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袦褘. 袩芯胁械褋褌懈. 小泻邪蟹泻懈
袩芯屑懈屑芯 褋邪屑芯谐芯 懈蟹胁械褋褌薪芯谐芯 锌褉芯懈蟹胁械写械薪懈褟 袟邪屑褟褌懈薪邪 鈥� 邪胁邪薪谐邪褉写薪芯谐芯 写谢褟 褋胁芯械谐芯 胁褉械屑械薪懈 褉芯屑邪薪邪 芦袦褘禄, 泻芯褌芯褉褘泄 褋褌邪谢 锌褉械写褌械褔械泄 胁褋械褏 锌芯褋谢械写褍褞褖懈褏 邪薪褌懈褍褌芯锌懈泄 XX鈥�., 褋斜芯褉薪懈泻 胁泻谢褞褔邪械褌 邪胁褌芯斜懈芯谐褉邪褎懈褞 锌懈褋邪褌械谢褟, 锌芯胁械褋褌懈 芦袨褋褌褉芯胁懈褌褟薪械禄 懈 芦袥芯胁械褑 褔械谢芯胁械泻芯胁禄, 胁 泻芯褌芯褉褘褏 械写泻芯 胁褘褋屑械懈胁邪褞褌褋褟 芯谐褉邪薪懈褔械薪薪芯褋褌褜 卸懈蟹薪械薪薪芯谐芯 褍泻谢邪写邪, 泻芯薪褋械褉胁邪褌懈蟹屑, 褋薪芯斜懈蟹屑 懈 褔芯锌芯褉薪芯褋褌褜 邪薪谐谢懈褔邪薪, 邪 褌邪泻卸械 写褞卸懈薪褍 褋泻邪蟹芯泻 写谢褟 胁蟹褉芯褋谢褘褏, 泻芯褌芯褉褘械 斜褘谢懈 薪邪锌懈褋邪薪褘 胁 锌械褉懈芯写 褋 1917 锌芯 1920 谐谐. 袙 薪懈褏 芯褉懈谐懈薪邪谢褜薪褘泄 褟蟹褘泻 锌懈褋邪褌械谢褟 蟹胁褍褔懈褌 褌邪泻卸械 褟褉泻芯, 泻邪泻 懈 胁 械谐芯 邪薪褌懈褍褌芯锌懈懈 芦袦褘禄. 袪芯屑邪薪 芦袦褘禄 胁 褝褌芯屑 褋斜芯褉薪懈泻械 锌褉芯懈谢谢褞褋褌褉懈褉芯胁邪薪 褉懈褋褍薪泻邪屑懈 褋芯胁褉械屑械薪薪芯泄 褏褍写芯卸薪懈褑褘 袙械褉褘 袛褍斜褉芯胁褋泻芯泄.
224 pages, Hardcover
Published January 1, 2020
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About the author
Yevgeny Zamyatin
308听books1,440听followersYevgeny Zamyatin (Russian: 袝胁谐械薪懈泄 袟邪屑褟褌懈薪, sometimes also seen spelled Eugene Zamiatin) Russian novelist, playwright, short story writer, and essayist, whose famous anti-utopia (1924, We) prefigured Aldous Huxley's Brave New World (1932), and inspired George Orwell's 1984 (1949). The book was considered a "malicious slander on socialism" in the Soviet Union, and it was not until 1988 when Zamyatin was rehabilitated. In the English-speaking world We has appeared in several translations.
"And then, just the way it was this morning in the hangar, I saw again, as though right then for the first time in my life, I saw everything: the unalterably straight streets, the sparkling glass of the sidewalks, the divine parallelepipeds of the transparent dwellings, the squared harmony of our gray-blue ranks. And so I felt that I - not generations of people, but I myself - I had conquered the old God and the old life, I myself had created all this, and I'm like a tower, I'm afraid to move my elbow for fear of shattering the walls, the cupolas, the machines..." (from We, trans. by Clarence Brown)
Yevgeny Ivanovich Zamyatin was born in the provincial town of Lebedian, some two hundred miles south of Moscow. His father was an Orthodox priest and schoolmaster, and his mother a musician. He attended Progymnasium in Lebedian and gymnasium in Voronezh. From 1902 to 1908 he studied naval engineering at St. Petersburg Polytechnic Institute. While still a student, he joined the Bolshevik Party. In 1905 he made a study trip in the Near East. Due to his revolutionary activities Zamyatin was arrested in 1905 and exiled. His first short story, 'Odin' (1908), was drew on his experiences in prison.
Zamyatin applied to Stalin for permission to emigrate in 1931 and lived in Paris until his death.
"And then, just the way it was this morning in the hangar, I saw again, as though right then for the first time in my life, I saw everything: the unalterably straight streets, the sparkling glass of the sidewalks, the divine parallelepipeds of the transparent dwellings, the squared harmony of our gray-blue ranks. And so I felt that I - not generations of people, but I myself - I had conquered the old God and the old life, I myself had created all this, and I'm like a tower, I'm afraid to move my elbow for fear of shattering the walls, the cupolas, the machines..." (from We, trans. by Clarence Brown)
Yevgeny Ivanovich Zamyatin was born in the provincial town of Lebedian, some two hundred miles south of Moscow. His father was an Orthodox priest and schoolmaster, and his mother a musician. He attended Progymnasium in Lebedian and gymnasium in Voronezh. From 1902 to 1908 he studied naval engineering at St. Petersburg Polytechnic Institute. While still a student, he joined the Bolshevik Party. In 1905 he made a study trip in the Near East. Due to his revolutionary activities Zamyatin was arrested in 1905 and exiled. His first short story, 'Odin' (1908), was drew on his experiences in prison.
Zamyatin applied to Stalin for permission to emigrate in 1931 and lived in Paris until his death.
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March 17, 2024
I read a dozen of short stories and a couple of novels by Zamyatin, but couldn't read more, just realized the author is not for me. "袥芯胁械褑 效械谢芯胁械泻芯胁" was the most interesting one because of its plot, but reading Zamyatin's stories 100 years later - I can't relate much ti them.
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