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唳� 唳灌Θ唰嵿Ο唳む
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189 pages, Hardcover
First published January 1, 1974
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About the author
Maitreyi Devi
13听books63听followersMaitreyi Devi (bn: 唳唳む唳班唰熰 唳︵唳) was a Bengali-born Indian poetess and novelist, the daughter of philosopher Surendranath Dasgupta and proteg茅e of poet Rabindranath Tagore. She was the basis for the main character in Romanian-born writer Mircea Eliade's 1933 novel La Nuit Bengali (Bengal Nights). In her 唳� 唳灌Θ唰嵿Ο唳む (It Does Not Die) novel, written as a response to Bengal Nights, Maitreyi Devi denied claims of a sexual affair between her and Eliade during the latter's sojourn in British India.
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July 26, 2023
Maitreyi recibe la visita de un amigo de Mircea Eliade. El autor fue su primer amor 42 a帽os atr谩s. El tal amigo le ense帽a un poemario que ella escribi贸 con 16, un libro que ella us贸 en aquellos tiempos remotos para mandarle un mensaje desesperado al autor rumano: 鈥滿ircea, Mircea, le he dicho a mi madre que solo me has besado en la frente.鈥�
鈥淗as trastocado mi mundo. Has reabierto la herida que ha estado cerrada durante cuarenta a帽os. Se ha puesto a sangrar, no puedo detener la hemorragia.鈥�Este encuentro remueve un pasado que ella cre铆a olvidado y que ahora revive tan actual como el presente que vive moderadamente feliz junto a su marido.
鈥淣o, no estoy hablando de otra vida, no es una vida pasada, ocurri贸 el otro d铆a, hace apenas cuarenta y dos a帽os.鈥�Un pasado que m谩s que olvidado era un pasado enterrado a causa de un amor tan profundo como doloroso, un amor que todav铆a siente por alguien al que se resiste, no siempre con 茅xito, a creer que la abandon贸 cobardemente.
鈥淐laro que te traicion贸. Al menor reproche de pap谩, huy贸 con la cola entre las piernas. No era hombre. 驴A qui茅n le importa su erudici贸n? El car谩cter es m谩s importante que los libros. Pero mi otra mente insiste. 驴Por qu茅 est谩s tan enojada? 驴Quiz谩 te escribiera y no te llegaran sus cartas, o quiz谩 tus cartas no le llegaran a 茅l. Y una tercera, en lo m谩s honde de mi ser, ajena a los argumentos y la l贸gica, dice鈥� Escucha el mensaje del alma, escucha el silencio, Con el coraz贸n, no los o铆dos o el intelecto, oir谩s el eco de la verdad. No te ha enga帽ado.鈥�Un amor que ella decide relatar en su novela como respuesta tard铆a a aquella otra de Eliade que extra帽amente ella nunca quiso leer (鈥淗oy hace cuarenta y dos a帽os que Mircea se march贸; he o铆do hablar del libro que lleva mi nombre, pero no he querido nunca conocer su contenido"), pero de la que recibe noticias por boca de otros que le cuentan el car谩cter er贸tico que Mircea atribuye a la relaci贸n y que realmente nunca tuvo, y que la coloc贸 en una posici贸n personal muy comprometida. Un dolor que, no obstante, no destruy贸 su amor (鈥淓l amor no muere鈥� es el subt铆tulo del libro).
鈥溌縀s miedo? 驴Temo el esc谩ndalo y la deshonra?... no es as铆. Lo que ha estado creciendo detr谩s del miedo lo ha destruido: el amor, un amor indestructible e imperecedero. La llama del amor ha destruido todo lo dem谩s y ha empezado a despedir luz. La luz ha penetrado en lo m谩s honde de mi ser y en cada rinc贸n de mi coraz贸n, y todos los callejones sin salida se han iluminado鈥�. Ya no me importan esas peque帽as verdades y falsedades. Solo quiero verlo otra vez鈥︹€�En la hermosa novela de Maitreyi, m谩s hermosa a煤n que la de Mircea, se mezcla maravillosamente el pasado y el presente. En 茅l se habla desde la situaci贸n de la mujer en aquella India poscolonial, de la lucha por la independencia del pa铆s, del anquilosamiento de las tradiciones tan dif铆ciles de erradicar, hasta la descripci贸n de lo que fue su vida junto al hombre con el que la casaron sus padres (鈥淢e casaron con alguien catorce a帽os mayor que yo y me desterraron a una c谩rcel solitaria. Hicieron cuanto estuvo en su mano para matarme el alma鈥�), una vida que, afortunadamente, no fue tan mala como cabr铆a esperar, apacible, pero sin pasi贸n hacia un hombre que result贸 ser un santo con ideas realmente avanzadas para el mundo que les toc贸 vivir.
鈥溾€� yo hab铆a entrado en Mahakala, el Tiempo Infinito, el tiempo que no tiene principio ni fin... estar presente en dos momentos distintos a la vez.鈥�Es tambi茅n el relato de dos luchas interiores, una, hace 42 a帽os, por la relaci贸n secreta que mantuvo con Mircea, un hombre extranjero que desplazaba en su coraz贸n a Rabindranath Tagore al que prometi贸 ser siempre el m谩s amado, y que la puso en contra de todo lo que hab铆a sido su mundo hasta ese momento, y, en el momento actual, los sentimientos contradictorios que siente por volver a encontrarse con Mircea tras tantos a帽os de separaci贸n, de no saber apenas nada el uno del otro, estando esa novela mentirosa de por medio.
鈥溌縋or qu茅 me vuelve todo esto despu茅s de tantos a帽os? 驴D贸nde est谩 aquel Mircea?... Estoy aqu铆, formo parte del soplo de tu vida. 驴Por qu茅 has olvidado durante tanto tiempo? 驴Por qu茅? 驴Por qu茅? 驴Por qu茅?鈥�Unas luchas interiores que, tras el remanso de paz que en t茅rminos generales ha sido su vida, siente ahora como una bendici贸n al provocarle nuevamente 鈥渓as atroces emociones de su juventud鈥�, de invitarla a vivir lo que nunca pudo ser, un sentimiento que la elevaba a la inmortalidad.
鈥淪e me ha ca铆do la c谩scara de la edad y arde la llama de un alma eternamente joven鈥�
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February 24, 2021唳唳む唳� 唳唳む唳班 唳︵唳溹Θ唰囙Π 唳唰嵿Δ唳唳� 唳� 唳Θ唳唳� 唳︵唳唰� 唳多唳ㄠΣ唳距Ξ 啷�
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唳唳ㄠ 唳嗋Ξ唳� 唳唳澿Σ唳距Ξ 唳ㄠ , 唳忇 唳侧唳� 唳膏唳� 唳曕Μ唰� 唳忇唳熰 唳唳唰囙唰� 唳唳侧唳唳膏 唳唳Π唰嵿Ε 唳灌Ο唳监唳涏唳侧 唳嗋Π 唳む唳班Κ唳� 唳膏唳� 唳侧唳� 唳忇Δ唰嬥 唳灌Δ唳距Χ 唳灌Ο唳监 唳椸唳侧 唳 唳唳侧唳唳膏唳� 唳膏唳唳曕唳班唳曕唳む 唳︵唳唰� 唳ㄠ唳ㄠ 唳оΠ唳ㄠ唳� 唳曕Ε唳� 唳侧唳栢 唳 唳灌唳膏唳 唳涏唳唳唰� 唳︵唳侧 啷� 唳忇Π唳Π 唳嗋Μ唳距Π 唳膏唳囙Ω唳� 唳曕Ε唳距Π 唳溹Μ唳距Μ 唳︵唳唰� 唳唳唰囙唳� 唳呧Θ唰囙 唳唳� 唳Π 唳嗋Π唰囙唳熰 唳 唳侧唳栢Σ唰� 啷� 唳膏唳� 唳唳む 唳膏 唳唳澿唳む 唳氞唳囙唰� 唳侧唳曕唳� 唳む唳︵唳� 唳膏Ξ唰嵿Κ唳班唳� 唳ㄠ唳唰� 唳唳膏Μ 唳曕Ε唳� 唳侧唳栢唳涏唳侧 唳む唳� 唳唳多唳班Ν唳距 唳� 唳唳ㄠ唳ㄠ , 唳曕唳粪唳唳� 唳唳苦唳唳班唳距Χ !
唳む 唳唳 唳唳澿Σ唳距Ξ 唳膏Μ唳� , 唳曕唳ㄠ唳む 唳唳多唳唳� 唳曕Π唳 唳曕唳� 唳曕Ε唳� ?
唳嗋Ξ唳班 唳唳犩唳班 唳む 唳樴唳ㄠ唳膏唳ムΣ唰� 唳夃Κ唳膏唳ム唳� 唳涏唳侧唳� 唳ㄠ 啷� 唳嗋唰嵿唳� 唳оΠ唰� 唳ㄠ唳侧唳� 唳嗋Κ唳ㄠ唳班 唳︵唳囙唳� 唳� 唳膏Δ唰嵿Ο唳� 唳唳ム唳 唳唳多唳囙Ο唳监 唳侧唳栢Σ唰囙Θ 唳曕唳ㄠ唳む 唳忇 唳 唳侧唳栢Σ唰囙Θ 唳曕唳膏唳� 唳溹Θ唰嵿Ο 唳侧唳栢Σ唰囙Θ ? 唳嗋Κ唳ㄠ唳班 唳曕 唳嗋唳距Π 唳囙唰嵿唳苦Δ唰� 唳膏唳Η唳距Θ 唳曕Π唳む 唳氞唳唰囙唰囙Θ 唳 唳曕唳� 唳唳班Δ唰€唳 唳ㄠ唳班 唳曕 唳唳侧唳唳膏 唳ㄠ , 唳Ω唰嵿Δ唳距Δ唰� 唳灌Ο唳� 唳曕唳傕Μ唳� 唳膏Δ唳班唳� 唳曕Π唰囙唰囙Θ 唳 唳曕唳� 唳唳︵唳多 唳唳 唳曕 唳唳侧唳唳膏Σ唰� 唳曕唳ㄠ 唳膏唳栢 唳灌Δ唰� 唳唳班Μ唰� 唳ㄠ 鈥� ?
唳ㄠ唳溹唳� 唳曕Ε唳� 唳Ζ唳� 唳Σ唳� , 唳嗋Ξ唳� 唳む 唳唳粪唳犩唳 唳唳粪唳犩唳 唳呧Ω唰佮 唳嗋Π 唳唳曕唳班唳� 唳椸Θ唰嵿Η 唳涏唳∴唳� 唳曕唳涏唳� 唳唳侧唳� 唳ㄠ 啷� 唳嗋Ξ唳距Π 唳Θ唰� 唳灌Ο唳监唳涏 唳忇Π唳� 唳︵唳囙唳� 唳� 唳唳ㄠΩ唳苦 唳唳 唳唳班Ω唳距Ξ唰嵿Ο唳灌唳� 啷� 唳忇Ζ唰囙Π 唳︵唳囙唳ㄠ唳� 唳� 唳熰唳班唳椸唳� 唳涏唳侧 唳ㄠ唳溹唳︵唳� 唳忇唳熰 唳ㄠ唳班唳Ζ 唳膏唳ム唳ㄠ 唳班唳栢 唳唳曕唳む唳� 唳︵唳唳班 唳膏Μ唳距唳曕 唳唳澿唳ㄠ 鈥樷€權Δ唰嬥Ξ唳距Π唰� 唳唳侧唳唳膏 唳嗋Ξ唳� 唳む唳唳� 唳氞唳囙Δ唰� 唳唳多 唳曕Ψ唰嵿 唳唳唰囙唳库€欌€�
唳む 唳忇唳溹Θ 唳む 唳唳侧唳唳膏 唳樴Π唰囙Π 唳涏唳侧 唳樴Π唰� 唳唳班 唳椸唳侧 ,唳嗋Π 唳嗋Π唰囙唳溹Θ 唳唳唰� 唳曕Π唰� 唳唳班唳 唳む唳班唳� 唳唳唳む唳班唳� 唳唳� 唳忇唰嵿唰囙Μ唳距Π唰� 唳膏唳栢 唳多唳ㄠ唳む唳む 唳樴Π 唳膏唳膏唳� 唳曕Π唰� 唳多唳粪 唳唳︵唳� 唳Ο唳监Ω唰� 唳唳班唳むΘ 唳唳班唳唳� 唳膏唳唳む 唳班唳Θ唰嵿Ε唳� 唳曕Π唰� 唳唳氞唳涏唳む唳� 唳班唳� 唳唳Π唰嵿Ο唳膏唳� 唳灌Ο唳监 唳椸唳侧 啷むΟ唰囙唳膏唳� 唳唳Π唰嵿Ο唳膏唳� 唳ㄠ ; 唳忇Ξ唳� 唳唳Π唰嵿Ο唳膏唳� 唳 唳氞Σ唰嵿Σ唳苦Χ 唳唳� 唳Π 唳膏 唳氞Σ唰� 唳椸唳侧 唳む唳� 唳膏唳� 唳唳班唳唳曕唳� 唳膏唳ム 唳︵唳栢 唳曕Π唳む 啷� 唳︵唳班唳樴Ζ唳苦Θ 唳Π 唳唳︵唳� 唳唳班唳唳� 唳唳班唳唳曕唳� 唳唳ㄠΠ唰嵿Ξ唳苦Σ唳ㄠ 唳曕Ε唳距Μ唳距Π唰嵿Δ唳� 唳︵唳� 唳ㄠΟ唳监Θ 唳呧Χ唰嵿Π唰佮Ω唳苦唰嵿Δ 唳曕Π唳む 唳む 唳唳班唳� 唳ㄠ 唳夃Σ唰嵿唰� 唳唳班 唳唳唳唳班唳� 唳曕Σ唰嵿Κ唳ㄠ 唳曕Π唰� 唳Ε唰囙Ψ唰嵿 唳灌唳膏唳唳� 唳侧唳椸唳涏 唳嗋Ξ唳距Π 唳曕唳涏啷�
唳 唳唳澿Σ唳距Ξ 唳侧 唳ㄠ唳� 唳唳權唳椸Σ唰€ 唳嗋Π 唳� 唳灌Θ唰嵿Ο唳む唳� 唳膏唳班Ξ唳班唳� 唳灌Σ唰� 鈥� 鈥樷€權Ω唳� 唳︵唳� 唳呧Ν唳苦Ν唳距Μ唳曕唳� 鈥欌€�
唳︵唳囙唳� 唳忇Δ唰� 唳灌唳唳溹唳 唳ㄠ 唳侧唳栢 唳侧 唳ㄠ唳� 唳唳權唳椸Σ唰� 唳唳班唳氞 唳侧唳栢Δ唰囙Θ 唳唳む唳班唳唰€唳� 唳唳む 唳唳む 唳唳多 唳唳澿; 唳む唳班 唳嗋Ξ唳距Ζ唰囙Π 唳膏唳ム 唳呧Θ唰囙 唳呧Θ唰嵿Ο唳距Ο唳� 唳曕Π唰囙唰囙Θ 唳忇Π 唳Ζ唳侧 唳� 唳灌Θ唰嵿Ο唳む 唳む 唳唳む唳班唳唰€ 唳︵唳 唳侧唳栢Δ唰� 唳唳班Δ唰囙Θ 唳唳班唳氞唳� 唳曕Ε唳� 唳膏Δ唰嵿Ο 唳唳Ω 啷�
唳む唳� 唳唳班唳氞 唳膏唳灌唳唳� 唳曕Ε唳� 唳忇唳熰 唳Α唳监Δ唰� 唳唳班唳苦Σ唳距Ξ 唳曕唳班Γ 唳ㄠ唳溹唳� 唳曕Ε唳� 唳む唳ㄠ 唳呧Θ唰囙 唳曕Ξ 唳Σ唰囙唰囙Θ ,唳唳班 唳曕Θ唳唳膏Θ 唳熰唳� 唳涏唳侧 唳︵唳囙唳� 唳班 唳ㄠ唳唰� 唳曕唳ㄠ唳む 唳唳む唳班唳唰€ 唳︵唳 唳撪Ω唳唳� 唳о唳� 唳о唳班唳� 唳ㄠ唳� 啷� 唳む唳� 唳唳多唳班Ν唳距 唳曕Ε唳距 唳涏唳侧 唳唳唳灌Π 唳Π唰囙Π 唳溹唳Θ 唳ㄠ唳唰� 啷� 唳多唳粪Κ唳班唳Θ唰嵿Δ 唳嗋Ξ唳� 唳唳澿Δ唰囙 唳唳班Σ唳距Ξ 唳ㄠ 唳曕 唳︵唳唰� 唳曕 唳Α唳监Σ唳距Ξ !
唳嗋Ξ唳班 唳唳犩 唳班 唳嗋Θ唳ㄠ唳� , 唳︵唳冟 , 唳曕Ψ唰嵿 , 唳灌唳膏 , 唳曕唳ㄠ唳ㄠ , 唳樴唳｀ , 唳唳班唰嵿Δ唳� 唳嗋Π 唳灌Δ唳距Χ 唳灌唳唳距Π 唳曕Ε唳� 唳椸唳侧 唳唳ム唳 唳班唳栢唳� 唳忇唳熰 唳 唳灌唳む 唳む唳侧 唳ㄠ唳� 啷� 唳唳班 唳膏Ξ唳唳熰 唳嗋Χ唳� 唳ム唳曕 唳曕唳� 唳ㄠ 唳曕唳� 唳忇唳熰 唳唳侧唳� 唳唳囙Σ唰囙 唳灌唳侧 ! 唳曕唳ㄠ唳む 唳唳唳班唳ㄠ唳む ! 唳唳唳班唳ㄠ唳� 唳灌唳唳距Π 唳溹Θ唰嵿Ο 唳唳多唳� 唳唳侧唳熰唳� 唳唳唳� 唳膏唳灌唳唳� 唳唳班唳膏唳熰 唳Α唳监唳唳� 唳唳唰囙Π 唳唳氞唳� 唳灌唳膏 唳嗋Π 唳ㄠ唳膏唳む唳� 唳熰唳唳侧 唳呧Κ唳唳� 唳曕唳傕Μ唳� 唳Π唳距Ξ唳班唳� 唳︵唳撪Ο唳监唳� 唳Π唳苦唳侧唳Θ唳� 唳曕Π唰� 唳︵唳粪唳熰 唳嗋唳班唳粪Θ唰囙Π 唳氞唳粪唳熰 唳曕Π唰� 唳唳唳� 唳︵唳撪Ο唳监 唳栢唳栢 唳曕唳多 唳曕 唳Ε唰囙Ψ唰嵿 唳ㄠ ?
唳唳澿唳Η唰嵿Ο唰� 唳Θ唰� 唳灌Ο唳� 唳膏唳粪唳熰唳曕Π唰嵿Δ唳� 唳曕唳涏 唳唳ㄠ唳粪Ζ唰囙Π 唳溹唳Θ唰� 唳曕唳� 唳 唳唳班唳� 唳唳侧唳唳膏 唳︵唳唰� 唳忇 唳唳唳佮唳距Σ唰� 唳溹唳ㄠ唳膏唳距Π唰� 唳嗋Π唰� 唳班Ω唳距Σ唰� 唳曕Π唰� 唳唳侧唳唰� 唳む唳侧唳� ! 唳む 唳唳� 唳膏 唳膏Ω唳� 唳曕Ε唳距イ 唳唳� 唳曕Ε唳� 唳灌Σ唰� 唳忇唳膏Μ 唳 唳膏Ξ唳 唳ㄠΨ唰嵿 唳曕Π唳距Π 唳溹Θ唰嵿Ο 唳栢唳 唳夃Κ唳唳曕唳� 啷� 唳曕唳班 唳夃Κ唳� 唳唳班唰嵿Δ 唳ム唳曕Σ唰� 唳曕唳傕Μ唳� 唳唳班Δ唳苦Χ唰嬥Η 唳ㄠ唳む 唳氞唳囙Σ唰� 唳溹唳� 唳曕Π唰� 唳Α唳监唳む 唳唳о唳� 唳曕Π唳む 唳唳班唳� 啷�
唳嗋Ξ唳� 唳嗋Ω唳侧 唳溹唳ㄠ 唳ㄠ 唳む唳唳� 唳唳班唰嵿Δ唳� 唳曕唳唳 唳唳班唳距Χ 唳曕Π唳む 唳灌Ο唳� ! 唳膏Δ唰嵿Ο唳� 唳溹唳ㄠ 唳ㄠ , 唳曕唳班Γ 唳嗋Ξ唳距Π 唳唳班唰嵿Δ唳苦Π 唳Η唰嵿Ο唰囙 唳曕唳唳 唳唳� 唳む唳唳多 唳氞Σ唰� 唳嗋Ω唰� 啷� 唳� 唳椸唳� 唳熰 唳多唳ㄠ唳涏唳� 唳ㄠ ? 唳愢Ο唰� 唳唳班唳唳� 唳Π唳� 唳溹Σ唰� 唳∴唳 唳ㄠ....
唳嗋Ξ唳� 唳唳唳唳班唳� 唳ㄠ唳唰� 唳呧Θ唰囙 唳氞唳ㄠ唳む唳唳Θ唳� 唳曕Π唳涏 啷� 唳唳班唳唳� 唳Π唳� 唳溹Σ唰� 唳∴唳 唳ㄠ 唳曕唳� ? 唳忇唳唳班 唳唳澿Σ唳距Ξ 唳∴唳 唳ㄠ 唳曕唳班Γ 唳唳班唳唳� 唳Π唳� 唳忇Δ唰嬥 唳唳粪唳曕唳� 唳忇Μ唳� 唳曕唰佮Ω唰嵿Μ唳距Ζ唳唳曕唳� 唳呧唳溹Ξ唰嵿Ο 唳溹唳ㄠ唳� 唳 唳膏唳熰 唳溹Σ 唳灌唳溹唳� 唳氞唳粪唳熰 唳曕Π唰囙 唳灌唳� 唳曕Π唳む 唳唳班 唳ㄠ 啷�
唳ㄠ 唳ㄠ 唳ㄠ , 唳曕唳� 唳む唳班 唳唳班 唳︵唳撪Ο唳监唳� 唳む 唳唳班Χ唰嵿Θ唰囙 唳嗋Ω唰� 唳ㄠ 啷� 唳膏唳灌唳む唳� 唳嗋唳距Ζ唰囙Ξ唳� 唳嗋Ξ唳距Ζ唰囙Π 唳唳傕Σ唳距Ζ唰囙Χ唰囙Π 唳唳傕Σ唳� 唳忇唳距Α唰囙Ξ唳苦Π 唳嗋唳む唳唳曕唳� 唳灌Σ唰� 唳呧Λ唳苦Ω唰� 唳椸唳唰� 唳Σ唰嬥唳� 唳曕唳熰唳囙Σ 唳唳班 唳︵唳唰� 唳嗋Ω唳む唳� 唳忇Δ唳曕唳粪Γ唰囙イ 唳膏唳熰 唳膏Ξ唰嵿Ν唳� 唳ㄠΟ唳� 唳唳灌唳む鈥︹€� 唳︵唳栢 唳唳班唳むΘ 唳曕唳椸 唳嗋Π 唳Δ唰嵿Π唳苦唳距Π 唳唳むΠ 唳 唳︵唳囙唳� 唳班唳栢 唳︵唳 啷� 唳唳椸唳� 唳唳侧 唳ム唳曕Σ唰� 唳曕唳� 唳忇 唳多唳曕唳班Μ唳距Π唰� 唳灌Ο唳监Δ唰� 唳曕唳椸唳撪Ο唳监唳侧 唳嗋Ξ唳距Π 唳夃Κ唳� 唳曕唳 唳曕Π唳拷锟斤拷唳� 啷� 唳唳氞唳班唳� 唳膏Ξ唳 唳Ζ唳� 唳む唳� 唳︵唳粪唳熰 唳唳班Δ唳距Π唳｀ 唳ㄠ 唳曕Π唰� 唳忇Μ唳� 唳唳唳熰 唳唳班Χ唰嵿Θ 唳曕Π唰� 唳Ω唰� 鈥樷€權Ν唳距 唳忇 唳 唳椸唳侧 唳氞唳侧 唳嗋Ω唳涏 , 唳ㄠ唳唰� 唳唳 ?鈥欌€� 唳む唳灌Σ唰� 唳曕Ε唳距唳� 唳多唳ㄠ唳� 唳ㄠ 唳多唳ㄠ唳� 唳唳� 唳曕Π唳む 唳灌Μ唰�
唳嗋Ξ唳距Ζ唰囙Π 唳唰嵿唳︵唳多 唳唳侧唳唳膏 唳曕Ψ唰嵿 唳唳撪Ο唳监 唳呧Θ唰囙唳熰 唳膏Μ 唳むΠ唳曕唳班 唳︵唳唰� 唳唳� 唳栢唳唰� 唳多唳粪Ξ唰囙Χ 唳∴唳夃Σ 唳︵唳唰� 唳唳ㄠ唳多唳� 唳︵唳撪Ο唳监唳� 唳Δ唰�
唳忇唳栢唳ㄠ 唳氞唳囙Σ唰囙 唳曕唳� 唳曕唳夃Π唰� 唳︵唳� 唳曕Π唰� 唳唳侧唳唳膏 唳唳侧Δ唰� 唳唳班 唳ㄠ 啷� 唳む唳︵唳� 唳氞唳ㄠ唳む唳 唳ム唳曕Δ唰� 唳灌Ο唳� 唳唳侧唳唳膏唳熰唳班 唳多唳� 唳Π唰嵿Ο唳ㄠ唳� 唳曕唳� 唳唳� 唳膏唳唳溹唳� 唳膏唳唳曕唳む唳撪Ο唳监唳侧 唳膏Ξ唰嵿Κ唳班唳曕 唳Π唳苦Γ唳� 唳曕Π唳� 唳唳 唳曕唳ㄠ ! 唳む唳涏唳∴唳� 唳嗋Π唰� 唳溹唳む , 唳Π唰嵿Γ , 唳膏唳熰唳唳熰唳� , 唳唳多唳� 唳唳班Ω唳距Ξ唰嵿Ο唰囙Π 唳唳唳唳� 唳膏唳唳唳� 唳嗋唰� 唳膏唳むΠ唳距 唳唳澿Δ唰囙 唳唳班唰囙Θ 唳嗋Κ唳ㄠ 唳唳唳唳班唳溹唳� 唳Δ唰� 唳唳班 唳む唳班 唳唳侧唳唳膏Δ唰� 唳唳班Μ唰囙Θ 唳ㄠ啷� 唳嗋Π 唳Ζ唳� 唳唳膏唳� 唳唳侧唳� 唳む唳灌Σ唰� 唳曕Ψ唰嵿 , 唳唳∴唳� , 唳澿唳唳侧唳� 唳曕Ε唳� 唳椸唳侧 唳唳ム唳 唳班唳栢唳� 唳樴唳� 唳栢唳撪Ο唳监唳� 唳溹Θ唰嵿Ο 唳唳犩 唳ㄠ唳Δ唰� 唳灌Μ唰� 啷�
唳唳� 唳灌唳� 唳唳� 唳曕Ε唳距Ο唳� 唳嗋Ω唳� ,唳む 唳︵唳栢 唳唳氞唳涏 唳唳侧唳唳膏唳 唳膏唳� 唳ム唳曕唳� 唳ㄠ 唳ム唳曕唳� 唳呧Ω唰佮 唳忇唳熰 唳ム唳曕Μ唰囙 ; 唳む唳� 唳唳侧 唳曕 唳唳多 唳呧Ω唰佮唰€ 唳膏唳熰 唳ㄠ唳唰� 唳む 唳曕Ξ唰嵿Κ唳苦唳苦Χ唳� 唳曕Π唳距Π 唳曕唳涏 唳ㄠ唳� , 唳む唳� 唳ㄠ?
唳唳ㄠ 唳嗋Ξ唳� 唳唳澿Σ唳距Ξ 唳ㄠ , 唳忇 唳侧唳� 唳膏唳� 唳曕Μ唰� 唳忇唳熰 唳唳唰囙唰� 唳唳侧唳唳膏 唳唳Π唰嵿Ε 唳灌Ο唳监唳涏唳侧 唳嗋Π 唳む唳班Κ唳� 唳膏唳� 唳侧唳� 唳忇Δ唰嬥 唳灌Δ唳距Χ 唳灌Ο唳监 唳椸唳侧 唳 唳唳侧唳唳膏唳� 唳膏唳唳曕唳班唳曕唳む 唳︵唳唰� 唳ㄠ唳ㄠ 唳оΠ唳ㄠ唳� 唳曕Ε唳� 唳侧唳栢 唳 唳灌唳膏唳 唳涏唳唳唰� 唳︵唳侧 啷� 唳忇Π唳Π 唳嗋Μ唳距Π 唳膏唳囙Ω唳� 唳曕Ε唳距Π 唳溹Μ唳距Μ 唳︵唳唰� 唳唳唰囙唳� 唳呧Θ唰囙 唳唳� 唳Π 唳嗋Π唰囙唳熰 唳 唳侧唳栢Σ唰� 啷� 唳膏唳� 唳唳む 唳膏 唳唳澿唳む 唳氞唳囙唰� 唳侧唳曕唳� 唳む唳︵唳� 唳膏Ξ唰嵿Κ唳班唳� 唳ㄠ唳唰� 唳唳膏Μ 唳曕Ε唳� 唳侧唳栢唳涏唳侧 唳む唳� 唳唳多唳班Ν唳距 唳� 唳唳ㄠ唳ㄠ , 唳曕唳粪唳唳� 唳唳苦唳唳班唳距Χ !
唳む 唳唳 唳唳澿Σ唳距Ξ 唳膏Μ唳� , 唳曕唳ㄠ唳む 唳唳多唳唳� 唳曕Π唳 唳曕唳� 唳曕Ε唳� ?
唳嗋Ξ唳班 唳唳犩唳班 唳む 唳樴唳ㄠ唳膏唳ムΣ唰� 唳夃Κ唳膏唳ム唳� 唳涏唳侧唳� 唳ㄠ 啷� 唳嗋唰嵿唳� 唳оΠ唰� 唳ㄠ唳侧唳� 唳嗋Κ唳ㄠ唳班 唳︵唳囙唳� 唳� 唳膏Δ唰嵿Ο唳� 唳唳ム唳 唳唳多唳囙Ο唳监 唳侧唳栢Σ唰囙Θ 唳曕唳ㄠ唳む 唳忇 唳 唳侧唳栢Σ唰囙Θ 唳曕唳膏唳� 唳溹Θ唰嵿Ο 唳侧唳栢Σ唰囙Θ ? 唳嗋Κ唳ㄠ唳班 唳曕 唳嗋唳距Π 唳囙唰嵿唳苦Δ唰� 唳膏唳Η唳距Θ 唳曕Π唳む 唳氞唳唰囙唰囙Θ 唳 唳曕唳� 唳唳班Δ唰€唳 唳ㄠ唳班 唳曕 唳唳侧唳唳膏 唳ㄠ , 唳Ω唰嵿Δ唳距Δ唰� 唳灌Ο唳� 唳曕唳傕Μ唳� 唳膏Δ唳班唳� 唳曕Π唰囙唰囙Θ 唳 唳曕唳� 唳唳︵唳多 唳唳 唳曕 唳唳侧唳唳膏Σ唰� 唳曕唳ㄠ 唳膏唳栢 唳灌Δ唰� 唳唳班Μ唰� 唳ㄠ 鈥� ?
唳ㄠ唳溹唳� 唳曕Ε唳� 唳Ζ唳� 唳Σ唳� , 唳嗋Ξ唳� 唳む 唳唳粪唳犩唳 唳唳粪唳犩唳 唳呧Ω唰佮 唳嗋Π 唳唳曕唳班唳� 唳椸Θ唰嵿Η 唳涏唳∴唳� 唳曕唳涏唳� 唳唳侧唳� 唳ㄠ 啷� 唳嗋Ξ唳距Π 唳Θ唰� 唳灌Ο唳监唳涏 唳忇Π唳� 唳︵唳囙唳� 唳� 唳唳ㄠΩ唳苦 唳唳 唳唳班Ω唳距Ξ唰嵿Ο唳灌唳� 啷� 唳忇Ζ唰囙Π 唳︵唳囙唳ㄠ唳� 唳� 唳熰唳班唳椸唳� 唳涏唳侧 唳ㄠ唳溹唳︵唳� 唳忇唳熰 唳ㄠ唳班唳Ζ 唳膏唳ム唳ㄠ 唳班唳栢 唳唳曕唳む唳� 唳︵唳唳班 唳膏Μ唳距唳曕 唳唳澿唳ㄠ 鈥樷€權Δ唰嬥Ξ唳距Π唰� 唳唳侧唳唳膏 唳嗋Ξ唳� 唳む唳唳� 唳氞唳囙Δ唰� 唳唳多 唳曕Ψ唰嵿 唳唳唰囙唳库€欌€�
唳む 唳忇唳溹Θ 唳む 唳唳侧唳唳膏 唳樴Π唰囙Π 唳涏唳侧 唳樴Π唰� 唳唳班 唳椸唳侧 ,唳嗋Π 唳嗋Π唰囙唳溹Θ 唳唳唰� 唳曕Π唰� 唳唳班唳 唳む唳班唳� 唳唳唳む唳班唳� 唳唳� 唳忇唰嵿唰囙Μ唳距Π唰� 唳膏唳栢 唳多唳ㄠ唳む唳む 唳樴Π 唳膏唳膏唳� 唳曕Π唰� 唳多唳粪 唳唳︵唳� 唳Ο唳监Ω唰� 唳唳班唳むΘ 唳唳班唳唳� 唳膏唳唳む 唳班唳Θ唰嵿Ε唳� 唳曕Π唰� 唳唳氞唳涏唳む唳� 唳班唳� 唳唳Π唰嵿Ο唳膏唳� 唳灌Ο唳监 唳椸唳侧 啷むΟ唰囙唳膏唳� 唳唳Π唰嵿Ο唳膏唳� 唳ㄠ ; 唳忇Ξ唳� 唳唳Π唰嵿Ο唳膏唳� 唳 唳氞Σ唰嵿Σ唳苦Χ 唳唳� 唳Π 唳膏 唳氞Σ唰� 唳椸唳侧 唳む唳� 唳膏唳� 唳唳班唳唳曕唳� 唳膏唳ム 唳︵唳栢 唳曕Π唳む 啷� 唳︵唳班唳樴Ζ唳苦Θ 唳Π 唳唳︵唳� 唳唳班唳唳� 唳唳班唳唳曕唳� 唳唳ㄠΠ唰嵿Ξ唳苦Σ唳ㄠ 唳曕Ε唳距Μ唳距Π唰嵿Δ唳� 唳︵唳� 唳ㄠΟ唳监Θ 唳呧Χ唰嵿Π唰佮Ω唳苦唰嵿Δ 唳曕Π唳む 唳む 唳唳班唳� 唳ㄠ 唳夃Σ唰嵿唰� 唳唳班 唳唳唳唳班唳� 唳曕Σ唰嵿Κ唳ㄠ 唳曕Π唰� 唳Ε唰囙Ψ唰嵿 唳灌唳膏唳唳� 唳侧唳椸唳涏 唳嗋Ξ唳距Π 唳曕唳涏啷�
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唳む唳� 唳唳班唳氞 唳膏唳灌唳唳� 唳曕Ε唳� 唳忇唳熰 唳Α唳监Δ唰� 唳唳班唳苦Σ唳距Ξ 唳曕唳班Γ 唳ㄠ唳溹唳� 唳曕Ε唳� 唳む唳ㄠ 唳呧Θ唰囙 唳曕Ξ 唳Σ唰囙唰囙Θ ,唳唳班 唳曕Θ唳唳膏Θ 唳熰唳� 唳涏唳侧 唳︵唳囙唳� 唳班 唳ㄠ唳唰� 唳曕唳ㄠ唳む 唳唳む唳班唳唰€ 唳︵唳 唳撪Ω唳唳� 唳о唳� 唳о唳班唳� 唳ㄠ唳� 啷� 唳む唳� 唳唳多唳班Ν唳距 唳曕Ε唳距 唳涏唳侧 唳唳唳灌Π 唳Π唰囙Π 唳溹唳Θ 唳ㄠ唳唰� 啷� 唳多唳粪Κ唳班唳Θ唰嵿Δ 唳嗋Ξ唳� 唳唳澿Δ唰囙 唳唳班Σ唳距Ξ 唳ㄠ 唳曕 唳︵唳唰� 唳曕 唳Α唳监Σ唳距Ξ !
唳嗋Ξ唳班 唳唳犩 唳班 唳嗋Θ唳ㄠ唳� , 唳︵唳冟 , 唳曕Ψ唰嵿 , 唳灌唳膏 , 唳曕唳ㄠ唳ㄠ , 唳樴唳｀ , 唳唳班唰嵿Δ唳� 唳嗋Π 唳灌Δ唳距Χ 唳灌唳唳距Π 唳曕Ε唳� 唳椸唳侧 唳唳ム唳 唳班唳栢唳� 唳忇唳熰 唳 唳灌唳む 唳む唳侧 唳ㄠ唳� 啷� 唳唳班 唳膏Ξ唳唳熰 唳嗋Χ唳� 唳ム唳曕 唳曕唳� 唳ㄠ 唳曕唳� 唳忇唳熰 唳唳侧唳� 唳唳囙Σ唰囙 唳灌唳侧 ! 唳曕唳ㄠ唳む 唳唳唳班唳ㄠ唳む ! 唳唳唳班唳ㄠ唳� 唳灌唳唳距Π 唳溹Θ唰嵿Ο 唳唳多唳� 唳唳侧唳熰唳� 唳唳唳� 唳膏唳灌唳唳� 唳唳班唳膏唳熰 唳Α唳监唳唳� 唳唳唰囙Π 唳唳氞唳� 唳灌唳膏 唳嗋Π 唳ㄠ唳膏唳む唳� 唳熰唳唳侧 唳呧Κ唳唳� 唳曕唳傕Μ唳� 唳Π唳距Ξ唳班唳� 唳︵唳撪Ο唳监唳� 唳Π唳苦唳侧唳Θ唳� 唳曕Π唰� 唳︵唳粪唳熰 唳嗋唳班唳粪Θ唰囙Π 唳氞唳粪唳熰 唳曕Π唰� 唳唳唳� 唳︵唳撪Ο唳监 唳栢唳栢 唳曕唳多 唳曕 唳Ε唰囙Ψ唰嵿 唳ㄠ ?
唳唳澿唳Η唰嵿Ο唰� 唳Θ唰� 唳灌Ο唳� 唳膏唳粪唳熰唳曕Π唰嵿Δ唳� 唳曕唳涏 唳唳ㄠ唳粪Ζ唰囙Π 唳溹唳Θ唰� 唳曕唳� 唳 唳唳班唳� 唳唳侧唳唳膏 唳︵唳唰� 唳忇 唳唳唳佮唳距Σ唰� 唳溹唳ㄠ唳膏唳距Π唰� 唳嗋Π唰� 唳班Ω唳距Σ唰� 唳曕Π唰� 唳唳侧唳唰� 唳む唳侧唳� ! 唳む 唳唳� 唳膏 唳膏Ω唳� 唳曕Ε唳距イ 唳唳� 唳曕Ε唳� 唳灌Σ唰� 唳忇唳膏Μ 唳 唳膏Ξ唳 唳ㄠΨ唰嵿 唳曕Π唳距Π 唳溹Θ唰嵿Ο 唳栢唳 唳夃Κ唳唳曕唳� 啷� 唳曕唳班 唳夃Κ唳� 唳唳班唰嵿Δ 唳ム唳曕Σ唰� 唳曕唳傕Μ唳� 唳唳班Δ唳苦Χ唰嬥Η 唳ㄠ唳む 唳氞唳囙Σ唰� 唳溹唳� 唳曕Π唰� 唳Α唳监唳む 唳唳о唳� 唳曕Π唳む 唳唳班唳� 啷�
唳嗋Ξ唳� 唳嗋Ω唳侧 唳溹唳ㄠ 唳ㄠ 唳む唳唳� 唳唳班唰嵿Δ唳� 唳曕唳唳 唳唳班唳距Χ 唳曕Π唳む 唳灌Ο唳� ! 唳膏Δ唰嵿Ο唳� 唳溹唳ㄠ 唳ㄠ , 唳曕唳班Γ 唳嗋Ξ唳距Π 唳唳班唰嵿Δ唳苦Π 唳Η唰嵿Ο唰囙 唳曕唳唳 唳唳� 唳む唳唳多 唳氞Σ唰� 唳嗋Ω唰� 啷� 唳� 唳椸唳� 唳熰 唳多唳ㄠ唳涏唳� 唳ㄠ ? 唳愢Ο唰� 唳唳班唳唳� 唳Π唳� 唳溹Σ唰� 唳∴唳 唳ㄠ....
唳嗋Ξ唳� 唳唳唳唳班唳� 唳ㄠ唳唰� 唳呧Θ唰囙 唳氞唳ㄠ唳む唳唳Θ唳� 唳曕Π唳涏 啷� 唳唳班唳唳� 唳Π唳� 唳溹Σ唰� 唳∴唳 唳ㄠ 唳曕唳� ? 唳忇唳唳班 唳唳澿Σ唳距Ξ 唳∴唳 唳ㄠ 唳曕唳班Γ 唳唳班唳唳� 唳Π唳� 唳忇Δ唰嬥 唳唳粪唳曕唳� 唳忇Μ唳� 唳曕唰佮Ω唰嵿Μ唳距Ζ唳唳曕唳� 唳呧唳溹Ξ唰嵿Ο 唳溹唳ㄠ唳� 唳 唳膏唳熰 唳溹Σ 唳灌唳溹唳� 唳氞唳粪唳熰 唳曕Π唰囙 唳灌唳� 唳曕Π唳む 唳唳班 唳ㄠ 啷�
唳ㄠ 唳ㄠ 唳ㄠ , 唳曕唳� 唳む唳班 唳唳班 唳︵唳撪Ο唳监唳� 唳む 唳唳班Χ唰嵿Θ唰囙 唳嗋Ω唰� 唳ㄠ 啷� 唳膏唳灌唳む唳� 唳嗋唳距Ζ唰囙Ξ唳� 唳嗋Ξ唳距Ζ唰囙Π 唳唳傕Σ唳距Ζ唰囙Χ唰囙Π 唳唳傕Σ唳� 唳忇唳距Α唰囙Ξ唳苦Π 唳嗋唳む唳唳曕唳� 唳灌Σ唰� 唳呧Λ唳苦Ω唰� 唳椸唳唰� 唳Σ唰嬥唳� 唳曕唳熰唳囙Σ 唳唳班 唳︵唳唰� 唳嗋Ω唳む唳� 唳忇Δ唳曕唳粪Γ唰囙イ 唳膏唳熰 唳膏Ξ唰嵿Ν唳� 唳ㄠΟ唳� 唳唳灌唳む鈥︹€� 唳︵唳栢 唳唳班唳むΘ 唳曕唳椸 唳嗋Π 唳Δ唰嵿Π唳苦唳距Π 唳唳むΠ 唳 唳︵唳囙唳� 唳班唳栢 唳︵唳 啷� 唳唳椸唳� 唳唳侧 唳ム唳曕Σ唰� 唳曕唳� 唳忇 唳多唳曕唳班Μ唳距Π唰� 唳灌Ο唳监Δ唰� 唳曕唳椸唳撪Ο唳监唳侧 唳嗋Ξ唳距Π 唳夃Κ唳� 唳曕唳 唳曕Π唳拷锟斤拷唳� 啷� 唳唳氞唳班唳� 唳膏Ξ唳 唳Ζ唳� 唳む唳� 唳︵唳粪唳熰 唳唳班Δ唳距Π唳｀ 唳ㄠ 唳曕Π唰� 唳忇Μ唳� 唳唳唳熰 唳唳班Χ唰嵿Θ 唳曕Π唰� 唳Ω唰� 鈥樷€權Ν唳距 唳忇 唳 唳椸唳侧 唳氞唳侧 唳嗋Ω唳涏 , 唳ㄠ唳唰� 唳唳 ?鈥欌€� 唳む唳灌Σ唰� 唳曕Ε唳距唳� 唳多唳ㄠ唳� 唳ㄠ 唳多唳ㄠ唳� 唳唳� 唳曕Π唳む 唳灌Μ唰�
July 16, 2017
I would have normally rated this book to a 4 star value instead of 5, but I think it deserves greater recognition and respect if only for setting the story straight. The book is written as a response to Mircea Eliade's 'Maitreyi' novel, which is douchey to say the least.
As revealed in this novel with her side of things (and which is indeed much more plausible than his, for reasons too many to count), he made public a fictional account of their otherwise platonic connection, describing a intensely erotic liaison, causing her and her family a lot of trouble. And in spite of his much advertised feelings for her (which in part may have been true), he refused to see her when she visited him in old age, in search of an explanation. His excuse is that he doesn't want the present reality to tarnish the ideal love image he still has of her, and the candle he still holds in his heart, yada yada. Fancy way to say that actually, he's embarrassed of the undeserved scandal he caused, and that he can't handle seeing an aged woman and still claim their 'special love'. So rude of her not to be 16 anymore!
Anyway, to me, this book just confirmed things I already suspected about the jerk profile of an author who is controversial in some of his other works as well. It doesn't stop me from still liking a great deal of his works, but it's in spite of his personal character, and definitely not an endorsement of it.
As revealed in this novel with her side of things (and which is indeed much more plausible than his, for reasons too many to count), he made public a fictional account of their otherwise platonic connection, describing a intensely erotic liaison, causing her and her family a lot of trouble. And in spite of his much advertised feelings for her (which in part may have been true), he refused to see her when she visited him in old age, in search of an explanation. His excuse is that he doesn't want the present reality to tarnish the ideal love image he still has of her, and the candle he still holds in his heart, yada yada. Fancy way to say that actually, he's embarrassed of the undeserved scandal he caused, and that he can't handle seeing an aged woman and still claim their 'special love'. So rude of her not to be 16 anymore!
Anyway, to me, this book just confirmed things I already suspected about the jerk profile of an author who is controversial in some of his other works as well. It doesn't stop me from still liking a great deal of his works, but it's in spite of his personal character, and definitely not an endorsement of it.
May 7, 2015
DRAGOSTEA NU MOARE
Fiecare dintre noi a citit ori cel pu牛in auzit de romanul Maitreyi al lui Mircea Eliade. Unii dintre noi am avut 艧ansa s膬-l 艧i studiem 卯n liceu. 艦i nu pot uita ceea ce ni s-a spus 卯n momentul imediat lectur膬rii romanului - exist膬 un r膬spuns, Maitreyi a existat cu adev膬rat, iar aceasta a vorbit despre cealalt膬 fa牛膬 a dragostei dintre ea 艧i Allan (Mircea). Astfel am aflat pentru prima dat膬 de romanul Dragostea nu moare de Maitreyi Devi.
Romanul poate fi privit ca o oglind膬 a nara牛iunii din Maitreyi 艧i asta pentru c膬 personajele principale sunt Amrita 艧i Mircea Euclid (spre deosebire de romanului lui Eliade unde ace艧tia erau Maitreyi 艧i Allan). 艦i care a fost prima impresie dup膬 ce am terminat romanul lui Devi? A fost aceea a unui roman autobiografic, care transcende cu mult nara牛iunea 艧i fic牛iunea 卯n care s-a 卯ngropat Mircea Eliade. Astfel, Dragostea nu moare este nu numai via牛a lui Maitreyi Devi, este 艧i via牛a celor din jurul acesteia, sentimentele, tr膬irile 艧i, nu 卯n ultimul r芒nd, dorin牛ele unei femei.
Ceea ce m-a surprins de la bun 卯nceput a fost faptul c膬 romanul a fost scris 卯n 1972, la 40 de ani de la apari牛ia romanului Maitreyi. Dac膬 mul牛i cititori au privit Dragostea nu moare drept un r膬spuns la cartea lui Eliade - ei bine, nu pot s膬 nu trec dincolo de aceast膬 opinie 艧i s膬 v膬d de fapt o m膬rturie a unei vie牛i, a unei femei din India care a avut curajul s膬 scrie despre ceea ce a fost 艧i este.
Recunosc! Am c膬utat referin牛e cu privire la romanului lui Devi tocmai pentru a vedea cum a fost primit acest roman 卯n India. 艦i asta pentru c膬 am pornit de la premisa gre艧it膬 c膬 卯n India se tr膬ie艧te sub povara unor tradi牛ii conservatoare. Dar m-am 卯n艧elat amarnic 卯ntruc芒t Dragostea nu moare a fost primit foarte bine de c膬tre public, c芒艧tig芒nd chiar Premiul Academiei Indiene.
艦i care sunt pa艧ii urma牛i cu team膬 de Maitreyi Devi 卯nspre trecut? Aceasta, a艧a cum m膬rturise艧te 卯n roman, se 卯nt芒lne艧te cu un rom芒n 卯n 1972 care 卯i treze艧te amintiri legate de un om pe care l-a iubit foarte mult 艧i cu toate acestea nu l-a uitat: Mircea Euclid, care nu este altul dec芒t Mircea Eliade. Din primele pagini, Maitreyi Devi nu neag膬 iubirea acesteia pentru europeanul sl膬b膬nog cu ochelari, ba, dimpotriv膬, o recunoa艧te.
Mai mult dec芒t at芒t, Maitreyi vorbe艧te despre mustr膬rile de con艧tiin牛膬 pe care le are fa牛膬 de so牛ul ei pe care-l respect膬 艧i-l iube艧te pentru via牛a fericit膬 pe care i-a oferit-o. Iar aceasta se simte neputincioas膬 卯n fa牛a amintirilor ce n膬v膬lesc asupra ei, 1972 devenind 1930, femeia matur膬 redevenind o t芒n膬r膬 fat膬 de 16 ani 卯ndr膬gostit膬.
Ce m-a uimit 卯n permanen牛膬, parcurg芒nd paginile una dup膬 alta? Cred c膬 a fost tocmai 卯nfiriparea iubirii 卯ntre doi tineri, modalit膬牛ile at芒t de diferite de a privi via牛a, cruzimea unui autor care a putut s膬 se prezinte 卯ntr-alt mod dec芒t cel adev膬rat. 艦i cu toate acestea nu putem s膬 卯i judec膬m pe niciunul dintre autorii celor dou膬 romane: pentru c膬 secretul acestora este dus 卯n morm芒nt cu ei, pentru c膬 niciodat膬 nu vom 艧tii ce i-a legat 艧i ce i-a dezlegat cu adev膬rat. Va trebui s膬 ne mul牛umim cu ceea ce ne ofer膬 ace艧tia prin romanele lor.
Este extrem de interesant膬 scrierea lui Devi 艧i asta pentru c膬 autoarea nu vorbe艧te doar despre iubirea ei care apare ca un boboc pentru Mircea, aceasta prezint膬 totodat膬 o lume pe care am putut-o cunoa艧te 艧i din paginile romanului lui Eliade, India anilor 1930 sub domina牛ie colonial膬 britanic膬. Am putut vedea dincolo de caste, dincolo de tradi牛ii, direct 卯n interiorul unei familii de intelectuali care se schimb膬 potrivit vremurilor, care se muleaz膬 timpurilor acelea.
Maitreyi este o t芒n膬r膬 care scrie poezii, o fat膬 cu un poten牛ial deosebit 艧i care 卯艧i cunoa艧te aceste calit膬牛i, motiv pentru care totu艧i nu face abuz de ele. 脦艧i respect膬 p膬rin牛ii, 艧i, cu toate acestea, dup膬 40 de ani de la iubirea sa ne卯mplinit膬 nu se sfiie艧te s膬 priveasc膬 adev膬rul 卯n fa牛膬 艧i s膬 vorbeasc膬 despre problemele din interiorul familiei sale, de la p膬rin牛i p芒n膬 la rude apropiate. 艦i da, Maitreyi a iubit 卯nt芒i un copac, iar rela牛ia acesteia cu Tagore este una extrem de subtil膬, ca de la 卯nv膬牛膬cel la 卯nv膬牛at.
Un alt lucru care m-a impresionat a fost atitudinea lui Devi fa牛膬 de oamenii care poate i-au pus piedici 卯n drumul ei 卯nspre iubire, 卯nspre dragostea lui Mircea. Aceasta, de艧i recunoa艧te vina tat膬lui s膬u, inclusiv gre艧eala acestuia de a-艧i p膬r膬si nevasta 艧i copii, nu 卯l blameaz膬 卯n final 艧i 卯i accept膬 calit膬牛ile 艧i defectele. Totodat膬, Maitreyi nu 卯ncearc膬 s膬 卯艧i mascheze firea uman膬 poz芒nd doar 卯n imaginea unei femei iert膬toare, aceasta m膬rturise艧te fiecare moment de sl膬biciune 艧i de triste牛e, chiar 艧i de sup膬rare pe care le-a tr膬it.
艦i totu艧i, fiecare cititor al romanului lui Eliade se 卯ntreab膬: s-au mai 卯nt芒lnit odat膬 Maitreyi 艧i Mircea? R膬spunsul este dat 卯n cartea lui Devi: da, cei doi s-au mai 卯nt芒lnit 卯n 1972, c芒nd aceasta merge s膬-l viziteze 艧i, 卯n ciuda anilor care au trecut, la vederea acestuia, Maitreyi va 艧ti c膬 Dragostea nu moare. Cu toate acestea, femeia este 卯mp膬cat膬 cu soarta ei, este mul牛umit膬 de via牛a pe care a dus-o 艧i pentru aceasta nu va blama pe nimeni. Pentru aceasta ea va scrie un roman autobiografic excelent pe care v膬 invit s膬-l citi牛i 艧i dumneavoastr膬. Poate numai a艧a vom putea 卯n牛elege cu adev膬rat iubirea aceasta pe care ne-au 卯nv膬牛at-o at芒t Mircea Eliade, c芒t 艧i Maitreyi Devi.
Fiecare dintre noi a citit ori cel pu牛in auzit de romanul Maitreyi al lui Mircea Eliade. Unii dintre noi am avut 艧ansa s膬-l 艧i studiem 卯n liceu. 艦i nu pot uita ceea ce ni s-a spus 卯n momentul imediat lectur膬rii romanului - exist膬 un r膬spuns, Maitreyi a existat cu adev膬rat, iar aceasta a vorbit despre cealalt膬 fa牛膬 a dragostei dintre ea 艧i Allan (Mircea). Astfel am aflat pentru prima dat膬 de romanul Dragostea nu moare de Maitreyi Devi.
Romanul poate fi privit ca o oglind膬 a nara牛iunii din Maitreyi 艧i asta pentru c膬 personajele principale sunt Amrita 艧i Mircea Euclid (spre deosebire de romanului lui Eliade unde ace艧tia erau Maitreyi 艧i Allan). 艦i care a fost prima impresie dup膬 ce am terminat romanul lui Devi? A fost aceea a unui roman autobiografic, care transcende cu mult nara牛iunea 艧i fic牛iunea 卯n care s-a 卯ngropat Mircea Eliade. Astfel, Dragostea nu moare este nu numai via牛a lui Maitreyi Devi, este 艧i via牛a celor din jurul acesteia, sentimentele, tr膬irile 艧i, nu 卯n ultimul r芒nd, dorin牛ele unei femei.
Ceea ce m-a surprins de la bun 卯nceput a fost faptul c膬 romanul a fost scris 卯n 1972, la 40 de ani de la apari牛ia romanului Maitreyi. Dac膬 mul牛i cititori au privit Dragostea nu moare drept un r膬spuns la cartea lui Eliade - ei bine, nu pot s膬 nu trec dincolo de aceast膬 opinie 艧i s膬 v膬d de fapt o m膬rturie a unei vie牛i, a unei femei din India care a avut curajul s膬 scrie despre ceea ce a fost 艧i este.
Recunosc! Am c膬utat referin牛e cu privire la romanului lui Devi tocmai pentru a vedea cum a fost primit acest roman 卯n India. 艦i asta pentru c膬 am pornit de la premisa gre艧it膬 c膬 卯n India se tr膬ie艧te sub povara unor tradi牛ii conservatoare. Dar m-am 卯n艧elat amarnic 卯ntruc芒t Dragostea nu moare a fost primit foarte bine de c膬tre public, c芒艧tig芒nd chiar Premiul Academiei Indiene.
艦i care sunt pa艧ii urma牛i cu team膬 de Maitreyi Devi 卯nspre trecut? Aceasta, a艧a cum m膬rturise艧te 卯n roman, se 卯nt芒lne艧te cu un rom芒n 卯n 1972 care 卯i treze艧te amintiri legate de un om pe care l-a iubit foarte mult 艧i cu toate acestea nu l-a uitat: Mircea Euclid, care nu este altul dec芒t Mircea Eliade. Din primele pagini, Maitreyi Devi nu neag膬 iubirea acesteia pentru europeanul sl膬b膬nog cu ochelari, ba, dimpotriv膬, o recunoa艧te.
Mai mult dec芒t at芒t, Maitreyi vorbe艧te despre mustr膬rile de con艧tiin牛膬 pe care le are fa牛膬 de so牛ul ei pe care-l respect膬 艧i-l iube艧te pentru via牛a fericit膬 pe care i-a oferit-o. Iar aceasta se simte neputincioas膬 卯n fa牛a amintirilor ce n膬v膬lesc asupra ei, 1972 devenind 1930, femeia matur膬 redevenind o t芒n膬r膬 fat膬 de 16 ani 卯ndr膬gostit膬.
Ce m-a uimit 卯n permanen牛膬, parcurg芒nd paginile una dup膬 alta? Cred c膬 a fost tocmai 卯nfiriparea iubirii 卯ntre doi tineri, modalit膬牛ile at芒t de diferite de a privi via牛a, cruzimea unui autor care a putut s膬 se prezinte 卯ntr-alt mod dec芒t cel adev膬rat. 艦i cu toate acestea nu putem s膬 卯i judec膬m pe niciunul dintre autorii celor dou膬 romane: pentru c膬 secretul acestora este dus 卯n morm芒nt cu ei, pentru c膬 niciodat膬 nu vom 艧tii ce i-a legat 艧i ce i-a dezlegat cu adev膬rat. Va trebui s膬 ne mul牛umim cu ceea ce ne ofer膬 ace艧tia prin romanele lor.
Este extrem de interesant膬 scrierea lui Devi 艧i asta pentru c膬 autoarea nu vorbe艧te doar despre iubirea ei care apare ca un boboc pentru Mircea, aceasta prezint膬 totodat膬 o lume pe care am putut-o cunoa艧te 艧i din paginile romanului lui Eliade, India anilor 1930 sub domina牛ie colonial膬 britanic膬. Am putut vedea dincolo de caste, dincolo de tradi牛ii, direct 卯n interiorul unei familii de intelectuali care se schimb膬 potrivit vremurilor, care se muleaz膬 timpurilor acelea.
Maitreyi este o t芒n膬r膬 care scrie poezii, o fat膬 cu un poten牛ial deosebit 艧i care 卯艧i cunoa艧te aceste calit膬牛i, motiv pentru care totu艧i nu face abuz de ele. 脦艧i respect膬 p膬rin牛ii, 艧i, cu toate acestea, dup膬 40 de ani de la iubirea sa ne卯mplinit膬 nu se sfiie艧te s膬 priveasc膬 adev膬rul 卯n fa牛膬 艧i s膬 vorbeasc膬 despre problemele din interiorul familiei sale, de la p膬rin牛i p芒n膬 la rude apropiate. 艦i da, Maitreyi a iubit 卯nt芒i un copac, iar rela牛ia acesteia cu Tagore este una extrem de subtil膬, ca de la 卯nv膬牛膬cel la 卯nv膬牛at.
Un alt lucru care m-a impresionat a fost atitudinea lui Devi fa牛膬 de oamenii care poate i-au pus piedici 卯n drumul ei 卯nspre iubire, 卯nspre dragostea lui Mircea. Aceasta, de艧i recunoa艧te vina tat膬lui s膬u, inclusiv gre艧eala acestuia de a-艧i p膬r膬si nevasta 艧i copii, nu 卯l blameaz膬 卯n final 艧i 卯i accept膬 calit膬牛ile 艧i defectele. Totodat膬, Maitreyi nu 卯ncearc膬 s膬 卯艧i mascheze firea uman膬 poz芒nd doar 卯n imaginea unei femei iert膬toare, aceasta m膬rturise艧te fiecare moment de sl膬biciune 艧i de triste牛e, chiar 艧i de sup膬rare pe care le-a tr膬it.
艦i totu艧i, fiecare cititor al romanului lui Eliade se 卯ntreab膬: s-au mai 卯nt芒lnit odat膬 Maitreyi 艧i Mircea? R膬spunsul este dat 卯n cartea lui Devi: da, cei doi s-au mai 卯nt芒lnit 卯n 1972, c芒nd aceasta merge s膬-l viziteze 艧i, 卯n ciuda anilor care au trecut, la vederea acestuia, Maitreyi va 艧ti c膬 Dragostea nu moare. Cu toate acestea, femeia este 卯mp膬cat膬 cu soarta ei, este mul牛umit膬 de via牛a pe care a dus-o 艧i pentru aceasta nu va blama pe nimeni. Pentru aceasta ea va scrie un roman autobiografic excelent pe care v膬 invit s膬-l citi牛i 艧i dumneavoastr膬. Poate numai a艧a vom putea 卯n牛elege cu adev膬rat iubirea aceasta pe care ne-au 卯nv膬牛at-o at芒t Mircea Eliade, c芒t 艧i Maitreyi Devi.
April 22, 2016
For a book that is often considered a "response" to Mircea Eliade's , and an attempt for Maitreyi to tell her own story of their adolescent romance, the most wonderful thing I got from this book is that it does a much better job of humanizing Mircea and making him sympathetic than his own book did. In my review of Mircea's book I came away from it thinking he suffered from more than the usual young man's vanity and lack of self-awareness, and wondering why people seemed to think it was a good romance or that Mircea's avatar Alain was a sympathetic character. But here Maitreyi shows a young Mircea as someone I could believe she did fall in love with, however young and inexperienced they both were. He definitely still has that aggravating insecurity and lack of self-awareness that made his book such a frustrating read, but Maitreyi shows that side of him while also showing the rest of him, telling her own story while also telling Mircea's better.
But this is still Maitreyi's story, and as glad as I am that I got a better view into what seems like a more accurate Mircea, he's a sideshow to Maitreyi's poetic account of her young life. And what a life! Struggling to find a place for herself as a young Indian woman in a time of immense change, being more liberated than the norm, but still being groomed to be a replacement for her father, seeking liberation from the more restrictive aspects of her religion and culture, but not by adopting a Western version of that liberation, moving freely between interpreting the world analytically, philosophically, and poetically.
Her relationship with Mircea while he was living in her house and studying under her father forms the core of the book, both for what it meant at the time and for how it effected her life afterwards. Whereas Mircea focused on the flareups of passion and the brief sexual relationship he claims they had (Maitreyi adamantly does not agree with him), Maitreyi views love in a more complex fashion, regularly baffled by how confused Mircea seems to be when she describes her love for a tree or for her mentor.
In short, this is a book written by someone with much more emotional maturity, much more craft, and much more empathy. It's fascinating to see the same events through different eyes, especially when they have allowed time and maturity to provide a more nuanced take. Highly recommended.
But this is still Maitreyi's story, and as glad as I am that I got a better view into what seems like a more accurate Mircea, he's a sideshow to Maitreyi's poetic account of her young life. And what a life! Struggling to find a place for herself as a young Indian woman in a time of immense change, being more liberated than the norm, but still being groomed to be a replacement for her father, seeking liberation from the more restrictive aspects of her religion and culture, but not by adopting a Western version of that liberation, moving freely between interpreting the world analytically, philosophically, and poetically.
Her relationship with Mircea while he was living in her house and studying under her father forms the core of the book, both for what it meant at the time and for how it effected her life afterwards. Whereas Mircea focused on the flareups of passion and the brief sexual relationship he claims they had (Maitreyi adamantly does not agree with him), Maitreyi views love in a more complex fashion, regularly baffled by how confused Mircea seems to be when she describes her love for a tree or for her mentor.
In short, this is a book written by someone with much more emotional maturity, much more craft, and much more empathy. It's fascinating to see the same events through different eyes, especially when they have allowed time and maturity to provide a more nuanced take. Highly recommended.
June 29, 2014
Revenge on an old lover (Mircea Eliade) by writing a far superior book. You go, girl!
October 14, 2021
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November 29, 2011
I still have the same emotions that 's book () have brought up in me, but in a much smaller amount because Maitreyi's book brings a lot of understanding of her, the situation in general and a much appreciated understanding of Eliade and his actions, during and after 1930.
These two books should be read one after the other. You will be given the chance to experience their encounter from both perspectives, something that is rare, even in literature. Reading this book first will be, at best, a somewhat interesting experiment; but you will not understand some parts of it and you'll not enjoy it as much as possible.
You can learn a few important lessons if you really pay attention and not just browse through these books.
And a little spoiler, if it can really be called that: the bad guy dies... but who doesn't?
These two books should be read one after the other. You will be given the chance to experience their encounter from both perspectives, something that is rare, even in literature. Reading this book first will be, at best, a somewhat interesting experiment; but you will not understand some parts of it and you'll not enjoy it as much as possible.
You can learn a few important lessons if you really pay attention and not just browse through these books.
And a little spoiler, if it can really be called that: the bad guy dies... but who doesn't?
September 7, 2024
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September 29, 2019
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唳呧Ξ唰冟Δ唳�! 唳呧Ξ唰冟Δ唳�!! 唳呧Ξ唰冟Δ唳�!!!
唳唳班唳氞! 唳唳班唳氞!! 唳唳班唳氞!!!
唳嗋Ξ唳� 唳唳唰囙Δ唰嵿Π唰€ 唳︵唳唳� 唳唳班Γ唳唳曕唳灌唳ㄠ 唳唳 唳Α唳监唳ㄠ啷� 唳Α唳监唳涏 唳夃Κ唳ㄠ唳唳� 唳唳唰� 唳唳栢唳ㄠ 唳唳唳距Σ唰嵿Σ唳苦Χ 唳唳� 唳оΠ唰� 唳呧Κ唰囙唰嵿Ψ唳� 唳曕Π唰� 唳嗋唰� 唳︵'唳熰 唳唳ㄠ唳粪イ 唳むΔ唳︵唳ㄠ 唳曕Δ 唳曕 唳樴唰� 唳椸唳涏唰� 唳むΜ唰佮 唳唳班唳氞 唳嗋Π 唳呧Ξ唰冟Δ唳� 唳呧Κ唰囙唰嵿Ψ唳� 唳曕Π唳涏啷� 唳曕唳班Γ 唳む唳班 唳︵'唳溹Θ唳� 唳溹唳ㄠ, ' 唳� 唳灌Θ唰嵿Ο唳む 唳� 唳灌Θ唰嵿Ο唳唳ㄠ 唳多Π唰€唳班啷� '
'唳侧 唳ㄠ唳� 唳唳權唳椸Σ唳�' 唳Α唳监唳涏 唳呧Θ唰囙 唳嗋唰囙Х 唳む唳� 唳む 唳唳班唳氞 唳囙唳曕唳侧唳∴唳� 唳Ο唳监唳� 唳多唳︵唳оΔ唳� 唳Θ唰� 唳灌唰嵿唳苦Σ啷� 唳曕唳ㄠ唳む 唳唳む唳班唳唰€ 唳︵唳唳� 唳溹Μ唳距Μ 唳Α唳监 唳Θ唰� 唳灌Σ唰�, 唳唳班唳氞唳� 唳氞' 唳呧Ξ唰冟Δ唳� 唳Α唳监Μ唰囙Χ唳� 唳膏唳膏唳Ψ唰嵿唳唳 唳ㄠ唳溹唳曕 唳唳班唳距Χ 唳曕Π唳む 唳唳班唳ㄠイ
July 24, 2022
鈥滻t does not die, when the body dies.鈥�
February 19, 2008
The book was definitely not as well written as "Maitreyi" but, according to Maitreyi herself, it was much closer to the real story.
Maitreyi Devi pleads that the character Maitryi in Eliade's book is not much alike her, and narrates the facts how they truly were and their meeting after 40 years.
I got thoroughly into this one too, I had my favourite character [her mom:] and discussed a lot about it.
One idea I liked from the book, but not very relevant for the content: Only a woman [wife:] has the power to create the atmosphere in a home and the way family members relate to each other.
Maitreyi Devi pleads that the character Maitryi in Eliade's book is not much alike her, and narrates the facts how they truly were and their meeting after 40 years.
I got thoroughly into this one too, I had my favourite character [her mom:] and discussed a lot about it.
One idea I liked from the book, but not very relevant for the content: Only a woman [wife:] has the power to create the atmosphere in a home and the way family members relate to each other.
November 11, 2022
Dup膬 鈥淢aitreyi鈥�, acest roman este un must read.
Precum fiecare moned膬 are dou膬 fe葲e, a葯a 葯i fiecare poveste de dragoste are dou膬 versiuni apar葲in芒nd celor doi protagoni葯ti. 葮i dac膬 de cele mai multe ori r膬m芒ne doar s膬 intuim cea de a doua versiune, de data aceasta suntem noroco葯i s膬 avem acces 葯i la interpretarea feminin膬 a acestei tulbur膬toare pove葯ti de dragoste, devenit膬 celebr膬 卯n lumea literar膬.
Din primele pagini ale lecturii am r膬mas un pic dezam膬git膬 de replicile protagonistei, care mi-au insuflat ideea c膬 unicul scop al ei de a scrie aceast膬 carte este s膬 dezmin葲easc膬 faptul c膬 卯ntre ea 葯i Mircea ar fi existat alt fel de dragoste dec芒t una la nivel spiritual.
鉁嶏笍鈥淣u a fost vorba dec芒t de vanitatea lui. M芒ndria lui a fost r膬nit膬, nimic altceva...鈥�
鉁嶏笍鈥�- Dar de ce a trebuit s膬 scorneasc膬 minciuni? Nu m-am dus niciodat膬 noaptea la el. De ce aceste calomnii?
- Imagina牛ia. 艦i-a g膬sit un refugiu 卯n lumea fanteziei. A fost singura cale de a sc膬pa de suferin牛膬.鈥�
Dar, 卯n timp ce m膬 afundam tot mai mult 卯n roman, am fost pl膬cut surprins膬 de medita葲iile frumoase, de descrierile poetice 葯i de melodicitatea textului. Am sim葲it c膬 cartea a foat scris膬 de o iubitoare a versului dar 葯i a filozofiei. De葯i nu credeam, aceast膬 versiune 鈥渇eminin膬鈥� s-a ridicat la nivelul celei 鈥渕asculine鈥� 葯i cred c膬 卯葯i merit膬 pe deplin existen葲a.
P芒n膬 la urm膬, fiecare crede ceea vrea s膬 cread膬, mie mi-a pl膬cut ce a men葲ionat Constantin Noica:
鉁嶏笍鈥淐red c膬 Mircea are dreptate, spunea el. A avut la 卯ndem芒n膬 jurnalul din India 艧i coresponden牛a... Pe c芒nd Maitreyi scrie sub impulsul unei puternice emo牛ii, dup膬 aproape o jum膬tate de veac de la consumarea faptelor. S-ar putea ca timpul s膬-i fi aburit unele imagini". Apoi, tot el: "Dar, mai 艧tii? Eu cred c膬 nici unul, nici altul n-ar putea s膬 ne spun膬 ce e fic牛iune 艧i ce e realitate 卯n scrierile lor. Dar - la urma urmei - asta nici nu conteaz膬. Important e c膬 un sentiment puternic, tr膬it cu intensitate de cei doi creatori hipersensibili 艧i hipertalenta牛i, a dat na艧tere la dou膬 romane de excep牛ie".
Pasaje din carte:
鉁嶏笍鈥溍巒 acest suflet netulburat-umbrele evenimentelor acestei lumi se vor topi singure. Dar f膬 pace cu tine 卯ns膬牛i. Accept膬 totul cu calm, accept膬 adev膬rul f膬r膬 s膬 te superi. Exist膬 o minunat膬 plant膬 a frumuse牛ii 卯n tine, r膬d膬cina ei merge ad芒nc, iar la suprafa牛膬 vor izbucni flori.鈥�
鉁嶏笍鈥淔rumuse牛ea nu poate fi o problem膬 obiectiv膬; doar fiin牛ele omene艧ti o pot observa. Este fardul albastru ce le acoper膬 ochii 艧i chiar min牛ile, cel ce face ca lucrurile s膬 par膬 minunate.鈥�
鉁嶏笍鈥淐eea ce poate da fiecare din noi este limitat de spa牛iu, de timp 艧i de cel care trebuie s膬 primeasc膬.鈥�
鈥淒ragostea nu moare鈥�, Maitreyi Devi
Precum fiecare moned膬 are dou膬 fe葲e, a葯a 葯i fiecare poveste de dragoste are dou膬 versiuni apar葲in芒nd celor doi protagoni葯ti. 葮i dac膬 de cele mai multe ori r膬m芒ne doar s膬 intuim cea de a doua versiune, de data aceasta suntem noroco葯i s膬 avem acces 葯i la interpretarea feminin膬 a acestei tulbur膬toare pove葯ti de dragoste, devenit膬 celebr膬 卯n lumea literar膬.
Din primele pagini ale lecturii am r膬mas un pic dezam膬git膬 de replicile protagonistei, care mi-au insuflat ideea c膬 unicul scop al ei de a scrie aceast膬 carte este s膬 dezmin葲easc膬 faptul c膬 卯ntre ea 葯i Mircea ar fi existat alt fel de dragoste dec芒t una la nivel spiritual.
鉁嶏笍鈥淣u a fost vorba dec芒t de vanitatea lui. M芒ndria lui a fost r膬nit膬, nimic altceva...鈥�
鉁嶏笍鈥�- Dar de ce a trebuit s膬 scorneasc膬 minciuni? Nu m-am dus niciodat膬 noaptea la el. De ce aceste calomnii?
- Imagina牛ia. 艦i-a g膬sit un refugiu 卯n lumea fanteziei. A fost singura cale de a sc膬pa de suferin牛膬.鈥�
Dar, 卯n timp ce m膬 afundam tot mai mult 卯n roman, am fost pl膬cut surprins膬 de medita葲iile frumoase, de descrierile poetice 葯i de melodicitatea textului. Am sim葲it c膬 cartea a foat scris膬 de o iubitoare a versului dar 葯i a filozofiei. De葯i nu credeam, aceast膬 versiune 鈥渇eminin膬鈥� s-a ridicat la nivelul celei 鈥渕asculine鈥� 葯i cred c膬 卯葯i merit膬 pe deplin existen葲a.
P芒n膬 la urm膬, fiecare crede ceea vrea s膬 cread膬, mie mi-a pl膬cut ce a men葲ionat Constantin Noica:
鉁嶏笍鈥淐red c膬 Mircea are dreptate, spunea el. A avut la 卯ndem芒n膬 jurnalul din India 艧i coresponden牛a... Pe c芒nd Maitreyi scrie sub impulsul unei puternice emo牛ii, dup膬 aproape o jum膬tate de veac de la consumarea faptelor. S-ar putea ca timpul s膬-i fi aburit unele imagini". Apoi, tot el: "Dar, mai 艧tii? Eu cred c膬 nici unul, nici altul n-ar putea s膬 ne spun膬 ce e fic牛iune 艧i ce e realitate 卯n scrierile lor. Dar - la urma urmei - asta nici nu conteaz膬. Important e c膬 un sentiment puternic, tr膬it cu intensitate de cei doi creatori hipersensibili 艧i hipertalenta牛i, a dat na艧tere la dou膬 romane de excep牛ie".
Pasaje din carte:
鉁嶏笍鈥溍巒 acest suflet netulburat-umbrele evenimentelor acestei lumi se vor topi singure. Dar f膬 pace cu tine 卯ns膬牛i. Accept膬 totul cu calm, accept膬 adev膬rul f膬r膬 s膬 te superi. Exist膬 o minunat膬 plant膬 a frumuse牛ii 卯n tine, r膬d膬cina ei merge ad芒nc, iar la suprafa牛膬 vor izbucni flori.鈥�
鉁嶏笍鈥淔rumuse牛ea nu poate fi o problem膬 obiectiv膬; doar fiin牛ele omene艧ti o pot observa. Este fardul albastru ce le acoper膬 ochii 艧i chiar min牛ile, cel ce face ca lucrurile s膬 par膬 minunate.鈥�
鉁嶏笍鈥淐eea ce poate da fiecare din noi este limitat de spa牛iu, de timp 艧i de cel care trebuie s膬 primeasc膬.鈥�
鈥淒ragostea nu moare鈥�, Maitreyi Devi
September 6, 2020
唳曕 唳膏唳ㄠ唳︵Π 唳侧唳栢!!!!!
唳忇Δ 唳膏唳ㄠ唳︵Π 唳曕Π唰囙 唳曕 唳曕唳� 唳唳Δ唰� 唳唳班? 唳唳班 唳曕 唳氞唳� 唳︵Χ唳� 唳Π唰囙 唳膏唳� 唳曕唳多唳班唳� 唳呧Θ唰佮Ν唰佮Δ唳苦唰� 唳ㄠ唳溹唳� 唳唳むΠ唰� 唳多唳多唳Δ 唳曕Π唰� 唳班唳栢Δ唰�? 唳唳班, 唳呧Ξ唰冟Δ唳� 唳唳班啷�
唳曕唳ㄠ唳む 唳灌唳! 唳膏Μ唳距 唳む 唳嗋Π 唳呧Ξ唰冟Δ唳� 唳灌Δ唰� 唳唳班 唳ㄠ啷�
'唳侧 唳ㄠ唳� 唳唳權唳椸Σ唳�' 唳曕Δ唳� 唳ㄠ 唳唳侧 唳侧唳椸唳涏唳侧イ 唳唳むΠ 唳熰 唳曕唳粪Δ唳唳曕唳粪Δ 唳灌Ο唳监唳涏唳侧イ 唳曕唳ㄠ唳む '唳� 唳灌Θ唰嵿Ο唳む' 唳膏唳� 唳曕唳粪Δ 唳膏唳班唳唰� 唳嗋Μ唳距Π 唳唳� 唳ㄠΔ唰佮Θ 唳曕唳粪Δ 唳︵唳唰� 唳椸唳� 唳灌唳︵Ο唳监, 唳 唳嗋Π唳� 唳椸Ν唰€唳�, 唳嗋Π唳� 唳Θ唰嵿Δ唰嵿Π唳｀唳班イ
唳唳班唳氞 唳唳班唳ㄠ唳ㄠ 唳呧Ξ唰冟Δ唳距Π 唳Δ 唳忇Δ 唳膏唳膏唳Ψ唰嵿 唳曕Π唰� 唳ㄠ唳溹唳曕 唳む唳侧 唳оΠ唳む, 唳呧Ξ唰冟Δ唳� 唳曕 唳む唳侧 唳оΠ唳む啷� 唳 唳唳む唳班唳唰€ 唳︵唳 唳唳班唰囙Θ啷�
"唳呧唰� 唳ㄠ唳む唳 唳多唳多唳Δ唰嬥唳唳� 唳唳班唳｀
唳� 唳灌Θ唰嵿Ο唳む 唳灌Θ唰嵿Ο唳唳ㄠ 唳多Π唰€唳班啷�"
"唳忇 唳嗋Δ唰嵿Ξ唳� 唳溹Θ唰嵿Ξ唳班唳苦Δ 唳多唳多唳Δ 唳� 唳唳班唳むΘ
唳多Π唰€唳班唰� 唳灌Θ唳� 唳曕Π唳苦Σ唰囙 唳囙Θ唳� 唳ㄠ唳灌Δ 唳灌Θ 唳ㄠ啷�"
唳忇Δ 唳膏唳ㄠ唳︵Π 唳曕Π唰囙 唳曕 唳曕唳� 唳唳Δ唰� 唳唳班? 唳唳班 唳曕 唳氞唳� 唳︵Χ唳� 唳Π唰囙 唳膏唳� 唳曕唳多唳班唳� 唳呧Θ唰佮Ν唰佮Δ唳苦唰� 唳ㄠ唳溹唳� 唳唳むΠ唰� 唳多唳多唳Δ 唳曕Π唰� 唳班唳栢Δ唰�? 唳唳班, 唳呧Ξ唰冟Δ唳� 唳唳班啷�
唳曕唳ㄠ唳む 唳灌唳! 唳膏Μ唳距 唳む 唳嗋Π 唳呧Ξ唰冟Δ唳� 唳灌Δ唰� 唳唳班 唳ㄠ啷�
'唳侧 唳ㄠ唳� 唳唳權唳椸Σ唳�' 唳曕Δ唳� 唳ㄠ 唳唳侧 唳侧唳椸唳涏唳侧イ 唳唳むΠ 唳熰 唳曕唳粪Δ唳唳曕唳粪Δ 唳灌Ο唳监唳涏唳侧イ 唳曕唳ㄠ唳む '唳� 唳灌Θ唰嵿Ο唳む' 唳膏唳� 唳曕唳粪Δ 唳膏唳班唳唰� 唳嗋Μ唳距Π 唳唳� 唳ㄠΔ唰佮Θ 唳曕唳粪Δ 唳︵唳唰� 唳椸唳� 唳灌唳︵Ο唳监, 唳 唳嗋Π唳� 唳椸Ν唰€唳�, 唳嗋Π唳� 唳Θ唰嵿Δ唰嵿Π唳｀唳班イ
唳唳班唳氞 唳唳班唳ㄠ唳ㄠ 唳呧Ξ唰冟Δ唳距Π 唳Δ 唳忇Δ 唳膏唳膏唳Ψ唰嵿 唳曕Π唰� 唳ㄠ唳溹唳曕 唳む唳侧 唳оΠ唳む, 唳呧Ξ唰冟Δ唳� 唳曕 唳む唳侧 唳оΠ唳む啷� 唳 唳唳む唳班唳唰€ 唳︵唳 唳唳班唰囙Θ啷�
"唳呧唰� 唳ㄠ唳む唳 唳多唳多唳Δ唰嬥唳唳� 唳唳班唳｀
唳� 唳灌Θ唰嵿Ο唳む 唳灌Θ唰嵿Ο唳唳ㄠ 唳多Π唰€唳班啷�"
"唳忇 唳嗋Δ唰嵿Ξ唳� 唳溹Θ唰嵿Ξ唳班唳苦Δ 唳多唳多唳Δ 唳� 唳唳班唳むΘ
唳多Π唰€唳班唰� 唳灌Θ唳� 唳曕Π唳苦Σ唰囙 唳囙Θ唳� 唳ㄠ唳灌Δ 唳灌Θ 唳ㄠ啷�"
November 29, 2024
Romanian review: Povestea de dragoste dintre Mircea Eliade 葯i Maitreyi este probabil cea mai extraordinar膬 poveste de acest fel spus膬 vreodat膬. Adic膬, o poveste real膬, spus膬 din ambele perspective鈥� una dintre ele relatat膬 la peste 40 de ani distan葲膬 de cealalt膬鈥� ce poate fi mai extraordinar?
Nu este nevoie de o analiz膬 am膬nun葲it膬 a celor dou膬 romane pentru a trage concluzia c膬 varianta Maitreyiei este mult mai probabil膬, fiind mai mult ca sigur ce s-a 卯nt芒mplat cu adev膬rat. Totu葯i, dac膬 ar fi s膬 vorbim strict 卯n ce prive葯te literatura, romanul lui Eliade mi-a pl膬cut mai mult 葯i mi-a transmis mai mult膬 emo葲ie. Nu este exclus s膬 m膬 fi influen葲at v芒rsta la care l-am citit, dar nu cred c膬 e doar asta.
脦n recenzia pentru , spuneam c膬 protagoni葯tii acestei pove葯ti de dragoste provin din lumi diferite 葯i de asta nu au putut r膬m芒ne 卯mpreun膬. Dar abia dup膬 ce am citit acest roman, am 卯n葲eles cu adev膬rat c芒t de diferite erau acele lumi.
Nici m膬car Eliade nu pare c膬 卯n葲elesese cu adev膬rat, p芒n膬 卯n acel moment鈥� 卯n anul 1930鈥� c芒t de diferite erau lumile din care veneau . Nu este vorba doar de etnia 葯i religia diferit膬, de faptul c膬 Eliade era rom芒n, iar Maitreyi indianc膬. Este vorba despre caste, despre opinia societ膬葲ii, despre ce vor crede rudele. Pe scurt, barierele care le-au fost puse celor doi 卯ndr膬gosti葲i erau mult mai greu de trecut dec芒t mi-am imaginat ini葲ial.
Citind ,,Maitreyi", am 卯n葲eles decizia lui Dasgupta, dar 卯n momentul 卯n care realizezi c膬 卯ntre Eliade 葯i Maitreyi nu s-a 卯nt芒mplat nimic de natur膬 sexual膬, c膬 momentele din romanul lui Eliade au fost imaginate de c膬tre autor, nu po葲i s膬 nu-l transformi 卯ntr-un antagonist, mai ales dup膬 ce afli c膬 urma s膬-葯i distrug膬 propria familie.
Mentalitatea indian膬 de la acea vreme, prin care se considera c膬 卯ntr-o familie doar dorin葲ele 葯i fericirea tat膬lui conteaz膬, este incredibil de toxic膬 葯i de nes膬n膬toas膬. Din p膬cate, multe obiceiuri 葯i a葯tept膬ri sociale au distrus fericirea a o mul葲ime de oameni de-a lungul timpului, 葯i nu doar 卯n India.
C芒t despre decizia lui Eliade de a p膬stra numele real al protagonistei 葯i de-a introduce scene de amor care nu au existat 卯n realitate 卯n cartea lui, nu 葯tiu c芒t drept avem noi, cititorii, s膬 ne pronun葲膬m. Au venit o mul葲ime de a葯a-zi葯i ap膬r膬tori ai justi葲iei care l-au condamnat pe Eliade 葯i l-au transformat 卯ntr-un tic膬los misogin, dar ce conteaz膬 cu adev膬rat este ce a crezut Maitreyi. Dac膬 Maitreyi a putut s膬 卯l ierte鈥� dac膬, p芒n膬 la sf芒r葯it, Maitreyi a reu葯it s膬 nu 卯l mai condamne鈥� 葯i nu vorbim de o feti葯can膬 naiv膬 de 16 ani, vorbim de o Maitreyi adult膬, trecut膬 de 60 de ani鈥� atunci ce drept avem noi, ni葯te oameni care nu i-am cunoscut pe niciunul dintre ei personal, s膬 ne d膬m cu p膬rerea.
Ultima parte a c膬r葲ii este ceea ce o face cu adev膬rat valoroas膬. 脦nt芒lnirea dintre Maitreyi Devi 葯i Mircea Eliade, 卯n Statele Unite, dup膬 peste 40 de ani 卯n care nu s-au v膬zut, a meritat cele peste 200 de pagini de construc葲ie. Practic, povestea de dragoste 卯nceput膬 卯n ,,Maitreyi" 卯葯i prime葯te concluzia 卯n ,,Dragostea nu moare".
Prin urmare, cred c膬 cele dou膬 c膬r葲i pot fi citite doar 卯mpreun膬, pentru c膬 卯葯i dau sens una alteia.
English review: The love story between Mircea Eliade and Maitreyi is perhaps the most extraordinary tale of its kind ever told. A true story, narrated from both perspectives鈥攐ne of them written over 40 years after the other鈥攚hat could be more remarkable than that?
It doesn鈥檛 take an in-depth analysis of the two novels to conclude that Maitreyi鈥檚 version is far more plausible and likely reflects what truly happened. However, speaking strictly in literary terms, I found Eliade鈥檚 novel more impactful and emotionally stirring. Perhaps my age when I first read it played a role, but I don鈥檛 think that鈥檚 the only reason.
In my review of , I noted that the protagonists came from vastly different worlds, which prevented them from being together. But only after reading this book did I truly grasp just how different those worlds were.
Even Eliade himself didn鈥檛 seem to fully understand the extent of their differences at that time, in 1930. It wasn鈥檛 just about ethnicity and religion鈥擡liade being Romanian and Maitreyi being Indian. It was also about caste, societal expectations, and family opinions. In short, the barriers separating these two lovers were far more insurmountable than I had initially imagined.
After reading "Maitreyi", I understood Dasgupta鈥檚 decision. However, when you realize that nothing sexual actually occurred between Eliade and Maitreyi, and that many of the moments in Eliade鈥檚 novel were fabricated by the author, it鈥檚 hard not to cast him as the antagonist, especially when you learn that his actions could have destroyed his own family.
The Indian mentality of that time, which placed the father鈥檚 desires and happiness above all else within a family, is incredibly toxic and unhealthy. Sadly, many customs and societal expectations have destroyed the happiness of countless people throughout history, and not just in India.
As for Eliade鈥檚 decision to use Maitreyi鈥檚 real name and include fictional love scenes in his novel, I鈥檓 not sure how much right we, as readers, have to judge him. Many so-called justice warriors have condemned Eliade and labeled him a misogynistic villain, but what truly matters is what Maitreyi herself believed. If Maitreyi was able to forgive him鈥攊f, by the end, she no longer held him accountable鈥攁nd we鈥檙e talking about an adult Maitreyi in her sixties, not a naive 16-year-old girl鈥攖hen what right do we, people who never knew either of them personally, have to pass judgment?
The final part of the book is what truly makes it valuable. The long-anticipated meeting between Maitreyi Devi and Mircea Eliade in the United States, after over 40 years of not seeing each other, was worth the 200+ pages of buildup. It鈥檚 the conclusion to the love story that began in "Maitreyi".
Thus, I believe these two books must be read together because they give meaning to each other.
March 1, 2015
"脦ncepe s膬-mi povesteasc膬, 艧ov膬ind, romanul. Eu 牛in minte numele familiare. Ele bat 卯n inima mea 艧i, una c芒te una, 卯ncuietorile se desfac, dezv膬luind treptat 卯nc膬perea 卯nchis膬 at芒t amar de ani. 脦nl膬untrul 卯nc膬perii e bezn膬, dar acum 艧tiu tot ce se afl膬 acolo. Sunt ispitit膬 s膬 intru, dar ezit cuprins膬 de temeri."
"Omul nu este niciodat膬 mul牛umit cu ceea ce a primit 卯n dar. El 卯nsu艧i este un creator, misiunea sa fiind aceea de a-艧i transforma necazul 卯n fericire."
"Pentru a iubi pe cineva, ori pentru a fi iubit, nu e nevoie de nici o r芒nduial膬 social膬. Mai 艧tiu c膬 dragostea adev膬rat膬 este ca o lumin膬 care d膬 str膬lucire la tot ce e 卯n jur. Dragostea nu este un obiect, nici o podoab膬 de aur pe care s-o smulgi cuiva pentru a o d膬rui altcuiva. 艦i mai 艧tiu c膬, atunci c芒nd iube艧ti pe cineva cu sinceritate, atunci tot ce e legat de aceast膬 persoan膬 卯牛i devine drag."
"Sunt ca cineva care a艧teapt膬 pe 牛膬rm, cu biletul 卯n m芒n膬, dar vaporul nu se mai arat膬. Trebuie s膬-l mai 卯nt芒lnesc o dat膬, 卯nainte de a muri."
"Omul nu este niciodat膬 mul牛umit cu ceea ce a primit 卯n dar. El 卯nsu艧i este un creator, misiunea sa fiind aceea de a-艧i transforma necazul 卯n fericire."
"Pentru a iubi pe cineva, ori pentru a fi iubit, nu e nevoie de nici o r芒nduial膬 social膬. Mai 艧tiu c膬 dragostea adev膬rat膬 este ca o lumin膬 care d膬 str膬lucire la tot ce e 卯n jur. Dragostea nu este un obiect, nici o podoab膬 de aur pe care s-o smulgi cuiva pentru a o d膬rui altcuiva. 艦i mai 艧tiu c膬, atunci c芒nd iube艧ti pe cineva cu sinceritate, atunci tot ce e legat de aceast膬 persoan膬 卯牛i devine drag."
"Sunt ca cineva care a艧teapt膬 pe 牛膬rm, cu biletul 卯n m芒n膬, dar vaporul nu se mai arat膬. Trebuie s膬-l mai 卯nt芒lnesc o dat膬, 卯nainte de a muri."
December 17, 2019
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December 5, 2021
this book not only ended up being one of my favourites, but also made La Nuit Bengali a little better. ignoring the whole who is more honest with their statement part, it鈥檚 his words vs her words at the end of the day. but this one was written with much more emotional depth, much more intimacy - i must admit. it kinda makes sense that Maitreyi Devi will have a greater grip on her way of expressing, since she was much older and emotionally mature than Mircea when she wrote it.
June 16, 2014
far more better than the first book. and I hate Mirca Eliyod, dunno why.
April 9, 2025
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June 15, 2012
It took me a while to read this and now I don't remember much, so I don't know what to say...
The ending was weird. Really weird - in a good way. I assume it was imaginary because the lines didn't fit the characters (in my opinion).
The only thing I didn't like about this book is the fact that it should be a love story, it should be about Mircea 'Euclid' (as she states a few times), yet all she talks about is herself. Actually, it's funny that right after she says that she won't say that much about her life, as 'Euclid' is the hero here, there is about half a book about her and his name is not even mentioned. Also, you can't tell that she's in love until she says she is, and it's totally surprising because there is no sign of such a thing. ._.
Well, at least after reading this book I don't blame 'Allan' (from 'Maitreyi') so much... From his letters I realize that he had tried... I still don't think very highly of him, though.
I really enjoyed the last conversation because after all those years he had reached a level similar to hers and they finally understand each other's minds. (unless they never met in reality and it's all her imagination, which I think is more plausible, because, as I already said, the lines of the male character are very much the style of "Amrita's").
Also, I like the fact that the Indian terms are explained at the end of the book. If you want to read this as an insight into Indian culture it's really interesting and thought-provoking.
The ending was weird. Really weird - in a good way. I assume it was imaginary because the lines didn't fit the characters (in my opinion).
The only thing I didn't like about this book is the fact that it should be a love story, it should be about Mircea 'Euclid' (as she states a few times), yet all she talks about is herself. Actually, it's funny that right after she says that she won't say that much about her life, as 'Euclid' is the hero here, there is about half a book about her and his name is not even mentioned. Also, you can't tell that she's in love until she says she is, and it's totally surprising because there is no sign of such a thing. ._.
Well, at least after reading this book I don't blame 'Allan' (from 'Maitreyi') so much... From his letters I realize that he had tried... I still don't think very highly of him, though.
I really enjoyed the last conversation because after all those years he had reached a level similar to hers and they finally understand each other's minds. (unless they never met in reality and it's all her imagination, which I think is more plausible, because, as I already said, the lines of the male character are very much the style of "Amrita's").
Also, I like the fact that the Indian terms are explained at the end of the book. If you want to read this as an insight into Indian culture it's really interesting and thought-provoking.
November 22, 2024
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唳嗋Ξ唳� 唳嗋Ω唳侧 唳忇唳� 唳唳澿Δ唰� 唳唳班唳� 唳唳氞唳班 唳唳班唳氞唳� 唳曕 唳呧Μ唳膏唳ム 唳灌Ο唳监唳涏唳� 唳唳傕Σ唳距Π 唳唳唰囙Π 唳唳班唳 唳Α唳监啷� 唳嗋Π唰� 唳唳�, 唳忇唰囙Δ唰� 唳ㄠ唳班唳曕 唳唳澿 唳曕唳� 唳膏唳о唳�, 唳む唳� 唳夃Κ唳� 唳む唳 唳唰囙唰� 唳唳傕Σ唳距Π 唳唳唰囙Π 唳唳班唳? 唳Σ唳� 唳灌唳班 唳む唳唳曕啷� 唳嗋Π 唳唳ㄠ唳� 唳唳侧 唳ㄠ 唳忇 唳-唳唳班Δ唰�? 唳唳唰� 唳灌Σ唰囙 唳曕唳ㄠ 唳班唳� 唳唳澿唳む 唳唳班Δ唰� 唳嗋Ξ唳距唰�, 唳曕唳ㄠ唳む 唳む唳ㄠ唳む 唳唳唰囙Π 唳娻Π唰嵿Η唰嵿Μ唰� 唳氞Σ唰� 唳椸唳涏唳ㄠイ 唳唳� 唳唳むΠ唰� 唳班Μ唳苦Π 唳嗋Σ唰� 唳唳班Μ唰囙Χ 唳曕Π唰� 唳膏唳曕 唳嗋Π 唳唳唰� 唳ム唳曕 唳多唳о? 唳忇Μ唳� 唳膏唳� 唳唳ㄠΜ唰€唳� 唳多唳班唳 唳Ζ唳� 唳唰� 唳曕唳唳� 唳ㄠΖ唰€! 唳む唳 唳曕唳ム唳� 唳曕 唳灌, 唳む唳 唳む 唳唳膏 唳唳唳囙イ 唳む唳む 唳嗋Π 唳膏Θ唰嵿Ζ唰囙 唳曕?
唳呧Ω唳距Η唳距Π唳� 唳曕唳唳唳� 唳唳班唳唳� 唳嗋Δ唰嵿Ξ唳溹唳Θ唰€ 唳膏唳唳む唳曕Ε唳� 唳Α唳监Σ唳距Ξ啷� 唳唳班Δ唳苦唳� 唳 唳唳班唳 唳 唳膏唳灌唳む唳� 唳唳班唳 唳唳む唳班 唳 唳︵唳囙唳� 唳Α唳监 唳ム唳曕Μ唰囙イ 唳嗋Ξ唳� 唳忇唳ㄠ 唳Π唰嵿Ο唳ㄠ唳� 唳Δ唳溹Θ唳曕 唳︵唳栢唳涏 唳むΔ唳溹Θ唰囙Π 唳灌Ο唳监Δ唰� 唳 唳︵唳熰 唳Α唳监 唳灌Ο唳监 唳椸唳涏 唳呧Ε唳 唳Α唳监唳� 唳む唳侧唳曕唳 唳班Ο唳监唳涏啷� 唳嗋Ξ唳� 唳む唳� 唳嗋Π 唳︵唳班 唳曕Π唳侧唳� 唳ㄠ啷�
唳唳班唳氞唳� 唳嗋Δ唰嵿Ξ唳曕Ε唳� 唳Α唳监 唳む唳Θ 唳唳侧 唳ㄠ 唳侧唳椸唳� 唳曕唳班Γ 唳忇 唳 唳Α唳监 唳唳班唳熰 唳唳澿Σ唳距Ξ啷� 唳嗋Ω唳侧 唳む唳曕 唳︵唳� 唳︵唳唰� 唳侧唳� 唳ㄠ唳囙イ 唳む唳� 唳膏唳灌唳む唳� 唳ㄠ唳唰� 唳曕Ε唳� 唳Σ唳� 唳ㄠ啷� 唳呧Ω唳距Η唳距Π唳� 唳膏唳熰唳撪イ 唳曕唳ㄠ唳む 唳む唳� 唳︵唳粪唳熰 唳唰嵿唳苦Δ唰� 唳涏唳侧 唳氞Π唳� 唳唳侧唳� 唳唳灌唳∴啷� 唳唳熰 唳嗋Ξ唳� 唳唳ㄠΔ唰� 唳唳班唳ㄠ啷�
唳嗋Ξ唳� 唳嗋Ω唳侧 唳忇唳� 唳唳澿Δ唰� 唳唳班唳� 唳唳氞唳班 唳唳班唳氞唳� 唳曕 唳呧Μ唳膏唳ム 唳灌Ο唳监唳涏唳� 唳唳傕Σ唳距Π 唳唳唰囙Π 唳唳班唳 唳Α唳监啷� 唳嗋Π唰� 唳唳�, 唳忇唰囙Δ唰� 唳ㄠ唳班唳曕 唳唳澿 唳曕唳� 唳膏唳о唳�, 唳む唳� 唳夃Κ唳� 唳む唳 唳唰囙唰� 唳唳傕Σ唳距Π 唳唳唰囙Π 唳唳班唳? 唳Σ唳� 唳灌唳班 唳む唳唳曕啷� 唳嗋Π 唳唳ㄠ唳� 唳唳侧 唳ㄠ 唳忇 唳-唳唳班Δ唰�? 唳唳唰� 唳灌Σ唰囙 唳曕唳ㄠ 唳班唳� 唳唳澿唳む 唳唳班Δ唰� 唳嗋Ξ唳距唰�, 唳曕唳ㄠ唳む 唳む唳ㄠ唳む 唳唳唰囙Π 唳娻Π唰嵿Η唰嵿Μ唰� 唳氞Σ唰� 唳椸唳涏唳ㄠイ 唳唳� 唳唳むΠ唰� 唳班Μ唳苦Π 唳嗋Σ唰� 唳唳班Μ唰囙Χ 唳曕Π唰� 唳膏唳曕 唳嗋Π 唳唳唰� 唳ム唳曕 唳多唳о? 唳忇Μ唳� 唳膏唳� 唳唳ㄠΜ唰€唳� 唳多唳班唳 唳Ζ唳� 唳唰� 唳曕唳唳� 唳ㄠΖ唰€! 唳む唳 唳曕唳ム唳� 唳曕 唳灌, 唳む唳 唳む 唳唳膏 唳唳唳囙イ 唳む唳む 唳嗋Π 唳膏Θ唰嵿Ζ唰囙 唳曕?
唳呧Ω唳距Η唳距Π唳� 唳曕唳唳唳� 唳唳班唳唳� 唳嗋Δ唰嵿Ξ唳溹唳Θ唰€ 唳膏唳唳む唳曕Ε唳� 唳Α唳监Σ唳距Ξ啷� 唳唳班Δ唳苦唳� 唳 唳唳班唳 唳 唳膏唳灌唳む唳� 唳唳班唳 唳唳む唳班 唳 唳︵唳囙唳� 唳Α唳监 唳ム唳曕Μ唰囙イ 唳嗋Ξ唳� 唳忇唳ㄠ 唳Π唰嵿Ο唳ㄠ唳� 唳Δ唳溹Θ唳曕 唳︵唳栢唳涏 唳むΔ唳溹Θ唰囙Π 唳灌Ο唳监Δ唰� 唳 唳︵唳熰 唳Α唳监 唳灌Ο唳监 唳椸唳涏 唳呧Ε唳 唳Α唳监唳� 唳む唳侧唳曕唳 唳班Ο唳监唳涏啷� 唳嗋Ξ唳� 唳む唳� 唳嗋Π 唳︵唳班 唳曕Π唳侧唳� 唳ㄠ啷�
唳唳班唳氞唳� 唳嗋Δ唰嵿Ξ唳曕Ε唳� 唳Α唳监 唳む唳Θ 唳唳侧 唳ㄠ 唳侧唳椸唳� 唳曕唳班Γ 唳忇 唳 唳Α唳监 唳唳班唳熰 唳唳澿Σ唳距Ξ啷� 唳嗋Ω唳侧 唳む唳曕 唳︵唳� 唳︵唳唰� 唳侧唳� 唳ㄠ唳囙イ 唳む唳� 唳膏唳灌唳む唳� 唳ㄠ唳唰� 唳曕Ε唳� 唳Σ唳� 唳ㄠ啷� 唳呧Ω唳距Η唳距Π唳� 唳膏唳熰唳撪イ 唳曕唳ㄠ唳む 唳む唳� 唳︵唳粪唳熰 唳唰嵿唳苦Δ唰� 唳涏唳侧 唳氞Π唳� 唳唳侧唳� 唳唳灌唳∴啷� 唳唳熰 唳嗋Ξ唳� 唳唳ㄠΔ唰� 唳唳班唳ㄠ啷�
May 12, 2019
Interesanta. Fiind un raspuns din partea Maitreyiei pentru Eliade, trebuie neaparat citita impreuna cu varianta lui Eliade (Maitreyi). 4 stele fiindca intra prea mult in detalii despre perioada din viata ei cand nu a avut legatura cu Mircea, acea parte e cam plictisitoare. Mi ar fi placut sa se axeze doar pe povestea dintre ea si Mircea.
November 6, 2024
Nu am multe lucruri de spus despre cartea asta, sau din contra, poate am prea multe de spus ca sa le pot scrie intr-un review, asa ca o sa las doar cateva citate si marturisiri care condenseaza destul de bine tot ce a insemnat povestea asta pentru mine.
鈥淐hiar dac茫 m茫 vei prinde sub plasa de otel
N-am s茫 strig.
Golurile se vor m茫ri de la sine
Destul ca s茫-mi scot mina si s茫 cuprind luna.
Si de vei face ziduri de piatr谩
Nicicind n-ai s膬 zidesti inchisoare pentru mine.
Pietrele se vor n膬rui de la sine
De indat脿 ce voi aparea eu.
摆鈥
Ai uitat ca intr-una din primele noastre dimineti Mi-ai pus in min膬 o sageata care poate ochi sunetul
Si ca tu ai fost cel care m-a 卯nvatat
S茫 trag la tinta far茫 gres.
Si azi, daca vrei s茫 ma umpli de intuneric
De nu-mi mai pot vedea drumul,
Fii sigur c-am sa netezesc cerul
Si am s茫 umplu lumea de lumina intr-o noapte fara luna
N-ai dec卯t sa stai cu spatele intors la mine
Am s茫-ti umplu cerul cu un cintec
Tacut ca o raza. lar tu, mirat, n-ai sa stii
De unde vine revarsarea aceasta de lumina.鈥�
鈥濩and privesc la aceasta lume prin muzica ta, numai atunci pot sa o cunosc, totul imi devine familiar". El a scris asta referitor la Divinitate. Eu ma gandesc la un b膬rbat - sint o fetita - Divinitatea nu-mi este necesara, o fiint膬 omeneasc茫 卯mi ajunge.鈥�
鈥濶u am liniste.Aspir la lucruri indepartate, am uitat, am uitat c膬 nici nu am aripi".
鈥淢ircea mi-a f膬cut o mica vin膬taie la min膬.
O ating usor cu cealalta palma, dar ea creste, creste neincetat, tot mai mare, intinzindu-se spre inim茫 - m茫 v膬d c膬zut茫 la pamint, r膬nita; si Mircea a plecat.鈥�
鈥淣u esti oare geloasa pe tine insati ? Nu crezi tu c膬-ti iubesc mai mult trupul decit pe tine insati ? Dar asta nu este adev茫rat. Nu este asa, Amrita, nu este asa ! Eu caut sufletul t膩u. Dar el este in trupul tau. O caut pe aceea care nu poate fi atins茫 sau vazuta, si care este in trupul t膬u. Incerc s茫 percep spiritul din tine.鈥�
鈥淐hiar dac茫 m茫 vei prinde sub plasa de otel
N-am s茫 strig.
Golurile se vor m茫ri de la sine
Destul ca s茫-mi scot mina si s茫 cuprind luna.
Si de vei face ziduri de piatr谩
Nicicind n-ai s膬 zidesti inchisoare pentru mine.
Pietrele se vor n膬rui de la sine
De indat脿 ce voi aparea eu.
摆鈥
Ai uitat ca intr-una din primele noastre dimineti Mi-ai pus in min膬 o sageata care poate ochi sunetul
Si ca tu ai fost cel care m-a 卯nvatat
S茫 trag la tinta far茫 gres.
Si azi, daca vrei s茫 ma umpli de intuneric
De nu-mi mai pot vedea drumul,
Fii sigur c-am sa netezesc cerul
Si am s茫 umplu lumea de lumina intr-o noapte fara luna
N-ai dec卯t sa stai cu spatele intors la mine
Am s茫-ti umplu cerul cu un cintec
Tacut ca o raza. lar tu, mirat, n-ai sa stii
De unde vine revarsarea aceasta de lumina.鈥�
鈥濩and privesc la aceasta lume prin muzica ta, numai atunci pot sa o cunosc, totul imi devine familiar". El a scris asta referitor la Divinitate. Eu ma gandesc la un b膬rbat - sint o fetita - Divinitatea nu-mi este necesara, o fiint膬 omeneasc茫 卯mi ajunge.鈥�
鈥濶u am liniste.Aspir la lucruri indepartate, am uitat, am uitat c膬 nici nu am aripi".
鈥淢ircea mi-a f膬cut o mica vin膬taie la min膬.
O ating usor cu cealalta palma, dar ea creste, creste neincetat, tot mai mare, intinzindu-se spre inim茫 - m茫 v膬d c膬zut茫 la pamint, r膬nita; si Mircea a plecat.鈥�
鈥淣u esti oare geloasa pe tine insati ? Nu crezi tu c膬-ti iubesc mai mult trupul decit pe tine insati ? Dar asta nu este adev茫rat. Nu este asa, Amrita, nu este asa ! Eu caut sufletul t膩u. Dar el este in trupul tau. O caut pe aceea care nu poate fi atins茫 sau vazuta, si care este in trupul t膬u. Incerc s茫 percep spiritul din tine.鈥�
August 30, 2021
"I am now old enough to realise that happiness does not reside in an event or object outside one's mind. It can swell up by some touch from outside only if inwardly we are prepared for it. If I continuously get burnt by the fire of conscience, if those wounds are lapped by slanderous vulgar tongues and pricked by social censure, then can I be happy by just falling into Mircea's arms? Impossible. It is not the body that can create happiness 鈥� it is the mind which is eternal source of joy."
"The boat of my life is floating on strong currents, knocking against many events. I am no more a little girl 鈥� I face the world with as much strength as it demands of me. I have hardened. The tender skin that could feel the finest touch has now, by continuous friction, become rough."
"I tell my friends, 'Look at the prank fate has played on me. The family I have raised, the events of my long life, my husband and my children 鈥� they will be wiped away in time. This, my real life, will become a shadow, but someone who is a nobody to me, whom I met for a brief while in the long journey of life, he will remain 鈥� someone who is nowhere in my life 鈥� my name shall remain tied with that total stranger, even after death. Social relations, even blood relations end with death, but the tie he has created is unbreakable.'"
"This is the truth, truly the truth. The body perishes, the soul is immortal. It cannot be killed by killing the body. Where is that body of mine? The bower of my youth? In this old decrepit body, my hair is greying and my face is lined, but the soul is the same, uncorroded by time."
"I am telling you, that experience was so 鈥� so sacred that I never thought I could touch it again. So I put you out of time and space." - Mircea
"Mircea, you read so much, but you have acquired no wisdom! You don't speak like a wise man. Is love a material object that can be snatched away from one and given to another? Is it a property or an ornament? It is a light, Mircea, a light 鈥� like the light of intelligence, like the light of knowledge, is the light of love. The light of intelligence has a limit 鈥� it works only in one sphere, but the light of love is more lustrous 鈥� it shows everything in its true form. Once this light is lit, the whole world gets filled with love."
"The boat of my life is floating on strong currents, knocking against many events. I am no more a little girl 鈥� I face the world with as much strength as it demands of me. I have hardened. The tender skin that could feel the finest touch has now, by continuous friction, become rough."
"I tell my friends, 'Look at the prank fate has played on me. The family I have raised, the events of my long life, my husband and my children 鈥� they will be wiped away in time. This, my real life, will become a shadow, but someone who is a nobody to me, whom I met for a brief while in the long journey of life, he will remain 鈥� someone who is nowhere in my life 鈥� my name shall remain tied with that total stranger, even after death. Social relations, even blood relations end with death, but the tie he has created is unbreakable.'"
"This is the truth, truly the truth. The body perishes, the soul is immortal. It cannot be killed by killing the body. Where is that body of mine? The bower of my youth? In this old decrepit body, my hair is greying and my face is lined, but the soul is the same, uncorroded by time."
"I am telling you, that experience was so 鈥� so sacred that I never thought I could touch it again. So I put you out of time and space." - Mircea
"Mircea, you read so much, but you have acquired no wisdom! You don't speak like a wise man. Is love a material object that can be snatched away from one and given to another? Is it a property or an ornament? It is a light, Mircea, a light 鈥� like the light of intelligence, like the light of knowledge, is the light of love. The light of intelligence has a limit 鈥� it works only in one sphere, but the light of love is more lustrous 鈥� it shows everything in its true form. Once this light is lit, the whole world gets filled with love."
November 19, 2020
"唳忇 唳唳班唳� 唳多唳班 唳嗋 唳む唳唳� 唳唳班Ε唳� 唳︵唳�, 唳Ε 唳灌唳班唳 唳ㄠ 唳む?" 唳唳班Ε唳� 唳む唳�-唳氞唳� 唳唳粪唳犩 唳Α唳监唳� 唳Π 唳Θ唰� 唳灌Ο唳监唳涏唳�, "唳о唳�, 唳忇Π 唳氞唳唰� 唳呧Π唰嵿唳距Θ唳苦 唳曕唳唳膏唳熰唳班 唳Α唳监 唳唳多 唳唳侧啷�" 唳む唳� 唳呧Θ唰囙唳︵唳� 唳忇唳熰 唳多唳侧Λ唰囙Π 唳忇Ζ唳苦-唳撪Ζ唳苦 唳樴唳班 唳唳∴唳距唰嵿唳苦Σ啷� 唳灌唳距 唳曕Π唰囙 唳曕 唳Θ唰� 唳曕Π唰� 唳膏唳Θ唰囙Π 唳嗋Π唰囙 唳曕Ο唳监唳� 唳唳粪唳犩 唳Α唳监唳� 唳Π 唳Θ唰� 唳灌Σ唰�, "唳嗋Π唰囙! 唳唳� 唳む!" 唳唳む唳班唳唰€ 唳︵唳 唳� 唳唳班唳氞 唳忇Σ唳苦Ο唳监唳︵唳� 唳唳椸Σ唳Θ唰嵿Ζ唰€ 唳嗋Δ唰嵿Ξ唳溹唳Θ唰€唳唳侧 唳夃Κ唳ㄠ唳唳� '唳� 唳灌Θ唰嵿Ο唳む' 唳� '唳侧 唳ㄠ唳� 唳唳權唳椸Σ唰€'啷� '唳� 唳灌Θ唰嵿Ο唳む', 唳唳� 唳呧Π唰嵿Ε 'It does not die' 唳 唳唳� '唳曕唳粪Ο唳� 唳ㄠ唳�, 唳唳む唳 唳ㄠ唳�'! 唳膏Δ唰嵿Ο唳苦 唳む, 唳唳侧唳唳膏唳� 唳曕 唳曕唳ㄠ 唳曕唳粪Ο唳� 唳嗋唰�? 唳唳班唳曕唳むΘ 唳唳班唳唳� 唳唳班唳氞 唳忇Σ唳苦Ο唳监唳︵唳� 唳侧唳栢 'Bengali Nights' 唳 '唳侧 唳ㄠ唳� 唳唳權唳椸Σ唰€' 唳唳唰囙Π 唳唳班Δ唰嵿Ο唰佮Δ唰嵿Δ唳� 唳� 唳唳熰啷� 唳唳む唳� 唳粪唳� 唳唳� 唳Ο唳监Ω唰� 唳む唳ㄠ 唳唳班唳 唳Α唳监唳涏唳侧唳� 唳む唳囙Χ 唳唳班唳� 唳囙唳班唳唳唳距Θ 唳侧唳栢 唳唳班唳氞 唳忇Σ唳苦Ο唳监唳︵唳班イ 唳唳む唳班唳唰€ 唳︵唳 '唳� 唳灌Θ唰嵿Ο唳む' 唳 唳唳班唳唳� 唳曕Ε唳� 唳Σ唰囙唰囙Θ, 唳唳班唳氞 唳忇Σ唳苦Ο唳监唳� 唳む唳佮Π '唳侧 唳ㄠ唳� 唳唳權唳椸Σ唳�' 唳嗋Δ唰嵿Ξ唳溹唳Θ唰€唳唳侧 唳夃Κ唳ㄠ唳唳膏 唳む 唳膏唳唳曕唳� 唳曕Π唰囙唰囙Θ啷� 唳唳む唳班唳唰€ 唳︵唳'唳� 唳膏唳ム 唳唳班唳氞 唳忇Σ唳苦Ο唳监唳︵唳� 唳唳班Δ唳苦Χ唰嵿Π唰佮Δ唳� 唳涏唳� 唳溹唳Ζ唰嵿Ζ唳多唳 唳忇 唳 唳唳� 唳む唳ㄠ 唳囙唳班唳溹唳む 唳ㄠ 唳涏唳唳ㄠイ
唳膏Δ唰嵿Ο唳� 唳Σ唳む, 唳忇 唳唳唰囙Π 唳班唳唳� 唳犩唳� 唳曕唳唳 唳︵唳撪Ο唳监 唳唳, 唳膏唳� 唳о唳班Γ唳� 唳嗋Ξ唳距Π 唳ㄠ唳囙イ 唳呧Ζ唰嵿Ν唰佮Δ 唳膏唳ㄠ唳︵Π 唳︵唳囙唳� 唳夃Κ唳ㄠ唳唳膏イ 唳むΜ唰� 唳嗋Ξ唳距Π 唳曕唳涏 唳Θ唰� 唳灌Ο唳监唳涏 唳唳む唳班唳唰€ 唳呧唳唳侧唳ㄠ唳� (唳忇Σ唳苦Ο唳监唳�) 唳唳班Δ唳� 唳唳� 唳Π唳苦Ξ唳距Γ 唳熰唳� 唳呧Θ唰佮Ν唳� 唳曕Π唳む 唳曕唳傕Μ唳� 唳唳侧唳唳膏Δ唰�, 唳呧唳唳侧唳� 唳膏唳� 唳Π唳苦Ξ唳距Γ 唳唳侧唳唳膏Δ唰� 唳ㄠ啷� 唳むΜ唰� 唳︵唳溹Θ唰囙Π 唳侧唳栢唳� 唳唰嵿唳苦 唳唳� 唳氞Ξ唰庎唳距Π! 唳唳班Δ唰嵿Ο唰囙唳熰 唳多Μ唰嵿Ζ 唳唳� 唳溹唳Θ唰嵿Δ 唳灌Ο唳监 唳曕Ε唳� 唳Σ唰�! 唳Α唳监唳� 唳膏Ξ唳 唳Θ唰� 唳灌Μ唰� 唳嗋Κ唳ㄠ 唳ㄠ唳溹唳� 唳膏唳� 唳溹唳唳椸唳 唳︵唳佮Α唳监唳唰� 唳嗋唰囙Θ啷� 唳むΜ唰� 唳む唳︵唳� 唳多唳� 唳Π唳苦Γ唳む 唳溹唳ㄠ 唳嗋Ξ唳� 唳唳� 唳灌Δ唳距Χ唳� 唳灌Ο唳监唳涏啷� 唳︵唳熰 唳唳ㄠ唳� 唳︵唳多唳�, 唳唳ㄠ唳� 唳оΠ唰嵿Ξ唰囙Π, 唳唳ㄠ唳� 唳膏唳膏唳曕唳む唳� 唳︵唳熰 唳唳ㄠ唳� 唳唳� 唳忇唰�-唳呧Κ唳班唰� 唳唳侧唳唳膏 唳唳侧, 唳む唳� 唳忇Π 唳Π唳苦Γ唳む 唳曕 唳灌Ο唳�? 唳唳侧唳唳膏唳曕 唳曕 唳曕唳ㄠ 唳唳侧 唳ム唳曕 唳唳?
唳膏Δ唰嵿Ο唳� 唳Σ唳む, 唳忇 唳唳唰囙Π 唳班唳唳� 唳犩唳� 唳曕唳唳 唳︵唳撪Ο唳监 唳唳, 唳膏唳� 唳о唳班Γ唳� 唳嗋Ξ唳距Π 唳ㄠ唳囙イ 唳呧Ζ唰嵿Ν唰佮Δ 唳膏唳ㄠ唳︵Π 唳︵唳囙唳� 唳夃Κ唳ㄠ唳唳膏イ 唳むΜ唰� 唳嗋Ξ唳距Π 唳曕唳涏 唳Θ唰� 唳灌Ο唳监唳涏 唳唳む唳班唳唰€ 唳呧唳唳侧唳ㄠ唳� (唳忇Σ唳苦Ο唳监唳�) 唳唳班Δ唳� 唳唳� 唳Π唳苦Ξ唳距Γ 唳熰唳� 唳呧Θ唰佮Ν唳� 唳曕Π唳む 唳曕唳傕Μ唳� 唳唳侧唳唳膏Δ唰�, 唳呧唳唳侧唳� 唳膏唳� 唳Π唳苦Ξ唳距Γ 唳唳侧唳唳膏Δ唰� 唳ㄠ啷� 唳むΜ唰� 唳︵唳溹Θ唰囙Π 唳侧唳栢唳� 唳唰嵿唳苦 唳唳� 唳氞Ξ唰庎唳距Π! 唳唳班Δ唰嵿Ο唰囙唳熰 唳多Μ唰嵿Ζ 唳唳� 唳溹唳Θ唰嵿Δ 唳灌Ο唳监 唳曕Ε唳� 唳Σ唰�! 唳Α唳监唳� 唳膏Ξ唳 唳Θ唰� 唳灌Μ唰� 唳嗋Κ唳ㄠ 唳ㄠ唳溹唳� 唳膏唳� 唳溹唳唳椸唳 唳︵唳佮Α唳监唳唰� 唳嗋唰囙Θ啷� 唳むΜ唰� 唳む唳︵唳� 唳多唳� 唳Π唳苦Γ唳む 唳溹唳ㄠ 唳嗋Ξ唳� 唳唳� 唳灌Δ唳距Χ唳� 唳灌Ο唳监唳涏啷� 唳︵唳熰 唳唳ㄠ唳� 唳︵唳多唳�, 唳唳ㄠ唳� 唳оΠ唰嵿Ξ唰囙Π, 唳唳ㄠ唳� 唳膏唳膏唳曕唳む唳� 唳︵唳熰 唳唳ㄠ唳� 唳唳� 唳忇唰�-唳呧Κ唳班唰� 唳唳侧唳唳膏 唳唳侧, 唳む唳� 唳忇Π 唳Π唳苦Γ唳む 唳曕 唳灌Ο唳�? 唳唳侧唳唳膏唳曕 唳曕 唳曕唳ㄠ 唳唳侧 唳ム唳曕 唳唳?
July 4, 2021
唳溹唳Θ唰� 唳忇Ξ唳� 唳唳班唳�, 唳忇Ξ唳� 唳唳侧唳唳膏, 唳嗋Ζ唰� 唳曕唳� 唳唳む 唳唳班 唳む 唳忇 唳唳熰 唳ㄠ 唳Α唳监Σ唰� 唳溹唳ㄠΔ唰囙 唳唳班Δ唳距Ξ 唳ㄠ啷� 唳多唳о 唳唳撪Ο唳监唳熰唳� 唳Α唳监 唳ㄠΟ唳�, 唳む 唳氞Σ唰嵿Σ唳苦Χ 唳唳班唳班 唳唳多 唳膏Ξ唳 唳оΠ唰� 唳忇Δ唰� 唳Δ唰嵿Θ 唳曕Π唰� 唳侧唳侧Θ-唳唳侧Θ 唳曕Π唳距Π 唳曕唳粪Ξ唳む 唳ㄠ唳� 唳Σ唰囙 唳灌Ο唳监Δ唰� 唳嗋Ξ唳距Ζ唰囙Π 唳溹唳Θ 唳唳ム唳� 唳班Ο唳监 唳唳啷� 唳曕唳ㄠ唳む 唳� 唳 唳ㄠ 唳Α唳监Σ唰囙 唳溹唳Θ 唳唳ム唳� 唳灌Δ唰嬥イ
唳夃Κ唳ㄠ唳唳膏唳苦Δ唰� 唳氞唳班唳� 唳Π唰嵿Μ啷� 唳唳班Ε唳� 唳Π唰嵿Μ唰� 唳唳︵唰嵿Η 唳唳侧唳唳膏唳� 唳Θ唰嵿Δ唰嵿Π唳ㄠ, 唳︵唳唳む唳 唳Π唰嵿Μ唰� 唳ㄠ唳冟Ω唳權唳�-唳忇唳距唳苦Δ唰嵿Μ-唳多唳ㄠ唳む唳� 唳唳侧Θ, 唳む唳む唳 唳Π唰嵿Μ唰� 唳曕唳侧唳� 唳夃Θ唰嵿Ξ唳距Ζ唳ㄠ 唳� 唳氞Δ唰佮Π唰嵿Ε 唳Π唰嵿Μ唰� 唳嗋Δ唰嵿Ξ唳Σ唳唳о, 唳膏Μ唳熰唳� 唳忇 唳唳灌唳距Σ 唳唳膏唳む唳� 唳曕Π唰� 唳溹唳Θ唳曕 唳唳む唳 唳唳む唳 唳膏唳溹唳唰� 唳む唳侧 唳оΠ唰囙唰囙イ 唳� 唳夃Κ唰囙唰嵿Ψ唳� 唳曕Π唳距Π 唳Δ唰� 唳膏唳о唳� 唳嗋Ξ唳距Π 唳ㄠ唳囙イ
唳唳ㄠΧ唰嵿: 唳呧Π唰嵿Γ唳唳� 唳椸唳ㄠ唳� 唳唳囙Π唰� 唳忇 唳唳班Ε唳� 唳唳� 唳忇Δ唰� 唳ㄠ唳唳� 唳唳唳� 唳曕Μ唳苦Κ唰嵿Π唰囙Ξ 唳夃Κ唳侧Μ唰嵿Η唳� 唳曕Π唰囙唳� 唳嗋Ξ唳苦イ 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε 唳嗋Ξ唳距Ζ唰囙Π 唳溹唳Θ唰� 唳犩唳� 唳曕Δ唳熰 唳椸唳班唳む唳Κ唰傕Π唰嵿Γ 唳む 唳忇 唳唳唰囙Π 唳ム唳曕 唳唳侧 唳嗋Π 唳曕唳ㄠ 唳ㄠ唳︵Π唰嵿Χ唳� 唳灌Δ唰� 唳唳班唳ㄠ 唳灌Ο唳监Δ唰嬥イ
唳夃Κ唳ㄠ唳唳膏唳苦Δ唰� 唳氞唳班唳� 唳Π唰嵿Μ啷� 唳唳班Ε唳� 唳Π唰嵿Μ唰� 唳唳︵唰嵿Η 唳唳侧唳唳膏唳� 唳Θ唰嵿Δ唰嵿Π唳ㄠ, 唳︵唳唳む唳 唳Π唰嵿Μ唰� 唳ㄠ唳冟Ω唳權唳�-唳忇唳距唳苦Δ唰嵿Μ-唳多唳ㄠ唳む唳� 唳唳侧Θ, 唳む唳む唳 唳Π唰嵿Μ唰� 唳曕唳侧唳� 唳夃Θ唰嵿Ξ唳距Ζ唳ㄠ 唳� 唳氞Δ唰佮Π唰嵿Ε 唳Π唰嵿Μ唰� 唳嗋Δ唰嵿Ξ唳Σ唳唳о, 唳膏Μ唳熰唳� 唳忇 唳唳灌唳距Σ 唳唳膏唳む唳� 唳曕Π唰� 唳溹唳Θ唳曕 唳唳む唳 唳唳む唳 唳膏唳溹唳唰� 唳む唳侧 唳оΠ唰囙唰囙イ 唳� 唳夃Κ唰囙唰嵿Ψ唳� 唳曕Π唳距Π 唳Δ唰� 唳膏唳о唳� 唳嗋Ξ唳距Π 唳ㄠ唳囙イ
唳唳ㄠΧ唰嵿: 唳呧Π唰嵿Γ唳唳� 唳椸唳ㄠ唳� 唳唳囙Π唰� 唳忇 唳唳班Ε唳� 唳唳� 唳忇Δ唰� 唳ㄠ唳唳� 唳唳唳� 唳曕Μ唳苦Κ唰嵿Π唰囙Ξ 唳夃Κ唳侧Μ唰嵿Η唳� 唳曕Π唰囙唳� 唳嗋Ξ唳苦イ 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε 唳嗋Ξ唳距Ζ唰囙Π 唳溹唳Θ唰� 唳犩唳� 唳曕Δ唳熰 唳椸唳班唳む唳Κ唰傕Π唰嵿Γ 唳む 唳忇 唳唳唰囙Π 唳ム唳曕 唳唳侧 唳嗋Π 唳曕唳ㄠ 唳ㄠ唳︵Π唰嵿Χ唳� 唳灌Δ唰� 唳唳班唳ㄠ 唳灌Ο唳监Δ唰嬥イ
September 4, 2018
Cealalt膬 perspectiv膬 asupra rela葲iei de dragoste dintre Eliade 葯i Maiytreyi, 卯n realitate nu se concentreaz膬 doar pe acest fir narativ, ci este o mai ampl膬 descriere a vie葲ii autoarei, a unor c膬l膬torii pe care le-a realizat, a familiei sale, etc. De neratat episodul 卯n care ea 葯i Eliade se re卯nt芒lnesc 卯n America, dup膬 zeci de ani, el b膬tr芒n 葯i aproape orb, ea nemaipurt芒ndu-i pic膬 pentru neadev膬rurile scrise despre ea 卯n romanul s膬u de succes.
December 23, 2020
唳膏唳� 唳夃Θ唳苦Χ唳多 唳む唳班唳�!唳む唳囙Χ 唳唳班唳� 唳忇 唳班唳唳ㄠ唳唳距Ξ 唳唳 唳唳班唳氞 唳唳班Δ唳Π唰嵿Ψ唰� 唳忇Σ唰囙Θ 唳溹唳炧唳� 唳呧Θ唰嵿Μ唰囙Ψ唳｀唳� 唳曕唳溹啷む唳熰Θ唳距Κ唰嵿Π唳唳灌 唳む唳� 唳膏唳ム 唳Π唳苦唳 唳灌Σ唰� 唳む唳� 唳多唳曕唳粪唰囙Π 唳粪唳∴唳多 唳曕Θ唰嵿Ο唳� 唳唳む唳班唳唰€唳� 唳膏唳ム啷�
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唳膏Ξ唳唰囙Π 唳Π唳苦唰嵿Π唳唳 唳唳班唳氞 唳忇Μ唳� 唳唳む唳班唳唰€ 唳︵唳溹Θ唰囙 唳唳栢唳唳� 唳灌Ο唳监唳涏唳� 唳ㄠ唳� 唳ㄠ唳� 唳曕唳粪唳む唳班啷むΞ唳苦Π唰嵿唳� 唰оН唰┼З 唳膏唳侧 唳む唳︵唳� 唳忇 唳膏Ξ唰嵿Κ唳班唳� 唳ㄠ唳唰� 唳侧唳栢唳涏唳� '唳侧 唳ㄠ唳� 唳唳權唳椸Σ唰€' - 唳 唳嗋Ξ唳距Π 唳曕唳涏 唳唳唰嵿Δ唳苦唳むΝ唳距Μ唰� 唳唳侧 唳侧唳椸唳ㄠ 唳忇唳︵Ξ唳囙イ唳唳� 唳唳班Δ唳苦唰嵿Π唳苦Ο唳监唳 唳Π唳� 唳Σ唳� 唳唳 '唳嗋Ω唳� 唳膏Δ唰嵿Ο唳曕' 唳唳班唳距Χ 唳曕Π唳距Π 唳溹Θ唰嵿Ο唰� 唳唳む唳班唳唰€ 唳︵唳 唳侧唳栢唳涏唳� '唳� 唳灌Θ唰嵿Ο唳む'!
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'唳� 唳灌Θ唰嵿Ο唳む' 唳多唳о唳唳む唳� 唳忇唳熰 唳呧Κ唰傕Π唰嵿Γ 唳唳班唳唳� 唳嗋唰嵿Ο唳距Θ 唳ㄠΟ唳监イ唰оН唰┼Е 唳忇Π 唳唳班Δ唰€唳 唳膏Ξ唳距唳唳Μ唳膏唳ム,唳む唳曕唳侧唳� 唳ㄠ唳班唳︵唳� 唳呧Μ唳膏唳ム唳�,唳唳班唳熰唳多Μ唳苦Π唰嬥Η唰€ 唳嗋Θ唰嵿Ζ唰嬥Σ唳�,唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε - 唳唳熰唳唳熰 唳膏Μ唳曕唳涏唳� 唳唳唳曕Α唰嵿Π唳 唳班唳栢唳涏唳� 唳侧唳栢唳曕啷むΔ唳 唳唳熰唳曕 唳︵唳� 唳む唳班唳� 唳曕Ξ 唳︵唳 唳唳侧Δ 唳︵唳� 唳曕唳班Γ唰� -
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唰�.唳嗋Δ唰嵿Ξ唳溹唳Θ唰€唳唳侧 唳侧唳栢唳 唳唳熰 唳膏Μ唳氞唳唰� 唳澿唳唳侧唳� 唳唳唳唳� 唳む 唳灌Σ唰� 唳唳灌唳侧唳Ζ唰嬥Ψ啷むΘ唳苦唰囙唰� 唳ㄠ唳溹 唳唳氞唳� 唳曕Π唳む 唳椸唳侧 唳 唳灌Ο唳� 唳嗋Π唳曕...
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'唳� 唳灌Θ唰嵿Ο唳む 唳灌Θ唰嵿Ο唳唳ㄠ 唳多Π唰€唳班...'
唳忇唳溹Θ 唳唳ㄠΖ唰囙Χ唰€ 唳涏唳む唳� 唳 唳唳班Δ唰€唳 唳膏唳膏唳曕唳む 唳膏Ξ唰嵿Κ唳班唳曕 唳む唳Θ 唳曕唳涏唳� 唳溹唳ㄠ唳ㄠ 唳曕唳ㄠ唳む 唳溹唳ㄠ唳� 唳嗋唰嵿Π唳� 唳唳班Μ唳� 唳む唳� 唳膏唳ム 唳唳班Γ唳 唳灌Ο唳监 唳椸唳侧 唳班Μ唰€唳ㄠ唳︵唳班Θ唳距Ε唰囙Π 唳膏唳ㄠ唳灌Η唳ㄠ唳� 唳唳む唳班唳唰€唳班イ唳膏唳Ν唳距Μ唰囙Π 唳嗋Χ唰嵿唳班唳� 唳唳Π唰€唳む唳 唳膏Δ唰嵿Δ唰嵿Μ唰囙 唳忇唰� 唳呧Θ唰嵿Ο唰囙Π 唳嗋唳班唳粪Γ唰� 唳唳о 唳Α唳监Σ唰囙Θ 唳む唳班啷むΔ唳距Π唳Π...唳む唳ㄠ唳距Π 唳唳班Δ唰€唳 唳膏Ξ唳距唰囙Π 唳唳班唳曕唳粪唳唰� 唳 唳灌唳唳距Π 唳曕Ε唳� 唳む唳� 唳灌Σ唰�...唳唳氞唳涏唳�!
唳膏Ξ唳唰囙Π 唳Π唳苦唰嵿Π唳唳 唳唳班唳氞 唳忇Μ唳� 唳唳む唳班唳唰€ 唳︵唳溹Θ唰囙 唳唳栢唳唳� 唳灌Ο唳监唳涏唳� 唳ㄠ唳� 唳ㄠ唳� 唳曕唳粪唳む唳班啷むΞ唳苦Π唰嵿唳� 唰оН唰┼З 唳膏唳侧 唳む唳︵唳� 唳忇 唳膏Ξ唰嵿Κ唳班唳� 唳ㄠ唳唰� 唳侧唳栢唳涏唳� '唳侧 唳ㄠ唳� 唳唳權唳椸Σ唰€' - 唳 唳嗋Ξ唳距Π 唳曕唳涏 唳唳唰嵿Δ唳苦唳むΝ唳距Μ唰� 唳唳侧 唳侧唳椸唳ㄠ 唳忇唳︵Ξ唳囙イ唳唳� 唳唳班Δ唳苦唰嵿Π唳苦Ο唳监唳 唳Π唳� 唳Σ唳� 唳唳 '唳嗋Ω唳� 唳膏Δ唰嵿Ο唳曕' 唳唳班唳距Χ 唳曕Π唳距Π 唳溹Θ唰嵿Ο唰� 唳唳む唳班唳唰€ 唳︵唳 唳侧唳栢唳涏唳� '唳� 唳灌Θ唰嵿Ο唳む'!
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