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倬夭卮讴 丿賴讴丿賴
Un medico chiamato al capezzale di un paziente in una notte di tempesta. Un artigiano che trova la sua citt脿 invasa da una feroce trib霉 di nomadi. Un messaggero imperiale che non giunger脿 mai a destinazione. Sono alcuni dei protagonisti dei quattordici racconti di Un medico di campagna , opera pubblicata da Kafka nel 1919: folgoranti, visionarie narrazioni ispirate sia dal resoconto di un'esplorazione asiatica sia da una lettura apocalittica del Romanzo di Alessandro . Nell'accostare accuratamente i testi, Kafka compone il ritratto di una modernit脿 nella quale la realt脿 猫 in balia del caos e la verit脿 una pura incognita. Liberate le forze disgregatrici, nell'avviarsi alla fine l'universo si fa sempre pi霉 incoerente e inafferrabile; il tempo perde significato, solo il ricordo permane; gli esseri umani si illudono di poter cogliere un senso inventando storie, ma sono soltanto fantasmi in attesa che il mondo ricominci come sempre 猫 stato, non redento ma solamente restituito alla propria origine.
95 pages, Hardcover
First published January 1, 1918
191 people are currently reading
5080 people want to read
About the author
Franz Kafka
3,242听books35.6k听followersPrague-born writer Franz Kafka wrote in German, and his stories, such as "
The Metamorphosis
" (1916), and posthumously published novels, including
The Trial
(1925), concern troubled individuals in a nightmarishly impersonal world.
Jewish middle-class family of this major fiction writer of the 20th century spoke German. People consider his unique body of much incomplete writing, mainly published posthumously, among the most influential in European literature.
His stories include "The Metamorphosis" (1912) and " In the Penal Colony " (1914), whereas his posthumous novels include The Trial (1925), The Castle (1926) and Amerika (1927).
Despite first language, Kafka also spoke fluent Czech. Later, Kafka acquired some knowledge of the French language and culture from Flaubert, one of his favorite authors.
Kafka first studied chemistry at the Charles-Ferdinand University of Prague but after two weeks switched to law. This study offered a range of career possibilities, which pleased his father, and required a longer course of study that gave Kafka time to take classes in German studies and art history. At the university, he joined a student club, named Lese- und Redehalle der Deutschen Studenten, which organized literary events, readings, and other activities. In the end of his first year of studies, he met Max Brod, a close friend of his throughout his life, together with the journalist Felix Weltsch, who also studied law. Kafka obtained the degree of doctor of law on 18 June 1906 and performed an obligatory year of unpaid service as law clerk for the civil and criminal courts.
Writing of Kafka attracted little attention before his death. During his lifetime, he published only a few short stories and never finished any of his novels except the very short "The Metamorphosis." Kafka wrote to Max Brod, his friend and literary executor: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread." Brod told Kafka that he intended not to honor these wishes, but Kafka, so knowing, nevertheless consequently gave these directions specifically to Brod, who, so reasoning, overrode these wishes. Brod in fact oversaw the publication of most of work of Kafka in his possession; these works quickly began to attract attention and high critical regard.
Max Brod encountered significant difficulty in compiling notebooks of Kafka into any chronological order as Kafka started writing in the middle of notebooks, from the last towards the first, et cetera.
Kafka wrote all his published works in German except several letters in Czech to Milena Jesensk谩.
Jewish middle-class family of this major fiction writer of the 20th century spoke German. People consider his unique body of much incomplete writing, mainly published posthumously, among the most influential in European literature.
His stories include "The Metamorphosis" (1912) and " In the Penal Colony " (1914), whereas his posthumous novels include The Trial (1925), The Castle (1926) and Amerika (1927).
Despite first language, Kafka also spoke fluent Czech. Later, Kafka acquired some knowledge of the French language and culture from Flaubert, one of his favorite authors.
Kafka first studied chemistry at the Charles-Ferdinand University of Prague but after two weeks switched to law. This study offered a range of career possibilities, which pleased his father, and required a longer course of study that gave Kafka time to take classes in German studies and art history. At the university, he joined a student club, named Lese- und Redehalle der Deutschen Studenten, which organized literary events, readings, and other activities. In the end of his first year of studies, he met Max Brod, a close friend of his throughout his life, together with the journalist Felix Weltsch, who also studied law. Kafka obtained the degree of doctor of law on 18 June 1906 and performed an obligatory year of unpaid service as law clerk for the civil and criminal courts.
Writing of Kafka attracted little attention before his death. During his lifetime, he published only a few short stories and never finished any of his novels except the very short "The Metamorphosis." Kafka wrote to Max Brod, his friend and literary executor: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread." Brod told Kafka that he intended not to honor these wishes, but Kafka, so knowing, nevertheless consequently gave these directions specifically to Brod, who, so reasoning, overrode these wishes. Brod in fact oversaw the publication of most of work of Kafka in his possession; these works quickly began to attract attention and high critical regard.
Max Brod encountered significant difficulty in compiling notebooks of Kafka into any chronological order as Kafka started writing in the middle of notebooks, from the last towards the first, et cetera.
Kafka wrote all his published works in German except several letters in Czech to Milena Jesensk谩.
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June 26, 2024
A Country Doctor is a collection of enigmatic tales鈥� Philosophy of absurdism鈥� Paradoxical parables鈥� Whimsical vignettes鈥�
How do you like to have a horse for an advocate? Actually nobody cares鈥�
The doctor鈥檚 nightmarish visit to a patient鈥� Or is it just the doctor鈥檚 bad dream?
Is the gallery different from the circus? What has one to do if barbarians invade the city?
Everybody wishes to reach the Law鈥� But is the Law reachable?
Jackals have their secret desires鈥� But nothing can change their nature鈥�
Engineers come to a mine with a special mission鈥� But for the miners their visit is nothing more than an entertainment鈥�
Any journey 鈥� even to the next village 鈥� is full of uncertainty鈥�
Can the message of a dying emperor ever reach you?
There is a mysterious creature called Odradek but no one, except Franz Kafka, has ever met it鈥�
There are eleven sons鈥� They are different in many ways鈥� But all of them are sons of their father鈥�
Jealousy is a motive of the horrifying fratricide鈥�
In his dream Josef K. finds himself in the cemetery near a fresh grave鈥� Consequences are predictable鈥�
And at last there is an ape鈥檚 report to the academy about the way it has turned into a sapient being鈥�
The world is full of paradoxes and our existence in this world is no less paradoxical.
How do you like to have a horse for an advocate? Actually nobody cares鈥�
The doctor鈥檚 nightmarish visit to a patient鈥� Or is it just the doctor鈥檚 bad dream?
Gaunt, without any fever, not cold, not warm, with vacant eyes, without a shirt, the youngster heaved himself up from under the feather bedding, threw his arms around my neck, and whispered in my ear: 鈥楧octor, let me die.鈥�
Is the gallery different from the circus? What has one to do if barbarians invade the city?
Speech with the nomads is impossible. They do not know our language, indeed they hardly have a language of their own. They communicate with each other much as jackdaws do.
Everybody wishes to reach the Law鈥� But is the Law reachable?
Jackals have their secret desires鈥� But nothing can change their nature鈥�
Engineers come to a mine with a special mission鈥� But for the miners their visit is nothing more than an entertainment鈥�
Any journey 鈥� even to the next village 鈥� is full of uncertainty鈥�
Can the message of a dying emperor ever reach you?
There is a mysterious creature called Odradek but no one, except Franz Kafka, has ever met it鈥�
鈥he whole thing looks senseless enough, but in its own way perfectly finished. In any case, closer scrutiny is impossible, since Odradek is extraordinarily nimble and can never be laid hold of.
There are eleven sons鈥� They are different in many ways鈥� But all of them are sons of their father鈥�
Jealousy is a motive of the horrifying fratricide鈥�
In his dream Josef K. finds himself in the cemetery near a fresh grave鈥� Consequences are predictable鈥�
And at last there is an ape鈥檚 report to the academy about the way it has turned into a sapient being鈥�
When I come home late at night from banquets, from scientific receptions, from social gatherings, there sits waiting for me a half-trained little chimpanzee and I take comfort from her as apes do.
The world is full of paradoxes and our existence in this world is no less paradoxical.
April 1, 2025
When the Way (Hanuka in the OT) first opens up to us, it is under the Aegis of a Nightmare. Such is the Law.
Especially if we revert to the beckoning recourse of the spirit at the cataclysmic advent of Coming of Age. For the spirit then gives no shelter, because in our wayward youth we only return to it as semi-strangers.
Youth is a time for wandering, for responding to the Call of the Wild by striking out in new directions. It's just too bad for us and for Kafka that all those roads lead to the nightmare of our Jungian Shadow. The Sum of All Fears.
And if you are the son of a strict and domineering father, as Kafka was, that Shadow kills. Such, indeed, was, in weird embryo, the unformed conception of these dreamlike stories.
And if like Kafka and myself you grew up on the pale and sickly side of robust health, you'll find - like us - that the stirring of your restless soul in adolescence casts up the ghoulish relics of febrile demons from childhood nightmares upon the Rocky beach of your Awakening.
That makes it worse.
And it is at this moment that the command of the father blares out its dire warning: "Give it up!"
So at this point in your life, like the bone-weary Country Doctor, you have two chances at success - slim and none. Or so the febrile demons on the beach tell us.
Are they right?
Of course not. But at that fateful moment in our lives, all "Nature, red in tooth and claw" blocks our way with the bad news that they are.
Don't listen.
Don't give it up.
The prize of life is too rare a jewel to end the Quest in a Slough.
We have our marching orders.
Life's not a show, friends - it's a STRUGGLE.
***
AND NOW... here's Will Self, on researching this story!
Especially if we revert to the beckoning recourse of the spirit at the cataclysmic advent of Coming of Age. For the spirit then gives no shelter, because in our wayward youth we only return to it as semi-strangers.
Youth is a time for wandering, for responding to the Call of the Wild by striking out in new directions. It's just too bad for us and for Kafka that all those roads lead to the nightmare of our Jungian Shadow. The Sum of All Fears.
And if you are the son of a strict and domineering father, as Kafka was, that Shadow kills. Such, indeed, was, in weird embryo, the unformed conception of these dreamlike stories.
And if like Kafka and myself you grew up on the pale and sickly side of robust health, you'll find - like us - that the stirring of your restless soul in adolescence casts up the ghoulish relics of febrile demons from childhood nightmares upon the Rocky beach of your Awakening.
That makes it worse.
And it is at this moment that the command of the father blares out its dire warning: "Give it up!"
So at this point in your life, like the bone-weary Country Doctor, you have two chances at success - slim and none. Or so the febrile demons on the beach tell us.
Are they right?
Of course not. But at that fateful moment in our lives, all "Nature, red in tooth and claw" blocks our way with the bad news that they are.
Don't listen.
Don't give it up.
The prize of life is too rare a jewel to end the Quest in a Slough.
We have our marching orders.
Life's not a show, friends - it's a STRUGGLE.
***
AND NOW... here's Will Self, on researching this story!
January 24, 2022
Ein Landarzt = A Country Doctor, Franz Kafka
A Country Doctor is a short story written in 1917 by Franz Kafka. It was first published in the collection of short stories of the same title. The plot follows a country doctor's hapless struggle to attend a sick young boy on a cold winter's night. A series of surreal events occur in the process, including the appearance of a mysterious groom (stablehand) in a pig shed.
It begins with the doctor having to urgently attend a sick patient, but his sole horse died the night before, so his maid Rosa goes off to ask for another. She returns empty-handed 鈥� "Of course, who is now going to lend her his horse for such a journey?" 鈥�, but, just as the doctor is expressing his distraction and torment by kicking at the cracked sty door, a mysterious groom appears and supplies him with a team of magnificent horses.
The groom, being the oaf that he is, boorishly kisses the maid when she tries to hand him a harness, leaving her cheek with two rows of red tooth marks. The doctor scolds him furiously but quickly realizes that he is in his debt and, on the groom's beckoning, jumps happily into the gig. The groom declines to travel with him, preferring to stay with the terrified Rosa, who dashes into the house and makes every effort to secure herself, although her fate is inevitable.
The doctor can do nothing to stop the groom, who, with a simple "Giddy up!", sends the horses on their way. The doctor is almost instantly transported to his sick patient's courtyard. It is, he says, "as if the farm yard of my invalid opens up immediately in front of my courtyard gate", when, in reality (insofar as that term may be applied to this story), it is all of ten miles away.
Short stories:
1. The New Advocate
2. A Country Doctor
3. Up in the Gallery
4. A Leaf from an Old Manuscript
5. Before the Law
6. Jackals and Arabs
7. A Visit to the Mine
8. The Next Village
9. A Message from the Emperor
10. A Problem for the Father of the Family
11. Eleven Sons
12. A Fratricide
13. A Dream
14. Report to the Academy
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 丿賴賲 賲丕賴 丌賵乇蹖賱 爻丕賱1976賲蹖賱丕丿蹖
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 03/11/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 03/11/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
A Country Doctor is a short story written in 1917 by Franz Kafka. It was first published in the collection of short stories of the same title. The plot follows a country doctor's hapless struggle to attend a sick young boy on a cold winter's night. A series of surreal events occur in the process, including the appearance of a mysterious groom (stablehand) in a pig shed.
It begins with the doctor having to urgently attend a sick patient, but his sole horse died the night before, so his maid Rosa goes off to ask for another. She returns empty-handed 鈥� "Of course, who is now going to lend her his horse for such a journey?" 鈥�, but, just as the doctor is expressing his distraction and torment by kicking at the cracked sty door, a mysterious groom appears and supplies him with a team of magnificent horses.
The groom, being the oaf that he is, boorishly kisses the maid when she tries to hand him a harness, leaving her cheek with two rows of red tooth marks. The doctor scolds him furiously but quickly realizes that he is in his debt and, on the groom's beckoning, jumps happily into the gig. The groom declines to travel with him, preferring to stay with the terrified Rosa, who dashes into the house and makes every effort to secure herself, although her fate is inevitable.
The doctor can do nothing to stop the groom, who, with a simple "Giddy up!", sends the horses on their way. The doctor is almost instantly transported to his sick patient's courtyard. It is, he says, "as if the farm yard of my invalid opens up immediately in front of my courtyard gate", when, in reality (insofar as that term may be applied to this story), it is all of ten miles away.
Short stories:
1. The New Advocate
2. A Country Doctor
3. Up in the Gallery
4. A Leaf from an Old Manuscript
5. Before the Law
6. Jackals and Arabs
7. A Visit to the Mine
8. The Next Village
9. A Message from the Emperor
10. A Problem for the Father of the Family
11. Eleven Sons
12. A Fratricide
13. A Dream
14. Report to the Academy
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 乇賵夭 丿賴賲 賲丕賴 丌賵乇蹖賱 爻丕賱1976賲蹖賱丕丿蹖
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鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 03/11/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 03/11/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
August 7, 2023
芦Con una hermosa herida vine al mundo; era todo cuanto ten铆a禄.
En esta intensa etapa de ebullici贸n literaria y espiritual que Kafka estaba atravesando y ya con la tuberculosis recorriendo sus venas, sigui贸 escribiendo frecuentemente y entre diciembre de 1916 y enero de 1917 redact贸 la mayor铆a de los relatos que se transformar铆an un libro hermoso: Un m茅dico rural. Juntamente con estas narraciones, tambi茅n hab铆a terminado otro texto importante llamado La construcci贸n de la muralla china.
Pero previamente a la publicaci贸n que se demorar铆a casi tres a帽os, tuvo la oportunidad de que el diario Prager Tagblatt publicara en enero de 1917 uno de los relatos titulado 鈥淯n sue帽o鈥� y nuevamente a gracias a la intervenci贸n del inefable Max Brod, aparecer谩n en noviembre los relatos 鈥淐hacales y 谩rabes鈥� y el excepcional 鈥淚nforme para una academia鈥� en la revista Der Jude de Martin Buber a quien Kafka le agradece por anticipado en una carta fechada el 12 de mayo: 芦As铆 que al fin voy a ser publicado en Der Jude, cosa que siempre habr铆a cre铆do imposible. Ruego no llamar a esas piezas par谩bolas, pues no lo son en sentido estricto. Si usted quiere un t铆tulo general, quiz谩s lo mejor ser铆a 鈥淒os cuentos de animales鈥澛�.
En los primeros d铆as del mes de julio comienza a intercambiar correspondencia con Kurt Wolff (tambi茅n con ayuda previa de Max) para ver la posibilidad de publicar Un m茅dico rural en formato de libro con el subt铆tulo Relatos breves, pero a partir de enero de 1918 la publicaci贸n comenzar谩 a demorarse debido a diversos factores que conspiraron en su contra: desde errores en el orden de los relatos, la omisi贸n por parte de la editora de incluir la dedicatoria a Hermann Kafka que Franz tanto quer铆a, como tambi茅n por la falta de las tipograf铆as en las imprentas para comenzar la publicaci贸n.
Sumado a esto, el gerente Georg Heinrich Meyer de la editorial, en ausencia de Kurt Wolff, tom贸 la edici贸n del libro confundiendo los nombres de los relatos 鈥淯n fratricidio鈥� con 鈥淯n crimen鈥� cuando se trataba del mismo cuento al que en realidad Kafka hab铆a corregido y cambiado el nombre.
La guerra segu铆a complicando las cosas, pues faltaban insumos, escaseaba el personal (muchos hombres a煤n estaban enrolados en el ej茅rcito) y los costos del papel se encarec铆an fuertemente complicando a todas las editoriales, excusa que Meyer siempre le daba a Kafka quien sab铆a que no era cierto teniendo en cuenta que su libro poseer铆a una vez editado menos p谩ginas que una novela convencional.
Para colmo de males, las galeradas y pruebas de imprenta llegaban mal confeccionadas, cuesti贸n que lo irritaba mucho y le hac铆an perder tiempo especialmente en detalles menores para la editorial, pero de alta importancia para 茅l y que es la dedicatoria a su padre que omit铆an constantemente por lo que se encarga de aclarar este asunto en sendas cartas del 1掳 de octubre de 1918 (芦Les ruego no olviden tampoco la dedicatoria del libro 鈥淎 mi padre鈥�), y a principios de 1919 (芦Del libro Un m茅dico rural falta la p谩gina del t铆tulo y la de la dedicatoria. Ruego que las incluyan en el pr贸ximo env铆o禄).
A su vuelta, Wolff intent贸 convencer a Kafka de publicar Un m茅dico rural en conjunto con En la colonia penitenciaria, idea que el autor rechaz贸 de cuajo y sin concesiones. 脡l ten铆a muy en claro cu谩l ser铆a el orden de los relatos y s贸lo hab铆a cedido en que se publicara la par谩bola Ante la Ley en este libro.
Meses antes, 茅l ya ten铆a muy en claro hacia donde se dirig铆a y cu谩les eran sus ambiciones. En una entrada de sus Diarios escribe: 芦Todav铆a puedo obtener una satisfacci贸n pasajera de trabajos como Un m茅dico rural, en el supuesto de que a煤n logre escribir algo as铆 (cosa muy improbable), pero felicidad, solo si puedo elevar el mundo a lo puro, verdadero, inmutable禄. Tengamos en cuenta que todav铆a se debate en seguir sosteniendo su relaci贸n con Felice Bauer, est谩 aislado en Z眉rau y escribiendo en un estado de efervescencia literaria y empieza a complicarse su salud poco a poco con el avance de la tuberculosis.
M谩s all谩 de todos los contratiempos que el libro sufri贸 antes de su publicaci贸n, Kafka tuvo su recompensa, porque Kurt Wolff public贸 de manera separada En la colonia penitenciaria y posteriormente apareci贸 finalmente un bello tomito de Un m茅dico rural con una tirada de mil ejemplares, el cual, por tratarse de Kafka un autor a煤n desconocido por muchos, s贸lo tuvo una sola y simple rese帽a hecha por un cr铆tico del diario Prager Tagblatt.
Jorge Luis Borges afirmaba que el volumen de relatos Un m茅dico rural se compone de 芦catorce cuentos fant谩sticos o catorce lac贸nicas pesadillas禄. No pod铆a estar m谩s acertado. La esencia kafkiana sobrevuela cada uno de estos relatos con su impronta y su sello.
Los relatos con casi perfectos, 煤nicos y poseen un brillo particular, con caracter铆sticas que solo comparten con los de Contemplaci贸n, su primer volumen, aunque no tan fresco ni ingenuo. Cada uno de ellos encierran perfectas alegor铆as, historias on铆ricas y absurdas que funcionan como piezas de relojer铆a.
Ya desde el primer relato 鈥淯n nuevo abogado鈥� en el que el caballo Buc茅falo decide emanciparse de su jinete que es nada m谩s y nada menos que el gran conquistador Alejandro Magno para transformarse en un abogado, nos da la idea de d贸nde vamos a ingresar con la lectura de este libro, pues es el mismo tenor absurdo del cuento el que nos invita a seguir recorriendo sus p谩ginas.
Y en el segundo relato (que s铆 es un cuento), nos topamos con uno de los dos mejores del libro (el otro es 鈥淚nforme para una Academia鈥�), porque este cuento fant谩stico, surrealista y sobrenatural que adem谩s le da el nombre al t铆tulo es uno de los m谩s logrados de Franz Kafka.
La pesadillesca y densa atm贸sfera que envuelve al relato 鈥淯n m茅dico rural鈥� hace que el lector se sumerja en ella y no pueda salir m谩s hasta leer la l铆nea final. Reci茅n all铆 levantar谩 la cabeza y se preguntar谩 qu茅 es lo que ha acabado de leer.
En este estado de confusi贸n nos deja Kafka para comenzar a leer el pr贸ximo relato, que incurre en las visiones de voyeur como sucede en el relato 鈥淓n la galer铆a鈥� sobre las impresiones de un joven que ve a una hermosa 茅cuy猫re de circo o el de un simple trabajador que describe a los visitantes de su trabajo en 鈥淯na visita la mina鈥�.
Los relatos que tanto le gustaban a Borges y que tienen que ver con lo infinito son la reflexi贸n propuesta en 鈥淟a aldea m谩s cercana鈥� y el bell铆simo 鈥淯n mensaje imperial鈥�, emparentado con el relato no incluido en este libro 鈥淟a construcci贸n de la muralla china鈥� y que recuerda a 鈥淎quiles y la tortuga鈥�, casualmente de Borges.
Tambi茅n se incluye la impecable y ya m铆tica par谩bola 鈥淎nte la Ley鈥�, que aparece exactamente igual a aquella contada por el sacerdote de la novela El Proceso y que nos llevan al desconcierto, la suposici贸n y la contemplaci贸n de la peque帽ez del ser humano, tal como Kafka sol铆a percibir en s铆 mismo.
En 鈥淐hacales y 谩rabes鈥� nos encontramos con un claro ejemplo del ser humano ante la imposibilidad de alcanzar la inclusi贸n, algo que result贸 tan duro para el pueblo jud铆o y que en cierta manera nos muestra las humillaciones y postergaciones que tuvieron que soportar durante cientos de a帽os. As铆 lo indica el chacal que habla con el personaje principal. Para 茅l el hecho de estar entre los 谩rabes es terrible, pero a la vez est谩n condenados a convivir y ser humillados. El cuento fue un tanto cuestionado por los jud铆os contempor谩neos de Kafka que creyeron ver detr谩s de este relato un enaltecimiento del 谩rabe en el que el jud铆o solo muestra sometimiento y cobard铆a
La 煤ltima parte del libro oscila entre el surrealismo de 鈥淧reocupaciones de un padre de familia鈥� que tranquilamente podr铆a haberse llamado 鈥淥dradek鈥�, ya que el narrador describe una peque帽a y extra帽a criatura fant谩stica que posee, tal vez inspirada en los cuentos de hadas y que hasta pareciera ser un antepasado de ciertas criaturas en los libros de Harry Potter.
La descripci贸n de Odradek que Kafka hace aqu铆 logr贸 que muchos hayan intentado dibujarlo: 芦A primera vista resulta similar a un carrete de hilo plano y estrellado, y realmente parece recubierto de hilo; no obstante podr铆an ser hilos viejos y rotos, anudados entre s铆, o trozos de hilos, retorcidos y enredados, de distintas formas y colores. Pero no es s贸lo un carrete, sino que de la mitad de la estrella sobresale un bastoncito atravesado al que se suma otro en 谩ngulo recto. Con la ayuda de este bastoncito por una parte, y con una de las irradiaciones de la estrella, por otra, puede sostenerse de pie como si tuviera dos piernas禄.
Sobre el final del relato se dice que la Odradek es 芦como la de alguien que no tiene pulmones. Suena m谩s o menos como el susurro de las hojas ca铆das禄, o sea que ese susurro es casi como el del propio Kafka d铆as antes de morir.
鈥淥nce hijos鈥� es tal /vez junto con 鈥淧reocupaciones de un padre de familia鈥� el relato m谩s entra帽able, que trata en este caso de un padre que describe las caracter铆sticas m谩s sobresalientes de cada uno de sus hijos y que en cierto modo representa la heterogeneidad de la raza humana (tal vez como la ve铆a Kafka), de las cosas que nos diferencian y que a la vez nos hace 煤nicos, aunque estos hijos pero que son queridos por este padre por igual m谩s all谩 del defecto en particular que cada uno de ellos tiene.
Por otra parte y como se coment贸 previamente el relato 鈥淯n sue帽o鈥� tiene como personaje a K., de la novela El proceso y parece haber sido un borrador o una idea que Kafka ten铆a para esa novela pero que por alguna raz贸n no fue incluida. En la narraci贸n K. enfrenta la visi贸n de su propia muerte, premonitoria seguramente, pero sobre el final la 煤ltima frase comprueba o refuta todo el relato seg煤n lo que uno perciba luego de leerlo.
Vuelvo a nombrar a Borges porque da la sensaci贸n mientras se lee el relato 鈥淯n fratricidio鈥� donde el narrador ve como un asesino se sale con la suya, le hace al lector recordar aquellos enfrentamientos entre cuchilleros de arrabal tan propios de los personajes borgeanos.
Por 煤ltimo, el otro relato sobresaliente del libro: 鈥淚nforme para una Academia鈥� o la historia del mono, como Kafka sol铆a nombrarla, que narra en primera persona la historia del chimpanc茅 que es capturado en su h谩bitat natural y es domesticado a tal punto que 茅l mismo decide volverse lo m谩s humano posible.
El relato encierra en s铆 mismo varias connotaciones, siendo la m谩s notoria la met谩fora que plantea acerca de la civilizaci贸n y una puesta bajo la lupa de la idiosincrasia jud铆a, un tanto velada para el lector normal pero que para aquellos que leyeron el relato en la revista Der Jude, no pas贸 inadvertida.
La intenci贸n del mono fue siempre la misma y lo aclara en un punto del relato: 芦Repito: no me cautivaba imitar a los humanos; los imitaba porque buscaba una salida; no por otro motivo禄.
De una manera inexplicable Kafka vuelve a anticipar los pesares del pueblo jud铆o durante el nazismo cuando son comenzaron a ser 鈥渕arcados鈥� en el brazo debiendo utilizar un brazalete amarillo con la estrella de David, ya que en el relato el mono dice: 芦Dispararon: fui el 煤nico que hirieron, alcanzado por dos tiros. Uno en la mejilla. Fue leve, pero dej贸 una gran cicatriz pelada y roja que me vali贸 el repulsivo nombre de Peter el Rojo, tal como si solo por esa mancha roja me diferenciara de aquel simio amaestrado llamado Peter, que no hace mucho revent贸 y cuyo renombre era, por lo dem谩s, meramente local禄.
Lo m谩s sorprendente del relato es que el mono tiene para s铆 una chimpanc茅 semiamaestrada como esclava sexual, pero se siente tan humano ya que de d铆a no puede verla por 鈥渆sa demencia de animal alterado por el adiestramiento鈥�, que ir贸nicamente intenta diferenciar del suyo.
Un m茅dico rural es reconocido hoy por la originalidad y calidad de sus catorce textos que poseen una excepcional belleza solamente comparable a Contemplaci贸n y que dif铆cilmente vuelva a aparecer en el 煤ltimo tramo de la obra de Kafka con el mismo grado de perfecci贸n que posee este peque帽o librito, al cual podr铆a leer mil veces.
En esta intensa etapa de ebullici贸n literaria y espiritual que Kafka estaba atravesando y ya con la tuberculosis recorriendo sus venas, sigui贸 escribiendo frecuentemente y entre diciembre de 1916 y enero de 1917 redact贸 la mayor铆a de los relatos que se transformar铆an un libro hermoso: Un m茅dico rural. Juntamente con estas narraciones, tambi茅n hab铆a terminado otro texto importante llamado La construcci贸n de la muralla china.
Pero previamente a la publicaci贸n que se demorar铆a casi tres a帽os, tuvo la oportunidad de que el diario Prager Tagblatt publicara en enero de 1917 uno de los relatos titulado 鈥淯n sue帽o鈥� y nuevamente a gracias a la intervenci贸n del inefable Max Brod, aparecer谩n en noviembre los relatos 鈥淐hacales y 谩rabes鈥� y el excepcional 鈥淚nforme para una academia鈥� en la revista Der Jude de Martin Buber a quien Kafka le agradece por anticipado en una carta fechada el 12 de mayo: 芦As铆 que al fin voy a ser publicado en Der Jude, cosa que siempre habr铆a cre铆do imposible. Ruego no llamar a esas piezas par谩bolas, pues no lo son en sentido estricto. Si usted quiere un t铆tulo general, quiz谩s lo mejor ser铆a 鈥淒os cuentos de animales鈥澛�.
En los primeros d铆as del mes de julio comienza a intercambiar correspondencia con Kurt Wolff (tambi茅n con ayuda previa de Max) para ver la posibilidad de publicar Un m茅dico rural en formato de libro con el subt铆tulo Relatos breves, pero a partir de enero de 1918 la publicaci贸n comenzar谩 a demorarse debido a diversos factores que conspiraron en su contra: desde errores en el orden de los relatos, la omisi贸n por parte de la editora de incluir la dedicatoria a Hermann Kafka que Franz tanto quer铆a, como tambi茅n por la falta de las tipograf铆as en las imprentas para comenzar la publicaci贸n.
Sumado a esto, el gerente Georg Heinrich Meyer de la editorial, en ausencia de Kurt Wolff, tom贸 la edici贸n del libro confundiendo los nombres de los relatos 鈥淯n fratricidio鈥� con 鈥淯n crimen鈥� cuando se trataba del mismo cuento al que en realidad Kafka hab铆a corregido y cambiado el nombre.
La guerra segu铆a complicando las cosas, pues faltaban insumos, escaseaba el personal (muchos hombres a煤n estaban enrolados en el ej茅rcito) y los costos del papel se encarec铆an fuertemente complicando a todas las editoriales, excusa que Meyer siempre le daba a Kafka quien sab铆a que no era cierto teniendo en cuenta que su libro poseer铆a una vez editado menos p谩ginas que una novela convencional.
Para colmo de males, las galeradas y pruebas de imprenta llegaban mal confeccionadas, cuesti贸n que lo irritaba mucho y le hac铆an perder tiempo especialmente en detalles menores para la editorial, pero de alta importancia para 茅l y que es la dedicatoria a su padre que omit铆an constantemente por lo que se encarga de aclarar este asunto en sendas cartas del 1掳 de octubre de 1918 (芦Les ruego no olviden tampoco la dedicatoria del libro 鈥淎 mi padre鈥�), y a principios de 1919 (芦Del libro Un m茅dico rural falta la p谩gina del t铆tulo y la de la dedicatoria. Ruego que las incluyan en el pr贸ximo env铆o禄).
A su vuelta, Wolff intent贸 convencer a Kafka de publicar Un m茅dico rural en conjunto con En la colonia penitenciaria, idea que el autor rechaz贸 de cuajo y sin concesiones. 脡l ten铆a muy en claro cu谩l ser铆a el orden de los relatos y s贸lo hab铆a cedido en que se publicara la par谩bola Ante la Ley en este libro.
Meses antes, 茅l ya ten铆a muy en claro hacia donde se dirig铆a y cu谩les eran sus ambiciones. En una entrada de sus Diarios escribe: 芦Todav铆a puedo obtener una satisfacci贸n pasajera de trabajos como Un m茅dico rural, en el supuesto de que a煤n logre escribir algo as铆 (cosa muy improbable), pero felicidad, solo si puedo elevar el mundo a lo puro, verdadero, inmutable禄. Tengamos en cuenta que todav铆a se debate en seguir sosteniendo su relaci贸n con Felice Bauer, est谩 aislado en Z眉rau y escribiendo en un estado de efervescencia literaria y empieza a complicarse su salud poco a poco con el avance de la tuberculosis.
M谩s all谩 de todos los contratiempos que el libro sufri贸 antes de su publicaci贸n, Kafka tuvo su recompensa, porque Kurt Wolff public贸 de manera separada En la colonia penitenciaria y posteriormente apareci贸 finalmente un bello tomito de Un m茅dico rural con una tirada de mil ejemplares, el cual, por tratarse de Kafka un autor a煤n desconocido por muchos, s贸lo tuvo una sola y simple rese帽a hecha por un cr铆tico del diario Prager Tagblatt.
Jorge Luis Borges afirmaba que el volumen de relatos Un m茅dico rural se compone de 芦catorce cuentos fant谩sticos o catorce lac贸nicas pesadillas禄. No pod铆a estar m谩s acertado. La esencia kafkiana sobrevuela cada uno de estos relatos con su impronta y su sello.
Los relatos con casi perfectos, 煤nicos y poseen un brillo particular, con caracter铆sticas que solo comparten con los de Contemplaci贸n, su primer volumen, aunque no tan fresco ni ingenuo. Cada uno de ellos encierran perfectas alegor铆as, historias on铆ricas y absurdas que funcionan como piezas de relojer铆a.
Ya desde el primer relato 鈥淯n nuevo abogado鈥� en el que el caballo Buc茅falo decide emanciparse de su jinete que es nada m谩s y nada menos que el gran conquistador Alejandro Magno para transformarse en un abogado, nos da la idea de d贸nde vamos a ingresar con la lectura de este libro, pues es el mismo tenor absurdo del cuento el que nos invita a seguir recorriendo sus p谩ginas.
Y en el segundo relato (que s铆 es un cuento), nos topamos con uno de los dos mejores del libro (el otro es 鈥淚nforme para una Academia鈥�), porque este cuento fant谩stico, surrealista y sobrenatural que adem谩s le da el nombre al t铆tulo es uno de los m谩s logrados de Franz Kafka.
La pesadillesca y densa atm贸sfera que envuelve al relato 鈥淯n m茅dico rural鈥� hace que el lector se sumerja en ella y no pueda salir m谩s hasta leer la l铆nea final. Reci茅n all铆 levantar谩 la cabeza y se preguntar谩 qu茅 es lo que ha acabado de leer.
En este estado de confusi贸n nos deja Kafka para comenzar a leer el pr贸ximo relato, que incurre en las visiones de voyeur como sucede en el relato 鈥淓n la galer铆a鈥� sobre las impresiones de un joven que ve a una hermosa 茅cuy猫re de circo o el de un simple trabajador que describe a los visitantes de su trabajo en 鈥淯na visita la mina鈥�.
Los relatos que tanto le gustaban a Borges y que tienen que ver con lo infinito son la reflexi贸n propuesta en 鈥淟a aldea m谩s cercana鈥� y el bell铆simo 鈥淯n mensaje imperial鈥�, emparentado con el relato no incluido en este libro 鈥淟a construcci贸n de la muralla china鈥� y que recuerda a 鈥淎quiles y la tortuga鈥�, casualmente de Borges.
Tambi茅n se incluye la impecable y ya m铆tica par谩bola 鈥淎nte la Ley鈥�, que aparece exactamente igual a aquella contada por el sacerdote de la novela El Proceso y que nos llevan al desconcierto, la suposici贸n y la contemplaci贸n de la peque帽ez del ser humano, tal como Kafka sol铆a percibir en s铆 mismo.
En 鈥淐hacales y 谩rabes鈥� nos encontramos con un claro ejemplo del ser humano ante la imposibilidad de alcanzar la inclusi贸n, algo que result贸 tan duro para el pueblo jud铆o y que en cierta manera nos muestra las humillaciones y postergaciones que tuvieron que soportar durante cientos de a帽os. As铆 lo indica el chacal que habla con el personaje principal. Para 茅l el hecho de estar entre los 谩rabes es terrible, pero a la vez est谩n condenados a convivir y ser humillados. El cuento fue un tanto cuestionado por los jud铆os contempor谩neos de Kafka que creyeron ver detr谩s de este relato un enaltecimiento del 谩rabe en el que el jud铆o solo muestra sometimiento y cobard铆a
La 煤ltima parte del libro oscila entre el surrealismo de 鈥淧reocupaciones de un padre de familia鈥� que tranquilamente podr铆a haberse llamado 鈥淥dradek鈥�, ya que el narrador describe una peque帽a y extra帽a criatura fant谩stica que posee, tal vez inspirada en los cuentos de hadas y que hasta pareciera ser un antepasado de ciertas criaturas en los libros de Harry Potter.
La descripci贸n de Odradek que Kafka hace aqu铆 logr贸 que muchos hayan intentado dibujarlo: 芦A primera vista resulta similar a un carrete de hilo plano y estrellado, y realmente parece recubierto de hilo; no obstante podr铆an ser hilos viejos y rotos, anudados entre s铆, o trozos de hilos, retorcidos y enredados, de distintas formas y colores. Pero no es s贸lo un carrete, sino que de la mitad de la estrella sobresale un bastoncito atravesado al que se suma otro en 谩ngulo recto. Con la ayuda de este bastoncito por una parte, y con una de las irradiaciones de la estrella, por otra, puede sostenerse de pie como si tuviera dos piernas禄.
Sobre el final del relato se dice que la Odradek es 芦como la de alguien que no tiene pulmones. Suena m谩s o menos como el susurro de las hojas ca铆das禄, o sea que ese susurro es casi como el del propio Kafka d铆as antes de morir.
鈥淥nce hijos鈥� es tal /vez junto con 鈥淧reocupaciones de un padre de familia鈥� el relato m谩s entra帽able, que trata en este caso de un padre que describe las caracter铆sticas m谩s sobresalientes de cada uno de sus hijos y que en cierto modo representa la heterogeneidad de la raza humana (tal vez como la ve铆a Kafka), de las cosas que nos diferencian y que a la vez nos hace 煤nicos, aunque estos hijos pero que son queridos por este padre por igual m谩s all谩 del defecto en particular que cada uno de ellos tiene.
Por otra parte y como se coment贸 previamente el relato 鈥淯n sue帽o鈥� tiene como personaje a K., de la novela El proceso y parece haber sido un borrador o una idea que Kafka ten铆a para esa novela pero que por alguna raz贸n no fue incluida. En la narraci贸n K. enfrenta la visi贸n de su propia muerte, premonitoria seguramente, pero sobre el final la 煤ltima frase comprueba o refuta todo el relato seg煤n lo que uno perciba luego de leerlo.
Vuelvo a nombrar a Borges porque da la sensaci贸n mientras se lee el relato 鈥淯n fratricidio鈥� donde el narrador ve como un asesino se sale con la suya, le hace al lector recordar aquellos enfrentamientos entre cuchilleros de arrabal tan propios de los personajes borgeanos.
Por 煤ltimo, el otro relato sobresaliente del libro: 鈥淚nforme para una Academia鈥� o la historia del mono, como Kafka sol铆a nombrarla, que narra en primera persona la historia del chimpanc茅 que es capturado en su h谩bitat natural y es domesticado a tal punto que 茅l mismo decide volverse lo m谩s humano posible.
El relato encierra en s铆 mismo varias connotaciones, siendo la m谩s notoria la met谩fora que plantea acerca de la civilizaci贸n y una puesta bajo la lupa de la idiosincrasia jud铆a, un tanto velada para el lector normal pero que para aquellos que leyeron el relato en la revista Der Jude, no pas贸 inadvertida.
La intenci贸n del mono fue siempre la misma y lo aclara en un punto del relato: 芦Repito: no me cautivaba imitar a los humanos; los imitaba porque buscaba una salida; no por otro motivo禄.
De una manera inexplicable Kafka vuelve a anticipar los pesares del pueblo jud铆o durante el nazismo cuando son comenzaron a ser 鈥渕arcados鈥� en el brazo debiendo utilizar un brazalete amarillo con la estrella de David, ya que en el relato el mono dice: 芦Dispararon: fui el 煤nico que hirieron, alcanzado por dos tiros. Uno en la mejilla. Fue leve, pero dej贸 una gran cicatriz pelada y roja que me vali贸 el repulsivo nombre de Peter el Rojo, tal como si solo por esa mancha roja me diferenciara de aquel simio amaestrado llamado Peter, que no hace mucho revent贸 y cuyo renombre era, por lo dem谩s, meramente local禄.
Lo m谩s sorprendente del relato es que el mono tiene para s铆 una chimpanc茅 semiamaestrada como esclava sexual, pero se siente tan humano ya que de d铆a no puede verla por 鈥渆sa demencia de animal alterado por el adiestramiento鈥�, que ir贸nicamente intenta diferenciar del suyo.
Un m茅dico rural es reconocido hoy por la originalidad y calidad de sus catorce textos que poseen una excepcional belleza solamente comparable a Contemplaci贸n y que dif铆cilmente vuelva a aparecer en el 煤ltimo tramo de la obra de Kafka con el mismo grado de perfecci贸n que posee este peque帽o librito, al cual podr铆a leer mil veces.
October 14, 2024
This is a very short story that you can finish in ten minutes. It is, however, most likely that you will spend much more time trying to figure out its meaning.
Almost every event in the story catches you off guard and finally transforms into the powerlessness of ordinary human beings. The main character - the country doctor - exhibits very little agency and has to accept what happens to him and around him.
For me, A Country Doctor was mainly about impotence in the face of hostile circumstances.
The story can be read
Almost every event in the story catches you off guard and finally transforms into the powerlessness of ordinary human beings. The main character - the country doctor - exhibits very little agency and has to accept what happens to him and around him.
For me, A Country Doctor was mainly about impotence in the face of hostile circumstances.
The story can be read
November 14, 2019
Filling prescriptions easy, but getting on with people is much harder.
As Human beings we are endowed with inquisitive brain, which is always in search of something to amuse it like a hound, chases it prey (who ostensibly us- the human) as if some of sort of evil force is guiding it. There are various human emotions such as guilt, regret, shame, anger and frustration which ride upon that force to keep us always on our toes. Kafka is one such author who delves into deep recesses of our brain to bring out stories which resembles our real life (which is dreadful realization indeed); and characters which are surreal, eerie, fragile, evil and full of shame but humane in every sense. He believed that literature can transform a person by opening him to depths of his inner self, the consciousness into which he may take plunge, only to find horrid self of him.
The narrator of 鈥楢 country Doctor鈥� symbolizes life of each one of us wherein we are endlessly haunted by acts of our past; the guilt, which take birth from them, keeps up following like a silhouette, only to rob us off the comfort, we find after making peace with our choices, which still keep hanging open like snakes who may bite us from past anytime in our present. The comfort we manufacture, is it inauthentic, weak and fragile? We need it for our never dying inquisitiveness which invariably remains in the prison of shame, guilt, fear, denial and self-criticism. The any sort of inauthentic comfort is ripped apart by piercing, menacing gauge of past which always stands in the way of present, eventually catapult our future. As human beings, we culture and train our consciousness to move forward, breaking away from eerie, surreal and crushing chains of guilt and forgone times; however consciousness is something which is most difficult to tame, any vague sense of fear or existential dread might throw it again from the height of balmy and soothing existence to the deep, cruel and endless well of nothingness.
The story is about human choices, the way they affect us. We invariably and inexhaustibly make choices which do not have our full heart in them but the savage circumstances keep us pressing and squeezing against our natural will to make condemned choices, and we are robbed off our 鈥榝ree鈥� will. We know that we are putting ourselves in trouble still the unknown but vicious force, aroused out of cruel circumstances, keep us pushing in to inauthentic existence- an existential hell, which we know at our heart that it would not absolve our past from the circumstantial and incidental choices.
The prose of the story is masterfully crafted by Kafka by putting injections through semicolons instead of sentence breaks, which gives the narrative a feel of small threads which though stands objectively but acts in unison to produce thrilling voices like a wind-chime. The realism of the world is interspersed among the surreal thoughts of the narrator to produce a scary and unsettling experience (driven by horses which act as ghostly embodiments of irrational forces) which only a casual reader might miss. We realize we are reading our own story, in fact everybody鈥檚 story, in which a single mistake might trigger a chain of disastrous events which become (seemingly) beyond our control. And gradually we become accomplice to the evil and thereby to find ourselves in an existential malaise.
鈥橶ill you save me?鈥� the boy whimpers, dazzled by the life in his wound.
Kafka鈥檚 control over narrative and language is second to none. However, here he uses first person narrative, unlike most of the stories of him wherein third person narrative gives limited chance to the voice of characters and thereby making them all the more feeble; in unusual first person narrative of the story, the reader is continuously bombarded with sinister events (which do not provide you any sense of comfort, of course) that come across the reader as if he/ she is unto his/ her own astonishing but frightening journey into deep depths of consciousness, only to further realize existential horror there. As typical with Kafka, the characters are very fragile and seem to be living on a thin thread which passes through the existential hell, in whose depths fire of nothingness keeps burning with full might.
In this surreal nightmare Kafka has succeeded in portraying the situation of the man who wants to help but cannot since his own existence is looking in horror at hell of nothingness because of the choices he made (not made) in his life. In fact the story portrays the condition of our entire age, as valid in contemporary times as it was then.
My own horse had died the previous night, on account of its over-exertions in the current icy winter; now my maid was running from pillar to post to look for replacement; but it was hopeless, I knew it, and, with the snow falling on me, I stood there increasingly rooted to the spot, and more and more aware of the pointless of it.
5/5
As Human beings we are endowed with inquisitive brain, which is always in search of something to amuse it like a hound, chases it prey (who ostensibly us- the human) as if some of sort of evil force is guiding it. There are various human emotions such as guilt, regret, shame, anger and frustration which ride upon that force to keep us always on our toes. Kafka is one such author who delves into deep recesses of our brain to bring out stories which resembles our real life (which is dreadful realization indeed); and characters which are surreal, eerie, fragile, evil and full of shame but humane in every sense. He believed that literature can transform a person by opening him to depths of his inner self, the consciousness into which he may take plunge, only to find horrid self of him.
The narrator of 鈥楢 country Doctor鈥� symbolizes life of each one of us wherein we are endlessly haunted by acts of our past; the guilt, which take birth from them, keeps up following like a silhouette, only to rob us off the comfort, we find after making peace with our choices, which still keep hanging open like snakes who may bite us from past anytime in our present. The comfort we manufacture, is it inauthentic, weak and fragile? We need it for our never dying inquisitiveness which invariably remains in the prison of shame, guilt, fear, denial and self-criticism. The any sort of inauthentic comfort is ripped apart by piercing, menacing gauge of past which always stands in the way of present, eventually catapult our future. As human beings, we culture and train our consciousness to move forward, breaking away from eerie, surreal and crushing chains of guilt and forgone times; however consciousness is something which is most difficult to tame, any vague sense of fear or existential dread might throw it again from the height of balmy and soothing existence to the deep, cruel and endless well of nothingness.
The story is about human choices, the way they affect us. We invariably and inexhaustibly make choices which do not have our full heart in them but the savage circumstances keep us pressing and squeezing against our natural will to make condemned choices, and we are robbed off our 鈥榝ree鈥� will. We know that we are putting ourselves in trouble still the unknown but vicious force, aroused out of cruel circumstances, keep us pushing in to inauthentic existence- an existential hell, which we know at our heart that it would not absolve our past from the circumstantial and incidental choices.
The prose of the story is masterfully crafted by Kafka by putting injections through semicolons instead of sentence breaks, which gives the narrative a feel of small threads which though stands objectively but acts in unison to produce thrilling voices like a wind-chime. The realism of the world is interspersed among the surreal thoughts of the narrator to produce a scary and unsettling experience (driven by horses which act as ghostly embodiments of irrational forces) which only a casual reader might miss. We realize we are reading our own story, in fact everybody鈥檚 story, in which a single mistake might trigger a chain of disastrous events which become (seemingly) beyond our control. And gradually we become accomplice to the evil and thereby to find ourselves in an existential malaise.
鈥橶ill you save me?鈥� the boy whimpers, dazzled by the life in his wound.
Kafka鈥檚 control over narrative and language is second to none. However, here he uses first person narrative, unlike most of the stories of him wherein third person narrative gives limited chance to the voice of characters and thereby making them all the more feeble; in unusual first person narrative of the story, the reader is continuously bombarded with sinister events (which do not provide you any sense of comfort, of course) that come across the reader as if he/ she is unto his/ her own astonishing but frightening journey into deep depths of consciousness, only to further realize existential horror there. As typical with Kafka, the characters are very fragile and seem to be living on a thin thread which passes through the existential hell, in whose depths fire of nothingness keeps burning with full might.
In this surreal nightmare Kafka has succeeded in portraying the situation of the man who wants to help but cannot since his own existence is looking in horror at hell of nothingness because of the choices he made (not made) in his life. In fact the story portrays the condition of our entire age, as valid in contemporary times as it was then.
My own horse had died the previous night, on account of its over-exertions in the current icy winter; now my maid was running from pillar to post to look for replacement; but it was hopeless, I knew it, and, with the snow falling on me, I stood there increasingly rooted to the spot, and more and more aware of the pointless of it.
5/5
July 6, 2019
丌诏乇: 噩賳丕亘 賳丕亘丕讴賵賮 賳馗乇鬲丕賳 乇丕 丿乇 賲賵乇丿 丕蹖賳 賳賵蹖爻賳丿诏丕賳 賲蹖鈥屭堐屰屫�
丕賵賱 禺丿丕蹖 乇賵爻蹖賴 蹖毓賳蹖 丿丕爻鬲丕蹖賵賮爻讴蹖
賭 蹖讴 丌卮睾丕賱 丕購賲賱
賭 讴丕賲賵 賵 爻丕乇鬲乇責
賭 丿賵 丕丨賲賯 讴賴 賮讴乇 賲蹖鈥屭┵嗁嗀� 禺蹖賱蹖 賲蹖鈥屬佡囐呝嗀�
賭 亘乇鬲賵賱丿 亘乇卮鬲責
賭 蹖讴 倬賵賮蹖賵夭 讴賲賵賳蹖爻鬲
賭 讴丕賮讴丕 趩胤賵乇責
(爻讴賵鬲蹖 讴丕賲賱 丨讴賲乇賮丕 賲蹖鈥屫促堌� 賵 賲賳 亘蹖 氐亘乇丕賳賴 賲賳鬲馗乇 賲蹖鈥屬呚з嗁�)
賭 丕賵 禺丿丕爻鬲 賵 趩蹖夭蹖 賳丿丕乇賲 亘诏賵蹖賲
賴賳丿賵賴丕 亘乇 丕蹖賳 亘丕賵乇賳丿 讴賴 賴乇讴賴 賲蹖鈥屭堐屫� 禺丿丕 乇丕 卮賳丕禺鬲賴 丕爻鬲 丕夭 禺丿丕 趩蹖夭蹖 賳賲蹖鈥屫з嗀� 丕賲丕 賴乇讴賴 賲蹖鈥屭堐屫� 賲賳 禺丿丕 乇丕 賳賲蹖鈥屫促嗀ж迟� 鬲丕夭賴 亘賴 禺丿丕卮賳丕爻蹖 乇爻蹖丿賴 丕爻鬲. 亘丕 丕蹖賳讴賴 丕蹖賳 诏賮鬲诏賵蹖 亘丕賱丕 禺蹖丕賱蹖爻鬲 丕賲丕 亘丕賵乇 丿丕乇賲 讴賴 讴丕賮讴丕 禺丿丕爻鬲 賵 亘賯蹖賴 賳賵蹖爻賳丿诏丕賳 丕賳爻丕賳鈥屬囏й屰� 賴爻鬲賳丿 讴賴 亘丕 讴賲蹖 鬲毓賲賯 賲蹖鈥屫堌з� 亘賴 讴賳賴 丕賳丿蹖卮賴鈥屫簇з� 倬蹖 亘乇丿...賴乇趩賴 亘蹖卮鬲乇 讴丕賮讴丕 賲蹖鈥屫堌з嗁� 亘賴 趩蹖夭賴丕蹖 鬲丕夭賴鈥屫臂� 亘乇禺賵乇丿 賲蹖鈥屭┵嗁� 亘賴 趩蹖夭賴丕蹖蹖 讴賴 賴賲蹖卮賴 亘賵丿賴鈥屫з嗀� 丕賲丕 賴蹖趩賵賯鬲 丌賳賴丕 乇丕 丕蹖賳诏賵賳賴 賳丿蹖丿賴 亘賵丿賲. 丕賵爻鬲 讴賴 賲丕 乇丕 丕夭 毓丕丿鬲鈥屬囏й屬呚з� 亘蹖丿丕乇 賲蹖鈥屭┵嗀� 賵 亘丕 趩賳丿 噩賲賱賴貙 賲丕 乇丕 亘賴 賵丨卮鬲 賵 讴丕亘賵爻 夭賳丿诏蹖 亘乇 賲蹖鈥屭必з嗀�
丿賴讴丿賴 亘毓丿蹖
倬丿乇亘夭乇诏賲 賲蹖鈥屭佖�: 夭賳丿诏蹖 毓噩蹖亘 讴賵鬲丕賴 丕爻鬲. 丨丕賱丕 讴賴 诏匕卮鬲賴 乇丕 亘蹖丕丿 賲蹖鈥屫①堌辟呚� 夭賳丿诏蹖 亘賴 賳馗乇賲 趩賳丕賳 賮卮乇丿賴 賲蹖鈥屫③屫� 讴賴 賲孬賱丕 賳賲蹖鈥屬佡囐呝� 趩胤賵乇 賲賲讴賳 丕爻鬲 噩賵丕賳蹖 鬲氐賲蹖賲 亘诏蹖乇丿 亘丕 丕爻亘卮 亘賴 丿賴讴丿賴鈥屰� 亘毓丿蹖 亘乇賵丿貙 丕賲丕 賳鬲乇爻丿 讴賴 賲亘丕丿丕 - 賯胤毓 賳馗乇 丕夭 丕鬲賮丕賯丕鬲 亘丿 - 賲丿鬲 夭賲丕賳 賴賲蹖賳 夭賳丿诏蹖 毓丕丿蹖 禺賵卮 賵 禺乇賲貙 讴賮丕蹖鬲 趩賳蹖賳 爻賮乇蹖 乇丕 賳讴賳丿
丕賵賱 禺丿丕蹖 乇賵爻蹖賴 蹖毓賳蹖 丿丕爻鬲丕蹖賵賮爻讴蹖
賭 蹖讴 丌卮睾丕賱 丕購賲賱
賭 讴丕賲賵 賵 爻丕乇鬲乇責
賭 丿賵 丕丨賲賯 讴賴 賮讴乇 賲蹖鈥屭┵嗁嗀� 禺蹖賱蹖 賲蹖鈥屬佡囐呝嗀�
賭 亘乇鬲賵賱丿 亘乇卮鬲責
賭 蹖讴 倬賵賮蹖賵夭 讴賲賵賳蹖爻鬲
賭 讴丕賮讴丕 趩胤賵乇責
(爻讴賵鬲蹖 讴丕賲賱 丨讴賲乇賮丕 賲蹖鈥屫促堌� 賵 賲賳 亘蹖 氐亘乇丕賳賴 賲賳鬲馗乇 賲蹖鈥屬呚з嗁�)
賭 丕賵 禺丿丕爻鬲 賵 趩蹖夭蹖 賳丿丕乇賲 亘诏賵蹖賲
賴賳丿賵賴丕 亘乇 丕蹖賳 亘丕賵乇賳丿 讴賴 賴乇讴賴 賲蹖鈥屭堐屫� 禺丿丕 乇丕 卮賳丕禺鬲賴 丕爻鬲 丕夭 禺丿丕 趩蹖夭蹖 賳賲蹖鈥屫з嗀� 丕賲丕 賴乇讴賴 賲蹖鈥屭堐屫� 賲賳 禺丿丕 乇丕 賳賲蹖鈥屫促嗀ж迟� 鬲丕夭賴 亘賴 禺丿丕卮賳丕爻蹖 乇爻蹖丿賴 丕爻鬲. 亘丕 丕蹖賳讴賴 丕蹖賳 诏賮鬲诏賵蹖 亘丕賱丕 禺蹖丕賱蹖爻鬲 丕賲丕 亘丕賵乇 丿丕乇賲 讴賴 讴丕賮讴丕 禺丿丕爻鬲 賵 亘賯蹖賴 賳賵蹖爻賳丿诏丕賳 丕賳爻丕賳鈥屬囏й屰� 賴爻鬲賳丿 讴賴 亘丕 讴賲蹖 鬲毓賲賯 賲蹖鈥屫堌з� 亘賴 讴賳賴 丕賳丿蹖卮賴鈥屫簇з� 倬蹖 亘乇丿...賴乇趩賴 亘蹖卮鬲乇 讴丕賮讴丕 賲蹖鈥屫堌з嗁� 亘賴 趩蹖夭賴丕蹖 鬲丕夭賴鈥屫臂� 亘乇禺賵乇丿 賲蹖鈥屭┵嗁� 亘賴 趩蹖夭賴丕蹖蹖 讴賴 賴賲蹖卮賴 亘賵丿賴鈥屫з嗀� 丕賲丕 賴蹖趩賵賯鬲 丌賳賴丕 乇丕 丕蹖賳诏賵賳賴 賳丿蹖丿賴 亘賵丿賲. 丕賵爻鬲 讴賴 賲丕 乇丕 丕夭 毓丕丿鬲鈥屬囏й屬呚з� 亘蹖丿丕乇 賲蹖鈥屭┵嗀� 賵 亘丕 趩賳丿 噩賲賱賴貙 賲丕 乇丕 亘賴 賵丨卮鬲 賵 讴丕亘賵爻 夭賳丿诏蹖 亘乇 賲蹖鈥屭必з嗀�
丿賴讴丿賴 亘毓丿蹖
倬丿乇亘夭乇诏賲 賲蹖鈥屭佖�: 夭賳丿诏蹖 毓噩蹖亘 讴賵鬲丕賴 丕爻鬲. 丨丕賱丕 讴賴 诏匕卮鬲賴 乇丕 亘蹖丕丿 賲蹖鈥屫①堌辟呚� 夭賳丿诏蹖 亘賴 賳馗乇賲 趩賳丕賳 賮卮乇丿賴 賲蹖鈥屫③屫� 讴賴 賲孬賱丕 賳賲蹖鈥屬佡囐呝� 趩胤賵乇 賲賲讴賳 丕爻鬲 噩賵丕賳蹖 鬲氐賲蹖賲 亘诏蹖乇丿 亘丕 丕爻亘卮 亘賴 丿賴讴丿賴鈥屰� 亘毓丿蹖 亘乇賵丿貙 丕賲丕 賳鬲乇爻丿 讴賴 賲亘丕丿丕 - 賯胤毓 賳馗乇 丕夭 丕鬲賮丕賯丕鬲 亘丿 - 賲丿鬲 夭賲丕賳 賴賲蹖賳 夭賳丿诏蹖 毓丕丿蹖 禺賵卮 賵 禺乇賲貙 讴賮丕蹖鬲 趩賳蹖賳 爻賮乇蹖 乇丕 賳讴賳丿
December 26, 2016
May be I had developed a habit of looking for an allegory or something in ever work Kafka say but this is more of a mixed bag by his standards. I will comment only on a few stories 鈥� that I had to read at least twice.
Country Doctor
A short story showing snow ball effect after an initial not-so-important-looking choice. Like a snowball, Country doctor is struck down the wrong path and he knows it, there are elements (horses!) that keep reminding him that he must return, he wishes to and can, yet he wouldn't bring himself to go against the momentum. The whole thing is like a bad dream - you know you are doing something bad or harming yourself, and want to stop, there is no reason not to and yet you don't. This is what old people must have felt when they think their whole life was decided by a bad decision on a fact that didn't looked so important when it was taken.
Up in the Gallery
A take on by-stander effect, social efforts to hide exploitation and silence of victims , all within two sentences. Kafka argues that if the torture was too obvious than there was a slight chance (a slight chance!) that someone would have raised her/his voice against it but, in reality it is hidden under social veil giving it softer appearances. Moreover, even the victim is keeping up with those appearances and thus no one in audience is troubled or can do anything to save her.
A visit to mine
Anything sufficiently powerful acquires a divine status for weak in Kafka鈥檚 world. The mine worker, out of no good reason, seems to have a genuine respect for visitors even when they couldn't understand later鈥檚 mannerisms. When a not-so-powerful attendant tries to imitate them, he is ridiculed by workers. Workers and visitors may had been in parallel dimensions 鈥� for they won鈥檛 talk to each other; visitors seem to pay no attention to them but workers, with their boring routines, found the visit a great subject to talk about.
A message from emperor
Suppose if you were finally to know the purpose of your life 鈥� if God or Government (for Kafka they are same) was to send you a message of what is required of you 鈥� but it may take a great while for message to reach you 鈥搃t may be too late. No problem, you can always gaze through the window to know what it was.
A problem for the father of the family aka Odradek
No one knows what Odradek means. Freudicians (they seem to be interpreting everything), Marxists and Kafka-experts seem to put different analysis. Most common interpretation is that it is a useless object. I think Kafka is trying to objectify the general inadequacy that could be present in a disjointed family. The very description of its appearance shows an inadequacy. Sometimes it is gone 鈥� you can鈥檛 feel it in some of happy moments. Sometimes it is there somewhere in living room, under-the-stairs waiting to be felt. Sometimes you ask it 鈥渨ho are you鈥� and it gives its name (which may be derived from a word that means 鈥榯o counsel against鈥�). Even its laughter is inadequate. The family man is worried that this thing may survive me and torment later generations.
A report to academy
A monkey who learned to live like a man. Mostly interpreted as satire on Jewish integration to western world. It may fit any person trying to be somebody else to fit in. The newly-in-money merchant families in old England (bonnet family of Pride and Prejudice) or the children trying to fit in with grown ups (though that last part about wife won鈥檛 fit in). While reading it, I keep thinking of Migrants from third world to west 鈥� may be because I recently read 鈥楽easons of Migration to North鈥� which is a tragic take on an African guy who tries and fits almost successfully in European world. They, the immigrants, (at least some of them) make same effort to fit in, thinking westerns to be a higher breed, trying to fit in while learning to hate their roots, basic nature. You can be something new, but you can鈥檛 destroy your old self. Of course many of them return to native lands to have supposes.
鈥楤efore the law鈥�, 鈥淛ackals and Arabs鈥� and 鈥楢 leaf from an old manuscript鈥� are awesome too but I'm tired of interpreting.
Country Doctor
A short story showing snow ball effect after an initial not-so-important-looking choice. Like a snowball, Country doctor is struck down the wrong path and he knows it, there are elements (horses!) that keep reminding him that he must return, he wishes to and can, yet he wouldn't bring himself to go against the momentum. The whole thing is like a bad dream - you know you are doing something bad or harming yourself, and want to stop, there is no reason not to and yet you don't. This is what old people must have felt when they think their whole life was decided by a bad decision on a fact that didn't looked so important when it was taken.
Up in the Gallery
A take on by-stander effect, social efforts to hide exploitation and silence of victims , all within two sentences. Kafka argues that if the torture was too obvious than there was a slight chance (a slight chance!) that someone would have raised her/his voice against it but, in reality it is hidden under social veil giving it softer appearances. Moreover, even the victim is keeping up with those appearances and thus no one in audience is troubled or can do anything to save her.
A visit to mine
Anything sufficiently powerful acquires a divine status for weak in Kafka鈥檚 world. The mine worker, out of no good reason, seems to have a genuine respect for visitors even when they couldn't understand later鈥檚 mannerisms. When a not-so-powerful attendant tries to imitate them, he is ridiculed by workers. Workers and visitors may had been in parallel dimensions 鈥� for they won鈥檛 talk to each other; visitors seem to pay no attention to them but workers, with their boring routines, found the visit a great subject to talk about.
A message from emperor
Suppose if you were finally to know the purpose of your life 鈥� if God or Government (for Kafka they are same) was to send you a message of what is required of you 鈥� but it may take a great while for message to reach you 鈥搃t may be too late. No problem, you can always gaze through the window to know what it was.
A problem for the father of the family aka Odradek
No one knows what Odradek means. Freudicians (they seem to be interpreting everything), Marxists and Kafka-experts seem to put different analysis. Most common interpretation is that it is a useless object. I think Kafka is trying to objectify the general inadequacy that could be present in a disjointed family. The very description of its appearance shows an inadequacy. Sometimes it is gone 鈥� you can鈥檛 feel it in some of happy moments. Sometimes it is there somewhere in living room, under-the-stairs waiting to be felt. Sometimes you ask it 鈥渨ho are you鈥� and it gives its name (which may be derived from a word that means 鈥榯o counsel against鈥�). Even its laughter is inadequate. The family man is worried that this thing may survive me and torment later generations.
A report to academy
A monkey who learned to live like a man. Mostly interpreted as satire on Jewish integration to western world. It may fit any person trying to be somebody else to fit in. The newly-in-money merchant families in old England (bonnet family of Pride and Prejudice) or the children trying to fit in with grown ups (though that last part about wife won鈥檛 fit in). While reading it, I keep thinking of Migrants from third world to west 鈥� may be because I recently read 鈥楽easons of Migration to North鈥� which is a tragic take on an African guy who tries and fits almost successfully in European world. They, the immigrants, (at least some of them) make same effort to fit in, thinking westerns to be a higher breed, trying to fit in while learning to hate their roots, basic nature. You can be something new, but you can鈥檛 destroy your old self. Of course many of them return to native lands to have supposes.
鈥楤efore the law鈥�, 鈥淛ackals and Arabs鈥� and 鈥楢 leaf from an old manuscript鈥� are awesome too but I'm tired of interpreting.
October 27, 2022
Only Kafka could write such an eerie and dangerous true nightmare of a short story. Somehow I cannot provide the link that Nika posted in her review so if you are interested to read this short story, look at her review.
October 16, 2022
The Country Doctor is the title of one of the stories published in a collection of the same name. They are also included in some versions of The Metamorphosis.
The New Advocate
A short, surreal animal story: a war horse gives up war to become a lawyer!
A Country Doctor
A disturbing story, with nightmarish unreality (magical realism, even?), coupled with sinister snow (as in The Castle) and a suffering child.
The doctor has to get to the child, but the snow is heavy and he is without a horse. Yet somehow, horses and groom appear in his disused pigsty and he arrives at the child's house unnaturally fast. Once there, he is tormented by fears that the groom will assault his maid, and confusion about whether the child is healthy or dying (or in his imagination), and the strange behaviour and expectations of the family. Grim, uneasy doom. And snow.
You can read the full story here (5 pages):
Up in the Gallery
This perhaps better belongs in The Hunger Artist collection (/review/show...) of performance-related stories. It's an observation of a young woman, riding a circus horse.
You can read the whole page of it here:
A Leaf from an Old Manuscript
Timely when he wrote it and sadly so today. It's about fear and revulsion of immigrants and difference. Those who dislike them, portray them as violent, dirty, liars, robbers, who can't communicate properly, and "even their horses eat meat". The emperor is effectively trapped in his palace, gazing (like many Kafka characters) out of his window.
Before the Law
A chillingly allegorical, often published on its own, and reviewed here, with a link to the full text:
/review/show...
Jackals and Arabs
Back to immigrants, but with a more mythical feel. A traveller is greeted by jackals who treat him as a saviour from, or at least a mediator with, the Arabs, with whom they have an ancient blood feud. (The traveller registers no surprise that the jackals can speak.) It's not clear who is in the right, as as with the traveller In The Penal Colony (/review/show...), it raises the question of what an outsider can or should do to change things.
You can read the full story here (3 pages):
A Visit to the Mine
This has similarities with In The Penal Colony (but is more real, and lacking in gore) and the descriptions of the individual quirks of each of the ten engineers is rather like a more comical version of Eleven Sons (below). For one "responsibility has hollowed his eyes", and "while the gentlemen... have long since shed any trace of arrogance, the attendant seem to have accumulated it all in his own person."
The Next Village
Doom in a single, short paragraph.
A Message from the Emperor
A short insight into futility, and gazing through a window.
You can read the full story here (one page):
A Problem for the Father of the Family aka Odradek
One of Kafka's most surreal snippets, Odradek is a sort of cotton reel, but he moves and talks. His very existence hints at creationism ("one might be tempted to suppose that this object had once been designed") and issues of mortality: "the idea that he might also outlive me I find almost painful", a fear Kafka might well have had about friends and family. But what is the meaning of life anyway? "Everything that dies has previously had some kind of goal" - with the possible exception of the mysterious Odradek.
Eleven Sons
This is an especially sad (though occasionally humorous) but pertinently perceptive description of a man's 11 sons, and the different ways each has disappointed him. Several have acknowledged good qualities, but they are always balanced or exceeded by faults.
One has a minor eye problem, and also, his father thinks, "a slight irregularity of the spirit that somehow corresponds to it". Another is "good-looking" but "not the kind of good looks that I admire". As for the sixth son, who many praise, the father dislikes this because "it really seems to make praise a little too easy if one bestows it on someone so obviously praiseworthy."
Knowing of the fraught relationship between Kafka and his own father (Kafka was his only surviving son), I assumed that each was a facet of the author. However, the introduction to my copy says they were intended as the basis for eleven separate stories (which does not preclude them being based on himself, and some have very close parallels).
A Fratricide
A murder weapon is "superfluous blood-stained ballast"!
A Dream
Well, a nightmare. Who hasn't contemplated their own mortality, wondered what would be said about them when they are gone, and maybe even imagined their burial?
Report to the Academy
This is is an amusingly surreal slant on Jewish integration, reminiscent of Gerald the gorilla in the 1980s comedy show, Not the Nine O'clock News. You can watch it here:
Red Peter tells of "my past life as an ape", but reminds his audience that they are not far removed from that state themselves. He was wild, captured, and eventually made a conscious choice, "I would cease to be an ape", because he realised "the way out was not to run away" but to act like a human. So he did - for purely utilitarian reasons, not because he had a desire to be human. Nevertheless, he has now "attained the cultural level of the average European".
All very impressive; the tricky aspect is that he keeps a chimpanzee for sex, but only for that, because "she has that wild, confused look of the trained animal in her eye". That seems painfully hypocritical, but those who assimilate or transition are sometimes accused of such things. Red Peter though, explicitly does not want judgement - something few Kafka characters escape.
Read the whole story here (8 pages):
See my review of the stage adaptation, Kafka's Monkey:
/review/show...
See my Kafka-related bookshelf for other works by and about Kafka: HERE.
The New Advocate
A short, surreal animal story: a war horse gives up war to become a lawyer!
A Country Doctor
A disturbing story, with nightmarish unreality (magical realism, even?), coupled with sinister snow (as in The Castle) and a suffering child.
The doctor has to get to the child, but the snow is heavy and he is without a horse. Yet somehow, horses and groom appear in his disused pigsty and he arrives at the child's house unnaturally fast. Once there, he is tormented by fears that the groom will assault his maid, and confusion about whether the child is healthy or dying (or in his imagination), and the strange behaviour and expectations of the family. Grim, uneasy doom. And snow.
You can read the full story here (5 pages):
Up in the Gallery
This perhaps better belongs in The Hunger Artist collection (/review/show...) of performance-related stories. It's an observation of a young woman, riding a circus horse.
You can read the whole page of it here:
A Leaf from an Old Manuscript
Timely when he wrote it and sadly so today. It's about fear and revulsion of immigrants and difference. Those who dislike them, portray them as violent, dirty, liars, robbers, who can't communicate properly, and "even their horses eat meat". The emperor is effectively trapped in his palace, gazing (like many Kafka characters) out of his window.
Before the Law
A chillingly allegorical, often published on its own, and reviewed here, with a link to the full text:
/review/show...
Jackals and Arabs
Back to immigrants, but with a more mythical feel. A traveller is greeted by jackals who treat him as a saviour from, or at least a mediator with, the Arabs, with whom they have an ancient blood feud. (The traveller registers no surprise that the jackals can speak.) It's not clear who is in the right, as as with the traveller In The Penal Colony (/review/show...), it raises the question of what an outsider can or should do to change things.
You can read the full story here (3 pages):
A Visit to the Mine
This has similarities with In The Penal Colony (but is more real, and lacking in gore) and the descriptions of the individual quirks of each of the ten engineers is rather like a more comical version of Eleven Sons (below). For one "responsibility has hollowed his eyes", and "while the gentlemen... have long since shed any trace of arrogance, the attendant seem to have accumulated it all in his own person."
The Next Village
Doom in a single, short paragraph.
A Message from the Emperor
A short insight into futility, and gazing through a window.
You can read the full story here (one page):
A Problem for the Father of the Family aka Odradek
One of Kafka's most surreal snippets, Odradek is a sort of cotton reel, but he moves and talks. His very existence hints at creationism ("one might be tempted to suppose that this object had once been designed") and issues of mortality: "the idea that he might also outlive me I find almost painful", a fear Kafka might well have had about friends and family. But what is the meaning of life anyway? "Everything that dies has previously had some kind of goal" - with the possible exception of the mysterious Odradek.
Eleven Sons
This is an especially sad (though occasionally humorous) but pertinently perceptive description of a man's 11 sons, and the different ways each has disappointed him. Several have acknowledged good qualities, but they are always balanced or exceeded by faults.
One has a minor eye problem, and also, his father thinks, "a slight irregularity of the spirit that somehow corresponds to it". Another is "good-looking" but "not the kind of good looks that I admire". As for the sixth son, who many praise, the father dislikes this because "it really seems to make praise a little too easy if one bestows it on someone so obviously praiseworthy."
Knowing of the fraught relationship between Kafka and his own father (Kafka was his only surviving son), I assumed that each was a facet of the author. However, the introduction to my copy says they were intended as the basis for eleven separate stories (which does not preclude them being based on himself, and some have very close parallels).
A Fratricide
A murder weapon is "superfluous blood-stained ballast"!
A Dream
Well, a nightmare. Who hasn't contemplated their own mortality, wondered what would be said about them when they are gone, and maybe even imagined their burial?
Report to the Academy
This is is an amusingly surreal slant on Jewish integration, reminiscent of Gerald the gorilla in the 1980s comedy show, Not the Nine O'clock News. You can watch it here:
Red Peter tells of "my past life as an ape", but reminds his audience that they are not far removed from that state themselves. He was wild, captured, and eventually made a conscious choice, "I would cease to be an ape", because he realised "the way out was not to run away" but to act like a human. So he did - for purely utilitarian reasons, not because he had a desire to be human. Nevertheless, he has now "attained the cultural level of the average European".
All very impressive; the tricky aspect is that he keeps a chimpanzee for sex, but only for that, because "she has that wild, confused look of the trained animal in her eye". That seems painfully hypocritical, but those who assimilate or transition are sometimes accused of such things. Red Peter though, explicitly does not want judgement - something few Kafka characters escape.
Read the whole story here (8 pages):
See my review of the stage adaptation, Kafka's Monkey:
/review/show...
See my Kafka-related bookshelf for other works by and about Kafka: HERE.
March 24, 2023
I had to read the stories very slowly, not more than one a day because of the 'density' of the text and the strong impact they have had on me (surprise, shock, feeling of anxiety). The effect is similar to the vivid, disturbing dreams full of absurdity, paradoxes and hidden menace.
My favourite is short and powerful "A Message from the Emperor", a story about the infinite impossibility. Some goals, no matter how realistic they seem and no mater, how hard you try are never to be attained. The Emperor's messanger will never deliver the message to you because he will never be able to 'fight his way' out of the palace.
'(...)So he moves forwards easily, unlike anyone else. But the crowd is so huge; its dwelling places are infinite. If there were an open field, how he would fly along, and soon you would hear the marvellous pounding of his fist on your door. But instead of that, how futile are all his efforts. He is still forcing his way through the private rooms of the innermost palace. Never will he win his way through. And if he did manage that, nothing would have been achieved. He would have to fight his way down the steps, and, if he managed to do that, nothing would have been achieved. He would have to stride through the courtyards, and after the courtyards through the second palace encircling the first, and, then again, through stairs and courtyards, and then, once again, a palace, and so on for thousands of years. And if he finally burst through the outermost door鈥攂ut that can never, never happen鈥攖he royal capital city, the centre of the world, is still there in front of him, piled high and full of sediment. No one pushes his way through here, certainly not someone with a message from a dead man. But you sit at your window and dream of that message when evening comes.'
My favourite is short and powerful "A Message from the Emperor", a story about the infinite impossibility. Some goals, no matter how realistic they seem and no mater, how hard you try are never to be attained. The Emperor's messanger will never deliver the message to you because he will never be able to 'fight his way' out of the palace.
'(...)So he moves forwards easily, unlike anyone else. But the crowd is so huge; its dwelling places are infinite. If there were an open field, how he would fly along, and soon you would hear the marvellous pounding of his fist on your door. But instead of that, how futile are all his efforts. He is still forcing his way through the private rooms of the innermost palace. Never will he win his way through. And if he did manage that, nothing would have been achieved. He would have to fight his way down the steps, and, if he managed to do that, nothing would have been achieved. He would have to stride through the courtyards, and after the courtyards through the second palace encircling the first, and, then again, through stairs and courtyards, and then, once again, a palace, and so on for thousands of years. And if he finally burst through the outermost door鈥攂ut that can never, never happen鈥攖he royal capital city, the centre of the world, is still there in front of him, piled high and full of sediment. No one pushes his way through here, certainly not someone with a message from a dead man. But you sit at your window and dream of that message when evening comes.'
July 14, 2021
"賲爻蹖丨 鬲賳賴丕 賮乇丿丕蹖 丌賲丿賳卮 禺賵丕賴丿 乇爻蹖丿"
賮乇丕賳鬲爻 讴丕賮讴丕
丕诏乇 讴賴 賳噩丕鬲 丿賴賳丿賴 丕蹖 丿乇 讴丕乇 賳亘丕卮丿貙 丌賳賵賯鬲 趩賴責
賮乇丕賳鬲爻 讴丕賮讴丕
丕诏乇 讴賴 賳噩丕鬲 丿賴賳丿賴 丕蹖 丿乇 讴丕乇 賳亘丕卮丿貙 丌賳賵賯鬲 趩賴責
November 4, 2022
Baz谋s谋 bir paragraf veya bir sayfadan olu艧an ama hepsi k谋sa deneme tarz谋nda yaz谋lm谋艧 14 枚yk眉 i莽eren bir kitap. Kitap ad谋n谋 ikinci 枚yk眉den al谋yor. Dava adl谋 roman谋nda yer alan bir b枚l眉m de burada 鈥淵arg谋 脰n眉nde鈥� adl谋 枚yk眉yle kar艧谋m谋za 莽谋k谋yor. 鈥═an谋mlamalar谋, metaforlar谋 muhte艧em, su莽luluk, varolu艧 sorgusu, b眉rokrasi sa莽mal谋臒谋,baba ile ili艧ki gibi Kafka鈥檔谋n favori temalar谋 枚yk眉lerde onun ger莽ek眉st眉 mizah谋 ile 莽ok keyifli okuma sa臒l谋yor. Kafka ola臒an眉st眉 bir yazar ger莽ekten.
鈥淥nbir O臒lum鈥� adl谋 枚yk眉 Kafka鈥檔谋n ruh halinden 莽ok ki艧il臒ini ortaya koyuyor. Ruh halini ise 鈥溎癿paratorun 脰l眉m眉鈥� ba艧l谋kl谋 k谋sac谋k deneme-枚yk眉de bulmak m眉mk眉n.陌ki kez okudum baz谋 枚yk眉leri. Y眉zeysel okununca ho艧a gidiyor, derin d眉艧眉nerek okununca (tabii daha 枚nce yaz谋lanlar谋n rehberli臒inde) daha 莽ok ho艧a gidiyor ama bir farkla; fazlaca d眉艧眉nd眉r眉yor. 脰rne臒in Nietsche鈥檔in etkisi, sosyalizm ile siyonizm aras谋nda gidip gelmeler, cinsel ya艧am谋 vb.
Asl谋nda Kafka鈥檡a bu k谋sa 枚yk眉lerle ba艧lamak 莽ok iyi olur, zaten 鈥淒枚n眉艧眉m, Dava, 艦ato vb鈥� romanlar谋n谋n fragmanlar谋n谋 bu 枚yk眉lerde bulmak m眉mk眉n. S谋k sorulan bir sorudur; Kafka kime benziyor diye, bence Kafka鈥檡a kim benziyor diye sormal谋, 鈥溑焌hs谋na m眉nhas谋r鈥� bir ki艧i 莽眉nk眉
Okunmal谋, zaten k谋sac谋k bir kitap.
鈥淥nbir O臒lum鈥� adl谋 枚yk眉 Kafka鈥檔谋n ruh halinden 莽ok ki艧il臒ini ortaya koyuyor. Ruh halini ise 鈥溎癿paratorun 脰l眉m眉鈥� ba艧l谋kl谋 k谋sac谋k deneme-枚yk眉de bulmak m眉mk眉n.陌ki kez okudum baz谋 枚yk眉leri. Y眉zeysel okununca ho艧a gidiyor, derin d眉艧眉nerek okununca (tabii daha 枚nce yaz谋lanlar谋n rehberli臒inde) daha 莽ok ho艧a gidiyor ama bir farkla; fazlaca d眉艧眉nd眉r眉yor. 脰rne臒in Nietsche鈥檔in etkisi, sosyalizm ile siyonizm aras谋nda gidip gelmeler, cinsel ya艧am谋 vb.
Asl谋nda Kafka鈥檡a bu k谋sa 枚yk眉lerle ba艧lamak 莽ok iyi olur, zaten 鈥淒枚n眉艧眉m, Dava, 艦ato vb鈥� romanlar谋n谋n fragmanlar谋n谋 bu 枚yk眉lerde bulmak m眉mk眉n. S谋k sorulan bir sorudur; Kafka kime benziyor diye, bence Kafka鈥檡a kim benziyor diye sormal谋, 鈥溑焌hs谋na m眉nhas谋r鈥� bir ki艧i 莽眉nk眉
Okunmal谋, zaten k谋sac谋k bir kitap.
December 17, 2019
" But have I the right to expect something good, at the age of thirty-four, with my highly fragile lungs and still more fragile human relationships? Country doctor is more probable; if you look for confirmation, the father鈥檚 curse is there at once. Lovely nocturnal sight when hope wrestles with the Father".
From: Letters to Friends, Family, and Editors, letter to Max Brod from Z眉rau, mid-September 1917)
What we have here is a short story, a dark fairytale and at the same time a dream, a descent into the realm of the subconscious. Eventually, an illness that no one could see (pretty much like the doctor in the short story) materialises as a manifestation of a pre-existing spiritual predisposition that Kafka inherited from his parents, that is tuberculosis.
His beloved (Felice Bauer) abandons him, and only the wound in his lungs remains as a symbol of that. There is something important here. The fact that at some point someone other than Kafka himself must be held accountable ( Betrogen! Betrogen! Betrayed! Betrayed!).
Initially, Kafka wanted to give to the collection of short stories that included the "Country Doctor" the title "Verantwortung" which means "Responsibility" (see letter to Martin Buber April 22, 1917).
A Country Doctor (Ein Landarzt) 螆谓伪蟼 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼:
韦慰谓 危蔚蟺蟿苇渭尾蟻畏 蟿慰蠀 1917, 慰 Kafka, 纬蟻维蠁蔚喂 伪蟺蠈 蟿慰 Z眉rau, 蠈蟺慰蠀 苇蠂蔚喂 蟺维蔚喂 位蠈纬蠅 蟿畏蟼 魏位慰谓喂蟽渭苇谓畏蟼 蠀纬蔚委伪蟼 蟿慰蠀, 蟽蟿慰谓 蠁委位慰 蟿慰蠀 Max Brod:
"韦蠈蟽伪 蟺蟻维纬渭伪蟿伪 渭蔚 尾伪蟽伪谓委味慰蠀谓, 未蔚谓 尾蟻委蟽魏蠅 蟿蟻蠈蟺慰 未喂伪蠁蠀纬萎蟼. 螇蟿伪谓 蠄蔚蠉蟿喂魏畏 蔚位蟺委未伪, 伪蠀蟿伪蟺维蟿畏, 蠈蟿伪谓 蔚委蟺伪 蟽蟿慰谓 蔚伪蠀蟿蠈 渭慰蠀 蟺蠅蟼 胃伪 萎胃蔚位伪 谓伪 渭蔚委谓蠅 蔚未蠋 纬喂伪 蟺维谓蟿伪, 蔚谓谓慰蠋 蟽蟿畏谓 蔚尉慰蠂萎, 渭伪魏蟻喂维 伪蟺蠈 蟿慰谓 蟽喂未畏蟻蠈未蟻慰渭慰, 魏慰谓蟿维 蟽蟿慰 伪未蠀蟽蠋蟺畏蟿慰 位蠀魏蠈蠁蠅蟼 蟺慰蠀 伪蟺伪蠀纬维味蔚喂 伪谓蔚渭蟺蠈未喂蟽蟿伪 伪蟺蠈 蠈位慰蠀蟼 魏伪喂 蠈位伪; 螒谓 蔚委谓伪喂 伪蠀蟿伪蟺维蟿畏 蟿蠈蟿蔚 蟽蠀渭尾伪委谓蔚喂 蔚蟺蔚喂未萎 蟿慰 伪委渭伪 渭慰蠀 渭蔚 未蔚位蔚维味蔚喂 蟺蟻慰蟼 渭喂伪 渭蔚蟿蔚谓蟽维蟻魏蠅蟽畏 蟿慰蠀 胃蔚委慰蠀 渭慰蠀, 蟿慰蠀 伪纬蟻慰蟿喂魏慰蠉 纬喂伪蟿蟻慰蠉 蟿慰谓 慰蟺慰委慰 (渭蔚 蠈位慰 蟿慰谓 蟽蔚尾伪蟽渭蠈 蟺慰蠀 蟿蟻苇蠁蠅 纬喂伪 蔚魏蔚委谓慰谓 魏伪喂 蔚委谓伪喂 蠈谓蟿蠅蟼 渭蔚纬维位慰蟼) 渭蔚蟻喂魏苇蟼 蠁慰蟻苇蟼 伪蟺慰魏伪位蠋 蟿喂蟿喂尾喂蟽蟿萎 (魏蔚位伪畏未喂蟽蟿萎) 纬喂伪蟿委 苇蠂蔚喂 苇谓伪 蟿蠈蟽慰 伪蟺蠈魏慰蟽渭伪 蠄喂位蠈, 蟽伪谓 蟺慰蠀位喂慰蠉, 纬蔚蟻慰蔚蟻纬苇谓喂魏慰 蟺谓蔚蠉渭伪 蟺慰蠀 蟿蟽喂蟻委味蔚喂 渭苇蟽伪 伪蟺蠈 苇谓伪谓 蟽蟿蔚谓蠈 位伪喂渭蠈 魏伪喂 蟺慰蟿苇 未蔚谓 蟿慰谓 蔚纬魏伪蟿伪位蔚委蟺蔚喂. 螝伪喂 味蔚喂 渭蔚 伪蠀蟿蠈谓 蟿慰谓 蟿蟻蠈蟺慰 蟽蟿畏谓 蔚尉慰蠂萎, 未蔚谓 尉蔚魏慰蠀谓维蔚喂 伪蟺蠈 蔚魏蔚委, 喂魏伪谓慰蟺慰喂畏渭苇谓慰蟼, 渭蔚 蟿慰谓 蟿蟻蠈蟺慰 蟺慰蠀 魏维蟺慰喂慰蟼 魏维蟺慰喂慰蟼 蠂伪委蟻蔚蟿伪喂 蠈蟿伪谓 谓慰渭委味蔚喂 蟺蠅蟼 慰 伪蠂谓蠈蟼 萎蠂慰蟼, 蟽伪谓 纬慰蠀蟻纬慰蠉蟻喂蟽渭伪, 蟿畏蟼 蟿蟻苇位伪蟼 蔚委谓伪喂 蟿维蠂伪 畏 渭蔚位蠅未委伪 蟿畏蟼 味蠅萎蟼. 螒位位维 伪谓 畏 位伪蠂蟿维蟻伪 纬喂伪 伪蠀蟿蠈谓 蟿慰谓 蟿蠈蟺慰 未蔚谓 蔚委谓伪喂 伪蠀蟿伪蟺维蟿畏, 蟿蠈蟿蔚 蔚委谓伪喂 魏维蟿喂 魏伪位蠈. 螒位位维 苇蠂蠅 蟿慰 未喂魏伪委蠅渭伪 谓伪 蟺蔚蟻喂渭苇谓蠅 魏维蟿喂 魏伪位蠈, 蟽蟿畏谓 畏位喂魏委伪 蟿蠅谓 蟿蟻喂维谓蟿伪 蟿蔚蟽蟽维蟻蠅谓 蔚蟿蠋谓, 渭蔚 蟿慰蠀蟼 蔚蠉胃蟻伪蠀蟽蟿慰蠀蟼 蟺谓蔚蠉渭慰谓苇蟼 渭慰蠀 魏伪喂 蟿喂蟼 伪魏蠈渭伪 蟺喂慰 蔚蠉胃蟻伪蠀蟽蟿蔚蟼 伪谓胃蟻蠋蟺喂谓蔚蟼 蟽蠂苇蟽蔚喂蟼 渭慰蠀; 螒纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼 蔚委谓伪喂 蟿慰 蟺喂慰 蟺喂胃伪谓蠈. 螒谓 味畏蟿维蟼 蔚蟺喂尾蔚尾伪委蠅蟽畏蟼 畏 魏伪蟿维蟻伪 蟿慰蠀 蟺伪蟿苇蟻伪 蔚委谓伪喂 蔚魏蔚委 伪渭苇蟽蠅蟼 蟺伪蟻慰蠉蟽伪. 违蟺苇蟻慰蠂慰 谓蠀蠂蟿蔚蟻喂谓蠈 胃苇伪渭伪, 蠈蟿伪谓 畏 蔚位蟺委未伪 蟺伪位蔚蠉蔚喂 渭蔚 蟿慰谓 螤伪蟿苇蟻伪.
螒位位维 伪蟼 伪蠁萎蟽慰蠀渭蔚 蟿慰蠀蟼 蟺伪位伪喂蟽蟿苇蟼..."
韦慰 1917 蔚委谓伪喂 畏 蠂蟻慰谓喂维 蠈蟺慰蠀 畏 伪蠈蟻伪蟿畏 伪蟽胃苇谓蔚喂伪 蟿慰蠀 Kafka, 伪蟺慰魏蟿维 蠀蟺蠈蟽蟿伪蟽畏, 尾蟻委蟽魏蔚喂 苇谓伪 蠈谓慰渭伪. 螚 伪蟻蟻蠋蟽蟿喂伪 蟺慰蠀 蟺蟻喂谓 未蔚谓 萎蟿伪谓 慰蟻伪蟿萎, 蟿蠋蟻伪 蟽蠅渭伪蟿慰蟺慰喂蔚委蟿伪喂 蟽伪谓 渭喂伪 蟺位畏纬萎 蟽蟿慰谓 蟺谓蔚蠉渭慰谓维 蟿慰蠀: 桅蠀渭伪蟿委蠅蟽畏. 螘魏蔚委谓伪 蟿伪 蠂蟻蠈谓喂伪 未蔚谓 蠀蟺萎蟻蠂蔚 胃蔚蟻伪蟺蔚委伪. 螘委谓伪喂 渭喂伪 伪蟽胃苇谓蔚喂伪 蟺慰蠀 蟿畏谓 蟺苇蟻伪蟽蔚 畏 伪未蔚蟻蠁萎 渭慰蠀, 魏伪喂 蟿慰 谓伪 尾位苇蟺蔚喂蟼 苇谓伪 蟺位维蟽渭伪 蟺慰蠀 伪纬伪蟺维蟼, 蟿慰 渭喂魏蟻蠈 渭慰蠀, 谓伪 蟺蔚胃伪委谓蔚喂 蟽蟿慰谓 蟺蠈谓慰 渭蔚 魏维胃蔚 伪谓维蟽伪, 谓伪 蟺谓委纬蔚蟿伪喂, 萎胃蔚位伪 谓伪 渭蟺慰蟻慰蠉蟽伪 谓伪 蟿慰谓 蟺维蟻蠅 伪蠀蟿蠈谓 蟿慰谓 蟺蠈谓慰 魏伪喂 谓伪 蟺蔚胃维谓蠅 蟽蟿畏 胃苇蟽畏 蟿畏蟼. 螚 伪未蔚蟻蠁萎 渭慰蠀 蟽蠋胃畏魏蔚 纬喂伪蟿委 味蔚喂 蟽蔚 渭喂伪 蔚蟺慰蠂萎 蟺慰蠀 蠀蟺维蟻蠂慰蠀谓 蟿伪 魏伪蟿维位位畏位伪 蠁维蟻渭伪魏伪. 螒位位喂蠋蟼 蔚委谓伪喂 蟺蠈谓慰蟼, 蟺蠈谓慰蟼, 蟺蠈谓慰蟼 渭苇蠂蟻喂 谓伪 位喂蠋蟽蔚喂蟼. 螒魏蠈渭伪 魏喂 苇蟿蟽喂, 苇谓伪 魏慰渭渭维蟿喂 蟿慰蠀 蟺谓蔚蠉渭慰谓维 蟿畏蟼 蟺伪蟻苇渭蔚喂谓蔚 魏伪蟿蔚蟽蟿蟻伪渭渭苇谓慰. 危魏喂维 蟿慰 位苇谓蔚. 危魏喂维 蟽蟿慰谓 蟺谓蔚蠉渭慰谓伪.
螕喂伪 魏维蟺慰喂慰 位蠈纬慰 慰 Kafka 魏伪蟿苇位畏尉蔚 谓伪 胃蔚蠅蟻蔚委 蟺蠅蟼 畏 蟽蠅渭伪蟿喂魏萎 伪蟽胃苇谓蔚喂伪 蔚委谓伪喂 渭喂伪 蠀蟺蔚蟻蔚魏蠂蔚委位喂蟽畏 蟿畏蟼 蟺谓蔚蠀渭伪蟿喂魏萎蟼 伪蟽胃苇谓蔚喂伪蟼 (蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 Oskar Baum, 伪蟺蠈 Meran, 螜慰蠉谓喂慰蟼 1920). 螝维谓蔚喂 位蠈纬慰 纬喂伪 苇谓伪 " 蔚蟽蠅蟿蔚蟻喂魏蠈 蔚蠂胃蟻蠈" 蟺慰蠀 蟿慰谓 蠁胃蔚委蟻蔚喂 魏伪喂 未蔚谓 蟿慰蠀 蔚蟺喂蟿蟻苇蟺蔚喂 蟿畏谓 蟺蟻伪纬渭伪蟿喂魏萎 委伪蟽畏 (蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 Minze Eisner 螤蟻维纬伪, 魏伪位慰魏伪委蟻喂 1920). 螤委蟽蠅 蠅蟽蟿蠈蟽慰 蟽蟿伪 1917 伪喂蟽胃维谓蔚蟿伪喂 渭喂伪 伪谓伪魏慰蠉蠁喂蟽畏 纬喂伪蟿委 蟺位苇慰谓 魏伪谓蔚委蟼 未蔚谓 渭蟺慰蟻蔚委 谓伪 蟿慰蠀 魏伪蟿伪位慰纬委蟽蔚喂 蟺蠅蟼 蠀蟺慰魏蟻委谓蔚蟿伪喂 蠈蟿喂 蠀蟺慰蠁苇蟻蔚喂:
螚 伪蟽胃苇谓蔚喂伪 蟺慰蠀 纬喂伪 蠂蟻蠈谓喂伪 渭慰蠀 蟺蟻慰魏伪位慰蠉蟽蔚 蟺慰谓慰魏蔚蠁维位慰蠀蟼 魏伪喂 伪蠇蟺谓委伪, 尉伪蠁谓喂魏维 蔚魏未畏位蠋胃畏魏蔚. 螘委谓伪喂 蟽蠂蔚未蠈谓 渭喂伪 伪谓伪魏慰蠉蠁喂蟽畏, 螛伪 蟺维蠅 蟽蟿畏谓 蔚尉慰蠂萎 纬喂伪 苇谓伪 伪蟻魏蔚蟿维 渭蔚纬维位慰 未喂维蟽蟿畏渭伪 萎 蟺喂慰 蟽蠅蟽蟿维, 蟺蟻苇蟺蔚喂 谓伪 蟺维蠅.
(蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 Kurt Wolff, 螤蟻维纬伪, 4 危蔚蟺蟿苇渭尾蟻畏 1917)
螠苇蟽伪 蟽蔚 蠈位伪 伪蠀蟿维 蟿慰谓 蔚纬魏伪蟿伪位蔚委蟺蔚喂 慰蟻喂蟽蟿喂魏维 魏伪喂 畏 Felice Bauer. 螤位苇慰谓 蔚魏蔚委谓畏 胃伪 尾蟻蔚喂 魏维蟺慰喂慰谓 维位位慰, 胃伪 蟽蠀谓蔚蠂委蟽蔚喂 蟿畏 味蠅萎 蟿畏蟼 蠂蠅蟻委蟼 伪蠀蟿蠈谓. 螌位慰喂 慰喂 蠁蠈尾慰喂 蟿慰蠀 纬委谓慰谓蟿伪喂 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪. 韦慰 蟽蠋渭伪 蟿慰蠀 蟿慰谓 蟺蟻慰未委未蔚喂, 畏 伪纬伪蟺畏渭苇谓畏 蟿慰蠀 蟿慰谓 蔚纬魏伪蟿伪位蔚委蟺蔚喂, 魏伪喂 谓喂蠋胃蔚喂 蟽伪谓 蟿慰谓 蔚蟻纬苇谓畏 胃蔚委慰 蟿慰蠀 伪蟺蠈 蟿畏谓 蟺位蔚蠀蟻维 蟿畏蟼 渭畏蟿苇蟻伪蟼 蟿慰蠀, 蟿慰谓 伪纬蟻慰蟿喂魏蠈 纬喂伪蟿蟻蠈 Siegfried L枚wy.
螣 Kafka 蟺维谓蟿伪 苇谓喂蠅胃蔚 蟺蠅蟼 畏 蟺位蔚蠀蟻维 蟿畏蟼 渭畏蟿苇蟻伪蟼 蟿慰蠀, 畏 蟺喂慰 蔚魏魏蔚谓蟿蟻喂魏萎 魏伪喂 慰谓蔚喂蟻慰蟺伪蟻渭苇谓畏, 蟿慰谓 未喂蔚魏未喂魏慰蠉蟽蔚, 魏蠈谓蟿蟻伪 蟽蟿畏谓 蟺喂慰 蟺蟻慰蟽纬蔚喂蠅渭苇谓畏 蟺伪蟿蟻喂魏萎 蔚蟺喂蟻蟻慰萎, 纬喂伪 蟺伪蟻维未蔚喂纬渭伪 蔚蟺喂蟽畏渭伪委谓蔚喂 蟿畏谓 慰渭慰喂蠈蟿畏蟿维 蟿慰蠀 蟽蟿伪 畏渭蔚蟻慰位蠈纬喂伪 蟿慰蠀 渭蔚 蟿慰谓 维位位慰 胃蔚委慰 蟿慰蠀, 蟿慰谓 Rudolf L枚wy 蠈蟿伪谓 位苇蔚喂 "畏 慰渭慰喂蠈蟿畏蟿伪 渭蔚 蟿慰谓 螛. 巍. 蔚委谓伪喂 蔚魏蟺位畏魏蟿喂魏萎 魏伪喂 蟺苇蟻伪 伪蟺蠈 伪蠀蟿蠈: 魏伪喂 慰喂 未蠉慰 蟽喂蠅蟺畏位慰委 (蔚纬蠋 位喂纬蠈蟿蔚蟻慰) 魏伪喂 慰喂 未蠉慰 蔚尉伪蟻蟿畏渭苇谓慰喂 伪蟺蠈 蟿慰蠀蟼 纬慰谓蔚委蟼 (蔚纬蠋 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰), 蟿蟽伪锟斤拷蠅渭苇谓慰喂 渭蔚 蟿慰谓 蟺伪蟿苇蟻伪, 伪纬伪蟺畏渭苇谓慰喂 蟿畏蟼 渭畏蟿苇蟻伪蟼..."
螌蟿伪谓 慰 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼 蟽蟿慰 未喂萎纬畏渭伪 伪谓伪蠁蠅谓蔚委 " 魏伪谓苇谓伪蟼 伪蟺蠈 蟿慰谓 维蠂蟻畏蟽蟿慰 蠈蠂位慰 蟿蠅谓 伪蟽胃蔚谓蠋谓 未蔚谓 魏慰蠀谓维蔚喂 蟿慰 未维蠂蟿蠀位蠈 蟿慰蠀. 螤蟻慰未慰渭苇谓慰蟼, 蟺蟻慰未慰渭苇谓慰蟼. 螁蟺伪尉 魏伪喂 伪蟺伪谓蟿萎蟽蔚喂蟼 蟽蟿慰 蠄蔚蠉蟿喂魏慰 蟽蠀谓伪纬蔚蟻渭蠈 蟿慰蠀 谓蠀蠂蟿蔚蟻喂谓慰蠉 魏慰蠀未慰蠀谓喂慰蠉, 魏伪谓苇谓伪 魏伪位蠈 未蔚谓 胃伪 尾纬蔚喂 伪蟺蠈 伪蠀蟿蠈, 蟺慰蟿苇."
螝维蟺慰喂慰蟼 蟺蟻慰未委未蔚喂 蟿慰谓 纬喂伪蟿蟻蠈. 螝维蟺慰喂慰蟼 蟿慰蠀 蟽蟿萎谓蔚喂 渭喂伪 蟺伪纬委未伪 魏伪喂 伪蠀蟿蠈蟼 蟺苇蠁蟿蔚喂 渭苇蟽伪. 围维谓蔚喂 蟿伪 蟺维谓蟿伪, 蠂维谓蔚喂 蟿畏谓 伪纬伪蟺畏渭苇谓畏 蟿慰蠀, 蟿畏 胃苇蟽畏 蟿慰蠀, 蟿畏 味蠅萎 蟿慰蠀. 螤慰喂慰蟼 蔚委谓伪喂 慰 蟺蟻慰未蠈蟿畏蟼; 螤慰喂慰喂 蔚委谓伪喂 慰喂 伪蟽胃蔚谓蔚委蟼 蟺慰蠀 蟿慰谓 魏伪蟿伪未喂魏维味慰蠀谓 蟽蔚 伪蠁伪谓喂蟽渭蠈; 螤慰喂慰 蔚委谓伪喂 蟿慰 位维胃慰蟼 蟿慰蠀 纬喂伪蟿蟻慰蠉;
螣 纬喂伪蟿蟻蠈蟼 伪魏慰位慰蠀胃蔚委 蟿慰谓 蠁蠀蟽喂魏蠈 蟿慰蠀 蟺蟻慰慰蟻喂蟽渭蠈. 螒蟺伪谓蟿维蔚喂 蟽蟿慰 魏维位蔚蟽渭伪 蟿慰蠀 伪蟽胃蔚谓慰蠉蟼 魏伪喂 魏维谓蔚喂 蠈,蟿喂 渭蟺慰蟻蔚委 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 蟿慰谓 胃蔚蟻伪蟺蔚蠉蟽蔚喂. 螌蟺蠅蟼 慰 Kafka 蔚委谓伪喂 伪蠀蟿蠈蟼 蟺慰蠀 蔚委谓伪喂, 蔚尉伪喂蟿委伪蟼 蟿畏蟼 蠁蠉蟽畏蟼 蟿慰蠀, 蟿畏蟼 慰蠀蟽委伪蟼 蟿慰蠀, 蟿畏谓 慰蟺慰委伪 苇蠂蔚喂 蟺伪蟻伪位维尾蔚喂 伪蟺蠈 蟿慰蠀蟼 纬慰谓蔚委蟼 蟿慰蠀. 螆蟿蟽喂 蠁苇蟻蔚喂 渭苇蟽伪 蟿慰蠀 蟿慰谓 蠁慰蟻苇伪 蟿慰蠀 伪蠁伪谓喂蟽渭慰蠉 蟿慰蠀, 蟿畏谓 伪蟽胃苇谓蔚喂伪 蟺慰蠀 未蔚谓 渭蟺慰蟻蔚委 谓伪 胃蔚蟻伪蟺蔚蠉蟽蔚喂. 螣喂 纬慰谓蔚委蟼 蟿慰蠀, 慰喂 蟺维蟻慰蠂慰喂 魏伪喂 慰喂 蠁慰蟻蔚委蟼 蟿畏蟼 慰蠀蟽委伪蟼 蟿慰蠀 Kafka 蔚委谓伪喂 伪蠀蟿慰委 蟺慰蠀 蟿慰谓 蟺蟻慰未委未慰蠀谓 纬喂伪蟿委, 蔚谓蠋 蟿慰谓 苇魏伪谓伪谓, 魏伪喂 蔚委谓伪喂 蠈蟺慰喂慰蟼 蔚委谓伪喂 蔚尉伪喂蟿委伪蟼 蟿慰蠀蟼, 伪蟺蠈 蟿畏谓 维位位畏 蟿慰谓 蔚尉伪蟺伪蟿慰蠉谓, 蠀蟺慰蠂蟻蔚蠋谓慰谓蟿维蟼 蟿慰谓 谓伪 纬委谓蔚喂 魏维蟿喂 维位位慰, 魏维蟺慰喂慰蟼 维位位慰蟼 魏蠈谓蟿蟻伪 蟽蟿畏 蠁蠉蟽畏 蟿慰蠀.
螌蟺蠅蟼 位苇蔚喂 魏伪喂 慰 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼 蟽蟿慰 未喂萎纬畏渭伪 "萎渭慰蠀谓 慰 纬喂伪蟿蟻蠈蟼 蟿畏蟼 蟺蔚蟻喂慰蠂萎蟼 魏伪喂 苇魏伪谓伪 蟿慰 魏伪胃萎魏慰谓 渭慰蠀 蟽蟿慰 苇蟺伪魏蟻慰, 蟽蔚 蟽畏渭蔚委慰 蟺慰蠀 蟽蠂蔚未蠈谓 未蔚谓 维谓蟿蔚蠂伪 维位位慰". 惟蟽蟿蠈蟽慰 畏 渭畏蟿苇蟻伪 魏伪喂 慰 蟺伪蟿苇蟻伪 蟿畏蟼 未喂萎纬畏蟽畏蟼 未蔚谓 魏伪蟿伪位伪尾伪委谓慰蠀谓 魏伪喂 未蔚谓 蟽蠀渭渭蔚蟻委味慰谓蟿伪喂 蟿慰谓 伪纬蠋谓伪 魏伪喂 蟿喂蟼 胃蠀蟽委蔚蟼 蟿慰蠀 "未蔚谓 萎尉蔚蟻伪谓 蟿委蟺慰蟿伪 纬喂伪 蠈位伪 伪蠀蟿维, 魏喂 伪谓 萎尉蔚蟻伪谓 未蔚谓 胃伪 渭蔚 蟺委蟽蟿蔚蠀伪谓. 螡伪 纬蟻维蠁蔚喂蟼 蟽蠀谓蟿伪纬苇蟼 蔚委谓伪喂 蔚蠉魏慰位慰, 伪位位维 蟿慰 谓伪 渭蟺慰蟻苇蟽蔚喂蟼 谓伪 蟽蠀谓蔚谓谓慰畏胃蔚委蟼 渭蔚 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼 蔚委谓伪喂 未蠉蟽魏慰位慰". 韦慰蠀 味畏蟿维谓蔚 谓伪 纬委谓蔚喂 魏维蟿喂 维位位慰, 苇尉蠅 伪蟺蠈 蟿畏 蠁蠉蟽畏 蟿慰蠀. 螝喂 伪蠀蟿蠈谓 蟿慰谓 蔚尉慰谓蟿蠋谓蔚喂. 韦慰谓 伪蟺慰纬蠀渭谓蠋谓蔚喂 伪蟺蠈 蠈位蔚蟼 蟿喂蟼 蠁蠀蟽喂魏苇蟼 蟿慰蠀 喂未喂蠈蟿畏蟿蔚蟼, 蟿慰谓 渭蔚蟿伪蟿蟻苇蟺蔚喂 蟽蔚 伪蟽胃蔚谓萎.
危蟿伪 畏渭蔚蟻慰位蠈纬喂维 蟿慰蠀, 伪谓蟿喂纬蟻维蠁蔚喂 渭喂伪 蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 蟿畏 Felice (蟿畏谓 伪蟻蟻伪尾蠅谓喂伪蟽蟿喂魏喂维 蟿慰蠀) 蟽蟿畏谓 慰蟺慰委伪 伪谓伪蠁苇蟻蔚喂: "螁位位蔚蟼 蠁慰蟻苇蟼 蟺维位喂 尉苇蟻蠅, 蠈蟿喂 蟺伪蟻' 蠈位伪 伪蠀蟿维, 蔚委谓伪喂 慰喂 纬慰谓蔚委蟼 渭慰蠀, 伪蟺伪蟻伪委蟿畏蟿伪 蟽蠀蟽蟿伪蟿喂魏维 蟿慰蠀 未喂魏慰蠉 渭慰蠀 蔚委谓伪喂 蟺慰蠀 渭慰蠀 未委谓慰蠀谓 未喂伪蟻魏蠋蟼 蟿畏谓 伪蟺伪蟻伪委蟿畏蟿畏 未蠉谓伪渭畏, 蟺慰蠀 渭慰蠀 伪谓萎魏慰蠀谓 蠈蠂喂 渭蠈谓慰 蠅蟼 蔚渭蟺蠈未喂慰 伪位位维 魏伪喂 蠅蟼 慰蠀蟽委伪". 螞委纬蔚蟼 纬蟻伪渭渭苇蟼 蟺伪蟻伪魏维蟿蠅 伪蠁慰蠉 伪谓伪蠁苇蟻蔚喂 蟺蠅蟼 慰喂 纬慰谓蔚委蟼 蟿慰蠀 "苇蠂慰蠀谓 蟽蠂蔚未蠈谓 蟽蟺维蟽蔚喂 蟿畏 胃苇位畏蟽萎" 蟿慰蠀, 蟽蠀谓蔚蠂委味蔚喂 "螆蠂蠅 蔚尉伪蟺伪蟿畏胃蔚委 伪蟺蠈 伪蠀蟿慰蠉蟼 魏伪喂 蟺伪蟻' 蠈位伪 伪蠀蟿维, 未蔚谓 渭蟺慰蟻蠋, 蠂蠅蟻委蟼 谓伪 蟿蟻蔚位伪胃蠋, 谓伪 蔚尉蔚纬蔚蟻胃蠋 蔚谓维谓蟿喂伪 蟽蟿慰 蠁蠀蟽喂魏蠈 谓蠈渭慰, 位慰喂蟺蠈谓 魏伪喂 蟺维位喂 渭委蟽慰蟼 魏伪喂 蟿委蟺慰蟿伪 维位位慰 蟺伪蟻维 渭委蟽慰蟼". 螝伪喂 魏伪蟿伪位萎纬蔚喂 伪谓伪蠁蔚蟻蠈渭蔚谓慰蟼 蟽蟿畏谓 委未喂伪 蟿畏谓 Felice: "螘蟽蠉 伪谓萎魏蔚喂蟼 蟽' 蔚渭苇谓伪, 蟽蔚 蟺萎蟻伪 未喂魏萎 渭慰蠀, 未蔚谓 渭蟺慰蟻蠋 谓伪 蟺喂蟽蟿苇蠄蠅 蟺蠅蟼 蟽蔚 慰蟺慰喂慰未萎蟺慰蟿蔚 蟺伪蟻伪渭蠉胃喂 苇蠂蔚喂 纬委谓蔚喂 纬喂伪 慰蟺慰喂伪未萎蟺慰蟿蔚 纬蠀谓伪委魏伪 渭蔚纬伪位蠉蟿蔚蟻慰蟼 魏伪喂 蟺喂慰 伪蟺蔚位蟺喂蟽渭苇谓慰蟼 伪纬蠋谓伪蟼 伪蟺' 蠈蟿喂 渭苇蟽伪 渭慰蠀 纬喂伪 蔚蟽苇谓伪, 伪蟺蠈 蟿畏谓 伪蟻蠂萎 魏伪喂 蟺维谓蟿伪, 伪蟺蠈 蟿畏谓 伪蟻蠂萎 魏伪喂 委蟽蠅蟼 纬喂伪 蟺维谓蟿伪". (18 螣魏蟿蠅尾蟻委慰蠀 1916).
螚 Rosa 畏 蠀蟺畏蟻苇蟿蟻喂伪 魏伪喂 伪纬伪蟺畏渭苇谓畏 蟿慰蠀 伪纬蟻慰蟿喂魏慰蠉 纬喂伪蟿蟻慰蠉 蟽蠀渭渭蔚蟿苇蠂蔚喂 魏喂 伪蠀蟿萎 蟽蔚 苇谓伪 未蠀蟽慰委蠅谓慰 蟺伪蟻伪渭蠉胃喂 渭蔚 渭伪纬蔚渭苇谓伪 维位慰纬伪, 伪位位维 蔚魏蔚委 蟺位苇慰谓, 慰 伪纬蠋谓伪蟼 蟿慰蠀 纬喂伪蟿蟻慰蠉 纬喂伪 蔚魏蔚委谓畏 蔚委谓伪喂 蠂伪渭苇谓慰蟼, 魏伪蟿伪未喂魏伪蟽渭苇谓慰蟼 蔚尉伪蟻蠂萎蟼. 螠蔚蟿伪渭慰蟻蠁蠋谓蔚蟿伪喂 蟽蔚 渭喂伪 蟺位畏纬萎 (eine handtellergro脽e Wunde aufgetan. Rosa, in vielen Schattierungen, 渭喂伪 伪谓慰喂蠂蟿萎 蟺位畏纬萎 蟽蔚 蟽蠂萎渭伪 蟺伪位维渭畏蟼, 蟻慰未伪位萎 蟽蔚 未喂维蠁慰蟻蔚蟼 伪蟺慰蠂蟻蠋蟽蔚喂蟼). 螝喂 蠈蟺蠅蟼 位苇蔚喂 慰 伪蟽胃蔚谓萎蟼 蟺慰蠀 纬委谓蔚蟿伪喂 蟿慰 伪谓蟿喂魏伪胃蟻苇蠁蟿喂蟽渭伪 (渭喂伪 渭蔚蟿蔚谓蟽维蟻魏蠅蟽畏) 蟿慰蠀 纬喂伪蟿蟻慰蠉 "渭喂伪 蠈渭慰蟻蠁畏 蟺位畏纬萎 蔚委谓伪喂 蠈位伪 蠈蟽伪 魏伪蟿维蠁蔚蟻伪 谓伪 蠁苇蟻蠅 蟽蟿慰谓 魏蠈蟽渭慰. 螒蠀蟿萎 萎蟿伪谓 畏 渭慰谓伪未喂魏萎 渭慰蠀 蟺蟻慰蟽蠁慰蟻维".
螣 纬喂伪蟿蟻蠈蟼 蟿慰蟺慰胃蔚蟿蔚委蟿伪喂 蟽蟿慰 魏蟻蔚尾维蟿喂 蟿慰蠀 伪蟽胃蔚谓慰蠉蟼 蠋蟽蟿蔚 谓伪 渭蟺慰蟻苇蟽蔚喂 谓伪 伪纬纬委尉蔚喂 伪蠀蟿萎谓 蟿畏谓 蟺位畏纬萎 魏伪喂 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蟿慰谓 蟺伪蟻畏纬慰蟻萎蟽蔚喂 位苇纬慰谓蟿维蟼 蟿慰蠀 蟺蠅蟼 畏 蟺位畏纬萎 蟿慰蠀 未蔚谓 蔚委谓伪喂 蟿蠈蟽慰 蟽慰尾伪蟻萎. " 螣蟺慰喂慰蟽未萎蟺慰蟿蔚 渭蟺慰蟻蔚委 谓伪 蟿畏谓 伪蟺慰魏蟿萎蟽蔚喂 魏伪渭蠅渭苇谓畏 蟽蔚 慰尉蔚委伪 纬蠅谓委伪 渭蔚 未蠉慰 蠂蟿蠀蟺萎渭伪蟿伪 蟿慰蠀 蟿蟽蔚魏慰蠀蟻喂慰蠉. 螤慰位位慰委 蟺蟻慰蟽蠁苇蟻慰蠀谓 蟿畏谓 蟺位蔚蠀蟻维 蟿慰蠀蟼 魏伪喂 慰蠉蟿蔚 魏伪谓 伪魏慰蠉谓 蟿慰 蟿蟽蔚魏慰蠉蟻喂 蟽蟿慰 未维蟽慰蟼, 慰蠉蟿蔚 蟺伪委蟻谓慰蠀谓 蔚委未畏蟽畏 蟺蠅蟼 蟿慰蠀蟼 蟺位畏蟽喂维味蔚喂".
螘委谓伪喂 蟽伪谓 谓伪 蟿慰蠀 位苇蔚喂 蟺蠅蟼 伪蠀蟿蠈 蟽蠀渭尾伪委谓蔚喂 蟽蔚 蠈位慰蠀蟼 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼, 蠈位慰喂 伪纬伪蟺慰蠉谓, 蠈位慰喂 蟺位畏纬蠋谓慰谓蟿伪喂 萎 畏 伪蟻蟻蠋蟽蟿喂伪 蟽慰蠀 未蔚谓 蔚委谓伪喂 蟿蠈蟽慰 蠁慰尾蔚蟻萎, 蟽蠀渭尾伪委谓蔚喂 魏伪喂 蟽蔚 维位位慰蠀蟼, 蟺慰位位慰委 蟿畏谓 苇蠂慰蠀谓 魏伪喂 蟺伪蟻' 蠈位伪 伪蠀蟿维 蟽蠀谓蔚蠂委味慰蠀谓 谓伪 味慰蠀谓.
韦畏谓 委未喂伪 蟿伪魏蟿喂魏萎 胃苇位蔚喂 谓伪 蔚蠁伪蟻渭蠈蟽蔚喂 魏伪喂 委未喂慰蟼 慰 Kafka 蟽蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀. 螕喂伪 谓伪 蟺伪蟻畏纬慰蟻畏胃蔚委, 蟽蠀渭尾慰蠀位蔚蠉蔚喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀:
"螆蠂蔚喂蟼 蟿畏 未蠀谓伪蟿蠈蟿畏蟿伪, 蟽蟿慰 尾伪胃渭蠈 蟺慰蠀 蠀蟺维蟻蠂蔚喂 魏伪蟿' 伪蟻蠂维蟼 伪蠀蟿萎 畏 未蠀谓伪蟿蠈蟿畏蟿伪, 谓伪 魏维谓蔚喂蟼 渭喂伪 伪蟻蠂萎. 螠畏谓 蟿畏谓 蟽蟺伪蟿伪位维蟼. 螖蔚谓 胃伪 渭蟺慰蟻苇蟽蔚喂蟼 谓伪 伪蟺慰蠁蠉纬蔚喂蟼 蟿畏 尾蟻蠅渭喂维 (蟽蟽: 蟽伪谓 蟿伪 蟽魏慰蠀位萎魏喂伪 蟿畏蟼 蟺位畏纬萎蟼 蟽蟿慰 未喂萎纬畏渭伪) 蟺慰蠀 尾纬伪委谓蔚喂 魏喂 蔚蟺喂蟺位苇蔚喂 伪蟺蠈 蟺维谓蠅 蟽慰蠀 伪谓 胃苇位蔚喂蟼 谓伪 未喂蔚喂蟽未蠉蟽蔚喂蟼. 螌渭蠅蟼 渭畏谓 魏蠀位喂苇蟽伪喂 渭苇蟽伪 蟿畏蟼. 螒谓 畏 蟺位畏纬萎 蟿蠅谓 蟺谓蔚蠀渭蠈谓蠅谓 蟽慰蠀 未蔚谓 蔚委谓伪喂 蟺伪蟻维 苇谓伪 蟽蠉渭尾慰位慰, 蠈蟺蠅蟼 喂蟽蠂蠀蟻委味蔚蟽伪喂, 蟺慰蠀 畏 渭蠈位蠀谓蟽萎 蟿畏蟼 位苇纬蔚蟿伪喂 桅. 魏伪喂 蟿慰 尾维胃慰蟼 蟿畏蟼 未喂魏伪委蠅蟽畏, 伪谓 蔚委谓伪喂 苇蟿蟽喂, 蟿蠈蟿蔚 魏伪喂 慰喂 喂伪蟿蟻喂魏苇蟼 蟽蠀渭尾慰蠀位苇蟼 (蠁蠅蟼, 伪苇蟻伪蟼, 萎位喂慰蟼, 畏蟽蠀蠂委伪) 蔚委谓伪喂 蟽蠀渭尾慰位喂魏苇蟼. 螁纬纬喂尉苇 蟿慰 伪蠀蟿蠈 蟿慰 蟽蠉渭尾慰位慰." (螚渭蔚蟻慰位蠈纬喂伪, 15 危蔚蟺蟿蔚渭尾蟻委慰蠀 1917).
螆蠂慰蠀渭蔚 位慰喂蟺蠈谓 苇谓伪 未喂萎纬畏渭伪 蟺慰蠀 蔚委谓伪喂 蟺伪蟻伪渭蠉胃喂 魏伪喂 蟽蠀谓维渭伪 蠈谓蔚喂蟻慰, 渭喂伪 魏伪蟿维尾伪蟽畏 蟽蟿慰谓 蠂蠋蟻慰 蟿慰蠀 蠀蟺慰蟽蠀谓蔚喂未萎蟿慰蠀. 螘委谓伪喂 畏 蠋蟻伪 蟺慰蠀 畏 伪蟽胃苇谓蔚喂伪 蔚魏蔚委谓畏 蟿畏谓 慰蟺慰委伪 魏伪谓苇谓伪蟼 未蔚谓 渭蟺慰蟻慰蠉蟽蔚 谓伪 未蔚喂, 蠈蟺蠅蟼 慰 纬喂伪蟿蟻蠈蟼 蟽蟿慰 未喂萎纬畏渭伪, 蔚渭蠁伪谓委味蔚蟿伪喂 蠅蟼 蔚魏未萎位蠅蟽畏 渭喂伪蟼 蟺蟻慰蠇蟺维蟻蠂慰蠀蟽伪蟼 蟺谓蔚蠀渭伪蟿喂魏萎蟼 蟺蟻慰未喂维胃蔚蟽畏蟼, 蟿畏谓 慰蟺慰委伪 苇蠂蔚喂 魏位畏蟻慰谓慰渭萎蟽蔚喂 伪蟺蠈 蟿慰蠀蟼 纬慰谓蔚委蟼 蟿慰蠀, 蟽蟿慰蠀蟼 慰蟺慰委慰蠀蟼 蟺位苇慰谓 渭蟺慰蟻蔚委 谓伪 伪蟺慰未蠋蟽蔚喂 蔚蠀胃蠉谓蔚蟼. 螚 伪纬伪蟺畏渭苇谓畏 蟿慰蠀 蟿慰谓 蔚纬魏伪蟿伪位蔚委蟺蔚喂, 魏伪喂 渭蠈谓慰 畏 蟺位畏纬萎 蟽蟿慰谓 蟺谓蔚蠉渭慰谓维 蟿慰蠀 伪蟺慰渭苇谓蔚喂 蠅蟼 蟽蠉渭尾慰位慰 蔚魏蔚委谓畏蟼.
违蟺维蟻蠂蔚喂 魏维蟿喂 蟽畏渭伪谓蟿喂魏蠈 蔚未蠋. 韦慰 纬蔚纬慰谓蠈蟼 蠈蟿喂 魏维蟺慰喂伪 蟽蟿喂纬渭萎 蟺蟻苇蟺蔚喂 谓伪 纬委谓蔚喂 魏维蟺慰喂伪 伪蟺蠈未慰蟽畏 蔚蠀胃蠀谓蠋谓. 螒蟻蠂喂魏维 慰 Kafka 萎胃蔚位蔚 谓伪 未蠋蟽蔚喂 蟽蟿畏 蟽蠀位位慰纬萎 未喂畏纬畏渭维蟿蠅谓 蟺慰蠀 蟺蔚蟻喂蔚位维渭尾伪谓蔚 魏伪喂 蟿慰谓 "螒纬蟻慰蟿喂魏蠈 纬喂伪蟿蟻蠈" 蟿慰谓 蟿委蟿位慰 "Verantwortung" 蟺慰蠀 蟽畏渭伪委谓蔚喂 "螘蠀胃蠉谓畏" (尾位苇蟺蔚 蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 Martin Buber 22 螒蟺蟻委位畏 1917).
螘未蠋 未蔚谓 苇蠂慰蠀渭蔚 蟿慰谓 萎蟻蠅伪 蟺慰蠀 尉蠀蟺谓维蔚喂 苇谓伪 蟺蟻蠅委 魏伪喂 伪谓伪蟻蠅蟿喂苇蟿伪喂 蟿喂 苇蠁蟿伪喂尉蔚 魏伪喂 蟿喂渭蠅蟻蔚委蟿伪喂, 慰蠉蟿蔚 蟿慰 蟺伪喂未维蟻喂慰 - 蟽蟿蟻伪蟿喂蠅蟿维魏喂 蟺慰蠀 慰蠁蔚委位蔚喂 谓伪 蠀蟺慰蟽蟿蔚委 蟿畏谓 蟿喂渭蠅蟻委伪 蔚谓蠈蟼 伪谓蠋蟿蔚蟻慰蠉 蟿慰蠀 伪蟺蠈 苇谓伪 魏伪蟺蟻委蟿蟽喂慰, 纬喂伪 伪蟽萎渭伪谓蟿畏 伪蠁慰蟻渭萎. 螣 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼, 蠀蠄蠋谓蔚喂 伪谓维蟽蟿畏渭伪 魏喂 伪蟼 蟽蠀谓蟿蟻委尾蔚蟿伪喂. 螒蟺慰位慰纬蔚委蟿伪喂, 伪渭蠉谓蔚蟿伪喂, 未蔚谓 蟺苇蠁蟿蔚喂 伪渭伪蠂畏蟿委, 蠁蠅谓维味蔚喂 "Betrogen! Betrogen!" (渭蔚 蟺蟻蠈未蠅蟽伪谓). 螤蟻蠋蟿伪 苇蟻蠂蔚蟿伪喂 伪蠀蟿蠈 蟿慰 尾喂尾位委慰 蟿慰 慰蟺慰委慰 胃伪 伪蠁喂蔚蟻蠋蟽蔚喂 蟽蟿慰谓 蟺伪蟿苇蟻伪 蟿慰蠀, 魏喂 苇蟺蔚喂蟿伪 畏 "螘蟺喂蟽蟿慰位萎 蟺蟻慰蟼 蟿慰谓 蟺伪蟿苇蟻伪" 蟽蟿伪 1919.
螖蔚谓 蟽伪蟼 苇位蔚纬伪 蠄苇渭伪蟿伪 蠁蠅谓维味蔚喂, 萎渭慰蠀谓 蟽蟿伪 伪位萎胃蔚喂伪 维蟻蟻蠅蟽蟿慰蟼, 蠀蟺苇蠁蔚蟻伪 魏喂 蔚蟽蔚委蟼 未蔚谓 渭蔚 蟺喂蟽蟿蔚蠉伪蟿蔚. 螘蟽蔚委蟼 渭蔚 魏维谓伪蟿蔚 伪蠀蟿蠈 蟺慰蠀 蔚委渭伪喂. 螝伪喂 蟿蠋蟻伪 蠂维谓蠅 伪蠀蟿萎 蟺慰蠀 伪纬伪蟺维蠅 魏伪喂 胃伪 伪蟺慰渭蔚委谓蠅 慰 伪喂蠋谓喂慰蟼 蔚蟻纬苇谓畏蟼. 螝伪喂 蟿蠋蟻伪 蟺蔚胃伪委谓蠅 魏喂 蔚蟽蠉 蟺伪蟿苇蟻伪 伪魏蠈渭伪 蟽蠀谓蔚蠂委味蔚喂蟼 谓伪 渭蔚 蟺慰位蔚渭维蟼, 纬喂伪蟿委;
螌蟺蠅蟼 纬蟻维蠁蔚喂 慰 Kafka, 蠁慰尾慰蠉渭蔚谓慰蟼 蟺蠅蟼 胃伪 蟺蔚胃维谓蔚喂 蟺蟻喂谓 蟺蟻慰位维尾蔚喂 谓伪 蔚魏未慰胃蔚委 蟿慰 尾喂尾位委慰 蟿慰蠀:
"螒蟺蠈 蟿蠈蟿蔚 蟺慰蠀 伪蟺慰蠁维蟽喂蟽伪 谓伪 伪蠁喂蔚蟻蠋蟽蠅 蟿慰 尾喂尾位委慰 蟽蟿慰谓 蟺伪蟿苇蟻伪 渭慰蠀, 苇蠂蠅 渭蔚纬维位畏 伪纬蠅谓委伪 谓伪 蟿慰 未蠅 蟽蠉谓蟿慰渭伪 蟿蠀蟺蠅渭苇谓慰. 螌蠂喂 蟺蠅蟼 胃伪 渭蟺慰蟻慰蠉蟽伪 谓伪 蟿慰谓 魏伪蟿蔚蠀谓维蟽蠅 渭蔚 伪蠀蟿蠈谓 蟿慰谓 蟿蟻蠈蟺慰, 慰喂 蟻委味蔚蟼 蟿慰蠀 伪谓蟿伪纬蠅谓喂蟽渭慰蠉 渭伪蟼 蔚委谓伪喂 蟺慰位蠉 尾伪胃喂苇蟼. 螒位位维 蟿慰蠀位维蠂喂蟽蟿慰谓 胃伪 苇蠂蠅 魏维谓蔚喂 魏维蟿喂".
螚 蟽蠀位位慰纬萎 渭蔚 纬蔚谓喂魏蠈 蟿委蟿位慰 "螆谓伪蟼 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼" 蟺苇蟻伪 伪蟺蠈 蟿慰 慰渭蠋谓蠀渭慰 未喂萎纬畏渭伪 蟺蔚蟻喂位维渭尾伪谓蔚 蔚蟺委蟽畏蟼 蟿伪:
Der neue Advokat (螣 谓苇慰蟼 未喂魏畏纬蠈蟻慰蟼), Auf der Galerie (螤维谓蠅 蟽蟿畏 纬伪位伪蟻委伪), Ein altes Blatt (苇谓伪 蟺伪位喂蠈 蠂蔚喂蟻蠈纬蟻伪蠁慰/ 螆谓伪 蟺伪位喂蠈 蠁蠉位位慰), Vor dem Gesetz (渭蟺蟻慰蟽蟿维 蟽蟿慰 谓蠈渭慰), Schakale und Araber (韦蟽伪魏维位喂伪 魏伪喂 螁蟻伪尾蔚蟼), Ein Besuch im Bergwerk (螠喂伪 蔚蟺委蟽魏蔚蠄畏 蟽蟿慰 慰蟻蠀蠂蔚委慰), Das n盲chste Dorf (韦慰 纬蔚喂蟿慰谓喂魏蠈 蠂蠅蟻喂蠈/韦慰 未喂蟺位伪谓蠈 蠂蠅蟻喂蠈 ), Eine kaiserliche Botschaft (螆谓伪 伪蠀蟿慰魏蟻伪蟿慰蟻喂魏蠈 渭萎谓蠀渭伪), Die Sorge des Hausvaters (螚 苇纬谓慰喂伪 蟿慰蠀 慰喂魏慰纬蔚谓蔚喂维蟻蠂畏), Elf S枚hne (螆谓蟿蔚魏伪 纬喂慰喂), Der Mord / Ein Brudermord (螠喂伪 未慰位慰蠁慰谓委伪/ 伪未蔚位蠁慰魏蟿慰谓委伪), Ein Traum (苇谓伪 蠈谓蔚喂蟻慰), Ein Bericht f眉r eine Akademie (螒谓伪蠁慰蟻维 蟽蔚 渭喂伪 螒魏伪未畏渭委伪).
From: Letters to Friends, Family, and Editors, letter to Max Brod from Z眉rau, mid-September 1917)
What we have here is a short story, a dark fairytale and at the same time a dream, a descent into the realm of the subconscious. Eventually, an illness that no one could see (pretty much like the doctor in the short story) materialises as a manifestation of a pre-existing spiritual predisposition that Kafka inherited from his parents, that is tuberculosis.
His beloved (Felice Bauer) abandons him, and only the wound in his lungs remains as a symbol of that. There is something important here. The fact that at some point someone other than Kafka himself must be held accountable ( Betrogen! Betrogen! Betrayed! Betrayed!).
Initially, Kafka wanted to give to the collection of short stories that included the "Country Doctor" the title "Verantwortung" which means "Responsibility" (see letter to Martin Buber April 22, 1917).
A Country Doctor (Ein Landarzt) 螆谓伪蟼 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼:
韦慰谓 危蔚蟺蟿苇渭尾蟻畏 蟿慰蠀 1917, 慰 Kafka, 纬蟻维蠁蔚喂 伪蟺蠈 蟿慰 Z眉rau, 蠈蟺慰蠀 苇蠂蔚喂 蟺维蔚喂 位蠈纬蠅 蟿畏蟼 魏位慰谓喂蟽渭苇谓畏蟼 蠀纬蔚委伪蟼 蟿慰蠀, 蟽蟿慰谓 蠁委位慰 蟿慰蠀 Max Brod:
"韦蠈蟽伪 蟺蟻维纬渭伪蟿伪 渭蔚 尾伪蟽伪谓委味慰蠀谓, 未蔚谓 尾蟻委蟽魏蠅 蟿蟻蠈蟺慰 未喂伪蠁蠀纬萎蟼. 螇蟿伪谓 蠄蔚蠉蟿喂魏畏 蔚位蟺委未伪, 伪蠀蟿伪蟺维蟿畏, 蠈蟿伪谓 蔚委蟺伪 蟽蟿慰谓 蔚伪蠀蟿蠈 渭慰蠀 蟺蠅蟼 胃伪 萎胃蔚位伪 谓伪 渭蔚委谓蠅 蔚未蠋 纬喂伪 蟺维谓蟿伪, 蔚谓谓慰蠋 蟽蟿畏谓 蔚尉慰蠂萎, 渭伪魏蟻喂维 伪蟺蠈 蟿慰谓 蟽喂未畏蟻蠈未蟻慰渭慰, 魏慰谓蟿维 蟽蟿慰 伪未蠀蟽蠋蟺畏蟿慰 位蠀魏蠈蠁蠅蟼 蟺慰蠀 伪蟺伪蠀纬维味蔚喂 伪谓蔚渭蟺蠈未喂蟽蟿伪 伪蟺蠈 蠈位慰蠀蟼 魏伪喂 蠈位伪; 螒谓 蔚委谓伪喂 伪蠀蟿伪蟺维蟿畏 蟿蠈蟿蔚 蟽蠀渭尾伪委谓蔚喂 蔚蟺蔚喂未萎 蟿慰 伪委渭伪 渭慰蠀 渭蔚 未蔚位蔚维味蔚喂 蟺蟻慰蟼 渭喂伪 渭蔚蟿蔚谓蟽维蟻魏蠅蟽畏 蟿慰蠀 胃蔚委慰蠀 渭慰蠀, 蟿慰蠀 伪纬蟻慰蟿喂魏慰蠉 纬喂伪蟿蟻慰蠉 蟿慰谓 慰蟺慰委慰 (渭蔚 蠈位慰 蟿慰谓 蟽蔚尾伪蟽渭蠈 蟺慰蠀 蟿蟻苇蠁蠅 纬喂伪 蔚魏蔚委谓慰谓 魏伪喂 蔚委谓伪喂 蠈谓蟿蠅蟼 渭蔚纬维位慰蟼) 渭蔚蟻喂魏苇蟼 蠁慰蟻苇蟼 伪蟺慰魏伪位蠋 蟿喂蟿喂尾喂蟽蟿萎 (魏蔚位伪畏未喂蟽蟿萎) 纬喂伪蟿委 苇蠂蔚喂 苇谓伪 蟿蠈蟽慰 伪蟺蠈魏慰蟽渭伪 蠄喂位蠈, 蟽伪谓 蟺慰蠀位喂慰蠉, 纬蔚蟻慰蔚蟻纬苇谓喂魏慰 蟺谓蔚蠉渭伪 蟺慰蠀 蟿蟽喂蟻委味蔚喂 渭苇蟽伪 伪蟺蠈 苇谓伪谓 蟽蟿蔚谓蠈 位伪喂渭蠈 魏伪喂 蟺慰蟿苇 未蔚谓 蟿慰谓 蔚纬魏伪蟿伪位蔚委蟺蔚喂. 螝伪喂 味蔚喂 渭蔚 伪蠀蟿蠈谓 蟿慰谓 蟿蟻蠈蟺慰 蟽蟿畏谓 蔚尉慰蠂萎, 未蔚谓 尉蔚魏慰蠀谓维蔚喂 伪蟺蠈 蔚魏蔚委, 喂魏伪谓慰蟺慰喂畏渭苇谓慰蟼, 渭蔚 蟿慰谓 蟿蟻蠈蟺慰 蟺慰蠀 魏维蟺慰喂慰蟼 魏维蟺慰喂慰蟼 蠂伪委蟻蔚蟿伪喂 蠈蟿伪谓 谓慰渭委味蔚喂 蟺蠅蟼 慰 伪蠂谓蠈蟼 萎蠂慰蟼, 蟽伪谓 纬慰蠀蟻纬慰蠉蟻喂蟽渭伪, 蟿畏蟼 蟿蟻苇位伪蟼 蔚委谓伪喂 蟿维蠂伪 畏 渭蔚位蠅未委伪 蟿畏蟼 味蠅萎蟼. 螒位位维 伪谓 畏 位伪蠂蟿维蟻伪 纬喂伪 伪蠀蟿蠈谓 蟿慰谓 蟿蠈蟺慰 未蔚谓 蔚委谓伪喂 伪蠀蟿伪蟺维蟿畏, 蟿蠈蟿蔚 蔚委谓伪喂 魏维蟿喂 魏伪位蠈. 螒位位维 苇蠂蠅 蟿慰 未喂魏伪委蠅渭伪 谓伪 蟺蔚蟻喂渭苇谓蠅 魏维蟿喂 魏伪位蠈, 蟽蟿畏谓 畏位喂魏委伪 蟿蠅谓 蟿蟻喂维谓蟿伪 蟿蔚蟽蟽维蟻蠅谓 蔚蟿蠋谓, 渭蔚 蟿慰蠀蟼 蔚蠉胃蟻伪蠀蟽蟿慰蠀蟼 蟺谓蔚蠉渭慰谓苇蟼 渭慰蠀 魏伪喂 蟿喂蟼 伪魏蠈渭伪 蟺喂慰 蔚蠉胃蟻伪蠀蟽蟿蔚蟼 伪谓胃蟻蠋蟺喂谓蔚蟼 蟽蠂苇蟽蔚喂蟼 渭慰蠀; 螒纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼 蔚委谓伪喂 蟿慰 蟺喂慰 蟺喂胃伪谓蠈. 螒谓 味畏蟿维蟼 蔚蟺喂尾蔚尾伪委蠅蟽畏蟼 畏 魏伪蟿维蟻伪 蟿慰蠀 蟺伪蟿苇蟻伪 蔚委谓伪喂 蔚魏蔚委 伪渭苇蟽蠅蟼 蟺伪蟻慰蠉蟽伪. 违蟺苇蟻慰蠂慰 谓蠀蠂蟿蔚蟻喂谓蠈 胃苇伪渭伪, 蠈蟿伪谓 畏 蔚位蟺委未伪 蟺伪位蔚蠉蔚喂 渭蔚 蟿慰谓 螤伪蟿苇蟻伪.
螒位位维 伪蟼 伪蠁萎蟽慰蠀渭蔚 蟿慰蠀蟼 蟺伪位伪喂蟽蟿苇蟼..."
韦慰 1917 蔚委谓伪喂 畏 蠂蟻慰谓喂维 蠈蟺慰蠀 畏 伪蠈蟻伪蟿畏 伪蟽胃苇谓蔚喂伪 蟿慰蠀 Kafka, 伪蟺慰魏蟿维 蠀蟺蠈蟽蟿伪蟽畏, 尾蟻委蟽魏蔚喂 苇谓伪 蠈谓慰渭伪. 螚 伪蟻蟻蠋蟽蟿喂伪 蟺慰蠀 蟺蟻喂谓 未蔚谓 萎蟿伪谓 慰蟻伪蟿萎, 蟿蠋蟻伪 蟽蠅渭伪蟿慰蟺慰喂蔚委蟿伪喂 蟽伪谓 渭喂伪 蟺位畏纬萎 蟽蟿慰谓 蟺谓蔚蠉渭慰谓维 蟿慰蠀: 桅蠀渭伪蟿委蠅蟽畏. 螘魏蔚委谓伪 蟿伪 蠂蟻蠈谓喂伪 未蔚谓 蠀蟺萎蟻蠂蔚 胃蔚蟻伪蟺蔚委伪. 螘委谓伪喂 渭喂伪 伪蟽胃苇谓蔚喂伪 蟺慰蠀 蟿畏谓 蟺苇蟻伪蟽蔚 畏 伪未蔚蟻蠁萎 渭慰蠀, 魏伪喂 蟿慰 谓伪 尾位苇蟺蔚喂蟼 苇谓伪 蟺位维蟽渭伪 蟺慰蠀 伪纬伪蟺维蟼, 蟿慰 渭喂魏蟻蠈 渭慰蠀, 谓伪 蟺蔚胃伪委谓蔚喂 蟽蟿慰谓 蟺蠈谓慰 渭蔚 魏维胃蔚 伪谓维蟽伪, 谓伪 蟺谓委纬蔚蟿伪喂, 萎胃蔚位伪 谓伪 渭蟺慰蟻慰蠉蟽伪 谓伪 蟿慰谓 蟺维蟻蠅 伪蠀蟿蠈谓 蟿慰谓 蟺蠈谓慰 魏伪喂 谓伪 蟺蔚胃维谓蠅 蟽蟿畏 胃苇蟽畏 蟿畏蟼. 螚 伪未蔚蟻蠁萎 渭慰蠀 蟽蠋胃畏魏蔚 纬喂伪蟿委 味蔚喂 蟽蔚 渭喂伪 蔚蟺慰蠂萎 蟺慰蠀 蠀蟺维蟻蠂慰蠀谓 蟿伪 魏伪蟿维位位畏位伪 蠁维蟻渭伪魏伪. 螒位位喂蠋蟼 蔚委谓伪喂 蟺蠈谓慰蟼, 蟺蠈谓慰蟼, 蟺蠈谓慰蟼 渭苇蠂蟻喂 谓伪 位喂蠋蟽蔚喂蟼. 螒魏蠈渭伪 魏喂 苇蟿蟽喂, 苇谓伪 魏慰渭渭维蟿喂 蟿慰蠀 蟺谓蔚蠉渭慰谓维 蟿畏蟼 蟺伪蟻苇渭蔚喂谓蔚 魏伪蟿蔚蟽蟿蟻伪渭渭苇谓慰. 危魏喂维 蟿慰 位苇谓蔚. 危魏喂维 蟽蟿慰谓 蟺谓蔚蠉渭慰谓伪.
螕喂伪 魏维蟺慰喂慰 位蠈纬慰 慰 Kafka 魏伪蟿苇位畏尉蔚 谓伪 胃蔚蠅蟻蔚委 蟺蠅蟼 畏 蟽蠅渭伪蟿喂魏萎 伪蟽胃苇谓蔚喂伪 蔚委谓伪喂 渭喂伪 蠀蟺蔚蟻蔚魏蠂蔚委位喂蟽畏 蟿畏蟼 蟺谓蔚蠀渭伪蟿喂魏萎蟼 伪蟽胃苇谓蔚喂伪蟼 (蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 Oskar Baum, 伪蟺蠈 Meran, 螜慰蠉谓喂慰蟼 1920). 螝维谓蔚喂 位蠈纬慰 纬喂伪 苇谓伪 " 蔚蟽蠅蟿蔚蟻喂魏蠈 蔚蠂胃蟻蠈" 蟺慰蠀 蟿慰谓 蠁胃蔚委蟻蔚喂 魏伪喂 未蔚谓 蟿慰蠀 蔚蟺喂蟿蟻苇蟺蔚喂 蟿畏谓 蟺蟻伪纬渭伪蟿喂魏萎 委伪蟽畏 (蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 Minze Eisner 螤蟻维纬伪, 魏伪位慰魏伪委蟻喂 1920). 螤委蟽蠅 蠅蟽蟿蠈蟽慰 蟽蟿伪 1917 伪喂蟽胃维谓蔚蟿伪喂 渭喂伪 伪谓伪魏慰蠉蠁喂蟽畏 纬喂伪蟿委 蟺位苇慰谓 魏伪谓蔚委蟼 未蔚谓 渭蟺慰蟻蔚委 谓伪 蟿慰蠀 魏伪蟿伪位慰纬委蟽蔚喂 蟺蠅蟼 蠀蟺慰魏蟻委谓蔚蟿伪喂 蠈蟿喂 蠀蟺慰蠁苇蟻蔚喂:
螚 伪蟽胃苇谓蔚喂伪 蟺慰蠀 纬喂伪 蠂蟻蠈谓喂伪 渭慰蠀 蟺蟻慰魏伪位慰蠉蟽蔚 蟺慰谓慰魏蔚蠁维位慰蠀蟼 魏伪喂 伪蠇蟺谓委伪, 尉伪蠁谓喂魏维 蔚魏未畏位蠋胃畏魏蔚. 螘委谓伪喂 蟽蠂蔚未蠈谓 渭喂伪 伪谓伪魏慰蠉蠁喂蟽畏, 螛伪 蟺维蠅 蟽蟿畏谓 蔚尉慰蠂萎 纬喂伪 苇谓伪 伪蟻魏蔚蟿维 渭蔚纬维位慰 未喂维蟽蟿畏渭伪 萎 蟺喂慰 蟽蠅蟽蟿维, 蟺蟻苇蟺蔚喂 谓伪 蟺维蠅.
(蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 Kurt Wolff, 螤蟻维纬伪, 4 危蔚蟺蟿苇渭尾蟻畏 1917)
螠苇蟽伪 蟽蔚 蠈位伪 伪蠀蟿维 蟿慰谓 蔚纬魏伪蟿伪位蔚委蟺蔚喂 慰蟻喂蟽蟿喂魏维 魏伪喂 畏 Felice Bauer. 螤位苇慰谓 蔚魏蔚委谓畏 胃伪 尾蟻蔚喂 魏维蟺慰喂慰谓 维位位慰, 胃伪 蟽蠀谓蔚蠂委蟽蔚喂 蟿畏 味蠅萎 蟿畏蟼 蠂蠅蟻委蟼 伪蠀蟿蠈谓. 螌位慰喂 慰喂 蠁蠈尾慰喂 蟿慰蠀 纬委谓慰谓蟿伪喂 蟺蟻伪纬渭伪蟿喂魏蠈蟿畏蟿伪. 韦慰 蟽蠋渭伪 蟿慰蠀 蟿慰谓 蟺蟻慰未委未蔚喂, 畏 伪纬伪蟺畏渭苇谓畏 蟿慰蠀 蟿慰谓 蔚纬魏伪蟿伪位蔚委蟺蔚喂, 魏伪喂 谓喂蠋胃蔚喂 蟽伪谓 蟿慰谓 蔚蟻纬苇谓畏 胃蔚委慰 蟿慰蠀 伪蟺蠈 蟿畏谓 蟺位蔚蠀蟻维 蟿畏蟼 渭畏蟿苇蟻伪蟼 蟿慰蠀, 蟿慰谓 伪纬蟻慰蟿喂魏蠈 纬喂伪蟿蟻蠈 Siegfried L枚wy.
螣 Kafka 蟺维谓蟿伪 苇谓喂蠅胃蔚 蟺蠅蟼 畏 蟺位蔚蠀蟻维 蟿畏蟼 渭畏蟿苇蟻伪蟼 蟿慰蠀, 畏 蟺喂慰 蔚魏魏蔚谓蟿蟻喂魏萎 魏伪喂 慰谓蔚喂蟻慰蟺伪蟻渭苇谓畏, 蟿慰谓 未喂蔚魏未喂魏慰蠉蟽蔚, 魏蠈谓蟿蟻伪 蟽蟿畏谓 蟺喂慰 蟺蟻慰蟽纬蔚喂蠅渭苇谓畏 蟺伪蟿蟻喂魏萎 蔚蟺喂蟻蟻慰萎, 纬喂伪 蟺伪蟻维未蔚喂纬渭伪 蔚蟺喂蟽畏渭伪委谓蔚喂 蟿畏谓 慰渭慰喂蠈蟿畏蟿维 蟿慰蠀 蟽蟿伪 畏渭蔚蟻慰位蠈纬喂伪 蟿慰蠀 渭蔚 蟿慰谓 维位位慰 胃蔚委慰 蟿慰蠀, 蟿慰谓 Rudolf L枚wy 蠈蟿伪谓 位苇蔚喂 "畏 慰渭慰喂蠈蟿畏蟿伪 渭蔚 蟿慰谓 螛. 巍. 蔚委谓伪喂 蔚魏蟺位畏魏蟿喂魏萎 魏伪喂 蟺苇蟻伪 伪蟺蠈 伪蠀蟿蠈: 魏伪喂 慰喂 未蠉慰 蟽喂蠅蟺畏位慰委 (蔚纬蠋 位喂纬蠈蟿蔚蟻慰) 魏伪喂 慰喂 未蠉慰 蔚尉伪蟻蟿畏渭苇谓慰喂 伪蟺蠈 蟿慰蠀蟼 纬慰谓蔚委蟼 (蔚纬蠋 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰), 蟿蟽伪锟斤拷蠅渭苇谓慰喂 渭蔚 蟿慰谓 蟺伪蟿苇蟻伪, 伪纬伪蟺畏渭苇谓慰喂 蟿畏蟼 渭畏蟿苇蟻伪蟼..."
螌蟿伪谓 慰 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼 蟽蟿慰 未喂萎纬畏渭伪 伪谓伪蠁蠅谓蔚委 " 魏伪谓苇谓伪蟼 伪蟺蠈 蟿慰谓 维蠂蟻畏蟽蟿慰 蠈蠂位慰 蟿蠅谓 伪蟽胃蔚谓蠋谓 未蔚谓 魏慰蠀谓维蔚喂 蟿慰 未维蠂蟿蠀位蠈 蟿慰蠀. 螤蟻慰未慰渭苇谓慰蟼, 蟺蟻慰未慰渭苇谓慰蟼. 螁蟺伪尉 魏伪喂 伪蟺伪谓蟿萎蟽蔚喂蟼 蟽蟿慰 蠄蔚蠉蟿喂魏慰 蟽蠀谓伪纬蔚蟻渭蠈 蟿慰蠀 谓蠀蠂蟿蔚蟻喂谓慰蠉 魏慰蠀未慰蠀谓喂慰蠉, 魏伪谓苇谓伪 魏伪位蠈 未蔚谓 胃伪 尾纬蔚喂 伪蟺蠈 伪蠀蟿蠈, 蟺慰蟿苇."
螝维蟺慰喂慰蟼 蟺蟻慰未委未蔚喂 蟿慰谓 纬喂伪蟿蟻蠈. 螝维蟺慰喂慰蟼 蟿慰蠀 蟽蟿萎谓蔚喂 渭喂伪 蟺伪纬委未伪 魏伪喂 伪蠀蟿蠈蟼 蟺苇蠁蟿蔚喂 渭苇蟽伪. 围维谓蔚喂 蟿伪 蟺维谓蟿伪, 蠂维谓蔚喂 蟿畏谓 伪纬伪蟺畏渭苇谓畏 蟿慰蠀, 蟿畏 胃苇蟽畏 蟿慰蠀, 蟿畏 味蠅萎 蟿慰蠀. 螤慰喂慰蟼 蔚委谓伪喂 慰 蟺蟻慰未蠈蟿畏蟼; 螤慰喂慰喂 蔚委谓伪喂 慰喂 伪蟽胃蔚谓蔚委蟼 蟺慰蠀 蟿慰谓 魏伪蟿伪未喂魏维味慰蠀谓 蟽蔚 伪蠁伪谓喂蟽渭蠈; 螤慰喂慰 蔚委谓伪喂 蟿慰 位维胃慰蟼 蟿慰蠀 纬喂伪蟿蟻慰蠉;
螣 纬喂伪蟿蟻蠈蟼 伪魏慰位慰蠀胃蔚委 蟿慰谓 蠁蠀蟽喂魏蠈 蟿慰蠀 蟺蟻慰慰蟻喂蟽渭蠈. 螒蟺伪谓蟿维蔚喂 蟽蟿慰 魏维位蔚蟽渭伪 蟿慰蠀 伪蟽胃蔚谓慰蠉蟼 魏伪喂 魏维谓蔚喂 蠈,蟿喂 渭蟺慰蟻蔚委 蟺蟻慰魏蔚喂渭苇谓慰蠀 谓伪 蟿慰谓 胃蔚蟻伪蟺蔚蠉蟽蔚喂. 螌蟺蠅蟼 慰 Kafka 蔚委谓伪喂 伪蠀蟿蠈蟼 蟺慰蠀 蔚委谓伪喂, 蔚尉伪喂蟿委伪蟼 蟿畏蟼 蠁蠉蟽畏蟼 蟿慰蠀, 蟿畏蟼 慰蠀蟽委伪蟼 蟿慰蠀, 蟿畏谓 慰蟺慰委伪 苇蠂蔚喂 蟺伪蟻伪位维尾蔚喂 伪蟺蠈 蟿慰蠀蟼 纬慰谓蔚委蟼 蟿慰蠀. 螆蟿蟽喂 蠁苇蟻蔚喂 渭苇蟽伪 蟿慰蠀 蟿慰谓 蠁慰蟻苇伪 蟿慰蠀 伪蠁伪谓喂蟽渭慰蠉 蟿慰蠀, 蟿畏谓 伪蟽胃苇谓蔚喂伪 蟺慰蠀 未蔚谓 渭蟺慰蟻蔚委 谓伪 胃蔚蟻伪蟺蔚蠉蟽蔚喂. 螣喂 纬慰谓蔚委蟼 蟿慰蠀, 慰喂 蟺维蟻慰蠂慰喂 魏伪喂 慰喂 蠁慰蟻蔚委蟼 蟿畏蟼 慰蠀蟽委伪蟼 蟿慰蠀 Kafka 蔚委谓伪喂 伪蠀蟿慰委 蟺慰蠀 蟿慰谓 蟺蟻慰未委未慰蠀谓 纬喂伪蟿委, 蔚谓蠋 蟿慰谓 苇魏伪谓伪谓, 魏伪喂 蔚委谓伪喂 蠈蟺慰喂慰蟼 蔚委谓伪喂 蔚尉伪喂蟿委伪蟼 蟿慰蠀蟼, 伪蟺蠈 蟿畏谓 维位位畏 蟿慰谓 蔚尉伪蟺伪蟿慰蠉谓, 蠀蟺慰蠂蟻蔚蠋谓慰谓蟿维蟼 蟿慰谓 谓伪 纬委谓蔚喂 魏维蟿喂 维位位慰, 魏维蟺慰喂慰蟼 维位位慰蟼 魏蠈谓蟿蟻伪 蟽蟿畏 蠁蠉蟽畏 蟿慰蠀.
螌蟺蠅蟼 位苇蔚喂 魏伪喂 慰 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼 蟽蟿慰 未喂萎纬畏渭伪 "萎渭慰蠀谓 慰 纬喂伪蟿蟻蠈蟼 蟿畏蟼 蟺蔚蟻喂慰蠂萎蟼 魏伪喂 苇魏伪谓伪 蟿慰 魏伪胃萎魏慰谓 渭慰蠀 蟽蟿慰 苇蟺伪魏蟻慰, 蟽蔚 蟽畏渭蔚委慰 蟺慰蠀 蟽蠂蔚未蠈谓 未蔚谓 维谓蟿蔚蠂伪 维位位慰". 惟蟽蟿蠈蟽慰 畏 渭畏蟿苇蟻伪 魏伪喂 慰 蟺伪蟿苇蟻伪 蟿畏蟼 未喂萎纬畏蟽畏蟼 未蔚谓 魏伪蟿伪位伪尾伪委谓慰蠀谓 魏伪喂 未蔚谓 蟽蠀渭渭蔚蟻委味慰谓蟿伪喂 蟿慰谓 伪纬蠋谓伪 魏伪喂 蟿喂蟼 胃蠀蟽委蔚蟼 蟿慰蠀 "未蔚谓 萎尉蔚蟻伪谓 蟿委蟺慰蟿伪 纬喂伪 蠈位伪 伪蠀蟿维, 魏喂 伪谓 萎尉蔚蟻伪谓 未蔚谓 胃伪 渭蔚 蟺委蟽蟿蔚蠀伪谓. 螡伪 纬蟻维蠁蔚喂蟼 蟽蠀谓蟿伪纬苇蟼 蔚委谓伪喂 蔚蠉魏慰位慰, 伪位位维 蟿慰 谓伪 渭蟺慰蟻苇蟽蔚喂蟼 谓伪 蟽蠀谓蔚谓谓慰畏胃蔚委蟼 渭蔚 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼 蔚委谓伪喂 未蠉蟽魏慰位慰". 韦慰蠀 味畏蟿维谓蔚 谓伪 纬委谓蔚喂 魏维蟿喂 维位位慰, 苇尉蠅 伪蟺蠈 蟿畏 蠁蠉蟽畏 蟿慰蠀. 螝喂 伪蠀蟿蠈谓 蟿慰谓 蔚尉慰谓蟿蠋谓蔚喂. 韦慰谓 伪蟺慰纬蠀渭谓蠋谓蔚喂 伪蟺蠈 蠈位蔚蟼 蟿喂蟼 蠁蠀蟽喂魏苇蟼 蟿慰蠀 喂未喂蠈蟿畏蟿蔚蟼, 蟿慰谓 渭蔚蟿伪蟿蟻苇蟺蔚喂 蟽蔚 伪蟽胃蔚谓萎.
危蟿伪 畏渭蔚蟻慰位蠈纬喂维 蟿慰蠀, 伪谓蟿喂纬蟻维蠁蔚喂 渭喂伪 蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 蟿畏 Felice (蟿畏谓 伪蟻蟻伪尾蠅谓喂伪蟽蟿喂魏喂维 蟿慰蠀) 蟽蟿畏谓 慰蟺慰委伪 伪谓伪蠁苇蟻蔚喂: "螁位位蔚蟼 蠁慰蟻苇蟼 蟺维位喂 尉苇蟻蠅, 蠈蟿喂 蟺伪蟻' 蠈位伪 伪蠀蟿维, 蔚委谓伪喂 慰喂 纬慰谓蔚委蟼 渭慰蠀, 伪蟺伪蟻伪委蟿畏蟿伪 蟽蠀蟽蟿伪蟿喂魏维 蟿慰蠀 未喂魏慰蠉 渭慰蠀 蔚委谓伪喂 蟺慰蠀 渭慰蠀 未委谓慰蠀谓 未喂伪蟻魏蠋蟼 蟿畏谓 伪蟺伪蟻伪委蟿畏蟿畏 未蠉谓伪渭畏, 蟺慰蠀 渭慰蠀 伪谓萎魏慰蠀谓 蠈蠂喂 渭蠈谓慰 蠅蟼 蔚渭蟺蠈未喂慰 伪位位维 魏伪喂 蠅蟼 慰蠀蟽委伪". 螞委纬蔚蟼 纬蟻伪渭渭苇蟼 蟺伪蟻伪魏维蟿蠅 伪蠁慰蠉 伪谓伪蠁苇蟻蔚喂 蟺蠅蟼 慰喂 纬慰谓蔚委蟼 蟿慰蠀 "苇蠂慰蠀谓 蟽蠂蔚未蠈谓 蟽蟺维蟽蔚喂 蟿畏 胃苇位畏蟽萎" 蟿慰蠀, 蟽蠀谓蔚蠂委味蔚喂 "螆蠂蠅 蔚尉伪蟺伪蟿畏胃蔚委 伪蟺蠈 伪蠀蟿慰蠉蟼 魏伪喂 蟺伪蟻' 蠈位伪 伪蠀蟿维, 未蔚谓 渭蟺慰蟻蠋, 蠂蠅蟻委蟼 谓伪 蟿蟻蔚位伪胃蠋, 谓伪 蔚尉蔚纬蔚蟻胃蠋 蔚谓维谓蟿喂伪 蟽蟿慰 蠁蠀蟽喂魏蠈 谓蠈渭慰, 位慰喂蟺蠈谓 魏伪喂 蟺维位喂 渭委蟽慰蟼 魏伪喂 蟿委蟺慰蟿伪 维位位慰 蟺伪蟻维 渭委蟽慰蟼". 螝伪喂 魏伪蟿伪位萎纬蔚喂 伪谓伪蠁蔚蟻蠈渭蔚谓慰蟼 蟽蟿畏谓 委未喂伪 蟿畏谓 Felice: "螘蟽蠉 伪谓萎魏蔚喂蟼 蟽' 蔚渭苇谓伪, 蟽蔚 蟺萎蟻伪 未喂魏萎 渭慰蠀, 未蔚谓 渭蟺慰蟻蠋 谓伪 蟺喂蟽蟿苇蠄蠅 蟺蠅蟼 蟽蔚 慰蟺慰喂慰未萎蟺慰蟿蔚 蟺伪蟻伪渭蠉胃喂 苇蠂蔚喂 纬委谓蔚喂 纬喂伪 慰蟺慰喂伪未萎蟺慰蟿蔚 纬蠀谓伪委魏伪 渭蔚纬伪位蠉蟿蔚蟻慰蟼 魏伪喂 蟺喂慰 伪蟺蔚位蟺喂蟽渭苇谓慰蟼 伪纬蠋谓伪蟼 伪蟺' 蠈蟿喂 渭苇蟽伪 渭慰蠀 纬喂伪 蔚蟽苇谓伪, 伪蟺蠈 蟿畏谓 伪蟻蠂萎 魏伪喂 蟺维谓蟿伪, 伪蟺蠈 蟿畏谓 伪蟻蠂萎 魏伪喂 委蟽蠅蟼 纬喂伪 蟺维谓蟿伪". (18 螣魏蟿蠅尾蟻委慰蠀 1916).
螚 Rosa 畏 蠀蟺畏蟻苇蟿蟻喂伪 魏伪喂 伪纬伪蟺畏渭苇谓畏 蟿慰蠀 伪纬蟻慰蟿喂魏慰蠉 纬喂伪蟿蟻慰蠉 蟽蠀渭渭蔚蟿苇蠂蔚喂 魏喂 伪蠀蟿萎 蟽蔚 苇谓伪 未蠀蟽慰委蠅谓慰 蟺伪蟻伪渭蠉胃喂 渭蔚 渭伪纬蔚渭苇谓伪 维位慰纬伪, 伪位位维 蔚魏蔚委 蟺位苇慰谓, 慰 伪纬蠋谓伪蟼 蟿慰蠀 纬喂伪蟿蟻慰蠉 纬喂伪 蔚魏蔚委谓畏 蔚委谓伪喂 蠂伪渭苇谓慰蟼, 魏伪蟿伪未喂魏伪蟽渭苇谓慰蟼 蔚尉伪蟻蠂萎蟼. 螠蔚蟿伪渭慰蟻蠁蠋谓蔚蟿伪喂 蟽蔚 渭喂伪 蟺位畏纬萎 (eine handtellergro脽e Wunde aufgetan. Rosa, in vielen Schattierungen, 渭喂伪 伪谓慰喂蠂蟿萎 蟺位畏纬萎 蟽蔚 蟽蠂萎渭伪 蟺伪位维渭畏蟼, 蟻慰未伪位萎 蟽蔚 未喂维蠁慰蟻蔚蟼 伪蟺慰蠂蟻蠋蟽蔚喂蟼). 螝喂 蠈蟺蠅蟼 位苇蔚喂 慰 伪蟽胃蔚谓萎蟼 蟺慰蠀 纬委谓蔚蟿伪喂 蟿慰 伪谓蟿喂魏伪胃蟻苇蠁蟿喂蟽渭伪 (渭喂伪 渭蔚蟿蔚谓蟽维蟻魏蠅蟽畏) 蟿慰蠀 纬喂伪蟿蟻慰蠉 "渭喂伪 蠈渭慰蟻蠁畏 蟺位畏纬萎 蔚委谓伪喂 蠈位伪 蠈蟽伪 魏伪蟿维蠁蔚蟻伪 谓伪 蠁苇蟻蠅 蟽蟿慰谓 魏蠈蟽渭慰. 螒蠀蟿萎 萎蟿伪谓 畏 渭慰谓伪未喂魏萎 渭慰蠀 蟺蟻慰蟽蠁慰蟻维".
螣 纬喂伪蟿蟻蠈蟼 蟿慰蟺慰胃蔚蟿蔚委蟿伪喂 蟽蟿慰 魏蟻蔚尾维蟿喂 蟿慰蠀 伪蟽胃蔚谓慰蠉蟼 蠋蟽蟿蔚 谓伪 渭蟺慰蟻苇蟽蔚喂 谓伪 伪纬纬委尉蔚喂 伪蠀蟿萎谓 蟿畏谓 蟺位畏纬萎 魏伪喂 蟺蟻慰蟽蟺伪胃蔚委 谓伪 蟿慰谓 蟺伪蟻畏纬慰蟻萎蟽蔚喂 位苇纬慰谓蟿维蟼 蟿慰蠀 蟺蠅蟼 畏 蟺位畏纬萎 蟿慰蠀 未蔚谓 蔚委谓伪喂 蟿蠈蟽慰 蟽慰尾伪蟻萎. " 螣蟺慰喂慰蟽未萎蟺慰蟿蔚 渭蟺慰蟻蔚委 谓伪 蟿畏谓 伪蟺慰魏蟿萎蟽蔚喂 魏伪渭蠅渭苇谓畏 蟽蔚 慰尉蔚委伪 纬蠅谓委伪 渭蔚 未蠉慰 蠂蟿蠀蟺萎渭伪蟿伪 蟿慰蠀 蟿蟽蔚魏慰蠀蟻喂慰蠉. 螤慰位位慰委 蟺蟻慰蟽蠁苇蟻慰蠀谓 蟿畏谓 蟺位蔚蠀蟻维 蟿慰蠀蟼 魏伪喂 慰蠉蟿蔚 魏伪谓 伪魏慰蠉谓 蟿慰 蟿蟽蔚魏慰蠉蟻喂 蟽蟿慰 未维蟽慰蟼, 慰蠉蟿蔚 蟺伪委蟻谓慰蠀谓 蔚委未畏蟽畏 蟺蠅蟼 蟿慰蠀蟼 蟺位畏蟽喂维味蔚喂".
螘委谓伪喂 蟽伪谓 谓伪 蟿慰蠀 位苇蔚喂 蟺蠅蟼 伪蠀蟿蠈 蟽蠀渭尾伪委谓蔚喂 蟽蔚 蠈位慰蠀蟼 蟿慰蠀蟼 伪谓胃蟻蠋蟺慰蠀蟼, 蠈位慰喂 伪纬伪蟺慰蠉谓, 蠈位慰喂 蟺位畏纬蠋谓慰谓蟿伪喂 萎 畏 伪蟻蟻蠋蟽蟿喂伪 蟽慰蠀 未蔚谓 蔚委谓伪喂 蟿蠈蟽慰 蠁慰尾蔚蟻萎, 蟽蠀渭尾伪委谓蔚喂 魏伪喂 蟽蔚 维位位慰蠀蟼, 蟺慰位位慰委 蟿畏谓 苇蠂慰蠀谓 魏伪喂 蟺伪蟻' 蠈位伪 伪蠀蟿维 蟽蠀谓蔚蠂委味慰蠀谓 谓伪 味慰蠀谓.
韦畏谓 委未喂伪 蟿伪魏蟿喂魏萎 胃苇位蔚喂 谓伪 蔚蠁伪蟻渭蠈蟽蔚喂 魏伪喂 委未喂慰蟼 慰 Kafka 蟽蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀. 螕喂伪 谓伪 蟺伪蟻畏纬慰蟻畏胃蔚委, 蟽蠀渭尾慰蠀位蔚蠉蔚喂 蟿慰谓 蔚伪蠀蟿蠈 蟿慰蠀:
"螆蠂蔚喂蟼 蟿畏 未蠀谓伪蟿蠈蟿畏蟿伪, 蟽蟿慰 尾伪胃渭蠈 蟺慰蠀 蠀蟺维蟻蠂蔚喂 魏伪蟿' 伪蟻蠂维蟼 伪蠀蟿萎 畏 未蠀谓伪蟿蠈蟿畏蟿伪, 谓伪 魏维谓蔚喂蟼 渭喂伪 伪蟻蠂萎. 螠畏谓 蟿畏谓 蟽蟺伪蟿伪位维蟼. 螖蔚谓 胃伪 渭蟺慰蟻苇蟽蔚喂蟼 谓伪 伪蟺慰蠁蠉纬蔚喂蟼 蟿畏 尾蟻蠅渭喂维 (蟽蟽: 蟽伪谓 蟿伪 蟽魏慰蠀位萎魏喂伪 蟿畏蟼 蟺位畏纬萎蟼 蟽蟿慰 未喂萎纬畏渭伪) 蟺慰蠀 尾纬伪委谓蔚喂 魏喂 蔚蟺喂蟺位苇蔚喂 伪蟺蠈 蟺维谓蠅 蟽慰蠀 伪谓 胃苇位蔚喂蟼 谓伪 未喂蔚喂蟽未蠉蟽蔚喂蟼. 螌渭蠅蟼 渭畏谓 魏蠀位喂苇蟽伪喂 渭苇蟽伪 蟿畏蟼. 螒谓 畏 蟺位畏纬萎 蟿蠅谓 蟺谓蔚蠀渭蠈谓蠅谓 蟽慰蠀 未蔚谓 蔚委谓伪喂 蟺伪蟻维 苇谓伪 蟽蠉渭尾慰位慰, 蠈蟺蠅蟼 喂蟽蠂蠀蟻委味蔚蟽伪喂, 蟺慰蠀 畏 渭蠈位蠀谓蟽萎 蟿畏蟼 位苇纬蔚蟿伪喂 桅. 魏伪喂 蟿慰 尾维胃慰蟼 蟿畏蟼 未喂魏伪委蠅蟽畏, 伪谓 蔚委谓伪喂 苇蟿蟽喂, 蟿蠈蟿蔚 魏伪喂 慰喂 喂伪蟿蟻喂魏苇蟼 蟽蠀渭尾慰蠀位苇蟼 (蠁蠅蟼, 伪苇蟻伪蟼, 萎位喂慰蟼, 畏蟽蠀蠂委伪) 蔚委谓伪喂 蟽蠀渭尾慰位喂魏苇蟼. 螁纬纬喂尉苇 蟿慰 伪蠀蟿蠈 蟿慰 蟽蠉渭尾慰位慰." (螚渭蔚蟻慰位蠈纬喂伪, 15 危蔚蟺蟿蔚渭尾蟻委慰蠀 1917).
螆蠂慰蠀渭蔚 位慰喂蟺蠈谓 苇谓伪 未喂萎纬畏渭伪 蟺慰蠀 蔚委谓伪喂 蟺伪蟻伪渭蠉胃喂 魏伪喂 蟽蠀谓维渭伪 蠈谓蔚喂蟻慰, 渭喂伪 魏伪蟿维尾伪蟽畏 蟽蟿慰谓 蠂蠋蟻慰 蟿慰蠀 蠀蟺慰蟽蠀谓蔚喂未萎蟿慰蠀. 螘委谓伪喂 畏 蠋蟻伪 蟺慰蠀 畏 伪蟽胃苇谓蔚喂伪 蔚魏蔚委谓畏 蟿畏谓 慰蟺慰委伪 魏伪谓苇谓伪蟼 未蔚谓 渭蟺慰蟻慰蠉蟽蔚 谓伪 未蔚喂, 蠈蟺蠅蟼 慰 纬喂伪蟿蟻蠈蟼 蟽蟿慰 未喂萎纬畏渭伪, 蔚渭蠁伪谓委味蔚蟿伪喂 蠅蟼 蔚魏未萎位蠅蟽畏 渭喂伪蟼 蟺蟻慰蠇蟺维蟻蠂慰蠀蟽伪蟼 蟺谓蔚蠀渭伪蟿喂魏萎蟼 蟺蟻慰未喂维胃蔚蟽畏蟼, 蟿畏谓 慰蟺慰委伪 苇蠂蔚喂 魏位畏蟻慰谓慰渭萎蟽蔚喂 伪蟺蠈 蟿慰蠀蟼 纬慰谓蔚委蟼 蟿慰蠀, 蟽蟿慰蠀蟼 慰蟺慰委慰蠀蟼 蟺位苇慰谓 渭蟺慰蟻蔚委 谓伪 伪蟺慰未蠋蟽蔚喂 蔚蠀胃蠉谓蔚蟼. 螚 伪纬伪蟺畏渭苇谓畏 蟿慰蠀 蟿慰谓 蔚纬魏伪蟿伪位蔚委蟺蔚喂, 魏伪喂 渭蠈谓慰 畏 蟺位畏纬萎 蟽蟿慰谓 蟺谓蔚蠉渭慰谓维 蟿慰蠀 伪蟺慰渭苇谓蔚喂 蠅蟼 蟽蠉渭尾慰位慰 蔚魏蔚委谓畏蟼.
违蟺维蟻蠂蔚喂 魏维蟿喂 蟽畏渭伪谓蟿喂魏蠈 蔚未蠋. 韦慰 纬蔚纬慰谓蠈蟼 蠈蟿喂 魏维蟺慰喂伪 蟽蟿喂纬渭萎 蟺蟻苇蟺蔚喂 谓伪 纬委谓蔚喂 魏维蟺慰喂伪 伪蟺蠈未慰蟽畏 蔚蠀胃蠀谓蠋谓. 螒蟻蠂喂魏维 慰 Kafka 萎胃蔚位蔚 谓伪 未蠋蟽蔚喂 蟽蟿畏 蟽蠀位位慰纬萎 未喂畏纬畏渭维蟿蠅谓 蟺慰蠀 蟺蔚蟻喂蔚位维渭尾伪谓蔚 魏伪喂 蟿慰谓 "螒纬蟻慰蟿喂魏蠈 纬喂伪蟿蟻蠈" 蟿慰谓 蟿委蟿位慰 "Verantwortung" 蟺慰蠀 蟽畏渭伪委谓蔚喂 "螘蠀胃蠉谓畏" (尾位苇蟺蔚 蔚蟺喂蟽蟿慰位萎 蟺蟻慰蟼 Martin Buber 22 螒蟺蟻委位畏 1917).
螘未蠋 未蔚谓 苇蠂慰蠀渭蔚 蟿慰谓 萎蟻蠅伪 蟺慰蠀 尉蠀蟺谓维蔚喂 苇谓伪 蟺蟻蠅委 魏伪喂 伪谓伪蟻蠅蟿喂苇蟿伪喂 蟿喂 苇蠁蟿伪喂尉蔚 魏伪喂 蟿喂渭蠅蟻蔚委蟿伪喂, 慰蠉蟿蔚 蟿慰 蟺伪喂未维蟻喂慰 - 蟽蟿蟻伪蟿喂蠅蟿维魏喂 蟺慰蠀 慰蠁蔚委位蔚喂 谓伪 蠀蟺慰蟽蟿蔚委 蟿畏谓 蟿喂渭蠅蟻委伪 蔚谓蠈蟼 伪谓蠋蟿蔚蟻慰蠉 蟿慰蠀 伪蟺蠈 苇谓伪 魏伪蟺蟻委蟿蟽喂慰, 纬喂伪 伪蟽萎渭伪谓蟿畏 伪蠁慰蟻渭萎. 螣 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼, 蠀蠄蠋谓蔚喂 伪谓维蟽蟿畏渭伪 魏喂 伪蟼 蟽蠀谓蟿蟻委尾蔚蟿伪喂. 螒蟺慰位慰纬蔚委蟿伪喂, 伪渭蠉谓蔚蟿伪喂, 未蔚谓 蟺苇蠁蟿蔚喂 伪渭伪蠂畏蟿委, 蠁蠅谓维味蔚喂 "Betrogen! Betrogen!" (渭蔚 蟺蟻蠈未蠅蟽伪谓). 螤蟻蠋蟿伪 苇蟻蠂蔚蟿伪喂 伪蠀蟿蠈 蟿慰 尾喂尾位委慰 蟿慰 慰蟺慰委慰 胃伪 伪蠁喂蔚蟻蠋蟽蔚喂 蟽蟿慰谓 蟺伪蟿苇蟻伪 蟿慰蠀, 魏喂 苇蟺蔚喂蟿伪 畏 "螘蟺喂蟽蟿慰位萎 蟺蟻慰蟼 蟿慰谓 蟺伪蟿苇蟻伪" 蟽蟿伪 1919.
螖蔚谓 蟽伪蟼 苇位蔚纬伪 蠄苇渭伪蟿伪 蠁蠅谓维味蔚喂, 萎渭慰蠀谓 蟽蟿伪 伪位萎胃蔚喂伪 维蟻蟻蠅蟽蟿慰蟼, 蠀蟺苇蠁蔚蟻伪 魏喂 蔚蟽蔚委蟼 未蔚谓 渭蔚 蟺喂蟽蟿蔚蠉伪蟿蔚. 螘蟽蔚委蟼 渭蔚 魏维谓伪蟿蔚 伪蠀蟿蠈 蟺慰蠀 蔚委渭伪喂. 螝伪喂 蟿蠋蟻伪 蠂维谓蠅 伪蠀蟿萎 蟺慰蠀 伪纬伪蟺维蠅 魏伪喂 胃伪 伪蟺慰渭蔚委谓蠅 慰 伪喂蠋谓喂慰蟼 蔚蟻纬苇谓畏蟼. 螝伪喂 蟿蠋蟻伪 蟺蔚胃伪委谓蠅 魏喂 蔚蟽蠉 蟺伪蟿苇蟻伪 伪魏蠈渭伪 蟽蠀谓蔚蠂委味蔚喂蟼 谓伪 渭蔚 蟺慰位蔚渭维蟼, 纬喂伪蟿委;
螌蟺蠅蟼 纬蟻维蠁蔚喂 慰 Kafka, 蠁慰尾慰蠉渭蔚谓慰蟼 蟺蠅蟼 胃伪 蟺蔚胃维谓蔚喂 蟺蟻喂谓 蟺蟻慰位维尾蔚喂 谓伪 蔚魏未慰胃蔚委 蟿慰 尾喂尾位委慰 蟿慰蠀:
"螒蟺蠈 蟿蠈蟿蔚 蟺慰蠀 伪蟺慰蠁维蟽喂蟽伪 谓伪 伪蠁喂蔚蟻蠋蟽蠅 蟿慰 尾喂尾位委慰 蟽蟿慰谓 蟺伪蟿苇蟻伪 渭慰蠀, 苇蠂蠅 渭蔚纬维位畏 伪纬蠅谓委伪 谓伪 蟿慰 未蠅 蟽蠉谓蟿慰渭伪 蟿蠀蟺蠅渭苇谓慰. 螌蠂喂 蟺蠅蟼 胃伪 渭蟺慰蟻慰蠉蟽伪 谓伪 蟿慰谓 魏伪蟿蔚蠀谓维蟽蠅 渭蔚 伪蠀蟿蠈谓 蟿慰谓 蟿蟻蠈蟺慰, 慰喂 蟻委味蔚蟼 蟿慰蠀 伪谓蟿伪纬蠅谓喂蟽渭慰蠉 渭伪蟼 蔚委谓伪喂 蟺慰位蠉 尾伪胃喂苇蟼. 螒位位维 蟿慰蠀位维蠂喂蟽蟿慰谓 胃伪 苇蠂蠅 魏维谓蔚喂 魏维蟿喂".
螚 蟽蠀位位慰纬萎 渭蔚 纬蔚谓喂魏蠈 蟿委蟿位慰 "螆谓伪蟼 伪纬蟻慰蟿喂魏蠈蟼 纬喂伪蟿蟻蠈蟼" 蟺苇蟻伪 伪蟺蠈 蟿慰 慰渭蠋谓蠀渭慰 未喂萎纬畏渭伪 蟺蔚蟻喂位维渭尾伪谓蔚 蔚蟺委蟽畏蟼 蟿伪:
Der neue Advokat (螣 谓苇慰蟼 未喂魏畏纬蠈蟻慰蟼), Auf der Galerie (螤维谓蠅 蟽蟿畏 纬伪位伪蟻委伪), Ein altes Blatt (苇谓伪 蟺伪位喂蠈 蠂蔚喂蟻蠈纬蟻伪蠁慰/ 螆谓伪 蟺伪位喂蠈 蠁蠉位位慰), Vor dem Gesetz (渭蟺蟻慰蟽蟿维 蟽蟿慰 谓蠈渭慰), Schakale und Araber (韦蟽伪魏维位喂伪 魏伪喂 螁蟻伪尾蔚蟼), Ein Besuch im Bergwerk (螠喂伪 蔚蟺委蟽魏蔚蠄畏 蟽蟿慰 慰蟻蠀蠂蔚委慰), Das n盲chste Dorf (韦慰 纬蔚喂蟿慰谓喂魏蠈 蠂蠅蟻喂蠈/韦慰 未喂蟺位伪谓蠈 蠂蠅蟻喂蠈 ), Eine kaiserliche Botschaft (螆谓伪 伪蠀蟿慰魏蟻伪蟿慰蟻喂魏蠈 渭萎谓蠀渭伪), Die Sorge des Hausvaters (螚 苇纬谓慰喂伪 蟿慰蠀 慰喂魏慰纬蔚谓蔚喂维蟻蠂畏), Elf S枚hne (螆谓蟿蔚魏伪 纬喂慰喂), Der Mord / Ein Brudermord (螠喂伪 未慰位慰蠁慰谓委伪/ 伪未蔚位蠁慰魏蟿慰谓委伪), Ein Traum (苇谓伪 蠈谓蔚喂蟻慰), Ein Bericht f眉r eine Akademie (螒谓伪蠁慰蟻维 蟽蔚 渭喂伪 螒魏伪未畏渭委伪).
April 18, 2024
Menschen lieben Scheinaktivit盲t. Wer will schon ehrliche authentische Handlungen und der Realit盲t ins Angesicht blicken. An solchen Anforderungen scheitert nat眉rlich die symbolische Ordnung, der irrationalen, unergr眉ndlichen Unruhe des Anderen gerecht zu werden.
Gebissen wird auch wieder.
Angenehm zu lesen. Atmosph盲risch.
Aber gleicher Nervfaktor wie im Prozess: Gejammer und beklagen, statt selber mal an der richtigen Stelle zur Tat zu schreiten und Rosa einzupacken, mitzunehmen, um sie dem Zugriff des Knechtes zu entziehen.
Aber er ist ja nicht Schuld. Bestimmt nicht. Ach n盲, der Kafka und ich, das wird glaub ich nix mehr.
Gebissen wird auch wieder.
Angenehm zu lesen. Atmosph盲risch.
Aber gleicher Nervfaktor wie im Prozess: Gejammer und beklagen, statt selber mal an der richtigen Stelle zur Tat zu schreiten und Rosa einzupacken, mitzunehmen, um sie dem Zugriff des Knechtes zu entziehen.
Aber er ist ja nicht Schuld. Bestimmt nicht. Ach n盲, der Kafka und ich, das wird glaub ich nix mehr.
July 19, 2021
This excellent collection of short (and very short) stories is 鈥� how else can I describe it? 鈥� brilliantly Kafkaesque. They are all very good but I especially like the title story, Ein Landarzt, (A Country Doctor) and Ein Bericht f眉r eine Akademie (A Report for an Academy)
July 12, 2016
the day I read this story, it was part of a jeopardy question. and on top of that, none of the contestants knew that Kafka was the author.
July 9, 2019
SPOILER ALERT:
禺賱丕氐賴 蹖 丿丕爻鬲丕賳:
丿丕爻鬲丕賳 丿乇 卮亘蹖 爻乇丿 夭賲爻鬲丕賳蹖貙 亘丕 倬夭卮讴蹖 讴賴 賲蹖 禺賵丕賴丿 亘賴 丿蹖丿賳 賲乇蹖囟 亘丿丨丕賱蹖 亘乇賵丿 丌睾丕夭 賲蹖卮賵丿. 賯亘賱 丕夭 丨乇讴鬲 蹖讴 爻乇蹖 賲卮讴賱丕鬲 亘乇丕蹖卮 乇禺 賲蹖 丿賴丿. 丕賵賱 丕夭 賴賲賴 丿乇 卮亘 賯亘賱 丕爻亘 賴丕蹖卮 賲乇丿賴 丕賳丿 賵 丨丕賱 讴爻蹖 丿乇 丿賴讴丿賴 賳蹖爻鬲 讴賴 丕爻亘蹖 亘賴 丕賵 賯乇囟 丿賴丿. 丿讴鬲乇 毓氐亘丕賳蹖 丿乇 丌睾賱蹖 乇丕 亘丕 賱诏丿 亘丕夭 賲蹖讴賳丿 賵 亘丕 賲乇丿蹖 睾乇亘蹖賴 賲賵丕噩賴 賲蹖 卮賵丿. 丕蹖賳 賲乇丿 毓噩蹖亘 亘賴 倬夭卮讴 丿賵 丕爻亘 賵 蹖讴 诏丕乇蹖 賲蹖 丿賴丿 賵 亘毓丿 爻乇 亘賴 爻乇 禺丿賲鬲讴丕乇 丿賴讴丿賴 賲蹖 诏匕丕乇丿. 倬夭卮讴 賲蹖 丿丕賳丿 讴賴 亘丕蹖丿 趩蹖夭蹖 诏賮鬲賴 賵 禺丿賲鬲讴丕乇 乇丕 丕夭 丿爻鬲 丌賳 賲乇丿 亘乇賴丕賳丿 賵賱蹖 丕丨爻丕爻 賲蹖 讴賳丿 讴賴 亘賴 丌賳 賲乇丿 睾乇蹖亘賴 亘丿賴讴丕乇 丕爻鬲 賵 爻讴賵鬲 賲蹖 讴賳丿. 倬夭卮讴 讴賴 丿乇 丨丕賱 鬲乇讴 賲丨賱 丕爻鬲 丿禺鬲乇 禺丿賲鬲讴丕乇 乇丕 賲蹖 亘蹖賳丿 讴賴 亘賴 爻賲鬲 禺丕賳賴 賲蹖 乇賵丿 賵 賲乇丿 睾乇蹖亘賴 賴賲 亘賴 丿賳亘丕賱卮 丕爻鬲. 賲蹖 丿丕賳丿 讴賴 趩賴 趩蹖夭蹖 丿乇 丕賳鬲馗丕乇 丿禺鬲乇 丕爻鬲 賵 賲蹖 禺賵丕賴丿 亘乇诏乇丿丿 賵賱蹖 丕爻亘 賴丕 蹖讴 賳賮爻 亘賴 爻賲鬲 賲賯氐丿 丕賵乇丕 賲蹖 讴卮丕賳賳丿.
賵賯鬲蹖 亘賴 賲賯氐丿 賲蹖乇爻丿貨 倬爻乇蹖 乇丕 丿乇 亘爻鬲乇 賲蹖 亘蹖賳丿 讴賴 亘賴 賳馗乇卮 賵囟毓 讴丕賲賱丕 賲爻丕毓丿蹖 丿丕卮鬲賴 賵 鬲賳賴丕 鬲馗丕賴乇 亘賴 亘蹖賲丕乇蹖 賲蹖讴賳丿. 倬爻乇 丕夭 丿乇丿 卮讴丕蹖鬲 讴乇丿賴 賵 丕夭 丿讴鬲乇 鬲賯丕囟丕 賲蹖讴賳丿 讴賴 亘诏匕丕乇丿 賵蹖 亘賲蹖乇丿. 丕賲丕 讴賲蹖 亘毓丿 丿讴鬲乇 賲蹖 賮賴賲丿 讴賴 丿乇 倬賴賱賵蹖 倬爻乇 夭禺賲蹖 亘丿 賵 噩丿蹖 丕爻鬲 讴賴 丿乇賵賳 丌賳 倬乇 丕爻鬲 丕夭 讴乇賲 賴丕蹖蹖 亘乇 爻乇 爻賮蹖丿 讴賴 丿乇 賴賲 賲蹖 賱賵賱賳丿. 禺丕賳賵丕丿賴 蹖 倬爻乇 丿賵乇 倬夭卮讴 噩賲毓 卮丿賴 鬲丕 讴丕乇 讴乇丿賳 丕賵乇丕 亘亘蹖賳丿 賵 丕爻亘 賴丕 賳蹖夭 爻乇卮丕賳 乇丕 丕夭 倬賳噩乇賴 亘賴 丿丕禺賱 丌賵乇丿賴 丕賳丿. 倬夭卮讴 賮讴乇卮 倬蹖卮 禺丿賲鬲讴丕乇 丕爻鬲 賵 賲蹖 禺賵丕賴丿 夭賵丿鬲乇 亘乇诏乇丿丿 鬲丕 丕賵乇丕 丕夭 夭蹖乇 趩賳诏丕賱 賴丕 賵 爻賳诏蹖賳蹖 讴孬蹖賮 丌賳 賲乇丿 睾乇蹖亘賴 乇賴丕蹖蹖 丿賴丿.
禺丕賳賵丕丿賴 蹖 倬爻乇 亘蹖賲丕乇 卮乇賵毓 賲蹖 讴賳賳丿 丌賵丕夭 賲匕賴亘蹖 毓噩蹖亘蹖 乇丕 亘賴 禺賵丕賳丿賳 賵 賱亘丕爻 賴丕蹖 丿讴鬲乇 乇丕 丿乇 賲蹖 丌賵乇賳丿 鬲丕 夭賲丕賳蹖 讴賴 倬夭卮讴 讴丕賲賱丕 賱禺鬲 賲蹖 卮賵丿. 亘毓丿 丕賵乇丕 讴賳丕乇 倬爻乇 亘蹖賲丕乇 丿乇 鬲禺鬲卮 賲蹖 禺賵丕亘丕賳賳丿 賵 丕毓鬲賯丕丿 丿丕乇賳丿 讴賴 丕蹖賳 讴丕乇 丨丕賱 倬爻乇讴 乇丕 禺賵亘 禺賵丕賴丿 讴乇丿. 倬夭卮讴 亘賴 倬爻乇讴 丕胤賲蹖賳丕賳 賲蹖 丿賴丿 讴賴 賳禺賵丕賴丿 賲乇丿 賵 亘賴 爻乇毓鬲 丕鬲丕賯 乇丕 鬲乇讴 賲蹖讴賳丿. 賱亘丕爻 賴丕蹖卮 乇丕 賳賲蹖 倬賵卮丿貙 趩乇丕 讴賴 賲蹖禺賵丕賴丿 夭賵丿鬲乇 丕夭 丌賳噩丕 賮乇丕乇 讴賳丿. 丕賳鬲馗丕乇 丿丕乇丿 讴賴 丕爻亘 賴丕 亘賴 賴賲丕賳 爻乇毓鬲蹖 讴賴 丕賵乇丕 亘賴 丕蹖賳噩丕 丌賵乇丿賴貙 亘乇丕賳賳丿 賵 丕賵乇丕 丕夭 丕蹖賳噩丕 亘亘乇賳丿 賵賱蹖 丕蹖賳 亘丕乇 丕爻亘 賴丕 禺蹖賱蹖 丌乇丕賲 賲蹖 乇丕賳賳丿. 丿乇丨丕賱蹖 讴賴 丕夭 爻乇賲丕 丿乇 丨丿 賲乇诏 賲蹖 賱乇夭丿貙 亘賴 禺丿賲鬲讴丕乇卮 賲蹖 丕賳丿蹖卮丿 讴賴 亘賴 丕賵 鬲噩丕賵夭 卮丿賴 賵 卮睾賱 倬夭卮讴蹖 丕卮 讴賴 丿蹖诏乇 丌賳 乇丕 丕夭 丿爻鬲 丿丕丿賴 賵 讴爻蹖 丿蹖诏乇 噩丕蹖卮 乇丕 诏乇賮鬲賴.
卮禺氐蹖鬲 賴丕蹖 丿丕爻鬲丕賳:
倬夭卮讴 讴賴 卮禺氐蹖鬲 賲乇讴夭蹖 賵 丕氐賱蹖 丿丕爻鬲丕賳 丕爻鬲 賵 丿丕爻鬲丕賳 丨賵賱 賲丨賵乇 丕賵 丕丿丕賲賴 倬蹖丿丕 賲蹖讴賳丿. 卮禺氐蹖 丕爻鬲 賲賴乇亘丕賳 讴賴 亘乇丕蹖 讴賲讴 亘賴 亘蹖賲丕乇蹖 讴賴 丿乇 噩丕蹖蹖 丿賵乇 夭賳丿诏蹖 賲蹖 讴賳丿 丨丕囟乇 丕爻鬲 丿乇 卮亘 爻乇丿蹖 夭賲爻鬲丕賳蹖 亘賴 讴賲讴 亘卮鬲丕亘丿. 丕賵 讴賴 丕夭 乇丕賴 賴丕蹖 倬夭卮讴蹖 鬲賵丕賳 讴賲讴 亘賴 倬爻乇讴 亘蹖賲丕乇 乇丕 賳丿丕乇丿 賲蹖 禺賵丕賴丿 丌賳噩丕 乇丕 鬲乇讴 讴賳丿 賵賱蹖 禺丕賳賵丕丿賴 蹖 倬爻乇讴 賲蹖 倬賳丿丕乇賳丿 讴賴 倬夭卮讴 亘丕蹖丿 賴賲趩賵賳 讴卮蹖卮蹖 丕賵賳噩丕 亘賵丿賴 賵 丕夭 賱丨丕馗 乇賵丨蹖 賵 毓乇賮丕賳蹖 倬爻乇讴 乇丕 丿乇賲丕賳 讴賳丿. 丕賲丕 倬夭卮讴 讴賴 賲蹖 丿丕賳丿 賮丕蹖丿賴 丕蹖 丕蹖賳讴丕乇 賳丿丕乇丿 爻毓蹖 賲蹖 讴賳丿 賮乇丕乇 讴賳丿 賵賱蹖 賲蹖 丿丕賳丿 讴賴 丿蹖诏乇 亘賴 賴賲丕賳 毓賳賵丕賳 倬夭卮讴蹖 讴賴 賯亘賱丕 亘賵丿賴 倬蹖卮 禺丕賳賴 賵 禺丕賳賵丕丿賴 丕卮 亘乇诏乇丿丿.
乇夭丕: 丿禺鬲乇 禺丿賲鬲讴丕乇 倬夭卮讴 賵 卮禺氐蹖 倬丕讴丿丕賲賳 丕爻鬲 讴賴 亘賴 趩賳诏 賲賴鬲乇 卮蹖胤丕賳蹖 丌賱賵丿賴 賲蹖 卮賵丿. 丌賱賵丿賴 卮丿賳 丿禺鬲乇讴 亘乇丕亘乇 亘丕 鬲睾蹖蹖乇蹖 丕爻鬲 讴賴 丿乇 夭賳丿诏蹖 倬夭卮讴 氐賵乇鬲 賲蹖 诏蹖乇丿 賵 賵蹖 賴乇诏夭 賳賲蹖 鬲賵丕賳丿 亘賴 丕賵囟丕毓 夭賳丿诏蹖 賯亘賱蹖 丕卮 亘乇诏乇丿丿.
賲赖鬲乇:
賲賴鬲乇 卮禺氐蹖 丿蹖賵 氐賮鬲 亘丕 乇賵丨蹖 倬賱蹖丿 丕爻鬲 讴賴 亘賴 倬夭卮讴 丕爻亘 賵 诏丕乇蹖 賯乇囟 賲蹖 丿賴丿. 賵 亘毓丿 丕夭 鬲乇讴 讴乇丿賳 丿讴鬲乇 亘賱丕賮丕氐賱賴 鬲乇鬲蹖亘 乇夭貙 禺丿賲鬲讴丕乇 丿讴鬲乇 乇丕 賲蹖 丿賴丿.
亘蹖賲丕乇: 賴賲丕賳诏賵賳賴 讴賴 诏賮鬲賴 卮丿貙 倬爻乇蹖 丕爻鬲 讴賴 丿乇 丕亘鬲丿丕 丿讴鬲乇 賮讴乇 賲蹖讴賳丿 賵囟毓蹖鬲 賲賳丕爻亘蹖 丿丕乇丿 賵賱蹖 亘毓丿 倬蹖 賲蹖亘乇丿 讴賴 夭禺賲蹖 讴卮賳丿賴 丿乇 倬賴賱賵 丿丕乇丿 讴賴 讴乇賲 賴丕蹖蹖 丿乇 丌賳 賲蹖 賱賵賱賳丿. 倬夭卮讴 丕賲蹖丿蹖 亘賴 丿乇賲丕賳卮 賳丿丕乇丿.
鬲賲 賴丕:
倬賵趩蹖 夭賳丿诏蹖
丿讴鬲乇蹖 讴賴 丕賲蹖丿卮 乇丕 丕夭 丿爻鬲 丿丕丿賴貙 賯丿乇鬲 乇丕 丕夭 丿爻鬲 賲蹖 丿賴丿. 丕蹖賳 賳亘賵丿 賯丿乇鬲 丨爻 倬賵趩蹖 乇丕 丿乇 夭賳丿诏蹖 賵蹖 鬲睾匕蹖賴 賲蹖 讴賳丿.
亘蹖诏丕賳诏蹖
蹖讴蹖 丕夭 鬲賲 賴丕蹖蹖 讴賴 讴丕賮讴丕 丕爻鬲丕丿 賳賵卮鬲賳 丿乇 丕蹖賳 夭賲蹖賳賴 丕爻鬲貙 亘蹖诏丕賳诏蹖 丕爻鬲. 丿讴鬲乇 丿賴讴丿賴 丕夭 鬲賲丕賲蹖 賲乇丿賲 丿賴讴丿賴 賮丕氐賱賴 丿丕乇丿. 亘蹖诏丕賳賴 丕爻鬲. 賳賲蹖 鬲賵丕賳賳丿 賴賲 乇丕 丿乇讴 讴賳賳丿. 丿讴鬲乇 卮禺氐蹖 賮乇賴蹖禺鬲賴 丕爻鬲 讴賴 丿乇 亘蹖賳 丌蹖蹖賳 賵爻賳鬲 賴丕蹖 倬賵趩 賵 睾賱胤 賲乇丿賲丕賳 禺賵丿 诏蹖乇 讴乇丿賴 丕爻鬲 賵 賵賯鬲蹖 丿乇 賲賯丕亘賱 丌賳賴丕 爻乇 亘賱賳丿 賲蹖 讴賳丿貙 亘蹖诏丕賳賴 賵 亘蹖诏丕賳賴 鬲乇 賲蹖卮賵丿. 丿讴鬲乇 亘乇 爻乇 鬲賯丿蹖乇 禺賵丿 賳亘乇丿 賲蹖 讴賳丿. 亘乇 爻乇 亘蹖诏丕賳诏蹖 賵 倬賵趩蹖 禺賵丿. 賲蹖 丿丕賳丿 讴賴 丕诏乇 丌賳噩丕 乇丕 鬲乇讴 讴賳丿 趩賴 爻乇賳賵卮鬲蹖 丿乇 丕賳鬲馗丕乇卮 丕爻鬲貙 賵賱蹖 丕夭 胤乇賮 丿蹖诏乇 賴賲 賲蹖 丿丕賳丿 丕诏乇 丌賳噩丕 亘賲丕賳丿貙 爻乇丕賳噩丕賲 倬爻乇讴 禺賵丕賴丿 賲乇丿. 丿讴鬲乇 乇丕賴蹖 賳丿丕乇丿! 丿讴鬲乇 丿乇 賲賯丕亘賱 鬲賯丿蹖乇卮 卮讴爻鬲 禺賵乇丿賴 丕爻鬲.
卮丕蹖丿 倬夭卮讴 丿賴讴丿賴 禺賵丿 讴丕賮讴丕 亘丕卮丿! 禺賵丿 賳賵蹖爻賳丿賴. 卮禺氐蹖 讴賴 丿乇 賲賯丕亘賱 噩賴賱 賲乇丿賲卮貙 禺賵丿禺賵丕賴蹖卮丕賳 賵 禺乇丕賮丕鬲卮丕賳 賯乇丕乇 诏乇賮鬲賴 丕爻鬲 賵 丕蹖賳 賲乇丿賲 賳蹖丕夭 亘賴 乇丕賴蹖 亘乇丕蹖 丿乇賲丕賳 丿丕乇賳丿 丕賲丕 丿乇賲丕賳 乇丕 丕夭 丿讴鬲乇 賳賲蹖 胤賱亘賳丿. 丌賳趩蹖夭蹖 乇丕 讴賴 賲蹖禺賵丕賴賳丿 丕蹖賳 丕爻鬲 讴賴 丿讴鬲乇 丌賳丕賳 乇丕 賳噩丕鬲 丿賴丿貨 讴賴 丿讴鬲乇 丌賳丕賳 乇丕 丨賮馗 讴賳丿.
爻賵乇卅丕賱蹖爻賲 趩蹖爻鬲責
丕賱亘鬲賴 賯亘賱丕 亘乇丕蹖 賳賯丿 亘賵賮 讴賵乇 賴丿丕蹖鬲 爻賵乇卅丕賱蹖爻賲 乇丕 亘蹖卮鬲乇 鬲賵囟蹖丨 丿丕丿賴 亘賵丿賲 讴賴 賲蹖 鬲賵丕賳蹖丿 亘乇丕蹖 丕胤賱丕毓丕鬲 亘蹖卮鬲乇 亘賴 丌賳 乇蹖賵賵蹖賵 亘丕 賱蹖賳讴 夭蹖乇 賲乇丕噩毓賴 讴賳蹖丿 賵賱蹖 亘乇丕蹖 卮乇賵毓 亘丕蹖丿 诏賮鬲 讴賴 賮乇丕賵丕賯毓 诏乇丕蹖蹖 蹖丕 爻賵乇卅丕賱爻蹖賲貙 噩賳亘卮蹖 丕爻鬲 讴賴 丿乇 夭賲蹖賳賴 蹖 賴賳乇 賵 丕丿亘蹖丕鬲 丿乇 丕賵丕蹖賱 賯乇賳 亘蹖爻鬲賲 丌睾丕夭 卮丿. 賴丿賮 爻賵乇卅丕賱蹖爻賲 亘蹖丕賳 乇賵蹖丕賴丕 賵 鬲禺蹖賱丕鬲 匕賴賳蹖 卮禺氐 賮乇丕蹖 禺賵丿丌诏丕賴 賵 賲賳胤賯 丕爻鬲. 蹖毓賳蹖 鬲氐賵蹖乇蹖 乇丕 卮禺氐 亘賴 禺賵丕賳賳丿賴 蹖丕 亘蹖賳賳丿賴 丕乇丕卅賴 賲蹖 丿賴丿 讴賴 賴乇趩賳丿 丕噩夭丕蹖 丌賳 賵丕賯毓蹖鬲 丕爻鬲 丕賲丕 亘賴 诏賵賳賴 丕蹖 睾蹖乇 賲賳胤賯蹖 亘丕 賴賲 鬲乇讴蹖亘 卮丿賴 讴賴 卮丕蹖丿 賲毓賳丕 賵 丕乇鬲亘丕胤蹖 丕噩夭丕蹖 丌賳 亘丕賴賲 賳丿丕卮鬲賴 亘丕卮丿. 丕賳诏丕乇 卮禺氐 禺賵丕亘 賲蹖 亘蹖賳丿 賵 賮乇丕蹖 禺賵丿丌诏丕賴 禺賵蹖卮 賵丕乇丿 賲蹖 卮賵丿.
爻賵丕賱 丕氐賱蹖 讴賴 亘乇丕蹖 卮禺氐 丕蹖噩丕丿 賲蹖 卮賵丿 讴賴 丌蹖丕 趩蹖夭蹖 讴賴 賲丕 賲蹖 亘蹖賳蹖賲 乇賵蹖丕爻鬲 蹖丕 賵丕賯毓蹖鬲責 丕氐賱丕 丕蹖賳 丿賳蹖丕 丌蹖丕 丨賯蹖賯蹖 丕爻鬲 賵 蹖丕 賲丕 丿乇 乇賵蹖丕蹖蹖 亘蹖卮 夭賳丿诏蹖 賳賲蹖 讴賳蹖賲責
丿乇 丿丕爻鬲丕賳 倬夭卮讴 丿賴讴丿賴 賳蹖夭貙 鬲氐賵蹖乇蹖 讴賴 禺賵丕賳賳丿賴 亘丕 丌賳 賲賵丕噩賴 賲蹖 卮賵丿貙 鬲氐賵蹖乇蹖 丕爻鬲 爻賵乇卅丕賱. 丕蹖賳 鬲氐賵蹖乇 丕夭 賵丕賯毓蹖鬲 卮乇賵毓 卮丿賴 賵 鬲丕 賮乇丕賵丕賯毓蹖鬲 丕丿丕賲賴 倬蹖丿丕 賲蹖讴賳丿.
賳賯丿 亘賵賮 讴賵乇
鬲氐賵蹖乇 亘丕賱丕 丕孬乇蹖 丕爻鬲 丿乇 跇丕賳乇 丿丕乇讴 爻賵乇卅丕賱蹖爻賲 丕夭 賴賳乇賲賳丿 賲卮賴賵乇 賱賴爻鬲丕賳蹖 丕蹖诏賵乇 賲賵乇爻讴蹖
丨乇賮 亘乇丕蹖 丿丕爻鬲丕賳 賴丕蹖 讴丕賮讴丕 亘爻蹖丕乇 丕爻鬲 賵 賳賲蹖 卮賵丿 讴賴 鬲賳賴丕 丿乇 趩賳丿 倬丕乇丕诏乇丕賮 丌賳 趩蹖夭蹖 讴賴 丿乇 丿賱 丿丕爻鬲丕賳 賴丕蹖卮 賳賴賮鬲賴 丕爻鬲 乇丕 亘賴 禺賵丕賳賳丿賴 乇爻丕賳丿. 丕賲丕 丕賲蹖丿賵丕乇賲 丕蹖賳 趩賳丿 禺胤 亘乇丕蹖鬲丕賳 讴賲讴蹖 亘丕卮丿 賵 讴賲蹖 賲爻蹖乇 禺賵丕賳卮 丌賳 乇丕 亘乇丕蹖鬲丕賳 乇賵卮賳 爻丕禺鬲賴 亘丕卮丿.
鬲乇噩賲賴 賴丕蹖 噩賳丕亘 毓賱蹖 丕氐睾乇 丨丿丕丿 丕夭 丌孬丕乇 讴丕賮讴丕貙 亘爻蹖丕乇 丿賯蹖賯 賵 乇賵丕賳 丕爻鬲. 倬蹖卮賳賴丕丿 賲蹖 丿賴賲 丕蹖賳 丌孬丕乇 乇丕 亘丕 鬲乇噩賲賴 蹖 丕蹖卮丕賳 亘禺賵丕賳蹖丿.
賱蹖賳讴 夭蹖乇 讴賴 丕賳蹖賲蹖卮賳蹖 跇丕倬賳蹖 丕爻鬲 亘丕 夭蹖乇賳賵蹖爻 丕賳诏賱蹖爻蹖貙 丕賯鬲亘丕爻蹖 丕爻鬲 夭蹖亘丕 丕夭 丿丕爻鬲丕賳 倬夭卮讴 丿賴讴丿賴 蹖 讴丕賮讴丕. 卮丿蹖丿賳 倬蹖卮賳賴丕丿 賲蹖 丿賴賲 讴賴 亘亘蹖賳蹖丿. 丕賱亘鬲賴 丕夭 丌賳噩丕蹖蹖 讴賴 賴賲賴 趩蹖夭 丿乇 丕蹖乇丕賳 賮蹖賱鬲乇 丕爻鬲貙 倬爻 賮蹖賱鬲乇 卮讴賳 禺賵丿 乇丕 乇賵卮賳 讴賳蹖丿 :丿蹖
禺賱丕氐賴 蹖 丿丕爻鬲丕賳:
丿丕爻鬲丕賳 丿乇 卮亘蹖 爻乇丿 夭賲爻鬲丕賳蹖貙 亘丕 倬夭卮讴蹖 讴賴 賲蹖 禺賵丕賴丿 亘賴 丿蹖丿賳 賲乇蹖囟 亘丿丨丕賱蹖 亘乇賵丿 丌睾丕夭 賲蹖卮賵丿. 賯亘賱 丕夭 丨乇讴鬲 蹖讴 爻乇蹖 賲卮讴賱丕鬲 亘乇丕蹖卮 乇禺 賲蹖 丿賴丿. 丕賵賱 丕夭 賴賲賴 丿乇 卮亘 賯亘賱 丕爻亘 賴丕蹖卮 賲乇丿賴 丕賳丿 賵 丨丕賱 讴爻蹖 丿乇 丿賴讴丿賴 賳蹖爻鬲 讴賴 丕爻亘蹖 亘賴 丕賵 賯乇囟 丿賴丿. 丿讴鬲乇 毓氐亘丕賳蹖 丿乇 丌睾賱蹖 乇丕 亘丕 賱诏丿 亘丕夭 賲蹖讴賳丿 賵 亘丕 賲乇丿蹖 睾乇亘蹖賴 賲賵丕噩賴 賲蹖 卮賵丿. 丕蹖賳 賲乇丿 毓噩蹖亘 亘賴 倬夭卮讴 丿賵 丕爻亘 賵 蹖讴 诏丕乇蹖 賲蹖 丿賴丿 賵 亘毓丿 爻乇 亘賴 爻乇 禺丿賲鬲讴丕乇 丿賴讴丿賴 賲蹖 诏匕丕乇丿. 倬夭卮讴 賲蹖 丿丕賳丿 讴賴 亘丕蹖丿 趩蹖夭蹖 诏賮鬲賴 賵 禺丿賲鬲讴丕乇 乇丕 丕夭 丿爻鬲 丌賳 賲乇丿 亘乇賴丕賳丿 賵賱蹖 丕丨爻丕爻 賲蹖 讴賳丿 讴賴 亘賴 丌賳 賲乇丿 睾乇蹖亘賴 亘丿賴讴丕乇 丕爻鬲 賵 爻讴賵鬲 賲蹖 讴賳丿. 倬夭卮讴 讴賴 丿乇 丨丕賱 鬲乇讴 賲丨賱 丕爻鬲 丿禺鬲乇 禺丿賲鬲讴丕乇 乇丕 賲蹖 亘蹖賳丿 讴賴 亘賴 爻賲鬲 禺丕賳賴 賲蹖 乇賵丿 賵 賲乇丿 睾乇蹖亘賴 賴賲 亘賴 丿賳亘丕賱卮 丕爻鬲. 賲蹖 丿丕賳丿 讴賴 趩賴 趩蹖夭蹖 丿乇 丕賳鬲馗丕乇 丿禺鬲乇 丕爻鬲 賵 賲蹖 禺賵丕賴丿 亘乇诏乇丿丿 賵賱蹖 丕爻亘 賴丕 蹖讴 賳賮爻 亘賴 爻賲鬲 賲賯氐丿 丕賵乇丕 賲蹖 讴卮丕賳賳丿.
賵賯鬲蹖 亘賴 賲賯氐丿 賲蹖乇爻丿貨 倬爻乇蹖 乇丕 丿乇 亘爻鬲乇 賲蹖 亘蹖賳丿 讴賴 亘賴 賳馗乇卮 賵囟毓 讴丕賲賱丕 賲爻丕毓丿蹖 丿丕卮鬲賴 賵 鬲賳賴丕 鬲馗丕賴乇 亘賴 亘蹖賲丕乇蹖 賲蹖讴賳丿. 倬爻乇 丕夭 丿乇丿 卮讴丕蹖鬲 讴乇丿賴 賵 丕夭 丿讴鬲乇 鬲賯丕囟丕 賲蹖讴賳丿 讴賴 亘诏匕丕乇丿 賵蹖 亘賲蹖乇丿. 丕賲丕 讴賲蹖 亘毓丿 丿讴鬲乇 賲蹖 賮賴賲丿 讴賴 丿乇 倬賴賱賵蹖 倬爻乇 夭禺賲蹖 亘丿 賵 噩丿蹖 丕爻鬲 讴賴 丿乇賵賳 丌賳 倬乇 丕爻鬲 丕夭 讴乇賲 賴丕蹖蹖 亘乇 爻乇 爻賮蹖丿 讴賴 丿乇 賴賲 賲蹖 賱賵賱賳丿. 禺丕賳賵丕丿賴 蹖 倬爻乇 丿賵乇 倬夭卮讴 噩賲毓 卮丿賴 鬲丕 讴丕乇 讴乇丿賳 丕賵乇丕 亘亘蹖賳丿 賵 丕爻亘 賴丕 賳蹖夭 爻乇卮丕賳 乇丕 丕夭 倬賳噩乇賴 亘賴 丿丕禺賱 丌賵乇丿賴 丕賳丿. 倬夭卮讴 賮讴乇卮 倬蹖卮 禺丿賲鬲讴丕乇 丕爻鬲 賵 賲蹖 禺賵丕賴丿 夭賵丿鬲乇 亘乇诏乇丿丿 鬲丕 丕賵乇丕 丕夭 夭蹖乇 趩賳诏丕賱 賴丕 賵 爻賳诏蹖賳蹖 讴孬蹖賮 丌賳 賲乇丿 睾乇蹖亘賴 乇賴丕蹖蹖 丿賴丿.
禺丕賳賵丕丿賴 蹖 倬爻乇 亘蹖賲丕乇 卮乇賵毓 賲蹖 讴賳賳丿 丌賵丕夭 賲匕賴亘蹖 毓噩蹖亘蹖 乇丕 亘賴 禺賵丕賳丿賳 賵 賱亘丕爻 賴丕蹖 丿讴鬲乇 乇丕 丿乇 賲蹖 丌賵乇賳丿 鬲丕 夭賲丕賳蹖 讴賴 倬夭卮讴 讴丕賲賱丕 賱禺鬲 賲蹖 卮賵丿. 亘毓丿 丕賵乇丕 讴賳丕乇 倬爻乇 亘蹖賲丕乇 丿乇 鬲禺鬲卮 賲蹖 禺賵丕亘丕賳賳丿 賵 丕毓鬲賯丕丿 丿丕乇賳丿 讴賴 丕蹖賳 讴丕乇 丨丕賱 倬爻乇讴 乇丕 禺賵亘 禺賵丕賴丿 讴乇丿. 倬夭卮讴 亘賴 倬爻乇讴 丕胤賲蹖賳丕賳 賲蹖 丿賴丿 讴賴 賳禺賵丕賴丿 賲乇丿 賵 亘賴 爻乇毓鬲 丕鬲丕賯 乇丕 鬲乇讴 賲蹖讴賳丿. 賱亘丕爻 賴丕蹖卮 乇丕 賳賲蹖 倬賵卮丿貙 趩乇丕 讴賴 賲蹖禺賵丕賴丿 夭賵丿鬲乇 丕夭 丌賳噩丕 賮乇丕乇 讴賳丿. 丕賳鬲馗丕乇 丿丕乇丿 讴賴 丕爻亘 賴丕 亘賴 賴賲丕賳 爻乇毓鬲蹖 讴賴 丕賵乇丕 亘賴 丕蹖賳噩丕 丌賵乇丿賴貙 亘乇丕賳賳丿 賵 丕賵乇丕 丕夭 丕蹖賳噩丕 亘亘乇賳丿 賵賱蹖 丕蹖賳 亘丕乇 丕爻亘 賴丕 禺蹖賱蹖 丌乇丕賲 賲蹖 乇丕賳賳丿. 丿乇丨丕賱蹖 讴賴 丕夭 爻乇賲丕 丿乇 丨丿 賲乇诏 賲蹖 賱乇夭丿貙 亘賴 禺丿賲鬲讴丕乇卮 賲蹖 丕賳丿蹖卮丿 讴賴 亘賴 丕賵 鬲噩丕賵夭 卮丿賴 賵 卮睾賱 倬夭卮讴蹖 丕卮 讴賴 丿蹖诏乇 丌賳 乇丕 丕夭 丿爻鬲 丿丕丿賴 賵 讴爻蹖 丿蹖诏乇 噩丕蹖卮 乇丕 诏乇賮鬲賴.
卮禺氐蹖鬲 賴丕蹖 丿丕爻鬲丕賳:
倬夭卮讴 讴賴 卮禺氐蹖鬲 賲乇讴夭蹖 賵 丕氐賱蹖 丿丕爻鬲丕賳 丕爻鬲 賵 丿丕爻鬲丕賳 丨賵賱 賲丨賵乇 丕賵 丕丿丕賲賴 倬蹖丿丕 賲蹖讴賳丿. 卮禺氐蹖 丕爻鬲 賲賴乇亘丕賳 讴賴 亘乇丕蹖 讴賲讴 亘賴 亘蹖賲丕乇蹖 讴賴 丿乇 噩丕蹖蹖 丿賵乇 夭賳丿诏蹖 賲蹖 讴賳丿 丨丕囟乇 丕爻鬲 丿乇 卮亘 爻乇丿蹖 夭賲爻鬲丕賳蹖 亘賴 讴賲讴 亘卮鬲丕亘丿. 丕賵 讴賴 丕夭 乇丕賴 賴丕蹖 倬夭卮讴蹖 鬲賵丕賳 讴賲讴 亘賴 倬爻乇讴 亘蹖賲丕乇 乇丕 賳丿丕乇丿 賲蹖 禺賵丕賴丿 丌賳噩丕 乇丕 鬲乇讴 讴賳丿 賵賱蹖 禺丕賳賵丕丿賴 蹖 倬爻乇讴 賲蹖 倬賳丿丕乇賳丿 讴賴 倬夭卮讴 亘丕蹖丿 賴賲趩賵賳 讴卮蹖卮蹖 丕賵賳噩丕 亘賵丿賴 賵 丕夭 賱丨丕馗 乇賵丨蹖 賵 毓乇賮丕賳蹖 倬爻乇讴 乇丕 丿乇賲丕賳 讴賳丿. 丕賲丕 倬夭卮讴 讴賴 賲蹖 丿丕賳丿 賮丕蹖丿賴 丕蹖 丕蹖賳讴丕乇 賳丿丕乇丿 爻毓蹖 賲蹖 讴賳丿 賮乇丕乇 讴賳丿 賵賱蹖 賲蹖 丿丕賳丿 讴賴 丿蹖诏乇 亘賴 賴賲丕賳 毓賳賵丕賳 倬夭卮讴蹖 讴賴 賯亘賱丕 亘賵丿賴 倬蹖卮 禺丕賳賴 賵 禺丕賳賵丕丿賴 丕卮 亘乇诏乇丿丿.
乇夭丕: 丿禺鬲乇 禺丿賲鬲讴丕乇 倬夭卮讴 賵 卮禺氐蹖 倬丕讴丿丕賲賳 丕爻鬲 讴賴 亘賴 趩賳诏 賲賴鬲乇 卮蹖胤丕賳蹖 丌賱賵丿賴 賲蹖 卮賵丿. 丌賱賵丿賴 卮丿賳 丿禺鬲乇讴 亘乇丕亘乇 亘丕 鬲睾蹖蹖乇蹖 丕爻鬲 讴賴 丿乇 夭賳丿诏蹖 倬夭卮讴 氐賵乇鬲 賲蹖 诏蹖乇丿 賵 賵蹖 賴乇诏夭 賳賲蹖 鬲賵丕賳丿 亘賴 丕賵囟丕毓 夭賳丿诏蹖 賯亘賱蹖 丕卮 亘乇诏乇丿丿.
賲赖鬲乇:
賲賴鬲乇 卮禺氐蹖 丿蹖賵 氐賮鬲 亘丕 乇賵丨蹖 倬賱蹖丿 丕爻鬲 讴賴 亘賴 倬夭卮讴 丕爻亘 賵 诏丕乇蹖 賯乇囟 賲蹖 丿賴丿. 賵 亘毓丿 丕夭 鬲乇讴 讴乇丿賳 丿讴鬲乇 亘賱丕賮丕氐賱賴 鬲乇鬲蹖亘 乇夭貙 禺丿賲鬲讴丕乇 丿讴鬲乇 乇丕 賲蹖 丿賴丿.
亘蹖賲丕乇: 賴賲丕賳诏賵賳賴 讴賴 诏賮鬲賴 卮丿貙 倬爻乇蹖 丕爻鬲 讴賴 丿乇 丕亘鬲丿丕 丿讴鬲乇 賮讴乇 賲蹖讴賳丿 賵囟毓蹖鬲 賲賳丕爻亘蹖 丿丕乇丿 賵賱蹖 亘毓丿 倬蹖 賲蹖亘乇丿 讴賴 夭禺賲蹖 讴卮賳丿賴 丿乇 倬賴賱賵 丿丕乇丿 讴賴 讴乇賲 賴丕蹖蹖 丿乇 丌賳 賲蹖 賱賵賱賳丿. 倬夭卮讴 丕賲蹖丿蹖 亘賴 丿乇賲丕賳卮 賳丿丕乇丿.
鬲賲 賴丕:
倬賵趩蹖 夭賳丿诏蹖
丿讴鬲乇蹖 讴賴 丕賲蹖丿卮 乇丕 丕夭 丿爻鬲 丿丕丿賴貙 賯丿乇鬲 乇丕 丕夭 丿爻鬲 賲蹖 丿賴丿. 丕蹖賳 賳亘賵丿 賯丿乇鬲 丨爻 倬賵趩蹖 乇丕 丿乇 夭賳丿诏蹖 賵蹖 鬲睾匕蹖賴 賲蹖 讴賳丿.
亘蹖诏丕賳诏蹖
蹖讴蹖 丕夭 鬲賲 賴丕蹖蹖 讴賴 讴丕賮讴丕 丕爻鬲丕丿 賳賵卮鬲賳 丿乇 丕蹖賳 夭賲蹖賳賴 丕爻鬲貙 亘蹖诏丕賳诏蹖 丕爻鬲. 丿讴鬲乇 丿賴讴丿賴 丕夭 鬲賲丕賲蹖 賲乇丿賲 丿賴讴丿賴 賮丕氐賱賴 丿丕乇丿. 亘蹖诏丕賳賴 丕爻鬲. 賳賲蹖 鬲賵丕賳賳丿 賴賲 乇丕 丿乇讴 讴賳賳丿. 丿讴鬲乇 卮禺氐蹖 賮乇賴蹖禺鬲賴 丕爻鬲 讴賴 丿乇 亘蹖賳 丌蹖蹖賳 賵爻賳鬲 賴丕蹖 倬賵趩 賵 睾賱胤 賲乇丿賲丕賳 禺賵丿 诏蹖乇 讴乇丿賴 丕爻鬲 賵 賵賯鬲蹖 丿乇 賲賯丕亘賱 丌賳賴丕 爻乇 亘賱賳丿 賲蹖 讴賳丿貙 亘蹖诏丕賳賴 賵 亘蹖诏丕賳賴 鬲乇 賲蹖卮賵丿. 丿讴鬲乇 亘乇 爻乇 鬲賯丿蹖乇 禺賵丿 賳亘乇丿 賲蹖 讴賳丿. 亘乇 爻乇 亘蹖诏丕賳诏蹖 賵 倬賵趩蹖 禺賵丿. 賲蹖 丿丕賳丿 讴賴 丕诏乇 丌賳噩丕 乇丕 鬲乇讴 讴賳丿 趩賴 爻乇賳賵卮鬲蹖 丿乇 丕賳鬲馗丕乇卮 丕爻鬲貙 賵賱蹖 丕夭 胤乇賮 丿蹖诏乇 賴賲 賲蹖 丿丕賳丿 丕诏乇 丌賳噩丕 亘賲丕賳丿貙 爻乇丕賳噩丕賲 倬爻乇讴 禺賵丕賴丿 賲乇丿. 丿讴鬲乇 乇丕賴蹖 賳丿丕乇丿! 丿讴鬲乇 丿乇 賲賯丕亘賱 鬲賯丿蹖乇卮 卮讴爻鬲 禺賵乇丿賴 丕爻鬲.
卮丕蹖丿 倬夭卮讴 丿賴讴丿賴 禺賵丿 讴丕賮讴丕 亘丕卮丿! 禺賵丿 賳賵蹖爻賳丿賴. 卮禺氐蹖 讴賴 丿乇 賲賯丕亘賱 噩賴賱 賲乇丿賲卮貙 禺賵丿禺賵丕賴蹖卮丕賳 賵 禺乇丕賮丕鬲卮丕賳 賯乇丕乇 诏乇賮鬲賴 丕爻鬲 賵 丕蹖賳 賲乇丿賲 賳蹖丕夭 亘賴 乇丕賴蹖 亘乇丕蹖 丿乇賲丕賳 丿丕乇賳丿 丕賲丕 丿乇賲丕賳 乇丕 丕夭 丿讴鬲乇 賳賲蹖 胤賱亘賳丿. 丌賳趩蹖夭蹖 乇丕 讴賴 賲蹖禺賵丕賴賳丿 丕蹖賳 丕爻鬲 讴賴 丿讴鬲乇 丌賳丕賳 乇丕 賳噩丕鬲 丿賴丿貨 讴賴 丿讴鬲乇 丌賳丕賳 乇丕 丨賮馗 讴賳丿.
爻賵乇卅丕賱蹖爻賲 趩蹖爻鬲責
丕賱亘鬲賴 賯亘賱丕 亘乇丕蹖 賳賯丿 亘賵賮 讴賵乇 賴丿丕蹖鬲 爻賵乇卅丕賱蹖爻賲 乇丕 亘蹖卮鬲乇 鬲賵囟蹖丨 丿丕丿賴 亘賵丿賲 讴賴 賲蹖 鬲賵丕賳蹖丿 亘乇丕蹖 丕胤賱丕毓丕鬲 亘蹖卮鬲乇 亘賴 丌賳 乇蹖賵賵蹖賵 亘丕 賱蹖賳讴 夭蹖乇 賲乇丕噩毓賴 讴賳蹖丿 賵賱蹖 亘乇丕蹖 卮乇賵毓 亘丕蹖丿 诏賮鬲 讴賴 賮乇丕賵丕賯毓 诏乇丕蹖蹖 蹖丕 爻賵乇卅丕賱爻蹖賲貙 噩賳亘卮蹖 丕爻鬲 讴賴 丿乇 夭賲蹖賳賴 蹖 賴賳乇 賵 丕丿亘蹖丕鬲 丿乇 丕賵丕蹖賱 賯乇賳 亘蹖爻鬲賲 丌睾丕夭 卮丿. 賴丿賮 爻賵乇卅丕賱蹖爻賲 亘蹖丕賳 乇賵蹖丕賴丕 賵 鬲禺蹖賱丕鬲 匕賴賳蹖 卮禺氐 賮乇丕蹖 禺賵丿丌诏丕賴 賵 賲賳胤賯 丕爻鬲. 蹖毓賳蹖 鬲氐賵蹖乇蹖 乇丕 卮禺氐 亘賴 禺賵丕賳賳丿賴 蹖丕 亘蹖賳賳丿賴 丕乇丕卅賴 賲蹖 丿賴丿 讴賴 賴乇趩賳丿 丕噩夭丕蹖 丌賳 賵丕賯毓蹖鬲 丕爻鬲 丕賲丕 亘賴 诏賵賳賴 丕蹖 睾蹖乇 賲賳胤賯蹖 亘丕 賴賲 鬲乇讴蹖亘 卮丿賴 讴賴 卮丕蹖丿 賲毓賳丕 賵 丕乇鬲亘丕胤蹖 丕噩夭丕蹖 丌賳 亘丕賴賲 賳丿丕卮鬲賴 亘丕卮丿. 丕賳诏丕乇 卮禺氐 禺賵丕亘 賲蹖 亘蹖賳丿 賵 賮乇丕蹖 禺賵丿丌诏丕賴 禺賵蹖卮 賵丕乇丿 賲蹖 卮賵丿.
爻賵丕賱 丕氐賱蹖 讴賴 亘乇丕蹖 卮禺氐 丕蹖噩丕丿 賲蹖 卮賵丿 讴賴 丌蹖丕 趩蹖夭蹖 讴賴 賲丕 賲蹖 亘蹖賳蹖賲 乇賵蹖丕爻鬲 蹖丕 賵丕賯毓蹖鬲責 丕氐賱丕 丕蹖賳 丿賳蹖丕 丌蹖丕 丨賯蹖賯蹖 丕爻鬲 賵 蹖丕 賲丕 丿乇 乇賵蹖丕蹖蹖 亘蹖卮 夭賳丿诏蹖 賳賲蹖 讴賳蹖賲責
丿乇 丿丕爻鬲丕賳 倬夭卮讴 丿賴讴丿賴 賳蹖夭貙 鬲氐賵蹖乇蹖 讴賴 禺賵丕賳賳丿賴 亘丕 丌賳 賲賵丕噩賴 賲蹖 卮賵丿貙 鬲氐賵蹖乇蹖 丕爻鬲 爻賵乇卅丕賱. 丕蹖賳 鬲氐賵蹖乇 丕夭 賵丕賯毓蹖鬲 卮乇賵毓 卮丿賴 賵 鬲丕 賮乇丕賵丕賯毓蹖鬲 丕丿丕賲賴 倬蹖丿丕 賲蹖讴賳丿.
賳賯丿 亘賵賮 讴賵乇
鬲氐賵蹖乇 亘丕賱丕 丕孬乇蹖 丕爻鬲 丿乇 跇丕賳乇 丿丕乇讴 爻賵乇卅丕賱蹖爻賲 丕夭 賴賳乇賲賳丿 賲卮賴賵乇 賱賴爻鬲丕賳蹖 丕蹖诏賵乇 賲賵乇爻讴蹖
丨乇賮 亘乇丕蹖 丿丕爻鬲丕賳 賴丕蹖 讴丕賮讴丕 亘爻蹖丕乇 丕爻鬲 賵 賳賲蹖 卮賵丿 讴賴 鬲賳賴丕 丿乇 趩賳丿 倬丕乇丕诏乇丕賮 丌賳 趩蹖夭蹖 讴賴 丿乇 丿賱 丿丕爻鬲丕賳 賴丕蹖卮 賳賴賮鬲賴 丕爻鬲 乇丕 亘賴 禺賵丕賳賳丿賴 乇爻丕賳丿. 丕賲丕 丕賲蹖丿賵丕乇賲 丕蹖賳 趩賳丿 禺胤 亘乇丕蹖鬲丕賳 讴賲讴蹖 亘丕卮丿 賵 讴賲蹖 賲爻蹖乇 禺賵丕賳卮 丌賳 乇丕 亘乇丕蹖鬲丕賳 乇賵卮賳 爻丕禺鬲賴 亘丕卮丿.
鬲乇噩賲賴 賴丕蹖 噩賳丕亘 毓賱蹖 丕氐睾乇 丨丿丕丿 丕夭 丌孬丕乇 讴丕賮讴丕貙 亘爻蹖丕乇 丿賯蹖賯 賵 乇賵丕賳 丕爻鬲. 倬蹖卮賳賴丕丿 賲蹖 丿賴賲 丕蹖賳 丌孬丕乇 乇丕 亘丕 鬲乇噩賲賴 蹖 丕蹖卮丕賳 亘禺賵丕賳蹖丿.
賱蹖賳讴 夭蹖乇 讴賴 丕賳蹖賲蹖卮賳蹖 跇丕倬賳蹖 丕爻鬲 亘丕 夭蹖乇賳賵蹖爻 丕賳诏賱蹖爻蹖貙 丕賯鬲亘丕爻蹖 丕爻鬲 夭蹖亘丕 丕夭 丿丕爻鬲丕賳 倬夭卮讴 丿賴讴丿賴 蹖 讴丕賮讴丕. 卮丿蹖丿賳 倬蹖卮賳賴丕丿 賲蹖 丿賴賲 讴賴 亘亘蹖賳蹖丿. 丕賱亘鬲賴 丕夭 丌賳噩丕蹖蹖 讴賴 賴賲賴 趩蹖夭 丿乇 丕蹖乇丕賳 賮蹖賱鬲乇 丕爻鬲貙 倬爻 賮蹖賱鬲乇 卮讴賳 禺賵丿 乇丕 乇賵卮賳 讴賳蹖丿 :丿蹖
February 14, 2022
倬夭卮賰 丿賴賰丿賴 乇丕 亘丕 鬲乇噩賲賴 賷 賰丕賲賱 乇賵夭丿丕乇 禺賵丕賳丿賲 .
丿丕爻鬲丕賳 賰賵鬲丕賴 賵 爻丕丿賴 丕爻鬲 賵 賳賷爻鬲 . 丕夭 賰丕賮賰丕 倬賷卮 丕夭 丕賷賳 賲爻禺 乇丕 禺賵丕賳丿賴 亘賵丿賲 貨 賰丕亘賵爻賷 鬲賲丕賲 毓賷丕乇 . 賰丕亘賵爻賷 賰賴 賲賷丿丕賳賷 鬲賵 乇丕 賲賷 亘賱毓丿 賵 賲賷禺賵丕賴賷 亘賱毓賷丿賴 卮賵賷 .
"倬爻乇賰 賱丕睾乇 賵 鬲賰賷丿賴 貙亘丿賵賳 鬲亘貙 賳賴 爻乇丿貙 賳賴 诏乇賲貙亘丕 趩卮賲丕賳賷 亘賷 乇賵丨貙亘丿賵賳 倬賷乇丕賴賳 丕夭 夭賷乇 賱丨丕賮 倬乇 亘賱賳丿 賲賷卮賵丿 賵 禺賵丿 乇丕 亘賴 诏乇丿賳賲 丌賵賷夭丕賳 賲賷 爻丕夭丿 賵 丿乇 诏賵卮賲 亘賴 賳噩賵丕 賲賷诏賵賷丿 : 丿賰鬲乇 亘诏匕丕乇 亘賲賷乇賲鈥�.亘毓丿 賲賲賰賳 丕爻鬲 丨賯 亘丕 倬爻乇賰 亘丕卮丿貙丌禺乇 賲賳 賴賲 賲丕賷賱賲 亘賲賷乇賲.賲賳 丿乇 丕賷賳噩丕 丿乇 丕賷賳 夭賲爻鬲丕賳 亘賷 倬丕賷丕賳 趩賴 賲賷賰賳賲責"
-丕夭 賲鬲賳 賰鬲丕亘
禺賱丕賮 毓丕丿鬲 賴賲賷卮诏賷賲 貙 亘丿賵賳 賲賰孬 貙 倬爻 丕夭 禺賵丕賳丿賳 丿丕爻鬲丕賳 亘賴 爻乇丕睾 賳賯丿 賵 鬲賮爻賷乇 乇賮鬲賲.
亘丕賵乇 賳賲賷賰乇丿賲 賰賴 丿丕爻鬲丕賳 丕夭 賴賷趩 乇丕賴賷 賲乇鬲亘胤 卮賵丿 亘丕 囟賲賷乇 賳丕禺賵丿丕诏丕賴 賰丕賮賰丕賵 鬲賮爻賷乇 禺賵丕亘 賮乇賵賷丿 賵 乇賵丕賳賰丕賵賷 賵 鬲丕亘賵賴丕賷 噩賳爻賷 賵 丕賷賳 賴賲賴 .
" 賲賳 亘賴 乇丕爻鬲賷 禺賵賳爻乇丿 賴爻鬲賲 賵 亘乇 賴賲賴 趩賷夭 賲爻賱胤 貙 賵 賴賲趩賳丕賳 亘賴 賴賲賷賳 丨丕賱 亘丕賯賷 賲賷 賲丕賳賲. 亘丕 丕賷賳 賴賲賴 丕賷賳 丕賲乇 亘賴 賲賳 賰賲賰賷 賳賲賷賰賳丿"
丕丨爻丕爻賷 賰賴 夭賷乇 倬賵爻鬲賲 丌賲丿 責 卮诏賮鬲 夭丿诏賷 貙 鬲丨爻賷賳 賳亘賵睾 賰丕賮賰丕 貙 丨爻乇鬲 丌賳賰賴 趩乇丕 夭賵丿鬲乇 賳禺賵丕爻鬲賴 丕賲 亘卮賳丕爻賲卮.
"氐丿丕賷賷 乇丕 丿乇 诏賵卮賲 賲賷 卮賳賵賲 賰賴 亘賴 賲賳 賲賷诏賵賷丿: 賲賷 丿丕賳賷 貙賲賳 亘賴 鬲賵 丕毓鬲賲丕丿 趩賳丿丕賳賷 賳丿丕乇賲. 鬲賵 賴賲 賮賯胤 丕夭 噩丕賷賷 亘賴 丕賷賳噩丕 倬乇鬲丕亘 卮丿賴 丕賷.亘丕 倬丕賷 禺賵丿鬲 亘賴 丕賷賳噩丕 賳賷丕賲丿賴 丕賷. 毓賵囟 丌賳賰賴 賰賲賰賲 賰賳賷 貙 噩丕賷賲 乇丕 丿乇 亘爻鬲乇 賲乇诏賲 鬲賳诏 賰乇丿賴 丕賷. 禺賷賱賷 丿賱賲 賲賷禺賵丕賴丿 趩賳诏 亘賳丿丕夭賲 賵 趩卮賲鬲 乇丕 丕夭 丨丿賯賴 丿乇 亘賷丕賵乇賲 "
+賰鬲丕亘 乇丕 丕賷賳噩丕 禺賵丕賳丿賴 丕賲 貙 丿乇 噩賱爻賴 賷 賲卮鬲乇賰 诏乇賵賴 賴丕賷 倬夭卮賰丕賳 丿丕禺賱賷貙乇丕丿賷賵賱賵跇賷 賵 倬丕鬲賵賱賵跇賷. 丿乇 賲賷丕賳 丨丿賵丿 佟贍贍 丕鬲賳丿 賵 乇夭賷丿賳鬲 賵 丿丕賳卮噩賵賷 倬夭卮賰賷. 禺賵丿賲 賴賲 亘乇丕賷 丿賵賲賷賳 亘丕乇 丌賱賵丿賴 亘賴 賰乇賵賳丕-賵賷乇賵爻 賵 賰賲賷 鬲亘 丿丕乇 . 诏賮鬲 賵 诏賵賷 丿乇賵賳賷 賰賴 " 丨丕賱丕 賰賴 鬲賲乇賰夭 賰丕賮賷 亘乇丕賷 诏賵卮 丿丕丿賳 賳丿丕乇賷貙 賷賰 丿丕爻鬲丕賳 亘禺賵丕賳 " 賵 亘毓丿 丌賳賰賴 " 趩賴 賴賵卮賲賳丿丕賳賴. 禺賵丕賳丿賳 丿丕爻鬲丕賳 丿乇 賲賵乇丿 賷賰 倬夭卮賰 丿乇 賮囟丕賷 賲乇鬲亘胤" 賵 丨丕賱丕 丕賱亘鬲賴 賲賷丿丕賳賲 丕氐賱丕 賲爻卅賱賴 倬夭卮賰 賵 倬夭卮賰賷 賳賷爻鬲 賵 丕夭 賲丨賷胤 丕胤乇丕賮賲 賮乇爻賳诏 賴丕
噩丿丕 卮丿賴 丕賲.
丿丕爻鬲丕賳 賰賵鬲丕賴 賵 爻丕丿賴 丕爻鬲 賵 賳賷爻鬲 . 丕夭 賰丕賮賰丕 倬賷卮 丕夭 丕賷賳 賲爻禺 乇丕 禺賵丕賳丿賴 亘賵丿賲 貨 賰丕亘賵爻賷 鬲賲丕賲 毓賷丕乇 . 賰丕亘賵爻賷 賰賴 賲賷丿丕賳賷 鬲賵 乇丕 賲賷 亘賱毓丿 賵 賲賷禺賵丕賴賷 亘賱毓賷丿賴 卮賵賷 .
"倬爻乇賰 賱丕睾乇 賵 鬲賰賷丿賴 貙亘丿賵賳 鬲亘貙 賳賴 爻乇丿貙 賳賴 诏乇賲貙亘丕 趩卮賲丕賳賷 亘賷 乇賵丨貙亘丿賵賳 倬賷乇丕賴賳 丕夭 夭賷乇 賱丨丕賮 倬乇 亘賱賳丿 賲賷卮賵丿 賵 禺賵丿 乇丕 亘賴 诏乇丿賳賲 丌賵賷夭丕賳 賲賷 爻丕夭丿 賵 丿乇 诏賵卮賲 亘賴 賳噩賵丕 賲賷诏賵賷丿 : 丿賰鬲乇 亘诏匕丕乇 亘賲賷乇賲鈥�.亘毓丿 賲賲賰賳 丕爻鬲 丨賯 亘丕 倬爻乇賰 亘丕卮丿貙丌禺乇 賲賳 賴賲 賲丕賷賱賲 亘賲賷乇賲.賲賳 丿乇 丕賷賳噩丕 丿乇 丕賷賳 夭賲爻鬲丕賳 亘賷 倬丕賷丕賳 趩賴 賲賷賰賳賲責"
-丕夭 賲鬲賳 賰鬲丕亘
禺賱丕賮 毓丕丿鬲 賴賲賷卮诏賷賲 貙 亘丿賵賳 賲賰孬 貙 倬爻 丕夭 禺賵丕賳丿賳 丿丕爻鬲丕賳 亘賴 爻乇丕睾 賳賯丿 賵 鬲賮爻賷乇 乇賮鬲賲.
亘丕賵乇 賳賲賷賰乇丿賲 賰賴 丿丕爻鬲丕賳 丕夭 賴賷趩 乇丕賴賷 賲乇鬲亘胤 卮賵丿 亘丕 囟賲賷乇 賳丕禺賵丿丕诏丕賴 賰丕賮賰丕賵 鬲賮爻賷乇 禺賵丕亘 賮乇賵賷丿 賵 乇賵丕賳賰丕賵賷 賵 鬲丕亘賵賴丕賷 噩賳爻賷 賵 丕賷賳 賴賲賴 .
" 賲賳 亘賴 乇丕爻鬲賷 禺賵賳爻乇丿 賴爻鬲賲 賵 亘乇 賴賲賴 趩賷夭 賲爻賱胤 貙 賵 賴賲趩賳丕賳 亘賴 賴賲賷賳 丨丕賱 亘丕賯賷 賲賷 賲丕賳賲. 亘丕 丕賷賳 賴賲賴 丕賷賳 丕賲乇 亘賴 賲賳 賰賲賰賷 賳賲賷賰賳丿"
丕丨爻丕爻賷 賰賴 夭賷乇 倬賵爻鬲賲 丌賲丿 責 卮诏賮鬲 夭丿诏賷 貙 鬲丨爻賷賳 賳亘賵睾 賰丕賮賰丕 貙 丨爻乇鬲 丌賳賰賴 趩乇丕 夭賵丿鬲乇 賳禺賵丕爻鬲賴 丕賲 亘卮賳丕爻賲卮.
"氐丿丕賷賷 乇丕 丿乇 诏賵卮賲 賲賷 卮賳賵賲 賰賴 亘賴 賲賳 賲賷诏賵賷丿: 賲賷 丿丕賳賷 貙賲賳 亘賴 鬲賵 丕毓鬲賲丕丿 趩賳丿丕賳賷 賳丿丕乇賲. 鬲賵 賴賲 賮賯胤 丕夭 噩丕賷賷 亘賴 丕賷賳噩丕 倬乇鬲丕亘 卮丿賴 丕賷.亘丕 倬丕賷 禺賵丿鬲 亘賴 丕賷賳噩丕 賳賷丕賲丿賴 丕賷. 毓賵囟 丌賳賰賴 賰賲賰賲 賰賳賷 貙 噩丕賷賲 乇丕 丿乇 亘爻鬲乇 賲乇诏賲 鬲賳诏 賰乇丿賴 丕賷. 禺賷賱賷 丿賱賲 賲賷禺賵丕賴丿 趩賳诏 亘賳丿丕夭賲 賵 趩卮賲鬲 乇丕 丕夭 丨丿賯賴 丿乇 亘賷丕賵乇賲 "
+賰鬲丕亘 乇丕 丕賷賳噩丕 禺賵丕賳丿賴 丕賲 貙 丿乇 噩賱爻賴 賷 賲卮鬲乇賰 诏乇賵賴 賴丕賷 倬夭卮賰丕賳 丿丕禺賱賷貙乇丕丿賷賵賱賵跇賷 賵 倬丕鬲賵賱賵跇賷. 丿乇 賲賷丕賳 丨丿賵丿 佟贍贍 丕鬲賳丿 賵 乇夭賷丿賳鬲 賵 丿丕賳卮噩賵賷 倬夭卮賰賷. 禺賵丿賲 賴賲 亘乇丕賷 丿賵賲賷賳 亘丕乇 丌賱賵丿賴 亘賴 賰乇賵賳丕-賵賷乇賵爻 賵 賰賲賷 鬲亘 丿丕乇 . 诏賮鬲 賵 诏賵賷 丿乇賵賳賷 賰賴 " 丨丕賱丕 賰賴 鬲賲乇賰夭 賰丕賮賷 亘乇丕賷 诏賵卮 丿丕丿賳 賳丿丕乇賷貙 賷賰 丿丕爻鬲丕賳 亘禺賵丕賳 " 賵 亘毓丿 丌賳賰賴 " 趩賴 賴賵卮賲賳丿丕賳賴. 禺賵丕賳丿賳 丿丕爻鬲丕賳 丿乇 賲賵乇丿 賷賰 倬夭卮賰 丿乇 賮囟丕賷 賲乇鬲亘胤" 賵 丨丕賱丕 丕賱亘鬲賴 賲賷丿丕賳賲 丕氐賱丕 賲爻卅賱賴 倬夭卮賰 賵 倬夭卮賰賷 賳賷爻鬲 賵 丕夭 賲丨賷胤 丕胤乇丕賮賲 賮乇爻賳诏 賴丕
噩丿丕 卮丿賴 丕賲.
July 20, 2020
English:
The title story of Kafka's 1920 text collection is really, really dark: It is told from the perspective of the title-giving country doctor, a man who is confronted with the plight of simple rural folk every day while lacking the means to truly care for them. The doctor's horse has died in the winter's cold, and when he is called to an emergency during the night, he has to borrow two horses while knowing that the guy who has helped him will probably rape his housemaid right after he leaves. When the doctor arrives at the sickbed of the child he was called to heal, he finds the boy with a terrible wound full of worms. And now - Kafka, guys! - the story takes a surreal turn...
The enigmatic layers of this text are fascinating: The doctor has to make the impossible choice either to defend his housemaid or help a dying child - and why didn't he take the housemaid, an object of desire for both him and the brute horse owner, with him (sex! Freud!)? What's up with those borrowed horses, who watch him treat the boy through the window (Freud!!)? Why does the wound have the color after which the housemaid is named, Rosa (which means pink in German)? Does the twist stand for the repressed guilt the doctor feels (even more Freud!!!)? Why does the doctor, who is anticipated by the boys' parents as a savior, hardly act and seems more like a man who is pushed around by fate (voil脿: Kafka's typical theme of helplessness)?
The most captivating element of the story is its atmosphere though: The cold, the darkness, the sense of doom, the violence, the sickness - this is a haunting tale of horror. At some point, a choir enters the scene, which gives this text about a nameless doctor in the countryside the air of a Greek tragedy. Disturbing, to say the least - and great.
The title story of Kafka's 1920 text collection is really, really dark: It is told from the perspective of the title-giving country doctor, a man who is confronted with the plight of simple rural folk every day while lacking the means to truly care for them. The doctor's horse has died in the winter's cold, and when he is called to an emergency during the night, he has to borrow two horses while knowing that the guy who has helped him will probably rape his housemaid right after he leaves. When the doctor arrives at the sickbed of the child he was called to heal, he finds the boy with a terrible wound full of worms. And now - Kafka, guys! - the story takes a surreal turn...
The enigmatic layers of this text are fascinating: The doctor has to make the impossible choice either to defend his housemaid or help a dying child - and why didn't he take the housemaid, an object of desire for both him and the brute horse owner, with him (sex! Freud!)? What's up with those borrowed horses, who watch him treat the boy through the window (Freud!!)? Why does the wound have the color after which the housemaid is named, Rosa (which means pink in German)? Does the twist stand for the repressed guilt the doctor feels (even more Freud!!!)? Why does the doctor, who is anticipated by the boys' parents as a savior, hardly act and seems more like a man who is pushed around by fate (voil脿: Kafka's typical theme of helplessness)?
The most captivating element of the story is its atmosphere though: The cold, the darkness, the sense of doom, the violence, the sickness - this is a haunting tale of horror. At some point, a choir enters the scene, which gives this text about a nameless doctor in the countryside the air of a Greek tragedy. Disturbing, to say the least - and great.
November 8, 2021
There could be many interpretations of this strange parable but for me it represents a man coming to terms with the chaotic world of his own making and despite his resolution to save it it was already too far gone.
April 23, 2025
Buena selecci贸n de cuentos "Kafkianos". No s贸lo centrados en lo absurdo y angustioso (Aunque tambi茅n tienen una buena muestra de ello) si no que, adem谩s, tambi茅n reflejan la querencia del autor por el humor absurdo y la s谩tira (Cosa que no suele destacarse habitualmente al hablar de 茅l)
May 29, 2016
丿乇 賰鬲丕亘 诏賮鬲诏賵 亘丕 賰丕賮賰丕 趩賳丿賷賳 亘丕乇 賰丕賮賰丕 賵 賷丕賳賵卮 丿乇 賲賵乇丿 丿丕爻鬲丕賳 賴丕賷 丕賷賳 賰鬲丕亘 亘丕 賴賲 氐丨亘鬲 賲賷 賰賳賳丿. 賲賳 賴賲 丕夭 丕賷賳 賮乇氐鬲 丕爻鬲賮丕丿賴 賰乇丿賲 賵 丕賷賳 賰鬲丕亘 乇丕 卮乇賵毓 賰乇丿賲. 丿丕爻鬲丕賳 賴丕 賮乇丕鬲乇 丕夭 鬲賵賯毓 賲賳 亘賵丿賳丿. 丕賳诏丕乇 賰賴 賮乇丕賲賵卮 賰乇丿賴 亘賵丿賲 賰丕賮賰丕 賴賲賷卮賴 亘乇丕賷 賲賳 趩賯丿乇 睾賷乇 賯丕亘賱 倬賷卮 亘賷賳賷 亘賵丿賴. 丿丕爻鬲丕賳 賴丕賷 丕賷賳 賰鬲丕亘 禺賷賱賷 賲賴賲 丕賳丿. 丕夭 丕賷賳 噩賴鬲 賰賴 賰丕賮賰丕 丕夭 趩賳丿鬲丕賷卮丕賳 丿乇 賰丕乇賴丕賷 亘毓丿賷 禺賵丿卮 丕爻鬲賮丕丿賴 賰乇丿賴. 賲孬賱丕 丿丕爻鬲丕賳 噩賱賵賷 賯丕賳賵賳 賷賰賷 丕夭 賯爻賲鬲 賴丕賷 賲賴賲 乇賲丕賳 賲丨丕賰賲賴 乇丕 鬲卮賰賷賱 丿丕丿賴 賷丕 丿丕爻鬲丕賳 倬賷丕賲 丕賲倬乇丕胤賵乇賷 賰賴 亘丕毓孬 賳賵卮鬲賳 丿丕爻鬲丕賳 丿賷賵丕乇 趩賷賳 卮丿賴. 賰賴 丕賱亘鬲賴 賴賲賷賳 丿賵 丿丕爻鬲丕賳 亘賴鬲乇賷賳 賴丕賷 丕賷賳 賰鬲丕亘 賴爻鬲賳丿. 亘賴 噩夭 丿丕爻鬲丕賳 賴丕賷 賵賰賷賱 賲丿丕賮毓 噩丿賷丿 賵 賳诏乇丕賳賷 倬丿乇禺賵丕賳丿賴 賰賴 倬賷趩賷丿賴 賵 睾賷乇賯丕亘賱 賮賴賲 亘賵丿賳丿貙 亘賯賷賴 丿賵丕夭丿賴 丿丕爻鬲丕賳 乇丕 丿賵爻鬲 丿丕卮鬲賲.
November 1, 2021
Too surreal for me. It was not my cup of tea.
SYNOPSIS: "The plot follows a country doctor's hapless struggle to attend a sick young boy on a cold winter's night. A series of surreal events occur in the process, including the appearance of a mysterious groom (stablehand) in a pig shed."
SYNOPSIS: "The plot follows a country doctor's hapless struggle to attend a sick young boy on a cold winter's night. A series of surreal events occur in the process, including the appearance of a mysterious groom (stablehand) in a pig shed."
Read
October 19, 2023" 賮乇蹖亘 禺賵乇丿賴鈥屫з呚� 賮乇蹖亘.
蹖讴 亘丕乇 亘賴 胤賳蹖賳 丕卮鬲亘丕賴 夭賳诏 卮亘丕賳賴鈥屫з� 毓賲賱 讴乇丿賲 _ 賴乇诏夭 噩亘乇丕賳鈥屬矩佰屫� 賳禺賵丕賴丿 亘賵丿."
蹖讴 亘丕乇 亘賴 胤賳蹖賳 丕卮鬲亘丕賴 夭賳诏 卮亘丕賳賴鈥屫з� 毓賲賱 讴乇丿賲 _ 賴乇诏夭 噩亘乇丕賳鈥屬矩佰屫� 賳禺賵丕賴丿 亘賵丿."
August 23, 2016
Kafka okumaya ge莽en sene D枚n眉艧眉m'le ba艧lam谋艧t谋m. 脟ok da be臒enmi艧tim. Bu 枚yk眉 derlemesini hi莽 bilmiyordum ama. Derlemeye ad谋n谋 veren Bir K枚y Hekimi'nin 20 dakikal谋k bir anime filmi var, onunla ke艧fettim bu derlemeyi de zaten.
Anime filmini anlamad谋臒谋m谋 d眉艧眉n眉yordum ki derleme daha anla艧谋lmazd谋. Film anime d眉nyas谋nda izledi臒im en s眉rrealisttik 艧eylerden biriydi ve i艧leme 艧ekli de keza 枚yleydi. Yine de sevilesiydi ve merak uyand谋r谋c谋yd谋. Derlemenin genelinde de 枚ne 莽谋kt谋 benim i莽in o 枚yk眉.
Di臒erlerinde s谋k谋nt谋 var yaz谋m tarz谋 hi莽 Kafka okudu臒umu hissettirmedi. 脰yk眉lerin 莽o臒u 2-3 sayfa, onlarda da s眉rrealizm 枚n planda ama bu kadar k谋sa olduklar谋 ve dil olarak (ve T眉rk莽ele艧tirmede de sorun vard谋 bence) odaklanmas谋 zor oldu臒u i莽in, perde arkalar谋na pek giremedim. Bir sayfa c眉mle mi olur ya? Resmen c眉mlenin y眉klemini unutmu艧tum. :D Kafka daha yeni yeni yaz谋yormu艧 da neyi nerede kesece臒ini bilemiyormu艧 gibi hissettirdi.
Birka莽 枚yk眉s眉 haricinde devam谋 莽ok anlams谋zd谋, bana g枚re. 陌莽indekileri d枚kecek kadar ka臒谋tlar谋 yokmu艧 枚yk眉lerin sanki. 6.45 de iyi i艧 莽谋karamam谋艧, pek tavsiye etmem.
Anime filmini anlamad谋臒谋m谋 d眉艧眉n眉yordum ki derleme daha anla艧谋lmazd谋. Film anime d眉nyas谋nda izledi臒im en s眉rrealisttik 艧eylerden biriydi ve i艧leme 艧ekli de keza 枚yleydi. Yine de sevilesiydi ve merak uyand谋r谋c谋yd谋. Derlemenin genelinde de 枚ne 莽谋kt谋 benim i莽in o 枚yk眉.
Di臒erlerinde s谋k谋nt谋 var yaz谋m tarz谋 hi莽 Kafka okudu臒umu hissettirmedi. 脰yk眉lerin 莽o臒u 2-3 sayfa, onlarda da s眉rrealizm 枚n planda ama bu kadar k谋sa olduklar谋 ve dil olarak (ve T眉rk莽ele艧tirmede de sorun vard谋 bence) odaklanmas谋 zor oldu臒u i莽in, perde arkalar谋na pek giremedim. Bir sayfa c眉mle mi olur ya? Resmen c眉mlenin y眉klemini unutmu艧tum. :D Kafka daha yeni yeni yaz谋yormu艧 da neyi nerede kesece臒ini bilemiyormu艧 gibi hissettirdi.
Birka莽 枚yk眉s眉 haricinde devam谋 莽ok anlams谋zd谋, bana g枚re. 陌莽indekileri d枚kecek kadar ka臒谋tlar谋 yokmu艧 枚yk眉lerin sanki. 6.45 de iyi i艧 莽谋karamam谋艧, pek tavsiye etmem.
March 12, 2021
賮乇丕賳鬲爻貙 讴爻蹖讴賴 賲丕 乇丕 丿乇 丕亘賴丕賲 乇賴丕 賲蹖讴賳丿!
丿丕爻鬲丕賳 讴賵鬲丕賴 倬夭卮讴 丿賴讴丿賴 丕亘鬲丿丕蹖 1917 鬲乇噩賲賴 丕賲蹖乇 噩賱丕賱 丕賱丿蹖賳 丕毓賱賲
丕爻亘 讴丕賮讴丕 (賳賲丕丿蹖 丕夭 賳蹖乇賵蹖 噩賳爻蹖 賲乇丿丕賳賴 丕賵) 丿乇 蹖禺亘賳丿丕賳 爻乇丿賲夭丕噩蹖 丕賵 賲乇丿賴 丕爻鬲 賵 讴丕賱爻讴賴鈥屫й� 讴賴 丕夭 賴賲賴 賱丨丕馗 亘乇丕蹖 爻賮乇 (丕夭丿賵丕噩) 賲賴蹖丕 丕爻鬲 (丕賵 丕夭 賳馗乇 噩爻賲蹖 賵 賲丕賱蹖 丌賲丕丿賴 丕夭丿賵丕噩 丕爻鬲) 亘丿賵賳 丕爻亘 賲丕賳丿賴 賵 丕蹖賳 賲賵囟賵毓 乇丕賵蹖(讴丕賮讴丕) 乇丕 爻禺鬲 賲囟胤乇亘 讴乇丿賴 丕爻鬲 賵 丕賵 乇丕 亘賴 賮讴乇 爻賮乇蹖 毓丕噩賱 (賮乇丕乇) 亘乇丕蹖 丿蹖丿賳 蹖讴 亘蹖賲丕乇 亘丿丨丕賱 丕賳丿丕禺鬲賴 丕爻鬲. 亘蹖賲丕乇 亘丿丨丕賱蹖 讴賴 丿乇 賵丕賯毓 禺賵丿賽 讴丕賮讴丕 丕爻鬲: 讴丕賮讴丕 丿乇 賵丕賯毓 亘蹖賲丕乇蹖 乇丕 亘賴 毓賳賵丕賳 乇丕賴 賳噩丕鬲蹖 亘乇丕蹖 賮乇丕乇 丕夭 丕夭丿賵丕噩 丕賳鬲禺丕亘 賲蹖鈥屭┵嗀�.
芦亘爻蹖丕乇 爻乇诏卮鬲賴 賵丨蹖乇丕賳 亘賵丿賲.賲蹖亘丕蹖爻鬲 亘賴 爻賮乇蹖 賮賵乇蹖 亘乇賵賲貨亘蹖賲丕乇蹖 爻禺鬲 賳丕禺賵卮 丿乇 丿賴讴丿賴 丕蹖 丿賴 賮乇爻賳诏 丿賵乇鬲乇 丕賳鬲馗丕乇賲 乇丕 賲蹖 讴卮蹖丿貨亘賵乇丕賳 倬乇倬卮鬲 亘乇賮 賴賲賴鈥屰� 倬賴賳丕蹖 賲蹖丕賳 賲賳 賵丕賵乇丕 丌讴賳丿賴 亘賵丿貨丿乇卮讴賴 丕蹖 鬲讴 丕爻亘賴 丿丕卮鬲賲 貙丿乇卮讴賴 丕蹖 爻亘讴 亘丕 趩乇禺賴丕 亘夭乇诏 貙丿乇爻鬲 賮乇丕禺賵乇 噩丕丿賴 賴丕蹖 乇賵爻鬲丕蹖蹖鈥屬呚з嗀涃举堌篡屫� 丿乇 倬丕賱鬲賵蹖 禺夭貙讴蹖賮 丕亘夭丕乇賴丕蹖賲 亘賴 丿爻鬲貙丌賲丕丿賴鈥屰� 爻賮乇 貙丿乇丨蹖丕胤 亘賵丿賲貨丕賲丕 亘丕 讴丿丕賲 丕爻亘 責丕爻亘蹖 丿乇 賲蹖丕賳 賳亘賵丿.丕爻亘 禺賵丿賲貙賮乇爻賵丿賴 丕夭 禺爻鬲诏蹖賴丕蹖 丕蹖賳 夭賲爻鬲丕賳 亘爻蹖丕乇 爻乇丿貙卮亘丕賴賳诏丕賲 賲乇丿賴 亘賵丿 . . .禄
丿丕爻鬲丕賳 讴賵鬲丕賴 倬夭卮讴 丿賴讴丿賴 丕亘鬲丿丕蹖 1917 鬲乇噩賲賴 丕賲蹖乇 噩賱丕賱 丕賱丿蹖賳 丕毓賱賲
丕爻亘 讴丕賮讴丕 (賳賲丕丿蹖 丕夭 賳蹖乇賵蹖 噩賳爻蹖 賲乇丿丕賳賴 丕賵) 丿乇 蹖禺亘賳丿丕賳 爻乇丿賲夭丕噩蹖 丕賵 賲乇丿賴 丕爻鬲 賵 讴丕賱爻讴賴鈥屫й� 讴賴 丕夭 賴賲賴 賱丨丕馗 亘乇丕蹖 爻賮乇 (丕夭丿賵丕噩) 賲賴蹖丕 丕爻鬲 (丕賵 丕夭 賳馗乇 噩爻賲蹖 賵 賲丕賱蹖 丌賲丕丿賴 丕夭丿賵丕噩 丕爻鬲) 亘丿賵賳 丕爻亘 賲丕賳丿賴 賵 丕蹖賳 賲賵囟賵毓 乇丕賵蹖(讴丕賮讴丕) 乇丕 爻禺鬲 賲囟胤乇亘 讴乇丿賴 丕爻鬲 賵 丕賵 乇丕 亘賴 賮讴乇 爻賮乇蹖 毓丕噩賱 (賮乇丕乇) 亘乇丕蹖 丿蹖丿賳 蹖讴 亘蹖賲丕乇 亘丿丨丕賱 丕賳丿丕禺鬲賴 丕爻鬲. 亘蹖賲丕乇 亘丿丨丕賱蹖 讴賴 丿乇 賵丕賯毓 禺賵丿賽 讴丕賮讴丕 丕爻鬲: 讴丕賮讴丕 丿乇 賵丕賯毓 亘蹖賲丕乇蹖 乇丕 亘賴 毓賳賵丕賳 乇丕賴 賳噩丕鬲蹖 亘乇丕蹖 賮乇丕乇 丕夭 丕夭丿賵丕噩 丕賳鬲禺丕亘 賲蹖鈥屭┵嗀�.
芦亘爻蹖丕乇 爻乇诏卮鬲賴 賵丨蹖乇丕賳 亘賵丿賲.賲蹖亘丕蹖爻鬲 亘賴 爻賮乇蹖 賮賵乇蹖 亘乇賵賲貨亘蹖賲丕乇蹖 爻禺鬲 賳丕禺賵卮 丿乇 丿賴讴丿賴 丕蹖 丿賴 賮乇爻賳诏 丿賵乇鬲乇 丕賳鬲馗丕乇賲 乇丕 賲蹖 讴卮蹖丿貨亘賵乇丕賳 倬乇倬卮鬲 亘乇賮 賴賲賴鈥屰� 倬賴賳丕蹖 賲蹖丕賳 賲賳 賵丕賵乇丕 丌讴賳丿賴 亘賵丿貨丿乇卮讴賴 丕蹖 鬲讴 丕爻亘賴 丿丕卮鬲賲 貙丿乇卮讴賴 丕蹖 爻亘讴 亘丕 趩乇禺賴丕 亘夭乇诏 貙丿乇爻鬲 賮乇丕禺賵乇 噩丕丿賴 賴丕蹖 乇賵爻鬲丕蹖蹖鈥屬呚з嗀涃举堌篡屫� 丿乇 倬丕賱鬲賵蹖 禺夭貙讴蹖賮 丕亘夭丕乇賴丕蹖賲 亘賴 丿爻鬲貙丌賲丕丿賴鈥屰� 爻賮乇 貙丿乇丨蹖丕胤 亘賵丿賲貨丕賲丕 亘丕 讴丿丕賲 丕爻亘 責丕爻亘蹖 丿乇 賲蹖丕賳 賳亘賵丿.丕爻亘 禺賵丿賲貙賮乇爻賵丿賴 丕夭 禺爻鬲诏蹖賴丕蹖 丕蹖賳 夭賲爻鬲丕賳 亘爻蹖丕乇 爻乇丿貙卮亘丕賴賳诏丕賲 賲乇丿賴 亘賵丿 . . .禄
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August 29, 2019
卮丕賴丿鬲賴丕 賯亘賱 賮鬲乇丞 賮賷 賮賷賱賲 廿賳賲賷 賷丕亘丕賳賷
賰丕賳 爻賵丿丕賵賷丕賸 賵兀賯乇亘 賱兀賮賱丕賲 丕賱乇毓亘
賵鬲匕賰乇鬲賴丕 賯亘賱 賯賱賷賱 賮賯乇兀鬲賴丕 賲賳 賲噩賱丿 丕賱兀毓賲丕賱 丕賱賰丕賲賱丞
賯氐丞 賯氐賷乇丞 爻賵丿丕賵賷丞 噩丿丕賸 賵丨夭賷賳丞
賰兀賳 丕賱胤亘賷亘 賴賵 丕賱賲乇賷囟
賵賴賵 賲孬賱 賰丕賮賰丕 賰丕鬲亘賴 賷囟丨賷 賲賳 兀噩賱 丕賱丌禺乇賷賳 廿賱丕 兀賳賴 賷毓賵丿 毓丕乇賷丕賸 氐賮乇 丕賱賷丿賷賳
賯丿 禺爻乇 賲丕 鬲乇賰貙 賵禺丕亘 賮賷 賲丕 噩丕亍 賲賳 兀噩賱賴
賵賯丿 賷賰賵賳 丕賱賲乇賷囟 丕賱匕賷 賷毓賷卮 賲毓 賵丕賱丿賷賴 賵兀禺鬲賴 賴賵 賰丕賮賰丕 匕丕鬲賴
賮賴賵 賷鬲賲賳賶 丕賱賲賵鬲 賱賷鬲禺賱氐 賲賳 噩乇丨 鬲毓賷孬 賮賷賴 丕賱丿賷丿丕賳
賯丿 賷賰賵賳 亘卮賰賱 賲丕 氐賵乇丞 毓賳 丨賷丕鬲賴
賰丕賳 爻賵丿丕賵賷丕賸 賵兀賯乇亘 賱兀賮賱丕賲 丕賱乇毓亘
賵鬲匕賰乇鬲賴丕 賯亘賱 賯賱賷賱 賮賯乇兀鬲賴丕 賲賳 賲噩賱丿 丕賱兀毓賲丕賱 丕賱賰丕賲賱丞
賯氐丞 賯氐賷乇丞 爻賵丿丕賵賷丞 噩丿丕賸 賵丨夭賷賳丞
賰兀賳 丕賱胤亘賷亘 賴賵 丕賱賲乇賷囟
賵賴賵 賲孬賱 賰丕賮賰丕 賰丕鬲亘賴 賷囟丨賷 賲賳 兀噩賱 丕賱丌禺乇賷賳 廿賱丕 兀賳賴 賷毓賵丿 毓丕乇賷丕賸 氐賮乇 丕賱賷丿賷賳
賯丿 禺爻乇 賲丕 鬲乇賰貙 賵禺丕亘 賮賷 賲丕 噩丕亍 賲賳 兀噩賱賴
賵賯丿 賷賰賵賳 丕賱賲乇賷囟 丕賱匕賷 賷毓賷卮 賲毓 賵丕賱丿賷賴 賵兀禺鬲賴 賴賵 賰丕賮賰丕 匕丕鬲賴
賮賴賵 賷鬲賲賳賶 丕賱賲賵鬲 賱賷鬲禺賱氐 賲賳 噩乇丨 鬲毓賷孬 賮賷賴 丕賱丿賷丿丕賳
賯丿 賷賰賵賳 亘卮賰賱 賲丕 氐賵乇丞 毓賳 丨賷丕鬲賴
November 12, 2018
IDK...ning煤n cuento me llego especialmente ni me fascino, simplemente fueron pasando, me gustaron pero hasta ah铆.
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