I Quit is for every person who thinks, I can't keep pretending everything is fine!'
Biblical quitting goes hand in hand with choosing. When we quit those things that are damaging to our souls or the souls of others, we are freed up to choose other ways of being and relating that are rooted in love and lead to life.
When we quit fear of what others think, we choose freedom.
When we quit lies, we choose truth.
When we quit blaming, we choose to take responsibility.
When we quit faulty thinking, we choose to live in reality.
When we quit for the right reasons, quitting changes us. Something breaks inside of us when we finally say, 'No more.' But it must be done for the right reasons, at the right time, and in the right way. That's what this book is about.
Tall people: Smart. Wealthy. Successful. U.S. Presidents, Oscar Winners, NBA players, CEOs.
Scrunched into airplane seats. Unable to find good clothes. Why?
In this, the first book of its kind, Arianne Cohen—all 6�3" of her—takes us on a tour of the tall world, traveling from endocrinologists� offices to the annual European Tall Club Convention to unlock the mysteries at the center of talldom: why do tall people succeed professionally, financially and intellectually far more than others? Why are tall men the most successful dating and mating group on earth, while tall women have low birth rates? And who the hell is behind those airplane seats?
Part investigation and part personal story, The Tall Book follows Arianne as she circles the globe, meeting the tallest people in the world, questioning them on how to raise a well-adjusted tall kid, and yes, becoming one half of America’s tallest couple.
Lively, witty, and erudite, The Tall Book is a must-read for the tall, the not-so-tall—or anyone searching for the secrets of living the high life.
]]>The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners--a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life--has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible.
Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers...
Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away...
By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.
Margaret Atwood on The Year of the FloodWhen Oryx and Crake came out, it seemed to many like science fiction--way out there, too weird to be possible--but in the three years that passed before I began writing The Year of the Flood, the perceived gap between that supposedly unreal future and the harsh one we might very well live through was narrowing fast. What is happening to our world? What can we do to reverse the damage? How long have we got? And, most importantly--what kind of "we"? In other words, what kind of people might undertake the challenge? Dedicated ones--they’d have to be. And unless you believe our planet is worth saving, why bother?
So the question of inspirational belief entered the picture, and once you have a set of beliefs--as distinct from a body of measurable knowledge--you have a religion. The God’s Gardeners appear briefly in Oryx and Crake, but in The Year of the Flood, they’re central. Like all religions, the Gardeners have their own leader, Adam One. They also have their own honoured saints and martyrs, their special days, their theology. They may look strange and obsessive and even foolish to non-members, but they’re serious about what they profess; as are their predecessors, who are with us today. I’ve found out a great deal about rooftop gardens and urban beekeeping while writing this book!
Another question frequently asked about Oryx and Crake concerned gender. Why was the story told by a man? How would it have been different if the narrator had been a woman? Such questions led me to Ren and Toby, and then to their respective lives, and also to their places of refuge. A high-end sex club and a luxury spa would in fact be quite good locations in which to wait out a pandemic plague: at least you’d have bar snacks, and a lot of clean towels.
In his book, The Art Instinct, Denis Dutton proposes that our interest in narrative is built in--selected during the very long period the human race spent in the Pleistocene--because any species with the ability to tell stories about both past and future would have an evolutionary edge. Will there be a crocodile in the river tomorrow, as there was last year? If so, better not go there. Speculative fictions about the future, like The Year of the Flood, are narratives of that kind. Where will the crocodiles be? How will we avoid them? What are our chances? --Margaret Atwood
(Photo © George Whiteside)
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Miss Polly had a dolly. A beautiful daughter that she called her Baby Doll. Every day she dressed her in dresses and brushed her hair before they went outside to show off to the neighbors. On the playground, one day her Baby Doll talked to a boy, and for one unforgivable second, Miss Polly let herself be distracted by a woman telling her how adorable she thought her daughter was. When Miss Polly finally turned to look for her Baby Doll again, she was gone.
Many years later Emma Frost hears about the disappearance of the little girl and learns that she is not the only one to have gone missing from Fanoe Island back in the nineties. As she digs deeper into the story, she soon finds herself entangled in a web of strange and very disturbing events.
Warning: Contains graphic scenes.
˃˃˃ Miss Polly had a dolly is the second novel in Willow Rose's Best-selling series about the Danish author Emma Frost. Grab a copy today. ]]>