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賲賳爻賮蹖賱丿 倬丕乇讴
袪芯屑邪薪 锌褉懈薪邪写谢械卸懈褌 泻 蟹褉械谢芯屑褍 锌械褉懈芯写褍 褌胁芯褉褔械褋褌胁邪 蟹薪邪屑械薪懈褌芯泄 邪薪谐谢懈泄褋泻芯泄 锌懈褋邪褌械谢褜薪懈褑褘 袛卸械泄薪 袨褋褌懈薪, 邪胁褌芯褉邪 褌邪泻懈褏 懈蟹褟褖薪褘褏 懈 懈褋泻褉芯屑械褌薪褘褏 褉芯屑邪薪芯胁, 泻邪泻 "袚芯褉写芯褋褌褜 懈 锌褉械写褍斜械卸写械薪懈械", "袛芯胁芯写褘 褉邪褋褋褍写泻邪", "协屑屑邪", "袧芯褉褌械薪谐械褉褋泻芯械 邪斜斜邪褌褋褌胁芯". 袙 薪械屑 褋 斜谢械褋泻芯屑 锌褉芯褟胁懈谢懈褋褜 屑邪褋褌械褉褋褌胁芯 褏褍写芯卸械褋褌胁械薪薪芯泄 懈蟹芯斜褉邪蟹懈褌械谢褜薪芯褋褌懈 袨褋褌懈薪 懈 械械 锌芯褌褉褟褋邪褞褖邪褟 懈褉芯薪懈褟.
袙 锌芯屑械褋褌褜械 "袦褝薪褋褎懈谢写-锌邪褉泻", 泻褍写邪 斜械褉褍褌 薪邪 胁芯褋锌懈褌邪薪懈械 肖邪薪薪懈 袩褉邪泄褋, 褑邪褉懈褌 胁褋械芯斜褖械械 薪械褋芯谐谢邪褋懈械 懈 薪械锌芯薪懈屑邪薪懈械. 袣芯褉褘褋褌褜 懈 褝谐芯懈蟹屑 写胁懈卸械褌 蟹写械褋褜 锌芯褋褌褍锌泻邪屑懈 谢褞写械泄. 袨写薪邪泻芯 斜谢邪谐芯写邪褉褟 写芯斜褉芯褌械, 斜械褋泻芯褉褘褋褌懈褞 懈 褋褌芯泄泻芯褋褌懈 肖邪薪薪懈 褍写邪械褌褋褟 锌褉械芯写芯谢械褌褜 胁褋械 芯斜褋褌芯褟褌械谢褜褋褌胁邪. 小褌褉邪写邪薪懈褟 锌芯屑芯谐邪褞褌 械泄 芯斜褉械褋褌懈 褋邪屑褍 褋械斜褟 懈 薪邪泄褌懈 褋胁芯械 褋褔邪褋褌褜械.
袙 锌芯屑械褋褌褜械 "袦褝薪褋褎懈谢写-锌邪褉泻", 泻褍写邪 斜械褉褍褌 薪邪 胁芯褋锌懈褌邪薪懈械 肖邪薪薪懈 袩褉邪泄褋, 褑邪褉懈褌 胁褋械芯斜褖械械 薪械褋芯谐谢邪褋懈械 懈 薪械锌芯薪懈屑邪薪懈械. 袣芯褉褘褋褌褜 懈 褝谐芯懈蟹屑 写胁懈卸械褌 蟹写械褋褜 锌芯褋褌褍锌泻邪屑懈 谢褞写械泄. 袨写薪邪泻芯 斜谢邪谐芯写邪褉褟 写芯斜褉芯褌械, 斜械褋泻芯褉褘褋褌懈褞 懈 褋褌芯泄泻芯褋褌懈 肖邪薪薪懈 褍写邪械褌褋褟 锌褉械芯写芯谢械褌褜 胁褋械 芯斜褋褌芯褟褌械谢褜褋褌胁邪. 小褌褉邪写邪薪懈褟 锌芯屑芯谐邪褞褌 械泄 芯斜褉械褋褌懈 褋邪屑褍 褋械斜褟 懈 薪邪泄褌懈 褋胁芯械 褋褔邪褋褌褜械.
543 pages, Paperback
First published July 2, 1814
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About the author
Jane Austen
3,659听books71.8k听followersJane Austen was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for the pursuit of favourable social standing and economic security. Her works are an implicit critique of the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her deft use of social commentary, realism and biting irony have earned her acclaim among critics and scholars.
The anonymously published Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1816), were a modest success but brought her little fame in her lifetime. She wrote two other novels鈥擭orthanger Abbey and Persuasion, both published posthumously in 1817鈥攁nd began another, eventually titled Sanditon, but died before its completion. She also left behind three volumes of juvenile writings in manuscript, the short epistolary novel Lady Susan, and the unfinished novel The Watsons.
Since her death Austen's novels have rarely been out of print. A significant transition in her reputation occurred in 1833, when they were republished in Richard Bentley's Standard Novels series (illustrated by Ferdinand Pickering and sold as a set). They gradually gained wide acclaim and popular readership. In 1869, fifty-two years after her death, her nephew's publication of A Memoir of Jane Austen introduced a compelling version of her writing career and supposedly uneventful life to an eager audience. Her work has inspired a large number of critical essays and has been included in many literary anthologies. Her novels have also inspired many films, including 1940's Pride and Prejudice, 1995's Sense and Sensibility and 2016's Love & Friendship.
The anonymously published Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1816), were a modest success but brought her little fame in her lifetime. She wrote two other novels鈥擭orthanger Abbey and Persuasion, both published posthumously in 1817鈥攁nd began another, eventually titled Sanditon, but died before its completion. She also left behind three volumes of juvenile writings in manuscript, the short epistolary novel Lady Susan, and the unfinished novel The Watsons.
Since her death Austen's novels have rarely been out of print. A significant transition in her reputation occurred in 1833, when they were republished in Richard Bentley's Standard Novels series (illustrated by Ferdinand Pickering and sold as a set). They gradually gained wide acclaim and popular readership. In 1869, fifty-two years after her death, her nephew's publication of A Memoir of Jane Austen introduced a compelling version of her writing career and supposedly uneventful life to an eager audience. Her work has inspired a large number of critical essays and has been included in many literary anthologies. Her novels have also inspired many films, including 1940's Pride and Prejudice, 1995's Sense and Sensibility and 2016's Love & Friendship.
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June 21, 2016Most Austen aficionados agree that Pride and Prejudice is a great book. Jane Austen thought it might be too "light and bright and sparkling"--that its comedy might outshine its serious points--but its continued popularity today indicates that her recipe for brilliance contained just the right ingredients.
Yet a lot of modern readers loathe Mansfield Park, despite its being thought by others the greatest of all Austen's work. What's going on here?
Frequently leveled criticisms:
* Fanny is a stick.
* The moral stances against the Lovers' Vows and against the Crawfords are baseless and pompous.
* The marriage of cousins is not just disappointing, it's disgusting.
* The ending is disappointing. Edmund is a dreary hero--Henry would have been much better a match for Fanny.
Fanny is a stick. The ink spilled about Fanny pegs her as physically weak, humorless, and worst of all she disapproves of innocent and harmless fun like the play for what seem to be self-righteous reasons.
Fanny's physical weakness seems easy enough to dismiss as a criticism. However uninteresting continuous illness is for a modern reader (unless it's a reader who loves hospital and doctor stories), that is actually a slice of reality 200 years ago. Fanny's physical state is an observant portrait of a sensitive child who was never given the warmth of a fire in winter, who wore cast-off clothing, and probably was fed last in the nursery, maybe even the leavings that the bigger cousins didn't want. She gets a headache being cooped up indoors, suggesting allergies. Aunt Norris made it her business to see that giving Fanny as much as her cousins got was "unnecessary waste" and Lady Bertram was too indolent to notice. Sir Thomas had little to do with the children's upbringing, so he didn't see it either--we discover this when he comes to the nursery for the first time, and discovers that Fanny has never had a fire in winter.
There is plenty of corroborative detail of this sort of treatment of poor relations raised as charity cases by wealthier relatives, if one reads period memoirs, letters, even sermons. Aunt Norris says later in the book to Fanny Remember wherever you go you are always least and lowest, and no contemporary reader ever pointed this out as unbelievable.
Fanny's character is retiring, but that's understandable considering the way she's been raised. Austen (who had a brother adopted into a wealthy relation's family) seems to understand what it would be like for a young person to be taken from her home, crowded and humble as it was, to be raised in a completely different manner--and manor. Fanny is an acute observer, at least as acute as Mary Crawford is, and far more charitable. Probably moreso, for Fanny was able to descry emotional changes in both Mary and Edmund as well as her more readable cousins, and Mary--while seeing Julia's plight, and shrugging it off--did not see Fanny's adoration for her Cousin Edmund. Mary was also able to talk herself into believing Fanny's unswerving politeness to Henry, and her occasional flushes of anger, as expressions of love. Fanny sees into everyone's heart, and feels for them all, deserving or not--excepting only Henry. She sees his love, but she does not trust it, or him. Though Austen does say later she might have married him, after time--if Edmund had married first.
Fanny has no humor. If you compare the number of moments of laughter, you'll find that Fanny exhibits far more sense of humor than Anne in Persuasion or Elinor of Sense and Sensibility, much as I love both characters, especially Anne. I suspect many readers overlook examples like this bit in Book One, Chapter XII, where Tom has just come in during a hastily-arranged ball, and is bitching to Fanny:
"...they need all be in love, to find any amusement in such folly--and so they are, I fancy. If you look at them, you may see they are so many couple of lovers--all but Yates and Mrs. Grant--and, between ourselves, she poor woman! must want a lover as much as any one of them. A desperate dull life hers must be with the doctor," making a sly face as he spoke toward the chair of the latter, who proving, however, to be close at his elbow, made so instantaneous a change of expression and subject necessary, as Fanny, in spite of everything, could hardly help laughing at. "A strange business this in America, Dr. Grant! What is your opinion? I always come to you to know what I am to think of public matters."
After which Austen makes it clear that, despite the situation, Fanny cannot forebear laughing out loud. Later, she and brother William talk and laugh in the coach all the way to Portsmouth. I just can't see Anne Elliott cracking a smile in either situation. The real sticking points are Fanny's disapproval of the Crawfords, and . . .
The moral stance Fanny takes against the play. I've seen modern readers inveigh against this as a harbinger of lugubrious Victorianism. They overlook the fact that in Austen's day, it was a sign of disrespect to carry on as if unconcerned when the head of the house was away, and in danger of his life. And even now, who among us would like to make a long, fatiguing trip just to come home and discover that our own room (out of all the rooms in a big house) is the scene of an ongoing party? As for the Crawfords and ther innate badness, Austen tries to show us attractive people who can be kind, are socially acceptable, but were raised without any but the most superficial moral awareness, much less conviction.
Many feel that this novel is filled with more delicious wit and comedy than any of the others outside of Pride and Prejudice. Contemporary psychology, psychiatry, and social sciences of various sorts worry anxiously at the nature-versus-nuture debate, as we try to figure out why we are the way we are; Austen tries to show us that someone without morals may reform, but it takes time and effort as well as love. And would Henry Crawford have reformed? I'll come back to that.
The marriage of cousins is disgusting. No getting around that, not what with we know about genetics, so we grow up regarding our cousins as being as off-limits as siblings. On first reading Austen's novels, my then-teenaged daughter was only slightly less repulsed by the marriage of cousins than she was at Emma's marrying a guy well old enough to be her father--and who acts like one more often than not. But the truth is that these things were quite common during Austen's time. And, given the sequestered lives country girls lived, it was a miracle if they met any young men outside of their handy cousins--who presumably at least had the proper rank in life; there was still a tendency for parents to feel it was better for older and wiser heads to select husbands for their innocent daughters, and handy male cousins, well known to the family, also rounded out estates nicely.
Edmund is a dull hero. Is he really dull? He exhibits about as much of a sense of humor as does Mr. Darcy, which is to say very little. When he's with Fanny he is, at best, the kindly, well-meaning, but rather patronizing older brother.
In fact Edmund is at his worst in his scenes with Fanny. He's insensitive and condescending--he's a typical teen-age boy in the early scene when he tries to talk Fanny into being glad to live with Aunt Norris. Even his being a teenager is no excuse for such insensitivity, for he has to have observed her unsubtle cruelties. Unless he believed that Fanny really was a second class member of the family--which observation does not redound to his credit. In all their other scenes, he's unfailingly kind (except when he permits Mary to monopolize Fanny's horse, which is prompted by his crush on Mary), and when he tries first to to bully Fanny into participating in the play, and then he tries to bully her into marrying Henry--despite his vaunted principles, which he knows Henry doesn't share, his motive being that giving Fanny to Henry will bring Mary closer to himself. He does care about Fanny in his own peculiar way, but there is absolutely no chemistry; he calls her Sister right until the end, when he wants to denounce his own sisters for straying from societal norms, so that Austen's unconvincing narrative that he fell in love "after just the right amount of time" carries a strong whiff of incest.
Edmund also comes off poorly when he discusses Mary Crawford with Fanny, metaphorically wrinkling his nose over her rather free speech and attributing her frankly expressed opinions to bad upbringing. He proves himself a first class hypocrite when he denounces the acting scheme, but then gives in because Mary wants to act--and then he's so involved with Mary that he totally overlooks the more serious trouble going on between his sisters over Henry. The evidence is there--Fanny sees it--but Edmund doesn't.
Mary falls for him in spite of herself, and here is our clue that the Edmund the family sees is not the Edmund the world sees. She sees Edmund as a man and not as the family's moral windvane. It's through her eyes that Edmund becomes mildly interesting. "He was not pleasant by any common rule, he talked no nonsense, he paid no compliments, his opinions were unbending, his attentions tranquil and simple." She's fascinated by this kind of guy--she's never met one before--and in her company, Edmund comes alive. In some of their passages he exhibits intelligence and even a faint semblance of wit. I think the internal evidence is clear that, had they married, it probably would have been happy for a few months. But once the reality of being a minister's wife really hit Mary, and the newness wore off, she would have felt imprisoned, and made Edmund's life hell. That she craved some kind of peace and security was clear enough, but not as a minister's wife. She knew her limitations, and was satisfied enough with herself to not wish to change.
If one speculates, as I do, about what happens after the end of each novel, it's easy to see Edmund carrying a torch for Mary Crawford for the rest of his life--and Fanny knowing it. There's too much a sense of settling for second best when he marries Fanny--which brings me to my own problem with this novel.
In his essay on Mansfield Park in Lectures on Literature, Vladimir Nabokov says, "An original author always invents an original world, and if a character or an action fits into the pattern of that world, then we experience the pleasurable shock of artistic truth, no matter how unlikely the person or thing may seem if transferred into what book reviewers, poor hacks, call "real life." There is no such thing as real life for an author of genius: he must create it himself and then create the consequences."
The weakest point in Pride and Prejudice is the coincidence that brings Darcy and Elizabeth face to face at Pemberley. Jane Austen tried to smooth it as much as she could, having had Mrs. Gardiner grow up in the area, and making it possible for Elizabeth to visit because she is safe in the knowledge that the Darcy family are away. But still, when he comes round the side of the stable and their eyes meet, it's an interesting moment, and a moment we hoped for, but not an inevitable moment.
In Mansfield Park, until the very last there are no coincidences. Each action unfolds with dramatic integrity, flowing logically from the preceding. Where the consequences falter is at the end of the third book, when Austen shifts from showing us the novel in a series of exquisitely detailed scenes. Abruptly the story is tucked away and the narrator steps up and addressed the reader directly, telling us what happened. We are told what happened, we're told why, and in short, we're told what to believe.
Austen kept the subsequent actions off-stage because delicacy dictated such a course. A lady would not 'show' Henry's crucial decision to run off with Maria Bertram Rushworth--making some readers think it an arbitrary decision. We're told in Austen family lore that Jane's sister Cassandra begged Jane to end the book differently, with Fanny marrying Henry, but Jane was obdurate.
I suspect that Jane Austen intended this bit to be the convincing piece of evidence against Henry:
He saw Mrs. Rushworth, was received by her with a coldness which ought to have been repulsive, and have established apparent indifference between them for ever: but he was mortified, he could not bear to be thrown off by the woman whose smiles had been so wholly at his command; he must exert himself to subdue so proud a display of resentment; it was anger on Fanny's account; he must get the better of it, and make Mrs. Rushworth Maria Bertram again in her treatment of himself.
This passage echoes his first conversation alone with Mary, when he decides so idly to make Fanny fall in love with him. We already know from earlier evidence he likes the chase. Never all the way to marriage. He makes jokes about that. With this decision about Fanny, we see that he stirs himself to action if any woman resists his flirtation, even someone as insignificant as Fanny; early on in his pursuit, he can't even remember if he saw her dancing, though he professes to remember her grace.
But saying that Henry pursues Fanny all the way to proposing marriage just because she resists him is too simple. The reason he doesn't ask Maria Bertram to marry him when she's dropped as many hints as she can that she's not only willing, but expecting a proposal, is that though he finds her extremely attractive (all those rehearsals of the tender scene prove that) he has no respect for her. He knows she's selfish and a hypocrite, which is fine for idle flirtation. Fanny is the first woman he respects. And that respect might--might--be enough to change him, some readers think, before we're abruptly thrust out of the story, just to be told by the narrator that the deserving got their happy ending, and the others didn't.
Finally, in Fanny's and Henry's relationship there is that fascinating element of the reformed rake, the taming of the beast, that was as much a draw to women readers in Romantic poetry (check out Byron--and the reactions from his audience, in old letters and articles) as it is now. I wonder if, in fact, readers 200 years ago were as disappointed with this ending as modern readers are now--saying out loud, "Well, this is the way it ought to be," but internally rewriting the story so that Henry does resist Maria's angry, selfish intentions despite her physical allure, and Fanny gets her passionate and reformed Henry, rewarding him with all that devotion and sensitivity that seems wasted on Edmund. Opinions in Austen's circle seemed to have been mixed, and the book apparently did not sell as well as the others.
Why did Austen end it the way she did? Were Fanny's feelings for Edmund real love? They don't read that way to me.
It could be my opinion is colored by Edmund's reactions to Fanny, for chemistry has to go two ways if it's to be sustained, but her admiration, sparked so early in her teens, seems the kind of crush romantic youngsters form and then grow out of. She's clear-sighted enough to see Edmund's faults concerning Mary, but she doesn't seem to see his other vagaries. She does see Henry's faults, but at the very end, it seems she is slowly being won over through his alterations; when they walk together in Portsmouth on a Sunday morning, energy sparks between them. She cares for his opinion, she watches him. It seems to me that this is the start of real love, the love of a mature woman. But then, quite suddenly, it all is thrown away, the more unconvincing because Austen resorts to telling us what to think, after an entire novel in which she had shown, so beautifully, living and breathing characters.
Consistency, in Nabakov's sense, is sacrificed; moral truth is firmly asserted, at the cost of artistic truth. I don't blame that on Fanny, but on her creator.
Yet a lot of modern readers loathe Mansfield Park, despite its being thought by others the greatest of all Austen's work. What's going on here?
Frequently leveled criticisms:
* Fanny is a stick.
* The moral stances against the Lovers' Vows and against the Crawfords are baseless and pompous.
* The marriage of cousins is not just disappointing, it's disgusting.
* The ending is disappointing. Edmund is a dreary hero--Henry would have been much better a match for Fanny.
Fanny is a stick. The ink spilled about Fanny pegs her as physically weak, humorless, and worst of all she disapproves of innocent and harmless fun like the play for what seem to be self-righteous reasons.
Fanny's physical weakness seems easy enough to dismiss as a criticism. However uninteresting continuous illness is for a modern reader (unless it's a reader who loves hospital and doctor stories), that is actually a slice of reality 200 years ago. Fanny's physical state is an observant portrait of a sensitive child who was never given the warmth of a fire in winter, who wore cast-off clothing, and probably was fed last in the nursery, maybe even the leavings that the bigger cousins didn't want. She gets a headache being cooped up indoors, suggesting allergies. Aunt Norris made it her business to see that giving Fanny as much as her cousins got was "unnecessary waste" and Lady Bertram was too indolent to notice. Sir Thomas had little to do with the children's upbringing, so he didn't see it either--we discover this when he comes to the nursery for the first time, and discovers that Fanny has never had a fire in winter.
There is plenty of corroborative detail of this sort of treatment of poor relations raised as charity cases by wealthier relatives, if one reads period memoirs, letters, even sermons. Aunt Norris says later in the book to Fanny Remember wherever you go you are always least and lowest, and no contemporary reader ever pointed this out as unbelievable.
Fanny's character is retiring, but that's understandable considering the way she's been raised. Austen (who had a brother adopted into a wealthy relation's family) seems to understand what it would be like for a young person to be taken from her home, crowded and humble as it was, to be raised in a completely different manner--and manor. Fanny is an acute observer, at least as acute as Mary Crawford is, and far more charitable. Probably moreso, for Fanny was able to descry emotional changes in both Mary and Edmund as well as her more readable cousins, and Mary--while seeing Julia's plight, and shrugging it off--did not see Fanny's adoration for her Cousin Edmund. Mary was also able to talk herself into believing Fanny's unswerving politeness to Henry, and her occasional flushes of anger, as expressions of love. Fanny sees into everyone's heart, and feels for them all, deserving or not--excepting only Henry. She sees his love, but she does not trust it, or him. Though Austen does say later she might have married him, after time--if Edmund had married first.
Fanny has no humor. If you compare the number of moments of laughter, you'll find that Fanny exhibits far more sense of humor than Anne in Persuasion or Elinor of Sense and Sensibility, much as I love both characters, especially Anne. I suspect many readers overlook examples like this bit in Book One, Chapter XII, where Tom has just come in during a hastily-arranged ball, and is bitching to Fanny:
"...they need all be in love, to find any amusement in such folly--and so they are, I fancy. If you look at them, you may see they are so many couple of lovers--all but Yates and Mrs. Grant--and, between ourselves, she poor woman! must want a lover as much as any one of them. A desperate dull life hers must be with the doctor," making a sly face as he spoke toward the chair of the latter, who proving, however, to be close at his elbow, made so instantaneous a change of expression and subject necessary, as Fanny, in spite of everything, could hardly help laughing at. "A strange business this in America, Dr. Grant! What is your opinion? I always come to you to know what I am to think of public matters."
After which Austen makes it clear that, despite the situation, Fanny cannot forebear laughing out loud. Later, she and brother William talk and laugh in the coach all the way to Portsmouth. I just can't see Anne Elliott cracking a smile in either situation. The real sticking points are Fanny's disapproval of the Crawfords, and . . .
The moral stance Fanny takes against the play. I've seen modern readers inveigh against this as a harbinger of lugubrious Victorianism. They overlook the fact that in Austen's day, it was a sign of disrespect to carry on as if unconcerned when the head of the house was away, and in danger of his life. And even now, who among us would like to make a long, fatiguing trip just to come home and discover that our own room (out of all the rooms in a big house) is the scene of an ongoing party? As for the Crawfords and ther innate badness, Austen tries to show us attractive people who can be kind, are socially acceptable, but were raised without any but the most superficial moral awareness, much less conviction.
Many feel that this novel is filled with more delicious wit and comedy than any of the others outside of Pride and Prejudice. Contemporary psychology, psychiatry, and social sciences of various sorts worry anxiously at the nature-versus-nuture debate, as we try to figure out why we are the way we are; Austen tries to show us that someone without morals may reform, but it takes time and effort as well as love. And would Henry Crawford have reformed? I'll come back to that.
The marriage of cousins is disgusting. No getting around that, not what with we know about genetics, so we grow up regarding our cousins as being as off-limits as siblings. On first reading Austen's novels, my then-teenaged daughter was only slightly less repulsed by the marriage of cousins than she was at Emma's marrying a guy well old enough to be her father--and who acts like one more often than not. But the truth is that these things were quite common during Austen's time. And, given the sequestered lives country girls lived, it was a miracle if they met any young men outside of their handy cousins--who presumably at least had the proper rank in life; there was still a tendency for parents to feel it was better for older and wiser heads to select husbands for their innocent daughters, and handy male cousins, well known to the family, also rounded out estates nicely.
Edmund is a dull hero. Is he really dull? He exhibits about as much of a sense of humor as does Mr. Darcy, which is to say very little. When he's with Fanny he is, at best, the kindly, well-meaning, but rather patronizing older brother.
In fact Edmund is at his worst in his scenes with Fanny. He's insensitive and condescending--he's a typical teen-age boy in the early scene when he tries to talk Fanny into being glad to live with Aunt Norris. Even his being a teenager is no excuse for such insensitivity, for he has to have observed her unsubtle cruelties. Unless he believed that Fanny really was a second class member of the family--which observation does not redound to his credit. In all their other scenes, he's unfailingly kind (except when he permits Mary to monopolize Fanny's horse, which is prompted by his crush on Mary), and when he tries first to to bully Fanny into participating in the play, and then he tries to bully her into marrying Henry--despite his vaunted principles, which he knows Henry doesn't share, his motive being that giving Fanny to Henry will bring Mary closer to himself. He does care about Fanny in his own peculiar way, but there is absolutely no chemistry; he calls her Sister right until the end, when he wants to denounce his own sisters for straying from societal norms, so that Austen's unconvincing narrative that he fell in love "after just the right amount of time" carries a strong whiff of incest.
Edmund also comes off poorly when he discusses Mary Crawford with Fanny, metaphorically wrinkling his nose over her rather free speech and attributing her frankly expressed opinions to bad upbringing. He proves himself a first class hypocrite when he denounces the acting scheme, but then gives in because Mary wants to act--and then he's so involved with Mary that he totally overlooks the more serious trouble going on between his sisters over Henry. The evidence is there--Fanny sees it--but Edmund doesn't.
Mary falls for him in spite of herself, and here is our clue that the Edmund the family sees is not the Edmund the world sees. She sees Edmund as a man and not as the family's moral windvane. It's through her eyes that Edmund becomes mildly interesting. "He was not pleasant by any common rule, he talked no nonsense, he paid no compliments, his opinions were unbending, his attentions tranquil and simple." She's fascinated by this kind of guy--she's never met one before--and in her company, Edmund comes alive. In some of their passages he exhibits intelligence and even a faint semblance of wit. I think the internal evidence is clear that, had they married, it probably would have been happy for a few months. But once the reality of being a minister's wife really hit Mary, and the newness wore off, she would have felt imprisoned, and made Edmund's life hell. That she craved some kind of peace and security was clear enough, but not as a minister's wife. She knew her limitations, and was satisfied enough with herself to not wish to change.
If one speculates, as I do, about what happens after the end of each novel, it's easy to see Edmund carrying a torch for Mary Crawford for the rest of his life--and Fanny knowing it. There's too much a sense of settling for second best when he marries Fanny--which brings me to my own problem with this novel.
In his essay on Mansfield Park in Lectures on Literature, Vladimir Nabokov says, "An original author always invents an original world, and if a character or an action fits into the pattern of that world, then we experience the pleasurable shock of artistic truth, no matter how unlikely the person or thing may seem if transferred into what book reviewers, poor hacks, call "real life." There is no such thing as real life for an author of genius: he must create it himself and then create the consequences."
The weakest point in Pride and Prejudice is the coincidence that brings Darcy and Elizabeth face to face at Pemberley. Jane Austen tried to smooth it as much as she could, having had Mrs. Gardiner grow up in the area, and making it possible for Elizabeth to visit because she is safe in the knowledge that the Darcy family are away. But still, when he comes round the side of the stable and their eyes meet, it's an interesting moment, and a moment we hoped for, but not an inevitable moment.
In Mansfield Park, until the very last there are no coincidences. Each action unfolds with dramatic integrity, flowing logically from the preceding. Where the consequences falter is at the end of the third book, when Austen shifts from showing us the novel in a series of exquisitely detailed scenes. Abruptly the story is tucked away and the narrator steps up and addressed the reader directly, telling us what happened. We are told what happened, we're told why, and in short, we're told what to believe.
Austen kept the subsequent actions off-stage because delicacy dictated such a course. A lady would not 'show' Henry's crucial decision to run off with Maria Bertram Rushworth--making some readers think it an arbitrary decision. We're told in Austen family lore that Jane's sister Cassandra begged Jane to end the book differently, with Fanny marrying Henry, but Jane was obdurate.
I suspect that Jane Austen intended this bit to be the convincing piece of evidence against Henry:
He saw Mrs. Rushworth, was received by her with a coldness which ought to have been repulsive, and have established apparent indifference between them for ever: but he was mortified, he could not bear to be thrown off by the woman whose smiles had been so wholly at his command; he must exert himself to subdue so proud a display of resentment; it was anger on Fanny's account; he must get the better of it, and make Mrs. Rushworth Maria Bertram again in her treatment of himself.
This passage echoes his first conversation alone with Mary, when he decides so idly to make Fanny fall in love with him. We already know from earlier evidence he likes the chase. Never all the way to marriage. He makes jokes about that. With this decision about Fanny, we see that he stirs himself to action if any woman resists his flirtation, even someone as insignificant as Fanny; early on in his pursuit, he can't even remember if he saw her dancing, though he professes to remember her grace.
But saying that Henry pursues Fanny all the way to proposing marriage just because she resists him is too simple. The reason he doesn't ask Maria Bertram to marry him when she's dropped as many hints as she can that she's not only willing, but expecting a proposal, is that though he finds her extremely attractive (all those rehearsals of the tender scene prove that) he has no respect for her. He knows she's selfish and a hypocrite, which is fine for idle flirtation. Fanny is the first woman he respects. And that respect might--might--be enough to change him, some readers think, before we're abruptly thrust out of the story, just to be told by the narrator that the deserving got their happy ending, and the others didn't.
Finally, in Fanny's and Henry's relationship there is that fascinating element of the reformed rake, the taming of the beast, that was as much a draw to women readers in Romantic poetry (check out Byron--and the reactions from his audience, in old letters and articles) as it is now. I wonder if, in fact, readers 200 years ago were as disappointed with this ending as modern readers are now--saying out loud, "Well, this is the way it ought to be," but internally rewriting the story so that Henry does resist Maria's angry, selfish intentions despite her physical allure, and Fanny gets her passionate and reformed Henry, rewarding him with all that devotion and sensitivity that seems wasted on Edmund. Opinions in Austen's circle seemed to have been mixed, and the book apparently did not sell as well as the others.
Why did Austen end it the way she did? Were Fanny's feelings for Edmund real love? They don't read that way to me.
It could be my opinion is colored by Edmund's reactions to Fanny, for chemistry has to go two ways if it's to be sustained, but her admiration, sparked so early in her teens, seems the kind of crush romantic youngsters form and then grow out of. She's clear-sighted enough to see Edmund's faults concerning Mary, but she doesn't seem to see his other vagaries. She does see Henry's faults, but at the very end, it seems she is slowly being won over through his alterations; when they walk together in Portsmouth on a Sunday morning, energy sparks between them. She cares for his opinion, she watches him. It seems to me that this is the start of real love, the love of a mature woman. But then, quite suddenly, it all is thrown away, the more unconvincing because Austen resorts to telling us what to think, after an entire novel in which she had shown, so beautifully, living and breathing characters.
Consistency, in Nabakov's sense, is sacrificed; moral truth is firmly asserted, at the cost of artistic truth. I don't blame that on Fanny, but on her creator.
August 12, 2007
I was astounded to find that many of the reviews on this site criticize this book for the main character, Fanny Price, & her timidity and morality. It is very different from Pride and Prejudice and Sense and Sensibility, whose smart, sensible heroines make the novels, but I actually enjoyed this book immensely for its social commentary.
Most of the characters in this book singlemindedly pursue wealth, status, and pleasure regardless of their personal and moral costs. Their antics are pretty hilarious, and I think Fanny's passive and proper nature makes her an ideal medium through which to observe all the frivolous and shallow people around her. Aside from being funny, the book also raises the issue of a girl's "duty" to marry well - should personal happiness be sacrificed for money and connections?
Whether you will like this book depends on why you read Jane Austen. Don't read these novels as you would a Harlequin romance, because that's not what they are, as this book shows. The love story and the "happily ever after" element are a lot more prominent in P&P and S&S, but in Mansfield Park it is definitely less important than the social commentary.
Most of the characters in this book singlemindedly pursue wealth, status, and pleasure regardless of their personal and moral costs. Their antics are pretty hilarious, and I think Fanny's passive and proper nature makes her an ideal medium through which to observe all the frivolous and shallow people around her. Aside from being funny, the book also raises the issue of a girl's "duty" to marry well - should personal happiness be sacrificed for money and connections?
Whether you will like this book depends on why you read Jane Austen. Don't read these novels as you would a Harlequin romance, because that's not what they are, as this book shows. The love story and the "happily ever after" element are a lot more prominent in P&P and S&S, but in Mansfield Park it is definitely less important than the social commentary.
July 4, 2021
"I am of a cautious temper, and unwilling to risk my happiness in a hurry."
This has to be the only Austen book I felt apprehensive of reading: there is a lot of controversy around this book, to make one re-think if diving in to this would be a good idea. It turns out, at least for me, the forebodings were for nothing. Despite several shortcomings of the characters, including the heroine - Fanny Price, and a hurried ending, I liked the overall story. But it does fall behind Persuasion and Pride & Prejudice in many ways.
"How wonderful, how very wonderful the operations of time, and the changes of the human mind!鈥�
"Good sense, like hers, will always act when really called upon;"
Before anything, I think I should first address what could make a reader uncomfortable with Mansfield Park. Had it not been for the way Fanny and Edmund were portrayed, and the nature of their relationship, I believe a lot of readers would have fallen in love with this book, just like with Austen's popular ones. Romance between cousins is always a delicate subject, and Fanny being Edmund's adopted sibling (kind of) does not help. It's understandable this could make a lot of readers uncomfortable. So, if you are to enjoy this book, you'll have to tolerate that aspect, which plays a central part of the story. Fanny's character traits are -though open to many interpretations- much more understandable, especially if you were to empathize with her and her situation in life. However, the two main antagonists, Mr. & Miss Crawford, are way more interesting in my opinion. Though the book uses a third person narrative, the perspective of Fanny controls the nature of of it. All others are very closely judged by her, with her unwavering morals, and flawless conduct in everything. Though these characteristics do get a little tiring at times, I preferred it to the ones of Edmund's.
"He knew her to be clever, to have a quick apprehension as well as good sense, and a fondness for reading, which, properly directed, must be an education in itself."
"She gave advice, advice too sound to be resisted by a good understanding, and given so mildly and considerately as not to irritate an imperfect temper, and she had the happiness of observing its good effects not unfrequently."
IF a reader could overlook the above (of at least understand, this was written at a time when such things are not controversial), then you're in for a fascinating story. As usual, the plot is centered around marriage and 'marriage economics'. And, as always, she is quite successful at introducing a unique perspective to make things interesting, using a silent, and an evaluative protagonist. A little introduction follows the arrival of Fanny Price at Mansfield Park, and quickly passes through several years to reach the present, while establishing a set of contrasting secondary characters, who are even better than Fanny. Contrary to the popular opinion, I really liked the way how story progressed, with a couple of exceptions, first one being Henry Crawford's character. The second half of the book attempted a lot to atone for his faults, out of which came nothing. After all that time effort, it didn't make much sense to give him such an ending. My other complaint lies with the overall ending of the story. Though Austen does take her time delivering some very unforgivable (and satisfying) verdicts to some of the antagonists, Fanny and Edmund's ending felt a little hurried. Edmund's last minute shift in opinion felt like a paradigm shift!
鈥淚f this man had not twelve thousand a year, he would be a very stupid fellow.鈥�
"The temptation of immediate pleasure was too strong for a mind unused to make any sacrifice to right."
However, when all is said and done, I still find myself adding this book to my 'favorite fiction' self. After all, it is an Austen. How could one do anything else?
This has to be the only Austen book I felt apprehensive of reading: there is a lot of controversy around this book, to make one re-think if diving in to this would be a good idea. It turns out, at least for me, the forebodings were for nothing. Despite several shortcomings of the characters, including the heroine - Fanny Price, and a hurried ending, I liked the overall story. But it does fall behind Persuasion and Pride & Prejudice in many ways.
"How wonderful, how very wonderful the operations of time, and the changes of the human mind!鈥�
"Good sense, like hers, will always act when really called upon;"
Before anything, I think I should first address what could make a reader uncomfortable with Mansfield Park. Had it not been for the way Fanny and Edmund were portrayed, and the nature of their relationship, I believe a lot of readers would have fallen in love with this book, just like with Austen's popular ones. Romance between cousins is always a delicate subject, and Fanny being Edmund's adopted sibling (kind of) does not help. It's understandable this could make a lot of readers uncomfortable. So, if you are to enjoy this book, you'll have to tolerate that aspect, which plays a central part of the story. Fanny's character traits are -though open to many interpretations- much more understandable, especially if you were to empathize with her and her situation in life. However, the two main antagonists, Mr. & Miss Crawford, are way more interesting in my opinion. Though the book uses a third person narrative, the perspective of Fanny controls the nature of of it. All others are very closely judged by her, with her unwavering morals, and flawless conduct in everything. Though these characteristics do get a little tiring at times, I preferred it to the ones of Edmund's.
"He knew her to be clever, to have a quick apprehension as well as good sense, and a fondness for reading, which, properly directed, must be an education in itself."
"She gave advice, advice too sound to be resisted by a good understanding, and given so mildly and considerately as not to irritate an imperfect temper, and she had the happiness of observing its good effects not unfrequently."
IF a reader could overlook the above (of at least understand, this was written at a time when such things are not controversial), then you're in for a fascinating story. As usual, the plot is centered around marriage and 'marriage economics'. And, as always, she is quite successful at introducing a unique perspective to make things interesting, using a silent, and an evaluative protagonist. A little introduction follows the arrival of Fanny Price at Mansfield Park, and quickly passes through several years to reach the present, while establishing a set of contrasting secondary characters, who are even better than Fanny. Contrary to the popular opinion, I really liked the way how story progressed, with a couple of exceptions, first one being Henry Crawford's character. The second half of the book attempted a lot to atone for his faults, out of which came nothing. After all that time effort, it didn't make much sense to give him such an ending. My other complaint lies with the overall ending of the story. Though Austen does take her time delivering some very unforgivable (and satisfying) verdicts to some of the antagonists, Fanny and Edmund's ending felt a little hurried. Edmund's last minute shift in opinion felt like a paradigm shift!
鈥淚f this man had not twelve thousand a year, he would be a very stupid fellow.鈥�
"The temptation of immediate pleasure was too strong for a mind unused to make any sacrifice to right."
However, when all is said and done, I still find myself adding this book to my 'favorite fiction' self. After all, it is an Austen. How could one do anything else?
There is nothing like employment, active indispensable employment, for relieving sorrow.
December 21, 2023
I apologize if you were in any way affected by the recent tilting of the world off its axis. For the first time ever, I was disappointed by something by Jane Austen, and it threatened to destroy the basic functioning of the universe.
Mansfield Park is just...not very good.
There鈥檚 that whole romance-with-your-first-cousin thing, for one. No blame on ol鈥� Janie, she was merely a victim of her incestuous nineteenth-century society circumstances, but like...yuck. Gives you the heebie-jeebies all the same.
All I鈥檓 saying is it鈥檚 tough to go from the greatest love story ever told to a pair of characters with all the flamboyant personality of stale biscuits valiantly attempting to force themselves to fall in love with each other.
And yes, one, these characters are no Bennet family. Fanny, our main squeeze, is a bit, um, how to say this politely...devastatingly boring. She鈥檚, like, nice. It鈥檚 fine. Her first cousin and major lifelong crush, Edmund or Edward or Edvard or Edmonton or one of those Ed-names, I already forget, is equally compelling. As I鈥檓 sure you can tell by the fact that I cannot remember his name and lack the energy to look it up.
There鈥檚 also just...no real love story here. About a quarter of the book is devoted to the sheer horror of a few rich kids in their mid-twenties putting on a play. (How improper! Gasp! We are on the edge of our seats waiting to find out what happened!!) Two thirds of it follows Fanny legitimately agonizing over the unwanted affections of some guy, who is, guess what, so much more interesting than the actual love interest. (Damn it, Jane.) The real romance begins and ends in seemingly the last four pages of the book.
THE LOVE STORY OF THIS LOVE STORY IS AN AFTERTHOUGHT.
It feels like the part in Jane Eyre when she lives with Sinjin and is just like 鈥淭his sucks.鈥� This book is like if the worst part of Jane Eyre was all of Jane Eyre.
Luckily, even the worst part of Jane Eyre is still beautifully written, and so is this book. The best thing that Mansfield Park has going for it is that it鈥檚 written by Jane Austen, and Jane Austen couldn鈥檛 write a one star-worthy book if she tried.
But it doesn鈥檛 have much else going for it.
Bottom line: I would like to pretend that this book is not part of the collected works of Jane Austen thank you very much!
-----------
pre-review
jane, i'm not mad, i'm just disappointed
review to come
Mansfield Park is just...not very good.
There鈥檚 that whole romance-with-your-first-cousin thing, for one. No blame on ol鈥� Janie, she was merely a victim of her incestuous nineteenth-century society circumstances, but like...yuck. Gives you the heebie-jeebies all the same.
All I鈥檓 saying is it鈥檚 tough to go from the greatest love story ever told to a pair of characters with all the flamboyant personality of stale biscuits valiantly attempting to force themselves to fall in love with each other.
And yes, one, these characters are no Bennet family. Fanny, our main squeeze, is a bit, um, how to say this politely...devastatingly boring. She鈥檚, like, nice. It鈥檚 fine. Her first cousin and major lifelong crush, Edmund or Edward or Edvard or Edmonton or one of those Ed-names, I already forget, is equally compelling. As I鈥檓 sure you can tell by the fact that I cannot remember his name and lack the energy to look it up.
There鈥檚 also just...no real love story here. About a quarter of the book is devoted to the sheer horror of a few rich kids in their mid-twenties putting on a play. (How improper! Gasp! We are on the edge of our seats waiting to find out what happened!!) Two thirds of it follows Fanny legitimately agonizing over the unwanted affections of some guy, who is, guess what, so much more interesting than the actual love interest. (Damn it, Jane.) The real romance begins and ends in seemingly the last four pages of the book.
THE LOVE STORY OF THIS LOVE STORY IS AN AFTERTHOUGHT.
It feels like the part in Jane Eyre when she lives with Sinjin and is just like 鈥淭his sucks.鈥� This book is like if the worst part of Jane Eyre was all of Jane Eyre.
Luckily, even the worst part of Jane Eyre is still beautifully written, and so is this book. The best thing that Mansfield Park has going for it is that it鈥檚 written by Jane Austen, and Jane Austen couldn鈥檛 write a one star-worthy book if she tried.
But it doesn鈥檛 have much else going for it.
Bottom line: I would like to pretend that this book is not part of the collected works of Jane Austen thank you very much!
-----------
pre-review
jane, i'm not mad, i'm just disappointed
review to come
May 13, 2023
I liked Fanny but Edmund is a poopoohead.
April 3, 2020
Upping my rating from 3 stars to 4 on reread. Mansfield Park isn't as easy to love as most of Jane Austen's other novels, but it has a lot of insights to offer into the personalities, strengths and weaknesses of not just Fanny, but all of the other characters who live in and around Mansfield Park, a country manor in England. Like Kelly says in her truly excellent review of this book, it's called "Mansfield Park" - not Fanny or Foolishness and Awkwardness - for a good reason.
The other thing that helped me was mentally repeating the mantra that stood me in good stead when I was rereading : This is not a romance novel. If you read it with the standard romantic expectations, you're likely to be disappointed. A starry-eyed view of romance and happily-ever-after is not the point of Mansfield Park (and, really, not of any of Austen's other novels, Darcy and Wentworth notwithstanding). Here it's much more about the social commentary, and often about the ways people hurt others through their selfishness or lack of consideration.
After rereading both Mansfield Park and , I think that Fanny is just as good a heroine as Anne Elliot, and actually they have a lot in common in their personalities: sensitive, rather shy, physically weak, kind-hearted and giving to a fault. Anne just got the benefit of a better romantic plot line and (sorry/notsorry, Edmund) a far more appealing hero in Frederick Wentworth.
Once I stopped trying to squeeze Fanny and Edmund into the roles of romantic heroine and hero, I was able to appreciate how nuanced and realistically Austen drew these characters. Fanny is the poor cousin who is taken in by her Aunt Bertram's family as a young girl. She's a sensitive soul and a quiet personality, with an unfailing moral compass. Fom the modern point of view she can be a bit of a prig at times, but she was in line with the social expectations for her time, especially for a dependent young woman.
Fanny struggles with her health, partly because of her Aunt Norris' unflagging (and unasked for) efforts to keep Fanny humble and always, always useful, and to save the Bertrams' money at Fanny's expense: her rooms are bitterly cold in winter; there's never a fire in her sitting room until her inattentive uncle realizes it one day. (Aunt Norris, by the way, is a brilliant creation, a shockingly appalling person that still makes you laugh.)
And Fanny also struggles with her unrequited love for her cousin Edmund, the only truly loving person in the Bertram family toward her. So it's a rough blow for Fanny when the fashionable, self-centered and worldly brother and sister team, Henry and Mary Crawford, sweep into town and upend everything at Mansfield Park. Edmund's sisters, Maria and Julia, fight over Henry's attention (Maria's engagement to another man not posing much of an obstacle in her mind; she'd love to trade up personality- and intelligence-wise). Edmund promptly falls for Mary Crawford, who can't quite believe she's really giving a second son - and one who's going to be a clergyman! - the time of day. Edmund is still absentmindedly kind to Fanny, but he's completely head over heels for Mary, to Fanny's vast chagrin.
I never thought Mary quite as unworthy a person as Fanny does, though that may be my modern perspective talking. Henry clearly starts out as a player and a user, but Fanny's sweetness and goodness start to change his jaded heart.
Mansfield Park is so insightful about people鈥檚 faults and foibles and personal relationships. Just, look somewhere else if you want a soul-satisfying romance.
Bonus material: After reading Mansfield Park, I jumped into Sherwood Smith's to see if she could convince me that, just maybe, Jane Austen got the ending wrong here. She is pretty convincing! Give this a shot if you鈥檙e interested. It鈥檚 one of the few JAFF (Jane Austen fan fiction, for the uninitiated) works I think is really good.
Initial review: Fanny always struck me as a sad sack, and Edmund as needing a nice big shot of testosterone so he could step it up a notch. I really need to reread this one to see if I can develop more appreciation for the main characters.
Maybe my problem is that I want all of my Austen heroines to be more like Elizabeth Bennet.
The other thing that helped me was mentally repeating the mantra that stood me in good stead when I was rereading : This is not a romance novel. If you read it with the standard romantic expectations, you're likely to be disappointed. A starry-eyed view of romance and happily-ever-after is not the point of Mansfield Park (and, really, not of any of Austen's other novels, Darcy and Wentworth notwithstanding). Here it's much more about the social commentary, and often about the ways people hurt others through their selfishness or lack of consideration.
After rereading both Mansfield Park and , I think that Fanny is just as good a heroine as Anne Elliot, and actually they have a lot in common in their personalities: sensitive, rather shy, physically weak, kind-hearted and giving to a fault. Anne just got the benefit of a better romantic plot line and (sorry/notsorry, Edmund) a far more appealing hero in Frederick Wentworth.
Once I stopped trying to squeeze Fanny and Edmund into the roles of romantic heroine and hero, I was able to appreciate how nuanced and realistically Austen drew these characters. Fanny is the poor cousin who is taken in by her Aunt Bertram's family as a young girl. She's a sensitive soul and a quiet personality, with an unfailing moral compass. Fom the modern point of view she can be a bit of a prig at times, but she was in line with the social expectations for her time, especially for a dependent young woman.
Fanny struggles with her health, partly because of her Aunt Norris' unflagging (and unasked for) efforts to keep Fanny humble and always, always useful, and to save the Bertrams' money at Fanny's expense: her rooms are bitterly cold in winter; there's never a fire in her sitting room until her inattentive uncle realizes it one day. (Aunt Norris, by the way, is a brilliant creation, a shockingly appalling person that still makes you laugh.)
And Fanny also struggles with her unrequited love for her cousin Edmund, the only truly loving person in the Bertram family toward her. So it's a rough blow for Fanny when the fashionable, self-centered and worldly brother and sister team, Henry and Mary Crawford, sweep into town and upend everything at Mansfield Park. Edmund's sisters, Maria and Julia, fight over Henry's attention (Maria's engagement to another man not posing much of an obstacle in her mind; she'd love to trade up personality- and intelligence-wise). Edmund promptly falls for Mary Crawford, who can't quite believe she's really giving a second son - and one who's going to be a clergyman! - the time of day. Edmund is still absentmindedly kind to Fanny, but he's completely head over heels for Mary, to Fanny's vast chagrin.
I never thought Mary quite as unworthy a person as Fanny does, though that may be my modern perspective talking. Henry clearly starts out as a player and a user, but Fanny's sweetness and goodness start to change his jaded heart.
Mansfield Park is so insightful about people鈥檚 faults and foibles and personal relationships. Just, look somewhere else if you want a soul-satisfying romance.
Bonus material: After reading Mansfield Park, I jumped into Sherwood Smith's to see if she could convince me that, just maybe, Jane Austen got the ending wrong here. She is pretty convincing! Give this a shot if you鈥檙e interested. It鈥檚 one of the few JAFF (Jane Austen fan fiction, for the uninitiated) works I think is really good.
Initial review: Fanny always struck me as a sad sack, and Edmund as needing a nice big shot of testosterone so he could step it up a notch. I really need to reread this one to see if I can develop more appreciation for the main characters.
Maybe my problem is that I want all of my Austen heroines to be more like Elizabeth Bennet.
July 23, 2022
I hated Fanny Price.
I'm supposed to like her because she has a deep appreciation for nature, understands her place in society, is happy to be useful to her betters, is pained to the point of tears when anyone other than Edmund pays any attention to her, is gratingly proper, and can't walk more than 10 steps without having to sit down?
Yes, more of that kind of heroine, please!
And as much as I disliked Fanny, I loathed Edmund even more.
He is one of those people who will adhere to the rules of society that he believes are right, proper, and just, to the point of turning his back on family and friends who don't follow those rules.
But who doesn't find starchy and stifling to be the most incredibly sexy qualities in a man?!
I know he certainly melted my panties as the book wore on...
These two were the WORST. Was there ever a more obnoxiously deserving couple ever created for literature? I think not.
You know how everyone thinks that they are the hero of the story? Like, even smug assholes and annoying twats - they think they're justified to be smug assholes and annoying twats because of whatever douchy reasons they come up with. <--Edmund & Fanny!
You know who I liked?!
Mary Crawford!
Yes. The villainess of the story is the only tolerable character in this thing. In fact, I'm not even sure she's a bad guy. I found myself nodding along with almost everything she said.
Her worst offenses were that she spoke her mind and thought church was boring.
Let sickly, boring, conscientious Fanny have that dork and count your ill-fated romance with Edmund a bullet dodged, Ms. Crawford.
Ride off into the sunset, girl!
And as far as romance goes?
Nothing was less romantic than watching (listening, in my case) to Fanny simper and pine over her oblivious cousin, while he chased after Mary. There was nothing, nothing in his manner that led you to believe deep down he might love Fanny and just not realize it.
In the end, there isn't even an on-page ah-ha! moment! It just says (and I'm paraphrasing here), after a while, he realized Fanny might due quite well for a wife and there's an off-page marriage between the two.
Wow! The fireworks between those guys were unbelievable!
I can only imagine what kind of sparks they had in their marriage.
Was I supposed to be rooting for these boring, self-righteous, snobby a-holes to get a Happily Ever After? Was I really?
OhmyfuckinggodnoIcannotdoit.
My personal happy ending includes Mary marrying some awesome rich guy who thinks she's funny and hot, then riding past Edmund's gross little church on their way to whatever amazing honeymoon destination they pick out. Edmund gazes longingly at the dust her carriage creates as it speeds by, and stupid Fanny realizes she shouldn't have settled for being anyone's second choice.
Jane Austen is a fantastic writer so I can't give it less than 3 stars, but the characters in this sucker were awful.
I'd recommend this book only if you enjoy seeing the Bad Guys win.
I'm supposed to like her because she has a deep appreciation for nature, understands her place in society, is happy to be useful to her betters, is pained to the point of tears when anyone other than Edmund pays any attention to her, is gratingly proper, and can't walk more than 10 steps without having to sit down?
Yes, more of that kind of heroine, please!
And as much as I disliked Fanny, I loathed Edmund even more.
He is one of those people who will adhere to the rules of society that he believes are right, proper, and just, to the point of turning his back on family and friends who don't follow those rules.
But who doesn't find starchy and stifling to be the most incredibly sexy qualities in a man?!
I know he certainly melted my panties as the book wore on...
These two were the WORST. Was there ever a more obnoxiously deserving couple ever created for literature? I think not.
You know how everyone thinks that they are the hero of the story? Like, even smug assholes and annoying twats - they think they're justified to be smug assholes and annoying twats because of whatever douchy reasons they come up with. <--Edmund & Fanny!
You know who I liked?!
Mary Crawford!
Yes. The villainess of the story is the only tolerable character in this thing. In fact, I'm not even sure she's a bad guy. I found myself nodding along with almost everything she said.
Her worst offenses were that she spoke her mind and thought church was boring.
Let sickly, boring, conscientious Fanny have that dork and count your ill-fated romance with Edmund a bullet dodged, Ms. Crawford.
Ride off into the sunset, girl!
And as far as romance goes?
Nothing was less romantic than watching (listening, in my case) to Fanny simper and pine over her oblivious cousin, while he chased after Mary. There was nothing, nothing in his manner that led you to believe deep down he might love Fanny and just not realize it.
In the end, there isn't even an on-page ah-ha! moment! It just says (and I'm paraphrasing here), after a while, he realized Fanny might due quite well for a wife and there's an off-page marriage between the two.
Wow! The fireworks between those guys were unbelievable!
I can only imagine what kind of sparks they had in their marriage.
Was I supposed to be rooting for these boring, self-righteous, snobby a-holes to get a Happily Ever After? Was I really?
OhmyfuckinggodnoIcannotdoit.
My personal happy ending includes Mary marrying some awesome rich guy who thinks she's funny and hot, then riding past Edmund's gross little church on their way to whatever amazing honeymoon destination they pick out. Edmund gazes longingly at the dust her carriage creates as it speeds by, and stupid Fanny realizes she shouldn't have settled for being anyone's second choice.
Jane Austen is a fantastic writer so I can't give it less than 3 stars, but the characters in this sucker were awful.
I'd recommend this book only if you enjoy seeing the Bad Guys win.
August 5, 2021
So thoroughly wonderful. Every single time.
September 1, 2013
(This is usually the part where I offer abject apologies for my review's length, but I don't feel like it this time. It's long. Continued on the comments section. You have been duly notified.)
Ah, Fanny Price. We meet again.
Our previous meeting was鈥�. How shall I say? Underwhelming. Unsatisfying. 鈥acking is really the word I鈥檓 looking for. There was something missing in every encounter I had with you that made me want to tear my hair out.
Now I know why, and it was entirely to do with what I brought to the table for our meeting. I brought your sisters-in-theory, the heroines Elinor, Emma, Marianne, and Elizabeth, like a pack of stylish queen bees in my head, dazzled by their brilliance and faced you with them at my back like a jury at an oral exam, a row of judges at an audition ready to cut you off after only six bars. And your six bars, I will be real with you, started to seem to be a particularly wail-based version of On My Own that I thought I had heard enough times already to know what your deal was. I was in no position to see you at all at that time. In those ladies listed above, Austen provided me with a repeated melody and a theme that I admired and respected. You didn鈥檛 fit into that pattern, didn鈥檛 check the boxes I imagined were necessary. I was baffled, frankly, with what the Austen I had created in my head wanted with you.
More importantly, really, I made the mistake of thinking that, like those ladies, you were the point of the novel. On the one hand, I wasn鈥檛 wrong. You were. But not as an examination of an individual, independent person. This novel is not called Fanny. It isn鈥檛 called Foolishness and Awkwardness, or any approximation of virtues that you might be supposed to stand for. It鈥檚 called Mansfield Park. Fanny is the Pygmalion of Mansfield Park, and in that sense is as central as I ever thought she was, but, as with any Pygmalion story, it is the hands of her Makers that the novel is concerned with more than anything else. I spent the first read looking at the product instead of the creator. That was my mistake, and that was the mistake that I corrected this time.
Looking at it from that perspective, it isn鈥檛 even as if Austen is breaking a pattern here, considering her other real estate named novel. I had been used to placing this novel and Northanger Abbey in opposing corners, but it turns out that this novel is less a departure for Austen and more of a return to the interests and focus of her earlier career. In Northanger Abbey, Austen focused on lampooning wider trends in society, on the Gothic trend in popular culture and novels, the experience and expectations of young girls, the effects and power of money, social climbing, and the realities of many an unequal marriage. It was about Catherine in the sense that she was a well-meaning person who encountered these things, was affected by them and made a tortured example of what Austen considered intolerable nonsense, but Austen examined those things through her rather than the reverse. There is more interest in commenting on wider trends here than on examining an individual and whatever happens to be mixed up inside there, although of course with Austen鈥檚 minute and particular observational powers, there will always be some individual moments that ring true.
Neither is this novel about Fanny, but rather about new trends and new societal influences that Austen was concerned with. However, rather than the light touch, the laughing eye, the pleased-with-herself cleverness that she seemed to delight in for nearly the entirety of Northanger Abbey (with an exception to be dealt with later), Mansfield Park carries the voice of maturity and accordingly weightier concerns. Unfortunately, it seems that, like Elizabeth, Austen has seen more of the world and the more that she saw; the more that she was dissatisfied with it. A character flaw she could once dismiss or punish by making someone ridiculous in a party scene or a serious misstep that she could once smooth over and let Life Go On no longer seems so funny or so easily dismissed. It鈥檚 not a game any more. So this, I think, is where the tone that puts many people off this book comes from- a tone that can seem prudish, moralizing, humorless, and even bitter at points. Who wants to watch when Beatrice, born to speak all mirth and no matter (or so she can cleverly claim), suddenly gives up and stops laughing and seemingly becomes Lady Disdain in fact? It鈥檚 hard to see the harsh side of the intellect win out, even temporarily. I鈥檓 sure that鈥檚 another major part of what put me off last time. It鈥檚 easier to call hard things names than see what they have to say and take it seriously.
What a difference a fresh approach, with my eyes open to my own prejudices, made. Coming to it with a clean slate meant that I could see Austen鈥檚 brilliance from the very first page. Austen鈥檚 light touch sometimes means that, like the best grand masters, her handiwork is often hidden behind an absorbing story and characters that we are too involved with to pause to admire the brushstrokes and word choice that got us there. But this time I was able to do that, man is she fantastically brilliant. Let鈥檚 take a moment to just demonstrate this through an examination of the masterpiece of a first chapter.
鈥淎bout thirty years ago, Miss Maria Ward, of Huntingdon, with only seven thousand pounds, had the good luck to captivate Sir Thomas Bertram, of Mansfield Park, in the county of Northampton, and to be thereby raised to the rank of a baronet鈥檚 lady, with all the comforts and consequences of a handsome house and large income. All Huntingdon exclaimed on the greatness of the match, and her uncle, the lawyer, himself allowed her to be at least three thousand pounds short of any equitable claim to it.
In two sentences, Austen gave her readers everything they needed to know about what this story was going to be about, what was going to be seen as important in this society, and something of the tone with which it was going to be treated. I know that where, down to the specific town, that something happens, is of vital importance and can and will, in Austen鈥檚 view, change all the action. I know, to the letter, exactly the social 鈥渓evel鈥� of the society that I will be dealing with and the sort of concerns and anxieties that that comes along with it.
More than this, I can tell, right away, that this is a story of small and everyday concerns in a small society of populated by even smaller, busybody sorts of people. And you know what? She didn鈥檛 use the word 鈥渟mall鈥� once, or suggest that anything that was happening was small or insignificant in any way. Instead, she uses the language and structure of clauses, adding increasing amounts of specificity to cut down the significance of her story bit by bit, 鈥渁bout thirty years ago,鈥� 鈥�Miss Maria Ward,鈥� 鈥淗untingdon,鈥� 鈥渃ounty of Northampton,鈥� 鈥渉er uncle, the lawyer.鈥� By the time we reach the end of her clauses, we have qualified ourselves into absurdity, and are in the mood for the first satiric cut at the values that support this social system.
The tone is all perfectly reasonable observation, but the cuts continue: 鈥淪he had two sisters to be benefitted by her elevation, and such of their acquaintance as thought Miss Ward and Miss Frances quite as handsome as Miss Maria did not scruple to predict them marrying with almost equal advantage. But there certainly are not so many men of large fortune in the world as there are pretty women who deserve them.鈥�
It鈥檚 quite skilled, what she does there. She delivers more information to us and starts to take us down an expected path of storytelling, with an appropriately fairy tale-esque set of three sisters with differing fates who meet with a surprise that must be resolved. We鈥檙e settling in for a tale by a fireside and all of our expectations of that without even quite realizing it because her cover of wry wit keeps things moving along at a brisk pace. But she has you now. What happened to those other two sisters?
That means its time for another talent of Austen鈥檚, sorting and categorizing people into uncomfortably recognizable individuals that it is hard not to react strongly when you hear just one more of their spot-on, of COURSE she did pronouncements. She sorts through the sisters鈥� personalities by giving them the situation of their sister鈥檚 marriage to a poor Marine to deal with and seeing how they react.
It鈥檚 interesting, because right off the bat, the narration doesn鈥檛 make me want to totally condemn either sister. Lady Bertram鈥檚 placid indifference to the fate of likely-soon-to-be-in-need-of-help sister seems almost as contemptible as Mrs. Norris鈥� officious interfering and tale-telling. There could even almost be an argument to be made that Mrs. Norris鈥� anger was justified, looked at from a certain point of view, and at least she didn鈥檛 simply drop her sister from her life. Sure, it was just likely to make trouble as anything, but it was doing something. But it does let me know who they are, quite quickly. I can already see how I think they move and walk, how they are likely to talk and the likely subjects that they will discourse on when they do. I can see their gestures when they ring for tea and I know what their attitude to someone being late is likely going to be. And she didn鈥檛 tell me a word about any of that.
The final missing piece is a more thorough examination of the morals and values that will provide the foundation for the actions and reactions of the novel. Austen has already given me hints of it ( 鈥渁bout three thousand pounds short of any equitable claim to it,鈥� 鈥渘ot so many men of large fortune as there are pretty women to deserve them鈥� 鈥�.. could not possibly keep [it] to herself鈥� ), but now is the time to lower the boom. Therefore, the meat of the next several pages is taken up with working through the somewhat different thoughts of Mrs. Norris and Sir Thomas on the subject of charity and generosity. They examine a project, entirely conceived, proposed and pushed for by Mrs. Norris, to adopt one of her poor sister鈥檚 children. Sir Thomas is hesitant:
鈥淗e debated and hesitated;- it was a serious charge;- a girl so brought up must be adequately provided for, or there would be cruelty instead of kindness in taking her from her family鈥�. 鈥� 鈥溾€� I only meant to observe, that it ought not to be lightly engaged in and to make it really serviceable to Mrs. Price, and credible to ourselves, we must secure to the child, or consider ourselves engaged to secure hereafter, as circumstances may arise, the provision of a gentlewoman.鈥�
Mrs. Norris soothes him that she鈥檒l be very involved with it and makes like she's going to give Fanny all her worldly possessions, and each of them decide to move forward, both of them rather pleased with themselves:
鈥淭he division of gratifying sensations ought not, in strict justice, to have been equal; for Sir Thomas was fully resolved to be the real and consistent patron of the selected child, and Mrs. Norris had not the least intention of being at any expense whatever in her maintenance. As far as walking, talking and contriving reached, she was thoroughly benevolent, and nobody knew better how to dictate liberality to others, but her love of money was equal to her love of directing and she knew quite as well how to save her own as to spend that of friends鈥� though perhaps she might so little know herself, as to walk home to the Parsonage after this conversation, in the happy belief of being the most liberal-minded sister and aunt in the world.鈥�
Therefore when Sir Thomas opens the not unreasonable subject of sharing responsibility for their new charge, there are a thousand excuses and not one single prayer of a chance that Mrs. Norris will do anything material to help.
By the time I am done with the first chapter, then, I understand the two understandings of morality that we will be dealing with in this book. The first, the morality that is entirely of appearances and outward show, bent mostly on using it to accomplish personal aims and the second, a morality that is really actually concerned with finding and doing the right thing, and thinking through a situation to figure out what that right thing might be, despite the imperfections of a situation or person involved. It鈥檚 the difference between knowing what is right, but not being prepared to do anything about it, and a person who acts on that knowledge to the best of their ability. It鈥檚 already so much more interesting and less black and white than many other possible paths that could have been taken.
That took only eleven pages. Slightly less than, in my edition, actually. That鈥檚 all, and I am already deeply familiar with the rules, official and unofficial wants and desires of the society we鈥檙e in, I feel that I have a very good idea about who the people I am going to be spending time with are, and I know something about the sort of conflict I will be dealing with. Moreover, I am invested in finding out how this charitable 鈥渆xperiment鈥� works out, if only so I can hate-watch Mrs. Norris and her breathtaking awfulness. I got so much information, without it ever feeling like the 鈥渋nfo dump鈥� that you get at the start of a fantasy novel. Instead, Austen鈥檚 version of the prologue did not concern itself with merely loading us up with names and atmosphere, but rather took a moment to accomplish the much more important task of building a bridge and connecting to the characters and the society of the novel.
But what about Fanny, you ask, insistently? What are we to do with her? Do we really have to just put up with her as a heroine for the sake of everything that comes along with it? My answer is yes: But only if you are absolutely determined to see her as a heroine, which would be a mistake and a waste of Austen鈥檚 handiwork. As we鈥檝e already seen in our examination of the first chapter, our 鈥渕ain character鈥� is barely introduced, by name, and not at all for herself as a person. She isn鈥檛 chosen for her position based on drawing any swords out of stones or volunteering as tribute. She鈥檚 referred to as 鈥渢he girl,鈥� or the 鈥渙ldest girl,鈥� and taken for the random accident of her birth.
That makes sense, because Fanny is the product of her circumstances, first that of her birth and then the place where she was largely raised into adulthood. Fanny is the expression of what an average, well-meaning girl in her place might turn out to be. But she is no heroine. She鈥檚 small and scared and timid. She is constantly worried by what she should be doing or saying, constantly ready to read and react to the possible negative reactions of anyone around her. It makes sense, it鈥檚 a survival mechanism that probably contributed to her doing so well in this house. It means, however, that her first reaction is always going to be, 鈥�But wait, could I get in trouble for doing that? God knows I have been told often enough that I am a sub-human due to my birth and financial circumstances, and if I do something wrong, I could lose whatever precarious position I have.鈥�
Of course, half the time, Fanny is just pissing people off with this, coming off like she thinks she鈥檚 superior or making them feel bad about their own moral choices, but she can鈥檛 take the risk of doing something less than morally irreproachable, because the one time she decides to do that and it turns out that someone is in the mood to condemn her, she鈥檒l lose the only thing she has to trade on for her own self-worth and, she thinks, her worth in the eyes of others: her general impression of moral virtue that she鈥檚 been able to gain for herself. And that鈥檚 not a small thing to lose for a girl who doesn鈥檛 have the money or the title or the overwhelming beauty to make up for it. All she has is, 鈥淔anny is a good girl,鈥� as an assurance of a place to eat and sleep of some minimal quality. That鈥檚 why it made so much sense that she would want a public and unanimous appeal to her to participate in the play, and only after some mishap made it necessary, in order to do it. Although she admits that she would like to participate at some point, it鈥檚 important that that鈥檚 not why she鈥檚 doing it. She鈥檚 not entitled to that sort of feeling of preference or doing things for pleasure, or so she thinks.
(There鈥檚 a brilliant line when the whole party goes to Southerton for a day-outing that deals with this. Mrs. Norris is being all pissy because she wasn鈥檛 able to exclude Fanny from going with them and getting all huffy about how grateful Fanny should be for the special, special beyond belief treat that her lowly drudge self does not deserve and Edmund just replies, rather sharply, 鈥淔anny will feel as grateful as the occasion warrants.鈥� Like, lady, I see what you are doing there and GOD, you are exhausting.)
I wouldn鈥檛 take this as evidence of any consistent knight-in-shiny armor deal going on with Edmund, though, that might redeem this for you. Another reason she is not a heroine is that you will be SO disappointed by her hero counterpoint if you try to think of it that way. Barely even ONE tenet of Romantic happiness is evident here. Edmund is a good enough sort of fellow. He starts out in the second camp of people who really do try to do the right thing and think through situations to figure out what that right thing is. However, that is increasingly compromised throughout the novel when he becomes obsessed with the newly arrived hot chick, Mary Crawford. We then get, I would say, upwards of 100 pages of him joining the Mrs. Norris dark side and convincing himself that what is selfishly best for him is also the right thing to do. He鈥檚 also just the most enormously pathetic sucker, hanging on to even the slightest evidence of Mary鈥檚 care for him, dealing with her blowing hot and cold and blaming it all on her circumstances or the way that she was raised. He even spends actual chapters trying to convince Fanny, obviously in love with him (though Austen, again, just wonderfully, never actually says that she is in love with him out right, though she constantly implies it and assumes our knowledge of it as readers throughout), to marry Henry Crawford...
(continued in the comments below)
* * *
ORIGINAL:
Dear Jane,
Please accept my profound apologies for what I am about to write. I would be most grateful if you would be inattentive to the following review. Please believe in my most profound respect and adoration for you.
Yours & etc,
Kelly
So, the writing is fine. But the heroine is... difficult to like. I'd have more sympathy for her if there was more of a personality in there. But her major character traits seem to be moralizing, correctness and dullness. It is nothing like Austen's usual impressive characterization. It was a chore getting through this.
I wouldn't take this as representative of the rest of Austen's novels, in terms of tone or character. I also would warn you that if you're a fan of the movie, you will probably not be a huge fan of the book. This Fanny is not like that Fanny. I can understand why the director changed her character and made that story more about Austen. I think this book could be pretty deathly on the screen otherwise.
I'd really say skip this one, or at least try everything else first. I'm due for a re-read, so we'll see if I change my mind or if perhaps I was seduced by the flash and sparkle of Lizzy, Emma, Elinor and Marianne. But at this point I find it hard to recommend.
Ah, Fanny Price. We meet again.
Our previous meeting was鈥�. How shall I say? Underwhelming. Unsatisfying. 鈥acking is really the word I鈥檓 looking for. There was something missing in every encounter I had with you that made me want to tear my hair out.
Now I know why, and it was entirely to do with what I brought to the table for our meeting. I brought your sisters-in-theory, the heroines Elinor, Emma, Marianne, and Elizabeth, like a pack of stylish queen bees in my head, dazzled by their brilliance and faced you with them at my back like a jury at an oral exam, a row of judges at an audition ready to cut you off after only six bars. And your six bars, I will be real with you, started to seem to be a particularly wail-based version of On My Own that I thought I had heard enough times already to know what your deal was. I was in no position to see you at all at that time. In those ladies listed above, Austen provided me with a repeated melody and a theme that I admired and respected. You didn鈥檛 fit into that pattern, didn鈥檛 check the boxes I imagined were necessary. I was baffled, frankly, with what the Austen I had created in my head wanted with you.
More importantly, really, I made the mistake of thinking that, like those ladies, you were the point of the novel. On the one hand, I wasn鈥檛 wrong. You were. But not as an examination of an individual, independent person. This novel is not called Fanny. It isn鈥檛 called Foolishness and Awkwardness, or any approximation of virtues that you might be supposed to stand for. It鈥檚 called Mansfield Park. Fanny is the Pygmalion of Mansfield Park, and in that sense is as central as I ever thought she was, but, as with any Pygmalion story, it is the hands of her Makers that the novel is concerned with more than anything else. I spent the first read looking at the product instead of the creator. That was my mistake, and that was the mistake that I corrected this time.
Looking at it from that perspective, it isn鈥檛 even as if Austen is breaking a pattern here, considering her other real estate named novel. I had been used to placing this novel and Northanger Abbey in opposing corners, but it turns out that this novel is less a departure for Austen and more of a return to the interests and focus of her earlier career. In Northanger Abbey, Austen focused on lampooning wider trends in society, on the Gothic trend in popular culture and novels, the experience and expectations of young girls, the effects and power of money, social climbing, and the realities of many an unequal marriage. It was about Catherine in the sense that she was a well-meaning person who encountered these things, was affected by them and made a tortured example of what Austen considered intolerable nonsense, but Austen examined those things through her rather than the reverse. There is more interest in commenting on wider trends here than on examining an individual and whatever happens to be mixed up inside there, although of course with Austen鈥檚 minute and particular observational powers, there will always be some individual moments that ring true.
Neither is this novel about Fanny, but rather about new trends and new societal influences that Austen was concerned with. However, rather than the light touch, the laughing eye, the pleased-with-herself cleverness that she seemed to delight in for nearly the entirety of Northanger Abbey (with an exception to be dealt with later), Mansfield Park carries the voice of maturity and accordingly weightier concerns. Unfortunately, it seems that, like Elizabeth, Austen has seen more of the world and the more that she saw; the more that she was dissatisfied with it. A character flaw she could once dismiss or punish by making someone ridiculous in a party scene or a serious misstep that she could once smooth over and let Life Go On no longer seems so funny or so easily dismissed. It鈥檚 not a game any more. So this, I think, is where the tone that puts many people off this book comes from- a tone that can seem prudish, moralizing, humorless, and even bitter at points. Who wants to watch when Beatrice, born to speak all mirth and no matter (or so she can cleverly claim), suddenly gives up and stops laughing and seemingly becomes Lady Disdain in fact? It鈥檚 hard to see the harsh side of the intellect win out, even temporarily. I鈥檓 sure that鈥檚 another major part of what put me off last time. It鈥檚 easier to call hard things names than see what they have to say and take it seriously.
What a difference a fresh approach, with my eyes open to my own prejudices, made. Coming to it with a clean slate meant that I could see Austen鈥檚 brilliance from the very first page. Austen鈥檚 light touch sometimes means that, like the best grand masters, her handiwork is often hidden behind an absorbing story and characters that we are too involved with to pause to admire the brushstrokes and word choice that got us there. But this time I was able to do that, man is she fantastically brilliant. Let鈥檚 take a moment to just demonstrate this through an examination of the masterpiece of a first chapter.
鈥淎bout thirty years ago, Miss Maria Ward, of Huntingdon, with only seven thousand pounds, had the good luck to captivate Sir Thomas Bertram, of Mansfield Park, in the county of Northampton, and to be thereby raised to the rank of a baronet鈥檚 lady, with all the comforts and consequences of a handsome house and large income. All Huntingdon exclaimed on the greatness of the match, and her uncle, the lawyer, himself allowed her to be at least three thousand pounds short of any equitable claim to it.
In two sentences, Austen gave her readers everything they needed to know about what this story was going to be about, what was going to be seen as important in this society, and something of the tone with which it was going to be treated. I know that where, down to the specific town, that something happens, is of vital importance and can and will, in Austen鈥檚 view, change all the action. I know, to the letter, exactly the social 鈥渓evel鈥� of the society that I will be dealing with and the sort of concerns and anxieties that that comes along with it.
More than this, I can tell, right away, that this is a story of small and everyday concerns in a small society of populated by even smaller, busybody sorts of people. And you know what? She didn鈥檛 use the word 鈥渟mall鈥� once, or suggest that anything that was happening was small or insignificant in any way. Instead, she uses the language and structure of clauses, adding increasing amounts of specificity to cut down the significance of her story bit by bit, 鈥渁bout thirty years ago,鈥� 鈥�Miss Maria Ward,鈥� 鈥淗untingdon,鈥� 鈥渃ounty of Northampton,鈥� 鈥渉er uncle, the lawyer.鈥� By the time we reach the end of her clauses, we have qualified ourselves into absurdity, and are in the mood for the first satiric cut at the values that support this social system.
The tone is all perfectly reasonable observation, but the cuts continue: 鈥淪he had two sisters to be benefitted by her elevation, and such of their acquaintance as thought Miss Ward and Miss Frances quite as handsome as Miss Maria did not scruple to predict them marrying with almost equal advantage. But there certainly are not so many men of large fortune in the world as there are pretty women who deserve them.鈥�
It鈥檚 quite skilled, what she does there. She delivers more information to us and starts to take us down an expected path of storytelling, with an appropriately fairy tale-esque set of three sisters with differing fates who meet with a surprise that must be resolved. We鈥檙e settling in for a tale by a fireside and all of our expectations of that without even quite realizing it because her cover of wry wit keeps things moving along at a brisk pace. But she has you now. What happened to those other two sisters?
That means its time for another talent of Austen鈥檚, sorting and categorizing people into uncomfortably recognizable individuals that it is hard not to react strongly when you hear just one more of their spot-on, of COURSE she did pronouncements. She sorts through the sisters鈥� personalities by giving them the situation of their sister鈥檚 marriage to a poor Marine to deal with and seeing how they react.
It鈥檚 interesting, because right off the bat, the narration doesn鈥檛 make me want to totally condemn either sister. Lady Bertram鈥檚 placid indifference to the fate of likely-soon-to-be-in-need-of-help sister seems almost as contemptible as Mrs. Norris鈥� officious interfering and tale-telling. There could even almost be an argument to be made that Mrs. Norris鈥� anger was justified, looked at from a certain point of view, and at least she didn鈥檛 simply drop her sister from her life. Sure, it was just likely to make trouble as anything, but it was doing something. But it does let me know who they are, quite quickly. I can already see how I think they move and walk, how they are likely to talk and the likely subjects that they will discourse on when they do. I can see their gestures when they ring for tea and I know what their attitude to someone being late is likely going to be. And she didn鈥檛 tell me a word about any of that.
The final missing piece is a more thorough examination of the morals and values that will provide the foundation for the actions and reactions of the novel. Austen has already given me hints of it ( 鈥渁bout three thousand pounds short of any equitable claim to it,鈥� 鈥渘ot so many men of large fortune as there are pretty women to deserve them鈥� 鈥�.. could not possibly keep [it] to herself鈥� ), but now is the time to lower the boom. Therefore, the meat of the next several pages is taken up with working through the somewhat different thoughts of Mrs. Norris and Sir Thomas on the subject of charity and generosity. They examine a project, entirely conceived, proposed and pushed for by Mrs. Norris, to adopt one of her poor sister鈥檚 children. Sir Thomas is hesitant:
鈥淗e debated and hesitated;- it was a serious charge;- a girl so brought up must be adequately provided for, or there would be cruelty instead of kindness in taking her from her family鈥�. 鈥� 鈥溾€� I only meant to observe, that it ought not to be lightly engaged in and to make it really serviceable to Mrs. Price, and credible to ourselves, we must secure to the child, or consider ourselves engaged to secure hereafter, as circumstances may arise, the provision of a gentlewoman.鈥�
Mrs. Norris soothes him that she鈥檒l be very involved with it and makes like she's going to give Fanny all her worldly possessions, and each of them decide to move forward, both of them rather pleased with themselves:
鈥淭he division of gratifying sensations ought not, in strict justice, to have been equal; for Sir Thomas was fully resolved to be the real and consistent patron of the selected child, and Mrs. Norris had not the least intention of being at any expense whatever in her maintenance. As far as walking, talking and contriving reached, she was thoroughly benevolent, and nobody knew better how to dictate liberality to others, but her love of money was equal to her love of directing and she knew quite as well how to save her own as to spend that of friends鈥� though perhaps she might so little know herself, as to walk home to the Parsonage after this conversation, in the happy belief of being the most liberal-minded sister and aunt in the world.鈥�
Therefore when Sir Thomas opens the not unreasonable subject of sharing responsibility for their new charge, there are a thousand excuses and not one single prayer of a chance that Mrs. Norris will do anything material to help.
By the time I am done with the first chapter, then, I understand the two understandings of morality that we will be dealing with in this book. The first, the morality that is entirely of appearances and outward show, bent mostly on using it to accomplish personal aims and the second, a morality that is really actually concerned with finding and doing the right thing, and thinking through a situation to figure out what that right thing might be, despite the imperfections of a situation or person involved. It鈥檚 the difference between knowing what is right, but not being prepared to do anything about it, and a person who acts on that knowledge to the best of their ability. It鈥檚 already so much more interesting and less black and white than many other possible paths that could have been taken.
That took only eleven pages. Slightly less than, in my edition, actually. That鈥檚 all, and I am already deeply familiar with the rules, official and unofficial wants and desires of the society we鈥檙e in, I feel that I have a very good idea about who the people I am going to be spending time with are, and I know something about the sort of conflict I will be dealing with. Moreover, I am invested in finding out how this charitable 鈥渆xperiment鈥� works out, if only so I can hate-watch Mrs. Norris and her breathtaking awfulness. I got so much information, without it ever feeling like the 鈥渋nfo dump鈥� that you get at the start of a fantasy novel. Instead, Austen鈥檚 version of the prologue did not concern itself with merely loading us up with names and atmosphere, but rather took a moment to accomplish the much more important task of building a bridge and connecting to the characters and the society of the novel.
But what about Fanny, you ask, insistently? What are we to do with her? Do we really have to just put up with her as a heroine for the sake of everything that comes along with it? My answer is yes: But only if you are absolutely determined to see her as a heroine, which would be a mistake and a waste of Austen鈥檚 handiwork. As we鈥檝e already seen in our examination of the first chapter, our 鈥渕ain character鈥� is barely introduced, by name, and not at all for herself as a person. She isn鈥檛 chosen for her position based on drawing any swords out of stones or volunteering as tribute. She鈥檚 referred to as 鈥渢he girl,鈥� or the 鈥渙ldest girl,鈥� and taken for the random accident of her birth.
That makes sense, because Fanny is the product of her circumstances, first that of her birth and then the place where she was largely raised into adulthood. Fanny is the expression of what an average, well-meaning girl in her place might turn out to be. But she is no heroine. She鈥檚 small and scared and timid. She is constantly worried by what she should be doing or saying, constantly ready to read and react to the possible negative reactions of anyone around her. It makes sense, it鈥檚 a survival mechanism that probably contributed to her doing so well in this house. It means, however, that her first reaction is always going to be, 鈥�But wait, could I get in trouble for doing that? God knows I have been told often enough that I am a sub-human due to my birth and financial circumstances, and if I do something wrong, I could lose whatever precarious position I have.鈥�
Of course, half the time, Fanny is just pissing people off with this, coming off like she thinks she鈥檚 superior or making them feel bad about their own moral choices, but she can鈥檛 take the risk of doing something less than morally irreproachable, because the one time she decides to do that and it turns out that someone is in the mood to condemn her, she鈥檒l lose the only thing she has to trade on for her own self-worth and, she thinks, her worth in the eyes of others: her general impression of moral virtue that she鈥檚 been able to gain for herself. And that鈥檚 not a small thing to lose for a girl who doesn鈥檛 have the money or the title or the overwhelming beauty to make up for it. All she has is, 鈥淔anny is a good girl,鈥� as an assurance of a place to eat and sleep of some minimal quality. That鈥檚 why it made so much sense that she would want a public and unanimous appeal to her to participate in the play, and only after some mishap made it necessary, in order to do it. Although she admits that she would like to participate at some point, it鈥檚 important that that鈥檚 not why she鈥檚 doing it. She鈥檚 not entitled to that sort of feeling of preference or doing things for pleasure, or so she thinks.
(There鈥檚 a brilliant line when the whole party goes to Southerton for a day-outing that deals with this. Mrs. Norris is being all pissy because she wasn鈥檛 able to exclude Fanny from going with them and getting all huffy about how grateful Fanny should be for the special, special beyond belief treat that her lowly drudge self does not deserve and Edmund just replies, rather sharply, 鈥淔anny will feel as grateful as the occasion warrants.鈥� Like, lady, I see what you are doing there and GOD, you are exhausting.)
I wouldn鈥檛 take this as evidence of any consistent knight-in-shiny armor deal going on with Edmund, though, that might redeem this for you. Another reason she is not a heroine is that you will be SO disappointed by her hero counterpoint if you try to think of it that way. Barely even ONE tenet of Romantic happiness is evident here. Edmund is a good enough sort of fellow. He starts out in the second camp of people who really do try to do the right thing and think through situations to figure out what that right thing is. However, that is increasingly compromised throughout the novel when he becomes obsessed with the newly arrived hot chick, Mary Crawford. We then get, I would say, upwards of 100 pages of him joining the Mrs. Norris dark side and convincing himself that what is selfishly best for him is also the right thing to do. He鈥檚 also just the most enormously pathetic sucker, hanging on to even the slightest evidence of Mary鈥檚 care for him, dealing with her blowing hot and cold and blaming it all on her circumstances or the way that she was raised. He even spends actual chapters trying to convince Fanny, obviously in love with him (though Austen, again, just wonderfully, never actually says that she is in love with him out right, though she constantly implies it and assumes our knowledge of it as readers throughout), to marry Henry Crawford...
(continued in the comments below)
* * *
ORIGINAL:
Dear Jane,
Please accept my profound apologies for what I am about to write. I would be most grateful if you would be inattentive to the following review. Please believe in my most profound respect and adoration for you.
Yours & etc,
Kelly
So, the writing is fine. But the heroine is... difficult to like. I'd have more sympathy for her if there was more of a personality in there. But her major character traits seem to be moralizing, correctness and dullness. It is nothing like Austen's usual impressive characterization. It was a chore getting through this.
I wouldn't take this as representative of the rest of Austen's novels, in terms of tone or character. I also would warn you that if you're a fan of the movie, you will probably not be a huge fan of the book. This Fanny is not like that Fanny. I can understand why the director changed her character and made that story more about Austen. I think this book could be pretty deathly on the screen otherwise.
I'd really say skip this one, or at least try everything else first. I'm due for a re-read, so we'll see if I change my mind or if perhaps I was seduced by the flash and sparkle of Lizzy, Emma, Elinor and Marianne. But at this point I find it hard to recommend.
August 24, 2018
The impossible happened! I read something by Jane Austen and I didn鈥檛 give it five stars! What is the world coming to? I don鈥檛 even know who I am anymore.
Though this was awfully dull. Austen has never be renowned for her fast moving plots, so I know what to expect when I go into one of her novels. What makes her writing so compelling is the social commentary and the razor sharp wit. The woman holds nothing back! And she鈥檚 ever so subtle. Her characters are often caricatures and she exploits them to demonstrate the folly of regency society. A comment here, a sly remark there, and her narration sings a song of unrequited annoyance and anger all directed towards people who don鈥檛 realise how stupid they are.
So what happened here?
Normally the narration sides with the heroine. She鈥檚 often a bit naive and overcomes her initial prejudice or ignorance through the course of the plot. But here Fanny felt absent for a large part of it. She鈥檚 awkwardly quiet and distant within her own story. Granted, she鈥檚 pushed aside by the characters in the beginning because of her low both and correspondingly low social status compared to her highborn peers, though I still want to hear her voice every so often. At times I forgot she was even there. I think books always struggle when the protagonist is so shy.
I found her the most uncompelling of Austen protagonists as she seemed unwilling to act on her misfortune. Where was her fire? Where was her will to change her own fortunes? She just seemed to slip into the background, like a tree or a coat stand in a stage set: she was invisible. And she was clearly in love from the get go, but the man she was after clearly didn鈥檛 seem to notice the obvious and she just didn鈥檛 do anything about it. The romance felt weak. Fanny simply fell in love with the only man from high society who was ever kind to her.
The book was also terribly long, which is fine if the characters are engaging. But, again, Austen鈥檚 characters are anything but here. Endless conversation was followed by endless conversation in a drawn out piece that did not need to be so long-winded. The plot did not move quick enough, and it was terribly predictable. Maybe I鈥檝e just grown tired of her storytelling. Modern critics pay particular attention to the mentions (or whispers) of slavery within the book, though I don鈥檛 think there鈥檚 much substance beyond the fact that we know it is actually happening and that it鈥檚 the cause of England鈥檚 wealth.
I consider Persuasion the absolute best example of Austen鈥檚 writing and, reassuringly so, it is also her shortest novel. As Shakespeare wrote, sometimes less is more.
2 stars because, despite it鈥檚 shortfalls, this is still Austen
| | | |
Though this was awfully dull. Austen has never be renowned for her fast moving plots, so I know what to expect when I go into one of her novels. What makes her writing so compelling is the social commentary and the razor sharp wit. The woman holds nothing back! And she鈥檚 ever so subtle. Her characters are often caricatures and she exploits them to demonstrate the folly of regency society. A comment here, a sly remark there, and her narration sings a song of unrequited annoyance and anger all directed towards people who don鈥檛 realise how stupid they are.
So what happened here?
Normally the narration sides with the heroine. She鈥檚 often a bit naive and overcomes her initial prejudice or ignorance through the course of the plot. But here Fanny felt absent for a large part of it. She鈥檚 awkwardly quiet and distant within her own story. Granted, she鈥檚 pushed aside by the characters in the beginning because of her low both and correspondingly low social status compared to her highborn peers, though I still want to hear her voice every so often. At times I forgot she was even there. I think books always struggle when the protagonist is so shy.
I found her the most uncompelling of Austen protagonists as she seemed unwilling to act on her misfortune. Where was her fire? Where was her will to change her own fortunes? She just seemed to slip into the background, like a tree or a coat stand in a stage set: she was invisible. And she was clearly in love from the get go, but the man she was after clearly didn鈥檛 seem to notice the obvious and she just didn鈥檛 do anything about it. The romance felt weak. Fanny simply fell in love with the only man from high society who was ever kind to her.
The book was also terribly long, which is fine if the characters are engaging. But, again, Austen鈥檚 characters are anything but here. Endless conversation was followed by endless conversation in a drawn out piece that did not need to be so long-winded. The plot did not move quick enough, and it was terribly predictable. Maybe I鈥檝e just grown tired of her storytelling. Modern critics pay particular attention to the mentions (or whispers) of slavery within the book, though I don鈥檛 think there鈥檚 much substance beyond the fact that we know it is actually happening and that it鈥檚 the cause of England鈥檚 wealth.
I consider Persuasion the absolute best example of Austen鈥檚 writing and, reassuringly so, it is also her shortest novel. As Shakespeare wrote, sometimes less is more.
2 stars because, despite it鈥檚 shortfalls, this is still Austen
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October 18, 2021
(Book 937 from 1001 books) - Mansfield Park, Jane Austen
Mansfield Park is the third published novel by Jane Austen, first published in 1814 by Thomas Egerton. A second edition was published in 1816 by John Murray, still within Austen's lifetime.
The novel tells the story of Fanny Price, starting when her overburdened, impoverished family sends her at age ten to live in the household of her wealthy aunt and uncle; it follows her development and concludes in early adulthood.
Frances "Fanny" Price, at age ten, is sent from her family home to live with her uncle and aunt in the country in Northampton-shire.
It is a jolting change, from the elder sister of many, to the youngest at the estate of Sir Thomas Bertram, husband of her mother's older sister.
Her cousin Edmund finds her alone one day and helps her. She wants to write to her older brother William. Edmund provides the writing materials, the first kindness to her in this new family.
Her cousins are Tom Jr. (age 17), Edmund (age 16), Maria (age 13) and Julia (age 12).
Her aunt, Lady Bertram, is kind to her, but her uncle frightens her (unintentionally) with his authoritative demeanor.
Fanny's mother has another sister, Mrs Norris; the wife of the clergyman at the Mansfield parsonage.
Mrs Norris and her husband have no children of their own, and she takes a 'great interest' in her nieces and nephews; Mrs Norris makes a strict distinction between her Bertram nieces and lowly Fanny.
Sir Thomas helps the sons of the Price family find occupations when they are old enough. William joins the Navy as a midshipman not long after Fanny arrives at Mansfield Park. He visits them once after going to sea, and writes to his sister. ...
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 08/10/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 27/07/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Mansfield Park is the third published novel by Jane Austen, first published in 1814 by Thomas Egerton. A second edition was published in 1816 by John Murray, still within Austen's lifetime.
The novel tells the story of Fanny Price, starting when her overburdened, impoverished family sends her at age ten to live in the household of her wealthy aunt and uncle; it follows her development and concludes in early adulthood.
Frances "Fanny" Price, at age ten, is sent from her family home to live with her uncle and aunt in the country in Northampton-shire.
It is a jolting change, from the elder sister of many, to the youngest at the estate of Sir Thomas Bertram, husband of her mother's older sister.
Her cousin Edmund finds her alone one day and helps her. She wants to write to her older brother William. Edmund provides the writing materials, the first kindness to her in this new family.
Her cousins are Tom Jr. (age 17), Edmund (age 16), Maria (age 13) and Julia (age 12).
Her aunt, Lady Bertram, is kind to her, but her uncle frightens her (unintentionally) with his authoritative demeanor.
Fanny's mother has another sister, Mrs Norris; the wife of the clergyman at the Mansfield parsonage.
Mrs Norris and her husband have no children of their own, and she takes a 'great interest' in her nieces and nephews; Mrs Norris makes a strict distinction between her Bertram nieces and lowly Fanny.
Sir Thomas helps the sons of the Price family find occupations when they are old enough. William joins the Navy as a midshipman not long after Fanny arrives at Mansfield Park. He visits them once after going to sea, and writes to his sister. ...
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亘乇诏乇丿丕賳: 賵丨蹖丿 賲賳賵趩賴乇蹖鈥� 賵丕丨丿貨 鬲賴乇丕賳貙 噩丕賲蹖貙 爻丕賱1391貨 丿乇510氐貨 卮丕亘讴9786001760211貨
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乇賲丕賳 趩賳蹖賳 丌睾丕夭 賲蹖鈥屫促堌�: (丨丿賵丿 爻蹖鈥屫池з� 賯亘賱貙 丿賵卮蹖夭賴 芦賲丕乇蹖丕禄 丕賴賱 芦賴锟斤拷賳鬲蹖賳诏 丿賳禄 讴賴 丿丕乇丕蹖蹖鈥� 丕卮 賮賯胤 賴賮鬲 賴夭丕乇 賱蹖乇賴 亘賵丿貨 丌賳鈥屬傌� 卮丕賳爻 丿丕卮鬲 鬲丕 丌賯丕蹖 芦鬲賵賲丕爻 亘乇鬲乇丕賲禄 丕賴賱 芦賲賳爻賮蹖賱丿 倬丕乇讴禄貨 賵丕賯毓 丿乇 丕爻鬲丕賳 芦賳賵乇孬 賴丕賲倬鬲賵賳禄 乇丕貙 鬲賵乇 亘夭賳丿貙 賵 亘丿蹖賳 鬲乇鬲蹖亘 亘賴 賲賯丕賲 賴賲爻乇 芦亘丕乇賵賳禄 丕乇鬲賯丕亍 蹖丕亘丿貙 賵 丕夭 鬲賲丕賲 賲賵丕賴亘 賵 賲夭丕蹖丕蹖 蹖讴 禺丕賳賴 賯卮賳诏貙 賵 丿乇丌賲丿 讴賱丕賳 亘賴乇賴鈥屬呝嗀� 卮賵丿貨 賴賲賴 爻丕讴賳丕賳 芦賴丕賳鬲蹖賳诏 丿賳禄 亘丕 丨蹖乇鬲 賵 卮诏賮鬲蹖貙 丿乇亘丕乇賴鈥� 蹖 卮讴賵賴 賵 毓馗賲鬲 丕蹖賳 賵氐賱鬲 丨乇賮 賲蹖夭丿賳丿貙 賵 丨鬲蹖 毓賲賵蹖 禺丕賳賲 芦賲丕乇蹖丕禄 鬲氐丿蹖賯 讴乇丿貙 讴賴 賵蹖 亘乇丕蹖 亘乇丕亘乇蹖 亘丕 卮兀賳 賵 賲賯丕賲 賴賲爻乇卮貙 丨丿丕賯賱 爻賴 賴夭丕乇 賱蹖乇賴 讴爻乇 丿丕乇丿貨 芦賲丕乇蹖丕禄 丿賵 禺賵丕賴乇 丿丕卮鬲貙 讴賴 賲蹖鈥屫堌з嗀池嗀� 丕夭 鬲乇賮蹖毓 賵 倬蹖卮乇賮鬲 丕賵 爻賵丿 亘亘乇賳丿貙 賵 趩賵賳 亘乇禺蹖 丕夭 丌卮賳丕蹖丕賳 丌賳賴丕貨 芦丿賵卮蹖夭賴 賵丕乇丿禄 賵 芦丿賵卮蹖夭賴 賮乇丕賳爻蹖爻禄 乇丕貙 丿乇爻鬲 亘賴 丕賳丿丕夭賴 芦丿賵卮蹖夭賴 賲丕乇蹖丕禄 賯卮賳诏 賲蹖鈥屫з嗀池嗀� 賱匕丕 亘蹖鈥屬囒屭� 鬲乇丿蹖丿蹖 倬蹖卮鈥屫ㄛ屬嗃� 賲蹖鈥屭┴必嗀� 讴賴 丌賳賴丕 賳蹖夭 亘丕 賲夭丕蹖丕 賵 卮讴賵賴 鬲賯乇蹖亘丕賸 亘乇丕亘乇 丕夭丿賵丕噩 禺賵丕賴賳丿 讴乇丿貨 賵賱蹖 亘蹖鈥屫蹿┴� 鬲毓丿丕丿 賲乇丿丕賳 孬乇賵鬲賲賳丿 賵 禺賵卮 丕賯亘丕賱 丿賳蹖丕貙 賴乇诏夭 亘賴 丕賳丿丕夭賴 夭賳丕賳 夭蹖亘丕蹖蹖 讴賴 卮丕蹖爻鬲賴 丌賳丕賳賳丿貙 賳蹖爻鬲貨 芦丿賵卮蹖夭賴 賵丕乇丿禄 倬爻 丕夭 倬賳噩 蹖丕 卮卮 爻丕賱貙 賲噩亘賵乇 卮丿 亘丕 芦毓丕賱蹖噩賳丕亘 賳賵乇蹖爻禄 讴賴 丿賵爻鬲 卮賵賴乇 禺賵丕賴乇卮 亘賵丿貙 賵 孬乇賵鬲 趩賳丿丕賳蹖 賴賲 賳丿丕卮鬲貙 丕夭丿賵丕噩 讴賳丿貨 丕賲丕 芦丿賵卮蹖夭賴 賮乇丕賳爻蹖爻禄 毓丕賯亘鬲蹖 丕夭 丕蹖賳 賴賲 亘丿鬲乇 丿丕卮鬲貨 丿乇 賵丕賯毓 賴賲爻乇 禺丕賳賲 芦賵丕乇丿禄 賯丕亘賱 鬲丨賯蹖乇 賳亘賵丿貙 芦爻乇 鬲賵賲丕爻禄 禺賵卮亘禺鬲丕賳賴 賯丕丿乇 亘賵丿 亘乇丕蹖 夭賳丿诏蹖 丿乇 芦賲賳爻賮蹖賱丿禄貙 丿乇丌賲丿蹖 亘乇丕蹖 丿賵爻鬲卮 賮乇丕賴賲 讴賳丿貙 賵 禺丕賳賲 賵 丌賯丕蹖 芦賳賵乇蹖爻禄 賳蹖夭貙 夭賳丿诏蹖 賲卮鬲乇讴 賵 爻毓丕丿鬲賲賳丿丕賳賴 禺賵丿 乇丕貙 亘丕 丿乇丌賲丿蹖 賳夭丿蹖讴 亘賴 賴夭丕乇 賱蹖乇賴 丿乇 爻丕賱貙 丌睾丕夭 讴乇丿賳丿貨 丕賲丕 芦丿賵卮蹖夭賴 賮乇丕賳爻蹖爻禄 丕夭丿賵丕噩 讴乇丿貙 鬲丕 亘賴 賯賵賱 賲毓乇賵賮貙 禺丕賳賵丕丿賴鈥� 丕卮 乇丕 亘乇賳噩丕賳丿貙 賵 亘丕 丿賱鈥屫ㄘ池� 亘賴 蹖讴 爻鬲賵丕賳 賳蹖乇賵蹖 丿乇蹖丕蹖蹖貙 讴賴 賳賴 爻賵丕丿 賵 鬲丨氐蹖賱丕鬲蹖 丿丕卮鬲貙 賵 賳賴 孬乇賵鬲 賵 賲賵賯毓蹖鬲蹖貙 丕蹖賳鈥屭┴ж� 乇丕 亘賴 鬲賲丕賲 賵 讴賲丕賱 丕賳噩丕賲 丿丕丿.)貨 倬丕蹖丕賳 賳賯賱
亘丕 丕蹖賳讴賴 芦倬丕乇讴 賲賳爻賮蹖賱丿禄 丿乇 丿賵乇丕賳 倬禺鬲诏蹖 丕丿亘蹖 賳賵蹖爻賳丿賴 賳诏丕卮鬲賴 卮丿賴鈥屫� 丕賲丕 丌賳 賳卮丕胤 賵 馗乇丕賮鬲 乇賲丕賳賴丕蹖 賳禺爻鬲蹖賳 丕蹖卮丕賳貙 丿乇 丕蹖賳 乇賲丕賳 亘賴 丿蹖丿賴 禺賵卮 賳賳卮爻鬲貨 卮丕蹖丿 賴賲 亘丕蹖丿貙 丕蹖賳 跇丕賳乇 乇丕 丿乇 丿賵乇丕賳 噩賵丕賳蹖貙 賵 丿乇 乇賵夭诏丕乇 禺賵卮亘丕卮蹖 禺賵丕賳丿貨 丕賲丕 賳亘丕蹖丿 賮乇丕賲賵卮 讴乇丿貙 讴賴 丕蹖賳 乇賲丕賳 爻倬蹖丿賴 丿賲 丿賵乇丕賳 賲丿乇賳 乇丕貙 亘丕 氐丿丕蹖 乇爻丕 賮乇蹖丕丿 賲蹖夭賳丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 08/10/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 27/07/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
December 26, 2019
Jane Austen's take on Cinderella!
From the very first moment, the reader knows just as well as Fanny herself that she is meant to marry Edmund. But reader and heroine alike also know that by the social standards of Jane Austen, that is a Mission Impossible. Fanny is a true fairytale Cinderella, raised by one negligent and one malevolent aunt at Mansfield Park. She is reminded at all times that her cousins are superior to her in all respects, and that she has to serve them and be grateful for the right to breathe the same air.
How is the issue going to be solved?
The reader knows that Austen won't under any circumstances let any of her main characters marry beneath their entitlement and worth in money, so a miracle is asked for - and it is delivered in the form of a brutal scandal.
Ruthlessly, the author attacks several male and female characters and commits reputation murder, which favours her quiet and consistent favourite Fanny Price, one of the few fictional women Jane Austen seems to have truly liked. Fanny is not "perfect", as she is poor and capable of feeling both anger and jealousy, but she definitely escapes the ridicule and humiliation which Austen has in store for the vain and shallow characters she despises.
Fanny's wedding in the end is one of the most satisfying Austen weddings I have attended - figuratively speaking - even though I would dread the kind of life she prefers. That is the Austen conundrum in a nutshell in my opinion - she makes me engage in and follow the path of characters that I wouldn't care for at all in real life, and she makes me turn pages eagerly to figure out the denouement of a plot I wouldn't be bothered to even consider newsworthy in reality.
Hers is a literary talent that crosses worldview borders!
From the very first moment, the reader knows just as well as Fanny herself that she is meant to marry Edmund. But reader and heroine alike also know that by the social standards of Jane Austen, that is a Mission Impossible. Fanny is a true fairytale Cinderella, raised by one negligent and one malevolent aunt at Mansfield Park. She is reminded at all times that her cousins are superior to her in all respects, and that she has to serve them and be grateful for the right to breathe the same air.
How is the issue going to be solved?
The reader knows that Austen won't under any circumstances let any of her main characters marry beneath their entitlement and worth in money, so a miracle is asked for - and it is delivered in the form of a brutal scandal.
Ruthlessly, the author attacks several male and female characters and commits reputation murder, which favours her quiet and consistent favourite Fanny Price, one of the few fictional women Jane Austen seems to have truly liked. Fanny is not "perfect", as she is poor and capable of feeling both anger and jealousy, but she definitely escapes the ridicule and humiliation which Austen has in store for the vain and shallow characters she despises.
Fanny's wedding in the end is one of the most satisfying Austen weddings I have attended - figuratively speaking - even though I would dread the kind of life she prefers. That is the Austen conundrum in a nutshell in my opinion - she makes me engage in and follow the path of characters that I wouldn't care for at all in real life, and she makes me turn pages eagerly to figure out the denouement of a plot I wouldn't be bothered to even consider newsworthy in reality.
Hers is a literary talent that crosses worldview borders!
May 23, 2025
I鈥檓 thrilled to say that, overall, I adored this book!
I thought Fanny was a fascinating character, as she is unlike many of Jane Austen鈥檚 other heroines who are 鈥渙bstinate and headstrong,鈥� 鈥渃lever and rich,鈥� imaginative (to a fault)鈥tc. I also enjoyed that the reader gets the opportunity to follow Fanny鈥檚 character development from a young age, which is an opportunity we don鈥檛 get in Austen鈥檚 other novels.
Fanny is meek and quiet but strong enough to stand by her morals and integrity, which is where (I believe) this story truly shines.
Jane Austen鈥檚 explorations and discussions on class, education, and decency is done brilliantly!
One of my favorite moments in the book is when Austen shows the stark contrast between the grand and genteel Mansfield Park in comparison to Fanny鈥檚 cramped and noisy parental home. It perfectly illustrates the result of two very different marriages, one advantageous and one not so advantageous. Getting an insight into what Fanny鈥檚 upbringing (from the age of 10) could have been was fascinating, because it completely changes her (and the reader鈥檚) perspective on life at Mansfield Park, which (at that point in the novel) we have grown accustomed to. Like Fanny, I longed to return to Mansfield鈥檚 vast gardens, but I was also intrigued to explore more of 鈥渢he city鈥� (Portsmouth). Incase you forgot, the Thrush has gone out of the harbor. ;)
Unfortunately, I found the ending quite abrupt and surprisingly *un*romantic. I wish the reader could have seen a bit more emotional development between the two 鈥渞omantic leads.鈥� In truth, I think this is Austen鈥檚 least 鈥渞omantic鈥� novel, but that doesn鈥檛 tarnish my enjoyment of it in the least, because (as I said before) this story shines elsewhere.
Overall, I truly loved this book!
I can鈥檛 believe I鈥檝e officially read all of Jane Austen鈥檚 complete novels鈥� *weeps bittersweet tears*
Thankfully, my Jane Austen journey is far from over. I can鈥檛 wait to read her unfinished novels, juvenilia, and re-read her books for many years to come.
Thank you, Jane!
I thought Fanny was a fascinating character, as she is unlike many of Jane Austen鈥檚 other heroines who are 鈥渙bstinate and headstrong,鈥� 鈥渃lever and rich,鈥� imaginative (to a fault)鈥tc. I also enjoyed that the reader gets the opportunity to follow Fanny鈥檚 character development from a young age, which is an opportunity we don鈥檛 get in Austen鈥檚 other novels.
Fanny is meek and quiet but strong enough to stand by her morals and integrity, which is where (I believe) this story truly shines.
Jane Austen鈥檚 explorations and discussions on class, education, and decency is done brilliantly!
One of my favorite moments in the book is when Austen shows the stark contrast between the grand and genteel Mansfield Park in comparison to Fanny鈥檚 cramped and noisy parental home. It perfectly illustrates the result of two very different marriages, one advantageous and one not so advantageous. Getting an insight into what Fanny鈥檚 upbringing (from the age of 10) could have been was fascinating, because it completely changes her (and the reader鈥檚) perspective on life at Mansfield Park, which (at that point in the novel) we have grown accustomed to. Like Fanny, I longed to return to Mansfield鈥檚 vast gardens, but I was also intrigued to explore more of 鈥渢he city鈥� (Portsmouth). Incase you forgot, the Thrush has gone out of the harbor. ;)
Unfortunately, I found the ending quite abrupt and surprisingly *un*romantic. I wish the reader could have seen a bit more emotional development between the two 鈥渞omantic leads.鈥� In truth, I think this is Austen鈥檚 least 鈥渞omantic鈥� novel, but that doesn鈥檛 tarnish my enjoyment of it in the least, because (as I said before) this story shines elsewhere.
Overall, I truly loved this book!
I can鈥檛 believe I鈥檝e officially read all of Jane Austen鈥檚 complete novels鈥� *weeps bittersweet tears*
Thankfully, my Jane Austen journey is far from over. I can鈥檛 wait to read her unfinished novels, juvenilia, and re-read her books for many years to come.
Thank you, Jane!
May 19, 2025
Mansfield Park is a different work from the rest of Jane Austen's novels. I can say that now I've read them all. Jane Austen's books have a sort of set form, characters, and a passionate and exuberant writing style. Even in her mature work such as Persuasion, where the tone is much graver than the rest of her works, these elements are present to a varying degree. But in Mansfield Park , we can see a certain attempt to deviate, to experiment with a new writing style more akin to the Victorian era, and non-conformity to her "accepted" clear-cut form. The story is more complex and deep. It penetrates not only into social problems and human conduct but also deep into the human mind, its thoughts, feelings, and emotions. One can sense a difference even thematically. The story treads on common grounds of social discrimination and class distinction for most of the part, but it also touches on more complex issues such as the proper upbringing of children and instilling good morals in them. All these make Mansfield Park stand apart from the rest of Jane Austen's novel.
The story has quite a focus on women's education. Jane Austen expounds on the kind of education that needs to be instilled in girls. Yes, they need to be accomplished, smart, and elegant, but all this should come secondary to moral righteousness and a sense of duty. The Bertram sisters, Maria and Julia's thoughtless actions spin from the failure to instill in them the right morals, a sense of duty they owe to their family, and humility. Their indolent mother, over-indulgent aunt, and authoritative father had made the sisters accomplished, but, they have failed to make them wise and moral. Fanny, on the other hand, benefits from both sides and gains a complete education to be the desirable daughter/sister/woman the men desire to have as their own.
The story also exposes the dependable position of women and the dependability of the poor on their rich friends. The females, who didn't have an independent fortune settled on them and could command it, had to depend on male authority for their comfort and happiness. This was a very trying position for women, for they were no more than "objects" that could be "possessed' and "handled" according to the whim and fancy of the male benefactor - be it father, brother, or husband. Stemming up from personal experience, Jane Austen had no reservations in voicing her opinion on the subject.
Mansfield Park brings us a set of complex characters, not so clear cut or markedly categorized except for perhaps one or two. Interestingly this is the only time in my history with Jane Austen that I didn't care much about the hero or heroine. Edmund is kind, principled, and good-hearted, but he is weak and dull. He is also a poor judge of character. His love is misplaced. His understanding was affected. To Edmund, the vulgarity of Mary Crawford was just "liveliness of mind"! Altogether, he was a poor hero. Fanny is virtuous, loyal, and steady. Her dependability makes her timid, but when calls for the occasion, she shows unusual strength, courage, and spirit. She is a fair judge of character but a bit too opinionated for my taste. I didn't dislike the character, but I couldn't care for her either. Both the hero and heroine lacked the liveliness and spirit. It is a bit ironic that the supporting characters like the Crawfords and the Bertram sisters were quite full of them!
The story didn't have a marked plot but everything was neatly tied to give a satisfactory ending. I thought I would have enjoyed a Fanny - Henry union which would have been more exciting. But it seems Jane Austen believes that "once a rake, is always a rake" and cannot be reformed by the power of love! :)
With the reading of Mansfield Park, I have read all six Jane Austen novels. I feel happy and accomplished. :) I enjoyed this novel, but if you ask me, it is my least favourite. From an objective point of view, it could be one of her best works since its tone, colour, and style is more advanced than her other novels. But I prefer the lively, exuberant, and satirical Jane Austen to this grave and solemn writer of Mansfield Park.
More of my reviews can be found at
The story has quite a focus on women's education. Jane Austen expounds on the kind of education that needs to be instilled in girls. Yes, they need to be accomplished, smart, and elegant, but all this should come secondary to moral righteousness and a sense of duty. The Bertram sisters, Maria and Julia's thoughtless actions spin from the failure to instill in them the right morals, a sense of duty they owe to their family, and humility. Their indolent mother, over-indulgent aunt, and authoritative father had made the sisters accomplished, but, they have failed to make them wise and moral. Fanny, on the other hand, benefits from both sides and gains a complete education to be the desirable daughter/sister/woman the men desire to have as their own.
The story also exposes the dependable position of women and the dependability of the poor on their rich friends. The females, who didn't have an independent fortune settled on them and could command it, had to depend on male authority for their comfort and happiness. This was a very trying position for women, for they were no more than "objects" that could be "possessed' and "handled" according to the whim and fancy of the male benefactor - be it father, brother, or husband. Stemming up from personal experience, Jane Austen had no reservations in voicing her opinion on the subject.
Mansfield Park brings us a set of complex characters, not so clear cut or markedly categorized except for perhaps one or two. Interestingly this is the only time in my history with Jane Austen that I didn't care much about the hero or heroine. Edmund is kind, principled, and good-hearted, but he is weak and dull. He is also a poor judge of character. His love is misplaced. His understanding was affected. To Edmund, the vulgarity of Mary Crawford was just "liveliness of mind"! Altogether, he was a poor hero. Fanny is virtuous, loyal, and steady. Her dependability makes her timid, but when calls for the occasion, she shows unusual strength, courage, and spirit. She is a fair judge of character but a bit too opinionated for my taste. I didn't dislike the character, but I couldn't care for her either. Both the hero and heroine lacked the liveliness and spirit. It is a bit ironic that the supporting characters like the Crawfords and the Bertram sisters were quite full of them!
The story didn't have a marked plot but everything was neatly tied to give a satisfactory ending. I thought I would have enjoyed a Fanny - Henry union which would have been more exciting. But it seems Jane Austen believes that "once a rake, is always a rake" and cannot be reformed by the power of love! :)
With the reading of Mansfield Park, I have read all six Jane Austen novels. I feel happy and accomplished. :) I enjoyed this novel, but if you ask me, it is my least favourite. From an objective point of view, it could be one of her best works since its tone, colour, and style is more advanced than her other novels. But I prefer the lively, exuberant, and satirical Jane Austen to this grave and solemn writer of Mansfield Park.
More of my reviews can be found at
October 28, 2021
As the once all-reaching Victorian values had already began to lessen their hold over British everyday life Austen put together this tale of the landed old-school Bertrams, the idle young but enriched Crawfords and our uniquely situated and characterised heroine (she often wilts in hot weather or after light exercise!) Fanny Price, with supreme and at times savage pokes at Victorian society and the way they lived back then - although this was contemporary at the time of publication.
When I first read this in 2008 it was my first ever Jane Austen; my one line review from back then was - "Fanny Price's tale. A supreme work on the abuse of privilege, nature v nurture, appearance and reality. A genuinely classic dark comedy. And just like that Jane Austen got into my top ten authors' list!" Hmmm?
Among the many reasons, in addition to this being exquisitely written, why I like this, is because Austen writes the story of a woman character (Fanny Price) who isn't that strong or willing to be independent, who does sit on her moral high ground and judges other people (albeit silently) etc. So why do I like that. Well that's because I believe that every woman should have a voice, especially one like Fanny's which was very prevalent at the time, and looking at this story through her lens heightens the book's power, its satire and its comedy. 9 out of 12.
When I first read this in 2008 it was my first ever Jane Austen; my one line review from back then was - "Fanny Price's tale. A supreme work on the abuse of privilege, nature v nurture, appearance and reality. A genuinely classic dark comedy. And just like that Jane Austen got into my top ten authors' list!" Hmmm?
Among the many reasons, in addition to this being exquisitely written, why I like this, is because Austen writes the story of a woman character (Fanny Price) who isn't that strong or willing to be independent, who does sit on her moral high ground and judges other people (albeit silently) etc. So why do I like that. Well that's because I believe that every woman should have a voice, especially one like Fanny's which was very prevalent at the time, and looking at this story through her lens heightens the book's power, its satire and its comedy. 9 out of 12.
December 16, 2016
You can't see me right now but i'm rolling my eyes so hard i can see the back of my head.
April 5, 2024
Fanny Price's mother had two sisters as beautiful as she, one married an affluent gentleman Sir Thomas Bertram, and everyone said this would enable her siblings, to do the same. Nevertheless little England hasn't enough rich men, to accommodate deserving ladies. Another married a respectable quiet clergyman, with little money. Sir Thomas's friend, Reverend Norris good yet dull , gets him a church and a cottage in Mansfield Park, Northampton, on his vast estate. The kind Sir Thomas is very willing to help the last of the sisters. Still she has pride with a streak of stubbornness... this young woman marries a coarse , hard drinking Lt. in the marines, Mr. Price, to the disgust of her family and soon her own regret . The fertile Mrs. Price has nine children at the time, when our story commences there will be more. The sister who married the clergyman wrote a letter to Mrs. Price, to send a child of hers to Mansfield Park , to be raised in all the advantages that wealth can provide. Mrs. Norris, strangely is not a nice woman, indeed just the opposite. She likes to scheme though, when ten year old Fanny, arrives scared, homesick for her brothers and sisters especially William , a year older in fact the eldest child of the poor dysfunctional family. Their father is disabled from the military with a small pension, but a big thirst, it doesn't benefit anyone that he still gets drunk everyday... The lonely, timid girl, meets her aunt and uncle, she is quite reserved, and her gorgeous cousins, Maria, 13, and Julia, a year younger, and the boys, wild Tom, 17, and gentle Edmund, 16, they have nothing in common. ..The girls have a teacher in the mansion, Fanny joins them , in class, she feels isolated and miserable, this unfamiliar environment, is frightening and the cousins, while not mean, aren't really friendly either. Living upstairs in a cold modest room , Fanny, develops tremors in this place, whenever her terrifying uncle , speaks to her . Aunt Bertram, is the laziest woman on Earth seldom leaving her sofa, though basically an agreeable person, that is always tired. You can't say that about the other aunt, Mrs.Norris, who lives a short distance away , and comes constantly to Sir Thomas's opulent house, she increasingly grows to hate Fanny. Why? Maybe the clergyman's wife and now happy widow, thinks the little girl is an intruder, too low bred to fit into a classy upper class family, and will hurt their standing in society. She, when older will not go to balls with her cousins, to afraid even if asked to come, but is never invited, of course to Fanny's relief. Yet the girl is becoming beautiful, which nobody notices, not even her only friend cousin Edmund, who has eyes for another woman, pretty , lively, rich Mary Crawford the sister of Edmund's friend Henry , the handsome pleasure seeker with money, too, he likes to flirt with every attractive woman, it doesn't hurt that he is fabulously wealthy, unlike the second son, Edmund, studying to be a minister. Which Miss Crawford, abhors not enough salary for her taste. And Edmund wants to marry , Mary, jealous Fanny nevertheless becomes secretly enamored of her sweet cousin. Henry tells Fanny , ( who knows all his foibles) after properly disclosing it to Sir Thomas, this... his love for her, and receiving permission to proceed, yet she greatly dislikes him. An ungrateful woman of 18, how can she refuse a honorable proposal such men, are scarce ...He has flirted with Maria and Julia both liked it, before, but will she ever trust his love? This book will show again why Jane Austen was and is such a magnificent writer , to those few who doubt this obvious conclusion...
May 19, 2022
jane austen has been caught slipping
February 19, 2022
I'm so surprised this book isn't more beloved. It's now my second favorite Austen, for sure. I made an impassioned defense of Fanny Price in a .
March 26, 2018
鈥淭he best things in life are free,
but you can give them to the birds and bees.
I want money.鈥� 鈥� The Flying Lizzards
This is the last of Austen鈥檚 books that I鈥檝e finally finished, a goal I鈥檝e been working towards since I was sixteen. I saved this one for last because although it鈥檚 one of my favorite films, it seemed like it would be a clunky and slow-paced novel. I was definitely wrong. Maybe it鈥檚 the timing of it. This book will forever remind me of my grandmother鈥檚 passing. She passed away two weeks ago on the 17th of July at 5:32 am, ten days after her seventy-seventh birthday.
I carried this book with me to hospital, I pulled all-nighters making sure to administer grandma鈥檚 morphine punctually so her breathing wouldn鈥檛 be labored, I hunkered my bulk down in her hospice-provided hospital bed to sleep next to her when she was agitated, and when I finally did have a few hours to rest, this book was by my side. Dear Fanny Price, thank you for keeping me company.
I know she is by far the most unusual of Austen鈥檚 characters. For one, she lacks the loving support and shelter of her family, something we take for granted with all of Austen鈥檚 other heroines. Although meek and shy, she is by no means stupid or unopinionated. Her judgements and assessments of those around her are astute; her sarcasm of a sort that made me giggle on many occasions.
A simple-hearted naturalist surrounded by materialistic, money-grabbing hypocrites, it鈥檚 no wonder she seeks comfort and love in the only other outsider among the Bertrams鈥揾er cousin, Edmund. While his steadfast loyalty to Mary Crawford was at times annoying, it was entertaining! And out of all of Austen鈥檚 plots, this one seemed the most plausible and realistic, next to Persuasion. My absolute favorite has always been Sense and Sensibility, but I鈥檓 not sure if it will stand up next to Mansfield Park after an overdue rereading; I was in my early teens when I first read it.
but you can give them to the birds and bees.
I want money.鈥� 鈥� The Flying Lizzards
This is the last of Austen鈥檚 books that I鈥檝e finally finished, a goal I鈥檝e been working towards since I was sixteen. I saved this one for last because although it鈥檚 one of my favorite films, it seemed like it would be a clunky and slow-paced novel. I was definitely wrong. Maybe it鈥檚 the timing of it. This book will forever remind me of my grandmother鈥檚 passing. She passed away two weeks ago on the 17th of July at 5:32 am, ten days after her seventy-seventh birthday.
I carried this book with me to hospital, I pulled all-nighters making sure to administer grandma鈥檚 morphine punctually so her breathing wouldn鈥檛 be labored, I hunkered my bulk down in her hospice-provided hospital bed to sleep next to her when she was agitated, and when I finally did have a few hours to rest, this book was by my side. Dear Fanny Price, thank you for keeping me company.
I know she is by far the most unusual of Austen鈥檚 characters. For one, she lacks the loving support and shelter of her family, something we take for granted with all of Austen鈥檚 other heroines. Although meek and shy, she is by no means stupid or unopinionated. Her judgements and assessments of those around her are astute; her sarcasm of a sort that made me giggle on many occasions.
A simple-hearted naturalist surrounded by materialistic, money-grabbing hypocrites, it鈥檚 no wonder she seeks comfort and love in the only other outsider among the Bertrams鈥揾er cousin, Edmund. While his steadfast loyalty to Mary Crawford was at times annoying, it was entertaining! And out of all of Austen鈥檚 plots, this one seemed the most plausible and realistic, next to Persuasion. My absolute favorite has always been Sense and Sensibility, but I鈥檓 not sure if it will stand up next to Mansfield Park after an overdue rereading; I was in my early teens when I first read it.
August 6, 2023
Update
Further musings on MP turned frivolous after reading Anne's very funny and gify review.
After writing and creating Elizabeth Bennet as her heroine, it has to be owned that Jane Austen did a kinda Monty Python with Mansfield Park and Fanny Price, no?
PLUS, she turned Elizabeth to the dark side and this is how Mary Crawford was born. ;)
And this leads me to a total irreverent and irrelevant moral summary of MP 谩 la STAR WARS.
Mary C. wants Edmund (honest & upright & nice, but what a bore!) to come over to the Dark Side. PLUS, Mary has this brother, Henry Crawford (WHAT POTENTIAL! WHAT A WASTE!) who wants all ladies to come to the Dark Side.
PLUS, we have Edmund who does not realise that Mary is on the Dark Side.
PLUS, we have Fanny who knows that everybody (apart from herself and Edmund) are on the Dark side, but is too afraid to tell and also knows that nobody would believe her. PLUS, she almost brings back Henry to the Good Side, even though she doesn't want to.
------------------------
Update on re-reading MP in 2017
What is not a surprise: every time I re-read a Jane Austen novel (no matter which one), I discover something new that surprises me.
Like opening an old treasure chest where you think you are familiar with every item and yet you realise there is always something new turning up.
So many thoughts on this particular re-read, I might end up writing a proper review eventually ... or not.
My present musing
-Mrs Norris and her Christian name that must not be named! She is either referred to as Miss Ward or as Mrs Norris. (I know this is beacsue she was the eldest daughter among the Miss Wards and I know she does have one, and it's probably Elizabeth of all names!)
- It always struck me, but never more so than now, how obtusely blind and indifferent the Bertram siblings are (yes, Edmund is no exception) towards each other.
- I did not mind this time that Fanny ends up with Edmund, but it makes me sad how Henry Crawford wastes all the enormous potential that is undoubtedly in him.
- It is a pity Mrs Norris never visited Mrs Price in Portsmouth: she would have put the fear of God into all the household and showed them what's what when it came to housekeeping. :)
- The only 2 things Fanny does actively in the whole course of the book is buying a knife and subscribing to a library.
Original "review" 4/11/2014
It is high time I had a heart-to-heart with Jane Austen about MP.
Dear Miss Austen (You Sly Thing!*),
Despite the solemnity of the topics in Mansfield Park, I am sure as hell you laughed your head off as you sent me, other readers & critics all on a wild goose chase.
You amaze me with your audacity and daring in making us believe that we are the only ones who got Fanny Price figured out 鈥� as opposed to Edmund, Sir Thomas, Mrs Norris, Henry & Mary Crawford who also all think they figured her out 鈥� but you just use us all shamelessly for your cunning purposes.
You let us, nay, you want us to be seduced by the Crawfords, just like the Bertrams are & you succeed. Every time I read Mansfield Park, I want Fanny to end up with Henry, just like her obnoxious, shallow relations do & I feel cheated when this does not happen. Maybe I don鈥檛 have the same avaricious reason for it, but what does that make me? Shallow? Immoral? Mislead? Blinded?
You see? You manage to do all this and more. You are a genius & I love you forever and always, even though I will never like Fanny (but please give me credit for trying). But I do love Mansfield Park and will re-read it again and again.
Yours ever,
Melindam
*courtesy of Mrs Bennet
Further musings on MP turned frivolous after reading Anne's very funny and gify review.
After writing and creating Elizabeth Bennet as her heroine, it has to be owned that Jane Austen did a kinda Monty Python with Mansfield Park and Fanny Price, no?
PLUS, she turned Elizabeth to the dark side and this is how Mary Crawford was born. ;)
And this leads me to a total irreverent and irrelevant moral summary of MP 谩 la STAR WARS.
Mary C. wants Edmund (honest & upright & nice, but what a bore!) to come over to the Dark Side. PLUS, Mary has this brother, Henry Crawford (WHAT POTENTIAL! WHAT A WASTE!) who wants all ladies to come to the Dark Side.
PLUS, we have Edmund who does not realise that Mary is on the Dark Side.
PLUS, we have Fanny who knows that everybody (apart from herself and Edmund) are on the Dark side, but is too afraid to tell and also knows that nobody would believe her. PLUS, she almost brings back Henry to the Good Side, even though she doesn't want to.
------------------------
Update on re-reading MP in 2017
What is not a surprise: every time I re-read a Jane Austen novel (no matter which one), I discover something new that surprises me.
Like opening an old treasure chest where you think you are familiar with every item and yet you realise there is always something new turning up.
So many thoughts on this particular re-read, I might end up writing a proper review eventually ... or not.
My present musing
-Mrs Norris and her Christian name that must not be named! She is either referred to as Miss Ward or as Mrs Norris. (I know this is beacsue she was the eldest daughter among the Miss Wards and I know she does have one, and it's probably Elizabeth of all names!)
- It always struck me, but never more so than now, how obtusely blind and indifferent the Bertram siblings are (yes, Edmund is no exception) towards each other.
- I did not mind this time that Fanny ends up with Edmund, but it makes me sad how Henry Crawford wastes all the enormous potential that is undoubtedly in him.
- It is a pity Mrs Norris never visited Mrs Price in Portsmouth: she would have put the fear of God into all the household and showed them what's what when it came to housekeeping. :)
- The only 2 things Fanny does actively in the whole course of the book is buying a knife and subscribing to a library.
Original "review" 4/11/2014
It is high time I had a heart-to-heart with Jane Austen about MP.
Dear Miss Austen (You Sly Thing!*),
Despite the solemnity of the topics in Mansfield Park, I am sure as hell you laughed your head off as you sent me, other readers & critics all on a wild goose chase.
You amaze me with your audacity and daring in making us believe that we are the only ones who got Fanny Price figured out 鈥� as opposed to Edmund, Sir Thomas, Mrs Norris, Henry & Mary Crawford who also all think they figured her out 鈥� but you just use us all shamelessly for your cunning purposes.
You let us, nay, you want us to be seduced by the Crawfords, just like the Bertrams are & you succeed. Every time I read Mansfield Park, I want Fanny to end up with Henry, just like her obnoxious, shallow relations do & I feel cheated when this does not happen. Maybe I don鈥檛 have the same avaricious reason for it, but what does that make me? Shallow? Immoral? Mislead? Blinded?
You see? You manage to do all this and more. You are a genius & I love you forever and always, even though I will never like Fanny (but please give me credit for trying). But I do love Mansfield Park and will re-read it again and again.
Yours ever,
Melindam
*courtesy of Mrs Bennet
January 9, 2025
[3.8猸怾 饾檲饾櫀饾櫍饾櫒饾櫅饾櫈饾櫄饾櫋饾櫃 饾檵饾櫀饾櫑饾櫊 es una novela de Jane Austen, escrita entre 1812 y 1814 en Chawton y publicada en mayo de 1814 por Egerton. La historia se centra en Fanny Price, una joven de origen humilde que es adoptada por sus t铆os ricos, los Bertram, y se traslada a vivir con ellos en Mansfield Park. Fanny enfrenta los desaf铆os de la vida en una familia aristocr谩tica, donde su estatus social y su car谩cter reservado la hacen sentir frecuentemente inferior a los dem谩s. Sin embargo, a pesar de las presiones y dificultades, Fanny se mantiene fiel a sus principios morales.
Esta es la tercera obra que leo de Jane Austen (ya me le铆 饾檴饾櫑饾櫆饾櫔饾櫋饾櫋饾櫎 饾櫘 饾檵饾櫑饾櫄饾櫉饾櫔饾櫈饾櫂饾櫈饾櫎 y 饾檵饾櫄饾櫑饾櫒饾櫔饾櫀饾櫒饾櫈饾櫎虂饾櫍) y tengo que admitir que, de momento, esta es la novela que menos me ha gustado de ella. Puede que mi mayor error haya sido el tener muchas expectativas de este libro.
Se presenta una cr铆tica mordaz y detallada de las normas sociales y las diferencias de clase en la Inglaterra de principios del siglo XIX (un tema muy cl谩sico en las obras de Austen). Con su caracter铆stico estilo que combina iron铆a, humor y narrativa envolvente, la autora nos sumerge en un mundo donde las apariencias, el dinero y las buenas costumbres dictan las relaciones humanas, pero no siempre definen la verdadera val铆a de una persona.
Sin embargo, esta moralidad me gener贸 una divisi贸n. Algunos ven a Fanny como una figura admirable, mientras que yo solo pensaba que la joven era exasperante, aburrida y hasta maleducada. De hecho, los "villanos" de la historia, los hermanos Crawford, resultan m谩s atractivos e interesantes que la mism铆sima protagonista. Mary Crawford, en particular, destaca por su franqueza, inteligencia y modernidad, cualidades que contrastan con la rigidez moral de Fanny y Edmund, su primo y eventual inter茅s rom谩ntico. Hablando de esto 煤ltimo, tengo que decir que hac铆a tiempo que no me topaba con una pareja con tan poca qu铆mica como ellos dos, algo curioso en un libro de Austen.
El desarrollo de los personajes es uno de los puntos m谩s fuertes de la novela. Cada figura, desde los Bertram hasta los Crawford, es compleja y humana, con virtudes y defectos que refuerzan el realismo de la historia. Esto distingue a 饾檲饾櫀饾櫍饾櫒饾櫅饾櫈饾櫄饾櫋饾櫃 饾檵饾櫀饾櫑饾櫊 como una de las obras m谩s maduras y reflexivas de Austen.
No obstante, el ritmo de la novela es pausado, lo que provoca que la trama tarde en despegar. Me cost贸 demasiado poder engancharme de la historia, llevaba como 3 cap铆tulos y segu铆a sin inter茅s, pero no me rend铆 ya que era Jane Austen.听
El libro tambi茅n destaca la desigualdad de g茅nero de la 茅poca, mostrando c贸mo las mujeres eran juzgadas con m谩s severidad que los hombres por acciones similares. Esta cr铆tica social sigue siendo relevante hoy en d铆a y es algo de lo que se suelen caracterizar los libros de Jane Austen. Me encanta que esta autora haya estado tan adelantada a su 茅poca y que sus cr铆ticas siempre sean mordaces y brillantes.
Finalmente, puedo decir que 饾檲饾櫀饾櫍饾櫒饾櫅饾櫈饾櫄饾櫋饾櫃 饾檵饾櫀饾櫑饾櫊 es una obra profunda y multifac茅tica que, aunque no es la m谩s accesible de Jane Austen, ofrece un retrato social y moral interesante. A pesar de que su protagonista y su ritmo pueden dividir opiniones, su riqueza de personajes y visi贸n cr铆tica de la sociedad la convierten en una lectura imprescindible para los amantes de la autora.听Eso s铆, no es ni por asomo el mejor libro de Austen.
Esta es la tercera obra que leo de Jane Austen (ya me le铆 饾檴饾櫑饾櫆饾櫔饾櫋饾櫋饾櫎 饾櫘 饾檵饾櫑饾櫄饾櫉饾櫔饾櫈饾櫂饾櫈饾櫎 y 饾檵饾櫄饾櫑饾櫒饾櫔饾櫀饾櫒饾櫈饾櫎虂饾櫍) y tengo que admitir que, de momento, esta es la novela que menos me ha gustado de ella. Puede que mi mayor error haya sido el tener muchas expectativas de este libro.
Se presenta una cr铆tica mordaz y detallada de las normas sociales y las diferencias de clase en la Inglaterra de principios del siglo XIX (un tema muy cl谩sico en las obras de Austen). Con su caracter铆stico estilo que combina iron铆a, humor y narrativa envolvente, la autora nos sumerge en un mundo donde las apariencias, el dinero y las buenas costumbres dictan las relaciones humanas, pero no siempre definen la verdadera val铆a de una persona.
Sin embargo, esta moralidad me gener贸 una divisi贸n. Algunos ven a Fanny como una figura admirable, mientras que yo solo pensaba que la joven era exasperante, aburrida y hasta maleducada. De hecho, los "villanos" de la historia, los hermanos Crawford, resultan m谩s atractivos e interesantes que la mism铆sima protagonista. Mary Crawford, en particular, destaca por su franqueza, inteligencia y modernidad, cualidades que contrastan con la rigidez moral de Fanny y Edmund, su primo y eventual inter茅s rom谩ntico. Hablando de esto 煤ltimo, tengo que decir que hac铆a tiempo que no me topaba con una pareja con tan poca qu铆mica como ellos dos, algo curioso en un libro de Austen.
El desarrollo de los personajes es uno de los puntos m谩s fuertes de la novela. Cada figura, desde los Bertram hasta los Crawford, es compleja y humana, con virtudes y defectos que refuerzan el realismo de la historia. Esto distingue a 饾檲饾櫀饾櫍饾櫒饾櫅饾櫈饾櫄饾櫋饾櫃 饾檵饾櫀饾櫑饾櫊 como una de las obras m谩s maduras y reflexivas de Austen.
No obstante, el ritmo de la novela es pausado, lo que provoca que la trama tarde en despegar. Me cost贸 demasiado poder engancharme de la historia, llevaba como 3 cap铆tulos y segu铆a sin inter茅s, pero no me rend铆 ya que era Jane Austen.听
El libro tambi茅n destaca la desigualdad de g茅nero de la 茅poca, mostrando c贸mo las mujeres eran juzgadas con m谩s severidad que los hombres por acciones similares. Esta cr铆tica social sigue siendo relevante hoy en d铆a y es algo de lo que se suelen caracterizar los libros de Jane Austen. Me encanta que esta autora haya estado tan adelantada a su 茅poca y que sus cr铆ticas siempre sean mordaces y brillantes.
Finalmente, puedo decir que 饾檲饾櫀饾櫍饾櫒饾櫅饾櫈饾櫄饾櫋饾櫃 饾檵饾櫀饾櫑饾櫊 es una obra profunda y multifac茅tica que, aunque no es la m谩s accesible de Jane Austen, ofrece un retrato social y moral interesante. A pesar de que su protagonista y su ritmo pueden dividir opiniones, su riqueza de personajes y visi贸n cr铆tica de la sociedad la convierten en una lectura imprescindible para los amantes de la autora.听Eso s铆, no es ni por asomo el mejor libro de Austen.
March 12, 2023
This definitely wasn't Austen's best novel, and it has nothing on and . Instead of the plot or the characters, it was purely Austen's wit and uniquely wonderful writing alone, that carried me through Mansfield Park.
To be frank, I don't like Fanny Price. She was too accepting of her situations, she remained silent when she could have spoken up, and it was painfully clear to me that she thought it dreadful to exert herself too much in fear of becoming out of breath. Fanny, I think you should join me in chopping some wood. Edmund was just as irritating and slightly more forgettable, but we must remember readers, that as a female, I am expected to find a man such as Edmund irresistible to the point of not being able to stand upright.
And so I read on, and I became suffocated by Fanny's relentless longing for Edmund, especially when he was going after another woman (Mary Crawford) who I think was too good for Edmund. Mary Crawford flourishes on speaking her mind. What's not to love?
I detest how Edmund suddenly realises, like a swift punch in the gut, that Fanny is apparently the woman for him, not Mary Crawford. And obviously, Fanny Price being Fanny Price, accepts this dutifully, and is totally content with being second best. In fact, she appears to embrace it. How can I be content with a woman undermining her worth to a man who reeks of arrogance and pomposity?
I love Jane Austen as she has a beautiful way of writing, and a style that nobody can match, but for the case of Mansfield Park, it just completely failed my expectations.
To be frank, I don't like Fanny Price. She was too accepting of her situations, she remained silent when she could have spoken up, and it was painfully clear to me that she thought it dreadful to exert herself too much in fear of becoming out of breath. Fanny, I think you should join me in chopping some wood. Edmund was just as irritating and slightly more forgettable, but we must remember readers, that as a female, I am expected to find a man such as Edmund irresistible to the point of not being able to stand upright.
And so I read on, and I became suffocated by Fanny's relentless longing for Edmund, especially when he was going after another woman (Mary Crawford) who I think was too good for Edmund. Mary Crawford flourishes on speaking her mind. What's not to love?
I detest how Edmund suddenly realises, like a swift punch in the gut, that Fanny is apparently the woman for him, not Mary Crawford. And obviously, Fanny Price being Fanny Price, accepts this dutifully, and is totally content with being second best. In fact, she appears to embrace it. How can I be content with a woman undermining her worth to a man who reeks of arrogance and pomposity?
I love Jane Austen as she has a beautiful way of writing, and a style that nobody can match, but for the case of Mansfield Park, it just completely failed my expectations.
July 26, 2008
I have seen no small amount of reviews toting Fanny Price as Austen's least likable heroine, and to be honest...I'm not sure where they get that impression from. Granted, Fanny's characteristics often shine by what they are not, next to the undesirable character traits of those around her.....but does this appropriateness of demeanor, attention to honor and morals, and respect toward elders (especially the ones least deserving of it) truely mean she is not fit for her lead status? I think not. Austen's world is full of societal values so foreign to us now, that perhaps we don't know how to appreciate the beauty of modesty when it is truly expressed, and not showcased......perhaps we are unable to look favorably on a woman that is not rebelling externally......for fear she is too prude. Is that now mutually exclusive for heroine status? But here is the truth to this world so concerned with appearances....Fanny Price is indeed a daring character after all. She was brought up in a world foreign to her, and was raised by a constant discussion of her inferior status. It is from this perspective that our heroine decides the only place she can rebel from is her heart....and in loving where she should dare not....she becomes one of Austen's strongest characters.
Personal strength does not equal likability...and so here perhaps is where the criticisms lie......but I'll take a strong lead character over a selfish, inconstant, or fickle one any day...so in my book....she's just right.
Personal strength does not equal likability...and so here perhaps is where the criticisms lie......but I'll take a strong lead character over a selfish, inconstant, or fickle one any day...so in my book....she's just right.
April 4, 2020
My accidental Austen binge continues. I moved on from Persuasion to Mansfield Park this week, which struck me as Austen spending hundreds of pages working out through her prose exactly what bothers her about certain people. I think Austen's profound intelligence makes most people irritating to her. The Crawfords for example. Mr. Crawford is vain, silly, and in my opinion, weak. I think Austen abhors the propensity in some people to guide their behavior by how others will see them. Miss Crawford is another prime example. Austen writes "It was the detection, not the offence which she reprobated," which crystalizes her perfectly.
This got me wondering what Austen would think of today's Instagram and Facebook's idealized images and humble-brags posts and the like. A life lived for exterior fruits, would surely be under censure!
It really is refreshing to read Austen against today's backdrop. The internal world is so valued: integrity, lack of artifice, principles. All wonderful things. How can we continue to make sure these characteristics get their due? Can social media be changed, conquered, swayed?
As for our main character, after Anne Elliot of Persuasion Fanny Price struck me a confused and very uncomfortable young woman, while Elliot, to use a Austen turn of phrase, was "quite fixed in her character." Then again, Fanny is much younger in this book and you gradually see her grow up. In many ways Mansfield Park felt more complex than Persuasion, there are so many highly developed characters, not just our heroine. I'm sure it's another book that deserves a rereading from time to time.
To conclude, I'll leave you with one my favorite quotes from the novel:
"She was of course, only too good for him, but as no one minds what is too good for them..."
This got me wondering what Austen would think of today's Instagram and Facebook's idealized images and humble-brags posts and the like. A life lived for exterior fruits, would surely be under censure!
It really is refreshing to read Austen against today's backdrop. The internal world is so valued: integrity, lack of artifice, principles. All wonderful things. How can we continue to make sure these characteristics get their due? Can social media be changed, conquered, swayed?
As for our main character, after Anne Elliot of Persuasion Fanny Price struck me a confused and very uncomfortable young woman, while Elliot, to use a Austen turn of phrase, was "quite fixed in her character." Then again, Fanny is much younger in this book and you gradually see her grow up. In many ways Mansfield Park felt more complex than Persuasion, there are so many highly developed characters, not just our heroine. I'm sure it's another book that deserves a rereading from time to time.
To conclude, I'll leave you with one my favorite quotes from the novel:
"She was of course, only too good for him, but as no one minds what is too good for them..."
This entire review has been hidden because of spoilers.
May 2, 2017
I have a feeling that Fanny Price is more like the real Jane Austen than, let's say, Elizabeth Bennett or Emma Woodhouse. I think Jane wanted to be like Elizabeth and Emma, but she knew she was really Fanny. The book had a different feel to it than the others, more serious characters, more real life issues. All in all, I liked it. I would rate it somewhere in the middle of the pack of her novels. But Fanny is one of my favorite Jane Austen heroines.
July 14, 2024
I am one of Jane Austen鈥檚 biggest fans, and love the way she intersperses a satirical scrutiny of society into her plots without making her opinion feel obtrusive. In fact, she is so smartly subtle about it that many readers treat her books as ordinary romances, effectively missing the underlying commentary and her astute observations.
I have read all of Austen鈥檚 novels (and one novella), with some of them having been read many times over. But somehow, I had read Mansfield Park only once. As I have a retelling of this story coming up on my reading list, I found the perfect excuse to revisit my favourite classic author.
No way would I dare critique a Jane Austen work in my usual Yay-Nay style! So here are just a few thoughts on what potential readers should know about this novel:
鉁� This is the first of the three novels that Austen wrote in her thirties, and hence it is much different in tone from her earlier books.
鉁� This is her second longest novel, so it is not the right one to pick up if you intend to begin your Austen journey.
鉁� This isn鈥檛 as light-hearted as her more popular works. It鈥檚 more moralistic and introspective. This plot suits mature readers more.
鉁� Emma has the ignominy of being the most short-sighted of Austen鈥檚 heroines while Lady Susan is the vilest. Fanny Price, the heroine of Mansfield Park, is easily the most timid of Austen鈥檚 leading ladies. However, she is also a surprise package because she is the only character in the entire book who sticks to her principles and shows her strength by not being swayed in her opinion even by the dominating characters. It takes a long while to understand Fanny, but the journey is worth it.
鉁� Marriage is yet again a prominent theme, but as Austen was in her thirties and unmarried when she wrote this, the marriages and 鈥渞omantic鈥� relationships in the book have a different, somewhat selfish tone to them. Not all of them go the typical way, with many of them being a tie of indulgence and social elevation than of love.
鉁� Every character in this book is a study of contradictions. You think one thing about them, they soon prove you wrong. Every good gesture has something cunning hidden. Every terse remark has care and concern behind it. I loved the balance of the portrayal of the characters, and how Austen keeps us on our toes by not allowing us to draw firm conclusions about any person.
It was lovely to read a full-length Austen work after almost a decade. But to be honest, I am not sure if I will pick up Mansfield Park yet again. It is much too sombre, and the characters aren鈥檛 as striking as in her other novels, though they depict an eclectic panoply of human nature. No regret rereading it, but maybe, two times is good enough for this novel.
Recommended, for sure, to those who enjoy character-oriented classics and appreciate layered-but-not-necessarily-likeable characters.
Not changing my original rating of 4.5 stars because nostalgic ratings always win over reread scores. But I feel morally obliged to round it down this time. 炉\_(銉�)_/炉
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Connect with me through:
|| || || || ||
I have read all of Austen鈥檚 novels (and one novella), with some of them having been read many times over. But somehow, I had read Mansfield Park only once. As I have a retelling of this story coming up on my reading list, I found the perfect excuse to revisit my favourite classic author.
No way would I dare critique a Jane Austen work in my usual Yay-Nay style! So here are just a few thoughts on what potential readers should know about this novel:
鉁� This is the first of the three novels that Austen wrote in her thirties, and hence it is much different in tone from her earlier books.
鉁� This is her second longest novel, so it is not the right one to pick up if you intend to begin your Austen journey.
鉁� This isn鈥檛 as light-hearted as her more popular works. It鈥檚 more moralistic and introspective. This plot suits mature readers more.
鉁� Emma has the ignominy of being the most short-sighted of Austen鈥檚 heroines while Lady Susan is the vilest. Fanny Price, the heroine of Mansfield Park, is easily the most timid of Austen鈥檚 leading ladies. However, she is also a surprise package because she is the only character in the entire book who sticks to her principles and shows her strength by not being swayed in her opinion even by the dominating characters. It takes a long while to understand Fanny, but the journey is worth it.
鉁� Marriage is yet again a prominent theme, but as Austen was in her thirties and unmarried when she wrote this, the marriages and 鈥渞omantic鈥� relationships in the book have a different, somewhat selfish tone to them. Not all of them go the typical way, with many of them being a tie of indulgence and social elevation than of love.
鉁� Every character in this book is a study of contradictions. You think one thing about them, they soon prove you wrong. Every good gesture has something cunning hidden. Every terse remark has care and concern behind it. I loved the balance of the portrayal of the characters, and how Austen keeps us on our toes by not allowing us to draw firm conclusions about any person.
It was lovely to read a full-length Austen work after almost a decade. But to be honest, I am not sure if I will pick up Mansfield Park yet again. It is much too sombre, and the characters aren鈥檛 as striking as in her other novels, though they depict an eclectic panoply of human nature. No regret rereading it, but maybe, two times is good enough for this novel.
Recommended, for sure, to those who enjoy character-oriented classics and appreciate layered-but-not-necessarily-likeable characters.
Not changing my original rating of 4.5 stars because nostalgic ratings always win over reread scores. But I feel morally obliged to round it down this time. 炉\_(銉�)_/炉
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Connect with me through:
|| || || || ||
October 2, 2016
This edition of Mansfield Park comes with a great introduction and notes, containing interesting information about the publication of this novel and historical context.
I have been a huge Jane Austen fan ever since I first saw P&P and shortly thereafter read the novel, leading to me falling in love with the dignified wit and sass this author has had. It can't have been easy in her time, which makes me appreciate her dry humour and social criticism even more.
A fair warning to you all: I cannot review this book properly without giving away its content, so there will be unhidden spoilers!
We start off this book with the wedding of three sisters. One (Lady Bertram) marries rich Sir Thomas, one (Mrs. Norris) marries a clergyman, and one (Mrs. Price) marries a Royal Marine.
The latter marriage unfortunately leads to poverty due to an injury / honourable discharge with a meagre pension of the husband. Into this family Fanny is born as the eldest of 9 children.
One day her mother decides to give 10-year-old Fanny Price to her aunt to live and be tutored at Mansfield Park (Lady Bertram's estate) until she gets married. Unfortunately, the aunt isn't exactly very interested in any children (not even her own) and the rest of the family don't treat Fanny too well either (especially Mrs. Norris, her other aunt, on whom Sir Thomas relies heavily because of his wife's apathy). Except for when Fanny is denied proper heating, leading to sickness, it's the perfect example of polite mobbing. This was actually more maddening than if they had hit her constantly.
The only person Fanny can lean on is her cousin Edmund (second son of the Bertrams). The others are ... well, Tom is either drunk or gambling and the girls are spoilt snobs that I just wanted to hit continuously. It doesn't help that the oldest girl, Maria, gets showered with compliments and affection from Mrs. Norris while Fanny is always reminded of how poor she is and that she should just be grateful to be allowed to live at Mansfield Park although she is a burden.
Anyway, 6 years later, Sir Thomas leaves to go deal with some "trouble" at his plantation in Antigua and it is this plantation that is Jane Austen's strongest political criticism I have ever seen. Many say it was "just" a way to get Sir Thomas away for a while so the other events could unfold, but Jane Austen could have come up with something less tricky than Antigua. No, this witty author knew exactly what she was doing. Because yes, back then Antigua was a British colony and slavery was still very common. Which means that a big part of the Bertram fortune (if not all) comes from slavery of all things.
We see how bad it is when Sir Thomas takes his oldest son along to make him "grow up" but the experience shatters poor Tom and makes his drinking problem only much worse.
While Sir Thomas and Tom are away, match-making for the oldest Bertram daughter (the aforementioned brat Maria) is taking place. Also, the Crawfords (brother and sister) arrive and what can only be described as a romantic mess ensues. The Crawfords are often described as "worldly". Well, I have some other choice words for them.
Tom comes back from Antigua earlier than his father and together with his friend Yates and the Crawfords, a play is rehearesed that is, let's say, of dubious moral character for the time. However, everyone but Fanny participates. In fact, Fanny seems to be the only one not blinded by pretentiousness. When Sir Thomas comes back to find the whole house engaging in flirtation under the pretense of rehearsing for the play, he is very upset but at least finally sees that Fanny is a good young woman and not just some burden.
A lot of other stuff happens, like Maria getting married to a man she doesn't love in order to be well off as is expected of her and Henry Crawford goes after Fanny (first because he wants to play a game, then because her rejection intrigues him). Fanny however refuses him, much to Sir Thomas' anger who thinks she is ungrateful (you know, because the poor girl should be so flattered to get a proposal from someone as well off as Henry Crawford). In order to teach Fanny some humility, he therefore sends her home to her parents and what a desolate place that is!
The contrast between peaceful Mansfield Park and the dirty, desolate Portsmouth could not be extremer and illustrates another powerful political criticism of the author: while at Mansfield Park, everyone can pretend life is good, but in reality there are other places that are off much worse, and not everything about the Regency era smells like roses.
We also get the theme of adultery through Henry Crawford and Maria. Maria's husband files for divorce after the affair is made public and she is not only shunned in society but the family sends her off to "live in another country" (to keep the scandal as far away from them as possible) while Henry Crawford (who could have saved the situation by marrying Maria but refused) gets away unscathed.
In this climate Fanny returns to Mansfield Park where Tom has fallen ill (all the drinking had to have some negative effect at some point), the younger daughter Julia has eloped with Tom's friend Yates because she feared her father's anger (she knew about the affair but kept quiet), and Mary Crawford actually says to Edmund that Tom dying would be a great opportunity for him (she and Edmund were romantically involved but she always wanted him to be more ambitious; she also defends her brother's affair, only lamenting that it was discovered and she actually blames Fanny for the whole thing)!
Thus, everyone finally realizes that even a person that comes from money can be rotten. Edmund is shattered but upon reflection sees how important Fanny is to him and proposes to her. Tom gets better, is a changed man, and Yates turns out to be a good husband. Fanny finally takes her place as the moral compass of the Bertram family.
So this novel is one big exploration of morals.
We have Sir Thomas who wants his house in order, commands respect and values morals but makes money off slavery and sends his own daughter away to distance himself from scandal.
We have Tom who can't deal with the ugliness of real life.
We have Maria who just wants to be loved and therefore does the completely wrong thing.
We have Edmund who knows better but is blinded.
We have Mrs. Norris who goes on and on about class and money, not realizing that "the burden" actually is the only good person at Mansfield Park.
We have the Crawfords with their materialism and their arrogant view that, because of their social status, they are allowed whatever they want.
We have Yates, who stayed by Tom's side and later takes great care of Julia.
And, finally, we have Fanny herself who starts out completely blue-eyed, then gets more and more disillusioned, but always keeps her heart in the right place.
This book never made it into my top 3 of Jane Austen's body of work but maybe it should. I mean it's the only one in which Jane Austen went this far with her criticism - not only of society for its treatment of women, but also of politics!
I didn't like Fanny too much as a character because she was far too passive for my taste and the whole pining for Edmund was annoying but because of the typically beautiful writing style, wit and dry humour in certain situations I didn't mind.
Also, what's up with Edmund?! I mean, I'm buying into his infatuation with Mary Crawford but after finally realizing what a bad woman she is, he swears to never get over her only to propose to Fanny 5 minutes later?! Marriage was different back then, sure, but we're supposed to believe that it's LOVE between Fanny and Edmund and I just don't see it.
So yeah, lots of thoughts after re-reading this book and I can wholeheartedly recommend it to anyone who wants an intelligent classic with a brilliant writing style and lots of important themes.
I have been a huge Jane Austen fan ever since I first saw P&P and shortly thereafter read the novel, leading to me falling in love with the dignified wit and sass this author has had. It can't have been easy in her time, which makes me appreciate her dry humour and social criticism even more.
A fair warning to you all: I cannot review this book properly without giving away its content, so there will be unhidden spoilers!
We start off this book with the wedding of three sisters. One (Lady Bertram) marries rich Sir Thomas, one (Mrs. Norris) marries a clergyman, and one (Mrs. Price) marries a Royal Marine.
The latter marriage unfortunately leads to poverty due to an injury / honourable discharge with a meagre pension of the husband. Into this family Fanny is born as the eldest of 9 children.
One day her mother decides to give 10-year-old Fanny Price to her aunt to live and be tutored at Mansfield Park (Lady Bertram's estate) until she gets married. Unfortunately, the aunt isn't exactly very interested in any children (not even her own) and the rest of the family don't treat Fanny too well either (especially Mrs. Norris, her other aunt, on whom Sir Thomas relies heavily because of his wife's apathy). Except for when Fanny is denied proper heating, leading to sickness, it's the perfect example of polite mobbing. This was actually more maddening than if they had hit her constantly.
The only person Fanny can lean on is her cousin Edmund (second son of the Bertrams). The others are ... well, Tom is either drunk or gambling and the girls are spoilt snobs that I just wanted to hit continuously. It doesn't help that the oldest girl, Maria, gets showered with compliments and affection from Mrs. Norris while Fanny is always reminded of how poor she is and that she should just be grateful to be allowed to live at Mansfield Park although she is a burden.
Anyway, 6 years later, Sir Thomas leaves to go deal with some "trouble" at his plantation in Antigua and it is this plantation that is Jane Austen's strongest political criticism I have ever seen. Many say it was "just" a way to get Sir Thomas away for a while so the other events could unfold, but Jane Austen could have come up with something less tricky than Antigua. No, this witty author knew exactly what she was doing. Because yes, back then Antigua was a British colony and slavery was still very common. Which means that a big part of the Bertram fortune (if not all) comes from slavery of all things.
We see how bad it is when Sir Thomas takes his oldest son along to make him "grow up" but the experience shatters poor Tom and makes his drinking problem only much worse.
While Sir Thomas and Tom are away, match-making for the oldest Bertram daughter (the aforementioned brat Maria) is taking place. Also, the Crawfords (brother and sister) arrive and what can only be described as a romantic mess ensues. The Crawfords are often described as "worldly". Well, I have some other choice words for them.
Tom comes back from Antigua earlier than his father and together with his friend Yates and the Crawfords, a play is rehearesed that is, let's say, of dubious moral character for the time. However, everyone but Fanny participates. In fact, Fanny seems to be the only one not blinded by pretentiousness. When Sir Thomas comes back to find the whole house engaging in flirtation under the pretense of rehearsing for the play, he is very upset but at least finally sees that Fanny is a good young woman and not just some burden.
A lot of other stuff happens, like Maria getting married to a man she doesn't love in order to be well off as is expected of her and Henry Crawford goes after Fanny (first because he wants to play a game, then because her rejection intrigues him). Fanny however refuses him, much to Sir Thomas' anger who thinks she is ungrateful (you know, because the poor girl should be so flattered to get a proposal from someone as well off as Henry Crawford). In order to teach Fanny some humility, he therefore sends her home to her parents and what a desolate place that is!
The contrast between peaceful Mansfield Park and the dirty, desolate Portsmouth could not be extremer and illustrates another powerful political criticism of the author: while at Mansfield Park, everyone can pretend life is good, but in reality there are other places that are off much worse, and not everything about the Regency era smells like roses.
We also get the theme of adultery through Henry Crawford and Maria. Maria's husband files for divorce after the affair is made public and she is not only shunned in society but the family sends her off to "live in another country" (to keep the scandal as far away from them as possible) while Henry Crawford (who could have saved the situation by marrying Maria but refused) gets away unscathed.
In this climate Fanny returns to Mansfield Park where Tom has fallen ill (all the drinking had to have some negative effect at some point), the younger daughter Julia has eloped with Tom's friend Yates because she feared her father's anger (she knew about the affair but kept quiet), and Mary Crawford actually says to Edmund that Tom dying would be a great opportunity for him (she and Edmund were romantically involved but she always wanted him to be more ambitious; she also defends her brother's affair, only lamenting that it was discovered and she actually blames Fanny for the whole thing)!
Thus, everyone finally realizes that even a person that comes from money can be rotten. Edmund is shattered but upon reflection sees how important Fanny is to him and proposes to her. Tom gets better, is a changed man, and Yates turns out to be a good husband. Fanny finally takes her place as the moral compass of the Bertram family.
So this novel is one big exploration of morals.
We have Sir Thomas who wants his house in order, commands respect and values morals but makes money off slavery and sends his own daughter away to distance himself from scandal.
We have Tom who can't deal with the ugliness of real life.
We have Maria who just wants to be loved and therefore does the completely wrong thing.
We have Edmund who knows better but is blinded.
We have Mrs. Norris who goes on and on about class and money, not realizing that "the burden" actually is the only good person at Mansfield Park.
We have the Crawfords with their materialism and their arrogant view that, because of their social status, they are allowed whatever they want.
We have Yates, who stayed by Tom's side and later takes great care of Julia.
And, finally, we have Fanny herself who starts out completely blue-eyed, then gets more and more disillusioned, but always keeps her heart in the right place.
This book never made it into my top 3 of Jane Austen's body of work but maybe it should. I mean it's the only one in which Jane Austen went this far with her criticism - not only of society for its treatment of women, but also of politics!
I didn't like Fanny too much as a character because she was far too passive for my taste and the whole pining for Edmund was annoying but because of the typically beautiful writing style, wit and dry humour in certain situations I didn't mind.
Also, what's up with Edmund?! I mean, I'm buying into his infatuation with Mary Crawford but after finally realizing what a bad woman she is, he swears to never get over her only to propose to Fanny 5 minutes later?! Marriage was different back then, sure, but we're supposed to believe that it's LOVE between Fanny and Edmund and I just don't see it.
So yeah, lots of thoughts after re-reading this book and I can wholeheartedly recommend it to anyone who wants an intelligent classic with a brilliant writing style and lots of important themes.
January 14, 2024
Time to revisit some Jane Austen!
My favorite part about this work is the dramatic irony that is utilized so well throughout. I also enjoy the characterization of everyone, and the more somber tone of this read as compared to some of Austen鈥檚 other works. Another positive is that there were no truly 鈥渆vil鈥� characters in this one, rather just some misguided or lovely grey characters. I also like and dislike how passive Fanny is throughout the whole of the story, which creates some interesting scenes. Not my favorite Jane Austen, but still very good.
My favorite part about this work is the dramatic irony that is utilized so well throughout. I also enjoy the characterization of everyone, and the more somber tone of this read as compared to some of Austen鈥檚 other works. Another positive is that there were no truly 鈥渆vil鈥� characters in this one, rather just some misguided or lovely grey characters. I also like and dislike how passive Fanny is throughout the whole of the story, which creates some interesting scenes. Not my favorite Jane Austen, but still very good.
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