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袛械薪褜谐懈
芦袛械薪褜谐懈禄 鈥� 褍胁谢械泻邪褌械谢褜薪褘泄 褉芯屑邪薪 蟹薪邪屑械薪懈褌芯谐芯 薪邪 胁械褋褜 屑懈褉 褎褉邪薪褑褍蟹褋泻芯谐芯 锌懈褋邪褌械谢褟, 锌褍斜谢懈褑懈褋褌邪 懈 芯斜褖械褋褌胁械薪薪芯谐芯 写械褟褌械谢褟 协屑懈谢褟 袟芯谢褟 (褎褉. 脡mile Zola, 1840 鈥� 1902).*** 袚芯褋锌芯写懈薪 小邪泻泻邪褉 鈥� 褋褌褉邪褋褌薪褘泄 斜懈褉卸械胁芯泄 懈谐褉芯泻. 袝谐芯 邪蟹邪褉褌薪芯褋褌褜 芯写薪邪卸写褘 褍卸械 褋褘谐褉邪谢邪 褋 薪懈屑 蟹谢褍褞 褕褍褌泻褍 鈥� 芯薪 锌芯褌械褉褟谢 胁褋械 褋芯褋褌芯褟薪懈械 懈 芯褋芯斜薪褟泻. 袧芯 芯薪 褏芯褔械褌 芯褌褘谐褉邪褌褜褋褟 懈 薪邪写械械褌褋褟 薪邪 锌芯屑芯褖褜 褋邪屑芯谐芯 屑懈薪懈褋褌褉邪. 协屑懈谢褜 袟芯谢褟 褌邪泻卸械 锌褉芯褋谢邪胁懈谢褋褟 斜谢邪谐芯写邪褉褟 褋胁芯懈屑 锌褉芯懈蟹胁械写械薪懈褟屑 芦袝谐芯 锌褉械胁芯褋褏芯写懈褌械谢褜褋褌胁芯 协卸械薪 袪褍谐芯薪禄 懈 芦袟邪锌邪写薪褟禄. 校卸械 锌褉懈 卸懈蟹薪懈 协屑懈谢褜 袟芯谢褟 锌芯谢褜蟹芯胁邪谢褋褟 芯谐褉芯屑薪芯泄 锌芯锌褍谢褟褉薪芯褋褌褜褞 褋褉械写懈 褔懈褌邪褌械谢械泄. 袝谐芯 褋芯褔懈薪械薪懈褟 锌械褉械胁械写械薪褘 薪邪 屑薪芯谐懈械 褟蟹褘泻懈 屑懈褉邪, 械谐芯 胁械谢懈泻芯谢械锌薪褘屑懈 褉芯屑邪薪邪屑懈 蟹邪褔懈褌褘胁邪褞褌褋褟 懈 锌芯 褋械泄 写械薪褜.
409 pages, Kindle Edition
Published March 6, 2017
About the author
脡mile Zola
2,680听books4,226听followers脡mile Fran莽ois Zola was an influential French novelist, the most important example of the literary school of naturalism, and a major figure in the political liberalization of France.
More than half of Zola's novels were part of a set of 20 books collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Com茅die Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations.
As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."
Although Zola and C茅zanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of C茅zanne and the Bohemian life of painters in his novel 尝'艗耻惫谤别 (The Masterpiece, 1886).
From 1877 with the publication of L'Assommoir, 脡mile Zola became wealthy, he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author.
The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.
More than half of Zola's novels were part of a set of 20 books collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Com茅die Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations.
As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."
Although Zola and C茅zanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of C茅zanne and the Bohemian life of painters in his novel 尝'艗耻惫谤别 (The Masterpiece, 1886).
From 1877 with the publication of L'Assommoir, 脡mile Zola became wealthy, he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author.
The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.
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