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袩懈褋褜屑芯胁薪懈泻
袙 薪芯胁芯屑 褉芯屑邪薪械 袦懈褏邪懈谢邪 楔懈褕泻懈薪邪 "袩懈褋褜屑芯胁薪懈泻", 薪邪 锌械褉胁褘泄 胁蟹谐谢褟写, 胁褋械 锌褉芯褋褌芯: 芯薪, 芯薪邪. 袩懈褋褜屑邪. 袛邪褔邪. 袩械褉胁邪褟 谢褞斜芯胁褜. 袧芯 褋褍写褜斜邪 薪械 谢褞斜懈褌 锌褉芯褋褌褘褏 褋褞卸械褌芯胁. 袥懈褋褌芯泻 胁 泻芯薪胁械褉褌械 胁蟹褉褘胁邪械褌 屑懈褉, 褉胁械褌褋褟 褋胁褟蟹褜 胁褉械屑械薪. 袩褉芯褕械写褕械械 褋褌邪薪芯胁懈褌褋褟 薪邪褋褌芯褟褖懈屑: 楔械泻褋锌懈褉 懈 袦邪褉泻芯 袩芯谢芯, 锌褉懈泻谢褞褔械薪懈褟 锌芯谢褟褉薪芯谐芯 谢械褌褔懈泻邪 懈 胁蟹褟褌懈械 褉褍褋褋泻懈屑懈 胁芯泄褋泻邪屑懈 袩械泻懈薪邪. 袙谢褞斜谢械薪薪褘械 懈写褍褌 薪邪胁褋褌褉械褔褍 写褉褍谐 写褉褍谐褍, 褔褌芯斜褘 褋胁褟蟹邪褌褜 褋芯斜芯褞 褉邪蟹芯褉胁邪薪薪芯械 胁褉械屑褟. 协褌芯 褉芯屑邪薪 芯 褌邪泄薪械. 袨 褌芯屑, 褔褌芯 褋屑械褉褌褜 - 褌邪泻芯泄 卸械 写邪褉, 泻邪泻 懈 谢褞斜芯胁褜.
416 pages, Hardcover
First published January 1, 2010
209 people are currently reading
5,212 people want to read
About the author
Mikhail Shishkin
19听books241听followersMikhail Pavlovich Shishkin (Russian: 袦懈褏邪懈谢 袩邪胁谢芯胁懈褔 楔懈褕泻懈薪, born 18 January 1961) is a Russian writer.
Mikhail Shishkin was born in 1961 in Moscow.
Shishkin studied English and German at Moscow State Pedagogical Institute. After graduation he worked as a street sweeper, road worker, journalist, school teacher, and translator. He debuted as a writer in 1993, when his short story "Calligraphy Lesson" was published in Znamya magazine. Since 1995 he has lived in Zurich, Switzerland. He averages one book every five years.
Shishkin openly opposes the current Russian government, calling it a "corrupt, criminal regime, where the state is a pyramid of thieves" when he pulled out of representing Russia at the 2013 Book Expo in the United States.
Shishkin's books have been translated into more than ten languages. His prose is universally praised for style, e.g., "Shishkin's language is wonderfully lucid and concise. Without sounding archaic, it reaches over the heads of Tolstoy and Dostoevsky (whose relationship with the Russian language was often uneasy) to the tradition of Pushkin." He deals with universal themes like death, resurrection, and love. Shishkin has been compared to numerous great writers, including Anton Chekhov, Vladimir Nabokov and James Joyce, while he admits to being influenced by Chekhov along with Leo Tolstoy and Ivan Bunin, saying "Bunin taught me not to compromise, and to go on believing in myself. Chekhov passed on his sense of humanity 鈥� that there can鈥檛 be any wholly negative characters in your text. And from Tolstoy I learned not to be afraid of being na茂ve."
Mikhail Shishkin was born in 1961 in Moscow.
Shishkin studied English and German at Moscow State Pedagogical Institute. After graduation he worked as a street sweeper, road worker, journalist, school teacher, and translator. He debuted as a writer in 1993, when his short story "Calligraphy Lesson" was published in Znamya magazine. Since 1995 he has lived in Zurich, Switzerland. He averages one book every five years.
Shishkin openly opposes the current Russian government, calling it a "corrupt, criminal regime, where the state is a pyramid of thieves" when he pulled out of representing Russia at the 2013 Book Expo in the United States.
Shishkin's books have been translated into more than ten languages. His prose is universally praised for style, e.g., "Shishkin's language is wonderfully lucid and concise. Without sounding archaic, it reaches over the heads of Tolstoy and Dostoevsky (whose relationship with the Russian language was often uneasy) to the tradition of Pushkin." He deals with universal themes like death, resurrection, and love. Shishkin has been compared to numerous great writers, including Anton Chekhov, Vladimir Nabokov and James Joyce, while he admits to being influenced by Chekhov along with Leo Tolstoy and Ivan Bunin, saying "Bunin taught me not to compromise, and to go on believing in myself. Chekhov passed on his sense of humanity 鈥� that there can鈥檛 be any wholly negative characters in your text. And from Tolstoy I learned not to be afraid of being na茂ve."
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February 17, 2025
鈥灻巒 via牛a asta nu exist膬 卯nving膬tori, to牛i s卯nt 卯nvin艧i鈥�.
La prima lectur膬, nu mi-am pus 卯ntrebarea de ce romanul epistolar al lui Mihail 艩i拧kin se nume葯te Scrisorar. Cel mai tare m-a uimit faptul c膬 scrisorile celor doi prieteni nu se 卯nt卯lneau, nici una nu constituia un r膬spuns direct la alta, fiecare corespondent scria 卯n legea lui (卯n prezentul lui etern), ca 葯i cum n-ar fi citit textul celuilalt. Nici 鈥濻a葯enka cea bun膬鈥�, 鈥濻a葯enka cea 卯ndep膬rtat膬鈥�, nu-l citea pe Volodenka, nici Volodenka, ajuns la oaste, 卯n fabuloasa 葰ar膬 a preotului Ioan, pe Sa葯enka.
Ipoteza mea a fost c膬 personajele nici nu pot s膬 se citeasc膬 unul pe altul, fiindc膬 tr膬iesc (dac膬 tr膬iesc) 卯n cronologii diferite (oricum, 卯n Scrisorar, timpul e o brambureal膬), de葯i, probabil, a fost o vreme 卯n care s-au g膬sit 卯ntr-unul 葯i acela葯i fir temporal (chronotop, s膬-l numim). Din 鈥瀡卯rsta de aur鈥� 卯n care au tr膬it 卯mpreun膬, fiecare a luat-o brusc pe calea lui - sau a fost aruncat de hazard, 卯n versiuni diferite ale istoriei, ce nu se mai pot 卯nt卯lni dec卯t 卯n amintirile lor comune. 脦n lumea real膬, doar moartea ne arunc膬 卯n alt timp (sau 卯n afara lui)...
Am卯ndoi se refer膬 la un paradis pierdut: casa de vacan葲膬, lacul 卯n care 卯notau, p膬durea, camera 卯n care au f膬cut dragoste pentru prima oar膬. Apoi soarta / hazardul i-a alungat: el a ajuns undeva pe c卯mpul de lupt膬, 卯n 鈥瀝egatul preotului Ioan鈥�, lucreaz膬 la cancelaria Comandantului comandan葲ilor, ea a r膬mas acas膬, a devenit student膬, dar, 卯n loc s膬 卯nve葲e, 卯i scrie epistole lui Volodia. Acum s卯nt departe unul de cel膬lalt 葯i 卯ncearc膬, zadarnic, s膬 anuleze separarea (葯i singur膬tatea) prin scrisori.
脦n chip firesc, Volodenka moare. 葮i-a sacrificat via葲a pentru Patrie, anun葲膬 un ziar. 葮i tot 卯n chip firesc, coresponden葲a lor continu膬...
M膬 卯ntorc la titlu. Oare la ce se refer膬 cuv卯ntul 鈥瀞crisorar鈥�? 脦ntr-un 鈥濪ic葲ionar de cuvinte inexistente鈥�, un savant autohton socote葯te c膬 鈥瀞crisorar鈥� ar 卯nsemna 鈥瀠n fel de autor de scrisori鈥�. Ipoteza nu are sens. Englezii au 卯nlocuit pur 葯i simplu titul original Pismovnik = 袩懈褋褜屑芯胁薪懈泻 cu expresia fad膬 The Light and the Dark, care trimite la Stendhal (Ro葯u 葯i negru) sau Lev Nikolaevici Tolstoi (R膬zboi 葯i pace). Francezii, 卯n schimb, au propus Deux heures moins dix, Ora dou膬 f膬r膬 zece. Acest titlu a fost inspirat de urm膬torul pasaj dintr-o scrisoare a lui Volodia:
鈥濼ata m膬 卯ntreab膬 mereu:
鈥� C卯t e ceasul?
Mi-a f膬cut cadou un cesule牛 de copil, de juc膬rie, cu ni艧te limbi desenate. M膬 uit la el 艧i r膬spund cu
尘卯苍诲谤颈别:
鈥� Dou膬 f膬r膬 zece.
Ceasul arat膬 mereu dou膬 f膬r膬 zece鈥�.
Un blogger 葯tiutor de rus膬 (The New Novel) precizeaz膬 c膬 Pismovnik 卯nseamn膬 cu aproxima葲ie Manual / 脦ndrumar / 脦ndreptar de compus scrisori, 鈥瀞omething like Letter-Writing Manual鈥�. A葯a au tradus titlul 葯i germanii: Briefsteller...
脦n concluzie, titlul rom芒nesc mai mult sugereaz膬 dec卯t spune ceva precis... (13.04.22, miercuri)
April 16, 2017
賵丕賳丕 丕賯乇兀 丕賱乇爻丕卅賱 鬲匕賰乇鬲 賰賲 丨乇賲鬲賳丕 賵爻丕卅賱 丕賱鬲賵丕氐賱 丕賱丕噩鬲賲丕毓賷 賲賳 賲鬲毓丞 賴匕賴 丕賱乇爻丕卅賱 賵賰賲 賰丕賳鬲 賲鬲毓丞 丕賱匕賴丕亘 丕賱賶 賲乇賰夭 丕賱亘乇賷丿 賵鬲賮賯丿 氐賳丿賵賯 丕賱亘乇賷丿 丕匕丕 賰丕賳 賴賳丕賰 乇爻丕卅賱 賮賷 賴匕丕 丕賱氐賳丿賵賯.
賲鬲毓丞 噩丿丕 賯乇丕亍丞 賴匕賴 丕賱乇賷丕卅賱 亘賷賳 毓丕卮賯賷賳 賮乇賯鬲 亘賷賳賴賲 丕賱丨乇亘 丕賱鬲賷 兀賲 賷毓丿 賲賳賴丕 賴匕丕 丕賱毓丕卮賯 賮賷 丨賷賳 丕賳賴丕 鬲丕亘毓鬲 丨賷丕鬲賴丕 賵鬲禺乇噩鬲 胤亘賷亘丞 賵鬲夭賵噩鬲 .
亘毓丿 丕賳 爻乇丿鬲 丕賱乇爻丕卅賱 匕賰乇賷丕鬲 丨亘賴賲丕 賵丕卮賵丕賯賴賲丕 賱賱賯丕亍 賲乇丞 丕禺乇賶 . 鬲氐亘丨 丕賱乇爻丕卅賱 毓亘丕乇丞 毓賳 丕丨丿丕孬 賱賲丕 賷丨丿孬 賲毓賴賲 賮賷 丨賷丕鬲賴賲 丕賱賷賵賲賷丞 . 賴賷 亘賲賳 鬲賯丕亘賱賴賲 賮賷 毓賲賱賴丕 兀賵 丨賷丕鬲賴丕 賵丨鬲賶 賵氐賮 賱丨賷丕丞 氐丿賷賯鬲賴丕 賵夭賵噩賴丕 賵毓賱丕賯鬲賴丕 賲毓 丕亘賷賴丕 賵丕賲賴丕 賵賲乇囟 兀賲賴丕 賵賲賵鬲賴丕 賵賲賵鬲 丕亘賷賴丕 賲毓 賵氐賮 鬲賮氐賷賱賷 賱賳賵丕夭毓 丕賱賳賮爻 丕賱丕賳爻丕賳賷丞 賮賷 賴匕賴 丕賱馗乇賵賮 丕賱鬲賷 賲賳 丕賱賲賲賰賳 丕賳 賳鬲毓乇囟 賱賴丕 賵賳卮毓乇 亘卮毓賵乇 丕賱賲丐賱賮 丿賵賳 丕賳 賳賳鬲亘賴 賱賴丕.
賴賵 賵氐賮 乇丕卅毓 賱賱丨乇亘 賵賵噩賴丕 丕賱亘卮毓 毓賱賶 丕賱胤乇賮賷賳 丕賱賲鬲賯丕鬲賱賷賳 賵賴賵 賷爻兀賱 賳賮爻 丕賱爻丐丕賱 鬲賯乇賷亘丕 賮賷 賰賱 丕賱乇爻丕卅賱:
賱賲丕 丕賳丕 賴賳丕.
賲賲鬲毓丞 丕賱乇爻丕卅賱 賵兀爻賱賵亘 丕賱賲丐賱賮 丕乇賵毓 賵兀乇賵毓
賵丕賱乇爻丕卅賱 睾賷乇 賲乇鬲亘丞 鬲丕乇賷禺賷丕 丨鬲賶 賱丕 賷毓乇賮 賲鬲賶 亘丿兀鬲 兀賵 賲鬲賶 丕賳鬲賴鬲 .
卮賰乇賸丕 賱氐丕賱賵賳 丕賱兀丿亘 丕賱乇賵爻賷 毓賱賶 賴匕丕 丕賱丕禺鬲賷丕乇.
賲鬲毓丞 噩丿丕 賯乇丕亍丞 賴匕賴 丕賱乇賷丕卅賱 亘賷賳 毓丕卮賯賷賳 賮乇賯鬲 亘賷賳賴賲 丕賱丨乇亘 丕賱鬲賷 兀賲 賷毓丿 賲賳賴丕 賴匕丕 丕賱毓丕卮賯 賮賷 丨賷賳 丕賳賴丕 鬲丕亘毓鬲 丨賷丕鬲賴丕 賵鬲禺乇噩鬲 胤亘賷亘丞 賵鬲夭賵噩鬲 .
亘毓丿 丕賳 爻乇丿鬲 丕賱乇爻丕卅賱 匕賰乇賷丕鬲 丨亘賴賲丕 賵丕卮賵丕賯賴賲丕 賱賱賯丕亍 賲乇丞 丕禺乇賶 . 鬲氐亘丨 丕賱乇爻丕卅賱 毓亘丕乇丞 毓賳 丕丨丿丕孬 賱賲丕 賷丨丿孬 賲毓賴賲 賮賷 丨賷丕鬲賴賲 丕賱賷賵賲賷丞 . 賴賷 亘賲賳 鬲賯丕亘賱賴賲 賮賷 毓賲賱賴丕 兀賵 丨賷丕鬲賴丕 賵丨鬲賶 賵氐賮 賱丨賷丕丞 氐丿賷賯鬲賴丕 賵夭賵噩賴丕 賵毓賱丕賯鬲賴丕 賲毓 丕亘賷賴丕 賵丕賲賴丕 賵賲乇囟 兀賲賴丕 賵賲賵鬲賴丕 賵賲賵鬲 丕亘賷賴丕 賲毓 賵氐賮 鬲賮氐賷賱賷 賱賳賵丕夭毓 丕賱賳賮爻 丕賱丕賳爻丕賳賷丞 賮賷 賴匕賴 丕賱馗乇賵賮 丕賱鬲賷 賲賳 丕賱賲賲賰賳 丕賳 賳鬲毓乇囟 賱賴丕 賵賳卮毓乇 亘卮毓賵乇 丕賱賲丐賱賮 丿賵賳 丕賳 賳賳鬲亘賴 賱賴丕.
賴賵 賵氐賮 乇丕卅毓 賱賱丨乇亘 賵賵噩賴丕 丕賱亘卮毓 毓賱賶 丕賱胤乇賮賷賳 丕賱賲鬲賯丕鬲賱賷賳 賵賴賵 賷爻兀賱 賳賮爻 丕賱爻丐丕賱 鬲賯乇賷亘丕 賮賷 賰賱 丕賱乇爻丕卅賱:
賱賲丕 丕賳丕 賴賳丕.
賲賲鬲毓丞 丕賱乇爻丕卅賱 賵兀爻賱賵亘 丕賱賲丐賱賮 丕乇賵毓 賵兀乇賵毓
賵丕賱乇爻丕卅賱 睾賷乇 賲乇鬲亘丞 鬲丕乇賷禺賷丕 丨鬲賶 賱丕 賷毓乇賮 賲鬲賶 亘丿兀鬲 兀賵 賲鬲賶 丕賳鬲賴鬲 .
卮賰乇賸丕 賱氐丕賱賵賳 丕賱兀丿亘 丕賱乇賵爻賷 毓賱賶 賴匕丕 丕賱丕禺鬲賷丕乇.
May 25, 2017
Rus Edebiyat谋n谋n klasiklerde kalmad谋臒谋n谋n en g眉sel kan谋t谋. Son d枚nemde okudu臒um en iyi yazar. 脟ok basit s枚zc眉klerle 枚yle bir sihir yap谋yor ki tesiri sizi de etkisine al谋yor okurken. Ben ger莽ekten 莽ok be臒endim. Hi莽 ayr谋m yapmadan herkese tavsiye ederim.
Jaguar Kitap'a ben de te艧ekk眉r etmek isterim. Ha bir de l眉tfen biraz daha Mikhail Shishkin l眉tfen!
Jaguar Kitap'a ben de te艧ekk眉r etmek isterim. Ha bir de l眉tfen biraz daha Mikhail Shishkin l眉tfen!
August 16, 2021
賲賳 兀噩賲賱 乇賵丕賷丕鬲 兀丿亘 丕賱乇爻丕卅賱.
丕賯鬲亘丕爻丕鬲
鈥溫ベ� 兀亘爻胤 丕賱兀卮賷丕亍 賷賲賰賳 兀賳 賷賯鬲賱賰賻 爻毓丕丿丞賸鈥�.
鈥溫з勝傌� 賷禺賷賮賳丕 賮賯胤貙 賵賱賰賳賴 賷丨賮馗賳丕貙 賵賷丿賮毓 毓賳丕 丕賱亘賱丕亍 丕賱丨賯賷賯賷鈥�.
鈥溬娯� 兀賳 鬲鬲毓賱賲賷 賰賷賮 鬲賰賵賳賷賳 兀毓賱賶 賲賳 丕賱毓卮亘 賵兀賰孬乇 氐禺亘賸丕 賲賳 丕賱賲丕亍! 鬲匕賰乇賷 丕賱賯丕毓丿丞 丕賱爻丕亘毓丞 毓卮乇丞 賲賳 賯賵丕毓丿 賮丕賱賷爻 賲賷賱賷鬲爻賰賷: 兀賳 鬲爻鬲孬賷乇 丕賱丨爻丿 兀賮囟賱 賲賳 兀賳 鬲爻鬲丿毓賷 丕賱卮賮賯丞鈥�.
鈥溫Ｘ纲� 兀賳 賲賳 丕賱囟乇賵乇賷 賱賰賷 鬲賰賵賳 丨賯賷賯賷賸丕貙 兀賳 鬲賵噩丿貙 賱丕 賮賷 賵毓賷賰 兀賳鬲貙 賵毓賷賰 丕賱匕賷 賱賷爻 兀賴賱賸丕 賱賱孬賯丞.. 亘賱 賵毓賷 廿賳爻丕賳 丌禺乇貙 賵賱賰賳 賱賷爻 兀賷 廿賳爻丕賳貙 亘賱 丕賱廿賳爻丕賳 丕賱匕賷 賷賴賲賴 賵噩賵丿賰鈥�.
鈥溫з勜ベ嗀池з嗀� 乇睾賲 賰賱 卮賷亍貙 賲禺賱賵賯 賲丿賴卮 賲賮胤賵乇 毓賱賶 鬲賯亘賾賱 賲賵鬲 丕賱噩賲賷毓 賲丕 毓丿丕賴鈥�.
"丕賱丨亘 賱丕 賷丨鬲丕噩 廿賱賶 亘乇賴丕賳貙 亘賱 廿賱賶 廿馗賴丕乇".
鈥溫з勜必池ж︐� 丕賱鬲賷 賱丕 鬲氐賱貙 賴賷 丕賱鬲賷 賱丕 鬲購賰鬲亘鈥�.
鈥溫з勜必� 賱賷爻鬲 賲毓丕乇賰 賵丕賳賮噩丕乇丕鬲 賵噩乇丕丨賸丕 賮丨爻亘貙 亘賱 賴賷 兀賷囟賸丕 鬲乇賯賾亘 賱丕 賳賴丕賷丞 賱賴 賵賯賱賯 賲賳 丕賱賲噩賴賵賱 賵囟噩乇鈥�.
鈥溫ベ� 丕賱賳丕爻 賷賳賯賱亘賵賳 廿賱賶 賵丨賵卮 丨賷賳 賷乇賵賳 賲丕 賷賮毓賱賴 丕賱兀毓丿丕亍 亘夭賲賱丕卅賴賲鈥�.
鈥溬佡� 馗賱 胤睾賷丕賳 賴匕賴 丕賱賵丨卮賷丞 賮賷 賰賱 賲賰丕賳貙 賵胤睾賷丕賳 丕賱賯爻賵丞 賭 賷氐亘丨 賲亘賴噩賸丕 噩丿賸丕 兀賳 鬲馗賱 丕賱乇賯丞 丨賷丞 賱賵 丨鬲賶 亘賷賳 卮禺氐賷賳 賮賯胤".
鈥溫Ｙ嗀� 賵兀賳鬲 賰賱賹賾 賵丕丨丿賹 賲賳匕 夭賲賳 亘毓賷丿. 兀賳鬲 賭 兀賳丕貙 賵兀賳丕 兀賳鬲貙 賲丕 丕賱匕賷 賷賲賰賳 兀賳 賷賮乇賾賯賳丕責 賲丕 賲賳 卮賷亍 賷爻鬲胤賷毓 兀賳 賷賮乇賾賯賳丕鈥�.
鈥溫ж� 丕賱卮禺氐 丕賱匕賷 賷氐丿賯賰 賮賷 賰賱 卮賷亍 兀賲乇 睾賷乇 賲毓賯賵賱 兀亘丿賸丕鈥�.
鈥溬冑� 丕賱乇丕賴賳 毓丿賲賹 賱丕 噩丿賵賶 賲賳賴 廿匕丕 賱賲 賷丐丿賾 廿賱賶 丕賱賰賱賲丕鬲貙 賵廿匕丕 賱賲 鬲丐丿賽賾 丕賱賰賱賲丕鬲購 廿賱賷賴. 丕賱賰賱賲丕鬲 賴賷 賵丨丿賴丕 丕賱鬲賷 鬲爻賵賾睾 賵噩賵丿 丕賱賲賵噩賵丿貙 賵鬲毓胤賷 丕賱賲毓賳賶 賱賲丕 賴賵 賱丨馗賷貙 賵鬲噩毓賱 睾賷乇 丕賱丨賯賷賯賷 賭 丨賯賷賯賷賸丕貙 賵鬲噩毓賱 兀賳丕 賭 兀賳丕鈥�.
鈥溫з勝冑勝呚ж� 鬲爻鬲胤賷毓 兀賳 鬲禺賱賯 卮賷卅賸丕 禺丕氐賸丕 亘賴丕貙 賵賱賰賳賰 賱丕 鬲爻鬲胤賷毓 兀賳鬲 賳賮爻賰 兀賳 鬲氐亘丨 賰賱賲丕鬲. 丕賱賰賱賲丕鬲 賭 賲禺丕丿毓丞. 鬲毓丿賰 兀賳 鬲兀禺匕賰 賲毓賴丕 賮賷 丕賱毓賵賲貙 孬賲 鬲亘鬲毓丿 毓賳賰 爻乇賸賾丕 賳丕卮乇丞 兀卮乇毓鬲賴丕 賰賱賴丕貙 賵鬲亘賯賶 兀賳鬲 毓賱賶 丕賱卮丕胤卅鈥�.
鈥溬呝� 丿賵賳 兀賱賲 丨賯賷賯賷 賱丕 鬲賳囟噩 丕賱乇賵丨. 丕賱廿賳爻丕賳 賷賳賲賵 亘丕賱兀賱賲鈥�.
鈥溫ベ嗁� 賱賲賳 丕賲賷鬲丕夭丕鬲 丕賱兀毓賲賶 兀賳 賷賰賵賳 賰賲丕 賴賵 賮毓賱賸丕貙 賱丕 賰賲丕 鬲乇賷丿賴 丕賱賲乇丌丞 兀賳 賷賰賵賳鈥�.
鈥� 兀賳丕 賵兀賳鬲貙 賭 丨賯賷賯賷丕賳. 賳丨賳 丨賯賷賯賷丕賳 丨賷賳 賳賰賵賳 賲毓賸丕貙 兀賲丕 丨賷賳賲丕 賳賰賵賳 賲毓 丕賱丌禺乇賷賳貙 賮賷亘丨孬 賰賱賹賾 賲賳丕 毓賳 丕賱丌禺乇貙 賵賱丕 賷爻鬲胤賷毓 兀賳 賷噩丿賴鈥�.
鈥溬囐嗀з� 丨賷孬 丕賱賲賵鬲貙 丨賷孬 賷乇爻賱賵賳 丕賱賳丕爻 賱賷購賯鬲賱賵丕 賭 賷賰孬乇 丕賱賰匕亘 丿丕卅賲賸丕. 賮賷 丕賱丨賯賷賯丞貙 賱賷爻 賲賴賲賸丕 兀賳 鬲賳鬲氐乇 兀賵 鬲賳賴夭賲貙 賱兀賳 丕賱賳氐乇 丕賱賵丨賷丿 賮賷 兀賷 丨乇亘 賭 賴賵 兀賳 鬲亘賯賶 丨賷賸丕 亘毓丿賴丕鈥�.
鈥溬冑勝呚� 丕夭丿丕丿 丕賳鬲卮丕乇 丕賱卮乇 賵丕賱賯爻賵丞貙 丕夭丿丕丿 鬲賲爻賰 丕賱廿賳爻丕賳 亘賲丕 賴賵 廿賳爻丕賳賷 賮賷 匕丕鬲賴 賵賲賳 丨賵賱賴貙 賵丕夭丿丕丿 兀賴賲賷丞 賲丨丕賮馗鬲賴 毓賱賶 鬲賱賰 丕賱匕乇賾丞 賲賳 丕賱廿賳爻丕賳賷丞 丕賱賰丕賲賳丞 賮賷 丿丕禺賱賴鈥�.
丕賯鬲亘丕爻丕鬲
鈥溫ベ� 兀亘爻胤 丕賱兀卮賷丕亍 賷賲賰賳 兀賳 賷賯鬲賱賰賻 爻毓丕丿丞賸鈥�.
鈥溫з勝傌� 賷禺賷賮賳丕 賮賯胤貙 賵賱賰賳賴 賷丨賮馗賳丕貙 賵賷丿賮毓 毓賳丕 丕賱亘賱丕亍 丕賱丨賯賷賯賷鈥�.
鈥溬娯� 兀賳 鬲鬲毓賱賲賷 賰賷賮 鬲賰賵賳賷賳 兀毓賱賶 賲賳 丕賱毓卮亘 賵兀賰孬乇 氐禺亘賸丕 賲賳 丕賱賲丕亍! 鬲匕賰乇賷 丕賱賯丕毓丿丞 丕賱爻丕亘毓丞 毓卮乇丞 賲賳 賯賵丕毓丿 賮丕賱賷爻 賲賷賱賷鬲爻賰賷: 兀賳 鬲爻鬲孬賷乇 丕賱丨爻丿 兀賮囟賱 賲賳 兀賳 鬲爻鬲丿毓賷 丕賱卮賮賯丞鈥�.
鈥溫Ｘ纲� 兀賳 賲賳 丕賱囟乇賵乇賷 賱賰賷 鬲賰賵賳 丨賯賷賯賷賸丕貙 兀賳 鬲賵噩丿貙 賱丕 賮賷 賵毓賷賰 兀賳鬲貙 賵毓賷賰 丕賱匕賷 賱賷爻 兀賴賱賸丕 賱賱孬賯丞.. 亘賱 賵毓賷 廿賳爻丕賳 丌禺乇貙 賵賱賰賳 賱賷爻 兀賷 廿賳爻丕賳貙 亘賱 丕賱廿賳爻丕賳 丕賱匕賷 賷賴賲賴 賵噩賵丿賰鈥�.
鈥溫з勜ベ嗀池з嗀� 乇睾賲 賰賱 卮賷亍貙 賲禺賱賵賯 賲丿賴卮 賲賮胤賵乇 毓賱賶 鬲賯亘賾賱 賲賵鬲 丕賱噩賲賷毓 賲丕 毓丿丕賴鈥�.
"丕賱丨亘 賱丕 賷丨鬲丕噩 廿賱賶 亘乇賴丕賳貙 亘賱 廿賱賶 廿馗賴丕乇".
鈥溫з勜必池ж︐� 丕賱鬲賷 賱丕 鬲氐賱貙 賴賷 丕賱鬲賷 賱丕 鬲購賰鬲亘鈥�.
鈥溫з勜必� 賱賷爻鬲 賲毓丕乇賰 賵丕賳賮噩丕乇丕鬲 賵噩乇丕丨賸丕 賮丨爻亘貙 亘賱 賴賷 兀賷囟賸丕 鬲乇賯賾亘 賱丕 賳賴丕賷丞 賱賴 賵賯賱賯 賲賳 丕賱賲噩賴賵賱 賵囟噩乇鈥�.
鈥溫ベ� 丕賱賳丕爻 賷賳賯賱亘賵賳 廿賱賶 賵丨賵卮 丨賷賳 賷乇賵賳 賲丕 賷賮毓賱賴 丕賱兀毓丿丕亍 亘夭賲賱丕卅賴賲鈥�.
鈥溬佡� 馗賱 胤睾賷丕賳 賴匕賴 丕賱賵丨卮賷丞 賮賷 賰賱 賲賰丕賳貙 賵胤睾賷丕賳 丕賱賯爻賵丞 賭 賷氐亘丨 賲亘賴噩賸丕 噩丿賸丕 兀賳 鬲馗賱 丕賱乇賯丞 丨賷丞 賱賵 丨鬲賶 亘賷賳 卮禺氐賷賳 賮賯胤".
鈥溫Ｙ嗀� 賵兀賳鬲 賰賱賹賾 賵丕丨丿賹 賲賳匕 夭賲賳 亘毓賷丿. 兀賳鬲 賭 兀賳丕貙 賵兀賳丕 兀賳鬲貙 賲丕 丕賱匕賷 賷賲賰賳 兀賳 賷賮乇賾賯賳丕責 賲丕 賲賳 卮賷亍 賷爻鬲胤賷毓 兀賳 賷賮乇賾賯賳丕鈥�.
鈥溫ж� 丕賱卮禺氐 丕賱匕賷 賷氐丿賯賰 賮賷 賰賱 卮賷亍 兀賲乇 睾賷乇 賲毓賯賵賱 兀亘丿賸丕鈥�.
鈥溬冑� 丕賱乇丕賴賳 毓丿賲賹 賱丕 噩丿賵賶 賲賳賴 廿匕丕 賱賲 賷丐丿賾 廿賱賶 丕賱賰賱賲丕鬲貙 賵廿匕丕 賱賲 鬲丐丿賽賾 丕賱賰賱賲丕鬲購 廿賱賷賴. 丕賱賰賱賲丕鬲 賴賷 賵丨丿賴丕 丕賱鬲賷 鬲爻賵賾睾 賵噩賵丿 丕賱賲賵噩賵丿貙 賵鬲毓胤賷 丕賱賲毓賳賶 賱賲丕 賴賵 賱丨馗賷貙 賵鬲噩毓賱 睾賷乇 丕賱丨賯賷賯賷 賭 丨賯賷賯賷賸丕貙 賵鬲噩毓賱 兀賳丕 賭 兀賳丕鈥�.
鈥溫з勝冑勝呚ж� 鬲爻鬲胤賷毓 兀賳 鬲禺賱賯 卮賷卅賸丕 禺丕氐賸丕 亘賴丕貙 賵賱賰賳賰 賱丕 鬲爻鬲胤賷毓 兀賳鬲 賳賮爻賰 兀賳 鬲氐亘丨 賰賱賲丕鬲. 丕賱賰賱賲丕鬲 賭 賲禺丕丿毓丞. 鬲毓丿賰 兀賳 鬲兀禺匕賰 賲毓賴丕 賮賷 丕賱毓賵賲貙 孬賲 鬲亘鬲毓丿 毓賳賰 爻乇賸賾丕 賳丕卮乇丞 兀卮乇毓鬲賴丕 賰賱賴丕貙 賵鬲亘賯賶 兀賳鬲 毓賱賶 丕賱卮丕胤卅鈥�.
鈥溬呝� 丿賵賳 兀賱賲 丨賯賷賯賷 賱丕 鬲賳囟噩 丕賱乇賵丨. 丕賱廿賳爻丕賳 賷賳賲賵 亘丕賱兀賱賲鈥�.
鈥溫ベ嗁� 賱賲賳 丕賲賷鬲丕夭丕鬲 丕賱兀毓賲賶 兀賳 賷賰賵賳 賰賲丕 賴賵 賮毓賱賸丕貙 賱丕 賰賲丕 鬲乇賷丿賴 丕賱賲乇丌丞 兀賳 賷賰賵賳鈥�.
鈥� 兀賳丕 賵兀賳鬲貙 賭 丨賯賷賯賷丕賳. 賳丨賳 丨賯賷賯賷丕賳 丨賷賳 賳賰賵賳 賲毓賸丕貙 兀賲丕 丨賷賳賲丕 賳賰賵賳 賲毓 丕賱丌禺乇賷賳貙 賮賷亘丨孬 賰賱賹賾 賲賳丕 毓賳 丕賱丌禺乇貙 賵賱丕 賷爻鬲胤賷毓 兀賳 賷噩丿賴鈥�.
鈥溬囐嗀з� 丨賷孬 丕賱賲賵鬲貙 丨賷孬 賷乇爻賱賵賳 丕賱賳丕爻 賱賷購賯鬲賱賵丕 賭 賷賰孬乇 丕賱賰匕亘 丿丕卅賲賸丕. 賮賷 丕賱丨賯賷賯丞貙 賱賷爻 賲賴賲賸丕 兀賳 鬲賳鬲氐乇 兀賵 鬲賳賴夭賲貙 賱兀賳 丕賱賳氐乇 丕賱賵丨賷丿 賮賷 兀賷 丨乇亘 賭 賴賵 兀賳 鬲亘賯賶 丨賷賸丕 亘毓丿賴丕鈥�.
鈥溬冑勝呚� 丕夭丿丕丿 丕賳鬲卮丕乇 丕賱卮乇 賵丕賱賯爻賵丞貙 丕夭丿丕丿 鬲賲爻賰 丕賱廿賳爻丕賳 亘賲丕 賴賵 廿賳爻丕賳賷 賮賷 匕丕鬲賴 賵賲賳 丨賵賱賴貙 賵丕夭丿丕丿 兀賴賲賷丞 賲丨丕賮馗鬲賴 毓賱賶 鬲賱賰 丕賱匕乇賾丞 賲賳 丕賱廿賳爻丕賳賷丞 丕賱賰丕賲賳丞 賮賷 丿丕禺賱賴鈥�.
April 30, 2019
Bu y谋l beni en 莽ok etkileyen kitaplardan biri Mektuplar谋n Roman谋.
Mektup denen 艧ey, bir garip i莽 d枚k眉m眉. Hatta bence 莽o臒u zaman ya艧ad谋klar谋m谋z谋 kendimize inand谋rma, hat谋rlatma y枚ntemi. Zira mektup yazarken o kadar 莽ok kendimizden ve oldu臒umuz durumdan, ge莽mi艧ten bahsediyoruz ki bunlar birer ayd谋nlanma an谋 gibi ya艧an谋yor. Ben de bu roman谋 okurken hayatla ve "insan olmak" ile ilgili o kadar 莽ok ayd谋nlanma an谋 ya艧ad谋m ki, bitti臒inde terapi seans谋ndan 莽谋km谋艧 gibi hem rahatlam谋艧 hem de yorulmu艧tum. Kelimelerin g眉c眉n眉 枚yle g眉zel kullanm谋艧 艦i艧kin, farkl谋 anlam aray谋艧lar谋na sevk ediyor okuyucuyu. 脰nce ete臒imi hafif莽e kavrayan elin sonra yakam谋 b谋rakmayacak s谋ms谋k谋 parmaklara nas谋l da d枚n眉艧t眉臒眉n眉 sayfalar ilerledik莽e idrak ettim ve sonunda b谋rakt谋m kendimi 艦i艧kin'in d眉nyas谋na.
Adettendir, ne hakk谋nda bu roman diyecekler i莽in, iki ki艧inin mektuplar谋 do臒all谋kla romana d枚n眉艧m眉艧. Biri 脟in'in kuzeyinden sava艧 cephesinden yaz谋yor mektubunu, di臒eriyse kald谋臒谋 yerden kendi hayat m眉cadelesini aktar谋yor. Bilin莽 ak谋艧谋yla ilerleyen mektuplar insan谋 kendi evrenini de sorgulamaya iterken, ayr谋 d眉艧m眉艧 iki ki艧i aras谋ndaki uzak yak谋n kavramlar谋n谋 alt 眉st ediyor.
Roman谋 benim i莽in g眉莽l眉 k谋lan 艧eylerden biri de, okurken bir an olsun bunun bir kurgu oldu臒unu hissetmedim. T眉m bunlar谋n, birbirine a艧谋k ve hayatta kalmaya 莽al谋艧an iki insan谋n tutunacak tek ba臒 olarak yazd谋klar谋 sat谋rlar oldu臒una yemin edebilirim.
Kesinlikle tavsiye ediyorum.
Mektup denen 艧ey, bir garip i莽 d枚k眉m眉. Hatta bence 莽o臒u zaman ya艧ad谋klar谋m谋z谋 kendimize inand谋rma, hat谋rlatma y枚ntemi. Zira mektup yazarken o kadar 莽ok kendimizden ve oldu臒umuz durumdan, ge莽mi艧ten bahsediyoruz ki bunlar birer ayd谋nlanma an谋 gibi ya艧an谋yor. Ben de bu roman谋 okurken hayatla ve "insan olmak" ile ilgili o kadar 莽ok ayd谋nlanma an谋 ya艧ad谋m ki, bitti臒inde terapi seans谋ndan 莽谋km谋艧 gibi hem rahatlam谋艧 hem de yorulmu艧tum. Kelimelerin g眉c眉n眉 枚yle g眉zel kullanm谋艧 艦i艧kin, farkl谋 anlam aray谋艧lar谋na sevk ediyor okuyucuyu. 脰nce ete臒imi hafif莽e kavrayan elin sonra yakam谋 b谋rakmayacak s谋ms谋k谋 parmaklara nas谋l da d枚n眉艧t眉臒眉n眉 sayfalar ilerledik莽e idrak ettim ve sonunda b谋rakt谋m kendimi 艦i艧kin'in d眉nyas谋na.
Adettendir, ne hakk谋nda bu roman diyecekler i莽in, iki ki艧inin mektuplar谋 do臒all谋kla romana d枚n眉艧m眉艧. Biri 脟in'in kuzeyinden sava艧 cephesinden yaz谋yor mektubunu, di臒eriyse kald谋臒谋 yerden kendi hayat m眉cadelesini aktar谋yor. Bilin莽 ak谋艧谋yla ilerleyen mektuplar insan谋 kendi evrenini de sorgulamaya iterken, ayr谋 d眉艧m眉艧 iki ki艧i aras谋ndaki uzak yak谋n kavramlar谋n谋 alt 眉st ediyor.
Roman谋 benim i莽in g眉莽l眉 k谋lan 艧eylerden biri de, okurken bir an olsun bunun bir kurgu oldu臒unu hissetmedim. T眉m bunlar谋n, birbirine a艧谋k ve hayatta kalmaya 莽al谋艧an iki insan谋n tutunacak tek ba臒 olarak yazd谋klar谋 sat谋rlar oldu臒una yemin edebilirim.
Kesinlikle tavsiye ediyorum.
May 22, 2017
Muhte艧em! Bir g眉n tekrar okumak 眉zere 艧imdilik rafa kald谋r谋yorum. Baz谋 c眉mleler ise hep benimle kalacak. 陌yi ki vars谋n Jaguar!
December 14, 2017
Sevgili 艦i艧kin;
Kurgu eserlerde mektuplar谋n bir gizi a莽谋klamak , if艧a etmek i莽in kullan谋ld谋臒谋n谋 daha 枚nce g枚rm眉艧t眉k. S谋n谋rl谋 imkanlar谋 i莽inde bar谋nd谋ran bu eylemi al谋p b眉t眉n bir eseri burdan kurmak nereden akl谋na geldi bilmiyorum ama bu zor i艧in alt谋ndan hakk谋yla kalkm谋艧s谋n, tebrik ederim. Kimsenin kimseye mektup yazmaya ihtiya莽 duymad谋臒谋 g眉nlerde, mail olmad谋 k谋sa mesaj 莽a臒谋nda mektuplar谋n g眉zelli臒ini g枚sterdi臒in i莽in de te艧ekk眉r ederim.
艦谋marma ama onlar ne g眉zel kelimelerdi 枚yle, mest ettin beni. 陌ki farkl谋 ki艧inin a臒z谋ndan yazm谋艧 olmana ra臒men bir s眉re sonra kendini unutturmay谋 iyi becermi艧sin. Sanki ortada bir yazar yok da iki farkl谋 ki艧i ve onlar谋n iki farkl谋 眉slubu vard谋. Kitab谋 ortas谋ndan a莽谋p herhangi bir b枚l眉m眉 okurken kimin konu艧tu臒unu anlayabiliyor insan ve bunu becerebilmenin 莽ok zor oldu臒unu d眉艧眉n眉yorum. Ayr谋ca Sa艧enka' n谋n s眉rekli de臒i艧en halet-i ruhiyesi ile dilinin de de臒i艧mesi ve art谋k salt kelimelerinden " nas谋l" oldu臒unu anlayabilmemizi sa臒layabilmi艧sin.
Kurgunun bir tehlike bar谋nd谋rd谋臒谋n谋 erken farketmi艧sin, e臒er mektuplar d眉z bir hatta gelip gitseydi bir s眉re sonra s谋k谋c谋 olacakt谋. Zaman谋 atlatarak bu sorunu ortadan kald谋rm谋艧s谋n. Kendi ad谋ma s枚ylemem gerekirse mektuplar谋n en ba艧谋ndaki a艧k ve 枚zlem i莽eren b枚l眉mler 莽ok etkileyiciydi ancak sonuna kadar b枚yle gitseydi eh yeter gari der ve muhtemelen atlayarak okurdum, tad谋nda b谋rakm谋艧s谋n, g眉zel olmu艧.
G眉ndelik hayat sadece Sa艧enka' y谋 bo臒muyor ki azizim, bizim de 莽ok i艧imiz var. Arkada艧lar yeme臒e bekliyor beni, o nedenle uzun yazam谋yorum sana, belki ba艧ka zaman devam eder sohbetimiz belki hafta sonu arkada艧larla seni 莽eki艧tiririz. Sonu莽 olarak sevdim mektuplar谋n谋 ve 枚neriyorum herkese. Umar谋m jaguar' dan arkada艧lar vazge莽mezler senden.
Sa臒l谋cakla kal ve 枚zletme kendini.
Arturo Belano
Kurgu eserlerde mektuplar谋n bir gizi a莽谋klamak , if艧a etmek i莽in kullan谋ld谋臒谋n谋 daha 枚nce g枚rm眉艧t眉k. S谋n谋rl谋 imkanlar谋 i莽inde bar谋nd谋ran bu eylemi al谋p b眉t眉n bir eseri burdan kurmak nereden akl谋na geldi bilmiyorum ama bu zor i艧in alt谋ndan hakk谋yla kalkm谋艧s谋n, tebrik ederim. Kimsenin kimseye mektup yazmaya ihtiya莽 duymad谋臒谋 g眉nlerde, mail olmad谋 k谋sa mesaj 莽a臒谋nda mektuplar谋n g眉zelli臒ini g枚sterdi臒in i莽in de te艧ekk眉r ederim.
艦谋marma ama onlar ne g眉zel kelimelerdi 枚yle, mest ettin beni. 陌ki farkl谋 ki艧inin a臒z谋ndan yazm谋艧 olmana ra臒men bir s眉re sonra kendini unutturmay谋 iyi becermi艧sin. Sanki ortada bir yazar yok da iki farkl谋 ki艧i ve onlar谋n iki farkl谋 眉slubu vard谋. Kitab谋 ortas谋ndan a莽谋p herhangi bir b枚l眉m眉 okurken kimin konu艧tu臒unu anlayabiliyor insan ve bunu becerebilmenin 莽ok zor oldu臒unu d眉艧眉n眉yorum. Ayr谋ca Sa艧enka' n谋n s眉rekli de臒i艧en halet-i ruhiyesi ile dilinin de de臒i艧mesi ve art谋k salt kelimelerinden " nas谋l" oldu臒unu anlayabilmemizi sa臒layabilmi艧sin.
Kurgunun bir tehlike bar谋nd谋rd谋臒谋n谋 erken farketmi艧sin, e臒er mektuplar d眉z bir hatta gelip gitseydi bir s眉re sonra s谋k谋c谋 olacakt谋. Zaman谋 atlatarak bu sorunu ortadan kald谋rm谋艧s谋n. Kendi ad谋ma s枚ylemem gerekirse mektuplar谋n en ba艧谋ndaki a艧k ve 枚zlem i莽eren b枚l眉mler 莽ok etkileyiciydi ancak sonuna kadar b枚yle gitseydi eh yeter gari der ve muhtemelen atlayarak okurdum, tad谋nda b谋rakm谋艧s谋n, g眉zel olmu艧.
G眉ndelik hayat sadece Sa艧enka' y谋 bo臒muyor ki azizim, bizim de 莽ok i艧imiz var. Arkada艧lar yeme臒e bekliyor beni, o nedenle uzun yazam谋yorum sana, belki ba艧ka zaman devam eder sohbetimiz belki hafta sonu arkada艧larla seni 莽eki艧tiririz. Sonu莽 olarak sevdim mektuplar谋n谋 ve 枚neriyorum herkese. Umar谋m jaguar' dan arkada艧lar vazge莽mezler senden.
Sa臒l谋cakla kal ve 枚zletme kendini.
Arturo Belano
June 26, 2022
艧i艧kin'in bence en b眉y眉k ba艧ar谋s谋 bir kad谋n ve erke臒in dilinden yaz谋lm谋艧 mektuplar谋n bu kadar keskin bir ayr谋m g枚zetmesi... erke臒in yazd谋臒谋 korkun莽 sava艧 ve askerlik ya艧ant谋s谋 -ger莽ekten okudu臒um en ger莽ek莽i, sava艧谋n ve askerli臒in anlams谋zl谋臒谋n谋 en iyi anlatan metinlerden biriydi- bir yandan, kad谋n谋n g眉nl眉k hayat谋n detaylar谋yla dolu, evlili臒e, a艧ka, arkada艧l谋臒a dair yazd谋klar谋 bir yandan sanki ger莽ekten iki ayr谋 ki艧inin mektuplar谋 gibi.
kad谋n谋n mektuplar谋n谋 daha 莽ok sevdi臒imi s枚ylemeden ge莽emeyece臒im, hele evlili臒e dair ayr谋nt谋lar, ana-baban谋n 枚l眉m眉nde hissedilenlerin anlat谋m谋 莽ok g眉zeldi.
hem "b眉y眉k" rus romanlar谋na benzeyen bir tat var romanda, hem de son derece g眉n眉m眉ze, modern insan谋n trajedisine dair.
* bu arada bu mektuplar kar艧谋l谋kl谋 yaz谋lm谋艧 mektuplar de臒il. apayr谋 zamanlarda, apayr谋 hayatlarda yaz谋lm谋艧. bu edit鈥檌 bu k谋sm谋n 莽ok anla艧谋lamad谋臒谋n谋 d眉艧眉nerek ekliyorum.
kad谋n谋n mektuplar谋n谋 daha 莽ok sevdi臒imi s枚ylemeden ge莽emeyece臒im, hele evlili臒e dair ayr谋nt谋lar, ana-baban谋n 枚l眉m眉nde hissedilenlerin anlat谋m谋 莽ok g眉zeldi.
hem "b眉y眉k" rus romanlar谋na benzeyen bir tat var romanda, hem de son derece g眉n眉m眉ze, modern insan谋n trajedisine dair.
* bu arada bu mektuplar kar艧谋l谋kl谋 yaz谋lm谋艧 mektuplar de臒il. apayr谋 zamanlarda, apayr谋 hayatlarda yaz谋lm谋艧. bu edit鈥檌 bu k谋sm谋n 莽ok anla艧谋lamad谋臒谋n谋 d眉艧眉nerek ekliyorum.
December 1, 2017
Spoiler ve Tiksinti etkisi olu艧turabilir!!!
鈥淗ayat kelimelere d枚n眉艧t眉r眉lmedi臒i s眉rece bir hi莽tir.鈥�
Mektup temas谋 kaynak莽a olarak de臒il de kurgunun ana malzemesiyse, o romanlara ayr谋 bir sempati duymaya ba艧l谋yorum. Bunu en son, Dostoyevski 鈥� 陌nsanc谋klar鈥� roman谋nda, Goethe 鈥� Gen莽 Werther鈥檌n Ac谋lar谋nda鈥� , J. Fowles鈥櫮眓 鈥� B眉y眉c眉 鈥� kitab谋n谋n bir k谋sm谋nda hissetmi艧tim.
Bu kitapta anlat谋m tekni臒i olarak mektup yaz谋艧malar谋n谋n kullan谋lmas谋 ve bu kadar uzun tutulmu艧 olmas谋 asl谋nda anlat谋m sarmal谋na girmesi a莽谋s谋ndan riskli gibi dursa da, dilin naif kullan谋m谋ndan, karakterlerin basit gibi g枚r眉nen hayat hik芒yelerinin perde perde a莽谋lan dramatik an谋lar谋n谋n g枚zler 枚n眉ne serilmesiyle, okuyucuyu bir r眉zg芒ra kapt谋r谋yor. Aile i莽i travmatik durumlar, sosyal ve arkada艧l谋k temelli ili艧kilerden sava艧 gibi en b眉y眉k sosyolojik konular, t眉m mektup romanlar谋n ortak 枚zelli臒i say谋lan ahl芒k ve psikolojik temelli dil 枚r眉nt眉s眉 bu romanda da fazlas谋yla kendisini belli ediyor.
Romanda en 莽ok dikkat 莽eken durumlardan biri de zaman kavram谋 莽眉nk眉 karakterlerin kendilerine ait olan d眉nyadan yazd谋klar谋 mektuplar ve mektuplar谋 yazarken arka planda ger莽ekle艧en durumlar farkl谋 pencerelerden farkl谋 zaman kavramlar谋yla bakman谋z谋 sa臒l谋yor.
Vovka 脟in鈥檇e sava艧谋n ortas谋nda kendisini mektuplarla anlatmaya 莽al谋艧谋rken g眉nl眉k ya艧am谋nda havada u莽u艧an kollar, bacaklar, bas谋lan evler, 枚len 莽ocuklar ve tecav眉ze u臒rayan kad谋nlardan da bahsetmektedir. Her ne kadar a艧k谋n谋 ve 枚zlemini anlatsa da, arkada birbirinin g枚z眉n眉 oyanlar o kalemin ucundan kendisine de yer bulmaktad谋r.
Ayn谋 艧ekilde 艦asenka da ayr谋l谋臒谋n onulmaz taraflar谋ndan bahsederken aynadan yans谋yan anne baba ili艧kilerini, arkada艧lar谋 ve 莽evresinde olan biten her 艧ey usulca mektupta yerini al谋r.
Romandaki mektuplar, kelimeler, c眉mleler kar艧谋daki insana de臒il bir s眉re sonra kendisine, hayata, arkada艧a, nefret edilen, sevilen kim ve ne varsa ona yaz谋lmaya ba艧lan谋r. Bir intikam, hesapla艧ma, sorgulama mesaisi gibi roman boyunca bir haberle艧me g枚revinden 莽ok asl谋nda iki karakterinde tutunma 莽abas谋na d枚n眉艧眉r.
Yaz谋m谋n son k谋sm谋na ekleyece臒im al谋nt谋lardan da anla艧谋laca臒谋 gibi Roman鈥櫮眓 眉zerinde durdu臒u ayaklardan biri de felsefesinin fazlaca keskin, manevi dilinin alt metinden t眉m roman boyunca kendisini hissettiriyor olu艧udur.
Ve elekte kalanlar鈥�
鈥�..Descartes鈥櫮� saat be艧in alacakaranl谋臒谋nda kalk谋p da 陌sve莽 Krali莽esi Christine鈥檈 felsefe dersi verme zorunlulu臒u 枚ld眉rd眉. 鈥�
鈥溾€眉nya鈥檔谋n g枚r眉nen y眉z眉, astar谋, ana malzemesi, d枚rt bir yan谋ndan geriliyor, tuzlan谋yor, a艧谋n谋yor ve delinene de臒in de y谋pran谋yor, i艧te o zaman o delikten d谋艧ar谋, 莽orap deli臒inden 莽谋kan parmak gibi 莽谋k谋veriyor hakikat.鈥�
鈥溾€� etraftaki her 艧eyin i莽ini dolduran ve birbirine ba臒layan enerjiye 脟inliler 脟i ad谋n谋 verirlermi艧. 脟i鈥檡i etkilemek de sadece m眉zikle m眉mk眉n olabilirmi艧. Melodik seslerle de 脟i鈥檔in yo臒unlu臒unu belirlemek. M眉mk眉n olurmu艧. 鈥�
鈥溾€� Ba艧lang谋莽ta s枚z vard谋 diye yazan gibi. S枚zleri yerinde kald谋, s枚yleyen de onlar谋 giyindi, s枚zleri beden oldu. Bu tek ve ger莽ek 枚l眉ms眉zl眉kt眉. Ba艧ka t眉rl眉s眉 yok. Geriye kalan her 艧ey mezarl谋臒谋n bok 莽ukurunda.鈥�
鈥溾€艧谋k saniyede y眉zbinlerce verst yol al谋r, hepi topu birileri aynaya bak谋p da 艧apkas谋n谋 d眉zeltebilsin diye.鈥�
Not; Bu roman bende daha uzun uzun anlat谋lacak binbir t眉rl眉 ruh hali olu艧turdu. Biraz zamana b谋rak谋lmas谋 gereken kitaplardan. Romana 4 y谋ld谋z vermemin tek sebebi ise bende tak谋nt谋 haline gelen ritm konusudur. Son d枚nemlerde romanlar谋 okurken belle臒imde canlanan bir grafik olu艧uyor. Kullan谋lan dil yap谋s谋, c眉mleler ve uzunlu臒a g枚re de臒i艧kenlik g枚steren ini艧li 莽谋k谋艧l谋 bir grafik. Bu grafi臒in b眉t眉n眉 de Roman谋n genel ritm yap谋s谋n谋 olu艧turuyor. 脟ok g枚receli bir durum oldu臒u nu kabul edebilirim.
鈥淗ayat kelimelere d枚n眉艧t眉r眉lmedi臒i s眉rece bir hi莽tir.鈥�
Mektup temas谋 kaynak莽a olarak de臒il de kurgunun ana malzemesiyse, o romanlara ayr谋 bir sempati duymaya ba艧l谋yorum. Bunu en son, Dostoyevski 鈥� 陌nsanc谋klar鈥� roman谋nda, Goethe 鈥� Gen莽 Werther鈥檌n Ac谋lar谋nda鈥� , J. Fowles鈥櫮眓 鈥� B眉y眉c眉 鈥� kitab谋n谋n bir k谋sm谋nda hissetmi艧tim.
Bu kitapta anlat谋m tekni臒i olarak mektup yaz谋艧malar谋n谋n kullan谋lmas谋 ve bu kadar uzun tutulmu艧 olmas谋 asl谋nda anlat谋m sarmal谋na girmesi a莽谋s谋ndan riskli gibi dursa da, dilin naif kullan谋m谋ndan, karakterlerin basit gibi g枚r眉nen hayat hik芒yelerinin perde perde a莽谋lan dramatik an谋lar谋n谋n g枚zler 枚n眉ne serilmesiyle, okuyucuyu bir r眉zg芒ra kapt谋r谋yor. Aile i莽i travmatik durumlar, sosyal ve arkada艧l谋k temelli ili艧kilerden sava艧 gibi en b眉y眉k sosyolojik konular, t眉m mektup romanlar谋n ortak 枚zelli臒i say谋lan ahl芒k ve psikolojik temelli dil 枚r眉nt眉s眉 bu romanda da fazlas谋yla kendisini belli ediyor.
Romanda en 莽ok dikkat 莽eken durumlardan biri de zaman kavram谋 莽眉nk眉 karakterlerin kendilerine ait olan d眉nyadan yazd谋klar谋 mektuplar ve mektuplar谋 yazarken arka planda ger莽ekle艧en durumlar farkl谋 pencerelerden farkl谋 zaman kavramlar谋yla bakman谋z谋 sa臒l谋yor.
Vovka 脟in鈥檇e sava艧谋n ortas谋nda kendisini mektuplarla anlatmaya 莽al谋艧谋rken g眉nl眉k ya艧am谋nda havada u莽u艧an kollar, bacaklar, bas谋lan evler, 枚len 莽ocuklar ve tecav眉ze u臒rayan kad谋nlardan da bahsetmektedir. Her ne kadar a艧k谋n谋 ve 枚zlemini anlatsa da, arkada birbirinin g枚z眉n眉 oyanlar o kalemin ucundan kendisine de yer bulmaktad谋r.
Ayn谋 艧ekilde 艦asenka da ayr谋l谋臒谋n onulmaz taraflar谋ndan bahsederken aynadan yans谋yan anne baba ili艧kilerini, arkada艧lar谋 ve 莽evresinde olan biten her 艧ey usulca mektupta yerini al谋r.
Romandaki mektuplar, kelimeler, c眉mleler kar艧谋daki insana de臒il bir s眉re sonra kendisine, hayata, arkada艧a, nefret edilen, sevilen kim ve ne varsa ona yaz谋lmaya ba艧lan谋r. Bir intikam, hesapla艧ma, sorgulama mesaisi gibi roman boyunca bir haberle艧me g枚revinden 莽ok asl谋nda iki karakterinde tutunma 莽abas谋na d枚n眉艧眉r.
Yaz谋m谋n son k谋sm谋na ekleyece臒im al谋nt谋lardan da anla艧谋laca臒谋 gibi Roman鈥櫮眓 眉zerinde durdu臒u ayaklardan biri de felsefesinin fazlaca keskin, manevi dilinin alt metinden t眉m roman boyunca kendisini hissettiriyor olu艧udur.
Ve elekte kalanlar鈥�
鈥�..Descartes鈥櫮� saat be艧in alacakaranl谋臒谋nda kalk谋p da 陌sve莽 Krali莽esi Christine鈥檈 felsefe dersi verme zorunlulu臒u 枚ld眉rd眉. 鈥�
鈥溾€眉nya鈥檔谋n g枚r眉nen y眉z眉, astar谋, ana malzemesi, d枚rt bir yan谋ndan geriliyor, tuzlan谋yor, a艧谋n谋yor ve delinene de臒in de y谋pran谋yor, i艧te o zaman o delikten d谋艧ar谋, 莽orap deli臒inden 莽谋kan parmak gibi 莽谋k谋veriyor hakikat.鈥�
鈥溾€� etraftaki her 艧eyin i莽ini dolduran ve birbirine ba臒layan enerjiye 脟inliler 脟i ad谋n谋 verirlermi艧. 脟i鈥檡i etkilemek de sadece m眉zikle m眉mk眉n olabilirmi艧. Melodik seslerle de 脟i鈥檔in yo臒unlu臒unu belirlemek. M眉mk眉n olurmu艧. 鈥�
鈥溾€� Ba艧lang谋莽ta s枚z vard谋 diye yazan gibi. S枚zleri yerinde kald谋, s枚yleyen de onlar谋 giyindi, s枚zleri beden oldu. Bu tek ve ger莽ek 枚l眉ms眉zl眉kt眉. Ba艧ka t眉rl眉s眉 yok. Geriye kalan her 艧ey mezarl谋臒谋n bok 莽ukurunda.鈥�
鈥溾€艧谋k saniyede y眉zbinlerce verst yol al谋r, hepi topu birileri aynaya bak谋p da 艧apkas谋n谋 d眉zeltebilsin diye.鈥�
Not; Bu roman bende daha uzun uzun anlat谋lacak binbir t眉rl眉 ruh hali olu艧turdu. Biraz zamana b谋rak谋lmas谋 gereken kitaplardan. Romana 4 y谋ld谋z vermemin tek sebebi ise bende tak谋nt谋 haline gelen ritm konusudur. Son d枚nemlerde romanlar谋 okurken belle臒imde canlanan bir grafik olu艧uyor. Kullan谋lan dil yap谋s谋, c眉mleler ve uzunlu臒a g枚re de臒i艧kenlik g枚steren ini艧li 莽谋k谋艧l谋 bir grafik. Bu grafi臒in b眉t眉n眉 de Roman谋n genel ritm yap谋s谋n谋 olu艧turuyor. 脟ok g枚receli bir durum oldu臒u nu kabul edebilirim.
July 16, 2014
毓賳 毓丕卮賯賷賳 賱賲 賷亘賯 賱賴賲丕 廿賱丕 丕賱乇爻丕卅賱, 賮賷 丕賱賳賴丕賷丞 賲丕匕丕 賷鬲亘賯賶 賲賳 丕賱毓丕賱賲 廿賱丕 丕賱乇爻丕卅賱
孬賲丞 兀賱賲 廿賳爻丕賳賷 卮賮賷賮 賵毓匕亘 胤丕睾賺 毓賱賶 胤賵賱 丕賱賲乇丕爻賱丕鬲 丕賱賲賰鬲賵亘丞 賱賱囟賷丕毓,賵賱賰賳 賲丕 賲毓賳賶 匕賱賰, 丕賱賲賴賲 兀賳 鬲購賰鬲亘 丕賱乇爻丕卅賱.
丕賱廿賳爻丕賳 賳爻賷, 賵丕賱賰賱賲丕鬲 賱賲 鬲賳爻.
賵賱賰賳賴丕 賰賲丕 賷賯賵賱 賴丕賲賱鬲 賮賷 爻禺乇賷鬲賴 丕賱匕丕賴賱丞: 賰賱賲丕鬲...賰賱賲丕鬲.. 賰賱賲丕鬲
賵鬲睾賳賾賷 賵丨丿賴丕..
孬賲丞 兀賱賲 廿賳爻丕賳賷 卮賮賷賮 賵毓匕亘 胤丕睾賺 毓賱賶 胤賵賱 丕賱賲乇丕爻賱丕鬲 丕賱賲賰鬲賵亘丞 賱賱囟賷丕毓,賵賱賰賳 賲丕 賲毓賳賶 匕賱賰, 丕賱賲賴賲 兀賳 鬲購賰鬲亘 丕賱乇爻丕卅賱.
丕賱廿賳爻丕賳 賳爻賷, 賵丕賱賰賱賲丕鬲 賱賲 鬲賳爻.
賵賱賰賳賴丕 賰賲丕 賷賯賵賱 賴丕賲賱鬲 賮賷 爻禺乇賷鬲賴 丕賱匕丕賴賱丞: 賰賱賲丕鬲...賰賱賲丕鬲.. 賰賱賲丕鬲
賵鬲睾賳賾賷 賵丨丿賴丕..
June 27, 2022
4,5/5Bu kitap hakk谋nda konu艧ulmas谋 zor olanlardan. 脟眉nk眉 en k眉莽眉k ayr谋nt谋s谋na kadar okurunun ke艧fetmesi, o keyfi kendisinin s眉rmesi gerekenlerden.
Sasha ve Volodya r眉ya gibi bir yaz a艧k谋n谋n ard谋ndan hayat谋n farkl谋 yollar谋na ayr谋l谋rlar. Birisi 脟in鈥檇e sava艧a giderken di臒eri arkada kaland谋r ve aralar谋nda okumakta oldu臒umuz mektupla艧ma ba艧lar. Bu kitab谋n bu kadar uzun s眉redir okunmadan beklemesinin sebeplerinden birisi mektup romanlar谋na olan 枚nyarg谋md谋. Ancak bu kitapla birlikte tamamen y谋k谋ld谋. 脟眉nk眉 ben bu kadar metaforlarla dolu olmas谋na, 艧iir gibi diline, teatral anlat谋m谋na ra臒men bu kadar kurgudan uzak bu kadar ger莽ek hissettiren ba艧ka bir kitap okumad谋m. Benim zihnimde o yaz ya艧and谋 ve bu mektuplar ger莽ekten yaz谋ld谋. B眉t眉n mektuplar谋n Mikhail 艦i艧kin鈥檌n yazm谋艧 olmas谋n谋 akl谋m alm谋yor. Kitab谋n ola臒an眉st眉 y枚nlerinden birisi de bu zaten. Zira bir yanda sevgilisini sava艧a g枚ndermi艧 kendisi geride kalm谋艧 gen莽 bir kad谋n, di臒er yanda ise sava艧ta 莽aresiz kalm谋艧 bir adam var. Hi莽bir hitap ge莽mese ikisi de ge莽mi艧teki g眉ndelik bir ayr谋nt谋y谋 konu艧uyor olsalar dahi yazar谋n hangisi oldu臒unu anlayabilece臒iniz boyutta bir ayr谋m var tarzlar谋nda. Bunu yapabilmek muazzam bir 艧ey. Bu kitab谋 okuduktan sonra neden g眉n眉m眉z Rus edebiyat谋n谋n en b眉y眉k isimlerinden birisi oldu臒unu anl谋yorsunuz.
Bu arada iki a艧谋臒谋n mektupla艧mas谋 gibi anla艧谋lsa da sadece a艧k yok bu mektuplarda. Yaln谋zl谋k, bo艧luk, i莽lerinde g枚m眉l眉 travmalar ve s谋rlar hatta zaman zaman gereksiz gibi g枚r眉len hayat谋n detaylar谋na kadar her 艧ey var. Zaten kitab谋 okuduk莽a o gereksiz gibi g枚r眉nen ayr谋nt谋lar谋n da nereye gitti臒ini hayat谋n da tam olarak bu 枚nemsiz detaylar谋n b眉t眉n眉nden olu艧tu臒unu g枚r眉yorsunuz.Bazen g眉ndelik d眉艧眉ncelerini, hayallerini, endi艧elerini ve ac谋lar谋n谋, unutulmas谋ndan korktuklar谋 k谋s谋tl谋 zamana s谋k谋艧m谋艧 a艧klar谋n谋 anlat谋p mesafeleri k谋saltmaya 莽abalar谋na, bazen de asl谋nda kendi i莽lerinde gizli kalm谋艧 kendilerine bile a莽amam谋艧 olduklar谋 d眉艧眉nceleriyle, olaylarla bir y眉zle艧me arac谋na d枚n眉艧眉yor mektuplar. Benim zaman zaman d枚n眉p okumay谋 istedi臒im kitaplardan birisi art谋k.
Sasha ve Volodya r眉ya gibi bir yaz a艧k谋n谋n ard谋ndan hayat谋n farkl谋 yollar谋na ayr谋l谋rlar. Birisi 脟in鈥檇e sava艧a giderken di臒eri arkada kaland谋r ve aralar谋nda okumakta oldu臒umuz mektupla艧ma ba艧lar. Bu kitab谋n bu kadar uzun s眉redir okunmadan beklemesinin sebeplerinden birisi mektup romanlar谋na olan 枚nyarg谋md谋. Ancak bu kitapla birlikte tamamen y谋k谋ld谋. 脟眉nk眉 ben bu kadar metaforlarla dolu olmas谋na, 艧iir gibi diline, teatral anlat谋m谋na ra臒men bu kadar kurgudan uzak bu kadar ger莽ek hissettiren ba艧ka bir kitap okumad谋m. Benim zihnimde o yaz ya艧and谋 ve bu mektuplar ger莽ekten yaz谋ld谋. B眉t眉n mektuplar谋n Mikhail 艦i艧kin鈥檌n yazm谋艧 olmas谋n谋 akl谋m alm谋yor. Kitab谋n ola臒an眉st眉 y枚nlerinden birisi de bu zaten. Zira bir yanda sevgilisini sava艧a g枚ndermi艧 kendisi geride kalm谋艧 gen莽 bir kad谋n, di臒er yanda ise sava艧ta 莽aresiz kalm谋艧 bir adam var. Hi莽bir hitap ge莽mese ikisi de ge莽mi艧teki g眉ndelik bir ayr谋nt谋y谋 konu艧uyor olsalar dahi yazar谋n hangisi oldu臒unu anlayabilece臒iniz boyutta bir ayr谋m var tarzlar谋nda. Bunu yapabilmek muazzam bir 艧ey. Bu kitab谋 okuduktan sonra neden g眉n眉m眉z Rus edebiyat谋n谋n en b眉y眉k isimlerinden birisi oldu臒unu anl谋yorsunuz.
Bu arada iki a艧谋臒谋n mektupla艧mas谋 gibi anla艧谋lsa da sadece a艧k yok bu mektuplarda. Yaln谋zl谋k, bo艧luk, i莽lerinde g枚m眉l眉 travmalar ve s谋rlar hatta zaman zaman gereksiz gibi g枚r眉len hayat谋n detaylar谋na kadar her 艧ey var. Zaten kitab谋 okuduk莽a o gereksiz gibi g枚r眉nen ayr谋nt谋lar谋n da nereye gitti臒ini hayat谋n da tam olarak bu 枚nemsiz detaylar谋n b眉t眉n眉nden olu艧tu臒unu g枚r眉yorsunuz.Bazen g眉ndelik d眉艧眉ncelerini, hayallerini, endi艧elerini ve ac谋lar谋n谋, unutulmas谋ndan korktuklar谋 k谋s谋tl谋 zamana s谋k谋艧m谋艧 a艧klar谋n谋 anlat谋p mesafeleri k谋saltmaya 莽abalar谋na, bazen de asl谋nda kendi i莽lerinde gizli kalm谋艧 kendilerine bile a莽amam谋艧 olduklar谋 d眉艧眉nceleriyle, olaylarla bir y眉zle艧me arac谋na d枚n眉艧眉yor mektuplar. Benim zaman zaman d枚n眉p okumay谋 istedi臒im kitaplardan birisi art谋k.
May 16, 2016
賵丨丿賴 賵毓賷 丕賱毓卮賾丕賯 賱賷爻 亘丕賱賵毓賷 丕賱賯丕卅賲 毓賱賶 丕毓鬲亘丕乇丕鬲 賲毓賷賳丞貙 毓賳丿賲丕 鬲賰賵賳 賮賷 禺囟賲賾賴 賮賴賵 賷賳鬲噩 賱賰 賴賰匕丕 鬲丿丕禺賱 賮賷 丕賱賮鬲乇丕鬲 丕賱夭賲賳賷丞 亘兀丨丿丕孬 賲丨鬲賯賳丞 兀賵 賵賯丨丞 兀賵 亘乇賷卅丞 賵 賲卮亘賾毓丞 亘丕賱廿孬丕乇丞 貙 賷鬲賮賵賯 賵毓賷 丕賱毓丕卮賯 毓賱賶 賵毓賷 丕賱廿賳爻丕賳 丕賱毓丕丿賷 賮賷 丕賱丕禺鬲賱丕胤 丕賱賲鬲毓賲丿 賮賷 丕爻鬲乇噩丕毓 丕賱匕賰乇賷丕鬲 丕賱匕賷 賷噩毓賱賰 鬲爻鬲賱賲 賱鬲氐丿賷賯賴 賱兀賳賰 卮睾賵賮 亘爻賲丕毓賴 賱丌禺乇 丨乇賮 賵 鬲胤賲丨 賱賱賲夭賷丿貙 賱丕 鬲亘丕賱賷 丨賯賷賯丞 賱賵 丕爻鬲毓丕丿賴 賱賰 乇兀爻丕賸 毓賱賶 毓賯亘 ! 丕賱禺賱丕氐丞 鬲賰賲賳 賮賷 丕賳 賷爻鬲毓賷丿賴貙 賱賵 禺購賷賾乇 丕賱賯丕乇卅 賱賯丕賲 亘賳賮爻賴 亘丕爻鬲賱丕賲 賵鬲爻賱賷賲 乇爻丕卅賱 爻丕卮丕 賵 賮賱丕丿賷賲賷乇 亘爻乇毓丞 賮丕卅賯丞 賱兀賳賴 賷乇賷丿 兀賳 賷氐睾賷 賱賲丕 爻賷賰鬲亘丕賳賴 賱亘毓囟賴賲丕 丕賱亘毓囟貙 賱丕爻鬲亘丿丕賱 兀禺亘丕乇賴賲丕貙 賵爻賷鬲兀賱賲 賱兀賳 丕賱噩賳丿賷 賮賱丕丿賷賲賷乇 賷毓賷卮 丕賱賵丕賯毓 丕賱賲丐賱賲 賱賰賳賴 賷丨賷丕 亘丕賱兀賲賱貙 兀賲賱 賱賯丕亍 爻丕卮丕貙 賰賲丕 鬲賮毓賱 丕賱胤亘賷亘丞 爻丕卮丕 丨鬲賶 賵廿賳 賰丕賳 兀賲賱賴丕 賮賷 賱賯丕卅賴 賱丕 賷賲賳毓賴丕 賲賳 賲賳丨 賵丕賯毓賴丕 賲鬲爻毓 賱賷賮乇囟 賳賮爻賴. 賰賱 賲丕 爻賷乇丿 賮賷 丕賱乇爻丕卅賱 賲丨氐賵乇 賮賷 賮賱賰 丕賱丨亘 賵 丕賱丨乇亘貙 丕賱賵丕賯毓 賵 丕賱兀賲賱..
禺賷丕乇丕鬲 兀禺乇賶 賲丨丿賵丿丞 賱丨賷丕丞 賲丨丿賵丿丞.
丕賯鬲亘丕爻丕鬲 鬲爻鬲丨賯 丕賱鬲兀賲賱:
- 丕賱乇爻丕卅賱 丕賱鬲賷 賱丕 鬲氐賱貙 賴賷 鬲賱賰 丕賱鬲賷 賱丕 鬲購賰鬲亘.
- 賱丕 賷賲賰賳 兀賳 鬲賰賵賳 丕賱賷丿 丕賱鬲賷 鬲賰鬲亘 賱賰賽 賴匕賴 丕賱乇爻丕卅賱 毓賳 丨亘賷貙 賴賷 賳賮爻賴丕 丕賱鬲賷 鬲禺胤 丨乇賵賮丕賸 鬲丨賲賱 丕賱兀賱賲 賵 丕賱丨夭賳 廿賱賶 亘賷鬲賺 賲丕貙 賵 賰兀賳賴丕 賳匕賷乇 卮丐賲貙 兀賳丕 賱爻鬲 賳匕賷乇賸丕.
- 廿賳 兀賷 禺賷丕賱 賱丕 賷賰賮賷 賰賷 賳亘鬲賰乇 兀亘爻胤 丕賱兀卮賷丕亍.
- 賰賱 賲丕 賴賵 丨賷 賷丨鬲丕噩 兀賳 賷賰賵賳 賱賴 乇丕卅丨丞 賱賰賷 賷毓賷卮貙 兀賷賾丕賸 賰丕賳鬲 鬲賱賰 丕賱乇丕卅丨丞.
- 丕賱爻毓丕丿丞 鬲丨鬲丕噩 廿賱賶 卮賴賵丿.
- 廿賳 兀亘爻胤 丕賱兀卮賷丕亍 賲賲賰賳 兀賳 賷賯鬲賱賰 爻毓丕丿丞 .
- 丕賱兀噩夭丕亍 匕丕鬲 丕賱乇賵丕卅丨 丕賱兀賯賵賶 賴賷 丕賱兀賯乇亘 賱賱乇賵丨.
- 賷噩亘 兀賳 鬲鬲毓賱賲賷 賰賷賮 鬲賰賵賳賷賳 兀毓賱賶 賲賳 丕賱毓卮亘貙 賵 兀賰孬乇 氐禺亘賸丕 賲賳 丕賱賲丕亍!
- 兀賳 鬲爻鬲孬賷乇 丕賱丨爻丿 兀賮囟賱 賲賳 兀賳 鬲爻鬲丿毓賷 丕賱卮賮賯丞.
- 兀賳鬲 賵丨丿賰 賲賳 賰丕賳 賷毓胤賷 丕賱賳亘丕鬲丕鬲 兀爻賲丕亍賴丕.
- 兀馗賳 賲賳 丕賱囟乇賵乇賷 賱賰賷 鬲賰賵賳 丨賯賷賯賷賸丕貙 兀賳 鬲賵噩丿貙 賱丕 賮賷 賵毓賷賰 兀賳鬲貙 賵毓賷賰 丕賱匕賷 賱賷爻 兀賴賱丕賸 賱賱孬賯丞貙 賵丕賱匕賷 賯丿 賷賰賵賳 毓乇囟丞 賱賱賳賵賲 賲孬賱丕賸貙 丨賷孬 賱丕 鬲毓乇賮貙 兀賳鬲 賳賮爻賰貙 兀賳賰 丨賷 兀賵 賲賷鬲貙 亘賱 賵毓賷 廿賳爻丕賳 丌禺乇貙 賵賱賰賳 賱賷爻 兀賷 廿賳爻丕賳貙 亘賱 丕賱廿賳爻丕賳 丕賱匕賷 賷賴賲賴 賵噩賵丿賰.
- 廿賳 丕賱廿禺鬲亘丕亍 賲賳 丕賱兀毓賲賶 兀賲乇 氐毓亘 噩丿賸丕 !
-賰丕賳丕 賷鬲卮丕噩乇丕賳貙 賵賰兀賳賴賲丕 賱丕 賷毓乇賮丕賳 兀賳 丕賱賰賱賲丕鬲 丕賱丨丕賯丿丞 賱丕 賷賲賰賳 丕爻鬲乇丿丕丿賴丕 賵 賳爻賷丕賳賴丕貙 賱丕 賷毓乇賮丕賳 丕賳 丕賱禺氐賵賲丞 亘賷賳 丕賱賳丕爻 鬲賰賵賳 鬲丕賲丞貙 賵 丕賳 丕賱賲氐丕賱丨丞 賱丕 鬲夭賷賱 廿賱丕 賳氐賮賴丕貙 賵賴賰匕丕 賷囟賷毓 噩夭亍 賲賳 丕賱丨亘 賰賱 賲乇丞貙 賵賷氐亘丨 兀氐睾乇 賮兀氐睾乇貙 兀賵 賱毓賱賴賲丕 賰丕賳丕 賷毓乇賮丕賳 賵 賱賰賳賴賲丕 賰丕賳丕 毓丕噩夭賷賳 毓賳 賮毓賱 兀賷 卮賷亍.
兀賲丕 兀賳丕 賮賰賳鬲 兀睾賱賯 毓賱賷賾 亘丕亘 睾乇賮鬲賷 賵 兀賲賵鬲 賲賳 丕賳毓丿丕賲 丕賱丨亘.
- 兀賳鬲賽 賱丕 鬲丨亘賷賳賷 兀亘丿賸丕貙 兀賳鬲賽貙 亘亘爻丕胤丞貙 鬲丨亘賷賳貙 賵 賴匕丕賳 兀賲乇丕賳 賲禺鬲賱賮丕賳 鬲賲丕賲賸丕.
- 賲賳 丕賱賲爻鬲丨賷賱 兀賳 兀氐丿賯 兀賳 孬賲丞 丨乇亘賸丕 賮賷 賲賰丕賳 賲丕貙 賵兀賳 丕賱丨乇亘 賰丕賳鬲 賲賵噩賵丿丞 丿丕卅賲賸丕貙 賵 爻鬲賰賵賳貙 賵 兀賳賴賲 丨賯賷賯丞 賷賲丕乇爻賵賳 賮賷賴丕 丕賱鬲卮賵賷賴 賵 丕賱賯鬲賱貙 賵 兀賳 丕賱賲賵鬲 賲賵噩賵丿 賮毓賱丕賸.
- 賴賳丕賰 鬲賮丕氐賷賱 賱丕 賷爻鬲胤賷毓 兀賷 丕賳爻丕賳 兀賳 賷禺鬲賱賯賴丕貙 鬲賮丕氐賷賱 賱丕 賷賲賰賳 廿賱丕 丕賳 鬲購乇賶貙 賵 鬲購噩乇亘貙 賵 鬲購丨賮馗 賮賷 丕賱匕丕賰乇丞.
- 兀賳馗乇 廿賱賶 丕賱賳爻丕亍 賲賳 丨賵賱賷貙 賵 賷亘丿賵 賱賷 睾乇賷亘賸丕 兀賳 賷爻賽乇賳 亘亘胤賵賳 亘賱丕 丨賻亘賻賱貙 賵 賴賳 賷賲賱賰賳 丕賱賯丿乇丞 毓賱賶 匕賱賰.
- 賲毓賳賶 丕賱夭賴乇丞 - 賰賱 夭賴乇丞 - 賷賳丨氐乇 賮賷 賰賵賳賴丕 鬲匕亘賱 鬲丕乇賰丞 賵乇丕亍賴丕 毓賱亘丞 氐睾賷乇丞貙 賱丕 鬲賱賮鬲 丕賱賳馗乇貙 賲賲鬲賱卅丞 亘丕賱亘匕賵乇.
- 丕賱廿賳爻丕賳 -毓賲賵賲賸丕- 賰丕卅賳 爻乇賷毓 丕賱毓胤亘 噩丿賸丕.
- 丕賱賲賵鬲貙 賲丕 兀賰孬乇 丕賱賲乇丕鬲 丕賱鬲賷 爻賲毓鬲 賮賷賴丕 賴匕賴 丕賱賰賱賲丞貙 賵 賲丕 兀賰孬乇 賲丕賯賱鬲賴丕 兀賳丕 賵 賰鬲亘鬲賴丕貙 賵 賱賰賳賷 丕賱丌賳 賱爻鬲 賲鬲兀賰丿賸丕 賲賳 兀賳賷 賮賴賲鬲賴丕 賮賴賲賸丕 丨賯賷賯賷賸丕.
- 丕賱賲賴賲 賴賳丕 兀賱丕賾 賳賮賰賾乇貙 賵 賱賰賳賷 兀賮賰賾乇 胤賵丕賱 丕賱賵賯鬲貙 賵 賴匕丕 禺胤兀貙 賰孬賷乇丞 賴賷 丕賱兀噩賷丕賱 丕賱鬲賷 賮賰賾乇鬲 賮賷 賴匕丕 丕賱兀賲乇貙 賵 鬲賵氐賱鬲 廿賱賶 丨賰賲丞 毓馗賷賲丞- 賷噩亘 兀賱丕賾 賳賮賰賾乇. 賷噩亘 廿賳賯丕匕 丕賱廿賳爻丕賳 賲賳 賳賮爻賴貙 賲賳 丕賱鬲賮賰賷乇 賮賷 丕賱賲賵鬲.
- 賰賱 丕賱乇丕賴賳 毓丿賲賹 賱丕 噩丿賵賶 賲賳賴 廿匕丕 賱賲 賷丐丿賽賾 廿賱賶 賰賱賲丕鬲 賵 廿匕丕 賱賲 鬲丐丿賽賾 丕賱賰賱賲丕鬲 廿賱賷賴貙 丕賱賰賱賲丕鬲 賵丨丿賴丕 賴賷 丕賱鬲賷 鬲購爻賵賾睾 賵噩賵丿 丕賱賲賵噩賵丿貙 賵 鬲毓胤賷 丕賱賲毓賳賶 賱賲丕 賴賵 賱丨馗賷賾貙 賵 鬲噩毓賱 睾賷乇 丕賱丨賯賷賯賷 - 丨賯賷賯賷賸丕貙 賵 鬲噩毓賱賳賷 兀賳丕- 兀賳丕.
- 賱賯丿 丌賲賳鬲 兀賳 丕賱賰賱賲丕鬲 賴賷 噩爻丿賷貙 丨賷賳 賱丕 兀賰賵賳 賲賵噩賵丿賸丕.
- 賲賳 丿賵賳 兀賱賲 丨賯賷賯賷 賱丕鬲賳囟噩 丕賱乇賵丨貙 丕賱廿賳爻丕賳 賷賳賲賵 亘丕賱兀賱賲.
- 毓賱賷賳丕 兀賳 賳氐賵賾乇 丕賱睾丕亘丞 亘卮賰賱 賲禺鬲賱賮 毓賳 乇丐賷丞 丕賱兀卮噩丕乇 賱賴丕.
-賷丕 廿賱賴賷貙 賰賲 兀乇丿鬲 兀賳 兀氐亘丨 賰丕鬲亘賸丕貙 兀賳 鬲賰賵賳 賰丕鬲亘賸丕 賷毓賳賷 兀賳賰 賱丕 卮賷亍!
- 丕賱氐亘賷丞 賳賮爻賴丕- 賱爻賷鬲 廿賱丕 噩夭亍賸丕 氐睾賷乇賸丕 賲賳 匕丕賰 丕賱匕賷 賷毓噩亘賳丕 賮賷賴丕.
- 賰賱賲丕 丕夭丿丕丿 丕賳鬲卮丕乇 丕賱卮乇 賵 丕賱賯爻賵丞貙 賰賱賲丕 丕夭丿丕丿 鬲賲爻賰 丕賱廿賳爻丕賳 亘賲丕 賴賵 丕賳爻丕賳賷 賮賷 匕丕鬲賴 賵 賲賳 丨賵賱賴貙 賵 丕夭丿丕丿鬲 兀賴賲賷丞 賲丨丕賮馗鬲賴 毓賱賶 鬲賱賰 丕賱匕乇丞 賲賳 丕賱廿賳爻丕賳賷丞 锟斤拷賱賰丕賲賳丞 丿丕禺賱賴.
- 兀馗賳 兀賳 丕賱賱賷丕賱賷 丕賱賲賯賲乇丞 賲賵噩賵丿丞 毓賲丿賸丕 賰賷 賳鬲毓匕亘!
- 廿賳 丕爻鬲丨丕賱丞 丕賱丕賳賮乇丕丿貙 兀賲乇賹 賷卮毓乇賰 亘丕賱廿囟胤賴丕丿!!
- 賴賵 賱丕 賷賮賴賲 兀賳 賰賱 賲丕 賮賷 丕賱毓丕賱賲 賲賳 兀丿賷丕賳 賵 賮賱爻賮丕鬲 賱賷爻貙 亘亘爻丕胤丞貙 廿賱丕 賲丨丕賵賱丕鬲 賱賱鬲睾賱亘 毓賱賶 丕賱賲賵鬲 亘丕賱爻丨乇貙 賰賲丨丕賵賱丕鬲 丕賱賳爻丕亍 丕賱毓噩丕卅夭 丕賱鬲睾賱亘 毓賱賶 丕賱賲賵鬲 亘丕賱兀丿毓賷丞.
- 兀禺賷乇賸丕 賮賴賲鬲 丕賱賲毓賳賶 丕賱丨賯賷賯賷 -賱賱兀爻乇丞- 兀賳 賷鬲毓賱賲 丕賱賲乇亍 丕賱毓賷卮 賮賷 丕賱噩丨賷賲 賵賷禺賮賷 匕賱賰 丨乇氐賸丕 毓賱賶 丕賱兀賵賱丕丿.
- 廿匕丕 氐乇鬲 毓丕噩夭丞 毓賳 鬲賯丿賷賲 兀賷 卮賷亍貙 賮廿賳 丕賱賳丕爻 賷賳氐乇賮賵賳 毓賳賰賽.
- 賷噩亘 兀賳 賳鬲毓丕賲賱 賲毓 丕賱賲賵鬲 亘爻賴賵賱丞貙 賳囟噩鬲- 賷賯鬲賱毓賰貙 賰賲丕 賷賯鬲賱毓賵賳 丕賱噩夭乇丞 賲賳 丕賱鬲乇亘丞 賱兀賳賴丕 賱丕 鬲禺乇噩 賲賳 鬲賱賯丕亍 賳賮爻賴丕.
- 爻毓賷丿丞 鬲賰賵賳 丕賱爻賮賷賳丞 丨賷賳 鬲噩鬲丕夭 丕賱毓丕氐賮丞貙 賰匕賱賰 賷賰賵賳 丕賱賰丕鬲亘 丨賷賳 賷賳賴賷 賰鬲丕亘賴
禺賷丕乇丕鬲 兀禺乇賶 賲丨丿賵丿丞 賱丨賷丕丞 賲丨丿賵丿丞.
丕賯鬲亘丕爻丕鬲 鬲爻鬲丨賯 丕賱鬲兀賲賱:
- 丕賱乇爻丕卅賱 丕賱鬲賷 賱丕 鬲氐賱貙 賴賷 鬲賱賰 丕賱鬲賷 賱丕 鬲購賰鬲亘.
- 賱丕 賷賲賰賳 兀賳 鬲賰賵賳 丕賱賷丿 丕賱鬲賷 鬲賰鬲亘 賱賰賽 賴匕賴 丕賱乇爻丕卅賱 毓賳 丨亘賷貙 賴賷 賳賮爻賴丕 丕賱鬲賷 鬲禺胤 丨乇賵賮丕賸 鬲丨賲賱 丕賱兀賱賲 賵 丕賱丨夭賳 廿賱賶 亘賷鬲賺 賲丕貙 賵 賰兀賳賴丕 賳匕賷乇 卮丐賲貙 兀賳丕 賱爻鬲 賳匕賷乇賸丕.
- 廿賳 兀賷 禺賷丕賱 賱丕 賷賰賮賷 賰賷 賳亘鬲賰乇 兀亘爻胤 丕賱兀卮賷丕亍.
- 賰賱 賲丕 賴賵 丨賷 賷丨鬲丕噩 兀賳 賷賰賵賳 賱賴 乇丕卅丨丞 賱賰賷 賷毓賷卮貙 兀賷賾丕賸 賰丕賳鬲 鬲賱賰 丕賱乇丕卅丨丞.
- 丕賱爻毓丕丿丞 鬲丨鬲丕噩 廿賱賶 卮賴賵丿.
- 廿賳 兀亘爻胤 丕賱兀卮賷丕亍 賲賲賰賳 兀賳 賷賯鬲賱賰 爻毓丕丿丞 .
- 丕賱兀噩夭丕亍 匕丕鬲 丕賱乇賵丕卅丨 丕賱兀賯賵賶 賴賷 丕賱兀賯乇亘 賱賱乇賵丨.
- 賷噩亘 兀賳 鬲鬲毓賱賲賷 賰賷賮 鬲賰賵賳賷賳 兀毓賱賶 賲賳 丕賱毓卮亘貙 賵 兀賰孬乇 氐禺亘賸丕 賲賳 丕賱賲丕亍!
- 兀賳 鬲爻鬲孬賷乇 丕賱丨爻丿 兀賮囟賱 賲賳 兀賳 鬲爻鬲丿毓賷 丕賱卮賮賯丞.
- 兀賳鬲 賵丨丿賰 賲賳 賰丕賳 賷毓胤賷 丕賱賳亘丕鬲丕鬲 兀爻賲丕亍賴丕.
- 兀馗賳 賲賳 丕賱囟乇賵乇賷 賱賰賷 鬲賰賵賳 丨賯賷賯賷賸丕貙 兀賳 鬲賵噩丿貙 賱丕 賮賷 賵毓賷賰 兀賳鬲貙 賵毓賷賰 丕賱匕賷 賱賷爻 兀賴賱丕賸 賱賱孬賯丞貙 賵丕賱匕賷 賯丿 賷賰賵賳 毓乇囟丞 賱賱賳賵賲 賲孬賱丕賸貙 丨賷孬 賱丕 鬲毓乇賮貙 兀賳鬲 賳賮爻賰貙 兀賳賰 丨賷 兀賵 賲賷鬲貙 亘賱 賵毓賷 廿賳爻丕賳 丌禺乇貙 賵賱賰賳 賱賷爻 兀賷 廿賳爻丕賳貙 亘賱 丕賱廿賳爻丕賳 丕賱匕賷 賷賴賲賴 賵噩賵丿賰.
- 廿賳 丕賱廿禺鬲亘丕亍 賲賳 丕賱兀毓賲賶 兀賲乇 氐毓亘 噩丿賸丕 !
-賰丕賳丕 賷鬲卮丕噩乇丕賳貙 賵賰兀賳賴賲丕 賱丕 賷毓乇賮丕賳 兀賳 丕賱賰賱賲丕鬲 丕賱丨丕賯丿丞 賱丕 賷賲賰賳 丕爻鬲乇丿丕丿賴丕 賵 賳爻賷丕賳賴丕貙 賱丕 賷毓乇賮丕賳 丕賳 丕賱禺氐賵賲丞 亘賷賳 丕賱賳丕爻 鬲賰賵賳 鬲丕賲丞貙 賵 丕賳 丕賱賲氐丕賱丨丞 賱丕 鬲夭賷賱 廿賱丕 賳氐賮賴丕貙 賵賴賰匕丕 賷囟賷毓 噩夭亍 賲賳 丕賱丨亘 賰賱 賲乇丞貙 賵賷氐亘丨 兀氐睾乇 賮兀氐睾乇貙 兀賵 賱毓賱賴賲丕 賰丕賳丕 賷毓乇賮丕賳 賵 賱賰賳賴賲丕 賰丕賳丕 毓丕噩夭賷賳 毓賳 賮毓賱 兀賷 卮賷亍.
兀賲丕 兀賳丕 賮賰賳鬲 兀睾賱賯 毓賱賷賾 亘丕亘 睾乇賮鬲賷 賵 兀賲賵鬲 賲賳 丕賳毓丿丕賲 丕賱丨亘.
- 兀賳鬲賽 賱丕 鬲丨亘賷賳賷 兀亘丿賸丕貙 兀賳鬲賽貙 亘亘爻丕胤丞貙 鬲丨亘賷賳貙 賵 賴匕丕賳 兀賲乇丕賳 賲禺鬲賱賮丕賳 鬲賲丕賲賸丕.
- 賲賳 丕賱賲爻鬲丨賷賱 兀賳 兀氐丿賯 兀賳 孬賲丞 丨乇亘賸丕 賮賷 賲賰丕賳 賲丕貙 賵兀賳 丕賱丨乇亘 賰丕賳鬲 賲賵噩賵丿丞 丿丕卅賲賸丕貙 賵 爻鬲賰賵賳貙 賵 兀賳賴賲 丨賯賷賯丞 賷賲丕乇爻賵賳 賮賷賴丕 丕賱鬲卮賵賷賴 賵 丕賱賯鬲賱貙 賵 兀賳 丕賱賲賵鬲 賲賵噩賵丿 賮毓賱丕賸.
- 賴賳丕賰 鬲賮丕氐賷賱 賱丕 賷爻鬲胤賷毓 兀賷 丕賳爻丕賳 兀賳 賷禺鬲賱賯賴丕貙 鬲賮丕氐賷賱 賱丕 賷賲賰賳 廿賱丕 丕賳 鬲購乇賶貙 賵 鬲購噩乇亘貙 賵 鬲購丨賮馗 賮賷 丕賱匕丕賰乇丞.
- 兀賳馗乇 廿賱賶 丕賱賳爻丕亍 賲賳 丨賵賱賷貙 賵 賷亘丿賵 賱賷 睾乇賷亘賸丕 兀賳 賷爻賽乇賳 亘亘胤賵賳 亘賱丕 丨賻亘賻賱貙 賵 賴賳 賷賲賱賰賳 丕賱賯丿乇丞 毓賱賶 匕賱賰.
- 賲毓賳賶 丕賱夭賴乇丞 - 賰賱 夭賴乇丞 - 賷賳丨氐乇 賮賷 賰賵賳賴丕 鬲匕亘賱 鬲丕乇賰丞 賵乇丕亍賴丕 毓賱亘丞 氐睾賷乇丞貙 賱丕 鬲賱賮鬲 丕賱賳馗乇貙 賲賲鬲賱卅丞 亘丕賱亘匕賵乇.
- 丕賱廿賳爻丕賳 -毓賲賵賲賸丕- 賰丕卅賳 爻乇賷毓 丕賱毓胤亘 噩丿賸丕.
- 丕賱賲賵鬲貙 賲丕 兀賰孬乇 丕賱賲乇丕鬲 丕賱鬲賷 爻賲毓鬲 賮賷賴丕 賴匕賴 丕賱賰賱賲丞貙 賵 賲丕 兀賰孬乇 賲丕賯賱鬲賴丕 兀賳丕 賵 賰鬲亘鬲賴丕貙 賵 賱賰賳賷 丕賱丌賳 賱爻鬲 賲鬲兀賰丿賸丕 賲賳 兀賳賷 賮賴賲鬲賴丕 賮賴賲賸丕 丨賯賷賯賷賸丕.
- 丕賱賲賴賲 賴賳丕 兀賱丕賾 賳賮賰賾乇貙 賵 賱賰賳賷 兀賮賰賾乇 胤賵丕賱 丕賱賵賯鬲貙 賵 賴匕丕 禺胤兀貙 賰孬賷乇丞 賴賷 丕賱兀噩賷丕賱 丕賱鬲賷 賮賰賾乇鬲 賮賷 賴匕丕 丕賱兀賲乇貙 賵 鬲賵氐賱鬲 廿賱賶 丨賰賲丞 毓馗賷賲丞- 賷噩亘 兀賱丕賾 賳賮賰賾乇. 賷噩亘 廿賳賯丕匕 丕賱廿賳爻丕賳 賲賳 賳賮爻賴貙 賲賳 丕賱鬲賮賰賷乇 賮賷 丕賱賲賵鬲.
- 賰賱 丕賱乇丕賴賳 毓丿賲賹 賱丕 噩丿賵賶 賲賳賴 廿匕丕 賱賲 賷丐丿賽賾 廿賱賶 賰賱賲丕鬲 賵 廿匕丕 賱賲 鬲丐丿賽賾 丕賱賰賱賲丕鬲 廿賱賷賴貙 丕賱賰賱賲丕鬲 賵丨丿賴丕 賴賷 丕賱鬲賷 鬲購爻賵賾睾 賵噩賵丿 丕賱賲賵噩賵丿貙 賵 鬲毓胤賷 丕賱賲毓賳賶 賱賲丕 賴賵 賱丨馗賷賾貙 賵 鬲噩毓賱 睾賷乇 丕賱丨賯賷賯賷 - 丨賯賷賯賷賸丕貙 賵 鬲噩毓賱賳賷 兀賳丕- 兀賳丕.
- 賱賯丿 丌賲賳鬲 兀賳 丕賱賰賱賲丕鬲 賴賷 噩爻丿賷貙 丨賷賳 賱丕 兀賰賵賳 賲賵噩賵丿賸丕.
- 賲賳 丿賵賳 兀賱賲 丨賯賷賯賷 賱丕鬲賳囟噩 丕賱乇賵丨貙 丕賱廿賳爻丕賳 賷賳賲賵 亘丕賱兀賱賲.
- 毓賱賷賳丕 兀賳 賳氐賵賾乇 丕賱睾丕亘丞 亘卮賰賱 賲禺鬲賱賮 毓賳 乇丐賷丞 丕賱兀卮噩丕乇 賱賴丕.
-賷丕 廿賱賴賷貙 賰賲 兀乇丿鬲 兀賳 兀氐亘丨 賰丕鬲亘賸丕貙 兀賳 鬲賰賵賳 賰丕鬲亘賸丕 賷毓賳賷 兀賳賰 賱丕 卮賷亍!
- 丕賱氐亘賷丞 賳賮爻賴丕- 賱爻賷鬲 廿賱丕 噩夭亍賸丕 氐睾賷乇賸丕 賲賳 匕丕賰 丕賱匕賷 賷毓噩亘賳丕 賮賷賴丕.
- 賰賱賲丕 丕夭丿丕丿 丕賳鬲卮丕乇 丕賱卮乇 賵 丕賱賯爻賵丞貙 賰賱賲丕 丕夭丿丕丿 鬲賲爻賰 丕賱廿賳爻丕賳 亘賲丕 賴賵 丕賳爻丕賳賷 賮賷 匕丕鬲賴 賵 賲賳 丨賵賱賴貙 賵 丕夭丿丕丿鬲 兀賴賲賷丞 賲丨丕賮馗鬲賴 毓賱賶 鬲賱賰 丕賱匕乇丞 賲賳 丕賱廿賳爻丕賳賷丞 锟斤拷賱賰丕賲賳丞 丿丕禺賱賴.
- 兀馗賳 兀賳 丕賱賱賷丕賱賷 丕賱賲賯賲乇丞 賲賵噩賵丿丞 毓賲丿賸丕 賰賷 賳鬲毓匕亘!
- 廿賳 丕爻鬲丨丕賱丞 丕賱丕賳賮乇丕丿貙 兀賲乇賹 賷卮毓乇賰 亘丕賱廿囟胤賴丕丿!!
- 賴賵 賱丕 賷賮賴賲 兀賳 賰賱 賲丕 賮賷 丕賱毓丕賱賲 賲賳 兀丿賷丕賳 賵 賮賱爻賮丕鬲 賱賷爻貙 亘亘爻丕胤丞貙 廿賱丕 賲丨丕賵賱丕鬲 賱賱鬲睾賱亘 毓賱賶 丕賱賲賵鬲 亘丕賱爻丨乇貙 賰賲丨丕賵賱丕鬲 丕賱賳爻丕亍 丕賱毓噩丕卅夭 丕賱鬲睾賱亘 毓賱賶 丕賱賲賵鬲 亘丕賱兀丿毓賷丞.
- 兀禺賷乇賸丕 賮賴賲鬲 丕賱賲毓賳賶 丕賱丨賯賷賯賷 -賱賱兀爻乇丞- 兀賳 賷鬲毓賱賲 丕賱賲乇亍 丕賱毓賷卮 賮賷 丕賱噩丨賷賲 賵賷禺賮賷 匕賱賰 丨乇氐賸丕 毓賱賶 丕賱兀賵賱丕丿.
- 廿匕丕 氐乇鬲 毓丕噩夭丞 毓賳 鬲賯丿賷賲 兀賷 卮賷亍貙 賮廿賳 丕賱賳丕爻 賷賳氐乇賮賵賳 毓賳賰賽.
- 賷噩亘 兀賳 賳鬲毓丕賲賱 賲毓 丕賱賲賵鬲 亘爻賴賵賱丞貙 賳囟噩鬲- 賷賯鬲賱毓賰貙 賰賲丕 賷賯鬲賱毓賵賳 丕賱噩夭乇丞 賲賳 丕賱鬲乇亘丞 賱兀賳賴丕 賱丕 鬲禺乇噩 賲賳 鬲賱賯丕亍 賳賮爻賴丕.
- 爻毓賷丿丞 鬲賰賵賳 丕賱爻賮賷賳丞 丨賷賳 鬲噩鬲丕夭 丕賱毓丕氐賮丞貙 賰匕賱賰 賷賰賵賳 丕賱賰丕鬲亘 丨賷賳 賷賳賴賷 賰鬲丕亘賴
December 7, 2017
脰ncelikle, tarz olarak benden tamamen uzak bir kitap. Nedeni, ben melodramik anlat谋mlar谋 莽ok seven bir okur de臒ilim.
Fakat Shishkin'in zekas谋,anlat谋m谋n谋n durulu臒u, alt谋 defalarca 莽izilecek m眉thi艧 c眉mlelerin oldu臒u a艧谋r谋 dokunakl谋 bir kitap. .Kitab谋n en etkiliyici taraf谋 duygular谋n aktar谋mda yazar谋n inan谋lmaz sekilde her iki cins gibi d眉艧眉nebilmesi. Shiskin'in di臒er kitaplar谋n谋 cidden merak ediyorum.(Maidenhair, Jaguar Kitap 莽evirirler bence :)
1900 Boxer Ayaklanmas谋n'da ge莽en kitap, d枚nemin hem Rusya hem de global olarak bir panoramas谋n谋 mektuplar olarak 2 sevgilinin d眉nyas谋ndan 枚zlemleri, duygular谋 莽ok net ve a艧谋r谋 dokunakl谋 艧ekilde anlatan bir kitap.
脟eviri, edisyon gene bir Jaguar klasi臒i.
脰zetle, bu y谋l谋n edebiyat anlam谋nda en iyi kitaplar谋ndan biri. Fakat, san谋r谋m karamsarl谋k, melodram ve art谋k sava艧 kitaplar谋ndan yorulmu艧 olmam kitab谋 benimsememe m眉sade etmedi.
iyi okumalar!
10/7
Fakat Shishkin'in zekas谋,anlat谋m谋n谋n durulu臒u, alt谋 defalarca 莽izilecek m眉thi艧 c眉mlelerin oldu臒u a艧谋r谋 dokunakl谋 bir kitap. .Kitab谋n en etkiliyici taraf谋 duygular谋n aktar谋mda yazar谋n inan谋lmaz sekilde her iki cins gibi d眉艧眉nebilmesi. Shiskin'in di臒er kitaplar谋n谋 cidden merak ediyorum.(Maidenhair, Jaguar Kitap 莽evirirler bence :)
1900 Boxer Ayaklanmas谋n'da ge莽en kitap, d枚nemin hem Rusya hem de global olarak bir panoramas谋n谋 mektuplar olarak 2 sevgilinin d眉nyas谋ndan 枚zlemleri, duygular谋 莽ok net ve a艧谋r谋 dokunakl谋 艧ekilde anlatan bir kitap.
脟eviri, edisyon gene bir Jaguar klasi臒i.
脰zetle, bu y谋l谋n edebiyat anlam谋nda en iyi kitaplar谋ndan biri. Fakat, san谋r谋m karamsarl谋k, melodram ve art谋k sava艧 kitaplar谋ndan yorulmu艧 olmam kitab谋 benimsememe m眉sade etmedi.
iyi okumalar!
10/7
July 29, 2019
Sasha and Volodia are young and in love. Volodia has to go to the war and they are separated, but they defy the distance and keep each other company through letters. They call up memories about their time together, about small things that seem insignificant, but which have been treasures in their lives, they talk about life and death, they share their daily experiences juggling playfully with words and they declare their love for each other in each letter.
These letters are charming. They are so charming. The things they are talking about, the evocation of simple things or moments is done by using such charming turns of phrases and language that you have the feeling that you are actually catching glimpses of the scenes they are talking about. Even when he talks about the horrors in the war, Volodia stops and adds things like: 鈥淎nd I see the lake. The water turned thick with spirogyra and clouds.鈥� If I were able to talk about my feelings for persons I love while I love them, this is how I would do it, in Shiskin鈥檚 way.
Gems like the following are present all over these letters. They are well written and they express such deep ideas that you cannot help, but read the paragraphs over and over again just to get to keep the charm of that idea more in your mind.
And now I could feel myself only through your presence. My skin existed only where you were touching it.If at the beginning they are optimistic about life and they dwell more on their past together than on the present, with the passing of time, they find comfort in these letters by talking about day to day things that each of them are experiencing and about happenings from the past which have put a print on their existence. Volodia dies in the war and although the notice of his death arrives, his letters continue arriving too鈥� they never stop. It probably took more time for them to arrive at the destination than the time it took events to actually happen. They keep coming and coming and Sasha keeps writing as well鈥� until she gets old.
These letters are charming. They are so charming. The things they are talking about, the evocation of simple things or moments is done by using such charming turns of phrases and language that you have the feeling that you are actually catching glimpses of the scenes they are talking about. Even when he talks about the horrors in the war, Volodia stops and adds things like: 鈥淎nd I see the lake. The water turned thick with spirogyra and clouds.鈥� If I were able to talk about my feelings for persons I love while I love them, this is how I would do it, in Shiskin鈥檚 way.
Gems like the following are present all over these letters. They are well written and they express such deep ideas that you cannot help, but read the paragraphs over and over again just to get to keep the charm of that idea more in your mind.
The blind is afraid not to turn deaf. He is afraid of the dark from within the ears. Actually, people who see invented blindness. For the blind this is life, this is the reality he lives within, this is what he starts from, not from what it doesn鈥檛 exist. We are not seeing any color situated beyond violet in the color scale and this is not a problem. If we feel unhappy, this is not the reason.This is a wonderful book鈥� like no other I鈥檝e read. However, it鈥檚 not perfect. But it doesn鈥檛 have to be perfect to be wonderful, does it? Volodia's stories from the war got me a bit disconnected from that atmosphere of charm from the first chapters and they kept me feeling thirsty to get some more of it. And I did, but not in the big doses from the first quarter of the book, but in smaller, but ever-present doses. I do recommend this book. It is wonderful, it has an unimaginable freshness of style and ingenuity and it teaches you to appreciate the charm of small things.
May 20, 2017
氐丕賱賵賳 丕賱兀丿亘 丕賱乇賵爻賷貙 賴賵 丕賱爻亘亘 賱賯乇丕亍丞 賲賷禺丕卅賷賱 卮賷卮賰賷賳 賵賯乇丕亍丞 賴匕賴 丕賱乇爻丕卅賱 .. 賱賳 兀賯賵賱 乇賵丕賷丞 賱兀賳賴丕 賱賷爻鬲 賰匕賱賰.
鬲賲賳賷鬲 賰孬賷乇丕賸 兀賳 鬲賰賵賳 賱賷 乇爻丕卅賱 賰鬲賱賰貙 丕賱乇爻丕卅賱 鬲賰鬲亘 賵鬲乇爻賱 賵賰兀賳賴丕 賵噩亘賾丞 睾匕丕卅賷丞 囟乇賵乇賷丞. 賱賲 賷賰賳 賴賳丕賰 乇丕丿賸 毓賱賶 賲丨鬲賵賶 兀賷 乇爻丕賱丞. 賵賰兀賳 丕賱乇爻丕卅賱 賱丕 鬲氐賱 廿賱賶 丕賱兀胤乇丕賮 兀爻丕爻丕賸..
爻丕卮丕 丕賱胤亘賷亘丞 賵毓卮賷賯賴丕 賮賷 兀乇囟 丕賱丨乇亘 賮賱丕丿賷賲賷乇. 賴賵 鬲賵賯賮鬲 丨賷丕鬲賴 賮賷 丕賱賵胤賳 賵亘丕鬲 賷毓賷卮 丕賱禺賵賮 賵丕賱鬲毓亘 賵丕賱賲乇囟 賵丕賱丕卮鬲賷丕賯貙 賷毓賷卮 丕賱賲賵鬲 亘卮賰賱 賲鬲賰乇乇. 賷毓賷卮 丕賱匕賰乇賷丕鬲貙 賷毓賷卮 丨亘賷亘鬲賴 賵丕賱鬲賮丕氐賷賱 賵丕賱賲卮丕毓乇 賵丕賱兀賲賳賷丕鬲.
兀賲賾 賴賷 兀丨亘鬲賴貙 丕卮鬲丕賯鬲 廿賱賷賴貙 賰丕鬲亘鬲賴 賰孬賷乇丕賸貙 賱賰賳 丨賷丕鬲賴丕 丕爻鬲賲乇鬲 賱賲 鬲鬲爻賲乇 兀賲丕賲 賳丕賮匕丞 鬲賳鬲馗乇賴 賵賱丕 兀亘毓丿鬲 丕賱夭賵丕噩 賵賱丕 丕賱廿賳噩丕亘.
乇爻丕卅賱 賲賮毓賲丞 亘丕賱丨亘貙 亘丕賱毓丕卅賱丞 賵丕賱匕賰乇賷丕鬲. 賰賱賹 賷丨賰賷 賱賱丌禺乇 丕賱賱丨馗丕鬲 丕賱賯丿賷賲丞 丕賱賲賵丕賯賮 丕賱爻賷卅丞 丕賱鬲賷 賱賲 鬲購丨賰賶 賵噩賴丕賸 賱賵噩賴. 丕賱賲丕囟賷 賱賱胤賮賵賱丞貙 丕賱丌亘丕亍 賵賲卮丕賰賱賴賲 賵禺賷丕賳丕鬲賴賲.
鬲賵賯賮鬲 賰孬賷乇丕賸 毓賳丿 丕賱乇爻丕賱丞 丕賱鬲賷 丕亘鬲丿兀鬲 賮賷 氐賮丨丞 201!
亘丿丕賷丞 兀毓噩亘鬲 亘丕賱毓賱丕賯丞 兀毓噩亘鬲 亘賰賲賷丞 丕賱丨亘 亘賰賲賷丞 丕賱鬲囟丨賷丞 丨鬲賶 丕賳賰爻乇 賰賱 卮賷亍! 賵鬲丨胤賲鬲 兀賳丕 賲毓賴丕 賵氐乇鬲購 兀噩賲毓 賮鬲丕鬲 丕賱夭噩丕噩 賰賷 賱丕 鬲賰賵賳 賵丨賷丿丞.
丕亘鬲爻賲 毓賳丿 丕賮鬲鬲丕丨賷丞 賰賱 乇爻丕賱丞 " 丨亘賷亘賷 貙 卮賯賷賯 乇賵丨賷 貙 賵丨賷丿賷貙 兀賷賴丕 丕賱廿賳爻丕賳 丕賱丨亘賷亘 廿賱賶 賯賱亘賷貙 賷丕 賮乇丨賷"
" 亘毓囟 丕賱丕賯鬲亘丕爻丕鬲 "
_ 丕賱噩爻丿 賷賯丕賵賲 丕賱賲賵鬲 亘丕賱兀賱賲貙 賵丕賱賵毓賷 賷賯丕賵賲 亘丕賱賮賰乇. 賵賱賰賳 賱丕 賴匕丕 賵賱丕 匕丕賰 賷賳賯匕 賲賳賴.
- 丕賱亘賯丕亍 賵丨賷丿丕賸 兀賲乇 睾賷乇 賲賲賰賳 兀亘丿丕賸貙 賵賴賵 兀賰孬乇 丕賱兀賲賵乇 賲丿丕毓丕丞 賱賱鬲賵鬲乇
_ 賳丨賳 丕賱賰丕卅賳 丕賱丨賷 丕賱賵丨賷丿 丕賱匕賷 賷丿乇賰 丨鬲賲賷丞 丕賱賲賵鬲. 賵賱匕丕 賱丕 賷噩賵夭 兀賳 賳丐噩賱 丕賱爻毓丕丿丞 廿賱賶 夭賲賳 賯丕丿賲貙 賷噩亘 兀賳 賳賰賵賳 爻毓丿丕亍 丕賱丌賳.
_ 丕賱兀賲乇丕囟 囟乇賵乇賷丞.. 廿賳賴丕 鬲爻丕毓丿賳丕! 丨賷賳 賷毓丕賳賷 丕賱賲乇亍 賰賱 賴匕賴 丕賱丌賱丕賲 賷囟毓賮 禺賵賮賴 賲賳 丕賱乇丨賷賱.
鬲賲賳賷鬲 賰孬賷乇丕賸 兀賳 鬲賰賵賳 賱賷 乇爻丕卅賱 賰鬲賱賰貙 丕賱乇爻丕卅賱 鬲賰鬲亘 賵鬲乇爻賱 賵賰兀賳賴丕 賵噩亘賾丞 睾匕丕卅賷丞 囟乇賵乇賷丞. 賱賲 賷賰賳 賴賳丕賰 乇丕丿賸 毓賱賶 賲丨鬲賵賶 兀賷 乇爻丕賱丞. 賵賰兀賳 丕賱乇爻丕卅賱 賱丕 鬲氐賱 廿賱賶 丕賱兀胤乇丕賮 兀爻丕爻丕賸..
爻丕卮丕 丕賱胤亘賷亘丞 賵毓卮賷賯賴丕 賮賷 兀乇囟 丕賱丨乇亘 賮賱丕丿賷賲賷乇. 賴賵 鬲賵賯賮鬲 丨賷丕鬲賴 賮賷 丕賱賵胤賳 賵亘丕鬲 賷毓賷卮 丕賱禺賵賮 賵丕賱鬲毓亘 賵丕賱賲乇囟 賵丕賱丕卮鬲賷丕賯貙 賷毓賷卮 丕賱賲賵鬲 亘卮賰賱 賲鬲賰乇乇. 賷毓賷卮 丕賱匕賰乇賷丕鬲貙 賷毓賷卮 丨亘賷亘鬲賴 賵丕賱鬲賮丕氐賷賱 賵丕賱賲卮丕毓乇 賵丕賱兀賲賳賷丕鬲.
兀賲賾 賴賷 兀丨亘鬲賴貙 丕卮鬲丕賯鬲 廿賱賷賴貙 賰丕鬲亘鬲賴 賰孬賷乇丕賸貙 賱賰賳 丨賷丕鬲賴丕 丕爻鬲賲乇鬲 賱賲 鬲鬲爻賲乇 兀賲丕賲 賳丕賮匕丞 鬲賳鬲馗乇賴 賵賱丕 兀亘毓丿鬲 丕賱夭賵丕噩 賵賱丕 丕賱廿賳噩丕亘.
乇爻丕卅賱 賲賮毓賲丞 亘丕賱丨亘貙 亘丕賱毓丕卅賱丞 賵丕賱匕賰乇賷丕鬲. 賰賱賹 賷丨賰賷 賱賱丌禺乇 丕賱賱丨馗丕鬲 丕賱賯丿賷賲丞 丕賱賲賵丕賯賮 丕賱爻賷卅丞 丕賱鬲賷 賱賲 鬲購丨賰賶 賵噩賴丕賸 賱賵噩賴. 丕賱賲丕囟賷 賱賱胤賮賵賱丞貙 丕賱丌亘丕亍 賵賲卮丕賰賱賴賲 賵禺賷丕賳丕鬲賴賲.
鬲賵賯賮鬲 賰孬賷乇丕賸 毓賳丿 丕賱乇爻丕賱丞 丕賱鬲賷 丕亘鬲丿兀鬲 賮賷 氐賮丨丞 201!
亘丿丕賷丞 兀毓噩亘鬲 亘丕賱毓賱丕賯丞 兀毓噩亘鬲 亘賰賲賷丞 丕賱丨亘 亘賰賲賷丞 丕賱鬲囟丨賷丞 丨鬲賶 丕賳賰爻乇 賰賱 卮賷亍! 賵鬲丨胤賲鬲 兀賳丕 賲毓賴丕 賵氐乇鬲購 兀噩賲毓 賮鬲丕鬲 丕賱夭噩丕噩 賰賷 賱丕 鬲賰賵賳 賵丨賷丿丞.
丕亘鬲爻賲 毓賳丿 丕賮鬲鬲丕丨賷丞 賰賱 乇爻丕賱丞 " 丨亘賷亘賷 貙 卮賯賷賯 乇賵丨賷 貙 賵丨賷丿賷貙 兀賷賴丕 丕賱廿賳爻丕賳 丕賱丨亘賷亘 廿賱賶 賯賱亘賷貙 賷丕 賮乇丨賷"
" 亘毓囟 丕賱丕賯鬲亘丕爻丕鬲 "
_ 丕賱噩爻丿 賷賯丕賵賲 丕賱賲賵鬲 亘丕賱兀賱賲貙 賵丕賱賵毓賷 賷賯丕賵賲 亘丕賱賮賰乇. 賵賱賰賳 賱丕 賴匕丕 賵賱丕 匕丕賰 賷賳賯匕 賲賳賴.
- 丕賱亘賯丕亍 賵丨賷丿丕賸 兀賲乇 睾賷乇 賲賲賰賳 兀亘丿丕賸貙 賵賴賵 兀賰孬乇 丕賱兀賲賵乇 賲丿丕毓丕丞 賱賱鬲賵鬲乇
_ 賳丨賳 丕賱賰丕卅賳 丕賱丨賷 丕賱賵丨賷丿 丕賱匕賷 賷丿乇賰 丨鬲賲賷丞 丕賱賲賵鬲. 賵賱匕丕 賱丕 賷噩賵夭 兀賳 賳丐噩賱 丕賱爻毓丕丿丞 廿賱賶 夭賲賳 賯丕丿賲貙 賷噩亘 兀賳 賳賰賵賳 爻毓丿丕亍 丕賱丌賳.
_ 丕賱兀賲乇丕囟 囟乇賵乇賷丞.. 廿賳賴丕 鬲爻丕毓丿賳丕! 丨賷賳 賷毓丕賳賷 丕賱賲乇亍 賰賱 賴匕賴 丕賱丌賱丕賲 賷囟毓賮 禺賵賮賴 賲賳 丕賱乇丨賷賱.
January 17, 2022
鈥濸ielea mea exista numai acolo unde tu o atingeai.鈥�
鈥濴ucrurile cele mai simple te pot face s膬 mori de fericire.鈥�
鈥濪e tine aveam nevoie, de tine!鈥�
鈥濻tam 卯ntin葯i 葯i nu ne mai putem desprinde unul de altul, iar mai apoi apare urma semicircular膬 a din葲ilor mei pe um膬rul t膬u.鈥�
鈥炄榯iu c膬 exist, dar am nevoie tot timpul de dovezi, de atingeri. F膬r膬 tine sunt o pijama goal膬 aruncat膬 pe un scaun.鈥�
鈥濼are a葯 vrea s膬 m膬 lipesc de tine 葯i s膬 povestesc ceva stupid, stupid, drag, drag.鈥�
鈥濶u 葯tiau ca oamenii se ceart膬 卯n totalitate 葯i se 卯mpac膬 pe jum膬tate 葯i, astfel, de fiecare dat膬 se 卯ndep膬rteaz膬 de iubire, care devine din ce 卯n ce mai pu葲in膬. Sau 葯tiau, dar nu puteau s膬 fac膬 altfel.鈥�
鈥濶u 葯tiam ce s膬 scriu 葯i pur 葯i simplu 卯i puneam 卯n plic ceea ce era 卯n ziua respectiv膬 o p膬rticic膬 de-a mea鈥攗n bilet de tramvai, un fulg, o list膬 de cump膬r膬turi, un fir de a葲膬, un fir de iarb膬, un g芒nd膬cel.鈥�
鈥濽neori, nici eu nu mai 卯n葲eleg unde 卯ncepi tu 葯i unde 卯ncep eu.鈥�
鈥濽i葲i o umbrel膬 卯ntr-o cafenea, te 卯ntorci dup膬 ea 葯i via葲a ia o noua 卯ntors膬tur膬.鈥�
鈥濩e s-a 卯nt芒mplat cu mine? Unde am disp膬rut?鈥�
鈥濵i s-a p膬rut c膬 e ceva autentic cu noi. C芒nd suntem am芒ndoi este autentic, iar cu altcineva ne c膬ut膬m unul pe celalalt 葯i nu ne putem g膬si. Dar poate mi s-a p膬rut.鈥�
鈥濸o葲i s膬 fii la dentist, care 卯葲i baga un ac pe canal ca s膬-葲i omoare nervul, iar peste opt secole s膬 te poarte un curent care face s膬 se legene frajurii de mas膬.鈥�
鈥炄榠 eu care nu 葯tiam c膬 via葲a e mai scurt膬 ca o fust膬.鈥�
鈥濻e 卯nt芒mpl膬 s膬 te 卯ndr膬goste葯ti peste noapte. Te treze葯ti 葯i 卯葲i dai seama ca te-ai 卯ndr膬gostit 卯n timp ce dormeai.鈥�
鈥灻巒c膬 de atunci ma g芒ndeam鈥攅 a葯a de ciudat c膬 ne e mil膬 de pisici 葯i le ajut膬m s膬 pun膬 cap膬t mai repede chinurilor, dar 葯i de oameni ne e mil膬 葯i facem totul pentru a le prelungi suferin葲ele.鈥�
鈥濼otu葯i nu pot s膬 m膬 obi葯nuiesc cu mine. Toat膬 viata am 卯ncercat s膬 m膬 obi葯nuiesc 葯i nu pot. Nici cu via葲a nu prea pot s膬 m膬 obi葯nuiesc, de葯i ar cam fi timpul.鈥�
鈥炄榠 via葲a se desf膬葯oar膬 ca un 葯ir infinit din coji de cartofi.鈥�
鈥濶oaptea tragi cu urechea la ceas鈥攃um ia el via葲a. Singur膬tatea este atunci c芒nd parc膬 ai tot pentru a nu fi singur, dar, de fapt nu ai nimic. 脦n toiul insomniei, stai gol 卯n baie, 卯mb膬tr芒nit, 卯n fa葲a oglinzii. Te ui葲i la trupul tr膬d膬tor. Sub ochii lipsi葲i de culoare sunt pungi l膬sate, din urechi 卯葲i ies la葲e. 葮i te scarpini 卯ntre omopla葲i cu periu葲a de din葲i 葯i te g芒nde葯ti c膬 卯n cur芒nd o s膬 mori. Cum de s-a ajuns aici?鈥�
鈥濸robabil c膬 moartea arat膬 foarte simplu, ca un tavan sau ca o fereastr膬. Desenul de pe tapet. Ultima fa葲膬 pe care o vezi.鈥�
鈥濴ucrurile cele mai simple te pot face s膬 mori de fericire.鈥�
鈥濪e tine aveam nevoie, de tine!鈥�
鈥濻tam 卯ntin葯i 葯i nu ne mai putem desprinde unul de altul, iar mai apoi apare urma semicircular膬 a din葲ilor mei pe um膬rul t膬u.鈥�
鈥炄榯iu c膬 exist, dar am nevoie tot timpul de dovezi, de atingeri. F膬r膬 tine sunt o pijama goal膬 aruncat膬 pe un scaun.鈥�
鈥濼are a葯 vrea s膬 m膬 lipesc de tine 葯i s膬 povestesc ceva stupid, stupid, drag, drag.鈥�
鈥濶u 葯tiau ca oamenii se ceart膬 卯n totalitate 葯i se 卯mpac膬 pe jum膬tate 葯i, astfel, de fiecare dat膬 se 卯ndep膬rteaz膬 de iubire, care devine din ce 卯n ce mai pu葲in膬. Sau 葯tiau, dar nu puteau s膬 fac膬 altfel.鈥�
鈥濶u 葯tiam ce s膬 scriu 葯i pur 葯i simplu 卯i puneam 卯n plic ceea ce era 卯n ziua respectiv膬 o p膬rticic膬 de-a mea鈥攗n bilet de tramvai, un fulg, o list膬 de cump膬r膬turi, un fir de a葲膬, un fir de iarb膬, un g芒nd膬cel.鈥�
鈥濽neori, nici eu nu mai 卯n葲eleg unde 卯ncepi tu 葯i unde 卯ncep eu.鈥�
鈥濽i葲i o umbrel膬 卯ntr-o cafenea, te 卯ntorci dup膬 ea 葯i via葲a ia o noua 卯ntors膬tur膬.鈥�
鈥濩e s-a 卯nt芒mplat cu mine? Unde am disp膬rut?鈥�
鈥濵i s-a p膬rut c膬 e ceva autentic cu noi. C芒nd suntem am芒ndoi este autentic, iar cu altcineva ne c膬ut膬m unul pe celalalt 葯i nu ne putem g膬si. Dar poate mi s-a p膬rut.鈥�
鈥濸o葲i s膬 fii la dentist, care 卯葲i baga un ac pe canal ca s膬-葲i omoare nervul, iar peste opt secole s膬 te poarte un curent care face s膬 se legene frajurii de mas膬.鈥�
鈥炄榠 eu care nu 葯tiam c膬 via葲a e mai scurt膬 ca o fust膬.鈥�
鈥濻e 卯nt芒mpl膬 s膬 te 卯ndr膬goste葯ti peste noapte. Te treze葯ti 葯i 卯葲i dai seama ca te-ai 卯ndr膬gostit 卯n timp ce dormeai.鈥�
鈥灻巒c膬 de atunci ma g芒ndeam鈥攅 a葯a de ciudat c膬 ne e mil膬 de pisici 葯i le ajut膬m s膬 pun膬 cap膬t mai repede chinurilor, dar 葯i de oameni ne e mil膬 葯i facem totul pentru a le prelungi suferin葲ele.鈥�
鈥濼otu葯i nu pot s膬 m膬 obi葯nuiesc cu mine. Toat膬 viata am 卯ncercat s膬 m膬 obi葯nuiesc 葯i nu pot. Nici cu via葲a nu prea pot s膬 m膬 obi葯nuiesc, de葯i ar cam fi timpul.鈥�
鈥炄榠 via葲a se desf膬葯oar膬 ca un 葯ir infinit din coji de cartofi.鈥�
鈥濶oaptea tragi cu urechea la ceas鈥攃um ia el via葲a. Singur膬tatea este atunci c芒nd parc膬 ai tot pentru a nu fi singur, dar, de fapt nu ai nimic. 脦n toiul insomniei, stai gol 卯n baie, 卯mb膬tr芒nit, 卯n fa葲a oglinzii. Te ui葲i la trupul tr膬d膬tor. Sub ochii lipsi葲i de culoare sunt pungi l膬sate, din urechi 卯葲i ies la葲e. 葮i te scarpini 卯ntre omopla葲i cu periu葲a de din葲i 葯i te g芒nde葯ti c膬 卯n cur芒nd o s膬 mori. Cum de s-a ajuns aici?鈥�
鈥濸robabil c膬 moartea arat膬 foarte simplu, ca un tavan sau ca o fereastr膬. Desenul de pe tapet. Ultima fa葲膬 pe care o vezi.鈥�
January 30, 2025
There are really a lots of epistles in this book, yet without dates and numbering, and amongst those letters there were some in particular that brought and felt tears of sadness, mostly, and, very rarely, tears of joy. I have especially enjoyed those letters in which both characters of the book, young Sasha and Volodya, look at life in an authentic, sincere way.
But, there were many letters in which they doubt their life, possibly because the way they look at things is wrong, yet no one taught them what it means to look at life in the right way. So, maybe it is no wonder, they have started to create for themselves a false personality. Over the course of estranged time and expanded distance, both of them step by step, especially due to epistolary life, become aware that there was a lot of poison that was already put into them, either by themselves directly or indirectly but their parents, and close environment, so they try to break or crack a bit the hard shelter where their authentic personality was hidden and masked.
Most of their letters start with loving words addressed to each other, yet within same text they somehow recognize that he/she does not know what he/she is saying, as if those words are not backed by genuine spirit, so even if he/she concludes that is better not to utter them, and remain silent, still they keep writing as a proof to cling to someone, to life, not to give up. Without clear reasons, from the very beginning, Volodya is sent to a far away distant war and experienced the atrocities connected to it, Sasha remains at home, yet her life gets entangled into many webs, through her family, friends, and lover, other than Volodya, of course.
I particularly liked the closure of the book. It does not give out anything for sure, like the two characters get back together, and most probably they don't, yet there is a sincere deep sentiment that they got to be in tremendous love with life, regardless of the desperation and disenchantment of day-to-day struggles, so they realized that celebration of the small things is what makes everything sacred, and the journey is as always from the body to the soul, from the physical to the spiritual.
But, there were many letters in which they doubt their life, possibly because the way they look at things is wrong, yet no one taught them what it means to look at life in the right way. So, maybe it is no wonder, they have started to create for themselves a false personality. Over the course of estranged time and expanded distance, both of them step by step, especially due to epistolary life, become aware that there was a lot of poison that was already put into them, either by themselves directly or indirectly but their parents, and close environment, so they try to break or crack a bit the hard shelter where their authentic personality was hidden and masked.
Most of their letters start with loving words addressed to each other, yet within same text they somehow recognize that he/she does not know what he/she is saying, as if those words are not backed by genuine spirit, so even if he/she concludes that is better not to utter them, and remain silent, still they keep writing as a proof to cling to someone, to life, not to give up. Without clear reasons, from the very beginning, Volodya is sent to a far away distant war and experienced the atrocities connected to it, Sasha remains at home, yet her life gets entangled into many webs, through her family, friends, and lover, other than Volodya, of course.
I particularly liked the closure of the book. It does not give out anything for sure, like the two characters get back together, and most probably they don't, yet there is a sincere deep sentiment that they got to be in tremendous love with life, regardless of the desperation and disenchantment of day-to-day struggles, so they realized that celebration of the small things is what makes everything sacred, and the journey is as always from the body to the soul, from the physical to the spiritual.
December 8, 2023
Mektuplar谋n Roman谋, ad谋 眉st眉nde mektuplardan olu艧an ama bununla s谋n谋rl谋 kalmayan 莽ok ba艧ar谋l谋 bir eser. Erkek karakter sava艧a gitti臒i i莽in ayr谋 d眉艧en iki sevgilinin hasret dolu a艧k mektuplar谋 olarak ba艧layan roman sonra bir k谋r谋lma ya艧ayarak ba艧ka bir y枚ne do臒ru eviriliyor ve katmanl谋, etkileyici bir metne d枚n眉艧眉yor. A艧k, hayat, 枚l眉m, aile, 艧efkat, iyilik, k枚t眉l眉k, g眉ndelik hayat vs. gibi bir s眉r眉 farkl谋 mesele de kendine yer buluyor 眉stelik bu metinde. Ba艧larda 艧iirsel dilinden 枚t眉r眉 biraz temkinle yakla艧sam da yazar谋n tam zaman谋nda yapt谋臒谋 manevrayla roman da dil de anlat谋m tercihi de bamba艧ka bir anlam kazand谋. Romanda 枚yle anlar var ki onca k枚t眉l眉臒眉n i莽inde yazar谋n karakterlerine g枚sterdi臒i 艧efkate 艧a艧谋r谋p hayran kal谋yorsunuz. Sava艧 ve hayat 眉zerine uzun zamand谋r bu kadar g眉莽l眉 bir 艧ey okumam谋艧t谋m. Bu sene okuduklar谋m i莽inde en 莽ok iz b谋rakanlardan biri oldu.
December 7, 2017
"Mektuplar谋n Roman谋" bir yazar谋n elinden 莽谋km谋艧 gibi de臒il. Sanki ger莽ekten Vovka ve Sa艧enka ya艧am谋艧 da, bize de onlar谋n sat谋rlar谋 ula艧m谋艧 hissini 眉zerimden hi莽 atamad谋m. O kadar samimi bir dili ve sade bir anlat谋m谋 var ki yazar谋n, hayran kald谋m. Senenin en nitelikli kitaplar谋ndan biriydi. Jaguar'dan 莽谋kan her kitab谋n g眉zelli臒ini ne yapaca臒谋z, onu da bilmiyorum:) Herkese iyi okumalar!
7.5/10
7.5/10
September 19, 2019
Un el, o ea, un timp pe care cei doi 卯l p膬streaz膬 viu 卯n memorie, doar a lor 葯i prezentul, care pentru Sa葯a 葯i Volodia este diferit. Realitatea lui - r膬zboiul 葯i ororile acestuia, pe care 卯ncearc膬 s膬 le transmit膬 Sa葯ei c芒t mai pu葲in violent, 卯l duc pe Volodia 卯ntr-un spa葲iu atemporal, unde singura cale de a c芒葯tiga este de a r膬m芒ne 卯n via葲膬. Realitatea ei - o via葲膬 lipsit膬 de c膬ldura acelor zile pe care le-au petrecut 卯mpreun膬, problemele conjugale a prietenelor 葯i rela葲ia cu p膬rin葲ii - este 卯ntr-o continu膬 schimbare.
De la un punct 卯ncolo, timpul devine lipsit de importan葲膬, iar detaliile vie葲ii de zi cu zi cap膬t膬 greutate.
Scrisorar este un jurnal scris 卯n cele mai cumplite 葯i 卯n cele mai minunate clipe, cu un limbaj foarte personal, cu afirma葲ii dure, ar膬t芒nd realitatea celuia care scrie a葯a cum o vede el.
Recenzia complet膬, .
De la un punct 卯ncolo, timpul devine lipsit de importan葲膬, iar detaliile vie葲ii de zi cu zi cap膬t膬 greutate.
Scrisorar este un jurnal scris 卯n cele mai cumplite 葯i 卯n cele mai minunate clipe, cu un limbaj foarte personal, cu afirma葲ii dure, ar膬t芒nd realitatea celuia care scrie a葯a cum o vede el.
Recenzia complet膬, .
August 12, 2019
Scrisorar听e un schimb de scrisori 卯ntre doi 卯ndr膬gosti葲i. El, Volodenka, 卯i scrie ei, Sa葯enka, de pe front. Ea, r膬mas膬 卯n ora葯, 卯葯i continu膬 via葲a a葯tept芒ndu-l. Schimbul lor de scrisori e intim, juc膬u葯, romantic 葯i trist. Toate 卯n acela葯i timp.听脦ns膬, 卯ntr-o zi, Volodenka moare (no spoiler, asta e scris 葯i pe copert膬), 卯ns膬 scrisorile lui continu膬 s膬 soseasc膬. Ea cre葯te, se maturizeaz膬, se 卯ndr膬goste葯te, se desparte, 卯葯i vede p膬rin葲ii 卯mb膬tr芒nind. El r膬m芒ne blocat 卯n timp, undeva pe un front. Ea simte nevoie s膬-i povesteasc膬 lui totul, chiar 葯i peste ani. Timpul e subiectiv 卯n听Scrisorar. Pentru ea trec zeci de ani. Pentru el, doar c芒teva luni.
Mai multe impresii despre carte am scris aici:
Mai multe impresii despre carte am scris aici:
June 23, 2024
Epistolary novel is not dead鈥� Mikhail Shishkin takes it along into the sphere of postmodernism鈥� And there it thrives.
Two minuscule human beings in the huge universe鈥� Two brief lives in the tremendous eternity鈥�
So only love can equal enormity of time and space鈥�
However the letters come not through space, they come through time鈥� The letters come from the past鈥�
Love is so fragile and it can be easily destroyed by wars, departures, banality, routine, unfaithfulness, jealousy, indifference, by time and space鈥�
But even without love life must go on.
Two minuscule human beings in the huge universe鈥� Two brief lives in the tremendous eternity鈥�
What other proofs do I need of my existence if I鈥檓 happy because you exist, and you love me, and you鈥檙e reading these lines right now!
So only love can equal enormity of time and space鈥�
However the letters come not through space, they come through time鈥� The letters come from the past鈥�
We will avenge ourselves for our comrades and friends in battle, who are still alive, see them there, smiling among us, but very soon now. Most important of all, remember we have truth on our side and they have untruth! But perhaps vice versa. For is not light the left hand of darkness and darkness the right hand of light? And does the Sun not strive to burn up the Earth, and not at all to generate plants and people? In this life there are no victors, all are the vanquished.
Love is so fragile and it can be easily destroyed by wars, departures, banality, routine, unfaithfulness, jealousy, indifference, by time and space鈥�
But even without love life must go on.
December 13, 2018
賰鬲丕亘 丕賱乇爻丕卅賱.
乇爻丕卅賱 賷賰鬲亘賴丕 丨亘賷亘丕賳 噩賲毓賴賲丕 丕賱丨亘 賵賮乇賯鬲賴賲丕 馗乇賵賮 丕賱丨乇亘.
賮賷 毓丕賱賲 賷爻賰賳賴 丕賱賯鬲賱 賵丕賱賯爻賵丞 賵丕賱賵丨卮賷丞貙 毓丕賱賲 賲夭賯鬲賴 丕賱丨乇賵亘貙 賲丕匕丕 賷鬲亘賯賷 賱賳丕 賲賳 賳噩丕丞 爻賵賷 丕賱鬲賲爻賰 亘丕賱丨亘貙 丨鬲賷 賱賵 卮鬲鬲 丕賱夭賲賳 賵氐丕賱賳丕 賲毓 丕賱兀丨亘丞.
賱兀賳賴..賮賷 賷賵賲 賲丕..乇亘賲丕 賱賳 賷鬲亘賯賷 賲賳 丕賱丨亘 爻賵賷 乇爻丕卅賱 鬲匕賰乇賳丕 亘賲丕囟 賰賳丕 噩夭亍 賲賳賴 賵賰賳丕 賳丨賷丕 賮賷賴.
****
* 賱爻亘亘 賱丕 兀丿乇賷賴貙 兀乇賷 兀賳 丕賱賰鬲亘 賵丕賱賱賵丨丕鬲 丕賱毓馗賷賲丞 賱賷爻鬲 兀亘丿丕 毓賳 丕賱丨亘. 賴賷 鬲鬲馗丕賴乇 亘兀賳賴丕 毓賳 丕賱丨亘貙 賱賰賷 鬲賰賵賳 賯乇丕亍鬲賴丕 兀賰孬乇 廿賲鬲丕毓丕貙 賵賱賰賳賴丕 賮賷 丕賱賵丕賯毓 毓賳 丕賱賲賵鬲. 丕賱丨亘 賮賷 丕賱賰鬲亘 賲噩乇丿 丿乇毓. 兀賵 毓賱賷 賳丨賵 兀丿賯貙 賲噩乇丿 毓氐丕亘丞 毓賱賷 丕賱毓賷賵賳貙 鬲丨噩亘 丕賱乇丐賷丞 賰賷 鬲禺賮賮 賲賳 賮馗丕毓丞 丕賱賲卮賴丿.
* 賰丕賳丕 賷鬲卮丕噩乇丕賳 賵賰兀賳賴賲丕 賱丕 賷毓乇賮丕賳 兀賳 丕賱賰賱賲丕鬲 丕賱丨丕賯丿丞 賱丕 賷賲賰賳 丕爻鬲乇丿丕丿賴丕 賵賳爻賷丕賳賴丕貙 賱丕 賷毓乇賮賵賳 兀賳 丕賱禺氐賵賲丞 亘賷賳 丕賱賳丕爻 鬲賰賵賳 鬲丕賲丞貙 賵兀賳 丕賱賲氐丕賱丨丞 賱丕 鬲夭賷賱 廿賱丕 賳氐賮賴丕貙 賵賴賰匕丕 賷囟賷毓 噩夭亍 賲賳 丕賱丨亘 賮賷 賰賱 賲乇丞貙 賮賷氐亘丨 兀氐睾乇 賮兀氐睾乇貙 兀賵 賱毓賱賴賲丕 賰丕賳丕 賷毓乇賮丕賳 賵賱賰賳賴賲丕 賰丕賳丕 毓丕噩夭丕賳 毓賳 賮毓賱 兀賷 卮卅. 兀賲丕 兀賳丕 賮賰賳鬲 兀睾賱賯 毓賱賷 亘丕亘 睾乇賮鬲賷 賵兀賲賵鬲 賲賳 丕賳毓丿丕賲 丕賱丨亘.
* 鬲乇賰 賲賵鬲 丕賱噩丿丞 賮賷 賳賮爻賷 廿丨爻丕爻丕 亘乇毓亘 胤賮賱賷貙 賵賱賰賳 毓賯賱賷 賱賲 賷爻鬲賵毓亘 丌賳匕丕賰 兀賳賷 爻兀賲賵鬲 兀賷囟丕 賮賷 賷賵賲 賲丕貙 賮兀賳丕 賱賲 兀禺賮 賲賳 賴匕賴 丕賱賮賰乇丞 禺賵賮丕 丨賯賷賯賷丕 廿賱丕 亘毓丿 賴匕丕 丕賱夭賲賳 亘賰孬賷乇. 兀爻賲毓 丕賱丌賳 兀賳丕鬲 丕賱噩乇丨賷 丕賱賲鬲氐丕毓丿丞 賲賳 禺賷賲 丕賱賲爻鬲卮賮賷 賵兀賯賵賱 賱賳賮爻賷: 賰賲 賰丕賳 匕賱賰 丕賱賲賵鬲 乇丕卅毓丕! 賲丕 兀乇賵毓 兀賳 賷毓賷卮 丕賱廿賳爻丕賳 丨賷丕鬲賴 賰賱賴丕 賵賷賲賵鬲 亘爻亘亘 丕賱卮賷禺賵禺丞. 賴兀賳鬲匕賷 鬲乇賷賳 賰賷賮 賷鬲睾賷乇 賴賳丕 鬲氐賵乇賳丕 毓賳 丕賱爻毓丕丿丞.
* 噩賲賷賱 噩丿丕 兀賳 賷乇丕賯亘 丕賱賲乇亍 毓丕胤賮鬲賴賲丕 丕賱鬲賷 鬲賵賱丿 毓賱賷 賲乇兀賷 賲賳 丕賱噩賲賷毓貙 賮賷 賯賱亘 丕賱丿賲 賵丕賱賲賵鬲 賵丕賱噩乇丕丨貙 賵丕賱兀賱賲 賵丕賱賯賷丨 賵丕賱賯匕丕乇丞. 丕賱噩賲賷毓 賷賱丕丨馗 賰賷賮 賷賳卮丿 兀丨丿賴賲丕 廿賱賷 丕賱丌禺乇貙 賵賷賳馗乇賵賳 廿賱賷賴賲丕 賲亘鬲爻賲賷賳. 廿賳賴賲 賷丨爻丿賵賳賴賲丕 胤亘毓丕貙 賱丕 賴匕丕 鬲毓亘賷乇 禺丕胤卅貙 廿賳賴賲 賷睾亘胤賵賳賴賲丕. 賮賮賷 馗賱 胤睾賷丕賳 賴匕賴 丕賱賵丨卮賷丞 賮賷 賰賱 賲賰丕賳貙 賵胤睾賷丕賳 丕賱賯爻賵丞貙 賷氐亘丨 賲亘賴噩丕 噩丿丕 兀賳 鬲馗賱 丕賱乇賯丞 丨賷丞 丨鬲賷 賵賱賵 亘賷賳 卮禺氐賷賳 賮賯胤.
* 賱賯丿 鬲禺賷賱鬲 兀賳賳丕貙 兀賳丕 賵兀賳鬲 丨賯賷賯賷丕賳. 賳丨賳 丨賯賷賯賷丕賳 丨賷賳 賳賰賵賳 賲毓丕貙 兀賲丕 丨賷賳 賳賰賵賳 賲毓 丕賱丌禺乇賷賳 賮賷亘丨孬 賰賱 賲賳丕 毓賳 丕賱丌禺乇 賵賱丕 賷爻鬲胤賷毓 兀賳 賷噩丿賴. 賱丕亘丿 兀賳 匕賱賰 賵賴賲丕.
兀鬲毓乇賮賷賳 賷丕 爻丕卮丕 責! 賱賯丿 禺賮鬲 丨賯丕 丨賷賳 鬲爻丕亍賱鬲 賴賱 兀賳鬲 丨賯丕 丕賱廿賳爻丕賳 丕賱賲賳丕爻亘 丕賱匕賷 丕賳鬲馗乇鬲賴 胤賵丕賱 丨賷丕鬲賷 兀賲 鬲乇丕賳賷 禺丿毓鬲 賲乇丞 孬丕賳賷丞 責! 賵賱賰賳 賲丕 丿賲鬲 賮賰乇鬲 毓賱賷 賴匕丕 丕賱賳丨賵 賮賱丕亘丿 兀賳 丕賱兀賲乇 賰匕賱賰 賮毓賱丕.
* 賰丕賳鬲 鬲乇丕賴丕 賮賷 賰賱 丕賲乇兀丞 賷毓乇賮賴丕.
鬲賳馗乇 廿賱賷 孬賵亘 鬲賱賰 賵鬲賮賰乇: 賯丿 賷賰賵賳 匕賱賰 賴賵 丕賱孬賵亘 丕賱匕賷 賮賰 兀夭乇丕乇賴. 賰丕賳鬲 鬲禺卮賷 兀賳 鬲賯賵賱 賱賴丕 鬲賱賰:
兀賳鬲 兀乇賴賯鬲賴 亘丕賳毓丿丕賲 丕賱丨亘貙 兀賲丕 兀賳丕 賮兀爻鬲胤賷毓 兀賳 兀毓胤賷賴 賲丕 賱丕 鬲爻鬲胤賷毓賷賳貙 廿賳賴 賷禺賮賷 毓賳賰 丕賱兀爻乇丕乇 兀賲丕 兀賳丕 賮廿賳賴 賷賯賵賱 賱賷 賰賱 卮卅.
賴賷 賱賳 鬲噩丿 賲丕 鬲噩賷亘賴丕 亘賴 賮毓賱丕 賲丕 丿丕賲 丕賱兀賲乇 賰匕賱賰.
丕賱匕賳亘 匕賳亘賴丕 丨賯丕 賮賴賷 丕賱鬲賷 賮賯丿鬲 丕賱賯丿乇丞 毓賱賷 兀賳 鬲賰賵賳 賲禺鬲賱賮丞. 賴賵 賷禺賮賷 毓賳賴丕 禺賷丕賳鬲賴 匕賱賰 賷毓賳賷 兀賳 毓賱賷賴丕 兀賳 鬲爻丕賲丨賴 賲丕 丿丕賲 賷乇丕毓賷 賲卮丕毓乇賴丕 廿賱賷 賴匕丕 丕賱丨丿. 賵賷丨乇氐 毓賱賷賴丕貙 匕賱賰 賷毓賳賷 兀賳賴 亘丨丕噩丞 廿賱賷賴丕. 賵兀賳賴 賷毓乇賮 賯賷賲鬲賴丕 賵賷禺丕賮 兀賳 賷夭毓賱賴丕 兀賵 賷卮毓乇賴丕 亘丕賱廿賴丕賳丞.
丕賱丕毓鬲乇丕賮 賱賷爻 賳夭丕賴丞 亘賱 賯爻賵丞 賵賴賵 賱丕 賷乇賷丿 兀賳 賷賰賵賳 賯丕爻賷丕 賲毓 廿賳爻丕賳 賯乇賷亘 賲賳 賯賱亘賴.
丕賱禺賷丕賳丞 賱賷爻鬲 噩爻丿丕貙 丕賱噩爻丿 賲賵噩賵丿 亘匕丕鬲賴 丿丕卅賲丕. 丨賷賳 賷賰賵賳 丕賱丕孬賳丕賳 賲毓丕 賱丕 賷賴賲 兀賷賳 賷賰賵賳 噩爻丿丕賴賲丕.
賴賷 賱丕 鬲爻鬲胤賷毓 兀賳 鬲禺爻乇賴 賱兀賳賴丕 賱丕 鬲禺爻乇 廿賱丕 賲丕 鬲賲賱賰賴.
丕賱廿賳爻丕賳 賱丕 賷爻鬲胤賷毓 丕賱毓賷卮 賲賳 丿賵賳 丨賳丕賳. 賵丕賱丨賳丕賳 丿丕卅賲丕 賷賰賵賳 睾賷乇 賰丕賮 賵爻賷賰賵賳 睾賷乇 賰丕賮貙 賱兀賳 丕賱丨丕噩丞 廿賱賷 丕賱丨賳丕賳 賷賰賵賳 丿丕卅賲丕 兀賰亘乇 賲賳 兀賷 丨賳丕賳.
乇爻丕卅賱 賷賰鬲亘賴丕 丨亘賷亘丕賳 噩賲毓賴賲丕 丕賱丨亘 賵賮乇賯鬲賴賲丕 馗乇賵賮 丕賱丨乇亘.
賮賷 毓丕賱賲 賷爻賰賳賴 丕賱賯鬲賱 賵丕賱賯爻賵丞 賵丕賱賵丨卮賷丞貙 毓丕賱賲 賲夭賯鬲賴 丕賱丨乇賵亘貙 賲丕匕丕 賷鬲亘賯賷 賱賳丕 賲賳 賳噩丕丞 爻賵賷 丕賱鬲賲爻賰 亘丕賱丨亘貙 丨鬲賷 賱賵 卮鬲鬲 丕賱夭賲賳 賵氐丕賱賳丕 賲毓 丕賱兀丨亘丞.
賱兀賳賴..賮賷 賷賵賲 賲丕..乇亘賲丕 賱賳 賷鬲亘賯賷 賲賳 丕賱丨亘 爻賵賷 乇爻丕卅賱 鬲匕賰乇賳丕 亘賲丕囟 賰賳丕 噩夭亍 賲賳賴 賵賰賳丕 賳丨賷丕 賮賷賴.
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* 賱爻亘亘 賱丕 兀丿乇賷賴貙 兀乇賷 兀賳 丕賱賰鬲亘 賵丕賱賱賵丨丕鬲 丕賱毓馗賷賲丞 賱賷爻鬲 兀亘丿丕 毓賳 丕賱丨亘. 賴賷 鬲鬲馗丕賴乇 亘兀賳賴丕 毓賳 丕賱丨亘貙 賱賰賷 鬲賰賵賳 賯乇丕亍鬲賴丕 兀賰孬乇 廿賲鬲丕毓丕貙 賵賱賰賳賴丕 賮賷 丕賱賵丕賯毓 毓賳 丕賱賲賵鬲. 丕賱丨亘 賮賷 丕賱賰鬲亘 賲噩乇丿 丿乇毓. 兀賵 毓賱賷 賳丨賵 兀丿賯貙 賲噩乇丿 毓氐丕亘丞 毓賱賷 丕賱毓賷賵賳貙 鬲丨噩亘 丕賱乇丐賷丞 賰賷 鬲禺賮賮 賲賳 賮馗丕毓丞 丕賱賲卮賴丿.
* 賰丕賳丕 賷鬲卮丕噩乇丕賳 賵賰兀賳賴賲丕 賱丕 賷毓乇賮丕賳 兀賳 丕賱賰賱賲丕鬲 丕賱丨丕賯丿丞 賱丕 賷賲賰賳 丕爻鬲乇丿丕丿賴丕 賵賳爻賷丕賳賴丕貙 賱丕 賷毓乇賮賵賳 兀賳 丕賱禺氐賵賲丞 亘賷賳 丕賱賳丕爻 鬲賰賵賳 鬲丕賲丞貙 賵兀賳 丕賱賲氐丕賱丨丞 賱丕 鬲夭賷賱 廿賱丕 賳氐賮賴丕貙 賵賴賰匕丕 賷囟賷毓 噩夭亍 賲賳 丕賱丨亘 賮賷 賰賱 賲乇丞貙 賮賷氐亘丨 兀氐睾乇 賮兀氐睾乇貙 兀賵 賱毓賱賴賲丕 賰丕賳丕 賷毓乇賮丕賳 賵賱賰賳賴賲丕 賰丕賳丕 毓丕噩夭丕賳 毓賳 賮毓賱 兀賷 卮卅. 兀賲丕 兀賳丕 賮賰賳鬲 兀睾賱賯 毓賱賷 亘丕亘 睾乇賮鬲賷 賵兀賲賵鬲 賲賳 丕賳毓丿丕賲 丕賱丨亘.
* 鬲乇賰 賲賵鬲 丕賱噩丿丞 賮賷 賳賮爻賷 廿丨爻丕爻丕 亘乇毓亘 胤賮賱賷貙 賵賱賰賳 毓賯賱賷 賱賲 賷爻鬲賵毓亘 丌賳匕丕賰 兀賳賷 爻兀賲賵鬲 兀賷囟丕 賮賷 賷賵賲 賲丕貙 賮兀賳丕 賱賲 兀禺賮 賲賳 賴匕賴 丕賱賮賰乇丞 禺賵賮丕 丨賯賷賯賷丕 廿賱丕 亘毓丿 賴匕丕 丕賱夭賲賳 亘賰孬賷乇. 兀爻賲毓 丕賱丌賳 兀賳丕鬲 丕賱噩乇丨賷 丕賱賲鬲氐丕毓丿丞 賲賳 禺賷賲 丕賱賲爻鬲卮賮賷 賵兀賯賵賱 賱賳賮爻賷: 賰賲 賰丕賳 匕賱賰 丕賱賲賵鬲 乇丕卅毓丕! 賲丕 兀乇賵毓 兀賳 賷毓賷卮 丕賱廿賳爻丕賳 丨賷丕鬲賴 賰賱賴丕 賵賷賲賵鬲 亘爻亘亘 丕賱卮賷禺賵禺丞. 賴兀賳鬲匕賷 鬲乇賷賳 賰賷賮 賷鬲睾賷乇 賴賳丕 鬲氐賵乇賳丕 毓賳 丕賱爻毓丕丿丞.
* 噩賲賷賱 噩丿丕 兀賳 賷乇丕賯亘 丕賱賲乇亍 毓丕胤賮鬲賴賲丕 丕賱鬲賷 鬲賵賱丿 毓賱賷 賲乇兀賷 賲賳 丕賱噩賲賷毓貙 賮賷 賯賱亘 丕賱丿賲 賵丕賱賲賵鬲 賵丕賱噩乇丕丨貙 賵丕賱兀賱賲 賵丕賱賯賷丨 賵丕賱賯匕丕乇丞. 丕賱噩賲賷毓 賷賱丕丨馗 賰賷賮 賷賳卮丿 兀丨丿賴賲丕 廿賱賷 丕賱丌禺乇貙 賵賷賳馗乇賵賳 廿賱賷賴賲丕 賲亘鬲爻賲賷賳. 廿賳賴賲 賷丨爻丿賵賳賴賲丕 胤亘毓丕貙 賱丕 賴匕丕 鬲毓亘賷乇 禺丕胤卅貙 廿賳賴賲 賷睾亘胤賵賳賴賲丕. 賮賮賷 馗賱 胤睾賷丕賳 賴匕賴 丕賱賵丨卮賷丞 賮賷 賰賱 賲賰丕賳貙 賵胤睾賷丕賳 丕賱賯爻賵丞貙 賷氐亘丨 賲亘賴噩丕 噩丿丕 兀賳 鬲馗賱 丕賱乇賯丞 丨賷丞 丨鬲賷 賵賱賵 亘賷賳 卮禺氐賷賳 賮賯胤.
* 賱賯丿 鬲禺賷賱鬲 兀賳賳丕貙 兀賳丕 賵兀賳鬲 丨賯賷賯賷丕賳. 賳丨賳 丨賯賷賯賷丕賳 丨賷賳 賳賰賵賳 賲毓丕貙 兀賲丕 丨賷賳 賳賰賵賳 賲毓 丕賱丌禺乇賷賳 賮賷亘丨孬 賰賱 賲賳丕 毓賳 丕賱丌禺乇 賵賱丕 賷爻鬲胤賷毓 兀賳 賷噩丿賴. 賱丕亘丿 兀賳 匕賱賰 賵賴賲丕.
兀鬲毓乇賮賷賳 賷丕 爻丕卮丕 責! 賱賯丿 禺賮鬲 丨賯丕 丨賷賳 鬲爻丕亍賱鬲 賴賱 兀賳鬲 丨賯丕 丕賱廿賳爻丕賳 丕賱賲賳丕爻亘 丕賱匕賷 丕賳鬲馗乇鬲賴 胤賵丕賱 丨賷丕鬲賷 兀賲 鬲乇丕賳賷 禺丿毓鬲 賲乇丞 孬丕賳賷丞 責! 賵賱賰賳 賲丕 丿賲鬲 賮賰乇鬲 毓賱賷 賴匕丕 丕賱賳丨賵 賮賱丕亘丿 兀賳 丕賱兀賲乇 賰匕賱賰 賮毓賱丕.
* 賰丕賳鬲 鬲乇丕賴丕 賮賷 賰賱 丕賲乇兀丞 賷毓乇賮賴丕.
鬲賳馗乇 廿賱賷 孬賵亘 鬲賱賰 賵鬲賮賰乇: 賯丿 賷賰賵賳 匕賱賰 賴賵 丕賱孬賵亘 丕賱匕賷 賮賰 兀夭乇丕乇賴. 賰丕賳鬲 鬲禺卮賷 兀賳 鬲賯賵賱 賱賴丕 鬲賱賰:
兀賳鬲 兀乇賴賯鬲賴 亘丕賳毓丿丕賲 丕賱丨亘貙 兀賲丕 兀賳丕 賮兀爻鬲胤賷毓 兀賳 兀毓胤賷賴 賲丕 賱丕 鬲爻鬲胤賷毓賷賳貙 廿賳賴 賷禺賮賷 毓賳賰 丕賱兀爻乇丕乇 兀賲丕 兀賳丕 賮廿賳賴 賷賯賵賱 賱賷 賰賱 卮卅.
賴賷 賱賳 鬲噩丿 賲丕 鬲噩賷亘賴丕 亘賴 賮毓賱丕 賲丕 丿丕賲 丕賱兀賲乇 賰匕賱賰.
丕賱匕賳亘 匕賳亘賴丕 丨賯丕 賮賴賷 丕賱鬲賷 賮賯丿鬲 丕賱賯丿乇丞 毓賱賷 兀賳 鬲賰賵賳 賲禺鬲賱賮丞. 賴賵 賷禺賮賷 毓賳賴丕 禺賷丕賳鬲賴 匕賱賰 賷毓賳賷 兀賳 毓賱賷賴丕 兀賳 鬲爻丕賲丨賴 賲丕 丿丕賲 賷乇丕毓賷 賲卮丕毓乇賴丕 廿賱賷 賴匕丕 丕賱丨丿. 賵賷丨乇氐 毓賱賷賴丕貙 匕賱賰 賷毓賳賷 兀賳賴 亘丨丕噩丞 廿賱賷賴丕. 賵兀賳賴 賷毓乇賮 賯賷賲鬲賴丕 賵賷禺丕賮 兀賳 賷夭毓賱賴丕 兀賵 賷卮毓乇賴丕 亘丕賱廿賴丕賳丞.
丕賱丕毓鬲乇丕賮 賱賷爻 賳夭丕賴丞 亘賱 賯爻賵丞 賵賴賵 賱丕 賷乇賷丿 兀賳 賷賰賵賳 賯丕爻賷丕 賲毓 廿賳爻丕賳 賯乇賷亘 賲賳 賯賱亘賴.
丕賱禺賷丕賳丞 賱賷爻鬲 噩爻丿丕貙 丕賱噩爻丿 賲賵噩賵丿 亘匕丕鬲賴 丿丕卅賲丕. 丨賷賳 賷賰賵賳 丕賱丕孬賳丕賳 賲毓丕 賱丕 賷賴賲 兀賷賳 賷賰賵賳 噩爻丿丕賴賲丕.
賴賷 賱丕 鬲爻鬲胤賷毓 兀賳 鬲禺爻乇賴 賱兀賳賴丕 賱丕 鬲禺爻乇 廿賱丕 賲丕 鬲賲賱賰賴.
丕賱廿賳爻丕賳 賱丕 賷爻鬲胤賷毓 丕賱毓賷卮 賲賳 丿賵賳 丨賳丕賳. 賵丕賱丨賳丕賳 丿丕卅賲丕 賷賰賵賳 睾賷乇 賰丕賮 賵爻賷賰賵賳 睾賷乇 賰丕賮貙 賱兀賳 丕賱丨丕噩丞 廿賱賷 丕賱丨賳丕賳 賷賰賵賳 丿丕卅賲丕 兀賰亘乇 賲賳 兀賷 丨賳丕賳.
December 27, 2014
De la prima pagin膬 p芒n膬 la final, cartea este un dialog-monolog ne卯ntrerupt desf膬葯urat prin intermediul epistolelor, cu amintiri, g芒nduri, relat膬ri de pe front 葯i declara葲ii de iubire. Mai mult dec芒t un roman de dragoste, Scrisorar este o poveste a cunoa葯terii de sine 葯i a lumii, plin膬 de observa葲ii fine asupra vie葲ii, cu lec葲ii despre inutilitatea urii 葯i micimea g芒ndirii umane, care ignor膬 lucrurile cu adev膬rat importante.
脦n scurtul timp petrecut 卯mpreun膬, Sa葯a 葯i Volodia au g膬sit iubirea la care t芒njiser膬 dintotdeauna, 卯ns膬 ei nu sunt preg膬ti葲i unul pentru altul, pentru c膬 nu au suferit cu adev膬rat. Cei doi 卯葯i scriu permanent dup膬 ce Volodia este 卯nrolat 葯i ajunge p芒n膬 卯n China, pe c芒nd Sa葯a 卯葯i continu膬 via葲a de medic 卯ntr-un or膬葯el nenumit din Rusia. Experien葲ele prin care trec 卯i transform膬 卯n fiin葲e noi, 葯lefuite p芒n膬 la perfec葲iune pentru mult visata reg膬sire. 脦ns膬 Volodia se preg膬te葯te 葯i pentru o altfel de 卯nt芒lnire, cea cu moartea, de care vorbe葯te obsesiv 卯n scrisorile sale.
Epistolele sunt defazate, comunicarea lor nu este una coerent膬 葯i sincronizat膬, 卯ns膬 cei doi continu膬 s膬 卯葯i a葯tearn膬 g芒ndurile pe h芒rtie, 卯ntr-o 卯ncercare de salvare de la singur膬tate 葯i de la atrocit膬葲ile r膬zboiului. Pe l芒ng膬 alinarea ce le-o aduc scrisorile, ei 卯ncep s膬 卯n葲eleag膬 adev膬ruri pe care le-au ignorat sau ocolit p芒n膬 atunci - despre lume, despre iubire, despre sine sau p膬rin葲i, despre ceea ce conteaz膬 cu adev膬rat 卯n via葲膬. Niciun om nu e fericit p膬n芒 nu se consider膬 chiar el fericit, spune 艦i艧kin, iar cei doi g膬sesc fericirea acolo unde se a葯teapt膬 mai pu葲in.
Dup膬 c芒teva zeci de pagini, intensitatea prozei scade cu un ton sau mai mult, odat膬 cu dep膬rtarea 卯n timp 葯i 卯n spa葲iu a celor doi. Pasiunea 葯i foamea de tandre葲e sunt 卯nlocuite cu altceva, mai trainic 葯i mai rezistent, pe m膬sur膬 ce Sa葯a 葯i Volodia se deschid c膬tre o altfel de cunoa葯tere. 脦n cazul lor, cuvintele lui Democrit - care spune c膬 doar trupurile se pot atinge cu adev膬rat, c膬ci 卯ntre suflete r膬m芒ne 卯ntotdeauna un spa葲iu - se dovedesc a fi ne卯ntemeiate. Sufletele lor r膬m芒n conectate 卯ntr-o dimensiune ce transcende via葲a 葯i moartea, un loc numai al lor 卯n care spiritele se reg膬sesc, chiar dac膬 unul dintre ei a disp膬rut din lumea palpabil膬 a materiei. Singur膬tatea trupului este salvat膬 de certitudinea unei iubiri ideale 葯i indestructibile. C芒nd oamenii sunt 卯mpreun膬, nu are importan葲膬 unde sunt trupurile lor.
Dac膬 ave葲i chef de citit mai mult dec芒t at芒t, varianta lung膬 se afl膬 pe blog:
脦n scurtul timp petrecut 卯mpreun膬, Sa葯a 葯i Volodia au g膬sit iubirea la care t芒njiser膬 dintotdeauna, 卯ns膬 ei nu sunt preg膬ti葲i unul pentru altul, pentru c膬 nu au suferit cu adev膬rat. Cei doi 卯葯i scriu permanent dup膬 ce Volodia este 卯nrolat 葯i ajunge p芒n膬 卯n China, pe c芒nd Sa葯a 卯葯i continu膬 via葲a de medic 卯ntr-un or膬葯el nenumit din Rusia. Experien葲ele prin care trec 卯i transform膬 卯n fiin葲e noi, 葯lefuite p芒n膬 la perfec葲iune pentru mult visata reg膬sire. 脦ns膬 Volodia se preg膬te葯te 葯i pentru o altfel de 卯nt芒lnire, cea cu moartea, de care vorbe葯te obsesiv 卯n scrisorile sale.
Epistolele sunt defazate, comunicarea lor nu este una coerent膬 葯i sincronizat膬, 卯ns膬 cei doi continu膬 s膬 卯葯i a葯tearn膬 g芒ndurile pe h芒rtie, 卯ntr-o 卯ncercare de salvare de la singur膬tate 葯i de la atrocit膬葲ile r膬zboiului. Pe l芒ng膬 alinarea ce le-o aduc scrisorile, ei 卯ncep s膬 卯n葲eleag膬 adev膬ruri pe care le-au ignorat sau ocolit p芒n膬 atunci - despre lume, despre iubire, despre sine sau p膬rin葲i, despre ceea ce conteaz膬 cu adev膬rat 卯n via葲膬. Niciun om nu e fericit p膬n芒 nu se consider膬 chiar el fericit, spune 艦i艧kin, iar cei doi g膬sesc fericirea acolo unde se a葯teapt膬 mai pu葲in.
Dup膬 c芒teva zeci de pagini, intensitatea prozei scade cu un ton sau mai mult, odat膬 cu dep膬rtarea 卯n timp 葯i 卯n spa葲iu a celor doi. Pasiunea 葯i foamea de tandre葲e sunt 卯nlocuite cu altceva, mai trainic 葯i mai rezistent, pe m膬sur膬 ce Sa葯a 葯i Volodia se deschid c膬tre o altfel de cunoa葯tere. 脦n cazul lor, cuvintele lui Democrit - care spune c膬 doar trupurile se pot atinge cu adev膬rat, c膬ci 卯ntre suflete r膬m芒ne 卯ntotdeauna un spa葲iu - se dovedesc a fi ne卯ntemeiate. Sufletele lor r膬m芒n conectate 卯ntr-o dimensiune ce transcende via葲a 葯i moartea, un loc numai al lor 卯n care spiritele se reg膬sesc, chiar dac膬 unul dintre ei a disp膬rut din lumea palpabil膬 a materiei. Singur膬tatea trupului este salvat膬 de certitudinea unei iubiri ideale 葯i indestructibile. C芒nd oamenii sunt 卯mpreun膬, nu are importan葲膬 unde sunt trupurile lor.
Dac膬 ave葲i chef de citit mai mult dec芒t at芒t, varianta lung膬 se afl膬 pe blog:
December 27, 2018
2018'de en be臒endi臒im 莽eviri kurgular listesi haz谋rlasayd谋m Mektuplar谋n Roman谋 bu listede yerini al谋rd谋.
Kuzey 脟in cephesinde sava艧an bir adam ve onun geride b谋rakt谋臒谋, sevdi臒i kad谋n谋n birbirlerine g枚nderdi臒i mektuplar 艧eklinde kurgulanm谋艧 bir roman. Asl谋nda iki roman bile diyebiliriz. 脟眉nk眉 adam谋n sava艧谋n ortas谋ndan yazd谋klar谋 ayr谋 bir hik芒ye, kad谋n谋n sava艧 d枚neminde sava艧 d谋艧谋nda s眉regelen hayattan yazd谋klar谋 ayr谋 bir hik芒ye gibiydi. 艦i艧kin, "d眉nyadaki her 艧ey, d眉nyadaki her 艧eyle kafiyeli" diyor sayfa 11'de. Bu iki insan da birbirlerinin kafiyesiydi sanki.
Kitab谋n en g眉zel yan谋 ise kurgu de臒il de ger莽ek mektuplar okuyormu艧 hissi vermesiydi.
脟ok iyiydi!
Kuzey 脟in cephesinde sava艧an bir adam ve onun geride b谋rakt谋臒谋, sevdi臒i kad谋n谋n birbirlerine g枚nderdi臒i mektuplar 艧eklinde kurgulanm谋艧 bir roman. Asl谋nda iki roman bile diyebiliriz. 脟眉nk眉 adam谋n sava艧谋n ortas谋ndan yazd谋klar谋 ayr谋 bir hik芒ye, kad谋n谋n sava艧 d枚neminde sava艧 d谋艧谋nda s眉regelen hayattan yazd谋klar谋 ayr谋 bir hik芒ye gibiydi. 艦i艧kin, "d眉nyadaki her 艧ey, d眉nyadaki her 艧eyle kafiyeli" diyor sayfa 11'de. Bu iki insan da birbirlerinin kafiyesiydi sanki.
Kitab谋n en g眉zel yan谋 ise kurgu de臒il de ger莽ek mektuplar okuyormu艧 hissi vermesiydi.
脟ok iyiydi!
April 8, 2015
毓賳 丕賱丨亘 賵丕賱廿卮鬲賷丕賯 賱賱賯丕亍貙 毓賳 丕賱亘丐爻 賮賷 鬲賮丕氐賷賱 丕賱賲毓乇賰丞貙 毓丕卮賯賷賳 賮乇賯鬲賴賲丕 丕賱丨乇亘 賵噩賲毓鬲賴賲丕 丕賱乇爻丕卅賱.
乇賵丕賷丞 鬲噩賲毓 賳氐賵氐 乇爻丕卅賱 鬲亘丕丿賱鬲 亘賷賳 噩賳丿賷 賲丨亘 賵胤亘賷亘丞 毓丕卮賯丞 賮賷 禺囟賲 馗乇賵賮 丨賷丕鬲賷丞 爻賷卅丞 賱鬲馗賴乇 鬲賮丕氐賷賱 賲丕賷毓賷卮賵賳賴 賮賷 鬲賱賰 丕賱乇爻丕卅賱 賵賱鬲氐賯賱 賲卮丕毓乇 丕賱乇睾亘丞 亘丕賱賱賯丕亍貙 鬲乇噩賲丞 丿.賮丐丕丿 丕賱賲乇毓賷 賰丕賳鬲 乇丕卅毓丞 賵賳賵毓賷丞 賵乇賯 丕賱賰鬲丕亘 賳爻禺丞 丕賱丿丕乇 丕賱毓乇亘賷丞 賱賱毓賱賵賲 噩賲賷賱丞 賵賮丕禺乇丞.
乇賵丕賷丞 鬲噩賲毓 賳氐賵氐 乇爻丕卅賱 鬲亘丕丿賱鬲 亘賷賳 噩賳丿賷 賲丨亘 賵胤亘賷亘丞 毓丕卮賯丞 賮賷 禺囟賲 馗乇賵賮 丨賷丕鬲賷丞 爻賷卅丞 賱鬲馗賴乇 鬲賮丕氐賷賱 賲丕賷毓賷卮賵賳賴 賮賷 鬲賱賰 丕賱乇爻丕卅賱 賵賱鬲氐賯賱 賲卮丕毓乇 丕賱乇睾亘丞 亘丕賱賱賯丕亍貙 鬲乇噩賲丞 丿.賮丐丕丿 丕賱賲乇毓賷 賰丕賳鬲 乇丕卅毓丞 賵賳賵毓賷丞 賵乇賯 丕賱賰鬲丕亘 賳爻禺丞 丕賱丿丕乇 丕賱毓乇亘賷丞 賱賱毓賱賵賲 噩賲賷賱丞 賵賮丕禺乇丞.
September 26, 2017
It is the most real book I have read so far and this is what makes it excruciating beautiful. It broke my heart so many times and I was not sorry.
November 9, 2014
I take a book by some wise hermit or other, hoping to find, if not the answer, then at least the correctly phrased question, and in a single voice all the wise men exhort me to live in the present, delight in the transient moment. But it's not that easy!
How can I rejoice in the present, if it's pointless and worthless? And everything makes me feel sick- the wallpaper, the ceiling, the curtains, the town outside the window, all of it that's not me. And I make myself feel sick, because I'm not me too, like all the rest of it. My short, squalid past, composed entirely of stupidities and humiliations, makes me feel sick. And the future, in particular, makes me feel sick.
[...]
A moment came when I sensed the connection very intensely: This frozen cosmic void that I simply couldn鈥檛 drag myself out of could only be filled by that miraculous humming, rustling, booming, swelling tidal wave of words. It turned out that the present moment, the transient, only becomes joyful and meaningful when it passes through words. And without that, the joy in the present that the wise men exhorted me to experience is simply impossible. The entire present moment is paltry and useless if it does not lead to words and if words do not lead to it. Only words can somehow justify the existence of the existent, give meaning to the momentary, make the unreal real, make me me.
[...]
The more of myself I transferred into words, the more obvious it became that words were powerless to express anything. Or, rather, it鈥檚 like this鈥攚ords can create something of their own, but you can鈥檛 become words. Words are cheats. They promise to carry you off on the voyage into eternity, and then they set out in secret under full sail, stranding you on the shoreline.
But the most important point is that reality doesn鈥檛 fit into any words. Reality strikes you dumb. Everything important that happens in life is beyond words. There comes a point when you understand that if what you have experienced can be expressed in words, it means you haven鈥檛 experienced anything.
How can I rejoice in the present, if it's pointless and worthless? And everything makes me feel sick- the wallpaper, the ceiling, the curtains, the town outside the window, all of it that's not me. And I make myself feel sick, because I'm not me too, like all the rest of it. My short, squalid past, composed entirely of stupidities and humiliations, makes me feel sick. And the future, in particular, makes me feel sick.
[...]
A moment came when I sensed the connection very intensely: This frozen cosmic void that I simply couldn鈥檛 drag myself out of could only be filled by that miraculous humming, rustling, booming, swelling tidal wave of words. It turned out that the present moment, the transient, only becomes joyful and meaningful when it passes through words. And without that, the joy in the present that the wise men exhorted me to experience is simply impossible. The entire present moment is paltry and useless if it does not lead to words and if words do not lead to it. Only words can somehow justify the existence of the existent, give meaning to the momentary, make the unreal real, make me me.
[...]
The more of myself I transferred into words, the more obvious it became that words were powerless to express anything. Or, rather, it鈥檚 like this鈥攚ords can create something of their own, but you can鈥檛 become words. Words are cheats. They promise to carry you off on the voyage into eternity, and then they set out in secret under full sail, stranding you on the shoreline.
But the most important point is that reality doesn鈥檛 fit into any words. Reality strikes you dumb. Everything important that happens in life is beyond words. There comes a point when you understand that if what you have experienced can be expressed in words, it means you haven鈥檛 experienced anything.
May 13, 2020
賴匕賴 丕賱乇賵丕賷丞 噩毓賱鬲賳賷 兀爻鬲毓丿 賱毓賳丕賯賽 賰賱賾 卮賷亍...丕賱丨亘賾..丕賱丨賷丕丞..丕賱賲賵鬲..
賴賷 爻賮乇 噩賲賷賱 賮賷 爻賮賷賳丞 鬲賲乇購賾 毓亘乇 噩購夭乇 亘丿賷毓丞..賵兀禺乇賶 賲乇賷乇丞..
賱鬲毓賱賲賳丕 兀賳 丕賱兀賱賲 胤購毓賲 賲乇賾 賱賰賳賴 賲賮鬲丕丨 賱賮賴賲 丕賱丨賷丕賴..
亘賱 賲賮鬲丕丨 賱賱廿丨爻丕爻 亘賰賱 卮賷亍...
賱賵賱丕賴 賱馗賱賱賳丕 賮賷 鬲賷賴賺 賵毓鬲賴 賱丕 賷賰丕丿 賷亘賷賳..
賲賳 禺賱丕賱 賲乇丌丞 兀丿亘 丕賱乇爻丕卅賱 賴匕賴...賳乇賶 兀賳賮爻賳丕 賰賲丕 賳購丨亘 兀賳 賳賰賵賳..
睾丕賱亘丕 賲丕 賳丨丕賵賱 兀賳 賳馗賴乇 亘賲賳馗乇 丕賱匕賷賳 賱丕 賷兀亘賴賵賳 賱賰賱賲丞 丕賱丨亘賾..
賱賰賳賳丕 賳噩丿 兀賳賮爻賳丕 兀賲丕賲 賴匕賴 丕賱乇賵丕賷丞 丕賱噩賲賷賱丞 毓乇丕丞賸 賲賳 賰賱賾 鬲馗丕賴乇 兀賵 賲丨丕賵賱丞 廿禺賮丕亍 ...
賴賷 爻賮乇 噩賲賷賱 賮賷 爻賮賷賳丞 鬲賲乇購賾 毓亘乇 噩購夭乇 亘丿賷毓丞..賵兀禺乇賶 賲乇賷乇丞..
賱鬲毓賱賲賳丕 兀賳 丕賱兀賱賲 胤購毓賲 賲乇賾 賱賰賳賴 賲賮鬲丕丨 賱賮賴賲 丕賱丨賷丕賴..
亘賱 賲賮鬲丕丨 賱賱廿丨爻丕爻 亘賰賱 卮賷亍...
賱賵賱丕賴 賱馗賱賱賳丕 賮賷 鬲賷賴賺 賵毓鬲賴 賱丕 賷賰丕丿 賷亘賷賳..
賲賳 禺賱丕賱 賲乇丌丞 兀丿亘 丕賱乇爻丕卅賱 賴匕賴...賳乇賶 兀賳賮爻賳丕 賰賲丕 賳購丨亘 兀賳 賳賰賵賳..
睾丕賱亘丕 賲丕 賳丨丕賵賱 兀賳 賳馗賴乇 亘賲賳馗乇 丕賱匕賷賳 賱丕 賷兀亘賴賵賳 賱賰賱賲丞 丕賱丨亘賾..
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October 11, 2022
Poetic膬 葯i plictisitoare, emo葲ionant膬 葯i inutil膬, romantic膬 葯i stearp膬. Bizar膬 carte!
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