Featured in THE NEW YORK TIMES and on NPR, Y: THE LAST MAN is the gripping saga of Yorick Brown, an unemployed and unmotivated slacker who discovers he is the only male left in the world after a plague of unknown origin instantly kills every mammal with a Y chromosome. Accompanied by his mischievous monkey, Ampersand, and the mysterious Agent 355, Yorick embarks on a transcontinental journey to find his long-lost girlfriend and discover why he is the last man on earth.

Yorick Brown's long journey through an Earth populated only by women comes to a dramatic, unexpected conclusion in this final volume. Collects issues #55-60 of Brian K. Vaughan and Pia Guerra's award-winning Vertigo series.

As the title implies, Georgia has snagged herself a sex god in the form of Robbie, the boy of her dreams. Now that they've indulged in a bit of "full-frontal snogging," Georgia turns her attention to advancing the relationship. But things quickly go wrong when she learns that her father's new job may necessitate a move to New Zealand. Crestfallen, Georgia feels her life might as well be over. Then, miraculously, the dreaded move is cancelled, and things seem to be getting better -- at least until 17-year-old Robbie decides to break up with Georgia because he's bothered by the difference in their ages.

Borrowing freely from her mum's closet and advice books, even as she's steadfastly discounting everything her mum says, a crushed but determined Georgia comes up with a scheme to win Robbie back. As usual, nothing goes as planned, and life is further complicated by Georgia's temperamental cat, Angus (who's having a few amorous leanings of his own), and her baby sister, Libby, whose fascination with (and lack of control over) her bodily functions leads to several intriguing mishaps. Of course, there are other disasters, too: a quick-tan lotion that turns Georgia's legs orange, a run-in with the aptly named Bummer sisters, and friends who insist on focusing on their own problems from time to time.

Who knew the angst of adolescence could be so much fun? This Georgia's-eye view of teenage life is wonderfully egocentric and side-splittingly funny. And despite the occasional language barrier (a glossary of terms is provided in the back of the book), Georgia's thoughts and experiences will prove universally recognizable to anyone who is, or has ever been, a teenager.

--Beth Amos

Newly knighted, Alanna of Trebond seeks adventure in the vast desert of Tortall. Captured by fierce desert dwellers, she is forced to prove herself in a duel to the death -- either she will be killed or she will be inducted into the tribe. Although she triumphs, dire challenges lie ahead. As her mythic fate would have it, Alanna soon becomes the tribe's first female shaman -- despite the desert dwellers' grave fear of the foreign woman warrior. Alanna must fight to change the ancient tribal customs of the desert tribes -- for their sake and for the sake of all Tortall.

Alanna's journey continues...

But the road to knighthood is not an easy one. As Alanna masters the skills necessary for battle, she must also learn to control her heart and to discern her enemies from her allies.

Filled with swords and sorcery, adventure and intrigue, good and evil, Alanna's first adventure begins - one that will lead to the fulfillment of her dreams and the magical destiny that will make her a legend in her land.

At the beginning of Helen Fielding's exceptionally funny second novel, the thirtyish publishing puffette is suffering from postholiday stress syndrome but determined to find Inner Peace and poise. Bridget will, for instance, "get up straight away when wake up in mornings." Now if only she can survive the party her mother has tricked her into--a suburban fest full of "Smug Marrieds" professing concern for her and her fellow "Singletons"--she'll have made a good start. As far as she's concerned, "We wouldn't rush up to them and roar, 'How's your marriage going? Still having sex?'"

This is only the first of many disgraces Bridget will suffer in her year of performance anxiety (at work and at play, though less often in bed) and living through other people's "emotional fuckwittage." Her twin-set-wearing suburban mother, for instance, suddenly becomes a chat-show hostess and unrepentant adulteress, while our heroine herself spends half the time overdosing on Chardonnay and feeling like "a tragic freak." Bridget Jones's Diary began as a column in the London Independent and struck a chord with readers of all sexes and sizes. In strokes simultaneously broad and subtle, Helen Fielding reveals the lighter side of despair, self-doubt, and obsession, and also satirizes everything from self-help books (they don't sound half as sensible to Bridget when she's sober) to feng shui, Cosmopolitan-style. She is the Nancy Mitford of the 1990s, and it's impossible not to root for her endearing heroine. On the other hand, one can only hope that Bridget will continue to screw up and tell us all about it for years and books to come. --Kerry Fried

In this wildly funny journal of a year in the life of Georgia Nicolson, British author Louise Rennison has perfectly captured the soaring joys and bottomless angst of being a teenager. In the spirit of Bridget Jones's Diary, this fresh, irreverent, and simply hilarious book will leave you laughing out loud. As Georgia would say, it's "Fabbity fab fab!"