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鈥嗀ж辟嗀┾赌�
鬲爻鬲毓賷丿 "夭賴賵乇" 賮賷 睾乇亘鬲賴丕 賮賷 亘賱丕丿 丕賱孬賱噩 兀丨賱丕賲賻 噩丿賾鬲賴丕 丕賱鬲賷 賱賲 鬲鬲丨賯賾賯 賯胤賾. 賵賴賳丕賰貙 賷噩賲毓賴丕 丕賱賯丿乇購 亘賭 "爻乇賵乇" 賵兀禺鬲賴丕 "賰丨賱" 賵"毓賲乇丕賳" 夭賵噩 賰丨賱 丕賱賴丕乇亘 賲賳 丨賯賱賴 賮賷 亘丕賰爻鬲丕賳. 賷鬲卮賰賾賱 亘賷賳 夭賴賵乇 賵賰丨賱 賵毓賲乇丕賳 賲孬賱賻賾孬賹 睾丕賲囟 賷睾匕賽賾賷賴 匕賰乇賶 丕賱噩丿賾丞 丕賱鬲賷 毓丕卮鬲 毓賲乇賻賴丕 丕賱胤賵賷賱賻 毓匕乇丕亍賻 賵亘賱丕 丨賯賱. 廿賳賻賾賴 賲孬賱賻賾孬 賷丨賵賲 丨賵賱 丕賱爻丐丕賱 丕賱兀夭賱賷賾: 賴賱 賲賳 毓賱丕噩賺 賱賱丨夭賳責
141 pages, Kindle Edition
First published January 1, 2016
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About the author
Jokha Alharthi 噩賵禺丞 丕賱丨丕乇孬賷
10听books808听followersJokha al-Harthi (Arabic: 噩賵禺丞 丕賱丨丕乇孬賷鈥�; born July 1978) is an Omani writer and academic. She was educated in Oman and in the United Kingdom. She obtained her PhD in classical Arabic literature from Edinburgh University. She is currently an associate professor in the Arabic department at Sultan Qaboos University.
al-Harthi has published three collections of short stories and three novels (Manamat, Sayyidat el-Qamar and Narinjah). She has also authored academic works. Her work has been translated into English, Serbian, Korean, Italian, and German and published in Banipal magazine. She was also one of eight participants in the 2011 IPAF Nadwa (writers' workshop). al-Harthi won the Sultan Qaboos Award for Culture, Arts and Literature, for her novel Narinjah (Bitter Orange) in 2016.
Sayyidat el-Qamar was shortlisted for Zayed Award 2011 and has been translated into English by Marilyn Booth. It was published in the UK by Sandstone Press in June 2018 under the title Celestial Bodies, and won the Man Booker International Prize 2019.
噩賵禺丞 丕賱丨丕乇孬賷 賰丕鬲亘丞 毓賲丕賳賷丞貙 鬲毓賲賱 兀爻鬲丕匕丞 賱賱兀丿亘 丕賱毓乇亘賷 賮賷 噩丕賲毓丞 丕賱爻賱胤丕賳 賯丕亘賵爻貙 丨丕卅夭丞 毓賱賶 丕賱丿賰鬲賵乇丕賴 賮賷 丕賱兀丿亘 賲賳 噩丕賲毓丞 兀丿賳亘乇丞 亘丕爻賰鬲賱賳丿丕貙 兀氐丿乇鬲 孬賱丕孬 乇賵丕賷丕鬲 賵賲噩賲賵毓鬲賷賳 賯氐氐賷鬲賷賳 賵賰鬲丕亘 賳氐賵氐 賲賮鬲賵丨丞 賵賯氐鬲賷賳 賱賱兀胤賮丕賱貙 亘丕賱廿囟丕賮丞 賱賰鬲亘 賵賲賯丕賱丕鬲 兀賰丕丿賷賲賷丞貙 鬲乇噩賲鬲 亘毓囟 賳氐賵氐賴丕 廿賱賶 丕賱廿賳噩賱賷夭賷丞 賵賳卮乇鬲 賮賷 賲噩賱丞 亘丕賳賷亘丕賱貙 賵廿賱賶 丕賱兀賱賲丕賳賷丞 賵賳卮乇鬲 賮賷 賲噩賱丞 賱爻丕賳貙 賵廿賱賶 丕賱賰賵乇賷丞 賵丕賱氐乇亘賷丞 賵丕賱廿賷胤丕賱賷丞 賵賳卮乇鬲 賮賷 賲噩賱丕鬲 賲鬲禺氐氐丞. 爻鬲氐丿乇 乇賵丕賷鬲賴丕 "爻賷丿丕鬲 丕賱賯賲乇" (2010) 賯乇賷亘丕 亘丕賱廿賳噩賱賷夭賷丞 賮賷 丕爻賰鬲賱賳丿丕貙 賰賲丕 賮丕夭鬲 乇賵丕賷鬲賴丕 "賳丕乇賳噩丞" (2016) 亘噩丕卅夭丞 丕賱爻賱胤丕賳 賯丕亘賵爻 賱賱孬賯丕賮丞 賵丕賱賮賳賵賳 賵丕賱丌丿丕亘 毓丕賲 2016.
al-Harthi has published three collections of short stories and three novels (Manamat, Sayyidat el-Qamar and Narinjah). She has also authored academic works. Her work has been translated into English, Serbian, Korean, Italian, and German and published in Banipal magazine. She was also one of eight participants in the 2011 IPAF Nadwa (writers' workshop). al-Harthi won the Sultan Qaboos Award for Culture, Arts and Literature, for her novel Narinjah (Bitter Orange) in 2016.
Sayyidat el-Qamar was shortlisted for Zayed Award 2011 and has been translated into English by Marilyn Booth. It was published in the UK by Sandstone Press in June 2018 under the title Celestial Bodies, and won the Man Booker International Prize 2019.
噩賵禺丞 丕賱丨丕乇孬賷 賰丕鬲亘丞 毓賲丕賳賷丞貙 鬲毓賲賱 兀爻鬲丕匕丞 賱賱兀丿亘 丕賱毓乇亘賷 賮賷 噩丕賲毓丞 丕賱爻賱胤丕賳 賯丕亘賵爻貙 丨丕卅夭丞 毓賱賶 丕賱丿賰鬲賵乇丕賴 賮賷 丕賱兀丿亘 賲賳 噩丕賲毓丞 兀丿賳亘乇丞 亘丕爻賰鬲賱賳丿丕貙 兀氐丿乇鬲 孬賱丕孬 乇賵丕賷丕鬲 賵賲噩賲賵毓鬲賷賳 賯氐氐賷鬲賷賳 賵賰鬲丕亘 賳氐賵氐 賲賮鬲賵丨丞 賵賯氐鬲賷賳 賱賱兀胤賮丕賱貙 亘丕賱廿囟丕賮丞 賱賰鬲亘 賵賲賯丕賱丕鬲 兀賰丕丿賷賲賷丞貙 鬲乇噩賲鬲 亘毓囟 賳氐賵氐賴丕 廿賱賶 丕賱廿賳噩賱賷夭賷丞 賵賳卮乇鬲 賮賷 賲噩賱丞 亘丕賳賷亘丕賱貙 賵廿賱賶 丕賱兀賱賲丕賳賷丞 賵賳卮乇鬲 賮賷 賲噩賱丞 賱爻丕賳貙 賵廿賱賶 丕賱賰賵乇賷丞 賵丕賱氐乇亘賷丞 賵丕賱廿賷胤丕賱賷丞 賵賳卮乇鬲 賮賷 賲噩賱丕鬲 賲鬲禺氐氐丞. 爻鬲氐丿乇 乇賵丕賷鬲賴丕 "爻賷丿丕鬲 丕賱賯賲乇" (2010) 賯乇賷亘丕 亘丕賱廿賳噩賱賷夭賷丞 賮賷 丕爻賰鬲賱賳丿丕貙 賰賲丕 賮丕夭鬲 乇賵丕賷鬲賴丕 "賳丕乇賳噩丞" (2016) 亘噩丕卅夭丞 丕賱爻賱胤丕賳 賯丕亘賵爻 賱賱孬賯丕賮丞 賵丕賱賮賳賵賳 賵丕賱丌丿丕亘 毓丕賲 2016.
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June 20, 2024
兀禺匕鬲購 賳賮爻賸丕 毓賲賷賯賸丕 賲毓 丌禺乇 賰賱賲丞 賲賳 賴匕賴 丕賱乇賵丕賷丞...
賲賳 賯乇兀 乇賵丕賷鬲賷 賱賳 兀睾丕丿乇 賲賳夭賱賷 賵賯乇兀 乇賵丕賷丞 賳丕乇賳噩丞 爻賷毓乇賮 鬲賲丕賲賸丕 爻亘亘 鬲毓賱賾賯賷 亘賴丕.
噩賵禺丞 丕賱丨丕乇孬賷 賰丕鬲亘丞 丨爻賾丕爻丞 賵氐丕丿賯丞 賵鬲賲鬲賱賰 賱睾丞賸 噩賲賷賱丞 賵爻賱爻丞 賵兀禺賾丕匕丞 賵賳賯賷賾丞. 賴匕賴 丕賱乇賵丕賷丞 賲賳 乇賵丕賷丕鬲 丕賱兀丿亘 丕賱賳馗賷賮 丕賱匕賷 賷毓丕賱噩 賲卮丕賰賱賻 卮鬲賾賶 賮賷 丕賱賲噩鬲賲毓 丿賵賳 丕賱賲爻賾 亘丕賱鬲賯丕賱賷丿 丕賱毓乇亘賷賾丞 賵丿賵賳 禺丿卮 丨賷丕亍 丕賱賯丕乇卅 丕賱賲賱鬲夭賲 賵賴賵 卮賷亍 賷丨爻亘 賱賱賰丕鬲亘丞. 丕賱乇賵丕賷丞 賲丿賵夭賳丞 亘廿氐亘毓 賯丕卅丿 兀賵乇賰賷爻鬲乇丕. 丕賱丨賳賷賳 胤丕賮丨 賮賷 賰賱賾 丕賱氐賮丨丕鬲. 丕賱鬲賷賴 賵丕賱賮賯丿丕賳 賵丕賱丨賳賷賳 賵丕賱毓丕卅賱丞 賵丕賱睾乇亘丞 賵丕賱賲丕囟賷 賵丕賱丨亘賾 賵丕賱胤亘賯賷賾丞 賵丕賱鬲兀賯賱賲 賲毓 丕賱賵丕賯毓 賵毓丿賷丿 丕賱賲賵丕囟賷毓 丕賱兀禺乇賶 賳丕賯卮鬲賴丕 噩賵禺丞 亘氐丿賯 賵匕賰丕亍 賵賴丿賵亍. 賳毓賲 賴匕賴 丕賱乇賵丕賷丞 賴丕丿卅丞 噩丿賸賾丕 乇睾賲 丕賱孬賵乇丞 丕賱噩丕賲丨丞 賮賷賴丕. 卮賰乇賸丕 噩賵禺丞 毓賱賶 賴匕丕 丕賱毓賲賱 丕賱賲賲鬲毓. 爻兀賯乇兀 爻賷賾丿丕鬲 丕賱賯賲乇 賯乇賷亘賸丕
賲賳 賯乇兀 乇賵丕賷鬲賷 賱賳 兀睾丕丿乇 賲賳夭賱賷 賵賯乇兀 乇賵丕賷丞 賳丕乇賳噩丞 爻賷毓乇賮 鬲賲丕賲賸丕 爻亘亘 鬲毓賱賾賯賷 亘賴丕.
噩賵禺丞 丕賱丨丕乇孬賷 賰丕鬲亘丞 丨爻賾丕爻丞 賵氐丕丿賯丞 賵鬲賲鬲賱賰 賱睾丞賸 噩賲賷賱丞 賵爻賱爻丞 賵兀禺賾丕匕丞 賵賳賯賷賾丞. 賴匕賴 丕賱乇賵丕賷丞 賲賳 乇賵丕賷丕鬲 丕賱兀丿亘 丕賱賳馗賷賮 丕賱匕賷 賷毓丕賱噩 賲卮丕賰賱賻 卮鬲賾賶 賮賷 丕賱賲噩鬲賲毓 丿賵賳 丕賱賲爻賾 亘丕賱鬲賯丕賱賷丿 丕賱毓乇亘賷賾丞 賵丿賵賳 禺丿卮 丨賷丕亍 丕賱賯丕乇卅 丕賱賲賱鬲夭賲 賵賴賵 卮賷亍 賷丨爻亘 賱賱賰丕鬲亘丞. 丕賱乇賵丕賷丞 賲丿賵夭賳丞 亘廿氐亘毓 賯丕卅丿 兀賵乇賰賷爻鬲乇丕. 丕賱丨賳賷賳 胤丕賮丨 賮賷 賰賱賾 丕賱氐賮丨丕鬲. 丕賱鬲賷賴 賵丕賱賮賯丿丕賳 賵丕賱丨賳賷賳 賵丕賱毓丕卅賱丞 賵丕賱睾乇亘丞 賵丕賱賲丕囟賷 賵丕賱丨亘賾 賵丕賱胤亘賯賷賾丞 賵丕賱鬲兀賯賱賲 賲毓 丕賱賵丕賯毓 賵毓丿賷丿 丕賱賲賵丕囟賷毓 丕賱兀禺乇賶 賳丕賯卮鬲賴丕 噩賵禺丞 亘氐丿賯 賵匕賰丕亍 賵賴丿賵亍. 賳毓賲 賴匕賴 丕賱乇賵丕賷丞 賴丕丿卅丞 噩丿賸賾丕 乇睾賲 丕賱孬賵乇丞 丕賱噩丕賲丨丞 賮賷賴丕. 卮賰乇賸丕 噩賵禺丞 毓賱賶 賴匕丕 丕賱毓賲賱 丕賱賲賲鬲毓. 爻兀賯乇兀 爻賷賾丿丕鬲 丕賱賯賲乇 賯乇賷亘賸丕
December 18, 2023
Sweeping and dreamlike, this family saga highlights the uniquely lonely experiences of womanhood, especially when trapped in the orbit of domineering men. Poetic and nonlinear, this recollection reliant narrative captures the fluid nature of memory, with age and experience, our views of the past, and the people around us, become a carousel of emotions, ever shifting from regret to enlightenment, from peace to turmoil. We so often align with our mothers, grandmothers, the women we are raised by, those who we love but misunderstood, those who we are warned against. A rewarding read.
May 21, 2017
賱睾丞 噩賲賷賱丞 賵賱賰賳 丕賱賱睾丞 丕賱噩賲賷賱丞貙 賵丨丿賴丕貙 賱丕 鬲賰賮賷 賱禺賱賯 乇賵丕賷丞 噩賲賷賱丞.
May 1, 2023
丕賱賰丕鬲亘丞 丕賱毓賲丕賳賷丞 噩賵禺丞 丕賱丨丕乇孬賷 賵丕賱鬲賷 賮丕夭鬲 乇賵丕賷鬲賴丕 丕賱爻丕亘賯丞 "爻賷丿丕鬲 丕賱賯賲乇" 亘噩丕卅夭丞 賲丕賳 亘賵賰乇 丕賱丿賵賱賷丞 毓丕賲 2019賲
賮賷 廿氐丿丕乇賴丕 丕賱噩丿賷丿 "賳丕乇賳噩丞"貙 賵丕賱鬲賷 鬲丨賰賷 賯氐丞 丕賱胤丕賱亘丞 丕賱噩丕賲毓賷丞 "夭賴賵乇" 丕賱鬲賷 鬲賳丨丿乇 賲賳 毓丕卅賱丞 毓賲丕賳賷賾丞 賲賷爻賵乇丞貙 賵丕賱鬲賷 鬲兀孬乇鬲 亘丨賰丕賷丕鬲 胤賮賵賱鬲賴丕 丕賱鬲賷 鬲乇亘胤賴丕 賲毓 丕賱噩丿丞 "亘賳鬲 毓丕賲乇".
夭賴賵乇 鬲丿乇爻 賮賷 賱賳丿賳 賵賲氐丕亘丞 亘賰丌亘丞 丨丕丿丞貙 鬲噩賲毓賴丕 丕賱氐丿丕賯丞 賲毓 賮鬲丕丞 亘丕賰爻鬲丕賳賷丞 鬲購丿毓賶 "爻乇賵乇" 賵卮賯賷賯鬲賴丕 "賰丨賱"貙 賵丨亘賷亘 丕賱兀禺賷乇丞 丕賱賮賱丕丨 丕賱亘丕賰爻鬲丕賳賷 丕賱賴丕乇亘 賲賳 丨賯賱賴 賮賷 亘丕賰爻鬲丕賳貙 賮賷 賲孬賱孬 睾丕賲囟 鬲睾匕賾賷賴 匕賰乇賷丕鬲 夭賴賵乇 賲毓 丕賱噩丿丞 亘賳鬲 毓丕賲乇 賵丕賱鬲賷 鬲爻賲賶 "丕賱噩丿丞 丕賱毓匕乇丕亍".
鬲丨丕賵賱 丕賱賰丕鬲亘丞 賲賳 禺賱丕賱 卮禺氐賷賾鬲賴丕 丕賱乇賵丕卅賷丞貙 丕爻鬲賰卮丕賮 賵賲毓丕賱噩丞 丕賱賰孬賷乇 賲賳 丕賱賲賵丕囟賷毓 丕賱卮丕卅賰丞 賵丕賱賲鬲卮丕亘賰丞 賵丕賱鬲賷 鬲丿賵乇 丨賵賱 丕賱賮賯乇貙 賵丕賱氐乇丕毓 丕賱胤亘賯賷 亘賷賳 賲丕囟賷 夭賴賵乇 賮賷 毓購賲丕賳 丕賱賲賲賱賵亍 亘丕賱卮賯丕亍 賯亘賱 毓氐乇 丕賱賳賴囟丞貙 賵亘賷賳 丕賱賮賯乇 賵丕賱卮賯丕亍 賮賷 亘丕賰爻鬲丕賳貙 賰賲丕 鬲毓乇賾噩 毓賱賶 丿乇丕爻丞 丕賱丕亘鬲毓丕孬 丕賱禺丕乇噩賷 賱賱胤賱亘丞貙 賵賲賵丕囟賷毓 亘乇賾 丕賱賵丕賱丿賷賳貙 兀賷囟丕賸 賯丕賲鬲 亘鬲爻賱賷胤 丕賱囟賵亍 毓賱賶 賲賵囟賵毓 丕囟胤賴丕丿 丕賱賲乇兀丞 賮賷 毓購賲丕賳 賵 鬲毓丕胤鬲 賲毓賴丕 賰馗丕賴乇丞 毓丕賱賲賷丞 賲賳 禺賱丕賱 丨賰丕賷丞 賰丨賱 丕賱鬲賷 鬲賳丨丿乇 兀賷囟丕賸 賲賳 毓丕卅賱丞 丕乇爻鬲賯乇丕胤賷賾丞 亘丕賰爻鬲丕賳賷丞 賮賷賴丕 賯賵丕賳賷賳 氐丕乇賲丞貙 賵鬲賮乇賯丞 亘賷賳 丕賱匕賰乇 賵丕賱兀賳孬賶貙 賲賲丕 丿賮毓 亘賴丕 廿賱賶 兀丨囟丕賳 毓賲乇丕賳 夭賲賷賱 丕賱丿乇丕爻丞 賵丕賱賮賱丕丨 丕賱亘丕賰爻鬲丕賳賷 丕賱賮賯賷乇 匕賷 丕賱賲賱丕賲丨 丕賱禺卮賳丞貙 賵丕賱賷丿賷賾賳 丕賱賯賵賷丞 賮賷 廿胤丕乇 夭賵丕噩 爻乇賾賷 亘丿賶 賵賰兀賳賴 夭賵丕噩 賲鬲毓丞.
乇賲夭賷丞 丕賱乇賵丕賷丞 賰丕賳鬲 "卮噩乇丞 丕賱賳丕乇賳噩" 丕賱鬲賷 賰丕賳鬲 丕賱噩丿丞 鬲乇毓丕賴丕貙 賵丨賷賳 鬲賵賮賷鬲 賱賲 鬲氐賲丿 丕賱卮噩乇丞 賮賮丕乇賯鬲 丕賱丨賷丕丞 賴賷 丕賱兀禺乇賶貙 丨鬲賶 丕賳鬲賴鬲 丕賱乇賵丕賷丞 賵丨賰丕賷丕鬲賴丕 亘胤乇賷賯丞 賲賮鬲賵丨丞 毓賱賶 賰丕賮丞 丕賱鬲兀賵賷賱丕鬲貙 賵賰兀賳賴丕 鬲賳鬲馗乇 鬲睾賷賾乇 丕賱馗乇賵賮 兀賵 丕賱兀卮禺丕氐 兀賵 丕賱賲噩鬲賲毓貙 亘兀賳 賷鬲禺匕賵丕 賯乇丕乇丕鬲賴賲 丕賱賲氐賷乇賷賾丞 亘兀賳賮爻賴賲 亘毓賷丿丕賸 毓賳 廿賲賱丕亍丕鬲 丕賱兀賴賱 賵丕賱毓卮賷乇丞 賵丕賱賲噩鬲賲毓 賵馗乇賵賮 丕賱丨賷丕丞.
鬲鬲賲賷賾夭 丕賱乇賵丕賷丞 亘丕賱賱睾丞 丕賱乇氐賷賳丞貙 賵丿賯丞 鬲氐賵賷乇 丕賱賲丕囟賷貙 賱賰賳賴丕 鬲鬲爻賲 亘丕賱賰丌亘丞 賵丕賱丨夭賳 賲賳 兀賵賱賴丕 廿賱賶 丌禺乇賴丕 亘卮賰賱 賲亘丕賱睾 賮賷賴.
賮賷 廿氐丿丕乇賴丕 丕賱噩丿賷丿 "賳丕乇賳噩丞"貙 賵丕賱鬲賷 鬲丨賰賷 賯氐丞 丕賱胤丕賱亘丞 丕賱噩丕賲毓賷丞 "夭賴賵乇" 丕賱鬲賷 鬲賳丨丿乇 賲賳 毓丕卅賱丞 毓賲丕賳賷賾丞 賲賷爻賵乇丞貙 賵丕賱鬲賷 鬲兀孬乇鬲 亘丨賰丕賷丕鬲 胤賮賵賱鬲賴丕 丕賱鬲賷 鬲乇亘胤賴丕 賲毓 丕賱噩丿丞 "亘賳鬲 毓丕賲乇".
夭賴賵乇 鬲丿乇爻 賮賷 賱賳丿賳 賵賲氐丕亘丞 亘賰丌亘丞 丨丕丿丞貙 鬲噩賲毓賴丕 丕賱氐丿丕賯丞 賲毓 賮鬲丕丞 亘丕賰爻鬲丕賳賷丞 鬲購丿毓賶 "爻乇賵乇" 賵卮賯賷賯鬲賴丕 "賰丨賱"貙 賵丨亘賷亘 丕賱兀禺賷乇丞 丕賱賮賱丕丨 丕賱亘丕賰爻鬲丕賳賷 丕賱賴丕乇亘 賲賳 丨賯賱賴 賮賷 亘丕賰爻鬲丕賳貙 賮賷 賲孬賱孬 睾丕賲囟 鬲睾匕賾賷賴 匕賰乇賷丕鬲 夭賴賵乇 賲毓 丕賱噩丿丞 亘賳鬲 毓丕賲乇 賵丕賱鬲賷 鬲爻賲賶 "丕賱噩丿丞 丕賱毓匕乇丕亍".
鬲丨丕賵賱 丕賱賰丕鬲亘丞 賲賳 禺賱丕賱 卮禺氐賷賾鬲賴丕 丕賱乇賵丕卅賷丞貙 丕爻鬲賰卮丕賮 賵賲毓丕賱噩丞 丕賱賰孬賷乇 賲賳 丕賱賲賵丕囟賷毓 丕賱卮丕卅賰丞 賵丕賱賲鬲卮丕亘賰丞 賵丕賱鬲賷 鬲丿賵乇 丨賵賱 丕賱賮賯乇貙 賵丕賱氐乇丕毓 丕賱胤亘賯賷 亘賷賳 賲丕囟賷 夭賴賵乇 賮賷 毓購賲丕賳 丕賱賲賲賱賵亍 亘丕賱卮賯丕亍 賯亘賱 毓氐乇 丕賱賳賴囟丞貙 賵亘賷賳 丕賱賮賯乇 賵丕賱卮賯丕亍 賮賷 亘丕賰爻鬲丕賳貙 賰賲丕 鬲毓乇賾噩 毓賱賶 丿乇丕爻丞 丕賱丕亘鬲毓丕孬 丕賱禺丕乇噩賷 賱賱胤賱亘丞貙 賵賲賵丕囟賷毓 亘乇賾 丕賱賵丕賱丿賷賳貙 兀賷囟丕賸 賯丕賲鬲 亘鬲爻賱賷胤 丕賱囟賵亍 毓賱賶 賲賵囟賵毓 丕囟胤賴丕丿 丕賱賲乇兀丞 賮賷 毓購賲丕賳 賵 鬲毓丕胤鬲 賲毓賴丕 賰馗丕賴乇丞 毓丕賱賲賷丞 賲賳 禺賱丕賱 丨賰丕賷丞 賰丨賱 丕賱鬲賷 鬲賳丨丿乇 兀賷囟丕賸 賲賳 毓丕卅賱丞 丕乇爻鬲賯乇丕胤賷賾丞 亘丕賰爻鬲丕賳賷丞 賮賷賴丕 賯賵丕賳賷賳 氐丕乇賲丞貙 賵鬲賮乇賯丞 亘賷賳 丕賱匕賰乇 賵丕賱兀賳孬賶貙 賲賲丕 丿賮毓 亘賴丕 廿賱賶 兀丨囟丕賳 毓賲乇丕賳 夭賲賷賱 丕賱丿乇丕爻丞 賵丕賱賮賱丕丨 丕賱亘丕賰爻鬲丕賳賷 丕賱賮賯賷乇 匕賷 丕賱賲賱丕賲丨 丕賱禺卮賳丞貙 賵丕賱賷丿賷賾賳 丕賱賯賵賷丞 賮賷 廿胤丕乇 夭賵丕噩 爻乇賾賷 亘丿賶 賵賰兀賳賴 夭賵丕噩 賲鬲毓丞.
乇賲夭賷丞 丕賱乇賵丕賷丞 賰丕賳鬲 "卮噩乇丞 丕賱賳丕乇賳噩" 丕賱鬲賷 賰丕賳鬲 丕賱噩丿丞 鬲乇毓丕賴丕貙 賵丨賷賳 鬲賵賮賷鬲 賱賲 鬲氐賲丿 丕賱卮噩乇丞 賮賮丕乇賯鬲 丕賱丨賷丕丞 賴賷 丕賱兀禺乇賶貙 丨鬲賶 丕賳鬲賴鬲 丕賱乇賵丕賷丞 賵丨賰丕賷丕鬲賴丕 亘胤乇賷賯丞 賲賮鬲賵丨丞 毓賱賶 賰丕賮丞 丕賱鬲兀賵賷賱丕鬲貙 賵賰兀賳賴丕 鬲賳鬲馗乇 鬲睾賷賾乇 丕賱馗乇賵賮 兀賵 丕賱兀卮禺丕氐 兀賵 丕賱賲噩鬲賲毓貙 亘兀賳 賷鬲禺匕賵丕 賯乇丕乇丕鬲賴賲 丕賱賲氐賷乇賷賾丞 亘兀賳賮爻賴賲 亘毓賷丿丕賸 毓賳 廿賲賱丕亍丕鬲 丕賱兀賴賱 賵丕賱毓卮賷乇丞 賵丕賱賲噩鬲賲毓 賵馗乇賵賮 丕賱丨賷丕丞.
鬲鬲賲賷賾夭 丕賱乇賵丕賷丞 亘丕賱賱睾丞 丕賱乇氐賷賳丞貙 賵丿賯丞 鬲氐賵賷乇 丕賱賲丕囟賷貙 賱賰賳賴丕 鬲鬲爻賲 亘丕賱賰丌亘丞 賵丕賱丨夭賳 賲賳 兀賵賱賴丕 廿賱賶 丌禺乇賴丕 亘卮賰賱 賲亘丕賱睾 賮賷賴.
April 3, 2024
between Author Alharthi and Translator Booth!
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Celestial Bodies, Author Alharthi and Translator Booth's previous literary collaboration, revolved around three women and their men...present, absent, loved, loathed, and longed for. It received the 2019 Man Booker International Prize, as it was called then. I myownself checked it out of the library and would've given it a three-star review had I bothered to review it at all...stories centering women organizing themselves and their worlds around men don't appeal to me. The prose was lyrical and pungent.
That last is what I love about this read:
It's all there. Author Alharthi's style, the sentences not too terribly complex but the interrelationship of the words and images is dense, is active, is trellising the reader's vines of awareness into specific patterns that cast wildly distorting shadows on the life in the text.
It is exhilarating to read a simple story that reaches into shadows and under storage shelves and behind armoires in the reader. It means the writer and the translator have offered us everything they found when they rummaged through those spaces in themselves. If you, as I strongly suggest that you do, read the Electric Lit piece I've linked above, you'll come at this read with a vastly bigger experience of the intentionality of the writing. I think the best thing about that awareness, acquired before (in your case) or after (as in mine) finishing the novel, is its honing, its sharpening, of the decoding tools you have at your disposal to be in the read. I've chosen those two passages from the same early section of the story to illustrate that enriching quality.
What reading Bitter Orange Tree offered me was a stroll in a garden planted with almost-familiar-scented plants in service of a geometry slightly not what I am accustomed to (read: not centered so heavily on the women's men). The way the choices I've selected above interrelate and build on the character of Zuhour's perceptual world, the sensory and the eidetic, are the principal pleasure of this read. Like my stream-of-consciousness idol Virginia Woolf, the words build images and the images are shaped by the words as well as by the things the words evoke from us in their saying. Everything Zuhour senses is an image from her startlingly acute inner world...no fogs of forgetfulness (even when summoned, as above) cloud her quietly desperate longing for one more, once again, please just this single time.
Of course she gets none. No one does, and no depths of longing can break the iron arrow...crossbow quarrel, more like...of time. No matter how many times one says ignore, actually performing the act of ignoring is entirely different and often opposed by the metaphysical gravity of love. (I think it was this strange, off-kilter perceptual frame that reduced my rating from five to four stars, though....)
Because yes, this is a love story. Aren't they all. Yes, they all are but this love, Zuhour's love, is so tragically lacking self-love that it's the desperately sad kind of love-ungiven story that can reshape a life. Yours, o reader, if you will allow it; better or worse, as you use it.
I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.
My Review: Celestial Bodies, Author Alharthi and Translator Booth's previous literary collaboration, revolved around three women and their men...present, absent, loved, loathed, and longed for. It received the 2019 Man Booker International Prize, as it was called then. I myownself checked it out of the library and would've given it a three-star review had I bothered to review it at all...stories centering women organizing themselves and their worlds around men don't appeal to me. The prose was lyrical and pungent.
That last is what I love about this read:
I had gone. And then she had gone. And it wasn't possible to change anything. What the hand of fate had written could not be unwritten. That ancient line of poetry: All your tears, all your pleas, will erase not a line of that which is written. For I had gone, and I went away without smiling. I just went, in my cocky presumption that I could look the other way. That I didn't know; that I didn't need to know. And then remorse. Harsh, grating regret, making me more fragile than the brittle autumn leaves crumbling under the janitor's broom beneath my window.
鈥揳苍诲鈥�
"My grandmother would've given anything to be a peasant farmer," I said. And then immediately I regretted my abrupt reaction. Suroor raised her head. "Your grandmother?" Right. The words had come out and they couldn't be put back. I had said it: my grandmother. Why don't words come automatically with threads that we can yank to pull them back inside ourselves? But there are no threads attached. Those words had been said. What's done is done.
It's all there. Author Alharthi's style, the sentences not too terribly complex but the interrelationship of the words and images is dense, is active, is trellising the reader's vines of awareness into specific patterns that cast wildly distorting shadows on the life in the text.
It is exhilarating to read a simple story that reaches into shadows and under storage shelves and behind armoires in the reader. It means the writer and the translator have offered us everything they found when they rummaged through those spaces in themselves. If you, as I strongly suggest that you do, read the Electric Lit piece I've linked above, you'll come at this read with a vastly bigger experience of the intentionality of the writing. I think the best thing about that awareness, acquired before (in your case) or after (as in mine) finishing the novel, is its honing, its sharpening, of the decoding tools you have at your disposal to be in the read. I've chosen those two passages from the same early section of the story to illustrate that enriching quality.
What reading Bitter Orange Tree offered me was a stroll in a garden planted with almost-familiar-scented plants in service of a geometry slightly not what I am accustomed to (read: not centered so heavily on the women's men). The way the choices I've selected above interrelate and build on the character of Zuhour's perceptual world, the sensory and the eidetic, are the principal pleasure of this read. Like my stream-of-consciousness idol Virginia Woolf, the words build images and the images are shaped by the words as well as by the things the words evoke from us in their saying. Everything Zuhour senses is an image from her startlingly acute inner world...no fogs of forgetfulness (even when summoned, as above) cloud her quietly desperate longing for one more, once again, please just this single time.
Of course she gets none. No one does, and no depths of longing can break the iron arrow...crossbow quarrel, more like...of time. No matter how many times one says ignore, actually performing the act of ignoring is entirely different and often opposed by the metaphysical gravity of love. (I think it was this strange, off-kilter perceptual frame that reduced my rating from five to four stars, though....)
Because yes, this is a love story. Aren't they all. Yes, they all are but this love, Zuhour's love, is so tragically lacking self-love that it's the desperately sad kind of love-ungiven story that can reshape a life. Yours, o reader, if you will allow it; better or worse, as you use it.
May 29, 2023
Shortlisted for the James Tait Black Prize for Fiction
Celestial Bodies, Marilyn Booth's translation of 爻賷丿丕鬲 丕賱賯賲乇 ((2010by 噩賵禺丞 丕賱丨丕乇孬賷 (Jokha Alharthi) won the 2019 Man Booker International. It certainly wasn't my favourite on the shortlist, but I felt it was an interesting choice by the judges, a book whose strengths lay in its deep cultural insights and clever construction.
My review: /book/show/4...
Bitter Orange Tree is from the same author/translator, based on a 2016 original, 賳丕乇賳噩丞.
Stylistically it is similar, with short chapters recollected in a non-linear fashion. Our first person narrator is a Omani university student in London. Her present-day story focuses not (directly at least) on herself but rather a friend of her and her sister, both originally from Pakistan, the latter cut-off from her rich family for having married someone from a poorer background. But the novel's heart is her recollection of her own family story, particularly that of her grandmother (although not biologically so) who spent her days under the titular bitter orange tree.
In my mind, I see the pale shadow cast by the house鈥檚 outer wall onto the ground inside the compound, and I see her sitting on a mat in the courtyard, her legs stretched in front of her, absorbed in drinking her coffee. She is not weighted down by thoughts. She is not remembering anything, not missing anything or wishing for it, not dreaming of anything as she sits under the ample shade of the bitter orange tree.
I think this is as much my failing as the novel's but I really didn't connect with this at all:
- the connection between the past family story and present-day story was unclear to me, and indeed the relevance at all of the latter, other than a loose theme in the novel of people trying to control their lives like kites in the wind;
- the non-linear, rather repetitive, style of the stories stretched the novel beyond my patience (224 is simply too long for my taste);
- and the style also meant it was hard to keep track of or be interested in the characters. I felt at times, when a new chapter started with another story of peripheral characters like one of those in the novel:
Athurayyaa had been a little girl, barely completing her fifth year of life, when her cousin Salman left for Zanzibar. She didn鈥檛 have any memory of him, didn鈥檛 recognize him 39 when he returned, even if his name was a familiar one.
2.5 stars. Thanks to the publisher via Netgalley for the ARC.
An extract (from 2019, so edited for final publication) from the start of the novel for the reader of the review to decide for themselves if the style appeals:
Celestial Bodies, Marilyn Booth's translation of 爻賷丿丕鬲 丕賱賯賲乇 ((2010by 噩賵禺丞 丕賱丨丕乇孬賷 (Jokha Alharthi) won the 2019 Man Booker International. It certainly wasn't my favourite on the shortlist, but I felt it was an interesting choice by the judges, a book whose strengths lay in its deep cultural insights and clever construction.
My review: /book/show/4...
Bitter Orange Tree is from the same author/translator, based on a 2016 original, 賳丕乇賳噩丞.
Stylistically it is similar, with short chapters recollected in a non-linear fashion. Our first person narrator is a Omani university student in London. Her present-day story focuses not (directly at least) on herself but rather a friend of her and her sister, both originally from Pakistan, the latter cut-off from her rich family for having married someone from a poorer background. But the novel's heart is her recollection of her own family story, particularly that of her grandmother (although not biologically so) who spent her days under the titular bitter orange tree.
In my mind, I see the pale shadow cast by the house鈥檚 outer wall onto the ground inside the compound, and I see her sitting on a mat in the courtyard, her legs stretched in front of her, absorbed in drinking her coffee. She is not weighted down by thoughts. She is not remembering anything, not missing anything or wishing for it, not dreaming of anything as she sits under the ample shade of the bitter orange tree.
I think this is as much my failing as the novel's but I really didn't connect with this at all:
- the connection between the past family story and present-day story was unclear to me, and indeed the relevance at all of the latter, other than a loose theme in the novel of people trying to control their lives like kites in the wind;
- the non-linear, rather repetitive, style of the stories stretched the novel beyond my patience (224 is simply too long for my taste);
- and the style also meant it was hard to keep track of or be interested in the characters. I felt at times, when a new chapter started with another story of peripheral characters like one of those in the novel:
Athurayyaa had been a little girl, barely completing her fifth year of life, when her cousin Salman left for Zanzibar. She didn鈥檛 have any memory of him, didn鈥檛 recognize him 39 when he returned, even if his name was a familiar one.
2.5 stars. Thanks to the publisher via Netgalley for the ARC.
An extract (from 2019, so edited for final publication) from the start of the novel for the reader of the review to decide for themselves if the style appeals:
July 3, 2022
It was a good book that I wasn't disappointed in picking up. But didn't spark any big emotions either. It's more of a middle star read for me
May 24, 2022
In 2019, Omani author Jokha Alharthi won the International Booker Prize for 鈥淐elestial Bodies.鈥� Her multifaceted generational story, translated from the Arabic by Marilyn Booth, offered English readers a rare look at Omani literature, particularly Omani fiction by a woman. Indeed, amid the surge of international attention generated by the U.K. award, Alharthi noted, 鈥淧eople were surprised by the book, and some even said they had no idea a country named Oman existed.鈥�
The second of Alharthi鈥檚 novels to be translated into English, 鈥淏itter Orange Tree,鈥� arrives this month and should find a primed and better-informed audience. As before, the author continues to demonstrate a deep sympathy for the ways women suffer and survive the vicissitudes of a society that gives them little agency. And fans will recognize Alharthi鈥檚 fluid treatment of chronology and setting, once again gorgeously translated by Booth.
Alharthi, who earned a Ph.D. at the University of Edinburgh and now teaches in Oman, can simultaneously emphasize the universality of her characters鈥� feelings and the unique cultural context of their experiences. 鈥淏itter Orange Tree鈥� is a story of mourning and alienation, and Alharthi has developed a tone that captures that sense of being suspended in the timelessness of grief.
To read the rest of this review, go to The Washington Post:
The second of Alharthi鈥檚 novels to be translated into English, 鈥淏itter Orange Tree,鈥� arrives this month and should find a primed and better-informed audience. As before, the author continues to demonstrate a deep sympathy for the ways women suffer and survive the vicissitudes of a society that gives them little agency. And fans will recognize Alharthi鈥檚 fluid treatment of chronology and setting, once again gorgeously translated by Booth.
Alharthi, who earned a Ph.D. at the University of Edinburgh and now teaches in Oman, can simultaneously emphasize the universality of her characters鈥� feelings and the unique cultural context of their experiences. 鈥淏itter Orange Tree鈥� is a story of mourning and alienation, and Alharthi has developed a tone that captures that sense of being suspended in the timelessness of grief.
To read the rest of this review, go to The Washington Post:
June 24, 2019
兀賷賳 賰丕賳 賯賱賲 噩賵禺丞 賲禺鬲亘卅丕 賰賱 賴匕丕責 兀賷賳 賰丕賳鬲 賴匕賴 丕賱賱睾丞 賵賲丕 丕賱匕賷 丿丕乇丕賴丕 毓賳賷 賰賱 賴匕丕責 賯賱賲 賰賴匕丕 賷爻鬲丨賯 兀賳 賷毓乇賮 賵賷賯丿乇 賵賷賯乇兀 賲乇丞 賵丕孬賳鬲丕賳 賵孬賱丕孬.
夭賴賵乇 賲睾鬲乇亘丞貙 賮毓賱賷丕 賵囟賲賳賷丕貙 夭賴賵乇 鬲亘丨孬 毓賳 毓賱丕噩 賱丨夭賳 賱丕 鬲毓乇賮 賱賴 爻亘亘丕.. 兀賴賵 丕亘鬲毓丕丿賴丕 毓賳 噩丿鬲賴丕 丕賱鬲賷 賱賷爻鬲 噩丿鬲賴丕 丨賯丕責 兀賲 兀賳賴 賵賮丕丞 賴匕賴 丕賱噩丿丞 賵丕賱丨囟賳 丕賱丿丕賮卅責
賴賷 賮賯胤 鬲乇賷丿 賱賱丨夭賳 兀賳 賷賳鬲賴賷貙 鬲乇賷丿 兀賳 鬲毓乇賮 賱賴 賲賳亘毓丕 賱鬲賯賵賲 亘丕爻鬲卅氐丕賱賴.
賳毓賷卮 賲毓 夭賴賵乇 賵兀氐丿賯丕亍 賱賴丕貙 賵賳毓賷卮 兀賷囟丕 匕賰乇賷丕鬲賴丕 毓賳 噩丿鬲賴丕 亘賳鬲 毓丕賲乇 賵丌禺乇賷賳 賲賳 兀賮乇丕丿 毓丕卅賱鬲賴丕貙 禺賷亘丕鬲賴賲 賵丕賳賰爻丕乇丕鬲賴賲.. 丕賱賳爻賵丞 丕賱賱丕鬲賷 鬲夭賵噩賳 毓賳丿賲丕 賰丕賳鬲 兀賯氐賶 胤賲賵丨丕鬲賴賳 毓乇賵爻丞 亘賰丨賱 賵賱亘丕爻 夭賴賷 丕賱兀賱賵丕賳.
賴匕賴 丕賱乇賵丕賷丞 賱賷爻鬲 賲賴鬲賲丞 亘丕賱賲丌賱貙 賱賷爻鬲 賲賴鬲賲丞 亘賳賲賵 卮禺氐賷丕鬲 兀賵 鬲乇丕亘胤賴丕. 賴匕賴 丨賰丕賷丞 丨賳賷賳 賱兀乇囟 賵丨囟賳 賵賷丿 賲睾囟賳丞 亘丕賱鬲噩丕毓賷丿貙 氐賮丨丕鬲 丕賱乇賵丕賷丞 鬲胤賮丨 亘丕賱丨賳賷賳貙 亘丕賱卮賵賯貙 亘丕賱賱賴賮丞. 賵兀賳鬲 鬲賯乇兀貙 鬲丨爻 亘丕賱賰賱賲丕鬲 賵賯丿 禺胤鬲 毓賱賶 噩丿丕乇 乇賵丨賰貙 鬲睾乇賯 賮賷 亘丨乇 丕賱丨賳賷賳 丕賱匕賷 鬲賵丿 夭賴賵乇 丕賳鬲卮丕賱 賳賮爻賴丕 賲賳賴.
賰丕賳鬲 賯乇丕亍丞 噩賲賷賱丞 丨賯丕貙 賮丕賱賰丕鬲亘丞 賳丕噩丨丞 噩丿丕 賮賷 鬲氐賵賷乇 丕賱賲卮丕賴丿 賵賱睾鬲賴丕 噩賲賷賱丞 賱賱睾丕賷丞貙 賵賴匕丕 賱賵丨丿賴 賰丕賮 賱賳賯賱賷 廿賱賶 毓賵丕賱賲 兀禺乇賶.
賴匕賴 丕賱乇賵丕賷丞 鬲爻鬲丨賯 兀賳 鬲賵爻賲 亘丕賱匕賰賷丞 賵丕賱乇丕卅毓丞貙 賱兀賳 丕賱賰丕鬲亘丞 鬲鬲胤乇賯 賱賲卮丕賰賱 毓丿賷丿丞 賵賲賵丕囟賷毓 卮鬲賶 賮賷 氐賮丨丕鬲 賯賱賷賱丞 賵鬲賮毓賱 匕賱賰 亘賰賱 丨乇賮賷丞 賵爻賱丕爻丞.
夭賴賵乇 賲睾鬲乇亘丞貙 賮毓賱賷丕 賵囟賲賳賷丕貙 夭賴賵乇 鬲亘丨孬 毓賳 毓賱丕噩 賱丨夭賳 賱丕 鬲毓乇賮 賱賴 爻亘亘丕.. 兀賴賵 丕亘鬲毓丕丿賴丕 毓賳 噩丿鬲賴丕 丕賱鬲賷 賱賷爻鬲 噩丿鬲賴丕 丨賯丕責 兀賲 兀賳賴 賵賮丕丞 賴匕賴 丕賱噩丿丞 賵丕賱丨囟賳 丕賱丿丕賮卅責
賴賷 賮賯胤 鬲乇賷丿 賱賱丨夭賳 兀賳 賷賳鬲賴賷貙 鬲乇賷丿 兀賳 鬲毓乇賮 賱賴 賲賳亘毓丕 賱鬲賯賵賲 亘丕爻鬲卅氐丕賱賴.
賳毓賷卮 賲毓 夭賴賵乇 賵兀氐丿賯丕亍 賱賴丕貙 賵賳毓賷卮 兀賷囟丕 匕賰乇賷丕鬲賴丕 毓賳 噩丿鬲賴丕 亘賳鬲 毓丕賲乇 賵丌禺乇賷賳 賲賳 兀賮乇丕丿 毓丕卅賱鬲賴丕貙 禺賷亘丕鬲賴賲 賵丕賳賰爻丕乇丕鬲賴賲.. 丕賱賳爻賵丞 丕賱賱丕鬲賷 鬲夭賵噩賳 毓賳丿賲丕 賰丕賳鬲 兀賯氐賶 胤賲賵丨丕鬲賴賳 毓乇賵爻丞 亘賰丨賱 賵賱亘丕爻 夭賴賷 丕賱兀賱賵丕賳.
賴匕賴 丕賱乇賵丕賷丞 賱賷爻鬲 賲賴鬲賲丞 亘丕賱賲丌賱貙 賱賷爻鬲 賲賴鬲賲丞 亘賳賲賵 卮禺氐賷丕鬲 兀賵 鬲乇丕亘胤賴丕. 賴匕賴 丨賰丕賷丞 丨賳賷賳 賱兀乇囟 賵丨囟賳 賵賷丿 賲睾囟賳丞 亘丕賱鬲噩丕毓賷丿貙 氐賮丨丕鬲 丕賱乇賵丕賷丞 鬲胤賮丨 亘丕賱丨賳賷賳貙 亘丕賱卮賵賯貙 亘丕賱賱賴賮丞. 賵兀賳鬲 鬲賯乇兀貙 鬲丨爻 亘丕賱賰賱賲丕鬲 賵賯丿 禺胤鬲 毓賱賶 噩丿丕乇 乇賵丨賰貙 鬲睾乇賯 賮賷 亘丨乇 丕賱丨賳賷賳 丕賱匕賷 鬲賵丿 夭賴賵乇 丕賳鬲卮丕賱 賳賮爻賴丕 賲賳賴.
賰丕賳鬲 賯乇丕亍丞 噩賲賷賱丞 丨賯丕貙 賮丕賱賰丕鬲亘丞 賳丕噩丨丞 噩丿丕 賮賷 鬲氐賵賷乇 丕賱賲卮丕賴丿 賵賱睾鬲賴丕 噩賲賷賱丞 賱賱睾丕賷丞貙 賵賴匕丕 賱賵丨丿賴 賰丕賮 賱賳賯賱賷 廿賱賶 毓賵丕賱賲 兀禺乇賶.
賴匕賴 丕賱乇賵丕賷丞 鬲爻鬲丨賯 兀賳 鬲賵爻賲 亘丕賱匕賰賷丞 賵丕賱乇丕卅毓丞貙 賱兀賳 丕賱賰丕鬲亘丞 鬲鬲胤乇賯 賱賲卮丕賰賱 毓丿賷丿丞 賵賲賵丕囟賷毓 卮鬲賶 賮賷 氐賮丨丕鬲 賯賱賷賱丞 賵鬲賮毓賱 匕賱賰 亘賰賱 丨乇賮賷丞 賵爻賱丕爻丞.
May 30, 2019
賮賷 丕賱亘丿丕賷丞 馗賳賳鬲 亘兀賳 乇賵丕賷丞 賳丕乇賳噩丞 賴賷 丕賱賮丕卅夭丞 亘噩丕卅夭丞 丕賱賲丕賳 亘賵賰乇貙 孬賲 鬲亘賷賳 賱賷 兀賳 乇賵丕賷丞 爻賷丿丕鬲 丕賱賯賲乇 賴賷 丕賱賮丕卅夭丞.
丨爻賳丕賸貙 丕賱乇賵丕賷丞 毓亘丕乇丞 毓賳 賳亘卮 賱匕丕賰乇丞 丕賱乇丕賵賷丞 "夭賴賵乇" 丕賱鬲賷 鬲丿乇爻 賮賷 亘乇賷胤丕賳賷丕. 鬲鬲匕賰乇 噩丿鬲賴丕 賵賯氐丞 丨賷丕鬲賴丕 丕賱毓噩賷亘丞 丕賱兀賱賷賲丞貙 賵匕賰乇賷丕鬲 胤賮賵賱鬲賴丕 賮賷 賯乇賷鬲賴丕 丕賱亘毓賷丿丞. 孬賲 鬲爻乇丿 賱賳丕 賯氐丞 丕賱兀禺鬲賷賳 丕賱亘丕賰爻鬲丕賳賷丕鬲 氐丿賷賯丕鬲 丿乇丕爻鬲賴丕 "爻乇賵乇" 賵"賰丨賱"貙 丕賱賲鬲夭賵噩丞 爻乇丕賸 賲賳 "毓賲乇丕賳" 丕賱胤丕賱亘 丕賱亘丕賰爻鬲丕賳賷 賰匕賱賰. 賵兀賳丕 亘丿賵乇賷 賱賲 兀賮賴賲 丕賱賲睾夭賶 賲賳 賯氐丞 賴匕丕 丕賱賲孬賱孬.
丕賱賱睾丞 噩賲賷賱丞 賵乇賯賷賯丞貙 丕賱賯氐丞 噩賷丿丞 丨賷孬 鬲兀禺匕賳丕 廿賱賶 夭賲賳 丕賱亘爻丕胤丞 丕賱亘毓賷丿. 賱賰賳 胤乇賷賯丞 丕賱賯氐 囟毓賷賮丞貙 賱丕 賵噩賵丿 賱丨亘賰丞 賲鬲賷賳丞貙 賮賯胤 爻乇丿 賲鬲賯胤毓 賱匕賰乇賷丕鬲 賲禺鬲賱賮丞 賵丕賳鬲賯丕賱 賲賮丕噩卅 賲賳 夭賲賳 賱丌禺乇.
兀鬲賲賳賶 兀賳 鬲賰賵賳 亘丕賯賷 乇賵丕賷丕鬲賴丕 賵兀毓賲丕賱賴丕 兀賮囟賱 賲賳 賴匕賴.
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丨賷賳 賲丕鬲鬲 噩丿鬲賷 賲丕鬲鬲 卮噩乇丞 賱賷賲賵賳賴丕 馃挃
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賯乇兀鬲 賲丕 賷賯丕乇亘 侑伲贍 賰鬲丕亘丕賸 賮賷 丨賷丕鬲賷貙 賵賴匕賴 丕賱賲乇丞 丕賱兀賵賱賶 丕賱鬲賷 丕賯乇兀 丕爻賲賷 賮賷賴丕 賮賷 毓賲賱 兀丿亘賷 馃ぉ
丨爻賳丕賸貙 丕賱乇賵丕賷丞 毓亘丕乇丞 毓賳 賳亘卮 賱匕丕賰乇丞 丕賱乇丕賵賷丞 "夭賴賵乇" 丕賱鬲賷 鬲丿乇爻 賮賷 亘乇賷胤丕賳賷丕. 鬲鬲匕賰乇 噩丿鬲賴丕 賵賯氐丞 丨賷丕鬲賴丕 丕賱毓噩賷亘丞 丕賱兀賱賷賲丞貙 賵匕賰乇賷丕鬲 胤賮賵賱鬲賴丕 賮賷 賯乇賷鬲賴丕 丕賱亘毓賷丿丞. 孬賲 鬲爻乇丿 賱賳丕 賯氐丞 丕賱兀禺鬲賷賳 丕賱亘丕賰爻鬲丕賳賷丕鬲 氐丿賷賯丕鬲 丿乇丕爻鬲賴丕 "爻乇賵乇" 賵"賰丨賱"貙 丕賱賲鬲夭賵噩丞 爻乇丕賸 賲賳 "毓賲乇丕賳" 丕賱胤丕賱亘 丕賱亘丕賰爻鬲丕賳賷 賰匕賱賰. 賵兀賳丕 亘丿賵乇賷 賱賲 兀賮賴賲 丕賱賲睾夭賶 賲賳 賯氐丞 賴匕丕 丕賱賲孬賱孬.
丕賱賱睾丞 噩賲賷賱丞 賵乇賯賷賯丞貙 丕賱賯氐丞 噩賷丿丞 丨賷孬 鬲兀禺匕賳丕 廿賱賶 夭賲賳 丕賱亘爻丕胤丞 丕賱亘毓賷丿. 賱賰賳 胤乇賷賯丞 丕賱賯氐 囟毓賷賮丞貙 賱丕 賵噩賵丿 賱丨亘賰丞 賲鬲賷賳丞貙 賮賯胤 爻乇丿 賲鬲賯胤毓 賱匕賰乇賷丕鬲 賲禺鬲賱賮丞 賵丕賳鬲賯丕賱 賲賮丕噩卅 賲賳 夭賲賳 賱丌禺乇.
兀鬲賲賳賶 兀賳 鬲賰賵賳 亘丕賯賷 乇賵丕賷丕鬲賴丕 賵兀毓賲丕賱賴丕 兀賮囟賱 賲賳 賴匕賴.
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丨賷賳 賲丕鬲鬲 噩丿鬲賷 賲丕鬲鬲 卮噩乇丞 賱賷賲賵賳賴丕 馃挃
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賯乇兀鬲 賲丕 賷賯丕乇亘 侑伲贍 賰鬲丕亘丕賸 賮賷 丨賷丕鬲賷貙 賵賴匕賴 丕賱賲乇丞 丕賱兀賵賱賶 丕賱鬲賷 丕賯乇兀 丕爻賲賷 賮賷賴丕 賮賷 毓賲賱 兀丿亘賷 馃ぉ
April 27, 2023
Mas que livro t茫o, mas t茫o triste 馃槩
Um conselho: n茫o leiam a sinopse, pois conta o fim do livro, onde se percebe a raz茫o de a personagem principal reagir como reage.
A edi莽茫o portuguesa tem v谩rios erros gramaticais e essa maldade de contar a parte mais importante na sinopse鈥�
Gostei muito da escrita e do facto de ser um livro curto com uma grande hist贸ria!
Um conselho: n茫o leiam a sinopse, pois conta o fim do livro, onde se percebe a raz茫o de a personagem principal reagir como reage.
A edi莽茫o portuguesa tem v谩rios erros gramaticais e essa maldade de contar a parte mais importante na sinopse鈥�
Gostei muito da escrita e do facto de ser um livro curto com uma grande hist贸ria!
May 29, 2019
亘毓丿 鬲賳鬲賴賷 賲賳 賴匕賴 丕賱乇賵丕賷丞 貙爻鬲賰賵賳 乇賵丨賰 賲孬賯賱丞 亘丕賱丨賳賷賳 賵丕賱丨夭賳 丕賱賴丕丿卅 賵丕賱兀丨賱丕賲 丕賱鬲賷 賱賲 鬲鬲丨賯賯貙 賵丕賱丨賷丕丞 丕賱鬲賷 賰丕賳 賷賲賰賳 兀賳 鬲賰賵賳貙 賵丕賱賮賯乇 匕賵 丕賱賰亘乇賷丕亍貙 賵丕賱馗賴乇 丕賱匕賷 丕丨賳鬲賴 丕賱爻賳賷賳 賵卮丿鬲賴 丕賱毓夭丞貙 賵丕賱丿賲賵毓 丕賱鬲賷 氐亘鬲 賮賷 丕賱賯賱亘 賵丕丨鬲亘爻鬲 賮賷 丕賱毓賷賵賳.
丕亘丿丕毓 賮賷 丕賱賰鬲丕亘丞 賲丕 亘毓丿賴 廿亘丿丕毓 ..卮賰乇丕 噩賵禺丞 丕賱丨丕乇孬賷
丕亘丿丕毓 賮賷 丕賱賰鬲丕亘丞 賲丕 亘毓丿賴 廿亘丿丕毓 ..卮賰乇丕 噩賵禺丞 丕賱丨丕乇孬賷
January 29, 2020
乇賵丕賷丞 噩賵禺丞 丕賱丨丕乇孬賷貙 賳丕乇賳噩丞貙 丕賱丨丕卅夭丞 毓賱賶 噩丕卅夭丞 丕賱爻賱胤丕賳 賯丕亘賵爻 毓丕賲 2016 賴賷 睾賵氐賹 丨賱夭賵賳賷賾 賮賷 丕賱丨賰丕賷丕鬲 賵丕賱匕賰乇賷丕鬲 賮賷 賲丨丕賵賱丞 賱鬲乇賲賷賲 鬲氐丿賾毓丕鬲 丕賱賳賮爻 賵乇鬲賯 禺賷賵胤 氐賵乇丞 丕賱毓丕卅賱丞 丕賱賲賳爻賱賾丞 亘賮毓賱 鬲毓丕賯亘 丕賱鬲睾丕賮賱 賵丕賱賲賵鬲 賵丕賱禺爻丕乇丞.
"賰賳賾丕 賵丕孬賯賷賳 賲賳 丕賱丨賷丕丞.. 賵賵丕孬賯賷賳 兀賳賾賴 賱丕 賵噩賵丿 賱賰賱賲丞 丕賱丕賳賰爻丕乇."
鬲鬲賵丕賱賶 丕賱丕賳賰爻丕乇丕鬲 - 丕賱賳爻丕卅賷賾丞 亘丕賱丿乇噩丞 丕賱兀賵賱賶 - 亘丿亍賸丕 賲賳 丕賱兀噩丿丕丿 賵丨鬲賶 丕賱兀丨賮丕丿 毓賱賶 賲丿賶 賯乇賳 賲賳 丕賱夭賲賳 賮賷 毓購賲丕賳. 賴匕賴 丕賱禺爻丕乇丕鬲 丕賱賲鬲乇丕賰賲丞 鬲賵氐賱賳丕 廿賱賶 丕賱噩丿賾丞 亘賳鬲 毓丕賲乇貙 賲丨賵乇 丨賰丕賷丞 丕賱乇丕賵賷丞 夭賴賵乇 丕賱鬲賷 賷爻鬲賮夭賾 丨夭賳賴丕 鬲睾賷賷亘 丕賱賲賵鬲 賱噩丿賾鬲賴丕 賵氐賯賷毓 賱賳丿賳 賵丨賳賷賳賴丕 賱賱丿賮亍 賵丕賱賵胤賳 賵丕賱毓丕卅賱丞 丕賱鬲賷 賰丕賳鬲. 鬲乇賵賷 夭賴賵乇 丨賰丕賷丕鬲賴丕 賵丨賰丕賷丕鬲 兀賮乇丕丿 丕賱毓丕卅賱丞 賵兀氐丿賯丕卅賴丕 賮賷 賱賳丿賳 賮賷 42 賮氐賱賸丕 賲賵夭賾毓賷賳 毓賱賶 160 氐賮丨丞. 賲丕 賷賵丨賾丿 賴匕賴 丕賱丨賰丕賷丕鬲 賴賷 兀賷丕丿賷 夭賴賵乇 賵丕賱噩丿賾丞 丕賱鬲賷 鬲睾夭賱賴丕. 賲丕 賴賵 爻乇賾 丕賱兀賷丕丿賷 賵丕賱兀氐丕亘毓責 賲丕 丕賱匕賷 賷卮賵賾賴 丕賱兀氐丕亘毓 賵丕賱兀馗丕賮乇責 賵賲丕 丕賳毓賰丕爻 卮賰賱 賵賴賷卅丞 賵氐丨賾丞 丕賱兀氐丕亘毓 毓賱賶 噩賵賴乇 賵賳賮爻 氐丕丨亘賴丕責 賴賱 鬲丐乇賾禺 爻賷丕胤 丕賱賯丿乇 丕賱丨賰丕賷丞 丕賱卮禺氐賷賾丞 賵丕賱噩乇丕丨 賵丕賱兀賲丕賳賷 禺胤賵胤賸丕 毓賱賶 兀胤乇丕賮 丕賱廿賳爻丕賳責
"賱賲丕匕丕 賷亘丿賵 丕賱亘卮乇 賲賳 丨賵賱賴丕 賲賲爻賰賷賳 亘禺賷賵胤 胤丕卅乇丕鬲 丨賷丕鬲賴賲 丕賱賵乇賯賷賾丞責 賲賲爻賰賷賳 兀賲 賲鬲賲爻賾賰賷賳責 賲鬲賲爻賾賰賷賳 兀賲 賲爻鬲賲爻賰賷賳責 賱賲丕匕丕 兀購毓胤賷 賰賱 廿賳爻丕賳 禺賷胤 胤丕卅乇鬲賴 毓賱賶 丕賱乇睾賲 賲賳 兀賳賾 賯亘囟丕鬲 丕賱賳丕爻 賲鬲賮丕賵鬲丞 賮賷 賯賵賾鬲賴丕責 賯亘囟鬲賴丕 賴賷 毓賱賶 丕賱兀賯賱賾 噩乇丨賴丕 丕賱禺賷胤 丕賱乇賴賷賮 賱胤丕卅乇丞 丨賷丕鬲賴丕 丕賱賵乇賯賷賾丞 賮兀賮賱鬲鬲賴."
禺賷賵胤 丕賱丨賷丕丞 丕賱賵乇賯賷賾丞 丕賱乇賴賷賮丞 鬲鬲毓丕乇囟 賲毓 丕賱丨亘賱 丕賱睾賱賷馗 丕賱匕賷 賷賮氐賱 丕賱賮賴賲 毓賳 丕賱鬲毓丕胤賮. 禺賷賵胤 丕賱賰賱丕賲 賵丕賱賱睾丞 鬲鬲丨賵賾賱 賲氐賷丿丞 賱丕 鬲賮胤賳 丕賱乇丕賵賷丞 廿賱賶 賯囟賲 卮亘賰鬲賴丕 賱賱鬲丨乇賾乇 賲賳 爻噩賳 賰丌亘鬲賴丕 亘毓丿 丕賳賴賷丕乇 丕賱毓丕賱賲 丕賱匕賷 賰丕賳鬲 鬲賵丕夭賳賴 丕賱噩丿賾丞 丕賱乇丕丨賱丞 兀毓賱賶 乇兀爻賴丕 賰丕賱丨噩賱丞. 鬲購賰爻亘 丕賱賲卮丕毓乇 亘毓丿賸丕 賲賱賲賵爻賸丕 賮鬲禺鬲賱胤 亘丕賱匕賰乇賷丕鬲 賵鬲胤賱賾 匕賰乇賶 丕賱丨賰丕賷丞 丕賱賲亘鬲賵乇丞 賱賱噩丿賾丞. 賲丕 爻乇賾 丕賱廿氐亘毓 丕賱賲卮賵賾賴責 賵鬲胤賱賾 匕賰乇賶 丕賱胤丕卅乇丞 丕賱賵乇賯賷賾丞 丕賱鬲賷 氐賳毓鬲賴丕 夭賴賵乇 丕賱胤賮賱丞 賲毓 廿禺賵鬲賴丕 賵噩丿賾鬲賴丕. 鬲丨賳賾 廿賱賶 賲爻丕丨丞 丕賱丨乇賷賾丞 賵丕賱丿賮亍 賵丕賱丨亘賾 睾賷乇 丕賱賲卮乇賵胤 賴匕賴 丨賷賳 鬲鬲賵賴 賵鬲鬲毓乇賯賱 亘禺賷賵胤 賲孬賱賾孬 毓賱丕賯丞 丨亘賾 賲爻鬲丨賷賱. 鬲賴乇亘 夭賴賵乇 賲噩丿賾丿賸丕 廿賱賶 禺賷丕賱賴丕 賵毓丕賱賲賴丕 丕賱禺丕氐賾.
"賱亘爻賳丕 丕賱囟乇賾 賮賷 毓乇丕亍 丕賱丨亘... 兀毓賷丕 丕賱賲丨亘賵亘 賮賰賾 兀氐丕亘毓賳丕... 賰賲 兀匕賱賾賳丕 賴匕丕 丕賱賷兀爻..."
丨乇賰丞 丕賱爻乇丿 賵丕賱賵氐賮 亘賴賱賵丕賳賷賾丞 廿匕 鬲鬲賳賯賾賱 丕賱乇丕賵賷丞 亘爻賱丕爻丞 賵鬲賱賯丕卅賷賾丞 亘賷賳 丕賱兀夭賲賳丞 賵丕賱卮禺氐賷賾丕鬲 亘賲賳胤賯賷賾丞 廿賳爻賷丕亘賷賾丞 鬲購睾乇賯 丕賱賯丕乇賶亍 兀賰孬乇 賮賷 丕賱丨賰丕賷丞. 賰兀賳賾 丕賱賯丕乇賶亍 噩丕賱爻 兀賲丕賲 丨賰賵丕鬲賷賾丞 鬲爻丨乇賴 亘丕賱兀賱賵丕賳 賵丕賱兀氐賵丕鬲 賵丕賱賲胤乇 賵鬲乇丕亘 丕賱氐丨乇丕亍 賵毓胤乇 丕賱賳丕乇賳噩 賵丕賱氐賲鬲 丕賱乇賴賷亘 賮賷 睾乇賮丞 毓賷丕丿丞 賳賮爻賷賾丞. 賵賮噩兀丞 賷氐亘丨 丕賱賯丕乇賶亍 噩夭亍賸丕 賲賳 丕賱丨賰丕賷丞 禺丕氐賾丞 丨賷賳 鬲鬲賰卮賾賮 丕賱鬲賮丕氐賷賱 鬲亘丕毓賸丕 賵鬲乇鬲丿賷 丕賱毓賳丕氐乇 丕賱賲丕丿賷賾丞 禺氐丕卅氐 睾賷乇 賲丕丿賷賾丞 賵亘丕賱毓賰爻. 賮毓氐丕亘丞 丕賱毓賷賳 丕賱睾賷乇 賲乇卅賷賾丞 鬲購毓賲賷 丕賱賯賱亘 丕賱匕賷 賷睾丿賵 睾賷乇 賯丕丿乇賸丕 毓賱賶 丕賱丨亘賾. 卮毓乇 丕賱噩丿賾丞 卮丿賷丿 丕賱亘賷丕囟 賷爻鬲賲丿賾 賱賵賳賴 賲賳 丕賱丨賯賷賯丞. 賳丨購賱鬲 兀氐丕亘毓 丕賱噩丿賾丞 丨賷賳 賴夭購賱鬲 賯丿乇鬲賴丕 毓賱賶 丕賱毓胤丕亍 賵兀胤乇丕賮賴丕 毓賳 賲乇噩丨丞 丕賱兀丨賮丕丿. 丨賵丕爻賾 丕賱孬乇賷賾丕 丕賱禺賲爻 賴賷 賳賵丕賮匕 賱賵氐賮 乇賵丨賴丕 賵賮囟丕卅賱賴丕 賵毓匕丕亘丕鬲賴丕. 賷賳毓賰爻 丕賱賲賰丕賳 賮賷 丕賱兀卮賰丕賱 丨賵賱賴 賮鬲睾丿賵 丕賱兀卮賷丕亍 卮亘賷賴丞 賱兀氐丨丕亘賴丕 賲孬賱 賰賵亘 賰乇賷爻鬲賷賳 丕賱胤賵賷賱 賵丕賱賳丨賷賱. 兀賱賵丕賳 丕賱禺乇夭 鬲賵丨賷 亘丕賱睾乇賵亘 丕賱氐丕賮賷. 丕賱兀氐丕亘毓 兀賷囟賸丕 鬲丿賱賾 毓賱賶 丕賱丨亘賾 (鬲賲爻賾丿 卮毓乇 丕賱丨亘賷賷亘) 賵丕賱乇睾亘丞 (賱毓賯 丕賱兀氐丕亘毓) 賵丕賱毓賳賮 賵丕賱丕賳賰爻丕乇 (噩乇丨 賵賰爻乇 丕賱兀氐丕亘毓 賵賯氐乇 丕賱兀馗丕賮乇) 賵丨爻賾 丕賱賲睾丕賲乇丞 (胤賱丕亍 丕賱兀馗丕賮乇) 賵丕賱賲丨亘賾丞 賵丕賱氐丿丕賯丞 (丕賱兀賷丿賷 丕賱禺丕賱賷丞 賲賳 丕賱賲胤丕賱亘 賵丕賱噩丕賴夭丞 賱賱賲爻丕毓丿丞). 鬲兀鬲賷 丕賱兀丨丿丕孬 賲鬲乇丕亘胤丞 賲鬲乇丕氐賾丞 賰兀賳賾賴丕 丨亘賾丕鬲 爻購亘丨丞 賵丕丨丿丞 鬲爻丕賴賲 賮賷 乇爻賲 丕賱賲卮賴丿 亘賰賱賷賾丞 毓賳丕氐乇賴 丕賱丨爻賾賷賾丞 賵丕賱卮毓賵乇賷賾丞 賵丕賱賵噩丿丕賳賷賾丞. 鬲鬲丨賵賾賱 丕賱匕賰乇賷丕鬲 廿賱賶 乇賵丕卅丨 賵賲卮丕賴丿 賲卮乇匕賲丞 鬲禺賷胤賴丕 丕賱乇丕賵賷丞 毓賱賶 禺乇賯丞 亘丕賱賷丞 賱賵賾賳賴丕 丕賱賲賵鬲 賮賷 馗賱賾 丕賱賳丕乇賳噩丞 丕賱賲鬲賷亘賾爻丞.
"毓賲賾 鬲丨丿賾孬賳丕 賮賷 丕賱睾乇賮丞 丕賱亘賷囟丕亍貙 丨賷賳 賰賳賾丕 賳毓丕賱噩 丕賱丨夭賳責"
乇賵丕賷丞 氐丕丿賯丞 鬲鬲爻乇賾亘 廿賱賶 賵噩丿丕賳 丕賱賯丕乇賶亍 亘丨丿丕丿賴丕 丕賱氐丕賲鬲 賵丨夭賳賴丕 丕賱囟亘丕亘賷賾 丕賱亘丕乇丿 賵亘丨孬賴丕 毓賳 丕賱丨亘賾. 鬲兀孬賾乇鬲購 賰孬賷乇賸丕 亘賲卮賴丿賻賷 乇丐賷丞 丕賱噩孬賾丞 賵丕賱丨賱賲. 賱賲 兀毓胤 丕賱乇賵丕賷丞 賳噩賲丞 禺丕賲爻丞 賱兀賳賴丕 兀賴賲賱鬲 丕賱亘鬲賾 亘賲氐丕卅乇 亘毓囟 丕賱卮禺氐賷賾丕鬲 丕賱孬丕賳賵賷賾丞 賰毓賲乇丕賳 賵丕賱毓賱丕賯丞 亘丕賱鬲賵兀賲 賵賰丨賱 賵爻乇賵乇 賵爻賮賷丕賳貙 賵賱兀賳賾賴丕 兀毓胤鬲 丕賱乇丕賵賷丞 賲毓乇賮丞 賰賱賷賾丞 賱賲 兀噩丿賴丕 賲賳胤賯賷賾丞 賮賷 丕賱賯賱賷賱 賲賳 丕賱兀丨賷丕賳 禺丕氐賾丞 丨賷賳 鬲丨丿賾孬鬲 毓賳 兀丨丿丕孬 賵賲卮丕毓乇 賱賲 鬲卮丕乇賰賴丕 丕賱卮禺氐賷賾丕鬲 廿賷賾丕賴丕.
"賱賯丿 乇亘賾賶 丕賱禺賷丕賱 賯賵賾丞 廿乇丕丿鬲賷 賮賷 丨賷賳 賴賲賾卮賴丕 丕賱賵丕賯毓."
"賰賳賾丕 賵丕孬賯賷賳 賲賳 丕賱丨賷丕丞.. 賵賵丕孬賯賷賳 兀賳賾賴 賱丕 賵噩賵丿 賱賰賱賲丞 丕賱丕賳賰爻丕乇."
鬲鬲賵丕賱賶 丕賱丕賳賰爻丕乇丕鬲 - 丕賱賳爻丕卅賷賾丞 亘丕賱丿乇噩丞 丕賱兀賵賱賶 - 亘丿亍賸丕 賲賳 丕賱兀噩丿丕丿 賵丨鬲賶 丕賱兀丨賮丕丿 毓賱賶 賲丿賶 賯乇賳 賲賳 丕賱夭賲賳 賮賷 毓購賲丕賳. 賴匕賴 丕賱禺爻丕乇丕鬲 丕賱賲鬲乇丕賰賲丞 鬲賵氐賱賳丕 廿賱賶 丕賱噩丿賾丞 亘賳鬲 毓丕賲乇貙 賲丨賵乇 丨賰丕賷丞 丕賱乇丕賵賷丞 夭賴賵乇 丕賱鬲賷 賷爻鬲賮夭賾 丨夭賳賴丕 鬲睾賷賷亘 丕賱賲賵鬲 賱噩丿賾鬲賴丕 賵氐賯賷毓 賱賳丿賳 賵丨賳賷賳賴丕 賱賱丿賮亍 賵丕賱賵胤賳 賵丕賱毓丕卅賱丞 丕賱鬲賷 賰丕賳鬲. 鬲乇賵賷 夭賴賵乇 丨賰丕賷丕鬲賴丕 賵丨賰丕賷丕鬲 兀賮乇丕丿 丕賱毓丕卅賱丞 賵兀氐丿賯丕卅賴丕 賮賷 賱賳丿賳 賮賷 42 賮氐賱賸丕 賲賵夭賾毓賷賳 毓賱賶 160 氐賮丨丞. 賲丕 賷賵丨賾丿 賴匕賴 丕賱丨賰丕賷丕鬲 賴賷 兀賷丕丿賷 夭賴賵乇 賵丕賱噩丿賾丞 丕賱鬲賷 鬲睾夭賱賴丕. 賲丕 賴賵 爻乇賾 丕賱兀賷丕丿賷 賵丕賱兀氐丕亘毓責 賲丕 丕賱匕賷 賷卮賵賾賴 丕賱兀氐丕亘毓 賵丕賱兀馗丕賮乇責 賵賲丕 丕賳毓賰丕爻 卮賰賱 賵賴賷卅丞 賵氐丨賾丞 丕賱兀氐丕亘毓 毓賱賶 噩賵賴乇 賵賳賮爻 氐丕丨亘賴丕責 賴賱 鬲丐乇賾禺 爻賷丕胤 丕賱賯丿乇 丕賱丨賰丕賷丞 丕賱卮禺氐賷賾丞 賵丕賱噩乇丕丨 賵丕賱兀賲丕賳賷 禺胤賵胤賸丕 毓賱賶 兀胤乇丕賮 丕賱廿賳爻丕賳責
"賱賲丕匕丕 賷亘丿賵 丕賱亘卮乇 賲賳 丨賵賱賴丕 賲賲爻賰賷賳 亘禺賷賵胤 胤丕卅乇丕鬲 丨賷丕鬲賴賲 丕賱賵乇賯賷賾丞責 賲賲爻賰賷賳 兀賲 賲鬲賲爻賾賰賷賳責 賲鬲賲爻賾賰賷賳 兀賲 賲爻鬲賲爻賰賷賳責 賱賲丕匕丕 兀購毓胤賷 賰賱 廿賳爻丕賳 禺賷胤 胤丕卅乇鬲賴 毓賱賶 丕賱乇睾賲 賲賳 兀賳賾 賯亘囟丕鬲 丕賱賳丕爻 賲鬲賮丕賵鬲丞 賮賷 賯賵賾鬲賴丕責 賯亘囟鬲賴丕 賴賷 毓賱賶 丕賱兀賯賱賾 噩乇丨賴丕 丕賱禺賷胤 丕賱乇賴賷賮 賱胤丕卅乇丞 丨賷丕鬲賴丕 丕賱賵乇賯賷賾丞 賮兀賮賱鬲鬲賴."
禺賷賵胤 丕賱丨賷丕丞 丕賱賵乇賯賷賾丞 丕賱乇賴賷賮丞 鬲鬲毓丕乇囟 賲毓 丕賱丨亘賱 丕賱睾賱賷馗 丕賱匕賷 賷賮氐賱 丕賱賮賴賲 毓賳 丕賱鬲毓丕胤賮. 禺賷賵胤 丕賱賰賱丕賲 賵丕賱賱睾丞 鬲鬲丨賵賾賱 賲氐賷丿丞 賱丕 鬲賮胤賳 丕賱乇丕賵賷丞 廿賱賶 賯囟賲 卮亘賰鬲賴丕 賱賱鬲丨乇賾乇 賲賳 爻噩賳 賰丌亘鬲賴丕 亘毓丿 丕賳賴賷丕乇 丕賱毓丕賱賲 丕賱匕賷 賰丕賳鬲 鬲賵丕夭賳賴 丕賱噩丿賾丞 丕賱乇丕丨賱丞 兀毓賱賶 乇兀爻賴丕 賰丕賱丨噩賱丞. 鬲購賰爻亘 丕賱賲卮丕毓乇 亘毓丿賸丕 賲賱賲賵爻賸丕 賮鬲禺鬲賱胤 亘丕賱匕賰乇賷丕鬲 賵鬲胤賱賾 匕賰乇賶 丕賱丨賰丕賷丞 丕賱賲亘鬲賵乇丞 賱賱噩丿賾丞. 賲丕 爻乇賾 丕賱廿氐亘毓 丕賱賲卮賵賾賴責 賵鬲胤賱賾 匕賰乇賶 丕賱胤丕卅乇丞 丕賱賵乇賯賷賾丞 丕賱鬲賷 氐賳毓鬲賴丕 夭賴賵乇 丕賱胤賮賱丞 賲毓 廿禺賵鬲賴丕 賵噩丿賾鬲賴丕. 鬲丨賳賾 廿賱賶 賲爻丕丨丞 丕賱丨乇賷賾丞 賵丕賱丿賮亍 賵丕賱丨亘賾 睾賷乇 丕賱賲卮乇賵胤 賴匕賴 丨賷賳 鬲鬲賵賴 賵鬲鬲毓乇賯賱 亘禺賷賵胤 賲孬賱賾孬 毓賱丕賯丞 丨亘賾 賲爻鬲丨賷賱. 鬲賴乇亘 夭賴賵乇 賲噩丿賾丿賸丕 廿賱賶 禺賷丕賱賴丕 賵毓丕賱賲賴丕 丕賱禺丕氐賾.
"賱亘爻賳丕 丕賱囟乇賾 賮賷 毓乇丕亍 丕賱丨亘... 兀毓賷丕 丕賱賲丨亘賵亘 賮賰賾 兀氐丕亘毓賳丕... 賰賲 兀匕賱賾賳丕 賴匕丕 丕賱賷兀爻..."
丨乇賰丞 丕賱爻乇丿 賵丕賱賵氐賮 亘賴賱賵丕賳賷賾丞 廿匕 鬲鬲賳賯賾賱 丕賱乇丕賵賷丞 亘爻賱丕爻丞 賵鬲賱賯丕卅賷賾丞 亘賷賳 丕賱兀夭賲賳丞 賵丕賱卮禺氐賷賾丕鬲 亘賲賳胤賯賷賾丞 廿賳爻賷丕亘賷賾丞 鬲購睾乇賯 丕賱賯丕乇賶亍 兀賰孬乇 賮賷 丕賱丨賰丕賷丞. 賰兀賳賾 丕賱賯丕乇賶亍 噩丕賱爻 兀賲丕賲 丨賰賵丕鬲賷賾丞 鬲爻丨乇賴 亘丕賱兀賱賵丕賳 賵丕賱兀氐賵丕鬲 賵丕賱賲胤乇 賵鬲乇丕亘 丕賱氐丨乇丕亍 賵毓胤乇 丕賱賳丕乇賳噩 賵丕賱氐賲鬲 丕賱乇賴賷亘 賮賷 睾乇賮丞 毓賷丕丿丞 賳賮爻賷賾丞. 賵賮噩兀丞 賷氐亘丨 丕賱賯丕乇賶亍 噩夭亍賸丕 賲賳 丕賱丨賰丕賷丞 禺丕氐賾丞 丨賷賳 鬲鬲賰卮賾賮 丕賱鬲賮丕氐賷賱 鬲亘丕毓賸丕 賵鬲乇鬲丿賷 丕賱毓賳丕氐乇 丕賱賲丕丿賷賾丞 禺氐丕卅氐 睾賷乇 賲丕丿賷賾丞 賵亘丕賱毓賰爻. 賮毓氐丕亘丞 丕賱毓賷賳 丕賱睾賷乇 賲乇卅賷賾丞 鬲購毓賲賷 丕賱賯賱亘 丕賱匕賷 賷睾丿賵 睾賷乇 賯丕丿乇賸丕 毓賱賶 丕賱丨亘賾. 卮毓乇 丕賱噩丿賾丞 卮丿賷丿 丕賱亘賷丕囟 賷爻鬲賲丿賾 賱賵賳賴 賲賳 丕賱丨賯賷賯丞. 賳丨購賱鬲 兀氐丕亘毓 丕賱噩丿賾丞 丨賷賳 賴夭購賱鬲 賯丿乇鬲賴丕 毓賱賶 丕賱毓胤丕亍 賵兀胤乇丕賮賴丕 毓賳 賲乇噩丨丞 丕賱兀丨賮丕丿. 丨賵丕爻賾 丕賱孬乇賷賾丕 丕賱禺賲爻 賴賷 賳賵丕賮匕 賱賵氐賮 乇賵丨賴丕 賵賮囟丕卅賱賴丕 賵毓匕丕亘丕鬲賴丕. 賷賳毓賰爻 丕賱賲賰丕賳 賮賷 丕賱兀卮賰丕賱 丨賵賱賴 賮鬲睾丿賵 丕賱兀卮賷丕亍 卮亘賷賴丞 賱兀氐丨丕亘賴丕 賲孬賱 賰賵亘 賰乇賷爻鬲賷賳 丕賱胤賵賷賱 賵丕賱賳丨賷賱. 兀賱賵丕賳 丕賱禺乇夭 鬲賵丨賷 亘丕賱睾乇賵亘 丕賱氐丕賮賷. 丕賱兀氐丕亘毓 兀賷囟賸丕 鬲丿賱賾 毓賱賶 丕賱丨亘賾 (鬲賲爻賾丿 卮毓乇 丕賱丨亘賷賷亘) 賵丕賱乇睾亘丞 (賱毓賯 丕賱兀氐丕亘毓) 賵丕賱毓賳賮 賵丕賱丕賳賰爻丕乇 (噩乇丨 賵賰爻乇 丕賱兀氐丕亘毓 賵賯氐乇 丕賱兀馗丕賮乇) 賵丨爻賾 丕賱賲睾丕賲乇丞 (胤賱丕亍 丕賱兀馗丕賮乇) 賵丕賱賲丨亘賾丞 賵丕賱氐丿丕賯丞 (丕賱兀賷丿賷 丕賱禺丕賱賷丞 賲賳 丕賱賲胤丕賱亘 賵丕賱噩丕賴夭丞 賱賱賲爻丕毓丿丞). 鬲兀鬲賷 丕賱兀丨丿丕孬 賲鬲乇丕亘胤丞 賲鬲乇丕氐賾丞 賰兀賳賾賴丕 丨亘賾丕鬲 爻購亘丨丞 賵丕丨丿丞 鬲爻丕賴賲 賮賷 乇爻賲 丕賱賲卮賴丿 亘賰賱賷賾丞 毓賳丕氐乇賴 丕賱丨爻賾賷賾丞 賵丕賱卮毓賵乇賷賾丞 賵丕賱賵噩丿丕賳賷賾丞. 鬲鬲丨賵賾賱 丕賱匕賰乇賷丕鬲 廿賱賶 乇賵丕卅丨 賵賲卮丕賴丿 賲卮乇匕賲丞 鬲禺賷胤賴丕 丕賱乇丕賵賷丞 毓賱賶 禺乇賯丞 亘丕賱賷丞 賱賵賾賳賴丕 丕賱賲賵鬲 賮賷 馗賱賾 丕賱賳丕乇賳噩丞 丕賱賲鬲賷亘賾爻丞.
"毓賲賾 鬲丨丿賾孬賳丕 賮賷 丕賱睾乇賮丞 丕賱亘賷囟丕亍貙 丨賷賳 賰賳賾丕 賳毓丕賱噩 丕賱丨夭賳責"
乇賵丕賷丞 氐丕丿賯丞 鬲鬲爻乇賾亘 廿賱賶 賵噩丿丕賳 丕賱賯丕乇賶亍 亘丨丿丕丿賴丕 丕賱氐丕賲鬲 賵丨夭賳賴丕 丕賱囟亘丕亘賷賾 丕賱亘丕乇丿 賵亘丨孬賴丕 毓賳 丕賱丨亘賾. 鬲兀孬賾乇鬲購 賰孬賷乇賸丕 亘賲卮賴丿賻賷 乇丐賷丞 丕賱噩孬賾丞 賵丕賱丨賱賲. 賱賲 兀毓胤 丕賱乇賵丕賷丞 賳噩賲丞 禺丕賲爻丞 賱兀賳賴丕 兀賴賲賱鬲 丕賱亘鬲賾 亘賲氐丕卅乇 亘毓囟 丕賱卮禺氐賷賾丕鬲 丕賱孬丕賳賵賷賾丞 賰毓賲乇丕賳 賵丕賱毓賱丕賯丞 亘丕賱鬲賵兀賲 賵賰丨賱 賵爻乇賵乇 賵爻賮賷丕賳貙 賵賱兀賳賾賴丕 兀毓胤鬲 丕賱乇丕賵賷丞 賲毓乇賮丞 賰賱賷賾丞 賱賲 兀噩丿賴丕 賲賳胤賯賷賾丞 賮賷 丕賱賯賱賷賱 賲賳 丕賱兀丨賷丕賳 禺丕氐賾丞 丨賷賳 鬲丨丿賾孬鬲 毓賳 兀丨丿丕孬 賵賲卮丕毓乇 賱賲 鬲卮丕乇賰賴丕 丕賱卮禺氐賷賾丕鬲 廿賷賾丕賴丕.
"賱賯丿 乇亘賾賶 丕賱禺賷丕賱 賯賵賾丞 廿乇丕丿鬲賷 賮賷 丨賷賳 賴賲賾卮賴丕 丕賱賵丕賯毓."
May 30, 2022
This is my second try with Alharthi after her 'Celestial Bodies' and I'm going to have to accept that her books and I don't gel. Fragmented styles can work (I'm thinking of Transcendent Kingdom, for example) but here it just feels rambling. I also struggle with Alharthi's trademark indirect speech style where everything feels like it's happening behind a thick pane of glass and that lack of immediacy leaves me cold. As fascinated as I am to learn something of Oman, this book just isn't for me.
August 11, 2022
by , translated from the Arabic by Marilyn Booth, unfolds in the first-person voice of Zuhour, a young Omani student studying at a British university. Zuhour braids together four threads in a non-linear structure, dipping spontaneously in and out of the threads until each is gradually revealed in its entirety. Her voice is plagued with guilt, regrets, and unshakeable sorrow.
The primary thread explores the back story of Bint Aamir, Zuhour鈥檚 adoptive grandmother, who dies shortly after Zuhour leaves Oman for her studies. Bint Aamir鈥檚 back story reveals the struggles of her early childhood after she and her brother are cast out of their home. Upon her brother鈥檚 death, she moves in with her relatives, Zuhour鈥檚 grandfather and his family. She raises Zuhour鈥檚 father as if he were her son, and raises his children鈥擹uhour and her two siblings鈥攁s their surrogate grandmother. Zuhour describes Bint Aamir as tall, proud, intelligent, selfless, and a childless spinster fiercely protective of the adopted children under her care. Taken for granted, ignored, blind in one eye, Bint Aamir鈥檚 physical condition deteriorates with age until she is no longer able to walk. After her death, Zuhour is haunted by the sound of her voice, pleading for companionship.
The second thread is of Zuhour鈥檚 older sister, Sumayaa. Described as an energetic, lively, talkative dynamo in her youth, she enters her marriage full of hopes and dreams. Her husband physically abuses and torments her, and despite her repeated attempts to return to her family, she is always sent back to live with him. After his accidental death, Sumayaa loses her voice and will not鈥攐r cannot鈥攕peak.
The third thread involves Zuhour鈥檚 class mates, two Pakistani sisters, Kuhl and Suroor. Kuhl is in love with Imran, a young Pakistani from a rural, impoverished background. She marries him in secret, afraid to tell her parents who would never approve of her marriage to someone beneath her social class. Zuhour becomes part of their circle and is attracted to Imran.
The fourth thread depicts Zuhour鈥檚 struggles with living in a foreign country, speaking a foreign language, and accommodating to a foreign culture.
The narrative constantly shifts between these four threads in a series of vignettes and anecdotes. Peppered throughout are Zuhour鈥檚 dreams, memories, and glimpses of Omani life. A mournful tone permeates as Zuhour considers the plight of different generations of women who have in common cultures that deny women freedom and agency. She is burdened with grief over the trajectory of her grandmother鈥檚 life, her sister鈥檚 crushed spirit, and Kuhl鈥檚 need for secrecy. The narrative offers no resolutions, no expressions of hope鈥攋ust sorrow and despair.
Alharthi demonstrates sympathy for the plight of women and their suffering. She successfully captures a sense of mourning and profound sadness, but the novel is missing narrative build-up, movement, and character development. All that is offered are a series of vignettes of thwarted female aspirations. That may be sufficient for some readers; but others may be left wanting and hoping for more.
My book reviews are also available at
The primary thread explores the back story of Bint Aamir, Zuhour鈥檚 adoptive grandmother, who dies shortly after Zuhour leaves Oman for her studies. Bint Aamir鈥檚 back story reveals the struggles of her early childhood after she and her brother are cast out of their home. Upon her brother鈥檚 death, she moves in with her relatives, Zuhour鈥檚 grandfather and his family. She raises Zuhour鈥檚 father as if he were her son, and raises his children鈥擹uhour and her two siblings鈥攁s their surrogate grandmother. Zuhour describes Bint Aamir as tall, proud, intelligent, selfless, and a childless spinster fiercely protective of the adopted children under her care. Taken for granted, ignored, blind in one eye, Bint Aamir鈥檚 physical condition deteriorates with age until she is no longer able to walk. After her death, Zuhour is haunted by the sound of her voice, pleading for companionship.
The second thread is of Zuhour鈥檚 older sister, Sumayaa. Described as an energetic, lively, talkative dynamo in her youth, she enters her marriage full of hopes and dreams. Her husband physically abuses and torments her, and despite her repeated attempts to return to her family, she is always sent back to live with him. After his accidental death, Sumayaa loses her voice and will not鈥攐r cannot鈥攕peak.
The third thread involves Zuhour鈥檚 class mates, two Pakistani sisters, Kuhl and Suroor. Kuhl is in love with Imran, a young Pakistani from a rural, impoverished background. She marries him in secret, afraid to tell her parents who would never approve of her marriage to someone beneath her social class. Zuhour becomes part of their circle and is attracted to Imran.
The fourth thread depicts Zuhour鈥檚 struggles with living in a foreign country, speaking a foreign language, and accommodating to a foreign culture.
The narrative constantly shifts between these four threads in a series of vignettes and anecdotes. Peppered throughout are Zuhour鈥檚 dreams, memories, and glimpses of Omani life. A mournful tone permeates as Zuhour considers the plight of different generations of women who have in common cultures that deny women freedom and agency. She is burdened with grief over the trajectory of her grandmother鈥檚 life, her sister鈥檚 crushed spirit, and Kuhl鈥檚 need for secrecy. The narrative offers no resolutions, no expressions of hope鈥攋ust sorrow and despair.
Alharthi demonstrates sympathy for the plight of women and their suffering. She successfully captures a sense of mourning and profound sadness, but the novel is missing narrative build-up, movement, and character development. All that is offered are a series of vignettes of thwarted female aspirations. That may be sufficient for some readers; but others may be left wanting and hoping for more.
My book reviews are also available at
November 24, 2020
賱睾丞 賴匕丕 丕賱毓賲賱 噩賲賷賱丞 賱賰賳 丕賱毓賲賱 賰賰賱 賲乇鬲亘賰 賵賲卮賵賻賾卮.. 賱丕 兀丿乇賷 廿匕丕 賰丕賳鬲 噩賲丕賱賷丞 丕賱賱睾丞 賵丨丿賴丕 賰丕賮賷丞 賱賰鬲丕亘丞 毓賲賱 乇賵丕卅賷!!
乇睾賲 丕賱鬲賳賯賱 丕賱睾賷乇 賲鬲賰賱賮 賳賵毓賸丕 賲丕 亘賷賳 兀夭賲賳丞 丕賱爻乇丿 賵卮禺賵氐 丕賱乇賵丕賷丞貙 廿賱丕 兀賳賴 亘丕賱賲噩賲賱 毓賲賱 賷賮鬲賯丿 賱賱鬲賵丕夭賳 賵丕賱丕賳爻噩丕賲 賵丕賱丨亘賰丞. ..賱賲 兀爻鬲毓匕亘 賯乇丕亍鬲賴 ..!!
乇睾賲 丕賱鬲賳賯賱 丕賱睾賷乇 賲鬲賰賱賮 賳賵毓賸丕 賲丕 亘賷賳 兀夭賲賳丞 丕賱爻乇丿 賵卮禺賵氐 丕賱乇賵丕賷丞貙 廿賱丕 兀賳賴 亘丕賱賲噩賲賱 毓賲賱 賷賮鬲賯丿 賱賱鬲賵丕夭賳 賵丕賱丕賳爻噩丕賲 賵丕賱丨亘賰丞. ..賱賲 兀爻鬲毓匕亘 賯乇丕亍鬲賴 ..!!
May 28, 2023
I found my audiobook copy of BITTER ORANGE TREE by Jokha Alharthi on Scrib'd!
I am really not sure what I just listened to, but I enjoyed the narrator, Marilyn Booth. Enough to listen to the end and try to find some thread of narrative. But I never did.
Rating: 馃崐馃崐 / 5 oranges
Recommend? No
Finished: May 27 2023
Format: Audiobook, Scrib'd
I am really not sure what I just listened to, but I enjoyed the narrator, Marilyn Booth. Enough to listen to the end and try to find some thread of narrative. But I never did.
Rating: 馃崐馃崐 / 5 oranges
Recommend? No
Finished: May 27 2023
Format: Audiobook, Scrib'd
September 20, 2023
"R眉yamda ba艧ucuma ser莽eler dolu艧unca uyand谋m."
Bu kitaptan se莽ilecek c眉mle bu de臒il belki ama bir yandan da tam da bu - 莽眉nk眉 kitab谋n b谋rakt谋臒谋 naif, 艧iirli, r眉yams谋 duyguyu 枚yle g眉zel tarif ediyor ki. Dolunay Kad谋nlar谋 kitab谋 ile 2019'da Uluslararas谋 Booker 脰d眉l眉'n眉 alan Ummanl谋 yazar Jokha Alharthi'nin son kitab谋 Turun莽 A臒ac谋'n谋 a莽谋k莽as谋 Dolunay Kad谋nlar谋'ndan daha 莽ok sevdim. Onun kadar g枚rkemli de臒il 艧眉phesiz, daha kendi halinde bir kitap ama tam da o yal谋nl谋臒谋 nedeniyle 莽ok g眉zel, 莽ok ger莽ek.
陌ngiltere'de okuyan, Ummanl谋 Zuhur adl谋 bir gen莽 kad谋n谋n a臒z谋ndan hayat谋n谋, arkada艧lar谋n谋 ama en 莽ok da yitip gitmi艧 b眉y眉kannesini, "Amir'in K谋z谋"n谋 dinliyoruz. Zuhur g眉n眉m眉zde ge莽en 枚yk眉s眉n眉 anlat谋rken bamba艧ka bir ku艧a臒谋n ve bamba艧ka bir k眉lt眉r眉n temsilcisi b眉y眉kannesini 艧efkat ve yer yer pi艧manl谋kla an谋ms谋yor ve an谋msad谋k莽a asl谋nda aradan ge莽en iki ku艧a臒a ra臒men ya艧ad谋klar谋 sorunlar谋n ne kadar benzedi臒ini ortaya koyuyor. Co臒rafya kader midir bilemem ama sonu莽ta bu kad谋nlar谋n ortak 莽abalar谋 ve ac谋lar谋 var, bunu g枚r眉yoruz.
Amir'in K谋z谋, tipik bir Ortado臒ulu kad谋n. Hayatta kendisi i莽in hi莽bir 艧ey istememi艧, isteyememi艧, mutlulu臒unu tamamen 莽ocu臒unun, torunlar谋n谋n mutlulu臒u 眉zerinden tan谋mlamay谋 枚臒renmi艧, sevmemi艧, sevilmemi艧, sevi艧memi艧. Zuhur b眉y眉kannesinin hayat谋na bak谋p h眉z眉nleniyor, oradaki sorunu g枚r眉yor ama kendisi de bir yan谋yla hala ziyadesiyle Ortado臒ulu, kendisi i莽in bir 艧ey istemeyi o ne kadar biliyor acaba, mutlulu臒un bir "hak" oldu臒unun ne kadar fark谋nda, oras谋 me莽hul. Bu t眉r bir toplumda kad谋n olarak d眉nyaya gelmenin tarifi zor y眉k眉n眉 s谋rt谋ndan ne kadar atabilmi艧, atabilmi艧 mi yahut? Bunlar谋 d眉艧眉nd眉r眉yor yazar.
Zamanda ileri-geri giden anlat谋 belki zorlay谋c谋 olabilir ama hat谋rlamak tam da b枚yle 莽al谋艧an bir mekanizma, ba艧ka t眉rl眉 yaz谋lsa olmazm谋艧 bence bu metin. Ne tam Ortado臒ulu, ne tam Bat谋l谋 olabilmi艧 bir toplumda ya艧ayan bir kad谋n olarak bana 莽ok 艧ey sundu bu kitap. Merak ediyorum fakat - acaba Alharthi'nin kitaplar谋ndaki tekrarlayan bu izleklere dair Bat谋l谋lar ne d眉艧眉n眉yor, onlar nas谋l bir yerden okuyorlar? Bamba艧ka bir 艧ey deneyimledi臒imiz muhakkak. Belki de bu y眉zden g眉zel ve k谋ymetlidir, diyerek bitireyim.
Bu kitaptan se莽ilecek c眉mle bu de臒il belki ama bir yandan da tam da bu - 莽眉nk眉 kitab谋n b谋rakt谋臒谋 naif, 艧iirli, r眉yams谋 duyguyu 枚yle g眉zel tarif ediyor ki. Dolunay Kad谋nlar谋 kitab谋 ile 2019'da Uluslararas谋 Booker 脰d眉l眉'n眉 alan Ummanl谋 yazar Jokha Alharthi'nin son kitab谋 Turun莽 A臒ac谋'n谋 a莽谋k莽as谋 Dolunay Kad谋nlar谋'ndan daha 莽ok sevdim. Onun kadar g枚rkemli de臒il 艧眉phesiz, daha kendi halinde bir kitap ama tam da o yal谋nl谋臒谋 nedeniyle 莽ok g眉zel, 莽ok ger莽ek.
陌ngiltere'de okuyan, Ummanl谋 Zuhur adl谋 bir gen莽 kad谋n谋n a臒z谋ndan hayat谋n谋, arkada艧lar谋n谋 ama en 莽ok da yitip gitmi艧 b眉y眉kannesini, "Amir'in K谋z谋"n谋 dinliyoruz. Zuhur g眉n眉m眉zde ge莽en 枚yk眉s眉n眉 anlat谋rken bamba艧ka bir ku艧a臒谋n ve bamba艧ka bir k眉lt眉r眉n temsilcisi b眉y眉kannesini 艧efkat ve yer yer pi艧manl谋kla an谋ms谋yor ve an谋msad谋k莽a asl谋nda aradan ge莽en iki ku艧a臒a ra臒men ya艧ad谋klar谋 sorunlar谋n ne kadar benzedi臒ini ortaya koyuyor. Co臒rafya kader midir bilemem ama sonu莽ta bu kad谋nlar谋n ortak 莽abalar谋 ve ac谋lar谋 var, bunu g枚r眉yoruz.
Amir'in K谋z谋, tipik bir Ortado臒ulu kad谋n. Hayatta kendisi i莽in hi莽bir 艧ey istememi艧, isteyememi艧, mutlulu臒unu tamamen 莽ocu臒unun, torunlar谋n谋n mutlulu臒u 眉zerinden tan谋mlamay谋 枚臒renmi艧, sevmemi艧, sevilmemi艧, sevi艧memi艧. Zuhur b眉y眉kannesinin hayat谋na bak谋p h眉z眉nleniyor, oradaki sorunu g枚r眉yor ama kendisi de bir yan谋yla hala ziyadesiyle Ortado臒ulu, kendisi i莽in bir 艧ey istemeyi o ne kadar biliyor acaba, mutlulu臒un bir "hak" oldu臒unun ne kadar fark谋nda, oras谋 me莽hul. Bu t眉r bir toplumda kad谋n olarak d眉nyaya gelmenin tarifi zor y眉k眉n眉 s谋rt谋ndan ne kadar atabilmi艧, atabilmi艧 mi yahut? Bunlar谋 d眉艧眉nd眉r眉yor yazar.
Zamanda ileri-geri giden anlat谋 belki zorlay谋c谋 olabilir ama hat谋rlamak tam da b枚yle 莽al谋艧an bir mekanizma, ba艧ka t眉rl眉 yaz谋lsa olmazm谋艧 bence bu metin. Ne tam Ortado臒ulu, ne tam Bat谋l谋 olabilmi艧 bir toplumda ya艧ayan bir kad谋n olarak bana 莽ok 艧ey sundu bu kitap. Merak ediyorum fakat - acaba Alharthi'nin kitaplar谋ndaki tekrarlayan bu izleklere dair Bat谋l谋lar ne d眉艧眉n眉yor, onlar nas谋l bir yerden okuyorlar? Bamba艧ka bir 艧ey deneyimledi臒imiz muhakkak. Belki de bu y眉zden g眉zel ve k谋ymetlidir, diyerek bitireyim.
April 25, 2023
Depois de Corpos Celestes n茫o podia deixar de ler Laranjeira-Amarga. Jokha Alharthi tem uma escrita intimista, com laivos de ancestralidade que mant茅m as mulheres subjugadas e v铆timas de um patriarcado na Pen铆nsula Ar谩bica e uma dignidade e for莽a que lhes permite transcender amarras e alcan莽ar a intemporalidade. Algumas, privilegiadas, conseguem dar voz a essas mulheres. As primeiras p谩ginas deste romance cativam e impressionam o leitor. Bint Aamir 茅 a personagem que nos toca o cora莽茫o. Zuhour 茅 a narradora que partiu.
Romance em que muitas s茫o as personagens femininas que em paralelo interv茅m com apontamentos sobre as suas vidas. Enquanto umas cresciam convencidas que as escolhas da vida j谩 estavam predestinadas, outras rebelam-se. E muitas quebram. Pujante narrativa que numa prosa refinada nos enriquece tanto. De cortar a respira莽茫o. Obrigat贸rio ler. Ademais, num dia em que se comemora a liberdade. Uma pena que certos livros n茫o tenham o destaque que merecem.
Romance em que muitas s茫o as personagens femininas que em paralelo interv茅m com apontamentos sobre as suas vidas. Enquanto umas cresciam convencidas que as escolhas da vida j谩 estavam predestinadas, outras rebelam-se. E muitas quebram. Pujante narrativa que numa prosa refinada nos enriquece tanto. De cortar a respira莽茫o. Obrigat贸rio ler. Ademais, num dia em que se comemora a liberdade. Uma pena que certos livros n茫o tenham o destaque que merecem.
May 21, 2023
鈥楪eceleyin aniden uyand谋m. Yan taraf谋ma d枚nm眉艧 uyuyorken 枚l眉m d眉艧眉ncesi geldi akl谋ma. Silinip gitme fikri beni alt眉st etti. Milyonlarca y谋ld谋r geni艧leyip duran 艧u kainatta birer zerre olarak daha 枚nceki gibi tekrar yoklu臒a kar谋艧mak鈥� 脰l眉m d眉艧眉ncesini derin bir kabulleni艧le hissettim i莽imde. Kendi yok olu艧umu bu denli kabulleni艧ime neredeyse g眉lecektim. 陌莽imde bir endi艧e veya merak hissi yoktu. Nas谋l ve ne zaman olaca臒谋 bir an akl谋mdan ge莽se de son derece rahat ve kendimden emindim. Derin bir nefes ald谋m. Sanki bir 艧eyle bar谋艧m谋艧t谋m. Sonra uykuma d枚nd眉m.鈥�
.
Benzer hatta ayn谋 olmaktan korktu臒umuz ki艧ileri kaybediyoruz 枚nce. Sonra nas谋l kaybetti臒imizi anlamaya 莽al谋艧makla ge莽iyor zaman谋m谋z. Bunu ben mi yapt谋m diye de soruyoruz kendimize, zamanla her kay谋p gibi al谋艧谋yoruz elbet. Kayb谋n bo艧lu臒u dolmasa da.
.
Ummanl谋 yazar Jokha Alharthi ile Dolunay Kad谋nlar谋 ile tan谋艧谋p 枚yle sevmi艧tim ki! Turun莽 A臒ac谋 da 莽evrildi臒inde hemen okumak istedim 莽眉nk眉 yine bol karakterli ve katmanl谋 bir hikayeye s眉r眉klenece臒imi biliyordum. Bekledi臒im gibi de oldu. Yine ge莽mi艧le ve k枚klerinin hikayeleriyle yo臒rulan-s谋nanan bir karakter kar艧谋l谋yor bizi. Amir鈥檌n k谋z谋 b眉y眉t眉yor onu ve karde艧lerini, sonra 眉lkesinden 莽ok uzaklara gidiyor. Amir鈥檌n k谋z谋n谋 hat谋rlad谋k莽a kuma艧 莽枚z眉l眉yor sanki, anne ve babas谋 d眉艧眉yor akl谋na 枚nce, sonra onlar谋n aileleri..
Haf谋zaya, toplumsal cinsiyet ve stat眉 rollerine, arada kalm谋艧l谋臒a dair b眉y眉k s枚zler s枚ylemeden de d眉艧眉nd眉ren bir eser Turun莽 A臒ac谋.
Yazar Alharthi鈥檡i daha 莽ok okumak dile臒iyle..
.
S眉leyman 艦ahin 莽evirisi, Bar谋艧 艦ehri kapak tasar谋m谋yla ~
.
Benzer hatta ayn谋 olmaktan korktu臒umuz ki艧ileri kaybediyoruz 枚nce. Sonra nas谋l kaybetti臒imizi anlamaya 莽al谋艧makla ge莽iyor zaman谋m谋z. Bunu ben mi yapt谋m diye de soruyoruz kendimize, zamanla her kay谋p gibi al谋艧谋yoruz elbet. Kayb谋n bo艧lu臒u dolmasa da.
.
Ummanl谋 yazar Jokha Alharthi ile Dolunay Kad谋nlar谋 ile tan谋艧谋p 枚yle sevmi艧tim ki! Turun莽 A臒ac谋 da 莽evrildi臒inde hemen okumak istedim 莽眉nk眉 yine bol karakterli ve katmanl谋 bir hikayeye s眉r眉klenece臒imi biliyordum. Bekledi臒im gibi de oldu. Yine ge莽mi艧le ve k枚klerinin hikayeleriyle yo臒rulan-s谋nanan bir karakter kar艧谋l谋yor bizi. Amir鈥檌n k谋z谋 b眉y眉t眉yor onu ve karde艧lerini, sonra 眉lkesinden 莽ok uzaklara gidiyor. Amir鈥檌n k谋z谋n谋 hat谋rlad谋k莽a kuma艧 莽枚z眉l眉yor sanki, anne ve babas谋 d眉艧眉yor akl谋na 枚nce, sonra onlar谋n aileleri..
Haf谋zaya, toplumsal cinsiyet ve stat眉 rollerine, arada kalm谋艧l谋臒a dair b眉y眉k s枚zler s枚ylemeden de d眉艧眉nd眉ren bir eser Turun莽 A臒ac谋.
Yazar Alharthi鈥檡i daha 莽ok okumak dile臒iyle..
.
S眉leyman 艦ahin 莽evirisi, Bar谋艧 艦ehri kapak tasar谋m谋yla ~
June 16, 2023
This is a book I picked up (on my library app) based on its cover alone, without even reading the synopsis - and I'm truly glad that I did.
Beautiful, lyrical, dizzying - the tale of multiple women, of Bint Aamir and Zuhour, of loss and broken hearts and families that were and were not what they should have been.
This non-linear intergenerational tale is based on an Omani family, tracing their paths from Oman to Zanzibar and back again, to Zuhour in London, wracked with grief and loss and remorse over her grandmother-who-was-not-her-grandmother. There was one particular storyline I wasn't very clear on (Suroor and Imran and Zuhour's fixation on them), but tbh I didn't feel any pressure to spend time fussing over it and simply enjoyed the writing for what it was. I'm a sucker for angst anyway, and this book delivers it in heartrending ways.
I won't pretend to have properly understood or appreciated the deeper messages of this novel, but the prose is truly gorgeous, and my heart ached the entire time I was reading. I'm genuinely impressed that this was translated from Arabic - the English itself is so stunningly beautiful to read.
(Also, yes, this is another sad ethnic family drama, but it's so good that I'm not even mad about it.)
Beautiful, lyrical, dizzying - the tale of multiple women, of Bint Aamir and Zuhour, of loss and broken hearts and families that were and were not what they should have been.
This non-linear intergenerational tale is based on an Omani family, tracing their paths from Oman to Zanzibar and back again, to Zuhour in London, wracked with grief and loss and remorse over her grandmother-who-was-not-her-grandmother. There was one particular storyline I wasn't very clear on (Suroor and Imran and Zuhour's fixation on them), but tbh I didn't feel any pressure to spend time fussing over it and simply enjoyed the writing for what it was. I'm a sucker for angst anyway, and this book delivers it in heartrending ways.
I won't pretend to have properly understood or appreciated the deeper messages of this novel, but the prose is truly gorgeous, and my heart ached the entire time I was reading. I'm genuinely impressed that this was translated from Arabic - the English itself is so stunningly beautiful to read.
(Also, yes, this is another sad ethnic family drama, but it's so good that I'm not even mad about it.)
Read
September 6, 2017鉁忥笍
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丕爻賲 丕賱賰鬲丕亘: #賳丕乇賳噩丞
丕賱賲丐賱賮: #噩賵禺丞_丕賱丨丕乇孬賷
賳賵毓 丕賱賰鬲丕亘: 乇賵丕賷丞
賲賰丕賳 丕賱卮乇丕亍: 丕爻鬲毓丕乇丞
毓丿丿 丕賱氐賮丨丕鬲: 160
丕賱丿丕乇: 丿丕乇 丕賱丌丿丕亘
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丕賱賱賴 .貙 乇賵丕賷丞 噩賲賷賱丞 鬲賱丕賲爻 丕賱賯賱亘 噩丿丕賸 .貙 鬲賳賯賱賰 亘賷賳 丕賱賲丕囟賷 賵丕賱丨丕囟乇 亘兀爻賱賵亘 卮賷賯 賵賲賲鬲毓 .貙 丕爻鬲胤丕毓鬲 丕賱賰丕鬲亘丞 兀賳 鬲丨亘賰 丕賱兀丨丿丕孬 亘胤乇賷賯丞 噩賲賷賱丞 .!
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"夭賴賵乇" 鬲丿乇爻 賮賷 丕賱禺丕乇噩 賵鬲毓賷丿 賱賳丕 匕賰乇賷丕鬲 噩丿鬲賴丕 .貙 丨賰丕賷丕鬲賴丕 賵賲賵丕賯賮賴丕 .貙 噩丿鬲賴丕 丕賱鬲賷 賱賲 鬲賰賳 亘丕賱兀爻丕爻 噩丿鬲賴丕 .貙 賵賱賰賳賴丕 賴賷 賲賳 鬲賵賱鬲 鬲乇亘賷鬲賴賲 賴賷 賵兀禺賵鬲賴丕 .貙 鬲乇噩毓 亘賰 賱毓購賲丕賳 賵丕賱丨賷丕丞 賮賷賴丕 賮賷 丕賱賲丕囟賷 賮賷 夭賲賳 爻毓賷丿 亘賳 鬲賷賲賵乇 .貙 鬲鬲毓乇賮 毓賱賶 丕賱丨賷丕丞 丕賱亘爻賷胤丞 賴賳丕賰 - 賵丕賱鬲賷 賲丕 夭賱鬲 兀乇丕賴丕 亘爻賷胤丞 賵噩賲賷賱丞 噩丿丕賸 賱丨丿 賴匕丕 丕賱賷賵賲 - 鬲鬲禺賷賱 賲毓賴丕 卮噩乇丞 丕賱賳丕乇賳噩 .貙 賵丕禺囟乇丕乇賴丕 毓賱賶 賷丿 噩丿鬲賴丕 "亘賳鬲 毓丕賲乇" .貙 鬲爻鬲馗賱 亘馗賱賴丕 賵鬲卮賴丿 毓賳丕賷丞 丕賱噩丿丞 亘賴丕 .貙 賵睾賷乇賴丕 賲賳 丨賰丕賷丕鬲 賰丕賳鬲 鬲丨賰賷賴丕 丕賱噩丿丞 賱賴賲 .! 孬賲 鬲賳鬲賯賱 亘賰 賱賱丨丕囟乇 .貙 賱賱亘賱丿 丕賱匕賷 鬲丿乇爻 賮賷賴 .貙 賱毓賱丕賯鬲賴丕 亘氐丿賷賯鬲賷賴丕 丕賱兀禺鬲賷賳 "賰丨賱" 賵"爻乇賵乇" .貙 賵亘賭 "毓賲乇丕賳" 丨亘賷亘 "賰丨賱" 賵夭賵噩賴丕 亘丕賱爻乇 .貙 賰丕賳鬲 鬲乇丿丿 丿丕卅賲丕賸 兀賳賴賲 賲孬賱孬 賴賷 賵賰丨賱 賵毓賲乇丕賳 賱賰賳賷 賱賲 兀賮賴賲 丕賱毓賱丕賯丞 亘賷賳賴賲 賵賲丕 爻乇 賴匕丕 丕賱賲孬賱孬 .! 鬲鬲賰賱賲 毓賳 丿乇丕爻鬲賴丕 賵丕賱睾乇亘丞 .貙 賵鬲鬲禺賱賱賴丕 丿丕卅賲丕賸 賲賳丕賲丕鬲賴丕 毓賳 噩丿鬲賴丕 丕賱鬲賷 匕賴亘鬲 賵乇丨賱鬲 .貙 賱鬲賳賯賱賳丕 亘賷賳 賲丕囟賷賴丕 賵丨丕囟乇賴丕 亘丨亘賰丞 賲賲鬲毓丞 睾賷乇 賲卮鬲鬲丞 .!
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毓卮鬲 匕賰乇賷丕鬲賴丕 丕賱賲丕囟賷丞 丕賱噩賲賷賱丞 丕賱亘爻賷胤丞 .貙 鬲禺賷賱鬲 卮賰賱 噩丿鬲賴丕 "亘賳鬲 毓丕賲乇" .貙 鬲禺賷賱鬲 亘賷鬲賴賲 賵卮噩乇丞 丕賱賳丕乇賳噩 賵兀卮噩丕乇 丕賱噩丿丞 .貙 鬲禺賷賱鬲 賲賵鬲 丕賱賳丕乇賳噩丞 丕賱賲乇鬲亘胤 亘賲賵鬲 丕賱噩丿丞 .貙 毓卮鬲 賰孬賷乇丕賸 賲毓 兀丨丿丕孬賴丕 丕賱噩賲賷賱丞 .!
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賱丕 兀賳爻賶 兀賷囟丕賸 賱睾丞 丕賱賰丕鬲亘丞 丕賱噩賲賷賱丞 .貙 賵兀爻賱賵亘賴丕 丕賱卮賷賯 賮賷 丕賳鬲賯丕賱賴丕 亘賷賳 毓丕賱賲賷賳 .貙 賵鬲賲賰賳賴丕 賲賳 賳賯賱賳丕 賲毓賴丕 賱兀丨丿丕孬 丕賱乇賵丕賷丞 賵丕賱夭賲賳賷賳 丕賱賲丕囟賷 賵丕賱丨丕囟乇 .!
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賰鬲丕亘 乇賯賲: 140 賱爻賳丞 2017 鉂わ笍馃摎
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馃摑 賲賱丕丨馗丞 賲賴賲丞 賯乇乇鬲 兀丨胤賴丕 賲毓 賰賱 乇讪賷賵: 賱賰賱 賯丕乇卅 匕丕卅賯丞 賲禺鬲賱賮丞 .貙 賮兀賷 賰鬲丕亘 賷毓噩亘賳賷 賲丕 賱丕夭賲 賷毓噩亘 睾賷乇賷 .貙 丕賱兀匕賵丕賯 鬲禺鬲賱賮 賵丕賱賯乇丕亍丕鬲 鬲禺鬲賱賮 賲賳 卮禺氐 賱孬丕賳賷 .貙 賮 丕賯乇丐賵丕 賵賯賷賲賵丕 賵賱丕 鬲毓鬲賲丿賵賳 毓賱賶 鬲賯賷賷賲丕鬲 兀丨丿 .貙 丕賵賵賰賷 責!
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#賲孬賯賮丕鬲 #賯丕乇卅丕鬲 #賲丨亘賷_丕賱賯乇丕亍丞 #兀氐丿賯丕亍_丕賱賯乇丕亍丞 #兀氐丿賯丕亍_丕賱賰鬲丕亘 #賰賱賳丕_賳賯乇兀 #丕賱賯乇丕亍丞_賱賱噩賲賷毓 #丕賱丨賷丕丞_亘賷賳_丕賱賰鬲亘 #鬲丨丿賷_丕賱賯乇丕亍丞 #鬲丨丿賷_100_賰鬲丕亘_丕賱乇丕亘毓 #賰鬲亘賷 #賲賰鬲亘賷 #兀賲丞_廿賯乇兀_鬲賯乇兀 #賲丕匕丕_鬲賯乇兀 #丕賱賯乇丕亍丞_毓丕賱賲_噩賲賷賱 #丕賱亘丨乇賷賳_鬲賯乇兀_10000_賰鬲丕亘 #丕賱睾乇賯_賮賷_丕賱賰鬲亘_賳噩丕丞 #兀丨賱賲_亘卮睾賮 #鬲丨丿賷_丕賱兀賱賲_亘丕賱賯乇丕亍丞
#兀賳丕冲賵賰鬲亘賷#賳噩丕鬲賷冲鬲賯乇兀
#najati_books
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丕爻賲 丕賱賰鬲丕亘: #賳丕乇賳噩丞
丕賱賲丐賱賮: #噩賵禺丞_丕賱丨丕乇孬賷
賳賵毓 丕賱賰鬲丕亘: 乇賵丕賷丞
賲賰丕賳 丕賱卮乇丕亍: 丕爻鬲毓丕乇丞
毓丿丿 丕賱氐賮丨丕鬲: 160
丕賱丿丕乇: 丿丕乇 丕賱丌丿丕亘
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丕賱賱賴 .貙 乇賵丕賷丞 噩賲賷賱丞 鬲賱丕賲爻 丕賱賯賱亘 噩丿丕賸 .貙 鬲賳賯賱賰 亘賷賳 丕賱賲丕囟賷 賵丕賱丨丕囟乇 亘兀爻賱賵亘 卮賷賯 賵賲賲鬲毓 .貙 丕爻鬲胤丕毓鬲 丕賱賰丕鬲亘丞 兀賳 鬲丨亘賰 丕賱兀丨丿丕孬 亘胤乇賷賯丞 噩賲賷賱丞 .!
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"夭賴賵乇" 鬲丿乇爻 賮賷 丕賱禺丕乇噩 賵鬲毓賷丿 賱賳丕 匕賰乇賷丕鬲 噩丿鬲賴丕 .貙 丨賰丕賷丕鬲賴丕 賵賲賵丕賯賮賴丕 .貙 噩丿鬲賴丕 丕賱鬲賷 賱賲 鬲賰賳 亘丕賱兀爻丕爻 噩丿鬲賴丕 .貙 賵賱賰賳賴丕 賴賷 賲賳 鬲賵賱鬲 鬲乇亘賷鬲賴賲 賴賷 賵兀禺賵鬲賴丕 .貙 鬲乇噩毓 亘賰 賱毓購賲丕賳 賵丕賱丨賷丕丞 賮賷賴丕 賮賷 丕賱賲丕囟賷 賮賷 夭賲賳 爻毓賷丿 亘賳 鬲賷賲賵乇 .貙 鬲鬲毓乇賮 毓賱賶 丕賱丨賷丕丞 丕賱亘爻賷胤丞 賴賳丕賰 - 賵丕賱鬲賷 賲丕 夭賱鬲 兀乇丕賴丕 亘爻賷胤丞 賵噩賲賷賱丞 噩丿丕賸 賱丨丿 賴匕丕 丕賱賷賵賲 - 鬲鬲禺賷賱 賲毓賴丕 卮噩乇丞 丕賱賳丕乇賳噩 .貙 賵丕禺囟乇丕乇賴丕 毓賱賶 賷丿 噩丿鬲賴丕 "亘賳鬲 毓丕賲乇" .貙 鬲爻鬲馗賱 亘馗賱賴丕 賵鬲卮賴丿 毓賳丕賷丞 丕賱噩丿丞 亘賴丕 .貙 賵睾賷乇賴丕 賲賳 丨賰丕賷丕鬲 賰丕賳鬲 鬲丨賰賷賴丕 丕賱噩丿丞 賱賴賲 .! 孬賲 鬲賳鬲賯賱 亘賰 賱賱丨丕囟乇 .貙 賱賱亘賱丿 丕賱匕賷 鬲丿乇爻 賮賷賴 .貙 賱毓賱丕賯鬲賴丕 亘氐丿賷賯鬲賷賴丕 丕賱兀禺鬲賷賳 "賰丨賱" 賵"爻乇賵乇" .貙 賵亘賭 "毓賲乇丕賳" 丨亘賷亘 "賰丨賱" 賵夭賵噩賴丕 亘丕賱爻乇 .貙 賰丕賳鬲 鬲乇丿丿 丿丕卅賲丕賸 兀賳賴賲 賲孬賱孬 賴賷 賵賰丨賱 賵毓賲乇丕賳 賱賰賳賷 賱賲 兀賮賴賲 丕賱毓賱丕賯丞 亘賷賳賴賲 賵賲丕 爻乇 賴匕丕 丕賱賲孬賱孬 .! 鬲鬲賰賱賲 毓賳 丿乇丕爻鬲賴丕 賵丕賱睾乇亘丞 .貙 賵鬲鬲禺賱賱賴丕 丿丕卅賲丕賸 賲賳丕賲丕鬲賴丕 毓賳 噩丿鬲賴丕 丕賱鬲賷 匕賴亘鬲 賵乇丨賱鬲 .貙 賱鬲賳賯賱賳丕 亘賷賳 賲丕囟賷賴丕 賵丨丕囟乇賴丕 亘丨亘賰丞 賲賲鬲毓丞 睾賷乇 賲卮鬲鬲丞 .!
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毓卮鬲 匕賰乇賷丕鬲賴丕 丕賱賲丕囟賷丞 丕賱噩賲賷賱丞 丕賱亘爻賷胤丞 .貙 鬲禺賷賱鬲 卮賰賱 噩丿鬲賴丕 "亘賳鬲 毓丕賲乇" .貙 鬲禺賷賱鬲 亘賷鬲賴賲 賵卮噩乇丞 丕賱賳丕乇賳噩 賵兀卮噩丕乇 丕賱噩丿丞 .貙 鬲禺賷賱鬲 賲賵鬲 丕賱賳丕乇賳噩丞 丕賱賲乇鬲亘胤 亘賲賵鬲 丕賱噩丿丞 .貙 毓卮鬲 賰孬賷乇丕賸 賲毓 兀丨丿丕孬賴丕 丕賱噩賲賷賱丞 .!
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賱丕 兀賳爻賶 兀賷囟丕賸 賱睾丞 丕賱賰丕鬲亘丞 丕賱噩賲賷賱丞 .貙 賵兀爻賱賵亘賴丕 丕賱卮賷賯 賮賷 丕賳鬲賯丕賱賴丕 亘賷賳 毓丕賱賲賷賳 .貙 賵鬲賲賰賳賴丕 賲賳 賳賯賱賳丕 賲毓賴丕 賱兀丨丿丕孬 丕賱乇賵丕賷丞 賵丕賱夭賲賳賷賳 丕賱賲丕囟賷 賵丕賱丨丕囟乇 .!
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賰鬲丕亘 乇賯賲: 140 賱爻賳丞 2017 鉂わ笍馃摎
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馃摑 賲賱丕丨馗丞 賲賴賲丞 賯乇乇鬲 兀丨胤賴丕 賲毓 賰賱 乇讪賷賵: 賱賰賱 賯丕乇卅 匕丕卅賯丞 賲禺鬲賱賮丞 .貙 賮兀賷 賰鬲丕亘 賷毓噩亘賳賷 賲丕 賱丕夭賲 賷毓噩亘 睾賷乇賷 .貙 丕賱兀匕賵丕賯 鬲禺鬲賱賮 賵丕賱賯乇丕亍丕鬲 鬲禺鬲賱賮 賲賳 卮禺氐 賱孬丕賳賷 .貙 賮 丕賯乇丐賵丕 賵賯賷賲賵丕 賵賱丕 鬲毓鬲賲丿賵賳 毓賱賶 鬲賯賷賷賲丕鬲 兀丨丿 .貙 丕賵賵賰賷 責!
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#賲孬賯賮丕鬲 #賯丕乇卅丕鬲 #賲丨亘賷_丕賱賯乇丕亍丞 #兀氐丿賯丕亍_丕賱賯乇丕亍丞 #兀氐丿賯丕亍_丕賱賰鬲丕亘 #賰賱賳丕_賳賯乇兀 #丕賱賯乇丕亍丞_賱賱噩賲賷毓 #丕賱丨賷丕丞_亘賷賳_丕賱賰鬲亘 #鬲丨丿賷_丕賱賯乇丕亍丞 #鬲丨丿賷_100_賰鬲丕亘_丕賱乇丕亘毓 #賰鬲亘賷 #賲賰鬲亘賷 #兀賲丞_廿賯乇兀_鬲賯乇兀 #賲丕匕丕_鬲賯乇兀 #丕賱賯乇丕亍丞_毓丕賱賲_噩賲賷賱 #丕賱亘丨乇賷賳_鬲賯乇兀_10000_賰鬲丕亘 #丕賱睾乇賯_賮賷_丕賱賰鬲亘_賳噩丕丞 #兀丨賱賲_亘卮睾賮 #鬲丨丿賷_丕賱兀賱賲_亘丕賱賯乇丕亍丞
#兀賳丕冲賵賰鬲亘賷#賳噩丕鬲賷冲鬲賯乇兀
#najati_books
March 16, 2025
"螡蔚蟻伪谓蟿味喂维" 蟿畏蟼 韦味蠈蠂伪 螒位蠂维蟻胃喂 , 苇谓伪 尾喂尾位委慰 蟺慰蠀 慰锟斤拷慰位慰纬蠋 蟺蠅蟼 尉蔚魏委谓畏蟽伪 谓伪 未喂伪尾维味蠅 未喂蟽蟿伪魏蟿喂魏维, 蠂蠅蟻委蟼 谓伪 苇蠂蠅 渭蔚纬维位蔚蟼 蟺蟻慰蟽未慰魏委蔚蟼, 魏喂 蠈渭蠅蟼 魏伪蟿维蠁蔚蟻蔚 蟺慰位蠉 纬蟻萎纬慰蟻伪 谓伪 渭蔚 蟺伪蟻伪蟽蠉蟻蔚喂 渭苇蟽伪 蟽蔚 渭喂伪 喂蟽蟿慰蟻委伪 纬蔚渭维蟿畏 蟽蠀谓伪喂蟽胃萎渭伪蟿伪, 渭谓萎渭蔚蟼 魏伪喂 蟺蟻慰蟽蠅蟺喂魏苇蟼 伪谓伪味畏蟿萎蟽蔚喂蟼.
螚 蠀蟺蠈胃蔚蟽畏 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 纬蠉蟻蠅 伪蟺蠈 蟿畏 味蠅萎 蟿畏蟼 蟺蟻蠅蟿伪纬蠅谓委蟽蟿蟻喂伪蟼, 蟺慰蠀 伪谓伪味畏蟿维 蟿畏 未喂魏萎 蟿畏蟼 蟿伪蠀蟿蠈蟿畏蟿伪, 蟿慰谓 苇蟻蠅蟿伪 魏伪喂 蟿畏谓 蔚蟽蠅蟿蔚蟻喂魏萎 纬伪位萎谓畏, 蟺慰蠀 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蟽蠀渭蠁喂位喂蠅胃蔚委 渭蔚 蟿慰 蟺伪蟻蔚位胃蠈谓 蟿畏蟼 魏伪喂 谓伪 魏伪蟿伪谓慰萎蟽蔚喂 蟿喂蟼 蔚蟺喂胃蠀渭委蔚蟼 魏伪喂 蟿喂蟼 伪谓维纬魏蔚蟼 蟿畏蟼 蟽蟿慰 蟺伪蟻蠈谓. 螤蟻伪纬渭伪蟿蔚蠉蔚蟿伪喂 蟿喂蟼 蟽蠂苇蟽蔚喂蟼, 蟿畏谓 慰喂魏慰纬苇谓蔚喂伪 魏伪喂 蟿喂蟼 胃蠀蟽委蔚蟼 蟺慰蠀 魏维谓慰蠀渭蔚 纬喂伪 蟿慰蠀蟼 维位位慰蠀蟼, 渭蔚 苇谓伪谓 喂未喂伪委蟿蔚蟻慰 蟿蟻蠈蟺慰 蟺慰蠀 蟽蠀谓未蠀维味蔚喂 蟿畏谓 伪谓伪蟿慰位喂魏萎 魏伪喂 蟿畏 未蠀蟿喂魏萎 魏慰蠀位蟿慰蠉蟻伪. 螘尉蔚蟿维味蔚喂, 蔚蟺委蟽畏蟼, 蟿畏 胃苇蟽畏 蟿畏蟼 纬蠀谓伪委魏伪蟼 蟽蟿畏谓 魏慰喂谓蠅谓委伪, 蟿畏 蟽蠉纬魏蟻慰蠀蟽畏 伪谓维渭蔚蟽伪 蟽蟿喂蟼 蟺伪蟻伪未慰蟽喂伪魏苇蟼 伪尉委蔚蟼 魏伪喂 蟿喂蟼 蟽蠉纬蠂蟻慰谓蔚蟼 伪谓维纬魏蔚蟼 魏伪喂 蟿慰谓 蟻蠈位慰 蟺慰蠀 畏 魏慰喂谓蠅谓委伪 蔚蟺喂蠁蠀位维蟽蟽蔚喂 纬喂伪 伪蠀蟿萎谓.
惟蟼 伪谓伪纬谓蠋蟽蟿蟻喂伪, 蟿慰 尾喂尾位委慰 渭蔚 蔚谓蟿蠀蟺蠅蟽委伪蟽蔚 渭蔚 蟿畏谓 苇谓蟿伪蟽畏 蟿蠅谓 蟽蠀谓伪喂蟽胃畏渭维蟿蠅谓 蟺慰蠀 蟺蟻慰魏伪位蔚委. 螝维胃蔚 蟽蔚位委未伪 萎蟿伪谓 纬蔚渭维蟿畏 渭蔚 渭喂伪 伪蟺委蟽蟿蔚蠀蟿畏 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏萎 蠁蠈蟻蟿喂蟽畏, 魏伪喂 苇谓喂蠅蟽伪 谓伪 纬委谓慰渭伪喂 渭苇蟻慰蟼 蟿慰蠀 蠄蠀蠂喂蟽渭慰蠉 蟿畏蟼 畏蟻蠅委未伪蟼. 螚 纬蟻伪蠁萎 蟿畏蟼 螒位蠂维蟻胃喂 蔚委谓伪喂 位蠀蟻喂魏萎, 纬蔚渭维蟿畏 蔚蠉蟽蟿慰蠂蔚蟼 蟺伪蟻伪蟿畏蟻萎蟽蔚喂蟼 纬喂伪 蟿畏 味蠅萎 魏伪喂 蟿喂蟼 伪谓蟿喂蠁维蟽蔚喂蟼 蟿畏蟼, 渭蔚 渭喂伪 蔚尉伪喂蟻蔚蟿喂魏萎 喂魏伪谓蠈蟿畏蟿伪 谓伪 伪谓伪未蔚喂魏谓蠉蔚喂 蟿喂蟼 渭喂魏蟻苇蟼, 魏伪胃畏渭蔚蟻喂谓苇蟼 蟽蟿喂纬渭苇蟼 蟺慰蠀 蠂蟿委味慰蠀谓 蟿畏 渭蔚纬维位畏 蔚喂魏蠈谓伪 蟿畏蟼 蠉蟺伪蟻尉畏蟼. 螉蟽蠅蟼 慰 维谓伪蟻蠂慰蟼 蟿蟻蠈蟺慰蟼 渭蔚 蟿慰谓 慰蟺慰委慰 蔚蟺喂位苇纬蔚喂 谓伪 魏喂谓畏胃蔚委 蟽蟿慰谓 蠂蟻蠈谓慰 蟿畏蟼 伪蠁萎纬畏蟽畏蟼 谓伪 蟺蔚蟻喂蟺位苇魏蔚喂 位委纬慰 蟿畏谓 伪谓维纬谓蠅蟽畏, 蠈渭蠅蟼 蔚委谓伪喂 蟿蠈蟽慰 尾伪胃喂维 伪谓胃蟻蠋蟺喂谓畏 畏 纬蟻伪蠁萎 蟿畏蟼 蟺慰蠀 渭蔚 蟽蠀谓蔚蟺萎蟻蔚, 伪魏蠈渭伪 魏喂 伪谓 慰蟻喂蟽渭苇谓蔚蟼 蠁慰蟻苇蟼 苇谓喂蠅蟽伪 谓伪 芦蠂维谓慰渭伪喂禄 渭蔚 蟿慰蠀蟼 未蔚蠀蟿蔚蟻蔚蠉慰谓蟿蔚蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼.
危蟿慰 蟿苇位慰蟼 渭慰蠀 维蠁畏蟽蔚 渭喂伪 纬位蠀魏蠈蟺喂魏蟻畏 纬蔚蠉蟽畏, 蠈蟺蠅蟼 魏伪喂 畏 蠁位慰蠉未伪 伪蟺蠈 蟿慰 谓蔚蟻维谓蟿味喂. 螆渭蔚喂谓伪 渭蔚 渭喂伪 伪委蟽胃畏蟽畏 畏蟻蔚渭委伪蟼 伪位位维 魏伪喂 蟺蟻慰尾位畏渭伪蟿喂蟽渭慰蠉, 伪蠁慰蠉 蟿慰 尾喂尾位委慰 渭蔚 苇蠁蔚蟻蔚 伪谓蟿喂渭苇蟿蠅蟺畏 渭蔚 渭喂伪 未喂伪未喂魏伪蟽委伪 伪蠀蟿慰纬谓蠅蟽委伪蟼. 螖蔚谓 渭蟺慰蟻慰蠉蟽伪 谓伪 蟽蟿伪渭伪蟿萎蟽蠅 谓伪 蠀蟺慰纬蟻伪渭渭委味蠅 伪蟺慰蟽蟺维蟽渭伪蟿伪 蟺慰蠀 渭慰蠀 苇魏伪谓伪谓 蔚谓蟿蠉蟺蠅蟽畏 魏伪喂 未喂伪尾维味慰谓蟿维蟼 蟿伪 蟽魏蔚蠁蟿蠈渭慰蠀谓 芦螒! 螘纬蠋禄. 螖蔚谓 渭蟺慰蟻蠋 谓伪 蟺蠅 渭蔚 蟽喂纬慰蠀蟻喂维 蠈蟿喂 蔚委谓伪喂 苇谓伪 尾喂尾位委慰 蟺慰蠀 胃伪 蟿伪喂蟻喂维尉蔚喂 蟽蔚 蠈位慰蠀蟼, 蟺蟻慰蟽蠅蟺喂魏维, 蠈渭蠅蟼, 蟿慰 尾委蠅蟽伪 蠅蟼 渭喂伪 蟽蠀纬魏喂谓畏蟿喂魏萎 蔚渭蟺蔚喂蟻委伪.
违螕: 韦慰 魏蔚蠁维位伪喂慰 渭蔚 蟿委蟿位慰 芦螚 螤伪蟻胃苇谓伪禄 蟽蟿慰 慰蟺慰委慰 蟺蔚蟻喂纬蟻维蠁蔚喂 蟿慰 蟿蔚位蔚蟿慰蠀蟻纬喂魏蠈 蟿畏蟼 蟿伪蠁萎蟼 蟿畏蟼 纬喂伪纬喂维蟼 蟿畏蟼 萎蟿伪谓 蟽伪谓 苇谓伪 伪纬魏维胃喂 蟽蟿畏谓 魏伪蟻未喂维 渭慰蠀.
螚 蠀蟺蠈胃蔚蟽畏 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 纬蠉蟻蠅 伪蟺蠈 蟿畏 味蠅萎 蟿畏蟼 蟺蟻蠅蟿伪纬蠅谓委蟽蟿蟻喂伪蟼, 蟺慰蠀 伪谓伪味畏蟿维 蟿畏 未喂魏萎 蟿畏蟼 蟿伪蠀蟿蠈蟿畏蟿伪, 蟿慰谓 苇蟻蠅蟿伪 魏伪喂 蟿畏谓 蔚蟽蠅蟿蔚蟻喂魏萎 纬伪位萎谓畏, 蟺慰蠀 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蟽蠀渭蠁喂位喂蠅胃蔚委 渭蔚 蟿慰 蟺伪蟻蔚位胃蠈谓 蟿畏蟼 魏伪喂 谓伪 魏伪蟿伪谓慰萎蟽蔚喂 蟿喂蟼 蔚蟺喂胃蠀渭委蔚蟼 魏伪喂 蟿喂蟼 伪谓维纬魏蔚蟼 蟿畏蟼 蟽蟿慰 蟺伪蟻蠈谓. 螤蟻伪纬渭伪蟿蔚蠉蔚蟿伪喂 蟿喂蟼 蟽蠂苇蟽蔚喂蟼, 蟿畏谓 慰喂魏慰纬苇谓蔚喂伪 魏伪喂 蟿喂蟼 胃蠀蟽委蔚蟼 蟺慰蠀 魏维谓慰蠀渭蔚 纬喂伪 蟿慰蠀蟼 维位位慰蠀蟼, 渭蔚 苇谓伪谓 喂未喂伪委蟿蔚蟻慰 蟿蟻蠈蟺慰 蟺慰蠀 蟽蠀谓未蠀维味蔚喂 蟿畏谓 伪谓伪蟿慰位喂魏萎 魏伪喂 蟿畏 未蠀蟿喂魏萎 魏慰蠀位蟿慰蠉蟻伪. 螘尉蔚蟿维味蔚喂, 蔚蟺委蟽畏蟼, 蟿畏 胃苇蟽畏 蟿畏蟼 纬蠀谓伪委魏伪蟼 蟽蟿畏谓 魏慰喂谓蠅谓委伪, 蟿畏 蟽蠉纬魏蟻慰蠀蟽畏 伪谓维渭蔚蟽伪 蟽蟿喂蟼 蟺伪蟻伪未慰蟽喂伪魏苇蟼 伪尉委蔚蟼 魏伪喂 蟿喂蟼 蟽蠉纬蠂蟻慰谓蔚蟼 伪谓维纬魏蔚蟼 魏伪喂 蟿慰谓 蟻蠈位慰 蟺慰蠀 畏 魏慰喂谓蠅谓委伪 蔚蟺喂蠁蠀位维蟽蟽蔚喂 纬喂伪 伪蠀蟿萎谓.
惟蟼 伪谓伪纬谓蠋蟽蟿蟻喂伪, 蟿慰 尾喂尾位委慰 渭蔚 蔚谓蟿蠀蟺蠅蟽委伪蟽蔚 渭蔚 蟿畏谓 苇谓蟿伪蟽畏 蟿蠅谓 蟽蠀谓伪喂蟽胃畏渭维蟿蠅谓 蟺慰蠀 蟺蟻慰魏伪位蔚委. 螝维胃蔚 蟽蔚位委未伪 萎蟿伪谓 纬蔚渭维蟿畏 渭蔚 渭喂伪 伪蟺委蟽蟿蔚蠀蟿畏 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏萎 蠁蠈蟻蟿喂蟽畏, 魏伪喂 苇谓喂蠅蟽伪 谓伪 纬委谓慰渭伪喂 渭苇蟻慰蟼 蟿慰蠀 蠄蠀蠂喂蟽渭慰蠉 蟿畏蟼 畏蟻蠅委未伪蟼. 螚 纬蟻伪蠁萎 蟿畏蟼 螒位蠂维蟻胃喂 蔚委谓伪喂 位蠀蟻喂魏萎, 纬蔚渭维蟿畏 蔚蠉蟽蟿慰蠂蔚蟼 蟺伪蟻伪蟿畏蟻萎蟽蔚喂蟼 纬喂伪 蟿畏 味蠅萎 魏伪喂 蟿喂蟼 伪谓蟿喂蠁维蟽蔚喂蟼 蟿畏蟼, 渭蔚 渭喂伪 蔚尉伪喂蟻蔚蟿喂魏萎 喂魏伪谓蠈蟿畏蟿伪 谓伪 伪谓伪未蔚喂魏谓蠉蔚喂 蟿喂蟼 渭喂魏蟻苇蟼, 魏伪胃畏渭蔚蟻喂谓苇蟼 蟽蟿喂纬渭苇蟼 蟺慰蠀 蠂蟿委味慰蠀谓 蟿畏 渭蔚纬维位畏 蔚喂魏蠈谓伪 蟿畏蟼 蠉蟺伪蟻尉畏蟼. 螉蟽蠅蟼 慰 维谓伪蟻蠂慰蟼 蟿蟻蠈蟺慰蟼 渭蔚 蟿慰谓 慰蟺慰委慰 蔚蟺喂位苇纬蔚喂 谓伪 魏喂谓畏胃蔚委 蟽蟿慰谓 蠂蟻蠈谓慰 蟿畏蟼 伪蠁萎纬畏蟽畏蟼 谓伪 蟺蔚蟻喂蟺位苇魏蔚喂 位委纬慰 蟿畏谓 伪谓维纬谓蠅蟽畏, 蠈渭蠅蟼 蔚委谓伪喂 蟿蠈蟽慰 尾伪胃喂维 伪谓胃蟻蠋蟺喂谓畏 畏 纬蟻伪蠁萎 蟿畏蟼 蟺慰蠀 渭蔚 蟽蠀谓蔚蟺萎蟻蔚, 伪魏蠈渭伪 魏喂 伪谓 慰蟻喂蟽渭苇谓蔚蟼 蠁慰蟻苇蟼 苇谓喂蠅蟽伪 谓伪 芦蠂维谓慰渭伪喂禄 渭蔚 蟿慰蠀蟼 未蔚蠀蟿蔚蟻蔚蠉慰谓蟿蔚蟼 蠂伪蟻伪魏蟿萎蟻蔚蟼.
危蟿慰 蟿苇位慰蟼 渭慰蠀 维蠁畏蟽蔚 渭喂伪 纬位蠀魏蠈蟺喂魏蟻畏 纬蔚蠉蟽畏, 蠈蟺蠅蟼 魏伪喂 畏 蠁位慰蠉未伪 伪蟺蠈 蟿慰 谓蔚蟻维谓蟿味喂. 螆渭蔚喂谓伪 渭蔚 渭喂伪 伪委蟽胃畏蟽畏 畏蟻蔚渭委伪蟼 伪位位维 魏伪喂 蟺蟻慰尾位畏渭伪蟿喂蟽渭慰蠉, 伪蠁慰蠉 蟿慰 尾喂尾位委慰 渭蔚 苇蠁蔚蟻蔚 伪谓蟿喂渭苇蟿蠅蟺畏 渭蔚 渭喂伪 未喂伪未喂魏伪蟽委伪 伪蠀蟿慰纬谓蠅蟽委伪蟼. 螖蔚谓 渭蟺慰蟻慰蠉蟽伪 谓伪 蟽蟿伪渭伪蟿萎蟽蠅 谓伪 蠀蟺慰纬蟻伪渭渭委味蠅 伪蟺慰蟽蟺维蟽渭伪蟿伪 蟺慰蠀 渭慰蠀 苇魏伪谓伪谓 蔚谓蟿蠉蟺蠅蟽畏 魏伪喂 未喂伪尾维味慰谓蟿维蟼 蟿伪 蟽魏蔚蠁蟿蠈渭慰蠀谓 芦螒! 螘纬蠋禄. 螖蔚谓 渭蟺慰蟻蠋 谓伪 蟺蠅 渭蔚 蟽喂纬慰蠀蟻喂维 蠈蟿喂 蔚委谓伪喂 苇谓伪 尾喂尾位委慰 蟺慰蠀 胃伪 蟿伪喂蟻喂维尉蔚喂 蟽蔚 蠈位慰蠀蟼, 蟺蟻慰蟽蠅蟺喂魏维, 蠈渭蠅蟼, 蟿慰 尾委蠅蟽伪 蠅蟼 渭喂伪 蟽蠀纬魏喂谓畏蟿喂魏萎 蔚渭蟺蔚喂蟻委伪.
违螕: 韦慰 魏蔚蠁维位伪喂慰 渭蔚 蟿委蟿位慰 芦螚 螤伪蟻胃苇谓伪禄 蟽蟿慰 慰蟺慰委慰 蟺蔚蟻喂纬蟻维蠁蔚喂 蟿慰 蟿蔚位蔚蟿慰蠀蟻纬喂魏蠈 蟿畏蟼 蟿伪蠁萎蟼 蟿畏蟼 纬喂伪纬喂维蟼 蟿畏蟼 萎蟿伪谓 蟽伪谓 苇谓伪 伪纬魏维胃喂 蟽蟿畏谓 魏伪蟻未喂维 渭慰蠀.
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July 22, 2023鈥澷冑嗀� 賮賷 丕賱賲氐賷丿丞貙 兀馗賳購賾 兀賳賾 賮兀乇賸丕 氐睾賷乇賸丕 爻賷賯囟賲 丕賱卮亘賰丞 丨賵賱賷 匕丕鬲 賷賵賲 賵賷丨乇賾乇賳賷貙 兀賷購賾 賮兀乇貙 賰丕賳鬲 丕賱卮亘賰丞 鬲夭丿丕丿 廿丨賰丕賲賸丕 賵 兀賳丕 兀賳鬲馗乇 賯囟賲丞 丕賱禺賱丕氐. 賱賲 兀毓乇賮 亘兀賳賾賷 兀賳丕 丕賱賮兀乇. 賱賲賾丕 毓乇賮鬲 賰丕賳鬲 兀爻賳丕賳賷 賰賱賴丕 賯丿 爻賯胤鬲.鈥�
鈥忊€庂佡� 丕賱賯氐丞 鬲購丨丿孬賳丕 "夭賴賵乇" 毓賳 丨賷丕鬲賴丕貙 毓賳 噩乇賵丨賴丕 賵賲丌爻賷賴丕貙 鬲賲鬲丿 丕賱賯氐丞 廿賱賶 丕賴賱賴丕貙 賵廿賱賶 噩丿鬲賴丕.. 鬲丨丕賵賱 "夭賴賵乇" 賲毓丕賱噩丞 噩乇丨賺 賮賷賴丕貙 賱丕 鬲毓乇賮 賲鬲賶 馗賴乇 賵賰賷賮 賳賲賶貙 賱賰賳賴丕 賲鬲兀賰丿丞 亘賵噩賵丿賴貙 賵卮亘賴 賲爻鬲爻賱賲丞 賱賴. 乇賵丕賷丞 毓賳 丕賱丌賱賲貙 亘丕賱兀禺氐 丕賱兀賳孬賵賷 丕賱賳爻丕卅賷貙 鬲鬲丨丿孬 亘卮賰賱賺 乇卅賷爻賷 毓賳 丕賱賵噩毓 賵丕賱賲賵鬲貙 賵毓賳 丕賱卮賵賯 賵丕賱丨賳賷賳 賱賱賲丕囟賷. 賱睾丞 "噩賵禺丞 丕賱丨丕乇孬賷" 毓匕亘丞 噩丿賸丕貙 賳丕毓賲丞 賵賯丕爻賷丞 賮賷 丕賱賵賯鬲 匕丕鬲賴貙 賰丕賳鬲 鬲賳鬲賯賱 亘賷賳 丕賱賲丕囟賷 賵丕賱丨丕囟乇 亘丕賳爻賷丕亘賷丞 乇丕卅毓丞.
鈥忊€庁з勜辟堌з娯� 賲賳 鬲賱賰 丕賱乇賵丕賷丕鬲 丕賱鬲賷 賱丕 賷丨丿孬 賮賷賴丕 卮賷亍貙 賱丕 爻乇 賳丨丕賵賱 賰卮賮賴貙 賵賱丕 毓賯丿丞 賳丨丕賵賱 賮賰賾賴丕 賵丨賱賾賴丕貙 賲噩乇丿 丨賷賵丕鬲 鬲爻乇丿 賱賰 "噩賵禺丞" 賮氐賵賱賴丕貙 賮賷賴丕 賲禺鬲賱賮 丕賱卮禺氐賷丕鬲 賵丕賱兀賱賵丕賳貙 賵賮賷賴丕 賲賳 丕賱毓亘乇 賲丕 賷賱丕賲爻 丕賱賯賱亘 賵賷賵噩毓賴貙 賵賮賷 賴匕賴 丕賱賯氐氐 胤丕亘毓 毓賲丕賳賷貙 賮鬲毓乇囟 賱賳丕 丕賱孬賯丕賮丞 丕賱毓賲丕賳賷丞 賵丕賱鬲賷 兀噩丿賳賷 賲賴鬲賲丞 賱賱睾丕賷丞 亘賴丕 賵兀乇睾亘 亘賲毓乇賮丞 丕賱賲夭賷丿 毓賳賴丕 亘毓丿 賯乇丕亍鬲賷 賱賴匕賴 丕賱乇賵丕賷丞. 賱賲 鬲毓噩亘賳賷 賮賯乇丞 丕賱夭賲賷賱丞 丕賱賳賷噩賷乇賷丞貙 賱賲 兀噩丿 賱賴丕 賲賳 丿丕毓賺 賵賱丕 賴丿賮 ! 鈥庂堎勝� 兀賮賴賲 丕賱賴丿賮 賲賳 賲孬賱孬 丕賱丨亘貙 賮賴賲鬲 賵鬲賮賴賲鬲 丕賱毓丿賷丿 賲賳 丕賱兀賲賵乇 丕賱賳賮爻賷丞 丕賱毓賯賱賷丞 賮賷 丕賱乇賵丕賷丞貙 賱賰賳 賴匕丕 賱賲 兀噩丿 賱賴 鬲賮爻賷乇.
October 2, 2022
Ehhh...tie l奴kes膷iai. 臇miausi 拧io 拧vie啪iai 寞 angl懦 kalb膮 i拧versto omaniet臈s ra拧ytojos ronano d臈l to, jog man labai patiko jos 2019-iais laim臈j臋s International Booker priz膮 "Celestial Bodies".
Pana拧ia fragmenti拧ka stilistika para拧ytas "Bitter Orange Tree" man臋s visi拧kai nesujaudino, abejinga likau visoms istorijoms, buvo nuobodu skaityti net, kaip ir tur臈jusius sudominti Omano tradicij懦 apra拧ymus.
Ir dar nustebino mane, kaip gra啪i kalba, paskiri nuostab奴s pasa啪ai labiau nervina, nei 啪avi.
Pana拧ia fragmenti拧ka stilistika para拧ytas "Bitter Orange Tree" man臋s visi拧kai nesujaudino, abejinga likau visoms istorijoms, buvo nuobodu skaityti net, kaip ir tur臈jusius sudominti Omano tradicij懦 apra拧ymus.
Ir dar nustebino mane, kaip gra啪i kalba, paskiri nuostab奴s pasa啪ai labiau nervina, nei 啪avi.
July 12, 2023
兀賵賱賶 鬲噩丕乇亘賷 賲毓 丕賱兀丿亘 丕賱毓賲丕賳賷貙 賵兀賵賱 賱賯丕亍丕鬲賷 賲毓 噩賵禺丞 丕賱丨丕乇孬賷. 鬲丿賵乇 丕賱賯氐丞 丨賵賱 丨賰丕賷丞 夭賴賵乇 丕賱鬲賷 鬲毓賷卮 丕賱丨丕囟乇 賵丕賱賲丕囟賷 賲毓賸丕 賮賷 丌賳. 鬲爻鬲乇噩毓 匕賰乇賷丕鬲 丕賱噩丿丞 賮賷 丕賱乇賷賮 丕賱毓賲丕賳賷貙 賵鬲毓賷卮 丕賱丨丕囟乇 賲毓 氐丿賷賯鬲賷賴丕 爻乇賵乇 賵賰丨賱. 兀賴賲 賲丕 賷賲賷夭 賴匕賴 丕賱乇賵丕賷丞 賴賵 胤乇賷賯丞 丕賱爻乇丿貙 丨賷孬 丕賱夭賲賳 賱丕 賷爻賷乇 禺胤丕 賲爻鬲賯賷賲丕貙 亘賱 賷丿賵乇 賮賷 丿賵丕卅乇 丨賵賱 亘毓囟賴丕貙 賷鬲賯丕胤毓 賮賷賴丕 丕賱賲丕囟賷 丕賱賯乇賷亘 亘丕賱賲丕囟賷 丕賱亘毓賷丿 亘丕賱丨丕囟乇. 鬲亘丨乇 夭賴賵乇 賮賷 丕賱賰卮賮 毓賳 毓丕丿丕鬲 丕賱卮毓亘 丕賱毓賲丕賳賷 賵兀賮賰丕乇賴 賵賲毓鬲賳賯丕鬲賴貙 賮賳乇賶 丕賱爻乇丿 鬲丕乇丞 亘氐賵鬲賴丕貙 賵鬲丕乇丞 亘氐賵鬲 乇丕賵賷 毓賱賷賲 賷鬲丿丕禺賱 賲毓賴.
毓賱賶 丕賱噩丕賳亘 丕賱丌禺乇貙 賳爻丕亍 兀賵 亘胤賱丕鬲 噩賵禺丞 丕賱丨丕乇孬賷 賷鬲賲賷夭賳 亘賳賴丕賷丕鬲 賲賲丕孬賱丞 毓賱賶 丕賲鬲丿丕丿 丕賱乇賵丕賷丞貙 賱丕 兀丨丿 賷購賲賳丨 賲賳 丕賱丿賳賷丕 賲丕 鬲賲賳賶貙 兀囟賮 廿賱賶 匕賱賰 兀賮賰丕乇賴賳 丕賱禺丕氐丞 丕賱鬲賷 丕禺鬲賱賮鬲 賲賳 賮鬲丕丞 廿賱賶 兀禺乇賶 丨鬲賶 賱賰兀賳 賰賱 賵丕丨丿丞 賴賷 亘胤賱丞 丕賱丨賰丕賷丞 賲賳 夭丕賵賷丞 賲丕. 丕賱賯氐丞 毓丕丿賷丞 乇購爻賲鬲 賮賷 賯丕賱亘 睾賷乇 賳賲胤賷 賮賵囟賵賷 賲賳馗賲貙 噩毓賱賴丕 鬲丨賮丞 賮賳賷丞.
毓賱賶 丕賱噩丕賳亘 丕賱丌禺乇貙 賳爻丕亍 兀賵 亘胤賱丕鬲 噩賵禺丞 丕賱丨丕乇孬賷 賷鬲賲賷夭賳 亘賳賴丕賷丕鬲 賲賲丕孬賱丞 毓賱賶 丕賲鬲丿丕丿 丕賱乇賵丕賷丞貙 賱丕 兀丨丿 賷購賲賳丨 賲賳 丕賱丿賳賷丕 賲丕 鬲賲賳賶貙 兀囟賮 廿賱賶 匕賱賰 兀賮賰丕乇賴賳 丕賱禺丕氐丞 丕賱鬲賷 丕禺鬲賱賮鬲 賲賳 賮鬲丕丞 廿賱賶 兀禺乇賶 丨鬲賶 賱賰兀賳 賰賱 賵丕丨丿丞 賴賷 亘胤賱丞 丕賱丨賰丕賷丞 賲賳 夭丕賵賷丞 賲丕. 丕賱賯氐丞 毓丕丿賷丞 乇購爻賲鬲 賮賷 賯丕賱亘 睾賷乇 賳賲胤賷 賮賵囟賵賷 賲賳馗賲貙 噩毓賱賴丕 鬲丨賮丞 賮賳賷丞.
July 20, 2017
賳丕乇賳噩丞.. 廿噩丕丿丞 賱賳亘卮 丕賱賵噩毓貙 賱賮鬲丨 爻噩賱丕鬲 丕賱匕丕賰乇丞貙 賵鬲匕賰乇 丕賱兀丨丿丕孬 丕賱賲賵睾賱丞 賮賷 賯丿賲賴丕貙 亘毓囟 丕賱兀丨丿丕孬 丕賱鬲賷 賱賲 賷購賱鬲賮鬲 賱賴丕 賷賵賲賸丕貙 賵賲乇鬲.. 賱賰賳賴丕 毓丕丿鬲 賱鬲賯賵賱: "賱丕 鬲匕賴亘賵丕"
丕賱賱睾丞 丕賱爻乇丿賷丞 丕賱乇卮賷賯丞貙 賵鬲丿丕禺賱 丕賱兀氐賵丕鬲 丕賱賲購亘賴噩貙 賵噩賵丿丞 丕賱賵氐賮 賵丿賯鬲賴 賲毓 丕賱鬲賮丕氐賷賱 禺丕氐丞.. 賱丕 賷賯丕乇賳 亘丨亘賰丞 丕賱乇賵丕賷丞.. 廿賳 賰丕賳 賮賷賴丕 丨亘賰丞 兀氐賱賸丕!!
丕賱乇賵丕賷丞 亘丿鬲 賱賷 賵賰兀賳賴丕 爻丕卅乇丞 廿賱賶 丨賷孬 鬲兀禺匕 丕賱匕丕賰乇丞 夭賴賵乇貙 賲丕 丕爻鬲卮毓乇鬲 鬲毓賯丿 賱賱兀丨丿丕孬 賵賱丕 兀夭賲丞貙 賵賱賲 鬲鬲毓賲賯 賰孬賷乇賸丕..
亘丿鬲 賱賷 丕賱乇賵丕賷丞 賰賲賳 賷丨賮乇 賮賷 丕賱賳賮爻 亘丕賱胤乇賮 丕賱丌禺乇 賱賱賲噩乇賮丞貙 賰賲 賷丨賮乇 孬賲 賷氐賷亘賴 丕賱鬲毓亘 賮賷賯乇乇 丕賱鬲賵賯賮貙 賰賯胤丕乇 賷匕賴亘 廿賱賶 賱丕 賲賰丕賳.
兀丨爻 亘兀賳賷 賱賲 兀氐賱 賱噩賵賴乇 丕賱乇賵丕賷丞貙 賵賱丕 賮賰乇鬲賴丕 丕賱賰亘乇賶. 兀賵 兀賳賴丕 賱丕 鬲丨賲賱 賯囟賷丞 賵丕囟丨丞.
丕賱鬲賮丕氐賷賱 丕賱噩爻丿賷丞 丕賱噩賲爻賷丞 賲鬲賰乇乇丞 賰孬賷乇賸丕 亘卮賰賱 賲賮乇胤 賵亘賱丕 賲爻賵睾 兀賵 丨丕噩丞 爻乇丿賷丞!
禺賷亘鬲 鬲賵賯毓賷.
丕賱賱睾丞 丕賱爻乇丿賷丞 丕賱乇卮賷賯丞貙 賵鬲丿丕禺賱 丕賱兀氐賵丕鬲 丕賱賲購亘賴噩貙 賵噩賵丿丞 丕賱賵氐賮 賵丿賯鬲賴 賲毓 丕賱鬲賮丕氐賷賱 禺丕氐丞.. 賱丕 賷賯丕乇賳 亘丨亘賰丞 丕賱乇賵丕賷丞.. 廿賳 賰丕賳 賮賷賴丕 丨亘賰丞 兀氐賱賸丕!!
丕賱乇賵丕賷丞 亘丿鬲 賱賷 賵賰兀賳賴丕 爻丕卅乇丞 廿賱賶 丨賷孬 鬲兀禺匕 丕賱匕丕賰乇丞 夭賴賵乇貙 賲丕 丕爻鬲卮毓乇鬲 鬲毓賯丿 賱賱兀丨丿丕孬 賵賱丕 兀夭賲丞貙 賵賱賲 鬲鬲毓賲賯 賰孬賷乇賸丕..
亘丿鬲 賱賷 丕賱乇賵丕賷丞 賰賲賳 賷丨賮乇 賮賷 丕賱賳賮爻 亘丕賱胤乇賮 丕賱丌禺乇 賱賱賲噩乇賮丞貙 賰賲 賷丨賮乇 孬賲 賷氐賷亘賴 丕賱鬲毓亘 賮賷賯乇乇 丕賱鬲賵賯賮貙 賰賯胤丕乇 賷匕賴亘 廿賱賶 賱丕 賲賰丕賳.
兀丨爻 亘兀賳賷 賱賲 兀氐賱 賱噩賵賴乇 丕賱乇賵丕賷丞貙 賵賱丕 賮賰乇鬲賴丕 丕賱賰亘乇賶. 兀賵 兀賳賴丕 賱丕 鬲丨賲賱 賯囟賷丞 賵丕囟丨丞.
丕賱鬲賮丕氐賷賱 丕賱噩爻丿賷丞 丕賱噩賲爻賷丞 賲鬲賰乇乇丞 賰孬賷乇賸丕 亘卮賰賱 賲賮乇胤 賵亘賱丕 賲爻賵睾 兀賵 丨丕噩丞 爻乇丿賷丞!
禺賷亘鬲 鬲賵賯毓賷.
August 5, 2022
Some lush and beautiful descriptions along with a few well-placed extended metaphors, yet they鈥檙e not remarkable enough to compensate for the fairly plotless movement from one character to another. Quite a few are indeed introduced throughout such a short novel. I found myself enjoying Celestial Bodies more than this, yet this was still an interesting albeit a tad disappointing follow-up. Hoping to see more positive reviews pop up so I can reassess.
July 9, 2017
賱睾丞 乇氐賷賳丞 賵爻乇丿 賴丕丿卅 賲鬲爻賱爻賱. 丕賱毓亘丕乇丞 丕賱兀賯賵賶: "賳毓丕賱噩 丕賱丨夭賳".
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