Pseudonym A. A. Craig, Michael Karageorge, Winston P. Sanders, P. A. Kingsley.
Poul William Anderson was an American science fiction author who began his career during one of the Golden Ages of the genre and continued to write and remain popular into the 21st century. Anderson also authored several works of fantasy, historical novels, and a prodigious number of short stories. He received numerous awards for his writing, including seven Hugo Awards and three Nebula Awards.
Anderson received a degree in physics from the University of Minnesota in 1948. He married Karen Kruse in 1953. They had one daughter, Astrid, who is married to science fiction author Greg Bear. Anderson was the sixth President of Science Fiction and Fantasy Writers of America, taking office in 1972. He was a member of the Swordsmen and Sorcerers' Guild of America, a loose-knit group of Heroic Fantasy authors founded in the 1960s, some of whose works were anthologized in Lin Carter's Flashing Swords! anthologies. He was a founding member of the Society for Creative Anachronism. Robert A. Heinlein dedicated his 1985 novel The Cat Who Walks Through Walls to Anderson and eight of the other members of the Citizens' Advisory Council on National Space Policy.[2][3]
Poul Anderson died of cancer on July 31, 2001, after a month in the hospital. Several of his novels were published posthumously.
"La Patrulla del Tiempo" es un cl谩sico indiscutible de la ciencia ficci贸n y una obra maestra de la ucron铆a, escrita por Poul Anderson, Gran Maestro Nebula y el autor que m谩s premios Hugo ha obtenido en toda la historia del g茅nero. En 1960, Anderson publicaba la que entonces parec铆a una obra cerrada, Guardianes del Tiempo, en la que se inclu铆an cuatro relatos protagonizados por un carism谩tico patrullero del tiempo, Manse Everard.
Esas historias hab铆an aparecido previamente en la revista The Magazine of Fantasy and Science Fiction y eran, todas ellas, aventuras de una polic铆a del tiempo que deb铆a vigilar el pasado para evitar que la futura existencia de una m谩quina del tiempo pudiera alterar el devenir de la humanidad.
En la d茅cada de 1980 esta serie se ampli贸 con varios t铆tulos adicionales en torno al mismo protagonista, hasta completar la presente versi贸n en un solo volumen.
Desde entonces, esta asombrosa revisi贸n de la historia de la humanidad se ha convertido en un cl谩sico de la ciencia ficci贸n moderna.
Manse Everard es un patrullero del tiempo, uno de los esforzados paladines que protegen la historia de las alteraciones que una m谩quina del tiempo podr铆a introducir en la incierta matriz del futuro.
En sus diversas aventuras por el pasado, lo vemos intrigando entre los persas de Cambises, Astiages y Ciro en su guerra con Grecia; con los conquistadores espa帽oles y el imperio inca; con los vikingos y godos en la Escandinavia regida por Od铆n; en la Jerusal茅n de David y Salom贸n; en la Germania invadida por Roma y en otros muchos momentos cruciales del pasado de la humanidad.
El resultado es una extensa y general visi贸n de la historia que fue, pudo ser y tal vez ser谩 Con toda esa especulaci贸n por parte de los lectores.
"La Patrulla del Tiempo", una de las referencias claves de El Ministerio del Tiempo. Estupenda serie que recomiendo a todos.
Me ha faltado enganche. Es entretenido pero no es un libro que te zampes del tir贸n. Y en alguna cosilla se nota la 茅poca en la que fue escrito.
Acompa帽as al protagonista descubriendo los viajes temporales y con cada nuevo relato el viaje en el tiempo es un interesante recurso para adentrarse en otras 茅pocas hist贸ricas y recorrerla.
La Patrulla del Tiempo es de esas obras cuya influencia eclipsa a la obra en si, a tal grado que a la gente tiene que recordarsele que de toda esta noci贸n de la historia alternativa Poul Anderson fue uno de sus pioneros. Si bien el padre de los viajes en el tiempo fue Wells, la forma de explorar la historia y de preguntarse m谩s hacia el pasado qu茅 ser铆a diferente si鈥� encontr贸 m谩s ecos en los escritores posteriores. Aunque hoy en d铆a vemos esta idea del viaje en el tiempo por todos lados, en su momento era novedosa y a Anderson debe reconoc茅rsele como uno de sus primeros campeones.
Hay una diferencia entre los relatos y las novelas cortas de esta colecci贸n. Los primeros est谩n escritos en estilo muy vivaz, el t铆pico de las revistas de ciencia ficci贸n de la edad de oro. Anderson era muy bueno para detallar la acci贸n, aunque no tanto como por ejemplo Howard. Por otro lado, los personajes quedan un poco a deber. El propio Everard tiene muy poco car谩cter, poca motivaci贸n y nada que cuestione, afirme o soporte su sentido del deber. S贸lo tiene una chamba y la hace. Los villanos son similares. Las novelas cortas tienen un poco m谩s de desarrollo, un poco m谩s de motivaci贸n y personajes m谩s trabajados, s贸lo que en todas menos una el personaje principal no es el propio Everard.
Con todo, parece que estas novelas cortas y relatos son la manera en la que Anderson aprovech贸 para dar clases de historia universal y jugar con ella. Algo que hay que reconocer mucho es que Anderson no se fue por la f谩cil: no tom贸 "Las quince batallas decisivas de la historia" y se puso a ver qu茅 habr铆a pasado de haber tenido un resultado diferente. Nada de Marat贸n o Waterloo. S贸lo una historia hace uso de este concepto pero es la excepci贸n y lo hace para pintar un mundo muy, muy diferente (una civilizaci贸n occidental no latina). Anderson termina as铆 mostr谩ndose como un hombre profundamente culto, destacando detalles que s贸lo alguien con un gran entusiasmo y conocimiento de ciertos pasajes de la historia entender铆a. Su prop贸sito es demostrar, como cita Stephen King en el ep铆grafe de El Instituto, que "los grandes eventos cuelgan de bisagras muy peque帽as". Y as铆 llegamos a la clase de historia, entendiendo cosas peque帽as que habr铆an cambiado todo. Hay momentos en que este inter茅s acad茅mico eclipsa la narraci贸n: es particularmente dif铆cil seguir a toda la pista de tribus g贸ticas en la magn铆fica novela corta del Pesar de Od铆n y tambi茅n es complicado con las tribus germ谩nicas de la de Civilis. Fuera de eso, es una experiencia bonita, no demasiado emocionante, pero s铆 con preguntas buenas para ver qu茅 improbable ha sido la cadena de eventos que nos ha tra铆do hasta aqu铆.
Si os encontr谩is este libro en la secci贸n "Ciencia Ficci贸n" de vuestra librer铆a, cambiarlo de lugar y ponerlo en la secci贸n "Historia universal detallada con m谩quinas del tiempo".
Esta antolog铆a es una recopilaci贸n de relatos sobre La patrulla del tiempo, una patrulla que defiende la Historia de las alteraciones que pudieran surgir y que cambian nuestro pasado.
Al principio todo muy bonito, acompa帽as al protagonista descubriendo los viajes temporales pero con cada nuevo relato el viaje en el tiempo es una mera excusa para adentrarse en una 茅poca hist贸rica y explicarla al detalle.
He aprendido de hunos, de romanos, de persas, los reyes de all铆, los de all谩, los conquistadores, las cruzadas...y as铆 una larga lista de nombres. Y sinceramente termina aburriendo.
Me ha faltado m谩s continuidad con el protagonista, un objetivo global que te incite a seguir leyendo y que no sea una simple revisi贸n de distintas 茅pocas hist贸ricas.
Poul Anderson demuestra que sabe de historia y tiene todo el m茅rito del mundo, pero no leas esto con ganas de ciencia ficci贸n porque te va a decepcionar.
This compilation of Anderson's Time Patrol stories is great. Some reviewers complain that the main character is a little flat or that the plots are fairly predictable - both those complaints are valid - but that misses the point of these stories. These are great counterfactuals. What happens when something goes different at a particular point in time? How can you tell if those are important points in time? What were those times and places like?
The longer pieces were my favorites - Star of the Sea, The Year of Ransom, and the Sorrow of Odin the Goth. Star of the Sea is fascinating because we learn the story of the important character backwards - our Time Patrol heroes keep jumping back in time to learn her story from an earlier perspective. In that way it's a bit like the movie Memento. The Year of Ransom drives home the idea that primitive people are pretty clever even if they don't have our technology/science, and they are underestimated to our hero's peril. The Sorrow of Odin the Goth really sunk me into the era of the story. The details of the story brought it to life.
La patrulla del tiempo es un libro esperado por muchos lectores de ciencia ficci贸n, con una edici贸n de lujo para nuestras estanter铆as y es que los relatos que componen este libro son de gran calidad y no hay duda de porque han conseguido llegar a ser una referencia para la ciencia ficci贸n. Aunque no estoy muy de acuerdo con la promoci贸n asoci谩ndolo con la serie de televisi贸n que se inspir贸 en el libro, para los que les gusta este g茅nero, encontrar谩n una lectura obligatoria y entretenida. Poul Anderson es uno de los mejores escritores del g茅nero no s贸lo por sus historias sino por su gran narrativa, datos hist贸ricos e imaginaci贸n.
Ha sido una lectura fascinante y muy adictiva. Si te gustan los viajes en el tiempo y algo de historia, este libro va a ser tu lectura del verano. Lo recomiendo para cuando haya tiempo, para leerlo sin agobio ni prisas y disfrutar de las historias creadas por Poul Anderson sin ning煤n tipo de interrupci贸n. Rese帽a completa en:
-Cerca de lo kitsch, sin serlo, respecto al g茅nero pero llamativo en cuanto a los cambios de l铆nea temporal sobre los que trabaja.-
G茅nero. Ciencia ficci贸n.
Lo que nos cuenta. En el libro La patrulla del tiempo (publicaci贸n original: The Time Patrol, 1991) conoceremos a Manse Everard, un agente de la Patrulla del Tiempo, organizaci贸n que se encarga de velar por la protecci贸n y regulaci贸n del viaje en el tiempo, asegurando que no tengan lugar influencias que puedan cambiar el curso deseado de la historia, pero el deseado por los danelianos, la evoluci贸n futura del ser humano. Seremos testigos de su reclutamiento, formaci贸n en la Academia y le seguiremos (a 茅l y a otros) en varias de sus misiones que nos llevar谩n a la Persia de Ciro, a detener a los exploradores mongoles en Am茅rica del Norte, a la Britannia postromana, a conocer las consecuencias de un final diferente de la Segunda Guerra P煤nica, a una Tiro bajo amenaza, al Londres del Blitz y al Per煤 de los Incas, entre otros lugares (y tiempos). Recopilaci贸n en un 煤nico volumen de diferentes relatos y novelas cortas al respecto que fueron escritas entre 1955 y 1991.
驴Quiere saber m谩s de este libro, sin spoilers? Visite:
Si te gusta la serie 鈥楨l Ministerio del Tiempo鈥�, aqu铆 est谩 el precedente en que se basa, una colecci贸n de relatos publicada primero en los a帽os 60 y algunos a帽adidos posteriormente en los a帽os 80.
El patrullero Mance Everard es contratado como parte de una organizaci贸n cuyo objetivo es impedir que hechos del pasado lleguen a alterar la realidad presente.
Sin las limitaciones del formato televisivo, el autor trota libre por los campos de la historia y tan pronto nos lleva al Pleistoceno como a las fronteras de Roma asediada por los b谩rbaros. Vikingos, godos, germanos, conquistadores espa帽oles, la Jerusal茅n de David y Salom贸n, estos relatos nos conducen por momentos cruciales de la historia con el hilo conductor del protagonista.
Es un cl谩sico indiscutible de la ciencia ficci贸n, que en muchos momentos se acerca m谩s a la novela hist贸rica, imaginando escenarios apasionantes y variados.
ENGLISH: This book collects all the stories of the guardians of time except one. Four of the first five I had read several times in a Dutch translation of the book , and it is one of my favorite Anderson novels, after . The other ("The Falls of Gibraltar") I have now read for the first time. This, the shortest story, is proof that Anderson was keeping up with scientific matters, as the discovery of the Zanclian flood dates back to 1972, and this story dates from 1975.
The following two stories were collected in another book (), which I have read twice in English and liked less, so this time I have skipped them.
The last three stories are the most recent, for they were published between 1988 and 1995. I liked one of them: "The year of the ransom," about the Spanish conquest of the Inca Empire.
ESPA脩OL: Este libro recopila todas las historias de los guardianes del tiempo menos una. Cuatro de las cinco primeras las hab铆a le铆do varias veces en traducci贸n al holand茅s del libro , y es una de mis novelas favoritas de Anderson, aunque despu茅s de . La otra ("Las cataratas de Gibraltar") la he le铆do ahora por primera vez. Este cuento, el m谩s corto de todos, es la prueba de que Anderson se manten铆a al d铆a en cuestiones cient铆ficas, porque el descubrimiento de la inundaci贸n zancliense se remonta a 1972, y este cuento data de 1975.
Las dos historias siguientes fueron recopiladas en otro libro () que he le铆do dos veces en ingl茅s y que me gust贸 menos, por lo que esta vez me las he saltado.
Las tres 煤ltimas historias son las m谩s recientes, pues fueron publicadas entre 1988 y 1995. Me gust贸 una de ellas: "El a帽o del rescate", sobre la conquista espa帽ola del Imperio Inca.
Esta antolog铆a es un libro imprescindible para cualquier amante de la ciencia ficci贸n y sobre todo, de la historia. Lo m谩s destacado de 茅l no es su protagonista, que es un estereotipo m谩s, sino su base hist贸rica. Cuando leemos o vemos narraciones sobre viajes en el tiempo, siempre suelen tocar relatos sobre personajes tan conocidos como Julio C茅sar o Col贸n y 茅pocas como la Inglaterra Victoriana o la Guerra de Independencia de Estados Unidos, por eso me ha llamado la atenci贸n que
As with any body of work spanning nearly 50 years, Poul Anderson's Time Patrol stories start with some sense of feeling dated, but grow deeper and deeper with each reading. This is my fourth or fifth reading of some of the stories, and I still like them as much as ever!
Collected herein are the nine stories -- one is of short-novel length and most of the rest are novelettes/novellas -- in Anderson's famous series; missing is the 1990 novel The Shield of Time, but this is already a very long book:听458 pages may not seem so much, but the pages are large and the type is small, and a lot of the prose is pretty soporific, lurching haphazardly between a sort of relentless drab utilitarianism, an affected cod-epic poesy, and a clumsy impressionism. I recall reading some of this material in the very much earlier (and shorter) collection听Guardians of Time (1960), 'way 'way 'way back when, but, though I recall it being surprisingly dull -- for this reader at least, it's quite difficult to make a time-travel story dull -- I don't recall the writing being quite so rotten. Maybe part of the dullness is that, while Anderson gives us great slodges of political and military history, there's almost zero evocation of the various ages in which the stories are set. Since there's no real sensawunda either -- the time cops ride around on their sort-of-motorbikes in a very business-as-usual way -- and since it's difficult to care too much about the fates of characters who are, with very rare exceptions, little more than named cyphers . . . well, I kept glancing at the copy of Robert Cowley's The Collected What If? (2005) on my shelves and wondering if I'd have more fun reading that instead.
What of the stories themselves? "Time Patrol" (1955) is not much more than a sort of setter-upper for the series. In the mid-20th century Manse Everard answers a job ad and gets hired as a time cop. Time travel will be invented centuries in the future; untold centuries beyond that mankind has evolved into a species called the Danellians, who persuaded the early time travellers to set up the Time Patrol with the aim of protecting all of time from any alteration by interfering temponauts that might risk the Danellians' existence. Manse's first mission is to go back to the late 19th century to correct the circumstances that led to the appearance of an anachronistic item in an old burial mound; the case has baffled even Sherlock Holmes (unnamed, but clearly identified through description). It's easy to get the impression that Anderson's initial aim was to make Everard a sort of time-travelling Holmes -- he gives him the pipe to go with the role -- but changed his mind. As it is,听all through the series of tales there are offhand references to matters Holmesian. Manse earns the right to be an Unattached Agent of the Patrol: rather than being limited to any particular era, he can roam the timeways at will and with a considerable degree of autonomy.
The second tale, "Brave to Be a King" (1959), is easily the best. A Time Patrol friend of Manse's, Keith, has gone missing in 6th-century Iran, and Keith's wife begs Manse to go find him. Trouble is, Manse has always had the serious hots for the wife, despite her somewhat whiny voice, so it's very tempting not to try very hard -- to assume that Keith has landed on his feet and is happy where he is, sort of thing. But his honourable self knows better. He discovers Keith has been forced to adopt the persona of Cyrus the Great; rescuing him while preserving the course of history proves to be a far more tortuous business than one might imagine. What makes this story so good is that two of the characters -- Keith and his 20th-century wife Cynthia -- are actual characters, and for once Anderson has sufficient understanding of them that, rather than make their reunion at story's end a joyous affair, he shows Keith having second thoughts and more about having given up a life of constant challenge and a wife who was a true companion (not to mention the harem of which she was a part) in order to spend the rest of his days in a cramped Manhattan apartment with ghastly decor and a wife with a whiny voice.
"Gibraltar Falls" (1975) is the shortest piece in the book, and the worst. Anderson wanted to show us what must have been the most remarkable spectacle of known prehistory, the collapse of the isthmus at the Gates of Hercules and the inundation听of the basin that is now the Mediterranean Sea by the waters of the Atlantic, but didn't really bother constructing a听story to go with it. In "The Only Game in Town" (1960) Manse and a friend manage to head off the Chinese colonization, pre-Columbus, of the Americas. In "Delenda Est" (1955), another fairly good entry, Manse and a friend return from a holiday in the Pleistocene to their own time, only to discover it considerably changed; clearly there's been an unauthorized change to history. Eventually they trace it to an incident during the Punic Wars, which incident made it possible for Hannibal to defeat Rome. They succeed in reversing the change, but know that in so doing they're wiping out all the people they've befriended in the alternative 1950s. They succeed, though, in saving the laughing-eyed Hoirish colleen whom Manse's friend has fallen for.
"Ivory, and Apes, and Peacocks" (1983) is set in Tyre during the time of Solomon and Hiram and sees the introduction of the Exaltationists, the 23rd-century cult whose obsessive pursuit of hedonism renders them unimpressed by the effects their vicious power-and pleasure-seeking could do to the timestream, including the possibility of their wiping the听existence of their own culture out of history. The story is held together by the character of Pummairam, a youth who takes Manse under his wing when first the patrolman arrives in Tyre, and who engineers much of the tricksterism Manse must use to thwart the baddies. In "The Sorrow of Odin the Goth" (1983) Manse for once takes something of a back seat. Here a history prof, Carl Farness, has allowed himself to become the personification of the god Odin to a 4th-century tribe of Goths; he has also allowed himself to become far too personally involved with the people whom he's there to study, marrying one of them (with the knowledge of his 20th-century wife) and keeping an eye on the usually somewhat messy fates of his children, grandchildren, etc. Manse gets involved because incarnations of gods are the kind of thing that cause history to be altered; in fact, as Carl points out, all kinds of Goth tribes were convinced they'd been visited by various deities, and their stories were usually quickly dismissed as myths, then forgotten. Still, he must extract himself from the situation with care.
"Star of the Sea" is, I suppose, technically a short novel, but there have been plenty of stories published as full-length novels that have been shorter than this. (Certainly seemed so, anyway . . .) Europe in the 1st century, and various peoples, led by the likes of Civilis, are rebelling against corrupt Roman rule -- with the violence continuing even after it becomes clear that an honourable peace could be struck. A major factor keeping them at war is the zeal of a visionary/prophetess called Veleda, who for reasons unknown has had a far greater and longer influence in a revealed timeline than she had in the known history of the period. Manse and a historian called Floris, who becomes his first real love, manage to sort out the situation.
Finally, The Year of the Ransom (1988), published originally as a standalone illustrated volume, is a prequel to The Shield of Time, featuring, as well as Manse, that novel's heroine Wanda Tamberley. Here her Uncle Steve, living among Pizarro's brutal conquistadors at the time of the ransoming of Atahuallpa, is attacked by the Exaltationists and then abducted into a very distant past by a quick-witted Spanish soldier who believes him to be a demon. Manse and Wanda to the rescue, of course.
At an early moment in the story "Time Patrol" Anderson casually sideswipes the pretensions of Heinlein's "All You Zombies" and Gerrold's The Man Who Folded Himself: "You could not be your own mother, for instance, because of sheer genetics. If you went back and married your former father, the children would be different, none of them you, because each would have only half your chromosomes" (p7). And there are some moderately elegant avoidances of time-paradox issues:
In the case of a missing man, you were not required to search for him just because a record somewhere said you had done so. But how else could you stand a chance of finding him? You might possibly go back and thereby change events so that you did find him after all -- in which case the report you filed would "always" have recorded your success, and you alone would know the "former" truth. It could get very messed up. No wonder the Patrol was fussy, even about small changes which would not affect the main pattern. (p38)
The Bolshevik Revolution of 1917 came near failing. Only the energy and genius of Lenin pulled it through. What if you traveled to the nineteenth century and quietly, harmlessly prevented Lenin's parents from ever meeting each other? Whatever else the Russian Empire later became, it would not be the Soviet Union, and the consequences of that would pervade all history afterward. You, pastward of the change, would still be there; but returning futureward, you'd find a totally different world, a world in which you yourself were probably never born. You'd exist, but as an effect without a cause, thrown up into existence by that anarchy which is at [time's:] foundation. (p420)
And some that are, er, less elegant:
Don't ask me why they weren't "always" wiped out; why this is the first time we came back from the far past to find a changed future. I don't understand the mutable-time paradoxes. We just did, that's all. (p113)
Among my favourite phrases were these:
Everard finished a night's sleep and a breakfast which Deirdre's eyes had made miserable by standing on deck as they came in to the private pier. ("Delenda Est")
The floor had been given a deep-blue covering that responded slightly to footfalls, like living muscles. (The Year of the Ransom)
An ongoing irritation with the text, aside from the problems I have with the writing style, as mentioned above, is a frequent palavering about the difficulty the English language, like all other ordinary languages, has with the tenses required to talk about events along timelines -- like those of era-hopping Time Patrollers -- that don't match the world's standard timeline. Often enough someone will interrupt their own narrative to bewail the difficulty they're having expressing past and future in English, and what a good thing it is that the Time Patrollers' own invented language, "Temporal", has extra tenses to deal with this sort of stuff. The trouble is, it's baloney: yes, occasionally writers of time-travel stories have to choose their words carefully, but it isn't a major problem, and in a milieu where time travel was common listeners would have even less difficulty understanding what was going on. And, just to cope with those rare cases where there might be difficulties of comprehension, people would soon enough invent ways of getting around them -- in effect, would introduce those new tenses to their native tongue. They wouldn't have to learn a whole new blasted language to deal with the problem. (Of course, there are other good reason why Time Patrollers from different cultures and eras should have a common language to use; my point is that the tenses problem isn't one of those reasons, yet Anderson is tiresomely insistent that it is.)
I'd initially planned to read The Shield of Time immediately after this book, but in the event I couldn't face it. I decided to have a break from Anderson for a while. My deadline for this essay is fast approaching, though, so I can't put off The Shield of Time too much longer. Gulp.
-Cerca de lo kitsch, sin serlo, respecto al g茅nero pero llamativo en cuanto a los cambios de l铆nea temporal sobre los que trabaja.-
G茅nero. Ciencia-Ficci贸n.
Lo que nos cuenta. Manse Everard es un agente de la Patrulla del Tiempo, organizaci贸n que se encarga de velar por la protecci贸n y regulaci贸n del viaje en el tiempo, asegurando que no tengan lugar influencias que puedan cambiar el curso deseado de la Historia, pero el deseado por los danelianos, la evoluci贸n futura del ser humano. Seremos testigos de su reclutamiento, formaci贸n en la Academia y le seguiremos (a 茅l y a otros) en varias de sus misiones que nos llevar谩n a la Persia de Ciro, a detener a los exploradores mongoles en Am茅rica del Norte, a la Britannia postromana, a conocer las consecuencias de un final diferente de la Segunda Guerra P煤nica, a una Tiro bajo amenaza, al Londres del Blitz y al Per煤 de los Incas, entre otros lugares (y tiempos). Recopilaci贸n en un 煤nico volumen de diferentes relatos y novelas cortas al respecto que fueron escritas entre 1955 y 1991.
驴Quiere saber m谩s de este libro, sin spoilers? Visite:
Una colecci贸n de historias muy entretenida sobre viajes en el tiempo, salvo el de Estrella de Mar, que se me hizo un poco pesado, el resto me han gustado mucho, y han envejecido bastante bien.
The Time Patrol stories of Poul Anderson are classics of the science fiction genre, dealing with the efforts of the eponymous group to maintain the status quo of history against the accidental or deliberate manipulations of other time travellers. This book, sharing the name of the original story which began the series, collects them all (and it is not to be confused with an earlier volume, also called Time Patrol, which contains only the first two or three stories).
The central character in the stories is Time Patrol agent Manse Everard, who is "unattached" - basically, a troubleshooter who can visit any time and place in order to sort out serious problems. (Most Time Patrol agents work in a single milieu, either as researchers studying the period or as officials regulating the activities of time travellers.) Apart from the first story, which is about Everard's recruitment, the basic plot of the remaining stories is simple and consistent: some problem requires Everard's intervention at a particular time and date.
Though the stories were written over a period of five decades and though they vary wildly in length (between about 30 and 160 pages, as reprinted here), they are very similar to each other. Anderson doesn't quite make the different periods and locations all that distinct (though having several stories set just outside the borders of the Roman Empire doesn't really help with this). Everard also remains pretty much the same through the series, maybe a little more world-weary, but basically an action hero. Like many long running series of self-contained stories, the Time Patrol tales work better in relatively small doses rather than by reading them all the way through in one volume.
Given these obvious flaws, why is Time Patrol worth reading, and why are the stories important in the development of the genre? For one thing, there is one story in the series which really stands out, which would be a classic of the genre even without the rest. Delenda Est has Everard returning from a vacation on a base in the prehistoric past to his own time (the mid twentieth century) only to discover that everything has changed. In what is effectively a parallel world, he has to work out what pivotal event has been altered, and then decide if he is morally able to destroy an entire new civilization in order to bring back his own familiar time line (or alternatively destroy the lives of all those living in his own timeline to save the new future). This single story is one of the best of all those ever written about time travel.
For the other stories, the point of this series is really the introduction of adventure to time travel, and particularly to stories involving time travel paradoxes. The fates of nations, of the godlike Danellians from Earth's far future (the beings who set up the patrol to preserve their existence) rest on Everard's capable shoulders: he is a hero who can think as well as act. In the original time travel story, Wells' , the use of time travel is to be a mechanism allowing the main character to see the far future (which is, of course, at least partly a reflection on Wells' present); the machine itself has very little part to play in the story. It is like the visions in , or the mental link to the future in : the point is the vision itself, not the mechanism by which it becomes available to the protagonist. Stories of time travel to the future tend to be like this in tone, and it is perhaps the introduction of the possibility of paradox with travel to the past which makes the idea work better as the background of a thriller. (The actual introduction of the famous grandfather paradox came as late as 1947, and even then in stories unlikely to be read by the mainstream English language science fiction fan: French genre fiction, with the exception of , is still considered pretty obscure.) Anderson joined other American writers of his time such as Robert Heinlein and Isaac Asimov in bringing adventure to mainstream time travel fiction ( and are approximately contemporary with the earliest Time Patrol stories); Anderson's stories are the most epic of these as adventures.
Delenda Est is a must read for any science fiction fan. The rest are interesting in small enough doses, though a bit too similar to each other to make the omnibus a pleasure. So I would recommend seeking out other collections which contain one or more of the stories along with others, rather than investing in the omnibus.
A nice classic sci-fi book. It is actually a collection of short stories, but they all include the character Manse Everard, an Unattached Agent of the Time Patrol, dedicated to preserving the current timeline of history by thwarting the attempts of those who would try to fashion an alternate future. A fun book, especially if you like history, although I take all the historical "facts" with a grain of salt, because I'm not sure how much was fictionalized for the story, and some of it definitely reflects the author's worldview biases. Despite trying to be "outside of time", this book definitely reflects the attitudes of the time and place where it was produced (late 20th century America). It is fun to drop in on different ancient cultures, and see the emotional drama as Time Patrol agents get involved with the people of history, wrestling with how much suffering they can alleviate without causes undue impacts in history.
I thought these were wonderful time travel stories. They were detailed, and authentic. I was appreciative that they weren't predictable in skipping right to popular historical events but rather involved much more subtle and lesser-known historical events and examined the role time guardians might play if such were threatened.
Although I noticed some of the few writing quirks that others have commented about those did not make me fall out of the story. I would rank these stories below only Heinlein's "The Door Into Summer" as the best time travel stories around.
The Time Patrol is a collection of related stories. Each can stand alone, all of them include the same character in a central role. I enjoyed Anderson's scope of the stories, but some of the craft of the writing is not as brilliant as his imagination. I recommend this book primarily to fans of old-style science fiction. Fans of Star Trek ought to enjoy this book, although Time Patrol is entirely based on Earth with no off-world travel. Historical elements play a big part of the enjoyment of this book.
Se me ha hecho largu铆simo. Tambi茅n lo dej茅 aparcado como tres meses o as铆 pero puff. Las historias, asi como relatos independientes no estan mal, pero creo que el autor quer铆a demostrar que sab铆a m谩s sobre historia que otra cosa, porque m谩s que ciencia ficci贸n ha sido lecci贸n de historia tras otra. Por otro lado la idea es muy original, y toda la teor铆a del viaje en el tiempo est谩 muy bien tramada. Le echo en falta burnos personajes, todos son tan planos que aburre. Exceptuando, tal vez, el Errante.
I must admit, I'm totally new in the science fiction genre but when I saw this book in the store I just bought it without knowledge. What a good surprised, Manse Everard is a really well made character and his tales are mostly interesting (maybe I found boring one of them) but I had a great experience reading this adventures of the time patrol and to be honest I feel like there should be more about it! I would like to read a real end for Manse Everard
3.5 Se va desinflando poco a poco, pero a煤n as铆 es un libro muy bueno. Me gustan m谩s los primeros relatos, m谩s antiguos en la escritura de Anderson, pero tambi茅n m谩s frescos y menos cargados de esa visi贸n occidental y antropoc茅ntrica del mundo (especialmente del mundo antiguo). En algunos relatos se pasa de infodump (aunque entiendo que no todo el mundo tiene por qu茅 conocer los avances y retrocesos de Roma por Europa y su contexto de guerras internas, por ejemplo).
Poul Anderson is one of my favorite authors, and this is another excellent yarn. It is a time travel story, and in my humble opion, no one writes them better. As well, Anderson's prose delights. Without resorting to an excess of obscure vocabulary or difficult structure, his writing is still dense and rich with meaning.