Bill's Updates en-US Tue, 25 Mar 2025 19:08:21 -0700 60 Bill's Updates 144 41 /images/layout/goodreads_logo_144.jpg Review2371228462 Tue, 25 Mar 2025 19:08:21 -0700 <![CDATA[Bill added 'But Beautiful: A Book about Jazz']]> /review/show/2371228462 But Beautiful by Geoff Dyer Bill gave 4 stars to But Beautiful: A Book about Jazz (Paperback) by Geoff Dyer
bookshelves: biography, fiction, historical-fiction, history, jazz, criticism
Geoff Dyer is a writer of non-fiction, a critic of literature and music and film. But he is a fiction-writer too, and in But Beautiful [A Book About Jazz], he uses his fiction-writer tools to explore the world of jazz, offering a kind of criticism that is more memorable and more resonant than any critical essay could be.

The book consists of a series of fictionalized vignettes which reveal the personalities of a few geniuses of jazz: an aging Lester Young at the Alvin Hotel, Thelonious Monk and his wife Nellie in the West Sixties, the vicious beating (and resurrection) of Bud Powell, Ben Webster traveling Europe by train, the ever-angry, explosive Charlie Mingus, Chet Baker of the beautiful and ruined face, and the crazy junkie life of Art Pepper, all seven tied together by the road trip conversations of Duke Ellington and his chauffeur/baritone sax/old friend Harry Carney passing the time on the way to another gig.

If you’re not into classic jazz, you might as well skip this book, but if you know who the people listed above are, and you dig their music, I highly recommend this book.

Oh, there is an essay at the end, and it is a very good essay too, but I’ve forgot what it is about already. But I still remember the rest: courtly Lester walking with Lady Day, Monk introducing his favorite lamppost, bloody Bud Powell nightsticked on the sidewalk, Ben blowing his tenor for a stranger on the train, Mingus demolishing his phone, Chet Baker staring into an unforgiving mirror, junkie jailbird Art Pepper painting the portrait of a woman with his music.

And the Duke and Harry, of course, forever friends, forever on the road. ]]>
Review2530587585 Tue, 11 Mar 2025 20:37:20 -0700 <![CDATA[Bill added 'The Rose Garden']]> /review/show/2530587585 The Rose Garden by M.R. James Bill gave 3 stars to The Rose Garden (ebook) by M.R. James
bookshelves: 20th-c-brit, ghost-stories, short-stories, weird-fiction
I hate to say it, but I think that in “The Rose Garden,� the master of the antiquarian English ghost story is just going through the motions. The essential idea—an old post buried in a country house garden has been removed, but should not have been removed—is a good one, but the tale that explains the origin of the haunting is merely passable, and the two events which are necessary to move the plot along—the opportune visit of Miss Wilkins the former owner amd a random inquiry from the Sussex Historical Society—are so coincidental that they dissipate the ghostly mood.

Still, mediocre M.R. James is still M.R. James. The following passages are particularly fine:
She rose and turned towards the house, pausing for a time to take delight in the limpid green western sky. Then she passed on between the dark box-bushes, and, at a point just before the path debouched on the lawn, she stopped once again and considered the quiet evening landscape, and made a mental note that that must be the tower of one of the Roothing churches that one caught on the sky-line. Then a bird (perhaps) rustled in the box-bush on her left, and she turned and started at seeing what at first she took to be a Fifth of November mask peeping out among the branches. She looked closer.

It was not a mask. It was a face � large, smooth, and pink. She remembers the minute drops of perspiration which were starting from its forehead: she remembers how the jaws were clean-shaven and the eyes shut. She remembers also, and with an accuracy which makes the thought intolerable to her, how the mouth was open and a single tooth appeared below the upper lip. As she looked the face receded into the darkness of the bush.
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Review2580894614 Tue, 11 Mar 2025 20:30:00 -0700 <![CDATA[Bill added 'The Stalls of Barchester Cathedral']]> /review/show/2580894614 The Stalls of Barchester Cathedral by M.R. James Bill gave 5 stars to The Stalls of Barchester Cathedral (ebook) by M.R. James
bookshelves: 20th-c-brit, ghost-stories, short-stories, weird-fiction
First published in More Ghost Stories of an Antiquary, “The Stalls of Barchester Cathedral is notable not only for its genuine scares—of which it has more than a few—but also because it conceals, beneath the vesture of its ghostly sheets a real honest-to-god murder mystery, the solution of which reveals that the dark heart of ambition may be found in the most placid of professions, the mildest of men. But it is wise that I say no more about the murder, for that is something the reader must explore for himself.

Another virtue of this story is the precision and uncanniness that may be found in its descriptions of ecclesiastic scenes. James� work offers other examples just as good—“Canon Alberic’s Scrapbook� and “The Treasure of Abbot Thomas� come immediately to mind—but none better. Witness this description of of the archdeacon’s stall in the draft of a letter from Archdeacon Haynes to Sylvanus Urban (pseudonym of the editor of The Gentleman’s Magazine):
The archdeacon’s stall, situated at the south-east end, west of the episcopal throne . . . is distinguished by some curious ornamentation. . . the prayer-desk is terminated at the eastern extremity by three small but remarkable statuettes in the grotesque manner. One is an exquisitely modelled figure of a cat, whose crouching posture suggests with admirable spirit the suppleness, vigilance, and craft of the redoubted adversary of the genus Mus. Opposite to this is a figure seated upon a throne and invested with the attributes of royalty; but it is no earthly monarch whom the carver has sought to portray. His feet are studiously concealed by the long robe in which he is draped: but neither the crown nor the cap which he wears suffice to hide the prick-ears and curving horns which betray his Tartarean origin; and the hand which rests upon his knee, is armed with talons of horrifying length and sharpness. Between these two figures stands a shape muffled in a long mantle. This might at first sight be mistaken for a monk or “friar of orders gray�, for the head is cowled and a knotted cord depends from somewhere about the waist. A slight inspection, however, will lead to a very different conclusion. The knotted cord is quickly seen to be a halter, held by a hand all but concealed within the draperies; while the sunken features and, horrid to relate, the rent flesh upon the cheek-bones, proclaim the King of Terrors. These figures are evidently the production of no unskilled chisel; and should it chance that any of your correspondents are able to throw light upon their origin and significance, my obligations to your valuable miscellany will be largely increased.�
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Review2371228462 Sat, 26 Oct 2024 02:59:01 -0700 <![CDATA[Bill added 'But Beautiful: A Book about Jazz']]> /review/show/2371228462 But Beautiful by Geoff Dyer Bill gave 4 stars to But Beautiful: A Book about Jazz (Paperback) by Geoff Dyer
bookshelves: biography, fiction, historical-fiction, history, jazz, criticism
Geoff Dyer is a writer of non-fiction, a critic of literature and music and film. But he is a fiction-writer too, and in But Beautiful [A Book About Jazz], he uses his fiction-writer tools to explore the world of jazz, offering a kind of criticism that is more memorable and more resonant than any critical essay could be.

The book consists of a series of fictionalized vignettes which reveal the personalities of a few geniuses of jazz: an aging Lester Young at the Alvin Hotel, Thelonious Monk and his wife Nellie in the West Sixties, the vicious beating (and resurrection) of Bud Powell, Ben Webster traveling Europe by train, the ever-angry, explosive Charlie Mingus, Chet Baker of the beautiful and ruined face, and the crazy junkie life of Art Pepper, all seven tied together by the road trip conversations of Duke Ellington and his chauffeur/baritone sax/old friend Harry Carney passing the time on the way to another gig.

If you’re not into classic jazz, you might as well skip this book, but if you know who the people listed above are, and you dig their music, I highly recommend this book.

Oh, there is an essay at the end, and it is a very good essay too, but I’ve forgot what it is about already. But I still remember the rest: courtly Lester walking with Lady Day, Monk introducing his favorite lamppost, bloody Bud Powell nightsticked on the sidewalk, Ben blowing his tenor for a stranger on the train, Mingus demolishing his phone, Chet Baker staring into an unforgiving mirror, junkie jailbird Art Pepper painting the portrait of a woman with his music.

And the Duke and Harry, of course, forever friends, forever on the road. ]]>
Review3201342421 Sat, 12 Oct 2024 02:23:44 -0700 <![CDATA[Bill added 'Running Against the Devil: A Plot to Save America from Trump � And Democrats from Themselves']]> /review/show/3201342421 Running Against the Devil by Rick    Wilson Bill gave 4 stars to Running Against the Devil: A Plot to Save America from Trump � And Democrats from Themselves (Hardcover) by Rick Wilson
bookshelves: 21st-c-amer, politics

Rick Wilson’s Everything Trump Touches Dies was the funniest political book of the 2018. It was grim humor, certainly, but robust grim humor, filled with vicious takedowns of all the human caricatures scribbled in the margins of the Trumpian universe—including an expert demolition of the Orange Julius Caesar himself.

Wilson has done it again, but I find I’m not laughing quite as hard this time.

But I don’t think that this is Wilson’s fault. This endless farce we call the Trump Administration, this crapapolooza festival, just isn’t funny anymore. The melancholy minders (Kelly, Tillerson, Mattis) and minor looney-tuners (Gorka, Omorosa, Scaramucci) have given way to a legion of pallid yes-men cheering on the apocalypse, and it is not only the fecal pharaoh himself, but each one of us charioteers who is drowning in the Brown Sea of incompetence, and guess what?—oh, lookie, lookie!—now the plague itself has arrived!

Sorry about the strained attempt at humor. I sound a little hysterical, don’t I? But it seems that humor gets a little harder every day. And I think this may be part of the problem with Rick Wilson’s new book too.

But that doesn’t mean you shouldn’t read it. You should. Because Wilson—a self-styled Republican political hack and determined never-Trumper—gives Democrats much useful, sobering advice about how to win the 2020 presidential election, stuff that many of us—including a devoted Elizabeth Warren supporter like me—definitely don’t want to hear.

Stop looking at the national polls—Wilson says—and exulting in the President’s bad numbers, for this is the United States, where—thanks to the electoral college (which--sorry--isn't going away)—there’s no such thing as a real American national election. Instead, there are series of individual swing-state elections, roughly fifteen in number, held on the same day in November, and this is where you must concentrate all your money, expertise, and volunteer strength. Forget California (you’ll win it!), and forget Idaho (you’ll lose it!). Instead, concentrate on where the game is � Wisconsin, Pennsylvania, Michigan, Florida, Arizona, Colorado, Virginia, Iowa, Maine, Minnesota, North Carolina, New Hampshire, and Nevada. (And maybe Ohio too, but I wouldn’t bet the farm on it.)

And don’t bother talking about all that commie-sounding stuff like Medicare-for-All, gun buy-backs and abortion rights. Instead, talk like an American about things swing-voters care about:
Speaking American isn’t tricky. It isn’t secret. It isn’t an act. It’s a recognition that leaving the confines of Washington and new York shows you a world where voters curse, spit, love their dogs and their kids, play sports, drink beer, talk shit, recycle, pray, work, sing bad karaoke, and worry about the future but push on every day. It’s a social media cliché that authenticity sells, but it’s not wrong.

They hate politics, but they love leadership. They hate partisanship but they love passion. They’re flawed and frail and uncertain much of the time, but they still imagine a bigger, better life. Tell them you’re listening. Tell them they matter. For once, tell them it’s not about you, or the party, or some book of policy proposals but about THEM.
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Review2045155087 Sat, 05 Oct 2024 00:33:18 -0700 <![CDATA[Bill added 'Arms and the Man: A Pleasant Play']]> /review/show/2045155087 Arms and the Man by George Bernard Shaw Bill gave 5 stars to Arms and the Man: A Pleasant Play (Paperback) by George Bernard Shaw
bookshelves: 19th-c-brit, drama, irish

Arms and the Man is Bernard Shaw’s first great play. It is filled with witty and amusing dialogue, a diverting and well-constructed plot, and charming, well differentiated characters. A perfect light comedy designed to amuse the most jaded audience, it is also a deadly serious play that launches a fierce attack on one of the most destructive beliefs of Shaw’s (and any other) time: that war is heroic and magnificent, and that the gallant soldier is the supreme icon of manhood, something to be esteemed and admired.

The play, set during the Serbian-Bulgarian War of 1885, is the story of the encounter between Raina, a Bulgarian maiden engaged to the young officer Sergius, and the veteran Captain Buntschli, a Swiss mercenary in the pay of the Serbians, who escapes capture after a battle by hiding out in Raina’s bedroom. Frightened at first, Raina soon views the captain with contempt, compared to her brave fiancee, for he seems fearful and not at all professional: for example, he carries chocolate in his ammunition bag. (“You can always tell an old soldier by the inside of his holsters and cartridge boxes.� Buntschli says. “The young ones carry pistols and cartridges ; the old ones, grub.�) Soon the Swiss captain rejoins his regiment, Sergius returns from the war, and then—following Captain Buntschli’s unexpected return—Raina begins to realize that perhaps her “chocolate soldier� (as she fondly calls him) may be the best man after all.

I’ll end with two passages from the first act. In the first, Raina’s mother Catherine describes Sergius� heroic charge of the enemy battery. In the second, Captain Buntschli describes the same event from the enemy point of view.
CATHARINE:”Sergius is the hero of the hour, the idol of the regiment...You cant guess how splendid it is. A cavalry charge ! think of that ! He defied our Russian commanders, acted without orders, led a charge on his own responsibility headed it himself, was the first man to sweep through their guns. Cant you see it, Raina : our gallant splendid Bulgarians with their swords and eyes flashing, thundering down like an avalanche and scattering the wretched Servians and their dandified Austrian officers like chaff...Oh, if you have a drop of Bulgarian blood in your veins, you will worship him when he comes back.�

CAPTAIN BUNTSCHLI: “He did it like an operatic tenor, a regular handsome fellow, with flashing eyes and lovely moustache, shouting his war-cry and charging like Don Quixote at the windmills. We nearly burst with laughter at him; but when the sergeant ran up as white as a sheet, and told us theyd sent us the wrong cartridges, and that we couldn’t fire a shot for the next ten minutes, we laughed at the other side of our mouths. I never felt so sick in my life; though Ive been in one or two very tight places. And I hadnt even a revolver cartridge, nothing but chocolate. We'd no bayonets, nothing. Of course, they just cut us to bits. And there was Don Quixote flourishing like a drum major, thinking he'd done the cleverest thing ever known, whereas he ought to be courtmartialled for it. Of all the fools ever let loose on a field of battle, that man must be the very maddest. He and his regiment simply committed suicide only the pistol missed fire: that’s all.�
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Review1209976 Sat, 28 Sep 2024 03:48:58 -0700 <![CDATA[Bill added 'Walking Shadow']]> /review/show/1209976 Walking Shadow by Robert B. Parker Bill gave 3 stars to Walking Shadow (Spenser, #21) by Robert B. Parker
bookshelves: 20th-c-amer, detective-mystery

Walking Shadow is one of those ho-hum Spensers. It’s a page-turner—all the Spensers are page-turners—but the reader is not left with a lot of pleasure after all that page-turning is done.

Still, there’s a lot going on: a stalker dressed in black, a busty—and needy� young actress, the sexy wife of a Chinese gangster, a once-good police chief mired in corruption, a Vietnamese gang (“The Double Dragons�), a tong lord, both Hawk and Vinnie Morris for backup, human trafficking in the dead of night, a kidnapping on videotape, and an actor shot dead on stage just after singing “what else matters if you"re lucky in love?�

Perhaps that’s the trouble: there’s just too much going on. It’s as if Parker just threw a lot of stuff into his top hat, and out popped this story. And the biggest problem is that the solution to to the murders seems just as arbitrary as anything else.

The atmosphere of Port City, particularly the boat landing at midnight, are both very fine, as is Spenser’s interview with an illegal fish plant worker in his tiny rented room. But these bright spots are not enough to make a good book.

It is Spenser, course. And this series is always entertaining. But if—unlike me—you haven’t resolved to read the whole series, you could easily find a better Spenser mystery. ]]>
Review1101285403 Sat, 07 Sep 2024 01:47:15 -0700 <![CDATA[Bill added 'Epitaph for a Spy']]> /review/show/1101285403 Epitaph for a Spy by Eric Ambler Bill gave 4 stars to Epitaph for a Spy (Paperback) by Eric Ambler
bookshelves: spies-intrigue

I love genre fiction written by a master, one who can command its memes and not be controlled by them, who can shift—with apparent effortlessness—in and out of subgenres, provoking yet fulfilling our expectations with such assurance that he can craft an exciting entertainment and still have room left over for a few of the higher pleasures of literary fiction. Eric Ambler is a master of the genre of international intrigue, and Epitaph for a Spy (1938) —even with its flaws� is this sort of entertainment.

The action begins with our hero on holiday, Josef Vadassy—amateur photographer and teacher of languages—snapping photos on the patio of his modest hotel, photos of lizards basking in the sun. Later, when he goes to collect his prints, he finds himself detained by the police. It seems there were other pictures on the roll—including a few of military installations--and French intelligence wishes to have a word with Monsieur Vadassy.

But what begins as the “regular guy when mistaken for spy spies on spies� meme shifts quickly into something more closely resembling the traditional English country-house who-dunnit, for Vadassy must discover which resident of his hotel inadvertently exchanged cameras with him. If he can find who has his camera, he can discover the spy.

The novel remains in country-house mode for at least half its length. Ambler, however, is less interested in detection—Vadassy is after all a naif and an amateur—than in listening to the stories of his hotel guests: the English colonel and his Italian wife, the wealthy French manufacturer, the fat smiling middle-class Germans, the upper class British brother and sister, the hotelier with a secret destination, the mysterious “Swiss� with an assumed name.

Evenutually, though, the subgenres shift again, and we are rewarded not only with an exciting chase in which the identity of the spy is revealed, but with an ironic coda in which we discover a few more things about our guests—nothing more about spies and spying, but a few things about lies and love, and the smiling masks of evil.

This early Ambler novel is filled with many delights, but some of the travellers' stories—although interesting--are longer and less compelling than they should be. Even here, though, Ambler deftly manipulates us through genre: we still listen to each guest's every word, because we know that any one of them may be our spy.

All in all, this is an able entertainment, a good companion for a long plane trip or a cold winter night. ]]>
Review2530579029 Sat, 07 Sep 2024 01:44:19 -0700 <![CDATA[Bill added 'The Artist of the Beautiful']]> /review/show/2530579029 The Artist of the Beautiful by Nathaniel Hawthorne Bill gave 5 stars to The Artist of the Beautiful (Kindle Edition) by Nathaniel Hawthorne
bookshelves: 19th-c-amer, fiction, fantasy, dark-romanticism, short-stories

First published in the United States Magazine and Democratic Review, XIV (June, 1844), “The Artist of the Beautiful� is one of Hawthorne’s most successful tales, a quintessential distillation of his allegorical art.

It tells of the gifted but impractical young watchmaker Owen Warland, who “cared no more for the measurement of time than if it had been merged into eternity,� and who neglects his business in timepieces in order to perfect the construction of a what appears to be a mere toy, “a mechanical something, as delicate and minute as the system of a butterfly's anatomy.� He is secretly in love with Annie, daughter of his former master Peter Hoveden, but although the old watchmaker admires Owen’s talent, he much prefers the practical blacksmith Robert Danforth as a prospective son-in-law.

The story consists of an account of Owen’s labor over—and the eventual fate of—his delicate creation, and of Owen’s fate as well, but at its heart is the exploration of Owen’s true passion: the creation of “the Beautiful Idea,� like the “butterfly that symbolized it� or—as Annie puts it--”the notion of putting spirit into machinery.�
Alas, that the artist, whether in poetry or whatever other material, may not content himself with the inward enjoyment of the Beautiful, but must chase the flitting mystery beyond the verge of his ethereal domain, and crush its frail being in seizing it with a material grasp!
I will not deprive you of learning the rest of Owen’s fate for yourself, and I am sure it will not surprise to learn that—since this is a work of Hawthorne’s—that his fate is not entirely a happy one. Still, though, Owen remains undaunted, for he learns a most important thing:
When the artist rose high enough to achieve the Beautiful, the symbol by which he made it perceptible to mortal senses became of little value in his eyes, while his spirit possessed itself in the enjoyment of the Reality.
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Review2444587612 Sat, 07 Sep 2024 01:34:11 -0700 <![CDATA[Bill added 'On the Duty of Civil Disobedience']]> /review/show/2444587612 On the Duty of Civil Disobedience by Henry David Thoreau Bill gave 5 stars to On the Duty of Civil Disobedience (Paperback) by Henry David Thoreau
bookshelves: 19th-c-amer, politics, essays, philosophy

I chose Thoreau’s essay Civil Disobedience as my 2018 Fourth of July read, figuring I could write something quick and easy, something about the Resistance, Generalissimo Trump, and the coming Blue Wave. Yada yada yada. Something inspiring and comforting.

But it didn’t work out that way.

I found Thoreau’s personality prickly, many of his pronouncements naive and uncongenial. I don't deny that his essay is morally challenging, and that it is also stylistically rich, filled with dozens of memorable passages. (You should read it again for yourself, and rediscover how fine it is.) But it is also thorny, and dense, and more than a little absurd. And yet . . . there was something about my encounter with Thoreau that would not let me rest.

That’s how it is when one crosses paths with a saint. St. Francis of Assisi makes me feel like that too. Histrionic, ostentatiously guileless, he never realized that his moral theatrics were permitted—indeed, fostered—by friends and family, and by the compromised social institutions he held up to criticism. Still, his witness challenges us all. Even his most extreme gestures—like the yoke the prophet Jeremiah placed upon his own neck—were part of his call, integral to his inspiration.

And so it was with Thoreau. At the age of 27, Thoreau committed his act of civil disobedience: a refusal to pay the poll tax as a protest against the land-grabbing Mexican War and the inherent evil of slavery. But he only spent one night in the Concord jail (less time, and in a much nicer jail, than his disciples Gandhi and MLK Jr.), his tax having been paid by an anonymous donor (probably his aunt.)

That one night in jail was an epiphany for the young Henry David, for he saw the heart of his own little town differently than he had before, almost as it too were part of Nature:
It was like travelling into a far country, such as I had never expected to behold, to lie there for one night. It seemed to me that I never had heard the town clock strike before, nor the evening sounds of the village; for we slept with the windows open, which were inside the grating. It was to see my native village in the light of the Middle Ages, and our Concord was turned into a Rhine stream, and visions of knights and castles passed before me. They were the voices of old burghers that I heard in the streets. I was an involuntary spectator and auditor of whatever was done and said in the kitchen of the adjacent village inn- a wholly new and rare experience to me. It was a closer view of my native town. I was fairly inside of it. I never had seen its institutions before. . . .

When I came out of prison- for some one interfered, and paid that tax- I did not perceive that great changes had taken place on the common . . . and yet a change had to my eyes come over the scene- the town, and State, and country- greater than any that mere time could effect. I saw yet more distinctly the State in which I lived. I saw to what extent the people among whom I lived could be trusted as good neighbors and friends; that their friendship was for summer weather only; that they did not greatly propose to do right; . . . they . . . hoped, by a certain outward observance and a few prayers, and by walking in a particular straight though useless path from time to time, to save their souls. . .
This last passage is the one that touched me close to the heart, for I am that supposed “good neighbor,� that “summer weather� friend. “From time to time� I have walked that “straight though useless path,� but I am far from certain that walking that path I have managed to save my soul.

Do you think a prayer to St. Henry David would help?

I’ll end with the conclusion of Thoreau’s account of the morning he was released from jail, for it ends—fittingly enough—with a return to the realm of Nature:
I was put into jail as I was going to the shoemaker's to get a shoe which was mended. When I was let out the next morning, I proceeded to finish my errand, and, having put on my mended shoe, joined a huckleberry party, who were impatient to put themselves under my conduct; and in half an hour- for the horse was soon tackled- was in the midst of a huckleberry field, on one of our highest hills, two miles off, and then the State was nowhere to be seen.
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