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311 pages, Paperback
First published April 22, 2008
鈥淒on鈥檛 waste your money on those American books. They saw yesterday. I am tomorrow鈥�
鈥淚 love my startup. I will get bored with it sooner or later. I will sell this start-up to other morons and head into a new line. I am thinking of real estate next. You see, I am always a man who sees tomorrow when others see today.鈥�
鈥淪trange thoughts brew in your heart when you spend too much time with old books鈥�
They remain slaves because they can鈥檛 see what is beautiful in this world. That鈥檚 the truest thing anyone said鈥ven as a boy I could see what was beautiful in the world: I was destined not to stay a slave.The White Tiger is a grim, biting, unsubtle look at 21st Century India, stuck in the mire of a corrupt, cynical past, and debauching and slaughtering its way into a corrupt and cynical future, told by a working class fellow who, through ambition, intelligence, and a willingness to be utterly ruthless is clawing his way up the rungs of the Indian class ladder. It paints a bleak picture, offering little optimism for an India that will be any cleaner, fairer or more humane than the India it is replacing.
their children were gone but the Animals stayed and fed on the village, and everything that grew in it, until there was nothing left for anyone else to feed on.Class is written in flesh
A rich man鈥檚 body is like a premium cotton pillow, white and soft and blank. Ours are different. My father鈥檚 spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog鈥檚 collar; cuts and nicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man鈥檚 life is written on his body, in a sharp pen.The old ways are a drag on the people of India - [regarding the cremation of his mother and the attempt to move her remains into the Ganges]
The mud was holding her back: this big, swelling mound of black ooze. She was trying to fight the mud; her toes were flexed and resisting; but the mud was sucking her in, sucking her in. It was so thick, and more of it was being created every moment as the river washed into the ghat. Soon she would become part of the black mound and the pale-skinned dog would start licking her.
And then I understood: this was the real god of Benaras鈥攖his black mud of the Ganga into which everything died and decomposed, and was reborn from, and died into again. The same would happen to me when I died and they brought me here. Nothing would be liberated here.
That was the positive side of The Great Socialist. He humiliated all our masters鈥攖hat鈥檚 why we kept voting him back.Sounds like something with applicability across many nations and cultures. Adiga shows his sharp satirical sense, toward the use of religion in Indian life again and again. After Balram gains an advantage over another servant, the servant is forced to flee.
When I woke up he was gone鈥攈e had left all his images of gods behind, and I scooped them into a bag. You never know when those things can come in handy.And religion is not the only opiate of the masses.
just because drivers and cooks in Delhi are reading Murder Weekly it doesn鈥檛 mean that they are all about to slit their masters鈥� necks. Of course they鈥檇 like to. Of course, a billion servants are secretly fantasizing about strangling their bosses鈥攁nd that鈥檚 why the government of India publishes this magazine and sells it on the streets for just four and a half rupees so that even the poor can buy it. you see, the murderer in the magazine is so mentally disturbed and sexually deranged that not one reader would want to be like him鈥攁nd in the end he always gets caught by some honest, hardworking police officer (ha!), or goes mad and hangs himself by a bedsheet after writing a sentimental letter to his mother or primary school teacher, or is chased, beaten, buggered, and garroted by the brother of the woman he has done in. So if your driver is busy flicking through the pages of Murder Weekly, relax. No danger to you. Quite the contrary. It鈥檚 when your driver starts to read about Ghandi and the Buddha that it鈥檚 time to wet your pants.There are upstairs/downstairs refrains as well. When Balram and his employer are living in Delhi, the master lives in a nice apartment in the high rise, while Balram is relegated to a tiny, roach-infested space in the basement.
Never before in human history have so few owed so much to so many鈥 handful of men in this country have trained the remaining 99.9 percent鈥攁s strong, as talented, as intelligent in every way鈥攖o exist in perpetual servitude; a servitude so strong that you can put the key of his emancipation in a man鈥檚 hands and he will throw it back at you with a curse.After Balram has committed his large crime, he takes care of his young cousin, but sees that their relationship is less one of kin than one of necessity:
Oh, he鈥檚 got it all figured out, I tell you. Little blackmailing thug. He鈥檚 going to keep quiet as long as I keep feeding him. If I go to jail, he loses his ice cream and milk, doesn鈥檛 he? That must be his thinking. The new generation, I tell you, is growing up with no morals at all.It is clear that while family is a glue that binds Indian together, Balram has abandoned his. In Balram鈥檚 brave new world, it is every man for himself.
"Apparently, sir, you Chinese are far ahead of us in every respect, except that you don't have entrepreneurs. And our nation, though it has no drinking water, electricity, sewerage system, public transportation, sense of hygiene, discipline, courtesy, or punctuality, does have entrepreneurs. Thousands and thousands of them. Especially in the field of technology."There was also a great deal of sadness in the book, especially the treatment of the underclass who built the city, and are trapped there, hidden from plain view, employed in poor conditions and at low grade jobs, and in some cases held in slavery conditions. Balram refers to this as the "rooster coop".
"Hundreds of pale hens and brightly coloured roosters, stuffed tightly into wire-mesh cages, packed as tightly as worms in a belly, pecking each other and shitting on each other, jostling just for breathing space; the whole cage giving off a horrible stench 鈥� the stench of terrified, feathered flesh."The White Tiger brilliantly portrays the emotions, sorrows, and aspirations of the poor. For Adiga, his achievement is capturing a stirring, a glimmer of a refusal by the poor to accept the fate ordained for them by their masters.