Written in 1964, then banned and only staged in Spain 12 years later after Franco's death, Buero's powerful play tackles the controversial question of political torture. Daniel Barnes is a family man who works as a member of the Political Police in an imaginary country called Surelia. Ordered by his superior to torture a political prisoner, Daniel becomes sexually impotent. After a visit to Dr Valmy, Daniel discovers that his condition is a self-punishment for what he has done to the prisoner. Mary, Daniel's wife, gradually becomes aware of the secrets of her husband's grisly trade and attempts to persuade him to leave the police service, with devastating results. The play focuses not on the victim but on the torturer and the consequences of his actions for his family, marriage and personal relations.
Antonio Buero Vallejo was a Spanish playwright considered the most important Spanish dramatist of the Spanish Civil War. During his career he won three National Theatre Prizes (in 1957, 1958 & 1959), a National Theatre Prize for all his career in 1980, the National Literature Prize in 1996, and the Miguel de Cervantes Prize, Spain's highest literary honour, in 1986. From 1971 until his death he was a member of the Real Academia Espa帽ola.
From 1934 to 1936 Vallejo studied art and painting at San Fernando Escuela de Arte, in Madrid. During the civil war, he served as a medical aid in the Republican army. After the war he was imprisoned for six years. After being released he wrote Story of a Stairway in 1949. This work presented a graphic picture of Spain after the Civil War and won the Lope de Vega Prize, establishing Vallejo as one of the foremost authors in Spain. While other authors left Spain to escape Franco's censorship, Vallejo stayed in Spain and used symbolism to criticize the government. In 1971, he was elected to the Royal Spanish Academy. In 1994 he was awarded the Gold Medal of Merit in Fine Arts and the Gold Medal of the Society of Authors of Spain.
A common theme in his work is Spain's problems during and after Franco. In the tragedies there is always a sense of hope for the future. His works make frequent use of the symbolism of the senses鈥攆or example, using the "fiery darkness," in which the protagonist cannot see, as a symbol of Spain's dark situation.
this play was written before the death of Franco,can be seen as indirect critique of the dictator rigime,an attack on political torture,Daniel Barnes is a family man who works as a member of the Political Police in an imaginary country called Surelia. Ordered by his superior to torture a political prisoner, Daniel had a health problem. After a visit to Dr Valmy, Daniel discovers that his condition is a self-punishment for what he has done to the prisoner. Mary, Daniel's wife, gradually becomes aware of the secrets of her husband's horrible career, and attempts to persuade him to leave the police , with devastating results. The play focuses not on the victim but on the torturer and the consequences of his actions for his family, marriage and personal relations...........
Thrilling thrilling thrilling am I a simple girl for loving when a writer makes use of the stage. Thrilled by the story telling, thrilled by the stage layout and thrilled by the expressionistic devices. Hand over my mouth at the tension rising and drama throughout. Love the anticipation for Mary going mad. Feeling nostalgic for Streetcar.
La doble historia del Doctor Valmy es sin duda una de las mejores obras de Buero. Mienrtas mantiene su estilo metaf贸rico y su esquema de personajes que se enfrentan a la verdad o no, tambi茅n establece una cr铆tica mucho m谩s directa contra el r茅gimen y, concretamente, lo que hac铆an sus polic铆as. Incre铆ble, de verdad.
Por otro lado, Mito, se caracteriza por ser el intento de Buero en una 贸pera. Si bien la trama resulta algo extra帽a, la protesta pol铆tica se mantiene, as铆 como su esquema de personajes y una escenograf铆a que indudablemente dar铆a una representaci贸n magn铆fica.
Dos grandes obras. El compromiso social de Buero est谩 presente en las dos obras de forma clara. Recurrir al mito de Don Quijote en "Mito" y actualizarlo a nuestros d铆as me ha parecido una genialidad. No obstante, me quedo con "La doble historia del doctor Valmy", un alegato directo y duro contra la tortura. Muy recomendable su lectura.
La arquitectura teatral de Buero queda m谩s que patente en esta doble historia(2historias, divisi贸n destacada esta vez en el t铆tulo y no en el subt铆tulo como en otras piezas de Buero). Sobre todo, otra vez como en todas sus piezas, el tratamiento de la luz/color y la m煤sica es ESPECTACULAR.
El juego de mu帽ecas rusas en esta obra toma otra dimensi贸n: vemos a las dos Espa帽as eternamente enfrontadas donde una intenta aceptar la crudeza de la verdad mientras que la otra finge que todo es perfecto e intenta "que no decaiga la sonrisa". Se mantienen los latemotive de Buero: lucha contra el pacto de silencio, encarnar las Espa帽as enfrontadas en distintos personajes, desesperaci贸n del carcelero encarcelado, referencias a la vida es sue帽o, sue帽os, transtornos causados por el trauma de la guerra civil y la posguerra, un deje de predestinaci贸n, el martilleo del eterno nietzscheano, la resistencia al lenguaje del poder y, como no podria ser de otro modo, la puerta abierta al quiz谩s improbable de lo que podr铆a ser.
El final de la obra me rebolvi贸 las tripas. La sensaci贸n de urgencia, peligro, actualidad y desesperaci贸n se traduc铆an a nuestros d铆as con demasiada facilidad. Eso o covid, prefiero pensar que fue la obra.
Disturbing, depressing, delightful. Not often you get all of these rolled into one. Even rarer that I would recommend such a book, but then, this is Antonio Buero Vallejo we're talking about. He's good stuff.
Una obra escalofriante, pero impresionante tanto a nivel formal y estructural como argumental. El autor consigue impactar al lector y creo que tiene que ser espectacular (nunca mejor dicho) verla representada.