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禺丕胤乇丕鬲 爻賵诏賵丕乇蹖
Le journal intime 茅crit par Roland Barthes dans les mois qui ont suivis la mort de sa m猫re, l鈥櫭猼re cher par-dessus tout, en automne 1977. La Chambre claire 茅voquait d茅j脿 largement ce deuil douloureux, qui transforme compl猫tement le regard de Barthes sur la photographie, d茅sormais vu comme le lieu d鈥檜ne possible r茅surrection de l鈥櫭猼re perdu. Ici, nous sommes tout 脿 la fois dans un constat d茅taill茅 et dans une interrogation intime et philosophique du deuil, absolument singulier, impartageable. Cet in茅dit est une pi猫ce d茅cisive dans la compr茅hension de Roland Barthes, qui aura v茅cu toute sa vie aupr猫s de sa m猫re et ne lui aura surv茅cu que trois ans, les ann茅es de l鈥檌mpossible deuil. Un document 茅mouvant, r茅dig茅 au jour le jour en brefs fragments qui, comme toujours chez Barthes, d茅passent l鈥檈xp茅rience personnelle pour toucher 脿 l鈥檜niversel. Nous sommes tous porteurs d鈥檜n deuil, et celui-ci nous touche, nous 茅claire.
258 pages, Paperback
First published February 5, 2009
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About the author
Roland Barthes
371听books2,468听followersRoland Barthes of France applied semiology, the study of signs and symbols, to literary and social criticism.
Ideas of Roland G茅rard Barthes, a theorist, philosopher, and linguist, explored a diverse range of fields. He influenced the development of schools of theory, including design, anthropology, and poststructuralism.
Ideas of Roland G茅rard Barthes, a theorist, philosopher, and linguist, explored a diverse range of fields. He influenced the development of schools of theory, including design, anthropology, and poststructuralism.
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January 17, 2020
2013 is the ten year anniversary of my mother鈥檚 death.
Pre-dawn, Las Vegas, August 17. 鈥淚鈥檓 sorry to wake you,鈥� my sister鈥檚 voice through the receiver, 鈥渂ut Mom died last night.鈥�
C.S. Lewis: No one ever told me that grief felt so like fear.
Barthes conjures words wrenched from suffering. A day鈥檚 events are distilled and filtered through the lens of loss. Every ache, an intensity that wounds anew. Barthes: At each 鈥渕oment鈥� of suffering, I believe it to be the very one in which for the first time I realize my mourning.
I went to bed late the night of August 16th, smug from having won $4,000 playing blackjack. I envision the specter of time tapping me on the shoulder as I laid my head upon the hotel pillow and whispering in my ear, 鈥淵ou will use that money to bury your mother.鈥�
Barthes: As soon as someone dies, frenzied construction of the future (shifting furniture, etc.). August 18 鈥� 22 in Houston. Our family room is filled with every chair in the house to accommodate visitors. Everyone looks and acts like they are in a play in which everyone has forgotten their lines. My father offers people food, cooked and delivered by other people. I give a dirty look to anyone who unwittingly sits in Shirley鈥檚 favorite chair.
November, 2004, a year after Shirley鈥檚 death. I am home for Thanksgiving, the second without her. My childhood home has become a Shirley museum. A year after her death and everything is exactly as it was the day before she died. Her medicine bottles sit bedside, clothes in the closet, recipe book open on the counter. I expect to see her walk into the room at any moment. I am the only family member that seems to be bothered. This is the last time I will spend the night in this house, the last holiday celebrated.
Barthes: The most painful point at the most abstract moment鈥�
The family is in the hearse heading to the grave for the ceremony, leading the long line of mourners. Police tag-team the stoplights; we avoid all traffic. I laugh, actually laugh, thinking of Dennis Miller鈥檚 joke: 鈥淚t is a cruel irony that we spend our whole lives waiting at stoplights, and when we die, we don鈥檛 have to stop at them. 鈥榃ell, I鈥檓 dead, but I鈥檓 making good time!鈥欌€� I cover my chuckle, turn it into a sob. No one notices.
Barthes: Don鈥檛 say Mourning. It鈥檚 too psychoanalytic. I鈥檓 not mourning. I鈥檓 suffering.
Holiday season, 2012. I call my sister and say, 鈥淒oesn鈥檛 it bother you that ten years after mom鈥檚 death she still doesn鈥檛 have a headstone?鈥� She agrees with me, says it is time we get her one. We have both tiptoed around this issue with our father, but I can鈥檛 take it anymore. I imagine people scouting the graveyard for a nice plot, see the unmarked area, inquire and find that it contains an interred beloved. So beloved that they didn鈥檛 bother to give her a grave marker. I call my father, tell him we are getting a headstone. 鈥淚鈥檒l do it,鈥� he says, defeated. 鈥淚t just has always felt that to do so would make everything 鈥� so final.鈥�
Barthes: To see with horror as quite simply possible the moment when the memory of those words she spoke to me would no longer make me cry.
It鈥檚 been ten years, Shirley. I have a daughter you鈥檝e never met. I am married to a different woman. Would you even recognize me?
Pre-dawn, Las Vegas, August 17. 鈥淚鈥檓 sorry to wake you,鈥� my sister鈥檚 voice through the receiver, 鈥渂ut Mom died last night.鈥�
C.S. Lewis: No one ever told me that grief felt so like fear.
Barthes conjures words wrenched from suffering. A day鈥檚 events are distilled and filtered through the lens of loss. Every ache, an intensity that wounds anew. Barthes: At each 鈥渕oment鈥� of suffering, I believe it to be the very one in which for the first time I realize my mourning.
I went to bed late the night of August 16th, smug from having won $4,000 playing blackjack. I envision the specter of time tapping me on the shoulder as I laid my head upon the hotel pillow and whispering in my ear, 鈥淵ou will use that money to bury your mother.鈥�
Barthes: As soon as someone dies, frenzied construction of the future (shifting furniture, etc.). August 18 鈥� 22 in Houston. Our family room is filled with every chair in the house to accommodate visitors. Everyone looks and acts like they are in a play in which everyone has forgotten their lines. My father offers people food, cooked and delivered by other people. I give a dirty look to anyone who unwittingly sits in Shirley鈥檚 favorite chair.
November, 2004, a year after Shirley鈥檚 death. I am home for Thanksgiving, the second without her. My childhood home has become a Shirley museum. A year after her death and everything is exactly as it was the day before she died. Her medicine bottles sit bedside, clothes in the closet, recipe book open on the counter. I expect to see her walk into the room at any moment. I am the only family member that seems to be bothered. This is the last time I will spend the night in this house, the last holiday celebrated.
Barthes: The most painful point at the most abstract moment鈥�
The family is in the hearse heading to the grave for the ceremony, leading the long line of mourners. Police tag-team the stoplights; we avoid all traffic. I laugh, actually laugh, thinking of Dennis Miller鈥檚 joke: 鈥淚t is a cruel irony that we spend our whole lives waiting at stoplights, and when we die, we don鈥檛 have to stop at them. 鈥榃ell, I鈥檓 dead, but I鈥檓 making good time!鈥欌€� I cover my chuckle, turn it into a sob. No one notices.
Barthes: Don鈥檛 say Mourning. It鈥檚 too psychoanalytic. I鈥檓 not mourning. I鈥檓 suffering.
Holiday season, 2012. I call my sister and say, 鈥淒oesn鈥檛 it bother you that ten years after mom鈥檚 death she still doesn鈥檛 have a headstone?鈥� She agrees with me, says it is time we get her one. We have both tiptoed around this issue with our father, but I can鈥檛 take it anymore. I imagine people scouting the graveyard for a nice plot, see the unmarked area, inquire and find that it contains an interred beloved. So beloved that they didn鈥檛 bother to give her a grave marker. I call my father, tell him we are getting a headstone. 鈥淚鈥檒l do it,鈥� he says, defeated. 鈥淚t just has always felt that to do so would make everything 鈥� so final.鈥�
Barthes: To see with horror as quite simply possible the moment when the memory of those words she spoke to me would no longer make me cry.
It鈥檚 been ten years, Shirley. I have a daughter you鈥檝e never met. I am married to a different woman. Would you even recognize me?
June 22, 2020
Journal de deuil: 26 October 1977 - 15 September 1979 = Mourning Diary, Roland Barthes
Journal de deuil (2009)
The day after his mother's death in October 1977, the influential philosopher Roland Barthes began a diary of mourning.
Taking notes on index cards as was his habit, he reflected on a new solitude, on the ebb and flow of sadness, and on modern society's dismissal of grief. These 330 cards, published here for the first time, prove a skeleton key to the themes he tackled throughout his work.
Behind the unflagging mind, "the most consistently intelligent, important, and useful literary critic to have emerged anywhere" (Susan Sontag), lay a deeply sensitive man who cherished his mother with a devotion unknown even to his closest friends.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 爻賵賲 賲丕賴 賳賵丕賲蹖乇 爻丕賱 2014 賲蹖賱丕丿蹖
毓賳賵丕賳: 禺丕胤乇丕鬲 爻賵诏賵丕乇蹖貨 賳賵蹖爻賳丿賴: 乇賵賱丕賳 亘丕乇鬲貨 賲鬲乇噩賲: 賲丨賲丿丨爻蹖賳 賵丕賯賮貨 鬲賴乇丕賳貙 丨乇賮賴 賴賳乇賲賳丿貙 1393貨 丿乇 272氐貨 卮丕亘讴 9786005759105貨 賲賵囟賵毓: 禺丕胤乇丕鬲 賱睾鬲 卮賳丕爻丕賳 賵 賲賳鬲賯丿丕賳 賵 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賵蹖 - 爻丿賴 20賲
禺丕胤乇丕鬲 爻賵诏賵丕乇蹖 乇賲丕賳 賳蹖爻鬲貙 蹖丕丿丿丕卮鬲鈥屬囏� 賵 禺丕胤乇丕鬲蹖 爻鬲 讴賴 賳賵蹖爻賳丿賴 蹖讴 乇賵夭 倬爻 丕夭 丿乇诏匕卮鬲 賲丕丿乇卮貨 诏丕賴蹖 亘丕 禺賵丿賳賵蹖爻 賵 诏丕賴蹖 亘丕 賲丿丕丿 賳賵卮鬲賴 丕爻鬲貨 芦乇賵賱丕賳 亘丕乇鬲禄 賴乇诏夭 鬲氐賲蹖賲 亘賴 诏乇丿丌賵乇蹖 賵 趩丕倬 蹖丕丿丿丕卮鬲鈥屬囏й屫� 賳丿丕卮鬲貙 賵 亘蹖爻鬲 賵 賳賴 爻丕賱 倬爻 丕夭 丿乇诏匕卮鬲 芦乇賵賱丕賳禄貙 丿賵爻鬲丕賳卮 丌賳賴丕 乇丕 趩丕倬 讴乇丿賳丿
賳賯賱 賳賲賵賳賴 賲鬲賳: 芦乇賵夭 爻蹖 賳賵丕賲亘乇 爻丕賱 1977賲蹖賱丕丿蹖: 賳诏賵蹖蹖丿 爻賵诏賵丕乇蹖. 丕蹖賳 毓亘丕乇鬲 亘爻蹖丕乇 乇賵丕賳讴丕賵丕賳賴 丕爻鬲貨 爻賵诏賵丕乇 賳蹖爻鬲賲貨 乇賳噩 賲蹖鈥屭┴促�.禄貨 倬丕蹖丕賳 賳賯賱
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 01/04/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Journal de deuil (2009)
The day after his mother's death in October 1977, the influential philosopher Roland Barthes began a diary of mourning.
Taking notes on index cards as was his habit, he reflected on a new solitude, on the ebb and flow of sadness, and on modern society's dismissal of grief. These 330 cards, published here for the first time, prove a skeleton key to the themes he tackled throughout his work.
Behind the unflagging mind, "the most consistently intelligent, important, and useful literary critic to have emerged anywhere" (Susan Sontag), lay a deeply sensitive man who cherished his mother with a devotion unknown even to his closest friends.
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 爻賵賲 賲丕賴 賳賵丕賲蹖乇 爻丕賱 2014 賲蹖賱丕丿蹖
毓賳賵丕賳: 禺丕胤乇丕鬲 爻賵诏賵丕乇蹖貨 賳賵蹖爻賳丿賴: 乇賵賱丕賳 亘丕乇鬲貨 賲鬲乇噩賲: 賲丨賲丿丨爻蹖賳 賵丕賯賮貨 鬲賴乇丕賳貙 丨乇賮賴 賴賳乇賲賳丿貙 1393貨 丿乇 272氐貨 卮丕亘讴 9786005759105貨 賲賵囟賵毓: 禺丕胤乇丕鬲 賱睾鬲 卮賳丕爻丕賳 賵 賲賳鬲賯丿丕賳 賵 賳賵蹖爻賳丿诏丕賳 賮乇丕賳爻賵蹖 - 爻丿賴 20賲
禺丕胤乇丕鬲 爻賵诏賵丕乇蹖 乇賲丕賳 賳蹖爻鬲貙 蹖丕丿丿丕卮鬲鈥屬囏� 賵 禺丕胤乇丕鬲蹖 爻鬲 讴賴 賳賵蹖爻賳丿賴 蹖讴 乇賵夭 倬爻 丕夭 丿乇诏匕卮鬲 賲丕丿乇卮貨 诏丕賴蹖 亘丕 禺賵丿賳賵蹖爻 賵 诏丕賴蹖 亘丕 賲丿丕丿 賳賵卮鬲賴 丕爻鬲貨 芦乇賵賱丕賳 亘丕乇鬲禄 賴乇诏夭 鬲氐賲蹖賲 亘賴 诏乇丿丌賵乇蹖 賵 趩丕倬 蹖丕丿丿丕卮鬲鈥屬囏й屫� 賳丿丕卮鬲貙 賵 亘蹖爻鬲 賵 賳賴 爻丕賱 倬爻 丕夭 丿乇诏匕卮鬲 芦乇賵賱丕賳禄貙 丿賵爻鬲丕賳卮 丌賳賴丕 乇丕 趩丕倬 讴乇丿賳丿
賳賯賱 賳賲賵賳賴 賲鬲賳: 芦乇賵夭 爻蹖 賳賵丕賲亘乇 爻丕賱 1977賲蹖賱丕丿蹖: 賳诏賵蹖蹖丿 爻賵诏賵丕乇蹖. 丕蹖賳 毓亘丕乇鬲 亘爻蹖丕乇 乇賵丕賳讴丕賵丕賳賴 丕爻鬲貨 爻賵诏賵丕乇 賳蹖爻鬲賲貨 乇賳噩 賲蹖鈥屭┴促�.禄貨 倬丕蹖丕賳 賳賯賱
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 01/04/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
May 9, 2016
This is a book that was very meaningful to me, but it is not something I would widely recommend. It was such a personal read that I even had trouble discussing it with friends.
When Roland Barthes' mother died on October 25, 1977, he started writing notes about his grief. This mourning diary covers nearly two years, and some passages were so moving and powerful that they felt poetic. This book was published after Barthes' death (tragically, he died just a few years after his mother, due to complications from an auto accident) and his notes are unfinished, scattered and chaotic. But there is beauty in these journal entries 鈥� the truth of his suffering is laid bare. I could not critique this book; I could only relate to it.
I reached for this text because I am also mourning my mother, and in Barthes' writings I found some solace. There is comfort in meeting a fellow traveler in grief, even if his journey happened nearly 40 years ago. (Similarly, Barthes found comfort in Proust's writings on grief.)
I so appreciated this book that I lingered over it for a week, taking my time, slowly reading and marking passages. I was grateful for the companionship. After a death, people tell you to move on, focus on living, it gets easier, you'll be fine. Don't tell me I'm fine. Things aren't fine. Things will never be fine. People want you to act fine so that they can feel better about themselves, and I was grateful that Barthes figuratively called bullshit on this social custom.
This was my first Roland Barthes book, and while it was an unusual place to begin, I liked it so much that I will look up his other, more complete works. Recommended to those who appreciate grief memoirs.
Meaningful Passages
People tell you to keep your "courage" up. But the time for courage is when she was sick, when I took care of her and saw her suffering, her sadness, and when I had to conceal my tears. Constantly one had to make a decision, put on a mask, and that was courage.
[Status confusion] For months, I have been her mother. It is as if I had lost my daughter.
Moments when I'm "distracted" (speaking, even having to joke) 鈥� and somehow going dry 鈥� followed by sudden cruel passages of feeling, to the point of tears.
Always that painful wrench between my ease in talking, in taking an interest, in observing, in living as before, and the impulses of despair.
To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
Don't say mourning. It's too psychoanalytic. I'm not mourning. I'm suffering.
Now, from time to time, there unexpectedly rises within me, like a bursting bubble: the realization that she no longer exists, she no longer exists, totally and forever. This is a flat condition, utterly unadjectival 鈥� dizzying because meaningless (without any possible interpretation). A new pain.
Everyone is "extremely nice" 鈥� and yet I feel entirely alone.
Everything pains me. The merest trifle rouses a sense of abandonment. I'm impatient with other people, their will to live, their universe. Attracted by a decision to withdraw from everyone.
Difficult feeling (unpleasant, discouraging) of a lack of generosity. It troubles me. I can only put this into some relation with the image of maman, so perfectly generous (and she used to tell me: you have a good heart). I had supposed that once she was gone I would sublime that absence by a sort of perfection of "kindness," the surrender of all kinds of nastiness, jealousy, narcissism. And I am becoming less and less "noble," "generous."
I had thought that maman's death would make me someone "strong," acceding as I might to worldly indifference. But it has been quite the contrary: I am even more fragile.
It is said that Time soothes mourning 鈥� no, Time makes nothing happen; it merely makes the emotivity of mourning pass.
What have I to lose now that I've lost my Reason for living 鈥� the Reason to fear for someone's life.
To think, to know that maman is dead forever, completely, is to think, letter by letter, that I too will die forever and completely. There is then, in mourning, a radical and new domestication of death; for previously, it was only a borrowed knowledge (clumsy, had from others, from philosophy), but now it is my knowledge.
For the last few nights, images 鈥� nightmares during which I see maman sick, abused. Terror. I am suffering from the fear of what has happened.
Like love, mourning affects the world 鈥� and the worldly 鈥� with unreality, with importunity. I resist the world, I suffer from what it demands of me, from its demands. The world increases my sadness, my dryness, my confusion, my irritation. The world depresses me.
When maman was living (in other words, in my whole past life) I was neurotically in fear of losing her. Now (this is what mourning teaches me) such mourning is so to speak the only thing in me which is not neurotic: as if maman, by a last gift, had taken neurosis, the worst part, away from me.
The truth about mourning is quite simple: now that maman is dead, I am faced with death (nothing any longer separates me from it except time).
Mourning: At the death of the loved being, acute phase of narcissism: one emerges from sickness, from servitude. Then, gradually, freedom takes on a leaden hue, desolation settles in, narcissism gives way to a sad egoism, an absence of generosity.
Disappointment of various places and trips. Not really comfortable anywhere. Very soon, this cry: I want to go back! (but where? since she is no longer anywhere, who was once where I could go back). I am seeking my place.
When Roland Barthes' mother died on October 25, 1977, he started writing notes about his grief. This mourning diary covers nearly two years, and some passages were so moving and powerful that they felt poetic. This book was published after Barthes' death (tragically, he died just a few years after his mother, due to complications from an auto accident) and his notes are unfinished, scattered and chaotic. But there is beauty in these journal entries 鈥� the truth of his suffering is laid bare. I could not critique this book; I could only relate to it.
I reached for this text because I am also mourning my mother, and in Barthes' writings I found some solace. There is comfort in meeting a fellow traveler in grief, even if his journey happened nearly 40 years ago. (Similarly, Barthes found comfort in Proust's writings on grief.)
I so appreciated this book that I lingered over it for a week, taking my time, slowly reading and marking passages. I was grateful for the companionship. After a death, people tell you to move on, focus on living, it gets easier, you'll be fine. Don't tell me I'm fine. Things aren't fine. Things will never be fine. People want you to act fine so that they can feel better about themselves, and I was grateful that Barthes figuratively called bullshit on this social custom.
This was my first Roland Barthes book, and while it was an unusual place to begin, I liked it so much that I will look up his other, more complete works. Recommended to those who appreciate grief memoirs.
Meaningful Passages
People tell you to keep your "courage" up. But the time for courage is when she was sick, when I took care of her and saw her suffering, her sadness, and when I had to conceal my tears. Constantly one had to make a decision, put on a mask, and that was courage.
[Status confusion] For months, I have been her mother. It is as if I had lost my daughter.
Moments when I'm "distracted" (speaking, even having to joke) 鈥� and somehow going dry 鈥� followed by sudden cruel passages of feeling, to the point of tears.
Always that painful wrench between my ease in talking, in taking an interest, in observing, in living as before, and the impulses of despair.
To whom could I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought?
Don't say mourning. It's too psychoanalytic. I'm not mourning. I'm suffering.
Now, from time to time, there unexpectedly rises within me, like a bursting bubble: the realization that she no longer exists, she no longer exists, totally and forever. This is a flat condition, utterly unadjectival 鈥� dizzying because meaningless (without any possible interpretation). A new pain.
Everyone is "extremely nice" 鈥� and yet I feel entirely alone.
Everything pains me. The merest trifle rouses a sense of abandonment. I'm impatient with other people, their will to live, their universe. Attracted by a decision to withdraw from everyone.
Difficult feeling (unpleasant, discouraging) of a lack of generosity. It troubles me. I can only put this into some relation with the image of maman, so perfectly generous (and she used to tell me: you have a good heart). I had supposed that once she was gone I would sublime that absence by a sort of perfection of "kindness," the surrender of all kinds of nastiness, jealousy, narcissism. And I am becoming less and less "noble," "generous."
I had thought that maman's death would make me someone "strong," acceding as I might to worldly indifference. But it has been quite the contrary: I am even more fragile.
It is said that Time soothes mourning 鈥� no, Time makes nothing happen; it merely makes the emotivity of mourning pass.
What have I to lose now that I've lost my Reason for living 鈥� the Reason to fear for someone's life.
To think, to know that maman is dead forever, completely, is to think, letter by letter, that I too will die forever and completely. There is then, in mourning, a radical and new domestication of death; for previously, it was only a borrowed knowledge (clumsy, had from others, from philosophy), but now it is my knowledge.
For the last few nights, images 鈥� nightmares during which I see maman sick, abused. Terror. I am suffering from the fear of what has happened.
Like love, mourning affects the world 鈥� and the worldly 鈥� with unreality, with importunity. I resist the world, I suffer from what it demands of me, from its demands. The world increases my sadness, my dryness, my confusion, my irritation. The world depresses me.
When maman was living (in other words, in my whole past life) I was neurotically in fear of losing her. Now (this is what mourning teaches me) such mourning is so to speak the only thing in me which is not neurotic: as if maman, by a last gift, had taken neurosis, the worst part, away from me.
The truth about mourning is quite simple: now that maman is dead, I am faced with death (nothing any longer separates me from it except time).
Mourning: At the death of the loved being, acute phase of narcissism: one emerges from sickness, from servitude. Then, gradually, freedom takes on a leaden hue, desolation settles in, narcissism gives way to a sad egoism, an absence of generosity.
Disappointment of various places and trips. Not really comfortable anywhere. Very soon, this cry: I want to go back! (but where? since she is no longer anywhere, who was once where I could go back). I am seeking my place.
May 3, 2023
Jurnalul de doliu al lui Roland Barthes (redactat pe 330 de fi葯e la moartea mamei sale) s-a tradus 卯n rom芒ne葯te aproape concomitent cu edi葲ia francez膬. Am consemnat asta - pe blog - la timpul potrivit. Nu m膬 卯ndoiesc c膬 aceast膬 moarte l-a afectat profund. Din p膬cate, Barthes scrie despre moartea mamei a葯a cum scrie despre romanul 厂茅谤补辫丑卯迟补 al lui Balzac (葯i despre oricare alt subiect): abstract, rece, lipsit de orice emo葲ie. Vocabularul teoreticianului structuralist distruge orice tr膬ire. 脦n definitiv, moartea unui apropiat nu este o abstrac葲iune. 脦n nota de fa葲膬, voi comenta succint un pasaj. Acest fragment sun膬 卯n chipul urm膬tor:
Barthes 卯ncepe prin a aminti un truism: nu putem cunoa葯te moartea dec卯t indirect, ca moarte a celuilalt. Mai mult, nu tr膬im moartea dec卯t 卯n acest mod: indirect 葯i superficial, ca p膬timire - oric卯t de apropiat膬 ar fi persoana care a murit. A葯 卯ndr膬zni s膬 spun c膬 acest fel de cunoa葯tere (singurul accesibil muritorilor de r卯nd) nici m膬car nu este obligatoriu. Moartea proprie nu este niciodat膬 o eviden葲膬. Po葲i asista la moartea cuiva f膬r膬 sa intuie葯ti adev膬rul c膬 葯i tu vei muri: 卯n clipa asta, acum, m卯ine, c卯ndva...
Cred c膬 Roland Barthes (care 卯mplinea 62 de ani) se refer膬 tocmai la un astfel de moment dramatic. Abia 卯n 25 octombrie 1977, c卯nd moare mama sa, Barthes sesizeaz膬 c卯t膬 fragilitate 葯i amenin葲are se ascund 卯ntr-o via葲膬 de om: 鈥濽n abur, o pic膬tur膬 de ap膬 s卯nt de ajuns pentru a-l ucide鈥� (Blaise Pascal). 脦n葲elege subit c膬 葯i el va muri...
C膬r葲i similare:
鈼� Julian Barnes, Nimicul de temut, traducere de Mihai Moroiu, Bucure葯ti: Editura Nemira, 2009 / 2014, 336p. (despre moarte 卯n general)
鈼� Simone de Beauvoir, O moarte u葯oar膬, traducere de Florica-Eugenia Condurachi, Bucure葯ti: Editura Univers, 1972, 128p. (moartea mamei)
鈼� Joan Didion, Anul g芒ndirii magice, traducere de Virginia Costeschi, Bucure葯ti: Editura Pandora M, 2017, 174p. (moartea so葲ului)
鈥濧 g卯ndi, a 葯ti c膬 mama e moart膬 pentru totdeauna, complet, 卯nseamn膬 a g卯ndi, liter膬 cu liter膬..., c膬 葯i eu voi muri pentru totdeauna 葯i complet...鈥� (p.126).
Barthes 卯ncepe prin a aminti un truism: nu putem cunoa葯te moartea dec卯t indirect, ca moarte a celuilalt. Mai mult, nu tr膬im moartea dec卯t 卯n acest mod: indirect 葯i superficial, ca p膬timire - oric卯t de apropiat膬 ar fi persoana care a murit. A葯 卯ndr膬zni s膬 spun c膬 acest fel de cunoa葯tere (singurul accesibil muritorilor de r卯nd) nici m膬car nu este obligatoriu. Moartea proprie nu este niciodat膬 o eviden葲膬. Po葲i asista la moartea cuiva f膬r膬 sa intuie葯ti adev膬rul c膬 葯i tu vei muri: 卯n clipa asta, acum, m卯ine, c卯ndva...
Cred c膬 Roland Barthes (care 卯mplinea 62 de ani) se refer膬 tocmai la un astfel de moment dramatic. Abia 卯n 25 octombrie 1977, c卯nd moare mama sa, Barthes sesizeaz膬 c卯t膬 fragilitate 葯i amenin葲are se ascund 卯ntr-o via葲膬 de om: 鈥濽n abur, o pic膬tur膬 de ap膬 s卯nt de ajuns pentru a-l ucide鈥� (Blaise Pascal). 脦n葲elege subit c膬 葯i el va muri...
C膬r葲i similare:
鈼� Julian Barnes, Nimicul de temut, traducere de Mihai Moroiu, Bucure葯ti: Editura Nemira, 2009 / 2014, 336p. (despre moarte 卯n general)
鈼� Simone de Beauvoir, O moarte u葯oar膬, traducere de Florica-Eugenia Condurachi, Bucure葯ti: Editura Univers, 1972, 128p. (moartea mamei)
鈼� Joan Didion, Anul g芒ndirii magice, traducere de Virginia Costeschi, Bucure葯ti: Editura Pandora M, 2017, 174p. (moartea so葲ului)
August 19, 2023
丕賱丌賳 賮賷 亘毓囟 丕賱兀丨賷丕賳 鬲毓賱賵 賲賱丕丨馗丞 賮賷 丿丕禺賱賷 賮噩兀丞貙 賰賲丕 賱賵 賰丕賳鬲 賮賯丕毓丞 鬲賳賮噩乇 : 賱賲 鬲毓丿 賲賵噩賵丿丞貙 賱賲 鬲毓丿 賲賵噩賵丿丞 貙 鬲賲丕賲丕賸 廿賱賶 丕賱兀亘丿. 廿賳賴 卮卅 亘丕賴鬲貙 賱丕 賷賵氐賮-賷孬賷乇 丕賱丿賵丕乇 賱兀賳賴 亘賱丕 賲毓賳賶 "
賮賷 賰鬲亘 廿毓噩丕亘賰 亘賷賴丕 亘賷賳亘毓 賲賳 兀賳 丕賱賰丕鬲亘 賯丕賱 賰賱丕賲 噩賵丕賰 兀賵 毓丕卮 鬲噩乇亘丞 丕賳鬲 毓賷卮鬲賴丕 賯亘賱 賰锟斤拷賴 兀賵 毓丕賷卮 賮賷賴丕 丿賱賵賯鬲賷 貙 賵丿賴 賰丕賳 丨丕賱賷 賲毓 丕賱賰鬲丕亘 丿賴 .
-兀賱賲 鬲鬲毓乇賮 毓賱賶 噩爻丿 丕賱賲乇兀丞 責
賱賯丿 鬲毓乇賮鬲 毓賱賶 噩爻丿 兀賲賷 丕賱賲乇賷囟丞 貙 孬賲 丕賱賲卮乇賮丞 毓賱賶 丕賱賲賵鬲 "
丕賱賰丕鬲亘 亘賷爻噩賱 賷賵賲賷丕鬲 亘毓丿 賵賮丕丞 賵丕賱丿鬲賴 賵亘賲丕 丕賳賶 賮賷 賳賮爻 丕賱丨丕賱丞 賵賲卮 賯丕丿乇丞 兀爻鬲賵毓亘 賵賮丕鬲賴丕 賵賱丕 賯丕丿乇丞 兀毓亘乇 毓賳 丕賱賱賶 丨丕爻丕賴 賵丕賱賱賶 毓賷卮鬲賴 賮鬲乇丞 賲乇囟賴丕 賵氐丿賲鬲賷 賲毓 賵賮丕鬲賴丕 貙 賰賳鬲 賲丨鬲丕噩丞 丨丿 賷賯賵賱 賰賱丕賲 噩賵丕賷丕 賵賷毓亘乇 毓賳賴 . 丕賱賰丕鬲亘 賯丕賱 丨丕噩丕鬲 丨氐賱鬲 賲毓丕賷丕 賮毓賱丕 夭賶 鬲賲丕爻賰賴 賯丿丕賲賴丕 賵兀賳賴 賷賲爻賰 丿賲賵毓賴 毓卮丕賳 賲鬲卮賵賮賴丕卮
" 賳鬲賲賳賷 卮賷卅丕 賲賳 丕賱卮噩丕毓丞. 賱賰賳 賵賯鬲 丕賱卮噩丕毓丞貙 賰丕賳 賮賷 兀孬賳丕亍 賲乇囟賴丕 毓賳丿賲丕 賰賳鬲 兀乇毓丕賴丕 賵兀乇賶 丌賱丕賲賴丕 賵兀丨夭丕賳賴丕 貙 賵丨賷孬 賰丕賳 賷噩亘 毓賱賶 兀賳 兀鬲賵丕乇賶 賱兀亘賰賷"
鬲毓亘 賲毓丿鬲賴 亘毓丿 賵賮丕鬲賴丕 .
鈥� "賲賳匕 賲賵鬲 賲丕賲丕 貙 兀氐丕亘賳賷 賳賵毓 賲賳 丕賱囟毓賮 賮賷 丕賱賴囟賲"
鈥�
鈥徹必贺ㄘ� 賮賷 丕賱丕賳毓夭丕賱 毓賳 丕賱亘卮乇 賵廿丨爻丕爻賴 亘丕賱廿賴賲丕賱 賵丕賱賵丨卮丞 賵丕賱賴噩乇 乇睾賲 丕賱賱賶 丨賵丕賱賷賴 .
鈥� " 賰丕賳 丕賱噩賲賷毓 賮賷 賲賳鬲賴賶 丕賱賱胤賮 賵乇睾賲 賴匕丕 賰賳鬲 兀卮毓乇 兀賳賷 賵丨賷丿 ( 賲購賴賲賱 )
鈥�
鈥徺冑� 卮卅 賷噩乇丨賳賷 . 兀賯賱 卮卅 賷孬賷乇 賮賷 丿丕禺賱賷 丕賱卮毓賵乇 亘丕賱賴噩乇.
鈥徹ㄘ促冑� 爻賷卅 兀鬲丨賲賱 丕賱丌禺乇賷賳貙 賵毓丕賱賲賴賲 賵廿乇丕丿鬲賴賲 賱賱丨賷丕丞 . 賷噩鬲匕亘賳賷 賯乇丕乇 丕賱丕毓鬲夭丕賱 亘毓賷丿丕賸 毓賳賴賲 ."
鈥�
鈥徺堌ж池ж� 丕賳 賮賷 賵賯鬲 丕氐亘丨鬲 丕卮毓乇 丕賳 兀賲賷 賴賶 丕亘賳鬲賶.
鈥� "賱賲丿丞 卮賴賵乇 貙 賰賳鬲 兀賲賴丕 .賮賰兀賳賷 賮賯丿鬲 兀亘賳鬲賷"
鈥�
賮賶 賷賵賲賷丕鬲 賱賲爻鬲賳賷 亘卮賰賱 賲禺賷賮 賵兀亘賰鬲賳賷 賱兀賳賶 毓卮鬲賴丕 .賵兀賮囟賱賴賲 亘丕賱賳爻亘丞 賱賷 賰丕賳 丕賱噩夭亍 丕賱丕賵賱 賵賱賵 賰丕賳 亘丕賯賷 丕賱賷賵賲賷丕鬲 賵丕賱賰鬲丕亘 賰丿賴 賰丕賳 鬲賯賷賷賲賷 賴賷亘賯賶 佶 賳噩賵賲 亘丿賵賳 鬲賮賰賷乇 .
賮賷 賷賵賲賷丕鬲 丨爻賷鬲 丕賳 賮賷 賲卮賰賱丞 賮賷 丕賱鬲乇噩賲丞 賵鬲乇賰賷亘丞 丕賱噩賲賱 賲卮 賲馗亘賵胤丞 .賲賯丿乇鬲卮 丕爻鬲賵毓亘賴丕 亘丕賱賰丕賲賱 .
賵賷賵賲賷丕鬲 賱賲 兀賴鬲賲 亘賴丕 賳賴丕卅賷丕 貙 賰賳鬲 鬲賯乇賷亘丕 賲孬賱賴 丨賷賳 兀毓丕丿 賯乇丕亍丞 賴匕賴 丕賱賷賵賲賷丕鬲 賵賯丕賱 :
"亘賰賷鬲 賮賷 賰賱 賲乇丞 鬲毓賱賯 丕賱兀賲乇 亘賴丕 - 亘卮禺氐賴丕 -賵賱賷爻 亘賷 "
丕賱賰鬲丕亘 毓亘丕乇丞 毓賳 賷賵賲賷丕鬲 貙 噩賲賱 亘毓囟賴丕 賯氐賷乇 噩丿丕 賱丕 賷鬲毓丿賶 丕賱爻胤乇 丕賱賵丕丨丿. 賵亘毓囟賴丕 丕胤賵賱 .
賵丕爻賲丨賵賱賶 賷賰賵賳 賳賴丕賷丞 賲乇丕噩毓鬲賷 賱賱賰鬲丕亘 丿毓丕亍 賱兀賲賷 貙 賵兀鬲賲賳賶 丕賳賰賲 鬲丿毓賵賱賴丕 賵賲賳 賷丨賲賱 賱賶 匕乇丞 丨亘 丕賵丕丨鬲乇丕賲 賮賱賷丿毓賵 賱兀賲賷 賰賱賲丕 賷鬲匕賰乇賳賷
丕賱賱賻賾賴購賲賻賾 兀亘丿賱賴丕 丿丕乇丕賸 禺賷乇丕賸 賲賳 丿丕乇賴丕貙 賵兀賴賱丕賸 禺賷乇丕賸 賲賳 兀賴賱賴丕貙 賵兀丿禺賱賴丕 丕賱噩賳賾丞貙 賵兀毓匕賴丕 賲賳 毓匕丕亘 丕賱賯亘乇 賵賲賳 毓匕丕亘 丕賱賳賾丕乇
丕賱賱賴賲 賷賲賳 賰鬲丕亘賴丕貙 賵兀噩毓賱 丕賱乇賷丕賳 亘丕亘賴丕貙 丕賱賱賴賲 兀乇夭賯賴丕 賲賳夭賱丞 丕賱氐丿賷賯賷賳 賵丕賱賳亘賷賷賳 賵丕賱卮賴丿丕亍貙 丕賱賱賴賲 丕乇夭賯賴丕 丕賱賳馗乇 廿賱賶 賵噩賴賰 丕賱賰乇賷賲貙 丕賱賱賴賲 丕乇夭賯賴丕 丕賱孬亘丕鬲 毓賳丿 丕賱爻丐丕賱貙 賷賵賲 丕賱毓乇囟 毓賱賷賰 賷丕 賰乇賷賲
丕賱賱賴賲 丌賳爻 賵丨卮鬲賴丕貙 賵丕噩毓賱 丕賱噩賳丞 賱賯丕卅賳丕 賷賵賲 丕賱賯丕亍
丕賱賱賴賲 賴賵賳 毓賱賷賴丕 囟賲丞 丕賱賯亘乇貙 賵馗賱賲鬲賴.
丕賱賱賴賲 鬲噩丕賵夭 毓賳 爻賷卅丕鬲賴丕貙 賵丕乇丨賲賴丕 亘乇丨賲鬲賰 丕賱鬲賷 賵爻毓鬲 賰賱 卮賷亍
丕賱賱賴賲 廿賳 賰丕賳鬲 賲丨爻賳丞貨 賮夭丿 賮賷 丨爻賳丕鬲賴丕貙 賵廿賳 賰丕賳鬲 賲爻賷卅丞貨 賮鬲噩丕賵夭 賷丕 兀乇丨賲 丕賱乇丕丨賲賷賳 毓賳 爻賷卅丕鬲賴丕 賵禺胤丕賷丕賴丕 賵丕睾賮乇 賱賴丕貙 亘賰乇賲賰貙 賵噩賵丿賰貙 賵毓賮賵賰貙 賵乇丨賲鬲賰貙 賷丕 兀賰乇賲 丕賱兀賰乇賲賷賳.
丕賱賱賴賲 丕毓賮賵 毓賳賴丕 賵毓丕賮賴丕 賵丕乇丨賲賴丕 賲賳 毓匕丕亘 丕賱賯亘乇 賵馗賱賲鬲賴.
丕賱賱賴賲 賮賷囟 乇丨賲鬲賰 毓賱賶 兀賲賷貙 賵賲睾賮乇鬲賰貙 賮廿賳賴 賱丕 賷睾賮乇 丕賱匕賳賵亘 廿賱丕 兀賳鬲貙 丕賱賱賴賲 賳賯賴丕 賲賳 丕賱匕賳賵亘 賵丕賱禺胤丕賷丕貙 賰賲丕 賷賳賯賶 丕賱孬賵亘 丕賱兀亘賷囟 賲賳 丕賱丿賳爻貙 乇亘賳丕 賱丕 鬲丐丕禺匕賴丕 亘賲丕 兀禺胤兀鬲貙 賵亘丕毓丿 亘賷賳賴丕 賵亘賷賳 匕賳賵亘賴丕貙 賰賲丕 亘丕毓丿鬲 亘賷賳 丕賱賲卮乇賯 賵丕賱賲睾乇亘貙 丕賱賱賴賲 兀賳爻 賵丨卮鬲賴丕 賵禺賮賮 毓賳賴丕 睾乇亘鬲賴丕 亘乇丨賲鬲賰
丕賱賱賴賲 賵爻毓 賯亘乇 兀賲賷 賵丕噩毓賱賴 賲丿 亘氐乇賴丕.
丕賱賱賴賲 丕噩毓賱 氐賱丕鬲賴丕 賵匕賰丕鬲賴丕 賵賯賷丕賲賴丕 賵乇賰賵毓賴丕 卮賮賷毓賸丕 賱賴丕.
乇亘賳丕 丕噩毓賱 丕賱賯乇丌賳 卮賮賷毓 賱賴丕貙 賵賳賵乇 賱賴丕 賮賷 馗賱賲丕鬲 丕賱賯亘乇.
丕賱賱賴賲 丕乇夭賯 兀賲賷 賳毓賷賲 賵爻毓丕丿丞 丕賱噩賳丞貙 賵丕乇夭賯賴丕 賲賳 胤賷亘丕鬲 丕賱噩賳丞.
丕賱賱賴賲 兀乇夭賯 兀賲賷 卮乇亘丞 賴賳賷卅丞 賲賳 賷丿 丕賱賳亘賷 丕賱賰乇賷賲貙 賵丕噩毓賱賴丕 賮賷 兀毓賱賶 丕賱毓賱賷賷賳
丕賱賱賴賲 丕乇丨賲 丕賲賷 賵丕睾賮乇 賱賴丕 賵丕噩毓賱 賯亘乇賴丕 乇賵囟丞 賲賳 乇賷丕囟 丕賱噩賳賴 賴賷 賵噩賲賷毓 賲賵鬲賶 丕賱賲爻賱賲賷賳 .
佟侑 / 佟佟 / 佗贍佗佗
賮賷 賰鬲亘 廿毓噩丕亘賰 亘賷賴丕 亘賷賳亘毓 賲賳 兀賳 丕賱賰丕鬲亘 賯丕賱 賰賱丕賲 噩賵丕賰 兀賵 毓丕卮 鬲噩乇亘丞 丕賳鬲 毓賷卮鬲賴丕 賯亘賱 賰锟斤拷賴 兀賵 毓丕賷卮 賮賷賴丕 丿賱賵賯鬲賷 貙 賵丿賴 賰丕賳 丨丕賱賷 賲毓 丕賱賰鬲丕亘 丿賴 .
-兀賱賲 鬲鬲毓乇賮 毓賱賶 噩爻丿 丕賱賲乇兀丞 責
賱賯丿 鬲毓乇賮鬲 毓賱賶 噩爻丿 兀賲賷 丕賱賲乇賷囟丞 貙 孬賲 丕賱賲卮乇賮丞 毓賱賶 丕賱賲賵鬲 "
丕賱賰丕鬲亘 亘賷爻噩賱 賷賵賲賷丕鬲 亘毓丿 賵賮丕丞 賵丕賱丿鬲賴 賵亘賲丕 丕賳賶 賮賷 賳賮爻 丕賱丨丕賱丞 賵賲卮 賯丕丿乇丞 兀爻鬲賵毓亘 賵賮丕鬲賴丕 賵賱丕 賯丕丿乇丞 兀毓亘乇 毓賳 丕賱賱賶 丨丕爻丕賴 賵丕賱賱賶 毓賷卮鬲賴 賮鬲乇丞 賲乇囟賴丕 賵氐丿賲鬲賷 賲毓 賵賮丕鬲賴丕 貙 賰賳鬲 賲丨鬲丕噩丞 丨丿 賷賯賵賱 賰賱丕賲 噩賵丕賷丕 賵賷毓亘乇 毓賳賴 . 丕賱賰丕鬲亘 賯丕賱 丨丕噩丕鬲 丨氐賱鬲 賲毓丕賷丕 賮毓賱丕 夭賶 鬲賲丕爻賰賴 賯丿丕賲賴丕 賵兀賳賴 賷賲爻賰 丿賲賵毓賴 毓卮丕賳 賲鬲卮賵賮賴丕卮
" 賳鬲賲賳賷 卮賷卅丕 賲賳 丕賱卮噩丕毓丞. 賱賰賳 賵賯鬲 丕賱卮噩丕毓丞貙 賰丕賳 賮賷 兀孬賳丕亍 賲乇囟賴丕 毓賳丿賲丕 賰賳鬲 兀乇毓丕賴丕 賵兀乇賶 丌賱丕賲賴丕 賵兀丨夭丕賳賴丕 貙 賵丨賷孬 賰丕賳 賷噩亘 毓賱賶 兀賳 兀鬲賵丕乇賶 賱兀亘賰賷"
鬲毓亘 賲毓丿鬲賴 亘毓丿 賵賮丕鬲賴丕 .
鈥� "賲賳匕 賲賵鬲 賲丕賲丕 貙 兀氐丕亘賳賷 賳賵毓 賲賳 丕賱囟毓賮 賮賷 丕賱賴囟賲"
鈥�
鈥徹必贺ㄘ� 賮賷 丕賱丕賳毓夭丕賱 毓賳 丕賱亘卮乇 賵廿丨爻丕爻賴 亘丕賱廿賴賲丕賱 賵丕賱賵丨卮丞 賵丕賱賴噩乇 乇睾賲 丕賱賱賶 丨賵丕賱賷賴 .
鈥� " 賰丕賳 丕賱噩賲賷毓 賮賷 賲賳鬲賴賶 丕賱賱胤賮 賵乇睾賲 賴匕丕 賰賳鬲 兀卮毓乇 兀賳賷 賵丨賷丿 ( 賲購賴賲賱 )
鈥�
鈥徺冑� 卮卅 賷噩乇丨賳賷 . 兀賯賱 卮卅 賷孬賷乇 賮賷 丿丕禺賱賷 丕賱卮毓賵乇 亘丕賱賴噩乇.
鈥徹ㄘ促冑� 爻賷卅 兀鬲丨賲賱 丕賱丌禺乇賷賳貙 賵毓丕賱賲賴賲 賵廿乇丕丿鬲賴賲 賱賱丨賷丕丞 . 賷噩鬲匕亘賳賷 賯乇丕乇 丕賱丕毓鬲夭丕賱 亘毓賷丿丕賸 毓賳賴賲 ."
鈥�
鈥徺堌ж池ж� 丕賳 賮賷 賵賯鬲 丕氐亘丨鬲 丕卮毓乇 丕賳 兀賲賷 賴賶 丕亘賳鬲賶.
鈥� "賱賲丿丞 卮賴賵乇 貙 賰賳鬲 兀賲賴丕 .賮賰兀賳賷 賮賯丿鬲 兀亘賳鬲賷"
鈥�
賮賶 賷賵賲賷丕鬲 賱賲爻鬲賳賷 亘卮賰賱 賲禺賷賮 賵兀亘賰鬲賳賷 賱兀賳賶 毓卮鬲賴丕 .賵兀賮囟賱賴賲 亘丕賱賳爻亘丞 賱賷 賰丕賳 丕賱噩夭亍 丕賱丕賵賱 賵賱賵 賰丕賳 亘丕賯賷 丕賱賷賵賲賷丕鬲 賵丕賱賰鬲丕亘 賰丿賴 賰丕賳 鬲賯賷賷賲賷 賴賷亘賯賶 佶 賳噩賵賲 亘丿賵賳 鬲賮賰賷乇 .
賮賷 賷賵賲賷丕鬲 丨爻賷鬲 丕賳 賮賷 賲卮賰賱丞 賮賷 丕賱鬲乇噩賲丞 賵鬲乇賰賷亘丞 丕賱噩賲賱 賲卮 賲馗亘賵胤丞 .賲賯丿乇鬲卮 丕爻鬲賵毓亘賴丕 亘丕賱賰丕賲賱 .
賵賷賵賲賷丕鬲 賱賲 兀賴鬲賲 亘賴丕 賳賴丕卅賷丕 貙 賰賳鬲 鬲賯乇賷亘丕 賲孬賱賴 丨賷賳 兀毓丕丿 賯乇丕亍丞 賴匕賴 丕賱賷賵賲賷丕鬲 賵賯丕賱 :
"亘賰賷鬲 賮賷 賰賱 賲乇丞 鬲毓賱賯 丕賱兀賲乇 亘賴丕 - 亘卮禺氐賴丕 -賵賱賷爻 亘賷 "
丕賱賰鬲丕亘 毓亘丕乇丞 毓賳 賷賵賲賷丕鬲 貙 噩賲賱 亘毓囟賴丕 賯氐賷乇 噩丿丕 賱丕 賷鬲毓丿賶 丕賱爻胤乇 丕賱賵丕丨丿. 賵亘毓囟賴丕 丕胤賵賱 .
賵丕爻賲丨賵賱賶 賷賰賵賳 賳賴丕賷丞 賲乇丕噩毓鬲賷 賱賱賰鬲丕亘 丿毓丕亍 賱兀賲賷 貙 賵兀鬲賲賳賶 丕賳賰賲 鬲丿毓賵賱賴丕 賵賲賳 賷丨賲賱 賱賶 匕乇丞 丨亘 丕賵丕丨鬲乇丕賲 賮賱賷丿毓賵 賱兀賲賷 賰賱賲丕 賷鬲匕賰乇賳賷
丕賱賱賻賾賴購賲賻賾 兀亘丿賱賴丕 丿丕乇丕賸 禺賷乇丕賸 賲賳 丿丕乇賴丕貙 賵兀賴賱丕賸 禺賷乇丕賸 賲賳 兀賴賱賴丕貙 賵兀丿禺賱賴丕 丕賱噩賳賾丞貙 賵兀毓匕賴丕 賲賳 毓匕丕亘 丕賱賯亘乇 賵賲賳 毓匕丕亘 丕賱賳賾丕乇
丕賱賱賴賲 賷賲賳 賰鬲丕亘賴丕貙 賵兀噩毓賱 丕賱乇賷丕賳 亘丕亘賴丕貙 丕賱賱賴賲 兀乇夭賯賴丕 賲賳夭賱丞 丕賱氐丿賷賯賷賳 賵丕賱賳亘賷賷賳 賵丕賱卮賴丿丕亍貙 丕賱賱賴賲 丕乇夭賯賴丕 丕賱賳馗乇 廿賱賶 賵噩賴賰 丕賱賰乇賷賲貙 丕賱賱賴賲 丕乇夭賯賴丕 丕賱孬亘丕鬲 毓賳丿 丕賱爻丐丕賱貙 賷賵賲 丕賱毓乇囟 毓賱賷賰 賷丕 賰乇賷賲
丕賱賱賴賲 丌賳爻 賵丨卮鬲賴丕貙 賵丕噩毓賱 丕賱噩賳丞 賱賯丕卅賳丕 賷賵賲 丕賱賯丕亍
丕賱賱賴賲 賴賵賳 毓賱賷賴丕 囟賲丞 丕賱賯亘乇貙 賵馗賱賲鬲賴.
丕賱賱賴賲 鬲噩丕賵夭 毓賳 爻賷卅丕鬲賴丕貙 賵丕乇丨賲賴丕 亘乇丨賲鬲賰 丕賱鬲賷 賵爻毓鬲 賰賱 卮賷亍
丕賱賱賴賲 廿賳 賰丕賳鬲 賲丨爻賳丞貨 賮夭丿 賮賷 丨爻賳丕鬲賴丕貙 賵廿賳 賰丕賳鬲 賲爻賷卅丞貨 賮鬲噩丕賵夭 賷丕 兀乇丨賲 丕賱乇丕丨賲賷賳 毓賳 爻賷卅丕鬲賴丕 賵禺胤丕賷丕賴丕 賵丕睾賮乇 賱賴丕貙 亘賰乇賲賰貙 賵噩賵丿賰貙 賵毓賮賵賰貙 賵乇丨賲鬲賰貙 賷丕 兀賰乇賲 丕賱兀賰乇賲賷賳.
丕賱賱賴賲 丕毓賮賵 毓賳賴丕 賵毓丕賮賴丕 賵丕乇丨賲賴丕 賲賳 毓匕丕亘 丕賱賯亘乇 賵馗賱賲鬲賴.
丕賱賱賴賲 賮賷囟 乇丨賲鬲賰 毓賱賶 兀賲賷貙 賵賲睾賮乇鬲賰貙 賮廿賳賴 賱丕 賷睾賮乇 丕賱匕賳賵亘 廿賱丕 兀賳鬲貙 丕賱賱賴賲 賳賯賴丕 賲賳 丕賱匕賳賵亘 賵丕賱禺胤丕賷丕貙 賰賲丕 賷賳賯賶 丕賱孬賵亘 丕賱兀亘賷囟 賲賳 丕賱丿賳爻貙 乇亘賳丕 賱丕 鬲丐丕禺匕賴丕 亘賲丕 兀禺胤兀鬲貙 賵亘丕毓丿 亘賷賳賴丕 賵亘賷賳 匕賳賵亘賴丕貙 賰賲丕 亘丕毓丿鬲 亘賷賳 丕賱賲卮乇賯 賵丕賱賲睾乇亘貙 丕賱賱賴賲 兀賳爻 賵丨卮鬲賴丕 賵禺賮賮 毓賳賴丕 睾乇亘鬲賴丕 亘乇丨賲鬲賰
丕賱賱賴賲 賵爻毓 賯亘乇 兀賲賷 賵丕噩毓賱賴 賲丿 亘氐乇賴丕.
丕賱賱賴賲 丕噩毓賱 氐賱丕鬲賴丕 賵匕賰丕鬲賴丕 賵賯賷丕賲賴丕 賵乇賰賵毓賴丕 卮賮賷毓賸丕 賱賴丕.
乇亘賳丕 丕噩毓賱 丕賱賯乇丌賳 卮賮賷毓 賱賴丕貙 賵賳賵乇 賱賴丕 賮賷 馗賱賲丕鬲 丕賱賯亘乇.
丕賱賱賴賲 丕乇夭賯 兀賲賷 賳毓賷賲 賵爻毓丕丿丞 丕賱噩賳丞貙 賵丕乇夭賯賴丕 賲賳 胤賷亘丕鬲 丕賱噩賳丞.
丕賱賱賴賲 兀乇夭賯 兀賲賷 卮乇亘丞 賴賳賷卅丞 賲賳 賷丿 丕賱賳亘賷 丕賱賰乇賷賲貙 賵丕噩毓賱賴丕 賮賷 兀毓賱賶 丕賱毓賱賷賷賳
丕賱賱賴賲 丕乇丨賲 丕賲賷 賵丕睾賮乇 賱賴丕 賵丕噩毓賱 賯亘乇賴丕 乇賵囟丞 賲賳 乇賷丕囟 丕賱噩賳賴 賴賷 賵噩賲賷毓 賲賵鬲賶 丕賱賲爻賱賲賷賳 .
佟侑 / 佟佟 / 佗贍佗佗
December 17, 2017
亘乇丕蹖 賲丕丿乇賲乇丿賴鈥屬囏ж� 讴鬲丕亘鈥屬囏й� 爻賵诏賵丕乇蹖 賮賯丿丕賳 賲丕丿乇 賲夭賴鈥屰� 丿蹖诏乇蹖 丿丕乇丿貨 丿爻鬲 禺賵丿卮丕賳 賳蹖爻鬲. 賲蹖鈥屬矩迟嗀嗀� 丕蹖賳 賲賳丕爻讴 芦亘丕夭-趩卮卮禄 賵 芦鬲丨賲賱禄 乇賳噩 乇丕. 賴蹖趩鈥屭┴� 賲孬賱 蹖讴 賲丕丿乇賲乇丿賴 賳賲蹖鈥屫堌з嗀� 蹖讴 賲丕丿乇賲乇丿賴鈥屰� 丿蹖诏乇 乇丕 亘睾賱 讴賳丿. 賴賲丿蹖诏乇 乇丕 亘睾賱 賲蹖鈥屭┵嗁嗀� 賵 賲蹖鈥屫操嗁嗀� 乇賵蹖 卮丕賳賴鈥屰� 賴賲. 亘丕卮丿 讴賴 鬲賳賴丕蹖蹖 賵 賮賯丿丕賳 賳鬲乇爻丕賳丿卮丕賳. 丿爻鬲賲 賲丿丕賲 亘乇 卮丕賳賴鈥屰� 亘丕乇鬲 賲蹖鈥屭┵堌ㄛ屫�. 丿爻鬲 丕賵 賴賲.
鬲噩乇亘賴鈥屰� 亘丕乇鬲 丕夭 賲乇诏 賲丕丿乇 爻賴賲诏蹖賳 丕爻鬲. 亘丕乇 禺丕胤乇丕鬲 賴爻鬲蹖貙 毓讴爻 禺賵丿卮 丌賳鈥屬傌辟囏� 爻亘讴 賳蹖爻鬲. 趩賳亘乇賴 賲蹖鈥屫操嗀� 乇賵蹖 丨丕賮馗賴. 賲蹖鈥屬佖簇ж必�. 乇賳噩 丿丕乇丿 丿蹖诏乇. 乇賳噩賵乇 賲丕 賴賲 讴賴 丨爻丕爻貨 乇賳噩 賲蹖鈥屭┴簇�. 丕賲丕 讴賴 蹖讴 噩丕蹖 讴丕乇 乇丕 丿乇爻鬲 賳賲蹖鈥屫堌з嗀�. 賲蹖鈥屭堐屫� 讴賴 夭賲丕賳 丕夭 乇賳噩 讴賲 賳禺賵丕賴丿 讴乇丿. 丕賲丕 讴賴 趩賳蹖賳 賳蹖爻鬲. 賲诏乇 賲蹖鈥屫促堌� 夭賲丕賳 丨丕賮馗賴 乇丕 丿爻鬲讴丕乇蹖 賳讴賳丿責 丨丕賱丕 卮丕蹖丿 賳鬲賵丕賳蹖賲 亘诏賵蹖蹖賲 讴賴 賲蹖鈥屫促堐屫� 賵 賲蹖鈥屫ㄘ必�. 丕賲丕 讴賴 賲蹖鈥屫促堌� 诏賮鬲 賱賴蹖亘 诏乇-诏乇賵蹖 禺丕胤乇丕鬲 乇丕 丕夭 氐賵乇鬲 丨丕賮馗賴 賲蹖鈥屫┴з嗀� 賵 賲蹖鈥屫ㄘ必� 丌賳 賱丕-賱賵賴丕 诏賵卮賴鈥屫й� 賲蹖鈥屫堌жㄘз嗀� 讴賴 賮賯胤 诏丕賴蹖 氐丿丕蹖 賳賯 賳賯卮 亘賱賳丿 卮賵丿. 賳賲蹖鈥屫促堌�
鬲噩乇亘賴鈥屰� 亘丕乇鬲 丕夭 賲乇诏 賲丕丿乇 爻賴賲诏蹖賳 丕爻鬲. 亘丕乇 禺丕胤乇丕鬲 賴爻鬲蹖貙 毓讴爻 禺賵丿卮 丌賳鈥屬傌辟囏� 爻亘讴 賳蹖爻鬲. 趩賳亘乇賴 賲蹖鈥屫操嗀� 乇賵蹖 丨丕賮馗賴. 賲蹖鈥屬佖簇ж必�. 乇賳噩 丿丕乇丿 丿蹖诏乇. 乇賳噩賵乇 賲丕 賴賲 讴賴 丨爻丕爻貨 乇賳噩 賲蹖鈥屭┴簇�. 丕賲丕 讴賴 蹖讴 噩丕蹖 讴丕乇 乇丕 丿乇爻鬲 賳賲蹖鈥屫堌з嗀�. 賲蹖鈥屭堐屫� 讴賴 夭賲丕賳 丕夭 乇賳噩 讴賲 賳禺賵丕賴丿 讴乇丿. 丕賲丕 讴賴 趩賳蹖賳 賳蹖爻鬲. 賲诏乇 賲蹖鈥屫促堌� 夭賲丕賳 丨丕賮馗賴 乇丕 丿爻鬲讴丕乇蹖 賳讴賳丿責 丨丕賱丕 卮丕蹖丿 賳鬲賵丕賳蹖賲 亘诏賵蹖蹖賲 讴賴 賲蹖鈥屫促堐屫� 賵 賲蹖鈥屫ㄘ必�. 丕賲丕 讴賴 賲蹖鈥屫促堌� 诏賮鬲 賱賴蹖亘 诏乇-诏乇賵蹖 禺丕胤乇丕鬲 乇丕 丕夭 氐賵乇鬲 丨丕賮馗賴 賲蹖鈥屫┴з嗀� 賵 賲蹖鈥屫ㄘ必� 丌賳 賱丕-賱賵賴丕 诏賵卮賴鈥屫й� 賲蹖鈥屫堌жㄘз嗀� 讴賴 賮賯胤 诏丕賴蹖 氐丿丕蹖 賳賯 賳賯卮 亘賱賳丿 卮賵丿. 賳賲蹖鈥屫促堌�
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May 2, 2025賳亘丕蹖丿 讴賱賲賴鈥屰� 爻賵诏賵丕乇蹖 乇丕 亘賴 夭亘丕賳 亘蹖丕賵乇賲. 亘蹖卮 丕夭 丨丿 乇賵丕賳鈥屭┴з堌з嗁� 丕爻鬲...
賲賳 爻賵诏賵丕乇 賳蹖爻鬲賲貙 乇賳噩 賲蹖鈥屭┴促�.
鈥⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌�
讴鬲丕亘 禺丕胤乇丕鬲 爻賵诏賵丕乇蹖 丕孬乇 乇賵賱丕賳 亘丕乇鬲貙 賮蹖賱爻賵賮貙 賳馗乇蹖賴鈥屬矩必ж� 賵 賲賳鬲賯丿 丕丿亘蹖 賮乇丕賳爻賵蹖貙 賲噩賲賵毓賴鈥屫й� 丕夭 蹖丕丿丿丕卮鬲鈥屬囏й� 讴賵鬲丕賴 賵 卮禺氐蹖 丕爻鬲 讴賴 丕賵 賳賵卮鬲賳 丌賳鈥屬囏� 乇丕 鬲賳賴丕 蹖讴 乇賵夭 倬爻 丕夭 賲乇诏 賲丕丿乇卮貙 賴丕賳乇蹖鬲 亘丕乇鬲貙 丿乇 鄄鄱 丕讴鬲亘乇 郾酃鄯鄯 賵 亘賴鈥屬呝嗀纲堌� 鬲爻讴蹖賳 丕賳丿賵賴 禺賵丿 丌睾丕夭 讴乇丿. 丕蹖賳 蹖丕丿丿丕卮鬲鈥屬囏ж� 讴賴 賴乇 蹖讴 亘丕 鬲丕乇蹖禺 賳诏丕乇卮 賲卮禺氐蹖 賴賲乇丕賴鈥屫з嗀� 亘丕夭鬲丕亘蹖 丕夭 爻賵诏貙 丕賳丿賵賴 賵 鬲兀賲賱丕鬲 毓賲蹖賯 賳賵蹖爻賳丿賴 丿乇 乇賵夭賴丕 賵 賲丕賴鈥屬囏й� 倬爻 丕夭 賮賯丿丕賳 賲丕丿乇卮 賴爻鬲賳丿.
賯爻賲鬲鈥屬囏й屰� 丕夭 讴鬲丕亘 馃摉
亘禺卮蹖 丕夭 賵噩賵丿賲 丿乇 丨丕賱鬲 賳丕丕賲蹖丿蹖 亘蹖丿丕乇 丕爻鬲 賵 亘禺卮 丿蹖诏乇卮 賴賲夭賲丕賳 丿乇 鬲讴丕倬賵爻鬲 鬲丕 爻胤丨蹖鈥屫臂屬� 丕賲賵乇賲 乇丕 丕夭 賳馗乇 匕賴賳蹖 賳馗賲 亘亘禺卮丿. 丕蹖賳 乇丕 賴賲趩賵賳 賳賵毓蹖 亘蹖賲丕乇蹖 丕丨爻丕爻 賲蹖鈥屭┵嗁�.
鈥⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌�
丿乇賵賳鈥屫з� 賲乇诏 賵 夭賳丿诏蹖 亘丕賴賲 丿乇 賳亘乇丿賳丿...
鈥⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌�
丿乇丿賽 丕蹖賳 讴賴 丿蹖诏乇 賴蹖趩 诏丕賴 賱亘丕賳鈥屫з� 乇丕 亘乇 诏賵賳賴鈥屬囏й� 禺賳讴 賵 趩乇賵讴蹖丿賴鈥屫ж� 賳禺賵丕賴賲 诏匕丕卮鬲...
[丕蹖賳 倬蹖卮 倬丕 丕賮鬲丕丿賴 丕爻鬲
-賲乇诏 賵 丕賳丿賵賴 趩蹖夭蹖 噩夭 丕賲賵乇蹖 倬蹖卮 倬丕鈥屫з佖ж� 賳蹖爻鬲賳丿.]
鈥⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌�
賮乇丕賲賵卮 賳賲蹖鈥屭┵嗃屬呚�
亘賱讴賴 趩蹖夭蹖 蹖讴賳賵丕禺鬲 丿乇 賲丕 爻丕讴賳 賲蹖 卮賵丿.
....
Roland_Barthes
Journal de deuil
乇賵賱丕賳冲亘丕乇鬲
禺丕胤乇丕鬲冲爻賵诏賵丕乇蹖
毓馗蹖賲冲噩丕亘乇蹖
賲賳 爻賵诏賵丕乇 賳蹖爻鬲賲貙 乇賳噩 賲蹖鈥屭┴促�.
鈥⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌�
讴鬲丕亘 禺丕胤乇丕鬲 爻賵诏賵丕乇蹖 丕孬乇 乇賵賱丕賳 亘丕乇鬲貙 賮蹖賱爻賵賮貙 賳馗乇蹖賴鈥屬矩必ж� 賵 賲賳鬲賯丿 丕丿亘蹖 賮乇丕賳爻賵蹖貙 賲噩賲賵毓賴鈥屫й� 丕夭 蹖丕丿丿丕卮鬲鈥屬囏й� 讴賵鬲丕賴 賵 卮禺氐蹖 丕爻鬲 讴賴 丕賵 賳賵卮鬲賳 丌賳鈥屬囏� 乇丕 鬲賳賴丕 蹖讴 乇賵夭 倬爻 丕夭 賲乇诏 賲丕丿乇卮貙 賴丕賳乇蹖鬲 亘丕乇鬲貙 丿乇 鄄鄱 丕讴鬲亘乇 郾酃鄯鄯 賵 亘賴鈥屬呝嗀纲堌� 鬲爻讴蹖賳 丕賳丿賵賴 禺賵丿 丌睾丕夭 讴乇丿. 丕蹖賳 蹖丕丿丿丕卮鬲鈥屬囏ж� 讴賴 賴乇 蹖讴 亘丕 鬲丕乇蹖禺 賳诏丕乇卮 賲卮禺氐蹖 賴賲乇丕賴鈥屫з嗀� 亘丕夭鬲丕亘蹖 丕夭 爻賵诏貙 丕賳丿賵賴 賵 鬲兀賲賱丕鬲 毓賲蹖賯 賳賵蹖爻賳丿賴 丿乇 乇賵夭賴丕 賵 賲丕賴鈥屬囏й� 倬爻 丕夭 賮賯丿丕賳 賲丕丿乇卮 賴爻鬲賳丿.
賯爻賲鬲鈥屬囏й屰� 丕夭 讴鬲丕亘 馃摉
亘禺卮蹖 丕夭 賵噩賵丿賲 丿乇 丨丕賱鬲 賳丕丕賲蹖丿蹖 亘蹖丿丕乇 丕爻鬲 賵 亘禺卮 丿蹖诏乇卮 賴賲夭賲丕賳 丿乇 鬲讴丕倬賵爻鬲 鬲丕 爻胤丨蹖鈥屫臂屬� 丕賲賵乇賲 乇丕 丕夭 賳馗乇 匕賴賳蹖 賳馗賲 亘亘禺卮丿. 丕蹖賳 乇丕 賴賲趩賵賳 賳賵毓蹖 亘蹖賲丕乇蹖 丕丨爻丕爻 賲蹖鈥屭┵嗁�.
鈥⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌�
丿乇賵賳鈥屫з� 賲乇诏 賵 夭賳丿诏蹖 亘丕賴賲 丿乇 賳亘乇丿賳丿...
鈥⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌�
丿乇丿賽 丕蹖賳 讴賴 丿蹖诏乇 賴蹖趩 诏丕賴 賱亘丕賳鈥屫з� 乇丕 亘乇 诏賵賳賴鈥屬囏й� 禺賳讴 賵 趩乇賵讴蹖丿賴鈥屫ж� 賳禺賵丕賴賲 诏匕丕卮鬲...
[丕蹖賳 倬蹖卮 倬丕 丕賮鬲丕丿賴 丕爻鬲
-賲乇诏 賵 丕賳丿賵賴 趩蹖夭蹖 噩夭 丕賲賵乇蹖 倬蹖卮 倬丕鈥屫з佖ж� 賳蹖爻鬲賳丿.]
鈥⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌⑩赌�
賮乇丕賲賵卮 賳賲蹖鈥屭┵嗃屬呚�
亘賱讴賴 趩蹖夭蹖 蹖讴賳賵丕禺鬲 丿乇 賲丕 爻丕讴賳 賲蹖 卮賵丿.
....
Roland_Barthes
Journal de deuil
乇賵賱丕賳冲亘丕乇鬲
禺丕胤乇丕鬲冲爻賵诏賵丕乇蹖
毓馗蹖賲冲噩丕亘乇蹖
March 23, 2025
丨鬲賲丕賸 亘禺賵丕賳蹖丿
丕诏乇 亘丕 睾賲 蹖丕 爻賵诏蹖 賲賵丕噩賴 卮丿蹖丿 蹖丕 賴爻鬲蹖丿 亘禺賵丕賳蹖丿
賵 亘禺賵丕賳蹖丿.
讴爻蹖 趩賴 賲蹖丿丕賳丿 責 卮丕蹖丿 趩蹖夭 丕乇夭卮賲賳丿蹖 丿乇 丕蹖賳 蹖丕丿丿丕卮鬲 賴丕 亘丕卮丿 責
丕诏乇 亘丕 睾賲 蹖丕 爻賵诏蹖 賲賵丕噩賴 卮丿蹖丿 蹖丕 賴爻鬲蹖丿 亘禺賵丕賳蹖丿
賵 亘禺賵丕賳蹖丿.
讴爻蹖 趩賴 賲蹖丿丕賳丿 責 卮丕蹖丿 趩蹖夭 丕乇夭卮賲賳丿蹖 丿乇 丕蹖賳 蹖丕丿丿丕卮鬲 賴丕 亘丕卮丿 責
July 31, 2020
卮丕蹖丿 丕诏乇 讴鬲丕亘 乇賵 丨賵丕賱蹖 亘賴賲賳 賳賵丿 賵 卮卮 賲蹖鈥屫堎嗀呚� 賲蹖鈥屫堎嗀池� 禺蹖賱蹖 讴賲讴賲 讴賳賴. 丕賲丕 丨賯賵賯賽 氐丿 賵 趩賴賱 鬲賵賲賳蹖賽 爻乇亘丕夭蹖貙 丿蹖诏賴 讴賮丕賮 禺乇蹖丿 讴鬲丕亘 賳賲蹖鈥屫ж�! 丕賱亘鬲賴 丨丕賱丕 賴賲 禺賵賳丿賳卮 亘乇丕賲 鬲爻賱蹖鈥屫ㄘ� 亘賵丿.
賲賳 賴賲 丕夭 丕賵賱 禺丿賲鬲 爻乇亘丕夭蹖貙 鬲丕 丨丿賵丿 丿賻賴 賲丕賴 亘毓丿貙 亘蹖鈥屬堎傎佡� 蹖丕丿丿丕卮鬲鈥屬囏й� 讴賵鬲丕賴 乇賵夭丕賳賴 賲蹖鈥屬嗁堌簇�. 禺賵丿賲 亘賴卮賵賳 賲蹖鈥屭� 蹖丕丿丿丕卮鬲鈥屬囏й� 丕噩亘丕乇蹖. 賵賱蹖 丕賵賳鈥屬囏� 賴賲 亘毓丿 丕夭 丨丿賵丿 爻賴 賲丕賴貙 毓賲賱丕賸 鬲亘丿蹖賱 卮丿賳 亘賴 賴賲賵賳 禺丕胤乇丕鬲 爻賵诏賵丕乇蹖.
賲蹖鈥屫堌ж池� 亘禺卮蹖 丕夭 蹖丕丿丿丕卮鬲鈥屬囏з� 乇鈥屬� 讴賴 亘賴 賲爻卅賱賴贁 賲乇诏 賵 爻賵诏賵丕乇蹖 賲乇亘賵胤 賴爻鬲賳丿貙 丕蹖賳鈥屫� 亘賴 丕卮鬲乇丕讴 亘匕丕乇賲. 賵賱蹖 亘毓丿 倬卮蹖賲賵賳 卮丿賲.
賲賳 賴賲 丕夭 丕賵賱 禺丿賲鬲 爻乇亘丕夭蹖貙 鬲丕 丨丿賵丿 丿賻賴 賲丕賴 亘毓丿貙 亘蹖鈥屬堎傎佡� 蹖丕丿丿丕卮鬲鈥屬囏й� 讴賵鬲丕賴 乇賵夭丕賳賴 賲蹖鈥屬嗁堌簇�. 禺賵丿賲 亘賴卮賵賳 賲蹖鈥屭� 蹖丕丿丿丕卮鬲鈥屬囏й� 丕噩亘丕乇蹖. 賵賱蹖 丕賵賳鈥屬囏� 賴賲 亘毓丿 丕夭 丨丿賵丿 爻賴 賲丕賴貙 毓賲賱丕賸 鬲亘丿蹖賱 卮丿賳 亘賴 賴賲賵賳 禺丕胤乇丕鬲 爻賵诏賵丕乇蹖.
賲蹖鈥屫堌ж池� 亘禺卮蹖 丕夭 蹖丕丿丿丕卮鬲鈥屬囏з� 乇鈥屬� 讴賴 亘賴 賲爻卅賱賴贁 賲乇诏 賵 爻賵诏賵丕乇蹖 賲乇亘賵胤 賴爻鬲賳丿貙 丕蹖賳鈥屫� 亘賴 丕卮鬲乇丕讴 亘匕丕乇賲. 賵賱蹖 亘毓丿 倬卮蹖賲賵賳 卮丿賲.
June 1, 2015
鈥淭hat鈥檚 how I grasp my mourning. Not directly in solitude, empirically, etc.; I seem to have a kind of ease, of control that makes people think I鈥檓 suffering less than they would have imagined. But it comes over me when our love for each other is torn apart once again. The most painful point at the most abstract moment鈥︹€�- Roland Barthes, Mourning Diary
I doubt I鈥檇 have picked this book up had it not been for my uncle鈥檚 recent death. Grief isn't the sort of thing I exactly want to think about but in this case I had to confront it, and felt reading someone else's thoughts might help put things into perspective for me.
Barthes鈥� diary is about the death of his mother, who he was obviously very close to, and it is one of the most heart-wrenching pieces of writing I鈥檝e ever read:
"Suffering, like a stone鈥�
(around my neck,
Deep inside me)"
It was so very touching, perhaps even more so as I was thinking about my late uncle, life, death, grief... And I鈥檝e also been writing, though nothing as gut-wrenching or as emotional as Barthes did. In fact I forgot about my grief and dwelled on his, a man who has been dead since 1980. The impact of the written word is eternal.
From the little I know about Barthes, I鈥檓 aware that he was a linguist among other things and indeed he had some thoughts on the language of mourning. Which got me thinking about the cultural aspects of grief and mourning but I鈥檓 still dealing with/thinking about that:
鈥淢y suffering is inexpressible but all the same utterable, speakable. The very fact that language affords me the word 鈥渋ntolerable鈥� immediately achieves a certain tolerance.鈥�
The composition of the diary was very short diary entries over the space of several months but there was so much emotion distilled in each entry:
鈥淎s soon as someone dies, frenzied construction of the future (shifting furniture, etc.); futuromania.鈥�
What I appreciated was the personal explorations of how grief plays a part in all parts of life. There are levels of grief, and our grief changes how we see almost everything. And there's no time-frame to get over the grief either. But grief as something personal is something I鈥檝e heard a lot over the years, and I realize nobody can really understand our grief. As Barthes said, "鈥淓ach of us has his own rhythm of suffering.鈥�
Highly recommended.
I doubt I鈥檇 have picked this book up had it not been for my uncle鈥檚 recent death. Grief isn't the sort of thing I exactly want to think about but in this case I had to confront it, and felt reading someone else's thoughts might help put things into perspective for me.
Barthes鈥� diary is about the death of his mother, who he was obviously very close to, and it is one of the most heart-wrenching pieces of writing I鈥檝e ever read:
"Suffering, like a stone鈥�
(around my neck,
Deep inside me)"
It was so very touching, perhaps even more so as I was thinking about my late uncle, life, death, grief... And I鈥檝e also been writing, though nothing as gut-wrenching or as emotional as Barthes did. In fact I forgot about my grief and dwelled on his, a man who has been dead since 1980. The impact of the written word is eternal.
From the little I know about Barthes, I鈥檓 aware that he was a linguist among other things and indeed he had some thoughts on the language of mourning. Which got me thinking about the cultural aspects of grief and mourning but I鈥檓 still dealing with/thinking about that:
鈥淢y suffering is inexpressible but all the same utterable, speakable. The very fact that language affords me the word 鈥渋ntolerable鈥� immediately achieves a certain tolerance.鈥�
The composition of the diary was very short diary entries over the space of several months but there was so much emotion distilled in each entry:
鈥淎s soon as someone dies, frenzied construction of the future (shifting furniture, etc.); futuromania.鈥�
What I appreciated was the personal explorations of how grief plays a part in all parts of life. There are levels of grief, and our grief changes how we see almost everything. And there's no time-frame to get over the grief either. But grief as something personal is something I鈥檝e heard a lot over the years, and I realize nobody can really understand our grief. As Barthes said, "鈥淓ach of us has his own rhythm of suffering.鈥�
Highly recommended.
July 27, 2022
亘毓丿 丕夭 賵乇賯 夭丿賳 趩賳丿 氐賮丨賴
丨爻 讴乇丿賲
讴爻蹖 亘賴鬲乇 丕夭 丕蹖賳 賳賲蹖鬲賵賳爻鬲 丕蹖賳 賴丕 乇賵 亘賳賵蹖爻賴
亘乇丕蹖 賲賳 賲孬賱 蹖讴 讴鬲丕亘 卮毓乇 賲蹖賲賵賳賴
賵賯鬲蹖 禺蹖賱蹖 丨爻 賲蹖讴賳賲 亘賴 爻賵诏賵丕乇蹖 丕丨鬲蹖丕噩 丿丕乇賲 亘丕夭卮 賲蹖讴賳賲 賵 賵丕賯毓丕 讴賴 丿賵爻鬲卮 丿丕乇賲
亘賴 賯賵賱 丌賯丕蹖 亘丕乇鬲:丕丨爻丕爻丕鬲 賲蹖诏匕乇賳丿 乇賳噩 賲蹖 賲丕賳丿
丨爻 讴乇丿賲
讴爻蹖 亘賴鬲乇 丕夭 丕蹖賳 賳賲蹖鬲賵賳爻鬲 丕蹖賳 賴丕 乇賵 亘賳賵蹖爻賴
亘乇丕蹖 賲賳 賲孬賱 蹖讴 讴鬲丕亘 卮毓乇 賲蹖賲賵賳賴
賵賯鬲蹖 禺蹖賱蹖 丨爻 賲蹖讴賳賲 亘賴 爻賵诏賵丕乇蹖 丕丨鬲蹖丕噩 丿丕乇賲 亘丕夭卮 賲蹖讴賳賲 賵 賵丕賯毓丕 讴賴 丿賵爻鬲卮 丿丕乇賲
亘賴 賯賵賱 丌賯丕蹖 亘丕乇鬲:丕丨爻丕爻丕鬲 賲蹖诏匕乇賳丿 乇賳噩 賲蹖 賲丕賳丿
October 7, 2012
For writers grief is either a blessing or a curse because they are able to articulate with exacting detail, the nature of their sorrow. This is a lovely book.
January 2, 2024
Nunca he vivido un duelo por la muerte de alguien cercano, eso es lo 煤nico que me separa del libro. Barthes es mi favorito por siempre <3
December 11, 2022
倬賳噩责
丕氐賱丕賸 趩乇丕 亘丕蹖丿 亘賴 禺賵丿賲 丕噩丕夭賴 亘丿賲 蹖丕丿丿丕卮鬲鈥屬囏й� 卮禺氐蹖鈥屫й� 讴賴 丿乇 賲賵丕噩賴賴 亘丕 乇賳噩* 賳賵卮鬲賴 卮丿賴鈥屬� 乇賵 亘賴鈥屬嗁堌观� 賯囟丕賵鬲 讴賳賲責
賲賳 賳賲蹖鈥屫堎嗁� 丕蹖賳鈥屫焚堌臂� 賵丕乇丿 卮丿賳 亘賴 丨乇蹖賲 禺氐賵氐蹖 蹖讴 丕賳爻丕賳 丕禺賱丕賯蹖賴 蹖丕 賳賴貨 (蹖丕丿賲賴 夭蹖乇 蹖讴蹖 丕夭 丕蹖賳鈥屫池� 讴鬲丕亘鈥屬囏� 乇蹖賵蹖賵蹖蹖 禺賵賳丿賲 亘丕 賲囟賲賵賳 丕蹖賳讴賴 丕诏乇 禺丕胤乇丕鬲 賲鬲毓賱賯 亘賴 蹖賴 賳賵蹖爻賳丿賴鈥屫池� 丿賱蹖賱 賳賲蹖鈥屫促� 賲丕 丕賵賳 蹖丕丿丿丕卮鬲鈥屬囏� 乇賵 亘禺賵賳蹖賲.) 賵 賳賲蹖鈥屫堎嗁� 夭賳丿賴 賳亘賵丿賳 賳賵蹖爻賳丿賴貙 賲蹖鈥屫堎嗁� 賲噩賵夭蹖 亘乇丕蹖 賵乇賵丿 亘賴 丕蹖賳 丨蹖胤賴 亘丕卮賴 蹖丕 賳賴.
賵賱蹖 亘賴 丕蹖賳 賲毓鬲賯丿賲 讴賴 丕诏乇 丕蹖賳鈥屫焚堌臂� 鬲賵蹖 夭賳丿诏蹖 讴爻蹖 爻乇讴 讴卮蹖丿賲貙 丨賯 賳馗乇 丿丕丿賳 賳丿丕乇賲 (禺氐賵氐丕賸 丕诏賴 卮禺氐 丕蹖賳鈥屫焚堌� 乇賳噩賵乇 亘丕卮賴) 賵 氐乇賮丕賸 賲蹖鈥屫堎嗁� 賳馗丕乇賴鈥屭� 亘丕卮賲.
*賳賵卮鬲賲 芦乇賳噩禄 趩賵賳 禺賵丿 亘丕乇鬲 賳賵卮鬲賴: 芦爻賵诏賵丕乇蹖. 丕蹖賳 毓亘丕乇鬲 亘爻蹖丕乇 乇賵丕賳讴丕賵丕賳賴 丕爻鬲. 爻賵诏賵丕乇 賳蹖爻鬲賲. 乇賳噩 賲蹖鈥屭┴促�.禄 (蹖丕丿丿丕卮鬲 鄢郯 賳賵丕賲亘乇 郾酃鄯鄯)
倬鈥屬�: 丕毓鬲乇丕賮 賲蹖鈥屭┵嗁� 讴賴 賴乇趩蹖夭蹖 賲蹖鈥屫堎嗁呚� 賲蹖鈥屫ㄛ屬嗁� 賵 賲蹖鈥屫促嗁堎� 乇賵 賲蹖鈥屫堌з� 蹖讴鈥屫堌臂� 亘賴 丕蹖賳 乇賵夭賴丕 乇亘胤 亘丿賲 賵賱蹖 亘丕 丕蹖賳 賳鬲賵賳爻鬲賲. 賮讴乇 賲蹖鈥屭┵嗁� 噩賳爻 丕蹖賳 爻賵诏/乇賳噩 禺蹖賱蹖 賮乇賯 賲蹖鈥屭┵嗁� 亘丕 丌賳趩賴 讴賴 鬲噩乇亘賴 賲蹖鈥屭┵嗃屬�. 賳賲蹖鈥屭� 蹖讴蹖 丕夭 蹖讴蹖 丿蹖诏賴 爻賳诏蹖賳鈥屫辟囏� 賮賯胤 賲蹖鈥屭� 賲鬲賮丕賵鬲賴.
丕氐賱丕賸 趩乇丕 亘丕蹖丿 亘賴 禺賵丿賲 丕噩丕夭賴 亘丿賲 蹖丕丿丿丕卮鬲鈥屬囏й� 卮禺氐蹖鈥屫й� 讴賴 丿乇 賲賵丕噩賴賴 亘丕 乇賳噩* 賳賵卮鬲賴 卮丿賴鈥屬� 乇賵 亘賴鈥屬嗁堌观� 賯囟丕賵鬲 讴賳賲責
賲賳 賳賲蹖鈥屫堎嗁� 丕蹖賳鈥屫焚堌臂� 賵丕乇丿 卮丿賳 亘賴 丨乇蹖賲 禺氐賵氐蹖 蹖讴 丕賳爻丕賳 丕禺賱丕賯蹖賴 蹖丕 賳賴貨 (蹖丕丿賲賴 夭蹖乇 蹖讴蹖 丕夭 丕蹖賳鈥屫池� 讴鬲丕亘鈥屬囏� 乇蹖賵蹖賵蹖蹖 禺賵賳丿賲 亘丕 賲囟賲賵賳 丕蹖賳讴賴 丕诏乇 禺丕胤乇丕鬲 賲鬲毓賱賯 亘賴 蹖賴 賳賵蹖爻賳丿賴鈥屫池� 丿賱蹖賱 賳賲蹖鈥屫促� 賲丕 丕賵賳 蹖丕丿丿丕卮鬲鈥屬囏� 乇賵 亘禺賵賳蹖賲.) 賵 賳賲蹖鈥屫堎嗁� 夭賳丿賴 賳亘賵丿賳 賳賵蹖爻賳丿賴貙 賲蹖鈥屫堎嗁� 賲噩賵夭蹖 亘乇丕蹖 賵乇賵丿 亘賴 丕蹖賳 丨蹖胤賴 亘丕卮賴 蹖丕 賳賴.
賵賱蹖 亘賴 丕蹖賳 賲毓鬲賯丿賲 讴賴 丕诏乇 丕蹖賳鈥屫焚堌臂� 鬲賵蹖 夭賳丿诏蹖 讴爻蹖 爻乇讴 讴卮蹖丿賲貙 丨賯 賳馗乇 丿丕丿賳 賳丿丕乇賲 (禺氐賵氐丕賸 丕诏賴 卮禺氐 丕蹖賳鈥屫焚堌� 乇賳噩賵乇 亘丕卮賴) 賵 氐乇賮丕賸 賲蹖鈥屫堎嗁� 賳馗丕乇賴鈥屭� 亘丕卮賲.
*賳賵卮鬲賲 芦乇賳噩禄 趩賵賳 禺賵丿 亘丕乇鬲 賳賵卮鬲賴: 芦爻賵诏賵丕乇蹖. 丕蹖賳 毓亘丕乇鬲 亘爻蹖丕乇 乇賵丕賳讴丕賵丕賳賴 丕爻鬲. 爻賵诏賵丕乇 賳蹖爻鬲賲. 乇賳噩 賲蹖鈥屭┴促�.禄 (蹖丕丿丿丕卮鬲 鄢郯 賳賵丕賲亘乇 郾酃鄯鄯)
倬鈥屬�: 丕毓鬲乇丕賮 賲蹖鈥屭┵嗁� 讴賴 賴乇趩蹖夭蹖 賲蹖鈥屫堎嗁呚� 賲蹖鈥屫ㄛ屬嗁� 賵 賲蹖鈥屫促嗁堎� 乇賵 賲蹖鈥屫堌з� 蹖讴鈥屫堌臂� 亘賴 丕蹖賳 乇賵夭賴丕 乇亘胤 亘丿賲 賵賱蹖 亘丕 丕蹖賳 賳鬲賵賳爻鬲賲. 賮讴乇 賲蹖鈥屭┵嗁� 噩賳爻 丕蹖賳 爻賵诏/乇賳噩 禺蹖賱蹖 賮乇賯 賲蹖鈥屭┵嗁� 亘丕 丌賳趩賴 讴賴 鬲噩乇亘賴 賲蹖鈥屭┵嗃屬�. 賳賲蹖鈥屭� 蹖讴蹖 丕夭 蹖讴蹖 丿蹖诏賴 爻賳诏蹖賳鈥屫辟囏� 賮賯胤 賲蹖鈥屭� 賲鬲賮丕賵鬲賴.
July 14, 2019
"讴丕卮 賲蹖鈥屫堌з嗀池� 賲蹖賱 毓賲蹖賯賲 亘賴 禺賱賵鬲 讴乇丿賳 亘丕 禺賵丿貙 亘賴 讴賳丕乇賴 诏蹖乇蹖 賵 "賳诏乇丕賳賲 賳亘丕卮蹖丿" 蹖 讴賴 賲爻鬲賯蹖賲 賵 亘蹖 丕賳毓胤丕賮 丕夭 乇賳噩 讴卮蹖丿賳蹖 "噩丕賵丿丕賳" 亘賴 爻賲鬲賲 賲蹖 丕蹖丿 亘蹖丕賳 讴賳賲. 禺賱賵鬲 讴乇丿賳蹖 趩賳丕賳 丨賯蹖賯蹖 讴賴 噩丿丕賱鈥屬囏й� 讴賵趩讴 丕噩鬲賳丕亘 賳丕倬匕蹖乇貙 賲囟丨讴賴鈥屬囏ж� 夭禺賲鈥屬囏ж� 賵 賴乇 丌賳 趩賴 讴賴 亘賴 賲丨囟 噩丕賳 亘賴 丿乇 亘乇丿賳 賮乇丿 (=賲乇诏 蹖讴 毓夭蹖夭 賵 夭賳丿賴 賲丕賳丿賳 賮乇丿) 丕鬲賮丕賯 賲蹖鈥屫з佖� 趩蹖夭蹖 噩夭 讴賮 鬲賱禺 乇賵蹖 丿乇蹖丕蹖蹖 毓賲蹖賯 賳蹖爻鬲賳丿."
丿乇 丕蹖賳 賳賵卮鬲賴鈥屬囏� 丨爻 诏賳丕賴 賳賵蹖爻賳丿賴貙 丕诏丕賴蹖 亘賴 賲乇诏 禺賵丿貙 爻鬲丕蹖卮 禺丿丕诏賵賳賴鈥屰� 賲丕丿乇卮 賵 丕噩亘丕乇 賵爻賵丕爻 诏賵賳賴鈥屬嗁堐屫迟嗀� 亘賴 賮讴乇 讴乇丿賳 亘賴 乇賳噩 丕夭 丿爻鬲 丿丕丿賳 賲丕丿乇卮 乇丕 丿蹖丿賲.
丿乇 丕蹖賳 賳賵卮鬲賴鈥屬囏� 丨爻 诏賳丕賴 賳賵蹖爻賳丿賴貙 丕诏丕賴蹖 亘賴 賲乇诏 禺賵丿貙 爻鬲丕蹖卮 禺丿丕诏賵賳賴鈥屰� 賲丕丿乇卮 賵 丕噩亘丕乇 賵爻賵丕爻 诏賵賳賴鈥屬嗁堐屫迟嗀� 亘賴 賮讴乇 讴乇丿賳 亘賴 乇賳噩 丕夭 丿爻鬲 丿丕丿賳 賲丕丿乇卮 乇丕 丿蹖丿賲.
September 10, 2013
Barthes' mother died on October 25, 1977. Her son, Roland, being an invalid-type had been nursed and coddled by her most of his life, but in their years of his mother's illness adopted the role of nurse himself. Barthes' relationship with his mother was one of extreme intimacy: he lived with her his whole life, and when she passed the world as he knew it changed irremediably. TO chronicle this change he kept a "mourning diary" in which he scrawled away, inconsistently over the proceeding two years, short accesses of emotion, insight, and reflection. Mourning Diary is a strange volume, far more personal even than Barthes' autobiographical Roland Barthes, far more fragmented and disjointed than Lover's Discourse. This diary makes an excellent accompaniment to his Camera Lucida: his mother's death and the subsequent sorting of her belongings and photographs results in the discovery of a photo which will dominate the latter half of Barthes' discourse on photography, and the death of his mother casts a shadow on the entirety of that work.
I am reminded profoundly of Proust and of Proust's narrator whenever I read Barthes, particularly the deeply personal portion of his work. Barthes was an avid re-reader of 脌 la recherche du temps perdu, and in his The Pleasure of the Text he identifies it as his "infinite text": the textual lense through which he views the world: "...I read according to Proust... I recognize that Proust's work, for me at least, is the reference work, the general mathesis, the mandala of the entire literary cosmogony." The parallels between Barthes and Proust (and his narrator) are numerous: both are deeply reflexive, both profound aesthetics, both are sensitive, homosexual (perhaps not the case for Proust's narrator); they are delicate, porcelain dolls: invalids, attached to their mothers to the extent bordering on unnatural, nearly Oedipal. However the reflexive nature of both Barthes and Proust discover in themselves the profound egoism of grief, jealousy, love. For Barthes, he painfully acknowledges the ego-centrism of his grief:
Grief has a rhythm, a texture to reality, a vacillation and wave of intensity, rather than a progression or "adaptation" period. For Barthes, love, grief, never fade, if they are genuine they are ever renewed in sharp waves of emotion. Despite sharing the same imagery, Barthes' views on the ocean of sorrow are different from many before him. Henry James wrote:
But like all great passions of emotion: grief is self-indulgent. The retreat into oneself is the surest form of egoism. The diary is a profoundly egoistic format; it is a mirror into oneself which bars entrance to others, which gives the illusion of inaccessibility and uniqueness of feeling: but which ultimately a self-guarded prison. Barthes' grief is self-propagated, it is deliberately given vigor: Barthes' pain is a recurring self-infliction. The naked heartbreak in his diary may as well be written with a knife upon his heart, coming in waves themselves: frequent enough to sustain pain: never enough time for the sutures to heal. For Barthes, his own pain is the only "monument" which he feels worthy of his mother's memory. While he knows that his mother would hate to see him suffering, he cannot bear the thought of a release: one which would afford him an access of happiness in a world without his loved mother. Despite the seeming self-effacing nature of this sacrifice, it is a morbid narcissism: it is the hope that someone will suffer eternally for him. In his mother's death he sees the last barrier to his own death brought down, he sees his death as inevitable: mortality as universal: all men must die, I must one day die. If she lives on in his memory, it is a horrible second-hand life, a life which no one can want, least of all a mother. Like King Lear casting off his love to indulge in the egoism of flattery, or immortality in filial love, Barthes adopts acedia, casts off pleasures, retreats into his excesses of emotion: sacrifices to the false idol of immortality in grief.
I am reminded profoundly of Proust and of Proust's narrator whenever I read Barthes, particularly the deeply personal portion of his work. Barthes was an avid re-reader of 脌 la recherche du temps perdu, and in his The Pleasure of the Text he identifies it as his "infinite text": the textual lense through which he views the world: "...I read according to Proust... I recognize that Proust's work, for me at least, is the reference work, the general mathesis, the mandala of the entire literary cosmogony." The parallels between Barthes and Proust (and his narrator) are numerous: both are deeply reflexive, both profound aesthetics, both are sensitive, homosexual (perhaps not the case for Proust's narrator); they are delicate, porcelain dolls: invalids, attached to their mothers to the extent bordering on unnatural, nearly Oedipal. However the reflexive nature of both Barthes and Proust discover in themselves the profound egoism of grief, jealousy, love. For Barthes, he painfully acknowledges the ego-centrism of his grief:
How I loved maman: I never resisted going to meet her, celebrated seeing her again (vacations), put her within my "freedom"; in short I associated her profoundly, scrupulously. Acedia comes from such desolation: no one around me, for whom I would have the courage to do the same thing.and again:
Mourning: At the death of the loved being, acute phase of narcissism: one emerges from sickness, from servitude. Then, gradually, freedom takes on leaden hue, desolation settles in, narcissism gives way to a sad egoism, and absence of generosity.The egoism of grief is profoundly different from the narcissism of freedom, though they are related. Where the narcissism of relief is one of independence (I am responsible for no one), the egoism of grief is one of icy solitude (there is no one who I care for). Grief, like all extremes of emotion, is a wholly reflexive process, or rather state: "No progress in pleasures (neither in grief), nothing but mutations."
Grief has a rhythm, a texture to reality, a vacillation and wave of intensity, rather than a progression or "adaptation" period. For Barthes, love, grief, never fade, if they are genuine they are ever renewed in sharp waves of emotion. Despite sharing the same imagery, Barthes' views on the ocean of sorrow are different from many before him. Henry James wrote:
Sorrow comes in great waves 鈥� no one can know that better than you 鈥� but it rolls over us, and though it may almost smother us it leaves us on the spot and we know that if it is strong we are stronger, inasmuch as it passes and we remain. It wears us, uses us, but we wear it and use it in return; and it is blind, whereas we after a manner see.For James, sorrow is an ocean which wears us down, but which we redirect, which we overcome, which passes us by. There is a calming solace in the repetition of waves crashing, but slowly a resistance building, and ultimately a vast ocean overcome like a summer rain. For Barthes, the imagery of the ocean is one of recurring pain, renewed intensity: the dull acedia of the trough and the jarring pain of the crest.
If only I could utter the profound desire of self-communion, of withdrawal, of "Don't concern yourself with me," which comes to me straight and inflexibly from the somehow "eternal" suffering - a self-communion so true that the inevitable little struggles, the caricatures, the wounds, everything that inevitably occurs as soon as one survives, are nothing but a bitter froth on the surface of a deep sea...It is the rhythm and routine of suffering which haunts Barthes, it is the on-off up-down vacillations which renew the strength of his pain.
What affects me most powerfully: mourning in layers鈥攁 kind of sclerosis.It is the illusion of discontinuity which is the cause of pain in grief: the feeling that it weakens, that it goes away, even if for a minute, that instills both hope and horror that one day grief will die away, fade.
[Which means: no depth. Layers of surface鈥攐r rather, each layer: a totality. Units]
I waver鈥攊n the dark鈥攂etween the observation (but is it entirely accurate?) that I鈥檓 unhappy only by moments, by jerks and surges, sporadically, even if such spasms are close together鈥攁nd the conviction that deep down, in actual fact, I am continually, all the time, unhappy since maman鈥檚 death.
But like all great passions of emotion: grief is self-indulgent. The retreat into oneself is the surest form of egoism. The diary is a profoundly egoistic format; it is a mirror into oneself which bars entrance to others, which gives the illusion of inaccessibility and uniqueness of feeling: but which ultimately a self-guarded prison. Barthes' grief is self-propagated, it is deliberately given vigor: Barthes' pain is a recurring self-infliction. The naked heartbreak in his diary may as well be written with a knife upon his heart, coming in waves themselves: frequent enough to sustain pain: never enough time for the sutures to heal. For Barthes, his own pain is the only "monument" which he feels worthy of his mother's memory. While he knows that his mother would hate to see him suffering, he cannot bear the thought of a release: one which would afford him an access of happiness in a world without his loved mother. Despite the seeming self-effacing nature of this sacrifice, it is a morbid narcissism: it is the hope that someone will suffer eternally for him. In his mother's death he sees the last barrier to his own death brought down, he sees his death as inevitable: mortality as universal: all men must die, I must one day die. If she lives on in his memory, it is a horrible second-hand life, a life which no one can want, least of all a mother. Like King Lear casting off his love to indulge in the egoism of flattery, or immortality in filial love, Barthes adopts acedia, casts off pleasures, retreats into his excesses of emotion: sacrifices to the false idol of immortality in grief.
To whom could I put this question (with any hope of an answer)?
Does being able to live without someone you loved mean you loved her less than you thought...?
August 10, 2018
Barthes in annesinin 枚l眉m眉 ard谋ndan tuttu臒u 3 par莽a g眉nl眉kten olu艧an kitap bir d眉艧眉n眉r眉n saf ve en yal谋n halini g枚rmek a莽谋s谋ndan 莽ok etkileyici idi.
Asl谋nda kitap daha 莽ok yazar谋n g眉n g眉n yazd谋臒谋 k眉莽眉k notlardan olu艧uyor. K谋sa ama 眉zerine d眉艧眉n眉lecek c眉mlelerden. Bu k眉莽眉k notlar谋 daha sonra birle艧tirip "Vita Nova" dedi臒i annesinin 枚l眉m眉ne dair bir roman yazma tasar谋s谋 var ancak hi莽bir zaman ger莽ekle艧miyor.
Asl谋nda insan谋 bu kadar ele ge莽iren bir duygu kar艧谋s谋nda yazmak kurgu yapmak olduk莽a zor bence.
O nedenle bu kadar 莽al谋艧kan bir d眉艧眉n眉r眉n Vita Nova y谋 hi莽 var edememesini yad谋rgamak m眉mk眉n de臒il.
"Bir annenin zekas谋ndan hi莽 s枚z edilmez, sanki bu onun duygululu臒unu azaltmak, onu uzak g枚stermek gibi olur. Ama zeka bir insan ile 枚zg眉rce ya艧amam谋za olanak veren her 艧eydir.."
Asl谋nda kitap daha 莽ok yazar谋n g眉n g眉n yazd谋臒谋 k眉莽眉k notlardan olu艧uyor. K谋sa ama 眉zerine d眉艧眉n眉lecek c眉mlelerden. Bu k眉莽眉k notlar谋 daha sonra birle艧tirip "Vita Nova" dedi臒i annesinin 枚l眉m眉ne dair bir roman yazma tasar谋s谋 var ancak hi莽bir zaman ger莽ekle艧miyor.
Asl谋nda insan谋 bu kadar ele ge莽iren bir duygu kar艧谋s谋nda yazmak kurgu yapmak olduk莽a zor bence.
O nedenle bu kadar 莽al谋艧kan bir d眉艧眉n眉r眉n Vita Nova y谋 hi莽 var edememesini yad谋rgamak m眉mk眉n de臒il.
"Bir annenin zekas谋ndan hi莽 s枚z edilmez, sanki bu onun duygululu臒unu azaltmak, onu uzak g枚stermek gibi olur. Ama zeka bir insan ile 枚zg眉rce ya艧amam谋za olanak veren her 艧eydir.."
April 24, 2021
亘丕乇鬲 禺賵丿 乇丕 睾乇賯 賲蹖鈥屭┵嗀� 讴爻蹖 丨乇蹖賮鈥屫ж� 賳賲蹖鈥屫促堌�.丌賳 夭禺賲 馗乇蹖賮 毓賯乇亘賴 乇丕 賲蹖鈥屭嗀簇� 賵 亘賴 乇賵蹖 讴丕睾匕 賲蹖鈥屫①堌必�. 丕卮蹖丕亍 賳卮丕賳 丕夭 丨囟賵乇 賲丕丿乇 丿丕乇賳丿.胤乇賮賽 禺丕賳賴 爻賵丕賳 亘賵蹖 丕賵 乇丕 賲蹖鈥屫囏�. 賲乇诏賽 禺賵丿卮 鬲爻賱蹖鈥屫ж� 賲蹖鈥屫囏�.丿乇 賲乇诏 亘乇丕亘乇蹖賲 賲丕
November 7, 2017
趩诏賵賳賴 亘丿丕賳賲 讴賴 丕诏乇 賲乇丿賴 亘丕卮賲 亘蹖卮鬲乇 乇賳噩 賳賲蹖讴卮賲責
鄢郾 丿爻丕賲亘乇 郾酃鄯鄹
乇賳噩 讴卮蹖丿賳 爻禺鬲 丕爻鬲貙 丕賲丕 丕孬乇卮 亘乇 賲賳( 趩賵賳 丿乇 乇賳噩 讴卮蹖丿賳: 賳賴 乇賳噩 亘賴 禺賵丿蹖 禺賵丿 : 賲噩賲賵毓賴鈥屫й� 丕夭 丕孬乇丕鬲 睾蹖乇賲爻鬲賯蹖賲 丿乇 賲蹖丕賳 丕爻鬲)
賳賵毓蹖 乇爻賵亘貙 夭賳诏丕乇 賵 诏賱 賵 賱丕蹖 丕爻鬲 讴賴 乇賵蹖 賯賱亘賲 噩賲毓 卮丿賴貨 賳賵毓蹖 鬲賱禺蹖 丿賱( 夭賵丿乇賳噩蹖鈥屬囏ж� 鬲賱禺蹖鈥屬囏ж屫池ж€屬囏ж屭┵呚ㄙ堌� 毓丕胤賮賴.)
趩賴 鬲賳丕賯囟蹖貨 亘丕 丕夭 丿爻鬲 丿丕丿賳 賲丕賲丕賳 亘乇毓讴爻 趩蹖夭蹖 讴賴 丕賵 亘賵丿 賲蹖鈥屫促堎�. 賲蹖鈥屫堌з囐� 亘乇丕爻丕爻 丕乇夭卮鈥屬囏й� 丕賵 夭賳丿诏蹖 讴賳賲 賵 鬲賳賴丕 亘賴 趩蹖夭蹖 賲禺丕賱賮 丌賳 賲蹖乇爻賲.
郾 丌诏賵爻鬲 郾酃鄯鄹
爻乇禺賵乇丿诏蹖 丕夭 噩丕賴丕 賵 爻賮乇賴丕蹖 诏賵賳丕诏賵賳. 賴蹖趩鈥屫� 賵丕賯毓丕賸 乇丕丨鬲 賳蹖爻鬲賲. 趩蹖夭蹖 賳賲蹖鈥屭柏必� 讴賴 丕蹖賳 賮乇蹖丕丿 丕夭 賵噩賵丿賲 亘乇賲蹖鈥屫③屫�:賲蹖鈥屫堌з囐� 亘乇诏乇丿賲!( 丕賲丕 亘賴 讴噩丕責 趩乇丕 讴賴 丕賵 丿蹖诏乇 賴蹖趩鈥屭┴� 賳蹖爻鬲貙 讴爻蹖 讴賴 夭賲丕賳蹖 噩丕蹖蹖 亘賵丿 讴賴 賲蹖鈥屫堌з嗀池� 亘賴 丌賳 亘乇诏乇丿賲.)賲賳 丿乇 噩爻鬲鈥屬堌堐� 噩丕蹖 禺賵丿賲賲. Sitio.
鄄鄞 賲丕乇趩 郾酃鄯鄹
乇賳噩 亘乇丿賳貙 賲丕賳賳丿 蹖讴 爻賳诏
(丿賵乇 诏賱賵蹖賲貙
賵乇 毓賲賯 賵噩賵丿賲)
鄄鄄 賲丕乇趩 郾酃鄯鄹
丕丨爻丕爻丕鬲 賲蹖鈥屭柏辟嗀� 乇賳噩 賲蹖鈥屬呚з嗀�.
郾酃 賲丕乇趩 郾酃鄯鄹
賲. 賵 賲賳 亘賴 卮讴賱蹖 賲鬲賳丕賯囟( 趩賵賳 賲丿丕賲 亘賴 賲丕 賲蹖鈥屭堐屬嗀�:讴丕乇 讴賳蹖丿貙 禺賵丿鬲丕賳 乇丕 爻乇诏乇賲 讴賳蹖丿貙 亘賴 賲賱丕賯丕鬲 丿賵爻鬲丕賳鈥屫з� 亘乇賵蹖丿) 丨爻 賲蹖鈥屭┵嗃屬� 丕賵賯丕鬲蹖 讴賴 爻乇賲丕賳 卮賱賵睾 丕爻鬲貙 丨賵丕爻賲丕賳 倬乇鬲 丕爻鬲貙 丕賵賯丕鬲蹖 讴賴 丿蹖诏乇丕賳 丿乇 倬蹖賽鈥屬呚з� 賴爻鬲賳丿 賵 賲丕 乇丕 亘賴 亘蹖乇賵賳 賮乇丕賲蹖鈥屫堌з嗁嗀� 亘蹖卮 丕夭 賴乇 夭賲丕賳 乇賳噩 賲蹖鈥屫ㄘ臂屬�. 丿乇賵賳 亘賵丿诏蹖貙 丌乇丕賲卮 賵 丕賳夭賵丕 丕丨爻丕爻 亘丿亘禺鬲蹖鈥屬呚з� 乇丕 讴丕賴卮 賲蹖鈥屫囏�.
鄹 跇丕賳賵蹖賴 郾酃鄯鄹
賴賲賴 芦亘蹖鈥屫з嗀ж操� 賲賴乇亘丕賳 禄丕賳丿. 賵 亘丕 丕蹖賳 丨丕賱 丨爻 賲蹖鈥屭┵嗁� 讴丕賲賱丕賸 鬲賳賴丕蹖賲.(芦 鬲乇讴 卮丿诏蹖 禄)
鄹 丿爻丕賲亘乇 郾酃鄯鄹
爻賵诏賵丕乇蹖: 賳賴 蹖讴 丕賮爻乇丿诏蹖 禺乇丿讴賳賳丿賴貙 賳賴 丕锟斤拷鬲賱丕賱蹖( 讴賴 亘丕 鬲毓賵蹖囟 亘乇胤乇賮 卮賵丿)貙 讴賴 丿乇 丿爻鬲乇爻 亘賵丿賳蹖 丿乇丿賳丕讴: 诏賵卮 亘賴 夭賳诏貙 丿乇 讴賲蹖賳 賴噩賵賲芦 丨爻 夭賳丿诏蹖 禄 亘賴 丕賳鬲馗丕乇 賳卮爻鬲賴鈥屫з�.
鄢郯 賳賵丕賲亘乇 郾酃鄯鄯
丿乇 賴乇 賱丨馗賴鈥屰� 乇賳噩 讴卮蹖丿賳貙 亘丕賵乇 丿丕乇賲 丕蹖賳 賴賲丕賳 賱丨馗賴鈥屫й屫池� 讴賴 丿乇 丌賳 亘乇丕蹖 賳禺爻鬲蹖賳鈥屫ㄘж� 爻賵诏賵丕乇蹖鈥屫з� 乇丕 丿乇讴 賲蹖鈥屭┵嗁�.
亘賴 毓亘丕乇鬲蹖 丿蹖诏乇 : 鬲賲丕賲蹖鬲 爻禺鬲蹖.
鄄鄹 賳賵丕賲亘乇 郾酃鄯鄯
蹖讴 卮亘 爻乇丿 夭賲爻鬲丕賳蹖. 亘賴 丕賳丿丕夭賴鈥屰� 讴丕賮蹖 诏乇賲 賴爻鬲賲. 亘丕 丕蹖賳 丨丕賱 鬲賳賴丕蹖賲. 賲蹖鈥屬佡囐呝� 讴賴 亘丕蹖丿 亘賴 夭蹖爻鬲賳蹖 趩賳蹖賳 胤亘蹖毓蹖貙 丿乇 丨氐丕乇 丕蹖賳 丕賳夭賵丕 毓丕丿鬲 讴賳賲貙 亘賴 毓賲賱 讴乇丿賳貙 讴丕乇 讴乇丿賳 丿乇 丌賳貙 亘賴 賴賲乇丕賴蹖 賵 丌賵蹖禺鬲賳 亘賴芦 丨囟賵乇睾蹖丕亘 禄
鄄鄹 賳賵丕賲亘乇 郾酃鄯鄯
亘丕 趩賴 讴爻蹖 賲蹖鈥屫堌з嗁� 丕蹖賳 倬乇爻卮 乇丕 胤乇丨 讴賳賲( 賵 丕賲蹖丿蹖 亘賴 倬丕爻禺 丿丕卮鬲賴 亘丕卮賲)責
丌蹖丕 丕蹖賳 讴賴 亘丿賵賳 讴爻蹖 讴賴 丿賵爻鬲 丿丕乇蹖 賯丕丿乇 亘賴 夭賳丿诏蹖 亘丕卮蹖貙 亘賴 賲毓賳丕蹖 丕蹖賳 丕爻鬲 讴賴 丕賵 乇丕 讴賲鈥屫� 丕夭 丌賳趩賴 賮讴乇 賲蹖鈥屭┴必� 丿賵爻鬲 丿丕卮鬲賴鈥屫й�... 責
鄢郾 丿爻丕賲亘乇 郾酃鄯鄹
乇賳噩 讴卮蹖丿賳 爻禺鬲 丕爻鬲貙 丕賲丕 丕孬乇卮 亘乇 賲賳( 趩賵賳 丿乇 乇賳噩 讴卮蹖丿賳: 賳賴 乇賳噩 亘賴 禺賵丿蹖 禺賵丿 : 賲噩賲賵毓賴鈥屫й� 丕夭 丕孬乇丕鬲 睾蹖乇賲爻鬲賯蹖賲 丿乇 賲蹖丕賳 丕爻鬲)
賳賵毓蹖 乇爻賵亘貙 夭賳诏丕乇 賵 诏賱 賵 賱丕蹖 丕爻鬲 讴賴 乇賵蹖 賯賱亘賲 噩賲毓 卮丿賴貨 賳賵毓蹖 鬲賱禺蹖 丿賱( 夭賵丿乇賳噩蹖鈥屬囏ж� 鬲賱禺蹖鈥屬囏ж屫池ж€屬囏ж屭┵呚ㄙ堌� 毓丕胤賮賴.)
趩賴 鬲賳丕賯囟蹖貨 亘丕 丕夭 丿爻鬲 丿丕丿賳 賲丕賲丕賳 亘乇毓讴爻 趩蹖夭蹖 讴賴 丕賵 亘賵丿 賲蹖鈥屫促堎�. 賲蹖鈥屫堌з囐� 亘乇丕爻丕爻 丕乇夭卮鈥屬囏й� 丕賵 夭賳丿诏蹖 讴賳賲 賵 鬲賳賴丕 亘賴 趩蹖夭蹖 賲禺丕賱賮 丌賳 賲蹖乇爻賲.
郾 丌诏賵爻鬲 郾酃鄯鄹
爻乇禺賵乇丿诏蹖 丕夭 噩丕賴丕 賵 爻賮乇賴丕蹖 诏賵賳丕诏賵賳. 賴蹖趩鈥屫� 賵丕賯毓丕賸 乇丕丨鬲 賳蹖爻鬲賲. 趩蹖夭蹖 賳賲蹖鈥屭柏必� 讴賴 丕蹖賳 賮乇蹖丕丿 丕夭 賵噩賵丿賲 亘乇賲蹖鈥屫③屫�:賲蹖鈥屫堌з囐� 亘乇诏乇丿賲!( 丕賲丕 亘賴 讴噩丕責 趩乇丕 讴賴 丕賵 丿蹖诏乇 賴蹖趩鈥屭┴� 賳蹖爻鬲貙 讴爻蹖 讴賴 夭賲丕賳蹖 噩丕蹖蹖 亘賵丿 讴賴 賲蹖鈥屫堌з嗀池� 亘賴 丌賳 亘乇诏乇丿賲.)賲賳 丿乇 噩爻鬲鈥屬堌堐� 噩丕蹖 禺賵丿賲賲. Sitio.
鄄鄞 賲丕乇趩 郾酃鄯鄹
乇賳噩 亘乇丿賳貙 賲丕賳賳丿 蹖讴 爻賳诏
(丿賵乇 诏賱賵蹖賲貙
賵乇 毓賲賯 賵噩賵丿賲)
鄄鄄 賲丕乇趩 郾酃鄯鄹
丕丨爻丕爻丕鬲 賲蹖鈥屭柏辟嗀� 乇賳噩 賲蹖鈥屬呚з嗀�.
郾酃 賲丕乇趩 郾酃鄯鄹
賲. 賵 賲賳 亘賴 卮讴賱蹖 賲鬲賳丕賯囟( 趩賵賳 賲丿丕賲 亘賴 賲丕 賲蹖鈥屭堐屬嗀�:讴丕乇 讴賳蹖丿貙 禺賵丿鬲丕賳 乇丕 爻乇诏乇賲 讴賳蹖丿貙 亘賴 賲賱丕賯丕鬲 丿賵爻鬲丕賳鈥屫з� 亘乇賵蹖丿) 丨爻 賲蹖鈥屭┵嗃屬� 丕賵賯丕鬲蹖 讴賴 爻乇賲丕賳 卮賱賵睾 丕爻鬲貙 丨賵丕爻賲丕賳 倬乇鬲 丕爻鬲貙 丕賵賯丕鬲蹖 讴賴 丿蹖诏乇丕賳 丿乇 倬蹖賽鈥屬呚з� 賴爻鬲賳丿 賵 賲丕 乇丕 亘賴 亘蹖乇賵賳 賮乇丕賲蹖鈥屫堌з嗁嗀� 亘蹖卮 丕夭 賴乇 夭賲丕賳 乇賳噩 賲蹖鈥屫ㄘ臂屬�. 丿乇賵賳 亘賵丿诏蹖貙 丌乇丕賲卮 賵 丕賳夭賵丕 丕丨爻丕爻 亘丿亘禺鬲蹖鈥屬呚з� 乇丕 讴丕賴卮 賲蹖鈥屫囏�.
鄹 跇丕賳賵蹖賴 郾酃鄯鄹
賴賲賴 芦亘蹖鈥屫з嗀ж操� 賲賴乇亘丕賳 禄丕賳丿. 賵 亘丕 丕蹖賳 丨丕賱 丨爻 賲蹖鈥屭┵嗁� 讴丕賲賱丕賸 鬲賳賴丕蹖賲.(芦 鬲乇讴 卮丿诏蹖 禄)
鄹 丿爻丕賲亘乇 郾酃鄯鄹
爻賵诏賵丕乇蹖: 賳賴 蹖讴 丕賮爻乇丿诏蹖 禺乇丿讴賳賳丿賴貙 賳賴 丕锟斤拷鬲賱丕賱蹖( 讴賴 亘丕 鬲毓賵蹖囟 亘乇胤乇賮 卮賵丿)貙 讴賴 丿乇 丿爻鬲乇爻 亘賵丿賳蹖 丿乇丿賳丕讴: 诏賵卮 亘賴 夭賳诏貙 丿乇 讴賲蹖賳 賴噩賵賲芦 丨爻 夭賳丿诏蹖 禄 亘賴 丕賳鬲馗丕乇 賳卮爻鬲賴鈥屫з�.
鄢郯 賳賵丕賲亘乇 郾酃鄯鄯
丿乇 賴乇 賱丨馗賴鈥屰� 乇賳噩 讴卮蹖丿賳貙 亘丕賵乇 丿丕乇賲 丕蹖賳 賴賲丕賳 賱丨馗賴鈥屫й屫池� 讴賴 丿乇 丌賳 亘乇丕蹖 賳禺爻鬲蹖賳鈥屫ㄘж� 爻賵诏賵丕乇蹖鈥屫з� 乇丕 丿乇讴 賲蹖鈥屭┵嗁�.
亘賴 毓亘丕乇鬲蹖 丿蹖诏乇 : 鬲賲丕賲蹖鬲 爻禺鬲蹖.
鄄鄹 賳賵丕賲亘乇 郾酃鄯鄯
蹖讴 卮亘 爻乇丿 夭賲爻鬲丕賳蹖. 亘賴 丕賳丿丕夭賴鈥屰� 讴丕賮蹖 诏乇賲 賴爻鬲賲. 亘丕 丕蹖賳 丨丕賱 鬲賳賴丕蹖賲. 賲蹖鈥屬佡囐呝� 讴賴 亘丕蹖丿 亘賴 夭蹖爻鬲賳蹖 趩賳蹖賳 胤亘蹖毓蹖貙 丿乇 丨氐丕乇 丕蹖賳 丕賳夭賵丕 毓丕丿鬲 讴賳賲貙 亘賴 毓賲賱 讴乇丿賳貙 讴丕乇 讴乇丿賳 丿乇 丌賳貙 亘賴 賴賲乇丕賴蹖 賵 丌賵蹖禺鬲賳 亘賴芦 丨囟賵乇睾蹖丕亘 禄
鄄鄹 賳賵丕賲亘乇 郾酃鄯鄯
亘丕 趩賴 讴爻蹖 賲蹖鈥屫堌з嗁� 丕蹖賳 倬乇爻卮 乇丕 胤乇丨 讴賳賲( 賵 丕賲蹖丿蹖 亘賴 倬丕爻禺 丿丕卮鬲賴 亘丕卮賲)責
丌蹖丕 丕蹖賳 讴賴 亘丿賵賳 讴爻蹖 讴賴 丿賵爻鬲 丿丕乇蹖 賯丕丿乇 亘賴 夭賳丿诏蹖 亘丕卮蹖貙 亘賴 賲毓賳丕蹖 丕蹖賳 丕爻鬲 讴賴 丕賵 乇丕 讴賲鈥屫� 丕夭 丌賳趩賴 賮讴乇 賲蹖鈥屭┴必� 丿賵爻鬲 丿丕卮鬲賴鈥屫й�... 責
January 29, 2025
鈥� 丕賱賵丨丿丞: 兀賱賾丕 賷賰賵賳 賮賷 丕賱亘賷鬲 兀丨丿 賷賲賰賳 兀賳 兀賯賵賱 賱賴: 爻兀毓賵丿 賮賷 匕賱賰 丕賱賵賯鬲. 兀賵 賲賳 兀爻鬲胤賷毓 賲丨丕丿孬鬲賴 賴丕鬲賮賷賸丕 賯丕卅賱賸丕: 賴兀賳匕丕貙 賯丿 毓丿鬲 廿賱賶 丕賱亘賷鬲.
鈥� 丕賱賷賵賲 - 毓賷丿 賲賷賱丕丿賷 - 兀賳丕 賲乇賷囟貙 賵賱丕 賷賲賰賳賳賷 賵賱賲 賷毓丿 亘廿賲賰丕賳賷 兀賳 兀賯賵賱 賱賴丕 賴匕丕.
鈥� 亘乇丿貙 賱蹖賱貙 卮鬲丕亍. 兀賳丕 賮賷 丕賱丿賮亍 賵賱賰賳賷 賵丨賷丿. 賵兀毓乇賮 兀賳賴 賷噩亘 兀賳 兀鬲毓賵丿 毓賱賶 兀賳 賷賰賵賳 賲賳 丕賱胤亘賷毓賷 兀賳 兀馗賱 賮賷 賴匕賴 丕賱賵丨丿丞貙 賵兀賳 兀鬲氐乇賮 賮賷賴丕貙 賵兀毓賲賱 賮賷賴丕貙 賷氐丕丨亘賳賷 賵賷賱鬲氐賯 亘賷 丨囟賵乇 丕賱睾賷丕亘.
鈥� 丕賱賰鬲丕亘丞 賲賳 兀噩賱 賴匕賴 丕賱匕賰乇賶責 賱賷爻 賱鬲匕賰賷乇賷貙 賵賱賰賳 賱賲賯丕賵賲丞 鬲賲夭賯 丕賱賳爻賷丕賳 毓賳丿賲丕 賷亘丿賵 鬲丕賲賸丕. 賮賰乇丞 兀賳賴 賯乇賷亘賸丕 賱賳 賷毓賵丿 賴賳丕賰 兀孬乇貙 賮賷 兀賷 賲賰丕賳貙 賵丿丕禺賱 兀賷 卮禺氐.
鈥� 丨夭賳. 丕爻鬲丨丕賱丞 兀賳 兀賰賵賳 亘禺賷乇 賮賷 兀賷 賲賰丕賳. 囟睾賵胤貙 賵賲囟丕賷賯丕鬲貙 賵鬲兀賳賷亘 囟賲賷乇 賷鬲亘毓賴丕貙 賵賰賱 賴匕丕 鬲丨鬲 賲爻賲賶 "亘丐爻 丕賱廿賳爻丕賳".
鈥� 丕賱賷賵賲 - 毓賷丿 賲賷賱丕丿賷 - 兀賳丕 賲乇賷囟貙 賵賱丕 賷賲賰賳賳賷 賵賱賲 賷毓丿 亘廿賲賰丕賳賷 兀賳 兀賯賵賱 賱賴丕 賴匕丕.
鈥� 亘乇丿貙 賱蹖賱貙 卮鬲丕亍. 兀賳丕 賮賷 丕賱丿賮亍 賵賱賰賳賷 賵丨賷丿. 賵兀毓乇賮 兀賳賴 賷噩亘 兀賳 兀鬲毓賵丿 毓賱賶 兀賳 賷賰賵賳 賲賳 丕賱胤亘賷毓賷 兀賳 兀馗賱 賮賷 賴匕賴 丕賱賵丨丿丞貙 賵兀賳 兀鬲氐乇賮 賮賷賴丕貙 賵兀毓賲賱 賮賷賴丕貙 賷氐丕丨亘賳賷 賵賷賱鬲氐賯 亘賷 丨囟賵乇 丕賱睾賷丕亘.
鈥� 丕賱賰鬲丕亘丞 賲賳 兀噩賱 賴匕賴 丕賱匕賰乇賶責 賱賷爻 賱鬲匕賰賷乇賷貙 賵賱賰賳 賱賲賯丕賵賲丞 鬲賲夭賯 丕賱賳爻賷丕賳 毓賳丿賲丕 賷亘丿賵 鬲丕賲賸丕. 賮賰乇丞 兀賳賴 賯乇賷亘賸丕 賱賳 賷毓賵丿 賴賳丕賰 兀孬乇貙 賮賷 兀賷 賲賰丕賳貙 賵丿丕禺賱 兀賷 卮禺氐.
鈥� 丨夭賳. 丕爻鬲丨丕賱丞 兀賳 兀賰賵賳 亘禺賷乇 賮賷 兀賷 賲賰丕賳. 囟睾賵胤貙 賵賲囟丕賷賯丕鬲貙 賵鬲兀賳賷亘 囟賲賷乇 賷鬲亘毓賴丕貙 賵賰賱 賴匕丕 鬲丨鬲 賲爻賲賶 "亘丐爻 丕賱廿賳爻丕賳".
October 13, 2015
爻胤乇賴丕蹖卮貙 噩賲賱賴鈥屬囏й� 讴賵鬲丕賴 賵 讴賱賲丕鬲 诏夭蹖賳卮鈥屫簇団€屫ж� 睾賲蹖 丿丕乇賳丿 亘乇丌賲丿賴 丕夭 匕賴賳 丕賳爻丕賳蹖 讴賴 賲鬲賮丕賵鬲 丕爻鬲. 賵 鬲賮丕賵鬲卮 丿乇 賳诏丕賴 丕賵爻鬲 賵 丿乇 賮讴乇賴丕蹖卮.
乇賵賱丕賳 亘丕乇鬲 丿乇 丕蹖賳 讴鬲丕亘 賮蹖賱爻賵賮 睾賲诏蹖賳蹖 丕爻鬲 讴賴 賴蹖趩 鬲爻讴蹖賳蹖 賳丿丕乇丿. 噩丿蹖鬲 噩賲賱賴鈥屬囏й屰� 讴賴 丿乇 讴鬲丕亘鈥� 賵 賲賯丕賱丕鬲 丿蹖诏乇卮 丿丕乇丿 丿乇 丕蹖賳鈥屫� 賮乇賵 賲蹖鈥屬矩ж促嗀� 賵 亘賴鈥屫й屸€屫ж� 丕賳丿賵賴蹖 賲蹖鈥屬嗀篡屬嗀� 讴賴 孬賲乇賴鈥屰� 亘蹖鈥屭嗁堎� 賵 趩乇丕蹖 爻賵诏賵丕乇蹖 丕爻鬲. 乇賵賱丕賳 亘丕乇鬲貙 丕蹖賳鈥屫� 倬爻乇蹖 丕爻鬲 讴賴 賲丕丿乇卮 乇丕貙 亘乇丕蹖 賴賲蹖卮賴 丕夭 丿爻鬲 丿丕丿賴 丕爻鬲. 丨丕賱丕 鬲乇讴鈥屫簇屫� 鬲賳賴丕蹖蹖 賵 乇賳噩 鬲賳賴丕 丿丕乇丕蹖蹖 丕賵 賴爻鬲賳丿.
乇賵賱丕賳 亘丕乇鬲 丿乇 丕蹖賳 讴鬲丕亘 賮蹖賱爻賵賮 睾賲诏蹖賳蹖 丕爻鬲 讴賴 賴蹖趩 鬲爻讴蹖賳蹖 賳丿丕乇丿. 噩丿蹖鬲 噩賲賱賴鈥屬囏й屰� 讴賴 丿乇 讴鬲丕亘鈥� 賵 賲賯丕賱丕鬲 丿蹖诏乇卮 丿丕乇丿 丿乇 丕蹖賳鈥屫� 賮乇賵 賲蹖鈥屬矩ж促嗀� 賵 亘賴鈥屫й屸€屫ж� 丕賳丿賵賴蹖 賲蹖鈥屬嗀篡屬嗀� 讴賴 孬賲乇賴鈥屰� 亘蹖鈥屭嗁堎� 賵 趩乇丕蹖 爻賵诏賵丕乇蹖 丕爻鬲. 乇賵賱丕賳 亘丕乇鬲貙 丕蹖賳鈥屫� 倬爻乇蹖 丕爻鬲 讴賴 賲丕丿乇卮 乇丕貙 亘乇丕蹖 賴賲蹖卮賴 丕夭 丿爻鬲 丿丕丿賴 丕爻鬲. 丨丕賱丕 鬲乇讴鈥屫簇屫� 鬲賳賴丕蹖蹖 賵 乇賳噩 鬲賳賴丕 丿丕乇丕蹖蹖 丕賵 賴爻鬲賳丿.
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March 31, 2022.
" 賲乇诏 賲丕賲丕賳 亘賴 賲賳 丕蹖賳 丕胤賲蹖賳丕賳 乇丕 丿丕丿 讴賴 賴賲賴 蹖 丕賳爻丕賳 賴丕 賲蹖乇丕 賴爻鬲賳丿. 賵 丿乇 丕蹖賳 賲賵乇丿 賴蹖趩 鬲亘毓蹖囟蹖 丿乇 讴丕 乇賳禺賵丕賴丿 亘賵丿. 丕蹖賳 丕胤賲蹖賳丕賳 讴賴 賴賲賴 亘丕蹖丿 亘賲蹖乇賳丿 賲乇丕 鬲爻讴蹖賳 丿丕丿."
- 丿丕睾 丿蹖丿賴 噩夭 亘丕 丿丕睾 丿蹖丿賴 賳賲蹖 鬲賵丕賳丿 丕乇鬲亘丕胤 亘乇賯乇丕乇 讴賳丿.
- 趩賴 睾乇蹖亘 丿蹖诏乇 氐丿丕蹖卮 乇丕 賴賲丕賳讴賴 鬲丕乇 賵 倬賵乇 禺丕胤乇賴 丕爻鬲 乇丕 賳賲蹖 卮賳賵賲. 賴賲丕賳 氐丿丕蹖蹖 讴賴 禺賵亘 賲蹖 卮賳丕禺鬲賲.
- 诏丕賴蹖 丕賵賯丕鬲 禺蹖賱蹖 讴賵鬲丕賴貙 蹖讴 賱丨馗賴 禺賱丕貙 賳賵毓蹖 讴乇禺鬲蹖 讴賴 賱丨馗賴 蹖 賮乇丕賲賵卮蹖 賳蹖爻鬲. 丕蹖賳 賱丨馗丕鬲 賲賳 乇丕 賲蹖 鬲乇爻丕賳賳丿.
- 亘毓丿丕夭馗賴乇 睾賲诏蹖賳. 禺乇蹖丿 亘蹖禺賵丿 蹖讴 讴蹖讴 賵 趩丕蹖. 丿禺鬲乇讴 倬卮鬲 倬蹖卮禺賵丕賳 诏賮鬲 亘賮乇賲丕蹖蹖丿 禺丿賲鬲 卮賲丕 賵 賲賳 夭丿賲 夭蹖乇 诏乇蹖賴. 賴賲丕賳胤賵乇蹖 诏賮鬲 讴賴 鬲賵 賴賲蹖卮賴 賲蹖 诏賮鬲蹖 賲丕賲丕賳.
- 丿蹖乇賵夭 禺蹖賱蹖 趩蹖夭賴丕 賮賴賲蹖丿賲. 亘蹖 丕賴賲蹖鬲 亘賵丿賳 趩蹖夭賴丕蹖蹖 讴賴 丌乇丕丿賲 賲蹖 丿丕賳丿. 賲爻鬲賯乇 卮丿賳貙 乇丕丨鬲蹖 丌倬丕乇鬲賲丕賳 賵 睾蹖亘鬲 賵 丨鬲蹖 亘乇賳丕賲賴 乇蹖夭蹖.
鬲賳賴丕蹖蹖: 讴爻蹖 乇丕 丿乇 禺丕賳賴 賳丿丕卮鬲賴 亘丕卮蹖 讴賴 丕賵 亘鬲賵丕賳蹖 亘诏賵蹖蹖 賲賳 乇爻蹖丿賲. 賲賳 亘賴 禺丕賳賴 亘丕夭诏卮鬲賲. 賲賳 丕蹖賳噩丕賲. 賲賳 丕賲丿賲.
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- 丿乇 讴丕賮賴 賳卮爻鬲賴 丕賲. 賴賲賴 蹖 丌丿賲 賴丕蹖 丕蹖賳 讴丕賮賴 賲蹖乇丕 賴爻鬲賳丿. 蹖毓賳蹖 賴賲賴 蹖 丕蹖賳賴丕 賴賲 亘丕蹖丿 乇賵夭蹖 亘賲蹖乇賳丿.
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- 亘乇丕蹖 賴賮鬲賴 賴丕 賵 賲丕賴丕 賲賳 賲丕丿乇 丕賵 亘賵丿賲. 丕賳诏丕乇 丿禺鬲乇賲 乇丕 丕夭 丿爻鬲 丿丕丿賴 亘丕卮賲. 丕賳丿賵賴蹖 丕夭 丕蹖賳 亘夭乇诏鬲乇責
- 爻賵诏賵丕乇蹖 鬲賯賱蹖賱 賳蹖丕賮鬲賴 賮賯胤 丿乇 賲毓乇囟 賮乇爻丕蹖卮 賵 亘蹖 賳馗賲 賵 賳丕爻丕夭诏丕乇 丕爻. 賱丨馗丕鬲蹖 丕夭 丕賳丿賵賴 亘賴 鬲丕夭诏蹖 乇賵夭 丕賵賱
- 丕夭 丕蹖賳 倬爻 夭賳丿诏蹖 丕賲 趩賴 賲毓賳丕蹖蹖 賲蹖 鬲賵丕賳丿 丿丕卮鬲賴 亘丕卮丿責
- 爻賵诏賵丕乇蹖 賮乇爻賵丿賴 賳賲蹖 卮賵丿 夭蹖乇丕 讴賴 倬蹖賵爻鬲賴 丕爻鬲.
- 丕賲乇賵夭 氐亘丨 賲丿丕賲 丿乇 丕賳丿蹖卮賴 蹖 賲丕賲丕賳. 賳賵毓蹖 鬲賴賵毓 丨夭賳 丌賵乇
- 丕讴賳賵賳 讴賴 丿蹖诏乇 賲丕賲丕賳 賳蹖爻鬲 丿蹖诏乇 丕賳 丨爻 乇賴丕蹖蹖 讴賴 丿乇 爻賮乇賴丕蹖賲 丿丕卮鬲賲 賵賯鬲蹖 丕賵 乇丕 亘乇丕蹖 賲丿鬲 讴賵鬲丕賴蹖 鬲乇讴 賲蹖 讴乇丿賲 賳丿丕乇賲.
- 倬乇蹖卮丕賳蹖 噩丕賲毓賴 蹖 賲丕 亘賴 丨丿蹖 乇爻蹖丿賴 丕爻鬲 讴賴 爻賵诏賵乇丕乇蹖 乇丕 丕賳讴丕乇 賲蹖 讴賳丿.
- 賴乇 賳賵毓 賲毓丕卮乇鬲蹖 亘蹖賴賵丿诏蹖 丿賳蹖丕蹖蹖 讴賴 賲丕賲丕賳 丿蹖诏乇 丿乇 丌賳 賵噩賵丿 賳丿丕乇丿 乇丕 鬲賯賵蹖鬲 賲蹖 讴賳丿.
- 乇賮鬲賴 乇賮鬲賴 賮賯丿丕賳. 賴蹖趩 賲蹖賱蹖 亘賴 爻丕禺鬲賳 趩蹖夭 噩蹖丿蹖丿 賳丿丕乇賲. 賴蹖趩 賲蹖賱蹖 亘賴 爻丕禺鬲賳 賳丿丕乇賲.
- 賲丕 賮乇丕賲賵卮 賳賲蹖 讴賳蹖賲. 亘賱讴賴 趩蹖夭蹖 禺丕賱蹖 丿乇 賲丕 丌乇丕賲 賲蹖 诏蹖乇丿. ( 賲賳 乇丕 蹖丕丿 賳賵卮鬲賴 蹖 丌讴賵乇丕乇蹖賵賲 讴賴 丿乇 賳蹖賵蹖賵乇讴乇 賲噩賱賴 趩丕倬 卮丿賴 丕爻鬲 丕賳丿丕禺鬲 讴賴 丿乇 爻賵诏 丿禺鬲乇 讴賵趩賵賱賵蹖 賳賴 賲丕賴賴 丕卮 賳賵卮鬲賴 丕爻鬲 讴賴 睾蹖丕亘 賲丕賳丿诏丕乇 丕蹖夭丕亘賱 丨丕賱丕 蹖讴蹖 丕夭 丕賳丿丕賲 賴丕蹖 亘丿賳 賲丕爻鬲. 丕賳丿丕賲蹖 讴賴 鬲賳賴丕 讴丕乇讴乇丿卮 鬲乇卮丨 倬蹖賵爻鬲賴 蹖 丕賳丿賵賴 丕爻鬲.
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- 氐亘丨 賴丕蹖蹖 賴爻鬲賳丿 亘爻蹖丕乇 睾賲诏蹖賳- (趩賴 卮亘丕賴鬲蹖 爻鬲 亘蹖賳 丕蹖賳 噩賲賱賴 亘丕 丕蹖賳 噩賲賱賴 蹖 卮丕賴乇禺 賲爻讴賵亘 丿乇 讴鬲丕亘 爻賵诏 賲丕丿乇- 氐亘丨 賴丕 丕夭 賴賲蹖卮賴 亘丿鬲乇 丕爻鬲. 賲丕賲丕賳 诏賳噩卮讴 賴丕 乇丕 禺蹖賱蹖 丿賵爻鬲 丿丕卮鬲 賵 噩蹖讴 噩蹖讴 丌賳 賴丕 乇丕 讴賴 賲蹖 卮賳蹖丿 诏丕賴 亘蹖 丕禺鬲蹖丕乇 賲蹖 诏賮鬲 噩丕賳! 賴乇 乇賵夭 賲賳 亘丕 爻乇 賵 氐丿丕蹖 诏賳噩卮讴 賴丕 夭丕 禺賵丕亘 亘蹖丿丕乇 賲蹖 卮賵賲 賵 賲蹖 亘蹖賳賲 丕夭 賲丕丿乇賲 禺亘乇蹖 賳蹖爻鬲. 賴賳賵夭 亘賴 賲乇诏 丕賵 毓丕丿鬲 賳讴乇丿賴 丕賲. 亘丕 丕讴乇丕賴 趩卮賲 賴丕蹖賲 乇丕 亘丕夭 賲蹖 讴賳賲 賵 丕夭 亘蹖丿丕乇蹖 亘蹖夭丕乇賲. 鬲賳賴丕 蹖讴亘丕乇 丿趩丕乇 丕蹖賳 丨丕賱鬲 卮丿賲 讴賴 禺賵丕亘 乇丕 亘蹖卮鬲乇 丕夭 亘蹖丿丕乇蹖 丿賵爻鬲 賲蹖 丿丕卮鬲賲. 丕賵賱蹖賳 乇賵夭賴丕蹖 夭賳丿丕賳 丕賳賮乇丕丿蹖 丿乇 夭賳丿丕賳 賯夭賱 賯賱毓賴. 氐亘丨 讴賴 亘蹖丿丕乇 賲蹖 卮丿賲 丿賱賲 賲蹖 禺賵丕爻鬲 亘丕夭 賴賲 亘禺賵丕亘賲.
" 賲乇诏 賲丕賲丕賳 亘賴 賲賳 丕蹖賳 丕胤賲蹖賳丕賳 乇丕 丿丕丿 讴賴 賴賲賴 蹖 丕賳爻丕賳 賴丕 賲蹖乇丕 賴爻鬲賳丿. 賵 丿乇 丕蹖賳 賲賵乇丿 賴蹖趩 鬲亘毓蹖囟蹖 丿乇 讴丕 乇賳禺賵丕賴丿 亘賵丿. 丕蹖賳 丕胤賲蹖賳丕賳 讴賴 賴賲賴 亘丕蹖丿 亘賲蹖乇賳丿 賲乇丕 鬲爻讴蹖賳 丿丕丿."
- 丿丕睾 丿蹖丿賴 噩夭 亘丕 丿丕睾 丿蹖丿賴 賳賲蹖 鬲賵丕賳丿 丕乇鬲亘丕胤 亘乇賯乇丕乇 讴賳丿.
- 趩賴 睾乇蹖亘 丿蹖诏乇 氐丿丕蹖卮 乇丕 賴賲丕賳讴賴 鬲丕乇 賵 倬賵乇 禺丕胤乇賴 丕爻鬲 乇丕 賳賲蹖 卮賳賵賲. 賴賲丕賳 氐丿丕蹖蹖 讴賴 禺賵亘 賲蹖 卮賳丕禺鬲賲.
- 诏丕賴蹖 丕賵賯丕鬲 禺蹖賱蹖 讴賵鬲丕賴貙 蹖讴 賱丨馗賴 禺賱丕貙 賳賵毓蹖 讴乇禺鬲蹖 讴賴 賱丨馗賴 蹖 賮乇丕賲賵卮蹖 賳蹖爻鬲. 丕蹖賳 賱丨馗丕鬲 賲賳 乇丕 賲蹖 鬲乇爻丕賳賳丿.
- 亘毓丿丕夭馗賴乇 睾賲诏蹖賳. 禺乇蹖丿 亘蹖禺賵丿 蹖讴 讴蹖讴 賵 趩丕蹖. 丿禺鬲乇讴 倬卮鬲 倬蹖卮禺賵丕賳 诏賮鬲 亘賮乇賲丕蹖蹖丿 禺丿賲鬲 卮賲丕 賵 賲賳 夭丿賲 夭蹖乇 诏乇蹖賴. 賴賲丕賳胤賵乇蹖 诏賮鬲 讴賴 鬲賵 賴賲蹖卮賴 賲蹖 诏賮鬲蹖 賲丕賲丕賳.
- 丿蹖乇賵夭 禺蹖賱蹖 趩蹖夭賴丕 賮賴賲蹖丿賲. 亘蹖 丕賴賲蹖鬲 亘賵丿賳 趩蹖夭賴丕蹖蹖 讴賴 丌乇丕丿賲 賲蹖 丿丕賳丿. 賲爻鬲賯乇 卮丿賳貙 乇丕丨鬲蹖 丌倬丕乇鬲賲丕賳 賵 睾蹖亘鬲 賵 丨鬲蹖 亘乇賳丕賲賴 乇蹖夭蹖.
鬲賳賴丕蹖蹖: 讴爻蹖 乇丕 丿乇 禺丕賳賴 賳丿丕卮鬲賴 亘丕卮蹖 讴賴 丕賵 亘鬲賵丕賳蹖 亘诏賵蹖蹖 賲賳 乇爻蹖丿賲. 賲賳 亘賴 禺丕賳賴 亘丕夭诏卮鬲賲. 賲賳 丕蹖賳噩丕賲. 賲賳 丕賲丿賲.
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- 丿乇 讴丕賮賴 賳卮爻鬲賴 丕賲. 賴賲賴 蹖 丌丿賲 賴丕蹖 丕蹖賳 讴丕賮賴 賲蹖乇丕 賴爻鬲賳丿. 蹖毓賳蹖 賴賲賴 蹖 丕蹖賳賴丕 賴賲 亘丕蹖丿 乇賵夭蹖 亘賲蹖乇賳丿.
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- 亘乇丕蹖 賴賮鬲賴 賴丕 賵 賲丕賴丕 賲賳 賲丕丿乇 丕賵 亘賵丿賲. 丕賳诏丕乇 丿禺鬲乇賲 乇丕 丕夭 丿爻鬲 丿丕丿賴 亘丕卮賲. 丕賳丿賵賴蹖 丕夭 丕蹖賳 亘夭乇诏鬲乇責
- 爻賵诏賵丕乇蹖 鬲賯賱蹖賱 賳蹖丕賮鬲賴 賮賯胤 丿乇 賲毓乇囟 賮乇爻丕蹖卮 賵 亘蹖 賳馗賲 賵 賳丕爻丕夭诏丕乇 丕爻. 賱丨馗丕鬲蹖 丕夭 丕賳丿賵賴 亘賴 鬲丕夭诏蹖 乇賵夭 丕賵賱
- 丕夭 丕蹖賳 倬爻 夭賳丿诏蹖 丕賲 趩賴 賲毓賳丕蹖蹖 賲蹖 鬲賵丕賳丿 丿丕卮鬲賴 亘丕卮丿責
- 爻賵诏賵丕乇蹖 賮乇爻賵丿賴 賳賲蹖 卮賵丿 夭蹖乇丕 讴賴 倬蹖賵爻鬲賴 丕爻鬲.
- 丕賲乇賵夭 氐亘丨 賲丿丕賲 丿乇 丕賳丿蹖卮賴 蹖 賲丕賲丕賳. 賳賵毓蹖 鬲賴賵毓 丨夭賳 丌賵乇
- 丕讴賳賵賳 讴賴 丿蹖诏乇 賲丕賲丕賳 賳蹖爻鬲 丿蹖诏乇 丕賳 丨爻 乇賴丕蹖蹖 讴賴 丿乇 爻賮乇賴丕蹖賲 丿丕卮鬲賲 賵賯鬲蹖 丕賵 乇丕 亘乇丕蹖 賲丿鬲 讴賵鬲丕賴蹖 鬲乇讴 賲蹖 讴乇丿賲 賳丿丕乇賲.
- 倬乇蹖卮丕賳蹖 噩丕賲毓賴 蹖 賲丕 亘賴 丨丿蹖 乇爻蹖丿賴 丕爻鬲 讴賴 爻賵诏賵乇丕乇蹖 乇丕 丕賳讴丕乇 賲蹖 讴賳丿.
- 賴乇 賳賵毓 賲毓丕卮乇鬲蹖 亘蹖賴賵丿诏蹖 丿賳蹖丕蹖蹖 讴賴 賲丕賲丕賳 丿蹖诏乇 丿乇 丌賳 賵噩賵丿 賳丿丕乇丿 乇丕 鬲賯賵蹖鬲 賲蹖 讴賳丿.
- 乇賮鬲賴 乇賮鬲賴 賮賯丿丕賳. 賴蹖趩 賲蹖賱蹖 亘賴 爻丕禺鬲賳 趩蹖夭 噩蹖丿蹖丿 賳丿丕乇賲. 賴蹖趩 賲蹖賱蹖 亘賴 爻丕禺鬲賳 賳丿丕乇賲.
- 賲丕 賮乇丕賲賵卮 賳賲蹖 讴賳蹖賲. 亘賱讴賴 趩蹖夭蹖 禺丕賱蹖 丿乇 賲丕 丌乇丕賲 賲蹖 诏蹖乇丿. ( 賲賳 乇丕 蹖丕丿 賳賵卮鬲賴 蹖 丌讴賵乇丕乇蹖賵賲 讴賴 丿乇 賳蹖賵蹖賵乇讴乇 賲噩賱賴 趩丕倬 卮丿賴 丕爻鬲 丕賳丿丕禺鬲 讴賴 丿乇 爻賵诏 丿禺鬲乇 讴賵趩賵賱賵蹖 賳賴 賲丕賴賴 丕卮 賳賵卮鬲賴 丕爻鬲 讴賴 睾蹖丕亘 賲丕賳丿诏丕乇 丕蹖夭丕亘賱 丨丕賱丕 蹖讴蹖 丕夭 丕賳丿丕賲 賴丕蹖 亘丿賳 賲丕爻鬲. 丕賳丿丕賲蹖 讴賴 鬲賳賴丕 讴丕乇讴乇丿卮 鬲乇卮丨 倬蹖賵爻鬲賴 蹖 丕賳丿賵賴 丕爻鬲.
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- 氐亘丨 賴丕蹖蹖 賴爻鬲賳丿 亘爻蹖丕乇 睾賲诏蹖賳- (趩賴 卮亘丕賴鬲蹖 爻鬲 亘蹖賳 丕蹖賳 噩賲賱賴 亘丕 丕蹖賳 噩賲賱賴 蹖 卮丕賴乇禺 賲爻讴賵亘 丿乇 讴鬲丕亘 爻賵诏 賲丕丿乇- 氐亘丨 賴丕 丕夭 賴賲蹖卮賴 亘丿鬲乇 丕爻鬲. 賲丕賲丕賳 诏賳噩卮讴 賴丕 乇丕 禺蹖賱蹖 丿賵爻鬲 丿丕卮鬲 賵 噩蹖讴 噩蹖讴 丌賳 賴丕 乇丕 讴賴 賲蹖 卮賳蹖丿 诏丕賴 亘蹖 丕禺鬲蹖丕乇 賲蹖 诏賮鬲 噩丕賳! 賴乇 乇賵夭 賲賳 亘丕 爻乇 賵 氐丿丕蹖 诏賳噩卮讴 賴丕 夭丕 禺賵丕亘 亘蹖丿丕乇 賲蹖 卮賵賲 賵 賲蹖 亘蹖賳賲 丕夭 賲丕丿乇賲 禺亘乇蹖 賳蹖爻鬲. 賴賳賵夭 亘賴 賲乇诏 丕賵 毓丕丿鬲 賳讴乇丿賴 丕賲. 亘丕 丕讴乇丕賴 趩卮賲 賴丕蹖賲 乇丕 亘丕夭 賲蹖 讴賳賲 賵 丕夭 亘蹖丿丕乇蹖 亘蹖夭丕乇賲. 鬲賳賴丕 蹖讴亘丕乇 丿趩丕乇 丕蹖賳 丨丕賱鬲 卮丿賲 讴賴 禺賵丕亘 乇丕 亘蹖卮鬲乇 丕夭 亘蹖丿丕乇蹖 丿賵爻鬲 賲蹖 丿丕卮鬲賲. 丕賵賱蹖賳 乇賵夭賴丕蹖 夭賳丿丕賳 丕賳賮乇丕丿蹖 丿乇 夭賳丿丕賳 賯夭賱 賯賱毓賴. 氐亘丨 讴賴 亘蹖丿丕乇 賲蹖 卮丿賲 丿賱賲 賲蹖 禺賵丕爻鬲 亘丕夭 賴賲 亘禺賵丕亘賲.
August 21, 2017
Nell'Ottobre del '77 Roland Barthes perde sua madre; il padre era morto quando lui era piccolissimo e forse questo fatto, unito a screzi e difficolt脿 di rapporti col resto della famiglia materna, aveva reso il loro rapporto esclusivo dandogli una connotazione pi霉 simile ad un rapporto di coppia che filiale.
Dal giorno successivo alla morte e per circa due anni Barthes tiene una sorta di diario; sono annotazioni di stati d'animo, sprazzi di ricordi, brevi riflessioni. Frammenti di un discorso doloroso e intimo.
Per due anni lo scrittore abiter脿 totalmente il suo dolore analizzandolo e cercando la nettezza di parole che possano descriverlo, perch茅 "una tristezza inesprimibile diventi tuttavia dicibile". E il suo vivere nel dolore del distacco non vuole conoscere tregua, tanto che scruta con severit脿 gli attimi di ritorno al sentire quotidiano.
Se lo sorprende la dolcezza dell'odore della pioggia si domanda se questa sia una sorta di smobilitazione del dolore, se il lutto stia acquistando un'andatura da crociera, come annota sarcastico e che senso abbia la vita che, stupida, continua. Il rimanere nel presente continuo del distacco esorcizza il distacco profondo, quello irrimediabile quando le parole sono state ormai consumate.
"C'猫 un tempo in cui la morte 猫 un avvenimento, una ad-ventura, e, a questo titolo, mobilita, galvanizza, interessa, tende, attiva, tetanizza. E poi, un bel giorno, ecco che non 猫 pi霉 un avvenimento, ma un'altra durata, compressa, insignificante, non narrata, tetra, senza rimedio: vero lutto che non 猫 suscettibile di alcuna dialettica narrativa".
I viaggi, i desideri, la libert脿 quotidiana perdono senso, diventano un vagare senza tregua nell'assenza che non pu貌 usare nessuna delle forme di consolazione. "Vedo le rondini volare nella sera d'estate. Mi dico - pensando con strazio a mam.- che barbarie non credere nelle anime - all'immortalit脿 delle anime! che verit脿 imbecille il materialismo!"
Malgrado tutto questo non 猫 un libro totalmente triste. Nell'osservarsi, nel descrivere le sfumature delle proprie emozioni, nel cesellare gli strumenti del linguaggio e nel definirli c'猫 un lavoro che consola, c'猫 una lucidit脿 che permette una presa di distanza. Colui che 猫 osservato diventa anche osservatore.
Se i Frammenti di un discorso amoroso hanno insegnato a molti qualcosa in pi霉 sull'amore e sul desiderio, questo libro insegna qualcosa in pi霉 sulla loro perdita e quindi sulla vita.
Dal giorno successivo alla morte e per circa due anni Barthes tiene una sorta di diario; sono annotazioni di stati d'animo, sprazzi di ricordi, brevi riflessioni. Frammenti di un discorso doloroso e intimo.
Per due anni lo scrittore abiter脿 totalmente il suo dolore analizzandolo e cercando la nettezza di parole che possano descriverlo, perch茅 "una tristezza inesprimibile diventi tuttavia dicibile". E il suo vivere nel dolore del distacco non vuole conoscere tregua, tanto che scruta con severit脿 gli attimi di ritorno al sentire quotidiano.
Se lo sorprende la dolcezza dell'odore della pioggia si domanda se questa sia una sorta di smobilitazione del dolore, se il lutto stia acquistando un'andatura da crociera, come annota sarcastico e che senso abbia la vita che, stupida, continua. Il rimanere nel presente continuo del distacco esorcizza il distacco profondo, quello irrimediabile quando le parole sono state ormai consumate.
"C'猫 un tempo in cui la morte 猫 un avvenimento, una ad-ventura, e, a questo titolo, mobilita, galvanizza, interessa, tende, attiva, tetanizza. E poi, un bel giorno, ecco che non 猫 pi霉 un avvenimento, ma un'altra durata, compressa, insignificante, non narrata, tetra, senza rimedio: vero lutto che non 猫 suscettibile di alcuna dialettica narrativa".
I viaggi, i desideri, la libert脿 quotidiana perdono senso, diventano un vagare senza tregua nell'assenza che non pu貌 usare nessuna delle forme di consolazione. "Vedo le rondini volare nella sera d'estate. Mi dico - pensando con strazio a mam.- che barbarie non credere nelle anime - all'immortalit脿 delle anime! che verit脿 imbecille il materialismo!"
Malgrado tutto questo non 猫 un libro totalmente triste. Nell'osservarsi, nel descrivere le sfumature delle proprie emozioni, nel cesellare gli strumenti del linguaggio e nel definirli c'猫 un lavoro che consola, c'猫 una lucidit脿 che permette una presa di distanza. Colui che 猫 osservato diventa anche osservatore.
Se i Frammenti di un discorso amoroso hanno insegnato a molti qualcosa in pi霉 sull'amore e sul desiderio, questo libro insegna qualcosa in pi霉 sulla loro perdita e quindi sulla vita.
November 17, 2015
亘蹖鈥屫必呚з嗁団€屫臂屬� 賯囟丕賵鬲 丿乇亘丕乇賴 芦禺丕胤乇丕鬲 爻賵诏賵丕乇蹖禄 丕蹖賳 丕爻鬲 讴賴 賲丕賱蹖禺賵賱蹖丕蹖 賳賵蹖爻賳丿賴 丕蹖賳 讴鬲丕亘 乇丕 鬲賳賴丕 蹖讴 爻禺賳乇丕賳蹖 倬乇丕讴賳丿賴 丿乇 毓夭丕蹖 賲丕丿乇卮 亘丿丕賳蹖賲. 丿乇爻鬲 丕爻鬲 讴賴 乇賵賱丕賳 亘丕乇鬲 賳賵卮鬲賳 丕蹖賳 蹖丕丿丿丕卮鬲鈥屬囏� 乇丕 丿乇爻鬲 丕夭 乇賵夭 賲乇诏 賲丕丿乇卮 丌睾丕夭 讴乇丿賴 丕賲丕 讴鬲丕亘 讴賴 亘賴 賳蹖賲賴 賲蹖鈥屫必池� 賲禺丕胤亘 丕丨爻丕爻 賲蹖鈥屭┵嗀� 讴賴 丿蹖诏乇 鬲賳賴丕 賲丕噩乇丕蹖 賲乇诏 賲丕丿乇 賳賵蹖爻賳丿賴 丿乇 讴丕乇 賳蹖爻鬲貨 亘丕乇鬲貙 诏賵蹖蹖 丕夭 丕蹖賳 禺丕胤乇丕鬲貙 丿乇蹖趩賴鈥屫й� 乇賵 亘賴 賲賵囟賵毓 芦賮賯丿丕賳禄 亘丕夭 讴乇丿賴 賵 丿乇 丨丕賱 賳诏乇蹖爻鬲賳 亘賴 賲賯賵賱賴 芦丕夭丿爻鬲鈥屫ж喡� 丿乇 爻胤賵丨 賲禺鬲賱賮蹖 丕爻鬲 讴賴 丕賳爻丕賳 乇丕 丿趩丕乇 睾賲貙 丕賳丿賵賴 賵 爻乇丿乇诏賲蹖 禺賵丿卮 賲蹖鈥屭┵嗀�. 丕诏乇 讴爻蹖 乇丕 丕夭 丿爻鬲 丿丕丿賴鈥屫й屫� 丕蹖賳 讴鬲丕亘 乇丕 丕夭 丿爻鬲 賳丿賴蹖丿貨 亘丕乇鬲 亘丕 卮賲丕 賴賲丿乇丿蹖 賲蹖鈥屭┵嗀� 讴賴 趩胤賵乇 賲蹖鈥屫促堌� 丿乇 丕賳丿賵賴诏蹖賳蹖 乇賵夭賴丕蹖 賮賯丿丕賳貙 睾乇賯 卮丿 賵 亘賴鈥屫й� 诏乇蹖賴鈥屬堌藏ж臂屫� 亘賴 亘夭賳诏丕賴鈥屬囏й� 匕賴賳蹖 爻賵诏賵丕乇丕賳 賲乇丕噩毓賴 讴乇丿. 丌蹖丕 亘乇 爻乇 賲夭丕乇 毓夭蹖夭 丕夭丿爻鬲鈥屫辟佖団€屫з� 賳鬲賵丕賳爻鬲賴鈥屫й屫� 诏乇蹖賴 讴賳蹖丿責 丌蹖丕 丿乇 賮乇賵丿诏丕賴 賵 賱丨馗賴 亘丿乇賯賴 賲毓卮賵賯賴鈥屫з嗀� 丕卮讴鬲丕賳 禺卮讴 卮丿賴 賵 丌蹖丕 賮賯丿丕賳 毓夭蹖夭蹖 乇丕 倬匕蹖乇賮鬲賴鈥屫й屫� 賵 丨丕賱丕 丕夭 禺賵丿 賲蹖鈥屬矩必驰屫� 讴賴 趩胤賵乇 亘丕蹖丿 亘賴 卮丕丿蹖 賲蹖賴賲丕賳蹖鈥屬囏й� 讴賵趩讴 賵 賲丨賯乇 鬲賳 亘丿賴蹖丿責 亘丕乇鬲 丿乇 蹖丕丿丿丕卮鬲鈥屬囏й� 卮禺氐蹖鈥屫ж� 亘賴 丕蹖賳 爻丐丕賱鈥屬囏� 噩賵丕亘 丿丕丿賴 賵 丕诏乇 丨鬲蹖 噩賵丕亘蹖 賳丿丕卮鬲賴 讴賴 亘丿賴丿貙 禺賵丿 乇丕 丿乇 讴賳丕乇 卮賲丕 賯乇丕乇 丿丕丿賴 賵 丕夭 趩賳蹖賳 鬲賳丕賯囟鈥屬囏й� 亘夭乇诏 丕賳爻丕賳蹖 卮讴賵賴 讴乇丿賴 丕爻鬲:
-芦讴丕卮 賲蹖鈥屫堌з嗀池� 賲蹖賱 毓賲蹖賯賲 乇丕 亘賴 禺賱賵鬲鈥屭┴必� 亘丕 禺賵丿貙 亘賴 讴賳丕乇賴鈥屭屫臂� 賵 芦賳诏乇丕賳賲 賳亘丕卮蹖丿禄蹖 讴賴 賲爻鬲賯蹖賲 賵 亘蹖鈥屫з嗀关坟з� 丕夭 乇賳噩鈥屭┴篡屫� 噩丕賵丿丕賳 亘賴 丿爻鬲賲 賲蹖鈥屫③屫� 亘蹖丕賳 讴賳賲禄.
-芦賴乇 賳賵毓 賲毓丕卮乇鬲蹖 亘蹖賴賵丿诏蹖 丿賳蹖丕蹖蹖 讴賴 賲丕賲丕賳 丿蹖诏乇 丿乇 丌賳 賵噩賵丿 賳丿丕乇丿 乇丕 鬲賯賵蹖鬲 賲蹖鈥屭┵嗀�.
-芦讴丕卮 賲蹖鈥屫堌з嗀池� 賲蹖賱 毓賲蹖賯賲 乇丕 亘賴 禺賱賵鬲鈥屭┴必� 亘丕 禺賵丿貙 亘賴 讴賳丕乇賴鈥屭屫臂� 賵 芦賳诏乇丕賳賲 賳亘丕卮蹖丿禄蹖 讴賴 賲爻鬲賯蹖賲 賵 亘蹖鈥屫з嗀关坟з� 丕夭 乇賳噩鈥屭┴篡屫� 噩丕賵丿丕賳 亘賴 丿爻鬲賲 賲蹖鈥屫③屫� 亘蹖丕賳 讴賳賲禄.
-芦賴乇 賳賵毓 賲毓丕卮乇鬲蹖 亘蹖賴賵丿诏蹖 丿賳蹖丕蹖蹖 讴賴 賲丕賲丕賳 丿蹖诏乇 丿乇 丌賳 賵噩賵丿 賳丿丕乇丿 乇丕 鬲賯賵蹖鬲 賲蹖鈥屭┵嗀�.
March 11, 2019
賱賲 鬲賰賳 兀賲賷 賰賱 卮賷亍 亘丕賱賳爻亘丞 賱賷貙 賵廿賱丕 賲丕 賰賳鬲 賰鬲亘鬲 賲丐賱賮丕鬲賷. 賲賳匕 兀禺匕鬲 兀乇毓丕賴丕貙 賲賳匕 爻鬲丞 卮賴賵乇貙 賰丕賳鬲 亘丕賱賮毓賱 賰賱 卮賷亍 亘丕賱賳爻亘丞 賱賷. 賳爻賷鬲 鬲賲丕賲丕賸 兀賳賷 賰賳鬲 兀賰鬲亘貙 賱賲 兀毓丿 卮睾賵賮丕賸 廿賱丕 亘賴丕. 賵賯亘賱 賴匕丕貙 賰丕賳鬲 鬲噩毓賱 賳賮爻賴丕 卮賮丕賮丞 丨鬲賶 兀鬲賲賰賳 賲賳 丕賱賰鬲丕亘丞.
賱賲 賷毓丿 亘丕賱廿賲賰丕賳 兀賳 鬲鬲丨賯賯 丕賱乇睾亘丕鬲 丕賱鬲賷 乇睾亘鬲 亘賴丕 賯亘賱 賲賵鬲賴丕貙 賱丌賳 賴匕丕 賯丿 賷毓賳賷 兀賳 賲賵鬲賴丕 賴賵 丕賱匕賷 賷爻賲丨 亘鬲丨賯賷賯賴丕. 賵廿賳 賲賵鬲賴丕 賷賲賰賳 兀賳 賷丨乇乇賳賷 賲賳 鬲丨賯賷賯 乇睾亘丕鬲賷. 賱賰賳 賲賵鬲賴丕 睾賷乇賳賷貙 賮賱賲 兀毓丿 兀乇賷丿 賲丕 賰賳鬲 兀乇賷丿賴.
兀氐丕亘賳賷 賲賵鬲 兀賲賷 囟毓賮 賮賷 丕賱賴囟賲. 賰賲丕 賱賵 賰賳鬲 賯丿 兀氐亘鬲 賮賷 丕賱賲賵囟毓 丕賱匕賷 賰丕賳鬲 鬲賵噩賴 廿賱賷賴 兀賯氐賶 丕賴鬲賲丕賲賴丕: 廿胤毓丕賲賷.
賱賲 賷毓丿 亘丕賱廿賲賰丕賳 兀賳 鬲鬲丨賯賯 丕賱乇睾亘丕鬲 丕賱鬲賷 乇睾亘鬲 亘賴丕 賯亘賱 賲賵鬲賴丕貙 賱丌賳 賴匕丕 賯丿 賷毓賳賷 兀賳 賲賵鬲賴丕 賴賵 丕賱匕賷 賷爻賲丨 亘鬲丨賯賷賯賴丕. 賵廿賳 賲賵鬲賴丕 賷賲賰賳 兀賳 賷丨乇乇賳賷 賲賳 鬲丨賯賷賯 乇睾亘丕鬲賷. 賱賰賳 賲賵鬲賴丕 睾賷乇賳賷貙 賮賱賲 兀毓丿 兀乇賷丿 賲丕 賰賳鬲 兀乇賷丿賴.
兀氐丕亘賳賷 賲賵鬲 兀賲賷 囟毓賮 賮賷 丕賱賴囟賲. 賰賲丕 賱賵 賰賳鬲 賯丿 兀氐亘鬲 賮賷 丕賱賲賵囟毓 丕賱匕賷 賰丕賳鬲 鬲賵噩賴 廿賱賷賴 兀賯氐賶 丕賴鬲賲丕賲賴丕: 廿胤毓丕賲賷.
February 5, 2017
鬲丕 丨丕賱丕 亘丕 禺賵賳丿賳 賴賷趩 賰鬲丕亘賶 丕賳賯丿乇 睾賲诏賷賳 賳卮丿賴 亘賵丿賲貙
丕蹖賳 讴鬲丕亘 蹖丕丿丿丕卮鬲鈥屬囏й� 乇賵夭丕賳賴鈥屰� 亘丕乇鬲 丕爻鬲 倬爻 丕夭 賲乇诏 賲丕丿乇卮.
噩丕賳鈥屫迟堌� 賵 賮賵賯鈥屫з勜关ж�.
丕蹖賳 讴鬲丕亘 蹖丕丿丿丕卮鬲鈥屬囏й� 乇賵夭丕賳賴鈥屰� 亘丕乇鬲 丕爻鬲 倬爻 丕夭 賲乇诏 賲丕丿乇卮.
噩丕賳鈥屫迟堌� 賵 賮賵賯鈥屫з勜关ж�.
May 11, 2024
Ein Subjekt in Br眉chen 鈥� von Leerstellen und anderen poetischen Erinnerungsformen.
Inhalt: 3/5 Sterne (Tagebucheintr盲ge)
Form: 5/5 Sterne (geheimnisvolle Haiku-Prosast眉cke)
Komposition: 4/5 Sterne (seriell, mit Stille zwischen den Zeilen)
Leseerlebnis: 5/5 Sterne (empathische Teilnahme)
Barthes hat nie den Roman geschrieben, den er zu schreiben vorgehabt hat. Eine Art stiller Zweifel begleitet all seine Schriften, seine Versuche, sich einer Sprache zu n盲hern, die das, was sie ausdr眉cken m枚chte, sanft und nicht gewaltsam zum Ausdruck verhilft:
Ich will nicht dar眉ber sprechen, weil ich f眉rchte, es wird Literatur daraus 鈥� oder weil ich nicht sicher bin, dass es keine wird -, auch wenn in der Tat Literatur in solchen Wahrheiten gr眉ndet.
Barthes鈥� Literaturbegriff arbeitet sich komplex durch sein Schriftwerk. Ihn 盲ngstigt wie Rainer Maria Rilke das zu harsche Wort, die Kluft zwischen Namen und Ding, die Rohheit, die darin besteht, zu verk眉rzen, einzuengen, zu beschr盲nken, das Erleben in ein semantisches Prokrustesbett einzusperren. Ihm steht ein flie脽ender Text vor Augen, der seine Trauer, die er nach dem Verlust seiner Mutter, nach ihrem Tod, versp眉rt, unverletzt l盲sst und doch ungemildert und ungemindert zum Ausdruck bringt:
Literatur, das ist: dass ich nicht ohne Schmerzen, ohne an der Wahrheit zu ersticken all das lesen kann, was Proust in seinen Briefen 眉ber die Krankheit, den Mut, den Tod seiner Mutter, seinen Kummer etc. schreibt.
Dem Wort geht eine Wahl voraus. Es trennt, unterscheidet und scheidet deshalb das eine vom anderen. Dort aber, wo es eben um die Harmonie, die Einheit geht, scheut die Sprache das Urteil, das Teilen, und Barthes sucht Mittel und Wege, bspw. im japanischen Haiku, durch die L眉cken, das Nichtsagen das zu sagen, was anders nicht gesagt werden kann:
Wieso Mam. in allem, was ich geschrieben habe, gegenw盲rtig ist: weil 眉berall die Idee eines H枚chsten Gutes darin enthalten ist.
Das Sprachmisstrauen und die Utopie der Sprache schlechthin bezieht sich auf die Unvereinbarkeit und Aufeinander-Bezogenheit dessen, was einzigartig und nicht strukturell-abstrakt mitgeteilt werden m枚chte. Barthes鈥� Mutter war einzigartig, und er f眉hlte f眉r den Rest seines Lebens diesen Verlust, den Kummer, dass dieser Menschen, seine Mutter, nicht mehr in der Welt ist.
An dem Ort des Zimmers, wo sie krank lag, wo sie gestorben ist und wo ich jetzt wohne, an die Wand, an der das Kopfende ihres Bettes stand, habe ich eine Ikone geh盲ngt 鈥� nicht aus Fr枚mmigkeit 鈥�, und dort stelle ich immer Blumen auf einen Tisch. Ich will jetzt nicht mehr reisen, damit ich immer dasein kann, damit die Blumen dort niemals welken.
In 鈥濼agebuch der Trauer鈥� verarbeitet Roland Barthes in Prosaminiaturen, in Haikus, in kurzen Aphorismen und Aper莽us den Tod seiner Mutter. In winzigen Details schimmert die Liebe des Sohnes durch, wenn er sich an das Grau ihres Mantels, an die Rauigkeit ihrer Stimme, an ihre Worte und Fr枚hlichkeit in leicht verwilderten G盲rten erinnert. Sie verwirklichte f眉r ihn die Utopie einer m枚glichen Gewaltlosigkeit, eines Guten, dem er sich nur vorsichtig durch Sprache und Phrasen n盲hern konnte und wollte:
Seit Mam. Tod keine Lust, irgend etwas 禄aufzubauen芦, au脽er im Schreiben. Warum? Literatur = der einzige Bereich der Vornehmheit (wie Mam. es war).
Ein Buch fast wie ein Gedicht, eine Meditation, ein Akt der Sanftheit 鈥� und im Verstummen und Auslassen beredt und sanft Trauer zu Literatur werden l盲sst.
Inhalt: 3/5 Sterne (Tagebucheintr盲ge)
Form: 5/5 Sterne (geheimnisvolle Haiku-Prosast眉cke)
Komposition: 4/5 Sterne (seriell, mit Stille zwischen den Zeilen)
Leseerlebnis: 5/5 Sterne (empathische Teilnahme)
Barthes hat nie den Roman geschrieben, den er zu schreiben vorgehabt hat. Eine Art stiller Zweifel begleitet all seine Schriften, seine Versuche, sich einer Sprache zu n盲hern, die das, was sie ausdr眉cken m枚chte, sanft und nicht gewaltsam zum Ausdruck verhilft:
Ich will nicht dar眉ber sprechen, weil ich f眉rchte, es wird Literatur daraus 鈥� oder weil ich nicht sicher bin, dass es keine wird -, auch wenn in der Tat Literatur in solchen Wahrheiten gr眉ndet.
Barthes鈥� Literaturbegriff arbeitet sich komplex durch sein Schriftwerk. Ihn 盲ngstigt wie Rainer Maria Rilke das zu harsche Wort, die Kluft zwischen Namen und Ding, die Rohheit, die darin besteht, zu verk眉rzen, einzuengen, zu beschr盲nken, das Erleben in ein semantisches Prokrustesbett einzusperren. Ihm steht ein flie脽ender Text vor Augen, der seine Trauer, die er nach dem Verlust seiner Mutter, nach ihrem Tod, versp眉rt, unverletzt l盲sst und doch ungemildert und ungemindert zum Ausdruck bringt:
Literatur, das ist: dass ich nicht ohne Schmerzen, ohne an der Wahrheit zu ersticken all das lesen kann, was Proust in seinen Briefen 眉ber die Krankheit, den Mut, den Tod seiner Mutter, seinen Kummer etc. schreibt.
Dem Wort geht eine Wahl voraus. Es trennt, unterscheidet und scheidet deshalb das eine vom anderen. Dort aber, wo es eben um die Harmonie, die Einheit geht, scheut die Sprache das Urteil, das Teilen, und Barthes sucht Mittel und Wege, bspw. im japanischen Haiku, durch die L眉cken, das Nichtsagen das zu sagen, was anders nicht gesagt werden kann:
Wieso Mam. in allem, was ich geschrieben habe, gegenw盲rtig ist: weil 眉berall die Idee eines H枚chsten Gutes darin enthalten ist.
Das Sprachmisstrauen und die Utopie der Sprache schlechthin bezieht sich auf die Unvereinbarkeit und Aufeinander-Bezogenheit dessen, was einzigartig und nicht strukturell-abstrakt mitgeteilt werden m枚chte. Barthes鈥� Mutter war einzigartig, und er f眉hlte f眉r den Rest seines Lebens diesen Verlust, den Kummer, dass dieser Menschen, seine Mutter, nicht mehr in der Welt ist.
An dem Ort des Zimmers, wo sie krank lag, wo sie gestorben ist und wo ich jetzt wohne, an die Wand, an der das Kopfende ihres Bettes stand, habe ich eine Ikone geh盲ngt 鈥� nicht aus Fr枚mmigkeit 鈥�, und dort stelle ich immer Blumen auf einen Tisch. Ich will jetzt nicht mehr reisen, damit ich immer dasein kann, damit die Blumen dort niemals welken.
In 鈥濼agebuch der Trauer鈥� verarbeitet Roland Barthes in Prosaminiaturen, in Haikus, in kurzen Aphorismen und Aper莽us den Tod seiner Mutter. In winzigen Details schimmert die Liebe des Sohnes durch, wenn er sich an das Grau ihres Mantels, an die Rauigkeit ihrer Stimme, an ihre Worte und Fr枚hlichkeit in leicht verwilderten G盲rten erinnert. Sie verwirklichte f眉r ihn die Utopie einer m枚glichen Gewaltlosigkeit, eines Guten, dem er sich nur vorsichtig durch Sprache und Phrasen n盲hern konnte und wollte:
Seit Mam. Tod keine Lust, irgend etwas 禄aufzubauen芦, au脽er im Schreiben. Warum? Literatur = der einzige Bereich der Vornehmheit (wie Mam. es war).
Ein Buch fast wie ein Gedicht, eine Meditation, ein Akt der Sanftheit 鈥� und im Verstummen und Auslassen beredt und sanft Trauer zu Literatur werden l盲sst.
March 18, 2021
孝褉褍写薪芯 褋械 锌懈褕械 蟹邪 斜芯谢泻邪褌邪, 芯褋芯斜械薪芯 蟹邪 斜芯谢泻邪褌邪 锌褉懈 蟹邪谐褍斜邪 薪邪 斜谢懈蟹褗泻 褔芯胁械泻. 小褗褋褌芯褟薪懈械, 泻芯械褌芯 胁褋械泻懈 懈蟹褋褌褉邪写胁邪 褌胁褗褉写械 谢懈褔薪芯, 懈 胁褋械 锌邪泻 鈥� 泻芯谐邪褌芯 谐芯 薪邪蟹芯胁械屑 懈 懈蟹谐芯胁芯褉懈屑, 写邪谢懈 芯谢械泻胁邪, 写邪谢懈 斜芯谢泻邪褌邪 褋械 锌褉懈褌褗锌褟胁邪? 袝谐芯懈褋褌 谢懈 械 褋褌褉邪写邪褖懈褟褌, 懈蟹谐褍斜懈谢 褖械写褉芯褋褌褌邪 懈 鈥炑冃夹敌叫感笛傂锯€� 蟹邪 写芯斜褉芯褌邪? 袧邪屑邪谢褟胁邪 谢懈 褋泻褉褗斜褌邪 褋 胁褉械屑械褌芯, 褉邪蟹屑懈胁邪 谢懈 褋械 胁 褋锌邪褋懈褌械谢薪邪褌邪 褍褌械褏邪 薪邪 锌芯胁褌邪褉褟械屑懈褌械 薪邪胁懈褑懈 懈 胁褋械泻懈写薪械胁懈械褌芯, 懈谢懈 褌芯褔薪芯 芯斜褉邪褌薪芯褌芯 鈥� 锌芯谐褗谢胁邪 薪懈 泻邪褌芯 褟屑邪, 褋 泻芯褟褌芯 胁械褔械 褋械 懈写械薪褌懈褎懈褑懈褉邪屑械 懈 薪械 胁懈卸写邪屑械 芯褌胁褗写? 袩芯屑邪谐邪褌 谢懈 薪懈 芯斜褖懈褌械 褋锌芯屑械薪懈 懈 芯褋褌邪薪邪谢懈褌械 胁械褖懈 薪邪 谢褞斜懈屑懈褟 褔芯胁械泻 写邪 锌褉芯写褗谢卸懈 褌芯泄 写邪 斜褗写械 褋 薪邪褋? 袣芯谐邪褌芯 褋屑械 写邪谢械褔 芯褌 屑械褋褌邪褌邪 懈 薪械褖邪褌邪, 泻芯懈褌芯 褋邪 薪懈 褋胁褗褉蟹胁邪谢懈 懈 泻芯懈褌芯 蟹邪械写薪芯 褋屑械 芯斜懈褔邪谢懈, 褍褋械褖邪屑械 谢懈, 褔械 锌芯胁褌芯褉薪芯 谐褍斜懈屑 谢褞斜懈屑懈褟 褔芯胁械泻? 袙褋械泻懈 械 懈蟹卸懈胁褟胁邪谢 褌邪蟹懈 斜芯谢泻邪 懈 蟹薪邪械 (懈谢懈 屑芯卸械 斜懈 薪械) 芯褌谐芯胁芯褉懈褌械 蟹邪 褋械斜械 褋懈.
肖褉械薪褋泻懈褟褌 锌懈褋邪褌械谢, 泻褉懈褌懈泻, 褋械屑懈芯褌懈泻 懈 褎懈谢芯褋芯褎 袪芯谢邪薪 袘邪褉褌 蟹邪锌芯褔胁邪 褋胁芯褟 鈥炐斝叫敌残叫感� 薪邪 褋泻褉褗斜褌邪鈥� (懈蟹写. 袗袚袗孝袗-袗, 锌褉械胁芯写: 袙邪谢械薪褌懈薪邪 袘芯褟写卸懈械胁邪), 胁 泻芯泄褌芯 锌懈褕械 泻褉邪褌泻懈 褎褉邪谐屑械薪褌懈 锌芯 褌械蟹懈 褌械屑懈, 褋谢械写 褋屑褗褉褌褌邪 薪邪 屑邪泄泻邪 褋懈 锌褉械蟹 1977 谐. 懈 谐芯 胁芯写懈 芯泻芯谢芯 2 谐芯写懈薪懈. 袧褟屑邪 锌芯-写芯斜褗褉 薪邪褔懈薪 写邪 谐芯 锌褉械写褋褌邪胁褟 芯褌 褌芯胁邪 写邪 褋锌芯写械谢褟 褑懈褌邪褌懈 芯褌 褌邪蟹懈 懈蟹泻谢褞褔懈褌械谢薪芯 谢懈褔薪邪 懈 写芯泻芯褋胁邪褖邪 泻薪懈谐邪, 蟹邪褖芯褌芯 薪褟屑邪 锌芯-褌褉褍写薪懈 褌械屑懈 蟹邪 芯斜谐芯胁邪褉褟薪械 芯褌 褌械蟹懈, 泻芯懈褌芯 褋邪 芯斜褖懈 蟹邪 胁褋懈褔泻懈 薪懈.
鈥炐⑿狙傂靶恍叫� 锌褉懈褋褗褋褌胁懈械, 邪斜褋芯谢褞褌薪芯 薪褍谢械胁芯 褌械谐谢芯, 锌谢褗褌薪芯褋褌褌邪, 薪械 褌械谐谢芯褌芯.鈥�
鈥炐炐毖€邪褌薪芯褌芯 薪邪 械写薪芯 薪械褖芯 薪械 械 薪械谐芯胁邪褌邪 锌褉芯褌懈胁芯锌芯谢芯卸薪芯褋褌 懈 褌. 薪. 袧邪锌褍褋泻邪褏 屑褟褋褌芯, 泻褗写械褌芯 斜褟褏 薪械褖邪褋褌械薪, 薪芯 褌芯胁邪, 褔械 谐芯 薪邪锌褍褋泻邪褏, 薪械 屑械 锌褉邪胁械褕械 褖邪褋褌谢懈胁.鈥�
鈥�(袣芯谢泻芯) 写褗谢谐芯 械, 斜械蟹 薪械褟.鈥�
鈥炐溞狙徰� 袦芯褉邪谢 鈥� 小屑械谢芯褋褌褌邪 薪邪 写懈褋泻褉械褌薪芯褋褌褌邪; 鈥� 孝芯泄 懈屑邪 褋屑械谢芯褋褌褌邪 写邪 薪械 斜褗写械 褋屑械谢.鈥�
鈥炐斝� 锌懈褕邪, 蟹邪 写邪 锌芯屑薪褟? 袧械 写邪 褋懈 褋锌芯屑薪褟屑, 邪 写邪 褋械 斜芯褉褟 褋 斜芯谢泻邪褌邪 芯褌 蟹邪斜褉邪胁邪褌邪, 写芯泻芯谢泻芯褌芯 褌褟 褋械 芯褔械褉褌邪胁邪 邪斜褋芯谢褞褌薪邪.鈥�
鈥炐溠娦盒把傂� 屑懈 械 薪械懈蟹褉邪蟹懈屑邪, 薪芯 胁褋械 锌邪泻 懈蟹泻邪蟹褍械屑邪. 小邪屑懈褟褌 褎邪泻褌, 褔械 械蟹懈泻褗褌 屑懈 锌褉械写芯褋褌邪胁褟 写褍屑邪褌邪 鈥樞叫敌啃拘叫狙佇感尖€�, 薪械蟹邪斜邪胁薪芯 锌褉芯褟胁褟胁邪 薪褟泻邪泻胁邪 褌芯谢械褉邪薪褌薪芯褋褌.鈥�
鈥炐捬佇敌盒感佳� 薪械谐芯胁懈褟褌 褉懈褌褗屑 薪邪 屑褗泻邪.鈥�
鈥炐毿拘承� 斜懈褏 屑芯谐褗谢 写邪 锌芯锌懈褌邪屑 蟹邪 褌芯胁邪 (褋 薪邪写械卸写邪褌邪 写邪 屑懈 芯褌谐芯胁芯褉懈)? 袛邪 屑芯卸械褕 写邪 卸懈胁械械褕 斜械蟹 薪褟泻芯谐芯, 泻芯谐芯褌芯 褋懈 芯斜懈褔邪谢, 芯蟹薪邪褔邪胁邪 谢懈, 褔械 褋懈 谐芯 芯斜懈褔邪谢 锌芯-屑邪谢泻芯, 芯褌泻芯谢泻芯褌芯 褋懈 褋屑褟褌邪谢鈥�?
肖褉械薪褋泻懈褟褌 锌懈褋邪褌械谢, 泻褉懈褌懈泻, 褋械屑懈芯褌懈泻 懈 褎懈谢芯褋芯褎 袪芯谢邪薪 袘邪褉褌 蟹邪锌芯褔胁邪 褋胁芯褟 鈥炐斝叫敌残叫感� 薪邪 褋泻褉褗斜褌邪鈥� (懈蟹写. 袗袚袗孝袗-袗, 锌褉械胁芯写: 袙邪谢械薪褌懈薪邪 袘芯褟写卸懈械胁邪), 胁 泻芯泄褌芯 锌懈褕械 泻褉邪褌泻懈 褎褉邪谐屑械薪褌懈 锌芯 褌械蟹懈 褌械屑懈, 褋谢械写 褋屑褗褉褌褌邪 薪邪 屑邪泄泻邪 褋懈 锌褉械蟹 1977 谐. 懈 谐芯 胁芯写懈 芯泻芯谢芯 2 谐芯写懈薪懈. 袧褟屑邪 锌芯-写芯斜褗褉 薪邪褔懈薪 写邪 谐芯 锌褉械写褋褌邪胁褟 芯褌 褌芯胁邪 写邪 褋锌芯写械谢褟 褑懈褌邪褌懈 芯褌 褌邪蟹懈 懈蟹泻谢褞褔懈褌械谢薪芯 谢懈褔薪邪 懈 写芯泻芯褋胁邪褖邪 泻薪懈谐邪, 蟹邪褖芯褌芯 薪褟屑邪 锌芯-褌褉褍写薪懈 褌械屑懈 蟹邪 芯斜谐芯胁邪褉褟薪械 芯褌 褌械蟹懈, 泻芯懈褌芯 褋邪 芯斜褖懈 蟹邪 胁褋懈褔泻懈 薪懈.
鈥炐⑿狙傂靶恍叫� 锌褉懈褋褗褋褌胁懈械, 邪斜褋芯谢褞褌薪芯 薪褍谢械胁芯 褌械谐谢芯, 锌谢褗褌薪芯褋褌褌邪, 薪械 褌械谐谢芯褌芯.鈥�
鈥炐炐毖€邪褌薪芯褌芯 薪邪 械写薪芯 薪械褖芯 薪械 械 薪械谐芯胁邪褌邪 锌褉芯褌懈胁芯锌芯谢芯卸薪芯褋褌 懈 褌. 薪. 袧邪锌褍褋泻邪褏 屑褟褋褌芯, 泻褗写械褌芯 斜褟褏 薪械褖邪褋褌械薪, 薪芯 褌芯胁邪, 褔械 谐芯 薪邪锌褍褋泻邪褏, 薪械 屑械 锌褉邪胁械褕械 褖邪褋褌谢懈胁.鈥�
鈥�(袣芯谢泻芯) 写褗谢谐芯 械, 斜械蟹 薪械褟.鈥�
鈥炐溞狙徰� 袦芯褉邪谢 鈥� 小屑械谢芯褋褌褌邪 薪邪 写懈褋泻褉械褌薪芯褋褌褌邪; 鈥� 孝芯泄 懈屑邪 褋屑械谢芯褋褌褌邪 写邪 薪械 斜褗写械 褋屑械谢.鈥�
鈥炐斝� 锌懈褕邪, 蟹邪 写邪 锌芯屑薪褟? 袧械 写邪 褋懈 褋锌芯屑薪褟屑, 邪 写邪 褋械 斜芯褉褟 褋 斜芯谢泻邪褌邪 芯褌 蟹邪斜褉邪胁邪褌邪, 写芯泻芯谢泻芯褌芯 褌褟 褋械 芯褔械褉褌邪胁邪 邪斜褋芯谢褞褌薪邪.鈥�
鈥炐溠娦盒把傂� 屑懈 械 薪械懈蟹褉邪蟹懈屑邪, 薪芯 胁褋械 锌邪泻 懈蟹泻邪蟹褍械屑邪. 小邪屑懈褟褌 褎邪泻褌, 褔械 械蟹懈泻褗褌 屑懈 锌褉械写芯褋褌邪胁褟 写褍屑邪褌邪 鈥樞叫敌啃拘叫狙佇感尖€�, 薪械蟹邪斜邪胁薪芯 锌褉芯褟胁褟胁邪 薪褟泻邪泻胁邪 褌芯谢械褉邪薪褌薪芯褋褌.鈥�
鈥炐捬佇敌盒感佳� 薪械谐芯胁懈褟褌 褉懈褌褗屑 薪邪 屑褗泻邪.鈥�
鈥炐毿拘承� 斜懈褏 屑芯谐褗谢 写邪 锌芯锌懈褌邪屑 蟹邪 褌芯胁邪 (褋 薪邪写械卸写邪褌邪 写邪 屑懈 芯褌谐芯胁芯褉懈)? 袛邪 屑芯卸械褕 写邪 卸懈胁械械褕 斜械蟹 薪褟泻芯谐芯, 泻芯谐芯褌芯 褋懈 芯斜懈褔邪谢, 芯蟹薪邪褔邪胁邪 谢懈, 褔械 褋懈 谐芯 芯斜懈褔邪谢 锌芯-屑邪谢泻芯, 芯褌泻芯谢泻芯褌芯 褋懈 褋屑褟褌邪谢鈥�?
June 14, 2020
趩蹖夭蹖 讴賴 鬲賵蹖 丕蹖賳 讴鬲丕亘 亘丕賴丕卮 賲賵丕噩賴鈥屫й屬� 蹖讴 丕孬乇 丕丿亘蹖 爻丕禺鬲賴 賵 倬乇丿丕禺鬲賴 卮丿賴 賳蹖爻鬲貙 趩乇丕 讴賴 氐乇賮丕賸 賳賵卮鬲賴鈥屬囏й� 倬乇丕讴賳丿賴鈥屰� 賳賵蹖爻賳丿賴鈥屫ж� 讴賴 亘毓丿 丕夭 賲乇诏卮 亘賴 丕蹖賳 卮讴賱 趩丕倬 卮丿賴. 丕爻丕爻丕賸 亘丕 趩丕倬 丕孬乇賴丕蹖 丕蹖賳 趩賳蹖賳蹖 賲賵丕賮賯 賳蹖爻鬲賲 趩乇丕 讴賴 丕诏乇 亘賴 賯丿乇 讴丕賮蹖 倬禺鬲賴 賵 賯丕亘賱 趩丕倬 亘賵丿 禺賵丿 賳賵蹖爻賳丿賴 丕賯丿丕賲 亘賴 丕蹖賳 讴丕乇 賲蹖鈥屭┴必�. 賴乇趩賳丿 丿乇 賲賵乇丿 丕蹖賳 讴鬲丕亘 丕蹖賳 賲賵囟賵毓 亘丕毓孬 卮丿賴 賳賵卮鬲賴鈥屬囏� 亘爻蹖丕乇 禺丕賱氐丕賳賴 賵 爻丕丿賴 亘賴 賳馗乇 亘蹖丕賳.
氐賮丨丕鬲 讴鬲丕亘 亘賴 丕蹖賳 卮讴賱 亘賵丿 讴賴 鄹郯 丿乇氐丿 賴乇 氐賮丨賴 爻賮蹖丿 亘賵丿 賵 趩賳丿 噩賲賱賴 賲蹖賵賳 氐賮丨賴 賳賵卮鬲賴 卮丿賴 亘賵丿. 丕蹖賳 讴賴 氐賮丨丕鬲 丕蹖賳 讴鬲丕亘 禺丕賱蹖 亘賵丿賳 亘乇丕賲 丨爻蹖 卮亘蹖賴 亘賴 賲乇诏 丿丕卮鬲貙 丨爻蹖 卮亘蹖賴 亘賴 睾賲 賵 爻賵诏賵丕乇蹖 亘乇丕蹖 賲乇诏. 丕蹖賳 讴賴 賴賲賴 趩蹖夭 禺丕賱蹖 賲蹖鈥屫促囏� 夭賳丿诏蹖 禺丕賱蹖 賲蹖鈥屫促囏� 匕賴賳 丌丿賲 禺丕賱蹖 賲蹖鈥屫促�. 賴蹖趩蹖 賳蹖爻鬲 賵 鬲賵 亘賴鬲鈥屫藏団€屫й� 賵 丕蹖賳 賲蹖賵賳 诏丕賴蹖 蹖賴賵 丿賵 禺胤 睾賲貙 丿乇丿 蹖丕 乇賳噩 亘賴卮 丕囟丕賮賴 賲蹖鈥屫促�.
丿乇 賳賴丕蹖鬲 賴賲 丕蹖賳 讴賴 鬲乇噩賲賴 乇賵 丿賵爻鬲 賳丿丕卮鬲賲 賵 亘賴 乇丕丨鬲蹖 丕乇鬲亘丕胤 亘乇賯乇丕乇 賳讴乇丿賲.
賵 蹖讴蹖 丕夭 噩賲賱丕鬲蹖 讴賴 亘爻蹖丕乇 亘丕賴丕卮 丕乇鬲亘丕胤 亘乇賯乇丕乇 讴乇丿賲: 芦賳诏賵蹖蹖丿 爻賵诏賵丕乇蹖. 丕蹖賳 毓亘丕乇鬲 亘爻蹖丕乇 乇賵丕賳讴丕賵丕賳賴 丕爻鬲. 爻賵诏賵丕乇 賳蹖爻鬲賲. 乇賳噩 賲蹖鈥屭┴促�.禄
氐賮丨丕鬲 讴鬲丕亘 亘賴 丕蹖賳 卮讴賱 亘賵丿 讴賴 鄹郯 丿乇氐丿 賴乇 氐賮丨賴 爻賮蹖丿 亘賵丿 賵 趩賳丿 噩賲賱賴 賲蹖賵賳 氐賮丨賴 賳賵卮鬲賴 卮丿賴 亘賵丿. 丕蹖賳 讴賴 氐賮丨丕鬲 丕蹖賳 讴鬲丕亘 禺丕賱蹖 亘賵丿賳 亘乇丕賲 丨爻蹖 卮亘蹖賴 亘賴 賲乇诏 丿丕卮鬲貙 丨爻蹖 卮亘蹖賴 亘賴 睾賲 賵 爻賵诏賵丕乇蹖 亘乇丕蹖 賲乇诏. 丕蹖賳 讴賴 賴賲賴 趩蹖夭 禺丕賱蹖 賲蹖鈥屫促囏� 夭賳丿诏蹖 禺丕賱蹖 賲蹖鈥屫促囏� 匕賴賳 丌丿賲 禺丕賱蹖 賲蹖鈥屫促�. 賴蹖趩蹖 賳蹖爻鬲 賵 鬲賵 亘賴鬲鈥屫藏団€屫й� 賵 丕蹖賳 賲蹖賵賳 诏丕賴蹖 蹖賴賵 丿賵 禺胤 睾賲貙 丿乇丿 蹖丕 乇賳噩 亘賴卮 丕囟丕賮賴 賲蹖鈥屫促�.
丿乇 賳賴丕蹖鬲 賴賲 丕蹖賳 讴賴 鬲乇噩賲賴 乇賵 丿賵爻鬲 賳丿丕卮鬲賲 賵 亘賴 乇丕丨鬲蹖 丕乇鬲亘丕胤 亘乇賯乇丕乇 賳讴乇丿賲.
賵 蹖讴蹖 丕夭 噩賲賱丕鬲蹖 讴賴 亘爻蹖丕乇 亘丕賴丕卮 丕乇鬲亘丕胤 亘乇賯乇丕乇 讴乇丿賲: 芦賳诏賵蹖蹖丿 爻賵诏賵丕乇蹖. 丕蹖賳 毓亘丕乇鬲 亘爻蹖丕乇 乇賵丕賳讴丕賵丕賳賴 丕爻鬲. 爻賵诏賵丕乇 賳蹖爻鬲賲. 乇賳噩 賲蹖鈥屭┴促�.禄
March 30, 2020
兀賰孬乇 賲丕 賱賮鬲賳賷 賮賷 丕賱賰鬲丕亘 賴賵 丕爻鬲禺丿丕賲賴 ( 兀賵 亘氐賷睾丞 兀丿賯賾 丕爻鬲禺丿丕賲 丕賱賲鬲乇噩賲) 丨賷賳 丕賱賰賱丕賲 毓賳 兀賲賾賴貨 賱賮馗 [ 賲丕賲丕 ] 賵賴賷 匕丕鬲 丿賱丕賱丞 兀亘毓丿 賲賳 賲噩乇賾丿 丕賱賳丿丕亍 亘丕爻賲 丕賱賵丕賱丿丞.
賵兀鬲匕賰乇 兀賳賾 禺賱丕賮丕賸 賵賯毓 亘賷賳 丕賱賲鬲乇噩賲賷賳 丨賵賱 丿賯賾丞 丕賱賱賮馗 賮賷 賲胤賱毓 乇賵丕賷丞 丕賱睾乇賷亘: "丕賱賷賵賲 賲丕鬲鬲 兀賲賷"
賵鬲亘賯賶 賲丕賲丕 兀賰孬乇 丨賲賷賲賷丞 賲賳 兀賲賷賾
賵兀鬲匕賰乇 兀賳賾 禺賱丕賮丕賸 賵賯毓 亘賷賳 丕賱賲鬲乇噩賲賷賳 丨賵賱 丿賯賾丞 丕賱賱賮馗 賮賷 賲胤賱毓 乇賵丕賷丞 丕賱睾乇賷亘: "丕賱賷賵賲 賲丕鬲鬲 兀賲賷"
賵鬲亘賯賶 賲丕賲丕 兀賰孬乇 丨賲賷賲賷丞 賲賳 兀賲賷賾
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