With this basic instruction always in mind, Anne Lamott returns to offer us a new gift: a step-by-step guide on how to write and on how to manage the writer's life. From "Getting Started,' with "Short Assignments," through "Shitty First Drafts," "Character," "Plot," "Dialogue." all the way from "False Starts" to "How Do You Know When You're Done?" Lamott encourages, instructs, and inspires. She discusses "Writers Block," "Writing Groups," and "Publication." Bracingly honest, she is also one of the funniest people alive.

If you have ever wondered what it takes to be a writer, what it means to be a writer, what the contents of your school lunches said about what your parents were really like, this book is for you. From faith, love, and grace to pain, jealousy, and fear, Lamott insists that you keep your eyes open, and then shows you how to survive. And always, from the life of the artist she turns to the art of life.

About racing a tuk-tuk one thousand kilometres through India with a woman I’d just met�?

No, I wasn’t serious.

“There’s a fifty percent chance we’ll die. And the flight’s in two days. But if you want to, okay…�

It was not a reasonable offer. But then she wasn’t a reasonable woman. She was certainly unreasonably attractive. I tried not to let that sway me, which was like a hammock deciding a tornado wouldn’t sway it.

Driving terrified me; I hadn’t done it in a decade. But if I could drive in India, I could drive anywhere. And if I said yes, I’d get to spend ten days with her. Would that be enough time to find out who she was, what she wanted, and then convince her to abandon that and want me instead?

So I said yes...

Tuk-Tuk for Two is a hilarious travel memoir about adventure, love, fear, fate, India, and a blue racing tuk-tuk named Winnie.

It’s the third in the best-selling Weird Travel series that has entertained tens of thousands of readers. They can be read in any order and in the tradition of Bill Bryson, Paul Theroux, and George Mahood: you’ll love their vivid descriptions, unforgettable characters, weird situations, and absurd humour.

In Tamil Characters, noted historian A. R. Venkatachalapathy provides a ringside view of contemporary Tamilnadu beginning with an assessment of political figures such as Periyar and Anna, Karunanidhi and Jayalalithaa, and significant poets, writers and thinkers including Subramania Bharati and Iyotheethos Pandithar. The final section discusses contentious issues such as language politics, prohibition, jallikattu and Dalit rights.

Our technology-reliant lives are a trail of electronic interactions; from card payments to CCTV, we leave involuntary and often unwitting digital footprints. Faking this online trail is hard, while the lack of one is dangerously conspicuous. When even an expertly forged ID has little chance against biometric databases and facial recognition technology, how can open societies� intelligence agencies continue to operate undercover?

In this gripping, meticulously researched study, drawing on numerous real-life cases, Edward Lucas, an acclaimed espionage expert, tracks the changing landscape of international spycraft—and highlights the West’s growing disadvantage against its autocratic adversaries.

Seneca believed that life is only a journey toward death and that one must rehearse for death throughout life. Here, he tells us how to practice for death, how to die well, and how to understand the role of a good death in a good life. He stresses the universality of death, its importance as life’s final rite of passage, and its ability to liberate us from pain, slavery, or political oppression.

Featuring beautifully rendered new translations, How to Die also includes an enlightening introduction, notes, the original Latin texts, and an epilogue presenting Tacitus's description of Seneca's grim suicide.