮鬲賴 卮丿賴. 禺夭丕賳蹖 丕夭 毓賲乇 賴賲蹖賳诏賵蹖 賵 賲乇賵乇 诏匕卮鬲賴貙 噩丕蹖蹖 讴賴 賴賲蹖賳诏賵蹖 禺丕胤乇丕鬲 噩賳诏蹖鈥屫ж� 賵 鬲噩乇亘蹖丕鬲 丨丕氐賱 丕夭 丕賵賳 乇賵 丿乇 賯丕賱亘 蹖讴 乇賲丕賳 亘賴 賲賳氐賴鈥屰� 馗賴賵乇 诏匕丕卮鬲賴 賵 亘丕 爻亘讴 禺丕氐卮 賵 賴賲賵賳 iceberg 賲毓乇賵賮 丕賵賳 爻賵丿丕夭丿诏蹖鈥屬囏й� 賳爻賱 诏賲卮丿賴鈥屰� 丕賲乇蹖讴丕蹖蹖 乇賵 亘賴 馗乇蹖賮丕賳賴鈥屫臂屬� 卮讴賱 亘賴 鬲氐賵蹖乇 讴卮蹖丿賴. 爻乇賴賳诏 丕蹖賳 丿丕爻鬲丕賳 賳賲丕蹖賳丿賴鈥屰� 賳爻賱 诏賲卮丿賴鈥屫й屬� 讴賴 賲蹖鈥屫堌ж� 亘賴 夭賳丿诏蹖 毓丕丿蹖 亘乇诏乇丿賴 賵賱蹖 禺丕胤乇丕鬲 噩賳诏蹖 乇賴丕卮 賳賲蹖鈥屭┵嗁�. 丕蹖賳 卮禺氐蹖鬲 亘賴鈥屬嗁堌观� 鬲噩爻賲 禺賵丿 賴賲蹖賳诏賵蹖 丿乇 丨爻乇鬲 夭賲丕賳鈥屬囏й� 亘乇诏卮鬲鈥屬嗀з矩佰屫� 噩賳诏 賵 丿賱卮賵乇賴鈥屬囏й� 爻丕賱鈥屬囏й� 丕賳诏卮鬲鈥屫促呚ж臂屬� 讴賴 丕夭 毓賲乇卮 亘丕賯蹖 賲丕賳丿賴 亘賵丿賴 賵 丿乇 丕蹖賳 乇賲丕賳 亘賴 賲乇賵乇 匕賴賳蹖 丿乇丿賳丕讴蹖 丕夭 丕賵賳鈥屬囏� 賲蹖鈥屬矩必ж操�.
跇賳乇丕賱 丕乇鬲卮 賲乇丿賴 丕賲丕 亘賴 毓賳賵丕賳 丕賵賱蹖賳 丕孬乇 丕爻賲丕毓蹖賱 讴丕丿丕乇賴 賳賵蹖爻賳丿賴鈥屰� 丌賱亘丕賳蹖丕蹖蹖 亘賴鈥屬嗀肛辟� 丨賯 賲蹖乇丕孬 賴賲蹖賳诏賵蹖 乇賵 亘賴 亘賴鬲乇蹖賳 賳丨賵 丕丿丕 讴乇丿賴. 賴乇趩賳丿 賳賲蹖卮賴 趩賳蹖賳 趩蹖夭蹖 乇賵 亘賴 氐賵乇鬲 賲爻鬲賯蹖賲 亘蹖丕賳 賵 卮亘丕賴鬲鈥屬囏й� 亘蹖賳 丕賵賳鈥屬囏� 乇賵 賲胤乇丨 讴乇丿 賵賱蹖 亘賴 賲丨囟 禺賵賳丿賳 丿丕爻鬲丕賳 讴丕丿丕乇賴貙 蹖丕丿 賵 禺丕胤乇賴 丌賳鈥屫迟堐� 乇賵丿 賲蹖丕賳 丿乇禺鬲丕賳 鬲賵蹖 丨丕賮馗賴鈥屰� 亘氐乇蹖鈥屬� 亘賴鈥屫簇� 倬乇乇賳诏 賵 夭賳丿賴 卮丿 趩乇丕讴賴 亘賴鈥屬嗀肛辟� 賳夭丿蹖讴蹖鈥屬囏й� 賲賮賴賵賲蹖 夭蹖丕丿蹖 亘丕 賴賲 丿丕乇賳丿.
丿丕爻鬲丕賳 讴鬲丕亘 跇賳乇丕賱 丕乇鬲卮 賲購乇丿賴 丿乇賲賵乇丿 跇賳乇丕賱蹖 丕夭 丕乇鬲卮 丕蹖鬲丕賱蹖丕爻鬲 讴賴 丿乇 夭賲丕賳 氐賱丨 亘毓丿 丕夭 噩賳诏 噩賴丕賳蹖 丿賵賲 亘乇丕蹖 讴卮賮 丕噩爻丕丿 爻乇亘丕夭丕賳 讴卮賵乇卮 丿乇 賲賳丕胤賯 賲禺鬲賱賮 丌賱亘丕賳蹖貙 亘賴 丕蹖賳 讴卮賵乇 爻賮乇 賲蹖鈥屭┵嗁�. 丌賱亘丕賳蹖丕蹖蹖鈥屬囏� 賲乇丿賲丕賳 賲丨丕賮馗賴鈥屭┴ж臂屸€� 丕賳丿貙 丿蹖丿诏丕賴 爻賳鬲蹖 賵 禺賵蹖 噩賳诏鈥屫� 賵 禺卮賳蹖 丿丕乇賳 賵 賳賵毓 鬲賮讴乇卮賵賳 亘賴 賲爻丕卅賱 亘賴鈥屬嗀池ㄘ� 賲鬲賮丕賵鬲賴. 丕夭 胤乇賮 丿蹖诏賴 鬲毓丿丕丿 丕噩爻丕丿 爻乇亘丕夭丕賳 讴卮鬲賴鈥屫簇� 夭蹖丕丿 賵 賴賵蹖鬲卮賵賳 賳丕賲卮禺氐賴. 賴乇讴丿賵賲 丿乇 賲賳胤賯賴鈥屫й� 丿賵乇丕賮鬲丕丿賴 夭蹖乇 禺丕讴 賲丿賮賵賳 卮丿賴鈥屫з嗀� 讴賴 倬蹖丿丕讴乇丿賳卮賵賳 乇賵 爻禺鬲 讴乇丿賴. 跇賳乇丕賱 丿丕爻鬲丕賳 賲丕 賴賲乇丕賴 亘丕 讴卮蹖卮 丕乇鬲卮 賵 賲鬲禺氐氐蹖賳 賵 賯亘乇讴賳鈥屬囏� 乇丕賴蹖 丿卮鬲鈥屬囏й� 倬爻鬲 賵 爻乇丿 賵 賲賴鈥屭辟佖団€� 賵 亘丕乇丕賳鈥屫藏団€屸€屸€屫й� 賲蹖鈥屫促� 鬲丕 趩蹖夭蹖 讴賴 丕夭 爻乇亘丕夭丕賳 丕乇鬲卮 讴卮賵乇卮 亘丕賯蹖 賲賵賳丿賴 乇賵 丨鬲蹖 丕诏乇 丕爻鬲禺賵丕賳蹖 亘丕卮賴 讴賴 诏賵丕賴蹖 亘乇 賵噩賵丿 噩賳丕夭賴鈥屫й� 丿乇 丕賵賳 賲丨賱 乇賵 亘丿賴貙 丕夭 禺丕讴 讴卮賵乇 丿卮賲賳 丕賵賳 夭賲丕賳 亘蹖乇賵賳 亘蹖丕乇賴 賵 亘賴 讴卮賵乇 禺賵丿卮 亘乇诏乇丿賵賳賴.
蹖讴蹖 丕夭 賲賴賲鈥屫臂屬� 賲爻丕卅賱蹖 讴賴 鬲賵蹖 丿丕爻鬲丕賳 亘丕賴丕卮 乇賵鈥屫ㄙ団€屫辟堌︑屬� 讴賴 丕爻丕爻 倬賱丕鬲 丿丕爻鬲丕賳蹖 乇賵 丿乇 亘乇 賲蹖鈥屭屫辟� 賵 亘賴鈥屫簇� 丨丕卅夭 丕賴賲蹖鬲賴 爻蹖乇 鬲丨賵賱丕鬲 乇賵丨蹖 跇賳乇丕賱 賯亘賱 丕夭 毓夭蹖賲鬲 亘賴 丌賱亘丕賳蹖 賵 胤蹖 賮乇丕蹖賳丿 噩爻鬲鈥屫堐� 倬蹖讴乇 爻乇亘丕夭丕賳 賲賮賯賵丿卮丿賴 賵 讴卮鬲賴鈥屫簇� 賲丨爻賵亘 賲蹖鈥屫促� 賵 丕蹖賳 爻蹖乇 鬲丨賵賱貙 鬲丕 倬丕蹖丕賳 丕蹖賳 爻賮乇 倬乇倬蹖趩鈥屬堌� 倬購乇诏賽乇賴 乇賵 丿乇 亘乇 賲蹖鈥屭屫辟�. 丿乇 丕賵丕蹖賱 丿丕爻鬲丕賳 亘丕 跇賳乇丕賱蹖 胤乇賮蹖賲 讴賴 亘禺丕胤乇 賵馗蹖賮賴鈥屰� 賲賱蹖 賵 賲蹖賴賳蹖鈥屫й� 讴賴 丿乇 賯亘丕賱 讴卮賵乇卮 亘乇 丿賵卮卮 賯乇丕乇 丿丕乇賴 丕蹖賳 賲爻卅賵賱蹖鬲 乇賵 賲蹖鈥屬矩佰屫辟� 鬲丕 丕賮鬲禺丕乇 趩賳蹖賳 賲丕賲賵乇蹖鬲蹖 乇賵 亘賴鈥屫池� 亘蹖丕乇賴 賵 亘乇丕蹖 讴卮賵乇卮 丕賳噩丕賲 賵馗蹖賮賴 讴賳賴 賵賱蹖 丿丕爻鬲丕賳蹖 讴賴 丿乇 丕丿丕賲賴 丕鬲賮丕賯 賲蹖鈥屫з佖� 亘賴鈥屬囒屭嗏€屬堌� 亘乇 賵賮賯 賲乇丕丿 跇賳乇丕賱 賲丕 倬蹖卮 賳賲蹖鈥屫辟�. 丕夭 亘丿賵 賵乇賵丿 亘賴 讴卮賵乇 丌賱亘丕賳蹖 夭賲夭賲賴鈥屰� 丕鬲賮丕賯丕鬲 賳丕诏賵丕乇 夭蹖丕丿蹖 卮賳蹖丿賴 賲蹖鈥屫促�. 賲乇丿賲 乇賵爻鬲丕蹖蹖 丕賵賳 賲賳胤賯賴 亘賴鈥屫勠屬� 禺氐賱鬲鈥屬囏й屰� 讴賴 丿丕乇賳 丨賵賱 丿丕蹖乇賴鈥屰� 跇賳乇丕賱 賮囟丕蹖蹖 倬乇 丕夭 亘蹖鈥屫ж关呚ж� 賵 卮讴 賵 鬲乇丿蹖丿 丕蹖噩丕丿 賲蹖鈥屭┵嗁�. 賲賳胤賯賴 丕賳賯丿乇 賲賴鈥屭辟佖� 賵 賲賱丕賱鈥屫①堌� 賵 賲丨賳鬲鈥屫藏� 丕爻鬲 讴賴 讴賲乇 賴乇 賳馗丕賲蹖 賵 丕乇鬲卮蹖鈥屫й� 乇賵 亘乇丕蹖 蹖丕賮鬲賳 賵 倬蹖丿丕鈥屭┴必� 丕噩爻丕丿 禺賲 鈥屬呟屸€屭┵嗁�. 丕讴孬乇 鬲賱丕卮鈥屬囏� 亘蹖鈥屬嗀屫団€屫з嗀� 賵 賳丕賮乇噩丕賲. 賮囟丕蹖 丿丕爻鬲丕賳蹖 丕賳賯丿乇 丿賵丿丌賱賵丿 賴爻鬲 讴賴 丕噩丕夭賴鈥屰� 趩賳蹖賳鈥屭┴ж臂� 乇賵 賳丿賴. 賮賴乇爻鬲鈥屬囏� 賵 丿丕丿賴鈥屬囏й� 丌賲丕乇蹖 丕賳賯丿乇 夭蹖丕丿 賵 胤賵蹖賱 丕賳丿 讴賴 讴丕乇 乇賵 賴賲 爻禺鬲 賲蹖鈥屭┵嗁�. 跇賳乇丕賱 毓賱丕賵賴 亘乇 禺爻鬲诏蹖鈥屬囏й� 噩爻賲蹖 亘爻蹖丕乇 丕夭 亘賴 賳鬲蹖噩賴鈥屬嗀必驰屫� 噩爻鬲鈥屫堚€屬囏й� 夭蹖丕丿卮 丿趩丕乇 禺爻鬲诏蹖鈥屬囏й� 乇賵丨蹖 爻乇爻丕賲鈥屫①堌臂� 賲蹖卮賴. 丿乇 賮氐賱蹖 讴賴 鬲丨鬲 毓賳賵丕賳 賮氐賱 亘蹖鈥屫促呚ж辟� 賳诏丕卮鬲賴 卮丿賴 賲蹖鈥屫堎嗃屬�:
丿蹖诏乇 趩賴 賲蹖鈥屫堌з嗁� 亘乇丕蹖鬲 亘賳賵蹖爻賲責 亘賯蹖賴鈥屫ж� 賵賯丕蹖毓鈥屬嗀з呝団€屫й� 蹖讴賳賵丕禺鬲 丕爻鬲. 亘丕乇丕賳貙 诏賽賱 賵 趩賳丿 賮賴乇爻鬲貙 趩賳丿 氐賵乇鬲鈥屫勜迟囏� 丕賳賵丕毓 賵 丕賯爻丕賲 丌賲丕乇 賵 丕乇夭蹖丕亘蹖鈥屬囏ж� 賮賳丕賵乇蹖鈥屫й� 卮賵賲 亘丕 鬲賲丕賲 噩夭卅蹖丕鬲卮貙 賮賯胤 丕蹖賳 丕賵丕禺乇 丕鬲賮丕賯蹖 睾乇蹖亘 亘乇丕蹖賲 丕賮鬲丕丿賴: 賴賲蹖賳 讴賴 趩卮賲賲 亘賴 讴爻蹖 賲蹖鈥屫з佖� 禺賵丿亘賴鈥屫堌� 賲賵賴丕蹖卮 乇丕 亘乇賲蹖鈥屫ж辟呚� 亘毓丿 賱倬鈥屬囏й屫� 賵 趩卮賲丕賳卮 乇丕貙 诏賵蹖蹖 趩蹖夭蹖 丕囟丕賮賴 亘丕卮丿貙 趩蹖夭蹖 讴賴 丨鬲蹖 賳賲蹖鈥屭柏ж必� 丿乇 賵噩賵丿 跇乇賮卮 賳賮賵匕 讴賳賲 賵 賲賳 爻乇卮 乇丕 賮賯胤 噩賲噩賲賴鈥屫й� 亘丕 丿賳丿丕賳 鬲噩爻賲 賲蹖鈥屭┵嗁�. 賲蹖鈥屬佡囐呟� 趩賴 賲蹖鈥屭堐屬呚� 丨爻 賲蹖鈥屭┵嗁� 亘賴 賯賱賲乇賵 讴賱賵爻蹖賵賲 賯丿賲 诏匕丕卮鬲賴鈥屫з�!
賴賲蹖賳 蹖讴鈥屬嗁堌ж屸€屬囏� 賵 倬乇爻賴鈥屫操嗃屸€屬囏й� 爻丕蹖賴鈥屰� 賲乇诏 亘丕賱丕蹖 爻乇 跇賳乇丕賱 賵 诏乇賵賴卮 賲賵噩亘丕鬲 賲爻禺 卮禺氐蹖鬲蹖 乇賵 賮乇丕賴賲 賲蹖鈥屭┵嗁�. 跇賳乇丕賱 乇賵 丿乇 賲賵賯毓蹖鬲蹖 囟丿 賲賵賯毓蹖鬲卮 丿乇 丕賵賱 丿丕爻鬲丕賳 賯乇丕乇 賵 讴丕賲賱丕 鬲睾蹖蹖乇卮 賲蹖鈥屫�. 丿乇 賲乇丨賱賴鈥屰� 亘毓丿 丕賳诏丕乇 讴賴 丕賵賳 噩賳诏 胤丕賯鬲鈥屬佖必池� 賴蹖趩鈥屬堎傌� 鬲賲賵賲 賳卮丿賴 賵 賴賳賵夭 丕丿丕賲賴 丿丕卮鬲賴. 丨丕賱丕 鬲丕夭賴 丿丕乇賴 亘丕 亘蹖乇賵賳 丕賵賲丿賳 丕噩爻丕丿 賵 噩賲噩賲賴鈥屬囏� 丕夭 禺丕讴 丿賵亘丕乇賴 夭賳丿賴 賲蹖鈥屫促�. 丿乇 賵丕賯毓 跇賳乇丕賱 亘賴鈥屬嗁堌观� 丕爻蹖乇 蹖讴 鬲噩乇亘賴鈥屰� 賳丕夭蹖爻鬲賴 賵 倬丕蹖丕賳鈥屰屫з佖� 丕夭 噩賳诏蹖 賲蹖鈥屫促� 讴賴 丌乇賲丕賳鈥屬囏� 賵 丕乇夭卮鈥屬囏й� 賵丕賱丕卮 乇賵 鬲賵蹖 禺丕讴 賲丿賮賵賳 賲蹖鈥屭┵嗁�. 丕賳诏丕乇 讴賴 跇賳乇丕賱 鬲賵蹖 賲賳噩賱丕亘 賲賱丕賱 賵 倬賵趩蹖 噩賳诏蹖 讴賴 鄄郯 爻丕賱 倬蹖卮 亘賴鈥屬矩й屫з� 乇爻蹖丿賴 爻賯賵胤 賲蹖鈥屭┵嗁� 賵 賯丕丿乇 亘賴 亘蹖乇賵賳 丕賵賲丿賳 丕夭卮 賳蹖爻鬲 賵 賲丿丕賲 倬丕蹖蹖賳鈥屫� 賵 倬丕蹖蹖賳鈥屫� 讴卮蹖丿賴 賲蹖鈥屫促� 鬲丕 亘賴 賲乇丨賱賴鈥屰� 賮乇賵倬丕卮蹖 亘乇爻賴. 丿乇 丕蹖賳噩丕 丿賯蹖賯丕 賲孬賱 卮禺氐蹖鬲鈥屬囏й� 丕氐賱蹖 賴賲蹖賳诏賵蹖鈥� 丿乇 丿賵 丿丕爻鬲丕賳 賵丿丕毓 亘丕 丕爻賱丨賴 賵 丌賳鈥屫迟堐� 乇賵丿.. 賴蹖趩 丕孬乇蹖 丕夭 賲賱蹖鈥屭必й屰� 丿蹖丿賴 賳賲蹖鈥屫促�. 賴賲賵賳胤賵乇 讴賴 賴賲蹖賳诏賵蹖 丕夭 夭亘丕賳 卮禺氐蹖鬲卮 丿乇 賵丿丕毓 亘丕 丕爻賱丨賴 賲蹖鈥屭�: "賲诏賴 卮讴爻鬲 趩蹖賴責 丌丿賲 賲蹖鈥屸€屫辟� 禺賵賳賴鈥屫ж�."
噩丕蹖蹖 丕夭 丿丕爻鬲丕賳 丕蹖賳 丿蹖丕賱賵诏鈥屬囏� 亘蹖賳 讴卮蹖卮 賵 跇賳乇丕賱 乇丿 賵 亘丿賱 賲蹖鈥屫促�:
讴卮蹖卮 诏賮鬲: 爻乇賴賳诏 夭 亘賴 丕丨鬲賲丕賱 夭蹖丕丿 丿乇 丕蹖賳 乇賵爻鬲丕 賳丕倬丿蹖丿 卮丿賴.
跇賳乇丕賱 噩賵丕亘 丿丕丿: 亘毓蹖丿 賳蹖爻鬲.
讴卮蹖卮 丕丿丕賲賴 丿丕丿: 亘丕蹖丿 丿乇亘丕乇賴鈥屫ж� 鬲丨賯蹖賯 讴賳蹖賲. 亘丕蹖丿 丕賲鬲丨丕賳 讴賳蹖賲.
跇賳乇丕賱 丿賵-爻賴 倬讴 亘賴 爻蹖诏丕乇卮 夭丿.
丌賴爻鬲賴 賵 卮賲乇丿賴 诏賮鬲: 乇丕爻鬲卮 乇丕 亘禺賵丕賴蹖丿貙 賲賳 夭蹖丕丿 賲丕蹖賱 賳蹖爻鬲賲 丕賵 乇丕 倬蹖丿丕 讴賳蹖賲. [..]
讴卮蹖卮 亘賴 丕毓鬲乇丕囟 诏賮鬲: 賵賱蹖 丕蹖賳 賵馗蹖賮賴鈥屰� 賲丕爻鬲..
-賲蹖鈥屫з嗁�.鈥� 賲蹖鈥屫з嗁�. 丕賲丕 賮毓賱丕 賴蹖趩 毓賱丕賯賴鈥屫й� 賳丿丕乇賲 亘賴 丌賳 賮讴乇 讴賳賲. 丕賲卮亘 亘乇丕蹖 賲丕 卮亘蹖 賲賴賲 丕爻鬲. 毓噩蹖亘 丕爻鬲 讴賴 卮賲丕 丨爻卮 賳賲蹖鈥屭┵嗃屫�. 卮亘蹖 丿乇 禺賵乇 噩卮賳 賵 爻乇賵乇! 賲蹖鈥屫堌з囐� 乇丕丨鬲賲 亘诏匕乇丕賳丿. 丨賲丕賲蹖 丿丕睾: 丿睾丿睾賴鈥屸€屰� 丕氐賱蹖鈥屫з� 亘乇丕蹖 丕賲卮亘 丕蹖賳 丕爻鬲. 禺賳丿賴鈥屫操嗀з� 丕賮夭賵丿: 賳氐賮 丕乇鬲卮賲...賳氐賮 讴卮賵乇賲 丿乇 丕夭丕蹖 蹖讴 丨賲丕賲!*
*丕卮丕乇賴 亘賴 毓亘丕乇鬲 "讴卮賵乇賲 丿乇 丕夭丕蹖 蹖讴 丕爻亘" 乇蹖趩丕乇丿 爻賵賲 卮讴爻倬蹖乇
亘賴鈥屫焚堌� 讴賱蹖 賲蹖鈥屫促� 诏賮鬲 乇賵丕蹖鬲鈥屬囏й� 賲禺鬲賱賮蹖 讴賴 丕夭 乇賵爻鬲丕卅蹖丕賳 賲鬲毓丿丿 賲賳胤賯賴 丕夭 诏賵卮賴鈥� 賵 讴賳丕乇 亘賴鈥屭堌� 賲蹖鈥屫必迟囏� 賳诏丕賴鈥屬囏й� 爻乇丿 賵 爻賳诏蹖賳蹖 讴賴 亘乇 乇賵蹖 跇賳乇丕賱 賵 诏乇賵賴卮 丿乇 噩賵 乇賵爻鬲丕 丕丨爻丕爻 賲蹖鈥屫促� 賵 乇賵卮賵賳 爻丕蹖賴鈥� 丕賳丿丕禺鬲賴貙 賳丕賲賴鈥屬囏й屰� 讴賴 丕夭 爻乇亘丕夭丕賳 讴卮鬲賴鈥屫簇� 賵 丿賮鬲乇鈥屫ж坟必ж� 丕賵賳鈥屬囏� 倬蹖丿丕 賲蹖卮賴 讴賴 倬賵趩蹖 噩賳诏 乇賵 亘丕 诏匕卮鬲 夭賲丕賳 賴丿賮 賯乇丕乇 丿丕丿賴貙 賮讴乇 讴乇丿賳 賲丿丕賲 亘賴 爻乇亘丕夭丕賳 賵 禺丕賳賵丕丿賴鈥屬囏й� 丕賵賳鈥屬囏� 丿乇 夭賲丕賳 噩賳诏 賵 丕鬲賮丕賯丕鬲 賵 卮乇丕蹖胤 丿蹖诏賴鈥屰� 賲匕讴賵乇貙 賴賲賴 賵 賴賲賴 丿乇 丕蹖賳 卮讴賱鈥屭屫臂� 賵 賲爻禺 卮禺氐蹖鬲蹖 跇賳乇丕賱 賳賯卮 亘賴鈥屫池藏й屰� 丿丕乇賳.
亘賴鈥屬嗀肛辟� 讴丕丿丕乇賴 禺蹖賱蹖 禺賵亘 鬲賵賳爻鬲賴 賳賴 禺賵丿 噩賳诏貙 讴賴 丕賳毓讴丕爻 噩賳诏 乇賵 鬲賵蹖 丌蹖賳賴鈥屰� 乇賵丨蹖 跇賳乇丕賱 亘賴鈥屫蒂堐屫� 亘讴卮賴 賵 丕夭 丕蹖賳 丌夭賲丕蹖卮 賲賵賮賯 亘蹖乇賵賳 丕賵賲丿賴. 丌蹖賳賴鈥屫й� 讴賴 亘賴鈥屬堌ж池焚団€屰� 賲賳毓讴爻 讴乇丿賳 趩賴乇賴鈥屰� 讴乇蹖賴 賲乇诏 卮讴爻鬲賴 賵 鬲讴賴鈥屫┵� 賲蹖鈥屫促�.
丿丕爻鬲丕賳 卮丕賲賱 丨丕卮蹖賴鈥屫辟佖嗏€屬囏й� 丿蹖丕賱賵诏鈥屬呚堌� 禺丕氐蹖賴 讴賴 丕讴孬乇丕 亘蹖賳 跇賳乇丕賱 賵 讴卮蹖卮 丕鬲賮丕賯 賲蹖賮鬲賴 賵 賲賲讴賳賴 賯爻賲鬲鈥屬囏й屰� 丕夭 丕賵賳 丕夭 丨賵氐賱賴鈥屰� 賲禺丕胤亘丕賳 讴鬲丕亘 禺丕乇噩 卮賴 賵賱蹖 丿乇 亘賴鈥屫蒂堐屫扁€屭┴篡屫� 賲賱丕賱鬲 爻蹖丕賴 丨爻乇鬲 賵 禺丕胤乇賴鈥� 賲丨卮乇 毓賲賱 讴乇丿賴.
丕賵賱蹖賳 讴丕乇蹖 亘賵丿 讴賴 丕夭 讴丕丿丕乇賴 賲蹖鈥屫堎嗀� 賵 亘賴鈥屫簇� 賲賵乇丿鈥屬矩迟嗀� 賵丕賯毓 卮丿. 亘賴 丿賵爻鬲鈥屫ж必з� 丕丿亘蹖丕鬲 囟丿噩賳诏 倬蹖卮賳賴丕丿 賲蹖鈥屫促�.
December 6, 2017
螖蠀慰 喂蟿伪位慰喂-蔚谓伪蟼 喂蔚蟻蔚伪蟼 魏伪喂 蔚谓伪蟼 蟽蟿蟻伪蟿畏纬慰蟼 -尉蔚魏喂谓慰蠀谓 渭蔚 蟺蟻慰慰蟻喂蟽渭慰 蟿畏谓 伪位尾伪谓喂伪 魏伪喂 蟽魏慰蟺慰 谓伪 尾蟻慰蠀谓 蟿慰蠀蟼 谓蔚魏蟻慰蠀蟼 蟿慰蠀蟼,蟿慰蠀蟼 蟽魏慰蟿蠅渭蔚谓慰蠀蟼 魏伪蟿伪 蟿畏 未喂伪蟻魏蔚喂伪 蟿慰蠀 螔 蟺伪纬魏慰蟽渭喂慰蠀 蟺慰位蔚渭慰蠀 魏伪喂 谓伪 蟿慰蠀蟼 蠁蔚蟻慰蠀谓 蟺喂蟽蠅 蟽蟿畏 蟺伪蟿蟻喂未伪 魏伪喂 蟽蟿喂蟼 慰喂魏慰纬蔚谓蔚喂蔚蟼 蟿慰蠀蟼.
蟺慰位位伪 蟿伪 魏慰喂谓伪 蟽蟿慰喂蠂蔚喂伪 蟿慰蠀 尾喂尾位喂慰蠀 伪蠀蟿慰蠀 渭蔚 蟿畏谓 喂蟽蟿慰蟻喂伪 蟿慰蠀 螣. 蟺慰蠀 未喂伪尾伪蟽伪, 蟿慰蠀 喂未喂慰蠀. 喂蟽蟿慰蟻喂魏伪 纬蔚纬慰谓慰蟿伪, 蟽蠀渭尾慰位喂蟽渭慰喂, 胃蔚伪蟿蟻喂魏慰蟿畏蟿伪 魏伪喂 魏蠀蟻喂蠅蟼 蔚谓伪 蟺慰位蠀 蟺蟻蠅蟿慰蟿蠀蟺慰 魏伪喂 未蠀谓伪蟿慰 胃蔚渭伪.
渭蔚 蔚蠂蔚喂 魏蔚蟻未喂蟽蔚喂 伪蠀蟿慰蟼 慰 蟽蠀纬纬蟻伪蠁蔚伪蟼.
蟺慰位位伪 蟿伪 魏慰喂谓伪 蟽蟿慰喂蠂蔚喂伪 蟿慰蠀 尾喂尾位喂慰蠀 伪蠀蟿慰蠀 渭蔚 蟿畏谓 喂蟽蟿慰蟻喂伪 蟿慰蠀 螣. 蟺慰蠀 未喂伪尾伪蟽伪, 蟿慰蠀 喂未喂慰蠀. 喂蟽蟿慰蟻喂魏伪 纬蔚纬慰谓慰蟿伪, 蟽蠀渭尾慰位喂蟽渭慰喂, 胃蔚伪蟿蟻喂魏慰蟿畏蟿伪 魏伪喂 魏蠀蟻喂蠅蟼 蔚谓伪 蟺慰位蠀 蟺蟻蠅蟿慰蟿蠀蟺慰 魏伪喂 未蠀谓伪蟿慰 胃蔚渭伪.
渭蔚 蔚蠂蔚喂 魏蔚蟻未喂蟽蔚喂 伪蠀蟿慰蟼 慰 蟽蠀纬纬蟻伪蠁蔚伪蟼.
August 8, 2020
螣 Ismail Kadare 蔚委谓伪喂 蟽蠀纬纬蟻伪蠁苇伪蟼 蟺慰蠀 胃蟻畏谓蔚委 苇谓伪谓 慰位蠈魏位畏蟻慰 伪蠂伪蟻蟿慰纬蟻维蠁畏蟿慰 蟺慰位喂蟿喂蟽渭蠈 谓蔚魏蟻蠋谓 畏蟻蠅蠋谓-
蟿畏谓 喂蟽蟿慰蟻委伪 蟿慰蠀, 蟿慰 蟺维胃慰蟼 蟿慰蠀, 蟿畏 位伪慰纬蟻伪蠁委伪 蟿慰蠀, 蟿畏谓 蟺慰位喂蟿喂魏萎 蟿慰蠀, 蟿喂蟼 魏伪蟿伪蟽蟿蟻慰蠁苇蟼 蟿慰蠀.
螠喂伪 蟽蟿蟻伪蟿喂维 胃伪渭渭苇谓畏, 蠁蠉蟻未畏谓
渭委纬未畏谓, 伪蟽尾蔚蟽蟿蠅渭苇谓伪 慰蟽蟿维 魏伪喂 渭伪蟿蠅渭苇谓蔚蟼 蠄蠀蠂苇蟼, 蟺位畏纬苇蟼 蟺慰位苇渭慰蠀 蟺慰蠀 伪喂渭慰蟻蟻伪纬慰蠉谓 魏维蟿蠅 伪蟺慰 蟿慰 蠂蠋渭伪
魏伪喂 蟿慰 蟽蠁蟻伪纬委味慰蠀谓 渭蔚 胃维谓伪蟿慰 魏伪喂 魏伪蟿维蟻蔚蟼, 蟺蠈谓慰 魏伪喂 伪蟺蠋位蔚喂蔚蟼, 渭蔚 慰喂渭蠅纬苇蟼 魏伪喂 蟽蟺伪蟻伪纬渭慰蠉蟼 蟽蟿畏谓 伪位尾伪谓喂魏萎 蠉蟺伪喂胃蟻慰 蟺慰蠀 蠄喂胃蠀蟻委味蔚喂 蔚纬魏维蟻未喂伪 魏伪喂 魏蟻蠉尾蔚喂 蟿伪 蟿蟻伪纬慰蠉未喂伪 蟺慰蠀 渭蔚位慰蟺慰喂慰蠉谓蟿伪喂 渭蠈谓慰 伪蟺慰 蟿畏谓 渭伪蟿伪喂蠈蟿畏蟿伪 蟿慰蠀 胃伪谓维蟿慰蠀 渭蔚 蠈蟻纬伪谓伪 渭慰蠀蟽喂魏萎蟼 蟿伪 蠈蟺位伪, 蟿慰蠀蟼 蠂维蟻蟿蔚蟼, 蟿喂蟼 位委蟽蟿蔚蟼, 蟿喂蟼 渭蔚蟿蟻萎蟽蔚喂蟼 魏伪喂 蟿伪 慰未慰谓蟿喂伪蟿蟻喂魏维 伪蟻蠂蔚委伪 伪谓伪纬谓蠅蟻喂蟽畏蟼 蟺蟿蠅渭维蟿蠅谓.
螆谓伪蟼 蔚尉伪喂蟻蔚蟿喂魏维 蟽蠀纬魏喂谓畏蟿喂魏蠈蟼 伪蟺慰位慰纬喂蟽渭蠈蟼 魏伪胃萎魏慰谓蟿慰蟼 魏伪喂 伪蟺蠋位蔚喂伪蟼.
螆蠂慰蠀谓 蟺蔚蟻维蟽蔚喂 蔚委魏慰蟽喂 蠂蟻蠈谓喂伪 伪蟺蠈 蟿慰 蟿苇位慰蟼 蟿慰蠀 螔 '螤螤 魏伪喂 苇谓伪蟼 螜蟿伪位蠈蟼 蟽蟿蟻伪蟿畏纬蠈蟼 伪蟺慰蟽蟿苇位位蔚蟿伪喂 蟽蟿畏谓 螒位尾伪谓委伪 纬喂伪 谓伪 蠄维尉蔚喂 尉伪谓维 纬喂伪 蟿伪 蟺蟿蠋渭伪蟿伪 蔚魏蔚委谓蠅谓 蟺慰蠀 苇蠂伪蟽伪谓 蟿畏 味蠅萎 蟿慰蠀蟼 蟽蟿畏谓 蔚魏蟽蟿蟻伪蟿蔚委伪, 魏伪胃萎魏慰谓, 魏伪蟿伪渭蔚蟿蟻萎蟽蔚喂蟼 蟽蟿畏谓 伪谓伪渭苇蟿蟻畏蟽畏 味蠅萎蟼 魏伪喂 胃伪谓维蟿慰蠀 伪蟺蠋位蔚喂伪 魏伪喂 蟺蟻慰蟽未慰魏委伪 谓蔚魏蟻喂魏萎蟼 伪谓维蟽蟿伪蟽畏蟼, 蟺慰蠀胃蔚谓维 魏伪喂 蟺伪谓蟿慰蠉. 螤蟻苇蟺蔚喂 谓伪 尾蟻蔚喂 蟿伪 魏伪蟿伪纬蔚纬蟻伪渭渭苇谓伪 蟽蟿慰喂蠂蔚委伪 蟿蠅谓 谓蔚魏蟻蠋谓 尉蔚胃维尾慰谓蟿伪蟼 蟽魏蔚位蔚蟿慰蠉蟼 魏伪喂 位维蟽蟺畏 喂蟽蟿慰蟻喂魏蠋谓 蟽蟿喂纬渭蠋谓.
危蠀谓慰未蔚蠀蠈渭蔚谓慰蟼 伪蟺蠈 苇谓伪谓 蟽蠀渭蟺伪蟿蟻喂蠋蟿畏 喂蔚蟻苇伪, 苇谓伪谓 蟿慰蟺喂魏蠈 "蔚渭蟺蔚喂蟻慰纬谓蠋渭慰谓伪" 魏伪喂 苇谓伪 渭喂魏蟻蠈 蟽蠉谓慰位慰 蔚蟻纬伪蟿蠋谓 蟺慰蠀 蟿蟻伪纬慰蠀未慰蠉谓 胃蟻蠉位慰蠀蟼 魏伪喂 胃蟻萎谓慰蠀蟼 渭蔚胃蠀蟽渭苇谓慰喂 魏伪喂 魏伪蟿伪蟻喂慰蠉谓蟿伪喂 蟿慰蠀蟼 蠁伪蟽委蟽蟿蔚蟼 蟿畏蟼 螜蟿伪位委伪蟼 谓畏蠁维位喂慰喂, 伪蠀蟿慰委, 蠂蔚喂蟻委味慰谓蟿伪喂 蟿畏谓 伪尉委谓伪 魏伪喂 蟿慰 蠁蟿蠀维蟻喂.
螤蔚蟻蟺伪蟿慰蠉谓 渭蔚 魏伪魏慰蠀蠂委伪 魏伪喂 伪蟽蟿伪渭维蟿畏蟿伪 蟽蟿畏谓 伪位尾伪谓喂魏萎 蠉蟺伪喂胃蟻慰 魏伪喂 蟽蟿伪 尾慰蠀谓维. 螠苇蟽伪 伪蟺蠈 伪蠀蟿萎 蟿畏 渭伪魏维尾蟻喂伪, 未喂蔚蟿萎 维蟽魏畏蟽畏, 蟿伪 蠀蟺慰位蔚委渭渭伪蟿伪 伪谓伪蟽魏维蠁畏魏伪谓, 蔚谓蟿慰蟺委蟽蟿畏魏伪谓 蠈蟺慰蠀 萎蟿伪谓 未蠀谓伪蟿蠈谓 魏伪喂 伪蟺慰胃畏魏蔚蠉蟿畏魏伪谓 蟽蔚 蟺位伪蟽蟿喂魏苇蟼 蟽伪魏慰蠉位蔚蟼 伪蟺蠈 谓维喂位慰谓.
螌位慰 蟿慰 未喂维蟽蟿畏渭伪, 慰喂 伪位尾伪谓慰委 谓蟿蠈蟺喂慰喂 蟺伪蟻伪蟿畏蟻慰蠉谓 蟿喂蟼 蔚尉蔚位委尉蔚喂蟼 渭蔚 苇谓伪 渭蔚委纬渭伪 未蠀蟽蟺喂蟽蟿委伪蟼 魏伪喂 蔚魏未喂魏畏蟿喂魏慰蠉 蟺伪蟿蟻喂蠅蟿喂蟽渭慰蠉 :
芦 ... 慰喂 螒位尾伪谓慰委 苇蠂慰蠀谓 蟿慰谓 蟺蠈位蔚渭慰 蟽蟿畏 蠁蠉蟽畏 蟿慰蠀蟼 .... 螤蔚蟿维纬慰谓蟿伪喂 蟽蔚 伪蠀蟿蠈谓 渭蔚 蠈位畏 蟿慰蠀蟼 蟿畏谓 魏伪蟻未喂维 魏伪喂 渭蔚 蟿伪 渭维蟿喂伪 伪谓慰喂蠂蟿维 .... 魏维胃蔚 蠁慰蟻维 伪蠀蟿慰委..禄.
韦伪 蟿蔚位蔚蠀蟿伪委伪 尾维蟻尾伪蟻伪 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 蟺蟻慰魏蠉蟺蟿慰蠀谓 伪蟺蠈 蟿畏谓 伪谓蟿委位畏蠄畏 蠈蟿喂 慰喂 蔚蠂胃蟻慰委 蟽蟿蟻伪蟿喂蠋蟿蔚蟼 蔚委谓伪喂 蔚蠂胃蟻慰委, 蔚委蟿蔚 味蠅谓蟿伪谓慰委 蔚委蟿蔚 谓蔚魏蟻慰委. 螆蟿蟽喂, 蟽蟿伪 渭维蟿喂伪 蟿慰蠀蟼, 慰 维纬谓蠅蟽蟿慰蟼 伪位位维 魏伪位慰蟺蟻慰伪委蟻蔚蟿慰蟼 蟽蟿蟻伪蟿畏纬蠈蟼 蠂蟿委味蔚喂 苇谓伪谓 谓苇慰 蟽蟿蟻伪蟿蠈, 苇谓伪谓 蟽蟿蟻伪蟿蠈 蟿蠅谓 谓蔚魏蟻蠋谓 蟺慰蠀 胃伪 蟽蟿蟻伪蠁蔚委 魏伪喂 蟺维位喂 蔚谓伪谓蟿委慰谓 蟿慰蠀蟼.
螠蠀蟻委味蔚喂 蟿蟻伪纬蠅未委伪, 蠂蟿蠀蟺维谓蔚 蟿伪 谓蟿伪慰蠉位喂伪 蟿蠅谓 纬维渭蠅谓 魏伪喂 蟿蠅谓 魏畏未蔚喂蠋谓 蟽蠂蔚未蠈谓 蠂蠅蟻委蟼 蟽蟿伪渭伪蟿畏渭蠈, 未委蠂蠅蟼 喂魏伪谓蠈蟿畏蟿伪 蟺蟻慰蟽未喂慰蟻喂蟽渭慰蠉 位蠉蟺畏蟼 萎 蠂伪蟻维蟼.
螆谓伪 伪渭维位纬伪渭伪 伪蟺慰 伪谓蠋谓蠀渭慰蠀蟼 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿苇蟼,
伪蟺慰 伪谓蠋谓蠀渭慰蠀蟼 萎蟻蠅蔚蟼 蟺慰蠀 味慰蠀谓 魏伪喂 尉蔚胃维尾慰蠀谓
谓蔚魏蟻慰蠉蟼 蟺慰位苇渭慰蠀, 蟿蠅谓 慰蟺慰委蠅谓 蟿伪 伪谓伪魏蟿畏渭苇谓伪 蠀蟺慰位蔚委渭渭伪蟿伪 蟺蟻慰蟽蟺伪胃慰蠉谓 谓伪 蔚蟺喂蟽蠀谓维蠄慰蠀谓 慰谓蠈渭伪蟿伪.
危蟿蟻伪蟿喂苇蟼 渭伪蠂畏蟿蠋谓 渭蟺蔚蟻未蔚渭苇谓蠅谓 渭蔚 位维蟽蟺畏, 尾蟻慰蠂萎, 胃维谓伪蟿慰, 蠂喂蠈谓喂, 蠁蠉蟽畏, 维纬蟻喂伪 渭苇胃蔚尉畏 蟽蟺慰谓未蠋谓 魏伪喂 胃蠀蟽喂蠋谓.
危蟿伪 蟺蟻蠋蟿伪 蟽蟿维未喂伪 蟿慰蠀 苇蟻纬慰蠀, 蠈位伪 蟺维谓蔚 慰渭伪位维.
危蟿伪未喂伪魏维, 蠅蟽蟿蠈蟽慰, 畏 味慰蠁蔚蟻萎 蠁蠉蟽畏 蟿畏蟼 蔚魏蟿伪蠁萎蟼
伪蟻蠂委味蔚喂 谓伪 蠁胃蔚委蟻蔚喂 蟿慰谓 蟽蟿蟻伪蟿畏纬蠈 蟿蠈蟽慰 苇谓蟿慰谓伪 蠈蟽慰 蟿慰 慰蟻蔚喂谓蠈 维蟺慰谓慰 苇未伪蠁慰蟼 魏伪喂 慰 伪未喂维蠁慰蟻慰蟼 蟽魏位畏蟻蠈蟼 魏伪喂蟻蠈蟼. 螒蟻蠂委味蔚喂 谓伪 尾位苇蟺蔚喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 蠈蟺蠅蟼 胃伪蟻蟻蔚委 慰喂 螒位尾伪谓慰委 苇蟺蟻蔚蟺蔚 谓伪 蟿慰谓 尾位苇蟺慰蠀谓, 蠅蟼 未喂慰喂魏畏蟿萎 渭喂伪蟼 蟽蟿伪胃蔚蟻维 伪谓伪蟺蟿蠀蟽蟽蠈渭蔚谓畏蟼 未蠉谓伪渭畏蟼 蟺慰蠀 胃伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 未喂伪渭慰蟻蠁蠅胃蔚委 蟽蔚 蟿渭萎渭伪蟿伪 魏伪喂 蔚蟿伪喂蟻蔚委蔚蟼 蟽蟿蟻伪蟿喂蠅蟿喂魏蠋谓 蟺伪蟻伪纬纬蔚位渭维蟿蠅谓,位蔚喂蟿慰蠀蟻纬蔚喂蠋谓, 蔚谓蟿慰位蠋谓 魏伪喂 蟺伪蟻伪蟽萎渭蠅谓, 蟿维纬渭伪蟿伪 蟿蔚位慰蠉谓 蠀蟺蠈 蟿喂蟼 未喂伪蟿伪纬苇蟼 蟿慰蠀 蟽蟿蟻伪蟿畏纬慰蠉, 蟿蔚位喂魏维 蟿慰 蟽蟿蟻维蟿蔚蠀渭伪 纬委谓蔚蟿伪喂 蟺位萎蟻蔚蟼 魏伪喂 伪谓伪蠁苇蟻蔚蟿伪喂 蔚蠀蟺蔚喂胃蠋蟼 蟽蔚 蟽蠀谓蟿维尉蔚喂蟼 魏伪喂 未喂伪喂蟻苇蟽蔚喂蟼 未蠀谓维渭蔚蠅谓.
螠伪 蔚委谓伪喂 谓蔚魏蟻慰委 蟺喂伪.
螖蔚谓 苇蠂蔚喂 蟽畏渭伪蟽委伪.
桅伪谓蟿维味蔚蟿伪喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 谓伪 慰未畏纬蔚委 伪蠀蟿慰蠉蟼 蟿慰蠀蟼 维谓蟿蟻蔚蟼 魏伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 蟿慰蠀 蟺慰位苇渭慰蠀 渭蔚 蟿苇蟿慰喂慰 蟿蟻蠈蟺慰 蠋蟽蟿蔚 谓伪 蠁苇蟻蔚喂 谓委魏畏 蠂蠅蟻委蟼 蟿慰蠀蟼 胃伪谓维蟿慰蠀蟼 蟿慰蠀蟼 魏伪喂, 伪蟻纬蠈蟿蔚蟻伪, 蟿慰蠀蟼 慰未畏纬蔚委 蟽蔚 谓委魏蔚蟼, 蟽蔚 渭维蠂蔚蟼 蟺慰蠀 苇魏伪谓伪谓 慰喂 螝伪委蟽伪蟻伪蟼 螝伪蟻位慰渭维纬谓慰蟼 魏伪喂 螡伪蟺慰位苇蠅谓, 渭苇蠂蟻喂 蟿畏谓 螝慰蟻苇伪 魏伪喂 蟿慰 螔喂蔚蟿谓维渭.
"螤慰喂慰蟼 胃伪 蟿慰位渭慰蠉蟽蔚 谓伪 伪谓蟿喂蟽蟿伪胃蔚委 蟽蟿慰谓 蟽蟿蟻伪蟿蠈 渭慰蠀 "
位苇蔚喂 蟽蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀.
螠蔚 魏维蟺慰喂慰蠀蟼 蟿蟻蠈蟺慰蠀蟼, 畏 蟽蟿伪未喂伪魏萎 魏伪蟿维尾伪蟽畏 蟿慰蠀 蟽蟿慰 苇纬魏位畏渭伪, 伪蟻蠂委味蔚喂 蠈蟿伪谓 慰 蟽维魏慰蟼 渭蔚 蟿伪 慰蟽蟿维 蟿慰蠀 蟽蠀谓蟿伪纬渭伪蟿维蟻蠂畏 螙. 蟺慰蠀 蟽蟿慰喂蠂蔚喂蠋谓蔚喂 蟿畏谓 蟺位慰魏萎 魏伪喂 蟿畏谓 蔚尉苇位喂尉畏 蔚尉 伪蟻蠂萎蟼, 蟺蔚蟿喂慰蠉谓蟿伪喂 蟽蟿伪 蟺蠈未喂伪 蟿慰蠀 蟽蟿蟻伪蟿畏纬慰蠉 伪蟺慰 蟿畏谓 蟿蟻伪纬喂魏萎 纬蟻喂维 渭维谓伪 魏维蟺慰喂慰蠀 尾喂伪蟽渭苇谓慰蠀 苇蟻蠅蟿伪, 魏维蟺慰喂伪蟼 谓蟿蟻慰蟺喂伪蟽蟿喂魏维 渭伪蟿蠅渭苇谓畏蟼 畏未慰谓萎蟼.
螚 魏伪蟿维谓蟿喂伪 蟿慰蠀 魏伪蟿畏纬蠈蟻慰蠀 蠀蟺蠈 蟿畏谓 蔚蟺萎蟻蔚喂伪 蟿慰蠀 伪位魏慰蠈位 魏伪蟿伪位萎纬蔚喂 蟽蔚 苇谓伪 蔚委未慰蟼 蟺蟻慰蟽蠅蟻喂谓萎蟼 蟿蟻苇位伪蟼 魏伪喂 胃蠀渭委味蔚喂 苇谓蟿慰谓伪 蟿畏谓 蟺慰位蠉 蟺喂慰 蟿蟻伪纬喂魏萎 渭苇蟻伪, 渭喂伪 渭苇蟻伪, 渭喂伪 伪位魏慰慰位喂魏萎 渭苇蟻伪 魏伪蟿维尾伪蟽畏蟼 蟽蟿畏谓 维尾蠀蟽蟽慰 蟿蠅谓 蟺伪蟻伪喂蟽胃萎蟽蔚蠅谓 魏伪喂 蟿蠅谓 慰蟻伪渭维蟿蠅谓, 蟿蠅谓 慰谓蔚委蟻蠅谓 魏伪喂 蟿蠅谓 蠄蔚蠀未伪喂蟽胃萎蟽蔚蠅谓 蟿慰蠀 Geoffrey Firmin, 蟽蟿慰 Lowry's UNDER THE VOLCANO.
螚 伪谓蟿委位畏蠄畏 蟿慰蠀 蟽蟿蟻伪蟿畏纬慰蠉 纬喂伪 蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 渭蔚喂蠋谓蔚蟿伪喂 蟽蔚 蟺蟻慰蠁伪谓苇蟼 蟺慰蟽慰蟽蟿蠈 渭蔚 蟿慰 蟺慰蟽慰蟽蟿蠈 慰位慰魏位萎蟻蠅蟽畏蟼 蟿慰蠀 苇蟻纬慰蠀 蟿慰蠀, 苇蟿蟽喂 蠋蟽蟿蔚, 魏伪胃蠋蟼 畏 伪蟺慰蟽蟿慰位萎 蟺位畏蟽喂维味蔚喂 蟽蟿慰 蟿苇位慰蟼 蠂维谓蔚喂 蟿畏谓 伪委蟽胃畏蟽畏 蟿畏蟼 未喂蟺位蠅渭伪蟿喂魏萎蟼 蟺蟻慰慰蟺蟿喂魏萎蟼 蔚谓蟿蔚位蠋蟼.
螝伪蟿蟻伪魏蠀位维蔚喂. 螤伪蟻伪蟺伪委蔚喂. 螕魏蟻蔚渭委味蔚蟿伪喂. 螤蔚蟿喂苇蟿伪喂 蟽蟿伪 蟺伪纬蠅渭苇谓伪 谓蔚蟻维 魏维蟺慰喂慰蠀 蟺慰蟿伪渭慰蠉 伪蟺慰 渭喂伪 纬魏蟻蔚渭喂蟽渭苇谓畏 纬苇蠁蠀蟻伪.
螣 Kadare, 蠄蔚魏维味蔚喂 蟿慰 苇蟻纬慰 蟿慰蠀 渭蔚 伪谓伪蠁慰蟻苇蟼 蟽蔚 纬蔚纬慰谓蠈蟿伪 魏伪喂 渭苇蟻畏 蟺慰蠀 蠀蟺萎蟻尉伪谓 蟽蔚 维位位伪 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿维 蟿慰蠀.
螕喂伪 蟺伪蟻维未蔚喂纬渭伪, 蟺蔚蟻喂位伪渭尾维谓蔚喂 伪蟻魏蔚蟿苇蟼 伪谓伪蠁慰蟻苇蟼 蟿畏谓 蟺蠈位畏 蟿慰蠀 螒蟻纬蠀蟻慰魏维蟽蟿蟻慰蠀 魏伪喂 蟿畏谓 伪魏蟻蠈蟺慰位畏 蟿畏蟼
螚 螒位尾伪谓委伪 蔚委谓伪喂 伪谓蟿委蟽蟿慰喂蠂畏 蟿慰蠀 Kadare 渭蔚 蟿畏谓 魏慰渭畏蟿蔚委伪 螕喂慰谓伪蟺伪蟿蠈蠁伪 蟿慰蠀 Faulkner, 苇谓伪 蔚委未慰蟼 蟿慰蟺喂魏慰蠉 魏伪喂 蠂蟻慰谓喂魏慰蠉
蠀蟺蔚蟻蠂伪蟻伪魏蟿萎蟻伪 蟺慰蠀 蠀蟺维蟻蠂蔚喂 蟽蔚 蠈位伪 蟿伪 苇蟻纬伪 蟿慰蠀.
螘委谓伪喂 苇谓伪 渭苇蟻慰蟼 蟿慰蠀 慰蟺慰委慰蠀 畏 蟺伪蟻慰蠀蟽委伪 魏伪喂 畏 未蠉谓伪渭畏 喂蟽慰蠉蟿伪喂 渭蔚 蔚魏蔚委谓畏 蟿蠅谓 伪谓胃蟻蠋蟺喂谓蠅谓 蠂伪蟻伪魏蟿萎蟻蠅谓 蟿慰蠀 魏伪喂 蠁伪委谓蔚蟿伪喂, 蟽蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪, 谓伪 未喂伪渭慰蟻蠁蠋谓蔚喂 蟿喂蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 蟿慰蠀蟼.
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
蟿畏谓 喂蟽蟿慰蟻委伪 蟿慰蠀, 蟿慰 蟺维胃慰蟼 蟿慰蠀, 蟿畏 位伪慰纬蟻伪蠁委伪 蟿慰蠀, 蟿畏谓 蟺慰位喂蟿喂魏萎 蟿慰蠀, 蟿喂蟼 魏伪蟿伪蟽蟿蟻慰蠁苇蟼 蟿慰蠀.
螠喂伪 蟽蟿蟻伪蟿喂维 胃伪渭渭苇谓畏, 蠁蠉蟻未畏谓
渭委纬未畏谓, 伪蟽尾蔚蟽蟿蠅渭苇谓伪 慰蟽蟿维 魏伪喂 渭伪蟿蠅渭苇谓蔚蟼 蠄蠀蠂苇蟼, 蟺位畏纬苇蟼 蟺慰位苇渭慰蠀 蟺慰蠀 伪喂渭慰蟻蟻伪纬慰蠉谓 魏维蟿蠅 伪蟺慰 蟿慰 蠂蠋渭伪
魏伪喂 蟿慰 蟽蠁蟻伪纬委味慰蠀谓 渭蔚 胃维谓伪蟿慰 魏伪喂 魏伪蟿维蟻蔚蟼, 蟺蠈谓慰 魏伪喂 伪蟺蠋位蔚喂蔚蟼, 渭蔚 慰喂渭蠅纬苇蟼 魏伪喂 蟽蟺伪蟻伪纬渭慰蠉蟼 蟽蟿畏谓 伪位尾伪谓喂魏萎 蠉蟺伪喂胃蟻慰 蟺慰蠀 蠄喂胃蠀蟻委味蔚喂 蔚纬魏维蟻未喂伪 魏伪喂 魏蟻蠉尾蔚喂 蟿伪 蟿蟻伪纬慰蠉未喂伪 蟺慰蠀 渭蔚位慰蟺慰喂慰蠉谓蟿伪喂 渭蠈谓慰 伪蟺慰 蟿畏谓 渭伪蟿伪喂蠈蟿畏蟿伪 蟿慰蠀 胃伪谓维蟿慰蠀 渭蔚 蠈蟻纬伪谓伪 渭慰蠀蟽喂魏萎蟼 蟿伪 蠈蟺位伪, 蟿慰蠀蟼 蠂维蟻蟿蔚蟼, 蟿喂蟼 位委蟽蟿蔚蟼, 蟿喂蟼 渭蔚蟿蟻萎蟽蔚喂蟼 魏伪喂 蟿伪 慰未慰谓蟿喂伪蟿蟻喂魏维 伪蟻蠂蔚委伪 伪谓伪纬谓蠅蟻喂蟽畏蟼 蟺蟿蠅渭维蟿蠅谓.
螆谓伪蟼 蔚尉伪喂蟻蔚蟿喂魏维 蟽蠀纬魏喂谓畏蟿喂魏蠈蟼 伪蟺慰位慰纬喂蟽渭蠈蟼 魏伪胃萎魏慰谓蟿慰蟼 魏伪喂 伪蟺蠋位蔚喂伪蟼.
螆蠂慰蠀谓 蟺蔚蟻维蟽蔚喂 蔚委魏慰蟽喂 蠂蟻蠈谓喂伪 伪蟺蠈 蟿慰 蟿苇位慰蟼 蟿慰蠀 螔 '螤螤 魏伪喂 苇谓伪蟼 螜蟿伪位蠈蟼 蟽蟿蟻伪蟿畏纬蠈蟼 伪蟺慰蟽蟿苇位位蔚蟿伪喂 蟽蟿畏谓 螒位尾伪谓委伪 纬喂伪 谓伪 蠄维尉蔚喂 尉伪谓维 纬喂伪 蟿伪 蟺蟿蠋渭伪蟿伪 蔚魏蔚委谓蠅谓 蟺慰蠀 苇蠂伪蟽伪谓 蟿畏 味蠅萎 蟿慰蠀蟼 蟽蟿畏谓 蔚魏蟽蟿蟻伪蟿蔚委伪, 魏伪胃萎魏慰谓, 魏伪蟿伪渭蔚蟿蟻萎蟽蔚喂蟼 蟽蟿畏谓 伪谓伪渭苇蟿蟻畏蟽畏 味蠅萎蟼 魏伪喂 胃伪谓维蟿慰蠀 伪蟺蠋位蔚喂伪 魏伪喂 蟺蟻慰蟽未慰魏委伪 谓蔚魏蟻喂魏萎蟼 伪谓维蟽蟿伪蟽畏蟼, 蟺慰蠀胃蔚谓维 魏伪喂 蟺伪谓蟿慰蠉. 螤蟻苇蟺蔚喂 谓伪 尾蟻蔚喂 蟿伪 魏伪蟿伪纬蔚纬蟻伪渭渭苇谓伪 蟽蟿慰喂蠂蔚委伪 蟿蠅谓 谓蔚魏蟻蠋谓 尉蔚胃维尾慰谓蟿伪蟼 蟽魏蔚位蔚蟿慰蠉蟼 魏伪喂 位维蟽蟺畏 喂蟽蟿慰蟻喂魏蠋谓 蟽蟿喂纬渭蠋谓.
危蠀谓慰未蔚蠀蠈渭蔚谓慰蟼 伪蟺蠈 苇谓伪谓 蟽蠀渭蟺伪蟿蟻喂蠋蟿畏 喂蔚蟻苇伪, 苇谓伪谓 蟿慰蟺喂魏蠈 "蔚渭蟺蔚喂蟻慰纬谓蠋渭慰谓伪" 魏伪喂 苇谓伪 渭喂魏蟻蠈 蟽蠉谓慰位慰 蔚蟻纬伪蟿蠋谓 蟺慰蠀 蟿蟻伪纬慰蠀未慰蠉谓 胃蟻蠉位慰蠀蟼 魏伪喂 胃蟻萎谓慰蠀蟼 渭蔚胃蠀蟽渭苇谓慰喂 魏伪喂 魏伪蟿伪蟻喂慰蠉谓蟿伪喂 蟿慰蠀蟼 蠁伪蟽委蟽蟿蔚蟼 蟿畏蟼 螜蟿伪位委伪蟼 谓畏蠁维位喂慰喂, 伪蠀蟿慰委, 蠂蔚喂蟻委味慰谓蟿伪喂 蟿畏谓 伪尉委谓伪 魏伪喂 蟿慰 蠁蟿蠀维蟻喂.
螤蔚蟻蟺伪蟿慰蠉谓 渭蔚 魏伪魏慰蠀蠂委伪 魏伪喂 伪蟽蟿伪渭维蟿畏蟿伪 蟽蟿畏谓 伪位尾伪谓喂魏萎 蠉蟺伪喂胃蟻慰 魏伪喂 蟽蟿伪 尾慰蠀谓维. 螠苇蟽伪 伪蟺蠈 伪蠀蟿萎 蟿畏 渭伪魏维尾蟻喂伪, 未喂蔚蟿萎 维蟽魏畏蟽畏, 蟿伪 蠀蟺慰位蔚委渭渭伪蟿伪 伪谓伪蟽魏维蠁畏魏伪谓, 蔚谓蟿慰蟺委蟽蟿畏魏伪谓 蠈蟺慰蠀 萎蟿伪谓 未蠀谓伪蟿蠈谓 魏伪喂 伪蟺慰胃畏魏蔚蠉蟿畏魏伪谓 蟽蔚 蟺位伪蟽蟿喂魏苇蟼 蟽伪魏慰蠉位蔚蟼 伪蟺蠈 谓维喂位慰谓.
螌位慰 蟿慰 未喂维蟽蟿畏渭伪, 慰喂 伪位尾伪谓慰委 谓蟿蠈蟺喂慰喂 蟺伪蟻伪蟿畏蟻慰蠉谓 蟿喂蟼 蔚尉蔚位委尉蔚喂蟼 渭蔚 苇谓伪 渭蔚委纬渭伪 未蠀蟽蟺喂蟽蟿委伪蟼 魏伪喂 蔚魏未喂魏畏蟿喂魏慰蠉 蟺伪蟿蟻喂蠅蟿喂蟽渭慰蠉 :
芦 ... 慰喂 螒位尾伪谓慰委 苇蠂慰蠀谓 蟿慰谓 蟺蠈位蔚渭慰 蟽蟿畏 蠁蠉蟽畏 蟿慰蠀蟼 .... 螤蔚蟿维纬慰谓蟿伪喂 蟽蔚 伪蠀蟿蠈谓 渭蔚 蠈位畏 蟿慰蠀蟼 蟿畏谓 魏伪蟻未喂维 魏伪喂 渭蔚 蟿伪 渭维蟿喂伪 伪谓慰喂蠂蟿维 .... 魏维胃蔚 蠁慰蟻维 伪蠀蟿慰委..禄.
韦伪 蟿蔚位蔚蠀蟿伪委伪 尾维蟻尾伪蟻伪 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 蟺蟻慰魏蠉蟺蟿慰蠀谓 伪蟺蠈 蟿畏谓 伪谓蟿委位畏蠄畏 蠈蟿喂 慰喂 蔚蠂胃蟻慰委 蟽蟿蟻伪蟿喂蠋蟿蔚蟼 蔚委谓伪喂 蔚蠂胃蟻慰委, 蔚委蟿蔚 味蠅谓蟿伪谓慰委 蔚委蟿蔚 谓蔚魏蟻慰委. 螆蟿蟽喂, 蟽蟿伪 渭维蟿喂伪 蟿慰蠀蟼, 慰 维纬谓蠅蟽蟿慰蟼 伪位位维 魏伪位慰蟺蟻慰伪委蟻蔚蟿慰蟼 蟽蟿蟻伪蟿畏纬蠈蟼 蠂蟿委味蔚喂 苇谓伪谓 谓苇慰 蟽蟿蟻伪蟿蠈, 苇谓伪谓 蟽蟿蟻伪蟿蠈 蟿蠅谓 谓蔚魏蟻蠋谓 蟺慰蠀 胃伪 蟽蟿蟻伪蠁蔚委 魏伪喂 蟺维位喂 蔚谓伪谓蟿委慰谓 蟿慰蠀蟼.
螠蠀蟻委味蔚喂 蟿蟻伪纬蠅未委伪, 蠂蟿蠀蟺维谓蔚 蟿伪 谓蟿伪慰蠉位喂伪 蟿蠅谓 纬维渭蠅谓 魏伪喂 蟿蠅谓 魏畏未蔚喂蠋谓 蟽蠂蔚未蠈谓 蠂蠅蟻委蟼 蟽蟿伪渭伪蟿畏渭蠈, 未委蠂蠅蟼 喂魏伪谓蠈蟿畏蟿伪 蟺蟻慰蟽未喂慰蟻喂蟽渭慰蠉 位蠉蟺畏蟼 萎 蠂伪蟻维蟼.
螆谓伪 伪渭维位纬伪渭伪 伪蟺慰 伪谓蠋谓蠀渭慰蠀蟼 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿苇蟼,
伪蟺慰 伪谓蠋谓蠀渭慰蠀蟼 萎蟻蠅蔚蟼 蟺慰蠀 味慰蠀谓 魏伪喂 尉蔚胃维尾慰蠀谓
谓蔚魏蟻慰蠉蟼 蟺慰位苇渭慰蠀, 蟿蠅谓 慰蟺慰委蠅谓 蟿伪 伪谓伪魏蟿畏渭苇谓伪 蠀蟺慰位蔚委渭渭伪蟿伪 蟺蟻慰蟽蟺伪胃慰蠉谓 谓伪 蔚蟺喂蟽蠀谓维蠄慰蠀谓 慰谓蠈渭伪蟿伪.
危蟿蟻伪蟿喂苇蟼 渭伪蠂畏蟿蠋谓 渭蟺蔚蟻未蔚渭苇谓蠅谓 渭蔚 位维蟽蟺畏, 尾蟻慰蠂萎, 胃维谓伪蟿慰, 蠂喂蠈谓喂, 蠁蠉蟽畏, 维纬蟻喂伪 渭苇胃蔚尉畏 蟽蟺慰谓未蠋谓 魏伪喂 胃蠀蟽喂蠋谓.
危蟿伪 蟺蟻蠋蟿伪 蟽蟿维未喂伪 蟿慰蠀 苇蟻纬慰蠀, 蠈位伪 蟺维谓蔚 慰渭伪位维.
危蟿伪未喂伪魏维, 蠅蟽蟿蠈蟽慰, 畏 味慰蠁蔚蟻萎 蠁蠉蟽畏 蟿畏蟼 蔚魏蟿伪蠁萎蟼
伪蟻蠂委味蔚喂 谓伪 蠁胃蔚委蟻蔚喂 蟿慰谓 蟽蟿蟻伪蟿畏纬蠈 蟿蠈蟽慰 苇谓蟿慰谓伪 蠈蟽慰 蟿慰 慰蟻蔚喂谓蠈 维蟺慰谓慰 苇未伪蠁慰蟼 魏伪喂 慰 伪未喂维蠁慰蟻慰蟼 蟽魏位畏蟻蠈蟼 魏伪喂蟻蠈蟼. 螒蟻蠂委味蔚喂 谓伪 尾位苇蟺蔚喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 蠈蟺蠅蟼 胃伪蟻蟻蔚委 慰喂 螒位尾伪谓慰委 苇蟺蟻蔚蟺蔚 谓伪 蟿慰谓 尾位苇蟺慰蠀谓, 蠅蟼 未喂慰喂魏畏蟿萎 渭喂伪蟼 蟽蟿伪胃蔚蟻维 伪谓伪蟺蟿蠀蟽蟽蠈渭蔚谓畏蟼 未蠉谓伪渭畏蟼 蟺慰蠀 胃伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 未喂伪渭慰蟻蠁蠅胃蔚委 蟽蔚 蟿渭萎渭伪蟿伪 魏伪喂 蔚蟿伪喂蟻蔚委蔚蟼 蟽蟿蟻伪蟿喂蠅蟿喂魏蠋谓 蟺伪蟻伪纬纬蔚位渭维蟿蠅谓,位蔚喂蟿慰蠀蟻纬蔚喂蠋谓, 蔚谓蟿慰位蠋谓 魏伪喂 蟺伪蟻伪蟽萎渭蠅谓, 蟿维纬渭伪蟿伪 蟿蔚位慰蠉谓 蠀蟺蠈 蟿喂蟼 未喂伪蟿伪纬苇蟼 蟿慰蠀 蟽蟿蟻伪蟿畏纬慰蠉, 蟿蔚位喂魏维 蟿慰 蟽蟿蟻维蟿蔚蠀渭伪 纬委谓蔚蟿伪喂 蟺位萎蟻蔚蟼 魏伪喂 伪谓伪蠁苇蟻蔚蟿伪喂 蔚蠀蟺蔚喂胃蠋蟼 蟽蔚 蟽蠀谓蟿维尉蔚喂蟼 魏伪喂 未喂伪喂蟻苇蟽蔚喂蟼 未蠀谓维渭蔚蠅谓.
螠伪 蔚委谓伪喂 谓蔚魏蟻慰委 蟺喂伪.
螖蔚谓 苇蠂蔚喂 蟽畏渭伪蟽委伪.
桅伪谓蟿维味蔚蟿伪喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀 谓伪 慰未畏纬蔚委 伪蠀蟿慰蠉蟼 蟿慰蠀蟼 维谓蟿蟻蔚蟼 魏伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 蟿慰蠀 蟺慰位苇渭慰蠀 渭蔚 蟿苇蟿慰喂慰 蟿蟻蠈蟺慰 蠋蟽蟿蔚 谓伪 蠁苇蟻蔚喂 谓委魏畏 蠂蠅蟻委蟼 蟿慰蠀蟼 胃伪谓维蟿慰蠀蟼 蟿慰蠀蟼 魏伪喂, 伪蟻纬蠈蟿蔚蟻伪, 蟿慰蠀蟼 慰未畏纬蔚委 蟽蔚 谓委魏蔚蟼, 蟽蔚 渭维蠂蔚蟼 蟺慰蠀 苇魏伪谓伪谓 慰喂 螝伪委蟽伪蟻伪蟼 螝伪蟻位慰渭维纬谓慰蟼 魏伪喂 螡伪蟺慰位苇蠅谓, 渭苇蠂蟻喂 蟿畏谓 螝慰蟻苇伪 魏伪喂 蟿慰 螔喂蔚蟿谓维渭.
"螤慰喂慰蟼 胃伪 蟿慰位渭慰蠉蟽蔚 谓伪 伪谓蟿喂蟽蟿伪胃蔚委 蟽蟿慰谓 蟽蟿蟻伪蟿蠈 渭慰蠀 "
位苇蔚喂 蟽蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀.
螠蔚 魏维蟺慰喂慰蠀蟼 蟿蟻蠈蟺慰蠀蟼, 畏 蟽蟿伪未喂伪魏萎 魏伪蟿维尾伪蟽畏 蟿慰蠀 蟽蟿慰 苇纬魏位畏渭伪, 伪蟻蠂委味蔚喂 蠈蟿伪谓 慰 蟽维魏慰蟼 渭蔚 蟿伪 慰蟽蟿维 蟿慰蠀 蟽蠀谓蟿伪纬渭伪蟿维蟻蠂畏 螙. 蟺慰蠀 蟽蟿慰喂蠂蔚喂蠋谓蔚喂 蟿畏谓 蟺位慰魏萎 魏伪喂 蟿畏谓 蔚尉苇位喂尉畏 蔚尉 伪蟻蠂萎蟼, 蟺蔚蟿喂慰蠉谓蟿伪喂 蟽蟿伪 蟺蠈未喂伪 蟿慰蠀 蟽蟿蟻伪蟿畏纬慰蠉 伪蟺慰 蟿畏谓 蟿蟻伪纬喂魏萎 纬蟻喂维 渭维谓伪 魏维蟺慰喂慰蠀 尾喂伪蟽渭苇谓慰蠀 苇蟻蠅蟿伪, 魏维蟺慰喂伪蟼 谓蟿蟻慰蟺喂伪蟽蟿喂魏维 渭伪蟿蠅渭苇谓畏蟼 畏未慰谓萎蟼.
螚 魏伪蟿维谓蟿喂伪 蟿慰蠀 魏伪蟿畏纬蠈蟻慰蠀 蠀蟺蠈 蟿畏谓 蔚蟺萎蟻蔚喂伪 蟿慰蠀 伪位魏慰蠈位 魏伪蟿伪位萎纬蔚喂 蟽蔚 苇谓伪 蔚委未慰蟼 蟺蟻慰蟽蠅蟻喂谓萎蟼 蟿蟻苇位伪蟼 魏伪喂 胃蠀渭委味蔚喂 苇谓蟿慰谓伪 蟿畏谓 蟺慰位蠉 蟺喂慰 蟿蟻伪纬喂魏萎 渭苇蟻伪, 渭喂伪 渭苇蟻伪, 渭喂伪 伪位魏慰慰位喂魏萎 渭苇蟻伪 魏伪蟿维尾伪蟽畏蟼 蟽蟿畏谓 维尾蠀蟽蟽慰 蟿蠅谓 蟺伪蟻伪喂蟽胃萎蟽蔚蠅谓 魏伪喂 蟿蠅谓 慰蟻伪渭维蟿蠅谓, 蟿蠅谓 慰谓蔚委蟻蠅谓 魏伪喂 蟿蠅谓 蠄蔚蠀未伪喂蟽胃萎蟽蔚蠅谓 蟿慰蠀 Geoffrey Firmin, 蟽蟿慰 Lowry's UNDER THE VOLCANO.
螚 伪谓蟿委位畏蠄畏 蟿慰蠀 蟽蟿蟻伪蟿畏纬慰蠉 纬喂伪 蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪 渭蔚喂蠋谓蔚蟿伪喂 蟽蔚 蟺蟻慰蠁伪谓苇蟼 蟺慰蟽慰蟽蟿蠈 渭蔚 蟿慰 蟺慰蟽慰蟽蟿蠈 慰位慰魏位萎蟻蠅蟽畏蟼 蟿慰蠀 苇蟻纬慰蠀 蟿慰蠀, 苇蟿蟽喂 蠋蟽蟿蔚, 魏伪胃蠋蟼 畏 伪蟺慰蟽蟿慰位萎 蟺位畏蟽喂维味蔚喂 蟽蟿慰 蟿苇位慰蟼 蠂维谓蔚喂 蟿畏谓 伪委蟽胃畏蟽畏 蟿畏蟼 未喂蟺位蠅渭伪蟿喂魏萎蟼 蟺蟻慰慰蟺蟿喂魏萎蟼 蔚谓蟿蔚位蠋蟼.
螝伪蟿蟻伪魏蠀位维蔚喂. 螤伪蟻伪蟺伪委蔚喂. 螕魏蟻蔚渭委味蔚蟿伪喂. 螤蔚蟿喂苇蟿伪喂 蟽蟿伪 蟺伪纬蠅渭苇谓伪 谓蔚蟻维 魏维蟺慰喂慰蠀 蟺慰蟿伪渭慰蠉 伪蟺慰 渭喂伪 纬魏蟻蔚渭喂蟽渭苇谓畏 纬苇蠁蠀蟻伪.
螣 Kadare, 蠄蔚魏维味蔚喂 蟿慰 苇蟻纬慰 蟿慰蠀 渭蔚 伪谓伪蠁慰蟻苇蟼 蟽蔚 纬蔚纬慰谓蠈蟿伪 魏伪喂 渭苇蟻畏 蟺慰蠀 蠀蟺萎蟻尉伪谓 蟽蔚 维位位伪 渭蠀胃喂蟽蟿慰蟻萎渭伪蟿维 蟿慰蠀.
螕喂伪 蟺伪蟻维未蔚喂纬渭伪, 蟺蔚蟻喂位伪渭尾维谓蔚喂 伪蟻魏蔚蟿苇蟼 伪谓伪蠁慰蟻苇蟼 蟿畏谓 蟺蠈位畏 蟿慰蠀 螒蟻纬蠀蟻慰魏维蟽蟿蟻慰蠀 魏伪喂 蟿畏谓 伪魏蟻蠈蟺慰位畏 蟿畏蟼
螚 螒位尾伪谓委伪 蔚委谓伪喂 伪谓蟿委蟽蟿慰喂蠂畏 蟿慰蠀 Kadare 渭蔚 蟿畏谓 魏慰渭畏蟿蔚委伪 螕喂慰谓伪蟺伪蟿蠈蠁伪 蟿慰蠀 Faulkner, 苇谓伪 蔚委未慰蟼 蟿慰蟺喂魏慰蠉 魏伪喂 蠂蟻慰谓喂魏慰蠉
蠀蟺蔚蟻蠂伪蟻伪魏蟿萎蟻伪 蟺慰蠀 蠀蟺维蟻蠂蔚喂 蟽蔚 蠈位伪 蟿伪 苇蟻纬伪 蟿慰蠀.
螘委谓伪喂 苇谓伪 渭苇蟻慰蟼 蟿慰蠀 慰蟺慰委慰蠀 畏 蟺伪蟻慰蠀蟽委伪 魏伪喂 畏 未蠉谓伪渭畏 喂蟽慰蠉蟿伪喂 渭蔚 蔚魏蔚委谓畏 蟿蠅谓 伪谓胃蟻蠋蟺喂谓蠅谓 蠂伪蟻伪魏蟿萎蟻蠅谓 蟿慰蠀 魏伪喂 蠁伪委谓蔚蟿伪喂, 蟽蟿畏谓 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪, 谓伪 未喂伪渭慰蟻蠁蠋谓蔚喂 蟿喂蟼 蟽蠀渭蟺蔚蟻喂蠁慰蟻苇蟼 蟿慰蠀蟼.
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
December 22, 2022
噩賳诏鈥屬囏� 鬲賲丕賲 賳賲蹖鈥屫促堎嗀� 丿乇 亘丿賳鈥屸€屬囏� 賵 卮賴乇賴丕 賵 禺丕胤乇丕鬲 丕丿丕賲賴 賲蹖鈥屰屫жㄙ嗀�. 賵 丕賱亘鬲賴 丿乇 诏賵乇賴丕. 倬乇鬲乇賴鈥屫й� 讴賴 丕夭 丌賱亘丕賳蹖丕蹖蹖鈥屬囏ж� 賲賳丕馗乇貙 丌賴賳诏鈥屬囏� 賵 丌丿丕亘 賵 乇爻賵賲卮丕賳 丿乇 匕賴賳 跇賳乇丕賱 丕蹖鬲丕賱蹖丕蹖蹖 鬲乇爻蹖賲 賲蹖鈥屫促堌� 亘爻蹖丕乇 噩匕丕亘 亘賵丿. 丿乇 賵丕賯毓 讴丕丿丕乇賴 亘賴 噩丕蹖 卮乇丨 賲爻鬲賯蹖賲 卮乇丕蹖胤 賲乇丿賲 讴卮賵乇卮 丿乇 噩賳诏 噩賴丕賳蹖 丿賵賲貙 丕夭 亘丕夭鬲丕亘 丕蹖賳 卮乇丕蹖胤 亘乇 匕賴賳 跇賳乇丕賱 倬乇丿賴鈥屬嗁呚й屰� 賲蹖鈥屭┵嗀�. 讴丕丿丕乇賴 丕夭 鬲賲丕賲 丕賲讴丕賳丕鬲 賲賲讴賳 亘乇丕蹖 賳賮賵匕 亘蹖卮鬲乇 亘賴 匕賴賳 賵 鬲禺蹖賱 賲禺丕胤亘 亘賴乇賴 亘乇丿賴. 亘乇丕蹖 賲孬丕賱 丿乇 噩丕蹖蹖 亘乇丕蹖 賳卮丕賳 丿丕丿賳 賵囟毓蹖鬲 丕乇鬲卮 丕蹖鬲丕賱蹖丕貙 丕夭 丿賮鬲乇趩賴 禺丕胤乇丕鬲 蹖讴 爻乇亘丕夭 賮乇丕乇蹖 亘蹖爻鬲 爻丕賱賴 丕爻鬲賮丕丿賴 讴乇丿賴 讴賴 毓丕卮賯 丿禺鬲乇 蹖讴 丌爻蹖丕亘丕賳 丌賱亘丕賳蹖丕蹖蹖 卮丿賴 亘賵丿賴. 丕丨鬲賲丕賱丕賸 丿乇诏蹖乇蹖鈥屬囏й� 乇賵丕賳蹖 賵 乇賵賳丿 賮乇賵倬丕卮蹖 跇賳乇丕賱 賲賱蹖鈥屭必� 蹖讴蹖 丕夭 賳賯丕胤 賯賵鬲 乇賲丕賳 亘賵丿. 丕賮讴丕乇 跇賳乇丕賱 亘蹖賳 丕丨鬲乇丕賲 亘賴 乇爻賵賲 賵 禺賱賯蹖丕鬲 讴卮賵乇 賲蹖夭亘丕賳 賵 鬲丨賯蹖乇 丕蹖賳 丌丿丕亘 賲孬賱 丌賵賳诏 丿乇 賳賵爻丕賳 丕爻鬲. 丨鬲蹖 丨丕賱丕 讴賴 倬爻 丕夭 亘蹖爻鬲 爻丕賱 亘丕夭诏卮鬲賴 鬲丕 丕爻鬲禺賵丕賳鈥屬囏й� 爻乇亘丕夭丕賳 乇丕 亘賴 賵胤賳 亘乇诏乇丿丕賳丿貙 賴乇 夭賲丕賳 讴賴 禺蹖丕賱 賲蹖鈥屭┵嗀� 丕蹖賳 卮讴丕賮鈥屬囏� 毓賲蹖賯 賳蹖爻鬲 丕鬲賮丕賯蹖 乇禺 賲蹖鈥屫囏� 鬲丕 孬丕亘鬲 卮賵丿 丿乇 丕卮鬲亘丕賴 亘賵丿賴. 賲賴賲鈥屫臂屬� 爻賵丕賱蹖 讴賴 亘乇丕蹖 跇賳乇丕賱 倬蹖卮 賲蹖鈥屸€屫③屫� 丕蹖賳 丕爻鬲 讴賴 賲賳 丕蹖賳噩丕 丿賯蹖賯丕賸 趩賴 睾賱胤蹖 賲蹖鈥屭┵嗁呚� 丌蹖丕 亘乇丕蹖 爻乇亘丕夭丕賳 禺賮鬲賴 丿乇鈥� 诏賵乇 鬲賮丕賵鬲蹖 丿丕乇丿 讴賴 丿乇 趩賴 禺丕讴蹖 賲丿賮賵賳鈥屫з嗀� 賵 丌蹖丕 鬲乇噩蹖丨 賳賲蹖鈥屫囐嗀� 賴賲丕賳噩丕蹖蹖 賴爻鬲賳丿 亘丕賯蹖 亘賲丕賳賳丿責 禺賱丕氐賴 丕蹖賳讴賴 賲丕噩乇丕賴丕蹖 賮乇毓蹖 夭蹖丕丿蹖 丿乇 丿賱 丿丕爻鬲丕賳 丕氐賱蹖 丕鬲賮丕賯 賲蹖鈥屫з佖� 讴賴 亘毓囟蹖 賴乇诏夭 亘乇丕蹖 跇賳乇丕賱 賯丕亘賱 丿乇讴 賳蹖爻鬲貨 賲孬賱 噩賳诏. 賵 賴乇诏夭 亘乇丕蹖 跇賳乇丕賱 鬲賲丕賲 賳賲蹖鈥屫促堌� 賲孬賱 噩賳诏
October 13, 2023
賲鬲丕爻賮丕賳賴 亘蹖卮 丕夭 丨丿 賲毓賲賵賱蹖. 蹖毓賳蹖 賳賯胤賴 囟毓賮 丕孬乇 丕蹖賳 亘賵丿 讴賴 賳賯胤賴 賯賵鬲蹖 賳丿丕卮鬲 蹖丕 賲賳 丨丿丕賯賱 趩蹖夭蹖 丨爻 賳讴乇丿賲. 鬲賳賴丕 賲賵乇丿蹖 讴賴 鬲賵卮 丿賵爻鬲 丿丕卮鬲賲 丕賵賳 賮囟丕蹖 亘丕乇賵賳蹖 讴賴 倬蹖賵爻鬲賴 賲蹖鈥屫ㄘж臂屫� 賵 跇賳乇丕賱蹖 讴賴 亘丕 讴購鬲 亘賱賳丿卮 亘丕賱丕蹖 賯亘乇賴丕 亘賴 丕賲蹖丿 倬蹖丿丕 卮丿賳 噩賳丕夭賴 賲賵乇丿 賳馗乇 丕賳鬲馗丕乇 賲蹖鈥屭┴篡屫� 賵 丕賵賳 賯賴賵賴 禺賵乇丿賳鈥屬囏� 賵 丨乇賮鈥屬囏ж� 亘丕 讴卮蹖卮 亘賵丿. 丕賲丕 丿乇 賲噩賲賵毓 亘賴 毓賳賵丕賳 丕孬乇 囟丿 噩賳诏 噩夭賵 囟毓蹖賮鈥屫臂屬� 賴丕 亘賵丿 亘乇丕賲. 丕蹖賳 丕孬乇 丕賱亘鬲賴 噩夭賵 丕賵賱蹖賳 趩蹖夭賴丕蹖蹖 賴爻鬲 讴賴 讴丕丿丕乇賴 賳賵卮鬲賴 賵 禺亘 丕蹖賳鈥屬傌� 夭賵丿 賯胤毓 丕賲蹖丿 賳賲蹖鈥屭┵嗁� 丕夭 丕蹖卮賵賳. 賵 賴賲蹖賳 丿蹖诏乇貙 丨爻 乇蹖賵蹖賵 賳賵卮鬲賳 丌賳鈥屭嗁嗀з嗃� 賳蹖爻鬲.
December 26, 2024
Romanian review: ,,Generalul armatei moarte" prezint膬 o latur膬 foarte neobi葯nuit膬 a r膬zboiului: repatrierea r膬m膬葯i葲elor trupe葯ti ale solda葲ilor care au murit 卯n lupt膬. Mai exact, romanul spune povestea unui general italian nenumit care, 卯nso葲it de un preot, pleac膬 卯n Albania pentru a recupera trupurile solda葲ilor c膬zu葲i 卯n Al Doilea R膬zboi Mondial. Ac葲iunea se desf膬葯oar膬 卯n anii 60, 卯ntr-o Albanie aflat膬 sub unul dintre cele mai represive regimuri comuniste din c芒te au existat.
Astfel, Kadare prezint膬 propriul popor prin perspectiva inedit膬 a fostului s膬u inamic, reie葯ind o radiografie fascinant膬 a poporului albanez: un popor dur, dominat de violen葲膬, care ,,se na葯te cu arma 卯n m芒n膬", de o brutalitate care descinde 卯n barbarism. 脦n mod evident, aceast膬 radiografie trebuie privit膬 cu pu葲in scepticism鈥� pe de-o parte, pentru c膬 este f膬cut膬 din perspectiva fostului inamic, pe de alta, pentru c膬 Ismail Kadare probabil exagereaz膬 pu葲in, prezent芒nd un popor albanez mai puternic dec芒t este de fapt.
Romanul este atmosferic; a葯 spune chiar c膬 atmosfera este punctul forte al c膬r葲ii. Dezhumarea cadavrelor este prezentat膬 卯n detaliu, aceast膬 misiune pe care o are generalul de 卯ndeplinit fiind la fel sumbr膬 葯i cople葯itoare ca atmosfera c膬r葲ii. Kadare realizeaz膬 葯i o introspec葲ie 卯n mintea generalului care este afectat profund de acest demers鈥� are co葯maruri, devine paranoic 葯i, p芒n膬 la sf芒r葯it, sufer膬 chiar o c膬dere nervoas膬.
Metafora generalului care nu a comandat trupe 卯n r膬zboi, dar care are, acum, sub comanda sa o armat膬 de solda葲i mor葲i este extrem de memorabil膬 葯i 卯mi va r膬m芒ne cu siguran葲膬 mult timp 卯n minte.
Exist膬 葯i o linie narativ膬 oarecum secundar膬: povestea colonelului Z, unul dintre solda葲ii pe care generalul 卯i caut膬 葯i a c膬rui soarta era ambigu膬鈥� a fost un dezertor sau un criminal de r膬zboi?
Nu pot s膬 nu m膬 卯ntreb: dac膬 munca de a dezhuma 葯i de a repatria c芒teva sute de solda葲i (invadarea Albaniei de c膬tre Italia s-a 卯ncheiat cu relativ pu葲ine victime dac膬 privim r膬zboiul 卯n ansamblu) este at芒t de cople葯itoare, oare c芒t de grea a fost misiunea celor care au repatriat solda葲ii care au murit pe frontul de est? M膬 g芒ndesc, mai ales, la to葲i solda葲ii germani care au murit 卯n timpul Opera葲iunii Barbarossa.
Doar metafora din titlu 葯i subiectul inedit, 卯n sine, fac ca romanul s膬 merite s膬 fie citit. Dac膬 mai punem 卯n ecua葲ie proza excelent膬 a lui Kadare 葯i atmosfera ap膬s膬toare a c膬r葲ii, ,,Generalul armatei moarte" devine un adev膬rat diamant鈥� descoperit de c膬tre critici, dar ascuns pentru majoritatea cititorilor, care se concentreaz膬 mai mult pe literatura mainstream. Pot doar s膬 sper ca cel mai celebru roman al lui Ismail Kadare s膬 fie descoperit de c芒t mai mul葲i oameni.
English review: "The General of the Dead Army" explores a highly unusual aspect of war: the repatriation of the remains of soldiers who died in battle. Specifically, the novel tells the story of an unnamed Italian general who, accompanied by a priest, travels to Albania to recover the bodies of soldiers who fell during World War II. The events unfold in the 1960s, within an Albania under one of the most repressive communist regimes in history.
Through this premise, Kadare presents his own people from the unique perspective of their former enemy, resulting in a fascinating portrayal of the Albanian nation: a harsh people dominated by violence, who are said to be "born with a weapon in hand," with a brutality bordering on barbarism. Naturally, this portrayal should be taken with a grain of skepticism鈥攐n one hand, because it鈥檚 seen through the lens of a former adversary, and on the other, because Kadare likely exaggerates to some extent, depicting the Albanians as stronger than they may actually be.
The novel is atmospheric; I鈥檇 even say that the atmosphere is its strongest point. The exhumation of corpses is depicted in detail, and the general鈥檚 mission is just as grim and overwhelming as the book鈥檚 mood. Kadare delves deeply into the general's psyche, portraying how profoundly this task affects him鈥攈e suffers nightmares, becomes paranoid, and ultimately has a nervous breakdown by the end.
The metaphor of a general who never commanded troops in battle but now leads an army of dead soldiers is incredibly striking and will undoubtedly linger in my mind for a long time.
There鈥檚 also a somewhat secondary narrative: the story of Colonel Z, one of the soldiers the general is seeking, whose fate remains ambiguous鈥攚as he a deserter or a war criminal?
I can鈥檛 help but wonder: if the work of exhuming and repatriating a few hundred soldiers (the Italian invasion of Albania resulted in relatively few casualties when viewed in the broader context of the war) is so overwhelming, how daunting must the task have been for those who repatriated soldiers who died on the Eastern Front? I think especially of all the German soldiers who perished during Operation Barbarossa.
The metaphor in the title alone and the novel鈥檚 unique subject matter make it worth reading. When you add Kadare鈥檚 excellent prose and the oppressive atmosphere of the book, "The General of the Dead Army" becomes a true gem鈥攁cknowledged by critics but hidden from many readers who tend to focus on mainstream literature. I can only hope that Kadare鈥檚 most famous novel will be discovered by more and more people.
January 21, 2023
"醿ㄡ償醿樶儦醿斸儜醿� 醿涐儛醿� 醿涐儤醿儛-醿儳醿愥儦醿栣償 醿涐儩醿儠醿撫償, 醿涐儛醿椺儤 醿涐儤醿儛 醿椺儺醿愥儬醿�, 醿椺儺醿愥儬醿�, 醿涐儛醿掅儬醿愥儧... 醿涐儛醿� 醿♂儯醿氠償醿戓儴醿� 醿ㄡ償醿愥儲醿儤醿�? 醿愥儬醿愥儭醿濁儞醿斸儭!"
醿п儠醿斸儦醿愥儰醿斸儬醿� 醿樶儧醿樶儣 醿撫儛醿樶儸醿п儩, 醿犪儩醿� 醿撫儛醿愥儺醿氠儩醿斸儜醿樶儣 醿斸儬醿椺儤 醿♂儛醿ａ儥醿ａ儨醿樶儭 醿儤醿� 醿斸儬醿椺儤 醿┽儠醿斸儯醿氠償醿戓儬醿樶儠醿� 醿撫儛 醿愥儬醿愥儰醿犪儤醿� 醿掅儛醿涐儩醿犪儵醿斸儯醿氠儤 醿戓儤醿儤 醿撫儛醿樶儜醿愥儞醿� 醿撫儛, 醿犪儩醿掅儩醿犪儶 醿愥儦醿戓儛醿溼償醿氠償醿戓儭 醿┽儠醿斸儠醿樶儛醿�, 醿撫儛醿戓儛醿撫償醿戓儯醿氠儤 醿愥儬 醿樶儳醿�, 醿椺儩醿め儤 醿犪儩醿� 醿ㄡ償醿犪儵醿� 醿償醿氠儣. 醿愥儧 醿椺儩醿め儧醿� 醿掅儛醿溼儭醿愥儢醿︶儬醿曖儛 醿涐儤醿♂儤 醿ㄡ償醿涐儞醿掅儩醿涐儤 醿め儭醿樶儱醿濁儦醿濁儝醿樶儛醿� 醿撫儛 醿愥儧 醿椺儩醿め儧醿� 醿掅儛醿撫儛醿愥儸醿п儠醿斸儮醿樶儨醿� 醿撫儛醿斸儸醿斸儬醿� 醿犪儩醿涐儛醿溼儤, 醿愥儬醿� 醿ａ儜醿犪儛醿氠儩醿� 醿濁儧醿樶儭 醿♂儛醿ㄡ儤醿溼償醿氠償醿戓償醿戓儢醿�, 醿愥儬醿� 醿斸儝 醿涐儛醿犪儮醿樶儠醿樶儛, 醿犪償醿涐儛醿犪儥醿� 醿儩 醿愥儬醿愥儛, 醿戓償醿曖儬醿愥儞 醿ａ儰醿犪儩 醿︶儬醿涐儛 醿撫儛 醿欋儩醿涐優醿氠償醿メ儭醿ａ儬 醿椺償醿涐償醿戓儢醿�. 醿撫儛 醿┽儛醿斸儮醿樶儛 醿愥儧 醿犪儩醿涐儛醿溼儴醿� 醿椺儛醿曖儤醿♂儤 醿戓償醿撫儥醿犪儯醿氠儤 醿愥儦醿戓儛醿溼償醿椺儤醿� 醿⑨儥醿樶儠醿樶儦醿�, 醿椺儛醿曖儤醿♂儤 醿ａ儵醿曖償醿ａ儦醿� , 醿涐儩醿ａ儭醿曖償醿溼儛醿犪儤 醿儛醿氠儺醿樶儭 醿儛醿♂儤醿愥儣醿�, 醿涐儴醿曖儤醿撫儩醿戓儛醿� 醿犪儩醿� 醿涐儤醿ａ儵醿曖償醿曖償醿氠儨醿� 醿愥儬醿樶儛醿� 醿撫儛 醿樶儭醿斸儠醿� 醿椺儠醿氠償醿涐償醿� 醿涐儴醿曖儤醿撫儩醿戓儤醿♂儛醿�, 醿犪儩醿掅儩醿犪儶 醿掅儠醿斸儦醿斸儜醿� 醿栣儛醿涐儣醿愥儬醿ㄡ儤; 醿濁儲醿濁儨醿� 醿涐儣醿愥儠醿愥儬 醿掅儧醿樶儬醿愥儞 醿涐償醿栣儩醿戓償醿氠儤 醿メ儠醿斸儳醿溼儤醿� 醿炨儩醿氠儥醿濁儠醿溼儤醿欋儭 醿愥儤醿犪儵醿斸儠醿�, 醿ａ儧醿溼儤醿ㄡ儠醿溼償醿氠儩醿曖儛醿溼償醿♂儤 醿涐儤醿♂儤醿� 醿犪儩醿� 醿愥儥醿樶儭醿犪儤醿�- 醿涐償醿濁儬醿� 醿涐儭醿濁儰醿氠儤醿� 醿濁儧醿ㄡ儤 醿掅儛醿犪儞醿愥儶醿曖儦醿樶儦醿� 醿涐儩醿儧醿斸償醿戓儤醿� 醿儺醿斸儞醿犪償醿戓儤 醿┽儛醿涐儩醿愥儭醿曖償醿溼儩醿� 醿♂儛醿涐儴醿濁儜醿氠儩醿ㄡ儤. 醿撫儛 醿愥儦醿戓儛醿溼償醿椺儴醿� 醿┽儛醿♂儯醿氠儤 醿斸儭 醿炨儩醿氠儥醿濁儠醿溼儤醿欋儤, 醿愥儧 醿ａ儵醿曖償醿ａ儦醿� 醿斸儬醿樶儭 醿愥儮醿愥儠醿樶儭醿⑨儯醿� 醿愥儞醿愥儣-醿償醿♂償醿戓儭 醿犪儩醿� 醿愥儱醿樶儦醿樶儥醿斸儜醿�, 醿曖償醿犪儛醿め儬醿樶儣 醿曖償醿� 醿斸儝醿ａ償醿戓儛 醿涐儛醿� 醿⑨償醿涐優醿斸儬醿愥儧醿斸儨醿⑨儭, 醿氠儛醿涐儛醿栣儤 醿栣儲醿曖儤醿♂儛醿掅儛醿� 醿犪儩醿� 醿欋儛醿犪儝醿� 醿愥儬醿愥儰醿斸儬醿� 醿愥儺醿♂儩醿曖儣, 醿樶儱醿樶儞醿愥儨 醿涐儩醿♂儯醿� 醿п儠醿斸儦醿� 醿戓儩醿犪儩醿⑨償醿戓儛醿� 醿犪儩醿� 醿涐儛醿犪儮醿� 醿斸儜醿犪儷醿曖儤醿愥儨 醿撫儛 醿♂儛醿儦醿ㄡ儤 醿涐儩醿♂儯醿� 醿♂儮醿ａ儧醿愥儬醿� 醿犪儩醿� 醿ａ儞醿樶儞醿斸儭 醿炨儛醿⑨儤醿曖儭 醿♂儶醿斸儧醿斸儨; 醿曖償醿犪儶 醿樶儛醿栣儬醿斸儜醿� 醿掅償醿溼償醿犪儛醿氠儤 醿椺儛醿曖儤醿♂儤 醿涐儤醿♂儤醿樶儭 醿愥儜醿♂儯醿犪儞醿ａ儦 醿♂儛醿欋儬醿愥儦醿ａ儬醿濁儜醿愥儭, 醿涐儤醿儠醿撫償醿戓儛, 醿犪儩醿� 醿樶儧 醿ａ儦醿涐儩醿戓償醿氠儤 醿濁儧醿樶儭醿� 醿撫儛 醿♂儤醿欋儠醿撫儤醿氠儤醿� 醿♂儛醿償醿� 醿樶儱醿儛 醿愥儬醿� 醿涐儛醿犪儮醿� 醿愥儦醿戓儛醿溼償醿氠償醿戓儤醿♂儣醿曖儤醿�, 醿愥儬醿愥儧醿斸儞 醿♂儛醿欋儯醿椺儛醿犪儤 醿儩醿氠儤醿♂儣醿曖儤醿♂儛醿� 醿欋儤. 醿涐儩醿♂儛醿氠儩醿撫儨醿斸儦醿� 醿撫儤醿撫償醿戓儤醿� 醿ㄡ償醿炨儳醿犪儩醿戓儤醿氠儭 醿п儩醿曖償醿氠儤 醿♂儛醿め儦醿愥儠醿樶儭 醿愥儧醿濁儣醿儬醿樶儭 醿ㄡ償醿涐儞醿斸儝 醿ａ儰醿犪儩 醿撫儛 醿ａ儰醿犪儩 醿ㄡ償醿涐儩醿斸儷醿愥儬醿儠醿斸儜醿� 醿斸儝醿�, 醿愥儧 "醿搬儯醿涐儛醿溼儯醿犪儤" 醿涐儤醿♂儤醿樶儭 醿ㄡ償醿涐儞醿斸儝 醿欋儤, 醿掅儛醿犪儣醿濁儜醿樶儭 醿熱儤醿溼儢醿� 醿涐儳醿濁儰醿� 醿♂儯醿犪儭 醿撫儛醿樶儠醿樶儸醿п儩醿� 醿戓儩醿氠儩 醿椺儠醿斸償醿戓儴醿� 醿掅儛醿撫儛醿涐儺醿撫儛醿犪儤, 醿濁儧醿栣償 醿ａ儰醿犪儩 醿♂儛醿ㄡ儤醿溼償醿氠儤 醿涐儩醿曖儦醿斸儨醿斸儜醿�, 醿涐儤醿曖儤醿撫償醿� 醿メ儩醿犪儸醿樶儦醿ㄡ儤 醿撫儛 醿掅儛醿樶儢醿樶儛醿犪儩醿� 醿愥儺醿氠儛醿撫儴醿斸儯醿︶儦醿斸儜醿ａ儦醿� 醿儳醿曖儤醿氠儤醿� 醿戓償醿撫儨醿樶償醿犪償醿戓儛. 醿犪儩醿掅儩醿犪儶 醿め儩醿氠儥醿溼償醿犪儣醿愥儨 醿涐儤醿ａ儝醿撫償醿戓儭 醿氠儯醿欋儛醿� 醿戓儤醿┽償醿涐儤 醿め償醿償醿戓儣醿愥儨 醿涐儩醿溼償醿⑨償醿戓儭, 醿樶儭醿� 醿涐儤醿ａ儳醿犪儤醿愥儨 醿┽儠醿斸儨醿� 醿掅償醿溼償醿犪儛醿氠儭 醿炨儩醿氠儥醿濁儠醿溼儤醿欋儤醿� 醿儠醿氠償醿戓儭, 醿樶儧 醿溼償醿ㄡ儣醿�, 醿涐儣醿斸儦醿� 醿儺醿濁儠醿犪償醿戓儛 醿犪儩醿� 醿ａ儨醿撫儛 醿搬儱醿濁儨醿撫償醿� 醿愥儥醿樶儞醿斸儜醿ａ儦醿�.
醿撫儛 醿涐儤醿儠醿撫償醿戓儛 醿斸儭 醿┽儠醿斸儨醿� 醿愥儬醿愥儰醿犪儤醿� 醿掅儛醿涐儩醿犪儵醿斸儯醿氠儤 醿愥儦醿戓儛醿溼償醿氠儤 醿欋儛醿儤, 醿犪儩醿� 醿涐儤醿儤醿� 醿椺儺醿犪儤醿� 醿曖償醿犪儛, 醿涐儛醿掅儬醿愥儧 醿愥儧 醿犪儩醿涐儛醿溼儤醿� 醿欋儤 醿ㄡ償醿愥儲醿儤醿� 醿椺儛醿溼儛醿涐償醿涐儛醿涐儯醿氠償醿斸儜醿樶儭 醿掅儯醿氠償醿戓儴醿�, 醿掅儛醿愥儴醿樶儴醿曖儦醿� 醿涐儛醿椺儤 醿戓儯醿溼償醿戓儛 醿撫儛 醿愥儧醿愥儭醿濁儜醿愥儴醿�, 醿涐償醿濁儶醿� 醿♂儛醿ａ儥醿ａ儨醿樶儭 醿斸儬醿�-醿斸儬醿椺儤 醿п儠醿斸儦醿愥儢醿� 醿掅償醿溼儤醿愥儦醿ａ儬醿� 醿溼儛醿儛醿犪儧醿濁償醿戓儤 醿ㄡ償醿メ儧醿溼儛.
醿п儠醿斸儦醿愥儰醿斸儬醿� 醿樶儧醿樶儣 醿撫儛醿樶儸醿п儩, 醿犪儩醿� 醿撫儛醿愥儺醿氠儩醿斸儜醿樶儣 醿斸儬醿椺儤 醿♂儛醿ａ儥醿ａ儨醿樶儭 醿儤醿� 醿斸儬醿椺儤 醿┽儠醿斸儯醿氠償醿戓儬醿樶儠醿� 醿撫儛 醿愥儬醿愥儰醿犪儤醿� 醿掅儛醿涐儩醿犪儵醿斸儯醿氠儤 醿戓儤醿儤 醿撫儛醿樶儜醿愥儞醿� 醿撫儛, 醿犪儩醿掅儩醿犪儶 醿愥儦醿戓儛醿溼償醿氠償醿戓儭 醿┽儠醿斸儠醿樶儛醿�, 醿撫儛醿戓儛醿撫償醿戓儯醿氠儤 醿愥儬 醿樶儳醿�, 醿椺儩醿め儤 醿犪儩醿� 醿ㄡ償醿犪儵醿� 醿償醿氠儣. 醿愥儧 醿椺儩醿め儧醿� 醿掅儛醿溼儭醿愥儢醿︶儬醿曖儛 醿涐儤醿♂儤 醿ㄡ償醿涐儞醿掅儩醿涐儤 醿め儭醿樶儱醿濁儦醿濁儝醿樶儛醿� 醿撫儛 醿愥儧 醿椺儩醿め儧醿� 醿掅儛醿撫儛醿愥儸醿п儠醿斸儮醿樶儨醿� 醿撫儛醿斸儸醿斸儬醿� 醿犪儩醿涐儛醿溼儤, 醿愥儬醿� 醿ａ儜醿犪儛醿氠儩醿� 醿濁儧醿樶儭 醿♂儛醿ㄡ儤醿溼償醿氠償醿戓償醿戓儢醿�, 醿愥儬醿� 醿斸儝 醿涐儛醿犪儮醿樶儠醿樶儛, 醿犪償醿涐儛醿犪儥醿� 醿儩 醿愥儬醿愥儛, 醿戓償醿曖儬醿愥儞 醿ａ儰醿犪儩 醿︶儬醿涐儛 醿撫儛 醿欋儩醿涐優醿氠償醿メ儭醿ａ儬 醿椺償醿涐償醿戓儢醿�. 醿撫儛 醿┽儛醿斸儮醿樶儛 醿愥儧 醿犪儩醿涐儛醿溼儴醿� 醿椺儛醿曖儤醿♂儤 醿戓償醿撫儥醿犪儯醿氠儤 醿愥儦醿戓儛醿溼償醿椺儤醿� 醿⑨儥醿樶儠醿樶儦醿�, 醿椺儛醿曖儤醿♂儤 醿ａ儵醿曖償醿ａ儦醿� , 醿涐儩醿ａ儭醿曖償醿溼儛醿犪儤 醿儛醿氠儺醿樶儭 醿儛醿♂儤醿愥儣醿�, 醿涐儴醿曖儤醿撫儩醿戓儛醿� 醿犪儩醿� 醿涐儤醿ａ儵醿曖償醿曖償醿氠儨醿� 醿愥儬醿樶儛醿� 醿撫儛 醿樶儭醿斸儠醿� 醿椺儠醿氠償醿涐償醿� 醿涐儴醿曖儤醿撫儩醿戓儤醿♂儛醿�, 醿犪儩醿掅儩醿犪儶 醿掅儠醿斸儦醿斸儜醿� 醿栣儛醿涐儣醿愥儬醿ㄡ儤; 醿濁儲醿濁儨醿� 醿涐儣醿愥儠醿愥儬 醿掅儧醿樶儬醿愥儞 醿涐償醿栣儩醿戓償醿氠儤 醿メ儠醿斸儳醿溼儤醿� 醿炨儩醿氠儥醿濁儠醿溼儤醿欋儭 醿愥儤醿犪儵醿斸儠醿�, 醿ａ儧醿溼儤醿ㄡ儠醿溼償醿氠儩醿曖儛醿溼償醿♂儤 醿涐儤醿♂儤醿� 醿犪儩醿� 醿愥儥醿樶儭醿犪儤醿�- 醿涐償醿濁儬醿� 醿涐儭醿濁儰醿氠儤醿� 醿濁儧醿ㄡ儤 醿掅儛醿犪儞醿愥儶醿曖儦醿樶儦醿� 醿涐儩醿儧醿斸償醿戓儤醿� 醿儺醿斸儞醿犪償醿戓儤 醿┽儛醿涐儩醿愥儭醿曖償醿溼儩醿� 醿♂儛醿涐儴醿濁儜醿氠儩醿ㄡ儤. 醿撫儛 醿愥儦醿戓儛醿溼償醿椺儴醿� 醿┽儛醿♂儯醿氠儤 醿斸儭 醿炨儩醿氠儥醿濁儠醿溼儤醿欋儤, 醿愥儧 醿ａ儵醿曖償醿ａ儦醿� 醿斸儬醿樶儭 醿愥儮醿愥儠醿樶儭醿⑨儯醿� 醿愥儞醿愥儣-醿償醿♂償醿戓儭 醿犪儩醿� 醿愥儱醿樶儦醿樶儥醿斸儜醿�, 醿曖償醿犪儛醿め儬醿樶儣 醿曖償醿� 醿斸儝醿ａ償醿戓儛 醿涐儛醿� 醿⑨償醿涐優醿斸儬醿愥儧醿斸儨醿⑨儭, 醿氠儛醿涐儛醿栣儤 醿栣儲醿曖儤醿♂儛醿掅儛醿� 醿犪儩醿� 醿欋儛醿犪儝醿� 醿愥儬醿愥儰醿斸儬醿� 醿愥儺醿♂儩醿曖儣, 醿樶儱醿樶儞醿愥儨 醿涐儩醿♂儯醿� 醿п儠醿斸儦醿� 醿戓儩醿犪儩醿⑨償醿戓儛醿� 醿犪儩醿� 醿涐儛醿犪儮醿� 醿斸儜醿犪儷醿曖儤醿愥儨 醿撫儛 醿♂儛醿儦醿ㄡ儤 醿涐儩醿♂儯醿� 醿♂儮醿ａ儧醿愥儬醿� 醿犪儩醿� 醿ａ儞醿樶儞醿斸儭 醿炨儛醿⑨儤醿曖儭 醿♂儶醿斸儧醿斸儨; 醿曖償醿犪儶 醿樶儛醿栣儬醿斸儜醿� 醿掅償醿溼償醿犪儛醿氠儤 醿椺儛醿曖儤醿♂儤 醿涐儤醿♂儤醿樶儭 醿愥儜醿♂儯醿犪儞醿ａ儦 醿♂儛醿欋儬醿愥儦醿ａ儬醿濁儜醿愥儭, 醿涐儤醿儠醿撫償醿戓儛, 醿犪儩醿� 醿樶儧 醿ａ儦醿涐儩醿戓償醿氠儤 醿濁儧醿樶儭醿� 醿撫儛 醿♂儤醿欋儠醿撫儤醿氠儤醿� 醿♂儛醿償醿� 醿樶儱醿儛 醿愥儬醿� 醿涐儛醿犪儮醿� 醿愥儦醿戓儛醿溼償醿氠償醿戓儤醿♂儣醿曖儤醿�, 醿愥儬醿愥儧醿斸儞 醿♂儛醿欋儯醿椺儛醿犪儤 醿儩醿氠儤醿♂儣醿曖儤醿♂儛醿� 醿欋儤. 醿涐儩醿♂儛醿氠儩醿撫儨醿斸儦醿� 醿撫儤醿撫償醿戓儤醿� 醿ㄡ償醿炨儳醿犪儩醿戓儤醿氠儭 醿п儩醿曖償醿氠儤 醿♂儛醿め儦醿愥儠醿樶儭 醿愥儧醿濁儣醿儬醿樶儭 醿ㄡ償醿涐儞醿斸儝 醿ａ儰醿犪儩 醿撫儛 醿ａ儰醿犪儩 醿ㄡ償醿涐儩醿斸儷醿愥儬醿儠醿斸儜醿� 醿斸儝醿�, 醿愥儧 "醿搬儯醿涐儛醿溼儯醿犪儤" 醿涐儤醿♂儤醿樶儭 醿ㄡ償醿涐儞醿斸儝 醿欋儤, 醿掅儛醿犪儣醿濁儜醿樶儭 醿熱儤醿溼儢醿� 醿涐儳醿濁儰醿� 醿♂儯醿犪儭 醿撫儛醿樶儠醿樶儸醿п儩醿� 醿戓儩醿氠儩 醿椺儠醿斸償醿戓儴醿� 醿掅儛醿撫儛醿涐儺醿撫儛醿犪儤, 醿濁儧醿栣償 醿ａ儰醿犪儩 醿♂儛醿ㄡ儤醿溼償醿氠儤 醿涐儩醿曖儦醿斸儨醿斸儜醿�, 醿涐儤醿曖儤醿撫償醿� 醿メ儩醿犪儸醿樶儦醿ㄡ儤 醿撫儛 醿掅儛醿樶儢醿樶儛醿犪儩醿� 醿愥儺醿氠儛醿撫儴醿斸儯醿︶儦醿斸儜醿ａ儦醿� 醿儳醿曖儤醿氠儤醿� 醿戓償醿撫儨醿樶償醿犪償醿戓儛. 醿犪儩醿掅儩醿犪儶 醿め儩醿氠儥醿溼償醿犪儣醿愥儨 醿涐儤醿ａ儝醿撫償醿戓儭 醿氠儯醿欋儛醿� 醿戓儤醿┽償醿涐儤 醿め償醿償醿戓儣醿愥儨 醿涐儩醿溼償醿⑨償醿戓儭, 醿樶儭醿� 醿涐儤醿ａ儳醿犪儤醿愥儨 醿┽儠醿斸儨醿� 醿掅償醿溼償醿犪儛醿氠儭 醿炨儩醿氠儥醿濁儠醿溼儤醿欋儤醿� 醿儠醿氠償醿戓儭, 醿樶儧 醿溼償醿ㄡ儣醿�, 醿涐儣醿斸儦醿� 醿儺醿濁儠醿犪償醿戓儛 醿犪儩醿� 醿ａ儨醿撫儛 醿搬儱醿濁儨醿撫償醿� 醿愥儥醿樶儞醿斸儜醿ａ儦醿�.
醿撫儛 醿涐儤醿儠醿撫償醿戓儛 醿斸儭 醿┽儠醿斸儨醿� 醿愥儬醿愥儰醿犪儤醿� 醿掅儛醿涐儩醿犪儵醿斸儯醿氠儤 醿愥儦醿戓儛醿溼償醿氠儤 醿欋儛醿儤, 醿犪儩醿� 醿涐儤醿儤醿� 醿椺儺醿犪儤醿� 醿曖償醿犪儛, 醿涐儛醿掅儬醿愥儧 醿愥儧 醿犪儩醿涐儛醿溼儤醿� 醿欋儤 醿ㄡ償醿愥儲醿儤醿� 醿椺儛醿溼儛醿涐償醿涐儛醿涐儯醿氠償醿斸儜醿樶儭 醿掅儯醿氠償醿戓儴醿�, 醿掅儛醿愥儴醿樶儴醿曖儦醿� 醿涐儛醿椺儤 醿戓儯醿溼償醿戓儛 醿撫儛 醿愥儧醿愥儭醿濁儜醿愥儴醿�, 醿涐償醿濁儶醿� 醿♂儛醿ａ儥醿ａ儨醿樶儭 醿斸儬醿�-醿斸儬醿椺儤 醿п儠醿斸儦醿愥儢醿� 醿掅償醿溼儤醿愥儦醿ａ儬醿� 醿溼儛醿儛醿犪儧醿濁償醿戓儤 醿ㄡ償醿メ儧醿溼儛.
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January 18, 2024Sve i da se ba拧 na takav poduhvat namerilo, ne razabiram kako mi je s Kadareom uspelo da se, shodno svom somnabulno-pripitom naslovnjaku, u ovolikoj meri otu膽imo od podastrtog teksta, [uslovno: put u "Srce tame" sre膰e "Travni膷ku hroniku"], bezmalo nekonkretnog i snebivljivog pred vlastitom potentno拧膰u, i da se tako osuje膰uju膰e istrajno, maltene do suvog trenja, udaraca kosti o kost, razdra啪ujemo uokolo ta膷ke 膶, poga膽uju膰i se tek nasumi膷no, sporadi膷no i sa prekidima, podatni u o膷ekivanjima...*
*Dodu拧e, i General bi, s perifrazom jednog junaka Mirjane Novakovi膰, mogao protivsloviti: 艩ta 膰e mi 拧irina vrhunca kad sam non-stop pijan!
Prete啪niji u jednom takvom nezadovoljenom 膷itanju Kadareovog prvenca, nadalje i pogovora, imaju膰i u vidu, recimo, ove retke Vuka Milatovi膰a:"U toku romansijerskog pripovedanja pisac pravi digresije uvode膰i u radnju odre膽ene scene, motive koji u izvesnom smislu razbijaju tematsko jedinstvo dela, ali ne ugro啪avaju njegovu celinu. Pisac unosi odre膽eni radikalizam u razvijanju osnovnog toka pri膷e tako 拧to jednu romanesknu atmosferu ne dovodi do kraja, ili je ne po膷inje od po膷etka[...]", ne samo da sam od ritma o膷ekivao da bude manje uhodan, nego i od digresija da kulminativnije i kumulativnije ugro啪avaju celinu i da iz njih provaljuje izostala fa拧isti膷ko-primitivna predigra i vrhunac u neupokojenom(sic!) resantimanu...
*Dodu拧e, i General bi, s perifrazom jednog junaka Mirjane Novakovi膰, mogao protivsloviti: 艩ta 膰e mi 拧irina vrhunca kad sam non-stop pijan!
Prete啪niji u jednom takvom nezadovoljenom 膷itanju Kadareovog prvenca, nadalje i pogovora, imaju膰i u vidu, recimo, ove retke Vuka Milatovi膰a:"U toku romansijerskog pripovedanja pisac pravi digresije uvode膰i u radnju odre膽ene scene, motive koji u izvesnom smislu razbijaju tematsko jedinstvo dela, ali ne ugro啪avaju njegovu celinu. Pisac unosi odre膽eni radikalizam u razvijanju osnovnog toka pri膷e tako 拧to jednu romanesknu atmosferu ne dovodi do kraja, ili je ne po膷inje od po膷etka[...]", ne samo da sam od ritma o膷ekivao da bude manje uhodan, nego i od digresija da kulminativnije i kumulativnije ugro啪avaju celinu i da iz njih provaljuje izostala fa拧isti膷ko-primitivna predigra i vrhunac u neupokojenom(sic!) resantimanu...
March 7, 2017
This is one of the best books I have read by Ismail Kadare so far. I loved the symbolism.
February 22, 2023
醿撫儤醿撫儤 醿儛醿溼儤醿� 醿愥儭醿斸儣醿� 醿涐儩醿涐儛醿儛醿撫儩醿斸儜醿斸儦醿�, 醿涐儩醿涐儨醿ａ儭醿儛醿曖儤 醿撫儛 醿涐儨醿樶儴醿曖儨醿斸儦醿濁儠醿愥儨醿� 醿⑨償醿メ儭醿⑨儤 醿愥儬 醿儛醿涐儤醿欋儤醿椺儺醿愥儠醿�. 醿樶儭醿涐儛醿樶儦 醿欋儛醿撫儛醿犪償 醿溼儛醿涐儞醿曖儤醿氠儛醿� 醿愥儬醿樶儭 醿椺儛醿溼儛醿涐償醿撫儬醿濁儠醿� 醿斸儠醿犪儩醿炨儯醿氠儤 醿氠儤醿⑨償醿犪儛醿⑨儯醿犪儤醿� 醿儩醿儺醿愥儦醿� 醿欋儦醿愥儭醿樶儥醿濁儭醿�, 醿愥儦醿戓儛醿溼償醿椺儤 醿欋儤 醿樶儭 醿メ儠醿斸儳醿愥儨醿愥儛, 醿♂儛醿撫儛醿� 醿斸儬醿椺儺醿斸儦 醿涐儛醿樶儨醿� 醿ａ儨醿撫儛 醿┽儛醿儠醿樶儞醿�.
January 16, 2022
Izcili!
(Protams, katram ir sava izcil墨bas m膿raukla, un tie 墨pa拧ie br墨啪i, kad nevar pateikt sav膩d膩k k膩 鈥� Izcili! Man膩 skat墨jum膩, nav t膩das univers膩las izcil墨bas lati艈as, un tom膿r 拧eit 鈥� vienk膩r拧i izcili!)
Izcils rakstnieks, tas nekas, ka man l墨dz 拧im nezin膩ms, toties alb膩艈u literat奴ras 鈥漝z墨vais klasi姆is鈥� (ar墨 Bukera pr膿mijas 2005.gada laure膩ts), izcils tulkot膩js 鈥� Dens Dimi艈拧 (kas ir k膩 iegrav膿ta kvalit膩tes z墨me), nosl墨p膿ts teksts (ne velti autors 鈥滿iru拧o armijas 模ener膩li鈥� ir rad墨jis k膩 garst膩stu 1963.gad膩, bet ir turpin膩jis to sl墨p膿t un l墨dz mums ir non膩cis 2007.gada izdevuma nosl墨pet膩 versija, par ko Dens Dimi艈拧 sniedz ieskatu p膿cv膩rd膩), iesp膿ja sagar拧ot un ieraudz墨t l墨dz 拧im mazzin膩mo Alb膩niju, pats si啪ets (grib膿tos teikt, ka ori模in膩ls, jo vismaz es neesmu ar t膩du sastapusies) un v膿st墨jums ar t膩du k膩pin膩jumu, ka nezini, vai elpa aizraujas vai sirds sa啪艈audzas.
''艩墨sdienas sarakstos pie atradn膿m iekav膩s bija ar墨 vietv膩rdu tulkojumi 鈥� visi 拧ie ieleju, gravu, kalnu, upju, pils膿tu nosaukumi vi艈am lik膩s neparasti un bied膿jo拧i. M膿mais gr膩vis. L墨gavas strauts. Piecas akas. Psalmu bazn墨ca. 艩ero m膩tes kaps.. P奴ces ieplaka. Nase 蘑ikas klintaine. Dzeguzes grava. Vi艈am lik膩s, ka 拧墨s vietas ir sav膩 starp膩 sadal墨ju拧as miru拧os, k膩dai ticis vair膩k, k膩dai 鈥� maz膩k. Bet vi艈拧 tagad bija ieradies tos atpras墨t.''
Mana atsauksme ar veselu virkni cit膩tu:
(Protams, katram ir sava izcil墨bas m膿raukla, un tie 墨pa拧ie br墨啪i, kad nevar pateikt sav膩d膩k k膩 鈥� Izcili! Man膩 skat墨jum膩, nav t膩das univers膩las izcil墨bas lati艈as, un tom膿r 拧eit 鈥� vienk膩r拧i izcili!)
Izcils rakstnieks, tas nekas, ka man l墨dz 拧im nezin膩ms, toties alb膩艈u literat奴ras 鈥漝z墨vais klasi姆is鈥� (ar墨 Bukera pr膿mijas 2005.gada laure膩ts), izcils tulkot膩js 鈥� Dens Dimi艈拧 (kas ir k膩 iegrav膿ta kvalit膩tes z墨me), nosl墨p膿ts teksts (ne velti autors 鈥滿iru拧o armijas 模ener膩li鈥� ir rad墨jis k膩 garst膩stu 1963.gad膩, bet ir turpin膩jis to sl墨p膿t un l墨dz mums ir non膩cis 2007.gada izdevuma nosl墨pet膩 versija, par ko Dens Dimi艈拧 sniedz ieskatu p膿cv膩rd膩), iesp膿ja sagar拧ot un ieraudz墨t l墨dz 拧im mazzin膩mo Alb膩niju, pats si啪ets (grib膿tos teikt, ka ori模in膩ls, jo vismaz es neesmu ar t膩du sastapusies) un v膿st墨jums ar t膩du k膩pin膩jumu, ka nezini, vai elpa aizraujas vai sirds sa啪艈audzas.
''艩墨sdienas sarakstos pie atradn膿m iekav膩s bija ar墨 vietv膩rdu tulkojumi 鈥� visi 拧ie ieleju, gravu, kalnu, upju, pils膿tu nosaukumi vi艈am lik膩s neparasti un bied膿jo拧i. M膿mais gr膩vis. L墨gavas strauts. Piecas akas. Psalmu bazn墨ca. 艩ero m膩tes kaps.. P奴ces ieplaka. Nase 蘑ikas klintaine. Dzeguzes grava. Vi艈am lik膩s, ka 拧墨s vietas ir sav膩 starp膩 sadal墨ju拧as miru拧os, k膩dai ticis vair膩k, k膩dai 鈥� maz膩k. Bet vi艈拧 tagad bija ieradies tos atpras墨t.''
Mana atsauksme ar veselu virkni cit膩tu:
September 15, 2020
唳忇唳溹Θ 唳溹唳ㄠ唳班唳� 唳嗋Σ唳唳ㄠ唳唳� 唳忇Ω唰囙唰囙Θ 唳唳� 唳唳� 唳嗋唰� 唳忇唳距Θ唰� 唳唳︵唳� 唳曕Π唳む 唳嗋Ω唳� 唳む唳� 唳︵唳多唳� 唳唳� 唳膏唳ㄠ唳曕Ζ唰囙Π 唳侧唳� 唳唳班唳唰� 唳ㄠ唳撪Ο唳监唳� 唳溹Θ唰嵿Ο 啷�
唳忇 唳曕Ε唳距Δ唰囙 唳夃Κ唳ㄠ唳唳� 唳多唳� 啷� 唳曕唳ㄠ唳む 唳犩唳� 唳む 唳ㄠΟ唳� 啷�
唳忇 唳曕Ε唳距Δ唰囙 唳曕唳� 唳曕唳涏唳� 唳多唳� 唳灌Ο唳� 唳ㄠ 啷�
唳忇 唳夃Κ唳ㄠ唳唳膏 唳忇 唳忇 唳曕Ε唳距Π 唳Η唰嵿Ο唰囙 唳呧Θ唰囙 唳嗋Θ唳ㄠ唳� 唳忇Μ唳� 唳︵唳冟唰囙Π 唳樴唳ㄠ唳� 唳夃Σ唰嵿Σ唰囙 唳曕Π唳� 唳嗋唰� 啷�
唳唳犩 唳栢唳� 唳� 唳唳� 唳唳唳� 唳唳� 唳︵唳栢Μ唰囙Θ 唳溹唳ㄠ唳班唳� 唳忇Ω唰� 唳溹唳ㄠΔ唰� 唳唳班 唳む唳︵唳� 唳︵Σ唰囙Π 唳曕唳涏 唳膏唳ㄠ唳� 唳唳︵唳о唰嵿Ψ唰囙Δ唰嵿Π 唳ム唳曕 唳唳侧唳唰� 唳忇Ω唰� 唳忇唳距Θ唳距唳距Π 唳曕唳粪唳︵唳� 唳曕唳Σ唳� 唳灌唳膏唳 唳む唳︵唳� 唳多唳� 唳溹唳拷锟斤拷 唳熰唳曕 唳曕唳熰唳唰� 唳︵唳唰囙唰� , 唳椸Π唰� 唳氞Π唳距Θ唰� 唳ム唳曕 唳多唳班 唳曕Π唰� 唳多唳多 唳侧唳侧Θ 唳唳侧Θ 唳膏Μ 唳� 唳曕Π唳む 唳灌Ο唳监唳涏 唳む唳︵唳班イ
唳嗋Μ唳距Π 唳栢唳� 唳� 唳︵唳冟 唳灌Ο唳� 唳唳� 唳膏唳ㄠ唳曕Ζ唰囙Π 唳曕Μ唳� 唳栢唳∴唳む 唳栢唳∴唳む 唳忇唳溹Θ 唳椸Θ唳苦唳距Π 唳曕Μ唳� 唳夃Ζ唰嵿Η唳距Π 唳曕Π唳� 唳灌Ο唳� 啷� 唳唳班唳侧唳� 唳嗋唰�, 唳多唳о唳唳む唳� 唳忇 唳椸Γ唳苦唳距唰� 唳唳侧唳唳膏 唳唳侧唳涏唳侧 唳Σ唰� 唳忇唳熰 唳涏唳侧 唳む唳� 唳唳椸Ζ唳距Θ 唳唳權 唳︵唳唰囙唳苦Σ唰嬥イ 唳涏唳侧唳熰唳� 唳唳 唳膏唳� 唳呧Κ唳唳� 唳膏唰嵿Ο 唳曕Π唳む 唳ㄠ 唳唳班 唳忇唳︵唳� 唳ㄠ唳溹 唳栢Ζ唰嵿Ζ唰囙Π 唳灌Ο唳监 唳椸Γ唳苦唳距Σ唳唰� 唳嗋Ω唰� 唳忇Μ唳� 唳忇 唳椸Γ唳苦唳距唳苦唰� 唳灌Δ唰嵿Ο唳� 唳曕Π唰囙イ
唳嗋Ξ唳距Ζ唰囙Π 唳忇 唳溹唳ㄠ唳班唳� 唳唳ㄠΧ唳距Σ唳距Ο唳� 唳Ω唰� 唳Ζ唰囙Π 唳椸唳侧唳� 唳灌唳む 唳ㄠ唳唰� 唳氞唳ㄠ唳む 唳曕Π唰囙Θ 唳む唳� 唳忇 唳唳多唳� 唳唳� 唳膏唳ㄠ唳唳灌唳ㄠ 唳ㄠ唳唰� 唳む唳ㄠ 唳Ζ唳� 唳忇唳� 唳溹唳侧唳唳距Ω 唳膏唳溹唳� , 唳ㄠ唳唳侧唳唳距Θ唰囙Π 唳夃Κ唳� 唳澿唳佮Κ唳苦Ο唳监 唳Π唰囙Θ 唳む唳灌Σ唰� 唳撪Ζ唰囙Π 唳曕Δ唳栢唳ㄠ 唳ㄠ唳曕唳ㄠ唳氞唳唳ㄠ 唳栢唳撪Ο唳监唳ㄠ 唳唳 啷�
唳忇Π唳曕Ξ 唳嗋Π唰� 唳涏唳� - 唳Α唳� , 唳椸唳班Δ唰嵿Μ唳唳班唳� 唳� 唳む唳氞唳� 唳樴唳ㄠ唳� 唳Η唰嵿Ο 唳︵唳唰囙 唳氞Σ唰� 唳溹唳ㄠ唳班唳侧唳� 唳唳� 唳膏唳ㄠ唳曕Ζ唰囙Π 唳夃Ζ唰嵿Η唳距Π 唳唳班唰嵿Π唳苦Ο唳监 啷�
唳Α唳监Δ唰� 唳Α唳监Δ唰� 唳栢唳� 唳唳侧 唳Δ唰� 唳曕Σ唰嵿Κ唳ㄠ 唳曕Π唳侧 唳嗋Κ唳ㄠ唳� 唳唳灌唳∴唰囙Π 唳忇唳熰 唳溹唳唳椸唳 唳曕Ο唳监唳曕唳� 唳侧唳曕唰� 唳曕唳︵唳� 唳︵唳唰� 唳唳熰 唳栢唳∴唳む 唳︵唳栢Δ唰� 唳唳班Μ唰囙Θ啷� 唳灌Ο唳监Δ唰� 唳嗋Π唰囙唳熰 唳唳侧 唳Δ唰� 唳侧唰嵿Ψ 唳曕Π唳侧 唳唳多唳� 唳︵唳佮Α唳监唳唰� 唳ム唳曕Δ唰� 唳︵唳栢Μ唰囙Θ 唳曕唳む唳灌Σ唰€ 唳︵唳粪唳熰唳む 唳栢唳∴唳距Π 唳曕唳� 唳Π唰嵿Ο唳唳曕唳粪Γ 唳曕Π唳� , 唳膏唳Π唳苦 唳唳多唳曕唳� 唳忇唳溹Θ 唳曕唳侧唳ㄠ唳� 唳溹唳ㄠ唳班唳� 唳曕鈥�...
唳忇 唳曕Ε唳距Δ唰囙 唳夃Κ唳ㄠ唳唳� 唳多唳� 啷� 唳曕唳ㄠ唳む 唳犩唳� 唳む 唳ㄠΟ唳� 啷�
唳忇 唳曕Ε唳距Δ唰囙 唳曕唳� 唳曕唳涏唳� 唳多唳� 唳灌Ο唳� 唳ㄠ 啷�
唳忇 唳夃Κ唳ㄠ唳唳膏 唳忇 唳忇 唳曕Ε唳距Π 唳Η唰嵿Ο唰囙 唳呧Θ唰囙 唳嗋Θ唳ㄠ唳� 唳忇Μ唳� 唳︵唳冟唰囙Π 唳樴唳ㄠ唳� 唳夃Σ唰嵿Σ唰囙 唳曕Π唳� 唳嗋唰� 啷�
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唳嗋Ξ唳距Ζ唰囙Π 唳忇 唳溹唳ㄠ唳班唳� 唳唳ㄠΧ唳距Σ唳距Ο唳� 唳Ω唰� 唳Ζ唰囙Π 唳椸唳侧唳� 唳灌唳む 唳ㄠ唳唰� 唳氞唳ㄠ唳む 唳曕Π唰囙Θ 唳む唳� 唳忇 唳唳多唳� 唳唳� 唳膏唳ㄠ唳唳灌唳ㄠ 唳ㄠ唳唰� 唳む唳ㄠ 唳Ζ唳� 唳忇唳� 唳溹唳侧唳唳距Ω 唳膏唳溹唳� , 唳ㄠ唳唳侧唳唳距Θ唰囙Π 唳夃Κ唳� 唳澿唳佮Κ唳苦Ο唳监 唳Π唰囙Θ 唳む唳灌Σ唰� 唳撪Ζ唰囙Π 唳曕Δ唳栢唳ㄠ 唳ㄠ唳曕唳ㄠ唳氞唳唳ㄠ 唳栢唳撪Ο唳监唳ㄠ 唳唳 啷�
唳忇Π唳曕Ξ 唳嗋Π唰� 唳涏唳� - 唳Α唳� , 唳椸唳班Δ唰嵿Μ唳唳班唳� 唳� 唳む唳氞唳� 唳樴唳ㄠ唳� 唳Η唰嵿Ο 唳︵唳唰囙 唳氞Σ唰� 唳溹唳ㄠ唳班唳侧唳� 唳唳� 唳膏唳ㄠ唳曕Ζ唰囙Π 唳夃Ζ唰嵿Η唳距Π 唳唳班唰嵿Π唳苦Ο唳监 啷�
唳Α唳监Δ唰� 唳Α唳监Δ唰� 唳栢唳� 唳唳侧 唳Δ唰� 唳曕Σ唰嵿Κ唳ㄠ 唳曕Π唳侧 唳嗋Κ唳ㄠ唳� 唳唳灌唳∴唰囙Π 唳忇唳熰 唳溹唳唳椸唳 唳曕Ο唳监唳曕唳� 唳侧唳曕唰� 唳曕唳︵唳� 唳︵唳唰� 唳唳熰 唳栢唳∴唳む 唳︵唳栢Δ唰� 唳唳班Μ唰囙Θ啷� 唳灌Ο唳监Δ唰� 唳嗋Π唰囙唳熰 唳唳侧 唳Δ唰� 唳侧唰嵿Ψ 唳曕Π唳侧 唳唳多唳� 唳︵唳佮Α唳监唳唰� 唳ム唳曕Δ唰� 唳︵唳栢Μ唰囙Θ 唳曕唳む唳灌Σ唰€ 唳︵唳粪唳熰唳む 唳栢唳∴唳距Π 唳曕唳� 唳Π唰嵿Ο唳唳曕唳粪Γ 唳曕Π唳� , 唳膏唳Π唳苦 唳唳多唳曕唳� 唳忇唳溹Θ 唳曕唳侧唳ㄠ唳� 唳溹唳ㄠ唳班唳� 唳曕鈥�...
August 7, 2019
Rat (ni)je gotov.
General pretra啪uju膰i grobove pora啪enih na albanskom rati拧tu iz Drugog svetskog rata, do啪ivaljava i svojevrsnu moralnu, dru拧tvenu i du拧evnu obdukciju. Pripovedanje je suvereno i kristalno jasno, narativni kuloari sivi i sumorni. A iza betona i pusto拧i zaboravljene i opusto拧ene zemlje izleti pokoja 啪ivost i 啪ilavost. I nemirenje svih.
(膶eprkaju膰i spre膷avamo da se rane zacele. Tako su generalu kosti polomile kosti.)
Zaista, roman je izuzetno interpretativno podsticajan; donosi posebnu atmosferu, duboko (prkosno) balkansku, ali i zagu拧ljivo kafkijansku.
(Post)kolonijalna perspektiva je i dalje nedovoljno razmotrena, a toliko prisutna tema, kod svih balkanskih naroda. Napon nemirenja i me膽usobnih uticaja je neizostavan. Posredi su borbe perspektiva: s jedne strane generalova pora啪ena fa拧isti膷ka (tobo啪e) civilizovana strana, sa druge strane zemlja u kome obitava (tobo啪e) poslednji evropski domoroda膷ki 啪ivalj. Pravi je podvig razmrstiti 膷vorove 鈥瀔olonizuju膰ih鈥� diskursa.
Mo啪da 膰e i Albanci dobiti svog Nobela. Mo啪da.
General pretra啪uju膰i grobove pora啪enih na albanskom rati拧tu iz Drugog svetskog rata, do啪ivaljava i svojevrsnu moralnu, dru拧tvenu i du拧evnu obdukciju. Pripovedanje je suvereno i kristalno jasno, narativni kuloari sivi i sumorni. A iza betona i pusto拧i zaboravljene i opusto拧ene zemlje izleti pokoja 啪ivost i 啪ilavost. I nemirenje svih.
(膶eprkaju膰i spre膷avamo da se rane zacele. Tako su generalu kosti polomile kosti.)
Zaista, roman je izuzetno interpretativno podsticajan; donosi posebnu atmosferu, duboko (prkosno) balkansku, ali i zagu拧ljivo kafkijansku.
(Post)kolonijalna perspektiva je i dalje nedovoljno razmotrena, a toliko prisutna tema, kod svih balkanskih naroda. Napon nemirenja i me膽usobnih uticaja je neizostavan. Posredi su borbe perspektiva: s jedne strane generalova pora啪ena fa拧isti膷ka (tobo啪e) civilizovana strana, sa druge strane zemlja u kome obitava (tobo啪e) poslednji evropski domoroda膷ki 啪ivalj. Pravi je podvig razmrstiti 膷vorove 鈥瀔olonizuju膰ih鈥� diskursa.
Mo啪da 膰e i Albanci dobiti svog Nobela. Mo啪da.
April 7, 2010
I loved this, the whole mood of it. It's an utterly brilliant idea for a book, possibly one of the most profound and unique of modern times.
A General sent to reclaim the bodies of soldiers who died and were buried on battlefields in a foreign country. The combination of the weariness of digging, stultifying bureaucracy and the horror of decomposed bodies gives the whole book an unforgettable atmosphere, unlike anything else.
June 11, 2017
I bought this in hardcover from Magus books in Seattle, years ago- and I'm not going to lie...it was because I thought it had a cool cover. And Kadare's novel then proceeded to sit on my shelves for several years, I knew nothing about him, the novel's reputation, anything. One night I couldn't sleep, decided on a whim to check out that novel w/ the great cover art, and...well, I didn't sleep at all that night, and called in sick to work the next day. I just wanted to finish this incredible book.
Kadare is a master, but his first two novels ("General", and "Broken April") are masterpieces of the highest order that take you to a country very little known in cinema or Literature - Albania- and convinces you it is perhaps the most haunted, backwards, violent, accursed, and...interesting small land in the world. The full background of the Kanun of Prince Lek, a Medieval code that governs almost everything in Albanian life, is succinctly introduced and addressed by Kadare, making it possible to understand the country even if you were like me, w/ no knowledge of the place except that it borders the Adriatic and was under the iron grip of a Stalinist head of state for many years.
But the place does have a long history, a Millennia long and more, and it is only w/ this backdrop so expertly described by Kadare that the unique aspects of recovering dead foreign soldiers in a formerly occupied land and the endless challenges the Italian general faces- none of it would have near the impact it does, w/out Kadare's deftly ascribed cultural lesson of the Vendetta, the Basa, and the ominous stone redoubts strewn across the land as places of refuge for men trying to escape their fate, and Vendetta- the Kullas.
This is one of my very favorite novels, along w/ Kadare's aforementioned "Broken April". They can, ans probably should, be read back-to-back, w/ "Chronicle in Stone" probably being his other masterpiece- though I've never not finished a Kadare novel; he is truly great. Encouraged in the strongest possible terms, though please don't let it sit on your bookshelves for two or three years like I did, foolishly...
Kadare is a master, but his first two novels ("General", and "Broken April") are masterpieces of the highest order that take you to a country very little known in cinema or Literature - Albania- and convinces you it is perhaps the most haunted, backwards, violent, accursed, and...interesting small land in the world. The full background of the Kanun of Prince Lek, a Medieval code that governs almost everything in Albanian life, is succinctly introduced and addressed by Kadare, making it possible to understand the country even if you were like me, w/ no knowledge of the place except that it borders the Adriatic and was under the iron grip of a Stalinist head of state for many years.
But the place does have a long history, a Millennia long and more, and it is only w/ this backdrop so expertly described by Kadare that the unique aspects of recovering dead foreign soldiers in a formerly occupied land and the endless challenges the Italian general faces- none of it would have near the impact it does, w/out Kadare's deftly ascribed cultural lesson of the Vendetta, the Basa, and the ominous stone redoubts strewn across the land as places of refuge for men trying to escape their fate, and Vendetta- the Kullas.
This is one of my very favorite novels, along w/ Kadare's aforementioned "Broken April". They can, ans probably should, be read back-to-back, w/ "Chronicle in Stone" probably being his other masterpiece- though I've never not finished a Kadare novel; he is truly great. Encouraged in the strongest possible terms, though please don't let it sit on your bookshelves for two or three years like I did, foolishly...
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December 28, 2024袛褍卸械 薪械锌褉芯褋褌邪 褕褌褍泻邪. 袧邪锌懈褋邪薪芯 褉褨胁薪芯, 褍 褋褌懈谢褨 泻邪褉写褨芯谐褉邪屑懈 屑械褉褑褨胁, 褔懈褩 芯褋褌邪薪泻懈 锌械褉褋芯薪邪卸褨 胁懈泻芯锌褍褞褌褜. 袚芯褉懈, 褋械谢芯, 写芯褖, 褌褍屑邪薪, 褑胁懈薪褌邪褉褨, 泻芯锌邪褔褨 屑芯谐懈谢 - 褌懈褕邪. 袉 蟹 褑褨褦褩 褋褨褉芯褋褌褨 蟹'褟胁懈谢邪褋褜 褟泻邪褋褜 薪械锌械褉械斜芯褉薪邪 褌褉懈胁芯谐邪 褨 胁褋械芯褏芯锌谢褞褞褔懈泄 谐薪褨胁.
August 26, 2023
醿濁儧醿栣償 醿償醿犪儛, 醿償醿犪儛 醿樶儧 醿♂儛醿栣儛醿犪償醿� 醿涐儩醿曖儦醿斸儨醿斸儜醿栣償, 醿犪儩醿涐償醿氠儣醿� 醿♂儤醿⑨儳醿曖償醿戓儤醿� 醿掅儛醿撫儧醿濁儶醿斸儧醿愥儶 醿儛醿氠儤醿愥儨 醿犪儣醿ａ儦醿樶儛, 醿償醿犪儛 醿♂儤醿欋儠醿撫儤醿氠儢醿�, 醿償醿犪儛 醿樶儛醿犪償醿戓儢醿�, 醿犪儩醿涐儦醿斸儜醿樶儶 醿♂儛醿涐儯醿撫儛醿涐儩醿� 醿ㄡ償醿ａ儺醿濁儬醿償醿戓儦醿濁儜醿樶儭醿椺儠醿樶儭醿愥儛 醿掅儛醿溼儸醿樶儬醿ａ儦醿� 醿戓償醿曖儬醿� 醿ㄡ償醿ａ儷醿氠儤醿�, 醿ㄡ償醿ａ儷醿氠儤醿� 醿椺儛醿曖儤醿♂償醿戓儯醿犪儛醿�, 醿儤醿氠儤 醿♂償醿曖儞醿樶儭 醿┽儛醿メ儭醿濁儠醿樶儣, 醿⑨儥醿樶儠醿樶儦醿樶儭 醿♂儤醿⑨儳醿曖償醿戓儛醿� 醿掅儛醿撫儛醿メ儶醿斸儠醿樶儣, 醿涐儛醿掅儬醿愥儧 醿償醿犪儛 醿濁儧醿栣償 醿撫儛 醿欋儤醿撫償醿� 醿ａ儰醿犪儩 醿ａ儛醿犪償醿� 醿♂儛醿ㄡ儤醿溼償醿氠償醿戓儛醿栣償, 醿愥儜醿♂儯醿犪儞醿ａ儦醿愥儞 醿♂儛醿欋儬醿愥儦醿ａ儬 醿涐儤醿♂儤醿愥儢醿�, 醿犪儩醿涐償醿氠儤醿� 醿濁儧醿ㄡ儤 醿撫儛醿︶儯醿炨儯醿氠儤 醿儛醿犪儤醿♂儥醿愥儶醿斸儜醿樶儭 醿♂儛醿め儦醿愥儠醿斸儜醿樶儭 醿炨儩醿曖儨醿愥儭 醿撫儛 醿涐儛醿� 醿♂儛醿涐儴醿濁儜醿氠儩醿ㄡ儤 醿掅儛醿撫儧醿濁儭醿曖償醿溼償醿戓儛醿� 醿掅儯醿氠儤醿♂儺醿涐儩醿戓儭, 醿ㄡ償醿ａ儷醿氠儤醿� 醿涐儺醿濁儦醿濁儞 醿樶儧 醿欋儛醿儭, 醿犪儩醿涐償醿氠儤醿� 醿愥儦醿戓儛醿溼償醿椺儴醿� 醿撫儛醿樶儜醿愥儞醿� 醿撫儛 醿涐儣醿斸儦醿� 醿儺醿濁儠醿犪償醿戓儛 醿涐儤醿♂儤 醿♂儛醿♂儮醿樶儥醿� 醿愥儞醿愥儣-醿償醿♂償醿戓儤醿�, 醿撫儛醿ａ儨醿撫儩醿戓償醿氠儤 醿ㄡ儯醿犪儤醿♂儷醿樶償醿戓償醿戓儤醿�, 醿涐儥醿曖儦醿斸儦醿濁儜醿愥儣醿� 醿ａ儸醿п儠醿斸儮醿� 醿儛醿儠醿斸儜醿樶儭, 醿濁儧醿斸儜醿樶儭, 醿掅儛醿溼儛醿撫儝醿ａ儬醿斸儜醿斸儜醿樶儭, 醿♂儤醿♂儺醿氠儤醿� 醿撫儛 醿掅儦醿濁儠醿樶儭 醿儤醿溼儛醿愥儲醿涐儞醿斸儝 醿椺儛醿曖儤醿♂儤 醿炨儬醿濁儢醿樶儭 醿♂儛醿ㄡ儯醿愥儦醿斸儜醿樶儣 醿樶儦醿愥儴醿メ儬醿斸儜醿�.
醿欋儛醿撫儛醿犪償醿� 醿掅儩醿溼償醿戓儛醿ㄡ儤 醿愥儦醿戓儛醿溼償醿椺儤 醿п儩醿曖償醿氠儣醿曖儤醿� 醿儤醿曖儤醿�, 醿栣償醿撫儧醿斸儮醿愥儞 醿溼儛醿氠償醿メ儤醿愥儨醿�, 醿♂儱醿斸儦醿� 醿儛醿溼儲醿樶儣 醿ㄡ償醿涐儩醿♂儤醿氠儤 醿涐儣醿斸儜醿樶儣, 醿♂儛醿撫儛醿� 醿涐儯醿撫儛醿� 醿♂儯醿氠儤醿♂儴醿斸儧醿儠醿犪償醿氠儤 醿♂儛醿涐儝醿氠儩醿曖儤醿愥儬醿� 醿♂儤醿涐儲醿斸儬醿� 醿樶儭醿涐儤醿�, 醿償醿氠儩醿曖儨醿斸儜醿�, 醿樶儭醿斸儠醿� 醿犪儩醿掅儩醿犪儶 醿涐儛醿椺儤 醿涐儣醿斸儦醿� 醿儺醿濁儠醿犪償醿戓儛 醿♂儤醿欋儠醿撫儤醿氠儤醿� 醿掅儛醿犪儴醿斸儧醿� 醿⑨儬醿樶儛醿氠償醿戓儭.
醿愥儧醿愥儳醿� 醿撫儛 醿椺儛醿曖儞醿愥儻醿斸儬醿斸儜醿ａ儦醿� 醿掅償醿溼償醿犪儛醿氠儤, 醿犪儩醿涐償醿氠儤醿� 醿♂儛醿償醿氠儤醿♂儛 醿撫儛 醿撫儤醿撫償醿戓儤醿♂儥醿斸儨 醿涐儤醿樶儭醿儬醿愥儰醿曖儤醿�, 醿撫儤醿撫儤 醿儨醿樶儭 醿┽儛醿曖儦醿樶儦 醿濁儧醿椺儛 醿掅儛醿欋儤醿氠儠醿愥儭 醿愥儬 醿斸儬醿樶儞醿斸儜醿�, 醿掅儛醿溼儤醿欋儤醿椺儺醿愥儠醿� 醿椺儤醿椺儩醿斸儯醿� 醿儛醿犪儤醿♂儥醿愥儶醿♂儛 醿椺儯 醿掅償醿溼償醿犪儛醿氠儭, 醿椺儛醿曖儤醿� 醿愥儜醿♂儯醿犪儞醿ａ儦 醿涐儤醿♂儤醿愥儭 醿栣償醿愥儲醿涐儛醿⑨償醿戓儯醿氠儛醿� 醿涐儤醿樶儵醿溼償醿曖儭, 醿♂儤醿愥儧醿愥儳醿樶儣 醿涐儤醿斸儧醿愥儬醿椺償醿戓儛 醿ａ儶醿儩 醿涐儤醿儛醿栣償. 醿涐儤醿儛醿栣償, 醿♂儛醿撫儛醿� 醿涐儺醿濁儦醿濁儞 醿愥儞醿愥儧醿樶儛醿溼償醿戓儤 醿欋儤 醿愥儬醿�, 醿椺儠醿樶儣醿濁儨 醿戓儯醿溼償醿戓儛醿� 醿♂儤醿♂儺醿氠儤醿� 醿掅儛醿ａ儧醿愥儷醿︶儛醿犪儤, 醿♂儛醿♂儮醿樶儥醿� 醿撫儛 醿炨儤醿犪儱醿ａ儴醿樶儛. 醿犪儩醿撫償醿♂儛醿� 醿涐儭醿濁儰醿氠儤醿� 醿涐儴醿曖儤醿撫儩醿戓儤醿� 醿炨償醿犪儤醿濁儞醿ㄡ儤 醿戓儬醿儩醿氠儤醿� 醿曖償醿氠儢醿� 醿濁儧醿栣償 醿ａ儛醿犪償醿♂儤 醿涐儤醿♂儤醿樶儣 醿掅儛醿掅儢醿愥儠醿溼儤醿愥儨, 醿欋儛醿斸儴醿愥儨醿�, 醿溼儛醿︶儠醿斸儦醿�, 醿撫儛醿戓儨醿斸儯醿氠儩醿戓儛, 醿掅儛醿ａ儬醿欋儠醿斸儠醿氠儩醿戓儛 醿戓償醿曖儬醿愥儞 醿ａ儰醿犪儩 醿涐儳醿愥儬醿愥儞 醿樶儞醿掅儛醿涐儭 醿め償醿♂儠醿斸儜醿� 醿ㄡ償醿溼儭 醿愥儬醿♂償醿戓儛醿ㄡ儤 醿撫儛 醿愥儬醿愥儨醿愥儥醿氠償醿� 醿⑨儬醿愥儠醿涐儛醿� 醿掅儤醿⑨儩醿曖償醿戓儭.
醿欋儛醿撫儛醿犪償 醿ㄡ儣醿愥儧醿戓償醿儞醿愥儠醿愥儞 醿愥儺醿斸儬醿償醿戓儭, 醿犪儩醿� 醿涐儥醿樶儣醿儠醿斸儦醿樶儭 醿掅儩醿溼償醿戓儛 醿♂儬醿ａ儦醿愥儞 醿涐儤醿樶儭醿愥儥醿ａ儣醿犪儩醿�, 醿涐儩醿犪儛醿氠儤 醿♂儺醿曖儛 醿欋儯醿椺儺醿樶儣 醿撫儛醿掅儠醿愥儨醿愥儺醿濁儭, 醿掅儠醿愥儭醿儛醿曖儦醿濁儭 醿ㄡ償醿戓儬醿愥儦醿斸儜醿�, 醿掅儠醿愥儵醿曖償醿溼儩醿�, 醿犪儩醿� 醿♂儯醿氠儛醿� 醿愥儬醿愥儛 醿愥儞醿曖儤醿氠儤 醿樶儧 醿愥儞醿愥儧醿樶儛醿溼償醿戓儢醿� 醿溼儤醿ㄡ儨醿樶儭 醿涐儩醿掅償醿戓儤醿� 醿♂儛醿ａ儜醿愥儬醿�, 醿犪儩醿涐償醿氠儣醿愥儶 醿愥儬 醿樶儶醿� 醿犪儛 醿儺醿濁儠醿犪償醿戓儛 醿掅儛醿涐儩醿ａ儠醿氠儤醿愥儣.
醿掅償醿溼償醿犪儦醿樶儭 醿掅儩醿溼償醿戓儛醿ㄡ儤 醿涐儤醿♂儤 醿愥儬醿涐儤醿� 醿ａ儷醿氠償醿曖償醿氠儤醿�, 醿儛醿犪儧醿濁儭醿愥儺醿曖儤醿� 醿掅償醿掅儧醿斸儜醿� 醿儛醿⑨儛醿曖儭, 醿儛醿犪儧醿濁儤醿撫儝醿斸儨醿� 醿犪儩醿掅儩醿� 醿掅儛醿樶儧醿愥儬醿儠醿斸儜醿撫儛 醿戓儬醿儩醿氠償醿戓儴醿� 醿椺儛醿曖儤醿� 醿涐儛醿涐儛醿� 醿愥儬醿涐儤醿愥儭醿椺儛醿� 醿斸儬醿椺儛醿�, 醿♂儯醿犪儭 醿掅儛醿樶儝醿濁儨醿濁儭 醿儛醿犪儤醿♂儥醿愥儶醿椺儛 醿ㄡ償醿儳醿濁儜醿樶儦醿� 醿溼儛醿戓儤醿償醿戓儤醿�, 醿涐儛醿椺儤 醿涐儯醿栣儛醿犪儛醿撫償醿戓儤醿� 醿儥醿犪儤醿愥儦醿樶儭 醿儧醿�, 醿椺儯醿涐儶醿� 醿斸儬醿椺儛醿撫償醿犪儣醿� 醿犪儛醿� 醿愥儦醿戓儛醿溼償醿椺儤醿� 醿涐儩醿涐儛醿欋儠醿撫儤醿溼償醿戓償醿� 醿♂儤醿┽儯醿涐償醿ㄡ儤 醿п儯醿犪儣醿愥儭醿涐償醿溼儛醿� 醿♂儸醿曖儞醿斸儜醿� - 醿涐儷醿樶儧醿� 醿溼儤醿┽儜醿樶儭 醿栣儛醿溼儮醿愥儞 醿ㄡ償醿償醿戓儛醿栣償 醿め儺醿曖儤醿斸儬醿� 醿涐儤醿儤醿� 醿儬醿愥儴醿ａ儨醿樶儛, 醿儩醿氠儩 醿掅償醿溼償醿犪儦醿樶儭 醿儛醿犪儧醿濁儭醿愥儺醿ａ儦醿� 醿撫儤醿撫償醿戓儯醿氠儤 醿愥儬醿涐儤醿樶儭醿掅儛醿� 醿涐儺醿濁儦醿濁儞 醿涐儮醿曖償醿犪儤, 醿儠醿氠償醿戓儤醿� 醿撫儛醿犪儵醿斸儨醿樶儦醿�.. 醿掅儛醿犪儞醿愥儶醿曖儦醿樶儦醿� 醿儛醿犪儤醿♂儥醿愥儶醿樶儭 醿撫儲醿樶儯醿犪償醿戓儤醿� 醿欋儤醿椺儺醿曖儛, 醿♂儛醿犪儩醿♂儥醿樶優醿濁儭 醿愥儧醿戓償醿戓儤醿� 醿涐儩醿♂儧醿斸儨醿�, 醿め儤醿栣儤醿欋儯醿犪儢醿� 醿涐償醿⑨儛醿� 醿♂儯醿氠儤醿斸儬醿愥儞 醿撫儛醿涐儱醿愥儨醿儠醿斸儦醿� 醿涐儤醿♂儤醿�, 醿掅儛醿涐儳醿樶儨醿愥儠醿� 醿愥儮醿涐儩醿♂儰醿斸儬醿�, 醿ａ儰醿犪儩 醿涐償醿⑨儛醿� 醿儤醿曖儤 醿撫儛 醿┽儯醿涐儤 醿儛醿氠儺醿樶儣, 醿п儠醿斸儦醿愥儰醿斸儬醿� 醿斸儬醿椺儛醿� 醿♂儛醿め儯醿儠醿斸儦醿� 醿ａ儬醿п償醿曖儭 醿掅償醿溼償醿犪儦醿樶儭 醿♂儤醿愥儧醿愥儳醿斸儭, 醿椺儯醿涐儶醿� 醿涐儤醿� 醿涐償醿⑨儛醿涐儩醿犪儰醿濁儢醿愥儴醿�, 醿涐儤醿� 醿♂儯醿氠儤醿斸儬醿愥儞 醿掅儛醿儦醿斸儵醿曖儛醿ㄡ儤, 醿愥儬醿♂償醿戓儩醿戓儤醿� 醿愥儜醿♂儯醿犪儞醿ａ儦醿濁儜醿樶儭 醿掅儛醿愥儢醿犪償醿戓儛醿ㄡ儤 醿撫儛 醿п儠醿斸儦醿� 醿樶儱醿愥儧醿撫償 醿涐儨醿樶儴醿曖儨醿斸儦醿濁儠醿愥儨醿� 醿︶儤醿犪償醿戓儯醿氠償醿戓儤醿� 醿欋儤醿椺儺醿曖儤醿� 醿メ儠醿斸儴 醿撫儛醿п償醿溼償醿戓儛醿ㄡ儤 醿п儠醿斸儦醿愥儢醿� 醿撫儤醿撫儤 醿儠醿氠儤醿氠儤 醿涐儤醿ａ儷醿︶儠醿樶儭 醿ａ儜醿犪儛醿氠儩 醿⑨儩醿涐儛醿犪儛醿ㄡ儤 醿┽儛醿п儬醿樶儦 醿儠醿氠償醿戓儭, 醿犪儩醿涐償醿氠儣醿愥儶 醿め償醿償醿戓儣醿愥儨 醿ａ儶醿斸儬醿斸儧醿濁儨醿樶儩醿� 醿涐儤醿ａ儳醿犪儤醿愥儨. 醿栣儯醿犪儝醿栣償 醿⑨儩醿涐儛醿犪儛醿掅儛醿撫儛醿欋儤醿撫償醿戓儯醿氠儤, 醿涐儩醿♂儧醿斸儨醿樶儦醿� 醿♂儛醿ㄡ儤醿溼償醿氠償醿戓儤醿� 醿掅儛醿償醿氠償醿戓儯醿氠儤, 醿愥儧 醿掅儛醿涐儩醿涐儰醿樶儮醿曖償醿氠儤 醿涐儤醿♂儤醿樶儣 醿撫儛醿︶儦醿樶儦醿� 醿撫儛 醿撫儛醿椺儬醿掅儯醿溼儯醿氠儤, 醿掅儯醿氠儢醿� 醿撫儛醿儩醿氠儤醿氠儤 醿♂儤醿涐儷醿樶儧醿樶儭醿掅儛醿� 醿椺儛醿曖儤醿� 醿撫儛醿♂儛醿儭醿溼償醿氠儛醿� 醿⑨儩醿涐儛醿犪儛醿� 醿栣償醿撫儧醿斸儮醿� 醿⑨儠醿橈拷锟结儣醿樶儠醿樶儣 醿涐儩醿樶儭醿曖儬醿樶儭, 醿椺儯醿涐儶醿� 醿♂儤醿涐儷醿樶儧醿� 醿愥儬醿♂儛醿� 醿メ儬醿斸儜醿�, 醿掅償醿溼償醿犪儛醿氠儭 醿愥儬 醿⑨儩醿曖償醿戓儭, 醿⑨儩醿涐儛醿犪儛 醿ㄡ償醿樶儷醿氠償醿戓儛 醿涐儩醿樶儭醿犪儩醿氠儩, 醿涐儛醿掅儬醿愥儧 醿樶儧 醿ａ儲醿濁儨醿濁儜醿樶儣 醿掅儛醿椺儛醿溼儝醿ａ儦 醿儤醿� 醿撫儲醿斸償醿戓儭, 醿樶儧 醿♂儯醿氠儤醿斸儬醿愥儞 醿掅儛醿涐儮醿斸儺醿愥儠 醿愥儧醿戓償醿戓儭 醿曖償醿� 醿涐儩醿樶儴醿濁儬醿斸儜, 醿曖償醿� 醿撫儛醿樶儠醿樶儸醿п償醿�..
醿欋儛醿撫儛醿犪償 醿溼儛醿椺儦醿愥儞 醿掅儠醿愥儵醿曖償醿溼償醿戓儭 醿愥儞醿愥儧醿樶儛醿溼儤醿� 醿п儩醿曖償醿氠儝醿曖儛醿犪儤 醿儛醿氠儤醿♂儺醿涐償醿曖儤醿� 醿ａ儛醿栣儬醿濁儜醿愥儭, 醿儺醿濁儠醿犪償醿戓儤醿� 醿愥儧醿愥儩醿斸儜醿愥儭, 醿♂儤醿欋儠醿撫儤醿氠儤醿� 醿┽儬醿撫儤醿氠儱醿曖償醿� 醿掅儛醿涐儩醿曖儦醿樶儦 醿掅償醿溼償醿犪儛醿氠儭 醿溼償醿�-醿溼償醿氠儛 醿樶優醿п儬醿濁儜醿� 醿撫儛 醿涐儩醿♂儠醿斸儨醿斸儜醿愥儭 醿愥儬 醿愥儷醿氠償醿曖儭 醿愥儬醿♂償醿戓儩醿戓儤醿� 醿欋儬醿樶儢醿樶儭醿�. 醿⑨儛醿溼儻醿曖儛 醿樶儱醿愥儧醿撫償 醿涐儤醿撫儤醿�, 醿犪儩醿� 醿︶儛醿涐償 醿ㄡ償醿涐儛醿儯醿償醿戓償醿� 醿♂儤醿栣儧醿犪償醿戓儴醿� 醿掅儛醿撫儛醿斸儢醿犪儞醿斸儜醿�, 醿欋儩醿溼儤醿愥儥醿� 醿涐儤醿斸儷醿愥儦醿斸儜醿� 醿撫儛 醿儞醿樶儦醿濁儜醿� 醿愥儢醿犪儤 醿樶優醿濁儠醿濁儭 醿樶儧 醿п儠醿斸儦醿愥儰醿斸儬醿ㄡ儤, 醿犪儤醿� 醿溼儛醿儤醿氠儛醿撫儛醿� 醿樶儱醿儛.
醿欋儛醿撫儛醿犪償 醿栣償醿撫儧醿斸儮醿愥儞 醿掅儯醿氠儸醿犪儰醿斸儦醿樶儛, 醿涐儤醿♂儤 醿メ儠醿斸儳醿溼儤醿� 醿⑨儥醿樶儠醿樶儦醿斸儜醿�, 醿涐儷醿樶儧醿� 醿п儩醿め儛醿� 醿撫儛 醿⑨儬醿愥儞醿樶儶醿樶償醿戓儭 醿ㄡ償醿ａ儦醿愥儧醿愥儢醿斸儜醿氠儛醿� 醿愥儴醿樶儴醿曖儦醿斸儜醿�, 醿掅儠醿斸儯醿戓儨醿斸儜醿�, 醿犪儩醿� 醿濁儧醿� 醿撫儛醿涐儣醿愥儠醿犪儞醿�, 醿椺儯醿涐儶醿� 醿炨儛醿⑨儤醿斸儜醿� 醿撫儛醿曖儤醿儳醿斸儜醿愥儢醿� 醿戓償醿曖儬醿愥儞 醿犪儣醿ａ儦醿樶儛.
27 醿儦醿樶儭 醿愥儺醿愥儦醿掅儛醿栣儬醿撫儛 醿撫儛醿涐儸醿п償醿� 醿涐儸醿斸儬醿愥儦醿� 醿椺儛醿曖儤醿♂儤 醿♂儯醿氠儤醿� 醿儛醿儤醿氠儤醿� 醿掅儯醿氠儸醿犪儰醿斸儦醿� 醿♂儤醿⑨儳醿曖償醿戓儤醿� 醿掅儛醿撫儧醿濁儶醿斸儧醿樶儭醿愥儭, 醿愥儦醿戓儛醿�, 醿愥儬醿� 醿欋儤 醿掅儛醿ａ儛醿栣儬醿斸儜醿樶儛, 醿犪儩醿� 醿椺儛醿曖儤醿♂儤 醿斸優醿濁儱醿樶儭 醿斸儬醿�-醿斸儬醿� 醿♂儛醿ａ儥醿斸儣醿斸儭醿� 醿犪儩醿涐儛醿溼儭 醿償醿犪儞醿�.
醿欋儛醿撫儛醿犪償醿� 醿掅儩醿溼償醿戓儛醿ㄡ儤 醿愥儦醿戓儛醿溼償醿椺儤 醿п儩醿曖償醿氠儣醿曖儤醿� 醿儤醿曖儤醿�, 醿栣償醿撫儧醿斸儮醿愥儞 醿溼儛醿氠償醿メ儤醿愥儨醿�, 醿♂儱醿斸儦醿� 醿儛醿溼儲醿樶儣 醿ㄡ償醿涐儩醿♂儤醿氠儤 醿涐儣醿斸儜醿樶儣, 醿♂儛醿撫儛醿� 醿涐儯醿撫儛醿� 醿♂儯醿氠儤醿♂儴醿斸儧醿儠醿犪償醿氠儤 醿♂儛醿涐儝醿氠儩醿曖儤醿愥儬醿� 醿♂儤醿涐儲醿斸儬醿� 醿樶儭醿涐儤醿�, 醿償醿氠儩醿曖儨醿斸儜醿�, 醿樶儭醿斸儠醿� 醿犪儩醿掅儩醿犪儶 醿涐儛醿椺儤 醿涐儣醿斸儦醿� 醿儺醿濁儠醿犪償醿戓儛 醿♂儤醿欋儠醿撫儤醿氠儤醿� 醿掅儛醿犪儴醿斸儧醿� 醿⑨儬醿樶儛醿氠償醿戓儭.
醿愥儧醿愥儳醿� 醿撫儛 醿椺儛醿曖儞醿愥儻醿斸儬醿斸儜醿ａ儦醿� 醿掅償醿溼償醿犪儛醿氠儤, 醿犪儩醿涐償醿氠儤醿� 醿♂儛醿償醿氠儤醿♂儛 醿撫儛 醿撫儤醿撫償醿戓儤醿♂儥醿斸儨 醿涐儤醿樶儭醿儬醿愥儰醿曖儤醿�, 醿撫儤醿撫儤 醿儨醿樶儭 醿┽儛醿曖儦醿樶儦 醿濁儧醿椺儛 醿掅儛醿欋儤醿氠儠醿愥儭 醿愥儬 醿斸儬醿樶儞醿斸儜醿�, 醿掅儛醿溼儤醿欋儤醿椺儺醿愥儠醿� 醿椺儤醿椺儩醿斸儯醿� 醿儛醿犪儤醿♂儥醿愥儶醿♂儛 醿椺儯 醿掅償醿溼償醿犪儛醿氠儭, 醿椺儛醿曖儤醿� 醿愥儜醿♂儯醿犪儞醿ａ儦 醿涐儤醿♂儤醿愥儭 醿栣償醿愥儲醿涐儛醿⑨償醿戓儯醿氠儛醿� 醿涐儤醿樶儵醿溼償醿曖儭, 醿♂儤醿愥儧醿愥儳醿樶儣 醿涐儤醿斸儧醿愥儬醿椺償醿戓儛 醿ａ儶醿儩 醿涐儤醿儛醿栣償. 醿涐儤醿儛醿栣償, 醿♂儛醿撫儛醿� 醿涐儺醿濁儦醿濁儞 醿愥儞醿愥儧醿樶儛醿溼償醿戓儤 醿欋儤 醿愥儬醿�, 醿椺儠醿樶儣醿濁儨 醿戓儯醿溼償醿戓儛醿� 醿♂儤醿♂儺醿氠儤醿� 醿掅儛醿ａ儧醿愥儷醿︶儛醿犪儤, 醿♂儛醿♂儮醿樶儥醿� 醿撫儛 醿炨儤醿犪儱醿ａ儴醿樶儛. 醿犪儩醿撫償醿♂儛醿� 醿涐儭醿濁儰醿氠儤醿� 醿涐儴醿曖儤醿撫儩醿戓儤醿� 醿炨償醿犪儤醿濁儞醿ㄡ儤 醿戓儬醿儩醿氠儤醿� 醿曖償醿氠儢醿� 醿濁儧醿栣償 醿ａ儛醿犪償醿♂儤 醿涐儤醿♂儤醿樶儣 醿掅儛醿掅儢醿愥儠醿溼儤醿愥儨, 醿欋儛醿斸儴醿愥儨醿�, 醿溼儛醿︶儠醿斸儦醿�, 醿撫儛醿戓儨醿斸儯醿氠儩醿戓儛, 醿掅儛醿ａ儬醿欋儠醿斸儠醿氠儩醿戓儛 醿戓償醿曖儬醿愥儞 醿ａ儰醿犪儩 醿涐儳醿愥儬醿愥儞 醿樶儞醿掅儛醿涐儭 醿め償醿♂儠醿斸儜醿� 醿ㄡ償醿溼儭 醿愥儬醿♂償醿戓儛醿ㄡ儤 醿撫儛 醿愥儬醿愥儨醿愥儥醿氠償醿� 醿⑨儬醿愥儠醿涐儛醿� 醿掅儤醿⑨儩醿曖償醿戓儭.
醿欋儛醿撫儛醿犪償 醿ㄡ儣醿愥儧醿戓償醿儞醿愥儠醿愥儞 醿愥儺醿斸儬醿償醿戓儭, 醿犪儩醿� 醿涐儥醿樶儣醿儠醿斸儦醿樶儭 醿掅儩醿溼償醿戓儛 醿♂儬醿ａ儦醿愥儞 醿涐儤醿樶儭醿愥儥醿ａ儣醿犪儩醿�, 醿涐儩醿犪儛醿氠儤 醿♂儺醿曖儛 醿欋儯醿椺儺醿樶儣 醿撫儛醿掅儠醿愥儨醿愥儺醿濁儭, 醿掅儠醿愥儭醿儛醿曖儦醿濁儭 醿ㄡ償醿戓儬醿愥儦醿斸儜醿�, 醿掅儠醿愥儵醿曖償醿溼儩醿�, 醿犪儩醿� 醿♂儯醿氠儛醿� 醿愥儬醿愥儛 醿愥儞醿曖儤醿氠儤 醿樶儧 醿愥儞醿愥儧醿樶儛醿溼償醿戓儢醿� 醿溼儤醿ㄡ儨醿樶儭 醿涐儩醿掅償醿戓儤醿� 醿♂儛醿ａ儜醿愥儬醿�, 醿犪儩醿涐償醿氠儣醿愥儶 醿愥儬 醿樶儶醿� 醿犪儛 醿儺醿濁儠醿犪償醿戓儛 醿掅儛醿涐儩醿ａ儠醿氠儤醿愥儣.
醿掅償醿溼償醿犪儦醿樶儭 醿掅儩醿溼償醿戓儛醿ㄡ儤 醿涐儤醿♂儤 醿愥儬醿涐儤醿� 醿ａ儷醿氠償醿曖償醿氠儤醿�, 醿儛醿犪儧醿濁儭醿愥儺醿曖儤醿� 醿掅償醿掅儧醿斸儜醿� 醿儛醿⑨儛醿曖儭, 醿儛醿犪儧醿濁儤醿撫儝醿斸儨醿� 醿犪儩醿掅儩醿� 醿掅儛醿樶儧醿愥儬醿儠醿斸儜醿撫儛 醿戓儬醿儩醿氠償醿戓儴醿� 醿椺儛醿曖儤醿� 醿涐儛醿涐儛醿� 醿愥儬醿涐儤醿愥儭醿椺儛醿� 醿斸儬醿椺儛醿�, 醿♂儯醿犪儭 醿掅儛醿樶儝醿濁儨醿濁儭 醿儛醿犪儤醿♂儥醿愥儶醿椺儛 醿ㄡ償醿儳醿濁儜醿樶儦醿� 醿溼儛醿戓儤醿償醿戓儤醿�, 醿涐儛醿椺儤 醿涐儯醿栣儛醿犪儛醿撫償醿戓儤醿� 醿儥醿犪儤醿愥儦醿樶儭 醿儧醿�, 醿椺儯醿涐儶醿� 醿斸儬醿椺儛醿撫償醿犪儣醿� 醿犪儛醿� 醿愥儦醿戓儛醿溼償醿椺儤醿� 醿涐儩醿涐儛醿欋儠醿撫儤醿溼償醿戓償醿� 醿♂儤醿┽儯醿涐償醿ㄡ儤 醿п儯醿犪儣醿愥儭醿涐償醿溼儛醿� 醿♂儸醿曖儞醿斸儜醿� - 醿涐儷醿樶儧醿� 醿溼儤醿┽儜醿樶儭 醿栣儛醿溼儮醿愥儞 醿ㄡ償醿償醿戓儛醿栣償 醿め儺醿曖儤醿斸儬醿� 醿涐儤醿儤醿� 醿儬醿愥儴醿ａ儨醿樶儛, 醿儩醿氠儩 醿掅償醿溼償醿犪儦醿樶儭 醿儛醿犪儧醿濁儭醿愥儺醿ａ儦醿� 醿撫儤醿撫償醿戓儯醿氠儤 醿愥儬醿涐儤醿樶儭醿掅儛醿� 醿涐儺醿濁儦醿濁儞 醿涐儮醿曖償醿犪儤, 醿儠醿氠償醿戓儤醿� 醿撫儛醿犪儵醿斸儨醿樶儦醿�.. 醿掅儛醿犪儞醿愥儶醿曖儦醿樶儦醿� 醿儛醿犪儤醿♂儥醿愥儶醿樶儭 醿撫儲醿樶儯醿犪償醿戓儤醿� 醿欋儤醿椺儺醿曖儛, 醿♂儛醿犪儩醿♂儥醿樶優醿濁儭 醿愥儧醿戓償醿戓儤醿� 醿涐儩醿♂儧醿斸儨醿�, 醿め儤醿栣儤醿欋儯醿犪儢醿� 醿涐償醿⑨儛醿� 醿♂儯醿氠儤醿斸儬醿愥儞 醿撫儛醿涐儱醿愥儨醿儠醿斸儦醿� 醿涐儤醿♂儤醿�, 醿掅儛醿涐儳醿樶儨醿愥儠醿� 醿愥儮醿涐儩醿♂儰醿斸儬醿�, 醿ａ儰醿犪儩 醿涐償醿⑨儛醿� 醿儤醿曖儤 醿撫儛 醿┽儯醿涐儤 醿儛醿氠儺醿樶儣, 醿п儠醿斸儦醿愥儰醿斸儬醿� 醿斸儬醿椺儛醿� 醿♂儛醿め儯醿儠醿斸儦醿� 醿ａ儬醿п償醿曖儭 醿掅償醿溼償醿犪儦醿樶儭 醿♂儤醿愥儧醿愥儳醿斸儭, 醿椺儯醿涐儶醿� 醿涐儤醿� 醿涐償醿⑨儛醿涐儩醿犪儰醿濁儢醿愥儴醿�, 醿涐儤醿� 醿♂儯醿氠儤醿斸儬醿愥儞 醿掅儛醿儦醿斸儵醿曖儛醿ㄡ儤, 醿愥儬醿♂償醿戓儩醿戓儤醿� 醿愥儜醿♂儯醿犪儞醿ａ儦醿濁儜醿樶儭 醿掅儛醿愥儢醿犪償醿戓儛醿ㄡ儤 醿撫儛 醿п儠醿斸儦醿� 醿樶儱醿愥儧醿撫償 醿涐儨醿樶儴醿曖儨醿斸儦醿濁儠醿愥儨醿� 醿︶儤醿犪償醿戓儯醿氠償醿戓儤醿� 醿欋儤醿椺儺醿曖儤醿� 醿メ儠醿斸儴 醿撫儛醿п償醿溼償醿戓儛醿ㄡ儤 醿п儠醿斸儦醿愥儢醿� 醿撫儤醿撫儤 醿儠醿氠儤醿氠儤 醿涐儤醿ａ儷醿︶儠醿樶儭 醿ａ儜醿犪儛醿氠儩 醿⑨儩醿涐儛醿犪儛醿ㄡ儤 醿┽儛醿п儬醿樶儦 醿儠醿氠償醿戓儭, 醿犪儩醿涐償醿氠儣醿愥儶 醿め償醿償醿戓儣醿愥儨 醿ａ儶醿斸儬醿斸儧醿濁儨醿樶儩醿� 醿涐儤醿ａ儳醿犪儤醿愥儨. 醿栣儯醿犪儝醿栣償 醿⑨儩醿涐儛醿犪儛醿掅儛醿撫儛醿欋儤醿撫償醿戓儯醿氠儤, 醿涐儩醿♂儧醿斸儨醿樶儦醿� 醿♂儛醿ㄡ儤醿溼償醿氠償醿戓儤醿� 醿掅儛醿償醿氠償醿戓儯醿氠儤, 醿愥儧 醿掅儛醿涐儩醿涐儰醿樶儮醿曖償醿氠儤 醿涐儤醿♂儤醿樶儣 醿撫儛醿︶儦醿樶儦醿� 醿撫儛 醿撫儛醿椺儬醿掅儯醿溼儯醿氠儤, 醿掅儯醿氠儢醿� 醿撫儛醿儩醿氠儤醿氠儤 醿♂儤醿涐儷醿樶儧醿樶儭醿掅儛醿� 醿椺儛醿曖儤醿� 醿撫儛醿♂儛醿儭醿溼償醿氠儛醿� 醿⑨儩醿涐儛醿犪儛醿� 醿栣償醿撫儧醿斸儮醿� 醿⑨儠醿橈拷锟结儣醿樶儠醿樶儣 醿涐儩醿樶儭醿曖儬醿樶儭, 醿椺儯醿涐儶醿� 醿♂儤醿涐儷醿樶儧醿� 醿愥儬醿♂儛醿� 醿メ儬醿斸儜醿�, 醿掅償醿溼償醿犪儛醿氠儭 醿愥儬 醿⑨儩醿曖償醿戓儭, 醿⑨儩醿涐儛醿犪儛 醿ㄡ償醿樶儷醿氠償醿戓儛 醿涐儩醿樶儭醿犪儩醿氠儩, 醿涐儛醿掅儬醿愥儧 醿樶儧 醿ａ儲醿濁儨醿濁儜醿樶儣 醿掅儛醿椺儛醿溼儝醿ａ儦 醿儤醿� 醿撫儲醿斸償醿戓儭, 醿樶儧 醿♂儯醿氠儤醿斸儬醿愥儞 醿掅儛醿涐儮醿斸儺醿愥儠 醿愥儧醿戓償醿戓儭 醿曖償醿� 醿涐儩醿樶儴醿濁儬醿斸儜, 醿曖償醿� 醿撫儛醿樶儠醿樶儸醿п償醿�..
醿欋儛醿撫儛醿犪償 醿溼儛醿椺儦醿愥儞 醿掅儠醿愥儵醿曖償醿溼償醿戓儭 醿愥儞醿愥儧醿樶儛醿溼儤醿� 醿п儩醿曖償醿氠儝醿曖儛醿犪儤 醿儛醿氠儤醿♂儺醿涐償醿曖儤醿� 醿ａ儛醿栣儬醿濁儜醿愥儭, 醿儺醿濁儠醿犪償醿戓儤醿� 醿愥儧醿愥儩醿斸儜醿愥儭, 醿♂儤醿欋儠醿撫儤醿氠儤醿� 醿┽儬醿撫儤醿氠儱醿曖償醿� 醿掅儛醿涐儩醿曖儦醿樶儦 醿掅償醿溼償醿犪儛醿氠儭 醿溼償醿�-醿溼償醿氠儛 醿樶優醿п儬醿濁儜醿� 醿撫儛 醿涐儩醿♂儠醿斸儨醿斸儜醿愥儭 醿愥儬 醿愥儷醿氠償醿曖儭 醿愥儬醿♂償醿戓儩醿戓儤醿� 醿欋儬醿樶儢醿樶儭醿�. 醿⑨儛醿溼儻醿曖儛 醿樶儱醿愥儧醿撫償 醿涐儤醿撫儤醿�, 醿犪儩醿� 醿︶儛醿涐償 醿ㄡ償醿涐儛醿儯醿償醿戓償醿� 醿♂儤醿栣儧醿犪償醿戓儴醿� 醿掅儛醿撫儛醿斸儢醿犪儞醿斸儜醿�, 醿欋儩醿溼儤醿愥儥醿� 醿涐儤醿斸儷醿愥儦醿斸儜醿� 醿撫儛 醿儞醿樶儦醿濁儜醿� 醿愥儢醿犪儤 醿樶優醿濁儠醿濁儭 醿樶儧 醿п儠醿斸儦醿愥儰醿斸儬醿ㄡ儤, 醿犪儤醿� 醿溼儛醿儤醿氠儛醿撫儛醿� 醿樶儱醿儛.
醿欋儛醿撫儛醿犪償 醿栣償醿撫儧醿斸儮醿愥儞 醿掅儯醿氠儸醿犪儰醿斸儦醿樶儛, 醿涐儤醿♂儤 醿メ儠醿斸儳醿溼儤醿� 醿⑨儥醿樶儠醿樶儦醿斸儜醿�, 醿涐儷醿樶儧醿� 醿п儩醿め儛醿� 醿撫儛 醿⑨儬醿愥儞醿樶儶醿樶償醿戓儭 醿ㄡ償醿ａ儦醿愥儧醿愥儢醿斸儜醿氠儛醿� 醿愥儴醿樶儴醿曖儦醿斸儜醿�, 醿掅儠醿斸儯醿戓儨醿斸儜醿�, 醿犪儩醿� 醿濁儧醿� 醿撫儛醿涐儣醿愥儠醿犪儞醿�, 醿椺儯醿涐儶醿� 醿炨儛醿⑨儤醿斸儜醿� 醿撫儛醿曖儤醿儳醿斸儜醿愥儢醿� 醿戓償醿曖儬醿愥儞 醿犪儣醿ａ儦醿樶儛.
27 醿儦醿樶儭 醿愥儺醿愥儦醿掅儛醿栣儬醿撫儛 醿撫儛醿涐儸醿п償醿� 醿涐儸醿斸儬醿愥儦醿� 醿椺儛醿曖儤醿♂儤 醿♂儯醿氠儤醿� 醿儛醿儤醿氠儤醿� 醿掅儯醿氠儸醿犪儰醿斸儦醿� 醿♂儤醿⑨儳醿曖償醿戓儤醿� 醿掅儛醿撫儧醿濁儶醿斸儧醿樶儭醿愥儭, 醿愥儦醿戓儛醿�, 醿愥儬醿� 醿欋儤 醿掅儛醿ａ儛醿栣儬醿斸儜醿樶儛, 醿犪儩醿� 醿椺儛醿曖儤醿♂儤 醿斸優醿濁儱醿樶儭 醿斸儬醿�-醿斸儬醿� 醿♂儛醿ａ儥醿斸儣醿斸儭醿� 醿犪儩醿涐儛醿溼儭 醿償醿犪儞醿�.
March 1, 2019
唳忇唳熰 唳嗋Ο唳监唳� 唳曕Π唰� 唳Ω唰佮Θ 唳氞Σ唰佮Θ 唳忇唳熰 唳椸Σ唰嵿Κ 唳多唳ㄠ 唳嗋Ξ唳班鈥�.
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唳膏Ξ唳唳熰 唳多Π唰庎唳距Σ 唳膏唳熰 唳嗋Σ唳唳ㄠ唳唳距Δ唰� 唳Π唳� 唳唳粪唳熰唳班唳距Σ啷� 唳ㄠΖ唰€唳� 唳唳佮唰�, 唳唳灌唳∴唰囙Π 唳唳︵Ζ唰囙Χ唰�, 唳曕Μ唳班唳距Θ唳距Ο唳尖€�.唳溹唳ㄠ唳班唳� 唳む唳� 唳侧唳曕Ζ唰囙Π 唳ㄠ唳唰� 唳唳熰 唳栢唳佮Α唳监 唳氞Σ唰囙Θ 唳膏唳ㄠ唳曕Ζ唰囙Π 唳︵唳灌唳Χ唰囙Ψ唰囙Π 唳栢唳佮唰囙イ
唳呧Θ唰嵿Ο唳︵唳曕 唳溹唳ㄠ唳班唳侧唰� 唳︵唳栢 唳唳 唳呧Ζ唰嵿Ν唰傕Δ 唳唳唳侧唳む唳 唳∴唳 唳椸唳唰� 唳唳� 唳膏唳ㄠ唳曕Ζ唰囙Π 唳膏唳ㄠ唳唳灌唳ㄠ 唳ㄠ唳唰� 唳唳多唳� 唳溹Ο唳监唳� 唳Π唳苦唳侧唳Θ唳� 唳曕Π唳む啷�
唳忇Π唳� 唳唳澿 唳夃唰� 唳嗋Ω唰� 唳唳︵唳о唳� 唳膏Ξ唳唳曕唳� 唳ㄠ唳ㄠ唳� 唳樴唳ㄠ啷� 唳夃唰� 唳嗋Ω唰� 唳嗋Σ唳唳ㄠ唳唳距Θ 唳班唳む唳ㄠ唳む, 唳囙Δ唳苦唳距Ω, 唳愢Δ唳苦唰嵿Ο,唳唳班Δ唰嵿Μ唳椸唳ム啷� 唳� 唳愢唳距Θ唰� 唳Ε唰囙Π 唳唳佮唰� 唳涏唳� 唳椸Γ唳苦唳距Π 唳唳∴唳� 唳曕 唳灌Ο唳监唳涏唳� 唳む唳�? 唳忇唳溹Θ 唳膏唳ㄠ唳� 唳曕唳� 唳呧Ω唰嵿Δ唰嵿Π 唳唳侧 唳︵唳唰� 唳椸Ξ 唳唳權唳ㄠ唳� 唳唳多唳� 唳氞唳侧唳唰囙唰� ? 唳唳︵唳оΧ唰嵿Π唳唳曕唳� 唳椸唳ㄠ唳� 唳呧Π唰嵿Ε 唳曕? 唳溹唳ㄠ唳班唳� 唳曕 唳唳班Μ唰囙Θ 唳む唳� 唳唳多Θ 唳膏Λ唳� 唳曕Π唳む? 唳︵唳多 唳唳班唳唰� 唳ㄠ唳む 唳唳班Μ唰囙Θ 唳む唳� 唳膏Ξ唳膏唳� 唳唳むΩ唰堗Θ唳苦唳︵唳� 唳ㄠ唳曕 唳︵' 唳忇唳溹Θ 唳唳� 唳Π唰� 唳班Ο唳监唳� 唳唳 唳唳ㄠΖ唰囙Χ唰囙Π 唳唳熰唳む?
唳 唳椸Σ唰嵿Κ唰囙Π 唳忇唳︵唳曕 唳嗋唰� 唳灌唳溹唳� 唳灌唳溹唳� 唳唳� 唳膏唳ㄠ唳� 唳嗋Π唰囙唳︵唳曕 唳嗋唰囙Θ 唳忇唳溹Θ 唳溹唳唳� 唳溹唳ㄠ唳班唳侧イ
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唳膏Ξ唳唳熰 唳多Π唰庎唳距Σ 唳膏唳熰 唳嗋Σ唳唳ㄠ唳唳距Δ唰� 唳Π唳� 唳唳粪唳熰唳班唳距Σ啷� 唳ㄠΖ唰€唳� 唳唳佮唰�, 唳唳灌唳∴唰囙Π 唳唳︵Ζ唰囙Χ唰�, 唳曕Μ唳班唳距Θ唳距Ο唳尖€�.唳溹唳ㄠ唳班唳� 唳む唳� 唳侧唳曕Ζ唰囙Π 唳ㄠ唳唰� 唳唳熰 唳栢唳佮Α唳监 唳氞Σ唰囙Θ 唳膏唳ㄠ唳曕Ζ唰囙Π 唳︵唳灌唳Χ唰囙Ψ唰囙Π 唳栢唳佮唰囙イ
唳呧Θ唰嵿Ο唳︵唳曕 唳溹唳ㄠ唳班唳侧唰� 唳︵唳栢 唳唳 唳呧Ζ唰嵿Ν唰傕Δ 唳唳唳侧唳む唳 唳∴唳 唳椸唳唰� 唳唳� 唳膏唳ㄠ唳曕Ζ唰囙Π 唳膏唳ㄠ唳唳灌唳ㄠ 唳ㄠ唳唰� 唳唳多唳� 唳溹Ο唳监唳� 唳Π唳苦唳侧唳Θ唳� 唳曕Π唳む啷�
唳忇Π唳� 唳唳澿 唳夃唰� 唳嗋Ω唰� 唳唳︵唳о唳� 唳膏Ξ唳唳曕唳� 唳ㄠ唳ㄠ唳� 唳樴唳ㄠ啷� 唳夃唰� 唳嗋Ω唰� 唳嗋Σ唳唳ㄠ唳唳距Θ 唳班唳む唳ㄠ唳む, 唳囙Δ唳苦唳距Ω, 唳愢Δ唳苦唰嵿Ο,唳唳班Δ唰嵿Μ唳椸唳ム啷� 唳� 唳愢唳距Θ唰� 唳Ε唰囙Π 唳唳佮唰� 唳涏唳� 唳椸Γ唳苦唳距Π 唳唳∴唳� 唳曕 唳灌Ο唳监唳涏唳� 唳む唳�? 唳忇唳溹Θ 唳膏唳ㄠ唳� 唳曕唳� 唳呧Ω唰嵿Δ唰嵿Π 唳唳侧 唳︵唳唰� 唳椸Ξ 唳唳權唳ㄠ唳� 唳唳多唳� 唳氞唳侧唳唰囙唰� ? 唳唳︵唳оΧ唰嵿Π唳唳曕唳� 唳椸唳ㄠ唳� 唳呧Π唰嵿Ε 唳曕? 唳溹唳ㄠ唳班唳� 唳曕 唳唳班Μ唰囙Θ 唳む唳� 唳唳多Θ 唳膏Λ唳� 唳曕Π唳む? 唳︵唳多 唳唳班唳唰� 唳ㄠ唳む 唳唳班Μ唰囙Θ 唳む唳� 唳膏Ξ唳膏唳� 唳唳むΩ唰堗Θ唳苦唳︵唳� 唳ㄠ唳曕 唳︵' 唳忇唳溹Θ 唳唳� 唳Π唰� 唳班Ο唳监唳� 唳唳 唳唳ㄠΖ唰囙Χ唰囙Π 唳唳熰唳む?
May 24, 2017
Maybe it's the next big thing after Kafka's Castle. Maybe. I didn't figure this out for sure. But it teaches a great deal about life... in an environment filled with death. And the most human character is a deserter. The general is a person who is almost there making the change. Alas! Great stuff.
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