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喽溹陡喾� 喽脆窓喽秽穮喾掄逗 #3
喽亨窋喽溹窂喽编穵喽逗
This is considered Wickramasinghe's extension to his much acclaimed novel The Uprooted and discusses the urbanisation of the new independent Ceylon
241 pages, Paperback
First published January 1, 1949
63 people are currently reading
1045 people want to read
About the author
Martin Wickramasinghe
72听books373听followersThe search for roots is the central theme in Martin Wickramasinghe鈥檚 writings on the culture and life of the people of Sri Lanka. He imaginatively explored and applied modern knowledge in natural and social sciences, literature, linguistics, the arts, philosophy, education, and Buddhism and comparative religion to reach beyond the superficial emotionalism of vulgar nationalism, and guide us to the enduring roots of our common national identity that exists in the folklife and folk culture of Sri Lanka...
Martin Wickramasinghe鈥檚 vision was primarily nurtured in the tolerant, humane, realistic attitude to life traditional to Buddhist folk culture. He valued the intellectual freedom and independence inspired by the Buddha鈥檚 鈥楰alama Sutta鈥� which he saw as a tradition to question tradition, not unlike the Western scientific attitude. Through his writings, he consistently opposed dogmatism, casuistry, elitism, and oppression in any form, be it cultural, religious, political or social.
His works have been translated and published in English, Hindi, Tamil, Russian, Chinese, Romanian, Dutch, German, French and Japanese languages.
Martin Wickramasinghe鈥檚 vision was primarily nurtured in the tolerant, humane, realistic attitude to life traditional to Buddhist folk culture. He valued the intellectual freedom and independence inspired by the Buddha鈥檚 鈥楰alama Sutta鈥� which he saw as a tradition to question tradition, not unlike the Western scientific attitude. Through his writings, he consistently opposed dogmatism, casuistry, elitism, and oppression in any form, be it cultural, religious, political or social.
His works have been translated and published in English, Hindi, Tamil, Russian, Chinese, Romanian, Dutch, German, French and Japanese languages.
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November 10, 2020Are we the only ones who has a glorious past? Even the men who has fallen to the state of "Vedddas" have a past. People who has no future are the ones who praises about bygone days. Malin says.
This was in response to his mother, who says admiringly that we talk and admire about our history , because we do have one.
With Yuganthaya, which stands for end of an era, trilogy of Gamperaliya finishes. This book does not have a story plot as such but tries to convey to the reader, how Sri Lanka was influenced with the arrival of British and how the city of Colombo transformed and westernized.
This book centralizes on few selected characters, such as Saviman Kabalana, Aravinda Viharahena, Malin, Chamari, Nalika and through them author tries to send few messages to the reader. Using these characters, he wants to pass some of his own political thoughts of the newly transformed country out to the reader.
Malin is a freedom thinker, who is able to empathize with the low/middle class workmen, labourers and poor people while his father tries to mingle with the "suddhas" and higher class people and tries his best to get maximum work out of his poor workers at minimal pay.
He works by commanding his employees, rude and tough, all of which Malin despises, and watching this man-slave inspires him to rekindle the Labourers front movement which had been inactive for sometime.
He leads this movement with kindness and compassion which earns him respect among the poor workers, who were unfairly treated by his father.
To his protest march , not just the workmen joined, but anybody who wanted to pose a challenge to the social norm joined these rallies. The participants included, small traders, some were just people of insane poverty who were angered by their state in society, and wanted to let it out. There were others who were enslaved by their parents or teachers hence wanted to be let out and lash out their anger. Some were wives of demanding husbands. All of them had one thing in common, to be free.
Aravinda Viharahena , unlike Malin comes from a small working class in society. With his UK education for medicine , he introduces English medicine to the village folks, to whom this feels like magic as opposed to the eastern/auyverdic medicine they were used to. He treats who ever comes to him with sickness with kindness and no regards for money. Martin Wickramsasinghe , through this book tries to emphasis how western medicine took over the traditional Sinhalese medicinal way of treating patients as well.
In between we can also see how the author shows how we slowly strays away from a traditional marriage in Sri Lanka , using the characters , Mangalika and Vajiran who both craves for a taste of freedom, one wants to escape her unhappy marriage for something fun and the other wants a marriage which does not tie him to one woman. Mangalika and Vajiran both has the same ideals and finally finds each other. We also see , the start of divorces of women, as Mangalika divorce from her husband to marry Vajiran. Earlier times in Sri Lanka, women were tied to one husband for her entire lifetime, no matter how sad or unhappy she was, due to the fear of loosing her reputation.
For me this book was not a a work of fiction but an eye opener to how the lives of Sri Lankans changed post independence . After we gained independence , how we slowly tried to adapt to the western culture , through our ways of living, way we dress, how we speak, rising of posh and grand hotels in Colombo, night clubs etc.
I have to say I am glad I decided to stick through to the end of the trilogy of Gamperaliya, learning so much about about my own country and how the new Urban world opened doors to many pros and cons that we see and live everyday of our lives now .
This was in response to his mother, who says admiringly that we talk and admire about our history , because we do have one.
With Yuganthaya, which stands for end of an era, trilogy of Gamperaliya finishes. This book does not have a story plot as such but tries to convey to the reader, how Sri Lanka was influenced with the arrival of British and how the city of Colombo transformed and westernized.
This book centralizes on few selected characters, such as Saviman Kabalana, Aravinda Viharahena, Malin, Chamari, Nalika and through them author tries to send few messages to the reader. Using these characters, he wants to pass some of his own political thoughts of the newly transformed country out to the reader.
Malin is a freedom thinker, who is able to empathize with the low/middle class workmen, labourers and poor people while his father tries to mingle with the "suddhas" and higher class people and tries his best to get maximum work out of his poor workers at minimal pay.
He works by commanding his employees, rude and tough, all of which Malin despises, and watching this man-slave inspires him to rekindle the Labourers front movement which had been inactive for sometime.
He leads this movement with kindness and compassion which earns him respect among the poor workers, who were unfairly treated by his father.
To his protest march , not just the workmen joined, but anybody who wanted to pose a challenge to the social norm joined these rallies. The participants included, small traders, some were just people of insane poverty who were angered by their state in society, and wanted to let it out. There were others who were enslaved by their parents or teachers hence wanted to be let out and lash out their anger. Some were wives of demanding husbands. All of them had one thing in common, to be free.
Aravinda Viharahena , unlike Malin comes from a small working class in society. With his UK education for medicine , he introduces English medicine to the village folks, to whom this feels like magic as opposed to the eastern/auyverdic medicine they were used to. He treats who ever comes to him with sickness with kindness and no regards for money. Martin Wickramsasinghe , through this book tries to emphasis how western medicine took over the traditional Sinhalese medicinal way of treating patients as well.
In between we can also see how the author shows how we slowly strays away from a traditional marriage in Sri Lanka , using the characters , Mangalika and Vajiran who both craves for a taste of freedom, one wants to escape her unhappy marriage for something fun and the other wants a marriage which does not tie him to one woman. Mangalika and Vajiran both has the same ideals and finally finds each other. We also see , the start of divorces of women, as Mangalika divorce from her husband to marry Vajiran. Earlier times in Sri Lanka, women were tied to one husband for her entire lifetime, no matter how sad or unhappy she was, due to the fear of loosing her reputation.
For me this book was not a a work of fiction but an eye opener to how the lives of Sri Lankans changed post independence . After we gained independence , how we slowly tried to adapt to the western culture , through our ways of living, way we dress, how we speak, rising of posh and grand hotels in Colombo, night clubs etc.
I have to say I am glad I decided to stick through to the end of the trilogy of Gamperaliya, learning so much about about my own country and how the new Urban world opened doors to many pros and cons that we see and live everyday of our lives now .
May 2, 2022
喽溹陡喾娻洞喾权痘喽洁窉喽� (1944)/ 喽氞督喾抡逗喾断稖喽� (1957)/ 喽亨窋喽溹窂喽编穵喽逗 (1949)
喾勦窓喽洁逗喾� 喽膏穭喾� 喽溹董喾娻稓喽秽窋 喽膏窂喽秽穵喽о窉喽编穵 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄侗喾娻穭
喾佮穵鈥嵿痘喾� 喽洁侗喾娻稓喾忇穩喾� 1900 - 1950 喽稓喾娻穩喾� 喽窉喾€喾權侗 喽氞窂喽洁逗喾氞动喾� 喾冟窉喽窋喾€喾� 喾冟窂喽膏窂喽⑧窊喽�, 喽嗋痘喾娻懂喾掄稓 喾€喾掄稓喾忇穪喽编逗 喽氞窚喽溹穵喽溹督 喽溹穵鈥嵿痘喾忇陡喽亨窓喽编穵 喽多窉喾勦窉喾€喾� 喽脆穩喾斷督喽� 喾冟窉喽窋喾€喾撪陡喾� 喽洁窓喾� 喽编穩喽氞董喾� 喽穵鈥嵿痘喾掄董喾娻穩喽氞稓喽� 喽膏窂喽秽穵喽о窉喽编穵 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄侗喾娻穭 喽夃动喾掄痘喾掄洞喽穵喽氞痘 喽堗董.
喽溹陡喾娻洞喾权痘喽洁窉喽�
喽氞窚喽溹穵喽溹督 喽班侗喾€喽穵, 喽呧穭喽编穵喽氞窂喽� 喽秽动喽洁逗喽氞窋喾€喾� 喽氞逗喾掄穬喾忇痘喾斷穩喽穵喽窔 喽膏窋喽溹侗喾娻动喾掄痘喽膏穵喽溹窔 喽编侗喾娻动喾� 喽编窇喽膏董喾� 喽秽窋喽膏董喾� 喽窉喽亨侗喾掄逗喽� 喽堗逗喽溹窔 喽夃侗喾娻稖喾娾€嵿痘喾掄穬喾� 喽溹窋喽秽窋喾€喽秽逗喾忇穩喾� 喽脆窉喽亨督喾� 喽编陡喾� 喽溹陡喾� 喾冟窂喽膏窂喽编穵喽� 喽脆穩喾斷督喽� 喽嬥稖喽穵, 喽窉喽亨窋喽编窋喾€喾撪陡喾� 喽呧洞喾氞稓喾娻穪喾忇穩喽洁窉喽编穵 喽亨窋喽穵 喽痘喾斷侗喽亨窂 喾€喾掄穩喾忇穭喽亨窚喽⑧侗喾忇穩喽氞穵 喽夃动喾掄痘喾掄洞喽穵 喽氞窉喽秽窊喽膏窓喽编穵 喽编窉喽溹穵鈥嵿痘喾勦逗喽� 喽洁稓喾娻穩喾斷逗喾氞逗.
喽氞逗喾掄穬喾忇痘喾斷穩喽穵喽窔 喾冟穭 喽多窉喽秽窉喽赤锭 (喽膏窂喽痘 喾勦窂喽膏窉喽编窔) 喽班侗喾€喽穵 喽夃订喽膏穵 喾勦窉喽膏窉喽亨侗喾娻穩喾� 喽编陡喾斷董喾� 喽陡 喾€喾掄逗喾忇洞喾忇痘 喾冟窂喽秽穵喽稓喾€ 喽脆穩喽穵喾€喾忇稖喾戉侗喾撪陡喽� 喾勦窇喽氞窉喽亨窂喾€ 喽编窚喽窉喽多窋喽编窔喽�. 喽斷穩喾斷侗喾� 喽陡 喾冟陡喾忇盯 喽董喾娻穩喽� 喽脆窓喽编穵喾€喾撪陡喽� 喽窇喽秽窉喽� 喽编窚喾勦窇喽氞窉 喽洁窓喾� 喽膏窋喽督喾� 喾€喾戉逗 喽氞督喾澿逗. 喽斷穩喾斷侗喾娻稖喾� 喽脆穩喾斷督喾� 喽脆穬喾斷抖喾掄陡喽� 喽溹窇喽洁洞喾權侗 喽编侗喾娻动喾忇稖喾� 喾冟穵喾€喾忇陡喾掄逗喾� 喽洁窓喾� 喽窛喽秽窂喽溹董喾� 喽⑧窉喽编动喾忇穬 喽秽窇喽氞窉喽亨窂喾€喽氞穵 喽编窚喽膏窇喽窉 喽窔喽脆督 喾€喽� 喽嗋动喾忇逗喽膏窉喽编穵 喽亨窇喽脆窓喽� 喽膏窇喽穩喽亨穬喾� 喽脆窋喽穵喽溹督喽亨稓喾� 喾€喾斷逗喾氞逗.
喽氞逗喾掄穬喾忇痘喾斷穩喽穵喽� 喽脆穩喾斷督 喽班侗喽亨窓喽编穵 喽脆窉喽秽窉喾勦窓喽膏窉喽编穵 喽氞穵鈥嵿痘喽膏逗喾權侗喾� 喽窉喽洁窉喽赤窋 喽董喾娻穩喽亨锭 喽脆董喾娻穩喾斷逗喾氞逗, 喽编侗喾娻动喾忇稖喾� 喾冟窚喾勦窚喽亨窋喽秽窉喽� 喽呧侗喾斷督喾� 喾冟穵喾€喾忇陡喾掄逗喽氞窋 喽编窇喽窉喾€ 喽溹窓喽痘喽� 喽编窂喽氞窉喾€喾斷穩喾忇逗, 喾冟窚喾勦窚喽亨窋喽秽窂 喽窉喾冟穵喾冟稖喾� 喽呧动喾娻逗喾忇洞喽编逗 喽氞订喾忇稓喽脆穵喽脆督喾� 喾€喾斷逗喾氞逗, 喽秽窇喽氞窉喽亨窂喾€喽氞穵 喾冟窚喽亨窂 喽窋喾佮穵喽氞痘 喽脆督喾忇董喽氞锭 喽溹窉喽� 喽⑧窉喽编动喾忇穬 喽膏窇喽秽窋喽� 喽多穩喽� 喽嗋痘喽编穵喽犩窉喾€喾斷逗喾氞逗.
喽脆窉喽亨督喾� 喽氞窚喾呧豆喽� 喽溹窚喾冟穵 喾€喾掄逗喾忇洞喾忇痘 喽氞痘喽膏窉喽编穵 喽窉喽亨窋喽编窋喾€喾� 喽脆窚喾勦窚喾冟董喽氞窋喾€喾� 喽编侗喾娻动喾� 喾勦窉喽膏窉喽氞痘喽溹窇喽编窊喽膏窔 喽呧穩喾冟穵喽窂喾€ 喽洁抖喾忇稖喽穵喽窔喽�.
喽氞督喾抡逗喾断稖喽�
喽脆窉喽亨督喾� 喾冟穭 喽编侗喾娻动喾� 喽氞窚喾呧豆 喽脆动喾掄侗喾娻稜喾掄穩喾� 喽班侗喽� 喽秽窇喾冟穵喽氞痘喽膏窉喽编穵 喽嬥穬喾冟穵 喾冟陡喾忇盯喽亨锭 喽呧侗喾斷稖喽穩喾撪陡喽� 喽嬥董喾娻穬喾忇穭喽窇喽秽窋喾�. 喽痘喾斷穩喽编穵喾€喾� 喽堗督喽编穵, 喽编窂喽洁窉喽氞窂 喾冟穭 喽犩侗喾娻动喾娾€嵿痘喾冟窛喽� 喾勦锭 喽嬥穬喾冟穵 喽脆窂喾冟窇喽洁穵 喽呧动喾娻逗喾忇洞喽编逗 喽洁窇喽多窊喽膏锭 喾冟窇喽洁窇喾冟穵喾€喾斷穭.
喽窓喽膏窂喽脆窉喽亨侗喾� 喽氞窂喽秽穵喽� 喽多穭喾斷督 喽编窉喾冟窂 喽痘喾斷穩喽编穵 喾冟窓喽编窓喾勦穬 喽洁抖喾忇稖喽穵喽窔 喽编窇喽编穵喽侗喾掄逗喾€喾� 喽呧侗喾斷督喾忇稖喾權侗喾�. 喽秽窛喽溹窂喽窋喽秽穩喾撪陡 喽编窉喾冟窂 喽呧侗喾斷督喾� 喽氞窚喽溹穵喽溹督 喽膏穭 喽溹窓喽痘 喽脆动喾掄侗喾娻稜喾掄逗喽� 喽溹窉喽亨窂喽�. 喽窓喽膏窂喽脆窉喽亨侗喾娻稖喾� 喾€喾掄痘喾澿动喽� 喽膏窇喽� 喽堗督喽编穵 喽洁侗喾娻穬喾� 喽痘喾斷侗喾掄逗喽氞穵 喾€喾掄穩喾忇穭 喽氞痘喽溹窓喽� 喽戉侗喾娻稖喽洁侗喾娻董喽亨窔 喽脆动喾掄侗喾娻稜喾掄穩喾斷逗喾氞逗. 喽犩侗喾娻动喾娾€嵿痘喾冟窛喽� 喾勦窉喽窋喾€喽氞穵喽氞窂喽秽逗喾權稓喾� 喾€喾斷逗喾氞逗. 喽编窂喽洁窉喽氞窂 喽陡 喾冟陡喾忇盯 喽董喾娻穩喽亨锭喾€喽┼窂 喽脆穭喽穵 喾冟窋喽洁窋 喾€喾掄逗喾忇洞喾忇痘喾掄稓喽亨稓喾斷穩喾� 喽氞抖喽洁窂喽� 喾冟陡喽� 喽脆穵鈥嵿痘喾氞陡 喾冟陡喾娻抖喽编穵喽董喾忇穩喽亨稓喾� 喽溹窚喽┼侗喽溹窂喽溹董喾娻董喾忇逗.
喾冟窂喽秽穵喽稓 喾€喾掄逗喾忇洞喾忇痘喾掄稓喽亨稓喾斷穩喾� 喽脆窉喽亨督喾娻稖喾� 喽⑧窊喾€喾掄董喽亨窔 喽呧穩喾冟窂喽� 喽氞窂喽洁逗 喽窐喽脆穵喽窉喽膏董喾� 喽编窚喾€喾斷逗喾氞逗, 喽氞督喽氞窉喽秽窊喽膏窓喽编穵 喽溹董喽氞痘 喽秽窛喽溹窂喽窋喽秽穩喾� 喽膏窉喽亨稖喾掄逗喾氞逗.
喽亨窋喽溹窂喽编穵喽逗
喾冟穩喾掄陡喽编穵 喽氞抖喽洁窂喽� 喾冟穭 喽编窂喽洁窉喽氞窂 喾€喾掄穩喾忇穭喾€喾� 喾冟窂喽秽穵喽稓 喾€喾掄逗喾忇洞喾忇痘喾掄稓 喽脆穩喾斷督喽氞穵 喽多穩喽� 喽氞穵鈥嵿痘喽膏逗喾權侗喾� 喽脆董喾娻穩喾� 喽夃穭喽� 喾冟陡喽⑧逗喾� 喾€喾戉盯喽灌窉喽膏锭 喾€喾權痘喽痘喽编穵喽编侗喾� 喾€喾斷穭. 喽膏窂喽洁窉喽编穵 喾冟穭 喽犩陡喽秽窉 喽斷穩喾斷侗喾娻稖喾� 喽痘喾斷穩喽编穵喾€喾斷穭.
喽戉侗喾娻稖喽洁侗喾娻董喽亨窔 喽呧动喾娻逗喾忇洞喽编逗 喽编窉喽膏稓喽� 喽洁侗喾娻稓喾忇穩喽� 喽脆窇喽膏窉喽编窉 喽膏窂喽洁窉喽编穵 喽窓喽膏窂喽脆窉喽亨侗喾娻稖喾� 喾冟陡喾忇盯 喽⑧窊喾€喾掄董喽亨动, 喽脆窉喽亨窂喽溹窔 喾€喾掄逗喾忇洞喾忇痘喾€喽� 喾冟窉喽窋喾€喽� 喾冟窔喾€喽� 喽呧稓喽о逗喾斷董喾斷稓喽膏穵 喽溹窇喽� 喽氞督喽氞窉喽秽窊 喽脆穩喾斷督喾權侗喾� 喾€喾權侗喾娻穩喾� 喾冟陡喾忇盯喾€喾忇动喾� 喽窔喾佮洞喾忇督喽� 喽氞穵鈥嵿痘喾掄逗喾忇稓喾忇痘喾掄稓喽亨稓喾斷穩喾栢逗喾氞逗.
喽犩陡喽秽窉 喽陡 喽脆窓喽膏穵喾€喽窂 喽洁窓喾� 喽窛喽秽窂喽溹董喽窔 喽脆窉喽о窉喾冟痘 喽溹陡喽氞窉喽编穵 喽脆窇喽膏窉喽编窉 喾€喽亨窉喽穵喽亨穩喽秽逗喽氞穵喾€喽� 喽呧痘喾€喾掄侗喾娻动喾€喽�.
喽膏窂喽洁窉喽编穵 喽陡 喽氞陡喾娻稓喽秽窋 喾€喾掄逗喾忇洞喾忇痘喽� 喾冟窂喽秽穵喽稓 喽洁窓喾� 喽膏窓喾勦窓喽亨穩喽膏窉喽编穵 喽陡 喽脆窉喽亨窂喽溹窔 喽氞痘喾娻陡喾忇侗喾娻董喾€喽洁锭喽� 喽呧穭喾掄董喽氞痘 喽多督喽脆窇喽膏穵 喽氞督喾氞逗. 喽斷穭喾� 喾冟窂喽膏窂喽编穵喽� 喽⑧侗喽窂喾€ 喽编窉喽亨窛喽⑧侗喽� 喽氞痘喽� 喽膏侗喾娻董喾娾€嵿痘喾掄穩喽秽逗喽氞窋 喽洁窓喾� 喽脆窂喽秽穵喽洁窉喽膏窔喽编穵喽窋喾€喽� 喽脆董喾娻穩喾斷逗喾氞逗.
喽编窂喽洁窉喽氞窂 喽陡 喽⑧窊喾€喾掄董喽亨窔 喽呧穩喾冟窂喽� 喽氞窂喽洁逗 喽班侗喾€喽穵 喾冟穭 喽多督喾€喽穵喾€ 喾冟窉喽о窉 喽编陡喾斷董喾� 喽氞督喽氞窉喽秽窊喽膏稓喾掄侗喾� 喽亨窋喽窋喾€ 喽溹董喽氞督喾忇逗.
喽膏窂喽秽穵喽о窉喽编穵 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄侗喾娻穭 喽陡 喽痘喾斷侗 喾€喾掄逗喾氞动喾撪陡 喽氞窚喽溹穵喽溹督 喾冟窉喽� 喽氞窚喾呧豆喽� 喽脆窇喽膏窉喽� 喽脆窚喽� 喽脆董 喾勦动喾忇痘喽膏窉喽�, 喾€喾掄穩喾掄动 喽秽窇喽氞窉喽亨窂喾€喽� 喽亨窓喽窓喽膏窉喽编穵 喽氞窚喾呧豆 喾冟陡喾忇盯喽� 喽溹窇喽� 喽呧动喾娻动喾戉稓喾撪陡喾� 喽洁抖喾忇稖喽穵 喽脆窋喽穵喽溹督喽亨窓喽氞窉. 喾冟窉喽洁窋喽膏窉喽� 喾冟穭 喽窉喽编陡喾掄侗 喽脆董喾娻董喽秽穩喽� 喽氞痘喾娻董喾樴穩喽秽逗喽氞窋 喽洁窓喾� 喾€喾冟痘 20 喽脆陡喽� 喾冟窔喾€喽亨稓喽� 喽堗董. 喽膏窓喽� 喽脆窚喽穵 喽穵鈥嵿痘喾掄董喾娻穩喽� 喽洁窉喽亨侗 喽氞窂喽洁逗喾氞动喾� 喽斷穭喾� 喾€喽亨穬 45 喽夃稓喾娻陡喾€喾� 喽脆痘喾掄侗喽� 喽洁窔喽涏稓喽亨稓喾� 喾€喾斷逗喾氞逗.
喽膏窂喽秽穵喽о窉喽编穵 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄侗喾娻穭 喾勦锭 喽溹窇喽膏窉 喾冟陡喾忇盯喽亨董喾� 喽编窂喽溹痘喾掄稓 喾冟窂喽膏窂喽编穵喽� 喾冟穭 喽夃穭喽� 喾冟陡喾忇盯喽亨董喾� 喽窂喽穵喾€喾掄稓喾€ 喾€喾掄穬喾娻董喽� 喽氞窉喽秽窉喽膏窔 喾勦窇喽氞窉喽亨窂喾€ 喽堗董喾娻董喾氞逗. 喽斷穭喾� 喽班侗喽脆董喾掄逗喽编穵喽溹窔 喾冟窂喽秽穵喽稓喽穵喾€喽� 喾€喾掄穬喾娻董喽秽侗喾娻侗喾� 喽斷穩喾斷侗喾� 喾冟董喾� 喽氞窂喽秽穵喽亨稓喾娻穪喽� 喽窂喾€喽亨董喾� 喽氞窇喽脆稓喾掄痘喾撪陡喽穵 喽呧动喾娻逗喽编逗 喽氞痘喽膏窉喽编窉. 喽氞抖喽洁窂喽编稖喾� 喽犩痘喾掄董喽� 喽溹窚喽┼侗喽熰窂 喽堗董喾娻董喾� 喽洁窔喽氞穵 喾勦穩喾斷穬喾� 喽编窉喽秽穵喽膏痘喾娻董喾� 喽┼窉 喽嗋痘喾� 喾€喾掄盯喾氞穩喽秽穵喽班侗喽溹窔 喽犩痘喾掄董 喽洁稓喾娻穪喽� 喽呧动喾娻逗喽编逗 喽氞窉喽秽窊喽膏窓喽编窉.
喾勦窓喽洁逗喾� 喽膏穭喾� 喽溹董喾娻稓喽秽窋 喽膏窂喽秽穵喽о窉喽编穵 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄侗喾娻穭
喾佮穵鈥嵿痘喾� 喽洁侗喾娻稓喾忇穩喾� 1900 - 1950 喽稓喾娻穩喾� 喽窉喾€喾權侗 喽氞窂喽洁逗喾氞动喾� 喾冟窉喽窋喾€喾� 喾冟窂喽膏窂喽⑧窊喽�, 喽嗋痘喾娻懂喾掄稓 喾€喾掄稓喾忇穪喽编逗 喽氞窚喽溹穵喽溹督 喽溹穵鈥嵿痘喾忇陡喽亨窓喽编穵 喽多窉喾勦窉喾€喾� 喽脆穩喾斷督喽� 喾冟窉喽窋喾€喾撪陡喾� 喽洁窓喾� 喽编穩喽氞董喾� 喽穵鈥嵿痘喾掄董喾娻穩喽氞稓喽� 喽膏窂喽秽穵喽о窉喽编穵 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄侗喾娻穭 喽夃动喾掄痘喾掄洞喽穵喽氞痘 喽堗董.
喽溹陡喾娻洞喾权痘喽洁窉喽�
喽氞窚喽溹穵喽溹督 喽班侗喾€喽穵, 喽呧穭喽编穵喽氞窂喽� 喽秽动喽洁逗喽氞窋喾€喾� 喽氞逗喾掄穬喾忇痘喾斷穩喽穵喽窔 喽膏窋喽溹侗喾娻动喾掄痘喽膏穵喽溹窔 喽编侗喾娻动喾� 喽编窇喽膏董喾� 喽秽窋喽膏董喾� 喽窉喽亨侗喾掄逗喽� 喽堗逗喽溹窔 喽夃侗喾娻稖喾娾€嵿痘喾掄穬喾� 喽溹窋喽秽窋喾€喽秽逗喾忇穩喾� 喽脆窉喽亨督喾� 喽编陡喾� 喽溹陡喾� 喾冟窂喽膏窂喽编穵喽� 喽脆穩喾斷督喽� 喽嬥稖喽穵, 喽窉喽亨窋喽编窋喾€喾撪陡喾� 喽呧洞喾氞稓喾娻穪喾忇穩喽洁窉喽编穵 喽亨窋喽穵 喽痘喾斷侗喽亨窂 喾€喾掄穩喾忇穭喽亨窚喽⑧侗喾忇穩喽氞穵 喽夃动喾掄痘喾掄洞喽穵 喽氞窉喽秽窊喽膏窓喽编穵 喽编窉喽溹穵鈥嵿痘喾勦逗喽� 喽洁稓喾娻穩喾斷逗喾氞逗.
喽氞逗喾掄穬喾忇痘喾斷穩喽穵喽窔 喾冟穭 喽多窉喽秽窉喽赤锭 (喽膏窂喽痘 喾勦窂喽膏窉喽编窔) 喽班侗喾€喽穵 喽夃订喽膏穵 喾勦窉喽膏窉喽亨侗喾娻穩喾� 喽编陡喾斷董喾� 喽陡 喾€喾掄逗喾忇洞喾忇痘 喾冟窂喽秽穵喽稓喾€ 喽脆穩喽穵喾€喾忇稖喾戉侗喾撪陡喽� 喾勦窇喽氞窉喽亨窂喾€ 喽编窚喽窉喽多窋喽编窔喽�. 喽斷穩喾斷侗喾� 喽陡 喾冟陡喾忇盯 喽董喾娻穩喽� 喽脆窓喽编穵喾€喾撪陡喽� 喽窇喽秽窉喽� 喽编窚喾勦窇喽氞窉 喽洁窓喾� 喽膏窋喽督喾� 喾€喾戉逗 喽氞督喾澿逗. 喽斷穩喾斷侗喾娻稖喾� 喽脆穩喾斷督喾� 喽脆穬喾斷抖喾掄陡喽� 喽溹窇喽洁洞喾權侗 喽编侗喾娻动喾忇稖喾� 喾冟穵喾€喾忇陡喾掄逗喾� 喽洁窓喾� 喽窛喽秽窂喽溹董喾� 喽⑧窉喽编动喾忇穬 喽秽窇喽氞窉喽亨窂喾€喽氞穵 喽编窚喽膏窇喽窉 喽窔喽脆督 喾€喽� 喽嗋动喾忇逗喽膏窉喽编穵 喽亨窇喽脆窓喽� 喽膏窇喽穩喽亨穬喾� 喽脆窋喽穵喽溹督喽亨稓喾� 喾€喾斷逗喾氞逗.
喽氞逗喾掄穬喾忇痘喾斷穩喽穵喽� 喽脆穩喾斷督 喽班侗喽亨窓喽编穵 喽脆窉喽秽窉喾勦窓喽膏窉喽编穵 喽氞穵鈥嵿痘喽膏逗喾權侗喾� 喽窉喽洁窉喽赤窋 喽董喾娻穩喽亨锭 喽脆董喾娻穩喾斷逗喾氞逗, 喽编侗喾娻动喾忇稖喾� 喾冟窚喾勦窚喽亨窋喽秽窉喽� 喽呧侗喾斷督喾� 喾冟穵喾€喾忇陡喾掄逗喽氞窋 喽编窇喽窉喾€ 喽溹窓喽痘喽� 喽编窂喽氞窉喾€喾斷穩喾忇逗, 喾冟窚喾勦窚喽亨窋喽秽窂 喽窉喾冟穵喾冟稖喾� 喽呧动喾娻逗喾忇洞喽编逗 喽氞订喾忇稓喽脆穵喽脆督喾� 喾€喾斷逗喾氞逗, 喽秽窇喽氞窉喽亨窂喾€喽氞穵 喾冟窚喽亨窂 喽窋喾佮穵喽氞痘 喽脆督喾忇董喽氞锭 喽溹窉喽� 喽⑧窉喽编动喾忇穬 喽膏窇喽秽窋喽� 喽多穩喽� 喽嗋痘喽编穵喽犩窉喾€喾斷逗喾氞逗.
喽脆窉喽亨督喾� 喽氞窚喾呧豆喽� 喽溹窚喾冟穵 喾€喾掄逗喾忇洞喾忇痘 喽氞痘喽膏窉喽编穵 喽窉喽亨窋喽编窋喾€喾� 喽脆窚喾勦窚喾冟董喽氞窋喾€喾� 喽编侗喾娻动喾� 喾勦窉喽膏窉喽氞痘喽溹窇喽编窊喽膏窔 喽呧穩喾冟穵喽窂喾€ 喽洁抖喾忇稖喽穵喽窔喽�.
喽氞督喾抡逗喾断稖喽�
喽脆窉喽亨督喾� 喾冟穭 喽编侗喾娻动喾� 喽氞窚喾呧豆 喽脆动喾掄侗喾娻稜喾掄穩喾� 喽班侗喽� 喽秽窇喾冟穵喽氞痘喽膏窉喽编穵 喽嬥穬喾冟穵 喾冟陡喾忇盯喽亨锭 喽呧侗喾斷稖喽穩喾撪陡喽� 喽嬥董喾娻穬喾忇穭喽窇喽秽窋喾�. 喽痘喾斷穩喽编穵喾€喾� 喽堗督喽编穵, 喽编窂喽洁窉喽氞窂 喾冟穭 喽犩侗喾娻动喾娾€嵿痘喾冟窛喽� 喾勦锭 喽嬥穬喾冟穵 喽脆窂喾冟窇喽洁穵 喽呧动喾娻逗喾忇洞喽编逗 喽洁窇喽多窊喽膏锭 喾冟窇喽洁窇喾冟穵喾€喾斷穭.
喽窓喽膏窂喽脆窉喽亨侗喾� 喽氞窂喽秽穵喽� 喽多穭喾斷督 喽编窉喾冟窂 喽痘喾斷穩喽编穵 喾冟窓喽编窓喾勦穬 喽洁抖喾忇稖喽穵喽窔 喽编窇喽编穵喽侗喾掄逗喾€喾� 喽呧侗喾斷督喾忇稖喾權侗喾�. 喽秽窛喽溹窂喽窋喽秽穩喾撪陡 喽编窉喾冟窂 喽呧侗喾斷督喾� 喽氞窚喽溹穵喽溹督 喽膏穭 喽溹窓喽痘 喽脆动喾掄侗喾娻稜喾掄逗喽� 喽溹窉喽亨窂喽�. 喽窓喽膏窂喽脆窉喽亨侗喾娻稖喾� 喾€喾掄痘喾澿动喽� 喽膏窇喽� 喽堗督喽编穵 喽洁侗喾娻穬喾� 喽痘喾斷侗喾掄逗喽氞穵 喾€喾掄穩喾忇穭 喽氞痘喽溹窓喽� 喽戉侗喾娻稖喽洁侗喾娻董喽亨窔 喽脆动喾掄侗喾娻稜喾掄穩喾斷逗喾氞逗. 喽犩侗喾娻动喾娾€嵿痘喾冟窛喽� 喾勦窉喽窋喾€喽氞穵喽氞窂喽秽逗喾權稓喾� 喾€喾斷逗喾氞逗. 喽编窂喽洁窉喽氞窂 喽陡 喾冟陡喾忇盯 喽董喾娻穩喽亨锭喾€喽┼窂 喽脆穭喽穵 喾冟窋喽洁窋 喾€喾掄逗喾忇洞喾忇痘喾掄稓喽亨稓喾斷穩喾� 喽氞抖喽洁窂喽� 喾冟陡喽� 喽脆穵鈥嵿痘喾氞陡 喾冟陡喾娻抖喽编穵喽董喾忇穩喽亨稓喾� 喽溹窚喽┼侗喽溹窂喽溹董喾娻董喾忇逗.
喾冟窂喽秽穵喽稓 喾€喾掄逗喾忇洞喾忇痘喾掄稓喽亨稓喾斷穩喾� 喽脆窉喽亨督喾娻稖喾� 喽⑧窊喾€喾掄董喽亨窔 喽呧穩喾冟窂喽� 喽氞窂喽洁逗 喽窐喽脆穵喽窉喽膏董喾� 喽编窚喾€喾斷逗喾氞逗, 喽氞督喽氞窉喽秽窊喽膏窓喽编穵 喽溹董喽氞痘 喽秽窛喽溹窂喽窋喽秽穩喾� 喽膏窉喽亨稖喾掄逗喾氞逗.
喽亨窋喽溹窂喽编穵喽逗
喾冟穩喾掄陡喽编穵 喽氞抖喽洁窂喽� 喾冟穭 喽编窂喽洁窉喽氞窂 喾€喾掄穩喾忇穭喾€喾� 喾冟窂喽秽穵喽稓 喾€喾掄逗喾忇洞喾忇痘喾掄稓 喽脆穩喾斷督喽氞穵 喽多穩喽� 喽氞穵鈥嵿痘喽膏逗喾權侗喾� 喽脆董喾娻穩喾� 喽夃穭喽� 喾冟陡喽⑧逗喾� 喾€喾戉盯喽灌窉喽膏锭 喾€喾權痘喽痘喽编穵喽编侗喾� 喾€喾斷穭. 喽膏窂喽洁窉喽编穵 喾冟穭 喽犩陡喽秽窉 喽斷穩喾斷侗喾娻稖喾� 喽痘喾斷穩喽编穵喾€喾斷穭.
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喽犩陡喽秽窉 喽陡 喽脆窓喽膏穵喾€喽窂 喽洁窓喾� 喽窛喽秽窂喽溹董喽窔 喽脆窉喽о窉喾冟痘 喽溹陡喽氞窉喽编穵 喽脆窇喽膏窉喽编窉 喾€喽亨窉喽穵喽亨穩喽秽逗喽氞穵喾€喽� 喽呧痘喾€喾掄侗喾娻动喾€喽�.
喽膏窂喽洁窉喽编穵 喽陡 喽氞陡喾娻稓喽秽窋 喾€喾掄逗喾忇洞喾忇痘喽� 喾冟窂喽秽穵喽稓 喽洁窓喾� 喽膏窓喾勦窓喽亨穩喽膏窉喽编穵 喽陡 喽脆窉喽亨窂喽溹窔 喽氞痘喾娻陡喾忇侗喾娻董喾€喽洁锭喽� 喽呧穭喾掄董喽氞痘 喽多督喽脆窇喽膏穵 喽氞督喾氞逗. 喽斷穭喾� 喾冟窂喽膏窂喽编穵喽� 喽⑧侗喽窂喾€ 喽编窉喽亨窛喽⑧侗喽� 喽氞痘喽� 喽膏侗喾娻董喾娾€嵿痘喾掄穩喽秽逗喽氞窋 喽洁窓喾� 喽脆窂喽秽穵喽洁窉喽膏窔喽编穵喽窋喾€喽� 喽脆董喾娻穩喾斷逗喾氞逗.
喽编窂喽洁窉喽氞窂 喽陡 喽⑧窊喾€喾掄董喽亨窔 喽呧穩喾冟窂喽� 喽氞窂喽洁逗 喽班侗喾€喽穵 喾冟穭 喽多督喾€喽穵喾€ 喾冟窉喽о窉 喽编陡喾斷董喾� 喽氞督喽氞窉喽秽窊喽膏稓喾掄侗喾� 喽亨窋喽窋喾€ 喽溹董喽氞督喾忇逗.
喽膏窂喽秽穵喽о窉喽编穵 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄侗喾娻穭 喽陡 喽痘喾斷侗 喾€喾掄逗喾氞动喾撪陡 喽氞窚喽溹穵喽溹督 喾冟窉喽� 喽氞窚喾呧豆喽� 喽脆窇喽膏窉喽� 喽脆窚喽� 喽脆董 喾勦动喾忇痘喽膏窉喽�, 喾€喾掄穩喾掄动 喽秽窇喽氞窉喽亨窂喾€喽� 喽亨窓喽窓喽膏窉喽编穵 喽氞窚喾呧豆 喾冟陡喾忇盯喽� 喽溹窇喽� 喽呧动喾娻动喾戉稓喾撪陡喾� 喽洁抖喾忇稖喽穵 喽脆窋喽穵喽溹督喽亨窓喽氞窉. 喾冟窉喽洁窋喽膏窉喽� 喾冟穭 喽窉喽编陡喾掄侗 喽脆董喾娻董喽秽穩喽� 喽氞痘喾娻董喾樴穩喽秽逗喽氞窋 喽洁窓喾� 喾€喾冟痘 20 喽脆陡喽� 喾冟窔喾€喽亨稓喽� 喽堗董. 喽膏窓喽� 喽脆窚喽穵 喽穵鈥嵿痘喾掄董喾娻穩喽� 喽洁窉喽亨侗 喽氞窂喽洁逗喾氞动喾� 喽斷穭喾� 喾€喽亨穬 45 喽夃稓喾娻陡喾€喾� 喽脆痘喾掄侗喽� 喽洁窔喽涏稓喽亨稓喾� 喾€喾斷逗喾氞逗.
喽膏窂喽秽穵喽о窉喽编穵 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄侗喾娻穭 喾勦锭 喽溹窇喽膏窉 喾冟陡喾忇盯喽亨董喾� 喽编窂喽溹痘喾掄稓 喾冟窂喽膏窂喽编穵喽� 喾冟穭 喽夃穭喽� 喾冟陡喾忇盯喽亨董喾� 喽窂喽穵喾€喾掄稓喾€ 喾€喾掄穬喾娻董喽� 喽氞窉喽秽窉喽膏窔 喾勦窇喽氞窉喽亨窂喾€ 喽堗董喾娻董喾氞逗. 喽斷穭喾� 喽班侗喽脆董喾掄逗喽编穵喽溹窔 喾冟窂喽秽穵喽稓喽穵喾€喽� 喾€喾掄穬喾娻董喽秽侗喾娻侗喾� 喽斷穩喾斷侗喾� 喾冟董喾� 喽氞窂喽秽穵喽亨稓喾娻穪喽� 喽窂喾€喽亨董喾� 喽氞窇喽脆稓喾掄痘喾撪陡喽穵 喽呧动喾娻逗喽编逗 喽氞痘喽膏窉喽编窉. 喽氞抖喽洁窂喽编稖喾� 喽犩痘喾掄董喽� 喽溹窚喽┼侗喽熰窂 喽堗董喾娻董喾� 喽洁窔喽氞穵 喾勦穩喾斷穬喾� 喽编窉喽秽穵喽膏痘喾娻董喾� 喽┼窉 喽嗋痘喾� 喾€喾掄盯喾氞穩喽秽穵喽班侗喽溹窔 喽犩痘喾掄董 喽洁稓喾娻穪喽� 喽呧动喾娻逗喽编逗 喽氞窉喽秽窊喽膏窓喽编窉.
March 5, 2021
Maybe this is a great book at the time but for me it's mediocre. I've read few books from the era that flows in the same style and I can see it was a trendy style back then.
This I do not recommend but if you want to go with the flow and read the great trilogy, go ahead.
This I do not recommend but if you want to go with the flow and read the great trilogy, go ahead.
This entire review has been hidden because of spoilers.
August 12, 2019
I should probably read this again...
Read
March 29, 2020馃憥馃憥馃憥馃憥
This entire review has been hidden because of spoilers.
April 30, 2020
喽呧侗喾� 喽氞窐喽窉 喽窓喽氞锭 喾冟窂喽脆窔喽氞穵喾傕穩 喽亨窋喽溹窂喽编穵喽逗 喽氞窉喽亨穩喾撪陡 喽痘喽膏稓喾� 喽窋喾傕穵喽氞痘喽�. 喽� 喽戉穭喾� 喽囙董喾� 喽膏窂喽洁窊喽编穵 喽溹窔 喽窔喾佮洞喾忇督喽编逗 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄秱喾勦逗喽编穵 喽溹窔 喽呧董喾掄侗喾� 喾€喾掄穬喾娻董喽� 喽呧逗喾斷痘 喾勦窔喽窋喾€喾權侗喾�. 喽多穩喾忇侗喾娻董喽秽逗 喽氞窉喽亨穩喾�, 喽膏窔 喽氞窐喽窉喽� 喽编窅喾€喽� 喽氞窉喽亨穩喽穵喽窉 喾€喾愢锭喾勦窓喽编穵喽编窔, 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄秱喾勦逗喽编穵 喽溹窔 喾冟陡喾勦痘 喽呧侗喾� 喾€喾掄穫喽亨窊喽� 喽氞窐喽窉喽亨稓 喽秽窅喽溹董喾� 喾€喾掄穬喾娻董喽� 喾€喽洁锭 喽嗋穬喽编穵喽� 喽嗋痘喽氞穵, 喾勦窔 喽编穩喽氞董喾忇穩喾� 喽� 喾冟陡喾勦痘 喽窅喽编窓喽氞锭 喽粪窂喾€喾掄董 喽氞痘喽� 喽多穩喽氞窉. 喽戉穬喾� 喾€喾斷穩喽� 喽窉喾冟穵喾� 喽氞逗喾掄穬喾忇痘喾斷穩喽穵喽窔 喽溹窔 喽编窉喽秽穵喽逗 喾冟陡喾忇盯 喾€喾掄穩喾氞稜喽� 喽编穩喽氞董喾忇穩 喽秽穬喾€喽穵 喽氞痘喽亨窉. 喽呧动 喽氞窉喽亨穩喽编窂 喾€喾掄锭 喽膏窓喾勦窉 喾冟陡喾勦痘 喽呧动喾勦穬喾� 喾€喽� 喽亨督喾� 喽脆窉喽编窎 喽多穩喽氞穵 喽脆窓喽编窊喽�, 喽窔喽秽窋喽膏穵 喽溹董 喾勦窅喽�. 1949 喾€喾冟痘喾� 喽洁窉喽亨窅喾€喾斷东喾� 喽膏窓喽� 喽斷穬喾娻穬喾� 喽戉稓喽� 喽呧督喾斷董喾� 喽编窉喽穭喾冟穵 喽秽窂喽⑧穵鈥嵿逗喽亨稓喾� 喽洁窓喾� 喾冟陡喾忇盯喾€喾忇动喽� 喽氞窓喽秽窓喾勦窉 喽膏穭喽穵 喽多督喾忇洞喾溹痘喾溹董喾娻董喾� 喽洁窔喽涏稓喽亨窂 喽窋喽� 喽窉喽多窎 喽多穩 喽� 喾冟窉喽窉喽� 喾勦窅喽氞窉喽�. 1947 喾€喾愢订 喾€喽秽穵喽⑧侗喽亨窓喽编穵 喽� 喽陡 喽编窉喽秽穵喽膏窂喽逗喽� 喽呧穩喾愢穬喾� 喽嬥董喾娻董喾氞盯喽编逗 喽洁窅喽多窎 喾€喾掄稓喾斷陡喾娻穬喾掄穭喽亨侗喾�, 1966 喽窊 喽洁窉喽亨窎 喽脆窓喽秽穩喽侗喾� ( "喽亨窋喽溹窂喽编穵喽逗 喽秽稜喽编逗喽� 喽脆窓喽� 喽膏窂 喽洁窅喽多窎 喽嗋穩喾氞穪喽�" ) 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄秱喾勦逗喽编穵 喽脆穩喾冟侗喾娻侗喾� 喽氞抖喽洁窂喽� 喽犩痘喾掄董喽� 喽陡喽编穵 喽┼窊.喽嗋痘喾�, 喾€喾掄盯喾氞穩喽秽穵喽班侗 喽犩痘喾掄董喽� 喽溹窋喽秽窋 喽氞窚喽� 喽溹董喾� 喽多穩喾權稓喾�. 喽编穩喽氞董喾忇穩喾權侗喾� 喾冟陡喾冟穵喽� 喽洁窓喾� 喾冟陡喾忇盯喾€喾忇动喾撪侗喾娻锭喽穵, 喾冟陡喾忇盯喾€喾忇动喽亨锭喽穵 喽亨陡喾� 喽嬥洞喾勦窂喽秽逗喽氞穵 喽脆窉喽窓喽� 喽多穩 喾勦窔 喽脆窉喾呧窉喽溹侗喾�. 喽戉穭喾權董喾� 1966 喾€喽� 喾€喾掄锭 喽� 喾冟陡喾忇盯喾€喾忇动喾� 喾冟窉喾勦窉喽编逗 喽脆窉喾呧窉喽多冻 喽亨陡喾� 喾冟窅喽氞逗喽编穵 喽夃洞喽窊喽� 喽编窉喾冟窂 喽窛, 喾勦窔 喽膏窓喽� 喽脆窓喽秽穩喽侗 喽呧穩喾冟侗喾� 喽氞痘喽编窋喽亨窔, 喾€喾權穬喾權穬喾掄侗喾� 喽窉喾冟穵喾� 喽氞逗喾掄穬喾忇痘喾斷穩喽穵喽窔 喽犩痘喾掄董喽� 喽粪窂喾€喾掄董喾忇穩喾權侗喾�, 喽陡喽编穵 "喾冟穵喾€喾忇栋喾撪侗喾€ 喾冟窉喽侗 喾冟陡喾忇盯 喾€喾忇动喾掄逗喽氞窋 喽氞窋喽脆穵喽脆穩喽窉 喽亨窉 喽膏陡 喽编窚喾冟窉喽陡喾�" 喽亨窉 喽脆穩喾冟陡喾掄侗喾�. 喽呧穩喾冟侗, 喽编窂喽洁窉喽氞窂 喽氞抖喽洁窂喽� 喽氞侗 喽氞痘 喽嗋抖喽秽东 喽溹窅喽洁穩喾撪陡喾� 喾冟窉喽穵喽班窉喽亨窓喽编穵 喾€喾掄稓喾娾€嵿痘喽膏穬喾掄秱喾勦逗喽编穵 喽溹窛喽秽穵喽氞窉 喽溹窔 喽呧陡喾娻陡喾� 喾€ 喾冟窅喽� 喽多窂喽� 喽氞痘 喽编窉喽秽窎喽脆侗喽� 喽氞痘喽编穵喽编窔 喽窅 喽亨窉 喽� 喾冟窉喽窋喽窉. 喽膏窔 喽呧动喾勦穬喾� 喽膏窅喽窉 喾€喾掄逗喽� 喽脆窂 喽窅喽多窋喾€喾權稓喾� 喽洁窓喾� 喽膏窓喽� 喽氞窐喽窉 喽编窅喾€喽� 喽脆痘喾掄穪喾撪督喽编逗 喽氞痘喽编穵喽编窓喽氞窋 喽洁窓喾� 喾冟窉喽锭 喽编窅喽溹窋喽� 喽掄穩喾忇逗. 喽膏窂 喽痘喽亨窔 喽� 喾€喾掄穪喾娻穩喾忇穬 喽氞痘喽编窋喽亨窔, 喽亨窋喽溹窂喽编穵喽逗喾� 喽⑧窊喾€喽溹窋喽逗 喽囙董喾娻董喾� 喽戉陡 喽亨窋喽溹逗 喽脆窉喾呧窉喽多冻 喽多窚喾勦窛 喽窔 喽窅喽编窊喽� 喽窋喽洁逗 喽氞窉喽亨窂喽�. 喽戉穭喾� 喽窅喽编窓喽� 喾€喾掄穬喾娻董喽秽逗喽编穵 喽氞窉喽亨窂 喽脆窂喽编窋喽亨窔 喾冟窔喾€喾娾€嵿逗-喾冟窔喾€喽� 喽溹窅喽о窋喽膏稓喾� 喽脆陡喽窅喽氞穵 喽溹窅喽� 喽编窚喾€喾�. 喽窓喽膏窂喽脆窉喽亨侗喾娻稖喾� 喽秽窅喾勦窅喽编穵 喾€喽洁窉喽编穵 喽膏窉喽窊喽膏窔 喽痘喾斷穩喽编穵喽溹窔 喽嬥穩喽膏侗喾忇穩 喽� 喽娻锭 喽戉稓喾娻稓喾忇穬喾� 喾€喾� 喽多穩喾權稓喾�.
"喽⑧逗 喽溹董喾� 喾冟窔喽编窂喾€喽氞穵 喽膏窓喽编穵 喽溹陡喽编穵 喽氞穮 喽⑧侗喽氞窂喽� 喽编窎喽溹董喾� 喽窉喾呧窉喽赤窋 喽膏窉喽编窉喾冟窋喽编穵喽溹窓喽编穵喽� 喾冟窇喽窋喽稓喾� 喽编窚喾€喾� 喽�.... 喽膏穩喾斷洞喾掄逗喽编穵喽溹窔 喽嗋栋喾掄洞喽穵鈥嵿逗喽� 喽膏窓喽编穵 喽溹窋喽秽窋喾€喽秽窋喽编穵喽溹窔 喽嗋栋喾掄洞喽穵鈥嵿逗喽� 喽编窉喾冟窂 喽氞窉喽脆窋喽窛 喽� 喽洁窚喽氞窋 喽膏窉喽编窉喾冟窋喽编穵喽溹窔 喽呧穭喽傕稓喾忇痘喽氞陡喾� 喽窅喽�, 喽编窉喽编穵喽窂 喽呧穬喾� 喽氞督喽氞窉喽秽窋喽窛 喽� 喾冟窅喽膏窉喽亨侗喾娻稖喾� 喾勦窂 喽膏穩喾斷洞喾掄逗喽编穵喽溹窔 喽嗋动喾掄洞喽穵鈥嵿逗喽� 喽氞侗喾娻动喾溹穬喾娻稓喾掄痘喾掄逗喾忇穩喽氞穵 喽洁窓喾� 喾冟督喽氞侗 喽氞窂喽编穵喽窂喾€喾� 喽� 喽� 喽⑧侗喽氞窂喽� 喽呧董喽� 喾€喾栢穭." (202 喽脆窉喽о窋喾€ )
喽膏窂 喽稓喾掄侗喾斷逗喾� 喽呧督喾斷董喾� 喽洁窚喾€喽氞穵, 喾€喽┼窂 喽编窉喾€喾勦督喾� 喾冟窉喽窋喾€喾掄督喾� 喽脆窉喾呧窉喽多冻 喽多督喾忇洞喾溹痘喾溹董喾娻董喾斷穩, 喽斷穭喾� 喽� 喽氞窉喽亨侗喾� 喽脆痘喾掄动喾娻动喾權侗喾� 喽嗋穩喾氞穪喽�. 1979 喾€喾冟痘喾� 喽脆窉喽编穵喽氞穵 喾嗋穵喽洁窚喽亨窉喽┼穵 喽溹窅喽亨窋喾€喾�, "All in all you're just another brick in the wall", 喽氞窉喽亨窂 喽�. 喽戉穩喽编穵 喾€喾忇董喾忇穩喽秽东喽亨稓喾� 喾勦窛 喽娻锭 喽嗋穬喽编穵喽� 喽呧穩喾冟穵喽窂喾€喽氞穵 喽洁秱喽氞窂喾€喾� 1947 喾€喾冟痘喾� 喽脆陡喽� 喽窉喽多窋喽编窔 喽编陡喾�, 喽戉逗 喽穩 喾冟窚喽亨窂 喽多窅喽洁窉喽� 喽亨窋喽窋 喽氞窂喽秽东喾忇穩喽氞窉. 1947 喾€喾愢订 喾€喽秽穵喽⑧侗喽� 喽斷穭喾斷锭 喽膏窔 喽编窉喽秽穵喽膏窂喽逗喽� 喽脆窂喽稓 喾€喾斷穩喽�, 喽氞陡喾娻稓喽秽窋喾€喽编穵喽溹窓喽编穵 喽斷抖喾娻抖喽� 喽戉逗 喽痘喾斷东 喽脆痘喽膏洞喽秽窂喾€ 喽嗋稓喽秽穵喾傕东喽亨锭 喾勦窔喽窋 喾€喾栢逗喾氞动 喽亨侗喾娻侗 喾€喾愢动喽溹董喾� 喽氞窂喽秽东喾戉穩喽氞窉. 喽呧洞 喽秽锭 喽编窉喽穭喾� 喽洁窅喽多窊喽膏锭 喽脆窓喽� 喽亨窋喽溹逗 喽溹窅喽� 喽呧陡喽痘 喽氞窉喽亨穩喾撪陡喽氞窉喽编穵 喽膏窔 喽脆窉喾呧窉喽多冻 喾€喽┼窂 喽脆痘喾掄洞喾栢痘喾娻东 喽氞窉喽亨穩喾撪陡喽� 喽膏稖喽脆窇喽窓喽� 喽多穩喽氞穵 喾冟窉喽陡喾�. 喽戉逗 喽呧侗喾� 喽氞窉喽亨穩喾撪陡喾� 喾€喾娾€嵿逗喾忇逗喾忇陡喽亨稓喾� 喾€喽编穩 喽囙董喾�.
"喽⑧逗 喽溹董喾� 喾冟窔喽编窂喾€喽氞穵 喽膏窓喽编穵 喽溹陡喽编穵 喽氞穮 喽⑧侗喽氞窂喽� 喽编窎喽溹董喾� 喽窉喾呧窉喽赤窋 喽膏窉喽编窉喾冟窋喽编穵喽溹窓喽编穵喽� 喾冟窇喽窋喽稓喾� 喽编窚喾€喾� 喽�.... 喽膏穩喾斷洞喾掄逗喽编穵喽溹窔 喽嗋栋喾掄洞喽穵鈥嵿逗喽� 喽膏窓喽编穵 喽溹窋喽秽窋喾€喽秽窋喽编穵喽溹窔 喽嗋栋喾掄洞喽穵鈥嵿逗喽� 喽编窉喾冟窂 喽氞窉喽脆窋喽窛 喽� 喽洁窚喽氞窋 喽膏窉喽编窉喾冟窋喽编穵喽溹窔 喽呧穭喽傕稓喾忇痘喽氞陡喾� 喽窅喽�, 喽编窉喽编穵喽窂 喽呧穬喾� 喽氞督喽氞窉喽秽窋喽窛 喽� 喾冟窅喽膏窉喽亨侗喾娻稖喾� 喾勦窂 喽膏穩喾斷洞喾掄逗喽编穵喽溹窔 喽嗋动喾掄洞喽穵鈥嵿逗喽� 喽氞侗喾娻动喾溹穬喾娻稓喾掄痘喾掄逗喾忇穩喽氞穵 喽洁窓喾� 喾冟督喽氞侗 喽氞窂喽编穵喽窂喾€喾� 喽� 喽� 喽⑧侗喽氞窂喽� 喽呧董喽� 喾€喾栢穭." (202 喽脆窉喽о窋喾€ )
喽膏窂 喽稓喾掄侗喾斷逗喾� 喽呧督喾斷董喾� 喽洁窚喾€喽氞穵, 喾€喽┼窂 喽编窉喾€喾勦督喾� 喾冟窉喽窋喾€喾掄督喾� 喽脆窉喾呧窉喽多冻 喽多督喾忇洞喾溹痘喾溹董喾娻董喾斷穩, 喽斷穭喾� 喽� 喽氞窉喽亨侗喾� 喽脆痘喾掄动喾娻动喾權侗喾� 喽嗋穩喾氞穪喽�. 1979 喾€喾冟痘喾� 喽脆窉喽编穵喽氞穵 喾嗋穵喽洁窚喽亨窉喽┼穵 喽溹窅喽亨窋喾€喾�, "All in all you're just another brick in the wall", 喽氞窉喽亨窂 喽�. 喽戉穩喽编穵 喾€喾忇董喾忇穩喽秽东喽亨稓喾� 喾勦窛 喽娻锭 喽嗋穬喽编穵喽� 喽呧穩喾冟穵喽窂喾€喽氞穵 喽洁秱喽氞窂喾€喾� 1947 喾€喾冟痘喾� 喽脆陡喽� 喽窉喽多窋喽编窔 喽编陡喾�, 喽戉逗 喽穩 喾冟窚喽亨窂 喽多窅喽洁窉喽� 喽亨窋喽窋 喽氞窂喽秽东喾忇穩喽氞窉. 1947 喾€喾愢订 喾€喽秽穵喽⑧侗喽� 喽斷穭喾斷锭 喽膏窔 喽编窉喽秽穵喽膏窂喽逗喽� 喽脆窂喽稓 喾€喾斷穩喽�, 喽氞陡喾娻稓喽秽窋喾€喽编穵喽溹窓喽编穵 喽斷抖喾娻抖喽� 喽戉逗 喽痘喾斷东 喽脆痘喽膏洞喽秽窂喾€ 喽嗋稓喽秽穵喾傕东喽亨锭 喾勦窔喽窋 喾€喾栢逗喾氞动 喽亨侗喾娻侗 喾€喾愢动喽溹董喾� 喽氞窂喽秽东喾戉穩喽氞窉. 喽呧洞 喽秽锭 喽编窉喽穭喾� 喽洁窅喽多窊喽膏锭 喽脆窓喽� 喽亨窋喽溹逗 喽溹窅喽� 喽呧陡喽痘 喽氞窉喽亨穩喾撪陡喽氞窉喽编穵 喽膏窔 喽脆窉喾呧窉喽多冻 喾€喽┼窂 喽脆痘喾掄洞喾栢痘喾娻东 喽氞窉喽亨穩喾撪陡喽� 喽膏稖喽脆窇喽窓喽� 喽多穩喽氞穵 喾冟窉喽陡喾�. 喽戉逗 喽呧侗喾� 喽氞窉喽亨穩喾撪陡喾� 喾€喾娾€嵿逗喾忇逗喾忇陡喽亨稓喾� 喾€喽编穩 喽囙董喾�.
January 10, 2023
the third and the final book of Martin鈥檚 trilogy, which started from 鈥楪amperaliya鈥�. 鈥榊uganthaya鈥� revolves around 鈥楪amperaliya鈥檚 Nanda鈥檚 daughter and her children. Simon kabilana is the son-in-law of Nanda, is a powerful ruthless businessman who uses terror to keep his workers under control. He thought using same methods to control his workers might work on his children as well. Seeing his fathers ruthless acts Malin, simon kabilana鈥檚 son became his father鈥檚 complete opposite.
Malin who came back from England after completing his education had become a person who鈥檚 idolizing Marx and Lenin, causing his father鈥檚 workers to clash. Malin eventually gives up his fortunes in his father's company and works toward a confrontation with his father.
While iam reading the final chapters Nalika, simon kabilana鈥檚 wife also 鈥楪amperaliya鈥檚 Nanda鈥檚 daughter. Nalika started to show her clear dislike towards her daughter chamari鈥檚 relationship with Aravinda, who鈥檚 a surgeon and a son of a village businessman 鈥榤udalali鈥�. The only reason Nalika is against for Aravinda is because his father is a village man, whom she considered as low class people. To be this is like a clear joke. If you are someone who鈥檝e read 鈥楰aliyugaya鈥�, in there also Nanda was against for Nalika and simon鈥檚 relationship is due to simon鈥檚 father did business with low class people. What hilarious is how Nalika have forgotten her own past by possessing with pride. When Nalika鈥檚 daughter tells that she heard her grandfather and great grandfather also did low class jobs Nalika gets angry and try to coverup the dark and embarrassing history of her family. 鈥榊uganthaya鈥� reveals the dark side of a rising economy , social structures and the society of Sri Lanka.
Malin who came back from England after completing his education had become a person who鈥檚 idolizing Marx and Lenin, causing his father鈥檚 workers to clash. Malin eventually gives up his fortunes in his father's company and works toward a confrontation with his father.
While iam reading the final chapters Nalika, simon kabilana鈥檚 wife also 鈥楪amperaliya鈥檚 Nanda鈥檚 daughter. Nalika started to show her clear dislike towards her daughter chamari鈥檚 relationship with Aravinda, who鈥檚 a surgeon and a son of a village businessman 鈥榤udalali鈥�. The only reason Nalika is against for Aravinda is because his father is a village man, whom she considered as low class people. To be this is like a clear joke. If you are someone who鈥檝e read 鈥楰aliyugaya鈥�, in there also Nanda was against for Nalika and simon鈥檚 relationship is due to simon鈥檚 father did business with low class people. What hilarious is how Nalika have forgotten her own past by possessing with pride. When Nalika鈥檚 daughter tells that she heard her grandfather and great grandfather also did low class jobs Nalika gets angry and try to coverup the dark and embarrassing history of her family. 鈥榊uganthaya鈥� reveals the dark side of a rising economy , social structures and the society of Sri Lanka.
This entire review has been hidden because of spoilers.
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June 13, 2015this is a good book
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December 22, 2018Read this in grade 6 and i didnt understand anything.
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