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笑懈薪懈泻懈
袙 懈蟹写邪薪懈械 胁泻谢褞褔械薪褘 褉芯屑邪薪褘 袗.袘.袦邪褉懈械薪谐芯褎邪 "笑懈薪懈泻懈" 懈 "袘褉懈褌褘泄 褔械谢芯胁械泻". 袙锌械褉胁褘械 芯锌褍斜谢懈泻芯胁邪薪薪褘械 蟹邪 谐褉邪薪懈褑械泄, 胁 斜械褉谢懈薪褋泻芯屑 懈蟹写邪褌械谢褜褋褌胁械 "袩械褌褉芯锌芯谢懈褋" ("笑懈薪懈泻懈" - 胁 1928 谐., "袘褉懈褌褘泄 褔械谢芯胁械泻" - 胁 1930 谐.), 胁 小芯胁械褌褋泻芯泄 袪芯褋褋懈懈 锌褉芯懈蟹胁械写械薪懈褟 袦邪褉懈械薪谐芯褎邪 斜褘谢懈 锌褉懈蟹薪邪薪褘 "邪薪褌懈芯斜褖械褋褌胁械薪薪褘屑懈". 袧邪 写芯谢谐懈械 谐芯写褘 械谐芯 懈屑褟 "胁褘锌邪谢芯" 懈蟹 谢懈褌械褉邪褌褍褉薪芯谐芯 锌褉芯褑械褋褋邪. 袙芯蟹屑芯卸薪芯褋褌褜 锌褉芯褔械褋褌褜 褉芯屑邪薪 "笑懈薪懈泻懈" 芯褌泻褉褘谢邪褋褜 褉褍褋褋泻懈屑 褔懈褌邪褌械谢褟屑 谢懈褕褜 胁 1988 谐芯写褍, "袘褉懈褌褘泄 褔械谢芯胁械泻" 胁锌械褉胁褘械 斜褘谢 懈蟹写邪薪 胁 袪芯褋褋懈懈 胁 1991-屑. 袙 1991 谐芯写褍 锌芯 屑芯褌懈胁邪屑 褉芯屑邪薪邪 "笑懈薪懈泻懈" 褋薪褟谢 褎懈谢褜屑 袛屑懈褌褉懈泄 袦械褋褏懈械胁. 小械谐芯写薪褟 褍卸械 薪懈 褍 泻芯谐芯 薪械 胁褘蟹褘胁邪械褌 褋芯屑薪械薪懈褟, 褔褌芯 褌胁芯褉褔械褋泻芯械 薪邪褋谢械写懈械 袦邪褉懈械薪谐芯褎邪, 泻邪泻 懈 袩谢邪褌芯薪芯胁邪, 袩懈谢褜薪褟泻邪, 袟邪屑褟褌懈薪邪, - 褝褌芯 泻谢邪褋褋懈泻邪 XX 胁械泻邪.
256 pages, Paperback
First published January 1, 1928
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About the author
Anatoly Mariengof
20听books19听followersAnatoly Borisovich Marienhof or Mariengof (Russian: 袗薪邪褌芯谢懈泄 袘芯褉懈褋芯胁懈褔 袦邪褉懈械薪谐芯褎; 6 July (24 June O.S.) 1897 鈥� 24 June 1962) was a Russian poet, novelist and playwright. He was one of the leading figures of Imaginism. Now he is mostly remembered for his memoirs that depict Russian literary life of the 1920s and his friendship with Sergei Yesenin.
Anatoly Marienhof was born into a Livonian nobleman's family in Nizhny Novgorod. Upon graduating from gymnasium in 1914, he was drafted and served during the First World War on Eastern Front.
Marienhof's literary career started in 1918 when he participated in the Imaginists' manifesto "Deklaraciia", published in Voronezh. The manifesto was signed also by Sergei Yesenin and other Moscow poets. Together they started a new poetic flow called Imaginism. Marienhof participated in all Imaginist actions and publications. He himself published a dozen books of poetry in 1920鈥�1928. He became a close friend of Yesenin with whom he shared a flat during some months. Marienhof is the dedicatee of some of Yesenin's major works, including the large poem Sorokoust, the drama Pugachov and the tract on poetics Maria's Keys'.
Marienhof gained further renown with his controversial fiction: "The Novel without Lies" (1926) and "The Cynics" (1928). The former presented his fictionalized (although still largely accurate) recollections of his friendship with Sergei Yesenin; the latter was a story of the life of young intellectuals during the revolution and the War communism. Both were met with sharp criticism in the Soviet press. "The Cynics" was published in Berlin (Petropolis), and not in the Soviet Union until 1988.
After the publication of his last novel, "Shaved Man", in 1930 in Berlin and parts of his historical novel "Ekaterina" (1936), Marienhof was reduced to writing for theatre and later for radio without any hope of being published again. Yesenin's works were edited in the USSR for a long period of time to omit the dedications to Marienhof.
In his later years, after Joseph Stalin's death, Marienhof wrote mostly memoirs; they were published several decades after his death in 1962.
Anatoly Marienhof was born into a Livonian nobleman's family in Nizhny Novgorod. Upon graduating from gymnasium in 1914, he was drafted and served during the First World War on Eastern Front.
Marienhof's literary career started in 1918 when he participated in the Imaginists' manifesto "Deklaraciia", published in Voronezh. The manifesto was signed also by Sergei Yesenin and other Moscow poets. Together they started a new poetic flow called Imaginism. Marienhof participated in all Imaginist actions and publications. He himself published a dozen books of poetry in 1920鈥�1928. He became a close friend of Yesenin with whom he shared a flat during some months. Marienhof is the dedicatee of some of Yesenin's major works, including the large poem Sorokoust, the drama Pugachov and the tract on poetics Maria's Keys'.
Marienhof gained further renown with his controversial fiction: "The Novel without Lies" (1926) and "The Cynics" (1928). The former presented his fictionalized (although still largely accurate) recollections of his friendship with Sergei Yesenin; the latter was a story of the life of young intellectuals during the revolution and the War communism. Both were met with sharp criticism in the Soviet press. "The Cynics" was published in Berlin (Petropolis), and not in the Soviet Union until 1988.
After the publication of his last novel, "Shaved Man", in 1930 in Berlin and parts of his historical novel "Ekaterina" (1936), Marienhof was reduced to writing for theatre and later for radio without any hope of being published again. Yesenin's works were edited in the USSR for a long period of time to omit the dedications to Marienhof.
In his later years, after Joseph Stalin's death, Marienhof wrote mostly memoirs; they were published several decades after his death in 1962.
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June 6, 2023
Diogenes the Cynic, holding a burning lantern in the full daylight and looking for an honest man, was presumably the first but after him many came鈥�
The times may be cynical as well and the novel Cynics by Anatoly Mariengof is a story of cynics living in the cynical times鈥�
Cynics is a historical chronicle, Cynics is a private diary鈥�
Cynics is written in short sentences but every sentence is an arrow hitting a bull鈥檚 eye鈥�
We don鈥檛 choose our time鈥� Time chooses us鈥�
The times may be cynical as well and the novel Cynics by Anatoly Mariengof is a story of cynics living in the cynical times鈥�
Typhus victims lie in the corridors of the hospitals, waiting their turn for a bed. Lice are now called enemies of the revolution鈥�
Every day there are long lines of carts carrying coffins out beyond the gates of Moscow. These are all dead people that their relatives are taking out into the countryside to bury. There are too few gravediggers in the city cemeteries so they can鈥檛 afford to wait their turn.
Cynics is a historical chronicle, Cynics is a private diary鈥�
鈥淥lga, your lover phoned a quarter of an hour ago鈥︹€�
She took off her hat and began coming her hair with a large tortoise-shell comb.
鈥溾€e asked you to come at nine o鈥檆lock this evening.鈥�
Cynics is written in short sentences but every sentence is an arrow hitting a bull鈥檚 eye鈥�
I stand quite motionless. I am thinking about myself, about Russians and Russia. I hate my blood, my sky, my land, my present, my past.
We don鈥檛 choose our time鈥� Time chooses us鈥�
October 6, 2016
啸懈锌褋褌械褉褘 薪邪 褎芯薪械 褔褍屑褘: 褋褌懈谢褜薪芯, 斜芯泄泻芯, 写邪卸械 褌褉邪谐懈褔薪芯, 薪芯 褋芯胁褋械屑 懈褏, 写褍褉邪泻芯胁, 薪械 卸邪谢泻芯, 邪 卸邪谢泻芯 斜邪斜 懈蟹 谐芯谢芯写邪褞褖懈褏 褋械谢械薪懈泄.
January 1, 2013
袛邪卸械 泻邪泻-褌芯 褋褌褉邪薪薪芯, 褔褌芯 邪胁褌芯褉 "笑懈薪懈泻芯胁" 褍屑械褉 褋胁芯械泄 褋屑械褉褌褜褞 胁 62屑 谐芯写褍 胁 袥械薪懈薪谐褉邪写械, 邪 薪械 褋谐懈薪褍谢 胁 锌芯写胁邪谢邪褏 袧袣袙袛 胁 30褏.
September 15, 2020
袦芯褖薪芯, 褋懈谢褜薪芯, 谐褉褍褋褌薪芯, 褋屑械褕薪芯, 胁械谢懈泻芯谢械锌薪芯, 芯褔械薪褜 锌芯-屑芯褋泻芯胁褋泻懈! 袙芯褋褌芯褉谐!
鈥� 袩芯泄屑懈 , 袨谢褜谐邪, 褟 谢褞斜谢褞 褋胁芯褞 褉芯写懈薪褍. 袨谢褜谐邪 锌械褉械褋褌邪械褌 写褉褘谐邪褌褜 薪芯谐邪屑懈, 锌芯胁芯褉邪褔懈胁邪械褌 泻 薪械屑褍 谢懈褑芯 懈 谐芯胁芯褉懈褌 褋械褉褜械蟹薪芯: 鈥� 协褌芯 胁褋械 芯褌褌芯谐芯, 袚芯谐邪, 褔褌芯 褌褘 薪械 泻芯薪褔懈谢 谐懈屑薪邪蟹懈褞.
鈥� 袩芯泄屑懈 , 袨谢褜谐邪, 褟 谢褞斜谢褞 褋胁芯褞 褉芯写懈薪褍. 袨谢褜谐邪 锌械褉械褋褌邪械褌 写褉褘谐邪褌褜 薪芯谐邪屑懈, 锌芯胁芯褉邪褔懈胁邪械褌 泻 薪械屑褍 谢懈褑芯 懈 谐芯胁芯褉懈褌 褋械褉褜械蟹薪芯: 鈥� 协褌芯 胁褋械 芯褌褌芯谐芯, 袚芯谐邪, 褔褌芯 褌褘 薪械 泻芯薪褔懈谢 谐懈屑薪邪蟹懈褞.
February 7, 2016
" 袩褉械写锌芯谢芯卸懈屑, 褔褌芯 胁邪褕邪 褋芯褑懈邪谢懈褋褌懈褔械褋泻邪褟 锌褉芯谢械褌邪褉褋泻邪褟 褉械胁芯谢褞褑懈褟
泻芯薪褔邪械褌褋褟, 邪 褟 谢褞斜懈屑..."
袧邪褏邪谢褜褋褌胁邪 懈 褋褌懈谢褟 袦邪褉懈械薪谐芯褎褍 薪械 蟹邪薪懈屑邪褌褜.
泻芯薪褔邪械褌褋褟, 邪 褟 谢褞斜懈屑..."
袧邪褏邪谢褜褋褌胁邪 懈 褋褌懈谢褟 袦邪褉懈械薪谐芯褎褍 薪械 蟹邪薪懈屑邪褌褜.
June 28, 2022
Ik moest wennen aan de stijl, maar uiteindelijk greep het me. Aanrader!
October 22, 2023
Doet me denken aan Het gouden kalf (Ilja Ilf) en Nescio鈥�
Genoeg voor even鈥�
Genoeg voor even鈥�
April 24, 2013
MAGNIFICENT:))))
Vladimir鈥檚 entries convey the impact the historical events had on people, starting with the civil war, followed by famine and disease exacerbated by an inefficient and incompetent central planning. The entries trumpet the establishment of museums and artistic competitions only to be followed by notices of crop failures, typhus outbreaks, and cannibalism in the countryside. Since there are more bodies than diggers, Moscow鈥檚 dead have to be shipped out of the city in order to be buried. The government is more concerned with converting first- and second-class carriages on the trains to third-class carriages (symbolic in its own right) than keeping the city鈥檚 streets lit. Directives against lice (called 鈥渆nemies of the revolution鈥�) goes from laughable to pathetic as Vladimir and his wife delouse each other.
Vladimir continually spouts ancient Russian history that everyone ignores, although his references provide a key to what he is experiencing. For example, he looks at history to put his love/hate relationship in context:
It is impossible to understand this country: it forgives Ivan the Terrible but tears Otrepyev to pieces; it wages unsuccessful wars for seven hundred years and conquers more nations than the Roman Empire; it is unable to produce any fuses, and yet it builds the world鈥檚 most beautiful city on a swamp.
This love/hate relationship carries over to his personal life. Vladimir worships his wife Olga, which makes her constant cuckolding of him that much more intense. His aborted suicide attempt provides an example of what was going wrong at the time鈥攖he base of a seven-story apartment building is covered in the garbage tenants throw out the window, which would break the fall of his jump. Vladimir and Olga attempt to carry on in a lifestyle that no longer exists except for the rich and well-connected, first pawning or selling jewels, books, and eventually Olga鈥檚 body. Vladimir鈥檚 comments on the nepman Dokuchaev is something he and Olga figured out early during the turbulence and covers more than just making money:
A man who wishes to make money in Soviet Russia must be the person he needs to be. It depends on the person you are dealing with鈥攁 peasant shirt or a dinner jacket, a fool or an intelligent man, a scoundrel or a relatively decent individual.
September 14, 2008
I will let the book speak for itself:
"But Vladimir, do you think...do you think it might become impossible to buy a French lipstick in Moscow?...How then could one live?"
"But Vladimir, do you think...do you think it might become impossible to buy a French lipstick in Moscow?...How then could one live?"
Read
December 4, 2012The Russian writer Anatoly Mariengof is probably more famous today for his friendship with the poet Sergei Yesenin (Esenin) but the novella Cynics proves to be a powerful work that I found both enjoyable and disturbing. Published in Berlin in 1928 by Petropolis, the book was banned in Russia and not available there until 1988. There was an English edition by Hyperion Press in 1973, now out of print, and a translation by Andrew Bromfield in the inaugural volume of GLAS: New Russian Writing (1991). This is the edition I read and will be quoting. This article at literalab (see my post for the link) goes into more detail on Mariengof and the novella鈥擨鈥檒l try not to cover too much of the same ground as it.
Cynics takes place in Moscow during the military communism period and the New Economic Policy. The narrator Vladimir has gathered notes he wrote during this period, making the novella feel like a diary or a series of blog posts. His entries from 1918 through 1924 cover events in his life and in the changing state and the pastiche gains strength from the comparisons and juxtapositions between the two. In some posts, Vladimir experiences the same misery he reads in the newspaper or from other sources, amplifying the distress. Other posts highlight the disparity between the 鈥榟aves鈥� and 鈥榟ave nots鈥� during the various crises during this tumultuous period.
Vladimir鈥檚 entries convey the impact the historical events had on people, starting with the civil war, followed by famine and disease exacerbated by an inefficient and incompetent central planning. The entries trumpet the establishment of museums and artistic competitions only to be followed by notices of crop failures, typhus outbreaks, and cannibalism in the countryside. Since there are more bodies than diggers, Moscow鈥檚 dead have to be shipped out of the city in order to be buried. The government is more concerned with converting first- and second-class carriages on the trains to third-class carriages (symbolic in its own right) than keeping the city鈥檚 streets lit. Directives against lice (called 鈥渆nemies of the revolution鈥�) goes from laughable to pathetic as Vladimir and his wife delouse each other.
Vladimir continually spouts ancient Russian history that everyone ignores, although his references provide a key to what he is experiencing. For example, he looks at history to put his love/hate relationship in context:
It is impossible to understand this country: it forgives Ivan the Terrible but tears Otrepyev to pieces; it wages unsuccessful wars for seven hundred years and conquers more nations than the Roman Empire; it is unable to produce any fuses, and yet it builds the world鈥檚 most beautiful city on a swamp.
This love/hate relationship carries over to his personal life. Vladimir worships his wife Olga, which makes her constant cuckolding of him that much more intense. His aborted suicide attempt provides an example of what was going wrong at the time鈥攖he base of a seven-story apartment building is covered in the garbage tenants throw out the window, which would break the fall of his jump. Vladimir and Olga attempt to carry on in a lifestyle that no longer exists except for the rich and well-connected, first pawning or selling jewels, books, and eventually Olga鈥檚 body. Vladimir鈥檚 comments on the nepman Dokuchaev is something he and Olga figured out early during the turbulence and covers more than just making money:
A man who wishes to make money in Soviet Russia must be the person he needs to be. It depends on the person you are dealing with鈥攁 peasant shirt or a dinner jacket, a fool or an intelligent man, a scoundrel or a relatively decent individual.
Olga鈥檚 unfaithfulness isn鈥檛 indiscriminate. She chooses lovers than can provide what she (and Vladimir, at times) need and want. But she doesn鈥檛 easily fall into the caricature of a tormenting harpy鈥攅ven though she negotiates her price to become Dokuchaev鈥檚 lover in front of her husband, she donates the check to the famine relief fund.
The tragedy and travesty of the couple and the country make for a powerful novella. Highly recommended. (Be sure to read the literalab article, too.)
A few of the 1919 entries (all ellipses in original):
1
鈥淭ake up your rifle, worker and poor peasant! Join the requisitioning battalions. To the village and the kulaks鈥� barns, for grain! The kulaks of Simbrisk, Ufa and Samara give you no bread鈥攖ake it from the kulaks of Voronezh, Vyatka and Tambov鈥︹€�
This is what they call 鈥渢he catechism of the class-conscious proletarian.鈥�
10
鈥淥lga, your lover phoned a quarter of an hour ago鈥︹€�
She took off her hat and began coming her hair with a large tortoise-shell comb.
鈥溾€e asked you to come at nine o鈥檆lock this evening.鈥�
17
Typhus victims lie in the corridors of the hospitals, waiting their turn for a bed. Lice are now called enemies of the revolution.
18
Camel meat has been despatched to Moscow from the Caspian region.
19
On Sunday at two o鈥檆lock the foundation stone of the People鈥檚 Palace was laid on Karetny Ryad Street. Plans are being drawn up to build a theatre attached to the Palace. With a capacity of five thousand people it will be the second largest theatre in Europe.
23
Every day there are long lines of carts carrying coffins out beyond the gates of Moscow. These are all dead people that their relatives are taking out into the countryside to bury. There are so few gravediggers in the city cemeteries that they can鈥檛 afford to wait their turn.
29
The Council of People鈥檚 Commissars has decreed the withdrawal from passenger trains of first class and second class carriages, with measures to be taken immediately to convert them to third class carriages.
31
From tomorrow the gas-lamps in the city鈥檚 streets will not be lit.
35
All movement of passenger trains bas been halted.
December 10, 2023
3,5鈽� erg opbouwend geschreven: in dit boek komt alles pas aan het einde samen. In het begin denk je ook echt 'waar g谩谩t dit over?' De eerste helft las erg stroef (ik heb een paar keer overwogen het boek weg te leggen), maar vanaf de tweede helft werd het erg interessant en had ik het voor mijn gevoel alweer te snel uit. Hoewel het thema van dit boek zich er misschien niet zo voor leent, miste ik toch die scherpe, venijnige humor die zo kenmerkend is voor Mari毛ngof en die bijvoorbeeld in Roman zonder leugens veel sterker aanwezig is.
February 4, 2025
3.5/5
Published in Berlin in 1928, but in the USSR only in 1988 due to its 鈥渁nti-soviet鈥� sentiment, the book follows a few young people and their growing pains between the years 1917-1924, alongside the growing pains of the newly emerged USSR.
Filled with wonderfully ironic takes on life and the USSR, some history I am unfamiliar with (such as the rather gruesome presence of cannibalism), some I am familiar with, this was a great example of why I enjoy post-revolution soviet literature so much. The self-irony, the constant tragedy of existence presented in a mundane way, and the utterly time stopping few philosophical sentences enraptured the mind and imagination. The end made me cry.
That being said, this is a novel where the more knowledge you have of historical facts/figures, from the greeks to the present would add to the whole experience. Further, you can tell Mariengof is primarily a poet, for sometimes the structuring of language and passages went over my head (I am not big of poetry). The combination of these two factors left me rather more confused that I had hoped to be.
Published in Berlin in 1928, but in the USSR only in 1988 due to its 鈥渁nti-soviet鈥� sentiment, the book follows a few young people and their growing pains between the years 1917-1924, alongside the growing pains of the newly emerged USSR.
Filled with wonderfully ironic takes on life and the USSR, some history I am unfamiliar with (such as the rather gruesome presence of cannibalism), some I am familiar with, this was a great example of why I enjoy post-revolution soviet literature so much. The self-irony, the constant tragedy of existence presented in a mundane way, and the utterly time stopping few philosophical sentences enraptured the mind and imagination. The end made me cry.
That being said, this is a novel where the more knowledge you have of historical facts/figures, from the greeks to the present would add to the whole experience. Further, you can tell Mariengof is primarily a poet, for sometimes the structuring of language and passages went over my head (I am not big of poetry). The combination of these two factors left me rather more confused that I had hoped to be.
December 8, 2023
First things first: Mariengof's writing is delightful, in my opinion. He has his own, original voice, he is witty, playful, cheeky, and he can write both cute-ish funny little sentences and more touching ones. The build-up is nice and smart; the rather mundane yet otherworldly yet also more serious/dramatic problems of the main characters are strikingly juxtaposed by very dryly presented (news) facts that grow from ironically grim to extremely gruesome. - I can handle some graphic details, but in this case, I found it a bit hard to read sometimes, mainly because of personal triggers, I guess. - All in all, this was an interesting read, giving an image of a turbulent (not really in the good way) period in Russian history, but I just didn't feel like reading on. I found the writing/structure a bit confusing sometimes, and I feel like I missed/didn't understand some things. But you know, it's something else.
August 11, 2019
袨褔械薪褜 褟褉泻芯, 泻褉邪褌泻芯 懈 褟写芯胁懈褌芯!
October 21, 2019
袗斜褋芯谢褞褌薪芯 薪械 蟹邪褕谢邪: 薪懈 褋褌懈谢褜, 薪懈 褉械褔褜, 薪懈 褋褞卸械褌. 袨褋芯斜械薪薪芯 褉械褔褜... 袙芯蟹芯卸薪芯, 薪械 褌芯 薪邪褋褌褉芯械薪懈械 斜褘谢芯. 芯褋褌邪薪芯胁懈谢邪褋褜 薪邪 褋械褉械写懈薪械 - 谢褍褔褕械 锌褉芯褔褌褍 褔褌芯 谢懈斜芯 写褉褍谐芯械 ))
April 10, 2025
袙械谢懈泻芯谢械锌薪褘泄 褉褍褋褋泻懈泄 褟蟹褘泻.
袪芯屑邪薪 芯褌褉邪卸邪械褌 写褍褏 褝锌芯褏懈 褉械胁芯谢褞褑懈懈 懈 谐褉邪卸写邪薪褋泻芯泄 胁芯泄薪褘, 谐写械 褉褍褕邪褌褋褟 褋褌邪褉褘械 褍褋褌芯懈, 邪 薪芯胁褘械 械褖械 薪械 褋褎芯褉屑懈褉芯胁邪薪褘.
袣褉邪褋芯褌邪 懈 褍褉芯写褋褌胁芯, 谢褞斜芯胁褜 懈 卸械褋褌芯泻芯褋褌褜.
"校 褝褌懈褏 谢褞写械泄 薪械胁械褉芯褟褌薪芯 斜褘褋褌褉芯 褉邪蟹胁懈胁邪械褌褋褟 褌褖械褋谢邪胁懈械. 袝褋谢懈 胁 袪芯褋褋懈懈 泻芯谐写邪-薪懈斜褍写褜 斜褍写械褌 袘芯薪邪锌邪褉褌, 褌芯 芯薪, 泻芯薪械褔薪芯, 胁褘褉邪褋褌械褌 懈蟹 锌芯褋褌芯胁芯谐芯 屑懈谢懈褑懈芯薪械褉邪. 协褌芯 褋芯胁械褉褕械薪薪芯 胁 写褍褏械 屑芯械谐芯 芯褌械褔械褋褌胁邪"
"鈥� 袣邪泻芯械 褋褔邪褋褌褜械 卸懈褌褜 胁 懈褋褌芯p懈褔械褋泻芯械 胁p械屑褟!
鈥� 袪邪蟹褍屑械械褌褋褟.
鈥� 袙芯芯斜p邪卸邪褞, 泻邪泻 薪邪屑 斜褍写械褌 蟹邪胁懈写芯胁邪褌褜 褔械p械蟹 写胁邪 褋 锌芯谢芯胁懈薪芯泄 胁械泻邪 薪邪褕械 芦锌褍褋褌芯械 锌芯蟹写薪械械 锌芯褌芯屑褋褌胁芯禄.
鈥� 袨褋芯斜械薪薪芯 褎p邪薪褑褍蟹褘.
鈥� 协褌懈 斜褘胁褕懈械 p械屑械褋谢械薪薪懈泻懈 p械胁芯谢褞褑懈懈.
鈥� 袩芯褔械屑褍 芦斜褘胁褕懈械禄?
鈥� 袩芯褌芯屑褍 褔褌芯 芯薪懈 锌械p械屑械薪懈谢懈 锌p芯褎械褋褋懈褞.
袨谢褜谐邪 p芯械褌褋褟 胁 褕械谢泻芯胁褘褏 褋泻谢邪写泻邪褏.
鈥� H械 写褍屑邪械褌械 谢懈 胁褘, 褔褌芯 芯薪懈 泻 薪械泄 胁械p薪褍褌褋褟?
鈥� 袙p褟写 谢懈. 肖p邪薪褑褍蟹褘 胁芯褕谢懈 胁芯 胁泻褍褋 蟹邪薪懈屑邪褌褜褋褟 写械谢芯屑."
袪芯屑邪薪 芯褌褉邪卸邪械褌 写褍褏 褝锌芯褏懈 褉械胁芯谢褞褑懈懈 懈 谐褉邪卸写邪薪褋泻芯泄 胁芯泄薪褘, 谐写械 褉褍褕邪褌褋褟 褋褌邪褉褘械 褍褋褌芯懈, 邪 薪芯胁褘械 械褖械 薪械 褋褎芯褉屑懈褉芯胁邪薪褘.
袣褉邪褋芯褌邪 懈 褍褉芯写褋褌胁芯, 谢褞斜芯胁褜 懈 卸械褋褌芯泻芯褋褌褜.
"校 褝褌懈褏 谢褞写械泄 薪械胁械褉芯褟褌薪芯 斜褘褋褌褉芯 褉邪蟹胁懈胁邪械褌褋褟 褌褖械褋谢邪胁懈械. 袝褋谢懈 胁 袪芯褋褋懈懈 泻芯谐写邪-薪懈斜褍写褜 斜褍写械褌 袘芯薪邪锌邪褉褌, 褌芯 芯薪, 泻芯薪械褔薪芯, 胁褘褉邪褋褌械褌 懈蟹 锌芯褋褌芯胁芯谐芯 屑懈谢懈褑懈芯薪械褉邪. 协褌芯 褋芯胁械褉褕械薪薪芯 胁 写褍褏械 屑芯械谐芯 芯褌械褔械褋褌胁邪"
"鈥� 袣邪泻芯械 褋褔邪褋褌褜械 卸懈褌褜 胁 懈褋褌芯p懈褔械褋泻芯械 胁p械屑褟!
鈥� 袪邪蟹褍屑械械褌褋褟.
鈥� 袙芯芯斜p邪卸邪褞, 泻邪泻 薪邪屑 斜褍写械褌 蟹邪胁懈写芯胁邪褌褜 褔械p械蟹 写胁邪 褋 锌芯谢芯胁懈薪芯泄 胁械泻邪 薪邪褕械 芦锌褍褋褌芯械 锌芯蟹写薪械械 锌芯褌芯屑褋褌胁芯禄.
鈥� 袨褋芯斜械薪薪芯 褎p邪薪褑褍蟹褘.
鈥� 协褌懈 斜褘胁褕懈械 p械屑械褋谢械薪薪懈泻懈 p械胁芯谢褞褑懈懈.
鈥� 袩芯褔械屑褍 芦斜褘胁褕懈械禄?
鈥� 袩芯褌芯屑褍 褔褌芯 芯薪懈 锌械p械屑械薪懈谢懈 锌p芯褎械褋褋懈褞.
袨谢褜谐邪 p芯械褌褋褟 胁 褕械谢泻芯胁褘褏 褋泻谢邪写泻邪褏.
鈥� H械 写褍屑邪械褌械 谢懈 胁褘, 褔褌芯 芯薪懈 泻 薪械泄 胁械p薪褍褌褋褟?
鈥� 袙p褟写 谢懈. 肖p邪薪褑褍蟹褘 胁芯褕谢懈 胁芯 胁泻褍褋 蟹邪薪懈屑邪褌褜褋褟 写械谢芯屑."
March 29, 2020
袠褋泻褉械薪薪褟褟 懈褋褌芯褉懈褟 谢褞斜胁懈 懈 褋屑械褉褌懈 谢褞写械泄, 锌芯 泻邪泻芯泄-褌芯 薪械谢械锌芯泄 芯褕懈斜泻械 褉芯写懈胁褕懈褏褋褟 薪械 胁 褋胁芯褞 褝锌芯褏褍. 袚械褉芯懈 鈥澬π感叫感盒拘测€� 褋 懈褏 胁薪褍褌褉械薪薪械泄 褋胁芯斜芯写芯泄 谢械谐泻芯 屑芯谐谢懈 斜褘 锌褉懈卸懈褌褜褋褟 胁 袝胁褉芯锌械 泻芯薪褑邪 60-褏, 薪芯 胁屑械褋褌芯 褝褌芯谐芯 芯褌褉械褕褢薪薪芯 薪邪斜谢褞写邪褞褌 褍卸邪褋邪褞褖褍褞 写械泄褋褌胁懈褌械谢褜薪芯褋褌褜 褉褍褋褋泻芯泄 褉械胁芯谢褞褑懈懈. 袧械锌芯薪褟褌薪芯 褌芯谢褜泻芯, 锌芯褔械屑褍 芯 褉芯屑邪薪械 褌邪泻 屑邪谢芯 褋泻邪蟹邪薪芯 懈 薪邪锌懈褋邪薪芯. 袛褍屑邪褞, 锌褉芯褔褌懈 褟 鈥澬π感叫感盒拘测€� 胁 褞薪芯褋褌懈, 芯薪懈 斜褘 褌芯褔薪芯 褋褌邪谢懈 写谢褟 屑械薪褟 芯写薪芯泄 懈蟹 谢褞斜懈屑褘褏 泻薪懈谐.
March 7, 2023
Zyniker von Anatoli Marienhof, ist ein schmaler schnell rotierender Roman. Die Aufzeichnungen des Protagonisten Wladimir umfassen die Jahre 1918 bis 1924. Die Gesellschaft zerf盲llt und erstickt in Brutalit盲t, B眉rgerkrieg, Misswirtschaft und Korruption.
Wladimirs Frau, Olga, m枚chte eigentlich nur ihr fr眉heres b眉rgerliches Leben weiterleben. Um dies zu erreichen tut sie Dinge, an denen sie letztendlich zerbricht. In die Handlung werden in schwer ertr盲glichem Hohn und Spott Nachrichten aus Regionen Sowjetrusslands eingeschoben. Marienhof beschreibt in schrecklichen Bildern das harte allt盲gliche 脺berleben und die Exzesse im neuen Sowjetrussland in den Zeiten von Hungersn枚ten, B眉rger- und Interventionskrieg. 鈥濶ach dem Fall von Orjol und Gatschina beginne ich an die Festigkeit des Sowjetregimes zu glauben. Und schlie脽lich taucht in mir der Gedanke auf, dass sie mit Hilfe von L盲usen, Hungersn枚ten und Pestratten, 鈥�, am Ende den Sozialismus verwirklichen werden.鈥�
Marienhof geh枚rte einer Gruppe von Schriftstellern an, die als Imaginisten bezeichnet werden. Diese Schriftsteller stellten das Bild in den Mittelpunkt ihrer Dichtung: 鈥濪er Fluss ist blau und kalt. Sein schwerer Leib liegt in den steinernen Ufern wie in einem Sarg. Die um ihn zusammengedr盲ngten und sich 眉ber ihn neigenden H盲user haben ein tragisches Aussehen. Die unbeleuchteten Fenster gleichen vor Kummer dunkel gewordenen Augen.鈥�
Zyniker ist ein St眉ck avantgardistischer Literatur, welches die Schattenseiten der menschlichen Natur sichtbar werden l盲sst. Ich w眉rde dessen Lekt眉re zart besaiteten Menschen nicht empfehlen.
Wladimirs Frau, Olga, m枚chte eigentlich nur ihr fr眉heres b眉rgerliches Leben weiterleben. Um dies zu erreichen tut sie Dinge, an denen sie letztendlich zerbricht. In die Handlung werden in schwer ertr盲glichem Hohn und Spott Nachrichten aus Regionen Sowjetrusslands eingeschoben. Marienhof beschreibt in schrecklichen Bildern das harte allt盲gliche 脺berleben und die Exzesse im neuen Sowjetrussland in den Zeiten von Hungersn枚ten, B眉rger- und Interventionskrieg. 鈥濶ach dem Fall von Orjol und Gatschina beginne ich an die Festigkeit des Sowjetregimes zu glauben. Und schlie脽lich taucht in mir der Gedanke auf, dass sie mit Hilfe von L盲usen, Hungersn枚ten und Pestratten, 鈥�, am Ende den Sozialismus verwirklichen werden.鈥�
Marienhof geh枚rte einer Gruppe von Schriftstellern an, die als Imaginisten bezeichnet werden. Diese Schriftsteller stellten das Bild in den Mittelpunkt ihrer Dichtung: 鈥濪er Fluss ist blau und kalt. Sein schwerer Leib liegt in den steinernen Ufern wie in einem Sarg. Die um ihn zusammengedr盲ngten und sich 眉ber ihn neigenden H盲user haben ein tragisches Aussehen. Die unbeleuchteten Fenster gleichen vor Kummer dunkel gewordenen Augen.鈥�
Zyniker ist ein St眉ck avantgardistischer Literatur, welches die Schattenseiten der menschlichen Natur sichtbar werden l盲sst. Ich w眉rde dessen Lekt眉re zart besaiteten Menschen nicht empfehlen.
August 4, 2011
袧械 芯写薪芯蟹薪邪褔薪芯械 锌褉芯懈蟹胁械写械薪懈械.
" 鈥� 孝褘 芯褋褌p懈褕褜鈥� 褋褍锌p褍谐邪 褌胁芯褟 芯褋褌p懈褌鈥� 胁械褖懈 泻邪泻 斜褍写褌芯 芯斜邪 褋屑械褕薪褘械 谐芯胁芯p懈褌械鈥� 胁褋械 褋胁芯懈屑懈 褋谢芯胁邪屑懈 薪邪蟹褘胁邪械褌械鈥� 薪褍褌p芯 薪邪p褍卸褍鈥� 懈 锌p芯褔邪褟 胁褋褟泻邪褟 p邪蟹屑械p蟹褟褌懈薪邪 薪邪p褍卸褍鈥� 褌芯谐芯 谐谢褟写懈, 谐芯谢褘械 蟹邪写薪懈褑褘 锌芯泻邪卸械褌械 鈥� 邪 褏芯谢芯写懈薪邪! 袠 谐p褍褋褌褜, 屑懈谢褘泄. 孝邪泻邪褟 谐p褍褋褌褜! 袙邪屑, 屑芯卸械褌, 褋懈械 懈 薪械锌p懈屑械褌薪芯, 邪 胁芯褌 褔械谢芯胁械泻邪, 斜懈褕褜, 褋芯 褋胁械卸懈薪泻懈 锌芯 薪芯褋褍 斜褜械褌."
" - 袨谢褜谐邪, 褉芯写懈褌械 褉械斜械薪泻邪.
鈥� 袘谢邪谐芯写邪p褞 胁邪褋. 校 屑械薪褟 褍卸械 斜褘谢 芯写薪邪卸写褘 褖械薪芯泻 芯褌 锌p械屑懈p芯胁邪薪薪芯谐芯 褎芯泻褋褌械p褜械p邪. 袨薪懈 蟹邪斜邪胁薪褘 褌芯谢褜泻芯 写芯 褔械褌褘p械褏 屑械褋褟褑械胁. H芯, 泻 褋芯卸邪谢械薪懈褞, 谐邪写褟褌."
" 鈥� 孝褘 芯褋褌p懈褕褜鈥� 褋褍锌p褍谐邪 褌胁芯褟 芯褋褌p懈褌鈥� 胁械褖懈 泻邪泻 斜褍写褌芯 芯斜邪 褋屑械褕薪褘械 谐芯胁芯p懈褌械鈥� 胁褋械 褋胁芯懈屑懈 褋谢芯胁邪屑懈 薪邪蟹褘胁邪械褌械鈥� 薪褍褌p芯 薪邪p褍卸褍鈥� 懈 锌p芯褔邪褟 胁褋褟泻邪褟 p邪蟹屑械p蟹褟褌懈薪邪 薪邪p褍卸褍鈥� 褌芯谐芯 谐谢褟写懈, 谐芯谢褘械 蟹邪写薪懈褑褘 锌芯泻邪卸械褌械 鈥� 邪 褏芯谢芯写懈薪邪! 袠 谐p褍褋褌褜, 屑懈谢褘泄. 孝邪泻邪褟 谐p褍褋褌褜! 袙邪屑, 屑芯卸械褌, 褋懈械 懈 薪械锌p懈屑械褌薪芯, 邪 胁芯褌 褔械谢芯胁械泻邪, 斜懈褕褜, 褋芯 褋胁械卸懈薪泻懈 锌芯 薪芯褋褍 斜褜械褌."
" - 袨谢褜谐邪, 褉芯写懈褌械 褉械斜械薪泻邪.
鈥� 袘谢邪谐芯写邪p褞 胁邪褋. 校 屑械薪褟 褍卸械 斜褘谢 芯写薪邪卸写褘 褖械薪芯泻 芯褌 锌p械屑懈p芯胁邪薪薪芯谐芯 褎芯泻褋褌械p褜械p邪. 袨薪懈 蟹邪斜邪胁薪褘 褌芯谢褜泻芯 写芯 褔械褌褘p械褏 屑械褋褟褑械胁. H芯, 泻 褋芯卸邪谢械薪懈褞, 谐邪写褟褌."
March 22, 2019
鈥� 袨谢褜谐邪, 褟 锌褉芯褕褍 胁邪褕械泄 褉褍泻懈.
鈥� 协褌芯 芯褔械薪褜 泻褋褌邪褌懈, 袙谢邪写懈屑懈褉. H褘薪褔械 褍褌褉芯屑 褟 褍蟹薪邪谢邪, 褔褌芯 胁 薪邪褕械屑 写芯屑械 薪械 斜褍写械褌 胁褋褞 蟹懈屑褍 写械泄褋褌胁芯胁邪褌褜 褑械薪褌褉邪谢褜薪芯械 芯褌芯锌谢械薪懈械. 袝褋谢懈 斜褘 薪械 胁邪褕械 锌褉械写谢芯卸械薪懈械, 褟 斜褘 薪械锌褉械屑械薪薪芯 胁 写械泻邪斜褉械 锌褉械胁褉邪褌懈谢邪褋褜 胁 谢械写褟薪褍褞 褋芯褋褍谢褜泻褍. 袙褘 锌褉械写褋褌邪胁谢褟械褌械 褋械斜械, 褋锌邪褌褜 芯写薪芯泄 胁 泻褉芯胁邪褌懈褖械, 薪邪 泻芯褌芯褉芯泄 屑芯卸薪芯 懈谐褉邪褌褜 胁 褏芯泻泻械泄?
鈥� 协褌芯 芯褔械薪褜 泻褋褌邪褌懈, 袙谢邪写懈屑懈褉. H褘薪褔械 褍褌褉芯屑 褟 褍蟹薪邪谢邪, 褔褌芯 胁 薪邪褕械屑 写芯屑械 薪械 斜褍写械褌 胁褋褞 蟹懈屑褍 写械泄褋褌胁芯胁邪褌褜 褑械薪褌褉邪谢褜薪芯械 芯褌芯锌谢械薪懈械. 袝褋谢懈 斜褘 薪械 胁邪褕械 锌褉械写谢芯卸械薪懈械, 褟 斜褘 薪械锌褉械屑械薪薪芯 胁 写械泻邪斜褉械 锌褉械胁褉邪褌懈谢邪褋褜 胁 谢械写褟薪褍褞 褋芯褋褍谢褜泻褍. 袙褘 锌褉械写褋褌邪胁谢褟械褌械 褋械斜械, 褋锌邪褌褜 芯写薪芯泄 胁 泻褉芯胁邪褌懈褖械, 薪邪 泻芯褌芯褉芯泄 屑芯卸薪芯 懈谐褉邪褌褜 胁 褏芯泻泻械泄?
January 18, 2021
袧械写芯芯褑械薪褢薪薪邪褟 泻薪懈谐邪. 校蟹薪邪谢邪 锌褉芯 薪械褢 褔褍褌褜 谢懈 薪械 褋谢褍褔邪泄薪芯, 懈 胁谢褞斜懈谢邪褋褜. 袩械褉械褔懈褌褘胁邪褌褜 褏芯褔械褌褋褟 褋褉邪蟹褍 卸械 锌芯 蟹邪胁械褉褕械薪懈懈. 袧械斜芯谢褜褕邪褟 锌芯 芯斜褗褢屑褍, 薪芯 薪邪褋褘褖械薪薪邪褟 褍写懈胁懈褌械谢褜薪褘屑懈 褏褍写芯卸械褋褌胁械薪薪褘屑懈 锌褉懈褢屑邪屑懈, 芯褉懈谐懈薪邪谢褜薪褘屑懈 芯斜褉邪蟹邪屑懈, 褌芯薪泻懈屑 褞屑芯褉芯屑.
March 31, 2022
Non ci si abitua mai ai libri davvero straordinari: quando ne trovi uno, questo ha la potenza di colpire e deflagrare nella testa. La rivoluzione russa vissuta dagli intellettuali. Uno sguardo impietoso.
July 6, 2010
锌械褉械褔懈褌邪谢. 屑械薪褜褕械 褌褉芯薪褍谢芯. 薪芯 锌褉芯 谐芯谢芯写 芯褔械薪褜 泻褉褍褌芯.
May 25, 2018
袩芯褌械褉褟薪薪芯械 锌芯泻芯谢械薪懈械 写褍褕, 谐薪懈褞褖懈褏 芯褌 斜械褋褋屑褘褋谢械薪薪芯褋褌懈 褋胁芯械泄 卸懈蟹薪懈. 袩褉芯懈蟹胁械写械薪懈械 薪邪 邪薪褌懈褌械蟹邪褏, 薪芯 斜械蟹 锌褉芯褌懈胁芯锌芯褋褌邪胁谢械薪懈褟 写芯斜褉邪 懈 蟹谢邪. 孝芯谢褜泻芯 屑谐谢邪, 斜械褋锌褉芯褋胁械褌薪邪褟 屑谐谢邪.
March 19, 2019
袛邪胁薪芯 薪懈褔械谐芯 褌邪泻芯谐芯 薪械 褔懈褌邪谢. 袧邪褋褌芯褟褖邪褟 胁邪泻褏邪薪邪谢懈褟 懈褉芯薪懈懈 薪邪 褎芯薪械 褍卸邪褋邪褞褖懈褏 褋芯斜褘褌懈泄 懈褋褌芯褉懈褔械褋泻芯谐芯 屑邪褋褕褌邪斜邪.
February 25, 2025
袩褉芯褔懈褌邪谢 胁褔械褉邪 芦笑懈薪懈泻芯胁禄 袦邪褉懈械薪谐芯褎邪 懈 褉械褕懈谢, 褉邪蟹 褌邪泻芯械, 锌芯褍锌褉邪卸薪褟褌褜褋褟 谢懈褕薪懈泄 褉邪蟹 胁 卸邪薪褉械 泻薪懈卸薪芯泄 褉械褑械薪蟹懈懈. 袠褋锌芯谢薪械薪懈械 斜褍写械褌, 泻邪泻 胁褋械谐写邪, 褋芯胁械褉褕械薪薪芯 屑械褖邪薪褋泻芯械 鈥� 锌褉芯泄写褢屑褋褟 锌芯 锌谢褞褋邪屑 懈 屑懈薪褍褋邪屑.
效械屑 泻薪懈谐邪 锌芯薪褉邪胁懈谢邪褋褜?
馃尀 袙械谢懈泻芯谢械锌薪邪褟 芯斜褉邪蟹薪芯褋褌褜. 袙 芦笑懈薪懈泻邪褏禄 薪械褌, 屑薪械 泻邪卸械褌褋褟, 薪懈 芯写薪芯谐芯 锌褉芯褏芯写薪芯谐芯, 褕邪斜谢芯薪薪芯谐芯 褋褉邪胁薪械薪懈褟 懈谢懈 褝锌懈褌械褌邪. 袧邪 芯泻褉褍卸邪褞褖懈泄 屑懈褉 锌懈褋邪褌械谢褜 褋屑芯褌褉懈褌 芯褋褌褉邪薪褢薪薪芯, 泻邪泻 褏褍写芯卸薪懈泻-泻褍斜懈褋褌, 胁懈写褟 胁 锌褉懈胁褘褔薪褘褏 褎芯褉屑邪褏 薪械锌褉懈胁褘褔薪褘械, 懈 褉邪蟹褉械蟹邪械褌, 褋褌褉褍泻褌褍褉懈褉褍械褌 械谐芯 锌芯-薪芯胁芯屑褍. 袧械泻芯褌芯褉褘械 芯锌懈褋邪薪懈褟 褏芯褌械谢芯褋褜 锌械褉械褔懈褌褘胁邪褌褜 锟斤拷邪蟹 蟹邪 褉邪蟹芯屑 鈥� 薪邪褋褌芯谢褜泻芯 褟褉泻懈屑懈, 褋胁械卸懈屑懈 懈 褏谢褢褋褌泻懈屑懈 芯薪懈 斜褘谢懈, 锌褉械写褋褌邪胁谢褟褟 锌褉械写屑械褌褘 褋 屑邪泻褋懈屑邪谢褜薪芯 薪械芯卸懈写邪薪薪褘褏 褋褌芯褉芯薪.
馃尀 袧邪褋褘褖械薪薪芯褋褌褜. 孝械泻褋褌 袦邪褉懈械薪谐芯褎邪 锌褉械写械谢褜薪芯 锌谢芯褌薪褘泄. 小邪屑邪 泻薪懈卸泻邪 写芯胁芯谢褜薪芯 泻芯褉芯褌泻邪褟, 锌褉懈屑械褉薪芯 150 褋褌褉邪薪懈褑, 薪芯 胁 薪械泄 薪械褌 锌褉懈 褝褌芯屑 薪懈 芯写薪芯谐芯 谢懈褕薪械谐芯 褋谢芯胁邪. 袟邪褔邪褋褌褍褞 芦笑懈薪懈泻懈禄 芯褖褍褖邪褞褌褋褟 泻邪泻 锌芯褝屑邪 胁 锌褉芯蟹械, 芯褔械薪褜 薪邪锌芯屑懈薪邪褟 胁 褝褌芯屑 锌谢邪薪械 (写邪 懈 锌芯 褋芯写械褉卸邪薪懈褞 褌芯卸械) 芦袟邪胁懈褋褌褜禄 袨谢械褕懈 懈 芦袛邪褉禄 袧邪斜芯泻芯胁邪. 袦薪械 芯褔械薪褜 懈屑锌芯薪懈褉褍械褌 褌邪泻芯泄 锌芯写褏芯写 泻 谢懈褌械褉邪褌褍褉械: 褟 褌械褉锌械褌褜 薪械 屑芯谐褍 褌芯谢褋褌芯胁褖懈薪褍 懈 褋褔懈褌邪褞, 褔褌芯 邪胁褌芯褉 写芯谢卸械薪 褋褌褉械屑懈褌褜褋褟 泻 谢邪泻芯薪懈褔薪芯褋褌懈; 袗薪邪褌芯谢懈泄 袘芯褉懈褋褘褔, 泻邪卸械褌褋褟, 褌芯谐芯 卸械 屑薪械薪懈褟.
馃尀 袛褍褏 胁褉械屑械薪懈. 袨薪 胁 褉芯屑邪薪械 褋褏胁邪褔械薪 芯褔械薪褜 泻褉褍褌芯. 袨写薪邪 懈蟹 谐谢邪胁薪褘褏 薪邪褏芯写芯泻 袦邪褉懈械薪谐芯褎邪 褌褍褌 鈥� 褋邪屑邪 褋褌褉褍泻褌褍褉邪 褌械泻褋褌邪, 胁 泻芯褌芯褉芯屑 锌邪褉邪谢谢械谢褜薪芯 芯褋薪芯胁薪芯泄 懈褋褌芯褉懈懈 (屑懈泻褉芯屑懈褉) 斜械卸懈褌 泻邪泻 斜褘 薪芯胁芯褋褌薪邪褟 谢械薪褌邪 (屑邪泻褉芯屑懈褉). 袧邪 写褉褍谐芯屑 卸械 褍褉芯胁薪械 懈褋褌芯褉懈褟 薪邪褋褌芯褟褖械谐芯-斜褍写褍褖械谐芯 锌褉芯褌懈胁芯锌芯褋褌邪胁谢褟械褌褋褟 锌褉芯褕谢芯屑褍, 芯斜褉邪蟹褘 泻芯褌芯褉芯谐芯 胁褉褘胁邪褞褌褋褟 胁 锌芯胁械褋褌胁芯胁邪薪懈械 褔械褉械蟹 褉械锌谢懈泻懈 袙谢邪写懈屑懈褉邪, 褌芯 懈 写械谢芯 褑懈褌懈褉褍褞褖械谐芯 谢械褌芯锌懈褋懈 懈 褏褉芯薪懈泻懈.
袠屑械薪薪芯 褝褌懈 锌褉芯褋褌褘械, 泻邪蟹邪谢芯褋褜 斜褘, 懈写械懈 褋芯蟹写邪褞褌 胁 芦笑懈薪懈泻邪褏禄 谐谢褍斜懈薪褍. 袨薪懈 锌芯蟹胁芯谢褟褞褌 胁芯芯褔懈褞 褍胁懈写械褌褜, 泻邪泻 薪芯胁邪褟 褋芯胁械褌褋泻邪褟 褉械邪谢褜薪芯褋褌褜 锌芯褋褌械锌械薪薪芯 芯褌褌芯褉谐邪械褌 懈蟹 褋械斜褟 胁褘褉芯写懈胁褕懈械褋褟 芯褋褌邪褌泻懈 懈屑锌械褉褋泻懈褏 胁褉械屑褢薪 懈 泻邪泻 褋褌褉械屑懈褌械谢褜薪芯 褌械褉褟械褌 褋械斜褟, 褉邪蟹谢邪谐邪褟褋褜, 褉芯褋褋懈泄褋泻邪褟 懈薪褌械谢谢懈谐械薪褑懈褟. 袧褍 懈, 褋芯斜褋褌胁械薪薪芯, 褌械屑邪 褑懈薪懈蟹屑邪 褉邪褋泻褉褘褌邪 芯褌谢懈褔薪芯.
效械屑 泻薪懈谐邪 薪械 锌芯薪褉邪胁懈谢邪褋褜?
馃寶 小谢邪斜褘泄 褋褞卸械褌. 小邪屑邪 懈褋褌芯褉懈褟, 胁芯泻褉褍谐 泻芯褌芯褉芯泄 褋褌褉芯懈褌褋褟 褉芯屑邪薪, 薪械 锌褉械写褋褌邪胁谢褟械褌 懈蟹 褋械斜褟 芯褋芯斜械薪薪芯谐芯 懈薪褌械褉械褋邪. 协褌芯 斜械谢谢械褌褉懈褋褌懈褔械褋泻邪褟, 屑械褋褌邪屑懈 写邪卸械 锌芯褕谢邪褟 谢褞斜芯胁薪邪褟 写褉邪屑邪 鈥� 写褍屑邪褞, 袦邪褉懈械薪谐芯褎 褝褌芯 锌褉械泻褉邪褋薪芯 锌芯薪懈屑邪谢 懈 写邪卸械 褋锌械褑懈邪谢褜薪芯 褋谐褍褖邪谢 泻褉邪褋泻懈. 袩芯褝褌芯屑褍, 褋褔懈褌邪褞, 胁芯褋锌褉懈薪懈屑邪褌褜 褋褞卸械褌 薪褍卸薪芯 褋褍谐褍斜芯 屑械褌邪褎芯褉懈褔械褋泻懈 懈, 泻邪泻 写芯泻邪蟹褘胁邪械褌 锌芯褋谢械写薪褟褟 褋褌褉芯泻邪 褉芯屑邪薪邪, 褔械褉械蟹 锌褉懈蟹屑褍 泻芯薪褌械泻褋褌邪 褋芯褑懈邪谢褜薪芯谐芯 懈 懈褋褌芯褉懈褔械褋泻芯谐芯.
馃寶 小芯屑薪懈褌械谢褜薪邪褟 褎懈谢芯褋芯褎懈褟. 芦笑懈薪懈泻懈禄, 褉邪蟹褍屑械械褌褋褟, 褉芯屑邪薪 屑芯写械褉薪懈褋褌褋泻懈泄, 懈 锌芯蟹懈褑懈褞 锌褉芯褌邪谐芯薪懈褋褌邪 胁 薪褢屑 薪懈 胁 泻芯械屑 褋谢褍褔邪械 薪械 薪褍卸薪芯 芯褌芯卸写械褋褌胁谢褟褌褜 褋 锌芯蟹懈褑懈械泄 邪胁褌芯褉邪. 袧芯, 泻邪卸械褌褋褟, 褔褌芯-褌芯 邪胁褌芯褉褋泻芯械 胁 褉懈褌芯褉懈泻械 褝褌芯谐芯 褉芯屑邪薪邪 胁褋褢-褌邪泻懈 锌褉芯谐谢褟写褘胁邪械褌; 薪械褋锌褉芯褋褌邪 褌邪泻 谢械谐泻芯 褍谐邪写褘胁邪械褌褋褟 褝褌芯褌 械写泻懈泄 懈 薪邪写屑械薪薪褘泄 褌芯薪, 褌邪泻 褋胁芯泄褋褌胁械薪薪褘泄 写谢褟 屑薪芯谐懈褏 斜械谢褘褏 邪胁褌芯褉芯胁 褌芯泄 锌芯褉褘. 袙蟹谐谢褟写 袦邪褉懈械薪谐芯褎邪 薪邪 屑懈褉 鈥� 褍卸械 胁 褝褌懈褔械褋泻芯屑, 邪 薪械 褝褋褌械褌懈褔械褋泻芯屑 芯褌薪芯褕械薪懈懈 鈥� 屑薪械 薪械 斜谢懈蟹芯泻. 袩褉芯褌懈胁薪械薪褜泻懈泄, 泻邪卸械褌褋褟, 斜褘谢 屑褍卸懈泻.
袛芯斜邪胁谢褞 械褖褢, 褔褌芯 胁褋械 锌邪褋褋邪卸懈-褉邪褋褋褍卸写械薪懈褟 胁 泻薪懈谐械 褌芯卸械 锌褉芯懈蟹胁械谢懈 褋屑械褕邪薪薪芯械 胁锌械褔邪褌谢械薪懈械, 芯褋芯斜械薪薪芯 胁褟谢褘械, 斜械褋褋芯写械褉卸邪褌械谢褜薪褘械 褉邪蟹屑褘褕谢械薪懈褟 芯 褋褍写褜斜邪褏 褉芯写懈薪褘. 袧懈泻邪泻懈褏 芯褌泻褉芯胁械薪懈泄 写谢褟 褋械斜褟 褌邪屑 薪械 褍胁懈写械谢.
馃寵 效褌芯 锌芯 懈褌芯谐褍?
袣薪懈卸泻褍 泻 锌褉芯褔褌械薪懈褞 褋泻芯褉械械 褉械泻芯屑械薪写褍褞, 褌械屑 斜芯谢械械 褔褌芯 芯褋懈谢懈褌褜 械褢 褋锌芯泻芯泄薪芯 屑芯卸薪芯 蟹邪 芯写懈薪 胁械褔械褉. 袨褋芯斜械薪薪芯 械褋谢懈 胁褘 褋泻褍褔邪械褌械 锌芯 褏芯褉芯褕械屑褍 褉褍褋褋泻芯屑褍 褟蟹褘泻褍 懈 懈薪褌械褉械褋褍械褌械褋褜 芯褌械褔械褋褌胁械薪薪芯泄 懈褋褌芯褉懈械泄 鈥� 锌械褉褋锌械泻褌懈胁邪 薪邪 薪械褢 胁 芦笑懈薪懈泻邪褏禄 谢褞斜芯锌褘褌薪邪褟.
效械屑 泻薪懈谐邪 锌芯薪褉邪胁懈谢邪褋褜?
馃尀 袙械谢懈泻芯谢械锌薪邪褟 芯斜褉邪蟹薪芯褋褌褜. 袙 芦笑懈薪懈泻邪褏禄 薪械褌, 屑薪械 泻邪卸械褌褋褟, 薪懈 芯写薪芯谐芯 锌褉芯褏芯写薪芯谐芯, 褕邪斜谢芯薪薪芯谐芯 褋褉邪胁薪械薪懈褟 懈谢懈 褝锌懈褌械褌邪. 袧邪 芯泻褉褍卸邪褞褖懈泄 屑懈褉 锌懈褋邪褌械谢褜 褋屑芯褌褉懈褌 芯褋褌褉邪薪褢薪薪芯, 泻邪泻 褏褍写芯卸薪懈泻-泻褍斜懈褋褌, 胁懈写褟 胁 锌褉懈胁褘褔薪褘褏 褎芯褉屑邪褏 薪械锌褉懈胁褘褔薪褘械, 懈 褉邪蟹褉械蟹邪械褌, 褋褌褉褍泻褌褍褉懈褉褍械褌 械谐芯 锌芯-薪芯胁芯屑褍. 袧械泻芯褌芯褉褘械 芯锌懈褋邪薪懈褟 褏芯褌械谢芯褋褜 锌械褉械褔懈褌褘胁邪褌褜 锟斤拷邪蟹 蟹邪 褉邪蟹芯屑 鈥� 薪邪褋褌芯谢褜泻芯 褟褉泻懈屑懈, 褋胁械卸懈屑懈 懈 褏谢褢褋褌泻懈屑懈 芯薪懈 斜褘谢懈, 锌褉械写褋褌邪胁谢褟褟 锌褉械写屑械褌褘 褋 屑邪泻褋懈屑邪谢褜薪芯 薪械芯卸懈写邪薪薪褘褏 褋褌芯褉芯薪.
馃尀 袧邪褋褘褖械薪薪芯褋褌褜. 孝械泻褋褌 袦邪褉懈械薪谐芯褎邪 锌褉械写械谢褜薪芯 锌谢芯褌薪褘泄. 小邪屑邪 泻薪懈卸泻邪 写芯胁芯谢褜薪芯 泻芯褉芯褌泻邪褟, 锌褉懈屑械褉薪芯 150 褋褌褉邪薪懈褑, 薪芯 胁 薪械泄 薪械褌 锌褉懈 褝褌芯屑 薪懈 芯写薪芯谐芯 谢懈褕薪械谐芯 褋谢芯胁邪. 袟邪褔邪褋褌褍褞 芦笑懈薪懈泻懈禄 芯褖褍褖邪褞褌褋褟 泻邪泻 锌芯褝屑邪 胁 锌褉芯蟹械, 芯褔械薪褜 薪邪锌芯屑懈薪邪褟 胁 褝褌芯屑 锌谢邪薪械 (写邪 懈 锌芯 褋芯写械褉卸邪薪懈褞 褌芯卸械) 芦袟邪胁懈褋褌褜禄 袨谢械褕懈 懈 芦袛邪褉禄 袧邪斜芯泻芯胁邪. 袦薪械 芯褔械薪褜 懈屑锌芯薪懈褉褍械褌 褌邪泻芯泄 锌芯写褏芯写 泻 谢懈褌械褉邪褌褍褉械: 褟 褌械褉锌械褌褜 薪械 屑芯谐褍 褌芯谢褋褌芯胁褖懈薪褍 懈 褋褔懈褌邪褞, 褔褌芯 邪胁褌芯褉 写芯谢卸械薪 褋褌褉械屑懈褌褜褋褟 泻 谢邪泻芯薪懈褔薪芯褋褌懈; 袗薪邪褌芯谢懈泄 袘芯褉懈褋褘褔, 泻邪卸械褌褋褟, 褌芯谐芯 卸械 屑薪械薪懈褟.
馃尀 袛褍褏 胁褉械屑械薪懈. 袨薪 胁 褉芯屑邪薪械 褋褏胁邪褔械薪 芯褔械薪褜 泻褉褍褌芯. 袨写薪邪 懈蟹 谐谢邪胁薪褘褏 薪邪褏芯写芯泻 袦邪褉懈械薪谐芯褎邪 褌褍褌 鈥� 褋邪屑邪 褋褌褉褍泻褌褍褉邪 褌械泻褋褌邪, 胁 泻芯褌芯褉芯屑 锌邪褉邪谢谢械谢褜薪芯 芯褋薪芯胁薪芯泄 懈褋褌芯褉懈懈 (屑懈泻褉芯屑懈褉) 斜械卸懈褌 泻邪泻 斜褘 薪芯胁芯褋褌薪邪褟 谢械薪褌邪 (屑邪泻褉芯屑懈褉). 袧邪 写褉褍谐芯屑 卸械 褍褉芯胁薪械 懈褋褌芯褉懈褟 薪邪褋褌芯褟褖械谐芯-斜褍写褍褖械谐芯 锌褉芯褌懈胁芯锌芯褋褌邪胁谢褟械褌褋褟 锌褉芯褕谢芯屑褍, 芯斜褉邪蟹褘 泻芯褌芯褉芯谐芯 胁褉褘胁邪褞褌褋褟 胁 锌芯胁械褋褌胁芯胁邪薪懈械 褔械褉械蟹 褉械锌谢懈泻懈 袙谢邪写懈屑懈褉邪, 褌芯 懈 写械谢芯 褑懈褌懈褉褍褞褖械谐芯 谢械褌芯锌懈褋懈 懈 褏褉芯薪懈泻懈.
袠屑械薪薪芯 褝褌懈 锌褉芯褋褌褘械, 泻邪蟹邪谢芯褋褜 斜褘, 懈写械懈 褋芯蟹写邪褞褌 胁 芦笑懈薪懈泻邪褏禄 谐谢褍斜懈薪褍. 袨薪懈 锌芯蟹胁芯谢褟褞褌 胁芯芯褔懈褞 褍胁懈写械褌褜, 泻邪泻 薪芯胁邪褟 褋芯胁械褌褋泻邪褟 褉械邪谢褜薪芯褋褌褜 锌芯褋褌械锌械薪薪芯 芯褌褌芯褉谐邪械褌 懈蟹 褋械斜褟 胁褘褉芯写懈胁褕懈械褋褟 芯褋褌邪褌泻懈 懈屑锌械褉褋泻懈褏 胁褉械屑褢薪 懈 泻邪泻 褋褌褉械屑懈褌械谢褜薪芯 褌械褉褟械褌 褋械斜褟, 褉邪蟹谢邪谐邪褟褋褜, 褉芯褋褋懈泄褋泻邪褟 懈薪褌械谢谢懈谐械薪褑懈褟. 袧褍 懈, 褋芯斜褋褌胁械薪薪芯, 褌械屑邪 褑懈薪懈蟹屑邪 褉邪褋泻褉褘褌邪 芯褌谢懈褔薪芯.
效械屑 泻薪懈谐邪 薪械 锌芯薪褉邪胁懈谢邪褋褜?
馃寶 小谢邪斜褘泄 褋褞卸械褌. 小邪屑邪 懈褋褌芯褉懈褟, 胁芯泻褉褍谐 泻芯褌芯褉芯泄 褋褌褉芯懈褌褋褟 褉芯屑邪薪, 薪械 锌褉械写褋褌邪胁谢褟械褌 懈蟹 褋械斜褟 芯褋芯斜械薪薪芯谐芯 懈薪褌械褉械褋邪. 协褌芯 斜械谢谢械褌褉懈褋褌懈褔械褋泻邪褟, 屑械褋褌邪屑懈 写邪卸械 锌芯褕谢邪褟 谢褞斜芯胁薪邪褟 写褉邪屑邪 鈥� 写褍屑邪褞, 袦邪褉懈械薪谐芯褎 褝褌芯 锌褉械泻褉邪褋薪芯 锌芯薪懈屑邪谢 懈 写邪卸械 褋锌械褑懈邪谢褜薪芯 褋谐褍褖邪谢 泻褉邪褋泻懈. 袩芯褝褌芯屑褍, 褋褔懈褌邪褞, 胁芯褋锌褉懈薪懈屑邪褌褜 褋褞卸械褌 薪褍卸薪芯 褋褍谐褍斜芯 屑械褌邪褎芯褉懈褔械褋泻懈 懈, 泻邪泻 写芯泻邪蟹褘胁邪械褌 锌芯褋谢械写薪褟褟 褋褌褉芯泻邪 褉芯屑邪薪邪, 褔械褉械蟹 锌褉懈蟹屑褍 泻芯薪褌械泻褋褌邪 褋芯褑懈邪谢褜薪芯谐芯 懈 懈褋褌芯褉懈褔械褋泻芯谐芯.
馃寶 小芯屑薪懈褌械谢褜薪邪褟 褎懈谢芯褋芯褎懈褟. 芦笑懈薪懈泻懈禄, 褉邪蟹褍屑械械褌褋褟, 褉芯屑邪薪 屑芯写械褉薪懈褋褌褋泻懈泄, 懈 锌芯蟹懈褑懈褞 锌褉芯褌邪谐芯薪懈褋褌邪 胁 薪褢屑 薪懈 胁 泻芯械屑 褋谢褍褔邪械 薪械 薪褍卸薪芯 芯褌芯卸写械褋褌胁谢褟褌褜 褋 锌芯蟹懈褑懈械泄 邪胁褌芯褉邪. 袧芯, 泻邪卸械褌褋褟, 褔褌芯-褌芯 邪胁褌芯褉褋泻芯械 胁 褉懈褌芯褉懈泻械 褝褌芯谐芯 褉芯屑邪薪邪 胁褋褢-褌邪泻懈 锌褉芯谐谢褟写褘胁邪械褌; 薪械褋锌褉芯褋褌邪 褌邪泻 谢械谐泻芯 褍谐邪写褘胁邪械褌褋褟 褝褌芯褌 械写泻懈泄 懈 薪邪写屑械薪薪褘泄 褌芯薪, 褌邪泻 褋胁芯泄褋褌胁械薪薪褘泄 写谢褟 屑薪芯谐懈褏 斜械谢褘褏 邪胁褌芯褉芯胁 褌芯泄 锌芯褉褘. 袙蟹谐谢褟写 袦邪褉懈械薪谐芯褎邪 薪邪 屑懈褉 鈥� 褍卸械 胁 褝褌懈褔械褋泻芯屑, 邪 薪械 褝褋褌械褌懈褔械褋泻芯屑 芯褌薪芯褕械薪懈懈 鈥� 屑薪械 薪械 斜谢懈蟹芯泻. 袩褉芯褌懈胁薪械薪褜泻懈泄, 泻邪卸械褌褋褟, 斜褘谢 屑褍卸懈泻.
袛芯斜邪胁谢褞 械褖褢, 褔褌芯 胁褋械 锌邪褋褋邪卸懈-褉邪褋褋褍卸写械薪懈褟 胁 泻薪懈谐械 褌芯卸械 锌褉芯懈蟹胁械谢懈 褋屑械褕邪薪薪芯械 胁锌械褔邪褌谢械薪懈械, 芯褋芯斜械薪薪芯 胁褟谢褘械, 斜械褋褋芯写械褉卸邪褌械谢褜薪褘械 褉邪蟹屑褘褕谢械薪懈褟 芯 褋褍写褜斜邪褏 褉芯写懈薪褘. 袧懈泻邪泻懈褏 芯褌泻褉芯胁械薪懈泄 写谢褟 褋械斜褟 褌邪屑 薪械 褍胁懈写械谢.
馃寵 效褌芯 锌芯 懈褌芯谐褍?
袣薪懈卸泻褍 泻 锌褉芯褔褌械薪懈褞 褋泻芯褉械械 褉械泻芯屑械薪写褍褞, 褌械屑 斜芯谢械械 褔褌芯 芯褋懈谢懈褌褜 械褢 褋锌芯泻芯泄薪芯 屑芯卸薪芯 蟹邪 芯写懈薪 胁械褔械褉. 袨褋芯斜械薪薪芯 械褋谢懈 胁褘 褋泻褍褔邪械褌械 锌芯 褏芯褉芯褕械屑褍 褉褍褋褋泻芯屑褍 褟蟹褘泻褍 懈 懈薪褌械褉械褋褍械褌械褋褜 芯褌械褔械褋褌胁械薪薪芯泄 懈褋褌芯褉懈械泄 鈥� 锌械褉褋锌械泻褌懈胁邪 薪邪 薪械褢 胁 芦笑懈薪懈泻邪褏禄 谢褞斜芯锌褘褌薪邪褟.
March 20, 2021
韦蔚位蔚委蠅蟽伪 苇谓伪 蟺蟻伪纬渭伪蟿喂魏维 尉蔚蠂蠅蟻喂蟽蟿蠈 尾喂尾位委慰. 螣喂 魏蠀谓喂魏慰委, 蟿慰蠀 螒谓伪蟿蠈位喂 螠伪蟻喂蔚谓纬魏蠈蠁, 蔚魏未蠈蟽蔚喂蟼 s@mizdat. 螝伪蟿伪蟻蠂维蟼 谓伪 蟺蠅 蠈蟿喂 伪蟺蠈 蟿喂蟼 290 蟽蔚位委未蔚蟼 蟿慰蠀 尾喂尾位委慰蠀 慰喂 112 苇蠂慰蠀谓 渭蠈谓慰 渭委伪 蟺蟻蠈蟿伪蟽畏 萎 渭蠈谓慰 苇谓伪 蟺慰位蠉 渭喂魏蟻蠈 伪蟺蠈蟽蟺伪蟽渭伪. 韦蠋蟻伪, 纬喂伪 蟺慰喂慰 位蠈纬慰 蟿慰 蔚蟺苇位蔚尉伪谓 谓伪 蟿慰 魏维谓慰蠀谓 苇蟿蟽喂 未蔚谓 渭蟺慰蟻蠋 谓伪 蟿慰 魏伪蟿伪位维尾蠅. 螘委谓伪喂 蟽畏渭伪谓蟿喂魏蠈 谓伪 蟿慰 纬谓蠅蟻委味蔚喂 魏伪谓蔚委蟼 伪蠀蟿蠈 蟺蟻喂谓 蟿慰 伪纬慰蟻维蟽蔚喂. 螘纬蠋, 未蔚谓 蔚委蠂伪 喂未苇伪 魏伪喂 渭蠈位喂蟼 蟿慰 蟺伪蟻苇位伪尾伪 魏伪喂 蟿慰 维谓慰喂尉伪 谓伪 蟿慰 尉蔚蠁蠀位位委蟽蠅 苇蟺伪胃伪 苇谓伪 蟽慰魏. "惟蠂!", 位苇蠅, "苇蟿蟽喂 胃伪'谓伪喂 蟿慰 尾喂尾位委慰;"
螤伪蟻蠈位伪 伪蠀蟿维 渭慰蠀 维蟻蔚蟽蔚 蟺慰位蠉, 苇蟽蟿蠅 魏伪喂 蠂蠅蟻委蟼 谓伪 苇蠂蠅 魏伪蟿伪位维尾蔚喂 蟺位萎蟻蠅蟼 伪蟻魏蔚蟿维 蟽畏渭蔚委伪 蟿慰蠀. 螣 螠伪蟻喂蔚谓纬魏蠈蠁 萎蟿伪谓 蟺蟻蠅蟿慰蟺蠈蟻慰蟼 蟿慰蠀 (蟺慰喂畏蟿喂魏慰蠉) 魏喂谓萎渭伪蟿慰蟼 蟿慰蠀 螜味喂渭伪谓喂蟽渭慰蠉. 螘魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎 蔚委蠂伪谓 魏维谓蔚喂 蟿畏谓 蔚渭蠁维谓喂蟽萎 蟿慰蠀蟼 未喂维蠁慰蟻伪 蟺慰喂畏蟿喂魏维 魏喂谓萎渭伪蟿伪 蠈蟺蠅蟼 魏伪喂 慰 蠁慰蠀蟿慰蠀蟻喂蟽渭蠈蟼 纬喂伪 蟺伪蟻维未蔚喂纬渭伪. 螠畏 渭蔚 蟻蠅蟿萎蟽蔚蟿蔚 蟿喂 蔚委谓伪喂 螜味喂渭伪谓喂蟽渭蠈蟼. 螖蔚谓 苇蠂蠅 喂未苇伪. 螝伪喂 蟽蟿慰 委谓蟿蔚蟻谓蔚蟿 蟺慰蠀 蟿慰 苇蠄伪尉伪 尾纬维位蔚喂 渭蠈谓慰 未蠀慰 蟿蟻委伪 伪蟺慰蟿蔚位苇蟽渭伪蟿伪 蟺慰蠀 蠁慰尾维渭伪喂 谓伪 蟿伪 伪谓慰委尉蠅 渭畏谓 蟺蔚蟿伪蠂蟿蔚委 魏伪谓苇谓伪蟼 喂蠈蟼.
韦慰 魏位慰蠀 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 (蟽蔚 渭蔚纬维位慰 尾伪胃渭蠈 伪蠀蟿慰尾喂慰纬蟻伪蠁喂魏萎) 蔚委谓伪喂 蠈蟿喂 渭蟺慰蟽蔚位尾喂魏喂蟽渭蠈蟼 蔚委谓伪喂 魏蠀谓喂蟽渭蠈蟼, 慰 渭蟺慰蟽蔚位尾喂魏喂蟽渭蠈蟼 蔚委谓伪喂 蟿慰 蟽蠂慰位蔚委慰 蟿慰蠀 魏蠀谓喂蟽渭慰蠉, 蠈蟺蠅蟼 伪魏蟻喂尾蠋蟼 苇纬蟻伪蠄蔚 慰 魏蟻喂蟿喂魏蠈蟼 位慰纬慰蟿蔚蠂谓委伪蟼 螕喂慰蠉蟻喂 '螒喂蠂蔚谓尾伪位谓蟿.
韦慰 蟺蟻慰蟿蔚委谓蠅 100%.
螒蟺蠈 蟿畏谓 蟺伪蟻慰蠀蟽委伪蟽畏 蟿慰蠀 蔚魏未蠈蟿畏:
危蟿慰蠀蟼 芦螝蠀谓喂魏慰蠉蟼禄 慰 螠伪蟻喂蔚谓纬魏蠈蠁 蟺蔚蟻喂纬蟻维蠁蔚喂 蟿伪 纬蔚纬慰谓蠈蟿伪 蟿慰蠀 1918. 韦慰 喂蟽蟿慰蟻喂魏蠈 蟺位伪委蟽喂慰, 渭苇蟽伪 蟽蟿慰 慰蟺慰委慰 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 畏 蟺位慰魏萎 蔚委谓伪喂 慰 蟿蟻慰渭伪魏蟿喂魏蠈蟼 蟽蔚 苇魏蟿伪蟽畏 魏伪喂 伪蟻喂胃渭蠈 胃蠀渭维蟿蠅谓 蟻蠅蟽喂魏蠈蟼 螘渭蠁蠉位喂慰蟼 蟺蠈位蔚渭慰蟼, 魏伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 蟿慰蠀 慰蟺慰委慰蠀 慰 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼 螔位伪谓蟿委渭喂蟻 蠂伪蟻委味蔚喂 蟿畏谓 伪纬伪蟺畏渭苇谓畏 蟿慰蠀 螌位纬伪 苇谓伪 渭蟺慰蠀魏苇蟿慰 渭蔚 伪蟽蟿蟻维魏喂伪. 螘魏蔚委谓畏 蠈渭蠅蟼 蔚谓未喂伪蠁苇蟻蔚蟿伪喂 伪谓 蟽蟿畏谓 螠蠈蟽蠂伪 蟺蠅位蔚委蟿伪喂 纬伪位位喂魏萎 蟺慰蠉未蟻伪. 螣喂 纬慰谓蔚委蟼 蟿畏蟼 螌位纬伪蟼 蔚纬魏伪蟿伪位蔚委蟺慰蠀谓 蟿畏谓 巍蠅蟽委伪, 蟽蠀渭尾慰蠀位蔚蠉慰蠀谓 未蔚 蟿畏谓 委未喂伪 谓伪 蟺伪谓蟿蟻蔚蠀蟿蔚委 魏维蟺慰喂慰谓 螠蟺慰位蟽蔚尾委魏慰, 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 魏蟻伪蟿萎蟽蔚喂 蟿慰 未喂伪渭苇蟻喂蟽渭伪 蟺慰蠀 蟿畏蟼 维蠁畏蟽伪谓 魏伪喂 谓伪 渭畏谓 蟿慰 未畏渭蔚蠉蟽慰蠀谓 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 蟽蟿蔚纬伪蟽蟿慰蠉谓 蟽蟿伪 未蠅渭维蟿喂伪 蟿慰蠀 魏维蟺慰喂慰喂 尉苇谓慰喂. 螚 螌位纬伪, 纬喂伪 谓伪 蔚蟺喂尾喂蠋蟽蔚喂, 蟺慰蠀位维蔚喂 蟿伪 魏慰蟽渭萎渭伪蟿维 蟿畏蟼.
螣 蟺蟻慰蟽蔚魏蟿喂魏蠈蟼 伪谓伪纬谓蠋蟽蟿畏蟼, 蔚蠉魏慰位伪 渭蟺慰蟻蔚委 谓伪 未喂伪魏蟻委谓蔚喂 伪蠀蟿慰尾喂慰纬蟻伪蠁喂魏维 蟽蟿慰喂蠂蔚委伪 蟽蟿慰谓 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎 螔位伪谓蟿委渭喂蟻, 慰 慰蟺慰委慰蟼 苇蠂蔚喂 苇谓伪谓 蟺伪蟻维尉蔚谓慰 伪未蔚位蠁蠈, 慰 慰蟺慰委慰蟼 未慰蠀位蔚蠉蔚喂 纬喂伪 蟿慰蠀蟼 螠蟺慰位蟽蔚尾委魏慰蠀蟼 魏伪喂 蟿慰谓 慰蟺慰委慰 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蟺蔚委蟽蔚喂 蟺蠅蟼 畏 蟺蟻伪纬渭伪蟿喂魏萎 伪纬维蟺畏 蔚委谓伪喂 蟺喂慰 蟽畏渭伪谓蟿喂魏萎 伪蟺蠈 蟿畏谓 蟽慰蟽喂伪位喂蟽蟿喂魏萎 蔚蟺伪谓维蟽蟿伪蟽畏.
螣 螘渭蠁蠉位喂慰蟼 蟺蠈位蔚渭慰蟼 渭伪委谓蔚蟿伪喂, 渭伪 慰喂 未蠉慰 蔚蟻蠅蟿蔚蠀渭苇谓慰喂 未蔚谓 苇蠂慰蠀谓 渭维蟿喂伪 纬喂伪 谓伪 未慰蠀谓 蟿畏谓 蟿蟻伪纬蠅未委伪 蟺慰蠀 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 渭蟺蟻慰蟽蟿维 蟿慰蠀蟼. 螣 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼 魏维谓蔚喂 蟺蟻蠈蟿伪蟽畏 纬维渭慰蠀 蟽蟿畏谓 螌位纬伪. 螘魏蔚委谓畏 蟽蠀渭蠁蠅谓蔚委, 渭蔚 蟿慰 蔚蟺喂蠂蔚委蟻畏渭伪 蟺蠅蟼 蟿慰谓 蠂蔚喂渭蠋谓伪 魏维谓蔚喂 蟺慰位蠉 魏蟻蠉慰 魏喂 苇蟿蟽喂 蔚委谓伪喂 尾慰位喂魏蠈 谓伪 魏慰喂渭慰蠉谓蟿伪喂 蟽蟿慰 委未喂慰 魏蟻蔚尾维蟿喂 纬喂伪 谓伪 味蔚蟽蟿伪胃慰蠉谓.
螚 螌位纬伪 伪蟺慰蠁伪蟽委味蔚喂 谓伪 未慰蠀位苇蠄蔚喂 纬喂伪 蟿畏 蟽慰尾喂蔚蟿喂魏萎 蔚尉慰蠀蟽委伪 魏喂 苇蟿蟽喂 慰 螔位伪谓蟿委渭喂蟻 蟿畏谓 蟽蠀蟽蟿萎谓蔚喂 蟽蟿慰谓 伪未蔚位蠁蠈 蟿慰蠀. 螚 螌位纬伪 伪蟻蠂委味蔚喂 谓伪 未喂伪魏慰蟽渭蔚委 蟺蟻慰蟺伪纬伪谓未喂蟽蟿喂魏维 蟿蟻伪委谓伪 魏伪喂 伪蟺慰魏蟿维蔚喂 蟺蟻慰蟽蠅蟺喂魏蠈 纬蟻伪渭渭伪蟿苇伪. 螚 伪蟺喂蟽蟿委伪 未蔚谓 伪蟻纬蔚委 谓伪 蔚渭蠁伪谓喂蟽蟿蔚委, 伪蟺慰魏蟿维蔚喂 蔚蟻伪蟽蟿萎, 慰蟺慰委慰蟼 未蔚谓 蔚委谓伪喂 维位位慰蟼 伪蟺蠈 蟿慰谓 伪未蔚位蠁蠈 蟿慰蠀 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎. 螣 螔位伪谓蟿委渭喂蟻 伪蟺慰蠁伪蟽委味蔚喂 谓伪 蟿畏谓 伪纬谓慰萎蟽蔚喂. 螔伪胃喂维 渭苇蟽伪 蟽蟿畏谓 蠄蠀蠂萎 蟿慰蠀 蠀蟺慰蠁苇蟻蔚喂 魏伪喂 蟽魏苇蠁蟿蔚蟿伪喂 谓伪 伪蠀蟿慰魏蟿慰谓萎蟽蔚喂 蟺苇蠁蟿慰谓蟿伪蟼 伪蟺蠈 蟿慰 蟺伪蟻维胃蠀蟻慰. 韦慰谓 伪蟺慰蟿蟻苇蟺蔚喂 伪蟺蠈 蟿慰 伪蟺慰谓蔚谓慰畏渭苇谓慰 未喂维尾畏渭伪 畏 胃苇伪 蔚谓蠈蟼 蟽蠅蟻慰蠉 蟽魏慰蠀蟺喂未喂蠋谓 蟽蟿慰 未蟻蠈渭慰 魏维蟿蠅 伪蟺蠈 蟿慰 蟽蟺委蟿喂 蟿慰蠀. 韦畏 蟽蠀谓苇蠂蔚喂伪 胃伪 蟿畏 未喂伪尾维蟽蔚蟿蔚 蟽蟿喂蟼 蟽蔚位委未蔚蟼 蟺慰蠀 伪魏慰位慰蠀胃慰蠉谓...
螤伪蟻蠈位伪 伪蠀蟿维 渭慰蠀 维蟻蔚蟽蔚 蟺慰位蠉, 苇蟽蟿蠅 魏伪喂 蠂蠅蟻委蟼 谓伪 苇蠂蠅 魏伪蟿伪位维尾蔚喂 蟺位萎蟻蠅蟼 伪蟻魏蔚蟿维 蟽畏渭蔚委伪 蟿慰蠀. 螣 螠伪蟻喂蔚谓纬魏蠈蠁 萎蟿伪谓 蟺蟻蠅蟿慰蟺蠈蟻慰蟼 蟿慰蠀 (蟺慰喂畏蟿喂魏慰蠉) 魏喂谓萎渭伪蟿慰蟼 蟿慰蠀 螜味喂渭伪谓喂蟽渭慰蠉. 螘魏蔚委谓畏 蟿畏谓 蔚蟺慰蠂萎 蔚委蠂伪谓 魏维谓蔚喂 蟿畏谓 蔚渭蠁维谓喂蟽萎 蟿慰蠀蟼 未喂维蠁慰蟻伪 蟺慰喂畏蟿喂魏维 魏喂谓萎渭伪蟿伪 蠈蟺蠅蟼 魏伪喂 慰 蠁慰蠀蟿慰蠀蟻喂蟽渭蠈蟼 纬喂伪 蟺伪蟻维未蔚喂纬渭伪. 螠畏 渭蔚 蟻蠅蟿萎蟽蔚蟿蔚 蟿喂 蔚委谓伪喂 螜味喂渭伪谓喂蟽渭蠈蟼. 螖蔚谓 苇蠂蠅 喂未苇伪. 螝伪喂 蟽蟿慰 委谓蟿蔚蟻谓蔚蟿 蟺慰蠀 蟿慰 苇蠄伪尉伪 尾纬维位蔚喂 渭蠈谓慰 未蠀慰 蟿蟻委伪 伪蟺慰蟿蔚位苇蟽渭伪蟿伪 蟺慰蠀 蠁慰尾维渭伪喂 谓伪 蟿伪 伪谓慰委尉蠅 渭畏谓 蟺蔚蟿伪蠂蟿蔚委 魏伪谓苇谓伪蟼 喂蠈蟼.
韦慰 魏位慰蠀 蟿畏蟼 喂蟽蟿慰蟻委伪蟼 (蟽蔚 渭蔚纬维位慰 尾伪胃渭蠈 伪蠀蟿慰尾喂慰纬蟻伪蠁喂魏萎) 蔚委谓伪喂 蠈蟿喂 渭蟺慰蟽蔚位尾喂魏喂蟽渭蠈蟼 蔚委谓伪喂 魏蠀谓喂蟽渭蠈蟼, 慰 渭蟺慰蟽蔚位尾喂魏喂蟽渭蠈蟼 蔚委谓伪喂 蟿慰 蟽蠂慰位蔚委慰 蟿慰蠀 魏蠀谓喂蟽渭慰蠉, 蠈蟺蠅蟼 伪魏蟻喂尾蠋蟼 苇纬蟻伪蠄蔚 慰 魏蟻喂蟿喂魏蠈蟼 位慰纬慰蟿蔚蠂谓委伪蟼 螕喂慰蠉蟻喂 '螒喂蠂蔚谓尾伪位谓蟿.
韦慰 蟺蟻慰蟿蔚委谓蠅 100%.
螒蟺蠈 蟿畏谓 蟺伪蟻慰蠀蟽委伪蟽畏 蟿慰蠀 蔚魏未蠈蟿畏:
危蟿慰蠀蟼 芦螝蠀谓喂魏慰蠉蟼禄 慰 螠伪蟻喂蔚谓纬魏蠈蠁 蟺蔚蟻喂纬蟻维蠁蔚喂 蟿伪 纬蔚纬慰谓蠈蟿伪 蟿慰蠀 1918. 韦慰 喂蟽蟿慰蟻喂魏蠈 蟺位伪委蟽喂慰, 渭苇蟽伪 蟽蟿慰 慰蟺慰委慰 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 畏 蟺位慰魏萎 蔚委谓伪喂 慰 蟿蟻慰渭伪魏蟿喂魏蠈蟼 蟽蔚 苇魏蟿伪蟽畏 魏伪喂 伪蟻喂胃渭蠈 胃蠀渭维蟿蠅谓 蟻蠅蟽喂魏蠈蟼 螘渭蠁蠉位喂慰蟼 蟺蠈位蔚渭慰蟼, 魏伪蟿维 蟿畏 未喂维蟻魏蔚喂伪 蟿慰蠀 慰蟺慰委慰蠀 慰 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼 螔位伪谓蟿委渭喂蟻 蠂伪蟻委味蔚喂 蟿畏谓 伪纬伪蟺畏渭苇谓畏 蟿慰蠀 螌位纬伪 苇谓伪 渭蟺慰蠀魏苇蟿慰 渭蔚 伪蟽蟿蟻维魏喂伪. 螘魏蔚委谓畏 蠈渭蠅蟼 蔚谓未喂伪蠁苇蟻蔚蟿伪喂 伪谓 蟽蟿畏谓 螠蠈蟽蠂伪 蟺蠅位蔚委蟿伪喂 纬伪位位喂魏萎 蟺慰蠉未蟻伪. 螣喂 纬慰谓蔚委蟼 蟿畏蟼 螌位纬伪蟼 蔚纬魏伪蟿伪位蔚委蟺慰蠀谓 蟿畏谓 巍蠅蟽委伪, 蟽蠀渭尾慰蠀位蔚蠉慰蠀谓 未蔚 蟿畏谓 委未喂伪 谓伪 蟺伪谓蟿蟻蔚蠀蟿蔚委 魏维蟺慰喂慰谓 螠蟺慰位蟽蔚尾委魏慰, 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 魏蟻伪蟿萎蟽蔚喂 蟿慰 未喂伪渭苇蟻喂蟽渭伪 蟺慰蠀 蟿畏蟼 维蠁畏蟽伪谓 魏伪喂 谓伪 渭畏谓 蟿慰 未畏渭蔚蠉蟽慰蠀谓 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 蟽蟿蔚纬伪蟽蟿慰蠉谓 蟽蟿伪 未蠅渭维蟿喂伪 蟿慰蠀 魏维蟺慰喂慰喂 尉苇谓慰喂. 螚 螌位纬伪, 纬喂伪 谓伪 蔚蟺喂尾喂蠋蟽蔚喂, 蟺慰蠀位维蔚喂 蟿伪 魏慰蟽渭萎渭伪蟿维 蟿畏蟼.
螣 蟺蟻慰蟽蔚魏蟿喂魏蠈蟼 伪谓伪纬谓蠋蟽蟿畏蟼, 蔚蠉魏慰位伪 渭蟺慰蟻蔚委 谓伪 未喂伪魏蟻委谓蔚喂 伪蠀蟿慰尾喂慰纬蟻伪蠁喂魏维 蟽蟿慰喂蠂蔚委伪 蟽蟿慰谓 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎 螔位伪谓蟿委渭喂蟻, 慰 慰蟺慰委慰蟼 苇蠂蔚喂 苇谓伪谓 蟺伪蟻维尉蔚谓慰 伪未蔚位蠁蠈, 慰 慰蟺慰委慰蟼 未慰蠀位蔚蠉蔚喂 纬喂伪 蟿慰蠀蟼 螠蟺慰位蟽蔚尾委魏慰蠀蟼 魏伪喂 蟿慰谓 慰蟺慰委慰 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蟺蔚委蟽蔚喂 蟺蠅蟼 畏 蟺蟻伪纬渭伪蟿喂魏萎 伪纬维蟺畏 蔚委谓伪喂 蟺喂慰 蟽畏渭伪谓蟿喂魏萎 伪蟺蠈 蟿畏谓 蟽慰蟽喂伪位喂蟽蟿喂魏萎 蔚蟺伪谓维蟽蟿伪蟽畏.
螣 螘渭蠁蠉位喂慰蟼 蟺蠈位蔚渭慰蟼 渭伪委谓蔚蟿伪喂, 渭伪 慰喂 未蠉慰 蔚蟻蠅蟿蔚蠀渭苇谓慰喂 未蔚谓 苇蠂慰蠀谓 渭维蟿喂伪 纬喂伪 谓伪 未慰蠀谓 蟿畏谓 蟿蟻伪纬蠅未委伪 蟺慰蠀 蔚魏蟿蠀位委蟽蟽蔚蟿伪喂 渭蟺蟻慰蟽蟿维 蟿慰蠀蟼. 螣 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎蟼 魏维谓蔚喂 蟺蟻蠈蟿伪蟽畏 纬维渭慰蠀 蟽蟿畏谓 螌位纬伪. 螘魏蔚委谓畏 蟽蠀渭蠁蠅谓蔚委, 渭蔚 蟿慰 蔚蟺喂蠂蔚委蟻畏渭伪 蟺蠅蟼 蟿慰谓 蠂蔚喂渭蠋谓伪 魏维谓蔚喂 蟺慰位蠉 魏蟻蠉慰 魏喂 苇蟿蟽喂 蔚委谓伪喂 尾慰位喂魏蠈 谓伪 魏慰喂渭慰蠉谓蟿伪喂 蟽蟿慰 委未喂慰 魏蟻蔚尾维蟿喂 纬喂伪 谓伪 味蔚蟽蟿伪胃慰蠉谓.
螚 螌位纬伪 伪蟺慰蠁伪蟽委味蔚喂 谓伪 未慰蠀位苇蠄蔚喂 纬喂伪 蟿畏 蟽慰尾喂蔚蟿喂魏萎 蔚尉慰蠀蟽委伪 魏喂 苇蟿蟽喂 慰 螔位伪谓蟿委渭喂蟻 蟿畏谓 蟽蠀蟽蟿萎谓蔚喂 蟽蟿慰谓 伪未蔚位蠁蠈 蟿慰蠀. 螚 螌位纬伪 伪蟻蠂委味蔚喂 谓伪 未喂伪魏慰蟽渭蔚委 蟺蟻慰蟺伪纬伪谓未喂蟽蟿喂魏维 蟿蟻伪委谓伪 魏伪喂 伪蟺慰魏蟿维蔚喂 蟺蟻慰蟽蠅蟺喂魏蠈 纬蟻伪渭渭伪蟿苇伪. 螚 伪蟺喂蟽蟿委伪 未蔚谓 伪蟻纬蔚委 谓伪 蔚渭蠁伪谓喂蟽蟿蔚委, 伪蟺慰魏蟿维蔚喂 蔚蟻伪蟽蟿萎, 慰蟺慰委慰蟼 未蔚谓 蔚委谓伪喂 维位位慰蟼 伪蟺蠈 蟿慰谓 伪未蔚位蠁蠈 蟿慰蠀 蟺蟻蠅蟿伪纬蠅谓喂蟽蟿萎. 螣 螔位伪谓蟿委渭喂蟻 伪蟺慰蠁伪蟽委味蔚喂 谓伪 蟿畏谓 伪纬谓慰萎蟽蔚喂. 螔伪胃喂维 渭苇蟽伪 蟽蟿畏谓 蠄蠀蠂萎 蟿慰蠀 蠀蟺慰蠁苇蟻蔚喂 魏伪喂 蟽魏苇蠁蟿蔚蟿伪喂 谓伪 伪蠀蟿慰魏蟿慰谓萎蟽蔚喂 蟺苇蠁蟿慰谓蟿伪蟼 伪蟺蠈 蟿慰 蟺伪蟻维胃蠀蟻慰. 韦慰谓 伪蟺慰蟿蟻苇蟺蔚喂 伪蟺蠈 蟿慰 伪蟺慰谓蔚谓慰畏渭苇谓慰 未喂维尾畏渭伪 畏 胃苇伪 蔚谓蠈蟼 蟽蠅蟻慰蠉 蟽魏慰蠀蟺喂未喂蠋谓 蟽蟿慰 未蟻蠈渭慰 魏维蟿蠅 伪蟺蠈 蟿慰 蟽蟺委蟿喂 蟿慰蠀. 韦畏 蟽蠀谓苇蠂蔚喂伪 胃伪 蟿畏 未喂伪尾维蟽蔚蟿蔚 蟽蟿喂蟼 蟽蔚位委未蔚蟼 蟺慰蠀 伪魏慰位慰蠀胃慰蠉谓...
June 10, 2021
Sowjetische Avantgardeliteratur der 20er Jahre zeigt sich durchaus experimentell; hier nicht so sehr in der ersten Reihe stehend wie bei Jessenin, aber durch die angewandte Collage-Technik dennoch interessant zu lesen. Neben die Geschichte eines b眉rgerlichen Paares - Vladimir und Olga -, Liebe dabei durchaus nicht als exklusiv verstanden, eher als verbindendes Konzept inmitten des sozialen Umbruchs, treten dokumentarisch in drastischen Formulierungen die Auswirkungen von B眉rgerkrieg und Kriegskommunismus. Gegen眉ber der gesellschaftlichen Situation nur m盲脽ig interessiert, distanziert und funktional auf ihren eigenen Lebensstil bedacht, ist der Zynismus der Ignoranz in jeder Facette sp眉rbar: Ich behaupte ganz einfach, da脽 Olga und ich noch Jahrtausende um Jahrtausende Kalbskoteletts essen, insBad gehen, an Verstopfungen leiden, Ovid lesen und im Theater einschlafen werden. (169) Sie wirken wie aus der Zeit gefallen, als Fin de Si猫cle im Verwesungsstadium, fast schon als absurde Parodie darauf. Nur die desastr枚s wahrgenommene Auswelt passt dazu, sie erscheint als eine Illusion jenseits der Wirklichkeit und endet als solche, nach dem Suizid Olgas, mit dem wunderbaren Schlusssatz: Und auf der Erde war alles so, als ob gar nichts geschehen w盲re. (173)
Der kritischen Lesart der jungen Sowjetunion und die damit einhergehende Publikationsgeschichte eben dort, der Roman geh枚rt zu jenen Romanen deren einzige offizielle und Erstver枚ffentlichung im westlichen Ausland stattfand, die sich auf die Schilderung der allgemeinen Lebensumst盲nde bezieht, auf Korruption und Vorteilsnahme, den Ausw眉chsen der NEP und den Hunger zu Kriegszeiten, kann man zwar folgen, verkennt aber dabei m.E. die Parallelen zu dem aus dem alten Zarenreich stammenden B眉rgertum; eine solche Lekt眉re tut dem Buch Unrecht und f眉hrt sicherlich dazu, dass man weit weniger Interesse und Vergn眉gen an der Lekt眉re empfindet.
Der kritischen Lesart der jungen Sowjetunion und die damit einhergehende Publikationsgeschichte eben dort, der Roman geh枚rt zu jenen Romanen deren einzige offizielle und Erstver枚ffentlichung im westlichen Ausland stattfand, die sich auf die Schilderung der allgemeinen Lebensumst盲nde bezieht, auf Korruption und Vorteilsnahme, den Ausw眉chsen der NEP und den Hunger zu Kriegszeiten, kann man zwar folgen, verkennt aber dabei m.E. die Parallelen zu dem aus dem alten Zarenreich stammenden B眉rgertum; eine solche Lekt眉re tut dem Buch Unrecht und f眉hrt sicherlich dazu, dass man weit weniger Interesse und Vergn眉gen an der Lekt眉re empfindet.
September 14, 2019
Un libro molto particolare (e praticamente introvabile nella sua versione in Italiano, stampata solo una volta nel 1986) che fa il seguito al dello stesso autore, .
Ma qui i personaggi reali, gli autori protagonisti dell'Immaginismo russo, diventano strane sagome teatrali, personaggi non solo inventati, ma caricaturali nel loro linguaggio, comportamento, cinismo.
脠 interessantissimo notare l'influenza dei primi esperimenti di montaggio cinematografico, condotti da Ejzenstejn (autore della fantozzianamente celebre "Corazzata Potemkin", tra gli altri) e altri, sullo stile estremamente paratattico del testo, che sembra proprio "tagliare" da una scena all'altra e contrapporre inoltre i bollettini dei vari dipartimenti rivoluzionari, che riportano la cronaca della grande fame del 1922 con tutti i suoi episodi di cannibalismo, le scene di "miseria altolocata moscovita" dei protagonisti.
Peccato tuttavia che quello stile, venga perduto, in un tentativo di comunicare la tensione del protagonista, proprio nell'ultima "scena" quando forse avrebbe avuto pi霉 effetto.
Ma qui i personaggi reali, gli autori protagonisti dell'Immaginismo russo, diventano strane sagome teatrali, personaggi non solo inventati, ma caricaturali nel loro linguaggio, comportamento, cinismo.
脠 interessantissimo notare l'influenza dei primi esperimenti di montaggio cinematografico, condotti da Ejzenstejn (autore della fantozzianamente celebre "Corazzata Potemkin", tra gli altri) e altri, sullo stile estremamente paratattico del testo, che sembra proprio "tagliare" da una scena all'altra e contrapporre inoltre i bollettini dei vari dipartimenti rivoluzionari, che riportano la cronaca della grande fame del 1922 con tutti i suoi episodi di cannibalismo, le scene di "miseria altolocata moscovita" dei protagonisti.
Peccato tuttavia che quello stile, venga perduto, in un tentativo di comunicare la tensione del protagonista, proprio nell'ultima "scena" quando forse avrebbe avuto pi霉 effetto.
July 22, 2022
褋邪屑芯械 褌芯 写谢褟 褔褌械薪懈褟 胁 胁芯械薪薪芯械 胁褉械屑褟
懈 薪械薪邪胁懈褋褌褜 袦邪褉懈械薪谐芯褎邪 薪械谢褜蟹褟 薪邪蟹胁邪褌褜 褋谢械锌芯泄, 锌褉懈写懈褉褔懈胁芯泄, 斜械褋锌芯褔胁械薪薪芯泄; 薪邪芯斜芯褉芯褌, 胁褋褟 泻薪懈谐邪 褋褌褉芯懈褌褋褟 薪邪 褔械褌泻芯泄 锌褉械褌械薪蟹懈懈 芯 褌芯屑, 褔褌芯 锌邪褉褌懈褟 蟹邪斜懈褉邪械褌 褍 褌械斜褟 屑芯谢芯写芯褋褌褜 鈥� 谢褞斜芯胁褜, 胁械褋械谢褜械, 褋胁芯斜芯写褍 屑褘褋谢懈; 褔褌芯 "褏芯谢芯写薪邪褟 谐芯谢芯胁邪" 薪械 芯褔械薪褜 锌芯薪懈屑邪械褌, 蟹邪褔械屑 薪褍卸薪邪 褋芯褑懈邪谢懈褋褌懈褔械褋泻邪褟 褉械胁芯谢褞褑懈褟.
薪邪 写胁芯褉械 2022 谐芯写, 泻褉芯胁邪胁邪褟 胁芯泄薪邪 懈 褍锌芯褉 薪邪 芯斜褍褔械薪懈械 芯斜褖械褋褌胁褍 芯褋薪芯胁 Z懈谐芯胁邪薪懈褟; 泻邪蟹邪谢芯褋褜 斜褘, 褝褌芯 褋芯胁褋械屑 写褉褍谐芯泄 屑懈褉 胁 褋褉邪胁薪械薪懈懈 褋 褌械屑, 褔褌芯 斜褘谢芯 褋褌芯 谢械褌 薪邪蟹邪写, 芯写薪邪泻芯 邪褌屑芯褋褎械褉邪 芯褌胁褉邪褖械薪懈褟 泻 褉芯写懈薪械 懈 褌芯屑褍, 褋 褔械屑 褌褘 褉芯褋, 锌械褉械写邪械褌褋褟 芯褌谢懈褔薪芯
携 褋褌芯褞 薪械锌芯写胁懈卸薪芯. 携 写褍屑邪褞 芯 褋械斜械, 芯 褉芯褋褋懈褟薪邪褏, 芯 袪芯褋褋懈懈. 携 薪械薪邪胁懈卸褍 褋胁芯褞 泻褉芯胁褜, 褋胁芯械 薪械斜芯, 褋胁芯褞 蟹械屑谢褞, 褋胁芯械 薪邪褋褌芯褟褖械械, 褋胁芯械 锌褉芯褕谢芯械; 褝褌懈 芦褋胁褟褌褘薪懈禄 懈 芦褌胁械褉写褘薪懈禄, 蟹邪谐邪卸械薪薪褘械 褌邪褌邪褉邪屑懈, 谢褟褏邪屑懈, 谢懈褌芯胁褑邪屑懈, 褎褉邪薪褑褍蟹邪屑懈 懈 谐芯谢褕褌懈薪褋泻懈屑懈 褑邪褉褟屑懈; 芦写褍斜芯胁褘泄 谐芯褉芯写禄, 褋褉褍斜谢械薪薪褘泄 袣邪谢懈褌芯泄, 芦谐芯褉芯写 泻邪屑械薪禄, 锌芯褋褌邪胁谢械薪薪褘泄 袙芯谢芯写懈屑懈褉芯屑 懈 谢芯屑邪薪薪褘泄 芦写芯 锌芯写芯褕胁褘禄 袩械褌褉芯屑; 褝褌懈 褑械褉泻芯胁泻懈 鈥� 褉械锌泻邪屑懈, 泻褍锌芯谢邪 鈥� 褋胁械泻芯谢泻邪屑懈 懈 泻芯谢芯泻芯谢褜薪懈褑褘 鈥� 屑芯褉泻芯胁泻邪屑懈.
懈 薪械薪邪胁懈褋褌褜 袦邪褉懈械薪谐芯褎邪 薪械谢褜蟹褟 薪邪蟹胁邪褌褜 褋谢械锌芯泄, 锌褉懈写懈褉褔懈胁芯泄, 斜械褋锌芯褔胁械薪薪芯泄; 薪邪芯斜芯褉芯褌, 胁褋褟 泻薪懈谐邪 褋褌褉芯懈褌褋褟 薪邪 褔械褌泻芯泄 锌褉械褌械薪蟹懈懈 芯 褌芯屑, 褔褌芯 锌邪褉褌懈褟 蟹邪斜懈褉邪械褌 褍 褌械斜褟 屑芯谢芯写芯褋褌褜 鈥� 谢褞斜芯胁褜, 胁械褋械谢褜械, 褋胁芯斜芯写褍 屑褘褋谢懈; 褔褌芯 "褏芯谢芯写薪邪褟 谐芯谢芯胁邪" 薪械 芯褔械薪褜 锌芯薪懈屑邪械褌, 蟹邪褔械屑 薪褍卸薪邪 褋芯褑懈邪谢懈褋褌懈褔械褋泻邪褟 褉械胁芯谢褞褑懈褟.
薪邪 写胁芯褉械 2022 谐芯写, 泻褉芯胁邪胁邪褟 胁芯泄薪邪 懈 褍锌芯褉 薪邪 芯斜褍褔械薪懈械 芯斜褖械褋褌胁褍 芯褋薪芯胁 Z懈谐芯胁邪薪懈褟; 泻邪蟹邪谢芯褋褜 斜褘, 褝褌芯 褋芯胁褋械屑 写褉褍谐芯泄 屑懈褉 胁 褋褉邪胁薪械薪懈懈 褋 褌械屑, 褔褌芯 斜褘谢芯 褋褌芯 谢械褌 薪邪蟹邪写, 芯写薪邪泻芯 邪褌屑芯褋褎械褉邪 芯褌胁褉邪褖械薪懈褟 泻 褉芯写懈薪械 懈 褌芯屑褍, 褋 褔械屑 褌褘 褉芯褋, 锌械褉械写邪械褌褋褟 芯褌谢懈褔薪芯
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