People best know British playwright John James Osborne, member of the Angry Young Men, for his play Look Back in Anger (1956); vigorous social protest characterizes works of this group of English writers of the 1950s.
This screenwriter acted and criticized the Establishment. The stunning success of Look Back in Anger transformed English theatre. In a productive life of more than four decades, Osborne explored many themes and genres, writing for stage, film and television. His extravagant and iconoclastic personal life flourished. He notoriously used language of the ornate violence on behalf of the political causes that he supported and against his own family, including his wives and children, who nevertheless often gave as good as they got.
He came onto the theatrical scene at a time when British acting enjoyed a golden age, but most great plays came from the United States and France. The complexities of the postwar period blinded British plays. In the post-imperial age, Osborne of the writers first addressed purpose of Britain. He first questioned the point of the monarchy on a prominent public stage. During his peak from 1956 to 1966, he helped to make contempt an acceptable and then even cliched onstage emotion, argued for the cleansing wisdom of bad behavior and bad taste, and combined unsparing truthfulness with devastating wit.
The play was inspired by the popular celebrations surrounding the marriage of Princess Margaret to Anthony Armstrong-Jones. Osborne's wife, the journalist Penelope Gilliatt, provided him with 'backstage gossip' about the arrangement of the events, which Osborne found absurd.[1] Satire of the monarchy was still not acceptable on the English stage. Nevertheless, the Lord Chamberlain's office, which could effectively censor plays by denying them a license to perform, felt unable to reject the play. The "devilish cleverness of this horrid play", wrote the author of the office's report, is that "If a licence is refused, this can at once be presented as a ridiculous banning of the old Prisoner of Zenda story sixty years later"
British Princess Melanie of Bamberg is to be married to Prince Willy, heir to the throne of another kingdom. On his way to the wedding, Willy is killed in a road accident. State officials do not know what to do. The marriage is crucial for the future of the nation - especially as the next in line for the throne, the prince's brother, is a flagrant homosexual, unlikely to produce an heir. They discover that Russell, a brash Australian photographer, looks exactly like the deceased Willy. Russell is none too keen to take the job, but is enticed when he is told of all the advantages he will have as Prince Consort, not the least of which is the highly desirable Princess Melanie herself. However, Melanie, though beautiful, is a bully. She is appalled by the idea that she should marry a vulgar Australian. All is resolved when it is discovered that Russell is of royal blood, related to Willy through a royal affair with a commoner.