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爻賷乇丞 丨賷丕丞 睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭
賴匕丕 賰鬲丕亘 賷乇賵賷 爻賷乇丞 丨賷丕丞 匕丕鬲賷丞 賰丕賲賱丞 賵賲賵孬賯丞 賱賱丨丕卅夭 毓賱賶 噩丕卅夭丞 賳賵亘賱 賱毓丕賲 1982 "睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭" 兀卮賴乇 乇賵丕卅賷 毓丕賱賲賷 賮賷 丕賱禺賲爻賷賳 爻賳丞 丕賱兀禺賷乇丞.
賵賮賷 賴匕丕 丕賱賰鬲丕亘 賳鬲毓乇賮 毓賱賶 毓馗賲丞 賵兀賴賲賷丞 賴匕丕 丕賱乇賵丕卅賷 賲賳 禺賱丕賱 賲丕 賰鬲亘賴 "噩賷乇丕賱丿 賲丕乇鬲賳" 丕賱匕賷 賷賯丿賲 賱賳丕 賱賷爻 爻賷乇丞 匕丕鬲賷丞 賵丨爻亘 賵廿賳賲丕 賲丕 賳賯賱賴 丕賱賲賯乇亘賵賳 賲賳 睾丕乇爻賷丕 賲丕乇賰賷夭 毓賳賴 毓賱賶 丕禺鬲賱丕賮 賲賵丕賯賮賴賲 丕賱爻賷丕爻賷丞 賵丕賱賮賰乇賷丞 賵丕賱毓賯丕卅丿賷丞 賵氐賱丕鬲賴賲 丕賱毓丕卅賱賷丞 亘賴 亘賱 賷賯丿賲 兀賷囟丕賸 丿乇丕爻丞 賳賯丿賷丞 賲毓賲賯丞 毓賳 乇賵丕賷丕鬲賴 賵賲毓馗賲 賯氐氐賴 丕賱賯氐賷乇丞 賵賲賯丕賱丕鬲賴 丕賱兀丿亘賷丞 賵丕賱爻賷丕爻賷丞貙 丕賱賲亘賰乇丞 賵丕賱賲鬲兀禺乇丞貙 賲卮賮賵毓丞 亘廿囟丕亍丕鬲 賱丕 睾賳賶 毓賳賴丕 賮賷 兀賷 賲丨丕賵賱丞 賱賮賴賲 毓賵丕賱賲 睾丕乇爻賷丕 賲丕乇賰賷夭貙 賮囟賱丕賸 毓賳 賳卮丕胤丕鬲 賲丕乇賰賷夭 賮賷 賰鬲丕亘丞 丕賱賳氐賵氐 丕賱爻賷賳賲丕卅賷丞.
賵賱賯丿 丕爻鬲賲乇 "噩賷乇丕賱丿 賲丕乇鬲賳" 爻亘毓丞 毓卮乇 毓丕賲丕賸 賮賷 丕賱亘丨孬 賵丕賱賰鬲丕亘丞 賱賱爻賷乇丞 丕賱匕丕鬲賷丞 賱賲丕乇賰賷夭貙 賵賯囟賶 爻丕毓丕鬲 胤賵賷賱丞 賮賷 賲賳丕賯卮丕鬲 賲毓 賲丕乇賰賷夭 賳賮爻賴 賵賯丕亘賱 兀賷囟丕賸 兀賰孬乇 賲賳 孬賱丕孬賲丕卅丞 賲賳 丕賱兀卮禺丕氐 丕賱丌禺乇賷賳 賲賲賳 毓乇賮賵賴貙 賵賲賳 亘賷賳賴賲 夭賵噩鬲賴 賵兀亘賳丕亍賴 賵兀丨賮丕丿賴貙 賵賰匕賱賰 賵賰賱丕亍 丕賱兀毓賲丕賱 賵丕賱賲鬲乇噩賲賷賳 賵丕賱賰鬲丕亘 賵丕賱夭毓賲丕亍 丕賱爻賷丕爻賷賷賳 賵夭毓賲丕亍 兀丨夭丕亘 賵乇丐爻丕亍 丿賵賱貙 賲賳 囟賲賳賴賲 丕賱夭毓賷賲 丕賱賰賵亘賷 賮賷丿賱 賰丕爻鬲乇賵貙 賵丕賱乇卅賷爻 丕賱賮乇賳爻賷 丕賱乇丕丨賱 賮乇丕賳爻賵丕 賲賷鬲乇丕賳貙 賵乇卅賷爻 賵夭乇丕亍 廿爻亘丕賳賷丕 丕賱爻丕亘賯 賮賷賱賷亘 睾賵賳孬丕賱賷孬貙 賵睾賷乇賴賲 賲賳 丕賱卮禺氐賷丕鬲 丕賱鬲賷 賳賴噩鬲 賳賴噩丕賸 丕卮鬲乇丕賰賷丕賸 賮賷 爻賷丕爻鬲賴丕貙 賵賯丕亘賱 兀賷囟丕賸 賲賳 賷毓鬲亘乇賵賳 兀賳賮爻賴賲 禺氐賵賲丕賸 賱賴貙 賵賰丕賳鬲 丕賱賳鬲賷噩丞 賴賷 丕賳亘毓丕孬 賰賱 賲賳 丕賱賰丕鬲亘 賵丕賱廿賳爻丕賳.
廿賳 賯氐丞 "睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭" 賴賷 賯氐丞 賲賲賷夭丞貙 賵賱丿 賮賷 賰賵賱賵賲亘賷丕 爻賳丞 1927 賵賷毓鬲亘乇 兀卮賴乇 兀丿賷亘 賷馗賴乇 賮賷 丕賱毓丕賱賲 丕賱孬丕賱孬貙 賮賷 胤賮賵賱鬲賴 乇亘丕賴 噩丿丕賴 賵丨賮賳丞 賲賳 禺丕賱丕鬲賴 賵毓賲丕鬲賴 賮賷 賲丿賷賳鬲賴 丕賱賴丕丿卅丞貙 丨賷孬 兀氐亘丨 卮丕亘丕賸貙 毓賲賱 賮賷 丕賱亘丿丕賷丞 氐丨賮賷丕賸 毓賱賶 賳胤丕賯 廿賯賱賷賲賷貙 賵亘毓丿 匕賱賰 賰賲乇丕爻賱 禺丕乇噩賷貙 孬賲 賱鬲鬲賵丕乇賶 爻賳賵丕鬲 丕賱睾賲賵囟 賵鬲賳噩賱賷 丕賱氐賵乇丞 毓賳丿 毓賲乇 丕賱兀乇亘毓賷賳 丨賷賳賲丕 兀氐丿乇 乇賵丕賷丞 - 賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 氐丿乇鬲 爻賳丞 1967 - 賵賮賷 禺賱丕賱 卮賴賵乇 丨丕夭 丕賱賰鬲丕亘 毓賱賶 丿乇噩丞 賲丿賴卮丞 賲賳 丕賱廿毓噩丕亘貙 賵賵氐賮 噩賷乇丕賱丿 賲丕乇鬲賳 賮賷 賲毓乇囟 丕賱孬賳丕亍 毓賱賷賴 (毓賱賶 兀賳賴 噩丕亍 亘賳賲賵匕噩 賷丨鬲匕賶 亘賴 賱賱兀丿亘 丕賱噩丿賷丿: 丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞) 賵賰丕賳 馗賴賵乇賴丕 毓賳丿 匕乇賵丞 丕賱鬲丨賵賱 亘賷賳 丕賱乇賵丕賷丞 丕賱丨丿丕孬賵賷丞 賵丕賱乇賵丕賷丞 賲丕 亘毓丿 丕賱丨丿丕孬賵賷丞. 賵亘毓丿 孬賲丕賳 爻賳賵丕鬲 賮賷 爻賳丞 1975 兀氐丿乇 禺乇賷賮 丕賱亘胤乇賷乇賰貙 賵賮賷 爻賳丞 1981 賯氐丞 賲賵鬲 賲毓賱賳貙 賵丕爻鬲賯亘賱鬲 噩賲賷毓賴丕 亘丨賮丕賵丞 賵孬賳丕亍 賲賳 賯亘賱 丕賱賳賯丕丿 賵丕賱賯乇丕亍 亘丕賱賯丿乇 賳賮爻賴.
賵賲毓 賯乇丕亍丞 賰鬲亘賴 賲賳 丕賱賲賱丕賷賷賳 賮賷 卮鬲賶 兀賳丨丕亍 丕賱毓丕賱賲 兀氐亘丨 乇噩賱丕賸 孬乇賷丕賸 賵氐丕丨亘 賳賮賵匕 廿賱丕 兀賳賴 賲毓 賰賱 賴匕賴 丕賱卮賴乇丞 賱賲 賷賮賯丿 丕乇鬲亘丕胤賴 亘丕賱噩匕賵乇 "丨丕賵賱 睾丕乇爻賷丕 賲丕乇賰賷夭 兀賳 賷賵孬賯 丕賱氐賱丞 亘賷賳 丕賱鬲丕乇賷禺 丕賱丕噩鬲賲丕毓賷 - 鬲丕乇賷禺 丕賱亘賱丿丕鬲 賵丕賱賲丿賳 丕賱兀賲賷乇賰賷丞 丕賱賱丕鬲賷賳賷丞 - 賵丕賱鬲丕乇賷禺 丕賱賮乇丿賷 賲鬲賲孬賱丕賸 亘鬲丕乇賷禺 卮禺氐賷丕鬲 毓爻賰乇賷丞 - 噩丿賴 丕賱毓賯賷丿 賳賷賰賵賱丕爻 賵亘賵賱賷賮丕乇 賵睾賷乇賴賲丕 - 賮噩爻丿 亘匕賱賰 賯丿乇丕鬲賴 賮賷 丕賱鬲賲丕賴賷 亘丕賱鬲丕乇賷禺 賵亘丕賱噩賲丕毓丞".
"賵毓賱賶 丕賱乇睾賲 賲賳 鬲爻噩賷賱 "賲丕乇鬲賳" 賱禺氐賵氐賷丕鬲 丕賱丨賷丕丞 毓賳丿 "賲丕乇賰賷夭" 廿賱丕 兀賳賳丕 賳噩丿賴 賮賷 賰鬲丕亘賴 賴匕丕 賷鬲賲毓賳 亘丕賱賯囟丕賷丕 丕賱兀賰亘乇貙 賮賷賲丕 亘賷賳 丕賱丕丨鬲賮丕賱 亘睾丕乇爻賷丕 賲丕乇賰賷夭 賵亘丨孬賴 毓賳 丕賱噩賵丿丞 丕賱兀丿亘賷丞貙 賵亘賷賳 爻賷丕爻鬲賴 賵賰鬲丕亘鬲賴 - 禺丿丕毓 丕賱爻賱胤丞 賵丕賱毓夭賱丞 賵丕賱丨亘 - 廿賳賴 賷爻鬲賰卮賮 丕賱鬲賳丕賯囟 賮賷賲丕 亘賷賳 乇丨賲 禺賱賮賷丞 丕賱賰丕鬲亘 丕賱賰丕乇賷亘賷 賵丕賱賮丕卮爻鬲賷丞 賮賷 "亘賵噩賵丿丕" 丕賱毓賱賷丕貙 賵賷亘賷賳 賱賳丕 賰賷賮 馗賴乇鬲 賴匕賴 丕賱賮乇賵賯 賮賷 賰鬲丕亘鬲賴 賮賷 賰賱 卮賰賱 丕鬲禺匕賴 賲賳 兀卮賰丕賱 丨賷丕鬲賴貙 廿賳賴 賷爻鬲賰卮賮 丕賱禺亘乇丞 賵丕賱鬲氐賵乇丕鬲 丕賱馗丕賴乇丞貙 兀賵 丕賱賰丕賲賳丞 賮賷 乇賵丕賷丕鬲 "賲丕乇賰賷夭" 賵賷賮丨氐 賲亘乇乇丕鬲 丕賱賰丕鬲亘 賵乇丿 賮毓賱 丕賱毓丕賲丞 - 賱鬲丨賵賱賴 亘毓賷丿丕賸 賮賷 丕賱孬賲丕賳賷賳賷丕鬲 毓賳 丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞 丕賱鬲賷 賯丿賲鬲賴 廿賱賶 丕賱卮賴乇丞 丕賱丿賵賱賷丞 亘丕鬲噩丕賴 亘爻丕胤丞 兀毓馗賲 鬲賱賰 丕賱鬲賷 爻賵賮 鬲卮賰賱 毓賱丕賲丞 賮賷 亘丿丕賷丞 毓賲賱賴 賮賷 "丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕".
賱賯丿 賯丿賲 賱賳丕 "噩賷乇丕賱丿 賲丕乇鬲賳" 丕賱兀爻鬲丕匕 丕賱兀賯丿賲 賮賷 噩丕賲毓丞 賲賷鬲乇賵亘賵賱賷鬲丕賳 賱賳丿賳貙 賵兀爻鬲丕匕 丕賱賱睾丕鬲 丕賱丨丿賷孬丞 賮賷 噩丕賲毓丞 亘賷鬲爻亘乇睾 賵丕賱賲毓乇賵賮 亘賰鬲丕亘丕鬲賴 毓賳 丕賱爻乇丿 丕賱兀賲賷乇賰賷 丕賱賱丕鬲賷賳賷貙 爻賷乇丞 匕丕鬲賷丞 乇丕卅毓丞 賲孬賷乇丞 賮賷 孬乇丕卅賴丕 賵丌爻乇丞 賲孬賱 兀賷 賰鬲丕亘丞 氐丨賮賷丞 賱賭"睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭" 賵賲亘丿毓丞 賲孬賱 兀賷 賲賳 乇賵丕賷丕鬲賴 丕賱匕丕卅毓丞 丕賱氐賷鬲.
賵賮賷 賴匕丕 丕賱賰鬲丕亘 賳鬲毓乇賮 毓賱賶 毓馗賲丞 賵兀賴賲賷丞 賴匕丕 丕賱乇賵丕卅賷 賲賳 禺賱丕賱 賲丕 賰鬲亘賴 "噩賷乇丕賱丿 賲丕乇鬲賳" 丕賱匕賷 賷賯丿賲 賱賳丕 賱賷爻 爻賷乇丞 匕丕鬲賷丞 賵丨爻亘 賵廿賳賲丕 賲丕 賳賯賱賴 丕賱賲賯乇亘賵賳 賲賳 睾丕乇爻賷丕 賲丕乇賰賷夭 毓賳賴 毓賱賶 丕禺鬲賱丕賮 賲賵丕賯賮賴賲 丕賱爻賷丕爻賷丞 賵丕賱賮賰乇賷丞 賵丕賱毓賯丕卅丿賷丞 賵氐賱丕鬲賴賲 丕賱毓丕卅賱賷丞 亘賴 亘賱 賷賯丿賲 兀賷囟丕賸 丿乇丕爻丞 賳賯丿賷丞 賲毓賲賯丞 毓賳 乇賵丕賷丕鬲賴 賵賲毓馗賲 賯氐氐賴 丕賱賯氐賷乇丞 賵賲賯丕賱丕鬲賴 丕賱兀丿亘賷丞 賵丕賱爻賷丕爻賷丞貙 丕賱賲亘賰乇丞 賵丕賱賲鬲兀禺乇丞貙 賲卮賮賵毓丞 亘廿囟丕亍丕鬲 賱丕 睾賳賶 毓賳賴丕 賮賷 兀賷 賲丨丕賵賱丞 賱賮賴賲 毓賵丕賱賲 睾丕乇爻賷丕 賲丕乇賰賷夭貙 賮囟賱丕賸 毓賳 賳卮丕胤丕鬲 賲丕乇賰賷夭 賮賷 賰鬲丕亘丞 丕賱賳氐賵氐 丕賱爻賷賳賲丕卅賷丞.
賵賱賯丿 丕爻鬲賲乇 "噩賷乇丕賱丿 賲丕乇鬲賳" 爻亘毓丞 毓卮乇 毓丕賲丕賸 賮賷 丕賱亘丨孬 賵丕賱賰鬲丕亘丞 賱賱爻賷乇丞 丕賱匕丕鬲賷丞 賱賲丕乇賰賷夭貙 賵賯囟賶 爻丕毓丕鬲 胤賵賷賱丞 賮賷 賲賳丕賯卮丕鬲 賲毓 賲丕乇賰賷夭 賳賮爻賴 賵賯丕亘賱 兀賷囟丕賸 兀賰孬乇 賲賳 孬賱丕孬賲丕卅丞 賲賳 丕賱兀卮禺丕氐 丕賱丌禺乇賷賳 賲賲賳 毓乇賮賵賴貙 賵賲賳 亘賷賳賴賲 夭賵噩鬲賴 賵兀亘賳丕亍賴 賵兀丨賮丕丿賴貙 賵賰匕賱賰 賵賰賱丕亍 丕賱兀毓賲丕賱 賵丕賱賲鬲乇噩賲賷賳 賵丕賱賰鬲丕亘 賵丕賱夭毓賲丕亍 丕賱爻賷丕爻賷賷賳 賵夭毓賲丕亍 兀丨夭丕亘 賵乇丐爻丕亍 丿賵賱貙 賲賳 囟賲賳賴賲 丕賱夭毓賷賲 丕賱賰賵亘賷 賮賷丿賱 賰丕爻鬲乇賵貙 賵丕賱乇卅賷爻 丕賱賮乇賳爻賷 丕賱乇丕丨賱 賮乇丕賳爻賵丕 賲賷鬲乇丕賳貙 賵乇卅賷爻 賵夭乇丕亍 廿爻亘丕賳賷丕 丕賱爻丕亘賯 賮賷賱賷亘 睾賵賳孬丕賱賷孬貙 賵睾賷乇賴賲 賲賳 丕賱卮禺氐賷丕鬲 丕賱鬲賷 賳賴噩鬲 賳賴噩丕賸 丕卮鬲乇丕賰賷丕賸 賮賷 爻賷丕爻鬲賴丕貙 賵賯丕亘賱 兀賷囟丕賸 賲賳 賷毓鬲亘乇賵賳 兀賳賮爻賴賲 禺氐賵賲丕賸 賱賴貙 賵賰丕賳鬲 丕賱賳鬲賷噩丞 賴賷 丕賳亘毓丕孬 賰賱 賲賳 丕賱賰丕鬲亘 賵丕賱廿賳爻丕賳.
廿賳 賯氐丞 "睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭" 賴賷 賯氐丞 賲賲賷夭丞貙 賵賱丿 賮賷 賰賵賱賵賲亘賷丕 爻賳丞 1927 賵賷毓鬲亘乇 兀卮賴乇 兀丿賷亘 賷馗賴乇 賮賷 丕賱毓丕賱賲 丕賱孬丕賱孬貙 賮賷 胤賮賵賱鬲賴 乇亘丕賴 噩丿丕賴 賵丨賮賳丞 賲賳 禺丕賱丕鬲賴 賵毓賲丕鬲賴 賮賷 賲丿賷賳鬲賴 丕賱賴丕丿卅丞貙 丨賷孬 兀氐亘丨 卮丕亘丕賸貙 毓賲賱 賮賷 丕賱亘丿丕賷丞 氐丨賮賷丕賸 毓賱賶 賳胤丕賯 廿賯賱賷賲賷貙 賵亘毓丿 匕賱賰 賰賲乇丕爻賱 禺丕乇噩賷貙 孬賲 賱鬲鬲賵丕乇賶 爻賳賵丕鬲 丕賱睾賲賵囟 賵鬲賳噩賱賷 丕賱氐賵乇丞 毓賳丿 毓賲乇 丕賱兀乇亘毓賷賳 丨賷賳賲丕 兀氐丿乇 乇賵丕賷丞 - 賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 氐丿乇鬲 爻賳丞 1967 - 賵賮賷 禺賱丕賱 卮賴賵乇 丨丕夭 丕賱賰鬲丕亘 毓賱賶 丿乇噩丞 賲丿賴卮丞 賲賳 丕賱廿毓噩丕亘貙 賵賵氐賮 噩賷乇丕賱丿 賲丕乇鬲賳 賮賷 賲毓乇囟 丕賱孬賳丕亍 毓賱賷賴 (毓賱賶 兀賳賴 噩丕亍 亘賳賲賵匕噩 賷丨鬲匕賶 亘賴 賱賱兀丿亘 丕賱噩丿賷丿: 丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞) 賵賰丕賳 馗賴賵乇賴丕 毓賳丿 匕乇賵丞 丕賱鬲丨賵賱 亘賷賳 丕賱乇賵丕賷丞 丕賱丨丿丕孬賵賷丞 賵丕賱乇賵丕賷丞 賲丕 亘毓丿 丕賱丨丿丕孬賵賷丞. 賵亘毓丿 孬賲丕賳 爻賳賵丕鬲 賮賷 爻賳丞 1975 兀氐丿乇 禺乇賷賮 丕賱亘胤乇賷乇賰貙 賵賮賷 爻賳丞 1981 賯氐丞 賲賵鬲 賲毓賱賳貙 賵丕爻鬲賯亘賱鬲 噩賲賷毓賴丕 亘丨賮丕賵丞 賵孬賳丕亍 賲賳 賯亘賱 丕賱賳賯丕丿 賵丕賱賯乇丕亍 亘丕賱賯丿乇 賳賮爻賴.
賵賲毓 賯乇丕亍丞 賰鬲亘賴 賲賳 丕賱賲賱丕賷賷賳 賮賷 卮鬲賶 兀賳丨丕亍 丕賱毓丕賱賲 兀氐亘丨 乇噩賱丕賸 孬乇賷丕賸 賵氐丕丨亘 賳賮賵匕 廿賱丕 兀賳賴 賲毓 賰賱 賴匕賴 丕賱卮賴乇丞 賱賲 賷賮賯丿 丕乇鬲亘丕胤賴 亘丕賱噩匕賵乇 "丨丕賵賱 睾丕乇爻賷丕 賲丕乇賰賷夭 兀賳 賷賵孬賯 丕賱氐賱丞 亘賷賳 丕賱鬲丕乇賷禺 丕賱丕噩鬲賲丕毓賷 - 鬲丕乇賷禺 丕賱亘賱丿丕鬲 賵丕賱賲丿賳 丕賱兀賲賷乇賰賷丞 丕賱賱丕鬲賷賳賷丞 - 賵丕賱鬲丕乇賷禺 丕賱賮乇丿賷 賲鬲賲孬賱丕賸 亘鬲丕乇賷禺 卮禺氐賷丕鬲 毓爻賰乇賷丞 - 噩丿賴 丕賱毓賯賷丿 賳賷賰賵賱丕爻 賵亘賵賱賷賮丕乇 賵睾賷乇賴賲丕 - 賮噩爻丿 亘匕賱賰 賯丿乇丕鬲賴 賮賷 丕賱鬲賲丕賴賷 亘丕賱鬲丕乇賷禺 賵亘丕賱噩賲丕毓丞".
"賵毓賱賶 丕賱乇睾賲 賲賳 鬲爻噩賷賱 "賲丕乇鬲賳" 賱禺氐賵氐賷丕鬲 丕賱丨賷丕丞 毓賳丿 "賲丕乇賰賷夭" 廿賱丕 兀賳賳丕 賳噩丿賴 賮賷 賰鬲丕亘賴 賴匕丕 賷鬲賲毓賳 亘丕賱賯囟丕賷丕 丕賱兀賰亘乇貙 賮賷賲丕 亘賷賳 丕賱丕丨鬲賮丕賱 亘睾丕乇爻賷丕 賲丕乇賰賷夭 賵亘丨孬賴 毓賳 丕賱噩賵丿丞 丕賱兀丿亘賷丞貙 賵亘賷賳 爻賷丕爻鬲賴 賵賰鬲丕亘鬲賴 - 禺丿丕毓 丕賱爻賱胤丞 賵丕賱毓夭賱丞 賵丕賱丨亘 - 廿賳賴 賷爻鬲賰卮賮 丕賱鬲賳丕賯囟 賮賷賲丕 亘賷賳 乇丨賲 禺賱賮賷丞 丕賱賰丕鬲亘 丕賱賰丕乇賷亘賷 賵丕賱賮丕卮爻鬲賷丞 賮賷 "亘賵噩賵丿丕" 丕賱毓賱賷丕貙 賵賷亘賷賳 賱賳丕 賰賷賮 馗賴乇鬲 賴匕賴 丕賱賮乇賵賯 賮賷 賰鬲丕亘鬲賴 賮賷 賰賱 卮賰賱 丕鬲禺匕賴 賲賳 兀卮賰丕賱 丨賷丕鬲賴貙 廿賳賴 賷爻鬲賰卮賮 丕賱禺亘乇丞 賵丕賱鬲氐賵乇丕鬲 丕賱馗丕賴乇丞貙 兀賵 丕賱賰丕賲賳丞 賮賷 乇賵丕賷丕鬲 "賲丕乇賰賷夭" 賵賷賮丨氐 賲亘乇乇丕鬲 丕賱賰丕鬲亘 賵乇丿 賮毓賱 丕賱毓丕賲丞 - 賱鬲丨賵賱賴 亘毓賷丿丕賸 賮賷 丕賱孬賲丕賳賷賳賷丕鬲 毓賳 丕賱賵丕賯毓賷丞 丕賱爻丨乇賷丞 丕賱鬲賷 賯丿賲鬲賴 廿賱賶 丕賱卮賴乇丞 丕賱丿賵賱賷丞 亘丕鬲噩丕賴 亘爻丕胤丞 兀毓馗賲 鬲賱賰 丕賱鬲賷 爻賵賮 鬲卮賰賱 毓賱丕賲丞 賮賷 亘丿丕賷丞 毓賲賱賴 賮賷 "丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕".
賱賯丿 賯丿賲 賱賳丕 "噩賷乇丕賱丿 賲丕乇鬲賳" 丕賱兀爻鬲丕匕 丕賱兀賯丿賲 賮賷 噩丕賲毓丞 賲賷鬲乇賵亘賵賱賷鬲丕賳 賱賳丿賳貙 賵兀爻鬲丕匕 丕賱賱睾丕鬲 丕賱丨丿賷孬丞 賮賷 噩丕賲毓丞 亘賷鬲爻亘乇睾 賵丕賱賲毓乇賵賮 亘賰鬲丕亘丕鬲賴 毓賳 丕賱爻乇丿 丕賱兀賲賷乇賰賷 丕賱賱丕鬲賷賳賷貙 爻賷乇丞 匕丕鬲賷丞 乇丕卅毓丞 賲孬賷乇丞 賮賷 孬乇丕卅賴丕 賵丌爻乇丞 賲孬賱 兀賷 賰鬲丕亘丞 氐丨賮賷丞 賱賭"睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭" 賵賲亘丿毓丞 賲孬賱 兀賷 賲賳 乇賵丕賷丕鬲賴 丕賱匕丕卅毓丞 丕賱氐賷鬲.
774 pages, Paperback
First published December 1, 2008
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April 4, 2022
Despre scriitorul Marquez vorbesc elocvent scrierile sale, 葯i pot spune c膬 le-am citit 卯n mare parte. Mi-a sc膬pat doar ultimul roman, Poveste t芒rfelor mele triste, dar nici nu m膬 卯nghesui s-o citesc. Magnum opus ( Un veac de singur膬tate, Toamna patriarhului, Dragostea 卯n vremea holerei, Generalul 卯n labirintul s膬u 葯.a) l-am citit 葯i chiar recitit cu mult膬 pl膬cere 葯i admira葲ie pentru artist. Gabo, omul, este foarte bine surprins de ,,biograful oficial,, ,Gerald Martin, 卯ntr-o carte care se cite葯te pe ner膬suflate. Documentarea,convorbirile at芒t cu scriitorul c芒t 葯i cu persoane din anturajul s膬u i-au permis lui Martin s膬 creioneze cu acurate葲e ,f膬r膬 patim膬, cine a fost copilul, t芒n膬rul, angajatul politic, so葲ul 葯i tat膬l Gabriel Garcia Marquez. V膬 las s膬 descoperi葲i singuri. Merit膬.
May 7, 2014
爻賷乇丞 睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭
兀卮賲賱 賲丕 賰鬲亘 毓賳 賲丕乇賰賷夭貙 賵氐賮 賲丕乇賰賷夭 賰丕鬲亘賴丕 (噩賷乇丕賱丿 賲丕乇鬲賳) 亘兀賳賴 賰丕鬲亘 爻賷乇鬲賴 丕賱乇爻賲賷貙 賵賯丿 兀賲囟賶 丕賱賲丐賱賮 17 毓丕賲丕賸 賵賴賵 賷毓賲賱 毓賱賶 賴匕丕 丕賱賰鬲丕亘貙 賵賯乇兀 賰賱 賲丕 賰鬲亘賴 賲丕乇賰賷夭貙 賱賷爻 賰鬲亘賴 賮賯胤貙 亘賱 賵丨鬲賶 賲賯丕賱丕鬲賴 丕賱鬲賷 賳卮乇賴丕 禺賱丕賱 毓賲賱賴 丕賱氐丨賮賷 丕賱胤賵賷賱貙 賴匕丕 睾賷乇 賲卅丕鬲 丕賱賲賯丕亘賱丕鬲 賲毓 丕賱毓卮乇丕鬲 賲賲賳 毓乇賮賵丕 賲丕乇賰賷夭 賵毓丕賷卮賵賴 賲賳匕 丕賱胤賮賵賱丞.
賷馗賳 丕賱賰孬賷乇賵賳 兀賳 賰鬲丕亘 賲丕乇賰賷夭 (毓卮鬲 賱兀乇賵賷) 賷睾賳賷貙 亘賲丕 兀賳賴 爻賷乇丞 賲丕乇賰賷夭 亘賯賱賲賴貙 賵賱賰賳賴賲 賲禺胤卅賵賳 鬲賲丕賲丕賸貙 賱兀賳 匕賱賰 丕賱賰鬲丕亘 賱賷爻 廿賱丕 爻賷乇丞 胤賮賵賱丞 賵卮亘丕亘 賲丕乇賰賷夭 賮賯胤貙 兀賷 賲賳匕 賵賱丕丿鬲賴 賵丨鬲賶 爻賳丞 1950 賲貙 亘賷賳賲丕 賷囟賲 賰鬲丕亘 噩賷乇丕賱丿 賲丕乇鬲賳 80 毓丕賲丕賸 賲賳 丨賷丕丞 賲丕乇賰賷夭貙 賲賳匕 賵賱丕丿鬲賴 1927 賵丨鬲賶 2007 賲貙 亘賲丕 賮賷 匕賱賰 匕賰乇賷丕鬲 胤賮賵賱鬲賴 賵鬲賳賯賱丕鬲賴貙 賵毓賲賱賴 賮賷 丕賱氐丨丕賮丞貙 賵賮鬲乇丞 丨賷丕鬲賴 賮賷 兀賵乇賵亘丕貙 賵夭賵丕噩賴 賲賳 賲賷乇孬賷丿賷爻貙 賵賰鬲丕亘丞 兀毓賲丕賱賴 丕賱賰亘乇賶 (賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞)貙 (禺乇賷賮 丕賱亘胤乇賷乇賰)貙 (丕賱噩賳乇丕賱 賮賷 賲鬲丕賴鬲賴)貙 (丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕)貙 (禺亘乇 丕禺鬲胤丕賮)貙 賵賲噩賲賵毓丕鬲賴 丕賱賯氐氐賷丞.
丕賱賰鬲丕亘 毓賲賱丕賯 亘丨賯貙 兀賰孬乇 賲賳 爻亘毓賲卅丞 氐賮丨丞 賲毓 丕賱賴賵丕賲卮 丕賱賰孬賷乇丞貙 賵丕賱卮禺氐賷丕鬲貙 賵丕賱兀丨丿丕孬貙 賵禺丕氐丞 毓賱丕賯丕鬲 賲丕乇賰賷夭 丕賱爻賷丕爻賷丞 賵丕賱兀丿亘賷丞貙 賵賯丿 賰卮賮 賱賷 噩賵丕賳亘 賲丕乇賰賷夭賷丞 賱賲 兀賰賳 兀丿乇賷 亘賴丕貙 賵禺丕氐丞 孬賵乇賷丞 賲丕乇賰賷夭 賵毓賱丕賯鬲賴 丕賱賯賵賷丞 亘賰賵亘丕 賵賰丕爻鬲乇賵 賵丕賱鬲賷 丕爻鬲賲乇鬲 廿賱賶 丕賱賳賴丕賷丞.
爻賷禺賮鬲 賴匕丕 丕賱賰鬲丕亘 丕賱賰孬賷乇 賲賳 賰鬲亘 丕賱爻賷乇丞 丕賱匕丕鬲賷丞貙 賮賴賰匕丕 賷噩亘 兀賳 鬲賰賵賳 賰鬲亘 丕賱爻賷乇丞 丕賱匕丕鬲賷丞.
兀卮賲賱 賲丕 賰鬲亘 毓賳 賲丕乇賰賷夭貙 賵氐賮 賲丕乇賰賷夭 賰丕鬲亘賴丕 (噩賷乇丕賱丿 賲丕乇鬲賳) 亘兀賳賴 賰丕鬲亘 爻賷乇鬲賴 丕賱乇爻賲賷貙 賵賯丿 兀賲囟賶 丕賱賲丐賱賮 17 毓丕賲丕賸 賵賴賵 賷毓賲賱 毓賱賶 賴匕丕 丕賱賰鬲丕亘貙 賵賯乇兀 賰賱 賲丕 賰鬲亘賴 賲丕乇賰賷夭貙 賱賷爻 賰鬲亘賴 賮賯胤貙 亘賱 賵丨鬲賶 賲賯丕賱丕鬲賴 丕賱鬲賷 賳卮乇賴丕 禺賱丕賱 毓賲賱賴 丕賱氐丨賮賷 丕賱胤賵賷賱貙 賴匕丕 睾賷乇 賲卅丕鬲 丕賱賲賯丕亘賱丕鬲 賲毓 丕賱毓卮乇丕鬲 賲賲賳 毓乇賮賵丕 賲丕乇賰賷夭 賵毓丕賷卮賵賴 賲賳匕 丕賱胤賮賵賱丞.
賷馗賳 丕賱賰孬賷乇賵賳 兀賳 賰鬲丕亘 賲丕乇賰賷夭 (毓卮鬲 賱兀乇賵賷) 賷睾賳賷貙 亘賲丕 兀賳賴 爻賷乇丞 賲丕乇賰賷夭 亘賯賱賲賴貙 賵賱賰賳賴賲 賲禺胤卅賵賳 鬲賲丕賲丕賸貙 賱兀賳 匕賱賰 丕賱賰鬲丕亘 賱賷爻 廿賱丕 爻賷乇丞 胤賮賵賱丞 賵卮亘丕亘 賲丕乇賰賷夭 賮賯胤貙 兀賷 賲賳匕 賵賱丕丿鬲賴 賵丨鬲賶 爻賳丞 1950 賲貙 亘賷賳賲丕 賷囟賲 賰鬲丕亘 噩賷乇丕賱丿 賲丕乇鬲賳 80 毓丕賲丕賸 賲賳 丨賷丕丞 賲丕乇賰賷夭貙 賲賳匕 賵賱丕丿鬲賴 1927 賵丨鬲賶 2007 賲貙 亘賲丕 賮賷 匕賱賰 匕賰乇賷丕鬲 胤賮賵賱鬲賴 賵鬲賳賯賱丕鬲賴貙 賵毓賲賱賴 賮賷 丕賱氐丨丕賮丞貙 賵賮鬲乇丞 丨賷丕鬲賴 賮賷 兀賵乇賵亘丕貙 賵夭賵丕噩賴 賲賳 賲賷乇孬賷丿賷爻貙 賵賰鬲丕亘丞 兀毓賲丕賱賴 丕賱賰亘乇賶 (賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞)貙 (禺乇賷賮 丕賱亘胤乇賷乇賰)貙 (丕賱噩賳乇丕賱 賮賷 賲鬲丕賴鬲賴)貙 (丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕)貙 (禺亘乇 丕禺鬲胤丕賮)貙 賵賲噩賲賵毓丕鬲賴 丕賱賯氐氐賷丞.
丕賱賰鬲丕亘 毓賲賱丕賯 亘丨賯貙 兀賰孬乇 賲賳 爻亘毓賲卅丞 氐賮丨丞 賲毓 丕賱賴賵丕賲卮 丕賱賰孬賷乇丞貙 賵丕賱卮禺氐賷丕鬲貙 賵丕賱兀丨丿丕孬貙 賵禺丕氐丞 毓賱丕賯丕鬲 賲丕乇賰賷夭 丕賱爻賷丕爻賷丞 賵丕賱兀丿亘賷丞貙 賵賯丿 賰卮賮 賱賷 噩賵丕賳亘 賲丕乇賰賷夭賷丞 賱賲 兀賰賳 兀丿乇賷 亘賴丕貙 賵禺丕氐丞 孬賵乇賷丞 賲丕乇賰賷夭 賵毓賱丕賯鬲賴 丕賱賯賵賷丞 亘賰賵亘丕 賵賰丕爻鬲乇賵 賵丕賱鬲賷 丕爻鬲賲乇鬲 廿賱賶 丕賱賳賴丕賷丞.
爻賷禺賮鬲 賴匕丕 丕賱賰鬲丕亘 丕賱賰孬賷乇 賲賳 賰鬲亘 丕賱爻賷乇丞 丕賱匕丕鬲賷丞貙 賮賴賰匕丕 賷噩亘 兀賳 鬲賰賵賳 賰鬲亘 丕賱爻賷乇丞 丕賱匕丕鬲賷丞.
August 9, 2021
芦N茫o existe uma 煤nica linha nos meus livros que eu n茫o possa ligar a uma experi锚ncia real. H谩 sempre uma refer锚ncia a uma realidade concreta.禄
Gabriel Garc铆a Marques
Diz-se que talvez nenhum outro escritor moderno aborde na sua obra de forma t茫o consistente e ao mesmo tempo t茫o misteriosa a rela莽茫o entre verdade, fic莽茫o, verosimilhan莽a e sinceridade como GGM faz.
Viveu uma vida para a contar em milhares de p谩ginas.
Viveu uma vida com valor liter谩rio cheia de momentos emocionantes e de altos e baixos.
A alegria de viver e a alegria de escrever.
Uma escrita de qualidade, um talento inato.
Uma originalidade inquestion谩vel.
Da pobreza ao Pr茅mio Nobel.
Da mitol贸gica Macondo 脿 imortalidade.
A universalidade da sua obra e a inesquec铆vel primeira frase de Cem Anos de Solid茫o
芦Pode ser que lhe aconte莽a pensar, por exemplo, que j谩 de algum modo viveu, sonhou ou foi protagonista de uma ou outra das suas hist贸rias m谩gicas, ou que est谩 perante um sublime e verdadeiro 鈥渕entiroso鈥� da Literatura em que vale a pena acreditar.禄
Gerald Martin
[2015]
Gabriel Garc铆a Marques
Diz-se que talvez nenhum outro escritor moderno aborde na sua obra de forma t茫o consistente e ao mesmo tempo t茫o misteriosa a rela莽茫o entre verdade, fic莽茫o, verosimilhan莽a e sinceridade como GGM faz.
Viveu uma vida para a contar em milhares de p谩ginas.
Viveu uma vida com valor liter谩rio cheia de momentos emocionantes e de altos e baixos.
A alegria de viver e a alegria de escrever.
Uma escrita de qualidade, um talento inato.
Uma originalidade inquestion谩vel.
Da pobreza ao Pr茅mio Nobel.
Da mitol贸gica Macondo 脿 imortalidade.
A universalidade da sua obra e a inesquec铆vel primeira frase de Cem Anos de Solid茫o
芦Pode ser que lhe aconte莽a pensar, por exemplo, que j谩 de algum modo viveu, sonhou ou foi protagonista de uma ou outra das suas hist贸rias m谩gicas, ou que est谩 perante um sublime e verdadeiro 鈥渕entiroso鈥� da Literatura em que vale a pena acreditar.禄
Gerald Martin
[2015]
July 11, 2012
禺賲爻 賳噩賲丕鬲 賱丕 鬲賰賮賷 !
丨賷賳賲丕 乇丕賵丿 丕賱丿賰鬲賵乇 賲丕乇鬲賳 賴丕噩爻 丕賱賰鬲丕亘丞 毓賳 賲丕乇賰賷夭 丨匕乇賴 丕賱賰孬賷乇 兀賳 睾丕亘乇賷賷賱 兀賵 睾丕亘賵 兀賵 睾丕亘賷鬲賵 - 賵 丕賱丕爻賲 丕賱丨丕賮 賷丿毓賵賴 亘賴 氐丿賷賯賴 丕賱丿賰鬲丕鬲賵乇 賮賷丿賱 賰丕爻鬲乇賵 亘賷賳賲丕 賷丿毓賵賴 丕賱兀氐丿賯丕亍 亘睾丕亘賵 賵 睾丕亘賷鬲賵 - 爻賵賮 賱賳 賷亘丿賷 丕賱賰孬賷乇 賲賳 丕賱鬲乇丨賷亘 賵 賯丿 丨丿孬 匕賱賰 毓賳丿賲丕 兀噩丕亘 賲丕乇賰賷夭 賲鬲爻丕卅賱丕賸 賴賱 賱丕卅賲鬲 丕賱爻賷乇丞 丕賱匕丕鬲賷丞 爻賵賶 丕賱賲賵鬲賶 責 兀禺亘乇賴 亘毓丿 匕賱賰 兀賳賴 賱賳 賷毓鬲乇囟 胤乇賷賯賴 賵 賮賷 賳賮爻 丕賱賵賯鬲 爻賵賮 賱賳 賷爻丕毓丿賴 賮賷 賰鬲丕亘丞 爻賷乇鬲賴 ! 賵 賴匕丕 賲丕 噩毓賱 賱賱爻賷乇丞 孬賲賳丕賸 亘丕賴馗丕賸 賯賵丕賲賴 17 爻賳丞 賲賳 毓賲乇 丕賱賰丕鬲亘 賵 丕賱匕賷 賱賲 賷兀亘賴 亘匕賱賰 丕賱孬賲賳 丨賷賳 賯丕賱 : 賱賷爻 賲賳 丕賱禺胤兀 兀賳 賷氐乇賮 兀丨丿賴賲 乇亘毓 毓賲乇賴 賮賷 賴匕丕 丕賱賰賵賱賵賲亘賷 睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭.
廿賳 爻賷乇丞 禺丕賱賷丞 賲賳 丕賱禺夭賷 賱丕 賷賲賰賳 丕賱賵孬賵賯 亘賴丕 毓賱賶 乇兀賷 兀丨丿賴賲 賵 丕賱賰丕鬲亘 賵 廿賳 賰丕賳 兀丨丿 毓卮丕賯 賲丕乇賰賷夭 賮賴賵 賱賲 賷鬲毓賲丿 廿禺賮丕亍 兀禺胤丕亍 賲丕乇賰賷夭 賵 賯丿 鬲賯氐賶 丨賷丕鬲賴 亘卮賰賱 賲乇囟賷 - 亘囟賲 丕賱賲賷賲 賵 賮鬲丨賴丕 - 丨賷賳 鬲鬲亘毓 丕賱兀毓丿丕丿 賵 丕賱乇爻丕卅賱 賵 丕賱賲噩賱丕鬲 賵 爻丕賮乇 廿賱賶 賰孬賷乇 賲賳 丕賱丿賵賱 賵 賯丕亘賱 丕賱毓卮乇丕鬲 賲賳 丕賱兀卮禺丕氐 賵 賯囟賶 賲毓 賲丕乇賰賷夭 賮賯胤 賲丕 賷夭賷丿 毓賳 700 爻丕毓丞 賲賳 兀噩賱 賴匕丕 丕賱賰鬲丕亘 . 賲丕 賷賲賷夭 賴匕丕 丕賱賰鬲丕亘 亘丕賱廿囟丕賮丞 廿賱賶 丕賱丨賷丕丿賷丞 賵 鬲丨乇賷 丕賱氐丿賯 賴賵 兀賳賴 毓賳 賲丕乇賰賷夭 丕賱廿賳爻丕賳 賵 丕賱兀丿賷亘 賮賴賵 賱丕 賷睾賮賱 賮賷 賰賱 賲乇丨賱丞 賲賳 丕賱賲乇丕丨賱 丕賱鬲賷 毓亘乇賴丕 丕賱賰丕鬲亘 丕賱兀爻胤賵乇賷 丕賱賰孬賷乇 賲賳 丕賱鬲賮丕氐賷賱 . 賷匕賰乇賳丕 亘噩丿 賲丕乇賰賷夭 賵 賴賵 亘丕賱賲賳丕爻亘丞 丕賱乇噩賱 丕賱兀賰孬乇 鬲兀孬賷乇丕賸 賮賷 丨賷丕鬲賴 賵 賯丿 賯囟賶 賳丨亘賴 丨賷賳 丕乇鬲賯賶 丕賱爻賱賲 賲賳 兀噩賱 廿丨囟丕乇 丕賱亘亘睾丕亍 賵 賴賰匕丕 丕禺鬲丕乇 賲丕乇賰賷夭 賱賱丿賰鬲賵乇 禺賵賮賷賳丕賱 兀賵乇亘賷賳賷賵 兀賳 賷睾丕丿乇 丕賱丨賷丕丞 賮賷 乇丕卅毓鬲賴 " 丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕 " . 賷匕賰乇賳丕 兀賷囟丕賸 亘丕賳丨乇丕賮 賵丕賱丿賴 賵 廿賳噩丕亘賴 丕賱賰孬賷乇 賲賳 丕賱兀胤賮丕賱 丕賱卮乇毓賷賷賳 賵 睾賷乇 丕賱卮乇毓賷賷賳 賲賲丕 爻亘亘 賱賲丕乇賰賷夭 鬲賱賰 丕賱氐丿賲丞 丕賱賰亘乇賶 賵 丕賱鬲賷 賷鬲囟丨 兀孬乇賴丕 噩賱賷丕賸 賮賷 乇丕卅毓鬲賴 " 賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 " 賱賱丿乇噩丞 丕賱鬲賷 鬲囟胤乇 賮賷賴丕 賱賱毓賵丿丞 亘毓丿 丕賱氐賮丨丕鬲 丕賱兀賵賱賶 賱賱賯乇丕亍丞 賲賳 噩丿賷丿 亘鬲乇賰賷夭 兀賰亘乇 賵 丕賱賰丕鬲亘 賰丕賳 丨乇賷氐丕賸 毓賱賶 丕賱鬲匕賰賷乇 亘兀氐賱 賰賱 卮禺氐賷丞 賰亘賷乇丞 賮賷 乇賵丕賷丕鬲 賲丕乇賰賷夭 賵 賱賲 賷賴賲賱 兀賷囟丕賸 兀賮賰丕乇 乇賵丕賷丕鬲賴 賵 賲賳 賷馗賳 兀賳 賲丕乇賰賷夭 毓丕卮 丨賷丕丞賸 爻賴賱丞 賲乇氐賮丞 亘丕賱賵乇丿 賮賴賵 賷禺胤賷亍 賰孬賷乇丕賸 賮丕賱賰賵賱賵賲亘賷 兀賵賱丕賸 賲丕 賰丕賳 賱賴 兀賳 賷氐賱 廿賱賶 賲丕 賵氐賱 廿賱賷賴 賱賵 亘賯賷 賮賷 亘賱丿賴 丕賱兀賲 ! 賲夭賲丕乇 丕賱丨賷 賱丕 賷胤乇亘 賵 賯丿 毓丕卮 夭賲賳丕賸 賱丕 亘兀爻 亘賴 毓賱賶 氐丿賯丕鬲 丕賱兀氐丿賯丕亍 賵 鬲毓丕胤賮賴賲 賵 賯丿 乇丿賾 丕賱丿賷賳 賮賷賲丕 亘毓丿 . 鬲丨丿孬 兀賷囟丕賸 毓賳 賲丕乇賰賷夭 賵 賮賯丿丕賳賴 毓匕乇賷鬲賴 亘丕賱胤乇賷賯丞 丕賱賱丕鬲賷賳賷丞 丕賱鬲賷 賷丿毓賵賳賴丕 賮賷 丕賱亘乇丕夭賷賱 " 廿乇爻丕賱 丕賱胤賮賱 賱卮乇丕亍 丕賱丨賱賵賶 " 賵 鬲鬲賱禺氐 賴匕賴 丕賱胤乇賷賯丞 賮賷 丕賱匕賴丕亘 廿賱賶 亘賷鬲 丕賱丿毓丕乇丞 亘乇爻丕賱丞 賲睾賱賮丞 鬲兀賲乇 賲賳 賷毓孬乇 毓賱賷賴丕 亘丕賲鬲胤丕亍 丕賱氐亘賷 . 鬲丨丿孬 兀賷囟丕賸 毓賳 賲賷乇賷丿賷孬 夭賵噩丞 賲丕乇賰賷夭 丕賱鬲賷 丕禺鬲丕乇賴丕 賮賷 爻賳賴丕 丕賱鬲丕爻毓丞 賵 賱賲丕 賷賰賳 賯丿 亘賱睾 丕賱毓卮乇賷賳 亘毓丿 ! 氐丿丕賯丕鬲賴 丕賱兀丿亘賷丞 賵 禺賱丕賮丕鬲賴 兀賷囟丕賸 賲毓 丕賱賰亘丕乇 賮賵賳鬲賷爻 貙 賷賵爻丕 賵 賳賷乇賵丿丕 賵 鬲丨丿孬 亘卮賰賱 賲胤賵賱 毓賳 氐丿丕賯鬲賴 丕賱鬲賷 丕賲鬲丿鬲 賱毓賯賵丿 賲毓 丕賱賲孬賷乇 賱賱噩丿賱 丿賵賲丕賸 賰丕爻鬲乇賵 . 丿乇丕爻丞 丕賱賯丕賳賵賳 丕賱鬲賷 賱賲 賷賲囟 賮賷賴丕 兀賰孬乇 賲賳 爻賳鬲賷賳 賵 毓賲賱賴 亘丕賱氐丨丕賮丞 賵 鬲兀賷賷丿賴 賱賱孬賵乇丕鬲 - 毓賱賶 禺噩賱 兀丨賷丕賳丕賸 - 賵 毓賲賱賴 丨鬲賶 亘丕賱賲噩賱丕鬲 丕賱兀爻乇賷丞 丕賱賲禺鬲氐丞 亘丕賱胤亘禺 賵 賲賳 孬賲 賵賱毓賴 亘丕賱爻賷賳賲丕 賵 賳噩丕丨丕鬲賴 丕賱氐睾乇賶 賴賳丕賰 . 賲丕乇賰賷夭 賵 賴賵 賷鬲丨丿孬 廿賱賶 賲賷乇賷丿賷孬 毓卮賷丞 夭賵丕噩賴 賲賳賴丕 賲賮氐丨丕賸 毓賳 賲卮丕乇賷毓賴 丕賱鬲賷 賷鬲氐丿乇賴丕 賰鬲丕亘丞 鬲丨賮丞 兀丿亘賷丞 賮賷 丕賱兀乇亘毓賷賳 賲賳 毓賲乇賴 賵 賯丿 賮毓賱賴丕 丨賷賳 丨胤賲鬲 乇丕卅毓鬲賴 " 賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 " 丕賱賲亘賷毓丕鬲 賮賷 丕賱賯丕乇丞 丕賱賱丕鬲賷賳賷丞 賵 丨賲賱鬲賴 廿賱賶 丕賱爻賵賷丿 賲爻噩賱丕賸 丕爻賲賴 賰兀氐睾乇 賲賳 賮丕夭 亘賳賵亘賱 . 兀賵賵賵賴 賴賳丕賰 丕賱賰孬賷乇 賲賳 丕賱兀爻乇丕乇 賵 賱丕 兀爻鬲胤賷毓 賰賲丕 賱丕 兀賵丿 亘兀賲丕賳丞 兀賳 兀禺亘乇賰賲 亘賴丕 . 賲丕 兀賮賰乇 賮賷賴 丕賱丌賳 兀賳 兀賯乇兀 賲丕賰賵賳丿賵 賲乇丞 兀禺乇賶 .
丨賷賳賲丕 乇丕賵丿 丕賱丿賰鬲賵乇 賲丕乇鬲賳 賴丕噩爻 丕賱賰鬲丕亘丞 毓賳 賲丕乇賰賷夭 丨匕乇賴 丕賱賰孬賷乇 兀賳 睾丕亘乇賷賷賱 兀賵 睾丕亘賵 兀賵 睾丕亘賷鬲賵 - 賵 丕賱丕爻賲 丕賱丨丕賮 賷丿毓賵賴 亘賴 氐丿賷賯賴 丕賱丿賰鬲丕鬲賵乇 賮賷丿賱 賰丕爻鬲乇賵 亘賷賳賲丕 賷丿毓賵賴 丕賱兀氐丿賯丕亍 亘睾丕亘賵 賵 睾丕亘賷鬲賵 - 爻賵賮 賱賳 賷亘丿賷 丕賱賰孬賷乇 賲賳 丕賱鬲乇丨賷亘 賵 賯丿 丨丿孬 匕賱賰 毓賳丿賲丕 兀噩丕亘 賲丕乇賰賷夭 賲鬲爻丕卅賱丕賸 賴賱 賱丕卅賲鬲 丕賱爻賷乇丞 丕賱匕丕鬲賷丞 爻賵賶 丕賱賲賵鬲賶 責 兀禺亘乇賴 亘毓丿 匕賱賰 兀賳賴 賱賳 賷毓鬲乇囟 胤乇賷賯賴 賵 賮賷 賳賮爻 丕賱賵賯鬲 爻賵賮 賱賳 賷爻丕毓丿賴 賮賷 賰鬲丕亘丞 爻賷乇鬲賴 ! 賵 賴匕丕 賲丕 噩毓賱 賱賱爻賷乇丞 孬賲賳丕賸 亘丕賴馗丕賸 賯賵丕賲賴 17 爻賳丞 賲賳 毓賲乇 丕賱賰丕鬲亘 賵 丕賱匕賷 賱賲 賷兀亘賴 亘匕賱賰 丕賱孬賲賳 丨賷賳 賯丕賱 : 賱賷爻 賲賳 丕賱禺胤兀 兀賳 賷氐乇賮 兀丨丿賴賲 乇亘毓 毓賲乇賴 賮賷 賴匕丕 丕賱賰賵賱賵賲亘賷 睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭.
廿賳 爻賷乇丞 禺丕賱賷丞 賲賳 丕賱禺夭賷 賱丕 賷賲賰賳 丕賱賵孬賵賯 亘賴丕 毓賱賶 乇兀賷 兀丨丿賴賲 賵 丕賱賰丕鬲亘 賵 廿賳 賰丕賳 兀丨丿 毓卮丕賯 賲丕乇賰賷夭 賮賴賵 賱賲 賷鬲毓賲丿 廿禺賮丕亍 兀禺胤丕亍 賲丕乇賰賷夭 賵 賯丿 鬲賯氐賶 丨賷丕鬲賴 亘卮賰賱 賲乇囟賷 - 亘囟賲 丕賱賲賷賲 賵 賮鬲丨賴丕 - 丨賷賳 鬲鬲亘毓 丕賱兀毓丿丕丿 賵 丕賱乇爻丕卅賱 賵 丕賱賲噩賱丕鬲 賵 爻丕賮乇 廿賱賶 賰孬賷乇 賲賳 丕賱丿賵賱 賵 賯丕亘賱 丕賱毓卮乇丕鬲 賲賳 丕賱兀卮禺丕氐 賵 賯囟賶 賲毓 賲丕乇賰賷夭 賮賯胤 賲丕 賷夭賷丿 毓賳 700 爻丕毓丞 賲賳 兀噩賱 賴匕丕 丕賱賰鬲丕亘 . 賲丕 賷賲賷夭 賴匕丕 丕賱賰鬲丕亘 亘丕賱廿囟丕賮丞 廿賱賶 丕賱丨賷丕丿賷丞 賵 鬲丨乇賷 丕賱氐丿賯 賴賵 兀賳賴 毓賳 賲丕乇賰賷夭 丕賱廿賳爻丕賳 賵 丕賱兀丿賷亘 賮賴賵 賱丕 賷睾賮賱 賮賷 賰賱 賲乇丨賱丞 賲賳 丕賱賲乇丕丨賱 丕賱鬲賷 毓亘乇賴丕 丕賱賰丕鬲亘 丕賱兀爻胤賵乇賷 丕賱賰孬賷乇 賲賳 丕賱鬲賮丕氐賷賱 . 賷匕賰乇賳丕 亘噩丿 賲丕乇賰賷夭 賵 賴賵 亘丕賱賲賳丕爻亘丞 丕賱乇噩賱 丕賱兀賰孬乇 鬲兀孬賷乇丕賸 賮賷 丨賷丕鬲賴 賵 賯丿 賯囟賶 賳丨亘賴 丨賷賳 丕乇鬲賯賶 丕賱爻賱賲 賲賳 兀噩賱 廿丨囟丕乇 丕賱亘亘睾丕亍 賵 賴賰匕丕 丕禺鬲丕乇 賲丕乇賰賷夭 賱賱丿賰鬲賵乇 禺賵賮賷賳丕賱 兀賵乇亘賷賳賷賵 兀賳 賷睾丕丿乇 丕賱丨賷丕丞 賮賷 乇丕卅毓鬲賴 " 丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕 " . 賷匕賰乇賳丕 兀賷囟丕賸 亘丕賳丨乇丕賮 賵丕賱丿賴 賵 廿賳噩丕亘賴 丕賱賰孬賷乇 賲賳 丕賱兀胤賮丕賱 丕賱卮乇毓賷賷賳 賵 睾賷乇 丕賱卮乇毓賷賷賳 賲賲丕 爻亘亘 賱賲丕乇賰賷夭 鬲賱賰 丕賱氐丿賲丞 丕賱賰亘乇賶 賵 丕賱鬲賷 賷鬲囟丨 兀孬乇賴丕 噩賱賷丕賸 賮賷 乇丕卅毓鬲賴 " 賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 " 賱賱丿乇噩丞 丕賱鬲賷 鬲囟胤乇 賮賷賴丕 賱賱毓賵丿丞 亘毓丿 丕賱氐賮丨丕鬲 丕賱兀賵賱賶 賱賱賯乇丕亍丞 賲賳 噩丿賷丿 亘鬲乇賰賷夭 兀賰亘乇 賵 丕賱賰丕鬲亘 賰丕賳 丨乇賷氐丕賸 毓賱賶 丕賱鬲匕賰賷乇 亘兀氐賱 賰賱 卮禺氐賷丞 賰亘賷乇丞 賮賷 乇賵丕賷丕鬲 賲丕乇賰賷夭 賵 賱賲 賷賴賲賱 兀賷囟丕賸 兀賮賰丕乇 乇賵丕賷丕鬲賴 賵 賲賳 賷馗賳 兀賳 賲丕乇賰賷夭 毓丕卮 丨賷丕丞賸 爻賴賱丞 賲乇氐賮丞 亘丕賱賵乇丿 賮賴賵 賷禺胤賷亍 賰孬賷乇丕賸 賮丕賱賰賵賱賵賲亘賷 兀賵賱丕賸 賲丕 賰丕賳 賱賴 兀賳 賷氐賱 廿賱賶 賲丕 賵氐賱 廿賱賷賴 賱賵 亘賯賷 賮賷 亘賱丿賴 丕賱兀賲 ! 賲夭賲丕乇 丕賱丨賷 賱丕 賷胤乇亘 賵 賯丿 毓丕卮 夭賲賳丕賸 賱丕 亘兀爻 亘賴 毓賱賶 氐丿賯丕鬲 丕賱兀氐丿賯丕亍 賵 鬲毓丕胤賮賴賲 賵 賯丿 乇丿賾 丕賱丿賷賳 賮賷賲丕 亘毓丿 . 鬲丨丿孬 兀賷囟丕賸 毓賳 賲丕乇賰賷夭 賵 賮賯丿丕賳賴 毓匕乇賷鬲賴 亘丕賱胤乇賷賯丞 丕賱賱丕鬲賷賳賷丞 丕賱鬲賷 賷丿毓賵賳賴丕 賮賷 丕賱亘乇丕夭賷賱 " 廿乇爻丕賱 丕賱胤賮賱 賱卮乇丕亍 丕賱丨賱賵賶 " 賵 鬲鬲賱禺氐 賴匕賴 丕賱胤乇賷賯丞 賮賷 丕賱匕賴丕亘 廿賱賶 亘賷鬲 丕賱丿毓丕乇丞 亘乇爻丕賱丞 賲睾賱賮丞 鬲兀賲乇 賲賳 賷毓孬乇 毓賱賷賴丕 亘丕賲鬲胤丕亍 丕賱氐亘賷 . 鬲丨丿孬 兀賷囟丕賸 毓賳 賲賷乇賷丿賷孬 夭賵噩丞 賲丕乇賰賷夭 丕賱鬲賷 丕禺鬲丕乇賴丕 賮賷 爻賳賴丕 丕賱鬲丕爻毓丞 賵 賱賲丕 賷賰賳 賯丿 亘賱睾 丕賱毓卮乇賷賳 亘毓丿 ! 氐丿丕賯丕鬲賴 丕賱兀丿亘賷丞 賵 禺賱丕賮丕鬲賴 兀賷囟丕賸 賲毓 丕賱賰亘丕乇 賮賵賳鬲賷爻 貙 賷賵爻丕 賵 賳賷乇賵丿丕 賵 鬲丨丿孬 亘卮賰賱 賲胤賵賱 毓賳 氐丿丕賯鬲賴 丕賱鬲賷 丕賲鬲丿鬲 賱毓賯賵丿 賲毓 丕賱賲孬賷乇 賱賱噩丿賱 丿賵賲丕賸 賰丕爻鬲乇賵 . 丿乇丕爻丞 丕賱賯丕賳賵賳 丕賱鬲賷 賱賲 賷賲囟 賮賷賴丕 兀賰孬乇 賲賳 爻賳鬲賷賳 賵 毓賲賱賴 亘丕賱氐丨丕賮丞 賵 鬲兀賷賷丿賴 賱賱孬賵乇丕鬲 - 毓賱賶 禺噩賱 兀丨賷丕賳丕賸 - 賵 毓賲賱賴 丨鬲賶 亘丕賱賲噩賱丕鬲 丕賱兀爻乇賷丞 丕賱賲禺鬲氐丞 亘丕賱胤亘禺 賵 賲賳 孬賲 賵賱毓賴 亘丕賱爻賷賳賲丕 賵 賳噩丕丨丕鬲賴 丕賱氐睾乇賶 賴賳丕賰 . 賲丕乇賰賷夭 賵 賴賵 賷鬲丨丿孬 廿賱賶 賲賷乇賷丿賷孬 毓卮賷丞 夭賵丕噩賴 賲賳賴丕 賲賮氐丨丕賸 毓賳 賲卮丕乇賷毓賴 丕賱鬲賷 賷鬲氐丿乇賴丕 賰鬲丕亘丞 鬲丨賮丞 兀丿亘賷丞 賮賷 丕賱兀乇亘毓賷賳 賲賳 毓賲乇賴 賵 賯丿 賮毓賱賴丕 丨賷賳 丨胤賲鬲 乇丕卅毓鬲賴 " 賲丕卅丞 毓丕賲 賲賳 丕賱毓夭賱丞 " 丕賱賲亘賷毓丕鬲 賮賷 丕賱賯丕乇丞 丕賱賱丕鬲賷賳賷丞 賵 丨賲賱鬲賴 廿賱賶 丕賱爻賵賷丿 賲爻噩賱丕賸 丕爻賲賴 賰兀氐睾乇 賲賳 賮丕夭 亘賳賵亘賱 . 兀賵賵賵賴 賴賳丕賰 丕賱賰孬賷乇 賲賳 丕賱兀爻乇丕乇 賵 賱丕 兀爻鬲胤賷毓 賰賲丕 賱丕 兀賵丿 亘兀賲丕賳丞 兀賳 兀禺亘乇賰賲 亘賴丕 . 賲丕 兀賮賰乇 賮賷賴 丕賱丌賳 兀賳 兀賯乇兀 賲丕賰賵賳丿賵 賲乇丞 兀禺乇賶 .
August 18, 2009
Amazing, just amazing. Gerald Martin kept me reading, barely able to put this book down. I must, however, warn that this remarkable book is probably aimed for a couple of special audiences: First,the readers who are big fans of Garcia Marquez and who have read many of his works. I am one of those. I was intrigued by the many insights that Martin gave into the writings of this Nobel prize-winning author, and the experiences that led him to writing his magical realism stories. Second, the readers who are interested in Latin American politics. Garcia Marquez was a life-long socialist and close friend of Fidel Castro of Cuba and Marcos Perez Jimenez of Venezuela, as well as other world leaders of the left, becoming increasingly embroiled and influential in socialist politics as his fame grew. Gerald Martin has written an account so detailed that I am sure it will be a classic reference for both of these audiences.
March 23, 2017
鈥淎 good writer will go on writing even though his shoes need mending and his books don鈥檛 sell鈥� - an inspiring quote to sustain one through this huge book that traces Gabriel Garcia Marquez鈥檚 life from childhood to his sunset years. I thought it could have been subtitled 鈥淗ow to win the Nobel Prize when you come from the sticks.鈥�
Garcia Marquez (Gabo) lived in interesting times: through the rise and fall of Communism, through the rise and fall of the Violencia in his country, through the rise and fall of the drug cartels that don鈥檛 quite fall but seem to re-incarnate elsewhere in Latin America. He emerged during the Latin American Boom in literature along with Mario Vargas Llosa, Carlos Fuentes, Julio Cortaza and others, and rode that wave. His native Colombia was ruled by oligopolies that either supported the Conservatives or the Liberals, the only two political parties with clout in the country while the rest of Latin America was going socialist or communist. There was a geographic and cultural separation between the elites who lived in Colombia鈥檚 Andean capital, Bogota, and those who lived in the hot Caribbean Costa, Gabo鈥檚 playing ground, and he flipped back and forth between these two extremes many times.
His childhood and youth is the most interesting part of the book, for it illuminates what created this writer. He was the neglected oldest child, of a family of 11 children (15, if you count the illegitimate ones) raised by grandparents, in a place where families often had breeds of legitimate and illegitimate children living under the same roof. His father was a compulsive rake who was always struggling to get by and who re-invented himself in many jobs, finally using the title of 鈥淒r.鈥� Although his father wanted him to become a lawyer, Gabo was drawn to writing from a young age. He went through the typical writer鈥檚 grounding: a brutally rejected first novel; a journalistic career which initially paid a pittance before vaulting him into launching his own literary and political journals; living in different Latin countries from Spain, France, Mexico, Venezuela, Cuba, and in both regions of Colombia. When the novel that he risked everything for (food, shelter, belongings, even family), One Hundred Years of Solitude, hit the jackpot, his life changed from starving writer to literary star. The biography also takes a different trajectory from this point and focuses on Gabo鈥檚 growing influence, helped by his literary success, as a political middleman, often seen at the side of kings and presidents around the world. A traditionally shy man, he used his fame for effect, both to elevate his status as a writer and to further the causes he believed in. He particularly fought on the side of leftist dictators like Castro and was opposed to right-wing types like Pinochet. There is no doubt that his political connections earned him the Nobel, but then we have always questioned the symbolism that the Nobel represents: is it recognition in a field of endeavour, or is it a political statement pinned to a recipient who can give that message maximum mileage?
The book therefore teaches us two things: the evolution of Latin America from the 1920s to the turn of the 21st century, and the evolution of Gabo as a writer during that same period. Author Gerald Martin is careful to keep the focus mainly on Garcia Marquez the writer rather than on Garcia Marquez the politician, although one persona feeds the other and vice versa. As a writer we see Gabo鈥檚 focus being to draw material for his fiction from his life experiences, although his delivery is termed magic realism. Thus Macondo is his home town of Aracataca, the Patriarch is a fusion of Fidel Castro and himself, the Colonel is Gabo鈥檚 grandfather, the lovers in Love in the Time of Cholera are his parents, and so on. He also has a flirtation with cinema by writing and producing many forgettable movies that earn him a decent living but convinces him that script writing is a shallow art form over which he has no control. Thus after this foray, and many others that include politics and political journalism, he always returns to his literary writing where he is happiest.
Many people die in this book, of natural causes and by assassination. Gabo鈥檚 own writings -鈥淔reedom of the press is only freedom of the bourgeoisie鈥�- against capitalism, American imperialism, and Colombian cartels, and his passionate defence of friend Fidel Castro make him a target, and when he returns to live in Colombia he is provided with a government bodyguard that rotates roughly 60 personnel during his sojourn there. He is even floored by a punch from former friend Mario Vargas Llosa in a public place. For a man who wrote continuously about death, who walked in its shadow during the times of the Violencia and PabloEscobar, and who beat cancer twice, Garcia Marquez always lived in the fear of death.
His post-Nobel life, after the whirlwind of adulation and homage, continues with winning books like Autumn of the Patriarch, Chronicle of a Death Foretold and Life in the Time of Cholera, but literary greats are also fallible, and he succumbs to the family curse: the onset of dementia. The edge goes out in subsequent work, and in his last, Memories of my Melancholy Whores, it starts to become visible - a pity because Melancholy Whores is his most personal, the story of a 90-year old man trying to regain the innocence of youth that was robbed off him by an older woman at the time; his answer: consort with a teenage girl. It was as if the aging Gabo was trying to recapture his innocence which was lost when his wily father had initiated him to sex in a whorehouse at the hands of an older prostitute.
The last chapter, in which Gabo reaches for immortality, is a bit much, and reads like his own magic realism. On the one hand it is a tribute to the literary hero who has bought the rich and powerful in the world to heel, on the other it sounds like sycophantic worship of a man elevated to Godhood, a fallible man who simply loved to write stories and hobnob with politicians to further his career.
A great book for aspiring writers to understand where the consummate artist can sometimes end up. It may not happen again in our lifetime, but it is refreshing to know that it did happen, and perhaps, with the right conditions and circumstances, could happen again.
Garcia Marquez (Gabo) lived in interesting times: through the rise and fall of Communism, through the rise and fall of the Violencia in his country, through the rise and fall of the drug cartels that don鈥檛 quite fall but seem to re-incarnate elsewhere in Latin America. He emerged during the Latin American Boom in literature along with Mario Vargas Llosa, Carlos Fuentes, Julio Cortaza and others, and rode that wave. His native Colombia was ruled by oligopolies that either supported the Conservatives or the Liberals, the only two political parties with clout in the country while the rest of Latin America was going socialist or communist. There was a geographic and cultural separation between the elites who lived in Colombia鈥檚 Andean capital, Bogota, and those who lived in the hot Caribbean Costa, Gabo鈥檚 playing ground, and he flipped back and forth between these two extremes many times.
His childhood and youth is the most interesting part of the book, for it illuminates what created this writer. He was the neglected oldest child, of a family of 11 children (15, if you count the illegitimate ones) raised by grandparents, in a place where families often had breeds of legitimate and illegitimate children living under the same roof. His father was a compulsive rake who was always struggling to get by and who re-invented himself in many jobs, finally using the title of 鈥淒r.鈥� Although his father wanted him to become a lawyer, Gabo was drawn to writing from a young age. He went through the typical writer鈥檚 grounding: a brutally rejected first novel; a journalistic career which initially paid a pittance before vaulting him into launching his own literary and political journals; living in different Latin countries from Spain, France, Mexico, Venezuela, Cuba, and in both regions of Colombia. When the novel that he risked everything for (food, shelter, belongings, even family), One Hundred Years of Solitude, hit the jackpot, his life changed from starving writer to literary star. The biography also takes a different trajectory from this point and focuses on Gabo鈥檚 growing influence, helped by his literary success, as a political middleman, often seen at the side of kings and presidents around the world. A traditionally shy man, he used his fame for effect, both to elevate his status as a writer and to further the causes he believed in. He particularly fought on the side of leftist dictators like Castro and was opposed to right-wing types like Pinochet. There is no doubt that his political connections earned him the Nobel, but then we have always questioned the symbolism that the Nobel represents: is it recognition in a field of endeavour, or is it a political statement pinned to a recipient who can give that message maximum mileage?
The book therefore teaches us two things: the evolution of Latin America from the 1920s to the turn of the 21st century, and the evolution of Gabo as a writer during that same period. Author Gerald Martin is careful to keep the focus mainly on Garcia Marquez the writer rather than on Garcia Marquez the politician, although one persona feeds the other and vice versa. As a writer we see Gabo鈥檚 focus being to draw material for his fiction from his life experiences, although his delivery is termed magic realism. Thus Macondo is his home town of Aracataca, the Patriarch is a fusion of Fidel Castro and himself, the Colonel is Gabo鈥檚 grandfather, the lovers in Love in the Time of Cholera are his parents, and so on. He also has a flirtation with cinema by writing and producing many forgettable movies that earn him a decent living but convinces him that script writing is a shallow art form over which he has no control. Thus after this foray, and many others that include politics and political journalism, he always returns to his literary writing where he is happiest.
Many people die in this book, of natural causes and by assassination. Gabo鈥檚 own writings -鈥淔reedom of the press is only freedom of the bourgeoisie鈥�- against capitalism, American imperialism, and Colombian cartels, and his passionate defence of friend Fidel Castro make him a target, and when he returns to live in Colombia he is provided with a government bodyguard that rotates roughly 60 personnel during his sojourn there. He is even floored by a punch from former friend Mario Vargas Llosa in a public place. For a man who wrote continuously about death, who walked in its shadow during the times of the Violencia and PabloEscobar, and who beat cancer twice, Garcia Marquez always lived in the fear of death.
His post-Nobel life, after the whirlwind of adulation and homage, continues with winning books like Autumn of the Patriarch, Chronicle of a Death Foretold and Life in the Time of Cholera, but literary greats are also fallible, and he succumbs to the family curse: the onset of dementia. The edge goes out in subsequent work, and in his last, Memories of my Melancholy Whores, it starts to become visible - a pity because Melancholy Whores is his most personal, the story of a 90-year old man trying to regain the innocence of youth that was robbed off him by an older woman at the time; his answer: consort with a teenage girl. It was as if the aging Gabo was trying to recapture his innocence which was lost when his wily father had initiated him to sex in a whorehouse at the hands of an older prostitute.
The last chapter, in which Gabo reaches for immortality, is a bit much, and reads like his own magic realism. On the one hand it is a tribute to the literary hero who has bought the rich and powerful in the world to heel, on the other it sounds like sycophantic worship of a man elevated to Godhood, a fallible man who simply loved to write stories and hobnob with politicians to further his career.
A great book for aspiring writers to understand where the consummate artist can sometimes end up. It may not happen again in our lifetime, but it is refreshing to know that it did happen, and perhaps, with the right conditions and circumstances, could happen again.
November 10, 2022
丕蹖賳 讴鬲丕亘 乇賵 亘賴賲賳 賮乇夭丕賳賴 爻丕賱 郾鄢酃郾 鬲賵爻胤 賳卮乇 賯賯賳賵爻 鬲乇噩賲賴 賵 倬禺卮 讴乇丿賴貙賲賳鬲賴蹖 丕蹖賳噩丕 賳夭丿蹖讴 鄯郯郯 氐賮丨賴 賴爻鬲 賵 鬲乇噩賲賴 趩丕倬 賯賯賳賵爻 鄢郯郯 氐賮丨賴貙丕賱亘鬲賴 乇賵蹖 噩賱丿 賳賵卮鬲賴 鬲乇噩賲賴 賵 鬲賱禺蹖氐 丕夭 亘賴賲賳 賮乇夭丕賳賴.
賳讴丕鬲蹖 噩丕賱亘 賵 丨賵丕卮蹖 丕夭 夭賳丿诏蹖 賳賵蹖爻賳丿賴 丿乇 賴賲蹖賳 讴鬲丕亘 賴爻鬲 讴賴 丿乇 讴鬲丕亘 夭賳丿賴 丕賲 讴賴 乇賵丕蹖鬲 讴賳賲 卮丕賴丿卮 賳蹖爻鬲蹖丿.(賳賵蹖爻賳丿賴郾鄣 爻丕賱 賵賯鬲 诏匕丕卮鬲賴 亘乇丕蹖 丕蹖賳 讴鬲丕亘).
丕賱亘鬲賴 丕蹖賳 讴鬲丕亘 亘毓丿 丕夭 丕蹖賳讴賴 鬲賲丕賲 讴鬲丕亘 賴丕蹖 賲丕乇讴夭 乇賵 禺賵丕賳丿蹖丿 亘禺賵丕賳蹖丿 丕诏乇 賳賴 賴賲賴 丕卮 丕爻倬賵蹖賱 賲蹖卮賴 亘乇丕鬲賵賳.
賳讴丕鬲蹖 噩丕賱亘 賵 丨賵丕卮蹖 丕夭 夭賳丿诏蹖 賳賵蹖爻賳丿賴 丿乇 賴賲蹖賳 讴鬲丕亘 賴爻鬲 讴賴 丿乇 讴鬲丕亘 夭賳丿賴 丕賲 讴賴 乇賵丕蹖鬲 讴賳賲 卮丕賴丿卮 賳蹖爻鬲蹖丿.(賳賵蹖爻賳丿賴郾鄣 爻丕賱 賵賯鬲 诏匕丕卮鬲賴 亘乇丕蹖 丕蹖賳 讴鬲丕亘).
丕賱亘鬲賴 丕蹖賳 讴鬲丕亘 亘毓丿 丕夭 丕蹖賳讴賴 鬲賲丕賲 讴鬲丕亘 賴丕蹖 賲丕乇讴夭 乇賵 禺賵丕賳丿蹖丿 亘禺賵丕賳蹖丿 丕诏乇 賳賴 賴賲賴 丕卮 丕爻倬賵蹖賱 賲蹖卮賴 亘乇丕鬲賵賳.
January 30, 2013
Gerald Martin has taken on an outsized task in this book which defines Gabriel Garcia Marquez's long and complex life and his resulting outlook. It is obviously a labor of love, spanning almost 20 years.
The work is chronological, tracking his life and its synergistic literary output. Martin shows how GGM's novels illustrate the scenes, people and tenor of his unusual youth in a politically unstable county. GGM pulls from the experience of his home region which he never really leaves despite long departures and the purchase of foreign residences. He essentially marries the region in marrying Mercedes to whom he proposed in their adolescence. Despite their pre-marital differences in life experience, the marriage worked and still holds together after 50 years. Like the marriage, his life takes long and circuitous routes back home.
Martin takes the reader through what might be GGM's deepest thoughts as expressed through his novels and political writing. The saga covers continents and powerful international events. Over time, the early passion for socialism peels away. It is not expressed in words, but what else can be made of GGM having dictator friends who imprison and/or execute his intellectual colleagues? There is no real answer as to why he tolerates these leaders who trample on human rights, sometimes with their bank accounts full of the country's money. GGM points to the few he's used his influence to save, but the argument is weak considering the enormity of the rights violations of these leaders whom he supports.
There are many episodes that could be their own books (some have extensive treatment elsewhere as noted by Martin). A few are: his travels behind the Iron Curtain, the saga of the Nobel Prize, the Castro relationship, and the affect of his fame on his country, region and family.
The reader benefits not only from Martin's extensive research, but also from his understanding of Latin America and his specific knowledge of 20th century Colombian events. For the reader there are lots of names to lose track of, I was grateful for the index.
Several years ago GGM put his pen to the topic of his childhood and youth in "Living to Tell the Tale". The autobiography, like his novels, is atmospheric and metaphoric (Martin demonstrates that even the title is so). If you plan on reading it, I advise that you read Martin's biography first for orientation. If GGM's originally promised volumes 2 and 3 are ever produced (doubtful, given Martin's final chapters) Martin would be a good preparatory read for them as well.
I highly recommend this book for anyone with an interest in Gabriel Garcia Marquez.
The work is chronological, tracking his life and its synergistic literary output. Martin shows how GGM's novels illustrate the scenes, people and tenor of his unusual youth in a politically unstable county. GGM pulls from the experience of his home region which he never really leaves despite long departures and the purchase of foreign residences. He essentially marries the region in marrying Mercedes to whom he proposed in their adolescence. Despite their pre-marital differences in life experience, the marriage worked and still holds together after 50 years. Like the marriage, his life takes long and circuitous routes back home.
Martin takes the reader through what might be GGM's deepest thoughts as expressed through his novels and political writing. The saga covers continents and powerful international events. Over time, the early passion for socialism peels away. It is not expressed in words, but what else can be made of GGM having dictator friends who imprison and/or execute his intellectual colleagues? There is no real answer as to why he tolerates these leaders who trample on human rights, sometimes with their bank accounts full of the country's money. GGM points to the few he's used his influence to save, but the argument is weak considering the enormity of the rights violations of these leaders whom he supports.
There are many episodes that could be their own books (some have extensive treatment elsewhere as noted by Martin). A few are: his travels behind the Iron Curtain, the saga of the Nobel Prize, the Castro relationship, and the affect of his fame on his country, region and family.
The reader benefits not only from Martin's extensive research, but also from his understanding of Latin America and his specific knowledge of 20th century Colombian events. For the reader there are lots of names to lose track of, I was grateful for the index.
Several years ago GGM put his pen to the topic of his childhood and youth in "Living to Tell the Tale". The autobiography, like his novels, is atmospheric and metaphoric (Martin demonstrates that even the title is so). If you plan on reading it, I advise that you read Martin's biography first for orientation. If GGM's originally promised volumes 2 and 3 are ever produced (doubtful, given Martin's final chapters) Martin would be a good preparatory read for them as well.
I highly recommend this book for anyone with an interest in Gabriel Garcia Marquez.
October 8, 2015
鈥炐澬秆壭� 薪懈泻芯谐邪 薪褟屑邪 写邪 械 褋褗褖芯褌芯 胁 袥邪褌懈薪褋泻邪 袗屑械褉懈泻邪 褋谢械写 锌褍斜谢懈泻邪褑懈褟褌邪 薪邪 鈥炐⊙傂� 谐芯写懈薪懈 褋邪屑芯褌邪鈥�.
袣邪泻胁芯 蟹邪褕械屑械褌褟胁邪褖芯 胁褗蟹写械泄褋褌胁懈械 屑懈 芯泻邪蟹邪 褌邪蟹懈 泻薪懈谐邪! 袦芯卸械 斜懈 薪械 蟹邪褉邪写懈 褋邪屑芯褌芯 褋褗写褗褉卸邪薪懈械, 邪 锌褉械写懈屑薪芯 蟹邪褉邪写懈 锌褉懈锌芯屑薪褟薪械褌芯 薪邪 胁褋懈褔泻懈 锌褉芯懈蟹胁械写械薪懈褟 薪邪 袦邪褉泻械褋 鈥� 褌械 褋邪 芯锌懈褟薪褟胁邪褖懈褌械. 袧械 蟹邪锌芯褔薪邪褏 写邪 褔械褌邪 薪褟泻芯褟 泻芯薪泻褉械褌薪邪 泻薪懈谐邪, 薪芯 褋懈 褋锌芯屑薪褟褏 褋褗斜懈褌懈褟 懈 谐械褉芯懈, 褌褗褉褋懈褏 芯褌泻褗褋懈 懈 锌褉械锌懈褋胁邪褏 薪芯胁懈.
袧褟泻芯懈 胁锌械褔邪褌谢械薪懈褟 胁 褌懈褉械薪褑邪:
- 袞懈胁芯褌-褏邪芯褋 蟹邪褉邪写懈 斜械蟹斜褉芯泄薪懈褌械 锌褗褌褍胁邪薪懈褟 懈 屑械褋褌械薪懈褟 鈥� 薪械 褋邪屑芯 锌芯褉邪写懈 邪薪谐邪卸懈屑械薪褌懈褌械 懈 锌芯褌褉械斜薪芯褋褌懈褌械 薪邪 褋胁芯斜芯写薪邪褌邪 锌懈褋邪褌械谢褋泻邪 薪邪褌褍褉邪, 薪芯 懈 蟹邪褉邪写懈 薪械谐芯胁邪褌邪 鈥炑傃€褍写薪邪鈥� 褉芯写懈薪邪, 邪 屑芯卸械 斜懈 懈 锌芯谢懈褌懈褔械褋泻懈褌械 褍斜械卸写械薪懈褟 薪邪 袚邪褉褋懈褟 袦邪褉泻械褋 (褋邪屑芯 褌邪泻邪 谐芯 薪邪褉懈褔邪 袛卸械褉邪谢写 袦邪褉褌懈薪). 袛芯泻芯谢泻芯褌芯 蟹邪锌芯屑薪懈褏, 袦邪褉泻械褋 械 卸懈胁褟谢 胁 薪褟泻芯谢泻芯 谐褉邪写邪 胁 袣芯谢褍屑斜懈褟, 胁褗胁 袙械薪械褋褍械谢邪, 胁 袦械泻褋懈泻芯 小懈褌懈, 袧褞 袡芯褉泻, 袩邪褉懈卸, 袥芯薪写芯薪, 袘邪褉褋械谢芯薪邪鈥�
- 袩褍泻胁邪薪械褌芯 薪邪 泻芯屑褍薪懈褋褌懈褔械褋泻懈褟 斜邪谢芯薪 锌褉械蟹 1989 谐.
鈥炐澬敌垦€懈蟹薪邪褌 芯褌 薪械谐芯 芯褋褌邪胁邪 褎邪泻褌褗褌, 褔械 胁褗锌褉芯褋薪邪褌邪 薪芯胁邪 械锌芯褏邪 褋懈屑胁芯谢懈蟹懈褉邪 懈 锌芯褉邪卸械薪懈械褌芯 薪邪 胁褋懈褔泻芯, 胁 泻芯械褌芯 械 胁褟褉胁邪谢.鈥�
袧械 蟹薪邪褟 写邪谢懈 锌芯 褋胁械褌邪 懈屑邪 褌芯谢泻芯胁邪 锌芯褔懈褌邪薪邪 谢懈褔薪芯褋褌, 泻芯褟褌芯 械 锌褉械写邪薪 锌芯褋谢械写芯胁邪褌械谢 薪邪 褋芯褑懈邪谢懈褋褌懈褔械褋泻懈褌械/泻芯屑褍薪懈褋褌懈褔械褋泻懈褌械 懈写械懈; 屑懈褋谢褟, 褔械 褋邪屑芯 蟹邪褉邪写懈 谢懈褌械褉邪褌褍褉薪芯褌芯 褋懈 胁械谢懈褔懈械 褌芯胁邪 屑褍 械 鈥炐垦€芯褖邪胁邪薪芯鈥� 锌芯褔褌懈 芯褌 胁褋懈褔泻懈 锌芯褔懈褌邪褌械谢懈 (薪芯 薪械 芯褌 胁褋懈褔泻懈 芯斜褖械褋褌胁械薪懈 谢懈褔薪芯褋褌懈). 袨褔邪泻胁邪褏 写邪 薪邪褋褌褗锌懈 懈写械芯谢芯谐懈褔械褋泻芯 鈥炐狙佇残笛佈傃徯残靶叫碘€� 芯褖械 锌褉懈 锌褗褌褍胁邪薪懈褟褌邪 胁 泻芯屑褍薪懈褋褌懈褔械褋泻懈褌械 写褗褉卸邪胁懈 (懈 薪邪泄-胁械褔械 蟹邪褉邪写懈 校薪谐邪褉懈褟 鈥�56 懈 效械褏芯褋谢芯胁邪泻懈褟 鈥�68), 薪芯 薪械鈥�
- 袞械薪懈褌械 懈 胁械褔薪邪褌邪 袦械褉褋械写械褋!
鈥炐澬敌狙傂葱靶残叫�, 蟹邪锌懈褌邪薪 泻邪泻胁芯 芯褔邪泻胁邪 芯褌 写胁邪泄褋械褌 懈 锌褗褉胁懈 胁械泻, 褋褗锌褉褍谐褗褌 褲 芯褌胁褉褗褖邪, 褔械 褋械 薪邪写褟胁邪 卸械薪懈褌械 写邪 蟹邪胁谢邪写械褟褌 褋胁械褌邪, 蟹邪 写邪 褋锌邪褋褟褌 褔芯胁械褔械褋褌胁芯褌芯.鈥�
- 袩褗褉胁芯褌芯 褕邪褕胁邪薪械 芯褌 褎邪屑懈谢懈褟褌邪 鈥� 斜邪褖邪褌邪 薪邪 袚邪斜懈褌芯 械 懈屑邪谢 15 写械褑邪 (11 芯褌 褋褗锌褉褍谐邪褌邪 褋懈 懈 4 懈蟹胁褗薪斜褉邪褔薪懈); 褋懈谐褍褉薪芯 懈 写褟写芯 屑褍 褌芯谢泻芯胁邪 (懈屑邪 屑薪芯谐芯 锌芯谢械蟹薪懈 褋褏械屑懈 薪邪 褉芯写芯褋谢芯胁薪懈 写褗褉胁械褌邪 胁 泻褉邪褟 薪邪 泻薪懈谐邪褌邪). 袨褋胁械薪 胁 薪邪褔邪谢芯褌芯 懈 胁 泻褉邪褟 褉芯写懈褌械谢懈褌械 懈 斜褉邪褌褟褌邪/褋械褋褌褉懈褌械 薪邪 袦邪褉泻械褋 薪械 褋械 褋锌芯屑械薪邪胁邪褌 褔械褋褌芯 (屑芯卸械 斜懈 薪械 褋邪 褋械 蟹邪锌邪蟹懈谢懈 褌褉邪泄薪懈 胁褉褗蟹泻懈), 写械褑邪褌邪 薪邪 袚邪斜褉懈械谢 懈 袦械褉褋械写械褋 褋褗褖芯 薪械 褋械 褋锌芯屑械薪邪胁邪褌 褌芯谢泻芯胁邪, 写芯褋褌邪 锌褗褌褍胁邪褖懈 褉芯写懈褌械谢懈 褋邪 斜懈谢懈 (薪芯 褌邪泻邪 懈谢懈 懈薪邪褔械 薪械 懈褋泻邪褏 鈥炐堆娦谎傂扳€� 泻薪懈谐邪 蟹邪 褋褗胁褋械屑 谢懈褔薪懈褌械 薪械褖邪 薪邪 锌懈褋邪褌械谢褟).
袧褟泻芯懈 胁锌械褔邪褌谢械薪懈褟 胁 懈蟹褉械褔械薪懈褟:
袙 锌褗褉胁懈褌械 谐谢邪胁懈 褉邪蟹斜懈褉邪 褋械 薪邪泄-懈薪褌械褉械褋薪邪 屑懈 斜械褕械 懈蟹褍屑懈褌械谢薪邪褌邪 褎邪屑懈谢懈褟 薪邪 袦邪褉泻械褋 (泻邪泻 写邪 薪械 胁褗蟹薪懈泻薪械 褉芯写褗褌 袘褍械薪写懈褟!), 蟹邪褉邪卸写邪薪械褌芯 薪邪 锌芯谢懈褌懈褔械褋泻邪褌邪 芯褉懈械薪褌邪褑懈褟 薪邪 袚邪斜芯 懈 锌褗褉胁懈褌械 屑褍 谐芯写懈薪懈 胁 卸褍褉薪邪谢懈褋褌懈泻邪褌邪. 袧邪泄-谐芯谢褟屑 械薪褌褍褋懈邪蟹褗屑 胁褗胁 胁褉褗蟹泻邪 褋 锌懈褋邪褌械谢褋褌胁芯褌芯 屑械 芯斜蟹械 褔邪泻 泻褗屑 谐谢邪胁邪褌邪 蟹邪 鈥炐⊙傂� 谐芯写懈薪懈 褋邪屑芯褌邪鈥�. 袗泻芯 薪械 褋褗屑 胁褟褉胁邪谢邪 胁 薪褟泻邪泻胁懈 屑邪谐懈褔薪懈 懈蟹胁褗薪蟹械屑薪懈 褋懈谢懈, 褋械谐邪 薪邪懈褋褌懈薪邪 褋械 褍斜械卸写邪胁邪屑, 褔械 褌邪泻懈胁邪 褋邪 褋械 褋锌褍褋薪邪谢懈 薪邪写 邪胁褌芯褉邪 锌褉懈 锌懈褋邪薪械褌芯 薪邪 褌芯蟹懈 褉芯屑邪薪. 袙褗锌褉械泻懈 锌芯锌褍谢褟褉薪芯褋褌褌邪 懈 胁械谢懈褔懈械褌芯 鈥炐⊙傂� 谐芯写懈薪懈 褋邪屑芯褌邪鈥�, 写芯褋械谐邪 鈥炐曆佇敌窖傂� 薪邪 锌邪褌褉懈邪褉褏邪鈥� 褋屑褟褌邪褏 蟹邪 薪邪泄-胁懈褋褕邪 谢懈褌械褉邪褌褍褉薪邪 褍薪懈泻邪谢薪芯褋褌 (鈥炐澬感盒狙� 写褉褍谐邪 褌胁芯褉斜邪 薪邪 袚邪褉褋懈褟 袦邪褉泻械褋 写芯褉懈 薪械 写芯斜谢懈卸邪胁邪 薪械泄薪邪褌邪 褋谢芯卸薪芯褋褌 鈥� 薪邪胁褟褉薪芯 薪邪泄-写芯斜褉械 懈谢褞褋褌褉懈褉邪薪邪 芯褌 泻芯薪褌褉邪褋褌邪 屑械卸写褍 锌褉械谢褗褋褌懈褌械谢薪邪 泻褉邪褋芯褌邪 薪邪 锌芯械褌懈褔薪邪褌邪 芯斜褉邪蟹薪芯褋褌 薪邪 泻薪懈谐邪褌邪 懈 谐褉芯蟹芯褌邪褌邪 薪邪 褌械屑邪褌邪 胁 薪械褟.鈥�). 袧芯 褋械谐邪 薪邪薪芯胁芯 屑械 胁褉褗褏谢械褌褟 褋懈谢邪褌邪 薪邪 锌褗褉胁懈褟 褉芯屑邪薪. 携胁薪芯 懈 褋邪屑懈褟褌 袛卸械褉邪谢写 袦邪褉褌懈薪 械 褌芯谢泻芯胁邪 胁谢褞斜械薪 胁 小邪屑芯褌邪褌邪, 褔械 泻邪褌芯 锌懈褕械 蟹邪 薪械褟, 锌邪褌芯褋褗褌 屑褍 褋械 锌褉械薪械褋械 懈 胁褗褉褏褍 屑械薪. 效邪泻 褋褗卸邪谢懈褏, 褔械 褋褗屑 褟 褔械谢邪, 泻芯谐邪褌芯 芯褖械 薪械 褋褗屑 胁褗蟹锌褉懈械屑邪谢邪 泻薪懈谐懈褌械 胁 锌褗谢薪邪褌邪 懈屑 褑褟谢芯褋褌. 袗 写邪 褋械 褔械褌械 胁褌芯褉懈 锌褗褌 褌邪蟹懈 泻薪懈谐邪 鈥� 写邪, 屑芯卸械, 薪芯 芯薪芯胁邪 锌褗褉胁懈褔薪芯 褌褉褟褋胁邪薪械 胁械褉芯褟褌薪芯 薪褟屑邪 写邪 褋械 锌芯胁褌芯褉懈. 袦薪芯谐芯 薪械 懈褋泻邪屑 写邪 褉褗褋褟 鈥烇拷锟叫夹叫狙佈傂糕€�, 薪芯 薪邪懈褋褌懈薪邪 屑懈 褋械 褋褌褉褍胁邪, 褔械 懈屑械薪薪芯 褋褗褋 鈥炐⊙傂� 谐芯写懈薪懈 褋邪屑芯褌邪鈥� 袦邪褉泻械褋 械 锌芯谢懈褌薪邪谢 懈褋褌懈薪褋泻懈 蟹邪 锌褗褉胁懈 锌褗褌; 懈 褌芯泄 薪械 械 斜懈谢 褋褗褖懈褟褌 褋谢械写 褌芯胁邪.
鈥炐捫啃狙佇恍敌囱佈傂残感� 袚邪褉褋懈褟 袦邪褉泻械褋 褖械 褋懈 锌褉懈锌芯屑薪懈: 鈥炐炑� 锌褗褉胁懈褟 屑芯屑械薪褌, 写褗谢谐芯 锌褉械写懈 写邪 斜褗写械 锌褍斜谢懈泻褍胁邪薪邪, 泻薪懈谐邪褌邪 褍锌褉邪卸薪褟胁邪褕械 屑邪谐懈褔薪邪 褋懈谢邪 胁褗褉褏褍 胁褋械泻懈, 泻芯泄褌芯 锌芯 薪褟泻邪泻褗胁 薪邪褔懈薪 胁谢械蟹械褕械 胁 写芯褋械谐 褋 薪械褟; 锌褉懈褟褌械谢懈, 褋械泻褉械褌邪褉泻懈 懈 褌.薪.; 写芯褉懈 褏芯褉邪 泻邪褌芯 屑械褋邪褉褟 懈谢懈 薪邪褕懈褟 褏邪蟹褟懈薪, 泻芯懈褌芯 屑械 褔邪泻邪褏邪 写邪 褟 写芯胁褗褉褕邪, 蟹邪 写邪 懈屑 锌谢邪褌褟.鈥�
鈥炐炐毙恍敌貉囆敌叫感笛傂� 谐芯 蟹邪谢懈胁邪 薪邪 屑薪芯卸械褋褌胁芯 褉邪胁薪懈褖邪 芯褌 褋褌芯褌懈褑懈 褉邪蟹谢懈褔薪懈 锌芯褋芯泻懈, 蟹邪 写邪 褍褌邪谢芯卸懈 胁褋褟泻芯 褋褌褉邪写邪薪懈械, 胁褋褟泻芯 褌械褉蟹邪薪懈械, 胁褋懈褔泻懈 锌褉芯胁邪谢懈 懈 胁褋褟泻邪 褎褉褍褋褌褉邪褑懈褟 胁 薪械谐芯胁懈褟 卸懈胁芯褌; 褋胁芯斜芯写邪, 褋械斜械锌芯蟹薪邪薪懈械, 褋械斜械褍褌胁褗褉卸写邪胁邪薪械, 胁褗锌谢褗褌械薪懈 胁 褌芯胁邪 懈蟹泻谢褞褔懈褌械谢薪芯 褌胁芯褉械薪懈械, 泻芯械褌芯 褌芯泄 蟹薪邪械 鈥� 蟹薪邪械谢 械, 鈥� 褔械 屑芯卸械 写邪 械 褍薪懈泻邪谢薪邪, 胁械褉芯褟褌薪芯 斜械蟹褋屑褗褉褌薪邪 褌胁芯褉斜邪, 写芯褉懈 泻芯谐邪褌芯 蟹邪锌芯褔胁邪 写邪 褟 锌懈褕械, 懈 胁锌芯褋谢械写褋褌胁懈械, 写芯泻邪褌芯 褉邪斜芯褌懈 胁褗褉褏褍 褲 褋 褉邪褋褌褟褖芯 胁褗谢薪械薪懈械, 邪 褌褟 褋械 褋写芯斜懈胁邪 褋 胁械谢懈褔懈械褌芯 薪邪 褋邪屑芯写芯褋褌邪褌褗褔械薪 屑懈褌. 校褋械褖邪薪械褌芯, 褉邪蟹斜懈褉邪 褋械, 械 屑邪谐懈褔薪芯, 褋胁褉褗褏械褋褌械褋褌胁械薪芯, 械褍褎芯褉懈褔薪芯, 写芯褉懈 蟹邪 薪械谐芯, 写芯泻邪褌芯 谐芯 锌懈褕械; 邪 胁锌芯褋谢械写褋褌胁懈械 懈 蟹邪 薪械谐芯胁懈褌械 褔懈褌邪褌械谢懈. 孝芯 薪邪懈褋褌懈薪邪 胁褗锌谢褗褌褟胁邪 褌邪泄薪褋褌胁芯褌芯 薪邪 谢懈褌械褉邪褌褍褉薪芯褌芯 褌胁芯褉械薪懈械 胁 薪邪泄-胁懈褋芯泻邪 褋褌械锌械薪 薪邪 薪邪褋懈褌械薪芯褋褌. 袧械褖芯 锌芯胁械褔械, 褌芯胁邪 锌懈褋邪薪械 械 懈 褉邪写懈泻邪谢薪芯 懈蟹褑械谢懈褌械谢薪芯: 胁屑械褋褌芯 芯斜褋械斜胁邪褖芯, 薪械胁褉芯褌懈褔薪芯, 薪械芯褌褋褌褗锌薪芯 胁 芯锌懈褌邪 褋懈 写邪 锌褉械褌胁芯褉懈 褋褗斜懈褌懈褟褌邪 芯褌 褋芯斜褋褌胁械薪懈褟 褋懈 卸懈胁芯褌 褋褗胁褗褉褕械薪芯 褌邪泻懈胁邪, 泻邪泻胁懈褌芯 谐懈 锌芯屑薪懈, 褋械谐邪 褌芯泄 锌褉械锌芯写褉械卸写邪 胁褋懈褔泻芯 泻邪蟹邪薪芯 屑褍 懈谢懈 谢懈褔薪芯 锌褉械卸懈胁褟薪芯 锌芯 薪邪褔懈薪, 泻芯泄褌芯 褏邪褉械褋胁邪, 褌邪泻邪 褔械 泻薪懈谐邪褌邪 褋械 褋写芯斜懈胁邪 褋 芯斜谢懈泻邪 薪邪 褋胁芯褟 邪胁褌芯褉. 孝胁芯褉斜邪褌邪 薪邪懈褋褌懈薪邪 械 屑邪谐懈褔薪邪, 褋胁褉褗褏械褋褌械褋褌胁械薪邪, 械褍褎芯褉懈褔薪邪: 褌褟 谐芯 懈蟹褑械谢褟胁邪 芯褌 屑薪芯卸械褋褌胁芯 蟹谢懈薪懈.鈥�
袦芯懈 胁褉褗蟹泻懈 鈥� 褍褋械褌械薪懈 写芯锌懈褉薪懈 褌芯褔泻懈 屑械卸写褍 褉芯屑邪薪懈 薪邪 袦邪褉泻械褋 懈 写褉褍谐懈 泻薪懈谐懈:
- 鈥炐曆佇敌窖傂� 薪邪 锌邪褌褉懈邪褉褏邪鈥� 懈 鈥炐浶拘恍秆傂扳€� 鈥� 芯褋胁械薪 12-谐芯写懈褕薪懈褌械 胁褗蟹谢褞斜械薪懈, 褋褏芯写薪芯 胁薪褍褕邪胁邪薪械 薪邪 褋懈屑锌邪褌懈褟 泻褗屑 谐械褉芯懈褌械-锌褉械褋褌褗锌薪懈褑懈, 薪邪褉械写 褋 芯褌胁褉邪褖械薪懈械褌芯 芯褌 褌褟褏;
- 鈥炐撔敌叫笛€邪谢褗褌 胁 褋胁芯褟 谢邪斜懈褉懈薪褌鈥� 懈 鈥炐捬娦沸残秆埿敌叫感碘€� 鈥� 薪芯胁/褋屑械谢 锌褉芯褔懈褌 薪邪 懈褋褌芯褉懈褔械褋泻懈 褋褗斜懈褌懈褟/谢懈褔薪芯褋褌懈.
袟邪 邪胁褌芯褉邪 袛卸械褉邪谢写 袦邪褉褌懈薪 鈥� 褋褌褉褍胁邪 屑懈 褋械, 褔械 械 芯褌 褌械蟹懈 斜懈芯谐褉邪褎懈, 泻芯懈褌芯 懈褋泻邪褌 写邪 懈蟹褌褗泻薪邪褌 泻邪泻 褋邪 锌芯蟹薪邪胁邪谢懈 褋褗芯褌胁械褌薪邪褌邪 谢懈褔薪芯褋褌 懈 薪械泄薪懈 斜谢懈蟹泻懈, 泻邪泻胁懈 锌褉懈褟褌械谢褋泻懈 芯褌薪芯褕械薪懈褟 褋邪 懈屑邪谢懈, 泻芯谢泻芯 屑薪芯谐芯 蟹薪邪褟褌. 袧芯 褌褗泄 泻邪褌芯 褟胁薪芯 袦邪褉泻械褋 薪械 械 褉邪蟹泻褉懈胁邪谢 屑薪芯谐芯 谢懈褔薪懈褟 褋懈 卸懈胁芯褌, 薪邪 薪褟泻芯懈 屑械褋褌邪 袦邪褉褌懈薪 懈蟹锌芯谢蟹胁邪 懈蟹褉邪蟹懈 泻邪褌芯 鈥炐葱拘垦冄佇盒靶�, 锌褉械写锌芯谢邪谐邪屑, 胁械褉芯褟褌薪芯鈥� 鈥� 褌.械. 谐邪写邪械 褋械 泻邪泻胁芯 械 芯蟹薪邪褔邪胁邪谢芯 写邪写械薪芯 褋褗斜懈褌懈械 蟹邪 袦邪褉泻械褋, 泻邪泻胁芯 械 屑懈褋谢械谢 懈 褔褍胁褋褌胁邪谢 懈 褌.薪. 袩芯薪褟泻芯谐邪 邪胁褌芯褉褗褌 胁谢懈蟹邪 胁 褉芯谢褟褌邪 薪邪 锌褋懈褏芯谢芯谐 (屑邪谢泻芯 懈蟹谢懈褕薪芯 褋锌芯褉械写 屑械薪), 锌褉懈屑械褉薪芯 蟹邪 褌芯胁邪 泻邪泻 褋械 械 芯褌褉邪蟹懈谢芯 芯褋褌邪胁褟薪械褌芯 薪邪 袚邪斜懈褌芯 锌褉懈 斜邪斜邪 屑褍 懈 写褟写芯 屑褍 锌褉械蟹 锌褗褉胁懈褌械 6 谐芯写懈薪懈 芯褌 薪械谐芯胁懈褟 卸懈胁芯褌.
小懈谢薪芯 械 薪邪斜谢械谐薪邪褌芯 薪邪 锌芯蟹薪邪薪褋褌胁邪褌邪 薪邪 袦邪褉泻械褋 褋 褉邪蟹谢懈褔薪懈 谢懈褔薪芯褋褌懈 芯褌 锌芯谢懈褌懈泻邪褌邪 懈 谢懈褌械褉邪褌褍褉邪褌邪. 袪邪蟹谐谢械写邪薪懈 褋邪 胁褋懈褔泻懈褌械 屑褍 锌褉芯懈蟹胁械写械薪懈褟 鈥� 泻褉邪褌泻芯 褉邪蟹泻邪蟹胁邪薪械 薪邪 褋褞卸械褌邪, 胁邪卸薪懈褌械 懈谢懈 锌褉芯斜谢械屑薪懈褌械 屑芯屑械薪褌懈 芯泻芯谢芯 锌懈褋邪薪械褌芯 懈 懈蟹写邪胁邪薪械褌芯, 褍屑械褉械薪懈 邪薪邪谢懈蟹懈 懈 谢懈褔薪懈 懈薪褌械褉锌褉械褌邪褑懈懈. 小褌芯褉懈 屑懈 褋械, 褔械 屑邪谢泻芯 胁薪懈屑邪薪懈械 械 芯斜褗褉薪邪褌芯 薪邪 褉邪蟹泻邪蟹懈褌械 薪邪 袦邪褉泻械褋. 袙褟褉薪芯, 褔械 褉芯屑邪薪懈褌械 褋邪 褌芯谢泻芯胁邪 胁械谢懈泻懈, 薪芯 褉邪蟹泻邪蟹懈褌械 泻邪褌芯 写褉褍谐邪 褎芯褉屑邪 褋锌芯褉械写 屑械薪 褋邪 械写薪邪泻胁芯 褍薪懈泻邪谢薪懈. 小邪屑懈褟褌 袦邪褉泻械褋 褋锌芯褉械写 袦邪褉褌懈薪 泻邪蟹胁邪, 褔械 鈥炩€π啃秆佇靶叫笛傂� 薪邪 褉芯屑邪薪 械 泻邪褌芯 褉邪蟹斜褗褉泻胁邪薪械褌芯 薪邪 斜械褌芯薪, 邪 锌懈褋邪薪械褌芯 薪邪 褉芯屑邪薪 械 泻邪褌芯 锌芯谢邪谐邪薪械褌芯 薪邪 褌褍褏谢懈鈥� 懈 鈥炐犘拘夹靶窖娧� 械 泻邪褌芯 斜褉邪泻邪: 屑芯卸械褕 写邪 谐芯 锌芯锌褉邪胁褟褕 写械薪 褋谢械写 写械薪; 写芯泻邪褌芯 褉邪蟹泻邪蟹褗褌 械 泻邪褌芯 谢褞斜芯胁薪邪 邪褎械褉邪: 邪泻芯 薪械 褉邪斜芯褌懈, 薪褟屑邪 泻邪泻 写邪 褟 蟹邪泻褗褉锌懈褕鈥�.
袚谢邪胁懈褌械 褋邪 芯褎芯褉屑械薪懈 芯褌褔械褌谢懈胁芯 泻邪褌芯 锌械褉懈芯写懈 懈 褌械屑懈, 蟹邪胁褗褉褕械褑懈褌械 懈屑 褔械褋褌芯 褋邪 写芯斜褉懈. 袧邪 屑械褋褌邪 胁 褋邪屑懈褌械 谐谢邪胁懈 锌褉械褏芯写褗褌 屑械卸写褍 褉邪蟹泻邪蟹胁邪薪械褌芯 蟹邪 械写薪芯 懈 锌褉械屑懈薪邪胁邪薪械褌芯 泻褗屑 写褉褍谐芯 褋褗斜懈褌懈械 (懈谢懈 褌械屑邪) 械 写芯褋褌邪 褉褟蟹褗泻, 薪芯 胁褋褗褖薪芯褋褌 械写胁邪 谢懈 懈屑邪 薪邪褔懈薪 胁懈薪邪谐懈 写邪 械 锌谢邪胁薪邪 胁褉褗蟹泻邪褌邪.
笑褟谢芯褋褌薪芯褌芯 芯褌薪芯褕械薪懈械 泻褗屑 袦邪褉泻械褋 鈥� 写芯锌邪写薪邪 屑懈, 褔械 薪褟屑邪 褋谢褟锌芯 胁褗蟹褏胁邪谢褟胁邪薪械 薪邪 谢懈褔薪芯褋褌褌邪 屑褍 (泻褗屑 泻薪懈谐懈褌械 鈥� 写邪, 薪邪锌褉邪胁芯 锌褉械泻谢芯薪械薪懈械); 斜械蟹 锌褉懈褋褌褉邪褋褌懈械 褋邪 芯锌懈褋邪薪懈 锌褉芯褌懈胁芯褉械褔懈胁懈褌械 屑褍 锌芯谢懈褌懈褔械褋泻懈 锌芯蟹懈褑懈懈 懈 写械泄褋褌胁懈褟, 锌芯写写邪胁邪薪械褌芯 薪邪 褋谢邪胁邪褌邪 懈 谢褍泻褋邪, 懈屑邪 懈蟹褉邪蟹懈 泻邪褌芯 鈥炐啃笛€褔械谢鈥�.;)
袦邪谢泻芯 褋褌褉邪薪械薪 屑懈 斜械褕械 锌褉械胁芯写褗褌 薪邪 屑芯屑械薪褌懈 鈥� 写芯斜褗褉 泻邪褌芯 褑褟谢芯, 邪 褋 薪褟泻芯懈 懈蟹薪械薪邪写胁邪褖懈 芯褋芯斜械薪芯褋褌懈. 袨褋褌邪胁械薪懈 褋邪 写芯褋褌邪 褔褍卸写懈褑懈 - 薪械 蟹薪邪褟 写邪谢懈 蟹邪褉邪写懈 褍斜械卸写械薪懈械褌芯, 褔械 锌褉械蟹 21-胁懈 胁械泻 褌芯胁邪 械 锌褉懈械屑谢懈胁芯: 褉褍写懈屑械薪褌邪褉械薪, 邪谢懈械薪懈褉邪褖邪, 懈屑锌谢懈褑懈褌薪懈褟; 褎懈谐褍褉邪褌懈胁薪芯 泻邪蟹邪薪芯. 懈 写褉. 袧邪 薪褟泻芯谢泻芯 屑械褋褌邪 锌褉械写锌芯谢邪谐邪屑 褋械 械 懈屑邪谢芯 锌褉械写胁懈写 薪械 鈥炐叫把佈傂狙徯残扳€� (胁械褉芯褟褌薪芯 insists), 邪 锌芯-褋泻芯褉芯 鈥炑傂惭娧€写懈, 褋褔懈褌邪, 蟹邪褟胁褟胁邪鈥�; 懈蟹锌芯谢蟹胁邪薪械褌芯 薪邪 鈥炐垦冃毙恍感盒把喰秆忊€� (薪邪 泻薪懈谐邪) 胁褗蟹锌褉懈械屑邪褏 泻邪褌芯 锌褍斜谢懈泻褍胁邪薪械 懈谢懈 懈蟹写邪胁邪薪械; 鈥炑€械褑械锌褑懈褟褌邪 褲鈥� (薪邪 泻薪懈谐邪) 鈥� 胁械褉芯褟褌薪芯 鈥炐垦€懈械屑邪薪械, 胁褗蟹锌褉懈械屑邪薪械鈥�; 锌芯 褌械谢械胁懈蟹芯褉邪 鈥� 锌芯 褌械谢械胁懈蟹懈褟褌邪; 写邪 褉邪斜芯褌懈 胁褗褉褏褍 褲 鈥� 胁褗褉褏褍 薪械褟?
袦薪芯谐芯 褋褗屑 写芯胁芯谢薪邪, 褔械 锌褉芯褔械褌芯褏 泻薪懈谐邪褌邪. 袨褌 2 谐芯写懈薪懈 褋械 泻邪薪褟 写邪 褋懈 褟 泻褍锌褟 懈 薪械芯褔邪泻胁邪薪芯 褟 胁懈写褟褏 胁 斜懈斜谢懈芯褌械泻邪褌邪 (懈 锌邪泻 薪械 斜褟褏 褋懈谐褍褉薪邪, 褔械 褖械 褋械 蟹邪械屑邪 褋 600-700 褋褌褉. 薪械褏褍写芯卸械褋褌胁械薪邪 谢懈褌械褉邪褌褍褉邪). 袙 薪邪褔邪谢芯褌芯 褋械 泻芯谢械斜邪械褏 鈥� 懈屑邪 谢懈 褋屑懈褋褗谢 写邪 褔械褌邪 蟹邪 袦邪褉泻械褋, 褋谢械写 泻邪褌芯 械 锌褉械写芯褋褌邪褌褗褔薪芯, 褔械 褋褗屑 褔械谢邪 芯褌 袦邪褉泻械褋. 袧芯 薪邪泻褉邪褟 斜械蟹褋锌芯褉薪芯 褋褗屑 斜懈谢邪 褉邪蟹胁褗谢薪褍胁邪薪邪, 褖芯屑 褋懈 薪邪锌褉邪胁懈褏 邪谢斜褍屑 芯褌 褋薪懈屑泻懈 薪邪 袚邪斜褉懈械谢 袚邪褉褋懈褟 袦邪褉泻械褋: 薪邪 械写薪邪 谐芯写懈薪泻邪-写械褌褋褌胁芯-屑谢邪写芯褋褌-蟹褉械谢芯褋褌-褋褌邪褉芯褋褌. 袠 薪邪懈褋褌懈薪邪 褋械 锌芯谢褍褔懈 鈥炐曅葱感� 卸懈胁芯褌鈥�. 笑械薪薪芯褌芯 蟹邪 屑械薪 芯褌 泻薪懈谐邪褌邪:
- 锌褉械屑懈薪邪胁邪薪械褌芯 锌褉械蟹 锌芯谢懈褌懈褔械褋泻懈褌械 褋褗斜懈褌懈褟 锌芯 褋胁械褌邪 锌褉械蟹 胁褌芯褉邪褌邪 锌芯谢芯胁懈薪邪 薪邪 20-懈 胁械泻;
- 蟹邪锌芯蟹薪邪胁邪薪械褌芯 褋 袥邪褌懈薪褋泻邪 袗屑械褉懈泻邪;
- 懈 锌褉械写懈 胁褋懈褔泻芯 鈥� 薪芯胁芯褌芯 屑懈 锌芯褌邪锌褟薪械 胁 邪褌屑芯褋褎械褉邪褌邪 薪邪 锌褉芯懈蟹胁械写械薪懈褟褌邪 薪邪 袚邪斜褉懈械谢 袚邪褉褋懈褟 袦邪褉泻械褋. 袩芯褔褌懈 胁褋懈褔泻懈 懈蟹写邪写械薪懈 褍 薪邪褋 薪械谐芯胁懈 泻薪懈谐懈 褋褗屑 锌褉芯褔械谢邪, 褋械谐邪 械写胁邪 谢懈 褖械 谐懈 蟹邪锌芯褔薪邪 锌邪泻, 薪芯 褌械蟹懈 写薪懈 斜褟褏 懈蟹褑褟谢芯 芯褌薪械褋械薪邪 胁 屑邪褉泻械褋芯胁懈褟 褋胁褟褌, 芯褋芯斜械薪芯 褋谢械写 泻邪褌芯 胁 google street view 胁懈写褟褏 褍谢懈褔泻懈 懈 褏芯褉邪 胁 褉芯写薪邪褌邪 屑褍 袗褉邪泻邪褌邪泻邪 (~ 袦邪泻芯薪写芯).
袦懈褋谢懈褌械 屑懈 薪邪泻褉邪褟 (芯褋胁械薪 锌芯胁褌芯褉薪芯褌芯 褋斜芯谐褍胁邪薪械 褋 袚邪斜芯, 屑邪泻邪褉 懈 胁 泻褉邪褟 薪邪 泻薪懈谐邪褌邪 写邪 械 卸懈胁, 薪芯 写芯褋褌邪 斜芯谢械薪) - 写邪谢懈 械 锌芯-褌褉褍写薪芯 锌褉懈 褌邪泻褗胁 褕械屑械褌械薪 卸懈胁芯褌, 褉邪胁薪芯褋褌芯械薪 薪邪 褌褉懈 卸懈胁芯褌邪, 写邪 锌褉懈械屑邪褕 锌芯褋褌械锌械薪薪芯褌芯 褉邪蟹写械谢褟薪械 褋 薪械谐芯鈥� 孝褗卸薪芯 屑懈 斜械褕械 鈥� 泻邪褌芯 褋懈 屑懈褋谢械褏 薪械 褌芯谢泻芯胁邪 蟹邪 褋屑褗褉褌褌邪, 泻芯谢泻芯褌芯 蟹邪 褋褌邪褉芯褋褌褌邪. 袛邪薪芯 胁褋械泻懈 卸懈胁芯褌 写邪 械 斜谢邪谐芯褋谢芯胁械薪 褋 锌芯写芯斜薪邪 袦械褉褋械写械褋.
鈥炐⌒敌葱叫把� 薪邪 芯褋胁械褌械薪邪褌邪 褋褑械薪邪, 写芯泻邪褌芯 褉械写芯胁械褌械 薪邪 鈥炐夹狙徰傂扳€� 锌褍斜谢懈泻邪 褌褗薪械褏邪 胁 褌褗屑薪懈薪邪. 袟邪锌芯褔薪邪褏 写邪 褔械褌邪, 薪械 锌芯屑薪褟 褌芯褔薪芯 泻芯褟 谐谢邪胁邪, 薪芯 褋 薪邪锌褉械写胁邪薪械褌芯 薪邪 褌械泻褋褌邪 胁 芯锌褉械写械谢械薪 屑芯屑械薪褌 胁 蟹邪谢邪褌邪 褋械 胁褗蟹褑邪褉懈 褌邪泻邪胁邪 褌懈褕懈薪邪, 邪 邪蟹 斜褟褏 胁 褌邪泻芯胁邪 褋褗褋褌芯褟薪懈械 薪邪 薪邪锌褉械卸械薪懈械, 褔械 懈蟹锌邪写薪邪褏 胁 锌邪薪懈泻邪. 小锌褉褟褏 懈 褋械 胁蟹褉褟褏 胁 褌褗屑薪懈薪邪褌邪. 小谢械写 褋械泻褍薪写懈 褉邪蟹谢懈褔懈褏 谢懈褑邪褌邪 薪邪 褋械写薪邪谢懈褌械 薪邪 锌褗褉胁懈褟 褉械写 懈 胁褋褗褖薪芯褋褌 蟹邪斜械谢褟蟹邪褏, 褔械 芯褔懈褌械 懈屑 褋邪 褕懈褉芯泻芯 芯褌胁芯褉械薪懈. 小褗胁蟹械褏 褋械 懈 锌褉芯写褗谢卸懈褏 褋锌芯泻芯泄薪芯 写邪 褔械褌邪. 啸芯褉邪褌邪 薪邪懈褋褌懈薪邪 锌芯谐谢褗褖邪褏邪 写褍屑懈褌械 屑懈; 懈 屑褍褏邪 薪械 褋屑械械褕械 写邪 蟹邪斜褉褗屑褔懈. 袣芯谐邪褌芯 褋胁褗褉褕懈褏 懈 褋谢褟蟹芯褏 芯褌 褋褑械薪邪褌邪, 锌褗褉胁邪褌邪, 泻芯褟褌芯 屑械 锌褉械谐褗褉薪邪, 斜械褕械 袦械褉褋械写械褋, 褋 芯褋芯斜械薪芯 懈蟹褉邪卸械薪懈械 薪邪 谢懈褑械褌芯 鈥� 屑懈褋谢褟, 褔械 锌芯薪械卸械 褌褟 屑械 锌芯谐谢械写薪邪 褋 褌邪泻芯胁邪 懈蟹褉邪卸械薪懈械 薪邪 谢懈褑械褌芯 蟹邪 锌褗褉胁懈 锌褗褌, 芯褌泻邪泻褌芯 褋械 芯卸械薪懈褏屑械, 邪蟹 芯褋褗蟹薪邪褏, 褔械 屑械 芯斜懈褔邪!... 袟邪 写邪 屑芯谐邪 写邪 锌懈褕邪, 芯褌 谐芯写懈薪邪 胁械褔械 褋械 芯锌褉邪胁褟褕械 锌芯褔褌懈 斜械蟹 锌邪褉懈 懈 胁 写械薪褟 薪邪 谢懈褌械褉邪褌褍褉薪芯褌芯 褔械褌械薪械 懈蟹褉邪蟹褗褌 胁褗褉褏褍 谢懈褑械褌芯 褲 屑懈 写邪写械 褍胁械褉械薪芯褋褌褌邪, 褔械 泻薪懈谐邪褌邪 胁褗褉胁懈 胁 锌褉邪胁懈谢薪邪褌邪 锌芯褋芯泻邪.鈥�
袣邪泻胁芯 蟹邪褕械屑械褌褟胁邪褖芯 胁褗蟹写械泄褋褌胁懈械 屑懈 芯泻邪蟹邪 褌邪蟹懈 泻薪懈谐邪! 袦芯卸械 斜懈 薪械 蟹邪褉邪写懈 褋邪屑芯褌芯 褋褗写褗褉卸邪薪懈械, 邪 锌褉械写懈屑薪芯 蟹邪褉邪写懈 锌褉懈锌芯屑薪褟薪械褌芯 薪邪 胁褋懈褔泻懈 锌褉芯懈蟹胁械写械薪懈褟 薪邪 袦邪褉泻械褋 鈥� 褌械 褋邪 芯锌懈褟薪褟胁邪褖懈褌械. 袧械 蟹邪锌芯褔薪邪褏 写邪 褔械褌邪 薪褟泻芯褟 泻芯薪泻褉械褌薪邪 泻薪懈谐邪, 薪芯 褋懈 褋锌芯屑薪褟褏 褋褗斜懈褌懈褟 懈 谐械褉芯懈, 褌褗褉褋懈褏 芯褌泻褗褋懈 懈 锌褉械锌懈褋胁邪褏 薪芯胁懈.
袧褟泻芯懈 胁锌械褔邪褌谢械薪懈褟 胁 褌懈褉械薪褑邪:
- 袞懈胁芯褌-褏邪芯褋 蟹邪褉邪写懈 斜械蟹斜褉芯泄薪懈褌械 锌褗褌褍胁邪薪懈褟 懈 屑械褋褌械薪懈褟 鈥� 薪械 褋邪屑芯 锌芯褉邪写懈 邪薪谐邪卸懈屑械薪褌懈褌械 懈 锌芯褌褉械斜薪芯褋褌懈褌械 薪邪 褋胁芯斜芯写薪邪褌邪 锌懈褋邪褌械谢褋泻邪 薪邪褌褍褉邪, 薪芯 懈 蟹邪褉邪写懈 薪械谐芯胁邪褌邪 鈥炑傃€褍写薪邪鈥� 褉芯写懈薪邪, 邪 屑芯卸械 斜懈 懈 锌芯谢懈褌懈褔械褋泻懈褌械 褍斜械卸写械薪懈褟 薪邪 袚邪褉褋懈褟 袦邪褉泻械褋 (褋邪屑芯 褌邪泻邪 谐芯 薪邪褉懈褔邪 袛卸械褉邪谢写 袦邪褉褌懈薪). 袛芯泻芯谢泻芯褌芯 蟹邪锌芯屑薪懈褏, 袦邪褉泻械褋 械 卸懈胁褟谢 胁 薪褟泻芯谢泻芯 谐褉邪写邪 胁 袣芯谢褍屑斜懈褟, 胁褗胁 袙械薪械褋褍械谢邪, 胁 袦械泻褋懈泻芯 小懈褌懈, 袧褞 袡芯褉泻, 袩邪褉懈卸, 袥芯薪写芯薪, 袘邪褉褋械谢芯薪邪鈥�
- 袩褍泻胁邪薪械褌芯 薪邪 泻芯屑褍薪懈褋褌懈褔械褋泻懈褟 斜邪谢芯薪 锌褉械蟹 1989 谐.
鈥炐澬敌垦€懈蟹薪邪褌 芯褌 薪械谐芯 芯褋褌邪胁邪 褎邪泻褌褗褌, 褔械 胁褗锌褉芯褋薪邪褌邪 薪芯胁邪 械锌芯褏邪 褋懈屑胁芯谢懈蟹懈褉邪 懈 锌芯褉邪卸械薪懈械褌芯 薪邪 胁褋懈褔泻芯, 胁 泻芯械褌芯 械 胁褟褉胁邪谢.鈥�
袧械 蟹薪邪褟 写邪谢懈 锌芯 褋胁械褌邪 懈屑邪 褌芯谢泻芯胁邪 锌芯褔懈褌邪薪邪 谢懈褔薪芯褋褌, 泻芯褟褌芯 械 锌褉械写邪薪 锌芯褋谢械写芯胁邪褌械谢 薪邪 褋芯褑懈邪谢懈褋褌懈褔械褋泻懈褌械/泻芯屑褍薪懈褋褌懈褔械褋泻懈褌械 懈写械懈; 屑懈褋谢褟, 褔械 褋邪屑芯 蟹邪褉邪写懈 谢懈褌械褉邪褌褍褉薪芯褌芯 褋懈 胁械谢懈褔懈械 褌芯胁邪 屑褍 械 鈥炐垦€芯褖邪胁邪薪芯鈥� 锌芯褔褌懈 芯褌 胁褋懈褔泻懈 锌芯褔懈褌邪褌械谢懈 (薪芯 薪械 芯褌 胁褋懈褔泻懈 芯斜褖械褋褌胁械薪懈 谢懈褔薪芯褋褌懈). 袨褔邪泻胁邪褏 写邪 薪邪褋褌褗锌懈 懈写械芯谢芯谐懈褔械褋泻芯 鈥炐狙佇残笛佈傃徯残靶叫碘€� 芯褖械 锌褉懈 锌褗褌褍胁邪薪懈褟褌邪 胁 泻芯屑褍薪懈褋褌懈褔械褋泻懈褌械 写褗褉卸邪胁懈 (懈 薪邪泄-胁械褔械 蟹邪褉邪写懈 校薪谐邪褉懈褟 鈥�56 懈 效械褏芯褋谢芯胁邪泻懈褟 鈥�68), 薪芯 薪械鈥�
- 袞械薪懈褌械 懈 胁械褔薪邪褌邪 袦械褉褋械写械褋!
鈥炐澬敌狙傂葱靶残叫�, 蟹邪锌懈褌邪薪 泻邪泻胁芯 芯褔邪泻胁邪 芯褌 写胁邪泄褋械褌 懈 锌褗褉胁懈 胁械泻, 褋褗锌褉褍谐褗褌 褲 芯褌胁褉褗褖邪, 褔械 褋械 薪邪写褟胁邪 卸械薪懈褌械 写邪 蟹邪胁谢邪写械褟褌 褋胁械褌邪, 蟹邪 写邪 褋锌邪褋褟褌 褔芯胁械褔械褋褌胁芯褌芯.鈥�
- 袩褗褉胁芯褌芯 褕邪褕胁邪薪械 芯褌 褎邪屑懈谢懈褟褌邪 鈥� 斜邪褖邪褌邪 薪邪 袚邪斜懈褌芯 械 懈屑邪谢 15 写械褑邪 (11 芯褌 褋褗锌褉褍谐邪褌邪 褋懈 懈 4 懈蟹胁褗薪斜褉邪褔薪懈); 褋懈谐褍褉薪芯 懈 写褟写芯 屑褍 褌芯谢泻芯胁邪 (懈屑邪 屑薪芯谐芯 锌芯谢械蟹薪懈 褋褏械屑懈 薪邪 褉芯写芯褋谢芯胁薪懈 写褗褉胁械褌邪 胁 泻褉邪褟 薪邪 泻薪懈谐邪褌邪). 袨褋胁械薪 胁 薪邪褔邪谢芯褌芯 懈 胁 泻褉邪褟 褉芯写懈褌械谢懈褌械 懈 斜褉邪褌褟褌邪/褋械褋褌褉懈褌械 薪邪 袦邪褉泻械褋 薪械 褋械 褋锌芯屑械薪邪胁邪褌 褔械褋褌芯 (屑芯卸械 斜懈 薪械 褋邪 褋械 蟹邪锌邪蟹懈谢懈 褌褉邪泄薪懈 胁褉褗蟹泻懈), 写械褑邪褌邪 薪邪 袚邪斜褉懈械谢 懈 袦械褉褋械写械褋 褋褗褖芯 薪械 褋械 褋锌芯屑械薪邪胁邪褌 褌芯谢泻芯胁邪, 写芯褋褌邪 锌褗褌褍胁邪褖懈 褉芯写懈褌械谢懈 褋邪 斜懈谢懈 (薪芯 褌邪泻邪 懈谢懈 懈薪邪褔械 薪械 懈褋泻邪褏 鈥炐堆娦谎傂扳€� 泻薪懈谐邪 蟹邪 褋褗胁褋械屑 谢懈褔薪懈褌械 薪械褖邪 薪邪 锌懈褋邪褌械谢褟).
袧褟泻芯懈 胁锌械褔邪褌谢械薪懈褟 胁 懈蟹褉械褔械薪懈褟:
袙 锌褗褉胁懈褌械 谐谢邪胁懈 褉邪蟹斜懈褉邪 褋械 薪邪泄-懈薪褌械褉械褋薪邪 屑懈 斜械褕械 懈蟹褍屑懈褌械谢薪邪褌邪 褎邪屑懈谢懈褟 薪邪 袦邪褉泻械褋 (泻邪泻 写邪 薪械 胁褗蟹薪懈泻薪械 褉芯写褗褌 袘褍械薪写懈褟!), 蟹邪褉邪卸写邪薪械褌芯 薪邪 锌芯谢懈褌懈褔械褋泻邪褌邪 芯褉懈械薪褌邪褑懈褟 薪邪 袚邪斜芯 懈 锌褗褉胁懈褌械 屑褍 谐芯写懈薪懈 胁 卸褍褉薪邪谢懈褋褌懈泻邪褌邪. 袧邪泄-谐芯谢褟屑 械薪褌褍褋懈邪蟹褗屑 胁褗胁 胁褉褗蟹泻邪 褋 锌懈褋邪褌械谢褋褌胁芯褌芯 屑械 芯斜蟹械 褔邪泻 泻褗屑 谐谢邪胁邪褌邪 蟹邪 鈥炐⊙傂� 谐芯写懈薪懈 褋邪屑芯褌邪鈥�. 袗泻芯 薪械 褋褗屑 胁褟褉胁邪谢邪 胁 薪褟泻邪泻胁懈 屑邪谐懈褔薪懈 懈蟹胁褗薪蟹械屑薪懈 褋懈谢懈, 褋械谐邪 薪邪懈褋褌懈薪邪 褋械 褍斜械卸写邪胁邪屑, 褔械 褌邪泻懈胁邪 褋邪 褋械 褋锌褍褋薪邪谢懈 薪邪写 邪胁褌芯褉邪 锌褉懈 锌懈褋邪薪械褌芯 薪邪 褌芯蟹懈 褉芯屑邪薪. 袙褗锌褉械泻懈 锌芯锌褍谢褟褉薪芯褋褌褌邪 懈 胁械谢懈褔懈械褌芯 鈥炐⊙傂� 谐芯写懈薪懈 褋邪屑芯褌邪鈥�, 写芯褋械谐邪 鈥炐曆佇敌窖傂� 薪邪 锌邪褌褉懈邪褉褏邪鈥� 褋屑褟褌邪褏 蟹邪 薪邪泄-胁懈褋褕邪 谢懈褌械褉邪褌褍褉薪邪 褍薪懈泻邪谢薪芯褋褌 (鈥炐澬感盒狙� 写褉褍谐邪 褌胁芯褉斜邪 薪邪 袚邪褉褋懈褟 袦邪褉泻械褋 写芯褉懈 薪械 写芯斜谢懈卸邪胁邪 薪械泄薪邪褌邪 褋谢芯卸薪芯褋褌 鈥� 薪邪胁褟褉薪芯 薪邪泄-写芯斜褉械 懈谢褞褋褌褉懈褉邪薪邪 芯褌 泻芯薪褌褉邪褋褌邪 屑械卸写褍 锌褉械谢褗褋褌懈褌械谢薪邪 泻褉邪褋芯褌邪 薪邪 锌芯械褌懈褔薪邪褌邪 芯斜褉邪蟹薪芯褋褌 薪邪 泻薪懈谐邪褌邪 懈 谐褉芯蟹芯褌邪褌邪 薪邪 褌械屑邪褌邪 胁 薪械褟.鈥�). 袧芯 褋械谐邪 薪邪薪芯胁芯 屑械 胁褉褗褏谢械褌褟 褋懈谢邪褌邪 薪邪 锌褗褉胁懈褟 褉芯屑邪薪. 携胁薪芯 懈 褋邪屑懈褟褌 袛卸械褉邪谢写 袦邪褉褌懈薪 械 褌芯谢泻芯胁邪 胁谢褞斜械薪 胁 小邪屑芯褌邪褌邪, 褔械 泻邪褌芯 锌懈褕械 蟹邪 薪械褟, 锌邪褌芯褋褗褌 屑褍 褋械 锌褉械薪械褋械 懈 胁褗褉褏褍 屑械薪. 效邪泻 褋褗卸邪谢懈褏, 褔械 褋褗屑 褟 褔械谢邪, 泻芯谐邪褌芯 芯褖械 薪械 褋褗屑 胁褗蟹锌褉懈械屑邪谢邪 泻薪懈谐懈褌械 胁 锌褗谢薪邪褌邪 懈屑 褑褟谢芯褋褌. 袗 写邪 褋械 褔械褌械 胁褌芯褉懈 锌褗褌 褌邪蟹懈 泻薪懈谐邪 鈥� 写邪, 屑芯卸械, 薪芯 芯薪芯胁邪 锌褗褉胁懈褔薪芯 褌褉褟褋胁邪薪械 胁械褉芯褟褌薪芯 薪褟屑邪 写邪 褋械 锌芯胁褌芯褉懈. 袦薪芯谐芯 薪械 懈褋泻邪屑 写邪 褉褗褋褟 鈥烇拷锟叫夹叫狙佈傂糕€�, 薪芯 薪邪懈褋褌懈薪邪 屑懈 褋械 褋褌褉褍胁邪, 褔械 懈屑械薪薪芯 褋褗褋 鈥炐⊙傂� 谐芯写懈薪懈 褋邪屑芯褌邪鈥� 袦邪褉泻械褋 械 锌芯谢懈褌薪邪谢 懈褋褌懈薪褋泻懈 蟹邪 锌褗褉胁懈 锌褗褌; 懈 褌芯泄 薪械 械 斜懈谢 褋褗褖懈褟褌 褋谢械写 褌芯胁邪.
鈥炐捫啃狙佇恍敌囱佈傂残感� 袚邪褉褋懈褟 袦邪褉泻械褋 褖械 褋懈 锌褉懈锌芯屑薪懈: 鈥炐炑� 锌褗褉胁懈褟 屑芯屑械薪褌, 写褗谢谐芯 锌褉械写懈 写邪 斜褗写械 锌褍斜谢懈泻褍胁邪薪邪, 泻薪懈谐邪褌邪 褍锌褉邪卸薪褟胁邪褕械 屑邪谐懈褔薪邪 褋懈谢邪 胁褗褉褏褍 胁褋械泻懈, 泻芯泄褌芯 锌芯 薪褟泻邪泻褗胁 薪邪褔懈薪 胁谢械蟹械褕械 胁 写芯褋械谐 褋 薪械褟; 锌褉懈褟褌械谢懈, 褋械泻褉械褌邪褉泻懈 懈 褌.薪.; 写芯褉懈 褏芯褉邪 泻邪褌芯 屑械褋邪褉褟 懈谢懈 薪邪褕懈褟 褏邪蟹褟懈薪, 泻芯懈褌芯 屑械 褔邪泻邪褏邪 写邪 褟 写芯胁褗褉褕邪, 蟹邪 写邪 懈屑 锌谢邪褌褟.鈥�
鈥炐炐毙恍敌貉囆敌叫感笛傂� 谐芯 蟹邪谢懈胁邪 薪邪 屑薪芯卸械褋褌胁芯 褉邪胁薪懈褖邪 芯褌 褋褌芯褌懈褑懈 褉邪蟹谢懈褔薪懈 锌芯褋芯泻懈, 蟹邪 写邪 褍褌邪谢芯卸懈 胁褋褟泻芯 褋褌褉邪写邪薪懈械, 胁褋褟泻芯 褌械褉蟹邪薪懈械, 胁褋懈褔泻懈 锌褉芯胁邪谢懈 懈 胁褋褟泻邪 褎褉褍褋褌褉邪褑懈褟 胁 薪械谐芯胁懈褟 卸懈胁芯褌; 褋胁芯斜芯写邪, 褋械斜械锌芯蟹薪邪薪懈械, 褋械斜械褍褌胁褗褉卸写邪胁邪薪械, 胁褗锌谢褗褌械薪懈 胁 褌芯胁邪 懈蟹泻谢褞褔懈褌械谢薪芯 褌胁芯褉械薪懈械, 泻芯械褌芯 褌芯泄 蟹薪邪械 鈥� 蟹薪邪械谢 械, 鈥� 褔械 屑芯卸械 写邪 械 褍薪懈泻邪谢薪邪, 胁械褉芯褟褌薪芯 斜械蟹褋屑褗褉褌薪邪 褌胁芯褉斜邪, 写芯褉懈 泻芯谐邪褌芯 蟹邪锌芯褔胁邪 写邪 褟 锌懈褕械, 懈 胁锌芯褋谢械写褋褌胁懈械, 写芯泻邪褌芯 褉邪斜芯褌懈 胁褗褉褏褍 褲 褋 褉邪褋褌褟褖芯 胁褗谢薪械薪懈械, 邪 褌褟 褋械 褋写芯斜懈胁邪 褋 胁械谢懈褔懈械褌芯 薪邪 褋邪屑芯写芯褋褌邪褌褗褔械薪 屑懈褌. 校褋械褖邪薪械褌芯, 褉邪蟹斜懈褉邪 褋械, 械 屑邪谐懈褔薪芯, 褋胁褉褗褏械褋褌械褋褌胁械薪芯, 械褍褎芯褉懈褔薪芯, 写芯褉懈 蟹邪 薪械谐芯, 写芯泻邪褌芯 谐芯 锌懈褕械; 邪 胁锌芯褋谢械写褋褌胁懈械 懈 蟹邪 薪械谐芯胁懈褌械 褔懈褌邪褌械谢懈. 孝芯 薪邪懈褋褌懈薪邪 胁褗锌谢褗褌褟胁邪 褌邪泄薪褋褌胁芯褌芯 薪邪 谢懈褌械褉邪褌褍褉薪芯褌芯 褌胁芯褉械薪懈械 胁 薪邪泄-胁懈褋芯泻邪 褋褌械锌械薪 薪邪 薪邪褋懈褌械薪芯褋褌. 袧械褖芯 锌芯胁械褔械, 褌芯胁邪 锌懈褋邪薪械 械 懈 褉邪写懈泻邪谢薪芯 懈蟹褑械谢懈褌械谢薪芯: 胁屑械褋褌芯 芯斜褋械斜胁邪褖芯, 薪械胁褉芯褌懈褔薪芯, 薪械芯褌褋褌褗锌薪芯 胁 芯锌懈褌邪 褋懈 写邪 锌褉械褌胁芯褉懈 褋褗斜懈褌懈褟褌邪 芯褌 褋芯斜褋褌胁械薪懈褟 褋懈 卸懈胁芯褌 褋褗胁褗褉褕械薪芯 褌邪泻懈胁邪, 泻邪泻胁懈褌芯 谐懈 锌芯屑薪懈, 褋械谐邪 褌芯泄 锌褉械锌芯写褉械卸写邪 胁褋懈褔泻芯 泻邪蟹邪薪芯 屑褍 懈谢懈 谢懈褔薪芯 锌褉械卸懈胁褟薪芯 锌芯 薪邪褔懈薪, 泻芯泄褌芯 褏邪褉械褋胁邪, 褌邪泻邪 褔械 泻薪懈谐邪褌邪 褋械 褋写芯斜懈胁邪 褋 芯斜谢懈泻邪 薪邪 褋胁芯褟 邪胁褌芯褉. 孝胁芯褉斜邪褌邪 薪邪懈褋褌懈薪邪 械 屑邪谐懈褔薪邪, 褋胁褉褗褏械褋褌械褋褌胁械薪邪, 械褍褎芯褉懈褔薪邪: 褌褟 谐芯 懈蟹褑械谢褟胁邪 芯褌 屑薪芯卸械褋褌胁芯 蟹谢懈薪懈.鈥�
袦芯懈 胁褉褗蟹泻懈 鈥� 褍褋械褌械薪懈 写芯锌懈褉薪懈 褌芯褔泻懈 屑械卸写褍 褉芯屑邪薪懈 薪邪 袦邪褉泻械褋 懈 写褉褍谐懈 泻薪懈谐懈:
- 鈥炐曆佇敌窖傂� 薪邪 锌邪褌褉懈邪褉褏邪鈥� 懈 鈥炐浶拘恍秆傂扳€� 鈥� 芯褋胁械薪 12-谐芯写懈褕薪懈褌械 胁褗蟹谢褞斜械薪懈, 褋褏芯写薪芯 胁薪褍褕邪胁邪薪械 薪邪 褋懈屑锌邪褌懈褟 泻褗屑 谐械褉芯懈褌械-锌褉械褋褌褗锌薪懈褑懈, 薪邪褉械写 褋 芯褌胁褉邪褖械薪懈械褌芯 芯褌 褌褟褏;
- 鈥炐撔敌叫笛€邪谢褗褌 胁 褋胁芯褟 谢邪斜懈褉懈薪褌鈥� 懈 鈥炐捬娦沸残秆埿敌叫感碘€� 鈥� 薪芯胁/褋屑械谢 锌褉芯褔懈褌 薪邪 懈褋褌芯褉懈褔械褋泻懈 褋褗斜懈褌懈褟/谢懈褔薪芯褋褌懈.
袟邪 邪胁褌芯褉邪 袛卸械褉邪谢写 袦邪褉褌懈薪 鈥� 褋褌褉褍胁邪 屑懈 褋械, 褔械 械 芯褌 褌械蟹懈 斜懈芯谐褉邪褎懈, 泻芯懈褌芯 懈褋泻邪褌 写邪 懈蟹褌褗泻薪邪褌 泻邪泻 褋邪 锌芯蟹薪邪胁邪谢懈 褋褗芯褌胁械褌薪邪褌邪 谢懈褔薪芯褋褌 懈 薪械泄薪懈 斜谢懈蟹泻懈, 泻邪泻胁懈 锌褉懈褟褌械谢褋泻懈 芯褌薪芯褕械薪懈褟 褋邪 懈屑邪谢懈, 泻芯谢泻芯 屑薪芯谐芯 蟹薪邪褟褌. 袧芯 褌褗泄 泻邪褌芯 褟胁薪芯 袦邪褉泻械褋 薪械 械 褉邪蟹泻褉懈胁邪谢 屑薪芯谐芯 谢懈褔薪懈褟 褋懈 卸懈胁芯褌, 薪邪 薪褟泻芯懈 屑械褋褌邪 袦邪褉褌懈薪 懈蟹锌芯谢蟹胁邪 懈蟹褉邪蟹懈 泻邪褌芯 鈥炐葱拘垦冄佇盒靶�, 锌褉械写锌芯谢邪谐邪屑, 胁械褉芯褟褌薪芯鈥� 鈥� 褌.械. 谐邪写邪械 褋械 泻邪泻胁芯 械 芯蟹薪邪褔邪胁邪谢芯 写邪写械薪芯 褋褗斜懈褌懈械 蟹邪 袦邪褉泻械褋, 泻邪泻胁芯 械 屑懈褋谢械谢 懈 褔褍胁褋褌胁邪谢 懈 褌.薪. 袩芯薪褟泻芯谐邪 邪胁褌芯褉褗褌 胁谢懈蟹邪 胁 褉芯谢褟褌邪 薪邪 锌褋懈褏芯谢芯谐 (屑邪谢泻芯 懈蟹谢懈褕薪芯 褋锌芯褉械写 屑械薪), 锌褉懈屑械褉薪芯 蟹邪 褌芯胁邪 泻邪泻 褋械 械 芯褌褉邪蟹懈谢芯 芯褋褌邪胁褟薪械褌芯 薪邪 袚邪斜懈褌芯 锌褉懈 斜邪斜邪 屑褍 懈 写褟写芯 屑褍 锌褉械蟹 锌褗褉胁懈褌械 6 谐芯写懈薪懈 芯褌 薪械谐芯胁懈褟 卸懈胁芯褌.
小懈谢薪芯 械 薪邪斜谢械谐薪邪褌芯 薪邪 锌芯蟹薪邪薪褋褌胁邪褌邪 薪邪 袦邪褉泻械褋 褋 褉邪蟹谢懈褔薪懈 谢懈褔薪芯褋褌懈 芯褌 锌芯谢懈褌懈泻邪褌邪 懈 谢懈褌械褉邪褌褍褉邪褌邪. 袪邪蟹谐谢械写邪薪懈 褋邪 胁褋懈褔泻懈褌械 屑褍 锌褉芯懈蟹胁械写械薪懈褟 鈥� 泻褉邪褌泻芯 褉邪蟹泻邪蟹胁邪薪械 薪邪 褋褞卸械褌邪, 胁邪卸薪懈褌械 懈谢懈 锌褉芯斜谢械屑薪懈褌械 屑芯屑械薪褌懈 芯泻芯谢芯 锌懈褋邪薪械褌芯 懈 懈蟹写邪胁邪薪械褌芯, 褍屑械褉械薪懈 邪薪邪谢懈蟹懈 懈 谢懈褔薪懈 懈薪褌械褉锌褉械褌邪褑懈懈. 小褌芯褉懈 屑懈 褋械, 褔械 屑邪谢泻芯 胁薪懈屑邪薪懈械 械 芯斜褗褉薪邪褌芯 薪邪 褉邪蟹泻邪蟹懈褌械 薪邪 袦邪褉泻械褋. 袙褟褉薪芯, 褔械 褉芯屑邪薪懈褌械 褋邪 褌芯谢泻芯胁邪 胁械谢懈泻懈, 薪芯 褉邪蟹泻邪蟹懈褌械 泻邪褌芯 写褉褍谐邪 褎芯褉屑邪 褋锌芯褉械写 屑械薪 褋邪 械写薪邪泻胁芯 褍薪懈泻邪谢薪懈. 小邪屑懈褟褌 袦邪褉泻械褋 褋锌芯褉械写 袦邪褉褌懈薪 泻邪蟹胁邪, 褔械 鈥炩€π啃秆佇靶叫笛傂� 薪邪 褉芯屑邪薪 械 泻邪褌芯 褉邪蟹斜褗褉泻胁邪薪械褌芯 薪邪 斜械褌芯薪, 邪 锌懈褋邪薪械褌芯 薪邪 褉芯屑邪薪 械 泻邪褌芯 锌芯谢邪谐邪薪械褌芯 薪邪 褌褍褏谢懈鈥� 懈 鈥炐犘拘夹靶窖娧� 械 泻邪褌芯 斜褉邪泻邪: 屑芯卸械褕 写邪 谐芯 锌芯锌褉邪胁褟褕 写械薪 褋谢械写 写械薪; 写芯泻邪褌芯 褉邪蟹泻邪蟹褗褌 械 泻邪褌芯 谢褞斜芯胁薪邪 邪褎械褉邪: 邪泻芯 薪械 褉邪斜芯褌懈, 薪褟屑邪 泻邪泻 写邪 褟 蟹邪泻褗褉锌懈褕鈥�.
袚谢邪胁懈褌械 褋邪 芯褎芯褉屑械薪懈 芯褌褔械褌谢懈胁芯 泻邪褌芯 锌械褉懈芯写懈 懈 褌械屑懈, 蟹邪胁褗褉褕械褑懈褌械 懈屑 褔械褋褌芯 褋邪 写芯斜褉懈. 袧邪 屑械褋褌邪 胁 褋邪屑懈褌械 谐谢邪胁懈 锌褉械褏芯写褗褌 屑械卸写褍 褉邪蟹泻邪蟹胁邪薪械褌芯 蟹邪 械写薪芯 懈 锌褉械屑懈薪邪胁邪薪械褌芯 泻褗屑 写褉褍谐芯 褋褗斜懈褌懈械 (懈谢懈 褌械屑邪) 械 写芯褋褌邪 褉褟蟹褗泻, 薪芯 胁褋褗褖薪芯褋褌 械写胁邪 谢懈 懈屑邪 薪邪褔懈薪 胁懈薪邪谐懈 写邪 械 锌谢邪胁薪邪 胁褉褗蟹泻邪褌邪.
笑褟谢芯褋褌薪芯褌芯 芯褌薪芯褕械薪懈械 泻褗屑 袦邪褉泻械褋 鈥� 写芯锌邪写薪邪 屑懈, 褔械 薪褟屑邪 褋谢褟锌芯 胁褗蟹褏胁邪谢褟胁邪薪械 薪邪 谢懈褔薪芯褋褌褌邪 屑褍 (泻褗屑 泻薪懈谐懈褌械 鈥� 写邪, 薪邪锌褉邪胁芯 锌褉械泻谢芯薪械薪懈械); 斜械蟹 锌褉懈褋褌褉邪褋褌懈械 褋邪 芯锌懈褋邪薪懈 锌褉芯褌懈胁芯褉械褔懈胁懈褌械 屑褍 锌芯谢懈褌懈褔械褋泻懈 锌芯蟹懈褑懈懈 懈 写械泄褋褌胁懈褟, 锌芯写写邪胁邪薪械褌芯 薪邪 褋谢邪胁邪褌邪 懈 谢褍泻褋邪, 懈屑邪 懈蟹褉邪蟹懈 泻邪褌芯 鈥炐啃笛€褔械谢鈥�.;)
袦邪谢泻芯 褋褌褉邪薪械薪 屑懈 斜械褕械 锌褉械胁芯写褗褌 薪邪 屑芯屑械薪褌懈 鈥� 写芯斜褗褉 泻邪褌芯 褑褟谢芯, 邪 褋 薪褟泻芯懈 懈蟹薪械薪邪写胁邪褖懈 芯褋芯斜械薪芯褋褌懈. 袨褋褌邪胁械薪懈 褋邪 写芯褋褌邪 褔褍卸写懈褑懈 - 薪械 蟹薪邪褟 写邪谢懈 蟹邪褉邪写懈 褍斜械卸写械薪懈械褌芯, 褔械 锌褉械蟹 21-胁懈 胁械泻 褌芯胁邪 械 锌褉懈械屑谢懈胁芯: 褉褍写懈屑械薪褌邪褉械薪, 邪谢懈械薪懈褉邪褖邪, 懈屑锌谢懈褑懈褌薪懈褟; 褎懈谐褍褉邪褌懈胁薪芯 泻邪蟹邪薪芯. 懈 写褉. 袧邪 薪褟泻芯谢泻芯 屑械褋褌邪 锌褉械写锌芯谢邪谐邪屑 褋械 械 懈屑邪谢芯 锌褉械写胁懈写 薪械 鈥炐叫把佈傂狙徯残扳€� (胁械褉芯褟褌薪芯 insists), 邪 锌芯-褋泻芯褉芯 鈥炑傂惭娧€写懈, 褋褔懈褌邪, 蟹邪褟胁褟胁邪鈥�; 懈蟹锌芯谢蟹胁邪薪械褌芯 薪邪 鈥炐垦冃毙恍感盒把喰秆忊€� (薪邪 泻薪懈谐邪) 胁褗蟹锌褉懈械屑邪褏 泻邪褌芯 锌褍斜谢懈泻褍胁邪薪械 懈谢懈 懈蟹写邪胁邪薪械; 鈥炑€械褑械锌褑懈褟褌邪 褲鈥� (薪邪 泻薪懈谐邪) 鈥� 胁械褉芯褟褌薪芯 鈥炐垦€懈械屑邪薪械, 胁褗蟹锌褉懈械屑邪薪械鈥�; 锌芯 褌械谢械胁懈蟹芯褉邪 鈥� 锌芯 褌械谢械胁懈蟹懈褟褌邪; 写邪 褉邪斜芯褌懈 胁褗褉褏褍 褲 鈥� 胁褗褉褏褍 薪械褟?
袦薪芯谐芯 褋褗屑 写芯胁芯谢薪邪, 褔械 锌褉芯褔械褌芯褏 泻薪懈谐邪褌邪. 袨褌 2 谐芯写懈薪懈 褋械 泻邪薪褟 写邪 褋懈 褟 泻褍锌褟 懈 薪械芯褔邪泻胁邪薪芯 褟 胁懈写褟褏 胁 斜懈斜谢懈芯褌械泻邪褌邪 (懈 锌邪泻 薪械 斜褟褏 褋懈谐褍褉薪邪, 褔械 褖械 褋械 蟹邪械屑邪 褋 600-700 褋褌褉. 薪械褏褍写芯卸械褋褌胁械薪邪 谢懈褌械褉邪褌褍褉邪). 袙 薪邪褔邪谢芯褌芯 褋械 泻芯谢械斜邪械褏 鈥� 懈屑邪 谢懈 褋屑懈褋褗谢 写邪 褔械褌邪 蟹邪 袦邪褉泻械褋, 褋谢械写 泻邪褌芯 械 锌褉械写芯褋褌邪褌褗褔薪芯, 褔械 褋褗屑 褔械谢邪 芯褌 袦邪褉泻械褋. 袧芯 薪邪泻褉邪褟 斜械蟹褋锌芯褉薪芯 褋褗屑 斜懈谢邪 褉邪蟹胁褗谢薪褍胁邪薪邪, 褖芯屑 褋懈 薪邪锌褉邪胁懈褏 邪谢斜褍屑 芯褌 褋薪懈屑泻懈 薪邪 袚邪斜褉懈械谢 袚邪褉褋懈褟 袦邪褉泻械褋: 薪邪 械写薪邪 谐芯写懈薪泻邪-写械褌褋褌胁芯-屑谢邪写芯褋褌-蟹褉械谢芯褋褌-褋褌邪褉芯褋褌. 袠 薪邪懈褋褌懈薪邪 褋械 锌芯谢褍褔懈 鈥炐曅葱感� 卸懈胁芯褌鈥�. 笑械薪薪芯褌芯 蟹邪 屑械薪 芯褌 泻薪懈谐邪褌邪:
- 锌褉械屑懈薪邪胁邪薪械褌芯 锌褉械蟹 锌芯谢懈褌懈褔械褋泻懈褌械 褋褗斜懈褌懈褟 锌芯 褋胁械褌邪 锌褉械蟹 胁褌芯褉邪褌邪 锌芯谢芯胁懈薪邪 薪邪 20-懈 胁械泻;
- 蟹邪锌芯蟹薪邪胁邪薪械褌芯 褋 袥邪褌懈薪褋泻邪 袗屑械褉懈泻邪;
- 懈 锌褉械写懈 胁褋懈褔泻芯 鈥� 薪芯胁芯褌芯 屑懈 锌芯褌邪锌褟薪械 胁 邪褌屑芯褋褎械褉邪褌邪 薪邪 锌褉芯懈蟹胁械写械薪懈褟褌邪 薪邪 袚邪斜褉懈械谢 袚邪褉褋懈褟 袦邪褉泻械褋. 袩芯褔褌懈 胁褋懈褔泻懈 懈蟹写邪写械薪懈 褍 薪邪褋 薪械谐芯胁懈 泻薪懈谐懈 褋褗屑 锌褉芯褔械谢邪, 褋械谐邪 械写胁邪 谢懈 褖械 谐懈 蟹邪锌芯褔薪邪 锌邪泻, 薪芯 褌械蟹懈 写薪懈 斜褟褏 懈蟹褑褟谢芯 芯褌薪械褋械薪邪 胁 屑邪褉泻械褋芯胁懈褟 褋胁褟褌, 芯褋芯斜械薪芯 褋谢械写 泻邪褌芯 胁 google street view 胁懈写褟褏 褍谢懈褔泻懈 懈 褏芯褉邪 胁 褉芯写薪邪褌邪 屑褍 袗褉邪泻邪褌邪泻邪 (~ 袦邪泻芯薪写芯).
袦懈褋谢懈褌械 屑懈 薪邪泻褉邪褟 (芯褋胁械薪 锌芯胁褌芯褉薪芯褌芯 褋斜芯谐褍胁邪薪械 褋 袚邪斜芯, 屑邪泻邪褉 懈 胁 泻褉邪褟 薪邪 泻薪懈谐邪褌邪 写邪 械 卸懈胁, 薪芯 写芯褋褌邪 斜芯谢械薪) - 写邪谢懈 械 锌芯-褌褉褍写薪芯 锌褉懈 褌邪泻褗胁 褕械屑械褌械薪 卸懈胁芯褌, 褉邪胁薪芯褋褌芯械薪 薪邪 褌褉懈 卸懈胁芯褌邪, 写邪 锌褉懈械屑邪褕 锌芯褋褌械锌械薪薪芯褌芯 褉邪蟹写械谢褟薪械 褋 薪械谐芯鈥� 孝褗卸薪芯 屑懈 斜械褕械 鈥� 泻邪褌芯 褋懈 屑懈褋谢械褏 薪械 褌芯谢泻芯胁邪 蟹邪 褋屑褗褉褌褌邪, 泻芯谢泻芯褌芯 蟹邪 褋褌邪褉芯褋褌褌邪. 袛邪薪芯 胁褋械泻懈 卸懈胁芯褌 写邪 械 斜谢邪谐芯褋谢芯胁械薪 褋 锌芯写芯斜薪邪 袦械褉褋械写械褋.
鈥炐⌒敌葱叫把� 薪邪 芯褋胁械褌械薪邪褌邪 褋褑械薪邪, 写芯泻邪褌芯 褉械写芯胁械褌械 薪邪 鈥炐夹狙徰傂扳€� 锌褍斜谢懈泻邪 褌褗薪械褏邪 胁 褌褗屑薪懈薪邪. 袟邪锌芯褔薪邪褏 写邪 褔械褌邪, 薪械 锌芯屑薪褟 褌芯褔薪芯 泻芯褟 谐谢邪胁邪, 薪芯 褋 薪邪锌褉械写胁邪薪械褌芯 薪邪 褌械泻褋褌邪 胁 芯锌褉械写械谢械薪 屑芯屑械薪褌 胁 蟹邪谢邪褌邪 褋械 胁褗蟹褑邪褉懈 褌邪泻邪胁邪 褌懈褕懈薪邪, 邪 邪蟹 斜褟褏 胁 褌邪泻芯胁邪 褋褗褋褌芯褟薪懈械 薪邪 薪邪锌褉械卸械薪懈械, 褔械 懈蟹锌邪写薪邪褏 胁 锌邪薪懈泻邪. 小锌褉褟褏 懈 褋械 胁蟹褉褟褏 胁 褌褗屑薪懈薪邪褌邪. 小谢械写 褋械泻褍薪写懈 褉邪蟹谢懈褔懈褏 谢懈褑邪褌邪 薪邪 褋械写薪邪谢懈褌械 薪邪 锌褗褉胁懈褟 褉械写 懈 胁褋褗褖薪芯褋褌 蟹邪斜械谢褟蟹邪褏, 褔械 芯褔懈褌械 懈屑 褋邪 褕懈褉芯泻芯 芯褌胁芯褉械薪懈. 小褗胁蟹械褏 褋械 懈 锌褉芯写褗谢卸懈褏 褋锌芯泻芯泄薪芯 写邪 褔械褌邪. 啸芯褉邪褌邪 薪邪懈褋褌懈薪邪 锌芯谐谢褗褖邪褏邪 写褍屑懈褌械 屑懈; 懈 屑褍褏邪 薪械 褋屑械械褕械 写邪 蟹邪斜褉褗屑褔懈. 袣芯谐邪褌芯 褋胁褗褉褕懈褏 懈 褋谢褟蟹芯褏 芯褌 褋褑械薪邪褌邪, 锌褗褉胁邪褌邪, 泻芯褟褌芯 屑械 锌褉械谐褗褉薪邪, 斜械褕械 袦械褉褋械写械褋, 褋 芯褋芯斜械薪芯 懈蟹褉邪卸械薪懈械 薪邪 谢懈褑械褌芯 鈥� 屑懈褋谢褟, 褔械 锌芯薪械卸械 褌褟 屑械 锌芯谐谢械写薪邪 褋 褌邪泻芯胁邪 懈蟹褉邪卸械薪懈械 薪邪 谢懈褑械褌芯 蟹邪 锌褗褉胁懈 锌褗褌, 芯褌泻邪泻褌芯 褋械 芯卸械薪懈褏屑械, 邪蟹 芯褋褗蟹薪邪褏, 褔械 屑械 芯斜懈褔邪!... 袟邪 写邪 屑芯谐邪 写邪 锌懈褕邪, 芯褌 谐芯写懈薪邪 胁械褔械 褋械 芯锌褉邪胁褟褕械 锌芯褔褌懈 斜械蟹 锌邪褉懈 懈 胁 写械薪褟 薪邪 谢懈褌械褉邪褌褍褉薪芯褌芯 褔械褌械薪械 懈蟹褉邪蟹褗褌 胁褗褉褏褍 谢懈褑械褌芯 褲 屑懈 写邪写械 褍胁械褉械薪芯褋褌褌邪, 褔械 泻薪懈谐邪褌邪 胁褗褉胁懈 胁 锌褉邪胁懈谢薪邪褌邪 锌芯褋芯泻邪.鈥�
January 27, 2016
This book is a life changer. Meet Gabo. He doesn鈥檛 want to become a writer because anything less than Cervantes is not worth it and great writers are not there anymore. He drops out of law school, spends a year living in a Parisian brothel leeching off the girls (a minor episode in a youth filled with visits to prostitutes and affairs). And he is not alone in his wayward youth- his main collaborators are friends from the 鈥楤arranquilla group鈥� - all destined to become some of the greatest artists and writers of their time. As he pursues his ambition he lives in absolute poverty, sleeping on benches, eating very little, evading people he owes money to. But even in such destitution the influences that would determine his later greatness are seeping in- Joyce, Faulkner, Hemingway and Virginia Woolf are making their way into his life. He forms a direct contrast with Mario Vargas Llosa 鈥� urbane, handsome, charismatic, educated, aristocratic. He rose earlier rise in the world of Spanish writers. He leads the onslaught of the 鈥楤oom Writers鈥� of Latin American writers even as Gabo, though talented, remains behind the arc lights of fame.
He presciently he predicts to his wife that he will write stories and when he is 40, he will write the book of his lifetime. And, on his way to a vacation with his family the first line of 鈥�100 years of Solitude鈥� comes to him, and with it the whole book. From here on his world is suffused with legends and mythologies of it鈥檚 own. As he writes out his great work, the secretary who is supposed to make clean copies the novel secretly steals each chapter of the book as it os finalized to discuss with a group she has formed at her home. After the book is released he has a halo of genius wherever he goes. As and his wife enter a theatre to watch a play, the spotlight shines on them and keeps following them till their seats. With fame comes political power, especially close relationships with Bill Clinton, Fidel Castro and a hundred other world leaders. Indira Gandhi, who told Fidel Castro that she was reading the book at the time, discussed bringing Gabo into international negotiations at the time.
So did he lobby for the Nobel? He probably did.
A deep and well researched book on a subject the writer had known intimately for decades. The value of this work can be determined by the fact that the subject eventually began to refer to the author as his 鈥榦fficial biographer鈥�.
He presciently he predicts to his wife that he will write stories and when he is 40, he will write the book of his lifetime. And, on his way to a vacation with his family the first line of 鈥�100 years of Solitude鈥� comes to him, and with it the whole book. From here on his world is suffused with legends and mythologies of it鈥檚 own. As he writes out his great work, the secretary who is supposed to make clean copies the novel secretly steals each chapter of the book as it os finalized to discuss with a group she has formed at her home. After the book is released he has a halo of genius wherever he goes. As and his wife enter a theatre to watch a play, the spotlight shines on them and keeps following them till their seats. With fame comes political power, especially close relationships with Bill Clinton, Fidel Castro and a hundred other world leaders. Indira Gandhi, who told Fidel Castro that she was reading the book at the time, discussed bringing Gabo into international negotiations at the time.
So did he lobby for the Nobel? He probably did.
A deep and well researched book on a subject the writer had known intimately for decades. The value of this work can be determined by the fact that the subject eventually began to refer to the author as his 鈥榦fficial biographer鈥�.
July 10, 2013
袧械 斜懈褏 泻邪蟹邪谢邪, 褔械 胁褋懈褔泻芯 胁 泻薪懈谐邪褌邪 屑懈 褏邪褉械褋邪 - 懈屑邪 褌胁褗褉写械 屑薪芯谐芯 屑械褋褌邪, 泻芯懈褌芯 斜懈 褌褉褟斜胁邪谢芯 写邪 褋械 懈蟹褔懈褋褌褟褌 - 锌褉械泻邪谢械薪芯 械 薪邪褋械谢械薪邪 褋 懈屑械薪邪, 褎邪泻褌懈 懈 锌芯写褉芯斜薪芯褋褌懈, 芯褌 泻芯懈褌芯 褔芯胁械泻 褋械 芯斜褗褉泻胁邪 懈 薪械 胁懈薪邪谐懈 褋邪 屑褍 薪褍卸薪懈. 袧芯 懈屑邪 懈 薪械褖邪 胁 薪械褟, 泻芯懈褌芯 褌械 泻邪褉邪褌 写邪 褋懈 薪邪锌褉邪胁懈褕 褑械薪薪懈 懈蟹胁芯写懈 懈 写邪 薪邪褍褔懈褕 懈薪褌械褉械褋薪懈 薪械褖邪.
袩褉芯斜谢械屑邪 薪邪 锌芯胁械褔械褌芯 斜懈芯谐褉邪褎懈懈 (褋锌芯褉械写 屑械薪) 械, 褔械 褋邪 锌懈褋邪薪懈 褋褟泻邪褕 芯褌 褏芯褉邪 卸懈胁械谢懈 写芯 胁褗锌褉芯褋薪邪褌邪 谢懈褔薪芯褋褌 - 褋褟泻邪褕 褋邪 斜懈谢懈 胁 褋褗褋械写薪懈褟 写胁芯褉 懈谢懈 胁 泻芯芯锌械褉邪褑懈褟褌邪 芯褌褋褉械褖邪 懈 褋邪 褋谢褍褏褌械谢懈 懈 胁芯邪泄芯褉褋褌胁邪谢懈 锌褉械蟹 褑械谢懈褟 屑褍 卸懈胁芯褌, 薪芯 薪械 褋邪 锌褉芯薪懈泻薪邪谢懈 胁 写褍褏邪, 胁 褋褗褖懈薪邪褌邪 薪邪 褔芯胁械泻邪, 胁褗胁 胁褗褌褉械褕薪懈褟 屑褍 屑懈褉. 孝.械 懈屑邪 褟 锌芯胁褗褉褏薪芯褋褌褌邪 - 褌芯泄 芯褌懈写械 褌邪屑, 薪邪锌褉邪胁懈 褌芯胁邪, 锌芯褋谢械 泻邪蟹邪 褌芯胁邪, 薪芯 谐芯 薪褟屑邪 锌芯写褌懈泻邪, 薪褟屑邪 谐芯 懈褋褌懈薪褋泻懈褟 褔芯胁械泻, 写褗谢斜懈薪懈褌械.
孝芯胁邪 屑邪谢褑懈薪邪 斜懈芯谐褉邪褎懈 谐芯 锌芯褋褌懈谐邪褌.
袗 懈 褌褍泻 械 泻邪泻褌芯 锌褉懈 锌芯胁械褔械褌芯 斜懈芯谐褉邪褎懈懈 - 锌褗褉胁邪褌邪 褔邪褋褌 - 褌.械. 屑谢邪写芯褋褌褌邪 薪邪 褔芯胁械泻邪 械 胁懈薪邪谐懈 锌芯-懈薪褌械褉械褋薪邪, 芯褌泻芯谢泻芯褌芯 写褉褍谐邪褌邪 - 泻芯谐邪褌芯 褋褌邪胁邪 蟹褉褟谢 懈 懈蟹胁械褋褌械薪.
袩褉芯斜谢械屑邪 薪邪 锌芯胁械褔械褌芯 斜懈芯谐褉邪褎懈懈 (褋锌芯褉械写 屑械薪) 械, 褔械 褋邪 锌懈褋邪薪懈 褋褟泻邪褕 芯褌 褏芯褉邪 卸懈胁械谢懈 写芯 胁褗锌褉芯褋薪邪褌邪 谢懈褔薪芯褋褌 - 褋褟泻邪褕 褋邪 斜懈谢懈 胁 褋褗褋械写薪懈褟 写胁芯褉 懈谢懈 胁 泻芯芯锌械褉邪褑懈褟褌邪 芯褌褋褉械褖邪 懈 褋邪 褋谢褍褏褌械谢懈 懈 胁芯邪泄芯褉褋褌胁邪谢懈 锌褉械蟹 褑械谢懈褟 屑褍 卸懈胁芯褌, 薪芯 薪械 褋邪 锌褉芯薪懈泻薪邪谢懈 胁 写褍褏邪, 胁 褋褗褖懈薪邪褌邪 薪邪 褔芯胁械泻邪, 胁褗胁 胁褗褌褉械褕薪懈褟 屑褍 屑懈褉. 孝.械 懈屑邪 褟 锌芯胁褗褉褏薪芯褋褌褌邪 - 褌芯泄 芯褌懈写械 褌邪屑, 薪邪锌褉邪胁懈 褌芯胁邪, 锌芯褋谢械 泻邪蟹邪 褌芯胁邪, 薪芯 谐芯 薪褟屑邪 锌芯写褌懈泻邪, 薪褟屑邪 谐芯 懈褋褌懈薪褋泻懈褟 褔芯胁械泻, 写褗谢斜懈薪懈褌械.
孝芯胁邪 屑邪谢褑懈薪邪 斜懈芯谐褉邪褎懈 谐芯 锌芯褋褌懈谐邪褌.
袗 懈 褌褍泻 械 泻邪泻褌芯 锌褉懈 锌芯胁械褔械褌芯 斜懈芯谐褉邪褎懈懈 - 锌褗褉胁邪褌邪 褔邪褋褌 - 褌.械. 屑谢邪写芯褋褌褌邪 薪邪 褔芯胁械泻邪 械 胁懈薪邪谐懈 锌芯-懈薪褌械褉械褋薪邪, 芯褌泻芯谢泻芯褌芯 写褉褍谐邪褌邪 - 泻芯谐邪褌芯 褋褌邪胁邪 蟹褉褟谢 懈 懈蟹胁械褋褌械薪.
December 7, 2022
Gerald Martin鈥檚 鈥淕abriel Garc铆a M谩rquez鈥� is a wonderful, highly partisan defense of the writings, political activities and fornicating of its subject. Although M谩rquez has described Martin as his official biographer, Martin says he was not an official biographer in that M谩rquez never actually reviewed Martin鈥檚 text. Martin does concede however that he was willing to bear the title on occasions when it provided access to key sources such as Fidel Castro. Martin also makes it clear that he accepted M谩rquez鈥檚 many lies at face value.
Garcia Marquez was born in Aracataca a small town near the Caribbean coast of Columbia in 1927. His paternal grandfather Colonel Nicol谩s Ricardo M谩rquez had fought on the losing Liberal side of 鈥淕uerra de los Mil D铆as鈥� a Columbian civil war fought between October 1899 and November 1902. The Colonel would be the hero of Marquez鈥檚 life and the model for Colonel Aureliano Buend铆a the protagonist of 鈥�100 Years of Solitude鈥�. Marquez鈥檚 father, Gabriel Eligio Garc铆a Martinez was an utter scoundrel, a committed Conservative and much hated by his son. Gabriel Garc铆a M谩rquez for his entire life would subscribe to revolutionary Left-Wing politics and detest Columbian conservatives.
鈥�100 Years of Solitude鈥� tells the story of the family of Gabriel Garc铆a M谩rquez and the town of Aracataca (Mocondo in the novel). The climax is the massacre that occurred near Aracataca-Mocondo in 1927 of possibly as many as 2000 striking banana workers employed by the American United Fruit Company. The novel concludes with the extinction of the Buendia family. Martindescribes 鈥�100 Years of Solitude鈥� as being not an account of the family history of the author but a description of Marquez鈥檚 memories of his family history. The work鈥檚 eerie style which is referred to as 鈥淢agic-Realism鈥� proved to be wildly popular with both critics and the reading public. Its publication in 1967 instantly made Garc铆a M谩rquez an international celebrity. He would devote a large part of his time for the rest of his life promoting Left-Wing causes in Latin American most notoriously Castro鈥檚 communist regime in Cuba.
Marquez wrote two more significant political novels 鈥淭he General in his Labyrinth鈥� (a fictionalized account of the last months in the life of Simon Bolivar) and 鈥淭he Autumn of the Patriarch鈥� (a novel about a generic 20th century Latin American dictator. In both cases, Martin鈥檚 praise is damning. In the 鈥淭he General in his Labyrinth鈥� Marquez fabricates similarities between the great hero Bolivar and Fidel Castro. 鈥淭he Autumn of the Patriarch鈥� incorporates elements from multiple Latin American dictators (Juan Vicente Gomez, Marcos Perez Jimenez, Porfirio Diaz, Manuel Estrada, Luis, Samoza, Anastasio Samoza, Anastasio Jr. Samoza, and Rafael Trujillo) but represents none of them accurately.
Marquez鈥檚 final novel to be both a major critical and commercial success was 鈥淟ove in the Time of Cholera鈥� which tells the story of the love of the author鈥檚 long-suffering mother and his reprobate father. Martin applauds Marquez for writing a beautiful homage to love but questions whether the Marquez鈥檚 degenerate father indeed deserves to have been forgiven.
Martin cites Kafka, Faulkner, Hemingway, Woolf and Dostoyevsky as major literary influences on Marquez. The decisive breakthrough for Marquez occurred after he moved to Mexico in 1961. In Mexico he became close to Carlos Fuentes who taught him to view himself as a Latin-American rather than as a Columbian. It was in Mexico that Marquez wrote 鈥�100 Years of Solitude鈥�. In the opinion of Martin, the novel was the great hit that it was because of its Latin-American rather than Columbian perspective.
Some other GR reviewers have been distressed by the fact that most of the second half of Martin鈥檚 biography is devoted to politics. However, Martin makes it clear that Marquez was brought up to believe that politics came first. His grandfather served the Left as a miliary man. Marquez served it as a writer. After he became rich and famous, he devoted a great deal of his time and spent a large part of his money promoting the cause of Fidel Castro. For Marquez political militancy was not a hobby but an important duty.
Once famous, Marquez proved remarkably adept at making friends in high places. In addition to Castro, he became friends with the following heads of state: Francois Mitterand, Lopez Portillo, Lopez Michelsen, Carlos Perez, Belisario Betancur Jack Lang, Felipe Gonzalez and Bill Clinton. His prime goals were to obtain support for Castro and to obtain releases for communist activists being held in detention in various countries around the world.
Martin also provides ample details on the colourful sex life of Marquez who was a remarkable satyr. In the first half of the book, Martin constantly refers to social outings involving Marquez and his literary friends that end in brothels. In the second half of the book Martin mentions fewer such outings. Other GR reviewers which have suggested that Martin may have wished not to cause Marquez鈥檚 widow unnecessary pain. Martin does however give full attention to the occasion when Marquez was physically attacked at a public conference by Mario Vargas Llosa who believed that Marquez had been having an affair which his wife.
Despite the focus of politics and whoring, Martin does not neglect the literary matters. He is thorough in his critiques of all Marquez鈥檚 works. He also has many insightful comments about the many authors that Marquez was friends with during his life: Alvaro Mutis, Mario Vargas Llosa, Julio Cortazar, Jos茅 Donoso, Juan Rulfo, Miguel Asturias and surprisingly Jorge Borges.
Garcia Marquez was born in Aracataca a small town near the Caribbean coast of Columbia in 1927. His paternal grandfather Colonel Nicol谩s Ricardo M谩rquez had fought on the losing Liberal side of 鈥淕uerra de los Mil D铆as鈥� a Columbian civil war fought between October 1899 and November 1902. The Colonel would be the hero of Marquez鈥檚 life and the model for Colonel Aureliano Buend铆a the protagonist of 鈥�100 Years of Solitude鈥�. Marquez鈥檚 father, Gabriel Eligio Garc铆a Martinez was an utter scoundrel, a committed Conservative and much hated by his son. Gabriel Garc铆a M谩rquez for his entire life would subscribe to revolutionary Left-Wing politics and detest Columbian conservatives.
鈥�100 Years of Solitude鈥� tells the story of the family of Gabriel Garc铆a M谩rquez and the town of Aracataca (Mocondo in the novel). The climax is the massacre that occurred near Aracataca-Mocondo in 1927 of possibly as many as 2000 striking banana workers employed by the American United Fruit Company. The novel concludes with the extinction of the Buendia family. Martindescribes 鈥�100 Years of Solitude鈥� as being not an account of the family history of the author but a description of Marquez鈥檚 memories of his family history. The work鈥檚 eerie style which is referred to as 鈥淢agic-Realism鈥� proved to be wildly popular with both critics and the reading public. Its publication in 1967 instantly made Garc铆a M谩rquez an international celebrity. He would devote a large part of his time for the rest of his life promoting Left-Wing causes in Latin American most notoriously Castro鈥檚 communist regime in Cuba.
Marquez wrote two more significant political novels 鈥淭he General in his Labyrinth鈥� (a fictionalized account of the last months in the life of Simon Bolivar) and 鈥淭he Autumn of the Patriarch鈥� (a novel about a generic 20th century Latin American dictator. In both cases, Martin鈥檚 praise is damning. In the 鈥淭he General in his Labyrinth鈥� Marquez fabricates similarities between the great hero Bolivar and Fidel Castro. 鈥淭he Autumn of the Patriarch鈥� incorporates elements from multiple Latin American dictators (Juan Vicente Gomez, Marcos Perez Jimenez, Porfirio Diaz, Manuel Estrada, Luis, Samoza, Anastasio Samoza, Anastasio Jr. Samoza, and Rafael Trujillo) but represents none of them accurately.
Marquez鈥檚 final novel to be both a major critical and commercial success was 鈥淟ove in the Time of Cholera鈥� which tells the story of the love of the author鈥檚 long-suffering mother and his reprobate father. Martin applauds Marquez for writing a beautiful homage to love but questions whether the Marquez鈥檚 degenerate father indeed deserves to have been forgiven.
Martin cites Kafka, Faulkner, Hemingway, Woolf and Dostoyevsky as major literary influences on Marquez. The decisive breakthrough for Marquez occurred after he moved to Mexico in 1961. In Mexico he became close to Carlos Fuentes who taught him to view himself as a Latin-American rather than as a Columbian. It was in Mexico that Marquez wrote 鈥�100 Years of Solitude鈥�. In the opinion of Martin, the novel was the great hit that it was because of its Latin-American rather than Columbian perspective.
Some other GR reviewers have been distressed by the fact that most of the second half of Martin鈥檚 biography is devoted to politics. However, Martin makes it clear that Marquez was brought up to believe that politics came first. His grandfather served the Left as a miliary man. Marquez served it as a writer. After he became rich and famous, he devoted a great deal of his time and spent a large part of his money promoting the cause of Fidel Castro. For Marquez political militancy was not a hobby but an important duty.
Once famous, Marquez proved remarkably adept at making friends in high places. In addition to Castro, he became friends with the following heads of state: Francois Mitterand, Lopez Portillo, Lopez Michelsen, Carlos Perez, Belisario Betancur Jack Lang, Felipe Gonzalez and Bill Clinton. His prime goals were to obtain support for Castro and to obtain releases for communist activists being held in detention in various countries around the world.
Martin also provides ample details on the colourful sex life of Marquez who was a remarkable satyr. In the first half of the book, Martin constantly refers to social outings involving Marquez and his literary friends that end in brothels. In the second half of the book Martin mentions fewer such outings. Other GR reviewers which have suggested that Martin may have wished not to cause Marquez鈥檚 widow unnecessary pain. Martin does however give full attention to the occasion when Marquez was physically attacked at a public conference by Mario Vargas Llosa who believed that Marquez had been having an affair which his wife.
Despite the focus of politics and whoring, Martin does not neglect the literary matters. He is thorough in his critiques of all Marquez鈥檚 works. He also has many insightful comments about the many authors that Marquez was friends with during his life: Alvaro Mutis, Mario Vargas Llosa, Julio Cortazar, Jos茅 Donoso, Juan Rulfo, Miguel Asturias and surprisingly Jorge Borges.
August 17, 2019
Amazing to read a biography that uses the first person as often as this one. Garc铆a M谩rquez's "officially tolerated" biographer is clearly a huge fan of his, but this only adds to the experience of Martin's book. In fact, when the seventy-year old Gabito finally refers a journalist's query to his "official" biographer, the delight on Martin's part is really touching.
How appropriate for the great writer that his biography should be so layered, and have so many amusing and novelistic moments, perhaps none more so than the ending, which would have to be the most moving last page of a biography I've ever read. Very Marquesian.
How appropriate for the great writer that his biography should be so layered, and have so many amusing and novelistic moments, perhaps none more so than the ending, which would have to be the most moving last page of a biography I've ever read. Very Marquesian.
March 12, 2023
Much like its highly revered subject, Gerald Martin's biography of Gabriel Garcia Marquez is not without some serious flaws. The first 300 pages which chronicle the novelist's childhood, education, early career as journalist/columnist and travels through Europe and the Soviet Union are well enough handled, particularly the sections that detail the events which shape Garcia Marquez's socialist identity.
As the book progresses it becomes mired in political discourse which in Martin's hands spans a mile wide but only an inch deep. We are introduced to a parade of despots and el presidentes and it becomes clear that Garcia Marquez was infatuated with (or at least craved proximity to) men of power, and in his questionable attempted alliance with Fidel Castro his compassionate socialism is revealed as no match for the sinister hard-line ideologues that insulated the Cuban revolutionary. The two eventually became close friends as Garcia Marquez achieved world-wide fame, and explained away the compromised position he found himself in by befriending a dictator who executed thousands (including some of the writer's former friends) by suggesting his insider status enabled him to lobby for the release of a handful of condemned men.
All of this is handled with the slightest of criticism and there are too many loose threads for this to be in any real way insightful. Martin is far too close to his secretive subject, which is probably why Marquez's wife of fifty-plus years is respectfully unscrutinised and remains little more than a shadow in this biography. We actually learn much more about a tumultuous nine-month relationship he had while living in Paris before his marriage.
Martin's analyses of the novels, however, are excellent and it is for these that this book is eminently worthwhile and is likely what most readers are looking forward to when skimming through this book. Garcia Marquez was a brilliant novelist (although, interestingly, a poor scriptwriter and failed playwright) whose life deserves a more authoritative overview than what is presented here.
As the book progresses it becomes mired in political discourse which in Martin's hands spans a mile wide but only an inch deep. We are introduced to a parade of despots and el presidentes and it becomes clear that Garcia Marquez was infatuated with (or at least craved proximity to) men of power, and in his questionable attempted alliance with Fidel Castro his compassionate socialism is revealed as no match for the sinister hard-line ideologues that insulated the Cuban revolutionary. The two eventually became close friends as Garcia Marquez achieved world-wide fame, and explained away the compromised position he found himself in by befriending a dictator who executed thousands (including some of the writer's former friends) by suggesting his insider status enabled him to lobby for the release of a handful of condemned men.
All of this is handled with the slightest of criticism and there are too many loose threads for this to be in any real way insightful. Martin is far too close to his secretive subject, which is probably why Marquez's wife of fifty-plus years is respectfully unscrutinised and remains little more than a shadow in this biography. We actually learn much more about a tumultuous nine-month relationship he had while living in Paris before his marriage.
Martin's analyses of the novels, however, are excellent and it is for these that this book is eminently worthwhile and is likely what most readers are looking forward to when skimming through this book. Garcia Marquez was a brilliant novelist (although, interestingly, a poor scriptwriter and failed playwright) whose life deserves a more authoritative overview than what is presented here.
February 24, 2010
You may have thought GGM invented "magical realism" and made all that stuff up. It turns out, his novels and stories are basically documentaries of his own life. "Truth is stranger than fiction." Fascinating.
February 8, 2011
賰賳鬲 賯丿 賯囟賷鬲 賮鬲乇丞 睾賷乇 賯氐賷乇丞 賮賷 賯乇丕亍丞 賴匕賴 丕賱爻賷乇丞 賮賲賳 亘丨孬 賮賷賴丕 賵爻乇丿賴丕 賯囟丌 毓賲乇丕 胤賵賷賱丕 丨鬲賶 賷禺乇噩 亘賴匕丕 丕賱賰鬲丕亘 賵賱爻賷乇丞 丕賱毓馗賲丕亍 毓亘賯 賵爻丨乇 賱丕 賷賲賰賳 兀賳 賷賵氐賮 賮賲丕亘丕賱 賲賳 賷鬲丨丿孬 毓賳 兀毓馗賲 乇賵丕卅賷 賮賷 丕賱鬲丕乇賷禺...賰鬲丕亘 乇丕卅毓 賵胤亘毓丞 賮丕禺乇丞 鬲爻鬲丨賯 丕賱丕賯鬲賳丕亍
May 29, 2016
it is a heavy book,really took me a long time to finish it. But,it's WORTH it.
His life is like his books,it's mysterious and fascinating.
His life is like his books,it's mysterious and fascinating.
March 25, 2017
Gabriel Garc铆a M谩rquez the beautiful love & soft heart 鉂�
July 3, 2022
Uma biografia que 茅 tamb茅m uma viagem pelo s茅culo XX e pelo futuro, entrela莽ando a vida fascinante de Gabriel Garc铆a M谩rquez com a hist贸ria complexa da Col么mbia, a revolu莽茫o cubana, o ascender e decad锚ncia das esquerdas, e a realidade pol铆tica e liter谩ria latinoamericana.
脡 um livro bom de se ler, sobretudo para quem tem algum conhecimento do contexto pol铆tico colombiano e j谩 tenha passado pelas obras maestras de Gabo. Para cada uma, h谩 uma explica莽茫o do contexto que levou a e que rodeou a constru莽茫o da obra. Ainda assim, n茫o creio que ler esta biografia antes de ler algumas das obras diminua a qualidade da experi锚ncia de leitura, pelo contr谩rio, pode ajudar a compreende-las de maneira mais profunda.
Embora seja um trabalho de quase duas d茅cadas e com muito valor, senti que a biografia chega a ser repetitiva, e que n茫o conseguindo dar mais detalhes da vida pessoal e dos verdadeiros sentimentos de Gabo, provavelmente porque o pr贸prio escondia a sua vida privada, acaba por se prender muito em factos pol铆ticos e hist贸ricos, na an谩lise dos livros, e nas amizades de alto n铆vel que o biografado foi construindo.
A parte inicial sobre a inf芒ncia 茅 maravilhosa, sobretudo depois de ter visitado Aracataca recentemente. Achei especialmente comovente e curioso o momento em que GGM recebe o Nobel da Literatura. Aprendi bastante sobre as principais refer锚ncias da literatura latinoamericana da 茅poca. Se poderia ser melhor, provavelmente, mas 茅 uma biografia que vale a pena ser lida, e muito mais ainda, existir. (Fico ansiosamente a aguardar a biografia que Gerald Mart铆n est谩 a escrever de Mario Vargas Llosa.)
脡 um livro bom de se ler, sobretudo para quem tem algum conhecimento do contexto pol铆tico colombiano e j谩 tenha passado pelas obras maestras de Gabo. Para cada uma, h谩 uma explica莽茫o do contexto que levou a e que rodeou a constru莽茫o da obra. Ainda assim, n茫o creio que ler esta biografia antes de ler algumas das obras diminua a qualidade da experi锚ncia de leitura, pelo contr谩rio, pode ajudar a compreende-las de maneira mais profunda.
Embora seja um trabalho de quase duas d茅cadas e com muito valor, senti que a biografia chega a ser repetitiva, e que n茫o conseguindo dar mais detalhes da vida pessoal e dos verdadeiros sentimentos de Gabo, provavelmente porque o pr贸prio escondia a sua vida privada, acaba por se prender muito em factos pol铆ticos e hist贸ricos, na an谩lise dos livros, e nas amizades de alto n铆vel que o biografado foi construindo.
A parte inicial sobre a inf芒ncia 茅 maravilhosa, sobretudo depois de ter visitado Aracataca recentemente. Achei especialmente comovente e curioso o momento em que GGM recebe o Nobel da Literatura. Aprendi bastante sobre as principais refer锚ncias da literatura latinoamericana da 茅poca. Se poderia ser melhor, provavelmente, mas 茅 uma biografia que vale a pena ser lida, e muito mais ainda, existir. (Fico ansiosamente a aguardar a biografia que Gerald Mart铆n est谩 a escrever de Mario Vargas Llosa.)
August 6, 2024
C鈥檈st une biographie totalement hagiographique alors que la vie de Gabo n鈥櫭﹖ait pas exempte de d茅fauts. Mais peu importe, le lecteur arrive 脿 faire la part des choses. Le tout est passionnant, car il y est question de la vie de l鈥橝uteur, mais aussi de l鈥檋istoire colombienne et plus encore de l鈥檋istoire latino-am茅ricaine au sein de son si猫cle, et quelle vie! Ca se lit comme un roman qui viendrait compl茅ter le passionnant Vivre pour la raconter, le tout doubl茅 d鈥檜ne critique litt茅raire tr猫s int茅ressante sur l鈥檕euvre de GGM. On n鈥檈st pas oblig茅s d鈥櫭猼re d鈥檃ccord avec toute l鈥檃nalyse litt茅raire, mais cela donne des pistes de r茅flexion int茅ressantes, et a minima un contexte 脿 l鈥櫭ヽriture.
Sur cette base, une nouvelle perspective de l鈥檕euvre du g茅ant colombien s鈥檕uvre aux lecteurs. Je suis ravi d鈥檃voir lu Garcia Marquez sans avoir eu connaissance de tout cela (et de l鈥檃voir ador茅 sans aucun contexte), et me voil脿 maintenant dans la perspective de le relire avec de nouvelles cl茅s de lecture.
PS: seul d茅faut: le format du livre (inexistant 脿 ma connaissance en poche ou en num茅rique) est particuli猫rement peu pratique, sauf 脿 avoir l鈥檕ccasion de le lire dans un transat
Sur cette base, une nouvelle perspective de l鈥檕euvre du g茅ant colombien s鈥檕uvre aux lecteurs. Je suis ravi d鈥檃voir lu Garcia Marquez sans avoir eu connaissance de tout cela (et de l鈥檃voir ador茅 sans aucun contexte), et me voil脿 maintenant dans la perspective de le relire avec de nouvelles cl茅s de lecture.
PS: seul d茅faut: le format du livre (inexistant 脿 ma connaissance en poche ou en num茅rique) est particuli猫rement peu pratique, sauf 脿 avoir l鈥檕ccasion de le lire dans un transat
December 10, 2019
賲賳 丕賱賰鬲亘 丕賱鬲賷 賱丕 鬲賯乇兀 廿賱丕 亘丕賱鬲卮乇賷丨 丕賱亘胤賷亍 貙 亘丕賱鬲賱匕匕 賵丕賱鬲毓賲賯 賵丕賱丕爻鬲胤乇丕丿 賵丕賱亘丨孬 貙 賲噩賴賵丿 17 賲賳 丕賱兀毓賵丕賲 貙 賯丿 賱丕 賷賳丕爻亘 丕賱賯乇丕亍 丕賱賲亘鬲丿卅賷賳 貙 噩毓賱 丕賱賴賵丕賲卮 賰賱賴丕 賮賯 賳賴丕賷丞 丕賱賰鬲丕亘 賰丕賳 賲夭毓噩丕 噩丿丕 賵賴賵 禺胤兀 鬲鬲丨賲賱 丿丕賵 丕賱賳卮乇 賮賷 乇兀賷賷 (兀賰孬乇 賲賳 80 氐賮丨丞). 賰丕賳 亘丕賱廿賲賰丕賳 兀賳 賷賰賵賳 丕賱賴丕賲卮 賮賷 賳賮爻 丕賱氐賮丨丞 賵賰賮賶 貙 毓賲賵賲丕 丕賱賰鬲丕亘 乇丕卅毓 賵賳丕鬲噩 毓賳 賲噩賴賵丿 噩亘丕乇 噩丿丕 噩丿丕
June 10, 2020
Interesante la vida de este gran personaje...
September 18, 2017
爻賷乇丞 睾丕亘乇賷賷賱 睾丕乇爻賷丕 賲丕乇賰賷夭
兀卮賲賱 賲丕 賰鬲亘 毓賳 賲丕乇賰賷夭貙 賵氐賮 賲丕乇賰賷夭 賰丕鬲亘賴丕 (噩賷乇丕賱丿 賲丕乇鬲賳) 亘兀賳賴 賰丕鬲亘 爻賷乇鬲賴 丕賱乇爻賲賷貙 賵賯丿 兀賲囟賶 丕賱賲丐賱賮 17 毓丕賲丕賸 賵賴賵 賷毓賲賱 毓賱賶 賴匕丕 丕賱賰鬲丕亘貙 賵賯乇兀 賰賱 賲丕 賰鬲亘賴 賲丕乇賰賷夭貙 賱賷爻 賰鬲亘賴 賮賯胤貙 亘賱 賵丨鬲賶 賲賯丕賱丕鬲賴 丕賱鬲賷 賳卮乇賴丕 禺賱丕賱 毓賲賱賴 丕賱氐丨賮賷 丕賱胤賵賷賱貙 賴匕丕 睾賷乇 賲卅丕鬲 丕賱賲賯丕亘賱丕鬲 賲毓 丕賱毓卮乇丕鬲 賲賲賳 毓乇賮賵丕 賲丕乇賰賷夭 賵毓丕賷卮賵賴 賲賳匕 丕賱胤賮賵賱丞.
賷馗賳 丕賱賰孬賷乇賵賳 兀賳 賰鬲丕亘 賲丕乇賰賷夭 (毓卮鬲 賱兀乇賵賷) 賷睾賳賷貙 亘賲丕 兀賳賴 爻賷乇丞 賲丕乇賰賷夭 亘賯賱賲賴貙 賵賱賰賳賴賲 賲禺胤卅賵賳 鬲賲丕賲丕賸貙 賱兀賳 匕賱賰 丕賱賰鬲丕亘 賱賷爻 廿賱丕 爻賷乇丞 胤賮賵賱丞 賵卮亘丕亘 賲丕乇賰賷夭 賮賯胤貙 兀賷 賲賳匕 賵賱丕丿鬲賴 賵丨鬲賶 爻賳丞 1950 賲貙 亘賷賳賲丕 賷囟賲 賰鬲丕亘 噩賷乇丕賱丿 賲丕乇鬲賳 80 毓丕賲丕賸 賲賳 丨賷丕丞 賲丕乇賰賷夭貙 賲賳匕 賵賱丕丿鬲賴 1927 賵丨鬲賶 2007 賲貙 亘賲丕 賮賷 匕賱賰 匕賰乇賷丕鬲 胤賮賵賱鬲賴 賵鬲賳賯賱丕鬲賴貙 賵毓賲賱賴 賮賷 丕賱氐丨丕賮丞貙 賵賮鬲乇丞 丨賷丕鬲賴 賮賷 兀賵乇賵亘丕貙 賵夭賵丕噩賴 賲賳 賲賷乇孬賷丿賷爻貙 賵賰鬲丕亘丞 兀毓賲丕賱賴 丕賱賰亘乇賶 (賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞)貙 (禺乇賷賮 丕賱亘胤乇賷乇賰)貙 (丕賱噩賳乇丕賱 賮賷 賲鬲丕賴鬲賴)貙 (丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕)貙 (禺亘乇 丕禺鬲胤丕賮)貙 賵賲噩賲賵毓丕鬲賴 丕賱賯氐氐賷丞.
丕賱賰鬲丕亘 毓賲賱丕賯 亘丨賯貙 兀賰孬乇 賲賳 爻亘毓賲卅丞 氐賮丨丞 賲毓 丕賱賴賵丕賲卮 丕賱賰孬賷乇丞貙 賵丕賱卮禺氐賷丕鬲貙 賵丕賱兀丨丿丕孬貙 賵禺丕氐丞 毓賱丕賯丕鬲 賲丕乇賰賷夭 丕賱爻賷丕爻賷丞 賵丕賱兀丿亘賷丞貙 賵賯丿 賰卮賮 賱賷 噩賵丕賳亘 賲丕乇賰賷夭賷丞 賱賲 兀賰賳 兀丿乇賷 亘賴丕貙 賵禺丕氐丞 孬賵乇賷丞 賲丕乇賰賷夭 賵毓賱丕賯鬲賴 丕賱賯賵賷丞 亘賰賵亘丕 賵賰丕爻鬲乇賵 賵丕賱鬲賷 丕爻鬲賲乇鬲 廿賱賶 丕賱賳賴丕賷丞.
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兀卮賲賱 賲丕 賰鬲亘 毓賳 賲丕乇賰賷夭貙 賵氐賮 賲丕乇賰賷夭 賰丕鬲亘賴丕 (噩賷乇丕賱丿 賲丕乇鬲賳) 亘兀賳賴 賰丕鬲亘 爻賷乇鬲賴 丕賱乇爻賲賷貙 賵賯丿 兀賲囟賶 丕賱賲丐賱賮 17 毓丕賲丕賸 賵賴賵 賷毓賲賱 毓賱賶 賴匕丕 丕賱賰鬲丕亘貙 賵賯乇兀 賰賱 賲丕 賰鬲亘賴 賲丕乇賰賷夭貙 賱賷爻 賰鬲亘賴 賮賯胤貙 亘賱 賵丨鬲賶 賲賯丕賱丕鬲賴 丕賱鬲賷 賳卮乇賴丕 禺賱丕賱 毓賲賱賴 丕賱氐丨賮賷 丕賱胤賵賷賱貙 賴匕丕 睾賷乇 賲卅丕鬲 丕賱賲賯丕亘賱丕鬲 賲毓 丕賱毓卮乇丕鬲 賲賲賳 毓乇賮賵丕 賲丕乇賰賷夭 賵毓丕賷卮賵賴 賲賳匕 丕賱胤賮賵賱丞.
賷馗賳 丕賱賰孬賷乇賵賳 兀賳 賰鬲丕亘 賲丕乇賰賷夭 (毓卮鬲 賱兀乇賵賷) 賷睾賳賷貙 亘賲丕 兀賳賴 爻賷乇丞 賲丕乇賰賷夭 亘賯賱賲賴貙 賵賱賰賳賴賲 賲禺胤卅賵賳 鬲賲丕賲丕賸貙 賱兀賳 匕賱賰 丕賱賰鬲丕亘 賱賷爻 廿賱丕 爻賷乇丞 胤賮賵賱丞 賵卮亘丕亘 賲丕乇賰賷夭 賮賯胤貙 兀賷 賲賳匕 賵賱丕丿鬲賴 賵丨鬲賶 爻賳丞 1950 賲貙 亘賷賳賲丕 賷囟賲 賰鬲丕亘 噩賷乇丕賱丿 賲丕乇鬲賳 80 毓丕賲丕賸 賲賳 丨賷丕丞 賲丕乇賰賷夭貙 賲賳匕 賵賱丕丿鬲賴 1927 賵丨鬲賶 2007 賲貙 亘賲丕 賮賷 匕賱賰 匕賰乇賷丕鬲 胤賮賵賱鬲賴 賵鬲賳賯賱丕鬲賴貙 賵毓賲賱賴 賮賷 丕賱氐丨丕賮丞貙 賵賮鬲乇丞 丨賷丕鬲賴 賮賷 兀賵乇賵亘丕貙 賵夭賵丕噩賴 賲賳 賲賷乇孬賷丿賷爻貙 賵賰鬲丕亘丞 兀毓賲丕賱賴 丕賱賰亘乇賶 (賲卅丞 毓丕賲 賲賳 丕賱毓夭賱丞)貙 (禺乇賷賮 丕賱亘胤乇賷乇賰)貙 (丕賱噩賳乇丕賱 賮賷 賲鬲丕賴鬲賴)貙 (丕賱丨亘 賮賷 夭賲賳 丕賱賰賵賱賷乇丕)貙 (禺亘乇 丕禺鬲胤丕賮)貙 賵賲噩賲賵毓丕鬲賴 丕賱賯氐氐賷丞.
丕賱賰鬲丕亘 毓賲賱丕賯 亘丨賯貙 兀賰孬乇 賲賳 爻亘毓賲卅丞 氐賮丨丞 賲毓 丕賱賴賵丕賲卮 丕賱賰孬賷乇丞貙 賵丕賱卮禺氐賷丕鬲貙 賵丕賱兀丨丿丕孬貙 賵禺丕氐丞 毓賱丕賯丕鬲 賲丕乇賰賷夭 丕賱爻賷丕爻賷丞 賵丕賱兀丿亘賷丞貙 賵賯丿 賰卮賮 賱賷 噩賵丕賳亘 賲丕乇賰賷夭賷丞 賱賲 兀賰賳 兀丿乇賷 亘賴丕貙 賵禺丕氐丞 孬賵乇賷丞 賲丕乇賰賷夭 賵毓賱丕賯鬲賴 丕賱賯賵賷丞 亘賰賵亘丕 賵賰丕爻鬲乇賵 賵丕賱鬲賷 丕爻鬲賲乇鬲 廿賱賶 丕賱賳賴丕賷丞.
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December 17, 2015
Saya tdak pernah membaca sebuah biography selengkap ini. Penelitian mendalam terhadap hampir semua sapek kehidupan GGM membuatkan bukan sahaja saya mengenal GGM seperti seorang sahabat lama malah perincian terhadap latar belakang serta peristiwa-peristiwa yang membentuk dan mengiringi perjalanan kepengarangan beliau juga membuatkan horizon pengetahuan saya terhadap sejarah dan politik Amerika Selatan sedikit meluas.
Dengan segala warna-warni yang mengiringi usia kepengarangan tokoh sastera dunia ini, saya kira penulis-penulis muda yang ingin menciptakan impak terhadap sastera dunia seperti yang telah dicipta oleh GGM harus membaca buku ini walaupun anda bukan peminat tegar beliau.
Buku yang terhasil dari satu usaha yang sangat mengangumkan.
Dengan segala warna-warni yang mengiringi usia kepengarangan tokoh sastera dunia ini, saya kira penulis-penulis muda yang ingin menciptakan impak terhadap sastera dunia seperti yang telah dicipta oleh GGM harus membaca buku ini walaupun anda bukan peminat tegar beliau.
Buku yang terhasil dari satu usaha yang sangat mengangumkan.
April 24, 2012
Soy de los que leyeron "Vivir para contarla" en busca de alguna especie de auto产颈辞驳谤补蹿铆补, ese delicioso g茅nero lleno de an茅cdotas mentirosas. Quiz谩 estaba mal informada, pero el mamotreto s贸lo me llevo por los primeros a帽os de GGM como periodista y por historias que en sus libros de "ficci贸n" sonaban mucho mejor (p.ej., la del romance de sus padres en "El amor en los tiempos del c贸lera").
Pero este libro de Gerald Martin dio revancha: 700 y pico de p谩ginas que le铆 de un tir贸n, repasando la carrera del genial escritor y su vida. Un segmento que me emocion贸 particularmente es el que narra su peripecia en Par铆s con Tachia, su novia espa帽ola.
Muy, muy recomendable.
Pero este libro de Gerald Martin dio revancha: 700 y pico de p谩ginas que le铆 de un tir贸n, repasando la carrera del genial escritor y su vida. Un segmento que me emocion贸 particularmente es el que narra su peripecia en Par铆s con Tachia, su novia espa帽ola.
Muy, muy recomendable.
March 18, 2016
extra帽o para ser escrito por un anglo, pero la verdad es que es un gran libro, muy t茅cnico en muchas cr铆ticas, preciso, divertido y hasta acusativo (al final Garc铆a Marquez acepta que es su bi贸grafo y lo acusa de que lo maltrataba! ja!), finalmente me ayud贸 a saber y entender el transfondo hist贸rico de las novelas y la vida del escrito, me tarde porque conforme ibamos abordando la vida, ibamos leyendo los libros y habr谩 que decir que fue una vida que se torn贸 en una gran historia y ya muestro una gran nobela! eah Gabo!!
April 14, 2010
It's interesting that it took me several weeks to fully immerse myself in this book, but like Marquez, the story of his life was equally as intriguing as his novels. I couldn't wait to read the next chapter, and so on and so forth until I had completed the entire biography. It paints the picture just as I saw the man in my mind, which is precisely what one wants to hear from one of their literary heroes.
Want to read
October 25, 2010His book, Love in the Time of Cholera, perhaps, the most moving romance book I have ever read. So utterly passionate, over a length of a lifetime...can't wait to read this to know more of the writer who's able to pen a book of such, almost unbelievable, depths of a love. (Anyone else want to vomit after reading that preview of mine?)
June 24, 2011
Awesome biography of a one-of-a-kind person. Gerald Martin apparently had hundreds of sources. The best parts were the explanations of how real life informed each monumental work. The worst parts were overly detailed descriptions of political figures and organizations. It definitely makes me want to read all of Garcia Marquez's books that I haven't read yet.
October 26, 2014
袣薪懈谐邪褌邪 褉邪蟹泻邪蟹胁邪 褋 谐芯谢械屑懈 锌芯写褉芯斜薪芯褋褌懈 蟹邪 卸懈胁芯褌邪 薪邪 袦邪褉泻械褋. 袪邪蟹谐谢械卸写邪 懈 锌芯谢懈褌懈褔械褋泻邪褌邪 芯斜褋褌邪薪芯胁泻邪 胁 袣芯谢褍屑斜懈褟 锌褉械蟹 谐芯写懈薪懈褌械, 泻邪泻褌芯 懈 胁褗芯斜褖械 胁 袥邪褌懈薪褋泻邪 袗屑械褉懈泻邪. 袨褋芯斜械薪芯 屑懈 斜械褕械 懈薪褌械褉械褋薪芯 写邪 薪邪褍褔邪 泻芯懈 薪械谐芯胁懈 褉芯写薪懈薪懈 胁 泻芯懈 芯斜褉邪蟹懈 芯褌 泻薪懈谐懈褌械 屑褍 褋邪 锌褉械褌胁芯褉械薪懈 - 蟹邪斜械谢械卸懈褌械谢薪懈褌械 屑褍 写褟写芯 懈 斜邪斜邪, 褉芯写懈褌械谢懈 懈 写褉. 袘懈芯谐褉邪褎懈褟褌邪 褖械 褋械 褏邪褉械褋邪 薪邪 锌芯褔懈褌邪褌械谢懈褌械 薪邪 褌芯蟹懈 谐械薪懈邪谢械薪 锌懈褋邪褌械谢.
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