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Nephthys
Sister. Rival. Protector. The spellbinding story of a forgotten daughter and a forgotten goddess.
Quiet and reserved, Clemmie is happy in the background. But although her parents may overlook her talents, her ability to read hieroglyphs makes her invaluable at the Egyptian relic parties which have made her father the toast of Victorian society.
But at one such party, the words Clemmie interprets from an unusual amulet strike fear into her heart. The beautiful and dangerous glyphs she holds in her hands will change her life forever.
Five years later, Clemmie arrives in Egypt on a mission to save what remains of her family. The childhood game she used to play about the immortal sisters, Isis and Nephthys, has taken on a devastating resonance and it is only by following Nephthys' story that she can undo the mistakes of the past. On her journey up the Nile she will meet unexpected allies and enemies and, along with long-buried secrets and betrayals, Clemmie will be forced to step into the light.
Quiet and reserved, Clemmie is happy in the background. But although her parents may overlook her talents, her ability to read hieroglyphs makes her invaluable at the Egyptian relic parties which have made her father the toast of Victorian society.
But at one such party, the words Clemmie interprets from an unusual amulet strike fear into her heart. The beautiful and dangerous glyphs she holds in her hands will change her life forever.
Five years later, Clemmie arrives in Egypt on a mission to save what remains of her family. The childhood game she used to play about the immortal sisters, Isis and Nephthys, has taken on a devastating resonance and it is only by following Nephthys' story that she can undo the mistakes of the past. On her journey up the Nile she will meet unexpected allies and enemies and, along with long-buried secrets and betrayals, Clemmie will be forced to step into the light.
320 pages, Kindle Edition
First published February 6, 2025
56 people are currently reading
2,184 people want to read
About the author
Rachel Louise Driscoll
2books27followersRachel Louise Driscoll won the Curtis Brown Creative scholarship in 2020. Originally from the South West of England, she lives in the North East with her husband and cat, Cleopatra. Nephthys is her debut novel. She was inspired to write Clemmie's story by an experience she had at a local museum as a child where she was allowed to hold a mummified ancient Egyptian cat. Enjoying the hours of avid research required, Rachel even wrote some of the book wearing a corset in order to capture Clemmie’s experience more accurately!
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Displaying 1 - 30 of 95 reviews
February 3, 2025
2.5�s
Clementine (Clemmie) helped her father with the mummies, reading hieroglyphs, until a strange mummy with two heads was unearthed, and against Clemmie's wishes, her father dissected the mummy. In the 1800s amid the Egyptian relic parties, Clemmie's father was the toast of society. But five years later, after the deaths of her parents, Clemmie travelled to Egypt to right a wrong and try to save her sister, Rosetta, from being put into an asylum.
Clemmie met some fellow travellers, and together they journeyed the Nile, with danger threatening them all, but especially Clemmie. It was the arrival of Horatio that caused things to spiral out of control. With secrets and betrayals, and not knowing who to trust, Clemmie had to take her courage in her hands.
by wasn't for me unfortunately. The writing style was such that it was hard for me to follow. It jumped around, back to when Clemmie helped her father, into dreams and myths, then into the current days with the friends she'd made - it felt disjointed and fragmented, and I was unable to feel connection with the characters.
With thanks to NetGalley & Penguin Random House AU for my digital ARC to read and review.
Clementine (Clemmie) helped her father with the mummies, reading hieroglyphs, until a strange mummy with two heads was unearthed, and against Clemmie's wishes, her father dissected the mummy. In the 1800s amid the Egyptian relic parties, Clemmie's father was the toast of society. But five years later, after the deaths of her parents, Clemmie travelled to Egypt to right a wrong and try to save her sister, Rosetta, from being put into an asylum.
Clemmie met some fellow travellers, and together they journeyed the Nile, with danger threatening them all, but especially Clemmie. It was the arrival of Horatio that caused things to spiral out of control. With secrets and betrayals, and not knowing who to trust, Clemmie had to take her courage in her hands.
by wasn't for me unfortunately. The writing style was such that it was hard for me to follow. It jumped around, back to when Clemmie helped her father, into dreams and myths, then into the current days with the friends she'd made - it felt disjointed and fragmented, and I was unable to feel connection with the characters.
With thanks to NetGalley & Penguin Random House AU for my digital ARC to read and review.
February 18, 2025
3.5 stars
⚱️ Historical fiction
⚖️ Gothic atmosphere
⚱️ Egypt & Victorian England
⚖️ Myths, curses & mystery
⚱️ Egyptology and Egyptomania
⚖️ Sisters
⚱️ Historical and cultural theft
Nephthys has a good, gothic atmosphere that fans of Pandora will enjoy. It delicately dances along the line of tension as to whether curses are superstition or reality, keeping the mystery alive.
I really enjoyed Egypt and the Egyptian myths and would have liked to have seen more myths included. For me, the story unravelled too slowly. The pacing early on was slow but improved in the latter half, and I became much more involved in the plot then.
The most important parts of the novel, for me, were the discussions surrounding the theft of Egypt's history and cultural artefacts by colonial powers, Egyptomania, and the sheer awfulness of disinterring and selling mummies - human remains - with so little respect, and disregarding that these are people's ancestors.
⚱️ Historical fiction
⚖️ Gothic atmosphere
⚱️ Egypt & Victorian England
⚖️ Myths, curses & mystery
⚱️ Egyptology and Egyptomania
⚖️ Sisters
⚱️ Historical and cultural theft
Nephthys has a good, gothic atmosphere that fans of Pandora will enjoy. It delicately dances along the line of tension as to whether curses are superstition or reality, keeping the mystery alive.
I really enjoyed Egypt and the Egyptian myths and would have liked to have seen more myths included. For me, the story unravelled too slowly. The pacing early on was slow but improved in the latter half, and I became much more involved in the plot then.
The most important parts of the novel, for me, were the discussions surrounding the theft of Egypt's history and cultural artefacts by colonial powers, Egyptomania, and the sheer awfulness of disinterring and selling mummies - human remains - with so little respect, and disregarding that these are people's ancestors.
October 20, 2024
4.5 🌟 rounded up
This book feels like it was tailor-made for me, blending so many of my interests seamlessly. With a background in Archaeology and Egyptology, I’ve always been fascinated by the allure of ancient Egypt, particularly during the Victorian era. I specialised in Egyptomania from that period, and since then, my focus has shifted toward the ethical implications of our obsession with Ancient Egypt—especially the lengths people have gone to exploit these ancient civilizations for personal or political gain.
This book truly has it all. It's incredibly well-researched and brilliantly written, and I found myself completely immersed in the story. What I loved most was the depiction of a Victorian-era woman who defies societal norms, unapologetically forging her own path. She’s not perfect, and there were definitely moments where I wanted to shake her for her decisions, but that’s precisely what makes her so compelling and human. Her flaws made her real. And the relationship with her sister? That was the emotional heart of the story for me. Forget romance—the love between these two sisters was the real love story, and it was beautifully portrayed.
The ending left me completely satisfied, though without giving too much away, I’ll just say that the ambiguity surrounding the “bad luck� was handled perfectly. We never quite know what caused it, and that unresolved mystery made for the best conclusion. Sometimes, not knowing is more powerful than getting all the answers.
If I had one criticism, it would be that Clemmie comes across as almost too innocent. I understand the context of the time period and her prioritisation of her studies, but given that she didn’t care much for societal expectations, I wish that attitude extended a little more to her relationships with men. That said, I get why her innocence worked for the storyline, and it didn’t take away from my overall enjoyment.
In the end, I absolutely loved the rich storytelling, the weaving of myths and legends, the ominous curse, and the dynamic relationships our main character developed along the way. I genuinely hope this becomes a series—perhaps with a shift in point of view to Rosetta for their next adventure!
This book feels like it was tailor-made for me, blending so many of my interests seamlessly. With a background in Archaeology and Egyptology, I’ve always been fascinated by the allure of ancient Egypt, particularly during the Victorian era. I specialised in Egyptomania from that period, and since then, my focus has shifted toward the ethical implications of our obsession with Ancient Egypt—especially the lengths people have gone to exploit these ancient civilizations for personal or political gain.
This book truly has it all. It's incredibly well-researched and brilliantly written, and I found myself completely immersed in the story. What I loved most was the depiction of a Victorian-era woman who defies societal norms, unapologetically forging her own path. She’s not perfect, and there were definitely moments where I wanted to shake her for her decisions, but that’s precisely what makes her so compelling and human. Her flaws made her real. And the relationship with her sister? That was the emotional heart of the story for me. Forget romance—the love between these two sisters was the real love story, and it was beautifully portrayed.
The ending left me completely satisfied, though without giving too much away, I’ll just say that the ambiguity surrounding the “bad luck� was handled perfectly. We never quite know what caused it, and that unresolved mystery made for the best conclusion. Sometimes, not knowing is more powerful than getting all the answers.
If I had one criticism, it would be that Clemmie comes across as almost too innocent. I understand the context of the time period and her prioritisation of her studies, but given that she didn’t care much for societal expectations, I wish that attitude extended a little more to her relationships with men. That said, I get why her innocence worked for the storyline, and it didn’t take away from my overall enjoyment.
In the end, I absolutely loved the rich storytelling, the weaving of myths and legends, the ominous curse, and the dynamic relationships our main character developed along the way. I genuinely hope this becomes a series—perhaps with a shift in point of view to Rosetta for their next adventure!
February 10, 2025
⭐️5 Stars⭐️
by
I was absolutely fascinated by this dark tale set in ancient Egypt and the myths, curses and Egyptian Gods woven into the storyline. The story has mystery, adventure, Egyptology and a villain or two.
Our protagonist Clemmie is a hieroglyphist and Egyptology virtuoso who since a child has always been fascinated with Egyptology and the mythical story of Isis and Nephthys.
During the last fateful Egyptian relic party her father (a collector) holds Clemmie fears the worse when there is an unwrapping and the accompanying amulet tells of a curse.
Five years later a determined Clemmie travels to Egypt and up the Nile to undo a curse and save what remains of her family.
I was intrigued by the lengths people have gone to exploit the ancient Egyptian relics for personal gain and the obsession people held for them.
There’s strong themes of sisterhood in the story and I thought the relationship between Clemmie and her sister was very well portrayed.
Reading Nephthys was enchanting, the research gone into writing this story is impeccable. I was totally immersed in this brilliant debut, it’s an absolute page turner! I’d love to see another book and I’ve become somewhat obsessed myself and have made a date to visit the Museum in Adelaide to check out all things Egyptian.
Publication Date 04 February 2025
Publisher Imprint Harvill Secker
A huge thank you to Penguin Books Australia for a copy of the book.
by
I was absolutely fascinated by this dark tale set in ancient Egypt and the myths, curses and Egyptian Gods woven into the storyline. The story has mystery, adventure, Egyptology and a villain or two.
Our protagonist Clemmie is a hieroglyphist and Egyptology virtuoso who since a child has always been fascinated with Egyptology and the mythical story of Isis and Nephthys.
During the last fateful Egyptian relic party her father (a collector) holds Clemmie fears the worse when there is an unwrapping and the accompanying amulet tells of a curse.
Five years later a determined Clemmie travels to Egypt and up the Nile to undo a curse and save what remains of her family.
I was intrigued by the lengths people have gone to exploit the ancient Egyptian relics for personal gain and the obsession people held for them.
There’s strong themes of sisterhood in the story and I thought the relationship between Clemmie and her sister was very well portrayed.
Reading Nephthys was enchanting, the research gone into writing this story is impeccable. I was totally immersed in this brilliant debut, it’s an absolute page turner! I’d love to see another book and I’ve become somewhat obsessed myself and have made a date to visit the Museum in Adelaide to check out all things Egyptian.
Publication Date 04 February 2025
Publisher Imprint Harvill Secker
A huge thank you to Penguin Books Australia for a copy of the book.
January 21, 2025
Quiet, reserved, wallflower Clemmie is happy to go unnoticed, forever being overlooked.
Although her parents may not be aware of her talents, her ability to read hieroglyphs make her invaluable at the many Egyptian relic parties which have elevated her father to be the talk and toast of Victorian society�
Yet one fateful event, Clemmie deciphers something from an unusual and mysterious amulet which strikes fear deep into her heart, and as she soon finds out, the beautiful and dangerous glyphs she cradles in her hands will change her life in ways she could never have imagined or expected. Or wanted.
Five years have passed since that fateful night, and Clemmie arrives in Egypt on a mission to save what remains of her waning family. The childhood game she used to love playing about the immortal sisters Isis and Nephthys has become all too real with a devastating resonance and she firmly believes it is only by following Nephthys’s story that she can hope to break a curse that now seemingly weighs over her, to undo the mistakes and tragedies of the past.
However, on her journey up the Nile, Clemmie will face unexpected enemies, forge new friendships, and through it all battle with long-buried secrets that should they come into the light of day, could highlight many betrayals and sacrifices she has had to make to ensure whatever veil has surrounded her can finally be banished but Clemmie must be prepared to accept that not everything can go back to the way it used to be, for the past cannot be altered, it is her future that is something she can shape if only she is willing to.
A truly spellbinding debut that glitters and shimmers with a riveting plot and a story that will have you glued to the pages until you uncover what secrets lie deep within�
Although her parents may not be aware of her talents, her ability to read hieroglyphs make her invaluable at the many Egyptian relic parties which have elevated her father to be the talk and toast of Victorian society�
Yet one fateful event, Clemmie deciphers something from an unusual and mysterious amulet which strikes fear deep into her heart, and as she soon finds out, the beautiful and dangerous glyphs she cradles in her hands will change her life in ways she could never have imagined or expected. Or wanted.
Five years have passed since that fateful night, and Clemmie arrives in Egypt on a mission to save what remains of her waning family. The childhood game she used to love playing about the immortal sisters Isis and Nephthys has become all too real with a devastating resonance and she firmly believes it is only by following Nephthys’s story that she can hope to break a curse that now seemingly weighs over her, to undo the mistakes and tragedies of the past.
However, on her journey up the Nile, Clemmie will face unexpected enemies, forge new friendships, and through it all battle with long-buried secrets that should they come into the light of day, could highlight many betrayals and sacrifices she has had to make to ensure whatever veil has surrounded her can finally be banished but Clemmie must be prepared to accept that not everything can go back to the way it used to be, for the past cannot be altered, it is her future that is something she can shape if only she is willing to.
A truly spellbinding debut that glitters and shimmers with a riveting plot and a story that will have you glued to the pages until you uncover what secrets lie deep within�
December 10, 2024
This book wasn’t really for me. I love mythology, and was intrigued by the synopsis but I just couldn’t connect with the writing style. The author uses the familiar ‘jumping about in time� style but also extended to dreams, and telling parts of myths, though never in the first person, and it got a bit muddled.
When Horatio comes on the scene, it gets a bit ‘Victorian melodrama� for me, and a lot of Clemmie’s actions and decisions were completely illogical.
When Horatio comes on the scene, it gets a bit ‘Victorian melodrama� for me, and a lot of Clemmie’s actions and decisions were completely illogical.
November 16, 2024
The story of two sets of sisters centuries apart, a tale of betrayal and loss and a journey of self discovery and the beginning of forgiveness and togetherness.
Clemmie has always been fascinated by Egyptology and the story of Isis and Nephthys, she reads the hieroglyphics of amulets her father has procured during his exhibition evenings. But, one evening, he unravels a double headed mummy and the amulet with it tells of a curse. Tragedy strikes the family so Clemmie decides to travel to Egypt to return the amulet to its rightful place in order to break the curse.
This novel is an epic read, I found it fascinating to read of Victorian Egypt, like Clemmie I'm intruiged by the Egyptians past and their temples and funerary rituals. Hearing Mariams opinions of antiquity hunters puts a different perspective for the artifacts that have been found in the past and the nefarious actions of some to obtain these wonderful items. It's certainly not a quick easy read but definitely one to savour
Clemmie has always been fascinated by Egyptology and the story of Isis and Nephthys, she reads the hieroglyphics of amulets her father has procured during his exhibition evenings. But, one evening, he unravels a double headed mummy and the amulet with it tells of a curse. Tragedy strikes the family so Clemmie decides to travel to Egypt to return the amulet to its rightful place in order to break the curse.
This novel is an epic read, I found it fascinating to read of Victorian Egypt, like Clemmie I'm intruiged by the Egyptians past and their temples and funerary rituals. Hearing Mariams opinions of antiquity hunters puts a different perspective for the artifacts that have been found in the past and the nefarious actions of some to obtain these wonderful items. It's certainly not a quick easy read but definitely one to savour
February 15, 2025
Whilst this didn’t go back into ancient Egyptian times timeline wise, it did explore the story of Isis and Nephthys through Clemmie’s eyes, as she tries to break the curse she thinks has fallen on her family. It actually felt more gothic to me, perhaps because of the Victorian time period, and how creepy the mummy unwrapping all sounded! But there is also a descriptive journey through Egypt, which I adored, as well as all the colourful characters we meet along the way.
It’s definitely a slow burn novel, as we go back and forth in time exploring what’s happened to Clemmie’s family, and then join her as she tries to somehow solve the situation. But as we get close to the end it’s full of danger and unexpected plot twists that kept me absolutely hooked wanting to see what would happen! There’s also a little love story for all the romantics out there 🫶
It’s definitely a slow burn novel, as we go back and forth in time exploring what’s happened to Clemmie’s family, and then join her as she tries to somehow solve the situation. But as we get close to the end it’s full of danger and unexpected plot twists that kept me absolutely hooked wanting to see what would happen! There’s also a little love story for all the romantics out there 🫶
October 23, 2024
4.5 �
Nephthys by Rachel Louise Driscoll is a beautifully atmospheric and richly imagined blend of Egyptian mythology and Victorian mystery that drew me right in. The story centres on Clemmie, a quiet, intelligent young woman with a passion for reading hieroglyphs -something her Victorian family overlooks until her talents become the key to unlocking a curse that haunts them. Her father’s obsession with Egyptian relics leads to devastating consequences for her family, and it’s Clemmie who must travel to Egypt to make things right.
What I loved most about Nephthys was the vivid sense of place - Driscoll’s portrayal of Egypt is enchanting, and the contrast between Victorian society’s obsession with relics and the living, breathing culture of Egypt itself adds a layer of tension. Clemmie’s journey along the Nile is filled with evocative imagery, from the golden sunsets over the river to the haunting tombs of forgotten deities. Driscoll's ability to intertwine Egyptian mythology with historical fiction is incredible. The myths of Nephthys and Isis are woven into the narrative in a way that feels both grand and intimate, making Clemmie’s personal quest reflect on a mythological level.
The relationship between Clemmie and her sister is the emotional core of the novel. It’s not just about ancient curses and unravelling mysteries; but about Clemmie’s struggle to step out of the shadows, not only in her family but in her own life. The emotional tension between Clemmie and her sister adds depth, grounding the fantastical elements of the story in very real human emotions.
However, there were a few aspects that felt predictable, particularly some of the twists that were telegraphed early on. While the mythology was fascinating, I found myself wishing for more subtlety in some of the plot developments. That said, the book’s charm lies in its rich world-building and character relationships, which more than made up for these minor shortcomings.
Overall, Nephthys is a thoroughly engaging debut with a wonderfully immersive setting, rich in historical and cultural detail. Fans of Stacey Halls or Susan Stokes-Chapman will find much to love in this gothic Egyptian tale. I couldn’t put it down and would love to see this developed into a series, perhaps with a shift to another character’s perspective next time!
Huge thanks to NetGalley and Random House UK For an ARC of ‘Nephthys�. All opinions are my own.
Nephthys by Rachel Louise Driscoll is a beautifully atmospheric and richly imagined blend of Egyptian mythology and Victorian mystery that drew me right in. The story centres on Clemmie, a quiet, intelligent young woman with a passion for reading hieroglyphs -something her Victorian family overlooks until her talents become the key to unlocking a curse that haunts them. Her father’s obsession with Egyptian relics leads to devastating consequences for her family, and it’s Clemmie who must travel to Egypt to make things right.
What I loved most about Nephthys was the vivid sense of place - Driscoll’s portrayal of Egypt is enchanting, and the contrast between Victorian society’s obsession with relics and the living, breathing culture of Egypt itself adds a layer of tension. Clemmie’s journey along the Nile is filled with evocative imagery, from the golden sunsets over the river to the haunting tombs of forgotten deities. Driscoll's ability to intertwine Egyptian mythology with historical fiction is incredible. The myths of Nephthys and Isis are woven into the narrative in a way that feels both grand and intimate, making Clemmie’s personal quest reflect on a mythological level.
The relationship between Clemmie and her sister is the emotional core of the novel. It’s not just about ancient curses and unravelling mysteries; but about Clemmie’s struggle to step out of the shadows, not only in her family but in her own life. The emotional tension between Clemmie and her sister adds depth, grounding the fantastical elements of the story in very real human emotions.
However, there were a few aspects that felt predictable, particularly some of the twists that were telegraphed early on. While the mythology was fascinating, I found myself wishing for more subtlety in some of the plot developments. That said, the book’s charm lies in its rich world-building and character relationships, which more than made up for these minor shortcomings.
Overall, Nephthys is a thoroughly engaging debut with a wonderfully immersive setting, rich in historical and cultural detail. Fans of Stacey Halls or Susan Stokes-Chapman will find much to love in this gothic Egyptian tale. I couldn’t put it down and would love to see this developed into a series, perhaps with a shift to another character’s perspective next time!
Huge thanks to NetGalley and Random House UK For an ARC of ‘Nephthys�. All opinions are my own.
February 12, 2025
All the aspects I love from this genre can be found in this book. The story of a young female Egyptologist determined to undo a curse, with deeper themes of respect for Egyptian heritage and culture. If you are fascinated by ancient Egypt, particularly during the Victorian era, then you are going to love this book. Egyptian myths and gods, artefacts and grave robbers, hieroglyphs and curses are all to be found in this highly engaging book.
‘No doubt the people in this room, at first glance, imagine she’s a typical English traveller, here to enjoy the sun, pick up a few knick-knacks, and purchase a bottleful of sand to take home. They couldn’t be more wrong.�
I will admit that it takes a little while to draw you in and feel a connection to the characters. You will however soon be filled with intrigue especially once you arrive in Egypt. The focus of this book is very much on the two sisters and how the author ties it in with the mythology surrounding Nephthys and Isis is wonderful. There is a solid amount of research here not only around Egyptian gods and their stories but also Egyptomania from the Victorian era (“hunger for the relics of that bygone civilisation. Perhaps the mania part has become too real?�). The impact of tomb raiding and antiquity hunting is very well presented - ‘Artefacts are being damaged, provenance is being lost, and history is undone because everyone wants to claim their own Egyptian treasure ... They are taking what they want from the desert, and when they are through, it will be left ravaged and devastated.�
If these are topics that appeal to you, add in a mystery/thriller component whilst sailing up the Nile and you have a wonderful read.
‘The fascination for Ancient Egypt began as a game, grew to an obsession, became a curse. Now it’s controlling her every move.�
‘No doubt the people in this room, at first glance, imagine she’s a typical English traveller, here to enjoy the sun, pick up a few knick-knacks, and purchase a bottleful of sand to take home. They couldn’t be more wrong.�
I will admit that it takes a little while to draw you in and feel a connection to the characters. You will however soon be filled with intrigue especially once you arrive in Egypt. The focus of this book is very much on the two sisters and how the author ties it in with the mythology surrounding Nephthys and Isis is wonderful. There is a solid amount of research here not only around Egyptian gods and their stories but also Egyptomania from the Victorian era (“hunger for the relics of that bygone civilisation. Perhaps the mania part has become too real?�). The impact of tomb raiding and antiquity hunting is very well presented - ‘Artefacts are being damaged, provenance is being lost, and history is undone because everyone wants to claim their own Egyptian treasure ... They are taking what they want from the desert, and when they are through, it will be left ravaged and devastated.�
If these are topics that appeal to you, add in a mystery/thriller component whilst sailing up the Nile and you have a wonderful read.
‘The fascination for Ancient Egypt began as a game, grew to an obsession, became a curse. Now it’s controlling her every move.�
February 6, 2025
Quiet, studious, & reserved Clementine "Clemmie" is the younger daughter of Clement & Flora Attridge. A second daughter, instead of the hoped for son & heir, but at least her father has encouraged her fascination with Ancient Egypt & translating of hieroglyphics, even if he does shut her out of the business side of things. At one of the parties where an Egyptian mummy is unwrapped, Clemmie is handed an unusual amulet & as she starts to translate it, she quickly realises that it foretells a curse on those who disturb the remains. Unable to dissuade her father from carrying on, Clemmie can only look on in horror.
5 years later, now 23-year-old Clemmie arrives in Egypt on an urgent mission. Bad luck has dogged the Attridge family since that night, & now her sister is ill & the only way Clemmie can see of saving her, is returning the amulet to the land of the immortal sisters, Isis & Nephthys. She meets up with three fellow travellers but can they be trusted?
I had high hopes for this one but I feel it just missed the mark for me. I really enjoyed the Egyptian myths side of things & highlighting the conflict between seeking knowledge versus respect for the dead & ancient cultures is well done. I found Clemmie a bit too 'not like other girls' at times & the pace of the first half of the book was quite slow, although the second half was better. If only the first half had held my attention as well as the second, it would have been a higher rating. I would definitely read another book by the author though as I think the Isis/Nephthys angle was an interesting one.
My thanks to NetGalley & publishers, Vintage/Harvill Secker, for the opportunity to read an ARC.
5 years later, now 23-year-old Clemmie arrives in Egypt on an urgent mission. Bad luck has dogged the Attridge family since that night, & now her sister is ill & the only way Clemmie can see of saving her, is returning the amulet to the land of the immortal sisters, Isis & Nephthys. She meets up with three fellow travellers but can they be trusted?
I had high hopes for this one but I feel it just missed the mark for me. I really enjoyed the Egyptian myths side of things & highlighting the conflict between seeking knowledge versus respect for the dead & ancient cultures is well done. I found Clemmie a bit too 'not like other girls' at times & the pace of the first half of the book was quite slow, although the second half was better. If only the first half had held my attention as well as the second, it would have been a higher rating. I would definitely read another book by the author though as I think the Isis/Nephthys angle was an interesting one.
My thanks to NetGalley & publishers, Vintage/Harvill Secker, for the opportunity to read an ARC.
January 10, 2025
This was a fun ride, and Driscoll paints a magnificent and sweeping Egyptian sandscape from which to base the action. Clemmie is a strong and capable character with layered motivations, so the plot flow always seems true to form. A hieroglyphist with a strong pull towards a sense of fairness, Clementine Attridge battles against memories of her mother and father, real-life betrayal from the men in her life and tomb raiders � as she attempts to return an amulet and restore her sister’s health. Driscoll weaves backstory into the present-day plot, along with a history lesson on Egyptian Gods and myth. This is a tale of family and obsession set against a compelling background. Despite the rich sense of place, I’m not sure it needed to be as long as it is, to convey the same story � but each reader will have their preference. Recommended for those looking for historical fiction complete with curses, light romance and a protagonist who won’t rest until balance has been restored.
Thank you to NetGalley and Penguin Random House Australia for the advance reader copy in return for an honest review. Review to also be promoted to FishbirdCentral.com closer to publication date in February 2025.
Thank you to NetGalley and Penguin Random House Australia for the advance reader copy in return for an honest review. Review to also be promoted to FishbirdCentral.com closer to publication date in February 2025.
January 31, 2025
I was expecting something that gave The Mummy vibes or something similar to What the River Knows with the story being packed with adventure and betrayal. But actually, we spent most of the book travelling up the river and the main character being obsessed with reaching one destination or another.
The curse felt very underwhelming and the plot twists at the end didn’t shock me as much as I’d hope.
However, I did enjoy seeing the main character’s internal struggle with artefacts are treated, especially mummies, and her family’s role in that. I wish we got to explore this in more depth.
Overall, interesting concept but lacked excitement.
Thanks to Netgalley and Vintage Books for an ARC in exchange for an honest review.
The curse felt very underwhelming and the plot twists at the end didn’t shock me as much as I’d hope.
However, I did enjoy seeing the main character’s internal struggle with artefacts are treated, especially mummies, and her family’s role in that. I wish we got to explore this in more depth.
Overall, interesting concept but lacked excitement.
Thanks to Netgalley and Vintage Books for an ARC in exchange for an honest review.
January 6, 2025
Clemmie travels to Egypt to right a wrong and try to save her sister. This is a story told through two timelines. One takes in the events of her youth. Her father was famous for unwrapping mummies. Clemmie helped him in his researches. Later when she travels to Egypt you might expect her to be having the time of her life but a secret hangs heavy on her. And she now believes the fate of her sister hangs on the success of her quest.
I really enjoyed the way Nephthys and Isis’s stories are interwoven throughout this book. Also the research the author did into the effects of the western ravages of tomb raiding in the 1800’s is really well depicted here.
Thank you to the publisher for a review copy of this book.
I really enjoyed the way Nephthys and Isis’s stories are interwoven throughout this book. Also the research the author did into the effects of the western ravages of tomb raiding in the 1800’s is really well depicted here.
Thank you to the publisher for a review copy of this book.
January 27, 2025
A book about Egyptian mythology set during the Egyptomania period? Sign me up! I really liked learning about a new mythology from ancient Egypt and love a good curse story too. Driscoll did an amazing job of painting the picture of Egypt filled with lots of action. This was easy to dive into and was a quick page turner. However, there were elements that I did feel like were too stretched out.
February 1, 2025
In this book, we follow Clementine Attridge, an Egyptologist, as she travels down the Nile on a mission to save her family. The story has a dual timeline: her trip in 1892 and flashbacks to events five years prior that set everything in motion. Along the way, we are presented with a lot of information on Egyptian mythology, the rise of Egyptomania in the West, and a reflection on the ethics of tourism.
I've always been fascinated with Ancient Egypt and I love a female scholar, so I was very excited to read this book! However, this almost felt like two books to me, as the introduction of a new character in the second half sends the plot on a new track. It changed the dynamic of the book for me, and I would have preferred more of a focus on the original story. That said, I enjoyed the portrayal of life in the 1890s, particularly the way people travelled and came into contact with other cultures, as well as the presentation of the various myths and historical sites that came across on their trip.
A recommended read for fans of Amelia Peabody and Egytpology
Thank you to NetGalley and Vintage Books for providing me with a digital copy of this book in exchange for an honest review.
I've always been fascinated with Ancient Egypt and I love a female scholar, so I was very excited to read this book! However, this almost felt like two books to me, as the introduction of a new character in the second half sends the plot on a new track. It changed the dynamic of the book for me, and I would have preferred more of a focus on the original story. That said, I enjoyed the portrayal of life in the 1890s, particularly the way people travelled and came into contact with other cultures, as well as the presentation of the various myths and historical sites that came across on their trip.
A recommended read for fans of Amelia Peabody and Egytpology
Thank you to NetGalley and Vintage Books for providing me with a digital copy of this book in exchange for an honest review.
February 6, 2025
What’s not to like? All the components are there: Egyptian myths, gods and artefacts, greedy grave robbers. A curse upon Clementine’s family? Legend, archaeology and the translation of hieroglyphs found on a most unusual mummy make this a must-read. The research is immaculate, the characters perfect for such an adventure, the Nile as enigmatic as the historical sites on its banks � cleverly woven past and present and a heroine who must overcome.
It’s a great read, with fine writing and tremendous page-turning pull.
pub 6th February 2025
It’s a great read, with fine writing and tremendous page-turning pull.
pub 6th February 2025
February 6, 2025
An exciting adventure story of an intrepid young female Egyptologist determined to undo a curse, this story was entertaining and had deeper themes of respect for heritage and culture, as well as the powerful bonds of sisterhood which can link women to go to extraordinary lengths to help one another.
At times perhaps a little melodramatic and implausible, I found it an enjoyable and pacy read with lots of atmosphere, plenty of twists and turns, and an engaging premise.
At times perhaps a little melodramatic and implausible, I found it an enjoyable and pacy read with lots of atmosphere, plenty of twists and turns, and an engaging premise.
November 24, 2024
3.5 ⭐️
I went through a phase of being obsessed with Egypt when I was younger so I love books set there especially with the mythology aspect. It was really interesting finding out about nephthys because I didn’t really know a lot about her before this book. Which plays a big part of the story where she is looked over and forgotten. I liked the flashbacks. They gave enough detail of the past without taking too much time away from the present. I think the side characters could have been better I didn’t care much for them.
Thank you to NetGalley for the arc!
I went through a phase of being obsessed with Egypt when I was younger so I love books set there especially with the mythology aspect. It was really interesting finding out about nephthys because I didn’t really know a lot about her before this book. Which plays a big part of the story where she is looked over and forgotten. I liked the flashbacks. They gave enough detail of the past without taking too much time away from the present. I think the side characters could have been better I didn’t care much for them.
Thank you to NetGalley for the arc!
March 26, 2025
3/5
A good start to a new reading year.
It is imperative that I begin the review by thanking the author for taking the time to address the white vs color dichotomy that is intertwined with world history. She explains with adept words that just because wealth belongs to a certain side does not make them more informed /more intelligent/rightful dictators of the beliefs or cultures of different people. As someone who hails from the losing side of this battle, every time she brings this up it sends a pang of unsettling emotions straight to the heart.
At its core this is a book of contrasts. Love and resentment, acceptance and defiance, appreciation and apprehension coexist on paper, as in our characters and as in me as a reader. The story shines in its exquisite descriptions of Egypt (exotic and underdeveloped as viewed from the perspective of the English tourist in the 19th century amid rising Egyptomania), and its witty descriptions of the otherwise mundane. It offers a snapshot of the period and the stark class divide and how little agency women were allowed, without being preachy. It takes you from your comfy spot and plants you into their lives. At the heart of it is a daughter stuck between attempts to regain her dead father’s appreciation and her identity.
The story jumps around in time, serving a healthy dose of curses, amulets, and the awe that Egypt’s history and mythology has always been surrounded by.My favourite bits were the interactions between Clemmie and Rowland
That said, I did enjoy the themes the story but not the protagonist if that is even possible. Clemmie comes dangerously close to becoming the ‘not like my peers because I am well read and have no interest in their hobbies� archetype. She was quite difficult to read at certain places even though her insecurities and mannerisms are explained as the story progresses. The writing style took some work to settle into, and for the first 15ish percent I had no idea what I was up against. I stayed for the atmosphere and came out the other side with a contented sigh. The book is for the reader who is looking for a change of flavor, something darker, a little harrowing but nothing too extravagant , just a notch different enough to keep you going.
A good start to a new reading year.
It is imperative that I begin the review by thanking the author for taking the time to address the white vs color dichotomy that is intertwined with world history. She explains with adept words that just because wealth belongs to a certain side does not make them more informed /more intelligent/rightful dictators of the beliefs or cultures of different people. As someone who hails from the losing side of this battle, every time she brings this up it sends a pang of unsettling emotions straight to the heart.
At its core this is a book of contrasts. Love and resentment, acceptance and defiance, appreciation and apprehension coexist on paper, as in our characters and as in me as a reader. The story shines in its exquisite descriptions of Egypt (exotic and underdeveloped as viewed from the perspective of the English tourist in the 19th century amid rising Egyptomania), and its witty descriptions of the otherwise mundane. It offers a snapshot of the period and the stark class divide and how little agency women were allowed, without being preachy. It takes you from your comfy spot and plants you into their lives. At the heart of it is a daughter stuck between attempts to regain her dead father’s appreciation and her identity.
The story jumps around in time, serving a healthy dose of curses, amulets, and the awe that Egypt’s history and mythology has always been surrounded by.My favourite bits were the interactions between Clemmie and Rowland
That said, I did enjoy the themes the story but not the protagonist if that is even possible. Clemmie comes dangerously close to becoming the ‘not like my peers because I am well read and have no interest in their hobbies� archetype. She was quite difficult to read at certain places even though her insecurities and mannerisms are explained as the story progresses. The writing style took some work to settle into, and for the first 15ish percent I had no idea what I was up against. I stayed for the atmosphere and came out the other side with a contented sigh. The book is for the reader who is looking for a change of flavor, something darker, a little harrowing but nothing too extravagant , just a notch different enough to keep you going.
November 18, 2024
Interesting mythology, but not a huge fan of the writing style
February 5, 2025
I received an advance review copy for free, and I am leaving this review voluntarily.
Nephthys by Rachel Louise Driscoll.is an Historical novel set in Egypt of the Late 19th Century, when the country was under British rule and the world was interested in ancient Egyption Artifacts.
The main problem with the fascination with the interest in Egyptian history was that tourists and illegal excavations sold artefacts to the highest bidder.
The story revolves around Clemmie, a young woman who can read hieroglyphics and worked with her father who cut up mummies for entertainment. Until one night when the cut up a two headed mumie with an unusual amulet.
Since then she has lost her cat, both parents while her sister is losing her mind, believing the family cursed Clemmie goes to Egypt to return the amulet.
Nephthys by Rachel Louise Driscoll has a number of different elements, if it was an animal and successful, t would end up has a horse�
However Nephthys fails to live up to its possibilities and ends up being a camel or as the saying goes a horse designed by a committee.
The first issue with the novel as a reader was I am not sure what the book is trying to do,
While the novel was an interesting examination on important pieces of historical significance being taken from the country of origin, did play a significant part of the story as a whole, There was very little nuance about the subject.
For example the people purchasing the artefacts were the same people who would be able to go and see them in the original location.
And while Nephthys could be classed as an adventure novel, and there were some scenes that would be classed as an adventure, a majority of the novel was a bunch of individuals going down the Nile on a tourist boat.
Where the novel probably had the most success and could be said to have almost worked, as a story, was the way that the novel introduced Ancient Egyption mythology into the story.
Due to the fact that Mythology of Egypt plays a major part of the the story being the motivation for Clemmie’s story.
Having said that while the related story was told in the novel I am not sure if the story sank in, while you do get an understanding of the stories, the book dips in and out of them throughout which does affect the reader's understanding.
In conclusion, while Nephthys by Rachel Louise Driscoll may not be the perfect novel and they were defiant times that it seemed to drag, the ending was well written leaving the reader at least satisfied if not overjoyed.
Nephthys by Rachel Louise Driscoll.is an Historical novel set in Egypt of the Late 19th Century, when the country was under British rule and the world was interested in ancient Egyption Artifacts.
The main problem with the fascination with the interest in Egyptian history was that tourists and illegal excavations sold artefacts to the highest bidder.
The story revolves around Clemmie, a young woman who can read hieroglyphics and worked with her father who cut up mummies for entertainment. Until one night when the cut up a two headed mumie with an unusual amulet.
Since then she has lost her cat, both parents while her sister is losing her mind, believing the family cursed Clemmie goes to Egypt to return the amulet.
Nephthys by Rachel Louise Driscoll has a number of different elements, if it was an animal and successful, t would end up has a horse�
However Nephthys fails to live up to its possibilities and ends up being a camel or as the saying goes a horse designed by a committee.
The first issue with the novel as a reader was I am not sure what the book is trying to do,
While the novel was an interesting examination on important pieces of historical significance being taken from the country of origin, did play a significant part of the story as a whole, There was very little nuance about the subject.
For example the people purchasing the artefacts were the same people who would be able to go and see them in the original location.
And while Nephthys could be classed as an adventure novel, and there were some scenes that would be classed as an adventure, a majority of the novel was a bunch of individuals going down the Nile on a tourist boat.
Where the novel probably had the most success and could be said to have almost worked, as a story, was the way that the novel introduced Ancient Egyption mythology into the story.
Due to the fact that Mythology of Egypt plays a major part of the the story being the motivation for Clemmie’s story.
Having said that while the related story was told in the novel I am not sure if the story sank in, while you do get an understanding of the stories, the book dips in and out of them throughout which does affect the reader's understanding.
In conclusion, while Nephthys by Rachel Louise Driscoll may not be the perfect novel and they were defiant times that it seemed to drag, the ending was well written leaving the reader at least satisfied if not overjoyed.
January 9, 2025
Thank you to the publisher for sending me a review copy in exchange for an honest review!
Nephtys is a wonderful historical fiction blended with a fascinating myth retelling. I loved seeing the story unfold and the way the constant parallels between Clemmie and the goddess Nephtys brought a sense of foreboding to the story. No worries if you know nothing of Egyptian mythology, the author explains enough that you can easily keep up.
Clemmie really made this book for me. The main character, she is a gifted egyptologist, a passion inherited from her father. She is strong, stubborn, passionate. She is scared of letting people in, something I find highly relatable. She's a cat lady, which I can also relate to! The exploration of her bond with her sister warmed my heart. I am the youngest of three sisters and always love seeing a beautiful portrayal of sisterhood. But perhaps what I loved most was seeing her question how you can love a foreign culture and history and feed that love without disrespecting the country of its origin. As a lover of ancient Rome and Greece, it is something I ask myself often. Whenever I visit a museum, I am always torn between happiness at getting the chance to see these artefacts and unease that they should not have been taken from their country. So I thought that was a really interesting theme in the book. The epilogue maybe felt a bit white saviour-ish, but overall I thought it was handled pretty well.
I didn't see the antagonist coming, and I thought it worked great. In fact, the first half of the book is rather slow-paced, and there isn't really a human antagonist, instead you just have Clemmie pursuing a mission in the hopes of saving her sister. And then the antagonist comes in, and it makes so much sense, and makes for a very exciting second half.
The romance really takes a backseat and I love that. I'm not super big on romance so I don't enjoy when it feels like the main plot. I'm reluctant to even call it a slow-burn because it's not even relevant for a while and then you gradually get hints it will happen. It takes time to warm up to the eventual love interest, like it takes time for Clemmie, so I thought it was very fitting.
Overall, an excellent book that'll make me very curious to read more from this author. I'm not the best at writing reviews and even less at concluding them; so just trust me and give this book a chance!
Nephtys is a wonderful historical fiction blended with a fascinating myth retelling. I loved seeing the story unfold and the way the constant parallels between Clemmie and the goddess Nephtys brought a sense of foreboding to the story. No worries if you know nothing of Egyptian mythology, the author explains enough that you can easily keep up.
Clemmie really made this book for me. The main character, she is a gifted egyptologist, a passion inherited from her father. She is strong, stubborn, passionate. She is scared of letting people in, something I find highly relatable. She's a cat lady, which I can also relate to! The exploration of her bond with her sister warmed my heart. I am the youngest of three sisters and always love seeing a beautiful portrayal of sisterhood. But perhaps what I loved most was seeing her question how you can love a foreign culture and history and feed that love without disrespecting the country of its origin. As a lover of ancient Rome and Greece, it is something I ask myself often. Whenever I visit a museum, I am always torn between happiness at getting the chance to see these artefacts and unease that they should not have been taken from their country. So I thought that was a really interesting theme in the book. The epilogue maybe felt a bit white saviour-ish, but overall I thought it was handled pretty well.
I didn't see the antagonist coming, and I thought it worked great. In fact, the first half of the book is rather slow-paced, and there isn't really a human antagonist, instead you just have Clemmie pursuing a mission in the hopes of saving her sister. And then the antagonist comes in, and it makes so much sense, and makes for a very exciting second half.
The romance really takes a backseat and I love that. I'm not super big on romance so I don't enjoy when it feels like the main plot. I'm reluctant to even call it a slow-burn because it's not even relevant for a while and then you gradually get hints it will happen. It takes time to warm up to the eventual love interest, like it takes time for Clemmie, so I thought it was very fitting.
Overall, an excellent book that'll make me very curious to read more from this author. I'm not the best at writing reviews and even less at concluding them; so just trust me and give this book a chance!
January 21, 2025
Egyptian mythology weaved into a Victorian gothic mystery (also publishing under the title The House of Two Sisters)
Clemmie has grown up surrounded by her father's obsession with Egypt and it's artefacts. He hosts unwrapping parties where the he reveals a Mummy to an entranced audience with Clemmie on-hand to provide translations of the hieroglyphs. One very unusual unwrapping changes everything for their family and, several years later, Clemmie finds herself alone in Egypt. But instead of being able to enjoy the places she's longed to visit, she's haunted by the curse that has been placed on her family.
The story alternates between Clemmie in Egypt, travelling along the Nile with her unwanted companions, and to the time following the fateful unwrapping and the devastating events that have befallen her family in England.
I loved the parts set in Egypt - the atmosphere was excellent, really capturing the feel of travelling along the Nile, the heat, the wonders and the dangers. I liked that the author chose to not glorify the Victorian Egyptomania, yes there were genuine archaeologists who cared for the history they were uncovering, but a lot were treasure hunters and looters, damaging and destroying thousands of years of history. As Clemmie's journey progresses, she begins to really understand the harm that has been done and the work that is required to try to repair the damage.
The myths of the sister goddesses Nephthys and Isis are woven into the story -with Clemmie and her sister's story mirroring the myths and Clemmie also sharing the myths with her fellow travellers. She believes that her family have become entwined with the myth as a result of the curse.
The Egypt-set timeline was the stronger of the two and I felt like the story switched between the timelines a bit too much. As an historical fiction, I thought it was very entertaining. As a mystery it was maybe a little predictable and melodramatic towards the end, but I did feel compelled to keep reading and was caught up in the tension.
I'll just add that I've seen this classed as fantasy in places and I would say that, although there's some ambiguity about the mummy's curse, it's definitely not a fantasy or fantasy myth retelling.
Thank you to Vintage/Harvill Secker for providing a netgalley arc for review
Clemmie has grown up surrounded by her father's obsession with Egypt and it's artefacts. He hosts unwrapping parties where the he reveals a Mummy to an entranced audience with Clemmie on-hand to provide translations of the hieroglyphs. One very unusual unwrapping changes everything for their family and, several years later, Clemmie finds herself alone in Egypt. But instead of being able to enjoy the places she's longed to visit, she's haunted by the curse that has been placed on her family.
The story alternates between Clemmie in Egypt, travelling along the Nile with her unwanted companions, and to the time following the fateful unwrapping and the devastating events that have befallen her family in England.
I loved the parts set in Egypt - the atmosphere was excellent, really capturing the feel of travelling along the Nile, the heat, the wonders and the dangers. I liked that the author chose to not glorify the Victorian Egyptomania, yes there were genuine archaeologists who cared for the history they were uncovering, but a lot were treasure hunters and looters, damaging and destroying thousands of years of history. As Clemmie's journey progresses, she begins to really understand the harm that has been done and the work that is required to try to repair the damage.
The myths of the sister goddesses Nephthys and Isis are woven into the story -with Clemmie and her sister's story mirroring the myths and Clemmie also sharing the myths with her fellow travellers. She believes that her family have become entwined with the myth as a result of the curse.
The Egypt-set timeline was the stronger of the two and I felt like the story switched between the timelines a bit too much. As an historical fiction, I thought it was very entertaining. As a mystery it was maybe a little predictable and melodramatic towards the end, but I did feel compelled to keep reading and was caught up in the tension.
I'll just add that I've seen this classed as fantasy in places and I would say that, although there's some ambiguity about the mummy's curse, it's definitely not a fantasy or fantasy myth retelling.
Thank you to Vintage/Harvill Secker for providing a netgalley arc for review
January 20, 2025
Nephthys is a novel that weaves together Egyptian mythology and the Victorian Era, particularly focusing on the exploration and pillaging of Egypts rich history.
The story was well written, in a manner that is evocative and engaging and I could vividly picture the events unfolding as I read. Both the settings in England and Egypt were descriptive and detailed. Character wise, Clementine was well rounded and had great development. She goes from sheltered and naively following her fathers instructions, to independent and actively questioning everything, her loyalty to her sister is one of her chief qualities. It took me some time to warm to Rowland as a character and Oswald kind of melted into the background, Celia was an interesting character who had an interesting duality against Clemmy (though two ‘C� names had me rereading some sections).
Mythology was woven into the story incredibly well, this is quite a difficult thing to do, considering the variations between the different versions and different translations. There was a great deal of historical and geographic accuracy, that showed that this book was incredibly well researched. The themes of sisterhood were strong and shown in the connection between Clementine and Rosetta, but additionally between Isis and Nephthys, their mythology is woven into the story. Additionally, themes of repatriation and the impacts of colonialism were worked in, this was done in an interesting manner by working in the idea of a curse. Repatriation is something I am incredibly passionate about and I was incredibly pleased to see it play out in the story and watch Clemmie and Rowland in particular become more and more aware of the need for items of cultural heritage to remain or be returned to their country of origin.
I thoroughly enjoyed reading this story and am grateful to Netgalley and the Publisher Penguin Random House for giving me the opportunity to read this book in exchange for an honest review, these thoughts are all my own
The story was well written, in a manner that is evocative and engaging and I could vividly picture the events unfolding as I read. Both the settings in England and Egypt were descriptive and detailed. Character wise, Clementine was well rounded and had great development. She goes from sheltered and naively following her fathers instructions, to independent and actively questioning everything, her loyalty to her sister is one of her chief qualities. It took me some time to warm to Rowland as a character and Oswald kind of melted into the background, Celia was an interesting character who had an interesting duality against Clemmy (though two ‘C� names had me rereading some sections).
Mythology was woven into the story incredibly well, this is quite a difficult thing to do, considering the variations between the different versions and different translations. There was a great deal of historical and geographic accuracy, that showed that this book was incredibly well researched. The themes of sisterhood were strong and shown in the connection between Clementine and Rosetta, but additionally between Isis and Nephthys, their mythology is woven into the story. Additionally, themes of repatriation and the impacts of colonialism were worked in, this was done in an interesting manner by working in the idea of a curse. Repatriation is something I am incredibly passionate about and I was incredibly pleased to see it play out in the story and watch Clemmie and Rowland in particular become more and more aware of the need for items of cultural heritage to remain or be returned to their country of origin.
I thoroughly enjoyed reading this story and am grateful to Netgalley and the Publisher Penguin Random House for giving me the opportunity to read this book in exchange for an honest review, these thoughts are all my own
February 6, 2025
NEPHTHYS
by Rachel Louise Driscoll
| "A young Victorian Egyptologist. A family riven by tragedy. One chance to atone for the sins of the past...
Quiet and reserved, Clemmie is happy in the background. Although her parents may overlook her talents, her ability to read hieroglyphs makes her invaluable at the Egyptian relic parties which have made her father the toast of Victorian society.
But at one such party, the words Clemmie interprets from an unusual amulet strike fear into her heart. The beautiful and dangerous glyphs she holds in her hands will change her life forever." |
This was an intriguing and often enchanting read which transported me wholeheartedly to the sun banked river Nile of 19th century Egypt. Dark secrets and gripping revelations were hidden beyond each bend of the river, like snapping crocodiles lying in wait.
I found the criticism of the Empire highly impactful. The novel focuses on the damage permitted on cultures in the name of greed and so-called 'prosperity'. Highlighting the vast difference between cultural appreciation and cultural theft.
The story is told in two timelines. The Past, which sets up the main storyline, provides context, and feeds into the mystery of the events leading up to 'the incident'. And The Present, where our main character is setting out on a dangerous voyage to settle some sort of debt.
The use of short chapters helped move the plot along at a good pace with just a few exceptions where very similar events were repeated without adding much value to the story.
I understood Clemmie's characterisation but I couldn't help and wish she had a little more oomph to her, perhaps this was just due to seeing the book likened to The Mummy (which I would disagree with).
Overall though, I really enjoyed the mystery the novel summoned, the setting was rich, and the story vibrantly told. I'd recommend it to anyone keen on Egyptology or 19th century Victorian historical fiction.
Huge thanks to @vintagebooks
@harvillsecker for the advanced copy in exchange for an honest review.
by Rachel Louise Driscoll
| "A young Victorian Egyptologist. A family riven by tragedy. One chance to atone for the sins of the past...
Quiet and reserved, Clemmie is happy in the background. Although her parents may overlook her talents, her ability to read hieroglyphs makes her invaluable at the Egyptian relic parties which have made her father the toast of Victorian society.
But at one such party, the words Clemmie interprets from an unusual amulet strike fear into her heart. The beautiful and dangerous glyphs she holds in her hands will change her life forever." |
This was an intriguing and often enchanting read which transported me wholeheartedly to the sun banked river Nile of 19th century Egypt. Dark secrets and gripping revelations were hidden beyond each bend of the river, like snapping crocodiles lying in wait.
I found the criticism of the Empire highly impactful. The novel focuses on the damage permitted on cultures in the name of greed and so-called 'prosperity'. Highlighting the vast difference between cultural appreciation and cultural theft.
The story is told in two timelines. The Past, which sets up the main storyline, provides context, and feeds into the mystery of the events leading up to 'the incident'. And The Present, where our main character is setting out on a dangerous voyage to settle some sort of debt.
The use of short chapters helped move the plot along at a good pace with just a few exceptions where very similar events were repeated without adding much value to the story.
I understood Clemmie's characterisation but I couldn't help and wish she had a little more oomph to her, perhaps this was just due to seeing the book likened to The Mummy (which I would disagree with).
Overall though, I really enjoyed the mystery the novel summoned, the setting was rich, and the story vibrantly told. I'd recommend it to anyone keen on Egyptology or 19th century Victorian historical fiction.
Huge thanks to @vintagebooks
@harvillsecker for the advanced copy in exchange for an honest review.
January 9, 2025
Thank you NetGalley and Random House UK Vintage for the ARC and the opportunity to read this book pre-release. All thoughts are my own.
4.25 ⭐️
Nephthys is possibly the first ever book that I had the pleasure to read that actually gave me The Mummy vibes and, as a massive fan of the movies, it is not easy thing to admit for me.
The plot has little to do with the 90s franchise but we got some very promising elements: a woman that makes of Egyptology her job and life mission, a mummy curse of some sort, an ex-military love interest and most importantly a story set in Egypt during the years of the first discoveries.
This is the story of Clemmie, a young british Egyptologist, that believes her and her sister's life has started going very wrong after her and her father disrespected a very peculiar mummy. After 5 years of tragedies that leave her family in misery, she believes that the only way to set things right and save her sister's life is returning to Egypt the amulet that started all of this.
We follow her journey and discover how these two sisters lives intertwine with the myths of Isis and Nephthys, the two sisters of Egyptian mythology.
I found this book incredibly interesting and it fed my obsession with this mythology and culture. I loved the historical settings, the realistic (and brutal) way in which the mad excavations in Egypt have impacted the country and it is very well written, which I always value.
The way the author is able to connect and mix the stories of these siblings, both real and mythical, is also strongly executed.
The only slightly negative note for me is the pace. I found it a bit slow and considering chapters are quite short, I was expecting a more captivating and swift turn of events.
I would recommend this book to readers that love a well written, nostalgic, story with Egyptian elements and vibes. Not a fantasy but the lines between reality and myth blur.
4.25 ⭐️
Nephthys is possibly the first ever book that I had the pleasure to read that actually gave me The Mummy vibes and, as a massive fan of the movies, it is not easy thing to admit for me.
The plot has little to do with the 90s franchise but we got some very promising elements: a woman that makes of Egyptology her job and life mission, a mummy curse of some sort, an ex-military love interest and most importantly a story set in Egypt during the years of the first discoveries.
This is the story of Clemmie, a young british Egyptologist, that believes her and her sister's life has started going very wrong after her and her father disrespected a very peculiar mummy. After 5 years of tragedies that leave her family in misery, she believes that the only way to set things right and save her sister's life is returning to Egypt the amulet that started all of this.
We follow her journey and discover how these two sisters lives intertwine with the myths of Isis and Nephthys, the two sisters of Egyptian mythology.
I found this book incredibly interesting and it fed my obsession with this mythology and culture. I loved the historical settings, the realistic (and brutal) way in which the mad excavations in Egypt have impacted the country and it is very well written, which I always value.
The way the author is able to connect and mix the stories of these siblings, both real and mythical, is also strongly executed.
The only slightly negative note for me is the pace. I found it a bit slow and considering chapters are quite short, I was expecting a more captivating and swift turn of events.
I would recommend this book to readers that love a well written, nostalgic, story with Egyptian elements and vibes. Not a fantasy but the lines between reality and myth blur.
March 7, 2025
Thank you NetGalley and Vintage for this eCopy to review
"Nephthys" by Rachel Louise Driscoll is a spellbinding historical novel that transports readers to the late 19th century, blending elements of Egyptology, mythology, and adventure. As someone who enjoys a well-researched and immersive story, I found myself captivated by Driscoll's ability to bring the past to life through her vivid descriptions and intricate plot.
The story follows Clementine (Clemmie), a young woman with a talent for reading hieroglyphs, who assists her father at Egyptian relic parties in Victorian society. Clemmie's life takes a dramatic turn when she interprets an unusual amulet at one such party, uncovering beautiful yet dangerous glyphs that will change her life forever.
Five years later, Clemmie travels to Egypt on a mission to save her sister, Rosetta, from being put into an asylum. Along her journey up the Nile, she encounters unexpected allies and enemies, and the childhood game she used to play about the immortal sisters, Isis and Nephthys, takes on a devastating resonance. Clemmie must navigate long-buried secrets and betrayals, stepping into the light to undo the mistakes of the past.
Driscoll masterfully creates a sense of time and place, with much attention to detail and use of the senses. The novel critiques the antiquities trade and the effects of colonialism, adding depth to the narrative. Clemmie's journey is filled with danger, mystery, and self-discovery, making for a compelling read.
"Nephthys" is an impressive debut that offers a perfect blend of historical fiction, mythology, and adventure. Driscoll's meticulous research and evocative prose make the story come alive, inviting readers to join Clemmie on her perilous journey.
"Nephthys" by Rachel Louise Driscoll is a spellbinding historical novel that transports readers to the late 19th century, blending elements of Egyptology, mythology, and adventure. As someone who enjoys a well-researched and immersive story, I found myself captivated by Driscoll's ability to bring the past to life through her vivid descriptions and intricate plot.
The story follows Clementine (Clemmie), a young woman with a talent for reading hieroglyphs, who assists her father at Egyptian relic parties in Victorian society. Clemmie's life takes a dramatic turn when she interprets an unusual amulet at one such party, uncovering beautiful yet dangerous glyphs that will change her life forever.
Five years later, Clemmie travels to Egypt on a mission to save her sister, Rosetta, from being put into an asylum. Along her journey up the Nile, she encounters unexpected allies and enemies, and the childhood game she used to play about the immortal sisters, Isis and Nephthys, takes on a devastating resonance. Clemmie must navigate long-buried secrets and betrayals, stepping into the light to undo the mistakes of the past.
Driscoll masterfully creates a sense of time and place, with much attention to detail and use of the senses. The novel critiques the antiquities trade and the effects of colonialism, adding depth to the narrative. Clemmie's journey is filled with danger, mystery, and self-discovery, making for a compelling read.
"Nephthys" is an impressive debut that offers a perfect blend of historical fiction, mythology, and adventure. Driscoll's meticulous research and evocative prose make the story come alive, inviting readers to join Clemmie on her perilous journey.
March 3, 2025
3 stars (rounded up from 2.5)
Nephthys reads very much like an adventure movie. Maybe it’s the Egyptology or the Lara Croft/Indiana Jones angle, but it offers a distinctly female take on a mummy adventure—one that merges curses and myths with emotions and legacies.
The narrative structure jumps between timelines, revealing character backgrounds with some delay. While this approach builds suspense, it also leaves characterization feeling flat until key revelations, making it difficult to fully connect with the characters.
The protagonist, who acts too maturely for her age, presents a characterization fallacy. Why was she made 23 years old? To keep her appealing for love interests? Although the narrative attempts to establish a sense of sisterhood or camaraderie, it contradicts itself at times. The lack of depth in female characterization is particularly noticeable—even the protagonist remains underdeveloped. Similarly, the antagonists� development is quite flat—not given much depth, motivation, or complexity, which makes the novel feel even more like an adventure movie.
The novel does make an effort to critically engage with heritage looting, even adopting a didactic tone in its emphasis on repatriation. However, the presence of a white saviour narrative remains unavoidable.
One aspect I really appreciated was the integration of etymology and how its elaboration worked within the narrative.
Overall, a great attempt with a well-integrated mythological angle, but at times too superficial—making it perfect for a movie adaptation but not necessarily for a deep reading.
Many thanks to NetGalley and Random House for the advance copy to review!
Nephthys reads very much like an adventure movie. Maybe it’s the Egyptology or the Lara Croft/Indiana Jones angle, but it offers a distinctly female take on a mummy adventure—one that merges curses and myths with emotions and legacies.
The narrative structure jumps between timelines, revealing character backgrounds with some delay. While this approach builds suspense, it also leaves characterization feeling flat until key revelations, making it difficult to fully connect with the characters.
The protagonist, who acts too maturely for her age, presents a characterization fallacy. Why was she made 23 years old? To keep her appealing for love interests? Although the narrative attempts to establish a sense of sisterhood or camaraderie, it contradicts itself at times. The lack of depth in female characterization is particularly noticeable—even the protagonist remains underdeveloped. Similarly, the antagonists� development is quite flat—not given much depth, motivation, or complexity, which makes the novel feel even more like an adventure movie.
The novel does make an effort to critically engage with heritage looting, even adopting a didactic tone in its emphasis on repatriation. However, the presence of a white saviour narrative remains unavoidable.
One aspect I really appreciated was the integration of etymology and how its elaboration worked within the narrative.
Overall, a great attempt with a well-integrated mythological angle, but at times too superficial—making it perfect for a movie adaptation but not necessarily for a deep reading.
Many thanks to NetGalley and Random House for the advance copy to review!
January 28, 2025
I've been fascinated with Ancient Egypt since childhood, so I knew I wanted to get my hands on this book as soon as I saw it announced. I really am surprised I haven't managed to read more contemporary books that are based on or around the subject. Overall, I liked the depth in which Egyptology was included in the story, being unfamiliar with the myth of Nephthys I did learn a bit from reading this book. However, as I read, I couldn't help but feel that there was a great story hidden within the pages of what actually was an underwhelming one, that could have been unearthed with just a couple more rounds of editing. It honestly breaks my heart because I feel like it's soooo close. As it is, the story and writing style are very clunky, it reads like a first or second pass at a new craft. I found it was also repetitive, which makes it a bit of a drag to get through at times. When the main plot device used is illogical decision making, it's really hard for me to get behind a character. That was the case with Clemmie. From the outset she makes countless decisions that defy all reason and the reader is left wondering why. Since the characters are really not given much depth, the melodrama mentioned in many other reviews is really tedious and uninvesting. I enjoyed the book simply for it's relation to Ancient Egypt and I think it delivers well enough in that regard. I would recommend this book to anyone with a keen interest in Egyptology and with the caution to manage their expectations.
Thank you to the publisher for providing an advance reading copy of this title.
Thank you to the publisher for providing an advance reading copy of this title.
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