Simon Gutmunsson is on the loose... Since the disastrous events of the College Killer case, the FBI is coming to terms with the fact that while catching one sociopath, they've released another. Chillingly manipulative, frighteningly intelligent, and wholly insane, Simon Gutmunsson is the worst of the worst. Now he's free, and on the run with his twin sister Kristin, and nobody in the FBI is smart enough to keep up...

Travis Bell's last investigation for FBI Behavioral Science nearly killed him. Supported by family and his partner Emma Lewis, now Travis just needs to get back on his feet. But Emma has been recruited to help the FBI hunt the ultimate sociopath, Simon Gutmunsson, and there's no way Travis is letting her go into this battle alone...

Emma Lewis has gained some perspective on life, and as her emotional walls come down, she realizes that only by working as a perfect team will she and Travis have any chance of beating the Gutmunsson twins at their own terrifying game. So in a journey that will take them from Moroccan souks to Mexican Day of the Dead celebrations, the stage is set for Simon and Kristin and Emma and Travis to meet up in an epic final showdown.

Ghosts and The Locked Room are the next two brilliant installments in Paul Auster's The New York Trilogy.

This text is filthy and fertilized, filling and emptying, filling and emptying, atrocious and politic with meaning. The Cow is a mother, a lover, and a murdered lump of meat, rendered in the strongest of languages. "I cannot count the altering that happens in the very large rooms that are the guts of her."

One seemingly ordinary evening, Eduard Saxberger arrives home to find the fulfilment of a long-forgotten wish in his sitting room: a visitor has come to tell him that the youth of Vienna have discovered his poetic genius. Saxberger has written nothing for thirty years, yet he now realises that he is more than merely an Unremarkable Civil Servant, after all: a Venerable Poet, for whom Late Fame is inevitable � if, that is, his new acolytes are to be believed�

Arthur Schnitzler was one of the most admired, provocative European writers of the twentieth century. The Nazis attempted to burn all of his work, but his archive was miraculously saved, and with it, Late Fame. Never published before, it is a treasure, a perfect satire of literary self-regard and charlatanism.

Arthur Schnitzler (b. 1862 in Vienna) was one of the most influential European writers of the twentieth century, perhaps best known here for his novellas Dream Story and Fräulein Else. He qualified as a doctor but was increasingly driven to a career in writing, resulting in several celebrated plays, novellas and novels which explore the great existential subjects of the modern age: relationships, love, sex, ageing and death. Because his work dealt with subjects considered taboo, he frequently attracted the hostility of the authorities, consequently losing his position as Chief Medic in the Reserve Army and being tried for disorderly conduct. Schnitzler was close friends with Stefan Zweig and Sigmund Freud, who both admired him greatly, and a member of the 'Young Vienna' circle of writers who regularly met at a café nicknamed 'Café Megalomania' - the very same clique and café he satirises so deliciously in Late Fame. Schnitzler died in 1931.

Pushkin Press also publishes his novellas Fräulein Else, Dying and Casanova's Return to Venice.

Convinced that Stevenson's book is cosmically intended for her, she redesigns her life according to its Core Values: boldness, resolution, independence and horn-blowing. Accompanied by her mother, her sister, and a hostile Amazon parrot that refuses to follow the script, our heroine embarks on a domestic adventure more frightening than anything she'd originally planned.

Treasure Island!!! is the story of a ferocious obsession, told by an original voice-intelligent, perverse, relentlessly self- extricating, and funny.