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螒渭慰蚁纬蠈蟼
螚 "螒渭慰蚁纬蠈蟼" 蔚委谓伪喂 未喂伪蟺慰蟿喂蟽渭苇谓畏 伪蟺蠈 渭喂伪 蠁蠀蟽喂魏蠈蟿畏蟿伪 蟺慰蠀 蟿畏谓 魏维谓蔚喂 谓伪 畏蠂蔚委 蟿蠈蟽慰 蠈渭慰蟻蠁伪 蠈蟽慰 魏伪喂 蟿畏谓 蔚蟺慰蠂萎 蟺慰蠀 蔚魏未蠈胃畏魏蔚, 蟺蟻维纬渭伪 蟺慰蠀 纬喂伪 蟺慰位蠉 位委纬伪 蟺慰喂萎渭伪蟿伪 渭蟺慰蟻慰蠉渭蔚 谓伪 蟺慰蠉渭蔚. 螌蟽蔚蟼 蟺伪蟻伪蟿畏蟻萎蟽蔚喂蟼 魏喂 伪谓 魏维谓慰蠀渭蔚 位慰喂蟺蠈谓 纬喂伪 蟿畏谓 "螒渭慰蟻纬蠈", 蔚委谓伪喂 未蠉蟽魏慰位慰, 伪谓 蠈蠂喂 伪未蠉谓伪蟿慰, 谓伪 蔚谓蟿慰蟺委蟽慰蠀渭蔚 蟿慰 渭蠀蟽蟿喂魏蠈 蟿畏蟼. 螉蟽蠅蟼, 渭喂伪 蠀蟺蠈胃蔚蟽畏 魏维谓蠅, 蟿慰 伪位畏胃喂谓维 蔚魏蟺位畏魏蟿喂魏蠈 渭' 伪蠀蟿蠈 蟿慰 蟺慰委畏渭伪 谓伪 蔚委谓伪喂, 伪蟺位蠋蟼 魏伪喂 渭蠈谓慰谓, 伪蠀蟿萎 畏 蠁蠀蟽喂魏蠈蟿畏蟿维 蟿慰蠀, 畏 喂蟽慰蟻蟻慰蟺委伪 蟿慰蠀 谓慰萎渭伪蟿慰蟼 蟺维谓蠅 蟽蟿畏 纬位蠋蟽蟽伪, 蔚蟻萎渭畏谓 魏伪喂 蟿蠅谓 未蠉慰. 螖蔚谓 渭蟺慰蟻慰蠉渭蔚 魏伪喂 蟺维位喂 谓伪 胃委尉慰蠀渭蔚 蟿慰谓 蟺蠀蟻萎谓伪 伪蠀蟿萎蟼 蟿畏蟼 蠁蠀蟽喂魏蠈蟿畏蟿伪蟼, 畏 慰蟺慰委伪 蔚谓 蟿苇位蔚喂 蔚委谓伪喂 胃蔚委慰 未蠋蟻慰, 渭蟺慰蟻慰蠉渭蔚 蠅蟽蟿蠈蟽慰 谓伪 蟺伪蟻伪蟿畏蟻萎蟽慰蠀渭蔚 蟿伪 蔚尉蠅蟿蔚蟻喂魏维 纬谓蠅蟻委蟽渭伪蟿伪 蟿畏蟼 "伪喂蟽胃畏蟿喂魏萎蟼" 蟿畏蟼, 魏喂 苇谓伪 伪蟺' 伪蠀蟿维 蔚委谓伪喂 蟽委纬慰蠀蟻伪 畏 蔚谓蟿蠉蟺蠅蟽畏 蠈蟿喂 慰喂 位苇尉蔚喂蟼 蟽蠀谓未苇慰谓蟿伪喂 渭' 苇谓伪 蠁蠉蟽畏渭伪 蟿慰蠀 伪谓苇渭慰蠀, 蔚委谓伪喂 蟽伪 谓伪 位苇渭蔚 蠈蟿喂 伪谓维渭蔚蟽伪 蟽蟿喂蟼 位维渭蠄蔚喂蟼 魏伪喂 蟿喂蟼 蟽魏喂苇蟼 蟿慰蠀 谓慰萎渭伪蟿慰蟼, 魏伪胃蠋蟼 伪蠀蟿维 蔚谓伪位位维蟽蟽慰谓蟿伪喂, 未蔚谓 蠀蟺维蟻蠂蔚喂 魏伪谓苇谓伪蟼 魏蟻伪未伪蟽渭蠈蟼, 未蔚谓 未喂伪魏蟻委谓蔚喂 魏伪谓蔚委蟼 伪谓维渭蔚蟽伪 蟽蟿喂蟼 蠁蟻维蟽蔚喂蟼 蟿喂蟼 "蟻伪蠁苇蟼", 慰 蟺喂慰 渭慰蠀蟽喂魏蠈蟼 蟻蠀胃渭蠈蟼, 伪蠀蟿蠈蟼 蟺慰蠀 蟿慰谓 伪魏慰蠉渭蔚 蟽蠀谓萎胃蠅蟼 谓伪 魏伪蟿伪位萎纬蔚喂 蟽蟿畏 蠁伪谓蠁维蟻伪, 蔚位苇纬蠂蔚喂 蟿慰 蟺畏未维位喂慰 渭喂伪蟼 蠁蠅谓萎蟼 魏伪胃伪蟻萎蟼 魏伪喂 位蔚委伪蟼, 蟽蠂蔚未蠈谓 伪魏蠉渭伪谓蟿畏蟼. 螒蠀蟿蠈 蟿慰 蔚蟺委蟿蔚蠀纬渭伪 未蔚谓 蔚委蠂蔚 委蟽蠅蟼 蟽畏渭蔚喂蠅胃蔚委 尉伪谓维 蟽蟿伪 蔚位位畏谓喂魏维 纬蟻维渭渭伪蟿伪 伪蟺' 蟿畏谓 蔚蟺慰蠂萎 蟿慰蠀 危慰位蠅渭慰蠉.
35 pages, Paperback
First published January 1, 1943
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About the author
Nikos Gatsos
12听books24听followersNikos Gatsos was a notable Greek poet, translator and lyricist.
Nikos Gatsos was born in a small village of Peloponnese. Following high school, he moved to Athens, where he studied literature, philosophy, and history at the University of Athens for two years only. In Athens he entered the literary circles of the era and published his poems, small in extent and in a classic style, in the magazines Nea Estia (1931-32) and Rythmos (1933). During that period he also published criticism works for Makedonikes Imeres (螠伪魏蔚未慰谓喂魏苇蟼 螚渭苇蟻蔚蟼), Rythmos (巍蠀胃渭蠈蟼), and Nea Grammata (螡苇伪 螕蟻维渭渭伪蟿伪) (for Kostis Bastias, Myrtiotissa, and Thrasos Kastanakis, respectively).
In 1935 he move to Paris, France and then to the South of France.
In 1936 he met Odysseus Elytis, his lifelong companion in poetry.
In 1943, Aetos published his long poem Amorgos, a major contribution to contemporary Greek poetry notable especially for its combination of surrealism with traditional Greek folk poetry motifs. He subsequently published three more poems: "Elegeio" (1946) in Filologika Chronika, "The Knight and Death" (螣 喂蟺蟺蠈蟿畏蟼 魏喂 慰 胃维谓伪蟿慰蟼) (1947), and "Song of Old Times" (韦蟻伪纬慰蠉未喂 蟿慰蠀 蟺伪位喂慰蠉 魏伪喂蟻慰蠉) (1963), dedicated to Yorgos Seferis, in Tachydromos magazine.
Following World War II, he worked with the Greek-British Review as a translator and with Ellinik铆 Radiofon铆a as a radio director. During that period he also began writing lyrics for the music of Manos Hadjidakis and developed a remarkable career in modern Greek songwriting. In due course he also collaborated with Mikis Theodorakis and other major composers.
His work as a whole combines universal poetic themes such as the problems of evil, injustice, sacrifice, and the pains of love, with more specifically Greek concerns such as the sorrows of exile.
His capability in handling language with accuracy led the "Art Theatre", the "National Theatre" and the "Popular Theatre" of Greece to entrust him with translations of various plays -translations that became "legendary"- first and foremost being "Blood Wedding" by Federico Garcia Lorca.
He had a special relationship with Manos Hadjidakis and Nana Mouskouri, as well as Philip Sherrard, Peter Levi and Peter Jay, and Desmond O'Grady.
In 1987 he was awarded a special prize by the Municipality of Athens for his contribution to literary art as a whole and in 1991 the Royal Academy of Good Letters of Barcelona awarded him honorary membership for his contribution to the dissemination of Spanish literature in Greece.
Nikos Gatsos was born in a small village of Peloponnese. Following high school, he moved to Athens, where he studied literature, philosophy, and history at the University of Athens for two years only. In Athens he entered the literary circles of the era and published his poems, small in extent and in a classic style, in the magazines Nea Estia (1931-32) and Rythmos (1933). During that period he also published criticism works for Makedonikes Imeres (螠伪魏蔚未慰谓喂魏苇蟼 螚渭苇蟻蔚蟼), Rythmos (巍蠀胃渭蠈蟼), and Nea Grammata (螡苇伪 螕蟻维渭渭伪蟿伪) (for Kostis Bastias, Myrtiotissa, and Thrasos Kastanakis, respectively).
In 1935 he move to Paris, France and then to the South of France.
In 1936 he met Odysseus Elytis, his lifelong companion in poetry.
In 1943, Aetos published his long poem Amorgos, a major contribution to contemporary Greek poetry notable especially for its combination of surrealism with traditional Greek folk poetry motifs. He subsequently published three more poems: "Elegeio" (1946) in Filologika Chronika, "The Knight and Death" (螣 喂蟺蟺蠈蟿畏蟼 魏喂 慰 胃维谓伪蟿慰蟼) (1947), and "Song of Old Times" (韦蟻伪纬慰蠉未喂 蟿慰蠀 蟺伪位喂慰蠉 魏伪喂蟻慰蠉) (1963), dedicated to Yorgos Seferis, in Tachydromos magazine.
Following World War II, he worked with the Greek-British Review as a translator and with Ellinik铆 Radiofon铆a as a radio director. During that period he also began writing lyrics for the music of Manos Hadjidakis and developed a remarkable career in modern Greek songwriting. In due course he also collaborated with Mikis Theodorakis and other major composers.
His work as a whole combines universal poetic themes such as the problems of evil, injustice, sacrifice, and the pains of love, with more specifically Greek concerns such as the sorrows of exile.
His capability in handling language with accuracy led the "Art Theatre", the "National Theatre" and the "Popular Theatre" of Greece to entrust him with translations of various plays -translations that became "legendary"- first and foremost being "Blood Wedding" by Federico Garcia Lorca.
He had a special relationship with Manos Hadjidakis and Nana Mouskouri, as well as Philip Sherrard, Peter Levi and Peter Jay, and Desmond O'Grady.
In 1987 he was awarded a special prize by the Municipality of Athens for his contribution to literary art as a whole and in 1991 the Royal Academy of Good Letters of Barcelona awarded him honorary membership for his contribution to the dissemination of Spanish literature in Greece.
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February 22, 2025
"危蟿慰蠀 蟺喂魏蟻伪渭苇谓慰蠀 蟿畏谓 伪蠀位萎 未蔚 尾伪蟽喂位蔚蠉蔚喂 畏 谓蠉蠂蟿伪
螠蠈谓慰 尉蔚蟻谓维谓 慰喂 蠁蠀位位蠅蟽喂苇蟼 苇谓伪 蟺慰蟿维渭喂 未维魏蟻蠀伪
螌蟿伪谓 蟺蔚蟻谓维蔚喂 慰 未喂维尾慰位慰蟼 谓伪 魏伪尾伪位萎蟽蔚喂 蟿伪 蟽魏蠀位喂维
螝伪喂 蟿伪 魏慰蟻维魏喂伪 魏慰位蠀渭蟺维谓 蟽' 苇谓伪 蟺畏纬维未喂 渭' 伪委渭伪."
螠蠈谓慰 尉蔚蟻谓维谓 慰喂 蠁蠀位位蠅蟽喂苇蟼 苇谓伪 蟺慰蟿维渭喂 未维魏蟻蠀伪
螌蟿伪谓 蟺蔚蟻谓维蔚喂 慰 未喂维尾慰位慰蟼 谓伪 魏伪尾伪位萎蟽蔚喂 蟿伪 蟽魏蠀位喂维
螝伪喂 蟿伪 魏慰蟻维魏喂伪 魏慰位蠀渭蟺维谓 蟽' 苇谓伪 蟺畏纬维未喂 渭' 伪委渭伪."
February 10, 2021
螠伪纬蔚委伪!
February 5, 2017
'螝喂 伪谓 胃伪 未喂蠄维蟽蔚喂蟼 纬喂伪 谓蔚蟻蠈 胃伪 蟽蟿蠉蠄慰蠀渭蔚 苇谓伪 蟽蠉谓谓蔚蠁慰..'
渭慰蠀 胃蠉渭喂蟽蔚 魏伪位慰魏伪委蟻喂 伪蠀蟿蠈 蟿慰 尾喂尾位委慰 魏伪喂 未委蠄伪蟽蔚 畏 蠄蠀蠂萎 渭慰蠀 螒蠉纬慰蠀蟽蟿慰.
渭慰蠀 胃蠉渭喂蟽蔚 魏伪位慰魏伪委蟻喂 伪蠀蟿蠈 蟿慰 尾喂尾位委慰 魏伪喂 未委蠄伪蟽蔚 畏 蠄蠀蠂萎 渭慰蠀 螒蠉纬慰蠀蟽蟿慰.
December 11, 2016
螒渭慰蟻纬慰蟼 : 谓畏蟽委 渭蔚 尾伪胃蔚喂维 伪蟺苇蟻伪谓蟿伪 纬伪位维味喂伪 谓蔚蟻维 魏伪喂 渭蔚 蟺苇蟿蟻伪 . 螒蟺蟻慰蟽蟺苇位伪蟽蟿慰 , 慰蟺蠅蟼 魏伪畏 蟿慰 蟺慰委畏渭伪 伪蠀蟿慰 蟿慰蠀 螕魏维蟿蟽慰蠀 . 螣喂 谓苇慰喂 蟽委纬慰蠀蟻伪 未蔚谓 胃伪 渭蟺慰蟻苇蟽慰蠀谓 蔚蠉魏慰位伪 谓伪 蟽蠀谓未蔚胃慰蠉谓 .
危魏苇蠁蟿慰渭伪喂 蟺蠅蟼 畏 "螒渭慰蟻纬慰蟼" 蟽蠀谓慰位喂魏慰委 渭蔚 蟿慰 "螒尉喂慰谓 螘蟽蟿喂" 蟿慰蠀 螘位蠀蟿畏 . 螣渭蠅蟼 蔚喂谓伪喂 蟽蟿蟻喂蠁谓慰蟿蔚蟻慰 . 螒蠀蟿慰 慰渭蠅蟼 未蔚谓 蟿慰 魏伪谓蔚喂 渭伪喂 位喂纬蠈蟿蔚蟻慰 魏伪位慰 .
螚 蟽蠀谓蔚蠂蔚委蟼 伪位魏伪纬蔚蟼 伪蟺慰 蟺蟻蠋蟿慰 蟽蔚 蟿蟻委蟿慰 蟺蟻慰蟽蠅蟺慰 伪魏慰渭伪 魏伪喂 渭蔚蟽伪 蟽蟿慰谓 喂未喂慰 蟽蟿委蠂慰 蟺伪蟻伪尉蔚谓蔚蠉蔚喂 , 伪位位伪 伪蠀蟿畏 蔚喂谓伪喂 畏 蟺慰委畏蟽畏 . 围蟻畏蟽畏渭慰蟺慰喂蔚喂 未喂伪蠁慰蟻维 蟽蟿蠀位 魏伪喂 蟺慰喂畏蟿喂魏苇蟼 蠁蠈蟻渭蔚蟼 魏伪喂 纬位蠅蟽蟽喂魏维 喂未喂蠋渭伪蟿伪 魏伪喂 纬位蠅蟽蟽喂魏慰蠉蟼 蟿蠉蟺慰蠀蟼 . 螚 螒渭慰蟻纬慰蟼 蔚喂谓伪喂 畏 螘位位伪未伪 苇谓 蟿蔚位蔚委 .
危魏苇蠁蟿慰渭伪喂 蟺蠅蟼 畏 "螒渭慰蟻纬慰蟼" 蟽蠀谓慰位喂魏慰委 渭蔚 蟿慰 "螒尉喂慰谓 螘蟽蟿喂" 蟿慰蠀 螘位蠀蟿畏 . 螣渭蠅蟼 蔚喂谓伪喂 蟽蟿蟻喂蠁谓慰蟿蔚蟻慰 . 螒蠀蟿慰 慰渭蠅蟼 未蔚谓 蟿慰 魏伪谓蔚喂 渭伪喂 位喂纬蠈蟿蔚蟻慰 魏伪位慰 .
螚 蟽蠀谓蔚蠂蔚委蟼 伪位魏伪纬蔚蟼 伪蟺慰 蟺蟻蠋蟿慰 蟽蔚 蟿蟻委蟿慰 蟺蟻慰蟽蠅蟺慰 伪魏慰渭伪 魏伪喂 渭蔚蟽伪 蟽蟿慰谓 喂未喂慰 蟽蟿委蠂慰 蟺伪蟻伪尉蔚谓蔚蠉蔚喂 , 伪位位伪 伪蠀蟿畏 蔚喂谓伪喂 畏 蟺慰委畏蟽畏 . 围蟻畏蟽畏渭慰蟺慰喂蔚喂 未喂伪蠁慰蟻维 蟽蟿蠀位 魏伪喂 蟺慰喂畏蟿喂魏苇蟼 蠁蠈蟻渭蔚蟼 魏伪喂 纬位蠅蟽蟽喂魏维 喂未喂蠋渭伪蟿伪 魏伪喂 纬位蠅蟽蟽喂魏慰蠉蟼 蟿蠉蟺慰蠀蟼 . 螚 螒渭慰蟻纬慰蟼 蔚喂谓伪喂 畏 螘位位伪未伪 苇谓 蟿蔚位蔚委 .
June 7, 2018
螘位位畏谓喂魏蠈蟼 蟺慰喂畏蟿喂魏蠈蟼 违蟺蔚蟻蟻蔚伪位喂蟽渭蠈蟼!!!螒纬伪蟺畏渭苇谓慰 蔚蟺委蟽畏蟼 蟿蟻伪纬慰蠉未喂...
螤蠈蟽慰 蟺慰位蠉 蟽蔚 伪纬维蟺畏蟽伪 蔚纬蠋 渭慰谓维蠂伪 蟿慰 尉苇蟻蠅听
蔚纬蠋 蟺慰蠀 魏维蟺慰蟿蔚 蟽鈥� 维纬纬喂尉伪 渭蔚 蟿伪 渭维蟿喂伪 蟿畏蟼 螤慰蠉位喂伪蟼听
魏伪喂 渭蔚 蟿畏 蠂伪委蟿畏 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 蟽鈥� 伪纬魏维位喂伪蟽伪听
魏伪喂 蠂慰蟻苇蠄伪渭蔚 渭蔚蟼 蟽蟿慰蠀蟼 魏伪位慰魏伪喂蟻喂维蟿喂魏慰蠀蟼 魏维渭蟺慰蠀蟼听
蟺维谓蠅 蟽蟿畏 胃蔚蟻喂蟽渭苇谓畏 魏伪位伪渭喂维 魏伪喂 蠁维纬伪渭蔚 渭伪味委 蟿慰 魏慰渭苇谓慰 蟿蟻喂蠁蠉位位喂.
M伪蠉蟻畏 渭蔚纬维位畏 胃维位伪蟽蟽伪 渭蔚 蟿蠈蟽伪 尾蠈蟿蟽伪位伪 蟿蟻喂纬蠉蟻蠅 蟽蟿慰 位伪喂渭蠈,听
蟿蠈蟽伪 蠂蟻蠅渭伪蟿喂蟽蟿维 蟺蔚蟿蟻维未喂伪 蟽蟿伪 渭伪位位喂维 蟽慰蠀.
螤蠈蟽慰 蟺慰位蠉 蟽蔚 伪纬维蟺畏蟽伪 蔚纬蠋 渭慰谓维蠂伪 蟿慰 尉苇蟻蠅听
蔚纬蠋 蟺慰蠀 魏维蟺慰蟿蔚 蟽鈥� 维纬纬喂尉伪 渭蔚 蟿伪 渭维蟿喂伪 蟿畏蟼 螤慰蠉位喂伪蟼听
魏伪喂 渭蔚 蟿畏 蠂伪委蟿畏 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 蟽鈥� 伪纬魏维位喂伪蟽伪听
魏伪喂 蠂慰蟻苇蠄伪渭蔚 渭蔚蟼 蟽蟿慰蠀蟼 魏伪位慰魏伪喂蟻喂维蟿喂魏慰蠀蟼 魏维渭蟺慰蠀蟼听
蟺维谓蠅 蟽蟿畏 胃蔚蟻喂蟽渭苇谓畏 魏伪位伪渭喂维 魏伪喂 蠁维纬伪渭蔚 渭伪味委 蟿慰 魏慰渭苇谓慰 蟿蟻喂蠁蠉位位喂.
M伪蠉蟻畏 渭蔚纬维位畏 胃维位伪蟽蟽伪 渭蔚 蟿蠈蟽伪 尾蠈蟿蟽伪位伪 蟿蟻喂纬蠉蟻蠅 蟽蟿慰 位伪喂渭蠈,听
蟿蠈蟽伪 蠂蟻蠅渭伪蟿喂蟽蟿维 蟺蔚蟿蟻维未喂伪 蟽蟿伪 渭伪位位喂维 蟽慰蠀.
August 4, 2020
''螆蟿蟽喂 蟽' 苇谓伪 蟺喂胃维蟻喂 尾伪胃蠉 蟿慰 蟽蟿伪蠁蠉位喂 尉蔚蟻伪委谓蔚蟿伪喂 魏伪喂 蟽蟿慰
魏伪渭蟺伪谓伪蟻喂蠈 渭喂伪蟼 蟽蠀魏喂维蟼 魏喂蟿蟻喂谓委味蔚喂 蟿慰 渭萎位慰
螆蟿蟽喂 渭蔚 渭喂伪 纬蟻伪尾维蟿伪 蠁伪谓蟿伪蠂蟿蔚蟻萎
危蟿畏谓 蟿苇谓蟿伪 蟿畏蟼 魏位畏渭伪蟿伪蟻喂维蟼 蟿慰 魏伪位慰魏伪委蟻喂 伪谓伪蟽伪委谓蔚喂
螆蟿蟽喂 魏慰喂渭维蟿伪喂 慰位蠈纬蠀渭谓畏 渭苇蟽伪 蟽蟿喂蟼 维蟽蟺蟻蔚蟼 魏蔚蟻伪蟽喂苇蟼 渭喂伪
蟿蟻蠀蠁蔚蟻萎 渭慰蠀 伪纬维蟺畏
螆谓伪 魏慰蟻委蟿蟽喂 伪渭维蟻伪谓蟿慰 蟽伪 渭蠀纬未伪位喂维蟼 魏位蠅谓维蟻喂
螠蔚 蟿慰 魏蔚蠁维位喂 蟽蟿慰谓 伪纬魏蠋谓伪 蟿畏蟼 纬蔚蟻蟿蠈 魏伪喂 蟽蟿畏谓 蟺伪位维渭畏 蟺维谓蠅
蟽蟿慰 蠁位慰蠀蟻委 蟿畏蟼
螤维谓蠅 蟽蟿畏谓 蟺蟻蠅喂谓萎 蟿慰蠀 胃伪位蟺蠅蟻萎 蠈蟿伪谓 蟽喂纬维-蟽喂纬维 蟽伪谓 蟿慰谓
魏位苇蠁蟿畏
螒蟺蠈 蟿慰 蟺伪蟻伪胃蠉蟻喂 蟿畏蟼 维谓慰喂尉畏蟼 渭蟺伪委谓蔚喂 慰 伪蠀纬蔚蟻喂谓蠈蟼 谓伪 蟿畏谓
尉蠀蟺谓萎蟽蔚喂!''
魏伪渭蟺伪谓伪蟻喂蠈 渭喂伪蟼 蟽蠀魏喂维蟼 魏喂蟿蟻喂谓委味蔚喂 蟿慰 渭萎位慰
螆蟿蟽喂 渭蔚 渭喂伪 纬蟻伪尾维蟿伪 蠁伪谓蟿伪蠂蟿蔚蟻萎
危蟿畏谓 蟿苇谓蟿伪 蟿畏蟼 魏位畏渭伪蟿伪蟻喂维蟼 蟿慰 魏伪位慰魏伪委蟻喂 伪谓伪蟽伪委谓蔚喂
螆蟿蟽喂 魏慰喂渭维蟿伪喂 慰位蠈纬蠀渭谓畏 渭苇蟽伪 蟽蟿喂蟼 维蟽蟺蟻蔚蟼 魏蔚蟻伪蟽喂苇蟼 渭喂伪
蟿蟻蠀蠁蔚蟻萎 渭慰蠀 伪纬维蟺畏
螆谓伪 魏慰蟻委蟿蟽喂 伪渭维蟻伪谓蟿慰 蟽伪 渭蠀纬未伪位喂维蟼 魏位蠅谓维蟻喂
螠蔚 蟿慰 魏蔚蠁维位喂 蟽蟿慰谓 伪纬魏蠋谓伪 蟿畏蟼 纬蔚蟻蟿蠈 魏伪喂 蟽蟿畏谓 蟺伪位维渭畏 蟺维谓蠅
蟽蟿慰 蠁位慰蠀蟻委 蟿畏蟼
螤维谓蠅 蟽蟿畏谓 蟺蟻蠅喂谓萎 蟿慰蠀 胃伪位蟺蠅蟻萎 蠈蟿伪谓 蟽喂纬维-蟽喂纬维 蟽伪谓 蟿慰谓
魏位苇蠁蟿畏
螒蟺蠈 蟿慰 蟺伪蟻伪胃蠉蟻喂 蟿畏蟼 维谓慰喂尉畏蟼 渭蟺伪委谓蔚喂 慰 伪蠀纬蔚蟻喂谓蠈蟼 谓伪 蟿畏谓
尉蠀蟺谓萎蟽蔚喂!''
December 23, 2015
"螆蟿蟽喂 魏慰喂渭维蟿伪喂 慰位蠈纬蠀渭谓畏 渭苇蟽伪 蟽蟿喂蟼 维蟽蟺蟻蔚蟼 魏蔚蟻伪蟽喂苇蟼 渭喂伪 蟿蟻蠀蠁蔚蟻萎 渭慰蠀 伪纬维蟺畏
螆谓伪 魏慰蟻委蟿蟽喂 伪渭维蟻伪谓蟿慰 蟽伪 渭蠀纬未伪位喂维蟼 魏位蠅谓维蟻喂
螠蔚 蟿慰 魏蔚蠁维位喂 蟽蟿慰谓 伪纬魏蠋谓伪 蟿畏蟼 纬蔚蟻蟿蠈 魏伪喂 蟿畏谓 蟺伪位维渭畏 蟺维谓蠅 蟽蟿慰 蠁位慰蠀蟻委 蟿畏蟼
螤维谓蠅 蟽蟿畏谓 蟺蟻蠅喂谓萎 蟿慰蠀 胃伪位蟺蠅蟻萎 蠈蟿伪谓 蟽喂纬维 蟽喂纬维 蟽伪谓 蟿慰谓 魏位苇蠁蟿畏
螒蟺蠈 蟿慰 蟺伪蟻伪胃蠉蟻喂 蟿畏蟼 维谓慰喂尉畏蟼 渭蟺伪委谓蔚喂 慰 伪蠀纬蔚蟻喂谓蠈蟼 谓伪 蟿畏谓 尉蠀蟺谓萎蟽蔚喂!"
螆谓伪 魏慰蟻委蟿蟽喂 伪渭维蟻伪谓蟿慰 蟽伪 渭蠀纬未伪位喂维蟼 魏位蠅谓维蟻喂
螠蔚 蟿慰 魏蔚蠁维位喂 蟽蟿慰谓 伪纬魏蠋谓伪 蟿畏蟼 纬蔚蟻蟿蠈 魏伪喂 蟿畏谓 蟺伪位维渭畏 蟺维谓蠅 蟽蟿慰 蠁位慰蠀蟻委 蟿畏蟼
螤维谓蠅 蟽蟿畏谓 蟺蟻蠅喂谓萎 蟿慰蠀 胃伪位蟺蠅蟻萎 蠈蟿伪谓 蟽喂纬维 蟽喂纬维 蟽伪谓 蟿慰谓 魏位苇蠁蟿畏
螒蟺蠈 蟿慰 蟺伪蟻伪胃蠉蟻喂 蟿畏蟼 维谓慰喂尉畏蟼 渭蟺伪委谓蔚喂 慰 伪蠀纬蔚蟻喂谓蠈蟼 谓伪 蟿畏谓 尉蠀蟺谓萎蟽蔚喂!"
October 14, 2018
螘维谓 蟺蟻慰蟽蟺伪胃萎蟽蔚喂 魏维蟺慰喂慰蟼 谓伪 魏伪蟿伪位伪尾蔚喂 蟿慰 蟺慰喂萎渭伪, 渭维位位慰谓 未蔚 胃伪 蟿慰 魏伪蟿伪蠁蔚蟻蔚喂.螘维谓 蟿慰 伪喂蟽胃伪谓胃蔚委, 胃伪 蟻喂纬萎蟽蔚喂 伪蟺慰 蟿畏 蠁蠀蟽喂魏蠈蟿畏蟿伪 渭蔚 蟿畏谓 慰蟺慰喂伪 慰 螤慰喂畏蟿萎蟼 蠀渭谓蔚喂 蟿畏 谓蔚慰蟿畏蟿伪, 蟿畏谓 慰渭慰蟻蠁喂维, 蟿畏 味蠅萎 魏伪喂 蠈位伪 伪蠀蟿维 伪蟻渭慰谓喂魏维 蔚谓蟿伪纬渭苇谓伪 蟽蟿慰 蔚位位畏谓喂魏慰 蟿慰蟺委慰.
October 17, 2024
螝喂 伪谓 蟺蟻慰蟽蟺伪胃萎蟽蔚喂蟼 谓伪 蟿慰 蔚尉畏纬萎蟽蔚喂蟼 , 尾慰蠉蟿伪 蟿慰 渭蠀伪位蠈 蟽慰蠀 蟽蟿畏谓 魏伪蟻未喂维 蟽慰蠀. 螝伪喂 蟺维位喂, 魏维蟺慰喂慰喂 蟽蟿委蠂慰喂 胃伪 蟽慰蠀 尉蔚蠁蠉纬慰蠀谓. 螁蟺喂伪蟽蟿慰 蠈谓蔚喂蟻慰 蟺慰蠀 尉蠀蟺谓维蟼 魏伪喂 蟽蔚 伪蠁萎谓蔚喂 蟺喂慰 伪渭伪胃萎 伪蟺蠈 蠈蟿喂 萎蟽慰蠀谓.
December 28, 2021
螚 未喂维蟽畏渭畏 "螒渭慰蚁纬蠈蟼" 蟿慰蠀 螕魏维蟿蟽慰蠀 蔚委谓伪喂 蟿蠀蟺喂魏萎 蟺慰委畏蟽畏 蟿畏蟼 纬蔚谓喂维蟼 蟿慰蠀 30 魏伪喂 伪蠀蟿蠈 苇蠂蔚喂 蟿伪 魏伪位维 蟿慰蠀 魏伪喂 蟿伪 魏伪魏维 蟿慰蠀// 螖蔚委纬渭伪 蟿畏蟼 蔚位位畏谓喂魏萎蟼 蟺蟻蠈蟽位畏蠄畏蟼 蟿慰蠀 蟽慰蠀蟻蔚伪位喂蟽蟿喂魏慰蠉 魏喂谓萎渭伪蟿慰蟼, 苇蠂蔚喂 蟽蟿慰喂蠂蔚委伪 蟺慰蠀 胃蠀渭委味慰蠀谓 蟿慰蠀蟼 未蠀慰 渭蔚纬维位慰蠀蟼 蔚魏蟺蟻慰蟽蠋蟺慰蠀蟼 蟿慰蠀 魏伪喂 蔚委谓伪喂 畏 蔚位位畏谓喂魏蠈蟿畏蟿伪 渭蔚 蟿喂蟼 蔚魏魏位畏蟽委蔚蟼 魏伪喂 蟿喂蟼 胃维位伪蟽蟽蔚蟼 蟿慰蠀 螘位蠉蟿畏 伪位位维 魏伪喂 苇谓伪 蟺伪纬伪谓喂蟽蟿喂魏蠈 蟽蟿慰喂蠂蔚委慰 蠁蠉蟽畏蟼 魏伪喂 苇蟻蠅蟿伪 蟺慰蠀 胃蠀渭委味蔚喂 螘渭蟺蔚喂蟻委魏慰// 螝伪喂 蟽蟿伪 未蠀慰 蟽蟿慰喂蠂蔚委伪 慰 螕魏维蟿蟽慰蟼 未蔚谓 蠀蟺蔚蟻蟿蔚蟻蔚委 蟿慰蠀 螘位蠉蟿畏 魏伪喂 蟿慰蠀 螘渭蟺蔚喂蟻委魏慰蠀// 蔚喂未喂魏维 慰 螘渭蟺蔚喂蟻委魏慰蟼 渭蔚 苇谓伪 伪蟻喂蟽蟿慰蠀蟻纬畏渭伪蟿喂魏蠈 蟺慰委畏渭伪, 蟿慰 "螁谓未蟻慰蟼 违未蟻慰蠉蟽伪", 未委谓蔚喂 蟿畏 谓蔚伪谓喂魏萎 蟽蔚尉慰蠀伪位喂魏蠈蟿畏蟿伪 蟿蠈蟽慰 渭伪纬蔚蠀蟿喂魏维 未蔚渭苇谓畏 渭蔚 蟿慰 伪谓未蟻喂蠋蟿喂魏慰 蟿慰蟺委慰 蠈蟽慰 未蔚 蠁蟿维谓蔚喂 蟺慰蟿苇 慰 螕魏维蟿蟽慰蟼 谓伪 未蠋蟽蔚喂 蟽蟿畏谓 "螒渭慰蟻纬蠈" 蟿慰蠀// 螡伪 渭慰蠀 蟺蔚喂蟼 魏伪魏苇蟼 慰喂 蟽蠀纬魏蟻委蟽蔚喂蟼, 畏 蟽蠉谓胃蔚蟽畏 伪蠀蟿萎 蟿慰蠀 螕魏维蟿蟽慰蠀 蔚委谓伪喂 渭谓畏渭蔚委慰 蟿畏蟼 纬蔚谓喂维蟼 蟿慰蠀 纬喂 伪蠀蟿蠈 伪蟼 魏蟻伪蟿萎蟽慰蠀渭蔚 蟿慰蠀蟼 蟽蟿委蠂慰蠀蟼 蟺慰蠀 伪位畏胃喂谓维 慰未畏纬慰蠉谓 蟽蔚 苇尉慰未慰 伪蟺蠈 蟿畏 蟽蠀渭尾伪蟿喂魏萎 位慰纬喂魏萎, 蟺蟻慰蟼 蟿慰谓 蠂蠋蟻慰 蟿慰蠀 胃伪蠉渭伪蟿慰蟼 魏伪喂 蟿慰蠀 慰谓蔚委蟻慰蠀// 危蟿委蠂慰蠀蟼 纬喂伪 蟿慰蠀蟼 危蟿伪蠀蟻伪喂蟿慰蠉蟼 蟺慰蠀 "未蔚谓 蔚委谓伪喂 魏位蔚喂蟽渭苇谓慰 蟽蠀蟻蟿维蟻喂.../ 慰蠉蟿蔚 蠁伪谓苇位伪 蟺蔚蟻喂蟽蟿蔚蟻喂慰蠉 魏伪喂 渭伪谓蟿慰位委谓慰 危慰蠀位蟿维谓慰蠀" 魏伪喂 "蟿喂蟼 蟺蔚胃伪渭苇谓蔚蟼 魏伪位蠈纬蟻喂蔚蟼 蟺慰蠀 蟽畏魏蠋谓慰谓蟿伪喂 谓伪 蠂慰蟻苇蠄慰蠀谓... 渭蔚 蟿畏蟼 伪蟻魏慰蠉未伪蟼 蟿慰 尾蟻伪魏委 蟽蟿畏谓 蟺伪纬蠅渭苇谓畏 魏慰喂位维未伪"... 魏伪喂 蟺慰蠀 "螝蠈尾慰蠀谓 蟿伪 纬苇谓喂伪 蔚谓蠈蟼 蟺伪蟺维 渭蔚 蟿慰蠀 螝慰位慰魏慰蟿蟻蠋谓畏 蟿慰 纬喂伪蟿伪纬维谓喂"// 韦蔚位喂魏维 畏 "螒渭慰蚁纬蠈蟼" 蟿慰蠀 螕魏维蟿蟽慰蠀 蔚委谓伪喂 蟽蟿畏 位慰纬喂魏萎 魏伪喂 蟿畏 蠁喂位慰蟽慰蠁委伪 魏蔚委渭蔚谓慰 蟿畏蟼 纬蔚谓喂维蟼 蟿慰蠀 蔚喂未喂魏维 渭蔚 伪蠀蟿萎 蟿畏谓 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏萎 纬喂伪 蟿畏谓 蔚蟺慰蠂萎 蟺伪蟻慰蠀蟽委伪蟽畏 蟿畏蟼 蔚位位畏谓喂魏蠈蟿畏蟿伪蟼 魏伪喂 蟿畏蟼 蟺伪蟻维未慰蟽畏蟼, 蔚委蟿蔚 渭喂位维渭蔚 纬喂伪 螒谓伪蟺位喂蠈 (螡伪蠉蟺位喂慰) 蔚委蟿蔚 纬喂伪 螤位伪蟺慰蠉蟿蔚蟼 魏伪喂 螡喂魏畏蟿伪蟻维未蔚蟼 魏伪喂 伪蠀蟿萎 畏 蟺慰喂畏蟿喂魏萎 喂未苇伪 魏伪喂 蟿蟻蠈蟺慰蟼 未蔚谓 苇蠂蔚喂 纬蔚蟻维蟽蔚喂 蟺慰位蠉 魏伪位维.
May 1, 2022
螤蠈蟽慰 蟺慰位蠉 蟽蔚 伪纬维蟺畏蟽伪 蔚纬蠋 渭慰谓维蠂伪 蟿慰 尉苇蟻蠅
螘纬蠋 蟺慰蠀 魏维蟺慰蟿蔚 蟽' 维纬纬喂尉伪 渭蔚 蟿伪 渭维蟿喂伪 蟿畏蟼 蟺慰蠉位喂伪蟼
螝伪喂 渭蔚 蟿畏 蠂伪委蟿畏 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 蟽' 伪纬魏维位喂伪蟽伪 魏伪喂 蠂慰蟻苇蠄伪渭蔚
渭蔚蟼 蟽蟿慰蠀蟼 魏伪位慰魏伪喂蟻喂维蟿喂魏慰蠀蟼 魏维渭蟺慰蠀蟼
螤维谓蠅 蟽蟿畏 胃蔚蟻喂蟽渭苇谓畏 魏伪位伪渭喂维 魏伪喂 蠁维纬伪渭蔚 渭伪味委 蟿慰 魏慰渭渭苇谓慰 蟿蟻喂蠁蠉位位喂
螠伪蠉蟻畏 渭蔚纬维位畏 胃维位伪蟽蟽伪 渭蔚 蟿蠈蟽伪 尾蠈蟿蟽伪位伪 蟿蟻喂纬蠉蟻蠅 蟽蟿慰 位伪喂渭蠈 蟿蠈蟽伪 蠂蟻蠅渭伪蟿喂蟽蟿维 蟺蔚蟿蟻维未喂伪 蟽蟿伪 渭伪位位喂维 蟽慰蠀.
螘纬蠋 蟺慰蠀 魏维蟺慰蟿蔚 蟽' 维纬纬喂尉伪 渭蔚 蟿伪 渭维蟿喂伪 蟿畏蟼 蟺慰蠉位喂伪蟼
螝伪喂 渭蔚 蟿畏 蠂伪委蟿畏 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 蟽' 伪纬魏维位喂伪蟽伪 魏伪喂 蠂慰蟻苇蠄伪渭蔚
渭蔚蟼 蟽蟿慰蠀蟼 魏伪位慰魏伪喂蟻喂维蟿喂魏慰蠀蟼 魏维渭蟺慰蠀蟼
螤维谓蠅 蟽蟿畏 胃蔚蟻喂蟽渭苇谓畏 魏伪位伪渭喂维 魏伪喂 蠁维纬伪渭蔚 渭伪味委 蟿慰 魏慰渭渭苇谓慰 蟿蟻喂蠁蠉位位喂
螠伪蠉蟻畏 渭蔚纬维位畏 胃维位伪蟽蟽伪 渭蔚 蟿蠈蟽伪 尾蠈蟿蟽伪位伪 蟿蟻喂纬蠉蟻蠅 蟽蟿慰 位伪喂渭蠈 蟿蠈蟽伪 蠂蟻蠅渭伪蟿喂蟽蟿维 蟺蔚蟿蟻维未喂伪 蟽蟿伪 渭伪位位喂维 蟽慰蠀.
September 30, 2017
螞蠈纬喂伪 蟺蠀纬渭萎蟼, 渭蔚 蟽蟿蠈蠂慰. 螒位位畏位慰蠀蠂委伪 蔚喂魏蠈谓蠅谓, 纬位蠀魏蠋谓 魏喂 伪蟺蠈位蠀蟿蠅谓 蟽蟿畏 未蟻喂渭蠉蟿畏蟿伪 蟿慰蠀蟼. 违纬喂萎 渭蔚 蟺伪胃慰位慰纬喂魏维 伪位位畏位蠈渭慰蟻蠁伪.
螌蟿伪谓 尾纬伪委谓蔚喂蟼 蟽蟿慰谓 蠀未维蟿喂谓慰 未蟻蠈渭慰, 蠁慰蟻维蟼 蟿慰谓 蔚伪蠀蟿蠈 蟽慰蠀, 蟿慰蠀蟼 蟽蠀谓蟿蟻蠈蠁慰蠀蟼, 蟿畏谓 蟺伪蟿蟻委未伪 蟽慰蠀, 蟺伪蟼 魏喂 苇蟻蠂蔚蟽伪喂 渭苇蟽伪 蟽蔚 渭喂伪 蟽喂蠅蟺畏位萎 慰渭慰蟻蠁喂维 蟺慰蠀 伪谓萎魏蔚喂 蟽蟿慰谓 韦慰蠉蟻魏慰, 蟿慰谓 螆位位畏谓伪, 蟿慰谓 螒渭蔚蟻喂魏伪谓蠈, 渭蔚 喂蟽慰蟺委胃伪谓伪 蔚谓未蔚蠂蠈渭蔚谓伪 纬喂伪 味蠅萎, 萎 胃维谓伪蟿慰. 螆谓伪蟼 渭蔚 蠈位慰蠀蟼 魏伪喂 蟿伪 蟺维谓蟿伪, 魏慰蠀尾伪位维蟼 维蠇位伪 渭蔚 伪谓蔚委蟺蠅蟿慰 尾维蟻慰蟼, 蠈,蟿喂 维蠁畏蟽蔚蟼 伪蟺蟿蠈.
螆蟻渭伪喂慰 魏伪喂 蟺慰蟻蔚蠀蟿萎蟼.
螞蠈纬喂伪 蠂维未喂伪,谓伪 蠂伪味蔚蠉蔚喂蟼 伪蟺鈥� 蟿慰 蟺蠈蟽慰 渭蟺慰蟻蔚委 谓伪 蟺慰谓苇蟽蔚喂 苇谓伪 蠁喂位委. 危蠀位位慰纬喂魏苇蟼 魏喂 伪蟿慰渭喂魏苇蟼 渭谓萎渭蔚蟼.
螘魏蔚委 苇尉蠅, 蔚委谓伪喂 畏 蟽蟿蔚蟻喂维 渭蔚 蠈位慰 蟿畏蟼 蟿慰 尾伪蟽委位蔚喂慰, 渭伪 魏维蟿喂 蟽蔚 魏伪蟿伪蟿蟻蠉蠂蔚喂 谓伪 蠁蔚蠉纬蔚喂蟼 渭伪魏蟻喂维, 渭伪味委 渭蔚 蟿伪 蠁蠉魏喂伪 谓伪 魏慰喂蟿维蟼 蟽蟿慰 渭蟺位蔚. 螝伪喂 谓伪 蠁蔚蠉纬蔚喂蟼.
惟蟼 魏维蟺慰喂慰 蟽畏渭蔚委慰 畏 未蠉谓伪渭畏 渭蔚 伪喂蠂渭伪位蠋蟿喂蟽蔚. 螌渭蠅蟼 畏 蠀蟺蔚蟻尾慰位萎 蟽蔚 魏维蟺慰喂蔚蟼 蟺伪蟻慰渭慰喂蠋蟽蔚喂蟼, 蟺慰蠀 未蔚 渭蟺慰蟻慰蠉渭蔚 谓伪 纬谓蠅蟻委味慰蠀渭蔚 魏伪谓 伪谓 蠀蟺萎蟻尉蔚 蟺慰蟿苇 蟿苇蟿慰喂伪 未蠀谓伪蟿蠈蟿畏蟿伪, 蟺蠂 蟿慰 未维魏蟻蠀 蟿慰蠀 蟺喂纬魏慰蠀委谓慰蠀, 渭蔚 尾纬维味伪谓蔚 伪蟺鈥� 蟿畏谓 魏伪蟿维蟽蟿伪蟽畏 蟺慰蠀 萎胃蔚位伪 谓伪 渭蔚委谓蠅, 谓伪 蟿伪蠀蟿喂蟽蟿蠋 渭蔚 蟿慰 鈥樷€櫹兾蔽解€欌€�.
螠苇蟽伪 蟽蟿慰蠀蟼 魏位蠋谓慰蠀蟼 渭喂伪蟼 位蠀纬伪蟻喂维蟼 尾位苇蟺蠅 蟿慰 蟺伪喂未喂魏蠈 蟽慰蠀 蟺慰蠀魏维渭喂蟽慰 谓伪 蟽蟿蔚纬谓蠋谓蔚喂
螤维蟻蟿慰 蟽畏渭伪委伪 蟿畏蟼 味蠅萎蟼 谓伪 蟽伪尾伪谓蠋蟽蔚喂蟼 蟿慰 胃维谓伪蟿慰
螝喂 伪蟼 渭畏 位蠀纬委蟽蔚喂 畏 魏伪蟻未喂维 蟽慰蠀
螝喂 伪蟼 渭畏 魏蠀位萎蟽蔚喂 蟿慰 未维魏蟻蠀 蟽慰蠀 蟺维谓蠅 蟽蟿畏谓 伪未蠀蟽蠋蟺畏蟿畏 蟿慰蠉蟿畏 纬畏
螒魏蠈渭畏 魏喂 伪谓 魏伪谓苇谓伪蟼 渭伪蟼 未蔚 渭蟺慰蟻蔚委 谓伪 蟿伪蠀蟿喂蟽蟿蔚委 渭蔚 蟿畏 胃维位伪蟽蟽伪, 萎 蟿畏谓 螒渭慰蟻纬蠈, 渭蔚 蟿慰 蠁蔚蠀纬喂蠈 蔚委蟿蔚 伪蟺鈥� 蟿畏 胃苇蟽畏 蔚魏蔚委谓慰蠀 蟺慰蠀 渭苇谓蔚喂 蟺委蟽蠅, 蔚委蟿蔚 伪蠀蟿慰蠉 蟺慰蠀 未蔚 渭蟺慰蟻蔚委 谓伪 魏维蟿蟽蔚喂 蟽鈥� 苇谓伪 渭苇蟻慰蟼, 蠈位慰喂 渭蟺慰蟻慰蠉渭蔚 谓伪 蟿慰 谓喂蠋蟽慰蠀渭蔚. 螝伪喂 魏维胃蔚 蠁蠀纬萎 渭蟺慰蟻蔚委 谓伪 蔚委谓伪喂 魏伪喂 胃维谓伪蟿慰蟼, 魏维胃蔚 蟺慰蠀 伪谓慰委纬蔚喂 畏 蟺蠈蟻蟿伪 未蔚谓 尉苇蟻蔚喂蟼 伪谓 胃伪 尉伪谓伪未蔚委蟼 蔚魏蔚委谓慰谓 蟺慰蠀 蠁蔚蠉纬蔚喂. 螝伪喂 蟽蔚 渭喂伪 蠂蠋蟻伪 蠈蟺慰蠀 蟽蔚 蟺慰位位维 蟽畏渭蔚委伪 蟿畏蟼 蔚委蟽伪喂 伪喂蠂渭维位蠅蟿慰蟼 蟿慰蠀 渭蟺位蔚, 魏维蟺慰喂蔚蟼 蠁慰蟻苇蟼 伪蠀蟿蠈 纬委谓蔚蟿伪喂 蠈蟻喂慰, 维位位慰蟿蔚 蟽慰蠀 蟺伪委味蔚喂 蟿慰 渭伪纬喂魏蠈 伪蠀位蠈.
螆蟽蟿蠅 魏喂 苇蟿蟽喂, 魏维蟺慰蠀 蟽蟿伪渭维蟿畏蟽蔚 慰 未喂维位慰纬慰蟼 渭伪蟼 渭蔚 蟿慰谓 蟺慰喂畏蟿萎. 围维胃畏魏蔚 畏 蟽蠉谓未蔚蟽畏. 螒位位维, 未蔚 蟽蠀谓畏胃委味蠅 谓伪 未喂伪尾维味蠅 蟺慰委畏蟽畏, 未蔚谓 苇蠂蠅 蔚渭蟺蔚喂蟻委伪. 螠蟺慰蟻蔚委 谓伪 蠁蟿伪委蠅 蔚纬蠋, 萎 畏 未喂维胃蔚蟽畏 渭慰蠀.
螌蟿伪谓 尾纬伪委谓蔚喂蟼 蟽蟿慰谓 蠀未维蟿喂谓慰 未蟻蠈渭慰, 蠁慰蟻维蟼 蟿慰谓 蔚伪蠀蟿蠈 蟽慰蠀, 蟿慰蠀蟼 蟽蠀谓蟿蟻蠈蠁慰蠀蟼, 蟿畏谓 蟺伪蟿蟻委未伪 蟽慰蠀, 蟺伪蟼 魏喂 苇蟻蠂蔚蟽伪喂 渭苇蟽伪 蟽蔚 渭喂伪 蟽喂蠅蟺畏位萎 慰渭慰蟻蠁喂维 蟺慰蠀 伪谓萎魏蔚喂 蟽蟿慰谓 韦慰蠉蟻魏慰, 蟿慰谓 螆位位畏谓伪, 蟿慰谓 螒渭蔚蟻喂魏伪谓蠈, 渭蔚 喂蟽慰蟺委胃伪谓伪 蔚谓未蔚蠂蠈渭蔚谓伪 纬喂伪 味蠅萎, 萎 胃维谓伪蟿慰. 螆谓伪蟼 渭蔚 蠈位慰蠀蟼 魏伪喂 蟿伪 蟺维谓蟿伪, 魏慰蠀尾伪位维蟼 维蠇位伪 渭蔚 伪谓蔚委蟺蠅蟿慰 尾维蟻慰蟼, 蠈,蟿喂 维蠁畏蟽蔚蟼 伪蟺蟿蠈.
螆蟻渭伪喂慰 魏伪喂 蟺慰蟻蔚蠀蟿萎蟼.
螞蠈纬喂伪 蠂维未喂伪,谓伪 蠂伪味蔚蠉蔚喂蟼 伪蟺鈥� 蟿慰 蟺蠈蟽慰 渭蟺慰蟻蔚委 谓伪 蟺慰谓苇蟽蔚喂 苇谓伪 蠁喂位委. 危蠀位位慰纬喂魏苇蟼 魏喂 伪蟿慰渭喂魏苇蟼 渭谓萎渭蔚蟼.
螘魏蔚委 苇尉蠅, 蔚委谓伪喂 畏 蟽蟿蔚蟻喂维 渭蔚 蠈位慰 蟿畏蟼 蟿慰 尾伪蟽委位蔚喂慰, 渭伪 魏维蟿喂 蟽蔚 魏伪蟿伪蟿蟻蠉蠂蔚喂 谓伪 蠁蔚蠉纬蔚喂蟼 渭伪魏蟻喂维, 渭伪味委 渭蔚 蟿伪 蠁蠉魏喂伪 谓伪 魏慰喂蟿维蟼 蟽蟿慰 渭蟺位蔚. 螝伪喂 谓伪 蠁蔚蠉纬蔚喂蟼.
惟蟼 魏维蟺慰喂慰 蟽畏渭蔚委慰 畏 未蠉谓伪渭畏 渭蔚 伪喂蠂渭伪位蠋蟿喂蟽蔚. 螌渭蠅蟼 畏 蠀蟺蔚蟻尾慰位萎 蟽蔚 魏维蟺慰喂蔚蟼 蟺伪蟻慰渭慰喂蠋蟽蔚喂蟼, 蟺慰蠀 未蔚 渭蟺慰蟻慰蠉渭蔚 谓伪 纬谓蠅蟻委味慰蠀渭蔚 魏伪谓 伪谓 蠀蟺萎蟻尉蔚 蟺慰蟿苇 蟿苇蟿慰喂伪 未蠀谓伪蟿蠈蟿畏蟿伪, 蟺蠂 蟿慰 未维魏蟻蠀 蟿慰蠀 蟺喂纬魏慰蠀委谓慰蠀, 渭蔚 尾纬维味伪谓蔚 伪蟺鈥� 蟿畏谓 魏伪蟿维蟽蟿伪蟽畏 蟺慰蠀 萎胃蔚位伪 谓伪 渭蔚委谓蠅, 谓伪 蟿伪蠀蟿喂蟽蟿蠋 渭蔚 蟿慰 鈥樷€櫹兾蔽解€欌€�.
螠苇蟽伪 蟽蟿慰蠀蟼 魏位蠋谓慰蠀蟼 渭喂伪蟼 位蠀纬伪蟻喂维蟼 尾位苇蟺蠅 蟿慰 蟺伪喂未喂魏蠈 蟽慰蠀 蟺慰蠀魏维渭喂蟽慰 谓伪 蟽蟿蔚纬谓蠋谓蔚喂
螤维蟻蟿慰 蟽畏渭伪委伪 蟿畏蟼 味蠅萎蟼 谓伪 蟽伪尾伪谓蠋蟽蔚喂蟼 蟿慰 胃维谓伪蟿慰
螝喂 伪蟼 渭畏 位蠀纬委蟽蔚喂 畏 魏伪蟻未喂维 蟽慰蠀
螝喂 伪蟼 渭畏 魏蠀位萎蟽蔚喂 蟿慰 未维魏蟻蠀 蟽慰蠀 蟺维谓蠅 蟽蟿畏谓 伪未蠀蟽蠋蟺畏蟿畏 蟿慰蠉蟿畏 纬畏
螒魏蠈渭畏 魏喂 伪谓 魏伪谓苇谓伪蟼 渭伪蟼 未蔚 渭蟺慰蟻蔚委 谓伪 蟿伪蠀蟿喂蟽蟿蔚委 渭蔚 蟿畏 胃维位伪蟽蟽伪, 萎 蟿畏谓 螒渭慰蟻纬蠈, 渭蔚 蟿慰 蠁蔚蠀纬喂蠈 蔚委蟿蔚 伪蟺鈥� 蟿畏 胃苇蟽畏 蔚魏蔚委谓慰蠀 蟺慰蠀 渭苇谓蔚喂 蟺委蟽蠅, 蔚委蟿蔚 伪蠀蟿慰蠉 蟺慰蠀 未蔚 渭蟺慰蟻蔚委 谓伪 魏维蟿蟽蔚喂 蟽鈥� 苇谓伪 渭苇蟻慰蟼, 蠈位慰喂 渭蟺慰蟻慰蠉渭蔚 谓伪 蟿慰 谓喂蠋蟽慰蠀渭蔚. 螝伪喂 魏维胃蔚 蠁蠀纬萎 渭蟺慰蟻蔚委 谓伪 蔚委谓伪喂 魏伪喂 胃维谓伪蟿慰蟼, 魏维胃蔚 蟺慰蠀 伪谓慰委纬蔚喂 畏 蟺蠈蟻蟿伪 未蔚谓 尉苇蟻蔚喂蟼 伪谓 胃伪 尉伪谓伪未蔚委蟼 蔚魏蔚委谓慰谓 蟺慰蠀 蠁蔚蠉纬蔚喂. 螝伪喂 蟽蔚 渭喂伪 蠂蠋蟻伪 蠈蟺慰蠀 蟽蔚 蟺慰位位维 蟽畏渭蔚委伪 蟿畏蟼 蔚委蟽伪喂 伪喂蠂渭维位蠅蟿慰蟼 蟿慰蠀 渭蟺位蔚, 魏维蟺慰喂蔚蟼 蠁慰蟻苇蟼 伪蠀蟿蠈 纬委谓蔚蟿伪喂 蠈蟻喂慰, 维位位慰蟿蔚 蟽慰蠀 蟺伪委味蔚喂 蟿慰 渭伪纬喂魏蠈 伪蠀位蠈.
螆蟽蟿蠅 魏喂 苇蟿蟽喂, 魏维蟺慰蠀 蟽蟿伪渭维蟿畏蟽蔚 慰 未喂维位慰纬慰蟼 渭伪蟼 渭蔚 蟿慰谓 蟺慰喂畏蟿萎. 围维胃畏魏蔚 畏 蟽蠉谓未蔚蟽畏. 螒位位维, 未蔚 蟽蠀谓畏胃委味蠅 谓伪 未喂伪尾维味蠅 蟺慰委畏蟽畏, 未蔚谓 苇蠂蠅 蔚渭蟺蔚喂蟻委伪. 螠蟺慰蟻蔚委 谓伪 蠁蟿伪委蠅 蔚纬蠋, 萎 畏 未喂维胃蔚蟽畏 渭慰蠀.
January 11, 2023
蟺位苇慰谓, 蟿慰 渭蠈谓慰 蟺慰蠀 蔚蟺喂未喂蠋魏蠅 渭蔚 蟿喂蟼 "魏蟻喂蟿喂魏苇蟼" 渭慰蠀 蟽蟿慰 欧宝娱乐 蔚委谓伪喂 渭喂伪 伪蟺慰蟿蠉蟺蠅蟽畏 蟽蠀谓伪喂蟽胃畏渭维蟿蠅谓/伪谓伪渭谓萎蟽蔚蠅谓 魏伪喂 蟺维蔚喂 位苇纬慰谓蟿伪蟼, 蟿蠉蟺慰蠀 letterboxd. 渭喂伪 渭喂魏蟻萎 纬蠅谓喂维 蟺慰蠀 渭蟺慰蟻蠋 谓伪 伪蠁萎蟽蠅 苇谓伪 渭喂魏蟻蠈 蠄萎纬渭伪 魏维蟺慰喂慰蠀 渭喂魏蟻慰蠉 (萎 渭蔚纬维位慰蠀) 蟽蠀谓伪喂蟽胃萎渭伪蟿慰蟼 蟺慰蠀 渭慰蠀 纬苇谓谓畏蟽蔚 -萎 渭蔚 蟽蠀谓蠈未蔚蠀蟽蔚- 畏 伪谓维纬谓蠅蟽畏.
纬喂' 伪蠀蟿蠈 魏伪喂:
萎胃蔚位伪 谓伪 未喂伪尾维蟽蠅 蟺慰委畏蟽畏 纬喂伪蟿委 尉蠉蟺谓畏蟽伪 谓蠅蟻委蟼 魏喂 苇蟺蟻蔚蟺蔚 谓伪 蠁蠉纬蠅, 慰蟺蠈蟿蔚 蠈蟿伪谓 纬蠉蟻喂蟽伪 蟽蟺委蟿喂 未蔚谓 渭蟺慰蟻慰蠉蟽伪 谓伪 蟽蠀纬魏蔚谓蟿蟻蠅胃蠋.
维 蟻蔚 纬魏维蟿蟽慰 渭蔚 蟿畏谓 伪渭慰蟻纬蠈 蟽慰蠀, (苇尾伪位伪 魏伪蟺苇蟿 谓伪 蟺伪委味蔚喂 伪蟺蠈 蟺委蟽蠅 魏伪喂 未蔚谓 蟿慰 渭蔚蟿伪谓喂蠋谓蠅)
蠈蠂喂 伪蟺伪蟻伪委蟿畏蟿伪 蠈,蟿喂 位伪蟿蟻蔚蠉蠅 蟽蟿畏谓 蟺慰委畏蟽畏, 伪位位维 渭蔚 蟽蠀谓蟿蟻蠈蠁蔚蠀蟽蔚 蟽蔚 渭委伪 渭慰谓伪尉喂维 蟺慰蠀 魏维蟺蠅蟼 渭蔚 蔚委蠂蔚 伪蟻蟺维尉蔚喂, 魏伪喂 纬喂' 伪蠀蟿蠈 未蔚谓 胃苇位蠅 谓伪 蟿畏谓 尉蔚蠂维蟽蠅 (蟿畏谓 伪渭慰蟻纬蠈).
魏伪位萎 蠁维蟽畏
纬喂' 伪蠀蟿蠈 魏伪喂:
萎胃蔚位伪 谓伪 未喂伪尾维蟽蠅 蟺慰委畏蟽畏 纬喂伪蟿委 尉蠉蟺谓畏蟽伪 谓蠅蟻委蟼 魏喂 苇蟺蟻蔚蟺蔚 谓伪 蠁蠉纬蠅, 慰蟺蠈蟿蔚 蠈蟿伪谓 纬蠉蟻喂蟽伪 蟽蟺委蟿喂 未蔚谓 渭蟺慰蟻慰蠉蟽伪 谓伪 蟽蠀纬魏蔚谓蟿蟻蠅胃蠋.
维 蟻蔚 纬魏维蟿蟽慰 渭蔚 蟿畏谓 伪渭慰蟻纬蠈 蟽慰蠀, (苇尾伪位伪 魏伪蟺苇蟿 谓伪 蟺伪委味蔚喂 伪蟺蠈 蟺委蟽蠅 魏伪喂 未蔚谓 蟿慰 渭蔚蟿伪谓喂蠋谓蠅)
蠈蠂喂 伪蟺伪蟻伪委蟿畏蟿伪 蠈,蟿喂 位伪蟿蟻蔚蠉蠅 蟽蟿畏谓 蟺慰委畏蟽畏, 伪位位维 渭蔚 蟽蠀谓蟿蟻蠈蠁蔚蠀蟽蔚 蟽蔚 渭委伪 渭慰谓伪尉喂维 蟺慰蠀 魏维蟺蠅蟼 渭蔚 蔚委蠂蔚 伪蟻蟺维尉蔚喂, 魏伪喂 纬喂' 伪蠀蟿蠈 未蔚谓 胃苇位蠅 谓伪 蟿畏谓 尉蔚蠂维蟽蠅 (蟿畏谓 伪渭慰蟻纬蠈).
魏伪位萎 蠁维蟽畏
May 12, 2023
螠伪 蟺苇蟻伪蟽蔚蟼 伪蟺鈥� 蟿畏 味蠅萎 蟽伪谓 苇谓伪 未维魏蟻蠀 蟿畏蟼 胃维位伪蟽蟽伪蟼
August 12, 2013
I only 3 stared it cause his language sometimes demanded a second look in order to get the meaning and in summer this is tough.on the other way Gatsos is a poet who accomplish to enter the depths of the heart and the soul.
November 5, 2015
螝维胃蔚 位苇尉畏 蟿慰蠀 魏蠉蟻喂慰蠀 螕魏维蟿蟽慰蠀 蔚委谓伪喂 苇谓伪 蠁蠅蟿蔚喂谓蠈 伪蟽蟿苇蟻喂. 螝喂 蠈位蔚蟼 渭伪味委 蠁蟿喂维蠂谓慰蠀谓 蟿慰谓 蟺喂慰 慰位蠈位伪渭蟺蟻慰 纬伪位伪尉委伪.
"螤蠈蟽慰 蟺慰位蠉 蟽蔚 伪纬维蟺畏蟽伪 蔚纬蠋 渭慰谓维蠂伪 蟿慰 尉苇蟻蠅."
"螤蠈蟽慰 蟺慰位蠉 蟽蔚 伪纬维蟺畏蟽伪 蔚纬蠋 渭慰谓维蠂伪 蟿慰 尉苇蟻蠅."
March 21, 2021
螖喂伪尾维味蠅 蟽蠀蠂谓维 蟺慰委畏蟽畏 魏 蔚委蠂伪 渭蔚纬维位蔚蟼 蟺蟻慰蟽未慰魏委蔚蟼 伪蟺蠈 伪蠀蟿萎 蟿畏 蟽蠀位位慰纬萎--伪蟺慰纬慰畏蟿蔚蠉胃畏魏伪.
May 3, 2025
Puuuuurre kino
This is an astonishing, haunted work about Greece鈥檚 reciprocal struggle with its own Independence-mimetics. A circular joust that visits an island our author, Nikos, never even visited. Amorgos by the end will have become a rentable crypt, of a sort, with nostalgia, with phantasm, with sounds echoing forward through history. Time retold through a prism, while freebasing torments, memento mori, an agonizing nostalgia of the microverse of Greece鈥檚 countryside.
This is an astonishing, haunted work about Greece鈥檚 reciprocal struggle with its own Independence-mimetics. A circular joust that visits an island our author, Nikos, never even visited. Amorgos by the end will have become a rentable crypt, of a sort, with nostalgia, with phantasm, with sounds echoing forward through history. Time retold through a prism, while freebasing torments, memento mori, an agonizing nostalgia of the microverse of Greece鈥檚 countryside.
December 31, 2022
Sadly to say that this work did not justify its fame inside me, in my humble opinion not among the poet's best works.
August 21, 2022
"螠畏 纬委谓蔚蟽伪喂 螤螘螤巍惟螠螘螡螣螡"
February 18, 2017
螞苇尉蔚喂蟼 魏伪喂 蔚喂魏蠈谓蔚蟼 魏伪喂 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 蟺慰蠀 尉蔚蟺畏未慰蠉谓 伪蟺蠈 蟿畏谓 蠄蠀蠂萎 蟿慰蠀 蟺慰喂畏蟿萎, 蠈蟺蠅蟼 蟿慰 伪蟺伪位蠈 蠁蠉蟽畏渭伪 蟿慰蠀 伪苇蟻伪.
"螤蠈蟽慰 蟺慰位蠉 蟽蔚 伪纬维蟺畏蟽伪 蔚纬蠋 渭慰谓维蠂伪 蟿慰 尉苇蟻蠅
蔚纬蠋 蟺慰蠀 魏维蟺慰蟿蔚 蟽' 维纬纬喂尉伪 渭蔚 蟿伪 渭维蟿喂伪 蟿畏蟼 蟺慰蠉位喂伪蟼
魏伪喂 渭蔚 蟿畏 蠂伪委蟿畏 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 蟽' 伪纬魏维位喂伪蟽伪 魏伪喂 蠂慰蟻苇蠄伪渭蔚 渭蔚蟼 蟽蟿慰蠀蟼 魏伪位慰魏伪喂蟻喂维蟿喂魏慰蠀蟼 魏维渭蟺慰蠀蟼
蟺维谓蠅 蟽蟿畏 胃蔚蟻喂蟽渭苇谓畏 魏伪位伪渭喂维 魏伪喂 蠁维纬伪渭蔚 渭伪味委 蟿慰 魏慰渭苇谓慰 蟿蟻喂蠁蠉位位喂
渭伪蠉蟻畏 渭蔚纬维位畏 胃维位伪蟽蟽伪 渭蔚 蟿蠈蟽伪 尾蠈蟿蟽伪位伪 蟿蟻喂纬蠉蟻蠅 蟽蟿慰 位伪喂渭蠈 蟿蠈蟽伪 蠂蟻蠅渭伪蟿喂蟽蟿维 蟺蔚蟿蟻维未喂伪 蟽蟿伪 渭伪位位喂维 蟽慰蠀".
"螤蠈蟽慰 蟺慰位蠉 蟽蔚 伪纬维蟺畏蟽伪 蔚纬蠋 渭慰谓维蠂伪 蟿慰 尉苇蟻蠅
蔚纬蠋 蟺慰蠀 魏维蟺慰蟿蔚 蟽' 维纬纬喂尉伪 渭蔚 蟿伪 渭维蟿喂伪 蟿畏蟼 蟺慰蠉位喂伪蟼
魏伪喂 渭蔚 蟿畏 蠂伪委蟿畏 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 蟽' 伪纬魏维位喂伪蟽伪 魏伪喂 蠂慰蟻苇蠄伪渭蔚 渭蔚蟼 蟽蟿慰蠀蟼 魏伪位慰魏伪喂蟻喂维蟿喂魏慰蠀蟼 魏维渭蟺慰蠀蟼
蟺维谓蠅 蟽蟿畏 胃蔚蟻喂蟽渭苇谓畏 魏伪位伪渭喂维 魏伪喂 蠁维纬伪渭蔚 渭伪味委 蟿慰 魏慰渭苇谓慰 蟿蟻喂蠁蠉位位喂
渭伪蠉蟻畏 渭蔚纬维位畏 胃维位伪蟽蟽伪 渭蔚 蟿蠈蟽伪 尾蠈蟿蟽伪位伪 蟿蟻喂纬蠉蟻蠅 蟽蟿慰 位伪喂渭蠈 蟿蠈蟽伪 蠂蟻蠅渭伪蟿喂蟽蟿维 蟺蔚蟿蟻维未喂伪 蟽蟿伪 渭伪位位喂维 蟽慰蠀".
August 22, 2008
The landmark book by a then-young Nikos Gatsos, Amorgos is a significant contribution to Greek and world literature. It represents Greek modernism at its best.
December 16, 2014
I wish there were more stars to put on this poem. I m happy I am Greek so I can read the prototype.
November 1, 2019
Amazing as expected! It's just sad that great books finish so quickly!
January 9, 2022
Amorg贸s es un hito del movimiento surrealista griego. En 茅l se aglutina toda la tradici贸n del poema largo del siglo XX y a la vez todo el legado de la literatura griega. A caballo entre tradici贸n y vanguardia, tambi茅n importa por su importancia pol铆tica durante la Segunda Guerra Mundial.
Amorg贸s y otros poemas est谩 escrito por Nikos Gatsos, uno de los escritores que form贸 parte del movimiento literario del surrealismo griego. En este libro encontramos una edici贸n biling眉e, es decir, tendremos los poemas griegos originales y su traducci贸n, realizada por Vicente Fern谩ndez Gonz谩lez. Es un libro que recoge Amorg贸s, la obra principal de Gatsos y la m谩s representativa de la literatura griega, y otros tres poemas independientes. Gatsos public贸 este libro durante la invasi贸n nazi de Grecia y, tras ella, pr谩cticamente dej贸 de publicar, por lo que son muy pocos los poemas que vieron la luz en vida del autor (como estos tres).
Este poemario est谩 formado por varios poemas. Podr铆amos hacer una divisi贸n pr谩cticamente por la mitad. La primera mitad est谩 formada por poemas sin t铆tulos y por unos poemas bastante complejos de leer. Estos van constantemente rozando el mundo real y el mundo on铆rico, con muchas escenas surrealistas. Es una poes铆a m谩s densa, con una fort铆sima carga de tradici贸n de la literatura griega cl谩sica y el cancionero popular.
La segunda mitad est谩 formada por poemas con t铆tulos. Esta parte, aunque tambi茅n tiene escenas surrealistas, es, en mi opini贸n, m谩s f谩cil de entender. Est谩 llena de figuras literaturas, como la primera, pero son quiz谩s m谩s cercanas al lector. Adem谩s aqu铆 la carga pol铆tica y de cr铆tica es m谩s llamativa. Por 煤ltimo, los tres 煤ltimos poemas es donde m谩s cr铆tica pol铆tica hay, sobre todo en los dos poemas dedicados al espa帽ol Federico Garc铆a Lorca, lo que hace ver la gran admiraci贸n que hab铆a a este poeta. Esto se ve sobre todo en un poema que narra escenas de su fusilamiento, con unos versos libres con mucha delicadeza, sensibilidad y belleza.
Por lo tanto, podr铆a decir que la poes铆a de Gatsos est谩 a caballo entre la realidad y el surrealismo, que cuenta con una fuerte carga de la literatura griega cl谩sica y de la tradici贸n popular, especialmente del cancionero griego. Es una poes铆a compleja de leer, con versos extensos y llenos de figuras literarias, con una cr铆tica pol铆tica, pero con una enorme delicadeza y belleza. Tiene im谩genes que evocan f谩cilmente la imaginaci贸n al lector para transmitir el mensaje. Una obra que, creo, que es muy recomendable para leer y conocer este movimiento en Grecia.
Esta edici贸n cuenta con una introducci贸n. En ella se habla tanto de la vida del autor, que es bastante interesante, como su producci贸n literaria. Yo recomiendo leer primero esta parte, que no es muy extensa, porque con ella vamos a entender mejor los poemas y a valorarlos mucho m谩s, aunque a lo largo de los poemas tendremos notas a pie de p谩gina con explicaciones y aclaraciones. Si tuviera que poner un pero, ser铆a en la traducci贸n. Muchas veces se ha traducido sin comas en versos muy largos, y han sido necesarias, por lo que la lectura al espa帽ol se hace un tanto compleja.
Amorg贸s y otros poemas est谩 escrito por Nikos Gatsos, uno de los escritores que form贸 parte del movimiento literario del surrealismo griego. En este libro encontramos una edici贸n biling眉e, es decir, tendremos los poemas griegos originales y su traducci贸n, realizada por Vicente Fern谩ndez Gonz谩lez. Es un libro que recoge Amorg贸s, la obra principal de Gatsos y la m谩s representativa de la literatura griega, y otros tres poemas independientes. Gatsos public贸 este libro durante la invasi贸n nazi de Grecia y, tras ella, pr谩cticamente dej贸 de publicar, por lo que son muy pocos los poemas que vieron la luz en vida del autor (como estos tres).
Este poemario est谩 formado por varios poemas. Podr铆amos hacer una divisi贸n pr谩cticamente por la mitad. La primera mitad est谩 formada por poemas sin t铆tulos y por unos poemas bastante complejos de leer. Estos van constantemente rozando el mundo real y el mundo on铆rico, con muchas escenas surrealistas. Es una poes铆a m谩s densa, con una fort铆sima carga de tradici贸n de la literatura griega cl谩sica y el cancionero popular.
La segunda mitad est谩 formada por poemas con t铆tulos. Esta parte, aunque tambi茅n tiene escenas surrealistas, es, en mi opini贸n, m谩s f谩cil de entender. Est谩 llena de figuras literaturas, como la primera, pero son quiz谩s m谩s cercanas al lector. Adem谩s aqu铆 la carga pol铆tica y de cr铆tica es m谩s llamativa. Por 煤ltimo, los tres 煤ltimos poemas es donde m谩s cr铆tica pol铆tica hay, sobre todo en los dos poemas dedicados al espa帽ol Federico Garc铆a Lorca, lo que hace ver la gran admiraci贸n que hab铆a a este poeta. Esto se ve sobre todo en un poema que narra escenas de su fusilamiento, con unos versos libres con mucha delicadeza, sensibilidad y belleza.
Por lo tanto, podr铆a decir que la poes铆a de Gatsos est谩 a caballo entre la realidad y el surrealismo, que cuenta con una fuerte carga de la literatura griega cl谩sica y de la tradici贸n popular, especialmente del cancionero griego. Es una poes铆a compleja de leer, con versos extensos y llenos de figuras literarias, con una cr铆tica pol铆tica, pero con una enorme delicadeza y belleza. Tiene im谩genes que evocan f谩cilmente la imaginaci贸n al lector para transmitir el mensaje. Una obra que, creo, que es muy recomendable para leer y conocer este movimiento en Grecia.
Esta edici贸n cuenta con una introducci贸n. En ella se habla tanto de la vida del autor, que es bastante interesante, como su producci贸n literaria. Yo recomiendo leer primero esta parte, que no es muy extensa, porque con ella vamos a entender mejor los poemas y a valorarlos mucho m谩s, aunque a lo largo de los poemas tendremos notas a pie de p谩gina con explicaciones y aclaraciones. Si tuviera que poner un pero, ser铆a en la traducci贸n. Muchas veces se ha traducido sin comas en versos muy largos, y han sido necesarias, por lo que la lectura al espa帽ol se hace un tanto compleja.
October 1, 2023
螤慰位蠉 蠈渭慰蟻蠁慰 蟿慰 蟺慰委畏渭伪 "螒渭慰蚁纬蠈蟼" 蟿慰蠀 螡委魏慰蠀 螕魏维蟿蟽慰蠀, 未喂伪谓胃喂蟽渭苇谓慰 渭蔚 蠂伪蟻伪魏蟿畏蟻喂蟽蟿喂魏苇蟼 蔚喂魏蠈谓蔚蟼 蟿慰蠀 蔚位位畏谓喂魏慰蠉 蟿慰蟺委慰蠀 蟽蔚 蠈位畏 蟿畏 未喂伪蠂蟻慰谓委伪 蟿慰蠀.
危委纬慰蠀蟻伪 未蔚谓 蔚委谓伪喂 蔚蠉魏慰位慰 蟺慰委畏渭伪 蠈蟽慰谓 伪蠁慰蟻维 蟿伪 谓慰萎渭伪蟿维 蟿慰蠀, 谓慰渭委味蠅 蠈渭蠅蟼 蠈蟿喂 蟺蟻苇蟺蔚喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 谓伪 蟿慰 伪蟺慰蟿喂渭萎蟽蔚喂蟼 伪喂蟽胃伪谓蟿喂魏维, 蟺伪蟻维 渭蔚 慰蟺慰喂慰未萎蟺慰蟿蔚 维位位慰 蟿蟻蠈蟺慰, 蠄维蠂谓慰谓蟿伪蟼 蔚谓未蔚蠂慰渭苇谓蠅蟼 纬喂伪 蟺位慰魏萎 萎 谓蠈畏渭伪.
螠慰蠀 维蟻蔚蟽伪谓 蟽蟿委蠂慰喂 蠈蟺蠅蟼 慰喂: "蟽蟿蟻蠋谓慰蠀谓 伪蟽蟿苇蟻喂伪 魏伪蟿伪纬萎蟼 纬喂伪 谓伪 蟺伪蟿萎蟽慰蠀谓 慰喂 尾伪蟽喂位喂维未蔚蟼, 渭蔚 蟿' 伪蟽畏渭苇谓喂伪 蟿慰蠀蟼 蠂伪蠆渭伪位喂维 渭蔚 蟿畏谓 魏慰蟻蠋谓伪 魏伪喂 蟿畏谓 蟺蟻慰蟻蠁蠉蟻伪", "渭蠈谓慰 蟿伪 尾蠈未喂伪 蟿蠅谓 螒蠂伪喂蠋谓 渭蔚蟼 蟽蟿伪 蟺伪蠂喂维 位喂尾维未喂伪 蟿畏蟼 螛蔚蟽蟽伪位委伪蟼, 尾蠈蟽魏慰蠀谓 伪魏渭伪委伪 魏伪喂 未蠀谓伪蟿维 渭蔚 蟿慰谓 伪喂蠋谓喂慰 萎位喂慰 蟺慰蠀 蟿伪 魏慰喂蟿维味蔚喂", "蟺蔚蟿维蟿蔚 蟿慰蠀蟼 谓蔚魏蟻慰蠉蟼 蔚委蟺' 慰 螚蟻维魏位蔚喂蟿慰蟼 魏喂 蔚委未蔚 蟿慰谓 慰蠀蟻伪谓蠈 谓伪 蠂位蠅渭喂维味蔚喂, 魏喂 蔚委未蔚 蟽蟿畏 位维蟽蟺畏 未蠀慰 渭喂魏蟻维 魏蠀魏位维渭喂谓伪 谓伪 蠁喂位喂慰蠉谓蟿伪喂, 魏喂 苇蟺蔚蟽蔚 谓伪 蠁喂位萎蟽蔚喂 魏喂 伪蠀蟿蠈蟼 蟿慰 蟺蔚胃伪渭苇谓慰 蟽蠋渭伪 蟿慰蠀 渭蔚蟼 蟽蟿慰 蠁喂位蠈尉蔚谓慰 蠂蠋渭伪", "蟿慰 尉苇蟻蠅 蟺维谓蠅 蟽蟿伪 蠂蔚委位喂伪 蟽慰蠀 苇纬蟻伪蠄蔚 慰 魏蔚蟻伪蠀谓蠈蟼 蟿' 蠈谓慰渭维 蟿慰蠀, 蟿慰 尉苇蟻蠅 渭苇蟽伪 蟽蟿伪 渭维蟿喂伪 蟽慰蠀 苇蠂蟿喂蟽蔚 苇谓伪蟼 伪蠆蟿蠈蟼 蟿畏 蠁蠅位喂维 蟿慰蠀", "魏喂 伪蟼 渭畏谓 魏蠀位萎蟽蔚喂 蟿慰 未维魏蟻蠀 蟽慰蠀 蟺维谓蠅 蟽蟿畏谓 伪未蠀蟽蠋蟺畏蟿畏 蟿慰蠉蟿畏 纬畏, 蠈蟺蠅蟼 蔚魏蠉位畏蟽蔚 渭喂伪 蠁慰蟻维 蟽蟿畏谓 蟺伪纬蠅渭苇谓畏 蔚蟻畏渭喂维 蟿慰 未维魏蟻蠀 蟿慰蠀 蟺喂纬魏慰蠀委谓慰蠀", "渭伪 萎蟿伪谓 伪纬苇蟻伪蟼 魏喂 苇蠁蠀纬蔚 魏慰蟻蠀未伪位位蠈蟼 魏喂 蔚蠂维胃畏, 萎蟿伪谓 蟿慰蠀 螠维畏 蟿慰 蟺蟻蠈蟽蠅蟺慰 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 畏 伪蟽蟺蟻维未伪, 苇谓伪 蟺蔚蟻蟺维蟿畏渭伪 蔚位伪蠁蟻蠉 蟽伪 蟽魏委蟻蟿畏渭伪 蟿慰蠀 魏维渭蟺慰蠀, 苇谓伪 蠁喂位委 蟿畏蟼 胃维位伪蟽蟽伪蟼 蟿畏蟼 伪蠁蟻慰蟽蟿慰位喂蟽渭苇谓畏蟼", "蟺蠈蟽慰 蟺慰位蠉 蟽蔚 伪纬维蟺畏蟽伪 蔚纬蠋 渭慰谓维蠂伪 蟿慰 尉苇蟻蠅, 蔚纬蠋 蟺慰蠀 魏维蟺慰蟿蔚 蟽' 维纬纬喂尉伪 渭蔚 蟿伪 渭维蟿喂伪 蟿畏蟼 蟺慰蠉位喂伪蟼, 魏伪喂 渭蔚 蟿畏 蠂伪委蟿畏 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 蟽' 伪纬魏维位喂伪蟽伪 魏伪喂 蠂慰蟻苇蠄伪渭蔚 渭蔚蟼 蟽蟿慰蠀蟼 魏伪位慰魏伪喂蟻喂维蟿喂魏慰蠀蟼 魏维渭蟺慰蠀蟼".
螘蟺委蟽畏蟼 渭慰蠀 维蟻蔚蟽蔚 蟺慰位蠉 畏 蔚谓蠈蟿畏蟿伪 "螣 喂蟺蟺蠈蟿畏蟼 魏喂 慰 胃维谓伪蟿慰蟼 (1513)".
危委纬慰蠀蟻伪 未蔚谓 蔚委谓伪喂 蔚蠉魏慰位慰 蟺慰委畏渭伪 蠈蟽慰谓 伪蠁慰蟻维 蟿伪 谓慰萎渭伪蟿维 蟿慰蠀, 谓慰渭委味蠅 蠈渭蠅蟼 蠈蟿喂 蟺蟻苇蟺蔚喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 谓伪 蟿慰 伪蟺慰蟿喂渭萎蟽蔚喂蟼 伪喂蟽胃伪谓蟿喂魏维, 蟺伪蟻维 渭蔚 慰蟺慰喂慰未萎蟺慰蟿蔚 维位位慰 蟿蟻蠈蟺慰, 蠄维蠂谓慰谓蟿伪蟼 蔚谓未蔚蠂慰渭苇谓蠅蟼 纬喂伪 蟺位慰魏萎 萎 谓蠈畏渭伪.
螠慰蠀 维蟻蔚蟽伪谓 蟽蟿委蠂慰喂 蠈蟺蠅蟼 慰喂: "蟽蟿蟻蠋谓慰蠀谓 伪蟽蟿苇蟻喂伪 魏伪蟿伪纬萎蟼 纬喂伪 谓伪 蟺伪蟿萎蟽慰蠀谓 慰喂 尾伪蟽喂位喂维未蔚蟼, 渭蔚 蟿' 伪蟽畏渭苇谓喂伪 蟿慰蠀蟼 蠂伪蠆渭伪位喂维 渭蔚 蟿畏谓 魏慰蟻蠋谓伪 魏伪喂 蟿畏谓 蟺蟻慰蟻蠁蠉蟻伪", "渭蠈谓慰 蟿伪 尾蠈未喂伪 蟿蠅谓 螒蠂伪喂蠋谓 渭蔚蟼 蟽蟿伪 蟺伪蠂喂维 位喂尾维未喂伪 蟿畏蟼 螛蔚蟽蟽伪位委伪蟼, 尾蠈蟽魏慰蠀谓 伪魏渭伪委伪 魏伪喂 未蠀谓伪蟿维 渭蔚 蟿慰谓 伪喂蠋谓喂慰 萎位喂慰 蟺慰蠀 蟿伪 魏慰喂蟿维味蔚喂", "蟺蔚蟿维蟿蔚 蟿慰蠀蟼 谓蔚魏蟻慰蠉蟼 蔚委蟺' 慰 螚蟻维魏位蔚喂蟿慰蟼 魏喂 蔚委未蔚 蟿慰谓 慰蠀蟻伪谓蠈 谓伪 蠂位蠅渭喂维味蔚喂, 魏喂 蔚委未蔚 蟽蟿畏 位维蟽蟺畏 未蠀慰 渭喂魏蟻维 魏蠀魏位维渭喂谓伪 谓伪 蠁喂位喂慰蠉谓蟿伪喂, 魏喂 苇蟺蔚蟽蔚 谓伪 蠁喂位萎蟽蔚喂 魏喂 伪蠀蟿蠈蟼 蟿慰 蟺蔚胃伪渭苇谓慰 蟽蠋渭伪 蟿慰蠀 渭蔚蟼 蟽蟿慰 蠁喂位蠈尉蔚谓慰 蠂蠋渭伪", "蟿慰 尉苇蟻蠅 蟺维谓蠅 蟽蟿伪 蠂蔚委位喂伪 蟽慰蠀 苇纬蟻伪蠄蔚 慰 魏蔚蟻伪蠀谓蠈蟼 蟿' 蠈谓慰渭维 蟿慰蠀, 蟿慰 尉苇蟻蠅 渭苇蟽伪 蟽蟿伪 渭维蟿喂伪 蟽慰蠀 苇蠂蟿喂蟽蔚 苇谓伪蟼 伪蠆蟿蠈蟼 蟿畏 蠁蠅位喂维 蟿慰蠀", "魏喂 伪蟼 渭畏谓 魏蠀位萎蟽蔚喂 蟿慰 未维魏蟻蠀 蟽慰蠀 蟺维谓蠅 蟽蟿畏谓 伪未蠀蟽蠋蟺畏蟿畏 蟿慰蠉蟿畏 纬畏, 蠈蟺蠅蟼 蔚魏蠉位畏蟽蔚 渭喂伪 蠁慰蟻维 蟽蟿畏谓 蟺伪纬蠅渭苇谓畏 蔚蟻畏渭喂维 蟿慰 未维魏蟻蠀 蟿慰蠀 蟺喂纬魏慰蠀委谓慰蠀", "渭伪 萎蟿伪谓 伪纬苇蟻伪蟼 魏喂 苇蠁蠀纬蔚 魏慰蟻蠀未伪位位蠈蟼 魏喂 蔚蠂维胃畏, 萎蟿伪谓 蟿慰蠀 螠维畏 蟿慰 蟺蟻蠈蟽蠅蟺慰 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 畏 伪蟽蟺蟻维未伪, 苇谓伪 蟺蔚蟻蟺维蟿畏渭伪 蔚位伪蠁蟻蠉 蟽伪 蟽魏委蟻蟿畏渭伪 蟿慰蠀 魏维渭蟺慰蠀, 苇谓伪 蠁喂位委 蟿畏蟼 胃维位伪蟽蟽伪蟼 蟿畏蟼 伪蠁蟻慰蟽蟿慰位喂蟽渭苇谓畏蟼", "蟺蠈蟽慰 蟺慰位蠉 蟽蔚 伪纬维蟺畏蟽伪 蔚纬蠋 渭慰谓维蠂伪 蟿慰 尉苇蟻蠅, 蔚纬蠋 蟺慰蠀 魏维蟺慰蟿蔚 蟽' 维纬纬喂尉伪 渭蔚 蟿伪 渭维蟿喂伪 蟿畏蟼 蟺慰蠉位喂伪蟼, 魏伪喂 渭蔚 蟿畏 蠂伪委蟿畏 蟿慰蠀 蠁蔚纬纬伪蟻喂慰蠉 蟽' 伪纬魏维位喂伪蟽伪 魏伪喂 蠂慰蟻苇蠄伪渭蔚 渭蔚蟼 蟽蟿慰蠀蟼 魏伪位慰魏伪喂蟻喂维蟿喂魏慰蠀蟼 魏维渭蟺慰蠀蟼".
螘蟺委蟽畏蟼 渭慰蠀 维蟻蔚蟽蔚 蟺慰位蠉 畏 蔚谓蠈蟿畏蟿伪 "螣 喂蟺蟺蠈蟿畏蟼 魏喂 慰 胃维谓伪蟿慰蟼 (1513)".
August 3, 2022
螚听螒渭慰蚁纬蠈蟼听蔚委谓伪喂 蟿慰 蟺蟻蠋蟿慰 蟺位萎蟻蔚蟼 蟺慰喂畏蟿喂魏蠈 苇蟻纬慰 蟺慰蠀 未畏渭慰蟽委蔚蠀蟽蔚 慰 螆位位畏谓伪蟼 蟺慰喂畏蟿萎蟼 魏伪喂 渭慰蠀蟽喂魏蠈蟼 蟽蟿喂蠂慰蠀蟻纬蠈蟼 螡委魏慰蟼 螕魏维蟿蟽慰蟼. 螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 渭喂伪 渭喂魏蟻萎 蟽蔚 苇魏蟿伪蟽畏 蠀蟺蔚蟻蟻蔚伪位喂蟽蟿喂魏萎 蟽蠉谓胃蔚蟽畏 伪谓伪渭蔚渭蔚喂纬渭苇谓畏 渭蔚 蟽蟿慰喂蠂蔚委伪 蟿畏蟼 蔚位位畏谓喂魏萎蟼 未畏渭慰蟿喂魏萎蟼 魏伪喂 位蠈纬喂伪蟼 蟺伪蟻维未慰蟽畏蟼. 螚听螒渭慰蚁纬蠈蟼听胃蔚蠅蟻蔚委蟿伪喂 魏慰蟻蠀蠁伪委慰 未畏渭喂慰蠉蟻纬畏渭伪 蟿畏蟼 谓蔚慰蔚位位畏谓喂魏萎蟼 纬蟻伪渭渭伪蟿蔚委伪蟼.
(螔喂魏喂蟺伪喂未蔚喂伪)
螢蔚蠂蠋蟻喂蟽伪 位委纬慰蠀蟼 魏伪喂 魏伪位慰蠉蟼 蟽蟿委蠂慰蠀蟼.
螣 蟿委蟿位慰蟼 蟿慰蠀 蟺慰喂畏蟿喂魏慰蠉 苇蟻纬慰蠀 未蔚谓 苇蠂蔚喂 魏伪渭委伪 蟽蠂苇蟽畏 渭蔚 蟿慰 慰渭蠋谓蠀渭慰 谓畏蟽委. 螠维位位慰谓 蟿慰 慰谓蠈渭伪蟽蔚 苇蟿蟽喂 纬喂伪 谓伪 蟺蟻慰蟽未蠋蟽蔚喂 苇谓伪 蔚蠉畏蠂慰 蔚位位畏谓喂魏蠈 蠈谓慰渭伪 蟽蟿慰 苇蟻纬慰 蟿慰蠀.
韦慰 未喂维尾伪蟽伪 蠅蟼 蟽蠀谓苇蠂蔚喂伪 蟿蠅谓 螒蟺维谓蟿蠅谓 蟿蠅谓 螁位魏畏 螙苇畏 魏伪喂 螙蠅蟻味 危伪蟻萎. 螠维位喂蟽蟿伪 畏 伪未蔚蟻蠁萎 蟿畏蟼 螁位魏畏蟼 螙苇畏 蔚渭蟺位蔚魏蠈蟿伪谓 蔚蟻蠅蟿喂魏维 渭蔚 蟿慰谓 螕魏维蟿蟽慰, 蠈蟿伪谓 蟿蔚位喂魏维 蠂蠋蟻喂蟽伪谓 慰喂 未蟻蠈渭慰喂 蟿慰蠀蟼. 螕谓蠅蟽蟿萎 未蔚 魏伪喂 畏 蟽蠉谓伪尉畏 蟿蠅谓 渭苇纬伪 未畏渭喂慰蠀蟻纬蠋谓 蟿畏蟼 蔚位位畏谓喂魏萎蟼 纬蟻伪渭渭伪蟿蔚委伪蟼 蟽蟿慰 蟽蟿苇魏喂 蟿慰蠀蟼 蟽蟿慰 尾喂尾位喂慰蟺蠅位蔚委慰 螉魏伪蟻慰蟼, 蟽蟿畏谓 慰未蠈 螝慰位慰魏慰蟿蟻蠋谓畏, 伪蟺苇谓伪谓蟿喂 伪蟺蠈 蟿畏 蟺伪位喂维 螔慰蠀位萎.
螘魏伪蟿慰渭渭蠉蟻喂伪 螒胃畏谓伪委慰喂 蟺蔚蟻谓慰蠉谓 伪蟺蠈 魏蔚喂 魏伪胃畏渭蔚蟻喂谓维 伪纬谓慰蠋谓蟿伪蟼 蟺位萎蟻蠅蟼 蟿慰 纬蔚纬慰谓蠈蟼 伪蠀蟿蠈! 螚 未蠀蟽蟿蠀蠂委伪 蟿慰蠀 蟿蠈蟺慰蠀 蔚委谓伪喂 蔚渭蠁伪谓萎蟼 蟽蟿畏 渭喂味苇蟻喂伪 蟿畏蟼 维纬谓慰喂伪蟼 魏伪喂 蟿慰蠀蟼 尾伪蟽喂魏萎蟼 蟻慰蠀蟿委谓伪蟼 蟽蟿畏谓 慰蟺慰委伪 伪蠀蟿蠈 蠀蟺慰尾维位位慰谓蟿伪喂. 螒谓伪蠁慰蟻维 纬委谓蔚蟿伪喂 蟽蟿伪 蟺伪蟻伪蟺维谓蠅 蟽蟿慰 伪蠀蟿慰尾喂慰纬蟻伪蠁喂魏蠈 尾喂尾位委慰 蟿畏蟼 螁位魏畏蟼 螙苇畏 "螠蔚 螠慰位蠉尾喂 桅伪渭蟺蔚蟻 螡蟻 2".
(螔喂魏喂蟺伪喂未蔚喂伪)
螢蔚蠂蠋蟻喂蟽伪 位委纬慰蠀蟼 魏伪喂 魏伪位慰蠉蟼 蟽蟿委蠂慰蠀蟼.
螣 蟿委蟿位慰蟼 蟿慰蠀 蟺慰喂畏蟿喂魏慰蠉 苇蟻纬慰蠀 未蔚谓 苇蠂蔚喂 魏伪渭委伪 蟽蠂苇蟽畏 渭蔚 蟿慰 慰渭蠋谓蠀渭慰 谓畏蟽委. 螠维位位慰谓 蟿慰 慰谓蠈渭伪蟽蔚 苇蟿蟽喂 纬喂伪 谓伪 蟺蟻慰蟽未蠋蟽蔚喂 苇谓伪 蔚蠉畏蠂慰 蔚位位畏谓喂魏蠈 蠈谓慰渭伪 蟽蟿慰 苇蟻纬慰 蟿慰蠀.
韦慰 未喂维尾伪蟽伪 蠅蟼 蟽蠀谓苇蠂蔚喂伪 蟿蠅谓 螒蟺维谓蟿蠅谓 蟿蠅谓 螁位魏畏 螙苇畏 魏伪喂 螙蠅蟻味 危伪蟻萎. 螠维位喂蟽蟿伪 畏 伪未蔚蟻蠁萎 蟿畏蟼 螁位魏畏蟼 螙苇畏 蔚渭蟺位蔚魏蠈蟿伪谓 蔚蟻蠅蟿喂魏维 渭蔚 蟿慰谓 螕魏维蟿蟽慰, 蠈蟿伪谓 蟿蔚位喂魏维 蠂蠋蟻喂蟽伪谓 慰喂 未蟻蠈渭慰喂 蟿慰蠀蟼. 螕谓蠅蟽蟿萎 未蔚 魏伪喂 畏 蟽蠉谓伪尉畏 蟿蠅谓 渭苇纬伪 未畏渭喂慰蠀蟻纬蠋谓 蟿畏蟼 蔚位位畏谓喂魏萎蟼 纬蟻伪渭渭伪蟿蔚委伪蟼 蟽蟿慰 蟽蟿苇魏喂 蟿慰蠀蟼 蟽蟿慰 尾喂尾位喂慰蟺蠅位蔚委慰 螉魏伪蟻慰蟼, 蟽蟿畏谓 慰未蠈 螝慰位慰魏慰蟿蟻蠋谓畏, 伪蟺苇谓伪谓蟿喂 伪蟺蠈 蟿畏 蟺伪位喂维 螔慰蠀位萎.
螘魏伪蟿慰渭渭蠉蟻喂伪 螒胃畏谓伪委慰喂 蟺蔚蟻谓慰蠉谓 伪蟺蠈 魏蔚喂 魏伪胃畏渭蔚蟻喂谓维 伪纬谓慰蠋谓蟿伪蟼 蟺位萎蟻蠅蟼 蟿慰 纬蔚纬慰谓蠈蟼 伪蠀蟿蠈! 螚 未蠀蟽蟿蠀蠂委伪 蟿慰蠀 蟿蠈蟺慰蠀 蔚委谓伪喂 蔚渭蠁伪谓萎蟼 蟽蟿畏 渭喂味苇蟻喂伪 蟿畏蟼 维纬谓慰喂伪蟼 魏伪喂 蟿慰蠀蟼 尾伪蟽喂魏萎蟼 蟻慰蠀蟿委谓伪蟼 蟽蟿畏谓 慰蟺慰委伪 伪蠀蟿蠈 蠀蟺慰尾维位位慰谓蟿伪喂. 螒谓伪蠁慰蟻维 纬委谓蔚蟿伪喂 蟽蟿伪 蟺伪蟻伪蟺维谓蠅 蟽蟿慰 伪蠀蟿慰尾喂慰纬蟻伪蠁喂魏蠈 尾喂尾位委慰 蟿畏蟼 螁位魏畏蟼 螙苇畏 "螠蔚 螠慰位蠉尾喂 桅伪渭蟺蔚蟻 螡蟻 2".
March 1, 2020
螤慰喂畏蟿喂魏蠈蟼 违蟺蔚蟻蟻蔚伪位喂蟽渭蠈蟼 蟽蟿伪 魏伪位蠉蟿蔚蟻伪 蟿慰蠀!!!
'螆纬蟻伪蠄蔚 渭慰谓伪未喂魏维 蟿蟻伪纬慰蠉未喂伪. 螌位伪 蟿伪 伪魏蟻喂尾维 蟽蟿慰喂蠂蔚委伪 蟿畏蟼 蟺慰委畏蟽萎蟼 蟿慰蠀 蟿伪 鈥櫸何蔽轿� 蟽蟿委蠂慰蠀蟼 蟺慰蠀 魏喂谓畏蟿慰蟺慰委畏蟽伪谓 蟿畏 谓伪蟻魏慰胃蔚蟿畏渭苇谓畏 谓蔚慰蔚位位畏谓喂魏萎 蔚蠀伪喂蟽胃畏蟽委伪, 鈥溛勏兾� 魏伪胃蠋蟼 魏慰喂渭蠈蟿伪谓 伪谓伪委蟽胃畏蟿畏鈥� 渭蔚蟼 蟽蟿畏谓 伪蟺苇蟻伪谓蟿畏 伪喂蟽胃畏渭伪蟿慰位慰纬委伪 蟿蠅谓 蟽蟿喂蠂慰蠀蟻纬蠋谓 魏伪喂 蟿蠅谓 蔚蟺喂胃蔚蠅蟻畏蟽喂慰纬蟻维蠁蠅谓禄 蔚委蠂蔚 蟺蔚喂 纬喂伪 蟿慰谓 蟺慰喂畏蟿萎 蟿畏蟼 "螒渭慰蟻纬慰蠉" 慰 螠维谓慰蟼 围伪蟿味喂未维魏喂蟼.
'螆纬蟻伪蠄蔚 渭慰谓伪未喂魏维 蟿蟻伪纬慰蠉未喂伪. 螌位伪 蟿伪 伪魏蟻喂尾维 蟽蟿慰喂蠂蔚委伪 蟿畏蟼 蟺慰委畏蟽萎蟼 蟿慰蠀 蟿伪 鈥櫸何蔽轿� 蟽蟿委蠂慰蠀蟼 蟺慰蠀 魏喂谓畏蟿慰蟺慰委畏蟽伪谓 蟿畏 谓伪蟻魏慰胃蔚蟿畏渭苇谓畏 谓蔚慰蔚位位畏谓喂魏萎 蔚蠀伪喂蟽胃畏蟽委伪, 鈥溛勏兾� 魏伪胃蠋蟼 魏慰喂渭蠈蟿伪谓 伪谓伪委蟽胃畏蟿畏鈥� 渭蔚蟼 蟽蟿畏谓 伪蟺苇蟻伪谓蟿畏 伪喂蟽胃畏渭伪蟿慰位慰纬委伪 蟿蠅谓 蟽蟿喂蠂慰蠀蟻纬蠋谓 魏伪喂 蟿蠅谓 蔚蟺喂胃蔚蠅蟻畏蟽喂慰纬蟻维蠁蠅谓禄 蔚委蠂蔚 蟺蔚喂 纬喂伪 蟿慰谓 蟺慰喂畏蟿萎 蟿畏蟼 "螒渭慰蟻纬慰蠉" 慰 螠维谓慰蟼 围伪蟿味喂未维魏喂蟼.
January 1, 2021
螌位畏 畏 慰渭慰蟻蠁喂维 蟿慰蠀 魏蠈蟽渭慰蠀.
韦蠈谓慰喂 蠂蟻蠀蟽伪蠁喂慰委, 蟽蟿维蠂蠀伪, 纬伪位维味喂慰蟼 慰蠀蟻伪谓蠈蟼, 苇谓伪 伪谓胃喂蟽渭苇谓慰 未苇谓蟿蟻慰 魏伪喂 魏蠉渭伪蟿伪 谓伪 蟽蟺维谓蔚 蟺维谓蠅 蟽蟿伪 蟽魏伪位喂维 蔚谓蠈蟼 蔚尉蠅蟿喂魏慰蠉 蟽蟺喂蟿喂慰蠉 蟽蔚 魏维蟺慰喂慰 谓畏蟽委//
魏慰蟻委蟿蟽喂伪 渭蔚 渭伪魏蟻喂维 渭伪位位喂维, 蠁伪魏委未蔚蟼, 魏蠈魏魏喂谓伪 渭维纬慰蠀位伪//
谓蠉蠂蟿蔚蟼 渭蔚 纬蔚蠉蟽畏 魏蠈魏魏喂谓慰蠀 魏蟻伪蟽喂慰蠉 魏伪喂 蠁蠅蟼 蟺蠀纬慰位伪渭蟺委未伪蟼//
螕蔚蠉蟽畏 魏蔚蟻维蟽喂, 谓蔚魏蟿伪蟻委谓喂, 魏蟻蠉慰蠀 谓蔚蟻慰蠉//
渭蔚 位委纬伪 位蠈纬喂伪: 蟺慰委畏蟽畏
韦蠈谓慰喂 蠂蟻蠀蟽伪蠁喂慰委, 蟽蟿维蠂蠀伪, 纬伪位维味喂慰蟼 慰蠀蟻伪谓蠈蟼, 苇谓伪 伪谓胃喂蟽渭苇谓慰 未苇谓蟿蟻慰 魏伪喂 魏蠉渭伪蟿伪 谓伪 蟽蟺维谓蔚 蟺维谓蠅 蟽蟿伪 蟽魏伪位喂维 蔚谓蠈蟼 蔚尉蠅蟿喂魏慰蠉 蟽蟺喂蟿喂慰蠉 蟽蔚 魏维蟺慰喂慰 谓畏蟽委//
魏慰蟻委蟿蟽喂伪 渭蔚 渭伪魏蟻喂维 渭伪位位喂维, 蠁伪魏委未蔚蟼, 魏蠈魏魏喂谓伪 渭维纬慰蠀位伪//
谓蠉蠂蟿蔚蟼 渭蔚 纬蔚蠉蟽畏 魏蠈魏魏喂谓慰蠀 魏蟻伪蟽喂慰蠉 魏伪喂 蠁蠅蟼 蟺蠀纬慰位伪渭蟺委未伪蟼//
螕蔚蠉蟽畏 魏蔚蟻维蟽喂, 谓蔚魏蟿伪蟻委谓喂, 魏蟻蠉慰蠀 谓蔚蟻慰蠉//
渭蔚 位委纬伪 位蠈纬喂伪: 蟺慰委畏蟽畏
December 28, 2021
2022 resolution is to read more poetry, and more modern Greeks.
From the introduction: 鈥淎morgos is the name of a Greek island which he chose for its symbolism: it means Bitter Island, though he had never visited it and as a place it is still obscure.鈥�
Well I have visited Amorgos, and while not bitter, it is certainly still obscure many years later.
From the introduction: 鈥淎morgos is the name of a Greek island which he chose for its symbolism: it means Bitter Island, though he had never visited it and as a place it is still obscure.鈥�
Well I have visited Amorgos, and while not bitter, it is certainly still obscure many years later.
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