A chance meeting on a train to Tokyo sends two girls named Nana on a collision course with destiny!
Nana "Hachi" Komatsu hopes that moving to Tokyo will help her make a clean start and leave her capricious love life behind her. Nana Osaki, who arrives in the city at the same time, has plans to score big in the world of rock'n'roll. Although these two young women come from different backgrounds, they quickly become best friends in a whirlwind world of sex, music, fashion, gossip and all-night parties!
Nana K. is going home--for an awesome Trapnest concert! She drags Nana O. along, convinced that somehow Ren will sense his ex-flame in the audience. But life is never that easy, and Nana O. isn't sure if she even wants Ren back. As for Nana K., is she prepared for Trapnest to come down off the stage and into her life, or will her fan-girl attitude land her in a heap of trouble?
Ai Yazawa (Japanese: ʸ›g¤¢¤¤, Yazawa Ai) is a Japanese manga author and illustrator. Her pen name comes from singer Eikichi Yazawa, of whom she is a fan. Yazawa started her comics career in 1985. She specialises in shojo manga (girls' comics). Most of her works have been serialised in the magazines 'Ribon', 'Cookie' and 'Zipper'. Yazawa's stories focus on young, often rebellious women and their relationships. The characters are always very stylish, and Yazawa herself is known for her sense of fashion. (She even attended a fashion school for some time after high school.) Among her most famous manga are Tenshi Nanka Ja Nai (I'm No Angel, 1992¨C1995), Neighborhood Story (1995-1998), Paradise Kiss (1999-2004), and Nana (2000-2009), the latter awarded a Shogakukan Manga Award in 2003. Some of these works have been adapted into anime and live action movies.
Oh boy Ren is back in the picture ! I was so interested in seeing how Ren was incorporated into this volume especially because of his past history with Nana. I enjoyed it and I loved that the girls are getting much closer and they are willing to be more open with each other than before. This definitely is a timeless manga that I will continue to enjoy and I'm looking forward to seeing how the girls are going to evolve in future relationships as well as with themselves and each other.
This has got to be my favourite book so far. I also want to use this opportunity to express how much I appreciate Hachi. She seems so genuine, and her way of thinking and problem-solving seem so true. She has embodied all fangirls, just like she did with Takumi. I really hope that nothing awful happens to her.
The more I reread this series, the more I remember why Nana Osaki is my favorite out of the two Nanas, and why my heart still aches so much for Hachi...
I can't believe how involved in this soap opera I am!
There's little hints that Nana K drops toward the end of the volumes - how this is all a flashback for her and she's telling this story far in the future.
This was a good one as the band Trapnest becomes involved with the band Blast. Or, rather, the members of Trapnest become re-involved with the members of Blast. Very complicated.
So many choices for Nana K to choose for her next love!
Silly but poignant. It's about growing up and I'm enjoying watching the show. I don't think I had nearly this exciting a time when I first moved out on my own, but I remember things could be a little crazy.
No s¨¦ si no tengo ning¨²n tipo de criterio para juzgar manga a¨²n o Nana es una saga tan maravillosa que todos los tomos merecen cinco estrellas jajajajaja
Leer esto provoca, literalmente, una monta?a rusa se sentimientos y emociones. En una p¨¢gina te est¨¢s riendo de un chiste absurdo y en la otra est¨¢s con una depresi¨®n enorme por algo que le pas¨® a alguno de los personajes. No, no estoy exagerando, es as¨ª. Creo que es imposible no terminar un tomo de Nana, este en particular (al menos hasta ahora), sin sentir una angustia tremenda (si vieron el anime esa angustia es a¨²n mayor porque ya saben lo que va a pasar despu¨¦s)
TODOS LOS PERSONAJES TIENEN PROBLEMAS. No me estoy refiriendo solo a los t¨ªpicos, sino que muchos tienen problemas psicol¨®gicos, tipo, est¨¢n mal de verdad (esto ¨²ltimo me lo pueden discutir si quieren). Esto, para m¨ª, es lo que los hace perfectos para esta historia. No son modelos a seguir, ni ah¨ª, por favor, pero si uno es consciente de eso y no se deja influenciar por su forma de actuar es imposible no pensar que son personajes espectacularmente bien construidos, es por eso que me encantan, para qu¨¦ mentir.
No hay nadie que me angustie tanto como Hachi con su forma de actuar y pensar. La adoro, de verdad que s¨ª, pero porque es un amor a pesar de tener unas actitudes que me dan ganas de mandarla a un psic¨®logo urgente. Me parte el alma ver c¨®mo se ilusiona por algo siendo consiente de que es un error hacerlo, sabiendo que va a salir lastimada y llam¨¢ndose a si misma idiota por ello... Lamentablemente se busca todo lo que le pasa, pero no por eso me angustio menos (les juro que los personajes son tan reales que no puedo con la vida)
En este caso de Nana no voy a hablar, ya que en este tomo no hace nada que valga la pena comentar(?
Me despido diciendo dos cosas: YASU PASI?N y Nobu, yo estoy con vos.
NOTA DE UNOS D?AS DESPU?S: Me olvid¨¦ de decir que me encant¨® la manera en la que introdujeron definitivamente a Ren en la historia (aunque est¨¦ lejos de ser uno de mis personajes favoritos)
I'm Takumi's biggest hater. If Takumi has a million haters, then I am one of them. If Takumi has ten haters, then I am one of them. If Takumi has only one hater then that is me. If Takumi has no haters, then that means I am no longer alive.
Nana and Nana go to see TRAPNEST love and that opens the door for Ren to see Nana O ...for the first time in two years! Nana K has her own crush Takumi from the same band.Hes a guy who uses the term Honey a lot..such a friggin player! Great volume..fun with some hidden depths.
I'm completely addicted to Ai Yazawa's shojo manga Nana. Nana is the story of two young women, both from small towns, who meet on the bullet train and end up moving in together in Tokyo. Nana Komatsu (a.k.a. "Hachi") is a small-town girl who has big city dreams of romance and leaving her old life (and self) behind, while Nana Osaki has come to Tokyo to try to find success as the singer of her (psuedo) punk rock band, Blast. This all sounds like pretty standard fare so far, but once you throw in copious piercings, an underage bass-playing rent boy, art school friends, non-stop smoking, all-night parties, a cute sweety gothy fangirl, a deep romance between Nana O. and Ren (guitar player for rival band Trapnest), secret hotel trysts, crazy fashion, levels of girl bonding that are off the charts, and melodramatics like you haven't seen since you stopped watching Days of Our Lives, then you'll have a better idea of what you're in for in this series.
Yazawa does a few things really well in Nana. First, she creates characters that you can get attached to really easily so that you want to follow their stories. Once you're invested in the characters, the melodrama and gossip that mounts are unrelenting. Reading this manga kind of feels just like when one of your friends hands you some delicious, and perhaps slightly malicious, secret tidbit about a friend or acquaintance, usually prefaced with the phrase "Don't tell anyone." Yazawa is also frightfully adept at deploying a battery of shojo manga techniques used for the illustration of intense emotional states (startle lines, blushing cheeks, disembodied flowers floating in the air, smile octagons, etc.). This use of a secondary emotional language in illustration works in conjunction with the melodrama in a way that's far more affective than anything I can imagine in cinema. What Yazawa does best of all, however, is to deeply imagine the wide variety of affections, desires, and types of love that can run through groups of people without trying to simplify the complex emotional relationships that result. The (non-sexual, but definitely erotic) love between Nana and Nana is given more space in this manga than even the more traditional romantic encounters between the Nanas and their heterosexual partners. The idea of "love" that has managed to drop itself into the English language is severely inadequate to describe the types of emotional attachments that Yazawa instigates and investigates in Nana ¡ª perhaps a more appropriate way to approach the relationships presented in Nana would be to invoke the numerous Greek words for love and use those varietals as a jumping off point.
For all its melodramatics and emphasis on young love and rock-and-roll, this series is hauntingly elegiac. The events told in the story itself take place in a past that's registered in the key of loss by the voice of a disembodied narrator that appears throughout the course of the narrative: "I'll still call out for you, Nana . . . no matter how much it hurts . . . until you answer me." I'm not sure what future traumatics are in store in this series, but my guess is that the series ends with the loss of something unrecoverable. Whether or not anything is gained in the tradeoff will be the point of interest to look out for.
The reason I give four stars to the series instead of five is that, as entertaining as it is, it's mostly a kind of pop entertainment. Sharply felt, deeply delightful, but finally not one for the ages.
I liked this volume more, ren has his issues but i cant help but like him.. Oh and i already hate takumi he gets on my nerves ? like plz stop playing with Hatchi's feelings smh