Godwin's story begins, "I think I first realized something was wrong when our next door neighbor, Oom Piet Oberholzer, was murdered. I must have been about five then. It was still five years before the real war would start." The Godwins enjoyed a typical genteel existence in 1960 rural Rhodesia, their household including a "garden boy," a "cook boy," and a nanny. Peter's father managed a wood- and sugarcane-processing plant. His mother, a rural government doctor, was often called to pronounce deaths or conduct autopsies, for which she brought along her "assistant," five-year-old Peter, who was responsible for shooing away the flies.

Godwin's plans for attending college were squashed when he was drafted into the Rhodesian army and assigned to the "Anti-Terrorist Unit," which proved to be an important experience in his life. When he later looked at himself, he saw a man "coursed through with anger and despair. It was the face of someone who would kill an unarmed civilian for withholding information." Disturbed by what he had become, Godwin left Rhodesia after he got out of the army, only to return in 1981 as a journalist. Rhodesia was now Zimbabwe, and the "terrorists" he had reluctantly fought against were now the country's rulers.

Godwin reported on theutterbrutalities in Zimbabwe and the fate of Matabeleland, a black minority region in Zimbabwe. He described the army style of interrogation, in which "before they even began to question you, they would break one wrist," and wrote about the old mines where bodies of the dead were buried. When Godwin's writings received worldwide attention, the Zimbabwean government tried to discredit him, and he received numerous death threats, escaping the country just hours before the police came looking for him.

Mukiwa is not only a memoir but also a compelling adventure story that tells a personal saga that needs to be heard.

Twenty excerpts from Mansfield’s correspondence address the craft of writing and her own views on her work, subjects rarely broached in her many letters.

"Criticism" includes eighteen essays that collectively suggest the changing emphases in how Mansfield has been read by critics. Contributors include fellow writers Rebecca West, T. S. Eliot, Katherine Anne Porter, V. S. Pritchett, Elizabeth Bowen, and Frank O�� Connor, as well as biographers Claire Tomalin and Vincent O’Sullivan, among others.

A Selected Bibliography is also included.

F. X. Toole breathes life into vivid, compelling characters who radiate the fierce intensity of the worlds they inhabit. In "The Monkey Look," an aging cut man with an incorrigible sweet tooth works the corner for Hoolie, a featherweight "bleeder" with attitude. "Black Jew" brings Reggie Valentine Love and his camp to a brutal elimination bout in Atlantic City, where they are treated like second-class citizens by a promoter. In "Million $$$ Baby," seasoned trainer Frankie Dunn faces the most daunting challenge of his life when he agrees to aid the fearless Maggie Fitzgerald in her quest to become a champion boxer. "Fightin' in Philly" and "Frozen Water" are stories in which youthful dreams of glory and celebrity are threatened by the harsh realities that suffuse both of these narratives. The novella "Rope Burns" is the crowning achievement of the collection, offering a gritty, heartrending account of the indestructible bond that develops between a devoted fighter and his trainer.

In Rope Burns F.X. bole exhibits the skill of a miniaturist: in precise and exquisite detail, he peoples a world rich in unforgettable characters, like Señora Cabrera, the owner of the Acapulco café, who makes low-fat refried beans to keep a local fighter in top form, and an anonymous museum guard with a soft spot for Michelangelo. Toole's faithful dialogue crackles and bites, and the flawed characters he creates cannot help but remind us of our own too fragile humanity. He brings a new understanding to the violence and purity of the sweet science and the world it engenders, opening a window into the fighter's soul that can never he closed.