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袗屑械褉懈泻邪
袩褉胁懈芯褌 懈 胁械褉芯褬邪褌薪芯 薪邪褬胁械写邪褉 褉芯屑邪薪 薪邪 袣邪褎泻邪 褬邪 褉邪褋泻邪卸褍胁邪 锌褉懈泻邪蟹薪邪褌邪 蟹邪 褋械写褍屑薪邪械褋械褌谐芯写懈褕薪懈芯褌 袣邪褉谢 袪芯褋屑邪薪, 泻芯褬 锌芯 械写薪邪 蟹邪褋褉邪屑褍胁邪褔泻邪 褋械泻褋褍邪谢薪邪 邪胁邪薪褌褍褉邪 褋芯 褋谢褍谐懈薪泻邪褌邪 械 鈥炑佇啃靶貉冃残靶� 蟹邪 袗屑械褉懈泻邪鈥� 芯写 褋褌褉邪薪邪 薪邪 褉芯写懈褌械谢懈褌械. 袨褔械泻褍胁邪褬褱懈 写邪 褋械 懈褋泻褍锌懈 褋械斜械褋懈 胁芯 芯胁邪邪 鈥炐夹靶承秆囆叫� 蟹械屑褬邪 薪邪 屑芯卸薪芯褋褌懈鈥�, 屑谢邪写懈芯褌 袣邪褉谢 械 蟹邪薪械褋械薪 芯写 懈蟹芯斜谢懈褔械薪懈 薪邪褋褌邪薪懈 懈 胁褉褌芯谐谢邪胁懈 邪胁邪薪褌褍褉懈.
袣邪褎泻邪 薪懈泻芯谐邪褕 褬邪 薪械屑邪谢 锌芯褋械褌械薪芯 袗屑械褉懈泻邪 懈 褍褕褌械 芯写 锌褉胁懈褌械 褋褌褉邪薪懈褑懈 薪邪 泻薪懈谐邪褌邪 芯褔懈谐谢械写薪芯 械 写械泻邪 薪械 屑褍 斜懈谢芯 褑械谢褌邪 写邪 写邪写械 薪械泻邪泻胁邪 褉械邪谢薪邪 锌褉械褌褋褌邪胁邪 蟹邪 薪械邪. 小谢懈泻懈 芯写 懈屑邪谐懈薪邪褉薪懈 锌械褬蟹邪卸懈, 蟹谢芯泻芯斜薪懈 芯锌邪褋薪芯褋褌懈, 斜械蟹懈蟹谢械蟹薪懈 褋懈褌褍邪褑懈懈, 锌芯褋褌芯褬邪薪懈 薪械锌褉邪胁写懈 懈 谐褉芯褌械褋泻薪懈 褌械薪蟹懈懈 屑械褤褍 谢懈泻芯胁懈褌械 谐芯 泻邪褉邪泻褌械褉懈蟹懈褉邪邪褌 芯胁芯褬 谐械薪懈褬邪谢械薪 褉芯屑邪薪.
鈥炐愋夹笛€懈泻邪鈥� 械 蟹邪褔褍写褍胁邪褔泻懈 屑芯写械褉薪邪 懈 胁懈蟹懈芯薪械褉褋泻邪 锌邪褉芯写懈褬邪 蟹邪 泻芯薪褌懈薪械薪褌芯褌 褕褌芯 斜褍写懈 薪邪褬褉邪蟹谢懈褔薪懈 邪褋芯褑懈褬邪褑懈懈 懈 褔褍胁褋褌胁邪, 薪芯 懈 屑薪芯谐褍 锌芯胁械褱械 芯写 褌芯邪.
袣邪褎泻邪 薪懈泻芯谐邪褕 褬邪 薪械屑邪谢 锌芯褋械褌械薪芯 袗屑械褉懈泻邪 懈 褍褕褌械 芯写 锌褉胁懈褌械 褋褌褉邪薪懈褑懈 薪邪 泻薪懈谐邪褌邪 芯褔懈谐谢械写薪芯 械 写械泻邪 薪械 屑褍 斜懈谢芯 褑械谢褌邪 写邪 写邪写械 薪械泻邪泻胁邪 褉械邪谢薪邪 锌褉械褌褋褌邪胁邪 蟹邪 薪械邪. 小谢懈泻懈 芯写 懈屑邪谐懈薪邪褉薪懈 锌械褬蟹邪卸懈, 蟹谢芯泻芯斜薪懈 芯锌邪褋薪芯褋褌懈, 斜械蟹懈蟹谢械蟹薪懈 褋懈褌褍邪褑懈懈, 锌芯褋褌芯褬邪薪懈 薪械锌褉邪胁写懈 懈 谐褉芯褌械褋泻薪懈 褌械薪蟹懈懈 屑械褤褍 谢懈泻芯胁懈褌械 谐芯 泻邪褉邪泻褌械褉懈蟹懈褉邪邪褌 芯胁芯褬 谐械薪懈褬邪谢械薪 褉芯屑邪薪.
鈥炐愋夹笛€懈泻邪鈥� 械 蟹邪褔褍写褍胁邪褔泻懈 屑芯写械褉薪邪 懈 胁懈蟹懈芯薪械褉褋泻邪 锌邪褉芯写懈褬邪 蟹邪 泻芯薪褌懈薪械薪褌芯褌 褕褌芯 斜褍写懈 薪邪褬褉邪蟹谢懈褔薪懈 邪褋芯褑懈褬邪褑懈懈 懈 褔褍胁褋褌胁邪, 薪芯 懈 屑薪芯谐褍 锌芯胁械褱械 芯写 褌芯邪.
286 pages, Paperback
First published January 1, 1927
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About the author
Franz Kafka
3,227听books35.8k听followersPrague-born writer Franz Kafka wrote in German, and his stories, such as "
The Metamorphosis
" (1916), and posthumously published novels, including
The Trial
(1925), concern troubled individuals in a nightmarishly impersonal world.
Jewish middle-class family of this major fiction writer of the 20th century spoke German. People consider his unique body of much incomplete writing, mainly published posthumously, among the most influential in European literature.
His stories include "The Metamorphosis" (1912) and " In the Penal Colony " (1914), whereas his posthumous novels include The Trial (1925), The Castle (1926) and Amerika (1927).
Despite first language, Kafka also spoke fluent Czech. Later, Kafka acquired some knowledge of the French language and culture from Flaubert, one of his favorite authors.
Kafka first studied chemistry at the Charles-Ferdinand University of Prague but after two weeks switched to law. This study offered a range of career possibilities, which pleased his father, and required a longer course of study that gave Kafka time to take classes in German studies and art history. At the university, he joined a student club, named Lese- und Redehalle der Deutschen Studenten, which organized literary events, readings, and other activities. In the end of his first year of studies, he met Max Brod, a close friend of his throughout his life, together with the journalist Felix Weltsch, who also studied law. Kafka obtained the degree of doctor of law on 18 June 1906 and performed an obligatory year of unpaid service as law clerk for the civil and criminal courts.
Writing of Kafka attracted little attention before his death. During his lifetime, he published only a few short stories and never finished any of his novels except the very short "The Metamorphosis." Kafka wrote to Max Brod, his friend and literary executor: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread." Brod told Kafka that he intended not to honor these wishes, but Kafka, so knowing, nevertheless consequently gave these directions specifically to Brod, who, so reasoning, overrode these wishes. Brod in fact oversaw the publication of most of work of Kafka in his possession; these works quickly began to attract attention and high critical regard.
Max Brod encountered significant difficulty in compiling notebooks of Kafka into any chronological order as Kafka started writing in the middle of notebooks, from the last towards the first, et cetera.
Kafka wrote all his published works in German except several letters in Czech to Milena Jesensk谩.
Jewish middle-class family of this major fiction writer of the 20th century spoke German. People consider his unique body of much incomplete writing, mainly published posthumously, among the most influential in European literature.
His stories include "The Metamorphosis" (1912) and " In the Penal Colony " (1914), whereas his posthumous novels include The Trial (1925), The Castle (1926) and Amerika (1927).
Despite first language, Kafka also spoke fluent Czech. Later, Kafka acquired some knowledge of the French language and culture from Flaubert, one of his favorite authors.
Kafka first studied chemistry at the Charles-Ferdinand University of Prague but after two weeks switched to law. This study offered a range of career possibilities, which pleased his father, and required a longer course of study that gave Kafka time to take classes in German studies and art history. At the university, he joined a student club, named Lese- und Redehalle der Deutschen Studenten, which organized literary events, readings, and other activities. In the end of his first year of studies, he met Max Brod, a close friend of his throughout his life, together with the journalist Felix Weltsch, who also studied law. Kafka obtained the degree of doctor of law on 18 June 1906 and performed an obligatory year of unpaid service as law clerk for the civil and criminal courts.
Writing of Kafka attracted little attention before his death. During his lifetime, he published only a few short stories and never finished any of his novels except the very short "The Metamorphosis." Kafka wrote to Max Brod, his friend and literary executor: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread." Brod told Kafka that he intended not to honor these wishes, but Kafka, so knowing, nevertheless consequently gave these directions specifically to Brod, who, so reasoning, overrode these wishes. Brod in fact oversaw the publication of most of work of Kafka in his possession; these works quickly began to attract attention and high critical regard.
Max Brod encountered significant difficulty in compiling notebooks of Kafka into any chronological order as Kafka started writing in the middle of notebooks, from the last towards the first, et cetera.
Kafka wrote all his published works in German except several letters in Czech to Milena Jesensk谩.
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March 13, 2023
This is a book that will remove our misconceptions that we can write a novel about an experience or a place only if we had a similar experience in the past. Kafka is a person who never visited America in his entire life. But he marvelously writes about the intricate details about America through this story of young immigrant Karl Rossmann in America. If you haven't read any books by Kafka yet and plans to read one soon, this will be an ideal choice. It is written in a simple language that almost everybody can understand, unlike some of his complicated works later. This is incontrovertibly literary fiction at its best.
鈥淚t's impossible to defend oneself in the absence of goodwill.鈥�
鈥斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌斺赌�
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March 14, 2022
"-Entonces, est谩 usted libre -dijo.
-S铆; libre estoy -dijo Karl, y nada le pareci贸 de menor importancia que eso."
Jorge Luis Borges afirmaba que los personajes de Kafka eran听鈥淧rofesionales de la derrota.鈥澨�
En cierto modo, podemos asegurar eso cuando encuadramos a tres personajes tan particulares como K. de "El Castillo", Joseph K. de "El Proceso" y Karl Rossmann, protagonista de "El desaparecido" en ese r贸tulo, todo confirma que este genio nunca se equivocaba y en cierta medida, los podemos ver como personajes alter ego con caracter铆sticas autobiogr谩ficas del mismo Kafka.
El nombre que Kafka eligi贸 para esta novela fue "El desaparecido" ("Der Verschollene") y no "Amerika" como Max Brod la publicara p贸stumamente.
Hay algo esperanzador en esta novela la que Kafka llamaba "la novela infinita" y que no sucede en las otras dos, y es que m谩s all谩 de que tambi茅n est谩 inconclusa (aunque a m铆 entender "El Proceso" es una novela terminada), el personaje de Karl no est谩 envuelto en una serie de situaciones, en su lucha para alcanzar su propio 鈥渟ue帽o americano鈥�, que lo complican de forma negativa, sino que casi sin quererlo es 茅l mismo el que condiciona su destino, en parte por su relaci贸n con personajes tan negativos como Robinson y Dellamarche y tambi茅n como la mala decisi贸n en en el tramo inicial de la novela que lo saca de su precaria 鈥渮ona de confort鈥�.
En el cap铆tulo 鈥淓l Fogonero鈥�, el 煤nico terminado y muy importante para entender el desarrollo de la trama de la novela, nos encontramos ya con un Karl que tiene la gran oportunidad de forjar un futuro gracias a su rico t铆o, el senador Jakob.
Incre铆blemente y como sucede con los personajes kafkianos, su destino se enturbia r谩pidamente y ya est谩 planteado el dilema: la mala decisi贸n, los factores externos y la innata capacidad del personaje para quedar atrapado en ellas instalan el conflicto y algo que diferencia a Karl de los otros personajes es que en esta novela, se respira cierto aire de ingenuidad adolescente con caracter铆sticas no tan sombr铆as y agobiantes como las de El Proceso ni chocantes o de 鈥渘o invitado鈥� como en "El Castillo".
Podemos decir que se nota que es la primera novela de Kafka (la segunda que escribi贸 fue "El Proceso" y la 煤ltima "El Castillo". 隆Yo las le铆 exactamente en orden inverso!), por eso uno puede tomar la novela con menos cinrcunspecci贸n que las otras dos.
De todos modos, se percibe el desamparo en el que se encuentra Karl, s贸lo, como inmigrante en un pa铆s tan vasto como los Estados Unidos. En comparaci贸n con los personajes principales de sus otras dos novelas, K. y Joseph K. luchan (y chocan) en cierto modo contra un sistema adverso. Karl intenta superarse y mejorar, buscando muchas veces en forma err贸nea su propio bienestar, algo que experiment贸 el mismo Kafka en su vida personal.
Tambi茅n encontramos otro rasgo autobiogr谩fico en la relaci贸n de Karl con las mujeres, siempre inconexo, irrealizable, ut贸pico. Sucede con Klara al comienzo de la novela, con Therese en el Hotel Occidental y con la malvada Brunelda, cuando est谩 a merced de su despotismo secundado por Robinson y Dellamarche. Caso especial el de Robinson, este irland茅s que pareciera simbolizar una de esas contigencias inevitables que surgen en la vida y que nos ponen a prueba, sea para mal o para bien. Est谩 comprobado que Kafka jug贸 un poco a escribir "El desaparecido" inspir谩ndose en "David Copperfield" de Charles Dickens, de quien se declaraba ferviente admirador junto con Goethe y otros c茅lebres escritores.
El albacea, bi贸grafo y amigo de Kafka, Max Brod defini贸 a "El desaparecido", "El Proceso" y "El Castillo" como la 鈥淭rilog铆a de la Soledad鈥�, 隆y vaya que lo es!, puesto se trata de individuos que buscan permanentemente su lugar en la sociedad, pero para ello deben luchar contra demasiadas adversidades impuestas por el autor, fiel a su estilo tan particular en lo narrativo y argumental.
Incluso aqu铆, los pasos de Karl se impregnan de esa futilidad con la que deber谩n lidiar los personajes de "El proceso" y "El castillo":听"Avanzaba despacio, y, por eso el camino le parec铆a doblemente largo."
Hay una frase que dice Karl Rossmann a mitad de la novela, luego del incidente en el Hotel Occidental que le cuesta su despido y creo que tiene implicancia directa con lo que sufrir谩 Joseph K. en El Proceso:听鈥淓s imposible defenderse cuando no hay buena voluntad de por medio."
Creo que en esta frase se resume mucho de lo que leemos en la obra kafkiana. Y es que a veces, quiera uno o no, nos sucede lo mismo que a sus personajes: la vida nos dice que no siempre tenemos el control, y por eso mismo nos pone a prueba en los momentos m谩s inoportunos.
December 25, 2017
Often I opt to know as little as possible about the novels I read before starting them which includes not reading the back cover synopsis. So I didn鈥檛 know this was an unfinished novel when I started. I hadn鈥檛 read any Kafka since my teens when I can鈥檛 say he was ever a favourite of mine. My feeling about him was further sullied after reading his letters to Milena, a girl he neurotically and rather cruelly strung along who eventually was to die in the Nazi death camps. Those letters are fascinating as an indictement of the way males can distort a female in the imagination to spin out some private fantasy with little thought to the real woman involved.
Not surprisingly Kafka鈥檚 America is a bizarre place - he never set foot in America in his lifetime. For one thing initiative, the will to work, impeccable manners are punished rather than rewarded. Kafka鈥檚 Karl is a hapless good-natured innocent who will be taken advantage of at every turn. He鈥檚 every bully鈥檚 dream victim. Authority, as ever, is an irrational and cruel entity. Nothing is to be expected of it but persecution. Officialdom makes little sense as subordinates often overrule bosses. In Kafka鈥檚 world perhaps only women can be relied upon to show uncorrupted humanity. Kafka鈥檚 heroes are never men鈥檚 men. To put it harshly they are often girl鈥檚 blouses. Though Kafka is writing about a recognisably real world here the surreal is never far away, often present in his choice of fastidious detail. He鈥檚 a master at bringing to life the shadow life of daily reality.
It鈥檚 an episodic novel and there鈥檚 a sense Kafka is making it up as he goes along, which maybe explains why he never finished it - he wasn鈥檛 working to a plan. Towards the end it begins getting a little repetitive and increasingly more surreal. The pattern of Karl鈥檚 innocence getting him into trouble but also finally saving him, or at least providing the opportunity to live another day, has been repeated several times. It鈥檚 surprising that a writer as brilliantly unpredictable as Kafka becomes a little predictable in his unpredictability 鈥� if that makes sense. A missing chapter doesn鈥檛 help in the waning of one鈥檚 interest. That said I found much to admire before it becomes clear that he loses his impetus. Shame he didn鈥檛 finish it.
Not surprisingly Kafka鈥檚 America is a bizarre place - he never set foot in America in his lifetime. For one thing initiative, the will to work, impeccable manners are punished rather than rewarded. Kafka鈥檚 Karl is a hapless good-natured innocent who will be taken advantage of at every turn. He鈥檚 every bully鈥檚 dream victim. Authority, as ever, is an irrational and cruel entity. Nothing is to be expected of it but persecution. Officialdom makes little sense as subordinates often overrule bosses. In Kafka鈥檚 world perhaps only women can be relied upon to show uncorrupted humanity. Kafka鈥檚 heroes are never men鈥檚 men. To put it harshly they are often girl鈥檚 blouses. Though Kafka is writing about a recognisably real world here the surreal is never far away, often present in his choice of fastidious detail. He鈥檚 a master at bringing to life the shadow life of daily reality.
It鈥檚 an episodic novel and there鈥檚 a sense Kafka is making it up as he goes along, which maybe explains why he never finished it - he wasn鈥檛 working to a plan. Towards the end it begins getting a little repetitive and increasingly more surreal. The pattern of Karl鈥檚 innocence getting him into trouble but also finally saving him, or at least providing the opportunity to live another day, has been repeated several times. It鈥檚 surprising that a writer as brilliantly unpredictable as Kafka becomes a little predictable in his unpredictability 鈥� if that makes sense. A missing chapter doesn鈥檛 help in the waning of one鈥檚 interest. That said I found much to admire before it becomes clear that he loses his impetus. Shame he didn鈥檛 finish it.
January 18, 2018
Franz Kafka just watches, he doesn鈥檛 comment鈥�
And Karl Rossmann encounters many a character of his way but they all seem to be no more than soulless puppets鈥� But nonetheless all those marionettes on the strings of fate try to manipulate him and use him in their own purpose. And whatever he does appears to be wrong and works against him.
In the soulless world one can only exist slowly turning into naught and gradually disappearing into nothingness鈥�
As the seventeen-year-old Karl Rossmann, who had been sent to America by his unfortunate parents because a maid had seduced him and had a child by him, sailed slowly into New York harbour, he suddenly saw the Statue of Liberty, which had already been in view for some time, as though in an intenser sunlight. The sword in her hand seemed only just to have been raised aloft, and the unchained winds blew about her form.
And Karl Rossmann encounters many a character of his way but they all seem to be no more than soulless puppets鈥� But nonetheless all those marionettes on the strings of fate try to manipulate him and use him in their own purpose. And whatever he does appears to be wrong and works against him.
He couldn鈥檛 tell the whole story here, and even if it had been possible, it still seemed hopeless to try and avert a threatened injustice by telling of one already suffered.
In the soulless world one can only exist slowly turning into naught and gradually disappearing into nothingness鈥�
May 28, 2025
The incomplete first novel, like the other two by Franz Kafka which makes for a fuzzy story to follow let alone perceive, we are grateful, nevertheless. In as much as any gifted writer's book though fragmented is a priceless treasure ...Amerika...original name, "The Missing Person" a better more descriptive title still, published posthumously in 1927 ostensibly about Karl Rossmann. A German boy of fifteen, native of Prague in the Austrian Hungarian Empire before the WW1 collapse, who needs to get out of town fast for hanky- panky with a frisky maid twenty years his senior. Don't need to paint a picture of the many repercussions. Karl's unamused parents send him to his remote uncle in America Mr. Jakob not a nice guy but very influential New Yorker. Naturally things go arise if not, the story with be quite boring, humans are fickle creatures, even family members become estranged and rich relatives with numerous unpleasant quirks reveal ugly sides quickly enough. The rather heartless uncle after a few months of seemingly kind yet cold treatment, becomes jealous of a friend's, Mr. Pollunder invitation to the boy to visit him for a day or two at his home, the unstable daughter Klara is a bit insane still, and Jakob uninvites the kid away... soon on the dusty road with a couple of lazy bums ...make this hobo it sounds better, Robinson from Ireland and Frenchman Delamarche it doesn't matter both are lowlifes. The result of the huge abundance of refugees from Europe's turmoil's, immigrants fleeing from whatever. Later getting a job in an upstate New York luxury hotel, the old chief cook, a female likes Mr. Rossmann yet two months later forced to leave again, certainly however not all his fault, nevertheless he has a propensity for trouble. Now another episode Karl becomes a virtual slave taking care of a fat lady Brunelda getting fatter every minute while the two Messrs. Robinson, Delamarche look on, and the latter is her ardent lover. The unkempt dusty apartment grows full of rubbish, a packrat paradise and the constant harsh word from her strident tongue brings no joy. It's hard to judge a book not finished, one thinks of the possibilities, however a blank pierce of paper is...blank. And dreams unreal... Mr. Kafka was a marvelous writer his weakness like numerous people in every walk of life, he never believes in his abilities...think of the loss to the world...quite sad.
April 12, 2021
Ako 膷ovjek ide uz vjetar, koji se kovitla u krugu, ne mo啪e ni za trenutak otvoriti o膷i, vjetar mu stalno snijegom zasipa lice, mo啪e tr膷ati ali ne膰e sti膰i dalje, to je ne拧to o膷ajno. Dijete je tu, naravno, u boljem polo啪aju od odraslih, ono se probija ispod vjetra, pa 膷ak pomalo i u啪iva u svemu.
Kad拧to ni sam ne znam koliko ljupkost mo啪e biti prijem膷iva, zamotana u neko ruho, a opet ponegdje izvire i nagovje拧tava da je prisutna kako se 膷italac ne bi mnogo uzburkao i razo膷arao. Ona je tu da ubla啪i njegove strasti i napore, da mu svojim poljupcima odr啪ava rumenilo i vedrinu na licu. Kafka nije eksplicitan na obzorju njegove Amerike, nego vi拧e svog junaka nijansira kroz vrtloge ukrasa neke svoje slikovitosti. Ni jedno polje ove knjige ne te啪i nekoj na膷etoj harmoniji. Junaci kao da pletu mre啪u koja 膰e ih okrenuti i jedne protiv drugih i protiv sebe.
Ne radi se o tome da je ovo o膷ajni膷ko i opskurno djelo, njegov Karl Rosman je u naboju nade i on kr膷i put ka njenom ostvarenju, ali ona i dalje samo tanano treperi. Neaktivnost koja podrazumijeva posmatranje jednog radnog njujor拧kog dana mo啪e da se preporu膷i turistima, ali onaj koji tu ostaje, za njega zna膷i 膷amotinju i propast. Pisac je upravo to i 膷inio, 膷upao je svog junaka ne bi li ovaj upao u puko posmatranje. 艩to se i uo膷ava na samom po膷etku kada se Karl useljava kod ujaka, kada mu ovaj kupuje klavir i pla膰a mu 膷asove engleskog jezika i jahanje konja. Ovo zvu膷i pomalo poeti膷no s obzirom na kakve d啪ombe 膰e Karl nailaziti dok bude radio neke druge poslove. Kafka zapravo predo膷ava koliko je poslovni prostor u Americi jedan d啪in koji 啪va膰e 膷ovjeka na啪ivo. On nam pokazuje fresku ameri膷kog 啪ivota i mo啪da sve ono 拧to je svojstveno toj zemlji.
April 8, 2024
That's a hilarious novel and a ridiculous situation that Kafka gives us with America. Karl is the king of losers who throws himself headfirst into any new adventure that can push him further into misery and poverty. He befriends people who want to screw him up, and his choices are always the wrong ones. This work describes the situation well, and readers understand and see that Karl should not take this direction. It is annoying that he crashes each time he goes there! So Karl was a very nettling character for me, proof that Kafka succeeded in his ridiculous failure description. Also, I found this book relatively easy to read; I had not managed to read other books by Kafka when I read it.
February 8, 2025
Kafka 'Lite'
'Amerika' is not quite Kafka we all love and are used to. This is due to its realism, social commentary and humour. On the other hand, the account of young Karl Rossmann's odyssey in 'Amerika' (which somehow does not feel like America) generated a sense of growing unease in me like other Kafka's texts.
In spite of the realism the existential dread and and a feeling of hopelessness pervade Kafka's first unfinished novel. Karl's helplessness and ready acceptance of his absurd and sad fate really touched me. Especially when it is clear that this story in which the misfortunes keep befalling Karl endlessly, would not have a happy ending.
'So then you鈥檙e free?' 'Yes, I鈥檓 free,鈥� said Karl, and nothing seemed more worthless than his freedom.'
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'He was aware that he was losing himself, was losing himself completely in this vast country.'
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'He looked sadly down at the street, as though it were his own bottomless sadness.'
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'Karl leaned against the railing beside his lift, slowly eating his apple, from which a strong sweet aroma rose from the very first bite, and looked down the lift-shaft, which was surrounded by the large windows of the storerooms, behind which great bunches of bananas glimmered faintly in the
dark.'
'Amerika' is not quite Kafka we all love and are used to. This is due to its realism, social commentary and humour. On the other hand, the account of young Karl Rossmann's odyssey in 'Amerika' (which somehow does not feel like America) generated a sense of growing unease in me like other Kafka's texts.
In spite of the realism the existential dread and and a feeling of hopelessness pervade Kafka's first unfinished novel. Karl's helplessness and ready acceptance of his absurd and sad fate really touched me. Especially when it is clear that this story in which the misfortunes keep befalling Karl endlessly, would not have a happy ending.
'So then you鈥檙e free?' 'Yes, I鈥檓 free,鈥� said Karl, and nothing seemed more worthless than his freedom.'
----------------------------------------------------------------------------
'He was aware that he was losing himself, was losing himself completely in this vast country.'
----------------------------------------------------------------------------
'He looked sadly down at the street, as though it were his own bottomless sadness.'
----------------------------------------------------------------------------
'Karl leaned against the railing beside his lift, slowly eating his apple, from which a strong sweet aroma rose from the very first bite, and looked down the lift-shaft, which was surrounded by the large windows of the storerooms, behind which great bunches of bananas glimmered faintly in the
dark.'
December 9, 2024
The least Kafkaesque novel by Kafka鈥攎aybe that鈥檚 why it is more overlooked than his other works. Instead of the claustrophobic feel of helplessness, there is actually a sense of hope and comedic relief in the adventures of our hero, an innocent immigrant in 1920s America, as he pursues the american dream. Given that the outcome isn鈥檛 all that different despite the lighter tone鈥攐ur hero becomes poorer instead of richer鈥攑erhaps it鈥檚 better to laugh than to despair over a system you can鈥檛 change.
March 7, 2022
乇賵丕賷丞 賱賮乇丕賳夭 賰丕賮賰丕 睾賷乇 賲賰鬲賲賱丞 賮賷 亘毓囟 賮氐賵賱賴丕, 賳卮乇賴丕 氐丿賷賯賴 賲丕賰爻 亘乇賵丿 亘毓丿 賵賮丕鬲賴
丨賰丕賷丞 卮丕亘 兀賱賲丕賳賷 氐睾賷乇 賷賴丕噩乇 賱兀賲乇賷賰丕, 賵賷鬲賳賯賱 賮賷賴丕 賲賳 賲賰丕賳 賱賲賰丕賳 賵賲賳 毓賲賱 賱丌禺乇
睾乇賷亘 賮賷 毓丕賱賲 賵丕爻毓 賷鬲毓乇賮 毓賱賶 卮禺氐賷丕鬲 賲禺鬲賱賮丞 賵賷鬲賵乇胤 賮賷 賲卮賰賱丕鬲 賰孬賷乇丞
賵賮賷 丕賱賳賴丕賷丞 賳鬲乇賰賴 賮賷 丕賱賯胤丕乇 賷爻毓賶 賱賱賵氐賵賱 廿賱賶 賲爻乇丨 兀賵賰賱丕賴賵賲丕 賮賷 鬲噩乇亘丞 噩丿賷丿丞
賷鬲鬲亘毓 賰丕賮賰丕 賲氐賷乇 丕賱丕賳爻丕賳 賮賷 丿乇賵亘 賵賲鬲丕賴丕鬲 丕賱丨賷丕丞 亘賷賳 丕賱兀賲賱 賵丕賱賵賴賲
爻乇丿 噩賲賷賱 賵爻賱爻 賵賲購孬賯賱 兀丨賷丕賳丕 亘丕賱鬲賮丕氐賷賱 賵丕賱賵氐賮
丨賰丕賷丞 卮丕亘 兀賱賲丕賳賷 氐睾賷乇 賷賴丕噩乇 賱兀賲乇賷賰丕, 賵賷鬲賳賯賱 賮賷賴丕 賲賳 賲賰丕賳 賱賲賰丕賳 賵賲賳 毓賲賱 賱丌禺乇
睾乇賷亘 賮賷 毓丕賱賲 賵丕爻毓 賷鬲毓乇賮 毓賱賶 卮禺氐賷丕鬲 賲禺鬲賱賮丞 賵賷鬲賵乇胤 賮賷 賲卮賰賱丕鬲 賰孬賷乇丞
賵賮賷 丕賱賳賴丕賷丞 賳鬲乇賰賴 賮賷 丕賱賯胤丕乇 賷爻毓賶 賱賱賵氐賵賱 廿賱賶 賲爻乇丨 兀賵賰賱丕賴賵賲丕 賮賷 鬲噩乇亘丞 噩丿賷丿丞
賷鬲鬲亘毓 賰丕賮賰丕 賲氐賷乇 丕賱丕賳爻丕賳 賮賷 丿乇賵亘 賵賲鬲丕賴丕鬲 丕賱丨賷丕丞 亘賷賳 丕賱兀賲賱 賵丕賱賵賴賲
爻乇丿 噩賲賷賱 賵爻賱爻 賵賲購孬賯賱 兀丨賷丕賳丕 亘丕賱鬲賮丕氐賷賱 賵丕賱賵氐賮
October 1, 2017
噩丕蹖蹖 讴賴 丨爻賳 賳蹖鬲 丿乇 讴丕乇 賳亘丕卮丿貙 賲丨丕賱 丕爻鬲 亘鬲賵丕賳蹖 丕夭 禺賵丿鬲 丿賮丕毓 讴賳蹖
亘賳馗乇賲 丌賲乇蹖讴丕 乇丕 賲蹖 鬲賵丕賳 趩讴丕賲賴 卮丕丿蹖 讴丕賮讴丕 賳丕賲蹖丿貙 丌賳賴賲 丿乇 鬲賯丕亘賱 亘丕 讴丕乇賴丕蹖蹖 賲孬賱 賲爻禺 賵 賲丨丕讴賲賴 賵 賯氐乇 讴賴 賮囟丕蹖 倬蹖趩蹖丿賴 賵 鬲丕乇蹖讴蹖 丿丕乇賳丿. 丕賲丕 丿乇 丕蹖賳 丕孬乇貙 亘丕 賴賲賴鈥屰� 丿乇丿爻乇賴丕蹖蹖 讴賴 亘乇丕蹖 卮禺氐蹖鬲 丕賵賱 丿丕爻鬲丕賳 倬蹖卮 賲蹖 丌蹖丿貙 賲蹖鬲賵丕賳 乇賵夭賳賴 丕賲蹖丿 賵 亘賴乇賵夭蹖 乇丕 賴賲 丨爻 讴乇丿... 丿乇 氐丨賳賴 賴丕蹖蹖 趩賳丕賳 賴蹖噩丕賳蹖 亘賵丿 讴賴 乇蹖鬲賲 "賲乇诏 賯爻胤蹖" 爻賱蹖賳 亘乇丕賲 鬲丿丕毓蹖 賲蹖卮丿貨 賲禺賲氐賴 倬卮鬲 賲禺賲氐賴 賵 賳賮爻 诏蹖乇
丨蹖賮 賵 賴夭丕乇 丨爻乇鬲 讴賴 讴丕賮讴丕 丕蹖賳 讴鬲丕亘 乇丕 賴賲 亘賴 倬丕蹖丕賳 賳乇爻丕賳丿...
亘賳馗乇賲 丌賲乇蹖讴丕 乇丕 賲蹖 鬲賵丕賳 趩讴丕賲賴 卮丕丿蹖 讴丕賮讴丕 賳丕賲蹖丿貙 丌賳賴賲 丿乇 鬲賯丕亘賱 亘丕 讴丕乇賴丕蹖蹖 賲孬賱 賲爻禺 賵 賲丨丕讴賲賴 賵 賯氐乇 讴賴 賮囟丕蹖 倬蹖趩蹖丿賴 賵 鬲丕乇蹖讴蹖 丿丕乇賳丿. 丕賲丕 丿乇 丕蹖賳 丕孬乇貙 亘丕 賴賲賴鈥屰� 丿乇丿爻乇賴丕蹖蹖 讴賴 亘乇丕蹖 卮禺氐蹖鬲 丕賵賱 丿丕爻鬲丕賳 倬蹖卮 賲蹖 丌蹖丿貙 賲蹖鬲賵丕賳 乇賵夭賳賴 丕賲蹖丿 賵 亘賴乇賵夭蹖 乇丕 賴賲 丨爻 讴乇丿... 丿乇 氐丨賳賴 賴丕蹖蹖 趩賳丕賳 賴蹖噩丕賳蹖 亘賵丿 讴賴 乇蹖鬲賲 "賲乇诏 賯爻胤蹖" 爻賱蹖賳 亘乇丕賲 鬲丿丕毓蹖 賲蹖卮丿貨 賲禺賲氐賴 倬卮鬲 賲禺賲氐賴 賵 賳賮爻 诏蹖乇
丨蹖賮 賵 賴夭丕乇 丨爻乇鬲 讴賴 讴丕賮讴丕 丕蹖賳 讴鬲丕亘 乇丕 賴賲 亘賴 倬丕蹖丕賳 賳乇爻丕賳丿...
August 2, 2023
Franz Kafka鈥檚 Amerika, initially titled Der Verschollene (The One Who Disappeared), achieved posthumous publication in 1927, edited by Max Brod. Only the opening vignette, 鈥淭he Stoker鈥� (鈥淒er Heizer鈥�), was published independently as a short piece during Kafka鈥檚 lifetime.
The story is about an anti-hero tangled up in an anti-Bildungsroman. From the start, Karl Rossmann, a European immigrant entering the United States through New York Harbor, is utterly lost. To him, San Francisco is on the east coast, and New York is connected to Boston by a mere bridge over the Hudson. From there, Karl is tossed around in increasingly weird and repetitive circumstances: he falls prey to strange women who have a thinly veiled sexual interest in him, struggles with aggressive bosses and convoluted business procedures, befriends other young employees like him, and gets by from day to day, rarely holding a job for long.
In part because of the unfinished and fragmented nature of the text, Amerika feels like an open and unfinished Gestalt, a picaresque novel, a quest without a goal, an episodic Odyssey without any Ithaca or Penelope. On the whole, Karl is a Joseph-like figure: a nomad, a nobody, an exile, a pariah, a Jew, a 鈥淣egro鈥� (the name he gives himself in the last fragment of the novel), subjected to a cycle of transient salvations and humiliating rejections, pushing him toward society鈥檚 outskirts. Ultimately, the tale stops for reasons known only to its author, leaving us with a question: could Karl find genuine freedom or descend into an abyss of degradation?
Contrary to Kafka鈥檚 traditionally claustrophobic settings, this novel is unusually vibrant, tightly composed, and filled with direct speech and weird descriptions of gestures. It was penned at the peak of immigration from Eastern Europe and layered with the nuances of the contemporary world of the early 20th century. And despite its fragmentary structure, it remains a testament to Kafka鈥檚 exceptional storytelling skills and his ability to challenge readers with an intricately woven narrative that effortlessly merges reality and metaphor.
Many years later, would imagine how an older Kafka, having survived tuberculosis and escaping Nazi Germany, could have followed the steps of his creation: 鈥渏ust a Jew lucky enough to have escaped with his life, in his possession a suitcase containing some clothes, some family photos, some Prague mementos, and the manuscripts, still unpublished and in pieces, of Amerika, The Trial, The Castle, and (stranger things happen) three more fragmented novels, no less remarkable than the bizarre masterworks that he keeps to himself out of oedipal timidity, perfectionist madness, and insatiable longings for solitude and spiritual purity.鈥� (From Roth鈥檚 essay 鈥溾€業 Always Wanted You to Admire My Fasting鈥�; or, Looking at Kafka.鈥�)
The story is about an anti-hero tangled up in an anti-Bildungsroman. From the start, Karl Rossmann, a European immigrant entering the United States through New York Harbor, is utterly lost. To him, San Francisco is on the east coast, and New York is connected to Boston by a mere bridge over the Hudson. From there, Karl is tossed around in increasingly weird and repetitive circumstances: he falls prey to strange women who have a thinly veiled sexual interest in him, struggles with aggressive bosses and convoluted business procedures, befriends other young employees like him, and gets by from day to day, rarely holding a job for long.
In part because of the unfinished and fragmented nature of the text, Amerika feels like an open and unfinished Gestalt, a picaresque novel, a quest without a goal, an episodic Odyssey without any Ithaca or Penelope. On the whole, Karl is a Joseph-like figure: a nomad, a nobody, an exile, a pariah, a Jew, a 鈥淣egro鈥� (the name he gives himself in the last fragment of the novel), subjected to a cycle of transient salvations and humiliating rejections, pushing him toward society鈥檚 outskirts. Ultimately, the tale stops for reasons known only to its author, leaving us with a question: could Karl find genuine freedom or descend into an abyss of degradation?
Contrary to Kafka鈥檚 traditionally claustrophobic settings, this novel is unusually vibrant, tightly composed, and filled with direct speech and weird descriptions of gestures. It was penned at the peak of immigration from Eastern Europe and layered with the nuances of the contemporary world of the early 20th century. And despite its fragmentary structure, it remains a testament to Kafka鈥檚 exceptional storytelling skills and his ability to challenge readers with an intricately woven narrative that effortlessly merges reality and metaphor.
Many years later, would imagine how an older Kafka, having survived tuberculosis and escaping Nazi Germany, could have followed the steps of his creation: 鈥渏ust a Jew lucky enough to have escaped with his life, in his possession a suitcase containing some clothes, some family photos, some Prague mementos, and the manuscripts, still unpublished and in pieces, of Amerika, The Trial, The Castle, and (stranger things happen) three more fragmented novels, no less remarkable than the bizarre masterworks that he keeps to himself out of oedipal timidity, perfectionist madness, and insatiable longings for solitude and spiritual purity.鈥� (From Roth鈥檚 essay 鈥溾€業 Always Wanted You to Admire My Fasting鈥�; or, Looking at Kafka.鈥�)
July 19, 2023
袧邪 锌械褉胁褘泄 胁蟹谐谢褟写, 褉芯屑邪薪 "袗屑械褉懈泻邪" 袣邪褎泻懈 胁褘谐谢褟写懈褌 褋泻邪蟹泻芯泄, 谐写械 谐械褉芯泄 锌褉械芯写芯谢械胁邪械褌 锌褉械锌褟褌褋褌胁懈褟 懈, 薪邪泻芯薪械褑, 芯薪 写芯褋褌懈谐邪械褌 褍褋锌械褏邪.
袧芯, 屑薪械 泻邪卸械褌褋褟, 袣邪褎泻邪 薪械 褌邪泻 褍卸 锌褉芯褋褌 锌懈褋邪褌褜 褋泻邪蟹泻懈 褋 褏褝锌锌懈-褝薪写芯屑. 袗胁褌芯褉 薪懈泻芯谐写邪 薪械 斜褘谢 胁 袗屑械褉懈泻械, 卸懈蟹薪褜, 泻芯褌芯褉褍褞 芯薪 芯锌懈褋褘胁邪械褌, 薪械 锌芯褏芯卸邪 薪邪 邪屑械褉懈泻邪薪褋泻褍褞, 谐械褉芯械胁 褌邪屑 斜芯谢褜褕械 褋 械胁褉芯锌械泄褋泻懈屑懈 泻芯褉薪褟屑懈, 褔械屑 邪屑械褉懈泻邪薪褑械胁, 懈 写邪卸械 小褌邪褌褍褟 小胁芯斜芯写褘 褋 屑械褔芯屑, 邪 薪械 褋 褎邪泻械谢芯屑.
小泻芯褉械械 胁褋械谐芯, 褝褌芯 褋懈屑胁芯谢, 褌懈锌邪 协谢褜写芯褉邪写芯, 邪 屑械褔 褋懈屑胁芯谢懈蟹懈褉褍械褌 斜芯褉褜斜褍, 泻芯褌芯褉褍褞 薪褍卸薪芯 锌褉械写锌褉懈薪褟褌褜, 褔褌芯斜褘 写芯泄褌懈 写芯 褑械谢懈.
袪芯屑邪薪 薪械写芯锌懈褋邪薪, 薪芯 屑褘 胁懈写懈屑, 褔褌芯 卸懈蟹薪褜 谐械褉芯褟 薪邪谢邪卸懈胁邪械褌褋褟, 芯薪 褍褋褌褉邪懈胁邪械褌褋褟 胁 袘芯谢褜褕芯泄 袨泻谢邪褏芯屑褋泻懈泄 褌械邪褌褉 褌械褏薪懈褔械褋泻懈屑 褉邪斜芯褌薪懈泻芯屑 - 褋泻芯褉械械 胁褋械谐芯 褉邪蟹薪芯褉邪斜芯褔懈屑, 锌芯褋泻芯谢褜泻褍 胁械褉斜芯胁褖懈泻懈 锌褉芯胁械褉褟谢懈 械谐芯 斜懈褑械锌褋褘. 协褌芯 谢懈 锌褉械写械谢 屑械褔褌邪薪懈泄? 袩芯卸邪谢褍泄, 薪械褌. 袞懈蟹薪褜
袣邪褉谢邪 褌褟卸械谢邪. 袝谐芯 卸懈蟹薪褜 - 褝褌芯 褔械褉械写邪 胁蟹谢械褌芯胁, 泻邪泻 锌褉邪胁懈谢芯, 褔械褉械蟹 褋褔邪褋褌谢懈胁褘泄 褋谢褍褔邪泄, 懈 锌邪写械薪懈泄, 褌芯卸械 泻邪泻 锌褉邪胁懈谢芯, 褔械褉械蟹 锌褉械写邪褌械谢褜褋褌胁邪. 袣邪褉谢邪 锌芯褋褌芯褟薪薪芯 锌褉械写邪褞褌. 小薪邪褔邪谢邪 褉芯写懈褌械谢懈 芯褌锌褉邪胁谢褟褞褌 械谐芯 斜械蟹 褋褉械写褋褌胁 泻 褋褍褖械褋褌胁芯胁邪薪懈褞 蟹邪 芯泻械邪薪 - 褔褌芯 褝褌芯, 械褋谢懈 薪械 锌褉械写邪褌械谢褜褋褌胁芯? 袩芯褌芯屑 写褟写褟 携泻芯斜, 褉邪蟹褉褘胁邪械褌 褋 薪懈屑 芯褌薪芯褕械薪懈褟 锌褉芯褋褌芯 蟹邪 褌芯, 褔褌芯 芯薪 斜械蟹 褉邪蟹褉械褕械薪懈褟 锌芯械褏邪谢 胁 蟹邪谐芯褉芯写薪褘泄 写芯屑 袩芯谢谢邪薪写械褉邪. 孝邪屑 褌芯卸械 - 薪邪褋褌芯褟褖懈泄 褌械邪褌褉 邪斜褋褍褉写邪 褋 斜械褋泻芯薪械褔薪褘屑懈 泻芯褉懈写芯褉邪屑懈, 懈蟹 泻芯褌芯褉褘褏 褋邪屑芯屑褍 薪械 胁褘斜褉邪褌褜褋褟. 袝谐芯 屑薪芯谐芯泻褉邪褌薪芯 锌褉械写邪褞褌 袪芯斜懈薪褋芯薪 懈 袛械谢邪屑邪褉褕, 谢懈褎褌褢褉, 泻芯褌芯褉芯谐芯 芯薪 锌芯锌褉芯褋懈谢 锌芯写屑械薪懈褌褜. 袙褋械 械谐芯 锌褉械写邪褞褌, 薪芯 芯薪 泻邪卸写褘泄 褉邪蟹 薪邪褔懈薪邪械褌 褋 薪褍谢褟, 褋 褋邪屑芯谐芯 芯褌褔邪褟薪薪芯谐芯 锌芯谢芯卸械薪懈褟, 械屑褍 锌芯褔褌懈 锌芯褋褌芯褟薪薪芯 褍谢褘斜邪械褌褋褟 褋褍写褜斜邪 (锌芯褝褌芯屑褍 褋芯蟹写邪褢褌褋褟 胁锌械褔邪褌谢械薪懈械 褋泻邪蟹泻懈), 懈 褋薪芯胁邪, 懈 褋薪芯胁邪 锌褉械写邪褌械谢褜褋泻懈屑 褍写邪褉芯屑 芯薪 泻褍斜邪褉械屑 谢械褌懈褌 胁薪懈蟹. 袩芯褔褌懈, 泻邪泻 小懈蟹懈褎芯胁 锌褍褌褜 胁 谐芯褉褍.
袣邪泻 懈 胁 写褉褍谐懈褏 锌褉芯懈蟹胁械写械薪懈褟褏 袣邪褎泻懈, 蟹写械褋褜 懈屑械械褌 屑械褋褌芯 写胁懈卸械薪懈械, 泻芯褌芯褉芯械 薪械 胁械写褢褌 薪懈泻褍写邪, 邪斜褋褍褉写薪邪褟 蟹邪锌褍褌邪薪薪芯褋褌褜 锌褍褌懈 - 褝褌芯 锌褉芯褋谢械卸懈胁邪械褌褋褟 懈 写芯屑械 写褟写懈, 懈 芯褋芯斜械薪薪芯, 写芯屑械 袩芯谢谢邪薪写械褉邪, 懈 胁 泻芯褉邪斜谢械, 泻芯谐写邪 芯薪 懈写褢褌 蟹邪 蟹邪斜褘褌褘屑 蟹芯薪褌懈泻芯屑. 协褌芯 袣邪褎泻懈邪薪褋泻芯械 屑懈褉芯芯褖褍褖械薪懈械, 懈, 械褋谢懈 胁 "袩褉芯褑械褋褋械" 懈 "袟邪屑泻械" 褝褌懈 薪械锌褉械芯写芯谢懈屑褘械 锌褉械锌褟褌褋褌胁懈褟 褋芯蟹写邪胁邪谢懈褋褜 褋懈褋褌械屑芯泄 - 褋褍写械斜薪芯泄 懈谢懈 斜褞褉芯泻褉邪褌懈褔械褋泻芯泄 - 褌芯 蟹写械褋褜, 褋邪屑芯泄 卸懈蟹薪褜褞, 薪械薪邪写械卸薪褘屑懈 褉芯写褋褌胁械薪薪懈泻邪屑懈 懈 褌芯胁邪褉懈褖邪屑懈, 褝褌芯 褝泻蟹懈褋褌械薪褑懈邪谢褜薪邪褟 褌芯褋泻邪 懈, 芯写薪芯胁褉械屑械薪薪芯, 褝泻褋锌褉械褋褋懈芯薪懈褋褌褋泻芯械 芯褖褍褖械薪懈械 芯褌褋褍褌褋褌胁懈褟 胁褘褏芯写邪. 袧械 斜褍写褍褔懈 褝屑懈谐褉邪薪褌芯屑, 袣邪褎泻邪 芯褔械薪褜 褏芯褉芯褕芯 锌褉芯褔褍胁褋褌胁芯胁邪谢 褝屑懈谐褉邪薪褌褋泻褍褞 褋褍写褜斜褍 - 懈写褌懈 懈 薪械 褋写邪胁邪褌褜褋褟, 卸懈褌褜 , 薪械褋屑芯褌褉褟 薪邪 锌褉械写邪褌械谢褜褋褌胁邪 懈 褌芯, 褔褌芯 褌械斜褟 薪懈泻褌芯 薪械 卸写褢褌.
袠 薪械褋屑芯褌褉褟 薪懈 薪邪 褔褌芯, 褝褌芯褌 褉芯屑邪薪, 胁褋械 卸械 褋胁械褌谢械械, 褔械屑 写胁邪 写褉褍谐懈褏 褌邪泻卸械 薪械写芯锌懈褋邪薪薪褘屑 褉芯屑邪薪邪 "袩褉芯褑械褋褋" 懈 " 袟邪屑芯泻". 袣邪褉谢 胁褋械 卸械 锌褉芯写芯谢卸邪械褌 卸懈褌褜 懈 写胁懈谐邪褌褜褋褟.
袧芯, 屑薪械 泻邪卸械褌褋褟, 袣邪褎泻邪 薪械 褌邪泻 褍卸 锌褉芯褋褌 锌懈褋邪褌褜 褋泻邪蟹泻懈 褋 褏褝锌锌懈-褝薪写芯屑. 袗胁褌芯褉 薪懈泻芯谐写邪 薪械 斜褘谢 胁 袗屑械褉懈泻械, 卸懈蟹薪褜, 泻芯褌芯褉褍褞 芯薪 芯锌懈褋褘胁邪械褌, 薪械 锌芯褏芯卸邪 薪邪 邪屑械褉懈泻邪薪褋泻褍褞, 谐械褉芯械胁 褌邪屑 斜芯谢褜褕械 褋 械胁褉芯锌械泄褋泻懈屑懈 泻芯褉薪褟屑懈, 褔械屑 邪屑械褉懈泻邪薪褑械胁, 懈 写邪卸械 小褌邪褌褍褟 小胁芯斜芯写褘 褋 屑械褔芯屑, 邪 薪械 褋 褎邪泻械谢芯屑.
小泻芯褉械械 胁褋械谐芯, 褝褌芯 褋懈屑胁芯谢, 褌懈锌邪 协谢褜写芯褉邪写芯, 邪 屑械褔 褋懈屑胁芯谢懈蟹懈褉褍械褌 斜芯褉褜斜褍, 泻芯褌芯褉褍褞 薪褍卸薪芯 锌褉械写锌褉懈薪褟褌褜, 褔褌芯斜褘 写芯泄褌懈 写芯 褑械谢懈.
袪芯屑邪薪 薪械写芯锌懈褋邪薪, 薪芯 屑褘 胁懈写懈屑, 褔褌芯 卸懈蟹薪褜 谐械褉芯褟 薪邪谢邪卸懈胁邪械褌褋褟, 芯薪 褍褋褌褉邪懈胁邪械褌褋褟 胁 袘芯谢褜褕芯泄 袨泻谢邪褏芯屑褋泻懈泄 褌械邪褌褉 褌械褏薪懈褔械褋泻懈屑 褉邪斜芯褌薪懈泻芯屑 - 褋泻芯褉械械 胁褋械谐芯 褉邪蟹薪芯褉邪斜芯褔懈屑, 锌芯褋泻芯谢褜泻褍 胁械褉斜芯胁褖懈泻懈 锌褉芯胁械褉褟谢懈 械谐芯 斜懈褑械锌褋褘. 协褌芯 谢懈 锌褉械写械谢 屑械褔褌邪薪懈泄? 袩芯卸邪谢褍泄, 薪械褌. 袞懈蟹薪褜
袣邪褉谢邪 褌褟卸械谢邪. 袝谐芯 卸懈蟹薪褜 - 褝褌芯 褔械褉械写邪 胁蟹谢械褌芯胁, 泻邪泻 锌褉邪胁懈谢芯, 褔械褉械蟹 褋褔邪褋褌谢懈胁褘泄 褋谢褍褔邪泄, 懈 锌邪写械薪懈泄, 褌芯卸械 泻邪泻 锌褉邪胁懈谢芯, 褔械褉械蟹 锌褉械写邪褌械谢褜褋褌胁邪. 袣邪褉谢邪 锌芯褋褌芯褟薪薪芯 锌褉械写邪褞褌. 小薪邪褔邪谢邪 褉芯写懈褌械谢懈 芯褌锌褉邪胁谢褟褞褌 械谐芯 斜械蟹 褋褉械写褋褌胁 泻 褋褍褖械褋褌胁芯胁邪薪懈褞 蟹邪 芯泻械邪薪 - 褔褌芯 褝褌芯, 械褋谢懈 薪械 锌褉械写邪褌械谢褜褋褌胁芯? 袩芯褌芯屑 写褟写褟 携泻芯斜, 褉邪蟹褉褘胁邪械褌 褋 薪懈屑 芯褌薪芯褕械薪懈褟 锌褉芯褋褌芯 蟹邪 褌芯, 褔褌芯 芯薪 斜械蟹 褉邪蟹褉械褕械薪懈褟 锌芯械褏邪谢 胁 蟹邪谐芯褉芯写薪褘泄 写芯屑 袩芯谢谢邪薪写械褉邪. 孝邪屑 褌芯卸械 - 薪邪褋褌芯褟褖懈泄 褌械邪褌褉 邪斜褋褍褉写邪 褋 斜械褋泻芯薪械褔薪褘屑懈 泻芯褉懈写芯褉邪屑懈, 懈蟹 泻芯褌芯褉褘褏 褋邪屑芯屑褍 薪械 胁褘斜褉邪褌褜褋褟. 袝谐芯 屑薪芯谐芯泻褉邪褌薪芯 锌褉械写邪褞褌 袪芯斜懈薪褋芯薪 懈 袛械谢邪屑邪褉褕, 谢懈褎褌褢褉, 泻芯褌芯褉芯谐芯 芯薪 锌芯锌褉芯褋懈谢 锌芯写屑械薪懈褌褜. 袙褋械 械谐芯 锌褉械写邪褞褌, 薪芯 芯薪 泻邪卸写褘泄 褉邪蟹 薪邪褔懈薪邪械褌 褋 薪褍谢褟, 褋 褋邪屑芯谐芯 芯褌褔邪褟薪薪芯谐芯 锌芯谢芯卸械薪懈褟, 械屑褍 锌芯褔褌懈 锌芯褋褌芯褟薪薪芯 褍谢褘斜邪械褌褋褟 褋褍写褜斜邪 (锌芯褝褌芯屑褍 褋芯蟹写邪褢褌褋褟 胁锌械褔邪褌谢械薪懈械 褋泻邪蟹泻懈), 懈 褋薪芯胁邪, 懈 褋薪芯胁邪 锌褉械写邪褌械谢褜褋泻懈屑 褍写邪褉芯屑 芯薪 泻褍斜邪褉械屑 谢械褌懈褌 胁薪懈蟹. 袩芯褔褌懈, 泻邪泻 小懈蟹懈褎芯胁 锌褍褌褜 胁 谐芯褉褍.
袣邪泻 懈 胁 写褉褍谐懈褏 锌褉芯懈蟹胁械写械薪懈褟褏 袣邪褎泻懈, 蟹写械褋褜 懈屑械械褌 屑械褋褌芯 写胁懈卸械薪懈械, 泻芯褌芯褉芯械 薪械 胁械写褢褌 薪懈泻褍写邪, 邪斜褋褍褉写薪邪褟 蟹邪锌褍褌邪薪薪芯褋褌褜 锌褍褌懈 - 褝褌芯 锌褉芯褋谢械卸懈胁邪械褌褋褟 懈 写芯屑械 写褟写懈, 懈 芯褋芯斜械薪薪芯, 写芯屑械 袩芯谢谢邪薪写械褉邪, 懈 胁 泻芯褉邪斜谢械, 泻芯谐写邪 芯薪 懈写褢褌 蟹邪 蟹邪斜褘褌褘屑 蟹芯薪褌懈泻芯屑. 协褌芯 袣邪褎泻懈邪薪褋泻芯械 屑懈褉芯芯褖褍褖械薪懈械, 懈, 械褋谢懈 胁 "袩褉芯褑械褋褋械" 懈 "袟邪屑泻械" 褝褌懈 薪械锌褉械芯写芯谢懈屑褘械 锌褉械锌褟褌褋褌胁懈褟 褋芯蟹写邪胁邪谢懈褋褜 褋懈褋褌械屑芯泄 - 褋褍写械斜薪芯泄 懈谢懈 斜褞褉芯泻褉邪褌懈褔械褋泻芯泄 - 褌芯 蟹写械褋褜, 褋邪屑芯泄 卸懈蟹薪褜褞, 薪械薪邪写械卸薪褘屑懈 褉芯写褋褌胁械薪薪懈泻邪屑懈 懈 褌芯胁邪褉懈褖邪屑懈, 褝褌芯 褝泻蟹懈褋褌械薪褑懈邪谢褜薪邪褟 褌芯褋泻邪 懈, 芯写薪芯胁褉械屑械薪薪芯, 褝泻褋锌褉械褋褋懈芯薪懈褋褌褋泻芯械 芯褖褍褖械薪懈械 芯褌褋褍褌褋褌胁懈褟 胁褘褏芯写邪. 袧械 斜褍写褍褔懈 褝屑懈谐褉邪薪褌芯屑, 袣邪褎泻邪 芯褔械薪褜 褏芯褉芯褕芯 锌褉芯褔褍胁褋褌胁芯胁邪谢 褝屑懈谐褉邪薪褌褋泻褍褞 褋褍写褜斜褍 - 懈写褌懈 懈 薪械 褋写邪胁邪褌褜褋褟, 卸懈褌褜 , 薪械褋屑芯褌褉褟 薪邪 锌褉械写邪褌械谢褜褋褌胁邪 懈 褌芯, 褔褌芯 褌械斜褟 薪懈泻褌芯 薪械 卸写褢褌.
袠 薪械褋屑芯褌褉褟 薪懈 薪邪 褔褌芯, 褝褌芯褌 褉芯屑邪薪, 胁褋械 卸械 褋胁械褌谢械械, 褔械屑 写胁邪 写褉褍谐懈褏 褌邪泻卸械 薪械写芯锌懈褋邪薪薪褘屑 褉芯屑邪薪邪 "袩褉芯褑械褋褋" 懈 " 袟邪屑芯泻". 袣邪褉谢 胁褋械 卸械 锌褉芯写芯谢卸邪械褌 卸懈褌褜 懈 写胁懈谐邪褌褜褋褟.
February 10, 2017
I loved this first novel by Kafka, much more sunny and easier to read than his others (even though the chapter on Brunelda is pretty frightening). This is incomplete - but does not matter much as Kafka's stories are dreamlike and disjointed anyway.
Kafka never visited America. I was thinking today that whatever is happening in America nowadays is much weirder and more surreal than any of his novels.
Kafka never visited America. I was thinking today that whatever is happening in America nowadays is much weirder and more surreal than any of his novels.
January 16, 2016
Ne znam, mo啪da da napravim policu "knjige koje me nisu ubile, a ba拧 su se potrudile"?
Ne radi se o tome da Kafka nije dobar, naprotiv, previ拧e je dobar u onome 拧to poku拧ava, a to je da vas (mene) natera da se gr膷ite od transfera blama, da vas (mene) glavom nadole uroni u depresivnu epizodu, da ubije 啪ivotnu radost u vama (meni). Da, znam da je on sam smatrao kako je zapravo humorista. Dobro, va啪i. Da, jeste pisac neverovatno bizarne ma拧te, zapletenih tokova misli, upe膷atljivo groznih paklenih vizija birokratske banalnosti. I u.bi.ja volju za 啪ivotom.
Ipak, gledajmo na stvar sa vedrije strane. Nije me stvarno i do kraja ubio!... dobro, ako me nije ubio Paviljon br. 6, ne膰e nijedna knjiga nikad. Ali nekako sam mislila da sam manje podlo啪na negativnim knji啪evnim uticajima u ovim odmaklim godinama, i gle 膷uda, varala sam se.
Ne znam. Jej za Kafku?
PS nemam nerava da jo拧 i pi拧em o 膷emu je Amerika. Jadan Karl Rosman, eto samo to 膰u re膰i, jadan on, jadni svi mi.
Ne radi se o tome da Kafka nije dobar, naprotiv, previ拧e je dobar u onome 拧to poku拧ava, a to je da vas (mene) natera da se gr膷ite od transfera blama, da vas (mene) glavom nadole uroni u depresivnu epizodu, da ubije 啪ivotnu radost u vama (meni). Da, znam da je on sam smatrao kako je zapravo humorista. Dobro, va啪i. Da, jeste pisac neverovatno bizarne ma拧te, zapletenih tokova misli, upe膷atljivo groznih paklenih vizija birokratske banalnosti. I u.bi.ja volju za 啪ivotom.
Ipak, gledajmo na stvar sa vedrije strane. Nije me stvarno i do kraja ubio!... dobro, ako me nije ubio Paviljon br. 6, ne膰e nijedna knjiga nikad. Ali nekako sam mislila da sam manje podlo啪na negativnim knji啪evnim uticajima u ovim odmaklim godinama, i gle 膷uda, varala sam se.
Ne znam. Jej za Kafku?
PS nemam nerava da jo拧 i pi拧em o 膷emu je Amerika. Jadan Karl Rosman, eto samo to 膰u re膰i, jadan on, jadni svi mi.
September 20, 2020
Kafka je atmosfera - crne rupe.
Dok u Procesu 膷italac (ako pretpostavimo da ne zna ba拧 ni拧ta o romanu) na par mesta mooo啪da mo啪e da udahne i da se ponada da 膰e se desiti ne拧to 拧to nije apsolutni u啪as, ovde ni sekunda ne mo啪e da se oslobodi strepnje, i to one najpodmuklije - kad sebe terate u veru da 膰e stvar iza膰i na dobro, a ko beli dan vam je jasno da ne膰e.
I ovo mi deluje jo拧 crnje, ali i jo拧 bolje napisano nego kad sam 膷itala prvi put.
Koliko je meni 啪ao ovog 膷oveka!
Dok u Procesu 膷italac (ako pretpostavimo da ne zna ba拧 ni拧ta o romanu) na par mesta mooo啪da mo啪e da udahne i da se ponada da 膰e se desiti ne拧to 拧to nije apsolutni u啪as, ovde ni sekunda ne mo啪e da se oslobodi strepnje, i to one najpodmuklije - kad sebe terate u veru da 膰e stvar iza膰i na dobro, a ko beli dan vam je jasno da ne膰e.
I ovo mi deluje jo拧 crnje, ali i jo拧 bolje napisano nego kad sam 膷itala prvi put.
Koliko je meni 啪ao ovog 膷oveka!
March 4, 2011
I had difficulties not feeling like a tool while reading Kafka at work on my breaks. A guy with a beard and thick rimmed glasses read Amerika, just makes me feel like a parody of myself.
Kafka is one of those authors young men latch on to in high school or college and inevitably talk way too much about. I can definitely see the appeal with the themes of alienation and a system that works against the well-meaning individual. But there's something I realized while reading this book:
Kafka would have made fun of them.
More than one critical discussion I've read mentions how the humor of Kafka often didn't translate. Humor is tricky when it comes to older works. To even get the jokes, you have to have some sort of notion that jokes are expected. It's the same way ironic jokes fail is the listener assumes you're an idiot. It's hard to see the humor in a lot of Kafka's work unless someone points out that the man would often read his work with a wry, smart-ass sensibility.
The Trial and the Metamorphisis both could work as dark comedies seen through the right lens.
Amerika serves as a pretty effective Rosetta Stone to understanding this. It's an outright whimsical comedy, full of over-the-top shenanigans and bizarre characters. It could easily produce a film in the style of the Coen Brothers' movies.
An odd sort of internal logic is required to make surreal and weird humor work, a tactic Kafka was the outright master of. The man had a supreme capacity to keep his strange dream-logic fueled worlds glued together. Its part of what makes it captivating for me, I never know what's going to happen next, but it never strays into feeling abitrary.
If you know anyone who never shuts up about the darkness of his work, who throws around the term "Kafkaesque with an excessive frequency, I recommend getting them a copy of this book.
Kafka is one of those authors young men latch on to in high school or college and inevitably talk way too much about. I can definitely see the appeal with the themes of alienation and a system that works against the well-meaning individual. But there's something I realized while reading this book:
Kafka would have made fun of them.
More than one critical discussion I've read mentions how the humor of Kafka often didn't translate. Humor is tricky when it comes to older works. To even get the jokes, you have to have some sort of notion that jokes are expected. It's the same way ironic jokes fail is the listener assumes you're an idiot. It's hard to see the humor in a lot of Kafka's work unless someone points out that the man would often read his work with a wry, smart-ass sensibility.
The Trial and the Metamorphisis both could work as dark comedies seen through the right lens.
Amerika serves as a pretty effective Rosetta Stone to understanding this. It's an outright whimsical comedy, full of over-the-top shenanigans and bizarre characters. It could easily produce a film in the style of the Coen Brothers' movies.
An odd sort of internal logic is required to make surreal and weird humor work, a tactic Kafka was the outright master of. The man had a supreme capacity to keep his strange dream-logic fueled worlds glued together. Its part of what makes it captivating for me, I never know what's going to happen next, but it never strays into feeling abitrary.
If you know anyone who never shuts up about the darkness of his work, who throws around the term "Kafkaesque with an excessive frequency, I recommend getting them a copy of this book.
July 22, 2024
Beket me mo啪da vi拧e ubija u pojam, ali Kafka je tu negde. I ne, ne prihvatam teze o humoru kod Kafke. Svaka 膷ast i Delezu i Gatariju i Vuku Petrovi膰u i sili prou膷avalaca voljnih da poka啪u kako je to bitna odlika Kafkinog dela, ali insistiranje na tome navodi na pogre拧an trag. Kafka je u啪as, a kad se nasmejemo tom u啪asu, postaje samo jo拧 ve膰i. Nema rastere膰enja, kao 拧to nema ni narativnog razre拧enja. Ta sveop拧ta nezavr拧ivost i 膰orsokaci iskazani vrlo preciznim i distanciranim jezikom, ugro啪avaju膰i su i 膷ine da kontakt sa tekstom bude borba. Kad god 膷itam Kafku, to nije zadovoljstvo, nego iskustvo koje se mo啪e opisati onom 膷uvenom formulacijom sa膷uvanom u prepisci 鈥� razbijanje zale膽enog mora u nama. Dodu拧e, naj膷e拧膰e je to, ipak, udaranje maljem u glavu ili mlevenje mesa u ma拧ini, a sve bi, ipak, bilo lak拧e, pa 膷ak i burleskno (humoristi膷no!) da je postojala makar naznaka mogu膰ih ishoda, da Kafkini junaci nisu vre膰e za udaranje u magli. Amerika je u啪as, blistavo napisan u啪as, a, usudi膰u se re膰i, i sjajno preveden. Pa ko ho膰e da se bori i da se mu膷i bez katarze ili nade, evo mu!听
October 16, 2022
This was originally titled The Man Who Disappeared. The first chapter, The Stoker, was published as a short story and often included in the collection The Metamorphosis (see my review HERE).
It opens with a description of a city, country and continent Kafka never saw:
"New York looked at Karl with the hundred thousand windows of its skyscrapers."
The ship, too, has windows (of course), but there are more references to them than one might expect in such a few pages.
Karl is only 16 and has been sent, alone, to escape the shame of being seduced by an older maid who bore his son (sexually assertive women are common in Kafka's works - and there is a very flirty kitchen maid on the ship as well). He travelled steerage, where there is "a glimmer of murky light, long since stale from its use in the decks above", and is due to meet a slightly wealthier uncle in New York.
He disembarks, then remembers he has left something behind, so leaves his trunk on shore, in the care of an acquaintance, and becomes disoriented in the labyrinth of the ship. He is befriended by the ship's stoker who overs vague help, but really wants someone to listen to his grievances. During the voyage, Karl had protected his trunk obsessively, but now he seems not to care, and instead, goes to the captain, to petition for the stoker.
That's just the first chapter. Karl's adventures continue on land, in this strange land.
The usual themes of alienation/rejection, aspiring to please/fit in, being bemused and lost in unfamiliar territory and bureaucracy are there, but it is generally more optimistic and realistic than his other novels, though the final chapter (about the Nature Theatre of Oklahoma) is much more surreal, and doesn't really seem to "fit" with the rest of the novel.
See my Kafka-related bookshelf for other works by and about Kafka: HERE.
It opens with a description of a city, country and continent Kafka never saw:
"New York looked at Karl with the hundred thousand windows of its skyscrapers."
The ship, too, has windows (of course), but there are more references to them than one might expect in such a few pages.
Karl is only 16 and has been sent, alone, to escape the shame of being seduced by an older maid who bore his son (sexually assertive women are common in Kafka's works - and there is a very flirty kitchen maid on the ship as well). He travelled steerage, where there is "a glimmer of murky light, long since stale from its use in the decks above", and is due to meet a slightly wealthier uncle in New York.
He disembarks, then remembers he has left something behind, so leaves his trunk on shore, in the care of an acquaintance, and becomes disoriented in the labyrinth of the ship. He is befriended by the ship's stoker who overs vague help, but really wants someone to listen to his grievances. During the voyage, Karl had protected his trunk obsessively, but now he seems not to care, and instead, goes to the captain, to petition for the stoker.
That's just the first chapter. Karl's adventures continue on land, in this strange land.
The usual themes of alienation/rejection, aspiring to please/fit in, being bemused and lost in unfamiliar territory and bureaucracy are there, but it is generally more optimistic and realistic than his other novels, though the final chapter (about the Nature Theatre of Oklahoma) is much more surreal, and doesn't really seem to "fit" with the rest of the novel.
See my Kafka-related bookshelf for other works by and about Kafka: HERE.
January 21, 2015
I bought this book over a year ago but decided against reading it once I realised that it was 'unfinished' and I didn't want that for my first Kafka. In retrospect it seems so foolish, but I cannot deny the fact that I'm glad I hadn't read it then because I wasn't filled with the sufficient amount of despair towards the life I lead, to throughly feel this book, to find closure in it's incompleteness.
One is easily horrified by the rare and exceptional abominations of the world, but not by everyday events. In Amerika, you are.
If one were to ignore the details of Karl Rossmann's life, it would be a regular life with all its moments of exhilaration, mundaneness and deep sorrow. It is in the slight exaggeration of details, that Kafka shocks yet enables one to draw parallels to one's own existence.
Sent off to a foreign land following a scandal, in absurd manner and a stream of several other events all marked with a sense of the fantastic. Karl also acts like any other human, rationally sometimes, emotionally at other times and insanely too. However, Karl pays attention to every detail of his life, the ones that you conveniently brush aside. His process of deliberation, his ambivalence and even the flow of nearly discordant thoughts held together on a very thin string are all written down and if you can empathise with him, it becomes apparent how wild and nonsensical your own life is.
It has been said that no two people ever read the same book and I'm glad this experience is all mine.
One is easily horrified by the rare and exceptional abominations of the world, but not by everyday events. In Amerika, you are.
If one were to ignore the details of Karl Rossmann's life, it would be a regular life with all its moments of exhilaration, mundaneness and deep sorrow. It is in the slight exaggeration of details, that Kafka shocks yet enables one to draw parallels to one's own existence.
Sent off to a foreign land following a scandal, in absurd manner and a stream of several other events all marked with a sense of the fantastic. Karl also acts like any other human, rationally sometimes, emotionally at other times and insanely too. However, Karl pays attention to every detail of his life, the ones that you conveniently brush aside. His process of deliberation, his ambivalence and even the flow of nearly discordant thoughts held together on a very thin string are all written down and if you can empathise with him, it becomes apparent how wild and nonsensical your own life is.
It has been said that no two people ever read the same book and I'm glad this experience is all mine.
May 1, 2020
Life is too short. Don't walk - RUN - away from this book. Masochist that I am, I got more than two-thirds through the book and finally could not stand it anymore. Amerika is about a 16 year old boy named Karl who gets exiled to America by his German parents after impregnating a household servant. Just as he was bewildered and passive during the aforementioned fornication (the maid overtly seduced him), Karl remained so for the rest of the book (at least what I read). Repeatedly, and without seeming to learn from his experiences, Karl was screwed over by fates that even the most lubberly of recreants could have avoided with little to no fancy footwork. I have no idea what Kafka was going for in this book except possibly to fan the flames of existential angst, except his main character never really caught on. I enjoyed The Metamorphosis and The Trial much more.
December 21, 2018
讴丕卮 丕蹖賳 讴鬲丕亘 賳丕鬲賲丕賲 賳賲蹖賲賵賳丿....
卮禺氐蹖鬲 讴丕乇賱 亘卮丿鬲 丿賵爻鬲 丿丕卮鬲賳蹖 亘賵丿...丨蹖賮 讴賴 賳卮丿 亘賮賴賲蹖賲 爻乇丕賳噩丕賲卮 趩蹖 卮丿...
丕禺乇蹖賳 讴鬲丕亘 倬丕卅蹖夭 97
卮禺氐蹖鬲 讴丕乇賱 亘卮丿鬲 丿賵爻鬲 丿丕卮鬲賳蹖 亘賵丿...丨蹖賮 讴賴 賳卮丿 亘賮賴賲蹖賲 爻乇丕賳噩丕賲卮 趩蹖 卮丿...
丕禺乇蹖賳 讴鬲丕亘 倬丕卅蹖夭 97
February 19, 2023
par puta mi se plakalo od nemo膰i
April 1, 2013
Well my friend Chak says to run from this book - she recommends it for "angst-ridden hipsters who aren't worth the trouble to punch" - which doesn't describe me - I like to think I am worth the trouble to punch. But I saw it in the store with this adorable Edward Gorey cover (totally uncredited) and knew it would be mine all mine. It smells like an old mausoleum but that's what I get for buying a book from the Eisenhower era.
-----
Wow. Weird, weird, weird. I liked the first third of Amerika quite a bit. First, you have the strangeness of 16-year-old Karl packed off to America because he has been seduced by a 35-year-old servant and gotten her pregnant, and his parents don't want him to have to pay child support or alimony. So he's like some kind of Bohemian ragamuffin with no prospects. But then he discovers his uncle is on board the ship, and his uncle is extremely wealthy and takes Karl in and gives him nice things, like a piano, English lessons, and riding lessons. Then you have the utterly surreal chapter set at Mr. Green's enormous fortresslike mansion outside of Manhattan, where a few rooms have been wired for electricity but the bulk of the mansion sits in darkness, with a servant standing here and there with an electric torch, and endless circuitous hallways, and drafts because the walls aren't completely finished. Then Mr. Green's daughter Clara turns out to be a fantastic wrestler, who brings Karl down with some quick moves, causing Karl to desperately want to leave and go back to his Uncle's house. But then the most surreal thing of all happens, .
So Karl heads off down the road, meeting the impoverished, thieving, singularly unappealing n'er-do-wells Robinson the Irishman and Delamarche the Frenchman, and this is where the novel started to go downhill for me. I was enjoying the surreal aspects, but they become less intense at this point. In his introduction Klaus Mann writes that Kafka was a huge admirer of Charles Dickens, that he read and reread several Dickens novels while working on Amerika, and that "in Kafka's mind the figure and the works of Dickens were vitally connected with the American atmosphere and landscape." Kafka wrote that "My intention was, as I now see, to write a Dickens novel, enriched by the sharper lights which I took from our modern times, and by the pallid ones I would have found in my own interior." So Robinson and Delamarche are supposed to be Dickensian characters, I gather.
The remnants of surreality in the chapter that takes place in the Hotel Occidental, and Karl's job there as lift boy, made me think of the brilliantly surreal novel The Unconsoled by Kazuo Ishiguro and the character in it who is an elderly elevator operator at a hotel in central Europe. I wondered if Ishiguro got some inspiration from this chapter.
Back to Robinson and Delamarche: I hated these two, and they kept popping up like whack-a-moles. Karl ends up living with them and an obese singer Brunelda, in Brunelda's apartment in some highrise tenement north of New York City. Where, in Westchester County? Part of the hilarity of the novel is that Kafka never visited America, he never traveled outside Europe. So where were his impressions coming from? Then the Brunelda chapter ends, and we abruptly move to the last chapter, clearly with gaps in the narrative, as Kafka introduces a character named Fanny whom Karl is delighted to see again, although the reader has never met her. Also in this chapter Karl applies for a job with the "Nature Theatre of Oklahoma" and gives as his name "Negro," which was his nickname at his last post, although this is news to the reader as well. So although I was hating the chapter with Brunelda, Robinson, and Delamarche, my spirits picked up when Karl applied for some whackass job under the name Negro. And then he set off for Oklahoma, and the novel abruptly ended.
Oh, people: this is not magical realism. Please stop shelving it as that.
December 3, 2022
亘乇丕蹖 禺賵丿賲 亘賴 蹖丕丿诏丕乇 貙 讴賴 鄞 賲丕賴 诏匕卮鬲賴 亘丕 讴丕賮讴丕 夭賳丿诏蹖 讴乇丿賲 :
讴丕賮讴丕 乇賵 丿賵爻鬲 丿丕乇賲 亘禺丕胤乇 賳亘賵睾 亘蹖 丨丿 賵 丌爻蹖亘 倬匕蹖乇蹖 讴賴 賳禺賵丕爻鬲賴 賵 賳鬲賵賳爻鬲賴 亘蹖賳 賴蹖亘鬲 賴丕蹖 讴噩 賵 賲毓賵噩 賲禺賱賵賯丕鬲卮 倬賳賴丕賳 讴賳賴.
鬲乇丕賳賴 丕蹖 乇賵 丿賵爻鬲 丿丕乇賲 亘丕 鬲讴乇丕乇 賲丿丕賲 丕蹖賳 趩賳丿 讴賱賲賴 讴賴 鈥� blessed are those , who see and are silent 鈥�
讴丕. 賲蹖亘蹖賳賴 賵 亘賴 噩丕蹖 丕蹖爻鬲丕丿賳 乇賵 賳賵讴 賯賱賴 賵 賮乇蹖丕丿 爻乇 丿丕丿賳 貙 賲賮賯賵丿丕賱丕孬乇 卮丿賳 鬲賵 蹖賴 卮賴乇 亘乇賮蹖 丿賵乇 丕賮鬲丕丿賴 乇賵 丕賳鬲禺丕亘 賲蹖讴賳賴 賵 诏賲 卮丿賳 亘蹖賳 乇丕賴乇賵賴丕蹖 丿丕丿诏丕賴 賵 亘丿賵賳 賴蹖趩 丕賵乇丕賯 賴賵蹖鬲蹖 爻乇诏乇丿丕賳 卮丿賳 鬲賵 爻乇夭賲蹖賳 賲丕卮蹖賳蹖 卮丿賴 蹖 丌賲乇蹖讴丕 乇賵 .
讴丕賮讴丕 亘丕 趩卮賲 亘丕夭 貙 禺蹖丕賱 倬乇丿丕夭蹖 賲蹖讴賳賴 . 禺蹖丕賱 倬乇丿丕夭蹖 讴賴 禺賵丿卮 賲丨讴賵賲 賲蹖卮賴 賵 禺賵丿卮 賯丕囟蹖 .
亘賴卮 夭賳诏 夭丿賲 賵 賲蹖诏賲 亘亘蹖賳 賲丕讴爻 亘乇賵丿 趩蹖 賳賵卮鬲賴 乇丕噩亘 乇賮蹖賯卮 貙 亘賴 賳馗乇鬲 賮賵賯 丕賱毓丕丿賴 賳蹖爻鬲 責 賲蹖诏賴 丕诏乇 氐丿 爻丕賱 丿蹖乇鬲乇 亘賴 丿賳蹖丕 賲蹖賵賲丿 貙 蹖賴 丌蹖丿賴 丌賱蹖爻鬲 亘賵丿 亘丕 賴夭丕乇鬲丕 亘乇趩爻亘 亘蹖賲丕乇蹖 乇賵丕賳 賵 趩賴 禺賵亘 讴賴 丿蹖乇鬲乇 亘賴 丿賳蹖丕 賳蹖賵賲丿 .
亘乇丕蹖 倬丕蹖丕賳 鬲乇蹖賵賱賵跇蹖 鬲賳賴丕蹖蹖.
讴丕賮讴丕 乇賵 丿賵爻鬲 丿丕乇賲 亘禺丕胤乇 賳亘賵睾 亘蹖 丨丿 賵 丌爻蹖亘 倬匕蹖乇蹖 讴賴 賳禺賵丕爻鬲賴 賵 賳鬲賵賳爻鬲賴 亘蹖賳 賴蹖亘鬲 賴丕蹖 讴噩 賵 賲毓賵噩 賲禺賱賵賯丕鬲卮 倬賳賴丕賳 讴賳賴.
鬲乇丕賳賴 丕蹖 乇賵 丿賵爻鬲 丿丕乇賲 亘丕 鬲讴乇丕乇 賲丿丕賲 丕蹖賳 趩賳丿 讴賱賲賴 讴賴 鈥� blessed are those , who see and are silent 鈥�
讴丕. 賲蹖亘蹖賳賴 賵 亘賴 噩丕蹖 丕蹖爻鬲丕丿賳 乇賵 賳賵讴 賯賱賴 賵 賮乇蹖丕丿 爻乇 丿丕丿賳 貙 賲賮賯賵丿丕賱丕孬乇 卮丿賳 鬲賵 蹖賴 卮賴乇 亘乇賮蹖 丿賵乇 丕賮鬲丕丿賴 乇賵 丕賳鬲禺丕亘 賲蹖讴賳賴 賵 诏賲 卮丿賳 亘蹖賳 乇丕賴乇賵賴丕蹖 丿丕丿诏丕賴 賵 亘丿賵賳 賴蹖趩 丕賵乇丕賯 賴賵蹖鬲蹖 爻乇诏乇丿丕賳 卮丿賳 鬲賵 爻乇夭賲蹖賳 賲丕卮蹖賳蹖 卮丿賴 蹖 丌賲乇蹖讴丕 乇賵 .
讴丕賮讴丕 亘丕 趩卮賲 亘丕夭 貙 禺蹖丕賱 倬乇丿丕夭蹖 賲蹖讴賳賴 . 禺蹖丕賱 倬乇丿丕夭蹖 讴賴 禺賵丿卮 賲丨讴賵賲 賲蹖卮賴 賵 禺賵丿卮 賯丕囟蹖 .
亘賴卮 夭賳诏 夭丿賲 賵 賲蹖诏賲 亘亘蹖賳 賲丕讴爻 亘乇賵丿 趩蹖 賳賵卮鬲賴 乇丕噩亘 乇賮蹖賯卮 貙 亘賴 賳馗乇鬲 賮賵賯 丕賱毓丕丿賴 賳蹖爻鬲 責 賲蹖诏賴 丕诏乇 氐丿 爻丕賱 丿蹖乇鬲乇 亘賴 丿賳蹖丕 賲蹖賵賲丿 貙 蹖賴 丌蹖丿賴 丌賱蹖爻鬲 亘賵丿 亘丕 賴夭丕乇鬲丕 亘乇趩爻亘 亘蹖賲丕乇蹖 乇賵丕賳 賵 趩賴 禺賵亘 讴賴 丿蹖乇鬲乇 亘賴 丿賳蹖丕 賳蹖賵賲丿 .
亘乇丕蹖 倬丕蹖丕賳 鬲乇蹖賵賱賵跇蹖 鬲賳賴丕蹖蹖.
March 30, 2018
Wonderful! My "first" Kafka....
November 20, 2024
Franz Kafka es uno de los escritores m谩s conocidos y tambi茅n de los m谩s incomprendidos, aunque sus frases son compartidas, sus libros muy conocidos pero al final la gente que lo lee es menos, ser谩 por su aureola de autor cr铆ptico, una persona fuera de la caja que ve铆a el mundo con una 煤nica y excepcional perspectiva hasta cierto punto pesimista pero muy humana.
En este libro tenemos a un Kafka en proceso de construcci贸n, se nota el estilo, la historia es interesante, llena de todos los ingredientes necesarios, pero es cierto que le falt贸 el pulimento que da la revisi贸n final, as铆 como un final bien puesto.
Pero no deja de ser un excelente libro, donde el t铆tulo nos sugiere a un muchacho siguiendo el t铆pico sue帽o americano, Kafka nos da un mazazo en la cabeza y nos lleva por otros caminos tortuosos llenos de vericuetos pero sobre todo con esa sensaci贸n de no estar leyendo la historia de un personaje lleno de metas y ganas de salir adelante que al final saldr谩 triunfante, sino m谩s bien la historia de un humano que por m谩s que lo intente nunca podr谩 ejercer del todo su libre albedr铆o, que no pasar谩 de ser alguien que vive o sobrevive en un mundo donde las reglas y los papeles ya fueron designados y el no estuvo ese d铆a presente, entonces le toca ir a ciegas y a locas amortiguando los golpes y tratando de sacar la cabeza de vez en cuando para respirar y seguir soportando.
A trav茅s de Karl, este muchacho ingenuo que viene de Europa, y llega a New York vamos viviendo sus m煤ltiples peripecias, sufrimientos y decisiones, desarrollando un sentimiento de frustraci贸n porque las situaciones son tan dispares, absurdas, terror铆ficas pero crudamente ciertas, aunque las met谩foras y las representaciones nos sean falsas o artificiosas sabemos que la ra铆z es cierta, que esa contraluz refleja algo m谩s que solo fantas铆as que vistos de esa manera, los comportamientos humanos se ven tan disparatados que en alg煤n momento nos hace sentir verg眉enza por una humanidad ego铆sta y cruel.
El sentimiento de indefensi贸n que permea toda la historia se concentra en este 煤nico personaje que podr铆a representar a miles de seres an贸nimos que viven vidas sin poder decidirlas o cambiarlas, solo tratando se sobrevivir a un mundo hostil e indiferente.
Es verdad que el final es abrupto y apresurado pero al mismo tiempo coherente con todo lo acontecido, nos deja m谩s dudas que respuestas, m谩s pesimismo que optimismo, pero al mismo tiempo llega a ser humor铆stico como una peque帽a obra de teatro donde la ligereza y la felicidad son tan completas que no pueden ser m谩s que un sue帽o.
En este libro tenemos a un Kafka en proceso de construcci贸n, se nota el estilo, la historia es interesante, llena de todos los ingredientes necesarios, pero es cierto que le falt贸 el pulimento que da la revisi贸n final, as铆 como un final bien puesto.
Pero no deja de ser un excelente libro, donde el t铆tulo nos sugiere a un muchacho siguiendo el t铆pico sue帽o americano, Kafka nos da un mazazo en la cabeza y nos lleva por otros caminos tortuosos llenos de vericuetos pero sobre todo con esa sensaci贸n de no estar leyendo la historia de un personaje lleno de metas y ganas de salir adelante que al final saldr谩 triunfante, sino m谩s bien la historia de un humano que por m谩s que lo intente nunca podr谩 ejercer del todo su libre albedr铆o, que no pasar谩 de ser alguien que vive o sobrevive en un mundo donde las reglas y los papeles ya fueron designados y el no estuvo ese d铆a presente, entonces le toca ir a ciegas y a locas amortiguando los golpes y tratando de sacar la cabeza de vez en cuando para respirar y seguir soportando.
A trav茅s de Karl, este muchacho ingenuo que viene de Europa, y llega a New York vamos viviendo sus m煤ltiples peripecias, sufrimientos y decisiones, desarrollando un sentimiento de frustraci贸n porque las situaciones son tan dispares, absurdas, terror铆ficas pero crudamente ciertas, aunque las met谩foras y las representaciones nos sean falsas o artificiosas sabemos que la ra铆z es cierta, que esa contraluz refleja algo m谩s que solo fantas铆as que vistos de esa manera, los comportamientos humanos se ven tan disparatados que en alg煤n momento nos hace sentir verg眉enza por una humanidad ego铆sta y cruel.
El sentimiento de indefensi贸n que permea toda la historia se concentra en este 煤nico personaje que podr铆a representar a miles de seres an贸nimos que viven vidas sin poder decidirlas o cambiarlas, solo tratando se sobrevivir a un mundo hostil e indiferente.
Es verdad que el final es abrupto y apresurado pero al mismo tiempo coherente con todo lo acontecido, nos deja m谩s dudas que respuestas, m谩s pesimismo que optimismo, pero al mismo tiempo llega a ser humor铆stico como una peque帽a obra de teatro donde la ligereza y la felicidad son tan completas que no pueden ser m谩s que un sue帽o.
January 30, 2021
Premetto che leggere dei romanzi incompiuti mi d脿 sempre qualche problema nel senso che ne faccio una lettura condizionata da una forma che l鈥檃utore, per un motivo o per l鈥檃ltro, non ha voluto definire.
Il titolo 鈥淎尘别谤颈肠补鈥�, lo dobbiamo all鈥檃mico Max Brod che lo pubblic貌 postumo nel 1927.
La redazione degli otto capitoli pi霉 i frammenti, risale al periodo tra il 1911 ed il 1914 e quindi precedente a 鈥淟e Metamorfosi鈥�(1915) ed a 鈥淚l processo鈥� (scritto nel 1914 e pubblicato postumo nel 1925).
Nel 1913 Kafka pubblic貌 il primo capitolo (鈥淚l fuochista鈥�) s鈥檜na rivista e sappiamo che si riferiva a questo romanzo chiamandolo 鈥淚l disperso鈥�.
La storia racconta di un sedicenne praghese cacciato dalla famiglia per avere sedotto una cameriera. Un romanzo di formazione in cui il giovane protagonista, Karl Rossmann (sempre quella K nei suoi personaggi!!), approda prima a New York e poi in un鈥檌mmaginaria citt脿 chiamata Ramses, probabilmente con qualche richiamo biblico.
Certamente meno oscuro de 鈥淚l processo鈥� ma con quella cifra particolare che ha reso famoso l鈥檃utore ceco e che fa della metafora un vero e proprio agente narrativo.
Ci sono i simboli come l鈥檃rrivo in terra americana e...
鈥�... vide la statua della Libert脿 tanto a lungo contemplata, come se attorno ad essa la luce del sole si fosse improvvisamente fatta pi霉 intensa. Il braccio con la spada svettava alto come se si fosse alzato allora, e attorno alla sua figura aleggiava libera l'aria.鈥�
C鈥櫭� poi quella condizione soffocante data dal perdersi, dal non essere compresi e il perenne senso d鈥檌ngiustizia.
Una storia che si segue bene nei suoi primi sette capitoli poi, per貌, l鈥檕ttavo (鈥淚l teatro naturale di Oklahoma鈥�) ci porta alla deriva.
Il filo narrativo 猫 perso e tanto meno si pu貌 riallacciare con i frammenti che seguono.
Il fatto che Kafka non abbia voluto dare una forma definitiva, probabilmente, ci dice solo che cos矛 doveva restare.
Il titolo 鈥淎尘别谤颈肠补鈥�, lo dobbiamo all鈥檃mico Max Brod che lo pubblic貌 postumo nel 1927.
La redazione degli otto capitoli pi霉 i frammenti, risale al periodo tra il 1911 ed il 1914 e quindi precedente a 鈥淟e Metamorfosi鈥�(1915) ed a 鈥淚l processo鈥� (scritto nel 1914 e pubblicato postumo nel 1925).
Nel 1913 Kafka pubblic貌 il primo capitolo (鈥淚l fuochista鈥�) s鈥檜na rivista e sappiamo che si riferiva a questo romanzo chiamandolo 鈥淚l disperso鈥�.
La storia racconta di un sedicenne praghese cacciato dalla famiglia per avere sedotto una cameriera. Un romanzo di formazione in cui il giovane protagonista, Karl Rossmann (sempre quella K nei suoi personaggi!!), approda prima a New York e poi in un鈥檌mmaginaria citt脿 chiamata Ramses, probabilmente con qualche richiamo biblico.
Certamente meno oscuro de 鈥淚l processo鈥� ma con quella cifra particolare che ha reso famoso l鈥檃utore ceco e che fa della metafora un vero e proprio agente narrativo.
Ci sono i simboli come l鈥檃rrivo in terra americana e...
鈥�... vide la statua della Libert脿 tanto a lungo contemplata, come se attorno ad essa la luce del sole si fosse improvvisamente fatta pi霉 intensa. Il braccio con la spada svettava alto come se si fosse alzato allora, e attorno alla sua figura aleggiava libera l'aria.鈥�
C鈥櫭� poi quella condizione soffocante data dal perdersi, dal non essere compresi e il perenne senso d鈥檌ngiustizia.
Una storia che si segue bene nei suoi primi sette capitoli poi, per貌, l鈥檕ttavo (鈥淚l teatro naturale di Oklahoma鈥�) ci porta alla deriva.
Il filo narrativo 猫 perso e tanto meno si pu貌 riallacciare con i frammenti che seguono.
Il fatto che Kafka non abbia voluto dare una forma definitiva, probabilmente, ci dice solo che cos矛 doveva restare.
June 27, 2017
跇丕賳乇 讴鬲丕亘: 乇賲丕賳 讴賵鬲丕賴 賵 丕丿亘蹖丕鬲 鬲賲孬蹖賱蹖 蹖丕 賴賲丕賳 丕賱诏賵乇蹖
鬲賲孬蹖賱 蹖讴蹖 丕夭 氐賵乇 禺蹖丕賱 丕爻鬲 賵 蹖讴蹖 丕夭 丕賳賵丕毓 鬲卮亘蹖賴 亘賴 丨爻丕亘 賲蹖 丌蹖丿. 鬲賲孬賷賱 丨賰丕賷鬲賷 丕爻鬲 丿乇 賳孬乇 賷丕 賳馗賲 亘丕 丿賵 賲毓賳賷 : 賲毓賳賷 賳禺爻鬲賷賳 賷丕 賲毓賳賷 馗丕賴乇賷 賵 賲毓賳賷 孬丕賳賵賷賴 . 鬲賲孬賷賱 賷賰 丿丕爻鬲丕賳 丕爻鬲 丿乇 賱睾鬲賳丕賲賴 丕氐胤賱丕丨丕鬲 丕丿亘蹖 讴丕丿賳 丕蹖賳诏賵賳賴 鬲毓乇蹖賮 卮丿賴 丕爻鬲 讴賴貙 賲賷 鬲賵丕賳 丕賱诏賵乇蹖 乇丕 丿乇 丿賵 賱丕賷賴 賷丕 爻胤丨 賮賴賲賷丿 賵 禺賵丕賳丿 賵 丿乇 亘毓囟賷 賲賵丕乇丿 丨鬲賷 鬲丕 爻賴 賲賮賴賵賲 乇丕 賳賷夭 丿乇 亘乇丿丕乇丿. 賯丕賱亘 丌賳 賲賷 鬲賵丕賳丿 丕丿亘賷 賷丕 鬲氐賵賷乇賷 亘丕卮丿 蹖丕 賴乇 丿賵賷 丌賳賴丕. 賲賳卮兀 鬲賲孬賷賱 亘爻賷丕乇 賯丿賷賲賷 丕爻鬲 賵 丕夭 丌賳 亘乇丕賷 丕卮賰丕賱 诏賵賳丕诏賵賳 丿乇 亘賷丕賳 丕爻鬲賮丕丿賴 賲賷卮賵丿. 丿乇 賵丕賯毓 鬲賲孬賷賱 乇丕賴賷 丕爻鬲 亘乇丕賷 亘賷丕賳 丕丨爻丕爻 賵 鬲賮賰乇 丿乇亘丕乇賴 蹖 丕卮賷丕 賵 賳賵毓 賳诏丕賴 亘賴 丌賳賴丕.
賲丨賱 賵 夭賲丕賳 賵賯賵毓 丿丕爻鬲丕賳: 賳蹖賵蹖賵乇讴 爻蹖鬲蹖貙 丿賴賴 1920
夭丕賵蹖賴 蹖 丿蹖丿:
爻賵賲 卮禺氐 賵 乇丕賵蹖 孬丕亘鬲. 乇丕賵蹖貙 賳賵噩賵丕賳蹖 丕爻鬲 賲賴丕噩乇 亘賴 賳丕賲 讴丕乇賱 乇賵爻賲賳. 爻胤丨 賳賮賵匕 乇丕賵蹖 丿乇 匕賴賳 卮禺氐蹖鬲 賴丕 亘爻蹖丕乇 賲丨丿賵丿 賵 讴賲 丕爻鬲.
賱丨賳 賵 丕丨爻丕爻 丿丕爻鬲丕賳:
賱丨賳 丿丕爻鬲丕賳 讴丕賮讴丕蹖蹖 丕爻鬲. 丿乇 賱丨賳 讴丕賮讴丕蹖蹖 卮乇丕蹖胤 丿丕爻鬲丕賳 亘賴 賳丨賵蹖 丌亘夭賵乇丿 賳賲丕蹖卮 丿丕丿賴 賲蹖卮賵丿貙 丕蹖賳 賳賲丕蹖卮 爻賳丕乇蹖賵蹖蹖 鬲丕 丨丿蹖 丕丨賲賯丕賳賴 乇丕 賳卮丕賳 賲蹖丿賴丿 讴賴 丨鬲丕 鬲讴 鬲讴 卮乇丕蹖胤 賳賵乇賲丕賱 賵 毓丕丿蹖 夭賳丿诏蹖 丿乇 丿丕爻鬲丕賳 亘賴 賳丨賵蹖 亘蹖卮鬲乇 丕夭 丨丿 禺爻鬲賴 讴賳賳丿賴 賵 鬲讴乇丕乇蹖 賵 胤丕賯鬲 賮乇爻丕 丕爻鬲. 讴賴 丕蹖賳 丨丕讴蹖 丕夭 亘蹖 賲毓賳丕 亘賵丿賳 賵 倬賵趩蹖 夭賳丿诏蹖 丕爻鬲 . 賴乇趩賳丿 讴賴 丌賲乇蹖讴丕 乇丕 丕夭 乇賵卮賳 鬲乇蹖賳 丌孬丕乇 讴丕賮讴丕 賲蹖丿丕賳賳丿 丕賲丕 丕蹖賳 賳賵乇 丿乇 賲蹖丕賳 丌賳 鬲丕乇蹖讴蹖 爻蹖丕賱 賮囟丕蹖 丿丕爻鬲丕賳 禺賱賯 卮丿賴貙 亘丕乇賯賴 蹖 讴賵趩讴蹖 亘蹖卮 賳蹖爻鬲.
賯賴乇賲丕賳 賵 蹖丕 賴賲丕賳 倬乇賵鬲诏賵賳蹖爻鬲 丿丕爻鬲丕賳:
讴丕乇賱 乇賵爻賲賳 丕爻鬲 讴賴 丿乇 賲賯丕亘賱 丕賳鬲诏賵賳蹖爻鬲 賴丕蹖 禺賵丿 讴賴 賴賲丕賳 丌卮賳丕賴丕蹖卮 賴爻鬲賳丿 讴賴 賲蹖禺賵丕賴賳丿 丕夭 禺賵亘蹖 丕賵 爻賵亍 丕爻鬲賮丕丿賴 讴賳賳丿 賯乇丕乇 賲蹖诏蹖乇丿.
禺賱丕氐賴 丿丕爻鬲丕賳:
卮禺氐蹖鬲 賴丕蹖 丿丕爻鬲丕賳:
讴丕乇賱 乇賵爻賲賳:
賳賵噩賵丕賳蹖 鬲賳賴丕 讴賴 亘賴 鬲丕夭诏蹖 丕夭 丌賱賲丕賳 亘賴 丌賲乇蹖讴丕 賲賴丕噩乇鬲 讴乇丿賴 賵 亘丕 趩丕賱卮 倬蹖丿丕 讴乇丿賳 讴丕乇 丿乇 爻乇夭賲蹖賳 噩丿蹖丿 丿乇诏蹖乇 丕爻鬲. 丿賱爻賵夭蹖 亘蹖卮 丕夭 丨丿 賵 賲丿丕賵賲 丕賵 亘丕毓孬 賲蹖卮賵丿 鬲丕 賴賲诏丕賳 丕夭 丕賵 爻賵亍 丕爻鬲賮丕丿賴 讴賳賳丿. 蹖讴蹖 丕夭 卮睾賱 賴丕蹖蹖 讴賴 丕賵 丿乇 丌賳 丕爻鬲禺丿丕賲 賲蹖卮賵丿 卮睾賱 丌爻丕賳爻賵乇趩蹖 賴鬲賱 丕爻鬲. 亘賴 胤賵乇 讴丕賲賱丕 胤毓賳賴 丌賲蹖夭 賴乇 乇賵夭 丕賮乇丕丿 孬乇賵鬲賲賳丿 乇丕 噩丕亘噩丕 賲蹖讴賳丿貙 丌爻丕賳爻賵乇 丕賵 鬲賲蹖夭 鬲乇蹖賳 丌爻丕賳爻賵乇 丕爻鬲. 丕賲丕 賴乇趩賯丿乇 讴賴 亘蹖卮鬲乇 禺賵亘蹖 賲蹖讴賳丿 賳鬲蹖噩賴 蹖 毓讴爻 丿丕乇丿 賵 亘毓丿 丕夭 禺爻鬲诏蹖 夭蹖丕丿 鬲賳賴丕 亘賴 丿賱蹖賱 丿蹖乇 乇爻蹖丿賳 亘賴 爻乇 讴丕乇 亘賴 丕賵 鬲賴賲鬲 賴丕蹖 丿夭丿蹖 賵 禺賵卮诏匕乇丕賳蹖 賲蹖丿賴賳丿 賵 丕禺乇丕噩卮 賲蹖讴賳賳丿. 乇賮鬲丕乇 爻乇丿乇亘丕賳 亘爻蹖丕乇 亘丕 丕賵 卮賳蹖毓 丕爻鬲. 丕賵 乇賮鬲丕乇蹖 爻丕丿蹖爻鬲蹖 丿丕乇丿 賵 丌丿賲 乇丕 蹖丕丿 讴爻丕賳蹖 賲蹖 丕賳丿丕夭丿 讴賴 丕夭 賯丿乇鬲 禺賵丿 爻賵亍 丕爻鬲賮丕丿賴 賲蹖讴賳賳丿. 丿乇爻鬲 賴賲丕賳賳丿 亘毓囟蹖 賲噩乇蹖丕賳 賯丕賳賵賳 丿乇 賴賲蹖賳 讴卮賵乇 禺賵丿賲丕賳 丕蹖乇丕賳 !
賴乇趩賳丿 讴賴 讴丕賮讴丕 丕蹖賳 讴鬲丕亘 乇丕 亘賴 賳丕賲 丌賲乇蹖讴丕 賳賵卮鬲賴 丕賲丕 卮亘丕賴鬲 賴丕蹖 夭蹖丕丿蹖 乇丕 丿乇 賳丕 毓丿丕賱鬲蹖 賵 倬賵趩蹖 夭賳丿诏蹖 乇丕 禺賵丕賳賳丿賴 丿乇蹖丕賮鬲 賲蹖讴賳丿. 趩乇丕 讴賴 丿乇 賵丕賯毓 丕蹖賳 讴鬲丕亘 鬲賳賴丕 亘乇丕蹖 丌賲乇蹖讴丕 賳蹖爻鬲貙 亘乇丕蹖 鬲賲丕賲 夭賳丿诏蹖 賴丕 賵 丕賳爻丕賳 賴丕蹖蹖 丕爻鬲 讴賴 賴賵蹖鬲卮丕賳 乇丕 丕夭 丿爻鬲 丿丕丿賳丿 賵 丨丕賱丕 賯丿乇賲鬲賳丿丕賳 賴乇诏賵賳賴 讴賴 賲蹖禺賵丕賴賳丿 亘丕 丌賳賴丕 乇賮鬲丕乇 賲蹖讴賳賳丿.
爻賳丕鬲賵乇 蹖丕讴賵亘:
毓賲賵蹖 讴丕乇賱 讴賴 卮禺氐蹖 孬乇賵鬲賲賳丿 賵 賲賵賮賯 丕爻鬲. 爻毓蹖 賲蹖讴賳丿 讴賴 亘賴 讴丕乇賱 讴賲讴 讴賳丿貙 丕賲丕 丿乇 賴乇 丨丕賱 讴丕乇賱 丕賵乇丕 鬲乇讴 賲蹖讴賳丿.
乇丕亘蹖賳爻賵賳 賵 丿賵賱丕賲丕乇卮:
丿賵 卮禺氐 噩賵蹖丕蹖 讴丕乇 讴賴 讴丕乇賱 亘丕 丌賳賴丕 丌卮賳丕 賲蹖卮賵丿. 乇賮鬲丕乇蹖 夭賳賳丿賴 賵 丕爻鬲賴夭丕 丌賲蹖夭 丿丕乇賳丿. 丿丕卅賲 亘賴 讴丕乇賱 囟乇乇 賲蹖 乇爻丕賳賳丿 賴乇趩賳丿 讴賴 亘賴 讴丕乇賱 诏賮鬲賴 賲蹖 卮賵丿 讴賴 鬲丕 賲蹖鬲賵丕賳丿 丕夭 丌賳丕賳 丿賵乇蹖 讴賳賳丿貙 丕賲丕 亘丕賱丕禺乇賴 倬蹖丿丕蹖卮 讴乇丿賴 賵 丨鬲蹖 爻亘亘 丕禺乇丕噩卮 賲蹖卮賵賳丿. 乇賮鬲丕乇卮丕賳 賲丕賳賳丿 鬲賱賴 丕蹖 丕爻鬲 讴賴 讴丕乇賱 賳賵噩賵丕賳 丿乇 丌賳 亘賴 丿丕賲 賲蹖 丕賮鬲丿.
亘乇賵賳賱丿丕:
亘丕賳賵蹖 趩丕賯 賵 孬乇賵鬲賲賳丿 讴賴 丿賵賱丕賲丕乇卮 亘丕 丕賵 夭賳丿诏蹖 賲蹖讴賳丿 賵 丿賵賱丕賲丕乇卮 丕夭 丕賵 賲蹖禺賵丕賴丿 讴賴 讴丕乇賱 乇丕 亘賴 毓賳賵丕賳 禺丿賲鬲讴丕乇 禺賵丿卮 賯亘賵賱 讴賳丿. 賵賯鬲蹖 讴丕乇賱 爻乇 亘丕夭 賲蹖夭賳丿貙 丕賵乇丕 賲噩亘賵乇 賲蹖讴賳丿 讴賴 丌賳噩丕 亘賲丕賳丿.
鬲賲 賴丕蹖 丿丕爻鬲丕賳:
賲毓賳丕蹖 夭賳丿诏蹖:
丌蹖丕 夭賳丿诏蹖 丕賳爻丕賳蹖 賲毓賳丕蹖蹖 丿丕乇丿責 丌蹖丕 夭賳丿诏蹖 丨乇賮賴 丕蹖 蹖讴 卮禺氐 亘丕 丌賳 趩蹖夭蹖 讴賴 夭賳丿诏蹖 賲蹖 賳丕賲蹖賲 丿乇 鬲賯丕亘賱 丕爻鬲責 丕蹖賳 賲爻蹖乇蹖 讴賴 賲賴丕噩乇蹖 賳賵噩賵丕賳 賲蹖 倬蹖賲丕蹖丿 鬲丕 卮丕蹖丿 讴丕乇蹖 乇丕 倬蹖丿丕 讴賳丿貙 丕爻鬲毓丕乇賴 蹖 鬲讴丕賳 丿賴賳丿賴 丕蹖 丕爻鬲 丕夭 卮禺氐蹖 讴賴 丿乇 爻乇夭賲蹖賳蹖 丌亘夭賵乇丿 賵 毓亘孬 讴賴 丿乇 丌賳 鬲卮禺蹖氐 乇丕賴 亘乇丕蹖卮 丕賲讴丕賳 賳丿丕乇丿 丿乇 丨丕賱 乇丕賴 乇賮鬲賳 丕爻鬲. 丕賲丕 丕蹖賳 鬲賳賴丕 亘爻賳丿賴 賳賲蹖讴賳丿 讴賴 賲毓賳丕蹖蹖 乇丕 丿乇 丕蹖賳 夭賳丿诏蹖 亘蹖丕亘蹖丿. 蹖讴 卮禺氐 賳蹖丕夭 亘賴 丿乇丌賲丿蹖 亘乇丕蹖 夭賳丿诏蹖 丿丕乇丿貙 丕賲丕 丕蹖賳 卮睾賱 賳蹖爻鬲 讴賴 亘賴 夭賳丿诏蹖 卮禺氐 丕乇夭卮 賲蹖丿賴丿. 乇賵爻賲賳 賳蹖夭 賴賲趩賵賳 丌鬲卮 丕賳丿丕夭 丿乇 丨丕賱 丿乇丌賵乇丿賳 丕賳丿讴 賴夭蹖賳賴 丕蹖 亘乇丕蹖 夭賳丿诏蹖 丕爻鬲. 鬲賱賴 丕蹖 讴賴 鬲賲丕賲蹖 丕賳爻丕賳 賴丕 丿乇 丌賳 诏蹖乇 讴乇丿賴 丕賳丿 賵 丕蹖賳 鬲賱賴 鬲丕 丌禺乇 丿丕爻鬲丕賳 亘乇丕蹖 乇賵爻賲賳 鬲賳诏鬲乇 賵 鬲賳诏鬲乇 賲蹖卮賵丿 鬲丕噩丕蹖蹖 讴賴 亘賴 賴賳乇 賵 鬲卅丕鬲乇 乇賵蹖 賲蹖丌賵乇丿. 賮乇丕乇 乇賵爻賲賳 亘賴 胤乇賮 賴賳乇 卮丕蹖丿 丌乇丕賲卮蹖 乇丕 讴賴 賵蹖 賮賯丿丕賳卮 乇丕 丿乇 夭賳丿诏蹖 丕卮 丕丨爻丕爻 賲蹖 讴乇丿賴 亘賴 賴賲乇丕賴 亘蹖丕賵乇丿貙 賴乇趩賳丿 讴賴 亘丕夭賴賲 丿乇 丌賳噩丕 賳賯卮蹖 亘賴 毓賳賵丕賳 讴丕乇诏乇 爻丕丿賴 蹖 賮賳蹖 丿丕卮鬲賴 亘丕卮丿.
倬賵趩蹖 :
倬賵趩蹖 讴賴 丕夭 賳亘賵丿 賲毓賳丕蹖蹖 賲卮禺氐 丿乇 夭賳丿诏蹖 亘乇賲蹖禺蹖夭丿 蹖讴蹖 丕夭 鬲賲 賴丕蹖 丕氐賱蹖 丕讴孬乇 丌孬丕乇 讴丕賮讴丕爻鬲. 丿乇 丕蹖賳 丕孬乇 亘乇 倬賵趩蹖 亘丕 讴丕乇 禺爻鬲賴 讴賳賳丿賴 賵 鬲讴乇丕乇蹖 鬲賲丕賲蹖 丕賮乇丕丿 鬲丕讴蹖丿 亘蹖卮鬲乇蹖 賲蹖卮賵丿. 丌爻丕賳爻賵乇趩蹖 賴丕蹖蹖 讴賴 丿乇 鬲賲丕賲 乇賵夭 賮賯胤 丿賵 丿賯蹖賯賴 丿乇 丨蹖賳 讴丕乇 賲蹖禺賵丕亘賳丿 讴賴 亘鬲賵丕賳賳丿 丌賳 丨噩賲 讴丕乇 乇丕 鬲丨賲賱 讴賳賳丿. 爻乇丌卮倬丕夭蹖 讴賴 丿乇 讴賱 乇賵夭 卮丕蹖丿 讴賲 鬲乇 丕夭 丿賵 爻丕毓鬲 賲蹖禺賵丕亘丿貙 賵 倬蹖丿丕 讴乇丿賳 噩丕蹖蹖 讴賴 丕賳丿讴 爻讴賵鬲蹖 乇丕 亘蹖丕亘蹖賳丿貙 丕賳诏丕乇蹖 丕賲讴丕賳 倬匕蹖乇 賳賲蹖 亘丕卮丿. 丕蹖賳 亘蹖 禺賵丕亘蹖 賵 讴丕乇 爻禺鬲 讴賴 丿乇 讴賱 讴鬲丕亘 亘賴 趩卮賲 賲蹖禺賵乇丿 賴賲丕賳 鬲丕讴蹖丿蹖 丕爻鬲 讴賴 亘蹖 賴丿賮蹖 夭賳丿诏蹖 乇丕 賲蹖 乇爻丕賳丿. 丕賳爻丕賳 賴丕蹖蹖 讴賴 鬲賲丕賲 賵賯鬲 禺賵丿 乇丕 賲蹖诏匕丕乇賳丿 鬲丕 丿乇丌賲丿蹖 亘乇丕蹖 夭賳丿诏蹖 讴爻亘 讴賳賳丿貙 丕賲丕 鬲賲丕賲 賵賯鬲卮丕賳 亘乇丕蹖 夭賳丿诏蹖 讴乇丿賳 氐乇賮 賴賲蹖賳 丿乇丌賵乇丿賳 丿乇丌賲丿 賲蹖卮賵丿.
賲丿乇賳蹖鬲賴 丿乇 賲賯丕亘賱 胤亘蹖毓鬲:
丿乇 鬲卮乇蹖丨 丌賲乇蹖讴丕 丌賳趩賴 亘乇丕蹖 讴丕賮讴丕 亘蹖卮 丕夭 賴乇趩蹖夭蹖 丕賴賲蹖鬲 丿丕乇丿 乇卮丿 賮賳丕賵乇蹖 丕爻鬲. 乇賵賳丿蹖 讴賴 爻乇毓鬲 丌賳 丕賳爻丕賳 賴丕乇丕 丿乇 丕賲賵丕噩 禺賵丿 賮乇賵 賲蹖 亘乇丿. 賵丕跇賴 蹖 賲賮賯賵丿丕賱丕孬乇 亘賴 賲毓賳蹖 睾蹖亘鬲 丕爻鬲. 亘蹖丕賳诏乇 賵囟毓 讴爻蹖 讴賴 讴賴 賳賲蹖丿丕賳蹖賲 讴噩丕爻鬲 賵 禺亘乇蹖 丿乇 丿爻鬲 丕夭 賵蹖 賳丿丕乇蹖賲. 爻賮乇 亘賴 丌賲乇蹖讴丕 亘乇丕蹖 讴丕乇賱 乇賵爻賲賳 賴賲丕賳賳丿 鬲賵賱丿蹖 丕爻鬲 丿乇 亘蹖賳卮 丕賵 賵 夭賳丿诏蹖 丕卮 乇禺 賲蹖丿賴丿.
賵丕乇賵賳賴 诏賵蹖蹖 蹖丕 賴賲丕賳 氐賳毓鬲 丕丿亘蹖 丌蹖乇賵賳蹖:
丌蹖乇賵賳蹖 丿乇 丌夭丕丿蹖 賵 禺丿賲鬲 丕噩亘丕乇蹖:
賴乇趩賳丿 讴賴 乇賵爻賲賳 亘賴 毓賳賵丕賳 禺丿賲鬲讴丕乇 亘賴 丌賲乇蹖讴丕 賲賴丕噩乇鬲 賳讴乇丿賴貙 賲賵賯毓蹖鬲 丕賵 趩賳丕賳 賲蹖賳賲丕蹖丿 讴賴 禺丿賲鬲讴丕乇蹖 亘蹖卮 賳蹖爻鬲. 丕賵 讴賴 亘賴 毓賳賵丕賳 卮禺氐蹖 丌夭丕丿 賵 亘賴 丿賵乇 丕夭 賴乇诏賵賳賴 鬲毓賱賯蹖 賳爻亘鬲 亘賴 禺丕賳賵丕丿賴 賵 蹖丕 賴乇 趩蹖夭 丿蹖诏乇蹖 亘賴 丌賲乇蹖讴丕 賲賴丕噩乇鬲 讴乇丿貙 讴賲 讴賲 賲鬲賵噩賴 賲蹖卮賵丿 讴賴 賳賲蹖鬲賵丕賳丿 亘賴 賴蹖趩讴爻 丕毓鬲賲丕丿 讴賳丿 賵 爻夭丕乇 賵賮丕丿丕乇蹖 丕卮 趩蹖夭蹖 噩夭 禺蹖丕賳鬲 賳蹖爻鬲. 亘賴 賴乇 丿乇蹖 讴賴 丕夭 乇賵蹖 賲賴乇亘丕賳蹖 賵 丿賱爻賵夭蹖 賲蹖夭賳丿貙 趩蹖夭蹖 噩夭 夭蹖丕賳 賳賲蹖 亘蹖賳丿. 賴乇趩賴 爻毓蹖 賲蹖讴賳丿 讴賴 丌夭丕丿 鬲乇 亘丕卮丿 丿乇 賵丕賯毓 丿乇 鬲賱賴 丕蹖 丕夭 丕噩亘丕乇 賯乇丕乇 賲蹖诏蹖乇丿. 丕噩亘丕乇蹖 讴賴 賲賳卮丕 丕氐賱蹖 丌賳 丿乇 賴賲丕賳 夭賳丿诏蹖 丌亘夭賵乇丿 丕爻鬲.
鬲賳賴丕蹖蹖 丿乇 噩丕賲毓賴: 賴乇趩賳丿 讴賴 丕賮乇丕丿 夭蹖丕丿蹖 丿賵乇 讴丕乇賱 乇丕 诏乇賮鬲賴 丕賳丿貙 丕賲丕 禺賵丕賳賳丿賴 亘賴 賵囟賵丨 鬲賳賴丕蹖蹖貙 亘蹖 賲毓賳蹖 亘賵丿賳 賵 賳丕 丕賲蹖丿蹖 乇丕 丕丨爻丕爻 賲蹖讴賳丿 讴賴 讴丕乇賱 乇賵爻賲賳 乇丕 丕丨丕胤賴 讴乇丿賴 丕爻鬲. 乇賵丕亘胤卮 亘丕 丿蹖诏乇 丕賮乇丕丿 賳鬲賳賴丕 讴賲讴 亘賴 亘賴亘賵丿 丕蹖賳 卮乇丕蹖胤 賳賲蹖讴賳丿貙 亘賱讴賴 亘丕毓孬 丿丕賲賳 夭丿賳 亘賴 丌賳賴丕 賲蹖卮賵丿 . 丕賲丕 亘賴 氐賵乇鬲 讴丕賲賱丕 丌蹖乇賵賳蹖讴丕賱 賳鬲賳賴丕 丕賵 丿爻鬲 丕夭 讴賲讴 讴乇丿 亘賴 丿蹖诏乇丕賳 亘乇 賳賲蹖丿丕乇丿 亘賱讴賴 賴賳賵夭 亘賴 丌賳賴丕蹖蹖 讴賴 亘賴 丕賵 亘丿 讴乇丿賴 丕賳丿 讴賲讴 賲蹖讴賳丿.
賳賯卮 丌鬲卮 丕賳丿丕夭:
丕賵 賳賯卮 丕爻丕爻蹖 丿乇 讴卮鬲蹖 丿丕乇丿. 丕賵 爻賵禺鬲 讴卮鬲蹖 讴賴 賲賴丕噩乇丕賳 乇丕 丕夭 卮乇丕蹖胤 亘丿蹖 亘賴 卮乇丕蹖胤 亘賴鬲乇蹖 賲蹖 亘乇丿 鬲丕賲蹖賳 賲蹖讴賳丿. 丕賲丕 亘賴 胤賵乇 賵丕乇賵賳賴 賵 胤賳夭蹖 丕賵 禺賵丿 丿趩丕乇 賲卮讴賱丕鬲蹖 丕爻鬲. 讴丕乇 爻禺鬲 賵 蹖讴賳賵丕禺鬲 丕賵乇丕 賲賳夭賵蹖 賵 禺爻鬲賴 讴乇丿賴 丕爻鬲. 丕蹖賳 亘賴 鬲賲 賲乇讴夭蹖 讴賱 讴鬲丕亘 丕卮丕乇賴 賲蹖讴賳丿: 丕蹖賳 讴賴 賴丿賮 丕氐賱蹖 賵 賵丕賯毓蹖 賴乇 卮禺氐 倬蹖丿丕 讴乇丿賳 讴丕乇蹖 讴賴 丿乇 丌賳 賲毓賳丕蹖蹖 賳賴賮鬲賴 亘丕卮丿 丿乇 夭賳丿诏蹖 賳蹖爻鬲貙 亘賱讴賴 賴丿賮 丕氐賱蹖 賲讴丕賳蹖 丕爻鬲 讴賴 亘賴 丌賳 賳賯賱 賲讴丕賳 賲蹖讴賳賳丿.
鬲乇丕賮蹖讴 卮賴乇:
胤賳夭 賵丕乇賵賳賴 蹖 丿蹖诏乇蹖 讴賴 賳卮丕賳 丿賴賳丿賴 蹖 丕賳夭賵丕 賵 賳丕 丕賲賳蹖 亘蹖卮鬲乇 噩丕賲毓賴 賲蹖卮賵丿. 賲乇丿賲蹖 讴賴 丿乇 馗丕賴乇 亘丕 賴賲 丿乇 丕乇鬲亘丕胤 賴爻鬲賳丿 賵賱蹖 趩蹖夭蹖 噩夭 亘賴賲 乇蹖禺鬲诏蹖 丌卮賵亘 賵 亘賱賵丕 丿蹖丿賴 賳賲蹖卮賵丿. 丕蹖賳 丌卮賵亘 丿乇 爻乇鬲丕爻乇 讴鬲丕亘 亘賴 趩卮賲 賲蹖禺賵乇丿貙 賲孬賱 禺丕賳賴 蹖 亘乇賵賳賱丿丕 貙 禺賵丕亘诏丕賴 丌爻丕賳爻賵乇趩蹖 賴丕貙 賴鬲賱貙 賵 禺蹖丕亘丕賳 賴丕蹖 卮賴乇.
讴丕賳賮賱蹖讴鬲 賴丕蹖 丕氐賱蹖 :
鬲賱丕卮 乇賵爻賲賳 亘乇丕蹖 倬蹖丿丕 讴乇丿賳 讴丕乇 丿乇 賳蹖賵蹖賵乇讴 丕爻鬲. 丕賵 丌賳乇丕 亘蹖 賲毓賳丕 賵 毓亘孬 賲蹖 倬賳丿丕乇丿.
讴賱丕蹖賲讴爻 丿丕爻鬲丕賳:
賴乇趩賳丿 讴賴 丿丕爻鬲丕賳 賳丕鬲賲丕賲 丕爻鬲 賵賱蹖 亘賳馗乇 賲蹖乇爻丿 讴賴 讴賱丕賲蹖爻 夭賲丕賳蹖 丕鬲賮丕賯 賲蹖 丕賮鬲丿 讴賴 乇賵爻賲賳 鬲氐賲蹖賲 賲蹖诏蹖乇丿 亘賴 鬲卅丕鬲乇 丕讴賱丕賴丕賲丕 亘倬蹖賵賳丿丿.
賮賵乇卮丕丿賵丕蹖賳诏 賵 蹖丕 賴賲丕賳 倬蹖卮亘蹖賳蹖 丿丕爻鬲丕賳: 夭賲丕賳蹖 丕鬲賮丕賯 賲蹖 丕賮鬲丿 讴賴 乇賵爻賲賳 丌鬲卮 丕賳丿丕夭 乇丕 賲賱丕賯丕鬲 賲蹖讴賳丿. 诏賵蹖丕 丌鬲卮 丕賳丿丕夭 賳賲賵丿蹖 丿蹖诏乇 丕夭 賴賲丕賳 乇賵爻賲賳 丕爻鬲.
丿乇 鬲卮乇蹖丨 丌賲乇蹖讴丕 丌賳趩賴 亘乇丕蹖 讴丕賮讴丕 亘蹖卮 丕夭 賴乇趩蹖夭蹖 丕賴賲蹖鬲 丿丕乇丿 乇卮丿 賮賳丕賵乇蹖 丕爻鬲. 乇賵賳丿蹖 讴賴 爻乇毓鬲 丌賳 丕賳爻丕賳 賴丕乇丕 丿乇 丕賲賵丕噩 禺賵丿 賮乇賵 賲蹖 亘乇丿. 賵丕跇賴 蹖 賲賮賯賵丿丕賱丕孬乇 亘賴 賲毓賳蹖 睾蹖亘鬲 丕爻鬲. 亘蹖丕賳诏乇 賵囟毓 讴爻蹖 讴賴 讴賴 賳賲蹖丿丕賳蹖賲 讴噩丕爻鬲 賵 禺亘乇蹖 丿乇 丿爻鬲 丕夭 賵蹖 賳丿丕乇蹖賲. 爻賮乇 亘賴 丌賲乇蹖讴丕 亘乇丕蹖 讴丕乇賱 乇賵爻賲賳 賴賲丕賳賳丿 鬲賵賱丿蹖 丕爻鬲 丿乇 亘蹖賳卮 丕賵 賵 夭賳丿诏蹖 丕卮 乇禺 賲蹖丿賴丿. 卮賳丕禺鬲蹖 讴賴 丕夭 丕胤乇丕賮蹖丕賳 賵 丿賳蹖丕 亘丿爻鬲 賲蹖 丌賵乇丿. 賮讴乇 賲蹖讴賳賲 賴乇讴爻 讴賴 亘禺賵丕賴丿 丿乇讴 亘蹖卮鬲乇蹖 丕夭 讴丕賮讴丕 丿丕卮鬲賴 亘丕卮丿貙 囟乇賵乇蹖爻鬲 讴賴 丕蹖賳 丕孬乇 乇丕 賳蹖夭 賲胤丕賱毓賴 讴賳丿.
賵賯鬲蹖 賲丿丕賲 亘丕 鬲賵 賲孬賱 爻诏 乇賮鬲丕乇 賲蹖讴賳賳丿貙 讴賲 讴賲 賮讴乇 賲蹖讴賳蹖 賵丕賯毓丕 爻诏 賴爻鬲蹖. 氐 207
鬲乇噩賲賴 蹖 讴鬲丕亘 丕夭 噩賳丕亘 丨丿丕丿 亘賳馗乇賲 賮賵賯 丕賱毓丕丿賴 亘賵丿. 丕蹖 讴丕卮 讴丕賮讴丕 丨丿丕賯賱 丕蹖賳 讴鬲丕亘 乇丕 亘賴 倬丕蹖丕賳 賲蹖乇爻丕賳丿. 賴乇趩賳丿 乇賲丕賳 賴丕蹖 賯氐乇 賵 賲丨丕讴賲賴 賴賲 賳丕鬲賲丕賲 丕賳丿 賵賱蹖 丕蹖賳 賳賯氐 丌賳趩賳丕賳 丿乇 丌賳賴丕 丕丨爻丕爻 賳賲蹖卮丿 讴賴 丿乇 丕蹖賳 蹖讴蹖 讴鬲丕亘貙 丌賲乇蹖讴丕. 卮丕蹖丿 賴賲 丕夭 夭蹖乇讴蹖 賴丕蹖 讴丕賮讴丕 亘賵丿賴 讴賴 賲蹖禺賵丕爻鬲賴 亘蹖卮鬲乇 丕蹖賳 賲賮賯賵丿丕賱丕孬乇蹖 乇丕 亘賴 禺賵丕賳賳丿賴 亘乇爻丕賳丿.
November 24, 2022
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