欧宝娱乐

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亘丕亘 丕賱卮賲爻

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賲丕鬲鬲 兀賲 丨爻賳.
乇兀賷鬲購 丕賱賳丕爻 賷鬲乇丕賰囟賵賳賻 賮賷 兀夭賯丞 丕賱賲禺賷賲貙 賵爻賲毓鬲 兀氐賵丕鬲 丕賱亘賰丕亍. 賰丕賳 丕賱賳丕爻 賷禺乇噩賵賳 賲賳 亘賷賵鬲賴賲貙 賷賳丨賳賵賳 賱賰賷 賷賱鬲賯胤賵丕 丿賲賵毓賴賲貙 賵賷乇賰囟賵賳.
賲丕鬲鬲 賳亘賷賱丞 夭賵噩丞 賲丨賲賵丿 丕賱賯丕爻賲賷 丕賱鬲賷 賰丕賳鬲 兀賲賳丕. 賰賳丕 賳丿毓賵賴丕 "賷丕 兀賲賷" 賱兀賳 賰賱 丕賱匕賷賳 賵賱賵丿賵丕 賮賷 賲禺賷賲 卮丕鬲賷賱丕 爻賯胤賵丕 賲賳 兀丨卮丕亍 兀賲賴丕鬲賴賲 廿賱賶 賷丿賷賴丕.
賵兀賳丕 兀賷囟丕賸貙 爻賯胤鬲購 廿賱賶 賷丿賷賴丕 賵乇賰囟鬲購 賷賵賲 賲賵鬲賴丕.
噩丕亍鬲 兀賲 丨爻賳 賲賳 丕賱賰賵賷賰丕鬲貙 賯乇賷鬲賴丕 賮賷 丕賱噩賱賷賱貙 賱鬲氐亘丨 丕賱賯丕亘賱丞 丕賱賵丨賷丿丞 賮賷 賲禺賷賲 卮丕鬲賷賱丕貙 丕賲乇兀丞 賱丕 毓賲乇 賱賴丕 賵賱丕 兀賵賱丕丿貙 賵兀賳丕 賱丕 兀毓乇賮賴丕 廿賱丕 賰賴賱丞. 賰鬲賮丕賳 賲賳丨賳賷鬲丕賳貙 賵噩賴 賲賱賷亍 亘丕賱鬲噩丕毓賷丿 賵丕賱睾囟賵賳貙 賵毓賷賳丕賳 賰亘賷乇鬲丕賳 鬲賱鬲賲毓丕賳 賮賷 丕賱賵噩賴 丕賱兀亘賷囟 丕賱賲乇亘賴貙 賵卮丕賱 兀亘賷囟 賷睾胤賷 卮毓乇 乇兀爻賴丕 丕賱兀亘賷囟.
賯丕賱鬲 噩丕乇鬲賴丕 爻賳丕亍貙 夭賵噩丞 賰乇賷賲 丕賱丨丕卮賷 亘丕卅毓 丕賱賰賳丕賮丞貙 廿賳 兀賲 丨爻賳 賲乇鬲 亘賴丕 賱賷賱 兀賲爻貙 賵兀禺亘乇鬲賴丕 兀 丕賱賲賵鬲 爻賷兀鬲賷.
" 爻賲毓鬲 氐賵鬲賴 賷丕 亘賳賷鬲賷 丕賱賲賵鬲 賷賵卮賵卮 賵氐賵鬲賴 賵丕胤賷".
鬲賰賱賲鬲 亘賱賴噩鬲賴丕 賳氐賮 丕賱亘丿賵賷丞 賱鬲禺亘乇 爻賳丕亍 毓賲 賴丕鬲賮 丕賱賲賵鬲:
"噩丕亍賳賷 賴丕鬲賮 賮賷 丕賱氐亘丕禺 賵賯丕賱 賱賷 丕爻鬲毓丿賷".
賵兀賵氐鬲賴丕 毓賱賶 胤乇賷賯丞 鬲賰賮賷賳賴丕.
"兀賲爻賰鬲賳賷 賲賳 賷丿賷". 賯丕賱鬲 爻賳丕亍. "賵兀禺匕鬲賳賷 廿賱賶 亘賷鬲賴丕貙 賮鬲丨鬲 禺夭丕賳鬲賴丕 丕賱禺卮亘賷丞 丕賱亘賳賷丞 賵兀乇鬲賳賷 丕賱賰賮賳 丕賱丨乇賷乇賷 丕賱兀亘賷囟貙 賵賯丕賱鬲 賱賷 兀賳賴丕 爻鬲鬲丨賲賲 賯亘賱 兀 鬲賳丕賲. 兀賲賵鬲 胤丕賴乇丞貙 賵賱丕 兀乇賷丿 兀丨丿丕賸 毓賱賶 睾爻賱賷 廿賱丕 兀賳鬲賽".

527 pages, Paperback

First published January 1, 1998

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廿賱賷丕爻 禺賵乇賷

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丕賱賷丕爻 禺賵乇賷 賴賵 賯丕氐 賵乇賵丕卅賷 賵賳丕賯丿 賵賰丕鬲亘 賲爻乇丨賷 賱亘賳丕賳賷貙 賵賱丿 賮賷 丕賱毓丕氐賲丞 丕賱賱亘賳丕賳賷丞 亘賷乇賵鬲 毓丕賲 1948. 賰鬲亘 毓卮乇 乇賵丕賷丕鬲 鬲乇噩賲鬲 廿賱賶 丕賱毓丿賷丿 賲賳 丕賱賱睾丕鬲 賵孬賱丕孬 賲爻乇丨賷丕鬲 賵賱賴 丕賱毓丿賷丿 賲賳 丕賱賰鬲丕亘丕鬲 丕賱賳賯丿賷丞.
卮睾賱 賲賳氐亘 乇卅賷爻 鬲丨乇賷乇 丕賱賲賱丨賯 丕賱孬賯丕賮賷 丕賱兀爻亘賵毓賷 賱噩乇賷丿丞 丕賱賳賴丕乇 賲賳匕 丕賱毓丕賲 1993 丨鬲賶 毓丕賲 2009.
賵賰丕賳 賲爻丐賵賱丕賸 毓賳 丕賱賯爻賲 丕賱孬賯丕賮賷 賮賷 噩乇賷丿丞 丕賱爻賮賷乇 賲賳 毓丕賲 1983 丨鬲賶 毓丕賲 1990. 賵毓賲賱 賲丿賷乇丕賸 賮賳賷丕賸 賱賲爻乇丨 亘賷乇賵鬲 亘賷賳 毓丕賲賷 1992 賵1998. 賵丿乇爻 賮賷 丕賱噩丕賲毓丞 丕賱賱亘賳丕賳賷丞 賵丕賱噩丕賲毓丞 丕賱兀賲賷乇賰賷丞 賮賷 亘賷乇賵鬲 賵噩丕賲毓丞 賰賵賱賵賲亘賷丕 賮賷 賳賷賵賷賵乇賰貙 賵賷丿乇爻 丨丕賱賷丕賸 賮賷 噩丕賲毓丞 賳賷賵賷賵乇賰 賲丕丿丞 丕賱丿乇丕爻丕鬲 丕賱卮乇賯 兀賵爻胤賷丞 賵丕賱廿爻賱丕賲賷丞.

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Profile Image for 亘孬賷賳丞 丕賱毓賷爻賶.
Author听27 books28.8k followers
September 4, 2015
乇賵丕賷丞 丕爻鬲孬賳丕卅賷丞 賲賳 丨賷孬 丕賱孬賷賲丞 賵丕賱賲毓賲丕乇. 賲賰鬲賵亘丞 亘氐丿賯. 鬲丨賮乇 毓賲賷賯賸丕 賮賷 丕賱兀爻卅賱丞貙 鬲鬲賱賲賾爻 丕賱丨賯賷賯丞 丕賱賯丕亘毓丞 鬲丨鬲 胤亘賯丕鬲賺 賲賳 丕賱賰賱丕賲. 賵賲賰鬲賵亘丞 亘賱睾丞 賯丿賷乇丞 賱丕 鬲卮亘賴 廿賱丕 賳賮爻賴丕.

鬲丨鬲丕噩 賯丕乇卅賸丕 氐亘賵乇賸丕.
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736 reviews522 followers
December 19, 2024
丿乇賵丕夭賴 禺賵乇卮蹖丿貙 丿丕爻鬲丕賳 夭賳丿诏蹖 賲乇丿賲丕賳蹖 丕蹖爻鬲 讴賴 丿乇 噩乇蹖丕賳 噩賳诏鈥屬囏й� 丕毓乇丕亘 賵 丕爻乇丕卅蹖賱 丌賵丕乇賴 卮丿賴鈥屫з嗀�. 丕蹖賳 乇賲丕賳 亘丕 鬲賲乇讴夭 亘乇 乇賵爻鬲丕蹖 丕賱噩賱蹖賱貙 蹖讴蹖 丕夭 乇賵爻鬲丕賴丕蹖 賮賱爻胤蹖賳貙 亘賴 卮乇丨 乇賳噩 貙 亘丿亘禺鬲蹖 賵 丌賵丕乇賴 诏蹖 賮賱爻胤蹖賳蹖丕賳蹖 賲蹖 倬乇丿丕夭丿 讴賴 亘賴 爻亘亘 丨賲賱賴 賴丕蹖 賲讴乇乇 丕爻乇丕卅蹖賱 貙 亘蹖 禺丕賳賴 賵 丌賵丕乇賴 卮丿賴 賵 丨丕賱 禺丕胤乇丕鬲 禺賵丿 乇丕 亘丕夭诏賵 賲蹖 讴賳賳丿 . 丿乇賵丕夭賴 禺賵乇卮蹖丿 蹖讴 丿丕爻鬲丕賳 卮禺氐蹖 賳蹖爻鬲 貙 亘賱讴賴 亘丕夭鬲丕亘蹖 丕夭 鬲丕乇蹖禺 賵 賮乇賴賳诏 賮賱爻胤蹖賳 丕爻鬲 讴賴 丕夭 胤乇蹖賯 賲丕噩乇丕賴丕 賵 卮禺氐蹖鬲鈥屬囏й� 丕賳爻丕賳蹖 乇賵丕蹖鬲 卮丿賴 .
丿乇賵丕夭賴 禺賵乇卮蹖丿 乇丕 丕賱蹖丕爻 禺賵乇蹖 賳賵蹖爻賳丿賴 賵 賮毓丕賱 丨賯賵賯 亘卮乇 賱亘賳丕賳蹖 賳賵卮鬲賴 . 賲賴賲鬲乇蹖賳 賵蹖跇诏蹖 讴鬲丕亘 丕賵 乇丕 亘丕蹖丿 卮讴 賵 毓丿賲 賯胤毓蹖鬲 丿丕賳爻鬲 . 禺賵乇蹖 亘丕 丕爻鬲賮丕丿賴 丕夭 乇賵丕蹖鬲 趩賳丿 氐丿丕蹖蹖貙 丿丕爻鬲丕賳 乇丕 丕夭 丿蹖丿诏丕賴 卮禺氐蹖鬲鈥屬囏й� 賲禺鬲賱賮 亘蹖丕賳 賲蹖鈥屭┵嗀�. 丕蹖賳 乇賵丕蹖鬲鈥屬囏й� 賲鬲賳賵毓貙 鬲氐賵蹖乇蹖 趩賳丿 亘毓丿蹖 丕夭 噩賳诏貙 丌賵丕乇诏蹖 賵 賲賯丕賵賲鬲 賳卮丕賳 賲蹖鈥屫囏� . 賴丿賮 賳賵蹖爻賳丿賴 趩诏賵賳诏蹖 讴卮鬲賴 卮丿賳 蹖讴 夭賳 亘丕 诏賱賵賱賴 貙 蹖丕 賲賳賮噩乇 卮丿賳 禺丕賳賴 賵 夭蹖乇 丌賵丕乇 賲丕賳丿賳 蹖丕 丕夭 诏乇爻賳诏蹖 賵 鬲卮賳诏蹖 噩丕賳 丿丕丿賳 賳蹖爻鬲 . 丕夭 賳诏丕賴 丕賵 賲賴賲 丕蹖賳 丕爻鬲 讴賴 丕賳爻丕賳蹖 蹖丕 賴夭丕乇丕賳 丕賳爻丕賳 讴卮鬲賴 卮丿賴 丕賳丿 貙 蹖讴蹖 亘丕 诏賱賵賱賴 貙 丿蹖诏乇蹖 亘丕 丕賳賮噩丕乇 禺丕賳賴 禺賵丿 賵 丌賳 蹖讴蹖 賴賲 夭蹖乇 丌賮鬲丕亘 噩丕賳 丿丕丿賴 .
禺賵乇蹖 賲丿鬲賴丕蹖 胤賵賱丕賳蹖 亘賴 丕乇丿賵诏丕賴 賴丕蹖 賮賱爻胤蹖賳蹖丕賳 乇賮鬲賴 賵 亘丕 爻丕讴賳丕賳 丌賳 貙 蹖毓賳蹖 讴爻丕賳蹖 讴賴 丕夭 禺丕賳賴 倬丿乇蹖 禺賵丿 丌賵丕乇賴 卮丿賴 丕賳丿 賲氐丕丨亘賴 讴乇丿賴 貙 丕賵 賴賲趩賳蹖賳 丕夭 讴鬲丕亘 賴丕 賵 賲賯丕賱丕鬲 賴賲 丕爻鬲賮丕丿賴 讴乇丿賴 丕賲丕 丿乇賵丕夭賴 禺賵乇卮蹖丿 乇丕 亘丕蹖丿 賲噩賲賵毓賴 丕蹖 丕夭 乇賵丕蹖鬲 賴丕 賵 鬲丕乇蹖禺 卮賮丕賴蹖 丿丕賳爻鬲 .
丿乇賵丕夭賴 禺賵乇卮蹖丿 鬲丕讴蹖丿蹖 丕蹖爻鬲 亘乇 賴賵蹖鬲 賲賱蹖 賵 乇蹖卮賴鈥屬囏й� 鬲丕乇蹖禺蹖 賲乇丿賲 賮賱爻胤蹖賳 . 賳賵蹖爻賳丿賴 丿乇 賴乇 噩丕 讴賴 鬲賵丕賳爻鬲賴 丕夭 賳賲丕丿賴丕蹖 賮賱爻胤蹖賳 丕爻鬲賮丕丿賴 讴乇丿賴 . 蹖讴蹖 丕夭 亘丕乇夭鬲乇蹖賳 丕蹖賳 賳賲丕丿賴丕 乇丕 賲蹖 鬲賵丕賳 丿乇 丿乇禺鬲 夭蹖鬲賵賳 丿蹖丿 . 丿乇禺鬲蹖 讴賴 賴賲 睾匕丕蹖 賲乇丿賲 乇丕 鬲丕賲蹖賳 賲蹖 讴賳丿 貙 賴賲 禺丕賳賴 丌賳丕賳 賵 賴賲 丿乇 丌賲丿 丌賳 賴丕 乇丕 . 丕爻乇丕卅蹖賱蹖 賴丕 賴乇 乇賵爻鬲丕蹖蹖 乇丕 讴賴 丕卮睾丕賱 賲蹖 讴賳賳丿 丿乇禺鬲 爻乇賵 丿乇 讴賳丕乇 丿乇禺鬲 夭蹖鬲賵賳 賲蹖 讴丕乇賳丿 . 乇蹖卮賴 賴丕蹖 丿乇禺鬲 爻乇賵 讴賲 讴賲 賮囟丕蹖 丨蹖丕鬲蹖 乇蹖卮賴 賴丕蹖 丿乇禺鬲 夭蹖鬲賵賳 乇丕 賲蹖 诏蹖乇丿 賵 爻亘亘 禺卮讴 卮丿賳 丌賳 賲蹖 卮賵丿 . 丕賲丕 禺賵乇蹖 賲賳馗賵乇蹖 丿蹖诏乇 丿丕乇丿 . 丕賵 丕蹖賳 诏賵賳賴 丿乇禺鬲 夭蹖鬲賵賳 乇丕 亘丕 爻乇賳賵卮鬲 賮賱爻胤蹖賳蹖 賴丕 鬲卮亘蹖賴 讴乇丿賴 讴賴 亘丕 丌賲丿賳 蹖賴賵丿蹖 賴丕 貙 賳賴 鬲賳賴丕 亘蹖 噩丕 賵 賲讴丕賳 賲蹖 卮賵賳丿 貙 亘賱讴賴 賳丕賳 賵 乇賵夭蹖 丌賳賴丕 賴賲 賯胤毓 卮丿賴 賵 讴賲 讴賲 乇蹖卮賴 丌賳 賴丕 禺卮讴 禺賵丕賴丿 卮丿 .
丿乇賵丕夭賴 禺賵乇卮蹖丿 爻乇卮丕乇 丕夭 丕蹖賳 賳賲丕丿賴丕爻鬲 讴賴 亘乇禺蹖 丕夭 丌賳 賴丕 乇丕 賲蹖 鬲賵丕賳 丿乇讴 讴乇丿 賵 亘乇禺蹖 丿蹖诏乇 趩賳丿丕賳 賯丕亘賱 賮賴賲 賳蹖爻鬲賳丿 .
丕賱蹖丕爻 禺賵乇蹖 鬲賱丕卮 讴乇丿賴 鬲丕 趩诏賵賳诏蹖 賵蹖乇丕賳蹖 乇賵爻鬲丕賴丕蹖 賮賱爻胤蹖賳 乇丕 賳卮丕賳 丿賴丿 . 丿乇 讴鬲丕亘 丕賵 貙 禺丕賳賴鈥屬囏й� 乇賵爻鬲丕蹖蹖丕賳 鬲禺乇蹖亘 賲蹖鈥屫促堎嗀� 賲夭丕乇毓 亘賴 丌鬲卮 讴卮蹖丿賴 賲蹖鈥屫促堎嗀� 賵 夭蹖乇爻丕禺鬲鈥屬囏й� 乇賵爻鬲丕 賲丕賳賳丿 趩丕賴 賴丕 賵 賯賳丕鬲 賴丕 丕夭 亘蹖賳 賲蹖鈥屫辟堎嗀� . 乇賵爻鬲丕蹖蹖丕賳 賲噩亘賵乇 亘賴 鬲乇讴 禺丕賳賴 賵 讴丕卮丕賳賴 禺賵丿 賲蹖鈥屫促堎嗀� 賵 亘賴 丿賱 氐丨乇丕 賵 讴賵蹖乇 賵 蹖丕 讴卮賵乇賴丕蹖 賴賲爻丕蹖賴 賲丕賳賳丿 賱亘賳丕賳 賵 爻賵乇蹖賴 賵 丕乇丿賵诏丕賴 賴丕蹖 丌賳 噩丕 丌賵丕乇賴 賲蹖鈥屫促堎嗀� . 诏賵蹖蹖 賴賲丕賳賳丿 丿乇禺鬲 夭蹖鬲賵賳 貙 乇蹖卮賴鈥屬囏й� 賲乇丿賲 丕爻鬲 讴賴 賲蹖 禺卮讴丿 .
丕蹖賳 诏賵賳賴 蹖讴 賲賱鬲 丕爻鬲 讴賴 賳丕亘賵丿 賲蹖 卮賵丿 貙 噩賳诏貙 爻賳鬲鈥屬囏� 賵 丌丿丕亘 賵 乇爻賵賲 乇賵爻鬲丕蹖蹖 乇丕 丕夭 亘蹖賳 賲蹖鈥屫ㄘ必�. 噩卮賳鈥屬囏� 賵 賲乇丕爻賲鈥屬囏� 亘乇诏夭丕乇 賳賲蹖鈥屫促堌� 賯氐賴鈥屬囏� 賵 丕賮爻丕賳賴鈥屬囏� 賮乇丕賲賵卮 賲蹖鈥屫促堎嗀� 賵 丕乇鬲亘丕胤 亘丕 诏匕卮鬲賴 賯胤毓 賲蹖鈥屫促堌� . 禺賵乇蹖 亘丕 鬲賵氐蹖賮 丕蹖賳 鬲睾蹖蹖乇丕鬲 貙 賳卮丕賳 賲蹖鈥屫囏� 讴賴 噩賳诏 趩诏賵賳賴 賴賵蹖鬲 乇賵爻鬲丕 乇丕 丕夭 亘蹖賳 賲蹖鈥屫ㄘ必�.

讴賲蹖 丕夭 鬲丕乇蹖禺

丕蹖賳 乇賵夭賴丕 丕賳亘賵賴 乇爻丕賳賴 賴丕蹖 賮丕乇爻蹖 夭亘丕賳 貙 丕蹖賳诏賵賳賴 賳卮丕賳 賲蹖 丿賴賳丿 讴賴 诏賵蹖蹖 噩賳诏 賮賱爻胤蹖賳 賵 丕爻乇丕卅蹖賱 丕夭 7 丕讴鬲亘乇 卮乇賵毓 卮丿賴 賵 賯亘賱 丕夭 丌賳 爻丕亘賯賴 趩賳丿丕賳蹖 丕夭 丿乇诏蹖乇蹖 丿乇 賲賳胤賯賴 賵噩賵丿 賳丿丕卮鬲賴 . 丿乇賵丕夭賴 禺賵乇卮蹖丿 亘禺卮蹖 丕夭 賮賴乇爻鬲 胤賵賱丕賳蹖 賯鬲賱 毓丕賲 賮賱爻胤蹖賳蹖丕賳 乇丕 賳卮丕賳 賲蹖 丿賴丿 . 禺賵乇蹖 丕夭 蹖賵賲 賳讴亘賴 蹖丕 乇賵夭 賮丕噩毓賴 卮乇賵毓 讴乇丿賴 貙 乇賵夭蹖 讴賴 氐丿賴丕 賴夭丕乇 賮賱爻胤蹖賳蹖 賳丕诏賴丕賳 丌賵丕乇賴 賵 丕賱亘鬲賴 賯鬲賱 賵 毓丕賲 卮丿賳丿 . 讴卮鬲丕乇 丿蹖乇 蹖丕爻蹖賳 貙 讴卮鬲丕乇 乇賵爻鬲丕蹖 爻毓爻毓 貙 乇賵爻鬲丕蹖 毓蹖賳 丕賱夭蹖鬲賵賳 貙 亘蹖鬲 丿乇丕爻 貙 胤賳胤賵乇賴 貙 賯亘蹖賴 貙 讴卮鬲丕乇 禺丕賳 蹖賵賳爻 貙 亘禺卮 讴賵趩讴 丕夭 賮賴乇爻鬲 亘賱賳丿 賯鬲賱诏丕賴 賮賱爻胤蹖賳蹖丕賳 賴爻鬲賳丿 . 賳賵蹖爻賳丿賴 丕卮丕乇賴 丕蹖 诏匕乇丕 亘賴 丕賮乇丕丿蹖 讴乇丿賴 讴賴 丿乇 丕乇丿賵诏丕賴 氐亘乇丕 賵 卮鬲蹖賱丕 賴爻鬲賳丿 . 讴爻丕賳蹖 讴賴 丕诏乇 鬲丕 爻倬鬲丕賲亘乇 1982 丕夭 丕乇丿賵诏丕賴 禺丕乇噩 賳卮丿賴 亘丕卮賳丿 貙 賳丕賲 丌賳賴丕 乇丕 亘丕蹖丿 丿乇 賱蹖爻鬲 賴夭丕乇丕賳 賯乇亘丕賳蹖 讴卮鬲丕乇 氐亘乇丕 賵 卮鬲蹖賱丕 噩爻鬲噩賵 讴乇丿 .
丿乇 讴賳丕乇 丕蹖賳 讴卮鬲丕乇賴丕蹖 賲賳馗賲 賵 亘乇賳丕賲賴 乇蹖夭蹖 卮丿賴 貙 丕賳亘賵賴 丨賲賱丕鬲 丕爻乇丕蹖蹖賱 亘賴 亘蹖賲丕乇爻鬲丕賳 賴丕 貙 賲丿丕乇爻 賵 賲賴丿 讴賵丿讴 賴丕 貙 丕乇丿賵诏丕賴 賴丕蹖 爻丕夭賲丕賳 賲賱賱 乇丕 賴賲 亘丕蹖丿 亘賴 賮賴乇爻鬲 胤賵賱丕賳蹖 亘丕賱丕 丕賮夭賵丿 . 丕賲丕 賴賲賴 丕蹖賳 讴卮鬲丕乇賴丕 賵 賯鬲賱 毓丕賲 賴丕 丿乇 亘乇丕亘乇 丌賳 趩賴 倬爻 丕夭 7 丕讴鬲亘乇 亘賴 爻乇 賮賱爻胤蹖賳蹖丕賳 丌賲丿 貙 鬲賯乇蹖亘丕 賴蹖趩 丕爻鬲 . 丌賳趩賴 丿乇 睾夭賴 貙 賱亘賳丕賳 賵 丿蹖诏乇 爻乇夭賲蹖賳 賴丕蹖 賮賱爻胤蹖賳蹖 诏匕卮鬲賴 賵 賲蹖 诏匕乇丿 貙 亘蹖卮鬲乇 亘賴 讴丕亘賵爻蹖 鬲賲丕賲 賳卮丿賳蹖 賲蹖 賲丕賳丿 貙 讴丕亘賵爻蹖 丿乇丿賳丕讴 讴賴 丿乇 丌賳 貙 夭賳丕賳 貙 賲乇丿丕賳 貙 讴賵丿讴丕賳 丿乇 亘乇丕亘乇 趩卮賲 噩賴丕賳蹖丕賳 貙 夭賳丿賴 夭賳丿賴 趩賴 丿乇 禺丕賳賴 賵 蹖丕 丿乇 亘蹖賲丕乇爻鬲丕賳 賲蹖 爻賵夭賳丿 賵 蹖丕 夭蹖乇 鬲賱蹖 丕夭 丌賵丕乇 貙 夭賳丿賴 亘賴 诏賵乇 賲蹖 卮賵賳丿 賵 蹖丕 亘賴 卮讴賱 爻蹖爻鬲賲丕鬲蹖讴 貙 鬲卮賳诏蹖 貙 诏乇爻賳诏蹖 賵 賲丨乇賵賲蹖鬲 賴丕蹖 倬夭卮讴蹖 亘賴 丌賳丕賳 鬲丨賲蹖賱 賲蹖 卮賵丿 .
丕賲丕 丿乇賵丕夭賴 禺賵乇卮蹖丿 蹖讴 讴鬲丕亘 鬲丕乇蹖禺蹖 賳蹖爻鬲 賵 讴丕乇蹖 亘賴 丕蹖賳 讴賴 乇蹖卮賴 丕蹖賳 丿乇诏蹖乇蹖 賴丕 賵 讴卮鬲丕乇賴丕 趩賴 亘賵丿賴 賳丿丕乇丿 . 丕夭 賳馗乇 禺賵乇蹖 趩賳丿丕賳 賲賴賲 賳蹖爻鬲 讴賴 爻丕讴賳丕賳 丕賵賱蹖賴 丕蹖賳 爻乇夭賲蹖賳 貙 賮賱爻胤蹖賳蹖 賴丕 亘賵丿賳丿 蹖丕 蹖賴賵丿蹖 賴丕 . 賳賵蹖爻賳丿賴 賳诏丕賴蹖 丕賳爻丕賳蹖 亘賴 丕蹖賳 賮丕噩毓賴 丿丕乇丿 . 亘賴 丕毓鬲賯丕丿 賳賵蹖爻賳丿賴 賲爻卅賱賴 賮賱爻胤蹖賳 亘蹖卮 丕夭 丌賳讴賴 爻蹖丕爻蹖 亘丕卮丿 貙 丕賳爻丕賳蹖 賵 丕禺賱丕賯蹖 丕蹖爻鬲 賵 賴乇 噩丕 賯乇亘丕賳蹖 丿乇 賲蹖丕賳 丕爻鬲 貙 賵馗蹖賮賴 丕賳爻丕賳 賳賴 丕亘乇丕夭 賴賲亘爻鬲诏蹖 讴賴 丕氐賱丕 蹖讴蹖 卮丿賳 亘丕 丕賵爻鬲 .
乇丕賵蹖 讴鬲丕亘 丿乇賵丕夭賴 禺賵乇卮蹖丿 貙 禺賱蹖賱 蹖丕 丿讴鬲乇 禺賱蹖賱 貙 卮賴乇夭丕丿 賴夭丕乇 賵 蹖讴 卮亘 乇丕 亘賴 禺丕胤乇 禺賵丕賳賳丿賴 賲蹖 丌賵乇丿 貙 丕夭 丕蹖賳 乇賵 賴夭丕乇 賵 蹖讴 卮亘 乇丕 亘丕蹖丿 蹖讴蹖 丕夭 賳賲丕丿賴丕蹖 讴鬲丕亘 丿丕賳爻鬲 . 禺賱蹖賱 亘乇 亘丕賱蹖賳 倬丿乇蹖 讴賴 亘賴 讴賲丕 乇賮鬲賴 賵 卮丕賳爻蹖 亘乇丕蹖 夭賳丿诏蹖 賳丿丕乇丿 乇丕賵蹖 禺丕胤乇丕鬲 丿賵爻鬲丕賳 賵 丌卮賳丕蹖丕賳蹖 卮丿賴 讴賴 丌賵丕乇賴 卮丿賴 賵 丨丕賱 丿乇 丕乇丿賵诏丕賴蹖 丿乇 爻賵乇蹖賴 蹖丕 賱亘賳丕賳 夭賳丿诏蹖 賲蹖 讴賳賳丿 . 禺賱蹖賱 诏丕賴蹖 亘丕 賯丕胤毓蹖鬲 爻禺賳 賲蹖 诏賵蹖丿 賵 诏丕賴蹖 賴賲 亘丕 卮讴 . 賳賵蹖爻賳丿賴 诏丕賴蹖 乇丕賵蹖 丿丕爻鬲丕賳 乇丕 讴賴 鬲乇丿蹖丿 丿丕乇丿 乇丕 亘丕 丕爻鬲丕丿蹖 亘丕 丌卮賳丕蹖蹖 讴賴 卮丕賴丿 丌賳 賮丕噩毓賴 亘賵丿賴 毓賵囟 賲蹖 讴賳丿 .
鬲乇噩賲賴 禺丕賳賲 賯賳丿蹖賱 夭丕丿賴 乇丕 亘丕蹖丿 卮丕賴讴丕乇 貙 毓丕賱蹖 賵 亘丿賵賳 賳賯氐 丿丕賳爻鬲 . 丕賵 讴賴 亘賴 禺丕胤乇 丕蹖賳 鬲乇噩賲賴 亘乇賳丿賴 噩丕蹖夭賴 丕亘賵丕賱丨爻賳 賳噩賮蹖 卮丿賴 貙 亘賴 禺賵亘蹖 鬲賵丕賳爻鬲賴 賲鬲賳 卮丕毓乇丕賳賴 賳賵蹖爻賳丿賴 賵 卮讴 賵 鬲乇丿蹖丿 賵 丕亘賴丕賲 丿乇 爻乇鬲丕爻乇 讴鬲丕亘 乇丕 丨賮馗 讴賳丿 . 鬲乇噩賲賴 禺丕賳賲 賯賳丿蹖賱 夭丕丿賴 賳賯卮 賲賴賲蹖 丿乇 噩匕丕亘蹖鬲 賵 诏蹖乇丕蹖蹖 讴鬲丕亘 禺賵乇蹖 丿丕乇丿 .
丿乇 倬丕蹖丕賳 丿乇賵丕夭賴 禺賵乇卮蹖丿 乇丕 亘丕蹖丿 丨讴丕蹖鬲 丿乇丿 賵睾氐賴 賵 乇賳噩 賲乇丿賲丕賳蹖 丿丕賳爻鬲 讴賴 丕夭 卮賴乇 貙 乇賵爻鬲丕 賵 爻乇夭賲蹖賳 禺賵丿 亘蹖乇賵賳 乇丕賳丿賴 卮丿賴 貙 亘丕乇賴丕 賵 亘丕乇賴丕 賯鬲賱 賵 毓丕賲 卮丿賴 丕賳丿 . 噩賴丕賳 丌賳丕賳 乇丕 賮乇丕賲賵卮 讴乇丿賴 賵 趩卮賲 禺賵丿 乇丕 亘乇 乇賳噩 丌賳丕賳 亘爻鬲賴 賵 亘蹖鈥屫佖з堌� 丕夭 讴賳丕乇卮丕賳 诏匕卮鬲賴 丕爻鬲 . 乇賵丕蹖鬲 禺賵乇卮蹖丿 乇丕 亘丕蹖丿 丨讴丕蹖鬲 鬲丕乇蹖禺 鬲賱禺 賮賱爻胤蹖賳蹖丕賳 丿丕賳爻鬲 貙 鬲丕乇蹖禺蹖 爻乇卮丕乇 丕夭 卮賵乇蹖丿诏蹖 賵 亘丿亘禺鬲蹖 .
Profile Image for Kris.
175 reviews1,584 followers
June 15, 2016
This is a beautifully written novel, in which Khoury draws inspiration from stories he heard from Palestinians in refugee camps. The stories are told from the perspective of Khalil, who is a close friend, almost a son, to Yunes, a Palestinian freedom fighter who is in a coma, a result of a massive stroke. Although others have given Yunes up for dead, Khalil sits vigil by his hospital bedside and recounts stories, in an effort to make sense of their lives, and to make some contact with Yunes.

The novel is written as stream of consciousness, with Khalil often telling different versions of the same stories. He goes back and forth over time, and grapples with the instability of memory and questions of motivation and identity. Although the novel's style requires patience from the reader, I thought it beautifully represented the instability of truth and reality in a refugee camp. He also shows again and again the fervent desire to return home, and the impossibility of that.

Also of interest to me were Khoury's representations of women. He depicts them as strong, and provides vivid examples of the weight they have borne under exile.

Recommended for anyone interested in the Palestinian experience in exile, and for readers who are interested in the instability of memory, and in the role of stories in creating identities.
Profile Image for 賮赌赌赌赌赌赌赌丿賵賶.
143 reviews5 followers
September 29, 2010
"賳丨賳 賱賲 賳毓乇賮 賮賱爻胤賷賳 廿賱丕 亘毓丿 兀賳 亘丿兀賳丕 賳賮賯丿賴丕"
"賳丨賳 賮賱丕丨賵賳 賱丕 賳毓乇賮 丕賱毓卮賯"

賲賱丨賲丞 噩丿賷丿賴 鬲丨賰賷 賮賷 賵丕賯毓賷丞 卮丿賷丿丞 賲兀爻丕丞 丕賱卮毓亘 丕賱賮賱爻胤賷賳賷 ..
亘賷賳 賯氐鬲賷賳 丨亘
賮賷 夭賲賳賷賳 賲禺鬲賱賮賷賳 ...
鬲乇賲夭 賰賱 賯氐丞 賲賳賴賲丕 賱賰賲 丕賱鬲睾賷乇丕鬲 丕賱鬲賷 胤乇兀鬲 毓賱賶 賴匕丕 丕賱卮毓亘 ...
丕賱賯氐丞 丕賱丕賵賱賶
賯氐丞 夭賵丕噩 鬲賯賱賷丿賷 ...丨丿孬 賮賷 夭賲賳 賲丕 賯亘賱 丕賱賳賰亘丞
亘賷賳 賷賵賳爻 賵 賳賴賷賱丞
丕賱鬲賷 賱賲 賷丨亘賴丕 廿賱丕 毓賳丿賲丕 亘毓丿鬲 亘賷賳賴賲 丕賱賲爻丕賮丕鬲 賵 賰兀賳 兀賱賷丕爻 禺賵乇賷 賷乇賲夭 賱賮賱爻胤賷賳 丕賱鬲賷 賲丕 毓乇賮賴丕 兀賴賱賴丕 賵 兀丨亘賵賴丕 廿賱丕 亘毓丿賲丕 囟丕毓鬲 ...
賳賴賷賱丞 丕賱鬲賷 丨賲賱鬲 毓亘亍 兀爻乇鬲賴丕 賵丨丿賴丕 賵 兀賰鬲賮鬲 亘丨馗賴丕 賲賳 丕賱爻毓丕丿丞 丕賱賲爻乇賵賯丞 賮賷 亘丕亘 丕賱卮賲爻 ...丕賱賲睾丕乇丞 丕賱噩亘賱賷丞 丨賷孬 賰丕賳鬲 鬲賱鬲賯賷 亘夭賵噩賴丕 丕賱匕賷 兀禺鬲丕乇 胤乇賷賯 丕賱賳囟丕賱 ...亘丿賵賳 兀賳 賷毓乇賮 賱賱賵胤賳 賲毓賳賶 ...賵賱賰賳賴 賰丕賳 賷毓賱賲 噩賷丿丕賸 賲匕丕賯 丕賱亘乇鬲賯丕賱 ...賵 兀卮噩丕乇 丕賱夭賷鬲賵賳 ..賵丿噩丕噩丕鬲 兀賲賴 ...賲賳 兀噩賱賴丕 賳丕囟賱 賮賷 丕賱亘丿丕賷丞 ...孬賲 兀丨亘 丕賱丕乇囟 賵 毓卮賯賴丕 毓賳丿賲丕 兀氐亘丨 丕賱胤乇賷賯 丕賱賵丨賷丿 賱賱賵氐賵賱 廿賱賷賴 賴賵 丕賱鬲爻賱賱 ...賵兀丨亘 夭賵噩鬲賴 毓賳丿賲丕 兀氐亘丨 賱賯丕亍丕鬲賴 丕賱賲鬲賮乇賯賴 丕賱亘毓賷丿丞 亘賷賳賴賲丕 鬲丨鬲丕噩 丕賱賶 賲睾丕賲乇丞...

賯氐丞 丕賱丨亘 丕賱兀禺乇賶 ..賰丕賳鬲 賯氐丞 賲胤乇賵丿賴 ...賱丕噩卅賴 ...賳卮兀鬲 賮賷 賲禺賷賲 ...鬲賰丕賱亘鬲 毓賱賷賴丕 丕賱禺賷亘丕鬲 ...賱賲 鬲毓乇賮 丕賱丕禺賱丕氐 ...賱鬲鬲丕亘毓 丕賱氐丿賲丕鬲 ..
丕賱毓賱丕賯丞 賴賳丕 亘賷賳 禺賱賷賱 賵卮賲爻 賴賷 毓賱丕賯丞 睾賷乇 卮乇毓賷丞 ......
亘賷賳賲丕 毓賱丕賯丞 賷賵賳爻 賵賳賴賷賱丞 卮乇毓賷丞 ...賵賰兀賳 丕賱賰丕鬲亘 兀乇丕丿 丕賱丕卮丕乇丞 賱毓賱丕賯丞 賰賱 噩賷賱 亘兀乇囟 賳卮兀鬲賴...
賵丕賱乇丕亘胤 亘賷賳 丕賱賯氐鬲賷賳 賴賷 兀賲 丨爻賳 丕賱賯丕亘賱丞
丕賱賲乇兀賴 丕賱鬲賷 賱丕 毓賲乇 賱賴丕 賵賱丕 兀賵賱丕丿 賵賮賷 丕賱賵賯鬲 匕丕鬲賴 賴賷 兀賲 賱賱噩賲賷毓..
賵噩丿鬲 鬲賱賰 丕賱賯丕亘賱丞 賮賷 胤乇賷賯 丕賱乇丨賷賱 匕賱賰 丕賱乇囟賷毓 禺賱賷賱 賵 賰賮賱賴 賷賵賳爻
賮賰丕賳 賱賴 兀亘 乇賵丨賷 ...
丿乇丕賷丞 賷賵賳爻 亘丕賱毓丕賱賲 賯賱賷賱丞 ...賰丕賳 丿賵賲丕 賷賱賵賲 賳賮爻賴 賯丕卅賱丕賸""賵丕賱賱賴 賱賲 賳丨丕乇亘 丕賱丌賳 賳賯賵賱 兀賳賳丕 丨丕乇亘賳丕, 賵廿賳 賮賱爻胤賷賳 囟丕毓鬲 賱兀賳 丕賱丿賵賱 丕賱毓乇亘賷丞 禺丕賳鬲賳丕. 賴匕丕 睾賷乇 氐丨賷丨, 賮賱爻胤賷賳 囟丕毓鬲 賱兀賳賳丕 賱賲 賳丨丕乇亘. 賰賳丕 賰丕賱賲噩丕匕賷亘 賳丨賲賱 亘賳丕丿賯賳丕 賵賳賳鬲馗乇賴賲 賮賷 賯乇丕賳丕, 賵毓賳丿賲丕 賷兀鬲賵賳 亘丌賱賷丕鬲賴賲 賵乇卮丕卮丕鬲賴賲 丕賱孬賯賷賱丞 賵胤丕卅乇丕鬲賴賲, 賳賳賴夭賲 丿賵賳 賯鬲丕賱"
亘賷賳賲丕 禺賱賷賱 賰丕賳 兀賰孬乇 毓賱賲丕賸 賱賰賳賴 亘毓丿 賱賲 賷禺乇噩 賲賳 毓亘丕亍丞 丕賱噩賷賱 丕賱賯丿賷賲 ...賱丕夭丕賱 賷丨賷丕 賮賷 賯氐賶 丨亘 賷賵賳爻 賵賳賴賷賱丞
賵賯氐丞 毓卮賯 噩賷賱 賱賲 賷毓乇賮 賵胤賳賴 丨賯丕賸 廿賱丕 亘毓丿賲丕 賮賯丿
Profile Image for Ahmed Oraby.
1,014 reviews3,150 followers
October 25, 2014
丨爻賳賸丕貙 賷賵噩丿 賲孬賱 卮毓亘賷 賷賯賵賱:
丕賱丨賱賵 賱丕 賷賰鬲賲賱 兀亘丿賸丕
賵賴匕丕 丕賱賲孬賱 賷賳胤亘賯 鬲賲丕賲賸丕 賴賳丕 毓賱賶 賴匕賴 丕賱乇賵丕賷丞
賰丕賳 賲賳 丕賱賲賲賰賳 兀賳 鬲賰賵賳 賴匕賴 丕賱乇賵丕賷丞 賲賳 兀噩賲賱 賲丕 賯乇兀鬲 賴匕丕 丕賱毓丕賲
兀賵 毓賱賶 丕賱兀賯賱 賲賳 兀噩賲賱 賲丕 賯乇兀鬲 毓賳 賮賱爻胤賷賳
賱賰賳 丕賱賰丕鬲亘 兀亘賶 鬲賲丕賲賸丕 廿賱丕 兀賳 賷賮爻丿 賮乇丨鬲賷
亘丿丕賷丞 賲賳 丕賱賯氐丞 丕賱噩賲賷賱丞
賵兀爻賱賵亘 丕賱賰丕鬲亘 丕賱乇丕卅毓
賵胤乇賷賯丞 爻乇丿賴 賱兀丨丿丕孬 丕賱乇賵丕賷丞
賮賱賰 兀賳 鬲鬲禺賷賱 兀賳 鬲賯乇兀 乇賵丕賷丞貙 賰丕賳 亘胤賱賴丕 賵乇丕賵賷賴丕 卮禺氐賷丞 賵丨賷丿丞
鬲丨賰賷 賱賰 賮賷賲丕 賷夭賷丿 毓賳 丕賱禺賲爻賲丕卅丞 氐賮丨丞貙 賯氐丞 亘賱丿貙 亘賱 賵胤賳 亘賱 毓丕賱賲 賰丕賲賱貙 賵賯氐丞 毓丕卅賱丞 賲卮鬲鬲丞 賲丕 亘賷賳 賱亘賳丕賳 賵賮賱爻胤賷賳 亘賯乇丕賴賲
賴匕賴 丕賱賯丿乇丞 毓賱賶 丕賱丨賰丕賷丞 賱丕 賷鬲賲賱賰賴丕 廿賱丕 乇噩賱 毓馗賷賲 賵賲鬲賲賰賳 鬲賲丕賲賸丕 賲賳 兀丿賵丕鬲賴 賵兀爻丕賱賷亘賴
賵賱賰賳貙 賱賷鬲 丕賱賰丕鬲亘 賰丕賳 賯丿 丕賰鬲賮賶 亘賰賱 賴匕丕 賵賮賯胤
賵賱賰賳賴 兀氐乇 廿賱丕 兀賳 賷禺乇亘 賲毓丕賱賲 丕賱乇賵丕賷丞 丕賱噩賲賷賱丞貙 亘賲卮賴丿 兀賵 兀賰孬乇 賮賯胤貙 賱賵賱丕賴賲 賰丕賳 賷賲賰賳 兀賳 鬲賰賵賳 賲賳 兀噩賲賱 丕賱乇賵丕賷丕鬲 賵兀賰孬乇賴丕 亘乇丕毓丞
賮亘丿丕賷丞 賲賳 丕賱兀賱賮丕馗 丕賱毓噩賷亘丞 丕賱鬲賷 賲丕 鬲賵賯毓鬲 兀亘丿賸丕 兀賳 兀賯乇兀賴丕 賮賷 賰鬲丕亘貙 賷氐賳賮 毓賱賶 兀賳賴 毓賲賱 兀丿亘賷貙 賵賲乇賵乇賸丕 亘丕賱賲卮丕賴丿 丕賱噩賳爻賷丞 丕賱毓丿賷丿丞 賵丕賱賲賮氐賱丞 鬲賮氐賷賱賸丕 鬲丕賲賸丕 賲賲賱賸丕 賵亘噩丨賸丕
賵氐賵賱賸丕 賱賱兀乇賷丨賷丞 丕賱鬲丕賲丞 毓賳丿 丕賱賰丕鬲亘 兀孬賳丕亍 爻乇丿賴 賲孬賱 賴匕賴 丕賱兀丨丿丕孬貙 賵賰兀賳賴丕 卮賷卅賸丕 賲毓賱賵賲賸丕 賵賲毓鬲丕丿賾丕 賲孬賱賸兀
兀賳丕 兀乇賶貙 兀賳賴 賱丕 賲亘乇乇 兀亘丿賸丕 賱兀賳 鬲賵噩丿 賲孬賱 賴匕賴 丕賱兀賱賮丕馗 賮賷 兀賷 毓賲賱 兀丿亘賷
兀賳丕 賱丕 賷賴賲賳賷 乇睾亘鬲賰 賮賷 兀賳 鬲賳賯賱 賱賷 毓丕賱賲 丕賱賵丕賯毓 丕賱匕賷 鬲毓賷卮賴
丨賯賷賯丞 兀賳丕 賷賰賮賷賳賷 賯匕丕乇丞 丕賱賵丕賯毓 丕賱匕賷 兀毓賷卮賴貙 賵賱丕 兀乇賶 賳賮毓賸丕 賮賷 賳賯賱 賴匕丕 丕賱毓丕賱賲 廿賱賶 毓丕賱賲 丕賱兀丿亘貙 賮賰賷賮 賷賰賵賳 賴匕丕 兀丿亘賸丕 廿匕賳責
賯丿 鬲賰賵賳 賴匕賴 乇睾亘丞 氐丕丿賯丞 賲賳 丕賱賰丕鬲亘貙 兀賳 賷丨丕賵賱 賳賯賱賳丕 廿賱賶 毓丕賱賲賴賲
賵賱賰賳 賱丕貙 兀賳丕 賱丕 兀毓鬲賯丿 兀賳 賴匕丕 賯丿 賷賰賵賳 毓丕賱賲 兀丨丿賴賲 兀亘丿賸丕. 賱丕 兀爻鬲胤賷毓 兀賳 兀鬲賯亘賱 兀賵 兀爻鬲爻賷睾 賲孬賱 賴匕賴 丕賱賮賰乇丞貙 兀亘丿賸丕
毓丕賲丞 丕賱乇賵丕賷丞 噩賷丿丞 噩丿賸丕貙 賵賲丕 夭賱鬲 兀乇丕賴丕 賲賳 兀噩賲賱 賲丕 賯乇兀鬲貙 廿賱丕 兀賳賴丕 賰丕賳 賷賲賰賳 兀賳 鬲賰賵賳 兀噩賲賱 賰孬賷乇賸丕 賱賵 鬲賱丕賮賶 丕賱賰丕鬲亘 賴匕賴 丕賱賳賯胤丕 丕賱賲丨丿丿丞 丕賱賯賱賷賱丞.
賱賱兀爻賮 丕賱鬲賯賷賷賲 噩丕亍 馗丕賱賲賸丕 賰孬賷乇賸丕貙 賮丕賱乇賵丕賷丞貙 丨賯賷賯丞貙 賰丕賳鬲 禺賱賵賸丕 賲賳 兀賷 毓賷賵亘 兀禺乇賶貙 賮兀賳丕 賲孬賱賸丕 賱賲 兀卮毓乇 亘兀賷 賲賱賱 禺賱丕賱 賯乇丕亍鬲賷 賱賲丕 賷乇亘賵 毓賱賶 丕賱禺賲爻賲丕卅丞 氐賮丨丞貙 賵丕賱賯氐丞 賰丕賳鬲 賲賷賱丞 噩丿賸丕 賵賲卮賵賯丞貙 賱賲 兀爻鬲胤毓 兀賳 兀鬲乇賰賴丕 賰孬賷乇賸丕 卮賵賯賸丕 賱賲毓乇賮丞 賳賴丕賷鬲賴丕貙 賵賰丕賳鬲 丨賯賸丕 噩賲賷賱丞
賵賱賰賳 賱丕 兀爻鬲胤賷毓 賲賳丨賴丕 兀賰孬乇 賲賳 丕賱孬賱丕孬 賳噩賵賲 鬲亘毓賸丕 賱兀賮賰丕乇賷 賵丨賰賲賷 毓賱賶 丕賱乇賵丕賷丞
毓丕賲丞 丕賱乇賵丕賷丞 噩賷丿丞 噩丿賸丕 賵鬲爻鬲丨賯 丕賱賯乇丕亍丞.
卮賰乇賸丕 賴亘丞 賱賱鬲乇卮賷丨.
Profile Image for Sue.
1,390 reviews635 followers
November 17, 2012
How to begin this review has been my quandry and has held me back til now. This book is not an easy read for many reasons. The story twists and turns, moving back and forth through the years between 1948 and the establishment of the state of Israel and the simultaneous dislodging, destruction of Palestinian lives, and the late 1980s in displaced Palestinian camps in Lebanon. It has been called a Palestinian Odyssey.

To say it is not an easy read is not to say I didn't like this book or appreciate it. In fact, once I grew to understand it's style or process, I think I began to appreciate it more. For me, the moving back and forth through time along with the shifts in narrative voice began to represent the fractured lives of the Palestinians who once called Galilee home.

The principal narrator is Khalil, a nurse/doctor who is tending to his hero, Yunes, who has slipped into a coma after suffering a stroke. Yunes is of an older generation, a man who "spent years after this first great disaster, the 'Nakba', trying to draw a line between the dead and the living." p178 (The Nakba, or catastrophe,is explained by the author as the "massive expulsion and exodus in 1948 of 750,000 Palestinians). Much of the narrative continues this same task of trying to draw a line between living and dead, hero and villain, sanity and insanity,victor and victim.

Just as we see around us today, there are no easy answers, there are only themes: loss, love, redemption, hope, madness, escape, hate, fear, many more.


"You said you understood the meaning of the word country
after the fall of Sha'ab. A country isn't oranges or olives,
or the mosque of al-Jazzar in Acre. A country is falling
into the abyss, feeling that you are part of the whole,
and dying because it has died. the villages fell, and we
ran from one to another as though we were on the sea
jumping from boat to another, the boats sinking, and us with
them. No one was able to conceive of what the fall would mean,
and the people fell because everything fell." p193


The Nakba was followed by a wandering life of internal and external exile, yearning to return to these small villages, rejected by neighboring countries, more death and destruction, more falling in love and starting family. Also more thought about what is truly happening.


"We, too, killed and destroyed, but at that moment I sensed
the banality of evil. Evil has no meaning, and we are just
tools. We're nothing. We make war and kill and die, and
we're nothing---just fuel for a huge machine whose name is
War." (p276)


And regarding the Holocaust:


"You and I and every human being on the face of the planet
should have known and not stood by in silence, should have
prevented that beast from destroying its victims in that
barbaric, unprecedented manner. Not because the victims
were Jews but because their death meant the death of
humanity within us.


The Palestinians live for the land that WAS their home. "...is memory a sickness---a strange sickness that afflicts a whole people? A sickness that has made you imagine things and build your entire lives on the illusion of memory?" p336 "Do you believe we can construct our country out of these ambiguous stories? And why do we have to construct it? People inherit their countries as they inherit their languages. Why do we, of all the peoples of the world, have to invent our country every day so everything isn't lost and we find we've fallen into eternal sleep." p381

This book is an elegy for a lost way of life, a song of mourning with an edge of hope shown in continuing life of the younger generations but they are spread now around the world.

Khoury has Khalil say near the end of the book, "Poetry, my son, is words we use to heal our shame, our sorrow, our longing. It's a cover, The poet wraps us up in words so our souls don't fall to pieces. Poetry is against death---it's both sickness and cure, the bare soul and its clothes." p511

I feel a bit inadequate in the face of reviewing this work...it's so large. I've tried to give a flavor of all that is in it. I've rated it 4 to 4.5 rather than 5 because of my initial difficulty in relating to the form of it all. Once I did, however, I found that this flowed. At some point I may change it to 5, difficult to say.

As I'm writing this review, I also realize that terrible fighting is happening again among these same peoples. The cycle of sadness and death continues.
Profile Image for Sahar Zakaria.
349 reviews712 followers
January 27, 2021
丨賰丕賷丕鬲 丕賱賵噩毓 丕賱賮賱賷爻胤賷賳賷 丕賱鬲賷 賲丕 鬲賮鬲兀 鬲賯胤乇 丨夭賳丕 賵兀賱賲丕 ..
賵賱賰賳 賱賱兀爻賮 丕賱乇賵丕賷丞 亘賴丕 丕賱賰孬賷乇 賲賳 丕賱爻乇丿 丕賱賲胤賵賱 賵丕賱鬲賮丕氐賷賱 丕賱夭丕卅丿丞 丕賱亘丕毓孬丞 毓賱賶 丕賱賲賱賱.
Profile Image for Amal ..
21 reviews32 followers
November 23, 2009
亘丕亘 丕賱卮賲爻 爻賷乇丞 丕賱賲賵鬲 賵丕賱鬲賴噩賷乇 賵丕賱賲禺賷賲丕鬲 賵兀賳丕爻 賷亘丨孬賵賳 毓賳 丕賱丨賷丕丞 賵賷丨賱賲賵賳 亘丕賱賵胤賳 丨賷孬 賱丕賵胤賳 乇丨賷賲 賵賱丕丨賱賲. 丕賱乇賵丕賷丞 賱賳 鬲購丨乇賯 兀丨丿丕孬賴丕 賵廿賳 乇賵賷鬲賴丕 賰丕賲賱丞 賱兀賳賴丕 賲毓乇賵賮丞 爻賱賮丕賸 賲賳 "丕賱鬲毓鬲賷乇丞 丕賱賮賱爻胤賷賳賷丞 廿賷丕賴丕" 廿賱賶 賲丕 賳乇丕賴 丕賱賷賵賲 賵賰賱 賷賵賲 毓賱賶 卮丕卮丕鬲 丕賱鬲賱賮夭丞. 賲賳 兀賷賳 丕亘丿兀 丕賱丨丿賷孬 毓賳 丕賱乇賵丕賷丞責 賲賳 丕賱鬲賵丕乇賷禺責 兀賲 賲賳 丕賱兀卮禺丕氐責 賵廿賳 兀乇丿鬲賴丕 鬲丕乇賷禺賷丕賸 賮賲賳 兀賷賳 兀亘丿兀賴丕責 賲賳 孬賵乇丞 賮賱爻胤賷賳 丕賱賰亘乇賶 毓丕賲 36 兀賲 賲賳 廿毓賱丕賳 丕爻乇丕卅賷賱 毓丕賲 48 賵丕賱鬲賴噩賷乇 丕賱賮賱爻胤賷賳賷 兀賲 丕賱丨乇亘 丕賱兀賴賱賷丞責
賷亘丿賵 丕賱丨丿賷孬 毓賳 丕賱兀卮禺丕氐 兀爻賴賱 .. 毓賳 乇噩賱賷賳 賵丕賲乇兀鬲賷賳 賷賳鬲賲賷丕賳 賱噩賷賱賷賳 賲禺鬲賱賮賷賳 鬲丿賵乇 丨賵賱賴賲 丕賱丨賰丕賷丞, 賲賳 丕賱兀乇亘毓賷賳丕鬲 "賳賴賷賱丞 賵賷賵賳爻" 廿賱賶 丕賱禺賷亘丕鬲 丕賱賲鬲賱丕丨賯丞 賲賳 丕賱爻亘毓賷賳丕鬲 廿賱賶 丕賱鬲爻毓賷賳丕鬲 "卮賲爻 賵禺賱賷賱". 賮賷 丕賱乇賵丕賷丞 賷爻鬲賱賲 禺賱賷賱 夭賲丕賲 丕賱兀賲賵乇 賵賷丿賷乇 丕賱丨賰丕賷丞 賰賲丕 賷卮丕亍 亘噩丕賳亘 禺賱賷賱 丕賱賲爻噩賶 毓賱賶 爻乇賷乇 賮賷賲丕 賷卮亘賴 賲爻鬲卮賮賶 賮賷 賲禺賷賲 卮丕鬲賷賱丕. 賵賱兀賳 丕賱賳賵賲 兀胤賵賱 賲丕 賷賰賵賳 毓賳丿 賷賵賳爻 賮賱賲 賷鬲賵賯賮 禺賱賷賱 毓賳 爻乇丿 丨賰丕賷鬲賴 賵丨賰丕賷丞 賷賵賳爻 賳賮爻賴 賵丨賰丕賷丞 賮賱爻胤賷賳 丕賱鬲賷 賷丨丕賵賱 賱賲 卮鬲丕鬲賴丕 賮賷 賰賱賲丕鬲: " 賰丕賳 爻賲賷丨 賱丕 賷鬲賵賯賮 毓賳 鬲乇丿賷丿 丨賱賲賴 亘賰鬲丕亘丞 賰鬲丕亘 賱丕 兀賵賱 賱賴 賵賱丕 丌禺乇貙 賲賱丨賲丞 賰丕賳 賷賯賵賱貙 賲賱丨賲丞 丕賱卮毓亘 丕賱賮賱爻胤賷賳賷貙 賵爻賷亘丿兀賴 亘乇賵丕賷丞 鬲賮丕氐賷賱 丕賱胤乇丿 丕賱賰亘賷乇 毓丕賲 1948. 賯丕賱 兀賳賳丕 賱丕 賳毓乇賮 鬲丕乇賷禺賳丕貙 賵兀賳賴 賷噩亘 噩賲毓 丨賰丕賷丕鬲 賰賱 賯乇賷丞 賰賷 鬲亘賯賶 丕賱賯乇賶 丨賷丞 賮賷 匕丕賰乇鬲賳丕. 賰丕賳 爻賲賷丨 賷丨丿孬賳賷 毓賳 賳馗乇賷丕鬲賴 賵丕丨賱丕賲賴貙 賵賱賲 兀賰賳 丕賲賱賰 卮賷卅丕 丕乇賵賷賴 賱賴. 亘賱賶貙 丕禺亘乇鬲賴 毓賳 賯乇賷鬲賳丕貙 賵丨賰丕賷丕鬲 噩丿鬲賷貙 賵賲賵鬲 兀亘賷 賵丕禺鬲賮丕亍 兀賲賷 ."

亘賷賳 噩賷賱 賷賵賳爻 丕賱匕賷 匕丕賯 胤毓賲 亘乇鬲賯丕賱 丕賱賵胤賳 廿賱賶 禺賱賷賱 丕賱匕賷 賷卮鬲賴賷賴 賵賱丕 賷賰丕丿 賷賯鬲乇亘 賲賳賴, 禺賵賮丕賸 兀賵 丨亘丕賸. 賲賳 丕賱兀賵賱, 賷噩亘 兀賳 賳丨賰賷 丕賱乇賵丕賷丞 賲賳 丕賱兀賵賱 賰賲丕 兀毓鬲丕丿 賷賵賳爻 兀賳 賷丨賰賷 賰賱 卮賷亍 賲賳 丕賱兀賵賱, 賲賳 亘丿丕賷丞 丨賷丕丞 賷賵賳爻 丕賱兀爻丿賷 丕賱鬲賷 賰丕賳鬲 賷賵賲 兀賳 兀賱鬲丨賯 亘丕賱孬賵乇丞 丕賱賮賱爻胤賷賳賷丞 丕賱賰亘乇賶 賵賴賵 賱賲 賷鬲噩丕賵夭 丕賱乇丕亘毓丞 毓卮乇丞 賵賲丕 毓乇賮 賲賳 丕賱毓賱賲 廿賱丕 爻賱丕丨賴 賵丕賱賯乇丌賳. 兀賱鬲丨賯 亘丕賱賲賯丕賵賲丞 丕賱卮毓亘賷丞 賵卮賴丿 亘毓賷賳賷賴 禺賷亘丞 噩賷卮 丕賱廿賳賯丕匕 丕賱毓乇亘賷 丕賱匕賷 丕賳鬲馗乇 胤賵賷賱丕賸 兀賵丕賲乇丕賸 賱賲 鬲兀鬲賷, 賵乇兀賶 賮賱爻胤賷賳 鬲囟賷毓 賵兀賴賱賴 賷卮乇丿賵賳 賵丕囟胤乇 賱賱乇丨賷賱 廿賱賶 賱亘賳丕賳 賵丕賱鬲爻賱爻賱 亘賷賳 丕賱賮賷賳丞 賵丕賱兀禺乇賶 賱乇丐賷丞 兀胤賮丕賱賴 丕賱匕賷賳 賱賳 賷乇丕賴賲 爻賵賶 賲乇丞 賵丕丨丿丞. 賵丕賳鬲賴賶 亘賴 丕賱兀賲乇 賱丕噩卅丕賸 賮賷 賲禺賷賲 卮丕鬲賷賱丕 賮賷 賱亘賳丕賳 賷乇丕賯亘 爻賯賵胤 兀氐丨丕亘賴 丕賱賵丕丨丿 亘毓丿 丕賱丌禺乇 賵丕賳賴賷丕乇 丕賱賲賯丕賵賲丞. 賵鬲鬲睾賷乇 丕賱兀噩賷丕賱 賲賳 噩賷賱 賷賵賳爻 賱禺賱賷賱 丕賱匕賷 賱賲 賷毓乇賮 賵胤賳丕賸 爻賵賶 丕賱賲禺賷賲 賵賰丕賳 賲賳 丕賱賵丕噩亘 毓賱賷賴 兀賳 賷亘丿兀 丨賷丕鬲賴 賲噩丕賴丿丕賸 丨鬲賶 賮賯丿 廿賷賲丕賳賴 亘丕賱噩賴丕丿. 賯丕丿 丕賱噩賷賱 丕賱兀賵賱 乇丨賱丞 丕賱乇丨賷賱 賮賷賲丕 賯乇乇 丕賱丌禺乇 兀賳 賷亘丿兀 乇丨賱丞 丕賱毓賵丿丞 賵亘賷賳賴賲丕 鬲丿賵乇 丕賱毓匕丕亘丕鬲 賵丕賱亘胤賵賱丕鬲 賵丕賱禺賷亘丕鬲. 賱賰賳 禺賱賷賱 賵毓賱賶 毓賰爻 賷賵賳爻 賰丕賳 賷毓乇賮 丕賱丨賯賷賯丞 噩賷丿丕賸 賵賷毓乇賮 賰賷賮 囟丕毓鬲 賮賱爻胤賷賳: " 賵丕賱賱賴 賱賲 賳丨丕乇亘 丕賱丌賳 賳賯賵賱 兀賳賳丕 丨丕乇亘賳丕, 賵廿賳 賮賱爻胤賷賳 囟丕毓鬲 賱兀賳 丕賱丿賵賱 丕賱毓乇亘賷丞 禺丕賳鬲賳丕. 賴匕丕 睾賷乇 氐丨賷丨, 賮賱爻胤賷賳 囟丕毓鬲 賱兀賳賳丕 賱賲 賳丨丕乇亘. 賰賳丕 賰丕賱賲噩丕匕賷亘 賳丨賲賱 亘賳丕丿賯賳丕 賵賳賳鬲馗乇賴賲 賮賷 賯乇丕賳丕, 賵毓賳丿賲丕 賷兀鬲賵賳 亘丌賱賷丕鬲賴賲 賵乇卮丕卮丕鬲賴賲 丕賱孬賯賷賱丞 賵胤丕卅乇丕鬲賴賲, 賳賳賴夭賲 丿賵賳 賯鬲丕賱". 毓丕卮 禺賱賷賱 賮賷 卮丕鬲賷賱丕 賵卮賴丿 賲噩夭乇鬲賴丕 賵丨鬲賶 鬲賲 廿賯乇丕乇 胤乇丿 賲賳馗賲丞 丕賱鬲丨乇賷乇 丕賱賮賱爻胤賷賳賷丞 廿賱賶 鬲賵賳爻 兀賵 丕賱賷賲賳 爻賳丞 82賲 鬲丨鬲 乇毓丕賷丞 廿爻乇丕卅賷賱賷丞 賱賰賳賴賲丕 -禺賱賷賱 賵賷賵賳爻- 賵丨丿賴賲丕 亘賯賷丕 賮賷 賱亘賳丕賳 賵乇賮囟賵丕 丕賱乇丨賷賱. 丨鬲賶 賰丕賳鬲 爻賳丞 94 賲 賵兀爻賯胤鬲 丕賱噩賱胤丞 賷賵賳爻 兀乇囟丕賸 賱賷鬲丨賵賱 丕賱兀亘 廿賱賶 丕亘賳 賵丕賱廿亘賳 廿賱賶 兀亘 賵鬲亘賯賶 丕賱乇睾亘丞 丕賱兀禺賷乇丞 亘丿賮賳 賷賵賳爻 賮賷 丕賱噩賱賷賱 賱賷賲賵鬲 賰丕賱兀亘胤丕賱 賮賷 賵胤賳賴 賱丕 兀賳 賷賲賵鬲 賲爻噩賶 毓賱賶 爻乇賷乇 賮賷 亘賱丿 丌禺乇 賵丨賷丿丕賸 賵賱丕噩卅丕賸 賮賷 賲禺賷賲.

丕賱賲乇兀丞 丕賱賮賱爻胤賷賳賷丞 賰丕賳鬲 丨噩乇 丕賱兀爻丕爻 賮賷 丕賱乇賵丕賷丞. 賳乇丕賴丕 賮賷 毓賱丕賯丞 賷賵賳爻 亘賳賴賷賱丞 賱鬲亘丿賵 兀卮亘賴 賱賱丨賰丕賷丞 丕賱賲賱丨賲賷丞, 匕賱賰 丕賱丨亘 丕賱匕賷 賱賲 賷亘丿兀 廿賱丕 亘毓丿 爻賳賷賳 賲賳 丕賱夭賵丕噩 兀賷 亘毓丿 毓丕賲 丕賱禺乇賵噩 丕賱賰亘賷乇 賮賷 丕賱賭48 賵賴噩乇丞 賷賵賳爻 賱賱亘賳丕賳. 賮氐丕乇鬲 賳賴賷賱丞 丕賱夭賵噩丞 賵丕賱兀賲 賵丕賱丨亘賷亘丞 賵丕賱兀乇囟 丕賱鬲賷 賷卮丿 乇丨丕賱賴 廿賱賷賴丕 賰賱賲丕 賯鬲賱賴 丕賱丨賳賷賳 賴賳丕賰 廿賱賶 亘丕亘 丕賱卮賲爻 賲睾丕乇丞 丕賱丨亘 丕賱鬲賷 鬲丨賮馗 賲丕 亘賯賷 賲賳 賳賵乇 賮賱爻胤賷賳 賱賷爻鬲丿賱 廿賱賷賴丕 賷賵賳爻. 賵賲賳 亘丕亘 丕賱卮賲爻 鬲賳噩亘 賳賴賷賱丞 兀胤賮丕賱賴丕 丕賱爻亘毓丞 賵賲賳 亘丕亘 丕賱卮賲爻 賷賰亘乇 丕賱兀賲賱 丕賱賮賱爻胤賷賳賷 丕賱賰亘賷乇 .. 兀賲賱 丕賱毓賵丿丞. 賱賰賳 鬲賳鬲賴賷 丕賱兀丨賱丕賲 賵鬲賰賵賳 賮賱爻胤賷賳 賰亘卮 丕賱賮丿丕亍 賵鬲囟賷毓 賵賷囟賷毓 丕賱賮賱爻胤賷賳賷賷賳 賮賷 丨乇亘 賱亘賳丕賳 丕賱兀賴賱賷丞 賵鬲賱丕丨賯賴賲 丕賱賲噩夭乇丞 鬲賱賵 丕賱賲噩夭乇丞 .. 賷鬲乇丕賰賲賵賳 賮賷 丕賱賲禺賷賲丕鬲 賵賷丨賱賲賵賳 亘丕賱賴噩乇丞 賵賷鬲爻丕亘賯賵賳 廿賱賷賴丕 廿賱賶 鬲賵賳爻, 丕賱丿賳賲丕乇賰, 兀賲乇賷賰丕 兀賵 兀賷 賲賰丕賳 丌禺乇 賷爻鬲胤賷毓賵賳 賮賷賴 丕賱毓賷卮 亘兀賲丕賳. 賵賷亘賯賶 賱賷賵賳爻 丕賱氐賵乇, 氐賵乇丞 賳賴賷賱丞 丕賱賰亘賷乇丞 賵孬賱丕孬 賳賴賷賱丕鬲 氐睾賷乇丕鬲 賵賱丿賳 賮賷 丿賷乇 丕賱兀爻丿 賵毓丕卮 賲毓 丕賱氐賵乇 "賮丕賱鬲賱賮賵賳 賱丕 賷爻賲丨 賷丕 丕亘賳賷貙 賲丕匕丕 鬲賯賵賱 賮賷 丕賱鬲賱賮賵賳責 賮賷 丕賱鬲賱賮賵賳 賱丕 鬲賯賵賱 爻賵賶 丕卮賷丕亍 毓丕賲丞 賵氐賷睾 噩丕賴夭丞. 賰賱丕賲 丕賱鬲賱賮賵賳 賱丕 賱賷爻 賰賱丕賲丕賸". 亘丕賱賲賯丕亘賱 賰丕賳鬲 賴賳丕賰 卮賲爻, 賯氐丞 禺賱賷賱 賵卮賲爻 賲賳 丨亘 丕賱賵胤賳 賱丨亘 丕賱賲禺賷賲丕鬲, 丕賱丨亘 丕賱禺丕乇噩 毓賳 廿胤丕乇 丕賱卮乇毓賷丞 丕賱賲丨丕胤 亘丕賱廿賳鬲馗丕乇 賵 丕賱廿賱鬲亘丕爻 賵丕賱禺賷亘丕鬲. 卮賲爻 賴賷 氐賵乇丞 賮賱爻胤賷賳 丕賱丌賳 .. 賮賱爻胤賷賳 丕賱鬲賷 鬲丨亘 丕賱丨賷丕丞 賵賲丕 夭丕賱鬲 鬲胤毓賲 兀亘賳丕卅賴丕 賲賳 夭賷鬲賵賳賴丕 , 賮賱爻胤賷賳 丕賱鬲賷 賳亘匕賴丕 兀賴賱賴丕 賵鬲賯丕匕賮賵賮賵賴丕 亘賷賳賴賲, 卮賲爻 丕賱賵胤賳 丕賱賲胤毓賵賳 賲賳 兀賴賱賴, 卮賲爻 亘毓賱丕賯丕鬲賴丕 丕賱賲鬲毓丿丿丞 丕賱鬲賷 噩毓賱賵丕 卮乇賮賴丕 賲爻鬲亘丕丨丕賸 賱賷鬲賯乇乇 賯鬲賱賴丕 亘賷丿 丕賱噩賲賷毓 賮賷囟賷毓 丿賲賴丕.

丕賱乇賵丕賷丞 鬲賳鬲賯賱 亘亘爻丕胤丞 賲賳 丕賱丨賱賲 賵丕賱丨賷丕丞 賵丕賱賮丿丕卅賷丞 廿賱賶 丕賱丕爻鬲爻賱丕賲 賵丕賱賴噩乇丞 賵丕賱乇睾亘丞 亘丕賱賲丨丕賮胤丞 毓賱賶 爻賯賮 賮賯胤 賱丕 兀賰孬乇 賮賷 賲禺賷賲 丨賯賷乇 毓賱賶 丨丿賵丿 丿賵賱丞 鬲丨乇賲賰 丨鬲賶 鬲丨氐賷賱 賱賯賲丞 丕賱毓賷卮 賱兀賳賰 "賮賱爻胤賷賳賷".. 賮賱爻胤賷賳賷 賷噩亘 毓賱賷賰 兀賳 鬲賰賵賳 鬲丨鬲 賲馗賱丞 賲賳馗賲丞 兀賵 鬲賳囟賲 賱賮氐賷賱 賵廿賱丕 毓賱賷賰 兀賳 鬲賵丕噩賴 丕賱賲賵鬲 兀賵 丕賱廿賳鬲丨丕乇. 賮賱爻胤賷賳賷 賱丕 鬲丐賲賳 亘賰賱賲丞 丕賱睾丿. 賯丿 賷賰賵賳 兀噩賲賱 賲丕 賷賲賷夭 丕賱乇賵丕賷丞 丕賱賵丕賯毓賷丞 丕賱氐乇賮丞 賵丕賱爻乇丿 丕賱賲鬲賰乇乇 賱賱毓丕丿丕鬲 賵丕賱鬲賯丕賱賷丿 丕賱賮賱爻胤賷賳賷丞 賲賳 亘爻丕鬲賷賳賴賲 廿賱賶 兀賮乇丕丨賴賲. 賰鬲亘 丕賱乇賵丕賷丞 廿賱賷丕爻 丕賱禺賵乇賷 賵丕賱匕賷 賰丕賳 爻丕亘賯丕賸 兀丨丿 兀毓囟丕亍 賲賳馗賲丞 賮鬲丨 賵兀禺乇噩鬲 丕賱乇賵丕賷丞 丿丕乇 丕賱丌丿丕亘 亘亘賷乇賵鬲 毓丕賲 1998 賲, 鬲賯毓 兀丨丿丕孬賴丕 亘賷賳 527 氐賮丨丞.
Profile Image for Ratko.
330 reviews90 followers
December 8, 2024
袧邪屑械褉邪 袝谢懈褬邪褋邪 啸褍褉懈褬邪, 谢懈斜邪薪褋泻芯谐 锌懈褋褑邪 褬械 胁褉械写薪邪 褏胁邪谢械 - 卸械谢械芯 褬械 写邪 薪邪锌懈褕械 褬械写薪褍 械谢械谐懈褔薪褍 泻褮懈谐褍 泻芯褬邪 褯械 写邪褌懈 谐谢邪褋 锌芯褌谢邪褔械薪懈屑 懈 锌褉芯谐芯褮械薪懈屑 袩邪谢械褋褌懈薪褑懈屑邪 懈 写邪褌懈 褋屑懈褋邪芯 褋胁懈屑 褮懈褏芯胁懈屑 锌邪褌褮邪屑邪.

袩芯褋褌邪胁泻邪 褬械 褬邪褋薪邪, 锌褉芯褌邪谐芯薪懈褋褌邪 啸邪谢懈谢, 褋械写懈 褍 斜芯谢薪懈褑懈 褍蟹 锌芯褋褌械褭褍 褋胁芯谐 褍屑懈褉褍褯械谐 "褍褔懈褌械褭邪", 锌邪谢械褋褌懈薪褋泻芯谐 斜芯褉褑邪 (薪械锌芯褍蟹写邪薪芯谐 懈屑械薪邪) 懈 锌褉懈褔邪褮械屑 懈 锌褉懈褋械褯邪褮械屑 薪邪 薪邪褬褉邪蟹谢懈褔懈褌懈褬械 写芯谐邪褣邪褬械 锌芯泻褍褕邪胁邪 写邪 谐邪 芯写褉卸懈 褍 卸懈胁芯褌褍.

孝邪泻邪胁 芯锌懈褋 屑械 褬械 懈 锌褉懈胁褍泻邪芯, 屑械褣褍褌懈屑, 斜懈谢芯 屑懈 褬械 褌械谐芯斜薪芯 写邪 褋械 锌褉芯斜懈褬邪屑 泻褉芯蟹 芯胁褍 泻褮懈谐褍.
袩褉械胁懈褕械 褉褍泻邪胁邪褑邪, 锌褉械胁懈褕械 锌褉懈褔邪 褍 锌褉懈褔懈 褍 锌褉懈褔懈 褍 锌褉懈褔懈 (懈 褌邪泻芯 褍 薪械写芯谐谢械写), 锌褉械胁懈褕械 褌邪薪谐械薪褑懈褬邪谢薪芯谐 锌褉懈锌芯胁械写邪褮邪, 懈褋褌械 褋褌胁邪褉懈 褋械 胁邪褉懈褉邪褬褍 薪邪 3-4 薪邪褔懈薪邪 (芯泻, 薪邪屑械褉邪 褬械 褬邪褋薪邪 - 薪械锌芯褍蟹写邪薪芯褋褌 褋械褯邪褮邪, 邪谢懈 芯胁写械 褬械 褌芯 谢芯褕械 懈蟹胁械写械薪芯), 锌褉械胁懈褕械 谢懈泻芯胁邪 泻芯褬懈 褋械 褍胁械写褍 褋邪屑芯 薪邪 薪械泻芯谢懈泻芯 褋褌褉邪薪邪 懈褌写.

袛邪 褬械 芯胁芯 褬械写薪芯 200 褋褌褉邪薪邪 泻褉邪褯械, 褋懈谐褍褉邪薪 褋邪屑 写邪 斜懈 屑懈 褋械 胁懈褕械 写芯锌邪谢芯.
Profile Image for Declan.
145 reviews2 followers
November 22, 2016
"The issue is war, and war has no beginning".

"I'm scared of history that has only one version. History has dozens of versions, and for it to ossify into one only leads to death"

On many occasions Gate of The Sun reminded me of a religious text (The Bible or Quran). It has the weight, rhythm and repetitions of a solemn text with its invoking of the antecedents; the litany of place-names and its epic descriptions of Palestinian history ( although, paradoxically, it is not an epic in its conception, indeed a lot of major events are referred to without even being described). The structure of the novel is diffuse, there is a loose framework - the narrator, Dr Khaleel, addresses his stories and recollections to a man called Yunis, who is lying in a hospital, close to death - but there is no central narrative. Instead there are a whole series of stories (secular parables, you could say) which seem to occur to Khaleel in a stream-of-consciousness fashion as they move between eras and regions and characters, and between being brutal, beautiful and surprising. When the narrator says that "Yunis saw his life in scattered fragments", it seems a perfect description of the novels structure.

What Gate of The Sun is not, is a didactic, polemical account of the post-1948 history of the region. The book is unashamedly pro-Palestinian, but within that viewpoint it is filled with ambiguities. There is an Rashomon-like aspect to some of the stories, with multiple versions of what might have happened on a particular occasion. There is also a mythic quality to many of the stories (with a pinch of magic realism): The 7 Naheelehs; The Man Who Guarded The Lotus Tree; The Ice Worms etc.

Gate of The Sun is a book which will try some people's patience because of the many diversions and the sense of irresolution. Just as you are asked to bring some knowledge of the conflicts in that region to your reading of the book, you are asked to bring some of the cohesion too. It's not any easy book to read and, like Proust, it dictates its own sense of time. It can only be read slowly. But I would like to suggest that it is worth your time.
Profile Image for Odai Al-Saeed.
930 reviews2,824 followers
February 28, 2011
丕賳賴丕 乇賵丕賷丞 丕卮亘賴 亘丕賱鬲乇丕鬲賷賱 毓賱賶 賲賳 賴噩乇 賵賲賳 丕爻鬲卮賴丿 賲賳 丕賱賮賱爻胤賳賷賷賳 毓亘乇丕鬲 賵丿賲賵毓 亘賱睾丞 賰丕鬲亘賴丕 乇丕卅毓丞 鬲丿禺賱賰 賮賷 毓丕賱賲 賲賳 丕賱丨夭賳 賱丕賲賱賳丕 丕賱賲賮賯賵丿 丕賱囟丕卅毓.丨氐賱 賲鬲乇噩賲 丕賱乇賵丕賷丞 丕賱賶 丕賱丕賳噩賱賷夭賷丞 丕賱賶 噩丕卅夭丞 丕賮囟賱 乇賵丕賷丞 賲鬲乇噩賲丞 賮賷 亘乇賷胤丕賳賷丕 賱賴匕丕 丕賱毓丕賲
Profile Image for Maha.
222 reviews70 followers
May 2, 2015
賴賳丕賰 賲乇囟 兀氐丕亘 丕賱乇賵丕賷丞 丕賱毓乇亘賷丞貙 賵丕賱賰鬲丕亘 丕賱毓乇亘 賵賴賵 廿爻鬲禺丿丕賲 丕賱兀賱賮丕馗 丕賱禺丕乇噩丞 賵賵氐賮 賰賱 賲卮賴丿 賵氐賮 丿賯賷賯 貙 爻賵丕亍 亘丨丕噩丞 賱賴匕丕 兀賲 賱丕.
丕賱爻丐丕賱 賴賳丕貙 乇賵丕賷丞 賰賴匕賴 毓賳 賮賱爻胤賷賳 賵丕賱賱丕噩卅賷賳貙 賲丕 丨丕噩鬲賷 賱賲毓乇賮丞 鬲賮丕氐賷賱 毓賱丕賯丞 丕賱亘胤賱 亘卮賲爻 賵賲丕 賰丕賳丕 賷賮毓賱丕賳賴!!
賱賱兀爻賮貙 賲孬賱 賴匕賴 丕賱賲卮丕賴丿 鬲賮爻丿 賲鬲毓丞 丕賱乇賵丕賷丞貙 鬲噩毓賱賳賷 兀鬲乇丿丿 兀賱賮 賲乇丞 賯亘賱 鬲乇卮賷丨賴丕 賱卮禺氐貙 爻賷賯賵賱 賱賷 丕賱亘毓囟 丕賳 賴匕丕 丕賱兀賲乇 胤亘賷毓賷 賵賱賰賳賳賷 賱丕 兀乇丕賴 賰匕賱賰 毓賳丿賲丕 鬲丨卮乇 丕賱鬲賮丕氐賷賱 賴匕賴 亘丨丕噩丞 賵亘丿賵賳.
亘毓賷丿賸丕 毓賳 賴匕丕 丕賱賲賵囟賵毓貙 丕賱乇賵丕賷丞 乇丕卅毓丞貙 丕賱爻丕乇丿 賵賲賳 禺賱丕賱 噩賱賵爻賴 亘睾乇賮丞 賵丕丨丿丞 廿爻鬲胤丕毓 廿禺亘丕乇賳丕 兀賱賮 賯氐丞 賲賳 賮賱爻胤賷賳貙 丕賱賰丕鬲亘 賰丕賳 賴丿賮賴 丕賱丨丿賷孬 毓賳 兀賰亘乇 毓丿丿 賲賲賰賳 賲賳 丕賱賯氐氐 丕賱賲禺鬲賱賮丞 賵丕賱鬲賷 鬲賵孬賯 丕賱賳賰亘丞.
賵丕賱兀賲乇 丕賱噩丿賷丿 賴賳丕 貙 賵禺氐賵氐賸丕 賮賷 丕賱乇賵丕賷丞 丕賱毓乇亘賷丞貙 氐賵乇丞 丕賱賷賴賵丿賷 丕賱囟丨賷丞 ( 丕賱賱亘賳丕賳賷 丕賱匕賷 兀噩亘乇 毓賱賶 丕賱賴噩乇丞 賱賮賱爻胤賷賳 賱丕賳賴 賷賴賵丿賷)貙 賵亘賳賮爻 匕丕鬲 丕賱賵賯鬲 鬲亘賳丕賳 亘毓囟 丕賱賷賴賵丿 丕賱毓乇亘 毓賱賶 兀賳賴賲 毓賳氐乇賷賵賳 噩丿賸丕.
亘丕賱賳爻亘丞 賱賷貙 賴匕賴 兀賮囟賱 乇賵丕賷丞 賱賰丕鬲亘 睾賷乇 賮賱爻胤賷賳賷 毓賳 賮賱爻胤賷賳. 丕賱賰丕鬲亘 貙 賷噩毓賱賰 鬲毓賷卮 丕賱賳賰亘丞 賰丕賲賱丞貙 賷噩毓賱賰 鬲卮毓乇 亘兀睾氐丕賳 丕賱亘乇鬲賯丕賱 丕賱鬲賷 噩賱亘鬲賴丕 丕賱毓噩賵夭 賲賳 賮賱爻胤賷賳貙 賵丕賱賵乇賵丿貙 賷噩毓賱 鬲卮毓乇 丕賳賰 賲毓 丕賱賮丿丕卅賷賷賳 鬲丨鬲 丕賱乇氐丕氐.
Profile Image for Tim.
331 reviews281 followers
October 18, 2014
There is a point where Elias Khoury speaks through his character Khalil about the difficulties of writing. Khalil says to the comatose Yunis that words 鈥渃ome apart鈥� when you write them down, and revert to symbols, cold and lifeless. I encounter this all the time when I write, and more so recently it seems. Language is an imperfect form of communication, and at some level everything is symbolic, no matter how definitive or specific we attempt to make our speech. Receiving or interpreting symbols and language is a highly subjective process, and the best forms of communication are those that are perhaps not so specific - that leave some rounding of the edges: parables, myths, stories.

Yunis is a symbol as Khalil says to Dr. Amjad, a symbol for Palestine and a symbol for the dismantling of the hero myth. The interplay of these ideas in and around Khalil and the stories he tells becomes a commentary not only on the empirical reality of occupation in Palestine, but also on universal truths pertaining to life, identity and purpose. How do we define who we are in our deepest internal essence? What does it mean to have an identity? Khalil talks about 鈥渂ecoming a number鈥� as the biggest fear, and further how the Palestinians are destined to be forgotten because there is always a bigger calamity to overshadow the previous tragedy. It鈥檚 stories that must keep identity alive so that justice has a chance to present itself. If there is no identity, no people and therefore no rights that have been wronged, how can justice ever prevail? This is very much true in many parts of the West where the Palestinian story 鈥� in any form 鈥� is simply not heard or not listened to, therefore ceasing to exist.

The attempt to delineate the truth from falsehood is a major theme here, and this becomes one of the deeper philosophical undercurrents to the novel. First, we must define what is true and what is false. Enter storytelling and the symbol of the hero. Stories give us power, the power to shape our identity and reality at many levels. Khalil constantly 鈥渟tarts from the beginning鈥� in telling stories, with a drive to get closer and closer to his definition of reality 鈥� a sense that he wants to clear away myth and focus on the interactions between humans. Khoury鈥檚 writing expresses figuratively and literally at times that Palestine is people more than it is land. The Gate of the Sun is the escape from all the political posturing and corruption, the intellectual theorizing about peace, the ineffective international efforts towards reconciliation and solutions, to the deep connections between humans represented most by the love relationships of Khalil/Shams and Yunis/Nahilah.

Khoury wants the stories to be specifically human but universally mythical in the sense that the myth points to ultimate truth. The stories he tells here are those he鈥檚 actually heard from survivors in the refugee camps. The names are not as important as the identities they contain and the justice they demand. Khalil talks about how the names become confused in his mind, and these stories will give the impression of running together, with a sense of timelessness and elliptical narrative that is so peculiar to anything originating in Arabic. But what is most important here is that the stories are told, and continue to be told. The stories and the freedom to transmit them give life, give existence, provide identity and establishes the foundation necessary for justice.
Profile Image for 廿賷賲丕賳 .
289 reviews211 followers
January 16, 2018

賲丕 亘賷賳 乇噩賱 卮亘賴 賲賷鬲 賵 丌禺乇 卮亘賴 丨賷 賲賵賳賵賱賵噩 胤賵賷賱 噩丿丕 毓賲丕 賰丕賳 賵 毓賲丕 賱賲 賷賰賳 賮賷 丨賷丕丞 胤賵賷賱丞 賲賳 卮鬲丕鬲 賲丕 亘毓丿 丕賱賳賰亘丞鈥�
貙鬲鬲毓丿丿 丕賱丨賰丕賷丕鬲 賵 鬲鬲丿丕禺賱 賮賷 賲丕 亘賷賳賴丕貙 鬲賳鬲賴賷 賵丕丨丿丞 賱鬲亘丿兀 兀禺乇賶 賷鬲賵賯賮 亘毓囟賴丕 孬賲 賷爻鬲兀賳賮 賲賳 噩丿賷丿鈥� 卮亘賰丞 賲毓賯丿丞 賲賳 丕賱丨賰丕賷丕鬲貙 丕賱毓賱丕賯丕鬲 賵 丕賱卮禺氐賷丕鬲 賮賷賲丕 鬲亘賯賶 丕賱氐賱丞 丕賱賲卮鬲乇賰丞 丕賱鬲賴噩賷乇貙 丕賱賲毓丕賳丕丞 賵 丨賱賲 丕賱毓賵丿丞.
賮賰乇丞 丕賱乇賵丕賷丞 賮乇賷丿丞 賲賳 賳賵毓賴丕 賰賰賱 賵 賱賰賳 丕賱爻乇丿 丕賱乇賵丕卅賷 賱賲 賷禺賱賵 賲賳 亘毓囟 丕賱賴賳丕鬲 賮毓賱賶 爻亘賷賱 丕賱賲孬丕賱 丨噩賲 丕賱乇賵丕賷丞 賮賷 丨丿 匕丕鬲賴 : 賰丕賳 賴賳丕賰 丕賱賰孬賷乇 賲賳 丕賱鬲賰乇丕乇 賵 丕賱孬乇孬乇丞 丕賱鬲賷 賱賵 鬲賲 鬲噩賳亘賴丕 賱賲丕 兀孬賯賱 丕賱賰丕鬲亘 毓賱賶 丕賱賯丕乇卅 亘賴匕丕 丕賱卮賰賱鈥� 兀賷囟丕 賰丕賳 賲賳 丕賱氐毓賵亘丞 亘賲丕 賰丕賳 鬲鬲亘毓 賰賱 鬲賱賰 丕賱兀爻賲丕亍 乇睾賲 兀賳 亘毓囟賴丕 賰丕賳 賴丕賲卮賷丕鈥� 賳賯胤丞 兀禺乇賶 兀賷囟丕 兀賱丕 賵 賴賷 賵氐賮 丕賱毓賱丕賯丕鬲 丕賱丨賲賷賲賷丞 亘丕賱鬲賮氐賷賱鈥� 賲丕匕丕 兀囟丕賮 匕賱賰 賱賱乇賵丕賷丞責
鈥� 賱丕 卮賷亍 丕賱亘鬲丞 亘賱 兀乇丕賴 丕爻鬲賳賯氐 賲賳 賯賷賲丞 丕賱賯囟賷丞 丕賱鬲賷 鬲胤乇丨賴丕...
鬲賲鬲
16/01/2018
Profile Image for 賱賷賳 爻乇爻賰.
9 reviews298 followers
September 7, 2012
鬲賱賰賻 丕賱鬲賮丕氐賷賱購 賰賱賾賴丕 賴賷賻 丕賱亘賱丕丿 ..賴賵 "胤賳噩乇丞 丕賱賰賵爻丕 " 丕賱賲賵賯賻丿 鬲丨鬲賻賴丕 廿賱賶 丕賱丌賳 ..賴賵賻 噩乇賾丞賽 丕賱賮禺賾丕乇賽 賮賷 亘賷鬲賽 兀賲賾 丨爻賻賳 , 賴賵賻 "丕賱賮賵丕乇丞 " 賵丕賱卮賾噩乇丞購 丕賱鬲賷 鬲丨乇購爻購 丕賱賲賰丕賳 .. 賴賷 賴匕賴賽 丕賱噩賲丕丿丕鬲購 丨賷賳賻 丕賳丿丕丨鬲 賮賷賴丕 兀乇賵丕丨賳丕 ,丕賱賱丨馗丞 丕賱賮丕乇賯丞購 亘賷賳賻 丕賱丨賯賷賯丞賽 賵丕賱賵賴賲 , 丕賱丨賯賷賯丞 丕賱鬲賷 賰丕賳鬲 , 賵丕賱賵賴賲 丕賱賰丕卅賳購 賵丕賱丨丕囟乇購 賵乇亘賾賲丕 丕賱匕賷 爻賷賰賵賳 .. 賴賱 兀卮毓乇購 兀賳賾 丕賱夭賾賲賳賻 鬲噩賲賻丿 責 兀噩賱 兀卮毓乇購 .. 賲賳匕 胤賮賵賱鬲賷 賵兀賳丕 兀丨爻賾 賮賷 匕丕賰乇鬲賷 丕賱匕賴賳賷賾丞 兀賳 孬賷丕亘賷 毓賱賽賯賻鬲 亘禺卮亘賽 丕賱亘丕亘賽 丕賱賳丕賮乇賽 , 賵丕賳賾賳賷 丨亘賽爻孬購 賴購賳丕賰 ! 賵丕賳賾賳賷 兀賳鬲馗乇 , 丕賳鬲馗乇購 丨賱購賲丕 毓賱賶 卮賰賱賽 丨賷丕丞 , 賲賳 鬲賱賰賻 丕賱亘賱丕丿 \
賲丕 鬲賮毓賻賱購賴 乇賵丕賷丞賹 毓賳 賮賱爻胤賷賳 , 亘賴匕丕 丕賱夭賾禺賲賽 丕賱賴丕卅賱賽 賲賳 丕賱匕賰乇賷丕鬲 亘賱丕噩卅丞賺 賲賳 丕賱噩賷賱賽 丕賱乇賾丕亘毓 責 爻鬲丨爻賲購 丕賱兀賲乇賻 賮賷賲丕 賷鬲毓賱賾賯購 亘丕賱賵胤賳賽 丕賱賵賴賲賽 丕賱賲鬲禺賷賾賱 \ 賱賷爻賻 丕賮鬲賽毓丕賱丕 丕賳鬲賲丕卅賷賻 , 賵丨賳賷賳賷 丕賱胤賾賷賳賷賾 丕賱匕賷 賷鬲賱亘賾爻賳賷 賱鬲賱賰賻 丕賱亘賱丕丿 , 丕賱鬲賷 賱賲 鬲毓賱賾賲賳賷 兀賰孬乇賻 賲賳 兀賳賾 丕賱鬲丕乇賷禺賻 鬲賵賯賾賮賻 毓賳 廿賳噩丕亘賽 兀賳丕爻賺 丨賯賷賯賷賾賷賳 , 賵兀賳賾賳賷 丨鬲賾賶 丕賱賱丨馗丞賽 賲丨囟購 賵賻賴賲 ! 賵兀賳賾 丕賱賮賰乇丞賻 賮賷 賯賱亘賽 丕賱卮丕毓乇賽 賴賷賻 丕賱賵賻胤賳 .. 賵兀賳賾 丕賱禺賷丕賱賻 丕賱匕賷 賷爻鬲噩賱亘購 乇丕卅丨丞 賷丕賮丕 , 賴賵賻 馗賱賾 賷丕賮丕 \賴賵賻 丕賱丨亘賷亘 丕賱匕賷 丕卮鬲賴賷鬲購 丕賳 賷乇爻賱賻賴購 丕賱亘丨乇 亘乇賰丕鬲賺 賱兀噩賱賽 噩丿丕卅賱賻 毓賮賾賳賴丕 丕賱丕賳鬲馗丕乇購 賵丕賱賯賱賯 ..
賮賱爻胤賷賳購 丕賱丨賯賷賯丞 丕賱賵賴賲 .. 毓賱賶 丕賱賵胤賳賽 兀賳 賷購鬲賻賳賮賾爻賻 賵賷丐賰賻賱賻 賵賷購卮乇亘賻 賱賷氐賷乇賻 丕賱賱賴丕孬購 禺賱賮賴購 賲亘乇賾乇丕 賵氐丕丿賯賸丕 ..
亘丕亘購 丕賱卮賾賲爻 .. 乇丕卅毓丞 , 乇丕卅毓丞 .. 兀賰孬乇 賲賳 乇丕卅毓丞
Profile Image for David M.
477 reviews377 followers
January 9, 2019
The great Palestinian novel? From the Nakba to Oslo, an Odyssey with no homecoming.
Profile Image for Rida Hariri.
106 reviews372 followers
January 27, 2016
賱丕 兀毓乇賮 賲丕匕丕 賷賲賰賳 兀賳 賳賯賵賱 毓賳 賴賰匕丕 乇賵丕賷丞..乇亘賲丕 賴賷 兀卮亘賴 賲丕 鬲賰賵賳 亘丕賱賲賱丨賲丞 丕賱賮賱爻胤賷賳賷丞 兀賵 兀賵丿賷爻丕 丕賱賮賱爻胤賷賳賷賷賳
賱賰賳 賮賷賴丕 卮賷亍 兀賰孬乇 賯丿爻賷丞賸,賯乇賷亘 賲賳 丕賱廿賳噩賷賱 乇亘賲丕 禺丕氐丞 賮賷 丕賱賯爻賲 丕賱兀賵賱 賲賳 丕賱賰鬲丕亘..
賰丕賳 賴賳丕賰 丕賱賰孬賷乇 賲賳 丕賱兀賮賰丕乇 賮賷 乇兀爻賷 兀孬賳丕亍 丕賱賯乇丕亍丞,,丕卮毓乇 亘賴丕 鬲亘禺乇鬲 丕賱丌賳 乇亘賲丕 賱兀賳賴丕 賱賷爻鬲 賲賴賲丞
鬲毓丿丿 丕賱賴賵賷丕鬲 賴匕丕 賴賱 賴賵 賳鬲賷噩丞 鬲丿丕禺賱 丕賱賳丕爻 賵丕賱丨賰丕賷丕 兀賲 亘爻亘亘 丕賱囟賷丕毓責 匕賰賾乇賳賷 賰孬賷乇賸丕 亘兀賳睾賷賱賵亘賵賱賵爻 賮賷 賷賵賳爻\兀亘賵 爻丕賱賲\丕賱匕卅亘\廿賷賱賷丕 丕賱乇賵賲賷
賵賮賷 卮賲爻\卮丕賴賷賳丞\賳賴賷賱丞..
Profile Image for kaire.
248 reviews965 followers
August 9, 2014
賱丕 兀毓乇賮 兀賷賳 丕賱賲賱丕丨賲 賵丕賱亘胤賵賱丕鬲 賵丕賱鬲毓匕賷亘
賵賰賱 賲丕 賯丕賱賵賴 毓賳 丕賱乇賵丕賷賴
乇賵丕賷賴 賲賱賷卅賴 亘丕賱孬乇孬乇賴 丕賱賲賲賱賴
囟禺賲賴丕 丕賱兀毓賱丕賲 賵噩毓賱賴丕 丕賱乇賵丕賷賴 丕賱鬲賷 鬲鬲丨丿孬 毓賳
丕賱鬲丕乇賷禺 賵丕賱賳囟丕賱 丕賱賮賱爻胤賷賳賷
賲毓 賰賱 廿丨鬲乇丕賲賷 賱賰賱 丕賱匕賷賳 兀毓噩亘賵丕 亘丕賱乇賵丕賷賴
丕賱乇賵丕賷賴 賲賲賱賴
賵亘丕賷禺赖
Profile Image for 賮丕乇賵賯 丕賱賮乇卮賷卮賷.
Author听2 books729 followers
April 2, 2023
鬲丨賵賾賱鬲 乇賵丕賷丞 亘丕亘 丕賱卮賲爻 廿賱賶 丨噩乇 兀爻丕爻 賮賷 丕賱兀丿亘 丕賱賮賱爻胤賷賳賷賾 賵廿賱賶 廿丨丿賶 賰賱丕爻賷賰賷賾丕鬲 丕賱乇賵丕賷丞 丕賱毓乇亘賷丞. 鬲丿丕毓賺 孬丕卅乇 睾丕賲乇賹 賱匕賰乇賷丕鬲賽 卮毓亘 賰丕賲賱賺 賮賷 丨賵丕乇賽 胤亘賷亘賺 亘賲乇賷囟賽賴 丕賱賲購爻噩賾賶貙 兀賵 丨賵丕乇 兀亘 賵丕亘賳賴貙 兀賵 丨賵丕乇 噩賷賱賽 丕賱賳賰亘丞 賵噩賷賱 丕賱賳賰爻丞 賮賷 賲禺賷賾賲 賲丕 亘毓丿 丕賱丨乇亘 丕賱兀賴賱賷丞. 賯丿 賷毓丕亘 毓賱賶 亘丕亘 丕賱卮賲爻 睾賷丕亘購 丕賱乇賵丕賷丞 賮賷賴丕貙 賮賳丨賳 賰賲丕 匕賰乇鬲購 兀賲丕賲 睾賲乇賺 賲賳 丕賱匕賰乇賷丕鬲 丕賱噩賲丕毓賷丞貙 毓卮乇丕鬲 丕賱賯氐氐 丕賱賲丿賴卮丞 賵丕賱賲賮夭毓丞貙 賵賱爻賳丕 兀賲丕賲 亘賳丕亍 賯氐氐賷賾 賲賳鬲馗賲. 毓賱賶 兀賳賾 廿賱賷丕爻 禺賵乇賷 丨丕賮馗 毓賱賶 丕賳爻噩丕賲 鬲賱賰 丕賱賯氐氐 賮賷 鬲丿丕禺賱賴丕貙 賵鬲噩賳亘 丕賱賲鬲賳丕賯囟丕鬲 丕賱賰孬賷乇丞 丕賱鬲賷 鬲卮噩賾毓 毓賱賶 丕賱賵賯賵毓 賮賷賴丕貙 賲孬賱購 賴匕賴 丕賱亘賳丕亍丕鬲 丕賱賲毓賯丿丞.
亘丕亘 丕賱卮賲爻 賴賷 賯氐丞 賮賱爻胤賷賳 丕賱丨丿賷孬丞賽 丕賱賲孬賷乇丞 賱賱廿毓噩丕亘 賵丕賱兀賱賲 賮賷 丨賷賳貙 丨鬲賾賶 賷賰丕丿 丕賱賲乇亍購 賷毓噩夭 毓賳 鬲丨丿賷丿 賳賴丕賷丞 賲匕丕賯賴丕 賮賷 賱爻丕賳賽賴: 兀賰丕賳 賲匕丕賯 丕賱鬲賮丕丐賱 兀賲 丕賱鬲卮丕丐賲.
Profile Image for Ebtihal Salman.
Author听1 book377 followers
Shelved as 'did-not-finish'
September 16, 2020
賲卮賰賱丞 丕賱賷丕爻 禺賵乇賷 亘丕賱賳爻亘丞 賱賷 兀賳賴 賷賰鬲亘 丿丕卅賲丕 賲鬲亘毓丕 賳賮爻 丕賱兀爻賱賵亘: 鬲丿丕毓賷 丕賱匕賰乇賷丕鬲 丕賱丨乇 / 鬲賷丕乇 丕賱賵毓賷貙 丕賱賯氐氐 丕賱氐睾賷乇丞 丕賱賲賳賮氐賱丞 丕賱鬲賷 鬲鬲乇丕亘胤 賲毓 亘毓囟賴丕 賵鬲卮賰賱 乇賵丕賷丞. 賱賯丿 賰丕賳 賲丿賴卮丕 賮賷 丕賱賲乇丕鬲 丕賱兀賵賱賶貙 賵賱賰賳賷 賵氐賱鬲 廿賱賶 丿乇噩丞 丕賱鬲卮亘毓.
兀乇丿鬲 賯乇丕亍丞 賴匕賴 丕賱乇賵丕賷丞 賮賯胤 賱毓賱丕賯鬲賴丕 亘賲賵囟賵毓 賮賱爻胤賷賳貙 賵賱賰賳 賱賱兀爻賮 賴匕賴 丕賱亘毓孬乇丞 / 丕賱鬲噩賲賷毓 賱丨賰丕賷丕 賲鬲賮乇賯丞 囟賲賳 賯氐丞 毓丕賲丞 賱賲 賷鬲賲賰賳 賲賳 噩匕亘賷 賰賮丕賷丞 賱賱亘賯丕亍 賵鬲賯賱賷亘 丕賱氐賮丨丕鬲.
Profile Image for Luke.
1,563 reviews1,103 followers
November 26, 2021
"You are surrounding the cities," she said, looking relieved, "as we did on the Long March."
"No," I said. "We're surrounding the countryside because we're outside our country."
Numerous questions flittered across her face, but she didn't say anything more; she didn't understand how you could surround the countryside or how there could be no peasants.

You say, "Enough," and then blind history drags you by the hair back to war.
This is one of the few truly devastating works that I've read; if that weren't enough, it's also one of the few truly uplifting works that I've thus far encountered. It's a work that teaches you how to read it if you're willing to honestly engage with it, which means that, considering what the world has consisted of for the last century and a half, it isn't for everyone. Of course, anyone can try their hand at it, but if this is your first taste of the history of Palestine and its diaspora, if this is your first read that was originally composed in Arabic, if this is your first engagement with the kind of literature that attempts to convey the sum of the banal glory of human experience, it would take either a miracle or a great deal of self-deception for you to 'like' this in any way, shape, or form. Considering I got most of the first qualification from Tumblr posts and have only engaged with eleven Arabic works in the past decade, I'm hardly setting up some insurmountably 'woke' task list, or whatever severely cannibalized term is being thrown around these days by those who are uncomfortable when their favorite forms of legalized human sacrifice are taken down from their sanctimonious pedestals. I'm simply sick and tired of the term 'universal' being used as battering ram by the tediously Eurocentric reader, for whom this work is neither 'classic' nor 'indie' nor 'transgressive' nor 'experimental' to exempt it from the sort of whining criticism that those who read only what everyone else is reading, rather what they themselves know to be best suited to their tastes, inevitably give out. This is a work that took 400 of its 500+ pages to break me down and build me back up, and that's on you to decide whether that's good enough for you.
History [...] extracts from our inner selves people we don't know, people whose presence we don't dare acknowledge.

These questions are unimportant, Father, but our whole life is composed of unimportant questions that pile up on top of one another and stifle us.
To say this work is antithetical to US literary values is putting it lightly. It may have been published more than two decades ago, but if you asked the author what has significantly changed for Palestinians since then, he could give you some updated historical events and political mandates, but the main issues of Nakba, occupation, and apartheid have largely become more technologically complicated than humanely resolved. If there is a winner, it is not the reader. If there is success, it is not the reader's. If there is peace, and harmony, and joy, it isn't going to be blasted in your front window on your personal piece of the settler state and reassure you that, so long as you make the right financial decisions, you're assured a positive place in the afterlife. Ultimately, this is a text that asks you how a civilization survives after the burning of its trees and the frankensteining of its ecosystem, how a people survives after the border passes through them and leaves only their filleted corpses behind, how a history is carried forward when the mere acknowledgement of a fact or a figure is often met with the steamroller of another's pain, another's agony, another's experience under genocide that has room for neither recognition nor compassion. For a nation such as the USA that is continually forcing itself into a child's clothing in order to excuse its atrocities on the merit of holy war or another, such a text is anathema, for if it cannot identify with the narrator victim, the work itself must be a terrorist.
"After we liberated al-Birwa, three United Nations officers arrived carrying white flags and asked to negotiate with our commanding officer.
"'But we don't have a commanding officer,' said Salm As'ad.
"'We're just peasants,' said Nabil Hourani. 'We don't have a leader, we're just peasants who want to harvest our crop and go back to our houses. Would you rather we died of hunger?'
"'But you broke the truce,' said the Swedish officer.
"'What truce, Sir? We've got nothing to do with the war. We wanted to go back to our village, so we went.'

"They took Palestine? Let them have it. I just want to visit the grave to make sure I buried him correctly. I don't care about al-Kabri or anywhere else, they're all going to disappear. They took them? They can have them. But they should give us the grave at least."
Reading this work is akin to one's very first attempts at planting a garden, before trial and error has berthed effective habit and all one can do is wait for the rain to come down when and where it may and hope some recognizable form disentombs itself from the ground. The main cast of characters is barely one or two handfuls, but the heritage passed down by ancestors and the countries bridged across by continually disinherited descendants balloons the names to tens, twenties, making questions of time and place fragmentary and nearly without point. If that weren't confusing enough, the matter constituting the 'true' tales of the main characters aren't 'really' revealed till the very end, and what comes before is hundreds of pages of one child's attempt to trace the meaning of a comatose parent during half a century of invasion, dispersion, and rebellion, give or take a few years. The meaning could be a matter of good versus evil, until you realize that some of the good is in the evil and vice versa, and what allows one force to bulldoze villages with impunity and another force to refrain from bombing a military encampment in retaliation for the the encampment's socioeconomic murder of their child isn't a tale that can be told without reference to the themes of the kind of money, politics, and greed that are in the full flush of health today. And as we all know, in this 'liberal' day and age, (certain kinds of inanimate) property is always worth more than (certain kinds of animate) human lives.
Manliness, or what we call manliness, consists of flight, because inside all the bluster and bullying and big words, there's a refusal to face up to life.

A man can become, in an instant, what he truly is and then forget.
So. Your heroes are communist/atheist terrorists, your stories are one downfall of attrition after another, your futures are scattered in a maze of refugee quotas and university admissions scores, your past is the passing around of photos in ambulances and the watching of televisions in active war zones, and the gods of media consumption and public representation have come and been tricked into disseminating tales of religiously approved cannibalization and thereafter lifting a siege and gone, willing to make money off of literary triumphs and Hollywood blockbusters but not to look the lion in the mouth and ask why it is allowed to feed when so many others are systematically starved to death. It was fashionable once upon a time to bring the life of a Muslim Woman in Distress漏 to the big screen, but who's going to watch a woman successfully register her children in the face of Israeli oppression by claiming herself to be a sex worker, or another woman disregard the borders of occupational forces and find herself communing with the Jewish resident of her disinherited home who wants nothing more than to trade places and exchange Tel Aviv, Israel for Beirut, Lebanon, or yet another woman who was born in a German ghetto and, under much trial and tribulation, made a loving home in Gaza. You want to "save" these women, but beware the bottomless pit of everything's fair in love and war, where the right woman spits on your birthright and the wrong one understands on a scientific level why you will never turn her land into a bastion of Europe. Complicated, is it not? When you reach to cut off the cancer and find yourself gouging out your eye.
[I]t was the tragedy of intellectuals and artists that they had to go and look and react, and then they'd forget.

Is this what things have come to? They're afraid of the victim! Instead of treating the patient, they fear him, and when they see, they close their eyes. They read books and write them. it's the books that are the lies.
Some of you reading this may cry out, you promised uplift, did you not? Well, when you're communing with someone like me whose spent the last two decades negotiating with suicidal ideation, you're not going to get your suburban family home, or your imperial grand tour, or your multi billion dollar blood emerald fueled dynasty. Instead, you're going to get bloodletting introspection, dire self-reflexivity, a never ending questioning of the definitions of "winning" and "losing," "happiness" and "sadness," and a commitment to an acknowledgement of the realities that refuses to roll over and beg in the face of the exigencies of Omelas. If those and other terms such as BDS, PLO, and sovereignty bore you, set you off, or encourage you to roll your eyes, you're not going to get uplift, or even a reason to engage with a work that isn't going to put a bandage on your boo boo and tuck you in at night. This is history that, at the moment of the work's publication, had been lived unwillingly for the past fifty years, and twenty-three years after that, I really can't say whether the mounting international recognition of the State of Palestine really means anything tangible. So, if you prefer your history cut and dried, do what most readers on this site do, and cut yourself at WWII, when the good guys were grand and the bad guys were conniving and it was much easier to tell oneself that progress had something to do with humanity rather than everything to do with chance and convenience.
We'll assimilate with the Arabs, you can assimilate with the Europeans, this land will be deserted, and we can turn it into a resort for tourists and religious fanatics from every nation. What do you say?'
"'You understand nothing about Jewish history,' he said.
"'And do you understand anything about our history?'
There isn't much left of 2021, and I don't see myself reading anything that tops this during the remaining month or so. I talk sometimes about how I likely came to a work too late when I find myself amidst poor writing and juvenile concerns, but with this work, eight and a half years ended up being just the right amount of time for me to build up a sufficient bulwark of context and an effective amount of critical literacy. That's not something I can loan to any aspiring readers of this work, who, if they aren't already operating in Arabic, are going to have to find their own , their own , and go from there. Something that I didn't recognize under my own power while reading is that Elias Khoury inserts himself in at the very absolute tail end of this piece, and looking back, I found such a choice to be perfectly in tune with the monumentally ambitious, yet compassionately humble writing that came before it, where the author acknowledges himself to be little more than an observant outsider who wants, above all else, to truly connect. As he himself points out for hundreds and hundreds of pages, such an action is fundamentally flawed and highly prone to exploitation, and what "truth" comes out of it may as well have died during the massacres. But to try is what it takes to truly be human, no?
Do you believe we can construct our country out of these ambiguous stories? And why do we have to construct it? People inherit their countries as they inherit their languages. Why do we, of all the peoples of the world, have to invent our country every day so everything isn't lost and we find we've fallen into eternal sleep?

Poetry, my song, is words we use to heal our shame, our sorrow, our longing. It's a cover. The poet wraps us up in words so our souls don't fall to pieces. Poetry is against death 鈥� it's both sickness and cure, the bare soul and its clothes. I'm cold now, so I take refuge in poetry, hiding my head in it and asking it to cover me.
Profile Image for Geoffrey Fox.
Author听8 books44 followers
October 16, 2022
"Umm Hassan is dead."
These are Dr. Khaleel Ayyoub's first words to his only patient, the legendary hero of a dozen failed wars for Palestinian liberation, in Galilee Hospital in Shatila. But this isn't a real hospital (scarcely any supplies or professional staff), Khaleel is not a real doctor (though he had some rudimentary medical training in China), and Yunis, or Abu Salim, is not a real hero (though famous as "lone wolf" fighter) 鈥� and is now probably brain dead. But Umm Hassan, "Mother of Hassan", the licensed midwife who "knew everything," had told Khaleel he had to talk to the unconscious hero to keep his spirit alive. So Khaleel 鈥� 40-ish, with no family and only tumultuous memories of his own 鈥� talks to his patient for seven months, inventing Yunis's responses and spinning a thousand and one stories of Yunis' and Palestine's history, from the 1936 Arab revolt on to nearly today. The real beginning was the 1948 war when villagers saw their villages erased and were thrown together as refugees and at least partly, tentatively, re-imagined themselves as "Palestinians," a new-found, widely embracing identity for people who didn't know one another nor even speak the same dialects. Everything since then has been confusion, shifting alliances, dreaming and longing for a past that cannot be recovered and probably never really existed as they remember it. And innumerable wars, against the Israelis, against other Arabs, and against other Palestinians. And alliances.
These tales 鈥� reworked as fiction by Khoury from his own experiences and his hundreds, or perhaps thousands, of interviews as a journalist in Lebanon 鈥攁re sometimes stunningly sad, even when funny as the characters contradict one another or even themselves in their uncertain memories, vain boasts and magical thinking. One especially memorable tale recalled by Khaleel is Umm Hassan's very daring return, across Israeli shoot-to-kill defense lines, to what had been her village of El Kweikat, now mostly razed to create a modern Israeli settlement of brick houses. Her old house is one of the few remaining from the old days, and after long hesitation, she tentatively knocks on the door. The woman who opens is about Umm Hassan's age. She surprises Umm Hassan by answering her Hebrew greeting in Arabic with a Syrian accent. Ella Dweik, the current inhabitant, has guessed that this "is" (not "was) Umm Hassan's house, and tells her she had been expecting her, and invites her to sit and have some coffee. She is another victim of uprooting, a Lebanese Jewess who, when she learns that Umm Hassan has come from Beirut, almost screams with envy 鈥� she wants nothing more than to return to that city and abandon this desolate patch her husband (an Iraqi Jew) has brought her to in Israel, while Umm Hassan doesn't even know the Beirut that Ella longs for (because poverty and hostility have kept her in Shatila) and could hardly adjust to such a hectic, urban environment, but yearns for her beloved El Kweikat.
And many, many other stories, of women who have lost their children, young men who try to adapt as Arabs in Israel, betrayals and ingratitudes, and sometimes just the surprising courage of those who insist on living and protecting what they can of their families. In the end, after 7 months of Khaleel's one-sided conversations with the inert hero, he slips out of the "hospital" to fetch photographs from Yunis's apartment, thinking they may help restore him to consciousness 鈥� photos of Yunis's long-suffering wife Naheeleh, of his children and many grandchildren, half a dozen of them also named Yunis. He is stopped on a deserted street of Shatila by a woman in black with a black scarf, like the spirit woman who had so frightened Yunis on one of his earlier adventures; she asks him for the house of Elias El Roumi 鈥� but Khaleel tells her there is no Elias (a Christian name) in all of Muslim Shatila; she asks for a hotel to spend the night, but there is no hotel in Shatila, either, but she accepts his offer to spend the night in Khaleel's house 鈥� a magical encounter where he is fed and touched by the womanhood he has been longing for, but when he awakens in the morning, there is no trace of her. This is the last of the many tales, the character's visit by the unseen Elias El Roumi, Elias Khoury, the author who has from the beginning been hovering around these stories and is occasionally glimpsed, once as the old man El Khouri of the House of Ice, and in other guises. A delightful, marvelous, terribly sad invitation to reflect on and review this whole terrible saga of two peoples, Jews and Palestinians, each unwilling or unable to hear the other's story.
Profile Image for Miriam Cihodariu.
683 reviews163 followers
September 2, 2019
I understand why this book has been called the first Palestinian epic, and the enormous task which the author took upon himself.

It is full of stories and oral lore gathered from Palestinian refugee camps, and all of this is doubled by a conscious emphasis on storytelling as a means for survival. In this respect, of consciously owning it, Gate of the Sun is a postmodern epic of a people, but an epic nonetheless.

Towards the end, the narrator says that we have to tell stories in order to patch every hole in our Story with them, so we don't allow death to infiltrate it through the cracks. The stories themselves are heartwrenching and help bring the faces of Palestinian refugees and fighters into a greater sense of reality.

The book also addresses the famous 'danger of the single story', as formulated by Chimamanda Ngozi Adichie in her epic TEDTalk. The characters say that we should be careful not to become people of a single story, that we should keep telling stories of joy and happiness and family and domestic life so that the war and displacement narrative doesn't hijack our entire lives and identifies.

Like a good epic, the book is rather long and reads pretty slowly. For those impatient with descriptions and who want something to 'happen' faster in a story, perhaps this isn't a recommended read. I, for one, enjoyed it.
Profile Image for Michael Kotsarinis.
542 reviews143 followers
Read
December 3, 2022
螆谓伪 渭蠀胃喂蟽蟿蠈蟻畏渭伪 蟺慰蠀 渭蟺位苇魏蔚喂 渭蠀蟻喂维未蔚蟼 喂蟽蟿慰蟻委蔚蟼 纬喂伪 谓伪 未蠋蟽蔚喂 伪谓维纬位蠀蠁伪 蟿慰谓 蟺蠈谓慰 魏伪喂 蟿畏谓 伪蟺蔚位蟺喂蟽委伪 蟿蠅谓 螤伪位伪喂蟽蟿喂谓委蠅谓, 蠂蠅蟻委蟼 谓伪 纬委谓蔚蟿伪喂 未喂未伪魏蟿喂魏蠈 萎 蟺慰位喂蟿喂魏蠈 萎 谓伪 魏伪蟿畏纬慰蟻蔚委.

螤蔚蟻喂蟽蟽蠈蟿蔚蟻伪 蟽蟿慰 .
Profile Image for 卮賷賲丕亍 丕賱賵胤賳賷.
Author听6 books160 followers
September 16, 2024
鬲鬲毓丿丿 丕賱卮禺氐賷丕鬲 賵鬲鬲卮丕亘賰 丕賱丨賷賵丕鬲 賮賷 賴匕賴 丕賱乇賵丕賷丞 丕賱乇丕卅毓丞 貙丕賱鬲丕乇賷禺 賷賰鬲亘賴 兀氐丨丕亘賴 賷禺胤賵賳賴 亘賲丿丕丿 丿賲丕亍賴賲 賵丿賲賵毓賴賲 貙 兀賲丕賲 賴匕丕 丕賱賰賲 丕賱賴丕卅賱 賲賳 丕賱卮禺氐賷丕鬲 丕賱賲鬲賳賵毓丞 賵丕賱賲匕賴賱丞 賵丕賱賲鬲賮乇丿丞 兀賳鬲 賮賷 丨丕噩丞 賱丕爻鬲丨囟丕乇 賲禺賷賱鬲賰 賵氐亘乇賰 賵匕賴賳賰 賱鬲賱賲 亘賰賱 卮匕乇丕鬲 丕賱丨賰丕賷丕鬲 .
Profile Image for Tsung.
294 reviews72 followers
August 13, 2017
This is a fascinating piece of work, with more attention to the style and philosophy than to the substance or politics. While it was a pleasure to read in parts, it was a chore getting through some long rambling sections in between. It is a large book and if it were half its size, it could have been perfect. Overall, I could appreciate the unique way of storytelling but I can see why it would not suit everyone鈥檚 tastes.

Gate of the Sun is told from a first person perspective. Khalil is not a real doctor, but he comes to look after Yunes, a local hero, in makeshift hospital. Khalil calls him father, but we don鈥檛 really know what their true relationship is. In fact, this is what happens with several relationships in the novel in that we are never sure of their true nature. It is pretty confusing for the reader. To add to the confusion, certain characters are referred to not just by their different relationships, but by different names. Even the sequence of events is all mixed up. I think this is intentional by the author. It seems to convey that there is no one true perspective of people or events. History is in the eye of the beholder. If this is it, then it is pretty clever.

Once upon a time, a long time ago, there was 鈥� or there wasn鈥檛 a young man called Yunes.

No. I have to start from the place you don鈥檛 know, meaning from here, from the end, because the story can only start from its ending.

Yunes has various names: Asad, Lion. Asad al-Asadi, Lion of Lions. Yunes, Jonah. Izz al-Din. Abd al-Wahid. But the wise man pronounces All names are pseudonyms 鈥� the only true name is Adam.

But there is more to the confusion. While the writing suggests that nothing is what it seems, it might be a reflection of the devastation of Lebanon that was going through. How different Beirut must have looked in peace time and in war.

You think you鈥檙e in the hospital, but you鈥檙e mistaken. This isn鈥檛 a hospital, it just resembles a hospital. Everything here isn鈥檛 itself but a simulacrum of itself. We say house but we don鈥檛 live in houses, we live in places that resemble houses. We say Beirut but we aren鈥檛 really in Beirut, we鈥檙e in a semblance of Beirut. I say doctor but I鈥檓 not a doctor, I鈥檓 just pretending to be one. Even the camp itself 鈥� we say we鈥檙e in the Shatila camp, but after the War of the Camps and the destruction of eighty percent of Shatila鈥檚 houses, it鈥檚 no longer a camp, it鈥檚 just a semblance of a camp 鈥� you get the idea, the boring semblances go on and on.

There are many vignettes within the novel, based on many private interviews which the author conducted. The mini-stories convey a sense of loss, grief and terror. People had lost their homes, their loved ones and their way of life. It is not just the horror of war that is conveyed, but the violence that reigns in man鈥檚 heart.

The stories are told in a stream of consciousness style, with Khalil having his one sided monologue with the comatose Yunes. Devoid of a central storyline or plot progression, it was a bit of a struggle keeping up with it till the end.

Historical events like battles, conflicts, massacres, mistreatment and displacements were mentioned at various points. It was not chronological so as history, the impact was pretty much lost. I had been expecting some kind of a statement about Lebanon or championing the Palestinian cause, but there was none, or else I had missed it. While there is a sense of disenfranchisement of the people, there is very little on the Lebanese or Palestinians as a national or racial identity. In its place were some rather profound insights from Khoury.

鈥淧alestine isn鈥檛 a cause. Well, all right, in some sense it is, but it isn鈥檛 really, because the land doesn鈥檛 move from its place. That land will remain and the question isn鈥檛 who will hold it, because it鈥檚 an illusion to think that land can be held. No one can hold land when he鈥檚 going to end up buried in it. It鈥檚 the land that holds men and pulls them back toward it. I didn鈥檛 fight, my dear friend, for the land or the history. I fought for the sake of a woman I loved.鈥�

That鈥檚 the problem with the Lebanese war. It entered the world鈥檚 imagination pre-packaged as insanity. When we say that its insanity was normal, the same insanity as in any war, our listeners feel thwarted and think we鈥檙e lying. Even Boss Joseph鈥檚 story 鈥� I won鈥檛 say it didn鈥檛 happen, it probably did, and there may have been worse outrages. The issue isn鈥檛 what happened but how we report and remember it.

Do you believe we can construct our country out of these ambiguous stories? And why do we have to construct it? People inherit their countries as they inherit their languages. Why do we, of all the peoples of the world, have to invent our country every day so everything isn鈥檛 lost and we find we鈥檝e fallen into eternal sleep?

Beyond the history, it is about the illusory nature of life. It is a theme which also appears in the works of Naguib Mahfouz. I wonder if it is common in Middle Eastern literature.

And finally, while we grapple with the alternative truths of our time,

In the beginning, they didn't say "Once upon a time," they said something else. In the beginning they said, "Once upon a time, there was 鈥� or there wasn't." Do you know why they said that? When I first read this expression in a book about ancient Arabic literature, it took me by surprise. Because, in the beginning, they didn't lie. They didn't know anything, but they didn't lie. They left things vague, preferring to use that or which makes things that were as though they weren't, and things that weren't as though they were. That way the story is put on the same footing as life, because a story is a life that didn't happen, and a life is a story that didn't get told.
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June 30, 2016
氐丿乇鬲 乇賵丕賷丞 <亘丕亘 丕賱卮賲爻> 丕賱賲氐賳賾賮丞 囟賲賳 俨賮囟賱賽 賲卅丞 乇賵丕賷丞賺 毓乇亘賷丞賺 毓丕賲 1998貙 賱賷鬲賳丕賵賱 賲賳 禺賱丕賱賴丕 丕賱賰丕鬲亘 丕賱賱亘賳丕賳賷 俪賱賷丕爻 禺賵乇賷 賯囟丕賷丕 鬲鬲毓賱賯購 亘賲毓丕賳丕丞 丕賱賱丕噩卅賽 丕賱賮賱爻胤賷賳賷 丕爻鬲賳丕丿賸丕 廿賱賶 乇賵丕賷丕鬲 賵兀丨丿丕孬賺 噩賲賻毓賴丕 賲賳 丕賱賱丕噩卅賷賳 丕賱賮賱爻胤賷賳賷賷賳 賮賷 賲禺賷賲丕鬲 賱亘賳丕賳 廿囟丕賮丞賸 廿賱賶 賲乇丕噩毓賻 鬲丕乇賷禺賷丞賺 賲孬賱 賳氐賵氐賺 賱賭<俨賳賷爻 丕賱氐丕賷睾> 賵 <氐賱丕丨 丿亘丕睾>貙 賵 丕賱毓丿賷丿賽 賲賳 丕賱丿乇丕爻丕鬲 丕賱賲賳卮賵乇丞 賲賳 賯亘賱 賲丐爻爻丞賽 丕賱丿乇丕爻丕鬲 丕賱賮賱爻胤賷賳賷丞 賮賷 亘賷乇賵鬲.

"- 賲丕鬲鬲 俨賲 丨爻賳"
兀賵賱購 禺亘乇賺 鬲鬲賱賯丕賴 賲賳 丕賱乇丕賵賷 禺賱賷賱 賲亘鬲丿卅丕賸 丨賰丕賷丕鬲賴 丕賱鬲賷 爻賲毓賻賴丕 賮賷 丕賱賲禺賷賲貙 丨賷孬 賷鬲亘賳賶 丕賱賲乇亍購 匕丕賰乇丞 丕賱噩賲賷毓貙 賵賴賵 胤亘賷亘賹 亘賱丕 俨亘賵賷賳貙 俨禺匕鬲賴 丕賱賯丕亘賱丞購 俨賲購賾 丨爻賳 賵賵囟毓鬲賴 亘賷賳 賷丿賷賾 <賷賵賳爻 丕賱俨爻丿賷> 賮卮亘賻賾 毓賱賶 賯氐氐賽賴 丕賱鬲賷 鬲賳亘孬賯購 賲賳賴丕 俨毓賲丕賱購 丕賱孬賵丕乇 賵 丕賱賲鬲爻賱賱賷賳 毓亘乇 丕賱丨丿賵丿. 俪賱丕 俨賳 賷賵賳爻 賷賳丕賲購 丕賱丌賳 賮賷 睾賷亘賵亘鬲賴 賲爻噩賾賶賸 毓賱賶 馗賱賺賾 賷鬲丌賰賱購 賰賱 賷賵賲 賱賷禺鬲賮賷貙 賮賷 賲爻鬲卮賮賶 賰卅賷亘 賷丿禺賱賴 丕賱賲賵鬲賶 俨賰孬乇 賲賳 丕賱俨丨賷丕亍. 賮賷氐乇購賾 禺賱賷賱 毓賱賶 爻乇丿賽 丨賷丕丞 賷賵賳爻 亘賰賱 鬲賮丕氐賷賱賴丕 賲丐賲賳丕賸 俨賳賴 爻賷爻鬲賷賯馗.. 爻鬲丨賮賾夭購賴 丨賰丕賷丕 丕賱賳囟丕賱 賱賷賳鬲賮囟賻 賵丕賯賮丕賸 賲賳 噩丿賷丿. 賲鬲賳丕賵賱丕賸 <賳賴賷賱丞>貨 鬲賱賰 丕賱胤賮賱丞購 丕賱鬲賷 俨購乇睾賽賲 賷賵賳爻 毓賱賶 丕賱夭賵丕噩 賲賳賴丕 賵 賱賲 賷丨亘亘賴丕貙 俨賱丕 俨賳賴丕 俨氐亘丨鬲 丕賲乇俨丞賸 賷賳賰爻乇購 俨賲丕賲賻賴丕 賮鬲噩亘購乇購賴. 賵亘賷賳賲丕 賰丕賳 丕賱賲鬲爻賱賱賵賳 賷賯胤毓賵賳 丕賱丨丿賵丿 賱賮賱爻胤賷賳 賰丕賳 賷賵賳爻 賷鬲爻賱賾賱購 廿賱賶 賮賱爻胤賷賳 禺丕氐丞賺 亘賴.
賱賷兀鬲賷 丿賵乇購 丕賱賲睾丕乇丞 賮賷 噩亘丕賱 丕賱噩賱賷賱 丨賷孬 鬲賳爻丿賱購 丕賱卮賲爻 毓賱賶 孬睾乇賽賴丕 噩丕毓賱丞賸 賲賳賴丕 俨孬乇丕賸 賱賮賱爻胤賷賳 丕賱丨亘賽賾 賵 丕賱噩賲丕賱. 賲賳 鬲賱賰 丕賱賲睾丕乇丞 亘丿兀 7 俨亘賳丕亍貙 賵 賲賳 鬲賱賰 丕賱賲睾丕乇丞 俨購賵賱賽毓賻鬲 卮毓賱丞購 丕賱丨賷丕丞購 賲鬲爻丕賵賷丞賸 賲毓 賳賷乇丕賳 丕賱丨亘. 賵 賰俨賳 丕賱丨亘 賱丕 賷鬲賾賯丿購 俪賱丕 毓賳丿賲丕 賷氐亘丨購 賲賲賳賵毓丕賸貨 賮賯氐氐 丕賱丨亘 亘俨賰孬乇賴丕 賴賷 賯氐氐購 丕爻鬲丨丕賱丞賽 丕賱丨亘!

鬲丿賵乇 兀丨丿丕孬 賴匕賴 丕賱乇賵丕賷丞 賮賷 賵賯鬲 兀鬲賯賳 丕賱賰孬賷乇賵賳 賮賷賴 鬲賲孬賷賱賻 俨丿賵丕乇賽賴賲 丨鬲賶 賳爻賻賵丕 俨賳賮爻賻賴賲 賵 氐丿賯賵丕 兀丿賵丕乇賻賴賲 丕賱賰丕匕亘丞貙 賮賷 丕賱賵賯鬲 丕賱匕賷 兀氐亘丨 賮賷賴 賲丿賱賵賱 丕賱丨亘 賴賵 丕賱鬲囟丨賷丞貙 賱賷鬲賲賳賶 丕賱噩賲賷毓 乇丐賷丞 氐賵乇賴賲 卮賴丿丕亍賻 賲毓賱賯丞賸 毓賱賶 丨丕卅胤賽 丕賱賲禺賷賲貙 賵 賱賰賳 賰賷賮責! 賰賷賮 賷賲賰賳 俨賳 賷乇賵丕 氐賵乇賻賴賲 賴賰匕丕責 乇亘賲丕 兀乇丕丿賵丕 俨賳 賷爻鬲卮賴丿賵丕 丿賵賳 賲賵鬲!

賮賷 乇丨賱鬲賰 賲毓 賴匕賴 丕賱氐賮丨丕鬲 爻鬲購爻俨賱 賰孬賷乇丕賸 毓賳 丕賱賵胤賳 賵 賲毓賳丕賴 賮賷賰. 爻鬲購爻俨賱購 毓賳 鬲丕乇賷禺賺 鬲禺鬲賱賮購 賮賷賴 丕賱乇賵丕賷丕鬲 賵 賲賮丕丿購賴 賵丕丨丿. 賯丿 賷賯賵賱賵賳 賱賰 俨賳 丕賱賵胤賳賻 賴賵 睾氐賳購 丕賱亘乇鬲賯丕賱 丕賱匕賷 丕賯鬲胤賮鬲賴 毓噩賵夭賹 賮賷 丕賱賭48 賵賴賷 鬲購胤乇賻丿購 賲賳 俨乇囟賽賴丕貙 賵丕賱鬲賷 賵亘禺鬲賰 賱俨賳賰 丨丕賵賱鬲賻 俨賳 鬲俨賰賱賻 亘乇鬲賯丕賱丞賸 賲賳 丕賱睾氐賳貨 賮賴匕丕 丕賱睾氐賳購 賴賵 賮賱爻胤賷賳購 亘丕賱賳爻亘丞 賱賴丕.
賱賷俨鬲賷 丌禺乇 丨丕賳賯丕賸! 賯丕卅賱丕賸 俨賳賴 賷噩亘購 毓賱賷賳丕 俨賰賱購 丕賱亘乇鬲賯丕賱貙 毓賱賷賳丕 賯囟賲購 賴匕丕 丕賱賵胤賳貙 賱俨賳賴 賱賷爻 鬲乇丕亘丕賸 賵 睾氐賵賳貙 亘賱 賳丨賳.

賵賷亘賯賶 丕賱爻丐丕賱購 丕賱匕賷 賷鬲乇丿賾丿購 賲賳匕 毓卮乇丕鬲 丕賱爻賳賵丕鬲: 賴賱 爻賳毓賷卮購 毓賱賶 丕賱匕丕賰乇丞責
賱賳 鬲噩丿 噩賵丕亘丕賸 丨賯賷賯賷丕賸貙 賵亘毓丿 丕賱賭48 賵 丕賱賭67賵丨乇亘 賱亘賳丕賳 丕賱俨賴賱賷丞 爻賷毓賱賲購 丕賱噩賲賷毓購貙 賵爻賷噩賷亍購 賵賯鬲 丕賱賲毓乇賮丞. 賱賰賳貙 賴賱 爻賷賳胤賯賵賳責

賮賷 賱丨馗丕鬲賽 丕賱賵丨丿丞 賵 丕賱丕賳賰爻丕乇 爻鬲禺賵乇購 賯賵丕賳丕 賱賳鬲賯丕匕賮購 丕賱鬲賴賲賻 賵賳亘乇賾卅賻 俨賳賮爻賳丕. 俪賱丕 俨賳 丕賱鬲賵賯賮 賱亘乇賴丞賺 爻賷卮乇丨購 丕賱賰孬賷乇: 賴賱 丕賳賴夭賲賳丕 丨賯丕賸責
"俪賳賳丕 賱賲 賳賯丕鬲賱."

丕賯乇兀 丕賱賲賯丕賱 賰丕賲賱丕賸 賲賳 禺賱丕賱 丕賱乇丕亘胤 丕賱鬲丕賱賷:

Profile Image for Safa Dalal.
527 reviews82 followers
April 1, 2018
賱賳賮鬲乇囟 丕賳賳丕 丕爻鬲毓乇賳丕 噩賱賵丿 卮賴丿丕卅賳丕 賵兀丨囟乇賳丕賴丕 亘鬲賯乇丨丕鬲賴丕 賵噩乇賵丨賴丕貙 賵毓賯丿賳丕 賲毓 丕賱賲賵鬲 賴丿賳丞 賳乇賵賷 賮賷賴丕 賲丕 賯丿 噩乇賶 亘賱丕 夭賷丕丿丞 丕賵賳賯氐丕賳 貙賵鬲丨丿孬賳丕 賰孬賷乇丕 廿賱賶 兀賳 鬲賳鬲賴賷 丕賱丨乇賵賮 賵丕賱賰賱賲丕鬲貙賴賱 亘賵爻毓 匕賱賰 兀賳 賷賳賯賱 賲卮丕毓乇 賱丨馗丞 賵丕丨丿丞 賯亘賱 亘丿亍 賲噩夭乇丞 賲丕-賵賱賳 兀賯賵賱 禺賱丕賱賴丕 兀賵 亘毓丿賴丕-兀賵 兀賳 賷氐賮 兀賱賲 兀噩賷乇 賮賱爻胤賷賳賷 毓賳丿 丕爻乇丕卅賷賱賷 賲爻鬲丨丿孬 丕賱賳毓賲丞 賵賴噩賷賳賴丕責 兀賵 兀賱賲 禺亘丕 亘賷賳 丕賱毓賷賵賳 毓賳丿賲丕 兀夭賲賳 丕賱夭賲賳 賵賱賲 賷丿乇 爻賵賶 毓賱賷賳丕貙 兀賵 毓賳丿 賱丨馗丞 賷賯賷賳 賳乇賶 賮賷賴丕 兀賳賳丕 乇睾賲 賰賱 丕賱丨賯丕卅賯 賱丕 卮賷亍貙 賳丨賷丕 賵賳丨賱賲 賵賳丨丕賵賱 賱賳賲賵鬲 賵賳氐亘丨 乇賯賲 囟賲賳 丨氐賷賱丞 丕賱賷賵賲!
.丕賱賱丨馗丕鬲 賰孬賷乇丞 賵丕賱丕賱賲 賱丕 賷賳囟亘 丕賵 賷賯賱貙 賮賰賱 丕賱賰賱丕賲 氐睾賷乇 賲毓 賲丕 噩乇賶
賵賱賰賳 亘賲丕 兀賳賴 賱丕亘丿 賲賲丕 賱賷爻 賲賳賴 亘丿 賵亘賲丕 兀賳 丕賱囟丨賷丞 賱丕 鬲賱丕賲 毓賳丿 丕賱卮賰賵賶 賵丕賱亘賰丕亍貙賮賱賳亘賰
"賮賮賷 鬲賱賰 丕賱兀賷丕賲貙 賷丕 丕亘賳賷貙鬲乇賰賳丕 賰賱 卮賷亍貙 鬲乇賰賳丕 丕賱賲賵鬲賶 賮賷 丕賱毓乇丕亍 賵丕賳賴夭賲賳丕"
Profile Image for YBV.
149 reviews
September 23, 2024
Really wanted to like this鈥攁nd I did, in fragments. There are stories in this multi-character epic that are quite striking (I especially enjoyed the women characters' backstories), as Khoury has a keen ability to draw out the emotional knots of each character's arch.

But fragments they remained: the whole book clearly needed a tighter editorial hand. The fragments followed one another without sufficient build-up, cohesion, or direction. The story within a story within a story thing feels like an unnecessary plot device, used without intention. Too often, reading this was a slog.
Profile Image for Samar.
116 reviews277 followers
September 1, 2012
賲丨鬲丕噩丞 賵賯鬲 毓卮丕賳 丕賰鬲亘 乇賷賮賷賵 亘丨噩賲 丕賱賰鬲丕亘, 丨丕賱賷丕 丕賳丕 毓丕噩夭丞 毓賳 丕賱鬲毓亘賷乇, 賲賱丨賲丞 賮賱爻胤賷賳賷丞 毓氐賷賾丞 毓賱賶 丕賱賵氐賮 賵 丕賱鬲丨賱賷賱, 賷賲賰賳 亘毓丿賷賳 丕賯丿乇 丕賯賷賾賲, 亘爻 丕賱賱賶 丕賯丿乇 丕賯賵賱賴 丿賱賵賯鬲賶 賴賵 丕賳 賳馗乇鬲賶 賱丨丕噩丕鬲 賰鬲賷乇 丕鬲睾賷乇鬲 亘毓丿 賲丕 賯乇賷鬲 丕賱賲賱丨賲丞, 亘卮賵賮 丨賷丕丞 丕賰亘乇 賲賳 丨賷丕鬲賳丕 賵 賳馗乇鬲賳丕 丕賱囟賷賯丞 賱賱丕卮賷丕亍...

賷亘賯賶 丕賱爻丐丕賱, 丕夭丕賶 丕賱賮賱爻胤賷賳賷賷賳 賯丕丿乇賷賳 毓賱賶 丕賱丕爻鬲賲乇丕乇 乇睾賲 賰賱 丿賴責 噩乇丨 賮賱爻胤賷賳賶 亘丨噩賲 丕賱丕乇囟 丕賱賲丨鬲賱丞 賵丕賰亘乇, 丕夭丕賶 丕賱賳丕爻 鬲毓賷卮 亘丕賱噩乇丨 丿賴責 :(
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