Hans Christian Andersen (often referred to in Scandinavia as H.C. Andersen) was a Danish author and poet. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales. Andersen's popularity is not limited to children; his stories 鈥� called eventyr, or "fairy-tales" 鈥� express themes that transcend age and nationality.
Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. Some of his most famous fairy tales include "The Little Mermaid", "The Ugly Duckling", "The Nightingale", "The Emperor's New Clothes" and many more. His stories have inspired plays, ballets, and both live-action and animated films.
The Princess and the Pea is a famous story from 1835, by Hans Christian Andersen, which has been adapted and retold numerous times. The original is quite short, and clearly satirical and tongue in cheek. Really it is a one-idea story, in which an obviously ridiculous situation is contrived, to test whether a princess is truly a princess. Charles Boner was the first to translate The Princess and the Pea into English, as "The Princess on the Peas" in "A Danish Story-Book" in 1846.
In the story, a prince is having difficulty finding a suitable wife. He suspects that all the candidates are imposters. They cannot truly be princesses, he thinks, because they are not perfect,
"He couldn't quite tell; there was always something that didn't feel right. So he came home very put out, for he did long for a real princess."
One stormy night a young woman, soaked to the skin with rain, asked for shelter in the prince's castle. She claimed to be a real princess, but the prince was dubious. His mother cunningly tested whether she was telling the truth by placing a single pea in the bed they offered the young woman for the night, covering it with twenty mattresses and twenty feather-beds.
The young woman doesn't get a wink of sleep, and complains the next morning that something hard in the bed had kept her awake. The prince, of course, is overjoyed at such clear proof of her pedigree, for,
"They could see that she was a real princess, as she had felt the pea through twenty mattresses and twenty feather-beds."
So the two are married, and live happily ever after.
The pea, the author tells us, is placed in a special Royal museum, where it can still be seen to this very day, unless someone has removed it. "That's a real story!" he concludes.
Hans Christian Andersen wrote a preface to the story, claiming to have heard it in his childhood, but it is not a traditional Danish fairy tale. It is thought that he may instead have heard a Swedish version, "Princess Who Lay on Seven Peas" ("Princessa' som l氓' p氓 sju 盲rter"), about an orphan girl is told by either a cat or a dog that something (a bean, a pea, or a straw) had been placed under her mattress, to test out her identity. In later adaptations, the story is spun out in various ways, such as the bedding being piled higher and higher to make the princess more comfortable before she finally retires for the night.
Some translations miss the final part - about putting the pea in a museum - out, and stress the high sensitivity of the princess instead. But this rather misses the humour of the story. It is a welcome relief to read a jokey story by this author. Even if Hans Christian Andersen was not responsible for originating the tale, he certainly made it popular, and the image of a highbred princess, so sensitive that she feels even a pea under her mattress, has been retained in fairy folklore to this day.
"La princesa y el guisante" o "La real princesa" es un cuento que hab铆a escuchado su nombre pero no conoc铆a en lo absoluto de su argumento. Trata de la b煤squeda de una verdadera princesa aunque en realidad se queda bastante corto, por un lado porque no explica bien qu茅 fue lo que no le convenc铆a al pr铆ncipe en su b煤squeda con las princesas anteriores y por otro lado la resoluci贸n es muy r谩pida y quita importancia a los protagonistas. Luego de ser sometida a una prueba con un guisante se descifrar谩 el "valor" de la princesa. No creo como algunos han cre铆do ver una burla a los reyes o arist贸cratas sino m谩s bien algo simb贸lico y que resalta m谩s bien la condici贸n especial de los mismos.
Overview: A prince wants to marry a REAL princess. He tries to find, but couldn't. On the one rainy day, a girl comes to his castle and clams to be a real princess. But the queen doubts her and put her in a test which is: Queen puts a pea under TWENTY MATTRESSES where the girl has to sleep. If she is sensitive enough to feel discomfort due to a pea then she is a real princess and if she can't then she isn't a real princess.
Things I didn't like: - The story, That doesn't make any sense to me. Prince couldn't find a real princess on his own REALLY!!! I mean Doesn't he have any relatives like himself? If he does then author doesn't write it.
I think author has exaggerated this fact that rich people are very sensitive as compared to poors. Right! But that sensitive the author has written. WoW!
Overall, this story is a perfect time pass.....^__^
Fantastic fairy tale of my childhood. I read this many times and still love it. There was a Prince, who only wanted to marry a real Princess, but he couldn't find her, so he returned to the kingdom without a wife. One evening, during a storm, a wet girl knocked on the gate, and said that she is a real Princess. The Queen told the maid, to put a pea under the mattress, which had more mattresses, and duvets on it. In the morning, the girl said she couldn't sleep,because something was pressing on her body. It turned out that she is a real Princess, and Prince married her.
Of course it's not true that Princesses are so delicate, that they can feel a pea under the mattress. It's just fiction. Each is human, and its impossible to do it
Many myths and fairy tales have morals in them, lessons designed to teach kids on top of entertaining them, and many of these stories are still very much revelant today.
Unfortunately, this is not one of these stories. Now, as far as entertainment value goes, I've seen some amusing versions/retellings of this story, including on the cartoon show 'Ever After', so this story still earns a solid 3/5 stars and deserves its place along the European fairy tale classics.
The story is about a silly test contrived by a queen to test the self proclaimed princess that showed up at the castle steps on a stormy night. The illustrations are very beautiful, they don't make them like this anymore. *longing tear*
The Princess and the Pea is a ridiculous but still amusing story about a prince wanting to marry a real princess, but doesn't know who to marry as they all claim to be real princesses but don't act like one. I always understood by the pea that a princess must be sensitive (as also said in the text) and I also always thought that the sensitive part is due to noble people only getting the finest stuff so they are picky and notice if something isn't right than the poor folk who appreciates anything. Not sure till this day if that's the real meaning behind it, but I also noticed that the princess needed to be tested by a pea as she didn't have the appearance of a princess, so the story is probably about how looks can deceive.
Nevertheless, I really like the story and I'm happy to have read it once more.
The Princess and the Pea, illustrated by Doroth茅e Duntze.
One of Hans Christian Andersen's briefest tales, The Princess and the Pea was originally published in 1835, in his first collection of fairy-tales, Eventyr, fortalte for B酶rn. F酶rste Samling. F酶rste Hefte. ("Tales, Told for Children. First Collection. First Booklet"). The story of a prince who wants to marry a "real" princess, and a princess so sensitive that twenty mattresses cannot soften the bruising impact of a small pea, it was described by Andersen as a traditional tale heard in his own youth.
This engaging edition features the beautifully stylized artwork of Doroth茅e Duntze - whose other fairy-tale projects include Andersen's , as well as and from the Brother Grimm - and her artwork gives the modest narrative real substance. From the decorative endpapers - embellished with little peas - to the gorgeously patterned clothing worn by the characters, Duntze creates an enchanting visual landscape. This edition is well worth the time of fairy-tale fans, particularly those who appreciate beautiful illustrations!
First impressions are not always correct and that the smallest of things can make a difference.
A young girl who shows up at the king鈥檚 house at night claiming to be a princess. Due to the girl鈥檚 poor and dishevelled appearance, the royal family has a hard time believing her story. The queen decides to test the girl and discover if she is telling the truth by placing a small pea under her bed, which is made up of 20 mattresses and 20 feather beds. The next morning, the girl complains of bruises and says she was unable to sleep because of something hard pressing down on her back. The queen then reveals the truth about the pea, and everyone rejoices as they realize that she was telling the truth all along because only a princess could have such delicate and sensitive skin. The prince, who was looking for a true princess, joyfully marries her, and they live happily ever after.
This entire review has been hidden because of spoilers.
This book tells the classic Hans Christian Andersen fairytale 鈥楾he Princess and the Pea鈥� in which a young prince seeks to find a 鈥榬eal鈥� princess to marry. When a bedraggled girl knocks on the castle doors amidst a stormy night, the king and queen doubt her claims of being a 鈥榬eal鈥� princess. They decide to put her to the test, placing a pea under twenty mattresses and allowing her to sleep on it. Only a 鈥榬eal鈥� princess would object to such discomfort. In true fairytale style, the princess discovers the pea and lives happily ever after with the prince. The pictures, although somewhat dated, are simple but relative, and accompany the story quite well. Although this book is a very brief take on the classic fairytale, I feel it still provides a lot of opportunity for classroom activities. The language used could inspire an activity on comparatives: 鈥極ne was too tall and another was too small鈥� and 鈥極ne was too sad and another was too jolly鈥�. Also, the descriptive nature of the language could encourage a class discussion on weather: 鈥楾hen one night there was a terrible storm. The lightening flashed, the thunder roared, the wind blew and the rain poured down鈥�. I like how the sentences are short and the vocabulary is differentiated, therefore making the book accessible to a range of reading abilities. I dislike the hierarchical attitudes I feel the book presents, only a 鈥榬eal鈥� princess would be good enough for the prince and only a 鈥榬eal鈥� princess would be tender enough to feel a pea under twenty mattresses. Overall, I enjoyed re-reading this classic fairytale, and feel it is a flexible piece of literature for use in the classroom.
I enjoyed particularly what this artist did to portray this story. It is unique and interesting, the mattresses being portrayed in a fun way as well as the attire of the princess and people. The author portrayed the story in a interesting way that made me realize I didn't know the story as well as I had thought. Its defiantly older than any version I have heard but I enjoyed how it seemed to stick true to what I would think is the original telling of this tale.
I'm actually unsure how to rate this story. It's very short indeed and is not like other fairy tales, where you can sense a certain doom or moral in the story.
I also read this two times in German but remember neither liking or disliking it. It's sort of "meh" to me.
驴Por qu茅 estoy leyendo cuentos infantiles? Se termina el a帽o, hace tiempo que sufro de un "bloqueo lector" y no voy a poder cumplir mi desaf铆o de lectura, as铆 que decid铆 hacer un poquito de "trampa". Nunca hab铆a le铆do esta historia, no tengo mucho que comentar, solo que sirve para pasar el rato (y para aumentar el n煤mero de mis libros le铆dos en el a帽o).
Very short adaptation that doesn't 'fracture' the original The details are fun, like bunny slippers on the prince and roller skates on the princess, but it's ultimately unsatisfying.
A classic! Should be read to every child. I read it to my oldest daughter every night and once finished I would start reading it again and again till she fell asleep.
This short fairytale tells the story of a Prince in search of a 鈥渞eal鈥� princess. He searches far and wide for a real princess but returns home alone, sad and disappointed. One stormy night there is a surprise visit to the castle from a young girl claiming that she in fact is a real princess. The queen decides to test this by placing a pea at the bottom of the princess鈥檚 bed layered with 20 mattresses. The next morning the queen was shocked to hear that the princess had such a terrible sleep as only a 鈥渞eal鈥� princess would feel such discomfort. This clarified that the girl was indeed a real princess, so tender that she could feel a pea in her bed. The prince and princess married and lived happily ever after. The sentences are short and vocabulary is not particularly difficult making the reading experience an enjoyable and untiring read. Colourful picture illustrations add to this, giving it life and making the story even more interesting for small children. I really enjoyed reading this book and recommend this for children aged 4-5 as a short bedtime story.
"Prin牛esa 艧i bobul de maz膬re" e un basm cu un puternic aspect moralizator 艧i antifeudal deopotriv膬. Prin acesta, Andersen continu膬 b膬t膬lia 卯mpotriva fastului aristocratic. ****Mi-am propus, 卯n aceast膬 perioad膬 卯n care m膬 simt 卯ntru totul presat de timp, dar totodat膬 avid de a citi ceva, s膬 descop膬r ceea ce 卯n copil膬ria mea timpurie nu am putut afla. Citind basmele lui Andersen, constat c膬, de艧i au un colorit aparent infantil, ele sunt deopotriv膬 艧i pentru "oamenii mari".