Julie's bookshelf: all en-US Sat, 12 Oct 2024 12:41:13 -0700 60 Julie's bookshelf: all 144 41 /images/layout/goodreads_logo_144.jpg <![CDATA[Underground: A Human History of the Worlds Beneath Our Feet]]> 36701550 A panoramic investigation of the subterranean landscape, from sacred caves and derelict subway stations to nuclear bunkers and ancient underground cities—an exploration of the history, science, architecture, and mythology of the worlds beneath our feet.

When Will Hunt was sixteen years old, he discovered an abandoned tunnel that ran beneath his house in Providence, Rhode Island. His first tunnel trips inspired a lifelong fascination with exploring underground worlds, from the derelict subway stations and sewers of New York City to sacred caves, catacombs, tombs, bunkers, and ancient underground cities in more than twenty countries around the world. Underground is both a personal exploration of Hunt’s obsession and a panoramic study of how we are all connected to the underground, how caves and other dark hollows have frightened and enchanted us through the ages.

In a narrative spanning continents and epochs, Hunt follows a cast of subterraneaphiles who have dedicated themselves to investigating underground worlds. He tracks the origins of life with a team of NASA microbiologists a mile beneath the Black Hills, camps out for three days with urban explorers in the catacombs and sewers of Paris, descends with an Aboriginal family into a 35,000-year-old mine in the Australian outback, and glimpses a sacred sculpture molded by Paleolithic artists in the depths of a cave in the Pyrenees.

Each adventure is woven with findings in mythology and anthropology, natural history and neuroscience, literature and philosophy. In elegant and graceful prose, Hunt cures us of our “surface chauvinism,� opening our eyes to the planet’s hidden dimension. He reveals how the subterranean landscape gave shape to our most basic beliefs and guided how we think about ourselves as humans. At bottom, Underground is a meditation on the allure of darkness, the power of mystery, and our eternal desire to connect with what we cannot see.

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288 Will Hunt Julie 5 non-fiction
The author descends where few have or ever will to report back on what is down there. What he finds is strange and beautiful and mysterious. What he finds is our history and our religion. What he finds is each of us, whether we know it or not. For this reason, this book will resonate with everyone that reads it.

This book was structured wonderfully. It was a magical cocktail of adventure, history, mythology, art, anthropology, biology, and neuroscience.

The author tells us of his first descent into the underworld when a kid in Rhode Island. It was a moment akin to when eighth grade Bill Gates walked into his classroom to find a computer. Both the author and Gates were hooked by “it.�

What is going on down there has fascinated me ever since I read of Alice jumping down that rabbit hole. Her adventures still resonate with us in part because of the story and the language, but also because deep down inside, we are all fascinated with the world beneath our feet. And the more I read this book, the more I was hooked.

Though most of us feel like aliens when going underground, there is for some a feeling of coming home again. Even when that home is like a haunted house with spiders the size of chihuahuas.

After the author shares his first adventure under his childhood home in Rhode Island he moves on to underground adventures around the world.

His journey underground Paris was fascinating. Above ground are all these historic landmarks and below, just as fascinating, are elegant archways and ornate spiral staircases. Rooms underground have things like a sculpture akin to Michelangelo’s David, gargoyles, disco balls. In 2004, a movie theater was found adjacent to a bar, lounge, workshop and a small dining room.

When the author wrote of camping underground, it was hard to imagine how one could sleep under such conditions. The author described it like camping on the moon with no sounds, just miles of darkness where it’s always never o’clock.

When the author wrote of a man from 1818 named John Cleves Symmes who declared his intent to lead a voyage to the interior of the earth to prove that it was hollow and habitable, I couldn’t help but think of Alice in Wonderland. While in the end, Symmes was considered a loon who wasted his life chasing fairy tales of underground lands, before that he sparked the imagination of many. It seems likely it sparked the imagination of the man that sparked the world’s imagination, the author of Alice in Wonderland. There is little doubt that tales from the likes of Jules Verne, HG Welles, and Frank Baum were sparked from Symmes too.

When the author ventures into the mines of Australia, things got really weird with miners appeasing the lord of the underworld by gifts and sacrifices and making figures to symbolize him. It was strange. Yet it is also beautiful how the aboriginal people see their ancestors as very much part of their world. They honor them in a way that our culture rarely does.

There were a lot of cool photographs in this book, one in particular struck me. It’s of a hand on a cave, it seemed so strangely present. The hand mark had been created via red ochre blown over the hand. It made me think of the handprints I have hanging above my desk, nothing so sacred but from my childhood, my tiny hands on a red sheet of construction paper with fake white snow blown over them to leave my handprints red.

The book then jumps down the rabbit hole into the lives of burrowers. Those that start digging for a logical purpose and end up spending decades digging because something about being down there grabs them. And then the author wrote of underground castles and cities. It was just fascinating.

He also wrote of being lost and how that puts everything into question, including ones very nature. How being lost is a meditation you get up from and the world looks completely different. That is enlightenment. It also explains a lot of rituals which include being lost as part of transitioning into something or someone else.

I really liked mention of the graffiti artist who took more than 200 pages of his journal, or parts of those pages, and painted them all over, or rather under, the city. It spoke of ancient times as well as modern times. In reality, he hid them where hardly anyone will ever see them except those who are willing to venture into hidden away places. It was very punk rock.

The author then goes to look at ancient cave paintings. The entire chapter on underground art was seriously fascinating.

In the next chapter he wrote of the Jacques Cousteau of the underworld. Someone that lives in caves or underground for a time to test his reactions. The author then tried his own 24 hour experiment in darkness in a cave. Alongside this he wrote of our first studies of sensory depravation. Fascinating read all the way around.

For the last chapter, the author ventured to ancient Mayan grounds. It was fascinating to read about the Mayan’s making sacrifices in caves before they perished.

I know I keep using the word fascinating but the whole book seriously was just that.

In the end, the author makes the point that we as a people are obsessed with illumination, so much so we almost treat the unknown as criminal. When in truth, being lost in the dark is the only way we ever find ourselves. We so often forget there is beauty in what we cannot see or say.]]>
3.77 2019 Underground: A Human History of the Worlds Beneath Our Feet
author: Will Hunt
name: Julie
average rating: 3.77
book published: 2019
rating: 5
read at: 2019/06/12
date added: 2024/10/12
shelves: non-fiction
review:
This was a deeply profound book. It was also a love letter from the author to tunnels and caves and all else that lurks under our feet. The author is obsessed to put it mildly, but thank goodness because it’s only through obsessed people that we learn things.

The author descends where few have or ever will to report back on what is down there. What he finds is strange and beautiful and mysterious. What he finds is our history and our religion. What he finds is each of us, whether we know it or not. For this reason, this book will resonate with everyone that reads it.

This book was structured wonderfully. It was a magical cocktail of adventure, history, mythology, art, anthropology, biology, and neuroscience.

The author tells us of his first descent into the underworld when a kid in Rhode Island. It was a moment akin to when eighth grade Bill Gates walked into his classroom to find a computer. Both the author and Gates were hooked by “it.�

What is going on down there has fascinated me ever since I read of Alice jumping down that rabbit hole. Her adventures still resonate with us in part because of the story and the language, but also because deep down inside, we are all fascinated with the world beneath our feet. And the more I read this book, the more I was hooked.

Though most of us feel like aliens when going underground, there is for some a feeling of coming home again. Even when that home is like a haunted house with spiders the size of chihuahuas.

After the author shares his first adventure under his childhood home in Rhode Island he moves on to underground adventures around the world.

His journey underground Paris was fascinating. Above ground are all these historic landmarks and below, just as fascinating, are elegant archways and ornate spiral staircases. Rooms underground have things like a sculpture akin to Michelangelo’s David, gargoyles, disco balls. In 2004, a movie theater was found adjacent to a bar, lounge, workshop and a small dining room.

When the author wrote of camping underground, it was hard to imagine how one could sleep under such conditions. The author described it like camping on the moon with no sounds, just miles of darkness where it’s always never o’clock.

When the author wrote of a man from 1818 named John Cleves Symmes who declared his intent to lead a voyage to the interior of the earth to prove that it was hollow and habitable, I couldn’t help but think of Alice in Wonderland. While in the end, Symmes was considered a loon who wasted his life chasing fairy tales of underground lands, before that he sparked the imagination of many. It seems likely it sparked the imagination of the man that sparked the world’s imagination, the author of Alice in Wonderland. There is little doubt that tales from the likes of Jules Verne, HG Welles, and Frank Baum were sparked from Symmes too.

When the author ventures into the mines of Australia, things got really weird with miners appeasing the lord of the underworld by gifts and sacrifices and making figures to symbolize him. It was strange. Yet it is also beautiful how the aboriginal people see their ancestors as very much part of their world. They honor them in a way that our culture rarely does.

There were a lot of cool photographs in this book, one in particular struck me. It’s of a hand on a cave, it seemed so strangely present. The hand mark had been created via red ochre blown over the hand. It made me think of the handprints I have hanging above my desk, nothing so sacred but from my childhood, my tiny hands on a red sheet of construction paper with fake white snow blown over them to leave my handprints red.

The book then jumps down the rabbit hole into the lives of burrowers. Those that start digging for a logical purpose and end up spending decades digging because something about being down there grabs them. And then the author wrote of underground castles and cities. It was just fascinating.

He also wrote of being lost and how that puts everything into question, including ones very nature. How being lost is a meditation you get up from and the world looks completely different. That is enlightenment. It also explains a lot of rituals which include being lost as part of transitioning into something or someone else.

I really liked mention of the graffiti artist who took more than 200 pages of his journal, or parts of those pages, and painted them all over, or rather under, the city. It spoke of ancient times as well as modern times. In reality, he hid them where hardly anyone will ever see them except those who are willing to venture into hidden away places. It was very punk rock.

The author then goes to look at ancient cave paintings. The entire chapter on underground art was seriously fascinating.

In the next chapter he wrote of the Jacques Cousteau of the underworld. Someone that lives in caves or underground for a time to test his reactions. The author then tried his own 24 hour experiment in darkness in a cave. Alongside this he wrote of our first studies of sensory depravation. Fascinating read all the way around.

For the last chapter, the author ventured to ancient Mayan grounds. It was fascinating to read about the Mayan’s making sacrifices in caves before they perished.

I know I keep using the word fascinating but the whole book seriously was just that.

In the end, the author makes the point that we as a people are obsessed with illumination, so much so we almost treat the unknown as criminal. When in truth, being lost in the dark is the only way we ever find ourselves. We so often forget there is beauty in what we cannot see or say.
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<![CDATA[Around the World in Eighty Days]]> 54479 252 Jules Verne 014044906X Julie 0 to-read 3.95 1872 Around the World in Eighty Days
author: Jules Verne
name: Julie
average rating: 3.95
book published: 1872
rating: 0
read at:
date added: 2024/08/07
shelves: to-read
review:

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<![CDATA[The Kreutzer Sonata and Other Short Stories]]> 143465
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144 Leo Tolstoy Julie 0 to-read 3.95 2014 The Kreutzer Sonata and Other Short Stories
author: Leo Tolstoy
name: Julie
average rating: 3.95
book published: 2014
rating: 0
read at:
date added: 2024/08/07
shelves: to-read
review:

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<![CDATA[Death in Venice and Other Tales]]> 53064 384 Thomas Mann 0141181737 Julie 0 to-read 3.92 1911 Death in Venice and Other Tales
author: Thomas Mann
name: Julie
average rating: 3.92
book published: 1911
rating: 0
read at:
date added: 2024/08/07
shelves: to-read
review:

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<![CDATA[The Flowers of Evil & Paris Spleen (New American Translations)]]> 50502 489 Charles Baudelaire 0918526876 Julie 0 to-read 4.35 1857 The Flowers of Evil & Paris Spleen (New American Translations)
author: Charles Baudelaire
name: Julie
average rating: 4.35
book published: 1857
rating: 0
read at:
date added: 2024/08/04
shelves: to-read
review:

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Do Not Become Alarmed 33155774
When Liv and Nora decide to take their families on a holiday cruise, everyone is thrilled. The ship's comforts and possibilities seem infinite. The children - two eleven-year-olds, an eight-year-old, and a six-year-old—love the nonstop buffet and the independence they have at the Kids' Club. But when they all go ashore in beautiful Central America, a series of minor misfortunes leads the families farther and farther from the ship's safety. One minute the children are there, and the next they're gone.

What follows is a riveting, revealing story told from the perspectives of the adults and the children, as the once-happy parents - now turning on one another and blaming themselves - try to recover their children and their lives.

Celebrated for her ability to write vivid, spare, moving fiction, Maile Meloy shows how quickly the life we count on can fall away, and how a crisis changes everyone's priorities. The fast-paced, gripping plot of Do Not Become Alarmed carries with it an insightful, provocative examination of privilege, race, guilt, envy, the dilemmas of modern parenthood, and the challenge of living up to our own expectations.]]>
352 Maile Meloy 0735216525 Julie 4 fiction-current
There was an attempt by the author to add in some philosophical musings but they seemed out of place in a story that wasn't in the same league as the musings.

The set-up for the story seemed forced albeit believable.

It was a pleasant read but the characters never got fleshed out and the dialog at times seemed forced and quite often was interchangeable - meaning the main characters voices weren't unique.

The story may have worked better from its strongest part, the children's story. Perhaps structured from that starting point with some flashbacks that slowly unfolded might have worked if the characters were more fleshed out and there was a different setup on that front.

I don't want to nitpick as I know how hard it is to make the choices one needs to make to tell a story. It's not easy and everyone's a critic, so my intention isn't to bash the author. She wrote a book and got it published. That's not easy.

I will say that if you want an easy read for on the road that has some twists and turns without being cumbersome, this could be your cup of tea.]]>
3.40 2017 Do Not Become Alarmed
author: Maile Meloy
name: Julie
average rating: 3.40
book published: 2017
rating: 4
read at: 2017/10/31
date added: 2023/09/11
shelves: fiction-current
review:
This novel was just okay. It's terrifying to think about something like the tragedy in the story happening and the children's story is harrowing but it isn't supported by the rest of the novel.

There was an attempt by the author to add in some philosophical musings but they seemed out of place in a story that wasn't in the same league as the musings.

The set-up for the story seemed forced albeit believable.

It was a pleasant read but the characters never got fleshed out and the dialog at times seemed forced and quite often was interchangeable - meaning the main characters voices weren't unique.

The story may have worked better from its strongest part, the children's story. Perhaps structured from that starting point with some flashbacks that slowly unfolded might have worked if the characters were more fleshed out and there was a different setup on that front.

I don't want to nitpick as I know how hard it is to make the choices one needs to make to tell a story. It's not easy and everyone's a critic, so my intention isn't to bash the author. She wrote a book and got it published. That's not easy.

I will say that if you want an easy read for on the road that has some twists and turns without being cumbersome, this could be your cup of tea.
]]>
Oblomov 254308 586 Ivan Goncharov 1933480092 Julie 0 to-read 4.09 1859 Oblomov
author: Ivan Goncharov
name: Julie
average rating: 4.09
book published: 1859
rating: 0
read at:
date added: 2023/08/01
shelves: to-read
review:

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Between the Acts 46105 224 Virginia Woolf 015611870X Julie 5 3.65 1941 Between the Acts
author: Virginia Woolf
name: Julie
average rating: 3.65
book published: 1941
rating: 5
read at:
date added: 2023/07/31
shelves: on-the-shelf, fiction-classics
review:

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<![CDATA[The Voyage Out (The Virginia Woolf Library)]]> 148905 ]]> 375 Virginia Woolf 0156028050 Julie 4 3.77 1915 The Voyage Out (The Virginia Woolf Library)
author: Virginia Woolf
name: Julie
average rating: 3.77
book published: 1915
rating: 4
read at:
date added: 2023/07/27
shelves: on-the-shelf, fiction-classics
review:

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<![CDATA[Sex, Time, and Power: How Women's Sexuality Shaped Human Evolution]]> 100749 Homo sapiens suddenly emerge some 150,000 years ago? The key, according to Leonard Shlain, is female sexuality. Drawing on an awesome breadth of research, he shows how, long ago, the narrowness of the newly bipedal human female's pelvis and the increasing size of infants' heads precipitated a crisis for the species.

Natural selection allowed for the adaptation of the human female to this environmental stress by reconfiguring her hormonal cycles, entraining them with the periodicity of the moon. The results, however, did much more than ensure our existence; they imbued women with the concept of time, and gave them control over sex--a power that males sought to reclaim. And the possibility of achieving immortality through heirs drove men to construct patriarchal cultures that went on to dominate so much of human history.

From the nature of courtship to the evolution of language, Shlain's brilliant and wide-ranging exploration stimulates new ways of thinking about very old matters.

"A masterpiece of ideas and a unique contribution to our understanding of gender and history, sexuality and evolution."
-- Jean Houston

[Note: includes Reader's Guide]]]>
464 Leonard Shlain 0142004677 Julie 0 to-read 4.04 2003 Sex, Time, and Power: How Women's Sexuality Shaped Human Evolution
author: Leonard Shlain
name: Julie
average rating: 4.04
book published: 2003
rating: 0
read at:
date added: 2023/07/21
shelves: to-read
review:

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<![CDATA[Leonardo's Brain: The Split Hemispheric Roots of Creativity.]]> 6481082
Shlain theorizes that Leonardo’s extraordinary mind came from a uniquely developed and integrated right and left brain, and he offers a model for how we too can evolve. Using past and current research, Leonardo’s Brain presents da Vinci as the focal point for a fresh exploration of human creativity. With his lucid style and remarkable ability to discern connections among a wide range of fields, Shlain brings the reader into the world of history’s greatest mind.
Ěý


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Leonard Shlain Julie 0 to-read 5.00 2014 Leonardo's Brain: The Split Hemispheric Roots of Creativity.
author: Leonard Shlain
name: Julie
average rating: 5.00
book published: 2014
rating: 0
read at:
date added: 2023/07/21
shelves: to-read
review:

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Beyond Desire 1057236 Pierre la Mure 0871402068 Julie 0 to-read 3.77 1932 Beyond Desire
author: Pierre la Mure
name: Julie
average rating: 3.77
book published: 1932
rating: 0
read at:
date added: 2023/05/14
shelves: to-read
review:

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Station Eleven 20170404 An audacious, darkly glittering novel set in the eerie days of civilization’s collapse—the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.

Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end.

Twenty years later, Kirsten moves between the settlements of the altered world with a small troupe of actors and musicians. They call themselves The Traveling Symphony, and they have dedicated themselves to keeping the remnants of art and humanity alive. But when they arrive in St. Deborah by the Water, they encounter a violent prophet who will threaten the tiny band’s existence. And as the story takes off, moving back and forth in time, and vividly depicting life before and after the pandemic, the strange twist of fate that connects them all will be revealed.]]>
333 Emily St. John Mandel 0385353308 Julie 5 fiction-current
The first chapter grabbed me and then the last paragraph of the 2nd chapter grabbed me even more. I wondered what the hell was going on or about to happen. And then in chapter three, I found myself looking to see when this book was published. It was in 2014, not 2020 or after. If I had read this book in 2014, it would have hit me differently than in 2023. Dystopian novels all hit a little closer to home these days.

This novel starts with King Lear and ends with a Jay Gatsby vibe as a character looks at that green light from afar. It's even more poignant in this novel where the American dream is toe up.

In between the stellar beginning and brilliant ending is a novel packed with memorable characters and scenes set in the before times and after times.

There were so many scenes that I could see so intensely. For me, this usually means it will make an excellent movie or series.

Each character had a distinct vibe. There were no cookie-cutter characters or gratuitous scenes. I was seriously impressed by how the author fit all the pieces together.

There is something for everyone in this novel. I don't want to say much more because I want you to experience it as I did.]]>
4.05 2014 Station Eleven
author: Emily St. John Mandel
name: Julie
average rating: 4.05
book published: 2014
rating: 5
read at: 2023/01/09
date added: 2023/01/10
shelves: fiction-current
review:
Wow! There were a lot of storylines packed into around 300 pages. It felt more like a book of 600 pages. It was masterfully done!

The first chapter grabbed me and then the last paragraph of the 2nd chapter grabbed me even more. I wondered what the hell was going on or about to happen. And then in chapter three, I found myself looking to see when this book was published. It was in 2014, not 2020 or after. If I had read this book in 2014, it would have hit me differently than in 2023. Dystopian novels all hit a little closer to home these days.

This novel starts with King Lear and ends with a Jay Gatsby vibe as a character looks at that green light from afar. It's even more poignant in this novel where the American dream is toe up.

In between the stellar beginning and brilliant ending is a novel packed with memorable characters and scenes set in the before times and after times.

There were so many scenes that I could see so intensely. For me, this usually means it will make an excellent movie or series.

Each character had a distinct vibe. There were no cookie-cutter characters or gratuitous scenes. I was seriously impressed by how the author fit all the pieces together.

There is something for everyone in this novel. I don't want to say much more because I want you to experience it as I did.
]]>
<![CDATA[Olive, Again (Olive Kitteridge, #2)]]> 43984883 San Francisco Chronicle).ĚýTheĚýNew YorkerĚýhas said that Elizabeth Strout “animates the ordinary with an astonishing force,â€� and she has never done so more clearly than in these pages, where the iconic Olive struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine. Whether with a teenager coming to terms with the loss of her father, a young woman about to give birth during a hilariously inopportune moment, a nurse who confesses a secret high school crush, or a lawyer who struggles with an inheritance she does not want to accept, the unforgettable Olive will continue to startle us, to move us, and to inspireĚýus—in Strout’s words—“to bear the burden of the mystery with as much grace as we can.”]]> 289 Elizabeth Strout 0812996542 Julie 0 4.06 2019 Olive, Again (Olive Kitteridge, #2)
author: Elizabeth Strout
name: Julie
average rating: 4.06
book published: 2019
rating: 0
read at:
date added: 2023/01/09
shelves: currently-reading, fiction-current
review:

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<![CDATA[The Storyteller: Tales of Life and Music]]> 57648017
Having entertained the idea for years, and even offered a few questionable opportunities ("It's a piece of cake! Just do 4 hours of interviews, find someone else to write it, put your face on the cover, and voila!") I have decided to write these stories just as I have always done, in my own hand. The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child.

This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.]]>
384 Dave Grohl 0063076098 Julie 0 to-read 4.45 2021 The Storyteller: Tales of Life and Music
author: Dave Grohl
name: Julie
average rating: 4.45
book published: 2021
rating: 0
read at:
date added: 2023/01/03
shelves: to-read
review:

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Cloud Cuckoo Land 56783258 When everything is lost, it’s our stories that survive.

How do we weather the end of things? Cloud Cuckoo Land brings together an unforgettable cast of dreamers and outsiders from past, present and future to offer a vision of survival against all odds.

Constantinople, 1453:
An orphaned seamstress and a cursed boy with a love for animals risk everything on opposite sides of a city wall to protect the people they love.

Idaho, 2020:
An impoverished, idealistic kid seeks revenge on a world that’s crumbling around him. Can he go through with it when a gentle old man stands between him and his plans?

Unknown, Sometime in the Future:
With her tiny community in peril, Konstance is the last hope for the human race. To find a way forward, she must look to the oldest stories of all for guidance.

Bound together by a single ancient text, these tales interweave to form a tapestry of solace and resilience and a celebration of storytelling itself. Like its predecessor All the Light We Cannot See, Anthony Doerr’s new novel is a tale of hope and of profound human connection.]]>
626 Anthony Doerr 1982168439 Julie 5
Each story is a thread on a loom that, in the end, weaves a relatable and fantastical tale. As the author writes: That’s what the gods do; they spin threads that run through the fabric of our lives, all to make a song for generations to come.

I picked this up because I adored another of this author’s novels. I also quite like novels that tie together three different time periods.

At 600+ pages, it was a surprisingly fast read. I loved it until the last page. The ending was satisfying.

I didn’t find myself connecting with the characters at first. It sort of slowly crept up on me. Until that happened, I was happily enthralled with the story. It’s a page-turner.

None of the main protagonists were more critical than any of the others. No time period was more front and center than the others.

The way the author weaved the story together was masterful. The whole novel was a page-turner. It was a great read that was fun and poignant, and ethereal.

There were so many beautiful lines in this novel. Such as early on in the book when one character says to another that books are a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.

I loved that description.

The novel compares lost books to how people die. They die in fires, floods, in the mouths of worms, and by the whims of tyrants. If they are not safeguarded, they go out of the world. It’s like the memories of the author long gone die a second death.

This struck me hard. I feel the loss of life that we will never know about. Most people, including our ancestors, have their memories and hopes, and dreams, and often their names lost forever after they die. For most people that are alive today, this will be so. It will be like they never existed at all someday. That will be true for most of us.

That’s why I believe everyone should write the story of their parents. If everyone did that, future generations would have a much richer history to access. I think all family stories need to be recorded.

There were some great similes in this novel. I won’t list them here, but trust me.

I felt like I was diving deeper and deeper as I read. The connections in the layers that threaded through all the stories were fascinating. Some of them weren’t obvious at first, or maybe I wasn’t paying attention. But even if you read it for the adventure of it, you’ll love the ride. It was delicious.

I had no idea where the story would end up. Quite frankly, I didn’t care. It was all about the journey. It sounds cliche, but it was true for me. It just made me think of my ancestors and all that came before that brought me to this moment ~ perfect or not.

In a nutshell, one chapter heading said it all: What you already have is better than what you so desperately seek.

This novel is saying that the world as it is is enough. Also, the shadow side of life is always there. The paradoxes of life are always there, there is no beauty without the knowledge of ugliness and so on. A beautiful world is the same as the treacherous one this novel is saying.

I think I mentioned earlier that the ending was perfect. Everything gets wrapped up with the main characters. Read this novel. You will love it.

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4.24 2021 Cloud Cuckoo Land
author: Anthony Doerr
name: Julie
average rating: 4.24
book published: 2021
rating: 5
read at: 2023/01/01
date added: 2023/01/01
shelves: historical-fiction, sci-fi-fantasy
review:
Wow. This novel was excellent. If you are a book lover, you will dig it. It’s a story about stories and books, including lost stories. The novel covers centuries but, in the end fits it all together seamlessly. It touches on many themes including desiring what’s out there instead of appreciating what you have.

Each story is a thread on a loom that, in the end, weaves a relatable and fantastical tale. As the author writes: That’s what the gods do; they spin threads that run through the fabric of our lives, all to make a song for generations to come.

I picked this up because I adored another of this author’s novels. I also quite like novels that tie together three different time periods.

At 600+ pages, it was a surprisingly fast read. I loved it until the last page. The ending was satisfying.

I didn’t find myself connecting with the characters at first. It sort of slowly crept up on me. Until that happened, I was happily enthralled with the story. It’s a page-turner.

None of the main protagonists were more critical than any of the others. No time period was more front and center than the others.

The way the author weaved the story together was masterful. The whole novel was a page-turner. It was a great read that was fun and poignant, and ethereal.

There were so many beautiful lines in this novel. Such as early on in the book when one character says to another that books are a resting place for the memories of people who have lived before. A way for the memory to stay fixed after the soul has traveled on.

I loved that description.

The novel compares lost books to how people die. They die in fires, floods, in the mouths of worms, and by the whims of tyrants. If they are not safeguarded, they go out of the world. It’s like the memories of the author long gone die a second death.

This struck me hard. I feel the loss of life that we will never know about. Most people, including our ancestors, have their memories and hopes, and dreams, and often their names lost forever after they die. For most people that are alive today, this will be so. It will be like they never existed at all someday. That will be true for most of us.

That’s why I believe everyone should write the story of their parents. If everyone did that, future generations would have a much richer history to access. I think all family stories need to be recorded.

There were some great similes in this novel. I won’t list them here, but trust me.

I felt like I was diving deeper and deeper as I read. The connections in the layers that threaded through all the stories were fascinating. Some of them weren’t obvious at first, or maybe I wasn’t paying attention. But even if you read it for the adventure of it, you’ll love the ride. It was delicious.

I had no idea where the story would end up. Quite frankly, I didn’t care. It was all about the journey. It sounds cliche, but it was true for me. It just made me think of my ancestors and all that came before that brought me to this moment ~ perfect or not.

In a nutshell, one chapter heading said it all: What you already have is better than what you so desperately seek.

This novel is saying that the world as it is is enough. Also, the shadow side of life is always there. The paradoxes of life are always there, there is no beauty without the knowledge of ugliness and so on. A beautiful world is the same as the treacherous one this novel is saying.

I think I mentioned earlier that the ending was perfect. Everything gets wrapped up with the main characters. Read this novel. You will love it.


]]>
The Last Bookshop in London 53331577 Inspired by the true World War II history of the few bookshops to survive the Blitz, The Last Bookshop in London is a timeless story of wartime loss, love and the enduring power of literature.

August 1939: London prepares for war as Hitler’s forces sweep across Europe. Grace Bennett has always dreamed of moving to the city, but the bunkers and blackout curtains that she finds on her arrival were not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop nestled in the heart of London.

Through blackouts and air raids as the Blitz intensifies, Grace discovers the power of storytelling to unite her community in ways she never dreamed—a force that triumphs over even the darkest nights of the war.]]>
325 Madeline Martin 133528480X Julie 5 1940s, war
I instantly gravitated to the author’s prose ~ I was two paragraphs in and was grooving with the flow of her writing. That never changed for me.

At about 100 pages in, I found myself utterly jealous of the protagonist being able to work in that bookstore. I was way more into it than she was at first.

I’ve always loved books. And the thought of owning or running a bookstore is something I want to do someday. I like to think of it being something in the vein of ex-pat Sylvia Beach’s shop in Paris. Of course, I see someone like Hemingway coming in to borrow books. I imagine it to be a bookstore and lending library and publishing house and art gallery and art studio and theater with rescue dogs and cats to adopt and a kitchen to feed starving artists. I pitched this idea to Amazon, for their brick-and-mortar, but I haven’t heard back. However, it’s probably a bit much. I used to pitch toy ideas to Mattel as a kid. Very complex ideas. At least they got back to me. I got my first rejection letter at 4 years old I think.

This novel really gives you the feel of what it is like being a civilian in times of war or, rather when no one is allowed to be a civilian during times of war.

Someone like you or me, through circumstances of geography, is at risk of losing their life at any moment as a hostile foreign invader descends. I always find these tales more interesting than soldiers in battle. I guess maybe because it resonates with me more as just a normal human being going about her life.

It’s poignant to remember that there likely hasn’t been a moment since World War II that somewhere in the world, civilians have not had a war on their doorstep. It’s horrifying.

I loved seeing the birth of a talented reader. There is some truth to what the author of Jekyll and Hyde wrote long ago. There are people that love reading and people that don’t. And then there is that particular lot that has an exquisite talent at reading. And the protagonist in this novel has the latter. She was a late bloomer at it but better late than never.

I love the scene when everyone’s in a bomb shelter, and they ask the protagonist about the book she’s reading. It’s one of George Eliot’s and they ask her what it’s about and she just starts reading it aloud. It’s something so beautiful because it keeps their minds off of the Nazis bombing them at any moment.

There’s something about reading that moves me in a way that not much else does ~ except maybe writing. But I see them as the same thing. For me, it’s about seeing the world through different portals and then somehow seeing myself in those other characters.

Since my mom died, I haven’t been reading as much. I’m finally starting to get back into it. I realize how much I’ve missed it. I don’t think I’m me unless I’m reading a book or writing. In those moments are where I feel the most at home. It’s like watching ocean waves. There’s a realization of how big and small everything is. I see myself in all of it. I know that I’m part of it. I’m part of something so big and yet so small at the same time. I’m reminded of Lao Tzu and how I come from nothingness. I am in this world but not of it. And I think I realize that most when I’m reading or meditating or watching or listening to ocean waves or gazing upon my favorite naked trees. Yes, I do have favorites.

I love the moment in the story when the protagonist gets a new book delivered. She pauses for a moment and runs her finger over the book cover. Upon opening the book, the spine, not yet stretched, cracks open, like an ancient door, preparing to unveil a secret world. It’s so true that there is this metaphorical dipping of your toe into the unknown when you first open a book. It’s dangerous. It’s the unknown. It’s the abyss. It’s the void. It’s Wonderland.

There were so many moments to relish as the protagonist reads these books that I’ve read before - that I love. And the protagonist talks about cherishing the adventures that she went on through these pages, escaping from her daily life. Deeper still was her profound understanding of humanity; she lived in the minds of all these different characters. And she pointed to something that you understand when you’re an avid reader; for a writer as a reader, the essential tool is empathy and being able to live in the minds of other characters that are so different from you. Over time, you can’t help but become a more patient person, more accepting of others. Seeing others less as “the other� gives you a great appreciation of people from different walks of life and different situations. It really does make you think, as the author/protagonist alludes that perhaps there would not be such a thing as a war if more people had more empathy via reading. I know that seems a little out there, but is it?

There’s one scene when the protagonist sees the German planes above, and she sees a bomb dropping close to her, and she describes the silence before the bomb explodes. A more surreal moment probably has never been had in anybody’s life.

In one of the passages, she had seen some people die from a bombing. The next day at work she was in quite a state. Her boss, who had participated in World War I, said to her: you know, you never forget; it becomes a part of you like a scar no one can see.

I think the external scars are always easier. It may not seem like it because external scars are in your face, but internal scars get you. You never forget some things. Some things become a part of you. A part of you that you never escape. It becomes entombed in your heartbeat.

This novel, on the surface, is about books and bombs. It made me think of book burnings for some reason. The irony that the same people that love guns and patriotism and dogma are the first ones to burn books. They find more danger in ideas than bullets. More value in the latter than the former. The same as any fascist regime.

The irony is that everything we understand from history and human nature, of the heart, the mind, the soul ~ it’s all because someone wrote it down. Though, a lot of what is written throughout history was done to coerce or control. In history as in stories - a lot is left out to shape the narrative.

This novel was moving. As the owner of the bookstore said to the protagonist: you gave every part of yourself to help others. Not just with what she did with helping people that were being bombed late at night, but at the bookstore as she read to them. She saved lives out on the streets and souls through books.

The ending was brilliant. I cried. It was so beautiful

]]>
4.07 2021 The Last Bookshop in London
author: Madeline Martin
name: Julie
average rating: 4.07
book published: 2021
rating: 5
read at: 2022/12/28
date added: 2022/12/28
shelves: 1940s, war
review:
I loved this novel so much! It spoke to me on a soul level. It had an “It’s a Wonderful Life� vibe with a dash of “Life is Beautiful.� It will make a perfect film.

I instantly gravitated to the author’s prose ~ I was two paragraphs in and was grooving with the flow of her writing. That never changed for me.

At about 100 pages in, I found myself utterly jealous of the protagonist being able to work in that bookstore. I was way more into it than she was at first.

I’ve always loved books. And the thought of owning or running a bookstore is something I want to do someday. I like to think of it being something in the vein of ex-pat Sylvia Beach’s shop in Paris. Of course, I see someone like Hemingway coming in to borrow books. I imagine it to be a bookstore and lending library and publishing house and art gallery and art studio and theater with rescue dogs and cats to adopt and a kitchen to feed starving artists. I pitched this idea to Amazon, for their brick-and-mortar, but I haven’t heard back. However, it’s probably a bit much. I used to pitch toy ideas to Mattel as a kid. Very complex ideas. At least they got back to me. I got my first rejection letter at 4 years old I think.

This novel really gives you the feel of what it is like being a civilian in times of war or, rather when no one is allowed to be a civilian during times of war.

Someone like you or me, through circumstances of geography, is at risk of losing their life at any moment as a hostile foreign invader descends. I always find these tales more interesting than soldiers in battle. I guess maybe because it resonates with me more as just a normal human being going about her life.

It’s poignant to remember that there likely hasn’t been a moment since World War II that somewhere in the world, civilians have not had a war on their doorstep. It’s horrifying.

I loved seeing the birth of a talented reader. There is some truth to what the author of Jekyll and Hyde wrote long ago. There are people that love reading and people that don’t. And then there is that particular lot that has an exquisite talent at reading. And the protagonist in this novel has the latter. She was a late bloomer at it but better late than never.

I love the scene when everyone’s in a bomb shelter, and they ask the protagonist about the book she’s reading. It’s one of George Eliot’s and they ask her what it’s about and she just starts reading it aloud. It’s something so beautiful because it keeps their minds off of the Nazis bombing them at any moment.

There’s something about reading that moves me in a way that not much else does ~ except maybe writing. But I see them as the same thing. For me, it’s about seeing the world through different portals and then somehow seeing myself in those other characters.

Since my mom died, I haven’t been reading as much. I’m finally starting to get back into it. I realize how much I’ve missed it. I don’t think I’m me unless I’m reading a book or writing. In those moments are where I feel the most at home. It’s like watching ocean waves. There’s a realization of how big and small everything is. I see myself in all of it. I know that I’m part of it. I’m part of something so big and yet so small at the same time. I’m reminded of Lao Tzu and how I come from nothingness. I am in this world but not of it. And I think I realize that most when I’m reading or meditating or watching or listening to ocean waves or gazing upon my favorite naked trees. Yes, I do have favorites.

I love the moment in the story when the protagonist gets a new book delivered. She pauses for a moment and runs her finger over the book cover. Upon opening the book, the spine, not yet stretched, cracks open, like an ancient door, preparing to unveil a secret world. It’s so true that there is this metaphorical dipping of your toe into the unknown when you first open a book. It’s dangerous. It’s the unknown. It’s the abyss. It’s the void. It’s Wonderland.

There were so many moments to relish as the protagonist reads these books that I’ve read before - that I love. And the protagonist talks about cherishing the adventures that she went on through these pages, escaping from her daily life. Deeper still was her profound understanding of humanity; she lived in the minds of all these different characters. And she pointed to something that you understand when you’re an avid reader; for a writer as a reader, the essential tool is empathy and being able to live in the minds of other characters that are so different from you. Over time, you can’t help but become a more patient person, more accepting of others. Seeing others less as “the other� gives you a great appreciation of people from different walks of life and different situations. It really does make you think, as the author/protagonist alludes that perhaps there would not be such a thing as a war if more people had more empathy via reading. I know that seems a little out there, but is it?

There’s one scene when the protagonist sees the German planes above, and she sees a bomb dropping close to her, and she describes the silence before the bomb explodes. A more surreal moment probably has never been had in anybody’s life.

In one of the passages, she had seen some people die from a bombing. The next day at work she was in quite a state. Her boss, who had participated in World War I, said to her: you know, you never forget; it becomes a part of you like a scar no one can see.

I think the external scars are always easier. It may not seem like it because external scars are in your face, but internal scars get you. You never forget some things. Some things become a part of you. A part of you that you never escape. It becomes entombed in your heartbeat.

This novel, on the surface, is about books and bombs. It made me think of book burnings for some reason. The irony that the same people that love guns and patriotism and dogma are the first ones to burn books. They find more danger in ideas than bullets. More value in the latter than the former. The same as any fascist regime.

The irony is that everything we understand from history and human nature, of the heart, the mind, the soul ~ it’s all because someone wrote it down. Though, a lot of what is written throughout history was done to coerce or control. In history as in stories - a lot is left out to shape the narrative.

This novel was moving. As the owner of the bookstore said to the protagonist: you gave every part of yourself to help others. Not just with what she did with helping people that were being bombed late at night, but at the bookstore as she read to them. She saved lives out on the streets and souls through books.

The ending was brilliant. I cried. It was so beautiful


]]>
The Woman in the Library 56803179 In every person's story, there is something to hide...

The ornate reading room at the Boston Public Library is quiet, until the tranquility is shattered by a woman's terrified scream. Security guards take charge immediately, instructing everyone inside to stay put until the threat is identified and contained. While they wait for the all-clear, four strangers, who'd happened to sit at the same table, pass the time in conversation and friendships are struck. Each has his or her own reasons for being in the reading room that morning—it just happens that one is a murderer.

Award-winning author Sulari Gentill delivers a sharply thrilling read with The Woman in the Library, an unexpectedly twisty literary adventure that examines the complicated nature of friendship and shows us that words can be the most treacherous weapons of all.]]>
292 Sulari Gentill Julie 4 mystery
I appreciated the structure of this novel. I especially liked the parallel layer of the writer writing the novel and the story in the book. There are a lot of layers to this story. Don’t be fooled by what a fun and easy read it is.

What drew me to this book was the title. I love any story involving literature, libraries, and writers.

It’s a whodunnit tale. It focuses on the chance encounter of four strangers that meet in a library after hearing a woman scream. The murder that follows bonds them into friendship and romantic liaisons.

The novel starts with the protagonist telling us that this was when she became friends with a murderer. As we read on, it’s not front and center but always lurking in the background that one of them is a murderer. But since they were all together when they heard the scream, it wasn’t obvious.

I enjoyed how the new foursome teams up to solve the crime. My journalistic bent enjoys trying to fit the puzzle pieces of human nature together. It’s always interesting that the lies someone tells you are more revealing than the truth.

The premise of four strangers bonding over something traumatic is a believable setup. It makes one wonder why we are less likely to talk, much less bond with strangers under less adverse conditions.

The world this author has created is very inviting despite all the mayhem. There is also romance in this story - as the author jokes in the novel that every genre is a romance novel in disguise. I instantly rejected this notion. Upon further investigation, I found that most stories do have requited or unrequited love in the mix. Often both because that’s how it goes.

If you like mystery novels, you’ll enjoy this one.
]]>
3.46 2022 The Woman in the Library
author: Sulari Gentill
name: Julie
average rating: 3.46
book published: 2022
rating: 4
read at: 2022/12/27
date added: 2022/12/27
shelves: mystery
review:
This novel will keep you guessing until the very end. I usually see the ending by the time I’m two-thirds of the way in but not this time. This novel was an enjoyable read that kept me guessing.

I appreciated the structure of this novel. I especially liked the parallel layer of the writer writing the novel and the story in the book. There are a lot of layers to this story. Don’t be fooled by what a fun and easy read it is.

What drew me to this book was the title. I love any story involving literature, libraries, and writers.

It’s a whodunnit tale. It focuses on the chance encounter of four strangers that meet in a library after hearing a woman scream. The murder that follows bonds them into friendship and romantic liaisons.

The novel starts with the protagonist telling us that this was when she became friends with a murderer. As we read on, it’s not front and center but always lurking in the background that one of them is a murderer. But since they were all together when they heard the scream, it wasn’t obvious.

I enjoyed how the new foursome teams up to solve the crime. My journalistic bent enjoys trying to fit the puzzle pieces of human nature together. It’s always interesting that the lies someone tells you are more revealing than the truth.

The premise of four strangers bonding over something traumatic is a believable setup. It makes one wonder why we are less likely to talk, much less bond with strangers under less adverse conditions.

The world this author has created is very inviting despite all the mayhem. There is also romance in this story - as the author jokes in the novel that every genre is a romance novel in disguise. I instantly rejected this notion. Upon further investigation, I found that most stories do have requited or unrequited love in the mix. Often both because that’s how it goes.

If you like mystery novels, you’ll enjoy this one.

]]>
The Woman in the Wardrobe 48767927 Mystery crime fiction written in the Golden Age of Murder

"Better and better!" cried Verity, chuckling and rubbing his hands. "A corpse in a blood-soaked room; a locked door and a locked window; a masked man; a beautiful girl trussed inside a wardrobe; and now a pretender to the throne! This is superb!"

The little Sussex town of Amnestie had not known a death so bloody since the fifteenth century. And certainly none more baffling--to all except Mr Verity. From the moment he appears this bearded giant--ruthless inquirer, devastating wit and enthusiastic collector of the best sculpture--has matters firmly (if fantastically) under control. Things are certainly complicated, but this is hardly enough to deter Mr Verity. As he himself observes: "when the number of suspects is continually increasing, and the number of corpses remains constant, you get a sort of inflation. The value of your individual suspect becomes hopelessly depreciated. That, for the real detective, is a state of paradise."]]>
270 Peter Antony 1464214123 Julie 0 mystery, to-read 3.55 1951 The Woman in the Wardrobe
author: Peter Antony
name: Julie
average rating: 3.55
book published: 1951
rating: 0
read at:
date added: 2022/12/27
shelves: mystery, to-read
review:

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<![CDATA[Le feu follet suivi de Adieu Ă  Gonzague]]> 672725 192 Pierre Drieu la Rochelle 2070361527 Julie 0 to-read, fiction-classics 3.73 1931 Le feu follet suivi de Adieu Ă  Gonzague
author: Pierre Drieu la Rochelle
name: Julie
average rating: 3.73
book published: 1931
rating: 0
read at:
date added: 2022/08/15
shelves: to-read, fiction-classics
review:

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India Song 20423 146 Marguerite Duras 0802131352 Julie 0 to-read, fiction-classics 3.58 1965 India Song
author: Marguerite Duras
name: Julie
average rating: 3.58
book published: 1965
rating: 0
read at:
date added: 2022/06/03
shelves: to-read, fiction-classics
review:

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City of Girls 51918871
Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.

In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.

Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.]]>
470 Elizabeth Gilbert 1594634742 Julie 5
I also love biography and epistolary novels and ones about women in different time periods. This novel hit all these marks. I also love well-researched novels that make the locales sizzle and have a real pulse. The author nailed all of this.

Of course, the most important part of any novel are the characters. Every damn character, minor or major, jumped off the page in this novel. They were three-dimensional and then some.

The way the story was told was wonderful. The introduction hooked me. And then the story was off to the races ~ full speed ahead!

In some ways, it’s a very feminist novel in that it doesn’t hold up only one option of a way to be a woman in the world. I like how the protagonist organically found her way in the world and lived the life that suited her instead of “fitting in.� I can relate.

As you read this novel, you really feel the gentle tendrils that connect all of us in this life. They are so strong, yet so fragile. We often don’t see them until the end of our lives. That the protagonist is telling us her story in her 90s makes it have more weight. One can always look back on ones life with more honesty and clarity the longer the road has been. Also with more empathy. All those missteps can sometimes, oftentimes, be our greatest gifts. And the love, so much love we miss or deny or push away along the way comes flooding back in the end. It was always there, we are so often just too something or other to see it and really feel it.

This was a lively and entertainingly breezy book to read. I read it in a couple days and it’s almost 500 pages (and I was busy those two days). So, I guess you could say I couldn’t put it down. This novel had many poignant moments and some smart things for all of us to ponder.

The novel had a familiar structure, but it was also entirely unique in the telling. Some of the characters were just delicious. I find myself having just finished the novel wishing I had met some of them, but realizing they are probably all dead. That’s the thing about a skilled author, the characters feel real.

I guess you could say I was swept off my feet by this story. And I truly wasn’t expecting it.]]>
4.01 2019 City of Girls
author: Elizabeth Gilbert
name: Julie
average rating: 4.01
book published: 2019
rating: 5
read at: 2020/08/30
date added: 2022/05/01
shelves: 1940s, fiction-current, feminist
review:
Holy shit, I enjoyed the ride of this book. First off, I love most any story set between the years of 1870-1950. Don’t ask me why, I just find these decades fascinating. I’m pretty sure I wouldn’t have fit in but maybe that’s the charm for me. I don’t really fit into my own decades either.

I also love biography and epistolary novels and ones about women in different time periods. This novel hit all these marks. I also love well-researched novels that make the locales sizzle and have a real pulse. The author nailed all of this.

Of course, the most important part of any novel are the characters. Every damn character, minor or major, jumped off the page in this novel. They were three-dimensional and then some.

The way the story was told was wonderful. The introduction hooked me. And then the story was off to the races ~ full speed ahead!

In some ways, it’s a very feminist novel in that it doesn’t hold up only one option of a way to be a woman in the world. I like how the protagonist organically found her way in the world and lived the life that suited her instead of “fitting in.� I can relate.

As you read this novel, you really feel the gentle tendrils that connect all of us in this life. They are so strong, yet so fragile. We often don’t see them until the end of our lives. That the protagonist is telling us her story in her 90s makes it have more weight. One can always look back on ones life with more honesty and clarity the longer the road has been. Also with more empathy. All those missteps can sometimes, oftentimes, be our greatest gifts. And the love, so much love we miss or deny or push away along the way comes flooding back in the end. It was always there, we are so often just too something or other to see it and really feel it.

This was a lively and entertainingly breezy book to read. I read it in a couple days and it’s almost 500 pages (and I was busy those two days). So, I guess you could say I couldn’t put it down. This novel had many poignant moments and some smart things for all of us to ponder.

The novel had a familiar structure, but it was also entirely unique in the telling. Some of the characters were just delicious. I find myself having just finished the novel wishing I had met some of them, but realizing they are probably all dead. That’s the thing about a skilled author, the characters feel real.

I guess you could say I was swept off my feet by this story. And I truly wasn’t expecting it.
]]>
<![CDATA[Historical Atlas of World Mythology]]> 2307401 Joseph Campbell 999149961X Julie 0 to-read 3.75 Historical Atlas of World Mythology
author: Joseph Campbell
name: Julie
average rating: 3.75
book published:
rating: 0
read at:
date added: 2022/04/10
shelves: to-read
review:

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<![CDATA[Killers of the Flower Moon: The Osage Murders and the Birth of the FBI]]> 29496076 Ěý
In the 1920s, the richest people per capita in the world were members of the Osage Indian Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.

Then, one by one, they began to be killed off. One Osage woman, Mollie Burkhart, watched as her family was murdered. Her older sister was shot. Her mother was then slowly poisoned. And it was just the beginning, as more Osage began to die under mysterious circumstances.

In this last remnant of the Wild West—where oilmen like J. P. Getty made their fortunes and where desperadoes such as Al Spencer, “the Phantom Terror,� roamed � virtually anyone who dared to investigate the killings were themselves murdered. As the death toll surpassed more than twenty-four Osage, the newly created F.B.I. took up the case, in what became one of the organization’s first major homicide investigations. But the bureau was then notoriously corrupt and initially bungled the case. Eventually the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to try unravel the mystery. White put together an undercover team, including one of the only Native American agents in the bureau. They infiltrated the region, struggling to adopt the latest modern techniques of detection. Together with the Osage they began to expose one of the most sinister conspiracies in American history.

In Killers of the Flower Moon, David Grann revisits a shocking series of crimes in which dozens of people were murdered in cold blood. The book is a masterpiece of narrative nonfiction, as each step in the investigation reveals a series of sinister secrets and reversals. But more than that, it is a searing indictment of the callousness and prejudice toward Native Americans that allowed the murderers to operate with impunity for so long. Killers of the Flower Moon is utterly riveting, but also emotionally devastating.]]>
359 David Grann 0385534256 Julie 5
This was a dark tale but it was told with such a skilled hand that it was uplifting in some respects. That he took the time to tell this tale was inspiring. It was honorable.

When I got to the end when the author looked back from the present to that time so long ago, I really felt it. With all the players dead - good and bad, guilty and innocent - and it just hits you. All of it, what makes people hurt and murder others, especially when it’s for something as mundane as money. It just hits you - the sad folly that we humans tangle ourselves in. Most not in murderous pursuits, but nonetheless it hits you how much time we all waste and spend unwisely. As I looked back on these lives that are now over, it just really hits you: what a waste. Wasted time, wasted talent, wasted love, wasted friendship, wasted chances. The depth of betrayal is brutal and so so sad.

This tale also speaks to the systemic prejudice that has pervaded our justice system and government for too long now. That systemic prejudice was a key player in this tragic tale. Without it, it’s hard to say none of it would have happened, but it may have been less likely.

Though systemic prejudice is what got this tale rolling. The Osage were only uber wealthy because their lands were stolen and the government kept pushing them off their lands to uninhabitable lands that just happened to have lots of oil. The Osage were stolen from repeatedly and even when by fluke they struck oil, they were stolen from again by the white man. The white man constantly begrudged the Osage everything. The white man didn’t think they deserved their homeland and then when forcing them to other land that was oil rich, the white man didn’t think they deserved that either and proceeded to take it from them. The white man forced the Osage to have their finances controlled by white men and this is what made the plan to murder them for their land more feasible and profitable. By killing Osage that had their wealth controlled by a white man, it made it easier to get white hands on it. The web of conspiracies were epic.

It hits you that this part of human nature has not changed much in the last century. There are people right now murdering or plotting to murder for material gain. But something about looking back on those that did this so long ago and those they did it to, one can’t help but be disgusted but also have equal empathy for all involved. For the simple reason of how much distance there is from here to then, but also because from a distance it’s easier to see the foibles of human nature and the preposterous things that we do, some of it truly horrible but most of it just achingly foolish. We are all of us beautiful disasters. If we could only embrace that and each other more we might stop falling into the abyss.

But this book also reminds you that sociopaths don’t play by the same rules, they don’t play by any rules. They don’t feel remorse or empathy. I feel sorry for them too. Especially from a distance because they really are the saddest creatures of all.

The story of the FBI was also fascinating. The last remants of the Wild West were present in this story. It was interesting how federal law enforcement had to figure out how to take shape. It wasn’t obvious how to do that early on. J Edgar Hoover looms large and is to be given credit for shaping it but he also is guilty of too much raw and naked ego.

The author spends a lot of time with dogged determination to figure out who killed the Osage and how many were actually murdered. In the end, we may never know exactly who was murdered and by whom but it’s clear there was more to it on every level than was ever seriously investigated at the time. Descendants are left with a monstrous black hole that will always be a mystery. This book is an indictment of systemic prejudice as well as suspected specific killers of the Osage. It’s hard not to see everyday people of that time as accomplices when it comes to systemic prejudice. We have too many examples of this in history not to see it plainly when it’s staring us right in the face.

This book shows how our governments disregard for the promises we made trickled down to others that felt they could get away with murdering native Americans. And for the most part they were right.

This is a dark story too often told and untold. Today, we are witness to the same body count of systemic prejudice. Every era in history has been witness to this same body count. But as this story tells us, we have still yet to see a time in history when all of us bear witness in a way that ends it.

The author starts with the story of the Osage and then the FBI investigation and then ends it by going further than the FBI or local law enforcement ever did. It makes you ache when realizing what happened and how justice was never really done. Not really. It makes your soul hurt.

I highly recommend this book of nonfiction. It was written so well, it was enjoyable to read. And I feel a little guilty about that.]]>
4.12 2017 Killers of the Flower Moon: The Osage Murders and the Birth of the FBI
author: David Grann
name: Julie
average rating: 4.12
book published: 2017
rating: 5
read at: 2020/11/04
date added: 2021/09/06
shelves: 1920s, biographies, crime, history, non-fiction, mystery
review:
This was an excellent read. It should make a wonderful movie or limited series. The author did an excellent job of researching this mostly forgotten tale of the FBI’s first big case. It’s a story I wasn’t familiar with. And the author went that extra mile to see what wasn’t seen or told at the time. So well done.

This was a dark tale but it was told with such a skilled hand that it was uplifting in some respects. That he took the time to tell this tale was inspiring. It was honorable.

When I got to the end when the author looked back from the present to that time so long ago, I really felt it. With all the players dead - good and bad, guilty and innocent - and it just hits you. All of it, what makes people hurt and murder others, especially when it’s for something as mundane as money. It just hits you - the sad folly that we humans tangle ourselves in. Most not in murderous pursuits, but nonetheless it hits you how much time we all waste and spend unwisely. As I looked back on these lives that are now over, it just really hits you: what a waste. Wasted time, wasted talent, wasted love, wasted friendship, wasted chances. The depth of betrayal is brutal and so so sad.

This tale also speaks to the systemic prejudice that has pervaded our justice system and government for too long now. That systemic prejudice was a key player in this tragic tale. Without it, it’s hard to say none of it would have happened, but it may have been less likely.

Though systemic prejudice is what got this tale rolling. The Osage were only uber wealthy because their lands were stolen and the government kept pushing them off their lands to uninhabitable lands that just happened to have lots of oil. The Osage were stolen from repeatedly and even when by fluke they struck oil, they were stolen from again by the white man. The white man constantly begrudged the Osage everything. The white man didn’t think they deserved their homeland and then when forcing them to other land that was oil rich, the white man didn’t think they deserved that either and proceeded to take it from them. The white man forced the Osage to have their finances controlled by white men and this is what made the plan to murder them for their land more feasible and profitable. By killing Osage that had their wealth controlled by a white man, it made it easier to get white hands on it. The web of conspiracies were epic.

It hits you that this part of human nature has not changed much in the last century. There are people right now murdering or plotting to murder for material gain. But something about looking back on those that did this so long ago and those they did it to, one can’t help but be disgusted but also have equal empathy for all involved. For the simple reason of how much distance there is from here to then, but also because from a distance it’s easier to see the foibles of human nature and the preposterous things that we do, some of it truly horrible but most of it just achingly foolish. We are all of us beautiful disasters. If we could only embrace that and each other more we might stop falling into the abyss.

But this book also reminds you that sociopaths don’t play by the same rules, they don’t play by any rules. They don’t feel remorse or empathy. I feel sorry for them too. Especially from a distance because they really are the saddest creatures of all.

The story of the FBI was also fascinating. The last remants of the Wild West were present in this story. It was interesting how federal law enforcement had to figure out how to take shape. It wasn’t obvious how to do that early on. J Edgar Hoover looms large and is to be given credit for shaping it but he also is guilty of too much raw and naked ego.

The author spends a lot of time with dogged determination to figure out who killed the Osage and how many were actually murdered. In the end, we may never know exactly who was murdered and by whom but it’s clear there was more to it on every level than was ever seriously investigated at the time. Descendants are left with a monstrous black hole that will always be a mystery. This book is an indictment of systemic prejudice as well as suspected specific killers of the Osage. It’s hard not to see everyday people of that time as accomplices when it comes to systemic prejudice. We have too many examples of this in history not to see it plainly when it’s staring us right in the face.

This book shows how our governments disregard for the promises we made trickled down to others that felt they could get away with murdering native Americans. And for the most part they were right.

This is a dark story too often told and untold. Today, we are witness to the same body count of systemic prejudice. Every era in history has been witness to this same body count. But as this story tells us, we have still yet to see a time in history when all of us bear witness in a way that ends it.

The author starts with the story of the Osage and then the FBI investigation and then ends it by going further than the FBI or local law enforcement ever did. It makes you ache when realizing what happened and how justice was never really done. Not really. It makes your soul hurt.

I highly recommend this book of nonfiction. It was written so well, it was enjoyable to read. And I feel a little guilty about that.
]]>
<![CDATA[Marc Chagall: The Fables of LA Fontaine]]> 878534 141 Jean de la Fontaine 1565844041 Julie 0 art, artists-writers, to-read 4.41 1668 Marc Chagall: The Fables of LA Fontaine
author: Jean de la Fontaine
name: Julie
average rating: 4.41
book published: 1668
rating: 0
read at:
date added: 2021/08/30
shelves: art, artists-writers, to-read
review:

]]>
A Moveable Feast 4631 192 Ernest Hemingway Julie 5
Every writer needs to find their voice. Hemingway is the poster child for this sentiment. His voice is so strong and confident and soothing and raw, it just floors me. One of my favorite authors Virginia Woolf is more stoic where Hemingway is more sensual. Maybe the word I'm searching for is masculine. Masculinity drips from his pages and it's not because he writes about the things in his time that were thought of as "manly." It's deeper than that.

Anyone that has read this book knows the indelible impression it leaves. There is this interesting juxtaposition of hope (the young writer living in roaring twenties Paris) and regret (baked into the old man toward the end of his life).

The memoir reads like a love letter to Hemingway's youth and the people he knew from Paris, or maybe a love letter to Paris before things got so damn complicated. It felt like the old man was saying goodbye to the young Hemingway. Moments of melancholy are threaded throughout. There was something so riveting about an old man writing of his youth when most of the people in his memoir were dead when he wrote it. Sort of a like his own personal book of the dead.

I enjoyed the way Hemingway structured his moments in time. I loved his detours that flashed back and forth. It was seamless and masterful as one memory bled into another. Memories were layered upon other memories as Hemingway wrote about friends, food, wine, and the views while he ate that food and drank that wine. One might not realize when reading this book for the first time that some passages aren't of one specific day, but rather two or more specific days with memories intertwined. It flowed so smoothly because he stayed in the same lane (terrain, pathways, subject matter). It may be because certain days blended in Hemingway's heart or mind toward the end. He wrote of his first wife with the care of a young man that made love to her and loved her and the knowledge of the old man that knew he would leave her eventually.

One really did have the sense that Hemingway was living his life again. As in writers live everything twice: once when they live it and again when they write it. One wonders what young Hemingway would have thought of the old man. One gets the definite feeling when Hemingway talks of money being tight in the early days that he somehow misses that hunger. He sort of romanticizes it. To be honest, he was lucky he lived when he did. In a time when someone could be poor and live in Paris as a writer. Starving artists moving to Paris, or even New York, today just isn't feasible the way it once was. What are we missing out on now that this isn't in play? "We need more mystery in our lives, Hem. The completely ambitious writer and the really good unpublished poem are the things we lack most at this time. There is, of course, the problem of sustenance."

In the chapter titled "Hunger was Good Discipline" Hemingway addresses hunger on different fronts, and not just physical hunger (though he does address that too). He seems to be fixated on hunger and that feeling of emptiness. This chapter starts with the amazing lengths Hemingway takes to avoid places where food is too visible or fragrant because he is broke and hungry: "There you could always go to the Luxembourg gardens where you smelled nothing to eat all the way from the Place de l'Observatoire to the rue de Vaugirard. There you could always go into the Luxembourg museum and all the paintings were sharpened and clearer and more beautiful if you were belly-empty, hollow-hungry. I learned to understand Cezanne much better and to see truly how he made landscapes when I was hungry. I used to wonder if he were hungry too when he painted; but I thought possibly it was only that he had forgotten to eat. It was one of those unsound but illuminating thoughts you have when you have been sleepless or hungry. Later I thought Cezanne was probably hungry in a different way."

There are many passages to point to in this book. But one chapter in particular has stuck with me. It's the one where he writes about one spring day. Well, he meanders into other days, but he ends the chapter at the end of the same day he began with. As he comes full circle, the final two paragraphs are just stunning. So much lives within those delicate simple sentences. Entire lifetimes live beneath his prose. In some way, you sense his melancholia and restlessness in these two paragraphs more than anywhere else in this book. So much of what made him a great writer is somehow tangled up here too.

The passages about his writing process were fascinating. It felt at times like the old man was giving advice to the younger writer. I loved the passage about stories that were lost in a suitcase his wife had packed for him. "All this early work gone. I wonder who ended up with it and if they held onto it. Did they or someone later realize what they have? Will those early writings resurface someday?"

Hemingway talks of it maybe being for the best since they were his earlier works, with things he now considers mistakes. This is such salient advice on a few levels. The times I have lost something and had to rewrite it, it always ends up being better. So many things I have liked at the time I've written them are mostly crap when I look at them later. It used to embarrass me, but now I see all the seeds or lessons learned. Ones I'm still learning such as what to leave out. That's always the hardest part for me, choosing what to leave out. Maybe that's why I'm so fascinated with Hemingway, he was so good at knowing exactly what to leave out.

Some of his passages about some of his friends from that time were brutal, especially Stein, Ford, and Fitzgerald. He writes the most about the latter. One wonders why Hemingway felt compelled to write some of the things he did about his old friends. You can almost taste his bitterness or disdain. Though, if that's the way it went down, what choice did he have but to write what really happened?

According to Hemingway, the famous lesbian (Stein) was homophobic. Stein's view was that gay men were predatory and self-loathing. Hemingway obviously had his own issues. At one point, he talked of always carrying a knife because one must be prepared to kill if need be. It all sounded more than just status quo homophobia of the time. And when Hemingway wrote this memoir, views on homosexuality had not changed much. In 1960, it would have been brave for Hemingway to note that gay people were normal. It was done successfully by the writer May Sarton in the 1960s but definitely wasn't something Hemingway was likely to ever do as he was too stuck on his expositions of what it was to be a "real man." Though one gets a sense from the text in this memoir that something happened to Hemingway as a boy. Whether it was just a close call or actual pedophilia or all just in his head is unclear. But it makes one wonder if all his "this is what it is to be a man" posturing could be due to "thou shall protest too much."

When he writes about Fitzgerald, it breaks your heart. I think he broke Hemingway's heart too. He also pissed him off. Hemingway writes of first meeting Fitzgerald and reading "The Great Gatsby." I had read elsewhere about tension between Hemingway and Fitzgerald. Hemingway expresses the why of it from his side. It's obvious that toward the end of Hemingway's life, he was still conflicted about Fitzgerald. He admired "The Great Gatsby," this great piece of fiction, the novel for the ages, but I'm not sure he admired the author much. He may have been irked that someone that had it in him to write Gatsby didn't write something even better. It seemed to be the idea of wasted talent that irked Hemingway the most. He could never, would never, understand how Fitzgerald let other things interfere with his writing. It left a bad taste in Hemingway's mouth. Or maybe it was that Hemingway was such a man's man and Fitzgerald had more feminine energy.

Hemingway wrote this poignant passage about Fitzgerald: "His talent was as natural as the patterns that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and if their constructing and he learned to think and could not fly anymore because the love of flight was gone and he could only remember when it had been effortless."

In the end, it seemed Hemingway blamed Zelda for Fitzgerald never writing something finer than Gatsby. He says about Zelda: "Zelda had hawk's eyes and a thin mouth and deep-south manners and accent. Watching her face you could see her mind leave the table and go to the nights party and return with her eyes blank as a cats and then pleased, and the pleasure would show along the thin line of her lips and then be gone. Scott was being the good cheerful host and Zelda looked at him and she smiled happily with her eyes and her mouth too as he drank the wine. I learned to know that smile very well. It meant she knew Scott would not be able to write."

Perhaps the oddest chapter in the whole damn book was about Fitzgerald wanting to know how he "measured up." The first part starts off about penis size and the latter about a bar manager at Ritz asking who the hell this Fitzgerald was that everyone keeps asking him about (the bar manager wanted to write a memoir of the early days in Paris).

In a lot of ways this chapter diagnosed some of the tension between Hemingway and Fitzgerald. The latter always asked the former to be honest with him. But being honest with Fitzgerald was a double-edged sword because Fitzgerald was so sensitive, Hemingway always seemed to hurt Fitzgerald into anger. A few things struck me, first it's hard to imagine Hemingway not being straight with a direct question, though he showed plenty of instances in this very book where he clued us in that it wasn't worth it sometimes (better to just let it slide). Second, how unstable and insecure Hemingway found Fitzgerald. I get why he wrote this chapter. At the time Hemingway was writing this I think "The Great Gatsby" was a huge deal as it never had been in Fitzgerald's own lifetime. As a writer, I mean, how can you not write about this iconic writer that asked you to check out his penis size to make sure it was okay before he cheated on his wife. That Fitzgerald had never slept with anyone but Zelda explains a lot. But then one has to wonder why Hemingway tells him his penis size is fine and then tells him to check out some old statues so he can compare for himself. All I could think of was that old Greek statues didn't sport huge penises. Was that Hemingway's way of telling us Fitzgerald wasn't so big or that he was a little bigger than tiny?

While he dives hard into the idiosyncrasies of Fitzgerald, he doesn't dig as hard at Ezra Pound (though he does get into substance abuse issues). He has mostly fond memories of Pound. The chapter on him was interesting in context of Pound's leanings. I believe Pound was a huge Adolf Hitler fan and if I recall correctly, Hemingway and others awarded Pound something for his writing that caused a huge brouhaha. He may have been in prison at the time. It was argued on his behalf that his writing was what Hemingway and others were commenting on and not the other things.

One person he speaks fondly of is Sylvia Beach of Shakespeare & Company: "No one that I ever knew was nicer to me." That's a huge statement coming from a man that had met everyone and was reflecting toward the end of his life.

Years ago, I read a biography on Beach. She was an American in Paris and was the one that published James Joyce's masterpiece. He seemed a little ungrateful about her efforts but I think she'd probably have done it all over again because she loved books and authors so much. Especially the great ones. Her store was so cool, a book store that had great books you could check out like at a library. If I ever open a bookstore, I would do the same. I wish Amazon would do this with their brick and mortar. Each store tailored for each neighborhood, used as a sanctuary for artists and writers.

Jumping from the second-to-the-last chapter (Fitzgerld's penis size) to the final chapter was a strange jump. The irony of the final chapter is that it takes place mostly outside of Paris. At the end, the reader can feel Hemingway ache. It's easy to imagine he's still aching. It's like he was pinpointing the moment when everything changed. Maybe he's telling us he was never that happy again; being a poor struggling writer in Paris, maybe it never got better for him than that. Certainly it had to better than becoming a product, an icon, a god to be worshiped.

In the end, I enjoyed languishing with Hemingway and all the "lights and textures and shapes [he] argued about." As I read the last chapter, I was sad. I was also very glad I read this book leisurely, never reading a chapter back to back and not more than one a day on most days. I savored the chapters like a good meal. It made me sad to know as I read this book, near a hundred years after Hemingway was in Paris in the 1920s, that Paris is not the Paris Hemingway knew anymore. It never will be that again. While it was a moveable feast for him, it never will be for me who never made it to Paris in the 1920s as a young writer.]]>
4.04 1964 A Moveable Feast
author: Ernest Hemingway
name: Julie
average rating: 4.04
book published: 1964
rating: 5
read at: 2018/06/08
date added: 2021/08/09
shelves: favorite-books, great-writers, biographies, artists-writers, nobel-prize
review:
What can possibly be said that hasn't already been said about Hemingway's swan song "A Moveable Feast"? I've read this slim memoir several times, but this time I read it in part because it occurred to me it might prove fruitful in regards to a novel I'm working on about my mother and her childhood friend (my godmother who tragically died too young). I read each passage three times before moving onto the next. The first read was for pleasure. I came back later and read it again, but much slower, letting the language and imagery linger. The third reading, I noted anything that occurred to me in relation to the story I'm working on. I quite liked reading Hemingway vignettes in this manner. It felt like honey dripping slowly on my tongue.

Every writer needs to find their voice. Hemingway is the poster child for this sentiment. His voice is so strong and confident and soothing and raw, it just floors me. One of my favorite authors Virginia Woolf is more stoic where Hemingway is more sensual. Maybe the word I'm searching for is masculine. Masculinity drips from his pages and it's not because he writes about the things in his time that were thought of as "manly." It's deeper than that.

Anyone that has read this book knows the indelible impression it leaves. There is this interesting juxtaposition of hope (the young writer living in roaring twenties Paris) and regret (baked into the old man toward the end of his life).

The memoir reads like a love letter to Hemingway's youth and the people he knew from Paris, or maybe a love letter to Paris before things got so damn complicated. It felt like the old man was saying goodbye to the young Hemingway. Moments of melancholy are threaded throughout. There was something so riveting about an old man writing of his youth when most of the people in his memoir were dead when he wrote it. Sort of a like his own personal book of the dead.

I enjoyed the way Hemingway structured his moments in time. I loved his detours that flashed back and forth. It was seamless and masterful as one memory bled into another. Memories were layered upon other memories as Hemingway wrote about friends, food, wine, and the views while he ate that food and drank that wine. One might not realize when reading this book for the first time that some passages aren't of one specific day, but rather two or more specific days with memories intertwined. It flowed so smoothly because he stayed in the same lane (terrain, pathways, subject matter). It may be because certain days blended in Hemingway's heart or mind toward the end. He wrote of his first wife with the care of a young man that made love to her and loved her and the knowledge of the old man that knew he would leave her eventually.

One really did have the sense that Hemingway was living his life again. As in writers live everything twice: once when they live it and again when they write it. One wonders what young Hemingway would have thought of the old man. One gets the definite feeling when Hemingway talks of money being tight in the early days that he somehow misses that hunger. He sort of romanticizes it. To be honest, he was lucky he lived when he did. In a time when someone could be poor and live in Paris as a writer. Starving artists moving to Paris, or even New York, today just isn't feasible the way it once was. What are we missing out on now that this isn't in play? "We need more mystery in our lives, Hem. The completely ambitious writer and the really good unpublished poem are the things we lack most at this time. There is, of course, the problem of sustenance."

In the chapter titled "Hunger was Good Discipline" Hemingway addresses hunger on different fronts, and not just physical hunger (though he does address that too). He seems to be fixated on hunger and that feeling of emptiness. This chapter starts with the amazing lengths Hemingway takes to avoid places where food is too visible or fragrant because he is broke and hungry: "There you could always go to the Luxembourg gardens where you smelled nothing to eat all the way from the Place de l'Observatoire to the rue de Vaugirard. There you could always go into the Luxembourg museum and all the paintings were sharpened and clearer and more beautiful if you were belly-empty, hollow-hungry. I learned to understand Cezanne much better and to see truly how he made landscapes when I was hungry. I used to wonder if he were hungry too when he painted; but I thought possibly it was only that he had forgotten to eat. It was one of those unsound but illuminating thoughts you have when you have been sleepless or hungry. Later I thought Cezanne was probably hungry in a different way."

There are many passages to point to in this book. But one chapter in particular has stuck with me. It's the one where he writes about one spring day. Well, he meanders into other days, but he ends the chapter at the end of the same day he began with. As he comes full circle, the final two paragraphs are just stunning. So much lives within those delicate simple sentences. Entire lifetimes live beneath his prose. In some way, you sense his melancholia and restlessness in these two paragraphs more than anywhere else in this book. So much of what made him a great writer is somehow tangled up here too.

The passages about his writing process were fascinating. It felt at times like the old man was giving advice to the younger writer. I loved the passage about stories that were lost in a suitcase his wife had packed for him. "All this early work gone. I wonder who ended up with it and if they held onto it. Did they or someone later realize what they have? Will those early writings resurface someday?"

Hemingway talks of it maybe being for the best since they were his earlier works, with things he now considers mistakes. This is such salient advice on a few levels. The times I have lost something and had to rewrite it, it always ends up being better. So many things I have liked at the time I've written them are mostly crap when I look at them later. It used to embarrass me, but now I see all the seeds or lessons learned. Ones I'm still learning such as what to leave out. That's always the hardest part for me, choosing what to leave out. Maybe that's why I'm so fascinated with Hemingway, he was so good at knowing exactly what to leave out.

Some of his passages about some of his friends from that time were brutal, especially Stein, Ford, and Fitzgerald. He writes the most about the latter. One wonders why Hemingway felt compelled to write some of the things he did about his old friends. You can almost taste his bitterness or disdain. Though, if that's the way it went down, what choice did he have but to write what really happened?

According to Hemingway, the famous lesbian (Stein) was homophobic. Stein's view was that gay men were predatory and self-loathing. Hemingway obviously had his own issues. At one point, he talked of always carrying a knife because one must be prepared to kill if need be. It all sounded more than just status quo homophobia of the time. And when Hemingway wrote this memoir, views on homosexuality had not changed much. In 1960, it would have been brave for Hemingway to note that gay people were normal. It was done successfully by the writer May Sarton in the 1960s but definitely wasn't something Hemingway was likely to ever do as he was too stuck on his expositions of what it was to be a "real man." Though one gets a sense from the text in this memoir that something happened to Hemingway as a boy. Whether it was just a close call or actual pedophilia or all just in his head is unclear. But it makes one wonder if all his "this is what it is to be a man" posturing could be due to "thou shall protest too much."

When he writes about Fitzgerald, it breaks your heart. I think he broke Hemingway's heart too. He also pissed him off. Hemingway writes of first meeting Fitzgerald and reading "The Great Gatsby." I had read elsewhere about tension between Hemingway and Fitzgerald. Hemingway expresses the why of it from his side. It's obvious that toward the end of Hemingway's life, he was still conflicted about Fitzgerald. He admired "The Great Gatsby," this great piece of fiction, the novel for the ages, but I'm not sure he admired the author much. He may have been irked that someone that had it in him to write Gatsby didn't write something even better. It seemed to be the idea of wasted talent that irked Hemingway the most. He could never, would never, understand how Fitzgerald let other things interfere with his writing. It left a bad taste in Hemingway's mouth. Or maybe it was that Hemingway was such a man's man and Fitzgerald had more feminine energy.

Hemingway wrote this poignant passage about Fitzgerald: "His talent was as natural as the patterns that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and if their constructing and he learned to think and could not fly anymore because the love of flight was gone and he could only remember when it had been effortless."

In the end, it seemed Hemingway blamed Zelda for Fitzgerald never writing something finer than Gatsby. He says about Zelda: "Zelda had hawk's eyes and a thin mouth and deep-south manners and accent. Watching her face you could see her mind leave the table and go to the nights party and return with her eyes blank as a cats and then pleased, and the pleasure would show along the thin line of her lips and then be gone. Scott was being the good cheerful host and Zelda looked at him and she smiled happily with her eyes and her mouth too as he drank the wine. I learned to know that smile very well. It meant she knew Scott would not be able to write."

Perhaps the oddest chapter in the whole damn book was about Fitzgerald wanting to know how he "measured up." The first part starts off about penis size and the latter about a bar manager at Ritz asking who the hell this Fitzgerald was that everyone keeps asking him about (the bar manager wanted to write a memoir of the early days in Paris).

In a lot of ways this chapter diagnosed some of the tension between Hemingway and Fitzgerald. The latter always asked the former to be honest with him. But being honest with Fitzgerald was a double-edged sword because Fitzgerald was so sensitive, Hemingway always seemed to hurt Fitzgerald into anger. A few things struck me, first it's hard to imagine Hemingway not being straight with a direct question, though he showed plenty of instances in this very book where he clued us in that it wasn't worth it sometimes (better to just let it slide). Second, how unstable and insecure Hemingway found Fitzgerald. I get why he wrote this chapter. At the time Hemingway was writing this I think "The Great Gatsby" was a huge deal as it never had been in Fitzgerald's own lifetime. As a writer, I mean, how can you not write about this iconic writer that asked you to check out his penis size to make sure it was okay before he cheated on his wife. That Fitzgerald had never slept with anyone but Zelda explains a lot. But then one has to wonder why Hemingway tells him his penis size is fine and then tells him to check out some old statues so he can compare for himself. All I could think of was that old Greek statues didn't sport huge penises. Was that Hemingway's way of telling us Fitzgerald wasn't so big or that he was a little bigger than tiny?

While he dives hard into the idiosyncrasies of Fitzgerald, he doesn't dig as hard at Ezra Pound (though he does get into substance abuse issues). He has mostly fond memories of Pound. The chapter on him was interesting in context of Pound's leanings. I believe Pound was a huge Adolf Hitler fan and if I recall correctly, Hemingway and others awarded Pound something for his writing that caused a huge brouhaha. He may have been in prison at the time. It was argued on his behalf that his writing was what Hemingway and others were commenting on and not the other things.

One person he speaks fondly of is Sylvia Beach of Shakespeare & Company: "No one that I ever knew was nicer to me." That's a huge statement coming from a man that had met everyone and was reflecting toward the end of his life.

Years ago, I read a biography on Beach. She was an American in Paris and was the one that published James Joyce's masterpiece. He seemed a little ungrateful about her efforts but I think she'd probably have done it all over again because she loved books and authors so much. Especially the great ones. Her store was so cool, a book store that had great books you could check out like at a library. If I ever open a bookstore, I would do the same. I wish Amazon would do this with their brick and mortar. Each store tailored for each neighborhood, used as a sanctuary for artists and writers.

Jumping from the second-to-the-last chapter (Fitzgerld's penis size) to the final chapter was a strange jump. The irony of the final chapter is that it takes place mostly outside of Paris. At the end, the reader can feel Hemingway ache. It's easy to imagine he's still aching. It's like he was pinpointing the moment when everything changed. Maybe he's telling us he was never that happy again; being a poor struggling writer in Paris, maybe it never got better for him than that. Certainly it had to better than becoming a product, an icon, a god to be worshiped.

In the end, I enjoyed languishing with Hemingway and all the "lights and textures and shapes [he] argued about." As I read the last chapter, I was sad. I was also very glad I read this book leisurely, never reading a chapter back to back and not more than one a day on most days. I savored the chapters like a good meal. It made me sad to know as I read this book, near a hundred years after Hemingway was in Paris in the 1920s, that Paris is not the Paris Hemingway knew anymore. It never will be that again. While it was a moveable feast for him, it never will be for me who never made it to Paris in the 1920s as a young writer.
]]>
The Cassandra 40046064 The Cassandra follows a woman who goes to work in a top secret research facility during WWII, only to be tormented by visions of what the mission will mean for humankind.



Mildred Groves is an unusual young woman. Gifted and cursed with the ability to see the future, Mildred runs away from home to take a secretary position at the Hanford Research Center in the early 1940s. Hanford, a massive construction camp on the banks of the Columbia River in remote South Central Washington, exists to test and manufacture a mysterious product that will aid the war effort. Only the top generals and scientists know that this product is processed plutonium, for use in the first atomic bombs.

Mildred is delighted, at first, to be part of something larger than herself after a lifetime spent as an outsider. But her new life takes a dark turn when she starts to have prophetic dreams about what will become of humankind if the project is successful. As the men she works for come closer to achieving their goals, her visions intensify to a nightmarish pitch, and she eventually risks everything to question those in power, putting her own physical and mental health in jeopardy. Inspired by the classic Greek myth, this 20th century reimagining of Cassandra's story is based on a real WWII compound that the author researched meticulously. A timely novel about patriarchy and militancy, The Cassandra uses both legend and history to look deep into man's capacity for destruction, and the resolve and compassion it takes to challenge the powerful.]]>
281 Sharma Shields 1250197414 Julie 4
This novel told of a powerful and chilling nightmare, both internally and externally. The biggest nightmare really happened externally in history. The nightmare that went on within the protagonist was merely a reflection of the havoc humans wreaked in the world.

To see the protagonist as mad is naive. What we judge as insane and what we deem as sane is questionable at best so often. Violence is rarely sane yet so much of many country’s resources go toward it.

The title of this novel is in reference to the Greek mythological priestess that was cursed to tell prophecies, while true, that would never be believed. The protagonist is a version of this.

This story is beautifully and intoxicatingly told. It dives into the violence that is sometimes there with familial relationships, between the sexes, and between nations. This novel shines a light on the link between misogyny and war and the all around terror that is fueled by some that need to save and destroy the world at the same time.

It also juxtaposes genius with intuition. To what end, the novel asks. When is genius and intuition in service to humanity and when is it in service to mayhem or ego. And it shows how looking hard at what we as humans do to each other might drive anyone mad. This is why we turn away, why we seek distraction and the lie of thinking that everything is fine when in fact it isn’t. The protagonist is seen as mad for seeing it clearly and expressing it. Those that choose to hide this from view, while also taking part in it, are seen as sane. It’s an odd delusion we create over and over again in history.

This novel has magic and light and darkness. The darkness from the protagonist’s point of view is fueled with empathy and the feminine while what brings destruction to the external world is fueled by fear and the masculine. The novel shows that all fear that leads to destruction is masculine in nature, once it seeks to destroy or lash out.

The novel illustrates how if one ponders the atrocities and the things we do to each other, the pain we bring - it will drive you mad.

Though the protagonist was a vessel to tell this story, I never warmed up to her, though she was fascinating.

A very well written novel.]]>
3.29 2019 The Cassandra
author: Sharma Shields
name: Julie
average rating: 3.29
book published: 2019
rating: 4
read at: 2020/07/13
date added: 2021/08/09
shelves: 1940s, fiction-current, history, wwii
review:
This was a most unusual novel. I loved the author’s writing style. It was at first hard to warm up to the protagonist but before long I found myself inside the character’s head, almost a Being John Malkovich thing without being spit out on the jersey turnpike.

This novel told of a powerful and chilling nightmare, both internally and externally. The biggest nightmare really happened externally in history. The nightmare that went on within the protagonist was merely a reflection of the havoc humans wreaked in the world.

To see the protagonist as mad is naive. What we judge as insane and what we deem as sane is questionable at best so often. Violence is rarely sane yet so much of many country’s resources go toward it.

The title of this novel is in reference to the Greek mythological priestess that was cursed to tell prophecies, while true, that would never be believed. The protagonist is a version of this.

This story is beautifully and intoxicatingly told. It dives into the violence that is sometimes there with familial relationships, between the sexes, and between nations. This novel shines a light on the link between misogyny and war and the all around terror that is fueled by some that need to save and destroy the world at the same time.

It also juxtaposes genius with intuition. To what end, the novel asks. When is genius and intuition in service to humanity and when is it in service to mayhem or ego. And it shows how looking hard at what we as humans do to each other might drive anyone mad. This is why we turn away, why we seek distraction and the lie of thinking that everything is fine when in fact it isn’t. The protagonist is seen as mad for seeing it clearly and expressing it. Those that choose to hide this from view, while also taking part in it, are seen as sane. It’s an odd delusion we create over and over again in history.

This novel has magic and light and darkness. The darkness from the protagonist’s point of view is fueled with empathy and the feminine while what brings destruction to the external world is fueled by fear and the masculine. The novel shows that all fear that leads to destruction is masculine in nature, once it seeks to destroy or lash out.

The novel illustrates how if one ponders the atrocities and the things we do to each other, the pain we bring - it will drive you mad.

Though the protagonist was a vessel to tell this story, I never warmed up to her, though she was fascinating.

A very well written novel.
]]>
<![CDATA[Her Body and Other Parties: Stories]]> 33375622 Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.

A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.

Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.

The husband stitch --
Inventory --
Mothers --
Especially heinous --
Real women have bodies --
Eight bites --
The resident --
Difficult at parties]]>
248 Carmen Maria Machado 155597788X Julie 5
Every story, pretty much every damn moment, is unsettling and electrifying and ethereal. This is a collection of short stories that doesn't let you off the hook. It's impossible to drop off when reading these stories because it's impossible not to give the author your full attention, especially when she's giving you everything she's got.

From the first page, the author pulls you in. The quote the author starts off with, the one about her body being a haunted house. One she is lost in, one with no doors and only knives and a hundred windows. This may explain what you are in for better than anything I may offer up.

There are some brilliant passages. There are more than a few surprising passages. There is no way to know where any of her stories are headed, so don't even bother trying. I'm not saying the author won't keep you guessing, she will hold your interest. I'm only warning you that trying to make full sense of all of these stories may drive you as mad as the protagonists of all these stories. And maybe that's the point. Maybe that's the genius of this collection. Because they do make you feel incredibly unsettled.

In the first story, the author sort of clues you in by letting the protagonist tell you: I once heard a story about a girl who requested something so vile from her paramour that he told her family and they had her hauled off to a sanitarium. I don't know what deviant pleasure she asked for, though I desperately wish I did. What a magical thing could you want so badly they take you away from the world for wanting it.

Indeed. We know that in human history women have been given lobotomies or locked away or worse for less.

The whole first story is wow. I could muse about this one for a while. It made me damn curious about what was to come. After only one story, I could already feel something emotionally trying about this book, one which might seep into me or reveal me in the end.

The next story was the protagonist's cliff notes on her firsts in sexual experiences of varied stripes. Both stories, up to this point, had the same sensibility and texture. They were so intimate, one could almost feel the uncomfortableness of being there and not wanting to be. Likely everyone has had at least one weird sexual encounter. Mine involved infomercials, the infomercials the guy I pretended to sleep next to couldn't sleep without. The same guy with a complete set of Kiss dolls in the corner, the same guy that couldn't keep a hard-on long enough to fuck me properly, the same guy that was attacked by his roommate in bed with me in it for ditching him for me, the same roommate that then went to play drums all night in another room.

The next chapter titled "Mothers" reminded me a bit of reading "Tropic of Cancer." Anyone that's read this work knows it's like reading words that are swirling in a blender. The author has a machine gun pointed at you and bang bang he starts shooting every word into your flesh except when they hit you, the words feel like whip cream and you just want to bathe in them. It's author, Henry Miller was fully alive. So is Machado. While she's not as rapid-fire as Miller, she's in the same zip code.

And omg when she gets to the chapter "Especially Heinous: 272 Views of Law and Order: SUV." It's about sixty pages of life in a blender. It starts in the middle of nowhere and ends in the middle of nowhere. It's a ride instead of a journey. There is so much that comes at you, no I mean it. It felt like a primate hurling feces from a cage. It felt repulsive and magnetic at the same time. Even so, it had structure and plot, albeit unconventional. The best way to read this story is to fasten your seatbelt and know it's going to be a bumpy ride. There are twists and unique little turns of phrases and actions. It's bizarre as hell, but sort of brilliant too. Do yourself a favor and don't move on to the next story right away. I started to and realized I needed to decompress first.

As I moved on to "Real Woman Have Bodies" and "Eight Bites" I had come to expect the surprising imagery and experimental prose. And I don't mean that to say it became mundane, quite the opposite, it was delightful. The former story was quirky and supernatural but was so poignant too. It seemed tied up in misogyny with metaphors of women disappearing through eating disorders or becoming invisible with age as they are considered less fuckable. The latter story was also surprisingly poignant the way it ended with layers that were more than the subject matter.

"The Resident" seemed like the most down-to-earth story, but admittedly I was a bit enthralled with the idea of being in a cabin in the middle of nowhere having nothing else to do but finish a novel. There was another big shoe to drop and I won't spoil it here.

As I headed into the last story, I had a mix of feeling a bit tired and ready to jump off the ride alongside being bummed it was almost over because it felt like such a treat.

When I thought about it all, it seemed like each story had a protagonist that was going off the deep end. I asked myself if these stories were some crazy fantasies or nightmares all in just one characters head. I don't know and neither will you probably. But I don't think it matters. One can enjoy the ride or dive deep into the layers of each story and come out the other side knowing that reading this collection was worth your time.]]>
3.85 2017 Her Body and Other Parties: Stories
author: Carmen Maria Machado
name: Julie
average rating: 3.85
book published: 2017
rating: 5
read at: 2019/03/31
date added: 2021/07/17
shelves: fiction-current, short-stories
review:
It's as if Stephen King and Susan Sontag had a love child and then hired Henry Miller as the nanny. That love child then grew up and wrote these short stories. Machado is fearless.

Every story, pretty much every damn moment, is unsettling and electrifying and ethereal. This is a collection of short stories that doesn't let you off the hook. It's impossible to drop off when reading these stories because it's impossible not to give the author your full attention, especially when she's giving you everything she's got.

From the first page, the author pulls you in. The quote the author starts off with, the one about her body being a haunted house. One she is lost in, one with no doors and only knives and a hundred windows. This may explain what you are in for better than anything I may offer up.

There are some brilliant passages. There are more than a few surprising passages. There is no way to know where any of her stories are headed, so don't even bother trying. I'm not saying the author won't keep you guessing, she will hold your interest. I'm only warning you that trying to make full sense of all of these stories may drive you as mad as the protagonists of all these stories. And maybe that's the point. Maybe that's the genius of this collection. Because they do make you feel incredibly unsettled.

In the first story, the author sort of clues you in by letting the protagonist tell you: I once heard a story about a girl who requested something so vile from her paramour that he told her family and they had her hauled off to a sanitarium. I don't know what deviant pleasure she asked for, though I desperately wish I did. What a magical thing could you want so badly they take you away from the world for wanting it.

Indeed. We know that in human history women have been given lobotomies or locked away or worse for less.

The whole first story is wow. I could muse about this one for a while. It made me damn curious about what was to come. After only one story, I could already feel something emotionally trying about this book, one which might seep into me or reveal me in the end.

The next story was the protagonist's cliff notes on her firsts in sexual experiences of varied stripes. Both stories, up to this point, had the same sensibility and texture. They were so intimate, one could almost feel the uncomfortableness of being there and not wanting to be. Likely everyone has had at least one weird sexual encounter. Mine involved infomercials, the infomercials the guy I pretended to sleep next to couldn't sleep without. The same guy with a complete set of Kiss dolls in the corner, the same guy that couldn't keep a hard-on long enough to fuck me properly, the same guy that was attacked by his roommate in bed with me in it for ditching him for me, the same roommate that then went to play drums all night in another room.

The next chapter titled "Mothers" reminded me a bit of reading "Tropic of Cancer." Anyone that's read this work knows it's like reading words that are swirling in a blender. The author has a machine gun pointed at you and bang bang he starts shooting every word into your flesh except when they hit you, the words feel like whip cream and you just want to bathe in them. It's author, Henry Miller was fully alive. So is Machado. While she's not as rapid-fire as Miller, she's in the same zip code.

And omg when she gets to the chapter "Especially Heinous: 272 Views of Law and Order: SUV." It's about sixty pages of life in a blender. It starts in the middle of nowhere and ends in the middle of nowhere. It's a ride instead of a journey. There is so much that comes at you, no I mean it. It felt like a primate hurling feces from a cage. It felt repulsive and magnetic at the same time. Even so, it had structure and plot, albeit unconventional. The best way to read this story is to fasten your seatbelt and know it's going to be a bumpy ride. There are twists and unique little turns of phrases and actions. It's bizarre as hell, but sort of brilliant too. Do yourself a favor and don't move on to the next story right away. I started to and realized I needed to decompress first.

As I moved on to "Real Woman Have Bodies" and "Eight Bites" I had come to expect the surprising imagery and experimental prose. And I don't mean that to say it became mundane, quite the opposite, it was delightful. The former story was quirky and supernatural but was so poignant too. It seemed tied up in misogyny with metaphors of women disappearing through eating disorders or becoming invisible with age as they are considered less fuckable. The latter story was also surprisingly poignant the way it ended with layers that were more than the subject matter.

"The Resident" seemed like the most down-to-earth story, but admittedly I was a bit enthralled with the idea of being in a cabin in the middle of nowhere having nothing else to do but finish a novel. There was another big shoe to drop and I won't spoil it here.

As I headed into the last story, I had a mix of feeling a bit tired and ready to jump off the ride alongside being bummed it was almost over because it felt like such a treat.

When I thought about it all, it seemed like each story had a protagonist that was going off the deep end. I asked myself if these stories were some crazy fantasies or nightmares all in just one characters head. I don't know and neither will you probably. But I don't think it matters. One can enjoy the ride or dive deep into the layers of each story and come out the other side knowing that reading this collection was worth your time.
]]>
<![CDATA[Pan Michael: An Historical Novel of Poland, the Ukraine, and Turkey; a Sequel to "With Fire and Sword" and "The Deluge".]]> 8114675 560 Henryk Sienkiewicz 1146284195 Julie 0 to-read 4.14 1886 Pan Michael: An Historical Novel of Poland, the Ukraine, and Turkey; a Sequel to "With Fire and Sword" and "The Deluge".
author: Henryk Sienkiewicz
name: Julie
average rating: 4.14
book published: 1886
rating: 0
read at:
date added: 2021/06/28
shelves: to-read
review:

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<![CDATA[Barracoon: The Story of the Last "Black Cargo"]]> 2590136
In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo's past--memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.

Based on those interviews, featuring Cudjo's unique vernacular, and written from Hurston's perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.]]>
193 Zora Neale Hurston 0060921706 Julie 5
A publisher was willing to publish Hurston's book but only if she edited out the dialect. She refused and after you read his story, you'll understand why. You can hear his voice from near a century ago. That would have been lost if she had done what the publisher wanted. I'm glad he didn't have one more thing taken from him. I felt a great sense of duty to bear witness to this man's life, to give him my full attention. I found myself wanting to, needing to, read the subjects words aloud because reading them in silence didn't seem like enough.

The title refers to the place future slaves were held after being kidnapped by their countrymen and before being sold and transported to America or Europe or elsewhere. I didn't know that Europeans and Americans emulated the Portuguese model of procuring slaves.

Hurston interviewed Oluale Kossola in the late 1920s at his windowless home in Alabama. He was called Cudjo Lewis in America. The thing that struck me about his story were many including the circumstances of his horrifying capture, transport, enslavement, and his life as a former slave. But the thing that really got to me was how much he wanted to go back home to Africa. He asked the man that transported him to America to take him back home to Africa and was treated as crazy for even asking since, in his former master's eyes, he practically stole his property by not being his slave any longer. He decided to save money to get back to Africa but soon realized being exploited wasn't such a great moneymaker, so he decided to stay (or rather conceded). He along with others founded their own town based on life in Africa. Imagine that, an African town with only those originally from Africa in Alabama.

It's worth noting, as unsavory as it was, slaves were many slaveholders biggest assets after land. The loss of slaves broke a lot of people financially. It's why George Washington struggled with it. He knew it was a black mark on his legacy but he knew it would break him financially to set all his slaves free while he was alive. In the end pragmatism won out. Even when considering to make slavery illegal he knew it would break the fragile nation just birthed. He was right, the Civil War nearly did break our nation nearly 80 years later. Though one could argue that saving a country built on the backs of slavery maybe wasn't worth saving. Perhaps we needed to break so we could build into something different, something closer to the promised land we brag about being but have yet to reach. Though there's always a chance of flipping into something worse. We could very well have a continent of countries instead of states, some of which had slavery still. It sounds far-fetched until you look at those who still proudly wave the Confederate flag and hold sacred the monuments of those that fought to keep the institution of slavery alive. These seem to be the same people that claim slavery was so long ago and that everyone should just get over it. Remember the soldiers that fought to keep slavery but forget the slaves is the gist. P.S. Forget the largest forced migration in the history of the world.

Kossola lived through his birth as a free man in West Africa in 1841 to experiencing slavery in a strange land and then freedom with the baked-in prejudice of Jim Crow's disingenuous but constitutionally protected "separate but equal" nonsense to seeing the dawn of a new century that included a world war and the Great Depression.

Throughout the rest of his life he was lonely for his people. He hoped Hurston's book would reach those that had known him in Africa so they would know what happened to him. That separation haunted him. It haunts me too after reading this book.

To think that importing slaves into America was illegal decades before Kossola was born and still he and others met the horrible fate of slavery. It was a hangable offense but that didn't quell demand or the desire to fill that demand. A demand that native dark-skinned Kings were more than happy to oblige.

It's horrific to hear the mayhem that ensued in the predawn raid when Kossola's townspeople awoke to female warriors slaughtering them. It gets worse from there with decapitated heads of family and friends banging about the belts of the warriors as Kassola and others that survived the massacre were bound together on their march to a fate they couldn't possibly imagine.

You go into the narrative knowing the story of his capture. At first I was wondering why the editor was giving so much away in the introduction but once I got into the narrative I was grateful for the help in understanding everything. The narrative Hurston left us is very slim, only about one hundred pages. The afterword is also not to be missed. There is more dialog from the subject as well as games he played in Africa as a child and other information. The historical info after that adds another layer. I recommend not skipping anything.

The part where Kossola tries to navigate freedom is important to spend time with. Really try to imagine being a slave one day and the next being free in a strange hostile land. Slave holders had zero obligation to help their former slaves acclimate to freedom. Imagine being told to go free and you have no money or connections or family or work history except as a slave. You are looked at as stolen property or a traitor. Where the fuck do you even start? The economy sucks and no one wants you unless you work super cheap and even then no one trusts you or truly values you as a human being as much as they valued you as a thing. Imagine how you would navigate that terrain. Seriously, where to start? Add to that a legal system that doesn't have your back and people that want you to go back to Africa or into the new plantation called the penitentiary. Where the hell do you start? Everything you ever had and everyone you ever knew growing up is dead or long gone and the only people you can maybe trust are in the same boat as you. How do you start your new life?

Kossola figures it out. He helps found a town, marries, and has children. But the tragedy continues. Oh the tragedy continues. Some could have happened to anyone and some only because of prejudice. It's just beyond comprehension what this gentle soul endured. When he talked about his wife dying he said: "De wife she de eyes to de man's soul. How kin I see now, when I ain' gotte de eyes no mo'."

Hurston seemed sad to say that final goodbye to Kossola. I'm sure she couldn't help but know he was going back to his home to be alone. He talked about being lonely all the time. Hurston ended with: "I am sure he does not fear death. In spite of his long Christian fellowship he is too deeply a pagan to fear death. But he is full of trembling awe before the altar of the past."

When embarking on this story, Hurston bemoaned when it came to historical documentation of slavery: "All these words from the seller, but not one word from the sold. The Kings and Captains whose words moved ships. But not one word from the cargo. The thoughts of the black ivory, the coin of Africa, had no market value."

When juxtaposing this story next to current events it starkly renders the reality of how dark-skinned Americans have been wrestling with sovereignty over their own bodies since slavery. Ending slavery didn't end this reality.

No one was ever held responsible for the crimes against Kossola. Only one man was ever held accountable for illegally importing Africans after it became illegal in 1808. One. Only one man and as he headed to the gallows he still declared he had done nothing wrong. He believed it as did most others in power, thus only one token guilty man in a sea of many, including the men that stole Kossola out of Africa.

One thinks about the border and the calls today to "build the wall" in the name of keeping immigrants from flooding in. Ironic as hell considering America is responsible for the largest forced migration in human history via the slave trade. Americans are responsible for atrocities of African tribes against other African tribes because of American demand for slaves. Atrocities that would make many drug lords or serial killers seem tame in comparison. Without the demand, it wouldn't have been so appealing and profitable.

The same thing can be said of drugs coming over the border. For some reason people want to condemn those working for the drug trade instead of Americans who demand the drugs. No one brings drugs (or slaves) over the border unless there is a demand to be filled. No one is that stupid. We want the drugs so the drugs come. We wanted slaves so the slaves came. We are so busy demonizing those that supply what we demand, that we are blind to our part in it sometimes.

This book is a must read.]]>
4.03 2018 Barracoon: The Story of the Last "Black Cargo"
author: Zora Neale Hurston
name: Julie
average rating: 4.03
book published: 2018
rating: 5
read at: 2019/04/03
date added: 2021/02/09
shelves: biographies, slavery, history, non-fiction
review:
It blows my mind that this wasn't published when the author was alive. It saddens my heart greatly that it wasn't published in the subject's lifetime. To have the narrative of a former slave from the last slave ship to America is important. To have that narrative from a man that was nineteen when he was transported to America from Africa and was still a young man when he was freed after 5-1/2 years as a slave is unique. Middle Passage accounts from a slave's point-of-view are rare.

A publisher was willing to publish Hurston's book but only if she edited out the dialect. She refused and after you read his story, you'll understand why. You can hear his voice from near a century ago. That would have been lost if she had done what the publisher wanted. I'm glad he didn't have one more thing taken from him. I felt a great sense of duty to bear witness to this man's life, to give him my full attention. I found myself wanting to, needing to, read the subjects words aloud because reading them in silence didn't seem like enough.

The title refers to the place future slaves were held after being kidnapped by their countrymen and before being sold and transported to America or Europe or elsewhere. I didn't know that Europeans and Americans emulated the Portuguese model of procuring slaves.

Hurston interviewed Oluale Kossola in the late 1920s at his windowless home in Alabama. He was called Cudjo Lewis in America. The thing that struck me about his story were many including the circumstances of his horrifying capture, transport, enslavement, and his life as a former slave. But the thing that really got to me was how much he wanted to go back home to Africa. He asked the man that transported him to America to take him back home to Africa and was treated as crazy for even asking since, in his former master's eyes, he practically stole his property by not being his slave any longer. He decided to save money to get back to Africa but soon realized being exploited wasn't such a great moneymaker, so he decided to stay (or rather conceded). He along with others founded their own town based on life in Africa. Imagine that, an African town with only those originally from Africa in Alabama.

It's worth noting, as unsavory as it was, slaves were many slaveholders biggest assets after land. The loss of slaves broke a lot of people financially. It's why George Washington struggled with it. He knew it was a black mark on his legacy but he knew it would break him financially to set all his slaves free while he was alive. In the end pragmatism won out. Even when considering to make slavery illegal he knew it would break the fragile nation just birthed. He was right, the Civil War nearly did break our nation nearly 80 years later. Though one could argue that saving a country built on the backs of slavery maybe wasn't worth saving. Perhaps we needed to break so we could build into something different, something closer to the promised land we brag about being but have yet to reach. Though there's always a chance of flipping into something worse. We could very well have a continent of countries instead of states, some of which had slavery still. It sounds far-fetched until you look at those who still proudly wave the Confederate flag and hold sacred the monuments of those that fought to keep the institution of slavery alive. These seem to be the same people that claim slavery was so long ago and that everyone should just get over it. Remember the soldiers that fought to keep slavery but forget the slaves is the gist. P.S. Forget the largest forced migration in the history of the world.

Kossola lived through his birth as a free man in West Africa in 1841 to experiencing slavery in a strange land and then freedom with the baked-in prejudice of Jim Crow's disingenuous but constitutionally protected "separate but equal" nonsense to seeing the dawn of a new century that included a world war and the Great Depression.

Throughout the rest of his life he was lonely for his people. He hoped Hurston's book would reach those that had known him in Africa so they would know what happened to him. That separation haunted him. It haunts me too after reading this book.

To think that importing slaves into America was illegal decades before Kossola was born and still he and others met the horrible fate of slavery. It was a hangable offense but that didn't quell demand or the desire to fill that demand. A demand that native dark-skinned Kings were more than happy to oblige.

It's horrific to hear the mayhem that ensued in the predawn raid when Kossola's townspeople awoke to female warriors slaughtering them. It gets worse from there with decapitated heads of family and friends banging about the belts of the warriors as Kassola and others that survived the massacre were bound together on their march to a fate they couldn't possibly imagine.

You go into the narrative knowing the story of his capture. At first I was wondering why the editor was giving so much away in the introduction but once I got into the narrative I was grateful for the help in understanding everything. The narrative Hurston left us is very slim, only about one hundred pages. The afterword is also not to be missed. There is more dialog from the subject as well as games he played in Africa as a child and other information. The historical info after that adds another layer. I recommend not skipping anything.

The part where Kossola tries to navigate freedom is important to spend time with. Really try to imagine being a slave one day and the next being free in a strange hostile land. Slave holders had zero obligation to help their former slaves acclimate to freedom. Imagine being told to go free and you have no money or connections or family or work history except as a slave. You are looked at as stolen property or a traitor. Where the fuck do you even start? The economy sucks and no one wants you unless you work super cheap and even then no one trusts you or truly values you as a human being as much as they valued you as a thing. Imagine how you would navigate that terrain. Seriously, where to start? Add to that a legal system that doesn't have your back and people that want you to go back to Africa or into the new plantation called the penitentiary. Where the hell do you start? Everything you ever had and everyone you ever knew growing up is dead or long gone and the only people you can maybe trust are in the same boat as you. How do you start your new life?

Kossola figures it out. He helps found a town, marries, and has children. But the tragedy continues. Oh the tragedy continues. Some could have happened to anyone and some only because of prejudice. It's just beyond comprehension what this gentle soul endured. When he talked about his wife dying he said: "De wife she de eyes to de man's soul. How kin I see now, when I ain' gotte de eyes no mo'."

Hurston seemed sad to say that final goodbye to Kossola. I'm sure she couldn't help but know he was going back to his home to be alone. He talked about being lonely all the time. Hurston ended with: "I am sure he does not fear death. In spite of his long Christian fellowship he is too deeply a pagan to fear death. But he is full of trembling awe before the altar of the past."

When embarking on this story, Hurston bemoaned when it came to historical documentation of slavery: "All these words from the seller, but not one word from the sold. The Kings and Captains whose words moved ships. But not one word from the cargo. The thoughts of the black ivory, the coin of Africa, had no market value."

When juxtaposing this story next to current events it starkly renders the reality of how dark-skinned Americans have been wrestling with sovereignty over their own bodies since slavery. Ending slavery didn't end this reality.

No one was ever held responsible for the crimes against Kossola. Only one man was ever held accountable for illegally importing Africans after it became illegal in 1808. One. Only one man and as he headed to the gallows he still declared he had done nothing wrong. He believed it as did most others in power, thus only one token guilty man in a sea of many, including the men that stole Kossola out of Africa.

One thinks about the border and the calls today to "build the wall" in the name of keeping immigrants from flooding in. Ironic as hell considering America is responsible for the largest forced migration in human history via the slave trade. Americans are responsible for atrocities of African tribes against other African tribes because of American demand for slaves. Atrocities that would make many drug lords or serial killers seem tame in comparison. Without the demand, it wouldn't have been so appealing and profitable.

The same thing can be said of drugs coming over the border. For some reason people want to condemn those working for the drug trade instead of Americans who demand the drugs. No one brings drugs (or slaves) over the border unless there is a demand to be filled. No one is that stupid. We want the drugs so the drugs come. We wanted slaves so the slaves came. We are so busy demonizing those that supply what we demand, that we are blind to our part in it sometimes.

This book is a must read.
]]>
The Water Dancer 43982054 An alternative cover edition for this ISBN can be found here and here.

Young Hiram Walker was born into bondage. When his mother was sold away, Hiram was robbed of all memory of her—but was gifted with a mysterious power. Years later, when Hiram almost drowns in a river, that same power saves his life. This brush with death births an urgency in Hiram and a daring scheme: to escape from the only home he’s ever known.

So begins an unexpected journey that takes Hiram from the corrupt grandeur of Virginia’s proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the Deep South to dangerously idealistic movements in the North. Even as he’s enlisted in the underground war between slavers and the enslaved, Hiram’s resolve to rescue the family he left behind endures.

This is the dramatic story of an atrocity inflicted on generations of women, men, and children—the violent and capricious separation of families—and the war they waged to simply make lives with the people they loved. Written by one of today’s most exciting thinkers and writers, The Water Dancer is a propulsive, transcendent work that restores the humanity of those from whom everything was stolen.]]>
416 Ta-Nehisi Coates Julie 4
This book is half the brutality of the enslaved and half magical thinking. It was a nice hybrid. It also reminds you of how much courage it takes to right a wrong in the face of massive righteous opposition. It also shows you how powerless animals must feel as they are enslaved.

The novel felt breathless at times, moving so fast and then so slow as it bathed in the memories of the past and sometimes the future. It was a good mix and was woven quite well.

What the author has done has created a world that felt really real. So much so, I could feel the ache and the loss and the hope and the loss of hope and all the sorrow and the pockets of happiness human beings in dire straits can still find amidst the raw craggy cuts of reality.

The real beauty of this novel is how it uses memory as the power to liberate. There is something really deep about that supposition. Memory does have power. I mean, we spend a good chunk of our days in our memories. As we get older even more so. Memory has the power to transform us for good or bad. It also has the power to set us free. Memories are like another place. A super power.

This novel wasn’t perfect. It had some odd stops and starts but overall was a suspenseful tale. And the conduction scenes were well worth the wait. It was riveting and poignant and seemed as real in the reading as the brutality. Meaning, it didn’t feel out of place and it felt grounded in some way.

Throughout this novel there are epigraphs of the enslaved who died taking the trip to be sold in a new land. It’s poignant and adds another layer that I think is important to this work. Because though this is a work of fiction, it is based in fact, or more accurately in truth. The truth is, this ugly past is part of us. In truth, it isn’t just part of our past as remnants of it are still here and now. Even so, there are people alive today that think being enslaved wasn’t so bad and that the enslaved were treated well. This goes to show us how deep prejudice is in Americans DNA. It’s so intertwined, some don’t see it.

Works of fiction having to do with our history of enslaving human beings is important. Charles Dickens started off writing a political pamphlet about the perils of the rich turning a blind eye to poverty and instead wrote A Christmas Carol because he thought it would have a more lasting impact. He was right and so are those that write fiction about the truth of our past.

We need to come to terms with our history. It’s a mixed bag of atrocities and it’s important that we see what is actually in the mirror mirror - because it isn’t pretty or fair. But there is beauty in recognizing or trying to see what is really there because we can rise from the ashes if we dare.

Overall, the characters were written well. They were indelible. Besides the protagonist who was written so well, the female characters jumped off the page. They will be with me for a while.]]>
4.03 2019 The Water Dancer
author: Ta-Nehisi Coates
name: Julie
average rating: 4.03
book published: 2019
rating: 4
read at: 2020/12/23
date added: 2020/12/27
shelves:
review:
This story is told from a place in the far future but that is not where the story ends. It left me with an unsettling feeling and I can only imagine that is what the author intended. We have much work to do seems to be the message. And it’s appropriate because we do.

This book is half the brutality of the enslaved and half magical thinking. It was a nice hybrid. It also reminds you of how much courage it takes to right a wrong in the face of massive righteous opposition. It also shows you how powerless animals must feel as they are enslaved.

The novel felt breathless at times, moving so fast and then so slow as it bathed in the memories of the past and sometimes the future. It was a good mix and was woven quite well.

What the author has done has created a world that felt really real. So much so, I could feel the ache and the loss and the hope and the loss of hope and all the sorrow and the pockets of happiness human beings in dire straits can still find amidst the raw craggy cuts of reality.

The real beauty of this novel is how it uses memory as the power to liberate. There is something really deep about that supposition. Memory does have power. I mean, we spend a good chunk of our days in our memories. As we get older even more so. Memory has the power to transform us for good or bad. It also has the power to set us free. Memories are like another place. A super power.

This novel wasn’t perfect. It had some odd stops and starts but overall was a suspenseful tale. And the conduction scenes were well worth the wait. It was riveting and poignant and seemed as real in the reading as the brutality. Meaning, it didn’t feel out of place and it felt grounded in some way.

Throughout this novel there are epigraphs of the enslaved who died taking the trip to be sold in a new land. It’s poignant and adds another layer that I think is important to this work. Because though this is a work of fiction, it is based in fact, or more accurately in truth. The truth is, this ugly past is part of us. In truth, it isn’t just part of our past as remnants of it are still here and now. Even so, there are people alive today that think being enslaved wasn’t so bad and that the enslaved were treated well. This goes to show us how deep prejudice is in Americans DNA. It’s so intertwined, some don’t see it.

Works of fiction having to do with our history of enslaving human beings is important. Charles Dickens started off writing a political pamphlet about the perils of the rich turning a blind eye to poverty and instead wrote A Christmas Carol because he thought it would have a more lasting impact. He was right and so are those that write fiction about the truth of our past.

We need to come to terms with our history. It’s a mixed bag of atrocities and it’s important that we see what is actually in the mirror mirror - because it isn’t pretty or fair. But there is beauty in recognizing or trying to see what is really there because we can rise from the ashes if we dare.

Overall, the characters were written well. They were indelible. Besides the protagonist who was written so well, the female characters jumped off the page. They will be with me for a while.
]]>
<![CDATA[The Getaway Car: A Practical Memoir About Writing and Life]]> 12471186 45 Ann Patchett 1614520119 Julie 0 to-read 4.18 2011 The Getaway Car: A Practical Memoir About Writing and Life
author: Ann Patchett
name: Julie
average rating: 4.18
book published: 2011
rating: 0
read at:
date added: 2020/11/28
shelves: to-read
review:

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The Midnight Library 52578297
When Nora Seed finds herself in the Midnight Library, she has a chance to make things right. Up until now, her life has been full of misery and regret. She feels she has let everyone down, including herself. But things are about to change.

The books in the Midnight Library enable Nora to live as if she had done things differently. With the help of an old friend, she can now undo every one of her regrets as she tries to work out her perfect life. But things aren't always what she imagined they'd be, and soon her choices place the library and herself in extreme danger.

Before time runs out, she must answer the ultimate question: what is the best way to live?]]>
288 Matt Haig 0525559477 Julie 0 to-read 3.96 2020 The Midnight Library
author: Matt Haig
name: Julie
average rating: 3.96
book published: 2020
rating: 0
read at:
date added: 2020/11/24
shelves: to-read
review:

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<![CDATA[The Testaments (The Handmaid's Tale, #2)]]> 42973319 alternate cover for this ISBN can be found here

More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.

Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets.

As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes.

â€Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.â€�
--Margaret Atwood]]>
419 Margaret Atwood 1784742325 Julie 4
Though after reading the sequel, I found myself hardly thinking of the first novel and mostly thinking of the tv series. Aunt Lydia’s voice in this novel could not be untangled from the Aunt Lydia of the tv series. Much more than from the original novel. Aunt Lydia wasn’t such a powerful voice in the first novel as in this one. Where the Handmaid is the protagonist in the original, for this story it’s Aunt Lydia. Which I felt was brilliant to tell the story of Gilead from another point of view, that of the Aunts. There could reasonably be another novel from the point of view of the Martha’s and the wife’s and the econowifes.

This novel beyond its specific story makes one think hard about what we are going through now as a country. It also makes one think hard about how history will look back upon us. It also rings heavy how nothing in Atwood’s Gilead novels is without precedent in human history and human now. The hypocrisy of revolutions is often tainted with the foibles of human nature. The road to hell is offen paved with good intentions and power corrupts and objectification breeds objectification and so on.

It’s always troubled me that we can’t see ourselves clearly in the moment. All the justifications we make to objectify others. Our utter lack of empathy in the face of suffering.

It’s a hard pill to swallow, but we are surrounded with those now that would feel quite comfortable in Gilead. Misogyny still rules the world. Women won’t have true equality via equal opportunity, equal pay, and equal power for decades. We’ve made progress but the fact that women in America praise some as misogynistic as Trump and Pence tells me that we have a long way to go baby. Like racism, sexism is deep in America’s DNA.

As far as this sequel, it was a good read. I can’t spoil it by mentioning several things I would like to touch on but it was good to flesh out Aunt Lydia’s story more. It was as brutal as she is portrayed in the series. It made me have much empathy for her plight. The rest of the story is told from two other character’s points of view, one born from a Handmaid and raised in a commanders house and another daughter of a Handmaid that was smuggled out of Gilead as a baby.

The end was satisfying but as in The Handmaids Tale, it ends with a conference in the future about Gilead history. This isn’t a spoiler as this is how it ends in the original. Though, even if it hadn’t, places like Gilead never last forever. Corruption mixed with Holier than Thou always blows up eventually.]]>
4.15 2019 The Testaments (The Handmaid's Tale, #2)
author: Margaret Atwood
name: Julie
average rating: 4.15
book published: 2019
rating: 4
read at: 2020/11/17
date added: 2020/11/17
shelves: alternate-history, feminist, fiction-current, fururistic
review:
I reread the original The Handmaids Tale before reading this one because it had been a while. I read the original in the 1980s, so I found it imperative that I reread it before diving into this one. I’m so glad I did because it was a dazzling feat. It was so well written. I have been watching the Hulu series so I felt it imperative to get that out of my head when it came to reading the sequel.

Though after reading the sequel, I found myself hardly thinking of the first novel and mostly thinking of the tv series. Aunt Lydia’s voice in this novel could not be untangled from the Aunt Lydia of the tv series. Much more than from the original novel. Aunt Lydia wasn’t such a powerful voice in the first novel as in this one. Where the Handmaid is the protagonist in the original, for this story it’s Aunt Lydia. Which I felt was brilliant to tell the story of Gilead from another point of view, that of the Aunts. There could reasonably be another novel from the point of view of the Martha’s and the wife’s and the econowifes.

This novel beyond its specific story makes one think hard about what we are going through now as a country. It also makes one think hard about how history will look back upon us. It also rings heavy how nothing in Atwood’s Gilead novels is without precedent in human history and human now. The hypocrisy of revolutions is often tainted with the foibles of human nature. The road to hell is offen paved with good intentions and power corrupts and objectification breeds objectification and so on.

It’s always troubled me that we can’t see ourselves clearly in the moment. All the justifications we make to objectify others. Our utter lack of empathy in the face of suffering.

It’s a hard pill to swallow, but we are surrounded with those now that would feel quite comfortable in Gilead. Misogyny still rules the world. Women won’t have true equality via equal opportunity, equal pay, and equal power for decades. We’ve made progress but the fact that women in America praise some as misogynistic as Trump and Pence tells me that we have a long way to go baby. Like racism, sexism is deep in America’s DNA.

As far as this sequel, it was a good read. I can’t spoil it by mentioning several things I would like to touch on but it was good to flesh out Aunt Lydia’s story more. It was as brutal as she is portrayed in the series. It made me have much empathy for her plight. The rest of the story is told from two other character’s points of view, one born from a Handmaid and raised in a commanders house and another daughter of a Handmaid that was smuggled out of Gilead as a baby.

The end was satisfying but as in The Handmaids Tale, it ends with a conference in the future about Gilead history. This isn’t a spoiler as this is how it ends in the original. Though, even if it hadn’t, places like Gilead never last forever. Corruption mixed with Holier than Thou always blows up eventually.
]]>
The Handmaid's Tale 9692063 Alternate Cover Edition for 9780099740919

In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate 'Handmaids' under the new social order who have only one purpose: to breed.

In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred's persistent memories of life in the 'time before' and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood's devastating irony, wit, and acute perceptive powers in full force, The Handmaid's Tale is at once a mordant satire and a dire warning.]]>
324 Margaret Atwood Julie 5
The way Atwood wrote this novel was delightful. Damn she’s a great writer. A lot of the novel is internal. It’s epistolary in a way. It’s told from the protagonist to an unknown reader. The fact that the story exists tells you from the start that something happens to her. Her story gets out. But we never know what exactly.

The main themes in this dystopian tale are about gender, theocracy, fertility and rebellion. In a strange way it’s also about love and examining what it is and isn’t or maybe never was and never can be. How maybe it’s circumstantial like everything else. This story is also about memories. What we remember and what a don’t and how they are colored by our current portal.

This novel juxtaposes the external world with the internal world brilliantly. What happens when our internal world can’t flow into the external is the usual musing. This novel sort of turns that question on its head.

Misogyny is the lifeblood of this novel. But misogyny at its heart has always been about insecurity, ego, fear and hunger for power to quell the fear and insecurity and prop up the fragile ego of men afraid of equality. These men are the weakest of creatures. This understanding is what leads to all the violence.

This novel shows all of these poignant shades in this book. It shows most sadly how women treat each other in a world where women are considered inferior to men and are thus oppressed no matter what their status. Being married to one of the architects of oppression gives these women only minimal power and only over servants. It’s a stickey-wicket that shows women can be as misogynistic as men or at least play along like they are to get along.

Slavery for the good of the chosen ones as those in power like to see themselves - its a way to step back from taking responsibility for their actions. It’s all too familiar for comfort.

Gilead exists in some parts of the world today and its ilk certainly has its past in misogynistic America. The current US President and Vice President are ambassadors from Gilead in many ways. You can too easily see them fitting right into a world like this. Making America great again is about racism and sexism for Trump. It’s about white privilege. Trump has been blatant about this.

There is such treachery of living in a world where the men ruling it have such fear of not controlling women. It leads to the worst atrocities. Every time.

Everyone in this novel is scratching for power over their circumstance. Even those in charge. Betrayal is around every corner for all of them.

The pretense of this theocracy is about being fruitful and faithful to god. But if that was the reality, those in power would let those that have the highest sperm counts and healthiest eggs go at it. But that’s not what they do. Instead all lack of fruitfulness is blamed on women even if it’s the man that is sterile. A woman capable of bearing children can be put to death for even the suggestion of it. So what the hell is going on here? What always goes on when the little people have something those in power don’t have. They take it by whatever means necessary. This tale is a fertility clinic on acid. Those in power do what they always do and that is think they are the chosen ones. The irony of the chosen ones thinking god chose them to be fruitful whilst also making it impossible to be fruitful. The irony of them taking that Apple they all whine about.

Even though women in this world read, it’s a crime for women of any status to read or write. In their perfect world, women are subservient to men and that all starts with keeping their pretty little heads empty of any ideas of equality. They know that ideas can be powerful and if written down and passed around have the chance to change the world. They know this, well, because they just did that.

This totalitarian state of Gilead is a reminder that this can happen anywhere at anytime if we aren’t careful and aware. Reading this during this 2020 election made it register in a way it didn’t when I first read this novel. It seemed so in the past or future when I read it the first time. It felt so immediate this time. The novels hot breath on my neck as I read it. I really felt the misogyny on a much more prickly level this time around.]]>
4.13 1985 The Handmaid's Tale
author: Margaret Atwood
name: Julie
average rating: 4.13
book published: 1985
rating: 5
read at: 2020/11/10
date added: 2020/11/10
shelves: alternate-history, fiction-classics, great-writers
review:
Reading this novel was a little like reading Anne Frank’s diary - if she had been in Gilead instead of in the hands of the Nazis.

The way Atwood wrote this novel was delightful. Damn she’s a great writer. A lot of the novel is internal. It’s epistolary in a way. It’s told from the protagonist to an unknown reader. The fact that the story exists tells you from the start that something happens to her. Her story gets out. But we never know what exactly.

The main themes in this dystopian tale are about gender, theocracy, fertility and rebellion. In a strange way it’s also about love and examining what it is and isn’t or maybe never was and never can be. How maybe it’s circumstantial like everything else. This story is also about memories. What we remember and what a don’t and how they are colored by our current portal.

This novel juxtaposes the external world with the internal world brilliantly. What happens when our internal world can’t flow into the external is the usual musing. This novel sort of turns that question on its head.

Misogyny is the lifeblood of this novel. But misogyny at its heart has always been about insecurity, ego, fear and hunger for power to quell the fear and insecurity and prop up the fragile ego of men afraid of equality. These men are the weakest of creatures. This understanding is what leads to all the violence.

This novel shows all of these poignant shades in this book. It shows most sadly how women treat each other in a world where women are considered inferior to men and are thus oppressed no matter what their status. Being married to one of the architects of oppression gives these women only minimal power and only over servants. It’s a stickey-wicket that shows women can be as misogynistic as men or at least play along like they are to get along.

Slavery for the good of the chosen ones as those in power like to see themselves - its a way to step back from taking responsibility for their actions. It’s all too familiar for comfort.

Gilead exists in some parts of the world today and its ilk certainly has its past in misogynistic America. The current US President and Vice President are ambassadors from Gilead in many ways. You can too easily see them fitting right into a world like this. Making America great again is about racism and sexism for Trump. It’s about white privilege. Trump has been blatant about this.

There is such treachery of living in a world where the men ruling it have such fear of not controlling women. It leads to the worst atrocities. Every time.

Everyone in this novel is scratching for power over their circumstance. Even those in charge. Betrayal is around every corner for all of them.

The pretense of this theocracy is about being fruitful and faithful to god. But if that was the reality, those in power would let those that have the highest sperm counts and healthiest eggs go at it. But that’s not what they do. Instead all lack of fruitfulness is blamed on women even if it’s the man that is sterile. A woman capable of bearing children can be put to death for even the suggestion of it. So what the hell is going on here? What always goes on when the little people have something those in power don’t have. They take it by whatever means necessary. This tale is a fertility clinic on acid. Those in power do what they always do and that is think they are the chosen ones. The irony of the chosen ones thinking god chose them to be fruitful whilst also making it impossible to be fruitful. The irony of them taking that Apple they all whine about.

Even though women in this world read, it’s a crime for women of any status to read or write. In their perfect world, women are subservient to men and that all starts with keeping their pretty little heads empty of any ideas of equality. They know that ideas can be powerful and if written down and passed around have the chance to change the world. They know this, well, because they just did that.

This totalitarian state of Gilead is a reminder that this can happen anywhere at anytime if we aren’t careful and aware. Reading this during this 2020 election made it register in a way it didn’t when I first read this novel. It seemed so in the past or future when I read it the first time. It felt so immediate this time. The novels hot breath on my neck as I read it. I really felt the misogyny on a much more prickly level this time around.
]]>
Death of a Salesman 12898 'For a salesman, there is no rock bottom to life. He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine.'

Willy Loman has been a salesman for 34 years. At 60, he is cast aside, his usefulness now exhausted. With no future to dream about he must face the crushing disappointments of his past. He takes one final brave action, but is he heroic at last?, or a self-deluding fool?]]>
144 Arthur Miller 0435233076 Julie 5 3.57 1949 Death of a Salesman
author: Arthur Miller
name: Julie
average rating: 3.57
book published: 1949
rating: 5
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I love Miller. This is a classic that you’ve likely heard of even if you’ve never read or seen the play. It’s a joy to read Miller because he’s so damn good. As a writer, I like to see the craft on the page. It’s an art form of its own.The actual play elevates it hopefully, but it all starts with the page. Miller should be read.
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Much Ado About Nothing 12957 Much Ado About Nothing, Shakespeare includes two quite different stories of romantic love. Hero and Claudio fall in love almost at first sight, but an outsider, Don John, strikes out at their happiness. Beatrice and Benedick are kept apart by pride and mutual antagonism until others decide to play Cupid.]]> 249 William Shakespeare Julie 5 4.06 1598 Much Ado About Nothing
author: William Shakespeare
name: Julie
average rating: 4.06
book published: 1598
rating: 5
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One of WS easier reads. It’s been a while, but I highly recommend this for a starter after reading some of his sonnets.
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Heidi (Heidi, #1-2) 93 352 Johanna Spyri 0753454947 Julie 4 4.02 1880 Heidi (Heidi, #1-2)
author: Johanna Spyri
name: Julie
average rating: 4.02
book published: 1880
rating: 4
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This is from childhood. I mostly remember it because I developed one of the books into a play in third grade. I don’t remember much more.
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Othello 12996 319 William Shakespeare Julie 0 3.89 1603 Othello
author: William Shakespeare
name: Julie
average rating: 3.89
book published: 1603
rating: 0
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The Elements of Style 33514 105 William Strunk Jr. Julie 0 4.15 1918 The Elements of Style
author: William Strunk Jr.
name: Julie
average rating: 4.15
book published: 1918
rating: 0
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David Copperfield 58696 882 Charles Dickens Julie 0 4.02 1850 David Copperfield
author: Charles Dickens
name: Julie
average rating: 4.02
book published: 1850
rating: 0
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The Iliad / The Odyssey 1375
If 'The Iliad' is the world's greatest war story, then 'The Odyssey' is literature's greatest evocation of every man's journey through life. Here again, Fagles has performed the translator's task magnificently, giving us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.

Each volume contains a superb introduction with textual and critical commentary by renowned classicist Bernard Knox.]]>
1556 Homer 0147712556 Julie 0 4.06 -800 The Iliad / The Odyssey
author: Homer
name: Julie
average rating: 4.06
book published: -800
rating: 0
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Horton Hears a Who! 7779 â€A person’s a person, no matter how smallâ€�!

With his unique combination of hilarious stories, zany pictures and riotous rhymes, Dr Seuss has been delighting young children and helping them learn to read for over fifty years. Creator of the wonderfully anarchic Cat in the Hat, and ranked among the world's top ten favorite children’s authors, Dr. Seuss is a global best-seller, with nearly half a billion books sold worldwide.]]>
64 Dr. Seuss 0679800034 Julie 0 4.21 1954 Horton Hears a Who!
author: Dr. Seuss
name: Julie
average rating: 4.21
book published: 1954
rating: 0
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The Joy Luck Club 7763 Alternate cover editions of ISBN 9780143038092 can be found here.

Four mothers, four daughters, four families, whose histories shift with the four winds depending on who's telling the stories. In 1949, four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club. Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives � until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts.

With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.]]>
288 Amy Tan Julie 0 3.96 1989 The Joy Luck Club
author: Amy Tan
name: Julie
average rating: 3.96
book published: 1989
rating: 0
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The Raven 264158 This volume reprints all 26 of Doré's detailed, masterly engravings from a rare 19th-century edition of the poem. Relevant lines from the poem are printed on facing pages and the complete text is also included. Admirers of Doré will find ample evidence here of his characteristic ability to capture the mood and meaning of a work of literature in striking imagery; lovers of The Raven will delight in seeing its mournful musing on love and loss given dramatic pictorial form.]]> 64 Edgar Allan Poe 0486290727 Julie 0 4.31 1845 The Raven
author: Edgar Allan Poe
name: Julie
average rating: 4.31
book published: 1845
rating: 0
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The Origin of Species 22463
Yet The Origin of Species (1859) is also a humane and inspirational vision of ecological interrelatedness, revealing the complex mutual interdependencies between animal and plant life, climate and physical environment, and—by implication—within the human world.

Written for the general reader, in a style which combines the rigour of science with the subtlety of literature, The Origin of Species remains one of the founding documents of the modern age.]]>
703 Charles Darwin Julie 0 4.01 1859 The Origin of Species
author: Charles Darwin
name: Julie
average rating: 4.01
book published: 1859
rating: 0
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The Trial 17690 The Trial is the terrifying tale of Josef K., a respectable bank officer who is suddenly and inexplicably arrested and must defend himself against a charge about which he can get no information. Whether read as an existential tale, a parable, or a prophecy of the excesses of modern bureaucracy wedded to the madness of totalitarianism, The Trial has resonated with chilling truth for generations of readers.]]> 255 Franz Kafka Julie 0 4.00 1925 The Trial
author: Franz Kafka
name: Julie
average rating: 4.00
book published: 1925
rating: 0
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Aesop’s Fables 21348 352 Aesop 0192840509 Julie 0 4.07 -560 Aesop’s Fables
author: Aesop
name: Julie
average rating: 4.07
book published: -560
rating: 0
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Love in the Time of Cholera 9712 348 Gabriel García Márquez 140003468X Julie 0 3.92 1985 Love in the Time of Cholera
author: Gabriel García Márquez
name: Julie
average rating: 3.92
book published: 1985
rating: 0
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The Crucible 17250
Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing, "Political opposition... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence."

WIth an introduction by Christopher Bigsby.
(back cover)]]>
143 Arthur Miller 0142437336 Julie 0 3.60 1953 The Crucible
author: Arthur Miller
name: Julie
average rating: 3.60
book published: 1953
rating: 0
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Oliver Twist 18254
The story of Oliver Twist - orphaned, and set upon by evil and adversity from his first breath - shocked readers when it was published. After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.

This Penguin Classics edition of Oliver Twist is the first critical edition to faithfully reproduce the text as its earliest readers would have encountered it from its serialisation in Bentley's Miscellany, and includes an introduction by Philip Horne, a glossary of Victorian thieves' slang, a chronology of Dickens's life, a map of contemporary London and all of George Cruikshank's original illustrations.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.]]>
608 Charles Dickens Julie 0 3.88 1838 Oliver Twist
author: Charles Dickens
name: Julie
average rating: 3.88
book published: 1838
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Animal Farm / 1984 5472 This edition features George Orwell’s best-known novels�1984 and Animal Farm—with an introduction by Christopher Hitchens.

In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind. Winston Smith joins a secret revolutionary organisation called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.

Animal Farm is Orwell’s classic satire of the Russian Revolution - an account of the bold struggle, initiated by the animals, that transforms Mr. Jones’s Manor Farm into Animal Farm - a wholly democratic society built on the credo that All Animals Are Created Equal. But are they? AUTHOR: George Orwell (1903-1950) was born in India and served with the Imperial Police in Burma before joining the Republican Army in the Spanish Civil War. Orwell was the author of six novels as well as numerous essays and nonfiction works.]]>
400 George Orwell Julie 0 4.29 1949 Animal Farm / 1984
author: George Orwell
name: Julie
average rating: 4.29
book published: 1949
rating: 0
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Great Expectations 2623
Pip must discover his true self, and his own set of values and priorities. Whether such values allow one to prosper in the complex world of early Victorian England is the major question posed by Great Expectations, one of Dickens's most fascinating, and disturbing, novels.

This edition includes the original, discarded ending, Dickens's brief working notes, and the serial instalments and chapter divisions in different editions. It also uses the definitive Clarendon text.]]>
544 Charles Dickens 0192833596 Julie 0 3.78 1861 Great Expectations
author: Charles Dickens
name: Julie
average rating: 3.78
book published: 1861
rating: 0
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<![CDATA[The da Vinci Code (Robert Langdon, #2)]]> 968 The da Vinci Code, The da Vinci Code, The da Vinci Code, and The da Vinci Code

While in Paris on business, Harvard symbologist Robert Langdon receives an urgent late-night phone call: the elderly curator of the Louvre has been murdered inside the museum. Near the body, police have found a baffling cipher. While working to solve the enigmatic riddle, Langdon is stunned to discover it leads to a trail of clues hidden in the works of Da Vinci -- clues visible for all to see -- yet ingeniously disguised by the painter.

Langdon joins forces with a gifted French cryptologist, Sophie Neveu, and learns the late curator was involved in the Priory of Sion -- an actual secret society whose members included Sir Isaac Newton, Botticelli, Victor Hugo, and Da Vinci, among others.

In a breathless race through Paris, London, and beyond, Langdon and Neveu match wits with a faceless powerbroker who seems to anticipate their every move. Unless Langdon and Neveu can decipher the labyrinthine puzzle in time, the Priory's ancient secret -- and an explosive historical truth -- will be lost forever.

The Da Vinci Code heralds the arrival of a new breed of lightning-paced, intelligent thriller utterly unpredictable right up to its stunning conclusion.]]>
489 Dan Brown Julie 0 3.92 2003 The da Vinci Code (Robert Langdon, #2)
author: Dan Brown
name: Julie
average rating: 3.92
book published: 2003
rating: 0
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Moby-Dick or, The Whale 153747 "It is the horrible texture of a fabric that should be woven of ships' cables and hawsers. A Polar wind blows through it, and birds of prey hover over it."

So Melville wrote of his masterpiece, one of the greatest works of imagination in literary history. In part, Moby-Dick is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopaedia of whaling lore and legend, the book can be seen as part of its author's lifelong meditation on America. Written with wonderfully redemptive humour, Moby-Dick is also a profound inquiry into character, faith, and the nature of perception.

This edition of Moby-Dick, which reproduces the definitive text of the novel, includes invaluable explanatory notes, along with maps, illustrations, and a glossary of nautical terms.]]>
720 Herman Melville 0142437247 Julie 0 3.53 1851 Moby-Dick or, The Whale
author: Herman Melville
name: Julie
average rating: 3.53
book published: 1851
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War and Peace 656
War and Peace broadly focuses on Napoleon’s invasion of Russia in 1812 and follows three of the most well-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves his family behind to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman who intrigues both men.

As Napoleon’s army invades, Tolstoy brilliantly follows characters from diverse backgrounds—peasants and nobility, civilians and soldiers—as they struggle with the problems unique to their era, their history, and their culture. And as the novel progresses, these characters transcend their specificity, becoming some of the most moving—and human—figures in world literature.


Tolstoy gave his personal approval to this translation, published here in a new single volume edition, which includes an introduction by Henry Gifford, and Tolstoy's important essay `Some Words about War and Peace'.]]>
1392 Leo Tolstoy 0192833987 Julie 0 4.14 1869 War and Peace
author: Leo Tolstoy
name: Julie
average rating: 4.14
book published: 1869
rating: 0
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Macbeth 8852
This shocking tragedy - a violent caution to those seeking power for its own sake - is, to this day, one of Shakespeare’s most popular and influential masterpieces.]]>
249 William Shakespeare 0743477103 Julie 0 3.90 1623 Macbeth
author: William Shakespeare
name: Julie
average rating: 3.90
book published: 1623
rating: 0
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The Scarlet Letter 12296 279 Nathaniel Hawthorne 0142437263 Julie 0 3.43 1850 The Scarlet Letter
author: Nathaniel Hawthorne
name: Julie
average rating: 3.43
book published: 1850
rating: 0
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<![CDATA[The Fellowship of the Ring (The Lord of the Rings, #1)]]> 34
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkeness bind them

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, The Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit.

In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.
--back cover]]>
398 J.R.R. Tolkien 0618346252 Julie 0 4.36 1954 The Fellowship of the Ring (The Lord of the Rings, #1)
author: J.R.R. Tolkien
name: Julie
average rating: 4.36
book published: 1954
rating: 0
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<![CDATA[Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson]]> 6900
Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded. Wouldn't you like to see that person again, ask the bigger questions that still haunt you?

Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying of ALS - or motor neurone disease - Mitch visited Morrie in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final 'class': lessons in how to live.]]>
210 Mitch Albom Julie 0 4.19 1997 Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson
author: Mitch Albom
name: Julie
average rating: 4.19
book published: 1997
rating: 0
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The Count of Monte Cristo 7126 The epic tale of wrongful imprisonment, adventure and revenge, in its definitive translation

Thrown in prison for a crime he has not committed, Edmond Dantès is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to use the treasure to plot the destruction of the three men responsible for his incarceration. Dumas� epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized in the 1840s.

Translated with an Introduction by Robin Buss

An alternative cover edition for this ISBN can be found here]]>
1276 Alexandre Dumas 0140449264 Julie 0 4.29 1846 The Count of Monte Cristo
author: Alexandre Dumas
name: Julie
average rating: 4.29
book published: 1846
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A Tale of Two Cities 1953 A Tale of Two Cities is Charles Dickens’s great historical novel, set against the violent upheaval of the French Revolution. The most famous and perhaps the most popular of his works, it compresses an event of immense complexity to the scale of a family history, with a cast of characters that includes a bloodthirsty ogress and an antihero as believably flawed as any in modern fiction. Though the least typical of the author’s novels, A Tale of Two Cities still underscores many of his enduring themes—imprisonment, injustice, social anarchy, resurrection, and the renunciation that fosters renewal.]]> 489 Charles Dickens 0141439602 Julie 0 3.86 1859 A Tale of Two Cities
author: Charles Dickens
name: Julie
average rating: 3.86
book published: 1859
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The Adventures of Tom Sawyer 24583
Unlike his brother Sid, Tom receives "lickings" from his Aunt Polly; ever the mischief-maker, would rather play hooky than attend school and often sneaks out his bedroom window at night to adventure with his friend, Huckleberry Finn ­ the town's social outcast. Tom, despite his dread of schooling, is extremely clever and would normally get away with his pranks if Sid were not such a "tattle-tale."

As punishment for skipping school to go swimming, Aunt Polly assigns Tom the chore of whitewashing the fence surrounding the house. In a brilliant scheme, Tom is able to con the neighborhood boys into completing the chore for him, managing to convince them of the joys of whitewashing. At school, Tom is equally as flamboyant, and attracts attention by chasing other boys, yelling, and running around. With his usual antics, Tom attempts to catch the eye of Becky Thatcher, a new girl in town, and persuades her to get "engaged" by kissing him. But their romance collapses when she learns Tom has been "engaged" previously to Amy Lawrence. Shortly after Becky shuns him, he accompanies Huckleberry Finn to the graveyard at night, where they witness the murder of Dr. Robinson.

Excerpt:
"TOM!"
No answer.
"TOM!"
No answer.
"What's gone with that boy, ĚýI wonder? You TOM!"
No answer.
The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never lookedĚýthroughĚýthem for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service—she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear:
"Well, I lay if I get hold of you I'll�"
She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat.
"I never did see the beat of that boy!"]]>
244 Mark Twain Julie 0 3.92 1876 The Adventures of Tom Sawyer
author: Mark Twain
name: Julie
average rating: 3.92
book published: 1876
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The Grapes of Wrath 18114322
First published in 1939, Steinbeck’s Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics.]]>
496 John Steinbeck 067001690X Julie 0 4.06 1939 The Grapes of Wrath
author: John Steinbeck
name: Julie
average rating: 4.06
book published: 1939
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The Outsiders 231804 The Outsiders is about two weeks in the life of a 14-year-old boy. The novel tells the story of Ponyboy Curtis and his struggles with right and wrong in a society in which he believes that he is an outsider. According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser.

Librarian note: This record is for one of the three editions published with different covers and with ISBN 0-140-38572-X / 978-0-14-038572-4. The records are for the 1988 cover (this record), the 1995 cover, and the 2008 cover which is also the current in-print cover.]]>
208 S.E. Hinton 0670532576 Julie 0 4.13 1967 The Outsiders
author: S.E. Hinton
name: Julie
average rating: 4.13
book published: 1967
rating: 0
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A Christmas Carol 5326
Introduction and Afterword by Joe Wheeler
To bitter, miserly Ebenezer Scrooge, Christmas is just another day. But all that changes when the ghost of his long-dead business partner appears, warning Scrooge to change his ways before it's too late.

Part of the Focus on the Family Great Stories collection, this abridged edition features an in-depth introduction and discussion questions by Joe Wheeler to provide greater understanding for today's reader. "A Christmas Carol" captures the heart of the holidays like no other novel.]]>
184 Charles Dickens 1561797464 Julie 0 4.06 1843 A Christmas Carol
author: Charles Dickens
name: Julie
average rating: 4.06
book published: 1843
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The Odyssey 1381 Sing to me of the man, Muse, the man of twists and turns
driven time and again off course, once he had plundered
the hallowed heights of Troy.

So begins Robert Fagles' magnificent translation of the Odyssey.

If the Iliad is the world's greatest war epic, then the Odyssey is literature's grandest evocation of everyman's journey though life. Odysseus' reliance on his wit and wiliness for survival in his encounters with divine and natural forces, during his ten-year voyage home to Ithaca after the Trojan War, is at once a timeless human story and an individual test of moral endurance.

In the myths and legends that are retold here, Fagles has captured the energy and poetry of Homer's original in a bold, contemporary idiom, and given us an Odyssey to read aloud, to savor, and to treasure for its sheer lyrical mastery.

Renowned classicist Bernard Knox's superb Introduction and textual commentary provide new insights and background information for the general reader and scholar alike, intensifying the strength of Fagles' translation.

This is an Odyssey to delight both the classicist and the public at large, and to captivate a new generation of Homer's students.

--

Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, presents us with Homer's best-loved and most accessible poem in a stunning new modern-verse translation.]]>
541 Homer 0143039954 Julie 0 3.79 -700 The Odyssey
author: Homer
name: Julie
average rating: 3.79
book published: -700
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The Picture of Dorian Gray 5297
In this celebrated work Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England. Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world. For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.]]>
272 Oscar Wilde Julie 0 4.13 1890 The Picture of Dorian Gray
author: Oscar Wilde
name: Julie
average rating: 4.13
book published: 1890
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Of Mice and Men 890 “I got you to look after me, and you got me to look after you, and that's why.�

They are an unlikely pair: George is "small and quick and dark of face"; Lennie, a man of tremendous size, has the mind of a young child. Yet they have formed a "family," clinging together in the face of loneliness and alienation. Laborers in California's dusty vegetable fields, they hustle work when they can, living a hand-to-mouth existence. But George and Lennie have a plan: to own an acre of land and a shack they can call their own.

While the powerlessness of the laboring class is a recurring theme in Steinbeck's work of the late 1930s, he narrowed his focus when composing Of Mice and Men, creating an intimate portrait of two men facing a world marked by petty tyranny, misunderstanding, jealousy, and callousness. But though the scope is narrow, the theme is universal: a friendship and a shared dream that makes an individual's existence meaningful.

A unique perspective on life's hardships, this story has achieved the status of timeless classic due to its remarkable success as a novel, a Broadway play, and three acclaimed films.]]>
107 John Steinbeck 0142000671 Julie 0 3.88 1937 Of Mice and Men
author: John Steinbeck
name: Julie
average rating: 3.88
book published: 1937
rating: 0
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Lord of the Flies 7624 182 William Golding 0140283331 Julie 0 3.70 1954 Lord of the Flies
author: William Golding
name: Julie
average rating: 3.70
book published: 1954
rating: 0
read at:
date added: 2020/11/07
shelves:
review:

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The Lord of the Rings 33 One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.

From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.

When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.

The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.]]>
1216 J.R.R. Tolkien 0618640150 Julie 0 4.52 1955 The Lord of the Rings
author: J.R.R. Tolkien
name: Julie
average rating: 4.52
book published: 1955
rating: 0
read at:
date added: 2020/11/07
shelves:
review:

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The Little Prince 157993
Few stories are as widely read and as universally cherished by children and adults alike as The Little Prince, presented here in a stunning new translation with carefully restored artwork. The definitive edition of a worldwide classic, it will capture the hearts of readers of all ages.]]>
96 Antoine de Saint-Exupéry 0152023984 Julie 0 4.32 1943 The Little Prince
author: Antoine de Saint-Exupéry
name: Julie
average rating: 4.32
book published: 1943
rating: 0
read at:
date added: 2020/11/07
shelves:
review:

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Pride and Prejudice 1885 Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.

Alternate cover edition of ISBN 9780679783268]]>
279 Jane Austen 1441341706 Julie 0 4.28 1813 Pride and Prejudice
author: Jane Austen
name: Julie
average rating: 4.28
book published: 1813
rating: 0
read at:
date added: 2020/11/07
shelves:
review:

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<![CDATA[The Devil & Sherlock Holmes: Tales of Murder, Madness & Obsession]]> 7150397 New Yorker writer and author of the breakout debut bestseller The Lost City of Z, David Grann offers a collection of spellbinding narrative journalism.

Whether he's reporting on the infiltration of the murderous Aryan Brotherhood into the U.S. prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone-tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries.

Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the world's foremost expert on Sherlock Holmes who is found dead in mysterious circumstances; an arson sleuth trying to prove that a man about to be executed is innocent, and sandhogs racing to complete the brutally dangerous job of building New York City's water tunnels before the old system collapses. Throughout, Grann's hypnotic accounts display the power-and often the willful perversity-of the human spirit.

Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.]]>
338 David Grann 0385517920 Julie 0 to-read 3.78 2010 The Devil & Sherlock Holmes: Tales of Murder, Madness & Obsession
author: David Grann
name: Julie
average rating: 3.78
book published: 2010
rating: 0
read at:
date added: 2020/11/04
shelves: to-read
review:

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<![CDATA[The Lost City of Z: A Tale of Deadly Obsession in the Amazon]]> 3398625 The Lost City of Z is a blockbuster adventure narrative about what lies beneath the impenetrable jungle canopy of the Amazon.

After stumbling upon a hidden trove of diaries, New Yorker writer David Grann set out to solve "the greatest exploration mystery of the 20th century": What happened to the British explorer Percy Fawcett & his quest for the Lost City of Z?

In 1925, Fawcett ventured into the Amazon to find an ancient civilization, hoping to make one of the most important discoveries in history. For centuries Europeans believed the world's largest jungle concealed the glittering kingdom of El Dorado. Thousands had died looking for it, leaving many scientists convinced that the Amazon was truly inimical to humans. But Fawcett, whose daring expeditions inspired Conan Doyle's The Lost World, had spent years building his scientific case. Captivating the imagination of millions round the globe, Fawcett embarked with his 21-year-old son, determined to prove that this ancient civilisation--which he dubbed Z--existed. Then his expedition vanished. Fawcett's fate, & the tantalizing clues he left behind about Z, became an obsession for hundreds who followed him into the uncharted wilderness.

For decades scientists & adventurers have searched for evidence of Fawcett's party & the lost City of Z. Countless have perished, been captured by tribes or gone mad. As Grann delved ever deeper into the mystery surrounding Fawcett's quest, & the greater mystery of what lies within the Amazon, he found himself, like the generations who preceded him, being irresistibly drawn into the jungle's green hell. His quest for the truth & discoveries about Fawcett's fate & Z form the heart of this complexly enthralling narrative.]]>
339 David Grann 0385513534 Julie 0 to-read 3.87 2009 The Lost City of Z: A Tale of Deadly Obsession in the Amazon
author: David Grann
name: Julie
average rating: 3.87
book published: 2009
rating: 0
read at:
date added: 2020/11/04
shelves: to-read
review:

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<![CDATA[The Wisdom of Ptah-Hotep: Spiritual Treasures from the Age of the Pyramids and the Oldest Book in the World]]> 497881 256 Ptah-Hotep 0786718293 Julie 0 to-read 4.32 -2400 The Wisdom of Ptah-Hotep: Spiritual Treasures from the Age of the Pyramids and the Oldest Book in the World
author: Ptah-Hotep
name: Julie
average rating: 4.32
book published: -2400
rating: 0
read at:
date added: 2020/10/27
shelves: to-read
review:

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The Dutch House 44318414
The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakable bond between them that both saves their lives and thwarts their futures.

Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives, they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.]]>
337 Ann Patchett 0062963678 Julie 5
Though, I’m not sure the narrator/protagonist was the right choice to tell this story.

The novel is about childhood. More specifically, it’s about our memories of what was and what we wish was and wasn’t. It has the flavor of a Grimm or Anderson fairy tale, as the story revolves around siblings who are in the world sans a parent or two. It even has a wicked stepmother.

The story also touches on the can of worms that are childhood homes. The siblings of this novel have a fabulous and unusual childhood home. It’s almost another character in the novel. It is the center of this story and has a strong gravitational pull.

The novel was very well written. The novel travels around in time a bit as there is a sense of looking back on all of it. At all points in the novel, the protagonist is looking back. To the original owners of the Dutch House, to the time before moving into the Dutch House, to losing family and then the Dutch House.

The novel comes full circle in the end but in an unexpected way. It touches on things that are hard to understand like a mother abandoning her children to care for the children of others without parents. It explores forgiveness and letting go and how we repaint our childhood memories whether we know it or not.
]]>
4.08 2019 The Dutch House
author: Ann Patchett
name: Julie
average rating: 4.08
book published: 2019
rating: 5
read at: 2020/10/17
date added: 2020/10/23
shelves: childhood, family, fiction-current
review:
I fell in love with the characters and this novel by the time I finished the first chapter. I was all in for the journey.

Though, I’m not sure the narrator/protagonist was the right choice to tell this story.

The novel is about childhood. More specifically, it’s about our memories of what was and what we wish was and wasn’t. It has the flavor of a Grimm or Anderson fairy tale, as the story revolves around siblings who are in the world sans a parent or two. It even has a wicked stepmother.

The story also touches on the can of worms that are childhood homes. The siblings of this novel have a fabulous and unusual childhood home. It’s almost another character in the novel. It is the center of this story and has a strong gravitational pull.

The novel was very well written. The novel travels around in time a bit as there is a sense of looking back on all of it. At all points in the novel, the protagonist is looking back. To the original owners of the Dutch House, to the time before moving into the Dutch House, to losing family and then the Dutch House.

The novel comes full circle in the end but in an unexpected way. It touches on things that are hard to understand like a mother abandoning her children to care for the children of others without parents. It explores forgiveness and letting go and how we repaint our childhood memories whether we know it or not.

]]>
The Brightest Fell 48676844 When nations are on the brink of war, to be innocent is not enough...

Fifteen years ago, Jehan Fasih designed a drug that could curb the instinct for violence (and rob the taker of their free will). Fifteen minutes ago, someone blew up the metro station to get their hands on his brainchild.

Jehan must make a decision, and time is running out.

Abhijat Shian and his sister, Rito, lost their jobs, and their family's reputation, over the course of a single week.

The reason? Their father's trusted protégé, Jehan Fasih, betrayed him and embroiled their family in one of the biggest corruption scandals the country has ever known.

The Shian siblings' quest for revenge soon turns into a murky web of confusing motives and divided loyalties.

Is Fasih a genius or a madman? Is their father truly innocent or is there a trail of deceit and betrayal within the hallways of their childhood home?

Set in the fictional country of Naijan, The Brightest Fell is a gripping tale of loyalty, treason, corruption, patriotism, and political intrigue.]]>
295 Nupur Chowdhury Julie 0 to-read 3.66 The Brightest Fell
author: Nupur Chowdhury
name: Julie
average rating: 3.66
book published:
rating: 0
read at:
date added: 2020/10/21
shelves: to-read
review:

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The Glass Hotel 45754981 From the award-winning author of Station Eleven, an exhilarating novel set at the glittering intersection of two seemingly disparate events–a massive Ponzi scheme collapse and the mysterious disappearance of a woman from a ship at sea.

Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients� accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call.

In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.]]>
307 Emily St. John Mandel 0525521143 Julie 5 fiction-current
Reading it felt like being in a spider web where I had no real idea of where I was headed but I couldn’t help myself from getting wrapped up in it.

I enjoyed the way the author structured the novel. The way she introduced characters was great. She peeled back the layers with such delicacy and precision, it was like how one gets to know (or not know) people in the real world.

And just as I was deep into one character’s world, the author would jump ship for an adjacent world. And even though I wasn’t sure at first if or how it was all related, I didn’t mind because this new world was rich with textures galore and interesting and fascinating and I felt like a world was delicately being painted for me thin layer by thin layer.

There were some poignant and thought-provoking prose, such as when one character comments to another why her brother behaves as he does.

The exact line was this: The thing about your brother is that he’s always thought you owed him something.

That resonated.

The way the author revealed the characters made the story richer. And the way the author described different worlds, depending on ones position in it, was very interesting.

The author juxtaposed having it all in the external world next to a desolate internal world. It played with that and how when we ignore one world it wreaks havoc on the other. It also showed how we live more than one life, the one we show the world and the one we don’t. There are so many paths any one of us can take and it’s often a mystery how we end up where we end up.

The characters in this novel are searching for something and even when they find it they find themselves lost in it. Each life is derailed in some way. Though from what exactly is the big question.

The novel also points to how hardly anyone that is judged as bad feels that they are. There is always room for rationalizations and escape of some form.

It felt like reading more than one novel at times, in a good way. The novel comes full circle in the end.

The separate stories are all ingredients in the same cake and as we read, the cake bakes until the end when it all seems like the same story.

The heart of the story is a brother and sister and a Bernie Madoff type of character. Vincent, the sister is in both her brothers world and the Madoff characters world - but never really. One never feels she is ever really in either of their worlds for real, though the same can be said of both her brother and her wealthy “husband.� There’s always a sense that they are all outsiders from each other and from themselves.

Though in a strange way, their escape into fantasy or in seeing the dead anchors them back into the real world.

I liked how the author played with the borders between rich and poor, living and dead, and past and present.

And the haunting way the story ended was beautiful.

I look forward to reading more of this author.
]]>
3.66 2020 The Glass Hotel
author: Emily St. John Mandel
name: Julie
average rating: 3.66
book published: 2020
rating: 5
read at: 2020/10/01
date added: 2020/10/03
shelves: fiction-current
review:
Magnificent! The author is a fantastic writer. This novel was so absorbing and masterfully written. It was a gorgeously haunting novel.

Reading it felt like being in a spider web where I had no real idea of where I was headed but I couldn’t help myself from getting wrapped up in it.

I enjoyed the way the author structured the novel. The way she introduced characters was great. She peeled back the layers with such delicacy and precision, it was like how one gets to know (or not know) people in the real world.

And just as I was deep into one character’s world, the author would jump ship for an adjacent world. And even though I wasn’t sure at first if or how it was all related, I didn’t mind because this new world was rich with textures galore and interesting and fascinating and I felt like a world was delicately being painted for me thin layer by thin layer.

There were some poignant and thought-provoking prose, such as when one character comments to another why her brother behaves as he does.

The exact line was this: The thing about your brother is that he’s always thought you owed him something.

That resonated.

The way the author revealed the characters made the story richer. And the way the author described different worlds, depending on ones position in it, was very interesting.

The author juxtaposed having it all in the external world next to a desolate internal world. It played with that and how when we ignore one world it wreaks havoc on the other. It also showed how we live more than one life, the one we show the world and the one we don’t. There are so many paths any one of us can take and it’s often a mystery how we end up where we end up.

The characters in this novel are searching for something and even when they find it they find themselves lost in it. Each life is derailed in some way. Though from what exactly is the big question.

The novel also points to how hardly anyone that is judged as bad feels that they are. There is always room for rationalizations and escape of some form.

It felt like reading more than one novel at times, in a good way. The novel comes full circle in the end.

The separate stories are all ingredients in the same cake and as we read, the cake bakes until the end when it all seems like the same story.

The heart of the story is a brother and sister and a Bernie Madoff type of character. Vincent, the sister is in both her brothers world and the Madoff characters world - but never really. One never feels she is ever really in either of their worlds for real, though the same can be said of both her brother and her wealthy “husband.� There’s always a sense that they are all outsiders from each other and from themselves.

Though in a strange way, their escape into fantasy or in seeing the dead anchors them back into the real world.

I liked how the author played with the borders between rich and poor, living and dead, and past and present.

And the haunting way the story ended was beautiful.

I look forward to reading more of this author.

]]>
Storyteller: 100 Poem Letters 36688823 109 Morgan Harper Nichols Julie 0 to-read 4.18 2017 Storyteller: 100 Poem Letters
author: Morgan Harper Nichols
name: Julie
average rating: 4.18
book published: 2017
rating: 0
read at:
date added: 2020/09/27
shelves: to-read
review:

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<![CDATA[Wolf Hall (Thomas Cromwell, #1)]]> 7826803 604 Hilary Mantel 0312429983 Julie 4
Reading this historical tale was illuminating. It is a story most of us know on the surface. The big names we recognize in this time of the Tudor world where King Henry VIII spends years trying to ditch his first wife of more than two decades for the much younger Anne Boleyn. The first wife’s sin was the very misogynistic mistake of not producing a male heir.

After all the years of hoopla, Henry soured on Anne for much the same reason, no male heir. We all know that in the end, Henry had six wives and Anne’s reign was short and she was charged bogusly of treason to pave the way for wife number 3. Though I believe the marriage was annulled so he didn’t have to kill her, I think it had something to do with succession.

But this novel leaves us with Anne very much in power though waning as Henry has that hunger for a male heir and as in all misogynistic worlds must blame the woman for producing the lesser female babies. Of course, we all know Anne gave us the fiery Elizabeth who would reign after her fathers death.

This novel has the backdrop of Henry and Anne, but it’s from the point of view of a character that rises to power from humble beginnings to become the King’s right hand man. As with all such powerful risings, others must fall hard. And even though the bread crumbs are there, those that rise never really seem to get that they are probably next. To be at the whims and beck and call of the church or royalty is horrid.

This novel really reveals what it was like to be there in a way the history books I have read haven’t. No one seems like they are really having a lot of fun, not even the King of England.

The protagonist in this story is Thomas Cromwell who rose to power over the struggle to allow Henry to marry Anne. The reason we all know Cromwell’s name is that he eventually would lose his head by order of the king. As Henry was marrying his fifth wife, Cromwell was meeting his end. A lot of charges were lodged to get rid of Cromwell, the real reason was his refusal to annul the king’s marriage to wife number four.

But this novel ends with Cromwell at the height of his power.

In some ways, this tale is about power in its most naked and raw form. All the pride and pomp and circumstance is just frosting on the ugly cake of fear and hunger for power at all cost with the decoration of doing it for god.

This novel was written well but I honestly could never get into the rhythm of it. It took me much longer to read these 500+ pages than it should have. I often got lost in who was saying or doing what. But to see the behind the scenes of all of it was fascinating. And poignant as I couldn’t help thinking all the time that was wasted on nonsense. Of course they may not have thought it so. But it makes you turn your eyes to this time we live in and it’s hard not to see the same nonsense today. It may be in different packaging but it still hints of the same hypocrisy and vanity.

I read this novel because I have a great grandfather by the name of Throckmorton that was a member of parliament during Henry VIII’s reign. I’m lucky he made it out of Tudor court alive it seems.]]>
3.97 2009 Wolf Hall (Thomas Cromwell, #1)
author: Hilary Mantel
name: Julie
average rating: 3.97
book published: 2009
rating: 4
read at: 2020/09/25
date added: 2020/09/25
shelves: england, history, 1500s, royals, historical-fiction
review:
As I read this novel, I kept thinking of that Oscar Wilde line about how a thing is not necessarily true because a man dies for it. Or what he kills for I would say. In this Tudor world every character is a heartbeat away from being on the wrong side, including and especially those with the utmost power. A lot of heads roll or are burned at the stake for reasons that are really tragic and quite stupid. This ping pong match of trying to please the church and the king of England only led to hypocrisy and a high body count. The power struggle in a nut shell is all about making others believe that god favors such and such most. Of course the dark underbelly of that is all about power and money.

Reading this historical tale was illuminating. It is a story most of us know on the surface. The big names we recognize in this time of the Tudor world where King Henry VIII spends years trying to ditch his first wife of more than two decades for the much younger Anne Boleyn. The first wife’s sin was the very misogynistic mistake of not producing a male heir.

After all the years of hoopla, Henry soured on Anne for much the same reason, no male heir. We all know that in the end, Henry had six wives and Anne’s reign was short and she was charged bogusly of treason to pave the way for wife number 3. Though I believe the marriage was annulled so he didn’t have to kill her, I think it had something to do with succession.

But this novel leaves us with Anne very much in power though waning as Henry has that hunger for a male heir and as in all misogynistic worlds must blame the woman for producing the lesser female babies. Of course, we all know Anne gave us the fiery Elizabeth who would reign after her fathers death.

This novel has the backdrop of Henry and Anne, but it’s from the point of view of a character that rises to power from humble beginnings to become the King’s right hand man. As with all such powerful risings, others must fall hard. And even though the bread crumbs are there, those that rise never really seem to get that they are probably next. To be at the whims and beck and call of the church or royalty is horrid.

This novel really reveals what it was like to be there in a way the history books I have read haven’t. No one seems like they are really having a lot of fun, not even the King of England.

The protagonist in this story is Thomas Cromwell who rose to power over the struggle to allow Henry to marry Anne. The reason we all know Cromwell’s name is that he eventually would lose his head by order of the king. As Henry was marrying his fifth wife, Cromwell was meeting his end. A lot of charges were lodged to get rid of Cromwell, the real reason was his refusal to annul the king’s marriage to wife number four.

But this novel ends with Cromwell at the height of his power.

In some ways, this tale is about power in its most naked and raw form. All the pride and pomp and circumstance is just frosting on the ugly cake of fear and hunger for power at all cost with the decoration of doing it for god.

This novel was written well but I honestly could never get into the rhythm of it. It took me much longer to read these 500+ pages than it should have. I often got lost in who was saying or doing what. But to see the behind the scenes of all of it was fascinating. And poignant as I couldn’t help thinking all the time that was wasted on nonsense. Of course they may not have thought it so. But it makes you turn your eyes to this time we live in and it’s hard not to see the same nonsense today. It may be in different packaging but it still hints of the same hypocrisy and vanity.

I read this novel because I have a great grandfather by the name of Throckmorton that was a member of parliament during Henry VIII’s reign. I’m lucky he made it out of Tudor court alive it seems.
]]>
Frankenstein 18490 This is an alternate cover edition for ISBN 9780141439471

'Now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart ...'

Obsessed with creating life itself, Victor Frankenstein plunders graveyards for the material to fashion a new being, which he shocks into life with electricity. But his botched creature, rejected by Frankenstein and denied human companionship, sets out to destroy his maker and all that he holds dear. Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley near Byron's villa on Lake Geneva. It would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity.

Based on the third edition of 1831, this volume contains all the revisions Mary Shelley made to her story, as well as her 1831 introduction and Percy Bysshe Shelley's preface to the first edition. This revised edition includes as appendices a select collation of the texts of 1818 and 1831 together with 'A Fragment' by Lord Byron and Dr John Polidori's 'The Vampyre: A Tale'.]]>
288 Mary Wollstonecraft Shelley Julie 5 fiction-classics 3.77 1818 Frankenstein
author: Mary Wollstonecraft Shelley
name: Julie
average rating: 3.77
book published: 1818
rating: 5
read at: 2020/04/11
date added: 2020/08/30
shelves: fiction-classics
review:

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Queenie 36586697
As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”—all of the questions today’s woman must face in a world trying to answer them for her.]]>
330 Candice Carty-Williams Julie 5
The book at its heart is about childhood wounds and how they always wreak havoc in ones adult life. Not everyone has wounds as tragic as the protagonist of this novel, but we all have them. And we all act out in some way as a way to distract. Meaning, it’s easier to deal with the manufactured mess of our own doing than the one that really needs dealing with. The author told this story brilliantly. Nothing was heavy-handed, it was told naturally and truthfully. Writing about wounds of any kind is not easy to do. The protagonist’s personal wounds were juxtaposed next to the impersonal-yet-so-fucking-personal wounds of systemic racism and misogyny.

Every character in this novel is fully formed. They all jumped off the page, the female characters more than the male characters. The latter were secondary characters, all of them, but they were all very distinct.

As the protagonist went thru the trials of being in her twenties and trying to figure it out, I wanted to stop her so many times from doing what she was about to do, but that’s the thing about that time ~ you have to make mistakes to grow. No one else can do that for you. And in the end, the protagonist is lucky to have faced her wounds in her twenties. Many still haven’t done so in their 70s.

The novel was written in an intimate yet breezy style. It’s a light read yet deals with a heavy subject.

At its heart, the novel felt so truthful and naked and raw. I have much respect for the author for tackling this story in the way she did. The world is full of people that don’t love themselves and treat themselves accordingly that then wonder why the world treats them like shit. It’s always an inside job as this novel tells us. And again, the author is not heavy handed with this. The novel is honest without being preachy or doing any over-explaining. Everything bubbles up naturally to us as it does to the protagonist.

This novel is one that will really help someone, of that I’m sure.

I will read this author again.

]]>
3.83 2019 Queenie
author: Candice Carty-Williams
name: Julie
average rating: 3.83
book published: 2019
rating: 5
read at: 2020/08/27
date added: 2020/08/27
shelves: fiction-current, england, family, friendship, childhood-wounds
review:
I didn’t expect to love this novel, but I do. The ending made me tear up. So did the acknowledgment (a delightful and heartfelt thanks).

The book at its heart is about childhood wounds and how they always wreak havoc in ones adult life. Not everyone has wounds as tragic as the protagonist of this novel, but we all have them. And we all act out in some way as a way to distract. Meaning, it’s easier to deal with the manufactured mess of our own doing than the one that really needs dealing with. The author told this story brilliantly. Nothing was heavy-handed, it was told naturally and truthfully. Writing about wounds of any kind is not easy to do. The protagonist’s personal wounds were juxtaposed next to the impersonal-yet-so-fucking-personal wounds of systemic racism and misogyny.

Every character in this novel is fully formed. They all jumped off the page, the female characters more than the male characters. The latter were secondary characters, all of them, but they were all very distinct.

As the protagonist went thru the trials of being in her twenties and trying to figure it out, I wanted to stop her so many times from doing what she was about to do, but that’s the thing about that time ~ you have to make mistakes to grow. No one else can do that for you. And in the end, the protagonist is lucky to have faced her wounds in her twenties. Many still haven’t done so in their 70s.

The novel was written in an intimate yet breezy style. It’s a light read yet deals with a heavy subject.

At its heart, the novel felt so truthful and naked and raw. I have much respect for the author for tackling this story in the way she did. The world is full of people that don’t love themselves and treat themselves accordingly that then wonder why the world treats them like shit. It’s always an inside job as this novel tells us. And again, the author is not heavy handed with this. The novel is honest without being preachy or doing any over-explaining. Everything bubbles up naturally to us as it does to the protagonist.

This novel is one that will really help someone, of that I’m sure.

I will read this author again.


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<![CDATA[The Feather Thief: Beauty, Obsession, and the Natural History Heist of the Century]]> 44153387

Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.]]>
336 Kirk Wallace Johnson 1101981636 Julie 5
I love learning about worlds I know little or nothing about. The world that this author opened up was as wide as it was deep. It was so interesting and so disturbing.

The objectification of animals is something that tears me up inside. So as I’m reading about the crimes against science by the theft of exotic birds for the use of making elaborate Victorian flies for fishing or show, I was struck by the original crimes against the birds in question. Their lives were cut short in the name of science. The same excuse Josef Mengele used. Objectification is never pretty.

The story is one that underscores how life is stranger than fiction. It’s a sweeping narrative that takes one to the jungles of far-away lands of the nineteenth century to the feather fashion craze of the Victorian era to the modern day obsession of dudes that like to mimic the tying of Victorian fishing flies made out of the extinct or endangered feathers of exotic birds. As it is with all those that covet what they cannot have legally, an underground trade flourishes.

The whole tale from beginning to end was fascinating. The history, the science, the adventure, the thefts, the characters, and the obsession. It was all absorbing.

I love how the author shares what is going on with him throughout the story and how he stumbled upon the story. I’m so glad he became obsessed with finding the story so he could share it with the world. It would have been such a shame if this story wasn’t told in the way the author told it. I don’t think anyone else could have done it as well.

The author became as obsessed about getting to the bottom of things as those that covet the illegal contraband of exotic birds. He dug in deep and for that he has much respect from me.

The young kid that did the heist is an interesting character that I feel would make for an interesting biography someday. It’s such a strange juxtaposition of his dedication to being a professional flute player and his obsession with Victorian fly-tying that made him break into a museum while in college to steal historical artifacts from Darwin’s colleague. And he almost got away with it. In the end even though he admitted to the crime once caught red-handed, he mostly remained unscathed from it.

Highly recommend reading this bizarre true crime story.]]>
4.01 2018 The Feather Thief: Beauty, Obsession, and the Natural History Heist of the Century
author: Kirk Wallace Johnson
name: Julie
average rating: 4.01
book published: 2018
rating: 5
read at: 2020/08/23
date added: 2020/08/23
shelves: adventure, animals, history, nature, non-fiction, crime
review:
I enjoyed this book very much. It was well written and well researched. The author had the dogged determination of all really great journalists. The amount of work needed to get this story down was epic. Major kudos.

I love learning about worlds I know little or nothing about. The world that this author opened up was as wide as it was deep. It was so interesting and so disturbing.

The objectification of animals is something that tears me up inside. So as I’m reading about the crimes against science by the theft of exotic birds for the use of making elaborate Victorian flies for fishing or show, I was struck by the original crimes against the birds in question. Their lives were cut short in the name of science. The same excuse Josef Mengele used. Objectification is never pretty.

The story is one that underscores how life is stranger than fiction. It’s a sweeping narrative that takes one to the jungles of far-away lands of the nineteenth century to the feather fashion craze of the Victorian era to the modern day obsession of dudes that like to mimic the tying of Victorian fishing flies made out of the extinct or endangered feathers of exotic birds. As it is with all those that covet what they cannot have legally, an underground trade flourishes.

The whole tale from beginning to end was fascinating. The history, the science, the adventure, the thefts, the characters, and the obsession. It was all absorbing.

I love how the author shares what is going on with him throughout the story and how he stumbled upon the story. I’m so glad he became obsessed with finding the story so he could share it with the world. It would have been such a shame if this story wasn’t told in the way the author told it. I don’t think anyone else could have done it as well.

The author became as obsessed about getting to the bottom of things as those that covet the illegal contraband of exotic birds. He dug in deep and for that he has much respect from me.

The young kid that did the heist is an interesting character that I feel would make for an interesting biography someday. It’s such a strange juxtaposition of his dedication to being a professional flute player and his obsession with Victorian fly-tying that made him break into a museum while in college to steal historical artifacts from Darwin’s colleague. And he almost got away with it. In the end even though he admitted to the crime once caught red-handed, he mostly remained unscathed from it.

Highly recommend reading this bizarre true crime story.
]]>
<![CDATA[Write Like the Masters: Emulating the Best of Hemingway, Faulkner, Salinger, and Others]]> 6784911
Time and time again you've been told to find your own unique writing style, as if it were as simple as pulling it out of thin air. But finding your voice isn't easy, so where better to look than to the greatest writers of our time?

"Write Like the Masters" analyzes the writing styles of twenty-one great novelists, including Charles Dickens, Edith Wharton, Franz Kafka, Flannery O'Connor, and Ray Bradbury. This fascinating and insightful guide shows you how to imitate the masters of literature and, in the process, learn advanced writing secrets to fire up your own work.

You'll discover: Herman Melville's secrets for creating characters as memorable as Captain Ahab.How to master point of view with techniques from Fyodor Dostoevesky.Ways to pick up the pace by keeping your sentences lean like Ernest HemingwayThe importance of sensual details from James Bond creator Ian FlemingHow to add suspense to your story by following the lead of the master of horror, Stephen King

Whether you're working on a unique voice for your next novel or you're a composition student toying with different styles, this guide will help you gain insight into the work of the masters through the rhetorical technique of imitation. Filled with practical, easy-to-apply advice, "Write Like the Masters" is your key to understanding and using the proven techniques of history's greatest authors.]]>
288 William Cane 1582975922 Julie 0 to-read 4.07 2009 Write Like the Masters: Emulating the Best of Hemingway, Faulkner, Salinger, and Others
author: William Cane
name: Julie
average rating: 4.07
book published: 2009
rating: 0
read at:
date added: 2020/08/23
shelves: to-read
review:

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<![CDATA[Orange World and Other Stories]]> 42063901 Ěý
Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories.Ěý In“Bog Girlâ€�, a revelatory story about first love, a young man falls in love with a two thousand year old girl that he’s extracted from a mass of peat in a Northern European bog.Ěý In “The Prospectors,â€� two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives.Ěý In the brilliant, hilarious title story, a new mother desperate to ensure her infant’s safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void—yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.]]>
288 Karen Russell 1984892215 Julie 5 short-stories
This stellar collection of stories are touching and horrifying. It’s a bizarre collection done stunningly well. The author is an excellent writer!

All of the stories involve a coupling of some kind. The ethereal or supernatural has a pulse in these stories. But like a good fairytale or fable, it has some dark lessons to impart because no matter how otherworldly these stories seem, the human nature of all the characters is very familiar.

The first story reminds one of a Stephen King novel. It’s a very satisfying ghost tale.

“The Bad Graft� is an adventure love story with a supernatural twist.

“Bog Girl� is about first love’s enchantment and disenchantment. It’s touching and horrific and so weird. It’s done so well.

“Madame Bovary’s Greyhound� pulls at the readers heartstrings more than any of the other story’s. As the story is told from the dog’s point of view, it is very moving. It makes you ache at the end.

“The Tornado Auction� was very inventive and had many layers.

“The Black Corfu� was so dark and so brilliant. A lot of layers to this one too. A metaphor for so many things and a thriller to boot.

“The Gondoliers� was haunting and I still haven’t quite figured out what it was that captured me so on this one.

“Orange World� was just so bizarre and intriguing and macabre. It was a trip. There were things that were amazing about this final story in the collection but it’s probably my least favorite in this collection. But don’t skip it, it’s good. Others were just more satisfying to me.

This collection is unlike anything else you’ve ever read. The author is so original and lucky for readers she has the skills to pull it off. ]]>
3.98 2019 Orange World and Other Stories
author: Karen Russell
name: Julie
average rating: 3.98
book published: 2019
rating: 5
read at: 2020/08/04
date added: 2020/08/05
shelves: short-stories
review:
This collection of stories reminded me of a great record album. They are all different “songs� but they all work together as a collection. They belong together like every song on Guns N� Roses “Appetite for Destruction� belongs on the same album. Remove one song and it’s not the same album.

This stellar collection of stories are touching and horrifying. It’s a bizarre collection done stunningly well. The author is an excellent writer!

All of the stories involve a coupling of some kind. The ethereal or supernatural has a pulse in these stories. But like a good fairytale or fable, it has some dark lessons to impart because no matter how otherworldly these stories seem, the human nature of all the characters is very familiar.

The first story reminds one of a Stephen King novel. It’s a very satisfying ghost tale.

“The Bad Graft� is an adventure love story with a supernatural twist.

“Bog Girl� is about first love’s enchantment and disenchantment. It’s touching and horrific and so weird. It’s done so well.

“Madame Bovary’s Greyhound� pulls at the readers heartstrings more than any of the other story’s. As the story is told from the dog’s point of view, it is very moving. It makes you ache at the end.

“The Tornado Auction� was very inventive and had many layers.

“The Black Corfu� was so dark and so brilliant. A lot of layers to this one too. A metaphor for so many things and a thriller to boot.

“The Gondoliers� was haunting and I still haven’t quite figured out what it was that captured me so on this one.

“Orange World� was just so bizarre and intriguing and macabre. It was a trip. There were things that were amazing about this final story in the collection but it’s probably my least favorite in this collection. But don’t skip it, it’s good. Others were just more satisfying to me.

This collection is unlike anything else you’ve ever read. The author is so original and lucky for readers she has the skills to pull it off.
]]>
Other Worlds 2433241 Based on the OEuvres, edited by Georges Ribermont-Dessaignes and published by Le Club Francais de Livre, Paris, 1957.]]> 220 Cyrano de Bergerac 0450029956 Julie 0 to-read 3.35 1657 Other Worlds
author: Cyrano de Bergerac
name: Julie
average rating: 3.35
book published: 1657
rating: 0
read at:
date added: 2020/07/30
shelves: to-read
review:

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The Library Book 39507318
Weaving her lifelong love of books and reading into an investigation of the fire, award-winning New Yorker reporter and New York Times bestselling author Susan Orlean delivers a mesmerizing and uniquely compelling book that manages to tell the broader story of libraries and librarians in a way that has never been done before.

In The Library Book, Orlean chronicles the LAPL fire and its aftermath to showcase the larger, crucial role that libraries play in our lives; delves into the evolution of libraries across the country and around the world, from their humble beginnings as a metropolitan charitable initiative to their current status as a cornerstone of national identity; brings each department of the library to vivid life through on-the-ground reporting; studies arson and attempts to burn a copy of a book herself; reflects on her own experiences in libraries; and reexamines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the LAPL more than thirty years ago.

Along the way, Orlean introduces us to an unforgettable cast of characters from libraries past and present—from Mary Foy, who in 1880 at eighteen years old was named the head of the Los Angeles Public Library at a time when men still dominated the role, to Dr. C.J.K. Jones, a pastor, citrus farmer, and polymath known as “The Human Encyclopedia� who roamed the library dispensing information; from Charles Lummis, a wildly eccentric journalist and adventurer who was determined to make the L.A. library one of the best in the world, to the current staff, who do heroic work every day to ensure that their institution remains a vital part of the city it serves.

Brimming with her signature wit, insight, compassion, and talent for deep research, The Library Book is Susan Orlean’s thrilling journey through the stacks that reveals how these beloved institutions provide much more than just books—and why they remain an essential part of the heart, mind, and soul of our country. It is also a master journalist’s reminder that, perhaps especially in the digital era, they are more necessary than ever.]]>
317 Susan Orlean 1476740186 Julie 5
The book could be titled “The Librarians.� And those librarians could be the subject of a fascinating play.

The author hit all the marks as far as I’m concerned. This book spoke to me and will be roaming the halls of my brain for some time to come.

Well done! Highly recommended. ]]>
3.88 2018 The Library Book
author: Susan Orlean
name: Julie
average rating: 3.88
book published: 2018
rating: 5
read at: 2020/04/16
date added: 2020/07/19
shelves: history, mystery, non-fiction, libraries, 1980s
review:
This was a treat to read. It was fascinating and thoughtful and researched very well. Anyone that loves books will adore this one. There wasn’t one moment that I was not all in, completely enthralled.

The book could be titled “The Librarians.� And those librarians could be the subject of a fascinating play.

The author hit all the marks as far as I’m concerned. This book spoke to me and will be roaming the halls of my brain for some time to come.

Well done! Highly recommended.
]]>
The Mountains Sing 49631287 Pachinko or Yaa Gyasi’s Homegoing and the lyrical beauty of Vaddey Ratner’s In the Shadow of the Banyan, The Mountains Sing tells an enveloping, multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War. Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Nội, her young granddaughter, Hương, comes of age as her parents and uncles head off down the H� Chí Minh Trail to fight in a conflict that tore apart not just her beloved country, but also her family.

Vivid, gripping, and steeped in the language and traditions of Việt Nam, The Mountains Sing brings to life the human costs of this conflict from the point of view of the Vietnamese people themselves, while showing us the true power of kindness and hope.]]>
352 Nguyễn Phan Qu� Mai 161620818X Julie 5
This story takes us down to the point of view of one family, specifically a grandmother and her granddaughter. The story covers the perils of war, political revolutions, and the quiet war always shimmering between the haves and have nots. What makes this story great is how it makes the reader see it through the protagonist’s eyes.

The things this family went through for generations was shocking. The way they kept moving forward was awe inspiring. The losses they suffered were crushing. The hope they held onto was beautiful. The forgiveness was too.

There were several times the headers confused me as far as the timeframe, but once I got into the rhythm of the prose it didn’t matter.

This is an epic tale in every sense of the word. It makes the pandemic we are now going through seem so tame in comparison to what this family endured.

I found myself about halfway through the book wanting to find out more. I love learning about different cultures and seeing the world through different portals. This novel hit all those marks.

Since I finished the book, little vignettes from the book are playing out in my head like a highlight reel. This tells me this should be made into a movie or tv show. I think it’s important to show the flip side of wars America were involved in. We all know there is a cost but it seems to mostly be paid by civilians that are just trying to live their lives in the midst of a war. Very few Americans know what that is like. It’s like 9-11 happening every day for years. We can’t fathom it but this is the reality for many in the world right now as I write this. There are adults in other countries that have known nothing but war their entire lives. Even if war ends they may not be able to wrap their head around it.

I’ve been thinking about this a lot lately. Countries like America that are big arms dealers in the world. We supply the weapons that keep wars going in the world. Wars we aren’t technically part of but who are we kidding. We make a lot of money for companies by being an arms dealer in the world. We will never have peace while we supply the weapons of war. We are stupid beyond belief sometimes. Especially when our weapons end up in the hand of those that end up attacking us.

We aren’t serious about peace. Until manufacturers can figure out how to make money from it, we are doomed.

I recommend this book. Empathy is important and reading books about experiences that are foreign to us strengthen that muscle. This was a very complicated tale to weave and it was done well. There were a few spots of confusion but that could just be due to the translation. I was very moved by this very human story. As someone that took care of her grandmother the last year of her life, it resonated with me deeply.

]]>
4.31 2020 The Mountains Sing
author: Nguyễn Phan Qu� Mai
name: Julie
average rating: 4.31
book published: 2020
rating: 5
read at: 2020/04/29
date added: 2020/07/19
shelves: epic-journey, family, multi-generational, vietnam, war
review:
This novel was poignant. As most Americans who think about war, it’s usually from the perspective of American’s involvement. This story is told from the other side. It’s about people like you and me that are trying to survive political and societal upheaval while their country is torn apart into north and south. That shock and awe that some leaders boast about is a punch in the gut and complete devastation to those who are the subject of our violence.

This story takes us down to the point of view of one family, specifically a grandmother and her granddaughter. The story covers the perils of war, political revolutions, and the quiet war always shimmering between the haves and have nots. What makes this story great is how it makes the reader see it through the protagonist’s eyes.

The things this family went through for generations was shocking. The way they kept moving forward was awe inspiring. The losses they suffered were crushing. The hope they held onto was beautiful. The forgiveness was too.

There were several times the headers confused me as far as the timeframe, but once I got into the rhythm of the prose it didn’t matter.

This is an epic tale in every sense of the word. It makes the pandemic we are now going through seem so tame in comparison to what this family endured.

I found myself about halfway through the book wanting to find out more. I love learning about different cultures and seeing the world through different portals. This novel hit all those marks.

Since I finished the book, little vignettes from the book are playing out in my head like a highlight reel. This tells me this should be made into a movie or tv show. I think it’s important to show the flip side of wars America were involved in. We all know there is a cost but it seems to mostly be paid by civilians that are just trying to live their lives in the midst of a war. Very few Americans know what that is like. It’s like 9-11 happening every day for years. We can’t fathom it but this is the reality for many in the world right now as I write this. There are adults in other countries that have known nothing but war their entire lives. Even if war ends they may not be able to wrap their head around it.

I’ve been thinking about this a lot lately. Countries like America that are big arms dealers in the world. We supply the weapons that keep wars going in the world. Wars we aren’t technically part of but who are we kidding. We make a lot of money for companies by being an arms dealer in the world. We will never have peace while we supply the weapons of war. We are stupid beyond belief sometimes. Especially when our weapons end up in the hand of those that end up attacking us.

We aren’t serious about peace. Until manufacturers can figure out how to make money from it, we are doomed.

I recommend this book. Empathy is important and reading books about experiences that are foreign to us strengthen that muscle. This was a very complicated tale to weave and it was done well. There were a few spots of confusion but that could just be due to the translation. I was very moved by this very human story. As someone that took care of her grandmother the last year of her life, it resonated with me deeply.


]]>
Sea Monsters 40626794 Sea Monsters offers an intoxicating portrait of Mexico in the late 1980s.

One autumn afternoon in Mexico City, seventeen-year-old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with Tomás, a boy she barely knows. He seems to represent everything her life is lacking—recklessness, impulse, independence.

Tomás may also help Luisa fulfill an unusual obsession: she wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa’s surreal dreams as she settles in a beach community in Oaxaca. Surrounded by hippies, nudists, beachcombers, and eccentric storytellers, Luisa searches for someone, anyone, who will “promise, no matter what, to remain a mystery.� It is a quest more easily envisioned than accomplished. As she wanders the shoreline and visits the local bar, Luisa begins to disappear dangerously into the lives of strangers on Zipolite, the “Beach of the Dead.�

Meanwhile, her father has set out to find his missing daughter. A mesmeric portrait of transgression and disenchantment unfolds. Sea Monsters is a brilliantly playful and supple novel about the moments and mysteries that shape us.]]>
205 Chloe Aridjis 1936787865 Julie 5
There was magic in this novel. It was very grounded but also ran alongside the other world that is always running alongside us. It dipped its toes in each. Sometimes, bathed.

The story felt genuine, nothing ever felt forced. There were great turns of phrases yet nothing ever felt like the author was showing off her linguistic ability (though they are many).

I was hypnotized through much of it. It’s as if I met the author at the airport and boarded a small engine plane and lifted off into a magical haze and then was dropped back off at the same airport, yet all appeared different than when I left. Okay. Maybe I mean a space ship.

The narrative was enchanting even though it was much about being disenchanted. A lot of loose ends abound yet in the end they all seem to tie themselves together but not in an expected pattern. By ending it in the real world, it seems the author has taken an unexpected turn. She could have ended it more magically such as that movie where the alien sea creature ends up with the human, but she didn’t go there, yet it has the same ethereal quality nonetheless.

The author uses lots of references for well read readers but never sacrifices the ethereal quality of the novel by showing off.

Worth your time. ]]>
3.37 2019 Sea Monsters
author: Chloe Aridjis
name: Julie
average rating: 3.37
book published: 2019
rating: 5
read at: 2020/07/07
date added: 2020/07/19
shelves: 1980s, fiction-current, mexico
review:
This story is akin to a roadtrip adventure story meets a coming of age story. But not exactly that.

There was magic in this novel. It was very grounded but also ran alongside the other world that is always running alongside us. It dipped its toes in each. Sometimes, bathed.

The story felt genuine, nothing ever felt forced. There were great turns of phrases yet nothing ever felt like the author was showing off her linguistic ability (though they are many).

I was hypnotized through much of it. It’s as if I met the author at the airport and boarded a small engine plane and lifted off into a magical haze and then was dropped back off at the same airport, yet all appeared different than when I left. Okay. Maybe I mean a space ship.

The narrative was enchanting even though it was much about being disenchanted. A lot of loose ends abound yet in the end they all seem to tie themselves together but not in an expected pattern. By ending it in the real world, it seems the author has taken an unexpected turn. She could have ended it more magically such as that movie where the alien sea creature ends up with the human, but she didn’t go there, yet it has the same ethereal quality nonetheless.

The author uses lots of references for well read readers but never sacrifices the ethereal quality of the novel by showing off.

Worth your time.
]]>
Lost and Wanted 40177418
Helen Clapp is a physics professor. She doesn't believe in pseudo-science, or time travel and especially not in ghosts. So when she gets a missed call from Charlie, her closest friend from university with whom she hasn't spoken in over a year, Helen thinks there must be some mistake. Because Charlie died two days ago.

Then when her young son, Jack, claims to have seen Charlie in their house just the other day, Helen begins to have doubts.

Through the grief of the husband and daughter Charlie left behind, Helen is drawn into the orbit of Charlie's world, slotting in the missing pieces of her friend's past. And, as she delves into the web of their shared history, Helen finds herself entangled in the forgotten threads of her own life.

Lost and Wanted is a searing novel from one of America's most exciting writers about the knottiness of female friendship, the forces which fuse us together and those which drive us apart.]]>
336 Nell Freudenberger 0385352689 Julie 5
The authors writing style was unique. It didn’t even feel like writing in the traditional sense, it honestly felt like I was a fly on the wall or a synapse in the protagonist’s head.

The poetic parts of the novel were tied to physics, which I love because I’ve always been fascinated with physics. The poetry was subtle, yet so potent. The way she told this story made it impossible not to know these characters. I could hear each of their voices. Especially Charlie’s and Helen’s.

Theoretical physics was juxtaposed against the loneliness that every character felt. Death does that. Even though we might all lose the same person, we all lose him or her in a certain way.

But the author was not heavy handed with any of it. She didn’t try to draw parallels, she instead offered a new world view and let the reader make connections or not. Nothing was ever forced or cute or tied up in a nice pretty bow.

The protagonist in this novel searches for answers that are hard to find about the death of her friend. It’s juxtaposed against her search for the large questions about the universe. As she ponders the gravitational pull of black holes she falls into one of her own as she enters the world of magical thinking via messages from her dead friend. She is too logical to buy into such things, but there is something about losing someone we love that can make even the most logical of us susceptible to magical thinking.

I think the author did an excellent job of juxtaposing the external world next to the internal one. There is such rich landscape to discover there. So often the reflection doesn’t match the reality in so much of life. Even though it does ~ we bend it in our head and heart somehow to distort it.

What made me pick up this book was that it reminded me of my mom and her lifelong best friend’s tragic death when she was in her 30s. My moms best friend was my godmother. She was on her way back to our house to pick up her eight year old son when she died. I’ll never forget watching her eight year old son process that his mom wasn’t coming back. That moment will never leave me. One can never forget something like that. The daughter in this novel being eight and losing her mom resonated with me so much.

The other thing that stayed with me about my godmother’s death was that right before she died she had decided to change her life, to finally make her own choices. She always was pleasing others, especially her parents. She married who her mother wanted her to marry instead of who she really loved. She had just separated from her husband and was moving back to her hometown to teach. She was going to be with the man she really loved, she was going to sail around the world with him and her son, she was so happy. She had spent that last day with my mom, they talked about everything, they watched the sunset together, it was such a meaningful day. Then she went to spend the evening with her true love. And on the way back to pick up her son, a dog ran out at the freeway offramp. She swerved in her new car that she wasn’t used to and was killed. Her mother never knew where she was coming from. Most people never knew. Her mother didn’t know yet she had left her husband.

The thing that always stuck with me besides watching her eight year old son have his world crash and burn was how happy my godmother was on her last day alive. It was beautiful that she had decided to change her life. I always remembered she had at least decided. This was juxtaposed against her son whose life had changed by force, not by decision.

This novel not only explores the loss of a friend but also of the choices we make, how saying yes or no to something or someone always changes the path we take. The tradeoffs we make are often only felt later. It’s haunting to wonder what if. These what ifs are juxtaposed beautifully against the what if’s of the universe.

The physics juxtaposed next to the characters in this novel was brilliantly done. The physics talks about the forces that move bodies large and small and that is juxtaposed next to how we all do that to each other, as if we are celestial bodies.

As you read this novel you can feel the longing of these characters. They are so human, so complex, they are brilliant but they ache and long just like the rest of us.

When I finished reading this novel, I felt like I was remembering scenes from real life instead of a novel.

Brilliantly done. And such an easy read for such a complex tale.]]>
3.38 2019 Lost and Wanted
author: Nell Freudenberger
name: Julie
average rating: 3.38
book published: 2019
rating: 5
read at: 2020/07/19
date added: 2020/07/19
shelves: 2010s, death, fiction-current, science-math, physics
review:
I’ve never read a novel quite like this before. It was so real, meaning every character and scene felt authentic. Not once did it feel like fiction. Every character in this novel was a living and breathing being. Even as I close the novel having finished it, it feels like I have left their orbit and they are continuing on without me.

The authors writing style was unique. It didn’t even feel like writing in the traditional sense, it honestly felt like I was a fly on the wall or a synapse in the protagonist’s head.

The poetic parts of the novel were tied to physics, which I love because I’ve always been fascinated with physics. The poetry was subtle, yet so potent. The way she told this story made it impossible not to know these characters. I could hear each of their voices. Especially Charlie’s and Helen’s.

Theoretical physics was juxtaposed against the loneliness that every character felt. Death does that. Even though we might all lose the same person, we all lose him or her in a certain way.

But the author was not heavy handed with any of it. She didn’t try to draw parallels, she instead offered a new world view and let the reader make connections or not. Nothing was ever forced or cute or tied up in a nice pretty bow.

The protagonist in this novel searches for answers that are hard to find about the death of her friend. It’s juxtaposed against her search for the large questions about the universe. As she ponders the gravitational pull of black holes she falls into one of her own as she enters the world of magical thinking via messages from her dead friend. She is too logical to buy into such things, but there is something about losing someone we love that can make even the most logical of us susceptible to magical thinking.

I think the author did an excellent job of juxtaposing the external world next to the internal one. There is such rich landscape to discover there. So often the reflection doesn’t match the reality in so much of life. Even though it does ~ we bend it in our head and heart somehow to distort it.

What made me pick up this book was that it reminded me of my mom and her lifelong best friend’s tragic death when she was in her 30s. My moms best friend was my godmother. She was on her way back to our house to pick up her eight year old son when she died. I’ll never forget watching her eight year old son process that his mom wasn’t coming back. That moment will never leave me. One can never forget something like that. The daughter in this novel being eight and losing her mom resonated with me so much.

The other thing that stayed with me about my godmother’s death was that right before she died she had decided to change her life, to finally make her own choices. She always was pleasing others, especially her parents. She married who her mother wanted her to marry instead of who she really loved. She had just separated from her husband and was moving back to her hometown to teach. She was going to be with the man she really loved, she was going to sail around the world with him and her son, she was so happy. She had spent that last day with my mom, they talked about everything, they watched the sunset together, it was such a meaningful day. Then she went to spend the evening with her true love. And on the way back to pick up her son, a dog ran out at the freeway offramp. She swerved in her new car that she wasn’t used to and was killed. Her mother never knew where she was coming from. Most people never knew. Her mother didn’t know yet she had left her husband.

The thing that always stuck with me besides watching her eight year old son have his world crash and burn was how happy my godmother was on her last day alive. It was beautiful that she had decided to change her life. I always remembered she had at least decided. This was juxtaposed against her son whose life had changed by force, not by decision.

This novel not only explores the loss of a friend but also of the choices we make, how saying yes or no to something or someone always changes the path we take. The tradeoffs we make are often only felt later. It’s haunting to wonder what if. These what ifs are juxtaposed beautifully against the what if’s of the universe.

The physics juxtaposed next to the characters in this novel was brilliantly done. The physics talks about the forces that move bodies large and small and that is juxtaposed next to how we all do that to each other, as if we are celestial bodies.

As you read this novel you can feel the longing of these characters. They are so human, so complex, they are brilliant but they ache and long just like the rest of us.

When I finished reading this novel, I felt like I was remembering scenes from real life instead of a novel.

Brilliantly done. And such an easy read for such a complex tale.
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Grand Union 43608928 A dazzling collection of short fiction, more than half of which have never been published before, from the multi-award-winning author of White Teeth and Swing Time

Zadie Smith has established herself as one of the most iconic, critically-respected, and popular writers of her generation. In her first short story collection, she combines her power of observation and inimitable voice to mine the fraught and complex experience of life in the modern world. With ten extraordinary new stories complemented by a selection of her most lauded pieces for The New Yorker, The Paris Review, and Granta, GRAND UNION explores a wide range of subjects, from first loves to cultural despair, as well as the desire to be the subject of your own experience. In captivating prose, she contends with race, class, relationships, and gender roles in a world that feels increasingly divided.

Nothing is off limits, and everything--when captured by Smith's brilliant gaze--feels fresh and relevant. Perfectly paced, and utterly original, GRAND UNION highlights the wonders Zadie Smith can do.]]>
246 Zadie Smith 0525558993 Julie 5 short-stories 3.27 2019 Grand Union
author: Zadie Smith
name: Julie
average rating: 3.27
book published: 2019
rating: 5
read at: 2020/05/20
date added: 2020/07/19
shelves: short-stories
review:
I adore Zadie’s essays and book reviews. Reading her short stories was a different experience. I loved them but in a different way. Some were puzzling while others were illuminating. Some were eerie while others were witty. All of them were deep. There’s a few, one specifically, that demands you read it out loud. The music of it requires it. “Now More than Ever� was eerie and exacting and imaginative and relevant. It left me wanting more but left no loose ends. “The Lazy River� was a metaphor for a metaphor. “Miss Adele� was hilarious and poignant. That’s the thing, every story has layers upon layers. Every story is written so well. The way we enter each story feels the same and different from the way we exit the story. We feel full and empty at each ends of each story but in a different way.
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<![CDATA[The Geography of Genius: A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley]]> 25111093
Travel the world with Eric Weiner, the New York Times bestselling author of The Geography of Bliss, as he journeys from Athens to Silicon Valley—and throughout history, too—to show how creative genius flourishes in specific places at specific times.

In The Geography of Genius, acclaimed travel writer Weiner sets out to examine the connection between our surroundings and our most innovative ideas. He explores the history of places, like Vienna of 1900, Renaissance Florence, ancient Athens, Song Dynasty Hangzhou, and Silicon Valley, to show how certain urban settings are conducive to ingenuity. And, with his trademark insightful humor, he walks the same paths as the geniuses who flourished in these settings to see if the spirit of what inspired figures like Socrates, Michelangelo, and Leonardo remains. In these places, Weiner asks, “What was in the air, and can we bottle it?”]]>
368 Eric Weiner 1451691653 Julie 5 history
I feel the need to read this book again but this time take notes. It is so jam-packed full of interesting things. And by things I mean wisdom.

It also made me want to write a play or short story about all the geniuses throughout history and how they would fare in the same time period. Also the apparent misogyny that rears its ugly head because all “the greats� are often mostly all dudes. Even today this is true.

This book was part history and part anthropology and part travelogue. It’s also very witty.

What the author does really well is to ask questions and pluck the threads that run through genius Renaissance’s throughout human history. It is told chronologically with each locale and time period getting its own chapter. Genius structure.

There are many insights in this book which strike at the chord of genius but like Lao Tzu’s verses only points the way versus writing in stone the way.

I highly recommend this book. Even for those that rarely read nonfiction, this book is one you will enjoy. It’s packed with great stuff yet is such an easy and enjoyable read. Kudos to the author. I will be reading him again.
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3.75 2016 The Geography of Genius: A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley
author: Eric Weiner
name: Julie
average rating: 3.75
book published: 2016
rating: 5
read at: 2020/06/24
date added: 2020/07/19
shelves: history
review:
I love this book. It was well written, a delight to read. And that is no easy task when covering such a heady subject as genius.

I feel the need to read this book again but this time take notes. It is so jam-packed full of interesting things. And by things I mean wisdom.

It also made me want to write a play or short story about all the geniuses throughout history and how they would fare in the same time period. Also the apparent misogyny that rears its ugly head because all “the greats� are often mostly all dudes. Even today this is true.

This book was part history and part anthropology and part travelogue. It’s also very witty.

What the author does really well is to ask questions and pluck the threads that run through genius Renaissance’s throughout human history. It is told chronologically with each locale and time period getting its own chapter. Genius structure.

There are many insights in this book which strike at the chord of genius but like Lao Tzu’s verses only points the way versus writing in stone the way.

I highly recommend this book. Even for those that rarely read nonfiction, this book is one you will enjoy. It’s packed with great stuff yet is such an easy and enjoyable read. Kudos to the author. I will be reading him again.

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The Nickel Boys 42279228 This follow-up to The Underground Railroad brilliantly dramatizes another strand of American history through the story of two boys unjustly sentenced to a hellish reform school in Jim Crow-era Florida.

When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood's only salvation is his friendship with fellow "delinquent" Turner, which deepens despite Turner's conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble. As life at the Academy becomes ever more perilous, the tension between Elwood's ideals and Turner's skepticism leads to a decision whose repercussions will echo down the decades.

Based on the real story of a reform school that operated for 111 years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.]]>
213 Colson Whitehead 0385537077 Julie 5
Inspired by true events, the author has done what all great literature does and that is to get at the truth. A truth that is often far murkier in nonfiction.

Reading this novel felt like a punch in the gut. The biggest punch was felt at the end. It took my breath away.

The story told here is specific and universal. It is the story of fictional characters and too close to call as real life and death for so many others.

Through the eyes of the protagonist we see the world through a different lens. One that we all need to see. If you don’t tear up after reading this novel, well, you aren’t human.

This novel is a living monument to why literature is needed in the world. It’s an essential service. And when it’s done this masterfully, it’s like seeing god. And god looking back in recognition.

This novel has done to me what all great literature does. It has undone me. ]]>
4.28 2019 The Nickel Boys
author: Colson Whitehead
name: Julie
average rating: 4.28
book published: 2019
rating: 5
read at:
date added: 2020/04/23
shelves:
review:
Wow. A masterpiece. And I’ve read all the greats. Most of them anyway. This is the third novel I’ve read from this author. Each one very different from the other. With this latest novel, I put the author in line with the masters. This novel is not “The Old Man and the Sea� but it is that brilliant.

Inspired by true events, the author has done what all great literature does and that is to get at the truth. A truth that is often far murkier in nonfiction.

Reading this novel felt like a punch in the gut. The biggest punch was felt at the end. It took my breath away.

The story told here is specific and universal. It is the story of fictional characters and too close to call as real life and death for so many others.

Through the eyes of the protagonist we see the world through a different lens. One that we all need to see. If you don’t tear up after reading this novel, well, you aren’t human.

This novel is a living monument to why literature is needed in the world. It’s an essential service. And when it’s done this masterfully, it’s like seeing god. And god looking back in recognition.

This novel has done to me what all great literature does. It has undone me.
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<![CDATA[Sex on Six Legs: Lessons on Life, Love, and Language from the Insect World]]> 10285305
Sex on Six Legs is a startling and exciting book that provides answers to these questions and many more. With the humor of Olivia Judson’s Dr. Tatiana’s Sex Advice to All Creation , Zuk not only examines the bedroom lives of creepy crawlies but also calls into question some of our own longheld assumptions about learning, the nature of personality, and what our own large brains might be for.]]>
272 Marlene Zuk 015101373X Julie 0 3.47 2011 Sex on Six Legs: Lessons on Life, Love, and Language from the Insect World
author: Marlene Zuk
name: Julie
average rating: 3.47
book published: 2011
rating: 0
read at:
date added: 2020/04/11
shelves: nature, non-fiction, insects, to-read
review:

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Dracula 17245 You can find an alternative cover edition for this ISBN here and here.

When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.

In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire.

This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.

Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.

A Chronology and a Selected Bibliography are included.]]>
488 Bram Stoker 0393970124 Julie 5 fiction-classics 4.02 1897 Dracula
author: Bram Stoker
name: Julie
average rating: 4.02
book published: 1897
rating: 5
read at: 2020/04/11
date added: 2020/04/11
shelves: fiction-classics
review:

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<![CDATA[Pleasures and Follies of a Goodnatured Libertine]]> 2025773 180 1596541261 Julie 0 to-read 3.22 1798 Pleasures and Follies of a Goodnatured Libertine
author: Nicolas-Edme Rétif de La Bretonne
name: Julie
average rating: 3.22
book published: 1798
rating: 0
read at:
date added: 2020/03/28
shelves: to-read
review:

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Sleep of Memory 39096860 The newest best-seller by Patrick Modiano is a beautiful tapestry that brings together memory, esoteric encounters, and fragmented sensations

Patrick Modiano’s first novel since his 2014 Nobel Prize revisits moments of the author’s past to produce a spare yet moving reflection on the destructive underside of love, the dreams and follies of youth, the vagaries of memory, and the melancholy of loss. Writing from the perspective of an older man, the narrator relives a key period in his life through his relationships with several enigmatic women—Geneviève, Martine, Madeleine, a certain Madame Huberson—in the process unearthing his troubled relationship with his parents, his unorthodox childhood, and the unsettled years of his youth that helped form the celebrated writer he would become. This is
classic Modiano, utilizing his signature mix of autobiography and invention to create his most intriguing and intimate book yet.]]>
124 Patrick Modiano 0300238304 Julie 4
Overall this novel is about memories filled with disappearances and escapes, which works because there is a sense that escaping memories and disappearing into them is what we all do. It's interesting what stays with us and what doesn't and what can surface out of nowhere sometimes. Memories are a strange beast.

There were more than a few poignant moments in this novel. It explores the pockets or grand canyons of silences between us and the people we once knew or loved or spent time with.

Each short chapter felt like a bite from a buffet with all sorts of gourmet fare. They all go together, but are their own thing too. Each vignette was a wine aged for decades, dreamlike or otherworldly.

This is a translation of the authors original French. Sometimes translations are hard to weigh as far as the weight and flow of the author's original prose. That apprehension melted away after reading the first paragraph. I was all in from the start. I loved the immediacy of the author fishing his memories and asking out loud how to proceed. As if he were talking to the reader unplanned.

In the first chapter, the author talks of an incident years ago. He ends the chapter with something he isn't saying. This makes you turn the page.

The author asks questions wondering about his father and then lets those questions become lost in answers drowning in the depths of time. This is all of us. There are things about our family, about ourselves, that will become lost in time. Moments that will never be recovered. Even if they are someday excavated, they will never be in their original form, they will always be a little off.

There was a point where I was reading along and I had the feeling of skating over the text and feeling lifted up. It was strange, but enjoyable. There were so many technical things the author did that made this novel work. One of them was how he started every sentence of each chapter. Another is the unusual way he imagined things in the narrative. It was intoxicating as the narrative lifted up and off the page while also diving down deep into the rabbit hole.

The novel is filled with brief encounters, which if you think of it is what so much of life is. As the narrator remembers his youth, it reminded me of the shards of memory any of us might land on when looking back.

About one-third of the way in, there was a shift, things got a little weird. And then the protagonist spoke about people disappearing from his life and his own past penchant for disappearing in his youth. It then got really interesting when he spoke of someone from his past, that only lived in the present, and how impossible it was to talk to such a person about her past. Their past.

The narrator tried to impose some order to his memories by writing down the names of people and things from his past. All done in the hope of these people and things working like magnets to make other memories rise. When the protagonist mentions that half a century later most of the people who witnessed his early years had finally disappeared, it made me think of how as one gets older more and more people do disappear - those that knew you when are lost to nowhere. Does that mean who you used to be is there or nowhere as well?

This novel with its shards of memory dips its toe into thriller or mystery territory toward the end. As I finished this short and elegantly told read, I wondered if much of what I had read had actually taken place in the dream world or if it was some in-between realm with a mixture of both the waking world and that of slumber.

The author mentions at one point that he is trying to solve the mysteries of Paris. That is what it feels like - though one suspects he is trying to solve that mystery to solve the real mystery, himself. And how in discovering this, one might finally shed "all the weights you dragged behind you, and all the regrets."

The novel asks if it's possible to retrace the road less traveled, the one we never took. It's poignant that we all wonder "what if" or maybe it's beautiful that we all do that. But one wonders, as we look back if we can see our past as it really was or is it always a little wrong when muddied with our current view soaked in regret and memories lost.

The novel makes one ask if we should all do a major excavation of every past year as we shed our skin. Life moves so fast that we forget to reflect on where we have been, usually so busy fixated on where we are headed. Maybe that's why as we get older we look back more at the road behind us than the one ahead. Perhaps it's a way to convince ourselves that we haven't wasted our time or maybe it's just all a distraction so we can avoid the inevitable and that is that we are closer to the end of the road.]]>
3.59 2017 Sleep of Memory
author: Patrick Modiano
name: Julie
average rating: 3.59
book published: 2017
rating: 4
read at: 2019/02/27
date added: 2019/10/02
shelves: fiction-current, artists-writers, french, memories, nobel-prize, 1960s
review:
This is the authors first novel since he won the Nobel prize (no pressure). I believe I've only read one other work of his. He's a very interesting writer.

Overall this novel is about memories filled with disappearances and escapes, which works because there is a sense that escaping memories and disappearing into them is what we all do. It's interesting what stays with us and what doesn't and what can surface out of nowhere sometimes. Memories are a strange beast.

There were more than a few poignant moments in this novel. It explores the pockets or grand canyons of silences between us and the people we once knew or loved or spent time with.

Each short chapter felt like a bite from a buffet with all sorts of gourmet fare. They all go together, but are their own thing too. Each vignette was a wine aged for decades, dreamlike or otherworldly.

This is a translation of the authors original French. Sometimes translations are hard to weigh as far as the weight and flow of the author's original prose. That apprehension melted away after reading the first paragraph. I was all in from the start. I loved the immediacy of the author fishing his memories and asking out loud how to proceed. As if he were talking to the reader unplanned.

In the first chapter, the author talks of an incident years ago. He ends the chapter with something he isn't saying. This makes you turn the page.

The author asks questions wondering about his father and then lets those questions become lost in answers drowning in the depths of time. This is all of us. There are things about our family, about ourselves, that will become lost in time. Moments that will never be recovered. Even if they are someday excavated, they will never be in their original form, they will always be a little off.

There was a point where I was reading along and I had the feeling of skating over the text and feeling lifted up. It was strange, but enjoyable. There were so many technical things the author did that made this novel work. One of them was how he started every sentence of each chapter. Another is the unusual way he imagined things in the narrative. It was intoxicating as the narrative lifted up and off the page while also diving down deep into the rabbit hole.

The novel is filled with brief encounters, which if you think of it is what so much of life is. As the narrator remembers his youth, it reminded me of the shards of memory any of us might land on when looking back.

About one-third of the way in, there was a shift, things got a little weird. And then the protagonist spoke about people disappearing from his life and his own past penchant for disappearing in his youth. It then got really interesting when he spoke of someone from his past, that only lived in the present, and how impossible it was to talk to such a person about her past. Their past.

The narrator tried to impose some order to his memories by writing down the names of people and things from his past. All done in the hope of these people and things working like magnets to make other memories rise. When the protagonist mentions that half a century later most of the people who witnessed his early years had finally disappeared, it made me think of how as one gets older more and more people do disappear - those that knew you when are lost to nowhere. Does that mean who you used to be is there or nowhere as well?

This novel with its shards of memory dips its toe into thriller or mystery territory toward the end. As I finished this short and elegantly told read, I wondered if much of what I had read had actually taken place in the dream world or if it was some in-between realm with a mixture of both the waking world and that of slumber.

The author mentions at one point that he is trying to solve the mysteries of Paris. That is what it feels like - though one suspects he is trying to solve that mystery to solve the real mystery, himself. And how in discovering this, one might finally shed "all the weights you dragged behind you, and all the regrets."

The novel asks if it's possible to retrace the road less traveled, the one we never took. It's poignant that we all wonder "what if" or maybe it's beautiful that we all do that. But one wonders, as we look back if we can see our past as it really was or is it always a little wrong when muddied with our current view soaked in regret and memories lost.

The novel makes one ask if we should all do a major excavation of every past year as we shed our skin. Life moves so fast that we forget to reflect on where we have been, usually so busy fixated on where we are headed. Maybe that's why as we get older we look back more at the road behind us than the one ahead. Perhaps it's a way to convince ourselves that we haven't wasted our time or maybe it's just all a distraction so we can avoid the inevitable and that is that we are closer to the end of the road.
]]>
Mouthful of Birds 39872813 A powerful, eerily unsettling story collection from a major international literary star.

Unearthly and unexpected, the stories in Mouthful of Birds burrow their way into your psyche and don't let go. Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.

Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.]]>
240 Samanta Schweblin 0399184627 Julie 3
Imagine reading Franz Kafka and André Breton simultaneously while watching Frida Khalo paint her way out of a René Magritte painting into one by Salvador Dali as Andy Warhol films it and Rod Serling narrates it and Jim Morrison sings "When You're Strange" in Klingon.

This collection of short stories was a through-the-looking-glass take on normal everyday life, whether it be grabbing a bite to eat, buying a train ticket, or dealing with familial angst. There is a quality to these stories that reminded me of Aesop's fables or Grimm and Anderson fairytales turned upside down and inside out. At the heart of most, if not all, of these stories was disconnection. Characters that felt disconnected from something or someone. A disconnection I felt when it came to most of the endings of these short stories as many of them ended abruptly or in a way that was hard to understand. It was like switching the channel on a tv show before it was done or having the power go out unexpectedly.

But maybe that was the point. Because this doesn't strike me as a writer that just couldn't figure out how to end all these stories or wasn't aware of the strange endings or lack thereof. This collection feels very on purpose. When finishing each, one does feel incredibly unsettled. The last story sort of brings that home, how brutality and beauty do that dance, how life is that dance, and how life is art.

This collection as a whole was riveting. It felt like a smoking gun of some sort. Even as I felt disconnected, these stories crawled under my skin. Upon finishing the collection, I pondered the endings that I couldn't quite understand and asked if they were of my own making. Was my need to find meaning, even when there was none, being called into question? And who am I to say how a story should end. Lives end all the time without rhyme or reason or consideration of plot or character arc.

The stories were well written but not poetic. Being a translation, it's hard to know if that's the author or the translator. While the prose is spare, it didn't have the rhythm of someone like Hemingway who was able to squeeze poetry out of few words. But the author of this collection does have her own very matter-of-fact rhythm. Not once did I find her prose tripping over itself or clunky in anyway.

As I closed this collection of stories, I realized scenes from all the stories were milling about in my head. My mind went back to the first story and I could feel myself still there on the side of the road and then I find myself turning back time and then not being able to stop myself from the brutal sport of needing to capture beauty and to love unconditionally one that devours what I no longer understand. I get away and then make my get away and then try to get away with it and no dice. I feel trapped in a dead-end job and then in a dead-end family. I almost escape to have an exotic affair but then hunger for something that then rages against everyone as life imitates art. I then put away childish things, but not before I color coordinate them. I sit with a stranger and become unsettled before I slow down so fast before I die - or was it someone else? I am then on the hunt and then on the run and then on display for all that I am as brutality and beauty tear me asunder.

MY TAKE ON INDIVIDUAL STORIES AS I READ THEM

The collection starts off strong: A girl with disappointment, a wedding dress and a bathroom she shouldn't have taken so long in. She can see his taillights in the distance, he didn't wait for her. One paragraph in and I'm all in. And what I'm in is a surreal landscape overflowing with the road kill of unrequited love. This story is dark and humorous and haunting and one we can all relate to on some level. It could have gone more in depth but there was something about leaving all that room for me to move about and to color that was interesting.

As I read on into the next story, I felt something I couldn't quite put my finger on. It was as if the author was attacking the same one thing from different angles. The third story was beautiful and dark and so poignant. We humans are so clueless to the difference between holding beauty and beholding it. We are dumb to how captured beauty isn't beautiful anymore because it's not free. We so often in our need to possess beauty instead of appreciating it, destroy it. This story speaks to that ignorance.

By the time you get to the story for which this collection is named you start feeling very out of sorts. As I ventured into the fifth story about a depressed mother and her son, this is when it occurred to me that all the stories so far were about disconnection in some way.

The following story had me lamenting that there wasn't much distinction between the characters. The stories and characters started to seem like they resided in the dream world, crystal clear when in them but not at all upon leaving them. The endings at this point were reminding me of dreams that I've woken up in the middle of and not recovering when falling back asleep. It was also at this point that I started wondering if these stories strung together somehow, perhaps in a different order than presented. I also wondered if I knew more folklore of the author's homeland if it would help my understanding.

As I moved onward, the stories got quirkier and darker. Especially the one about a test to see if the protagonist could kill a random dog. This one was tough to read but it did have a good dark ending.

The story about waiting for a train for which the protagonist can't seem to get his hands on a ticket seemed straight out of "Twilight Zone" or Scorsese's Classic 1980's dark comedy "After Hours." It had a good twist of an ending.

The next one titled "Olingirks" peaked my curiosity (really all the stories did). It had an ending but I'm not sure what it was, but the disconnection was palpable. The whole story was odd, like some weird recurring dream from another life. Or a dream that belongs to someone else that gets rerouted to you by mistake. It also made me think of how any one of our lives can seem strange to anyone else if laid bare.

The story about the depressed brother seemed like a more down-to-earth story yet the ending made no sense or was trying too hard to say something. Again there's the theme of disconnection. This time in the face of a barrage of people trying to connect with the brother. The feeling of disconnection never wanes and is quite potent in this story.

I loved the story about the merman. It was bordering on Charlie Kaufman territory. It would make a fun short film, very campy and ethereal. The humor of an overprotective brother was stellar. The ending was great, though I wish this one had been longer. At its heart it explores the other, autonomy, and the desire to break free.

The story "Heads Against Concrete" has one of the most drawn protagonists of all the stories. The story about a kid that loves to paint and has a short fuse when bullied was very interesting on many levels. It was life imitating art and then imitating life again. It hints of the final story.

"The Size of Things" was an odd story, sweet and sour. A Peter-Pan-esque toy story that ends as strange as it starts. The ending fell flat for me and I wish it had gone in depth on the characters. This has potential for a longer story.

The need for human connection is highlighted in "Underground," a strange little story involving the protagonist that pays a stranger at a bar five pesos to tell a story.

The story of retired circus performers is equally odd and poignant. When asked what's wrong by a former circus performer, the other retired circus performer replies "I'm worried, I think I'm slowing down." Life, the thing you love, or anything you hold dear coming to an end does make things slow down.

The story about hunting for children, or at least that's what I think it was about, or rather being infertile, seemed like the flip side of the second story in the collection about slowing down a pregnancy (or saving it for another day).

The last story was dark, really dark. "The Heavy Suitcase of Benavides" was disturbing yet brilliant in its own twisted way. It's surreal and has something to do with disconnection and objectification of brutality. It touches on how we hold up those that commit atrocities. We are as fascinated as we are appalled. This story touches on the art world. A strange underground art world. I kept waiting for the other shoe to drop. Strangely the shoe that dropped was the protagonist being aware of his connection to all of humanity falling away. This touches on many things including that of fame and power. Surreal and creepy squared.]]>
3.61 2009 Mouthful of Birds
author: Samanta Schweblin
name: Julie
average rating: 3.61
book published: 2009
rating: 3
read at: 2019/04/08
date added: 2019/10/02
shelves: short-stories, fiction-current, translation, spanish
review:
One word: surreal. Two words: hauntingly surreal.

Imagine reading Franz Kafka and André Breton simultaneously while watching Frida Khalo paint her way out of a René Magritte painting into one by Salvador Dali as Andy Warhol films it and Rod Serling narrates it and Jim Morrison sings "When You're Strange" in Klingon.

This collection of short stories was a through-the-looking-glass take on normal everyday life, whether it be grabbing a bite to eat, buying a train ticket, or dealing with familial angst. There is a quality to these stories that reminded me of Aesop's fables or Grimm and Anderson fairytales turned upside down and inside out. At the heart of most, if not all, of these stories was disconnection. Characters that felt disconnected from something or someone. A disconnection I felt when it came to most of the endings of these short stories as many of them ended abruptly or in a way that was hard to understand. It was like switching the channel on a tv show before it was done or having the power go out unexpectedly.

But maybe that was the point. Because this doesn't strike me as a writer that just couldn't figure out how to end all these stories or wasn't aware of the strange endings or lack thereof. This collection feels very on purpose. When finishing each, one does feel incredibly unsettled. The last story sort of brings that home, how brutality and beauty do that dance, how life is that dance, and how life is art.

This collection as a whole was riveting. It felt like a smoking gun of some sort. Even as I felt disconnected, these stories crawled under my skin. Upon finishing the collection, I pondered the endings that I couldn't quite understand and asked if they were of my own making. Was my need to find meaning, even when there was none, being called into question? And who am I to say how a story should end. Lives end all the time without rhyme or reason or consideration of plot or character arc.

The stories were well written but not poetic. Being a translation, it's hard to know if that's the author or the translator. While the prose is spare, it didn't have the rhythm of someone like Hemingway who was able to squeeze poetry out of few words. But the author of this collection does have her own very matter-of-fact rhythm. Not once did I find her prose tripping over itself or clunky in anyway.

As I closed this collection of stories, I realized scenes from all the stories were milling about in my head. My mind went back to the first story and I could feel myself still there on the side of the road and then I find myself turning back time and then not being able to stop myself from the brutal sport of needing to capture beauty and to love unconditionally one that devours what I no longer understand. I get away and then make my get away and then try to get away with it and no dice. I feel trapped in a dead-end job and then in a dead-end family. I almost escape to have an exotic affair but then hunger for something that then rages against everyone as life imitates art. I then put away childish things, but not before I color coordinate them. I sit with a stranger and become unsettled before I slow down so fast before I die - or was it someone else? I am then on the hunt and then on the run and then on display for all that I am as brutality and beauty tear me asunder.

MY TAKE ON INDIVIDUAL STORIES AS I READ THEM

The collection starts off strong: A girl with disappointment, a wedding dress and a bathroom she shouldn't have taken so long in. She can see his taillights in the distance, he didn't wait for her. One paragraph in and I'm all in. And what I'm in is a surreal landscape overflowing with the road kill of unrequited love. This story is dark and humorous and haunting and one we can all relate to on some level. It could have gone more in depth but there was something about leaving all that room for me to move about and to color that was interesting.

As I read on into the next story, I felt something I couldn't quite put my finger on. It was as if the author was attacking the same one thing from different angles. The third story was beautiful and dark and so poignant. We humans are so clueless to the difference between holding beauty and beholding it. We are dumb to how captured beauty isn't beautiful anymore because it's not free. We so often in our need to possess beauty instead of appreciating it, destroy it. This story speaks to that ignorance.

By the time you get to the story for which this collection is named you start feeling very out of sorts. As I ventured into the fifth story about a depressed mother and her son, this is when it occurred to me that all the stories so far were about disconnection in some way.

The following story had me lamenting that there wasn't much distinction between the characters. The stories and characters started to seem like they resided in the dream world, crystal clear when in them but not at all upon leaving them. The endings at this point were reminding me of dreams that I've woken up in the middle of and not recovering when falling back asleep. It was also at this point that I started wondering if these stories strung together somehow, perhaps in a different order than presented. I also wondered if I knew more folklore of the author's homeland if it would help my understanding.

As I moved onward, the stories got quirkier and darker. Especially the one about a test to see if the protagonist could kill a random dog. This one was tough to read but it did have a good dark ending.

The story about waiting for a train for which the protagonist can't seem to get his hands on a ticket seemed straight out of "Twilight Zone" or Scorsese's Classic 1980's dark comedy "After Hours." It had a good twist of an ending.

The next one titled "Olingirks" peaked my curiosity (really all the stories did). It had an ending but I'm not sure what it was, but the disconnection was palpable. The whole story was odd, like some weird recurring dream from another life. Or a dream that belongs to someone else that gets rerouted to you by mistake. It also made me think of how any one of our lives can seem strange to anyone else if laid bare.

The story about the depressed brother seemed like a more down-to-earth story yet the ending made no sense or was trying too hard to say something. Again there's the theme of disconnection. This time in the face of a barrage of people trying to connect with the brother. The feeling of disconnection never wanes and is quite potent in this story.

I loved the story about the merman. It was bordering on Charlie Kaufman territory. It would make a fun short film, very campy and ethereal. The humor of an overprotective brother was stellar. The ending was great, though I wish this one had been longer. At its heart it explores the other, autonomy, and the desire to break free.

The story "Heads Against Concrete" has one of the most drawn protagonists of all the stories. The story about a kid that loves to paint and has a short fuse when bullied was very interesting on many levels. It was life imitating art and then imitating life again. It hints of the final story.

"The Size of Things" was an odd story, sweet and sour. A Peter-Pan-esque toy story that ends as strange as it starts. The ending fell flat for me and I wish it had gone in depth on the characters. This has potential for a longer story.

The need for human connection is highlighted in "Underground," a strange little story involving the protagonist that pays a stranger at a bar five pesos to tell a story.

The story of retired circus performers is equally odd and poignant. When asked what's wrong by a former circus performer, the other retired circus performer replies "I'm worried, I think I'm slowing down." Life, the thing you love, or anything you hold dear coming to an end does make things slow down.

The story about hunting for children, or at least that's what I think it was about, or rather being infertile, seemed like the flip side of the second story in the collection about slowing down a pregnancy (or saving it for another day).

The last story was dark, really dark. "The Heavy Suitcase of Benavides" was disturbing yet brilliant in its own twisted way. It's surreal and has something to do with disconnection and objectification of brutality. It touches on how we hold up those that commit atrocities. We are as fascinated as we are appalled. This story touches on the art world. A strange underground art world. I kept waiting for the other shoe to drop. Strangely the shoe that dropped was the protagonist being aware of his connection to all of humanity falling away. This touches on many things including that of fame and power. Surreal and creepy squared.
]]>
<![CDATA[Black Leopard, Red Wolf (The Dark Star Trilogy, #1)]]> 40524312
Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard.

Drawing from African history and mythology and his own rich imagination, Marlon James has written an adventure that's also an ambitious, involving read. Defying categorization and full of unforgettable characters, Black Leopard, Red Wolf explores the fundamentals of truths, the limits of power, the excesses of ambition, and our need to understand them all.]]>
620 Marlon James 0735220174 Julie 4
The novel is a straight-up adventure story dipped in folklore, with swaths of humor and thought-provoking questions and pearls of wisdom. Though it never preaches, only ponders. The characters all seemed original and even though there are so many characters, and at times they are short-lived, each presence was palpable. There was an intensity to all the characters that made them seem very real.

The story touches on many themes and things. Truth is a huge one as is history and power. It is asked in the novel what makes a better warrior: one with nothing to lose or one with something to fight for (or with everything to lose). If you have nothing to go home to does that help or hinder a warrior on a mission? It's a loaded question. One that is never completely answered, but still is an excellent question to leave in the reader's lap. The story touches on dualities of gender, beast and human, time and space, and life and death. The lines get blurry on all fronts. One gets the sense that nothing is ever what it seems and is subject to change at any moment.

There are a lot of characters and locations in this novel, but the author keeps it anchored by keeping one character central to the story. When I first saw the list of characters, I thought I was really in for it. I thought I might have to refer to it often, but that wasn't the case. I rarely had to as the author was very good at keeping me in the loop.

I had no idea when I picked up this novel it was a fantasy novel. I am going to write my first full-length fantasy novel in 2020. I started creating it with a friend that is really into this genre. He died five years ago so I haven't been able to return to it except to note anything that has come to mind. Opening this book and seeing the map reminded me that it's time to write that beast finally.

I have not read a lot of this genre, but my first favorite book was "Alice in Wonderland" (definitely of the fantasy genre). When juxtaposing Alice next to James' tale, it's hard not to see the "down the rabbit hole" parallels. But that pretty much describes most fantasy genre stories. It's definitely clever and imaginative and "curiouser and curiouser" like Alice. It's also about more than meets the eye, just like Alice. Though, there's a lot more bodily fluids spilled in this story. Definitely more heads offed.

Even though this novel is the fantasy genre, its prose is elevated to the literary realm. The quality of writing is beyond exceptional. With the exception of a few parts, the reading was a lot clearer than I was expecting. James is an excellent writer that gets deep in the weeds. But he starts off slow, with only one narrative focus, to introduce us to this strange world.

The prose was rawly authentic. Every thought or word came out of the head or mouth of someone real, even if all logic pointed to their existence as impossible. Everything from the start seemed intense. A quiet intensity, like that of a cat getting ready to pounce. That is what I felt when reading this novel, always waiting for someone or something to pounce, maybe on the page, maybe even off the page.

The first line was powerful: "The child is dead." This is followed by, "There is nothing left to know." Ironic because that is likely both not the truth and the truth. This beginning to the story was very telling of the journey the reader was about to embark on. And make no mistake, the reader is taken on the journey. Forget thinking you will be allowed to just sit in your comfy armchair, keeping danger at arms length. It's just not that kind of read. For much of the novel, I felt outside of the characters. I was rather right there beside them. It was an interesting vantage point and one not without merit. One more from real life. I suppose a clever anchor.

The story pulls you in quickly. We meet the protagonist pondering how a queen likes to kill messengers of bad news and how news of the child being dead could lead to his demise. As he ponders this, the protagonist lets the reader know he didn't do it. This is followed by letting the reader know he's glad the child is dead. This is an interesting place to start.

The protagonist tells the tale, but not before it's mentioned that not everything the eye sees should be spoken by the mouth.

We start at the end. The adventure, the quest, is done and now all that remains is the protagonist having been arrested and being asked to tell what happened. The way it was written, it seemed like an interesting literary device to have the protagonist talk directly to us as the inquisitor. It works out that the reader is not the inquisitor, but it has the same impact of pulling the reader into the story quickly. As the reader is in the adventure it's easy to forget that the adventure has already happened and the protagonist is telling the story from a cage. More than once I was reminded of this as all of a sudden the protagonist explained something to the inquisitor.

After telling his origin story, the protagonist tells of meeting an old crone that after having sex with her he is gifted the chance to follow fish with lady parts. It was a moment early on that made me cringe. It sounded like something a teenager would have come up with. But this was only one moment in a sea of many that more than made up for this.

There are sage pearls of thought-provoking wisdom peppered throughout the novel. It often felt omnipotent as if the gods were talking through characters. At one point, readers were reminded never to take the story from any god or spirit or magical being to be all true. "If the gods created everything, was truth not just another creation?"

There were characters dubbed the roof walkers that reminded me of those creepy grim reaper characters from "Harry Potter." The gist was that whenever certain people appeared under any roof, the roof walkers suddenly appeared to wreak havoc. I wondered if they were from African folklore or from the author's imagination. It made me think of children today that sleep under the stars because it is safer than sleeping in their homes. To sleep in their homes might get them killed or kidnapped or raped.

At one point, when a character states they don't believe in monsters, the reply is that there is no need to believe in evil creatures when men do the things they do. A point that has weight in our realm too.

At one point the author even pokes fun at himself when stating that no story resists being cut down to one line or even one word. This is balanced out by stating that no story is so simple.

As "Game of Thrones" winds down, it's hard not to see some similarities. But while there are those power struggles at play, mad king included, most of that is on the periphery.

The storyline of the not-quite-a-giant character was touching. And extremely brutal. An extreme outsider in a world of outsiders. They all seemed like loners in some way, but he seemed the loneliest. All his killings haunted him in a way that they didn't seem to others. There is something poignant about how his very birth meant his own mother's death. For his kind, this quite often led to his own demise or shunning. His fate was instead worse, involving a monster that masqueraded as a gentleman. He was used and used and used because of his strength and size. It's sad. For some reason this is the character for which I felt the most empathy.

At one point, a character said that looking for meaning will only drive someone mad. It may drive the reader mad if they try to wrap this novel up in a neat little bow of meaning. It's a messy novel with too many facets. It may behoove the reader to take some gems as a parting gift and leave the story in all its messy glory. One thing that was given a lot of space was about truth to power. How none of us owns the truth and nothing can be done to make truth not truth. Truth is truth even after rulers who spread lies that take root in every man's heart. The manifestation of this is in characters that sing history that doesn't pander to a leaders lies, but which garners it's wrath. It seemed like they were a manifestation of the duality of power and truth. While the former can never truly quell it, it can cast truth as a lie for a time.

Nice tip of the hat to Hitchcock's "The Birds" (though it might be founded on folklore) and very creepy scenes with the white scientists. The latter reminded me of something, though I haven't put my finger on it yet. It was as disorienting for the reader as the protagonist. I think it went on for pages, without a period if I recall, maybe it just felt like it. It's effect was unsettling. You don't get how much you appreciate periods until you don't see much of them.

It was interesting how the disparate pieces started pulling together the last 100 pages. There are some good twists and turns. And toward the end, wow. The story ended up being so rich and vibrant and ominous and over-the-top, while at the same time deep and timeless. Ultimately, we each have to answer for ourselves if we want the truth or a good story. How the reader answers that question will skew how one views this novel.]]>
3.42 2019 Black Leopard, Red Wolf (The Dark Star Trilogy, #1)
author: Marlon James
name: Julie
average rating: 3.42
book published: 2019
rating: 4
read at: 2019/04/28
date added: 2019/10/02
shelves: sci-fi-fantasy, fiction-current, africa
review:
Well, that happened. This story was a ride and the ending was a trip. It had the quality of a dream. Though upon further thought, the whole story had that quality. It almost felt like one of those mid-century lava lamps, a little trippy and a lot fluid. There's a flood of shape-shifting in this novel, by creature and story. The landscapes were many, some magical and some not, some of the dream world and some of the waking world, some of the living and some of the dead, and all sorts of lands that had no such defining borders.

The novel is a straight-up adventure story dipped in folklore, with swaths of humor and thought-provoking questions and pearls of wisdom. Though it never preaches, only ponders. The characters all seemed original and even though there are so many characters, and at times they are short-lived, each presence was palpable. There was an intensity to all the characters that made them seem very real.

The story touches on many themes and things. Truth is a huge one as is history and power. It is asked in the novel what makes a better warrior: one with nothing to lose or one with something to fight for (or with everything to lose). If you have nothing to go home to does that help or hinder a warrior on a mission? It's a loaded question. One that is never completely answered, but still is an excellent question to leave in the reader's lap. The story touches on dualities of gender, beast and human, time and space, and life and death. The lines get blurry on all fronts. One gets the sense that nothing is ever what it seems and is subject to change at any moment.

There are a lot of characters and locations in this novel, but the author keeps it anchored by keeping one character central to the story. When I first saw the list of characters, I thought I was really in for it. I thought I might have to refer to it often, but that wasn't the case. I rarely had to as the author was very good at keeping me in the loop.

I had no idea when I picked up this novel it was a fantasy novel. I am going to write my first full-length fantasy novel in 2020. I started creating it with a friend that is really into this genre. He died five years ago so I haven't been able to return to it except to note anything that has come to mind. Opening this book and seeing the map reminded me that it's time to write that beast finally.

I have not read a lot of this genre, but my first favorite book was "Alice in Wonderland" (definitely of the fantasy genre). When juxtaposing Alice next to James' tale, it's hard not to see the "down the rabbit hole" parallels. But that pretty much describes most fantasy genre stories. It's definitely clever and imaginative and "curiouser and curiouser" like Alice. It's also about more than meets the eye, just like Alice. Though, there's a lot more bodily fluids spilled in this story. Definitely more heads offed.

Even though this novel is the fantasy genre, its prose is elevated to the literary realm. The quality of writing is beyond exceptional. With the exception of a few parts, the reading was a lot clearer than I was expecting. James is an excellent writer that gets deep in the weeds. But he starts off slow, with only one narrative focus, to introduce us to this strange world.

The prose was rawly authentic. Every thought or word came out of the head or mouth of someone real, even if all logic pointed to their existence as impossible. Everything from the start seemed intense. A quiet intensity, like that of a cat getting ready to pounce. That is what I felt when reading this novel, always waiting for someone or something to pounce, maybe on the page, maybe even off the page.

The first line was powerful: "The child is dead." This is followed by, "There is nothing left to know." Ironic because that is likely both not the truth and the truth. This beginning to the story was very telling of the journey the reader was about to embark on. And make no mistake, the reader is taken on the journey. Forget thinking you will be allowed to just sit in your comfy armchair, keeping danger at arms length. It's just not that kind of read. For much of the novel, I felt outside of the characters. I was rather right there beside them. It was an interesting vantage point and one not without merit. One more from real life. I suppose a clever anchor.

The story pulls you in quickly. We meet the protagonist pondering how a queen likes to kill messengers of bad news and how news of the child being dead could lead to his demise. As he ponders this, the protagonist lets the reader know he didn't do it. This is followed by letting the reader know he's glad the child is dead. This is an interesting place to start.

The protagonist tells the tale, but not before it's mentioned that not everything the eye sees should be spoken by the mouth.

We start at the end. The adventure, the quest, is done and now all that remains is the protagonist having been arrested and being asked to tell what happened. The way it was written, it seemed like an interesting literary device to have the protagonist talk directly to us as the inquisitor. It works out that the reader is not the inquisitor, but it has the same impact of pulling the reader into the story quickly. As the reader is in the adventure it's easy to forget that the adventure has already happened and the protagonist is telling the story from a cage. More than once I was reminded of this as all of a sudden the protagonist explained something to the inquisitor.

After telling his origin story, the protagonist tells of meeting an old crone that after having sex with her he is gifted the chance to follow fish with lady parts. It was a moment early on that made me cringe. It sounded like something a teenager would have come up with. But this was only one moment in a sea of many that more than made up for this.

There are sage pearls of thought-provoking wisdom peppered throughout the novel. It often felt omnipotent as if the gods were talking through characters. At one point, readers were reminded never to take the story from any god or spirit or magical being to be all true. "If the gods created everything, was truth not just another creation?"

There were characters dubbed the roof walkers that reminded me of those creepy grim reaper characters from "Harry Potter." The gist was that whenever certain people appeared under any roof, the roof walkers suddenly appeared to wreak havoc. I wondered if they were from African folklore or from the author's imagination. It made me think of children today that sleep under the stars because it is safer than sleeping in their homes. To sleep in their homes might get them killed or kidnapped or raped.

At one point, when a character states they don't believe in monsters, the reply is that there is no need to believe in evil creatures when men do the things they do. A point that has weight in our realm too.

At one point the author even pokes fun at himself when stating that no story resists being cut down to one line or even one word. This is balanced out by stating that no story is so simple.

As "Game of Thrones" winds down, it's hard not to see some similarities. But while there are those power struggles at play, mad king included, most of that is on the periphery.

The storyline of the not-quite-a-giant character was touching. And extremely brutal. An extreme outsider in a world of outsiders. They all seemed like loners in some way, but he seemed the loneliest. All his killings haunted him in a way that they didn't seem to others. There is something poignant about how his very birth meant his own mother's death. For his kind, this quite often led to his own demise or shunning. His fate was instead worse, involving a monster that masqueraded as a gentleman. He was used and used and used because of his strength and size. It's sad. For some reason this is the character for which I felt the most empathy.

At one point, a character said that looking for meaning will only drive someone mad. It may drive the reader mad if they try to wrap this novel up in a neat little bow of meaning. It's a messy novel with too many facets. It may behoove the reader to take some gems as a parting gift and leave the story in all its messy glory. One thing that was given a lot of space was about truth to power. How none of us owns the truth and nothing can be done to make truth not truth. Truth is truth even after rulers who spread lies that take root in every man's heart. The manifestation of this is in characters that sing history that doesn't pander to a leaders lies, but which garners it's wrath. It seemed like they were a manifestation of the duality of power and truth. While the former can never truly quell it, it can cast truth as a lie for a time.

Nice tip of the hat to Hitchcock's "The Birds" (though it might be founded on folklore) and very creepy scenes with the white scientists. The latter reminded me of something, though I haven't put my finger on it yet. It was as disorienting for the reader as the protagonist. I think it went on for pages, without a period if I recall, maybe it just felt like it. It's effect was unsettling. You don't get how much you appreciate periods until you don't see much of them.

It was interesting how the disparate pieces started pulling together the last 100 pages. There are some good twists and turns. And toward the end, wow. The story ended up being so rich and vibrant and ominous and over-the-top, while at the same time deep and timeless. Ultimately, we each have to answer for ourselves if we want the truth or a good story. How the reader answers that question will skew how one views this novel.
]]>