Lewis was in the room with the A's top management as they spent the summer of 2002 adding and subtracting players and he provides outstanding play-by-play. In the June player draft, Beane acquired nearly every prospect he coveted (few of whom were coveted by other teams) and at the July trading deadline he engaged in a tense battle of nerves to acquire a lefty reliever. Besides being one of the most insider accounts ever written about baseball, Moneyball is populated with fascinating characters. We meet Jeremy Brown, an overweight college catcher who most teams project to be a 15th round draft pick (Beane takes him in the first). Sidearm pitcher Chad Bradford is plucked from the White Sox triple-A club to be a key set-up man and catcher Scott Hatteberg is rebuilt as a first baseman. But the most interesting character is Beane himself. A speedy athletic can't-miss prospect who somehow missed, Beane reinvents himself as a front-office guru, relying on players completely unlike, say, Billy Beane. Lewis, one of the top nonfiction writers of his era (Liar's Poker, The New New Thing), offers highly accessible explanations of baseball stats and his roadmap of Beane's economic approach makes Moneyball an appealing reading experience for business people and sports fans alike. --John Moe

Just friends. Just friends. JUST FRIENDS. If they repeat it enough, maybe it’ll be true . . .

Hazel knows she’s a lot to take � and frankly, most men aren’t up to the challenge. If her army of pets and taste for the absurd don’t send them running, her lack of filter and tendency to say exactly the wrong thing will. Their loss. Not everyone can handle a Hazel.

Josh has known Hazel since college. From the first night they met � when she gracelessly threw up on his shoes � to when she sent him an unintelligible email while in a post-surgical haze, Josh has always thought of Hazel more as a spectacle than a peer. But now, ten years later, after a cheating girlfriend has turned his life upside down, going out with Hazel is a breath of fresh air.

Not that Josh and Hazel date. At least, not each other. Because setting each other up on progressively terrible double blind dates means there’s nothing between them . . . right?

Longlisted for the 2019 Booker Prize and shortlisted for the Gordon Burn Prize, Girl, Woman, Other is a celebration of the diversity of Black British experience. Moving, hopeful, and inventive in its literary form, this extraordinary novel is a vivid portrait of the state of post-Brexit Britain that looks back to the legacy of Britain’s colonial history in Africa and the Caribbean.

The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, works hard to earn a degree from Oxford and becomes an investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. Other central characters include a nonbinary social media influencer, a 93-year-old woman living on a farm in Northern England, and a woman who retires to Barbados harboring a secret of sex and betrayal. Class, race, age, sexuality, and chance separate and connect this constellation of unforgettable characters, as Evaristo shows with great artistry how our worldview is inevitably shaped by our background and how we are all linked by the fabric of society.

Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative and fast-moving form that borrows from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that reminds us of everything that connects us to our neighbors, even in times when we are encouraged to be split apart.