Lonely girl in a small fishingtown, finds sea monster that first scares her, until it becomes clear it's not bad at all! So that's nice. And there's lovely art and some thoughtful writing. Also a couple of Dutch phrases and words, I noticed, our nasty colonial past popping up yet again.
Rep: South African cast & setting, lesbian mc, sapphic li
Galley provided by publisher
Pearl of the Sea is a fun and fast-paced book, centering on the friendship of a girl and a giant octopus. Yeah, that might give you a pause at first, but! It's a very sweet friendship (and octopus) and, if you're going to predicate a book on that, I feel it has to be. Of course, it's not only about the octopus (although I feel he is the best part), but also about Pearl's relationships with other people, namely her dad (who is trying his best to provide for her) and a girl in her class (who Pearl may or may not have a little crush on). All of this is wrapped up in some gorgeous art, making this a graphic novel that you really don't want to miss.
Ahh, I loved this so much!!! The story is wonderful and heartwarming. The setting is lovely. The characters are great, and I loved all of them. The story is set in a coastal town in South Africa. The main character is Pearl, a young girl who spends her days diving in the ocean and gathering sea creatures. She lives with her dad and a dog. Despite the many jobs her dad takes, they don't have enough money to pay rent. Pearl decides to team up with 2 guys from a local fish shop, and sell them every sea creature she catches. One day while she is diving in the ocean, she stubles upon an underwater restricted area where she meets a giant octopus. Pearl and the octopus become friends, and she names him Otto. The rest of the story focuses on Pearl's relationship with the octopus, her dad, and her best friend Naomi. I enjoyed the story and the character so much. Pearl is a brave, adventurous, and incredibly kind protagonist but she does have her own set of problems. I think there may have been a hint of her not liking boys, which I always like in fiction, especially young adult fiction. I wish we would get a sequel to this because I want to see Pearl and Naomi's friendship develop. I am so happy I got the chance to read this. Thank you to Edelweiss for the review copy.
I saw the art style and stayed for it. The story was pretty mid and predictable, nothing very special but it had a good message: protect the rare sea creatures. I probably wouldn鈥檛 read it again, though I would be glad to look at the sunny, warm, watery graphics.
Great artwork, but I think this moved a bit too quickly for me. I would have loved it more if the main characters and other subplots were fleshed out a bit more which would have set this apart from a story that I鈥檝e read/watched countless times before. I would still recommend picking it up.
#PearlOfTheSea 鈥� Anthony Silverston, Raffaella Delle Donne & Willem Sameul #CatalystPress
Young Pearl lives on the West Coast with her father. Due to his battles to pay the bills after her mother abandoned them, Pearl spends increasing amounts of time fishing to contribute to the household. Desperate times call for desperate measures however, and she becomes involved with an abalone poaching ring. Whilst diving, she meets a creature of the deep that she initially perceives as a monster, but after sharing an Androcles-moment with him, he becomes her secret friend, and she names him Otto. Their relationship teaches her the true face of monsters and the value of the bonds of friendship.
What may appear as an uncomplicated happily-ever-after story on the surface, is anything but. Important themes included are single parenthood; youthful sexual awakening; loneliness, loyalty, and the complexities of poaching and conservation, especially in respect of aquatic life. It is a large format, full colour graphic novel with the cinematic quality of an animation film. The detailed illustrations are sufficiently realistic for young readers-to-be to follow all the action by looking at the pictures only. Several pages contain no speech bubbles; the quality of the illustrations confirming that a picture is worth a thousand words. Onomatopoeia is employed cleverly, creating the impression of a soundtrack with words and expressions like 鈥榓rf arf鈥� (barking dog); 鈥榢a-ching鈥� (money) and 鈥榳ee-oo-wee-oo-wee鈥� (siren).
The visual perfection can best be described in the words of Luke Kolver, author, and illustrator of 鈥楽haka rising鈥� (Catalyst Press, 2017) and 鈥楰ing Shaka鈥� (Catalyst Press, 2019): 鈥楾he art evokes both the action of classic manga and the pristinely framed storytelling of Herge鈥檚 Tintin.鈥�
It is, in essence, a compassionate coming of age story, suitable for and recommended to readers of all genres and ages.
Look, you鈥檙e already gonna hook me with the pitch 鈥渜ueer teenage diver girl in a coastal town learns to open up to others by developing a telepathic connection to a huge fucking sea monster鈥� (one of my favourite films is 鈥楢quamarine鈥� for goodness鈥� sake). But seeing this comic set in *South Africa* - and developed by artists from South Africa鈥檚 superstar animation studio Triggerfish, no less - is truly special. Reading a comic where characters鈥� English dialect matches the people around me, with the town houses matching building styles I grew up seeing, is putting this graphic novel in a special place in my heart.
It鈥檚 fast-paced and full of heart, with the dynamism of action manga, and the adventurous spirit of TinTin, full of a love for the sea and a love of local rural coastal villages. Friendship, and the idea of personal agency and letting go of last hurts, are at its core. Pearl is such a fun character too, full of more affection for the people around her than she realises, and I love her blossoming friendship with Naomi, as well as her friendship with the Huge Bigass Sea Monster. The art style is so cute, lively, and expressive as well, very much in the vein of comics by animation professionals, and I鈥檓 really fond of the lively, loose, storyboard-like line-work
The art in this Pixar-y South African graphic novel is so fluid and expressive, it should be no surprise that the creators all come from animation backgrounds. But 鈥淧earl Of The Sea鈥� is more than just glorified collection of storyboards. The panel layouts, pacing, and plot all embrace the comics format and feels cohesive, even if the story comes off as a little derivative. It鈥檚 a pleasant, breezy read and a great entry point for younger readers looking to make the leap from cartoons and animated movies to proper comics.
A lovely graphic novel about one teenager unusual friendship with a giant octopus & how her kindness determination and courage changes her life and small town
Pearl of the Sea is a beautiful graphic novel that will have great appeal to a wide range of readers.
Pearl spends most of her time on the ocean. It鈥檚 the only place she feels safe and most at home. Pearl is an experienced diver and we see this right from the opening spread. Gorgeous blues and underwater scenes make this book utterly enchanting. Pearl dives to put food on the table. When she finds a secured underwater space, abundant with abalone, she is approached by poachers. Pearl take the deal, thinking it will help her father pay the bills. But Pearl finds another secret while diving - a big secret - and one she鈥檇 do anything to protect.
The colours in this graphic novel are wonderful. From the vibrant pops of colour, blues of the underwater scenes and soft sunrises over the ocean. It鈥檚 a graphic novel with few words - Pearl likes to work alone, after all, and this leave plenty of space for page-width panels and dramatic spreads.
Pearl of the Sea has wonderful themes of protecting our ocean life, friendship and opening up to others, even after losing someone close to you. Pearl must learn to be a friend and open herself to friendship. She also has to learn to accept help, though she is one tough and clever heroine.
A beautiful graphic novel I can鈥檛 wait to add to our school library鈥檚 collection.
The publishers provided an advanced readers copy of this book for reviewing purposes. All opinions are my own.
Find more reviews, reading age guides, content advisory, and recommendations on my blog
An enjoyable simple standalone summer adventure with beautiful underwater seascape art when the main character goes diving. It's a short read without the unsatisfying feeling of skipping over important stuff, and diverse without feeling pandering or token-ish. Pearl lives in a small seaside town with her dog and her dad, missing her mother - who left the family for unspecified reasons, but is not vilified - and preferring snorkelling to school. Times are tough, so she tries to supplement their income by fishing, dodging police-boats and abalone poachers. One day she dives near a wreck and finds a sea monster. She befriends it, but when its old enemy comes calling, she must try to save it. Recommended for readers from tween to adult who miss the beach or enjoy seaside settings, or who enjoy a straightforward adventure without too many complications.
Content/Parental concerns: no swearing (beyond a few isolated mild things on the level of "what the hell was that"), no nudity/making out/kissing/sex, no drugs/alcohol/drunkenness, no racism, no islamophobia, no homophobia or transphobia, no police violence; Pearl gets picked on by some classmates (mean/snarky comments) but no sustained vicious bullying or physical bullying; two shady antagonists try to get cash-strapped Pearl to help them with their abalone-poaching
J'ai craqu茅 pour cette belle BD ! L'histoire de Pearl est vraiment belle et touchante, les auteurs abordent la pauvret茅, la difficult茅 脿 trouver du travail, les relations familiales et amicales... Tout un panel bien emmen茅 et surtout port茅 par le dessin et les couleurs superbes. J'ai vraiment pass茅 un excellent moment, du d茅but 脿 la fin.
Pearl of the Sea Catalyst Press Anthony Silverston; Willem Samuel; and Raffaella Donne Delle temporarily in France. Review: Karen Watkins
This fantastical adventure comes from the award-winning animation team Triggerfish Studios in Bergvliet. The large, glossy, full colour fantasy graphic book is written by Anthony Silverston of Woodstock and Raffaella Donne Delle temporarily in France with illustrations by Willem Samuel of Claremont. The team are behind the films Khumba, Zambezia and Seal Team. Silverston says graphic novels are popular world-wide and demand for them keeps growing but there are few made in Africa or told from an African perspective. Animation and graphic novels involve similar processes such as writing, storyboarding and character design, so it was logical for Triggerfish to expand into this form of visual storytelling. Making an animated movie takes a helluva lot of time and money, so graphic novels allow us to get more of our home-grown stories out there, says Sivertson. Plus, in a country with high illiteracy levels, it鈥檚 a great way to expose young people to stories they can identify with, while encouraging them to read. This story is about a friendship between a girl and sea monster. Pearl鈥檚 preferred habitat is exploring the ocean with snorkel, goggles, fins and her one-eyed mongrel Moby. At school the teenager has no friends although Naomi would like to change this. Pearl鈥檚 mother has vanished from their home in a sleepy coastal South African town. Her dad has lost his job as a chef and is struggling to settle the bills. Facing financial insecurity, Pearl starts fishing to help out but gets caught up with local poachers who swap money for perlemoen. While diving in a restricted area, Pearl meets a massive misunderstood monster hiding in a shipwreck. Luring it out with fish heads she notices the many harpoons protruding from its tentacles. Naming him Otto she finds a way to remove them. The pair grows closer until the poachers decide to finish what they started. Pearl is the only one who can save him, but only if she has the courage to let go of her past and open up to others. The story is often told through wordless panels of oceanic, sunsets, action and larger than life characters leaving the imagination to run riot. The heroine is smart, brave and relatable to readers of all ages and tackles the complexities of poaching, families and friendships. It鈥檚 reminiscent of Herge鈥檚 Tintin books and is thoroughly recommended.
Une sympathique trouvaille au rayon de la BD jeunesse Interm茅diaire, avec ce tome unique mettant en vedette une jeune fille attachante et rafraichissante qui devient amie avec une sorte de kraken, aussi affectueux qu'imposant.
Pearl habite un petit village c么tier qui semble devenu bien pauvre. Comme son p猫re travaille au mieux pour arriver 脿 payer leur toit et leur nourriture, Pearl est souvent seule. Grande amoureuse de la mer, elle plonge pour trouver des fruits de mer qu'elle peut revendre. Un jour, alors qu'elle d茅couvre une 茅pave au fond d'une zone interdite, elle fait en m锚me temps une trouvaille de taille en la personne d'Otto, un immense c茅phalopode. La pauvre cr茅ature est cribl茅e de harpon. Quand Pearl tente de l'app芒ter pour en tirer profit, ses man艙uvres finissent par tourner au sauvetage. D猫s le moment o霉 elle parvient 脿 extraire les harpons, la cr茅ature se montre 茅tonnamment amicale et dot茅e d'une grande intelligence. M锚me sa couleur de base, un violette p芒le un peu maussade, vire au bleu 茅lectrique quand il est en la pr茅sence de Pearl. C'est le d茅but d'une grande amiti茅, mais comme toutes les histoires de monstres, les avares et les braconniers ne sont jamais bien loin.
D茅j脿, je dois dire que j'adore Pearl. Elle a une d茅gaine charmante, avec des cheveux en 茅pis visiblement incoiffables, de grands yeux expressifs, un style d茅contract茅 et des mimiques comiques. C'est un "poisson", une excellente nageuse. Sa locomotion change d'ailleurs dans l'eau, elle devient plus souple, plus fluide. Sa combinaison est classe, 茅galement. Pearl est une enfant qui se sent d茅laiss茅e et cela va faire d'elle une ado d茅brouillarde, audacieuse, mais aussi peu s茅rieuse quand 脿 ses 茅tudes et solitaire. Elle a du mal 脿 accepter les d茅part de sa m猫re, dont elle garde un bracelet. Il y a aussi Naomi, cette jeune fille qui est sa voisine de pupitre, pour qui elle semble avoir le b茅guin, mais avec qui il est difficile pour elle de parler. Pearl semble avoir une certaine maladresse avec la socialisation et semble avoir l'impression de ne pas 锚tre assez bien pour les autres, surtout avec un p猫re absent et une m猫re disparue. Heureusement, elle gagne l'amiti茅 d'Otto et elle a aussi Moby ( Oh, la r茅f茅rence 脿 Moby Dick, fort 脿 propos) , un adorable chien qui n'a qu'un 艙il. J'aime beaucoup la repr茅sentation de l'h茅ro茂ne sur la couverture, avec cette belle carrure d'茅paules, et cette pose d茅cid茅e.
Otto, oh cet adorable grosse pieuvre, franchement, je vous met au d茅fis de ne pas le trouver 脿 croquer, ce personnage! Otto a une facult茅 茅trange lui permettant de changer de couleurs avec son humeur. Quand il est en mode d茅fensif ou qu'il est en col猫re, il prend une alarmante couleur 茅carlate et sa peau se h茅risse de pointes. Au repos, il a une triste nuance rosette et quand il est heureux, c'est le bleu 茅clatant 茅lectrique mentionn茅 plus haut. Ses yeux sont tr猫s expressifs et ses tentacules font office de mains. La case o霉 Pearl trouve un coquillage 脿 offrir 脿 Naomie, alors qu'Otto fait exactement le m锚me geste avec le m锚me regard appr茅ciateur avec un requin blanc 茅tait hilarante: "Oh, le beau coquillage! "Oh, le bel encas!" Hihihi - pauvre requin. Otto est tr猫s probablement un kraken, un peu plus petit que certaines repr茅sentations d茅j脿 exprim茅es dans d'autres 艙uvres, mais assur茅ment plus sympathique. Victime de sa taille et manifestement un rare sp茅cimen, il a 茅t茅 la proie de marins peu scrupuleux.
L'histoire en soit est relativement d茅j脿 vue, avec un personnage atypique rencontrant un "monstre" et devra le prot茅ger d'humains sanguinaires. Mais ce n'est pas tant l'histoire que son traitement que j'ai appr茅ci茅. M锚me les histoires simples peuvent 锚tre magiques quand on y met la bonne dose d'humour et de sensibilit茅. Pearl et Otto sont diff茅rents et m茅fiants de ce fait, deux 茅l茅ments qui se font 茅cho entre eux deux. Certains 茅l茅ments sont un peu faciles, comme le fait que les braconniers ont utiliser une seule fl茅chette soporifique pour endormir Otto et je me demande comment ils sont parvenus 脿 le mettre dans leur bateau vu sa masse consid茅rable. Je me demande aussi si on peut r茅ellement nager si longtemps sous l'eau avec un simple tuba, mais comme je n,ai aucune exp茅rience en la mati猫re, j'ignore si c'est plausible. Les 茅v猫nements s'enchainent bien, mais l脿 encore, peut 锚tre un peu facilement sur certains points. Enfin, la transition entre le projet de Pearl a p茅cher Otto et son changement d'id茅e pour lui venir en aide manquait de clart茅, car 脿 aucun moment elle nus informe de son changement d'avis.
Reste que c'est une jolie histoire, visuellement attirante. Je souligne aussi que Pearl est gay, on a donc une petite romance entre filles ici, mais rien de majeur. C'est cependant toujours une joie de voir la diversit茅 mise de l'avant. Enfin, certains trouveront "facile" la r茅action du p猫re de Pearl, quand il la suit dans sa tentative de sauver Otto, mais en m锚me temps, c'est exactement ce qu'il faut 脿 Pearl: un papa qui se montre pr茅sent. Ce dernier fait visiblement de son mieux pour sa fille et il est bon de pr茅senter aussi ces parents qui savent que certains 茅v猫nements requiert leur inconditionnelle pr茅sence. En cela, je trouve donc le choix de cette r茅action logique et cens茅e.
En fond de trame, nous avons l'enjeu de la pauvret茅. le braconnage marin est rependu dans le monde et revient bien souvent au facteur de la pauvret茅. Je remarque 脿 la couleur de peau des habitants qu'il semble y avoir les "natifs" et les "colons blancs". Nous sommes peut-锚tre dans ces endroits du monde o霉 le colonialisme a eu des effets d茅l茅t猫res. En outre, on assiste 脿 ce qu'on appelle une "parentification" quand un jeune, enfant ou ado, a des responsabilit茅s et/ou des pr茅occupations qui incombent normalement aux adultes. En ce sens, ce n'est pas "normal" que Pearl "travaille" a payer les dettes de leur foyer. Ce n'est pas un jugement, c'est un constat et il est souhaitable de repr茅senter ces jeunes qui se retrouvent dans cette situation.
Graphiquement, c'est dynamique, fluide, souvent comique. Certains traitement, comme les hachures en fond ou les cases obliques, me rappelle certaines Bd de super h茅ros. Les 茅claboussures sont un peu moches car elles sont monochromes et triangulaires. En revanche, les transitions de couleurs et les palettes de couleurs sont magnifiques. le fait de garder le trait noir pour les personnages et les objets, de ne pas les utiliser pour les d茅cors, est un bon choix. Cela rend le tout plus doux. Les positions corporelles sont vari茅es et dynamiques. Certaines sc猫nes font pleine page, parfois double-page, comme la sc猫ne dans le mus茅e o霉 Pearl et Naomi partage un moment au fond d'un abysse, o霉 les silhouettes sont en bioluminescence 9 joli!) et certaines sc猫nes avec Otto, dans lesquels on cerne mieux son immense gabarit et sa force colossale. Enfin, j'aime le traitement couleur du ciel, surtout les transitions du cr茅puscule et de l'aurore.
Donc, malgr茅 quelques petites choses qui auraient pu 锚tre retravaill茅es, dans l'ensemble, j'aime le style de la BD, l'humour pr茅sent et l'amiti茅 touchante entre deux 锚tres atypiques. Une BD qui montre 茅galement que les filles aussi peuvent 锚tre courageuses, surtout aux gar莽ons qui ont encore du mal 脿 choisir des BD ayant une h茅ro茂ne comme personnage principal.
脌 voir!
Cat茅gorisation: troisi猫me cycle primaire, 10-12 ans. Note: 8/10
Pearl lives with her father and one-eyed dog in a gritty fishing village. As the town sinks further into poverty, her father has a hard time finding work to pay the bills, and Pearl steps in. With her love of diving, she spends more and more time ditching school and illegally hunting for abalone to sell. It helps out to have more money at home, and frees her from the grief of missing her mother. One day she finds a shipwreck underwater behind a fence. There鈥檚 a gigantic sea creature lying near the wreck. When she frees a spear from its side, the creature鈥檚 eyes open. Over the course of several dives, Pearl removes more spears from the creature, and it seems grateful. She names it Otto, and thus begins a friendship. She spends more and more time with Otto, ignoring the attention of Naomi, a cute school friend, and her father. Pearl doesn鈥檛 notice when other more nefarious actors follow her and want to trap Otto, with the idea of profiting from him somehow.
This story of a kid trying to manage grief and poverty is hard to put down. There鈥檚 adventure, danger, and a bit of humor. And, a misunderstood giant squid. I love the undersea diving scenes 鈥� readers will feel Pearl鈥檚 freedom from stress when she鈥檚 down there. Pearl鈥檚 father wants to give her a normal life, wishing that she鈥檇 get interested in boys. Pearl slyly sidesteps the statement, and the reader sees that she is working on telling him she鈥檚 gay. Black and brown people dominate the characters in the seaside fishing village, and all the characters are satisfyingly eccentric. Readers will love to hate the evil factory owner, who reminds me of Edna Mode from the movie The Despicables. I like the notebook size format 鈥� it allows the sweeping sea vistas to really pop. In short, this magical fantasy adventure has lots to love, and I hope it finds its way into the hands of fantasy loving teens.
Note: the printing quality was not great 鈥� there are shadowy vertical lines over several pages. Hopefully this can be corrected.
Pearl's town is on the brink of economic collapse, and her dad - a chef - wants to move to a larger city where there will be more work opportunities. But Pearl loves living on the sea; she spends her days diving in deep water, exploring for treasure, and (sometimes) cutting class. Desperate to stay in the town she loves, Pearl takes a job illegally collecting abalone shells for some sketchy people to earn enough money to pay rent. She knows exactly where she can find a lot of shells: the restricted ship wreak zone just off the coast. She'll have to break in, but that's no problem for Pearl! However, when she gets there, she finds far more than she expected and accidentally awakens an ancient sea monster that will change everything.
Pearl of the Sea is a fast-paced South African story of adventure and the connection between humans and nature. It uses few words and lots of beautiful, compelling, and cinematic illustrations.
One thing to note: my library's copies are much larger than I had expected - the size of a small textbook, which is not ideal for bringing to school booktalks. Thankfully they are pretty light so I'm sure we can make it work. (Though I am curious why the book was made this size. Perhaps this is the typical size of graphic novels and comics from South Africa? Or perhaps to better accommodate the full-page designs?)
Pearl is an older girl, forced to go diving to keep a roof over the heads of her and her deadbeat dad. In an area that looks strangely restricted, she finds a wounded sea monster, but tending to the harpoons stuck through its tentacles 鈥� and deciding it's called Otto 鈥� they become friends, and before long she is gaining from his collaborative 鈥� and much better 鈥� fishing prowess. But none of this is going unnoticed...
I think the issue is that a lot of these pages are wordless 鈥� not much dialogue to be had by one girl on her own underwater 鈥� and so the whole thing feels a little slight. Even when there are multiple characters and drama and scenes of action, it's over a touch rapidly, and so this is definitely a lighter kind of read. But for someone who doesn't read many books it may be what they need to enjoy a full-sized graphic novel. It's certainly not stated as just for reluctant readers, and a much larger audience will find something to like in its slightly old-fashioned appeal. For me, it had some of the spirit, light morals and decent drama of a Children's Film Foundation piece, and its questioning of who and what is a monster is welcome. Four stars might be a wavelet too generous, but this is distinctive enough to be just about there.
A heartwarming story of friendship, family, forgiveness, and moving forward. With the looming threat of not making rent and having to move away from the sea, Pearl gives in to the temptation of illegal abalone poaching. But during her dives, she makes a strange discovery, a giant sea monster she names Otto. Their unlikely friendship develops, but soon the past starts catching up with them both.
The artwork is absolutely stunning. Beautiful scenery. Great movement. Every one of Pearl's dives are breathtaking. I especially loved Otto's design. It was really cool how they worked in traits of real octopuses, such as changing color and morphing their bodies. And all of Moby's expressions were perfection.
Nice pacing on the story itself. It's fairly quick and keeps the reader engaged. Great themes of opening up to new experiences and relationships, and letting go of the past. Also touches are some darker topics such as the pressure of going against your own morals to make money, holding grudges, and parental abandonment.
"Pearl of the sea" is a graphic novel about a girl name Pearl that lives in a fishing village that has seen better days. Her dad can't find work bc the town is fairly deserted of tourists, so she has to find a way to help pay the bills so they don't have to move to the city. Pearl loves to fish, and begins to search for shellfish and such to sell to poaches to make quick cash. On her journeys to the sea, she meets a giant octopus and saves him, becoming his friend. But what will happen when other villagers find out about her octopus friend, especially the poachers?
This book was an exciting novel about a girl and her love for the sea. There is a cute, but unnecessary romantic subplot, but the main plot is about doing the right thing and the growth of Pearl's friendship with the octopus. I loved the art style, and the graphic novel took about 20 minutes to read. 4/5 stars because the plot was very surface level.
Since her mother left, Pearl has spent more time in the ocean then on land, fishing and searching for ways to help her father pay the bills. But when she gets mixed up with a group of illegal poachers and starts diving near a restricted wreck, Pearl meets an ancient sea monster named Otto, but the poor thing is just in pain and lonely and soo soo sooo adorably cute!
And when Otto鈥檚 enemies come back to finish what they started, Pearl is the only one who can save him, but only if she has the courage to let go of her past and open up to others鈥攊ncluding the girl from class she鈥檚 got a crush on.
Otto's facial expressions are just spot on! 馃槏
This is a comic, a graphic novel. The colours, the illustrations, the whole of it all. There isn't much text, just enough to have something to read, but you don't mis the "lack" of. It tells the story perfectly without words!
Big thank you to Catalyst Press for the review copy!
Please take me back to the West Coast where I can go snorkelling with giant octopuses because I want to go to there. Could do one of those three things fairly easily but don't think my mortality could handle the latter lmao
Ugh, this book was SUCH a blast and I had a big smile on my face the entire time. It reminded me of the adventures in and therefore I was living my bestest life. But I also loved the characters. And ocean pollution awareness. And the queer rep. AND THE ART STYLE OMG IT WAS STUNNING!!!
If you're looking for a magical oceanic graphic novel with gorgeous illustrations and a fierce heroine, then this book will absolutely HIT THE SPOT NO REGRETS *insert heart eyes*