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袦邪泻褋懈屑 袣邪屑屑械褉械褉 #1
袨斜懈褌邪械屑褘泄 芯褋褌褉芯胁
Originally published in Russian as Obitaemyi ostrov, translated into English by Helen Saltz Jacobson. First in series, followed by Beetle in the Anthill (original title: Zhuk v Muraveinike), and The Time Wanderers (original title: Volny Gasyat Veter).
The novel is set in the 22nd century of the Noon Universe. Mankind is the prevalent race in the Galaxy, capable of interstellar travel. Human social organization is presumably Communist, and can be described as a highly technologically advanced anarchistic meritocracy.
The novel is set in the 22nd century of the Noon Universe. Mankind is the prevalent race in the Galaxy, capable of interstellar travel. Human social organization is presumably Communist, and can be described as a highly technologically advanced anarchistic meritocracy.
416 pages, Hardcover
First published January 1, 1968
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3244 people want to read
About the author
Arkady Strugatsky
492听books1,816听followersThe brothers Arkady Strugatsky [Russian: 袗褉泻邪写懈泄 小褌褉褍谐邪褑泻懈泄] and Boris Strugatsky [Russian: 袘芯褉懈褋 小褌褉褍谐邪褑泻懈泄] were Soviet-Russian science fiction authors who collaborated through most of their careers.
Arkady Strugatsky was born 25 August 1925 in Batumi; the family later moved to Leningrad. In January 1942, Arkady and his father were evacuated from the Siege of Leningrad, but Arkady was the only survivor in his train car; his father died upon reaching Vologda. Arkady was drafted into the Soviet army in 1943. He trained first at the artillery school in Aktyubinsk and later at the Military Institute of Foreign Languages in Moscow, from which he graduated in 1949 as an interpreter of English and Japanese. He worked as a teacher and interpreter for the military until 1955. In 1955, he began working as an editor and writer.
In 1958, he began collaborating with his brother Boris, a collaboration that lasted until Arkady's death on 12 October 1991. Arkady Strugatsky became a member of the Union of Soviet Writers in 1964. In addition to his own writing, he translated Japanese language short stories and novels, as well as some English works with his brother.
Source: Wikipedia
Arkady Strugatsky was born 25 August 1925 in Batumi; the family later moved to Leningrad. In January 1942, Arkady and his father were evacuated from the Siege of Leningrad, but Arkady was the only survivor in his train car; his father died upon reaching Vologda. Arkady was drafted into the Soviet army in 1943. He trained first at the artillery school in Aktyubinsk and later at the Military Institute of Foreign Languages in Moscow, from which he graduated in 1949 as an interpreter of English and Japanese. He worked as a teacher and interpreter for the military until 1955. In 1955, he began working as an editor and writer.
In 1958, he began collaborating with his brother Boris, a collaboration that lasted until Arkady's death on 12 October 1991. Arkady Strugatsky became a member of the Union of Soviet Writers in 1964. In addition to his own writing, he translated Japanese language short stories and novels, as well as some English works with his brother.
Source: Wikipedia
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Displaying 1 - 30 of 237 reviews
January 21, 2023
Strangely prescient, even prophetic, in light of the events occuring in Ukraine.
August 19, 2017
Hard SciFi with a Strong Message
There's a part at the beginning of this book - and note that I took this insight from the prologue by - where the main character Maxim doesn't dip his hand in water because he senses it's radioactive.
The average reader thinks either 'how would he know that?' or perhaps 'he probably wouldn't know that, but this is SciFi so I will suspend my disbelief.'
But this book, a hundred pages later, explains why Maxim just knows it.
That's the Strugatsky brothers. They don't tell you what is going on - they just assume their readers are patient enough to figure it out later.
And the premise of this book is the human crash landing on a planet with as many warring tribes as modern day earth.
That's the Strugatsky brothers. We're used to Star Trek tales, where each planet has a single culture, maybe two at most if that is the plot. But why shouldn't a planet have multiple cultures?
had three cultures - and that was enough to doom an actually pretty good movie, at least in terms of the modern public.
But the Strugatsky brothers don't play by these rules. was a high-ranking military officer, and then teacher. was an astronomer. They are both highly, highly educated - and they write for highly educated readers.
So be warned - this is not light reading. Though I still don't quite understand how this book got out of the Soviet Union - the allegories against totalitarian states are strong - I'm glad it did. Though I still prefer 's accessible SciFi and 's detailed but still accessible SciFi - these guys really brought a juggernaut to the table in .
There's a part at the beginning of this book - and note that I took this insight from the prologue by - where the main character Maxim doesn't dip his hand in water because he senses it's radioactive.
The average reader thinks either 'how would he know that?' or perhaps 'he probably wouldn't know that, but this is SciFi so I will suspend my disbelief.'
But this book, a hundred pages later, explains why Maxim just knows it.
That's the Strugatsky brothers. They don't tell you what is going on - they just assume their readers are patient enough to figure it out later.
And the premise of this book is the human crash landing on a planet with as many warring tribes as modern day earth.
That's the Strugatsky brothers. We're used to Star Trek tales, where each planet has a single culture, maybe two at most if that is the plot. But why shouldn't a planet have multiple cultures?
had three cultures - and that was enough to doom an actually pretty good movie, at least in terms of the modern public.
But the Strugatsky brothers don't play by these rules. was a high-ranking military officer, and then teacher. was an astronomer. They are both highly, highly educated - and they write for highly educated readers.
So be warned - this is not light reading. Though I still don't quite understand how this book got out of the Soviet Union - the allegories against totalitarian states are strong - I'm glad it did. Though I still prefer 's accessible SciFi and 's detailed but still accessible SciFi - these guys really brought a juggernaut to the table in .
April 6, 2020
袩褉懈谢褞褔械薪懈褟! 校屑薪懈 屑懈褋谢懈! 袚械褉芯懈, 泻褗屑 泻芯懈褌芯 屑芯卸械褕 写邪 褋械 锌褉懈胁褗褉卸械褕! 效褍写械褋械薪 械蟹懈泻! 小褌褉邪褏芯褌械薪 芯褌胁芯褉械薪 械泻褕褗薪 褎懈薪邪谢! (携, 懈褋褌芯褉懈褟褌邪 蟹邪 袦邪泻褋懈屑 斜懈谢邪 褌褉懈谢芯谐懈褟. 袠 褌邪蟹 写芯斜褉邪, 褋械谐邪 褖械 褌褉褟斜胁邪 写邪 褔械褌邪 懈 鈥炐懷€褗屑斜邪褉 胁 屑褉邪胁褍薪褟泻邪鈥�, 懈 写褉褍谐邪褌邪, 蟹邪 胁褗谢薪褲褌械... 械械械械褏.)
- 鈥炑勑狙佈勑狙€械褋褑懈褉邪褖邪褌邪 薪械斜械褋薪邪 褌胁褗褉写鈥�, 鈥炐堆娦谎傂秆� 褋褗谢蟹褟褖 锌芯谢褍屑褉邪泻鈥�, 鈥炐啃恍笛埿感� 泻邪褌芯 谢邪泻褗褌鈥�, 鈥炐缎秆傂敌寡佇盒� 懈写懈芯褌懈蟹褗屑鈥�, 鈥炐残恍靶缎叫� 胁邪褌械薪邪 褌懈褕懈薪邪鈥�, 鈥炐把傂拘夹敌� 懈蟹褉芯写鈥�, 鈥炐堆娦谎傂把傂� 谐薪懈械褖邪 褋胁械褌谢懈薪邪鈥�, 鈥炐夹把佈佇把€邪泻褕!鈥�
- 鈥炑傃� 斜械褕械 褌褗薪懈褔泻邪, 谢械泻邪 懈 锌褉懈褟褌薪芯 薪邪锌芯屑薪褟褕械, 褔械 懈 胁 褌芯蟹懈 褋胁褟褌 懈屑邪 泻褉邪褋懈胁懈 褏芯褉邪鈥�
- 鈥炑佈傂把€懈薪薪邪褌邪 胁芯泄薪懈褕泻邪 锌械褋械薪 袩褉械褋褌邪薪懈, 屑邪屑懈褔泻芯鈥�, 鈥炑傃€懈 蟹薪邪褔泻懈 袟邪 褟褉芯褋褌 胁 芯谐褗薪褟鈥�, 鈥炐葱拘盒把傂� 谐芯 谐谢械写邪褕械 褍褋褌邪胁薪芯 胁 芯褔懈褌械...鈥�
鈥� 鈥炐⑿拘残�, 褉邪蟹斜懈褉邪 褋械, 斜械褕械 薪械胁褗蟹屑芯卸薪芯, 蟹邪褖芯褌芯 薪械 斜械褕械 胁褗蟹屑芯卸薪芯.
- 鈥炑冄佇笛壭靶剐盒� 胁 褋械斜械 褋懈 锌褉懈褟褌薪邪 芯锌褍褋褌芯褕械薪芯褋褌鈥�
- 鈥炐捫把埿把傂� 褉邪斜芯褌邪 褌褉褟斜胁邪 写邪 褋械 胁褗褉褕懈 锌芯 胁褗蟹屑芯卸薪芯褋褌 褋褍褏芯, 褔懈薪芯胁薪懈褔械褋泻懈 鈥� 蟹邪 锌邪褉懈. 孝芯胁邪 锌褉邪胁懈 薪邪 锌芯写褋谢械写褋褌胁械薪懈褟 芯谐褉芯屑薪芯 胁锌械褔邪褌谢械薪懈械. 校卸邪褋薪芯 械, 泻芯谐邪褌芯 褌械 懈蟹褌械蟹邪胁邪 薪械 胁褉邪谐, 邪 褔懈薪芯胁薪懈泻.鈥�
- 鈥�...懈 蟹邪 胁褋械泻懈 褋谢褍褔邪泄 锌褍褋薪邪 褉邪写懈芯褌芯. 袩褉械写邪胁邪褏邪 袩褉邪蟹薪懈 褉邪蟹谐芯胁芯褉懈 薪邪 写械谢芯胁懈 卸械薪懈鈥�
- 鈥炐愋盒� 懈褋泻邪褌械 锌褉芯褋褌芯 写邪 芯褑械谢械械褌械, 蟹邪褖芯 褌芯谐邪胁邪 褌芯谢泻芯胁邪 锌褉芯褋褌芯, 褌芯谢泻芯胁邪 械胁褌懈薪芯 褍屑懈褉邪褌械?鈥�
- 鈥炐椥敌佳徰傂� 懈 褌褉械胁邪褌邪 写褗褏邪褏邪 薪邪 褉褗卸写邪, 胁 写褗薪邪褌邪 薪邪 芯胁褉邪蟹懈褌械 褋械 褋褗斜懈褉邪褏邪 褉邪写懈芯邪泻褌懈胁薪懈 谢芯泻胁懈, 锌褌懈褑懈褌械 薪械 锌械械褏邪, 邪 锌褉械褋懈锌薪邪谢芯 褋褌械薪械褏邪 泻邪褌芯 胁 锌褉械写褋屑褗褉褌薪邪 屑褗泻邪, 薪褟屑邪褕械 卸懈胁芯褌薪懈, 薪褟屑邪褕械 写芯褉懈 谐芯褉褋泻邪 褌懈褕懈薪邪 鈥� 褌褍 芯褌谢褟胁芯, 褌褍 芯褌写褟褋薪芯 谐褗褉屑褟褏邪 懈 泻褗薪褌褟褏邪 胁蟹褉懈胁芯胁械, 屑械卸写褍 泻谢芯薪懈褌械 褋械 泻褗谢斜械褕械 褋懈胁泻邪胁 写懈屑, 邪 锌芯褉懈胁懈褌械 薪邪 胁褟褌褗褉邪 写芯薪邪褋褟褏邪 褉械胁 薪邪 懈蟹薪芯褋械薪懈 写胁懈谐邪褌械谢懈.鈥�
- 鈥炐⌒佳娧€褌褌邪 薪械 屑芯卸械 写邪 芯褋邪泻邪褌懈 褔芯胁械泻邪 写芯 褌邪泻邪胁邪 褋褌械锌械薪. 袞懈胁芯褌褗褌 芯褋邪泻邪褌褟胁邪.鈥�
- 鈥炐残拘� 懈谢懈 泻胁懈褔械薪械, 褋褟泻邪褕 写褟胁芯谢懈褌械 写械褉褟褏邪 谐褉械褕薪邪 写褍褕邪 褋 褉褗卸写懈胁懈 薪芯卸芯胁械鈥�
- 鈥炐炑� 卸械谢褟蟹薪芯褌芯 谐褗褉谢芯 薪邪锌懈褉邪褕械 锌谢褗褌薪邪 褌懈褕懈薪邪, 蟹邪褋褌芯褟谢邪, 褎械褉屑械薪褌懈褉邪谢邪 谐芯写懈薪懈 懈 谐芯写懈薪懈.鈥�
- 鈥�- 袧械褌褗褉锌械薪懈械褌芯 薪邪 褉邪蟹褌褉械胁芯卸械薪邪褌邪 褋褗胁械褋褌 鈥� 锌褉芯胁褗蟹谐谢邪褋懈 袦邪谐褜芯褋薪懈泻邪. 鈥� 袙邪褕邪褌邪 褋褗胁械褋褌 械 褉邪蟹谐谢械蟹械薪邪 芯褌 锌芯褋褌芯褟薪薪芯褌芯 胁薪懈屑邪薪懈械 泻褗屑 薪械褟, 褌褟 蟹邪锌芯褔胁邪 写邪 褋褌械薪械 锌褉懈 薪邪泄-屑邪谢泻芯褌芯 薪械褍写芯斜褋褌胁芯 懈 褉邪蟹褍屑褗褌 胁懈 锌芯褔褌懈褌械谢薪芯 褋械 锌褉械泻谢邪薪褟 锌褉械写 薪械褟, 胁屑械褋褌芯 写邪 褲 褋械 褋泻邪褉邪 懈 写邪 褟 锌芯褋褌邪胁懈 薪邪 屑褟褋褌芯褌芯 褲. 袙邪褕邪褌邪 褋褗胁械褋褌 械 胁褗蟹屑褍褌械薪邪 芯褌 褋褗褖械褋褌胁褍胁邪褖芯褌芯 锌芯谢芯卸械薪懈械 薪邪 薪械褖邪褌邪 鈥� 懈 褉邪蟹褍屑褗褌 胁懈 锌芯褋谢褍褕薪芯 懈 褌褉械褋泻邪胁芯 褌褗褉褋懈 薪邪褔懈薪 写邪 锌褉芯屑械薪懈 褌芯胁邪 锌芯谢芯卸械薪懈械. 袧芯 锌芯谢芯卸械薪懈械褌芯 褋懈 懈屑邪 褋胁芯懈 蟹邪泻芯薪懈...
- 袧械 屑芯谐邪 写邪 褋械 褋褗谐谢邪褋褟 褋 胁邪褋 鈥� 褋褌褍写械薪芯 泻邪蟹邪 袦邪泻褋懈屑. 鈥撎⊙娦残笛佈傃傂� 褋褗褋 褋胁芯褟褌邪 斜芯谢泻邪 锌芯褋褌邪胁褟 蟹邪写邪褔懈, 褉邪蟹褍屑褗褌 谐懈 懈蟹锌褗谢薪褟胁邪. 小褗胁械褋褌褌邪 褋褗蟹写邪胁邪 懈写械邪谢懈褌械, 褉邪蟹褍屑褗褌 褌褗褉褋懈 锌褗褌褟 泻褗屑 褌褟褏. 孝芯胁邪 械 懈 褎褍薪泻褑懈褟褌邪 薪邪 褉邪蟹褍屑邪 鈥� 写邪 褌褗褉褋懈 锌褗褌懈褖邪. 袘械蟹 褋褗胁械褋褌褌邪 褉邪蟹褍屑褗褌 褉邪斜芯褌懈 褋邪屑芯 蟹邪 褋械斜械 褋懈, 褋谢械写芯胁邪褌械谢薪芯 鈥� 薪邪 锌褉邪蟹械薪 褏芯写...
鈥� ...袩芯胁褌邪褉褟屑: 薪械 锌褉褟斜胁邪 写邪 谐谢械蟹懈褌械 褋褗胁械褋褌褌邪 褋懈, 褌褉褟斜胁邪 锌芯-褔械褋褌芯 写邪 褟 锌芯写谢邪谐邪褌械 薪邪 锌褉邪褕薪芯褌芯 褌械褔械薪懈械 薪邪 薪芯胁邪褌邪 写械泄褋褌胁懈褌械谢薪芯褋褌 懈 写邪 薪械 褋械 褋褌褉邪褏褍胁邪褌械, 邪泻芯 胁褗褉褏褍 薪械褟 褋械 锌芯褟胁褟褌 锌械褌褗薪褑邪 懈 谐褉褍斜懈 褋褌褉褍锌械懈...鈥�
- 鈥炑勑狙佈勑狙€械褋褑懈褉邪褖邪褌邪 薪械斜械褋薪邪 褌胁褗褉写鈥�, 鈥炐堆娦谎傂秆� 褋褗谢蟹褟褖 锌芯谢褍屑褉邪泻鈥�, 鈥炐啃恍笛埿感� 泻邪褌芯 谢邪泻褗褌鈥�, 鈥炐缎秆傂敌寡佇盒� 懈写懈芯褌懈蟹褗屑鈥�, 鈥炐残恍靶缎叫� 胁邪褌械薪邪 褌懈褕懈薪邪鈥�, 鈥炐把傂拘夹敌� 懈蟹褉芯写鈥�, 鈥炐堆娦谎傂把傂� 谐薪懈械褖邪 褋胁械褌谢懈薪邪鈥�, 鈥炐夹把佈佇把€邪泻褕!鈥�
- 鈥炑傃� 斜械褕械 褌褗薪懈褔泻邪, 谢械泻邪 懈 锌褉懈褟褌薪芯 薪邪锌芯屑薪褟褕械, 褔械 懈 胁 褌芯蟹懈 褋胁褟褌 懈屑邪 泻褉邪褋懈胁懈 褏芯褉邪鈥�
- 鈥炑佈傂把€懈薪薪邪褌邪 胁芯泄薪懈褕泻邪 锌械褋械薪 袩褉械褋褌邪薪懈, 屑邪屑懈褔泻芯鈥�, 鈥炑傃€懈 蟹薪邪褔泻懈 袟邪 褟褉芯褋褌 胁 芯谐褗薪褟鈥�, 鈥炐葱拘盒把傂� 谐芯 谐谢械写邪褕械 褍褋褌邪胁薪芯 胁 芯褔懈褌械...鈥�
鈥� 鈥炐⑿拘残�, 褉邪蟹斜懈褉邪 褋械, 斜械褕械 薪械胁褗蟹屑芯卸薪芯, 蟹邪褖芯褌芯 薪械 斜械褕械 胁褗蟹屑芯卸薪芯.
- 鈥炑冄佇笛壭靶剐盒� 胁 褋械斜械 褋懈 锌褉懈褟褌薪邪 芯锌褍褋褌芯褕械薪芯褋褌鈥�
- 鈥炐捫把埿把傂� 褉邪斜芯褌邪 褌褉褟斜胁邪 写邪 褋械 胁褗褉褕懈 锌芯 胁褗蟹屑芯卸薪芯褋褌 褋褍褏芯, 褔懈薪芯胁薪懈褔械褋泻懈 鈥� 蟹邪 锌邪褉懈. 孝芯胁邪 锌褉邪胁懈 薪邪 锌芯写褋谢械写褋褌胁械薪懈褟 芯谐褉芯屑薪芯 胁锌械褔邪褌谢械薪懈械. 校卸邪褋薪芯 械, 泻芯谐邪褌芯 褌械 懈蟹褌械蟹邪胁邪 薪械 胁褉邪谐, 邪 褔懈薪芯胁薪懈泻.鈥�
- 鈥�...懈 蟹邪 胁褋械泻懈 褋谢褍褔邪泄 锌褍褋薪邪 褉邪写懈芯褌芯. 袩褉械写邪胁邪褏邪 袩褉邪蟹薪懈 褉邪蟹谐芯胁芯褉懈 薪邪 写械谢芯胁懈 卸械薪懈鈥�
- 鈥炐愋盒� 懈褋泻邪褌械 锌褉芯褋褌芯 写邪 芯褑械谢械械褌械, 蟹邪褖芯 褌芯谐邪胁邪 褌芯谢泻芯胁邪 锌褉芯褋褌芯, 褌芯谢泻芯胁邪 械胁褌懈薪芯 褍屑懈褉邪褌械?鈥�
- 鈥炐椥敌佳徰傂� 懈 褌褉械胁邪褌邪 写褗褏邪褏邪 薪邪 褉褗卸写邪, 胁 写褗薪邪褌邪 薪邪 芯胁褉邪蟹懈褌械 褋械 褋褗斜懈褉邪褏邪 褉邪写懈芯邪泻褌懈胁薪懈 谢芯泻胁懈, 锌褌懈褑懈褌械 薪械 锌械械褏邪, 邪 锌褉械褋懈锌薪邪谢芯 褋褌械薪械褏邪 泻邪褌芯 胁 锌褉械写褋屑褗褉褌薪邪 屑褗泻邪, 薪褟屑邪褕械 卸懈胁芯褌薪懈, 薪褟屑邪褕械 写芯褉懈 谐芯褉褋泻邪 褌懈褕懈薪邪 鈥� 褌褍 芯褌谢褟胁芯, 褌褍 芯褌写褟褋薪芯 谐褗褉屑褟褏邪 懈 泻褗薪褌褟褏邪 胁蟹褉懈胁芯胁械, 屑械卸写褍 泻谢芯薪懈褌械 褋械 泻褗谢斜械褕械 褋懈胁泻邪胁 写懈屑, 邪 锌芯褉懈胁懈褌械 薪邪 胁褟褌褗褉邪 写芯薪邪褋褟褏邪 褉械胁 薪邪 懈蟹薪芯褋械薪懈 写胁懈谐邪褌械谢懈.鈥�
- 鈥炐⌒佳娧€褌褌邪 薪械 屑芯卸械 写邪 芯褋邪泻邪褌懈 褔芯胁械泻邪 写芯 褌邪泻邪胁邪 褋褌械锌械薪. 袞懈胁芯褌褗褌 芯褋邪泻邪褌褟胁邪.鈥�
- 鈥炐残拘� 懈谢懈 泻胁懈褔械薪械, 褋褟泻邪褕 写褟胁芯谢懈褌械 写械褉褟褏邪 谐褉械褕薪邪 写褍褕邪 褋 褉褗卸写懈胁懈 薪芯卸芯胁械鈥�
- 鈥炐炑� 卸械谢褟蟹薪芯褌芯 谐褗褉谢芯 薪邪锌懈褉邪褕械 锌谢褗褌薪邪 褌懈褕懈薪邪, 蟹邪褋褌芯褟谢邪, 褎械褉屑械薪褌懈褉邪谢邪 谐芯写懈薪懈 懈 谐芯写懈薪懈.鈥�
- 鈥�- 袧械褌褗褉锌械薪懈械褌芯 薪邪 褉邪蟹褌褉械胁芯卸械薪邪褌邪 褋褗胁械褋褌 鈥� 锌褉芯胁褗蟹谐谢邪褋懈 袦邪谐褜芯褋薪懈泻邪. 鈥� 袙邪褕邪褌邪 褋褗胁械褋褌 械 褉邪蟹谐谢械蟹械薪邪 芯褌 锌芯褋褌芯褟薪薪芯褌芯 胁薪懈屑邪薪懈械 泻褗屑 薪械褟, 褌褟 蟹邪锌芯褔胁邪 写邪 褋褌械薪械 锌褉懈 薪邪泄-屑邪谢泻芯褌芯 薪械褍写芯斜褋褌胁芯 懈 褉邪蟹褍屑褗褌 胁懈 锌芯褔褌懈褌械谢薪芯 褋械 锌褉械泻谢邪薪褟 锌褉械写 薪械褟, 胁屑械褋褌芯 写邪 褲 褋械 褋泻邪褉邪 懈 写邪 褟 锌芯褋褌邪胁懈 薪邪 屑褟褋褌芯褌芯 褲. 袙邪褕邪褌邪 褋褗胁械褋褌 械 胁褗蟹屑褍褌械薪邪 芯褌 褋褗褖械褋褌胁褍胁邪褖芯褌芯 锌芯谢芯卸械薪懈械 薪邪 薪械褖邪褌邪 鈥� 懈 褉邪蟹褍屑褗褌 胁懈 锌芯褋谢褍褕薪芯 懈 褌褉械褋泻邪胁芯 褌褗褉褋懈 薪邪褔懈薪 写邪 锌褉芯屑械薪懈 褌芯胁邪 锌芯谢芯卸械薪懈械. 袧芯 锌芯谢芯卸械薪懈械褌芯 褋懈 懈屑邪 褋胁芯懈 蟹邪泻芯薪懈...
- 袧械 屑芯谐邪 写邪 褋械 褋褗谐谢邪褋褟 褋 胁邪褋 鈥� 褋褌褍写械薪芯 泻邪蟹邪 袦邪泻褋懈屑. 鈥撎⊙娦残笛佈傃傂� 褋褗褋 褋胁芯褟褌邪 斜芯谢泻邪 锌芯褋褌邪胁褟 蟹邪写邪褔懈, 褉邪蟹褍屑褗褌 谐懈 懈蟹锌褗谢薪褟胁邪. 小褗胁械褋褌褌邪 褋褗蟹写邪胁邪 懈写械邪谢懈褌械, 褉邪蟹褍屑褗褌 褌褗褉褋懈 锌褗褌褟 泻褗屑 褌褟褏. 孝芯胁邪 械 懈 褎褍薪泻褑懈褟褌邪 薪邪 褉邪蟹褍屑邪 鈥� 写邪 褌褗褉褋懈 锌褗褌懈褖邪. 袘械蟹 褋褗胁械褋褌褌邪 褉邪蟹褍屑褗褌 褉邪斜芯褌懈 褋邪屑芯 蟹邪 褋械斜械 褋懈, 褋谢械写芯胁邪褌械谢薪芯 鈥� 薪邪 锌褉邪蟹械薪 褏芯写...
鈥� ...袩芯胁褌邪褉褟屑: 薪械 锌褉褟斜胁邪 写邪 谐谢械蟹懈褌械 褋褗胁械褋褌褌邪 褋懈, 褌褉褟斜胁邪 锌芯-褔械褋褌芯 写邪 褟 锌芯写谢邪谐邪褌械 薪邪 锌褉邪褕薪芯褌芯 褌械褔械薪懈械 薪邪 薪芯胁邪褌邪 写械泄褋褌胁懈褌械谢薪芯褋褌 懈 写邪 薪械 褋械 褋褌褉邪褏褍胁邪褌械, 邪泻芯 胁褗褉褏褍 薪械褟 褋械 锌芯褟胁褟褌 锌械褌褗薪褑邪 懈 谐褉褍斜懈 褋褌褉褍锌械懈...鈥�
April 28, 2024
鈥炐炐毙秆傂靶敌夹秆徰� 芯褋褌褉芯胁鈥� 薪懈 锌褉械薪邪褋褟 薪邪 写邪谢械褔薪邪 锌谢邪薪械褌邪, 泻褗写械褌芯 械 懈蟹谐褍斜械薪 蟹械屑薪懈褟褌 锌懈谢芯褌 懈 懈蟹褋谢械写芯胁邪褌械谢 袦邪泻褋懈屑 袣邪屑械褉械褉. 孝褗泄 泻邪褌芯 械 泻邪褌邪褋褌褉芯褎懈褉邪谢 懈 薪褟屑邪 胁褉褗蟹泻邪 褋褗褋 蟹械屑谢褟薪懈褌械, 薪邪 薪械谐芯 屑褍 褋械 薪邪谢邪谐邪 写邪 芯褑械谢褟胁邪 褌邪屑, 泻邪泻褌芯 懈 写邪 胁谢械蟹械 胁 泻芯薪褌邪泻褌 褋 屑械褋褌薪芯褌芯 薪邪褋械谢械薪懈械... 袩谢邪薪械褌邪褌邪 褋械 褍锌褉邪胁谢褟胁邪 褔褉械蟹 褌芯褌邪谢懈褌邪褉薪邪 胁谢邪褋褌 懈 褌邪屑芯褕薪懈褌械 芯斜褖械褋褌胁械薪懈 芯褌薪芯褕械薪懈褟 褋邪 褉邪蟹谢懈褔薪懈 芯褌 蟹械屑薪懈褌械 胁 斜褗写械褖械褌芯, 泻芯谐邪褌芯 袟械屑褟褌邪 胁械褔械 械 褌械褏薪芯谢芯谐懈褔薪芯 懈 屑芯褉邪谢薪芯 褉邪蟹胁懈褌邪. 袦邪泻褋懈屑 褋械 懈蟹锌褉邪胁褟 锌褉械写 褉邪蟹谢懈褔薪懈 芯锌邪褋薪芯褋褌懈, 斜芯褉械泄泻懈 褋械 蟹邪 褋锌褉邪胁械写谢懈胁芯褋褌...
袪芯屑邪薪褗褌 械 褔褍写械褋薪邪 锌褉懈泻谢褞褔械薪褋泻邪 褎邪薪褌邪褋褌懈泻邪, 薪芯 褋褗褖芯 褌邪泻邪 懈 褋懈谢薪邪 泻褉懈褌懈泻邪 泻褗屑 小褗胁械褌褋泻懈褟 褋褗褞蟹... 小褗褋 褋懈谐褍褉薪芯褋褌 褋械 锌褉械胁褗褉薪邪 胁 械写薪邪 芯褌 谢褞斜懈屑懈褌械 屑懈 泻薪懈谐懈 薪邪 胁械谢懈泻懈褌械 斜褉邪褌褟 小褌褉褍谐邪褑泻懈!
袪芯屑邪薪褗褌 械 褔褍写械褋薪邪 锌褉懈泻谢褞褔械薪褋泻邪 褎邪薪褌邪褋褌懈泻邪, 薪芯 褋褗褖芯 褌邪泻邪 懈 褋懈谢薪邪 泻褉懈褌懈泻邪 泻褗屑 小褗胁械褌褋泻懈褟 褋褗褞蟹... 小褗褋 褋懈谐褍褉薪芯褋褌 褋械 锌褉械胁褗褉薪邪 胁 械写薪邪 芯褌 谢褞斜懈屑懈褌械 屑懈 泻薪懈谐懈 薪邪 胁械谢懈泻懈褌械 斜褉邪褌褟 小褌褉褍谐邪褑泻懈!
January 17, 2011
A great book, but never ever watch the movie
April 28, 2025
Naufragio nello spazio
Tanto bizzarro quanto complesso, 鈥淟鈥檌sola abitata鈥� presenta un inizio ingannevole da classico della Fantascienza (l鈥檃stronauta esploratore approdato in un mondo sconosciuto senza possibilit脿 di ritorno) per poi virare radicalmente pi霉 volte sia nella trama che nel tono, dal drammatico al grottesco, dall鈥檃vventuroso al satirico, dalla distopia all鈥檃pologo con profonde implicazioni politico sociali.
Dopo una prima parte avvincente e divertente ben oltre la met脿 del racconto, il mio interesse si 猫 andato riducendo e alla fine la lettura mi ha lasciato un po鈥� estenuato dalle innumerevoli giravolte di prospettiva, stile, significato, personaggi, in un contesto che in teoria avrebbe dovuto costituire un pregio del romanzo, ma nel quale mi 猫 sembrato che gli autori si siano fatti trascinare rischiando l鈥檈ffetto di 鈥渢roppo pieno鈥�.
Questa impressione confusa 猫 favorita da alcuni fattori esterni che ne condizionano la struttura: ci貌 che leggiamo, da quanto ho capito dalla postfazione, 猫 il restauro della versione originaria concepita dagli autori, sulla quale la censura sovietica al tempo della pubblicazione oper貌 tagli e modifiche tali da snaturarne in parte la concezione. Sebbene mai emarginati come dissidenti, i fratelli Strugatski ebbero difficolt脿 con le autorit脿 preposte al rigido controllo culturale. Leggendo 鈥淟鈥檌sola abitata鈥�, risulta peraltro evidente, neanche tanto in filigrana, la critica allo stato totalitario, alla sua burocrazia e al dominio esercitato nel pianeta Saraks dal potere sull鈥檕pinione pubblica.
Inoltre ho appreso a posteriori che il romanzo 猫 il primo di un ciclo narrativo, dove diverse situazioni in sospeso e trame incompiute saranno sviluppate in seguito, soprattutto in 鈥淟o scarabeo nel formicaio鈥� e 鈥淟e onde placano il vento鈥�, i due successivi romanzi che immagino forniscano risposte esaurienti a tante questioni che altrimenti restano poco comprensibili.
Questo vale anche per la figura di Maksim che qui sembra dapprima un sempliciotto, poi un fortunato deus ex machina, ma che invece, come ho sbirciato in una sinossi, si riveler脿 nei romanzi successivi appartenere alla categoria dei 鈥減rogressori鈥�, individui che raggiungono altri pianeti dove, grazie alla loro particolare condizione fisica, tecnologica e morale, si rivelano in grado di influenzare il corso della Storia.
In definitiva tantissima carne al fuoco nelle pagine di questo racconto, ma un risultato al di sotto delle mie aspettative, che non mi induce alla lettura delle prossime (dis)avventure dell鈥檃stronauta-progressore Maksim Kammerer e degli altri eccentrici personaggi del ciclo. Un po鈥� mi dispiace, per貌鈥�
Tanto bizzarro quanto complesso, 鈥淟鈥檌sola abitata鈥� presenta un inizio ingannevole da classico della Fantascienza (l鈥檃stronauta esploratore approdato in un mondo sconosciuto senza possibilit脿 di ritorno) per poi virare radicalmente pi霉 volte sia nella trama che nel tono, dal drammatico al grottesco, dall鈥檃vventuroso al satirico, dalla distopia all鈥檃pologo con profonde implicazioni politico sociali.
Dopo una prima parte avvincente e divertente ben oltre la met脿 del racconto, il mio interesse si 猫 andato riducendo e alla fine la lettura mi ha lasciato un po鈥� estenuato dalle innumerevoli giravolte di prospettiva, stile, significato, personaggi, in un contesto che in teoria avrebbe dovuto costituire un pregio del romanzo, ma nel quale mi 猫 sembrato che gli autori si siano fatti trascinare rischiando l鈥檈ffetto di 鈥渢roppo pieno鈥�.
Questa impressione confusa 猫 favorita da alcuni fattori esterni che ne condizionano la struttura: ci貌 che leggiamo, da quanto ho capito dalla postfazione, 猫 il restauro della versione originaria concepita dagli autori, sulla quale la censura sovietica al tempo della pubblicazione oper貌 tagli e modifiche tali da snaturarne in parte la concezione. Sebbene mai emarginati come dissidenti, i fratelli Strugatski ebbero difficolt脿 con le autorit脿 preposte al rigido controllo culturale. Leggendo 鈥淟鈥檌sola abitata鈥�, risulta peraltro evidente, neanche tanto in filigrana, la critica allo stato totalitario, alla sua burocrazia e al dominio esercitato nel pianeta Saraks dal potere sull鈥檕pinione pubblica.
Inoltre ho appreso a posteriori che il romanzo 猫 il primo di un ciclo narrativo, dove diverse situazioni in sospeso e trame incompiute saranno sviluppate in seguito, soprattutto in 鈥淟o scarabeo nel formicaio鈥� e 鈥淟e onde placano il vento鈥�, i due successivi romanzi che immagino forniscano risposte esaurienti a tante questioni che altrimenti restano poco comprensibili.
Questo vale anche per la figura di Maksim che qui sembra dapprima un sempliciotto, poi un fortunato deus ex machina, ma che invece, come ho sbirciato in una sinossi, si riveler脿 nei romanzi successivi appartenere alla categoria dei 鈥減rogressori鈥�, individui che raggiungono altri pianeti dove, grazie alla loro particolare condizione fisica, tecnologica e morale, si rivelano in grado di influenzare il corso della Storia.
In definitiva tantissima carne al fuoco nelle pagine di questo racconto, ma un risultato al di sotto delle mie aspettative, che non mi induce alla lettura delle prossime (dis)avventure dell鈥檃stronauta-progressore Maksim Kammerer e degli altri eccentrici personaggi del ciclo. Un po鈥� mi dispiace, per貌鈥�
October 10, 2019
Tagad skaidrs, ka tos 5G tor艈us paties墨b膩 izdom膩ja Strugacki.
August 13, 2014
袗褉泻邪写懈泄 懈 袘芯褉懈褋 小褌褉褍谐邪褑泻懈械 "袨斜懈褌邪械屑褘泄 芯褋褌褉芯胁"
袧械 蟹薪邪褞 锌芯褔械屑褍, 薪芯 斜褉邪褌褜褟 小褌褉褍谐邪褑泻懈械 蟹薪邪泻芯屑褘 屑薪械 谢懈褕褜 锌芯 写芯斜褉芯泄 写械褌褋泻芯泄 泻薪懈谐械 "袩芯薪械写械谢褜薪懈泻 薪邪褔懈薪邪械褌褋褟 胁 褋褍斜斜芯褌褍". 袦芯卸械褌, 褋褘谐褉邪谢芯 褉芯谢褜 褌芯, 褔褌芯 胁 褋胁芯褢 胁褉械屑褟 褋褌邪谢邪 褉邪胁薪芯写褍褕薪芯泄 泻 褎邪薪褌邪褋褌懈泻械, 锌芯胁械褉薪褍胁 褋胁芯懈 锌褉械写锌芯褔褌械薪懈褟 胁 褋褌芯褉芯薪褍 斜芯谢械械 褉械邪谢懈褋褌懈褔薪芯泄 谢懈褌械褉邪褌褍褉褘.
"袨斜懈褌邪械屑褘泄 芯褋褌褉芯胁" 胁褘写械褉卸邪薪 胁 芯褔械薪褜 褏芯褉芯褕懈褏 褌褉邪写懈褑懈褟褏 薪邪褍褔薪芯泄 褎邪薪褌邪褋褌懈泻懈, 锌褉懈褔褢屑 褋 写芯褋褌邪褌芯褔薪芯 斜芯谐邪褌芯泄 褉邪蟹胁懈褌芯泄 锌褋懈褏芯谢芯谐懈褔械褋泻芯泄 褋褌芯褉芯薪芯泄, 褔褌芯 屑械薪褟 懈 锌芯写泻褍锌懈谢芯. 袨褌谢懈褔懈褌械谢褜薪芯泄 褔械褉褌芯泄 泻薪懈谐懈 褟胁懈谢芯褋褜 褌芯 褔褍胁褋褌胁芯, 泻芯褌芯褉褘屑 锌褉芯锌懈褌邪薪 小邪褉邪泻褕, 邪 懈屑械薪薪芯 - 卸械褋褌芯泻芯褋褌褜 (泻褋褌邪褌懈, 泻邪泻 芯泻邪卸械褌褋褟 锌芯蟹卸械, 胁褋褞 褌褉懈谢芯谐懈褞 泻 胁械褋褢谢芯泄 褎邪薪褌邪褋褌懈泻械 薪械 芯褌薪械褋褢褕褜). 小褌芯谢褜 屑薪芯谐芯谐褉邪薪薪邪褟, 褉械邪谢懈褋褌懈褔薪邪褟, 褌褟卸褢谢邪褟. 袩芯卸懈褉邪褞褖邪褟 胁褋褢 褔械谢芯胁械褔械褋泻芯械, 褉邪蟹褍锟斤拷薪芯械. 校斜懈胁邪褞褖邪褟 卸懈蟹薪褜. 袩芯褉芯卸写邪褞褖邪褟 蟹邪泻邪谢褢薪薪褍褞 褋褌邪谢褜, 泻芯褌芯褉芯泄 薪械 褋褌褉邪褕薪邪 写邪卸械 褋屑械褉褌褜, 械褋谢懈 褔械褉械蟹 薪械褢 斜褍写械褌 懈褋锌芯谢薪械薪邪 谐谢邪胁薪邪褟 褑械谢褜 - 斜芯褉褜斜邪 蟹邪 锌褉邪胁写褍, 胁褘卸懈胁邪薪懈械 懈 卸懈蟹薪褜. 袠 泻邪泻 斜褘 邪屑芯褉邪谢褜薪邪 薪械 斜褘谢邪 卸械褋褌芯泻芯褋褌褜, 懈屑械薪薪邪 芯薪邪 锌芯褉芯卸写邪械褌 褉邪胁薪芯胁械褋懈械 褌芯谐芯 屑懈褉邪: 薪邪 芯写薪芯泄 褔邪褕械 胁械褋芯胁 - 褌械, 泻褌芯 械褢 懈薪懈褑懈褉褍褞褌, 薪邪 写褉褍谐芯泄 - 褌械, 薪邪 泻芯谐芯 芯薪邪 薪邪锌褉邪胁谢械薪邪. 袣邪泻 屑芯卸薪芯 懈蟹屑械薪懈褌褜 褝褌芯 褉邪胁薪芯胁械褋懈械, 褍薪懈褔褌芯卸懈胁 械谐芯 褋褍褖薪芯褋褌褜? 20谢械褌薪械泄 褋泻褍褉锌褍谢褢蟹薪芯泄 褉邪斜芯褌芯泄 懈谢懈 卸械 褋谢褍褔邪泄薪褘屑 薪邪褕械褋褌胁懈械屑, 薪械 懈屑械褞褖械谐芯 写邪谢褢泻褍褞 褋褌褉邪褌械谐懈褞 写械泄褋褌胁懈泄?
袟邪泻褉褘胁 锌芯褋谢械写薪褞褞 褋褌褉邪薪懈褑褍, 褟 薪械 屑芯谐谢邪 锌芯薪褟褌褜 芯写薪芯谐芯: 泻邪邪邪泻 褌邪泻邪褟 泻薪懈谐邪 褋屑芯谐谢邪 胁褘泄褌懈 胁 褋胁械褌 胁 1972 谐芯写褍 懈 斜芯谢械械-屑械薪械械 胁褘写械褉卸邪褌褜 褋芯胁械褌褋泻褍褞 褑械薪蟹褍褉褍?? 袙褋械 褝胁褎械屑懈蟹屑褘, 懈谐褉褘 褋谢芯胁, 写邪 械褖褢 懈 褌邪泻邪褟 谐懈锌械褉斜芯谢懈褔械褋泻邪褟 懈谢谢褞褋褌褉邪褑懈褟 薪邪褋褌芯谢褜泻芯 褟褉泻懈械, 褔褌芯 薪械胁芯蟹屑芯卸薪芯 薪械 褍蟹褉械褌褜 锌邪褉邪谢谢械谢褜 褋 褌械屑, 褔褌芯 斜褘谢芯 褌芯谐写邪 蟹邪 芯泻薪芯屑. 袥褞斜芯锌褘褌薪邪褟 写械褌邪谢褜: 褉芯屑邪薪 斜褘谢 薪邪锌懈褋邪薪 蟹邪 屑械褋褟褑, 薪芯 蟹邪褌芯 锌褉芯褕谢芯 写芯谢谐懈褏 褌褉懈 谐芯写邪, 锌褉械卸写械 褔械屑 泻薪懈谐邪 胁褘褕谢邪 胁 褋胁械褌, 懈 褌芯 薪械 芯斜芯褕谢芯褋褜 斜械蟹 900 (!!!) 懈褋锌褉邪胁谢械薪懈泄 胁 褌械泻褋褌械: 芯褌 胁褘褔褢褉泻懈胁邪薪懈泄 褎褉邪蟹 褏芯褉芯褕械谐芯 褞屑芯褉邪 写芯 懈褋锌褉邪胁谢械薪懈褟 懈屑褢薪 锌芯褔褌懈 胁褋械褏 谐谢邪胁薪褘褏 谢懈褑 懈褋褌芯褉懈懈. 袘谢邪谐芯, 褔褌芯 胁芯褋褋褌邪薪芯胁懈褌褜 懈褋褏芯写薪懈泻 锌芯蟹胁芯谢懈谢 懈褋褌芯褉懈褔械褋泻懈泄 褏芯写 褋芯斜褘褌懈泄 褋锌褍褋褌褟 20 谢械褌, 懈 褟 褍卸械 褔懈褌邪谢邪 懈屑械薪薪芯 芯褉懈谐懈薪邪谢褜薪褘泄 胁邪褉懈邪薪褌.
袧械 蟹薪邪褞 锌芯褔械屑褍, 薪芯 斜褉邪褌褜褟 小褌褉褍谐邪褑泻懈械 蟹薪邪泻芯屑褘 屑薪械 谢懈褕褜 锌芯 写芯斜褉芯泄 写械褌褋泻芯泄 泻薪懈谐械 "袩芯薪械写械谢褜薪懈泻 薪邪褔懈薪邪械褌褋褟 胁 褋褍斜斜芯褌褍". 袦芯卸械褌, 褋褘谐褉邪谢芯 褉芯谢褜 褌芯, 褔褌芯 胁 褋胁芯褢 胁褉械屑褟 褋褌邪谢邪 褉邪胁薪芯写褍褕薪芯泄 泻 褎邪薪褌邪褋褌懈泻械, 锌芯胁械褉薪褍胁 褋胁芯懈 锌褉械写锌芯褔褌械薪懈褟 胁 褋褌芯褉芯薪褍 斜芯谢械械 褉械邪谢懈褋褌懈褔薪芯泄 谢懈褌械褉邪褌褍褉褘.
"袨斜懈褌邪械屑褘泄 芯褋褌褉芯胁" 胁褘写械褉卸邪薪 胁 芯褔械薪褜 褏芯褉芯褕懈褏 褌褉邪写懈褑懈褟褏 薪邪褍褔薪芯泄 褎邪薪褌邪褋褌懈泻懈, 锌褉懈褔褢屑 褋 写芯褋褌邪褌芯褔薪芯 斜芯谐邪褌芯泄 褉邪蟹胁懈褌芯泄 锌褋懈褏芯谢芯谐懈褔械褋泻芯泄 褋褌芯褉芯薪芯泄, 褔褌芯 屑械薪褟 懈 锌芯写泻褍锌懈谢芯. 袨褌谢懈褔懈褌械谢褜薪芯泄 褔械褉褌芯泄 泻薪懈谐懈 褟胁懈谢芯褋褜 褌芯 褔褍胁褋褌胁芯, 泻芯褌芯褉褘屑 锌褉芯锌懈褌邪薪 小邪褉邪泻褕, 邪 懈屑械薪薪芯 - 卸械褋褌芯泻芯褋褌褜 (泻褋褌邪褌懈, 泻邪泻 芯泻邪卸械褌褋褟 锌芯蟹卸械, 胁褋褞 褌褉懈谢芯谐懈褞 泻 胁械褋褢谢芯泄 褎邪薪褌邪褋褌懈泻械 薪械 芯褌薪械褋褢褕褜). 小褌芯谢褜 屑薪芯谐芯谐褉邪薪薪邪褟, 褉械邪谢懈褋褌懈褔薪邪褟, 褌褟卸褢谢邪褟. 袩芯卸懈褉邪褞褖邪褟 胁褋褢 褔械谢芯胁械褔械褋泻芯械, 褉邪蟹褍锟斤拷薪芯械. 校斜懈胁邪褞褖邪褟 卸懈蟹薪褜. 袩芯褉芯卸写邪褞褖邪褟 蟹邪泻邪谢褢薪薪褍褞 褋褌邪谢褜, 泻芯褌芯褉芯泄 薪械 褋褌褉邪褕薪邪 写邪卸械 褋屑械褉褌褜, 械褋谢懈 褔械褉械蟹 薪械褢 斜褍写械褌 懈褋锌芯谢薪械薪邪 谐谢邪胁薪邪褟 褑械谢褜 - 斜芯褉褜斜邪 蟹邪 锌褉邪胁写褍, 胁褘卸懈胁邪薪懈械 懈 卸懈蟹薪褜. 袠 泻邪泻 斜褘 邪屑芯褉邪谢褜薪邪 薪械 斜褘谢邪 卸械褋褌芯泻芯褋褌褜, 懈屑械薪薪邪 芯薪邪 锌芯褉芯卸写邪械褌 褉邪胁薪芯胁械褋懈械 褌芯谐芯 屑懈褉邪: 薪邪 芯写薪芯泄 褔邪褕械 胁械褋芯胁 - 褌械, 泻褌芯 械褢 懈薪懈褑懈褉褍褞褌, 薪邪 写褉褍谐芯泄 - 褌械, 薪邪 泻芯谐芯 芯薪邪 薪邪锌褉邪胁谢械薪邪. 袣邪泻 屑芯卸薪芯 懈蟹屑械薪懈褌褜 褝褌芯 褉邪胁薪芯胁械褋懈械, 褍薪懈褔褌芯卸懈胁 械谐芯 褋褍褖薪芯褋褌褜? 20谢械褌薪械泄 褋泻褍褉锌褍谢褢蟹薪芯泄 褉邪斜芯褌芯泄 懈谢懈 卸械 褋谢褍褔邪泄薪褘屑 薪邪褕械褋褌胁懈械屑, 薪械 懈屑械褞褖械谐芯 写邪谢褢泻褍褞 褋褌褉邪褌械谐懈褞 写械泄褋褌胁懈泄?
袟邪泻褉褘胁 锌芯褋谢械写薪褞褞 褋褌褉邪薪懈褑褍, 褟 薪械 屑芯谐谢邪 锌芯薪褟褌褜 芯写薪芯谐芯: 泻邪邪邪泻 褌邪泻邪褟 泻薪懈谐邪 褋屑芯谐谢邪 胁褘泄褌懈 胁 褋胁械褌 胁 1972 谐芯写褍 懈 斜芯谢械械-屑械薪械械 胁褘写械褉卸邪褌褜 褋芯胁械褌褋泻褍褞 褑械薪蟹褍褉褍?? 袙褋械 褝胁褎械屑懈蟹屑褘, 懈谐褉褘 褋谢芯胁, 写邪 械褖褢 懈 褌邪泻邪褟 谐懈锌械褉斜芯谢懈褔械褋泻邪褟 懈谢谢褞褋褌褉邪褑懈褟 薪邪褋褌芯谢褜泻芯 褟褉泻懈械, 褔褌芯 薪械胁芯蟹屑芯卸薪芯 薪械 褍蟹褉械褌褜 锌邪褉邪谢谢械谢褜 褋 褌械屑, 褔褌芯 斜褘谢芯 褌芯谐写邪 蟹邪 芯泻薪芯屑. 袥褞斜芯锌褘褌薪邪褟 写械褌邪谢褜: 褉芯屑邪薪 斜褘谢 薪邪锌懈褋邪薪 蟹邪 屑械褋褟褑, 薪芯 蟹邪褌芯 锌褉芯褕谢芯 写芯谢谐懈褏 褌褉懈 谐芯写邪, 锌褉械卸写械 褔械屑 泻薪懈谐邪 胁褘褕谢邪 胁 褋胁械褌, 懈 褌芯 薪械 芯斜芯褕谢芯褋褜 斜械蟹 900 (!!!) 懈褋锌褉邪胁谢械薪懈泄 胁 褌械泻褋褌械: 芯褌 胁褘褔褢褉泻懈胁邪薪懈泄 褎褉邪蟹 褏芯褉芯褕械谐芯 褞屑芯褉邪 写芯 懈褋锌褉邪胁谢械薪懈褟 懈屑褢薪 锌芯褔褌懈 胁褋械褏 谐谢邪胁薪褘褏 谢懈褑 懈褋褌芯褉懈懈. 袘谢邪谐芯, 褔褌芯 胁芯褋褋褌邪薪芯胁懈褌褜 懈褋褏芯写薪懈泻 锌芯蟹胁芯谢懈谢 懈褋褌芯褉懈褔械褋泻懈泄 褏芯写 褋芯斜褘褌懈泄 褋锌褍褋褌褟 20 谢械褌, 懈 褟 褍卸械 褔懈褌邪谢邪 懈屑械薪薪芯 芯褉懈谐懈薪邪谢褜薪褘泄 胁邪褉懈邪薪褌.
September 18, 2021
袝写薪邪 芯褌 蟹薪邪泻芯胁懈褌械 褌胁芯褉斜懈 薪邪 泻褍谢褌芯胁懈褌械 褉褍褋泻懈 褎邪薪褌邪褋褌懈 袗褉泻邪写懈泄 懈 袘芯褉懈褋 小褌褉褍谐邪褑泻懈 褋械 蟹邪胁褉褗褖邪 胁 薪芯胁芯 懈蟹写邪薪懈械 褋 泻芯褉懈褑邪 芯褌 褏褍写芯卸薪懈泻邪 袛邪屑褟薪 袛邪屑褟薪芯胁 懈 谢芯谐芯褌芯 薪邪 鈥炐⌒感敌恍扳€�. 鈥炐炐毙秆傂靶敌夹秆徰� 芯褋褌褉芯胁鈥� 薪懈 褋褉械褖邪 蟹邪 锌褗褉胁懈 锌褗褌 褋 泻芯褋屑懈褔械褋泻懈褟 泻芯褉邪斜芯泻褉褍褕械薪械褑 袦邪泻褋懈屑 袣邪屑械褉械褉 懈 斜械谢械卸懈 薪邪褔邪谢芯褌芯 薪邪 褌褉懈谢芯谐懈褟褌邪, 懈蟹胁械褋褌薪邪 泻邪褌芯 鈥炐π感貉娦谎娧� 薪邪 袣邪屑械褉械褉鈥�. 袪芯屑邪薪褗褌 懈蟹谢懈蟹邪 蟹邪 锌褗褉胁懈 锌褗褌 锌褉械蟹 写邪谢械褔薪邪褌邪 1969 谐芯写懈薪邪, 薪芯 屑褉邪褔薪邪褌邪 懈蟹胁褗薪蟹械屑薪邪 写懈褋褌芯锌懈褟, 泻芯褟褌芯 芯锌懈褋胁邪 褋懈 芯褋褌邪胁邪 胁褋械 褌邪泻邪 锌谢邪褕械褖芯 邪泻褌褍邪谢薪邪. 袩褉芯褔械褌械褌械 褉械胁褞褌芯 薪邪 鈥炐毿叫感缎叫� 袣褉懈谢械鈥�:
July 2, 2018
This novel (set in future) follows a story of Maxim, a twenty old Earthling who in want of a better occupation explores space. Apparently, on Earth of his time (that doesn't sound the slightest bit like the society we live on), exploring space is something that is frowned upon, a hobby more fitting for a teenager, than a twenty year old guy. In fact, Maxim should (according to his parents and everyone else) find something better to do. Reflecting on his situation, Maxim suddenly makes a 'forced' discovery when he lands on an unknown planet. The problem? Well, he is sort of stuck there, as someone (who we will find out later) destroy his space ship. Maxim at first assumes that it is by mistake, that some animal got in there and broke the wires and etc. by accidents.
Brothers Strugatsky are brilliant storytellers for sure. At first they reveal little about Maxim and this causes the reader to have a big question mark above his head. How can Maxim tell that the river is polluted? Why is he so carefree about being stranded in what appears to be wilderness? Why does Maxim imagine that he will be able to live in the forest and make friends with bears and wolves? Does he have some kind of super powers? We follow Maxim as he discovers and studies the society of this bleak planet, and with time things start to make more sense...and that they get complicated again. I believe that part, you know, when things get interesting in a novel, is called the plot:). Anyhow, I enjoyed the storytelling greatly. The plot was interesting and the narrative was well paced. The characters were wonderfully portrayed and really got under my skin.
Prisoners of power is more a social allegory kind of SF than a hardcore SF. I personally enjoy both types, so for me the book was perfect. I've actually seen the films before I read the book. I enjoyed the first film better than the second one, and I enjoyed the book better than the films. The film is more about action, whereas the novel is more philosophical, I would say. It is no secret that the book was probably referencing the soviet communist society of the time. The book invited the reader to think. Do the film do the same? Possibly they do, but the message of the book is definitely stronger. There were some things I did like about the movie. The scenes in which Maxim first joins the army and witnesses the questioning of the 'degens (degenerates)' were very well filmed. They were realistic and well acted. On overall, the acting was pretty good, although some characters were overacted, especially in the second film. If I would have to choose between the book and the films, I would go for the book, but if you have time for both, why not?
Honestly, I can't believe it has taken me such a long time to read one of brothers Strugatsky's book. Well, better late than never. Perhaps it is not a bad thing I've discovered them latter in life, because now I have something to really look forward it. Lately I've been reading a lot of classical literature, and while that is always a fantastic thing to do, most of the time I know what to expect. Take for example, Turgenev and Chechov. This year I decided to read all of their works. I'm obviously having such a great time reading their works, but I was already familiar with their writing, so in a way, it's just going one step further and really digging into their writing. On the other hand, Brothers Strugatsky are uncharted territory for me. I've always loved SF (seriously since even I can remember) and discovering new SF authors is always a treat. Well, these two are legends of SF, but I only discovered them now ( I knew about them, but haven't read them so far) so they are news to me. Curiously, I only read one Russian SF novel before, the famous novel We that is considered to be the founder of the dsytopian genre.
I started to read this book in English, but as I had a dress I had to finish sewing, I switched to an audio version in Russian (about 14 hours long). Initially I was a bit apprehensive about not being able to follow the novel in Russian, because I've only read classics in Russian so far, but as I have already seen the film, that made things easier for me. Plus, Strugatsky's language is beautiful. It's surprisingly poetic at times. I enjoyed the descriptions immensely. Moreover, the humour in this book is wonderful. These guys are witty, aren't they? I enjoy this kind of dry humour. To conclude, I would definitely recommend this novel. If you enjoy dystopian literature or social SF, you will probably enjoy this one. I personally can't wait to read more of Strugatsky duo!
Brothers Strugatsky are brilliant storytellers for sure. At first they reveal little about Maxim and this causes the reader to have a big question mark above his head. How can Maxim tell that the river is polluted? Why is he so carefree about being stranded in what appears to be wilderness? Why does Maxim imagine that he will be able to live in the forest and make friends with bears and wolves? Does he have some kind of super powers? We follow Maxim as he discovers and studies the society of this bleak planet, and with time things start to make more sense...and that they get complicated again. I believe that part, you know, when things get interesting in a novel, is called the plot:). Anyhow, I enjoyed the storytelling greatly. The plot was interesting and the narrative was well paced. The characters were wonderfully portrayed and really got under my skin.
Prisoners of power is more a social allegory kind of SF than a hardcore SF. I personally enjoy both types, so for me the book was perfect. I've actually seen the films before I read the book. I enjoyed the first film better than the second one, and I enjoyed the book better than the films. The film is more about action, whereas the novel is more philosophical, I would say. It is no secret that the book was probably referencing the soviet communist society of the time. The book invited the reader to think. Do the film do the same? Possibly they do, but the message of the book is definitely stronger. There were some things I did like about the movie. The scenes in which Maxim first joins the army and witnesses the questioning of the 'degens (degenerates)' were very well filmed. They were realistic and well acted. On overall, the acting was pretty good, although some characters were overacted, especially in the second film. If I would have to choose between the book and the films, I would go for the book, but if you have time for both, why not?
Honestly, I can't believe it has taken me such a long time to read one of brothers Strugatsky's book. Well, better late than never. Perhaps it is not a bad thing I've discovered them latter in life, because now I have something to really look forward it. Lately I've been reading a lot of classical literature, and while that is always a fantastic thing to do, most of the time I know what to expect. Take for example, Turgenev and Chechov. This year I decided to read all of their works. I'm obviously having such a great time reading their works, but I was already familiar with their writing, so in a way, it's just going one step further and really digging into their writing. On the other hand, Brothers Strugatsky are uncharted territory for me. I've always loved SF (seriously since even I can remember) and discovering new SF authors is always a treat. Well, these two are legends of SF, but I only discovered them now ( I knew about them, but haven't read them so far) so they are news to me. Curiously, I only read one Russian SF novel before, the famous novel We that is considered to be the founder of the dsytopian genre.
I started to read this book in English, but as I had a dress I had to finish sewing, I switched to an audio version in Russian (about 14 hours long). Initially I was a bit apprehensive about not being able to follow the novel in Russian, because I've only read classics in Russian so far, but as I have already seen the film, that made things easier for me. Plus, Strugatsky's language is beautiful. It's surprisingly poetic at times. I enjoyed the descriptions immensely. Moreover, the humour in this book is wonderful. These guys are witty, aren't they? I enjoy this kind of dry humour. To conclude, I would definitely recommend this novel. If you enjoy dystopian literature or social SF, you will probably enjoy this one. I personally can't wait to read more of Strugatsky duo!
October 4, 2016
Noon svemir - mogu膰a su svemirska istra啪ivanja i letovi od zvijezde do zvijezde.
Maksim je svemirski lutalica kojega kritiziraju svi u obitelji. Dok tako leti u dokolici kroz svemirska prostranstva senzor uhvati nastanjeni planet Sarakash u 拧uni nenastanjenih i Maksim odlu膷i sletjeti. Budu膰i je na planetu tehnologija na razini tehnologije oko 2. svjetskog rata, oni ru拧e MAksimov brod i on pada u 拧umu nedaleko od velikog grada.
Tako otprilike po膷inje ova fantasti膷na knjiga bra膰e Strugatsky. Naravno, na planetu vlada antiutopijsko okru啪enje, veliki strojevi ispiru mozak gra膽anima i kontroliraju umove, negdje daleko kriju se divljaci koji 膰e Maksimu pomo膰i u pobuni, a cijelu spletku dru拧tvenog ure膽anja, diktature i prevlasti radi onaj od kojega to nikada ne bismo o膷ekivali, pa je i sam kraj knjige klasi膷ni turnover.
Knjiga je vrlo dobra. Jasno opisuje ruski totalitarizam i na膷ine kako se boriti protiv toga. Sve 拧to Strugatsky napi拧u djeluje zapanjuju膰e, ali ova knjiga odska膷e od svega 拧to su ikada napisali (koliko sam ja 膷itao, a to je nekih 10-knjiga) i vjerojatno je najbli啪a ameri膷kim SF klasicima.
Postoji i ruski SF film po toj knjizi iz 2008. godine, to膷nije dva filma. Drugi nastavak iza拧ao je 2009. godine. Jedan je od najskupljih ruskih filmova uop膰e i ne zaostaje ni malo za ameri膷kim SF sra... spektaklima. Dosta je lo拧iji od knjige jer re啪iser je fulao poprili膷no poantu cijele pri膷e, ali je zabavan i gledljiv, te bolji od hrpe novih SF filmova dana拧njice. Ali daleko od stare ruske 拧kole nau膷ne fantastike.
Maksim je svemirski lutalica kojega kritiziraju svi u obitelji. Dok tako leti u dokolici kroz svemirska prostranstva senzor uhvati nastanjeni planet Sarakash u 拧uni nenastanjenih i Maksim odlu膷i sletjeti. Budu膰i je na planetu tehnologija na razini tehnologije oko 2. svjetskog rata, oni ru拧e MAksimov brod i on pada u 拧umu nedaleko od velikog grada.
Tako otprilike po膷inje ova fantasti膷na knjiga bra膰e Strugatsky. Naravno, na planetu vlada antiutopijsko okru啪enje, veliki strojevi ispiru mozak gra膽anima i kontroliraju umove, negdje daleko kriju se divljaci koji 膰e Maksimu pomo膰i u pobuni, a cijelu spletku dru拧tvenog ure膽anja, diktature i prevlasti radi onaj od kojega to nikada ne bismo o膷ekivali, pa je i sam kraj knjige klasi膷ni turnover.
Knjiga je vrlo dobra. Jasno opisuje ruski totalitarizam i na膷ine kako se boriti protiv toga. Sve 拧to Strugatsky napi拧u djeluje zapanjuju膰e, ali ova knjiga odska膷e od svega 拧to su ikada napisali (koliko sam ja 膷itao, a to je nekih 10-knjiga) i vjerojatno je najbli啪a ameri膷kim SF klasicima.
Postoji i ruski SF film po toj knjizi iz 2008. godine, to膷nije dva filma. Drugi nastavak iza拧ao je 2009. godine. Jedan je od najskupljih ruskih filmova uop膰e i ne zaostaje ni malo za ameri膷kim SF sra... spektaklima. Dosta je lo拧iji od knjige jer re啪iser je fulao poprili膷no poantu cijele pri膷e, ali je zabavan i gledljiv, te bolji od hrpe novih SF filmova dana拧njice. Ali daleko od stare ruske 拧kole nau膷ne fantastike.
September 27, 2008
A hard book to get a hold of, but definitely worth the search. At first I wasnt really getting into it as I found it starting off kinda cheesy, but the writing was so good that it kept me going until it really got going. The Strugatsky's also have a habit (from what I understand -- this is the first of theirs Ive read) of shoot first, explain later which means that you might not get whats going on until later in the book (so stay tuned). There is a great explanation in the beginning of the book by Theodore Sturgeon which, although it does kinda give some minor spoilers, its worth reading so you can go in kinda understanding how the Strugatsky's game plan works. I still kinda found it a *little* cheesy, and would really give it a 4.5/5 (I wish there was a 1-10 scale), but its great enough overall to warrant the extra .5 IMO.
September 28, 2017
Boris and Arkady Strugatsky's is one of my favorites in the Noon Universe series, in which Earthlings get involved in mostly messed-up other worlds. There, they act as "Progressors" to bring the populations up to speed with Earth, which in future is much more together than it is today.
I have read twelve of the Strugatsky Brothers' sci-fi novels in translations, half of them belonging to the Noon Universe series. Some of them -- especially Roadside Picnic -- hold their own among the greatest novels, irrespective of genre, in the twentieth century.
I have read twelve of the Strugatsky Brothers' sci-fi novels in translations, half of them belonging to the Noon Universe series. Some of them -- especially Roadside Picnic -- hold their own among the greatest novels, irrespective of genre, in the twentieth century.
July 26, 2020
Nije mi jasno kako "Nastanjeno ostrvo" nije poznatije ili bar vise pominjano u okviru opusa brace Strugacki. A i sama braca Strugacki, za mene poznata vec 30tak godina kao nesto najbolje sto sam citao iz edicije Kentaur, izgleda da van Rusije (i par zemalja, kao ex YU) nisu mnogo poznata. Sam 'Piknik kraj puta', nezasluzeno se vise pominje kao knjiga po kojem je radjen Stalker i to je to... Masaraksh (psovka iz knjige :) )
Napisan pre 1970te , ovaj military SF i dalje deluje sveze. Jedan je od najboljih koji sam citao u poslednjih ko zna koliko godina i na srecu ima jos 2 nastavka...
January 15, 2022
袨斜懈褌邪械屑懈褟褌 芯褋褌褉芯胁 械 胁 锌谢械薪 薪邪 芯屑褉邪蟹邪褌邪:
袠褋泻邪 褋械 褋屑械谢芯褋褌 写邪 薪邪锌懈褕械褕 褌邪蟹懈 泻薪懈谐邪 胁 褋褗胁械褌褋泻懈 胁褉械屑械薪邪 芯锌褉械写械谢械薪芯. 袚谢邪胁薪懈褟褌 谐械褉芯泄 袦邪泻褋懈屑 袣邪屑械褉械褉 械 薪邪懈胁械薪 锌芯写芯斜褉械薪 褔芯胁械泻, 泻芯泄褌芯 褋懈 懈谐褉邪械 薪邪 谐邪谢邪泻褌懈褔械褋泻懈 懈蟹褋谢械写芯胁邪褌械谢, 泻邪泻褌芯 屑薪芯蟹懈薪邪 芯泻芯谢芯 屑褍, 薪芯 薪邪 械写薪邪 鈥溞啃狙囇傂� 斜械蟹芯斜懈写薪邪鈥� 锌谢邪薪械褌邪 蟹邪斜邪胁谢械薪懈械褌芯 屑褍 褋械泻胁邪 鈥� 泻芯褉邪斜褗褌 屑褍 械 褍薪懈褖芯卸械薪, 邪 褌芯泄 褋械 芯泻邪蟹胁邪 斜械蟹 胁褗蟹屑芯卸薪芯褋褌 写邪 褋械 褋胁褗褉卸械 褋褗褋 褋胁芯懈褌械. 袧邪谢邪谐邪 屑褍 褋械 写邪 芯褑械谢械械 胁 芯褌泻邪褔械薪芯 懈 写褗谢斜芯泻芯 屑懈谢懈褌邪褉懈蟹懈褉邪薪芯 芯斜褖械褋褌胁芯, 胁 泻芯械褌芯 褋械 芯谐谢械卸写邪褌 褌芯褌邪谢懈褌邪褉薪懈褌械 褉械卸懈屑懈 薪邪 屑懈薪邪谢懈褟 胁械泻, 写芯泻邪褌芯 锌褉械蟹 薪械谐芯胁懈褟 锌芯谐谢械写 褉邪蟹泻褉懈胁邪屑械 褌邪泄薪懈褌械 屑褍.
CIELA Books
袠褋泻邪 褋械 褋屑械谢芯褋褌 写邪 薪邪锌懈褕械褕 褌邪蟹懈 泻薪懈谐邪 胁 褋褗胁械褌褋泻懈 胁褉械屑械薪邪 芯锌褉械写械谢械薪芯. 袚谢邪胁薪懈褟褌 谐械褉芯泄 袦邪泻褋懈屑 袣邪屑械褉械褉 械 薪邪懈胁械薪 锌芯写芯斜褉械薪 褔芯胁械泻, 泻芯泄褌芯 褋懈 懈谐褉邪械 薪邪 谐邪谢邪泻褌懈褔械褋泻懈 懈蟹褋谢械写芯胁邪褌械谢, 泻邪泻褌芯 屑薪芯蟹懈薪邪 芯泻芯谢芯 屑褍, 薪芯 薪邪 械写薪邪 鈥溞啃狙囇傂� 斜械蟹芯斜懈写薪邪鈥� 锌谢邪薪械褌邪 蟹邪斜邪胁谢械薪懈械褌芯 屑褍 褋械泻胁邪 鈥� 泻芯褉邪斜褗褌 屑褍 械 褍薪懈褖芯卸械薪, 邪 褌芯泄 褋械 芯泻邪蟹胁邪 斜械蟹 胁褗蟹屑芯卸薪芯褋褌 写邪 褋械 褋胁褗褉卸械 褋褗褋 褋胁芯懈褌械. 袧邪谢邪谐邪 屑褍 褋械 写邪 芯褑械谢械械 胁 芯褌泻邪褔械薪芯 懈 写褗谢斜芯泻芯 屑懈谢懈褌邪褉懈蟹懈褉邪薪芯 芯斜褖械褋褌胁芯, 胁 泻芯械褌芯 褋械 芯谐谢械卸写邪褌 褌芯褌邪谢懈褌邪褉薪懈褌械 褉械卸懈屑懈 薪邪 屑懈薪邪谢懈褟 胁械泻, 写芯泻邪褌芯 锌褉械蟹 薪械谐芯胁懈褟 锌芯谐谢械写 褉邪蟹泻褉懈胁邪屑械 褌邪泄薪懈褌械 屑褍.
CIELA Books
May 9, 2022
袗 屑褘-褌芯 写褍屑邪谢懈, 褔褌芯 褝褌芯 袙芯泄薪芯胁懈褔 锌褉芯褉芯泻.
August 11, 2016
22nd century communist earth has raised the human being to such heights that even Maxim Kammerer - who has the less than prestigious job of exploring new planets chosen at random - is a virtual superman compared to the unhappy inhabitants of what he comes to think of as his "Undesert Isle" (IMO a better translation of the Russian title 袨斜懈褌邪械屑褘泄 芯褋褌褉芯胁). Social development there has taken such a bizarre turn that by comparison capitalism looks humane and even fascism not quite so utterly hopeless. The plot takes an occasional awkward lurch as Maxim struggles first to understand the place where he is stranded and then to help change it, and there are some elements I would have liked to see developed further (to avoid spoilers I won't say what they are). All the same, I have never before read 300-plus pages in Russian quite so quickly or with so much enjoyment, and the twist at the end is icing on the cake.
August 30, 2012
the eternal Strugatsky's curse - it starts out with a super-awesome idea, then fall out of it on some boring lecture~y deep-philosophizing .. the climb back into adventure (which is now kinda hard to get back into with as much enthusiasm as before) and then.. kinda limp to the ending
March 24, 2022
袗泻褌褍邪谢褜薪械械 泻薪懈谐褍 胁 褌械泻褍褖懈褏 芯斜褋褌芯褟褌械谢褜褋褌胁邪褏 褋谢芯卸薪芯 薪邪泄褌懈.
Read
September 24, 2022携 褍卸械 薪邪褍褔懈谢邪褋褜 褑械薪懈褌褜 褋胁芯褢 谐谢邪胁薪芯械 写芯褋褌芯褟薪懈械 鈥� 胁褉械屑褟, 褌邪泻 褔褌芯 dnf
April 21, 2017
袧懈 芯写薪邪 泻薪懈谐邪 懈蟹 锌褉芯褔懈褌邪薪薪芯谐芯 屑薪芯褞 褋褌邪薪写邪褉褌薪芯谐芯 薪邪斜芯褉邪 邪薪褌懈褍褌芯锌懈泄 (1984, 袨 写懈胁薪褘泄 薪芯胁褘泄 屑懈褉, 451 锌芯 肖邪褉械薪谐械泄褌褍) 薪械 褋屑芯谐谢邪 褌邪泻 卸械 褏芯褉芯褕芯 锌褉懈斜谢懈蟹懈褌褜褋褟 泻 屑芯械屑褍 锌褉械写褋褌邪胁谢械薪懈褞 芯 薪邪褋褌芯褟褖械屑, 泻邪泻 褝褌邪 薪邪褍褔薪邪褟 褎邪薪褌邪褋褌懈泻邪. 效械屑 斜芯谢褜褕械 褔懈褌邪褞 小褌褉褍谐邪褑泻懈褏, 褌械屑 褋懈谢褜薪械械 胁谢褞斜谢褟褞褋褜 胁 薪懈褏.
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袚邪泄, 鈥� 褋泻邪蟹邪谢 芯薪, 鈥� 邪 褍 褌械斜褟 斜褘胁邪械褌 褌邪泻, 褔褌芯 谐芯胁芯褉褟褌 褌械斜械 锌褉芯 褔械谢芯胁械泻邪 芯写薪芯, 邪 褌褘 褋屑芯褌褉懈褕褜 薪邪 褝褌芯谐芯 褔械谢芯胁械泻邪 懈 褔褍胁褋褌胁褍械褕褜: 薪械 屑芯卸械褌 褝褌芯谐芯 斜褘褌褜. 袨褕懈斜泻邪. 袩褍褌邪薪懈褑邪.
鈥� 袘褘胁邪械褌, 鈥� 褋泻邪蟹邪谢 袚邪泄, 薪邪褏屑褍褉懈胁褕懈褋褜. 鈥� 袧芯 械褋谢懈 褌褘 芯 胁褘褉芯写泻邪褏鈥�
鈥� 袛邪, 懈屑械薪薪芯 芯 薪懈褏. 携 褋械谐芯写薪褟 薪邪 薪懈褏 褋屑芯褌褉械谢. 协褌芯 谢褞写懈 泻邪泻 谢褞写懈, 褉邪蟹薪褘械, 锌芯谢褍褔褕械 懈 锌芯褏褍卸械, 褋屑械谢褘械 懈 褌褉褍褋谢懈胁褘械, 懈 胁芯胁褋械 薪械 蟹胁械褉懈, 泻邪泻 褟 写褍屑邪谢鈥� 懈 泻邪泻 胁褘 胁褋械 褋褔懈褌邪械褌械鈥� 袩芯谐芯写懈, 薪械 锌械褉械斜懈胁邪泄. 袠 薪械 蟹薪邪褞 褟, 锌褉懈薪芯褋褟褌 芯薪懈 胁褉械写 懈谢懈 薪械 锌褉懈薪芯褋褟褌, 褌芯 械褋褌褜, 褋褍写褟 锌芯 胁褋械屑褍, 锌褉懈薪芯褋褟褌, 薪芯 褟 薪械 胁械褉褞, 褔褌芯 芯薪懈 泻褍锌谢械薪褘.
鈥� 袣邪泻 褝褌芯 鈥� 薪械 胁械褉懈褕褜? 鈥� 褋泻邪蟹邪谢 袚邪泄, 褏屑褍褉褟褋褜 械褖械 褋懈谢褜薪械械. 鈥� 袧褍, 锌褉械写锌芯谢芯卸懈屑, 屑薪械 褌褘 屑芯卸械褕褜 薪械 胁械褉懈褌褜, 褟 鈥� 褔械谢芯胁械泻 屑邪谢械薪褜泻懈泄. 袧褍 邪 谐芯褋锌芯写懈薪褍 褉芯褌屑懈褋褌褉褍? 袗 斜褉懈谐邪写懈褉褍? 袪邪写懈芯, 薪邪泻芯薪械褑? 袣邪泻 屑芯卸薪芯 薪械 胁械褉懈褌褜 袨褌褑邪屑? 袨薪懈 薪懈泻芯谐写邪 薪械 谢谐褍褌.
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袚邪泄, 鈥� 褋泻邪蟹邪谢 芯薪, 鈥� 邪 褍 褌械斜褟 斜褘胁邪械褌 褌邪泻, 褔褌芯 谐芯胁芯褉褟褌 褌械斜械 锌褉芯 褔械谢芯胁械泻邪 芯写薪芯, 邪 褌褘 褋屑芯褌褉懈褕褜 薪邪 褝褌芯谐芯 褔械谢芯胁械泻邪 懈 褔褍胁褋褌胁褍械褕褜: 薪械 屑芯卸械褌 褝褌芯谐芯 斜褘褌褜. 袨褕懈斜泻邪. 袩褍褌邪薪懈褑邪.
鈥� 袘褘胁邪械褌, 鈥� 褋泻邪蟹邪谢 袚邪泄, 薪邪褏屑褍褉懈胁褕懈褋褜. 鈥� 袧芯 械褋谢懈 褌褘 芯 胁褘褉芯写泻邪褏鈥�
鈥� 袛邪, 懈屑械薪薪芯 芯 薪懈褏. 携 褋械谐芯写薪褟 薪邪 薪懈褏 褋屑芯褌褉械谢. 协褌芯 谢褞写懈 泻邪泻 谢褞写懈, 褉邪蟹薪褘械, 锌芯谢褍褔褕械 懈 锌芯褏褍卸械, 褋屑械谢褘械 懈 褌褉褍褋谢懈胁褘械, 懈 胁芯胁褋械 薪械 蟹胁械褉懈, 泻邪泻 褟 写褍屑邪谢鈥� 懈 泻邪泻 胁褘 胁褋械 褋褔懈褌邪械褌械鈥� 袩芯谐芯写懈, 薪械 锌械褉械斜懈胁邪泄. 袠 薪械 蟹薪邪褞 褟, 锌褉懈薪芯褋褟褌 芯薪懈 胁褉械写 懈谢懈 薪械 锌褉懈薪芯褋褟褌, 褌芯 械褋褌褜, 褋褍写褟 锌芯 胁褋械屑褍, 锌褉懈薪芯褋褟褌, 薪芯 褟 薪械 胁械褉褞, 褔褌芯 芯薪懈 泻褍锌谢械薪褘.
鈥� 袣邪泻 褝褌芯 鈥� 薪械 胁械褉懈褕褜? 鈥� 褋泻邪蟹邪谢 袚邪泄, 褏屑褍褉褟褋褜 械褖械 褋懈谢褜薪械械. 鈥� 袧褍, 锌褉械写锌芯谢芯卸懈屑, 屑薪械 褌褘 屑芯卸械褕褜 薪械 胁械褉懈褌褜, 褟 鈥� 褔械谢芯胁械泻 屑邪谢械薪褜泻懈泄. 袧褍 邪 谐芯褋锌芯写懈薪褍 褉芯褌屑懈褋褌褉褍? 袗 斜褉懈谐邪写懈褉褍? 袪邪写懈芯, 薪邪泻芯薪械褑? 袣邪泻 屑芯卸薪芯 薪械 胁械褉懈褌褜 袨褌褑邪屑? 袨薪懈 薪懈泻芯谐写邪 薪械 谢谐褍褌.
November 21, 2023
Another great dystopian sci-fi from Strugatsky brothers! I love their mix of fast pace action and deep philosophical waffle on humanity, society and morality.
鈥樞曆佇恍� 胁褘 褏芯褌懈褌械 褌邪泻 锌褉芯褋褌芯 胁褘卸懈褌褜, 褌芯 蟹邪褔械屑 卸械 胁褘 褌邪泻 锌褉芯褋褌芯 褍屑懈褉邪械褌械. 孝邪泻 写械褕械胁芯 褍屑懈褉邪械褌械.鈥�
鈥業f you want simply to live then why do you die so easily. Die so cheaply.鈥�
Max values life above all but the cruelty of this new world slowly changes him too. His character development and moral crossroads he faces in this world are amazing.
Guy and Max鈥檚 relationship is the heartbreak highlight of the book for me. Especially with homophobic and toxic rhetoric rising in Russia it鈥檚 very refreshing to actually see something like the love (even friendly platonic) between Guy and Max. The simping was strong with those two. USSR censorship seems more lenient than now.
鈥樞曆佇恍� 胁褘 褏芯褌懈褌械 褌邪泻 锌褉芯褋褌芯 胁褘卸懈褌褜, 褌芯 蟹邪褔械屑 卸械 胁褘 褌邪泻 锌褉芯褋褌芯 褍屑懈褉邪械褌械. 孝邪泻 写械褕械胁芯 褍屑懈褉邪械褌械.鈥�
鈥業f you want simply to live then why do you die so easily. Die so cheaply.鈥�
Max values life above all but the cruelty of this new world slowly changes him too. His character development and moral crossroads he faces in this world are amazing.
Guy and Max鈥檚 relationship is the heartbreak highlight of the book for me. Especially with homophobic and toxic rhetoric rising in Russia it鈥檚 very refreshing to actually see something like the love (even friendly platonic) between Guy and Max. The simping was strong with those two. USSR censorship seems more lenient than now.
December 23, 2010
The Noon Universe at its best. Ah, hell no... I'm exaggerating. Count Beetle in an Anthill, It's Hard To Be A God and Waves Silence the Wind (a.k.a. The Time Wanderers) in as well. Now that's the Noonverse at its best - no kidding. The other half of the series isn't that bad either, but these 4 books are totally pivotal to the entire setting and totally one of the best things ever created by the legendary Russian duo.
P.S. I'm pretty baffled about the complete lack of any mentions about the plot itself in the synopsis above. It sums up the nature of the Noonverse, but says little about Maxim's weird adventure on the mildly post-apocalyptic, Cold War-esque world of Saraksh (with it's bizzare skyline that heavily influenced the worldview of the local civilization of human aliens).
P.S. I'm pretty baffled about the complete lack of any mentions about the plot itself in the synopsis above. It sums up the nature of the Noonverse, but says little about Maxim's weird adventure on the mildly post-apocalyptic, Cold War-esque world of Saraksh (with it's bizzare skyline that heavily influenced the worldview of the local civilization of human aliens).
July 20, 2014
"袨斜懈褌邪械屑褘泄 芯褋褌褉芯胁", 薪邪 屑芯泄 胁蟹谐谢褟写, 褝褌芯 屑褍卸褋泻芯泄 胁邪褉懈邪薪褌 褋泻邪蟹泻懈 锌褉芯 袟芯谢褍褕泻褍. 袟芯谢褍褕泻芯泄 胁 写邪薪薪芯屑 褋谢褍褔邪械 褟胁谢褟械褌褋褟 褍屑懈褉邪褞褖邪褟 锌谢邪薪械褌邪, 邪 谐谢邪胁薪褘泄 谐械褉芯泄 - 斜械蟹 褋芯屑薪械薪懈褟, 锌褉懈薪褑. 小 薪械懈蟹斜械卸薪褘屑 褏懈锌锌懈 械薪写芯屑 胁 泻芯薪褑械. 校写懈胁懈褌械谢褜薪芯, 褔褌芯 泻薪懈谐邪 斜褘谢邪 薪邪锌懈褋邪薪邪 胁 褋芯胁械褌褋泻芯械 胁褉械屑褟 懈 斜褘谢邪 锌褉芯锌褍褖械薪邪 褑械薪蟹褍褉芯泄. 袙械褉芯褟褌薪械械 胁褋械谐芯, 褋泻邪蟹邪谢邪褋褜 薪械褋锌芯褋芯斜薪芯褋褌褜 褔懈薪芯胁薪懈泻芯胁 褋褉械写薪械谐芯 褉邪薪谐邪 邪写械泻胁邪褌薪芯 芯褑械薪懈褌褜 锌褉械写褋褌邪胁谢械薪薪褘泄 屑懈褉 懈谢懈 褋薪懈褋褏芯写懈褌械谢褜薪芯褋褌褜: 褎邪薪褌邪褋褌懈泻邪, 褔褌芯 褋 薪械械 胁蟹褟褌褜. 袠 械褖械 褍写懈胁懈褌械谢褜薪械械 褌芯, 褔褌芯 泻薪懈谐邪 褋芯胁械褌褋泻芯谐芯 胁褉械屑械薪懈 锌芯 锌褉械卸薪械屑褍 邪泻褌褍邪谢褜薪邪 泻邪泻 薪懈泻芯谐写邪. 袙芯锌褉芯褋褘, 泻芯褌芯褉褘械 芯薪邪 蟹邪写邪械褌 - 芯 胁芯蟹屑芯卸薪芯褋褌懈 蟹谢邪 胁芯 懈屑褟 写芯斜褉邪, 芯褌薪芯褕械薪懈械 泻 懈薪邪泻芯屑褘褋谢褟褖懈屑 懈 懈薪邪泻芯胁褘谐谢褟写褟褖懈屑, 芯 褋褌褉械屑谢械薪懈懈 褔械谢芯胁械褔械褋褌胁邪 泻 褋邪屑芯褍薪懈褔褌芯卸械薪懈褞 - 锌芯 锌褉械卸薪械屑褍 芯褋褌邪褞褌褋褟 斜械蟹 芯褌胁械褌邪 懈 斜械蟹 褉械褕械薪懈褟. 袨褌谢懈褔薪邪褟 泻薪懈谐邪. 袨褋芯斜械薪薪芯 褋械泄褔邪褋.
July 19, 2020
Side note: I've read this book in its original language and haven't gotten a chance yet to evaluate the quality of the translation. This factor aside, this is one of my absolute favorite sci-fi novels.
December 5, 2012
The book is cool, the movie just sucked.
May 18, 2018
小械谢懈薪 屑懈 械 谢褞斜懈屑懈褟褌 邪胁褌芯褉, 袛芯褋褌芯械胁褋泻懈 械 薪邪泄-写芯斜褉懈褟褌, 薪芯 薪邪泄-锌褉懈褟褌薪懈 蟹邪 褔械褌械薪械 褋邪 屑懈 斜褉邪褌褟 小褌褉褍谐邪褑泻懈, 锌褉懈 褌芯胁邪 褋 褉邪蟹谢懈泻邪 锌褉械写 胁褋懈褔泻懈 芯褋褌邪薪邪谢懈.
June 17, 2021
楔懈泻邪褉薪褘泄 褝泻蟹械屑锌谢褟褉 胁 褋胁芯褢屑 卸邪薪褉械. 袠 锌褍褋褌褜 薪械 锌褍谐邪械褌 锌芯胁褘褕械薪薪褘泄 锌芯褉芯谐 胁褏芯写邪 - 锌褉芯褔懈褌邪褌褜 褝褌褍 泻薪懈谐褍 懈 锌褉邪胁写邪 褋褌芯懈褌. 小褞卸械褌薪褘械 锌芯胁芯褉芯褌褘 薪邪 5+.
November 4, 2022
"L'isola abitata" fa parte del ciclo del Mezzogiorno strugatskiano ed 猫 il primo romanzo della trilogia dedicata a Maksim K脿mmerer. Nel 2157 Maksim precipita con la sua navicella sul pianeta Saraksh, che scopre poi essere abitato da una popolazione umanoide praticamente uguale a noi, con tecnologia pi霉 o meno pari a quella terrestre del nostro '900 (prima met脿).
Ma niente 猫 semplice, tutto 猫 complicato.
Innanzitutto, l'intero pianeta 猫 in subbuglio, dopo un immane conflitto atomico che ha disgregato i vecchi equilibri politici e il precedente stato imperiale sul continente. Ne sono sorti molteplici stati di media estensione, con lingue diverse, e in conflitto permanente.
Per loro Maksim 猫 quasi un uomo superiore: i terrestri del futuro hanno fisico e mente molto allenati, oltre che tecnologia all'avanguardia (i calzoncini di Mak).
Le radiazioni hanno iniziato a impoverire flora e fauna. Hanno cominciato ad apparire dei mutanti, spesso con poteri particolari, che si sono uniti in comunit脿 autonome pi霉 o meno estese.
Una particolare specie canina sembra avere sviluppato un elevato livello di intelligenza (sono i cinoidi, e se ne parler脿 diffusamente nel secondo episodio della trilogia).
Le particolari condizioni atmosferiche sul pianeta hanno sviluppato nel corso dei secoli una particolare visione cosmologica: le stelle non sono visibili di notte, di giorno il disco solare non 猫 ben definibile e la rifrazione fa credere che il mondo sia la superficie interna di una sfera, con atmosfera che si condensa sempre pi霉 a mano a mano che ci si avvicina al centro. Questa condizione 猫 di serio ostacolo al contatto, posto che nessuno pu貌 concepire il cosmo nella maniera in cui lo concepiamo noi. Una specie di universo tolemaico, fisso e immutabile. Nessuno pu貌 comprendere il fatto che Maksim venga da un altro pianeta e lo credono un abitante dei monti, rappresentante di una schiatta di cui si parla nelle leggende.
Lo stato dei Padri Ignoti regge il governo facendo uso di un sistema di torri per il controllo mentale. Torri spacciate per un sofisticato sistema di difesa antibalistica. Ma il condizionamento non funziona con tutti. In una parte minoritaria l'irraggiamento determina violentissimi dolori. Queste persone sono perseguitate e additate come "degenerati", soggetti da sradicare.
L'intera collettivit脿 sta regredendo ed 猫 sull'orlo della catastrofe definitiva. L'ignoranza dilaga e stanno nascendo nuove leggende, nuove mitologie a partire da tutto ci貌 che non si conosce e non si riesce a capire.
I mutanti suscitano le dicerie pi霉 strane e alcuni di loro - a quanto pare - hanno realmente poteri sorprendenti. Ad esempio, il Mago, ha un'intelligenza superiore e occhi di felino e sembra parlare tramite l'uccello che gli sta sempre appollaiato sulla spalla.
Per quanto l'intervento censorio abbia contribuito a plasmare certa ambientazione del romanzo e a germanizzarla (il cognome originario di Maksim doveva essere Rostislavskij), 猫 evidentissima l'atmosfera sovietica... il concetto di "zona", di rieducazione ecc. ecc.
Molte idee in questo libro le ritroviamo anche in altri romanzi. Ad esempio i mutanti con poteri superiori sono presenti in "Brutti cigni" e certe scene di Maksim ai lavori forzati, che striscia tra relitti bellici pericolosi ricordano direttamente l'attivit脿 dello stalker in "Picnic sul ciglio della strada".
I fratelli Strugatskij creano un mondo infernale, decadente, misterioso, sull'orlo dell'apocalisse.
Ma niente 猫 semplice, tutto 猫 complicato.
Innanzitutto, l'intero pianeta 猫 in subbuglio, dopo un immane conflitto atomico che ha disgregato i vecchi equilibri politici e il precedente stato imperiale sul continente. Ne sono sorti molteplici stati di media estensione, con lingue diverse, e in conflitto permanente.
Per loro Maksim 猫 quasi un uomo superiore: i terrestri del futuro hanno fisico e mente molto allenati, oltre che tecnologia all'avanguardia (i calzoncini di Mak).
Le radiazioni hanno iniziato a impoverire flora e fauna. Hanno cominciato ad apparire dei mutanti, spesso con poteri particolari, che si sono uniti in comunit脿 autonome pi霉 o meno estese.
Una particolare specie canina sembra avere sviluppato un elevato livello di intelligenza (sono i cinoidi, e se ne parler脿 diffusamente nel secondo episodio della trilogia).
Le particolari condizioni atmosferiche sul pianeta hanno sviluppato nel corso dei secoli una particolare visione cosmologica: le stelle non sono visibili di notte, di giorno il disco solare non 猫 ben definibile e la rifrazione fa credere che il mondo sia la superficie interna di una sfera, con atmosfera che si condensa sempre pi霉 a mano a mano che ci si avvicina al centro. Questa condizione 猫 di serio ostacolo al contatto, posto che nessuno pu貌 concepire il cosmo nella maniera in cui lo concepiamo noi. Una specie di universo tolemaico, fisso e immutabile. Nessuno pu貌 comprendere il fatto che Maksim venga da un altro pianeta e lo credono un abitante dei monti, rappresentante di una schiatta di cui si parla nelle leggende.
Lo stato dei Padri Ignoti regge il governo facendo uso di un sistema di torri per il controllo mentale. Torri spacciate per un sofisticato sistema di difesa antibalistica. Ma il condizionamento non funziona con tutti. In una parte minoritaria l'irraggiamento determina violentissimi dolori. Queste persone sono perseguitate e additate come "degenerati", soggetti da sradicare.
L'intera collettivit脿 sta regredendo ed 猫 sull'orlo della catastrofe definitiva. L'ignoranza dilaga e stanno nascendo nuove leggende, nuove mitologie a partire da tutto ci貌 che non si conosce e non si riesce a capire.
I mutanti suscitano le dicerie pi霉 strane e alcuni di loro - a quanto pare - hanno realmente poteri sorprendenti. Ad esempio, il Mago, ha un'intelligenza superiore e occhi di felino e sembra parlare tramite l'uccello che gli sta sempre appollaiato sulla spalla.
Per quanto l'intervento censorio abbia contribuito a plasmare certa ambientazione del romanzo e a germanizzarla (il cognome originario di Maksim doveva essere Rostislavskij), 猫 evidentissima l'atmosfera sovietica... il concetto di "zona", di rieducazione ecc. ecc.
Molte idee in questo libro le ritroviamo anche in altri romanzi. Ad esempio i mutanti con poteri superiori sono presenti in "Brutti cigni" e certe scene di Maksim ai lavori forzati, che striscia tra relitti bellici pericolosi ricordano direttamente l'attivit脿 dello stalker in "Picnic sul ciglio della strada".
I fratelli Strugatskij creano un mondo infernale, decadente, misterioso, sull'orlo dell'apocalisse.
April 21, 2021
Uzbudljiv i pitak roman, a opet vi拧eslojan. Ipak, mene vi拧e od svega Strugacki obaraju s nogu nenadma拧nom lepotom jezika... Snaga re膷enica, na momente lirska poeti膷nost, o拧tra ironija... Ve拧tina pripovedanja kakva se retko sre膰e.
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