Jimmy's bookshelf: all en-US Wed, 23 Apr 2025 06:18:00 -0700 60 Jimmy's bookshelf: all 144 41 /images/layout/goodreads_logo_144.jpg frank: sonnets 53317415 WINNER OF THE 2021 NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY
WINNER OF THE 2022 PEN/VOELCKER AWARD FOR POETRY COLLECTION
WINNER OF THE 2021 LOS ANGELES TIMES BOOK PRIZE FOR POETRY

A resplendent life in sonnets from the author of Four-Legged Girl , a finalist for the Pulitzer Prize

“The sonnet, like poverty, teaches you what you can do / without,� Diane Seuss writes in this brilliant, candid work, her most personal collection to date. These poems tell the story of a life at risk of spilling over the edge of the page, from Seuss’s working-class childhood in rural Michigan to the dangerous allures of New York City and back again. With sheer virtuosity, Seuss moves nimbly across thought and time, poetry and punk, AIDS and addiction, Christ and motherhood, showing us what we can do, what we can do without, and what we offer to one another when we have nothing left to spare. Like a series of cels on a filmstrip, sonnets captures the magnitude of a life lived honestly, a restless search for some kind of “beauty or relief.� Seuss is at the height of her powers, devastatingly astute, austere, and―in a word―frank.]]>
137 Diane Seuss 1644450453 Jimmy 0 partially-read 4.50 2021 frank: sonnets
author: Diane Seuss
name: Jimmy
average rating: 4.50
book published: 2021
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<![CDATA[The World With Its Mouth Open: Stories]]> 205973371
In eleven stories, The World With Its Mouth Open follows the inner lives of the people of Kashmir as they walk the uncertain terrain of their days, fractured from years of war. From a shopkeeper’s encounter with a mannequin, to an expectant mother walking on a precarious road, to a young boy wavering between dreams and reality, to two dogs wandering the city, these stories weave in larger, devastating themes of loss, grief, violence, longing, and injustice with the threads of smaller, everyday realities that confront the characters� lives in profound ways. Although the stories circle the darker aspects of life, they are—at the same time—an attempt to run into life, into humor, into beauty, into another person who can offer refuge, if momentarily.Zahid Rafiq’s The World With Its Mouth Open is an original and powerful debut collection announcing the arrival of a new voice that bears witness to the human condition with nuance, heart, humor, and incredible insight.]]>
192 Zahid Rafiq 195903085X Jimmy 0 to-read-fiction 3.62 The World With Its Mouth Open: Stories
author: Zahid Rafiq
name: Jimmy
average rating: 3.62
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Wilco: Learning How to Die 62088
When alt-country heroes-turned-rock-iconoclasts Wilco handed in their fourth album, Yankee Hotel Foxtrot , to the band’s label, Reprise, a division of Warner Brothers, fans looked forward to the release of another challenging, genre-bending departure from their previous work. The band aimed to build on previous sales and critical acclaim with its boldest and most ambitious album yet, but was instead urged by skittish Reprise execs to make the record more “radio friendly.� When Wilco wouldn’t give, they found themselves without a label. Instead, they used the Internet to introduce the album to their fans, and eventually sold the record to Nonesuch, another division of Warner. Wilco was vindicated when the album debuted at No. 13 on the Billboard charts and posted the band’s strongest sales to date.

Learning How to Die traces the band’s story to its deepest origins in Southern Illinois, where Jeff Tweedy began growing into one of the best songwriters of his generation. As we witness how his music grew from its punk and alt-country origins, some of the key issues and questions in our culture are How is music of substance created while the gulf between art and commerce widens in the corporate consolidation era? How does the music industry make or break a hit? How do working musicians reconcile the rewards of artistic risk with the toll it exacts on their personal life?

This book was written with the cooperation of Wilco band members past and present. It is also fully up to date, covering the latest changes in personnel and the imminent release of the band’s fifth album, A Ghost Is Born , sure to be one of the most talked-about albums of 2004.]]>
264 Greg Kot 0767915585 Jimmy 0 to-read-nonfic 3.90 2004 Wilco: Learning How to Die
author: Greg Kot
name: Jimmy
average rating: 3.90
book published: 2004
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Root Fractures: Poems 176443284
In Root Fractures , Diana Khoi Nguyen excavates the moments of rupture in a a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past. Through poems of disarming honesty and personal risk, Nguyen examines what takes root after a disaster and how we can make a story out of the broken pieces of our lives.

As Terrance Hayes writes, “‘There is nothing that is not music� for this poet. Poetry is found in the gaps, silences, and ruptures of history.� This astonishing second collection renders poetry into an act of kintsugi , embellishing what is broken in a family’s legacy so that it can be seen in a new light.]]>
128 Diana Khoi Nguyen 1668031302 Jimmy 0 to-read-poetry 4.24 2024 Root Fractures: Poems
author: Diana Khoi Nguyen
name: Jimmy
average rating: 4.24
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Ghost Of 36514744 Ghost Of elegizes a brother lost via suicide, is a mourning song for the idea of family, a family haunted by ghosts of war, trauma, and history. Nguyen’s debut is not an exorcism or un-haunting of that which haunts, but attuned attention, unidirectional reaching across time, space, and distance to reach loved ones, ancestors, and strangers. By working with, in, and around the photographs that her brother left behind (from which he cut himself out before his death), Nguyen wrestles with what remains: remnants of memory, physical voids, and her family captured around an empty space. Through lyric meditation, Nguyen seeks to bridge the realms of the living with the dead, the past with the present. These poems are checkpoints at the border of a mind, with arms outstretched in bold tenderness.]]> 88 Diana Khoi Nguyen 1632430525 Jimmy 0 to-read-poetry 4.34 2018 Ghost Of
author: Diana Khoi Nguyen
name: Jimmy
average rating: 4.34
book published: 2018
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<![CDATA[Practical Water (Wesleyan Poetry Series)]]> 6421376 Winner of the Los Angeles Times Book Award for Poetry (2009)
Finalist for the Northern California Book Award for Poetry (2009)

Practical Water is, like Brenda Hillman's previous two books, Cascadia and Pieces of Air in the Epic, both an elemental meditation and an ecopoetics; this time her subject is water: Taoist water, baptismal water, water from the muses' fountains, the practical waters of hydrology from which we draw our being--and the stilled water in a glass in a Senate chamber. Not since Allen Ginsberg tried to levitate the Pentagon has American poetry seen the likes of the hallucinatory wit and moral clarity that Hillman brings to Washington in her poems about Congressional Hearings on the Iraq War. Here also--because it is about many kinds of power--is a sequence of twinned lyrics for the moon, governess of tides and night vision, for visible and invisible faces. Violence and the common world, fact and dream, science and magic, intuition and perception are reconfigured as the poet explores matters of spirit in political life and earthly fate. If it is time to weep by the waters of Babylon, it is also time to touch water's living currents. No one is reimagining the possibilities of lyric poetry with more inventiveness; this is masterful work by one of our finest poets.]]>
120 Brenda Hillman 0819569313 Jimmy 4 4.02 2009 Practical Water (Wesleyan Poetry Series)
author: Brenda Hillman
name: Jimmy
average rating: 4.02
book published: 2009
rating: 4
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<![CDATA[Soul Boom: Why We Need a Spiritual Revolution]]> 61918539
Comedic actor, producer, and writer Rainn Wilson, cofounder of the media company SoulPancake, explores the problem-solving benefits that spirituality gives us to create solutions for an increasingly challenging world.

The trauma that our struggling species has experienced in recent years—because of both the pandemic and societal tensions that threaten to overwhelm us—is not going away anytime soon. Existing political and economic systems are not enough to bring the change that the world needs. In this book, Rainn Wilson explores the possibility and hope for a spiritual revolution, a “Soul Boom,� to find a healing transformation on both a personal and global level

For Wilson, this is a serious and essential pursuit, but he brings great humor and his own unique perspective to the conversation. He feels that, culturally, we’ve discounted spirituality—faith and the sacred—and we need profound healing and a unifying understanding of the world that the great spiritual traditions provide. Wilson’s approach to spirituality—the non-physical, eternal aspects of ourselves—is relatable and applies to people of all beliefs, even the skeptics. Filled with genuine insight—not to mention enlightening Kung Fu and Star Trek references� Soul Boom delves into ancient wisdom to seek out practical, transformative answers to life’s biggest questions.]]>
304 Rainn Wilson 0306828278 Jimmy 0 to-read-nonfic 3.81 2023 Soul Boom: Why We Need a Spiritual Revolution
author: Rainn Wilson
name: Jimmy
average rating: 3.81
book published: 2023
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Four Lectures 220295925 Four Lectures by Lisa Jarnot is the seventh book in the Bagley Wright Lecture Series, comprising autobiographical essays that form an intimate, uncompromising, and generous glimpse into a remarkable life in poetry.

Across the lectures, or talks, given between October of 2020 and December of 2021, Jarnot examines what it means to be a woman in a male-centered experimental tradition, to have white privilege, and to write poetry. With colloquial ease and wit, Jarnot investigates the generative tensions at the intersections of traditional and experimental forms, develops relationships between ‘deep gossip� and ecstatic connectedness, and considers the prophetic tradition in American poetry as inflected through counter-cultural spirituality. Ultimately, Jarnot presents poetry as a calling, asking us to consider the means by which poets can envision a new heaven and a new earth.]]>
88 Lisa Jarnot 1950268993 Jimmy 4 non-fiction, male, year-2020s 3.80 Four Lectures
author: Lisa Jarnot
name: Jimmy
average rating: 3.80
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The Venice Poem 1660706 27 Robert Duncan Jimmy 0 to-read-poetry 5.00 2007 The Venice Poem
author: Robert Duncan
name: Jimmy
average rating: 5.00
book published: 2007
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<![CDATA[Lady Macbeth of Mtsensk and Other Stories]]> 2290805 424 Nikolai Leskov 0140444912 Jimmy 0 to-read-fiction 3.74 1865 Lady Macbeth of Mtsensk and Other Stories
author: Nikolai Leskov
name: Jimmy
average rating: 3.74
book published: 1865
rating: 0
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date added: 2025/01/09
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The Saint of Bright Doors 61884985
Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy.

He walked among invisible devils and anti-gods that mock the mortal form. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city, and fell into a broader world where divine destinies are a dime a dozen.

Everything in Luriat is more than it seems. Group therapy is recruitment for a revolutionary cadre. Junk email hints at the arrival of a god. Every door is laden with potential, and once closed may never open again. The city is scattered with Bright Doors, looming portals through which a cold wind blows. In this unknowable metropolis, Fetter will discover what kind of man he is, and his discovery will rewrite the world.]]>
356 Vajra Chandrasekera 1250847389 Jimmy 0 to-read-fiction 3.64 2023 The Saint of Bright Doors
author: Vajra Chandrasekera
name: Jimmy
average rating: 3.64
book published: 2023
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How to Disappear 18718611 Haytham El-Wardany Jimmy 0 to-read-fiction 3.95 2013 How to Disappear
author: Haytham El-Wardany
name: Jimmy
average rating: 3.95
book published: 2013
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Eagle in the Air 66664944 140 Rose Robinson 0140036377 Jimmy 0 to-read-fiction 2.92 1969 Eagle in the Air
author: Rose Robinson
name: Jimmy
average rating: 2.92
book published: 1969
rating: 0
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Intermezzo 208931300 An exquisitely moving story about grief, love, and family—but especially love—from the global phenomenon Sally Rooney.

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties—successful, competent, and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women—his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.

For two grieving brothers and the people they love, this is a new interlude—a period of desire, despair, and possibility; a chance to find out how much one life might hold inside itself without breaking.]]>
454 Sally Rooney 0374602638 Jimmy 0 to-read-fiction 3.87 2024 Intermezzo
author: Sally Rooney
name: Jimmy
average rating: 3.87
book published: 2024
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<![CDATA[Agile Web Development with Rails 3.2, 4th Edition]]> 8394206
*Rails 3 is a major release*--the changes aren't just incremental, but structural. So we decided to follow suit. This book isn't just a mild reworking of the previous edition to make it run with the new Rails. Instead, *it's a complete refactoring.*

You'll still find the Depot example at the front, but you'll also find testing knitted right in. Gone are the long reference chapters--that's what the web does best. Instead you'll find more targeted information on all the aspects of Rails that you'll need to be a successful Web developer.

Now Updated for Rails 3.2

Rails 3.1 and Rails 3.2 introduce many user-facing changes, and this release has been updated to match all the latest changes and new best practices in Rails 3.1 and Rails 3.2. This includes full support for Ruby 1.9.2 hash syntax; incorporation of the new Sprockets 2.0 Asset Pipeline, including SCSS and CoffeeScript; jQuery now being the default; reversible migrations; JSON response support; Rack::Cache, and much more.

Ruby on Rails helps you produce high-quality, beautiful-looking web applications quickly. You concentrate on creating the application, and Rails takes care of the details.

Tens of thousands of developers have used this award-winning book to learn Rails. It's a broad, far-reaching tutorial and reference that's recommended by the Rails core team. If you're new to Rails, you'll get step-by-step guidance. If you're an experienced developer, this book will give you the comprehensive, insider information you need.

Rails has evolved over the years, and this book has evolved along with it. We still start with a step-by-step walkthrough of building a real application, and in-depth chapters look at the built-in Rails features. This edition now gives new Ruby and Rails users more information on the Ruby language and takes more time to explain key concepts throughout. Best practices on how to apply Rails continue to change, and this edition keeps up. Examples use cookie backed sessions, HTTP authentication, and Active Record-based forms, and the book focuses throughout on the right way to use Rails. Additionally, this edition now reflects Ruby 1.9, a new release of Ruby with substantial functional and performance improvements.]]>
473 Dave Thomas 1934356549 Jimmy 0 tr-cs 3.75 2005 Agile Web Development with Rails 3.2, 4th Edition
author: Dave Thomas
name: Jimmy
average rating: 3.75
book published: 2005
rating: 0
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<![CDATA[Hearts Grown Brutal: Sagas of Sarajevo]]> 9665232 In this brilliant book, Roger Cohen of The New York Times weaves together the history of Yugoslavia and the story of the Bosnian War of 1992 to 1995, as experienced by four families. “I have tried to treat the story of Yugoslavia, which lived for seventy-three years, as a human one,� Cohen writes in this masterly book, which, like Thomas L. Friedman’s From Beirut to Jerusalem and David Remnick’s Lenin’s Tomb, makes us eyewitnesses at the center of historic events. In the aftermath of the Cold War, the Bosnian conflict shattered the West’s confidence, reviving Europe’s darkest ghosts and exposing an America reluctant to confront or acknowledge an act of genocide on European soil. Through Cohen’s compelling reconstruction of the twentieth-century history that led up to the war, and his account of the war’s effect on everyday lives, we at last find the key to understanding Europe’s most explosive region and its peoples. “This was a war of intimate betrayals,� Cohen goes on to say, and in Hearts Grown Brutal, the betrayals begin in the family of a man named Sead. Through his search for his lost father, we relive the history of Yugoslavia, founded at the end of World War I with the encouragement of President Woodrow Wilson. Sead’s desperate quest is punctuated by the lies, half truths, and pain that mark other sagas of Yugoslavia. Through three more families—one Muslim-Serb, one Muslim, and one Serb-Croat—we experience the war in Bosnia as it breaks up marriages and sets relative against relative. The reality of the Balkans is illuminated, even as the hypocrisy of the international response to the war is exposed. Hearts Grown Brutal is a remarkable book, a testament to the loss of a multi-ethnic European state and a warning that the violence could return. It is a magnificent achievement that blends history and journalism into a profoundly moving human story.]]> 829 Roger Cohen 0307766357 Jimmy 0 to-read-nonfic 4.40 1998 Hearts Grown Brutal: Sagas of Sarajevo
author: Roger Cohen
name: Jimmy
average rating: 4.40
book published: 1998
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<![CDATA[The Man Without Qualities (1/3)]]> 634624 --back cover]]> 365 Robert Musil Jimmy 5
One of the chapters is called ‘A chapter that can be skipped by anyone who has no very high opinion of thinking as an occupation�. This title could probably just as well be applied to the entire book. It reads like philosophy with the novel/plot-parts sprinkled sparingly throughout. I had to write down the characters� names not because there were too many to keep track of in my mind, as in some Russian novels, but more because you only get a brief glimpse of these characters before being plunged into 20 more pages of philosophy and when you come out of it you may not still remember who they were; the book constantly goes on these wild thought provoking tangents (this, too, fits the themes of the novel, for the man without qualities is one who has no sense of reality, a dreamer and an idealist, essentially, and this book puts you in that mindset, not allowing you to connect to the ‘reality� of the novel for more than a few pages at a time) .

Instead of finding this intolerable, I thought it was attractive and even liberating to me on the third read. A lot of his philosophizing is put into serpentine syntactical structures, long sentences full of commas and slightly odd diction and tone, but not in a way that is obscure... the sentences made intuitive sense once I could hear that unique ‘writer’s voice� in my head. In fact, I can’t imagine them phrased differently, and they expressed so well (and precisely) things that I can’t easily put into words; a lot of it concerns the state of the world as Musil saw it then, crystallized into perfect perceptive wit. Yes, a lot of it is very funny, but in a way that is biting and subtle so that you can’t exactly pinpoint one particular phrase as containing all the-funny without also including the phrases before and after it. There are very few one-liners in here, or at least very few one-liners that aren’t made more funny by including the preceding 100-liners.

One of the reasons I like longish plotless novels, and this is a feeling I discovered also with Hopscotch, is that in a traditional novel it is more-or-less like a flat plain. There are some hills and some valleys with their bodies of water, but basically you can stand on the highest elevation and see the complete trajectory of the thing, see all the people, how the dogs are chasing frisbees etc. But in these longish less plot-oriented novels, there are little nooks and crannies that you cannot see even from the highest points--shaded creeks leading to icy caves or overhanging cliffs, little areas in the prose to hide in. There are friendly places in this narrative to stop and think, to live and breathe in instead of just going forward forward forward. Also, there are favorite places where you can go back over and over again, and it feels private, like nobody else has been there since the last time you were there and ate your ham croissant by the ant-trail (look the ants are still there, carrying your crumbs).

One thing that gets brushed over when people call this a ‘novel of ideas� is that it’s also a novel against ideas. Or at least, a warning against those who use and rely on ideas without knowing what they mean, without thinking clearly and critically about them, but merely try them on for size or as a fashion statement.

For example, it’s telling that at the beginning the Collateral Campaign is looking for an idea that is worthy of the occasion. It’s not that the campaign started with an idea, but that the campaign is going to happen no matter what, and a noble idea must be found for it. Musil also pokes fun at almost all the characters for having ideals that they blindly try to live up to, or worship without actually having to think one iota. Diotima falls into this, and so does her maid Rachel. They are enamored by ideas and the people who have ideas, whereas the people who have ideas (like Paul Arnheim) only use them out of convenience, as a sort of fashionable trinket or social cachet, something they use to their own ulterior ends. In fact, almost all the characters fall prey to the dangerous side of ideas, in one way or another, with the possible exception of Ulrich (though he’s not immune to being made fun of also, for many other self-deprecatory reasons (I say self-deprecatory because I believe Ulrich is a stand in for the author himself)).

This notion of the thing or action coming before the idea might seem silly at first, but is ubiquitous. Think about political campaigns trying to find a platform or a catchy slogan, advertising campaigns looking for a unique angle or image, even graphic design firms trying to evoke a feeling or a lifestyle through a color or clean line. These things don’t have ideas in and of themselves. Whereas traditionally we think of the idea snug at the core of a thing, as a kernel preceding the event, Musil understood even in the 1930s that things were increasingly empty at the core. These were hollow things that then took on an idea as a wrapping-around like an outer shell, forming an ideal surface that is perfectly attractive and relatable to the target audience’s delusions.

The Collateral Campaign reminds me of many other parallels in recent history. For example, the Olympic Games in China. And by extension, all of the recent Olympics too, but in China it was even more exaggeratedly obvious that it was merely a show, a nation’s grand facade with all the underlying hypocrisies that echo Musil’s example.

The ‘tea party� movement, is another example, since is touted as this organic grass roots movement. Similarly, the organizers of the Campaign stress repeatedly how the movement must come organically from the people; but in practice, it achieves this end by having high level officials meet repeatedly to plan it out, because the masses aren’t to be trusted with big ideas.

On the other hand, as soon as a soul has morality or religion, philosophy, and intensive bourgeois education and ideals in the realms of duty and of the beautiful, it is endowed with a system of regulations, conditions and directives for operation, which it has to fill out before it is entitled to think of itself as a respectable soul, and its heat, like that of a blast-furnace, is conducted into beautiful squares of sand. What remains then is fundamentally only logical problems of interpretation, of the kind as to whether an action comes under this or that commandment; and the soul presents the tranquil panorama of a battlefield after the battle, where the dead lie quiet and one can at once observe where a scrap of life yet stirs or groans. And so man makes this transition as fast as he can. If he is tormented by religious doubts, as occasionally happens in youth, he goes straight over to the persecution of unbelievers; if love deranges him, he turns it into marriage; and if other enthusiasm overwhelms him, he disentangles himself from the impossibility of living perpetually in the fire of it by beginning to live for that fire. That is, instead of filling the many moments of his day, each of which needs a content and an impetus, with his ideal state, he fills them with the activity for the sake of his ideal state, in other words, with the many means to the end, the hindrances and incidents that are a sure guarantee that he never need reach it. For only fools, the mentally deranged, and people with idees fixes, can endure unceasingly in the fire of the soul’s rapture. A sane man must content himself with declaring that life would not seem worth living without a flake of that mysterious fire. p. 219
I find it even more remarkable that this book, with its warning against the seductiveness of ideas, was written from 1930 to 1942, in the years leading up to the frenzy of the fascist state, the pinnacle of Hitler’s mass seduction. This unfinished book was interrupted by World War II just as the Collateral Campaign will be interrupted by World War I. In both cases, ideas play a big part. Musil saw what was coming as well as what had passed; unfortunately nobody was paying attention, and we still aren’t.

Along these lines, Hitler is a criminal with the help of an idea and thus he was on the top of society. Whereas Moosbrugger was a common criminal and madman and espoused no ideas, so he belonged to the bottom rung of humanity. This made Moosbrugger, in Ulrich’s eyes, somewhat noble:
But it is along this road that business leads to philosophy (for it is only criminals who presume to damage other people nowadays without the aid of philosophy) p227
You can go to jail today for smoking a little weed, but the crooks that caused the financial crisis get off scot-free by merely hiding behind a system of signs and numbers, laws and loopholes, a philosophy or an idea.

An Essay on the Curious Coincidence of the Number 62

I find it curious that one of the central ideas of this book is a concept Musil calls ‘Essayism� and that it is explored primarily in chapter 62. And that Julio Cortazar, who in the book Hopscotch references The Man without Qualities on more than one occasion, chooses chapter 62 of his book to be the basis of an entirely different book: 62: A Model Kit. Coincidence? Or does the concept of Essayism apply to what Cortazar was doing in these two books?

Essayism is hard to put into better words than Musil has already done in his book. But I will try and fail anyway: It has to do with the word ‘essay� which means ‘attempt�, to attempt to get at something (without preconceived goals) from various angles, which is a type of thinking and a type of living too. This is contrasted with the tendency for one generation to react to the previous generation’s extremism by revoking everything and going to the opposite extreme. Thus, history, when zoomed out, looks like a yoyo going back and forth between ideals, without ever meeting in the middle. Essayism is interested in living in this in-between state (the bridge metaphor in Hopscotch as well as Torless comes back to me here). However, part of the consequences of this kind of living is a lack of convictions, since any term like “morality� for example, must be defined by the context in which it is used and cannot be declared definitively. Thus, ideals live “in a field of energy the constellation of which charge them with meaning, and they contain good and evil just as an atom contains the potentialities of chemical combination.� Likewise, the Man Without Qualities, being a man between states, draws no conclusions and no convictions from his many potentialities, thus he is a man without action (whereas Paul Arnheim is full of action). The realm of the essay is the realm of thought and not of action. Perhaps this is why nobody did anything in Hopscotch either.

One aspect of these extreme ideals that Ulrich/Musil is especially interested in is the one between facts as scientific/real data/information and facts as a metaphysical passion/experience of truth. So the fact that the “atmospheric temperature was in proper relation to the average annual temperature� versus the fact that “it was a fine August day in the year 1913� (from the opening paragraph) is a central concern of the book. The man “in between� would have to come to an attempt at living between these so that he was “no longer thinking, neither was [he] feeling in the usual incoherent way. It was a ‘comprehending wholly’�. Thought and emotion merged.

Of course, I am oversimplifying, as any summary of an idea is bound to do. In fact, I am going against exactly what Essayism says, which is that any attempt to systematize a genuine essay, which is an attempt where the thought moves in between ideas is “to transform wisdom, even as it is, into a theory of life, and so to extract some ‘content� from the motion of those who were moved: what is left over is about as much as remains of a jelly-fish’s delicately opalescent body after it has been lifted out of the water and laid on the sand. The teachings of the inspired crumble into dust in the rationality of the uninspired, crumble into contradiction and nonsense.� So, to Musil, it is the process of the attempt itself which constitutes its worth, not any kind of “conclusion� that others may draw from it like a residue after the act. This reminds me very much of the sense of playfulness and experimentation in Hopscotch, where the act is made wholly and holy, and the result is inconsequential.

I will have to go out on a limb in order to draw connections with 62: A Model Kit, but I am convinced they are there... The idea of a Man Without Qualities is necessarily a man with all qualities, and all potentialities. This is the modern man, with multiplicities within himself, in which he simply chooses certain aspects to show in certain settings. “It is not altogether easy to recognise the driving passion in a temperament like this� (p. 176). So it is qualities or characteristics or ‘ideas� that are constantly being bounced around in this book, for the book has no real plot except for the interaction between the different character’s thoughts. These thoughts, which are almost interchangeable, are passed from character to character, bouncing off some, sticking to others.

Likewise, 62: A Model Kit is plotless in the traditional sense. Instead, we have characters who are like amoebas, made up of vectors that affect one another in strangely mathematical yet emotional ways. The difference here is that I think Cortazar is more interested in psychological states than the trajectory of ideas between his characters. Thus, we have in Model Kit a novel of subtle mental shifts, a kind of Jungian jungle of consciousness.

I told you I was going out on a limb.

A few paragraphs that can be skipped by anyone who has no very high opinion of thinking about the art of literary translation:

I read the older translation of this, done by Eithne Wilkins & Ernst Kaiser, here are links to the volumes 1, 2, 3. I’ve only read volume 1, which ends in the middle of the actual book’s volume 1 (chapter 72), but I plan on reading the rest ASAP. The new (and more popular and widely available) translation compiles it into only 2 volumes instead of 3, and is translated by Sophie Wilkins (any relation to Eithne?) and Burton Pike.

The quality of this older translation is in my opinion superior to the new translation. Although William Gass calls it “truncated and uninspired�, this older translation has the cadence of poetry and that unique rhythm that is necessary to bring out the ideas. I don’t know what Gass was thinking when he made that judgement, perhaps he dismissed the older translation without really reading it closely. Here’s a side by side comparison so you can see for yourself. First, the new translation, by Sophie Wilkins and Burton Pike:
Most of us may not believe in the story of a Devil to whom one can sell one's soul, but those who must know something about the soul (considering that as clergymen, historians, and artists they draw a good income from it) all testify that the soul has been destroyed by mathematics and that mathematics is the source of an evil intelligence that while making man the lord of the earth has also made him the slave of his machines. The inner drought, the dreadful blend of acuity in matters of detail and indifference toward the whole, man's monstrous abandonment in a desert of details, his restlessness, malice, unsurpassed callousness, moneygrubbing, coldness, and violence, all so characteristic of our times, are by these accounts solely the consequence of damage done to the soul by keen logical thinking! Even back when Ulrich first turned to mathematics there were already those who predicted the collapse of European civilization because no human faith, no love, no simplicity, no goodness, dwelt any longer in man. These people had all, typically, been poor mathematicians as young people and at school.
And here is the same passage in the older translation by Eithne Wilkins and Ernst Kaiser:
Perhaps not all of these people believe in that stuff about the Devil to whom one can sell one’s soul; but all those who have to know something about the soul, because they draw a good income out of it as clergy, historians or artists, bear witness to the fact that it has been ruined by mathematics and that in mathematics is the source of a wicked intellect that, while making man the lord of the earth, also makes him the slave of the machine. The inner drought, the monstrous mixture of acuity in matters of detail and indifference as regards the whole, man’s immense loneliness in a desert of detail, his restlessness, malice, incomparable callousness, his greed for money, his coldness and violence, which are characteristic of our time, are, according to such surveys, simply and solely the result of the losses that logical and accurate thinking has inflicted upon the soul! And so it was that even at that time, when Ulrich became a mathematician, there were people who were prophesying the collapse of European civilisation on the grounds that there was no longer any faith, any love, any simplicity or any goodness left in mankind; and it is significant that these people were all bad at mathematics at school.
To me, it is clear that the Wilkins/Kaiser translation is superior. The newer translation takes out so much of those rhetorical gestures (‘that stuff about the Devil� becoming ‘story of a Devil� and ‘And so it was that even at that time� becoming ‘Even back when�) which convey little raw information but much in the very particular ironic tone of the novel. Not to mention the complete un-musicality of the phrase “moneygrubbing� in that list of ‘s� sounds. And the humor of that last sentence-- ‘and it is significant that these people were all bad at mathematics at school� falls completely flat in the new translation of ‘These people had all, typically, been poor mathematicians as young people and at school.�

The only downsides of the older translation: 1. a few typos, for some reason 2. uses British English, but this is easy to get used to 3. out of print (but you can get used copies on Amazon).

Further Reading: my review of ]]>
4.14 The Man Without Qualities (1/3)
author: Robert Musil
name: Jimmy
average rating: 4.14
book published:
rating: 5
read at: 2011/04/29
date added: 2024/09/27
shelves: austria, male, novel, year-1940s, my-canon, unfinished-works, review-of-ideas
review:
I’m always appreciative of a book that at first feels unapproachable to me, because this means that I can come back to it when I’m ready, when I’ve grown. This is the case with The Man Without Qualities, a book I had attempted twice last year but found hard to really get into. I picked it up again this year and started from page one, and this time it just clicked. It’s important to me as a reader to get the voice of the writer in my head just right, and it seems to me that I just couldn’t do that initially. But with my third attempt, the voice suddenly made sense, I got the rhythms and understood the sounds, the extra words and the tonality of it, and the remarkable and remarkably understated humor.

One of the chapters is called ‘A chapter that can be skipped by anyone who has no very high opinion of thinking as an occupation�. This title could probably just as well be applied to the entire book. It reads like philosophy with the novel/plot-parts sprinkled sparingly throughout. I had to write down the characters� names not because there were too many to keep track of in my mind, as in some Russian novels, but more because you only get a brief glimpse of these characters before being plunged into 20 more pages of philosophy and when you come out of it you may not still remember who they were; the book constantly goes on these wild thought provoking tangents (this, too, fits the themes of the novel, for the man without qualities is one who has no sense of reality, a dreamer and an idealist, essentially, and this book puts you in that mindset, not allowing you to connect to the ‘reality� of the novel for more than a few pages at a time) .

Instead of finding this intolerable, I thought it was attractive and even liberating to me on the third read. A lot of his philosophizing is put into serpentine syntactical structures, long sentences full of commas and slightly odd diction and tone, but not in a way that is obscure... the sentences made intuitive sense once I could hear that unique ‘writer’s voice� in my head. In fact, I can’t imagine them phrased differently, and they expressed so well (and precisely) things that I can’t easily put into words; a lot of it concerns the state of the world as Musil saw it then, crystallized into perfect perceptive wit. Yes, a lot of it is very funny, but in a way that is biting and subtle so that you can’t exactly pinpoint one particular phrase as containing all the-funny without also including the phrases before and after it. There are very few one-liners in here, or at least very few one-liners that aren’t made more funny by including the preceding 100-liners.

One of the reasons I like longish plotless novels, and this is a feeling I discovered also with Hopscotch, is that in a traditional novel it is more-or-less like a flat plain. There are some hills and some valleys with their bodies of water, but basically you can stand on the highest elevation and see the complete trajectory of the thing, see all the people, how the dogs are chasing frisbees etc. But in these longish less plot-oriented novels, there are little nooks and crannies that you cannot see even from the highest points--shaded creeks leading to icy caves or overhanging cliffs, little areas in the prose to hide in. There are friendly places in this narrative to stop and think, to live and breathe in instead of just going forward forward forward. Also, there are favorite places where you can go back over and over again, and it feels private, like nobody else has been there since the last time you were there and ate your ham croissant by the ant-trail (look the ants are still there, carrying your crumbs).

One thing that gets brushed over when people call this a ‘novel of ideas� is that it’s also a novel against ideas. Or at least, a warning against those who use and rely on ideas without knowing what they mean, without thinking clearly and critically about them, but merely try them on for size or as a fashion statement.

For example, it’s telling that at the beginning the Collateral Campaign is looking for an idea that is worthy of the occasion. It’s not that the campaign started with an idea, but that the campaign is going to happen no matter what, and a noble idea must be found for it. Musil also pokes fun at almost all the characters for having ideals that they blindly try to live up to, or worship without actually having to think one iota. Diotima falls into this, and so does her maid Rachel. They are enamored by ideas and the people who have ideas, whereas the people who have ideas (like Paul Arnheim) only use them out of convenience, as a sort of fashionable trinket or social cachet, something they use to their own ulterior ends. In fact, almost all the characters fall prey to the dangerous side of ideas, in one way or another, with the possible exception of Ulrich (though he’s not immune to being made fun of also, for many other self-deprecatory reasons (I say self-deprecatory because I believe Ulrich is a stand in for the author himself)).

This notion of the thing or action coming before the idea might seem silly at first, but is ubiquitous. Think about political campaigns trying to find a platform or a catchy slogan, advertising campaigns looking for a unique angle or image, even graphic design firms trying to evoke a feeling or a lifestyle through a color or clean line. These things don’t have ideas in and of themselves. Whereas traditionally we think of the idea snug at the core of a thing, as a kernel preceding the event, Musil understood even in the 1930s that things were increasingly empty at the core. These were hollow things that then took on an idea as a wrapping-around like an outer shell, forming an ideal surface that is perfectly attractive and relatable to the target audience’s delusions.

The Collateral Campaign reminds me of many other parallels in recent history. For example, the Olympic Games in China. And by extension, all of the recent Olympics too, but in China it was even more exaggeratedly obvious that it was merely a show, a nation’s grand facade with all the underlying hypocrisies that echo Musil’s example.

The ‘tea party� movement, is another example, since is touted as this organic grass roots movement. Similarly, the organizers of the Campaign stress repeatedly how the movement must come organically from the people; but in practice, it achieves this end by having high level officials meet repeatedly to plan it out, because the masses aren’t to be trusted with big ideas.

On the other hand, as soon as a soul has morality or religion, philosophy, and intensive bourgeois education and ideals in the realms of duty and of the beautiful, it is endowed with a system of regulations, conditions and directives for operation, which it has to fill out before it is entitled to think of itself as a respectable soul, and its heat, like that of a blast-furnace, is conducted into beautiful squares of sand. What remains then is fundamentally only logical problems of interpretation, of the kind as to whether an action comes under this or that commandment; and the soul presents the tranquil panorama of a battlefield after the battle, where the dead lie quiet and one can at once observe where a scrap of life yet stirs or groans. And so man makes this transition as fast as he can. If he is tormented by religious doubts, as occasionally happens in youth, he goes straight over to the persecution of unbelievers; if love deranges him, he turns it into marriage; and if other enthusiasm overwhelms him, he disentangles himself from the impossibility of living perpetually in the fire of it by beginning to live for that fire. That is, instead of filling the many moments of his day, each of which needs a content and an impetus, with his ideal state, he fills them with the activity for the sake of his ideal state, in other words, with the many means to the end, the hindrances and incidents that are a sure guarantee that he never need reach it. For only fools, the mentally deranged, and people with idees fixes, can endure unceasingly in the fire of the soul’s rapture. A sane man must content himself with declaring that life would not seem worth living without a flake of that mysterious fire. p. 219
I find it even more remarkable that this book, with its warning against the seductiveness of ideas, was written from 1930 to 1942, in the years leading up to the frenzy of the fascist state, the pinnacle of Hitler’s mass seduction. This unfinished book was interrupted by World War II just as the Collateral Campaign will be interrupted by World War I. In both cases, ideas play a big part. Musil saw what was coming as well as what had passed; unfortunately nobody was paying attention, and we still aren’t.

Along these lines, Hitler is a criminal with the help of an idea and thus he was on the top of society. Whereas Moosbrugger was a common criminal and madman and espoused no ideas, so he belonged to the bottom rung of humanity. This made Moosbrugger, in Ulrich’s eyes, somewhat noble:
But it is along this road that business leads to philosophy (for it is only criminals who presume to damage other people nowadays without the aid of philosophy) p227
You can go to jail today for smoking a little weed, but the crooks that caused the financial crisis get off scot-free by merely hiding behind a system of signs and numbers, laws and loopholes, a philosophy or an idea.

An Essay on the Curious Coincidence of the Number 62

I find it curious that one of the central ideas of this book is a concept Musil calls ‘Essayism� and that it is explored primarily in chapter 62. And that Julio Cortazar, who in the book Hopscotch references The Man without Qualities on more than one occasion, chooses chapter 62 of his book to be the basis of an entirely different book: 62: A Model Kit. Coincidence? Or does the concept of Essayism apply to what Cortazar was doing in these two books?

Essayism is hard to put into better words than Musil has already done in his book. But I will try and fail anyway: It has to do with the word ‘essay� which means ‘attempt�, to attempt to get at something (without preconceived goals) from various angles, which is a type of thinking and a type of living too. This is contrasted with the tendency for one generation to react to the previous generation’s extremism by revoking everything and going to the opposite extreme. Thus, history, when zoomed out, looks like a yoyo going back and forth between ideals, without ever meeting in the middle. Essayism is interested in living in this in-between state (the bridge metaphor in Hopscotch as well as Torless comes back to me here). However, part of the consequences of this kind of living is a lack of convictions, since any term like “morality� for example, must be defined by the context in which it is used and cannot be declared definitively. Thus, ideals live “in a field of energy the constellation of which charge them with meaning, and they contain good and evil just as an atom contains the potentialities of chemical combination.� Likewise, the Man Without Qualities, being a man between states, draws no conclusions and no convictions from his many potentialities, thus he is a man without action (whereas Paul Arnheim is full of action). The realm of the essay is the realm of thought and not of action. Perhaps this is why nobody did anything in Hopscotch either.

One aspect of these extreme ideals that Ulrich/Musil is especially interested in is the one between facts as scientific/real data/information and facts as a metaphysical passion/experience of truth. So the fact that the “atmospheric temperature was in proper relation to the average annual temperature� versus the fact that “it was a fine August day in the year 1913� (from the opening paragraph) is a central concern of the book. The man “in between� would have to come to an attempt at living between these so that he was “no longer thinking, neither was [he] feeling in the usual incoherent way. It was a ‘comprehending wholly’�. Thought and emotion merged.

Of course, I am oversimplifying, as any summary of an idea is bound to do. In fact, I am going against exactly what Essayism says, which is that any attempt to systematize a genuine essay, which is an attempt where the thought moves in between ideas is “to transform wisdom, even as it is, into a theory of life, and so to extract some ‘content� from the motion of those who were moved: what is left over is about as much as remains of a jelly-fish’s delicately opalescent body after it has been lifted out of the water and laid on the sand. The teachings of the inspired crumble into dust in the rationality of the uninspired, crumble into contradiction and nonsense.� So, to Musil, it is the process of the attempt itself which constitutes its worth, not any kind of “conclusion� that others may draw from it like a residue after the act. This reminds me very much of the sense of playfulness and experimentation in Hopscotch, where the act is made wholly and holy, and the result is inconsequential.

I will have to go out on a limb in order to draw connections with 62: A Model Kit, but I am convinced they are there... The idea of a Man Without Qualities is necessarily a man with all qualities, and all potentialities. This is the modern man, with multiplicities within himself, in which he simply chooses certain aspects to show in certain settings. “It is not altogether easy to recognise the driving passion in a temperament like this� (p. 176). So it is qualities or characteristics or ‘ideas� that are constantly being bounced around in this book, for the book has no real plot except for the interaction between the different character’s thoughts. These thoughts, which are almost interchangeable, are passed from character to character, bouncing off some, sticking to others.

Likewise, 62: A Model Kit is plotless in the traditional sense. Instead, we have characters who are like amoebas, made up of vectors that affect one another in strangely mathematical yet emotional ways. The difference here is that I think Cortazar is more interested in psychological states than the trajectory of ideas between his characters. Thus, we have in Model Kit a novel of subtle mental shifts, a kind of Jungian jungle of consciousness.

I told you I was going out on a limb.

A few paragraphs that can be skipped by anyone who has no very high opinion of thinking about the art of literary translation:

I read the older translation of this, done by Eithne Wilkins & Ernst Kaiser, here are links to the volumes 1, 2, 3. I’ve only read volume 1, which ends in the middle of the actual book’s volume 1 (chapter 72), but I plan on reading the rest ASAP. The new (and more popular and widely available) translation compiles it into only 2 volumes instead of 3, and is translated by Sophie Wilkins (any relation to Eithne?) and Burton Pike.

The quality of this older translation is in my opinion superior to the new translation. Although William Gass calls it “truncated and uninspired�, this older translation has the cadence of poetry and that unique rhythm that is necessary to bring out the ideas. I don’t know what Gass was thinking when he made that judgement, perhaps he dismissed the older translation without really reading it closely. Here’s a side by side comparison so you can see for yourself. First, the new translation, by Sophie Wilkins and Burton Pike:
Most of us may not believe in the story of a Devil to whom one can sell one's soul, but those who must know something about the soul (considering that as clergymen, historians, and artists they draw a good income from it) all testify that the soul has been destroyed by mathematics and that mathematics is the source of an evil intelligence that while making man the lord of the earth has also made him the slave of his machines. The inner drought, the dreadful blend of acuity in matters of detail and indifference toward the whole, man's monstrous abandonment in a desert of details, his restlessness, malice, unsurpassed callousness, moneygrubbing, coldness, and violence, all so characteristic of our times, are by these accounts solely the consequence of damage done to the soul by keen logical thinking! Even back when Ulrich first turned to mathematics there were already those who predicted the collapse of European civilization because no human faith, no love, no simplicity, no goodness, dwelt any longer in man. These people had all, typically, been poor mathematicians as young people and at school.
And here is the same passage in the older translation by Eithne Wilkins and Ernst Kaiser:
Perhaps not all of these people believe in that stuff about the Devil to whom one can sell one’s soul; but all those who have to know something about the soul, because they draw a good income out of it as clergy, historians or artists, bear witness to the fact that it has been ruined by mathematics and that in mathematics is the source of a wicked intellect that, while making man the lord of the earth, also makes him the slave of the machine. The inner drought, the monstrous mixture of acuity in matters of detail and indifference as regards the whole, man’s immense loneliness in a desert of detail, his restlessness, malice, incomparable callousness, his greed for money, his coldness and violence, which are characteristic of our time, are, according to such surveys, simply and solely the result of the losses that logical and accurate thinking has inflicted upon the soul! And so it was that even at that time, when Ulrich became a mathematician, there were people who were prophesying the collapse of European civilisation on the grounds that there was no longer any faith, any love, any simplicity or any goodness left in mankind; and it is significant that these people were all bad at mathematics at school.
To me, it is clear that the Wilkins/Kaiser translation is superior. The newer translation takes out so much of those rhetorical gestures (‘that stuff about the Devil� becoming ‘story of a Devil� and ‘And so it was that even at that time� becoming ‘Even back when�) which convey little raw information but much in the very particular ironic tone of the novel. Not to mention the complete un-musicality of the phrase “moneygrubbing� in that list of ‘s� sounds. And the humor of that last sentence-- ‘and it is significant that these people were all bad at mathematics at school� falls completely flat in the new translation of ‘These people had all, typically, been poor mathematicians as young people and at school.�

The only downsides of the older translation: 1. a few typos, for some reason 2. uses British English, but this is easy to get used to 3. out of print (but you can get used copies on Amazon).

Further Reading: my review of
]]>
Via 198713177 136 Claire DeVoogd 195970804X Jimmy 0 to-read-poetry 4.10 Via
author: Claire DeVoogd
name: Jimmy
average rating: 4.10
book published:
rating: 0
read at:
date added: 2024/09/13
shelves: to-read-poetry
review:

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My Uncle Napoleon 25866 528 Iraj Pezeshkzad 0812974433 Jimmy 0 to-read-fiction 4.03 1970 My Uncle Napoleon
author: Iraj Pezeshkzad
name: Jimmy
average rating: 4.03
book published: 1970
rating: 0
read at:
date added: 2024/09/06
shelves: to-read-fiction
review:

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Pilgrimage: Pointed Roofs 8917012 181 Dorothy M. Richardson 140997457X Jimmy 0 to-read-fiction 3.33 1915 Pilgrimage: Pointed Roofs
author: Dorothy M. Richardson
name: Jimmy
average rating: 3.33
book published: 1915
rating: 0
read at:
date added: 2024/09/01
shelves: to-read-fiction
review:

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The Idiot 30962053 A portrait of the artist as a young woman. A novel about not just discovering but inventing oneself.

The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings.

At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.]]>
423 Elif Batuman 1594205612 Jimmy 2 female, novel, year-2010s 3.67 2017 The Idiot
author: Elif Batuman
name: Jimmy
average rating: 3.67
book published: 2017
rating: 2
read at: 2024/08/16
date added: 2024/08/16
shelves: female, novel, year-2010s
review:
What is the point here? Something about language, and how it is an unbridgeable distance, and how it shapes each of us to our cores. But that in itself doesn't make for a very interesting read. I didn't believe any of these characters existed or could exist in real life. And I had no idea why she was so obsessed about this Ivan character, he seemed to have no detectable personality. She thinks about him nonstop and I just didn't understand why, maybe I missed some pages or something, but why this douchebag? A few funny or interesting passages saved it from getting one star, but I need someone to explain to me why this is so great.
]]>
<![CDATA[The Yellow Wallpaper and Other Stories]]> 99300
Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish shopkeeper whose sister-in-law, a doctor, persuades him to take a solo trip to Europe, with revivifying results; "The Yellow Wallpaper"; and three other outstanding stories.

These charming tales are not only highly readable and full of humor and invention, but also offer ample food for thought about the social, economic, and personal relationship of men and women � and how they might be improved.

Collects:
—The Yellow Wallpaper
—Three Thanksgivings
—The Cottagette
—TܰԱ
—Making a Change
—If I Were a Man
—Mr. Peebles' Heart]]>
129 Charlotte Perkins Gilman 0486298574 Jimmy 0 to-read-fiction 4.05 1892 The Yellow Wallpaper and Other Stories
author: Charlotte Perkins Gilman
name: Jimmy
average rating: 4.05
book published: 1892
rating: 0
read at:
date added: 2024/08/07
shelves: to-read-fiction
review:

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<![CDATA[The Blazing World and Other Writings]]> 354620
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.]]>
272 Margaret Cavendish 0140433724 Jimmy 0 to-read-fiction 3.26 The Blazing World and Other Writings
author: Margaret Cavendish
name: Jimmy
average rating: 3.26
book published:
rating: 0
read at:
date added: 2024/08/07
shelves: to-read-fiction
review:

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You Dreamed of Empires 127938747 From a visionary Mexican author, a hallucinatory, revelatory, colonial revenge story that reimagines the fall of Tenochtitlan.

One morning in 1519, conquistador Hernán Cortés entered the city of Tenochtitlan � today's Mexico City. Later that day, he would meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, two possible futures.

Cortés was accompanied by his nine captains, his troops, and his two translators: Friar Aguilar, a taciturn, former slave, and Malinalli, a strategic, former princess. Greeted at a ceremonial welcome meal by the steely princess Atotoxli, sister and wife of Moctezuma, the Spanish nearly bungle their entrance to the city. As they await their meeting with Moctezuma � who is at a political, spiritual, and physical crossroads, and relies on hallucinogens to get himself through the day and in quest for any kind of answer from the gods � the Spanish are ensconced in the labyrinthine palace. Soon, one of Cortés’s captains, Jazmín Caldera, overwhelmed by the grandeur of the city, begins to question the ease with which they were welcomed into the city, and wonders at the risks of getting out alive, much less conquering the empire.

You Dreamed of Empires brings to life Tenochtitlan at its height, and reimagines its destiny. The incomparably original Alvaro Enrigue sets afire the moment of conquest and turns it into a moment of revolution, a restitutive, fantastical counter-attack, in a novel so electric and so unique that it feels like a dream.]]>
220 Álvaro Enrigue 059354479X Jimmy 0 to-read-fiction 3.75 2022 You Dreamed of Empires
author: Álvaro Enrigue
name: Jimmy
average rating: 3.75
book published: 2022
rating: 0
read at:
date added: 2024/06/27
shelves: to-read-fiction
review:

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Florida 256015
Set in the Midwest, where Florida represents a faraway paradise, this novel tells the story of Alice Fivey. Fatherless since she was seven, Alice is left in the care of her relatives at the age of ten, when her mother, whose "toenails winked in the foil bed we knew for Florida," is institutionalized. Alice is moved from place to place, remaining still while others try to mold her into someone different from her mother. She consoles herself with books and becomes a storyteller herself as she moves into adulthood, ever further from the desolation of her mother's actions and closer to the meaning of her own experience.

Told in brief scenes of spare beauty, Florida is a graceful and gripping tale of family, forgiveness, and creation of the self.

]]>
168 Christine Schutt 0156030543 Jimmy 0 to-read-fiction 3.77 2003 Florida
author: Christine Schutt
name: Jimmy
average rating: 3.77
book published: 2003
rating: 0
read at:
date added: 2024/06/21
shelves: to-read-fiction
review:

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<![CDATA[Voyage of the Sable Venus and Other Poems]]> 25176023 A stunning poetry debut: this meditation on the black female figure through time introduces us to a brave and penetrating new voice.

Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles that desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present--titles that feature or in some way comment on the black female figure in Western art.

Bracketed by Lewis's own autobiographical poems, Voyage is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin--five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story?

Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire--how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race--a full embrace of its pleasure and horror, in equal parts.


From the Hardcover edition.]]>
142 Robin Coste Lewis 1101875437 Jimmy 5 4.28 2015 Voyage of the Sable Venus and Other Poems
author: Robin Coste Lewis
name: Jimmy
average rating: 4.28
book published: 2015
rating: 5
read at: 2024/06/20
date added: 2024/06/20
shelves: poetry, female, poc, year-2010s
review:

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<![CDATA[Islands of Abandonment: Nature Rebounding in the Post-Human Landscape]]> 55801972 A beautiful, lyrical exploration of the places where nature is flourishing in our absence

Some of the only truly feral cattle in the world wander a long-abandoned island off the northernmost tip of Scotland. A variety of wildlife not seen in many lifetimes has rebounded on the irradiated grounds of Chernobyl. A lush forest supports thousands of species that are extinct or endangered everywhere else on earth in the Korean peninsula's narrow DMZ.

Cal Flyn, an investigative journalist, exceptional nature writer, and promising new literary voice visits the eeriest and most desolate places on Earth that due to war, disaster, disease, or economic decay, have been abandoned by humans. What she finds every time is an island of teeming new life: nature has rushed in to fill the void faster and more thoroughly than even the most hopeful projections of scientists.

Islands of Abandonment is a tour through these new ecosystems, in all their glory, as sites of unexpected environmental significance, where the natural world has reasserted its wild power and promise. And while it doesn't let us off the hook for addressing environmental degradation and climate change, it is a case that hope is far from lost, and it is ultimately a story of redemption: the most polluted spots on Earth can be rehabilitated through ecological processes and, in fact, they already are.]]>
384 Cal Flyn 1984878190 Jimmy 0 to-read-nonfic, anthropocene 4.22 2021 Islands of Abandonment: Nature Rebounding in the Post-Human Landscape
author: Cal Flyn
name: Jimmy
average rating: 4.22
book published: 2021
rating: 0
read at:
date added: 2024/06/15
shelves: to-read-nonfic, anthropocene
review:

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Monsters: A Fan's Dilemma 61685822 From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, a passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity.

In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience's relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.]]>
257 Claire Dederer 0525655115 Jimmy 0 to-read-nonfic 3.75 2023 Monsters: A Fan's Dilemma
author: Claire Dederer
name: Jimmy
average rating: 3.75
book published: 2023
rating: 0
read at:
date added: 2024/04/15
shelves: to-read-nonfic
review:

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Teaching Myself To See 57200565 136 Tito Mukhopadhyay 1953035329 Jimmy 0 to-read-nonfic 4.25 Teaching Myself To See
author: Tito Mukhopadhyay
name: Jimmy
average rating: 4.25
book published:
rating: 0
read at:
date added: 2024/03/22
shelves: to-read-nonfic
review:

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Years and Years 123846901
Years and Years is divided into four large chapters; the first unravels from the perspective of Sejin, younger daughter, the second from that of Youngjin, older daughter, the third from the mother’s, and the fourth, back to Sejin’s. Throughout the course of the novel, a number of themes are developed, including its discussion of interracial marriage, different forms of family, and sexual minorities. Circumstances and history forced the mother to the life of obedience, familial obligations and financial hardship forced Youngjin to give up her dream and support the family, and the reality of her culture forced Sejin to be in the closet. And all the while, these three women, while empathizing with each other, seem entrapped in the cycle of forcing each other to further succumb.]]>
118 Hwang Jungeun 1960385003 Jimmy 0 to-read-fiction 3.91 Years and Years
author: Hwang Jungeun
name: Jimmy
average rating: 3.91
book published:
rating: 0
read at:
date added: 2024/03/13
shelves: to-read-fiction
review:

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The Gastronomical Me 304032 272 M.F.K. Fisher 0865473927 Jimmy 0 to-read-cooking 4.18 1943 The Gastronomical Me
author: M.F.K. Fisher
name: Jimmy
average rating: 4.18
book published: 1943
rating: 0
read at:
date added: 2024/03/07
shelves: to-read-cooking
review:

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How to Cook a Wolf 250693 202 M.F.K. Fisher 0865473366 Jimmy 0 to-read-cooking 4.16 1942 How to Cook a Wolf
author: M.F.K. Fisher
name: Jimmy
average rating: 4.16
book published: 1942
rating: 0
read at:
date added: 2024/03/07
shelves: to-read-cooking
review:

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<![CDATA[The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures]]> 12609 The Spirit Catches You and You Fall Down is a tragedy of Shakespearean dimensions, written with the deepest of human feeling. Sherwin Nuland said of the account, "There are no villains in Fadiman's tale, just as there are no heroes. People are presented as she saw them, in their humility and their frailty—and their nobility.]]> 341 Anne Fadiman 0374525641 Jimmy 0 to-read-nonfic 4.20 1997 The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures
author: Anne Fadiman
name: Jimmy
average rating: 4.20
book published: 1997
rating: 0
read at:
date added: 2024/03/07
shelves: to-read-nonfic
review:

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<![CDATA[Say Nothing: A True Story of Murder and Memory in Northern Ireland]]> 40163119
Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders.

Patrick Radden Keefe writes an intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.]]>
441 Patrick Radden Keefe 0385521316 Jimmy 0 to-read-nonfic 4.47 2018 Say Nothing: A True Story of Murder and Memory in Northern Ireland
author: Patrick Radden Keefe
name: Jimmy
average rating: 4.47
book published: 2018
rating: 0
read at:
date added: 2024/02/01
shelves: to-read-nonfic
review:

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The Timeless Way of Building 106728 The Timeless Way of Building Christopher Alexander presents a new theory of architecture, building, and planning which has at its core that age-old process by which the people of a society have always pulled the order of their world from their own being.

He writes, “There is one timeless way of building. It is thousands of years old, and the same today as it has always been. The great traditional buildings of the past, the villages and tents and temples in which man feels at home, have always been made by people who were very close to the center of this way. It is not possible to make great buildings, or great towns, beautiful places, places where you feel yourself, places where you feel alive, except by following this way. And, as you will see, this way will lead anyone who looks for it to buildings which are themselves as ancient in their form as the trees and hills, and as our faces are.�

The Timeless Way of Building is the introductory volume to Alexander’s other works, A Pattern Language and The Oregon Experiment, in the Center for Environmental Structure series.
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552 Christopher W. Alexander 0195024028 Jimmy 0 to-read-other 4.38 1978 The Timeless Way of Building
author: Christopher W. Alexander
name: Jimmy
average rating: 4.38
book published: 1978
rating: 0
read at:
date added: 2024/01/24
shelves: to-read-other
review:

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The Employees 53780642 A workplace novel of the 22nd century

The near-distant future. Millions of kilometres from Earth.

The crew of the Six-Thousand ship consists of those who were born, and those who were created. Those who will die, and those who will not. When the ship takes on a number of strange objects from the planet New Discovery, the crew is perplexed to find itself becoming deeply attached to them, and human and humanoid employees alike find themselves longing for the same things: warmth and intimacy. Loved ones who have passed. Our shared, far-away Earth, which now only persists in memory.

Gradually, the crew members come to see themselves in a new light, and each employee is compelled to ask themselves whether their work can carry on as before � and what it means to be truly alive.

Structured as a series of witness statements compiled by a workplace commission, Ravn’s crackling prose is as chilling as it is moving, as exhilarating as it is foreboding. Wracked by all kinds of longing, The Employees probes into what it means to be human, emotionally and ontologically, while simultaneously delivering an overdue critique of a life governed by work and the logic of productivity.]]>
136 Olga Ravn Jimmy 0 to-read-fiction 3.69 2018 The Employees
author: Olga Ravn
name: Jimmy
average rating: 3.69
book published: 2018
rating: 0
read at:
date added: 2024/01/19
shelves: to-read-fiction
review:

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My Work 88564034
'My work' is a novel about the unique and fundamental experience of motherhood: it mixes fiction, essays, poetry, memoir, and letters to explore the thorny, twisted ties between pregnancy, maternity, capitalism, work, art, individuality, and literature.]]>
416 Olga Ravn 0811234711 Jimmy 0 to-read-fiction 4.02 2020 My Work
author: Olga Ravn
name: Jimmy
average rating: 4.02
book published: 2020
rating: 0
read at:
date added: 2024/01/19
shelves: to-read-fiction
review:

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The Eternal Audience of One 55333543 512 Rémy Ngamije 1928337848 Jimmy 0 to-read-fiction 4.10 2019 The Eternal Audience of One
author: Rémy Ngamije
name: Jimmy
average rating: 4.10
book published: 2019
rating: 0
read at:
date added: 2024/01/10
shelves: to-read-fiction
review:

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Hangman 62039176 An enthralling and original first novel about exile, diaspora, and the impossibility of Black refuge in America and beyond.

In the morning, I received a phone call and was told to board a flight. The arrangements had been made on my behalf. I packed no clothes, because my clothes had been packed for me. A car arrived to pick me up.

A man returns home to sub-Saharan Africa after twenty-six years in America. When he arrives, he finds that he doesn’t recognize the country or anyone in it. Thankfully, someone recognizes him, a man who calls him brother—setting him on a quest to find his real brother, who is dying.

In Hangman, Maya Binyam tells the story of that search, and of the phantoms, guides, tricksters, bureaucrats, debtors, taxi drivers, relatives, riddles, and strangers that will lead to the truth.

It is an uncommonly assured debut: an existential journey; a tragic farce; a slapstick tragedy; and a strange, and strangely honest, story of one man’s stubborn quest to find refuge—in this world and in the world that lies beyond it.]]>
194 Maya Binyam 037461007X Jimmy 0 to-read-fiction 3.62 2023 Hangman
author: Maya Binyam
name: Jimmy
average rating: 3.62
book published: 2023
rating: 0
read at:
date added: 2023/12/27
shelves: to-read-fiction
review:

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2023 on ŷ 62316199 2023 on ŷ should make an interesting and varied catalogue of books to inspire other readers in 2024.

For those of you who don't like to add titles you haven't actually 'read', you can place 2023 on ŷ on an 'exclusive' shelf. Exclusive shelves don't have to be listed under 'to read', 'currently reading' or 'read'. To create one, go to 'edit bookshelves' on your 'My Books' page, create a shelf name such as 'review-of-the year' and tick the 'exclusive' box. Your previous and future 'reviews of the year' can be collected together on this dedicated shelf.

Concept created by Fionnuala Lirsdottir.
Description: Fionnuala Lirsdottir
Cover art: Paul Cézanne, Bibémus Quarry, c.1895
Cover choice and graphics by Jayson]]>
Various Jimmy 0 to-read-other 4.10 2023 2023 on ŷ
author: Various
name: Jimmy
average rating: 4.10
book published: 2023
rating: 0
read at:
date added: 2023/12/26
shelves: to-read-other
review:

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2024 on ŷ 195342176 2024 on ŷ should make an interesting and varied catalogue of books to inspire other readers in 2025.

For those of you who don't like to add titles you haven't actually 'read', you can place 2024 on ŷ on an 'exclusive' shelf. Exclusive shelves don't have to be listed under 'to read', 'currently reading' or 'read'. To create one, go to 'edit bookshelves' on your 'My Books' page, create a shelf name such as 'review-of-the year' and tick the 'exclusive' box. Your previous and future 'reviews of the year' can be collected together on this dedicated shelf.

Concept created by Fionnuala Lirsdottir.
Description: Fionnuala Lirsdottir
Cover art: Paul Cézanne, The House with the Cracked Walls, 1892-1894
Cover choice and graphics by Jayson]]>
Various Jimmy 0 to-read-other 4.15 2024 2024 on ŷ
author: Various
name: Jimmy
average rating: 4.15
book published: 2024
rating: 0
read at:
date added: 2023/12/26
shelves: to-read-other
review:

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The Architecture of Happiness 23418
And yet a concern for architecture and design is too often described as frivolous, even self-indulgent. The Architecture of Happiness starts from the idea that where we are heavily influences who we can be, and it argues that it is architecture's task to stand as an eloquent reminder of our full potential.

Whereas many architects are wary of openly discussing the word beauty, this book has at its center the large and naïve question: What is a beautiful building? It is a tour through the philosophy and psychology of architecture that aims to change the way we think about our homes, our streets and ourselves.]]>
288 Alain de Botton 0375424431 Jimmy 0 to-read-other 3.86 2006 The Architecture of Happiness
author: Alain de Botton
name: Jimmy
average rating: 3.86
book published: 2006
rating: 0
read at:
date added: 2023/12/17
shelves: to-read-other
review:

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The Portrait of a Lady 551501 The Portrait of a Lady is the masterpiece of James's middle period, and Isabel is his most engaging central character. This edition provides a new introduction and notes, and includes Henry James's own Preface.]]> 672 Henry James 0192833693 Jimmy 0 to-read-fiction 3.90 1881 The Portrait of a Lady
author: Henry James
name: Jimmy
average rating: 3.90
book published: 1881
rating: 0
read at:
date added: 2023/12/17
shelves: to-read-fiction
review:

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First Love 3532 124 Ivan Turgenev 0974607894 Jimmy 4 3.82 1860 First Love
author: Ivan Turgenev
name: Jimmy
average rating: 3.82
book published: 1860
rating: 4
read at: 2023/11/29
date added: 2023/11/29
shelves: russia, novel, male, year-1860s
review:

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<![CDATA[Fashioning Identity: Status Ambivalence in Contemporary Fashion (Dress and Fashion Research)]]> 31144919
Fashioning Identity explores how this tension is performed through fashion production and consumption,by examining a diverse series of case studies - from ninety-year old fashion icons to the paradoxical rebellion in 'normcore', and from soccer jerseys in Kenya to heavy metal band T-shirts in Europe. Through these cases, the role of time, gender, age memory, novelty, copying, the body and resistance are considered within the context of the contemporary fashion scene. Offering a fresh approach to the subject by readdressing Fred Davis' seminal concept of 'identity ambivalence' in Fashion, Culture and Identity (1992), Mackinney-Valentin argues that we are in an epoch of 'status ambivalence', in which fashioning one's own identity has become increasingly complicated.]]>
200 Maria Mackinney-Valentin 1474249108 Jimmy 0 to-read-nonfic 4.30 Fashioning Identity: Status Ambivalence in Contemporary Fashion (Dress and Fashion Research)
author: Maria Mackinney-Valentin
name: Jimmy
average rating: 4.30
book published:
rating: 0
read at:
date added: 2023/11/06
shelves: to-read-nonfic
review:

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<![CDATA[Correspondence (The German List)]]> 42682850
Collected here for the first time in English are their letters written between 1948 and 1961. Their correspondence forms a moving testimony of the discourse of love in the age after Auschwitz, with all the symptomatic disturbances and crises caused by their conflicting backgrounds and their hard-to-reconcile designs for living—as a woman, as a man, as writers. In addition to the almost 200 letters, the volume includes an important exchange between Bachmann and Gisèle Celan-Lestrange, who married Celan in 1951, as well as the letters between Paul Celan and Swiss writer Max Frisch. “Scarcely more breathlessly and desperately can two lovers ever have struggled for words. Little known among German literary historians, the relationship between these two poets amounts to one of the most dramatic and momentous occurrences in German literature.”� FAZ , on the German edition]]>
400 Paul Celan 0857426427 Jimmy 0 to-read-other 4.34 2008 Correspondence (The German List)
author: Paul Celan
name: Jimmy
average rating: 4.34
book published: 2008
rating: 0
read at:
date added: 2023/10/24
shelves: to-read-other
review:

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<![CDATA[Wear It Well: Reclaim Your Closet and Rediscover the Joy of Getting Dressed]]> 103516977
Personal stylist Allison Bornstein has mastered the art of helping people look good and feel good. In Wear It Well , she shares her philosophy and outlines systems that will bring your style into alignment and create a wardrobe that delights your spirit and reflects your most authentic self.

Use the viral Three-Word Method to discover and define your personal style. Curate your closet with the AB Closet-Editing System, eliminating items that don’t fit or work for your lifestyle to build a safe and inspiring space that is filled with only clothes that bring you joy, confidence, and empowerment. Create new, sustainable looks by shopping your closet and mixing and matching with the Nine Universal Pieces.

Filled with client stories, gentle guidance, and expressive photography, Wear It Well will inspire you to identify, articulate, and develop your personal style, and dress with ease.

UNIQUE BLEND OF WELLNESS, SELF-CARE, AND The only "Joy of Dressing" book there no other book merges fashion, wellness, and self-care. In a time when many of us are at home or beginning to venture back out professionally or socially, this book will help take away the stress and anxiety around dressing. It is also a refreshing take on self-care that can easily be added to morning routines.

A PROVEN The AB Closet Editing System and Three Word Method are simple ways to organize your closet and your mind that Bornstein has successfully used with hundreds of clients.

A PRACTICAL GUIDE TO BODY Wear It Well discusses how to combat and banish the voices of shame that permeate fashion culture and our own heads when we buy clothing. Thi s will appeal to readers passionate about body positivity, and fans of The Body Is Not An Apology , Body Talk , and More Than A Body .

PROMOTES SUSTAINABLE Bornstein's program is based on shopping our closets rather than going out to buy an all-new wardrobe. She demonstrates how to choose ten versatile pieces to mix and match within our wardrobe . She also encourages readers to donate "never going to wear" clothes and to dress intentionally.

Perfect ]]>
224 Allison Bornstein 1797221426 Jimmy 0 to-read-nonfic 3.93 2023 Wear It Well: Reclaim Your Closet and Rediscover the Joy of Getting Dressed
author: Allison Bornstein
name: Jimmy
average rating: 3.93
book published: 2023
rating: 0
read at:
date added: 2023/10/11
shelves: to-read-nonfic
review:

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FRUiTS 46913 272 Shoichi Aoki 0714840831 Jimmy 0 to-read-other 3.97 2001 FRUiTS
author: Shoichi Aoki
name: Jimmy
average rating: 3.97
book published: 2001
rating: 0
read at:
date added: 2023/10/07
shelves: to-read-other
review:

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Flowers for Algernon 18373 Winner of both the Hugo and Nebula Awards, the powerful, classic story about a man who receives an operation that turns him into a genius...and introduces him to heartache.

Charlie Gordon is about to embark upon an unprecedented journey. Born with an unusually low IQ, he has been chosen as the perfect subject for an experimental surgery that researchers hope will increase his intelligence � a procedure that has already been highly successful when tested on a lab mouse named Algernon.

As the treatment takes effect, Charlie's intelligence expands until it surpasses that of the doctors who engineered his metamorphosis. The experiment appears to be a scientific breakthrough of paramount importance, until Algernon suddenly deteriorates. Will the same happen to Charlie?]]>
311 Daniel Keyes 015603008X Jimmy 0 read-long-ago 4.19 1966 Flowers for Algernon
author: Daniel Keyes
name: Jimmy
average rating: 4.19
book published: 1966
rating: 0
read at:
date added: 2023/09/18
shelves: read-long-ago
review:

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Iris Apfel: Accidental Icon 35396996 176 Iris Apfel 006240508X Jimmy 0 to-read-nonfic 4.24 2018 Iris Apfel: Accidental Icon
author: Iris Apfel
name: Jimmy
average rating: 4.24
book published: 2018
rating: 0
read at:
date added: 2023/09/06
shelves: to-read-nonfic
review:

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<![CDATA[Selected Poems of Luis Cernuda (English and Spanish Edition)]]> 4480960 194 Luis Cernuda 0520029844 Jimmy 0 to-read-poetry 4.08 1977 Selected Poems of Luis Cernuda (English and Spanish Edition)
author: Luis Cernuda
name: Jimmy
average rating: 4.08
book published: 1977
rating: 0
read at:
date added: 2023/09/06
shelves: to-read-poetry
review:

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<![CDATA[The Hanky of Pippin's Daughter]]> 46228008
"Josef and Frederika Seifert made a bad marriage � he so metaphysical, she, furious frustrated singer, furious frustrated femme fatale, unfaithful within two months of the wedding day. The setting is small town Germany between the wars; the Seiferts are just those 'ordinary people' who helped Hitler rise, bequeathing their daughter, who tells their story, a legacy of grief and guilt. Rosmarie Waldrop's haunting novel, superbly intelligent, evocative and strange, reverberates in the memory for a long time, a song for the dead, a judgment." --Angela Carter]]>
240 Rosmarie Waldrop 1948980010 Jimmy 0 to-read-fiction 3.87 1986 The Hanky of Pippin's Daughter
author: Rosmarie Waldrop
name: Jimmy
average rating: 3.87
book published: 1986
rating: 0
read at:
date added: 2023/08/25
shelves: to-read-fiction
review:

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<![CDATA[Dressed: A Philosophy of Clothes]]> 51205867 Perfect for readers of Women in Clothes, this beautifully designed philosophical guide to fashion explores art, literature, and film to uncover the hidden meaning of a well-chosen wardrobe.
We all get dressed. But how often do we pause to think about what our clothes say? When we dress ourselves, we are presenting to the world an essence of who we are, who we want to be.

Dressed ranges freely from suits to suitcases, from Marx's coat to Madame X's gown. Through art and literature, film and philosophy, philosopher Shahidha Bari unveils the surprising personal implications of what we choose to wear. The impeccable cut of Cary Grant's suit projects masculine confidence, just as Madonna's oversized denim jacket and her armful of orange bangles loudly announces big ambition. How others dress tells us something fundamental about them -- we can better understand how people live and what they think through their garments. Clothes tell our stories.

Dressed is the thinking person's fashion book. In baring the hidden power of clothes in our culture and our daily lives, Bari reveals how our outfits not only cover our bodies but also reflect our minds.


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352 Shahidha Bari 1541645987 Jimmy 0 to-read-nonfic 3.48 Dressed: A Philosophy of Clothes
author: Shahidha Bari
name: Jimmy
average rating: 3.48
book published:
rating: 0
read at:
date added: 2023/08/11
shelves: to-read-nonfic
review:

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Oblomov 254308 586 Ivan Goncharov 1933480092 Jimmy 0 4.09 1859 Oblomov
author: Ivan Goncharov
name: Jimmy
average rating: 4.09
book published: 1859
rating: 0
read at:
date added: 2023/07/31
shelves: library-has-it, to-read-fiction
review:

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<![CDATA[Stream System: The Collected Short Fiction of Gerald Murnane]]> 35259553 Stories from a mind-bending Australian master, "a genius on the level of Beckett" (Teju Cole)

Never before available to readers in this hemisphere, these stories--originally published from 1985 to 2012--offer an irresistible compendium of the work of one of contemporary fiction's greatest magicians.

While the Australian master Gerald Murnane's reputation rests largely on his longer works of fiction, his short stories stand among the most brilliant and idiosyncratic uses of the form since Borges, Beckett, and Nabokov. Brutal, comic, obscene, and crystalline, Stream System runs from the haunting "Land Deal," which imagines the colonization of Australia and the ultimate vengeance of its indigenous people as a series of nested dreams; to "Finger Web," which tells a quietly terrifying, fractal tale of the scars of war and the roots of misogyny; to "The Interior of Gaaldine," which finds its anxious protagonist stranded beyond the limits of fiction itself.

No one else writes like Murnane, and there are few other authors alive still capable of changing how--and why--we read.

Contents:
When the mice failed to arrive --
Stream system --
Land deal --
The only Adam --
Stone quarry --
Precious bane --
Cotters come no more --
There were some countries --
Finger web --
First love --
Velvet waters --
The white cattle of Uppington --
In far fields --
Pink lining --
Boy blue --
Emerald blue --
The interior of Gaaldine --
Invisible yet enduring lilacs --
As it were a letter --
The boy's name was David --
Last letter to a niece.]]>
560 Gerald Murnane 0374126003 Jimmy 0 to-read-fiction 4.11 2018 Stream System: The Collected Short Fiction of Gerald Murnane
author: Gerald Murnane
name: Jimmy
average rating: 4.11
book published: 2018
rating: 0
read at:
date added: 2023/07/28
shelves: to-read-fiction
review:

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One Hundred Shadows 30967023
An oblique, hard-edged novel tinged with offbeat fantasy, One Hundred Shadows is set in a slum electronics market in central Seoul � an area earmarked for demolition in a city better known for its shiny skyscrapers and slick pop videos. Here, the awkward, tentative relationship between Eungyo and Mujae, who both dropped out of formal education to work as repair-shop assistants, is made yet more uncertain by their economic circumstances, while their matter-of-fact discussion of a strange recent development � the shadows of the slum’s inhabitants have started to ‘rise� � leaves the reader to make up their own mind as to the nature of this shape-shifting tale.

Hwang’s spare prose is illuminated by arresting images, quirky dialogue and moments of great lyricism, crafting a deeply affecting novel of perfectly calibrated emotional restraint. Known for her interest in social minorities, Hwang eschews the dreary realism usually employed for such issues, without her social criticism being any less keen. As well as an important contribution to contemporary working-class literature, One Hundred Shadows depicts the little-known underside of a society which can be viciously superficial, complicating the shiny, ultra-modern face which South Korea presents to the world.]]>
147 Hwang Jungeun 1911284029 Jimmy 4 The thing about matryoshkas, Mujae announced while he grated the radish, is that they’re hollow to begin with. There’s nothing inside of any substance. There’s just one matryoshka inside another, that repetition is itself what defines a matryoshka, not any actual object part, so in fact it’s more precise to say that a matryoshka contains an eternal recurrence than a number of smaller matryoshkas. So it’s not as though anything has ceased to exist because it broke; all we’ve done is confirmed that it never existed in the first place.
That sounds so futile, Mujae.
Futility is precisely why I’ve always thought that a matryoshka resembles human life.I love Hwang Jungeon's voice. It's subtle and quiet, and at first it doesn't seem like there's much to her stories at all. Nothing much happens, and it's very episodic. But in her own quiet way, she builds these strong characters and relationships and shows you these small beautiful moments into their world. Her point of view is often from the downtrodden, the ignored, the lower classes.

This one had surreal touches to it, but it was very controlled. I liked how she negotiated the realism with that fantastical element at the same time, without one taking over. It's still very rooted in reality. There's also a mysterious quality to the shadows that is never explained, and I liked that. It wasn't entirely a negative thing, as many of the characters continued to live even when their shadows rose up. But there's an ominous quality to it, a feeling like these characters are living in a liminal space, almost ghosts already.

I think a good film director to make the movie version of this book would be Apichatpong Weerasethakul.

This definitely wasn't as strong as her other book "I'll Go On" but I still loved it. I'd happily read any book she writes from now on.]]>
3.60 2010 One Hundred Shadows
author: Hwang Jungeun
name: Jimmy
average rating: 3.60
book published: 2010
rating: 4
read at: 2022/11/15
date added: 2023/07/28
shelves: south-korea, year-2010s, novel, female, poc
review:
The thing about matryoshkas, Mujae announced while he grated the radish, is that they’re hollow to begin with. There’s nothing inside of any substance. There’s just one matryoshka inside another, that repetition is itself what defines a matryoshka, not any actual object part, so in fact it’s more precise to say that a matryoshka contains an eternal recurrence than a number of smaller matryoshkas. So it’s not as though anything has ceased to exist because it broke; all we’ve done is confirmed that it never existed in the first place.
That sounds so futile, Mujae.
Futility is precisely why I’ve always thought that a matryoshka resembles human life.
I love Hwang Jungeon's voice. It's subtle and quiet, and at first it doesn't seem like there's much to her stories at all. Nothing much happens, and it's very episodic. But in her own quiet way, she builds these strong characters and relationships and shows you these small beautiful moments into their world. Her point of view is often from the downtrodden, the ignored, the lower classes.

This one had surreal touches to it, but it was very controlled. I liked how she negotiated the realism with that fantastical element at the same time, without one taking over. It's still very rooted in reality. There's also a mysterious quality to the shadows that is never explained, and I liked that. It wasn't entirely a negative thing, as many of the characters continued to live even when their shadows rose up. But there's an ominous quality to it, a feeling like these characters are living in a liminal space, almost ghosts already.

I think a good film director to make the movie version of this book would be Apichatpong Weerasethakul.

This definitely wasn't as strong as her other book "I'll Go On" but I still loved it. I'd happily read any book she writes from now on.
]]>
<![CDATA[The Endless Summer (Danish Women Writers Series)]]> 34381372
Emotional and visceral, the novel drifts through time and space, relating the lives, loves, and dissolutions of everyone who surrounds this unexpected couple: the woman's former husband, who holds the family at gunpoint; her daughter and her lovers, who include a boy who finds himself and his true sexual identity in America; and the young boy who "is perhaps a girl, but does not yet know it," who narrates everyone's stories.

Propelled by a captivating story, the real charm of the novel resides in its impeccable style and atmosphere, which gathers a sense of longing, a slight nostalgia for times that ache with possibility, while knowing that even the endless summer doesn't last forever.

An actor, musician, and novelist, Madame Nielsen is novelist, artist, performer, stage director and world history enactor, composer, chanteuse, and multi-gendered. Madame Nielsen is the author of numerous literary works, including a trilogy—The Suicide Mission, The Sovereign, and Fall of the Great Satan—and most recently, The Endless Summer, the "Bildungsroman" The Invasion, and The Supreme Being. Madame Nielsen is translated into nine languages and has received several literary prizes. The autobiographical novel My Encounters with The Great Authors of our Nation was published in 2013 under her boy's-name, Claus Beck-Nielsen, and was nominated for the Nordic Council Literature Prize in 2014.

Gaye Kynoch is the translator of a book about Karen Blixen (Isak Dinesen) and Lime's Photograph by Leif Davidsen.]]>
148 Madame Nielsen 1940953693 Jimmy 0 to-read-fiction 3.52 2014 The Endless Summer (Danish Women Writers Series)
author: Madame Nielsen
name: Jimmy
average rating: 3.52
book published: 2014
rating: 0
read at:
date added: 2023/07/24
shelves: to-read-fiction
review:

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Off Course 17934513
The year is 1981, Reagan is in the White House, and the country is stalled in a recession. Cressida Hartley, a gifted Ph.D. student in economics, moves into her parents' shabby A-frame cabin in the Sierras to write her dissertation. In her most intimate and emotionally compelling novel to date, Michelle Huneven--author of Blame , which was a finalist for the National Book Critics Circle Award--returns with her signature mix of fine-grained storytelling, unforgettable characters, and moral complexity.

Cress, increasingly resistant to her topic (art in the marketplace), allows herself to be drawn into the social life of the small mountain community. The exuberant local lodge owner, Jakey Yates, with his big personality and great animal magnetism, is the first to blur Cress' focus. The builder Rick Garsh gives her a job driving up and down the mountain for supplies. And then there are the two Morrow brothers, skilled carpenters, who are witty, intriguing, and married.

As Cress tells her best friend back home in Pasadena, being a single woman on the mountain amounts to a form of public service. Falling prey to her own perilous reasoning, she soon finds herself in dark new territory, subject to forces beyond her control from both within and without.

Unsentimental, immersive, and beautifully written--"Huneven's prose is flawless," according to The New Yorker-- Off Course evokes the rapture of new love, the addictive draw of an intense, impossible connection, and what happens when two people simply can't let go of each other or of their previous commitments. As her characters struggle with and delight in one another, Huneven subtly exposes the personal and social forces at issues of class, money, and family, as well as the intricate emotional and economic transactions between parents and children, between husbands and wives, between lovers, and between friends.
Michelle Huneven is one of our most searching, elegant novelists--Richard Russo has called her "a writer of extraordinary and thrilling talent." In Off Course , she introduces us to an intelligent young woman who discovers that love is the great distraction, and impossible love the greatest distraction of all.]]>
287 Michelle Huneven 0374224471 Jimmy 0 bear-bear, to-read-maybe 3.36 2014 Off Course
author: Michelle Huneven
name: Jimmy
average rating: 3.36
book published: 2014
rating: 0
read at:
date added: 2023/07/22
shelves: bear-bear, to-read-maybe
review:

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The Zürau Aphorisms 17694
Illness set him free to write a series of philosophical some narratives, some single images, some parables. These “aphorisms� appeared, sometimes with a few words changed, in other writings–some of them as posthumous fragments published only after Kafka’s death in 1924. While working on K ., his major book on Kafka, in the Bodleian Library, Roberto Calasso realized that the Zürau aphorisms, each written on a separate slip of very thin paper, numbered but unbound, represented something unique in Kafka’s opus–a work whose form he had created simultaneously with its content.

The notebooks, freshly translated and laid out as Kafka had intended, are a distillation of Kafka at his most powerful and enigmatic. This lost jewel provides the reader with a fresh perspective on the collective work of a genius.]]>
160 Franz Kafka 0805212078 Jimmy 0 to-read-other 3.92 1931 The Zürau Aphorisms
author: Franz Kafka
name: Jimmy
average rating: 3.92
book published: 1931
rating: 0
read at:
date added: 2023/07/21
shelves: to-read-other
review:

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Fragments of Lichtenberg 21563520 Fragments of Lichtenberg imaginatively and hilariously reconstructs the efforts of scholars across three centuries to piece together Lichtenberg’s disparate notes into a coherent philosophical or artistic statement. What emerges instead from their efforts are a wide variety of conflicting and competing Lichtenbergs � the poet, the physicist, the philosopher, the humorist � and a very funny meditation on the way interpretations and speculation create new histories and new realities.]]> 449 Pierre Senges 1628970464 Jimmy 0 to-read-other 4.29 2008 Fragments of Lichtenberg
author: Pierre Senges
name: Jimmy
average rating: 4.29
book published: 2008
rating: 0
read at:
date added: 2023/07/20
shelves: to-read-other
review:

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<![CDATA[When You Greet Me I Bow: Notes and Reflections from a Life in Zen]]> 57756945 336 Norman Fischer 1611808219 Jimmy 0 to-read-nonfic 4.21 When You Greet Me I Bow: Notes and Reflections from a Life in Zen
author: Norman Fischer
name: Jimmy
average rating: 4.21
book published:
rating: 0
read at:
date added: 2023/06/25
shelves: to-read-nonfic
review:

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<![CDATA[How Emotions Are Made: The Secret Life of the Brain]]> 23719305 A new theory of how the brain constructs emotions that could revolutionize psychology, health care, law enforcement, and our understanding of the human mind.

Emotions feel automatic, like uncontrollable reactions to things we think and experience. Scientists have long supported this assumption by claiming that emotions are hardwired in the body or the brain. Today, however, the science of emotion is in the midst of a revolution on par with the discovery of relativity in physics and natural selection in biology—ans this paradigm shift has far-reaching implications for us all.

Leading the charge is psychologist and neuroscientist Lisa Feldman Barrett, whose theory of emotion is driving a deeper understanding of the mind and brain, and shedding new light on what it means to be human. Her research overturns the widely held belief that emotions are housed in different parts of the brain and are universally expressed and recognized. Instead, she has shown that emotion is constructed in the moment, by core systems that interact across the whole brain, aided by a lifetime of learning. This new theory means that you play a much greater role in your emotional life than you ever thought. Its repercussions are already shaking the foundations not only of psychology but also of medicine, the legal system, child-rearing, meditation, and even airport security.

Why do emotions feel automatic? Does rational thought really control emotion? How does emotion affect disease? How can you make your children more emotionally intelligent? How Emotions Are Madeanswers these questions and many more, revealing the latest research and intriguing practical applications of the new science of emotion, mind, and brain.]]>
425 Lisa Feldman Barrett 0544133315 Jimmy 0 to-read-nonfic 4.09 2017 How Emotions Are Made: The Secret Life of the Brain
author: Lisa Feldman Barrett
name: Jimmy
average rating: 4.09
book published: 2017
rating: 0
read at:
date added: 2023/06/21
shelves: to-read-nonfic
review:

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<![CDATA[World Within a Song: Music That Changed My Life and Life That Changed My Music]]> 112976332
What makes us fall in love with a song? What makes us want to write our own songs? Do songs help? Do songs help us live better lives? And do the lives we live help us write better songs?

After two New York Times bestsellers that cemented and expanded his legacy as one of America’s best-loved performers and songwriters, Let’s Go (So We Can Get Back) and How to Write One Song , Jeff Tweedy is back with another disarming, beautiful, and inspirational book about why we listen to music, why we love songs, and how music can connect us to each other and to ourselves. Featuring fifty songs that have both changed Jeff’s life and influenced his music—including songs by the Replacements, Mavis Staples, the Velvet Underground, Joni Mitchell, Otis Redding, Dolly Parton, and Billie Eilish—as well as Jeff’s “Rememories,� dream-like short pieces that related key moments from Jeff’s life, this book is a mix of the musical, the emotional, and the inspirational in the best possible way.]]>
256 Jeff Tweedy 0593472527 Jimmy 0 to-read-nonfic 4.00 2023 World Within a Song: Music That Changed My Life and Life That Changed My Music
author: Jeff Tweedy
name: Jimmy
average rating: 4.00
book published: 2023
rating: 0
read at:
date added: 2023/06/21
shelves: to-read-nonfic
review:

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<![CDATA[Robert Musil's The Man Without Qualities]]> 191927 - The critical essays reflect a variety of schools of criticism
- Contains notes on the contributing critics, a chronology of the author's life, and an index
- Introductory essay by Harold Bloom]]>
211 Robert Musil 0791081222 Jimmy 0 to-read-maybe 3.60 1930 Robert Musil's The Man Without Qualities
author: Robert Musil
name: Jimmy
average rating: 3.60
book published: 1930
rating: 0
read at:
date added: 2023/05/29
shelves: to-read-maybe
review:

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This Little Art 36252356 365 Kate Briggs 1910695459 Jimmy 0 to-read-nonfic 4.34 2018 This Little Art
author: Kate Briggs
name: Jimmy
average rating: 4.34
book published: 2018
rating: 0
read at:
date added: 2023/05/22
shelves: to-read-nonfic
review:

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House Made of Dawn 110996 The magnificent Pulitzer Prize-winning novel of a stranger in his native land

“Both a masterpiece about the universal human condition and a masterpiece of Native American literature. . . . A book everyone should read for the joy and emotion of the language it contains.� � The Paris Review

A young Native American, Abel has come home from war to find himself caught between two worlds. The first is the world of his father’s, wedding him to the rhythm of the seasons, the harsh beauty of the land, and the ancient rites and traditions of his people. But the other world—modern, industrial America—pulls at Abel, demanding his loyalty, trying to claim his soul, and goading him into a destructive, compulsive cycle of depravity and disgust.

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198 N. Scott Momaday 0072434201 Jimmy 0 to-read-fiction 3.64 1968 House Made of Dawn
author: N. Scott Momaday
name: Jimmy
average rating: 3.64
book published: 1968
rating: 0
read at:
date added: 2023/05/22
shelves: to-read-fiction
review:

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An Oresteia 4770925
In this innovative rendition of The Oresteia, the poet, translator, and essayist Anne Carson combines three different visions—Aischylos� Agamemnon, Sophokles� Elektra, and Euripides� Orestes—giving birth to a wholly new experience of the classic Greek triumvirate of vengeance. After the murder of her daughter Iphegenia by her husband Agamemnon, Klytaimestra exacts a mother’s revenge, murdering Agamemnon and his mistress, Kassandra. Displeased with Klytaimestra’s actions, Apollo calls on her son, Orestes, to avenge his father’s death with the help of his sister Elektra. In the end, Orestes, driven mad by the Furies for his bloody betrayal of family, and Elektra are condemned to death by the people of Argos, and must justify their actions—signaling a call to change in society, a shift from the capricious governing of the gods to the rule of manmade law.

Carson’s accomplished rendering combines elements of contemporary vernacular with the traditional structures and rhetoric of Greek tragedy, opening up the plays to a modern audience. In addition to its accessibility, the wit and dazzling morbidity of her prose sheds new light on the saga for scholars. Anne Carson’s Oresteia is a watershed translation, a death-dance of vengeance and passion not to be missed.]]>
272 Anne Carson 086547902X Jimmy 4 4.34 2009 An Oresteia
author: Anne Carson
name: Jimmy
average rating: 4.34
book published: 2009
rating: 4
read at: 2022/04/22
date added: 2023/05/16
shelves: male, play, greece, year-400s-bc
review:

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Crying in H Mart 54814676
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humour and heart, she tells of growing up the only Asian-American kid at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the east coast for college, finding work in the restaurant industry, performing gigs with her fledgling band � and meeting the man who would become her husband � her Koreanness began to feel ever more distant, even as she found the life she wanted to live.

It was her mother’s diagnosis of terminal pancreatic cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.

Vivacious, lyrical and honest, Michelle Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.]]>
243 Michelle Zauner 0525657746 Jimmy 3 4.25 2021 Crying in H Mart
author: Michelle Zauner
name: Jimmy
average rating: 4.25
book published: 2021
rating: 3
read at: 2023/04/11
date added: 2023/05/15
shelves: female, year-2020s, memoir-ish, poc
review:

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<![CDATA[The Dark Interval: Letters on Loss, Grief, and Transformation (Modern Library Classics)]]> 36959638 From the author of Letters to a Young Poet, one of the greatest letter collections of all time, comes a new selection of the great poet's writings to bereaved friends and acquaintances, reflecting on death and dying, providing comfort in a time of grief.

Gleaned from Rainer Maria Rilke's voluminous, never-before-translated correspondence, this book collects the poet's best writings on grief and loss in one place for the first time. The result is a profound vision of the mourning process and a meditation on death's place in our lives, as well as a compilation of sensitive and moving expressions of consolation and condolence. Following the format of Rilke's classic, Letters to a Young Poet, this volume arranges a series of letters to Rilke's mourning friends, composed into a continuous, uninterrupted sequence, showcasing the full range of Rilke's thoughts on finding meaning and, perhaps, some form of comfort in the process of grieving.]]>
128 Rainer Maria Rilke 0525509844 Jimmy 0 to-read-nonfic 4.19 2018 The Dark Interval: Letters on Loss, Grief, and Transformation (Modern Library Classics)
author: Rainer Maria Rilke
name: Jimmy
average rating: 4.19
book published: 2018
rating: 0
read at:
date added: 2023/04/29
shelves: to-read-nonfic
review:

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Mendiants et orgueilleux 1564785
Avec "Mendiants et orgueilleux", l'écrivain égyptien a signé un bijou romanesque où l'intrigue policière se double d'une lancinante interrogation sur le sens de la vie, dans l'égarement d'une société qui cahote entre ses vices, perversions, misères variées et complémentaires. Comme souvent chez Cossery, le bordel tient logiquement une place centrale dans un univers d'hommes plus ou moins désorientés et désœuvrés.]]>
216 Albert Cossery 2844120318 Jimmy 0 to-read-maybe 4.02 1955 Mendiants et orgueilleux
author: Albert Cossery
name: Jimmy
average rating: 4.02
book published: 1955
rating: 0
read at:
date added: 2023/04/25
shelves: to-read-maybe
review:

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The Buried Giant 22522805
The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years.

Sometimes savage, often intensely moving, Kazuo Ishiguro's first novel in nearly a decade is about lost memories, love, revenge, and war.

Included on TIME Magazine's "THE 100 BEST FANTASY BOOKS OF ALL TIME"]]>
317 Kazuo Ishiguro 030727103X Jimmy 4
The book keeps the reader at a distance, at times melancholy, ominous, and overly formal, and at others awkward and almost slapstick. I couldn't figure out if some aspects of this were a joke or not. The juxtaposition of the at-times serious tone to the idea of an aging Sir Gawain, yes, knight of the roundtable, bumbling about in full armor talking about his glory days is kind of intriguing. In all honesty, it shouldn't have worked, but it did in that it kept me wondering about Ishiguro's intentions rather than bored at the plot or the flat characters.

Speaking of the plot, it is a pretty transparent allegory, which is another thing I usually hate. But here it seemed to have worked, at least for me; but again I don't know exactly why yet.

The ending is fantastic and moving, and made me, maybe for the first time, care about the two main characters (who had absolutely no personality throughout the book). Also, even though I felt like the ending was great, I still had many questions about this world and the mysteries that remain unanswered. Alas, I am okay with that.]]>
3.56 2015 The Buried Giant
author: Kazuo Ishiguro
name: Jimmy
average rating: 3.56
book published: 2015
rating: 4
read at: 2021/05/23
date added: 2023/04/25
shelves: male, novel, poc, united-kingdom, year-2010s, walking
review:
This was one of those reads that I enjoyed immensely, but I have no idea why it works (and I probably wouldn't recommend it to anyone). If I had to guess, I'd say it has something to do with the odd tone of the book, and I'm a very tone-centered reader.

The book keeps the reader at a distance, at times melancholy, ominous, and overly formal, and at others awkward and almost slapstick. I couldn't figure out if some aspects of this were a joke or not. The juxtaposition of the at-times serious tone to the idea of an aging Sir Gawain, yes, knight of the roundtable, bumbling about in full armor talking about his glory days is kind of intriguing. In all honesty, it shouldn't have worked, but it did in that it kept me wondering about Ishiguro's intentions rather than bored at the plot or the flat characters.

Speaking of the plot, it is a pretty transparent allegory, which is another thing I usually hate. But here it seemed to have worked, at least for me; but again I don't know exactly why yet.

The ending is fantastic and moving, and made me, maybe for the first time, care about the two main characters (who had absolutely no personality throughout the book). Also, even though I felt like the ending was great, I still had many questions about this world and the mysteries that remain unanswered. Alas, I am okay with that.
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The Long Walk 9014 370 Richard Bachman 0451196716 Jimmy 0 to-read-fiction, walking 4.11 1978 The Long Walk
author: Richard Bachman
name: Jimmy
average rating: 4.11
book published: 1978
rating: 0
read at:
date added: 2023/04/25
shelves: to-read-fiction, walking
review:

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Dinosaurs 60165418 Dinosaurs is both sharp-edged and tender, an emotionally moving, intellectually resonant novel that asks, In the shadow of existential threat, where does hope live?]]> 230 Lydia Millet 1324021462 Jimmy 0 to-read-fiction, walking 3.85 2022 Dinosaurs
author: Lydia Millet
name: Jimmy
average rating: 3.85
book published: 2022
rating: 0
read at:
date added: 2023/04/25
shelves: to-read-fiction, walking
review:

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<![CDATA[The Golden Compass (His Dark Materials, #1)]]> 119322
Can one small girl make a difference in such great and terrible endeavors? This is Lyra: a savage, a schemer, a liar, and as fierce and true a champion as Roger or Asriel could want--but what Lyra doesn't know is that to help one of them will be to betray the other.]]>
399 Philip Pullman 0679879242 Jimmy 0 to-read-fiction, bear-bear 4.02 1995 The Golden Compass (His Dark Materials, #1)
author: Philip Pullman
name: Jimmy
average rating: 4.02
book published: 1995
rating: 0
read at:
date added: 2023/04/25
shelves: to-read-fiction, bear-bear
review:

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The Revenant 22836957
Rocky Mountains, 1823. The trappers of the Rocky Mountain Fur Company live a brutal frontier life. Hugh Glass is one of the most respected men in the company, an experienced frontiersman and an expert tracker.But when a scouting mission puts Glass face-to-face with a grizzly bear, he is viciously mauled and not expected to survive. Two men from the company are ordered to remain with him until his inevitable death. But, fearing an imminent attack, they abandon Glass, stripping him of his prized rifle and hatchet.

As Glass watches the men flee, he is driven to survive by one all-consuming desire: revenge. With shocking grit and determination, he sets out on a three-thousand-mile journey across the harsh American frontier, to seek revenge on the men who betrayed him.

The Revenant is a remarkable tale of obsession and the lengths that one man will go to for retribution.

The novel that inspired the epic new movie starring Leonardo DiCaprio and Tom Hardy. ]]>
262 Michael Punke 125006662X Jimmy 0 to-read-fiction, bear-bear 3.94 2002 The Revenant
author: Michael Punke
name: Jimmy
average rating: 3.94
book published: 2002
rating: 0
read at:
date added: 2023/04/25
shelves: to-read-fiction, bear-bear
review:

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<![CDATA[Exploits & Opinions of Dr. Faustroll, Pataphysician]]> 207918 160 Alfred Jarry 1878972073 Jimmy 0 to-read-fiction 4.03 1911 Exploits & Opinions of Dr. Faustroll, Pataphysician
author: Alfred Jarry
name: Jimmy
average rating: 4.03
book published: 1911
rating: 0
read at:
date added: 2023/04/21
shelves: to-read-fiction
review:

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Our Strangers: Stories 125346444 354 Lydia Davis Jimmy 0 to-read-fiction 3.84 2023 Our Strangers: Stories
author: Lydia Davis
name: Jimmy
average rating: 3.84
book published: 2023
rating: 0
read at:
date added: 2023/04/19
shelves: to-read-fiction
review:
Coming October 2023: "Only available at independent bookstores and libraries, by request of the author." Yeah!
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Solenoid 60582780
Based on Cărtărescu's own role as a high school teacher, Solenoid begins with the mundane details of a diarist's life and quickly spirals into a philosophical account of life, history, philosophy, and mathematics. One character asks another: when you rush into the burning building, will you save the newborn or the artwork? On a broad scale, the novel’s investigations of other universes, dimensions, and timelines reconcile the realms of life and art.

The novel is grounded in the reality of late 1970s/early 1980s Communist Romania, including long lines for groceries, the absurdities of the education system, and the misery of family life. The text includes sequences in a tuberculosis sanatorium, an encounter with an anti-death protest movement, a society of dream investigators, and an extended visit to the minuscule world of dust mites living on a microscope slide.

Combining fiction with autobiography and history� the scientists Nicolae Tesla and George Boole, for example, appear alongside the Voynich manuscript―Solenoid ruminates on the exchanges possible between the alternate dimensions of life and art, as various, monstrous dimensions erupt within the Communist present.]]>
639 Mircea Cărtărescu 1646052021 Jimmy 0 4.31 2015 Solenoid
author: Mircea Cărtărescu
name: Jimmy
average rating: 4.31
book published: 2015
rating: 0
read at:
date added: 2023/04/19
shelves: looking-for, currently-reading
review:

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<![CDATA[My Fathers' Daughter (Black Britain: Writing Back)]]> 59345645 288 Hannah Azieb Pool 0241996066 Jimmy 0 to-read-nonfic 4.33 2005 My Fathers' Daughter (Black Britain: Writing Back)
author: Hannah Azieb Pool
name: Jimmy
average rating: 4.33
book published: 2005
rating: 0
read at:
date added: 2023/04/18
shelves: to-read-nonfic
review:

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Return to Tipasa 34876155 Albert Camus Jimmy 0 to-read-nonfic 4.42 1950 Return to Tipasa
author: Albert Camus
name: Jimmy
average rating: 4.42
book published: 1950
rating: 0
read at:
date added: 2023/04/18
shelves: to-read-nonfic
review:

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The Dwarf 214805
Pär Lagerkvist's richly philosophical novel The Dwarf is an exploration of individual and social identity. The novel, set in a time when Italian towns feuded over the outcome of the last feud, centers on a social outcast, the court dwarf Piccoline. From his special vantage point Piccoline comments on the court's prurience and on political intrigue as the town is gripped by a siege. Gradually, Piccoline is drawn deeper and deeper into the conflict, and he inspires fear and hate around him as he grows to represent the fascination of the masses with violence.]]>
228 Pär Lagerkvist 0374521352 Jimmy 0 to-read-fiction 3.87 1944 The Dwarf
author: Pär Lagerkvist
name: Jimmy
average rating: 3.87
book published: 1944
rating: 0
read at:
date added: 2023/04/18
shelves: to-read-fiction
review:

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<![CDATA[Inferno: Alone & Other Writings]]> 813018
He associates with a circle of Parisian artists and writers (including Paul Gauguin and Edvard Munch), but often fears they are ridiculing and persecuting him.
In his isolation, Strindberg successfully attempts alchemical experiments, and has his work published in prominent journals.
He fears, however, that his secrets will be stolen, and his persecution mania worsens, believing that his enemies are attacking him with 'infernal machines.'
He also dabbles in the occult, at one point casting a black magic spell on his own distanced daughter.

Throughout his studies and adventures, Strindberg believes himself guided by mysterious forces (attributing them sometimes to God, Fate, or vaguer origins).
When returning to Sweden to see his daughter, Strindberg is introduced to German mythology and the teachings of Swedenborg, which both influence his fatalistic beliefs and delusions.
Through this newfound imagery, Strindberg sees his life as a living hell, hence the novel's title.]]>
429 August Strindberg 0844630268 Jimmy 0 to-read-fiction 3.88 1983 Inferno: Alone & Other Writings
author: August Strindberg
name: Jimmy
average rating: 3.88
book published: 1983
rating: 0
read at:
date added: 2023/04/18
shelves: to-read-fiction
review:

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<![CDATA[The Women in Cages - Collected Stories]]> 3085547
The Women in Cages brings together all his short stories written in English, both previously published and new, brilliantly highlighting his singular imagination and style. From the desecration of a funeral pyre by the simple act of warming one's hands on the blaze to the transformation of a man into a gigantic phallus enticing crowds of devoted as a live symbol of Lord Shiva; from the prostitute who uses the occult to generate numerous vaginas all over her body to a military general who abolishes an entire season for fear of revolution, Sarang presents startling thematic variety , always suggestive of strange and haunting alternative universes that transcend time and space. Gritty and disturbing, and leavened by wit and compassion, The Women in Cages is a masterful attempt at capturing the myraid nuances of modern life.

Sarang is an original: he writes clearly and beautifully about often bizarre events in a precisely realized world.
—Anthony Thwaite, poet and former editor of Encounter.]]>
296 Vilas Sarang 0143061844 Jimmy 0 to-read-fiction 3.75 2006 The Women in Cages - Collected Stories
author: Vilas Sarang
name: Jimmy
average rating: 3.75
book published: 2006
rating: 0
read at:
date added: 2023/04/04
shelves: to-read-fiction
review:

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RatBurger 15921359 320 David Walliams 0007453523 Jimmy 0 to-read-fiction 3.99 2012 RatBurger
author: David Walliams
name: Jimmy
average rating: 3.99
book published: 2012
rating: 0
read at:
date added: 2023/03/20
shelves: to-read-fiction
review:

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Little, Big 90619 Little, Big is the epic story of Smoky Barnable, an anonymous young man who travels by foot from the City to a place called Edgewood—not found on any map—to marry Daily Alice Drinkwater, as was prophesied. It is the story of four generations of a singular family, living in a house that is many houses on the magical border of an otherworld. It is a story of fantastic love and heartrending loss; of impossible things and unshakable destinies; and of the great Tale that envelops us all. It is a wonder.]]> 538 John Crowley 0061120057 Jimmy 0 to-read-fiction 3.81 1981 Little, Big
author: John Crowley
name: Jimmy
average rating: 3.81
book published: 1981
rating: 0
read at:
date added: 2023/03/20
shelves: to-read-fiction
review:

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<![CDATA[The Blue Clerk: Ars Poetica in 59 Versos]]> 36499897 248 Dionne Brand 1478000066 Jimmy 0 to-read-other 4.54 2018 The Blue Clerk: Ars Poetica in 59 Versos
author: Dionne Brand
name: Jimmy
average rating: 4.54
book published: 2018
rating: 0
read at:
date added: 2023/03/20
shelves: to-read-other
review:

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Don Quixote 3835 Don Quixote chronicles the adventures of the self-created knight-errant Don Quixote of La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. You haven't experienced Don Quixote in English until you've read this masterful translation.]]> 940 Miguel de Cervantes Saavedra 0060934344 Jimmy 0 to-read-fiction 4.12 1615 Don Quixote
author: Miguel de Cervantes Saavedra
name: Jimmy
average rating: 4.12
book published: 1615
rating: 0
read at:
date added: 2023/03/20
shelves: to-read-fiction
review:

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Hamlet 329519
“To be, or not to be: that is the question�

There is arguably no work of fiction quoted as often as William Shakespeare’s Hamlet. This haunting tragedy of a troubled Danish prince devoted to avenging his father’s death has captivated audiences for centuries.

This revised Signet Classics edition includes unique features such as:

� An overview of Shakespeare’s life, world, and theater
� A special introduction to the play by the editor, Sylvan Barnet
� Sources from which Shakespeare derived Hamlet
� Dramatic criticism from Samuel Taylor Coleridge, A. C. Bradley, Maynard Mack, and others
� A comprehensive stage and screen history of notable actors, directors, and productions
� Text, notes, and commentaries printed in the clearest, most readable text
� And more…]]>
271 William Shakespeare 0451526929 Jimmy 0 to-read-fiction 4.11 1601 Hamlet
author: William Shakespeare
name: Jimmy
average rating: 4.11
book published: 1601
rating: 0
read at:
date added: 2023/03/20
shelves: to-read-fiction
review:

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<![CDATA[A Monk’s Guide to A Clean House & Mind]]> 35656221 Cleanliness is next to enlightenment. In this Japanese bestseller a Buddhist monk explains the traditional meditative techniques that will help cleanse not only your house - but your soul.

Live clean. Feel calm. Be happy.

We remove dust to sweep away our worldly cares. We live simply and take time to contemplate the self, mindfully living each moment. It's not just monks that need to live this way. Everyone in today's busy world needs it.

In Japan, cleanliness is next to enlightenment. This bestselling guide by a Zen Buddhist monk draws on ancient traditions to show you how a few simple changes to your daily habits - from your early morning routine to preparing food, from respecting the objects around you to working together as a team -will not only make your home calmer and cleaner, but will leave you feeling refreshed, happier and more fulfilled.]]>
130 Shoukei Matsumoto 184614969X Jimmy 0 to-read-nonfic 3.58 2011 A Monk’s Guide to A Clean House & Mind
author: Shoukei Matsumoto
name: Jimmy
average rating: 3.58
book published: 2011
rating: 0
read at:
date added: 2023/02/01
shelves: to-read-nonfic
review:

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<![CDATA[Gathering Moss: A Natural and Cultural History of Mosses]]> 87040 Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses. Robin Wall Kimmerer's book is not an identification guide, nor is it a scientific treatise. Rather, it is a series of linked personal essays that will lead general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings, from salmon and hummingbirds to redwoods and rednecks. Kimmerer clearly and artfully explains the biology of mosses, while at the same time reflecting on what these fascinating organisms have to teach us.

Drawing on her diverse experiences as a scientist, mother, teacher, and writer of Native American heritage, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.

Gathering Moss will appeal to a wide range of readers, from bryologists to those interested in natural history and the environment, Native Americans, and contemporary nature and science writing.

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168 Robin Wall Kimmerer 0870714996 Jimmy 0 to-read-nonfic 4.39 2003 Gathering Moss: A Natural and Cultural History of Mosses
author: Robin Wall Kimmerer
name: Jimmy
average rating: 4.39
book published: 2003
rating: 0
read at:
date added: 2023/02/01
shelves: to-read-nonfic
review:

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<![CDATA[Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants]]> 17465709 Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.]]> 408 Robin Wall Kimmerer 1571313354 Jimmy 0 to-read-nonfic 4.52 2013 Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants
author: Robin Wall Kimmerer
name: Jimmy
average rating: 4.52
book published: 2013
rating: 0
read at:
date added: 2023/02/01
shelves: to-read-nonfic
review:

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<![CDATA[Hidden Mountains: Survival and Reckoning After a Climb Gone Wrong]]> 60879770
In 2018, two couples set out on an expedition to Alaska’s Hidden Mountains, one of the last wild ranges in North America. A rarity in modern climbing, the peaks were nearly unexplored and untouched, a place where few people had ever visited and granite spires still awaited first ascents. Inspired by generations of daring alpinists before them, the four friends were now compelled to strike out into uncharted territory themselves. This trip to the Hidden Mountains would be the culmination of years of climbing together, promising to test the foursome’s skill and dedication to the sport. But as they would soon discover, no amount of preparation can account for the unknowns of true wilderness. As they neared the top of an unclimbed peak, rockfall grievously injured one of the team while he was out of sight, leaving him stranded and in critical condition. Over the course of the next nine hours, the other three climbers worked to reach their companion. What followed was a pulse-pounding rescue attempt by Alaska’s elite pararescue jumpers in one of the most remote regions in the country—raising difficult questions about wilderness accessibility, technology’s role in outdoor adventure, and what it means to weigh risk against the siren song of the mountains. With visceral prose, Michael Wejchert recounts the group’s rescue and traces the scars left in the wake of life-altering trauma. Weaving the history and evolution of rock and alpine climbing with outside tales of loss and survival in the mountains, Wejchert gives a full picture of the reward—and cost—of following your passions in the outdoors.]]>
256 Michael Wejchert 0063085526 Jimmy 0 to-read-nonfic 3.82 Hidden Mountains: Survival and Reckoning After a Climb Gone Wrong
author: Michael Wejchert
name: Jimmy
average rating: 3.82
book published:
rating: 0
read at:
date added: 2023/01/31
shelves: to-read-nonfic
review:

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<![CDATA[A Fly in the Soup: Memoirs (Poets On Poetry)]]> 396690 A Fly in the Soup is a book of memoirs. Charles Simic was born in 1938 in Belgrade, Yugoslavia, and spent his childhood in a city bombed by the Nazis in 1941 and then by the Allies in 1944. He was jailed with his mother after the war for trying to flee what was by then a communist country. He managed to emigrate in 1953, first to Paris and then a year later to the United States. He lived in New York, completed his high school education in Chicago and began writing in English and publishing his first poems in 1959 when he was twenty-one years old.
The book collects pieces written on such diverse subjects as memory, history, the bombing of cities, cuisine, philosophy, life in the army, movies, and growing up in wartime. Arranged chronologically, they make an unusual memoir of exile and refugee life, a collage of stories, anecdotes, meditations and poetic fragments from one of the most barbaric periods of the last century. This is a story of a young man whose travel agents were Hitler and Stalin--the autobiography of the early years of one of the most respected contemporary American poets.
Charles Simic has published more than sixty books in the United States and abroad for which he has received a number of prestigious literary awards including the Pulitzer Prize for poetry and the MacArthur Fellowship.
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200 Charles Simic 0472089099 Jimmy 0 to-read-nonfic 4.11 2003 A Fly in the Soup: Memoirs (Poets On Poetry)
author: Charles Simic
name: Jimmy
average rating: 4.11
book published: 2003
rating: 0
read at:
date added: 2023/01/10
shelves: to-read-nonfic
review:

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<![CDATA[Break the Glass (Lannan Literary Selections)]]> 8522640 Library Journal

In her eleventh collection, National Book Award–winning poet Jean Valentine characteristically weds a moral imperative to imaginative and linguistic leaps and bounds. Whether writing elegies, meditations on aging, or an extended homage to ancient remains, Valentine searches out ideas and explores the unexplainable. As Adrienne Rich has said of Valentine's work, "This is a poetry of the highest order, because it lets us into spaces and meanings we couldn't approach in any other way."

From "If a Person Visits Someone in a Dream, in Some Cultures the Dreamer Thanks Them":

At a hotel in another star. The rooms were cold and
damp, we were both at the desk at midnight asking if
they had any heaters. They had one heater. You are
ill, please you take it. Thank you for visiting my dream.


*

Can you breathe all right?
Break the glass shout
break the glass force the room
break the thread Open
the music behind the glass . . .


Jean Valentine is the state poet of New York. She has earned many honors, including the National Book Award, the Wallace Stevens Award, and the Shelley Memorial Prize. She has taught at Sarah Lawrence College, New York University, and Columbia University. She lives in New York City.]]>
81 Jean Valentine 155659321X Jimmy 3 3.91 2010 Break the Glass (Lannan Literary Selections)
author: Jean Valentine
name: Jimmy
average rating: 3.91
book published: 2010
rating: 3
read at: 2022/11/30
date added: 2023/01/04
shelves: poetry, female, year-2010s, and-a-half-stars
review:

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Stay True 59900070 New Yorker staff writer Hua Hsu, a gripping memoir on friendship, grief, the search for self, and the solace that can be found through art.

In the eyes of eighteen-year-old Hua Hsu, the problem with Ken--with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity--is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes 'zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn't seem to have a place for either of them.

But despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the textbook successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet.

Determined to hold on to all that was left of one of his closest friends--his memories--Hua turned to writing. Stay True is the book he's been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.]]>
208 Hua Hsu 0385547773 Jimmy 2
Part of the problem is I had no idea wtf this memoir was about!

Was it about his immigrant upbringing and his teenage identity crisis? Or was it about his college friends, especially his friend Ken, who was later (SPOILER) murdered? If it's the latter, then I don't understand why Ken wasn't introduced until after the halfway point of the book, and his murder not brought up until about the last quarter of the book. Or maybe the two parts are connected, because Ken is asian american himself... but Japanese, which is (relatively speaking) the more assimilated version of asian american. But again, I was looking for more depth in this department, because I couldn't quite see a coherent point being made, just an attempt and a miss.

Also, there's no big mystery behind his murder, it's a simple banal crime. So it was all about Hua's feelings of guilt (unwarranted) around the murder, even though it had nothing to do with him, really. It seems a bit self centered to make it all about himself. I'd like to think Hua is at least self aware and poking fun at himself a little about this, but I'm not always sure...

There's some potential with his friendship with Ken: lessons of self growth, of learning that we are more than our manufactured identies of likes and dislikes. Hua's hypocrisy and immaturity is exposed through the friendship. It's a lesson I think he kinda learns throughout the book; Hua grows up, but I don't feel like this was focused on enough, and also I'm not sure he has really internalized this lesson, or if he has, it doesn't show in this memoir... there doesn't seem to be enough deep examination or insight into this to make it convincing or interesting.

The other part of the problem was that the writing was boring. It's the "this happened and then this happened" type of writing style that felt kind of pointless and unending. Why are you telling me all these details about your college friends and what house you moved into when with what roommates, etc? What's the bigger picture here? About 30% or more of the book could have been cut.

There WERE moments of enjoyment, though. For example, I loved that he included the full text of his father's (faxed) letters to him. His father's sweet and earnest messages reminded me of my own parents. He seemed desperate to connect, yet hopelessly of a different generation and mindset. His broken english communicated more than the most perfect english could, and though they probably will never see eye to eye on everything, there's an openness and love there that is refreshing to see in an asian dad (typically very reserved and stern). Maybe the memoir could've been about THAT! But no, that was only a small part of it.]]>
4.00 2022 Stay True
author: Hua Hsu
name: Jimmy
average rating: 4.00
book published: 2022
rating: 2
read at: 2022/12/31
date added: 2023/01/03
shelves: poc, memoir-ish, year-2020s, male, unpopular-opinion
review:
I'm the same age as Hua Hsu, the author of this memoir. I'm also an asian american (although he's Taiwanese, second generation) and, like him, grew up in the nineties, when the pinnacle of cool consisted of knowing obscure bands before anybody else did (now, there's no point, when everything is streamed at the push of a button). Like him, I also got into zines and the DIY aesthetic and writing. So I'm really the ideal audience for this book, but I felt quite unmoved by it.

Part of the problem is I had no idea wtf this memoir was about!

Was it about his immigrant upbringing and his teenage identity crisis? Or was it about his college friends, especially his friend Ken, who was later (SPOILER) murdered? If it's the latter, then I don't understand why Ken wasn't introduced until after the halfway point of the book, and his murder not brought up until about the last quarter of the book. Or maybe the two parts are connected, because Ken is asian american himself... but Japanese, which is (relatively speaking) the more assimilated version of asian american. But again, I was looking for more depth in this department, because I couldn't quite see a coherent point being made, just an attempt and a miss.

Also, there's no big mystery behind his murder, it's a simple banal crime. So it was all about Hua's feelings of guilt (unwarranted) around the murder, even though it had nothing to do with him, really. It seems a bit self centered to make it all about himself. I'd like to think Hua is at least self aware and poking fun at himself a little about this, but I'm not always sure...

There's some potential with his friendship with Ken: lessons of self growth, of learning that we are more than our manufactured identies of likes and dislikes. Hua's hypocrisy and immaturity is exposed through the friendship. It's a lesson I think he kinda learns throughout the book; Hua grows up, but I don't feel like this was focused on enough, and also I'm not sure he has really internalized this lesson, or if he has, it doesn't show in this memoir... there doesn't seem to be enough deep examination or insight into this to make it convincing or interesting.

The other part of the problem was that the writing was boring. It's the "this happened and then this happened" type of writing style that felt kind of pointless and unending. Why are you telling me all these details about your college friends and what house you moved into when with what roommates, etc? What's the bigger picture here? About 30% or more of the book could have been cut.

There WERE moments of enjoyment, though. For example, I loved that he included the full text of his father's (faxed) letters to him. His father's sweet and earnest messages reminded me of my own parents. He seemed desperate to connect, yet hopelessly of a different generation and mindset. His broken english communicated more than the most perfect english could, and though they probably will never see eye to eye on everything, there's an openness and love there that is refreshing to see in an asian dad (typically very reserved and stern). Maybe the memoir could've been about THAT! But no, that was only a small part of it.
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<![CDATA[They Can't Kill Us Until They Kill Us]]> 33947154
In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.]]>
291 Hanif Abdurraqib Jimmy 5
I think something I've noticed about the way he explains racial misunderstandings is that a lot of times it comes from a lack of context.

It's like a person who has never been hungry looking at someone who is starving and asking "why are you acting this way? Why aren't you using the proper utensils and being proper?" and just not understanding that how they (someone who has been fed) would act is different and not at all relevant to the starving person's predicament.

A lot of this is about survival, and when it's not about survival, it's about joy. About enjoying the moment BECAUSE you never know how long you're gonna get to.

Also: even though some of this music might not be your jam, don't let that deter you. The music writing here served as an eye opening way for me to enter worlds I was not aware of before. Even when I didn't enjoy the same music he's talking about, the essays here made me appreciate where each artist was coming from and how to listen, how differently one can listen (in all senses of that verb: to listen).

Lastly: unlike most books on race, this one actually gives me a strange hopefulness, while still being gut-wrenchingly realistic about the horrible state of the world.]]>
4.57 2017 They Can't Kill Us Until They Kill Us
author: Hanif Abdurraqib
name: Jimmy
average rating: 4.57
book published: 2017
rating: 5
read at: 2021/12/24
date added: 2023/01/03
shelves: non-fiction, male, poc, year-2010s, my-canon
review:
This is one of the most powerful and enlightening books about race I've ever read. It's also one of the most powerful and enlightening books about music I've ever read. To be able to do those two things at once, and to have one enlighten the other and vice versa, while also inviting the reader in with such a warm voice, like an old friend sharing stories on the porch, without judgement or snobbishness, with an aim at understanding and love is an absolute miracle. That he was able to reach such heights with almost every essay here is astounding.

I think something I've noticed about the way he explains racial misunderstandings is that a lot of times it comes from a lack of context.

It's like a person who has never been hungry looking at someone who is starving and asking "why are you acting this way? Why aren't you using the proper utensils and being proper?" and just not understanding that how they (someone who has been fed) would act is different and not at all relevant to the starving person's predicament.

A lot of this is about survival, and when it's not about survival, it's about joy. About enjoying the moment BECAUSE you never know how long you're gonna get to.

Also: even though some of this music might not be your jam, don't let that deter you. The music writing here served as an eye opening way for me to enter worlds I was not aware of before. Even when I didn't enjoy the same music he's talking about, the essays here made me appreciate where each artist was coming from and how to listen, how differently one can listen (in all senses of that verb: to listen).

Lastly: unlike most books on race, this one actually gives me a strange hopefulness, while still being gut-wrenchingly realistic about the horrible state of the world.
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Checkout 19 58386758
In a working-class town in a county west of London, a schoolgirl scribbles stories in the back pages of her exercise book, intoxicated by the first sparks of her imagination. As she grows, everything and everyone she encounters become fuel for a burning talent. The large Russian man in the ancient maroon car who careens around the grocery store where she works as a checkout clerk, and slips her a copy of Beyond Good and Evil. The growing heaps of other books in which she loses-and finds-herself. Even the derailing of a friendship, in a devastating violation. The thrill of learning to conjure characters and scenarios in her head is matched by the exhilaration of forging her own way in the world, the two kinds of ingenuity kindling to a brilliant conflagration.

Exceeding the extraordinary promise of Bennett's mold-shattering debut, Checkout 19 is a radical affirmation of the power of the imagination and the magic escape those who master it open to us all.]]>
288 Claire-Louise Bennett 0593420497 Jimmy 5 Pond, I said "I do not see a Claire-voice, not yet, it is still something forming and not completely itself. Perhaps too cutesy still."

Well, folks, either I was wrong (and never have I been so happy to be so) or she has finally arrived! Either way, I'm ecstatic that I gave this book a chance because it is everything the first book was hyped up to be (but never delivered, at least for me). I think all she needed was a bigger canvas. The pieces here are longer, allowing her enough room for her thoughts to disappear into other thoughts, ferment in the shadows, and then come back around with greater force.
He holds a candle and the candle is white and its flame ducks down again and again as if to avoid something or many things flying about them fast and low up and down the passageway
I thought Pond's intense focus on minutiae was admirable but ultimately seemed to peter out into nothingness. I didn't see the point. Here, they do the opposite, they are a bunch of nothingnesses that add up to something way more powerful than you'd expect.
More than once I’ve imagined taking the bloodstained tissue into a department store, up to the Chanel counter, the Dior counter, the Lancôme counter, and saying ‘Look, this is the red, this is it, this is the most perfect red in the world. Let me see a lipstick at long last in this most perfect shade of red.�
She does something truly her own that is hard to compare with anything I've read before. I think the closest comparison I can come up with is Proust, but only in the sense that she examines memories built from an accumulation of intensely observed details. But her voice is so different from Proust's and also she does it very differently. Each chapter is a seemingly different story, but they're subtly interlinked by the same rotating cast of memories that she revisits time and time again, and each time from a different angle, with a different focus. Thus these memories grow in significance and perspective; it was as if I was remembering a memory of my own, except it was a memory of me reading her memory earlier in the book.

Not only do memories and minutiae intermingle with her imagination in a way that you get taken on this ride through her train of thought where you start with a memory of reading a book that then goes into the plot details of the book then back out into the memory then into another memory of writing a short story then into the short story itself then into a portion of the short story that she didn't write but is now imagining as a new development of the short story if she had written it now and in which you are totally immersed inside of so that the characters of the short story are almost as real as the memories in which she recalls and then after pages of being inside the story she takes you back out into the her writing the story, etc. etc. all while regulating her tone and voice so that it goes from melancholy to lighthearted absurdity and back but it all works together and it never feels jarring.

At one point, she recalls writing a short story in her youth, and not being able to resist the temptation of dressing up her characters incongruently based on her whims and moods:
it vexed me that the marvellous mishmash of glad rags and clandestine accoutrements that came to mind whenever I thought about Tarquin Superbus would ultimately undermine the credibility of my story if I set them all down, but set them down I did, all the same, anachronism upon anachronism, because it was immensely enjoyable for one thing and � historical incongruence notwithstanding � it seemed to me that such details lent the tale so much atmosphere and intrigue.
This is telling, because she still does that, and I'm glad she does, because it works! But it goes beyond dressing her characters up, into wanting to put things together that wouldn't normally go together, if only for a very specific hard-to-place texture of the prose. For me, her voice sounds vaguely of another time, yet also very modern. Her references too, as when she recalls her schooldays, she says some things made her think of World War 1, then later she said other things made her think of World War 2, and then she mentions Weight Watchers. By god, lady, how old were you and when was this set?
It was exciting, standing in the girls� toilets during lesson time all on my own surrounded by small shining white tiles with blood drying on the inside of my thighs and another girl’s clean pair of knickers in my hands. It made me think of the First World War, though many things then made me think of the First World War.
But that's not a criticism, because I actually think this adds a certain timelessness to her writing, and a weird eccentric feel to it. And a sense of mystery to it too, something about her writing is slightly off, but in the best of ways, in a way that you can't quite put into words. Basically she breaks all the rules of writing, in a good way. But it all adds to the texture of the prose so that I feel like I am constantly in a candy shop of words and I can try anything my heart desires.
I’ve always been very taken with aubergines, with the way they are so tightly sheathed in a shining bulletproof darkness. When I was a dismayed student in London I often fantasised about hanging a great many aubergines from the square ceiling of my sketchy boudoir. Imagine lying there beneath such a pendulous chandelier of lambent gloom � imagine the transporting reflections slipping across their sleek hermetic skins, the assuaging shadows they’d cast as degradation tipped them into slow stately revolutions, the whisperings, the whisperings, the sighs, the melancholy glow.
The thing tying all these pieces together is the theme of books and writing. But she goes places not immediately apparent through that theme. The first piece "A Silly Business" was good but not great, so I thought I was still in Pond territory, but the next two pieces quickly put that thought to rest. "Bright Spark" was amazing. Certain scenes here were so vivid in my mind as I read, it felt magical.
Who knows what would come out of my mouth as I stood out of time. Perhaps I am a nun in the north of Italy rinsing out skeins and skeins of bandages and outside in the woods tired filthy men are advancing and shooting at one another from behind dripping trees and they shall all be halted in their deplorable tracks the moment they hear me sing.
And the way she's able to move from thought to thought, I didn't think it could get better but "Won't You Bring in the Birds?" might have even topped it. The absurd nature of recalling a story she wrote a long time ago, so that you the reader are reading about her talking about a story, but it's as if you are IN the story, momentarily, then every once in a while popping out to current day Claire telling you about writing it, and then the story itself in all its absurdity and imagination, and then finally, the coming together of the story's themes with her present day recalling the story themes just blew me away.
If Tarquin Superbus is licking his fingers and thumbs chances are he is in Vienna. It is also Vienna when Tarquin and the Doctor are sat in a relaxed sort of way, amiably discussing perhaps a light piece of conservatoire news. If there is a bevy of hen’s eggs squelching away in a pan of oil on a small squat stove on the other hand then Tarquin Superbus most certainly is in Venice.
My only regret is that I didn't have time to read each chapter through entirely in one sitting. Maybe on a re-read I'll try to do that, because it's nice once you're in her head to stay there till the very end, uninterrupted. But it's okay, I'm probably going to read this a second time very soon, in fact I'm already looking forward to it.

"We Were the Drama" gutted me. It addresses a kind of predator that I definitely knew existed but haven't seen much in literature, the white knight who will go out of his way to defend you but out of ulterior motives because he's actually the one you need defending from the most. And her whole reaction to the episode is so heartbreaking yet true.
The briefest love is also sometimes the longest love
"Woman Out of Nowhere" was also great, and threw me for a bit until I realized that it was written from the collective "us" of past selves:
We felt ageless in fact. In fact we felt all the ages we’ve ever been all at once.
I'm rambling and have repeated myself endlessly, but I just want to say that if Pond didn't fully convince you, PLEASE give this one a chance. It is absolutely fantastic and one of the best and most unique books I've ever read.]]>
3.11 2021 Checkout 19
author: Claire-Louise Bennett
name: Jimmy
average rating: 3.11
book published: 2021
rating: 5
read at: 2022/03/15
date added: 2023/01/03
shelves: female, memoir-ish, year-2020s, truly-madly-deeply-original, united-kingdom, my-canon
review:
In my 3-star review of Claire Louise Bennett's first book Pond, I said "I do not see a Claire-voice, not yet, it is still something forming and not completely itself. Perhaps too cutesy still."

Well, folks, either I was wrong (and never have I been so happy to be so) or she has finally arrived! Either way, I'm ecstatic that I gave this book a chance because it is everything the first book was hyped up to be (but never delivered, at least for me). I think all she needed was a bigger canvas. The pieces here are longer, allowing her enough room for her thoughts to disappear into other thoughts, ferment in the shadows, and then come back around with greater force.
He holds a candle and the candle is white and its flame ducks down again and again as if to avoid something or many things flying about them fast and low up and down the passageway
I thought Pond's intense focus on minutiae was admirable but ultimately seemed to peter out into nothingness. I didn't see the point. Here, they do the opposite, they are a bunch of nothingnesses that add up to something way more powerful than you'd expect.
More than once I’ve imagined taking the bloodstained tissue into a department store, up to the Chanel counter, the Dior counter, the Lancôme counter, and saying ‘Look, this is the red, this is it, this is the most perfect red in the world. Let me see a lipstick at long last in this most perfect shade of red.�
She does something truly her own that is hard to compare with anything I've read before. I think the closest comparison I can come up with is Proust, but only in the sense that she examines memories built from an accumulation of intensely observed details. But her voice is so different from Proust's and also she does it very differently. Each chapter is a seemingly different story, but they're subtly interlinked by the same rotating cast of memories that she revisits time and time again, and each time from a different angle, with a different focus. Thus these memories grow in significance and perspective; it was as if I was remembering a memory of my own, except it was a memory of me reading her memory earlier in the book.

Not only do memories and minutiae intermingle with her imagination in a way that you get taken on this ride through her train of thought where you start with a memory of reading a book that then goes into the plot details of the book then back out into the memory then into another memory of writing a short story then into the short story itself then into a portion of the short story that she didn't write but is now imagining as a new development of the short story if she had written it now and in which you are totally immersed inside of so that the characters of the short story are almost as real as the memories in which she recalls and then after pages of being inside the story she takes you back out into the her writing the story, etc. etc. all while regulating her tone and voice so that it goes from melancholy to lighthearted absurdity and back but it all works together and it never feels jarring.

At one point, she recalls writing a short story in her youth, and not being able to resist the temptation of dressing up her characters incongruently based on her whims and moods:
it vexed me that the marvellous mishmash of glad rags and clandestine accoutrements that came to mind whenever I thought about Tarquin Superbus would ultimately undermine the credibility of my story if I set them all down, but set them down I did, all the same, anachronism upon anachronism, because it was immensely enjoyable for one thing and � historical incongruence notwithstanding � it seemed to me that such details lent the tale so much atmosphere and intrigue.
This is telling, because she still does that, and I'm glad she does, because it works! But it goes beyond dressing her characters up, into wanting to put things together that wouldn't normally go together, if only for a very specific hard-to-place texture of the prose. For me, her voice sounds vaguely of another time, yet also very modern. Her references too, as when she recalls her schooldays, she says some things made her think of World War 1, then later she said other things made her think of World War 2, and then she mentions Weight Watchers. By god, lady, how old were you and when was this set?
It was exciting, standing in the girls� toilets during lesson time all on my own surrounded by small shining white tiles with blood drying on the inside of my thighs and another girl’s clean pair of knickers in my hands. It made me think of the First World War, though many things then made me think of the First World War.
But that's not a criticism, because I actually think this adds a certain timelessness to her writing, and a weird eccentric feel to it. And a sense of mystery to it too, something about her writing is slightly off, but in the best of ways, in a way that you can't quite put into words. Basically she breaks all the rules of writing, in a good way. But it all adds to the texture of the prose so that I feel like I am constantly in a candy shop of words and I can try anything my heart desires.
I’ve always been very taken with aubergines, with the way they are so tightly sheathed in a shining bulletproof darkness. When I was a dismayed student in London I often fantasised about hanging a great many aubergines from the square ceiling of my sketchy boudoir. Imagine lying there beneath such a pendulous chandelier of lambent gloom � imagine the transporting reflections slipping across their sleek hermetic skins, the assuaging shadows they’d cast as degradation tipped them into slow stately revolutions, the whisperings, the whisperings, the sighs, the melancholy glow.
The thing tying all these pieces together is the theme of books and writing. But she goes places not immediately apparent through that theme. The first piece "A Silly Business" was good but not great, so I thought I was still in Pond territory, but the next two pieces quickly put that thought to rest. "Bright Spark" was amazing. Certain scenes here were so vivid in my mind as I read, it felt magical.
Who knows what would come out of my mouth as I stood out of time. Perhaps I am a nun in the north of Italy rinsing out skeins and skeins of bandages and outside in the woods tired filthy men are advancing and shooting at one another from behind dripping trees and they shall all be halted in their deplorable tracks the moment they hear me sing.
And the way she's able to move from thought to thought, I didn't think it could get better but "Won't You Bring in the Birds?" might have even topped it. The absurd nature of recalling a story she wrote a long time ago, so that you the reader are reading about her talking about a story, but it's as if you are IN the story, momentarily, then every once in a while popping out to current day Claire telling you about writing it, and then the story itself in all its absurdity and imagination, and then finally, the coming together of the story's themes with her present day recalling the story themes just blew me away.
If Tarquin Superbus is licking his fingers and thumbs chances are he is in Vienna. It is also Vienna when Tarquin and the Doctor are sat in a relaxed sort of way, amiably discussing perhaps a light piece of conservatoire news. If there is a bevy of hen’s eggs squelching away in a pan of oil on a small squat stove on the other hand then Tarquin Superbus most certainly is in Venice.
My only regret is that I didn't have time to read each chapter through entirely in one sitting. Maybe on a re-read I'll try to do that, because it's nice once you're in her head to stay there till the very end, uninterrupted. But it's okay, I'm probably going to read this a second time very soon, in fact I'm already looking forward to it.

"We Were the Drama" gutted me. It addresses a kind of predator that I definitely knew existed but haven't seen much in literature, the white knight who will go out of his way to defend you but out of ulterior motives because he's actually the one you need defending from the most. And her whole reaction to the episode is so heartbreaking yet true.
The briefest love is also sometimes the longest love
"Woman Out of Nowhere" was also great, and threw me for a bit until I realized that it was written from the collective "us" of past selves:
We felt ageless in fact. In fact we felt all the ages we’ve ever been all at once.
I'm rambling and have repeated myself endlessly, but I just want to say that if Pond didn't fully convince you, PLEASE give this one a chance. It is absolutely fantastic and one of the best and most unique books I've ever read.
]]>
Middlemarch 19089 "People are almost always better than their neighbours think they are"

George Eliot’s most ambitious novel is a masterly evocation of diverse lives and changing fortunes in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfillment leads her into a disastrous marriage to the pedantic scholar Casaubon; the charming but tactless Dr Lydgate, whose pioneering medical methods, combined with an imprudent marriage to the spendthrift beauty Rosamond, threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his past. As their stories interweave, George Eliot creates a richly nuanced and moving drama, hailed by Virginia Woolf as "one of the few English novels written for grown-up people".]]>
912 George Eliot 0451529170 Jimmy 5
Here are some random notes taken while reading it. Be warned: SPOILERS if you read any further...

PRELUDE:

I went back and read it after reading a few chapters, to better understand it.

The idea of inconsistency and formlessness as a criticism against women seems like a theme, as it is one of the criticisms that was made towards Dorothea later by Celia (and maybe others?).

The idea of Teresa having the social order of religion as a structure in which to excel is interesting, and gives a reason why some of the other "Teresa"s never found their way to a satisfying/successful life? What does religion provide women? Perhaps that's something to think about. How can a woman excel if their ambitions are outside of the realms of religion? Perhaps that is one of the few areas where a woman can apply herself at that time, even though it would still be hard (as Teresa also met opposition because of her sex).

BOOK 1
CHAPTER 1-12

The first 2 or 3 chapters are more difficult to get into, but after that it gets much easier/less abstract/more dialogue, etc. With occasional dipping back into a more abstract elevated language where I have to slow down.

Maybe need to read the first few chapters again after I finish Book 1.

Lenses: weird metaphors dealing with lenses were an interesting choice... telescopic, microscopic, and magnifying... especially used often in assoc. with Mrs. Cadwallader. End of chapter 6, for ex. And this one:

"No. Somebody put a drop under a maginfying-glass and it was all semicolons and parentheses," said Mrs. Cadwallader.

Weird "scientific" language also, like talk of phosphorous, vortices, irregular solids, etc. Perhaps reflects something of the reformation age? and hope in science in all aspects of human life?

Related to this point, a quote from :

"The subtitle ‘a study of provincial life� is intriguing. It makes the whole thing sound awfully scientific, and for most of the book, there is this sense of a scientific detachment around the characters and events. But every so often, Eliot seems to break out of that mode, unable to stay impartial. It mostly seems to happen around Dorothea and Casaubon. And although I never warmed to Casaubon (the epitome of ‘a shiver, waiting to run up a spine� if I ever saw one) I COMPLETELY understand about Dorothea."

A major theme (at least in this first book) is "how should a woman be" or rather "how should a woman be ... for a man" and maybe implicitly: "should a woman be some type of way (for a man) or just be herself"?

Dorothea is cast as a naively idealistic character, but maybe I'm also naivey idealistic because I really like her and am rooting for her to succeed even though there are already signs that her marriage will fail.

I like that she ardently thirsts for knowledge and aims to do good in the world, and be something other than a lady who enjoys ladylike things. What I'm not sure about yet is whether the book sides with her or not.

I feel that Dorothea isn't genuinely religious, it's just that religion gives her a medium in which to be ardently ambitious.

Context:

Tories = anti reform
Whigs = pro reform

I read somewhere that Ladislaw is Dorothea's counterpart and it got me thinking... there's probably a little truth to it since if Dorothea was a man instead of a woman, her thirst for knowledge would come out differently, instead of in religion and book-learning, perhaps other avenues would open up for her like travelling about aimlessly, searching for a more personalized purpose.

I really like Mary Garth, she seems cynical and funny.

BOOK 2:

Chapter 15: she gets more abstract here before talking about Lydgate and I love it. She gives subtle digs at the tendency for culture to romanticize first love and de-romanticize for lack of a better word (trivialize?) that other love--the love of daily hard work towards a meaningful goal.

She's so subtle in all her digs!

Really loved this chapter, which is kind of like a flashback episode on Lydgate's life before he moved to Middlemarch. With a lot of Eliot's own opinions subtly but liberally sprinkled in there.

Ch 17 - Lydgate visits Farebrother, need to re-read this as I was read it in many interrupted spurts and was quite uninterested in Farebrother and didn't feel like getting introduced to a new character at this point. But there were some interesting parts here that I probably missed and may be more important later on

Something I noticed about how she structures her chapters: almost every chapter starts out somewhere then changes into a different scene. So like if this were a play, each chapter would be 2 acts, with a transition in between. Like A talks to B in first part of chapter, then B goes downstairs and talks to C would be the last part of the chapter. It's not always so straight forward, but it follows that general pattern.

BOOK 3:

All about Fred Vincy being a good for nothing, losing money and costing Mary's father money, but also how he's in love with Mary, but doesn't think about what he's doing as affecting others, just how others think of him.

---- huge gap in notes ----

The middle of the book is (for me) so slow... a lot of small changes, conversations and gossip, local politics gone into minute detail that I don't care about, etc. But I can't say it's all for nought, as it all builds up into a very complete picture of this provincial town, so that you REALLY get to know the characters. This becomes very useful in the final two books. There's an almost Dickensian quality to parts of the last 2 books, which is very unlike Eliot, even some of the character's names like Raffles and how he acts is straight out of Dickens. Except, thankfully, Eliot is a much better writer IMO and everything she puts down on paper has a point, like an intricate architecture she's building.

I'm in BOOK 8 now... one thing I noticed is that the book is good at painting a complete picture of a person... and their greatest weaknesses, but also in other situations how their greatest weakness is also their greatest strength.

For example, Dorothea's idealism and high mindedness seemed to put her in a bad marriage (although I, unlike many other readers, thought it was admirable (at least in intent) for her to look to marry someone not for superficial things but because of a grander purpose... I thought her only failing was not investigating whether this person who she put all her hopes in for this grander purpose really was who she was imagining him to be. Also there is the difference between doing good towards your ideals, and giving yourself up to someone who may have these ideals you're looking for... a form of self-negation which is not really healthy)

Anyway, this same naivety/idealism is making her believe and act loyally towards Lydgate, when his reputation is in danger and the situation is looking bad (even though he is innocent of all crimes). She is the only one in town who believes him, which I find very touching and highlights the place someone idealistic like Dodo can have in society, and the function someone like that can serve.

Also I think it's interesting seeing how the two married couples deal with this defaming... first Mr. and Mrs. Bulstrode, how they stood in silent understanding and empathy and cried, yet were there for each other. And then in Lydgate and Rosamond who were also silent for the most part, but each thinking of different things. Rosamond does not believe in Lydgate, and in fact it's worse than that... she doesn't even care what the truth is, she just wants a cushy life, somewhere far away where she doesn't have to deal with this disgrace anymore. Whereas Lydgate wants his name cleared of disgrace and knows if he flees it will further cement his supposed guilt.

Because of his ties to Bulstrode, Lydgate is metaphorically tried in the court of public belief, and falls into hopelessness... reminds me of cancel culure at its worst sometimes, i.e. jumping to conclusions without proper context. But Dorothea pulls him out of this hopelessness because she (and nobody else) believes him! This was VERY touching.

When you believe in someone's character, you should give them the benefit of the doubt. This basically saves Lydgate.

Meanwhile Will Ladislaw is caught in a compromising position with Rosamond and thus LOSES Dorothea's belief in him, she who believes in the good of everyone.

At this point in the book, I think a huge theme is "what other people think of you ends up having an effect on you"...whether it's positive thoughts (belief in someone's honesty and character, for example) or negative ones.

Dignity and honor is a huge related theme as well. And the idea that dishonor is at every corner and that you must avoid it... The dishonor of people seeing Will as trying to get Casaubon's money, or intending to woo Dorothea for that end, or the dishonor connected with Bulstrode's past.

----

The book is also about ambition. What should you be ambitious about? (money? fame? helping others?) and what do you do when your ambitions are frustrated by daily life and its many small concerns? Is it okay to have smaller ambitions, to live a small life?

I love that in the finale (which is sort of a "many years later" type of Epilogue) Eliot gives us a glimpse of 3 couples... these are almost like 3 case studies in happiness and ambition... Eliot gives us options, she doesn't say this is the one way to happiness or success...

We see Lydgate's high ambitions are never reached, he's trapped in a bad marriage and although society thinks he's a success (he makes a lot of money treating gout!) he still feels like a failure because his high ideals were never reached.

Meanwhile Dorothea's ambitions were probably just as high as Lydgate's. But perhaps her marriage to Casaubon, though tragic, was a good thing afterall, as she was able to really figure out what parts of her high ideals were good and what parts were not exactly productive. Dorothea's ambition is still there, but redirected a little... she is no longer reaching for saintly glory, aiming only to make a difference in the world and cure the ails of the poor and the sick, but is making the best of her resources to do good in her own life, to make a difference for the people around her, rather than an abstract kind of charity.

There's a scene where she realizes this, she looks out the window in wonder at the people she seems to have been blind to throughout the book, and realizes that she's part of an ever expanding circle of influences where she can make positive differences at every level:

“What should I do—how should I act now, this very day, if I could clutch my own pain, and compel it to silence, and think of those three?" It had taken long for her to come to that question, and there was light piercing into the room. She opened her curtains, and looked out towards the bit of road that lay in view, with fields beyond outside the entrance-gates. On the road there was a man with a bundle on his back and a woman carrying her baby; in the field she could see figures moving—perhaps the shepherd with his dog. Far off in the bending sky was the pearly light; and she felt the largeness of the world and the manifold wakings of men to labor and endurance. She was a part of that involuntary, palpitating life, and could neither look out on it from her luxurious shelter as a mere spectator, nor hide her eyes in selfish complaining.�

Then there is Fred Vincy and Mary Garth. Perhaps Fred never had any ambitions, and yet his happiness is not lacking (in fact, it's probably because he has so few ambitions that he ends up happy). He lives a simple flourishing life, and was able to avoid the pitfalls due to Mary's guiding presence.

I wonder if Eliot included Fred and Mary in the story to compare/contrast the differences between "normal"/simple people with people of high ambition like Lydgate and Dorothea. What I mean is that Fred and Mary aren't un-ambitious by any means, but they aren't really idealists or striving to make a huge difference in the world. They are basically "simple people" (I don't mean that in a derogatory way at all). Sometimes I think: ah, how much happier life would be if I was someone like Fred or Mary. But Eliot does a good job of showing how perhaps simple people, even though they do still have problems, are on the whole more content with their lives, less self conflicted and full of yearning than people who have an excess of useless ambition and ideals.

The book is also, of course, about marriage. On marriage, Dorothea says:

“Marriage is so unlike everything else. There is something even awful in the nearness it brings. Even if we loved some one else better than—than those we were married to, it would be no use"—poor Dorothea, in her palpitating anxiety, could only seize her language brokenly�"I mean, marriage drinks up all our power of giving or getting any blessedness in that sort of love. I know it may be very dear—but it murders our marriage—and then the marriage stays with us like a murder—and everything else is gone. And then our husband—if he loved and trusted us, and we have not helped him but made a curse in his life�"

There is so much miscommunication between couples. There's also a sense that marriage sometimes consumes individuals so that one person is asked to negate themselves. There is a sacrifice that both parties make, and neither has gained from it. Is marriage viable? Is it a trap? It's sad that divorce was not on the table for a lot of these characters. How much happier Lydgate and Rosamond could've been apart than together...

On the name Middlemarch: the name seemed arbitrary to me when I began the book, but now I see the many potential reasons for Eliot naming her town and her book this. The book is basically about being in the middle of things, in the middle of a marriage for example, and also about how life falls short of our hopes and dreams, into a sort of middle area where the average person is... a sort of "mediocre"-ness where no history is made, but yet one must trudge on... or march on, regardless.

On Reform: been giving some thought to the reasons Eliot set this in the period of reform, how that influences the ideas in the novel, etc. There are probably many reasons but the ones I came up with... First, reform applies on the societal level as well as on a smaller level; every character seems to be going through some tough changes, personal reforms if you will.

Secondly, I think having it set in a time when technology is opening up the world to people... people are traveling more freely in pursuit of knowledge (like Lydgate and Ladislaw) allows for this investigation into "ambition" to be even more poignant. It frees people up for the first time to dream even bigger, to make their lives have a real impact on the world (instead of just their communities), which may not have been something that was even imaginable before this time.

In a way, it is almost like the beginnings of globalization. Scientists and politicians are coming from outside this little town of Middlemarch and people are leaving as well. (An example of this is how Bulstrode was not worried about Raffles spreading rumors about him in another town, thinking it would never get to Middlemarch, but then practically the next day the news had reached town) The things in Middlemarch have a bigger ripple effect on the world beyond and vice versa. So in a way, the idea that this is a "study in provincial life" means it's also a study of what is increasingly becoming LESS provincial.

FURTHER READING:

- I loved this insightful article!]]>
4.00 1872 Middlemarch
author: George Eliot
name: Jimmy
average rating: 4.00
book published: 1872
rating: 5
read at: 2022/07/30
date added: 2023/01/03
shelves: female, novel, year-1870s, united-kingdom, my-canon
review:
An incredible book which was at times very frustrating to read. But I'm glad I read it. The last 2 "books" were great, and really gave me a lot to think about.

Here are some random notes taken while reading it. Be warned: SPOILERS if you read any further...

PRELUDE:

I went back and read it after reading a few chapters, to better understand it.

The idea of inconsistency and formlessness as a criticism against women seems like a theme, as it is one of the criticisms that was made towards Dorothea later by Celia (and maybe others?).

The idea of Teresa having the social order of religion as a structure in which to excel is interesting, and gives a reason why some of the other "Teresa"s never found their way to a satisfying/successful life? What does religion provide women? Perhaps that's something to think about. How can a woman excel if their ambitions are outside of the realms of religion? Perhaps that is one of the few areas where a woman can apply herself at that time, even though it would still be hard (as Teresa also met opposition because of her sex).

BOOK 1
CHAPTER 1-12

The first 2 or 3 chapters are more difficult to get into, but after that it gets much easier/less abstract/more dialogue, etc. With occasional dipping back into a more abstract elevated language where I have to slow down.

Maybe need to read the first few chapters again after I finish Book 1.

Lenses: weird metaphors dealing with lenses were an interesting choice... telescopic, microscopic, and magnifying... especially used often in assoc. with Mrs. Cadwallader. End of chapter 6, for ex. And this one:

"No. Somebody put a drop under a maginfying-glass and it was all semicolons and parentheses," said Mrs. Cadwallader.

Weird "scientific" language also, like talk of phosphorous, vortices, irregular solids, etc. Perhaps reflects something of the reformation age? and hope in science in all aspects of human life?

Related to this point, a quote from :

"The subtitle ‘a study of provincial life� is intriguing. It makes the whole thing sound awfully scientific, and for most of the book, there is this sense of a scientific detachment around the characters and events. But every so often, Eliot seems to break out of that mode, unable to stay impartial. It mostly seems to happen around Dorothea and Casaubon. And although I never warmed to Casaubon (the epitome of ‘a shiver, waiting to run up a spine� if I ever saw one) I COMPLETELY understand about Dorothea."

A major theme (at least in this first book) is "how should a woman be" or rather "how should a woman be ... for a man" and maybe implicitly: "should a woman be some type of way (for a man) or just be herself"?

Dorothea is cast as a naively idealistic character, but maybe I'm also naivey idealistic because I really like her and am rooting for her to succeed even though there are already signs that her marriage will fail.

I like that she ardently thirsts for knowledge and aims to do good in the world, and be something other than a lady who enjoys ladylike things. What I'm not sure about yet is whether the book sides with her or not.

I feel that Dorothea isn't genuinely religious, it's just that religion gives her a medium in which to be ardently ambitious.

Context:

Tories = anti reform
Whigs = pro reform

I read somewhere that Ladislaw is Dorothea's counterpart and it got me thinking... there's probably a little truth to it since if Dorothea was a man instead of a woman, her thirst for knowledge would come out differently, instead of in religion and book-learning, perhaps other avenues would open up for her like travelling about aimlessly, searching for a more personalized purpose.

I really like Mary Garth, she seems cynical and funny.

BOOK 2:

Chapter 15: she gets more abstract here before talking about Lydgate and I love it. She gives subtle digs at the tendency for culture to romanticize first love and de-romanticize for lack of a better word (trivialize?) that other love--the love of daily hard work towards a meaningful goal.

She's so subtle in all her digs!

Really loved this chapter, which is kind of like a flashback episode on Lydgate's life before he moved to Middlemarch. With a lot of Eliot's own opinions subtly but liberally sprinkled in there.

Ch 17 - Lydgate visits Farebrother, need to re-read this as I was read it in many interrupted spurts and was quite uninterested in Farebrother and didn't feel like getting introduced to a new character at this point. But there were some interesting parts here that I probably missed and may be more important later on

Something I noticed about how she structures her chapters: almost every chapter starts out somewhere then changes into a different scene. So like if this were a play, each chapter would be 2 acts, with a transition in between. Like A talks to B in first part of chapter, then B goes downstairs and talks to C would be the last part of the chapter. It's not always so straight forward, but it follows that general pattern.

BOOK 3:

All about Fred Vincy being a good for nothing, losing money and costing Mary's father money, but also how he's in love with Mary, but doesn't think about what he's doing as affecting others, just how others think of him.

---- huge gap in notes ----

The middle of the book is (for me) so slow... a lot of small changes, conversations and gossip, local politics gone into minute detail that I don't care about, etc. But I can't say it's all for nought, as it all builds up into a very complete picture of this provincial town, so that you REALLY get to know the characters. This becomes very useful in the final two books. There's an almost Dickensian quality to parts of the last 2 books, which is very unlike Eliot, even some of the character's names like Raffles and how he acts is straight out of Dickens. Except, thankfully, Eliot is a much better writer IMO and everything she puts down on paper has a point, like an intricate architecture she's building.

I'm in BOOK 8 now... one thing I noticed is that the book is good at painting a complete picture of a person... and their greatest weaknesses, but also in other situations how their greatest weakness is also their greatest strength.

For example, Dorothea's idealism and high mindedness seemed to put her in a bad marriage (although I, unlike many other readers, thought it was admirable (at least in intent) for her to look to marry someone not for superficial things but because of a grander purpose... I thought her only failing was not investigating whether this person who she put all her hopes in for this grander purpose really was who she was imagining him to be. Also there is the difference between doing good towards your ideals, and giving yourself up to someone who may have these ideals you're looking for... a form of self-negation which is not really healthy)

Anyway, this same naivety/idealism is making her believe and act loyally towards Lydgate, when his reputation is in danger and the situation is looking bad (even though he is innocent of all crimes). She is the only one in town who believes him, which I find very touching and highlights the place someone idealistic like Dodo can have in society, and the function someone like that can serve.

Also I think it's interesting seeing how the two married couples deal with this defaming... first Mr. and Mrs. Bulstrode, how they stood in silent understanding and empathy and cried, yet were there for each other. And then in Lydgate and Rosamond who were also silent for the most part, but each thinking of different things. Rosamond does not believe in Lydgate, and in fact it's worse than that... she doesn't even care what the truth is, she just wants a cushy life, somewhere far away where she doesn't have to deal with this disgrace anymore. Whereas Lydgate wants his name cleared of disgrace and knows if he flees it will further cement his supposed guilt.

Because of his ties to Bulstrode, Lydgate is metaphorically tried in the court of public belief, and falls into hopelessness... reminds me of cancel culure at its worst sometimes, i.e. jumping to conclusions without proper context. But Dorothea pulls him out of this hopelessness because she (and nobody else) believes him! This was VERY touching.

When you believe in someone's character, you should give them the benefit of the doubt. This basically saves Lydgate.

Meanwhile Will Ladislaw is caught in a compromising position with Rosamond and thus LOSES Dorothea's belief in him, she who believes in the good of everyone.

At this point in the book, I think a huge theme is "what other people think of you ends up having an effect on you"...whether it's positive thoughts (belief in someone's honesty and character, for example) or negative ones.

Dignity and honor is a huge related theme as well. And the idea that dishonor is at every corner and that you must avoid it... The dishonor of people seeing Will as trying to get Casaubon's money, or intending to woo Dorothea for that end, or the dishonor connected with Bulstrode's past.

----

The book is also about ambition. What should you be ambitious about? (money? fame? helping others?) and what do you do when your ambitions are frustrated by daily life and its many small concerns? Is it okay to have smaller ambitions, to live a small life?

I love that in the finale (which is sort of a "many years later" type of Epilogue) Eliot gives us a glimpse of 3 couples... these are almost like 3 case studies in happiness and ambition... Eliot gives us options, she doesn't say this is the one way to happiness or success...

We see Lydgate's high ambitions are never reached, he's trapped in a bad marriage and although society thinks he's a success (he makes a lot of money treating gout!) he still feels like a failure because his high ideals were never reached.

Meanwhile Dorothea's ambitions were probably just as high as Lydgate's. But perhaps her marriage to Casaubon, though tragic, was a good thing afterall, as she was able to really figure out what parts of her high ideals were good and what parts were not exactly productive. Dorothea's ambition is still there, but redirected a little... she is no longer reaching for saintly glory, aiming only to make a difference in the world and cure the ails of the poor and the sick, but is making the best of her resources to do good in her own life, to make a difference for the people around her, rather than an abstract kind of charity.

There's a scene where she realizes this, she looks out the window in wonder at the people she seems to have been blind to throughout the book, and realizes that she's part of an ever expanding circle of influences where she can make positive differences at every level:

“What should I do—how should I act now, this very day, if I could clutch my own pain, and compel it to silence, and think of those three?" It had taken long for her to come to that question, and there was light piercing into the room. She opened her curtains, and looked out towards the bit of road that lay in view, with fields beyond outside the entrance-gates. On the road there was a man with a bundle on his back and a woman carrying her baby; in the field she could see figures moving—perhaps the shepherd with his dog. Far off in the bending sky was the pearly light; and she felt the largeness of the world and the manifold wakings of men to labor and endurance. She was a part of that involuntary, palpitating life, and could neither look out on it from her luxurious shelter as a mere spectator, nor hide her eyes in selfish complaining.�

Then there is Fred Vincy and Mary Garth. Perhaps Fred never had any ambitions, and yet his happiness is not lacking (in fact, it's probably because he has so few ambitions that he ends up happy). He lives a simple flourishing life, and was able to avoid the pitfalls due to Mary's guiding presence.

I wonder if Eliot included Fred and Mary in the story to compare/contrast the differences between "normal"/simple people with people of high ambition like Lydgate and Dorothea. What I mean is that Fred and Mary aren't un-ambitious by any means, but they aren't really idealists or striving to make a huge difference in the world. They are basically "simple people" (I don't mean that in a derogatory way at all). Sometimes I think: ah, how much happier life would be if I was someone like Fred or Mary. But Eliot does a good job of showing how perhaps simple people, even though they do still have problems, are on the whole more content with their lives, less self conflicted and full of yearning than people who have an excess of useless ambition and ideals.

The book is also, of course, about marriage. On marriage, Dorothea says:

“Marriage is so unlike everything else. There is something even awful in the nearness it brings. Even if we loved some one else better than—than those we were married to, it would be no use"—poor Dorothea, in her palpitating anxiety, could only seize her language brokenly�"I mean, marriage drinks up all our power of giving or getting any blessedness in that sort of love. I know it may be very dear—but it murders our marriage—and then the marriage stays with us like a murder—and everything else is gone. And then our husband—if he loved and trusted us, and we have not helped him but made a curse in his life�"

There is so much miscommunication between couples. There's also a sense that marriage sometimes consumes individuals so that one person is asked to negate themselves. There is a sacrifice that both parties make, and neither has gained from it. Is marriage viable? Is it a trap? It's sad that divorce was not on the table for a lot of these characters. How much happier Lydgate and Rosamond could've been apart than together...

On the name Middlemarch: the name seemed arbitrary to me when I began the book, but now I see the many potential reasons for Eliot naming her town and her book this. The book is basically about being in the middle of things, in the middle of a marriage for example, and also about how life falls short of our hopes and dreams, into a sort of middle area where the average person is... a sort of "mediocre"-ness where no history is made, but yet one must trudge on... or march on, regardless.

On Reform: been giving some thought to the reasons Eliot set this in the period of reform, how that influences the ideas in the novel, etc. There are probably many reasons but the ones I came up with... First, reform applies on the societal level as well as on a smaller level; every character seems to be going through some tough changes, personal reforms if you will.

Secondly, I think having it set in a time when technology is opening up the world to people... people are traveling more freely in pursuit of knowledge (like Lydgate and Ladislaw) allows for this investigation into "ambition" to be even more poignant. It frees people up for the first time to dream even bigger, to make their lives have a real impact on the world (instead of just their communities), which may not have been something that was even imaginable before this time.

In a way, it is almost like the beginnings of globalization. Scientists and politicians are coming from outside this little town of Middlemarch and people are leaving as well. (An example of this is how Bulstrode was not worried about Raffles spreading rumors about him in another town, thinking it would never get to Middlemarch, but then practically the next day the news had reached town) The things in Middlemarch have a bigger ripple effect on the world beyond and vice versa. So in a way, the idea that this is a "study in provincial life" means it's also a study of what is increasingly becoming LESS provincial.

FURTHER READING:

- I loved this insightful article!
]]>
<![CDATA[The Figure on the Boundary Line: Selected Prose (English and German Edition)]]> 774717
This selection covers twenty years of Christoph Meckel’s shorter prose. Until recently, much of his work was published by German small presses, and in fairly small editions. Translations into English have appeared sporadically in magazines, but precious little has been known of his stupendous graphic work, etchings and drawings; even in the German Federal Republic, recognition of his achievement as a writer-artist in the grand fantastic tradition has been quite slow in coming.[...] It seems that the German public of the last twenty-five years has tended to prefer astute father-figure writers to incorrigible son-figures like Meckel. ]]>
178 Christoph Meckel 0856354007 Jimmy 5
Writers that come to mind: Robert Walser, of course, but also Felisberto Hernandez. Some pieces reminded me a little of Calvino and Cortazar.

His obsession seems to be the human mind and its inventions, and how these inventions carry on a life of their own without their creator--or at least independent of him. And also how they eventually die, disappear, or are forgotten.

Generally speaking, the book got better as it went along, the pieces after the halfway point were less on the nose with its obvious concerns, a little more content with the simple pleasures of the non-story. A little more open-ended, too, with its multiplicity of meanings.

Some of my favorite moments:

Manifesto of the Dead, especially part 4 - these read like prose poems. The mapmakers in part 4, and the implicit commentary of how we find exactly what our pre-conceived notions have prepared us to find.
"They make swimming motions, in order to ascertain, perhaps, that there is water [...] they frantically hope that they will stumble and fall, for this would mean that stones were there, which might indicate the existence of a mountain."
Tear Animals beautful, mysterious, and melancholy. About strange animals that visit this town one day and quietly weep. The residents put out buckets for them and by morning they are filled with tear water. One day they disappear and never come back.

My Friends about a man keeping watch over the entrance of a cave. One day people start coming out that he never let enter, and the cave--he is sure--has no other exits. These people then follow him over many job changes while he tries to evade them...

Tullipan the part where Tullipan is convinced that the sea he sees through the window of his room is not related to the sea he wades and swims in (p 65) was very poetically resonant to me.

I love how he shows Tullipan as completely free in such small ways... not by huge rebellions but by him not eating, showering, and sleeping when he should, but whenever he feels the need to, for example. The characterization of Tullipan is very subtle and well done.
"He asks me if the sea will leave if there is war, and when I say no, he is satisfied."
Tulllipan reminds me a little of Frankenstein's monster. One a scientific creation, the other an artistic one but I ache for them both as odd balls out that don't belong on this cruel earth.

Zund this is my favorite story of the bunch! It reminds me a bit of Felisberto Hernandez or Robert Walser in some of their best meandering "non-stories" where nothing happens but there is such a slow charm to the telling that it is almost like a meditation--I am glued to that nothingness, that slow undramatic unfolding. Zund's mental states produced through Meckel's prose is also nothing short of fascinating, and still manages to be quiet. Fireworks without calling attention to the fireworks.

The Crow this story broke my heart! It really spoke to me. I'd love to see it animated.

Tunifer's Memories enigmatic, joyfully dense, calls to mind Cortazar's prose, especially part 2 about the hummingbirds. Part 3 recalls Tulllipan in the character of Claude, although he seems to be his memory instead of his artistic creation. In the end, really loved it even though I'm not sure what happened in it, might need to read it again.

The Figure on the Boundary Line mysterious, intriguing, moving... loved it. It can be an allegory for many things, and I love that I don't know for sure, just as we don't know who this figure on the boundary line is. I like that the figure seems to have no desires and no actions--he is just like one of those non-stories I love so much. And how the speaker slowly becomes like this figure himself--a slow letting go of human desires, drama, qualities.

How Did Die? is really more essay than story. And coming at the end of the collection, made me think of how Meckel himself died (or how he lived, because that is the real question)

How does an artist's work intertwine with how he lived his life? How is an artist's life and death judged good or bad (and by whom?), as opposed to the life/death of a beaurocrat or clergyman, for example?

How messy is that life or death?

Foreword I read this last. It includes one of Meckel's poems, which makes me sad that more of his work isn't translated. Here's an excerpt:
We have toppled
the tree, have chased
the tree through autumn,
have hung it with hailstones and snow:

we have dried the rivers
and counted the water,
have held the wave up to the light,
and have weighed the flow
in the fountain:

we thought we could capture
the owl, feathers it shed
was all we held, we copied
the owl's talk in our language,
which says: The moon
is a desiccated sun!
It recalled for me a Robert Musil quote on the same theme that I was sure also contained the word "desiccated" but when I read it again, the word was not there:
“to transform wisdom, even as it is, into a theory of life, and so to extract some ‘content� from the motion of those who were moved: what is left over is about as much as remains of a jelly-fish’s delicately opalescent body after it has been lifted out of the water and laid on the sand. The teachings of the inspired crumble into dust in the rationality of the uninspired, crumble into contradiction and nonsense.�
It's fascinating how in my mind I was sure that word was there, that the dredged up jellyfish was desiccated, but that in my mis-memory, I had connected these two quotes about the inability to speak.]]>
4.47 1983 The Figure on the Boundary Line: Selected Prose (English and German Edition)
author: Christoph Meckel
name: Jimmy
average rating: 4.47
book published: 1983
rating: 5
read at: 2022/09/24
date added: 2023/01/03
shelves: male, year-1980s, short-stories, germany, bear-bear, graphic-based, my-canon
review:
I adored these quiet little prose pieces, playful yet mysterious, with a twinge of melancholy throughout. There's something of a child-like wonder that infuses his world view so that the strangeness never comes across like he's trying to be weird or edgy, but just the strangeness of the everyday. There's darkness and melancholy, but it's not cynical. I recommend reading these slowly, there's a lot going on here, even though it appears like nothing much is happening.

Writers that come to mind: Robert Walser, of course, but also Felisberto Hernandez. Some pieces reminded me a little of Calvino and Cortazar.

His obsession seems to be the human mind and its inventions, and how these inventions carry on a life of their own without their creator--or at least independent of him. And also how they eventually die, disappear, or are forgotten.

Generally speaking, the book got better as it went along, the pieces after the halfway point were less on the nose with its obvious concerns, a little more content with the simple pleasures of the non-story. A little more open-ended, too, with its multiplicity of meanings.

Some of my favorite moments:

Manifesto of the Dead, especially part 4 - these read like prose poems. The mapmakers in part 4, and the implicit commentary of how we find exactly what our pre-conceived notions have prepared us to find.
"They make swimming motions, in order to ascertain, perhaps, that there is water [...] they frantically hope that they will stumble and fall, for this would mean that stones were there, which might indicate the existence of a mountain."
Tear Animals beautful, mysterious, and melancholy. About strange animals that visit this town one day and quietly weep. The residents put out buckets for them and by morning they are filled with tear water. One day they disappear and never come back.

My Friends about a man keeping watch over the entrance of a cave. One day people start coming out that he never let enter, and the cave--he is sure--has no other exits. These people then follow him over many job changes while he tries to evade them...

Tullipan the part where Tullipan is convinced that the sea he sees through the window of his room is not related to the sea he wades and swims in (p 65) was very poetically resonant to me.

I love how he shows Tullipan as completely free in such small ways... not by huge rebellions but by him not eating, showering, and sleeping when he should, but whenever he feels the need to, for example. The characterization of Tullipan is very subtle and well done.
"He asks me if the sea will leave if there is war, and when I say no, he is satisfied."
Tulllipan reminds me a little of Frankenstein's monster. One a scientific creation, the other an artistic one but I ache for them both as odd balls out that don't belong on this cruel earth.

Zund this is my favorite story of the bunch! It reminds me a bit of Felisberto Hernandez or Robert Walser in some of their best meandering "non-stories" where nothing happens but there is such a slow charm to the telling that it is almost like a meditation--I am glued to that nothingness, that slow undramatic unfolding. Zund's mental states produced through Meckel's prose is also nothing short of fascinating, and still manages to be quiet. Fireworks without calling attention to the fireworks.

The Crow this story broke my heart! It really spoke to me. I'd love to see it animated.

Tunifer's Memories enigmatic, joyfully dense, calls to mind Cortazar's prose, especially part 2 about the hummingbirds. Part 3 recalls Tulllipan in the character of Claude, although he seems to be his memory instead of his artistic creation. In the end, really loved it even though I'm not sure what happened in it, might need to read it again.

The Figure on the Boundary Line mysterious, intriguing, moving... loved it. It can be an allegory for many things, and I love that I don't know for sure, just as we don't know who this figure on the boundary line is. I like that the figure seems to have no desires and no actions--he is just like one of those non-stories I love so much. And how the speaker slowly becomes like this figure himself--a slow letting go of human desires, drama, qualities.

How Did Die? is really more essay than story. And coming at the end of the collection, made me think of how Meckel himself died (or how he lived, because that is the real question)

How does an artist's work intertwine with how he lived his life? How is an artist's life and death judged good or bad (and by whom?), as opposed to the life/death of a beaurocrat or clergyman, for example?

How messy is that life or death?

Foreword I read this last. It includes one of Meckel's poems, which makes me sad that more of his work isn't translated. Here's an excerpt:
We have toppled
the tree, have chased
the tree through autumn,
have hung it with hailstones and snow:

we have dried the rivers
and counted the water,
have held the wave up to the light,
and have weighed the flow
in the fountain:

we thought we could capture
the owl, feathers it shed
was all we held, we copied
the owl's talk in our language,
which says: The moon
is a desiccated sun!
It recalled for me a Robert Musil quote on the same theme that I was sure also contained the word "desiccated" but when I read it again, the word was not there:
“to transform wisdom, even as it is, into a theory of life, and so to extract some ‘content� from the motion of those who were moved: what is left over is about as much as remains of a jelly-fish’s delicately opalescent body after it has been lifted out of the water and laid on the sand. The teachings of the inspired crumble into dust in the rationality of the uninspired, crumble into contradiction and nonsense.�
It's fascinating how in my mind I was sure that word was there, that the dredged up jellyfish was desiccated, but that in my mis-memory, I had connected these two quotes about the inability to speak.
]]>
I'll Go On 41067286
"That’s how it generally is with Aeja’s stories. They’re as potent as a putrid peach. Listening to her words your head starts to droop with their sticky juice trickling down your ears, until all you can do is succumb to the saccharine flow."

From one of South Korea’s most acclaimed young authors comes the story of two sisters, Sora and Nana. When Sora was ten years old, and Nana was nine, their father died in a freak accident at the factory where he worked, his body sucked under a huge cogwheel, crushed beyond recognition. Their mother Aeja, numb with grief, gives in to torpor, developing an unhealthy obsession with the paradoxical violence implicit in life.

Now adults, Sora finds herself dreaming of the past when she discovers that Nana is pregnant. Her initial reaction is shock � though they live together, she never even realised her younger sister had a lover � and Nana’s icy response to her attempt at being considerate (‘You hate this, so don’t pretend like I’m some poor pregnant woman you have to pity�) drives a wedge between the two. Can Naghi � the boy who shared their childhood, and the simple, nourishing meals cooked by his mother � help the sisters break free of Aeja’s worldview in which life is ultimately futile and love is always doomed?

A delicate stylist with an unflinching social gaze, in I’ll Go On Hwang Jungeun has crafted a poignant novel with an uncanny ear for the unspoken secrets and heartaches buried beneath daily life and family ritual. Above all, it is a stunning exploration of the intensity of early bonds � and the traces they leave on us as we grow up.]]>
283 Hwang Jungeun 1911284207 Jimmy 5 “Don’t erase things from the world just because you are incapable of imagining them.�An incredible book! If books were like movies and you could pair them up as "double features", I think this would be a PERFECT pairing with Breasts and Eggs. They tackle a lot of the same themes and even have very similar plot points. A woman and her sister. A woman wanting a child, but not necessarily wanting the father around. The consequences of bringing a life into a fucked up world. A woman and her sister's unique relationship. Growing up poor, "broken" homes, abusive parents, dreams... I could go on (no pun intended)... but I won't.

Because the two books are also very different in terms of tone. In terms of the way they are written. Breasts and Eggs felt almost cold at times in its treatment of themes. Characters had conversations that seemed to float in a theoretical ether. Whereas in this book, everything seemed much more grounded and organic. Thought provoking, but in a way that was a natural extension of the story and the very real characters.

I loved her writing style. It's understated, not flashy, subtle, and a bit slow, but slow in a way that builds into something very moving. She gets inside the bones of her characters.
A misuteri, she says, mystery, a sort of black hole. And in that family, the black hole happens to be the chamber pot. They may even be aware that the chamber pot is their version of the unknowable. Or maybe they’ve never even thought about it along these lines � but even so, the point is that some things are impossible to comprehend.
There are many mysteries in the world, but in this book, the biggest mystery (or 'misuteri') is what's going on inside the heads of other people. Especially people closest to you, people you consider family... what's locked inside of families, their unique dynamic, to those outside of those families; as well as what's locked from each other WITHIN family members. What goes unsaid, what we assume that the other is thinking or feeling, without asking them, building into resentments, as when the two sisters don't talk.
"That's what family means to him: no longer counting as other people."
The way it's written perfectly expresses this idea of the other. Told from 3 different perspectives, 3 distinct voices, you get to know each one and their thoughts intimately. Yet as you're in each one's head, you DON'T get to see what the others are thinking. This is an illusion of course. What's the border between self and the other? Could they, like drops of water, merge together? Is it precisely because they are family, that they are sometimes the furthest apart?

On the topic of families, Hwang has much to say. The idea of being a single parent worries Nana. But throughout the course of the novel we see children of single parents (our protagonists) as well as children with no parents (Naghi's mother being raised by her grandfather and aunt) and children with both parents (Moseh as well as Naghi's love interest) and we see how they all end up being fucked up in different ways. Childhood traumas carry on into adulthood, inevitably. We see how every family is different and uniquely fucked up.

There are many other themes, but emily and spenky's reviews cover them so well already. Go read them. I will just say that this is probably my favorite book I've read this year.]]>
3.78 2014 I'll Go On
author: Hwang Jungeun
name: Jimmy
average rating: 3.78
book published: 2014
rating: 5
read at: 2022/10/16
date added: 2023/01/03
shelves: female, south-korea, novel, year-2010s, poc, my-canon
review:
“Don’t erase things from the world just because you are incapable of imagining them.�
An incredible book! If books were like movies and you could pair them up as "double features", I think this would be a PERFECT pairing with Breasts and Eggs. They tackle a lot of the same themes and even have very similar plot points. A woman and her sister. A woman wanting a child, but not necessarily wanting the father around. The consequences of bringing a life into a fucked up world. A woman and her sister's unique relationship. Growing up poor, "broken" homes, abusive parents, dreams... I could go on (no pun intended)... but I won't.

Because the two books are also very different in terms of tone. In terms of the way they are written. Breasts and Eggs felt almost cold at times in its treatment of themes. Characters had conversations that seemed to float in a theoretical ether. Whereas in this book, everything seemed much more grounded and organic. Thought provoking, but in a way that was a natural extension of the story and the very real characters.

I loved her writing style. It's understated, not flashy, subtle, and a bit slow, but slow in a way that builds into something very moving. She gets inside the bones of her characters.
A misuteri, she says, mystery, a sort of black hole. And in that family, the black hole happens to be the chamber pot. They may even be aware that the chamber pot is their version of the unknowable. Or maybe they’ve never even thought about it along these lines � but even so, the point is that some things are impossible to comprehend.
There are many mysteries in the world, but in this book, the biggest mystery (or 'misuteri') is what's going on inside the heads of other people. Especially people closest to you, people you consider family... what's locked inside of families, their unique dynamic, to those outside of those families; as well as what's locked from each other WITHIN family members. What goes unsaid, what we assume that the other is thinking or feeling, without asking them, building into resentments, as when the two sisters don't talk.
"That's what family means to him: no longer counting as other people."
The way it's written perfectly expresses this idea of the other. Told from 3 different perspectives, 3 distinct voices, you get to know each one and their thoughts intimately. Yet as you're in each one's head, you DON'T get to see what the others are thinking. This is an illusion of course. What's the border between self and the other? Could they, like drops of water, merge together? Is it precisely because they are family, that they are sometimes the furthest apart?

On the topic of families, Hwang has much to say. The idea of being a single parent worries Nana. But throughout the course of the novel we see children of single parents (our protagonists) as well as children with no parents (Naghi's mother being raised by her grandfather and aunt) and children with both parents (Moseh as well as Naghi's love interest) and we see how they all end up being fucked up in different ways. Childhood traumas carry on into adulthood, inevitably. We see how every family is different and uniquely fucked up.

There are many other themes, but emily and spenky's reviews cover them so well already. Go read them. I will just say that this is probably my favorite book I've read this year.
]]>