Dan's bookshelf: all en-US Wed, 07 Aug 2024 20:43:03 -0700 60 Dan's bookshelf: all 144 41 /images/layout/goodreads_logo_144.jpg <![CDATA[Capital: Critique of Political Economy, Vol 1: A Critical Analysis of Capitalist Production]]> 1167095 Capital, one of Marx's major and most influential works, was the product of thirty years close study of the capitalist mode of production in England, the most advanced industrial society of his day. This new translation of Volume One, the only volume to be completed and edited by Marx himself, avoids some of the mistakes that have marred earlier versions and seeks to do justice to the literary qualities of the work. The introduction is by Ernest Mandel, author of Late Capitalism, one of the only comprehensive attempts to develop the theoretical legacy of Capital.]]> 819 Karl Marx Dan 0 4.22 1887 Capital: Critique of Political Economy, Vol 1: A Critical Analysis of Capitalist Production
author: Karl Marx
name: Dan
average rating: 4.22
book published: 1887
rating: 0
read at:
date added: 2024/08/07
shelves: big-intimidating-project-2009, to-read
review:

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<![CDATA[At the Mountains of Madness and Other Tales of Terror]]> 13514440 At the Mountains of Madness: Lovecraft’s indisputable masterpiece. In the barren, windswept Antarctic, an expedition uncovers strange fossils . . . and mind-blasting terror.

The Shunned House: Two men investigate the mystery of a sinister old house: the scene of unexplained deaths and weird apparitions.

The Dreams in the Witch-House: In the crooked bedroom of an ancient abode, a mathematician’s feverish studies lead him to a dark discovery.

The Statement of Randolph Carter: The lone survivor of an unspeakable incident, Randolph Carter relates his brush with the underworld.

These milestones of the macabre will compel you to read on, even as you attempt to flee the waking nightmares they inspire. At the Mountains of Madness and Other Tales of Terror is a master class in supernatural terror.]]>
184 H.P. Lovecraft Dan 4 2012 at the mountain of madness can't compare to its five-star greatness. i assumed i'd like ATMOM, but i didn't expect to love it. it manages to be the perfect embodiment of the atmospheric horror story - taking its time, building a plausibly menacing, pseudo-scientific universe and forcing me to tiptoe through it. it's also a convincing exploration of the sublime that avoids the cheesy trappings of the genre. finally, it's some of the most sensually persuasive prose i've ever read, systematically addressing the smells, textures, sounds and above all sights the characters encounter in the arctic heart-of-darkness. it's not surprising that so many artists turn to lovecraft - he leaves you with lots of potent imagery.]]> 3.90 1981 At the Mountains of Madness and Other Tales of Terror
author: H.P. Lovecraft
name: Dan
average rating: 3.90
book published: 1981
rating: 4
read at:
date added: 2020/06/05
shelves: 2012
review:
i'm rating this at 4 stars instead of five, because the three stories that accompany at the mountain of madness can't compare to its five-star greatness. i assumed i'd like ATMOM, but i didn't expect to love it. it manages to be the perfect embodiment of the atmospheric horror story - taking its time, building a plausibly menacing, pseudo-scientific universe and forcing me to tiptoe through it. it's also a convincing exploration of the sublime that avoids the cheesy trappings of the genre. finally, it's some of the most sensually persuasive prose i've ever read, systematically addressing the smells, textures, sounds and above all sights the characters encounter in the arctic heart-of-darkness. it's not surprising that so many artists turn to lovecraft - he leaves you with lots of potent imagery.
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Salammbo 221597 288 Gustave Flaubert 0140443282 Dan 5 2008 against nature, maldoror, etc.), and it doesn't quite fit the category, even. about as thematically far from madame bovary as imaginable, and yet maintains the same lush-but-sober attention to detail. with flaubert, it's all in the details. i didn't care much about the plot or the characters. i was too busy enjoying the literary scenery, which is about as good as it gets.]]> 3.78 1862 Salammbo
author: Gustave Flaubert
name: Dan
average rating: 3.78
book published: 1862
rating: 5
read at: 2008/09/21
date added: 2015/11/10
shelves: 2008
review:
one of a kind, at least as far as i can tell. i liked this way better than most of the french decadent stuff i've read (against nature, maldoror, etc.), and it doesn't quite fit the category, even. about as thematically far from madame bovary as imaginable, and yet maintains the same lush-but-sober attention to detail. with flaubert, it's all in the details. i didn't care much about the plot or the characters. i was too busy enjoying the literary scenery, which is about as good as it gets.
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<![CDATA[Rum Punch (Ordell Robbie & Louis Gara #2)]]> 240910
Jackie, however, has other plans. And with the help of Max Cherry - an honest but disgruntled bail bondsman looking to get out - she could even end up with a serious nest egg in the process.]]>
304 Elmore Leonard 0753819732 Dan 0 currently-reading 3.94 1992 Rum Punch (Ordell Robbie & Louis Gara #2)
author: Elmore Leonard
name: Dan
average rating: 3.94
book published: 1992
rating: 0
read at:
date added: 2015/02/07
shelves: currently-reading
review:

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<![CDATA[Still Midnight (Alex Morrow, #1)]]> 6389743 342 Denise Mina 0752884042 Dan 0 currently-reading 3.59 2009 Still Midnight (Alex Morrow, #1)
author: Denise Mina
name: Dan
average rating: 3.59
book published: 2009
rating: 0
read at:
date added: 2015/02/07
shelves: currently-reading
review:

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<![CDATA[The End of the Wasp Season (Alex Morrow, #2)]]> 11156902
Meanwhile, in a wealthy suburb of Glasgow, a young woman is found savagely murdered. The community is stunned by what appears to be a vicious, random attack. When Detective Inspector Alex Morrow, heavily pregnant with twins, is called in to investigate, she soon discovers that a tangled web of lies lurks behind the murder. It's a web that will spiral through Alex's own home, the local community, and ultimately right back to a swinging rope, hundreds of miles away.

The End of the Wasp Season is an accomplished, compelling and multi-layered novel about family's power of damage-and redemption.]]>
400 Denise Mina 0316069337 Dan 0 2015
Pretty much everything I like about crime novels is on display here. There's a low-key feminism that calls to mind the original run of the BBC's "Prime Suspect." All the characters - major and minor - are rendered with insight and complexity. I came out of it with an equally complex image of Glasgow - its neighborhoods, its speech patterns, and especially its class politics. Mina shifts voices with great nuance, inhabiting an array of people ranging from working class housekeepers to psychotic prep school teenagers. There's no Hollywood bullshit either. The narrative never stretches the limits of plausibility - there are no shootouts or heroic escapes. The life of a detective seems slow-going and bureaucratic, but the book shifts perspectives so effectively that it never gets boring either. If you like character-driven crime fiction, this is essential stuff.]]>
3.81 2010 The End of the Wasp Season (Alex Morrow, #2)
author: Denise Mina
name: Dan
average rating: 3.81
book published: 2010
rating: 0
read at:
date added: 2015/02/07
shelves: 2015
review:
My most exciting recent discovery.

Pretty much everything I like about crime novels is on display here. There's a low-key feminism that calls to mind the original run of the BBC's "Prime Suspect." All the characters - major and minor - are rendered with insight and complexity. I came out of it with an equally complex image of Glasgow - its neighborhoods, its speech patterns, and especially its class politics. Mina shifts voices with great nuance, inhabiting an array of people ranging from working class housekeepers to psychotic prep school teenagers. There's no Hollywood bullshit either. The narrative never stretches the limits of plausibility - there are no shootouts or heroic escapes. The life of a detective seems slow-going and bureaucratic, but the book shifts perspectives so effectively that it never gets boring either. If you like character-driven crime fiction, this is essential stuff.
]]>
On Immunity: An Inoculation 20613511
In this bold, fascinating book, Biss investigates the metaphors and myths surrounding our conception of immunity and its implications for the individual and the social body. As she hears more and more fears about vaccines, Biss researches what they mean for her own child, her immediate community, America, and the world, both historically and in the present moment. She extends a conversation with other mothers to meditations on Voltaire's Candide, Bram Stoker's Dracula, Rachel Carson's Silent Spring, Susan Sontag's AIDS and Its Metaphors, and beyond.

On Immunity is a moving account of how we are all interconnected-our bodies and our fates.]]>
205 Eula Biss 1555976891 Dan 0 2015
Vaccines are the litmus-test of the week on cable news right now. Christie is for "parental choice," the neoliberal buzzword that usually means "bad things to come." Rand Paul goes further, giving us our first taste of the Infowars-friendly record of beliefs that will doom his presidential candidacy. And all my lefty facebook friends are busy shaming skeptical parents - you're idiots, you trust Jenny McCarthy more than the CDC, you're just as bad as the Birthers, etc.

Let me be clear - I think vaccinations are great, and if I had kids I would vaccinate them. This is ultimately Biss' conclusion as well. She considers the options for her infant son, and SPOILER ALERT she has him vaccinated. But there's something about the rhetoric of the pro-science crowd on this one that seems counter-productive, even though it's right on the issues.

What makes Biss' book so remarkable is the sense that it could *actually persuade* a skeptic. The first person narrative indicates that, unlike fears over the President's birth certificate, the paranoia here is quite intimate. Parents want to do what's best for their kids, and they don't categorically trust the government or the pharamceutical industry to show them the way.

Accordingly, she keeps her ear to the ground. Weighing the fears offered by other parents in her friends circle with the commentary of a wide array of experts - immunologists, historians, philosophers, naturalists, linguists, etc. What emerges is a narrative as concerned with the ways we internalize risk as it is with public health in the 21st century.

There's no shaming in "On Immunity," though there is plenty of evidence. The incredible empathy demonstrated throughout the book will make you forget that you're essentially reading non-fiction about the sciences. She defends the things that I think are in need of defending (peer review, especially), but she never takes the patronizing tone of "big science" descending on the uninformed masses. There's no hipster bashing, no sweeping generalizations about our ill-informed media, and no internalized misogyny about "hysterical mothers" (which is, for my money, the ugliest ad hominem attack that this debate seems to endlessly invite).

There's a lot to learn in this book about conflict, rhetoric, patience, and trust.]]>
3.93 2014 On Immunity: An Inoculation
author: Eula Biss
name: Dan
average rating: 3.93
book published: 2014
rating: 0
read at:
date added: 2015/02/07
shelves: 2015
review:
Totally engrossing, and very carefully written.

Vaccines are the litmus-test of the week on cable news right now. Christie is for "parental choice," the neoliberal buzzword that usually means "bad things to come." Rand Paul goes further, giving us our first taste of the Infowars-friendly record of beliefs that will doom his presidential candidacy. And all my lefty facebook friends are busy shaming skeptical parents - you're idiots, you trust Jenny McCarthy more than the CDC, you're just as bad as the Birthers, etc.

Let me be clear - I think vaccinations are great, and if I had kids I would vaccinate them. This is ultimately Biss' conclusion as well. She considers the options for her infant son, and SPOILER ALERT she has him vaccinated. But there's something about the rhetoric of the pro-science crowd on this one that seems counter-productive, even though it's right on the issues.

What makes Biss' book so remarkable is the sense that it could *actually persuade* a skeptic. The first person narrative indicates that, unlike fears over the President's birth certificate, the paranoia here is quite intimate. Parents want to do what's best for their kids, and they don't categorically trust the government or the pharamceutical industry to show them the way.

Accordingly, she keeps her ear to the ground. Weighing the fears offered by other parents in her friends circle with the commentary of a wide array of experts - immunologists, historians, philosophers, naturalists, linguists, etc. What emerges is a narrative as concerned with the ways we internalize risk as it is with public health in the 21st century.

There's no shaming in "On Immunity," though there is plenty of evidence. The incredible empathy demonstrated throughout the book will make you forget that you're essentially reading non-fiction about the sciences. She defends the things that I think are in need of defending (peer review, especially), but she never takes the patronizing tone of "big science" descending on the uninformed masses. There's no hipster bashing, no sweeping generalizations about our ill-informed media, and no internalized misogyny about "hysterical mothers" (which is, for my money, the ugliest ad hominem attack that this debate seems to endlessly invite).

There's a lot to learn in this book about conflict, rhetoric, patience, and trust.
]]>
What Would Lynne Tillman Do? 17707959
What does Lynne Tillman do? Everything. Anything. You name it. She has a conversation with you, and you're a better, smarter person for it.]]>
381 Lynne Tillman 1935869213 Dan 0 2015
Not every single essay knocks it out of the park, but on the whole, this is pretty brilliant stuff. The long form pieces (about Paul and Jane Bowles, about Edith Wharton) are particularly insightful. Tillman has a non-judgmental curiosity about her subjects, which doesn't render her "neutral" or opinion-less.

Oh, and it's nice to hear from someone who liked "Role Models" as much as I did, for the same reasons!]]>
3.98 2013 What Would Lynne Tillman Do?
author: Lynne Tillman
name: Dan
average rating: 3.98
book published: 2013
rating: 0
read at:
date added: 2015/02/07
shelves: 2015
review:
Great collection of essays that bridge the gap between alt-lit and the fine arts. In addition to being insightful and thoughtful, Tillman is also a great interviewer. This definitely made me excited to check out some of the people she talks to.

Not every single essay knocks it out of the park, but on the whole, this is pretty brilliant stuff. The long form pieces (about Paul and Jane Bowles, about Edith Wharton) are particularly insightful. Tillman has a non-judgmental curiosity about her subjects, which doesn't render her "neutral" or opinion-less.

Oh, and it's nice to hear from someone who liked "Role Models" as much as I did, for the same reasons!
]]>
The Night Gardener 1620 372 George P. Pelecanos 0316156507 Dan 0 2015
This is a solid Pelecanos novel, with a little less genre stuff than some of his more serial work. The "serial killer" angle feels peripheral (and maybe even unnecessary), but it's mostly there to add a backdrop to a series of good character studies.

As usual, the D.C. setting is brilliantly rendered, with some interesting stuff about parenting, privilege, and race showing up from time to time without distracting from the overall story. Not as strong as a book like "Hard Revolution" (my fave from Pelecanos), but definitely worth a look.]]>
3.68 2006 The Night Gardener
author: George P. Pelecanos
name: Dan
average rating: 3.68
book published: 2006
rating: 0
read at:
date added: 2015/02/07
shelves: 2015
review:
(I decided to brush this old Ĺ·±¦ÓéŔÖ thing off to keep track of 2015, etc.)

This is a solid Pelecanos novel, with a little less genre stuff than some of his more serial work. The "serial killer" angle feels peripheral (and maybe even unnecessary), but it's mostly there to add a backdrop to a series of good character studies.

As usual, the D.C. setting is brilliantly rendered, with some interesting stuff about parenting, privilege, and race showing up from time to time without distracting from the overall story. Not as strong as a book like "Hard Revolution" (my fave from Pelecanos), but definitely worth a look.
]]>
<![CDATA[Eaarth: Making a Life on a Tough New Planet]]> 7099898
That new planet is filled with new binds and traps. A changing world costs large sums to defend--think of the money that went to repair New Orleans, or the trillions it will take to transform our energy systems--but the endless economic growth that could underwrite such largesse depends on the stable planet we've managed to damage and degrade. We can't rely on old habits any longer.

Our hope depends, McKibben argues, on scaling back—on building the kind of societies and economies that can hunker down, concentrate on essentials, and create the type of community (in the neighborhood but also on the internet) that will allow us to weather trouble on an unprecedented scale. Change—fundamental change—is our best hope on a planet suddenly and violently out of balance.]]>
253 Bill McKibben 0805090568 Dan 3 2011
especially the first (and most convincing) chapter, in which mckibben adds an extra "A" to the planet we inhabit. "eaarth" is not the world we've been trying to pin solar panels to for the well-being of our "grandchildren" since the 70's; it's the planet that's already begun changing irrevocably for the worse. in the first portion of eaarth, mckibben calls for a transformation in our approach to environmental action in the wake of the dire circumstances of the 21st century. which is to say that this is the james hansen model of environmental action (apocalyptic, worth getting arrested for), not the globe-trotting thomas freidmann kind (whoo hoo free market to the rescue).

i admire mckibben immensely as an activist. as a writer, he's clear and direct, and follows a tradition of mainstream argumentation made popular by people like michael pollan. as much as i share his urgency and support his ideals, i'm afraid i don't find his approach 100% convincing.

the least persuasive part of the book involves a long digression into american history. to persuade us that a smaller, more humble economy (and social structure) is achievable, he makes an attempt to align it with the ideals of jeffersonain democracy. mckibben has little faith or patience in the role of "big government" to address the ecological crisis (and in the wake of copenhagen, who can blame him?) so he turns to a peculiarly patriotic call for "state's rights" as an alternative. some of the bullet points of this approach are pretty persuasive - especially toward the end of the book, when he discusses local energy solutions - but there's an anti-establishment streak to it that i found rather disappointing.

for one thing, "state's rights" is one of the most diabolical code-words for our racist, confederate past. obviously, mckibben isn't trying to invoke this, but he doesn't address it either, which i found pretty irksome. at the state level, his hope seems to rely on the small-scale and the local. in our era of tea party activism and ron paul fanboys, mckibben has to be pretty careful to distinguish himself from free market libertarians, and a political culture obsessed with a government that's purportedly on its back. and he does avoid the worst of this, for the most part. instead of an unregulated frontier of altruistic individuals, mckibben envisions grassroots collective action and community-oriented governmental solutions. mckibben doesn't want to limit the powers of government so much as have them disperse in a more manageable, human-scale direction.

he lists several admirable examples of these strategies in action, and makes a few brief but persuasive arguments against "green tech" solutions to climate change. still, i couldn't help feeling that he should have made a place for broad, federal-level regulations in his assessments as well. as excited as i am about local energy production, food co-ops and urban agriculture, i can't help but think that a robust carbon-taxing system and a strengthened EPA might play a larger role in the big picture. or, more specifically, that a synthesis of macro and micro is probably the wisest way to move forward. i'm fairly certain that mckibben is in favor of this synthesis as well, but he rarely stresses large-scale solutions and puts a bit too much faith in the example of his own community in vermont. as a result, the book seems to align itself with a breed of individualistic patriotism that i find counter-productive. i'm sure he's simply trying to broaden the eco-tent beyond the usual tree-huggin' liberal crowd, but i'm not 100% convinced this is the tone to do it with.

i think i need to read deep economy next.]]>
3.95 2010 Eaarth: Making a Life on a Tough New Planet
author: Bill McKibben
name: Dan
average rating: 3.95
book published: 2010
rating: 3
read at:
date added: 2014/01/09
shelves: 2011
review:
this is depressing stuff, people.

especially the first (and most convincing) chapter, in which mckibben adds an extra "A" to the planet we inhabit. "eaarth" is not the world we've been trying to pin solar panels to for the well-being of our "grandchildren" since the 70's; it's the planet that's already begun changing irrevocably for the worse. in the first portion of eaarth, mckibben calls for a transformation in our approach to environmental action in the wake of the dire circumstances of the 21st century. which is to say that this is the james hansen model of environmental action (apocalyptic, worth getting arrested for), not the globe-trotting thomas freidmann kind (whoo hoo free market to the rescue).

i admire mckibben immensely as an activist. as a writer, he's clear and direct, and follows a tradition of mainstream argumentation made popular by people like michael pollan. as much as i share his urgency and support his ideals, i'm afraid i don't find his approach 100% convincing.

the least persuasive part of the book involves a long digression into american history. to persuade us that a smaller, more humble economy (and social structure) is achievable, he makes an attempt to align it with the ideals of jeffersonain democracy. mckibben has little faith or patience in the role of "big government" to address the ecological crisis (and in the wake of copenhagen, who can blame him?) so he turns to a peculiarly patriotic call for "state's rights" as an alternative. some of the bullet points of this approach are pretty persuasive - especially toward the end of the book, when he discusses local energy solutions - but there's an anti-establishment streak to it that i found rather disappointing.

for one thing, "state's rights" is one of the most diabolical code-words for our racist, confederate past. obviously, mckibben isn't trying to invoke this, but he doesn't address it either, which i found pretty irksome. at the state level, his hope seems to rely on the small-scale and the local. in our era of tea party activism and ron paul fanboys, mckibben has to be pretty careful to distinguish himself from free market libertarians, and a political culture obsessed with a government that's purportedly on its back. and he does avoid the worst of this, for the most part. instead of an unregulated frontier of altruistic individuals, mckibben envisions grassroots collective action and community-oriented governmental solutions. mckibben doesn't want to limit the powers of government so much as have them disperse in a more manageable, human-scale direction.

he lists several admirable examples of these strategies in action, and makes a few brief but persuasive arguments against "green tech" solutions to climate change. still, i couldn't help feeling that he should have made a place for broad, federal-level regulations in his assessments as well. as excited as i am about local energy production, food co-ops and urban agriculture, i can't help but think that a robust carbon-taxing system and a strengthened EPA might play a larger role in the big picture. or, more specifically, that a synthesis of macro and micro is probably the wisest way to move forward. i'm fairly certain that mckibben is in favor of this synthesis as well, but he rarely stresses large-scale solutions and puts a bit too much faith in the example of his own community in vermont. as a result, the book seems to align itself with a breed of individualistic patriotism that i find counter-productive. i'm sure he's simply trying to broaden the eco-tent beyond the usual tree-huggin' liberal crowd, but i'm not 100% convinced this is the tone to do it with.

i think i need to read deep economy next.
]]>
Pilgrim at Tinker Creek 12527 288 Annie Dillard 0072434171 Dan 4 2009 almost boring - meaning that dillard's comfort with the details of her everyday surroundings occasionally challenged my attention span. but in its sharpest moments, her detailed look at the life around her suddenly crystalizes, and i realize that her breed of profundity requires a microscopic (occasionally even scientific) lens. there are little pockets of extreme profundity in this book that pop up every few pages. a great reminder that if an author is playful and critical and rigorous in her/his pursuits, something great can arise out of almost anything.]]> 4.08 1974 Pilgrim at Tinker Creek
author: Annie Dillard
name: Dan
average rating: 4.08
book published: 1974
rating: 4
read at: 2009/06/08
date added: 2014/01/06
shelves: 2009
review:
this is a really impressive combination of memoir, philosophy, theology and natural history. in a sense, it's almost boring - meaning that dillard's comfort with the details of her everyday surroundings occasionally challenged my attention span. but in its sharpest moments, her detailed look at the life around her suddenly crystalizes, and i realize that her breed of profundity requires a microscopic (occasionally even scientific) lens. there are little pockets of extreme profundity in this book that pop up every few pages. a great reminder that if an author is playful and critical and rigorous in her/his pursuits, something great can arise out of almost anything.
]]>
<![CDATA[Right as Rain (Derek Strange & Terry Quinn #1)]]> 819588 359 George P. Pelecanos 0446610798 Dan 4 2008
beyond that, it was the perfect remedy for the withdrawl i've been feeling since hbo's the wire (which pelecanos wrote for) came to its conclusion. like the wire, this novel is full of complex, three-dimensional characters dealing with complex, three-dimensional circumstances. it also shares the tv show's sensitive (but not touchy-feeley sensitive) handling of race. the plotline even mirrors the story arc concerning prez in season 3, if there are any wire fans reading this.

at times, the cinematic nature of the story threatened to override its realism. some of the bursts of violence felt a bit forced to me. its otherwise realistic universe didn't seem like the best fit for shoot-outs and cold-blooded killers. but there isn't much along those lines, and the characters more than make up for it. it ends on a nice, morally-ambiguous note, pulling back from the potential hero-mythology that could have enveloped one of its main characters. i'll definitely read more from this series.]]>
3.83 2001 Right as Rain (Derek Strange & Terry Quinn #1)
author: George P. Pelecanos
name: Dan
average rating: 3.83
book published: 2001
rating: 4
read at:
date added: 2013/12/12
shelves: 2008
review:
this is a real-deal page turner. i can't remember the last time i read a book this quickly. i flew through all of its 360-ish pages in a day and a half.

beyond that, it was the perfect remedy for the withdrawl i've been feeling since hbo's the wire (which pelecanos wrote for) came to its conclusion. like the wire, this novel is full of complex, three-dimensional characters dealing with complex, three-dimensional circumstances. it also shares the tv show's sensitive (but not touchy-feeley sensitive) handling of race. the plotline even mirrors the story arc concerning prez in season 3, if there are any wire fans reading this.

at times, the cinematic nature of the story threatened to override its realism. some of the bursts of violence felt a bit forced to me. its otherwise realistic universe didn't seem like the best fit for shoot-outs and cold-blooded killers. but there isn't much along those lines, and the characters more than make up for it. it ends on a nice, morally-ambiguous note, pulling back from the potential hero-mythology that could have enveloped one of its main characters. i'll definitely read more from this series.
]]>
<![CDATA[Hard Revolution (Derek Strange & Terry Quinn #4)]]> 307548 376 George P. Pelecanos 0753820358 Dan 5 2009 the wire (for which he was a screenwriter).

the story here cuts back to the late sixties, when strange was a rookie cop. as one part of an ensemble cast, strange's world opens up into a mini-universe, and the sense of what's to come (both in terms of the character as well as the life of the city itself) adds incredible weight to even its most stereotypical characters. hard revolution is most certainly "about race," but like many great socio-political works of art, the mechanics of the story create its political identity. social criticism is expressed through the plot itself - in the way race makes certain characters maneuver around others, in the way prejudices overlap with ethics, in the way that real history (race riots, MLK's death, vietnam) sweeps up its personal narratives. pelecanos seems somewhat liberated from the crime genre in this one. it has an ambition that the previous three strange stories lack. and it works brilliantly.]]>
3.99 2004 Hard Revolution (Derek Strange & Terry Quinn #4)
author: George P. Pelecanos
name: Dan
average rating: 3.99
book published: 2004
rating: 5
read at:
date added: 2013/12/06
shelves: 2009
review:
my favorite of the derek strange novels by far, and the one where pelecanos pulls everything together into something really rich and surprising. truth be told, this is the first of the four novels i've read of his that approaches the scope of the wire (for which he was a screenwriter).

the story here cuts back to the late sixties, when strange was a rookie cop. as one part of an ensemble cast, strange's world opens up into a mini-universe, and the sense of what's to come (both in terms of the character as well as the life of the city itself) adds incredible weight to even its most stereotypical characters. hard revolution is most certainly "about race," but like many great socio-political works of art, the mechanics of the story create its political identity. social criticism is expressed through the plot itself - in the way race makes certain characters maneuver around others, in the way prejudices overlap with ethics, in the way that real history (race riots, MLK's death, vietnam) sweeps up its personal narratives. pelecanos seems somewhat liberated from the crime genre in this one. it has an ambition that the previous three strange stories lack. and it works brilliantly.
]]>
<![CDATA[A Dance with Dragons (A Song of Ice and Fire, #5)]]> 10664113 Alternate cover edition of ASIN B004XISI4A

In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance—beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has thousands of enemies, and many have set out to find her. As they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind.

Fleeing from Westeros with a price on his head, Tyrion Lannister, too, is making his way to Daenerys. But his newest allies in this quest are not the rag-tag band they seem, and at their heart lies one who could undo Daenerys’s claim to Westeros forever.

Meanwhile, to the north lies the mammoth Wall of ice and stone—a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night’s Watch, will face his greatest challenge. For he has powerful foes not only within the Watch but also beyond, in the land of the creatures of ice.

From all corners, bitter conflicts reignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all.]]>
1125 George R.R. Martin Dan 0 currently-reading 4.33 2011 A Dance with Dragons (A Song of Ice and Fire, #5)
author: George R.R. Martin
name: Dan
average rating: 4.33
book published: 2011
rating: 0
read at:
date added: 2013/08/08
shelves: currently-reading
review:

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<![CDATA[The Death and Life of Great American Cities]]> 30833 The Death and Life of Great American Cities has, since its first publication in 1961, become the standard against which all endeavors in that field are measured. In prose of outstanding immediacy, Jane Jacobs writes about what makes streets safe or unsafe; about what constitutes a neighborhood, and what function it serves within the larger organism of the city; about why some neighborhoods remain impoverished while others regenerate themselves. She writes about the salutary role of funeral parlors and tenement windows, the dangers of too much development money and too little diversity. Compassionate, bracingly indignant, and always keenly detailed, Jane Jacobs's monumental work provides an essential framework for assessing the vitality of all cities.]]> 472 Jane Jacobs 0375508732 Dan 0 currently-reading 4.30 1961 The Death and Life of Great American Cities
author: Jane Jacobs
name: Dan
average rating: 4.30
book published: 1961
rating: 0
read at:
date added: 2013/08/08
shelves: currently-reading
review:

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This Is How You Lose Her 13503109
In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”]]>
217 Junot DĂ­az 1594487367 Dan 0 2013
first and foremost, this book is funny. especially the first story, in which yunior (the bumbling, semi-sympathetic chauvinist at the heart of the stories) attempts to re-kindle a doomed relationship through an ill-fated "luxury vacation" to the dominican republic. what follows is a laugh-out-loud analysis of cultural stereotypes, american ignorance, young male jackassery, race relations, bad advice and relationship friction. it sets the tone for the stories that follow, which vary in their level of success. on the whole, this is a fun, quick read that made me kind of glad i'm not in my 20's anymore. i look forward to reading oscar wao soon. my GF has been trying to get me to read it for a few years now, and claims it's even better.]]>
3.74 2010 This Is How You Lose Her
author: Junot DĂ­az
name: Dan
average rating: 3.74
book published: 2010
rating: 0
read at:
date added: 2013/08/08
shelves: 2013
review:
i did this on audiobook. diaz reads it himself, and his delivery REALLY adds a lot to the narrative.

first and foremost, this book is funny. especially the first story, in which yunior (the bumbling, semi-sympathetic chauvinist at the heart of the stories) attempts to re-kindle a doomed relationship through an ill-fated "luxury vacation" to the dominican republic. what follows is a laugh-out-loud analysis of cultural stereotypes, american ignorance, young male jackassery, race relations, bad advice and relationship friction. it sets the tone for the stories that follow, which vary in their level of success. on the whole, this is a fun, quick read that made me kind of glad i'm not in my 20's anymore. i look forward to reading oscar wao soon. my GF has been trying to get me to read it for a few years now, and claims it's even better.
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<![CDATA[A Thousand Lives: The Untold Story of Hope, Deception, and Survival at Jonestown]]> 11369904 “I love socialism, and I’m willing to die to bring it about, but if I did, I’d take a thousand with me.�
ĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚýĚý â€� Jim Jones, September 6, 1975

ĚýĚý Ěý In 1954, a pastor named Jim Jones opened a church in Indianapolis called People's Temple Full Gospel Church. He was a charismatic preacher with idealistic beliefs, and he quickly filled his pews with an audience eager to hear his sermons on social justice. After Jones moved his church to Northern California in 1965, he became a major player in Northern California politics; he provided vital support in electing friendly political candidates to office, and they in turn offered him a protective shield that kept stories of abuse and fraud out of the papers. Even as Jones’s behavior became erratic and his message more ominous, his followers found it increasingly difficult to pull away from the church. By the time Jones relocated the Peoples Temple a final time to a remote jungle in Guyana and the U.S. Government decided to investigate allegations of abuse and false imprisonment in Jonestown, it was too late.
ĚýĚýĚýĚýĚý A Thousand Lives follows the experiences of five People's Temple members who went to Jonestown: a middle-class English teacher from Colorado, an elderly African American woman raised in Jim Crow Alabama, a troubled young black man from Oakland, and a working-class father and his teenage son. These people joined the church for vastly different reasons. Some, such as eighteen-year-old Stanley Clayton, appreciated Jones’s message of racial equality and empowering the dispossessed. Others, like Hyacinth Thrash and her sister Zipporah, were dazzled by his claims of being a faith healer â€� Hyacinth believed Jones had healed a cancerous tumor in her breast. Edith Roller, a well-educated white progressive, joined Peoples Temple because she wanted to help the less fortunate. Tommy Bogue, a teen, hated Jones’s church, but was forced to attend services—and move to Jonestown â€� because his parents were members.
ĚýĚýĚýĚýĚý A Thousand Lives is the story of Jonestown as it has never been told before. New York Times bestselling author Julia Scheeres drew from thousands of recently declassified FBI documents and audiotapes, as well as rare videos and interviews, to piece together an unprecedented and compelling history of the doomed camp, focusing on the people who lived there. Her own experiences at an oppressive reform school in the Dominican Republic, detailed in her unforgettable debut memoir Jesus Land, gave her unusual insight into this story.Ěý
ĚýĚýĚýĚý The people who built Jonestown wanted to forge a better life for themselves and their children. They sought to create a truly egalitarian society. In South America, however, they found themselves trapped in Jonestown and cut off from the outside world as their leader goaded them toward committing â€�revolutionary suicideâ€� and deprived them of food, sleep, and hope. Yet even as Jones resorted to lies and psychological warfare, Jonestown residents fought for their community, struggling to maintain their gardens, their school, their families, and their grip on reality.
ĚýĚýĚýĚý Vividly written and impossible to forget, A Thousand Lives is a story of blind loyalty and daring escapes, of corrupted ideals and senseless, haunting loss.

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307 Julia Scheeres 1416596399 Dan 0 2013


i'm growing more and more fascinated with utopian projects, cults and the like, but i understand that your mileage may vary for this sort of thing. if you aren't inclined to explore this sort of thing, i'll say that a thousand lives works really well as a story. scheeres decentralizes the role of jim jones himself (who seems to have been an authoritarian thug from very early on, in spite of his social-justice-y persona) and focuses on several members of the people's temple, exploring their diverse backgrounds, desires, interests and agendas. it's a fantastic structure for a story than many probably know the contours of already.

along the way, scheeres does a great job of characterizing the circumstances and desires that brought followers to the temple, especially alongside the racial tensions of the 50's, 60's and early 70's. i'm not sure the point of the book is to convince me of the "sanity" of these people - it's not as simple as that. instead, the stories temper my impulse to judge the people affected in the wake of the massacre. the final section of the book, where scheeres chronicles several attempts to escape, is one of the most tense and engrossing things i've read this year. the follow-up section, tracing a few lives after the massacre, is totally fascinating as well. one survivor's story (i won't spoil which one) could be the subject of a book of its own. this is a well-written, respectful work of non-fiction that avoids a lot of the trappings of true-crime atrocity porn.]]>
3.98 2011 A Thousand Lives: The Untold Story of Hope, Deception, and Survival at Jonestown
author: Julia Scheeres
name: Dan
average rating: 3.98
book published: 2011
rating: 0
read at:
date added: 2013/08/08
shelves: 2013
review:
i picked this up this after reading an interesting interview with its author, which you should read too:



i'm growing more and more fascinated with utopian projects, cults and the like, but i understand that your mileage may vary for this sort of thing. if you aren't inclined to explore this sort of thing, i'll say that a thousand lives works really well as a story. scheeres decentralizes the role of jim jones himself (who seems to have been an authoritarian thug from very early on, in spite of his social-justice-y persona) and focuses on several members of the people's temple, exploring their diverse backgrounds, desires, interests and agendas. it's a fantastic structure for a story than many probably know the contours of already.

along the way, scheeres does a great job of characterizing the circumstances and desires that brought followers to the temple, especially alongside the racial tensions of the 50's, 60's and early 70's. i'm not sure the point of the book is to convince me of the "sanity" of these people - it's not as simple as that. instead, the stories temper my impulse to judge the people affected in the wake of the massacre. the final section of the book, where scheeres chronicles several attempts to escape, is one of the most tense and engrossing things i've read this year. the follow-up section, tracing a few lives after the massacre, is totally fascinating as well. one survivor's story (i won't spoil which one) could be the subject of a book of its own. this is a well-written, respectful work of non-fiction that avoids a lot of the trappings of true-crime atrocity porn.
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America Pacifica 3278246 America Pacifica invites comparison to the work of Margaret Atwood and China Mieville, to Cormac McCarthy's The Road for its the touching child-parent relationship, and to Stieg Larsson's Millenium trilogy for its implacable, determined central character.]]> 294 Anna North Dan 0 2013 america pacifica is my kind of book - a sci-fi think piece along the lines of octavia butler's parable of the sower or margaret atwood's oryx and crake. but it's not as convincing as either of those. the protagonist is likeable enough, in a katniss everdeen sort of way (a good thing, imo), but she doesn't seem to have any human qualities other than broadly-rendered strength and resilience. i could say the same of the world north creates as well. there isn't enough detail about the size, scale or sociology of america pacifica. its universe seems to split into haves and have-nots, but there isn't enough nuance to its world building or its class politics. not a bad book exactly, but one that lacks a distinct voice or perspective.]]> 3.08 2011 America Pacifica
author: Anna North
name: Dan
average rating: 3.08
book published: 2011
rating: 0
read at:
date added: 2013/08/08
shelves: 2013
review:
i'm a sucker for dystopia, especially when it doesn't resort to magical, deus-ex-machina stuff and keeps its ear to the ground. on paper, america pacifica is my kind of book - a sci-fi think piece along the lines of octavia butler's parable of the sower or margaret atwood's oryx and crake. but it's not as convincing as either of those. the protagonist is likeable enough, in a katniss everdeen sort of way (a good thing, imo), but she doesn't seem to have any human qualities other than broadly-rendered strength and resilience. i could say the same of the world north creates as well. there isn't enough detail about the size, scale or sociology of america pacifica. its universe seems to split into haves and have-nots, but there isn't enough nuance to its world building or its class politics. not a bad book exactly, but one that lacks a distinct voice or perspective.
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Miami Blues (Hoke Moseley #1) 216
Chronically depressed, constantly strapped for money, always willing to bend the rules a bit, Hoke Moseley is hardly what you think of as the perfect cop, but he is one of the the greatest detective creations of all time.]]>
191 Charles Willeford 1400032466 Dan 0 2013 miami blues, but each character seems human and interesting, especially freddy, the sort-of-antagonist. freddy is ultimately a scumbag, but he's so fascinating that i could have read 500 more pages about him and his love of haikus and cop impersonation. excited to read the rest of the series, which is in serious need of a reissue from its publisher.]]> 3.92 1984 Miami Blues (Hoke Moseley #1)
author: Charles Willeford
name: Dan
average rating: 3.92
book published: 1984
rating: 0
read at:
date added: 2013/08/08
shelves: 2013
review:
i had fairly high expectations for this one, and it lived up to them. a genuinely offbeat crime thriller that works equally well as a pulp page-turner and as an experiment in low-key surrealism. structurally similar to elmore leonard, though deliberately lacking his warmth or empathy. no one is exactly "likeable" in miami blues, but each character seems human and interesting, especially freddy, the sort-of-antagonist. freddy is ultimately a scumbag, but he's so fascinating that i could have read 500 more pages about him and his love of haikus and cop impersonation. excited to read the rest of the series, which is in serious need of a reissue from its publisher.
]]>
<![CDATA[A Feast for Crows (A Song of Ice and Fire, #4)]]> 13497 Crows will fight over a dead man's flesh, and kill each other for his eyes.

Bloodthirsty, treacherous and cunning, the Lannisters are in power on the Iron Throne in the name of the boy-king Tommen. The war in the Seven Kingdoms has burned itself out, but in its bitter aftermath new conflicts spark to life.

The Martells of Dorne and the Starks of Winterfell seek vengeance for their dead. Euron Crow's Eye, as black a pirate as ever raised a sail, returns from the smoking ruins of Valyria to claim the Iron Isles. From the icy north, where Others threaten the Wall, apprentice Maester Samwell Tarly brings a mysterious babe in arms to the Citadel.

Against a backdrop of incest and fratricide, alchemy and murder, victory will go to the men and women possessed of the coldest steel and the coldest hearts.]]>
1060 George R.R. Martin 055358202X Dan 0 2013 a storm of swords, but after the mayhem in the final third of that book, keeping up a similar pace would eventually grow silly, wouldn't it? plus, how many shocking deaths does it take to render the entire ordeal un-shocking? martin's new-found prudence allows me to catch my breath as a reader, and i appreciate the slower pace.

as you may have heard, a feast for crows stands alongside book #5 (a dance with dragons) in terms of the story's timeline. basically, the universe got too huge for one volume. lots of people resented martin's decision to split it up, but i kind of admire it. at this point, he's no longer establishing this world (save maybe in dorne). instead, he's simply inhabiting it. he takes his time with certain plot developments, but the indulgences are addictive. i can't imagine the amount of labor that went into constructing the various histories of westeros (and beyond), so the slower pace is an earned extravagance in my opinion.

also, for what it's worth, this book is primarily about the ladies of westeros, and in accordance with the gender expectations of his world, there's a bit less noble (or not so noble) battle carnage, accordingly. i like this shift of gears immensely. spending time with brienne of tarth is a pleasure, as is the deepening of some smaller characters like gilly or asha greyjoy. and though the inner life of cersei lannister doesn't prove to be as surprising or illuminating as her brother's was in the previous volume, her POV allows martin to showcase one of his least-applauded writerly talents, namely his knack for the intricacies of politics.

in many ways, feast is the most "literary" entry into the ASOIAF series, with its slower pace and psychological, character-driven focus. you might even call it more "high brow," if that term is still even still useful (it isn't). after the drama and heartache of storm of swords, this wasn't necessarily the book i was expecting... but i like the change of tone and shits in focus. i'm not particularly worried about martin finishing the series, to be honest - i'm along for the ride. and this entry expects the kind of leisurely loyalty i already feel for the series, i guess. at the end of the day, i probably enjoyed books #1 and 3 a bit more, but a feast for crows is still stylistically daring and aesthetically challenging in ways that the previous volumes don't always match. so keep an open mind and don't turn each page in search of a diabolical wedding.]]>
4.16 2005 A Feast for Crows (A Song of Ice and Fire, #4)
author: George R.R. Martin
name: Dan
average rating: 4.16
book published: 2005
rating: 0
read at:
date added: 2013/08/05
shelves: 2013
review:
well, i've finished with the infamous fourth installment of the series. i see why people dislike it so much, though i can't say i share many of their objections. yes, there is less action than a storm of swords, but after the mayhem in the final third of that book, keeping up a similar pace would eventually grow silly, wouldn't it? plus, how many shocking deaths does it take to render the entire ordeal un-shocking? martin's new-found prudence allows me to catch my breath as a reader, and i appreciate the slower pace.

as you may have heard, a feast for crows stands alongside book #5 (a dance with dragons) in terms of the story's timeline. basically, the universe got too huge for one volume. lots of people resented martin's decision to split it up, but i kind of admire it. at this point, he's no longer establishing this world (save maybe in dorne). instead, he's simply inhabiting it. he takes his time with certain plot developments, but the indulgences are addictive. i can't imagine the amount of labor that went into constructing the various histories of westeros (and beyond), so the slower pace is an earned extravagance in my opinion.

also, for what it's worth, this book is primarily about the ladies of westeros, and in accordance with the gender expectations of his world, there's a bit less noble (or not so noble) battle carnage, accordingly. i like this shift of gears immensely. spending time with brienne of tarth is a pleasure, as is the deepening of some smaller characters like gilly or asha greyjoy. and though the inner life of cersei lannister doesn't prove to be as surprising or illuminating as her brother's was in the previous volume, her POV allows martin to showcase one of his least-applauded writerly talents, namely his knack for the intricacies of politics.

in many ways, feast is the most "literary" entry into the ASOIAF series, with its slower pace and psychological, character-driven focus. you might even call it more "high brow," if that term is still even still useful (it isn't). after the drama and heartache of storm of swords, this wasn't necessarily the book i was expecting... but i like the change of tone and shits in focus. i'm not particularly worried about martin finishing the series, to be honest - i'm along for the ride. and this entry expects the kind of leisurely loyalty i already feel for the series, i guess. at the end of the day, i probably enjoyed books #1 and 3 a bit more, but a feast for crows is still stylistically daring and aesthetically challenging in ways that the previous volumes don't always match. so keep an open mind and don't turn each page in search of a diabolical wedding.
]]>
<![CDATA[The Little Red Book of Running (Little Books)]]> 11807644 Mas correr não pode ser apenas calçar uns sapatos e sair à rua. A falta de conhecimento e preparação podem dar origem a lesões, fadiga, desconforto� Um corpo sedentário não está preparado para correr uma maratona. Devemos conhecer e identificar os limites do nosso corpo. Correr de forma saudável é fundamental para que possamos apreciar todas as vantagens desta prática. Este livro reúne 250 dicas, sugestões ou alertas, que ajudarão qualquer corredor - independentemente do seu objetivo e condição física - a descobrir ao seu próprio ritmo porque é que correr é uma atividade tão inebriante e cativante a ponto de facilmente se tornar uma parte fundamental da sua vida.]]> 224 Scott Douglas 1616082968 Dan 0 2013
this is very welcoming and pragmatic. i could have used a bit more technical advice and possibly a table of contents at the end. for example, i'm new enough to this to have to google "striders," since douglas assumes i know what they are. if you're looking for someone to set a regiment for you, this probably isn't the book for you. but if you're reading this on the internet, finding a decent running schedule is probably a google away to begin with.

if you're looking to motivate yourself to get off of your ass, read this. it's pretty level-headed - no jocky tough love or whatever. better still, douglas seems pretty indifferent to fancy shoes and protein shakes and fad diets and whatever. the focus is on the act of running and the goal is to get you to do it, rather than to supplement it with lots of complicated gear or rituals.]]>
4.04 2011 The Little Red Book of Running (Little Books)
author: Scott Douglas
name: Dan
average rating: 4.04
book published: 2011
rating: 0
read at:
date added: 2013/06/21
shelves: 2013
review:
oddly enough, i'm trying to prep for a half-marathon in mid-september. i've only been running for about a year and a half, and only more than 2/3 times a week for a few months. so some of the more intermediate advice here wasn't totally applicable to my case, but it was worth reading anyway.

this is very welcoming and pragmatic. i could have used a bit more technical advice and possibly a table of contents at the end. for example, i'm new enough to this to have to google "striders," since douglas assumes i know what they are. if you're looking for someone to set a regiment for you, this probably isn't the book for you. but if you're reading this on the internet, finding a decent running schedule is probably a google away to begin with.

if you're looking to motivate yourself to get off of your ass, read this. it's pretty level-headed - no jocky tough love or whatever. better still, douglas seems pretty indifferent to fancy shoes and protein shakes and fad diets and whatever. the focus is on the act of running and the goal is to get you to do it, rather than to supplement it with lots of complicated gear or rituals.
]]>
<![CDATA[Elric of Melniboné (The Elric Saga, #1)]]> 30036
The youthful Elric is a cynical and melancholy king, heir to a nation whose 100,000-year rule of the world ended less than 500 years hence. More interested in brooding contemplation than holding the throne, Elric is a reluctant ruler, but he also realizes that no other worthy successor exists and the survival of his once-powerful, decadent nation depends on him alone. Elric's nefarious, brutish cousin Yrkoon has no patience for his physically weak kinsman, and he plots constantly to seize Elric's throne, usually over his dead body. Elric of Melniboné follows Yrkoon's scheming, reaching its climax in a battle between Elric and Yrkoon with the demonic runeblades Stormbringer and Mournblade. In this battle, Elric gains control of the soul-stealing Stormbringer, an event that proves pivotal to the Elric saga. --Paul Hughes]]>
181 Michael Moorcock 0441203981 Dan 0 2013
there's plenty of potential in that description alone, but most of it is set aside in favor of generic sword-and-scorcery stuff. i guess moorcock was one of the people who created the clichés of the genre, so it's probably unfair to imply that the imagery lacks creativity. still, he's writing decades later than, say, h.p. lovecraft and isn't nearly as engrossing or effective. there's a lack of depth to elric - his philosophical musings never take any complicated shape and his discomfort with violence is set aside every dozen pages to make room for fanboy baddassery. worse, the world-building is slim and unconvincing. there's no clear sense of place or geography, and gods keep popping up out of nowhere to move the plot along, only to disappear when no longer of use. maybe the subsequent (or previous... i still can't figure out the chronology in this series) entries into elric's saga flesh all this out, but i fear i'm not enough of a 14-year-old pothead anymore to find out.]]>
3.90 1972 Elric of Melniboné (The Elric Saga, #1)
author: Michael Moorcock
name: Dan
average rating: 3.90
book published: 1972
rating: 0
read at:
date added: 2013/06/11
shelves: 2013
review:
i need a little more from a fantasy novel than d & d catnip, and i expected more from this, my first moorcock novel. it starts out well enough - elric is an albino warlock emperor in ill-health, kept alive by potions that he's in constant need of replenishing. moorcock has him sit atop a kingdom defined by hedonistic self-interest and authoritarianism, none of which sits well with elric.

there's plenty of potential in that description alone, but most of it is set aside in favor of generic sword-and-scorcery stuff. i guess moorcock was one of the people who created the clichés of the genre, so it's probably unfair to imply that the imagery lacks creativity. still, he's writing decades later than, say, h.p. lovecraft and isn't nearly as engrossing or effective. there's a lack of depth to elric - his philosophical musings never take any complicated shape and his discomfort with violence is set aside every dozen pages to make room for fanboy baddassery. worse, the world-building is slim and unconvincing. there's no clear sense of place or geography, and gods keep popping up out of nowhere to move the plot along, only to disappear when no longer of use. maybe the subsequent (or previous... i still can't figure out the chronology in this series) entries into elric's saga flesh all this out, but i fear i'm not enough of a 14-year-old pothead anymore to find out.
]]>
Fun Home: A Family Tragicomic 38990 232 Alison Bechdel 0618477942 Dan 0 2013
here's what i knew going in (since it's a good, non-spoiler-y amount of info to start with): alison bechdel is a lesbian comic artist and at some point during her upbringing, she discovered that her father was gay/bi/queer as well. i assumed that this would result in something introspective/informative, like a less ho-hum chester brown or something. instead, it's a surprisingly unique personal story - a real yarn, in a certain sense (albeit a fairly melancholic one that deserves to be taken seriously). better still, bechdel weaves a number of literary references into its fabric, documenting her father's obsession with proust, joyce and especially f. scott fitzgerald alongside her own discovery of queer fiction in the days prior to the feminist/gender studies pedagogy that is thankfully now on the rise in (some) colleges. in once sense, it's a book about finding yourself through literature - and the ways that literature can either empower a person or provide cover into which to bury one's head in shame.

above all though, fun home is an incredibly generous and honest graphic novel. it's never sentimental, but it's not ugly or exploitative either. bechdel's father is neither a hero nor a monster. he's a bit of a tragedy, but he's no object of sanctimonious pity either. he feels like a real person, and fun home was clearly written by a real person as well. ]]>
4.12 2006 Fun Home: A Family Tragicomic
author: Alison Bechdel
name: Dan
average rating: 4.12
book published: 2006
rating: 0
read at:
date added: 2013/06/11
shelves: 2013
review:
i knew i was gonna like this, and it actually exceeded my already high expectations. i figured it would be a compelling coming-of-age story about family and sexuality; i had no idea it would be such a gripping, unconventional story.

here's what i knew going in (since it's a good, non-spoiler-y amount of info to start with): alison bechdel is a lesbian comic artist and at some point during her upbringing, she discovered that her father was gay/bi/queer as well. i assumed that this would result in something introspective/informative, like a less ho-hum chester brown or something. instead, it's a surprisingly unique personal story - a real yarn, in a certain sense (albeit a fairly melancholic one that deserves to be taken seriously). better still, bechdel weaves a number of literary references into its fabric, documenting her father's obsession with proust, joyce and especially f. scott fitzgerald alongside her own discovery of queer fiction in the days prior to the feminist/gender studies pedagogy that is thankfully now on the rise in (some) colleges. in once sense, it's a book about finding yourself through literature - and the ways that literature can either empower a person or provide cover into which to bury one's head in shame.

above all though, fun home is an incredibly generous and honest graphic novel. it's never sentimental, but it's not ugly or exploitative either. bechdel's father is neither a hero nor a monster. he's a bit of a tragedy, but he's no object of sanctimonious pity either. he feels like a real person, and fun home was clearly written by a real person as well.
]]>
Near to the Wild Heart 153425 Near to the Wild Heart is Clarice Lispector's first novel, written from March to November 1942 and published around her twenty-third birthday. The novel, written in a stream-of-consciousness style reminiscent of the English-language Modernists, centers around the childhood and early adulthood of a character named Joana, who bears strong resemblance to her author: "Madame Bovary, c'est moi", Lispector said, quoting Flaubert, when asked about the similarities. The book, particularly its revolutionary language, brought its young, unknown creator to great prominence in Brazilian letters and earned her the prestigious Graça Aranha Prize.

Joana, a young woman very much in the mode of existential contemporaries like Camus and Sartre, ponders the meaning of life, the freedom to be one's self, and the purpose of existence. Near to the Wild Heart does not have a conventional narrative plot. It instead recounts flashes from the life of Joana, between her present, as a young woman, and her early childhood. These focus, like most of Lispector's works, on interior, emotional states of mind.]]>
192 Clarice Lispector 0811211401 Dan 0 2013 hour of the star to be, but measuring up to that one is next to impossible. still, near to the wild heart is a worthy follow-up, albeit one that fits more comfortably in the canon of modernist literature.

as in star, this largely plot-less novel concerns the inner life of an eccentric woman named joanna. joanna isn't quite as bizarre and enigmatic as star's macabea, but she's still a strange mixture of loyalty, defiance, sophistication and willful immaturity. and, in what appears to be a lispector trademark, everyone around her is as weird as she is. the best thing about lispector is the way she overrides the familiar modernist dichotomy between a brooding, isolated subject and the callous bourgeois universe she is forced to inhabit. lispector isn't exactly interested in personal alienation, so much as she is in rendering a universe composed of singular, unique subjects that fundamentally contradict, and stand apart from, each another. when i read her work, i don't lament missed inter-personal connections or hope that the protagonist will be finally be heard and understood. instead, i marvel at the radical differences that exist between her characters, and appreciate the extent to which any normative standard of "empathy" would actually ruin what's so exciting about them. ]]>
4.08 1943 Near to the Wild Heart
author: Clarice Lispector
name: Dan
average rating: 4.08
book published: 1943
rating: 0
read at:
date added: 2013/06/11
shelves: 2013
review:
not quite the revelation that i found hour of the star to be, but measuring up to that one is next to impossible. still, near to the wild heart is a worthy follow-up, albeit one that fits more comfortably in the canon of modernist literature.

as in star, this largely plot-less novel concerns the inner life of an eccentric woman named joanna. joanna isn't quite as bizarre and enigmatic as star's macabea, but she's still a strange mixture of loyalty, defiance, sophistication and willful immaturity. and, in what appears to be a lispector trademark, everyone around her is as weird as she is. the best thing about lispector is the way she overrides the familiar modernist dichotomy between a brooding, isolated subject and the callous bourgeois universe she is forced to inhabit. lispector isn't exactly interested in personal alienation, so much as she is in rendering a universe composed of singular, unique subjects that fundamentally contradict, and stand apart from, each another. when i read her work, i don't lament missed inter-personal connections or hope that the protagonist will be finally be heard and understood. instead, i marvel at the radical differences that exist between her characters, and appreciate the extent to which any normative standard of "empathy" would actually ruin what's so exciting about them.
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The Round House 13602426 Librarian's note: An alternate cover edition can be found here

One of the most revered novelists of our time - a brilliant chronicler of Native-American life - Louise Erdrich returns to the territory of her bestselling, Pulitzer Prize finalist The Plague of Doves with The Round House, transporting readers to the Ojibwe reservation in North Dakota. It is an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family.

Riveting and suspenseful, arguably the most accessible novel to date from the creator of Love Medicine, The Beet Queen, and The Bingo Palace, Erdrich’s The Round House is a page-turning masterpiece of literary fiction - at once a powerful coming-of-age story, a mystery, and a tender, moving novel of family, history, and culture.]]>
323 Louise Erdrich 0062065246 Dan 0 2013
erdrich effectively filters my desire for some sort of narrative resolution through the lens of a 13-year-old boy. the protagonist is a sharp enough kid, but he's never depicted as a precocious, child-sleuth-genius. some of the most effective passages involve the kind of poor decision-making familiar to anyone who's ever been through puberty. alongside the realism is a smaller story-arc concerning the differences between u.s. law and tribal law - the kid's father is a lawyer who must navigate both worlds, and he maintains emotional connection to his son by sharing this knowledge. i can see how some people found this dimension of the story tedious, but i thought it made the book informative as well as emotionally engaging.

if you're looking for an atypical take on the mystery genre with rich prose and great atmosphere, this is well worth your time. it drags a bit in the middle - there's a quasi-magic-realist element (via mythology and allegory) that feels unnecessary at times - but the honesty and sobriety of the story-telling more than make up for it.]]>
3.96 2012 The Round House
author: Louise Erdrich
name: Dan
average rating: 3.96
book published: 2012
rating: 0
read at:
date added: 2013/06/11
shelves: 2013
review:
a slow, steady, rewarding experience. it's a mystery novel on the surface, though the crime at the heart of the story isn't treated with any pulpy pyrotechnics. figuring out whodunit won't seem particularly urgent once you've committed to the story. instead, the focus is on the coming-of-age of a middle-school-aged boy on an ojibwe reservation in north dakota as him and his family struggle with the aftermath of his mother's rape.

erdrich effectively filters my desire for some sort of narrative resolution through the lens of a 13-year-old boy. the protagonist is a sharp enough kid, but he's never depicted as a precocious, child-sleuth-genius. some of the most effective passages involve the kind of poor decision-making familiar to anyone who's ever been through puberty. alongside the realism is a smaller story-arc concerning the differences between u.s. law and tribal law - the kid's father is a lawyer who must navigate both worlds, and he maintains emotional connection to his son by sharing this knowledge. i can see how some people found this dimension of the story tedious, but i thought it made the book informative as well as emotionally engaging.

if you're looking for an atypical take on the mystery genre with rich prose and great atmosphere, this is well worth your time. it drags a bit in the middle - there's a quasi-magic-realist element (via mythology and allegory) that feels unnecessary at times - but the honesty and sobriety of the story-telling more than make up for it.
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Gone Girl 8442457 What have we done to each other?

These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on his mobile phone.

So what did happen to Nick's beautiful wife?]]>
399 Gillian Flynn Dan 0 2013 gone girl, but i'm fairly sure all the people hyping it to death didn't think it was as silly as i did.

the story concerns two NYC yuppies who relocate to semi-rural missouri after the husband loses his job in journalism. neither the husband nor the wife is particularly interesting, but they're both custom-made to mirror the prejudices of the NPR-liberal crowd this book is so clearly created for. throughout its first half, gone girl is a book about a dissolving marriage - only marginally a murder mystery - with lots of lukewarm appeals to "literature" or whatever. the tone is often patronizing - expect lots of snarky observations about middle americans offering snacks with ham wrapped around them, written in a tone just gentle enough to qualify as an assessment of "recession-era america" instead of plain-jane class snobbery. it's obnoxious.

eventually, there's a real shocker of a twist. i won't spoil it, and i certainly didn't see it coming. the momentum picks up a bit shortly after, as the book becomes trashier and more mean-spirited. post-twist, a misanthropic streak takes over and any semblance of a serious critique of marriage is cast aside in favor of twisted-evil-genius clichés that become increasingly ridiculous.

once the buzz of the big revelation wore off, i began thinking through how completely implausible the maneuver was to begin with. to make matters worse, its consequences aren't as tightly arranged as the circumstances leading up to it. toward the end, the plotline inches ever closer to "lifetime" movie territory, complete with shifty backwoods yokels, johnnie-cochran-style legal advice and daytime tv appearances. it's not an entirely humorless book, but its scope is too normative and moralistic to capitalize on its cheap thrills. i'm kind of mad at myself for becoming so addicted to it, to be honest.]]>
3.93 2012 Gone Girl
author: Gillian Flynn
name: Dan
average rating: 3.93
book published: 2012
rating: 0
read at:
date added: 2013/04/23
shelves: 2013
review:
while i'll admit that this is a pretty addictive page-turner, it's also a major disappointment. i'm not exactly sure what i expected from gone girl, but i'm fairly sure all the people hyping it to death didn't think it was as silly as i did.

the story concerns two NYC yuppies who relocate to semi-rural missouri after the husband loses his job in journalism. neither the husband nor the wife is particularly interesting, but they're both custom-made to mirror the prejudices of the NPR-liberal crowd this book is so clearly created for. throughout its first half, gone girl is a book about a dissolving marriage - only marginally a murder mystery - with lots of lukewarm appeals to "literature" or whatever. the tone is often patronizing - expect lots of snarky observations about middle americans offering snacks with ham wrapped around them, written in a tone just gentle enough to qualify as an assessment of "recession-era america" instead of plain-jane class snobbery. it's obnoxious.

eventually, there's a real shocker of a twist. i won't spoil it, and i certainly didn't see it coming. the momentum picks up a bit shortly after, as the book becomes trashier and more mean-spirited. post-twist, a misanthropic streak takes over and any semblance of a serious critique of marriage is cast aside in favor of twisted-evil-genius clichés that become increasingly ridiculous.

once the buzz of the big revelation wore off, i began thinking through how completely implausible the maneuver was to begin with. to make matters worse, its consequences aren't as tightly arranged as the circumstances leading up to it. toward the end, the plotline inches ever closer to "lifetime" movie territory, complete with shifty backwoods yokels, johnnie-cochran-style legal advice and daytime tv appearances. it's not an entirely humorless book, but its scope is too normative and moralistic to capitalize on its cheap thrills. i'm kind of mad at myself for becoming so addicted to it, to be honest.
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<![CDATA[Days of Destruction, Days of Revolt]]> 12993106 Days of Destruction, Days of Revolt is the searing account of their travels.
The book starts in the western plains, where Native Americans were sacrificed in the giddy race for land and empire. It moves to the old manufacturing centers and coal fields that fueled the industrial revolution, but now lie depleted and in decay. It follows the steady downward spiral of American labor into the nation's produce fields and ends in Zuccotti Park where a new generation revolts against a corporate state that has handed to the young an economic, political, cultural and environmental catastrophe.
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302 Chris Hedges 1568586434 Dan 0 2013
don't get me wrong - this is a good book that does us all a great service by telling the stories it tells. i spent most of my life in philadelphia - a 15 minute subway ride from camden, NJ - and nearly everyone i know who ever ended up there did so by accident. too often in philly, camden is little more than a punchline - one that occasionally comes from the mouths of the same people crying crocodile tears over "the ruins of detroit" or whatever. by shining a light on these "economic dead zones," sacco and hedges remind me that these places exist, which in and of itself is incredibly important.

that said, i guess i'm "team sacco" all the way. i admire chris hedges (especially as an activist), but he's way too eager to "speak for" the people he encounters here, and it comes dangerously close to deal-breaker territory for me at times. i have great sympathy for his thesis (and diagnosis, for the most part), but as someone who lives in a small rust-belt city with an evaporating infrastructure myself (erie, pa), i can't help thinking that the people he interviews might not be pleased with his depictions of them from time to time.

and the soapboxing isn't necessary, as sacco's comic passages make clear. the stories do the leg work for them - the abandonment, the prejudices, the eroding social safety nets - all of these things shine through in the words of the people they encounter. hedges has some big, important ideas on display here, and he's committed to an admirable project. but i wish he was a better listener. ]]>
4.16 2012 Days of Destruction, Days of Revolt
author: Chris Hedges
name: Dan
average rating: 4.16
book published: 2012
rating: 0
read at:
date added: 2013/04/20
shelves: 2013
review:
despite their shared politcs, sacco and hedges are a bit of an odd couple. sacco's instinct to get out of the way and let people tell their own stories is the key ingredient to his magic (imo), whereas hedges can't wait to turn each tale of misery into a bullet-point in his ongoing treatise against neoliberal capitalism.

don't get me wrong - this is a good book that does us all a great service by telling the stories it tells. i spent most of my life in philadelphia - a 15 minute subway ride from camden, NJ - and nearly everyone i know who ever ended up there did so by accident. too often in philly, camden is little more than a punchline - one that occasionally comes from the mouths of the same people crying crocodile tears over "the ruins of detroit" or whatever. by shining a light on these "economic dead zones," sacco and hedges remind me that these places exist, which in and of itself is incredibly important.

that said, i guess i'm "team sacco" all the way. i admire chris hedges (especially as an activist), but he's way too eager to "speak for" the people he encounters here, and it comes dangerously close to deal-breaker territory for me at times. i have great sympathy for his thesis (and diagnosis, for the most part), but as someone who lives in a small rust-belt city with an evaporating infrastructure myself (erie, pa), i can't help thinking that the people he interviews might not be pleased with his depictions of them from time to time.

and the soapboxing isn't necessary, as sacco's comic passages make clear. the stories do the leg work for them - the abandonment, the prejudices, the eroding social safety nets - all of these things shine through in the words of the people they encounter. hedges has some big, important ideas on display here, and he's committed to an admirable project. but i wish he was a better listener.
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<![CDATA[The Way Some People Die (Lew Archer, #3)]]> 867621 245 Ross Macdonald 0307278980 Dan 0 2013 4.01 1951 The Way Some People Die (Lew Archer, #3)
author: Ross Macdonald
name: Dan
average rating: 4.01
book published: 1951
rating: 0
read at:
date added: 2013/04/20
shelves: 2013
review:
enjoyably gritty, classic hard-boiled novel from the 50's. there's a sobriety to the worldview that's sharp and insightful - dark, but not cartoonishly brooding and bitter. macdonald is secretly a beautiful writer - he lets a poetic turn-of-the-phrase peek out every four or five pages, like a garnish. reminds me of a less benevolent elmore leonard. i'll probably read more from his "lew archer" series.
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Pride and Prejudice 1885 Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.

Alternate cover edition of ISBN 9780679783268]]>
279 Jane Austen 1441341706 Dan 0 2013 4.28 1813 Pride and Prejudice
author: Jane Austen
name: Dan
average rating: 4.28
book published: 1813
rating: 0
read at:
date added: 2013/04/20
shelves: 2013
review:
the only bad thing about this book is that i was implicitly too much of a bro to read it at age 19 like everyone else did. totally exceeded my expectations (and i thought i would like it). as someone who has watched a fair share of katherine hepburn/barbara stanwyck movies, it's interesting to see how this sets the template for most classic hollywood romances (the shallow, status-obsessed mother, the kindly father, the scheming beau, the precocious younger sister that's only interested in books, etc.). the story is predictable - mostly because it's been borrowed so many times over the past 200 years - but this allows me to sit back and enjoy the banter. if you like books with smart banter, this is one of the best.
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Green Girl 11373953 251 Kate Zambreno 0983022631 Dan 0 2012 bildungsroman to include more room for women's desires/emotions, as well as a larger intellectual scope and greater sense of formal adventure. all of which sounds great, but it doesn't quite come together for me.

as far as i can tell, green girl moves in three directions. at first, it seems like a fairly straightforward coming of age story. we meet ruth, an american in london who is unsure of what she wants from the world or what it wants from her. zambreno sketches a familiar millenial hipster type - obsessed with the fashions of the french new wave, bohemian but apolitical, entitled but broke, an oil and water mixture of drama and apathy. the boring, narrative-friendly part of me thinks this is the strongest aspect of the novel. at the least, it feels the most effortless. secondly, ruth is posited and contextualized in relation to some vaguely outsider-ish place in literature. green girl has been compared to clarice lispector's hour of the star (hell, that's part of the reason i read it), and there's an effort to align the character's inner state with lispector's uncanny knack for emptiness. but the parameters of the story are too familiar, and the devices of zambreno's prose are too obviously manipulative. finally, there's a kind of inter-textual "god's-eye-view" to the narrative - a writerly voice drops in from time to time, making ruth seem like an actress in a movie or a doll in a doll house. zambreno has the beginnings of some interesting ideas about how women's psyches and bodies are manipulated by this - both from the writer and reader's perspective - but they never quite elongate into something of real inquiry.

to make matters worse, the novel features a series of quotes from literature and theoretical sources that seem calculated to elevate the novel's more conventional observations. an example: ruth finishes a shift at the "horrids" department store (yes, this is a book with bad puns in it), and we're subsequently treated to an excerpt from walter benjamin's arcades project. the citations come from interesting sources (camera lucida, lispector, jean-luc godard), but they also read like an MFA program checklist and add little insight to the narrative itself.

that said, i'll probably still check out her next project, which sounds a bit more academic and theoretical. i want to read more books like this, i guess... i like the premise of zambreno's project thus far, i'm just not convinced by the follow-through at this point.

p.s. having read some of the negative reviews of this book on goodreads, can i add that my hesitations have *zero* to do with the focus on confused twentysomethings? i feel like there's a tendency among people my age (i'm 36) to dismiss things that happened to us a decade back as frivolous drama-queen stuff that we went through prior to buying homes or raising families or whatever. i think this is bullshit. real emotions happen all throughout life - i had them at age 8, and i'm sure i'll have them at age 78 if i make it that far. there's something disingenuous about the way we dismiss them in hindsight, especially when we hide behind the boring veneer of adulthood. for all my reservations about green girl, this is NOT a problem that this book has. in that regard, i wish there were more like it.]]>
3.47 2011 Green Girl
author: Kate Zambreno
name: Dan
average rating: 3.47
book published: 2011
rating: 0
read at:
date added: 2013/04/17
shelves: 2012
review:
i wanted to like this. i've read several interviews with zambreno, and i'm sad to say that i like the way she talks about her writing more than i liked this book itself. she's clearly influenced by certain "new narrative" writers that i already admire (chris kraus and dodie bellamy come to mind), and she's attempting to stretch the boundaries of the bildungsroman to include more room for women's desires/emotions, as well as a larger intellectual scope and greater sense of formal adventure. all of which sounds great, but it doesn't quite come together for me.

as far as i can tell, green girl moves in three directions. at first, it seems like a fairly straightforward coming of age story. we meet ruth, an american in london who is unsure of what she wants from the world or what it wants from her. zambreno sketches a familiar millenial hipster type - obsessed with the fashions of the french new wave, bohemian but apolitical, entitled but broke, an oil and water mixture of drama and apathy. the boring, narrative-friendly part of me thinks this is the strongest aspect of the novel. at the least, it feels the most effortless. secondly, ruth is posited and contextualized in relation to some vaguely outsider-ish place in literature. green girl has been compared to clarice lispector's hour of the star (hell, that's part of the reason i read it), and there's an effort to align the character's inner state with lispector's uncanny knack for emptiness. but the parameters of the story are too familiar, and the devices of zambreno's prose are too obviously manipulative. finally, there's a kind of inter-textual "god's-eye-view" to the narrative - a writerly voice drops in from time to time, making ruth seem like an actress in a movie or a doll in a doll house. zambreno has the beginnings of some interesting ideas about how women's psyches and bodies are manipulated by this - both from the writer and reader's perspective - but they never quite elongate into something of real inquiry.

to make matters worse, the novel features a series of quotes from literature and theoretical sources that seem calculated to elevate the novel's more conventional observations. an example: ruth finishes a shift at the "horrids" department store (yes, this is a book with bad puns in it), and we're subsequently treated to an excerpt from walter benjamin's arcades project. the citations come from interesting sources (camera lucida, lispector, jean-luc godard), but they also read like an MFA program checklist and add little insight to the narrative itself.

that said, i'll probably still check out her next project, which sounds a bit more academic and theoretical. i want to read more books like this, i guess... i like the premise of zambreno's project thus far, i'm just not convinced by the follow-through at this point.

p.s. having read some of the negative reviews of this book on goodreads, can i add that my hesitations have *zero* to do with the focus on confused twentysomethings? i feel like there's a tendency among people my age (i'm 36) to dismiss things that happened to us a decade back as frivolous drama-queen stuff that we went through prior to buying homes or raising families or whatever. i think this is bullshit. real emotions happen all throughout life - i had them at age 8, and i'm sure i'll have them at age 78 if i make it that far. there's something disingenuous about the way we dismiss them in hindsight, especially when we hide behind the boring veneer of adulthood. for all my reservations about green girl, this is NOT a problem that this book has. in that regard, i wish there were more like it.
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An American Childhood 12528 255 Annie Dillard 0060915188 Dan 0 2012 an american childhood.

i loved the author's earlier pilgrim at tinker creek, which provided an acute, worm's-eye view of the natural world around us. pilgrim seemed to recognize the small-scale "otherness" of our physical surroundings - the way that leaves, insects and foliage create an alternate universe alongside the world of normativity and convention. sadly, childhood deals with the latter world for the most part. and despite a few spirited moments from time to time, the book is motivated more by nostalgia than curiosity.

if you grew up rich and white in the 1950's, you might find the nostalgia quite charming. dillard maintains an old school, post-new-deal optimism about innovation, social change and america itself that can be quite endearing. but her optimism is also an obstacle. consider, for example, her handling of race. throughout the memoir, we are introduced to a variety of african-americans that work around the dillards' bourgeois home. when they appear, it is almost always to draw attention to her mother's noble open-mindedness, or the author's fearless forays into a library "on the bad side of town," or whatever. there's a sanctimoniousness to all of this that is really tough to dismiss. and though dillard adds the occasional quip about the ignorance of her conservative relatives, the tone is self-congratulatory and her optimism seems more indicative of ignorance and self-absorption than the wonder of the world itself.

i'm not the most optimistic person in the world, so there's certainly a chance that a resonant dimension of this book escaped me because i'm such a stick in the mud. certain passages are very well-written, though the chipper tone prevented me from enjoying most of them. this is certainly not the sort of book i would ever fault anyone for enjoying, but i found none of the wonder i had anticipated after reading pilgrim at tinker creek. instead, i spent most of the book rolling my eyes at the corniness.]]>
3.95 1987 An American Childhood
author: Annie Dillard
name: Dan
average rating: 3.95
book published: 1987
rating: 0
read at: 2012/11/18
date added: 2013/04/17
shelves: 2012
review:
i like to think i'm old enough to no longer require brooding, existential "grittiness" from every object on my bookshelf. that said, i have real trouble believing anyone's childhood was idyllic as the world described in annie dillard's an american childhood.

i loved the author's earlier pilgrim at tinker creek, which provided an acute, worm's-eye view of the natural world around us. pilgrim seemed to recognize the small-scale "otherness" of our physical surroundings - the way that leaves, insects and foliage create an alternate universe alongside the world of normativity and convention. sadly, childhood deals with the latter world for the most part. and despite a few spirited moments from time to time, the book is motivated more by nostalgia than curiosity.

if you grew up rich and white in the 1950's, you might find the nostalgia quite charming. dillard maintains an old school, post-new-deal optimism about innovation, social change and america itself that can be quite endearing. but her optimism is also an obstacle. consider, for example, her handling of race. throughout the memoir, we are introduced to a variety of african-americans that work around the dillards' bourgeois home. when they appear, it is almost always to draw attention to her mother's noble open-mindedness, or the author's fearless forays into a library "on the bad side of town," or whatever. there's a sanctimoniousness to all of this that is really tough to dismiss. and though dillard adds the occasional quip about the ignorance of her conservative relatives, the tone is self-congratulatory and her optimism seems more indicative of ignorance and self-absorption than the wonder of the world itself.

i'm not the most optimistic person in the world, so there's certainly a chance that a resonant dimension of this book escaped me because i'm such a stick in the mud. certain passages are very well-written, though the chipper tone prevented me from enjoying most of them. this is certainly not the sort of book i would ever fault anyone for enjoying, but i found none of the wonder i had anticipated after reading pilgrim at tinker creek. instead, i spent most of the book rolling my eyes at the corniness.
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<![CDATA[War Is a Force That Gives Us Meaning]]> 27502
Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies, corrupting politics, destroying culture, and perverting the most basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force That Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.

Listening Length: 6 hours and 27 minutes]]>
224 Chris Hedges 1400034639 Dan 0 2012
when hedges sticks to specific examples, as well as his own personal experiences, this is top-notch stuff. however, he has a tendency to universalize that occasionally bothered me. the book seems intended to provide a template for warfare in general, and falls back on essentialist language too often. "women and children" are evoked a bit too easily, and classical literature (shakespeare, the illiad) is called upon too regularly to add canonical weight to otherwise-intimate observations. there's something old-school about hedges in spite of his radical politics. he seems to have a clearer sense of proper behavior than i do - the word "perversion" appears a bit too often for my tastes (though many of the issues discussed might merit it) - and he sees the world as something constructed according to a clearer morality than i do, i guess. as a philosophical tome, war is a force that gives us meaning didn't resonate 100% with me. as an act of investigative reporting, it's disturbing, challenging and engrossing.]]>
4.12 2002 War Is a Force That Gives Us Meaning
author: Chris Hedges
name: Dan
average rating: 4.12
book published: 2002
rating: 0
read at:
date added: 2013/04/17
shelves: 2012
review:
though heartfelt, inspiring and disturbing, i can't say i wholeheartedly loved this book. it deals with some HEAVY topics - genocide, rape, xenophobia - and it's written with an intimate awareness of how such atrocities arise, escalate, disappear and return. many of the observations remind me of george orwell, whose fantastic essay "politics and the english language" seems to have (at least partially) influenced hedges' thoughts on language. actually, these are the most informative sections of the book - when he discusses, for example, the ways that language was manipulated in the former yugoslavian territories to mirror the aspirations of separate nation-states... and the xenophobia that minor decisions about proper speech and official languages helped escalate.

when hedges sticks to specific examples, as well as his own personal experiences, this is top-notch stuff. however, he has a tendency to universalize that occasionally bothered me. the book seems intended to provide a template for warfare in general, and falls back on essentialist language too often. "women and children" are evoked a bit too easily, and classical literature (shakespeare, the illiad) is called upon too regularly to add canonical weight to otherwise-intimate observations. there's something old-school about hedges in spite of his radical politics. he seems to have a clearer sense of proper behavior than i do - the word "perversion" appears a bit too often for my tastes (though many of the issues discussed might merit it) - and he sees the world as something constructed according to a clearer morality than i do, i guess. as a philosophical tome, war is a force that gives us meaning didn't resonate 100% with me. as an act of investigative reporting, it's disturbing, challenging and engrossing.
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<![CDATA[A History of Britain: At the Edge of the World? 3500 BC-AD 1603 (A History of Britain, #1)]]> 155314 416 Simon Schama 0786866756 Dan 0 2012
otherwise, schama writes with a punchy, occasionally sarcastic edge that keeps the endless array of kings and queens from becoming dull. it also avoids goofy patriotism for the most part. the writing style is very BBC-friendly, and there's even a youtube-able documentary series that these books work alongside of, which i plan on checking out. i could have done with a bit less focus on royalty and maybe a bit more social/political history (remarkably little about the crusades, for example). but i came out of this with a far greater basic knowledge of britain than i had going in, which is what i was after.]]>
4.07 2000 A History of Britain: At the Edge of the World? 3500 BC-AD 1603 (A History of Britain, #1)
author: Simon Schama
name: Dan
average rating: 4.07
book published: 2000
rating: 0
read at:
date added: 2013/04/17
shelves: 2012
review:
i don't have a lot to say about this. i began it with *zero* knowledge of british history - most of my knowledge of henry the eighth comes from half-noticing tv commercials for "the tudors." accordingly, i probably missed a few of the references. schama assumes a rudimentary knowledge of the u.k., its geography and, at times, a familiarity with shakespeare (which i possess to about the degree of your average high school senior). if you're reading this, you will almost certainly start off with a better base knowledge than me. so you'll be alright.

otherwise, schama writes with a punchy, occasionally sarcastic edge that keeps the endless array of kings and queens from becoming dull. it also avoids goofy patriotism for the most part. the writing style is very BBC-friendly, and there's even a youtube-able documentary series that these books work alongside of, which i plan on checking out. i could have done with a bit less focus on royalty and maybe a bit more social/political history (remarkably little about the crusades, for example). but i came out of this with a far greater basic knowledge of britain than i had going in, which is what i was after.
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Dracula 17245 You can find an alternative cover edition for this ISBN here and here.

When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.

In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire.

This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.

Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.

A Chronology and a Selected Bibliography are included.]]>
488 Bram Stoker 0393970124 Dan 0 2012 dracula. yes, it's xenophobic - positing eastern europe as the foreboding, superstitious "other"... not unlike, say, half of today's horror movies as well (ho hum). there's also plenty of victorian sexual yuckiness - feminine purity and whatnot... the female characters are endlessly taking ill or being hypnotized or being nobly sheltered from the world of manly horrors. and you could probably cut about 100 pages of 19th century plotting-and-planning without losing much. real talk - a lot of this book is super boring.

but it's still kind of fun. the atmosphere works well, especially at the beginning. renfield turns out to be a fully realized, genuinely eccentric character. and there's this weird current of optimism that runs through it, which i found kind of endearing.

for example, there's a long digression involving three potential "suitors" for lucy (dracula's first potential prey). the who-will-she-choose dilemma ends quickly, and the three of them end up being good friends soon after. no jealousy. no duels. no backhanded scheming. instead, every character in this book that can't transform into a bat - old or young, male or female - seems to genuinely enjoy the company of every other character. and they can't stop expressing this to each other either. hardly a page goes by without someone complimenting mina harker for being an ideal bride, or quincey p. morris for being a great american, or van helsing for being a great doctor. hell, even renfield compliments van helsing for a few paragraphs. i can't remember the last time i read a book about people who like each other this much. and it's a horror novel!]]>
4.02 1897 Dracula
author: Bram Stoker
name: Dan
average rating: 4.02
book published: 1897
rating: 0
read at:
date added: 2013/04/17
shelves: 2012
review:
you probably know all the reasons not to read dracula. yes, it's xenophobic - positing eastern europe as the foreboding, superstitious "other"... not unlike, say, half of today's horror movies as well (ho hum). there's also plenty of victorian sexual yuckiness - feminine purity and whatnot... the female characters are endlessly taking ill or being hypnotized or being nobly sheltered from the world of manly horrors. and you could probably cut about 100 pages of 19th century plotting-and-planning without losing much. real talk - a lot of this book is super boring.

but it's still kind of fun. the atmosphere works well, especially at the beginning. renfield turns out to be a fully realized, genuinely eccentric character. and there's this weird current of optimism that runs through it, which i found kind of endearing.

for example, there's a long digression involving three potential "suitors" for lucy (dracula's first potential prey). the who-will-she-choose dilemma ends quickly, and the three of them end up being good friends soon after. no jealousy. no duels. no backhanded scheming. instead, every character in this book that can't transform into a bat - old or young, male or female - seems to genuinely enjoy the company of every other character. and they can't stop expressing this to each other either. hardly a page goes by without someone complimenting mina harker for being an ideal bride, or quincey p. morris for being a great american, or van helsing for being a great doctor. hell, even renfield compliments van helsing for a few paragraphs. i can't remember the last time i read a book about people who like each other this much. and it's a horror novel!
]]>
Out of Sight (Jack Foley, #1) 288962 Book #1 from the series: Jack Foley
Listening Length = 6 hours and 49 minutes

Before there was Raylan, there was Sisco... U.S. Marshal Karen Sisco is on the hunt for world-class gentleman felon Jack Foley in Out of Sight, New York Times bestselling author Elmore Leonard’s sexy thriller that moves from Miami to the Motor City.

Based on Miami, Florida's Gold Coast, U.S. Marshal Karen Sisco isn’t about to let a expert criminal like Jack Foley successfully bust out of Florida's Glades Prison. But there’s a major score waiting for him in Detroit, and a shotgun-wielding marshal isn’t going to stop Foley from getting it.

Neither counted on sharing a cramped car trunk—or on a sizzling chemistry that’s working overtime. As soon as Sisco escapes, Foley is already missing her.

Sisco can’t forget Foley either—and she isn’t about to let him go. Too bad the next time their paths cross, it’s going to be about business, not pleasure.]]>
358 Elmore Leonard 0060084103 Dan 0 2012 killshot), but it's still an awful lot of fun.

as is the case with the films he wrote back in the day (and as is expertly emulated in tv's justified), leonard writes with a clear affection for his characters. consider chino, the jail-breaking cuban with a minor vendetta against the main character. in a lesser writer's hands, he'd be a broadly sinister adversary - in leonard's, he gets a semi-sympathetic backstory, a boyfriend and a few snappy lines. there are also stratas of sympathy among the actual baddies - the untrustworthy, but not actively mean-spirited glenn, the pragmatic snoopy and the full-blown S.O.B. kenneth.

this also applies to karen sisco, who manages to be believable despite being a fairly unbridled old-guy fantasy figure. she's a badass, she loves boxing, she bets on the superbowl with her dad, she's 29, beautiful, into older men... at a certain point you almost expect her to show up in a bikini with her twin sister carrying buffalo wings for everyone!

seriously though, the bits between her and her dad are some of the most enjoyable things i've read all year. this book is a blast.]]>
3.95 1996 Out of Sight (Jack Foley, #1)
author: Elmore Leonard
name: Dan
average rating: 3.95
book published: 1996
rating: 0
read at:
date added: 2013/04/17
shelves: 2012
review:
another fun elmore leonard novel, my second this year. it doesn't quite have the depth of the first one i read (killshot), but it's still an awful lot of fun.

as is the case with the films he wrote back in the day (and as is expertly emulated in tv's justified), leonard writes with a clear affection for his characters. consider chino, the jail-breaking cuban with a minor vendetta against the main character. in a lesser writer's hands, he'd be a broadly sinister adversary - in leonard's, he gets a semi-sympathetic backstory, a boyfriend and a few snappy lines. there are also stratas of sympathy among the actual baddies - the untrustworthy, but not actively mean-spirited glenn, the pragmatic snoopy and the full-blown S.O.B. kenneth.

this also applies to karen sisco, who manages to be believable despite being a fairly unbridled old-guy fantasy figure. she's a badass, she loves boxing, she bets on the superbowl with her dad, she's 29, beautiful, into older men... at a certain point you almost expect her to show up in a bikini with her twin sister carrying buffalo wings for everyone!

seriously though, the bits between her and her dad are some of the most enjoyable things i've read all year. this book is a blast.
]]>
Ayiti 11535502 121 Roxane Gay 145077671X Dan 0 2012 4.29 2011 Ayiti
author: Roxane Gay
name: Dan
average rating: 4.29
book published: 2011
rating: 0
read at:
date added: 2013/04/17
shelves: 2012
review:
i've been a follower of gay's non-fiction web presence for probably about a year and a half now (her entries for HTMLgiant help air out some of the sites more unsufferable MFA-dude-dom), so it was nice to finally read something more "literary" from her. this book capitalizes on things i like about her writing already (lists, plot-summaries that double as ways of starting dialogues), and it was exciting to see her write about issues (life in haiti, etc.) that i'm not already familiar with, via pop culture. the book feels a bit like a sketch for a larger project, but it's an interesting sketch. i'm pretty excited to see where she goes next.
]]>
<![CDATA[Perdido Street Station (New Crobuzon, #1)]]> 68494 710 China Miéville 0345459407 Dan 0 2013 the city and the city, but it didn't prepare me for the BIG impression this book would make on me.

there are many ways that "genre fiction" faces ideological discrimination, and perdido street station fits the bill on a number of levels. it's an external novel - stressing the physical over the psychological. its much-discussed "weirdness" is often literal - it lacks the self-conscious ambiguity of surrealist literature, and it takes great delight in describing the sci-fi appendages of its gleefully dorky cast of characters. which is to say that it's more explicit than implicit. ideas are discussed openly, rather than hidden behind a series of literary allusions. finally, it's a hell of a lot of fun - stressing action and conflict instead of mood and lyricism.

what makes the novel brilliant is the way it capitalizes on all of its supposedly lowbrow trappings. take "the weaver," for example. this character is basically a giant spider with superhuman intelligence. the sort of thing you'd find in an episode of hercules: the legendary journies. but in mieville's hands, it becomes the template through which to examine aesthetics, ethics and chance circumstances. the weaver has physically evolved to such a degree that it now subsists on the energy of its own innovations. it literally "feeds on creativity" (and speaks in a modernist stream-of-consciousness, to boot). at the same time, it is 100% amoral - unconcerned about any non-aesthetic ramifications of its actions. when it enters the novel's story, it does so out of purely "formal" interest. it weighs the aesthetic value of a variety of potential actions, decides which would be most beautiful, and does as it pleases (often with extreme violence). as mieville develops the character, it seems less like a pulp monster and more like a philosophical ideal; possibly even a punchy critique of formalist analysis.

there are several characters as 100% bonkers as the weaver in perdido street station, and nearly all of them slowly shed their "kitch" trappings in favor of something genuinely curious and thought-provoking. perdido isn't just a fun steampunk adventure, it's also a sincere exploration of difference, creativity, science and intuition. parts of it are astoundingly ambitious, and almost always expressed in a way that avoids the cliche trappings of literary prose. mieville is interested in science and cities and gender and aesthetics - and he attacks each topic with an eagerness i found downright inspiring.]]>
3.98 2000 Perdido Street Station (New Crobuzon, #1)
author: China Miéville
name: Dan
average rating: 3.98
book published: 2000
rating: 0
read at:
date added: 2013/04/17
shelves: 2013
review:
i've been meaning to write about this for a while. i liked mieville's the city and the city, but it didn't prepare me for the BIG impression this book would make on me.

there are many ways that "genre fiction" faces ideological discrimination, and perdido street station fits the bill on a number of levels. it's an external novel - stressing the physical over the psychological. its much-discussed "weirdness" is often literal - it lacks the self-conscious ambiguity of surrealist literature, and it takes great delight in describing the sci-fi appendages of its gleefully dorky cast of characters. which is to say that it's more explicit than implicit. ideas are discussed openly, rather than hidden behind a series of literary allusions. finally, it's a hell of a lot of fun - stressing action and conflict instead of mood and lyricism.

what makes the novel brilliant is the way it capitalizes on all of its supposedly lowbrow trappings. take "the weaver," for example. this character is basically a giant spider with superhuman intelligence. the sort of thing you'd find in an episode of hercules: the legendary journies. but in mieville's hands, it becomes the template through which to examine aesthetics, ethics and chance circumstances. the weaver has physically evolved to such a degree that it now subsists on the energy of its own innovations. it literally "feeds on creativity" (and speaks in a modernist stream-of-consciousness, to boot). at the same time, it is 100% amoral - unconcerned about any non-aesthetic ramifications of its actions. when it enters the novel's story, it does so out of purely "formal" interest. it weighs the aesthetic value of a variety of potential actions, decides which would be most beautiful, and does as it pleases (often with extreme violence). as mieville develops the character, it seems less like a pulp monster and more like a philosophical ideal; possibly even a punchy critique of formalist analysis.

there are several characters as 100% bonkers as the weaver in perdido street station, and nearly all of them slowly shed their "kitch" trappings in favor of something genuinely curious and thought-provoking. perdido isn't just a fun steampunk adventure, it's also a sincere exploration of difference, creativity, science and intuition. parts of it are astoundingly ambitious, and almost always expressed in a way that avoids the cliche trappings of literary prose. mieville is interested in science and cities and gender and aesthetics - and he attacks each topic with an eagerness i found downright inspiring.
]]>
Sleep Has His House 204148 A classic later novel by Anna Kavan.

A largely autobiographical account of an unhappy childhood, this daring synthesis of memoir and surrealist experimentation chronicles the subject's gradual withdrawal from the daylight world of received reality. Brief flashes of daily experience from childhood, adolescence, and youth are described in whatĚýisĚýdefined asĚý"nighttime language"—a heightened, decorative prose that frees these events from their gloomy associations.

The novel suggests we have all spoken this dialect in childhood and in our dreams, but these thoughts can only be sharpened or decoded by contemplation in the dark. Revealing that side of life which is never seen by the waking eye but which dreams and drugs can suddenly emphasize,Ěýthis startling discoveryĚýillustratesĚýhow these nighttime illuminations revealĚýthe narrator's joy for the living world.]]>
200 Anna Kavan 0720611296 Dan 0 2013 sleep is somewhat similar to the quasi-outsider surrealism of robert walser or clarice lispector, at least in its preoccupations. unfortunately, it also shares some of the snooty, aristocratic prejudices of a book like huysmans' against nature (another book i thought i'd love and loathed). there's some nice prose, but none of its ideas come into focus (or out of focus, for that manner) in a way that acquires any urgency. worse, some of this feels a bit like when people explain their dreams to you, which is the worst!]]> 3.93 1973 Sleep Has His House
author: Anna Kavan
name: Dan
average rating: 3.93
book published: 1973
rating: 0
read at:
date added: 2013/03/17
shelves: 2013
review:
this didn't do it for me. maybe i've just been reading too much along these lines over the past few years. sleep is somewhat similar to the quasi-outsider surrealism of robert walser or clarice lispector, at least in its preoccupations. unfortunately, it also shares some of the snooty, aristocratic prejudices of a book like huysmans' against nature (another book i thought i'd love and loathed). there's some nice prose, but none of its ideas come into focus (or out of focus, for that manner) in a way that acquires any urgency. worse, some of this feels a bit like when people explain their dreams to you, which is the worst!
]]>
<![CDATA[A Distant Mirror: The Calamitous 14th Century]]> 568236 Barbara Tuchman anatomizes the century, revealing both the great rhythms of history and the grain and texture of domestic life as it was lived.]]> 714 Barbara W. Tuchman 0345349571 Dan 0 2013
the second half of the book crystallizes around one specific person from the era. you'd think this would scale the ambitions down and make the era's events more easy to relate to. the good news is that the scale remains as ambitious as ever (including, even, a bit of middle eastern history at long last). the bad news is that the personal narrative isn't all that engaging in general. it seems clear that tuchman wants this story (of nobleman enguerrand de coucy) to humanize all the facts and figures. personally, i found the coucy stuff far less interesting than, say, the account of the "black death," but some of that is personal preference.

all in all, this is a pretty great glimpse into the world of pre-renaissance western europe. it's challenging (occasionally even a bit boring), but approachable enough to be well-worth recommending.

p.s. i'm abandoning the "star rating" system from here on out. instead i'll just be writing about books without rating them.]]>
4.04 1978 A Distant Mirror: The Calamitous 14th Century
author: Barbara W. Tuchman
name: Dan
average rating: 4.04
book published: 1978
rating: 0
read at:
date added: 2013/03/17
shelves: 2013
review:
this is a rock solid history of the 14th century, with special emphasis on england and france. i guess this is "popular history" in the sense that you don't need specialized knowledge to make sense of it, but it's pretty comprehensive. unlike similar stuff i've read, tuchman pays close attention to social history - and her scope moves beyond the upper classes in ways i wasn't expecting.

the second half of the book crystallizes around one specific person from the era. you'd think this would scale the ambitions down and make the era's events more easy to relate to. the good news is that the scale remains as ambitious as ever (including, even, a bit of middle eastern history at long last). the bad news is that the personal narrative isn't all that engaging in general. it seems clear that tuchman wants this story (of nobleman enguerrand de coucy) to humanize all the facts and figures. personally, i found the coucy stuff far less interesting than, say, the account of the "black death," but some of that is personal preference.

all in all, this is a pretty great glimpse into the world of pre-renaissance western europe. it's challenging (occasionally even a bit boring), but approachable enough to be well-worth recommending.

p.s. i'm abandoning the "star rating" system from here on out. instead i'll just be writing about books without rating them.
]]>
Humiliation 10635115
The lives of people both famous and obscure are filled with scarlet-letter moments when their dirty laundry sees daylight. In these moments we not only witness the reversibility of "success," of prominence, but also come to visceral terms with our own vulnerable selves. We can't stop watching the scene of shame, identifying with it and absorbing its nearness, and relishing our imagined immunity from its stain, even as we acknowledge the universal, embarrassing predicament of living in our own bodies. With an unusual, disarming blend of autobiography and cultural commentary, noted poet and critic Wayne Koestenbaum takes us through a spectrum of mortifying circumstances―in history, literature, art, current events, music, film, and his own life. His generous disclosures and brilliant observations go beyond prurience to create a poetics of abasement. Inventive, poignant, erudite, and playful, Humiliation plunges into one of the most disquieting of human experiences, with reflections at once emboldening and humane.]]>
184 Wayne Koestenbaum 0312429223 Dan 0 2013
]]>
3.83 2011 Humiliation
author: Wayne Koestenbaum
name: Dan
average rating: 3.83
book published: 2011
rating: 0
read at:
date added: 2013/03/17
shelves: 2013
review:
this is an awful lot of fun for a book about things that aren't fun in the slightest. kind of a cross between roland barthes and john waters, veering back and forth from literature/philosophy to anecdotes about peeing your pants in elementary school. as you might imagine, some parts work better than others (i'm not sure a white guy needed to coin the phrase "jim crow gaze," for example), but there's something really approachable and forthcoming about it that evens out the rough edges.


]]>
Nobody Knows My Name 38458
Told with Baldwin's characteristically unflinching honesty, this “splendid bookâ€� ( The New York Times ) offers illuminating, deeply felt essays along with personal accounts of Richard Wright, Norman Mailer and other writers.Ěý

“James Baldwin is a skillful writer, a man of fine intelligence and a true companion in the desire to make life human. To take a cue from his title, we had better learn his name.� � The New York Times]]>
242 James Baldwin 0679744738 Dan 4 2012
another highlight is baldwin's eulogy for richard wright, which extends and perhaps even corrects some of his own criticisms from his previous essay collection, notes of a native son. baldwin's criticisms of native son in that book struck me as more or less on target, but also slightly bitter and mean-spirited. surprisingly, he seems to feel the same way by the time of nobody knows my name - wishing he could have reconciled some of his differences with the author/mentor, and lamenting the often-needlessly competitive spirit that attends youth. there's a sincerity and vulnerability on display int he essay that is rare and remarkable.

so why only four stars? well, a few of the inclusions are less inspired. the least interesting example is probably his analysis of andre gide, which (oddly enough) borders on a kind of mild homophobia. baldwin was himself gay, but i'm not sure if he was open about it at the time of publication (feel free to school me here - a quick google didn't get me anywhere), and there's a vague sense of disapproval in the essay. there's also a rather meandering interview with ingmar bergman that does a nice job of assessing the director's personality, but offers little insight into the power of his films. or maybe baldwin simply set the bar for film criticism too high with his criminally under-read the devil finds work, which i think is an absolute masterpiece.]]>
4.37 1961 Nobody Knows My Name
author: James Baldwin
name: Dan
average rating: 4.37
book published: 1961
rating: 4
read at:
date added: 2012/10/28
shelves: 2012
review:
james baldwin is one of my very favorite essayists, and there are several excellent examples of his insights included in this volume. the essay "princes and powers," for example, characterizes the hope, anxiety and ambition that characterized the early days of post-colonialism with incredible clarity. baldwin wrote it in response to a "conference of negro-african writers and artists" held in france in 1956. the essay serves as a series of extended notes about the conference, and they work as an honest, warts-and-all account of the political landscape that was generating momentum at the time. while reading it, i couldn't help thinking how unfortunate it is that we can't bring baldwin back to life - i'd love to hear his point-of-view regarding any number of contemporary subjects. he'd be a welcome alternative to the idiotic soapboxing that scars so much of out current socio-political discourse, but i digress...

another highlight is baldwin's eulogy for richard wright, which extends and perhaps even corrects some of his own criticisms from his previous essay collection, notes of a native son. baldwin's criticisms of native son in that book struck me as more or less on target, but also slightly bitter and mean-spirited. surprisingly, he seems to feel the same way by the time of nobody knows my name - wishing he could have reconciled some of his differences with the author/mentor, and lamenting the often-needlessly competitive spirit that attends youth. there's a sincerity and vulnerability on display int he essay that is rare and remarkable.

so why only four stars? well, a few of the inclusions are less inspired. the least interesting example is probably his analysis of andre gide, which (oddly enough) borders on a kind of mild homophobia. baldwin was himself gay, but i'm not sure if he was open about it at the time of publication (feel free to school me here - a quick google didn't get me anywhere), and there's a vague sense of disapproval in the essay. there's also a rather meandering interview with ingmar bergman that does a nice job of assessing the director's personality, but offers little insight into the power of his films. or maybe baldwin simply set the bar for film criticism too high with his criminally under-read the devil finds work, which i think is an absolute masterpiece.
]]>
The Vet's Daughter 1073750 The Vet’s Daughter combines shocking realism with a visionary edge. The vet lives with his bedridden wife and shy daughter Alice in a sinister London suburb. He works constantly, captive to a strange private fury, and treats his family with brutality and contempt. After his wife’s death, the vet takes up with a crass, needling woman who tries to refashion Alice in her own image. And yet as Alice retreats ever deeper into a dream world, she discovers an extraordinary secret power of her own.
Harrowing and haunting, like an unexpected cross between Flannery O’Connor and Stephen King, The Vet’s Daughter is a story of outraged innocence that culminates in a scene of appalling triumph.]]>
152 Barbara Comyns 1590170296 Dan 4 2012 hour of the star. this is one of those eccentric books that feels odd without trying, as if there's something essential-but-invisible missing from the narrative's architecture. accordingly, what appears to be the interior life of the central character (alice) somehow always seems as if it occurs on the exterior. as a reader, my point of view ends up mirroring the supporting characters by default - i approach alice with a mixture of vague support and bewilderment not unlike the suspicious house servant who proves to be her only real friend.

i have friends who say they can't read books unless they include characters they can relate to. at times, i feel almost the opposite. if, like me, you deliberately seek out characters and narratives that fall outside your grasp of "human understanding," you'll probably get a kick out of this one.]]>
3.94 1959 The Vet's Daughter
author: Barbara Comyns
name: Dan
average rating: 3.94
book published: 1959
rating: 4
read at:
date added: 2012/10/28
shelves: 2012
review:
an excellent, understated little dose of surrealism; a quasi-supernatural alternative to clarise lispector's hour of the star. this is one of those eccentric books that feels odd without trying, as if there's something essential-but-invisible missing from the narrative's architecture. accordingly, what appears to be the interior life of the central character (alice) somehow always seems as if it occurs on the exterior. as a reader, my point of view ends up mirroring the supporting characters by default - i approach alice with a mixture of vague support and bewilderment not unlike the suspicious house servant who proves to be her only real friend.

i have friends who say they can't read books unless they include characters they can relate to. at times, i feel almost the opposite. if, like me, you deliberately seek out characters and narratives that fall outside your grasp of "human understanding," you'll probably get a kick out of this one.
]]>
<![CDATA[A Storm of Swords (A Song of Ice and Fire, #3)]]> 62291 An alternate cover for this ISBN can be found here

Here is the third volume in George R.R. Martin's magnificent cycle of novels that includes A Game of Thrones and A Clash of Kings. Together, this series comprises a genuine masterpiece of modern fantasy, destined to stand as one of the great achievements of imaginative fiction.

Of the five contenders for power, one is dead, another in disfavor, and still the wars rage as alliances are made and broken. Joffrey sits on the Iron Throne, the uneasy ruler of the Seven Kingdoms. His most bitter rival, Lord Stannis, stands defeated and disgraced, victim of the sorceress who holds him in her thrall. Young Robb still rules the North from the fortress of Riverrun. Meanwhile, making her way across a blood-drenched continent is the exiled queen, Daenerys, mistress of the only three dragons still left in the world. And as opposing forces manoeuver for the final showdown, an army of barbaric wildlings arrives from the outermost limits of civilization, accompanied by a horde of mythical Others—a supernatural army of the living dead whose animated corpses are unstoppable. As the future of the land hangs in the balance, no one will rest until the Seven Kingdoms have exploded in a veritable storm of swords...]]>
1177 George R.R. Martin 055357342X Dan 4 2012
barring the still-uninteresting tales of davos seaworth, the individual story-lines are far more lively here than in a clash of kings. a lot of this has to do with inspired pairings, like jaime lannister and brienne of tarth... or arya and the hound. characters that i expected to basically serve as window dressing come to the foreground, and characters i thought i'd be dealing with until the end of the season retreat to the background.

for my money, there are two things that martin does particularly well in this series - and both are on full display. the first is to assemble a coherent plot that draws from disparate elements in his amazingly realized fantasy world. because he's had two epic volumes of prep work at this point, the movements-of-the-chess-pieces in storm have real vibrancy. there's a sword fight toward the end of the book, for example, that works simultaneously as an inspired bit of ass-kicking, a signal of an escalating war between two houses and a metaphor for the final disillusionment of a major character. the second thing martin excels at is his manipulation of empathy. the POV device works particularly well in this volume. suffice to say you won't feel the same way about jaime lannister by the end of it. the bits about him and brienne are some of my favorite sequences in general, slowly building to an affectionate fan-service that never feels forced or pandering.

on the other hand, martin still occasionally overplays his hand in his depictions of human misery. the big complaint about the series - that he relishes punishing his characters, often for the sheer sake of it - is still a valid one, even if it does add incredible tension to otherwise conventional battle sequences. i wasn't actually bothered by the particularly notorious "tragic sequence" you will undoubtedly find hidden behind spoiler warnings all over goodreads (and yes, storm of swords has a real doosy waiting for you) - that sequence fit the stakes of the universe in a way that made sense to me. but there is a twist toward the end involving a particularly ugly and needless act of revenge that struck me as implausibly mean-spirited, threatening to ruin one of my favorite characters without really adding anything new to the story as a whole. if i say anymore, i'll spoil something - and this is one of those books where spoilers really DO matter.]]>
4.54 2000 A Storm of Swords (A Song of Ice and Fire, #3)
author: George R.R. Martin
name: Dan
average rating: 4.54
book published: 2000
rating: 4
read at:
date added: 2012/10/28
shelves: 2012
review:
well, let's just say it right at the outset - this is my favorite by far of these books so far. the story-lines begin coming together, there's plenty of action, character allegiances change in interesting ways and there are a few shockers along the way that i'll try to avoid spoiling.

barring the still-uninteresting tales of davos seaworth, the individual story-lines are far more lively here than in a clash of kings. a lot of this has to do with inspired pairings, like jaime lannister and brienne of tarth... or arya and the hound. characters that i expected to basically serve as window dressing come to the foreground, and characters i thought i'd be dealing with until the end of the season retreat to the background.

for my money, there are two things that martin does particularly well in this series - and both are on full display. the first is to assemble a coherent plot that draws from disparate elements in his amazingly realized fantasy world. because he's had two epic volumes of prep work at this point, the movements-of-the-chess-pieces in storm have real vibrancy. there's a sword fight toward the end of the book, for example, that works simultaneously as an inspired bit of ass-kicking, a signal of an escalating war between two houses and a metaphor for the final disillusionment of a major character. the second thing martin excels at is his manipulation of empathy. the POV device works particularly well in this volume. suffice to say you won't feel the same way about jaime lannister by the end of it. the bits about him and brienne are some of my favorite sequences in general, slowly building to an affectionate fan-service that never feels forced or pandering.

on the other hand, martin still occasionally overplays his hand in his depictions of human misery. the big complaint about the series - that he relishes punishing his characters, often for the sheer sake of it - is still a valid one, even if it does add incredible tension to otherwise conventional battle sequences. i wasn't actually bothered by the particularly notorious "tragic sequence" you will undoubtedly find hidden behind spoiler warnings all over goodreads (and yes, storm of swords has a real doosy waiting for you) - that sequence fit the stakes of the universe in a way that made sense to me. but there is a twist toward the end involving a particularly ugly and needless act of revenge that struck me as implausibly mean-spirited, threatening to ruin one of my favorite characters without really adding anything new to the story as a whole. if i say anymore, i'll spoil something - and this is one of those books where spoilers really DO matter.
]]>
<![CDATA[Devils on the Deep Blue Sea: The Dreams, Schemes, and Showdowns That Built America's Cruise-Ship Empires]]> 1225051 The Love Boat, to the current vicious consolidation wars and brazen tax dodges. Entrepreneurial genius and bare-knuckle capitalism mate with cultural kitsch as the cruise lines dodge U.S. tax, labor, and environmental laws to make unimaginable profits while bringing the world a new form of leisure. A colorful and compelling behind-the-scenes narrative, Devils on the Deep Blue Sea is a definitive look at the industry and its robber barons who created floating empires.]]> 384 Kristoffer Garin 0452287340 Dan 4 2012 devils effectively exemplifies contemporary inequality at its worst and weirdest. the details of the endless buyouts, labor disputes and corporate mergers can make for tedious reading, but the financial, ecological and social schematics it explores are depressing and fascinating.

stranger still, garin seems to have gained front-seat access to many of the industry's major players. people like carnival CEO mickey arison appear to have given him ample interview time, in spite of the negative light in which he casts most of their actions. this makes the book even more troubling. for people like arison, it appears that being remembered as a shark in the water is more important than being remembered as a businessman or a philanthropist. he doesn't sound like someone who wants to win your heart - he sounds like someone who simply wants to win.

garin paints a harsh picture of our unregulated seas - the chapter exploring "flags of convenience" is particularly diabolical. even worse is the apathy surrounding the industry on the part of the consumer. as aristocratic flourishes become marketable to middle-class americans, a profound indifference to basic ethics follows in suit. for years, i've thought that corporate power has been years ahead of nation-state regulatory systems; in devils you see this put into practice literally, and geographically. ]]>
3.69 2005 Devils on the Deep Blue Sea: The Dreams, Schemes, and Showdowns That Built America's Cruise-Ship Empires
author: Kristoffer Garin
name: Dan
average rating: 3.69
book published: 2005
rating: 4
read at:
date added: 2012/10/07
shelves: 2012
review:
i read this as part of my research for a series of paintings i just completed, and i can't stress enough how fascinating the history of the cruise ship is - or how diabolically it mirrors the circulation of capital in our neoliberal universe more generally. equal parts mike davis-style muckraking and corporate-intrigue tell-all, devils effectively exemplifies contemporary inequality at its worst and weirdest. the details of the endless buyouts, labor disputes and corporate mergers can make for tedious reading, but the financial, ecological and social schematics it explores are depressing and fascinating.

stranger still, garin seems to have gained front-seat access to many of the industry's major players. people like carnival CEO mickey arison appear to have given him ample interview time, in spite of the negative light in which he casts most of their actions. this makes the book even more troubling. for people like arison, it appears that being remembered as a shark in the water is more important than being remembered as a businessman or a philanthropist. he doesn't sound like someone who wants to win your heart - he sounds like someone who simply wants to win.

garin paints a harsh picture of our unregulated seas - the chapter exploring "flags of convenience" is particularly diabolical. even worse is the apathy surrounding the industry on the part of the consumer. as aristocratic flourishes become marketable to middle-class americans, a profound indifference to basic ethics follows in suit. for years, i've thought that corporate power has been years ahead of nation-state regulatory systems; in devils you see this put into practice literally, and geographically.
]]>
<![CDATA[Y: The Last Man, Vol. 1: Unmanned]]> 156534
But why are he and his faithful companion, the often testy male monkey Ampersand, still alive? He sets out to find the answer (and his girlfriend), while running from angry female Republicans (now running the government), Amazon wannabes that include his own sister (seemingly brainwashed), and other threats.]]>
130 Brian K. Vaughan 1563899809 Dan 3 2012
i'm not sure i'm 100% suited to the pace of comic books. there's not often enough space to flesh things out. there are a few interesting ideas at work here - especially considering things like job training and technical skills in a world still defined by patriarchy - but before we can get to them the characters are fighting and dying and falling in love. y: the last man kind of reminded me of the walking dead comic series, only way less douchebaggy.

there are far worse ways to spend your time, but in a world that includes people like octavia butler and margaret atwood, y: the last man is kind of the weak sauce.]]>
4.08 2003 Y: The Last Man, Vol. 1: Unmanned
author: Brian K. Vaughan
name: Dan
average rating: 4.08
book published: 2003
rating: 3
read at:
date added: 2012/10/07
shelves: 2012
review:
sort of fun, sort of silly and not quite the revelation i expected.

i'm not sure i'm 100% suited to the pace of comic books. there's not often enough space to flesh things out. there are a few interesting ideas at work here - especially considering things like job training and technical skills in a world still defined by patriarchy - but before we can get to them the characters are fighting and dying and falling in love. y: the last man kind of reminded me of the walking dead comic series, only way less douchebaggy.

there are far worse ways to spend your time, but in a world that includes people like octavia butler and margaret atwood, y: the last man is kind of the weak sauce.
]]>
<![CDATA[A Clash of Kings (A Song of Ice and Fire, #2)]]> 10572
It is a tale in which brother plots against brother and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside. Against a backdrop of incest and fratricide, alchemy and murder, victory may go to the men and women possessed of the coldest steel...and the coldest hearts. For when kings clash, the whole land trembles.

Here is the second volume in George R.R. Martin magnificent cycle of novels that includes A Game of Thrones and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R.R. Martin stunning series is destined to stand as one of the great achievements of imaginative fiction.]]>
1009 George R.R. Martin 0553381695 Dan 3 2012 game of thrones has such a wallop of an ending that i expected the pace to continue as steadily moving forward.

a clash of kings also suffers from disappointing POV additions. davos seaworth is endearing enough i guess, but he's also a dull introduction to the dullest aspect of this universe (team stannis). and it's through davos that we come to know the series' worst character thus far (i'm almost through a storm of swords as i write this) - melisandre. there's plenty to unravel in the gender dynamics of westeros - some good stuff, some not-so-good - but melisandre is certainly martin's weakest link. in addition to being a cheesy witchy-woman who adds half-assed mysticism to an otherwise engaging universe, she's also a run of the mill "lady macbeth" stereotype. through this character, martin wallows in the kind of adolescent misogyny that he is usually careful to temper, if not outright avoid, in spite of all the series' raping and pillaging. theon greyjoy's story is somewhat better - introducing a far more engaging, possibly even empowering female character in asha, for example - but his POV ups the ante on martin's often miserable outlook. this is a grim universe, and when seen through the eyes of a totally irredeemable character, it becomes almost too awful to stomach. martin's grit is typically an asset - i'm far more engaged by the ambivalent lannisters of westeros than the one-dimensional hobbits of middle earth - but he's not above wallowing in the misery at times.

on the other hand, the politics of the several competing kings are handled effectively. and tyrion's emergence as the pseudo-main-character is a pleasant turn of events. martin's politicking works best through tyrion's eyes, and his chapters counterbalance a lot of the lagging going on in qarth and beyond the wall.]]>
4.42 1998 A Clash of Kings  (A Song of Ice and Fire, #2)
author: George R.R. Martin
name: Dan
average rating: 4.42
book published: 1998
rating: 3
read at:
date added: 2012/10/07
shelves: 2012
review:
volume #2 isn't necessarily a downgrade in quality from the first book in the series, but it still came as a slight disappointment. the scope actually manages to become even larger, the story remains engaging and complex and martin's talents for complex character interactions are as strong as ever. but there's a sense that he's spinning his wheels in this volume. jon snow's journey beyond the wall isn't nearly as exciting as i'd imagined it, and the daenerys storyline feels peripheral and occasionally irrelevant to the universe as a whole. some of this is a matter of high expectations - game of thrones has such a wallop of an ending that i expected the pace to continue as steadily moving forward.

a clash of kings also suffers from disappointing POV additions. davos seaworth is endearing enough i guess, but he's also a dull introduction to the dullest aspect of this universe (team stannis). and it's through davos that we come to know the series' worst character thus far (i'm almost through a storm of swords as i write this) - melisandre. there's plenty to unravel in the gender dynamics of westeros - some good stuff, some not-so-good - but melisandre is certainly martin's weakest link. in addition to being a cheesy witchy-woman who adds half-assed mysticism to an otherwise engaging universe, she's also a run of the mill "lady macbeth" stereotype. through this character, martin wallows in the kind of adolescent misogyny that he is usually careful to temper, if not outright avoid, in spite of all the series' raping and pillaging. theon greyjoy's story is somewhat better - introducing a far more engaging, possibly even empowering female character in asha, for example - but his POV ups the ante on martin's often miserable outlook. this is a grim universe, and when seen through the eyes of a totally irredeemable character, it becomes almost too awful to stomach. martin's grit is typically an asset - i'm far more engaged by the ambivalent lannisters of westeros than the one-dimensional hobbits of middle earth - but he's not above wallowing in the misery at times.

on the other hand, the politics of the several competing kings are handled effectively. and tyrion's emergence as the pseudo-main-character is a pleasant turn of events. martin's politicking works best through tyrion's eyes, and his chapters counterbalance a lot of the lagging going on in qarth and beyond the wall.
]]>
<![CDATA[A Game of Thrones (A Song of Ice and Fire, #1)]]> 13496
Sweeping from a harsh land of cold to a summertime kingdom of epicurean plenty, A Game of Thrones tells a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens. Here an enigmatic band of warriors bear swords of no human metal; a tribe of fierce wildlings carry men off into madness; a cruel young dragon prince barters his sister to win back his throne; a child is lost in the twilight between life and death; and a determined woman undertakes a treacherous journey to protect all she holds dear. Amid plots and counter-plots, tragedy and betrayal, victory and terror, allies and enemies, the fate of the Starks hangs perilously in the balance, as each side endeavors to win that deadliest of conflicts: the game of thrones.]]>
835 George R.R. Martin 0553588486 Dan 4 2012 game of thrones all the time around my house lately. i'm now 3/4ths of the way through the third audiobook in the series, and martin's grim world of maidens and dragons is beginning to feel woven into the very fabric of my life. the audiobooks, by the way, are read in an over-the-top renaissance fair voice that not only makes for hilarious sex scene interpretations (seriously, listening to this dude describe the "seed" of khal drogo is COMEDY GOLD, people), but also ups the nerd factor about 1000%. the more my girlfriend endures news of the "imp's return from casterly rock" as she makes herself lunch upstairs in the kitchen, the less attractive i become to her. consider yourselves warned, goodreads-dork-horde...

moving right along, book #1 has the advantage of being more or less organized around a central figure (ned stark), and the narratives make logical sense as a whole to a degree that begins to unravel in the sequels. there's something classical about its structure - and it gives the various narrative branches plenty of room to develop without sacrificing cohesion. martin is great with characters, and it's exciting to see him lay them all out in this volume. i've watched the TV show as well, so the plot points came as no surprise, but there's some character detail that works far better in the books. sansa, of all people, is one of my favorite characters now, for example.

there are some weak spots as well. the dothraki aren't necessarily any less orientalist on the page then they are on the screen, and the everyone-is-equally-fucked-up-in-this-world attempts to shrug it off strike me as misguided. i'd love to see a dothraki POV at some point in the series, but i'm not holding my breath. martin is great at laying out the advantages and disadvantages of circumstance, but he seems most comfortable writing characters who come from a place of privilege. this is one of the few shortcomings to his otherwise astounding world-building abilities. why are the dothraki always written from the outside? why aren't we privy as readers to their language? who are the littlefingers and varyses of the dothraki world? we don't find out, and must make due with "savage" stereotypes instead.

but let's get back to sansa. she's not necessarily the most likeable character (that would be, in this volume anyway, the one-and-only tyrion lannister), but martin's writing really comes alive in her storyline. game of thrones works best as an exploration of survival - how impenetrable social structures limit one's options, and how the clever find ways to manipulate them in order to survive. sansa's predicament is perhaps the most dire, and her response to them isn't particularly heroic, but the stakes of the world he's created come into sharpest focus (for me, anyway) in his handling of the character. better still, sansa's disturbing, fascinating relationship to the hound exemplifies martin's approach to horror and empathy simultaneously.

the other great thing about this first volume is that the plot moves along at a steady pace, and none of the characters feel extraneous. the book concludes in an exciting place, with story-lines moving in dramatic directions throughout the magical world of westeros (and beyond!), leaving me with a satisfying sense of a world-well-rendered.

it's tempting to dismiss indulgent genre fare at times, especially in a world as frank-frazetta-ish as martin's, but there's real skill at work here. as highbrow writers like cormac mccarthy or justin cronin begin to dip their toes in similar waters, they could learn a thing or two about world-building from nerds like this guy. the lines between "fantasy" and "magic realism," for example, aren't as clear cut as we might imagine.]]>
4.44 1996 A Game of Thrones (A Song of Ice and Fire, #1)
author: George R.R. Martin
name: Dan
average rating: 4.44
book published: 1996
rating: 4
read at:
date added: 2012/10/07
shelves: 2012
review:
it's been all game of thrones all the time around my house lately. i'm now 3/4ths of the way through the third audiobook in the series, and martin's grim world of maidens and dragons is beginning to feel woven into the very fabric of my life. the audiobooks, by the way, are read in an over-the-top renaissance fair voice that not only makes for hilarious sex scene interpretations (seriously, listening to this dude describe the "seed" of khal drogo is COMEDY GOLD, people), but also ups the nerd factor about 1000%. the more my girlfriend endures news of the "imp's return from casterly rock" as she makes herself lunch upstairs in the kitchen, the less attractive i become to her. consider yourselves warned, goodreads-dork-horde...

moving right along, book #1 has the advantage of being more or less organized around a central figure (ned stark), and the narratives make logical sense as a whole to a degree that begins to unravel in the sequels. there's something classical about its structure - and it gives the various narrative branches plenty of room to develop without sacrificing cohesion. martin is great with characters, and it's exciting to see him lay them all out in this volume. i've watched the TV show as well, so the plot points came as no surprise, but there's some character detail that works far better in the books. sansa, of all people, is one of my favorite characters now, for example.

there are some weak spots as well. the dothraki aren't necessarily any less orientalist on the page then they are on the screen, and the everyone-is-equally-fucked-up-in-this-world attempts to shrug it off strike me as misguided. i'd love to see a dothraki POV at some point in the series, but i'm not holding my breath. martin is great at laying out the advantages and disadvantages of circumstance, but he seems most comfortable writing characters who come from a place of privilege. this is one of the few shortcomings to his otherwise astounding world-building abilities. why are the dothraki always written from the outside? why aren't we privy as readers to their language? who are the littlefingers and varyses of the dothraki world? we don't find out, and must make due with "savage" stereotypes instead.

but let's get back to sansa. she's not necessarily the most likeable character (that would be, in this volume anyway, the one-and-only tyrion lannister), but martin's writing really comes alive in her storyline. game of thrones works best as an exploration of survival - how impenetrable social structures limit one's options, and how the clever find ways to manipulate them in order to survive. sansa's predicament is perhaps the most dire, and her response to them isn't particularly heroic, but the stakes of the world he's created come into sharpest focus (for me, anyway) in his handling of the character. better still, sansa's disturbing, fascinating relationship to the hound exemplifies martin's approach to horror and empathy simultaneously.

the other great thing about this first volume is that the plot moves along at a steady pace, and none of the characters feel extraneous. the book concludes in an exciting place, with story-lines moving in dramatic directions throughout the magical world of westeros (and beyond!), leaving me with a satisfying sense of a world-well-rendered.

it's tempting to dismiss indulgent genre fare at times, especially in a world as frank-frazetta-ish as martin's, but there's real skill at work here. as highbrow writers like cormac mccarthy or justin cronin begin to dip their toes in similar waters, they could learn a thing or two about world-building from nerds like this guy. the lines between "fantasy" and "magic realism," for example, aren't as clear cut as we might imagine.
]]>
<![CDATA[Malcolm X: A Life of Reinvention]]> 7940589 Selected by The New York Times Book Review as a Notable Book of the Year Years in the making-the definitive biography of the legendary black activist.

Of the great figure in twentieth-century American history perhaps none is more complex and controversial than Malcolm X. Constantly rewriting his own story, he became a criminal, a minister, a leader, and an icon, all before being felled by assassins' bullets at age thirty-nine. Through his tireless work and countless speeches he empowered hundreds of thousands of black Americans to create better lives and stronger communities while establishing the template for the self-actualized, independent African American man. In death he became a broad symbol of both resistance and reconciliation for millions around the world.

Manning Marable's new biography of Malcolm is a stunning achievement. Filled with new information and shocking revelations that go beyond the Autobiography, Malcolm X unfolds a sweeping story of race and class in America, from the rise of Marcus Garvey and the Ku Klux Klan to the struggles of the civil rights movement in the fifties and sixties. Reaching into Malcolm's troubled youth, it traces a path from his parents' activism through his own engagement with the Nation of Islam, charting his astronomical rise in the world of Black Nationalism and culminating in the never-before-told true story of his assassination. Malcolm X will stand as the definitive work on one of the most singular forces for social change, capturing with revelatory clarity a man who constantly strove, in the great American tradition, to remake himself anew.]]>
608 Manning Marable 0670022209 Dan 5 2012 4.18 2011 Malcolm X: A Life of Reinvention
author: Manning Marable
name: Dan
average rating: 4.18
book published: 2011
rating: 5
read at:
date added: 2012/08/12
shelves: 2012
review:
i don't read biographies all that often, but when i do, i tend to gravitate to ones that double as portraits of culture - using the central human figure as an emblem of a specific time, place and environment. marable's extraordinary tome does this almost perfectly. it's not just the story of malcolm x - it's also the story of the anti-assimilationist civil rights movement, the ideological legacy of marcus garvey and the foundation for the left wing radicals who would follow many of his ideas into the 70's (the black panthers, for example). my understanding of 20th century social history in the u.s. is greatly deepened by this book. and i finished it with a much broader sense of what lead to malcolm x's belief systems - the admirable ones as well as the not-so-admirable.
]]>
<![CDATA[Doomsday Book (Oxford Time Travel, #1)]]> 24983
But a crisis strangely linking past and future strands Kivrin in a bygone age as her fellows try desperately to rescue her. In a time of superstition and fear, Kivrin--barely of age herself--finds she has become an unlikely angel of hope during one of history's darkest hours.

Connie Willis draws upon her understanding of the universalities of human nature to explore the ageless issues of evil, suffering, and the indomitable will of the human spirit.]]>
578 Connie Willis 0553562738 Dan 4 2012
the first half of this book is an expertly paced scramble for damage control in the late 21st and 14th century. the book pivots between the two times from chapter to chapter, creating great tension along the way. eventually, the reason for all the illness is revealed, but that moment comes a bit too late. the book drags a bit in the middle, often because willis is better with plot and historical details than with character development. some of the more villain-ish characters are too cliche for comfort (the university bureaucrat, the hysterical doting mother) and kivrin's 14th century acquaintances are little more than vessels through which to share the customs and prejudices of long ago.

things pick up again during the last 150 or so pages, when the shit begins to hit the fan. at that point, the narrative takes a darker, more uncompromising tone and dealing very directly with the "nasty, brutish and short" aspects of life in medieval europe. ]]>
4.02 1992 Doomsday Book (Oxford Time Travel, #1)
author: Connie Willis
name: Dan
average rating: 4.02
book published: 1992
rating: 4
read at:
date added: 2012/08/12
shelves: 2012
review:
a likeable, detailed time-traveling yarn with a fun premise: it's the near-ish future, time travel is now possible, and academic historians appear to be the people most excited by the technology. a precocious graduate student named kivrin is determined to travel back in time to 14th century england, but her mentor, mr. dunsworthy, is skeptical about the voyage. she ends up going anyway, and as the rupture opens in the space/time continuum, a mysterious virus afflicts kivrin and the inhabitants of the future simultaneously.

the first half of this book is an expertly paced scramble for damage control in the late 21st and 14th century. the book pivots between the two times from chapter to chapter, creating great tension along the way. eventually, the reason for all the illness is revealed, but that moment comes a bit too late. the book drags a bit in the middle, often because willis is better with plot and historical details than with character development. some of the more villain-ish characters are too cliche for comfort (the university bureaucrat, the hysterical doting mother) and kivrin's 14th century acquaintances are little more than vessels through which to share the customs and prejudices of long ago.

things pick up again during the last 150 or so pages, when the shit begins to hit the fan. at that point, the narrative takes a darker, more uncompromising tone and dealing very directly with the "nasty, brutish and short" aspects of life in medieval europe.
]]>
The Poisonwood Bible 7244 The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it -- from garden seeds to Scripture -- is calamitously transformed on African soil. What follows is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.]]> 546 Barbara Kingsolver 0060786507 Dan 4 2012
stylistically, it reminded me a bit of william faulkner. the first-person narratives change between each of the four sisters at the story's center (with their mother providing a first-person account at the beginning of each section). some voices work better than others. leah, the "daddy's girl" who becomes the heart and soul of the story, is expertly crafted and her transformations feel organic and multidimensional. ditto her mother, whose genuine grief and sense of reflection anchor each of the story's developments. on the other hand, the oldest sister rachel is stereotypically shallow, and her misplaced-southern-belle schtick becomes more and more redundant as the story progresses. leah's twin sister adah is interesting in a "literary" sort of way - mysterious, precocious, suffering from a physical affliction that ends up identifying her as a brilliant outsider archetype. sometimes this characterization works, sometimes it's a bit overwrought. finally, there's ruth may, who's too little to offer any real insights, which is fair enough. for the majority of the story, these women are all between the ages of about 5 and 16 - and their interior monologues are almost never believable as, say, adolescent diary entries. the sophisticated prose can be a pleasure to read, but it never feels like it comes from the minds of its characters.

this becomes less of a problem as the years go by. poisonwood is the story of a missionary family in congo during the rise, fall and aftermath of patrice lumumba, and its real-life political history adds considerable weight to the family narrative. nathan price, the girls' fanatical, evangelical father, is presented entirely through the point of view of his wife and daughters. this distance works extremely well. kingsolver renders the character exclusively through the fear and resentment he engenders. the political dangers that begin to engulf him are made potent by his stubborn unwillingness to even acknowledge them. it's a familiar descent into madness, but by decentralizing its importance and authority, kingsolver renders it unfamiliar and adds depth to the novel's refreshingly un-manly perspective.

the author spent several years of her own childhood in congo, and though she claims that her parents were nothing like the prices in the acknowledgements, i got the sense that a decent amount of autobiography went into the story. i should probably address the fact that this is one of those white-people-witnessing-tragedy-in-africa stories - literally set in the same country as the subgenre's stereotypical gold standard, conrad's heart of darkness. i'm always a bit suspicious of this stuff, because it's easy to resort to shallow savior narratives, or to aestheticize poverty, or to sentimentalize an unfamiliar culture. kingsolver is pretty good at avoiding these trappings, though there are a few melodramatic excesses.

the poisonwood bible is at its best when characterizing the extent to which the prices are and are not made a part of the local community. kingsolver is keenly aware of the limitations of assimilation - as the prices adapt to life in africa, and also as they try to convert people to christianity. her pessimism about american foreign policy and christian outreach is sober and potent. this isn't a history that warrants happy endings. poisonwood never quite achieves the intimacy of a novel like chimamanda ngozi adichie's half of a yellow sun, with which it shares structural similarities. but i wonder if some of this distance is circumstantial? as a white woman, kingsolver must occupy the voice of the outsider, even as her characters lose the basics of their american identities throughout the years. there's a speculative quality to poisonwood that hits the occasional sour note, but these speculations are almost certainly better than declarations.]]>
4.10 1998 The Poisonwood Bible
author: Barbara Kingsolver
name: Dan
average rating: 4.10
book published: 1998
rating: 4
read at:
date added: 2012/07/02
shelves: 2012
review:
this is a big ambitious book with lots of ideas and an ever-expanding scale. it's pretty hard not to admire, even when the details don't work out as planned.

stylistically, it reminded me a bit of william faulkner. the first-person narratives change between each of the four sisters at the story's center (with their mother providing a first-person account at the beginning of each section). some voices work better than others. leah, the "daddy's girl" who becomes the heart and soul of the story, is expertly crafted and her transformations feel organic and multidimensional. ditto her mother, whose genuine grief and sense of reflection anchor each of the story's developments. on the other hand, the oldest sister rachel is stereotypically shallow, and her misplaced-southern-belle schtick becomes more and more redundant as the story progresses. leah's twin sister adah is interesting in a "literary" sort of way - mysterious, precocious, suffering from a physical affliction that ends up identifying her as a brilliant outsider archetype. sometimes this characterization works, sometimes it's a bit overwrought. finally, there's ruth may, who's too little to offer any real insights, which is fair enough. for the majority of the story, these women are all between the ages of about 5 and 16 - and their interior monologues are almost never believable as, say, adolescent diary entries. the sophisticated prose can be a pleasure to read, but it never feels like it comes from the minds of its characters.

this becomes less of a problem as the years go by. poisonwood is the story of a missionary family in congo during the rise, fall and aftermath of patrice lumumba, and its real-life political history adds considerable weight to the family narrative. nathan price, the girls' fanatical, evangelical father, is presented entirely through the point of view of his wife and daughters. this distance works extremely well. kingsolver renders the character exclusively through the fear and resentment he engenders. the political dangers that begin to engulf him are made potent by his stubborn unwillingness to even acknowledge them. it's a familiar descent into madness, but by decentralizing its importance and authority, kingsolver renders it unfamiliar and adds depth to the novel's refreshingly un-manly perspective.

the author spent several years of her own childhood in congo, and though she claims that her parents were nothing like the prices in the acknowledgements, i got the sense that a decent amount of autobiography went into the story. i should probably address the fact that this is one of those white-people-witnessing-tragedy-in-africa stories - literally set in the same country as the subgenre's stereotypical gold standard, conrad's heart of darkness. i'm always a bit suspicious of this stuff, because it's easy to resort to shallow savior narratives, or to aestheticize poverty, or to sentimentalize an unfamiliar culture. kingsolver is pretty good at avoiding these trappings, though there are a few melodramatic excesses.

the poisonwood bible is at its best when characterizing the extent to which the prices are and are not made a part of the local community. kingsolver is keenly aware of the limitations of assimilation - as the prices adapt to life in africa, and also as they try to convert people to christianity. her pessimism about american foreign policy and christian outreach is sober and potent. this isn't a history that warrants happy endings. poisonwood never quite achieves the intimacy of a novel like chimamanda ngozi adichie's half of a yellow sun, with which it shares structural similarities. but i wonder if some of this distance is circumstantial? as a white woman, kingsolver must occupy the voice of the outsider, even as her characters lose the basics of their american identities throughout the years. there's a speculative quality to poisonwood that hits the occasional sour note, but these speculations are almost certainly better than declarations.
]]>
<![CDATA[A History of the Twentieth Century: The Concise Edition of the Acclaimed World History]]> 191412 832 Martin Gilbert 006050594X Dan 4 2012
this is totally one of those books that attempts to present history as something linear, conventional and "neutral." the linearity is actually its great strength (much as the embattled avant-gardeist within me may hate to admit it). by starting at the beginning and ending at the end, gilbert forced me to make connections across a variety of different ideologies and cultures, especially during the 1930's. like all attempts at neutrality, it fails completely. instead, it presents a mainstream western view of world history, with an unusual emphasis on britain and the states. accordingly, the post-WWII atrocities of western europe and the u.s. are mostly minimized as tragedies that good people failed to prevent - while similar crises from the communist and muslim world are usually more intentionally malevolent in gilbert's estimation. for example, there's a sentence about the iranian revolution where the shah is described as "fighting the forces of islamic fundamentalism" which struck me as a particularly misleading morsel of information.

some of these biases are inevitable - in fact, a history book without any bias would probably also lack any personality. one deeper problem with gilbert's history is its almost total ignorance of latin america and the caribbean. for instance, gilbert feels the need to devote a few paragraphs to the election of john major in the u.k. (surely one of the 20th century's most riveting moments), but fails to include any mention of either of haiti's duvalier's. latin america is almost completely absent from his account until the post-colonial era. and even there, its role is mostly limited to the cold war posturing of the time - cuban missile crisis, reagan vs. the sandanistas and so forth.

on the other hand, gilbert is surprisingly informative when it comes to eastern europe and possibly even the middle east, though his pro-israel sympathies occasionally cloud the picture he paints. there's also lots of good information about antisemitism in the soviet union, something that often gets brushed to the periphery in discussions of it. he also has a particular fascination with traffic accidents, which prove to be a far greater danger to human life than i ever considered them to be!

here's the bottom line - gilbert's politics are almost certainly to the right of my own. at one point he brags about george h.w. bush reading one of his books and getting the idea to compare saddam hussein to hitler in a speech - why would anyone want to take credit for that? but setting my own biases, this is a rock-solid history that really helped me fill in several of the gaps in my understanding of what lead up to the world i inhabit.]]>
3.91 1989 A History of the Twentieth Century: The Concise Edition of the Acclaimed World History
author: Martin Gilbert
name: Dan
average rating: 3.91
book published: 1989
rating: 4
read at:
date added: 2012/06/12
shelves: 2012
review:
i went looking for a big, epic twentieth century survey and this delivered the goods. despite its scope and intimidating length, it's pretty engaging throughout. i listened to the audio version (30 plus hours!) which was great - kind of like tuning in to BBC radio, only hearing news about WWI or something.

this is totally one of those books that attempts to present history as something linear, conventional and "neutral." the linearity is actually its great strength (much as the embattled avant-gardeist within me may hate to admit it). by starting at the beginning and ending at the end, gilbert forced me to make connections across a variety of different ideologies and cultures, especially during the 1930's. like all attempts at neutrality, it fails completely. instead, it presents a mainstream western view of world history, with an unusual emphasis on britain and the states. accordingly, the post-WWII atrocities of western europe and the u.s. are mostly minimized as tragedies that good people failed to prevent - while similar crises from the communist and muslim world are usually more intentionally malevolent in gilbert's estimation. for example, there's a sentence about the iranian revolution where the shah is described as "fighting the forces of islamic fundamentalism" which struck me as a particularly misleading morsel of information.

some of these biases are inevitable - in fact, a history book without any bias would probably also lack any personality. one deeper problem with gilbert's history is its almost total ignorance of latin america and the caribbean. for instance, gilbert feels the need to devote a few paragraphs to the election of john major in the u.k. (surely one of the 20th century's most riveting moments), but fails to include any mention of either of haiti's duvalier's. latin america is almost completely absent from his account until the post-colonial era. and even there, its role is mostly limited to the cold war posturing of the time - cuban missile crisis, reagan vs. the sandanistas and so forth.

on the other hand, gilbert is surprisingly informative when it comes to eastern europe and possibly even the middle east, though his pro-israel sympathies occasionally cloud the picture he paints. there's also lots of good information about antisemitism in the soviet union, something that often gets brushed to the periphery in discussions of it. he also has a particular fascination with traffic accidents, which prove to be a far greater danger to human life than i ever considered them to be!

here's the bottom line - gilbert's politics are almost certainly to the right of my own. at one point he brags about george h.w. bush reading one of his books and getting the idea to compare saddam hussein to hitler in a speech - why would anyone want to take credit for that? but setting my own biases, this is a rock-solid history that really helped me fill in several of the gaps in my understanding of what lead up to the world i inhabit.
]]>
The Friends of Eddie Coyle 82121 216 George V. Higgins 1841192627 Dan 4 2012 eddie coyle feels like a story about real people with real problems. it's the kind of crime story you might overhear on the subway, told with a good eye for the person who might tell it. higgins hints at some larger issues as well - betrayal, exhaustion, meaninglessness - and strikes a few chords from time to time on their accounts. but mostly i just loved the dialogue and the earthy realism.]]> 4.05 1971 The Friends of Eddie Coyle
author: George V. Higgins
name: Dan
average rating: 4.05
book published: 1971
rating: 4
read at:
date added: 2012/06/04
shelves: 2012
review:
a tidy, unique and extremely focused crime novel. higgins' small time crooks feel like the kind of guys you walk past cautiously in a bar. he captures their language perfectly without over-stylizing it, and locates his characters in a plausible middle ground between cleverness and pig-headed-ness. eddie coyle feels like a story about real people with real problems. it's the kind of crime story you might overhear on the subway, told with a good eye for the person who might tell it. higgins hints at some larger issues as well - betrayal, exhaustion, meaninglessness - and strikes a few chords from time to time on their accounts. but mostly i just loved the dialogue and the earthy realism.
]]>
The Soccer War 153774 240 Ryszard Kapuściński 0679738053 Dan 4 2012 soccer war showcases him at his most diary-oriented. it's quite similar to his memoir the shadow of the sun, only less focused and more scatterbrained. there's even more globe-trotting than usual too - the conflict between el salvador and honduras that gives the book its name doesn't arrive on the scene until 2/3rds of its pages have passed, and we're treated to a half dozen stops in africa before he finds his way to latin america. along the way, there's a great short chapter about ahmed ben bella (who died while i was reading it!) and the earliest stages of post-colonial algeria, an interesting legal dispute about child welfare rights in tanzania and several fascinating-but-brief bios of early post-colonial african leaders (lumumba, nkrumah, etc.)

the quality of the individual chapters varies a bit. the soccer war covers an awful lot of territory, and not always with sufficient context or detail. at times, kapuscinski resorts to "speaking for" large groups of people, which is disappointing. but his sensitivity, curiosity and courage ring through in the end.

on the other hand, if you've never read kapuscinski - and you want to see him in top form - i'd suggest the emperor, another day of life or especially imperium, which i think is his masterpiece.]]>
4.18 1969 The Soccer War
author: Ryszard Kapuściński
name: Dan
average rating: 4.18
book published: 1969
rating: 4
read at:
date added: 2012/05/15
shelves: 2012
review:
kapuscinski's writing typically takes the form of a shared personal journal, and soccer war showcases him at his most diary-oriented. it's quite similar to his memoir the shadow of the sun, only less focused and more scatterbrained. there's even more globe-trotting than usual too - the conflict between el salvador and honduras that gives the book its name doesn't arrive on the scene until 2/3rds of its pages have passed, and we're treated to a half dozen stops in africa before he finds his way to latin america. along the way, there's a great short chapter about ahmed ben bella (who died while i was reading it!) and the earliest stages of post-colonial algeria, an interesting legal dispute about child welfare rights in tanzania and several fascinating-but-brief bios of early post-colonial african leaders (lumumba, nkrumah, etc.)

the quality of the individual chapters varies a bit. the soccer war covers an awful lot of territory, and not always with sufficient context or detail. at times, kapuscinski resorts to "speaking for" large groups of people, which is disappointing. but his sensitivity, curiosity and courage ring through in the end.

on the other hand, if you've never read kapuscinski - and you want to see him in top form - i'd suggest the emperor, another day of life or especially imperium, which i think is his masterpiece.
]]>
<![CDATA[Economics: A Very Short Introduction]]> 784148
Economics has the capacity to offer us deep insights into some of the most formidable problems of life. Here, Dasgupta goes beyond the basics to show it's innate effects on our history, culture, and lifestyles.

About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.]]>
172 Partha Dasgupta 0192853457 Dan 3 2012
that said, it's a pretty useful introduction, i guess. its central metaphor compares the lives of two little girls (one in the u.s. and one in ethiopia), contrasting the different ways their societies organize themselves economically. as that example suggests, the focus is on global development and its discontents (climate change, political transparency, etc.) so the focus veers away from classical economic matters from time to time. since this is the aspect of economics i'm most interested in (globalization, inequality, distribution of resources, etc.), it worked for me. but i should have sat down with it and read it in print format.]]>
3.24 2007 Economics: A Very Short Introduction
author: Partha Dasgupta
name: Dan
average rating: 3.24
book published: 2007
rating: 3
read at:
date added: 2012/05/14
shelves: 2012
review:
i listened to the audiobook version of this, which was a bad idea. i'm a little ashamed to admit that i ignored a lot of the more technical parts (mathematical examples, etc.), because i wasn't paying careful enough attention. i use audiobooks as a way to remain stimulated while making paintings in my studio, and this was a poor choice on my part, since it deserved more undivided attention.

that said, it's a pretty useful introduction, i guess. its central metaphor compares the lives of two little girls (one in the u.s. and one in ethiopia), contrasting the different ways their societies organize themselves economically. as that example suggests, the focus is on global development and its discontents (climate change, political transparency, etc.) so the focus veers away from classical economic matters from time to time. since this is the aspect of economics i'm most interested in (globalization, inequality, distribution of resources, etc.), it worked for me. but i should have sat down with it and read it in print format.
]]>
<![CDATA[Catching Fire (The Hunger Games, #2)]]> 6148028 Sparks are igniting.
Flames are spreading.
And the Capitol wants revenge.

Against all odds, Katniss Everdeen has won the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. After all, she has returned to her family and her longtime friend, Gale. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol—a rebellion that Katniss and Peeta may have helped create.

Much to her shock, Katniss has fueled an unrest that she's afraid she cannot stop. And what scares her even more is that she's not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol's cruel Victory Tour, the stakes are higher than ever. If they can't prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying.

In Catching Fire, the second novel of the Hunger Games trilogy, Suzanne Collins continues the story of Katniss Everdeen, testing her more than ever before . . . and surprising readers at every turn.]]>
391 Suzanne Collins 0439023491 Dan 4 2012 4.34 2009 Catching Fire (The Hunger Games, #2)
author: Suzanne Collins
name: Dan
average rating: 4.34
book published: 2009
rating: 4
read at:
date added: 2012/05/13
shelves: 2012
review:
two books in, i'm more convinced by this series in general. i'm much more impressed with the characters, the world-building and the implicit social critique (which translated surprisingly well in the movie). the focus of the second book is more on the dystopian world katniss and co. inhabit than on the hunger games themselves, which slows down the pace a bit and takes the focus off of action sequences. to be honest, the part of these books i'm least excited by is the games themselves. during the competitions, collins is at her most derivative, and since it's essentially a kids book it's tough to generate adequate tension. katniss is undoubtedly going to survive, so when she's attacked by an army of monkey's, i don't particularly fear for her. however, when she's in scrappy proletarian uprising mode, collins is a really fantastic storyteller, constantly finding clever ways for her characters to survive the authoritarian traps set before them.
]]>
Zone One 10365343
Now the plague is receding, and Americans are busy rebuild­ing civilization under orders from the provisional govern­ment based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street—aka Zone One—but pockets of plague-ridden squatters remain. While the army has eliminated the most dangerous of the infected, teams of civilian volunteers are tasked with clearing out a more innocuous variety—the “malfunctioning� stragglers, who exist in a catatonic state, transfixed by their former lives.

Mark Spitz is a member of one of the civilian teams work­ing in lower Manhattan. Alternating between flashbacks of Spitz’s desperate fight for survival during the worst of the outbreak and his present narrative, the novel unfolds over three surreal days, as it depicts the mundane mission of straggler removal, the rigors of Post-Apocalyptic Stress Disorder, and the impossible job of coming to grips with the fallen world.

And then things start to go wrong.

Both spine chilling and playfully cerebral, Zone One bril­liantly subverts the genre’s conventions and deconstructs the zombie myth for the twenty-first century.]]>
259 Colson Whitehead 0385528078 Dan 2 2012
whitehead may be shelved in the "literature" section of barnes and noble, but he's not using the zombie apocalypse as an allegorical excuse to write an existential lamentation about the brutality of contemporary life (that's what cormac mccarthy does, right?)... instead, his central question seems to be: what if the end of the world was mediocre?

it's an interesting question, and whitehead does a nice job building up a bureaucratic apparatus devoted to zombie extermination - one that operates with all the heroic excitement of a trip to the DMV. there's more legitimate world-building in zone one than in your typical high-brow apocalypse novel, and whitehead's indifference to "elevating the genre" (plot-wise, anyway) is refreshing.

but it doesn't matter, because the people that populate this world are all astoundingly dull. this is also deliberate, but who cares? as social critique, zone one is too toothless to say anything interesting, and as satire it's painfully unfunny. the tone is almost cutesy at times - zombie fiction recast as a lame NPR segment, complete with crappy new-york-in-jokes about how we all hate connecticut. lots of twee sarcasm about office jobs, reality tv and organic produce, delivered with needless literary gymnastics. whitehead certainly has a way with words, but he beats me over the head with it. why "throw something out" when an object can be "jettisoned"? the combination of purple prose paired with extreme banality gets old very quickly.
]]>
3.23 2011 Zone One
author: Colson Whitehead
name: Dan
average rating: 3.23
book published: 2011
rating: 2
read at:
date added: 2012/04/28
shelves: 2012
review:
a big disappointment, made worse by a potentially exciting premise.

whitehead may be shelved in the "literature" section of barnes and noble, but he's not using the zombie apocalypse as an allegorical excuse to write an existential lamentation about the brutality of contemporary life (that's what cormac mccarthy does, right?)... instead, his central question seems to be: what if the end of the world was mediocre?

it's an interesting question, and whitehead does a nice job building up a bureaucratic apparatus devoted to zombie extermination - one that operates with all the heroic excitement of a trip to the DMV. there's more legitimate world-building in zone one than in your typical high-brow apocalypse novel, and whitehead's indifference to "elevating the genre" (plot-wise, anyway) is refreshing.

but it doesn't matter, because the people that populate this world are all astoundingly dull. this is also deliberate, but who cares? as social critique, zone one is too toothless to say anything interesting, and as satire it's painfully unfunny. the tone is almost cutesy at times - zombie fiction recast as a lame NPR segment, complete with crappy new-york-in-jokes about how we all hate connecticut. lots of twee sarcasm about office jobs, reality tv and organic produce, delivered with needless literary gymnastics. whitehead certainly has a way with words, but he beats me over the head with it. why "throw something out" when an object can be "jettisoned"? the combination of purple prose paired with extreme banality gets old very quickly.

]]>
Cosmopolis 28703 209 Don DeLillo 0330412744 Dan 4 2012
it's amazing that this book was written in 2003, because it ever-so-slightly predates the apex of corporate-greed-entropy in america. it's hard not to see mark zuckerberg in eric packer, the 28-year-old billionaire at the heart of the story. his icy, semi-autistic demeanor, technological zealotry and fascination with the movement of capital calls to mind the facebook guru immediately (they're even the same age as i type this). in the same breath, i'm also reminded of the 2008 financial crisis as packer's downfall unravels... not so much because it's a tragedy, but because it's the logical endgame of a vicious circle of privilege, where the very wealthy get wealthier by moving around other people's money. delillo seems horrified and fascinated by this, and he's quite good at laying out the odd fantasies that produce an eric packer - as well as the culture that's too complicit and solipsistic to bump him off of the gravy train. there's a particularly fatalistic passage in which packer's limo glides through an anarchist uprising that characterizes this perfectly. i'm excited to see what david cronenberg does with it on film. "team edward" could be a smart casting move after all...

on the other hand, not all of it works. and parts of cosmopolis feel like an endless string of unlikely non-sequiturs. there's a digression involving a sufi rap star that's almost embarrassingly misguided (delillo has many strengths; inventing rap lyrics isn't one of them), and some of the metaphorical maneuvers are annoyingly self-conscious. but i finished it with plenty of thoughts to untangle in my head, so the bumpy ride was certainly worth it. ]]>
3.26 2003 Cosmopolis
author: Don DeLillo
name: Dan
average rating: 3.26
book published: 2003
rating: 4
read at:
date added: 2012/04/28
shelves: 2012
review:
an oil-and-water mix of brilliance and over-bearing allegory. the good outweighs the bad.

it's amazing that this book was written in 2003, because it ever-so-slightly predates the apex of corporate-greed-entropy in america. it's hard not to see mark zuckerberg in eric packer, the 28-year-old billionaire at the heart of the story. his icy, semi-autistic demeanor, technological zealotry and fascination with the movement of capital calls to mind the facebook guru immediately (they're even the same age as i type this). in the same breath, i'm also reminded of the 2008 financial crisis as packer's downfall unravels... not so much because it's a tragedy, but because it's the logical endgame of a vicious circle of privilege, where the very wealthy get wealthier by moving around other people's money. delillo seems horrified and fascinated by this, and he's quite good at laying out the odd fantasies that produce an eric packer - as well as the culture that's too complicit and solipsistic to bump him off of the gravy train. there's a particularly fatalistic passage in which packer's limo glides through an anarchist uprising that characterizes this perfectly. i'm excited to see what david cronenberg does with it on film. "team edward" could be a smart casting move after all...

on the other hand, not all of it works. and parts of cosmopolis feel like an endless string of unlikely non-sequiturs. there's a digression involving a sufi rap star that's almost embarrassingly misguided (delillo has many strengths; inventing rap lyrics isn't one of them), and some of the metaphorical maneuvers are annoyingly self-conscious. but i finished it with plenty of thoughts to untangle in my head, so the bumpy ride was certainly worth it.
]]>
<![CDATA[The Walking Dead: Compendium One]]> 6465707
In a world ruled by the dead, we are forced to finally start living. With The Walking Dead #1-48, this compendium features more than one thousand pages chronicling the start of Robert Kirkman's Eisner Award-winning story of zombie horror, from Rick Grimes waking up alone in a hospital, his band of survivors seeking refuge on an isolated farm and the controversial introduction of Woodbury despot, The Governor.]]>
1088 Robert Kirkman Dan 2 2012
i know this series is a fanboy darling, but count me out. the walking dead comics suffer from the opposite problem of the tv series. on the show, everything unravels at a snail's pace and it feels like the only things that ever happen are a million idiotic trips to "the town" for supplies. in the comics, however, a major character dies every dozen pages, the characters that don't die are all busy shacking up with each other and fighting about it, and the story hops along from one catastrophe to the next. with better dialogue and more realized characterization, this would be a lot of fun, but as is - it gets pretty monotonous. it also doesn't help that most of the plot threads are pulled from the george romero mythology in one way or another, without really adding much to the formula.

but the characters are the real problem. half of them have no discernible personalities at all (at one point i literally forgot that billy existed), and the ones that do are usually pretty stereotypical. worse, the artwork makes them tough to differentiate. i found myself confusing dale and herschel several times throughout the book, only to remind myself that herschel is the "religious one," and dale is "the dude who wears the hat." this is what suffices for character depth in kirkman's universe.

the one plot device that sort of works is the no-holds-barred approach to violence. major characters can die, and with the possible exception of rick, no one is particularly "safe" in the narrative. this makes for enjoyably grim action sequences from time to time, but since i could give a rat's ass about any of these people, it doesn't matter much to me when they're gobbled up by the undead.

the grittiness gets a bit contrived as well. i'll admit that there's more energy during the "governor" storyline than in the 100-odd pages that precede it, but most of it relies on nastiness and gore instead of real innovation. in particular, there's a rape/revenge storyline that sets a new low for graphic nastiness, and there's nothing particularly resonant about it beyond the gore. i'm pretty tired of rape/revenge narratives in general, for reasons best outlined . suffice to say that walking dead doesn't "examine" anything by stepping into that particular gutter, and i gained nothing from following the comic into it myself.]]>
4.44 2009 The Walking Dead: Compendium One
author: Robert Kirkman
name: Dan
average rating: 4.44
book published: 2009
rating: 2
read at:
date added: 2012/04/20
shelves: 2012
review:
Q: why did i read this? A: because i can't resist zombies. in any form. i've watched the dumb tv show too. and i'll probably continue watching it. i'm 35 years old. what is wrong with me?

i know this series is a fanboy darling, but count me out. the walking dead comics suffer from the opposite problem of the tv series. on the show, everything unravels at a snail's pace and it feels like the only things that ever happen are a million idiotic trips to "the town" for supplies. in the comics, however, a major character dies every dozen pages, the characters that don't die are all busy shacking up with each other and fighting about it, and the story hops along from one catastrophe to the next. with better dialogue and more realized characterization, this would be a lot of fun, but as is - it gets pretty monotonous. it also doesn't help that most of the plot threads are pulled from the george romero mythology in one way or another, without really adding much to the formula.

but the characters are the real problem. half of them have no discernible personalities at all (at one point i literally forgot that billy existed), and the ones that do are usually pretty stereotypical. worse, the artwork makes them tough to differentiate. i found myself confusing dale and herschel several times throughout the book, only to remind myself that herschel is the "religious one," and dale is "the dude who wears the hat." this is what suffices for character depth in kirkman's universe.

the one plot device that sort of works is the no-holds-barred approach to violence. major characters can die, and with the possible exception of rick, no one is particularly "safe" in the narrative. this makes for enjoyably grim action sequences from time to time, but since i could give a rat's ass about any of these people, it doesn't matter much to me when they're gobbled up by the undead.

the grittiness gets a bit contrived as well. i'll admit that there's more energy during the "governor" storyline than in the 100-odd pages that precede it, but most of it relies on nastiness and gore instead of real innovation. in particular, there's a rape/revenge storyline that sets a new low for graphic nastiness, and there's nothing particularly resonant about it beyond the gore. i'm pretty tired of rape/revenge narratives in general, for reasons best outlined . suffice to say that walking dead doesn't "examine" anything by stepping into that particular gutter, and i gained nothing from following the comic into it myself.
]]>
Open City 8526694
But it is not only a physical landscape he covers; Julius crisscrosses social territory as well, encountering people from different cultures and classes who will provide insight on his journey—which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul.]]>
259 Teju Cole 1400068096 Dan 4 2012
open city is plotless and almost-aimless - i am a silent partner as julian, the nigerian doctor whose thoughts are at the book's core, simply wanders around new york city (among other places) having encounters that are sometimes mundane, sometimes profound, and (in a passage toward the end of the book that i'm still wrapping my brain around) occasionally quite disturbing.

it's tempting to dismiss open city as a diary marketed as a novel, but i think this misses the mark. i'm not only privy to julian's point of view; i'm also made occasionally aware of his flaws and faults. as the book progresses, the first-person perspective begins to feel incomplete - at times maybe even unreliable. julian's lack of neutrality made the book more technically interesting as i approached its conclusion. without any identifiable stylistic "move" on cole's part, julian gradually feels less like the author's stand-in, and more like a constructed character existing within his own separate universe.

on a less formal level, this is an interesting take on the diasporic experience of globalization. julian's conversations cover a variety of hot button topics - japanese internment camps, immigration, zionism - and the voices through which the issues are explored aren't the ones you'd hear in, say, a don delillo novel. as rootless and aimless as open city can feel at times, it's also a novel of unlikely solidarity. everywhere julian goes, people seem to open up to him. sometimes this is because of shared racial alienation - and sometimes this is simply the result of sitting on a flight next to him. cole's characters are all flawed (perhaps julian most of all), but none are cartoonish emblems of any particular ideology or position. i finished the book with a lot to think about, and the sense that my own consciousness had been slightly unraveled, in a good way.

]]>
3.50 2011 Open City
author: Teju Cole
name: Dan
average rating: 3.50
book published: 2011
rating: 4
read at:
date added: 2012/04/13
shelves: 2012
review:
i listened to the audiobook version of this novel, which added extra momentum to its biggest strength - the sense that you are simply listening to someone speak to you. the novel feels like a long conversation, and in audio books form that's what it is, literally.

open city is plotless and almost-aimless - i am a silent partner as julian, the nigerian doctor whose thoughts are at the book's core, simply wanders around new york city (among other places) having encounters that are sometimes mundane, sometimes profound, and (in a passage toward the end of the book that i'm still wrapping my brain around) occasionally quite disturbing.

it's tempting to dismiss open city as a diary marketed as a novel, but i think this misses the mark. i'm not only privy to julian's point of view; i'm also made occasionally aware of his flaws and faults. as the book progresses, the first-person perspective begins to feel incomplete - at times maybe even unreliable. julian's lack of neutrality made the book more technically interesting as i approached its conclusion. without any identifiable stylistic "move" on cole's part, julian gradually feels less like the author's stand-in, and more like a constructed character existing within his own separate universe.

on a less formal level, this is an interesting take on the diasporic experience of globalization. julian's conversations cover a variety of hot button topics - japanese internment camps, immigration, zionism - and the voices through which the issues are explored aren't the ones you'd hear in, say, a don delillo novel. as rootless and aimless as open city can feel at times, it's also a novel of unlikely solidarity. everywhere julian goes, people seem to open up to him. sometimes this is because of shared racial alienation - and sometimes this is simply the result of sitting on a flight next to him. cole's characters are all flawed (perhaps julian most of all), but none are cartoonish emblems of any particular ideology or position. i finished the book with a lot to think about, and the sense that my own consciousness had been slightly unraveled, in a good way.


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<![CDATA[Cults, Conspiracies, and Secret Societies: The Straight Scoop on Freemasons, The Illuminati, Skull and Bones, Black Helicopters, The New World Order, and many, many more]]> 6548264
� Freemasonry's first American lodge included a young Benjamin Franklin among its members.

� The Knights Templar began as impoverished warrior monks then evolved into bankers.

� Groom Lake, Dreamland, Homey Airport, Paradise Ranch, The Farm, Watertown Strip, Red Square, “The Box,� are all names for Area 51.

An indispensable guide, Cults, Conspiracies, and Secret Societies connects the dots and sets the record straight on a host of greedy gurus and murderous messiahs, crepuscular cabals and suspicious coincidences. Some topics are familiar—the Kennedy assassinations, the Bilderberg Group, the Illuminati, the People's Temple and Heaven's Gate—and some surprising, like Oulipo, a select group of intellectuals who created wild formulas for creating literary masterpieces, and the Chauffeurs, an eighteenth-century society of French home invaders, who set fire to their victims' feet.]]>
400 Arthur Goldwag 0307390675 Dan 3 2012
anyway, this is for novice conspiracy aficionados, which suited my needs. don't expect long, digressive explanations, and don't expect to see everything under the sun represented (where for art thou, biggie-and-tupac???). do expect a readable overview and a few answers to some questions you've probably asked yourself but never bothered to answer - "what is the illuminati?" and what not. the tone is mostly ironic, though not overbearing or obnoxious. goldwag doesn't buy into much of what he summarizes, though he does express skepticism about the JFK murder. i've been reading some recent interviews with him on the web and he seems like an interesting guy. his new book is about the rise of far right conspiracies in america. i think i'm gonna check it out.

i came out of this book with two overarching thoughts about conspiracies in general: 1. they seem to often appeal to people with xenophobic fears pertaining to the changes brought on by globalization, with a particular panic surrounding anything secretive or diasporic. 2. a lot of cultish behavior and conspiratorial thinking strikes me as either explicitly, implicitly or subconsciously anti-semitic.]]>
3.35 2009 Cults, Conspiracies, and Secret Societies: The Straight Scoop on Freemasons, The Illuminati, Skull and Bones, Black Helicopters, The New World Order, and many, many more
author: Arthur Goldwag
name: Dan
average rating: 3.35
book published: 2009
rating: 3
read at:
date added: 2012/04/11
shelves: 2012
review:
this is a guide with different groups/theories listed alphabetically. i decided to read it straight through like a novel. that's probably not the best approach, but i'm on a kick with this sort of thing right now for some reason.

anyway, this is for novice conspiracy aficionados, which suited my needs. don't expect long, digressive explanations, and don't expect to see everything under the sun represented (where for art thou, biggie-and-tupac???). do expect a readable overview and a few answers to some questions you've probably asked yourself but never bothered to answer - "what is the illuminati?" and what not. the tone is mostly ironic, though not overbearing or obnoxious. goldwag doesn't buy into much of what he summarizes, though he does express skepticism about the JFK murder. i've been reading some recent interviews with him on the web and he seems like an interesting guy. his new book is about the rise of far right conspiracies in america. i think i'm gonna check it out.

i came out of this book with two overarching thoughts about conspiracies in general: 1. they seem to often appeal to people with xenophobic fears pertaining to the changes brought on by globalization, with a particular panic surrounding anything secretive or diasporic. 2. a lot of cultish behavior and conspiratorial thinking strikes me as either explicitly, implicitly or subconsciously anti-semitic.
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From Hell 23529
Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth.

Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic."

Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity".

Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. �Danny Graydon]]>
576 Alan Moore 0861661419 Dan 4 2012
it's also a pretty dense read. it takes a bit of time to sort out the various characters and their agendas. the artwork, while atmospheric, minimal and interesting, is an occasional obstacle when it comes to visual story-telling. eventually from hell becomes an effective portrait of a deluded killer, and as its scope blossoms out to unveil the corruption, misogyny, poverty and class divisions that characterized the u.k. just prior to the 20th century, the results carry significant weight.

some of the metaphysical stuff is troubling in a different way than perhaps intended. when the villain at the heart of the story conducts his final slaughter/sacrifice, moore affords it a reverent legitimacy that kinda rubbed me the wrong way. unlike the watchmen, where rorshach's "outsider" status is effectively tempered by his authoritarian, right-wing extremism (an important detail the film version got wrong, imo)... there's a slight sense of admiration in the way that moore characterizes gull, and occasionally it dulls the larger critique that makes the comic interesting. ]]>
4.19 1999 From Hell
author: Alan Moore
name: Dan
average rating: 4.19
book published: 1999
rating: 4
read at:
date added: 2012/04/01
shelves: 2012
review:
one of my friends described this as "the most un-comic-book comic book ever." that's about right. it's written for people interested in masonic conspiracies and panoramic portraits of 19th century england. it's not necessarily written for people who love murder mysteries or cops-and-robbers stuff.

it's also a pretty dense read. it takes a bit of time to sort out the various characters and their agendas. the artwork, while atmospheric, minimal and interesting, is an occasional obstacle when it comes to visual story-telling. eventually from hell becomes an effective portrait of a deluded killer, and as its scope blossoms out to unveil the corruption, misogyny, poverty and class divisions that characterized the u.k. just prior to the 20th century, the results carry significant weight.

some of the metaphysical stuff is troubling in a different way than perhaps intended. when the villain at the heart of the story conducts his final slaughter/sacrifice, moore affords it a reverent legitimacy that kinda rubbed me the wrong way. unlike the watchmen, where rorshach's "outsider" status is effectively tempered by his authoritarian, right-wing extremism (an important detail the film version got wrong, imo)... there's a slight sense of admiration in the way that moore characterizes gull, and occasionally it dulls the larger critique that makes the comic interesting.
]]>
Just Kids 341879 Just Kids, Patti Smith's first book of prose, the legendary American artist offers a never-before-seen glimpse of her remarkable relationship with photographer Robert Mapplethorpe in the epochal days of New York City and the Chelsea Hotel in the late sixties and seventies. An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work--from her influential 1975 album Horses to her visual art and poetry.]]> 304 Patti Smith Dan 4 2012 just kids was a telling barometer of my own, mid-thirties cynicism about art-making. smith's romantic, often heroic assessment of the value of art is way out of sync with my own sensibilities. it also seemed, at first, like another warmed-over baby boomer artifact about how young and free everyone was back in the 60's. thankfully, this isn't ultimately where just kids is headed - and even when it indulges the occasional old-hippie-hyperbole, there's an open-ness and honesty about it that overrides my usual eye-rolling. there aren't many people in the world who can make me take a prayerful tribute to jim morrison seriously (or declarations like "i'm going to san francisco to find myself," for that matter), but i guess patti smith is one of them. being a legitimate rock legend responsible for a body of work that lives up to the bombast probably adds considerable weight to her powers of persuasion...

there are some small-scale thrills among the big ones, too. as a life-long record geek with a penchant for NYC "pre-punk," it's thrilling to read her account of her first television concert, or the time that she finally got around to seeing the velvet underground. and as someone fascinated by warhol and the hot mess that circulated around him, it was exciting to read about smith's long friendship with jackie curtis. day to day life at the chelsea hotel is pretty engaging as well, albeit mostly for reasons that weren't all that surprising.

finally, there's the friendship at the heart of the story between her and robert mapplethorpe. i'm fairly indifferent to mapplethorpe as an artist, and to be honest, he can seem like a pompous ass at times in the narrative. but their warts-and-all friendship does eventually shape up into something miraculous. smith's honest assessment of her own contradictory feelings about him is genuinely moving - especially as she describes a certain kind of latent homophobia she works through as robert begins to take his male relationships more seriously. the ending is obviously tragic and upsetting, but it also makes for an inspiring conclusion to their relationship. smith is good at characterizing the transformative power of death, and when she describes the ways that robert "is still with her," there's nothing hoakey about it. it's clear that he is, and that the book was a valid way of maintaining their friendship through memory, tribute and affect.]]>
4.19 2010 Just Kids
author: Patti Smith
name: Dan
average rating: 4.19
book published: 2010
rating: 4
read at:
date added: 2012/03/12
shelves: 2012
review:
in some ways, reading just kids was a telling barometer of my own, mid-thirties cynicism about art-making. smith's romantic, often heroic assessment of the value of art is way out of sync with my own sensibilities. it also seemed, at first, like another warmed-over baby boomer artifact about how young and free everyone was back in the 60's. thankfully, this isn't ultimately where just kids is headed - and even when it indulges the occasional old-hippie-hyperbole, there's an open-ness and honesty about it that overrides my usual eye-rolling. there aren't many people in the world who can make me take a prayerful tribute to jim morrison seriously (or declarations like "i'm going to san francisco to find myself," for that matter), but i guess patti smith is one of them. being a legitimate rock legend responsible for a body of work that lives up to the bombast probably adds considerable weight to her powers of persuasion...

there are some small-scale thrills among the big ones, too. as a life-long record geek with a penchant for NYC "pre-punk," it's thrilling to read her account of her first television concert, or the time that she finally got around to seeing the velvet underground. and as someone fascinated by warhol and the hot mess that circulated around him, it was exciting to read about smith's long friendship with jackie curtis. day to day life at the chelsea hotel is pretty engaging as well, albeit mostly for reasons that weren't all that surprising.

finally, there's the friendship at the heart of the story between her and robert mapplethorpe. i'm fairly indifferent to mapplethorpe as an artist, and to be honest, he can seem like a pompous ass at times in the narrative. but their warts-and-all friendship does eventually shape up into something miraculous. smith's honest assessment of her own contradictory feelings about him is genuinely moving - especially as she describes a certain kind of latent homophobia she works through as robert begins to take his male relationships more seriously. the ending is obviously tragic and upsetting, but it also makes for an inspiring conclusion to their relationship. smith is good at characterizing the transformative power of death, and when she describes the ways that robert "is still with her," there's nothing hoakey about it. it's clear that he is, and that the book was a valid way of maintaining their friendship through memory, tribute and affect.
]]>
The Sorrow of War 780889 The Sorrow of War has won worldwide acclaim and become an international bestseller]]> 233 Bảo Ninh 1573225436 Dan 3 2012
the protagonist (kien) spends the majority of the book fluctuating between shell-shocked depression and bitter nostalgia. time shifts rapidly in the book, and i enjoyed the challenge of keeping up with the shifts. structurally, this deepens the individual memories and adds considerable weight to the book's conclusion.

on the other hand, there's an ever-present dichotomy between purity and impurity that i found to be a big limitation. kien isn't so much a character as a vessel for the novel's bleak worldview and cynicism about war and political conflict. he longs for an idealized past that the novel too often takes for granted - particularly during the encounters with his childhood sweetheart phoung, who also seems to be more of a symbol than a person. at times, this works well - especially when counter-balanced by the more draconian elements of communist orthodoxy (i.e. the "three don'ts," which forbid young people from the pleasures of sex, love and marriage). but the rigid binaries between peace and conflict become repetitive and affect-less at times. some of the novel's darker passages begin to seem inevitable, and (at times) lose a bit of their impact as the narrative progresses.]]>
4.01 1991 The Sorrow of War
author: Bảo Ninh
name: Dan
average rating: 4.01
book published: 1991
rating: 3
read at:
date added: 2012/03/11
shelves: 2012
review:
as fascinating as this novel is, i can't help feeling a bit disappointed with it now that i'm finished. to my western eyes, it's pretty unique - a diaristic, plot-less account of a north vietnamese soldier's hardships during a war i'm well-versed in seeing from the opposite perspective. i'm a bit ashamed to admit this, but i don't think i've ever read a vietnamese novel before, so the fact that a few areas didn't resonate with me may reflect my own ignorance about the culture the novel comes from.

the protagonist (kien) spends the majority of the book fluctuating between shell-shocked depression and bitter nostalgia. time shifts rapidly in the book, and i enjoyed the challenge of keeping up with the shifts. structurally, this deepens the individual memories and adds considerable weight to the book's conclusion.

on the other hand, there's an ever-present dichotomy between purity and impurity that i found to be a big limitation. kien isn't so much a character as a vessel for the novel's bleak worldview and cynicism about war and political conflict. he longs for an idealized past that the novel too often takes for granted - particularly during the encounters with his childhood sweetheart phoung, who also seems to be more of a symbol than a person. at times, this works well - especially when counter-balanced by the more draconian elements of communist orthodoxy (i.e. the "three don'ts," which forbid young people from the pleasures of sex, love and marriage). but the rigid binaries between peace and conflict become repetitive and affect-less at times. some of the novel's darker passages begin to seem inevitable, and (at times) lose a bit of their impact as the narrative progresses.
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<![CDATA[The Art of Cruelty: A Reckoning]]> 11107324
Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.]]>
304 Maggie Nelson 0393072150 Dan 5 2012 the art of cruelty is pretty much custom-made for me. nelson's obsessions - violence, empathy, representation, gender, horror, community, politics - are virtually identical to my own. she likes a lot of the same art as me too (ana mendieta, william pope l., paul mc carthy) - and even hates some of the same stuff (funny games, for example). in addition, she writes in a personal, theoretical-but-accessible style not unlike rebecca solnit or susan sontag that i also find irresistible. there was pretty much no way i was giving this less than 5 stars, haha...

beyond all that, this is a deeply personal look at images/representations of violence. accordingly, there are big name people that never show up in the analysis, as well as some idiosyncratic digressions that reflect the author's interests. so if you're looking for a rigidly arranged analysis of contemporary culture, you might find yourself disappointed by the digressions into eastern spirituality or the fact that yoko ono shows up more often than francisco goya as the subject of analysis. i found all this refreshing. nelson realizes that "cruelty" is too immense a subject to cover with any kind of grand authority, so she gets right to the work she really has something to say about. she jettisons a lot of crapola along the way too - i can't tell you how happy it makes me that this book does NOT include a few token pages about the chapman brothers.]]>
4.22 2011 The Art of Cruelty: A Reckoning
author: Maggie Nelson
name: Dan
average rating: 4.22
book published: 2011
rating: 5
read at:
date added: 2012/03/06
shelves: 2012
review:
i'm a little biased in this rating, because the art of cruelty is pretty much custom-made for me. nelson's obsessions - violence, empathy, representation, gender, horror, community, politics - are virtually identical to my own. she likes a lot of the same art as me too (ana mendieta, william pope l., paul mc carthy) - and even hates some of the same stuff (funny games, for example). in addition, she writes in a personal, theoretical-but-accessible style not unlike rebecca solnit or susan sontag that i also find irresistible. there was pretty much no way i was giving this less than 5 stars, haha...

beyond all that, this is a deeply personal look at images/representations of violence. accordingly, there are big name people that never show up in the analysis, as well as some idiosyncratic digressions that reflect the author's interests. so if you're looking for a rigidly arranged analysis of contemporary culture, you might find yourself disappointed by the digressions into eastern spirituality or the fact that yoko ono shows up more often than francisco goya as the subject of analysis. i found all this refreshing. nelson realizes that "cruelty" is too immense a subject to cover with any kind of grand authority, so she gets right to the work she really has something to say about. she jettisons a lot of crapola along the way too - i can't tell you how happy it makes me that this book does NOT include a few token pages about the chapman brothers.
]]>
Killshot 85210 New York Times bestselling author the Pittsburgh Post-Gazette once called, “the Alexander the Great of crime fiction,� Elmore Leonard is responsible for creating some of the sharpest dialogue, most compelling characters (including U.S. Marshal Raylan Givens of TV’s Justified fame), and, quite simply, some of the very best suspense novels written over the past century. Killshot is prime Leonard—a riveting story of a husband and wife caught in the crossfire when they foil a criminal act and are forced to defend themselves when the legal system fails them from the murderous wrath of a pair of vengeful killers. When it comes to cops and criminals stories, Killshot and Leonard are as good as it gets—further proof why “the King Daddy of crime writers� (Seattle Times) deserves his current place among John D. MacDonald, Dashiell Hammett, James M. Cain, and the other legendary greats of the noir fiction genre.
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334 Elmore Leonard 0060512245 Dan 4 2012
like the best films of his work (the original 3:10 to yuma, the tall t, mr. majestyk, jackie brown), this novel shows respect to all of its characters. some are good people, some are scoundrels, some are clever, some are idiotic. but leonard takes the time to turn each one of them into something with at least a shred of humanity and complexity, regardless of whether or not they find redemption in the end.

in doing so, he made me care about people who aren't particularly likeable by adding the occasional important detail, such as the mix of ethnic guilt and jealousy a hitman nick-named "the blackbird" feels when returning to the ojibway reservation he grew up on. the blackbird's contradictory feelings of shame and confidence add to the novel's considerable tension. by its conclusion, i wasn't sure i wanted the character's actions brought to justice, despite a considerable amount of time devoted to establishing him as a ruthless killer..

killshot is an engrossing read, but it moves at a more gradual pace than your typical page-turner. the novel slowly evolves from a familiar family-on-the-run drama into an understated exploration of personal boundaries. carmen colson, the likeable, new-agey office worker at the heart of the story, is constantly having her intimacy and privacy invaded. by the novel's conclusion, she has endured a half-dozen instances where unwanted guests make their way into her home. some readers have expressed impatience or disappointment by these plot developments, which on the surface may seem redundant. these home invasions certainly prolong the inevitable stand-off at the novel's conclusion. but they also develop carmen's sense of alienation, reflect the broader complications she feels with her husband and, finally, cultivate her strength as a character. killshot isn't simply a gangster drama - it's also the tale of a 20-year marriage between two decent, blue-collar people. its conclusion simultaneously delivers the genre thrills i signed up for and completes its portrait of a troubled but powerful protagonist.

(two sidenotes: 1. the italian version of this book pictured in the "other editions" sections of goodreads is really beautiful. i'd probably have read leonard long ago if it weren't for the ugliness of all his american book covers. 2. there are plenty of great film adaptations of leonard novels, but the film version of killshot isn't one of them. steer clear of it, unless you have a burning desire to see mickey rourke play a ponytailed, ojibway-french-canadian hitman.)]]>
3.74 1989 Killshot
author: Elmore Leonard
name: Dan
average rating: 3.74
book published: 1989
rating: 4
read at:
date added: 2012/02/20
shelves: 2012
review:
i finally picked this up after years of enjoying the various film-adaptations of elmore leonard stories, but having never read one of his novels.

like the best films of his work (the original 3:10 to yuma, the tall t, mr. majestyk, jackie brown), this novel shows respect to all of its characters. some are good people, some are scoundrels, some are clever, some are idiotic. but leonard takes the time to turn each one of them into something with at least a shred of humanity and complexity, regardless of whether or not they find redemption in the end.

in doing so, he made me care about people who aren't particularly likeable by adding the occasional important detail, such as the mix of ethnic guilt and jealousy a hitman nick-named "the blackbird" feels when returning to the ojibway reservation he grew up on. the blackbird's contradictory feelings of shame and confidence add to the novel's considerable tension. by its conclusion, i wasn't sure i wanted the character's actions brought to justice, despite a considerable amount of time devoted to establishing him as a ruthless killer..

killshot is an engrossing read, but it moves at a more gradual pace than your typical page-turner. the novel slowly evolves from a familiar family-on-the-run drama into an understated exploration of personal boundaries. carmen colson, the likeable, new-agey office worker at the heart of the story, is constantly having her intimacy and privacy invaded. by the novel's conclusion, she has endured a half-dozen instances where unwanted guests make their way into her home. some readers have expressed impatience or disappointment by these plot developments, which on the surface may seem redundant. these home invasions certainly prolong the inevitable stand-off at the novel's conclusion. but they also develop carmen's sense of alienation, reflect the broader complications she feels with her husband and, finally, cultivate her strength as a character. killshot isn't simply a gangster drama - it's also the tale of a 20-year marriage between two decent, blue-collar people. its conclusion simultaneously delivers the genre thrills i signed up for and completes its portrait of a troubled but powerful protagonist.

(two sidenotes: 1. the italian version of this book pictured in the "other editions" sections of goodreads is really beautiful. i'd probably have read leonard long ago if it weren't for the ugliness of all his american book covers. 2. there are plenty of great film adaptations of leonard novels, but the film version of killshot isn't one of them. steer clear of it, unless you have a burning desire to see mickey rourke play a ponytailed, ojibway-french-canadian hitman.)
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<![CDATA[The New Deal: A Modern History]]> 12042929
With The New A Modern History , Pulitzer Prize–winning writer Michael Hiltzik offers fresh insights into this inflection point in the American experience. Here is an intimate look at the alchemy that allowed FDR to mold his multifaceted and contentious inner circle into a formidable political team. The New A Modern History shows how Roosevelt, through the force of his personality, commanded the loyalty of the rock-ribbed fiscal conservative Lewis Douglas and the radical agrarian Rexford Tugwell alike; of Harold Ickes and Harry Hopkins, one a curmudgeonly miser, the other a spendthrift idealist; of Henry Morgenthau, gentleman farmer of upstate New York; and of Frances Perkins, a prim social activist with her roots in Brahmin New England. Yet the same character traits that made him so supple and self-confident a leader would sow the seeds of the New Deal’s end, with a shocking surge of Rooseveltian misjudgments.

Understanding the New Deal may be more important today than at any time in the last eight decades . Conceived in response to a devastating financial crisis very similar to America’s most recent downturn—born of excessive speculation, indifferent regulation of banks and investment houses, and disproportionate corporate influence over the White House and Congress—the New Deal remade the country’s economic and political environment in six years of intensive experimentation. FDR had no effective model for fighting the worst economic downturn in his generation’s experience; but the New Deal has provided a model for subsequent presidents who faced challenging economic conditions, right up to the present. Hiltzik tells the story of how the New Deal was made, demonstrating that its precepts did not spring fully conceived from the mind of FDR—before or after he took office. From first to last the New Deal was a work in progress, a patchwork of often contradictory ideas. Far from reflecting solely progressive principles, the New Deal also accommodated such conservative goals as a balanced budget and the suspension of antitrust enforcement. Some programs that became part of the New Deal were borrowed from the Republican administration of Herbert Hoover; indeed, some of its most successful elements were enacted over FDR’s opposition.

In this bold reevaluation of a decisive moment in American history, Michael Hiltzik dispels decades of accumulated myths and misconceptions about the New Deal to capture with clarity and immediacy its origins, its legacy, and its genius.]]>
512 Michael Hiltzik 1439154481 Dan 3 2012 no ordinary time, assuming that a look at the decade prior to her focus (the 40's, i.e. the roosevelt administration during the war) would do me good. i suppose it did, but be forewarned: hiltzik's book is not for the average layperson (like me). this book is filled to the rafters with wonky policy stuff and detailed acounts of political in-fighting. no ordinary time was too, but goodwin is a gifted enough writer to make it seem literary and exciting. hiltzik doesn't share her gifts, frankly, and mostly sticks to the facts.

and OH MAN are there a lot of facts. you will hear minute details about the personality clashes between harry hopkins and harold ickes. you will learn an inordinate amount about herbert hoover before you even get to FDR's election. you'll learn all about the early days of social security - as well as roosevelt's surprising reluctance toward many of the progressive (and to a certain extent keynesian) policies he is now associated with.

what you won't learn much about is eleanor roosevelt's role in all of this. or social history, save a short chapter about race relations and some interesting stuff about the federal theater project and the WPA. there's a particularly fascinating morsel about john houseman, who i know as ricky schroder's grandpa who makes money the old fashioned way, but was actually quite the provocateur in the 30's!

if you're a historian or an economist, there's plenty here worth diving into. if you're the sort of person who likes the occasional popular history door-stopper (like myself), there are probably less technical choices that will do the trick.]]>
3.88 2011 The New Deal: A Modern History
author: Michael Hiltzik
name: Dan
average rating: 3.88
book published: 2011
rating: 3
read at:
date added: 2012/02/13
shelves: 2012
review:
i read this as a follow up to doris kearns goodwin's no ordinary time, assuming that a look at the decade prior to her focus (the 40's, i.e. the roosevelt administration during the war) would do me good. i suppose it did, but be forewarned: hiltzik's book is not for the average layperson (like me). this book is filled to the rafters with wonky policy stuff and detailed acounts of political in-fighting. no ordinary time was too, but goodwin is a gifted enough writer to make it seem literary and exciting. hiltzik doesn't share her gifts, frankly, and mostly sticks to the facts.

and OH MAN are there a lot of facts. you will hear minute details about the personality clashes between harry hopkins and harold ickes. you will learn an inordinate amount about herbert hoover before you even get to FDR's election. you'll learn all about the early days of social security - as well as roosevelt's surprising reluctance toward many of the progressive (and to a certain extent keynesian) policies he is now associated with.

what you won't learn much about is eleanor roosevelt's role in all of this. or social history, save a short chapter about race relations and some interesting stuff about the federal theater project and the WPA. there's a particularly fascinating morsel about john houseman, who i know as ricky schroder's grandpa who makes money the old fashioned way, but was actually quite the provocateur in the 30's!

if you're a historian or an economist, there's plenty here worth diving into. if you're the sort of person who likes the occasional popular history door-stopper (like myself), there are probably less technical choices that will do the trick.
]]>
<![CDATA[Shoplifting from American Apparel]]> 6096464
From VIP rooms in hip New York City clubs to central booking in Chinatown, from New York University� s Bobst Library to a bus in someone’s backyard in a college-town in Florida, from Bret Easton Ellis to Lorrie Moore, and from Moby to Ghost Mice, it explores class, culture, and the arts in all their American forms through the funny, journalistic, and existentially-minded narrative of someone trying to both “not be a bad person� and “find some kind of happiness or something,� while he is driven by his failures and successes at managing his art, morals, finances, relationships, loneliness, confusion, boredom, future, and depression.]]>
112 Tao Lin 1933633786 Dan 2 2012
one way would be to see it as some kind of updated, facebook-era existential absurdist tome - like kafka or beckett with text-messaging. or you can take the opposite approach, and see it as a twee, miranda july-ish attempt to capture the awkwardness and vulnerability of 20-something vernacular. or you could pull pack a bit, and look at it as a mostly formal exercise in the rhythms of conversational language, with description, emotion, atmosphere and context emptied out in favor of some sort of musical meter, a la kenneth goldsmith. finally, you can take the bait implied by the title, and applaud/condemn lin for capturing the fundamental vapidity of hipster culture. after all, it name-drops the holy trinity of hipster-hater-dom: american apparel, williamsburg and vice magazine.

it's probably a mixture of all of the above, i suppose. and i don't think it does any of the above particularly successfully. stylized nothingness is a well-worn approach to experimental art-making, and i'm not sure lin is really pushing the envelope by incorporating the language of cell phones and social networks. i'm also not exactly the right audience - i'm 35, i've never been all that impressed by existentialism, or "the new sincerity" for that matter, i don't hate hipsters, i don't think people 10 to 15 years younger than me are any more "empty" than i was back in the day and i've had enough life experiences to work out the aimless excesses of my own ennui.]]>
3.16 2009 Shoplifting from American Apparel
author: Tao Lin
name: Dan
average rating: 3.16
book published: 2009
rating: 2
read at:
date added: 2012/02/12
shelves: 2012
review:
as i see it, there are a few slightly contradictory ways to interpret this book...

one way would be to see it as some kind of updated, facebook-era existential absurdist tome - like kafka or beckett with text-messaging. or you can take the opposite approach, and see it as a twee, miranda july-ish attempt to capture the awkwardness and vulnerability of 20-something vernacular. or you could pull pack a bit, and look at it as a mostly formal exercise in the rhythms of conversational language, with description, emotion, atmosphere and context emptied out in favor of some sort of musical meter, a la kenneth goldsmith. finally, you can take the bait implied by the title, and applaud/condemn lin for capturing the fundamental vapidity of hipster culture. after all, it name-drops the holy trinity of hipster-hater-dom: american apparel, williamsburg and vice magazine.

it's probably a mixture of all of the above, i suppose. and i don't think it does any of the above particularly successfully. stylized nothingness is a well-worn approach to experimental art-making, and i'm not sure lin is really pushing the envelope by incorporating the language of cell phones and social networks. i'm also not exactly the right audience - i'm 35, i've never been all that impressed by existentialism, or "the new sincerity" for that matter, i don't hate hipsters, i don't think people 10 to 15 years younger than me are any more "empty" than i was back in the day and i've had enough life experiences to work out the aimless excesses of my own ennui.
]]>
The Drought 70257

Water. Man’s most precious commodity is a luxury of the past. Radioactive waste from years of industrial dumping has caused the sea to form a protective skin strong enough to devastate the Earth it once sustained. And while the remorseless sun beats down on the dying land, civilization itself begins to crack. Violence erupts and insanity reigns as the remnants of mankind struggle for survival in a worldwide desert of despair.


Remarkable for its prescience and the originality of its vision, The Drought is a work of major importance from the early career of one of Britain’s most acclaimed novelists.


This edition is part of a new commemorative series of Ballard’s works, featuring introductions from a number of his admirers (including Ned Beauman, Ali Smith, Neil Gaiman and Martin Amis) and brand-new cover designs.]]>
232 J.G. Ballard 0586089969 Dan 2 2012 twilight zone-isms, minus the infectious glee of the latter. all the characters are either dull or cartoonish. ballard seems as indifferent to them as i was, but insists on stringing them along, interrupting his lush landscape descriptions to hint at a larger plotline that never arrives.]]> 3.63 1964 The Drought
author: J.G. Ballard
name: Dan
average rating: 3.63
book published: 1964
rating: 2
read at:
date added: 2012/02/11
shelves: 2012
review:
a few suggestive descriptions can't save this one from being a terrible bore. ballard chooses the wrong parameters for his narrative - trying to wedge the pseudo-scientific atmosphere he's known for into the confines of a pulp sci-fi novel. the result is an incoherent mix of existential surrealism and broad twilight zone-isms, minus the infectious glee of the latter. all the characters are either dull or cartoonish. ballard seems as indifferent to them as i was, but insists on stringing them along, interrupting his lush landscape descriptions to hint at a larger plotline that never arrives.
]]>
The Cut (Spero Lucas #1) 9574917
Spero Lucas has a new line of work. Since he returned home to Washington, D.C. after serving in Iraq, he has been doing special investigations for a defense attorney. He's good at it, and he has carved out a niche: recovering stolen property, no questions asked. His cut is forty percent.
A high-profile crime boss who has heard of Lucas's specialty hires him to find out who has been stealing from his operation. It's the biggest job Spero has ever been offered, and he quickly gets a sense of what's going on. But before he can close in on what's been taken, he tangles with a world of men whose amorality and violence leave him reeling. Is any cut worth your family, your lover, your life?
The first in a series of thrillers featuring Spero Lucas, The Cut is the latest confirmation of why George Pelecanos is "perhaps America's greatest living crime writer." (Stephen King)]]>
292 George P. Pelecanos 0316078425 Dan 4 2012
in addition, the cut offers a refreshingly un-hysterical study of a damaged iraq war veteran. more and more, i think pelecanos is precisely the kind of author that should tackle this sort of subject matter. having read a half-dozen or so of his books by now, i gather that he's not exactly a bush-loving neocon, but the cut circumvents lectures about foreign policy in favor of a respectful look at the reasons people choose to serve, and the effects that service has on them.

spero lucas emerges as a more cautious and morally ambiguous update on terry quinn from the "derek strange" novels. unlike terry, spero spent his formative years raiding homes in fallujah. this gives him a nuanced mix of confidence, alertness, loyalty, anxiety and bloodlust, which pelecanos uses to establish a slightly darker tone than the earlier series. there's no over-arching critique of the war on terror (or war in general) in the cut, but the character is crafted in such a way that its fog kinda hangs over him. obviously, the bush years aren't too far behind us, and it takes a very nuanced author to tackle them without resorting to contrived soap-boxing (for example, please refer to virtually everything created in response to "the events of september 11th"). pelecanos - with his pulpy, no-bullshit panache - makes it seem easy.]]>
3.70 2011 The Cut (Spero Lucas #1)
author: George P. Pelecanos
name: Dan
average rating: 3.70
book published: 2011
rating: 4
read at:
date added: 2012/02/08
shelves: 2012
review:
pelecanos' new series is off to an excellent start. don't expect him to radically re-think the formula - his books don't vary much from one to the next. as usual, the characters are believably rendered. many of them are pseudo-self-portraits (e.g. the young student spero befriends); others are convincingly complex adversaries. the story is intelligent but never academic, there's plenty of action and you'll blow through the whole ordeal in a matter of days. maybe even hours if you read quicker than me.

in addition, the cut offers a refreshingly un-hysterical study of a damaged iraq war veteran. more and more, i think pelecanos is precisely the kind of author that should tackle this sort of subject matter. having read a half-dozen or so of his books by now, i gather that he's not exactly a bush-loving neocon, but the cut circumvents lectures about foreign policy in favor of a respectful look at the reasons people choose to serve, and the effects that service has on them.

spero lucas emerges as a more cautious and morally ambiguous update on terry quinn from the "derek strange" novels. unlike terry, spero spent his formative years raiding homes in fallujah. this gives him a nuanced mix of confidence, alertness, loyalty, anxiety and bloodlust, which pelecanos uses to establish a slightly darker tone than the earlier series. there's no over-arching critique of the war on terror (or war in general) in the cut, but the character is crafted in such a way that its fog kinda hangs over him. obviously, the bush years aren't too far behind us, and it takes a very nuanced author to tackle them without resorting to contrived soap-boxing (for example, please refer to virtually everything created in response to "the events of september 11th"). pelecanos - with his pulpy, no-bullshit panache - makes it seem easy.
]]>
Nightwood 537716 170 Djuna Barnes 0811200051 Dan 3 2012 hour of the star, and thought it might make an appropriate follow-up. it sort of did, i guess, though i think the effortless eccentricities of the lispector novel stand in sharper contrast to the larger modernist "canon" than those of nightwood, which fit more easily into categories like "surrealism" and "existentialism."

if i'm to believe some of the google research i've done about the book, nightwood is one of the first openly homosexual novels of the twentieth century. as may not suprise you, there's a fairly ample amount of masochism and self-loathing about sex and sexuality - which might have irked me without a proper understanding of the context. written three decades prior to the stonewall riots (and worlds apart from my own, comparatively "gay friendly" universe), it's not surprising to discover a fairly bleak analysis of sex and relationships within its pages. as a fairly vanilla straight-white-guy, its take on romantic co-dependence didn't entirely resonate with me, but that's not on any level a shortcoming of the novel.

there are a number of striking, aphoristic observations that seem to erupt out of the book's rambling fog from time to time. these layered thoughts are its heart-and-soul in my opinion. nightwood is formally quite challenging and beautiful. t.s. eliot's bombastic assumption that "only sensibilities trained on poetry" can understand it isn't entirely off the mark. still, it follows a few familiar, modernist doom-and-gloom trajectories - it's take on love and death reads like a hodge podge of tennessee williams and marguerite duras. there's a long, mostly engaging chapter where two characters discuss the nature of "the night" that is decidedly NOT for all tastes. finally, the character known as the doctor - a scoundrel/philosopher who acts as a greek chorus to the novel's sparse plot points - overstays his welcome from time to time. some of the book's best bits belong to him, but his digressions begin to feel like self-conscious literary gymnastics after a while.

i'm not entirely sure why this book didn't knock my socks off, exactly. i'd say it's the pre-occupation with existential nothingness (decidedly NOT the way i look at the world), but i could accuse some of my favorite jean genet novels of the same qualities. the alignment of sex with sickness certainly doesn't mirror my own views on the subject, though i'm often fascinated by similar observations when made by georges bataille or someone like that.

i guess the problem, for me, was that i could never quite get lost within the narrative. i came closest through the passages involving nora, which felt natural and effortless. but there's a sense throughout that barnes doesn't think that's quite enough. some of the "literary" bombast toward the end felt like too much of a good thing to me, overriding the initial sense of mystery i found so enjoyable. ]]>
3.67 1936 Nightwood
author: Djuna Barnes
name: Dan
average rating: 3.67
book published: 1936
rating: 3
read at:
date added: 2012/02/01
shelves: 2012
review:
it's tough to sort through what did and did not work for me in this book. i decided to finally read it after years of meaning to because i had just finished clarice lispector's brilliant hour of the star, and thought it might make an appropriate follow-up. it sort of did, i guess, though i think the effortless eccentricities of the lispector novel stand in sharper contrast to the larger modernist "canon" than those of nightwood, which fit more easily into categories like "surrealism" and "existentialism."

if i'm to believe some of the google research i've done about the book, nightwood is one of the first openly homosexual novels of the twentieth century. as may not suprise you, there's a fairly ample amount of masochism and self-loathing about sex and sexuality - which might have irked me without a proper understanding of the context. written three decades prior to the stonewall riots (and worlds apart from my own, comparatively "gay friendly" universe), it's not surprising to discover a fairly bleak analysis of sex and relationships within its pages. as a fairly vanilla straight-white-guy, its take on romantic co-dependence didn't entirely resonate with me, but that's not on any level a shortcoming of the novel.

there are a number of striking, aphoristic observations that seem to erupt out of the book's rambling fog from time to time. these layered thoughts are its heart-and-soul in my opinion. nightwood is formally quite challenging and beautiful. t.s. eliot's bombastic assumption that "only sensibilities trained on poetry" can understand it isn't entirely off the mark. still, it follows a few familiar, modernist doom-and-gloom trajectories - it's take on love and death reads like a hodge podge of tennessee williams and marguerite duras. there's a long, mostly engaging chapter where two characters discuss the nature of "the night" that is decidedly NOT for all tastes. finally, the character known as the doctor - a scoundrel/philosopher who acts as a greek chorus to the novel's sparse plot points - overstays his welcome from time to time. some of the book's best bits belong to him, but his digressions begin to feel like self-conscious literary gymnastics after a while.

i'm not entirely sure why this book didn't knock my socks off, exactly. i'd say it's the pre-occupation with existential nothingness (decidedly NOT the way i look at the world), but i could accuse some of my favorite jean genet novels of the same qualities. the alignment of sex with sickness certainly doesn't mirror my own views on the subject, though i'm often fascinated by similar observations when made by georges bataille or someone like that.

i guess the problem, for me, was that i could never quite get lost within the narrative. i came closest through the passages involving nora, which felt natural and effortless. but there's a sense throughout that barnes doesn't think that's quite enough. some of the "literary" bombast toward the end felt like too much of a good thing to me, overriding the initial sense of mystery i found so enjoyable.
]]>
The Caucasian Chalk Circle 94597 Chalk Circle. Written at the close of World War II, the story is set in the Caucasus Mountains of Georgia. It retells the tale of King Solomon and a child claimed by and fought over by two mothers. But this chalk circle is metaphorically drawn around a society misdirected in its priorities. Brecht's statements about class are cloaked in the innocence of a fable that whispers insistently to the audience.

No translations of Brecht's work are as reliable and compelling as Eric Bentley's. These versions are widely viewed as the standard renderings of Brecht's work, ensuring that future generations of readers will come in close contact with the work of a playwright who introduced a new way of thinking about the theater.]]>
136 Bertolt Brecht 0816635285 Dan 3 2012 3.76 1945 The Caucasian Chalk Circle
author: Bertolt Brecht
name: Dan
average rating: 3.76
book published: 1945
rating: 3
read at:
date added: 2012/01/26
shelves: 2012
review:
for whatever reason, brecht doesn't seem to resonate with me beyond an academic appreciation for what he's doing technically. accordingly, this is a bit too rigidly allegorical/archetypal for my tastes (kind of the point, but still), and the comedy is "satirical" instead of actually funny. still, there's a celebratory/revolutionary optimism to this that's kind of endearing.
]]>
<![CDATA[The Claw of the Conciliator (The Book of the New Sun, #2)]]> 463376 303 Gene Wolfe 0671416162 Dan 4 2012
it feels kind of silly to write about these "new sun" books on a one-by-one basis. i'm at the halfway point, and i think i'm enjoying what a lot of others tend to hate about it - i can't relate to any of the characters (or gene wolfe, presumably), i'm not entirely sure what's going on, i'm not exactly sure how much of severian's narrative should/should not be taken at face value (or how much of the he-man-fantasy-dude-isms are meant to be admired) and, truth be told, i'm pretty positive i'm not getting all the references.

but i like reading in a fog, and this fog has great scenery and lots of weird ideas. sometimes i judge books by asking myself if it would be hypothetically possible for me to write something like it. if the answer is "no," that's typically a good thing. as far as the book of the new sun is concerned, the answer is HELL NO.]]>
4.02 1981 The Claw of the Conciliator (The Book of the New Sun, #2)
author: Gene Wolfe
name: Dan
average rating: 4.02
book published: 1981
rating: 4
read at:
date added: 2012/01/19
shelves: 2012
review:
two down, two more to go...

it feels kind of silly to write about these "new sun" books on a one-by-one basis. i'm at the halfway point, and i think i'm enjoying what a lot of others tend to hate about it - i can't relate to any of the characters (or gene wolfe, presumably), i'm not entirely sure what's going on, i'm not exactly sure how much of severian's narrative should/should not be taken at face value (or how much of the he-man-fantasy-dude-isms are meant to be admired) and, truth be told, i'm pretty positive i'm not getting all the references.

but i like reading in a fog, and this fog has great scenery and lots of weird ideas. sometimes i judge books by asking myself if it would be hypothetically possible for me to write something like it. if the answer is "no," that's typically a good thing. as far as the book of the new sun is concerned, the answer is HELL NO.
]]>
<![CDATA[Caravaggio: A Life Sacred and Profane]]> 7558367 512 Andrew Graham-Dixon 0713996749 Dan 0 currently-reading 4.12 2011 Caravaggio: A Life Sacred and Profane
author: Andrew Graham-Dixon
name: Dan
average rating: 4.12
book published: 2011
rating: 0
read at:
date added: 2012/01/06
shelves: currently-reading
review:

]]>
A Visit from the Goon Squad 7331435
We first meet Sasha in her mid-thirties, on her therapist’s couch in New York City, confronting her long-standing compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then as a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We plunge into the hidden yearnings and disappointments of her uncle, an art historian stuck in a dead marriage, who travels to Naples to extract Sasha from the city’s demimonde and experiences an epiphany of his own while staring at a sculpture of Orpheus and Eurydice in the Museo Nazionale. We meet Bennie Salazar at the melancholy nadir of his adult life—divorced, struggling to connect with his nine-year-old son, listening to a washed-up band in the basement of a suburban house—and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco’s punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang—who thrived and who faltered—and we encounter Lou Kline, Bennie’s catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou’s far-flung sexual conquests and meteoric rise and fall.

A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to PowerPoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both—and escape the merciless progress of time—in the transporting realms of art and music. Sly, startling, exhilarating work from one of our boldest writers.]]>
274 Jennifer Egan 0307592839 Dan 3 2012 a visit from the goon squad, but at its worst i feel like it serves a similar purpose. at the end of most of its vignettes, the characters end up melancholy, lecherous, disconnected, or apolitical. eventually, goon squad implies that we find our way to adulthood through some sort of surrender to this conformist state of being.

the novel is surprisingly conventional once you look past its po-mo time shifts. almost all of the interconnected stories deal with maturity, age and loss. a few of them are remarkably effective - the one that involves a late night swim is a particular highlight. when egan writes about vulnerable people and manipulative adults, the results are organic, sincere and effective. she's particularly good at characterizing early sexual experiences (male and female), while weighing the effect they have in the years that follow.

on the other hand, certain chapters feel artificially topical and self-important. the famous "power point" chapter proves to be an interesting enough gimmick, but the final chapter that follows it is overwrought and ridiculous. there's also a long digression involving a disillusioned movie star and a developing-world dictator that seems deliberately crafted to encourage critics to mention globalization and applaud egan's "urgency" or something.

finally, there's something unpleasantly conformist about this novel. obviously, there is something legitimately depressing about age and the eroding idealism that comes with it, but a visit from the goon squad sees no color other than blue. as the story progresses, all cultural expression is inevitably reduced to nostalgia as the characters creep past thirty. egan is critical of these people, of course, and the dead-ends they find themselves in give form to her thoughts about suspended adolescence. but goon squad assumes that these critiques are inherently emancipatory, and too often they feel merely fatalistic. its characters don't evolve - they simply awaken to their own inescapable banality. ]]>
3.70 2010 A Visit from the Goon Squad
author: Jennifer Egan
name: Dan
average rating: 3.70
book published: 2010
rating: 3
read at:
date added: 2012/01/06
shelves: 2012
review:
because i am a 35 year old man, i often find myself involved in a kind of conversation that i refer to as the "lameness olympics." it usually begins when one of my friends mentions something we did 10 years ago at 3am at some bar somewhere... then someone else laughs and confesses that they never stay up past 10pm anymore... then someone else can't remember the last time they drank three beers in a row... eventually, the mundane conformity we confess begins to feel like a competitive sport - the person with the most uneventful life gets to revel in their own "maturity." i liked most of a visit from the goon squad, but at its worst i feel like it serves a similar purpose. at the end of most of its vignettes, the characters end up melancholy, lecherous, disconnected, or apolitical. eventually, goon squad implies that we find our way to adulthood through some sort of surrender to this conformist state of being.

the novel is surprisingly conventional once you look past its po-mo time shifts. almost all of the interconnected stories deal with maturity, age and loss. a few of them are remarkably effective - the one that involves a late night swim is a particular highlight. when egan writes about vulnerable people and manipulative adults, the results are organic, sincere and effective. she's particularly good at characterizing early sexual experiences (male and female), while weighing the effect they have in the years that follow.

on the other hand, certain chapters feel artificially topical and self-important. the famous "power point" chapter proves to be an interesting enough gimmick, but the final chapter that follows it is overwrought and ridiculous. there's also a long digression involving a disillusioned movie star and a developing-world dictator that seems deliberately crafted to encourage critics to mention globalization and applaud egan's "urgency" or something.

finally, there's something unpleasantly conformist about this novel. obviously, there is something legitimately depressing about age and the eroding idealism that comes with it, but a visit from the goon squad sees no color other than blue. as the story progresses, all cultural expression is inevitably reduced to nostalgia as the characters creep past thirty. egan is critical of these people, of course, and the dead-ends they find themselves in give form to her thoughts about suspended adolescence. but goon squad assumes that these critiques are inherently emancipatory, and too often they feel merely fatalistic. its characters don't evolve - they simply awaken to their own inescapable banality.
]]>
Academonia 430695 144 Dodie Bellamy 1928650252 Dan 5 2011
not all of these essays/poems/poetic stories are 100% masterpieces, but enough of them knock it out of the fucking park for me to say that academonia is one of my favorites of the year. there's an essay about cats, for example, that is THE BEST THING I HAVE EVER READ ABOUT OWNING A PET EVER. i mean, i can't think of other great literary works of pet ownership offhand - so that might not be saying much - but it's still a substantial achievement. bellamy has a brilliant knack for combining everyday thoughts and experimental techniques without seeming either willfully obscure or boringly literal. she's especially good when discussing mundane details like cat puke or what it feels like to lie next to a friend during yoga class.

i don't read as much self-consciously "challenging" fiction as i used to. on the one hand, this is because i find that flashy techniques don't always convince me the way they used to (which is often for good reason - at age 35, i've watched my share of mediocre thinkers hide behind a wall of theory). but on the other hand, i suspect a kind of complacency or normative prejudice within myself when i look at my recent bookshelf. academonia takes the grand experiments i loved when first discovering avant garde art-making and approaches them with an accute bullshit-odometer capable of separating the gimmicky from the profound. bellamy's writing pivots toward the technique that best suits her specific inquiry with little concern about how esoteric or literal or confessional or intimidating the results may be. there's a fearlessness to her approach that i find addictive. i finished this book wanting more.]]>
4.44 2006 Academonia
author: Dodie Bellamy
name: Dan
average rating: 4.44
book published: 2006
rating: 5
read at:
date added: 2012/01/04
shelves: 2011
review:
one of my new year's resolutions is to read more of this experimental, "new narrative" stuff.

not all of these essays/poems/poetic stories are 100% masterpieces, but enough of them knock it out of the fucking park for me to say that academonia is one of my favorites of the year. there's an essay about cats, for example, that is THE BEST THING I HAVE EVER READ ABOUT OWNING A PET EVER. i mean, i can't think of other great literary works of pet ownership offhand - so that might not be saying much - but it's still a substantial achievement. bellamy has a brilliant knack for combining everyday thoughts and experimental techniques without seeming either willfully obscure or boringly literal. she's especially good when discussing mundane details like cat puke or what it feels like to lie next to a friend during yoga class.

i don't read as much self-consciously "challenging" fiction as i used to. on the one hand, this is because i find that flashy techniques don't always convince me the way they used to (which is often for good reason - at age 35, i've watched my share of mediocre thinkers hide behind a wall of theory). but on the other hand, i suspect a kind of complacency or normative prejudice within myself when i look at my recent bookshelf. academonia takes the grand experiments i loved when first discovering avant garde art-making and approaches them with an accute bullshit-odometer capable of separating the gimmicky from the profound. bellamy's writing pivots toward the technique that best suits her specific inquiry with little concern about how esoteric or literal or confessional or intimidating the results may be. there's a fearlessness to her approach that i find addictive. i finished this book wanting more.
]]>
Cockroach 3994659 Cockroach is as urgent, unsettling, and brilliant as Rawi Hage's bestselling and critically acclaimed first book, De Niro's Game.

The novel takes place during one month of a bitterly cold winter in Montreal's restless immigrant community, where a self-described thief has just tried but failed to commit suicide. Rescued against his will, the narrator is obliged to attend sessions with a well-intentioned but naive therapist. This sets the story in motion, leading us back to the narrator's violent childhood in a war-torn country, forward into his current life in the smoky emigre cafes where everyone has a tale, and out into the frozen night-time streets of Montreal, where the thief survives on the edge, imagining himself to be a cockroach invading the lives of the privileged, but wilfully blind, citizens who surround him.

In 2008, Cockroach was a finalist for the Scotiabank Giller Prize, the Governor General's Literary Award, and the Rogers Writers' Trust Fiction Prize. It won the Paragraphe Hugh MacLennan Prize for Fiction, presented by the Quebec Writers' Federation.]]>
312 Rawi Hage 0887842097 Dan 4 2011 cockroach maintains two contradictory accomplishments - in one sense, it's an experimental interior monologue that never grows tiresome, in another it's a page-turner. the "page-turner" sensibility wins out in the final act, which involves a tragedy that i found out-of-sync with the intimate realism that precedes it. otherwise, this is an intriguing portrait of a city and the interesting people who have been pushed to its peripheries due to race, ethnicity or simply circumstance.]]> 3.37 2008 Cockroach
author: Rawi Hage
name: Dan
average rating: 3.37
book published: 2008
rating: 4
read at:
date added: 2012/01/04
shelves: 2011
review:
a really enjoyable, snarky-but-not-misanthropic satire of multiculturalism and poverty in montreal. the rambling narrative follows a troubled, brutally honest, occasionally hilarious arab immigrant who has recently attempted suicide. we watch him as he attends therapy sessions, strong-arms his friends out of money, washes dishes, breaks into multiple apartments and eventually falls in love. for its first two thirds, cockroach maintains two contradictory accomplishments - in one sense, it's an experimental interior monologue that never grows tiresome, in another it's a page-turner. the "page-turner" sensibility wins out in the final act, which involves a tragedy that i found out-of-sync with the intimate realism that precedes it. otherwise, this is an intriguing portrait of a city and the interesting people who have been pushed to its peripheries due to race, ethnicity or simply circumstance.
]]>
The Hour of the Star 762390 The Hour of the Star, Clarice Lispector's consummate final novel, may well be her masterpiece. Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio de Janeiro and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid realization that for all her outward misery, Macabéa is inwardly free. She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator--edge of despair to edge of despair--and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love, and the art of fiction. In her last novel she takes readers close to the true mystery of life, and leaves us deep in Lispector territory indeed.]]> 96 Clarice Lispector 0811211908 Dan 5 2011
the story is ostensibly about macabea, a dirt-poor, extremely eccentric "northerner" living in brazil and doing mediocre office work while she pines away about true love, food and mundane radio trivia. but it's also about her equally bizarre, yet strangely philosophical, boyfriend - who spends most of the narrative pontificating out loud about why they shouldn't be together. and finally, it's all filtered through the thoughts of an unnamed male narrator, interrupting the story from time to time with his own analytical digressions, confessions and prejudices.

it's tough to summarize what's so powerful about this book, other than to say it feels truly alien (rather than self-consciously "weird") from beginning to end. each character is categorically unaware of something fundamental about human etiquette and civil behavior, and none of the relationships are structured in a way that allows them (or me, as a reader) to fill in the blanks. at the same time, positions of power are still established. in a certain sense this is definitely a book about men interpreting/critiquing/subjugating women, though the woman in question is deliberately difficult to assess or empathize with. instead, i felt locked in a contradictory state of absolute fascination, minus any identifiable positive character qualities to focus my sympathies toward. in any of the characters. i felt something similar while reading robert walser's jakob von gunten as well. they make great companions. if these two books could procreate, we;d have a wonderfully batshit new genre to add to our bookshelves...]]>
4.11 1977 The Hour of the Star
author: Clarice Lispector
name: Dan
average rating: 4.11
book published: 1977
rating: 5
read at:
date added: 2012/01/04
shelves: 2011
review:
an absolute pleasure from beginning to end, and an excellent lesson for any writer attempting to give voice to an "unreliable" narrator.

the story is ostensibly about macabea, a dirt-poor, extremely eccentric "northerner" living in brazil and doing mediocre office work while she pines away about true love, food and mundane radio trivia. but it's also about her equally bizarre, yet strangely philosophical, boyfriend - who spends most of the narrative pontificating out loud about why they shouldn't be together. and finally, it's all filtered through the thoughts of an unnamed male narrator, interrupting the story from time to time with his own analytical digressions, confessions and prejudices.

it's tough to summarize what's so powerful about this book, other than to say it feels truly alien (rather than self-consciously "weird") from beginning to end. each character is categorically unaware of something fundamental about human etiquette and civil behavior, and none of the relationships are structured in a way that allows them (or me, as a reader) to fill in the blanks. at the same time, positions of power are still established. in a certain sense this is definitely a book about men interpreting/critiquing/subjugating women, though the woman in question is deliberately difficult to assess or empathize with. instead, i felt locked in a contradictory state of absolute fascination, minus any identifiable positive character qualities to focus my sympathies toward. in any of the characters. i felt something similar while reading robert walser's jakob von gunten as well. they make great companions. if these two books could procreate, we;d have a wonderfully batshit new genre to add to our bookshelves...
]]>
<![CDATA[It Was the War of the Trenches]]> 7548113 Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.



Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.



Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.



It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.]]>
118 Jacques Tardi 1606993534 Dan 3 2011 palestine, which takes a similar approach and pushes it into more surprising and stimulating directions. there's something frank and sincere about this book that i enjoyed, but the exclusive scope of death/pointlessness ends up being a bit of a limitation. the artwork fits the sentiment nicely, with its comic-chiaroscuro and minimal-but-effective traces of gore. when i read sacco, i thought to myself "journalistic comics! i wish there was a whole genre of this!" it's nice to know that there sort of is, actually...]]> 4.22 1993 It Was the War of the Trenches
author: Jacques Tardi
name: Dan
average rating: 4.22
book published: 1993
rating: 3
read at:
date added: 2012/01/04
shelves: 2011
review:
three and a half stars really. this rating might have been even higher, had i not read it on the heels of joe sacco's palestine, which takes a similar approach and pushes it into more surprising and stimulating directions. there's something frank and sincere about this book that i enjoyed, but the exclusive scope of death/pointlessness ends up being a bit of a limitation. the artwork fits the sentiment nicely, with its comic-chiaroscuro and minimal-but-effective traces of gore. when i read sacco, i thought to myself "journalistic comics! i wish there was a whole genre of this!" it's nice to know that there sort of is, actually...
]]>
The Windup Girl 6597651
Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism's genetic drift forces mankind to the cusp of post-human evolution? Award-winning author Paolo Bacigalupi delivers one of the most highly acclaimed science fiction novels of the twenty-first century.]]>
359 Paolo Bacigalupi 1597801577 Dan 5 2011
as a lot of other reviews have mentioned, the astounding world-building element is the first thing that stands out. to describe the setting in detail (thailand, well into our dystopic, post-petroleum future) would sound "magic realist," but bacigalupi is so committed to the structural nuances that it makes pretty logical sense. better still, the "hard sci-fi" elements don't trail off into unreadable masturbation. sorting everything out is challenging for the first 75 or so pages, but once it all clicks into place, you're in for an engrossing experience.

the windup girl is ambitious at pretty much every level. in addition to the world building, bacigalupi is also a natural with the forms of the "pulp" novel. the pace moves along steadily and there's plenty of action. there's also time to get to know a handful of well-rendered characters. and there's a point about two-thirds in where all the narratives suddenly lock together in a way that becomes very addictive very quickly.

the one slight exception is the windup girl herself - a bio-engineered human named emiko, custom built to conform to the sexual whims of a japanese businessman. as you might guess, the character comes with plenty of icky baggage. it's handled pretty well for the most part (especially considering she pairs up with the central white-guy protagonist - which thankfully doesn't dissolve into some sort of anti-hero romance narrative). emiko is interesting and even challenging as a plot element, but she's somewhat thin as a character. by contrast, margaret atwood's similarly-themed oryx and crake handled this type of character (as well as its evocations of sex slavery and weird internet stuff) with more depth and nuance.

the windup girl has a unique take on xenophobia. in the uncertain world he creates, bacigalupi allows his characters to make really bigoted decisions from time to time. the character hock seng is a particularly inspired example of this. he's a wealthy chinese immigrant (a "yellow card" according to the book) who enters the thai kingdom following major bloodshed in malaysia. he's also a boiling cauldron of chauvinism, class privilege and xenophobic suspicion. but these bad urges also prove to be good survival instincts. bacigalupi shows how people put their prejudices to use when their backs are against a wall. he sets up a conflict between nativism and parasitic capitalism... and my allegiances were typically with the nativists. this works very well in a book that's kinda/sorta an allegory about globalization. human shortcomings are also tools of resistance.

finally, something just feels "contemporary" about this book. it seems like a book that can only be written right now - with "our" ecological panic, with "our" creeping corporate oligarchies, with "our" love of well-told fantasy, with "our" creepy asian fetish, etc. the windup girl feels like a sign of the times. it's non-universal in the best way possible. ]]>
3.75 2009 The Windup Girl
author: Paolo Bacigalupi
name: Dan
average rating: 3.75
book published: 2009
rating: 5
read at: 2011/01/01
date added: 2012/01/02
shelves: 2011
review:
this book isn't without its weaknesses, but the good parts of it are so good that i have to say it's one of the best things i've read this year.

as a lot of other reviews have mentioned, the astounding world-building element is the first thing that stands out. to describe the setting in detail (thailand, well into our dystopic, post-petroleum future) would sound "magic realist," but bacigalupi is so committed to the structural nuances that it makes pretty logical sense. better still, the "hard sci-fi" elements don't trail off into unreadable masturbation. sorting everything out is challenging for the first 75 or so pages, but once it all clicks into place, you're in for an engrossing experience.

the windup girl is ambitious at pretty much every level. in addition to the world building, bacigalupi is also a natural with the forms of the "pulp" novel. the pace moves along steadily and there's plenty of action. there's also time to get to know a handful of well-rendered characters. and there's a point about two-thirds in where all the narratives suddenly lock together in a way that becomes very addictive very quickly.

the one slight exception is the windup girl herself - a bio-engineered human named emiko, custom built to conform to the sexual whims of a japanese businessman. as you might guess, the character comes with plenty of icky baggage. it's handled pretty well for the most part (especially considering she pairs up with the central white-guy protagonist - which thankfully doesn't dissolve into some sort of anti-hero romance narrative). emiko is interesting and even challenging as a plot element, but she's somewhat thin as a character. by contrast, margaret atwood's similarly-themed oryx and crake handled this type of character (as well as its evocations of sex slavery and weird internet stuff) with more depth and nuance.

the windup girl has a unique take on xenophobia. in the uncertain world he creates, bacigalupi allows his characters to make really bigoted decisions from time to time. the character hock seng is a particularly inspired example of this. he's a wealthy chinese immigrant (a "yellow card" according to the book) who enters the thai kingdom following major bloodshed in malaysia. he's also a boiling cauldron of chauvinism, class privilege and xenophobic suspicion. but these bad urges also prove to be good survival instincts. bacigalupi shows how people put their prejudices to use when their backs are against a wall. he sets up a conflict between nativism and parasitic capitalism... and my allegiances were typically with the nativists. this works very well in a book that's kinda/sorta an allegory about globalization. human shortcomings are also tools of resistance.

finally, something just feels "contemporary" about this book. it seems like a book that can only be written right now - with "our" ecological panic, with "our" creeping corporate oligarchies, with "our" love of well-told fantasy, with "our" creepy asian fetish, etc. the windup girl feels like a sign of the times. it's non-universal in the best way possible.
]]>
The Snows of Yesteryear 5101495
The book is a series of portraits—amused, fond, sometimes appalling—of Rezzori’s his hysterical and histrionic mother, disappointed by marriage, destructively obsessed with her children’s health and breeding; his father, a flinty reactionary, whose only real love was hunting; his haughty older sister, fated to die before thirty; his earthy nursemaid, who introduced Rezzori to the power of storytelling and the inevitability of death; and a beloved governess, Bunchy. Telling their stories, Rezzori tells his own, holding his early life to the light like a crystal until it shines for us with a prismatic brilliance.]]>
290 Gregor von Rezzori 1590172817 Dan 5 2011
the snows of yesteryear (that's blumen im schnee in german, or "flowers in the snow") is more directly autobiographical than his also amazing memoirs of an anti-semite, but the two make a perfect pair in the long run. with even deeper intimacy, snows examines the peculiar, multifaceted personalities that populated his youth in czernowitz, which during his lifetime began as an outpost of the austria-hungarian empire, then became part of romania, was eventually claimed by the soviet union and, following its collapse, is now currently part of the ukraine. rezzori's precarious upbringing as the pseudo-aristocratic child of a dying empire filled his head with all sorts of contradictory (and often hilarious) prejudices, which he examines with merciless scrutiny and sensitivity.

the book is split into five sections, each devoted to a different figure from his life. three are devoted to direct members of his family (mother, father and sister), and two involve servants. the first chapter, devoted to his servant cassandra, is probably the memoir's highlight, because it sets the stage for his various obsessions (race, class, cultural idiosyncrasies, child care, superstition) and offers him the strongest figure through which to unravel the chauvinism at the root of his own psychological development. cassandra is described in terms that would never be used in any such inquiry today ("simian," for example), and rezzori's assessment of the cultural sphere in czerowitz is often quite curmudgeonly. but his warts-and-all approach also avoids a lot of the obvious sentimentality implied by the memoir form (and the book's awkwardly-translated title, while we're at it). rezzori's tough love is so insistently introspective that his cruelest thoughts are often circular in form. as soon as he shares them, he immediately pivots to the roots of his own biases - and applies the same scalpel to his own life story. surprisingly enough, this approach is never cool or detached. in the case of cassandra, she emerges as a character of great strength without confirming to the "magical" stereotypes of idealized otherness.]]>
4.15 1989 The Snows of Yesteryear
author: Gregor von Rezzori
name: Dan
average rating: 4.15
book published: 1989
rating: 5
read at:
date added: 2011/12/12
shelves: 2011
review:
gregor von rezzori is creeping his way to the top of my most-exciting-authors list. he has an astounding ability to arrange his thoughts with insight and poetry, and he manages to do so while remaining a few paces away from the threshold of self-indulgence and "purple prose."

the snows of yesteryear (that's blumen im schnee in german, or "flowers in the snow") is more directly autobiographical than his also amazing memoirs of an anti-semite, but the two make a perfect pair in the long run. with even deeper intimacy, snows examines the peculiar, multifaceted personalities that populated his youth in czernowitz, which during his lifetime began as an outpost of the austria-hungarian empire, then became part of romania, was eventually claimed by the soviet union and, following its collapse, is now currently part of the ukraine. rezzori's precarious upbringing as the pseudo-aristocratic child of a dying empire filled his head with all sorts of contradictory (and often hilarious) prejudices, which he examines with merciless scrutiny and sensitivity.

the book is split into five sections, each devoted to a different figure from his life. three are devoted to direct members of his family (mother, father and sister), and two involve servants. the first chapter, devoted to his servant cassandra, is probably the memoir's highlight, because it sets the stage for his various obsessions (race, class, cultural idiosyncrasies, child care, superstition) and offers him the strongest figure through which to unravel the chauvinism at the root of his own psychological development. cassandra is described in terms that would never be used in any such inquiry today ("simian," for example), and rezzori's assessment of the cultural sphere in czerowitz is often quite curmudgeonly. but his warts-and-all approach also avoids a lot of the obvious sentimentality implied by the memoir form (and the book's awkwardly-translated title, while we're at it). rezzori's tough love is so insistently introspective that his cruelest thoughts are often circular in form. as soon as he shares them, he immediately pivots to the roots of his own biases - and applies the same scalpel to his own life story. surprisingly enough, this approach is never cool or detached. in the case of cassandra, she emerges as a character of great strength without confirming to the "magical" stereotypes of idealized otherness.
]]>
<![CDATA[Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America]]> 7897556 Ěý
The financial crisis that exploded in 2008 isn’t past but prologue. The stunning rise, fall, and rescue of Wall Street in the bubble-and-bailout era was the coming-out party for the network of looters who sit at the nexus of American political and economic power. The grifter class—made up of the largest players in the financial industry and the politicians who do their bidding—has been growing in power for a generation, transferring wealth upward through increasingly complex financial mechanisms and political maneuvers. The crisis was only one terrifying manifestation of how they’ve hijacked America’s political and economic life.

Rolling Stone�s Matt Taibbi here unravels the whole fiendish story, digging beyond the headlines to get into the deeper roots and wider implications of the rise of the grifters. He traces the movement’s origins to the cult of Ayn Rand and her most influential—and possibly weirdest—acolyte, Alan Greenspan, and offers fresh reporting on the backroom deals that decided the winners and losers in the government bailouts. He uncovers the hidden commodities bubble that transferred billions of dollars to Wall Street while creating food shortages around the world, and he shows how finance dominates politics, from the story of investment bankers auctioning off America’s infrastructure to an inside account of the high-stakes battle for health-care reform—a battle the true reformers lost. Finally, he tells the story of Goldman Sachs, the “vampire squid wrapped around the face of humanity.�

Taibbi has combined deep sources, trailblazing reportage, and provocative analysis to create the most lucid, emotionally galvanizing, and scathingly funny account yet written of the ongoing political and financial crisis in America. This is essential reading for anyone who wants to understand the labyrinthine inner workings of politics and finance in this country, and the profound consequences for us all.]]>
253 Matt Taibbi 0385529953 Dan 4 2011 griftopia, i used to think of matt taibbi as something of a guilty pleasure. he's always been better than the average left/progressive pundit at grasping the ugly class snobbery behind a lot of our disdain for the tea party, and his writing reliably mirrors my own political beliefs with more exciting bombast than, say, paul krugman. put differently, he's someone i have typically turned to for catharsis and schadenfreude rather than information.

with that in mind, i'm happy to say that griftopia is a surprisingly substantive take-down of the near-satanic behavior we've seen on wall street over the past thirty years. better still, it's the kind of no-bullshit journalism that may actually make a difference when all is said and done. i'm thinking specifically of his "great american bubble machine" chapter, which helped initiate an avalanche of horrible press for the criminals at goldman sachs when it appeared in rolling stone about a year and a half ago. months later, goldman CEO lloyd blankfein would be making an ass of himself at a senate hearing... and a few months after that, everyday people would be occupying wall street indefinitely. taibbi isn't directly responsible for any of this, but he's stirring the pot in a more substantial way than, like, keith olbermann or whoever.

in addition, griftopia does a credible job of making this stuff digestible and accessible. which doesn't mean that it's an easy read. if anything, taibbi's snarky, unpretentious approach further proves that there is NO WAY WHATSOEVER to make the financial crisis easily understood. sooner or later, if you aren't a day trader, economist or criminal, sorting out the differences between collateralized debt obligations and credit default swaps (and so forth) is going to leave your head spinning. but if you're willing to put yourself through it, you might as well get a few mean-spirited belly laughs along the way, which taibbi offers again and again with great panache.

griftopia isn't limited to the stuff that dominated the news in 2008. there's a particularly compelling chapter about the commodity index market (he'll explain what that is, don't worry) and its adverse affect on gas and food prices. shortly after, he offers an informative, if slightly underdeveloped, chapter about the privatization of city assets (like chicago's parking meters), and their sale to suspiciously anonymous investors. there's even a chapter devoted to obamacare, outlining the myriad sell-outs the obama administration (rahm emmanuel especially) made to insurance companies and opportunistic, "centrist" democrats before finally passing the act in its weakened, wishy-washy state.

my paperback version also includes two follow-up essays which are worth reading, and the intro he wrote to them is really top notch. in it, he compares the rhetoric surrounding the financial crisis to that of the drug war. taibbi notes our readiness to punish low-level drug traffickers with draconian wraith - and its strong contrast to our reluctance to regulate the so-called "job creators" who tore apart our financial system and were bailed out for the damage. taibbi is often criticized for his tone (swear words! oh no!), but he argues not only for a change in rhetoric - but also for an abandonment of the usual left/right media spectacles that distract us from more substantial issues. griftopia's "bi-partisan" approach isn't 100% effective - the fever for deregulation really is a right wing problem in its heart of hearts (though the clinton administration deserves a LOT of the blame for the corruption that lead to the current recession), and occasionally taibbi dismisses things that are worthy of substantial debate (immigration especially). but as a u.s. citizen, it's tough not to feel like i live in a full-blown oligarchy by the end of this book. and if real reform is still possible, it's probably worthwhile to dwell on that feeling and allow myself to be angered by it.]]>
4.14 2010 Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America
author: Matt Taibbi
name: Dan
average rating: 4.14
book published: 2010
rating: 4
read at:
date added: 2011/12/03
shelves: 2011
review:
before griftopia, i used to think of matt taibbi as something of a guilty pleasure. he's always been better than the average left/progressive pundit at grasping the ugly class snobbery behind a lot of our disdain for the tea party, and his writing reliably mirrors my own political beliefs with more exciting bombast than, say, paul krugman. put differently, he's someone i have typically turned to for catharsis and schadenfreude rather than information.

with that in mind, i'm happy to say that griftopia is a surprisingly substantive take-down of the near-satanic behavior we've seen on wall street over the past thirty years. better still, it's the kind of no-bullshit journalism that may actually make a difference when all is said and done. i'm thinking specifically of his "great american bubble machine" chapter, which helped initiate an avalanche of horrible press for the criminals at goldman sachs when it appeared in rolling stone about a year and a half ago. months later, goldman CEO lloyd blankfein would be making an ass of himself at a senate hearing... and a few months after that, everyday people would be occupying wall street indefinitely. taibbi isn't directly responsible for any of this, but he's stirring the pot in a more substantial way than, like, keith olbermann or whoever.

in addition, griftopia does a credible job of making this stuff digestible and accessible. which doesn't mean that it's an easy read. if anything, taibbi's snarky, unpretentious approach further proves that there is NO WAY WHATSOEVER to make the financial crisis easily understood. sooner or later, if you aren't a day trader, economist or criminal, sorting out the differences between collateralized debt obligations and credit default swaps (and so forth) is going to leave your head spinning. but if you're willing to put yourself through it, you might as well get a few mean-spirited belly laughs along the way, which taibbi offers again and again with great panache.

griftopia isn't limited to the stuff that dominated the news in 2008. there's a particularly compelling chapter about the commodity index market (he'll explain what that is, don't worry) and its adverse affect on gas and food prices. shortly after, he offers an informative, if slightly underdeveloped, chapter about the privatization of city assets (like chicago's parking meters), and their sale to suspiciously anonymous investors. there's even a chapter devoted to obamacare, outlining the myriad sell-outs the obama administration (rahm emmanuel especially) made to insurance companies and opportunistic, "centrist" democrats before finally passing the act in its weakened, wishy-washy state.

my paperback version also includes two follow-up essays which are worth reading, and the intro he wrote to them is really top notch. in it, he compares the rhetoric surrounding the financial crisis to that of the drug war. taibbi notes our readiness to punish low-level drug traffickers with draconian wraith - and its strong contrast to our reluctance to regulate the so-called "job creators" who tore apart our financial system and were bailed out for the damage. taibbi is often criticized for his tone (swear words! oh no!), but he argues not only for a change in rhetoric - but also for an abandonment of the usual left/right media spectacles that distract us from more substantial issues. griftopia's "bi-partisan" approach isn't 100% effective - the fever for deregulation really is a right wing problem in its heart of hearts (though the clinton administration deserves a LOT of the blame for the corruption that lead to the current recession), and occasionally taibbi dismisses things that are worthy of substantial debate (immigration especially). but as a u.s. citizen, it's tough not to feel like i live in a full-blown oligarchy by the end of this book. and if real reform is still possible, it's probably worthwhile to dwell on that feeling and allow myself to be angered by it.
]]>
<![CDATA[Who is Ana Mendieta? (Blindspot Graphics)]]> 9554839
These vibrantly drawn pages chronicle how the women's art movement changed the way we look at the female body in art and in the world. Redfern and Caron bring luminaries and the conflicts that inspired them to blazing life, telling us not only who is Ana Mendieta, but why we need to know.]]>
56 Christine Redfern 1558617035 Dan 3 2011
as much as i love the fact that this book exists and hope that women like redfern and caron will make hundreds more like it, it didn't add much to my understanding of mendieta's work (other than the fact that carl andre was apparently a disheveled-looking hippie - i always picture 70's minimalists looking like fuddy-duddies). for example, i wish there were a larger discussion of the role of ethnicity in her work - how non-western religious practices separate her performances from other "goddess" appropriations, or how her cuban-american identity shaped her politics and practice. i hate to say this, but the book doesn't seem all that rigorously researched (lucy lippard even distances herself from one of its quotes in her introduction), and while redfern is careful not to center the narrative on her untimely and mysterious death/potential murder, she doesn't offer anything of great substance in its place to focus my attention.

the drawings, on the other hand, are beautiful and lovingly rendered. caron does a nice job of balancing caricature with a real appreciation for mendieta's work as an artist. keeping track of the various critics and artists who comment on her story throughout is a bit confusing though - there's an odd glossary on the inside of the cover pages that would be un-necessary if she had simply included identifying placards for the speakers throughout. i'd also like to see a few more panels of context to accompany the quotes. i'm sure some reprehensible things were said about an artist like mendieta, but the ugliest quips appear exclusively as soundbites. and there's not a whole lot of positive press discussed either, save lippard's affectionate, slightly underwhelming introduction.]]>
4.17 2010 Who is Ana Mendieta? (Blindspot Graphics)
author: Christine Redfern
name: Dan
average rating: 4.17
book published: 2010
rating: 3
read at:
date added: 2011/11/22
shelves: 2011
review:
this graphic novel is really short. i ordered it online without actually thumbing through a physical copy, and when it arrived it was about 4 times shorter than i expected.

as much as i love the fact that this book exists and hope that women like redfern and caron will make hundreds more like it, it didn't add much to my understanding of mendieta's work (other than the fact that carl andre was apparently a disheveled-looking hippie - i always picture 70's minimalists looking like fuddy-duddies). for example, i wish there were a larger discussion of the role of ethnicity in her work - how non-western religious practices separate her performances from other "goddess" appropriations, or how her cuban-american identity shaped her politics and practice. i hate to say this, but the book doesn't seem all that rigorously researched (lucy lippard even distances herself from one of its quotes in her introduction), and while redfern is careful not to center the narrative on her untimely and mysterious death/potential murder, she doesn't offer anything of great substance in its place to focus my attention.

the drawings, on the other hand, are beautiful and lovingly rendered. caron does a nice job of balancing caricature with a real appreciation for mendieta's work as an artist. keeping track of the various critics and artists who comment on her story throughout is a bit confusing though - there's an odd glossary on the inside of the cover pages that would be un-necessary if she had simply included identifying placards for the speakers throughout. i'd also like to see a few more panels of context to accompany the quotes. i'm sure some reprehensible things were said about an artist like mendieta, but the ugliest quips appear exclusively as soundbites. and there's not a whole lot of positive press discussed either, save lippard's affectionate, slightly underwhelming introduction.
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Of Tender Sin 35826 You'll belong to me. And I'll belong to Charlie... The three of us, we'll have a wonderful time.

Alvin Darby is a 29 year old insurance clerk, with a comfortable apartment, a beautiful wife and enough money in the bank not to have to worry. So why does he wake up in the middle of the night tortured by the image of a woman with platinum blonde hair? And why is he suddenly convinced that his wife is having an affair?

Consumed by jealousy and determined to track down the woman with the platinum blonde hair, Alvin leaves his comfortable life to walk the streets of Skid Row intent on murder. Caught up in an underworld of drugs and crime, Alvin is soon out of his depth, and back with his old girlfriend Geraldine, whose seductive silver yellow hair and orange lips seem to hold the key to unlock the dark and terrible sin of his past.

Long unavailable, Of Tender Sin is a brilliant tale of paranoia and jealousy, femmes fatales and dark secrets. With its seering portrayal of the mean streets of Philadelphia and its underworld of drugs and crime, Of Tender Sin is as hard-hitting today as it was when it was first published in 1952.

Introduction by Adrian Wootton.

Goodis captures the bleak desperation of the urban jungle like no other writer before or since. - Neon

A lethally potent cocktail of surreal description, brilliant language, cracker barrel philosophy and gripping obsession. - Adrian Wootton

No-one does existential loners better - The Herald
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181 David Goodis 1852426748 Dan 1 2011
as a native philadelphian, i thought this would shed some light on what the dark depths of my city looked like in the late 40's. i guess it does do this occasionally (who knew that K and A used to be safer than 8th and race?), but not enough to override the cartoonish melodrama of nearly everything else in its pages.

i'm sure in 1950 the novel's themes of incest and drug abuse were very controversial, but there are plenty of other writers of the time who explored them with far greater complexity. the story is superficially similar to the "hard novels" of georges simenon - normal bourgeois man abandons his life of comfort to descend into urban underbelly, etc. unlike simenon, the existential dread that propels the descent is never enigmatic or elusive. instead, it's explained away in the broadest freudian therapy-speak imaginable, with a goofy horror-of-drugs message tacked on at times like a nancy reagan tv testimonial. worse still, the mystery at its core is easily decoded, and populated by laughable stereotypes at each hard-boiled corner. when the blond-haired femme fatale makes her inevitable appearance, the book transforms into full-blown camp - unraveling any semblance of a serious narrative with a few pages of uninspired s & m. were it a movie, it might make for bizarro, midnight-movie viewing a la edgar ulmer, but as a book i found it ugly and idiotic.]]>
3.67 1952 Of Tender Sin
author: David Goodis
name: Dan
average rating: 3.67
book published: 1952
rating: 1
read at:
date added: 2011/11/22
shelves: 2011
review:
a big disappointment.

as a native philadelphian, i thought this would shed some light on what the dark depths of my city looked like in the late 40's. i guess it does do this occasionally (who knew that K and A used to be safer than 8th and race?), but not enough to override the cartoonish melodrama of nearly everything else in its pages.

i'm sure in 1950 the novel's themes of incest and drug abuse were very controversial, but there are plenty of other writers of the time who explored them with far greater complexity. the story is superficially similar to the "hard novels" of georges simenon - normal bourgeois man abandons his life of comfort to descend into urban underbelly, etc. unlike simenon, the existential dread that propels the descent is never enigmatic or elusive. instead, it's explained away in the broadest freudian therapy-speak imaginable, with a goofy horror-of-drugs message tacked on at times like a nancy reagan tv testimonial. worse still, the mystery at its core is easily decoded, and populated by laughable stereotypes at each hard-boiled corner. when the blond-haired femme fatale makes her inevitable appearance, the book transforms into full-blown camp - unraveling any semblance of a serious narrative with a few pages of uninspired s & m. were it a movie, it might make for bizarro, midnight-movie viewing a la edgar ulmer, but as a book i found it ugly and idiotic.
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Role Models 7243316

Here, from the incomparable John Waters, is a paean to the power of subversive inspiration that will delight, amuse, enrich--and happily horrify readers everywhere.

Role Models is, in fact, a self-portrait told through intimate profiles of favorite personalities--some famous, some unknown, some criminal, some surprisingly middle-of-the-road. From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O'Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis--these are the extreme figures who helped the author form his own brand of neurotic happiness.

Role Models is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.

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304 John Waters 0374251479 Dan 5 2011
this is a book devoted to the people who've inspired him throughout his life, and it includes some of his very best stories. the absolute tour-de-force is the narrative of his friendship with leslie van houten. van houten was one of the manson girls in the late 60's, and waters has been visiting her in prison for decades. she openly admits to her guilt, rejects all of manson's ideologies and hasn't replaced them with any christian/new age declarations of salvation. waters digs much deeper than you'd expect into their friendship, his own fascination with manson, the prison system, social justice and redemption. what emerges is a heart-felt, no-bullshit, extraordinarily well-argued plea for forgiveness. her chapter is a true-blue work of art, one worthy of a space next to in cold blood on your bookshelf.

the great thing about waters' writing is that he's crass and irreverent and accessible, but also capable of surprising sophistication. when approaching the wicked witch of the west, he sounds like the auteur of pink flamingoes. when writing about van houten, he sounds like he works for the new yorker. in the chapter about "outsider porn," which explores the often dangerous world of paying straight marines to perform in front of a super 8 camera (among other things), he sounds like a mixture of both. waters loves johnny mathis records, leather bars, denton welch memoirs and cy twombly sculptures - and he feels perfectly comfortable inhabiting the cultures of each. in fact, it's often surprising to see how high-brow waters can be at times. there are no buttholes or fart jokes to justify his love of ivy compton-burnett or jane bowles. for lovers of high and low culture like myself, i came out of this book with plenty of things to research.

oh, and i also listened to the audiobook version, which is read by waters himself. hearing his voice added an extra level of awesomeness.]]>
4.07 2010 Role Models
author: John Waters
name: Dan
average rating: 4.07
book published: 2010
rating: 5
read at:
date added: 2011/11/22
shelves: 2011
review:
i've been arguing for years to anyone who will listen that john waters is one of the great essayists of our time. why he doesn't enjoy the epic "bestseller" status of, say, david sedaris is completely beyond me.

this is a book devoted to the people who've inspired him throughout his life, and it includes some of his very best stories. the absolute tour-de-force is the narrative of his friendship with leslie van houten. van houten was one of the manson girls in the late 60's, and waters has been visiting her in prison for decades. she openly admits to her guilt, rejects all of manson's ideologies and hasn't replaced them with any christian/new age declarations of salvation. waters digs much deeper than you'd expect into their friendship, his own fascination with manson, the prison system, social justice and redemption. what emerges is a heart-felt, no-bullshit, extraordinarily well-argued plea for forgiveness. her chapter is a true-blue work of art, one worthy of a space next to in cold blood on your bookshelf.

the great thing about waters' writing is that he's crass and irreverent and accessible, but also capable of surprising sophistication. when approaching the wicked witch of the west, he sounds like the auteur of pink flamingoes. when writing about van houten, he sounds like he works for the new yorker. in the chapter about "outsider porn," which explores the often dangerous world of paying straight marines to perform in front of a super 8 camera (among other things), he sounds like a mixture of both. waters loves johnny mathis records, leather bars, denton welch memoirs and cy twombly sculptures - and he feels perfectly comfortable inhabiting the cultures of each. in fact, it's often surprising to see how high-brow waters can be at times. there are no buttholes or fart jokes to justify his love of ivy compton-burnett or jane bowles. for lovers of high and low culture like myself, i came out of this book with plenty of things to research.

oh, and i also listened to the audiobook version, which is read by waters himself. hearing his voice added an extra level of awesomeness.
]]>
<![CDATA[Rites of Spring: The Great War and the Birth of the Modern Age]]> 162331 A rare and remarkable cultural history of World War I that unearths the roots of modernism

Dazzling in its originality, Rites of Spring probes the origins, impact, and aftermath of World War I, from the premiere of Stravinsky's ballet The Rite of Spring in 1913, to the death of Hitler in 1945. Recognizing that The Great War was the psychological turning point . . . for modernism as a whole, author Modris Eksteins examines the lives of ordinary people, works of modern literature, and pivotal historical events to redefine the way we look at our past and toward our future.

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396 Modris Eksteins 0395937582 Dan 4 2011 rites of spring is probably best approached with a rudimentary understanding of the war, but it's also written with literary flair and a lack of military tech-talk. it's probably the most approachable book on the subject i've encountered, though not dumbed-down in any way.

as someone with a background in the arts, the book was particularly provocative, because it engages with the emancipatory language of modernism. as a painter and an art-school-graduate, it's been easy for me to digest the pseudo-nietzschean legacy of 20th century art (experimentation at all costs, destructive acts as creative acts, rejection of absolute truths, etc.) as something almost utopian - or at the very least central to my own studio practice. eksteins recognizes that these ideologies are an essential part of what makes modern and contemporary art exciting, but he also explores the ways that they lead to a cult of death and destruction, and how the disillusionment felt in the war's wake ultimately escalated their darkest excesses.

rites of spring combines the best of two approaches. on the one hand, it is clear that eksteins is an art lover, and someone who is neither bewildered by nor hostile to the most radical movements of the 20th century avant-garde. on the other hand, he retains the sobriety of a historian, recognizing that romanticism isn't the only lens through which to approach the impact of an igor stravinsky or an isadora duncan. the book is at its most engrossing when dealing with the vibrancy of the german romantic tradition in its stark contrast to the paternal, colonialist conservatism of the british empire. without the rest of the 20th century in view on the horizon, it would be easy to feel a strong allegiance to the innovation and vitality of the young, militaristic germans he profiles. instead, rites of spring inspires feelings of admiration, caution and terror all at once, and provides no silver-bullet explanations (or motives, for that matter).

my one minor complaint about the book is that despite using the language of cultural theory in certain senses, it lacks any real discussion of race, gender or ethnicity. for a book with such a sophisticated understanding of german national identity, antisemitism plays a surprisingly small role. the ottoman empire is hardly discussed at all, and the british empire is mentioned rarely. part of this is the result of the book's scope (germany and britain are the primary focus), but many of its arguments felt incomplete considering the strange broth of racism, nationalism and emancipatory language the world was brewing up at the time.]]>
4.13 1989 Rites of Spring: The Great War and the Birth of the Modern Age
author: Modris Eksteins
name: Dan
average rating: 4.13
book published: 1989
rating: 4
read at:
date added: 2011/11/22
shelves: 2011
review:
this book gave me lots to think about. it's a beautifully written cultural history of WWI, with a particular focus on the arts as they relate to national identity. rites of spring is probably best approached with a rudimentary understanding of the war, but it's also written with literary flair and a lack of military tech-talk. it's probably the most approachable book on the subject i've encountered, though not dumbed-down in any way.

as someone with a background in the arts, the book was particularly provocative, because it engages with the emancipatory language of modernism. as a painter and an art-school-graduate, it's been easy for me to digest the pseudo-nietzschean legacy of 20th century art (experimentation at all costs, destructive acts as creative acts, rejection of absolute truths, etc.) as something almost utopian - or at the very least central to my own studio practice. eksteins recognizes that these ideologies are an essential part of what makes modern and contemporary art exciting, but he also explores the ways that they lead to a cult of death and destruction, and how the disillusionment felt in the war's wake ultimately escalated their darkest excesses.

rites of spring combines the best of two approaches. on the one hand, it is clear that eksteins is an art lover, and someone who is neither bewildered by nor hostile to the most radical movements of the 20th century avant-garde. on the other hand, he retains the sobriety of a historian, recognizing that romanticism isn't the only lens through which to approach the impact of an igor stravinsky or an isadora duncan. the book is at its most engrossing when dealing with the vibrancy of the german romantic tradition in its stark contrast to the paternal, colonialist conservatism of the british empire. without the rest of the 20th century in view on the horizon, it would be easy to feel a strong allegiance to the innovation and vitality of the young, militaristic germans he profiles. instead, rites of spring inspires feelings of admiration, caution and terror all at once, and provides no silver-bullet explanations (or motives, for that matter).

my one minor complaint about the book is that despite using the language of cultural theory in certain senses, it lacks any real discussion of race, gender or ethnicity. for a book with such a sophisticated understanding of german national identity, antisemitism plays a surprisingly small role. the ottoman empire is hardly discussed at all, and the british empire is mentioned rarely. part of this is the result of the book's scope (germany and britain are the primary focus), but many of its arguments felt incomplete considering the strange broth of racism, nationalism and emancipatory language the world was brewing up at the time.
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<![CDATA[White Butterfly (Easy Rawlins, #3)]]> 189086 320 Walter Mosley 0743451775 Dan 3 2011 white butterfly examines some troubling issues about his marriage and new-found role as a father. i got the sense that mosley was more interested in writing a character study than a whodunit this time around; unfortunately, the most exciting parts of the book keep getting brushed aside to move the mystery along. maybe the next installment will deepen the issues this book raises, but as an installment in the series, it felt more unfocused than the previous two.]]> 4.05 1992 White Butterfly (Easy Rawlins, #3)
author: Walter Mosley
name: Dan
average rating: 4.05
book published: 1992
rating: 3
read at:
date added: 2011/11/04
shelves: 2011
review:
another effective easy rawlins mystery. mosley shows the usual strengths - great, natural dialogue, believable atmosphere, resonant socio-political subtexts. this time easy is after a serial killer, but the case isn't really the focus of the book until the last 100 pages or so. instead, white butterfly examines some troubling issues about his marriage and new-found role as a father. i got the sense that mosley was more interested in writing a character study than a whodunit this time around; unfortunately, the most exciting parts of the book keep getting brushed aside to move the mystery along. maybe the next installment will deepen the issues this book raises, but as an installment in the series, it felt more unfocused than the previous two.
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<![CDATA[No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II]]> 18728 No Ordinary Time is a chronicle of one of the most vibrant & revolutionary periods in US history. With an extraordinary collection of details, Goodwin weaves together a number of story lines—the Roosevelt’s marriage & partnership, Eleanor’s life as First Lady, & FDR’s White House & its impact on America as well as on a world at war. Goodwin melds these into an intimate portrait of Eleanor & Franklin Roosevelt & of the time during which a new, modern America was born.]]> 633 Doris Kearns Goodwin 0684804484 Dan 5 2011
unless you're a full-time student of american history, it can get a bit exhausting. but as is the case with a lot of really serious undertakings, the exhaustion is part of its power. the amount of information goodwin assembles to create this portrait is almost astounding. the footnotes are an accomplishment in and of themselves (even if there has been a plagarism controversy since its publication). inn addition, goodwin is such a natural, eloquent and unpretentious writer that i never felt like i was reading "a history book."

it's funny to read about the FDR years in 2011. as the entitlements and securities his administration (and wife) worked so tirelessly to guarantee for working people are slowly being chipped away by hedge fund managers, corporate CEOs, randian libertarian lunatics and right wing lobbyists, the domestic policy this book addresses reads almost like a fairytale. but not quite. many of the astounding achievements of the FDR years - the mobilization of a gargantuan industrial labor force and the victory in war, to name two - also helped engender many of our contemporary dilemmas. when peace resumed in 1945, the booming economy our soldiers returned to would lead to the dreaded "military industrial complex" that now controls an irrational portion of our economy. some of the rhetoric roosevelt used (correctly, imo, for the most part) to mobilize a reluctant and isolationist american public to join the war effort has been mimicked with less noble intentions ever since.

eleanor roosevelt in particular emerges as the most fascinating and heroic character in the book. it's almost impossible to imagine anyone with a shred of her courage or idealism being within fifty feet of the white house today, and the fact that she ended up there is a real testament to the power of uncompromising individuals. when i think of the daily vitriol a woman like nancy pelosi experiences in 2011, it's almost unimaginable to picture the "first lady" making continued, relentless public demands about equal rights for women and african-americans during the greatest crisis the U.S. had faced since the civil war (or, arguably, ever). goodwin feels an almost reverent affection for eleanor roosevelt, and she renders a loving portrait of her accordingly.]]>
4.19 1994 No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II
author: Doris Kearns Goodwin
name: Dan
average rating: 4.19
book published: 1994
rating: 5
read at:
date added: 2011/10/28
shelves: 2011
review:
i've been reading this book off and on for nearly two full years, and i'm very glad i've finally finished it. it's a full-blown EPIC - an almost daily account of the tiniest nuances of the roosevelt's lives during the second world war. 630-odd oversized pages - and it doesn't even cover the 1930's.

unless you're a full-time student of american history, it can get a bit exhausting. but as is the case with a lot of really serious undertakings, the exhaustion is part of its power. the amount of information goodwin assembles to create this portrait is almost astounding. the footnotes are an accomplishment in and of themselves (even if there has been a plagarism controversy since its publication). inn addition, goodwin is such a natural, eloquent and unpretentious writer that i never felt like i was reading "a history book."

it's funny to read about the FDR years in 2011. as the entitlements and securities his administration (and wife) worked so tirelessly to guarantee for working people are slowly being chipped away by hedge fund managers, corporate CEOs, randian libertarian lunatics and right wing lobbyists, the domestic policy this book addresses reads almost like a fairytale. but not quite. many of the astounding achievements of the FDR years - the mobilization of a gargantuan industrial labor force and the victory in war, to name two - also helped engender many of our contemporary dilemmas. when peace resumed in 1945, the booming economy our soldiers returned to would lead to the dreaded "military industrial complex" that now controls an irrational portion of our economy. some of the rhetoric roosevelt used (correctly, imo, for the most part) to mobilize a reluctant and isolationist american public to join the war effort has been mimicked with less noble intentions ever since.

eleanor roosevelt in particular emerges as the most fascinating and heroic character in the book. it's almost impossible to imagine anyone with a shred of her courage or idealism being within fifty feet of the white house today, and the fact that she ended up there is a real testament to the power of uncompromising individuals. when i think of the daily vitriol a woman like nancy pelosi experiences in 2011, it's almost unimaginable to picture the "first lady" making continued, relentless public demands about equal rights for women and african-americans during the greatest crisis the U.S. had faced since the civil war (or, arguably, ever). goodwin feels an almost reverent affection for eleanor roosevelt, and she renders a loving portrait of her accordingly.
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Frisk 51590 240 Dennis Cooper 2867449235 Dan 3 2011
this is my first official dennis cooper novel, though i've followed his blog fairly closely for several years. i expected something harsh, but it actually exceeded my expectations in the taboo-breaking department. the majority of it reads like a hybrid of the marquis de sade and a larry clark movie. fucked up sex, abstract philosophizing, vaguely bored man-children, etc. sometimes the combo works and sometimes it's just unpleasant to get through.

for a book that deals with snuff films, rape, murder and pedophilia, it's remarkably un-psychological. the various heinous acts that are described within its pages are not only presented without a moral/ethical barometer, they're also presented without the power dynamics that usually propel sadistic fantasies. the novel's antagonist ("dennis cooper," a nice touch) is kind of a pothead mad scientist. he's not particularly interested in bullying his nubile young victims. he's more interested in witnessing what might happen while he disembowels them and so forth. in cooper's work, this abstract experimentation is presented as highly erotic, but it reads as somewhat flat due to its lack of personal involvement. this distinguishes the book from, say, the poetic masochism of a jean genet novel.

as a fairly vanilla straight person, the fetishism of the book failed to lure me in on a pornographic level. but it was kind of interesting to look at it "from the outside," so to speak. can fantasies of this sort exist without power dynamics? like a good nietzschean/foucauldian, i'm tempted to say that power is the fuel that ignites this sort of stuff fundamentally, but it's interesting to approach the subject with pseudo-scientific detachment, i guess. the absence of a clearly identified power struggle seems to be the book's central idea (beyond pornographic descriptions), and i wish it was approached in more depth. on the other hand, cooper makes clear that the book's morbid attractions are impossible to put into language. i guess i wish he tried a bit harder though. ]]>
3.69 1991 Frisk
author: Dennis Cooper
name: Dan
average rating: 3.69
book published: 1991
rating: 3
read at:
date added: 2011/09/23
shelves: 2011
review:
a tough book to "rate," and a tough one to unravel.

this is my first official dennis cooper novel, though i've followed his blog fairly closely for several years. i expected something harsh, but it actually exceeded my expectations in the taboo-breaking department. the majority of it reads like a hybrid of the marquis de sade and a larry clark movie. fucked up sex, abstract philosophizing, vaguely bored man-children, etc. sometimes the combo works and sometimes it's just unpleasant to get through.

for a book that deals with snuff films, rape, murder and pedophilia, it's remarkably un-psychological. the various heinous acts that are described within its pages are not only presented without a moral/ethical barometer, they're also presented without the power dynamics that usually propel sadistic fantasies. the novel's antagonist ("dennis cooper," a nice touch) is kind of a pothead mad scientist. he's not particularly interested in bullying his nubile young victims. he's more interested in witnessing what might happen while he disembowels them and so forth. in cooper's work, this abstract experimentation is presented as highly erotic, but it reads as somewhat flat due to its lack of personal involvement. this distinguishes the book from, say, the poetic masochism of a jean genet novel.

as a fairly vanilla straight person, the fetishism of the book failed to lure me in on a pornographic level. but it was kind of interesting to look at it "from the outside," so to speak. can fantasies of this sort exist without power dynamics? like a good nietzschean/foucauldian, i'm tempted to say that power is the fuel that ignites this sort of stuff fundamentally, but it's interesting to approach the subject with pseudo-scientific detachment, i guess. the absence of a clearly identified power struggle seems to be the book's central idea (beyond pornographic descriptions), and i wish it was approached in more depth. on the other hand, cooper makes clear that the book's morbid attractions are impossible to put into language. i guess i wish he tried a bit harder though.
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Cool for You 380848 Grainy and stripped, this gritty novel traces the downbeat progress of a Catholic, working-class lesbian coming of age in Boston. The New York Times Book Review said the author has "an exquisite sense of the borderline where people hide or are transformed according to luck or will---undramatically rich writing." Dorothy Allison said, "Eileen Myles is a genius!"

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196 Eileen Myles 188712859X Dan 4 2011 120 minutes.

i thought of these conversations while reading cool for you. it's not a book you read; it's a book you hang out with. and eileen myles would make an equally great pseudo-older sister, even though i'm way too old for one now.]]>
3.86 2000 Cool for You
author: Eileen Myles
name: Dan
average rating: 3.86
book published: 2000
rating: 4
read at:
date added: 2011/09/23
shelves: 2011
review:
when i was a freshman in high school, i had this job answering phones for a few hours after school. the girl who worked the shift before me was a senior, and sometimes she'd hang around after her shift ended to share stories about all the crazy stuff her and her metalhead friends did. i was just starting high school; she was just about to leave it. on the whole, she was tough and cynical, but there was a generosity to these stories - a sense that life has a lot of absurd tricks up its sleeves. she recognized that my adolescent adventure was just beginning, and she was genuinely excited for me. as someone who never had an older sibling, these conversations took on a sage-like quality for me. nowadays i remember them with the same fondness i have for the first danzig album or for "teardrop" skaterat haircuts or for the dave kendall era of 120 minutes.

i thought of these conversations while reading cool for you. it's not a book you read; it's a book you hang out with. and eileen myles would make an equally great pseudo-older sister, even though i'm way too old for one now.
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The Turnaround 6379543
The Turnaround takes us on a journey from the rock-and-soul streets of the '70s to the changing neighborhoods of D.C. today, from the diners and auto garages of the city to the inside of Walter Reed Army Medical Hospital, where wounded men and women have returned to the world in a time of war. A novel of fathers and sons, wives and husbands, loss, victory and violent redemption, The Turnaround is another compelling, highly charged novel from George Pelecanos, "the best crime novelist in America." - Oregonian]]>
294 George P. Pelecanos 0316040924 Dan 3 2009
accordingly, the turnaround returns to familiar territory - race relations, fathers, sons, soul music, small scale drug trafficking. the tone is more sentimental here, and its best passages have more to do with fatherhood and friendship than drugs, guns and money. there's a recurring subplot about a dad passing the ownership of his restaurant to his son that feels organic, thoughtful and heartfelt.

on the other hand, this one kinda hurries along too quickly towards the end. pelecanos seems much less interested in the crime angle here, and the big "reveals" at the novel's conclusion don't feel quite "big" enough, accordingly. i liked the occasionally lighter tone of this book (which is far from "light," obviously) but the last few pages come right up on the edge of corniness, to be honest. but whatever. i'm still gonna read this dude for years to come, i think.]]>
3.58 2008 The Turnaround
author: George P. Pelecanos
name: Dan
average rating: 3.58
book published: 2008
rating: 3
read at:
date added: 2011/09/15
shelves: 2009
review:
i'm getting to a point where i like pelecanos enough that i don't even feel particularly critical about him. his novels have striking similarities, but they aren't redundant. they give me a sense of someone trying to refine a craft, rather than blow me away with big innovations each and every time. the parameters are a bit tight, i guess. but he finds plenty of room within them.

accordingly, the turnaround returns to familiar territory - race relations, fathers, sons, soul music, small scale drug trafficking. the tone is more sentimental here, and its best passages have more to do with fatherhood and friendship than drugs, guns and money. there's a recurring subplot about a dad passing the ownership of his restaurant to his son that feels organic, thoughtful and heartfelt.

on the other hand, this one kinda hurries along too quickly towards the end. pelecanos seems much less interested in the crime angle here, and the big "reveals" at the novel's conclusion don't feel quite "big" enough, accordingly. i liked the occasionally lighter tone of this book (which is far from "light," obviously) but the last few pages come right up on the edge of corniness, to be honest. but whatever. i'm still gonna read this dude for years to come, i think.
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<![CDATA[The Shadow of the Torturer (The Book of the New Sun, #1)]]> 60211 262 Gene Wolfe 0671540661 Dan 4 2011 the shadow of the torturer lives up to its hype as challenging, peculiar and elliptical science fiction. it's as much a work of surrealism as one of fantasy, and about 75% of it feels like an extended dream sequence. at the same time, wolfe isn't necessarily interested in subverting all the sword and sorcery stuff - this is genuinely a book about a dude with a cool sword who gets laid and has adventures. but it's one in which each stereotypical character has a uniquely contemplative sense of him/herself. for example, the three women our "apprentice torturer" encounters throughout the book fall roughly into three masturbatory fantasy types - the dignified aristocrat, the sassy bad-ass, the enigmatic nymph - but all three are strangely self-aware, and can speak of their predicaments with an uncanny sense of detachment. in wolfe's universe, caped torturers are also part-time philosophers. and believe it or not, the combo works without being overbearing.

this contemplative detachment also applies to the universe that the characters inhabit. though shadow takes place in a far-future of crumbling cemeteries and pseudo-medieval jungle-scapes, there's little excessive pageantry to its descriptions. instead, through an idiosyncratic mix of outmoded terminology and invented language, wolfe allows me little snapshots of his universe here and there, just enough to slip through the literary fog the story generates. i'd imagine this is what drives a lot of people crazy about these novels; you'll either dig its evasiveness or you won't. and if your tastes lead you to people like raymond roussel and andre breton more often than j.r.r. tolkien, you'll probably find plenty to admire.]]>
3.86 1980 The Shadow of the Torturer (The Book of the New Sun, #1)
author: Gene Wolfe
name: Dan
average rating: 3.86
book published: 1980
rating: 4
read at:
date added: 2011/09/09
shelves: 2011
review:
the shadow of the torturer lives up to its hype as challenging, peculiar and elliptical science fiction. it's as much a work of surrealism as one of fantasy, and about 75% of it feels like an extended dream sequence. at the same time, wolfe isn't necessarily interested in subverting all the sword and sorcery stuff - this is genuinely a book about a dude with a cool sword who gets laid and has adventures. but it's one in which each stereotypical character has a uniquely contemplative sense of him/herself. for example, the three women our "apprentice torturer" encounters throughout the book fall roughly into three masturbatory fantasy types - the dignified aristocrat, the sassy bad-ass, the enigmatic nymph - but all three are strangely self-aware, and can speak of their predicaments with an uncanny sense of detachment. in wolfe's universe, caped torturers are also part-time philosophers. and believe it or not, the combo works without being overbearing.

this contemplative detachment also applies to the universe that the characters inhabit. though shadow takes place in a far-future of crumbling cemeteries and pseudo-medieval jungle-scapes, there's little excessive pageantry to its descriptions. instead, through an idiosyncratic mix of outmoded terminology and invented language, wolfe allows me little snapshots of his universe here and there, just enough to slip through the literary fog the story generates. i'd imagine this is what drives a lot of people crazy about these novels; you'll either dig its evasiveness or you won't. and if your tastes lead you to people like raymond roussel and andre breton more often than j.r.r. tolkien, you'll probably find plenty to admire.
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Berlin, Vol. 2: City of Smoke 2998756
The second installment of the epic historical trilogy
Ěý
The second volume of Jason Lutes’s historical epic finds the people of Weimar Berlin searching for answers after the lethal May Day demonstration of 1929. Tension builds along with the dividing wall between communists and nationalists, Jews and Gentiles, as the dawn of the Second World War draws closer. Meanwhile, the nightlife of Berlin heats up as many attempt to distract themselves from the political upheavals within the city. The American jazz band Cocoa Kids arrives and quickly becomes a fixture. The lives of the characters within Lutes’s epic weave together to create a seamless portrait of this transitory city. Marthe Muller follows her lover Kurt Severing as he interviews participants in the May Day demonstration, but she moonlights in the city’s lesbian nightlife.Severing acts as a window through which the political shifts within the city and its participants can be seen. As with Berlin Book One: City
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210 Jason Lutes 1897299532 Dan 4 2011 4.14 2002 Berlin, Vol. 2: City of Smoke
author: Jason Lutes
name: Dan
average rating: 4.14
book published: 2002
rating: 4
read at:
date added: 2011/08/29
shelves: 2011
review:
the best compliment i can pay to this book is that i didn't want it to end. i hope lutes writes ten more of these. i feel like i could spend several more years of my life slipping into this universe, and the more characters and events he adds to his palette, the more lyrical and evocative it becomes. i suppose you could say i "liked" this one more than its predecessor, though the truth is that the story is simply gaining momentum. i felt greedy when it was finished - it was too short, and i wanted more.
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The Passage (The Passage, #1) 6690798 THIRTY-TWO MINUTES FOR ONE WORLD TO DIE, ANOTHER TO BE BORN.

First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear—of darkness, of death, of a fate far worse.

As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. Wolgast is determined to protect her from the horror set loose by her captors, but for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey—spanning miles and decades—toward the time and place where she must finish what should never have begun.

With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterly prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.]]>
784 Justin Cronin 0345504968 Dan 3 2011
as a "work of art," i'm not entirely sure why it's being held in such unusually high regard. it excels with the pulpy stuff - good pacing, nerdy epic scope, high drama, etc. but it fumbles the ball with the more "literary" flourishes, like character development and underlying sense of purpose. unlike, for example, margaret atwood's recent novels of the impending apocalypse (oryx and crake, the year of the flood), there's no greater ambition to the passage than the thrills of a good story. whereas atwood's series takes on contemporary vices and excesses (sex trafficking, bio-engineered food), cronin writes well within the escapist confines of the genre. i was expecting something more profound to open up during its 700 plus pages - about family, fatherhood or society in general. instead, i found broadly defined government conspiracies, spooky children, angelina-jolie-style alpha-women and, most disappointingly, TWO separate characters who fit what spike lee has called the "magical negro" stereotype (google it if you are unfamiliar).

cronin's strength as a story-teller is in the fact that he's able to juggle enough of these stereotypes to keep things moving along - as soon as one of his well-worn tropes begins to get old, he's on to the next thing. and he maps everything out with a strong enough sense of purpose to make the ride enjoyable.

the best genre writing, in my opinion, isn't the sort that is "elevated" by high-brow artistry, necessarily. my disappointment in the passage doesn't stem from it being insufficiently similar to cormac mc carthy's the road - a novel, i might add, with which it has next to nothing in common, save a few superficially similar father/child-ish exchanges toward the beginning. the problem is that it doesn't resonate within its own confines. there's none of the larger sense of urgency i find in the novels of octavia e. butler or ursula le guin. there's none of the socio-political snark of an early george romero movie (though it abounds in his tropes). it lacks the disturbing otherness of a novel like i am legend. its emotions feel like entertainment, and though i was certainly entertained throughout, some of its heavier moments fell flat.]]>
4.04 2010 The Passage (The Passage, #1)
author: Justin Cronin
name: Dan
average rating: 4.04
book published: 2010
rating: 3
read at:
date added: 2011/08/29
shelves: 2011
review:
i've finally finished the most hyped pseudo-high-brow vampire apocalypse novel of recent memory, and i enjoyed it for the most part. it's well-paced, enjoyably creepy (particularly in the beginning) and made a nice literary equivalent to the AMC/HBO style tv i enjoy for many of the same reasons.

as a "work of art," i'm not entirely sure why it's being held in such unusually high regard. it excels with the pulpy stuff - good pacing, nerdy epic scope, high drama, etc. but it fumbles the ball with the more "literary" flourishes, like character development and underlying sense of purpose. unlike, for example, margaret atwood's recent novels of the impending apocalypse (oryx and crake, the year of the flood), there's no greater ambition to the passage than the thrills of a good story. whereas atwood's series takes on contemporary vices and excesses (sex trafficking, bio-engineered food), cronin writes well within the escapist confines of the genre. i was expecting something more profound to open up during its 700 plus pages - about family, fatherhood or society in general. instead, i found broadly defined government conspiracies, spooky children, angelina-jolie-style alpha-women and, most disappointingly, TWO separate characters who fit what spike lee has called the "magical negro" stereotype (google it if you are unfamiliar).

cronin's strength as a story-teller is in the fact that he's able to juggle enough of these stereotypes to keep things moving along - as soon as one of his well-worn tropes begins to get old, he's on to the next thing. and he maps everything out with a strong enough sense of purpose to make the ride enjoyable.

the best genre writing, in my opinion, isn't the sort that is "elevated" by high-brow artistry, necessarily. my disappointment in the passage doesn't stem from it being insufficiently similar to cormac mc carthy's the road - a novel, i might add, with which it has next to nothing in common, save a few superficially similar father/child-ish exchanges toward the beginning. the problem is that it doesn't resonate within its own confines. there's none of the larger sense of urgency i find in the novels of octavia e. butler or ursula le guin. there's none of the socio-political snark of an early george romero movie (though it abounds in his tropes). it lacks the disturbing otherness of a novel like i am legend. its emotions feel like entertainment, and though i was certainly entertained throughout, some of its heavier moments fell flat.
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Palestine 769712 Safe Area Gorazde: The War In Eastern Bosnia 1992-1995—Joe Sacco's breakthrough novel of graphic journalism—the acclaimed author was best known for Palestine, a two-volume graphic novel that won an American Book Award in 1996.

Fantagraphics Books is pleased to present the first single-volume collection of this landmark of journalism and the art form of comics.

Based on several months of research and an extended visit to the West Bank and Gaza Strip in the early 1990s (where he conducted over 100 interviews with Palestinians and Jews), Palestine was the first major comics work of political and historical nonfiction by Sacco, whose name has since become synonymous with this graphic form of New Journalism. Like Safe Area Gorazde, Palestine has been favorably compared to Art Spiegelman's Pulitzer Prize-winning Maus for its ability to brilliantly navigate such socially and politically sensitive subject matter within the confines of the comic book medium.

Sacco has often been called the first comic book journalist, and he is certainly the best. This edition of Palestine also features an introduction from renowned author, critic, and historian Edward Said (Peace and Its Discontents and The Question of Palestine), one of the world's most respected authorities on the Middle Eastern conflict.

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288 Joe Sacco 156097432X Dan 5 2011
first off, because sacco wisely lets the people he encounters do the talking. it's a warts-and-all first person account of people's lives in palestine, and almost all embellishments and social commentaries come from the mouths of the people he talks to, rather than from things he learned reading edward said or whatever.

at the same time, he allows his own story to weave throughout. we are privvy to his own frustrations and fascinations along the way. the account is never neutral, but he never soapboxes either.

best of all, it's FANTASTICALLY illustrated - a direct descendant of the drawings of social critique from the 30's and 40's (grosz, dix, shahn, etc.). every panel is lovingly and obsessively rendered, giving the thing a marvelous scope that involves as much looking as it does thinking. note the care with which each human expression is given, or the way he takes the time to render each and every mud track along his path. the drawing amounts to a kind of world-building, which makes the socio-political impact of the comic all the more visceral and real.]]>
4.23 1996 Palestine
author: Joe Sacco
name: Dan
average rating: 4.23
book published: 1996
rating: 5
read at:
date added: 2011/08/01
shelves: 2011
review:
pretty much a masterpiece on every possible level.

first off, because sacco wisely lets the people he encounters do the talking. it's a warts-and-all first person account of people's lives in palestine, and almost all embellishments and social commentaries come from the mouths of the people he talks to, rather than from things he learned reading edward said or whatever.

at the same time, he allows his own story to weave throughout. we are privvy to his own frustrations and fascinations along the way. the account is never neutral, but he never soapboxes either.

best of all, it's FANTASTICALLY illustrated - a direct descendant of the drawings of social critique from the 30's and 40's (grosz, dix, shahn, etc.). every panel is lovingly and obsessively rendered, giving the thing a marvelous scope that involves as much looking as it does thinking. note the care with which each human expression is given, or the way he takes the time to render each and every mud track along his path. the drawing amounts to a kind of world-building, which makes the socio-political impact of the comic all the more visceral and real.
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Bossypants 9418327
She has seen both these dreams come true.

At last, Tina Fey's story can be told. From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live; from her passionately halfhearted pursuit of physical beauty to her life as a mother eating things off the floor; from her one-sided college romance to her nearly fatal honeymoon—from the beginning of this paragraph to this final sentence.

Tina Fey reveals all, and proves what we've all suspected: you're no one until someone calls you bossy.]]>
283 Tina Fey Dan 3 2011
* this book captures delaware county, PA really well. fey grew up like three miles from me and some of my friends had her as a camp counselor. she gets the vibe right.

* the more explicitly feminist parts of the book are my favorites, particularly the stuff about aging in hollywood.

* also good is the long chapter about improv and second city.

* less interesting are the chapters about annoying parts of her pre-famous life. there's a long one about a job in chicago that isn't much different than anyone else i know griping about a job. and a boring one about a bad cruise. i don't understand why anyone goes on cruises to begin with though, so i'm a little biased.

* me and my GF listened to this in audiobook format on a long car ride. it's ideal for that sort of thing.]]>
3.97 2011 Bossypants
author: Tina Fey
name: Dan
average rating: 3.97
book published: 2011
rating: 3
read at:
date added: 2011/07/17
shelves: 2011
review:
ugh, i just posted a long review of this and it didn't work. in summary:

* this book captures delaware county, PA really well. fey grew up like three miles from me and some of my friends had her as a camp counselor. she gets the vibe right.

* the more explicitly feminist parts of the book are my favorites, particularly the stuff about aging in hollywood.

* also good is the long chapter about improv and second city.

* less interesting are the chapters about annoying parts of her pre-famous life. there's a long one about a job in chicago that isn't much different than anyone else i know griping about a job. and a boring one about a bad cruise. i don't understand why anyone goes on cruises to begin with though, so i'm a little biased.

* me and my GF listened to this in audiobook format on a long car ride. it's ideal for that sort of thing.
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The World Without Us 248787 A penetrating, page-turning tour of a post-human Earth

In The World Without Us, Alan Weisman offers an utterly original approach to questions of humanity's impact on the planet: he asks us to envision our Earth, without us. In this far-reaching narrative, Weisman explains how our massive infrastructure would collapse and finally vanish without human presence; which everyday items may become immortalized as fossils; how copper pipes and wiring would be crushed into mere seams of reddish rock; why some of our earliest buildings might be the last architecture left; and how plastic, bronze sculpture, radio waves, and some man-made molecules may be our most lasting gifts to the universe.

The World Without Us reveals how, just days after humans disappear, floods in New York's subways would start eroding the city's foundations, and how, as the world's cities crumble, asphalt jungles would give way to real ones. It describes the distinct ways that organic and chemically treated farms would revert to wild, how billions more birds would flourish, and how cockroaches in unheated cities would perish without us. Drawing on the expertise of engineers, atmospheric scientists, art conservators, zoologists, oil refiners, marine biologists, astrophysicists, religious leaders from rabbis to the Dalai Lama, and paleontologists—who describe a prehuman world inhabited by megafauna like giant sloths that stood taller than mammoths—Weisman illustrates what the planet might be like today, if not for us.

From places already devoid of humans (a last fragment of primeval European forest; the Korean DMZ; Chernobyl), Weisman reveals Earth's tremendous capacity for self-healing. As he shows which human devastations are indelible, and which examples of our highest art and culture would endure longest, Weisman's narrative ultimately drives toward a radical but persuasive solution that needn't depend on our demise. It is narrative nonfiction at its finest, and in posing an irresistible concept with both gravity and a highly readable touch, it looks deeply at our effects on the planet in a way that no other book has.]]>
324 Alan Weisman Dan 5 2011
the book is at its very best when dealing with the present - most notably, when he visits contested land on the island of cyprus which is not exactly owned by greece or turkey, and has evolved into a netherworld of neglected wealth and privilege. this book gets right to what i'm attracted to in a novelist like j.g. ballard, someone who (thus far, after two books) has left me cold despite a keen interest in his big topics. weisman's book has its ear to the ground, and for the most part, he lets the experts do the talking. i'm sure some of the finer points could be debunked by folks smarter than me, but it's tough to emerge from a book like this without a sense of alarm.]]>
3.81 2007 The World Without Us
author: Alan Weisman
name: Dan
average rating: 3.81
book published: 2007
rating: 5
read at:
date added: 2011/07/17
shelves: 2011
review:
a pleasant surprise... what could have been an amusing-but-gimmicky glimpse into a pseudo-scientific future dystopia is actually a great piece of investigative reporting. weisman's "what if" scenario (i.e. what happens to the natural world if we suddenly disappear) gradually emerges as an exasperated plea for conservation, environmental regulation and perhaps a more humble sense of our place in the cosmos.

the book is at its very best when dealing with the present - most notably, when he visits contested land on the island of cyprus which is not exactly owned by greece or turkey, and has evolved into a netherworld of neglected wealth and privilege. this book gets right to what i'm attracted to in a novelist like j.g. ballard, someone who (thus far, after two books) has left me cold despite a keen interest in his big topics. weisman's book has its ear to the ground, and for the most part, he lets the experts do the talking. i'm sure some of the finer points could be debunked by folks smarter than me, but it's tough to emerge from a book like this without a sense of alarm.
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Mildred Pierce 101205
Out of these elements, Cain created a novel (later made into a film noir classic) of acute social observation and devastating emotional violence—and a heroine whose ambitions and sufferings are never less than recognizable.]]>
288 James M. Cain 0752852043 Dan 4 2011


secondly, my only earlier experience with james m. cain comes from the film version of double indemnity. having seen that movie and read this book, i have to say it's a bummer he's not around to weave tales about the current economic tomfoolery, since he seems to have a knack for describing the ways that people contractually screw each other out of money.

regarding the book itself, i found the first two-thirds brilliant. cain does a great job of creating a claustrophobic, fatalistic atmosphere while giving his characters enough breathing room to develop into plausible people. the title character is a real work of art - a less abstract, more familiar update on emma bovary with an entrepreneurial edge that nicely encapsulates the class tensions surrounding the great depression. her divorce is handled with restraint and sophistication - neither party is demonized and her ex remains friendly throughout the story. and best of all, her achievements - at pie-making, at running a business, at making smart investments - are treated with respect and patience.

for a novel that is in many ways a critique of american life, mildred pierce never resorts to satire or sarcasm. if it's an attack on a specific way of life, its most venomous passages are directed toward the aristocratic entitlement that the depression ended up destabilizing. each character exemplifies a certain kind of class archetype - bert pierce embodies the naive opportunism of the roaring twenties while mildred "pulls herself up by the bootstraps," monty beragon is the worst sort of aristocratic dandy and veda is basically a hodge-podge of all their worst qualities.

which brings us to veda pierce, who i suppose brings down the novel's protagonist... as well as the novel itself. veda's one-note malevolence and conveniently discovered "talents" push the story into hyperbole and melodrama in its final 50-60 pages. she ceases to be a spoiled kid and transforms into a moustache-twirling nemesis, which doesn't fit the tone of the rest of the story. i can see how such a thing might be cinematic - evan rachel wood seems perfectly cast for the mini-series (i actually thought of her while i was reading it before discovering she was in the adaptation) and haynes certainly has a knack for innovative updates on these tropes - but i was enjoying the realism and understatement of the novel's beginnings too much to make the leap into full-blown grifter stuff toward its final act.]]>
3.91 1941 Mildred Pierce
author: James M. Cain
name: Dan
average rating: 3.91
book published: 1941
rating: 4
read at:
date added: 2011/03/23
shelves: 2011
review:
before i get started, let me say that i picked this up after reading an awesome interview with todd haynes, whose tv mini-series version of this book is something i'm really looking forward to. you should read it too:



secondly, my only earlier experience with james m. cain comes from the film version of double indemnity. having seen that movie and read this book, i have to say it's a bummer he's not around to weave tales about the current economic tomfoolery, since he seems to have a knack for describing the ways that people contractually screw each other out of money.

regarding the book itself, i found the first two-thirds brilliant. cain does a great job of creating a claustrophobic, fatalistic atmosphere while giving his characters enough breathing room to develop into plausible people. the title character is a real work of art - a less abstract, more familiar update on emma bovary with an entrepreneurial edge that nicely encapsulates the class tensions surrounding the great depression. her divorce is handled with restraint and sophistication - neither party is demonized and her ex remains friendly throughout the story. and best of all, her achievements - at pie-making, at running a business, at making smart investments - are treated with respect and patience.

for a novel that is in many ways a critique of american life, mildred pierce never resorts to satire or sarcasm. if it's an attack on a specific way of life, its most venomous passages are directed toward the aristocratic entitlement that the depression ended up destabilizing. each character exemplifies a certain kind of class archetype - bert pierce embodies the naive opportunism of the roaring twenties while mildred "pulls herself up by the bootstraps," monty beragon is the worst sort of aristocratic dandy and veda is basically a hodge-podge of all their worst qualities.

which brings us to veda pierce, who i suppose brings down the novel's protagonist... as well as the novel itself. veda's one-note malevolence and conveniently discovered "talents" push the story into hyperbole and melodrama in its final 50-60 pages. she ceases to be a spoiled kid and transforms into a moustache-twirling nemesis, which doesn't fit the tone of the rest of the story. i can see how such a thing might be cinematic - evan rachel wood seems perfectly cast for the mini-series (i actually thought of her while i was reading it before discovering she was in the adaptation) and haynes certainly has a knack for innovative updates on these tropes - but i was enjoying the realism and understatement of the novel's beginnings too much to make the leap into full-blown grifter stuff toward its final act.
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<![CDATA[Nazi Literature in the Americas]]> 1178230 Nazi Literature in the Americas was the first of Roberto Bolaño’s books to reach a wide public. When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition. Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers� works, plus an epilogue (“for Monsters�), which includes even briefer biographies of persons mentioned in passing. All of the writers are imaginary, although they are all carefully and credibly situated in real literary worlds. Ernesto Pérez Masón, for example, in the sample included here, is an imaginary member of the real Orígenes group in Cuba, and his farcical clashes with José Lezama Lima recall stories about the spats between Lezama Lima and Virgilio Piñera, as recounted in Guillermo Cabrera Infante’s Mea Cuba. The origins of the imaginary writers are diverse. Authors from twelve different countries are included. The countries with the most representatives are Argentina (8) and the USA (7).]]> 227 Roberto Bolaño 0811217051 Dan 3 2011 2666 and the like have the scope i might have been looking for as i read this. as is, i found it enjoyable, but it didn't stick to my ribs the way i hoped it would.

bolano's imaginary far-right encyclopedia isn't devoted to visionary anomalies like louis ferdinand-celine or brilliant thinkers with something to hide like martin heidegger. instead, the book explores the kind of people you might imagine would be attracted to writing literature through the lens of fascism. didactic weirdos with delusions of grandeur; the types that hand out leaflets at the subway station.

in fact, the book may have more to say about kitsch than it does about history. i'm not familiar enough with latin american politics to get all the references, but the ones i did get were too cute and coy to make me sense i'm missing deeper meanings. what's more interesting about the book is the way it characterizes certain kinds of ill-advised utopian thinking. people who imagine pre-modern superheroes and hygenic national histories and bountiful gestures of maternal goodwill. all of which amount to the same sort of sculptural kitsch that arno breker used to make for hitler. tom-of-finland without the sense of humor.

the book left me thinking that fascism leads to aesthetic destruction as well as the more serious, catastrophic kind. and when people begin to take certain kinds of kitsch seriously, very bad things often happen. i don't often think of style as something with much use-value politically, but i came out of nazi literature of the americas with a newly ideological appreciation for it.]]>
3.93 1996 Nazi Literature in the Americas
author: Roberto Bolaño
name: Dan
average rating: 3.93
book published: 1996
rating: 3
read at:
date added: 2011/03/15
shelves: 2011
review:
this is my first stop on the roberto bolano bandwagon, and it probably wasn't the best place to jump on board. reading it, i got the sense that it might make for a great ingredient in a larger, more ambitious project. and from what i hear, 2666 and the like have the scope i might have been looking for as i read this. as is, i found it enjoyable, but it didn't stick to my ribs the way i hoped it would.

bolano's imaginary far-right encyclopedia isn't devoted to visionary anomalies like louis ferdinand-celine or brilliant thinkers with something to hide like martin heidegger. instead, the book explores the kind of people you might imagine would be attracted to writing literature through the lens of fascism. didactic weirdos with delusions of grandeur; the types that hand out leaflets at the subway station.

in fact, the book may have more to say about kitsch than it does about history. i'm not familiar enough with latin american politics to get all the references, but the ones i did get were too cute and coy to make me sense i'm missing deeper meanings. what's more interesting about the book is the way it characterizes certain kinds of ill-advised utopian thinking. people who imagine pre-modern superheroes and hygenic national histories and bountiful gestures of maternal goodwill. all of which amount to the same sort of sculptural kitsch that arno breker used to make for hitler. tom-of-finland without the sense of humor.

the book left me thinking that fascism leads to aesthetic destruction as well as the more serious, catastrophic kind. and when people begin to take certain kinds of kitsch seriously, very bad things often happen. i don't often think of style as something with much use-value politically, but i came out of nazi literature of the americas with a newly ideological appreciation for it.
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Nemesis (Harry Hole, #4) 3522419
A man is caught on CCTV, shooting dead a cashier at a bank. Detective Harry Hole begins his investigation, but after dinner with an old flame wakes up with no memory of the past 12 hours. Then the girl is found dead in mysterious circumstances and he begins to receive threatening emails: is someone trying to frame him for her death?

As Harry fights to clear his name, the bank robberies continue with unparalleled savagery...]]>
480 Jo Nesbø 0061655503 Dan 3 2011 the redbreast, this follow-up was a slight disappointment. not a major disappointment - there are still plenty of twists and innovative complications. but the novel never feels quite as expansive as the redbreast, and it's paced less gracefully.

two books into the series, i'm beginning to think nesbo is better with villains than heroes. i felt like this book had too much harry in it. and the things that define harry (his alcoholism, his disdain for ceremony, his quickly blossoming romance with a single mother) never emerge beyond generic brand character traits. by contrast, the people he investigates are fascinating, and give the nordic location of the stories (oslo) its sense of place. the bits about roma/gypsy criminals hint at the depth and insight that the redbreast brought to the second world war. i wanted more of that, and a bit less of harry, maybe?

still, i'm excited for the next in the series, which sounds like it's going to get into norway's weirdo metal scene and the awful right-wing extremism that often arises within it.]]>
3.98 2002 Nemesis (Harry Hole, #4)
author: Jo Nesbø
name: Dan
average rating: 3.98
book published: 2002
rating: 3
read at:
date added: 2011/02/27
shelves: 2011
review:
after the page-turning pleasures of the redbreast, this follow-up was a slight disappointment. not a major disappointment - there are still plenty of twists and innovative complications. but the novel never feels quite as expansive as the redbreast, and it's paced less gracefully.

two books into the series, i'm beginning to think nesbo is better with villains than heroes. i felt like this book had too much harry in it. and the things that define harry (his alcoholism, his disdain for ceremony, his quickly blossoming romance with a single mother) never emerge beyond generic brand character traits. by contrast, the people he investigates are fascinating, and give the nordic location of the stories (oslo) its sense of place. the bits about roma/gypsy criminals hint at the depth and insight that the redbreast brought to the second world war. i wanted more of that, and a bit less of harry, maybe?

still, i'm excited for the next in the series, which sounds like it's going to get into norway's weirdo metal scene and the awful right-wing extremism that often arises within it.
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<![CDATA[The Mask of Dimitrios (Charles Latimer, #1)]]> 46429 A Coffin for Dimitrios remains Eric Ambler's most widely acclaimed novel.]]> 304 Eric Ambler 0375726713 Dan 3 2011
if you're interested in the schematics of crime, this is definitely the book for you. far more than a character study or a thriller, it's a novel concerned with the mechanics that make dirty things happen. at times it can even be a bit dry and clinical. but for the most part it's a fun ride... though maybe not my favorite discovery in the genre.]]>
3.93 1939 The Mask of Dimitrios (Charles Latimer, #1)
author: Eric Ambler
name: Dan
average rating: 3.93
book published: 1939
rating: 3
read at:
date added: 2011/02/09
shelves: 2011
review:
this is an entertaining early entry into the international spy genre that i'm learning to love via alan furst and john le carre. it's written with an amusing sense of self-consciousness - every step of the way, ambler reminds us that the actions aren't going to come together in a satisfying, "fictional" sort of way. his breed of realism anticipates le carre's - very cynical, built around a basic lack of faith in people. on the other hand, the book's boring protagonist, a hitchcockian everyman-in-over-his-head, remains generic and uninteresting throughout. unlike the more complex protagonists i've found in graham greene's novels, ambler's journalist lantier is largely excused from the story's darker edges. on the other hand, ambler lacks greene's penchant for brooding catholic malaise, so i guess his approach is preferable in certain ways.

if you're interested in the schematics of crime, this is definitely the book for you. far more than a character study or a thriller, it's a novel concerned with the mechanics that make dirty things happen. at times it can even be a bit dry and clinical. but for the most part it's a fun ride... though maybe not my favorite discovery in the genre.
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