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الأثار الكاملة #3

الأثار الكاملة : المسرحيات- المجلد الثالث

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270 pages, Paperback

First published January 1, 2007

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379 people want to read

About the author

Ghassan Kanafani

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Ghassan Kanafani (Arabic: غسان كنفاني‎�)

Ghassan Kanafani was a Palestinian journalist, fiction writer, and a spokesman for the Popular Front for the Liberation of Palestine (PFLP). Kanafani died at the age of 36, assassinated by car bomb in Beirut, By the Israeli Mossad

Ghassan Fayiz Kanafani was born in Acre in Palestine (then under the British mandate) in 1936. His father was a lawyer, and sent Ghassan to a French missionary school in Jaffa. During the 1948 Arab-Israeli War, Kanafani and his family fled to Lebanon, but soon moved on to Damascus, Syria, to live there as Palestinian refugees.

After studying Arabic literature at the University of Damascus, Kanafani became a teacher at the Palestinian refugee camps in Syria. There, he began writing short stories, influenced by his contact with young children and their experiences as stateless citizens.
In 1960 he moved to Beirut, Lebanon, where he became the editor of several newspapers, all with an Arab nationalist affiliation. In Beirut, he published the novel Men in the Sun (1962). He also published extensively on literature and politics, focusing on the the Palestinian liberation movement and the refugee experience, as well as engaging in scholarly literary criticism, publishing several books about post-1948 Palestinian and Israeli literature.

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5 stars
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Displaying 1 - 5 of 5 reviews
Profile Image for Yazan Azzam.
138 reviews24 followers
February 9, 2014
ليس لدي خبرة في الكتابة المسرحية .. و لكن من المؤكد ان مسرحيات غسان كنفاني لا تقل ابداعاً عن باقي كتاباته
Profile Image for عمر.
89 reviews17 followers
March 2, 2014
الكتاب يحتوي على ثلاث مسرحيات:

الباب: 3/5

القبعة والنبي: 5/5

جسر الأبد: 2/5
Profile Image for Iyad Barghouti.
134 reviews5 followers
May 21, 2016
قلة تعرف إبداع كنفاني في المسرح، و رغم ولعي بقصصه القصيرة أكثر من كل أعماله، لكن مسرحيتا الباب و القبعة و النبي تعدّان من أروع ما كُتب ليس في المسرح الفكري العربي فحسب بل العالمي أيضاً
Displaying 1 - 5 of 5 reviews

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