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禺丿丕蹖 讴卮鬲丕乇
倬爻乇 蹖丕夭丿賴 爻丕賱賴贁 禺丕賳賵丕丿賴贁 乇丕蹖賱 亘丕 趩賲丕賯 夭丿賴 丕爻鬲 丿賵 丿賳丿丕賳 賴賲鈥屭┵勜ж驰� 禺賵丿 乇丕 卮讴爻鬲賴 丕爻鬲. 禺丕賳賵丕丿賴贁 乇丕蹖賱 亘乇丕蹖 丿賱鈥屫堐屰� 賵 鬲賮丕賴賲 亘賴 禺丕賳賴贁 禺丕賳賵丕丿賴贁 賴賵蹖賱 賲蹖鈥屫③屬嗀�. 丿乇 丌睾丕夭 乇賵丕亘胤 亘爻蹖丕乇 賲鬲賲丿賳丕賳賴 丕爻鬲 丕賲丕 讴賲鈥屭┵� 禺卮賵賳鬲 賲賵噩賵丿 丿乇 乇賵丕亘胤 賵 賵丨卮蹖鈥屭臂� 賳丕賲鬲賲丿賳丕賳賴鈥屫簇з� 亘乇賵夭 賲蹖鈥屭┵嗀� 賵 賵囟毓蹖鬲蹖 亘爻蹖丕乇 讴賲蹖讴 賵 丿乇 毓蹖賳 丨丕賱 鬲丕爻賮鈥屫ㄘж� 亘賴鈥屬堌堌� 賲蹖鈥屫①堌必�.
鬲賲 丕氐賱蹖 丕蹖賳 賳賲丕蹖卮賳丕賲賴 乇丕 賲蹖鈥屫堌з嗃屬� 芦丕禺鬲賱丕賮丕鬲 丿丕卅賲蹖禄 亘丿丕賳蹖賲. 賮乇丿诏乇丕蹖蹖 蹖丕 鬲賯爻蹖賲 亘賳丿蹖 蹖丕 賲乇夭亘賳丿蹖 亘乇丕蹖 丕丨乇丕夭 賴賵蹖鬲鈥屬囏й� 賴賲 賮乇丿蹖 賵 賴賲 丕噩鬲賲丕毓蹖 倬丕蹖賴 賵 丕爻丕爻 丕禺鬲賱丕賮丕鬲 賲蹖鈥屫促堌�. 賲噩賲賵毓賴贁 賮乇賲 賵 賲丨鬲賵丕貙 (乇賵丕蹖鬲 鬲讴 倬乇丿賴鈥屸€屫й屫� 丨賲丕賯鬲 丌卮讴丕乇 丌丿賲鈥屬囏ж� 賲爻卅賱賴贁 鬲禺丕氐賲 賵 鬲囟丕丿 丿乇 丕氐賱 夭賳丿诏蹖貙 鬲賮丕賵鬲 馗丕賴乇 賵 亘丕胤賳貙 爻賱胤賴 賵 亘乇鬲乇蹖 噩賵蹖蹖 賵 鬲丨賯蹖乇 丿蹖诏乇丕賳貙 丨匕賮 賮蹖夭蹖讴蹖 賵 噩賳诏鈥屬囏й� 賲賳胤賯賴鈥屸€屫й屫� 噩丿丕賱鈥屬囏й� 讴賵丿讴丕賳賴貙 氐賱丨 胤賱亘蹖 賳丕讴丕乇丌賲丿貙 鬲囟丕丿賴丕蹖 夭賳丕賳 賵鈥�) 賲丕 乇丕 亘賴 蹖讴 讴購賱蹖賾鬲 賲蹖鈥屫必池з嗀�: 芦诏乇賵鬲爻讴禄
鬲賲 丕氐賱蹖 丕蹖賳 賳賲丕蹖卮賳丕賲賴 乇丕 賲蹖鈥屫堌з嗃屬� 芦丕禺鬲賱丕賮丕鬲 丿丕卅賲蹖禄 亘丿丕賳蹖賲. 賮乇丿诏乇丕蹖蹖 蹖丕 鬲賯爻蹖賲 亘賳丿蹖 蹖丕 賲乇夭亘賳丿蹖 亘乇丕蹖 丕丨乇丕夭 賴賵蹖鬲鈥屬囏й� 賴賲 賮乇丿蹖 賵 賴賲 丕噩鬲賲丕毓蹖 倬丕蹖賴 賵 丕爻丕爻 丕禺鬲賱丕賮丕鬲 賲蹖鈥屫促堌�. 賲噩賲賵毓賴贁 賮乇賲 賵 賲丨鬲賵丕貙 (乇賵丕蹖鬲 鬲讴 倬乇丿賴鈥屸€屫й屫� 丨賲丕賯鬲 丌卮讴丕乇 丌丿賲鈥屬囏ж� 賲爻卅賱賴贁 鬲禺丕氐賲 賵 鬲囟丕丿 丿乇 丕氐賱 夭賳丿诏蹖貙 鬲賮丕賵鬲 馗丕賴乇 賵 亘丕胤賳貙 爻賱胤賴 賵 亘乇鬲乇蹖 噩賵蹖蹖 賵 鬲丨賯蹖乇 丿蹖诏乇丕賳貙 丨匕賮 賮蹖夭蹖讴蹖 賵 噩賳诏鈥屬囏й� 賲賳胤賯賴鈥屸€屫й屫� 噩丿丕賱鈥屬囏й� 讴賵丿讴丕賳賴貙 氐賱丨 胤賱亘蹖 賳丕讴丕乇丌賲丿貙 鬲囟丕丿賴丕蹖 夭賳丕賳 賵鈥�) 賲丕 乇丕 亘賴 蹖讴 讴購賱蹖賾鬲 賲蹖鈥屫必池з嗀�: 芦诏乇賵鬲爻讴禄
80 pages, Paperback
First published January 19, 2007
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4,025 people want to read
About the author
Yasmina Reza
53听books547听followersYasmina Reza began work as an actress, appearing in several new plays as well as in plays by Moli猫re and Marivaux. In 1987 she wrote Conversations after a Burial, which won the Moli猫re Award for Best Author. Following this, she translated Kafka's Metamorphosis for Roman Polanski and was nominated for a Moli猫re Award for Best Translation. Her second play, Winter Crossing, won the 1990 Moli猫re for Best Fringe Production, and her next play The Unexpected Man, enjoyed successful productions in England, France, Scandinavia, Germany and New York. In 1995, Art premiered in Paris and went on to win the Moli猫re Award for Best Author. Since then it has been produced world-wide and translated into 20 languages. The London production received the 1996-97 Olivier Award and Evening Standard Award. Screenwriting credits include See You Tomorrow, starring Jeanne Moreau and directed by Didier Martiny. In September 1997, her first novel, Hammerklavier, was published.
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October 28, 2021
Le dieu du carnage = God of Carnage, Yasmina Reza (1959)
God of Carnage is a play by Yasmina Reza. It is about two sets of parents, one of whose child has hurt the other at a public park, who meet to discuss the matter in a civilized manner.
THE STORY: A playground altercation between eleven-year-old boys brings together two sets of Brooklyn parents for a meeting to resolve the matter. At first, diplomatic niceties are observed, but as the meeting progresses, and the rum flows, tension.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 亘蹖爻鬲 賵 趩賴丕乇賲 賲丕賴 賳賵丕賲亘乇 爻丕賱2008賲蹖賱丕丿蹖
毓賳賵丕賳: 禺丿丕蹖 讴卮鬲丕乇貨 賳賵卮鬲賴: 蹖丕爻賲蹖賳丕 乇囟丕貨 賲鬲乇噩賲: 賲丕卅丿賴 胤賴賲丕爻亘蹖貨 鬲賴乇丕賳貙 賳卮乇 賯胤乇賴貙 爻丕賱1387貙 丿乇84氐貙 卮丕亘讴9789643418502貨 趩丕倬 趩賴丕乇賲 賵 倬賳噩賲 爻丕賱1392貨 賲賵囟賵毓: 賳賲丕蹖卮賳丕賲賴 賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賴 - 爻丿賴 21賲
毓賳賵丕賳: 禺丿丕蹖 讴卮鬲丕乇貨 賳賵卮鬲賴: 蹖丕爻賲蹖賳丕 乇囟丕貨 賲鬲乇噩賲: 爻丕賳丕夭 賮賱丕丨蹖 賮乇丿貨 鬲賴乇丕賳貙 賳蹖賱丕貙 爻丕賱1387貙 丿乇87氐貨 卮丕亘讴9786005140675貨 趩丕倬 丿賵賲 爻丕賱1392貨
毓賳賵丕賳: 禺丿丕蹖 讴卮鬲丕乇貨 賳賵卮鬲賴: 蹖丕爻賲蹖賳丕 乇囟丕貨 賲鬲乇噩賲: 毓賱蹖乇囟丕 讴賵卮讴 噩賱丕賱蹖貨 鬲賴乇丕賳貙 丕賮乇丕夭貙 爻丕賱1388貙 丿乇92氐貨 卮丕亘讴9786005218909貨
蹖丕爻賲蹖賳丕 乇囟丕 賳賲丕蹖卮賳丕賲賴 鈥屬嗁堐屫� 賵 賳賵蹖爻賳丿賴鈥� 蹖 芦賮乇丕賳爻賵蹖禄 夭丕丿賴 蹖 爻丕賱 1959賲蹖賱丕丿蹖 賴爻鬲賳丿貨 賲丕丿乇 丕蹖卮丕賳 丕賴賱 芦賲噩丕乇爻鬲丕賳禄 賵 倬丿乇卮丕賳 蹖讴 賲賴賳丿爻 丿賵乇诏賴鈥� 蹖 芦丕蹖乇丕賳蹖 鈥撠辟堌驰屄� 亘賵丿賴 丕賳丿貨 賳賲丕蹖卮鈥屬嗀з呝団€� 乇丕貙 芦蹖丕爻賲蹖賳丕 乇囟丕禄 丿乇 爻丕賱2006賲蹖賱丕丿蹖 亘賴 夭亘丕賳 芦賮乇丕賳爻賴禄 賳诏丕卮鬲賴 丕賳丿貙 讴賴 丿乇 賲丕賴 丿爻丕賲亘乇 賴賲丕賳 爻丕賱貙 丿乇 芦夭賵乇蹖禺禄 丕噩乇丕 卮丿貨 賴賲蹖賳 賳賲丕蹖卮 丿乇 丌匕乇 賲丕賴 爻丕賱1387賴噩乇蹖 禺賵乇卮蹖丿蹖 亘賴 夭亘丕賳 賮丕乇爻蹖貙 丿乇 爻丕賱賳 芦爻丕蹖賴 鬲卅丕鬲乇 卮賴乇禄貙 亘賴 讴丕乇诏乇丿丕賳蹖 噩賳丕亘 芦毓賱蹖乇囟丕 讴賵卮讴 噩賱丕賱蹖禄貨 亘賴 賳賲丕蹖卮 丿乇丌賲丿貙 賵 賴賲鈥屫操呚з� 亘賴 夭亘丕賳 芦丌賱賲丕賳蹖禄貙 丿乇 芦丌賱賲丕賳禄 賳蹖夭 亘賴 乇賵蹖 氐丨賳賴 乇賮鬲
趩讴蹖丿賴 賳賲丕蹖卮賳丕賲賴: 賳賲丕蹖卮賳丕賲賴鈥� 丕蹖 丿乇 爻亘讴 讴賲丿蹖 爻蹖丕賴貙 亘丕 丿乇賵賳鈥屬呚й屬団€� 蹖 丕禺鬲賱丕賮丕鬲 丿丕卅賲蹖 亘卮乇 丕爻鬲貨 賳賲丕蹖卮賳丕賲賴 鈥屫й� 讴賴 丕賳诏丕乇 蹖讴 鬲乇丕跇丿蹖 胤賳夭丌賲蹖夭 丕爻鬲貙 賵 賮乇丿诏乇丕蹖蹖 賵 鬲賯爻蹖賲 鈥屫ㄙ嗀� 乇丕貙 亘賴 鈥屭堎嗁団€� 丕蹖 賳卮丕賳 賲蹖鈥屫囏� 讴賴 禺賵丕賳卮诏乇 蹖丕 鬲賲丕卮丕诏乇貙 賲鬲賵噩賴 賲蹖鈥屫促堌� 讴賴 丕蹖賳 丕孬乇 賲蹖鈥屫堌з囏� 亘诏賵蹖丿: 賴賲蹖賳鈥屬囏ж池� 讴賴 倬丕蹖賴 賵 丕爻丕爻 賲卮讴賱丕鬲 賮乇丿蹖貙 賵 丕噩鬲賲丕毓蹖 賲蹖鈥屫促堎嗀� 倬爻乇 蹖丕夭丿賴 爻丕賱賴 蹖 禺丕賳賵丕丿賴 蹖 芦乇丕蹖賱禄貙 亘丕 趩賲丕賯 夭丿賴貙 丿賵 丿賳丿丕賳 賴賲鈥屭┵勜ж驰� 禺賵蹖卮 乇丕貙 卮讴爻鬲賴 丕爻鬲貨 禺丕賳賵丕丿賴 蹖 芦乇丕蹖賱 (丌賱賳 乇丕蹖賱 賵 丌賳鬲 乇丕蹖賱)禄貙 亘乇丕蹖 丿賱鈥屫堐屰� 賵 鬲賮丕賴賲貙 亘賴 禺丕賳賴 蹖 禺丕賳賵丕丿賴 蹖 芦賴賵蹖賱 (賵乇賵賳蹖讴 賴賵蹖賱 賵 賲蹖卮賱 賴賵蹖賱)禄 賲蹖鈥屫③屬嗀� 丿乇 丌睾丕夭貙 乇賵丕亘胤 亘爻蹖丕乇 賲鬲賲丿賳丕賳賴 丕爻鬲貙 丕賲丕 讴賲鈥� 讴賲 禺卮賵賳鬲貙 丿乇 乇賵丕亘胤 丌賳賴丕 亘乇賵夭貙 賵 賵囟毓蹖鬲蹖 亘爻蹖丕乇 讴賲蹖讴貙 賵 禺賳丿賴 丿丕乇貙 賵 丿乇 毓蹖賳 丨丕賱 鬲丕爻賮鈥屫ㄘж� 亘賴鈥� 賵噩賵丿 賲蹖鈥屫①堌必�
賳賯賱 賳賲賵賳賴 賲鬲賳: (芦賵乇賵賳蹖讴禄: 芦丌賱賳禄貙 賲賳 賵 卮賲丕貙 賴蹖趩 賵噩賴 賲卮鬲乇讴蹖 亘丕 賴賲 賳丿丕乇蹖賲貙 亘丕 丕蹖賳丨丕賱 賲蹖鈥屫堌з� 亘乇丕鬲賵賳 丿乇丿 丿賱 讴賳賲貨 賲賳 亘丕 賲乇丿蹖 夭賳丿诏蹖 賲蹖鈥屭┵嗁呚� 讴賴 蹖賴 亘丕乇 亘乇丕蹖 賴賲蹖卮賴 亘賴 丕蹖賳 賳鬲蹖噩賴 乇爻蹖丿貙 讴賴 夭賳丿诏蹖 丨賯蹖乇賴貨 夭賳丿诏蹖 讴乇丿賳 亘丕 賲乇丿蹖 讴賴 蹖賴 诏賵卮賴 趩賲亘丕鬲賲賴 夭丿賴貙 禺蹖賱蹖 爻禺鬲賴貙 讴爻蹖 讴賴 賳賲蹖鈥屫堌ж� 賴蹖趩 趩蹖 乇賵 鬲睾蹖蹖乇 亘丿賴貙 讴爻蹖 讴賴 噩匕亘 賴蹖趩 趩蹖 賳賲蹖鈥屫促�...貨
賲蹖卮賱: 讴賵賮鬲卮 讴乇丿蹖貨 賴賲賴 丕鈥屫� 倬乇蹖丿貨
賵乇賵賳蹖讴: 賱丕夭賲賴 丕蹖賲丕賳 丿丕卮鬲賴 亘丕卮蹖賲...貨 亘賴 丕氐賱丕丨丕鬲蹖 丕蹖賲丕賳 丿丕卮鬲賴 亘丕卮蹖賲貙 賲诏賴 賳賴責
賲蹖卮賱: 丕賵賳 丌禺乇蹖賳 賳賮乇蹖賴 讴賴 賲蹖鈥屫堎嗃� 丕蹖賳 丨乇賮丕 乇賵 亘乇丕卮 鬲毓乇蹖賮 讴賳蹖
賵乇賵賳蹖讴: 賲賳 亘丕 賴乇 讴蹖 亘禺賵丕賲 丨乇賮 賲蹖鈥屫操嗁� 讴孬丕賮鬲!貨
賲蹖卮賱: (鬲賱賮賳 夭賳诏 賲蹖禺賵乇丿) 丿賵亘丕乇賴 讴蹖 丿丕乇賴 丨丕賱 賲賵賳賵 賲蹖鈥屭屫辟囏�...貨 亘賱賴 賲丕賲丕賳...貨 丨丕賱卮 禺賵亘賴貨 丨丕賱卮 禺賵亘賴貙 亘蹖鈥屫嗀堎嗁� 賵賱蹖 丨丕賱卮 禺賵亘賴...貨 趩乇丕貙 丿乇丿 丿丕乇賴貨 丿乇丿 丿丕乇賴 丕賲丕 禺賵亘 賲蹖鈥屫促囏� 賲丕賲丕賳 賲賳 爻乇賲 卮賱賵睾賴貙 亘賴鬲 夭賳诏 賲蹖夭賳賲
丌賳鬲: 賴賳賵夭賲 丿乇丿 丿丕乇賴責
賵乇賵賳蹖讴: 賳賴
丌賳鬲: 趩乇丕 賲丕丿乇鬲賵賳賵 賳诏乇丕賳 讴乇丿蹖賳責
賵乇賵賳蹖讴: 賳賲蹖鬲賵賳賴 噩賵乇 丿蹖诏賴 丕蹖 亘乇禺賵乇丿 讴賳賴貨 賴賲蹖卮賴 亘丕蹖丿 賳诏乇丕賳卮 讴賳蹖
賲蹖卮賱: 賵乇賵賳蹖讴 丿蹖诏賴 亘爻賴! 丕蹖賳 賳賲丕蹖卮 丿乇賲丕賳蹖 趩賴 賲毓賳蹖 賲蹖鈥屫囏�
丌賱賳: 賵乇賵賳蹖讴貙 讴蹖 亘蹖卮鈥屫� 丕夭 禺賵丿卮 亘賴 賮讴乇 亘賯蹖賴 爻責 賴賲賴 鈥屬呝堎� 丿賵爻鬲 丿丕乇蹖賲 蹖賴 噩賵乇 丕氐賱丕丨丕鬲賵 亘丕賵乇 丿丕卮鬲賴 亘丕卮蹖賲貨 丕氐賱丕丨丕鬲蹖 讴賴 丕诏賴 乇禺 亘丿賴 賴乇 讴丿賵賲賲賵賳 鬲賵卮 噩丕蹖诏丕賴 禺賱丕賯 禺賵丿賲賵賳賵 丿丕乇蹖賲貙 賵 丕夭卮 亘賴乇賴 賲蹖鈥屫ㄘ臂屬呚� 丌蹖丕 賴賲趩蹖賳 趩蹖夭蹖 賵噩賵丿 丿丕乇賴責 亘毓囟蹖 丌丿賲丕 毓賯亘 賲蹖鈥屬呝堎嗁嗀� 丕蹖賳 乇賵卮 丕賵賳丕爻貙 亘毓囟蹖鈥屫促堎� 賵賯鬲 鬲賱賮 賳賲蹖鈥屭┵嗁嗀� 亘丕 卮賲卮蹖乇 賲蹖鈥屫辟� 鬲賵 丿賱 噩賳诏貙 趩賴 賮乇賯蹖 賲蹖鈥屭┵嗁囏� 丌丿賲丕 鬲丕 丿賲 賲乇诏 賲蹖鈥屫嗂嗀� 丌賲賵夭卮 賲蹖鈥屫ㄛ屬嗁嗀� 乇賳噩 賲蹖鈥屫ㄘ辟�...貨 卮賲丕 丿丕乇蹖賳 蹖賴 讴鬲丕亘 丿乇亘丕乇賴鈥� 蹖 芦丿丕乇賮賵乇禄 賲蹖鈥屬嗁堐屫驰屬嗀� 禺亘貙 賲蹖鈥屬佡囐呝呚� 賲蹖鈥屫堎嗃屬� 亘賴 禺賵丿賲賵賳 亘诏蹖賲 亘賮乇賲丕貙 蹖賴 讴卮鬲丕乇 丿蹖诏賴貙 賵賱蹖 丕蹖賳 賮賯胤 鬲賵 鬲丕乇蹖禺賴貙 賵 賲賳 噩丕蹖 丕賲賳 禺賵丿賲 賳卮爻鬲賴鈥� 丕賲 賵 丿丕乇賲 丿乇亘丕乇賴鈥� 丕卮 賲蹖鈥屬嗁堐屫迟呚� 亘丕賱丕禺乇賴 賴乇 讴丿賵賲賲賵賳 蹖賴 噩賵乇蹖 禺賵丿賲賵賳賵 丕夭 毓匕丕亘 賵噩丿丕賳 賳噩丕鬲 賲蹖鈥屫屬�.
賵乇賵賳蹖讴: 賲賳 丕蹖賳 讴鬲丕亘賵 亘乇丕蹖 賳噩丕鬲 禺賵丿賲 賳賲蹖鈥屬嗁堐屫迟呚� 卮賲丕 讴賴 賳禺賵賳丿蹖賳卮貙 趩賴 賲蹖鈥屫堎嗃屬� 鬲賵卮 趩賴 禺亘乇賴
丌賱賳: 賲賴賲 賳蹖爻鬲)貨 倬丕蹖丕賳 賳賯賱
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 15/09/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 05/08/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
God of Carnage is a play by Yasmina Reza. It is about two sets of parents, one of whose child has hurt the other at a public park, who meet to discuss the matter in a civilized manner.
THE STORY: A playground altercation between eleven-year-old boys brings together two sets of Brooklyn parents for a meeting to resolve the matter. At first, diplomatic niceties are observed, but as the meeting progresses, and the rum flows, tension.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 亘蹖爻鬲 賵 趩賴丕乇賲 賲丕賴 賳賵丕賲亘乇 爻丕賱2008賲蹖賱丕丿蹖
毓賳賵丕賳: 禺丿丕蹖 讴卮鬲丕乇貨 賳賵卮鬲賴: 蹖丕爻賲蹖賳丕 乇囟丕貨 賲鬲乇噩賲: 賲丕卅丿賴 胤賴賲丕爻亘蹖貨 鬲賴乇丕賳貙 賳卮乇 賯胤乇賴貙 爻丕賱1387貙 丿乇84氐貙 卮丕亘讴9789643418502貨 趩丕倬 趩賴丕乇賲 賵 倬賳噩賲 爻丕賱1392貨 賲賵囟賵毓: 賳賲丕蹖卮賳丕賲賴 賴丕蹖 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賴 - 爻丿賴 21賲
毓賳賵丕賳: 禺丿丕蹖 讴卮鬲丕乇貨 賳賵卮鬲賴: 蹖丕爻賲蹖賳丕 乇囟丕貨 賲鬲乇噩賲: 爻丕賳丕夭 賮賱丕丨蹖 賮乇丿貨 鬲賴乇丕賳貙 賳蹖賱丕貙 爻丕賱1387貙 丿乇87氐貨 卮丕亘讴9786005140675貨 趩丕倬 丿賵賲 爻丕賱1392貨
毓賳賵丕賳: 禺丿丕蹖 讴卮鬲丕乇貨 賳賵卮鬲賴: 蹖丕爻賲蹖賳丕 乇囟丕貨 賲鬲乇噩賲: 毓賱蹖乇囟丕 讴賵卮讴 噩賱丕賱蹖貨 鬲賴乇丕賳貙 丕賮乇丕夭貙 爻丕賱1388貙 丿乇92氐貨 卮丕亘讴9786005218909貨
蹖丕爻賲蹖賳丕 乇囟丕 賳賲丕蹖卮賳丕賲賴 鈥屬嗁堐屫� 賵 賳賵蹖爻賳丿賴鈥� 蹖 芦賮乇丕賳爻賵蹖禄 夭丕丿賴 蹖 爻丕賱 1959賲蹖賱丕丿蹖 賴爻鬲賳丿貨 賲丕丿乇 丕蹖卮丕賳 丕賴賱 芦賲噩丕乇爻鬲丕賳禄 賵 倬丿乇卮丕賳 蹖讴 賲賴賳丿爻 丿賵乇诏賴鈥� 蹖 芦丕蹖乇丕賳蹖 鈥撠辟堌驰屄� 亘賵丿賴 丕賳丿貨 賳賲丕蹖卮鈥屬嗀з呝団€� 乇丕貙 芦蹖丕爻賲蹖賳丕 乇囟丕禄 丿乇 爻丕賱2006賲蹖賱丕丿蹖 亘賴 夭亘丕賳 芦賮乇丕賳爻賴禄 賳诏丕卮鬲賴 丕賳丿貙 讴賴 丿乇 賲丕賴 丿爻丕賲亘乇 賴賲丕賳 爻丕賱貙 丿乇 芦夭賵乇蹖禺禄 丕噩乇丕 卮丿貨 賴賲蹖賳 賳賲丕蹖卮 丿乇 丌匕乇 賲丕賴 爻丕賱1387賴噩乇蹖 禺賵乇卮蹖丿蹖 亘賴 夭亘丕賳 賮丕乇爻蹖貙 丿乇 爻丕賱賳 芦爻丕蹖賴 鬲卅丕鬲乇 卮賴乇禄貙 亘賴 讴丕乇诏乇丿丕賳蹖 噩賳丕亘 芦毓賱蹖乇囟丕 讴賵卮讴 噩賱丕賱蹖禄貨 亘賴 賳賲丕蹖卮 丿乇丌賲丿貙 賵 賴賲鈥屫操呚з� 亘賴 夭亘丕賳 芦丌賱賲丕賳蹖禄貙 丿乇 芦丌賱賲丕賳禄 賳蹖夭 亘賴 乇賵蹖 氐丨賳賴 乇賮鬲
趩讴蹖丿賴 賳賲丕蹖卮賳丕賲賴: 賳賲丕蹖卮賳丕賲賴鈥� 丕蹖 丿乇 爻亘讴 讴賲丿蹖 爻蹖丕賴貙 亘丕 丿乇賵賳鈥屬呚й屬団€� 蹖 丕禺鬲賱丕賮丕鬲 丿丕卅賲蹖 亘卮乇 丕爻鬲貨 賳賲丕蹖卮賳丕賲賴 鈥屫й� 讴賴 丕賳诏丕乇 蹖讴 鬲乇丕跇丿蹖 胤賳夭丌賲蹖夭 丕爻鬲貙 賵 賮乇丿诏乇丕蹖蹖 賵 鬲賯爻蹖賲 鈥屫ㄙ嗀� 乇丕貙 亘賴 鈥屭堎嗁団€� 丕蹖 賳卮丕賳 賲蹖鈥屫囏� 讴賴 禺賵丕賳卮诏乇 蹖丕 鬲賲丕卮丕诏乇貙 賲鬲賵噩賴 賲蹖鈥屫促堌� 讴賴 丕蹖賳 丕孬乇 賲蹖鈥屫堌з囏� 亘诏賵蹖丿: 賴賲蹖賳鈥屬囏ж池� 讴賴 倬丕蹖賴 賵 丕爻丕爻 賲卮讴賱丕鬲 賮乇丿蹖貙 賵 丕噩鬲賲丕毓蹖 賲蹖鈥屫促堎嗀� 倬爻乇 蹖丕夭丿賴 爻丕賱賴 蹖 禺丕賳賵丕丿賴 蹖 芦乇丕蹖賱禄貙 亘丕 趩賲丕賯 夭丿賴貙 丿賵 丿賳丿丕賳 賴賲鈥屭┵勜ж驰� 禺賵蹖卮 乇丕貙 卮讴爻鬲賴 丕爻鬲貨 禺丕賳賵丕丿賴 蹖 芦乇丕蹖賱 (丌賱賳 乇丕蹖賱 賵 丌賳鬲 乇丕蹖賱)禄貙 亘乇丕蹖 丿賱鈥屫堐屰� 賵 鬲賮丕賴賲貙 亘賴 禺丕賳賴 蹖 禺丕賳賵丕丿賴 蹖 芦賴賵蹖賱 (賵乇賵賳蹖讴 賴賵蹖賱 賵 賲蹖卮賱 賴賵蹖賱)禄 賲蹖鈥屫③屬嗀� 丿乇 丌睾丕夭貙 乇賵丕亘胤 亘爻蹖丕乇 賲鬲賲丿賳丕賳賴 丕爻鬲貙 丕賲丕 讴賲鈥� 讴賲 禺卮賵賳鬲貙 丿乇 乇賵丕亘胤 丌賳賴丕 亘乇賵夭貙 賵 賵囟毓蹖鬲蹖 亘爻蹖丕乇 讴賲蹖讴貙 賵 禺賳丿賴 丿丕乇貙 賵 丿乇 毓蹖賳 丨丕賱 鬲丕爻賮鈥屫ㄘж� 亘賴鈥� 賵噩賵丿 賲蹖鈥屫①堌必�
賳賯賱 賳賲賵賳賴 賲鬲賳: (芦賵乇賵賳蹖讴禄: 芦丌賱賳禄貙 賲賳 賵 卮賲丕貙 賴蹖趩 賵噩賴 賲卮鬲乇讴蹖 亘丕 賴賲 賳丿丕乇蹖賲貙 亘丕 丕蹖賳丨丕賱 賲蹖鈥屫堌з� 亘乇丕鬲賵賳 丿乇丿 丿賱 讴賳賲貨 賲賳 亘丕 賲乇丿蹖 夭賳丿诏蹖 賲蹖鈥屭┵嗁呚� 讴賴 蹖賴 亘丕乇 亘乇丕蹖 賴賲蹖卮賴 亘賴 丕蹖賳 賳鬲蹖噩賴 乇爻蹖丿貙 讴賴 夭賳丿诏蹖 丨賯蹖乇賴貨 夭賳丿诏蹖 讴乇丿賳 亘丕 賲乇丿蹖 讴賴 蹖賴 诏賵卮賴 趩賲亘丕鬲賲賴 夭丿賴貙 禺蹖賱蹖 爻禺鬲賴貙 讴爻蹖 讴賴 賳賲蹖鈥屫堌ж� 賴蹖趩 趩蹖 乇賵 鬲睾蹖蹖乇 亘丿賴貙 讴爻蹖 讴賴 噩匕亘 賴蹖趩 趩蹖 賳賲蹖鈥屫促�...貨
賲蹖卮賱: 讴賵賮鬲卮 讴乇丿蹖貨 賴賲賴 丕鈥屫� 倬乇蹖丿貨
賵乇賵賳蹖讴: 賱丕夭賲賴 丕蹖賲丕賳 丿丕卮鬲賴 亘丕卮蹖賲...貨 亘賴 丕氐賱丕丨丕鬲蹖 丕蹖賲丕賳 丿丕卮鬲賴 亘丕卮蹖賲貙 賲诏賴 賳賴責
賲蹖卮賱: 丕賵賳 丌禺乇蹖賳 賳賮乇蹖賴 讴賴 賲蹖鈥屫堎嗃� 丕蹖賳 丨乇賮丕 乇賵 亘乇丕卮 鬲毓乇蹖賮 讴賳蹖
賵乇賵賳蹖讴: 賲賳 亘丕 賴乇 讴蹖 亘禺賵丕賲 丨乇賮 賲蹖鈥屫操嗁� 讴孬丕賮鬲!貨
賲蹖卮賱: (鬲賱賮賳 夭賳诏 賲蹖禺賵乇丿) 丿賵亘丕乇賴 讴蹖 丿丕乇賴 丨丕賱 賲賵賳賵 賲蹖鈥屭屫辟囏�...貨 亘賱賴 賲丕賲丕賳...貨 丨丕賱卮 禺賵亘賴貨 丨丕賱卮 禺賵亘賴貙 亘蹖鈥屫嗀堎嗁� 賵賱蹖 丨丕賱卮 禺賵亘賴...貨 趩乇丕貙 丿乇丿 丿丕乇賴貨 丿乇丿 丿丕乇賴 丕賲丕 禺賵亘 賲蹖鈥屫促囏� 賲丕賲丕賳 賲賳 爻乇賲 卮賱賵睾賴貙 亘賴鬲 夭賳诏 賲蹖夭賳賲
丌賳鬲: 賴賳賵夭賲 丿乇丿 丿丕乇賴責
賵乇賵賳蹖讴: 賳賴
丌賳鬲: 趩乇丕 賲丕丿乇鬲賵賳賵 賳诏乇丕賳 讴乇丿蹖賳責
賵乇賵賳蹖讴: 賳賲蹖鬲賵賳賴 噩賵乇 丿蹖诏賴 丕蹖 亘乇禺賵乇丿 讴賳賴貨 賴賲蹖卮賴 亘丕蹖丿 賳诏乇丕賳卮 讴賳蹖
賲蹖卮賱: 賵乇賵賳蹖讴 丿蹖诏賴 亘爻賴! 丕蹖賳 賳賲丕蹖卮 丿乇賲丕賳蹖 趩賴 賲毓賳蹖 賲蹖鈥屫囏�
丌賱賳: 賵乇賵賳蹖讴貙 讴蹖 亘蹖卮鈥屫� 丕夭 禺賵丿卮 亘賴 賮讴乇 亘賯蹖賴 爻責 賴賲賴 鈥屬呝堎� 丿賵爻鬲 丿丕乇蹖賲 蹖賴 噩賵乇 丕氐賱丕丨丕鬲賵 亘丕賵乇 丿丕卮鬲賴 亘丕卮蹖賲貨 丕氐賱丕丨丕鬲蹖 讴賴 丕诏賴 乇禺 亘丿賴 賴乇 讴丿賵賲賲賵賳 鬲賵卮 噩丕蹖诏丕賴 禺賱丕賯 禺賵丿賲賵賳賵 丿丕乇蹖賲貙 賵 丕夭卮 亘賴乇賴 賲蹖鈥屫ㄘ臂屬呚� 丌蹖丕 賴賲趩蹖賳 趩蹖夭蹖 賵噩賵丿 丿丕乇賴責 亘毓囟蹖 丌丿賲丕 毓賯亘 賲蹖鈥屬呝堎嗁嗀� 丕蹖賳 乇賵卮 丕賵賳丕爻貙 亘毓囟蹖鈥屫促堎� 賵賯鬲 鬲賱賮 賳賲蹖鈥屭┵嗁嗀� 亘丕 卮賲卮蹖乇 賲蹖鈥屫辟� 鬲賵 丿賱 噩賳诏貙 趩賴 賮乇賯蹖 賲蹖鈥屭┵嗁囏� 丌丿賲丕 鬲丕 丿賲 賲乇诏 賲蹖鈥屫嗂嗀� 丌賲賵夭卮 賲蹖鈥屫ㄛ屬嗁嗀� 乇賳噩 賲蹖鈥屫ㄘ辟�...貨 卮賲丕 丿丕乇蹖賳 蹖賴 讴鬲丕亘 丿乇亘丕乇賴鈥� 蹖 芦丿丕乇賮賵乇禄 賲蹖鈥屬嗁堐屫驰屬嗀� 禺亘貙 賲蹖鈥屬佡囐呝呚� 賲蹖鈥屫堎嗃屬� 亘賴 禺賵丿賲賵賳 亘诏蹖賲 亘賮乇賲丕貙 蹖賴 讴卮鬲丕乇 丿蹖诏賴貙 賵賱蹖 丕蹖賳 賮賯胤 鬲賵 鬲丕乇蹖禺賴貙 賵 賲賳 噩丕蹖 丕賲賳 禺賵丿賲 賳卮爻鬲賴鈥� 丕賲 賵 丿丕乇賲 丿乇亘丕乇賴鈥� 丕卮 賲蹖鈥屬嗁堐屫迟呚� 亘丕賱丕禺乇賴 賴乇 讴丿賵賲賲賵賳 蹖賴 噩賵乇蹖 禺賵丿賲賵賳賵 丕夭 毓匕丕亘 賵噩丿丕賳 賳噩丕鬲 賲蹖鈥屫屬�.
賵乇賵賳蹖讴: 賲賳 丕蹖賳 讴鬲丕亘賵 亘乇丕蹖 賳噩丕鬲 禺賵丿賲 賳賲蹖鈥屬嗁堐屫迟呚� 卮賲丕 讴賴 賳禺賵賳丿蹖賳卮貙 趩賴 賲蹖鈥屫堎嗃屬� 鬲賵卮 趩賴 禺亘乇賴
丌賱賳: 賲賴賲 賳蹖爻鬲)貨 倬丕蹖丕賳 賳賯賱
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 15/09/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 05/08/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
July 6, 2019
Holy Motherfuck. I love this play. I also love its movie adaptation Carnage (2011), which I have watched previous to reading the source material, but holy motherfuck, this story and its characters are exceptional.
The couple V茅ronique and Michel Houill茅 receive in their Parisian apartment the couple Annette and Alain Reille. 11-year-old Ferdinand Reille beat up his play mate Bruno Houill茅 with a stick at school and knocked out two of his incisors. The parents of the two have come together to discuss the event.
Le Dieu du Carnage already names the violence in the title; the translations for "carnage", namely "bloodbath" or "slaughter" are pictorial enough. The two boys actually have blood flowing and teeth are being sacrificed to the God. But this is harmless against the verbal, emotional and sometimes even physical violence between the adults. Violence is also done to the hamster, and blatantly threatened are business partners and potential victims of the pharmaceutical company.
The father's cell phone is drowned, the art books are puked on, the tulips are slapped. A feature of these comic and childish outbreaks of violence is that they unite the worst opponents for a short period of time. The desperate solidarity of the two fathers in the face of the destroyed cell phone has something touchingly realistic. The women team up in the face of the ridiculousness of the men.
The play shows people between 40 and 50 who belong to the upper bourgeois middle class. They are educated, professionally successful (or try to keep the appearance), live in beautiful apartments, know how to indulge. They have children who are important to them, and the women are still working in demanding jobs.
But when conflicts surface (often under the influence of alcohol), it becomes clear what drives them: envy, career aspirations, unscrupulousness, jealousy, vanity, craving, fear of failure, inner emptiness.
The result is a bourgeois slaughter, in which marriages, friendships, partnerships, and proven values 鈥嬧€媌reak - but are not completely destroyed. The reader decides for himself how he wants to interpret the piece. Does it show the downfall of all humanity? Is it a social political satire? A demonstration of my own defects? Does it have a moral? Do I finish the book and swear never to treat my partner like that?
We are dealing with established people. Michel is not an academic, only a successful entrepreneur, but his wife V茅ronique is a dedicated intellectual. She is an artsy "writer". Alain is a lawyer, his wife Annette may have studied as well? In any case, one knows words to weigh: "arm茅" is something other than "muni de". Privately one has silly, but self-ironically commented pet names. Also the question of the form of address - first name or "Madame", "Monsieur"? - is considered to be atmospherically important.
After the first disturbing incidents the language changes: It becomes vulgar and not only the wholesaler knows an impressive number of synonyms for "puke". How the art-loving, all the suffering of the world-facing V茅ronique gossips about their guests, one can but doubt her noble character.
These people have a sense of aesthetics. There are noble tulips, just like that, you just enjoy the beautiful things. But then it turns out that they were bought in a hurry and, exceptionally, just for the sake of effect. One offers Clafoutis: Oh, these are just leftovers, I do them now and then, according to my own recipe, of course, because I am not only a caring mother and world rescuer and art expert, but also a good cook.
Annette is not embarrassed by the most valuable art books that are lying around in V茅ronique's living room. Of course, she knows (unlike some readers) who Bacon is and what keywords must be reflexively called to his name. Hard luck that the books are puked on and that the humanist is as furious about it as because of her "disfigured" son.
But in difficult situations, the excellent rum of the host, which you certainly will not get everywhere, and the noble cigars he has in stock certainly help. And they are not stingy with both. One is sophisticated. Embarrassing only that the hamster, daughter's favorite, is also just treated as a thing to be disposed of.
Alain believes that the 鈥済od of carnage鈥� governs the world, and V茅ronique almost has to believe that he is right: their attempt to make their own little world more peaceful has not been successful. Life is a vale of tears. Marriage is not really a protective arrangement. Children are not always the joy they are considered to be, but often annoying snot-noses. Two boys were having a childish brawl. How does that result in a bourgeois slaughter, at the end of which four people are bared, beaten and powerless? And all of them are well-educated, well-bred, prosperous, and of goodwill - why do we so devotedly make sacrifices to the God of slaughter?
Yasmina Reza knows the answer. It鈥檚 the human condition.
The couple V茅ronique and Michel Houill茅 receive in their Parisian apartment the couple Annette and Alain Reille. 11-year-old Ferdinand Reille beat up his play mate Bruno Houill茅 with a stick at school and knocked out two of his incisors. The parents of the two have come together to discuss the event.
Le Dieu du Carnage already names the violence in the title; the translations for "carnage", namely "bloodbath" or "slaughter" are pictorial enough. The two boys actually have blood flowing and teeth are being sacrificed to the God. But this is harmless against the verbal, emotional and sometimes even physical violence between the adults. Violence is also done to the hamster, and blatantly threatened are business partners and potential victims of the pharmaceutical company.
The father's cell phone is drowned, the art books are puked on, the tulips are slapped. A feature of these comic and childish outbreaks of violence is that they unite the worst opponents for a short period of time. The desperate solidarity of the two fathers in the face of the destroyed cell phone has something touchingly realistic. The women team up in the face of the ridiculousness of the men.
The play shows people between 40 and 50 who belong to the upper bourgeois middle class. They are educated, professionally successful (or try to keep the appearance), live in beautiful apartments, know how to indulge. They have children who are important to them, and the women are still working in demanding jobs.
But when conflicts surface (often under the influence of alcohol), it becomes clear what drives them: envy, career aspirations, unscrupulousness, jealousy, vanity, craving, fear of failure, inner emptiness.
The result is a bourgeois slaughter, in which marriages, friendships, partnerships, and proven values 鈥嬧€媌reak - but are not completely destroyed. The reader decides for himself how he wants to interpret the piece. Does it show the downfall of all humanity? Is it a social political satire? A demonstration of my own defects? Does it have a moral? Do I finish the book and swear never to treat my partner like that?
We are dealing with established people. Michel is not an academic, only a successful entrepreneur, but his wife V茅ronique is a dedicated intellectual. She is an artsy "writer". Alain is a lawyer, his wife Annette may have studied as well? In any case, one knows words to weigh: "arm茅" is something other than "muni de". Privately one has silly, but self-ironically commented pet names. Also the question of the form of address - first name or "Madame", "Monsieur"? - is considered to be atmospherically important.
After the first disturbing incidents the language changes: It becomes vulgar and not only the wholesaler knows an impressive number of synonyms for "puke". How the art-loving, all the suffering of the world-facing V茅ronique gossips about their guests, one can but doubt her noble character.
These people have a sense of aesthetics. There are noble tulips, just like that, you just enjoy the beautiful things. But then it turns out that they were bought in a hurry and, exceptionally, just for the sake of effect. One offers Clafoutis: Oh, these are just leftovers, I do them now and then, according to my own recipe, of course, because I am not only a caring mother and world rescuer and art expert, but also a good cook.
Annette is not embarrassed by the most valuable art books that are lying around in V茅ronique's living room. Of course, she knows (unlike some readers) who Bacon is and what keywords must be reflexively called to his name. Hard luck that the books are puked on and that the humanist is as furious about it as because of her "disfigured" son.
But in difficult situations, the excellent rum of the host, which you certainly will not get everywhere, and the noble cigars he has in stock certainly help. And they are not stingy with both. One is sophisticated. Embarrassing only that the hamster, daughter's favorite, is also just treated as a thing to be disposed of.
Alain believes that the 鈥済od of carnage鈥� governs the world, and V茅ronique almost has to believe that he is right: their attempt to make their own little world more peaceful has not been successful. Life is a vale of tears. Marriage is not really a protective arrangement. Children are not always the joy they are considered to be, but often annoying snot-noses. Two boys were having a childish brawl. How does that result in a bourgeois slaughter, at the end of which four people are bared, beaten and powerless? And all of them are well-educated, well-bred, prosperous, and of goodwill - why do we so devotedly make sacrifices to the God of slaughter?
Yasmina Reza knows the answer. It鈥檚 the human condition.
February 17, 2016
丌丿賲鈥屬囏й屰� 讴賴 賴賲蹖卮賴 丿丕乇賳丿 丕夭 亘蹖鈥屫簇官堌臂� 賵 亘蹖鈥屬佖辟囐嗂� 賲乇丿賲 賲蹖鈥屬嗀з勝嗀� 賵 賴賲賵丕乇賴 丕丿毓丕鈥屰屸€屫簇з� 賲蹖鈥屫促堌� 讴賴 丕夭 賴賲賴 亘蹖卮鈥屫� 賲蹖鈥屬佡囐呝嗀� 賵 賯胤毓丕 賲賯丿丕乇 夭蹖丕丿蹖 丕夭 鬲賲丕賲 毓賱賵賲 乇賵蹖 夭賲蹖賳 丿乇 賲睾夭 丌賳丕賳 丕爻鬲貙 丿賵乇 賵 亘乇賲丕賳 讴賲 賳蹖爻鬲賳丿. 丕賲丕 賵賯鬲蹖 毓蹖亘蹖 丿乇 讴丕乇卮丕賳 倬蹖丿丕 賲蹖鈥屫促堌� 賵 賵賯鬲蹖 亘賴 賲卮讴賱蹖 丕爻丕爻蹖 亘乇賲蹖鈥屫堌辟嗀� 趩賳丕賳趩賴 卮禺氐 亘蹖賳賵丕蹖蹖 亘賴鈥屫簇з� 亘诏賵蹖丿 讴賴 丕蹖賳噩丕蹖 讴丕乇鬲 丕蹖乇丕丿 丿丕乇丿... 禺亘.. 丿蹖诏乇 賱丕夭賲 賳蹖爻鬲 丕夭 毓丕賯亘鬲 卮禺氐 亘蹖賳賵丕 诏賮鬲.
賳賲丕蹖卮鈥屬嗀з呝団€屰� 禺丿丕蹖 讴卮鬲丕乇 鬲丕 丨丿賵丿蹖 亘賴 夭賳丿诏蹖 丌丿賲鈥屬囏й屰� 丕卮丕乇賴 丿丕乇丿 讴賴 禺蹖賱蹖 亘丕賮乇賴賳诏 賵 賲鬲賲丿賳 賴爻鬲賳丿. 賵 丿乇 賮囟丕蹖蹖 丌乇丕賲鈥屫ㄘ� 賵 賲胤亘賵毓 亘賴 讴卮鬲 賵 讴卮鬲丕乇蹖 賳賲丕丿蹖賳
丿爻鬲 賲蹖鈥屫操嗁嗀�. 賵賯鬲蹖 賮囟丕蹖 鬲賱禺蹖 亘賴 賵噩賵丿 賲蹖鈥屫③屫� 賵 乇賮鬲丕乇賴丕蹖 丌丿賲鈥屬囏й� 賲丿乇賳 亘賴 爻賲鬲 賵丨卮蹖丕賳賴 卮丿賳 讴卮蹖丿賴 賲蹖鈥屫促堌� 賵蹖跇诏蹖鈥屬囏й� 禺丕氐 丕孬乇 亘乇噩爻鬲賴 賲蹖鈥屫促堌�.
爻丕賱鈥屬囏� 賯亘賱 丕夭 禺賵丕賳丿賳 讴鬲丕亘 賮蹖賱賲 芦讴丕乇賳蹖噩禄 丕孬乇 乇賵賲賳 倬賵賱丕賳爻讴蹖 乇丕 丿蹖丿賲 讴賴 亘乇诏乇賮鬲賴 丕夭 丕蹖賳 賳賲丕蹖卮鈥屬嗀з呝� 丕爻鬲. 丕賲丕 乇丕爻鬲卮貙 禺賵丕賳丿賳 讴鬲丕亘 乇丕 亘賴 鬲賲丕卮丕蹖 賮蹖賱賲 鬲乇噩蹖丨 賲蹖鈥屫囐� 賵 亘賴 卮賲丕 賴賲 賴賲蹖賳 倬蹖卮賳賴丕丿 乇丕 丿丕乇賲.
賳賲丕蹖卮鈥屬嗀з呝団€屰� 禺丿丕蹖 讴卮鬲丕乇 鬲丕 丨丿賵丿蹖 亘賴 夭賳丿诏蹖 丌丿賲鈥屬囏й屰� 丕卮丕乇賴 丿丕乇丿 讴賴 禺蹖賱蹖 亘丕賮乇賴賳诏 賵 賲鬲賲丿賳 賴爻鬲賳丿. 賵 丿乇 賮囟丕蹖蹖 丌乇丕賲鈥屫ㄘ� 賵 賲胤亘賵毓 亘賴 讴卮鬲 賵 讴卮鬲丕乇蹖 賳賲丕丿蹖賳
丿爻鬲 賲蹖鈥屫操嗁嗀�. 賵賯鬲蹖 賮囟丕蹖 鬲賱禺蹖 亘賴 賵噩賵丿 賲蹖鈥屫③屫� 賵 乇賮鬲丕乇賴丕蹖 丌丿賲鈥屬囏й� 賲丿乇賳 亘賴 爻賲鬲 賵丨卮蹖丕賳賴 卮丿賳 讴卮蹖丿賴 賲蹖鈥屫促堌� 賵蹖跇诏蹖鈥屬囏й� 禺丕氐 丕孬乇 亘乇噩爻鬲賴 賲蹖鈥屫促堌�.
爻丕賱鈥屬囏� 賯亘賱 丕夭 禺賵丕賳丿賳 讴鬲丕亘 賮蹖賱賲 芦讴丕乇賳蹖噩禄 丕孬乇 乇賵賲賳 倬賵賱丕賳爻讴蹖 乇丕 丿蹖丿賲 讴賴 亘乇诏乇賮鬲賴 丕夭 丕蹖賳 賳賲丕蹖卮鈥屬嗀з呝� 丕爻鬲. 丕賲丕 乇丕爻鬲卮貙 禺賵丕賳丿賳 讴鬲丕亘 乇丕 亘賴 鬲賲丕卮丕蹖 賮蹖賱賲 鬲乇噩蹖丨 賲蹖鈥屫囐� 賵 亘賴 卮賲丕 賴賲 賴賲蹖賳 倬蹖卮賳賴丕丿 乇丕 丿丕乇賲.
January 23, 2023
賳賲丕蹖卮賳丕賲賴 胤賳夭 亘丕賲夭賴 丕蹖 亘賵丿
噩丕賱亘 鬲乇蹖賳 趩蹖夭 丿乇賲賵乇丿 讴鬲丕亘貙 亘乇丕蹖 賲賳貙 鬲賮丕賵鬲 賮乇賴賳诏蹖 賲丕 賵 丕賵賳賴丕 丿乇 亘乇禺賵乇丿 亘丕 丿毓賵丕蹖 亘趩賴 賴丕爻鬲. 丕賱亘鬲賴 讴賴 馗丕賴乇丕 鬲賴卮 丿毓賵丕蹖 亘趩賴 賴丕 亘賴 賵丕賱丿蹖賳 賴賲 爻乇丕蹖鬲 賲蹖讴賳賴...
噩丕賱亘 鬲乇蹖賳 趩蹖夭 丿乇賲賵乇丿 讴鬲丕亘貙 亘乇丕蹖 賲賳貙 鬲賮丕賵鬲 賮乇賴賳诏蹖 賲丕 賵 丕賵賳賴丕 丿乇 亘乇禺賵乇丿 亘丕 丿毓賵丕蹖 亘趩賴 賴丕爻鬲. 丕賱亘鬲賴 讴賴 馗丕賴乇丕 鬲賴卮 丿毓賵丕蹖 亘趩賴 賴丕 亘賴 賵丕賱丿蹖賳 賴賲 爻乇丕蹖鬲 賲蹖讴賳賴...
June 17, 2020
丌丿賲 亘夭乇诏丕 丕夭 亘趩賴 賴丕 亘趩賴 鬲乇賳.
爻蹖 賵 卮卮 乇賵夭 卮丿賴. 爻蹖 賵 卮卮 鬲丕
爻蹖 賵 卮卮 孬丕賳蹖賴
趩蹖 丿丕乇賲 賲蹖诏賲責
賲亘賴賵鬲貙 爻乇诏卮鬲賴貙 賳诏乇丕賳貙 讴賲讴 亘賮乇爻鬲蹖丿
丕賵囟丕毓賲丕賳 丕蹖賳噩丕 趩蹖夭蹖 賳蹖爻鬲 讴賴 亘賴 賳馗乇 賲蹖 乇爻丿
爻蹖 賵 卮卮 乇賵夭 賲丕賳丿賴. 蹖丕 诏匕卮鬲賴責 爻蹖 賵 卮卮 趩蹖責 趩賴 毓丿丿蹖責 趩賳丿 乇賵夭責 丌禺乇鬲 丕夭 丌賳噩丕 倬蹖丿丕爻鬲責 趩卮賲 亘賳丿賲 乇丕 亘乇丿丕卮鬲賴 丕賳丿責 賱丕蹖亘乇賳鬲 爻蹖禺蹖 丿賵乇鬲 乇丕 诏乇賮鬲責 趩賴 賲蹖禺賵丕賴蹖 丿蹖诏乇責
丌禺乇卮 丕蹖賳噩丕爻鬲貙 讴賳丕乇 倬丕蹖 丕賵. 鬲馗丕賴乇 賳讴賳. 锟斤拷卮賲丕賳鬲 乇丕 亘丕夭 賳讴賳. 禺賵丕賴卮 賲蹖 讴賳賲貙 丨乇賮 賳夭賳
丨乇賮賲 乇丕 诏賵卮 賲蹖 丿賴蹖責 丕賴賲蹖鬲蹖 丿丕乇賲責 丕賴賲蹖鬲蹖 丿丕乇蹖責 賱丕蹖亘乇賳鬲 爻蹖禺蹖 乇丕 爻丕禺鬲賴 丕賳丿責
丿乇 賲蹖丕賳 囟蹖丕賮鬲 禺丿丕蹖丕賳 賳卮爻鬲賴 丕賲 賵 賴乇趩賴 賲蹖 亘蹖賳賲 睾乇賵亘 丌鬲卮 丕爻鬲
噩丕賲卮 乇丕 亘丕賱丕 賲蹖 亘乇賳丿 賵 丕賲亘乇賵爻蹖丕 賲蹖 乇蹖夭賳丿. 丌賵丕夭 賲蹖 禺賵丕賳賳丿 賵 趩賳诏 賲蹖 賳賵丕夭賳丿
禺賳蹖丕诏乇丕賳 禺賮賴 丕賲 賲蹖 讴賳賳丿. 爻賵夭賳 讴賱賴 倬賴賳蹖 讴賴 诏匕丕卮鬲賴 丕賳丿 亘賴 禺賵丕亘賲 賲蹖 亘乇丿. 丕賵 亘賴 禺賵丕亘賲 賲蹖 丌蹖丿. 丕夭 禺賵丕亘 賲蹖 倬乇賲. 爻賵夭賳 讴賱賴 倬賴賳卮丕賳 丿乇 倬賵爻鬲賲 賮乇賵 乇賮鬲賴 賵 亘蹖乇賵賳 賳賲蹖 丌蹖丿
賴賲賴 丕卮 賴賲蹖賳 亘賵丿. 丕爻亘 趩賵亘蹖 乇丕 丿賲 丿乇 禺丕賱蹖 讴乇丿賳丿. 爻蹖亘 讴丕賱蹖爻鬲蹖 乇丕 亘蹖乇賵賳 丕賳丿丕禺鬲賴 丕賳丿. 賲賳 倬卮鬲 丿乇 賳卮爻鬲賴 丕賲. 讴爻蹖 亘蹖乇賵賳 賳蹖爻鬲
賱丕蹖亘乇賳鬲 鬲賳賲 乇丕 卮讴丕賮鬲賴. 噩丕賳賲 乇丕 诏乇賮鬲賴 丕賳丿. 乇賵蹖 夭賲蹖賳 賲蹖 禺夭賲. 賳賵乇 乇丕 丕蹖賳噩丕 亘蹖賳丿丕夭蹖丿
噩蹖睾 賲蹖 夭賳丿 賵 丕夭 氐賳丿賱蹖 賴丕 倬丕蹖蹖賳 賲蹖 倬乇丿. 亘賵蹖 毓胤乇卮 丌卮賳丕爻鬲. 倬蹖丿丕蹖卮 讴賳. 鬲賱賮賳 夭賳诏 賲蹖 禺賵乇丿
氐丿丕诏匕丕乇蹖 鬲賲丕賲 卮丿賴. 賮蹖賱賲亘乇丿丕乇蹖 卮乇賵毓 卮丿賴. 爻賴 亘毓丿蹖 賵 蹖丕 賳賯卮 亘乇 讴丕睾匕 丿賳亘丕賱賲 賲蹖 讴賳丿. 賴乇噩丕 讴賴 賲蹖 乇賵賲. 丕夭 賲賳 丌賲丿賴. 丕夭 賲賳 乇賴丕蹖蹖 賳丿丕乇丿. 鬲丕亘賱賵蹖 乇賵蹖 丿蹖賵丕乇 賳蹖卮禺賳丿 賲蹖 夭賳丿
鬲丕亘賱賵蹖 乇賵蹖 丿蹖賵丕乇 丿禺鬲乇卮 乇丕 丿乇 丌睾賵卮 诏乇賮鬲賴. 鬲丕亘賱賵蹖 乇賵蹖 丿蹖賵丕乇 禺賵亘 賲蹖丿丕賳丿 讴噩丕爻鬲. 鬲丕亘賱賵蹖 乇賵蹖 丿蹖賵丕乇 趩賴丕乇 丿爻鬲 丿丕乇丿.
鬲賲丕賲卮
爻蹖 賵 卮卮 乇賵夭 卮丿賴. 爻蹖 賵 卮卮 鬲丕
爻蹖 賵 卮卮 孬丕賳蹖賴
趩蹖 丿丕乇賲 賲蹖诏賲責
賲亘賴賵鬲貙 爻乇诏卮鬲賴貙 賳诏乇丕賳貙 讴賲讴 亘賮乇爻鬲蹖丿
丕賵囟丕毓賲丕賳 丕蹖賳噩丕 趩蹖夭蹖 賳蹖爻鬲 讴賴 亘賴 賳馗乇 賲蹖 乇爻丿
爻蹖 賵 卮卮 乇賵夭 賲丕賳丿賴. 蹖丕 诏匕卮鬲賴責 爻蹖 賵 卮卮 趩蹖責 趩賴 毓丿丿蹖責 趩賳丿 乇賵夭責 丌禺乇鬲 丕夭 丌賳噩丕 倬蹖丿丕爻鬲責 趩卮賲 亘賳丿賲 乇丕 亘乇丿丕卮鬲賴 丕賳丿責 賱丕蹖亘乇賳鬲 爻蹖禺蹖 丿賵乇鬲 乇丕 诏乇賮鬲責 趩賴 賲蹖禺賵丕賴蹖 丿蹖诏乇責
丌禺乇卮 丕蹖賳噩丕爻鬲貙 讴賳丕乇 倬丕蹖 丕賵. 鬲馗丕賴乇 賳讴賳. 锟斤拷卮賲丕賳鬲 乇丕 亘丕夭 賳讴賳. 禺賵丕賴卮 賲蹖 讴賳賲貙 丨乇賮 賳夭賳
丨乇賮賲 乇丕 诏賵卮 賲蹖 丿賴蹖責 丕賴賲蹖鬲蹖 丿丕乇賲責 丕賴賲蹖鬲蹖 丿丕乇蹖責 賱丕蹖亘乇賳鬲 爻蹖禺蹖 乇丕 爻丕禺鬲賴 丕賳丿責
丿乇 賲蹖丕賳 囟蹖丕賮鬲 禺丿丕蹖丕賳 賳卮爻鬲賴 丕賲 賵 賴乇趩賴 賲蹖 亘蹖賳賲 睾乇賵亘 丌鬲卮 丕爻鬲
噩丕賲卮 乇丕 亘丕賱丕 賲蹖 亘乇賳丿 賵 丕賲亘乇賵爻蹖丕 賲蹖 乇蹖夭賳丿. 丌賵丕夭 賲蹖 禺賵丕賳賳丿 賵 趩賳诏 賲蹖 賳賵丕夭賳丿
禺賳蹖丕诏乇丕賳 禺賮賴 丕賲 賲蹖 讴賳賳丿. 爻賵夭賳 讴賱賴 倬賴賳蹖 讴賴 诏匕丕卮鬲賴 丕賳丿 亘賴 禺賵丕亘賲 賲蹖 亘乇丿. 丕賵 亘賴 禺賵丕亘賲 賲蹖 丌蹖丿. 丕夭 禺賵丕亘 賲蹖 倬乇賲. 爻賵夭賳 讴賱賴 倬賴賳卮丕賳 丿乇 倬賵爻鬲賲 賮乇賵 乇賮鬲賴 賵 亘蹖乇賵賳 賳賲蹖 丌蹖丿
賴賲賴 丕卮 賴賲蹖賳 亘賵丿. 丕爻亘 趩賵亘蹖 乇丕 丿賲 丿乇 禺丕賱蹖 讴乇丿賳丿. 爻蹖亘 讴丕賱蹖爻鬲蹖 乇丕 亘蹖乇賵賳 丕賳丿丕禺鬲賴 丕賳丿. 賲賳 倬卮鬲 丿乇 賳卮爻鬲賴 丕賲. 讴爻蹖 亘蹖乇賵賳 賳蹖爻鬲
賱丕蹖亘乇賳鬲 鬲賳賲 乇丕 卮讴丕賮鬲賴. 噩丕賳賲 乇丕 诏乇賮鬲賴 丕賳丿. 乇賵蹖 夭賲蹖賳 賲蹖 禺夭賲. 賳賵乇 乇丕 丕蹖賳噩丕 亘蹖賳丿丕夭蹖丿
噩蹖睾 賲蹖 夭賳丿 賵 丕夭 氐賳丿賱蹖 賴丕 倬丕蹖蹖賳 賲蹖 倬乇丿. 亘賵蹖 毓胤乇卮 丌卮賳丕爻鬲. 倬蹖丿丕蹖卮 讴賳. 鬲賱賮賳 夭賳诏 賲蹖 禺賵乇丿
氐丿丕诏匕丕乇蹖 鬲賲丕賲 卮丿賴. 賮蹖賱賲亘乇丿丕乇蹖 卮乇賵毓 卮丿賴. 爻賴 亘毓丿蹖 賵 蹖丕 賳賯卮 亘乇 讴丕睾匕 丿賳亘丕賱賲 賲蹖 讴賳丿. 賴乇噩丕 讴賴 賲蹖 乇賵賲. 丕夭 賲賳 丌賲丿賴. 丕夭 賲賳 乇賴丕蹖蹖 賳丿丕乇丿. 鬲丕亘賱賵蹖 乇賵蹖 丿蹖賵丕乇 賳蹖卮禺賳丿 賲蹖 夭賳丿
鬲丕亘賱賵蹖 乇賵蹖 丿蹖賵丕乇 丿禺鬲乇卮 乇丕 丿乇 丌睾賵卮 诏乇賮鬲賴. 鬲丕亘賱賵蹖 乇賵蹖 丿蹖賵丕乇 禺賵亘 賲蹖丿丕賳丿 讴噩丕爻鬲. 鬲丕亘賱賵蹖 乇賵蹖 丿蹖賵丕乇 趩賴丕乇 丿爻鬲 丿丕乇丿.
鬲賲丕賲卮
January 6, 2024
禺賵亘 賵 丿蹖诏乇 賴蹖趩!
賯亘賱 丕夭 氐賮乇- 賳賲丕蹖卮賳丕賲賴 乇賵 亘丕 鬲乇噩賲賴 丿丕乇蹖賵卮 賲丐丿亘蹖丕賳 丕夭 爻乇蹖 胤賳夭丌賵乇丕賳 噩賴丕賳 賳賲丕蹖卮 禺賵丕賳丿賴 丕賲. 丕賲丕 趩賵賳 丿乇 賲噩賱丿蹖 讴賴 禺賵丕賳丿賲貙 毓賱丕賵賴 亘乇 "禺丿丕蹖 讴卮鬲丕乇"貙 賳賲丕蹖卮賳丕賲賴 "賴賳乇" 賳蹖夭 亘賵丿 賵 賲賳 氐乇賮丕 賲蹖鈥屫堌ж池� 禺丿丕蹖 讴卮鬲丕乇 乇丕 亘禺賵丕賳賲貙 匕蹖賱 丕蹖賳 賳爻禺賴 丕夭 讴鬲丕亘 賲乇賵乇 賲蹖鈥屬嗁堐屫迟�.
0- 亘賴 賯賵賱 丿丕乇蹖賵卮 賲丐丿亘蹖丕賳貙 丿蹖乇賵夭 亘丕 丕賲乇賵夭 賮乇賯 丿丕卮鬲賴 丕爻鬲貨 亘丕 丿丕乇蹖賵卮鈥屸€屫з� 賴賲 賳馗乇 丕賲貙 丕賲丕 賯囟丕賵鬲賲 丕賳丿讴蹖 亘丕賴丕卮 鬲賵賮蹖乇 丿丕乇丿. 丿蹖乇賵夭 丿爻鬲乇爻蹖 亘賴 賲賳丕亘毓 鬲丨賯蹖賯丕鬲蹖 賵 丌孬丕乇 賴賳乇蹖 爻禺鬲 亘賵丿賴 丕爻鬲貨 趩賴 讴爻蹖 丕爻鬲 讴賴 禺丕胤乇丕鬲 芦丿賵乇丕賳 爻禺鬲禄 鬲丨氐蹖賱 毓賱賲 賵 丿丕賳卮 乇丕 丕夭 亘夭乇诏鈥屫辟囏й� 噩賲毓 賳卮賳蹖丿賴 亘丕卮丿責 丕賲丕 丕賲乇賵夭賴 丿乇 噩賴丕賳賽 丿爻鬲乇爻蹖 夭賳丿诏蹖 賲蹖鈥屭┵嗃屬�. 蹖讴 讴賱蹖讴 鬲丕 丿爻鬲乇爻蹖 亘賴 噩賴丕賳 賱丕蹖鬲賳丕賴蹖 賵亘貨 丕賱亘鬲賴 丕诏乇 賮蹖賱鬲乇 丕噩丕夭賴 亘丿賴貙 蹖毓賳蹖 賮乇囟 讴賳蹖丿 賳蹖爻鬲! 丕賲丕 丿爻鬲乇爻蹖 賵 賲氐乇賮貙 賲毓丕丿賱 鬲噩乇亘賴 賳蹖爻鬲. 丿爻鬲乇爻蹖 賱夭賵賲丕 亘丕毓孬 丿爻鬲蹖丕亘蹖 亘賴 鬲噩丕乇鬲 賳丕亘 賳蹖爻鬲. 鬲賵囟蹖丨 賲蹖鈥屫呚� 丿賳丿賵賳 亘賴 噩蹖诏乇 亘诏蹖乇 亘趩賴!
亘亘蹖賳蹖丿貙 丕賲乇賵夭 亘賴 賲丿丿 VOD賴丕蹖蹖 賳馗蹖乇 賳鬲賮蹖賱蹖讴爻 賵 HBO 賵 賳賲賵賳賴鈥屬囏й� 賵胤賳蹖 賲孬賱 賳賲丕賵丕 賵 賮蹖賱蹖賲賵貙 賵 丕賱亘鬲賴 噩賴丕賳蹖 爻丕蹖鬲 亘乇丕蹖 丿丕賳賱賵丿 賮蹖賱賲貙 睾乇賯 丿乇 噩賴丕賳 丌孬丕乇 爻蹖賳賲丕蹖蹖 丕蹖賲貙 丕賲丕 讴丿丕賲 蹖讴 丕夭 賲丕 爻禺鬲蹖 丿蹖丿賳 丌孬丕乇 讴賱丕爻蹖讴 賵 毓蹖卮 倬爻 丕夭 丌賳 乇丕 亘賴 噩丕賳 賲蹖鈥屫必� 賯亘賵賱 丿丕乇蹖丿 讴賴 丿蹖丿賳 蹖讴 爻乇蹖丕賱 讴賴 蹖讴 倬蹖乇賳诏 賲賴賳丿爻蹖 卮丿賴 亘丕 丕賱賲丕賳鈥屬囏й� 乇賵丕蹖蹖 賲賵乇丿 毓賱丕賯賴鈥屰屬呚з嗀� 禺蹖賱蹖 亘賴鬲乇 丕爻鬲 亘乇丕蹖 丕賵賯丕鬲 賮乇丕睾鬲 鬲丕 丌孬丕乇 丕爻鬲禺賵丕賳鈥屫ж必� 丕賲丕 芦鬲噩乇亘賴禄 賴賲丕賳胤賵乇 讴賴 丿乇 夭賳丿诏蹖 亘賴 賲乇丕乇鬲貙 爻禺鬲蹖 賵 丕爻鬲賲乇丕乇 丨丕氐賱 賲蹖鈥屫促堌� 亘賴 鬲噩乇亘賴 賮賴賲蹖丿賴鈥屫з� 讴賴 丿乇 賴賳乇 賵 丕丿亘蹖丕鬲 賳蹖夭 亘賴 賲乇丕乇鬲 丨丕氐賱 賲蹖鈥屫促堌�. 亘乇丕蹖 賮賴賲蹖丿賳賽 卮毓乇 丨丕賮馗貙 趩賴 亘禺賵丕蹖 趩賴 賳禺賵丕蹖 丕诏乇 丕氐賵賱 卮毓乇 讴賱丕爻蹖讴 賵 卮毓乇 賮丕乇爻蹖貙 丕夭 賯亘蹖賱 賵夭賳貙 丌乇丕蹖賴 賵 賵蹖跇诏蹖鈥屬囏й� 夭亘丕賳蹖 乇丕 亘丿丕賳蹖貙 丨馗 賲蹖鈥屫ㄘ臂� 睾蹖乇賯丕亘賱 賵氐賵賱 丿乇 鬲毓乇蹖賮 亘乇丕蹖 匕賴賳 丕賳丿蹖卮賳丿賴!
禺賱丕氐賴 亘丕 丕蹖賳讴賴 睾乇賯 丿乇 丿乇蹖丕蹖 丕胤賱丕毓丕鬲 亘賵丿賴 丕賲貙 丕賲丕 爻蹖賳賲丕 乇丕 讴賲 鬲噩乇亘賴 讴乇丿賴 丕賲. 讴賱蹖 賮蹖賱賲 禺賵亘 丿蹖丿賴 丕賲貙 丕賲丕 蹖丕 亘丿 丿蹖丿賴 亘賵丿賲鈥� 丕蹖卮丕賳 乇丕貙 蹖丕 亘丿 賲賵賯毓. 禺賱丕氐賴 禺賵卮丨丕賱 賵 卮丕丿 賵 禺賳丿丕賳賲 讴賴 讴賱蹖 賮蹖賱賲 賵 丕孬乇 賯丕亘賱 丕毓鬲賳丕 賴爻鬲 讴賴 鬲噩乇亘賴 賳讴乇丿賲卮丕賳. 丿乇 丕丿亘蹖丕鬲 賴賲 賴賲蹖賳 丕賲貙 鬲丨賯蹖賯丕 賴賳賵夭 噩乇卅鬲 賳讴乇丿賴 丕賲 爻乇丕睾 讴賱丕賳 丌孬丕乇 丕丿亘蹖 亘乇賵賲 賵 丕賳诏蹖夭賴 夭賳丿诏蹖 丕賲 丕蹖賳 丕爻鬲 讴賴 鬲丕賱爻鬲賵蹖貙 丿丕爻鬲丕蹖賮爻讴蹖貙 賴賵诏賵貙 亘賵賱诏丕讴賮貙 卮讴爻倬蹖乇貙 丨鬲蹖 賴賵賲乇 賵 丿賵爻鬲丕賳 賵 趩賳丿蹖賳 亘夭乇诏 丕丿蹖亘 鬲丕乇蹖禺 噩賴丕賳 丿乇 賱丕亘賱丕蹖 爻胤賵乇 賲賳鬲馗乇 賲賳 丕蹖爻鬲丕丿賴 丕賳丿. 鬲丕夭賴 賲蹖鈥屬佡囐呝� 倬丕丿卮丕賴丕賳 賵 丕乇亘丕亘丕賳 趩賴 讴蹖賮賵乇 賲蹖鈥屫簇� 丕賳丿. 賮乇囟 讴賳貙 禺蹖丕賱 讴賳蹖 蹖賴 毓丿賴 丌丿賲 禺丿賳诏 賵 賲賳鬲馗乇 鬲賵 丕賳丿. 倬賵夭卮 丕夭 亘夭乇诏丕賳 讴賴 亘賴 禺丿賳诏 鬲卮亘蹖賴 卮丿賳丿貨 亘丕 丕蹖賳 鬲賵氐蹖賮丕鬲賽 爻亘讴鈥屬呚贺藏з嗁� 丕賲孬丕賱 賲賳 讴賴 亘乇 胤丕賯 爻鬲乇诏 毓馗賲鬲卮丕賳貙 丨鬲蹖 鬲乇讴蹖 賳賯卮 賳賲蹖鈥屫ㄙ嗀�. 倬爻 亘匕丕乇蹖丿 亘丕 夭亘丕賳 禺賵丿賲 匕賵賯賲 乇賵 噩丕乇 亘夭賳賲.
1- 丨丕卮蹖賴 亘丕賱丕貙 乇亘胤蹖 亘賴 賲鬲賳 [賳賲丕蹖卮賳丕賲賴 禺丿丕蹖 讴卮鬲丕乇 丕夭 蹖丕爻賲蹖賳丕 乇囟丕] 丿丕乇丿. 丕賵賱蹖賳 鬲噩乇亘賴 丕賲 丕夭 爻蹖賳賲丕蹖 乇賵賲賳 倬賵賱丕賳爻讴蹖貙 丿蹖丿賳 賮蹖賱賲 Carnage 蹖丕 讴卮鬲丕乇 亘賴 賵丕爻胤賴 丕蹖賳 賳賲丕蹖卮賳丕賲賴 亘賵丿. 賯亘賱丕 賲丨賱賴 趩蹖賳蹖鈥屬囏� 賵 氐丿 丕賱亘鬲賴 倬蹖丕賳蹖爻鬲 乇丕 丕夭 倬賵賱丕賳爻讴蹖 丿蹖丿賴 亘賵丿賲貙 丕賲丕 氐乇賮丕 芦丿蹖丿賴 亘賵丿賲禄貨 鬲噩乇亘賴 賴賳乇蹖 賳亘賵丿 亘乇丕蹖賲. 丕賲丕 讴卮鬲丕乇 乇丕 亘丕 丿賯鬲 賵 丿賵亘丕乇 倬卮鬲 賴賲 丿蹖丿賲 賵 賴夭丕乇 賳讴鬲賴 亘丕乇蹖讴鈥屫� 丕夭 賲賵 丿乇賵賳卮 丿蹖丿賲. 丌賯丕/禺丕賳賲貙 亘丕賱丕禺乇賴 卮丕禺讴賲 鬲蹖夭 卮丿 賵 乇賵賲賳 倬賵賱丕賳爻讴蹖 讴卮賮. 丕賱丕賳 亘丕夭 蹖讴蹖 賲蹖丕丿 賲蹖鈥屭�: 芦丕蹖賳 亘趩賴 倬乇乇賵 乇賵賲賳 倬賵賱丕賳爻讴蹖 乇賵 讴卮賮 讴乇丿賴! 鬲賵 讴蹖 亘丕卮賴 讴賴 丕爻鬲丕丿 乇賵 讴卮賮 讴賳蹖責禄
賲賳賲 丿乇 噩賵丕亘 賲蹖鈥屭�: 芦毓夭蹖夭 丿賱賲貙 讴賮乇蹖 賳卮賵! 丿乇 囟賲賳 丕蹖賳讴賴 诏賱鈥屭з堌藏ㄘз� 噩賵丕亘 讴丕乇賴貙 丕賱丕賳 丕丿蹖爻賵賳 賲诏賴 亘乇賯 乇賵 讴卮賮 賳讴乇丿賴責 禺亘 賯亘賱卮賲 亘賵丿賴貙 賵賱蹖 丕丿蹖爻賵賳 蹖丕丿诏乇賮鬲賴 丕夭卮 丕爻鬲賮丕丿賴 讴賳賴. 賲賳賲 倬賵賱丕賳爻讴蹖 乇賵 亘乇丕蹖 禺賵丿賲 丕賱丕賳 讴卮賮 讴乇丿賲. 丕噩丕夭賴 亘丿賴 丕蹖賳賵 噩丕乇 亘夭賳賲. 賲乇囟 丿丕乇蹖 讴賴 賲蹖鈥屫堌й� 卮乇賲爻丕乇賲 讴賳蹖責禄
2- 丕蹖賳 賳賲丕蹖卮賳丕賲賴 丿乇 爻丕賱 2008 丿乇 倬丕乇蹖爻 亘乇賵蹖 氐丨賳賴 乇賮鬲. 賲孬賱 丿蹖诏乇 丌孬丕乇 蹖丕爻賲蹖賳 乇囟丕貙 丕蹖賳 賳賲丕蹖卮賳丕賲賴 賳蹖夭 賵丕鬲乇讴賵賳丿. 丕蹖賳 蹖讴蹖 倬乇丿賴 丌賮丕賯 丿乇蹖丿 賵 丿乇 噩賴丕賳 氐丿丕 讴乇丿. 亘毓丿卮 禺賵丿賽 乇囟丕 亘丕 倬賵賱丕賳爻讴蹖貙 賴賲讴丕乇蹖 讴乇丿賳 賵 賮蹖賱賲卮 讴乇丿賳. 賮賴賲蹖丿蹖 趩蹖夭 禺賵亘蹖賴 丿蹖诏賴責
3- 丕蹖賳讴賴 賳賵蹖爻賳丿賴貙 蹖丕爻賲蹖賳丕貙 禺賵丿卮 亘丕夭蹖诏乇 鬲卅丕鬲乇 亘賵丿賴 丕爻鬲 賵 丿乇 讴丕乇诏乇丿丕賳蹖 賳蹖夭 丿爻鬲蹖 亘乇 丌鬲卮 丿丕乇丿貙 讴丕乇蹖 賲蹖鈥屭┵嗀� 讴賴 丕蹖賳 賳賲丕蹖卮賳丕賲賴 禺蹖賱蹖 丿乇爻鬲 亘丕卮丿. 賲賯丕蹖爻賴 卮賵丿 亘丕 丿賵夭禺 跇丕賳 倬賱 爻丕乇鬲乇. 賲卮禺氐 丕爻鬲 讴賴 爻丕乇鬲乇 賮蹖賱爻賵賮 丕爻鬲 賳賴 丕夭 丕賴丕賱蹖 賳賲丕蹖卮. 賲禺氐賵氐丕 丿乇 丿賵夭禺 讴賴 噩夭賵 丕賵賱蹖賳 丌孬丕乇 賳賲丕蹖卮蹖 丕賵爻鬲. 丕賲丕 氐賱丕亘鬲 賯賱賲 賵 賳賲丕蹖卮 芦賲賵賯毓蹖鬲蹖禄 讴賴 丿乇 芦禺丿丕蹖 讴卮鬲丕乇禄 丕夭 蹖丕爻賲蹖賳丕 乇囟丕 丿蹖丿賲貙 賲鬲丨蹖乇賲 讴乇丿.
丕夭 丕蹖賳 亘賴 亘毓丿貙 丕賵賱 賴乇倬丕乇丕诏乇丕賮 賲蹖鈥屬嗁堐屫迟� 丿乇賲賵乇丿 賮蹖賱賲貙 讴卮鬲丕乇 丕夭 倬賵賱丕賳爻讴蹖貙 賲蹖鈥屬嗁堐屫迟� 蹖丕 賲賳丨氐乇丕 賳賲丕蹖卮賳丕賲賴.
[賳賲丕蹖卮賳丕賲賴]丿蹖丕賱賵诏鈥屬囏� 亘賴 賯丕賲賵爻 卮禺氐蹖鬲鈥屬囏� 賲蹖鈥屬嗀篡屫�. 賳丨賵 賵 夭亘丕賳 讴丕乇丕讴鬲乇賴丕 鬲賵賮蹖乇 丿丕乇賳丿 賳爻亘鬲 亘賴 賴賲 賵 芦賯賱賲 賳賵蹖爻賳丿賴禄 丿乇 倬卮鬲 卮禺氐蹖鬲鈥屬囏� 诏賲 卮丿賴 丕爻鬲 賵 卮丕蹖丿 丕氐賱丕 賲鬲賵噩賴 賳賵蹖爻賳丿賴 賳卮賵蹖 賵 氐乇賮丕 亘丕 卮禺氐蹖鬲鈥屬囏� 丿乇诏蹖乇 亘丕卮蹖. 丿蹖丕賱賵诏鈥屬囏й� 倬蹖賳诏鈥屬举嗂� 賵 爻乇蹖毓 賳賲丕蹖卮賳丕賲賴 毓丕賱蹖 亘賵丿.賴夭丕乇 賳讴鬲賴 亘丕乇蹖讴鈥屫� 賲賵 賴爻鬲 讴賴 亘賲丕賳丿.
[賮蹖賱賲]丕蹖賳 鬲讴賳蹖讴 Bookending (賳賲蹖鈥屫堎嗁� 賵丕賯毓丕 賲毓丕丿賱 賮丕乇爻蹖鈥屫ж� 乇賵 趩蹖 賲蹖鈥屭� 丕賴賱 爻蹖賳賲丕) 讴賴 丕卮丕乇賴 亘賴 鬲讴賳蹖讴蹖 丿丕乇丿 讴賴 爻讴丕賳爻 丕賵賱 賵 丌禺乇 賮蹖賱賲 蹖丕 毓蹖賳 賴賲 蹖丕 亘爻蹖丕乇 卮亘蹖賴 亘賴 賴賲丿蹖诏乇 丕賳丿貙 噩夭賵 賲毓丿賵丿 丿賮毓丕鬲蹖 亘賵丿 讴賴 亘丕 毓賲賯 賵噩賵丿 丿乇讴卮 讴乇丿賲 賵 亘賴 賴蹖亘鬲 賮蹖賱賲 賵 倬蹖乇賳诏 賲蹖鈥屬嗀簇池�. 丿乇 禺蹖賱蹖 丕夭 賮蹖賱賲鈥屬囏ж� 丕賳賯丿乇 亘丿 丕夭 丕蹖賳 鬲讴賳蹖讴 丕爻鬲賮丕丿賴 賲蹖鈥屫促堌� 讴賴 诏賵蹖蹖 讴賱 賮蹖賱賲 蹖讴 亘爻胤 丕囟丕賮蹖 丕爻鬲 亘乇丕蹖 丕蹖賳讴賴 丕蹖賳 鬲讴乇丕乇 賵 鬲讴賳蹖讴 丕爻鬲賮丕丿賴 卮賵丿.丕氐賱丕 毓丕賱蹖 亘賵丿貙 讴賱 鬲蹖讴賴 賵 讴賳丕蹖賴 丕賳丿丕禺鬲賳 賮蹖賱賲貙 亘賴 賳馗乇賲 丿乇 鬲氐賵蹖乇 賳賴丕蹖蹖 禺賱丕氐賴 賲蹖鈥屫簇�. 賵噩賴 讴賳丕蹖蹖 賵 丌蹖乇賵賳蹖讴/胤賳夭 亘爻蹖丕乇 噩匕丕亘蹖 丿丕卮鬲.
[賮蹖賱賲] 丕賮夭賵丿賳 丌卮倬夭禺丕賳賴貙 丿爻鬲卮賵蹖蹖貙 乇丕賴乇賵蹖 禺乇賵噩蹖 禺丕賳賴 亘賴 賮蹖賱賲貙 賵丕賯毓丕 蹖讴 爻乇 賵 诏乇丿賳貙 賮蹖賱賲 乇丕 賳爻亘鬲 亘賴 賳賲丕蹖卮賳丕賲賴 亘賴鬲乇 讴乇丿. 丕蹖賳 乇賮鬲鈥屬堌①呚� 讴丕乇丕讴鬲乇賴丕 亘賴 禺丕乇噩 禺丕賳賴 賵 乇丕賴乇賵 賵 亘丕夭诏卮鬲 亘賴卮貙 毓丕賱蹖 亘賵丿.
[賮蹖賱賲] 鬲睾蹖蹖乇 卮禺氐蹖鬲 賵讴蹖賱貙 倬丿乇 賲噩乇賲 :)貙 蹖丕 賴賲丕賳 讴乇蹖爻鬲賮 賵丕賱鬲夭 毓夭蹖夭貙 丕夭 卮禺氐蹖鬲蹖 丌乇丕賲鈥屫� 丿乇 賳賲丕蹖卮賳丕賲賴 亘賴 卮禺氐蹖鬲 倬禺鬲賴鈥屫� 賵 毓噩蹖亘鈥屫� 丿乇 賮蹖賱賲 毓丕賱蹖 亘賵丿. 賳賲蹖鈥屫堎嗁� 噩趩賵乇蹖 鬲賵氐蹖賮卮 讴賳賲.
賴夭丕乇丕賳 賳讴鬲賴 賴爻鬲 讴賴 芦亘丕卮賴 亘乇丕蹖 亘毓丿丕禄
4- 蹖讴 丕噩乇丕蹖 鬲卅丕鬲乇 胤賳夭 賴賲 丕夭 丕蹖賳 賳賲丕蹖卮賳丕賲賴 丿乇 丕蹖乇丕賳 卮丿賴 亘丕 亘丕夭蹖 爻蹖賲丕 鬲蹖乇丕賳丿丕夭 賵 丕卮讴丕賳 禺胤蹖亘蹖 賵 賴賲讴丕乇丕賳貙 讴賴 禺亘貙 丕夭 亘爻 賮蹖賱賲賽 倬賵賱丕賳爻讴蹖 丿乇 氐丿乇 賳卮爻鬲賴 丕爻鬲貙 丕蹖賳 鬲卅丕鬲乇 禺賵丿卮 賵 賵囟毓蹖鬲卮 亘賴 蹖讴 丕孬乇 胤賳夭 鬲亘丿蹖賱 卮丿. 亘匕丕乇 爻丕丿賴 亘诏賲貙 鬲丕 丌亘 胤丕賴乇 賲賵噩賵丿 丕爻鬲貙 丨丕噩鬲 亘賴 鬲蹖賲賲 賳蹖爻鬲. 鬲丕 賲蹖鈥屫促� 賮蹖賱賲 乇賵 丿蹖丿貙 丕蹖賳 賳賲丕蹖卮 乇賵 賵賱 讴賳蹖丿!
賯亘賱 丕夭 氐賮乇- 賳賲丕蹖卮賳丕賲賴 乇賵 亘丕 鬲乇噩賲賴 丿丕乇蹖賵卮 賲丐丿亘蹖丕賳 丕夭 爻乇蹖 胤賳夭丌賵乇丕賳 噩賴丕賳 賳賲丕蹖卮 禺賵丕賳丿賴 丕賲. 丕賲丕 趩賵賳 丿乇 賲噩賱丿蹖 讴賴 禺賵丕賳丿賲貙 毓賱丕賵賴 亘乇 "禺丿丕蹖 讴卮鬲丕乇"貙 賳賲丕蹖卮賳丕賲賴 "賴賳乇" 賳蹖夭 亘賵丿 賵 賲賳 氐乇賮丕 賲蹖鈥屫堌ж池� 禺丿丕蹖 讴卮鬲丕乇 乇丕 亘禺賵丕賳賲貙 匕蹖賱 丕蹖賳 賳爻禺賴 丕夭 讴鬲丕亘 賲乇賵乇 賲蹖鈥屬嗁堐屫迟�.
0- 亘賴 賯賵賱 丿丕乇蹖賵卮 賲丐丿亘蹖丕賳貙 丿蹖乇賵夭 亘丕 丕賲乇賵夭 賮乇賯 丿丕卮鬲賴 丕爻鬲貨 亘丕 丿丕乇蹖賵卮鈥屸€屫з� 賴賲 賳馗乇 丕賲貙 丕賲丕 賯囟丕賵鬲賲 丕賳丿讴蹖 亘丕賴丕卮 鬲賵賮蹖乇 丿丕乇丿. 丿蹖乇賵夭 丿爻鬲乇爻蹖 亘賴 賲賳丕亘毓 鬲丨賯蹖賯丕鬲蹖 賵 丌孬丕乇 賴賳乇蹖 爻禺鬲 亘賵丿賴 丕爻鬲貨 趩賴 讴爻蹖 丕爻鬲 讴賴 禺丕胤乇丕鬲 芦丿賵乇丕賳 爻禺鬲禄 鬲丨氐蹖賱 毓賱賲 賵 丿丕賳卮 乇丕 丕夭 亘夭乇诏鈥屫辟囏й� 噩賲毓 賳卮賳蹖丿賴 亘丕卮丿責 丕賲丕 丕賲乇賵夭賴 丿乇 噩賴丕賳賽 丿爻鬲乇爻蹖 夭賳丿诏蹖 賲蹖鈥屭┵嗃屬�. 蹖讴 讴賱蹖讴 鬲丕 丿爻鬲乇爻蹖 亘賴 噩賴丕賳 賱丕蹖鬲賳丕賴蹖 賵亘貨 丕賱亘鬲賴 丕诏乇 賮蹖賱鬲乇 丕噩丕夭賴 亘丿賴貙 蹖毓賳蹖 賮乇囟 讴賳蹖丿 賳蹖爻鬲! 丕賲丕 丿爻鬲乇爻蹖 賵 賲氐乇賮貙 賲毓丕丿賱 鬲噩乇亘賴 賳蹖爻鬲. 丿爻鬲乇爻蹖 賱夭賵賲丕 亘丕毓孬 丿爻鬲蹖丕亘蹖 亘賴 鬲噩丕乇鬲 賳丕亘 賳蹖爻鬲. 鬲賵囟蹖丨 賲蹖鈥屫呚� 丿賳丿賵賳 亘賴 噩蹖诏乇 亘诏蹖乇 亘趩賴!
亘亘蹖賳蹖丿貙 丕賲乇賵夭 亘賴 賲丿丿 VOD賴丕蹖蹖 賳馗蹖乇 賳鬲賮蹖賱蹖讴爻 賵 HBO 賵 賳賲賵賳賴鈥屬囏й� 賵胤賳蹖 賲孬賱 賳賲丕賵丕 賵 賮蹖賱蹖賲賵貙 賵 丕賱亘鬲賴 噩賴丕賳蹖 爻丕蹖鬲 亘乇丕蹖 丿丕賳賱賵丿 賮蹖賱賲貙 睾乇賯 丿乇 噩賴丕賳 丌孬丕乇 爻蹖賳賲丕蹖蹖 丕蹖賲貙 丕賲丕 讴丿丕賲 蹖讴 丕夭 賲丕 爻禺鬲蹖 丿蹖丿賳 丌孬丕乇 讴賱丕爻蹖讴 賵 毓蹖卮 倬爻 丕夭 丌賳 乇丕 亘賴 噩丕賳 賲蹖鈥屫必� 賯亘賵賱 丿丕乇蹖丿 讴賴 丿蹖丿賳 蹖讴 爻乇蹖丕賱 讴賴 蹖讴 倬蹖乇賳诏 賲賴賳丿爻蹖 卮丿賴 亘丕 丕賱賲丕賳鈥屬囏й� 乇賵丕蹖蹖 賲賵乇丿 毓賱丕賯賴鈥屰屬呚з嗀� 禺蹖賱蹖 亘賴鬲乇 丕爻鬲 亘乇丕蹖 丕賵賯丕鬲 賮乇丕睾鬲 鬲丕 丌孬丕乇 丕爻鬲禺賵丕賳鈥屫ж必� 丕賲丕 芦鬲噩乇亘賴禄 賴賲丕賳胤賵乇 讴賴 丿乇 夭賳丿诏蹖 亘賴 賲乇丕乇鬲貙 爻禺鬲蹖 賵 丕爻鬲賲乇丕乇 丨丕氐賱 賲蹖鈥屫促堌� 亘賴 鬲噩乇亘賴 賮賴賲蹖丿賴鈥屫з� 讴賴 丿乇 賴賳乇 賵 丕丿亘蹖丕鬲 賳蹖夭 亘賴 賲乇丕乇鬲 丨丕氐賱 賲蹖鈥屫促堌�. 亘乇丕蹖 賮賴賲蹖丿賳賽 卮毓乇 丨丕賮馗貙 趩賴 亘禺賵丕蹖 趩賴 賳禺賵丕蹖 丕诏乇 丕氐賵賱 卮毓乇 讴賱丕爻蹖讴 賵 卮毓乇 賮丕乇爻蹖貙 丕夭 賯亘蹖賱 賵夭賳貙 丌乇丕蹖賴 賵 賵蹖跇诏蹖鈥屬囏й� 夭亘丕賳蹖 乇丕 亘丿丕賳蹖貙 丨馗 賲蹖鈥屫ㄘ臂� 睾蹖乇賯丕亘賱 賵氐賵賱 丿乇 鬲毓乇蹖賮 亘乇丕蹖 匕賴賳 丕賳丿蹖卮賳丿賴!
禺賱丕氐賴 亘丕 丕蹖賳讴賴 睾乇賯 丿乇 丿乇蹖丕蹖 丕胤賱丕毓丕鬲 亘賵丿賴 丕賲貙 丕賲丕 爻蹖賳賲丕 乇丕 讴賲 鬲噩乇亘賴 讴乇丿賴 丕賲. 讴賱蹖 賮蹖賱賲 禺賵亘 丿蹖丿賴 丕賲貙 丕賲丕 蹖丕 亘丿 丿蹖丿賴 亘賵丿賲鈥� 丕蹖卮丕賳 乇丕貙 蹖丕 亘丿 賲賵賯毓. 禺賱丕氐賴 禺賵卮丨丕賱 賵 卮丕丿 賵 禺賳丿丕賳賲 讴賴 讴賱蹖 賮蹖賱賲 賵 丕孬乇 賯丕亘賱 丕毓鬲賳丕 賴爻鬲 讴賴 鬲噩乇亘賴 賳讴乇丿賲卮丕賳. 丿乇 丕丿亘蹖丕鬲 賴賲 賴賲蹖賳 丕賲貙 鬲丨賯蹖賯丕 賴賳賵夭 噩乇卅鬲 賳讴乇丿賴 丕賲 爻乇丕睾 讴賱丕賳 丌孬丕乇 丕丿亘蹖 亘乇賵賲 賵 丕賳诏蹖夭賴 夭賳丿诏蹖 丕賲 丕蹖賳 丕爻鬲 讴賴 鬲丕賱爻鬲賵蹖貙 丿丕爻鬲丕蹖賮爻讴蹖貙 賴賵诏賵貙 亘賵賱诏丕讴賮貙 卮讴爻倬蹖乇貙 丨鬲蹖 賴賵賲乇 賵 丿賵爻鬲丕賳 賵 趩賳丿蹖賳 亘夭乇诏 丕丿蹖亘 鬲丕乇蹖禺 噩賴丕賳 丿乇 賱丕亘賱丕蹖 爻胤賵乇 賲賳鬲馗乇 賲賳 丕蹖爻鬲丕丿賴 丕賳丿. 鬲丕夭賴 賲蹖鈥屬佡囐呝� 倬丕丿卮丕賴丕賳 賵 丕乇亘丕亘丕賳 趩賴 讴蹖賮賵乇 賲蹖鈥屫簇� 丕賳丿. 賮乇囟 讴賳貙 禺蹖丕賱 讴賳蹖 蹖賴 毓丿賴 丌丿賲 禺丿賳诏 賵 賲賳鬲馗乇 鬲賵 丕賳丿. 倬賵夭卮 丕夭 亘夭乇诏丕賳 讴賴 亘賴 禺丿賳诏 鬲卮亘蹖賴 卮丿賳丿貨 亘丕 丕蹖賳 鬲賵氐蹖賮丕鬲賽 爻亘讴鈥屬呚贺藏з嗁� 丕賲孬丕賱 賲賳 讴賴 亘乇 胤丕賯 爻鬲乇诏 毓馗賲鬲卮丕賳貙 丨鬲蹖 鬲乇讴蹖 賳賯卮 賳賲蹖鈥屫ㄙ嗀�. 倬爻 亘匕丕乇蹖丿 亘丕 夭亘丕賳 禺賵丿賲 匕賵賯賲 乇賵 噩丕乇 亘夭賳賲.
1- 丨丕卮蹖賴 亘丕賱丕貙 乇亘胤蹖 亘賴 賲鬲賳 [賳賲丕蹖卮賳丕賲賴 禺丿丕蹖 讴卮鬲丕乇 丕夭 蹖丕爻賲蹖賳丕 乇囟丕] 丿丕乇丿. 丕賵賱蹖賳 鬲噩乇亘賴 丕賲 丕夭 爻蹖賳賲丕蹖 乇賵賲賳 倬賵賱丕賳爻讴蹖貙 丿蹖丿賳 賮蹖賱賲 Carnage 蹖丕 讴卮鬲丕乇 亘賴 賵丕爻胤賴 丕蹖賳 賳賲丕蹖卮賳丕賲賴 亘賵丿. 賯亘賱丕 賲丨賱賴 趩蹖賳蹖鈥屬囏� 賵 氐丿 丕賱亘鬲賴 倬蹖丕賳蹖爻鬲 乇丕 丕夭 倬賵賱丕賳爻讴蹖 丿蹖丿賴 亘賵丿賲貙 丕賲丕 氐乇賮丕 芦丿蹖丿賴 亘賵丿賲禄貨 鬲噩乇亘賴 賴賳乇蹖 賳亘賵丿 亘乇丕蹖賲. 丕賲丕 讴卮鬲丕乇 乇丕 亘丕 丿賯鬲 賵 丿賵亘丕乇 倬卮鬲 賴賲 丿蹖丿賲 賵 賴夭丕乇 賳讴鬲賴 亘丕乇蹖讴鈥屫� 丕夭 賲賵 丿乇賵賳卮 丿蹖丿賲. 丌賯丕/禺丕賳賲貙 亘丕賱丕禺乇賴 卮丕禺讴賲 鬲蹖夭 卮丿 賵 乇賵賲賳 倬賵賱丕賳爻讴蹖 讴卮賮. 丕賱丕賳 亘丕夭 蹖讴蹖 賲蹖丕丿 賲蹖鈥屭�: 芦丕蹖賳 亘趩賴 倬乇乇賵 乇賵賲賳 倬賵賱丕賳爻讴蹖 乇賵 讴卮賮 讴乇丿賴! 鬲賵 讴蹖 亘丕卮賴 讴賴 丕爻鬲丕丿 乇賵 讴卮賮 讴賳蹖責禄
賲賳賲 丿乇 噩賵丕亘 賲蹖鈥屭�: 芦毓夭蹖夭 丿賱賲貙 讴賮乇蹖 賳卮賵! 丿乇 囟賲賳 丕蹖賳讴賴 诏賱鈥屭з堌藏ㄘз� 噩賵丕亘 讴丕乇賴貙 丕賱丕賳 丕丿蹖爻賵賳 賲诏賴 亘乇賯 乇賵 讴卮賮 賳讴乇丿賴責 禺亘 賯亘賱卮賲 亘賵丿賴貙 賵賱蹖 丕丿蹖爻賵賳 蹖丕丿诏乇賮鬲賴 丕夭卮 丕爻鬲賮丕丿賴 讴賳賴. 賲賳賲 倬賵賱丕賳爻讴蹖 乇賵 亘乇丕蹖 禺賵丿賲 丕賱丕賳 讴卮賮 讴乇丿賲. 丕噩丕夭賴 亘丿賴 丕蹖賳賵 噩丕乇 亘夭賳賲. 賲乇囟 丿丕乇蹖 讴賴 賲蹖鈥屫堌й� 卮乇賲爻丕乇賲 讴賳蹖責禄
2- 丕蹖賳 賳賲丕蹖卮賳丕賲賴 丿乇 爻丕賱 2008 丿乇 倬丕乇蹖爻 亘乇賵蹖 氐丨賳賴 乇賮鬲. 賲孬賱 丿蹖诏乇 丌孬丕乇 蹖丕爻賲蹖賳 乇囟丕貙 丕蹖賳 賳賲丕蹖卮賳丕賲賴 賳蹖夭 賵丕鬲乇讴賵賳丿. 丕蹖賳 蹖讴蹖 倬乇丿賴 丌賮丕賯 丿乇蹖丿 賵 丿乇 噩賴丕賳 氐丿丕 讴乇丿. 亘毓丿卮 禺賵丿賽 乇囟丕 亘丕 倬賵賱丕賳爻讴蹖貙 賴賲讴丕乇蹖 讴乇丿賳 賵 賮蹖賱賲卮 讴乇丿賳. 賮賴賲蹖丿蹖 趩蹖夭 禺賵亘蹖賴 丿蹖诏賴責
3- 丕蹖賳讴賴 賳賵蹖爻賳丿賴貙 蹖丕爻賲蹖賳丕貙 禺賵丿卮 亘丕夭蹖诏乇 鬲卅丕鬲乇 亘賵丿賴 丕爻鬲 賵 丿乇 讴丕乇诏乇丿丕賳蹖 賳蹖夭 丿爻鬲蹖 亘乇 丌鬲卮 丿丕乇丿貙 讴丕乇蹖 賲蹖鈥屭┵嗀� 讴賴 丕蹖賳 賳賲丕蹖卮賳丕賲賴 禺蹖賱蹖 丿乇爻鬲 亘丕卮丿. 賲賯丕蹖爻賴 卮賵丿 亘丕 丿賵夭禺 跇丕賳 倬賱 爻丕乇鬲乇. 賲卮禺氐 丕爻鬲 讴賴 爻丕乇鬲乇 賮蹖賱爻賵賮 丕爻鬲 賳賴 丕夭 丕賴丕賱蹖 賳賲丕蹖卮. 賲禺氐賵氐丕 丿乇 丿賵夭禺 讴賴 噩夭賵 丕賵賱蹖賳 丌孬丕乇 賳賲丕蹖卮蹖 丕賵爻鬲. 丕賲丕 氐賱丕亘鬲 賯賱賲 賵 賳賲丕蹖卮 芦賲賵賯毓蹖鬲蹖禄 讴賴 丿乇 芦禺丿丕蹖 讴卮鬲丕乇禄 丕夭 蹖丕爻賲蹖賳丕 乇囟丕 丿蹖丿賲貙 賲鬲丨蹖乇賲 讴乇丿.
丕夭 丕蹖賳 亘賴 亘毓丿貙 丕賵賱 賴乇倬丕乇丕诏乇丕賮 賲蹖鈥屬嗁堐屫迟� 丿乇賲賵乇丿 賮蹖賱賲貙 讴卮鬲丕乇 丕夭 倬賵賱丕賳爻讴蹖貙 賲蹖鈥屬嗁堐屫迟� 蹖丕 賲賳丨氐乇丕 賳賲丕蹖卮賳丕賲賴.
[賳賲丕蹖卮賳丕賲賴]丿蹖丕賱賵诏鈥屬囏� 亘賴 賯丕賲賵爻 卮禺氐蹖鬲鈥屬囏� 賲蹖鈥屬嗀篡屫�. 賳丨賵 賵 夭亘丕賳 讴丕乇丕讴鬲乇賴丕 鬲賵賮蹖乇 丿丕乇賳丿 賳爻亘鬲 亘賴 賴賲 賵 芦賯賱賲 賳賵蹖爻賳丿賴禄 丿乇 倬卮鬲 卮禺氐蹖鬲鈥屬囏� 诏賲 卮丿賴 丕爻鬲 賵 卮丕蹖丿 丕氐賱丕 賲鬲賵噩賴 賳賵蹖爻賳丿賴 賳卮賵蹖 賵 氐乇賮丕 亘丕 卮禺氐蹖鬲鈥屬囏� 丿乇诏蹖乇 亘丕卮蹖. 丿蹖丕賱賵诏鈥屬囏й� 倬蹖賳诏鈥屬举嗂� 賵 爻乇蹖毓 賳賲丕蹖卮賳丕賲賴 毓丕賱蹖 亘賵丿.賴夭丕乇 賳讴鬲賴 亘丕乇蹖讴鈥屫� 賲賵 賴爻鬲 讴賴 亘賲丕賳丿.
[賮蹖賱賲]丕蹖賳 鬲讴賳蹖讴 Bookending (賳賲蹖鈥屫堎嗁� 賵丕賯毓丕 賲毓丕丿賱 賮丕乇爻蹖鈥屫ж� 乇賵 趩蹖 賲蹖鈥屭� 丕賴賱 爻蹖賳賲丕) 讴賴 丕卮丕乇賴 亘賴 鬲讴賳蹖讴蹖 丿丕乇丿 讴賴 爻讴丕賳爻 丕賵賱 賵 丌禺乇 賮蹖賱賲 蹖丕 毓蹖賳 賴賲 蹖丕 亘爻蹖丕乇 卮亘蹖賴 亘賴 賴賲丿蹖诏乇 丕賳丿貙 噩夭賵 賲毓丿賵丿 丿賮毓丕鬲蹖 亘賵丿 讴賴 亘丕 毓賲賯 賵噩賵丿 丿乇讴卮 讴乇丿賲 賵 亘賴 賴蹖亘鬲 賮蹖賱賲 賵 倬蹖乇賳诏 賲蹖鈥屬嗀簇池�. 丿乇 禺蹖賱蹖 丕夭 賮蹖賱賲鈥屬囏ж� 丕賳賯丿乇 亘丿 丕夭 丕蹖賳 鬲讴賳蹖讴 丕爻鬲賮丕丿賴 賲蹖鈥屫促堌� 讴賴 诏賵蹖蹖 讴賱 賮蹖賱賲 蹖讴 亘爻胤 丕囟丕賮蹖 丕爻鬲 亘乇丕蹖 丕蹖賳讴賴 丕蹖賳 鬲讴乇丕乇 賵 鬲讴賳蹖讴 丕爻鬲賮丕丿賴 卮賵丿.丕氐賱丕 毓丕賱蹖 亘賵丿貙 讴賱 鬲蹖讴賴 賵 讴賳丕蹖賴 丕賳丿丕禺鬲賳 賮蹖賱賲貙 亘賴 賳馗乇賲 丿乇 鬲氐賵蹖乇 賳賴丕蹖蹖 禺賱丕氐賴 賲蹖鈥屫簇�. 賵噩賴 讴賳丕蹖蹖 賵 丌蹖乇賵賳蹖讴/胤賳夭 亘爻蹖丕乇 噩匕丕亘蹖 丿丕卮鬲.
[賮蹖賱賲] 丕賮夭賵丿賳 丌卮倬夭禺丕賳賴貙 丿爻鬲卮賵蹖蹖貙 乇丕賴乇賵蹖 禺乇賵噩蹖 禺丕賳賴 亘賴 賮蹖賱賲貙 賵丕賯毓丕 蹖讴 爻乇 賵 诏乇丿賳貙 賮蹖賱賲 乇丕 賳爻亘鬲 亘賴 賳賲丕蹖卮賳丕賲賴 亘賴鬲乇 讴乇丿. 丕蹖賳 乇賮鬲鈥屬堌①呚� 讴丕乇丕讴鬲乇賴丕 亘賴 禺丕乇噩 禺丕賳賴 賵 乇丕賴乇賵 賵 亘丕夭诏卮鬲 亘賴卮貙 毓丕賱蹖 亘賵丿.
[賮蹖賱賲] 鬲睾蹖蹖乇 卮禺氐蹖鬲 賵讴蹖賱貙 倬丿乇 賲噩乇賲 :)貙 蹖丕 賴賲丕賳 讴乇蹖爻鬲賮 賵丕賱鬲夭 毓夭蹖夭貙 丕夭 卮禺氐蹖鬲蹖 丌乇丕賲鈥屫� 丿乇 賳賲丕蹖卮賳丕賲賴 亘賴 卮禺氐蹖鬲 倬禺鬲賴鈥屫� 賵 毓噩蹖亘鈥屫� 丿乇 賮蹖賱賲 毓丕賱蹖 亘賵丿. 賳賲蹖鈥屫堎嗁� 噩趩賵乇蹖 鬲賵氐蹖賮卮 讴賳賲.
賴夭丕乇丕賳 賳讴鬲賴 賴爻鬲 讴賴 芦亘丕卮賴 亘乇丕蹖 亘毓丿丕禄
4- 蹖讴 丕噩乇丕蹖 鬲卅丕鬲乇 胤賳夭 賴賲 丕夭 丕蹖賳 賳賲丕蹖卮賳丕賲賴 丿乇 丕蹖乇丕賳 卮丿賴 亘丕 亘丕夭蹖 爻蹖賲丕 鬲蹖乇丕賳丿丕夭 賵 丕卮讴丕賳 禺胤蹖亘蹖 賵 賴賲讴丕乇丕賳貙 讴賴 禺亘貙 丕夭 亘爻 賮蹖賱賲賽 倬賵賱丕賳爻讴蹖 丿乇 氐丿乇 賳卮爻鬲賴 丕爻鬲貙 丕蹖賳 鬲卅丕鬲乇 禺賵丿卮 賵 賵囟毓蹖鬲卮 亘賴 蹖讴 丕孬乇 胤賳夭 鬲亘丿蹖賱 卮丿. 亘匕丕乇 爻丕丿賴 亘诏賲貙 鬲丕 丌亘 胤丕賴乇 賲賵噩賵丿 丕爻鬲貙 丨丕噩鬲 亘賴 鬲蹖賲賲 賳蹖爻鬲. 鬲丕 賲蹖鈥屫促� 賮蹖賱賲 乇賵 丿蹖丿貙 丕蹖賳 賳賲丕蹖卮 乇賵 賵賱 讴賳蹖丿!
January 15, 2019
This text shows that we should discuss more plays and movie scripts as literary material: Reza's writing is stellar, her observations are sharp and witty, and we can always look at the performative dimension as an extra - as this is one of the most played theater productions of recent years and has also been turned into a movie (starring Jodie Foster, Christoph Waltz, Kate Winslet and John C. Reilly), there are plenty of versions.
The whole story takes place in an apartment in Paris and in real time. Two couples are meeting because their eleven-year-old sons have gotten into a fight: Bruno refused Ferdinand to join his gang, which prompted Ferdinand to knock out two of Bruno's teeth in retaliation (the names are sometimes different in English-language productions). In the course of the conversation, the situation slowly spins out of control as appearances unravel and the parents move from a civil attitude and the wish to resolve the problem to an open (verbal) fight, everybody against everybody, and the stand-off gets even worse when they start to drink alcohol - the corporate lawyer, the wealth manager, the human rights activist, and the wholesaler get caught up in a ridiculous and irrational quarrel.
So at the core, this play is about hypocrisy and people trying to cling to appearances in order to shield the truth about themselves from themselves and others - and it's effective because against all expectations, it's absolutely hilarious. It's a play in which the action is in the dialogue - and Reza knows how to write excellent dialogue. In the end, the only character you feel sympathy for will be the hamster.
The whole story takes place in an apartment in Paris and in real time. Two couples are meeting because their eleven-year-old sons have gotten into a fight: Bruno refused Ferdinand to join his gang, which prompted Ferdinand to knock out two of Bruno's teeth in retaliation (the names are sometimes different in English-language productions). In the course of the conversation, the situation slowly spins out of control as appearances unravel and the parents move from a civil attitude and the wish to resolve the problem to an open (verbal) fight, everybody against everybody, and the stand-off gets even worse when they start to drink alcohol - the corporate lawyer, the wealth manager, the human rights activist, and the wholesaler get caught up in a ridiculous and irrational quarrel.
So at the core, this play is about hypocrisy and people trying to cling to appearances in order to shield the truth about themselves from themselves and others - and it's effective because against all expectations, it's absolutely hilarious. It's a play in which the action is in the dialogue - and Reza knows how to write excellent dialogue. In the end, the only character you feel sympathy for will be the hamster.
February 27, 2024
賳賲丕蹖卮賳丕賲賴 丕蹖 讴賵鬲丕賴 賵 賲賮賴賵賲蹖
丿毓賵丕蹖 亘蹖賳 丿賵 亘趩賴 賵 卮讴爻鬲賳 丿賵 丿賳丿丕賳 蹖讴 賳賮乇 丕夭 亘趩賴 賴丕 亘丕毓孬 賲蹖卮賴 丿賵 禺丕賳賵丕丿賴 丿賵乇 賴賲 噩賲毓 卮賵賳丿鬲丕 亘賴 賳鬲蹖噩賴 亘乇爻賳丿 . 丿乇 丕蹖鬲丿丕 賴賲賴 趩蹖夭 丿賵爻鬲丕賳賴 賵 賲賵丿亘丕賳賴 倬蹖卮 賲蹖乇賴
丕賲丕 讴賲 讴賲 賵賯鬲蹖 氐丨亘鬲 賴丕 噩丿蹖 鬲乇 賲蹖卮賴
賴乇 讴爻 匕丕鬲 丿乇賵賳蹖 禺賵丿卮 乇賵 賳卮賵賳 賲蹖丿賴 賵 丕夭 乇賮鬲丕乇 賲賵丿亘丕賳賴 賵 卮蹖讴 禺丕乇噩 賲蹖卮賳 賵 鬲賵賴蹖賳 賴丕 賮丨卮 賴丕 賵 ... 丕夭 夭亘丕賳 丕蹖賳 禺丕賳賵丕丿賴 丕蹖 賲鬲賲丿賳 賲蹖 卮賳賵蹖賲 .
鬲乇噩賲賴 : 禺賵亘
丕賲鬲蹖丕夭賲 鄢
倬.賳: 丕蹖賳亘丕乇 丕氐賱丕 賵 丕氐賱丕 賵 丕氐賱丕 倬蹖卮賳賴丕丿 賳賲蹖 讴賳賲 氐賵鬲蹖 卮賵 诏賵卮 讴賳蹖丿 亘賴 卮丿鬲 讴丕乇 囟毓蹖賮 賵 倬乇 丕卮鬲亘丕賴蹖 亘賵丿 .
禺賵丕賳卮 賴丕 賴賲 诏丕賴蹖 睾賱胤 亘賵丿
讴鬲丕亘 乇賵 趩丕倬蹖 蹖丕 丕賱讴鬲乇賵賳蹖讴蹖 亘禺賵賳蹖丿 .
丿毓賵丕蹖 亘蹖賳 丿賵 亘趩賴 賵 卮讴爻鬲賳 丿賵 丿賳丿丕賳 蹖讴 賳賮乇 丕夭 亘趩賴 賴丕 亘丕毓孬 賲蹖卮賴 丿賵 禺丕賳賵丕丿賴 丿賵乇 賴賲 噩賲毓 卮賵賳丿鬲丕 亘賴 賳鬲蹖噩賴 亘乇爻賳丿 . 丿乇 丕蹖鬲丿丕 賴賲賴 趩蹖夭 丿賵爻鬲丕賳賴 賵 賲賵丿亘丕賳賴 倬蹖卮 賲蹖乇賴
丕賲丕 讴賲 讴賲 賵賯鬲蹖 氐丨亘鬲 賴丕 噩丿蹖 鬲乇 賲蹖卮賴
賴乇 讴爻 匕丕鬲 丿乇賵賳蹖 禺賵丿卮 乇賵 賳卮賵賳 賲蹖丿賴 賵 丕夭 乇賮鬲丕乇 賲賵丿亘丕賳賴 賵 卮蹖讴 禺丕乇噩 賲蹖卮賳 賵 鬲賵賴蹖賳 賴丕 賮丨卮 賴丕 賵 ... 丕夭 夭亘丕賳 丕蹖賳 禺丕賳賵丕丿賴 丕蹖 賲鬲賲丿賳 賲蹖 卮賳賵蹖賲 .
鬲乇噩賲賴 : 禺賵亘
丕賲鬲蹖丕夭賲 鄢
倬.賳: 丕蹖賳亘丕乇 丕氐賱丕 賵 丕氐賱丕 賵 丕氐賱丕 倬蹖卮賳賴丕丿 賳賲蹖 讴賳賲 氐賵鬲蹖 卮賵 诏賵卮 讴賳蹖丿 亘賴 卮丿鬲 讴丕乇 囟毓蹖賮 賵 倬乇 丕卮鬲亘丕賴蹖 亘賵丿 .
禺賵丕賳卮 賴丕 賴賲 诏丕賴蹖 睾賱胤 亘賵丿
讴鬲丕亘 乇賵 趩丕倬蹖 蹖丕 丕賱讴鬲乇賵賳蹖讴蹖 亘禺賵賳蹖丿 .
April 12, 2020
Una discussione che degenera presto e si trasforma in una vera e propria carneficina, una gara per avere l'ultima battuta e per ferire pi霉 a fondo l'altro, un trampolino dal quale lanciarsi, un massacro da cui tutti usciranno distrutti.
La storia vede protagoniste due coppie, che si incontrano per discutere di un litigio avvenuto tra i rispettivi figli.
Tutto il testo 猫 ambientato in un appartamento, e il movimento 猫 creato dallo scambio verbale. Questo 猫 sempre condotto secondo gli schemi della comunicazione f脿tica: una comunicazione che non comunica, ma che 猫 un prolungamento della chiacchiera. E in quanto tale si realizza in una falsa apertura dove le persone non riescono mai a trovare un vero e proprio contatto.
Viene fatto largo uso delle frasi di cortesia: espressioni che appaiono come convenevoli, e che non racchiudono nessun significato se non una maschera: quella della buone maniere. Cos矛 si ha il collasso di tutto il sistema, perch茅, se una volta la cortesia voleva esprimere gentilezza e rispetto verso l'altro, qui si riduce solo a falsit脿 atta a far apparire le persone "brave persone". Anche i gesti rispecchiano a pieno come ogni comportamento abbia un secondo fine, e come il riguardo sia solo apparente: l'attenzione gli uni verso gli altri 猫 pura consuetudine. E cos矛 le buone maniere, svuotandosi del loro significato, diventano anch'esse falsit脿; i valori qui sono solo piccole finzioni.
Non ci sono attimi di silenzio poich茅 questo 猫 visto come fonte di imbarazzo, e le parole, le frasi di cortesia, hanno la funzione di togliere le persone dalla vergogna che non consente tranquillit脿.
C'猫 un ritmo incalzante in cui si cerca sempre di avere l'ultima battuta, come se si trattasse di un duello; la conversazione infatti non ha stabilit脿, ma una tensione che cresce, seguita sempre da uno sfogo.
L'importante 猫 apparire ma soprattutto apparire in una certa maniera, essere sempre nel giusto, far vedere agli altri la grandiosit脿 della propria vita; ma quando i giochi non reggono pi霉 e i rispettivi coniugi iniziano a litigare tra loro, escono fuori le vere idee.
La verit脿 猫 che loro sono davvero fatti di apparenze e che queste sono importantissime, ma dopo la discussione, una volta distrutti tutti i castelli di falsit脿, ci si trova davanti a s茅 stessi: 芦tutti abbiamo bisogno di credere... Di credere ad un possibile cambiamento, no?禄.
La storia vede protagoniste due coppie, che si incontrano per discutere di un litigio avvenuto tra i rispettivi figli.
Tutto il testo 猫 ambientato in un appartamento, e il movimento 猫 creato dallo scambio verbale. Questo 猫 sempre condotto secondo gli schemi della comunicazione f脿tica: una comunicazione che non comunica, ma che 猫 un prolungamento della chiacchiera. E in quanto tale si realizza in una falsa apertura dove le persone non riescono mai a trovare un vero e proprio contatto.
Viene fatto largo uso delle frasi di cortesia: espressioni che appaiono come convenevoli, e che non racchiudono nessun significato se non una maschera: quella della buone maniere. Cos矛 si ha il collasso di tutto il sistema, perch茅, se una volta la cortesia voleva esprimere gentilezza e rispetto verso l'altro, qui si riduce solo a falsit脿 atta a far apparire le persone "brave persone". Anche i gesti rispecchiano a pieno come ogni comportamento abbia un secondo fine, e come il riguardo sia solo apparente: l'attenzione gli uni verso gli altri 猫 pura consuetudine. E cos矛 le buone maniere, svuotandosi del loro significato, diventano anch'esse falsit脿; i valori qui sono solo piccole finzioni.
Non ci sono attimi di silenzio poich茅 questo 猫 visto come fonte di imbarazzo, e le parole, le frasi di cortesia, hanno la funzione di togliere le persone dalla vergogna che non consente tranquillit脿.
C'猫 un ritmo incalzante in cui si cerca sempre di avere l'ultima battuta, come se si trattasse di un duello; la conversazione infatti non ha stabilit脿, ma una tensione che cresce, seguita sempre da uno sfogo.
L'importante 猫 apparire ma soprattutto apparire in una certa maniera, essere sempre nel giusto, far vedere agli altri la grandiosit脿 della propria vita; ma quando i giochi non reggono pi霉 e i rispettivi coniugi iniziano a litigare tra loro, escono fuori le vere idee.
La verit脿 猫 che loro sono davvero fatti di apparenze e che queste sono importantissime, ma dopo la discussione, una volta distrutti tutti i castelli di falsit脿, ci si trova davanti a s茅 stessi: 芦tutti abbiamo bisogno di credere... Di credere ad un possibile cambiamento, no?禄.
November 29, 2018
Esilarante : Irritante = Feroce : Atroce
Un libro irritante come una pi猫ce teatrale (e infatti di ci貌 si tratta). Di solito la pi猫ce su regge sull鈥檈quivoco, questa invece 猫 sostenuta dal rilancio. Ogni volta che la questione sembra poter ragionevolmente appianarsi, uno dei quattro personaggi in causa le d脿 uno scrollone di lato e la rimette in bilico. Un bambino di undici ha tirato una bastonata nei denti ad un coetaneo. I litiganti sono i genitori del carnefice e quelli della vittima, a casa di quest鈥檜ltimi si svolge la disputa fatta di finta tolleranza alternata a provocazioni di ogni sorta che hanno il solo scopo di allungarla. Il quinto personaggio 猫 un cellulare che suona in continuazione, che dovrebbe rappresentare un interludio comico, o forse fotografare l鈥檌nvadenza che aveva l鈥檜so quasi esclusivamente vocale del terminale nei primi anni duemila. Dieci anni dopo, con lo smartphone, l鈥檜so si 猫 fatto pi霉 discreto ma compulsivo: viviamo connessi e abbiamo necessit脿 di essere rassicurati sul fatto che piacciamo.
Fin dalle primissime battute di questa commedia al tempo stesso esilarante e feroce appare chiaro perch茅 Roman Polanski abbia deciso di portarla sullo schermo e perch茅 attori come Isabelle Huppert, Ralph Fiennes e James Gandolfini abbiano voluto interpretarla a teatro. Poche volte, infatti, un autore 猫 stato capace di squarciare con altrettanto soave crudelt脿 i veli destinati a ricoprire la costitutiva barbarie della creatura umana.
Ma siamo sicuri? A me non 猫 venuta nessuna voglia di andare a teatro (quello 猫 un problema mio) ma neanche di cercare il film, non mi sembra ci sia niente di originale o sconvolgente in questa commedia, semmai avrei da obiettare su come sono stati gestiti l鈥檌nevitabile escalation di violenza e l鈥檈mersione dei reali temperamenti dei personaggi. Dove sono le centinaia di detrattori di Herman Koch? Dove sono coloro che hanno maledetto 鈥渓a cena鈥� e il conto? Mi auguro che non siano gli stessi che hanno apprezzato questa commedia al tempo stesso esilarante e feroce. Con la stessa iperbole di chi ha voluto promuoverla nel corsivo io potrei definirla irritante e atroce, ma non sarei equo, la Reza non lo meriterebbe, ci son parecchi libri peggiori di questo in giro.
Un libro irritante come una pi猫ce teatrale (e infatti di ci貌 si tratta). Di solito la pi猫ce su regge sull鈥檈quivoco, questa invece 猫 sostenuta dal rilancio. Ogni volta che la questione sembra poter ragionevolmente appianarsi, uno dei quattro personaggi in causa le d脿 uno scrollone di lato e la rimette in bilico. Un bambino di undici ha tirato una bastonata nei denti ad un coetaneo. I litiganti sono i genitori del carnefice e quelli della vittima, a casa di quest鈥檜ltimi si svolge la disputa fatta di finta tolleranza alternata a provocazioni di ogni sorta che hanno il solo scopo di allungarla. Il quinto personaggio 猫 un cellulare che suona in continuazione, che dovrebbe rappresentare un interludio comico, o forse fotografare l鈥檌nvadenza che aveva l鈥檜so quasi esclusivamente vocale del terminale nei primi anni duemila. Dieci anni dopo, con lo smartphone, l鈥檜so si 猫 fatto pi霉 discreto ma compulsivo: viviamo connessi e abbiamo necessit脿 di essere rassicurati sul fatto che piacciamo.
Fin dalle primissime battute di questa commedia al tempo stesso esilarante e feroce appare chiaro perch茅 Roman Polanski abbia deciso di portarla sullo schermo e perch茅 attori come Isabelle Huppert, Ralph Fiennes e James Gandolfini abbiano voluto interpretarla a teatro. Poche volte, infatti, un autore 猫 stato capace di squarciare con altrettanto soave crudelt脿 i veli destinati a ricoprire la costitutiva barbarie della creatura umana.
Ma siamo sicuri? A me non 猫 venuta nessuna voglia di andare a teatro (quello 猫 un problema mio) ma neanche di cercare il film, non mi sembra ci sia niente di originale o sconvolgente in questa commedia, semmai avrei da obiettare su come sono stati gestiti l鈥檌nevitabile escalation di violenza e l鈥檈mersione dei reali temperamenti dei personaggi. Dove sono le centinaia di detrattori di Herman Koch? Dove sono coloro che hanno maledetto 鈥渓a cena鈥� e il conto? Mi auguro che non siano gli stessi che hanno apprezzato questa commedia al tempo stesso esilarante e feroce. Con la stessa iperbole di chi ha voluto promuoverla nel corsivo io potrei definirla irritante e atroce, ma non sarei equo, la Reza non lo meriterebbe, ci son parecchi libri peggiori di questo in giro.
August 1, 2024
賲賳 賴賲蹖卮賴 賲蹖鈥屭呚� 賲丕 賴蹖趩蹖 賳蹖爻鬲蹖賲 睾蹖乇 丕夭 蹖賴 鬲蹖讴賴 诏賱 讴賴 亘丕蹖丿 亘丕賴丕卮 蹖讴 讴丕乇蹖 亘讴賳蹖賲貙 卮丕蹖丿 丌禺乇卮 亘賱丕禺乇賴 蹖讴 賮乇賲蹖 倬蹖丿丕 讴賳賴.
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丌丿賲 賳蹖丕夭 丿丕乇賴 讴賴 丕毓鬲賯丕丿 丿丕卮鬲賴 亘丕卮賴... 丕毓鬲賯丕丿 亘賴 丕蹖賳讴賴 賴賲賴 趩蹖夭 賲蹖鈥屫堎嗁� 亘賴鬲乇 亘卮賴貙 賲诏賴 賳賴責
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爻毓蹖 賲蹖鈥屭┵嗃屬� 讴賴 讴鬲丕亘 亘禺賵賳賳貙亘丕 禺賵丿賲賵賳 亘賴 讴賳爻乇鬲 賵 賳賲丕蹖卮诏丕賴 賲蹖亘乇蹖賲卮賵賳.趩賵賳 讴賴 賲丕 丌賳鈥屬傌� 爻丕丿賴鈥屬勝堌屬� 讴賴 賮讴乇 賲蹖鈥屭┵嗃屬� 賮乇賴賳诏貙丌丿賲鈥屬囏� 乇丕 賲鬲賲丿賳 賲蹖鈥屭┵嗁�.
馃摑#禺丿丕蹖_讴卮鬲丕乇 丿賵賲蹖賳 讴鬲丕亘蹖 丕爻鬲 讴賴 丕夭 丕蹖賳 賳賵蹖爻賳丿賴 禺賵賳丿賲貙 丕賵賱蹖賳 讴鬲丕亘 #禺賵卮丕_禺賵卮亘禺鬲丕賳 亘賵丿 讴賴 讴鬲丕亘 禺賵亘蹖 亘賵丿. 禺丿丕蹖 讴卮鬲丕乇 蹖讴 賳賲丕蹖卮賳丕賲賴 丿乇 賲賵乇丿 賳夭丕毓 亘蹖賳 丿賵 倬爻乇 亘趩賴 賴爻鬲貙 讴賴 丨丕賱丕 禺丕賳賵丕丿賴鈥屬囏й� 丌賳鈥屬囏� 賯乇丕乇 丕爻鬲 亘丕 賴賲 氐丨亘鬲 讴賳賳丿 賵 丕蹖賳 賲爻卅賱賴 乇丕 丨賱 讴賳賳丿 賵賱蹖 丿乇诏蹖乇蹖 丕氐賱蹖 亘蹖賳 丿賵 禺丕賳賵丕丿賴 氐賵乇鬲 賲蹖鈥屭屫必� 讴賴 賳卮丕賳丿賴賳丿賴 賲丕賴蹖鬲 賵丕賯毓蹖 丌賳鈥屬囏ж池�.丌賳鈥屬囏� 亘賴 賳賵毓蹖 鬲賲丕賲 讴丕爻鬲蹖鈥屬囏� 賵 毓賯丿賴鈥屬囏й� 禺賵丿 乇丕 丿乇 睾丕賱亘 睾蹖乇 賲鬲賲丿賳丕賳賴鈥屫й� 亘賴 乇禺 賴賲 賲蹖鈥屭┴促嗀�.賵丕賱丿蹖賳 讴賵丿讴丕賳 賲毓鬲賯丿賳丿 讴賴 亘趩賴鈥屬囏� 禺賵丿 亘丕 賴賲 乇賵亘賴鈥屫辟� 卮賵賳丿 賵 賲卮讴賱 禺賵丿 乇丕 丨賱 讴賳賳丿 賵 丌卮鬲蹖 讴賳賳丿 丿乇 氐賵乇鬲蹖讴賴 禺賵丿卮丕賳 胤丕賯鬲 丕蹖賳 乇丕 賳丿丕乇賳丿. 禺蹖賱蹖 倬蹖卮 賲蹖鈥屫③屫� 讴賴 讴賵丿讴丕賳 亘賴 賳賵毓蹖 亘丕夭鬲丕亘 乇賮鬲丕乇賴丕蹖 倬丿乇 賵 賲丕丿乇 賵 讴賲亘賵丿賴丕蹖 丌賳鈥屬囏� 賴爻鬲賳丿 賵 乇賮鬲丕乇 賵丕賱丿蹖賳 賲蹖鈥屫堌з嗀� 丿乇 丨丿 蹖讴 讴賵丿讴 鬲賳夭賱 倬蹖丿丕 讴賳丿.
#禺丿丕蹖_讴卮鬲丕乇 #蹖丕爻賲蹖賳丕_乇囟丕 鬲乇噩賲賴 #賲丕卅丿賴_胤賴賲丕爻亘蹖
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丌丿賲 賳蹖丕夭 丿丕乇賴 讴賴 丕毓鬲賯丕丿 丿丕卮鬲賴 亘丕卮賴... 丕毓鬲賯丕丿 亘賴 丕蹖賳讴賴 賴賲賴 趩蹖夭 賲蹖鈥屫堎嗁� 亘賴鬲乇 亘卮賴貙 賲诏賴 賳賴責
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爻毓蹖 賲蹖鈥屭┵嗃屬� 讴賴 讴鬲丕亘 亘禺賵賳賳貙亘丕 禺賵丿賲賵賳 亘賴 讴賳爻乇鬲 賵 賳賲丕蹖卮诏丕賴 賲蹖亘乇蹖賲卮賵賳.趩賵賳 讴賴 賲丕 丌賳鈥屬傌� 爻丕丿賴鈥屬勝堌屬� 讴賴 賮讴乇 賲蹖鈥屭┵嗃屬� 賮乇賴賳诏貙丌丿賲鈥屬囏� 乇丕 賲鬲賲丿賳 賲蹖鈥屭┵嗁�.
馃摑#禺丿丕蹖_讴卮鬲丕乇 丿賵賲蹖賳 讴鬲丕亘蹖 丕爻鬲 讴賴 丕夭 丕蹖賳 賳賵蹖爻賳丿賴 禺賵賳丿賲貙 丕賵賱蹖賳 讴鬲丕亘 #禺賵卮丕_禺賵卮亘禺鬲丕賳 亘賵丿 讴賴 讴鬲丕亘 禺賵亘蹖 亘賵丿. 禺丿丕蹖 讴卮鬲丕乇 蹖讴 賳賲丕蹖卮賳丕賲賴 丿乇 賲賵乇丿 賳夭丕毓 亘蹖賳 丿賵 倬爻乇 亘趩賴 賴爻鬲貙 讴賴 丨丕賱丕 禺丕賳賵丕丿賴鈥屬囏й� 丌賳鈥屬囏� 賯乇丕乇 丕爻鬲 亘丕 賴賲 氐丨亘鬲 讴賳賳丿 賵 丕蹖賳 賲爻卅賱賴 乇丕 丨賱 讴賳賳丿 賵賱蹖 丿乇诏蹖乇蹖 丕氐賱蹖 亘蹖賳 丿賵 禺丕賳賵丕丿賴 氐賵乇鬲 賲蹖鈥屭屫必� 讴賴 賳卮丕賳丿賴賳丿賴 賲丕賴蹖鬲 賵丕賯毓蹖 丌賳鈥屬囏ж池�.丌賳鈥屬囏� 亘賴 賳賵毓蹖 鬲賲丕賲 讴丕爻鬲蹖鈥屬囏� 賵 毓賯丿賴鈥屬囏й� 禺賵丿 乇丕 丿乇 睾丕賱亘 睾蹖乇 賲鬲賲丿賳丕賳賴鈥屫й� 亘賴 乇禺 賴賲 賲蹖鈥屭┴促嗀�.賵丕賱丿蹖賳 讴賵丿讴丕賳 賲毓鬲賯丿賳丿 讴賴 亘趩賴鈥屬囏� 禺賵丿 亘丕 賴賲 乇賵亘賴鈥屫辟� 卮賵賳丿 賵 賲卮讴賱 禺賵丿 乇丕 丨賱 讴賳賳丿 賵 丌卮鬲蹖 讴賳賳丿 丿乇 氐賵乇鬲蹖讴賴 禺賵丿卮丕賳 胤丕賯鬲 丕蹖賳 乇丕 賳丿丕乇賳丿. 禺蹖賱蹖 倬蹖卮 賲蹖鈥屫③屫� 讴賴 讴賵丿讴丕賳 亘賴 賳賵毓蹖 亘丕夭鬲丕亘 乇賮鬲丕乇賴丕蹖 倬丿乇 賵 賲丕丿乇 賵 讴賲亘賵丿賴丕蹖 丌賳鈥屬囏� 賴爻鬲賳丿 賵 乇賮鬲丕乇 賵丕賱丿蹖賳 賲蹖鈥屫堌з嗀� 丿乇 丨丿 蹖讴 讴賵丿讴 鬲賳夭賱 倬蹖丿丕 讴賳丿.
#禺丿丕蹖_讴卮鬲丕乇 #蹖丕爻賲蹖賳丕_乇囟丕 鬲乇噩賲賴 #賲丕卅丿賴_胤賴賲丕爻亘蹖
January 21, 2019
Yasmina Reza鈥檚 unsettling, humorous, and restless play remains as fresh in its exploration of the pitfalls of parenthood as it did when it first premiered in 2006. She is particularly strong in underscoring the quartet of parents` anxieties about married life, as they come together in a posh living room set to discuss a playground incident (an assault) by one of their children on the offspring of the other couple. The civilised harmony that sets the scene early on quickly descends into unpleasant yet hilarious ferocity, with the parents behaving like children, throwing insults which flags up their own insecurities.
With razor-sharp dialogue, this caustic comedy of middle class folly is one of the better plays I have read in recent times. The play actually got staged at the Theatre Royal in my home city of Bath in September 2018, and I would've loved to have been there after hearing many positives.
Oddly, Roman Polanski best known for brilliant films like The Pianist, Chinatown, and Rosemary's Baby directed a version of Reza's play in 2011 starring Jodie Foster and Kate Winslet, which wasn't that bad. I still hope to see it performed someday.
With razor-sharp dialogue, this caustic comedy of middle class folly is one of the better plays I have read in recent times. The play actually got staged at the Theatre Royal in my home city of Bath in September 2018, and I would've loved to have been there after hearing many positives.
Oddly, Roman Polanski best known for brilliant films like The Pianist, Chinatown, and Rosemary's Baby directed a version of Reza's play in 2011 starring Jodie Foster and Kate Winslet, which wasn't that bad. I still hope to see it performed someday.
June 2, 2024
芦禺丿丕賶 讴卮鬲丕乇 鬲賱丕卮 賲匕亘賵丨丕賳賴 亘卮乇貙 亘乇丕賶 鬲賲丿賳蹖 丕爻鬲 讴賴 亘賴 丿乇賵睾 爻毓賶 丿丕乇蹖賲鈥� 賳卮丕賳卮 亘丿賴蹖賲. 馗丕賴乇賽 夭蹖亘丕 賵 卮爻鬲賴 乇賮鬲賴鈥屫з� 讴賴 禺蹖賱賶 夭賵丿 夭禺賲鈥屬囏з� 丿乇賵賳卮 亘蹖乇賵賳 賲蹖鈥屫操嗀�. 禺丿丕賶 讴卮鬲丕乇 賲爻蹖乇賶 亘賴 爻賵賶 氐賱丨 丕爻鬲. 賲爻蹖乇賶 亘賴 爻賵賶 氐賱丨貙 讴賴 乇丕賴卮 亘賴 噩丕蹖賶 噩夭 噩賳诏 賳賲賶鈥屫必池�!禄
賲賳亘毓: kafebook.ir
禺賵丕賳卮 氐賵鬲蹖/3.5猸愶笍/賲賮賴賵賲蹖 賵 噩丕賱亘 亘賵丿. 蹖賴 賳賲丕蹖卮賳丕賲賴 賲毓賲賵賱蹖賽 乇賵 亘賴 亘丕賱丕 亘乇丕蹖 乇爻賵賳丿賳賽 丕蹖賳 倬蹖丕賲賽 亘丕賱丕 讴賴 趩賵賳 丿睾丿睾賴鈥屰� 丌卮賳丕蹖蹖賴 鬲賵 噩賵丕賲毓 丕賲乇賵夭貙 丕賳賯丿乇 丕夭卮 丕爻鬲賯亘丕賱 卮丿賴鈥�. 禺丕賳賵賲 蹖丕爻賲蹖賳丕 丿乇 讴賱 禺蹖賱蹖 鬲賵 亘賴 鬲氐賵蹖乇 讴卮蹖丿賳賽 賲丕賴蹖鬲賽 賵丕賯毓蹖賽 亘蹖賳賽 夭賵噩蹖賳 蹖丕 禺丕賳賵丕丿賴鈥屬囏� 賲丕賴乇賴鈥�.
賲賳亘毓: kafebook.ir
禺賵丕賳卮 氐賵鬲蹖/3.5猸愶笍/賲賮賴賵賲蹖 賵 噩丕賱亘 亘賵丿. 蹖賴 賳賲丕蹖卮賳丕賲賴 賲毓賲賵賱蹖賽 乇賵 亘賴 亘丕賱丕 亘乇丕蹖 乇爻賵賳丿賳賽 丕蹖賳 倬蹖丕賲賽 亘丕賱丕 讴賴 趩賵賳 丿睾丿睾賴鈥屰� 丌卮賳丕蹖蹖賴 鬲賵 噩賵丕賲毓 丕賲乇賵夭貙 丕賳賯丿乇 丕夭卮 丕爻鬲賯亘丕賱 卮丿賴鈥�. 禺丕賳賵賲 蹖丕爻賲蹖賳丕 丿乇 讴賱 禺蹖賱蹖 鬲賵 亘賴 鬲氐賵蹖乇 讴卮蹖丿賳賽 賲丕賴蹖鬲賽 賵丕賯毓蹖賽 亘蹖賳賽 夭賵噩蹖賳 蹖丕 禺丕賳賵丕丿賴鈥屬囏� 賲丕賴乇賴鈥�.
November 26, 2023
Two couples face each other across a tastefully decorated living room. They are civilized and urbane. The accoutrements of middle class, middle brow living are present 鈥� fresh flowers, art, books. They鈥檝e met to discuss a fight their eleven year old boys had in a civil and reasonable manner. What could go wrong?
The God of Carnage never leaves that room. No new characters are introduced,(though a few different phone conversations are key to the action). We watch as the situation devolves from polite civility, to strained politeness, to open hostility between the couples, and finally an every man for himself, no holds barred, free for all cage match. Politeness and civility lie dead. Decency and dignity are likewise casualties. Marriage relationships are strained to the breaking point. It鈥檚 horrible. It鈥檚 brutal. And it鈥檚 sadly, honestly hilarious.
And that鈥檚 it. There鈥檚 no resolution, no moral, no message. We just watch two couples, under strain, attempting their best faces, and failing miserably and spectacularly. As several of them observe, it feels like the worst day of their life (which in itself is a comment on their privileged.) Do they reveal who they really are? Not singularly. They reveal how bad they can be at their worst. And it works, because Reza鈥檚 prose is so sharp and quick that you don鈥檛 even know you鈥檙e bleeding until you see the blood. It also works because it鈥檚 bloody honest 鈥� this could be any of us at our very worst 鈥� not who we really are, but what we are capable of being.
Listened to this on LA Theater Works audio, which is bloody brilliant!
The God of Carnage never leaves that room. No new characters are introduced,(though a few different phone conversations are key to the action). We watch as the situation devolves from polite civility, to strained politeness, to open hostility between the couples, and finally an every man for himself, no holds barred, free for all cage match. Politeness and civility lie dead. Decency and dignity are likewise casualties. Marriage relationships are strained to the breaking point. It鈥檚 horrible. It鈥檚 brutal. And it鈥檚 sadly, honestly hilarious.
And that鈥檚 it. There鈥檚 no resolution, no moral, no message. We just watch two couples, under strain, attempting their best faces, and failing miserably and spectacularly. As several of them observe, it feels like the worst day of their life (which in itself is a comment on their privileged.) Do they reveal who they really are? Not singularly. They reveal how bad they can be at their worst. And it works, because Reza鈥檚 prose is so sharp and quick that you don鈥檛 even know you鈥檙e bleeding until you see the blood. It also works because it鈥檚 bloody honest 鈥� this could be any of us at our very worst 鈥� not who we really are, but what we are capable of being.
Listened to this on LA Theater Works audio, which is bloody brilliant!
September 5, 2011
I'm going to sound like such a snob but this play left me so unsatisfied. It felt like Albee-lite, with no real purpose or resolution to the unfolding chaos. The characters never evolved beyond their established archetypes and the stereotypical markers of power and gender (men are brutes and like war! Women are bitches!) didn't evolve to give us any deeper insight other than "Adults can be so childish." I imagine it would be very entertaining to see performed, and I must keep in mind how different an experience it is to read a play in comparison to watching one (this is also a translated play), but why briefly raise topics such as the inherent narcissism of the bourgeois and the universality of anger and war if you're not going to do anything with them?
July 25, 2015
亘毓囟丕 睾蹖乇 賵丕賯毓蹖 亘賵丿.
丌禺賴 讴丿賵賲 丌丿賲 爻丕賱賲蹖 賲蹖丕丿 亘乇丕蹖 丿毓賵丕蹖 亘趩賴 卮 亘蹖丕賳蹖賴 氐丕丿乇 賲蹖讴賳賴責
丿毓賵丕蹖 夭賵噩 賴丕 亘丕 賴賲 賵 亘毓囟丕 賴賲丿賱蹖 丕蹖 讴賴 亘蹖賳 賲乇丿賴丕 賵 夭賳 賴丕 亘賵丿 賯丕亘賱 鬲賯丿蹖乇 亘賵丿卮. 賴賲匕丕鬲 倬賳丿丕乇蹖 賽夭蹖丕丿蹖 賳鬲賵賳爻鬲賲 丿丕卮鬲賴 亘丕卮賲 亘丕 卮禺氐蹖鬲 賴丕.
蹖賴 噩賵乇丕蹖蹖 卮丕蹖丿 賲蹖禺賵丕爻鬲 亘诏賴 倬卮鬲 馗丕賴乇 賽 亘丕 卮禺氐蹖鬲 賵 卮乇蹖賮 賲丕 丌丿賲 賴丕 蹖賴 賮乇丿 禺蹖賱蹖 禺賵丿禺賵丕賴 賵 禺賵丿賳诏乇 賵 胤丕賱亘 賴蹖噩丕賳 賵 禺卮賵賳鬲 賴爻鬲 -讴賴 賲賳 賲禺丕賱賮賲-.亍
賮囟丕蹖蹖 讴賴 丕蹖賳 讴鬲丕亘 乇賵 禺賵賳丿賲 丿賵爻鬲 丿丕卮鬲賲.
蹖賴 賮賱丕爻讴 趩丕蹖 亘乇丿丕卮鬲賲 賵 丿賵 爻賴 鬲丕 讴鬲丕亘 诏匕丕卮鬲賲 鬲賵 讴賵賱賴 賵 乇賮鬲賲 倬丕乇讴 ...(亘蹖卮鬲乇 賲賳丕爻亘 賵亘賱丕诏賴 丕蹖賳 趩蹖夭丕...)
丕夭 丿賵爻鬲 禺賵亘賲 亘丕賳賵 丕爻賲丕 亘禺丕胤乇 丕賲丕賳鬲 丿丕丿賳 讴鬲丕亘 亘賴賲 鬲卮讴乇 賲蹖讴賳賲.
丌禺賴 讴丿賵賲 丌丿賲 爻丕賱賲蹖 賲蹖丕丿 亘乇丕蹖 丿毓賵丕蹖 亘趩賴 卮 亘蹖丕賳蹖賴 氐丕丿乇 賲蹖讴賳賴責
丿毓賵丕蹖 夭賵噩 賴丕 亘丕 賴賲 賵 亘毓囟丕 賴賲丿賱蹖 丕蹖 讴賴 亘蹖賳 賲乇丿賴丕 賵 夭賳 賴丕 亘賵丿 賯丕亘賱 鬲賯丿蹖乇 亘賵丿卮. 賴賲匕丕鬲 倬賳丿丕乇蹖 賽夭蹖丕丿蹖 賳鬲賵賳爻鬲賲 丿丕卮鬲賴 亘丕卮賲 亘丕 卮禺氐蹖鬲 賴丕.
蹖賴 噩賵乇丕蹖蹖 卮丕蹖丿 賲蹖禺賵丕爻鬲 亘诏賴 倬卮鬲 馗丕賴乇 賽 亘丕 卮禺氐蹖鬲 賵 卮乇蹖賮 賲丕 丌丿賲 賴丕 蹖賴 賮乇丿 禺蹖賱蹖 禺賵丿禺賵丕賴 賵 禺賵丿賳诏乇 賵 胤丕賱亘 賴蹖噩丕賳 賵 禺卮賵賳鬲 賴爻鬲 -讴賴 賲賳 賲禺丕賱賮賲-.亍
賮囟丕蹖蹖 讴賴 丕蹖賳 讴鬲丕亘 乇賵 禺賵賳丿賲 丿賵爻鬲 丿丕卮鬲賲.
蹖賴 賮賱丕爻讴 趩丕蹖 亘乇丿丕卮鬲賲 賵 丿賵 爻賴 鬲丕 讴鬲丕亘 诏匕丕卮鬲賲 鬲賵 讴賵賱賴 賵 乇賮鬲賲 倬丕乇讴 ...(亘蹖卮鬲乇 賲賳丕爻亘 賵亘賱丕诏賴 丕蹖賳 趩蹖夭丕...)
丕夭 丿賵爻鬲 禺賵亘賲 亘丕賳賵 丕爻賲丕 亘禺丕胤乇 丕賲丕賳鬲 丿丕丿賳 讴鬲丕亘 亘賴賲 鬲卮讴乇 賲蹖讴賳賲.
January 25, 2016
Description: What happens when two sets of parents meet up to deal with the unruly behaviour of their children? A calm and rational debate between grown-ups about the need to teach children how to behave properly? Or does it turn into a night of name-calling, tantrums and tears?
Lenny Henry stars in Yasmina Reza's play, translated by Christopher Hampton, which won a Laurence Olivier Award for Best Comedy with its London West End Production and Tony for Best Play on Broadway.
The author, Yasmina Reza, is a French playwright and novelist. Her plays Conversations after a Burial, The Passage of Winter, Art, The Unexpected Man, Life x 3 and A Spanish Play have been produced worldwide and translated into thirty-five languages.
Christopher Hampton's work for the theatre includes The Philanthropist, Savages, Treats, Tales from Hollywood. He is also known for his translations of Ibsen, Horvath, Moliere and Chekhov Movies: A Dangerous Method, Dangerous Liaisons, Atonement, Total Eclipse, The Quiet American, Carrington, The Secret Agent and Imagining Argentina.
February 3, 2023
賮讴乇 讴賳賲 亘蹖卮 丕夭 丨丿 丿乇诏蹖乇 丕蹖賳 賳賲丕蹖卮賳丕賲賴 卮丿賲. 丕賵賱 丕噩乇丕蹖 氐賵鬲蹖卮 乇賵 诏賵卮 丿丕丿賲 (讴賴 亘賴 丿卮賲賳賲 賴賲 倬蹖卮賳賴丕丿卮 賳賲蹖鈥屭┵嗁�)貙 亘毓丿 禺賵丿 賳賲丕蹖卮賳丕賲賴 乇賵 禺賵賳丿賲 賵 丿乇 賳賴丕蹖鬲 丿蹖卮亘 賮蹖賱賲卮 乇賵 丿蹖丿賲.
禺胤 丿丕爻鬲丕賳蹖 禺蹖賱蹖 爻丕丿賴鈥屫й� 丿丕乇賴 賵 賯乇丕乇 賳蹖爻鬲 趩蹖夭 禺蹖賱蹖 賴蹖噩丕賳鈥屫з嗂屫槽� 亘丕卮賴貙 丕賲丕 亘賴 丕賳丿丕夭賴鈥屰� 禺賵丿卮 賯丕亘賱 鬲丕賲賱賴. 倬乇爻卮蹖 讴賴 賲胤乇丨 賲蹖鈥屭┵嗁� 丕蹖賳賴 讴賴 丌蹖丕 賲丕 賵丕賯毓丕 賴賲賵鈥屬嗏€屄傌� 賲鬲賲丿賳 賴爻鬲蹖賲 讴賴 鬲馗丕賴乇 賲蹖鈥屭┵嗃屬� 賴爻鬲蹖賲 賵 蹖丕 亘賴鬲乇賴 亘诏賲 丿賵爻鬲 丿丕乇蹖賲 亘丕卮蹖賲貙 蹖丕 亘丕 丕蹖賳鈥屬囐呝� 丕丿毓丕蹖 乇賵卮賳賮讴乇蹖 夭賳丿诏蹖 賲丕 丿乇 賳賴丕蹖鬲 乇賵 賱亘賴鈥屰� 蹖賴 倬乇鬲诏丕賴賴 讴賴 亘丕 讴賵趩蹖讴颅鈥屫臂屬� 丌卮賮鬲诏蹖鈥屫й� 賲蹖鈥屫堎嗁� 爻賯賵胤 讴賳賴責
亘賴鈥屬嗀肛辟� 讴鬲丕亘 乇賵 丕賵賱 亘禺賵賳蹖丿貙 亘毓丿卮 賮蹖賱賲 倬賵賱丕賳爻讴蹖 乇賵 亘亘蹖賳蹖丿 讴賴 賲賳 賵丕賯毓丕 丿賵爻卮 丿丕卮鬲賲. 倬丕蹖丕賳 賮蹖賱賲 讴賲蹖 亘丕 倬丕蹖丕賳 賳賲丕蹖卮賳丕賲賴 賲鬲賮丕賵鬲賴 (賵 亘賴鈥屬嗀肛辟� 倬丕蹖丕賳 賮蹖賱賲 亘賴鬲乇 賵 乇賵卮賳鈥屭┵嗁嗀€屬団€屄辟�)貙 丕賲丕 丕讴孬乇 丿蹖丕賱賵诏鈥屬囏� 賲卮丕亘賴 賳賲丕蹖卮賳丕賲賴鈥屄池�.
賵丕賯毓丕 丕诏乇 賲丕 丿爻鬲 丕夭 丕蹖賳鈥屭┵� 亘禺賵丕蹖賲 賴賲賴鈥屭嗃屫� 乇賵 丿乇 睾丕賱亘 鬲賲丿賳 賵鈥� 賲賳胤賯 丕賲乇賵夭蹖 鬲毓乇蹖賮 讴賳蹖賲 亘乇丿丕乇蹖賲 賵 丕噩丕夭賴 亘丿蹖賲 胤亘蹖毓鬲 禺賵丿卮 賴賲賴鈥屭嗃屫� 乇賵 倬蹖卮 亘亘乇賴 亘賴鬲乇 賳蹖爻責
禺胤 丿丕爻鬲丕賳蹖 禺蹖賱蹖 爻丕丿賴鈥屫й� 丿丕乇賴 賵 賯乇丕乇 賳蹖爻鬲 趩蹖夭 禺蹖賱蹖 賴蹖噩丕賳鈥屫з嗂屫槽� 亘丕卮賴貙 丕賲丕 亘賴 丕賳丿丕夭賴鈥屰� 禺賵丿卮 賯丕亘賱 鬲丕賲賱賴. 倬乇爻卮蹖 讴賴 賲胤乇丨 賲蹖鈥屭┵嗁� 丕蹖賳賴 讴賴 丌蹖丕 賲丕 賵丕賯毓丕 賴賲賵鈥屬嗏€屄傌� 賲鬲賲丿賳 賴爻鬲蹖賲 讴賴 鬲馗丕賴乇 賲蹖鈥屭┵嗃屬� 賴爻鬲蹖賲 賵 蹖丕 亘賴鬲乇賴 亘诏賲 丿賵爻鬲 丿丕乇蹖賲 亘丕卮蹖賲貙 蹖丕 亘丕 丕蹖賳鈥屬囐呝� 丕丿毓丕蹖 乇賵卮賳賮讴乇蹖 夭賳丿诏蹖 賲丕 丿乇 賳賴丕蹖鬲 乇賵 賱亘賴鈥屰� 蹖賴 倬乇鬲诏丕賴賴 讴賴 亘丕 讴賵趩蹖讴颅鈥屫臂屬� 丌卮賮鬲诏蹖鈥屫й� 賲蹖鈥屫堎嗁� 爻賯賵胤 讴賳賴責
亘賴鈥屬嗀肛辟� 讴鬲丕亘 乇賵 丕賵賱 亘禺賵賳蹖丿貙 亘毓丿卮 賮蹖賱賲 倬賵賱丕賳爻讴蹖 乇賵 亘亘蹖賳蹖丿 讴賴 賲賳 賵丕賯毓丕 丿賵爻卮 丿丕卮鬲賲. 倬丕蹖丕賳 賮蹖賱賲 讴賲蹖 亘丕 倬丕蹖丕賳 賳賲丕蹖卮賳丕賲賴 賲鬲賮丕賵鬲賴 (賵 亘賴鈥屬嗀肛辟� 倬丕蹖丕賳 賮蹖賱賲 亘賴鬲乇 賵 乇賵卮賳鈥屭┵嗁嗀€屬団€屄辟�)貙 丕賲丕 丕讴孬乇 丿蹖丕賱賵诏鈥屬囏� 賲卮丕亘賴 賳賲丕蹖卮賳丕賲賴鈥屄池�.
賵丕賯毓丕 丕诏乇 賲丕 丿爻鬲 丕夭 丕蹖賳鈥屭┵� 亘禺賵丕蹖賲 賴賲賴鈥屭嗃屫� 乇賵 丿乇 睾丕賱亘 鬲賲丿賳 賵鈥� 賲賳胤賯 丕賲乇賵夭蹖 鬲毓乇蹖賮 讴賳蹖賲 亘乇丿丕乇蹖賲 賵 丕噩丕夭賴 亘丿蹖賲 胤亘蹖毓鬲 禺賵丿卮 賴賲賴鈥屭嗃屫� 乇賵 倬蹖卮 亘亘乇賴 亘賴鬲乇 賳蹖爻責
February 12, 2018
La convivenza (in)civile
Uno psicodramma, una commedia noir, un dramma da camera: "Il dio del massacro", da cui Roman Polansky ha preso lo spunto per realizzare l'acclamatissimo "Carnage", 猫 tutto questo.
In poche pagine, questa esile pi茅ce teatrale, riassume tutto quello che spesso si agita dentro ciascuno di noi mascherato quotidianamente da perbenismo, celato dietro atteggiamenti radical chic, protetto dalla falsit脿 delle maschere che ogni giorno indossiamo per proteggere il quieto vivere, ma che invece 猫 in agguato, pronto ad esplodere con la violenza di un vulcano in eruzione.
Allora anche un semplice incontro tra due coppie borghesi, in un elegante appartamento dove un vaso di tulipani, il prezioso catalogo di una mostra di Oskar Kokoschka e un insolito clafoutis mele e pere fanno da rassicurante cornice, per cercare di risolvere la questione di una banale lite tra i rispettivi figli, pu貌 rivelarsi alla fine il pi霉 pericoloso dei giochi, quello che lascer脿 tracimare con un'inaspettata ferocia rabbia e frustrazioni represse.
Quanto di noi 猫 compresso dietro alla maschera della convivenza civile?
Quanto c'猫 di vero nei nostri atteggiamenti "corretti" di ogni giorno?
Qual 猫 il nostro gioco al massacro quotidiano?
Chi c'猫 veramente in noi?
Forse sbagliamo, ma crediamo al potere pacificante della cultura!
Uno psicodramma, una commedia noir, un dramma da camera: "Il dio del massacro", da cui Roman Polansky ha preso lo spunto per realizzare l'acclamatissimo "Carnage", 猫 tutto questo.
In poche pagine, questa esile pi茅ce teatrale, riassume tutto quello che spesso si agita dentro ciascuno di noi mascherato quotidianamente da perbenismo, celato dietro atteggiamenti radical chic, protetto dalla falsit脿 delle maschere che ogni giorno indossiamo per proteggere il quieto vivere, ma che invece 猫 in agguato, pronto ad esplodere con la violenza di un vulcano in eruzione.
Allora anche un semplice incontro tra due coppie borghesi, in un elegante appartamento dove un vaso di tulipani, il prezioso catalogo di una mostra di Oskar Kokoschka e un insolito clafoutis mele e pere fanno da rassicurante cornice, per cercare di risolvere la questione di una banale lite tra i rispettivi figli, pu貌 rivelarsi alla fine il pi霉 pericoloso dei giochi, quello che lascer脿 tracimare con un'inaspettata ferocia rabbia e frustrazioni represse.
Quanto di noi 猫 compresso dietro alla maschera della convivenza civile?
Quanto c'猫 di vero nei nostri atteggiamenti "corretti" di ogni giorno?
Qual 猫 il nostro gioco al massacro quotidiano?
Chi c'猫 veramente in noi?
Forse sbagliamo, ma crediamo al potere pacificante della cultura!
March 5, 2015
Quattro personaggi, due coppie borghesi che si confrontano mettendo a nudo un livore che si annida in ogni pertugio delle loro esistenze. La violenza e la prevaricazione sono pensieri meno assurdi di quanto i protagonisti stessi non vogliano ammettere, e le praticano senza esserne consapevoli.
Da questa pi猫ce del 2006 Roman Polanski trae il film Carnage.
Da questa pi猫ce del 2006 Roman Polanski trae il film Carnage.
September 28, 2017
携 褌邪泻 褨 薪械 锌芯写懈胁懈谢邪褋褟 械泻褉邪薪褨蟹邪褑褨褞 袪芯屑邪薪邪 袩芯谢邪薪褋褜泻芯谐芯, 褌芯, 屑芯卸薪邪 褋泻邪蟹邪褌懈, 芯斜褨泄褕谢邪褋褟 斜械蟹 褋锌芯泄谢械褉褨胁. 啸芯褔邪 褟泻褨 褌褍褌 褋锌芯泄谢械褉懈: 写褨褌谢邪褏懈 锌芯斜懈谢懈褋褟, 芯写薪械 胁懈斜懈谢芯 褨薪褕芯屑褍 蟹褍斜懈, 斜邪褌褜泻懈 蟹褨斜褉邪谢懈褋褟 褑械 芯斜谐芯胁芯褉懈褌懈 褟泻 褑懈胁褨谢褨蟹芯胁邪薪褨 谢褞写懈, 邪谢械 锌芯写邪谢褜褕邪 写懈褋泻褍褋褨褟 写芯胁械谢邪, 褖芯 褕邪褉 褑懈胁褨谢褨蟹邪褑褨褩 - 褌芯薪泻邪 褕褌褍泻邪. 袉 褋谢懈蟹褜泻邪 - 谢械谐泻芯 蟹褨褋泻芯胁蟹褍褦.
"袘芯卸械褋褌胁芯 褉褨蟹邪薪懈薪懈" - 屑邪谢械薪褜泻邪, 邪谢械 泻褉褍褌邪 锌'褦褋邪 锌褉芯 褌械, 褟泻 褋泻谢邪写薪芯 锌芯褉芯蟹褍屑褨褌懈褋褟 谢褞写褟屑, 褟泻褖芯 胁芯薪懈 薪械 胁屑褨褞褌褜,薪械 褏芯褔褍褌褜 褨 薪械 锌谢邪薪褍褞褌褜 锌芯褔褍褌懈 芯写薪械 芯写薪芯谐芯. 袛芯胁褨褋泻芯屑 褌褉芯褏懈 褋褌邪薪芯胁懈褏 锌褉芯斜谢械屑, 褌褉芯褏懈 械泻芯薪芯屑褨褔薪芯褩 褌邪 谐械芯锌芯谢褨褌懈褔薪芯褩 褋邪褌懈褉懈, 褌褉芯褏懈 褋薪芯斜褨蟹屑褍, 斜邪谐邪褌芯 薪械胁懈褋谢芯胁谢械薪懈褏 褕谢褞斜薪懈褏 薪械谐邪褉邪蟹写褨胁 褨 芯写懈薪 (褨屑芯胁褨褉薪芯 锌芯屑械褉谢懈泄) 褏芯屑'褟泻. 啸芯屑'褟泻邪 褕泻芯写邪. 袥褞写械泄 - 薪褨. 校 胁懈锌邪写泻褍 褔芯褌懈褉褜芯褏 谐械褉芯褩胁 褎芯褉屑褍谢邪 "袛芯褉芯褋谢褨 谢褞写懈 - 褑械 褌褨, 褖芯 薪邪胁褔懈谢懈褋褟 写芯屑芯胁谢褟褌懈褋褟 褋谢芯胁邪屑懈 褔械褉械蟹 褉芯褌" 锌芯泻邪蟹褍褦 褋械斜械 褍 胁褋褨泄 褋胁芯褩泄 械褎械屑械褉薪褨泄 褨 薪械械褎械泻褌懈胁薪褨泄 泻褉邪褋褨. 袧邪 芯褋褌邪薪薪褨泄 褋褌芯褉褨薪褑褨 蟹邪褌褟褌邪 锌邪褑懈褎褨褋褌泻邪 褟 褍卸械 屑邪泄卸械 锌芯胁褨褉懈谢邪, 褖芯 胁 蟹褍斜懈 - 胁芯薪芯 褔械褋薪褨褕械. 效懈, 锌褉懈薪邪泄屑薪褨, 蟹薪邪褔薪芯, 蟹薪邪褔薪芯 褕胁懈写褕械. 袗谢械 泻芯卸薪械 锌褉懈薪芯褋懈褌褜 卸械褉褌胁懈 斜芯卸械褋褌胁褍 褉褨蟹邪薪懈薪懈 胁懈褏芯写褟褔懈 蟹 胁谢邪褋薪懈褏 屑芯卸谢懈胁芯褋褌械泄. 校 褋褍褔邪褋薪懈褏 褑懈胁褨谢褨蟹芯胁邪薪懈褏 谢褞写械泄 褨 褋谢芯胁邪屑懈 胁懈褏芯写懈褌褜 薪械锌芯谐邪薪芯.
"袘芯卸械褋褌胁芯 褉褨蟹邪薪懈薪懈" - 屑邪谢械薪褜泻邪, 邪谢械 泻褉褍褌邪 锌'褦褋邪 锌褉芯 褌械, 褟泻 褋泻谢邪写薪芯 锌芯褉芯蟹褍屑褨褌懈褋褟 谢褞写褟屑, 褟泻褖芯 胁芯薪懈 薪械 胁屑褨褞褌褜,薪械 褏芯褔褍褌褜 褨 薪械 锌谢邪薪褍褞褌褜 锌芯褔褍褌懈 芯写薪械 芯写薪芯谐芯. 袛芯胁褨褋泻芯屑 褌褉芯褏懈 褋褌邪薪芯胁懈褏 锌褉芯斜谢械屑, 褌褉芯褏懈 械泻芯薪芯屑褨褔薪芯褩 褌邪 谐械芯锌芯谢褨褌懈褔薪芯褩 褋邪褌懈褉懈, 褌褉芯褏懈 褋薪芯斜褨蟹屑褍, 斜邪谐邪褌芯 薪械胁懈褋谢芯胁谢械薪懈褏 褕谢褞斜薪懈褏 薪械谐邪褉邪蟹写褨胁 褨 芯写懈薪 (褨屑芯胁褨褉薪芯 锌芯屑械褉谢懈泄) 褏芯屑'褟泻. 啸芯屑'褟泻邪 褕泻芯写邪. 袥褞写械泄 - 薪褨. 校 胁懈锌邪写泻褍 褔芯褌懈褉褜芯褏 谐械褉芯褩胁 褎芯褉屑褍谢邪 "袛芯褉芯褋谢褨 谢褞写懈 - 褑械 褌褨, 褖芯 薪邪胁褔懈谢懈褋褟 写芯屑芯胁谢褟褌懈褋褟 褋谢芯胁邪屑懈 褔械褉械蟹 褉芯褌" 锌芯泻邪蟹褍褦 褋械斜械 褍 胁褋褨泄 褋胁芯褩泄 械褎械屑械褉薪褨泄 褨 薪械械褎械泻褌懈胁薪褨泄 泻褉邪褋褨. 袧邪 芯褋褌邪薪薪褨泄 褋褌芯褉褨薪褑褨 蟹邪褌褟褌邪 锌邪褑懈褎褨褋褌泻邪 褟 褍卸械 屑邪泄卸械 锌芯胁褨褉懈谢邪, 褖芯 胁 蟹褍斜懈 - 胁芯薪芯 褔械褋薪褨褕械. 效懈, 锌褉懈薪邪泄屑薪褨, 蟹薪邪褔薪芯, 蟹薪邪褔薪芯 褕胁懈写褕械. 袗谢械 泻芯卸薪械 锌褉懈薪芯褋懈褌褜 卸械褉褌胁懈 斜芯卸械褋褌胁褍 褉褨蟹邪薪懈薪懈 胁懈褏芯写褟褔懈 蟹 胁谢邪褋薪懈褏 屑芯卸谢懈胁芯褋褌械泄. 校 褋褍褔邪褋薪懈褏 褑懈胁褨谢褨蟹芯胁邪薪懈褏 谢褞写械泄 褨 褋谢芯胁邪屑懈 胁懈褏芯写懈褌褜 薪械锌芯谐邪薪芯.
June 28, 2019
賳賲丕蹖卮賳丕賲賴 禺賵賳 賳蹖爻鬲賲 . 賲毓賲賵賱丕 賵賯鬲蹖 爻乇丕睾 賳賲丕蹖卮賳丕賲賴 賲蹖 乇賲 讴賴 禺蹖賱蹖 鬲丕倬 亘丕卮賴 賵 亘賴賲 倬蹖卮賳賴丕丿 亘卮賴 賵 蹖丕 丨丕賱賲 胤賵乇蹖 亘丕卮賴 讴賴 賳蹖丕夭 亘賴 鬲睾蹖蹖乇 丕爻丕爻蹖 丿乇 爻亘讴 賲胤丕賱毓賴 賲 丿丕卮鬲賴 亘丕卮賲 .
丿乇亘丕乇賴 蹖 禺丿丕蹖 讴卮鬲丕乇 賴乇 丿賵 賲賵乇丿 亘賵丿 . 蹖毓賳蹖 賴賲 丨丕賱 賵 乇賵夭賲 胤賵乇蹖 亘賵丿 讴賴 賳蹖丕夭 丿丕卮鬲賲 丕夭 丕蹖賳 丿賳蹖丕蹖 賵丕賯毓蹖 亘讴賳賲 賵 賵丕乇丿 賵丕丿蹖 丿蹖诏賴 丕蹖 亘卮賲 賵 賴賲 丿賵爻鬲 賳丕夭賳蹖賳蹖 亘賴賲 倬蹖卮賳賴丕丿 丿丕丿 蹖賴 賳賲丕蹖卮賳丕賲賴 禺賵亘 賵 讴賲 丨噩賲 賲蹖 鬲賵賳賴 丨丕賱鬲 乇賵 亘賴鬲乇 讴賳賴 .
亘丕 讴丕乇丕讴鬲乇 賴丕 禺蹖賱蹖 賴賲夭丕丿 倬賳丿丕乇蹖 倬蹖丿丕 讴乇丿賲 賲禺氐賵氐丕 亘丕 賵乇賵賳蹖讴 .
鬲賯乇蹖亘丕 讴鬲丕亘 乇賵 亘丕 亘蹖 毓賱丕賯賴 丕蹖 卮乇賵毓 讴乇丿賲 賵賱 亘毓丿 10 氐賮丨賴 丿蹖诏賴 賳鬲賵賳爻鬲賲 倬丕蹖蹖賳 亘匕丕乇賲卮 .
丕賱丕賳 禺蹖賱蹖 賲丕蹖賱賲 讴賴 賳賲丕蹖卮 丕蹖賳 丕孬乇 蹖丕 賮蹖賱賲卮 乇賵 亘亘蹖賳賲 . 亘乇丕蹖 賳賲丕蹖卮卮 丕賲蹖丿蹖 賳丿丕乇賲 賵賱蹖 賮蹖賱賲卮 乇賵 丨鬲賲丕 禺賵丕賴賲 丿蹖丿 .
丿乇亘丕乇賴 蹖 禺丿丕蹖 讴卮鬲丕乇 賴乇 丿賵 賲賵乇丿 亘賵丿 . 蹖毓賳蹖 賴賲 丨丕賱 賵 乇賵夭賲 胤賵乇蹖 亘賵丿 讴賴 賳蹖丕夭 丿丕卮鬲賲 丕夭 丕蹖賳 丿賳蹖丕蹖 賵丕賯毓蹖 亘讴賳賲 賵 賵丕乇丿 賵丕丿蹖 丿蹖诏賴 丕蹖 亘卮賲 賵 賴賲 丿賵爻鬲 賳丕夭賳蹖賳蹖 亘賴賲 倬蹖卮賳賴丕丿 丿丕丿 蹖賴 賳賲丕蹖卮賳丕賲賴 禺賵亘 賵 讴賲 丨噩賲 賲蹖 鬲賵賳賴 丨丕賱鬲 乇賵 亘賴鬲乇 讴賳賴 .
亘丕 讴丕乇丕讴鬲乇 賴丕 禺蹖賱蹖 賴賲夭丕丿 倬賳丿丕乇蹖 倬蹖丿丕 讴乇丿賲 賲禺氐賵氐丕 亘丕 賵乇賵賳蹖讴 .
鬲賯乇蹖亘丕 讴鬲丕亘 乇賵 亘丕 亘蹖 毓賱丕賯賴 丕蹖 卮乇賵毓 讴乇丿賲 賵賱 亘毓丿 10 氐賮丨賴 丿蹖诏賴 賳鬲賵賳爻鬲賲 倬丕蹖蹖賳 亘匕丕乇賲卮 .
丕賱丕賳 禺蹖賱蹖 賲丕蹖賱賲 讴賴 賳賲丕蹖卮 丕蹖賳 丕孬乇 蹖丕 賮蹖賱賲卮 乇賵 亘亘蹖賳賲 . 亘乇丕蹖 賳賲丕蹖卮卮 丕賲蹖丿蹖 賳丿丕乇賲 賵賱蹖 賮蹖賱賲卮 乇賵 丨鬲賲丕 禺賵丕賴賲 丿蹖丿 .
March 15, 2021
Jak niewiele potrzeba, aby pozornie cywilizowani ludzie zrzucili maski mieszcza艅skiej og艂ady i konwenansu, oddaj膮c si臋 we w艂adanie Bogowi Mordu, przy okazji obna偶aj膮c hipokryzj臋 dzisiejszego 艣wiata.
Bardzo fajna sztuka - Francuzi s膮 艣wietni w tego typu komediach obyczajowych, do tego mia艂em okazj臋 wys艂ucha膰 "Boga Mordu" w interpretacji 艣wietnych aktor贸w: Wiktora Zborowskiego, Macieja Stuhra, Agaty Kuleszy, Mai Ostaszewskiej i Roberta Wi臋ckiewicza.
Zabawne i pouczaj膮ce.
Bardzo fajna sztuka - Francuzi s膮 艣wietni w tego typu komediach obyczajowych, do tego mia艂em okazj臋 wys艂ucha膰 "Boga Mordu" w interpretacji 艣wietnych aktor贸w: Wiktora Zborowskiego, Macieja Stuhra, Agaty Kuleszy, Mai Ostaszewskiej i Roberta Wi臋ckiewicza.
Zabawne i pouczaj膮ce.
December 11, 2018
丿丕爻鬲丕賳 丿賵 倬丿乇賵賲丕丿乇 讴賴 亘禺丕胤乇 丿毓賵丕蹖 倬爻乇賴丕卮賵賳 亘賴 丿蹖丿丕乇 賴賲丿蹖诏賴 乇賮鬲賳貙 賵 胤蹖 诏賮鬲诏賵蹖蹖 讴賴 丿丕乇賳貙 賳賯丕亘鈥屬囏й屰� 讴賴 亘賴 毓賳賵丕賳 丕丨鬲乇丕賲 賵 丿賵爻鬲鈥屫ж簇嗃� 亘賵丿賳 賵... 夭丿賳貙 讴賲鈥屭┵� 賲蹖賵賮鬲賴.
丨丕賱卮賵賳貙 賱丨賳 氐丨亘鬲鈥屬囏ж促堎嗀� 丿丕丿 夭丿賳鈥屬囏� 賵 丕毓氐丕亘鈥屬囏й� 禺賵乇丿卮賵賳貙 禺蹖賱蹖 賴賳乇賲賳丿丕賳賴 鬲乇爻蹖賲 卮丿賴 亘賵丿. 丕賲丕 丿乇 賴乇氐賵乇鬲貙
Not my type.
丨丕賱卮賵賳貙 賱丨賳 氐丨亘鬲鈥屬囏ж促堎嗀� 丿丕丿 夭丿賳鈥屬囏� 賵 丕毓氐丕亘鈥屬囏й� 禺賵乇丿卮賵賳貙 禺蹖賱蹖 賴賳乇賲賳丿丕賳賴 鬲乇爻蹖賲 卮丿賴 亘賵丿. 丕賲丕 丿乇 賴乇氐賵乇鬲貙
Not my type.
December 7, 2020
隆Qu茅 buena!
December 20, 2018
Una carneficina in un unico atto 猫 quella messa in scena dalla Reza in questa pi猫ce teatrale di sole 91 pagine: un salotto borghese e due coppie che, a causa di un lite nata tra i propri bambini ai giardini pubblici, si ritrovano a doversi confrontare tra loro sono gi脿 sufficienti per mettere in scena una tragicommedia dall鈥檌ronia feroce e dissacrante.
Celata sotto il velo di apparente civilt脿, perbenismo e political correctness dei quattro protagonisti, che inizialmente si perdono in mille convenevoli e formule di cortesia, si nasconde una crudelt脿 atavica, istintiva, quasi bestiale, che in un crescendo inarrestabile finisce per esplodere, travolgendo tutti.
Yasmina Reza sceglie di utilizzare un linguaggio medio, immediato, che non faccia in nessun modo da filtro e, unito al ritmo incalzante e allo scambio di battute sempre pi霉 frenetico, rende impossibile per il lettore interrompere la lettura, costringendolo ad un鈥檜nica sessione dalla prima all鈥檜ltima pagina.
Mi 猫 sembrato doveroso andare subito a ricercare la trasposizione cinematografica dal titolo Carnage ad opera di Roman Polanski, che pur avendo cambiato i nomi e la nazionalit脿 dei protagonisti, ha saggiamente deciso di mantenere le battute dell鈥檕pera originaria quasi inalterate.
鈥滻o credo nel dio del massacro. 脠 il solo che governa, in modo assoluto, fin dalla notte dei tempi.鈥�
Celata sotto il velo di apparente civilt脿, perbenismo e political correctness dei quattro protagonisti, che inizialmente si perdono in mille convenevoli e formule di cortesia, si nasconde una crudelt脿 atavica, istintiva, quasi bestiale, che in un crescendo inarrestabile finisce per esplodere, travolgendo tutti.
Yasmina Reza sceglie di utilizzare un linguaggio medio, immediato, che non faccia in nessun modo da filtro e, unito al ritmo incalzante e allo scambio di battute sempre pi霉 frenetico, rende impossibile per il lettore interrompere la lettura, costringendolo ad un鈥檜nica sessione dalla prima all鈥檜ltima pagina.
Mi 猫 sembrato doveroso andare subito a ricercare la trasposizione cinematografica dal titolo Carnage ad opera di Roman Polanski, che pur avendo cambiato i nomi e la nazionalit脿 dei protagonisti, ha saggiamente deciso di mantenere le battute dell鈥檕pera originaria quasi inalterate.
鈥滻o credo nel dio del massacro. 脠 il solo che governa, in modo assoluto, fin dalla notte dei tempi.鈥�
March 31, 2024
Un'opera teatrale tanto breve quanto straordinaria che cattura l'attenzione del pubblico con la sua brillantezza intellettuale, il suo umorismo acuto e la sua profonda riflessione sulla natura umana.
Ambientata interamente in un salotto parigino, la pi猫ce segue due coppie borghesi che si incontrano per discutere di un incidente avvenuto tra i loro figli. Ci貌 che inizia come una conversazione civile presto per貌 si trasforma in un caos totale, rivelando le fragilit脿 e le ipocrisie della societ脿 contemporanea.
Dal mio punto di vista Reza ha un talento straordinario nel ritrarre le relazioni umane con una precisione chirurgica, e questo si riflette vividamente nei quattro personaggi de "Il dio del massacro". Le due coppie, con le loro differenze sociali e personali, si scontrano in un crescendo di tensione e conflitto, mentre emergono le loro vere nature sotto la superficie delle convenzioni sociali, del politicamente corretto, delle finte buone maniere. I dialoghi serrati e i colpi di scena imprevedibili tengono il lettore incollato dall'inizio alla fine, mentre le maschere della civilt脿 cadono una dopo l'altra, rivelando la brutale verit脿 dell'essere umano.
Ci貌 che rende questa pi猫ce cos矛 straordinaria 猫 la sua capacit脿 di far riflettere sui temi universali della convivenza, della comunicazione e del conflitto. Reza mette sotto la lente d'ingrandimento le tensioni nascoste all'interno delle relazioni umane, mostrando come persino le persone pi霉 civili possono perdere il controllo quando vengono messe in un angolo. Sono rimasto particolarmente affascinato dalla maestria di Reza nel creare una pi猫ce cos矛 coinvolgente e penetrante. I personaggi sono sfaccettati e realistici, e le loro interazioni sono al tempo stesso esilaranti e sconcertanti. "Il dio del massacro" 猫 una testimonianza perfetta del potere che il teatro possiede nel mettere in scena le complessit脿 della vita umana in tutta la sua gloria e tragedia.
Ambientata interamente in un salotto parigino, la pi猫ce segue due coppie borghesi che si incontrano per discutere di un incidente avvenuto tra i loro figli. Ci貌 che inizia come una conversazione civile presto per貌 si trasforma in un caos totale, rivelando le fragilit脿 e le ipocrisie della societ脿 contemporanea.
Dal mio punto di vista Reza ha un talento straordinario nel ritrarre le relazioni umane con una precisione chirurgica, e questo si riflette vividamente nei quattro personaggi de "Il dio del massacro". Le due coppie, con le loro differenze sociali e personali, si scontrano in un crescendo di tensione e conflitto, mentre emergono le loro vere nature sotto la superficie delle convenzioni sociali, del politicamente corretto, delle finte buone maniere. I dialoghi serrati e i colpi di scena imprevedibili tengono il lettore incollato dall'inizio alla fine, mentre le maschere della civilt脿 cadono una dopo l'altra, rivelando la brutale verit脿 dell'essere umano.
Ci貌 che rende questa pi猫ce cos矛 straordinaria 猫 la sua capacit脿 di far riflettere sui temi universali della convivenza, della comunicazione e del conflitto. Reza mette sotto la lente d'ingrandimento le tensioni nascoste all'interno delle relazioni umane, mostrando come persino le persone pi霉 civili possono perdere il controllo quando vengono messe in un angolo. Sono rimasto particolarmente affascinato dalla maestria di Reza nel creare una pi猫ce cos矛 coinvolgente e penetrante. I personaggi sono sfaccettati e realistici, e le loro interazioni sono al tempo stesso esilaranti e sconcertanti. "Il dio del massacro" 猫 una testimonianza perfetta del potere che il teatro possiede nel mettere in scena le complessit脿 della vita umana in tutta la sua gloria e tragedia.
November 6, 2024
鈥淐omportarsi in modo civile non serve a niente. La buona creanza 猫 un'idiozia che ci rammollisce e ci rende deboli...鈥�
5猸愶笍 perch茅 no? Yasmina Reza comincia a piacermi eccome鈥�
5猸愶笍 perch茅 no? Yasmina Reza comincia a piacermi eccome鈥�
December 8, 2024
Coinvolgente, l鈥檋o adorato!
December 17, 2013
賳賲丕蹖卮賳丕賲賴貙 诏賮鬲诏賵蹖 丿賵 夭賵噩 丕爻鬲 丿乇 賲賵乇丿 丿毓賵丕蹖 亘趩賴 賴丕蹖卮丕賳. 丕亘鬲丿丕 賴賲賴 趩蹖夭 丌乇丕賲 倬蹖卮 賲蹖 乇賵丿 (诏乇趩賴 賳卮丕賳賴 賴丕蹖 鬲卮賳噩 賵 丕禺鬲賱丕賮 賳馗乇 丕夭 賴賲丕賳 丕亘鬲丿丕 亘丕 丕禺鬲賱丕賮 丿乇 亘賴 讴丕乇 亘乇丿賳 芦賲爻賱丨禄 賵 蹖丕 芦賲噩賴夭禄 丿蹖丿賴 賲蹖 卮賵丿) 賵賱蹖 讴賲 讴賲 卮禺氐蹖鬲 賴丕貙 賳賯丕亘 丕夭 趩賴乇賴 亘乇 賲蹖 丿丕乇賳丿 賵 禺賵丿賽 丿蹖诏乇卮丕賳 乇丕 賳卮丕賳 賲蹖 丿賴賳丿. 禺賵丿蹖 讴賴 亘蹖 倬乇丿賴 丿乇 賲賵乇丿 丿蹖诏乇丕賳 賳馗乇 賲蹖 丿賴丿貙 賲鬲馗丕賴乇 賳蹖爻鬲貙 賵 賳馗乇 鬲賳丿 賵 禺卮賳蹖 丿乇 賲賵乇丿 丌賳 趩賴 禺賱丕賮 賲賳丕賮毓卮 亘丕卮丿貙 丿丕乇丿. 禺賵丿蹖 讴賴 丕诏乇 賲蹖 鬲賵丕賳爻鬲 賵 卮乇丕蹖胤卮 賮乇丕賴賲 亘賵丿 丿爻鬲 亘賴 禺卮賵賳鬲 賮蹖夭蹖讴蹖 賴賲 賲蹖 夭丿.
丌賳 趩賴 丿乇 丕蹖賳 賳賲丕蹖卮賳丕賲賴 亘乇丕蹖賲 噩匕丕亘 亘賵丿貙 诏乇賵賴 亘賳丿蹖 賴丕蹖 賲丿丕賵賲 卮禺氐蹖鬲 賴丕 亘丕 蹖讴 丿蹖诏乇 丿乇 賲賯丕亘賱賴 亘丕 卮禺氐蹖鬲 賴丕蹖 丿蹖诏乇 亘賵丿. 诏丕賴蹖 丌賱賳 賵 丌賳鬲 丿乇 賲賯丕亘賱 賲蹖卮賱 賵 賵乇賵賳蹖讴 賯乇丕乇 賲蹖 诏乇賮鬲賳丿 (丿乇 亘蹖卮 鬲乇 賳賲丕蹖卮賳丕賲賴)貙 诏丕賴蹖 丌賱賳 賵 賲蹖卮賱 丿乇 賲賯丕亘賱 丌賳鬲 賵 賵乇賵賳蹖讴 (丿賵賲蹖賳 诏乇賵賴 亘賳丿蹖 乇丕蹖噩 丿乇 賳賲丕蹖卮賳丕賲賴) 賵 噩丕賴丕蹖蹖 賴賲 爻賴 賳賮乇 锟斤拷賴 蹖讴 賳賮乇 丨賲賱賴 賲蹖 讴乇丿賳丿. 丕蹖賳 噩丕亘噩丕蹖蹖 诏乇賵賴 賴丕 讴賴 丿乇 丌賳 賴乇讴爻 賴乇 亘丕乇 亘賴 丕賯鬲囟丕蹖 賲賳丕賮毓 禺賵丿貙 诏乇賵賴卮 乇丕 毓賵囟 賲蹖 讴乇丿貙 賮讴乇 賲蹖 讴賳賲 賲賴賲 鬲乇蹖賳 賳讴鬲賴 蹖 亘丕乇夭 賳賲丕蹖卮 亘賵丿.
賵賱蹖 賳讴鬲賴 蹖 賲賳賮蹖 賳賲丕蹖卮賳丕賲賴 (讴賴 賲鬲丕爻賮丕賳賴 亘乇 讴賱 讴丕乇 賴賲 爻丕蹖賴 賲蹖 丕賳丿丕夭丿) 賳賯胤賴 蹖 賮乇賵丿 賳丿丕卮鬲賳 丌賳 丕爻鬲. 诏乇趩賴 丿乇 丌禺乇 亘丕 賳賵毓蹖 禺卮賵賳鬲 馗丕賴乇蹖 卮丿蹖丿 賵 倬卮蹖賲丕賳蹖 亘丕夭 賴賲 馗丕賴乇蹖 卮禺氐蹖鬲 賴丕 讴丕乇 讴賲蹖 亘賴 爻賲鬲 賮乇賵丿 賲蹖 乇賵丿 丕賲丕 诏賮鬲诏賵蹖 鬲賱賮賳蹖 倬丕蹖丕賳蹖 賵乇賵賳蹖讴貙 诏乇趩賴 亘乇丕蹖 丨爻賳 禺鬲丕賲 讴丕乇 卮丿賴 丕賲丕 賲爻鬲毓丿 蹖讴 卮乇賵毓 賲噩丿丿 亘乇丕蹖 丿毓賵丕賴丕爻鬲. 亘乇丕蹖 賴賲蹖賳 賲賳 丕丨爻丕爻 讴乇丿賲 丕蹖賳 賳賲丕蹖卮賳丕賲賴 賴賳賵夭 賴賲 亘丕蹖丿 丕丿丕賲賴 賲蹖 蹖丕賮鬲!
丌賳 趩賴 丿乇 丕蹖賳 賳賲丕蹖卮賳丕賲賴 亘乇丕蹖賲 噩匕丕亘 亘賵丿貙 诏乇賵賴 亘賳丿蹖 賴丕蹖 賲丿丕賵賲 卮禺氐蹖鬲 賴丕 亘丕 蹖讴 丿蹖诏乇 丿乇 賲賯丕亘賱賴 亘丕 卮禺氐蹖鬲 賴丕蹖 丿蹖诏乇 亘賵丿. 诏丕賴蹖 丌賱賳 賵 丌賳鬲 丿乇 賲賯丕亘賱 賲蹖卮賱 賵 賵乇賵賳蹖讴 賯乇丕乇 賲蹖 诏乇賮鬲賳丿 (丿乇 亘蹖卮 鬲乇 賳賲丕蹖卮賳丕賲賴)貙 诏丕賴蹖 丌賱賳 賵 賲蹖卮賱 丿乇 賲賯丕亘賱 丌賳鬲 賵 賵乇賵賳蹖讴 (丿賵賲蹖賳 诏乇賵賴 亘賳丿蹖 乇丕蹖噩 丿乇 賳賲丕蹖卮賳丕賲賴) 賵 噩丕賴丕蹖蹖 賴賲 爻賴 賳賮乇 锟斤拷賴 蹖讴 賳賮乇 丨賲賱賴 賲蹖 讴乇丿賳丿. 丕蹖賳 噩丕亘噩丕蹖蹖 诏乇賵賴 賴丕 讴賴 丿乇 丌賳 賴乇讴爻 賴乇 亘丕乇 亘賴 丕賯鬲囟丕蹖 賲賳丕賮毓 禺賵丿貙 诏乇賵賴卮 乇丕 毓賵囟 賲蹖 讴乇丿貙 賮讴乇 賲蹖 讴賳賲 賲賴賲 鬲乇蹖賳 賳讴鬲賴 蹖 亘丕乇夭 賳賲丕蹖卮 亘賵丿.
賵賱蹖 賳讴鬲賴 蹖 賲賳賮蹖 賳賲丕蹖卮賳丕賲賴 (讴賴 賲鬲丕爻賮丕賳賴 亘乇 讴賱 讴丕乇 賴賲 爻丕蹖賴 賲蹖 丕賳丿丕夭丿) 賳賯胤賴 蹖 賮乇賵丿 賳丿丕卮鬲賳 丌賳 丕爻鬲. 诏乇趩賴 丿乇 丌禺乇 亘丕 賳賵毓蹖 禺卮賵賳鬲 馗丕賴乇蹖 卮丿蹖丿 賵 倬卮蹖賲丕賳蹖 亘丕夭 賴賲 馗丕賴乇蹖 卮禺氐蹖鬲 賴丕 讴丕乇 讴賲蹖 亘賴 爻賲鬲 賮乇賵丿 賲蹖 乇賵丿 丕賲丕 诏賮鬲诏賵蹖 鬲賱賮賳蹖 倬丕蹖丕賳蹖 賵乇賵賳蹖讴貙 诏乇趩賴 亘乇丕蹖 丨爻賳 禺鬲丕賲 讴丕乇 卮丿賴 丕賲丕 賲爻鬲毓丿 蹖讴 卮乇賵毓 賲噩丿丿 亘乇丕蹖 丿毓賵丕賴丕爻鬲. 亘乇丕蹖 賴賲蹖賳 賲賳 丕丨爻丕爻 讴乇丿賲 丕蹖賳 賳賲丕蹖卮賳丕賲賴 賴賳賵夭 賴賲 亘丕蹖丿 丕丿丕賲賴 賲蹖 蹖丕賮鬲!
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