Richard's bookshelf: read en-US Mon, 28 Apr 2025 13:03:48 -0700 60 Richard's bookshelf: read 144 41 /images/layout/goodreads_logo_144.jpg <![CDATA[Harry Potter and the Sorcerer's Stone (Harry Potter, #1)]]> 3 309 J.K. Rowling 0439554934 Richard 1
The Harry Potter series itself isn’t incedibly problematic. does point out that the goblins-as-banker characters does reflect a particularly nasty Jewish stereotype, but the ethnically Chinese character Cho Chang is a relatively well-treated and developed minor character, and .


But Rowling continues to use her wealth and fame to spread her misinformed and hateful views, and so I’m sorry I re-read and re-praised the series that gives her what strength she has. (I’m glad this was a library book —I didn’t directly put money in her pocket.)

I encourage everyone to think about whether they respect her, and chose a different author if the answer isn’t “yes�.

Original review:

Read a second time when I wanted something mindless and easy. It was that � more than I’d recalled.

I’ve spent a lot of time with friends discussing what makes a book, movie, etc., really shine, and even though I remember loving reading this series, I think of it as an almost paradigmatic example of the Manichean mindset of many fantasy stories. T’s approximately zero moral ambiguity here. And that I think contributes, however subtly, to problems our species faces in real life. We ‘other� those who Dz’t share elements of our perspective, and once we see them in opposition, it is a short step to losing all empathy and describing them as evil.

I’m tempted to re-read the incredible and deliciously subversive fan-fic Harry Potter and the Methods of Rationality to double-check my remembrance. Did Yudkowsky get it right, or fall into the trap of relativism? I vaguely recall being thrilled overall, but lost the nuances.

From my review, it seems that the evolving Draco character may have been my favorite. The kind of psychological growth he underwent is vanishingly rare. In any fiction, much less in the pulp genres. And in Rowling’s world, it seems impossible. Pointers to other good exemplars would be welcome�

2024 re-reading: this time around, my expectation were lower, apparently � all I was seeking was mindless entertainment to bootstrap me back into the reading habit � so I guess I enjoyed it more. Bumping the rating up to 4 stars. Maybe I'll re-read HP&MoR, too.]]>
4.47 1997 Harry Potter and the Sorcerer's Stone (Harry Potter, #1)
author: J.K. Rowling
name: Richard
average rating: 4.47
book published: 1997
rating: 1
read at: 2025/02/26
date added: 2025/04/28
shelves: fantasy, kid-and-teen-lit, fantasy-magic, series, film-adaptation
review:
Changing my rating to one star wasn't especially difficult for me. I’ve been hearing that Rowling was becoming toxic for some time, but after re-reading the series I was more attuned to the next time I saw .

The Harry Potter series itself isn’t incedibly problematic. does point out that the goblins-as-banker characters does reflect a particularly nasty Jewish stereotype, but the ethnically Chinese character Cho Chang is a relatively well-treated and developed minor character, and .


But Rowling continues to use her wealth and fame to spread her misinformed and hateful views, and so I’m sorry I re-read and re-praised the series that gives her what strength she has. (I’m glad this was a library book —I didn’t directly put money in her pocket.)

I encourage everyone to think about whether they respect her, and chose a different author if the answer isn’t “yes�.

Original review:

Read a second time when I wanted something mindless and easy. It was that � more than I’d recalled.

I’ve spent a lot of time with friends discussing what makes a book, movie, etc., really shine, and even though I remember loving reading this series, I think of it as an almost paradigmatic example of the Manichean mindset of many fantasy stories. T’s approximately zero moral ambiguity here. And that I think contributes, however subtly, to problems our species faces in real life. We ‘other� those who Dz’t share elements of our perspective, and once we see them in opposition, it is a short step to losing all empathy and describing them as evil.

I’m tempted to re-read the incredible and deliciously subversive fan-fic Harry Potter and the Methods of Rationality to double-check my remembrance. Did Yudkowsky get it right, or fall into the trap of relativism? I vaguely recall being thrilled overall, but lost the nuances.

From my review, it seems that the evolving Draco character may have been my favorite. The kind of psychological growth he underwent is vanishingly rare. In any fiction, much less in the pulp genres. And in Rowling’s world, it seems impossible. Pointers to other good exemplars would be welcome�

2024 re-reading: this time around, my expectation were lower, apparently � all I was seeking was mindless entertainment to bootstrap me back into the reading habit � so I guess I enjoyed it more. Bumping the rating up to 4 stars. Maybe I'll re-read HP&MoR, too.
]]>
<![CDATA[Rhythm of War (The Stormlight Archive, #4)]]> 49021976 The eagerly awaited sequel to the #1 New York Times bestselling Oathbringer, from epic fantasy author Brandon Sanderson

After forming a coalition of human resistance against the enemy invasion, Dalinar Kholin and his Knights Radiant have spent a year fighting a protracted, brutal war. Neither side has gained an advantage, and the threat of a betrayal by Dalinar's crafty ally Taravangian looms over every strategic move.

Now, as new technological discoveries by Navani Kholin's scholars begin to change the face of the war, the enemy prepares a bold and dangerous operation. The arms race that follows will challenge the very core of the Radiant ideals, and potentially reveal the secrets of the ancient tower that was once the heart of their strength.

At the same time that Kaladin Stormblessed must come to grips with his changing role within the Knights Radiant, his Windrunners face their own problem: As more and more deadly enemy Fused awaken to wage war, no more honorspren are willing to bond with humans to increase the number of Radiants. Adolin and Shallan must lead the coalition’s envoy to the honorspren stronghold of Lasting Integrity and either convince the spren to join the cause against the evil god Odium, or personally face the storm of failure.]]>
1232 Brandon Sanderson 0765326388 Richard 0 4.58 2020 Rhythm of War (The Stormlight Archive, #4)
author: Brandon Sanderson
name: Richard
average rating: 4.58
book published: 2020
rating: 0
read at:
date added: 2025/04/27
shelves: currently-reading, ebook, fantasy, fantasy-epic, fantasy-magic, fantasy-mythology
review:

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<![CDATA[Oathbringer (The Stormlight Archive, #3)]]> 34002132 Oathbringer, the third volume of the New York Times bestselling Stormlight Archive, humanity faces a new Desolation with the return of the Voidbringers, a foe with numbers as great as their thirst for vengeance.

Dalinar Kholin's Alethi armies won a fleeting victory at a terrible cost: The enemy Parshendi summoned the violent Everstorm, which now sweeps the world with destruction, and in its passing awakens the once peaceful and subservient parshmen to the horror of their millennia-long enslavement by humans. While on a desperate flight to warn his family of the threat, Kaladin Stormblessed must come to grips with the fact that the newly kindled anger of the parshmen may be wholly justified.

Nestled in the mountains high above the storms, in the tower city of Urithiru, Shallan Davar investigates the wonders of the ancient stronghold of the Knights Radiant and unearths dark secrets lurking in its depths. And Dalinar realizes that his holy mission to unite his homeland of Alethkar was too narrow in scope. Unless all the nations of Roshar can put aside Dalinar's blood-soaked past and stand together--and unless Dalinar himself can confront that past--even the restoration of the Knights Radiant will not prevent the end of civilization.]]>
1248 Brandon Sanderson Richard 0 4.60 2017 Oathbringer (The Stormlight Archive, #3)
author: Brandon Sanderson
name: Richard
average rating: 4.60
book published: 2017
rating: 0
read at: 2025/04/27
date added: 2025/04/27
shelves: ebook, fantasy-epic, fantasy, fantasy-magic, fantasy-mythology
review:

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Ravens in Winter 23709167 “One of the most interesting discoveries I’ve seen in animal sociobiology in years.� —E.O. WilsonWhy do ravens, generally understood to be solitary creatures, share food between each other during winter? On the surface, there didn’t appear to be any biological or evolutionary imperative behind the raven’s willingness to share. The more Bernd Heinrich observed their habits, the more odd the bird’s behavior became. What started as mere curiosity turned into an impassioned research project, and Ravens In Winter, the first research of its kind, explores the fascinating biological puzzle of the raven’s rather unconventional social habits. “Bernd Heinrich is no ordinary biologist. He’s the sort who combines formidable scientific rigor with a sense of irony and an unslaked, boyish enthusiasm for his subject, and who even at his current professorial age seems to do a lot of tree climbing in the line of research.� —David Quammen, The New York Times]]> 393 Bernd Heinrich 147679457X Richard 0 currently-reading 4.04 1989 Ravens in Winter
author: Bernd Heinrich
name: Richard
average rating: 4.04
book published: 1989
rating: 0
read at:
date added: 2025/04/16
shelves: currently-reading
review:

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<![CDATA[Words of Radiance (The Stormlight Archive, #2)]]> 17332218 From #1 New York Times bestselling author Brandon Sanderson, Words of Radiance, Book Two of the Stormlight Archive, continues the immersive fantasy epic that The Way of Kings began.

Expected by his enemies to die the miserable death of a military slave, Kaladin survived to be given command of the royal bodyguards, a controversial first for a low-status "darkeyes." Now he must protect the king and Dalinar from every common peril as well as the distinctly uncommon threat of the Assassin, all while secretly struggling to master remarkable new powers that are somehow linked to his honorspren, Syl.

The Assassin, Szeth, is active again, murdering rulers all over the world of Roshar, using his baffling powers to thwart every bodyguard and elude all pursuers. Among his prime targets is Highprince Dalinar, widely considered the power behind the Alethi throne. His leading role in the war would seem reason enough, but the Assassin's master has much deeper motives.

Brilliant but troubled Shallan strives along a parallel path. Despite being broken in ways she refuses to acknowledge, she bears a terrible burden: to somehow prevent the return of the legendary Voidbringers and the civilization-ending Desolation that will follow. The secrets she needs can be found at the Shattered Plains, but just arriving there proves more difficult than she could have imagined.

Meanwhile, at the heart of the Shattered Plains, the Parshendi are making an epochal decision. Hard pressed by years of Alethi attacks, their numbers ever shrinking, they are convinced by their war leader, Eshonai, to risk everything on a desperate gamble with the very supernatural forces they once fled. The possible consequences for Parshendi and humans alike, indeed, for Roshar itself, are as dangerous as they are incalculable.]]>
1088 Brandon Sanderson 0765326361 Richard 5
I'm a fan of moral ambiguity, and LOTR is a wonderful epic, but not philosophically very provocative.

Maybe the Silmarillion goes deeper? Was Sauron ever someone consider rooting for, or always just a Hitler kinda villain?

The world-building here is awesome, no doubt, but even two books in, we aren't quite sure whether our heroes are hanging out with the right crowd. Probably? But the other team has made some pretty good pitches, too.]]>
4.76 2014 Words of Radiance (The Stormlight Archive, #2)
author: Brandon Sanderson
name: Richard
average rating: 4.76
book published: 2014
rating: 5
read at: 2025/04/16
date added: 2025/04/16
shelves: fantasy, fantasy-epic, fantasy-magic, fantasy-mythology, ebook
review:
I'm pretty sure I like this series more than LOTR, etc.

I'm a fan of moral ambiguity, and LOTR is a wonderful epic, but not philosophically very provocative.

Maybe the Silmarillion goes deeper? Was Sauron ever someone consider rooting for, or always just a Hitler kinda villain?

The world-building here is awesome, no doubt, but even two books in, we aren't quite sure whether our heroes are hanging out with the right crowd. Probably? But the other team has made some pretty good pitches, too.
]]>
<![CDATA[The Way of Kings (The Stormlight Archive, #1)]]> 53463056 From #1 New York Times bestselling author Brandon Sanderson, The Way of Kings, Book One of the Stormlight Archive begins an incredible new saga of epic proportion.

Roshar is a world of stone and storms. Uncanny tempests of incredible power sweep across the rocky terrain so frequently that they have shaped ecology and civilization alike. Animals hide in shells, trees pull in branches, and grass retracts into the soilless ground. Cities are built only where the topography offers shelter.

It has been centuries since the fall of the ten consecrated orders known as the Knights Radiant, but their Shardblades and Shardplate remain: mystical swords and suits of armor that transform ordinary men into near-invincible warriors. Men trade kingdoms for Shardblades. Wars were fought for them, and won by them.

One such war rages on a ruined landscape called the Shattered Plains. There, Kaladin, who traded his medical apprenticeship for a spear to protect his little brother, has been reduced to slavery. In a war that makes no sense, where ten armies fight separately against a single foe, he struggles to save his men and to fathom the leaders who consider them expendable.

Brightlord Dalinar Kholin commands one of those other armies. Like his brother, the late king, he is fascinated by an ancient text called The Way of Kings. Troubled by over-powering visions of ancient times and the Knights Radiant, he has begun to doubt his own sanity.

Across the ocean, an untried young woman named Shallan seeks to train under an eminent scholar and notorious heretic, Dalinar's niece, Jasnah. Though she genuinely loves learning, Shallan's motives are less than pure. As she plans a daring theft, her research for Jasnah hints at secrets of the Knights Radiant and the true cause of the war.

The result of over ten years of planning, writing, and world-building, The Way of Kings is but the opening movement of the Stormlight Archive, a bold masterpiece in the making.

Speak again the ancient oaths:

Life before death.
Strength before weakness.
Journey before Destination.

and return to men the Shards they once bore.

The Knights Radiant must stand again.]]>
1137 Brandon Sanderson Richard 5 4.73 2010 The Way of Kings (The Stormlight Archive, #1)
author: Brandon Sanderson
name: Richard
average rating: 4.73
book published: 2010
rating: 5
read at: 2025/03/30
date added: 2025/04/14
shelves: fantasy-epic, fantasy-magic, fantasy-mythology, fantasy, ebook
review:
Staggeringly innovative world-building, compelling characters and plot � can't put it down.
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<![CDATA[Harry Potter and the Order of the Phoenix (Harry Potter, #5)]]> 2
Harry has had enough. He is beginning to think he must do something, anything, to change his situation, when the summer holidays come to an end in a very dramatic fashion. What Harry is about to discover in his new year at Hogwarts will turn his world upside down...]]>
912 J.K. Rowling Richard 4 4.50 2003 Harry Potter and the Order of the Phoenix (Harry Potter, #5)
author: J.K. Rowling
name: Richard
average rating: 4.50
book published: 2003
rating: 4
read at: 2025/03/31
date added: 2025/04/01
shelves: fantasy, kid-and-teen-lit, fantasy-magic, series, film-adaptation
review:

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<![CDATA[Harry Potter and the Goblet of Fire (Harry Potter, #4)]]> 6 734 J.K. Rowling 0439139597 Richard 4 4.56 2000 Harry Potter and the Goblet of Fire (Harry Potter, #4)
author: J.K. Rowling
name: Richard
average rating: 4.56
book published: 2000
rating: 4
read at: 2025/03/22
date added: 2025/03/22
shelves: fantasy, kid-and-teen-lit, fantasy-magic, series, film-adaptation, award-hugo
review:

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<![CDATA[The Snoring Bird: My Family's Journey Through a Century of Biology]]> 6671148
In this extraordinary memoir, the award-winning author shares the ways in which his relationship with his father, combined with his unique childhood, molded him into the scientist, and man, he is today. From Gerd's days as a soldier in Europe and the family's daring escape from the Red Army in 1945 to the rustic Maine farm they came to call home, Heinrich relates it all in his trademark style, making science accessible and awe-inspiring.]]>
665 Bernd Heinrich 0061977837 Richard 4 ebook, biographical, science
This was primarily a tribute to the author's father, who did have an amazing life. Having started as an aristocrat in pre-war eastern Germany, he was one of the daring pilots (on the losing German side) in World War One. Because Germany lost, his estate ended up in Poland� and then back in Germany during World War II, only to end up on the wrong side of the Iron Curtain after WWII.

That stripped away the wealth of his aristocracy, and he became a scientists� of sorts. That is one of the themes of the book, ultimately. What he did was science when he started, but as more was learned, science itself evolved, and his passion became sidelined and lost a lot of respect. And he spent his last decades as an embittered and somewhat impoverished loner.

Our author struggles with that, since he still saw the value in what his father had pursued, but at the same time was quite the modern scientist himself. The last chapters of the book delve into his sometimes tortured thinking about that. I think that was a weak way of ending the book; ideally, this should have been worked into the meat of the story, not left to become a rather pedantic and long postscript.

The author’s own life is an entwined albeit secondary, story. His adventures as a child and a teenager were magical, and are amazing to read. (The closest book to this I've read is William O. Douglas� autobiographical Of Men and Mountains.)

I enjoyed his Mind of the Raven more, frankly, but I’m glad I read this. I plan on diving into his Ravens in Winter soon. ]]>
4.15 2007 The Snoring Bird: My Family's Journey Through a Century of Biology
author: Bernd Heinrich
name: Richard
average rating: 4.15
book published: 2007
rating: 4
read at: 2025/03/19
date added: 2025/03/20
shelves: ebook, biographical, science
review:
A mostly wonderful book, but somewhat uneven.

This was primarily a tribute to the author's father, who did have an amazing life. Having started as an aristocrat in pre-war eastern Germany, he was one of the daring pilots (on the losing German side) in World War One. Because Germany lost, his estate ended up in Poland� and then back in Germany during World War II, only to end up on the wrong side of the Iron Curtain after WWII.

That stripped away the wealth of his aristocracy, and he became a scientists� of sorts. That is one of the themes of the book, ultimately. What he did was science when he started, but as more was learned, science itself evolved, and his passion became sidelined and lost a lot of respect. And he spent his last decades as an embittered and somewhat impoverished loner.

Our author struggles with that, since he still saw the value in what his father had pursued, but at the same time was quite the modern scientist himself. The last chapters of the book delve into his sometimes tortured thinking about that. I think that was a weak way of ending the book; ideally, this should have been worked into the meat of the story, not left to become a rather pedantic and long postscript.

The author’s own life is an entwined albeit secondary, story. His adventures as a child and a teenager were magical, and are amazing to read. (The closest book to this I've read is William O. Douglas� autobiographical Of Men and Mountains.)

I enjoyed his Mind of the Raven more, frankly, but I’m glad I read this. I plan on diving into his Ravens in Winter soon.
]]>
<![CDATA[Harry Potter and the Prisoner of Azkaban (Harry Potter, #3)]]> 5 435 J.K. Rowling 043965548X Richard 4 4.57 1999 Harry Potter and the Prisoner of Azkaban (Harry Potter, #3)
author: J.K. Rowling
name: Richard
average rating: 4.57
book published: 1999
rating: 4
read at: 2025/03/10
date added: 2025/03/10
shelves: fantasy, kid-and-teen-lit, fantasy-magic, series, film-adaptation
review:
Just re-read, March 2025. I'm suspicious of Rowling‘s political biased, but have to acknowledge she’s a master storyteller. Was laughing like a twelve-year-old at times. A fun re-read.
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The Postman 889284 This is the story of a lie that became the most powerful kind of truth.

A timeless novel as urgently compelling as Warday or Alas, Babylon, David Brin's The Postman is the dramatically moving saga of a man who rekindled the spirit of America through the power of a dream, from a modern master of science fiction.

He was a survivor—a wanderer who traded tales for food and shelter in the dark and savage aftermath of a devastating war.Fate touches him one chill winter's day when he borrows the jacket of a long-dead postal worker to protect himself from the cold.The old, worn uniform still has power as a symbol of hope, and with it he begins to weave his greatest tale, of a nation on the road to recovery.]]>
321 David Brin 0553278746 Richard 3 scifi, scifi-apocalyptic 3.89 1985 The Postman
author: David Brin
name: Richard
average rating: 3.89
book published: 1985
rating: 3
read at:
date added: 2025/03/05
shelves: scifi, scifi-apocalyptic
review:

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<![CDATA[Mind of the Raven: Investigations and Adventures with Wolf-Birds]]> 5960113
Heinrich's passion for ravens has led him around the world in his research. Mind of the Raven follows an exotic journey—from New England to Germany, and from Montana to Baffin Island in the high Arctic—offering dazzling accounts of how science works in the field, filtered through the eyes of a passionate observer of nature. Each new discovery and insight into raven behavior is thrilling to read, at once lyrical and scientific.]]>
420 Bernd Heinrich 0061863939 Richard 5 ebook, nonfiction
I’ve restarted reading this from one a year ago, after stalling out at doing much of any reading for some time. I’ve done a little scifi/fantasy trash reading to get back into the habit, but I want to get back into deeper stuff, and ravens have always been fascinating.

I once fantasized about living deep in the mountains where ravens are common, and creating a feeding station that required the cleverness of a covid, but the weight of a raven (no blue jays!). And then gently training them to squawk whenever anyone but me is nearby, thus an avian intruder alarm, albeit a somewhat untrustworthy one.

I could collect discarded raven feathers and sew them into a cloak, and go into town for supplies are that freaky raven guy, ideally with an eye patch and a raven on each shoulder.

Yeah, that ain’t gonna happen.

But if I ever own property where ravens might come by and no neighbors would object to me feeding them, I hope I get around to playing Amicus corvorum.]]>
3.94 1994 Mind of the Raven: Investigations and Adventures with Wolf-Birds
author: Bernd Heinrich
name: Richard
average rating: 3.94
book published: 1994
rating: 5
read at: 2025/03/03
date added: 2025/03/04
shelves: ebook, nonfiction
review:
Delightful!

I’ve restarted reading this from one a year ago, after stalling out at doing much of any reading for some time. I’ve done a little scifi/fantasy trash reading to get back into the habit, but I want to get back into deeper stuff, and ravens have always been fascinating.

I once fantasized about living deep in the mountains where ravens are common, and creating a feeding station that required the cleverness of a covid, but the weight of a raven (no blue jays!). And then gently training them to squawk whenever anyone but me is nearby, thus an avian intruder alarm, albeit a somewhat untrustworthy one.

I could collect discarded raven feathers and sew them into a cloak, and go into town for supplies are that freaky raven guy, ideally with an eye patch and a raven on each shoulder.

Yeah, that ain’t gonna happen.

But if I ever own property where ravens might come by and no neighbors would object to me feeding them, I hope I get around to playing Amicus corvorum.
]]>
<![CDATA[Harry Potter and the Chamber of Secrets (Harry Potter, #2)]]> 15881
And strike it does. For in Harry’s second year at Hogwarts, fresh torments and horrors arise, including an outrageously stuck-up new professor and a spirit who haunts the girls� bathroom. But then the real trouble begins � someone is turning Hogwarts students to stone. Could it be Draco Malfoy, a more poisonous rival than ever? Could it possibly be Hagrid, whose mysterious past is finally told? Or could it be the one everyone at Hogwarts most suspects� Harry Potter himself!]]>
352 J.K. Rowling Richard 4 4.42 1998 Harry Potter and the Chamber of Secrets (Harry Potter, #2)
author: J.K. Rowling
name: Richard
average rating: 4.42
book published: 1998
rating: 4
read at: 2025/03/03
date added: 2025/03/04
shelves: fantasy, kid-and-teen-lit, fantasy-magic, series, film-adaptation
review:

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<![CDATA[Numbers and Geometry (Undergraduate Texts in Mathematics)]]> 20776333 343 John Stillwell Richard 0 nonfiction, at-sfsu, to-read 3.00 1997 Numbers and Geometry (Undergraduate Texts in Mathematics)
author: John Stillwell
name: Richard
average rating: 3.00
book published: 1997
rating: 0
read at:
date added: 2025/02/27
shelves: nonfiction, at-sfsu, to-read
review:

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<![CDATA[Nine Princes in Amber (The Chronicles of Amber, #1)]]> 92121 175 Roger Zelazny 0380014300 Richard 5
So I decided to reboot by returning to one of my favorites, Zelazny's Chronicles of Amber . I probably read this the first time when the last books were coming out; my college housemate had a huge collection of SciFi/Fantasy and I ran through 'em pretty fast.

In my personal pantheon, Roger Zelazny vies for top rank with Frank Herbert. I think the first volume of Dune is better than anything Zelazny wrote, but the series palls after the second volume, while Amber stays moderately strong to the end of ten books, and Zelazny has quite a few other incredibly great books.

Both authors deal with a hero's ability to manipulate reality and impose control in profound ways, and involve the creation of mythologies, dynastic manipulations, and heroes that twist into antiheroes.

Both authors suffer a little due to their era. The counterculture of the 60’s and 70’s unleashed their ids a bit much at times, with perhaps a bit too much psychedelia. The Shadow Walking in the Amber series is a riveting conceptual innovation, but in the prose it could get a bit boring. Zelazny also indulged in silly humor a few times, too. I often wonder whether drugs were involved?
� � � � � Image: Just one damned thing after another…

The imagery in Amber made it impossible to bring to the screen the way Dune was. But AI-generated video could change that and create a stunning series. I hope someone [at Amazon Prime, probably] is exploring the idea. It would be incredible to see that mythology explored.
(Oh, it appears that , although I'm worried this might not use AI to really get powerful visuals. Sigh.
Anyway. If you haven't read the series, please consider it. Or, if you want a single (and more serious) book, maybe try Lord of Light ?]]>
4.07 1970 Nine Princes in Amber (The Chronicles of Amber, #1)
author: Roger Zelazny
name: Richard
average rating: 4.07
book published: 1970
rating: 5
read at: 2025/02/13
date added: 2025/02/14
shelves: fantasy, fantasy-magic, used-to-own, classic, series
review:
I seem to have lost the habit of reading. (Again?)

So I decided to reboot by returning to one of my favorites, Zelazny's Chronicles of Amber . I probably read this the first time when the last books were coming out; my college housemate had a huge collection of SciFi/Fantasy and I ran through 'em pretty fast.

In my personal pantheon, Roger Zelazny vies for top rank with Frank Herbert. I think the first volume of Dune is better than anything Zelazny wrote, but the series palls after the second volume, while Amber stays moderately strong to the end of ten books, and Zelazny has quite a few other incredibly great books.

Both authors deal with a hero's ability to manipulate reality and impose control in profound ways, and involve the creation of mythologies, dynastic manipulations, and heroes that twist into antiheroes.

Both authors suffer a little due to their era. The counterculture of the 60’s and 70’s unleashed their ids a bit much at times, with perhaps a bit too much psychedelia. The Shadow Walking in the Amber series is a riveting conceptual innovation, but in the prose it could get a bit boring. Zelazny also indulged in silly humor a few times, too. I often wonder whether drugs were involved?
� � � � � Image: Just one damned thing after another…

The imagery in Amber made it impossible to bring to the screen the way Dune was. But AI-generated video could change that and create a stunning series. I hope someone [at Amazon Prime, probably] is exploring the idea. It would be incredible to see that mythology explored.
(Oh, it appears that , although I'm worried this might not use AI to really get powerful visuals. Sigh.
Anyway. If you haven't read the series, please consider it. Or, if you want a single (and more serious) book, maybe try Lord of Light ?
]]>
The Looking Glass War 18857680 Librarian's An alternate cover edition can be found [|36163280]

A "NEW YORK TIMES" BESTSELLER
It would have been an easy job for the a can of film couriered from Helsinki to London. In the past the Circus handled all things political, while the Department dealt with matters military. But the Department has been moribund since the War, its resources siphoned away. Now, one of their agents is dead, and vital evidence verifying the presence of Soviet missiles near the West German border is gone. John Avery is the Department's younger member and its last hope. Charged with handling Fred Leiser, a German-speaking Pole left over from the War, Avery must infiltrate the East and restore his masters' former glory.
Darkly compelling and brutally Machiavellian, "The Looking Glass War" is a stunning accomplishment by one of today's most remarkable and enduring literary writers.
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288 John Le Carré 1101603038 Richard 0 espionage, ebook, hiatus 3.86 1965 The Looking Glass War
author: John Le Carré
name: Richard
average rating: 3.86
book published: 1965
rating: 0
read at:
date added: 2025/02/14
shelves: espionage, ebook, hiatus
review:

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Mexican Gothic 52873094
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.

Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.

And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.]]>
304 Silvia Moreno-Garcia Richard 4 If you look at the ɢᴇɴʀ� 3.76 2020 Mexican Gothic
author: Silvia Moreno-Garcia
name: Richard
average rating: 3.76
book published: 2020
rating: 4
read at: 2020/07/16
date added: 2024/12/18
shelves: ebook, fantasy-paranormal, fiction, horror
review:
If you look at the ɢᴇɴʀ�
]]>
Between Shades of Gray 59355062
"Few books are beautifully written, fewer still are important; this novel is both." -- The Washington Post

From New York Times and international bestseller and Carnegie Medal winner Ruta Sepetys, author of Salt to the Sea , comes a story of loss and of fear -- and ultimately, of survival.

A New York Times notable book
An international bestseller
A Carnegie Medal nominee
A William C. Morris Award finalist
A Golden Kite Award winner

Fifteen-year-old Lina is a Lithuanian girl living an ordinary life -- until Soviet officers invade her home and tear her family apart. Separated from her father and forced onto a crowded train, Lina, her mother, and her young brother make their way to a Siberian work camp, where they are forced to fight for their lives. Lina finds solace in her art, documenting these events by drawing. Risking everything, she imbeds clues in her drawings of their location and secretly passes them along, hoping her drawings will make their way to her father's prison camp. But will strength, love, and hope be enough for Lina and her family to survive?

A moving and haunting novel perfect for readers of The Book Thief .

Praise for Between Shades of Gray :

"Superlative. A hefty emotional punch." -- The New York Times Book Review

"Heart-wrenching . . . an eye-opening reimagination of a very real tragedy written with grace and heart." -- The Los Angeles Times

"At once a suspenseful, drama-packed survival story, a romance, and an intricately researched work of historial fiction." -- The Wall Street Journal

* "Beautifully written and deeply felt . . . An important book that deserves the widest possible readership." -- Booklist , starred review

“A superlative first novel. A hefty emotional punch.�-- The New York Times Book Review

“A brilliant story of love and survival.�--Laurie Halse Anderson, bestselling author of Speak and Wintergirls

* “Beautifully written and deeply felt…an important book that deserves the widest possible readership.�-- Booklist , Starred Review]]>
356 Ruta Sepetys Richard 0 4.33 2011 Between Shades of Gray
author: Ruta Sepetys
name: Richard
average rating: 4.33
book published: 2011
rating: 0
read at:
date added: 2024/11/18
shelves: currently-reading, ebook, historical-fiction
review:

]]>
Cold Mountain 18895304 Cold Mountain has quickly established itself as a must-read. Everyone is talking about this eloquent and ambitious first novel; word-of-mouth recommendations and dust jacket blurbs, even serious literary reviews are trembling beneath the weight of the half-forgotten superlatives that have been dusted off and pressed into service for this book. I must admit to redlining the adjectivometer a bit myself while singing its praises. Frazier's astonishing fiction debut is a literary page-turner -- an utterly compelling story driven by rhythmic, resonant prose and convincing historical detail.


Cold Mountain is the story of Inman, a wounded and soul-sick Confederate soldier who, like his literary fellow-traveler Odysseus, has quit the field of battle only to find the way home littered with impediments and prowled by adversaries. Inman's Penelope is Ada, a headstrong belle who has forsaken her place in Charleston society in order to accompany her father -- a tubercular southern gentleman turned missionary -- to a new home in the healthy mountain air of North Carolina. Frazier divides the narrative between Inman's homeward progress and Ada's struggle to make it on her own after her father dies, establishing an underlying tension that is at once subtle and irresistible.


Inman is critically wounded in the fighting outside Petersburg and, after a rough triage, he is "classed among the dying and put on a cot to do so." When his body stubbornly refuses to comply, he is evacuated further south to a hospital where he may succumb at his leisure. But against all odds, Inman's terrible injury insists upon healing itself. During the long months of convalescence he struggles to shed the hated, insulating numbness put on against the carnage he has seen -- Malvern Hill, Sharpsburg, Petersburg, Fredericksburg -- and probes his psychic wounds for the shrapnel of his former self. He finds instead a refuge in the "topography of home in his head" and the Cherokee folk tales of his childhood friend



"As Inman sat brooding and pining for his lost self, one of Swimmer's creekside stories rushed into his memory with great urgency and attractiveness. Swimmer claimed that above the blue vault of heaven there was a forest inhabited by a celestial race. Men could not go there to stay and live, but in that high land the dead spirit could be reborn.


"Though Inman could not recall whether Swimmer had told him what else might be involved in reaching that healing realm, Cold Mountain nevertheless soared in his mind as a place where all his scattered forces might gather. Inman did not consider himself to be a superstitious person, but he did believe that there is a world invisible to us. He no longer thought of that world as heaven, nor did he still think that we get to go there when we die. Those teachings had been burned away. But he could not abide by a universe composed only of what he could see, especially when it was so frequently foul. So he held to the idea of another world, a better place, and he figured he might as well consider Cold Mountain to be the location of it as anywhere."


Knowing that he will soon be deemed fit to return to active duty, Inman decides it is time to see if his "better place" still exists. He gathers what provisions he has been able to hoard, readies his fearsome LeMats revolver -- a double-barreled affair capable of firing nine .40 caliber rounds as well as a single load of shot -- slips out of the hospital under the cover of darkness, and begins the long walk home.


Meanwhile, Ada is reeling from her own mortal blow. The death of her father has left her penniless and alone, without the slightest idea of how she will survive. Though "educated beyond the point considered wise for females," she now finds that her vaunted talents -- a deft hand at the piano and a literary turn of mind -- have little value in the wartime barter economy of the rural South. The well-meaning members of her father's former congregation fully expect Ada to sell out and return to Charleston, but the prospect of begging charity or entering into some "mildly disguised parasitic relationship" with distant kin disgusts her. Salvation arrives in the form of Ruby Thewes, a solitary young mountain woman who teaches Ada the basic tenets of self-reliance and a Tolstoyan reverence for physical labor. "Simply living had never struck Ada as such a tiresome business" -- but her exertions give her a pride in her land and an ease with herself that she has never known.


Inman's lowland odyssey is fraught with peril. He travels mostly at night to avoid the Home Guard -- brutal vigilante bands who patrol the highways for runaway slaves and deserting "outliers" -- but encounters a strange assortment of misfits Veasey, the defrocked preacher and would-be "pistoleer" who appoints Inman his personal confessor; Odell, once heir to a Georgia planter, doomed to wander the southland in search of his slave lover; Junior, a noisome and treacherous hillbilly; and a wise old goatwoman who gives him a glimpse of God's mercy.


Time and again Frazier addresses the mysteries of faith and redemption. Though the war has ravaged the countryside and broken its people in body and in spirit, salvation -- admittedly, salvation of a humanist sort -- is always possible for those who dare to ask it. Even Ruby's long-lost father, Stobrod, a wastrel who has spent the majority of his life occupied in either the manufacture or the consumption of moonshine, is born again through his music. As in Goethe's dictum, "der weg ist das ziel," the seeking is in itself the path to finding redemption. Those who make the journey -- physically or spiritually -- ultimately find comfort; those who do not live a hell on earth.


A book as assured and as satisfying as Cold Mountain is a cause for celebration, and a first novel of this caliber (David Guterson's Snow Falling on Cedars comes to mind) is exceptional indeed. Charles Frazier has made an auspicious debut.

—Greg Marrs

]]>
370 Charles Frazier 0802197175 Richard 5 fiction, historical-fiction 4.20 1997 Cold Mountain
author: Charles Frazier
name: Richard
average rating: 4.20
book published: 1997
rating: 5
read at: 2024/11/14
date added: 2024/11/14
shelves: fiction, historical-fiction
review:
Perhaps not a perfect book, but I don't see its flaws. Beautiful, and brutal.
]]>
Why Liberalism Failed 37562335 Has liberalism failed because it has succeeded?

Of the three dominant ideologies of the twentieth century—fascism, communism, and liberalism—only the last remains. This has created a peculiar situation in which liberalism’s proponents tend to forget that it is an ideology and not the natural end-state of human political evolution. As Patrick Deneen argues in this provocative book, liberalism is built on a foundation of contradictions: it trumpets equal rights while fostering incomparable material inequality; its legitimacy rests on consent, yet it discourages civic commitments in favor of privatism; and in its pursuit of individual autonomy, it has given rise to the most far-reaching, comprehensive state system in human history.Here, Deneen offers an astringent warning that the centripetal forces now at work on our political culture are not superficial flaws but inherent features of a system whose success is generating its own failure.]]>
249 Patrick J. Deneen 0300231873 Richard 0
I was annoyed that I hadn’t written a real review. I certainly meant to; this was a profoundly thought-provoking book. But as the first response to my initial review hints, Deneen’s solution to the problems he illuminates was, in my opinion, farcical. My frustration with the latter portions of the book led me to abandon it.

To confirm my understanding of the book, I turned to a mechanism I’ve been using more and more:AI. Go ahead and laugh. ]]>
3.93 2018 Why Liberalism Failed
author: Patrick J. Deneen
name: Richard
average rating: 3.93
book published: 2018
rating: 0
read at: 2018/12/31
date added: 2024/11/13
shelves: nonfiction, social-political, ebook, nonfiction-apocalyptic, really-deep-thinking
review:
I stumbled back to this book when � oddly, I guess —I was searching for a blood bank after moving to a new state (see a comment, below).

I was annoyed that I hadn’t written a real review. I certainly meant to; this was a profoundly thought-provoking book. But as the first response to my initial review hints, Deneen’s solution to the problems he illuminates was, in my opinion, farcical. My frustration with the latter portions of the book led me to abandon it.

To confirm my understanding of the book, I turned to a mechanism I’ve been using more and more:AI. Go ahead and laugh.
]]>
To Build a Fire 37928871 16 Jack London Richard 5 classic, fiction
If you’re an outdoorsy kinda person, you really should read it, especially if your outdoors adventures includes snow and below-freezing temperatures.

Reading it is really easy, too.

The story appeared as part of London’s Lost Face collection of short stories, which is now old enough that it is available online from [] as an ebook . If you really want me to make it easy, this story starts on page 47 of that book, so you can start reading .

But it’s really famous, so other forms are also available. You can read a scanned version at the Internet Archive , although you’ll have to log in.

Or even listen to an audio version (although it seems like a slightly different edit) from the BBC � only a little more than 20 minutes. Sadly, not in BBC RP.]]>
3.80 1902 To Build a Fire
author: Jack London
name: Richard
average rating: 3.80
book published: 1902
rating: 5
read at:
date added: 2024/11/13
shelves: classic, fiction
review:
A very, very short story.

If you’re an outdoorsy kinda person, you really should read it, especially if your outdoors adventures includes snow and below-freezing temperatures.

Reading it is really easy, too.

The story appeared as part of London’s Lost Face collection of short stories, which is now old enough that it is available online from [] as an ebook . If you really want me to make it easy, this story starts on page 47 of that book, so you can start reading .

But it’s really famous, so other forms are also available. You can read a scanned version at the Internet Archive , although you’ll have to log in.

Or even listen to an audio version (although it seems like a slightly different edit) from the BBC � only a little more than 20 minutes. Sadly, not in BBC RP.
]]>
<![CDATA[The Muqaddimah: An Introduction to History]]> 1427579
This new edition of the abridged version, with the addition of a key section of Rosenthal's own introduction to the three-volume edition, and with a new introduction by Bruce B. Lawrence, will reintroduce this seminal work to twenty-first-century students and scholars of Islam and of medieval and ancient history.]]>
465 Ibn Khaldun 0691017549 Richard 3 In Our Time podcast by Melvyn Bragg about this author (listen ). Blurb:
Melvyn Bragg and guests Robert Hoyland, Robert Irwin, and Hugh Kennedy discuss the life and ideas of the 14th-century Arab philosopher of history Ibn Khaldun.

Ibn Khaldun was a North African statesman who retreated into the desert in 1375. He emerged having written one of the most important ever studies of the workings of history.

Khaldun was born in Tunis in 1332. He received a supremely good education, but at 16 lost many of his family to the Black Death. His adult life was similarly characterized by sharp turns of fortune. He built a career as a political operator in cities from Fez to Granada. But he often fared badly in court intrigues, was imprisoned and failed to prevent the murder of a fellow statesman.

In 1375, he withdrew into the Sahara to work out why the Muslim world had degenerated into division and decline. Four years later, he had completed not only a history of North African politics but also, in the book's long introduction, one of the great studies of history.

Drawing on both regional history and personal experience, he set out a bleak analysis of the rise and fall of dynasties. He argued that group solidarity was vital to success in power. Within five generations, though, this always decayed. Tired urban dynasties inevitably became vulnerable to overthrow by rural insurgents.

Later in life, Ibn Khaldun worked as a judge in Egypt, and in 1401 he met the terrifying Mongol conqueror Tamburlaine, whose triumphs, Ibn Khaldun felt, bore out his pessimistic theories.

Over the last three centuries, Ibn Khaldun has been rediscovered as a profoundly prescient political scientist, philosopher of history and forerunner of sociology -- one of the great thinkers of the Muslim world.

Robert Hoyland is Professor of Islamic History at the University of Oxford; Robert Irwin is Senior Research Associate of the School of Oriental and African Studies at the University of London; Hugh Kennedy is Professor of Arabic in the School of Oriental and African Studies at the University of London.
Unfortunately, the idea of this was more interesting than reading it. This is essentially an instruction manual for operating a government and understanding civilization, and given when and where it was written, it shows an astonishing synthesis of a great deal of complex information ... but the actual content itself is somewhat banal.

I really recommend listening to the podcast to learn a bit about history that most of us are completely ignorant of. But the book � not so much. Once I got the gist of it, I was pretty much skimming.
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4.07 1377 The Muqaddimah: An Introduction to History
author: Ibn Khaldun
name: Richard
average rating: 4.07
book published: 1377
rating: 3
read at: 2012/11/28
date added: 2024/11/10
shelves: history, nonfiction, social-political
review:
I decided to read this after hearing the In Our Time podcast by Melvyn Bragg about this author (listen ). Blurb:
Melvyn Bragg and guests Robert Hoyland, Robert Irwin, and Hugh Kennedy discuss the life and ideas of the 14th-century Arab philosopher of history Ibn Khaldun.

Ibn Khaldun was a North African statesman who retreated into the desert in 1375. He emerged having written one of the most important ever studies of the workings of history.

Khaldun was born in Tunis in 1332. He received a supremely good education, but at 16 lost many of his family to the Black Death. His adult life was similarly characterized by sharp turns of fortune. He built a career as a political operator in cities from Fez to Granada. But he often fared badly in court intrigues, was imprisoned and failed to prevent the murder of a fellow statesman.

In 1375, he withdrew into the Sahara to work out why the Muslim world had degenerated into division and decline. Four years later, he had completed not only a history of North African politics but also, in the book's long introduction, one of the great studies of history.

Drawing on both regional history and personal experience, he set out a bleak analysis of the rise and fall of dynasties. He argued that group solidarity was vital to success in power. Within five generations, though, this always decayed. Tired urban dynasties inevitably became vulnerable to overthrow by rural insurgents.

Later in life, Ibn Khaldun worked as a judge in Egypt, and in 1401 he met the terrifying Mongol conqueror Tamburlaine, whose triumphs, Ibn Khaldun felt, bore out his pessimistic theories.

Over the last three centuries, Ibn Khaldun has been rediscovered as a profoundly prescient political scientist, philosopher of history and forerunner of sociology -- one of the great thinkers of the Muslim world.

Robert Hoyland is Professor of Islamic History at the University of Oxford; Robert Irwin is Senior Research Associate of the School of Oriental and African Studies at the University of London; Hugh Kennedy is Professor of Arabic in the School of Oriental and African Studies at the University of London.
Unfortunately, the idea of this was more interesting than reading it. This is essentially an instruction manual for operating a government and understanding civilization, and given when and where it was written, it shows an astonishing synthesis of a great deal of complex information ... but the actual content itself is somewhat banal.

I really recommend listening to the podcast to learn a bit about history that most of us are completely ignorant of. But the book � not so much. Once I got the gist of it, I was pretty much skimming.
­
]]>
<![CDATA[Sixteen Ways to Defend a Walled City (The Siege, #1)]]> 38347801
Their only chance rests with a colonel of engineers - a despised outsider, a genius, a master of military and political strategy with the wrong color skin. He is the City's only hope.

But nobody, rich or poor, wants to take orders from a jumped-up Milkface. Saving the City from itself might be more difficult than surviving the coming siege.]]>
335 K.J. Parker 0316270806 Richard 3 ebook, fantasy 4.23 2019 Sixteen Ways to Defend a Walled City (The Siege, #1)
author: K.J. Parker
name: Richard
average rating: 4.23
book published: 2019
rating: 3
read at: 2020/07/02
date added: 2024/09/28
shelves: ebook, fantasy
review:

]]>
<![CDATA[Sum: Forty Tales from the Afterlives]]> 6564139 130 David Eagleman 0307378020 Richard 4 The Martian (my enthusiastic review), and discovered that its author, Andy Weir, wrote a short story that fits in very well with Sum. Very short. It is not as well written as as what is here, but it really is too bad the idea didn't occur to Eagleman. I suspect it would have been one of my favorites if it had. Pop over to over at Weir's website and spent a minute or so breezing through his intriguing take on the afterlife.

� � � � � � � � � � � � � � � � � � � � � � � �

The made it clear that this book would be clever and easy to read, and it indeed is.

The book is a collection of forty short essays � some only a page or two � depicting variations on life after death. Some are delightful and scintillating, others not quite as much. But they're all so short that even the duds aren't really disappointing, since they're over so quickly.

I checked and found some stuff on this author and book that might further your appetite: NPR did (about 30 minutes); and the Guardian UK has an extensive collection of pieces, including two short video interviews, audio excerpts from his book read by Stephen Fry, Jarvis Cocker and Emily Blunt, as well as several articles from Eagleman (see ). Apparently Stephen Fry tweeted about his reading and sent the sales of the book skyrocketing. Lucky author!

I had a few favorites, but without explaining them, that wouldn't do anyone any good.

Read it for yourself, and enjoy.]]>
4.17 2009 Sum: Forty Tales from the Afterlives
author: David Eagleman
name: Richard
average rating: 4.17
book published: 2009
rating: 4
read at: 2014/07/17
date added: 2024/09/28
shelves: fiction, ebook, short-story-or-stories
review:
Update: I just finished reading The Martian (my enthusiastic review), and discovered that its author, Andy Weir, wrote a short story that fits in very well with Sum. Very short. It is not as well written as as what is here, but it really is too bad the idea didn't occur to Eagleman. I suspect it would have been one of my favorites if it had. Pop over to over at Weir's website and spent a minute or so breezing through his intriguing take on the afterlife.

� � � � � � � � � � � � � � � � � � � � � � � �

The made it clear that this book would be clever and easy to read, and it indeed is.

The book is a collection of forty short essays � some only a page or two � depicting variations on life after death. Some are delightful and scintillating, others not quite as much. But they're all so short that even the duds aren't really disappointing, since they're over so quickly.

I checked and found some stuff on this author and book that might further your appetite: NPR did (about 30 minutes); and the Guardian UK has an extensive collection of pieces, including two short video interviews, audio excerpts from his book read by Stephen Fry, Jarvis Cocker and Emily Blunt, as well as several articles from Eagleman (see ). Apparently Stephen Fry tweeted about his reading and sent the sales of the book skyrocketing. Lucky author!

I had a few favorites, but without explaining them, that wouldn't do anyone any good.

Read it for yourself, and enjoy.
]]>
<![CDATA[Dreams and Shadows (Dreams & Shadows #1)]]> 18162904
There is another world than our own—one no closer than a kiss and one no further than our nightmares—where all the stuff of which dreams are made is real and magic is just a step away. But once you see that world, you will never be the same.

Dreams and Shadows takes us beyond this veil. Once bold explorers and youthful denizens of this magical realm, Ewan is now an Austin musician who just met his dream girl, and Colby, meanwhile, cannot escape the consequences of an innocent wish. But while Ewan and Colby left the Limestone Kingdom as children, it has never forgotten them. And in a world where angels relax on rooftops, whiskey-swilling genies argue metaphysics with foul-mouthed wizards, and monsters in the shadows feed on fear, you can never outrun your fate.

Dreams and Shadows is a stunning and evocative debut about the magic and monsters in our world and in our self.]]>
448 C. Robert Cargill 006219044X Richard 4 ebook, fantasy, fantasy-magic
I suspect the author has stumbled into a trap: some of those that might like this book are going to not like it with a passion � enough to write a scathing review � while those that enjoy it will struggle to put into words just why. That is because the many attributes that make this a good book are scattered, and can’t be conveniently placed in a single, breathless narrative.

There are real flaws, and then there are style choices which some people Dz’t like.

To me, the biggest difficulty is that the story has little tension in it until the second half. The first half is good storytelling, but has all the emotional potency that Snow White has, once one is an adult. This isn’t mere worldbuilding � there are characters unfolding, and plots beginning their slow arcs � but it is far too tempting to give up, before the going gets good. And it does get, good, even to the last pages.

Another problem is that interleaved with the narrative chapters are “educational� chapters, nominally extracts from books about the fae. While this is a moderately clever way of getting around the “show, Dz’t tell� rule of storytelling, it still slows things down with the artifice. It is much better than one character lecturing another, certainly, but much of the information given in these interludes could have been elided. Having several children in the tale, who are naturally asking questions, was already adequately smooth way at providing necessary background information.

Here are a few things that seem to anger, disgust, or merely disappoint:

There is violence and gore here. Characters you like will die, and characters you Dz’t like won’t die, or they won’t die satisfactorily. Frankly, if that really bothers, you, then go back to reading children’s stories. I’m more dismayed when an author has all of the readers� favorites survive, regardless of the danger of the quest or the mayhem swirling around them.

The author is unfortunately compared to The Chosen One, Neil Gaiman, who is trendy in this domain the way Tesla is to science fanboys and fangirls. I’ve read enough Gaiman to understand why the marketing folks would toss his name in there, but to downgrade an author for who someone else has compared them to is, frankly, a vile thing to do. If the author had made such a boast, then it’d be fair; if not, judge the book on its own terms.

The worldbuilding is a bit mixed, with middle-eastern Djinn and the Native American Coyote trickster mixed in with otherwise northern European faeries (mostly Irish, as far as I can tell). Oh, and fallen Angels. This has really worked well for Jim Butcher in his Dresden Files, but I can’t say I consider it anything more than an adequate device. A real artist would invent a whole new mythology to serve (e.g., Tolkein, Herbert), but I’m not asserting that this is a five-star book; just that the rating in the high-threes is more earned, and the reviews in the one-to-three range are too harsh.

That said, although Coyote’s role could have gone to Puck (púca), for the story to work, the author needed more gravitas. Given the role Coyote is playing by the end, the gravitas really is necessary.

What makes this a very good book is the way the author doesn’t simply increase the tension (and violence, and gore) as the story arcs higher and higher, but how the philosophy that lies beneath the story is gradually revealed, showing the inevitability of that clash. The world of humans and of fae that Cargill lays out isn’t stable, and the character of Colby is a well-crafted answer to that problem, although he isn’t always a very nice person.
­ձ>
3.78 2013 Dreams and Shadows (Dreams & Shadows #1)
author: C. Robert Cargill
name: Richard
average rating: 3.78
book published: 2013
rating: 4
read at: 2014/08/10
date added: 2024/09/27
shelves: ebook, fantasy, fantasy-magic
review:
Dreams and Shadows, by C. Robert Cargill, is a paranormal fantasy that is worth reading. It definitely has problems, but it doesn’t deserve having the first few reviews on ŷ being so incredibly negative.

I suspect the author has stumbled into a trap: some of those that might like this book are going to not like it with a passion � enough to write a scathing review � while those that enjoy it will struggle to put into words just why. That is because the many attributes that make this a good book are scattered, and can’t be conveniently placed in a single, breathless narrative.

There are real flaws, and then there are style choices which some people Dz’t like.

To me, the biggest difficulty is that the story has little tension in it until the second half. The first half is good storytelling, but has all the emotional potency that Snow White has, once one is an adult. This isn’t mere worldbuilding � there are characters unfolding, and plots beginning their slow arcs � but it is far too tempting to give up, before the going gets good. And it does get, good, even to the last pages.

Another problem is that interleaved with the narrative chapters are “educational� chapters, nominally extracts from books about the fae. While this is a moderately clever way of getting around the “show, Dz’t tell� rule of storytelling, it still slows things down with the artifice. It is much better than one character lecturing another, certainly, but much of the information given in these interludes could have been elided. Having several children in the tale, who are naturally asking questions, was already adequately smooth way at providing necessary background information.

Here are a few things that seem to anger, disgust, or merely disappoint:

There is violence and gore here. Characters you like will die, and characters you Dz’t like won’t die, or they won’t die satisfactorily. Frankly, if that really bothers, you, then go back to reading children’s stories. I’m more dismayed when an author has all of the readers� favorites survive, regardless of the danger of the quest or the mayhem swirling around them.

The author is unfortunately compared to The Chosen One, Neil Gaiman, who is trendy in this domain the way Tesla is to science fanboys and fangirls. I’ve read enough Gaiman to understand why the marketing folks would toss his name in there, but to downgrade an author for who someone else has compared them to is, frankly, a vile thing to do. If the author had made such a boast, then it’d be fair; if not, judge the book on its own terms.

The worldbuilding is a bit mixed, with middle-eastern Djinn and the Native American Coyote trickster mixed in with otherwise northern European faeries (mostly Irish, as far as I can tell). Oh, and fallen Angels. This has really worked well for Jim Butcher in his Dresden Files, but I can’t say I consider it anything more than an adequate device. A real artist would invent a whole new mythology to serve (e.g., Tolkein, Herbert), but I’m not asserting that this is a five-star book; just that the rating in the high-threes is more earned, and the reviews in the one-to-three range are too harsh.

That said, although Coyote’s role could have gone to Puck (púca), for the story to work, the author needed more gravitas. Given the role Coyote is playing by the end, the gravitas really is necessary.

What makes this a very good book is the way the author doesn’t simply increase the tension (and violence, and gore) as the story arcs higher and higher, but how the philosophy that lies beneath the story is gradually revealed, showing the inevitability of that clash. The world of humans and of fae that Cargill lays out isn’t stable, and the character of Colby is a well-crafted answer to that problem, although he isn’t always a very nice person.
­
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<![CDATA[The Henry Irving Shakespeare (Cambridge Library Collection - Shakespeare and Renaissance Drama)]]> 6773246 412 William Shakespeare 1108001491 Richard 0 0.0 The Henry Irving Shakespeare (Cambridge Library Collection - Shakespeare and Renaissance Drama)
author: William Shakespeare
name: Richard
average rating: 0.0
book published:
rating: 0
read at:
date added: 2024/09/24
shelves: wishlist, shakespeare-commentary, shakespeare, to-read
review:

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<![CDATA[The Henry Irving Shakespeare (Cambridge Library Collection - Shakespeare and Renaissance Drama)]]> 6773247 596 William Shakespeare 1108001505 Richard 0 0.0 The Henry Irving Shakespeare (Cambridge Library Collection - Shakespeare and Renaissance Drama)
author: William Shakespeare
name: Richard
average rating: 0.0
book published:
rating: 0
read at:
date added: 2024/09/24
shelves: wishlist, shakespeare-commentary, shakespeare, to-read
review:

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<![CDATA[The Henry Irving Shakespeare (Cambridge Library Collection - Shakespeare and Renaissance Drama)]]> 6773233 388 William Shakespeare 1108001432 Richard 0 0.0 The Henry Irving Shakespeare (Cambridge Library Collection - Shakespeare and Renaissance Drama)
author: William Shakespeare
name: Richard
average rating: 0.0
book published:
rating: 0
read at:
date added: 2024/09/24
shelves: shakespeare-commentary, theatrical, wishlist, shakespeare, to-read
review:

]]>
<![CDATA[The Unpersuadables: Adventures with the Enemies of Science]]> 43691583 “A tour de force... [Storr’s] dogged approach to nailing many of the most celebrated skeptics in lies and misrepresentations is welcome.� —SalonWhy, that is, did the obviously intelligent man beside him sincerely believe in Adam and Eve, the Garden of Eden and a six-thousand-year-old Earth, in spite of the evidence against them? It was the start of a journey that would lead Storr all over the world—from Texas to Warsaw to the Outer Hebrides—meeting an extraordinary cast of modern heretics whom he tries his best to understand. Storr tours Holocaust sites with famed denier David Irving and a band of neo-Nazis, experiences his own murder during “past life regression� hypnosis, discusses the looming One World Government with an iconic climate skeptic, and investigates the tragic life and death of a woman who believed her parents were high priests in a baby-eating cult. Using a unique mix of highly personal memoir, investigative journalism, and the latest research from neuroscience and experimental psychology, Storr reveals how the stories we tell ourselves about the world invisibly shape our beliefs, and how the neurological “hero maker� inside us all can so easily lead to self-deception, toxic partisanship and science denial.“The subtle brilliance of The Unpersuadables is Mr. Storr’s style of letting his subjects hang themselves with their own words.� —The Wall Street Journal“Throws new and salutary light on all our conceits and beliefs. Very valuable, and a great read to boot, this is investigative journalism of the highest order.� —The Independent, Book of the Week]]> 346 Will Storr 1468309811 Richard 0 3.93 2013 The Unpersuadables: Adventures with the Enemies of Science
author: Will Storr
name: Richard
average rating: 3.93
book published: 2013
rating: 0
read at:
date added: 2024/09/23
shelves: to-read, at-sfpl, social-political, cognition
review:

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Fortunately, the Milk 17974445
"Hullo," I said to myself. "That's not something you see every day. And then something odd happened."

Find out just how odd things get in this hilarious New York Times bestselling story of time travel and breakfast cereal, expertly told by Newbery Medalist and bestselling author Neil Gaiman and illustrated by Skottie Young.]]>
128 Neil Gaiman 0062224093 Richard 4 4.19 2013 Fortunately, the Milk
author: Neil Gaiman
name: Richard
average rating: 4.19
book published: 2013
rating: 4
read at: 2015/04/24
date added: 2024/09/23
shelves: kid-and-teen-lit, graphic-stuff, fantasy, silly, ebook
review:

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<![CDATA[The Once and Future King (The Once and Future King, #1-4)]]> 17264061 T. H. White’s masterful retelling of the saga of King Arthur is a fantasy classic as legendary as Excalibur and Camelot, and a poignant story of adventure, romance, and magic that has enchanted readers for generations.

Once upon a time, a young boy called “Wart� was tutored by a magician named Merlyn in preparation for a future he couldn’t possibly imagine. A future in which he would ally himself with the greatest knights, love a legendary queen and unite a country dedicated to chivalrous values. A future that would see him crowned and known for all time as Arthur, King of the Britons.

During Arthur’s reign, the kingdom of Camelot was founded to cast enlightenment on the Dark Ages, while the knights of the Round Table embarked on many a noble quest. But Merlyn foresaw the treachery that awaited his liege: the forbidden love between Queen Guenever and Lancelot, the wicked plots of Arthur’s half-sister Morgause and the hatred she fostered in Mordred that would bring an end to the king’s dreams for Britain—and to the king himself.]]>
654 T.H. White 1101657545 Richard 4 4.11 1958 The Once and Future King (The Once and Future King, #1-4)
author: T.H. White
name: Richard
average rating: 4.11
book published: 1958
rating: 4
read at: 2017/05/31
date added: 2024/09/23
shelves: ebook, fantasy, fantasy-epic, fantasy-mythology, classic
review:

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Cog 41453699 An all-ages adventure by the three-time Nebula “Cog is a gem of a robot, and his robotic observations are comedic gold. Readers will be charmed.� —Booklist Five robots are on a mission to rescue their inventor from the corporation that controls them all—and their programming will never be the same... Cog looks like a normal twelve-year-old boy. But his name is short for “cognitive development,� and he was built to learn. After an accident leaves him damaged, Cog wakes up in an unknown lab—and Gina, the scientist who created and cared for him, is nowhere to be found. Surrounded by scientists who want to study him and remove his brain, Cog recruits four robot accomplices for a mission to find her. Cog, ADA, Proto, Trashbot, and Car’s journey will likely involve much cognitive development in the form of mistakes, but Cog is willing to risk everything to find his way back to Gina... In this delightful adventure, the author of The Boy at the End of the World brings us an unforgettable character and a story sure to earn its place among beloved middle-grade classics. “A page-turning novel of friendship, family, and standing up for what’s right.� —Bulletin of the Center for Children’s Books “Readers will be charmed by this sci-fi tale of free choice, hot dogs, and fun word problems.� —Booklist “Van Eekhout brings considerable heart and wisdom to this coming-of-age tale... about hubris and what it means to be human.� —Kirkus Reviews]]> 202 Greg Van Eekhout 0062686046 Richard 3 4.13 2019 Cog
author: Greg Van Eekhout
name: Richard
average rating: 4.13
book published: 2019
rating: 3
read at: 2022/05/19
date added: 2024/09/21
shelves: kid-and-teen-lit, scifi, scifi-dystopia
review:

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Undermajordomo Minor 25142817
A love story, an adventure story, a fable without a moral, and an ink-black comedy of manners, Undermajordomo Minor is Patrick deWitt’s long-awaited follow-up to the internationally bestselling and critically acclaimed novel The Sisters Brothers.

Lucien (Lucy) Minor is the resident odd duck in the bucolic hamlet of Bury. Friendless and loveless, young and aimless, Lucy is a compulsive liar, a sickly weakling in a town famous for producing brutish giants.Then Lucy accepts employment assisting the Majordomo of the remote, foreboding Castle Von Aux.

While tending to his new post as Undermajordomo, Lucy soon discovers the place harbours many dark secrets, not least of which is the whereabouts of the castle’s master, Baron Von Aux. He also encounters the colourful people of the local village—thieves, madmen, aristocrats, and Klara, a delicate beauty whose love he must compete for with the exceptionally handsome soldier, Adolphus. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery, and cold-blooded murder in which every aspect of human behavior is laid bare for our hero to observe.

Undermajordomo Minor is an adventure, a mystery, and a searing portrayal of rural Alpine bad behaviour, but above all it is a love storyand Lucy must be careful, for love is a violent thing.]]>
320 Patrick deWitt 0062281232 Richard 2 ebook, fiction Sisters Brothers, but while this one has the same quirky style, it just never caught my interest. I gave it 100+ pages, but after that I declare myself entitled to pass summary judgment and be done with it.]]> 3.83 2015 Undermajordomo Minor
author: Patrick deWitt
name: Richard
average rating: 3.83
book published: 2015
rating: 2
read at: 2016/07/03
date added: 2024/09/21
shelves: ebook, fiction
review:
I enjoyed the slow, surprising and idiosyncratic Sisters Brothers, but while this one has the same quirky style, it just never caught my interest. I gave it 100+ pages, but after that I declare myself entitled to pass summary judgment and be done with it.
]]>
<![CDATA[The Torture Letters: Reckoning with Police Violence]]> 48619343
In The Torture Letters, Laurence Ralph chronicles the history of torture in Chicago, the burgeoning activist movement against police violence, and the American public’s complicity in perpetuating torture at home and abroad. Engaging with a long tradition of epistolary meditations on racism in the United States, from James Baldwin’s The Fire Next Time to Ta-Nehisi Coates’s Between the World and Me, Ralph offers in this book a collection of open letters written to protestors, victims, students, and others. Through these moving, questing, enraged letters, Ralph bears witness to police violence that began in Burge’s Area Two and follows the city’s networks of torture to the global War on Terror. From Vietnam to Geneva to Guantanamo Bay—Ralph’s story extends as far as the legacy of American imperialism. Combining insights from fourteen years of research on torture with testimonies of victims of police violence, retired officers, lawyers, and protestors, this is a powerful indictment of police violence and a fierce challenge to all Americans to demand an end to the systems that support it.

With compassion and careful skill, Ralph uncovers the tangled connections among law enforcement, the political machine, and the courts in Chicago, amplifying the voices of torture victims who are still with us—and lending a voice to those long deceased.]]>
248 Laurence Ralph 022672980X Richard 0
Go to this link � � and give them an email address. I think they'll use it to offer you a free ebook every month thereafter? If you're paranoid, give them a burner email, although the final .acsm file will require ‘activation� via Adobe, so you'll need to create a fake account there, soo.]]>
4.64 2020 The Torture Letters: Reckoning with Police Violence
author: Laurence Ralph
name: Richard
average rating: 4.64
book published: 2020
rating: 0
read at:
date added: 2024/09/21
shelves: to-read, social-political, nonfiction, connect-the-dots, own, ebook
review:
NOTICE: The University of Chicago Press is making this ebook available for free until June 6th, 2020.

Go to this link � � and give them an email address. I think they'll use it to offer you a free ebook every month thereafter? If you're paranoid, give them a burner email, although the final .acsm file will require ‘activation� via Adobe, so you'll need to create a fake account there, soo.
]]>
<![CDATA[Rogue Protocol (The Murderbot Diaries, #3)]]> 36153880 Who knew being a heartless killing machine would present so many moral dilemmas?

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is.

And Murderbot would rather those questions went away. For good.]]>
150 Martha Wells 1250185432 Richard 5 More of the same? Excellent! 4.40 2018 Rogue Protocol (The Murderbot Diaries, #3)
author: Martha Wells
name: Richard
average rating: 4.40
book published: 2018
rating: 5
read at: 2018/09/09
date added: 2024/09/20
shelves: ebook, scifi, series, short-story-or-stories, scifi-dystopia
review:
More of the same? Excellent!
]]>
<![CDATA[The Emperor's Blades (Chronicle of the Unhewn Throne, #1)]]> 18803033 The Emperor's Blades by Brian Staveley, the emperor of Annur is dead, slain by enemies unknown. His daughter and two sons, scattered across the world, do what they must to stay alive and unmask the assassins. But each of them also has a life-path on which their father set them, destinies entangled with both ancient enemies and inscrutable gods.

Kaden, the heir to the Unhewn Throne, has spent eight years sequestered in a remote mountain monastery, learning the enigmatic discipline of monks devoted to the Blank God. Their rituals hold the key to an ancient power he must master before it's too late.

An ocean away, Valyn endures the brutal training of the Kettral, elite soldiers who fly into battle on gigantic black hawks. But before he can set out to save Kaden, Valyn must survive one horrific final test.

At the heart of the empire, Minister Adare, elevated to her station by one of the emperor's final acts, is determined to prove herself to her people. But Adare also believes she knows who murdered her father, and she will stop at nothing—and risk everything—to see that justice is meted out.


At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.]]>
593 Brian Staveley 1466828439 Richard 3
Let’s look at his strengths.

First: action. When his characters are in peril and fighting for survival, the story is riveting.

Second: clever complications —mostly. He definitely stretches farther here than many authors, although not everything hangs together quite yet. Part of that might be how he is structuring the trilogy, since he may be setting things up in the first book that appear nonsensical until later. But that’s a known problem in fiction. Other storytellers bury the apparent contradictions or irrelevancies a little deeper, or provide more camouflage.

Third, somewhat of a strength: adolescent protagonists. These kids are in their late teens. They’re often stupid, and even more often impetuous. They take stupid risks. Well, duh: integration of “higher� cognitive functions doesn’t finish until the late twenties � assuming they’re neurotypical humans. It would have been good if some of the adults in their life had indirectly reminded us of how young they are, which is why this is only “somewhat�. There probably should have been more deaths in the military thread, since you’ve given a bunch of high school students live weapons and little direct supervision.


Weaknesses? Yeah, quite a few.

One very big frustration is the male-centric story. Of the fifty chapters, the emperor’s daughter (and eldest child, still in the capital, for goodness� sake) is featured in only five of them. In most of those, she is thoughtless and emotional, reacting impotently to events without any sign of cleverness that her training should have engendered. She has no apparent friends or allies —or life, really. Another character compliments her as clear-seeing, which is laughable based on what we’ve seen.

There are other females, some of which play very important secondary roles. I didn’t track every conversation, but I’m pretty sure the book dismally fails the : these women aren’t just portrayed as secondary in the narrative, but also aren’t treated as primary within their own lives. There are some good points: the women in the military story arc are seen as strong and very competent and highly varied in personality, and t’s a tiny nod to non-heterosexual acceptability. However� well, I’ll mention another difficulty in a spoiler, below.

The focus on physical appearance is always troubling, but the problem is that the narrative voice is almost always from a heterosexual male, so the targets of sexualized commentary are women. So while the body of almost every woman is leered at from a protagonist’s perspective, men are merely described by the authorial voice. And in those few chapters involving the princess, we Dz’t get a highly sexualized perspective, even though she’s also an adolescent and could very well have spent substantial time ogling the beefcake soldiers she’s surrounded by. It also is grating that she is the only sibling that both allows lust to critically cloud her judgement and uses her sexuality as a weapon. (The monk brother had little opportunity along these lines until the final chapters, but then passes that test with flying colors.)


A larger problem is that the story isn’t structured as well as it could be. I like that all of the chapters are fairly short, and some are very short. That made it easier to switch between the story arcs gracefully� but there are lengthy portions through the book where tension and intrigue is building in one brother’s thread, however we sporadically interrupt to jump to the other brother’s less interesting life. The attempt to maintain some sort of simultaneity is understandable, since their stories will eventually converge. But the forced parity means the story loses energy, and some readers lose interest.

How might that have been fixed? Well, drop simultaneity. Create a story element that allows the reader mentally resynchronize those threads. For example, I read this just after the big eclipse in August of 2017. Hey! How about an eclipse? The monks will be talking about it, as will the soldiers, so we can use that as a story calendar. What else? An unseasonably bad winter, slowly passing and discussed? Either of those could also be tied to superstitions regarding regime change. Or a peripheral war, generating news and maybe refugees, peripheral to both threads (but perhaps also tied in later).

I get the sense that this chaos is more likely to be a problem with stream-of-consciousness authors, who write the story without substantial outlining beforehand. (The opposite problem would probably be a lack of passion, as the narrative is later constructed to fit into the story arcs, as opposed to arising organically.)


A good editor could have helped with that, as well as with some other problems. For example, the monks live high in the mountains, surrounded by raw granite. But they generate income with pottery. Wait� clay is mined from river beds, far far far downstream. Mountain streams won’t even tend to have gravel, much less sand —and clay is a geological absurdity. Even a meadow will tend to be rock and decomposed granite. Also: where do they get the wood for cookfires, much less the kilns?

Similarly, when you ponder how much food those giant birds must eat —where are the vast ranches? What do you do with the guano of a bird capable of carrying a squad of soldiers?


Finally, the nature of evil. Anyone who has read enough of my reviews knows this is a bugaboo I find especially irksome. In this story, Bad People are bad, and Good People are good. Sometimes the Good People are confused, and Dz’t have good enough information to trust other Good People, but their motivations are still clear.

We know early on that Bad People have killed the emperor, and maybe more Bad People are still trying to do Bad Things to his children. But there are other Bad People, too —just because they’re bad. Oh, maybe they’re also on the bigger team of Bad People, or maybe not.

I need spoilers to continue this. [spoilers removed]
 ]>
4.17 2014 The Emperor's Blades (Chronicle of the Unhewn Throne, #1)
author: Brian Staveley
name: Richard
average rating: 4.17
book published: 2014
rating: 3
read at: 2017/08/24
date added: 2024/09/18
shelves: fantasy, fantasy-epic, ebook, series
review:
Staveley does a great job in some parts of this book, and somewhat poorly in others.

Let’s look at his strengths.

First: action. When his characters are in peril and fighting for survival, the story is riveting.

Second: clever complications —mostly. He definitely stretches farther here than many authors, although not everything hangs together quite yet. Part of that might be how he is structuring the trilogy, since he may be setting things up in the first book that appear nonsensical until later. But that’s a known problem in fiction. Other storytellers bury the apparent contradictions or irrelevancies a little deeper, or provide more camouflage.

Third, somewhat of a strength: adolescent protagonists. These kids are in their late teens. They’re often stupid, and even more often impetuous. They take stupid risks. Well, duh: integration of “higher� cognitive functions doesn’t finish until the late twenties � assuming they’re neurotypical humans. It would have been good if some of the adults in their life had indirectly reminded us of how young they are, which is why this is only “somewhat�. There probably should have been more deaths in the military thread, since you’ve given a bunch of high school students live weapons and little direct supervision.


Weaknesses? Yeah, quite a few.

One very big frustration is the male-centric story. Of the fifty chapters, the emperor’s daughter (and eldest child, still in the capital, for goodness� sake) is featured in only five of them. In most of those, she is thoughtless and emotional, reacting impotently to events without any sign of cleverness that her training should have engendered. She has no apparent friends or allies —or life, really. Another character compliments her as clear-seeing, which is laughable based on what we’ve seen.

There are other females, some of which play very important secondary roles. I didn’t track every conversation, but I’m pretty sure the book dismally fails the : these women aren’t just portrayed as secondary in the narrative, but also aren’t treated as primary within their own lives. There are some good points: the women in the military story arc are seen as strong and very competent and highly varied in personality, and t’s a tiny nod to non-heterosexual acceptability. However� well, I’ll mention another difficulty in a spoiler, below.

The focus on physical appearance is always troubling, but the problem is that the narrative voice is almost always from a heterosexual male, so the targets of sexualized commentary are women. So while the body of almost every woman is leered at from a protagonist’s perspective, men are merely described by the authorial voice. And in those few chapters involving the princess, we Dz’t get a highly sexualized perspective, even though she’s also an adolescent and could very well have spent substantial time ogling the beefcake soldiers she’s surrounded by. It also is grating that she is the only sibling that both allows lust to critically cloud her judgement and uses her sexuality as a weapon. (The monk brother had little opportunity along these lines until the final chapters, but then passes that test with flying colors.)


A larger problem is that the story isn’t structured as well as it could be. I like that all of the chapters are fairly short, and some are very short. That made it easier to switch between the story arcs gracefully� but there are lengthy portions through the book where tension and intrigue is building in one brother’s thread, however we sporadically interrupt to jump to the other brother’s less interesting life. The attempt to maintain some sort of simultaneity is understandable, since their stories will eventually converge. But the forced parity means the story loses energy, and some readers lose interest.

How might that have been fixed? Well, drop simultaneity. Create a story element that allows the reader mentally resynchronize those threads. For example, I read this just after the big eclipse in August of 2017. Hey! How about an eclipse? The monks will be talking about it, as will the soldiers, so we can use that as a story calendar. What else? An unseasonably bad winter, slowly passing and discussed? Either of those could also be tied to superstitions regarding regime change. Or a peripheral war, generating news and maybe refugees, peripheral to both threads (but perhaps also tied in later).

I get the sense that this chaos is more likely to be a problem with stream-of-consciousness authors, who write the story without substantial outlining beforehand. (The opposite problem would probably be a lack of passion, as the narrative is later constructed to fit into the story arcs, as opposed to arising organically.)


A good editor could have helped with that, as well as with some other problems. For example, the monks live high in the mountains, surrounded by raw granite. But they generate income with pottery. Wait� clay is mined from river beds, far far far downstream. Mountain streams won’t even tend to have gravel, much less sand —and clay is a geological absurdity. Even a meadow will tend to be rock and decomposed granite. Also: where do they get the wood for cookfires, much less the kilns?

Similarly, when you ponder how much food those giant birds must eat —where are the vast ranches? What do you do with the guano of a bird capable of carrying a squad of soldiers?


Finally, the nature of evil. Anyone who has read enough of my reviews knows this is a bugaboo I find especially irksome. In this story, Bad People are bad, and Good People are good. Sometimes the Good People are confused, and Dz’t have good enough information to trust other Good People, but their motivations are still clear.

We know early on that Bad People have killed the emperor, and maybe more Bad People are still trying to do Bad Things to his children. But there are other Bad People, too —just because they’re bad. Oh, maybe they’re also on the bigger team of Bad People, or maybe not.

I need spoilers to continue this. [spoilers removed]

]]>
All You Need Is Kill 12868204 230 Hiroshi Sakurazaka 1421542447 Richard 3
Really close to four stars, but there are some logical incongruencies in the story I wouldn't overlook.

[spoilers removed]]]>
4.25 2004 All You Need Is Kill
author: Hiroshi Sakurazaka
name: Richard
average rating: 4.25
book published: 2004
rating: 3
read at: 2019/07/06
date added: 2024/09/18
shelves: ebook, scifi, scifi-alien-invasion, scifi-apocalyptic
review:
Fun. A little simple, a little too � exuberant? Jumps around excitably like a puppy. Still, yeah, a good, short read.

Really close to four stars, but there are some logical incongruencies in the story I wouldn't overlook.

[spoilers removed]
]]>
<![CDATA[Castle in the Air (Howl's Moving Castle, #2)]]> 18892622
In this stunning sequel to Howl's Moving Castle, Diana Wynne Jones has again created a large-scale, fast-paced fantasy in which people and things are never quite what they seem. There are good and bad djinns, a genie in a bottle, wizards, witches, cats and dogs (but are they cats and dogs?), and a mysterious floating castle filled with kidnapped princesses, as well as two puzzling prophecies. The story speeds along with tantalizing twists and turns until the prophecies are fulfilled, true identities are revealed, and all is resolved in a totally satisfying, breathtaking, surprise-filled ending.]]>
400 Diana Wynne Jones 0062244558 Richard 4 Howl's Moving Castle . The characters from that play a role here, though. So you've got to read that first.]]> 4.12 1990 Castle in the Air (Howl's Moving Castle, #2)
author: Diana Wynne Jones
name: Richard
average rating: 4.12
book published: 1990
rating: 4
read at: 2014/08/10
date added: 2024/09/16
shelves: ebook, fantasy, fantasy-magic, series, kid-and-teen-lit
review:
Astonishingly, this was even better than Howl's Moving Castle . The characters from that play a role here, though. So you've got to read that first.
]]>
<![CDATA[Foxglove Summer (Rivers of London, #5)]]> 21418015 ]]> 333 Ben Aaronovitch 069815195X Richard 4 4.36 2014 Foxglove Summer (Rivers of London, #5)
author: Ben Aaronovitch
name: Richard
average rating: 4.36
book published: 2014
rating: 4
read at: 2015/03/03
date added: 2024/09/12
shelves: fantasy, fantasy-urban, series
review:
I'm quite pleased with this series.
]]>
My Uncle Napoleon 25866 528 Iraj Pezeshkzad 0812974433 Richard 0 Reading Lolita in Tehran.)]]> 4.03 1970 My Uncle Napoleon
author: Iraj Pezeshkzad
name: Richard
average rating: 4.03
book published: 1970
rating: 0
read at:
date added: 2024/09/06
shelves: to-read, iran, fiction, fiction-literary
review:
(Recommended by Azar Nafisi (author of the introduction of the 2006 reprinting) in an appendix of her Reading Lolita in Tehran.)
]]>
<![CDATA[Dictionary of Greek and Roman Biography and Mythology, in 3 volumes]]> 12142019 Dictionary of Greek and Roman Biography and Mythology provide a wealth of information on every significant figure mentioned by the Greek and Roman writers in the areas of history, philosophy, mathematics, the Arts, medicine, law, geography, architecture, and more. A full account of the works as well as the lives of the Greek and Roman writers is included. Painters, sculptors, and architects are treated at considerable length and an account is given of all their works extant or of which there is any record in the ancient writers. Care has been taken to separate articles on mythological subjects from those of an historical nature. Greek divinities are given under their Greek names and Italian divinities are given under their Latin names.The final volume contains chronological tables of Greek and Roman history, genealogical tables and a list of kings.The dictionary is especially useful for the lives of lesser-known writers. With contributors drawn from among the most distinguished scholars of the day the reissue of these volumes makes available once more an important and valuable work of classical scholarship.
]]>
3700 William Smith Richard 0 4.00 1844 Dictionary of Greek and Roman Biography and Mythology, in 3 volumes
author: William Smith
name: Richard
average rating: 4.00
book published: 1844
rating: 0
read at:
date added: 2024/08/20
shelves: reference, own, nonfiction, history
review:

]]>
Blindsight (Firefall, #1) 48484 Two months since the stars fell...

Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months since that moment of brief, bright surveillance by agents unknown.

Two months of silence while a world holds its breath.

Now some half-derelict space probe, sparking fitfully past Neptune’s orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever’s out there isn’t talking to us. It’s talking to some distant star, perhaps. Or perhaps to something closer, something en route.

So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn’t want to meet?

You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees X-rays and tastes ultrasound, so compromised by grafts and splices he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won’t be needed, and a fainter hope she’ll do any good if she is needed. You send a monster to command them all, an extinct hominid predator once called “vampire,� recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist � an informational topologist with half his mind gone � as an interface between here and there, a conduit through which the Dead Center might hope to understand the Bleeding Edge.

You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they’ve been sent to find.

But you’d give anything for that to be true, if you only knew what was waiting for them…]]>
384 Peter Watts 0765312182 Richard 5 complete spoiler, though no longer exists, it seems).

Blindsight is an excellent sci-fi novel on several fronts. We've got a meaty and complex apocalyptic aliens-arrive story; Watts somehow manages to make us care about his highly dysfunctional cast of post-human misfits, and then he comments both on the very deep philosophical issues of consciousness as well as indirectly on the problem of the Singularity.

ʰé:
The moderately near future. Technology has fractured the nature of "humanity", leaving most humans redundant and the remainder integrated with technology in ways that leave their humanity sometimes doubtful. Especially problematic is the genetic resurrection of our Vampire cousins—�homo sapiens vampira——from the dustbin of history. And now, aliens have arrived in the outer solar system and the crew sent to investigate must be the sharpest of the bleeding edge, and thus consists of a handful of people that cannot reliably trust, communicate, or understand each other.

The nature of the alien, as well as that of these new post-humans, forces examination into the difference between consciousness and intelligence. This, in turn, indirectly illuminates the question of the singularity: what, more-or-less, will we end up with when increasing technological sophistication pushes us or (more likely) our cybernetic progeny beyond what our species as currently constituted is capable of comprehending?

Note:

Peter Watts made a staggeringly disturbing/amusing/fascinating faux powerpoint that deals with the backstory of an important subplot. It appears the original may no longer exist? But this video doesn't seem to be missing anything important, other than maybe an introduction? �

 ]>
4.01 2006 Blindsight (Firefall, #1)
author: Peter Watts
name: Richard
average rating: 4.01
book published: 2006
rating: 5
read at: 2009/04/19
date added: 2024/08/07
shelves: scifi, bookclub, singularity, scifi-hardscience, scifi-alien-first-contact, scifi-dystopia, scifi-cognition, fantasy-paranormal, top-ten
review:
Wow. Excellent review (complete spoiler, though no longer exists, it seems).

Blindsight is an excellent sci-fi novel on several fronts. We've got a meaty and complex apocalyptic aliens-arrive story; Watts somehow manages to make us care about his highly dysfunctional cast of post-human misfits, and then he comments both on the very deep philosophical issues of consciousness as well as indirectly on the problem of the Singularity.

ʰé:
The moderately near future. Technology has fractured the nature of "humanity", leaving most humans redundant and the remainder integrated with technology in ways that leave their humanity sometimes doubtful. Especially problematic is the genetic resurrection of our Vampire cousins—�homo sapiens vampira——from the dustbin of history. And now, aliens have arrived in the outer solar system and the crew sent to investigate must be the sharpest of the bleeding edge, and thus consists of a handful of people that cannot reliably trust, communicate, or understand each other.

The nature of the alien, as well as that of these new post-humans, forces examination into the difference between consciousness and intelligence. This, in turn, indirectly illuminates the question of the singularity: what, more-or-less, will we end up with when increasing technological sophistication pushes us or (more likely) our cybernetic progeny beyond what our species as currently constituted is capable of comprehending?

Note:

Peter Watts made a staggeringly disturbing/amusing/fascinating faux powerpoint that deals with the backstory of an important subplot. It appears the original may no longer exist? But this video doesn't seem to be missing anything important, other than maybe an introduction? �


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<![CDATA[Death in Venice and Other Tales]]> 53064 384 Thomas Mann 0141181737 Richard 0 to-read 3.92 1911 Death in Venice and Other Tales
author: Thomas Mann
name: Richard
average rating: 3.92
book published: 1911
rating: 0
read at:
date added: 2024/08/07
shelves: to-read
review:

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Mansfield Park 45032 488 Jane Austen Richard 0 3.86 1814 Mansfield Park
author: Jane Austen
name: Richard
average rating: 3.86
book published: 1814
rating: 0
read at:
date added: 2024/08/07
shelves: fiction, chick-lit-and-romance, to-read, fiction-literary
review:

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<![CDATA[The Power Broker: Robert Moses and the Fall of New York]]> 1800056
One of the Modern Library’s hundred greatest books of the twentieth century, Robert Caro's monumental book makes public what few outsiders that Robert Moses was the single most powerful man of his time in the City and in the State of New York. And in telling the Moses story, Caro both opens up to an unprecedented degree the way in which politics really happens—the way things really get done in America's City Halls and Statehouses—and brings to light a bonanza of vital information about such national figures as Alfred E. Smith and Franklin D. Roosevelt (and the genesis of their blood feud), about Fiorello La Guardia, John V. Lindsay and Nelson Rockefeller.

But The Power Broker is first and foremost a brilliant multidimensional portrait of a man—an extraordinary man who, denied power within the normal framework of the democratic process, stepped outside that framework to grasp power sufficient to shape a great city and to hold sway over the very texture of millions of lives. We see how Moses the handsome, intellectual young heir to the world of Our Crowd, an idealist. How, rebuffed by the entrenched political establishment, he fought for the power to accomplish his ideals. How he first created a miraculous flowering of parks and parkways, playlands and beaches—and then ultimately brought down on the city the smog-choked aridity of our urban landscape, the endless miles of (never sufficient) highway, the hopeless sprawl of Long Island, the massive failures of public housing, and countless other barriers to humane living. How, inevitably, the accumulation of power became an end in itself.

Moses built an empire and lived like an emperor. He was held in fear—his dossiers could disgorge the dark secret of anyone who opposed him. He was, he claimed, above politics, above deals; and through decade after decade, the newspapers and the public believed. Meanwhile, he was developing his public authorities into a fourth branch of government known as "Triborough"—a government whose records were closed to the public, whose policies and plans were decided not by voters or elected officials but solely by Moses—an immense economic force directing pressure on labor unions, on banks, on all the city's political and economic institutions, and on the press, and on the Church. He doled out millions of dollars' worth of legal fees, insurance commissions, lucrative contracts on the basis of who could best pay him back in the only coin he power. He dominated the politics and politicians of his time—without ever having been elected to any office. He was, in essence, above our democratic system.

Robert Moses held power in the state for 44 years, through the governorships of Smith, Roosevelt, Lehman, Dewey, Harriman and Rockefeller, and in the city for 34 years, through the mayoralties of La Guardia, O'Dwyer, Impellitteri, Wagner and Lindsay, He personally conceived and carried through public works costing 27 billion dollars—he was undoubtedly America's greatest builder.

This is how he built and dominated New York—before, finally, he was stripped of his reputation (by the press) and his power (by Nelson Rockefeller). But his work, and his will, had been done.]]>
1296 Robert A. Caro 0394480767 Richard 0
I’m catching up on one of my favorite podcasts (hosted by one of the best voices ever), and an celebrating this book had the always-amusing (and increasingly amazing) Conan O’Brien as a fan, and the hosts are even doing a ‘club� series of podcasts to delve in deeper: .

In my failed attempted to find that ebook version, my wanderings stumbled upon these two links I want to memorialize:

� Even though the book was published in 1974, in 2015 The Guardian was still so impressed they decided it needed a review:

� Back in the day, the New Yorker had a four-part response to Caro’s book, and it offended the subject, who wrote a 23-page response. The four-parter is behind the New Yorker’s paywall, but at least Moses� response is (I suspect it will read as rather petulant, but I’ll read it after reading the book itself.) More on the brou·ha·ha .]]>
4.67 1974 The Power Broker: Robert Moses and the Fall of New York
author: Robert A. Caro
name: Richard
average rating: 4.67
book published: 1974
rating: 0
read at:
date added: 2024/07/20
shelves: nonfiction, biographical, currently-reading, own
review:
1296 pages and no ebook version available? Wow, gonna have to go old-school for this one. Hefting a 3½ pound book is soooo 1970s.

I’m catching up on one of my favorite podcasts (hosted by one of the best voices ever), and an celebrating this book had the always-amusing (and increasingly amazing) Conan O’Brien as a fan, and the hosts are even doing a ‘club� series of podcasts to delve in deeper: .

In my failed attempted to find that ebook version, my wanderings stumbled upon these two links I want to memorialize:

� Even though the book was published in 1974, in 2015 The Guardian was still so impressed they decided it needed a review:

� Back in the day, the New Yorker had a four-part response to Caro’s book, and it offended the subject, who wrote a 23-page response. The four-parter is behind the New Yorker’s paywall, but at least Moses� response is (I suspect it will read as rather petulant, but I’ll read it after reading the book itself.) More on the brou·ha·ha .
]]>
Moonbound 195790867 Robin Sloan expands the Penumbraverse to new reaches of time and space in a rollicking far-future adventure.

In Moonbound, Robin Sloan has written a novel with the full scope and ambitious imagination of the very books that lit the engines of Mr. Penumbra’s 24-Hour Bookstore: an epic quest as only Sloan could conceive it, mixing science fiction, fantasy, good old-fashioned literary storytelling, and unrivaled enthusiasm for what’s next.

It is thirteen thousand years from now . . . A lot has happened, and yet a lot is still very familiar. Ariel is a boy in a small town under a wizard’s rule. Like many adventurers before him, Ariel is called to explore a world full of unimaginable glories and unknown enemies, a mission to save the world, a girl. Here, as they say, be dragons. But none of this happens before Ariel comes across an artifact from an earlier civilization, a sentient, record-keeping artificial intelligence that carries with it the perspective of the whole of human history―and becomes both Ariel’s greatest ally and the narrator of our story.

Moonbound is an adventure into the richest depths of Story itself. It is a deeply satisfying epic of ancient scale, blasted through the imaginative prism one of our most forward-thinking writers. And this is only the beginning.]]>
432 Robin Sloan 0374610606 Richard 5 Mr. Penumbra’s 24-Hour Bookstore . The extravagance here is more coherent � at least as magical, but it doesn’t scribble outside the lines quite as� er, non-linearly, if that’s a word. I guess I mean that Penumbra could more easily be described as scifi-fantasy. Sloan sticks to scifi-fantastical here, which pleases perhaps-too-rational brain.]]> 3.97 2024 Moonbound
author: Robin Sloan
name: Richard
average rating: 3.97
book published: 2024
rating: 5
read at: 2024/07/09
date added: 2024/07/10
shelves: scifi-apocalyptic, scifi, fiction
review:
Incredibly inventive and fun. I like it a tiny, tiny bit more than his Mr. Penumbra’s 24-Hour Bookstore . The extravagance here is more coherent � at least as magical, but it doesn’t scribble outside the lines quite as� er, non-linearly, if that’s a word. I guess I mean that Penumbra could more easily be described as scifi-fantasy. Sloan sticks to scifi-fantastical here, which pleases perhaps-too-rational brain.
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Cibola Burn (Expanse, #4) 18886975 The fourth book in the NYT bestselling Expanse series, Cibola Burn sees the crew of the Rocinante on a new frontier, as the rush to colonize the new planets threatens to outrun law and order and give way to war and chaos. Now a Prime Original series.HUGO AWARD WINNER FOR BEST SERIESEnter a new frontier.�"An empty apartment, a missing family, that's creepy. But this is like finding a military base with no one on it. Fighters and tanks idling on the runway with no drivers. This is bad juju. Something wrong happened here. What you should do is tell everyone to leave."The gates have opened the way to a thousand new worlds and the rush to colonize has begun. Settlers looking for a new life stream out from humanity's home planets. Ilus, the first human colony on this vast new frontier, is being born in blood and fire.Independent settlers stand against the overwhelming power of a corporate colony ship with only their determination, courage, and the skills learned in the long wars of home. Innocent scientists are slaughtered as they try to survey a new and alien world. The struggle on Ilus threatens to spread all the way back to Earth.James Holden and the crew of his one small ship are sent to make peace in the midst of war and sense in the midst of chaos. But the more he looks at it, the more Holden thinks the mission was meant to fail.And the whispers of a dead man remind him that the great galactic civilization that once stood on this land is gone. And that something killed it.The ExpanseLeviathan WakesCaliban's WarAbaddon's GateCibola BurnNemesis GamesBabylon's AshesPersepolis RisingTiamat's Wrath​Leviathan FallsMemory's LegionThe Expanse Short FictionDriveThe Butcher of Anderson StationGods of RiskThe ChurnThe Vital AbyssStrange DogsAuberonThe Sins of Our Fathers]]> 593 James S.A. Corey 0316217603 Richard 3
My big annoyance is with the Holden character. I'm not quite sure I want to follow this series anymore…]]>
4.40 2014 Cibola Burn (Expanse, #4)
author: James S.A. Corey
name: Richard
average rating: 4.40
book published: 2014
rating: 3
read at: 2015/09/18
date added: 2024/06/27
shelves: scifi, scifi-space-opera, scifi-epic, ebook, scifi-alien-first-contact
review:
Decent continuation of an epic space opera. A little less action in this, although still plenty, but a lot more tension.

My big annoyance is with the Holden character. I'm not quite sure I want to follow this series anymore�
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Redeployment 20799196
Phil Klay's Redeployment takes readers to the frontlines of the wars in Iraq and Afghanistan, asking us to understand what happened there, and what happened to the soldiers who returned. Interwoven with themes of brutality and faith, guilt and fear, helplessness and survival, the characters in these stories struggle to make meaning out of chaos.

In "Redeployment", a soldier who has had to shoot dogs because they were eating human corpses must learn what it is like to return to domestic life in suburbia, surrounded by people "who have no idea where Fallujah is, where three members of your platoon died." In "After Action Report", a Lance Corporal seeks expiation for a killing he didn't commit, in order that his best friend will be unburdened. A Morturary Affairs Marine tells about his experiences collecting remains - of U.S. and Iraqi soldiers both. A chaplain sees his understanding of Christianity, and his ability to provide solace through religion, tested by the actions of a ferocious Colonel. And in the darkly comic "Money as a Weapons System", a young Foreign Service Officer is given the absurd task of helping Iraqis improve their lives by teaching them to play baseball. These stories reveal the intricate combination of monotony, bureaucracy, comradeship and violence that make up a soldier's daily life at war, and the isolation, remorse, and despair that can accompany a soldier's homecoming.

Redeployment is poised to become a classic in the tradition of war writing. Across nations and continents, Klay sets in devastating relief the two worlds a soldier inhabits: one of extremes and one of loss. Written with a hard-eyed realism and stunning emotional depth, this work marks Phil Klay as one of the most talented new voices of his generation.]]>
304 Phil Klay 069815164X Richard 0 Redeployment and Tim O'Brien, author of The Things They Carried at the time of President Obama's visit to Vietnam.]]> 4.08 2014 Redeployment
author: Phil Klay
name: Richard
average rating: 4.08
book published: 2014
rating: 0
read at:
date added: 2024/06/27
shelves: to-read, nonfiction, social-political, ebook
review:
with the author of Redeployment and Tim O'Brien, author of The Things They Carried at the time of President Obama's visit to Vietnam.
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<![CDATA[A Murder of Quality (George Smiley, #2)]]> 622855
George Smiley was simply doing a favor for Miss Ailsa Brimley, and old friend and editor of a small newspaper. Miss Brimley had received a letter from a worried reader: "I'm not mad. And I know my husbad is trying to kill me." But the letter had arrived too late: its scribe, the wife of an assistant master at the distinguished Carne School, was already dead.

So George Smiley went to Carne to listen, ask questions, and think. And to uncover, layer by layer, the complex network of skeletons and hatreds that comprised that little English institution.]]>
146 John Le Carré 0743431685 Richard 0 3.57 1962 A Murder of Quality (George Smiley, #2)
author: John Le Carré
name: Richard
average rating: 3.57
book published: 1962
rating: 0
read at: 2024/05/21
date added: 2024/05/26
shelves: mystery-and-detective, fiction
review:
I was somewhat surprised that this wasn't an espionage novel, but a detective novel. A very good one, though —we don't have a magically instinctive savant who instantly recognizes the significance of every unexplained detail. Refreshing after gritting my teeth through a Hercule Poirot story.
]]>
Tinker, Tailor, Soldier, Spy 18989 Tinker, Tailor, Soldier, Spy begins George Smiley's chess match of wills and wits with Karla, his Soviet counterpart.

It is now beyond a doubt that a mole, implanted decades ago by Moscow Centre, has burrowed his way into the highest echelons of British Intelligence. His treachery has already blown some of its most vital operations and its best networks. It is clear that the double agent is one of its own kind. But which one? George Smiley is assigned to identify him. And once identified, the traitor must be destroyed.]]>
379 John Le Carré 0743457900 Richard 4 classic, espionage, fiction 4.04 1974 Tinker, Tailor, Soldier, Spy
author: John Le Carré
name: Richard
average rating: 4.04
book published: 1974
rating: 4
read at: 2024/05/23
date added: 2024/05/26
shelves: classic, espionage, fiction
review:

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<![CDATA[The Spy Who Came In from the Cold (George Smiley, #3)]]> 19494 212 John Le Carré Richard 4 fiction, espionage 4.07 1963 The Spy Who Came In from the Cold (George Smiley, #3)
author: John Le Carré
name: Richard
average rating: 4.07
book published: 1963
rating: 4
read at: 2024/05/24
date added: 2024/05/26
shelves: fiction, espionage
review:

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<![CDATA[Call for the Dead (George Smiley, #1)]]> 46460
George Smiley had liked Samuel Fennan, and now Fennan was dead from an apparent suicide. But why? Fennan, a Foreign Office man, had been under investigation for alleged Communist Party activities, but Smiley had made it clear that the investigation -- little more than a routine security check -- was over and that the file on Fennan could be closed. The very next day, Fennan was found dead with a note by his body saying his career was finished and he couldn't go on. Smiley was puzzled...]]>
144 John Le Carré 0743431677 Richard 4
Five stars for quality; but it loses one because it progresses soooo slowly. Of course, that’s a good deal of the story: it takes a staggering amount of quiet pondering for Smiley to do his thing, and our author demands that we be patient while he elliptically dabs in those details.]]>
3.78 1961 Call for the Dead (George Smiley, #1)
author: John Le Carré
name: Richard
average rating: 3.78
book published: 1961
rating: 4
read at: 2024/05/19
date added: 2024/05/26
shelves: espionage, mystery-and-detective, fiction
review:
I apparently read several of le Carré’s other Smiley books back in 2008, but missed this one.

Five stars for quality; but it loses one because it progresses soooo slowly. Of course, that’s a good deal of the story: it takes a staggering amount of quiet pondering for Smiley to do his thing, and our author demands that we be patient while he elliptically dabs in those details.
]]>
<![CDATA[The Honourable Schoolboy (George Smiley, #6; Karla Trilogy, #2)]]> 18990 In this classic masterwork, le Carré expands upon his extraordinary vision of a secret world as George Smiley goes on the attack.

In the wake of a demoralizing infiltration by a Soviet double agent, Smiley has been made ringmaster of the Circus (aka the British Secret Service). Determined to restore the organization's health and reputation, and bent on revenge, Smiley thrusts his own handpicked operative into action. Jerry Westerby, "The Honourable Schoolboy," is dispatched to the Far East. A burial ground of French, British, and American colonial cultures, the region is a fabled testing ground of patriotic allegiances?and a new showdown is about to begin.

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589 John Le Carré 0743457919 Richard 4 espionage, fiction 3.98 1977 The Honourable Schoolboy (George Smiley, #6; Karla Trilogy, #2)
author: John Le Carré
name: Richard
average rating: 3.98
book published: 1977
rating: 4
read at: 2008/10/28
date added: 2024/05/26
shelves: espionage, fiction
review:

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Choice Words 7208075 0 Peter Johnston 1571107363 Richard 0 4.15 2004 Choice Words
author: Peter Johnston
name: Richard
average rating: 4.15
book published: 2004
rating: 0
read at:
date added: 2024/05/24
shelves: edu-teaching, nonfiction, to-read
review:

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<![CDATA[The Mysterious Affair at Styles (Hercule Poirot, #1)]]> 40574482
A refugee of the Great War, Poirot is settling in England near Styles Court, the country estate of his wealthy benefactor, the elderly Emily Inglethorp. When Emily is poisoned and the authorities are baffled, Poirot puts his prodigious sleuthing skills to work. Suspects are plentiful, including the victim’s much younger husband, her resentful stepsons, her longtime hired companion, a young family friend working as a nurse, and a London specialist on poisons who just happens to be visiting the nearby village.

All of them have secrets they are desperate to keep, but none can outwit Poirot as he navigates the ingenious red herrings and plot twists that earned Agatha Christie her well-deserved reputation as the queen of mystery.]]>
304 Agatha Christie 1980894981 Richard 2 Meh. 3.84 1920 The Mysterious Affair at Styles (Hercule Poirot, #1)
author: Agatha Christie
name: Richard
average rating: 3.84
book published: 1920
rating: 2
read at: 2024/05/12
date added: 2024/05/13
shelves: mystery-and-detective, ebook, at-project-gutenberg
review:
Meh.
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Deception Point 1034098 384 Dan Brown 0671027379 Richard 2 thriller, scifi 3.61 2001 Deception Point
author: Dan Brown
name: Richard
average rating: 3.61
book published: 2001
rating: 2
read at: 2008/12/08
date added: 2024/05/10
shelves: thriller, scifi
review:

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<![CDATA[The Landmark Thucydides: A Comprehensive Guide to the Peloponnesian War]]> 27222 You can find an alternative cover for this ISBN here.

Thucydides called his account of two decades of war between Athens and Sparta "possession for all time, " and indeed it is the first and still most famous work in the Western historical tradition. Considered essential reading for generals, statesmen, and liberally educated citizens for more than 2,000 years, The Peloponnesian War is a mine of military, moral, political, and philosophical wisdom.

However, this classic book has long presented obstacles to the uninitiated reader. Written centuries before the rise of modern historiography, Thucydides' narrative is not continuous or linear. His authoritative chronicle of what he considered the greatest war of all time is rigorous and meticulous, yet omits the many aids to comprehension modern readers take for granted—such as brief biographies of the story's main characters, maps and other visual enhancements, and background on the military, cultural, and political traditions of ancient Greece.

Robert Strassler's new edition amends these omissions, and not only provides a new coherence to the narrative overall but effectively reconstructs the lost cultural context that Thucydides shared with his original audience. Based on the venerable Richard Crawley translation, updated and revised for modern readers, The Landmark Thucydides includes a vast array of superbly designed and presented maps, brief informative appendices by outstanding classical scholars on subjects of special relevance to the text, explanatory marginal notes on each page, an index of unprecedented subtlety and depth, and numerous other useful features. Readers will find that with this edition they can dip into the text at any point and be immediately oriented with regard to the geography, season, date, and stage of the conflict.

In any list of the Great Books of Western Civilization, The Peloponnesian War stands near the top. This handsome, elegant, and authoritative new edition will ensure that its greatness is appreciated by future generations.]]>
713 Thucydides 0684827905 Richard 0 classic, history, to-read (A good annotated edition of a classic work is always an excellent find; the Landmark edition's reviews indicate this one is a winner.)]]> 4.25 -411 The Landmark Thucydides: A Comprehensive Guide to the Peloponnesian War
author: Thucydides
name: Richard
average rating: 4.25
book published: -411
rating: 0
read at:
date added: 2024/05/04
shelves: classic, history, to-read
review:
(A good annotated edition of a classic work is always an excellent find; the Landmark edition's reviews indicate this one is a winner.)
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The Firm 85185 performance by D.W. Moffett

Mitchell McDeere, raised in the coal-mining region of rural Kentucky, has worked hard to get where he is: third in his class at Harvard Law. He's young. He's bright. He's ambitious. Mitch could have the pick of the big firms in New York and Chicago, but he's chosen the Memphis tax firm of Bendini, Lambert & Locke. They're selective. They pay outrageous salaries. They have a turnover rate of zero. And Mitch is about to find out why.

Several events fuel Mitch's growing suspicions: two of the partners die in a suspicious diving accident off Grand Cayman; the senior partners seem unduly proud of the fact that no one has ever resigned; and security measures at the office are, even for a company with billionaire clients, more than a little extreme. Then Mitch makes an explosive discovery: The firm is owned and operated by the most powerful organized crime family in Chicago. Even as Mitch discovers the truth, he finds himself caught between the FBI, who wants an informant inside the firm, and the firm itself, which will make him a very rich man—or a very dead one.]]>
John Grisham 0553712616 Richard 0 3.79 1991 The Firm
author: John Grisham
name: Richard
average rating: 3.79
book published: 1991
rating: 0
read at: 1993/02/01
date added: 2024/04/25
shelves: fiction, thriller, film-adaptation
review:

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The Day of the Locust 113441 The Day of the Locust is a novel about Hollywood and its corrupting touch, about the American dream turned into a sun-drenched California nightmare. Nathanael West's Hollywood is not the glamorous "home of the stars" but a seedy world of little people, some hopeful, some despairing, all twisted by their by their own desires -- from the ironically romantic artist narrator, to a macho movie cowboy, a middle-aged innocent from America's heartland, and the hard-as-nails call girl would-be-star whom they all lust after. An unforgettable portrayal of a world that mocks the real and rewards the sham, turns its back on love to plunge into empty sex, and breeds a savage violence that is its own undoing, this novel stands as a classic indictment of all that is most extravagant and uncontrolled in American life.]]> 208 Nathanael West 0451523482 Richard 0 3.74 1939 The Day of the Locust
author: Nathanael West
name: Richard
average rating: 3.74
book published: 1939
rating: 0
read at:
date added: 2024/03/05
shelves: fiction, theatrical, cant-recall
review:

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Heavy Weather 1961108 310 Bruce Sterling 0553093932 Richard 0 3.55 1994 Heavy Weather
author: Bruce Sterling
name: Richard
average rating: 3.55
book published: 1994
rating: 0
read at:
date added: 2024/02/20
shelves: bookclub, futurism, scifi, scifi-dystopia, to-read
review:

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Heart of Darkness 4900
A reflection on corruptive European colonialism and a journey into the nightmare psyche of one of the corrupted, Heart of Darkness is considered one of the most influential works ever written.]]>
188 Joseph Conrad 1892295490 Richard 5 Heart of Darkness is one of those classics that you have to have read if you want to consider yourself a well-educated adult.

� � Having watched doesn’t count � if anything, it ups the ante, since that means you have to think about the similarities and differences (for example, contrast and compare the U.S. involvement in Vietnam with the Belgian rule over the Congo. Actually quite an intriguing and provocative question.).

� � The prose can feel turgid, but perhaps it may help to know that English was Conrad’s third language. His second was French, and that lends a lyric quality which, once accomodated, can draw you into the mood of the story. Once you get used to that, this is a very easy book to read � tremendously shorter than Moby-Dick , for instance.

� � Even though it is so much easier to read, this short novel shares with Moby-Dick the distressing (for many of us) fact that it is heavily symbolic. That is the reason it has such an important place in the literary canon: it is very densely packed with philosophical questions that fundamentally can’t be answered.

� � Frankly, I was trained as an engineer, and have to struggle even to attempt to peer through the veils of meaning. I’m envious of the students in the Columbia class that David Denby portrays in his 1995 article in the New Yorker, . I wish I had been guided into this deep way of perceiving literature —or music, or art, or life itself.

� � But most of us Dz’t have that opportunity. The alternate solution I chose: when I checked this out of the library, I also grabbed the Cliff’s Notes. I read the story, then thought about it, then finally read the Study Guide to see what I’d missed. What I found there was enough to trigger my curiosity, so I also searched the internet for more.

� � And there was quite a bit. Like, the nature of a framed narrative: the actual narrator in Heart of Darkness isn’t Marlow, but some unnamed guy listening to Marlow talk. And he stands in for us, the readers, such as when he has a pleasant perspective on the beautiful sunset of the Thames at the beginning of the story, then at the end he has been spooked and sees it as leading “into the heart of an immense darkness�, much as the Congo does in the story

� � That symbolic use of “darkness� is a great example of what makes this book, and others like it, so great. The “immense darkness� is simultaneously the real unknown of the jungle, as well as the symbolic “darkness� that hides within the human heart. But then it is also something that pervades society —so the narrator has been made aware that London, just upstream, really should be understood to be as frightening as the Congo. And the reader should understand that, too.

� � The book is full of that kind of symbolism. When Conrad was writing, a much larger portion of the reading public would have received a “classical� liberal arts education and would have perceived that aspect of the book easier than most of us do today. Yeah, the book is so dense with this kind of symbolism, it can be an effort. But that is precisely the element that made the book a stunning success when it was written. T.S. Elliot, for example, referred to it heavily in his second-most-famous poem, The Hollow Men � the poem’s epigraph makes it explicit: Mistah Kurtz- he dead. (For more of that connection, see this , or track down a copy of . An here can be edifying, too.)

� � Not all of the symbolism worked for me. For example, my initial take on how ‘evil� was dealt with seemed anachronistic and naive. Actually, it felt a lot like Wilde’s The Picture of Dorian Gray . In both books, the main character has inadvertently received license to fully explore their evil inclinations without the normal societal consequences, and yet they both pay the ultimate penalty for their lack of restraint. But my perspective on evil was long ago captured by Hannah Arendt’s conclusion after analyzing Eichmann: evil is a “banal� absence of empathy; it isn’t some malevolent devilish force striving to seduce and corrupt us. Certainly, there are evil acts and evil people, but nothing mystical or spiritual that captures and enslaves, much less transforms us from Dr. Jekyll into Mr. Hyde.

� � Golding’s Lord of the Flies examined the question, but did it in a much more modern manner. (I strongly recommend it.) If people aren’t reminded by the constraints of civilization to treat others with respect, then sometimes they’ll become brutal and barbaric. But is their soul somehow becoming sick and corrupted? The question no longer resonates.

� � Even Conrad actually didn’t seem too clear on that question. These two quotes are both from Heart of Darkness � Dz’t they seem implicitly contradictory?:
� � The belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness.
� and
� � Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn’t touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror—of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath:
� � ‘The horror! The horror!�
� � The former denies any supernatural origin for evil, but the latter alludes to the tragic results of a Faustian bargain � Marlowe sold his soul to see what mortals should never witness.

� � After pondering the study guide, I could see the allegorical content better. The mystical side of Heart of Darkness isn’t the only thing going on. Like the kids rescued from the island after Lord of the Flies, Marlow will forever be cognizant of how fragile civilized behavior can be, and how easily some slip into brutality � even those that have excellent motives and apparently unblemished characters. This is why he tells this as a cautionary tale to his shipmates on the Thames.

� � Marlow also received a clear lesson on hypocrisy. I hadn’t seen how deeply “The Company� represented European hypocrisy. Obviously “The Company� was purely exploitative and thus typical of imperialism, but in subtle ways Conrad made it not just typical but allegorically representative. One example Cliff mentions scares me just a bit: in the offices of “The Company� in Brussels, Marlow notices the strange sight of two women knitting black wool. Conrad provides no explanation. But recall your mythology: the spun out the thread that measured the lives of mere mortals. In the story, these are represented as women who work for “The Company�, which has ultimate power over the mere mortals in Africa. That’s pretty impressive: Conrad tosses in a tiny aside that references Greek (or Roman or Germanic) mythology and ties it both to imperialism, as well as to the power that modern society has handed to corporations, and quietly walks away from it. How many other little tidbits are buried in this short book? Frankly, it seems kind of spooky.

� � The study guide also helped me understand what had been a major frustration of the book. I thought that Conrad had skipped over too much, leaving crucial information unstated. Between Marlow’s “rescue� of Kurtz and Kurtz’s death there are only a few pages in the story, but they imply that the two had significant conversations that greatly impressed Marlow, that left Marlow awestruck at what Kurtz had intended, had survived, and had understood. These impressions are what “broke� Marlow, but we are never informed of even the gist of those conversations.

� � But Marlow isn’t our narrator: he is on the deck of a ship, struggling to put into words a story that still torments him years after the events had passed. Sometimes he can’t convey what we want to know; he stumbles, he expresses himself poorly. The narrator is like us, just listening and trying to make sense out of it, and gradually being persuaded of the horrors that must have transpired. (To return to a comparison with Apocalypse Now: at the end of the book, the narrator gazes “into the heart of an immense darkness�, sensing that the evil he’d been told of could lie anywhere. Watching the movie, t’s no narrator to murmur about that.)

� � � � � � � � � � � � � � � � � � � � � � � �

Addendum:
� � Conrad’s Heart of Darkness was written in 1899. A critical event which allowed the tragedy portrayed here was the Berlin Conference of 1884 (), where the lines that divided up Africa were tidied up and shuffled a bit by the white men of Europe (no Africans were invited). The BBC4 radio programme In Our Time covered the conference on 31 October 2013. Listen to it streaming , or download it as an MP3 . Forty-three minutes of erudition will invigorate your synapses.

� � Oh, if you liked that In Our Time episode, they did on the book itself ().
­ձ>
3.43 1899 Heart of Darkness
author: Joseph Conrad
name: Richard
average rating: 3.43
book published: 1899
rating: 5
read at: 2009/03/13
date added: 2024/02/16
shelves: classic, fiction, read-these-reviews-first
review:
First of all, get this straight: Heart of Darkness is one of those classics that you have to have read if you want to consider yourself a well-educated adult.

� � Having watched doesn’t count � if anything, it ups the ante, since that means you have to think about the similarities and differences (for example, contrast and compare the U.S. involvement in Vietnam with the Belgian rule over the Congo. Actually quite an intriguing and provocative question.).

� � The prose can feel turgid, but perhaps it may help to know that English was Conrad’s third language. His second was French, and that lends a lyric quality which, once accomodated, can draw you into the mood of the story. Once you get used to that, this is a very easy book to read � tremendously shorter than Moby-Dick , for instance.

� � Even though it is so much easier to read, this short novel shares with Moby-Dick the distressing (for many of us) fact that it is heavily symbolic. That is the reason it has such an important place in the literary canon: it is very densely packed with philosophical questions that fundamentally can’t be answered.

� � Frankly, I was trained as an engineer, and have to struggle even to attempt to peer through the veils of meaning. I’m envious of the students in the Columbia class that David Denby portrays in his 1995 article in the New Yorker, . I wish I had been guided into this deep way of perceiving literature —or music, or art, or life itself.

� � But most of us Dz’t have that opportunity. The alternate solution I chose: when I checked this out of the library, I also grabbed the Cliff’s Notes. I read the story, then thought about it, then finally read the Study Guide to see what I’d missed. What I found there was enough to trigger my curiosity, so I also searched the internet for more.

� � And there was quite a bit. Like, the nature of a framed narrative: the actual narrator in Heart of Darkness isn’t Marlow, but some unnamed guy listening to Marlow talk. And he stands in for us, the readers, such as when he has a pleasant perspective on the beautiful sunset of the Thames at the beginning of the story, then at the end he has been spooked and sees it as leading “into the heart of an immense darkness�, much as the Congo does in the story

� � That symbolic use of “darkness� is a great example of what makes this book, and others like it, so great. The “immense darkness� is simultaneously the real unknown of the jungle, as well as the symbolic “darkness� that hides within the human heart. But then it is also something that pervades society —so the narrator has been made aware that London, just upstream, really should be understood to be as frightening as the Congo. And the reader should understand that, too.

� � The book is full of that kind of symbolism. When Conrad was writing, a much larger portion of the reading public would have received a “classical� liberal arts education and would have perceived that aspect of the book easier than most of us do today. Yeah, the book is so dense with this kind of symbolism, it can be an effort. But that is precisely the element that made the book a stunning success when it was written. T.S. Elliot, for example, referred to it heavily in his second-most-famous poem, The Hollow Men � the poem’s epigraph makes it explicit: Mistah Kurtz- he dead. (For more of that connection, see this , or track down a copy of . An here can be edifying, too.)

� � Not all of the symbolism worked for me. For example, my initial take on how ‘evil� was dealt with seemed anachronistic and naive. Actually, it felt a lot like Wilde’s The Picture of Dorian Gray . In both books, the main character has inadvertently received license to fully explore their evil inclinations without the normal societal consequences, and yet they both pay the ultimate penalty for their lack of restraint. But my perspective on evil was long ago captured by Hannah Arendt’s conclusion after analyzing Eichmann: evil is a “banal� absence of empathy; it isn’t some malevolent devilish force striving to seduce and corrupt us. Certainly, there are evil acts and evil people, but nothing mystical or spiritual that captures and enslaves, much less transforms us from Dr. Jekyll into Mr. Hyde.

� � Golding’s Lord of the Flies examined the question, but did it in a much more modern manner. (I strongly recommend it.) If people aren’t reminded by the constraints of civilization to treat others with respect, then sometimes they’ll become brutal and barbaric. But is their soul somehow becoming sick and corrupted? The question no longer resonates.

� � Even Conrad actually didn’t seem too clear on that question. These two quotes are both from Heart of Darkness � Dz’t they seem implicitly contradictory?:
� � The belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness.
� and
� � Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn’t touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror—of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath:
� � ‘The horror! The horror!�
� � The former denies any supernatural origin for evil, but the latter alludes to the tragic results of a Faustian bargain � Marlowe sold his soul to see what mortals should never witness.

� � After pondering the study guide, I could see the allegorical content better. The mystical side of Heart of Darkness isn’t the only thing going on. Like the kids rescued from the island after Lord of the Flies, Marlow will forever be cognizant of how fragile civilized behavior can be, and how easily some slip into brutality � even those that have excellent motives and apparently unblemished characters. This is why he tells this as a cautionary tale to his shipmates on the Thames.

� � Marlow also received a clear lesson on hypocrisy. I hadn’t seen how deeply “The Company� represented European hypocrisy. Obviously “The Company� was purely exploitative and thus typical of imperialism, but in subtle ways Conrad made it not just typical but allegorically representative. One example Cliff mentions scares me just a bit: in the offices of “The Company� in Brussels, Marlow notices the strange sight of two women knitting black wool. Conrad provides no explanation. But recall your mythology: the spun out the thread that measured the lives of mere mortals. In the story, these are represented as women who work for “The Company�, which has ultimate power over the mere mortals in Africa. That’s pretty impressive: Conrad tosses in a tiny aside that references Greek (or Roman or Germanic) mythology and ties it both to imperialism, as well as to the power that modern society has handed to corporations, and quietly walks away from it. How many other little tidbits are buried in this short book? Frankly, it seems kind of spooky.

� � The study guide also helped me understand what had been a major frustration of the book. I thought that Conrad had skipped over too much, leaving crucial information unstated. Between Marlow’s “rescue� of Kurtz and Kurtz’s death there are only a few pages in the story, but they imply that the two had significant conversations that greatly impressed Marlow, that left Marlow awestruck at what Kurtz had intended, had survived, and had understood. These impressions are what “broke� Marlow, but we are never informed of even the gist of those conversations.

� � But Marlow isn’t our narrator: he is on the deck of a ship, struggling to put into words a story that still torments him years after the events had passed. Sometimes he can’t convey what we want to know; he stumbles, he expresses himself poorly. The narrator is like us, just listening and trying to make sense out of it, and gradually being persuaded of the horrors that must have transpired. (To return to a comparison with Apocalypse Now: at the end of the book, the narrator gazes “into the heart of an immense darkness�, sensing that the evil he’d been told of could lie anywhere. Watching the movie, t’s no narrator to murmur about that.)

� � � � � � � � � � � � � � � � � � � � � � � �

Addendum:
� � Conrad’s Heart of Darkness was written in 1899. A critical event which allowed the tragedy portrayed here was the Berlin Conference of 1884 (), where the lines that divided up Africa were tidied up and shuffled a bit by the white men of Europe (no Africans were invited). The BBC4 radio programme In Our Time covered the conference on 31 October 2013. Listen to it streaming , or download it as an MP3 . Forty-three minutes of erudition will invigorate your synapses.

� � Oh, if you liked that In Our Time episode, they did on the book itself ().
­
]]>
<![CDATA[System Collapse (The Murderbot Diaries, #7)]]> 65211701 Am I making it worse? I think I'm making it worse.

Everyone's favorite lethal SecUnit is back.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if t’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize.

But t’s something wrong with Murderbot; it isn’t running within normal operational parameters. ART’s crew and the humans from Preservation are doing everything they can to protect the colonists, but with Barish-Estranza’s SecUnit-heavy persuasion teams, they’re going to have to hope Murderbot figures out what’s wrong with itself, and fast.

Yeah, this plan is... not going to work.]]>
245 Martha Wells 1250826977 Richard 4
I mostly blame myself: I’ve blasted through all of these so quickly that details Dz’t stick too well. If I’d read this one just after binging all the previous books in the series, I suspect I’d have rated it five?

But it has been a few years, and only gradually did some of the character names start to click in. Some plot details left me somewhere between bewildered and annoyed. I remembered who ART was, but not what those letters stood for. And I’d more or less forgotten the existence of “Three� and “Murderbot 2.0�. Darn it, me? Should I just go back and re-read the whole series?

If you end up in circumstances akin to mine, there is a resource beyond Wikipedia. Check out the fan wiki at and poke around.

I’ll also say I can’t give this an enthusiastic five stars because my brain keeps asking questions about plausibility. A big one in a lot of science fiction stories is how easily they all go from point A to point B, with effectively no time passing and without any concern for fuel. Another is just ‘fuel� in general. Murderbot gets run down to the point that an involuntary shutdown is a worry, but apparently a reboot will magically recharge all those batteries? And also size?� ART-Drone is depicted as big enough a human in an environmental suit could ‘ride� it from the ground up to a shuttle, but later is small enough can be carried by two injured humans and strapped into a chair? Er, what?

Anyway, the series is still a magnificent hoot. Read it.]]>
4.19 2023 System Collapse (The Murderbot Diaries, #7)
author: Martha Wells
name: Richard
average rating: 4.19
book published: 2023
rating: 4
read at: 2024/02/12
date added: 2024/02/13
shelves: ebook, at-axis360, scifi, series
review:
I feel a little bad about the four stars, instead of five.

I mostly blame myself: I’ve blasted through all of these so quickly that details Dz’t stick too well. If I’d read this one just after binging all the previous books in the series, I suspect I’d have rated it five?

But it has been a few years, and only gradually did some of the character names start to click in. Some plot details left me somewhere between bewildered and annoyed. I remembered who ART was, but not what those letters stood for. And I’d more or less forgotten the existence of “Three� and “Murderbot 2.0�. Darn it, me? Should I just go back and re-read the whole series?

If you end up in circumstances akin to mine, there is a resource beyond Wikipedia. Check out the fan wiki at and poke around.

I’ll also say I can’t give this an enthusiastic five stars because my brain keeps asking questions about plausibility. A big one in a lot of science fiction stories is how easily they all go from point A to point B, with effectively no time passing and without any concern for fuel. Another is just ‘fuel� in general. Murderbot gets run down to the point that an involuntary shutdown is a worry, but apparently a reboot will magically recharge all those batteries? And also size?� ART-Drone is depicted as big enough a human in an environmental suit could ‘ride� it from the ground up to a shuttle, but later is small enough can be carried by two injured humans and strapped into a chair? Er, what?

Anyway, the series is still a magnificent hoot. Read it.
]]>
<![CDATA[Compulsory (The Murderbot Diaries, #0.5)]]> 195264190
While trying to watch episode 44 of The Rise and Fall of Sanctuary Moon, Murderbot is—again, what is it with humans?—distracted by something that is technically outside its purview. A miner is suddenly in danger following a pointless (to Murderbot’s way of thinking) argument, and the choice is to risk discovery and leap into action, which would require hitting the pause button during a very exciting part of SanctuaryMoon, or to follow orders and stay still.

This is a tougher choice than it seems. But then, when has Murderbot ever been faced with an easy choice?

A shorter version of this story originally appeared in Wired magazine.]]>
8 Martha Wells 1645241726 Richard 5
Pretty much just reminds us who Murderbot was, and that it was a moral creature, albeit irritable at that compulsion, even before the action of the first book took place.

Apparently available for free in the archives of Wired magazine, but folks on Reddit concluded that there were slightly significant alterations, so I spent the 99¢ on Amazon to buy the ebook. Hated doing so on Amazon, but the other options weren’t realistic. In retrospect, I Dz’t think those changes were likely to be significant, so maybe go ? I wish I knew how much of the money Martha Wells gets, and how much enriches Ebeneezer Bezos.]]>
4.32 2018 Compulsory (The Murderbot Diaries, #0.5)
author: Martha Wells
name: Richard
average rating: 4.32
book published: 2018
rating: 5
read at: 2024/02/10
date added: 2024/02/13
shelves: ebook, short-story-or-stories, scifi, series
review:
Very, very short.

Pretty much just reminds us who Murderbot was, and that it was a moral creature, albeit irritable at that compulsion, even before the action of the first book took place.

Apparently available for free in the archives of Wired magazine, but folks on Reddit concluded that there were slightly significant alterations, so I spent the 99¢ on Amazon to buy the ebook. Hated doing so on Amazon, but the other options weren’t realistic. In retrospect, I Dz’t think those changes were likely to be significant, so maybe go ? I wish I knew how much of the money Martha Wells gets, and how much enriches Ebeneezer Bezos.
]]>
Finite and Infinite Games 12902053 Finite games are the familiar contests of everyday life, the games we play in business and politics, in the bedroom and on the battlefied — games with winners and losers, a beginning and an end. Infinite games are more mysterious — and ultimately more rewarding. They are unscripted and unpredictable; they are the source of true freedom.
In this elegant and compelling work, James Carse explores what these games mean, and what they can mean to you. He offers stunning new insights into the nature of property and power, of culture and community, of sexuality and self-discovery, opening the door to a world of infinite delight and possibility.
"An extraordinary little book . . . a wise and intimate companion, an elegant reminder of the real."
— Brain/Mind Bulletin
]]>
119 James P. Carse Richard 3
I stumbled on this title while listening to Ezra Klein’s podcast. It seemed like there were quite a few sequential episodes where he mentioned it, and since I’m quite impressed by his ability to do his homework and ask intriguing and insightful questions of his guests, I thought it would be a good lead to follow up on.

Both the context in which he mentioned it as well as my intuition about the title itself made me suspect I knew what the book would be about. It turns out I was right about the general topic, but wrong about the scope. Finite and Infinite Games is much more of a philosophical discourse on the abstract concept than I’d expected.

I discovered Game Theory accidentally several decades ago, when I stumbled on Robert Axelrod’s The Evolution of Cooperation . The idea that strategic thinking could be reduced to such elegant and powerful thought experiments was astonishing; that individual rationality could lead to either worst-case or best-case outcomes, depending on circumstances outside individual control, was stunning. That discovery changed my life in several ways, not least that I’ve been studying cognitive science since then.

The Evolution of Cooperation was a seminal exploration of how the Prisoner’s Dilemma plays out divergently in one-shot play and repeated play. I think once someone is sufficiently intimate with PD, they’ll spot it over and over in some surprising situations. (For example, as I’ve been thinking about writing a review of Pinker’s Enlightenment Now, I’ve been pondering whether civilization itself can be usefully thought of as a multiplayer coordination game.)

One result of discovering Axelrod’s book is that I took a degree in International Relations, which also uses the idea of a “two-level game�. That is the observation that States have to simultaneously negotiate issues both domestically and internationally. Think of tariffs, for example, or exports of powerful weapons. Both within and outside of the acting State there will be powerful and passionate interests, all of which will have costs and benefits to the political actors conducting the negotiations.

So I was familiar with game theory in general, and thought I knew what these finite and infinite games must be, especially because Klein was dealing with political problems and situations in most of his podcast episodes.

But, as I said, Carse was writing more generally: he sporadically invokes examples, but most of his text is an purely abstract argument. That can make the book difficult to parse; I found it useful to pause and think of my own real-world instances to make sure I stayed on track. Occasionally I had to try several before I found one that allowed me to decide I understood what he was getting at. Occasionally, even that didn’t work.

I recommend the book because it has several insights that I think are powerful and profound.

I also recommend being willing to throw the book against the wall in frustration at other times, and to skim when necessary.

Not surprisingly, the idea behind the title is the most powerful. It is useful to think of many situations in the world as games, or contests. Carse makes the case that it is also useful to differentiating them into finite and infinite games. The example that lay uppermost in my mind is electoral politics: while a single race at the ballot box will end with a winner —and thus is finite � the context of that race is going to be a contest of ideas. But that contest won’t cease just because one election is over, right? That larger context is, in effect, infinite. Even with the collapse of a country, that infinite game would simply evolve to affect other kinds of finite games.

That much should seem obvious� except it isn’t. Look at how the United States has entered into an era of absolute tribal partisan hatred. I have people in my Facebook feed who share references to “Rape-publican voters� and others that share the definition of a Democrat as a “Prog-lo-dyte�, defined as “an ignorant leftist retard-icant�. Both sides in this war apparently believe that their tribe should completely win, and only after that victory (absolute, and perhaps inevitably preordained), things get back to “normal�.

Okay; that’s already too much politics.

Finite and Infinite Games provides a lot of elaboration of this basic idea. That’s both the reason the book is better than a one-paragraph summary and the reason it goes too long and too far —at least in my opinion. You’ll have to decide for yourself.


There are a number of dichotomies Carse provides that match up with the finite/infinite one. For example, since only the finite games have a beginning and an end, only those can have winners. Furthermore, only finite games can actually have rules, since in an infinite game the equivalent of a rule must evolve over time —he’ll call those traditions. Makes sense, right?

Only finite games can have boundaries. That’s a tougher one to conceptualize. Is the larger game of U.S. political direction one that extends beyond the United States? On consideration, the answer has to be yes: what happens in the U.K. (think of Brexit as an example contemporary to his book) will have repercussions in the United States and vice versa.

Carse also asserts that while finite games are “serious�, infinite games are “playful�. This requires the reader to again expand their mental appreciation of the infinite game: since there is no temporal end, not even death really matters. Those thoughtfully playing the infinite game must realize others have played so long ago their names have been forgotten, and more will play long after ٴǻ岹’s traumas aren’t even footnotes in the histories.

That brought to mind the idea of detachment common to many faiths, as well as to (my favorite) Stoicism. If one is going to be playful about the infinite, it seems to me that the player will need to be somewhat detached from the outcome of all those finite games. The book doesn’t use the words “detachment� or “Stoic� anywhere, though.

There are more ideas brought into the mix. The role of the audience and possible referees, for example, and how titles and property play a role in telling us who the winners are as well as in the use of power in a finite game. About how an effort to “win� in the infinite game merely creates yet another finite game.

But problems arise. For example, all play is voluntary, in both finite and infinite games. “Whoever must play, cannot play.� Ultimately anyone can refuse to play by dying, I suppose, so can’t be completely coerced, but that somewhat begs the definition of “voluntary�.
In slavery, for example, or severe political oppression, the refusal to play the demanded role may be paid for with terrible suffering or death. Even in this last, extreme case we must still concede that whoever takes up the commanded role does so by choice. Certainly the price for refusing it is high, but that there is a price at all points to the fact that oppressors themselves acknowledge that even the weakest of their subjects must agree to be oppressed.� (p. 11)

By the end of Chapter One of the book, I think the most important points had been made.

The author has already introduced elaborations which, while interesting, Dz’t seem central to the point of the argument. That finite play is “theatrical� and infinite play is “dramatic� isn’t quite as arbitrary as it first seems, but it is only a nuance. Similarly, an finite player is “trained� and struggles “against surprise� whereas an infinite player is “educated� in preparation for surprise. Finite play is “contradictory� while infinite play is “paradoxical� � I never did take the effort to figure that one out.

There were even outright disappointments. On page 32, we’re told “Evil is the termination of infinite play. It is infinite play coming to an end in unheard silence.� What? How can infinite play terminate? Oh, one thinks, maybe he’s referring to the annihilation of the human race itself? Well, no, that “unheard silence� is defined as “when the drama of a life does not continue in others for reason of their deafness or ignorance�.

It was about here that I felt the level of woo was climbing alarmingly. James Carse is a religious scholar who apparently doesn’t believe in God (if his Wikipedia page is to be trusted), and so is undoubtedly accustomed to opining on Evil, but my personal conclusions —you’re welcome to differ, of course � is that almost any talk of “evil� is going to end up either in appeals to Faith or in otherwise untestable assertions. (I’m looking forward to reading Julia Shaw’s book Evil ; from what I’ve heard, she’s got it right.)

Frankly, the appeal of Chapter Two was sporadic and uneven. The parts regarding property and war as societal controls were interesting. Even though those aren’t new arguments, positioning them within the context of finite and infinite games was somewhat novel.

But that chapter also gave us �
Because patriotism is the desire to contain all other finite games within itself—that is, to embrace all horizons within a single boundary—it is inherently evil.
I can’t even begin to connect the concepts of “patriotism� and “contain all other finite games�. I’m pretty sure most folks that consider themselves patriots Dz’t have that desire.

At this point, I started wondering if Carse was being playful. Was his book intended as a move in a finite game, wherein we agree that Carse is a Profound Thinker�, or is a move in the one infinite game, intended paradoxically and dramatically?

Chapter Three began with “I AM THE GENIUS of myself, the poietes who composes the sentences I speak and the actions I take.� While this wasn’t quite a non-sequitur, as far as I was concerned the signal-to-noise meter had just pegged. I read a bit further, then gave myself permission to skim in search of something that looked� well, at least comprehensible.

I didn’t find it. Truth be told, I wasn’t looking too hard. While the book had been engaging, it had taken quite a bit of effort to keep it that way, and that tends to exhaust me so I make progress through the pages too frustratingly slowly. I knew there were other books out there to read, so I was somewhat glad to stop.

If you can’t make it all the way, here is how it ends: “There is but one infinite game�. I think that is both poetically cumulative and ironically appropriate.]]>
3.86 1986 Finite and Infinite Games
author: James P. Carse
name: Richard
average rating: 3.86
book published: 1986
rating: 3
read at: 2018/10/16
date added: 2024/02/13
shelves: cognition, nonfiction, social-political, read-these-reviews-first
review:
Despite my middling evaluation, I do recommend Carse’s book for anyone curious about it.

I stumbled on this title while listening to Ezra Klein’s podcast. It seemed like there were quite a few sequential episodes where he mentioned it, and since I’m quite impressed by his ability to do his homework and ask intriguing and insightful questions of his guests, I thought it would be a good lead to follow up on.

Both the context in which he mentioned it as well as my intuition about the title itself made me suspect I knew what the book would be about. It turns out I was right about the general topic, but wrong about the scope. Finite and Infinite Games is much more of a philosophical discourse on the abstract concept than I’d expected.

I discovered Game Theory accidentally several decades ago, when I stumbled on Robert Axelrod’s The Evolution of Cooperation . The idea that strategic thinking could be reduced to such elegant and powerful thought experiments was astonishing; that individual rationality could lead to either worst-case or best-case outcomes, depending on circumstances outside individual control, was stunning. That discovery changed my life in several ways, not least that I’ve been studying cognitive science since then.

The Evolution of Cooperation was a seminal exploration of how the Prisoner’s Dilemma plays out divergently in one-shot play and repeated play. I think once someone is sufficiently intimate with PD, they’ll spot it over and over in some surprising situations. (For example, as I’ve been thinking about writing a review of Pinker’s Enlightenment Now, I’ve been pondering whether civilization itself can be usefully thought of as a multiplayer coordination game.)

One result of discovering Axelrod’s book is that I took a degree in International Relations, which also uses the idea of a “two-level game�. That is the observation that States have to simultaneously negotiate issues both domestically and internationally. Think of tariffs, for example, or exports of powerful weapons. Both within and outside of the acting State there will be powerful and passionate interests, all of which will have costs and benefits to the political actors conducting the negotiations.

So I was familiar with game theory in general, and thought I knew what these finite and infinite games must be, especially because Klein was dealing with political problems and situations in most of his podcast episodes.

But, as I said, Carse was writing more generally: he sporadically invokes examples, but most of his text is an purely abstract argument. That can make the book difficult to parse; I found it useful to pause and think of my own real-world instances to make sure I stayed on track. Occasionally I had to try several before I found one that allowed me to decide I understood what he was getting at. Occasionally, even that didn’t work.

I recommend the book because it has several insights that I think are powerful and profound.

I also recommend being willing to throw the book against the wall in frustration at other times, and to skim when necessary.

Not surprisingly, the idea behind the title is the most powerful. It is useful to think of many situations in the world as games, or contests. Carse makes the case that it is also useful to differentiating them into finite and infinite games. The example that lay uppermost in my mind is electoral politics: while a single race at the ballot box will end with a winner —and thus is finite � the context of that race is going to be a contest of ideas. But that contest won’t cease just because one election is over, right? That larger context is, in effect, infinite. Even with the collapse of a country, that infinite game would simply evolve to affect other kinds of finite games.

That much should seem obvious� except it isn’t. Look at how the United States has entered into an era of absolute tribal partisan hatred. I have people in my Facebook feed who share references to “Rape-publican voters� and others that share the definition of a Democrat as a “Prog-lo-dyte�, defined as “an ignorant leftist retard-icant�. Both sides in this war apparently believe that their tribe should completely win, and only after that victory (absolute, and perhaps inevitably preordained), things get back to “normal�.

Okay; that’s already too much politics.

Finite and Infinite Games provides a lot of elaboration of this basic idea. That’s both the reason the book is better than a one-paragraph summary and the reason it goes too long and too far —at least in my opinion. You’ll have to decide for yourself.


There are a number of dichotomies Carse provides that match up with the finite/infinite one. For example, since only the finite games have a beginning and an end, only those can have winners. Furthermore, only finite games can actually have rules, since in an infinite game the equivalent of a rule must evolve over time —he’ll call those traditions. Makes sense, right?

Only finite games can have boundaries. That’s a tougher one to conceptualize. Is the larger game of U.S. political direction one that extends beyond the United States? On consideration, the answer has to be yes: what happens in the U.K. (think of Brexit as an example contemporary to his book) will have repercussions in the United States and vice versa.

Carse also asserts that while finite games are “serious�, infinite games are “playful�. This requires the reader to again expand their mental appreciation of the infinite game: since there is no temporal end, not even death really matters. Those thoughtfully playing the infinite game must realize others have played so long ago their names have been forgotten, and more will play long after ٴǻ岹’s traumas aren’t even footnotes in the histories.

That brought to mind the idea of detachment common to many faiths, as well as to (my favorite) Stoicism. If one is going to be playful about the infinite, it seems to me that the player will need to be somewhat detached from the outcome of all those finite games. The book doesn’t use the words “detachment� or “Stoic� anywhere, though.

There are more ideas brought into the mix. The role of the audience and possible referees, for example, and how titles and property play a role in telling us who the winners are as well as in the use of power in a finite game. About how an effort to “win� in the infinite game merely creates yet another finite game.

But problems arise. For example, all play is voluntary, in both finite and infinite games. “Whoever must play, cannot play.� Ultimately anyone can refuse to play by dying, I suppose, so can’t be completely coerced, but that somewhat begs the definition of “voluntary�.
In slavery, for example, or severe political oppression, the refusal to play the demanded role may be paid for with terrible suffering or death. Even in this last, extreme case we must still concede that whoever takes up the commanded role does so by choice. Certainly the price for refusing it is high, but that there is a price at all points to the fact that oppressors themselves acknowledge that even the weakest of their subjects must agree to be oppressed.� (p. 11)

By the end of Chapter One of the book, I think the most important points had been made.

The author has already introduced elaborations which, while interesting, Dz’t seem central to the point of the argument. That finite play is “theatrical� and infinite play is “dramatic� isn’t quite as arbitrary as it first seems, but it is only a nuance. Similarly, an finite player is “trained� and struggles “against surprise� whereas an infinite player is “educated� in preparation for surprise. Finite play is “contradictory� while infinite play is “paradoxical� � I never did take the effort to figure that one out.

There were even outright disappointments. On page 32, we’re told “Evil is the termination of infinite play. It is infinite play coming to an end in unheard silence.� What? How can infinite play terminate? Oh, one thinks, maybe he’s referring to the annihilation of the human race itself? Well, no, that “unheard silence� is defined as “when the drama of a life does not continue in others for reason of their deafness or ignorance�.

It was about here that I felt the level of woo was climbing alarmingly. James Carse is a religious scholar who apparently doesn’t believe in God (if his Wikipedia page is to be trusted), and so is undoubtedly accustomed to opining on Evil, but my personal conclusions —you’re welcome to differ, of course � is that almost any talk of “evil� is going to end up either in appeals to Faith or in otherwise untestable assertions. (I’m looking forward to reading Julia Shaw’s book Evil ; from what I’ve heard, she’s got it right.)

Frankly, the appeal of Chapter Two was sporadic and uneven. The parts regarding property and war as societal controls were interesting. Even though those aren’t new arguments, positioning them within the context of finite and infinite games was somewhat novel.

But that chapter also gave us �
Because patriotism is the desire to contain all other finite games within itself—that is, to embrace all horizons within a single boundary—it is inherently evil.
I can’t even begin to connect the concepts of “patriotism� and “contain all other finite games�. I’m pretty sure most folks that consider themselves patriots Dz’t have that desire.

At this point, I started wondering if Carse was being playful. Was his book intended as a move in a finite game, wherein we agree that Carse is a Profound Thinker�, or is a move in the one infinite game, intended paradoxically and dramatically?

Chapter Three began with “I AM THE GENIUS of myself, the poietes who composes the sentences I speak and the actions I take.� While this wasn’t quite a non-sequitur, as far as I was concerned the signal-to-noise meter had just pegged. I read a bit further, then gave myself permission to skim in search of something that looked� well, at least comprehensible.

I didn’t find it. Truth be told, I wasn’t looking too hard. While the book had been engaging, it had taken quite a bit of effort to keep it that way, and that tends to exhaust me so I make progress through the pages too frustratingly slowly. I knew there were other books out there to read, so I was somewhat glad to stop.

If you can’t make it all the way, here is how it ends: “There is but one infinite game�. I think that is both poetically cumulative and ironically appropriate.
]]>
<![CDATA[Invisible Rulers: The People Who Turn Lies into Reality]]> 199372835 A brilliant, original investigation into the radical shift of power as invisible rulers create bespoke realities revolutionizing politics, culture, and society. Anyone who wishes to destroy legitimate political and social power has a new weapon. It is the anarchist's dream, a force so shockingly effective that its destructive power seems limitless. Scientific proof is powerless in front of it; democratic validity is bulldozed by it; leaders are humiliated by it. What we used to call influence has become something violently toxic. Renée DiResta gives us a powerful original framing to explain how it now shapes public opinion through avirtual rumor mill of niche propagandists. While they position themselves as trustworthy “Davids�, their reach, influence, and economics make them classic Goliaths, invisible rulers who create bespoke realities that control the destinies of millions of people, their work driven by a simple “if you make it trend, you make it true.� By revealing the machinery and the dynamics of the interplay between influencers, algorithms, and online crowds, DiResta vividly illustrates the way belief in the fundamental legitimacy of institutions that make society work is deliberately undermined. This alternate system for shaping public opinion, unexamined until now, is rewriting the relationship between the people and their government in profoundly disturbing ways. From taking on and defeating California’s anti-vaxxers a decade ago to uncovering the ways that China and Russia target the American public and our elections, - and now herself a target of Congressmen Jim Jordan and hyper-partisans of the lunatic fringe � DiResta has not merely been an observer of the machinery promulgating the Big Lie and the unyielding culture wars. As analyst, investigator, and participant, she provides unprecedented insight into the way influencers shape the opinion and behavior of massive crowds, with the power to drive those crowds into battle � while bearing no responsibility for the consequences.]]> 425 Renee DiResta 1541703391 Richard 0 . That included the new-to-me jargon “Bespoke Realities�, which I recognized as a tighter neologism that might help folks understand the current and growing crises of social epistemology. So I read , which then led to (by this book’s author), who uses the phrase “a dissensus of bespoke pseudo-realities� before switching to “bespoke realities� later.

The author tells us this crisis began when, about twenty years ago, the internet allowed the “cost to publish� drop towards zero. Personally, I think it began earlier, in 1987, with the repeal of the F.C.C.’s Fairness Doctrine because it interfered with broadcasters� First Amendment right to spout nonsense.

The world is facing critical problems: the climate crisis is the most obvious, but the creeping growth of the appeal of nationalist authoritarianism is also critical. Both of those could, potentially, be solved. (There are others, of course —artificial intelligence, for example.)

But the problem of our multiplying and mutually antagonistic “bespoke realities� has no apparent solution, and will exacerbate those existential twin crises, with feedback loops between all three of them.

I’m not optimistic. T’s a pretty convincing argument that humans are, by nature, not good at logical reasoning. A good introduction to this was presented by Elizabeth Kolbert in the 2017 article . If you aren’t already familiar with that idea, you probably will be hard to persuade � that is, of course, part of the problem.

I started following human irrationality when I stumbled on game theory back in the late 1980s. I was thrilled when I found the Wikipedia page for the back in 2004. (It was pretty primitive then; . It got much better in when each item received a short explanation.)

But the scope of human miscognition just kept expanding. I Dz’t think t’s much hope.]]>
4.10 Invisible Rulers: The People Who Turn Lies into Reality
author: Renee DiResta
name: Richard
average rating: 4.10
book published:
rating: 0
read at:
date added: 2024/02/08
shelves: to-read, nonfiction, nonfiction-apocalyptic, social-political
review:
I'm adding this to my ‘maybe� shelf after reading . That included the new-to-me jargon “Bespoke Realities�, which I recognized as a tighter neologism that might help folks understand the current and growing crises of social epistemology. So I read , which then led to (by this book’s author), who uses the phrase “a dissensus of bespoke pseudo-realities� before switching to “bespoke realities� later.

The author tells us this crisis began when, about twenty years ago, the internet allowed the “cost to publish� drop towards zero. Personally, I think it began earlier, in 1987, with the repeal of the F.C.C.’s Fairness Doctrine because it interfered with broadcasters� First Amendment right to spout nonsense.

The world is facing critical problems: the climate crisis is the most obvious, but the creeping growth of the appeal of nationalist authoritarianism is also critical. Both of those could, potentially, be solved. (There are others, of course —artificial intelligence, for example.)

But the problem of our multiplying and mutually antagonistic “bespoke realities� has no apparent solution, and will exacerbate those existential twin crises, with feedback loops between all three of them.

I’m not optimistic. T’s a pretty convincing argument that humans are, by nature, not good at logical reasoning. A good introduction to this was presented by Elizabeth Kolbert in the 2017 article . If you aren’t already familiar with that idea, you probably will be hard to persuade � that is, of course, part of the problem.

I started following human irrationality when I stumbled on game theory back in the late 1980s. I was thrilled when I found the Wikipedia page for the back in 2004. (It was pretty primitive then; . It got much better in when each item received a short explanation.)

But the scope of human miscognition just kept expanding. I Dz’t think t’s much hope.
]]>
Othello 12996 319 William Shakespeare Richard 4 theatrical, shakespeare
But the Economist newsmagazine has given me a pretty good reason the do so, in their article (2024-Jan-15 issue):
❝[A] reader or watcher of “Othello� who is also paying attention to the political drama that is playing out in America may be tempted to understand it allegorically. On this reading Othello, the black (or “Moorish�) soldier who defends Cyprus against the Ottomans, is America itself. Desdemona, his blameless wife, is democracy. And Iago, who persuades Othello that Desdemona is unfaithful, is Donald Trump. The play ends with Othello smothering his wife to death and, full of remorse when he recognises his mistake, killing himself. It could thus be interpreted as a warning to America not to destroy democracy by heeding Mr Trump’s lies.�
After acknowledging that Iago is far better with language, and is vastly more self-aware, the author concludes
❝Martial and naive, Othello has characteristics that one might attribute to America. Unlike Othello, America knows the nature of its nemesis. It does not have Othello’s excuse for succumbing to the pestilence.�
]]>
3.89 1603 Othello
author: William Shakespeare
name: Richard
average rating: 3.89
book published: 1603
rating: 4
read at:
date added: 2024/01/29
shelves: theatrical, shakespeare
review:
I don't think I've seen this on-stage since 1989 (at Stratford-upon-Avon), and I'm pretty sure I haven't re-read it since then, either.

But the Economist newsmagazine has given me a pretty good reason the do so, in their article (2024-Jan-15 issue):
❝[A] reader or watcher of “Othello� who is also paying attention to the political drama that is playing out in America may be tempted to understand it allegorically. On this reading Othello, the black (or “Moorish�) soldier who defends Cyprus against the Ottomans, is America itself. Desdemona, his blameless wife, is democracy. And Iago, who persuades Othello that Desdemona is unfaithful, is Donald Trump. The play ends with Othello smothering his wife to death and, full of remorse when he recognises his mistake, killing himself. It could thus be interpreted as a warning to America not to destroy democracy by heeding Mr Trump’s lies.�
After acknowledging that Iago is far better with language, and is vastly more self-aware, the author concludes
❝Martial and naive, Othello has characteristics that one might attribute to America. Unlike Othello, America knows the nature of its nemesis. It does not have Othello’s excuse for succumbing to the pestilence.�

]]>
<![CDATA[Cool Gray City of Love: 49 Views of San Francisco]]> 18749122 "A kaleidoscopic homage both personal and historical . . . Kamiya's symphony of San Francisco is a grand pleasure." -New York Times Book Review

The bestselling love letter to one of the world's great cities, San Francisco, by a life-long Bay Area resident and co-founder of Salon.

Cool, Gray City of Love brings together an exuberant combination of personal history, deeply researched history, in-depth reporting, and lyrical prose to create an unparalleled portrait of San Francisco. Each of its 49 chapters explores a specific site or intersection in the city, from the mighty Golden Gate Bridge to the raunchy Tenderloin to the soaring sea cliffs at Land's End. Encompassing the city's Spanish missionary past, a gold rush, a couple of earthquakes, the Beats, the hippies, and the dot-com boom, this book is at once a rambling walking tour, a natural and human history, and a celebration of place itself-a guide to loving any city more faithfully and fully.

For readers of E. B. White's Here is New York, Jose Saramago's Journey to Portugal, or Alfred Kazin's A Walker in the City, Cool, Gray City of Love is an ambitious, insightful one-of-a-kind book for a one-of-a-kind city.]]>
401 Gary Kamiya 1620401258 Richard 0 4.23 2013 Cool Gray City of Love: 49 Views of San Francisco
author: Gary Kamiya
name: Richard
average rating: 4.23
book published: 2013
rating: 0
read at:
date added: 2024/01/19
shelves: own, san-francisco, up-next, essays, california, currently-reading, nonfiction
review:

]]>
<![CDATA[Shadow Study (Soulfinders, #1; Study, #4)]]> 16130758 Librarian's Note: This is an alternate-cover edition for ISBN 9780778317401

Once, only her own life hung in the balance�

When Yelena was a poison taster, her life was simpler. She survived to become a vital part of the balance of power between rival countries Ixia and Sitia.

Now she uses her magic to keep the peace in both lands—and protect her relationship with Valek.
Suddenly, though, dissent is rising. And Valek’s job—and his life—are in danger.
As Yelena tries to uncover her enemies, she faces a new challenge: her magic is blocked.And now she must find a way to keep not only herself but all that she holds dear alive.

A CHRONICLES OF IXIA NOVEL]]>
384 Maria V. Snyder Richard 3
The last sentence was actually something I’d predicted, not imagining that it would be something the author would use to end the with.

A chaotic story, with no theme other than adding more threats and complications. I’d expected our heroine to spend this book exploring the Shadow domain. After all, in the Fire Study book that domain played a substantial role. But here� nothing. Probably the weakest book in the series; Dz’t start it unless you’ve got the next book in the series read to go.

(For an examination of the whole series see my review of the first book.)]]>
4.05 2015 Shadow Study (Soulfinders, #1; Study, #4)
author: Maria V. Snyder
name: Richard
average rating: 4.05
book published: 2015
rating: 3
read at: 2024/01/05
date added: 2024/01/18
shelves: ebook, fantasy, fantasy-magic, series
review:
Ended abruptly, with a cliffhanger.

The last sentence was actually something I’d predicted, not imagining that it would be something the author would use to end the with.

A chaotic story, with no theme other than adding more threats and complications. I’d expected our heroine to spend this book exploring the Shadow domain. After all, in the Fire Study book that domain played a substantial role. But here� nothing. Probably the weakest book in the series; Dz’t start it unless you’ve got the next book in the series read to go.

(For an examination of the whole series see my review of the first book.)
]]>
<![CDATA[Dawn Study (Soulfinders, #3; Study, #6)]]> 16130760 New York Times bestselling author Maria V. Snyder brings her Poison Study series to its exhilarating conclusion.

Despite the odds, Yelena and Valek have forged an irrevocable bond and a family that transcends borders. Now, when their two homelands stand on the brink of war, they must fight with magic and cunning to thwart an Ixian plot to invade Sitia.

Yelena seeks to break the hold of the insidious Theobroma that destroys a person's resistance to magical persuasion. But the Cartel is determined to keep influential citizens and Sitian diplomats in thrall and Yelena at bay. With every bounty hunter after her, Yelena is forced to make a dangerous deal.

With might and magic, Valek peels back the layers of betrayal surrounding the Commander. At its rotten core lies a powerful magician and his latest discovery. The fate of all rests upon two unlikely weapons. One may turn the tide. The other could spell the end of everything.]]>
478 Maria V. Snyder 1460396499 Richard 4
For an examination of the whole series see my review of the first book.]]>
4.16 2017 Dawn Study (Soulfinders, #3; Study, #6)
author: Maria V. Snyder
name: Richard
average rating: 4.16
book published: 2017
rating: 4
read at: 2024/01/11
date added: 2024/01/18
shelves: ebook, series, fantasy, fantasy-magic
review:
The satisfying culmination of Yalena’s story, flaws and all.

For an examination of the whole series see my review of the first book.
]]>
<![CDATA[Diaper Study (Soulfinders, #3.5; Study, #6.5)]]> 50491722
WARNING: This story contains spoilers for the series so please don't read until after Dawn Study!]]>
12 Maria V. Snyder Richard 4
(For an examination of the whole series see my review of the first book.)]]>
3.90 2019 Diaper Study (Soulfinders, #3.5; Study, #6.5)
author: Maria V. Snyder
name: Richard
average rating: 3.90
book published: 2019
rating: 4
read at: 2024/01/11
date added: 2024/01/18
shelves: ebook, fantasy, fantasy-magic, series
review:
Of the short stores Snyder tucked into the series, this was the most enjoyable, and probably a fan favorite, since it centers on Janco.

(For an examination of the whole series see my review of the first book.)
]]>
<![CDATA[Night Study (Soulfinders, #2; Study, #5)]]> 16130759
Valek is determined to protect Yelena, but he's quickly running out of options. The Commander suspects that his loyalties are divided, and he's been keeping secrets from Valek...secrets that put him, Yelena and all their friends in terrible danger. As they uncover the various layers of the Commander's mysterious plans, they realize it's far more sinister that they could have ever imagined.]]>
400 Maria V. Snyder Richard 4 Shadow Study, the previous book, you hit an abrupt cliffhanger. That is integrated better into the story along with more. So think of books four and five as essentially connected.

See my review of the first book in the series for an overview review.

A few notes I did make:

p. 38: Annoyance: crossbreeding vs grafting. The author conflates these, assuming that a graft creates a “new type of plant�. Nope nope nope. I'm guessing whatever editor was involved here didn't have much of a science background? In any case, it would have put a big no-go into the developing storyline, except that could have been overcome by having the breeders capable of some “plant magic� that let them blend the capabilities of plants.

p. 189: Why it’s good:
He hesitated for a second, then said, “I need to tell Ari he was right.�
“It could be worse.�
Valek waited. “It could be Janco who was right.�
“Ah, yes. That would be worse.�
Once you’ve read this far, you’ll understand why this puts a big grin on your face. The book is full of implausibilities, but the characters are emotionally deep and compelling. Okay, the bad guys aren’t deep or compelling, but that is one of the big things that differentiates genre fiction from literary fiction. We aren’t dealing with Booker Prize territory, here.]]>
4.19 2016 Night Study (Soulfinders, #2; Study, #5)
author: Maria V. Snyder
name: Richard
average rating: 4.19
book published: 2016
rating: 4
read at: 2024/01/06
date added: 2024/01/18
shelves: ebook, series, fantasy, fantasy-magic
review:
According to my notes, this was one of the better books in the series? But I read them all so fast, I really can't differentiate. That makes sense, though � if you’ve just read Shadow Study, the previous book, you hit an abrupt cliffhanger. That is integrated better into the story along with more. So think of books four and five as essentially connected.

See my review of the first book in the series for an overview review.

A few notes I did make:

p. 38: Annoyance: crossbreeding vs grafting. The author conflates these, assuming that a graft creates a “new type of plant�. Nope nope nope. I'm guessing whatever editor was involved here didn't have much of a science background? In any case, it would have put a big no-go into the developing storyline, except that could have been overcome by having the breeders capable of some “plant magic� that let them blend the capabilities of plants.

p. 189: Why it’s good:
He hesitated for a second, then said, “I need to tell Ari he was right.�
“It could be worse.�
Valek waited. “It could be Janco who was right.�
“Ah, yes. That would be worse.�
Once you’ve read this far, you’ll understand why this puts a big grin on your face. The book is full of implausibilities, but the characters are emotionally deep and compelling. Okay, the bad guys aren’t deep or compelling, but that is one of the big things that differentiates genre fiction from literary fiction. We aren’t dealing with Booker Prize territory, here.
]]>
Ice Study (Study, #3.6) 7276503 Shadow Study. Ice Study tells a short story after Fire Study and another short story Power Study.

After the events of Fire Study, Yelena and Valek's sabattical is cut short when they become entangled in a plot to prevent the Ice Moon from falling into the hands of a rogue magician.]]>
30 Maria V. Snyder Richard 4
(For an examination of the whole series see my review of the first book.)]]>
3.96 2009 Ice Study (Study, #3.6)
author: Maria V. Snyder
name: Richard
average rating: 3.96
book published: 2009
rating: 4
read at: 2024/01/08
date added: 2024/01/18
shelves: ebook, fantasy, fantasy-magic, series
review:
Of the short stores Snyder tucked into the series, this was the only one that is potentially integral to the series, since it provides the introduction of several major characters, but does so in a way that somewhat provides spoilers if read before finishing the whole series.

(For an examination of the whole series see my review of the first book.)
]]>
Power Study (Study, #3.5) 4460391 27 Maria V. Snyder Richard 2
The strongest is Diaper Study (which stars Janco!) —but shouldn't be read until consumption of the entire series, due to spoilers.

(For an examination of the whole series see my review of the first book.)]]>
3.90 2008 Power Study (Study, #3.5)
author: Maria V. Snyder
name: Richard
average rating: 3.90
book published: 2008
rating: 2
read at: 2024/01/05
date added: 2024/01/18
shelves: ebook, fantasy-magic, fantasy, series
review:
Of the short stores Snyder tucked into the series, I think this is the weakest.

The strongest is Diaper Study (which stars Janco!) —but shouldn't be read until consumption of the entire series, due to spoilers.

(For an examination of the whole series see my review of the first book.)
]]>
Fire Study (Study, #3) 1966969 The apprenticeship is over—now the real test has begun.

When word that Yelena is a Soulfinder—able to capture and release souls—spreads like wildfire, people grow uneasy. Already Yelena's unusual abilities and past have set her apart. As the Council debates Yelena's fate, she receives a disturbing message: a plot is rising against her homeland, led by a murderous sorcerer she has defeated before...

Honor sets Yelena on a path that will test the limits of her skills, and the hope of reuniting with her beloved spurs her onward. Her journey is fraught with allies, enemies, lovers and would-be assassins, each of questionable loyalty. Yelena will have but one chance to prove herself—and save the land she holds dear.]]>
441 Maria V. Snyder 0778325342 Richard 3 review of the first book.

� � � � � � � � � � � � � � � � � �

Snyder has a lot of innovation going on � distinguishing between “soul catchers� and “soul stealers�, and exploring the different realms of fire and shadow. I especially liked that dead folks, once released from whatever binds them to our quotidian realm, [spoilers removed].

We still have too many of the major characters being demigods, or at least being unnaturally charismatic and talented. Of course, these are the elites at what they do, but it does get rather tiresome. Contrast, for example, the efforts of Frodo and Samwise struggling on their quest —they completed it due to painful effort and sacrifice, not because they were perfect beings.

Anyway, continuing on to the fourth book (although there also seem to be some short stories?) because the author does write some compelling action populated with enjoyable characters. (Ari and Janco are my favorites.)]]>
3.92 2008 Fire Study (Study, #3)
author: Maria V. Snyder
name: Richard
average rating: 3.92
book published: 2008
rating: 3
read at: 2024/01/03
date added: 2024/01/18
shelves: ebook, fantasy, fantasy-magic, series
review:
Initial review below; for an examination of the whole series see my review of the first book.

� � � � � � � � � � � � � � � � � �

Snyder has a lot of innovation going on � distinguishing between “soul catchers� and “soul stealers�, and exploring the different realms of fire and shadow. I especially liked that dead folks, once released from whatever binds them to our quotidian realm, [spoilers removed].

We still have too many of the major characters being demigods, or at least being unnaturally charismatic and talented. Of course, these are the elites at what they do, but it does get rather tiresome. Contrast, for example, the efforts of Frodo and Samwise struggling on their quest —they completed it due to painful effort and sacrifice, not because they were perfect beings.

Anyway, continuing on to the fourth book (although there also seem to be some short stories?) because the author does write some compelling action populated with enjoyable characters. (Ari and Janco are my favorites.)
]]>
Magic Study (Study, #2) 46202
With her greatest enemy dead, and on her way to be united with the family she'd been stolen from long ago, Yelena should be pleased. But although she has gained her freedom, she once again finds herself alone - separated from her lover Valek and suspected as a spy for her reluctance to conform to Sitian ways.

Despite the turmoil, she's eager to start her magic training - especially as she's been given one year to harness her power or be put to death. But her plans take a radical turn when she becomes embroiled in a plot to reclaim Ixia's throne for a lost prince - and gets entangled in powerful rivalries with her fellow magicians.

If that wasn't bad enough, it appears her brother would love to see her dead. Luckily, Yelena has some old friends to help her with her new enemies.]]>
392 Maria V. Snyder 0373802498 Richard 3 review of the first book.

� � � � � � � � � � � � � � � � � �

I gave the first book in the series four stars, so by one factor this should also be four stars: I enjoyed it to about the same extent.

But my judgement of both books took a bit of a hit: too much convenient magic is instrumental in making the story possible. More than one of the central characters is simply too amazing to be plausible —the known as the Mary Sue or Gary Stu. But the convenience goes beyond that � t’s an exotic tribe that intimidates the hell out of everyone� except for our heroes. Psychic connections with horses become crucial plot elements, for goodness sake.

This is still a very enjoyable read, but I’m often rolling my eyes as I quickly devour the text.

Am I going to read the next one in the series?

Yup.]]>
4.03 2006 Magic Study (Study, #2)
author: Maria V. Snyder
name: Richard
average rating: 4.03
book published: 2006
rating: 3
read at: 2023/12/31
date added: 2024/01/18
shelves: ebook, fantasy, fantasy-magic, series
review:
Initial review below; for an examination of the whole series see my review of the first book.

� � � � � � � � � � � � � � � � � �

I gave the first book in the series four stars, so by one factor this should also be four stars: I enjoyed it to about the same extent.

But my judgement of both books took a bit of a hit: too much convenient magic is instrumental in making the story possible. More than one of the central characters is simply too amazing to be plausible —the known as the Mary Sue or Gary Stu. But the convenience goes beyond that � t’s an exotic tribe that intimidates the hell out of everyone� except for our heroes. Psychic connections with horses become crucial plot elements, for goodness sake.

This is still a very enjoyable read, but I’m often rolling my eyes as I quickly devour the text.

Am I going to read the next one in the series?

Yup.
]]>
Assassin Study (Study, #1.5) 4450057 Poison Study, is on her way to her ancestral homeland of Sitia to be reunited with her family and to learn more about her magical powers. An order of execution hangs over her head should she ever return to Ixia. But her true love, Valek, quickly learns that an assassin has taken it upon himself to make sure Yelena doesn't reach her destination.

As Ixia's chief of security, and a highly skilled assassin himself, can Valek track down the killer in time to save Yelena's life?]]>
15 Maria V. Snyder Richard 3 Adequate. Really, closer to two stars, but I'm feeling generous. But the trend isn't great, so maybe the first sequel will be my limit?That’s actually somewhat ungenerous; I really shouldn’t compare genre fiction to literary fiction. See my review of the first book for more.]]> 3.74 2008 Assassin Study (Study, #1.5)
author: Maria V. Snyder
name: Richard
average rating: 3.74
book published: 2008
rating: 3
read at: 2023/12/30
date added: 2024/01/18
shelves: ebook, fantasy, fantasy-magic, series
review:
Initial review:
Adequate. Really, closer to two stars, but I'm feeling generous. But the trend isn't great, so maybe the first sequel will be my limit?
That’s actually somewhat ungenerous; I really shouldn’t compare genre fiction to literary fiction. See my review of the first book for more.
]]>
Poison Study (Study, #1) 60510 Choose: A quick death� or slow poison...

About to be executed for murder, Yelena is offered an extraordinary reprieve. She'll eat the best meals, have rooms in the palace—and risk assassination by anyone trying to kill the Commander of Ixia.

And so Yelena chooses to become a food taster. But the chief of security, leaving nothing to chance, deliberately feeds her Butterfly's Dust—and only by appearing for her daily antidote will she delay an agonizing death from the poison.

As Yelena tries to escape her new dilemma, disasters keep mounting. Rebels plot to seize Ixia and Yelena develops magical powers she can't control. Her life is threatened again and choices must be made. But this time the outcomes aren't so clear...]]>
427 Maria V. Snyder 0778324338 Richard 4 entire “Poison Study� series.

It stands in pretty well for a review of just the first book, except be forewarned: like any good junk food, if you read this book, you’ll probably be compelled to read the entire series. Is that the best use of your reading time? I guess it depends on your tastes, and maybe how fast you read.

It is centered on Yelena, who we meet as she is about to be executed for murder. It turns out � surprise! —that she has many, many, many capabilities that she’ll gradually discover and use. The first of those is an ability to detect poisons � implied by the title —will be trivial compared to those she later discovered. Kinda like Frodo gradually discovering he’s actually Gandalf.

The author’s strength is that the big, big cast of good characters is fleshed out well, and enjoyable. Plenty of idiosyncrasies; you’ll probably especially enjoy a certain pair of bantering soldiers. But the backstories of the principles gradually includes their families and extended network of friend and communities.

The corresponding weakness is that the bad guys Dz’t have much depth. They’re just pretty much bad. Sometimes with some superficial explanation of their resentment and gripes. This is, of course, one of the big divides between genre fiction and literary fiction. Read Crime and Punishment and you’ll sympathize with a selfish murderer, and see how remorse creeps in and poisons. You’re not going to get any of that here.

A secondary strength and weakness is with the breadth of the magic. As the series develops, the world-building continues in complexity, and requires more characters to solve bigger problems. That bigger and complex cast provides a bigger canvas to enjoy, pulling in that bigger and diverse cast.

But that also means the author is also making up more magic, and it isn’t much of a spoiler to point out that this can be dangerous. It’s really easy to create a new and difficult problem if you’re just going to make up more ‘magic� to conveniently solve it. If you need an example� [spoilers removed]?

The series is well done, and lively, but mostly constructed out of tropes that we’ve seen over and over in this genre. So really only four stars within the subgenre of fluff fantasy. Each book is a quick, enjoyable read.]]>
4.09 2005 Poison Study (Study, #1)
author: Maria V. Snyder
name: Richard
average rating: 4.09
book published: 2005
rating: 4
read at: 2023/12/28
date added: 2024/01/18
shelves: ebook, fantasy, fantasy-magic, series
review:
This is a review of the entire “Poison Study� series.

It stands in pretty well for a review of just the first book, except be forewarned: like any good junk food, if you read this book, you’ll probably be compelled to read the entire series. Is that the best use of your reading time? I guess it depends on your tastes, and maybe how fast you read.

It is centered on Yelena, who we meet as she is about to be executed for murder. It turns out � surprise! —that she has many, many, many capabilities that she’ll gradually discover and use. The first of those is an ability to detect poisons � implied by the title —will be trivial compared to those she later discovered. Kinda like Frodo gradually discovering he’s actually Gandalf.

The author’s strength is that the big, big cast of good characters is fleshed out well, and enjoyable. Plenty of idiosyncrasies; you’ll probably especially enjoy a certain pair of bantering soldiers. But the backstories of the principles gradually includes their families and extended network of friend and communities.

The corresponding weakness is that the bad guys Dz’t have much depth. They’re just pretty much bad. Sometimes with some superficial explanation of their resentment and gripes. This is, of course, one of the big divides between genre fiction and literary fiction. Read Crime and Punishment and you’ll sympathize with a selfish murderer, and see how remorse creeps in and poisons. You’re not going to get any of that here.

A secondary strength and weakness is with the breadth of the magic. As the series develops, the world-building continues in complexity, and requires more characters to solve bigger problems. That bigger and complex cast provides a bigger canvas to enjoy, pulling in that bigger and diverse cast.

But that also means the author is also making up more magic, and it isn’t much of a spoiler to point out that this can be dangerous. It’s really easy to create a new and difficult problem if you’re just going to make up more ‘magic� to conveniently solve it. If you need an example� [spoilers removed]?

The series is well done, and lively, but mostly constructed out of tropes that we’ve seen over and over in this genre. So really only four stars within the subgenre of fluff fantasy. Each book is a quick, enjoyable read.
]]>
<![CDATA[Yumi and the Nightmare Painter]]> 68320227 #1 New York Times bestselling author Brandon Sanderson brings us a gripping story set in the Cosmere universe told by Hoid, where two people from incredibly different worlds must compromise and work together to save their worlds from ruin.

Yumi comes from a land of gardens, meditation, and spirits, while Painter lives in a world of darkness, technology, and nightmares. When their lives suddenly become intertwined in strange ways, can they put aside their differences and work together to uncover the mysteries of their situation and save each other’s communities from certain disaster?]]>
461 Brandon Sanderson 1938570405 Richard 0 hiatus 4.57 2023 Yumi and the Nightmare Painter
author: Brandon Sanderson
name: Richard
average rating: 4.57
book published: 2023
rating: 0
read at:
date added: 2024/01/15
shelves: hiatus
review:

]]>
<![CDATA[The Silo Saga Omnibus (Silo, #1-3)]]> 54957253 For the first time ever, The Silo Saga Omnibus brings together all of the work in Hugh Howey's ground-breaking, best-selling, acclaimed series, including the individual novels Wool, Shift, and Dust, as well as original essays by the author, and a bonus chapbook of short fiction, Sil0 Stories.

The remnants of humanity live underground in a vast silo. In this subterranean world, rules matter. Rules keep people alive. And no rule is more strictly enforced than to never speak of going outside. The punishment is exile and death.

When the sheriff of the silo commits the ultimate sin, the most unlikely of heroes takes his place. Juliette, a mechanic from the down deep, who never met a machine she couldn't fix nor a rule she wouldn't break.

What happens when a world built on rules is handed over to someone who sees no need for them? And what happens when a world broken to its core comes up against someone who won't stop until things are set to right?

Their world is about to fall. What - and who - will rise?
]]>
1663 Hugh Howey 0358512913 Richard 3 (Because it was easier grabbing one ebook instead of several, I read the Omnibus edition. So my impressions are broadly holistic of the entire series {Wool Omnibus, Shift, Dust and the Sil0̸ Stories In the Air, In the Mountain, and In the Woods}, and thus so are the annotations I made —which contain plenty o� spoilers. Caveat lector.)

Wonderfully: This is quite a yarn. Set in the near future, Howey kills off most of humankind, leaving the remnant underground for quite a while. Most of them have no clue that their world is so limited. The characters are fleshed out thoughtfully (well, mostly) and the telling is fast-paced and riveting.

Sadly: The author originally self-published, and thus didn’t avail himself of the benefit of a professional scifi editor. That means t’s a lot that got left in which he probably may have been gently (or strenuously) encouraged to modify for the sake of plausibility.

My three-star evaluation is because I too often found myself grinding my teeth � some of those flaws relate to fundamental aspects of his story. And the same story probably could be told effectively with modification.

I understand the enthusiasm in the reviews, even if I personally feel the plaudits are somewhat excessive. The rest of this “review� consists of a spoiler examination of the flaws.

Oh, as far as I can tell, the Apple TV series manages to avoid many? most? all? of those problems, although quite possibly because it hasn’t yet been forced to reveal critical details.

The problems with plausibility begin early in the book. Holston is forced out of his silo as a cleaner, and sees a different world than he’d expected —a world of greenery and life. But minutes later, as he is dying, he is able to remove his helmet and sees the same dismal and lifeless world those inside the silo see. The difficulty here is that the green world was on a screen inside his helmet —but it doesn’t work that way. Our binocular vision demands two slightly different views of the outside world to create depth perception, and if we were given a single screen a few inches in front of our eyes, we’d quickly get a headache from being cross-eyes. This is why a have two screens for that stereoscopic perspective.

Perhaps this could be fixed through the Howey’s nanotechnology, but that magical technology wouldn’t fix the other problem here: that every human who is condemned to leave a silo sticks around to do “cleaning� instead of running for the hills.

In terms of the chronological narrative, flaws start before the silos are even built. We’re told it is 2049 � less than thirty years after it was first written. Howey was born in 1975, so probably remembers the technology of the mid 90’s, and should have had a better idea of how quickly tech changes.

Some technology doesn’t change fast enough:

In the 90’s we had cathode-ray tubes (the first flat-panel TV was released in 1997), but Donald is struggling with a desktop computer in 2049?

Later we’ll learn the mechanical level of a silo has an oil derrick in the lowest level (there are no oil reserves in Georgia) and a bunch of the machines use petroleum fuels, including a front-end loader belching a “charcoal geyser from its exhaust pipe�.

A lot of the emergency supplies are freeze-dried, but others are cans (with the Jolly Green Giant on them!), which are expected to last up to 500 years. Other supplies apparently include florescent light bulbs, which "flicker hesitantly" after a few decades of inactivity. So LEDs turn out to be a dead-end technology, eh?

Other technology changes too fast, and ultimately they create much larger problems with plausibility.

One is with psychology, and the monster problem is with the nanotechnology.

The reason there much be power-hungry servers in each silo [well, they Dz’t have to be in each silo, but putting them in the master-control Silo removes too much of the conflict] is because they are watching and listening to all the silo’s inhabitants, grading them individually and collectively for the survival quotient: only one silo will win the right to repopulate the world. But our understanding of human motivation is nowhere near achieving that level of prediction! Even the “truth detection� abilities involved in the master-control Silo’s interrogation of the IT leadership is absurd. We aren’t even close to the simpler of the two.

The ultimate problem is with nanotechnology. In 2049, we’re told Senator Thurman “doesn’t really age, you know�, because of his nano treatments. T’s already that involves the nano scale, but the 2049 timeframe is even more laughably early than the psychology stuff. By then we’ll undoubtedly have learned better how to create more sophisticated nano stuff, but we probably will still be struggling to integrate disparate components. But Howey not only has nano machines, but those include very sophisticated AI software, able to read genetic code, repair multiple health problem, and cause a quite quick death. Beyond even that, they are self-replicating! That means that not only are these things able to harvest material from their environment, they can even fabricate the computers within. The “machines� we use just to create ٴǻ岹’s scale chips are among the most staggeringly complicated things humanity creates. Per the Wikipedia page on “�:
❝Estimates put the cost of building a new fab at over one billion U.S. dollars with values as high as $3�4 billion not being uncommon. TSMC invested $9.3 billion in its Fab15 300 mm wafer manufacturing facility in Taiwan.�
To illustrate how this messes with the story, if self-replicating technology was available, then creating the silos themselves would involve programming a single nano and dropping it at the site of the silo: it would use the soil and rock and whatnot to create trillions of replicas, all coordinating to spread out and down, and construct according to plan.

The Silo Omnibus includes the three-part short, Sil0̸ Stories, which contains an error so glaring that by itself it shows the need for an editor: The story involves people who learn of the main conspiracy and, not being among the selected Silo inhabitants, spend a fortune to hide themselves away in a Colorado mountain redoubt for the duration. But they realize they’ve made a mistake: the “duration� is five hundred years, not six months. Chaos ensues, but two of them are able to survive, and travel to Georgia to take vengeance on those who have created such horror. The problem is that the main storyline ends only 250 years or so into that 500, and yet the two Colorado people who survived are able to kill Juliette, who would have perished centuries earlier.
]]>
4.59 The Silo Saga Omnibus (Silo, #1-3)
author: Hugh Howey
name: Richard
average rating: 4.59
book published:
rating: 3
read at: 2023/12/19
date added: 2024/01/11
shelves: scifi-apocalyptic, scifi-contemporary, scifi-dystopia, ebook
review:
(Because it was easier grabbing one ebook instead of several, I read the Omnibus edition. So my impressions are broadly holistic of the entire series {Wool Omnibus, Shift, Dust and the Sil0̸ Stories In the Air, In the Mountain, and In the Woods}, and thus so are the annotations I made —which contain plenty o� spoilers. Caveat lector.)

Wonderfully: This is quite a yarn. Set in the near future, Howey kills off most of humankind, leaving the remnant underground for quite a while. Most of them have no clue that their world is so limited. The characters are fleshed out thoughtfully (well, mostly) and the telling is fast-paced and riveting.

Sadly: The author originally self-published, and thus didn’t avail himself of the benefit of a professional scifi editor. That means t’s a lot that got left in which he probably may have been gently (or strenuously) encouraged to modify for the sake of plausibility.

My three-star evaluation is because I too often found myself grinding my teeth � some of those flaws relate to fundamental aspects of his story. And the same story probably could be told effectively with modification.

I understand the enthusiasm in the reviews, even if I personally feel the plaudits are somewhat excessive. The rest of this “review� consists of a spoiler examination of the flaws.

Oh, as far as I can tell, the Apple TV series manages to avoid many? most? all? of those problems, although quite possibly because it hasn’t yet been forced to reveal critical details.

The problems with plausibility begin early in the book. Holston is forced out of his silo as a cleaner, and sees a different world than he’d expected —a world of greenery and life. But minutes later, as he is dying, he is able to remove his helmet and sees the same dismal and lifeless world those inside the silo see. The difficulty here is that the green world was on a screen inside his helmet —but it doesn’t work that way. Our binocular vision demands two slightly different views of the outside world to create depth perception, and if we were given a single screen a few inches in front of our eyes, we’d quickly get a headache from being cross-eyes. This is why a have two screens for that stereoscopic perspective.

Perhaps this could be fixed through the Howey’s nanotechnology, but that magical technology wouldn’t fix the other problem here: that every human who is condemned to leave a silo sticks around to do “cleaning� instead of running for the hills.

In terms of the chronological narrative, flaws start before the silos are even built. We’re told it is 2049 � less than thirty years after it was first written. Howey was born in 1975, so probably remembers the technology of the mid 90’s, and should have had a better idea of how quickly tech changes.

Some technology doesn’t change fast enough:

In the 90’s we had cathode-ray tubes (the first flat-panel TV was released in 1997), but Donald is struggling with a desktop computer in 2049?

Later we’ll learn the mechanical level of a silo has an oil derrick in the lowest level (there are no oil reserves in Georgia) and a bunch of the machines use petroleum fuels, including a front-end loader belching a “charcoal geyser from its exhaust pipe�.

A lot of the emergency supplies are freeze-dried, but others are cans (with the Jolly Green Giant on them!), which are expected to last up to 500 years. Other supplies apparently include florescent light bulbs, which "flicker hesitantly" after a few decades of inactivity. So LEDs turn out to be a dead-end technology, eh?

Other technology changes too fast, and ultimately they create much larger problems with plausibility.

One is with psychology, and the monster problem is with the nanotechnology.

The reason there much be power-hungry servers in each silo [well, they Dz’t have to be in each silo, but putting them in the master-control Silo removes too much of the conflict] is because they are watching and listening to all the silo’s inhabitants, grading them individually and collectively for the survival quotient: only one silo will win the right to repopulate the world. But our understanding of human motivation is nowhere near achieving that level of prediction! Even the “truth detection� abilities involved in the master-control Silo’s interrogation of the IT leadership is absurd. We aren’t even close to the simpler of the two.

The ultimate problem is with nanotechnology. In 2049, we’re told Senator Thurman “doesn’t really age, you know�, because of his nano treatments. T’s already that involves the nano scale, but the 2049 timeframe is even more laughably early than the psychology stuff. By then we’ll undoubtedly have learned better how to create more sophisticated nano stuff, but we probably will still be struggling to integrate disparate components. But Howey not only has nano machines, but those include very sophisticated AI software, able to read genetic code, repair multiple health problem, and cause a quite quick death. Beyond even that, they are self-replicating! That means that not only are these things able to harvest material from their environment, they can even fabricate the computers within. The “machines� we use just to create ٴǻ岹’s scale chips are among the most staggeringly complicated things humanity creates. Per the Wikipedia page on “�:
❝Estimates put the cost of building a new fab at over one billion U.S. dollars with values as high as $3�4 billion not being uncommon. TSMC invested $9.3 billion in its Fab15 300 mm wafer manufacturing facility in Taiwan.�
To illustrate how this messes with the story, if self-replicating technology was available, then creating the silos themselves would involve programming a single nano and dropping it at the site of the silo: it would use the soil and rock and whatnot to create trillions of replicas, all coordinating to spread out and down, and construct according to plan.

The Silo Omnibus includes the three-part short, Sil0̸ Stories, which contains an error so glaring that by itself it shows the need for an editor: The story involves people who learn of the main conspiracy and, not being among the selected Silo inhabitants, spend a fortune to hide themselves away in a Colorado mountain redoubt for the duration. But they realize they’ve made a mistake: the “duration� is five hundred years, not six months. Chaos ensues, but two of them are able to survive, and travel to Georgia to take vengeance on those who have created such horror. The problem is that the main storyline ends only 250 years or so into that 500, and yet the two Colorado people who survived are able to kill Juliette, who would have perished centuries earlier.

]]>
The Vulnerables 112976363 254 Sigrid Nunez Richard 0
I enjoyed the two chapters or so I read, but discovered I wasn’t compelled to continue.

But I discovered the advice quoted in the Economist article “How many books will you read before you die?� seemed appropriate:
❝Grownups shouldn’t finish books they’re not enjoying.�
� John Irving
]]>
3.80 2023 The Vulnerables
author: Sigrid Nunez
name: Richard
average rating: 3.80
book published: 2023
rating: 0
read at: 2023/12/23
date added: 2023/12/28
shelves: not-gonna-read, fiction-literary, ebook
review:
DNF� terminated without prejudice.

I enjoyed the two chapters or so I read, but discovered I wasn’t compelled to continue.

But I discovered the advice quoted in the Economist article “How many books will you read before you die?� seemed appropriate:
❝Grownups shouldn’t finish books they’re not enjoying.�
� John Irving

]]>
<![CDATA[The Doors of Stone (The Kingkiller Chronicle, #3)]]> 21032488 896 Patrick Rothfuss 0575081449 Richard 0 3.51 The Doors of Stone (The Kingkiller Chronicle, #3)
author: Patrick Rothfuss
name: Richard
average rating: 3.51
book published:
rating: 0
read at:
date added: 2023/12/21
shelves: series-next-therein, series, fantasy-magic, fantasy, to-read
review:

]]>
The Monk 25083176
Set in the sinister monastery of the Capuchins in Madrid, this is a violent tale of ambition, murder, and incest. The struggle between maintaining monastic vows and fulfilling personal ambitions tempts its main character into breaking his vows.]]>
323 Matthew Gregory Lewis Richard 2
This was amusing� at first. But it eventually palled, and when I become distracted by something (it really didn’t take much) it wasn’t worth returning to.

The most annoying part were the poems various characters provided. They were pretty much all the same, going on far too long. It apparently didn’t occur to the author that different people would probably compose in quite different styles. I mean, this was more than a century after Shakespeare; I think he should have been a bit more innovative.

I may have never got to the naughty parts, so I’m afraid I’ll never know how naughty they became.]]>
3.55 1796 The Monk
author: Matthew Gregory Lewis
name: Richard
average rating: 3.55
book published: 1796
rating: 2
read at: 2023/11/20
date added: 2023/12/12
shelves: not-gonna-read, ebook, fiction, classic
review:
DNF.

This was amusing� at first. But it eventually palled, and when I become distracted by something (it really didn’t take much) it wasn’t worth returning to.

The most annoying part were the poems various characters provided. They were pretty much all the same, going on far too long. It apparently didn’t occur to the author that different people would probably compose in quite different styles. I mean, this was more than a century after Shakespeare; I think he should have been a bit more innovative.

I may have never got to the naughty parts, so I’m afraid I’ll never know how naughty they became.
]]>
<![CDATA[The Heat Will Kill You First: Life and Death on a Scorched Planet]]> 74896055 New York Timesbest-selling journalist Jeff Goodell presents a "masterful, bracing" (David Wallace-Wells) examination of the impact that temperature rise will have on our lives and on our planet, offering a vital new perspective on where we are headed, how we can prepare, and what is at stake if we fail to act.�

“When heat comes, it’s invisible. It doesn’t bend tree branches or blow hair across your face to let you know it’s arrived�. The sun feels like the barrel of a gun pointed at you.”�

The world is waking up to a new wildfires are now seasonal in California, the Northeast is getting less and less snow each winter, and the ice sheets in the Arctic and Antarctica are melting fast. Heat is the first order threat that drives all other impacts of the climate crisis. And as the temperature rises, it is revealing fault lines in our governments, our politics, our economy, and our values. The basic science is not Stop burning fossil fuels tomorrow, and the global temperature will stop rising tomorrow. Stop burning fossil fuels in 50 years, and the temperature will keep rising for 50 years, making parts of our planet virtually uninhabitable. It’s up to us. The hotter it gets, the deeper and wider our fault lines will open.

The Heat Will Kill You Firstis about the extreme ways in which our planet is already changing.It is about why spring is coming a few weeks earlier and fall is coming a few weeks later and the impact that will have on everything from our food supply to disease outbreaks. It is about what will happen to our lives and our communities when typical summer days in Chicago or Boston go from 90° F to 110°F. A heatwave, Goodell explains, is a predatory event� one that culls out the most vulnerable people. But that is changing. As heatwaves become more intense and more common, they will become more democratic.

As an award-winning journalist who has been at the forefront of environmental journalism for decades, Goodell’s new book may be his most provocative yet, explaining how extreme heat will dramatically change the world as we know it. Masterfully reported, mixing the latest scientific insight with on-the-ground storytelling, Jeff Goodell tackles the big questions and uncovers how extreme heat is a force beyond anything we have reckoned with before.]]>
404 Jeff Goodell 0316497568 Richard 4
I had very high hopes, but I now realize I’m really expecting too much, and was accumulating links to ongoing news to illustrate what I’d expected to be the book’s most important points.

But while the book was good, it didn’t make some very important points:

� Even as the prices of carbon-free energy are plummeting, we are using more dirty energy each year, and the fossil fuel industry is betting very big that’ll continue!

� High-carbon countries (like the U.S. and Europe) aren’t being hit hard (yet) and being inundated with feel-good messaging, while the rest of the world is already suffering —but nowhere near as much as they will be —but can’t scream loudly enough to be heard over that messaging.

� We’re doing so incredibly well at pretending this doom won’t come after us, personally, that we’re moving to and buying property in places more likely the burn and more likely to flood. In another decade (or maybe just a few years? or two decades? not knowing is a big part of the problem) when the inevitable becomes apparent, there’ll be a panic, which will probably cause property values to collapse. Of course, the rest of that country will glance away and shrug, until it’s their turn.

•There are feedback loops within climate change that most folks haven’t spent the energy to learn about. Guess what? There are also feedback loops between climate change and the collapse of democracies that almost no one seems to be studying ( a rare counterexample).

I expect to be dead before things get really bad, but I’m pretty sure most of those reading this will have their lives pretty much ruined as civilization comes crashing down, with life expectancy dropping by decades for billions, and not just in poor countries.

 ĔăĔăĔăĔăĔăĔăĔăĔă�

Here are some of the links I’d accumulated, before I started saving them in an off-line text file�

Not yet finished; accumulating data.
� � from NY Time's Climate Forward newsletter.

� � from NY Time's Style Magazine (the answer to the title question is: No.)

Dave's review of Our Final Warning; specifically “Climate denialists will have to move inland just like everyone else that can, but will there be fresh water there?�

� The Economist on El Niño and ENSO. Specifically the , their , and their .

� From The Guardian:

� Bloomberg:

•Treehugger:

� See the first chart in this about heat waves: and contrast with the chart here, about sea ice:

� Why this book is misguided [probably —I haven't read it] and is even more true four years after Jonathan Franzen wrote it.]]>
4.52 2023 The Heat Will Kill You First: Life and Death on a Scorched Planet
author: Jeff Goodell
name: Richard
average rating: 4.52
book published: 2023
rating: 4
read at: 2023/10/22
date added: 2023/12/12
shelves: climate-change, nonfiction, nonfiction-apocalyptic, ebook, read-these-reviews-first
review:
Okay, yeah, I finished this two months or so ago.

I had very high hopes, but I now realize I’m really expecting too much, and was accumulating links to ongoing news to illustrate what I’d expected to be the book’s most important points.

But while the book was good, it didn’t make some very important points:

� Even as the prices of carbon-free energy are plummeting, we are using more dirty energy each year, and the fossil fuel industry is betting very big that’ll continue!

� High-carbon countries (like the U.S. and Europe) aren’t being hit hard (yet) and being inundated with feel-good messaging, while the rest of the world is already suffering —but nowhere near as much as they will be —but can’t scream loudly enough to be heard over that messaging.

� We’re doing so incredibly well at pretending this doom won’t come after us, personally, that we’re moving to and buying property in places more likely the burn and more likely to flood. In another decade (or maybe just a few years? or two decades? not knowing is a big part of the problem) when the inevitable becomes apparent, there’ll be a panic, which will probably cause property values to collapse. Of course, the rest of that country will glance away and shrug, until it’s their turn.

•There are feedback loops within climate change that most folks haven’t spent the energy to learn about. Guess what? There are also feedback loops between climate change and the collapse of democracies that almost no one seems to be studying ( a rare counterexample).

I expect to be dead before things get really bad, but I’m pretty sure most of those reading this will have their lives pretty much ruined as civilization comes crashing down, with life expectancy dropping by decades for billions, and not just in poor countries.

 ĔăĔăĔăĔăĔăĔăĔăĔă�

Here are some of the links I’d accumulated, before I started saving them in an off-line text file�

Not yet finished; accumulating data.
� � from NY Time's Climate Forward newsletter.

� � from NY Time's Style Magazine (the answer to the title question is: No.)

Dave's review of Our Final Warning; specifically “Climate denialists will have to move inland just like everyone else that can, but will there be fresh water there?�

� The Economist on El Niño and ENSO. Specifically the , their , and their .

� From The Guardian:

� Bloomberg:

•Treehugger:

� See the first chart in this about heat waves: and contrast with the chart here, about sea ice:

� Why this book is misguided [probably —I haven't read it] and is even more true four years after Jonathan Franzen wrote it.
]]>
The Thursday Murder Club 54846475 Four septuagenarians with a few tricks up their sleeves
A female cop with her first big case
A brutal murder
Welcome to�
THE THURSDAY MURDER CLUB

In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves The Thursday Murder Club.

When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case.

As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?]]>
368 Richard Osman 1984880977 Richard 3
But not really a mystery novel, because too many facts the reader would need to attempt deductions weren't revealed until just before the author gave them, and then provided the reveal.

A nice way to waste a few hours, if that’s what you need.]]>
4.08 2020 The Thursday Murder Club
author: Richard Osman
name: Richard
average rating: 4.08
book published: 2020
rating: 3
read at: 2023/12/02
date added: 2023/12/12
shelves: ebook, fiction, mystery-and-detective
review:
Fun, and the characters were pleasant to spend time with.

But not really a mystery novel, because too many facts the reader would need to attempt deductions weren't revealed until just before the author gave them, and then provided the reveal.

A nice way to waste a few hours, if that’s what you need.
]]>
<![CDATA[The Seven Basic Plots: Why We Tell Stories]]> 114823
Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years.

This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.]]>
728 Christopher Booker 0826480373 Richard 4 Addendum: the New Yorker cartoonist implicitly argues there are only six basic plots.

Back to the regularly scheduled quasi-review�
� � � � � � � � � � �

All in all, there is some incredibly worthwhile information here. Too bad it’s overlong, and much worse: it shows a nasty writer at his opinionated nastiest.

But it looks like I never got around to constructing an actual review. So here are my notes. They'll have to do.

Recommendation:
◼︎ Read all of Section 1, containing descriptions of the seven basic plots in erudite detail.

◼︎ Skip to Chapters 21 through 24 of Section 3. These explore the “dark� and “sentimental� variations of the foregoing.

◼︎ Skim Chapters 26 and 27, wherein the author is revealed to be a sexist reactionary. Keep in mind that if one can enjoy the music of Frank Sinatra while ignoring the fact that he was a sexist jerk, one can read the balance of Booker's book with the same forbearance.

◼︎ Either read or skim Section 2, which explores commonalities of all the plot archetypes, including character archetypes. But it will probably feel pretty redundant.

◼︎ Finish with Chapters 28, 29, 25 and 30 in that order. The first two of those introduce and analyze two modern plot types; the third explores Thomas Hardy's psychological novels; the final goes into a fascinating analysis of Oedipus and Hamlet.

Some explicit details:

Section I: the seven basic plots are:
1) Overcoming the Monster (incl. subgenre “The Thrilling Escape From Death�);
2) Rags to Riches;
3) The Quest;
4) Voyage and Return;
5) Comedy (not necessarily funny!);
6) Tragedy; and
7) Rebirth.

Section II: what they all have in common: the character archetypes.

Section III: “Missing the Mark� discusses how the plot archetypes go awry.

First examines each of the plots in their “Dark� and “Sentimental� versions. In the “Dark� versions, the protagonist never achieves “enlightenment� in symbolic form due to an egoistic focus. In the “Sentimental� versions, the story and ending appear happy, but without ingredients necessary for archetypal closure. (Chapters 21 to 24).

Then to Thomas Hardy (Ch. 25), documenting how his oeuvre shifted from “light� to “dark� in parallel with his increasingly frustrating and dysfunctional personal life.

p. 382: “[George:] Lucas drew on the knowledge of Joseph Campbell ... in an effort to ensure that his story matched up as faithfully as possible to their archetypal patterns and imagery. [...:] But however carefully Lucas tried to shape his script around these archetypal ground rules ... it had not got the pattern right.�

Then the worst two chapters (26, 27), reeking of personal biases and opinions regarding nihilism, violence, sex and the appropriate roles for women.

First of three “modern� archetypes (mostly unseen in classic literature): (Ch. 28:) Rebellion against “The One� (except Job); then (Ch. 29:) The Mystery (actually diagnosed as usually a sentimental comedy with a hero unintegrated into the basic story).

Finally, best chapter of the book, on Oedipus and Hamlet.

Section IV: “Why we tell stories�, pretty boring, unless you want an examination of how religious texts can be perceived in archetypal patterns.

Ch. 27: points out many books and films pushed out the boundaries of what was acceptable in terms of sex and violence (e.g., Texas Chainsaw Massacre). But he conflates this with a fundamental shift in the center of gravity of story-telling, ignoring that many of these extreme works have a narrow public appeal and are not considered as having intrinsic lasting importance. Frankly, his reactionary rage (notable in his columns) is barely suppressed.

Ch. 27: Sexism. In discussing the movie Alien, he states “the basic plot is very similar to that of The Texas Chainsaw Massacre� (p. 486). He astonishingly ignores the fundamental distinction between mayhem performed by humans, acting as monsters, and that performed by actual monsters. The perverse horror of Chainsaw is in the very disturbing transformation of humans into monsters � even into a family of cooperating monsters. Being killed and “consumed� by the Alien is basically no worse than an attack by a shark, or a lion.

Also, he is quite sexist here. “The image of women was becoming de-feminised. No longer were the styles of women's clothing intended to express such traditional feminine attributes as grace, allure, prettiness, elegance: they were designed to be either, in a hard direct way, sexually provocative, or sexlessly businesslike.� [Frankly, I find Trinity in The Matrix (which he doesn't discuss) to be an paragon of grace, allure and elegance as well as sexually provocative.]

Apparently an archetypal hero must be masculine, and thus to portray a woman in heroic terms is a contradiction of the archetype. He sounds outraged: “There was now a premium in showing animus-driven women capable of competing with men and outperforming them in masculine terms. Female characters were expected to be show as just as clever and tough as men, mentally and physically.� His only saving grace is the uncertainty whether he believes (prescriptively) that women should properly behave only in a ladylike way, or whether he believes (descriptively) that the fundamental archetypes in our psyches are limited thus. I Dz’t think he ends up on the right side of that, though.

But, frankly, his chapters on the modern subversion of the archetypes display more irritation than admiration, and so we’re left with a sneaking suspicion that the author is a social reactionary, which also seems to be evident in his columns for the Telegraph.

Consider: the author makes a strong case that these plot archetypes are fundamental and universal (as, I understand, Jung had attempted to establish with personality archetypes?). But does this make them eternal and unchanging? And even if that is given, does it make them good and true? Many inheritances from our evolutionary past are dysfunctional; perhaps it is proper that we should rebel against aspects of these archetypes, especially those that are arbitrarily constraining. Booker doesn't perceive this possibility, implicitly treating any deviation from his perception of these rules as dysfunctional. Although he isn't consistent: The fact that the heroic Ripley in Alien is a woman he finds distressing; the fact that Oedipus marries and has children with his mother is brilliance. The distinction here is that Oedipus is punished for violating the norm, which Booker approves of, while Ripley is rewarded for being heroic. (I’d previously seen this as inconsistent, but belatedly recognized it’s all about the norms, whether they’re neurological or cultural.)

Ch. 31 (beginning of Part IV): “[If:] there is one thing we have seen emerging from the past few hundred pages it is the extent to which the stories told by even the greatest of them are not their own.� The stories told by Shakespeare, Dickens, Hugo � not their own? Because they have been influenced by ghostly skeletons of plots and characters in their subconscious? This is incredibly arrogant. Booker has spent so many decades in his labors that he can't see the forest for the trees.

Side note illuminating arrogance: fn. 3, p. 553: “Various attempts have been made in recent years to provide a scientific definition of the difference between human consciousness and that of other animals. A *fundamental flaw* in all of them lies in their failure to take account of the consequences arising from the split between ego and instinct�.� Booker � a journalist and author � apparently believes himself competent to evaluate and judge any effort, regardless of the expertise involved.

Minor annoyance: Q: does the quote attributed to Churchill belongs to Bernard Shaw? (p. 576)]]>
3.75 2004 The Seven Basic Plots: Why We Tell Stories
author: Christopher Booker
name: Richard
average rating: 3.75
book published: 2004
rating: 4
read at: 2009/04/10
date added: 2023/12/03
shelves: nonfiction, lit-crit-writing-bibliophile, on-writing
review:
Addendum: the New Yorker cartoonist implicitly argues there are only six basic plots.

Back to the regularly scheduled quasi-review�

� � � � � � � � � � �

All in all, there is some incredibly worthwhile information here. Too bad it’s overlong, and much worse: it shows a nasty writer at his opinionated nastiest.

But it looks like I never got around to constructing an actual review. So here are my notes. They'll have to do.

Recommendation:
◼︎ Read all of Section 1, containing descriptions of the seven basic plots in erudite detail.

◼︎ Skip to Chapters 21 through 24 of Section 3. These explore the “dark� and “sentimental� variations of the foregoing.

◼︎ Skim Chapters 26 and 27, wherein the author is revealed to be a sexist reactionary. Keep in mind that if one can enjoy the music of Frank Sinatra while ignoring the fact that he was a sexist jerk, one can read the balance of Booker's book with the same forbearance.

◼︎ Either read or skim Section 2, which explores commonalities of all the plot archetypes, including character archetypes. But it will probably feel pretty redundant.

◼︎ Finish with Chapters 28, 29, 25 and 30 in that order. The first two of those introduce and analyze two modern plot types; the third explores Thomas Hardy's psychological novels; the final goes into a fascinating analysis of Oedipus and Hamlet.

Some explicit details:

Section I: the seven basic plots are:
1) Overcoming the Monster (incl. subgenre “The Thrilling Escape From Death�);
2) Rags to Riches;
3) The Quest;
4) Voyage and Return;
5) Comedy (not necessarily funny!);
6) Tragedy; and
7) Rebirth.

Section II: what they all have in common: the character archetypes.

Section III: “Missing the Mark� discusses how the plot archetypes go awry.

First examines each of the plots in their “Dark� and “Sentimental� versions. In the “Dark� versions, the protagonist never achieves “enlightenment� in symbolic form due to an egoistic focus. In the “Sentimental� versions, the story and ending appear happy, but without ingredients necessary for archetypal closure. (Chapters 21 to 24).

Then to Thomas Hardy (Ch. 25), documenting how his oeuvre shifted from “light� to “dark� in parallel with his increasingly frustrating and dysfunctional personal life.

p. 382: “[George:] Lucas drew on the knowledge of Joseph Campbell ... in an effort to ensure that his story matched up as faithfully as possible to their archetypal patterns and imagery. [...:] But however carefully Lucas tried to shape his script around these archetypal ground rules ... it had not got the pattern right.�

Then the worst two chapters (26, 27), reeking of personal biases and opinions regarding nihilism, violence, sex and the appropriate roles for women.

First of three “modern� archetypes (mostly unseen in classic literature): (Ch. 28:) Rebellion against “The One� (except Job); then (Ch. 29:) The Mystery (actually diagnosed as usually a sentimental comedy with a hero unintegrated into the basic story).

Finally, best chapter of the book, on Oedipus and Hamlet.

Section IV: “Why we tell stories�, pretty boring, unless you want an examination of how religious texts can be perceived in archetypal patterns.

Ch. 27: points out many books and films pushed out the boundaries of what was acceptable in terms of sex and violence (e.g., Texas Chainsaw Massacre). But he conflates this with a fundamental shift in the center of gravity of story-telling, ignoring that many of these extreme works have a narrow public appeal and are not considered as having intrinsic lasting importance. Frankly, his reactionary rage (notable in his columns) is barely suppressed.

Ch. 27: Sexism. In discussing the movie Alien, he states “the basic plot is very similar to that of The Texas Chainsaw Massacre� (p. 486). He astonishingly ignores the fundamental distinction between mayhem performed by humans, acting as monsters, and that performed by actual monsters. The perverse horror of Chainsaw is in the very disturbing transformation of humans into monsters � even into a family of cooperating monsters. Being killed and “consumed� by the Alien is basically no worse than an attack by a shark, or a lion.

Also, he is quite sexist here. “The image of women was becoming de-feminised. No longer were the styles of women's clothing intended to express such traditional feminine attributes as grace, allure, prettiness, elegance: they were designed to be either, in a hard direct way, sexually provocative, or sexlessly businesslike.� [Frankly, I find Trinity in The Matrix (which he doesn't discuss) to be an paragon of grace, allure and elegance as well as sexually provocative.]

Apparently an archetypal hero must be masculine, and thus to portray a woman in heroic terms is a contradiction of the archetype. He sounds outraged: “There was now a premium in showing animus-driven women capable of competing with men and outperforming them in masculine terms. Female characters were expected to be show as just as clever and tough as men, mentally and physically.� His only saving grace is the uncertainty whether he believes (prescriptively) that women should properly behave only in a ladylike way, or whether he believes (descriptively) that the fundamental archetypes in our psyches are limited thus. I Dz’t think he ends up on the right side of that, though.

But, frankly, his chapters on the modern subversion of the archetypes display more irritation than admiration, and so we’re left with a sneaking suspicion that the author is a social reactionary, which also seems to be evident in his columns for the Telegraph.

Consider: the author makes a strong case that these plot archetypes are fundamental and universal (as, I understand, Jung had attempted to establish with personality archetypes?). But does this make them eternal and unchanging? And even if that is given, does it make them good and true? Many inheritances from our evolutionary past are dysfunctional; perhaps it is proper that we should rebel against aspects of these archetypes, especially those that are arbitrarily constraining. Booker doesn't perceive this possibility, implicitly treating any deviation from his perception of these rules as dysfunctional. Although he isn't consistent: The fact that the heroic Ripley in Alien is a woman he finds distressing; the fact that Oedipus marries and has children with his mother is brilliance. The distinction here is that Oedipus is punished for violating the norm, which Booker approves of, while Ripley is rewarded for being heroic. (I’d previously seen this as inconsistent, but belatedly recognized it’s all about the norms, whether they’re neurological or cultural.)

Ch. 31 (beginning of Part IV): “[If:] there is one thing we have seen emerging from the past few hundred pages it is the extent to which the stories told by even the greatest of them are not their own.� The stories told by Shakespeare, Dickens, Hugo � not their own? Because they have been influenced by ghostly skeletons of plots and characters in their subconscious? This is incredibly arrogant. Booker has spent so many decades in his labors that he can't see the forest for the trees.

Side note illuminating arrogance: fn. 3, p. 553: “Various attempts have been made in recent years to provide a scientific definition of the difference between human consciousness and that of other animals. A *fundamental flaw* in all of them lies in their failure to take account of the consequences arising from the split between ego and instinct�.� Booker � a journalist and author � apparently believes himself competent to evaluate and judge any effort, regardless of the expertise involved.

Minor annoyance: Q: does the quote attributed to Churchill belongs to Bernard Shaw? (p. 576)
]]>
<![CDATA[How to Read Literature Like a Professor]]> 39933 While many books can be enjoyed for their basic stories, there are often deeper meanings interwoven in these literary texts...

How to Read Literature Like a Professor helps us to discover those hidden truths by looking at literature with the eyes—and the literary codes—of the ultimate professional reader: the college professor.

What does it mean when a fictional hero takes a journey? Shares a meal? Gets drenched in a sudden rain shower? Often, there is much more going on in a novel or poem than is readily visible on the surface � a symbol, maybe, that remains elusive, or an unexpected twist on a character � and there's that sneaking suspicion that the deeper meaning of a literary text keeps escaping you.

In this practical and amusing guide to literature, Thomas C. Foster shows how easy and gratifying it is to unlock those hidden truths, and to discover a world where a road leads to a quest; a shared meal may signify a communion; and rain, whether cleansing or destructive, is never just rain. Ranging from major themes to literary models, narrative devices and form, How to Read Like a Professor is the perfect companion for making your reading experience more enriching, satisfying and fun.]]>
314 Thomas C. Foster 006000942X Richard 4
I think this is also a great crib sheet for any aspiring author who might want to explore this aspect of their craft at the side of a knowledgeable guide.]]>
3.57 2003 How to Read Literature Like a Professor
author: Thomas C. Foster
name: Richard
average rating: 3.57
book published: 2003
rating: 4
read at: 2018/08/20
date added: 2023/12/03
shelves: lit-crit-writing-bibliophile, on-writing
review:
Foster provides a nice introduction to the use of symbolism in literature. While I'm convinced that provides a lot of texture as well as much of the depth of the experience, I'm still mostly blind to it, which makes me sad.

I think this is also a great crib sheet for any aspiring author who might want to explore this aspect of their craft at the side of a knowledgeable guide.
]]>
<![CDATA[Emperor of Rome: Ruling the Ancient Roman World]]> 128747007
Emperor of Rome is not your usual chronological account of Roman rulers, such as the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? She tracks down the emperor at home, at the races, on his travels, even on his way to heaven. She introduces his wives and lovers, rivals and slaves, court jesters and soldiers―and the ordinary people who pressed begging letters into his hands.

Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before. 160 images; 16-page color insert]]>
493 Mary Beard 0871404222 Richard 0 to-read, history, nonfiction SPQR, and I have absolutely no recollection of doing so. ]]> 4.07 2023 Emperor of Rome: Ruling the Ancient Roman World
author: Mary Beard
name: Richard
average rating: 4.07
book published: 2023
rating: 0
read at:
date added: 2023/11/24
shelves: to-read, history, nonfiction
review:
Listening to Mary Beard on . Thinking “I have read some of her stuff, right?� and it appears I’ve only read SPQR, and I have absolutely no recollection of doing so.
]]>
<![CDATA[SPQR: A History of Ancient Rome]]> 25806629 607 Mary Beard 1631491253 Richard 4 ebook, history, nonfiction
If it weren’t for my notes, I wouldn’t believe it.]]>
4.17 2015 SPQR: A History of Ancient Rome
author: Mary Beard
name: Richard
average rating: 4.17
book published: 2015
rating: 4
read at: 2019/06/06
date added: 2023/11/24
shelves: ebook, history, nonfiction
review:
Wait, I read this?

If it weren’t for my notes, I wouldn’t believe it.
]]>
<![CDATA[Best New Horror 16 (The Mammoth Book of Best New Horror, #16)]]> 182542 This is the latest edition of the world's foremost annual showcase of horror and dark fantasy fiction. Here are some of the very best short stories and novellas by today's finest exponents of horror fiction—including Kim Newman, Neil Gaiman, Paul McAuley, Glen Hirshberg, Ramsey Campbell and Tanith Lee. The Mammoth Book of Best New Horror 16 also contains the most comprehensive overview of horror around the world during the year, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.

Contents:

Acknowledgements
Introduction: Horror in 2004 by Stephen Jones
Forbidden Brides of the Faceless Slaves in the Nameless House of the Night of Dread Desire by Neil Gaiman
Lilies by Iain Rowan
Breaking Up by Ramsey Campbell
"The King", in: Yellow by Brian Keene
A Trick of the Dark by Tina Rath
The Mutable Borders of Love by Leslie What
Flour White and Spindle Thin by L. H. Maynard and M. P. N. Sims
Tighter by Christa Faust
Restraint by Stephen Gallagher
Israbel by Tanith Lee
The Growlimb by Michael Shea
This Is Now by Michael Marshall Smith
Remnants by Tim Lebbon
Safety Clowns by Glen Hirshberg
The Devil of Delery Street by Poppy Z. Brite
Apocalypse Now, Voyager by Jay Russell
Stone Animals by Kelly Link
Soho Golem by Kim Newman
Spells for Halloween: An Acrostic by Dale Bailey
My Death by Lisa Tuttle
The Problem of Susan by Neil Gaiman
Necrology: 2004 (essay) by Stephen Jones and Kim Newman
Useful Addresses (essay) by Stephen Jones

]]>
512 Stephen Jones 0786716002 Richard 0 My Death after something in the NY Times (click through for my review of that). Then I read the Gaiman story, then the other Gaiman story, and now I think I take a look at them all. I Dz’t really like horror, but none are actually horrific or scary so far…]]> 3.80 2012 Best New Horror 16 (The Mammoth Book of Best New Horror, #16)
author: Stephen Jones
name: Richard
average rating: 3.80
book published: 2012
rating: 0
read at:
date added: 2023/11/24
shelves: currently-reading, fiction, ebook, short-story-or-stories
review:
Grabbed this to read the short story My Death after something in the NY Times (click through for my review of that). Then I read the Gaiman story, then the other Gaiman story, and now I think I take a look at them all. I Dz’t really like horror, but none are actually horrific or scary so far�
]]>
My Death 125053180 A widowed writer begins to work on a biography of a novelist and artist—and soon uncovers bizarre parallels between her life and her subject’s—in this chilling and singularly strange novella by a contemporary master of horror and fantasy.

The narrator of Lisa Tuttle’s uncanny novella is a recent widow, a writer adrift. Not only has she lost her husband but her muse seems to have deserted her altogether. Her agent summons her to Edinburgh to discuss her next book. What will she tell him? At once the answer comes to she will write the biography of Helen Ralston, best known, if at all, as the subject of W.E. Logan’s much-reproduced painting Circe, and the inspiration for his classic children’s book, Hermine in Cloud-Land.

But Ralston was a novelist and artist in her own right, though her writing is no longer in print and her mostradical painting, My Death, deemed too unsettling—malevolent even—to be shown in public. Over the months that follow, Ralston proves an astonishingly cooperative subject, even as her biographer uncovers eerie resonances between the older woman’shistory and her own. Whose biography is she writing—really?]]>
108 Lisa Tuttle 168137773X Richard 5 Lauren Elkin to recall it in a 2023 essay in the New York Times, “�. She made the story sound intriguing that I dug up a copy.

(I found it in the collection The Mammoth Book of Best New Horror 16 ; the story has just been reissued if you want a fancy copy � I’ve attached my review to that standalone book, not the collection.)

I definitely wouldn’t consider this a horror story. Well, perhaps for someone with an unstable sense of self or reality? Who is susceptible to suggestions of yet more ways that the world isn’t predictable? I mean, I guess if you have a lot of dissociative issues, maybe you should skip this one?

No, it was a thoughtful piece about a woman’s life being entangled with another woman’s, and in the end she receives a literal denouement —a partial unraveling of who she is.

The story is simple, but deep and chewy. Our protagonist, a middle-aged writer, had suddenly lost her love, and is now recovered enough to reenter life. Her thoughts are pleasant to live inside of as she reflects on this, and after accidentally (or is it?) stumbling on a painting, an image that had been central in her youth, she decides on a whim to delve deeper into the life of the artist’s model, herself a successful writer who had deeply impressed the narrator as a young woman.

I especially enjoyed the chat with her agent. Can you imagine having a colleague that supportive, that professional, that effusive about your abilities, ambitions, and dreams? Wow, what a thumbnail sketch of gently entitled life!

The story meanders through another encounter, and then some childhood reminiscence, growing gradually ever-so-slightly disturbing, accumulating subtle intrigue around the edges. The confusion of identities slowly creeps in. How is it that these two lives seem so connected, so eerily entwined?

The two women meet, and during the those interviews the questions multiply. In one conversation a quiet feminist aspect creeps in: “Why is it people are only interested in women because of their connections to some man, some famous man?� is a challenge from the older author to the younger one. Deep behind the story is the hint that the men in a woman’s life aren’t important, and what is worth examining are the connections from woman to woman. These two women’s lives are especially enmeshed, but our narrator hasn’t yet seen how deeply.

The question has been posed, and the conclusion comes gradually and then in a rush.

One reason this isn’t properly classified as “horror� is that the two � one? � characters affected by it Dz’t see it that way. Each struggles a bit, but accepts this new part of her identity like a hand-me-down piece of clothing, awkward at first, but worth keeping. And, perhaps, treasuring?

As a purely academic aside, this reminded me of the idea within Mothers and Others that a matrilocal and matrilineal period during human evolution may have crucial � in the best lives, perhaps men should be no more than interesting but secondary characters?]]>
3.95 2004 My Death
author: Lisa Tuttle
name: Richard
average rating: 3.95
book published: 2004
rating: 5
read at: 2023/10/25
date added: 2023/11/24
shelves: short-story-or-stories, fiction-literary, ebook
review:
This short story was written in 2004, but was memorable enough for the author Lauren Elkin to recall it in a 2023 essay in the New York Times, “�. She made the story sound intriguing that I dug up a copy.

(I found it in the collection The Mammoth Book of Best New Horror 16 ; the story has just been reissued if you want a fancy copy � I’ve attached my review to that standalone book, not the collection.)

I definitely wouldn’t consider this a horror story. Well, perhaps for someone with an unstable sense of self or reality? Who is susceptible to suggestions of yet more ways that the world isn’t predictable? I mean, I guess if you have a lot of dissociative issues, maybe you should skip this one?

No, it was a thoughtful piece about a woman’s life being entangled with another woman’s, and in the end she receives a literal denouement —a partial unraveling of who she is.

The story is simple, but deep and chewy. Our protagonist, a middle-aged writer, had suddenly lost her love, and is now recovered enough to reenter life. Her thoughts are pleasant to live inside of as she reflects on this, and after accidentally (or is it?) stumbling on a painting, an image that had been central in her youth, she decides on a whim to delve deeper into the life of the artist’s model, herself a successful writer who had deeply impressed the narrator as a young woman.

I especially enjoyed the chat with her agent. Can you imagine having a colleague that supportive, that professional, that effusive about your abilities, ambitions, and dreams? Wow, what a thumbnail sketch of gently entitled life!

The story meanders through another encounter, and then some childhood reminiscence, growing gradually ever-so-slightly disturbing, accumulating subtle intrigue around the edges. The confusion of identities slowly creeps in. How is it that these two lives seem so connected, so eerily entwined?

The two women meet, and during the those interviews the questions multiply. In one conversation a quiet feminist aspect creeps in: “Why is it people are only interested in women because of their connections to some man, some famous man?� is a challenge from the older author to the younger one. Deep behind the story is the hint that the men in a woman’s life aren’t important, and what is worth examining are the connections from woman to woman. These two women’s lives are especially enmeshed, but our narrator hasn’t yet seen how deeply.

The question has been posed, and the conclusion comes gradually and then in a rush.

One reason this isn’t properly classified as “horror� is that the two � one? � characters affected by it Dz’t see it that way. Each struggles a bit, but accepts this new part of her identity like a hand-me-down piece of clothing, awkward at first, but worth keeping. And, perhaps, treasuring?

As a purely academic aside, this reminded me of the idea within Mothers and Others that a matrilocal and matrilineal period during human evolution may have crucial � in the best lives, perhaps men should be no more than interesting but secondary characters?
]]>
<![CDATA[The Third Pig Detective Agency (The Third Pig Detective Agency, #1)]]> 9412581 Harry Pigg, the only surviving brother from the Big Bad Wolf attacks, has set up business as a private detective in Grimmtown, only things aren't going too well. Down on his luck, with bills to pay and no clients in sight, the outlook is poor. But then in walks local businessman Aladdin who needs someone to help him track down an old lamp. What follows isfar from an open-and-shut case.Funny, thrilling, and always entertaining, Harry Pigg is an old breed of hero for a new generation. Although written for older children, Harry Pigg will appeal to grown ups as well with plenty of in-jokes for all ages.

]]>
160 Bob Burke Richard 2
I feel a little bad about the two star; but the hover tag says that means "It was okay", and I can't quite summon the enthusiasm for the three-star "I liked it". It was mildly amusing, but only because I knew it was a very short book, so I put in the three or so hours to blast through.

When the first review mentioned “Jasper Fforde� I decided to give it a go. Nope nope nope. Yeah, we have transposition of various tropes to a new milieu, but nowhere near as clever. I’ve seen more creative thinking in a came of charades.]]>
3.41 2009 The Third Pig Detective Agency (The Third Pig Detective Agency, #1)
author: Bob Burke
name: Richard
average rating: 3.41
book published: 2009
rating: 2
read at: 2023/11/22
date added: 2023/11/22
shelves:
review:
This is a simple detective story that takes place, more or less, in childhood fables and stories.

I feel a little bad about the two star; but the hover tag says that means "It was okay", and I can't quite summon the enthusiasm for the three-star "I liked it". It was mildly amusing, but only because I knew it was a very short book, so I put in the three or so hours to blast through.

When the first review mentioned “Jasper Fforde� I decided to give it a go. Nope nope nope. Yeah, we have transposition of various tropes to a new milieu, but nowhere near as clever. I’ve seen more creative thinking in a came of charades.
]]>
The Man in the High Castle 216363
This harrowing, Hugo Award-winning novel is the work that established Philip K. Dick as an innovator in science fiction while breaking the barrier between science fiction and the serious novel of ideas. In it Dick offers a haunting vision of history as a nightmare from which it may just be possible to wake.]]>
259 Philip K. Dick 0679740678 Richard 5 idea of Philip K. Dick, but have to admit that I haven’t read as much of his work as I might like. After all, he is a difficult author, so it is easier to enjoy his works in the adaptations of others. I have read some though and, based on that, The Man in the High Castle is the best I’ve read yet.

Dick has several problems as an author. His drug use and chaotic lifestyle are widely accepted explanations for the slap-dash quality of some of his output. It does seem sometimes as if he just tossed ingredients together to bring in cash after a major party, perhaps, or to replenish his drug inventory.

But High Castle is certainly not one of those poorly put-together works. He claims it was laboriously assembled by asking the i ching question after question, thousands of them. I discount that: even if true, the artistry comes from the author, since he must have asked his oracle some incredibly creative questions.

The primary difficulty that remains here is that Dick has trouble creating coherently emotional people. His characters are strangely affectless; when life is dealing them astonishingly odd or tragic outcomes, they blandly bemoan their fates without much passion, as if they were spectators in their own lives. If you’ve only seen the adaptations, you’ll have missed that. Only Keanu Reeves (in ) seemed to have that PDK stamp of bloodless authenticity, but I suspect that’s just Keanu.

But here in High Castle, that flaw is less in evidence because the nature of the story calls for many people to suppress their emotions. This comes from three factors. The story takes place twenty years after the United States has lost World War II, and most of the action is located in San Francisco, which is in the Japanese-controlled Pacific States of America. Since the “white� people are second-class citizens, they kowtow to the Japanese and keep their behavior and words under tight control. Furthermore, several key characters are involved in diplomatic work, which also calls for careful self-control. Finally, the ruling Japanese culture is depicted as very emotionally restrained, in which the display of emotion is considered distasteful. That aspect of Japanese life is also taken as a pattern for the subject people of the PSA, so people tend to be like the Japanese in this to the extent they are acceptable and successful.

So Dick’s major storytelling flaw only really affects a few characters, and two of those have some serious emotional difficulties anyway.

Enough about why High Castle isn’t bad —how is it good?

What Dick is famous for is coming up with ideas that no one else does, and specifically ideas that are imbued with a philosophical conundrum. In Do Androids Dream of Electric Sheep? , the question is what it means to be human. If ever-more sophisticated androids can pass as humans, are they human? What precisely is required to be considered human? For a police detective who’s job is to hunt them down and “retire� them, this becomes a very personalized dilemma.

In Flow My Tears, the Policeman Said the problem of identity is personalized: if everyone around you forgets who you are, then what is left? If so much of our identity is embedded in what others believe and know about us, then what resides inside ourselves?

The most obvious “puzzle� in High Castle is the counter-factual story � the Axis powers winning World War II � and the role of the i ching. To me, neither of these fits the pattern of a classic PDK philosophical dilemma. So where is it?

I think it is better hidden and more subtle here, and deals with the relationship of the individual to their social collective. Dick paints the Germans, Japanese and Americans with broad strokes, but then places those cultures in opposition to one another and explores how that societal conflict plays out in individual lives, in individual actions.

Fairly early in the book, one of the major actors tries to analyze the German racial character. Later, the various factions within the German political world are identified, but at this point he tears into the German “race�. And he, Lotze, is playing games with his identity � is he Swedish? Jewish? German? Some of that is left unresolved to the very end. When told that, as a Swede, he is just like the Germans, he ponders.
�  Am I racially kin to this man? Baynes wondered. So closely so that for all intents and purposes it is the same? Then it is in me, too, the psychotic streak. A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And—how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses . . . what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse, the truth�?
�  But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it?
�  He thought, It is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn’t it. I Dz’t know; I sense it, intuit it. But—they are purposely cruel . . . is that it? No. God, he thought. I can’t find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.
�  Their view; it is cosmic. Not of a man here, a child there, but an abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor: the abstract is real, the actual is invisible to them. Die Güte, but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick. The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel of life turns for all life. It is all temporary. And they—these madmen—respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.
�  And, he thought, I know why. They want to be the agents, not the victims, of history. They identify with God’s power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off.
He was getting a bit mystical at the end there, but this was a key passage for me. I’ve spent many hours wondering in a similar manner about the modern world, about how people can be so ideologically passionate that they miss how destructive they are, or want to be. The internal narrative is just right: that struggle to swing one’s focus around to what rings true, virtually debating with oneself. Anyway, his insight immediately called to mind George Lakoff’s Moral Politics: How Liberals and Conservatives Think and his examination of how foundational ideological premises can broadly sway entire cultures. [This also reminded me how disappointed and annoyed I remain with Lakoff � instead of pursuing these deep questions across many cultures and many times, he decided to turn into a partisan hack.]

I’m sure many would laugh at Baynes� characterization of the German rassischer Identität, and I won’t exactly defend it. But I felt the same way about Lakoff’s tremendous oversimplification of conservative and liberal ideology: even as he reduced these to an almost comical abstraction, he was zeroing on an approximation of some fundamental truth. Just as you might call someone as “basically pessimistic person�, I think it is justifiable to find similar “basic� traits about social groups.

Dick uses those basic cultural truths in High Castle as marionette strings, inexorably tugging his characters around. And, in one case, showing how dislocated someone’s psyche can become when they are forced to act outside the bounds of that culture.

And we must be similarly affected. What are the “truths� our culture has imposed on us? The United States is big enough that different subcultures seem to be in almost diametric opposition. When our ideologies become destructive, are we are insane as Baynes decided the Nazis were? It is easy to see the lies others tell themselves, but... well: “And why beholdest thou the mote that is in thy brother's eye, but considerest not the beam that is in thine own eye?� Knowing how difficult that is, are we as doomed as the Nazis were? As the Soviets were?

With the best of literature, we find reflections of ourselves and our own times. This is Dick’s strength: even though his stories are often poorly written, the bones of those stories pose questions that are timeless.

Where does the individual end, and the collective begin?

Do we have free will?

What does it mean to be human?

� � � � � � � � � � � � � � � � � � � � � � � � � � �

This was the SciFi selection for the ŷ for the month of May 2010. Visit to see all of the discussions, group member reviews, etc.

A useful map of the world in the context of the book:]]>
3.64 1962 The Man in the High Castle
author: Philip K. Dick
name: Richard
average rating: 3.64
book published: 1962
rating: 5
read at: 2010/10/11
date added: 2023/11/08
shelves: scifi, bookclub, classic, california, san-francisco, read-these-reviews-first, top-ten, fiction, film-adaptation, award-hugo
review:
I’ve always enjoyed the idea of Philip K. Dick, but have to admit that I haven’t read as much of his work as I might like. After all, he is a difficult author, so it is easier to enjoy his works in the adaptations of others. I have read some though and, based on that, The Man in the High Castle is the best I’ve read yet.

Dick has several problems as an author. His drug use and chaotic lifestyle are widely accepted explanations for the slap-dash quality of some of his output. It does seem sometimes as if he just tossed ingredients together to bring in cash after a major party, perhaps, or to replenish his drug inventory.

But High Castle is certainly not one of those poorly put-together works. He claims it was laboriously assembled by asking the i ching question after question, thousands of them. I discount that: even if true, the artistry comes from the author, since he must have asked his oracle some incredibly creative questions.

The primary difficulty that remains here is that Dick has trouble creating coherently emotional people. His characters are strangely affectless; when life is dealing them astonishingly odd or tragic outcomes, they blandly bemoan their fates without much passion, as if they were spectators in their own lives. If you’ve only seen the adaptations, you’ll have missed that. Only Keanu Reeves (in ) seemed to have that PDK stamp of bloodless authenticity, but I suspect that’s just Keanu.

But here in High Castle, that flaw is less in evidence because the nature of the story calls for many people to suppress their emotions. This comes from three factors. The story takes place twenty years after the United States has lost World War II, and most of the action is located in San Francisco, which is in the Japanese-controlled Pacific States of America. Since the “white� people are second-class citizens, they kowtow to the Japanese and keep their behavior and words under tight control. Furthermore, several key characters are involved in diplomatic work, which also calls for careful self-control. Finally, the ruling Japanese culture is depicted as very emotionally restrained, in which the display of emotion is considered distasteful. That aspect of Japanese life is also taken as a pattern for the subject people of the PSA, so people tend to be like the Japanese in this to the extent they are acceptable and successful.

So Dick’s major storytelling flaw only really affects a few characters, and two of those have some serious emotional difficulties anyway.

Enough about why High Castle isn’t bad —how is it good?

What Dick is famous for is coming up with ideas that no one else does, and specifically ideas that are imbued with a philosophical conundrum. In Do Androids Dream of Electric Sheep? , the question is what it means to be human. If ever-more sophisticated androids can pass as humans, are they human? What precisely is required to be considered human? For a police detective who’s job is to hunt them down and “retire� them, this becomes a very personalized dilemma.

In Flow My Tears, the Policeman Said the problem of identity is personalized: if everyone around you forgets who you are, then what is left? If so much of our identity is embedded in what others believe and know about us, then what resides inside ourselves?

The most obvious “puzzle� in High Castle is the counter-factual story � the Axis powers winning World War II � and the role of the i ching. To me, neither of these fits the pattern of a classic PDK philosophical dilemma. So where is it?

I think it is better hidden and more subtle here, and deals with the relationship of the individual to their social collective. Dick paints the Germans, Japanese and Americans with broad strokes, but then places those cultures in opposition to one another and explores how that societal conflict plays out in individual lives, in individual actions.

Fairly early in the book, one of the major actors tries to analyze the German racial character. Later, the various factions within the German political world are identified, but at this point he tears into the German “race�. And he, Lotze, is playing games with his identity � is he Swedish? Jewish? German? Some of that is left unresolved to the very end. When told that, as a Swede, he is just like the Germans, he ponders.
�  Am I racially kin to this man? Baynes wondered. So closely so that for all intents and purposes it is the same? Then it is in me, too, the psychotic streak. A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And—how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses . . . what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse, the truth�?
�  But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it?
�  He thought, It is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn’t it. I Dz’t know; I sense it, intuit it. But—they are purposely cruel . . . is that it? No. God, he thought. I can’t find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.
�  Their view; it is cosmic. Not of a man here, a child there, but an abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor: the abstract is real, the actual is invisible to them. Die Güte, but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick. The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel of life turns for all life. It is all temporary. And they—these madmen—respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.
�  And, he thought, I know why. They want to be the agents, not the victims, of history. They identify with God’s power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off.
He was getting a bit mystical at the end there, but this was a key passage for me. I’ve spent many hours wondering in a similar manner about the modern world, about how people can be so ideologically passionate that they miss how destructive they are, or want to be. The internal narrative is just right: that struggle to swing one’s focus around to what rings true, virtually debating with oneself. Anyway, his insight immediately called to mind George Lakoff’s Moral Politics: How Liberals and Conservatives Think and his examination of how foundational ideological premises can broadly sway entire cultures. [This also reminded me how disappointed and annoyed I remain with Lakoff � instead of pursuing these deep questions across many cultures and many times, he decided to turn into a partisan hack.]

I’m sure many would laugh at Baynes� characterization of the German rassischer Identität, and I won’t exactly defend it. But I felt the same way about Lakoff’s tremendous oversimplification of conservative and liberal ideology: even as he reduced these to an almost comical abstraction, he was zeroing on an approximation of some fundamental truth. Just as you might call someone as “basically pessimistic person�, I think it is justifiable to find similar “basic� traits about social groups.

Dick uses those basic cultural truths in High Castle as marionette strings, inexorably tugging his characters around. And, in one case, showing how dislocated someone’s psyche can become when they are forced to act outside the bounds of that culture.

And we must be similarly affected. What are the “truths� our culture has imposed on us? The United States is big enough that different subcultures seem to be in almost diametric opposition. When our ideologies become destructive, are we are insane as Baynes decided the Nazis were? It is easy to see the lies others tell themselves, but... well: “And why beholdest thou the mote that is in thy brother's eye, but considerest not the beam that is in thine own eye?� Knowing how difficult that is, are we as doomed as the Nazis were? As the Soviets were?

With the best of literature, we find reflections of ourselves and our own times. This is Dick’s strength: even though his stories are often poorly written, the bones of those stories pose questions that are timeless.

Where does the individual end, and the collective begin?

Do we have free will?

What does it mean to be human?

� � � � � � � � � � � � � � � � � � � � � � � � � � �

This was the SciFi selection for the ŷ for the month of May 2010. Visit to see all of the discussions, group member reviews, etc.

A useful map of the world in the context of the book:
]]>
Heart of a Dog 29915482 ]]> 129 Mikhail Bulgakov 0802190030 Richard 2
I felt some of the same cultural bewilderment while reading The Master and Margarita but that was still so stunningly inventive and awesome that I more easily overlooked the occasional confusion.

Still, this was an amusing broad satire of humankind.

Listening inside the mind of a clever, suspicious, but desperate stray dog was a lot of fun, though.

]]>
4.13 1925 Heart of a Dog
author: Mikhail Bulgakov
name: Richard
average rating: 4.13
book published: 1925
rating: 2
read at: 2023/11/05
date added: 2023/11/08
shelves: fiction-literary, fiction, translation, ebook, bizarre
review:
A little too goofy for my taste, and without a lot more knowledge about the that Bulgakov was lampooning, quite a bit inevitably went over my head.

I felt some of the same cultural bewilderment while reading The Master and Margarita but that was still so stunningly inventive and awesome that I more easily overlooked the occasional confusion.

Still, this was an amusing broad satire of humankind.

Listening inside the mind of a clever, suspicious, but desperate stray dog was a lot of fun, though.


]]>
Six Days of the Condor 2579284 192 James Grady 0393086925 Richard 3 ebook, fiction, thriller
Good; not quite as good as the movie.

The movie’s ending was different several ways, one of those was very clever, and changes a lot.

Watch the movie; read the book.

Actually, read the book and then watch the movie.
I think it’ll be better that way.]]>
4.10 1974 Six Days of the Condor
author: James Grady
name: Richard
average rating: 4.10
book published: 1974
rating: 3
read at: 2023/10/23
date added: 2023/11/05
shelves: ebook, fiction, thriller
review:
I remember the movie quite fondly, so I decided to � finally � read the original book.

Good; not quite as good as the movie.

The movie’s ending was different several ways, one of those was very clever, and changes a lot.

Watch the movie; read the book.

Actually, read the book and then watch the movie.
I think it’ll be better that way.
]]>
The Shipping News 7354
A vigorous, darkly comic, and at times magical portrait of the contemporary American family, The Shipping News shows why E. Annie Proulx is recognized as one of the most gifted and original writers in America today.
(back cover)]]>
337 Annie Proulx 0743225422 Richard 4 fiction 3.88 1993 The Shipping News
author: Annie Proulx
name: Richard
average rating: 3.88
book published: 1993
rating: 4
read at:
date added: 2023/10/31
shelves: fiction
review:

]]>
<![CDATA[What You Are Looking for is in the Library]]> 123191812 For fans of Before the Coffee Gets Cold, a charming, internationally bestselling Japanese novel about how the perfect book recommendation can change a readers� life.

What are you looking for? So asks Tokyo’s most enigmatic librarian. For Sayuri Komachi is able to sense exactly what each visitor to her library is searching for and provide just the book recommendation to help them find it.

A restless retail assistant looks to gain new skills, a mother tries to overcome demotion at work after maternity leave, a conscientious accountant yearns to open an antique store, a recently retired salaryman searches for newfound purpose.

In Komachi’s unique book recommendations they will find just what they need to achieve their dreams. What You Are Looking For Is in the Library is about the magic of libraries and the discovery of connection. This inspirational tale shows how, by listening to our hearts, seizing opportunity and reaching out, we too can fulfill our lifelong dreams. Which book will you recommend?]]>
223 Michiko Aoyama Richard 4
This is a collection of slightly intertwined stories about individuals trying to find a better path in their life, and being nudged in a good direction by a .

Each found their way to a small library attached to a local community center, and met a mysterious librarian. The librarian is initially forbidding in appearance, but the seeker soon trusts her and is given a list of book recommendations, as well as a needle-felted animal. But critically, one of those book recommendations is a complete surprise, and turns out to be an oracular sign to reexamine their assumptions and their life.

Sadly, most libraries don't come with beneficent oracles.

Hard to recruit, I imagine, and difficult to budget for.

But the stories are sweet and pleasant, and overall we get a portrayal of a simple village life, with normal people finding a better life. Using a library as a bridge to a nicer future is welcome, if a bit overly optimistic.

A very quick and enjoyable book.]]>
4.23 2020 What You Are Looking for is in the Library
author: Michiko Aoyama
name: Richard
average rating: 4.23
book published: 2020
rating: 4
read at: 2023/10/22
date added: 2023/10/30
shelves: fiction, fiction-literary, translation
review:
A bit of magical realism, disguised as vanilla fiction.

This is a collection of slightly intertwined stories about individuals trying to find a better path in their life, and being nudged in a good direction by a .

Each found their way to a small library attached to a local community center, and met a mysterious librarian. The librarian is initially forbidding in appearance, but the seeker soon trusts her and is given a list of book recommendations, as well as a needle-felted animal. But critically, one of those book recommendations is a complete surprise, and turns out to be an oracular sign to reexamine their assumptions and their life.

Sadly, most libraries don't come with beneficent oracles.

Hard to recruit, I imagine, and difficult to budget for.

But the stories are sweet and pleasant, and overall we get a portrayal of a simple village life, with normal people finding a better life. Using a library as a bridge to a nicer future is welcome, if a bit overly optimistic.

A very quick and enjoyable book.
]]>
Lady Chatterley's Lover 49583709
With her soft brown hair, lithe figure and big, wondering eyes, Constance Chatterley is possessed of a certain vitality. Yet she is deeply unhappy; married to an invalid, she is almost as inwardly paralyzed as her husband Clifford is paralyzed below the waist. It is not until she finds refuge in the arms of Mellors the game-keeper, a solitary man of a class apart, that she feels regenerated. Together they move from an outer world of chaos towards an inner world of fulfillment.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust theseries to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-datetranslations by award-winning translators.]]>
400 D.H. Lawrence 014303961X Richard 0 3.48 1928 Lady Chatterley's Lover
author: D.H. Lawrence
name: Richard
average rating: 3.48
book published: 1928
rating: 0
read at:
date added: 2023/10/18
shelves: classic, fiction, adult, to-read
review:

]]>
<![CDATA[Evil: Inside Human Violence and Cruelty]]> 573611
Baumeister casts new light on these issues as he examines the gap between the victim's viewpoint and that of the perpetrator, and also the roots of evil behavior, from egotism and revenge to idealism and sadism. A fascinating study of one of humankind's oldest problems, Evil has profound implications for the way we conduct our lives and govern our society.]]>
431 Roy F. Baumeister 0716735679 Richard 0 The Happiness Hypothesis by Jonathan Haidt. In chapter four, “The Faults of Others�, Haidt explores hypocrisy as the result of our blindness to our own flaws and over-attention to those of others. One subheading is “The Myth of Pure Evil�, and Haidt draws extensively on Baumeister:
Baumeister is an extraordinary social psychologist, in part because in his search for truth he is unconcerned about political correctness. Sometimes evil falls out of a clear blue sky onto the head of an innocent victim, but most cases are much more complicated, and Baumeister is willing to violate the taboo against “blaming the victim� in order to understand what really happened.
Haidt doesn’t cite Hannah Arendt, whose Eichmann in Jerusalem: A Report on the Banality of Evil set the stage for the de-mythologizing of evil, but I suspect Baumeister explores her contribution.

� � � � � � � � � � � � �

While researching this book in relation to another matter, I googled that key phrase, “The Myth of Pure Evil�, and came across an excellent commentary on this book . A key paragraph points out that most of what any one person sees as “evil� is undoubtedly being done by other people who think that same action is “good�:
A natural bias towards empathy has resulted in an almost universal identification of evil from the victim’s perspective. This book produces many examples of events which if one sets out to be even-handed cease to appear intrinsically evil. Few if any perpetrators ever do an “evil� deed without good reason � from their viewpoint. Very, very few groups or individuals “name themselves in positive affirmation of evil � Most of them regard themselves as good people who are trying to defend themselves and their group against the forces of evil�.

One root of the startling discrepancy in people’s views of one another is that we are intrinsically a tribal species: we naturally cling to group identities and find it tragically easy to see “the other� as evil. So the next time you sit down to watch television and root for your favorite group of highly-paid professional athletes, employed by a profit-oriented corporation that has invoked a geographical location you are fond of, remember that people have historically killed each other —and called each other evil � for little more than the color of the uniforms and the name of their “team�.


The essayist also points out that, at least in America, the “popular paramilitary culture� is a factor in perpetuating and reinforcing this mythic view of evil. “In such depictions the ideal North American culture is pitched against a form of evil so pure that it can be conquered only by counterbalancing violence.�

When Reagan named the Soviet Union “the Evil Empire�, and George Bush named Iraq, Iran and North Korea as “the Axis of Evil�, he fed this myth. The Iranians aren’t people like you and me, wanting autonomy and international respect for the country they honor so deeply. No; they’re just evil. And if that’s true, then why not simply follow , “kill ‘em all and let God sort ‘em out�?

While that points to an important source of the recurring image of evil from the United States looking out at the rest of the world, what about the interior view? Well, just think of the imagery used by those who are “tough on crime�: Criminals are just evil. They aren’t like us. If you think they are, then you are apparently an agent of evil.

On a personal note, this is one source of personal dismay at popular entertainment. Far too much of it popularizes this myth of pure evil. (Including, sadly, even such wonderful stories as “Lord of the Rings�.) The Coen brothers, who I have revered since stumbling on “Blood Simple� when it first came out, committed this error in “No Country for Old Men� (although I suspect much of the blame belongs to the author of the novel, who certainly came across as misanthropic in The Road as well). The world they portrayed was starkly evil, much darker than the one we actually live in. As a horror story, it was gruesomely entertaining � and deservedly won those Oscars � but I’m sure people walked out of the theater a little more afraid of the strangers around them, a little less willing to trust in the basic goodness of human nature. A little more convinced in the myth, in the need to be “tough on crime�, and perhaps even to “stand tall� against others that aren’t like us, even if their differences are mostly superficial.
­ձ>
4.10 1996 Evil: Inside Human Violence and Cruelty
author: Roy F. Baumeister
name: Richard
average rating: 4.10
book published: 1996
rating: 0
read at:
date added: 2023/10/11
shelves: cognition, philosophy, social-political, really-deep-thinking, evil-and-ideology, to-read, read-these-reviews-first
review:
Strong recommendation from The Happiness Hypothesis by Jonathan Haidt. In chapter four, “The Faults of Others�, Haidt explores hypocrisy as the result of our blindness to our own flaws and over-attention to those of others. One subheading is “The Myth of Pure Evil�, and Haidt draws extensively on Baumeister:
Baumeister is an extraordinary social psychologist, in part because in his search for truth he is unconcerned about political correctness. Sometimes evil falls out of a clear blue sky onto the head of an innocent victim, but most cases are much more complicated, and Baumeister is willing to violate the taboo against “blaming the victim� in order to understand what really happened.
Haidt doesn’t cite Hannah Arendt, whose Eichmann in Jerusalem: A Report on the Banality of Evil set the stage for the de-mythologizing of evil, but I suspect Baumeister explores her contribution.

� � � � � � � � � � � � �

While researching this book in relation to another matter, I googled that key phrase, “The Myth of Pure Evil�, and came across an excellent commentary on this book . A key paragraph points out that most of what any one person sees as “evil� is undoubtedly being done by other people who think that same action is “good�:
A natural bias towards empathy has resulted in an almost universal identification of evil from the victim’s perspective. This book produces many examples of events which if one sets out to be even-handed cease to appear intrinsically evil. Few if any perpetrators ever do an “evil� deed without good reason � from their viewpoint. Very, very few groups or individuals “name themselves in positive affirmation of evil � Most of them regard themselves as good people who are trying to defend themselves and their group against the forces of evil�.

One root of the startling discrepancy in people’s views of one another is that we are intrinsically a tribal species: we naturally cling to group identities and find it tragically easy to see “the other� as evil. So the next time you sit down to watch television and root for your favorite group of highly-paid professional athletes, employed by a profit-oriented corporation that has invoked a geographical location you are fond of, remember that people have historically killed each other —and called each other evil � for little more than the color of the uniforms and the name of their “team�.


The essayist also points out that, at least in America, the “popular paramilitary culture� is a factor in perpetuating and reinforcing this mythic view of evil. “In such depictions the ideal North American culture is pitched against a form of evil so pure that it can be conquered only by counterbalancing violence.�

When Reagan named the Soviet Union “the Evil Empire�, and George Bush named Iraq, Iran and North Korea as “the Axis of Evil�, he fed this myth. The Iranians aren’t people like you and me, wanting autonomy and international respect for the country they honor so deeply. No; they’re just evil. And if that’s true, then why not simply follow , “kill ‘em all and let God sort ‘em out�?

While that points to an important source of the recurring image of evil from the United States looking out at the rest of the world, what about the interior view? Well, just think of the imagery used by those who are “tough on crime�: Criminals are just evil. They aren’t like us. If you think they are, then you are apparently an agent of evil.

On a personal note, this is one source of personal dismay at popular entertainment. Far too much of it popularizes this myth of pure evil. (Including, sadly, even such wonderful stories as “Lord of the Rings�.) The Coen brothers, who I have revered since stumbling on “Blood Simple� when it first came out, committed this error in “No Country for Old Men� (although I suspect much of the blame belongs to the author of the novel, who certainly came across as misanthropic in The Road as well). The world they portrayed was starkly evil, much darker than the one we actually live in. As a horror story, it was gruesomely entertaining � and deservedly won those Oscars � but I’m sure people walked out of the theater a little more afraid of the strangers around them, a little less willing to trust in the basic goodness of human nature. A little more convinced in the myth, in the need to be “tough on crime�, and perhaps even to “stand tall� against others that aren’t like us, even if their differences are mostly superficial.
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<![CDATA[Up and Down California in 1860-1864: The Journal of William H. Brewer]]> 44891418
These warmly affectionate letters, presented here in their entirety, describe the new state in all its spectacular beauty and paint a vivid picture of California in the mid-nineteenth century. This fourth edition includes a new foreword by William Bright (1500 California Place Names) and a set of maps tracing Brewer's route.

Available at the Internet Archive.]]>
628 William H. Brewer 0520342704 Richard 0 5.00 1930 Up and Down California in 1860-1864: The Journal of William H. Brewer
author: William H. Brewer
name: Richard
average rating: 5.00
book published: 1930
rating: 0
read at:
date added: 2023/09/25
shelves: currently-reading, ebook, california, nonfiction, outdoors-and-wilderness, history
review:

]]>
Nettle & Bone 56179377
Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning.

On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.]]>
243 T. Kingfisher 1250244048 Richard 5
Basically, we've got a not-exceptionally bright woman (the story starts with her as a girl, but the action takes place when she's about thirty � quite welcome, that lack of adolescence) who has decided to take on an impossible mission, and discovers quite to her surprise, that she appears to be up to the task, albeit only because she pulls in a motley crew of assistants.

Some great characters among those who assist her, which is the strong part of the story.

A few too many coincidences, perhaps, to qualify for perfection. The role that her hobby for weaving ultimately plays was a bit much, but I'm still happy to hand over five stars.

Definitely worth reading if you like fantasy.

Oh —oddly, it reminded me of Patricia A. McKillip’s Alphabet of Thorn. Which is quite strange, because I read that 14 years ago and really can’t remember any significant details. But looking at my minimal review, I can see how their might be some similarity.

HEY! If you like fantasy, please read these both and tell me how they compare. Both standalone fantasies written by women, featuring mostly protagonists who are women. You’re interested, right?]]>
4.07 2022 Nettle & Bone
author: T. Kingfisher
name: Richard
average rating: 4.07
book published: 2022
rating: 5
read at: 2023/09/22
date added: 2023/09/23
shelves: fantasy, fantasy-magic, ebook, at-axis360
review:
A simple story, so not life-changing or anything, but almost flawless.

Basically, we've got a not-exceptionally bright woman (the story starts with her as a girl, but the action takes place when she's about thirty � quite welcome, that lack of adolescence) who has decided to take on an impossible mission, and discovers quite to her surprise, that she appears to be up to the task, albeit only because she pulls in a motley crew of assistants.

Some great characters among those who assist her, which is the strong part of the story.

A few too many coincidences, perhaps, to qualify for perfection. The role that her hobby for weaving ultimately plays was a bit much, but I'm still happy to hand over five stars.

Definitely worth reading if you like fantasy.

Oh —oddly, it reminded me of Patricia A. McKillip’s Alphabet of Thorn. Which is quite strange, because I read that 14 years ago and really can’t remember any significant details. But looking at my minimal review, I can see how their might be some similarity.

HEY! If you like fantasy, please read these both and tell me how they compare. Both standalone fantasies written by women, featuring mostly protagonists who are women. You’re interested, right?
]]>