What do you think?
Rate this book
孝芯泻褨泄褋褜泻邪 薪邪褉械褔械薪邪
袗屑械谢褨 锌褉懈褩蟹写懈褌褜 褍 携锌芯薪褨褞, 褖芯斜 锌褨蟹薪邪褌懈 泻褍谢褜褌褍褉褍 褑褨褦褩 泻褉邪褩薪懈 褌邪 胁懈胁褔懈褌懈 褟锌芯薪褋褜泻褍 屑芯胁褍. 袪褨薪褉褨 鈥� 褟锌芯薪械褑褜, 褋褌褍写械薪褌 褎邪泻褍谢褜褌械褌褍 褎褉邪薪褑褍蟹褜泻芯褩 褎褨谢芯谢芯谐褨褩. 袙芯薪懈 芯斜芯褦 鈥� 薪械屑芯胁 谢褞写懈 褨蟹 褉褨蟹薪懈褏 褋胁褨褌褨胁, 邪谢械 袪褨薪褉褨 蟹邪泻芯褏褍褦褌褜褋褟 胁 褑褞 写懈胁薪褍 写褨胁褔懈薪褍, 褌邪泻褍 斜谢懈蟹褜泻褍 泄 写邪谢械泻褍 胁芯写薪芯褔邪褋. 袗屑械谢褨 屑邪褦 屑褉褨褞: 蟹褨泄褌懈 薪邪 肖褍写蟹褨褟屑褍 褨 蟹褍褋褌褉褨褌懈 薪邪 胁械褉褕懈薪褨 褑褨褦褩 谐芯褉懈 锌械褉褕褨 锌褉芯屑械薪褨 褉邪薪泻芯胁芯褩 蟹芯褉褨. 袥懈褕械 褌邪泻 胁芯薪邪 蟹屑芯卸械 谐谢懈斜褕械 锌褨蟹薪邪褌懈 携锌芯薪褨褞 褨 泻褉邪褖械 蟹褉芯蟹褍屑褨褌懈 褋械斜械. 袦褉褨褟 袪褨薪褉褨 鈥� 芯写褉褍卸懈褌懈褋褟 蟹 袗屑械谢褨. 袣芯卸械薪 褨蟹 薪懈褏 褨写械 写芯 褋胁芯褦褩 屑械褌懈, 写芯褋褟谐邪褞褔懈 胁谢邪褋薪懈褏 胁械褉褕懈薪 褨 锌褨蟹薪邪褞褔懈 褋械斜械, 褨 胁褉械褕褌褨 胁褨写薪邪褏芯写懈褌褜 褖芯褋褜 斜褨谢褜褕械, 薪褨卸 泻芯褏邪薪薪褟.
160 pages, Hardcover
First published August 22, 2007
158 people are currently reading
5,553 people want to read
About the author
Am茅lie Nothomb
128听books5,460听followersAm茅lie Nothomb, born Fabienne Claire Nothomb, was born in Etterbeek, Belgium on 9 July 1966, to Belgian diplomats. Although Nothomb claims to have been born in Japan, she actually began living in Japan at the age of two until she was five years old. Subsequently, she lived in China, New York, Bangladesh, Burma, the United Kingdom (Coventry) and Laos.
She is from a distinguished Belgian political family; she is notably the grand-niece of Charles-Ferdinand Nothomb, a Belgian foreign minister (1980-1981). Her first novel, Hygi猫ne de l'assassin, was published in 1992. Since then, she has published approximately one novel per year with a.o. Les Catilinaires (1995), Stupeur Et Tremblements (1999) and M茅taphysique des tubes (2000).
She has been awarded numerous prizes, including the 1999 Grand Prix du roman de l'Acad茅mie fran莽aise; the Prix Ren茅-Fallet; and twice the Prix Alain-Fournier.
While in Japan, she attended a local school and learned Japanese. When she was five the family moved to China. "Quitter le Japon fut pour moi un arrachement" ("Leaving Japan was a wrenching separation for me") she writes in Fear and Trembling. Nothomb moved often, and did not live in Europe until she was 17, when she moved to Brussels. There, she reportedly felt as much a stranger as everywhere else. She studied philology at the Universit茅 Libre de Bruxelles. After some family tensions, she returned to Japan to work in a big Japanese company in Tokyo. Her experience of this time is told in Fear and Trembling. She has written a romanticized biography (Robert des noms propres) for the French female singer RoBERT in 2002 and during the period 2000-2002 she wrote the lyrics for nine tracks of the same artist. Many ideas inserted in her books come from the conversations she had with an Italian man, from late eighties and during the nineties. She used the French Minitel, while he used the Italian Videotel system, connected with the French one. They never met personally.
Source: Wikipedia
She is from a distinguished Belgian political family; she is notably the grand-niece of Charles-Ferdinand Nothomb, a Belgian foreign minister (1980-1981). Her first novel, Hygi猫ne de l'assassin, was published in 1992. Since then, she has published approximately one novel per year with a.o. Les Catilinaires (1995), Stupeur Et Tremblements (1999) and M茅taphysique des tubes (2000).
She has been awarded numerous prizes, including the 1999 Grand Prix du roman de l'Acad茅mie fran莽aise; the Prix Ren茅-Fallet; and twice the Prix Alain-Fournier.
While in Japan, she attended a local school and learned Japanese. When she was five the family moved to China. "Quitter le Japon fut pour moi un arrachement" ("Leaving Japan was a wrenching separation for me") she writes in Fear and Trembling. Nothomb moved often, and did not live in Europe until she was 17, when she moved to Brussels. There, she reportedly felt as much a stranger as everywhere else. She studied philology at the Universit茅 Libre de Bruxelles. After some family tensions, she returned to Japan to work in a big Japanese company in Tokyo. Her experience of this time is told in Fear and Trembling. She has written a romanticized biography (Robert des noms propres) for the French female singer RoBERT in 2002 and during the period 2000-2002 she wrote the lyrics for nine tracks of the same artist. Many ideas inserted in her books come from the conversations she had with an Italian man, from late eighties and during the nineties. She used the French Minitel, while he used the Italian Videotel system, connected with the French one. They never met personally.
Source: Wikipedia
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 29 of 1,217 reviews
September 10, 2023
Adorable simplicity.
21 years old belgian Amelie returns to Japan after sixteen years abroad. While studying and writing, she decides to teach french to earn some living. Young shy Rinri is her first student; in time they become friends, and much more. Culture differences are going to clash, things are going to get very complicated.
Loved it. This book felt like reading a personal diary, or a story being told by a close friend. A very funny, sometimes very self-absorbed, friend. No overly complicated or flowery vocabulary, just something extremely down to earth. Deep, without trying. Masterful in its simplicity. Some parts dragged, especially chapter 20, or when she purposely tries to sound deep, but overall a wonderfully positive experience. I must confess I find Nothomb reputation as one of the best Belgian authors very well deserved. Plentiful amount of moments to remember by. Moving to the sequel and looking forward to read more of her books.
Still remaining, the movie (2014)
-----------------------------------------------
PERSONAL NOTE :
[2007] [160p] ["Memoir"] [Fairly Recommendable]
-----------------------------------------------
鈽呪槄鈽呪槅鈽� Fear and Trembling
鈽呪槄鈽呪槄鈽� Tokyo Fianc茅e
鈽呪槄鈽呪槅鈽� La nostalgia feliz
-----------------------------------------------
Adorable simplicidad.
Belga Amelie de 21 a帽os regresa a Jap贸n despu茅s de diecis茅is a帽os en el extranjero. Mientras estudia y escribe, decide ense帽ar franc茅s para ganarse la vida. El joven y t铆mido Rinri es su primer alumno; con el tiempo se vuelven amigos, y mucho m谩s. La diferencia de culturas va a chocar, las cosas van a volverse muy complicadas.
Lo am茅. Este libro se sinti贸 como leer un diario personal, o una historia contada por un amigo cercano. Un muy gracioso, a veces muy ensimismado, amigo. Sin demasiado complicado o florido vocabulario, solo algo extremadamente realista. Profundo, sin tratar. Magistral en su simplicidad. Algunas partes arrastran, especialmente el cap铆tulo 20, o cuando intencionalmente trata de sonar profundo; pero dentro de todo una experiencia maravillosamente positiva. Debo confesar que hallo la reputaci贸n de Nothomb como una de las mejores autoras belgas muy bien merecida. Abundantes momentos para el recuerdo. Pasando a la secuela y con ansias de leer m谩s de sus libros.
Queda pendiente, la pel铆cula (2014)
-----------------------------------------------
NOTA PERSONAL :
[2007] [160p] ["Memoria"] [Bastante Recomendable]
-----------------------------------------------
21 years old belgian Amelie returns to Japan after sixteen years abroad. While studying and writing, she decides to teach french to earn some living. Young shy Rinri is her first student; in time they become friends, and much more. Culture differences are going to clash, things are going to get very complicated.
Loved it. This book felt like reading a personal diary, or a story being told by a close friend. A very funny, sometimes very self-absorbed, friend. No overly complicated or flowery vocabulary, just something extremely down to earth. Deep, without trying. Masterful in its simplicity. Some parts dragged, especially chapter 20, or when she purposely tries to sound deep, but overall a wonderfully positive experience. I must confess I find Nothomb reputation as one of the best Belgian authors very well deserved. Plentiful amount of moments to remember by. Moving to the sequel and looking forward to read more of her books.
Still remaining, the movie (2014)
-----------------------------------------------
PERSONAL NOTE :
[2007] [160p] ["Memoir"] [Fairly Recommendable]
-----------------------------------------------
鈽呪槄鈽呪槅鈽� Fear and Trembling
鈽呪槄鈽呪槄鈽� Tokyo Fianc茅e
鈽呪槄鈽呪槅鈽� La nostalgia feliz
-----------------------------------------------
Adorable simplicidad.
Belga Amelie de 21 a帽os regresa a Jap贸n despu茅s de diecis茅is a帽os en el extranjero. Mientras estudia y escribe, decide ense帽ar franc茅s para ganarse la vida. El joven y t铆mido Rinri es su primer alumno; con el tiempo se vuelven amigos, y mucho m谩s. La diferencia de culturas va a chocar, las cosas van a volverse muy complicadas.
Lo am茅. Este libro se sinti贸 como leer un diario personal, o una historia contada por un amigo cercano. Un muy gracioso, a veces muy ensimismado, amigo. Sin demasiado complicado o florido vocabulario, solo algo extremadamente realista. Profundo, sin tratar. Magistral en su simplicidad. Algunas partes arrastran, especialmente el cap铆tulo 20, o cuando intencionalmente trata de sonar profundo; pero dentro de todo una experiencia maravillosamente positiva. Debo confesar que hallo la reputaci贸n de Nothomb como una de las mejores autoras belgas muy bien merecida. Abundantes momentos para el recuerdo. Pasando a la secuela y con ansias de leer m谩s de sus libros.
Queda pendiente, la pel铆cula (2014)
-----------------------------------------------
NOTA PERSONAL :
[2007] [160p] ["Memoria"] [Bastante Recomendable]
-----------------------------------------------
February 12, 2016
丌賲賷賱賷 賳賵孬賵賲亘 賲賳 賰丕鬲亘丕鬲賷賾 丕賱賲賮囟賱丕鬲
丨賷賳 兀賯乇乇 亘丿亍 丕賱賯乇丕亍丞 賮賷 兀丨丿 兀毓賲丕賱賴丕
兀賰賵賳 毓賱賶 賷賯賷賳 賲賳 兀賳賴 賱丕 賲噩丕賱 賱賱卮毓賵乇 亘丕賱賲賱賱
丕賱賲鬲毓丞 賵丕賱卮睾賮貙 賵賮賯胤
亘賱丕 丨亘賰丞貙 亘賱丕 卮禺氐賷丕鬲 睾夭賷乇丞貙 亘賱丕 兀丨丿丕孬 賵毓購賯丿
賮賯胤 爻賷賱 賲賳 丕賱丨賰丕賷丕鬲 賵丕賱賲賵丕賯賮
賰兀賳賴丕 噩丿丞 鬲丨賰賷 丨賰丕賷丕鬲 爻賱爻賱丞 賱氐睾丕乇賴丕
兀賵 氐丿賷賯丞 鬲爻乇丿 賲賵丕賯賮 丨賷丕鬲賴丕 丕賱賷賵賲賷丞 賱氐丿賷賯鬲賴丕
兀爻賱賵亘賴丕 亘爻賷胤 賵賲賲鬲毓
賱丕 丨賵丕亍 賵賱丕 丌丿賲
賴賷 噩夭亍 賲賳 爻賷乇鬲賴丕 丕賱匕丕鬲賷丞 丕賱鬲賷 鬲鬲囟賲賳 乇丨賱鬲賴丕 廿賱賶 丕賱賷丕亘丕賳
賰丕賳鬲 爻乇丿鬲 噩夭亍 賲賳 鬲賱賰 丕賱乇丨賱丞 賮賷 乇賵丕賷丕鬲賴丕 丕賱兀禺乇賶
賱賰賳賴丕 丕賯鬲氐乇鬲 賮賷賴丕 毓賱賶 毓賲賱賴丕 賮賷 兀丨丿賶 丕賱卮乇賰丕鬲 丕賱賷丕亘丕賳賷丞
賵丕賳鬲賯賱鬲 賲賳 丕賱噩丕賳亘 丕賱毓賲賱賷 賮賷 匕賴賵賱 賵乇毓丿丞
廿賱賶 丕賱噩丕賳亘 丕賱毓丕胤賮賷 賮賷 賱丕 丨賵丕亍 賵賱丕 丌丿賲
丕賱噩夭亍 丕賱丌禺乇 賲賳 丕賱乇丨賱丞貙 賱賰賳 禺丕乇噩 兀爻賵丕乇 丕賱毓賲賱
丕賱卮丕亘 丕賱賷丕亘丕賳賷 丕賱匕賷 賷購乇賷丿 鬲毓賱賲 丕賱賮乇賳爻賷丞
孬賲 鬲鬲丨賵賱 賲賳 賲毓賱賲鬲賴 廿賱賶 丨亘賷亘鬲賴
鬲乇亘胤賴賲丕 毓賱丕賯丞 毓丕胤賮賷丞貙 賵兀賰賱丕鬲 賲卮鬲乇賰丞貙 賵乇丨賱丕鬲 賲卮鬲乇賰丞
丕賱噩亘賱 賵丕賱胤亘賷毓丞 賮賷 丕賱賷丕亘丕賳
賵丕賱兀賵賯丕鬲 丕賱賲孬賷乇丞 賵丕賱丨賲丕爻賷丞 丕賱鬲賷 賯囟鬲賴丕 亘賷賳 賴匕賴 丕賱噩亘丕賱
賵鬲爻鬲賲乇 賮賷 爻乇丿 匕賰乇賷丕鬲賴丕 廿賱賶 兀賳 鬲賳鬲賴賷 丕賱乇丨賱丞
卮兀賳賴丕 卮兀賳 賰賱 卮賷亍 賮賷賴 賴匕賴 丕賱丨賷丕丞貙 賱賴 亘丿丕賷丞 賵賳賴丕賷丞
鬲賳鬲賴賷 亘毓乇囟 夭賵丕噩 賲亘丕睾鬲
賱丕 鬲毓賱賲 賴賱 鬲禺鬲丕乇 丕賱丨亘 賵鬲囟丨賷 亘兀賲賱賴丕 賮賷 丕賱賰鬲丕亘丞責
兀賲 鬲賮乇賾 賴丕乇亘丞 胤賱亘賸丕 賱賱丨乇賷丞責
丕賱丨乇賷丞 賱賷爻 賱賴丕 孬賲賳
賴賰匕丕 賯丕賱鬲 :)
~
賴賰匕丕 賵亘毓丿 賯乇丕亍丞 乇賵丕賷丞 匕賴賵賱 賵乇毓丿丞 賵乇賵丕賷丞 賱丕 丨賵丕亍 賵賱丕 丌丿賲
丕賰鬲賲賱鬲 氐賵乇丞 乇丨賱鬲賴丕 丕賱卮禺氐賷丞 廿賱賶 丕賱賷丕亘丕賳
噩夭亍 賱丕 亘兀爻 亘賴 賲賳 爻賷乇鬲賴丕 丕賱匕丕鬲賷丞
賱賰賳 亘賷賾 卮睾賮 賱丕爻鬲賰賲丕賱 賴匕賴 丕賱爻賷乇丞 丕賱賲賲鬲毓丞
乇亘賲丕 丕賯乇兀 賱賴丕 亘賷賵睾乇丕賮賷丕 丕賱噩賵毓
噩夭亍 氐睾賷乇 丌禺乇 賲賳 爻賷乇鬲賴丕 丕賱匕丕鬲賷丞
爻賷乇鬲賴丕 兀卮亘賴 亘賯胤毓 丕賱亘丕夭賱貙 賱賰賳賳賷 兀賴賵賶 鬲噩賲賷毓賴丕
鬲賲賾鬲
July 18, 2010
Dear Ms. Nothomb,
Next time you act like a despicable human being and feel guilty about the reprehensible way you have treated someone, spare the lot of us the torture of being subject to your memoir writing.
Just pick up the phone and tell the guy you're sorry.
Sincerely,
Eliyanna
Next time you act like a despicable human being and feel guilty about the reprehensible way you have treated someone, spare the lot of us the torture of being subject to your memoir writing.
Just pick up the phone and tell the guy you're sorry.
Sincerely,
Eliyanna
February 25, 2025
Apart from a breathtaking climb up to the summit of Mount Fuji - one of the great natural wonders on earth, I just found a lot of this slim novel too sweet, lovely and whimsical for my taste. Obviously, it is not a book that is targeted at the likes of me. I wouldn't say it's chick-lit in that sense, but I will say that young adults/twenty-somethings would likely find more attachment to its two central characters and the narrative as a whole. I didn't think it terrible, I will say that. There was just about enough interest to keep me reading, but not enough that I'm now going to spend the rest of the afternoon thinking about it. Autobiographical in nature, the novel itself I wouldn't describe as simply a love story, as not for one minute did I think Amelie & Rinri were truly in love; especially Amelie. Free of the overemotional trappings of real love, their mutual attraction is founded less on out and out romance, and more on a tight and trustful camaraderie. The romance is only in the notion each one entertains about the other鈥檚 culture. Take away the odd bit of sex between Amelie & Rinri and the fact they are from different parts of the world, and the age difference of Bill Murray & Scarlett Johansson, and it's a bit like that relationship in Lost in Translation: Two people that simply enjoy each others company, click together easily, but without the seriousness of a deeper love relationship stepping on their toes. The novel is laced with a good few quirky and humorous scenes, including the constant misunderstandings in regards to both the French and Japanese languages, and one in particular involving Amelie speaking about the hundreds of types of Belgian beer to group of Rinri's shy friends whilst he prepares dinner. It's generally great when a novel is set in a great city like Tokyo, but the city itself, seen through the eyes of Amelie, just didn't come alive and feel like a character itself enough for me. Also, Amelie says she loves everything Japan, and yet is a bit hypocritical within the first few pages when lambasting it's education system in terms of teaching foreign language. Rinri was the more likeable of the two, yet remained a bit of a mystery. Pondered on three stars, but I'm sticking with two.
February 22, 2024
鬲賯賷賷賲賷 伲.佶
" 賲噩丿 囟毓賷賮 貙 丕賱賴乇亘 責 賱賰賳賴 乇睾賲 賴匕丕 兀賮囟賱 賲賳 丕賱丕爻鬲爻賱丕賲 賱賱兀爻乇 . 丕賱毓丕乇 丕賱賵丨賷丿 賴賵 兀賱丕 鬲賰賵賳 丨乇丕賸"
乇丨賱丞 噩丿賷丿丞 賲毓 兀賲賷賱賷 賳賵鬲賵賲亘 貙 丕賱賲噩賳賵賳丞 貙 丕賱毓丕賯賱丞 貙 丕賱賲乇丨丞 貙 丕賱氐丕乇賲丞 .
乇丨賱鬲賴丕 賴賳丕 賲毓 丕賱丨亘 .. 夭賲賳賷丕賸 賮賷 丨賰丕賷丕鬲賴丕 鬲爻亘賯 賰鬲丕亘賴丕 丕賱卮賴賷乇 匕賴賵賱 賵乇毓丿丞 丨賷孬 鬲賲 匕賰乇 賲兀爻丕丞 毓賲賱賴丕 賮賷 丕賱噩夭亍 丕賱兀禺賷乇 賴賳丕 .
廿賲賷賱賶 賴賳丕 鬲賳卮乇 廿毓賱丕賳 賱鬲毓賱賷賲 丕賱賮乇賳爻賷丞 賮鬲賱鬲賯賷 亘乇賷賳乇賷 丕賱匕賷 賷丿乇爻 丕賱賮乇賳爻賷丞 亘丕賱噩丕賲毓丞. 賵鬲亘丿兀 丕賱賱賯丕亍丕鬲 亘賷賳賴賲 賵鬲亘丿兀 賮乇賳爻賷丞 乇賷賳乇賷 賮賷 丕賱鬲丨爻賳 孬賲 鬲賱鬲賯賷 兀氐丿賯丕亍賴 賵賷氐丨亘賴丕 廿賱賶 亘毓囟 賲毓丕乇囟 丕賱賱賵丨丕鬲 賵賷亘丿兀 丕賱孬賱噩 亘賷賳賴賲 賮賷 丕賱匕賵亘丕賳 孬賲 賷亘丿丕 丕賱丨亘 亘賷賳賴賲 丕賵 丕賱賲賷賱 賰賲丕 賵氐賮鬲賴 丕賲賷賱賷.
賲丕 賰賳鬲 兀卮毓乇 亘賴 鬲噩丕賴 賴匕丕 丕賱卮丕亘 賱賲 賷賰賳 賱賴 賲爻賲賶 亘丕賱賮乇賳爻賷丞 丕賱丨丿賷孬丞 貙 賱賰賳 賱賷爻 亘丕賱賷丕亘丕賳賷丞貙 丨賷孬 賲氐胤賱丨 " 賰賵賷 " 賲鬲賵丕賮賯丕賸 賲毓 丕賱兀賲乇. 賰賵賷 貙 亘丕賱賮乇賳爻賷丞 丕賱賰賱丕爻賷賰賷丞 貙 賷賲賰賳 鬲乇噩賲鬲賴丕 廿賱賶 " 賲賷賱 " 賵賰賳鬲 兀賲賷賱 廿賱賷賴 . 賰丕賳 " 賰賵丕亘賷鬲賵" 丕賱禺丕氐 亘賷 貙 丕賱匕賷 兀卮鬲乇賰 賲毓賴 賮賷 丕賱 " 賰賵賷 " : 賰賳鬲 兀賲賷賱 賱乇賮賯鬲賴 "
賵亘賳鬲丕亘毓 賱賯丕亍丕鬲賴賲 賵賰賱丕賲賴賲 賵廿禺鬲賱丕賮 孬賯丕賮鬲賴賲 ..亘賳乇賵丨 賲毓丕賴賲 乇丨賱丕鬲 貙 賵亘賳胤賱毓 丕賱噩亘賱 .賵亘賳卮賵賮 丕賷賴 丕賱賱賶 賴賷丨氐賱 賲毓丕賴賲 賵毓賱丕賯鬲賴賲 賴鬲賵氐賱 賱賮賷賳 !
毓乇賮鬲 丨丕噩丕鬲 毓賳 兀賲賷賱賶 賵賰丕賳 賮賷 賲賵丕賯賮 賱賷賴丕 禺賱鬲賳賷 兀丨亘賴丕 丨爻賷鬲 亘賯乇亘賴丕 賲賳賷 賮賷 丕賱賰鬲丕亘 丿賴 ..
丕爻賱賵亘賴丕 賮賷 丕賱爻乇丿 胤亘毓丕 噩賲賷賱 .. 亘鬲丿賲噩賰 乇睾賲 毓賳賰 賮賷 丨賰丕賷丕鬲賴丕 ..
伲贍 / 佟 / 佗贍佗伲
" 賲噩丿 囟毓賷賮 貙 丕賱賴乇亘 責 賱賰賳賴 乇睾賲 賴匕丕 兀賮囟賱 賲賳 丕賱丕爻鬲爻賱丕賲 賱賱兀爻乇 . 丕賱毓丕乇 丕賱賵丨賷丿 賴賵 兀賱丕 鬲賰賵賳 丨乇丕賸"
乇丨賱丞 噩丿賷丿丞 賲毓 兀賲賷賱賷 賳賵鬲賵賲亘 貙 丕賱賲噩賳賵賳丞 貙 丕賱毓丕賯賱丞 貙 丕賱賲乇丨丞 貙 丕賱氐丕乇賲丞 .
乇丨賱鬲賴丕 賴賳丕 賲毓 丕賱丨亘 .. 夭賲賳賷丕賸 賮賷 丨賰丕賷丕鬲賴丕 鬲爻亘賯 賰鬲丕亘賴丕 丕賱卮賴賷乇 匕賴賵賱 賵乇毓丿丞 丨賷孬 鬲賲 匕賰乇 賲兀爻丕丞 毓賲賱賴丕 賮賷 丕賱噩夭亍 丕賱兀禺賷乇 賴賳丕 .
廿賲賷賱賶 賴賳丕 鬲賳卮乇 廿毓賱丕賳 賱鬲毓賱賷賲 丕賱賮乇賳爻賷丞 賮鬲賱鬲賯賷 亘乇賷賳乇賷 丕賱匕賷 賷丿乇爻 丕賱賮乇賳爻賷丞 亘丕賱噩丕賲毓丞. 賵鬲亘丿兀 丕賱賱賯丕亍丕鬲 亘賷賳賴賲 賵鬲亘丿兀 賮乇賳爻賷丞 乇賷賳乇賷 賮賷 丕賱鬲丨爻賳 孬賲 鬲賱鬲賯賷 兀氐丿賯丕亍賴 賵賷氐丨亘賴丕 廿賱賶 亘毓囟 賲毓丕乇囟 丕賱賱賵丨丕鬲 賵賷亘丿兀 丕賱孬賱噩 亘賷賳賴賲 賮賷 丕賱匕賵亘丕賳 孬賲 賷亘丿丕 丕賱丨亘 亘賷賳賴賲 丕賵 丕賱賲賷賱 賰賲丕 賵氐賮鬲賴 丕賲賷賱賷.
賲丕 賰賳鬲 兀卮毓乇 亘賴 鬲噩丕賴 賴匕丕 丕賱卮丕亘 賱賲 賷賰賳 賱賴 賲爻賲賶 亘丕賱賮乇賳爻賷丞 丕賱丨丿賷孬丞 貙 賱賰賳 賱賷爻 亘丕賱賷丕亘丕賳賷丞貙 丨賷孬 賲氐胤賱丨 " 賰賵賷 " 賲鬲賵丕賮賯丕賸 賲毓 丕賱兀賲乇. 賰賵賷 貙 亘丕賱賮乇賳爻賷丞 丕賱賰賱丕爻賷賰賷丞 貙 賷賲賰賳 鬲乇噩賲鬲賴丕 廿賱賶 " 賲賷賱 " 賵賰賳鬲 兀賲賷賱 廿賱賷賴 . 賰丕賳 " 賰賵丕亘賷鬲賵" 丕賱禺丕氐 亘賷 貙 丕賱匕賷 兀卮鬲乇賰 賲毓賴 賮賷 丕賱 " 賰賵賷 " : 賰賳鬲 兀賲賷賱 賱乇賮賯鬲賴 "
賵亘賳鬲丕亘毓 賱賯丕亍丕鬲賴賲 賵賰賱丕賲賴賲 賵廿禺鬲賱丕賮 孬賯丕賮鬲賴賲 ..亘賳乇賵丨 賲毓丕賴賲 乇丨賱丕鬲 貙 賵亘賳胤賱毓 丕賱噩亘賱 .賵亘賳卮賵賮 丕賷賴 丕賱賱賶 賴賷丨氐賱 賲毓丕賴賲 賵毓賱丕賯鬲賴賲 賴鬲賵氐賱 賱賮賷賳 !
毓乇賮鬲 丨丕噩丕鬲 毓賳 兀賲賷賱賶 賵賰丕賳 賮賷 賲賵丕賯賮 賱賷賴丕 禺賱鬲賳賷 兀丨亘賴丕 丨爻賷鬲 亘賯乇亘賴丕 賲賳賷 賮賷 丕賱賰鬲丕亘 丿賴 ..
丕爻賱賵亘賴丕 賮賷 丕賱爻乇丿 胤亘毓丕 噩賲賷賱 .. 亘鬲丿賲噩賰 乇睾賲 毓賳賰 賮賷 丨賰丕賷丕鬲賴丕 ..
伲贍 / 佟 / 佗贍佗伲
December 26, 2023
乇賲丕賳 芦賳賴 丨賵丕貙 賳賴 丌丿賲禄 丕賵賱蹖賳 乇賲丕賳 賲賳 丕夭 賳賵蹖爻賳丿賴 賲卮賴賵乇 亘賱跇蹖讴蹖 禺丕賳賲听 丌賲賱蹖 賳賵鬲賵賲亘 丕爻鬲. 丕蹖賳 乇賲丕賳 丿乇 丨賯蹖賯鬲 亘賴 賳賵毓蹖 丕鬲賵亘蹖賵诏乇丕賮蹖 賳賵蹖爻賳丿賴 賲丨爻賵亘 賲蹖 卮賵丿 讴賴 丿乇 丌賳 鬲噩乇亘賴 亘丕夭诏卮鬲 禺賵丿 亘賴 讴卮賵乇 夭丕丿诏丕賴卮 跇丕倬賳責 (丿乇 亘蹖賵诏乇丕賮蹖 丕蹖賳 賳賵蹖爻賳丿賴 賲丨賱 鬲賵賱丿 讴卮賵乇 亘賱跇蹖讴 匕讴乇 卮丿賴 丕賲丕 丕賵 禺賵丿 乇丕 賲鬲賵賱丿 跇丕倬賳 賲蹖丿丕賳丿. 丕蹖賳 丿乇丨丕賱蹖 丕爻鬲 讴賴 丕賵 倬蹖卮 丕夭 爻賮乇 讴丕乇蹖 賵丕賱丿蹖賳卮 亘賴 卮賴乇 讴賵亘賴 跇丕倬賳 賲鬲賵賱丿 卮丿賴 亘賵丿賴 丕爻鬲) 倬爻 丕夭 卮丕賳夭丿賴 爻丕賱貙 賵 賲丕噩乇丕蹖 毓卮賯蹖 亘丕 噩賵丕賳蹖 跇丕倬賳蹖貙 讴丕乇 胤丕賯鬲 賮乇爻丕 丿乇 讴丕乇禺丕賳賴 賵 鬲丨氐蹖賱 丕卮 丿乇 丿丕賳卮诏丕賴 乇丕 乇賵丕蹖鬲 賲蹖 讴賳丿.
賯爻賲鬲 毓賲丿賴 丕蹖賳 乇賲丕賳 亘賴 鬲氐賵蹖乇 讴卮蹖丿賳 鬲賮丕賵鬲 賴丕蹖 賮乇賴賳诏蹖 丿禺鬲乇 亘賱跇蹖讴蹖 賵 倬爻乇 跇丕倬賳蹖 丿丕爻鬲丕賳 丕禺鬲氐丕氐 丿丕乇丿 賵 賲丕亘賯蹖 丌賳 鬲賵氐蹖賮 胤亘蹖毓鬲 跇丕倬賳 賵 賮囟丕賴丕蹖 卮賴乇蹖 丕爻鬲. 亘丕 丕蹖賳讴賴 亘賴 賳馗乇 賲蹖鈥屫必池� 賴爻鬲賴 丕氐賱蹖 乇賲丕賳 蹖讴 乇丕亘胤賴 毓丕卮賯丕賳賴 亘丕卮丿 丕賲丕 丨賯蹖賯鬲丕 丿乇 丕蹖賳 讴鬲丕亘 禺亘乇蹖 丕夭 毓卮賯 亘賴 丌賳 賲賮賴賵賲 賲丕噩乇丕噩賵蹖蹖 卮賵乇丕賳诏蹖夭 賵 賮乇丕夭 賵 賮乇賵丿 丕丨爻丕爻蹖 賳蹖爻鬲貙 亘賱讴賴 丌賳趩賴 亘蹖卮鬲乇 亘賴 趩卮賲 賲蹖禺賵乇丿 賳賵毓蹖 氐賲蹖賲蹖鬲貙 賴賲夭蹖爻鬲蹖 賵 丿賵爻鬲蹖 氐賱丨 丌賲蹖夭 丕爻鬲 讴賴 丿乇 賳賴丕蹖鬲 賴賲丕賳胤賵乇 讴賴 卮乇賵毓 卮丿賴 亘賵丿 亘賴 倬丕蹖丕賳 賲蹖鈥屫必池�.
丕夭 賳賯丕胤 賯賵鬲 丕蹖賳 讴鬲丕亘 亘丕蹖丿 丿乇 丕亘鬲丿丕 亘賴 鬲乇噩賲賴 亘爻蹖丕乇 乇賵丕賳 丌賯丕蹖 賲丨賲丿 賳噩丕亘鬲蹖 賵 倬丕賳賵蹖爻 賴丕蹖 讴丕賲賱 讴鬲丕亘 丿乇 賴乇 氐賮丨賴 丕卮丕乇賴 讴賳賲 讴賴 讴丕乇 禺賵丕賳丿賳 丿丕爻鬲丕賳蹖 亘丕 丕乇噩丕毓丕鬲 賮乇賴賳诏蹖 跇丕倬賳蹖 賵 丕氐胤賱丕丨丕鬲 夭亘丕賳蹖 賲鬲毓丿丿 乇丕 亘賴 鬲噩乇亘賴 丕蹖 丿賱趩爻亘 賵 丌爻丕賳 鬲亘丿蹖賱 讴乇丿賴 丕賳丿. 賴賲趩賳蹖賳 亘丕蹖丿 亘賴 禺賱丕賮鬲 賳賵蹖爻賳丿賴 丿乇 鬲賱賮蹖賯 丿丕爻鬲丕賳蹖 亘丕 丿乇賵賳賲丕蹖賴 賲爻丕蹖賱 賮乇賴賳诏蹖 賵 毓丕胤賮蹖 亘丕 爻亘讴 賳乇賲 賵 丌乇丕賲 亘蹖賵诏乇丕賮蹖 賳賵蹖爻蹖 鬲亘乇蹖讴 亘诏賵蹖賲.
丕賲丕 丕夭 賳賯丕胤 囟毓賮卮 賴賲 賲蹖 鬲賵丕賳賲 亘賴 毓丿賲 卮禺氐蹖鬲 倬乇丿丕夭蹖 賵 賳丕鬲賵丕賳蹖 賳賵蹖爻賳丿賴 丿乇 鬲賵爻毓賴 胤乇丨 丿丕爻鬲丕賳 賵 丨囟賵锟斤拷 蹖讴 乇丕賵蹖 賲毓蹖賵亘 丕卮丕乇賴 讴賳賲 讴賴 賮讴乇 賲蹖讴賳賲 亘丕毓孬 卮賵賳丿 丕蹖賳 讴鬲丕亘 噩夭賵 丌孬丕乇 囟毓蹖賮 丕蹖賳 賳賵蹖爻賳丿賴 氐丕丨亘 賳丕賲 賯乇丕乇 亘诏蹖乇丿.
........
讴鬲丕亘賴丕蹖 毓丕卮賯丕賳賴 賵 亘蹖賵诏乇丕賮蹖 賴丕 丕氐賵賱丕 噩夭賵 跇丕賳乇 賴丕蹖 賲賵乇丿 毓賱丕賯賴 賲賳 賳蹖爻鬲賳貙 亘賴 賴賲蹖賳 禺丕胤乇 賴賲 丕蹖賳 讴鬲丕亘 賲賳賵 卮蹖賮鬲賴 禺賵丿卮 賳讴乇丿 貙 丕賲丕 丨丿爻 賲蹖夭賳賲 丿丕爻鬲丕賳 毓卮賯蹖 丕蹖賳 讴鬲丕亘 亘賴 賲夭丕賯 賳賵噩賵丕賳 賴丕 禺蹖賱蹖 禺賵卮 亘蹖丕丿.
......
鬲乇噩賲賴 讴鬲丕亘 乇賵丕賳 亘賵丿貙 賵賱蹖 丨丿爻 賲蹖夭賳賲 爻丕賳爻賵乇 倬乇 賵 倬蹖賲丕賳蹖 卮丿賴 亘丕卮賴 趩賵賳 賴蹖趩 氐丨賳賴 丕蹖 丕夭 亘賵爻賴 賵 賲毓丕卮賯賴 鬲賵蹖 讴鬲丕亘 賳亘賵丿 丿乇丨丕賱蹖讴賴 亘乇丕蹖 賴賲趩蹖賳 丿丕爻鬲丕賳蹖 賯丕毓丿鬲丕 丕賲讴丕賳 賳丿丕乇賴 賳亘丕卮賴.
賯爻賲鬲 毓賲丿賴 丕蹖賳 乇賲丕賳 亘賴 鬲氐賵蹖乇 讴卮蹖丿賳 鬲賮丕賵鬲 賴丕蹖 賮乇賴賳诏蹖 丿禺鬲乇 亘賱跇蹖讴蹖 賵 倬爻乇 跇丕倬賳蹖 丿丕爻鬲丕賳 丕禺鬲氐丕氐 丿丕乇丿 賵 賲丕亘賯蹖 丌賳 鬲賵氐蹖賮 胤亘蹖毓鬲 跇丕倬賳 賵 賮囟丕賴丕蹖 卮賴乇蹖 丕爻鬲. 亘丕 丕蹖賳讴賴 亘賴 賳馗乇 賲蹖鈥屫必池� 賴爻鬲賴 丕氐賱蹖 乇賲丕賳 蹖讴 乇丕亘胤賴 毓丕卮賯丕賳賴 亘丕卮丿 丕賲丕 丨賯蹖賯鬲丕 丿乇 丕蹖賳 讴鬲丕亘 禺亘乇蹖 丕夭 毓卮賯 亘賴 丌賳 賲賮賴賵賲 賲丕噩乇丕噩賵蹖蹖 卮賵乇丕賳诏蹖夭 賵 賮乇丕夭 賵 賮乇賵丿 丕丨爻丕爻蹖 賳蹖爻鬲貙 亘賱讴賴 丌賳趩賴 亘蹖卮鬲乇 亘賴 趩卮賲 賲蹖禺賵乇丿 賳賵毓蹖 氐賲蹖賲蹖鬲貙 賴賲夭蹖爻鬲蹖 賵 丿賵爻鬲蹖 氐賱丨 丌賲蹖夭 丕爻鬲 讴賴 丿乇 賳賴丕蹖鬲 賴賲丕賳胤賵乇 讴賴 卮乇賵毓 卮丿賴 亘賵丿 亘賴 倬丕蹖丕賳 賲蹖鈥屫必池�.
丕夭 賳賯丕胤 賯賵鬲 丕蹖賳 讴鬲丕亘 亘丕蹖丿 丿乇 丕亘鬲丿丕 亘賴 鬲乇噩賲賴 亘爻蹖丕乇 乇賵丕賳 丌賯丕蹖 賲丨賲丿 賳噩丕亘鬲蹖 賵 倬丕賳賵蹖爻 賴丕蹖 讴丕賲賱 讴鬲丕亘 丿乇 賴乇 氐賮丨賴 丕卮丕乇賴 讴賳賲 讴賴 讴丕乇 禺賵丕賳丿賳 丿丕爻鬲丕賳蹖 亘丕 丕乇噩丕毓丕鬲 賮乇賴賳诏蹖 跇丕倬賳蹖 賵 丕氐胤賱丕丨丕鬲 夭亘丕賳蹖 賲鬲毓丿丿 乇丕 亘賴 鬲噩乇亘賴 丕蹖 丿賱趩爻亘 賵 丌爻丕賳 鬲亘丿蹖賱 讴乇丿賴 丕賳丿. 賴賲趩賳蹖賳 亘丕蹖丿 亘賴 禺賱丕賮鬲 賳賵蹖爻賳丿賴 丿乇 鬲賱賮蹖賯 丿丕爻鬲丕賳蹖 亘丕 丿乇賵賳賲丕蹖賴 賲爻丕蹖賱 賮乇賴賳诏蹖 賵 毓丕胤賮蹖 亘丕 爻亘讴 賳乇賲 賵 丌乇丕賲 亘蹖賵诏乇丕賮蹖 賳賵蹖爻蹖 鬲亘乇蹖讴 亘诏賵蹖賲.
丕賲丕 丕夭 賳賯丕胤 囟毓賮卮 賴賲 賲蹖 鬲賵丕賳賲 亘賴 毓丿賲 卮禺氐蹖鬲 倬乇丿丕夭蹖 賵 賳丕鬲賵丕賳蹖 賳賵蹖爻賳丿賴 丿乇 鬲賵爻毓賴 胤乇丨 丿丕爻鬲丕賳 賵 丨囟賵锟斤拷 蹖讴 乇丕賵蹖 賲毓蹖賵亘 丕卮丕乇賴 讴賳賲 讴賴 賮讴乇 賲蹖讴賳賲 亘丕毓孬 卮賵賳丿 丕蹖賳 讴鬲丕亘 噩夭賵 丌孬丕乇 囟毓蹖賮 丕蹖賳 賳賵蹖爻賳丿賴 氐丕丨亘 賳丕賲 賯乇丕乇 亘诏蹖乇丿.
........
讴鬲丕亘賴丕蹖 毓丕卮賯丕賳賴 賵 亘蹖賵诏乇丕賮蹖 賴丕 丕氐賵賱丕 噩夭賵 跇丕賳乇 賴丕蹖 賲賵乇丿 毓賱丕賯賴 賲賳 賳蹖爻鬲賳貙 亘賴 賴賲蹖賳 禺丕胤乇 賴賲 丕蹖賳 讴鬲丕亘 賲賳賵 卮蹖賮鬲賴 禺賵丿卮 賳讴乇丿 貙 丕賲丕 丨丿爻 賲蹖夭賳賲 丿丕爻鬲丕賳 毓卮賯蹖 丕蹖賳 讴鬲丕亘 亘賴 賲夭丕賯 賳賵噩賵丕賳 賴丕 禺蹖賱蹖 禺賵卮 亘蹖丕丿.
......
鬲乇噩賲賴 讴鬲丕亘 乇賵丕賳 亘賵丿貙 賵賱蹖 丨丿爻 賲蹖夭賳賲 爻丕賳爻賵乇 倬乇 賵 倬蹖賲丕賳蹖 卮丿賴 亘丕卮賴 趩賵賳 賴蹖趩 氐丨賳賴 丕蹖 丕夭 亘賵爻賴 賵 賲毓丕卮賯賴 鬲賵蹖 讴鬲丕亘 賳亘賵丿 丿乇丨丕賱蹖讴賴 亘乇丕蹖 賴賲趩蹖賳 丿丕爻鬲丕賳蹖 賯丕毓丿鬲丕 丕賲讴丕賳 賳丿丕乇賴 賳亘丕卮賴.
July 29, 2020
丕賱賯乇丕亍丞 賱丕賲賷賱賷 賳賵孬賵賲亘 噩賲賷賱丞 賵禺丕氐丞賸 爻賷乇鬲賴丕 丕賱匕丕鬲賷丞
兀爻賱賵亘賴丕 亘爻賷胤 賵鬲賱賯丕卅賷 賵賲賲賷夭 亘丕賱賲乇丨 賵丕賱賮賰丕賴丞
賴賳丕 鬲丨賰賷 毓賳 賮鬲乇丞 賲賳 丨賷丕鬲賴丕 賮賷 丕賱賷丕亘丕賳 賵賯氐丞 丨亘 亘賷賳賴丕 賵亘賷賳 胤丕賱亘 賷丕亘丕賳賷 賷丿乇爻 丕賱賱睾丞 丕賱賮乇賳爻賷丞
丨賷丕鬲賴賲 丕賱賷賵賲賷丞 賵丕賱丕禺鬲賱丕賮丕鬲 亘賷賳賴賲 賮賷 丕賱孬賯丕賮丞 賵丕賱賱睾丞 賵丕賱毓丕丿丕鬲, 毓賱丕賯丞 賴丕丿卅丞 賱賰賳賴丕 賱賲 鬲賰賳 賰丕賮賷丞 賱賯亘賵賱賴丕 亘丕賱丕乇鬲亘丕胤 賵丕賱鬲禺賱賷 毓賳 丨乇賷鬲賴丕
丕賱賰鬲丕亘丞 賴賷 丕賱乇睾亘丞 賵丕賱丨賱賲 亘丕賱賳爻亘丞 賱賴丕, 賵亘毓丿 鬲丨賯賷賯賴丕 賱賱丨賱賲 鬲兀賰丿鬲 賲賳 兀賳 賴乇賵亘賴丕 賲賳 丕賱丨亘 賮賷 匕賱賰 丕賱賵賯鬲 賰丕賳 賴賵 丕賱賯乇丕乇 丕賱氐丨賷丨
鬲賰鬲亘 丕賲賷賱賷 毓賳 丕賱賷丕亘丕賳 亘丨亘 卮丿賷丿 .. 賴賷 亘賱噩賷賰賷丞 賵賱丿鬲 賮賷 丕賱賷丕亘丕賳
賵氐賮 噩賲賷賱 賱賱胤亘賷毓丞, 丕賱噩亘丕賱 賵丕賱噩賱賷丿 賵丕賱丨丿丕卅賯, 匕賰乇賷丕鬲 丕賱胤賮賵賱丞 賵丨鬲賶 丕賱賲兀賰賵賱丕鬲
噩亘賱 賮賵噩賷 丕賱匕賷 鬲毓鬲亘乇賴 氐丿賷賯賴丕 賵賲丿賷賳丞 賴賷乇賵卮賷賲丕 丕賱鬲賷 鬲氐賮賴丕 亘兀賳賴丕 賲丿賷賳丞 丕賱賰乇丕賲丞
兀孬賳丕亍 賯乇丕亍丞 丕賱賰鬲丕亘 鬲卮毓乇 兀賳賴 乇爻丕賱丞 丨亘 賱賱賷丕亘丕賳
兀爻賱賵亘賴丕 亘爻賷胤 賵鬲賱賯丕卅賷 賵賲賲賷夭 亘丕賱賲乇丨 賵丕賱賮賰丕賴丞
賴賳丕 鬲丨賰賷 毓賳 賮鬲乇丞 賲賳 丨賷丕鬲賴丕 賮賷 丕賱賷丕亘丕賳 賵賯氐丞 丨亘 亘賷賳賴丕 賵亘賷賳 胤丕賱亘 賷丕亘丕賳賷 賷丿乇爻 丕賱賱睾丞 丕賱賮乇賳爻賷丞
丨賷丕鬲賴賲 丕賱賷賵賲賷丞 賵丕賱丕禺鬲賱丕賮丕鬲 亘賷賳賴賲 賮賷 丕賱孬賯丕賮丞 賵丕賱賱睾丞 賵丕賱毓丕丿丕鬲, 毓賱丕賯丞 賴丕丿卅丞 賱賰賳賴丕 賱賲 鬲賰賳 賰丕賮賷丞 賱賯亘賵賱賴丕 亘丕賱丕乇鬲亘丕胤 賵丕賱鬲禺賱賷 毓賳 丨乇賷鬲賴丕
丕賱賰鬲丕亘丞 賴賷 丕賱乇睾亘丞 賵丕賱丨賱賲 亘丕賱賳爻亘丞 賱賴丕, 賵亘毓丿 鬲丨賯賷賯賴丕 賱賱丨賱賲 鬲兀賰丿鬲 賲賳 兀賳 賴乇賵亘賴丕 賲賳 丕賱丨亘 賮賷 匕賱賰 丕賱賵賯鬲 賰丕賳 賴賵 丕賱賯乇丕乇 丕賱氐丨賷丨
鬲賰鬲亘 丕賲賷賱賷 毓賳 丕賱賷丕亘丕賳 亘丨亘 卮丿賷丿 .. 賴賷 亘賱噩賷賰賷丞 賵賱丿鬲 賮賷 丕賱賷丕亘丕賳
賵氐賮 噩賲賷賱 賱賱胤亘賷毓丞, 丕賱噩亘丕賱 賵丕賱噩賱賷丿 賵丕賱丨丿丕卅賯, 匕賰乇賷丕鬲 丕賱胤賮賵賱丞 賵丨鬲賶 丕賱賲兀賰賵賱丕鬲
噩亘賱 賮賵噩賷 丕賱匕賷 鬲毓鬲亘乇賴 氐丿賷賯賴丕 賵賲丿賷賳丞 賴賷乇賵卮賷賲丕 丕賱鬲賷 鬲氐賮賴丕 亘兀賳賴丕 賲丿賷賳丞 丕賱賰乇丕賲丞
兀孬賳丕亍 賯乇丕亍丞 丕賱賰鬲丕亘 鬲卮毓乇 兀賳賴 乇爻丕賱丞 丨亘 賱賱賷丕亘丕賳
February 17, 2018
兀賲賷賱賷 賳賵孬賵賲亘..丕賱爻丕丨乇丞 丕賱亘賱噩賷賰賷丞
賵賱賯丕亍 孬丕賳賺.
賵賱賯丕亍 孬丕賳賺.
January 18, 2014
The bulk of this book was more about culture clash than about a relationship, and I very much enjoyed the narrator鈥檚 musings on the pitfalls and delights of developing relationships in foreign languages. The problem is that the book reads very much like any 20-year-old鈥檚 study abroad journal: there鈥檚 a lot of reporting what happened, but no larger theme, no real character development, nothing to tie it together as a story.
Until, of course, the very end, when the narrator鈥檚 attempts to draw conclusions from her experience fail horribly. From the start, I found the narrator to be a little on the selfish side when it came to her relationship with Rinri. At the book鈥檚 conclusion, this selfishness reaches new heights, to the point where her actions border on cruelty. Even worse, when looking back from the distance of many years, the narrator doesn鈥檛 show that she鈥檚 learned and matured from her experience. On the contrary, she seems quite pleased with the way she handled the situation, and throws in some heavy-handed philosophizing so that we can all learn from her supposed wisdom. I can handle a flawed narrator, but not one so blind to their flaws and so preachy about it. Or maybe it鈥檚 just another case of culture dissonance? I hope that鈥檚 not the case; if it is, remind me never to date a Belgian.
Until, of course, the very end, when the narrator鈥檚 attempts to draw conclusions from her experience fail horribly. From the start, I found the narrator to be a little on the selfish side when it came to her relationship with Rinri. At the book鈥檚 conclusion, this selfishness reaches new heights, to the point where her actions border on cruelty. Even worse, when looking back from the distance of many years, the narrator doesn鈥檛 show that she鈥檚 learned and matured from her experience. On the contrary, she seems quite pleased with the way she handled the situation, and throws in some heavy-handed philosophizing so that we can all learn from her supposed wisdom. I can handle a flawed narrator, but not one so blind to their flaws and so preachy about it. Or maybe it鈥檚 just another case of culture dissonance? I hope that鈥檚 not the case; if it is, remind me never to date a Belgian.
September 19, 2020
孬丕賱孬 賰鬲丕亘丕鬲 兀賲賷賱賷 賳賵孬賵賲亘 毓賳 爻賷乇鬲賴丕 丕賱匕丕鬲賷丞
賮賷 鬲賳丕賵賱鬲 丨賷丕鬲賴丕 丕賱毓賲賱賷丞 賮賷 卮乇賰丞 賷丕亘丕賳賷丞
鬲鬲賳丕賵賱 賴匕賴 丕賱賲乇丞 丨賷丕鬲賴丕 丕賱毓丕胤賮賷丞 賮賷 賳賮爻 丕賱賲丿丞 丕賱夭賲賳賷丞貙 賵爻鬲丿賴卮 賲賳 賰賲 丕賱鬲賳丕賯囟丕鬲 賮賷 丨賷丕鬲賴丕
鬲賳丕賵賱鬲 丕賱毓賱丕賯丞 兀亘毓丕丿 毓丿賷丿丞 賱賱毓賱丕賯丕鬲 賮賷 丕賱噩鬲賲毓 丕賱賷丕亘丕賳賷
鬲賳丕賵賱鬲 鬲賲乇丿 丕賱卮亘丕亘 丕賱賷丕亘丕賳賷
賵賷鬲噩賱賷 匕賱賰 賵賮囟賵賱 賵兀丨賷丕賳丕 賴賵爻 丕賱賷丕亘丕賳賷賷賳 亘丕賱丨囟丕乇丕鬲 賵丕賱馗賵丕賴乇 丕賱孬賯丕賮賷丞 丕賱兀噩賳亘賷丞
鬲賳丕賵賱鬲 兀亘毓丕丿 禺賮賷丞 毓賳 丕賱賲噩鬲賲毓 丕賱賷丕亘丕賳賷
賲賳 丕賱賳丕丨賷丞 丕賱毓賲賱賷丞 賵丕賱毓賲賱賷丞 丕賱丕噩鬲賲丕毓賷丞 賵亘毓囟 鬲賯丕賱賷丿 賵毓丕丿丕鬲 丕賱賲噩鬲賲毓 丕賱賷丕亘丕賳賷
兀賲丕 毓賳 丕賱卮禺氐賷丕鬲 賮賯丿 乇購爻賲鬲 亘氐賵乇鬲賴丕 丕賱賰丕賲賱丞 賴匕丞 丕賱賲乇丞 亘賲賲賷夭丕鬲賴丕 賵毓賷賵亘賴丕
丕賱爻乇丿 賰丕賳 亘毓賷丿 賰賱 丕賱亘毓丿 毓賳 丕賱賲賱賱 賵丕賱鬲賰乇丕乇
February 12, 2022
蹖讴蹖 丕夭 亘賴鬲乇蹖賳 讴鬲丕亘鈥屬囏й� 賳賵鬲賵賲 亘賵丿 讴賴 鬲丕 亘賴 丨丕賱 禺賵丕賳丿賴鈥屫з�. 丿乇 丨丕賱 賵 賴賵丕蹖 芦亘賴鬲 賵 賱乇夭賴禄 亘賵丿 賵 亘丕夭 丿乇亘丕乇賴鈥屰� 鬲賯丕亘賱 賮乇賴賳诏蹖 跇丕倬賳 賵 丕乇賵倬丕 賵 丕賱亘鬲賴 讴賱蹖 賲囟賲賵賳鈥屬囏й� 賮乇毓蹖 賵 賳讴丕鬲 馗乇蹖賮 賵 噩夭卅蹖 禺丕氐 爻亘讴 賳賵鬲賵賲. 亘丕 鬲乇噩賲賴鈥屰� 禺蹖賱蹖 禺賵亘. 鬲賵氐蹖賴 賲蹖鈥屫促堌�
October 1, 2017
Pues... no s茅, me he quedado bastante fr铆a... Aunque, supongo, est谩 bien.
March 7, 2009
How do you know an author is talented? One way is when you cannot stop reading, even though not much is happening plotwise. This was Tokyo Finacee for me. Nothomb creates striking images with very few words, and their arresting quality is not lost in translation.
(Note: The title is Tokyo Fianc茅e)
Quote:
"The concept of freedom has been spoken of so often that from the very first words I want to yawn. The physical experience of freedom, however, is something else all together. You should always have something to flee from, in order to cultivate this wonderful sense of possibility. Besides, you do always have something to flee -- even if it is only your own self.
The good news is that you can escape from yourself. What you are fleeing in yourself is the little prison that a settled way of life will build anywhere. Just pack your bags and off you go: the ego is so astonished that it forgets to play jail-keeper. You can shake yourself off the way you'd shake off your pursuers."
(Note: The title is Tokyo Fianc茅e)
Quote:
"The concept of freedom has been spoken of so often that from the very first words I want to yawn. The physical experience of freedom, however, is something else all together. You should always have something to flee from, in order to cultivate this wonderful sense of possibility. Besides, you do always have something to flee -- even if it is only your own self.
The good news is that you can escape from yourself. What you are fleeing in yourself is the little prison that a settled way of life will build anywhere. Just pack your bags and off you go: the ego is so astonished that it forgets to play jail-keeper. You can shake yourself off the way you'd shake off your pursuers."
February 3, 2016
"禺賱丕賱 賴匕丕 丕賱毓賳丕賯 丕賱匕賶 丕爻鬲賲乇 毓卮乇 孬賵丕賳貙
卮毓乇鬲購 亘賰賱 賲丕 賰丕賳 賷噩亘 兀賳 兀卮毓乇 亘賴 禺賱丕賱 賰賱 賴匕賴 丕賱爻賳賵丕鬲.
賰丕賳 匕賱賰 賯賵賷賸丕 亘卮賰賱 乇賴賷亘貙 毓卮鬲購 爻亘毓 爻賳賵丕鬲 賲賳 丕賱毓丕胤賮丞 賮賶 毓卮乇 孬賵丕賳.
賰丕賳 賴匕丕 廿匕賳 乇賷賳乇賶 賵兀賳丕: 毓賳丕賯 丕賱爻丕賲賵乇丕賶 丕賱兀禺賵賶.
兀噩賲賱 賰孬賷乇賸丕 賵兀賳亘賱 賲賳 賯氐丞 丨亘 丨賲賯丕亍"
"賱丕 丨賵丕亍 賵賱丕 丌丿賲"
鬲氐賱丨 賴匕賴 丕賱乇賵丕賷丞 兀賵 賱賳賯賱 丕賱噩夭亍 賲賳 爻賷乇丞 丌賲賷賱賶 丕賱匕丕鬲賷丞 兀賳 鬲氐亘丨 賮賷賱賲丕賸 爻賷賳賲丕卅賷丕賸 賱胤賷賮 丕賱兀孬乇.
鬲禺賷賱 兀賳賰 鬲噩賱爻 賮賶 賲賰丕賳 賴丕丿卅 賲毓 丕賲乇兀丞 賯丿 鬲噩丕賵夭鬲 賲乇丨賱丞 丕賱卮亘丕亘貙 賵乇丕丨鬲 鬲丨賰賶 賱賰 毓賳 賯氐丞 丨亘 賯丿賷賲丞 賮賷 丨賷丕鬲賴丕貙
毓丕卮鬲賴丕 賲毓 卮丕亘 賷丕亘丕賳賷 丨賷賳 賰丕賳 賰賱丕賴賲丕 賮賷 兀賵丕卅賱 丕賱毓卮乇賷賳丕鬲 賲賳 毓賲乇賷賴賲丕.
賲丕 賷購賲賷夭賴丕 兀賳賴丕 鬲鬲丨丿孬 亘亘爻丕胤丞 卮丿賷丿丞貙 丿賵賳 禺噩賱 賲賳 丕賱丕毓鬲乇丕賮 亘賲卮賰賱丕鬲賴丕 丕賱丿丕禺賱賷丞貙 賵賲賳 睾賷乇 兀賳 鬲丨丕賵賱 兀賳 鬲囟賮賷 爻丨乇賸丕 夭丕卅賮賸丕 毓賱賶 鬲賱賰 丕賱毓賱丕賯丞
賴匕丕 賴賵 兀賯乇亘 賵氐賮 賷賲賰賳 兀賳 賷卮毓乇 亘賴 丕賱賯丕乇卅 兀孬賳丕亍 賯乇丕卅鬲賴.
賱兀氐丿賯賰賲 丕賱賯賵賱 賱丕 兀毓賱賲 賱賲賻 兀禺鬲丕乇鬲 賴匕丕 丕賱賲爻賲賶 賱賴匕丕 丕賱噩夭亍 賲賳 爻賷乇鬲賴丕 丕賱匕丕鬲賷丞.
賱賳鬲丨丿孬 亘鬲賮氐賷賱 兀賰亘乇:
丌賲賷賱賶 賴賳丕 鬲丨賰賷 賵賯丕卅毓 匕賰乇賷丕鬲 乇丨賱鬲賴丕 廿賱賶 丕賱毓丕氐賲丞 丕賱賷丕亘丕賳賷丞 胤賵賰賷賵貙
鬲丨賰賶 賱賳丕 毓賳 毓賱丕賯鬲賴丕 亘卮丕亘 賷丕亘丕賳賷 毓卮乇賷賳賷 賷丿毓賶 芦乇賷賳乇賷禄貙 鬲賯賵賲 賴賷 亘鬲毓賱賷賲賴 丕賱賱睾丞 丕賱賮乇賳爻賷丞貙
賱賰賳賴丕 鬲噩丿 賳賮爻賴丕 鬲賳爻丨亘 賲賳 丿賵賳 廿乇丕丿丞 賲賳賴丕 廿賱賶 毓賱丕賯丞 丨亘 噩丕乇賮丞 賲毓 賴匕丕 丕賱卮丕亘貙 毓賱賶 乇睾賲 毓丿賲 丕賱鬲賮丕鬲賴丕 賮賷 丕賱兀賷丕賲 丕賱兀賵賱賶 賲賳 丕賱毓賱丕賯丞 廿賱賷賴 丕賱亘鬲丞.
鬲噩賲毓賴賲丕 賱賯丕亍丕鬲 賷賵賲賷丞貙 賵兀賰賱丕鬲 賲卮鬲乇賰丞貙 賵乇丨賱丕鬲 禺賱賵賷丞 噩匕丕亘丞 亘賷賳 噩亘丕賱 丕賱賲丿賳 丕賱賷丕亘丕賳賷丞 匕丕鬲 丕賱胤亘賷毓丞 丕賱禺賱丕亘丞 .
賲丕 爻賷賱賮鬲 丕賳鬲亘丕賴賰 兀賷囟賸丕 賴賳丕 賴賵 乇爻賲賴丕 賱氐賵乇丞 丕賱鬲亘丕賷賳 亘賷賳 丕賱孬賯丕賮丕鬲 丕賱賲禺鬲賱賮丞 亘乇卮丕賯丞 賵噩賲丕賱.
丨賷孬 鬲購馗賴賽乇 兀亘毓丕丿 丕賱孬賯丕賮丞 丕賱賷丕亘丕賳賷丞貙 賵賲丿賶 丕賱丕禺鬲賱丕賮 亘賷賳賴丕 賵亘賷賳 丕賱孬賯丕賮丞 丕賱睾乇亘賷丞貙 丕賱賵噩賴 丕賱賲丨丕賮馗 賱賱賷丕亘丕賳賷丞 賵丕賱禺氐賵氐賷丞 丕賱毓丕賱賷丞 賵丕禺鬲賱丕賮丕鬲 丕賱胤毓丕賲 賵丕賱鬲賴匕賷亘 丕賱卮丿賷丿.
賱賮鬲鬲 丕賱乇賵丕賷丞 兀賷囟賸丕 廿賱賶 孬賯丕賮丞 丕賱丕丨鬲賵丕亍 賵賰賷賮賷丞 丕賱丕賱鬲丨丕賲 亘賷賳 丕賱乇噩賱 賵丕賱賲乇兀丞 賱賷爻 亘氐賵乇丞 噩爻丿賷丞貙 賵賱賰賳 賲賳 丕賱賳丕丨賷丞 丕賱賮賰乇賷丞 賵丕賱乇賵丨賷丞
胤賵丕賱 賮鬲乇丞 賯乇丕卅鬲賰 爻鬲鬲爻丕卅賱 賲賳 兀賷賳 賷賳亘毓 賰賱 賴匕丕 丕賱爻丨乇責 賵賰賱 賴匕賴 丕賱丕賳爻賷丕亘賷丞 賵丕賱亘爻丕胤丞 賵丕賱毓賮賵賷丞責
丕賱乇賵丕賷丞 賱賷爻鬲 賲噩乇丿 賯氐丞 丨亘 賮丕乇睾丞 賲賳 賲囟賲賵賳賴丕貙 賱賰賳賴丕 賲乇丕賵睾丞 鬲賰卮賮 毓賳 賲毓丕賳賷 丕賱禺賷丕乇丕鬲 丕賱氐毓亘丞 賮賷 賴匕賴 丕賱丨賷丕丞貙
賵鬲胤乇丨 賮賷賴丕 丕賱亘胤賱丞 丕賱鬲爻丕丐賱 丕賱兀賴賲: 賴賱 兀賳丕 毓賱賶 丕賱丿乇亘 丕賱氐丨賷丨 賮賷 賲爻賷乇鬲賷 丕賱丨賷丕鬲賷丞責
賴賳丕 亘丕禺鬲氐丕乇貙 鬲賰賵賳 丕賱丨乇賷丞 兀賴賲 賲賳 丕賱丨亘 匕丕鬲賴貙 兀賵 賴賷 亘賲毓賳賶 兀丿賯 賲丕 賷噩毓賱 丕賱丨亘 賷亘賯賶 賵賷賯賵賶.
卮毓乇鬲購 亘賰賱 賲丕 賰丕賳 賷噩亘 兀賳 兀卮毓乇 亘賴 禺賱丕賱 賰賱 賴匕賴 丕賱爻賳賵丕鬲.
賰丕賳 匕賱賰 賯賵賷賸丕 亘卮賰賱 乇賴賷亘貙 毓卮鬲購 爻亘毓 爻賳賵丕鬲 賲賳 丕賱毓丕胤賮丞 賮賶 毓卮乇 孬賵丕賳.
賰丕賳 賴匕丕 廿匕賳 乇賷賳乇賶 賵兀賳丕: 毓賳丕賯 丕賱爻丕賲賵乇丕賶 丕賱兀禺賵賶.
兀噩賲賱 賰孬賷乇賸丕 賵兀賳亘賱 賲賳 賯氐丞 丨亘 丨賲賯丕亍"
"賱丕 丨賵丕亍 賵賱丕 丌丿賲"
鬲氐賱丨 賴匕賴 丕賱乇賵丕賷丞 兀賵 賱賳賯賱 丕賱噩夭亍 賲賳 爻賷乇丞 丌賲賷賱賶 丕賱匕丕鬲賷丞 兀賳 鬲氐亘丨 賮賷賱賲丕賸 爻賷賳賲丕卅賷丕賸 賱胤賷賮 丕賱兀孬乇.
鬲禺賷賱 兀賳賰 鬲噩賱爻 賮賶 賲賰丕賳 賴丕丿卅 賲毓 丕賲乇兀丞 賯丿 鬲噩丕賵夭鬲 賲乇丨賱丞 丕賱卮亘丕亘貙 賵乇丕丨鬲 鬲丨賰賶 賱賰 毓賳 賯氐丞 丨亘 賯丿賷賲丞 賮賷 丨賷丕鬲賴丕貙
毓丕卮鬲賴丕 賲毓 卮丕亘 賷丕亘丕賳賷 丨賷賳 賰丕賳 賰賱丕賴賲丕 賮賷 兀賵丕卅賱 丕賱毓卮乇賷賳丕鬲 賲賳 毓賲乇賷賴賲丕.
賲丕 賷購賲賷夭賴丕 兀賳賴丕 鬲鬲丨丿孬 亘亘爻丕胤丞 卮丿賷丿丞貙 丿賵賳 禺噩賱 賲賳 丕賱丕毓鬲乇丕賮 亘賲卮賰賱丕鬲賴丕 丕賱丿丕禺賱賷丞貙 賵賲賳 睾賷乇 兀賳 鬲丨丕賵賱 兀賳 鬲囟賮賷 爻丨乇賸丕 夭丕卅賮賸丕 毓賱賶 鬲賱賰 丕賱毓賱丕賯丞
賴匕丕 賴賵 兀賯乇亘 賵氐賮 賷賲賰賳 兀賳 賷卮毓乇 亘賴 丕賱賯丕乇卅 兀孬賳丕亍 賯乇丕卅鬲賴.
賱兀氐丿賯賰賲 丕賱賯賵賱 賱丕 兀毓賱賲 賱賲賻 兀禺鬲丕乇鬲 賴匕丕 丕賱賲爻賲賶 賱賴匕丕 丕賱噩夭亍 賲賳 爻賷乇鬲賴丕 丕賱匕丕鬲賷丞.
賱賳鬲丨丿孬 亘鬲賮氐賷賱 兀賰亘乇:
丌賲賷賱賶 賴賳丕 鬲丨賰賷 賵賯丕卅毓 匕賰乇賷丕鬲 乇丨賱鬲賴丕 廿賱賶 丕賱毓丕氐賲丞 丕賱賷丕亘丕賳賷丞 胤賵賰賷賵貙
鬲丨賰賶 賱賳丕 毓賳 毓賱丕賯鬲賴丕 亘卮丕亘 賷丕亘丕賳賷 毓卮乇賷賳賷 賷丿毓賶 芦乇賷賳乇賷禄貙 鬲賯賵賲 賴賷 亘鬲毓賱賷賲賴 丕賱賱睾丞 丕賱賮乇賳爻賷丞貙
賱賰賳賴丕 鬲噩丿 賳賮爻賴丕 鬲賳爻丨亘 賲賳 丿賵賳 廿乇丕丿丞 賲賳賴丕 廿賱賶 毓賱丕賯丞 丨亘 噩丕乇賮丞 賲毓 賴匕丕 丕賱卮丕亘貙 毓賱賶 乇睾賲 毓丿賲 丕賱鬲賮丕鬲賴丕 賮賷 丕賱兀賷丕賲 丕賱兀賵賱賶 賲賳 丕賱毓賱丕賯丞 廿賱賷賴 丕賱亘鬲丞.
鬲噩賲毓賴賲丕 賱賯丕亍丕鬲 賷賵賲賷丞貙 賵兀賰賱丕鬲 賲卮鬲乇賰丞貙 賵乇丨賱丕鬲 禺賱賵賷丞 噩匕丕亘丞 亘賷賳 噩亘丕賱 丕賱賲丿賳 丕賱賷丕亘丕賳賷丞 匕丕鬲 丕賱胤亘賷毓丞 丕賱禺賱丕亘丞 .
賲丕 爻賷賱賮鬲 丕賳鬲亘丕賴賰 兀賷囟賸丕 賴賳丕 賴賵 乇爻賲賴丕 賱氐賵乇丞 丕賱鬲亘丕賷賳 亘賷賳 丕賱孬賯丕賮丕鬲 丕賱賲禺鬲賱賮丞 亘乇卮丕賯丞 賵噩賲丕賱.
丨賷孬 鬲購馗賴賽乇 兀亘毓丕丿 丕賱孬賯丕賮丞 丕賱賷丕亘丕賳賷丞貙 賵賲丿賶 丕賱丕禺鬲賱丕賮 亘賷賳賴丕 賵亘賷賳 丕賱孬賯丕賮丞 丕賱睾乇亘賷丞貙 丕賱賵噩賴 丕賱賲丨丕賮馗 賱賱賷丕亘丕賳賷丞 賵丕賱禺氐賵氐賷丞 丕賱毓丕賱賷丞 賵丕禺鬲賱丕賮丕鬲 丕賱胤毓丕賲 賵丕賱鬲賴匕賷亘 丕賱卮丿賷丿.
賱賮鬲鬲 丕賱乇賵丕賷丞 兀賷囟賸丕 廿賱賶 孬賯丕賮丞 丕賱丕丨鬲賵丕亍 賵賰賷賮賷丞 丕賱丕賱鬲丨丕賲 亘賷賳 丕賱乇噩賱 賵丕賱賲乇兀丞 賱賷爻 亘氐賵乇丞 噩爻丿賷丞貙 賵賱賰賳 賲賳 丕賱賳丕丨賷丞 丕賱賮賰乇賷丞 賵丕賱乇賵丨賷丞
胤賵丕賱 賮鬲乇丞 賯乇丕卅鬲賰 爻鬲鬲爻丕卅賱 賲賳 兀賷賳 賷賳亘毓 賰賱 賴匕丕 丕賱爻丨乇責 賵賰賱 賴匕賴 丕賱丕賳爻賷丕亘賷丞 賵丕賱亘爻丕胤丞 賵丕賱毓賮賵賷丞責
丕賱乇賵丕賷丞 賱賷爻鬲 賲噩乇丿 賯氐丞 丨亘 賮丕乇睾丞 賲賳 賲囟賲賵賳賴丕貙 賱賰賳賴丕 賲乇丕賵睾丞 鬲賰卮賮 毓賳 賲毓丕賳賷 丕賱禺賷丕乇丕鬲 丕賱氐毓亘丞 賮賷 賴匕賴 丕賱丨賷丕丞貙
賵鬲胤乇丨 賮賷賴丕 丕賱亘胤賱丞 丕賱鬲爻丕丐賱 丕賱兀賴賲: 賴賱 兀賳丕 毓賱賶 丕賱丿乇亘 丕賱氐丨賷丨 賮賷 賲爻賷乇鬲賷 丕賱丨賷丕鬲賷丞責
賴賳丕 亘丕禺鬲氐丕乇貙 鬲賰賵賳 丕賱丨乇賷丞 兀賴賲 賲賳 丕賱丨亘 匕丕鬲賴貙 兀賵 賴賷 亘賲毓賳賶 兀丿賯 賲丕 賷噩毓賱 丕賱丨亘 賷亘賯賶 賵賷賯賵賶.
July 4, 2023
乇賵丕賷丞 賯氐賷乇丞 鬲丨賰賷 賮賷賴丕 丕賱賰丕鬲亘丞 毓賳 毓賱丕賯鬲賴丕 丕賱毓丕胤賮賷丞 亘卮丕亘 賷丕亘丕賳賷 賲賳 兀爻乇丞 毓乇賷賯丞貙 賲鬲賲乇丿 廿賱賶 丨丿 賲丕 毓賱賶 丕賱鬲賯丕賱賷丿 丕賱賷丕亘丕賳賷丞.
鬲爻乇丿 丕賱賰丕鬲亘丞 丕賱毓丿賷丿 賲賳 丕賱賲賵丕賯賮 丕賱鬲賷 賳鬲毓乇賮 賮賷賴丕 毓賱賶 丕賱賲噩鬲賲毓 丕賱賷丕亘丕賳賷 賵賳乇賶 賮賷賴丕 丕賱丕禺鬲賱丕賮 亘賷賳 丕賱賷丕亘丕賳 賵丕賱睾乇亘貙 賰匕賱賰 鬲鬲丨丿孬 毓賳 廿毓噩丕亘賴丕 亘丕賱丨賷丕丞 賮賷 丕賱賷丕亘丕賳 賵亘丕賱胤亘賷毓丞 賴賳丕賰.
兀爻賱賵亘 丕賱乇賵丕賷丞 賱賷爻 乇賵賲丕賳爻賷丕 賵廿賳賲丕 鬲賲賷賱 丕賱賰丕鬲亘丞 廿賱賶 丕賱賴夭賱 賮賷 賰孬賷乇 賲賳 丕賱兀丨賷丕賳 賵丕賱匕賷 兀毓胤賶 胤丕亘毓丕 賮賰丕賴賷丕 賱賱乇賵丕賷丞 禺丕氐丞 賲毓 鬲賳丕賯囟 兀爻賱賵亘 丕賱卮丕亘 丕賱賷丕亘丕賳賷 丕賱賲賴匕亘 噩丿丕 賵兀爻賱賵亘賴丕 丕賱賲噩賳賵賳 丕賱賲鬲丨乇乇.
丕毓鬲賯丿 丕賳 丕賱鬲乇噩賲丞 丕孬乇鬲 毓賱賶 爻賱丕爻丞 丕賱乇賵丕賷丞.
"賮賷 丕賱禺丕賲爻丞貙 卮兀賳 丕賱兀胤賮丕賱 丕賱丌禺乇賷賳貙 禺囟毓鬲 賱丕禺鬲亘丕乇丕鬲 賱丿禺賵賱 兀賮囟賱 丕賱賲丿丕乇爻 丕賱丕亘鬲丿丕卅賷丞貙 賵賱賵 賰賳鬲 賯丿 賳噩丨鬲 賱兀賲賰賳賳賷 賷賵賲丕 丿禺賵賱 廿丨丿賶 丕賮囟賱 丕賱噩丕賲毓丕鬲.
賮賷 丕賱禺丕賲爻丞貙 賰賳鬲 兀毓乇賮 匕賱賰. 賱賰賳賳賷 賱賲 丕賳噩丨.
賮賷 丕賱禺丕賲爻丞貙 毓賱賲鬲 兀賳賳賷 賱賲 兀賰賳 亘丕賱匕賰丕亍 丕賱賰丕賮賷. 丕賱匕賷賳 賰丕賳賵丕 賷乇爻亘賵賳 賮賷 丕賱丕禺鬲亘丕乇丕鬲貙 賰丕賳賵丕 賷毓賱賲賵賳 賲賳匕 賳毓賵賲丞 兀馗賮丕乇賴賲 兀賳賴賲 賮賷 丕賮囟賱 丕賱兀丨賵丕賱貙 毓鬲丕丿 丕賱賲卮丕乇賷毓貙 賲孬賱賲丕 賰丕賳 賴賳丕賰 毓鬲丕丿 賱賱賲丿丕賮毓貙 賵賷賳丿賴卮 丕賱賳丕爻 賲賳 賴匕丕 丕賱賰賲 賲賳 丕賱賲乇丕賴賯賷賳 丕賱賷丕亘丕賳賷賷賳 丕賱匕賷賳 賷賳鬲丨乇賵賳".
"賲賳 丕賱孬丕賱孬丞 賮賷 丕賱毓賲乇 丨鬲賶 丕賱孬丕賲賳丞 毓卮乇丞貙 賷丿乇爻 丕賱賷丕亘丕賳賷賵賳 賰丕賱賲賲爻賵爻賷賳.
賲賳 丕賱禺丕賲爻丞 賵丕賱毓卮乇賷賳 丨鬲賶 丕賱鬲賯丕毓丿貙 賷毓賲賱賵賳 賰丕賱賲賴賵賵爻賷賳.
賲賳 丕賱孬丕賲賳丞 毓卮乇丞 賵丨鬲賶 丕賱禺丕賲爻丞 賵丕賱毓卮乇賷賳貙 賷毓賵賳 兀賳賴賲 賷毓賷卮賵賳 賲乇丨賱丞 賮乇賷丿丞貙 賵鬲賲賳丨 賱賴賲 賰賷 賷夭丿賴乇賵丕. 丨鬲賶 賲賳 賳噩丨賵丕 賮賷 丕賱丕禺鬲亘丕乇 丕賱乇賴賷亘 賱賱丕賱鬲丨丕賯 亘廿丨丿賶 丕賱噩丕賲毓丕鬲 丕賱噩丕丿丞 賷賲賰賳賴賲 丕賳 賷賱鬲賯胤賵丕 兀賳賮丕爻賴賲貙 賮丕賱丕禺鬲賷丕乇 丕賱兀賵賱 賮丨爻亘 賴賵 丕賱賲賴賲 丨賯丕貙 賵賱爻亘亘 丕賰孬乇 賯賵丞 賲賳 賷鬲乇丿丿賵賳 毓賱賶 噩丕賲毓丞 賲丨胤丞 賯胤丕乇".
鬲爻乇丿 丕賱賰丕鬲亘丞 丕賱毓丿賷丿 賲賳 丕賱賲賵丕賯賮 丕賱鬲賷 賳鬲毓乇賮 賮賷賴丕 毓賱賶 丕賱賲噩鬲賲毓 丕賱賷丕亘丕賳賷 賵賳乇賶 賮賷賴丕 丕賱丕禺鬲賱丕賮 亘賷賳 丕賱賷丕亘丕賳 賵丕賱睾乇亘貙 賰匕賱賰 鬲鬲丨丿孬 毓賳 廿毓噩丕亘賴丕 亘丕賱丨賷丕丞 賮賷 丕賱賷丕亘丕賳 賵亘丕賱胤亘賷毓丞 賴賳丕賰.
兀爻賱賵亘 丕賱乇賵丕賷丞 賱賷爻 乇賵賲丕賳爻賷丕 賵廿賳賲丕 鬲賲賷賱 丕賱賰丕鬲亘丞 廿賱賶 丕賱賴夭賱 賮賷 賰孬賷乇 賲賳 丕賱兀丨賷丕賳 賵丕賱匕賷 兀毓胤賶 胤丕亘毓丕 賮賰丕賴賷丕 賱賱乇賵丕賷丞 禺丕氐丞 賲毓 鬲賳丕賯囟 兀爻賱賵亘 丕賱卮丕亘 丕賱賷丕亘丕賳賷 丕賱賲賴匕亘 噩丿丕 賵兀爻賱賵亘賴丕 丕賱賲噩賳賵賳 丕賱賲鬲丨乇乇.
丕毓鬲賯丿 丕賳 丕賱鬲乇噩賲丞 丕孬乇鬲 毓賱賶 爻賱丕爻丞 丕賱乇賵丕賷丞.
"賮賷 丕賱禺丕賲爻丞貙 卮兀賳 丕賱兀胤賮丕賱 丕賱丌禺乇賷賳貙 禺囟毓鬲 賱丕禺鬲亘丕乇丕鬲 賱丿禺賵賱 兀賮囟賱 丕賱賲丿丕乇爻 丕賱丕亘鬲丿丕卅賷丞貙 賵賱賵 賰賳鬲 賯丿 賳噩丨鬲 賱兀賲賰賳賳賷 賷賵賲丕 丿禺賵賱 廿丨丿賶 丕賮囟賱 丕賱噩丕賲毓丕鬲.
賮賷 丕賱禺丕賲爻丞貙 賰賳鬲 兀毓乇賮 匕賱賰. 賱賰賳賳賷 賱賲 丕賳噩丨.
賮賷 丕賱禺丕賲爻丞貙 毓賱賲鬲 兀賳賳賷 賱賲 兀賰賳 亘丕賱匕賰丕亍 丕賱賰丕賮賷. 丕賱匕賷賳 賰丕賳賵丕 賷乇爻亘賵賳 賮賷 丕賱丕禺鬲亘丕乇丕鬲貙 賰丕賳賵丕 賷毓賱賲賵賳 賲賳匕 賳毓賵賲丞 兀馗賮丕乇賴賲 兀賳賴賲 賮賷 丕賮囟賱 丕賱兀丨賵丕賱貙 毓鬲丕丿 丕賱賲卮丕乇賷毓貙 賲孬賱賲丕 賰丕賳 賴賳丕賰 毓鬲丕丿 賱賱賲丿丕賮毓貙 賵賷賳丿賴卮 丕賱賳丕爻 賲賳 賴匕丕 丕賱賰賲 賲賳 丕賱賲乇丕賴賯賷賳 丕賱賷丕亘丕賳賷賷賳 丕賱匕賷賳 賷賳鬲丨乇賵賳".
"賲賳 丕賱孬丕賱孬丞 賮賷 丕賱毓賲乇 丨鬲賶 丕賱孬丕賲賳丞 毓卮乇丞貙 賷丿乇爻 丕賱賷丕亘丕賳賷賵賳 賰丕賱賲賲爻賵爻賷賳.
賲賳 丕賱禺丕賲爻丞 賵丕賱毓卮乇賷賳 丨鬲賶 丕賱鬲賯丕毓丿貙 賷毓賲賱賵賳 賰丕賱賲賴賵賵爻賷賳.
賲賳 丕賱孬丕賲賳丞 毓卮乇丞 賵丨鬲賶 丕賱禺丕賲爻丞 賵丕賱毓卮乇賷賳貙 賷毓賵賳 兀賳賴賲 賷毓賷卮賵賳 賲乇丨賱丞 賮乇賷丿丞貙 賵鬲賲賳丨 賱賴賲 賰賷 賷夭丿賴乇賵丕. 丨鬲賶 賲賳 賳噩丨賵丕 賮賷 丕賱丕禺鬲亘丕乇 丕賱乇賴賷亘 賱賱丕賱鬲丨丕賯 亘廿丨丿賶 丕賱噩丕賲毓丕鬲 丕賱噩丕丿丞 賷賲賰賳賴賲 丕賳 賷賱鬲賯胤賵丕 兀賳賮丕爻賴賲貙 賮丕賱丕禺鬲賷丕乇 丕賱兀賵賱 賮丨爻亘 賴賵 丕賱賲賴賲 丨賯丕貙 賵賱爻亘亘 丕賰孬乇 賯賵丞 賲賳 賷鬲乇丿丿賵賳 毓賱賶 噩丕賲毓丞 賲丨胤丞 賯胤丕乇".
October 10, 2024
袨褔邪泻胁邪褏 褉芯屑邪薪 蟹邪 卸懈胁芯褌邪 胁 携锌芯薪懈褟, 邪 锌芯谢褍褔懈褏 谢褞斜芯胁薪邪 懈褋褌芯褉懈褟.
小械屑锌谢邪, 泻褉邪褌泻邪 懈 锌芯褔褌懈 斜械蟹懈薪褌械褉械褋薪邪 薪邪 屑芯屑械薪褌懈, 芯褌泻褉芯胁械薪邪褌邪 锌褉懈褌褔邪 薪邪 袧芯褌芯屑斜 胁褋械 锌邪泻 蟹邪写褗褉卸邪 胁薪懈屑邪薪懈械褌芯 屑懈 写芯 泻褉邪褟 褋懈.
袠 褋褗屑 褋褗谐谢邪褋械薪 褋 薪械褟 - 携锌芯薪懈褟 褌褉褟斜胁邪 写邪 褋械 锌芯褋械褌懈 锌芯薪械 胁械写薪褗卸!
小械屑锌谢邪, 泻褉邪褌泻邪 懈 锌芯褔褌懈 斜械蟹懈薪褌械褉械褋薪邪 薪邪 屑芯屑械薪褌懈, 芯褌泻褉芯胁械薪邪褌邪 锌褉懈褌褔邪 薪邪 袧芯褌芯屑斜 胁褋械 锌邪泻 蟹邪写褗褉卸邪 胁薪懈屑邪薪懈械褌芯 屑懈 写芯 泻褉邪褟 褋懈.
袠 褋褗屑 褋褗谐谢邪褋械薪 褋 薪械褟 - 携锌芯薪懈褟 褌褉褟斜胁邪 写邪 褋械 锌芯褋械褌懈 锌芯薪械 胁械写薪褗卸!
January 21, 2016
賲丕匕丕 爻賳賮毓賱責
"爻鬲乇賷賳"
"爻鬲乇賷賳"
June 20, 2020
Una vez m谩s, esta se帽ora es una GOZADA. No hay nadie como ella. Es tan distinta a todas las otras escritoras que conozco y se le lee tan natural que estoy segura de que hay muchas Am茅lie Nothomb escondidas en lo rutinario, tratando de ser normales, a las que solo les ha faltado o la oportunidad o el coraje.
Eso s铆, 茅ste no me pareci贸 que fuera su MEJOR libro, como he escuchado en tantos lugares. Pero a煤n as铆, ya lo dije, una gozada.
Como siempre que termino de leer a esta autora, quedo con una sensaci贸n tan completa de satisfacci贸n que ni ganas me dan de comentar, jajaja.
Un par de citas, no necesariamente las mejores. Me vi tan absorta en la historia que casi ni subray茅:
1. De cuando fue a Hiroshima.
El Museo de la Bomba me dej贸 estupefacta. Por m谩s que los conozcas, los detalles de la cuesti贸n superan la imaginaci贸n. Las cosas est谩n presentadas con una eficacia que roza los l铆mites de la poes铆a: se habla de ese tren que, el 6 de agosto de 1945, recorr铆a la costa en direcci贸n a Hiroshima, transportando, entre otros, a los trabajadores de la ma帽ana. Con tranquilidad, los viajeros miraban la ciudad a trav茅s de las ventanillas de los vagones. Luego el tren entr贸 en un t煤nel y, cuando sali贸, los trabajadores vieron que ya no quedaba nada de Hiroshima.
Paseando por las calles de aquella ciudad de provincias, pens茅 que la dignidad japonesa ten铆a all铆 su retrato m谩s impactante. Nada, absolutamente nada, hac铆a pensar en una ciudad m谩rtir. Me pareci贸 que, en cualquier otro pa铆s, semejante monstruosidad habr铆a sido explotada hasta la na煤sea. El capital de victimizaci贸n, tesoro nacional en tantos y tantos pueblos, no exist铆a en Hiroshima.
2. Sobre cuando subi贸 el monte Fuji, que los japoneses deben subir supuestamente al menos una vez en la vida.
Resultaba conmovedor ver a los ancianos alcanzar la cima, muy dignos, pero admirados de su propia gesta, apoy谩ndose en sus bastones. Un octogenario que lleg贸 hacia las seis exclam贸 "隆Ahora s铆 soy un japon茅s digno de ese nombre". As铆 pues, la guerra no hab铆a bastado para convertirlo en un caballero. S贸lo un desnivel de 3.776 metros daba derecho a semejante t铆tulo.
3. Jajaja. Muy cierto.
En un pa铆s menos honesto, ser铆an tantas las personas que se atribuir铆an falsamente el ascenso, que habr铆a sido necesario instalar, en el borde del cr谩ter, una ventanilla para repartir certificados.
4.
驴Huida poco gloriosa? Siempre es mejor que dejarse atrapar. El 煤nico deshonor es no ser libre.
5. Apuntes de una persecuci贸n.
(...), oh, un precipicio, los caballos 驴podr谩n salvar semejante abismo?, tendr谩n que hacerlo, es eso o caer en las manos de los malos, escucho, los ojos muy abiertos por el miedo, los caballos saltan y por los pelos, consiguen alcanzar el otro lado salvados, los malos no saltan, son menos valientes porque no tienen nada de lo que huir, el deseo de capturar es menos violento que el miedo a ser capturado, 茅sta es la raz贸n por la cual la Rapsodia h煤ngara de Liszt termina con un triunfo.
Eso s铆, 茅ste no me pareci贸 que fuera su MEJOR libro, como he escuchado en tantos lugares. Pero a煤n as铆, ya lo dije, una gozada.
Como siempre que termino de leer a esta autora, quedo con una sensaci贸n tan completa de satisfacci贸n que ni ganas me dan de comentar, jajaja.
Un par de citas, no necesariamente las mejores. Me vi tan absorta en la historia que casi ni subray茅:
1. De cuando fue a Hiroshima.
El Museo de la Bomba me dej贸 estupefacta. Por m谩s que los conozcas, los detalles de la cuesti贸n superan la imaginaci贸n. Las cosas est谩n presentadas con una eficacia que roza los l铆mites de la poes铆a: se habla de ese tren que, el 6 de agosto de 1945, recorr铆a la costa en direcci贸n a Hiroshima, transportando, entre otros, a los trabajadores de la ma帽ana. Con tranquilidad, los viajeros miraban la ciudad a trav茅s de las ventanillas de los vagones. Luego el tren entr贸 en un t煤nel y, cuando sali贸, los trabajadores vieron que ya no quedaba nada de Hiroshima.
Paseando por las calles de aquella ciudad de provincias, pens茅 que la dignidad japonesa ten铆a all铆 su retrato m谩s impactante. Nada, absolutamente nada, hac铆a pensar en una ciudad m谩rtir. Me pareci贸 que, en cualquier otro pa铆s, semejante monstruosidad habr铆a sido explotada hasta la na煤sea. El capital de victimizaci贸n, tesoro nacional en tantos y tantos pueblos, no exist铆a en Hiroshima.
2. Sobre cuando subi贸 el monte Fuji, que los japoneses deben subir supuestamente al menos una vez en la vida.
Resultaba conmovedor ver a los ancianos alcanzar la cima, muy dignos, pero admirados de su propia gesta, apoy谩ndose en sus bastones. Un octogenario que lleg贸 hacia las seis exclam贸 "隆Ahora s铆 soy un japon茅s digno de ese nombre". As铆 pues, la guerra no hab铆a bastado para convertirlo en un caballero. S贸lo un desnivel de 3.776 metros daba derecho a semejante t铆tulo.
3. Jajaja. Muy cierto.
En un pa铆s menos honesto, ser铆an tantas las personas que se atribuir铆an falsamente el ascenso, que habr铆a sido necesario instalar, en el borde del cr谩ter, una ventanilla para repartir certificados.
4.
驴Huida poco gloriosa? Siempre es mejor que dejarse atrapar. El 煤nico deshonor es no ser libre.
5. Apuntes de una persecuci贸n.
(...), oh, un precipicio, los caballos 驴podr谩n salvar semejante abismo?, tendr谩n que hacerlo, es eso o caer en las manos de los malos, escucho, los ojos muy abiertos por el miedo, los caballos saltan y por los pelos, consiguen alcanzar el otro lado salvados, los malos no saltan, son menos valientes porque no tienen nada de lo que huir, el deseo de capturar es menos violento que el miedo a ser capturado, 茅sta es la raz贸n por la cual la Rapsodia h煤ngara de Liszt termina con un triunfo.
August 2, 2020
丿禺鬲乇 亘賱跇蹖讴蹖 丿乇 鬲賵讴蹖賵 亘賴 丿丕賲 乇賵賲丕賳爻 蹖讴 倬爻乇 跇丕倬賳蹖 诏乇賮鬲丕乇 賲蹖鈥屫促堌�. 鬲乇讴蹖亘 蹖讴 倬爻乇 卮乇賯蹖 亘丕 蹖讴 丿禺鬲乇 睾乇亘蹖 賵 丿蹖丿诏丕賴卮丕賳 亘賴 乇丕亘胤賴 噩丕賱亘 丕爻鬲.
禺氐賵氐蹖丕鬲 乇丕亘胤賴 卮亘蹖賴 亘蹖卮鬲乇 乇丕亘胤賴鈥屬囏ж池� 丕賲丕 卮乇丨 鬲賮丕賵鬲鈥屬囏й� 賮乇賴賳诏蹖 賵 禺乇丿賴 賮乇賴賳诏鈥屬囏й� 跇丕倬賳蹖 卮蹖乇蹖賳卮 讴乇丿賴. 乇賵丕蹖鬲鈥屬囏й屰� 丕夭 爻亘讴 夭賳丿诏蹖 跇丕倬賳蹖鈥屬囏� 丿乇 丨賵丕賱蹖 爻丕賱 1990 亘蹖丕賳 卮丿賴 讴賴 禺賵丕賳丿賳卮丕賳 亘乇丕蹖 丿乇讴 蹖讴 賮乇賴賳诏 賲鬲賮丕賵鬲 賵 禺丕氐 亘丿 賳蹖爻鬲.
賱丨賳 乇丕賵蹖 亘爻蹖丕乇 乇賵丕賳 賵 丿賱賳卮蹖賳 丕爻鬲. 讴賲鬲乇 诏匕卮鬲 夭賲丕賳 乇丕 賲鬲賵噩賴 賲蹖卮賵蹖丿. 讴鬲丕亘 卮乇丨 丨丕賱 禺賵丿賽 賳賵蹖爻賳丿賴 賴賲 賴爻鬲 讴賴 亘丕毓孬 賲蹖鈥屫促堌� 讴賲蹖 丕夭 丕蹖賳 丿禺鬲乇 亘賱跇蹖讴蹖 賲鬲賳賮乇 卮賵蹖丿.
爻丕賱 2014 賮蹖賱賲蹖 丕夭 乇賵蹖 丕蹖賳 讴鬲丕亘 鬲賵賱蹖丿 卮丿賴 亘丕 賳丕賲 Tokyo Fianc茅e.
禺氐賵氐蹖丕鬲 乇丕亘胤賴 卮亘蹖賴 亘蹖卮鬲乇 乇丕亘胤賴鈥屬囏ж池� 丕賲丕 卮乇丨 鬲賮丕賵鬲鈥屬囏й� 賮乇賴賳诏蹖 賵 禺乇丿賴 賮乇賴賳诏鈥屬囏й� 跇丕倬賳蹖 卮蹖乇蹖賳卮 讴乇丿賴. 乇賵丕蹖鬲鈥屬囏й屰� 丕夭 爻亘讴 夭賳丿诏蹖 跇丕倬賳蹖鈥屬囏� 丿乇 丨賵丕賱蹖 爻丕賱 1990 亘蹖丕賳 卮丿賴 讴賴 禺賵丕賳丿賳卮丕賳 亘乇丕蹖 丿乇讴 蹖讴 賮乇賴賳诏 賲鬲賮丕賵鬲 賵 禺丕氐 亘丿 賳蹖爻鬲.
賱丨賳 乇丕賵蹖 亘爻蹖丕乇 乇賵丕賳 賵 丿賱賳卮蹖賳 丕爻鬲. 讴賲鬲乇 诏匕卮鬲 夭賲丕賳 乇丕 賲鬲賵噩賴 賲蹖卮賵蹖丿. 讴鬲丕亘 卮乇丨 丨丕賱 禺賵丿賽 賳賵蹖爻賳丿賴 賴賲 賴爻鬲 讴賴 亘丕毓孬 賲蹖鈥屫促堌� 讴賲蹖 丕夭 丕蹖賳 丿禺鬲乇 亘賱跇蹖讴蹖 賲鬲賳賮乇 卮賵蹖丿.
爻丕賱 2014 賮蹖賱賲蹖 丕夭 乇賵蹖 丕蹖賳 讴鬲丕亘 鬲賵賱蹖丿 卮丿賴 亘丕 賳丕賲 Tokyo Fianc茅e.
Read
April 9, 2020丕賱賰鬲丕亘 乇賯賲 2 賮賷 乇丨賱鬲賷 賲毓 丕賷賲賷賱賷.
賵乇丨賱鬲賴丕 賲賳 丕賱 "賰賷" 廿賱賶 " 毓賳丕賯 丕賱爻丕賲賵乇丕賷 丕賱兀禺賵賷"
賵丕賱賰鬲丕亘 乇賯賲 200 賮賷 乇丨賱鬲賷 賲毓 丕賱賯乇丕亍丞.
賵乇丨賱鬲賷 賲賳 丕賱賱丕 卮賷亍 廿賱賶 丕賱賱丕 卮賷亍 亘乇囟賵.
兀賰賳 賱丕賷賲賷賱賷 匕丕鬲 丕賱丨賳賷賳 丕賱匕賷 兀賰賳賳鬲賴 賱丌睾賵鬲丕 賰乇賷爻鬲賵賮貙 亘賷丿 兀賳 丕賱孬丕賳賷丞 賲噩乇賷丞 賱丕 亘賱噩賷賰賷丞貙 賲毓丕賳丕鬲賴丕 賰丕賳鬲 賲毓 丕賱丨乇亘 賱丕 賲毓 丕賱乇兀爻賲丕賱賷丞 賵丕賱丨亘貙 爻賱亘鬲賴丕 丨賷丕鬲賴丕 丕賱賰孬賷乇 賲賳 丕賱賲毓丕賳賷 賵丕賱毓賵丕胤賮 賵賲賳賴丕 丨爻 丕賱爻禺乇賷丞 賵丕賱賲乇丨 丕賱禺丕氐 亘廿賷賲賷賱賷貙 賵丕賱賲賮丕乇賯丞 兀賳 賰賱鬲丕賴賲丕 賰鬲亘鬲 亘匕丕鬲 丕賱賮乇賳爻賷丞.
--------
賰丕賳鬲 爻賷乇鬲賴丕 賮賷 匕賴賵賱 賵乇毓丿丞 毓賳 丨賷丕鬲賴丕 丕賱賲賴賳賷丞 賮賷 丕賱賷丕亘丕賳貙
兀賲丕 賴賳丕 賮賴賷 鬲爻乇丿 爻賷乇鬲賴丕 丕賱毓丕胤賮賷丞 賮賷賴丕貙
賵丕賱爻賷丕賯 丕賱夭賲賳賷 賲鬲賵丕夭賷 賮賷 丕賱丕孬賳賷賳 鬲賯乇賷亘丕 賵廿賳 賰丕賳 賴賳丕 賲賲鬲丿 兀賰孬乇 賯賱賷賱丕 賯亘賱 賵亘毓丿 乇丨賱丞 丕賱毓賲賱.
賵乇丨賱鬲賴丕 賲賳 丕賱 "賰賷" 廿賱賶 " 毓賳丕賯 丕賱爻丕賲賵乇丕賷 丕賱兀禺賵賷"
賵丕賱賰鬲丕亘 乇賯賲 200 賮賷 乇丨賱鬲賷 賲毓 丕賱賯乇丕亍丞.
賵乇丨賱鬲賷 賲賳 丕賱賱丕 卮賷亍 廿賱賶 丕賱賱丕 卮賷亍 亘乇囟賵.
兀賰賳 賱丕賷賲賷賱賷 匕丕鬲 丕賱丨賳賷賳 丕賱匕賷 兀賰賳賳鬲賴 賱丌睾賵鬲丕 賰乇賷爻鬲賵賮貙 亘賷丿 兀賳 丕賱孬丕賳賷丞 賲噩乇賷丞 賱丕 亘賱噩賷賰賷丞貙 賲毓丕賳丕鬲賴丕 賰丕賳鬲 賲毓 丕賱丨乇亘 賱丕 賲毓 丕賱乇兀爻賲丕賱賷丞 賵丕賱丨亘貙 爻賱亘鬲賴丕 丨賷丕鬲賴丕 丕賱賰孬賷乇 賲賳 丕賱賲毓丕賳賷 賵丕賱毓賵丕胤賮 賵賲賳賴丕 丨爻 丕賱爻禺乇賷丞 賵丕賱賲乇丨 丕賱禺丕氐 亘廿賷賲賷賱賷貙 賵丕賱賲賮丕乇賯丞 兀賳 賰賱鬲丕賴賲丕 賰鬲亘鬲 亘匕丕鬲 丕賱賮乇賳爻賷丞.
--------
賰丕賳鬲 爻賷乇鬲賴丕 賮賷 匕賴賵賱 賵乇毓丿丞 毓賳 丨賷丕鬲賴丕 丕賱賲賴賳賷丞 賮賷 丕賱賷丕亘丕賳貙
兀賲丕 賴賳丕 賮賴賷 鬲爻乇丿 爻賷乇鬲賴丕 丕賱毓丕胤賮賷丞 賮賷賴丕貙
賵丕賱爻賷丕賯 丕賱夭賲賳賷 賲鬲賵丕夭賷 賮賷 丕賱丕孬賳賷賳 鬲賯乇賷亘丕 賵廿賳 賰丕賳 賴賳丕 賲賲鬲丿 兀賰孬乇 賯賱賷賱丕 賯亘賱 賵亘毓丿 乇丨賱丞 丕賱毓賲賱.
August 20, 2020
" 賷毓賱賲 丕賱賳丕噩賵賳 丕賳賳丕 賱賳 賳賮賴賲賴賲 丕亘丿丕賸 貙 賱賯丿 賳噩賵鬲 賲賳 卮卅 噩賲賷賱 噩丿丕賸 賵賰亘賷乇 噩丿丕賸 "
丌賲賷賱賷 丕賱丨賲賯丕丕丕丕亍 兀囟丕毓鬲 賮乇氐丞 丕賱毓賲乇 丕賱匕賴亘賷丞 馃う鈥嶁檧锔忦煒€馃挃
乇賵丕賷丞 亘爻賷胤丞 賵噩賲賷賱丞 孬丕賳賷 噩夭亍 丕賯乇兀賴 賲賳 丕賱爻賷乇丞 丕賱匕丕鬲賷丞 賱廿賲賷賱賷 賮賷 丕賱賷丕亘丕賳 賲賱賷卅丞 亘鬲賮丕氐賷賱 丕賱丨賷丕丞 丕賱賷丕亘丕賳賷丞 賵賳賯丿賴丕 賲賳 丕賷噩丕亘賷丕鬲 賵爻賱亘賷丕鬲 貙 丕賱賲賮鬲乇囟 丕賳賴 丕賱噩夭亍 丕賱匕賷 賷賲孬賱 丕賱丨賷丕丞 丕賱毓丕胤賮賷丞 賮賷 丨賷丕鬲賴丕 賮 胤賵賰賷賵 賵賱賰賳 丕賱乇賵丕賷丞 鬲賮鬲賯丿 廿賱賷 丕賱乇賵賲丕賳爻賷丞 賮毓賱丕 馃し鈥嶁檧锔� 兀丨亘亘鬲 丨爻 丕賱賮賰丕賴丞 賵丕賱爻禺乇賷丞 丕賱鬲賷 鬲鬲賲鬲毓 亘賴 丌賲賷賱賷 賵賱賰賳 賱丕 丕爻鬲胤賷毓 廿賳賰丕乇 爻禺胤賷 毓賱賷賴丕 賮賷 胤乇賷賯丞 鬲毓丕賲賱賴丕 賲毓 "乇賷賳乇賷" 貙貙貙貙 賲毓 丕丨鬲乇丕賲賷 賱兀毓鬲乇丕賮賴丕 亘丨賲丕賯丕鬲賴丕 .
丌賲賷賱賷 丕賱丨賲賯丕丕丕丕亍 兀囟丕毓鬲 賮乇氐丞 丕賱毓賲乇 丕賱匕賴亘賷丞 馃う鈥嶁檧锔忦煒€馃挃
乇賵丕賷丞 亘爻賷胤丞 賵噩賲賷賱丞 孬丕賳賷 噩夭亍 丕賯乇兀賴 賲賳 丕賱爻賷乇丞 丕賱匕丕鬲賷丞 賱廿賲賷賱賷 賮賷 丕賱賷丕亘丕賳 賲賱賷卅丞 亘鬲賮丕氐賷賱 丕賱丨賷丕丞 丕賱賷丕亘丕賳賷丞 賵賳賯丿賴丕 賲賳 丕賷噩丕亘賷丕鬲 賵爻賱亘賷丕鬲 貙 丕賱賲賮鬲乇囟 丕賳賴 丕賱噩夭亍 丕賱匕賷 賷賲孬賱 丕賱丨賷丕丞 丕賱毓丕胤賮賷丞 賮賷 丨賷丕鬲賴丕 賮 胤賵賰賷賵 賵賱賰賳 丕賱乇賵丕賷丞 鬲賮鬲賯丿 廿賱賷 丕賱乇賵賲丕賳爻賷丞 賮毓賱丕 馃し鈥嶁檧锔� 兀丨亘亘鬲 丨爻 丕賱賮賰丕賴丞 賵丕賱爻禺乇賷丞 丕賱鬲賷 鬲鬲賲鬲毓 亘賴 丌賲賷賱賷 賵賱賰賳 賱丕 丕爻鬲胤賷毓 廿賳賰丕乇 爻禺胤賷 毓賱賷賴丕 賮賷 胤乇賷賯丞 鬲毓丕賲賱賴丕 賲毓 "乇賷賳乇賷" 貙貙貙貙 賲毓 丕丨鬲乇丕賲賷 賱兀毓鬲乇丕賮賴丕 亘丨賲丕賯丕鬲賴丕 .
February 25, 2020
Prinzipiell muss ich sagen, dass mir Teil eins dieser Erfahrungen einer Belgierin in Japan wesentlich besser als dieses Buch gefallen hat. Urspr眉nglich habe ich
Mit Staunen und Zittern
nur deshalb 4 Sterne verliehen, da mir diese gro脽artige berufliche Groteske einfach zu kurz war, aber damals wusste ich noch nicht, dass die Fortsetzung in Form eines anderen Buches exisitiert. Deshalb habe ich nun Teil eins nachtr盲glich auch aufgewertet, denn mein Hauptkritikpunkt existiert durch diese Fortsetzung der Geschichte de facto nicht mehr.
Der Zweite Teil der Geschichte, n盲mlich Der japanische Verlobte spielt nahezu zeitgleich, aber betrachtet ausschlie脽lich den privaten Aspekt der Erfahrungen der belgischen Protagonistin in Japan. Er startet ein halbes Jahr vor der beruflichen Karriere mit dem zarten Beginn einer Liason mit dem Studenten Rinri, 眉berlappt dann Teil 1 indem er ausschlie脽lich das Privatleben des Paares schildert und beleuchtet in einer Nachschau noch den endg眉ltigen Schlusspunkt der Beziehung Jahre sp盲ter.
Was mir sehr gefallen hat, war die Authentizit盲t, die im Plot vermittelt wurde: zwar nicht so wie wir im europ盲ischen Stil den Start einer Liebe schildern w眉rden mit all unseren Gef眉hlsaufwallungen, sondern eben v枚llig anders. Was mir weniger gefallen hat, ist der Umstand, dass mir so eine Beziehung einfach literarisch zu langweilig ist. Der Anfang war wie gesagt holprig und a bissi fad, n盲mlich die zarte Pflanze des Flirts in der japanischen Gesellschaft. Weil die Japaner ja diesbez眉glich extrem verklemmt und vielen gesellschaftlichen Konventionen unterworfen sind, l盲hmte die Beschreibung dieser linkischen Art von jungen japanischen M盲nnern ordentlich, war aber auch a bissi niedlich in ihrer Unbeholfenheit. Die Handlung pl盲tscherte so dahin, ohne wirkliche Flirt-Highlights bis zur Fondueszene, dann legt sich der Schalter sofort auf total schr盲g um - als Analogie m枚chte ich Euch die Folgende anbieten: vom Kinderzimmer gleich auf die Fetischmesse gehupft 馃槀.
Anschlie脽end geht es wieder sehr konventionell weiter, der Leserschaft offenbart sich eine m盲脽ig spannende Beziehung ohne H枚hen und Tiefen, die allm盲hlich ernst wird. Interessant waren aber die Sidekicks durch Einblicke ins Land und in die Gesellschaft, die durch die vielen typischen P盲rchen-Unternehmungen, die die beiden absolvieren, von der Autorin in die Handlung eingebunden wurden. Offenbar gibt es eine Romatik-Liste, die japanische Paare, die sich ja auch nicht zu Hause herumtreiben und Sex haben d眉rfen, abarbeiten sollten, um gesellschaftlich anerkannte und standesgem盲脽e Werbung zu betreiben. Darauf stehen zum Beispiel eine Wanderung auf den Fuji, Abendessen der Frau mit Freunden des Partners, Besuch der Insel Sado und ein Wellness-Bad in hei脽en Quellen, Kino-Besuche, Parks, F枚rmliche Vorstellung bei der Familie ... .
Was da so en passant an japanischer Kultur vermittelt wird, die uns v枚llig fremd vorkommt, ist nicht unspannend. Zum Beispiel kommt heraus, dass schon im Alter von 5 Jahren ein ernormer Leistungdruck auf japanische Kinder ausge眉bt wird, indem sie einen Intelligenztest machen m眉ssen, der 眉ber ihre zuk眉nftige akademische Karriere entscheidet. Das ist total bekloppt und megaheavy bez眉glich Stress, kein Wunder dass es so viele Selbstmorde gibt. Nur w盲hrend des Studiums k枚nnen sich junge Leute austesten, nicht in der Schule, in der auch ein enormer Druck herrscht, und so gut wie nie wieder nachher, dann stecken sie im Hamsterrad der Arbeit fast ohne Freizeit fest. Erst nach der Pensionierung k枚nnen die Japaner einigerma脽en selbstbestimmtes Leben wiederaufnehmen.
Auch die Vorstellung der Liebsten in einer formellen Zeremonie f眉r alle Studentenfreunde, war sehr schr盲g und ungew枚hnlich, aber sehr interessant, die Vorstellung von Rinris Familie insbesondere der Gro脽eltern war 眉berhaupt sehr 眉berraschend.
Nach und nach wird der Protagonistin die von ihr aus eher locker gef眉hrte Beziehung viel zu eng, ein Heiratsantrag steht ins Haus, den die junge Frau zwar nicht ablehnen m枚chte, damit sie die Beziehung nicht gef盲hrdet, aber mit einer laangen unbestimmten Verlobungsphase, wie es in ihrem Heimatland Belgien angeblich 眉blich sein sollte, abwiegeln kann.
"Ich wollte Rinri nicht heiraten. Au脽erdem war mir die Idee einer Heirat schon lange zuwider. Was hatte mich also daran gehindert abzulehnen? Die Erkl盲rung war, dass ich Rinri mochte. Eine Ablehnung h盲tte Trennung bedeutet, und ich wollte nicht mit ihm brechen. Mich verband so viel Freundschaft, Zuneigung und Lachen mit diesem sentimentalen Jungen. Ich hatte keine Lust, auf seine charmante Gesellschaft zu verzichten. Ich segnete den Erfinder der Verlobung."
Schlie脽lich l盲uft sich die Beziehung ohne gr枚脽ere Friktionen ganz allm盲hlich Schritt f眉r Schritt tot, was zwar sehr realistisch ist, aber literarisch einfach sehr wenig Futter f眉r spannende Auseinandersetzung bietet. Wobei - wie die Protagonistin strategisch klug ohne Streit und Verweigerung das Heiratsversprechen umgeht ist nicht unspannend - sie w盲hlt eine eher m盲nnliche Art der Vermeidung beim Schlussmachen, ist aber etwas netter und kommunikativer im Nachgang der Beziehung.
Fazit: Hat mich jetzt nicht so ganz vom Hocker gerissen, wie Teil 1, ist aber eine sehr gute beh盲bige Geschichte 眉ber Beziehungen in der japanischen Kultur. 3,5 Sterne wohlwollend aufgerundet auf 4 und eine Leseempfehlung.
Der Zweite Teil der Geschichte, n盲mlich Der japanische Verlobte spielt nahezu zeitgleich, aber betrachtet ausschlie脽lich den privaten Aspekt der Erfahrungen der belgischen Protagonistin in Japan. Er startet ein halbes Jahr vor der beruflichen Karriere mit dem zarten Beginn einer Liason mit dem Studenten Rinri, 眉berlappt dann Teil 1 indem er ausschlie脽lich das Privatleben des Paares schildert und beleuchtet in einer Nachschau noch den endg眉ltigen Schlusspunkt der Beziehung Jahre sp盲ter.
Was mir sehr gefallen hat, war die Authentizit盲t, die im Plot vermittelt wurde: zwar nicht so wie wir im europ盲ischen Stil den Start einer Liebe schildern w眉rden mit all unseren Gef眉hlsaufwallungen, sondern eben v枚llig anders. Was mir weniger gefallen hat, ist der Umstand, dass mir so eine Beziehung einfach literarisch zu langweilig ist. Der Anfang war wie gesagt holprig und a bissi fad, n盲mlich die zarte Pflanze des Flirts in der japanischen Gesellschaft. Weil die Japaner ja diesbez眉glich extrem verklemmt und vielen gesellschaftlichen Konventionen unterworfen sind, l盲hmte die Beschreibung dieser linkischen Art von jungen japanischen M盲nnern ordentlich, war aber auch a bissi niedlich in ihrer Unbeholfenheit. Die Handlung pl盲tscherte so dahin, ohne wirkliche Flirt-Highlights bis zur Fondueszene, dann legt sich der Schalter sofort auf total schr盲g um - als Analogie m枚chte ich Euch die Folgende anbieten: vom Kinderzimmer gleich auf die Fetischmesse gehupft 馃槀.
Anschlie脽end geht es wieder sehr konventionell weiter, der Leserschaft offenbart sich eine m盲脽ig spannende Beziehung ohne H枚hen und Tiefen, die allm盲hlich ernst wird. Interessant waren aber die Sidekicks durch Einblicke ins Land und in die Gesellschaft, die durch die vielen typischen P盲rchen-Unternehmungen, die die beiden absolvieren, von der Autorin in die Handlung eingebunden wurden. Offenbar gibt es eine Romatik-Liste, die japanische Paare, die sich ja auch nicht zu Hause herumtreiben und Sex haben d眉rfen, abarbeiten sollten, um gesellschaftlich anerkannte und standesgem盲脽e Werbung zu betreiben. Darauf stehen zum Beispiel eine Wanderung auf den Fuji, Abendessen der Frau mit Freunden des Partners, Besuch der Insel Sado und ein Wellness-Bad in hei脽en Quellen, Kino-Besuche, Parks, F枚rmliche Vorstellung bei der Familie ... .
Was da so en passant an japanischer Kultur vermittelt wird, die uns v枚llig fremd vorkommt, ist nicht unspannend. Zum Beispiel kommt heraus, dass schon im Alter von 5 Jahren ein ernormer Leistungdruck auf japanische Kinder ausge眉bt wird, indem sie einen Intelligenztest machen m眉ssen, der 眉ber ihre zuk眉nftige akademische Karriere entscheidet. Das ist total bekloppt und megaheavy bez眉glich Stress, kein Wunder dass es so viele Selbstmorde gibt. Nur w盲hrend des Studiums k枚nnen sich junge Leute austesten, nicht in der Schule, in der auch ein enormer Druck herrscht, und so gut wie nie wieder nachher, dann stecken sie im Hamsterrad der Arbeit fast ohne Freizeit fest. Erst nach der Pensionierung k枚nnen die Japaner einigerma脽en selbstbestimmtes Leben wiederaufnehmen.
Auch die Vorstellung der Liebsten in einer formellen Zeremonie f眉r alle Studentenfreunde, war sehr schr盲g und ungew枚hnlich, aber sehr interessant, die Vorstellung von Rinris Familie insbesondere der Gro脽eltern war 眉berhaupt sehr 眉berraschend.
Nach und nach wird der Protagonistin die von ihr aus eher locker gef眉hrte Beziehung viel zu eng, ein Heiratsantrag steht ins Haus, den die junge Frau zwar nicht ablehnen m枚chte, damit sie die Beziehung nicht gef盲hrdet, aber mit einer laangen unbestimmten Verlobungsphase, wie es in ihrem Heimatland Belgien angeblich 眉blich sein sollte, abwiegeln kann.
"Ich wollte Rinri nicht heiraten. Au脽erdem war mir die Idee einer Heirat schon lange zuwider. Was hatte mich also daran gehindert abzulehnen? Die Erkl盲rung war, dass ich Rinri mochte. Eine Ablehnung h盲tte Trennung bedeutet, und ich wollte nicht mit ihm brechen. Mich verband so viel Freundschaft, Zuneigung und Lachen mit diesem sentimentalen Jungen. Ich hatte keine Lust, auf seine charmante Gesellschaft zu verzichten. Ich segnete den Erfinder der Verlobung."
Schlie脽lich l盲uft sich die Beziehung ohne gr枚脽ere Friktionen ganz allm盲hlich Schritt f眉r Schritt tot, was zwar sehr realistisch ist, aber literarisch einfach sehr wenig Futter f眉r spannende Auseinandersetzung bietet. Wobei - wie die Protagonistin strategisch klug ohne Streit und Verweigerung das Heiratsversprechen umgeht ist nicht unspannend - sie w盲hlt eine eher m盲nnliche Art der Vermeidung beim Schlussmachen, ist aber etwas netter und kommunikativer im Nachgang der Beziehung.
Fazit: Hat mich jetzt nicht so ganz vom Hocker gerissen, wie Teil 1, ist aber eine sehr gute beh盲bige Geschichte 眉ber Beziehungen in der japanischen Kultur. 3,5 Sterne wohlwollend aufgerundet auf 4 und eine Leseempfehlung.
July 5, 2015
丕賱賯乇丕亍丞 丕賱孬丕賱孬丞 賱廿賷賲賷賱賷 賳賵孬賵賲亘貙 賵丨賯丕 兀賳丕 賲賳亘賴乇丞 亘賴匕賴 丕賱賰丕鬲亘丞 ..
噩賳賵賳賴丕 賵賲賵賴亘鬲賴丕 賵兀賮賰丕乇 乇賵丕賷丕鬲賴丕 鬲亘賴乇賳賷 賮賷 賰賱 賲乇丞 .. 賵賱賷爻 卮乇胤丕賸 兀賳 兀鬲賮賯 賲毓賴丕 賮賷 兀賮賰丕乇賴丕
廿賱丕 兀賳 賲丕 兀毓噩亘賳賷 賮賷 賰賱 賲乇丞 賴賵 廿爻賱賵亘 毓乇囟 丕賱賮賰乇丞 賵丕賱鬲卮賵賷賯 賮賷 丕賱丨賵丕乇 賵胤乇賷賯丞 賵氐賮 丕賱卮禺氐賷丕鬲 貙 賵兀賷囟丕賸 賵氐賮 卮禺氐賷鬲賴丕 賴賷 亘賰賱 毓賷賵亘賴丕 賵賲賲賷夭丕鬲賴丕 丿賵賳 禺噩賱 .. !
賰丕賳 賰鬲丕亘賷 丕賱兀賵賱 賲毓賴丕 匕賴賵賱 賵乇賴亘丞 貙 賵賱賲賳 賯乇兀賴 賷毓賱賲 兀賳賴 鬲丨丿孬 毓賳 丨賷丕鬲賴丕 丕賱睾乇賷亘丞 賵賲睾丕賲乇丕鬲賴丕 賮賷 卮乇賰丞 賷丕亘丕賳賷丞 乇兀鬲 賮賷賴丕 賳賲丕匕噩 睾乇賷亘丞 賲賳 丕賱卮禺氐賷丕鬲 ..
賵丕賱兀賲乇 丕賱睾乇賷亘 丕賱匕賷 賵噩丿鬲賴 賱兀賵賱 賲乇丞 賵賱賲 兀噩丿賴 賲賳 賯亘賱 賮賷 兀賷 乇賵丕賷丞 ..
賴賵 丕賱鬲夭丕賲賳 賮賷 丕賱毓乇囟 亘賷賳 丕賱乇賵丕賷鬲賷賳 ..
賮賱賯丿 兀賰賲賱鬲 丨賷丕鬲賴丕 丕賱鬲賷 賵氐賮鬲賴丕 賮賷 匕锟斤拷賵賱 賵乇賴亘丞 賲毓 丨賷丕鬲賴丕 賮賷 賴匕丕 丕賱賰鬲丕亘 ..
賵賰兀賳 丕賱賰鬲丕亘賷賳 賷賰賲賱 賰賱 賲賳賴賲丕 丕賱丌禺乇 ..
賮兀賳鬲 鬲鬲匕賰乇 匕賴賵賱 賵乇賴亘丞 賵兀賳鬲 鬲賯乇兀 賴匕丕 丕賱賰鬲丕亘
孬賲 鬲丿賲噩 丕賱賰鬲丕亘賷賳 賲毓丕賸 賮賷 匕賴賳賰 賱賷賰鬲賲賱 丕賱賷賵賲 氐亘丕丨丕賸 賵賲爻丕亍賸 貙 賵亘丕賱鬲丕賱賷 鬲鬲毓乇賮 毓賱賷 丨賷丕鬲賴丕 亘卮賰賱 賲賮氐賱 賵賰兀賳賴丕 鬲丨賰賷賴丕 賱賰 賵噩賴丕賸 賱賵噩賴
~~~
廿賷賲賷賱賷 賳賵孬賵賲亘 ..
賲賵毓丿賷 丕賱賯丕丿賲 賲毓賰
亘賷賵睾乇丕賮賷丕 丕賱噩賵毓
Sooon
(:
噩賳賵賳賴丕 賵賲賵賴亘鬲賴丕 賵兀賮賰丕乇 乇賵丕賷丕鬲賴丕 鬲亘賴乇賳賷 賮賷 賰賱 賲乇丞 .. 賵賱賷爻 卮乇胤丕賸 兀賳 兀鬲賮賯 賲毓賴丕 賮賷 兀賮賰丕乇賴丕
廿賱丕 兀賳 賲丕 兀毓噩亘賳賷 賮賷 賰賱 賲乇丞 賴賵 廿爻賱賵亘 毓乇囟 丕賱賮賰乇丞 賵丕賱鬲卮賵賷賯 賮賷 丕賱丨賵丕乇 賵胤乇賷賯丞 賵氐賮 丕賱卮禺氐賷丕鬲 貙 賵兀賷囟丕賸 賵氐賮 卮禺氐賷鬲賴丕 賴賷 亘賰賱 毓賷賵亘賴丕 賵賲賲賷夭丕鬲賴丕 丿賵賳 禺噩賱 .. !
賰丕賳 賰鬲丕亘賷 丕賱兀賵賱 賲毓賴丕 匕賴賵賱 賵乇賴亘丞 貙 賵賱賲賳 賯乇兀賴 賷毓賱賲 兀賳賴 鬲丨丿孬 毓賳 丨賷丕鬲賴丕 丕賱睾乇賷亘丞 賵賲睾丕賲乇丕鬲賴丕 賮賷 卮乇賰丞 賷丕亘丕賳賷丞 乇兀鬲 賮賷賴丕 賳賲丕匕噩 睾乇賷亘丞 賲賳 丕賱卮禺氐賷丕鬲 ..
賵丕賱兀賲乇 丕賱睾乇賷亘 丕賱匕賷 賵噩丿鬲賴 賱兀賵賱 賲乇丞 賵賱賲 兀噩丿賴 賲賳 賯亘賱 賮賷 兀賷 乇賵丕賷丞 ..
賴賵 丕賱鬲夭丕賲賳 賮賷 丕賱毓乇囟 亘賷賳 丕賱乇賵丕賷鬲賷賳 ..
賮賱賯丿 兀賰賲賱鬲 丨賷丕鬲賴丕 丕賱鬲賷 賵氐賮鬲賴丕 賮賷 匕锟斤拷賵賱 賵乇賴亘丞 賲毓 丨賷丕鬲賴丕 賮賷 賴匕丕 丕賱賰鬲丕亘 ..
賵賰兀賳 丕賱賰鬲丕亘賷賳 賷賰賲賱 賰賱 賲賳賴賲丕 丕賱丌禺乇 ..
賮兀賳鬲 鬲鬲匕賰乇 匕賴賵賱 賵乇賴亘丞 賵兀賳鬲 鬲賯乇兀 賴匕丕 丕賱賰鬲丕亘
孬賲 鬲丿賲噩 丕賱賰鬲丕亘賷賳 賲毓丕賸 賮賷 匕賴賳賰 賱賷賰鬲賲賱 丕賱賷賵賲 氐亘丕丨丕賸 賵賲爻丕亍賸 貙 賵亘丕賱鬲丕賱賷 鬲鬲毓乇賮 毓賱賷 丨賷丕鬲賴丕 亘卮賰賱 賲賮氐賱 賵賰兀賳賴丕 鬲丨賰賷賴丕 賱賰 賵噩賴丕賸 賱賵噩賴
~~~
廿賷賲賷賱賷 賳賵孬賵賲亘 ..
賲賵毓丿賷 丕賱賯丕丿賲 賲毓賰
亘賷賵睾乇丕賮賷丕 丕賱噩賵毓
Sooon
(:
July 24, 2021
"丕賱毓丕乇 丕賱賵丨賷丿貙 賴賵 丕賱丕 鬲賰賵賳 丨乇丕"
爻賷乇丞 匕丕鬲賷丞貙 乇賵丕卅賷丞貙 賱胤賷賮丞貙 賲爻賱賷丞貙 賱匕賷匕丞 噩丿丕 噩丿丕
卮丿賳賶 丕賱丕爻賲 噩丿丕 賵丕賱丨賰丕賷丞 賵丕賱爻乇丿 卮丿賵賳賶 賵爻丨亘賵賳賶 丕賰鬲乇貙 賰賳鬲 亘丨丕賵賱 丕亘胤卅 賯乇丕賷鬲賶 毓卮丕賳 賲丕鬲禺賱氐卮貙 鬲爻鬲丨賯 丕賱賯乇丕亍丞 賵亘卮丿丞馃挏
*賯乇丕亍丞 賱賱賲乇丞 丕賱鬲丕賳賷丞*
爻賷乇丞 匕丕鬲賷丞貙 乇賵丕卅賷丞貙 賱胤賷賮丞貙 賲爻賱賷丞貙 賱匕賷匕丞 噩丿丕 噩丿丕
卮丿賳賶 丕賱丕爻賲 噩丿丕 賵丕賱丨賰丕賷丞 賵丕賱爻乇丿 卮丿賵賳賶 賵爻丨亘賵賳賶 丕賰鬲乇貙 賰賳鬲 亘丨丕賵賱 丕亘胤卅 賯乇丕賷鬲賶 毓卮丕賳 賲丕鬲禺賱氐卮貙 鬲爻鬲丨賯 丕賱賯乇丕亍丞 賵亘卮丿丞馃挏
*賯乇丕亍丞 賱賱賲乇丞 丕賱鬲丕賳賷丞*
February 25, 2018
賰鬲丕亘賷 丕賱 (30) 賱毓丕賲 2018.
兀賲賷賱賷 賳賵鬲賵賲亘 氐乇賷丨丞貙 卮噩丕毓丞貙 鬲賰鬲亘 丿賵賳 丕賱丕丨爻丕爻 亘丕賱禺賵賮 兀賵 丕賱賳丿賲貙 賰賷賮 賷賲賰賳 賱賴丕 兀賳 鬲賰鬲亘 賴匕丕 丕賱賰賲 賲賳 丕賱兀賲賵乇 丕賱鬲賷 丨氐賱鬲 賱賴丕 亘丕賱賮毓賱 賷賵賲丕賸 賲丕 賵鬲賳卮乇賴丕 賱賷賯乇兀賴丕 丌賱丕賮 丕賱兀賮乇丕丿 丨賵賱 丕賱毓丕賱賲!!!
賴賷 賯氐丞 丨亘 丨賯賷賯賷丞 毓丕卮鬲賴丕 丕賱賰丕鬲亘丞 賲丕 亘賷賳 毓丕賲賷 1990 賵 1991 賮賷 丕賱賷丕亘丕賳貙 鬲乇賵賷 賮賷賴丕 賱丨馗丕鬲 噩賲賷賱丞貙 賵兀禺乇賶 爻賷卅丞貙 賱丨馗丕鬲 賲卮賵賯賾丞貙 賵兀禺乇賶 賲賲賱賾丞 毓賳 毓賱丕賯鬲賴丕 亘丕賱卮丕亘 丕賱賷丕亘丕賳賷 丕賱匕賷 兀丨亘賴丕 丨亘丕賸 毓馗賷賲丕賸 賵賱賰賳 賲丕 丕賱匕賷 賮毓賱鬲賴 賴賷責責
丕賱鬲賯賷賷賲:
馃専馃専 賳噩賲鬲丕賳貙 賲賳 丕賱賰鬲亘 丕賱禺賮賷賮丞 賵丕賱賱胤賷賮丞 丕賱鬲賷 鬲購賯乇兀听 賰丕爻鬲乇丕丨丞 亘賷賳 賰鬲丕亘 賵丌禺乇.
兀賲賷賱賷 賳賵鬲賵賲亘 氐乇賷丨丞貙 卮噩丕毓丞貙 鬲賰鬲亘 丿賵賳 丕賱丕丨爻丕爻 亘丕賱禺賵賮 兀賵 丕賱賳丿賲貙 賰賷賮 賷賲賰賳 賱賴丕 兀賳 鬲賰鬲亘 賴匕丕 丕賱賰賲 賲賳 丕賱兀賲賵乇 丕賱鬲賷 丨氐賱鬲 賱賴丕 亘丕賱賮毓賱 賷賵賲丕賸 賲丕 賵鬲賳卮乇賴丕 賱賷賯乇兀賴丕 丌賱丕賮 丕賱兀賮乇丕丿 丨賵賱 丕賱毓丕賱賲!!!
賴賷 賯氐丞 丨亘 丨賯賷賯賷丞 毓丕卮鬲賴丕 丕賱賰丕鬲亘丞 賲丕 亘賷賳 毓丕賲賷 1990 賵 1991 賮賷 丕賱賷丕亘丕賳貙 鬲乇賵賷 賮賷賴丕 賱丨馗丕鬲 噩賲賷賱丞貙 賵兀禺乇賶 爻賷卅丞貙 賱丨馗丕鬲 賲卮賵賯賾丞貙 賵兀禺乇賶 賲賲賱賾丞 毓賳 毓賱丕賯鬲賴丕 亘丕賱卮丕亘 丕賱賷丕亘丕賳賷 丕賱匕賷 兀丨亘賴丕 丨亘丕賸 毓馗賷賲丕賸 賵賱賰賳 賲丕 丕賱匕賷 賮毓賱鬲賴 賴賷責責
丕賱鬲賯賷賷賲:
馃専馃専 賳噩賲鬲丕賳貙 賲賳 丕賱賰鬲亘 丕賱禺賮賷賮丞 賵丕賱賱胤賷賮丞 丕賱鬲賷 鬲購賯乇兀听 賰丕爻鬲乇丕丨丞 亘賷賳 賰鬲丕亘 賵丌禺乇.
June 26, 2019
丨賷賳賲丕 賷丨賰賷 賱賳丕 兀丨丿賴賲 賯氐鬲賴 賱丕 賳賲賱賰 爻賵賶 丕賱兀氐睾丕亍 賱賴 丿賵賳 廿氐丿丕乇 兀丨賰丕賲 廿丨鬲乇丕賲丕賸 賱賱賲爻丕丨丞 丕賱鬲賷 丕毓胤丕賴丕 賱賳丕
鬲丨賰賷 賱賳丕 廿賷賲賷賱賷 噩夭亍 丌禺乇 賲賳 爻賷乇鬲賴丕 丕賱匕丕鬲賷丞
丕賱噩夭亍 丕賱禺丕氐 亘賯氐丞 丕賱丨亘 丕賱賲毓賯丿丞 丕賱鬲賷 毓丕卮鬲賴丕 丕孬賳丕亍 鬲賵丕噩丿賴丕 亘丕賱賷丕亘丕賳
賵丕丨鬲乇丕賲丕賸 賱鬲賱賰 丕賱賰丕鬲亘丞 丕賱爻丕丨乇丞 丕賱鬲賷 兀卮毓乇 丕賳賴丕 鬲卮亘賴賳賷 賰孬賷乇丕賸 賱賳 兀丨賰賲 毓賱賶 賲丕 毓丕卮鬲賴 丕賵 賲丕 賯乇乇鬲賴 賮賷 賴匕賴 丕賱乇賵丕賷丞
賮賯胤 兀乇賷丿 兀賳 丕賯賵賱 .. 丕賳賳賷 賵賯毓鬲 賮賷 丨亘 賰鬲丕亘鬲丕鬲賴丕 賲賳匕 賯乇兀鬲 "匕賴賵賱 賵乇毓丿丞" 賵爻賷爻鬲賲乇 賴匕丕 丕賱毓卮賯 賰賱賲丕 賯乇兀鬲 賱賴丕 丕賱賲夭賷丿
賱丿賷 賳賴賲 賰亘賷乇 賱賰鬲丕亘丕鬲賴丕 丕賱鬲賷 鬲賱賲爻賳賷 丿丕卅賲丕賸 賵賰兀賳賴丕 廿賳毓賰丕爻 賱賷 賵賱丨賷丕鬲賷
兀賰孬乇 賲丕 賷爻毓丿賳賷 兀賳賳賷 兀禺賷乇丕賸 毓乇賮鬲 賲賳 賴賷 賰丕鬲亘鬲賷 丕賱賲賮囟賱丞 :)
鬲丨賰賷 賱賳丕 廿賷賲賷賱賷 噩夭亍 丌禺乇 賲賳 爻賷乇鬲賴丕 丕賱匕丕鬲賷丞
丕賱噩夭亍 丕賱禺丕氐 亘賯氐丞 丕賱丨亘 丕賱賲毓賯丿丞 丕賱鬲賷 毓丕卮鬲賴丕 丕孬賳丕亍 鬲賵丕噩丿賴丕 亘丕賱賷丕亘丕賳
賵丕丨鬲乇丕賲丕賸 賱鬲賱賰 丕賱賰丕鬲亘丞 丕賱爻丕丨乇丞 丕賱鬲賷 兀卮毓乇 丕賳賴丕 鬲卮亘賴賳賷 賰孬賷乇丕賸 賱賳 兀丨賰賲 毓賱賶 賲丕 毓丕卮鬲賴 丕賵 賲丕 賯乇乇鬲賴 賮賷 賴匕賴 丕賱乇賵丕賷丞
賮賯胤 兀乇賷丿 兀賳 丕賯賵賱 .. 丕賳賳賷 賵賯毓鬲 賮賷 丨亘 賰鬲丕亘鬲丕鬲賴丕 賲賳匕 賯乇兀鬲 "匕賴賵賱 賵乇毓丿丞" 賵爻賷爻鬲賲乇 賴匕丕 丕賱毓卮賯 賰賱賲丕 賯乇兀鬲 賱賴丕 丕賱賲夭賷丿
賱丿賷 賳賴賲 賰亘賷乇 賱賰鬲丕亘丕鬲賴丕 丕賱鬲賷 鬲賱賲爻賳賷 丿丕卅賲丕賸 賵賰兀賳賴丕 廿賳毓賰丕爻 賱賷 賵賱丨賷丕鬲賷
兀賰孬乇 賲丕 賷爻毓丿賳賷 兀賳賳賷 兀禺賷乇丕賸 毓乇賮鬲 賲賳 賴賷 賰丕鬲亘鬲賷 丕賱賲賮囟賱丞 :)
June 8, 2022
2.5 stars // The good thing about waking up at 6 AM of my own accord is that I get lots of reading done before my day officially starts.
I would've never picked up this piece of auto-fiction by Am茅lie Nothomb because I've read four of her other books and wasn't really a fan. This woman is too weird and sometimes even downright despicable for me, and her books are pretentious and annoying. It is very rare for me to have such strong emotions regarding any author, but I can literally not suffer through 3 minutes of her interviews because she makes my blood boil.
In some parts, she is more self-aware than usual (which is a win!), so there are moments of humor and sarcasm in this book that really worked for me ("Man kann gar nicht oft genug betonen, wie viel ich f眉r die franz枚sische Literatur getan habe", this comment she makes after she tries to read some Duras to her Japanese lover made me cackle), but overall, Nothomb (as an art figure) remains selfish, egotistical, and loathsome... and sometimes downright delusional (like miss thing, you leaving your lover WITHOUT A WORD and ghosting him for years is not the act of charity you think it is).
Also be cautious, she makes some insensitive (and racist) remarks in this book, e.g. "So habe ich in Bangladesch gelebt, wo ein Gro脽teil der Bev枚lkerung nur aus Haut und Knochen besteht." (= For example, I lived in Bangladesh, where a large part of the population consists only of skin and bones.), which doesn't surprise me bc it's Nothomb and she's always like that 鈥� that white high-and-mighty, I'm-not-like-other-girls girl 鈥� but just a heads up... her insensitivity is sometimes hard to bear!
I would've never picked up this piece of auto-fiction by Am茅lie Nothomb because I've read four of her other books and wasn't really a fan. This woman is too weird and sometimes even downright despicable for me, and her books are pretentious and annoying. It is very rare for me to have such strong emotions regarding any author, but I can literally not suffer through 3 minutes of her interviews because she makes my blood boil.
Die P眉nktlichkeit des Mercedes am n盲chsten Tag war nur mit seiner Wei脽heit vergleichbar.Anyways, I got this book from a friend of my mom's for my birthday and I thought I'd give it a shot since it's so short. It's Am茅lie's attempt at working through her first relationship to a Japanese man when she was in Tokyo as a 21-year-old in 1989. The first half is really not that bad 鈥� their budding relationship, intercultural clash etc. 鈥� but it really went downhill in the second part 鈥� obnoxious mountain climbing and Am茅lie presenting herself as the martyr that she most definitely isn't, the ending also showed her despicable character (instead of denying the marriage request of her lover, she keeps him in the unknown for months and then books a one way ticket back to Brussels without telling him).
In some parts, she is more self-aware than usual (which is a win!), so there are moments of humor and sarcasm in this book that really worked for me ("Man kann gar nicht oft genug betonen, wie viel ich f眉r die franz枚sische Literatur getan habe", this comment she makes after she tries to read some Duras to her Japanese lover made me cackle), but overall, Nothomb (as an art figure) remains selfish, egotistical, and loathsome... and sometimes downright delusional (like miss thing, you leaving your lover WITHOUT A WORD and ghosting him for years is not the act of charity you think it is).
Also be cautious, she makes some insensitive (and racist) remarks in this book, e.g. "So habe ich in Bangladesch gelebt, wo ein Gro脽teil der Bev枚lkerung nur aus Haut und Knochen besteht." (= For example, I lived in Bangladesh, where a large part of the population consists only of skin and bones.), which doesn't surprise me bc it's Nothomb and she's always like that 鈥� that white high-and-mighty, I'm-not-like-other-girls girl 鈥� but just a heads up... her insensitivity is sometimes hard to bear!
March 24, 2018
La sinopsis es mentirosa. No le crean. Eso no es una bell铆sima historia de amor. Creo que el af谩n de catalogar este libro dentro del g茅nero rom谩ntico es porque, s铆, tiene una relaci贸n entre sus p谩ginas y nuestra obsesi贸n con las relaciones rom谩nticas. Esta es una novela autobiogr谩fica y m谩s que nada, es una historia sobre Am茅lie Nothomb. La belga est谩 decidida a perfeccionar su japon茅s y, bastante frustrada con las clases de japon茅s a las que asiste y el sistema educativo japon茅s, al que no duda en criticar, se dedica a ense帽ar franc茅s entre los japoneses. As铆 es como conoce a Rinri, un universitario, empieza a darle clases y acaba teniendo una relaci贸n con 茅l.
As铆, de la nada, chance y si parezca una novela rom谩ntica. A m铆 me van a perdonar, pero dejando de lado que s铆 tiene romance, se me hizo una novela bastante introspectiva de Am茅lie. La escritora se cuestiona una y otra vez el amor y su manera de sentirlo. Habla de las clasificaciones del amor seg煤n las ve ella y como las siente. Analiza su relaci贸n con Rinri mientras habla de la cultura japonesa (y qu茅 cultura) y vive en el pa铆s de sus amores. Am茅lie ama a Jap贸n m谩s a que casi todo en el mundo y se nota por como habla del pa铆s. Lo critica, lo expone, nos cuenta todo. Creo que s茅 m谩s cosas de Jap贸n que de Rinri, la verdad (que no es mal protagonista y de hecho es un chico bastante tierno, pero again, creo que aunque es una pieza muy importa del libro, el libro no es de 茅l ni de su relaci贸n). Este libro es anterior a Estupor y Temblores. Antes de que Am茅lie entrara a trabajar en una empresa salida directamente de los c铆rculos del infierno.
De Am茅lie Norhomb uno puede esperar casi cualquier cosa. Este libro a veces es pesado porque sus divagaciones parecen irse por las ramas en todo momento. A pesar de todo, su prosa al hablar de Jap贸n es hermosa y una de las partes m谩s impresionantes del libro es la excursi贸n al Monte Fuji, que todos los japoneses deben realizar al menos una vez en su vida. Les juro, me pareci贸 hermoso. Es un buen libro para complementar el anterior, aunque la verdad es que no lo considero por encima de la obra magistral que me parece Estupor y Temblores (e incluso la Metaf铆sica de los tubos, que a煤n tengo pendiente rese帽ar).
March 23, 2018
Carpa diem
Il primo incontro con la mazdeana Nothumble e con la sua rinomata abilit脿 di scrittrice non 猫 stato certo fulminante. Toccher脿 darle un'altra possibilit脿.
Non che questo libro sia completamente da cestinare: l'inveterata curiosit脿 verso il Giappone e la sua cultura me lo ha reso a tratti piacevole, anche perch茅 trasmette perfettamente l'amore dell'Autrice nei confronti di quel Paese. Le fondamenta della vicenda, per esempio, rappresentano un'interessante rivisitazione dell'eterno tema della non corrispondenza dei sentimenti: in questo caso, lo scontro tra il koi, il "diletto" (e la carpa), e l'ai, l'amore vero e proprio. Seguiamo la nascita e la crescita della coppia A. & R. (coppia tra le pi霉 irritanti della storia della letteratura, detto en passant), tra pranzi, passeggiate nei parchi, un cinemino oggi e una salita sul monte Fuji domani: a R. toccher脿 il fardello di un'ai non ricambiato, ad A. il tentativo di non perdere il confortevole koi.
Segue separazione. Ok, fuga.
Passa del tempo.
Si incontrano nuovamente, e scopriamo che a legarli, in fin dei conti, era l'abbraccio fraterno del samurai.
Alla spiegazione della differenza tra ai e koi avevo iniziato a nutrire grandi speranze, ma le ho rapidamente smarrite, pagina dopo pagina, via via che l'Autrice costruiva un muro di mattoncini di ego ed egoismo. Forse era quello che la Nothomb voleva - cfr. dove parla della frustrazione provocata dalla lettura di un libro della Duras. Forse intendeva solo giustificarsi e scusarsi col povero Rinri. Forse voleva scrivere un libro divertente e a suo modo tenero, ma non l'ho capito.
Il primo incontro con la mazdeana Nothumble e con la sua rinomata abilit脿 di scrittrice non 猫 stato certo fulminante. Toccher脿 darle un'altra possibilit脿.
Non che questo libro sia completamente da cestinare: l'inveterata curiosit脿 verso il Giappone e la sua cultura me lo ha reso a tratti piacevole, anche perch茅 trasmette perfettamente l'amore dell'Autrice nei confronti di quel Paese. Le fondamenta della vicenda, per esempio, rappresentano un'interessante rivisitazione dell'eterno tema della non corrispondenza dei sentimenti: in questo caso, lo scontro tra il koi, il "diletto" (e la carpa), e l'ai, l'amore vero e proprio. Seguiamo la nascita e la crescita della coppia A. & R. (coppia tra le pi霉 irritanti della storia della letteratura, detto en passant), tra pranzi, passeggiate nei parchi, un cinemino oggi e una salita sul monte Fuji domani: a R. toccher脿 il fardello di un'ai non ricambiato, ad A. il tentativo di non perdere il confortevole koi.
Segue separazione. Ok, fuga.
Passa del tempo.
Si incontrano nuovamente, e scopriamo che a legarli, in fin dei conti, era l'abbraccio fraterno del samurai.
Alla spiegazione della differenza tra ai e koi avevo iniziato a nutrire grandi speranze, ma le ho rapidamente smarrite, pagina dopo pagina, via via che l'Autrice costruiva un muro di mattoncini di ego ed egoismo. Forse era quello che la Nothomb voleva - cfr. dove parla della frustrazione provocata dalla lettura di un libro della Duras. Forse intendeva solo giustificarsi e scusarsi col povero Rinri. Forse voleva scrivere un libro divertente e a suo modo tenero, ma non l'ho capito.
Displaying 1 - 29 of 1,217 reviews
Can't find what you're looking for?
Get help and learn more about the design.