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賲丨丕賰賲丞 賰丕賮賰丕 丕賱兀禺乇賶
賷賯丿賲 賴匕丕 丕賱賰鬲丕亘 丕賱賮乇賷丿 丿乇丕爻丞 賳丕丿乇丞 賱乇爻丕卅賱 毓賱賲 賲賳 兀毓賱丕賲 丕賱兀丿亘賷 丕賱丨丿賷孬 鬲鬲噩賱賶 賮賷賴丕 丕賱丨丕賱丞 丕賱廿賳爻丕賳賷丞 賵鬲鬲囟丨 丕賱毓賱丕賯丞 丕賱賵孬賷賯丞 亘賷賳 丕賱丨賷丕丞 丕賱賮乇丿賷丞 賵鬲賯賱亘丕鬲賴丕 賵丕賱廿賳鬲丕噩 丕賱兀丿亘賷 亘兀爻賱賵亘 賰丕賳賷鬲賷 丕賱匕賷 賷噩賲毓 亘賷賳 噩賲丕賱 丕賱毓亘丕乇丞 賵毓賲賯 丕賱鬲兀賲賱. 賷購丨賱賱 賰丕賳賷鬲賷貙 丕賱丨丕卅夭 毓賱賶 噩丕卅夭丞 賳賵亘賱貙 爻賷賰賵賱賵噩賷丞 賰丕賮賰丕 賵毓賱丕賯鬲賴 賲毓 丕賱丌禺乇賷賳 賲賯乇亘賷賳 賵賰購鬲丕亘貙 賵賷乇賰夭 毓賱賶 毓賲賱賷丞 丕賱賰鬲丕亘丞 匕丕鬲賴丕 丕賱鬲賷 丕爻鬲丨賵匕鬲 毓賱賶 亘胤賱賴.
141 pages, Unknown Binding
First published January 1, 1969
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About the author
Elias Canetti
112听books639听followersAwarded the 1981 Nobel Prize in Literature "for writings marked by a broad outlook, a wealth of ideas and artistic power."
He studied in Vienna. Before World War II he moved with his wife Veza to England and stayed there for long time. Since late 1960s he lived in London and Zurich. In late 1980s he started to live in Zurich permanently. He died in 1994 in Zurich.
Author of 础耻迟辞-诲补-贵茅, Party in the Blitz, Crowds and Power, and The Voices of Marrakesh: A Record of a Visit
He studied in Vienna. Before World War II he moved with his wife Veza to England and stayed there for long time. Since late 1960s he lived in London and Zurich. In late 1980s he started to live in Zurich permanently. He died in 1994 in Zurich.
Author of 础耻迟辞-诲补-贵茅, Party in the Blitz, Crowds and Power, and The Voices of Marrakesh: A Record of a Visit
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November 10, 2016
"For my part, I can only say that these letters have penetrated me like an actual life, and that they are now so enigmatic and familiar to me that it seems they have been mental possessions of mine from the moment when I first began to accommodate human beings entirely in my mind, in order to arrive, time and again, at a fresh understanding of them."
These words of Canetti's had the same effect on me as Kafka's letters had on him. There is something incredibly valuable in seeing authors in their roles as readers as well, as die-hard fans of other people's thoughts, words, dramas. The - occasionally - difficult relationship between author, reader, work and criticism is turned into a beautiful love affair, a mutual, fruitful and necessary interdependence.
In that respect, it is always fascinating to see what world class authors make of other authors, and Canetti trying to understand Kafka is one of the most interesting cases I can think of. To be the third party - the reader of Canetti, wandering around in the mind of Kafka - is a pure delight. It does not really matter if Canetti got the facts of Kafka's aborted love story right or not, the slim book is very much reminiscent both of Kafka's and of Canetti's fiction, an interesting case of merging different minds to form something new and enigmatic, and yet familiar, in the words of Canetti!
The disconnection between literary and physical self is demonstrated just as vividly as in , only shorter, and more painful, since it is based on a colleague's true experience:
"The ineradicable peculiarity of Kafka's cast of mind is shown by his inability to learn from mistakes. Failure multiplied by failure does not, in his case, equal success. The difficulties always remain the same ones, as if to demonstrate that they are by nature insuperable."
This description applies to almost all characters in Canetti's own opus magnum, and it leaves me with a smile, thinking that Canetti himself might well have had that very "ineradicable peculiarity", and that Kafka's failed love story took new shape when Canetti accommodated it in its entirety in his mind!
What remains now is to follow in the tracks of Canetti, and read the letters themselves, and make sure to create a calm and quiet guest room for Kafka in my mind.
Great read!
These words of Canetti's had the same effect on me as Kafka's letters had on him. There is something incredibly valuable in seeing authors in their roles as readers as well, as die-hard fans of other people's thoughts, words, dramas. The - occasionally - difficult relationship between author, reader, work and criticism is turned into a beautiful love affair, a mutual, fruitful and necessary interdependence.
In that respect, it is always fascinating to see what world class authors make of other authors, and Canetti trying to understand Kafka is one of the most interesting cases I can think of. To be the third party - the reader of Canetti, wandering around in the mind of Kafka - is a pure delight. It does not really matter if Canetti got the facts of Kafka's aborted love story right or not, the slim book is very much reminiscent both of Kafka's and of Canetti's fiction, an interesting case of merging different minds to form something new and enigmatic, and yet familiar, in the words of Canetti!
The disconnection between literary and physical self is demonstrated just as vividly as in , only shorter, and more painful, since it is based on a colleague's true experience:
"The ineradicable peculiarity of Kafka's cast of mind is shown by his inability to learn from mistakes. Failure multiplied by failure does not, in his case, equal success. The difficulties always remain the same ones, as if to demonstrate that they are by nature insuperable."
This description applies to almost all characters in Canetti's own opus magnum, and it leaves me with a smile, thinking that Canetti himself might well have had that very "ineradicable peculiarity", and that Kafka's failed love story took new shape when Canetti accommodated it in its entirety in his mind!
What remains now is to follow in the tracks of Canetti, and read the letters themselves, and make sure to create a calm and quiet guest room for Kafka in my mind.
Great read!
August 31, 2016
賲毓馗賲 丕賱匕賷賳 賯乇兀賵丕 賴匕丕 丕賱賰鬲丕亘貙 賵毓賱賯賵丕 毓賱賷賴貙 賵賰鬲亘賵丕 丨賵賱賴貙 賰丕賳 賰丕賰賮丕 賴賵 丕賱賲丨賮夭 賱賴賲. 賱賰賳賳賷 賱丕 兀爻鬲胤賷毓 丕賱亘丿亍 賮賷 丕賱丨丿賷孬 毓賳 賴匕丕 丕賱賰鬲丕亘 丿賵賳 丕賱鬲毓賱賷賯 毓賱賶 賯丿乇丞 賰丕賳賷鬲賷 賵賲賴丕乇鬲賴 賮賷 鬲丨賱賷賱 卮禺氐賷丞 賰丕賮賰丕 丕毓鬲賲丕丿賸丕 毓賱賶 賲乇丕爻賱丕鬲賴. 賷丕 賱賱賴賵賱貙 賰賷賮 鬲賲賰賳 賰丕賳賷鬲賷 賲賳 廿毓丕丿丞 乇爻賲 卮禺氐賷丞 賰丕賮賰丕 亘賴匕賴 丕賱丿賯丞 亘丕爻鬲禺丿丕賲 丕賱賰賱賲丕鬲 賱丕 睾賷乇!
賮賷 丕賱亘丿丕賷丞 丨賲丿鬲 丕賱賱賴 兀賳 鬲賯賱賷丿 丕賱乇爻丕卅賱 丕賳賯乇囟 賵賱賲 賷毓丿 丕賱亘卮乇 賷鬲賵丕氐賱賵賳 亘丕賱亘乇賷丿 賰賲丕 賰丕賳賵丕 賷賮毓賱賵賳 賮賷 丕賱爻丕亘賯. 鬲禺賷賱賵丕 賱賵 賰賳丕 賱丕 賳夭丕賱 賳賰鬲亘 丕賱乇爻丕卅賱 賵賵賯毓鬲 乇爻丕卅賱賳丕 賮賷 賷丿 卮禺氐 賲孬賱 賰丕賳賷鬲賷 賷爻鬲胤賷毓 賮囟丨 兀丿賯 鬲賮丕氐賷賱 丨賷丕鬲賳丕 賵賰卮賮賴丕 賱賱丌禺乇賷賳 亘丕賱丕毓鬲賲丕丿 毓賱賶 賲丕 賳賰鬲亘賴 賮賷 賱丨馗丞 囟毓賮 賵丨亘 賵睾囟亘 賵賳丿賲!
賵賱賰賳賳賷貙 賱賵賴賱丞賺 賲丕 賮賷 賲賳鬲氐賮 丕賱賰鬲丕亘貙 卮毓乇鬲購 兀賳賾賳賷 兀乇賷丿 兀賳 兀爻鬲賱賯賷 毓賱賶 賲賯毓丿 噩賱丿賷 兀賲丕賲 賰丕賳賷鬲賷 賵兀鬲丨丿賾孬 毓賳 胤賮賵賱鬲賷 賱賲丿丞 爻丕毓鬲賷賳 毓賱賶 胤乇賷賯丞 丕賱兀賮賱丕賲 丕賱兀賲乇賷賰賷賾丞. 賱毓賱賴 賷爻鬲胤賷毓 兀賳 賷賮賴賲賳賷 兀賰孬乇 賲賲丕 兀賮賴賲 賳賮爻賷.
丕毓鬲賯丿鬲 賮賷 丕賱亘丿丕賷丞 兀賳 丕賱毓賳賵丕賳 丕賱匕賷 丕禺鬲丕乇賴 賰丕賳賷鬲賷 賱賱賰鬲丕亘 "賲丨丕賰賲丞 賰丕賮賰丕 丕賱兀禺乇賶" 毓亘孬賷賸丕 賵賲丨丕賵賱丞 賱鬲爻賵賷賯 丕賱賰鬲丕亘 丕爻鬲賳丕丿賸丕 毓賱賶 卮賴乇丞 賰鬲丕亘 賰丕賮賰丕 丕賱毓馗賷賲 "丕賱賲丨丕賰賲丞". 賵賱賰賳 賮賷 丕賱賳氐賮 丕賱孬丕賳賷 賲賳 丕賱賰鬲丕亘 兀丿乇賰鬲 兀賳 丕賱毓賳賵丕賳 賱丕卅賯 噩丿賸丕貙 賮賲丨丕賰賲丞 賰丕賮賰丕 丕賱兀禺乇賶 (禺胤亘鬲賴 賵賲賳 孬賲 丕賳賮氐丕賱賴 毓賳 賮賱賷爻) 賴賷 丕賱賲丨丕賰賲丞 丕賱賲賵丕夭賷丞 丕賱鬲賷 兀賱賴賲鬲 賰丕賮賰丕 賱賰鬲丕亘丞 "丕賱賲丨丕賰賲丞" 賵賮賯賸丕 賱賱兀丿賱丞 丕賱鬲賷 兀賵乇丿賴丕 賰丕賳賷鬲賷. 兀賱賲 兀賯賱 賱賰賲 亘兀賳 賴匕丕 丕賱乇噩賱 賲禺賷賮!
亘丕賱廿囟丕賮丞 廿賱賶 匕賱賰貙 兀毓鬲賯丿 兀賳 賰丕賳賷鬲賷 賰丕賳 賷賳胤賱賯 賲賳 卮禺氐賷丞 賰丕賮賰丕 賱賷賯丿賲 鬲丨賱賷賱丕賸 賱賱賳賮爻 丕賱亘卮乇賷丞 亘卮賰賱賺 毓丕賲. 兀賷 兀賳 賰丕賮賰丕 亘丕賱賳爻亘丞 賱賴 賱賲 賷賰賳 爻賵賶 賮兀乇 鬲噩丕乇亘貙 賷乇丕賯亘 鬲丨乇賰丕鬲賴貙 賷丨賯賳賴 亘兀賲氐丕賱 賲禺鬲賱賮丞貙 賷賯胤毓 匕賷賱賴貙 孬賲 賷丿賵賳 賲卮丕賴丿丕鬲賴 賵賲賱丕丨馗丕鬲賴 丨賵賱 丕賱胤亘賷毓丞 丕賱亘卮乇賷丞.
廿匕賸丕 賲丕 賴賵 丕賱丨賰賲 丕賱兀禺賷乇 丕賱匕賷 兀毓賱賳賴 賰丕賳賷鬲賷 賮賷 賳賴丕賷丞 丕賱賲丨丕賰賲丞責
廿賳 丕賱廿賳爻丕賳 賰丕卅賳 爻賱胤賵賷 亘丕賲鬲賷丕夭!
賰丕賮賰丕貙 匕賱賰 丕賱廿賳爻丕賳 丕賱匕賷 毓丕卮 賵賲丕鬲 賰丕乇賴賸丕 賱賱爻賱胤丞 亘賰丕賮丞 兀卮賰丕賱賴丕貙 賱賲 賷鬲賵丕賳貙 賰賲丕 賯乇兀賳丕 賮賷 乇爻丕卅賱賴貙 毓賳 賲賲丕乇爻鬲賴丕 亘賰賱 賯爻賵丞 毓賱賶 禺胤賷亘鬲賴!
兀毓鬲賯丿 亘兀賳賳賷 爻兀毓賵丿 賱賯乇丕亍丞 乇賵丕賷丞 "丕賱賲丨丕賰賲丞" 賯乇賷亘賸丕 亘毓丿 兀賳 兀賴丿丕賳賷 賰丕賳賷鬲賷 毓賷賳賸丕 孬丕賱孬丞!
賮賷 丕賱亘丿丕賷丞 丨賲丿鬲 丕賱賱賴 兀賳 鬲賯賱賷丿 丕賱乇爻丕卅賱 丕賳賯乇囟 賵賱賲 賷毓丿 丕賱亘卮乇 賷鬲賵丕氐賱賵賳 亘丕賱亘乇賷丿 賰賲丕 賰丕賳賵丕 賷賮毓賱賵賳 賮賷 丕賱爻丕亘賯. 鬲禺賷賱賵丕 賱賵 賰賳丕 賱丕 賳夭丕賱 賳賰鬲亘 丕賱乇爻丕卅賱 賵賵賯毓鬲 乇爻丕卅賱賳丕 賮賷 賷丿 卮禺氐 賲孬賱 賰丕賳賷鬲賷 賷爻鬲胤賷毓 賮囟丨 兀丿賯 鬲賮丕氐賷賱 丨賷丕鬲賳丕 賵賰卮賮賴丕 賱賱丌禺乇賷賳 亘丕賱丕毓鬲賲丕丿 毓賱賶 賲丕 賳賰鬲亘賴 賮賷 賱丨馗丞 囟毓賮 賵丨亘 賵睾囟亘 賵賳丿賲!
賵賱賰賳賳賷貙 賱賵賴賱丞賺 賲丕 賮賷 賲賳鬲氐賮 丕賱賰鬲丕亘貙 卮毓乇鬲購 兀賳賾賳賷 兀乇賷丿 兀賳 兀爻鬲賱賯賷 毓賱賶 賲賯毓丿 噩賱丿賷 兀賲丕賲 賰丕賳賷鬲賷 賵兀鬲丨丿賾孬 毓賳 胤賮賵賱鬲賷 賱賲丿丞 爻丕毓鬲賷賳 毓賱賶 胤乇賷賯丞 丕賱兀賮賱丕賲 丕賱兀賲乇賷賰賷賾丞. 賱毓賱賴 賷爻鬲胤賷毓 兀賳 賷賮賴賲賳賷 兀賰孬乇 賲賲丕 兀賮賴賲 賳賮爻賷.
丕毓鬲賯丿鬲 賮賷 丕賱亘丿丕賷丞 兀賳 丕賱毓賳賵丕賳 丕賱匕賷 丕禺鬲丕乇賴 賰丕賳賷鬲賷 賱賱賰鬲丕亘 "賲丨丕賰賲丞 賰丕賮賰丕 丕賱兀禺乇賶" 毓亘孬賷賸丕 賵賲丨丕賵賱丞 賱鬲爻賵賷賯 丕賱賰鬲丕亘 丕爻鬲賳丕丿賸丕 毓賱賶 卮賴乇丞 賰鬲丕亘 賰丕賮賰丕 丕賱毓馗賷賲 "丕賱賲丨丕賰賲丞". 賵賱賰賳 賮賷 丕賱賳氐賮 丕賱孬丕賳賷 賲賳 丕賱賰鬲丕亘 兀丿乇賰鬲 兀賳 丕賱毓賳賵丕賳 賱丕卅賯 噩丿賸丕貙 賮賲丨丕賰賲丞 賰丕賮賰丕 丕賱兀禺乇賶 (禺胤亘鬲賴 賵賲賳 孬賲 丕賳賮氐丕賱賴 毓賳 賮賱賷爻) 賴賷 丕賱賲丨丕賰賲丞 丕賱賲賵丕夭賷丞 丕賱鬲賷 兀賱賴賲鬲 賰丕賮賰丕 賱賰鬲丕亘丞 "丕賱賲丨丕賰賲丞" 賵賮賯賸丕 賱賱兀丿賱丞 丕賱鬲賷 兀賵乇丿賴丕 賰丕賳賷鬲賷. 兀賱賲 兀賯賱 賱賰賲 亘兀賳 賴匕丕 丕賱乇噩賱 賲禺賷賮!
亘丕賱廿囟丕賮丞 廿賱賶 匕賱賰貙 兀毓鬲賯丿 兀賳 賰丕賳賷鬲賷 賰丕賳 賷賳胤賱賯 賲賳 卮禺氐賷丞 賰丕賮賰丕 賱賷賯丿賲 鬲丨賱賷賱丕賸 賱賱賳賮爻 丕賱亘卮乇賷丞 亘卮賰賱賺 毓丕賲. 兀賷 兀賳 賰丕賮賰丕 亘丕賱賳爻亘丞 賱賴 賱賲 賷賰賳 爻賵賶 賮兀乇 鬲噩丕乇亘貙 賷乇丕賯亘 鬲丨乇賰丕鬲賴貙 賷丨賯賳賴 亘兀賲氐丕賱 賲禺鬲賱賮丞貙 賷賯胤毓 匕賷賱賴貙 孬賲 賷丿賵賳 賲卮丕賴丿丕鬲賴 賵賲賱丕丨馗丕鬲賴 丨賵賱 丕賱胤亘賷毓丞 丕賱亘卮乇賷丞.
廿匕賸丕 賲丕 賴賵 丕賱丨賰賲 丕賱兀禺賷乇 丕賱匕賷 兀毓賱賳賴 賰丕賳賷鬲賷 賮賷 賳賴丕賷丞 丕賱賲丨丕賰賲丞責
廿賳 丕賱廿賳爻丕賳 賰丕卅賳 爻賱胤賵賷 亘丕賲鬲賷丕夭!
賰丕賮賰丕貙 匕賱賰 丕賱廿賳爻丕賳 丕賱匕賷 毓丕卮 賵賲丕鬲 賰丕乇賴賸丕 賱賱爻賱胤丞 亘賰丕賮丞 兀卮賰丕賱賴丕貙 賱賲 賷鬲賵丕賳貙 賰賲丕 賯乇兀賳丕 賮賷 乇爻丕卅賱賴貙 毓賳 賲賲丕乇爻鬲賴丕 亘賰賱 賯爻賵丞 毓賱賶 禺胤賷亘鬲賴!
兀毓鬲賯丿 亘兀賳賳賷 爻兀毓賵丿 賱賯乇丕亍丞 乇賵丕賷丞 "丕賱賲丨丕賰賲丞" 賯乇賷亘賸丕 亘毓丿 兀賳 兀賴丿丕賳賷 賰丕賳賷鬲賷 毓賷賳賸丕 孬丕賱孬丞!
August 28, 2024
芦Cada l铆nea de Kafka me resulta m谩s querida que toda mi obra禄.
芦驴Podr茅 liberarme de Kafka ahora que lo conozco tan a fondo? 驴Podr茅 escribir ahora como si no lo hubiera le铆do nunca?禄
Durante el mes de octubre de 2019, en mi intensa b煤squeda de material para escribir mi biograf铆a sobre Franz Kafka, le铆 este maravilloso y profundo ensayo de El铆as Canetti basado en las cartas que el autor le enviara a Felice Bauer entre 1913 y 1917, con quien entablara una relaci贸n que mayoritariamente epistolar (Kafka envi贸 cerca de quinientas cartas, incluyendo postales).
Y fue hace muy poco, el a帽o pasado en que la excelente editorial Galaxia Gutenberg decidi贸 publicar una nueva edici贸n cr铆tica del libro incluyendo todos los apuntes y borradores previos y posteriores al ensayo publicado originalmente 1968, reversionado, ampliado y comentado con todo tipo de notas e informaci贸n adicional.
Y como ap茅ndice, incluye una conferencia llamada 鈥淧roust-Kafka-Joyce鈥�, que Canetti brind贸 en Inglaterra el 28 de enero de1948 y un texto con adem谩s cuando recibi贸 por el 220 aniversario del nacimiento de Johann Peter Hebel.
Volviendo al libro cuando uno va leyendo esos apuntes, da cuenta de la magnitud de la admiraci贸n que Canetti (como Walter Benjamin, Pietri Citati, Maurice Blanchot o Marthe Robert) sent铆a por el insuperable autor praguense, pues su devoci贸n es irrestricta, dado que el poder de embrujo que Kafka ejerci贸 sobre 茅l es total y dur贸 varios a帽os.
El ensayo sigue siendo fundamental para entender la contradictoria y apasionada relaci贸n entre Franz Kafka y Felice Bauer.
Pude captar perfectamente el objeto de estudio que Canetti hace de Kafka y se nota claramente que ten铆a una idea perfecta y acabada (aunque personal) acerca de Franz Kafka.
Me sorprendi贸 gratamente su teor铆a sobre la comparaci贸n del 鈥淭ribunal de Askanischer Hof鈥�, como Kafka llam贸 a la reuni贸n entre 茅l y la Felice Bauer y que caus贸 la ruptura de la relaci贸n y del compromiso de la pareja con la novela 鈥淓l proceso鈥� y tambi茅n de otra idea interesante acerca de que Kafka es dominado por un sometimiento al Poder y no ante la Ley.
Verdaderamente un excelente ensayo que digno para todo aquel estudioso en la vida de Kafka.
芦驴Podr茅 liberarme de Kafka ahora que lo conozco tan a fondo? 驴Podr茅 escribir ahora como si no lo hubiera le铆do nunca?禄
Durante el mes de octubre de 2019, en mi intensa b煤squeda de material para escribir mi biograf铆a sobre Franz Kafka, le铆 este maravilloso y profundo ensayo de El铆as Canetti basado en las cartas que el autor le enviara a Felice Bauer entre 1913 y 1917, con quien entablara una relaci贸n que mayoritariamente epistolar (Kafka envi贸 cerca de quinientas cartas, incluyendo postales).
Y fue hace muy poco, el a帽o pasado en que la excelente editorial Galaxia Gutenberg decidi贸 publicar una nueva edici贸n cr铆tica del libro incluyendo todos los apuntes y borradores previos y posteriores al ensayo publicado originalmente 1968, reversionado, ampliado y comentado con todo tipo de notas e informaci贸n adicional.
Y como ap茅ndice, incluye una conferencia llamada 鈥淧roust-Kafka-Joyce鈥�, que Canetti brind贸 en Inglaterra el 28 de enero de1948 y un texto con adem谩s cuando recibi贸 por el 220 aniversario del nacimiento de Johann Peter Hebel.
Volviendo al libro cuando uno va leyendo esos apuntes, da cuenta de la magnitud de la admiraci贸n que Canetti (como Walter Benjamin, Pietri Citati, Maurice Blanchot o Marthe Robert) sent铆a por el insuperable autor praguense, pues su devoci贸n es irrestricta, dado que el poder de embrujo que Kafka ejerci贸 sobre 茅l es total y dur贸 varios a帽os.
El ensayo sigue siendo fundamental para entender la contradictoria y apasionada relaci贸n entre Franz Kafka y Felice Bauer.
Pude captar perfectamente el objeto de estudio que Canetti hace de Kafka y se nota claramente que ten铆a una idea perfecta y acabada (aunque personal) acerca de Franz Kafka.
Me sorprendi贸 gratamente su teor铆a sobre la comparaci贸n del 鈥淭ribunal de Askanischer Hof鈥�, como Kafka llam贸 a la reuni贸n entre 茅l y la Felice Bauer y que caus贸 la ruptura de la relaci贸n y del compromiso de la pareja con la novela 鈥淓l proceso鈥� y tambi茅n de otra idea interesante acerca de que Kafka es dominado por un sometimiento al Poder y no ante la Ley.
Verdaderamente un excelente ensayo que digno para todo aquel estudioso en la vida de Kafka.
November 22, 2017
丕賱賷丕爻 賰丕賳賷鬲賷 丕賱丨丕卅夭 毓賱賶 噩丕卅夭丞 賳賵亘賱 賱賱丕丿丕亘 賷賯賵賲 亘丿乇丕爻丞 卮禺氐賷丞 賮乇丕賳夭 賰丕賮賰丕.
賲賳 禺賱丕賱 賯乇丕亍丞 賷賵賲賷丕鬲賴 賵賰匕賱賰 丕賱乇爻丕卅賱 丕賱卮禺氐賷丞 亘賷賳 賰丕賮賰丕 賵丨亘賷亘鬲賴 賷賯賵賲 亘鬲丨賱賷賱 賴匕賴 丕賱卮禺氐賷丞 賵丕賱鬲睾賱睾賱 賮賷賴丕 賵賲賳 禺賱丕賱 賴匕丕 丕賱鬲丨賱賷賱 賵兀孬乇賴 毓賱賶 鬲氐乇賮丕鬲 賰丕賮賰丕 賮賷 丕賱丨賷丕丞 賵賰匕賱賰 毓賱賶 廿賳鬲丕噩賴 丕賱兀丿亘賷.
賲賳 禺賱丕賱 賯乇丕亍丞 賷賵賲賷丕鬲賴 賵賰匕賱賰 丕賱乇爻丕卅賱 丕賱卮禺氐賷丞 亘賷賳 賰丕賮賰丕 賵丨亘賷亘鬲賴 賷賯賵賲 亘鬲丨賱賷賱 賴匕賴 丕賱卮禺氐賷丞 賵丕賱鬲睾賱睾賱 賮賷賴丕 賵賲賳 禺賱丕賱 賴匕丕 丕賱鬲丨賱賷賱 賵兀孬乇賴 毓賱賶 鬲氐乇賮丕鬲 賰丕賮賰丕 賮賷 丕賱丨賷丕丞 賵賰匕賱賰 毓賱賶 廿賳鬲丕噩賴 丕賱兀丿亘賷.
May 23, 2017
--Kafka's Other Trial: The Letters to Felice
Notes
Notes
November 30, 2014
賰鬲丕亘 噩賲賷賱 賱賱睾丕賷丞 賵賰兀賳賰 鬲鬲賱氐氐 賲賳 賳丕賮匕丞 毓賱賶 卮禺氐賷賳 毓丕卮賯賷賳
兀賳 賷噩鬲賲毓 賰丕賳賷鬲賷 賵賰丕賮賰丕 賮賷 賰鬲丕亘 賵丕丨丿 匕賱賰 卮賷亍 乇丕卅毓 貙 賵兀賳 鬲賯乇兀 賱賰丕鬲亘 鬲丨亘賴 毓賳 賰丕鬲亘 丌禺乇 鬲丨亘賴 賮匕賱賰 卮賷亍 亘丕賱睾 丕賱乇賵毓丞 賰丕賳賷鬲賷 氐丕丨亘 兀氐賵丕鬲 賲乇丕賰卮 賴匕丕 丕賱賲丨賱賱 丕賱亘丕乇毓 氐丕丨亘 丕賱匕丕卅賯丞 丕賱賲賲賷夭丞 賵丕賱賯賱賲 丕賱兀丿亘賷 丕賱賳丕囟噩 賷丨賱賱 乇爻丕卅賱 賰丕賮賰丕 賱賮賷賱爻 賲賳匕 亘丿丕賷丞 鬲毓丕乇賮賴賲丕 孬賲 丕賱毓賱丕賯丞 丕賱鬲賷 噩賲毓鬲賴賲丕 賵賰丕賳鬲 鬲賯賵賲 毓賱賶 鬲亘丕丿賱 丕賱乇爻丕卅賱 賵賷馗賴乇 賰丕賳賷鬲賷 兀賳賴 賮賷 丕賱賵賯鬲 丕賱匕賷 賰丕賳 賮賷賴 賰丕賮賰丕 賲鬲丿賮賯丕 賮賷 賲卮丕毓乇賴 賰丕賳鬲 賮賷賱爻 賲鬲賲賳毓丞 賵賲禺鬲氐乇丞 賵賲賯鬲氐丿丞 賮賷 賲卮丕毓乇賴丕 賵丕賴鬲賲丕賲賴丕 賵賮賷 丕賱賵賯鬲 丕賱匕賷 賰丕賳 賷胤賲丨 亘賰賱賲丞 賲賳賴丕 毓賳 乇兀賷賴丕 賮賷 賰鬲丕亘丕鬲賴 兀賵 賱毓賱賴丕 鬲賯賵賱 賱賴 賰丕賮賰丕 賰賲 兀丨亘 賰鬲丕亘丕鬲賰 毓賱賶 爻亘賷賱 丕賱賲孬丕賱.. 賰丕賳鬲 賮賷賱爻 鬲丨丿孬賴 亘賱丕 賲亘丕賱丕丞 毓賳 賰鬲丕亘 丌禺乇賷賳 .. 亘賴匕賴 丕賱胤乇賷賯丞 賰丕賳 賰丕賳賷鬲賷 賷鬲賱氐氐 毓賱賶 乇爻丕卅賱賴賲丕 賵賷丨賱賱 卮禺氐賷丞 賮賷賱爻 賵賷鬲鬲亘毓 禺胤 爻賷乇 丕賱毓賱丕賯丞 賵鬲氐丕毓丿 廿賳賮毓丕賱丕鬲 賰丕賮賰丕 孬賲 鬲賱丕卮賷賴丕 卮賷卅丕 賮卮賷卅丕 丨鬲賶 丕禺鬲賮丕丐賴丕 禺丕氐丞 丨賷賳 賵氐賱鬲 丕賱毓賱丕賯丞 廿賱賶 乇睾亘丞 賮賷賱爻 賮賷 丕賱廿乇鬲亘丕胤 賵廿丿丕乇賰 賰丕賮賰丕 兀賳 丕賱廿乇鬲亘丕胤 賷丨丿 賲賳 丨乇賷鬲賴 賵賴賵 丕賱匕賷 賱胤丕賱賲丕 丕卮鬲賰賶 賲賳 爻賷胤乇丞 賵爻賱胤丞 賵丕賱丿賴
廿賳 卮禺氐賷丞 賰丕賮賰丕 鬲氐亘丨 兀賰孬乇 賵囟賵丨丕 亘毓丿 鬲丨賱賷賱丕鬲 賰丕賳賷鬲賷 賵乇亘胤賴 亘賷賳 賲卮賰賱丕鬲 賰丕賮賰丕 丕賱賳賮爻賷丞 賵丕賱鬲賷 賷毓夭賵 兀睾賱亘賴丕 廿賱賶 卮賰賱 噩爻丿賴 賲賲丕 噩毓賱賴 賰乇丿丞 賮毓賱 賷氐睾乇 賳賮爻賴 丨鬲賶 賷鬲賱丕卮賶 賵賷馗賴乇 匕賱賰 賮賷 賰鬲丕亘丕鬲賴 爻賵丕亍 賮賷 乇爻丕卅賱賴 賲毓 賮賷賱爻 兀賵 賮賷 兀毓賲丕賱賴 丕賱兀丿亘賷丞
兀丨亘亘鬲 丕賱賰鬲丕亘 噩丿丕 賵爻兀毓賷丿 賯乇丕亍鬲賴 賲賳 噩丿賷丿 毓賳丿賲丕 兀賯乇兀 賲爻鬲毓賲乇丞 丕賱毓賯丕亘 賵丕賱賲丨丕賰賲丞 丕賱鬲賷 噩丕亍 匕賰乇賴丕 賮賷 丕賱賰鬲丕亘 賰孬賷乇丕 ..
September 24, 2019
LE MELE
"L'altro processo" (1969) di Elias Canetti si muove tra le lettere che Franz Kafka e Felice Bauer si scrissero tra il 1912 e il 1917, durante il periodo in cui si frequentarono. 脠 un capolavoro. In 120 pagine Canetti dice un mondo di cose pressanti, il vero titolo sarebbe potuto essere: Saggio parziale sulle relazioni umane.
Cerco di spiegarmi.
Canetti intende mostrare come alcune grandi opere di quel periodo, come La metamorfosi e Il processo, sono l'esito di vaghi continui processi che Kafka subisce dal mondo, nei fatti da Felice e dalla sua amica Grete Bloch, in un hotel di Berlino, il 12 luglio 1914, quando si tenne una sorta di scontro in cui Kafka viene messo di fronte alle sue responsabilit脿 di fidanzato che si tira ostinatamente indietro. Kafka non rispose, esattamente come faranno i suoi personaggi, e il mese dopo cominci貌 a scrivere Il processo. Ma non 猫 solamente questo l'aspetto magnetico di questo grande saggio: ci貌 che avvince 猫 la forma, Canetti - che era un Kafka sopravvissuto a se stesso, fino al punto di scrivere un'autobiografia parziale in vecchiaia - procede con la stessa logica del romanzo.
Cerco di spiegarmi 2.
Franz Kafka e Felice Bauer, 29 anni lui e 25 lei, si innamorano come due normali e sensibili Franco e Felicia, lui esaspera con l'immaginazione alcuni particolari, lei dimentica l'ombrello in treno e legge di notte, Kafka ci intravede una vicinanza ai suoi modi di persona che alle volte vive momenti crepuscolari e trasognati. Le loro affinit脿 sono perfettamente contemporanee, salutisti, vegetariani, amanti della natura. Insonni. Giocano nell'inviarsi frasi a effetto come oggi accade con alcuni tweet interessanti.
A questo punto Kafka si sente energizzare. Si sono conosciuti nell'agosto del 1912 a casa dell'amico Max Brod a Praga, e nei mesi successivi Kafka, preso da furia creativa, scriver脿 il racconto La condanna (dedicato a lei), nonch茅 i primi 4 capitoli di America e La metamorfosi, composto le ultime due settimane del novembre 2012. Inizia a parlare di ci貌 che scrive, le invia "Meditazione", l'unica sua opera allora in corso di pubblicazione. Ma sbaglia. Quel libro ancora acerbo non lo rappresenta. Felice gli fa capire che non 猫 attratta particolarmente da quello che scrive, iniziano a discutere sui diversi gusti letterari, non amano gli stessi autori. Kafka realizza di essersi aspettato altro da una relazione, Canetti precisa che egli si rende conto che la vicinanza di Felice gli viene 'elargita alla cieca', Felice non lo corrisponde come egli vorrebbe; nel Processo un sacerdote ammonir脿 Joseph K. "ti sei aspettato troppo dagli altri, in particolare dalle donne."
A questo punto dovrei andare avanti nella storia, umanamente interessantissima, ma la lascio a chi vorr锟斤拷 leggerla. Accadranno molte altre cose. Mi soffermo solo su due passi di quelle due opere grandiose che sono La metamorfosi (racconto di 60 pagine che Canetti e Nabokov ritengono uno dei vertici del Novecento) e Il processo.
Canetti scrive su Kafka:
"Egli non nutriva per le vicende private che si svolgono nel suo intimo quel disprezzo che 猫 tipico degli scribacchini e li distingue dai veri scrittori. Chi ritiene di poter separare il proprio mondo interiore dal mondo esteriore 猫 chiaro che non possiede un mondo interiore da cui alcunch茅 possa essere separato."
Questa considerazione 猫 importante per capire Franz Kafka, egli inserisce pagine che ancora oggi sembrano sconcertanti, lo fa con perfetta seriet脿 e senso estetico. Quando Joseph K. si reca dal pittore Titorelli, per avere ragguagli sul processo che lo vede accusato di non si sa che cosa, incontra sulle scale una tredicenne che lo insidia, si alza la gonna, lo schernisce insieme alle sue amiche. Joseph entra nell'appartamento di Titorelli come se fosse uno scampato a una molestia. Mentre si toglie la giacca le ragazzine lo spiano dalle fessure della porta, egli sente su di s茅 sempre pi霉 pressione tantoch茅, consigliato da Titorelli stesso, decider脿 - quando andr脿 via - di uscire dalla finestra che si affaccia sul retro. Incredibilmente si ritrover脿 nei corridoi del tribunale. Questo passaggio solo un autore di immensa creativit脿 poteva scriverlo. Un autore che sente su di s茅 quello che scrive Musil ne L'uomo senza qualit脿, "uno spaventoso bisogno di irrealt脿" rispetto alle convenzioni che soffocano la vita.
La metamorfosi. Questo goffo insettone umano si muove a fatica e a un certo punto si attacca sulla parete di un quadro. Sua madre entra in stanza e si spaventa, interviene sua sorella per calmare sua madre e quindi irrompe suo padre. Tutto prende la piega delle isterie familiari. Che Gregor Samsa sia un insettone indebolito non 猫 pi霉 in questione. Siamo gi脿 entrati all'interno di una famiglia come tante. Con le sue beghe. Il padre si comporta come se dovesse ristabilire ordine e calma in famiglia, interviene d'imperio, lo prende a colpi di mele, lo bombarda di mele; una di queste penetra fin dentro la corazza di Gregor. Immaginiamoci la pena di questo uomo insetto - che fa gi脿 una certa fatica col mondo e con le relazioni, con una mela conficcata nella schiena. Sentiamo crac, quasi sulla nostra pelle.
La metamorfosi resta una delle opere pi霉 commoventi del mondo.
"Qualche volta, Felice, penso, che hai davvero un grande potere su di me: trasformami dunque in un essere umano capace di cose normali."
"L'altro processo" (1969) di Elias Canetti si muove tra le lettere che Franz Kafka e Felice Bauer si scrissero tra il 1912 e il 1917, durante il periodo in cui si frequentarono. 脠 un capolavoro. In 120 pagine Canetti dice un mondo di cose pressanti, il vero titolo sarebbe potuto essere: Saggio parziale sulle relazioni umane.
Cerco di spiegarmi.
Canetti intende mostrare come alcune grandi opere di quel periodo, come La metamorfosi e Il processo, sono l'esito di vaghi continui processi che Kafka subisce dal mondo, nei fatti da Felice e dalla sua amica Grete Bloch, in un hotel di Berlino, il 12 luglio 1914, quando si tenne una sorta di scontro in cui Kafka viene messo di fronte alle sue responsabilit脿 di fidanzato che si tira ostinatamente indietro. Kafka non rispose, esattamente come faranno i suoi personaggi, e il mese dopo cominci貌 a scrivere Il processo. Ma non 猫 solamente questo l'aspetto magnetico di questo grande saggio: ci貌 che avvince 猫 la forma, Canetti - che era un Kafka sopravvissuto a se stesso, fino al punto di scrivere un'autobiografia parziale in vecchiaia - procede con la stessa logica del romanzo.
Cerco di spiegarmi 2.
Franz Kafka e Felice Bauer, 29 anni lui e 25 lei, si innamorano come due normali e sensibili Franco e Felicia, lui esaspera con l'immaginazione alcuni particolari, lei dimentica l'ombrello in treno e legge di notte, Kafka ci intravede una vicinanza ai suoi modi di persona che alle volte vive momenti crepuscolari e trasognati. Le loro affinit脿 sono perfettamente contemporanee, salutisti, vegetariani, amanti della natura. Insonni. Giocano nell'inviarsi frasi a effetto come oggi accade con alcuni tweet interessanti.
A questo punto Kafka si sente energizzare. Si sono conosciuti nell'agosto del 1912 a casa dell'amico Max Brod a Praga, e nei mesi successivi Kafka, preso da furia creativa, scriver脿 il racconto La condanna (dedicato a lei), nonch茅 i primi 4 capitoli di America e La metamorfosi, composto le ultime due settimane del novembre 2012. Inizia a parlare di ci貌 che scrive, le invia "Meditazione", l'unica sua opera allora in corso di pubblicazione. Ma sbaglia. Quel libro ancora acerbo non lo rappresenta. Felice gli fa capire che non 猫 attratta particolarmente da quello che scrive, iniziano a discutere sui diversi gusti letterari, non amano gli stessi autori. Kafka realizza di essersi aspettato altro da una relazione, Canetti precisa che egli si rende conto che la vicinanza di Felice gli viene 'elargita alla cieca', Felice non lo corrisponde come egli vorrebbe; nel Processo un sacerdote ammonir脿 Joseph K. "ti sei aspettato troppo dagli altri, in particolare dalle donne."
A questo punto dovrei andare avanti nella storia, umanamente interessantissima, ma la lascio a chi vorr锟斤拷 leggerla. Accadranno molte altre cose. Mi soffermo solo su due passi di quelle due opere grandiose che sono La metamorfosi (racconto di 60 pagine che Canetti e Nabokov ritengono uno dei vertici del Novecento) e Il processo.
Canetti scrive su Kafka:
"Egli non nutriva per le vicende private che si svolgono nel suo intimo quel disprezzo che 猫 tipico degli scribacchini e li distingue dai veri scrittori. Chi ritiene di poter separare il proprio mondo interiore dal mondo esteriore 猫 chiaro che non possiede un mondo interiore da cui alcunch茅 possa essere separato."
Questa considerazione 猫 importante per capire Franz Kafka, egli inserisce pagine che ancora oggi sembrano sconcertanti, lo fa con perfetta seriet脿 e senso estetico. Quando Joseph K. si reca dal pittore Titorelli, per avere ragguagli sul processo che lo vede accusato di non si sa che cosa, incontra sulle scale una tredicenne che lo insidia, si alza la gonna, lo schernisce insieme alle sue amiche. Joseph entra nell'appartamento di Titorelli come se fosse uno scampato a una molestia. Mentre si toglie la giacca le ragazzine lo spiano dalle fessure della porta, egli sente su di s茅 sempre pi霉 pressione tantoch茅, consigliato da Titorelli stesso, decider脿 - quando andr脿 via - di uscire dalla finestra che si affaccia sul retro. Incredibilmente si ritrover脿 nei corridoi del tribunale. Questo passaggio solo un autore di immensa creativit脿 poteva scriverlo. Un autore che sente su di s茅 quello che scrive Musil ne L'uomo senza qualit脿, "uno spaventoso bisogno di irrealt脿" rispetto alle convenzioni che soffocano la vita.
La metamorfosi. Questo goffo insettone umano si muove a fatica e a un certo punto si attacca sulla parete di un quadro. Sua madre entra in stanza e si spaventa, interviene sua sorella per calmare sua madre e quindi irrompe suo padre. Tutto prende la piega delle isterie familiari. Che Gregor Samsa sia un insettone indebolito non 猫 pi霉 in questione. Siamo gi脿 entrati all'interno di una famiglia come tante. Con le sue beghe. Il padre si comporta come se dovesse ristabilire ordine e calma in famiglia, interviene d'imperio, lo prende a colpi di mele, lo bombarda di mele; una di queste penetra fin dentro la corazza di Gregor. Immaginiamoci la pena di questo uomo insetto - che fa gi脿 una certa fatica col mondo e con le relazioni, con una mela conficcata nella schiena. Sentiamo crac, quasi sulla nostra pelle.
La metamorfosi resta una delle opere pi霉 commoventi del mondo.
"Qualche volta, Felice, penso, che hai davvero un grande potere su di me: trasformami dunque in un essere umano capace di cose normali."
December 25, 2020
賳賵蹖爻賳丿诏丕賳蹖 賴爻鬲賳丿貙 丕賱亘鬲賴 丕賳丿讴鈥屫促呚ж必� 讴賴 趩賳丕賳 亘賴鈥屭┵呚з勨€屫з嗀� 讴賴 诏爻鬲丕禺蹖 賴乇诏賵賳賴 丕馗賴丕乇賳馗乇蹖 丿乇 賲賵乇丿 丌賳鈥屬囏� 賲賲讴賳 丕爻鬲 毓賲賱蹖 賵丨卮蹖丕賳賴 鬲賱賯蹖 卮賵丿. 賮乇丕賳鬲爻 讴丕賮讴丕 趩賳蹖賳 賳賵蹖爻賳丿賴鈥屫й� 亘賵丿. 亘賳丕亘乇丕蹖賳 鬲丕 噩丕蹖蹖 讴賴 賲賲讴賳 丕爻鬲 亘丕蹖丿 亘賴 诏賮鬲賴鈥屬囏й� 禺賵丿 丕賵 鬲讴蹖賴 讴賳蹖賲貙 丨鬲蹖 丕诏乇 丿爻鬲 賵 亘丕賱鈥屬呚з� 亘爻鬲賴 亘丕卮丿. 丕賱亘鬲賴 賵賯鬲蹖 亘賴 氐賲蹖賲蹖鬲 賳丕賲賴鈥屬囏� 倬蹖 賲蹖鈥屫ㄘ臂屬� 卮乇賲賳丿賴 禺賵丕賴蹖賲 卮丿 丕賲丕 丕蹖賳 禺賵丿 賳丕賲賴鈥屬囏� 賴爻鬲賳丿 讴賴 趩賳蹖賳 卮乇賲蹖 乇丕 丕夭 賲丕 爻賱亘 賲蹖鈥屭┵嗁嗀� 趩乇丕讴賴 亘賴 賲丕 賲蹖鈥屬佡囐呚з嗁嗀� 丿丕爻鬲丕賳蹖 賲丕賳賳丿 賲爻禺 氐賲蹖賲蹖鈥屫� 丕夭 賳丕賲賴鈥屬囏ж池� 賵 爻乇丕賳噩丕賲 丿乇賲蹖鈥屰屫жㄛ屬� 讴賴 趩賴 趩蹖夭賽 丕蹖賳 丿丕爻鬲丕賳 亘丕 鬲賲丕賲 丿丕爻鬲丕賳鈥屬囏й� 丿蹖诏乇 賲鬲賮丕賵鬲 丕爻鬲
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賳賲蹖鈥屫堌з嗁� 亘丕 丌丿賲鈥屬囏� 爻乇 讴賳賲. 丕夭 鬲賲丕賲 禺賵蹖卮丕賵賳丿丕賳賲 亘賴 讴賱蹖 賲鬲賳賮乇賲貨 賳賴 趩賵賳鈥屭┵� 禺賵蹖卮丕賵賳丿 賲賳鈥屫з嗀� 賳賴 亘賴 禺丕胤乇 丕蹖賳鈥屭┵� 丌丿賲鈥屬囏й� 亘丿蹖 亘丕卮賳丿...貙 賮賯胤 亘賴 丕蹖賳 丿賱蹖賱 爻丕丿賴 讴賴 亘睾賱 诏賵卮賲 夭賳丿诏蹖 賲蹖鈥屭┵嗁嗀�
乇賵卮 夭賳丿诏蹖 賲賳 鬲賳賴丕 亘乇丕蹖 賳賵卮鬲賳 胤乇丨 卮丿賴 丕爻鬲... 夭賲丕賳 讴賵鬲丕賴 賵 鬲賵丕賳 讴賲 丕爻鬲貙 丕丿丕乇賴 賵丨卮鬲賳丕讴 丕爻鬲 賵 丕倬丕乇鬲賲丕賳 卮賱賵睾. 丕诏乇 夭賳丿诏蹖賽 夭蹖亘丕 賵 爻乇乇丕爻鬲 賲蹖爻乇 賳卮丿貙 亘丕蹖丿 讴賵卮蹖丿 亘丕 鬲乇丿爻鬲蹖 丕夭 賱丕亘賴鈥屬勜й� 丕蹖賳鈥屬囏� 乇丿 卮丿
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賳賲蹖鈥屫堌з嗁� 亘丕 丌丿賲鈥屬囏� 爻乇 讴賳賲. 丕夭 鬲賲丕賲 禺賵蹖卮丕賵賳丿丕賳賲 亘賴 讴賱蹖 賲鬲賳賮乇賲貨 賳賴 趩賵賳鈥屭┵� 禺賵蹖卮丕賵賳丿 賲賳鈥屫з嗀� 賳賴 亘賴 禺丕胤乇 丕蹖賳鈥屭┵� 丌丿賲鈥屬囏й� 亘丿蹖 亘丕卮賳丿...貙 賮賯胤 亘賴 丕蹖賳 丿賱蹖賱 爻丕丿賴 讴賴 亘睾賱 诏賵卮賲 夭賳丿诏蹖 賲蹖鈥屭┵嗁嗀�
乇賵卮 夭賳丿诏蹖 賲賳 鬲賳賴丕 亘乇丕蹖 賳賵卮鬲賳 胤乇丨 卮丿賴 丕爻鬲... 夭賲丕賳 讴賵鬲丕賴 賵 鬲賵丕賳 讴賲 丕爻鬲貙 丕丿丕乇賴 賵丨卮鬲賳丕讴 丕爻鬲 賵 丕倬丕乇鬲賲丕賳 卮賱賵睾. 丕诏乇 夭賳丿诏蹖賽 夭蹖亘丕 賵 爻乇乇丕爻鬲 賲蹖爻乇 賳卮丿貙 亘丕蹖丿 讴賵卮蹖丿 亘丕 鬲乇丿爻鬲蹖 丕夭 賱丕亘賴鈥屬勜й� 丕蹖賳鈥屬囏� 乇丿 卮丿
November 15, 2014
賴匕丕 丕賱賰鬲丕亘貙 賴賵 亘賲孬丕亘丞貙 毓賲賱賷丞 鬲賳賯賷亘 賵丕爻毓丞 賵囟禺賲丞貙 賵丿賯賷賯丞 兀賷囟丕 賮賷 丨賷丕丞 賰丕賮丕賰丕. 賰賳鬲 兀賮囟賱 兀賳 賷毓乇囟 賱賳丕 丕賱賷丕爻 賰賵賷賳鬲賷 乇爻丕卅賱 賰丕賮賰丕貙 廿賱賷 賮賷賱爻貙 兀賵賱丕貙 孬賲 賷丿爻 賲卮乇胤賴 賮賷賴丕貙 賵賷賲毓賳 賮賷 賰卮賮貙 賵丕亘乇丕夭 鬲賮丕氐賷賱賴丕貙 賵賲丕 賵乇丕亍 鬲賮丕氐賷賱賴丕貙 賱賳丕貙 賰賲丕 賮毓賱. 賱賰賳賴 兀禺匕 賷賳賯亘 賵賷卮乇丨貙 賲囟賲賳丕 丕賱卮賵丕賴丿 賵丕賱賲賯鬲亘爻丕鬲 賲賳 丕賱乇爻丕卅賱貙 禺賱丕賱 毓賲賱賷丞 丕賱爻乇丿/ 丕賱鬲賮氐賷賱..
賵賷毓鬲亘乇 丕賱賰鬲丕亘貙 丿丕賮毓丕 賯賵賷丕貙 賱賲賳 賱賲 賷賯乇兀 (丕賱賲丨丕賰賲丞) 乇賵丕賷丞 賰丕賮賰丕貙 兀賳 賷賯乇兀賴丕貙 賮賴賷 亘丕賱兀爻丕爻 賲亘賳賷丞 毓賱賷 鬲賱賰 丕賱賮鬲乇丞 賲賳 丨賷丕丞 賰丕賮賰丕 (賮鬲乇丞 鬲亘丕丿賱 丕賱乇爻丕亍賱 賲毓 賮賷賱爻)貙 兀賲丕 賲賳 賯乇兀賴丕 賮賮賷 丕賱賰鬲丕亘 鬲賵囟賷丨 賱賲丕 禺賮賷貙 賵賱賱丿賵丕賮毓 丕賱賰丕賲賳丞 賵乇丕亍 賰鬲丕亘丞 乇賵丕賷丞 賰賴匕賴. 賵孬賲丞 鬲賵囟賷丨 兀賷囟丕 丨賵賱 (丕賱賲爻禺). 賮賷 丕賱賲噩賲賱貙 賴賳丕 丕賳賰卮賮 賰丕賮賰丕. 賴賳丕 爻鬲毓乇賮 賯氐丞 賰丕賮賰丕 賰賱賴丕貙 爻鬲毓乇賮 馗乇賵賮 丨賷丕鬲賴貙 賵鬲賰賵賷賳賴 丕賱賳賮爻賷 賵丕賱噩爻丿賷 賵丕賱毓丕卅賱賷 兀賷囟丕. 賵爻鬲鬲兀賰丿 鬲賲丕賲丕 賲賳 兀賳賴: 賲賳 丕賱氐毓亘貙 兀賳 賷賳賮氐賱 丕賱賰丕鬲亘/ 丕賱乇賵丕卅賷 毓賳 匕丕鬲賴/ 丨賷丕鬲賴 丕賱賲毓丕卮丞貙 兀孬賳丕亍 毓賲賱賷丞 丕賱賰鬲丕亘丞.
賵賷毓鬲亘乇 丕賱賰鬲丕亘貙 丿丕賮毓丕 賯賵賷丕貙 賱賲賳 賱賲 賷賯乇兀 (丕賱賲丨丕賰賲丞) 乇賵丕賷丞 賰丕賮賰丕貙 兀賳 賷賯乇兀賴丕貙 賮賴賷 亘丕賱兀爻丕爻 賲亘賳賷丞 毓賱賷 鬲賱賰 丕賱賮鬲乇丞 賲賳 丨賷丕丞 賰丕賮賰丕 (賮鬲乇丞 鬲亘丕丿賱 丕賱乇爻丕亍賱 賲毓 賮賷賱爻)貙 兀賲丕 賲賳 賯乇兀賴丕 賮賮賷 丕賱賰鬲丕亘 鬲賵囟賷丨 賱賲丕 禺賮賷貙 賵賱賱丿賵丕賮毓 丕賱賰丕賲賳丞 賵乇丕亍 賰鬲丕亘丞 乇賵丕賷丞 賰賴匕賴. 賵孬賲丞 鬲賵囟賷丨 兀賷囟丕 丨賵賱 (丕賱賲爻禺). 賮賷 丕賱賲噩賲賱貙 賴賳丕 丕賳賰卮賮 賰丕賮賰丕. 賴賳丕 爻鬲毓乇賮 賯氐丞 賰丕賮賰丕 賰賱賴丕貙 爻鬲毓乇賮 馗乇賵賮 丨賷丕鬲賴貙 賵鬲賰賵賷賳賴 丕賱賳賮爻賷 賵丕賱噩爻丿賷 賵丕賱毓丕卅賱賷 兀賷囟丕. 賵爻鬲鬲兀賰丿 鬲賲丕賲丕 賲賳 兀賳賴: 賲賳 丕賱氐毓亘貙 兀賳 賷賳賮氐賱 丕賱賰丕鬲亘/ 丕賱乇賵丕卅賷 毓賳 匕丕鬲賴/ 丨賷丕鬲賴 丕賱賲毓丕卮丞貙 兀孬賳丕亍 毓賲賱賷丞 丕賱賰鬲丕亘丞.
June 20, 2023
"True, Kafka had been dead for forty-three years when these letters appeared. Even then, because one revered the man and his misfortune, one's first response was a feeling of awkwardness and embarrassment. I know people whose embarrassment increased, the more they read, who could not help feeling that they were intruding precisely where they should not. I respect these people, but I am not one of them. I found these letters more gripping and absorbing than any literary work I have read for years past." (3-4)This long essay by Elias Canetti was directly occasioned by the publication of Kafka's letters to Felice, but there is more to it than that. In Kafka's Other Trial, Canetti uses Kafka's romance with Felice鈥攗ltimately a failure (how could it have been otherwise?)鈥攖o reflect on Kafka's life and to provide some insight into him as a person (and, to a lesser extent, as a writer). I particularly like that Canetti doesn't glorify or romanticize Kafka. Aside from the interesting commentary on the letters and their contents, which Canetti uses as a guide to trace the turbulent story of the relationship between Franz and Felice through all of its vicissitudes, Canetti makes some fascinating points鈥攍ike how The Trial can be traced back to the 'tribunal' led by Felice that ended her engagement with Kafka. I hadn't come across such a clear exposition of this life-into-literature aspect of The Trial before. There is also a reflection on Kafka's relation to small animals in there somewhere that I love and want to write about at some point.
September 27, 2016
賲丨丕賰賲丞 賰丕賮賰丕 丕賱兀禺乇賶貙 乇爻丕卅賱 賰丕賮賰丕 廿賱賶 賮賷賱爻 !
賴匕丕 丕賱賰鬲丕亘 亘賲孬丕亘丞 賲噩賴乇 丕賵 毓丿爻丞 賲賰亘乇丞 賲賳 丕賱賲亘丿毓 賰丕賳賷鬲賷 賮賷 賰卮賮 毓丕賱賲 賵禺亘丕賷丕 賵兀爻乇丕乇 賰丕賮賰丕! 亘賷賳 丕賱匕丕鬲 賵丕賱兀賳丕 _賰丕賮賰丕 & 賮賷賱爻_ 賵丕賱賲賵賳賵賱賵噩 丕賱丿丕禺賱賷 賱賰丕賮賰丕 鬲賳賮囟丨 卮禺氐賷丞 賰丕賮賰丕 賵鬲賮鬲丨 亘丕亘丕 賵丕爻毓賸丕 賱賮賴賲 賴匕丕 丕賱毓丕賱賲 亘賰賱 賰丕亘賵爻賷鬲賴 賵爻賵丿丕賵賷鬲賴 賵賰賵賲賷丿賷丕鬲賴! 賰丕賳賷鬲賷 賴賳丕 亘丕乇毓 賵賲亘丿毓 賮賷 賰卮賮 禺亘丕賷丕 乇爻丕卅賱 亘賷賳 丨亘賷亘賷賳 賱賲 賷賰鬲亘 賱賴賲丕 丕賱賯丿乇 亘兀賳 賷鬲氐丕賱丨丕 兀賵 賷鬲賮賯丕! 賵亘賷賳 卮丿 賵噩匕亘 賴匕賴 丕賱毓賱丕賯丞 丕賱鬲賷 鬲賲乇 亘賲胤亘丕鬲 賵賲賳丨丿乇丕鬲 賵賯賲賲 賵兀毓丕賱賷 賳乇賶 賰丕賮賰丕 賲鬲賱賵賳賸丕貙 賲噩賳賵賳丕貙 賳丕賯賲丕貙 賲亘丿毓丕貙 賰丕鬲亘丕貙 賵丨賷丿丕貙 賲賳毓夭賱賸丕貙 禺丕卅賮丕貙 爻賵丿賵丕賷丕賸貙 睾賷乇 賲鬲氐丕賱丨 賲毓 賳賮爻賴 賵噩爻丿賴 賵賲鬲乇丿丿丕 .. 賴匕賴 丕賱鬲丨賵賱丕鬲 賱丕 鬲爻鬲胤賷毓 兀賳 鬲賯乇兀賴丕 廿賱丕 亘賲毓賷賾丞 賰丕賳賷鬲賷 丕賱匕賷 賰丕賳 賵亘賰賱 丿賴卮丞 賷鬲賱氐氐 毓賱賶 乇爻丕卅賱 賵賲乇丕爻賱丕鬲 賰丕賮賰丕 賱賮賷賱爻 賮賷丨賱賱賴丕 亘毓賷賳 噩乇賷卅丞 賵乇丕卅毓丞 賵賷毓賷丿 氐賷丕睾鬲賴丕 亘賰賱 賲丕 鬲爻鬲胤賷毓 毓丿爻鬲賴 丕賳 鬲賰卮賮 賱賴 賲賳 乇賲賵夭 賲噩賴賵賱丞 賵丿賵丕卅乇 賲睾賱賯丞 毓賱賶 賳賮爻賴丕 ! 賮賷賱爻 丕賱賲乇兀丞 賰丕賳鬲 賲賱賴賲丞 賰丕賮賰丕貙 賵賲丕 丨丿孬 亘賷賳賴賲丕 胤賷賱丞 禺賲爻 爻賳賵丕鬲 賰丕賳 賲丕 丨賲賱 賰丕賮賰丕 賮賷 兀賳 賷賳賴賷 兀毓賲丕賱賸丕 禺丕賱丿丞 賲孬賱 丕賱賲爻禺 賵兀賲乇賷賰丕 賵丕賱賯賱毓丞 賵鬲丨乇賷丕鬲 賰賱亘 賵丕賱賲丨丕賰賲丞 亘賱丕 卮賰 賵丕賱鬲賷 賲賳賴丕 丕賱兀禺賷乇丞 賰丕賳鬲 賲丨丕賰賲鬲賴 ( 丕賱禺胤亘丞 賵丕賱丕賳賮氐丕賱 賲賳 賮賷賱爻) 賵丕賱鬲賷 亘丕賱鬲賵丕夭賷 賲賳賴丕 賰丕賳鬲 賲丕 丿賮毓鬲賴 賵兀賱賴賲鬲賴 賱賰鬲丕亘鬲賴丕 賵亘丕毓丿丕賲賴 賷賰賵賳 賳賴丕賷丞 丕賱毓賱丕賯丞 賮賷賲丕 亘賷賳賴賲丕 !
賴匕丕 丕賱賰鬲丕亘 賴賵 賲丿禺賱 賱賮賴賲 賰丕賮賰丕 兀賵 賯丿 賷賰賵賳 賲賱丨賯賸丕 賱兀毓賲丕賱賴 丕賱鬲賷 鬲氐毓亘 毓賱賶 丕賱賯丕乇賶 兀賳 賷賮賰 卮賮乇丕鬲賴丕 賵乇賲賵夭賴丕 賵賲丕 鬲丨賲賱賴 賲賳 賲丿賱賵賱丕鬲 兀乇丕丿 亘賴丕 賰丕賮賰丕 兀賳 賷毓亘乇 毓賳賴丕 賵兀賳 賷爻鬲禺丿賲 鬲賵乇賷丕鬲賴 賵兀爻乇丕乇賴 丕賱鬲賷 賱丕 鬲賰卮賮 廿賱丕 毓賳賴 賵毓賳 賰丕亘賵爻賷鬲賴 賵丨夭賳賴 賵兀賱賲賴 ... 賰丕賮賰丕 丕賱丨夭賷賳 賴匕丕 丕賱賰鬲丕亘 賷噩毓賱賳賷 兀毓賷丿 賯乇丕亍鬲賰 亘卮賰賱 賳丕囟噩 兀賰孬乇 !
卮賰乇賸丕 賰丕賳賷鬲賷 賱賰賱 丕亘丿丕毓賰 .. 賮賱賯丿 賰賳鬲 禺賷乇 丿賱賷賱 賱毓丕賱賲 賰丕賮賰丕 ..
賰賵孬乇
佟伽 兀賷賱賵賱 佗贍佟佴
賴匕丕 丕賱賰鬲丕亘 亘賲孬丕亘丞 賲噩賴乇 丕賵 毓丿爻丞 賲賰亘乇丞 賲賳 丕賱賲亘丿毓 賰丕賳賷鬲賷 賮賷 賰卮賮 毓丕賱賲 賵禺亘丕賷丕 賵兀爻乇丕乇 賰丕賮賰丕! 亘賷賳 丕賱匕丕鬲 賵丕賱兀賳丕 _賰丕賮賰丕 & 賮賷賱爻_ 賵丕賱賲賵賳賵賱賵噩 丕賱丿丕禺賱賷 賱賰丕賮賰丕 鬲賳賮囟丨 卮禺氐賷丞 賰丕賮賰丕 賵鬲賮鬲丨 亘丕亘丕 賵丕爻毓賸丕 賱賮賴賲 賴匕丕 丕賱毓丕賱賲 亘賰賱 賰丕亘賵爻賷鬲賴 賵爻賵丿丕賵賷鬲賴 賵賰賵賲賷丿賷丕鬲賴! 賰丕賳賷鬲賷 賴賳丕 亘丕乇毓 賵賲亘丿毓 賮賷 賰卮賮 禺亘丕賷丕 乇爻丕卅賱 亘賷賳 丨亘賷亘賷賳 賱賲 賷賰鬲亘 賱賴賲丕 丕賱賯丿乇 亘兀賳 賷鬲氐丕賱丨丕 兀賵 賷鬲賮賯丕! 賵亘賷賳 卮丿 賵噩匕亘 賴匕賴 丕賱毓賱丕賯丞 丕賱鬲賷 鬲賲乇 亘賲胤亘丕鬲 賵賲賳丨丿乇丕鬲 賵賯賲賲 賵兀毓丕賱賷 賳乇賶 賰丕賮賰丕 賲鬲賱賵賳賸丕貙 賲噩賳賵賳丕貙 賳丕賯賲丕貙 賲亘丿毓丕貙 賰丕鬲亘丕貙 賵丨賷丿丕貙 賲賳毓夭賱賸丕貙 禺丕卅賮丕貙 爻賵丿賵丕賷丕賸貙 睾賷乇 賲鬲氐丕賱丨 賲毓 賳賮爻賴 賵噩爻丿賴 賵賲鬲乇丿丿丕 .. 賴匕賴 丕賱鬲丨賵賱丕鬲 賱丕 鬲爻鬲胤賷毓 兀賳 鬲賯乇兀賴丕 廿賱丕 亘賲毓賷賾丞 賰丕賳賷鬲賷 丕賱匕賷 賰丕賳 賵亘賰賱 丿賴卮丞 賷鬲賱氐氐 毓賱賶 乇爻丕卅賱 賵賲乇丕爻賱丕鬲 賰丕賮賰丕 賱賮賷賱爻 賮賷丨賱賱賴丕 亘毓賷賳 噩乇賷卅丞 賵乇丕卅毓丞 賵賷毓賷丿 氐賷丕睾鬲賴丕 亘賰賱 賲丕 鬲爻鬲胤賷毓 毓丿爻鬲賴 丕賳 鬲賰卮賮 賱賴 賲賳 乇賲賵夭 賲噩賴賵賱丞 賵丿賵丕卅乇 賲睾賱賯丞 毓賱賶 賳賮爻賴丕 ! 賮賷賱爻 丕賱賲乇兀丞 賰丕賳鬲 賲賱賴賲丞 賰丕賮賰丕貙 賵賲丕 丨丿孬 亘賷賳賴賲丕 胤賷賱丞 禺賲爻 爻賳賵丕鬲 賰丕賳 賲丕 丨賲賱 賰丕賮賰丕 賮賷 兀賳 賷賳賴賷 兀毓賲丕賱賸丕 禺丕賱丿丞 賲孬賱 丕賱賲爻禺 賵兀賲乇賷賰丕 賵丕賱賯賱毓丞 賵鬲丨乇賷丕鬲 賰賱亘 賵丕賱賲丨丕賰賲丞 亘賱丕 卮賰 賵丕賱鬲賷 賲賳賴丕 丕賱兀禺賷乇丞 賰丕賳鬲 賲丨丕賰賲鬲賴 ( 丕賱禺胤亘丞 賵丕賱丕賳賮氐丕賱 賲賳 賮賷賱爻) 賵丕賱鬲賷 亘丕賱鬲賵丕夭賷 賲賳賴丕 賰丕賳鬲 賲丕 丿賮毓鬲賴 賵兀賱賴賲鬲賴 賱賰鬲丕亘鬲賴丕 賵亘丕毓丿丕賲賴 賷賰賵賳 賳賴丕賷丞 丕賱毓賱丕賯丞 賮賷賲丕 亘賷賳賴賲丕 !
賴匕丕 丕賱賰鬲丕亘 賴賵 賲丿禺賱 賱賮賴賲 賰丕賮賰丕 兀賵 賯丿 賷賰賵賳 賲賱丨賯賸丕 賱兀毓賲丕賱賴 丕賱鬲賷 鬲氐毓亘 毓賱賶 丕賱賯丕乇賶 兀賳 賷賮賰 卮賮乇丕鬲賴丕 賵乇賲賵夭賴丕 賵賲丕 鬲丨賲賱賴 賲賳 賲丿賱賵賱丕鬲 兀乇丕丿 亘賴丕 賰丕賮賰丕 兀賳 賷毓亘乇 毓賳賴丕 賵兀賳 賷爻鬲禺丿賲 鬲賵乇賷丕鬲賴 賵兀爻乇丕乇賴 丕賱鬲賷 賱丕 鬲賰卮賮 廿賱丕 毓賳賴 賵毓賳 賰丕亘賵爻賷鬲賴 賵丨夭賳賴 賵兀賱賲賴 ... 賰丕賮賰丕 丕賱丨夭賷賳 賴匕丕 丕賱賰鬲丕亘 賷噩毓賱賳賷 兀毓賷丿 賯乇丕亍鬲賰 亘卮賰賱 賳丕囟噩 兀賰孬乇 !
卮賰乇賸丕 賰丕賳賷鬲賷 賱賰賱 丕亘丿丕毓賰 .. 賮賱賯丿 賰賳鬲 禺賷乇 丿賱賷賱 賱毓丕賱賲 賰丕賮賰丕 ..
賰賵孬乇
佟伽 兀賷賱賵賱 佗贍佟佴
August 30, 2016
賰丕鬲亘 亘毓馗賲丞 賰丕賳賷鬲賷 丕賱匕賷 毓丕卮 丨賷丕丞 賳氐賮賴丕 亘丕賱爻禺胤 賵丕賱賳氐賮 丕賱丌禺乇 亘丕賱爻禺乇賷丞貙 賷賰鬲亘 賵賷爻禺賾乇 兀丿賵丕鬲賴 丕賱鬲丨賱賷賱賷丞 賮賷 賰卮賮 亘毓囟 丕賱噩賵丕賳亘 丕賱廿賳爻丕賳賷丞 賲賳 丕賱賰丕鬲亘 丕賱賰丕亘賵爻賷 賰丕賮賰丕貙 兀毓鬲賯丿 亘兀賳 賴匕丕 丕賱賰鬲丕亘 賲丿禺賱 賲賴賲 賱毓丕賱賲 賰丕賮賰丕 丕賱乇賵丕卅賷.
November 29, 2017
賮賷 丕賱毓丕丿丞 兀毓鬲亘乇 賳賮爻賷 賲賳 賲丨亘賷 賰鬲丕亘丕鬲 賰丕賮賰丕 亘賱 賲賳 丕賱賲毓噩亘賷賳 亘兀爻賱賵亘賴 賵賮賷 賳賮爻 丕賱賵賯鬲 賲賳 賲丨亘賷 兀丿丕亘 丕賱乇爻丕卅賱 賵賴匕丕 賴賵 丕賱爻亘亘 丕賱丿賷 丿賮毓賳賷 賱賱賵賴賱丞 丕賱丕賵賱賶 賱賯乇丕亍丞 賴匕賴 丕賱丿乇丕爻丞 丕賱鬲賷 馗賳賳鬲賴丕 賮賷 丕賱亘丿丕賷丞 乇爻丕卅賱 賲賳 賰丕賮丞丕 賱賮賷賱爻 禺胤賷亘鬲賴 丕賱丕賵賱賶.
賱兀噩丿 兀賳 丕賱賰鬲丕亘 賰賰賱 賴賵 鬲丨賱賷賱 賱卮禺氐賷丞 賰丕賮賰丕 賵兀爻賱賵亘賴 丕賱丕丿亘賷 廿賳胤賱丕賯丕 賲賳 乇爻丕卅賱賴 賱賮賷賱爻 賵賲匕賰乇丕鬲賴 賮丕賱賰丕鬲亘 賷兀禺丿賳丕 丕賱賶 賮鬲乇丞 賲賳 丨賷丕丞 賰丕賮賰丕 毓賳丿賲丕 毓乇賮 賮賷賱爻 賱兀賵賱 賲乇丞 賲乇賵乇丕 亘禺胤賵亘鬲賴賲丕 丕賱賶 丕賱賮乇丕賯. 賴匕賴 丕賱賮鬲乇丞 丕賱鬲賷 卮賴丿鬲 賰鬲丕亘丞 賰丕賮賰丕 賱兀卮賴乇 兀毓賲丕賱賴 賰丕賱丕賳賲爻丕禺 賵 丕賱賲丨丕賰賲丞 賵兀賲乇賷賰丕 賵賮賷 賲爻鬲毓賲乇丞 丕賱毓賯丕亘貙 乇爻丕賱丞 丕賱賶 丕賱賵丕賱丿...
賷爻鬲賲乇 賴匕丕 丕賱賰鬲丕亘 賮賷 鬲毓乇賷賮賷 亘賰丕賮賰丕 賮亘毓丿 賰丕賮賰丕 丕賱賰爻賵賱 賵丕賱丨夭賷賳 丕賱賲毓丿亘 噩爻丿賷丕 賵賳賮爻賷丕 賮賷 乇爻丕卅賱賴 丕賱賶 賲賷賱賳賷丕 賮賷 丕賱爻賳賵丕鬲 丕賱丕禺賷乇丞 賱丨賷丕鬲賴. 兀噩丿 賳賮爻賷 丕賱丕賳 兀賲丕賲 賰丕賮賰丕 丕賱卮丕亘 丕賱賳卮胤 賵丕賱丕賳毓夭丕賱賷貙 丕賱賴卮貙 丕賱毓賳賷丿貙 丨丕丿 丕賱胤亘丕毓貙 賰孬賷乇 丕賱鬲乇丿丿 賮賷 廿鬲禺丕丿 丕賱賯乇丕乇丕鬲貙 丕賱匕賷 賷毓卮賯 丕賱賵丨丿丞貙 賵丕賱匕賷 賱丕 賷鬲賵丕賳賶 毓賳 丕賱爻禺乇賷丞 賲賳 噩爻丿賴 丕賱賴夭賷賱. 丕賱匕賷 賷禺丕賮 賲賳 丕賱爻賱胤丞 賵丕賱賲爻丐賵賱賷丞 賱丿乇噩丞 丕賱禺賵賮 丕賱賴賵爻賷 賵 丕賱匕賷 賷禺鬲氐乇 廿爻賲 兀亘胤丕賱 兀毓賲丕賱賴 亘丨乇賮 賵丕丨丿 賷賲鬲賱賴 賴賵 賳賮爻賴 亘胤乇賷賯丞 丕賵 亘兀禺乇賶
兀賰鬲乇 賲丕 氐丿賲賳賷 賴賵 廿賰鬲卮丕賮賷 兀賳 乇賵丕賷鬲丞 丕賱賲丨丕賰賲丞 賰丕賳鬲 廿毓丕丿丞 丕賱鬲氐賵乇 賱兀賷丕賲 丕賱丕禺賷乇丞 賱賮乇丕賯賴 賲毓 賮賷賱爻. 賴匕賴 丕賱乇賵丕賷丞 丕賱鬲賷 賰丕賳鬲 兀賵賱 毓賲賱 兀賯乇兀賴 賱賰丕賮賰丕 賵丕賱匕賷 丨亘亘賳賷 賱兀賯乇兀 賱賴 丕賱賲夭賷丿. 乇睾賲 兀賳賳賷 賱賲 兀賮賴賲賴丕 賮賷 賯乇丕卅鬲賷 丕賱丕賵賱賶 賱賴丕.
February 14, 2017
螕蟻维蠁蔚喂 慰 螝伪谓苇蟿喂 纬喂伪 蟿慰谓 螝维蠁魏伪 (魏伪喂 魏伪蟿鈥櫸迪€苇魏蟿伪蟽畏 魏伪喂 纬喂伪 蟿慰谓 委未喂慰): 芦螕喂伪 蟿畏 蠁蟻委魏畏 蟿畏蟼 味蠅萎蟼, 蟺慰蠀 蟽蟺伪谓委蠅蟼 蟽蠀谓蔚喂未畏蟿慰蟺慰喂慰蠉谓 慰喂 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰喂 维谓胃蟻蠅蟺慰喂, 蔚魏蟿蠈蟼 伪蟺蠈 慰蟻喂蟽渭苇谓慰蠀蟼 蟺慰蠀 未蔚谓 蟿畏 位畏蟽渭慰谓慰蠉谓 蟺慰蟿苇, 位蔚蟼 魏伪喂 魏维蟺慰喂蔚蟼 蔚蟽蠅蟿蔚蟻喂魏苇蟼 未蠀谓维渭蔚喂蟼 蟿慰蠀蟼 苇蠂慰蠀谓 慰蟻委蟽蔚喂 渭维蟻蟿蠀蟻蔚蟼, 蠀蟺维蟻蠂蔚喂 渭蠈谓慰 渭委伪 蟺伪蟻畏纬慰蟻喂维: 畏 蟽蠀渭渭蔚蟿慰蠂萎 蟿慰蠀蟼 蟽蟿畏 蠁蟻委魏畏 蟺慰蠀 苇谓喂蠅蟽伪谓 渭维蟻蟿蠀蟻蔚蟼 蟺伪蟻蔚位胃蠈谓蟿蠅谓 蠂蟻蠈谓蠅谓.禄 鈥�..
螘谓伪 伪蟺慰位伪蠀蟽蟿喂魏蠈 魏伪喂 未喂蔚喂蟽未蠀蟿喂魏蠈 未慰魏委渭喂慰 纬喂伪 蠈蟽慰蠀蟼 蔚蟺喂胃蠀渭慰蠉谓 谓伪 魏伪蟿伪位维尾慰蠀谓 位委纬慰 魏伪位蠉蟿蔚蟻伪 蟿畏谓 渭蔚纬伪位慰蠁蠀委伪 蟿蠅谓 未蠉慰 伪蠀蟿锟斤拷谓 蟽蠀纬纬蟻伪蠁苇蠅谓
螘谓伪 伪蟺慰位伪蠀蟽蟿喂魏蠈 魏伪喂 未喂蔚喂蟽未蠀蟿喂魏蠈 未慰魏委渭喂慰 纬喂伪 蠈蟽慰蠀蟼 蔚蟺喂胃蠀渭慰蠉谓 谓伪 魏伪蟿伪位维尾慰蠀谓 位委纬慰 魏伪位蠉蟿蔚蟻伪 蟿畏谓 渭蔚纬伪位慰蠁蠀委伪 蟿蠅谓 未蠉慰 伪蠀蟿锟斤拷谓 蟽蠀纬纬蟻伪蠁苇蠅谓
May 1, 2016
賮賷 丕賱丨賯賷賯丞 鬲賵賯毓鬲 丕賱賰鬲丕亘 毓亘丕乇丞 毓賳 丕賱賳氐賵氐 丕賱兀氐賱賷丞 賱賱乇爻丕卅賱 丕賱鬲賷 亘毓孬賴丕 賰丕賮賰丕 廿賱賶 賮賷賱爻 賵賱賰賳賴丕 賰丕賳鬲 賲噩乇丿 賲賯鬲胤賮丕鬲 賷爻鬲卮賴丿 亘賴丕 賰丕賳賷鬲賷 賮賷 賳賯丿賴 賱賰鬲丕亘丕鬲 賰丕賮賰丕 賵卮禺氐賷鬲賴 賰賲丕 丕爻鬲卮賴丿 兀賷囟丕 亘賲賯鬲胤賮丕鬲 賲賳 丕賱賲丨賰賲丞 賵丕賱賲爻禺 賵賮賷 賲爻鬲毓賲乇丞 丕賱毓賯丕亘 兀丨亘亘鬲 噩夭卅賷丞 鬲丨賱賷賱 丕賱賲丨丕賰賲丞 丕賱鬲賷 賳氐亘鬲賴丕 賮賷賱爻 賱賰丕賮賰丕 賵鬲兀孬賷乇賴丕 毓賱賶 乇賵丕賷鬲賴 丕賱賲丨賰賲丞.. 賰鬲丕亘 賱胤賷賮 禺賮賷賮 賵賱賰賳賴 賱賷爻 亘丕賱卮賷賯.
August 26, 2016
賲丨丕賰賲丞 賰丕賮賰丕 丕賱兀禺乇賶
乇爻丕卅賱 賰丕賮賰丕 丕賱賶 賮賷賱爻
賯丿 賷毓鬲亘乇 賴匕丕 丕賱賰鬲丕亘 爻賷乇丞 匕丕鬲賷丞 賱賰丕賮賰丕 賵賴賵 毓亘丕乇丞 毓賳 賲乇丕爻賱丕鬲賴 丕賱鬲賷 賰鬲亘賴丕 賮賷 賲爻賷乇丞 丨賷丕鬲賴 賱賮賷賱爻 賵賱賲賳 賷乇賷丿 兀賳 賷賯乇兀 賰賱 乇賵丕賷丕鬲賴 毓賱賷賴 丕賳 賷賯乇兀 賴匕丕 丕賱賰鬲丕亘 兀賵賱丕賸 丨鬲賶 賷毓乇賮 丕賱賰孬賷乇 賲賳 丕賱賲卮丕毓乇 賵丕賱兀賮賰丕乇 丕賱鬲賷 爻賷胤乇鬲 毓賱賶 賰丕賮賰丕 賮賷 鬲賱賰 丕賱賮鬲乇丞 賮賷爻賴賱 毓賱賷賴丕 賮賰 乇賲賵夭 乇賵丕賷丕鬲賴 亘卮賰賱 兀爻賴賱 貙 賮賲乇丕爻賱丕鬲賴 鬲賰卮賮 丕賱噩丕賳亘 丕賱賮乇丿賷 丕賱禺丕氐 賵丕賱賲禺鬲賱賮 毓賳 亘賯賷丞 丕賱兀賮乇丕丿 賮賷 賲噩鬲賲毓賴 賵鬲亘賷賳 賲丕 毓賱賷賴 賵囟毓賴 丕賱噩爻丿賷 賵丕賱賳賮爻賷 賵賲丕 賷賳鬲丕亘賴 賲賳 兀丨丕爻賷爻 賲賮乇胤丞 丕鬲噩丕賴 丕賱兀禺乇賷賳 貙 賵鬲亘賷賳 丕賱賲乇丕爻賱丕鬲 丨丕賱丞 賰丕賮賰丕 丕賱賳賮爻賷丞 亘賲丕 鬲毓賰爻賴 賮賷 賰鬲丕亘丕鬲賴 賮賮賷 賮鬲乇丞 丕夭丿賴丕乇 丕賱賲乇丕爻賱丕鬲 鬲賳氐亘睾 乇賵丕賷丕鬲賴 亘胤丕亘毓 丕賱鬲賮丕丐賱 賵亘賷賳賲丕 賮賷 丕賳賯胤丕毓賴丕 賷賰賵賳 丕賱鬲卮丕卅賲 賴賵 丕賱賲爻賷胤乇 貙 賵乇亘賲丕 賷賰賵賳 賲賳 睾賷乇鬲賴 毓賱賶 賮賱賷爻 兀孬乇 賰亘賷乇 賮賷 睾夭丕乇丞 廿賳鬲丕噩賴 賵丕賱廿爻賴丕亘 丕賱匕賷 鬲鬲賲賷夭 亘賴 亘毓囟 乇賵丕賷丕鬲賴 賲孬賱 丕賱賯賱毓丞 貙 賰鬲毓賵賷囟 賳賮爻賷 賱賴匕賴 丕賱睾賷乇丞 貙 賮賷 丕賱噩丕賳亘 丕賱丌禺乇 賷賰賵賳 賵爻賵丕爻賴 丕賱噩爻丿賷 孬賯賱 爻賷賾亍 毓賱賶 兀賮賰丕乇賴 貙 賵禺噩賱賴 賲賳 賳丨賵賱賴 賲賳毓賴 賲賳 丕賱丕爻鬲賲鬲丕毓 亘丕賱亘丨乇 賵丕賱丨賲丕賲丕鬲 賲毓 兀氐丿賯丕亍賴 賱賷亘賯賶 賲賳毓夭賱 賵賴匕丕 賲丕 賷賮爻乇 賰賱賲丕鬲 丕賱丕賳毓夭丕賱 賮賷 乇賵丕賷丕鬲賴 爻賵丕亍 賰丕賳鬲 丕賱氐乇丕毓 兀賵 兀賲乇賷賰丕 賵 亘丕賱禺氐賵氐 丕賱丨卮乇丞 " 丕賱賲爻禺 " 賵賱賰賳 賱賵賱丕 賴匕丕 丕賱丕賳毓夭丕賱 賱賲丕 賰丕賳 賰丕賮賰丕 賰丕賮賰丕 丕賱匕賷 賳毓乇賮賴 貙 賴匕丕 丕賱鬲賳賮賷爻 丕賱匕賷 賷爻鬲禺丿賲賴 賮賷 丕賱賰鬲丕亘賴 賲賮爻乇 賱毓丿賲 廿賰賲丕賱 丕賱乇賵丕賷丞 賱丕賳 兀賰賲丕賱賴丕 賱賷爻 賴丿賮 亘賯丿乇 賲丕 賱賱賰鬲丕亘賴 賲賳 賵噩賵丿 丕賱匕丕鬲 賵丕賱丨賮乇 賮賷賴丕 賱賱兀毓賲丕賯 貙 賵賷鬲賳丕睾賲 匕賱賰 賲毓 丕賱毓卮賵丕卅賷丞 賵丕賱孬乇孬乇丞 賮賷 賰鬲丕亘丕鬲賴 丨賷孬 鬲賮鬲賯丿 丕賱賲卮丕毓乇 丕賱丕賳爻丕賳賷丞 賵丕賱賲亘丕丿卅 丕賱丕禺賱丕賯賷丞 賱丕賳 丕賱賵丕賯毓 賴賵 賰匕賱賰 賷賮賯丿 賴匕丕 丕賱丨爻 賮賷 賮賵囟賶 丕賱賲丕丿賷丞 丕賱賲亘賴乇噩丞 丕賱夭丕卅賮丞 貙 賵毓賳丿賲丕 賷鬲毓乇囟 賱賱賲賴丕賳丞 鬲鬲丨賵賱 賱睾鬲賴 丕賱賶 鬲賲孬賱 賰賱亘 賮賷 丕賱卮賵丕乇毓 賷賲卮賷 賵 賴賷 鬲丨乇賷丕鬲 賰賱亘 貙 賵亘賷賳 夭賵丕噩賴 賲賳 賮賷賱爻 賵噩乇賷鬲 賰丕賳鬲 丕賱賲丨丕賰賲丞 丕賱鬲賷 丕賳毓賰爻 賰賰賱賲丕鬲 氐丕睾賴丕 亘賮賳賴 賱鬲賰賵賳 爻乇丿 丨賯賷賯丞 賮賷 孬賵亘 禺賷丕賱 亘賷賳 丕賱賲丨丕賰賲丞 賵丕賱丕毓鬲賯丕賱 賴賵 丕賱丨賯賷賯丞 賮賷 賰賱 匕賱賰 賵丕賱匕丕鬲 賴賷 丕賱賲鬲賴賲 丕賱賵丨賷丿 賴賳丕 貙 賵亘毓丿 丕賱賳賴丕賷丞 丕賱賲兀爻丕賵賷丞 賮賷 乇賵丕賷鬲賴 丕賱賲丨丕賰賲丞 丕賱鬲賷 丕賳鬲賴鬲 亘兀毓丿丕賲賴 兀賯氐賶 毓賳 匕賴賳賴 賰賱 丕賱兀賮賰丕乇 毓賳 禺胤賷亘鬲賴 賮賱賷爻 亘毓丿 賮乇丕賯賴賲丕 貙 賵賷兀禺匕賴 賲乇囟 丕賱爻賱 毓賱賶 睾賮賱丞 丕賱丕 丕賳賴 賱丕 賷賲賵鬲 亘爻亘亘 丕賱賲乇囟 賵賱賰賳 亘爻亘亘 毓丿賲 鬲賰賲賳賴 賲賳 丕賱兀賰賱 賵賰兀賳賴 賷賰鬲亘 賳賴丕賷鬲賴 匕丕鬲賴丕 丕賱鬲賷 丨丿孬鬲 賮賷 賳賴丕賷丞 乇賵丕賷丞 丕賱丨卮乇丞 " 丕賱賲爻禺 " 賵賰鬲亘 賰賱賲鬲賴 丕賱兀禺賷乇丞 " 兀賳丕 賲禺賱賵賯 賰丕匕亘 貙 亘丕賱賳爻亘丞 賱賷 賴匕賴 賴賷 丕賱賵爻賷賱丞 丕賱賵丨賷丿丞 賱賱賲丨丕賮馗丞 毓賱賶 鬲賵丕夭賳賷 貙 賮賯丕乇亘賷 賴卮 " .
乇爻丕卅賱 賰丕賮賰丕 丕賱賶 賮賷賱爻
賯丿 賷毓鬲亘乇 賴匕丕 丕賱賰鬲丕亘 爻賷乇丞 匕丕鬲賷丞 賱賰丕賮賰丕 賵賴賵 毓亘丕乇丞 毓賳 賲乇丕爻賱丕鬲賴 丕賱鬲賷 賰鬲亘賴丕 賮賷 賲爻賷乇丞 丨賷丕鬲賴 賱賮賷賱爻 賵賱賲賳 賷乇賷丿 兀賳 賷賯乇兀 賰賱 乇賵丕賷丕鬲賴 毓賱賷賴 丕賳 賷賯乇兀 賴匕丕 丕賱賰鬲丕亘 兀賵賱丕賸 丨鬲賶 賷毓乇賮 丕賱賰孬賷乇 賲賳 丕賱賲卮丕毓乇 賵丕賱兀賮賰丕乇 丕賱鬲賷 爻賷胤乇鬲 毓賱賶 賰丕賮賰丕 賮賷 鬲賱賰 丕賱賮鬲乇丞 賮賷爻賴賱 毓賱賷賴丕 賮賰 乇賲賵夭 乇賵丕賷丕鬲賴 亘卮賰賱 兀爻賴賱 貙 賮賲乇丕爻賱丕鬲賴 鬲賰卮賮 丕賱噩丕賳亘 丕賱賮乇丿賷 丕賱禺丕氐 賵丕賱賲禺鬲賱賮 毓賳 亘賯賷丞 丕賱兀賮乇丕丿 賮賷 賲噩鬲賲毓賴 賵鬲亘賷賳 賲丕 毓賱賷賴 賵囟毓賴 丕賱噩爻丿賷 賵丕賱賳賮爻賷 賵賲丕 賷賳鬲丕亘賴 賲賳 兀丨丕爻賷爻 賲賮乇胤丞 丕鬲噩丕賴 丕賱兀禺乇賷賳 貙 賵鬲亘賷賳 丕賱賲乇丕爻賱丕鬲 丨丕賱丞 賰丕賮賰丕 丕賱賳賮爻賷丞 亘賲丕 鬲毓賰爻賴 賮賷 賰鬲丕亘丕鬲賴 賮賮賷 賮鬲乇丞 丕夭丿賴丕乇 丕賱賲乇丕爻賱丕鬲 鬲賳氐亘睾 乇賵丕賷丕鬲賴 亘胤丕亘毓 丕賱鬲賮丕丐賱 賵亘賷賳賲丕 賮賷 丕賳賯胤丕毓賴丕 賷賰賵賳 丕賱鬲卮丕卅賲 賴賵 丕賱賲爻賷胤乇 貙 賵乇亘賲丕 賷賰賵賳 賲賳 睾賷乇鬲賴 毓賱賶 賮賱賷爻 兀孬乇 賰亘賷乇 賮賷 睾夭丕乇丞 廿賳鬲丕噩賴 賵丕賱廿爻賴丕亘 丕賱匕賷 鬲鬲賲賷夭 亘賴 亘毓囟 乇賵丕賷丕鬲賴 賲孬賱 丕賱賯賱毓丞 貙 賰鬲毓賵賷囟 賳賮爻賷 賱賴匕賴 丕賱睾賷乇丞 貙 賮賷 丕賱噩丕賳亘 丕賱丌禺乇 賷賰賵賳 賵爻賵丕爻賴 丕賱噩爻丿賷 孬賯賱 爻賷賾亍 毓賱賶 兀賮賰丕乇賴 貙 賵禺噩賱賴 賲賳 賳丨賵賱賴 賲賳毓賴 賲賳 丕賱丕爻鬲賲鬲丕毓 亘丕賱亘丨乇 賵丕賱丨賲丕賲丕鬲 賲毓 兀氐丿賯丕亍賴 賱賷亘賯賶 賲賳毓夭賱 賵賴匕丕 賲丕 賷賮爻乇 賰賱賲丕鬲 丕賱丕賳毓夭丕賱 賮賷 乇賵丕賷丕鬲賴 爻賵丕亍 賰丕賳鬲 丕賱氐乇丕毓 兀賵 兀賲乇賷賰丕 賵 亘丕賱禺氐賵氐 丕賱丨卮乇丞 " 丕賱賲爻禺 " 賵賱賰賳 賱賵賱丕 賴匕丕 丕賱丕賳毓夭丕賱 賱賲丕 賰丕賳 賰丕賮賰丕 賰丕賮賰丕 丕賱匕賷 賳毓乇賮賴 貙 賴匕丕 丕賱鬲賳賮賷爻 丕賱匕賷 賷爻鬲禺丿賲賴 賮賷 丕賱賰鬲丕亘賴 賲賮爻乇 賱毓丿賲 廿賰賲丕賱 丕賱乇賵丕賷丞 賱丕賳 兀賰賲丕賱賴丕 賱賷爻 賴丿賮 亘賯丿乇 賲丕 賱賱賰鬲丕亘賴 賲賳 賵噩賵丿 丕賱匕丕鬲 賵丕賱丨賮乇 賮賷賴丕 賱賱兀毓賲丕賯 貙 賵賷鬲賳丕睾賲 匕賱賰 賲毓 丕賱毓卮賵丕卅賷丞 賵丕賱孬乇孬乇丞 賮賷 賰鬲丕亘丕鬲賴 丨賷孬 鬲賮鬲賯丿 丕賱賲卮丕毓乇 丕賱丕賳爻丕賳賷丞 賵丕賱賲亘丕丿卅 丕賱丕禺賱丕賯賷丞 賱丕賳 丕賱賵丕賯毓 賴賵 賰匕賱賰 賷賮賯丿 賴匕丕 丕賱丨爻 賮賷 賮賵囟賶 丕賱賲丕丿賷丞 丕賱賲亘賴乇噩丞 丕賱夭丕卅賮丞 貙 賵毓賳丿賲丕 賷鬲毓乇囟 賱賱賲賴丕賳丞 鬲鬲丨賵賱 賱睾鬲賴 丕賱賶 鬲賲孬賱 賰賱亘 賮賷 丕賱卮賵丕乇毓 賷賲卮賷 賵 賴賷 鬲丨乇賷丕鬲 賰賱亘 貙 賵亘賷賳 夭賵丕噩賴 賲賳 賮賷賱爻 賵噩乇賷鬲 賰丕賳鬲 丕賱賲丨丕賰賲丞 丕賱鬲賷 丕賳毓賰爻 賰賰賱賲丕鬲 氐丕睾賴丕 亘賮賳賴 賱鬲賰賵賳 爻乇丿 丨賯賷賯丞 賮賷 孬賵亘 禺賷丕賱 亘賷賳 丕賱賲丨丕賰賲丞 賵丕賱丕毓鬲賯丕賱 賴賵 丕賱丨賯賷賯丞 賮賷 賰賱 匕賱賰 賵丕賱匕丕鬲 賴賷 丕賱賲鬲賴賲 丕賱賵丨賷丿 賴賳丕 貙 賵亘毓丿 丕賱賳賴丕賷丞 丕賱賲兀爻丕賵賷丞 賮賷 乇賵丕賷鬲賴 丕賱賲丨丕賰賲丞 丕賱鬲賷 丕賳鬲賴鬲 亘兀毓丿丕賲賴 兀賯氐賶 毓賳 匕賴賳賴 賰賱 丕賱兀賮賰丕乇 毓賳 禺胤賷亘鬲賴 賮賱賷爻 亘毓丿 賮乇丕賯賴賲丕 貙 賵賷兀禺匕賴 賲乇囟 丕賱爻賱 毓賱賶 睾賮賱丞 丕賱丕 丕賳賴 賱丕 賷賲賵鬲 亘爻亘亘 丕賱賲乇囟 賵賱賰賳 亘爻亘亘 毓丿賲 鬲賰賲賳賴 賲賳 丕賱兀賰賱 賵賰兀賳賴 賷賰鬲亘 賳賴丕賷鬲賴 匕丕鬲賴丕 丕賱鬲賷 丨丿孬鬲 賮賷 賳賴丕賷丞 乇賵丕賷丞 丕賱丨卮乇丞 " 丕賱賲爻禺 " 賵賰鬲亘 賰賱賲鬲賴 丕賱兀禺賷乇丞 " 兀賳丕 賲禺賱賵賯 賰丕匕亘 貙 亘丕賱賳爻亘丞 賱賷 賴匕賴 賴賷 丕賱賵爻賷賱丞 丕賱賵丨賷丿丞 賱賱賲丨丕賮馗丞 毓賱賶 鬲賵丕夭賳賷 貙 賮賯丕乇亘賷 賴卮 " .
June 2, 2016
貙"賷爻賯胤 毓賱賷 賵丕亘賱 賲賳 丕賱毓氐亘賷丞 亘丕爻鬲賲乇丕乇貙 賲丕 兀乇賷丿賴 賮賷 賱丨馗丞 兀賲賯鬲賴 賮賷 丕賱賱丨馗丞 丕賱鬲丕賱賷丞 貙 賷噩亘 兀賳 兀賰丿爻 丕賱卮賰賵賰 賮賷 丿丕禺賱賷賳 賯亘賱 兀賳 鬲鬲丨賵賱 廿賱賶 賷賯賷賳 兀賵 乇爻丕賱丞"
賷噩亘 兀賳 兀賳丕賲 賵丨賷丿丕貙 賯丿 鬲馗賳賷賳 匕賱賰 卮噩丕毓丞 賱丕 亘賱 賴賵 禺賵賮 毓賳丿賲丕 賷爻鬲賱賯賷 丕賱廿賳爻丕賳 毓賱賶 丕賱兀乇囟 賮廿賳賴 賷囟賲賳 亘匕賱賰 兀賳賴 賱賳 賷爻賯胤 毓賳 丕賱爻乇賷乇 賰匕賱賰 賰賵賲 丕賱賲乇亍 賵丨賷丿丕貙賱丕" 賷賲賰賳 兀賳 賷氐賷亘賴 卮賷亍".
"賱丕 兀爻鬲胤賷毓 兀賳 兀爻賷乇 鬲噩丕賴 丕賱賲爻鬲賯亘賱貨 兀爻鬲胤賷毓 兀賳 兀乇鬲胤賲 亘丕賱賲爻鬲賯亘賱貙 兀鬲毓孬乇 亘丕賱賲爻鬲賯亘賱 兀賲丕 兀賳 賷賰賵賳 賱賷 禺胤胤 賵丌賲丕賱 賱賷爻 賱賷 賲賳 賴匕丕 賳氐賷亘 毓賳丿賲丕 鬲賰賵賳 丕賱兀賲賵乇 毓賱賶 賲丕 賷乇丕賲 兀賳賴賲賰 賮賷 丕賱丨丕囟乇 賵丨賷賳 鬲爻賵亍 兀賱毓賳 賰賱 卮賷亍".
"賱丕 賷賲賰賳 兀賳 兀毓賷卮 賲毓 丕賱賳丕爻 兀賰乇賴 亘卮賰賱 賯丕胤毓 賰賱 兀賯丕乇亘賷貙 賱賷爻 賱兀賳賴賲 兀卮乇丕乇 賱賰賳 亘亘爻丕胤丞 賱兀賳賴賲 兀卮禺丕氐 兀毓賷卮 亘丕賱賯乇亘 賲賳賴賲 ".
賷噩亘 兀賳 兀賳丕賲 賵丨賷丿丕貙 賯丿 鬲馗賳賷賳 匕賱賰 卮噩丕毓丞 賱丕 亘賱 賴賵 禺賵賮 毓賳丿賲丕 賷爻鬲賱賯賷 丕賱廿賳爻丕賳 毓賱賶 丕賱兀乇囟 賮廿賳賴 賷囟賲賳 亘匕賱賰 兀賳賴 賱賳 賷爻賯胤 毓賳 丕賱爻乇賷乇 賰匕賱賰 賰賵賲 丕賱賲乇亍 賵丨賷丿丕貙賱丕" 賷賲賰賳 兀賳 賷氐賷亘賴 卮賷亍".
"賱丕 兀爻鬲胤賷毓 兀賳 兀爻賷乇 鬲噩丕賴 丕賱賲爻鬲賯亘賱貨 兀爻鬲胤賷毓 兀賳 兀乇鬲胤賲 亘丕賱賲爻鬲賯亘賱貙 兀鬲毓孬乇 亘丕賱賲爻鬲賯亘賱 兀賲丕 兀賳 賷賰賵賳 賱賷 禺胤胤 賵丌賲丕賱 賱賷爻 賱賷 賲賳 賴匕丕 賳氐賷亘 毓賳丿賲丕 鬲賰賵賳 丕賱兀賲賵乇 毓賱賶 賲丕 賷乇丕賲 兀賳賴賲賰 賮賷 丕賱丨丕囟乇 賵丨賷賳 鬲爻賵亍 兀賱毓賳 賰賱 卮賷亍".
"賱丕 賷賲賰賳 兀賳 兀毓賷卮 賲毓 丕賱賳丕爻 兀賰乇賴 亘卮賰賱 賯丕胤毓 賰賱 兀賯丕乇亘賷貙 賱賷爻 賱兀賳賴賲 兀卮乇丕乇 賱賰賳 亘亘爻丕胤丞 賱兀賳賴賲 兀卮禺丕氐 兀毓賷卮 亘丕賱賯乇亘 賲賳賴賲 ".
August 18, 2020
Un excelente ensayo que plasma la relaci贸n entre la vida emocional de Kafka y su creaci贸n literaria. Canetti en un lenguaje claro y con buen ritmo, presenta su "teor铆a" entre los a帽os de 1912 y 1917, a partir de los epistolarios del autor.
June 23, 2021
The first time Kafka met Felice, it was in the company of friends. They were talking about a recent trip Kafka and his friend Max Brod had taken. Photographs from the trip were shared across the table. Felice looked at the pictures keenly. She was keen to learn about Meditations too, a small book Kafka had just managed to get published. He had Felice鈥檚 attention, and he knew it. She mentioned going to philistine with him, a statement made on whim, which suggested volumes to Kafka. Letters filled with elation followed after this meeting. But they were not deprived of complains: about his health, about his weak frame, about imagined fears, about his embarrassment at speaking her full name, referring to her as F. in correspondences with other friends, about the inherent psychosis that was also to give birth to some of the greatest literature of our times. For days that followed, he was excited to get back from work to write letters to Felice and eagerly waited for her responses. Elias Canetti, in his long essay on these letters, suggests that it is around the same time, in a frantic rush of inspiration, he finished his masterpiece: The Metamorphosis.
Canetti interprets Kafka鈥檚 elation thus: 鈥淗e was feeling what he needed to feel. Security somewhere far off, a source of strength sufficiently distant to leave his sensitivity lucid, not perturbed by too close a contact 鈥� a woman who was there for him, who did not expect more from him than his words.鈥� Elsewhere in the essay he observes: 鈥淔or Kafka, who seldom felt free in conversation, love came to being through his written word.鈥� His feelings for Felice came into being through letters.
Because Felice鈥檚 responses could not be saved in the balance of time, in so much as has been gauged from Kafka鈥檚 letters, she could take in his self-pity quite well, and this must have made him trust her more, to the extent that they also underwent an engagement. She was also abused during childhood, but except faint marks around her strong arms she was generally sturdier (both in body and mind) than Kafka, who could never in his lifetime overcome a sense of deep inherent damage. What is apparent in the early letters, notes Canetti, is that: 鈥淗e needs her strength, as a steady flow of sustenance for his work; yet she is not capable of comprehending who it is that she is sustaining with her letters.鈥� But not long after a realization dawns, which kafka summarizes to a friend in a letter: 鈥淚 yield not a particle of my demand for a fantastic life arranged solely in the interest of my work; she, indifferent to every mute request, wants the average: a comfortable home, an interest on my part in the factory, good food, bed at eleven, central heating鈥︹€�
Central heating, all things considered, may not be the bane of our existence, but it is essential, and it is not the comfort of a good life Kafka seems to be deriding, but his conflict is that of a genuine artist: he wants to pursue his writing with a dedication and perseverance that can be easily threatened by what you have to do to 鈥渕aintain鈥� the central heating. That is why he expects a calculated affection from Felice, an affection that has some distance in between, because in too much closeness with her he will lose his life-work. He tries to explain this to Felice in a letter that is so wonderful it can work as a pure statement on the writing life:
鈥淵ou once said you would like to sit beside me while I write. Listen, in that case I could not write鈥� For writing means revealing oneself to excess鈥� This is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough. This is why there is never enough time at one鈥檚 disposal, for the roads are long and it is easy to go astray鈥� I have often thought that the best mode of life for me would be to sit in the innermost room of a spacious locker seller with my writings and a lamp. Food would be brought and always put down far away from my room, outside the cellar鈥檚 outermost door. The walk to my food, in my dressing gown, through the vaulted cellars, would be my only exercise. I would then return to my table, eat slowly and with deliberation, then start writing again at once. And how I would write! From what depths I would drag it up!鈥�
Perhaps anyone who has to retire to their inner depths to drag things up are a difficult company to their partners. In almost funny sequences reminiscent of Kierkegaard, Kafka keeps Felice in a sort of orbit around him, not allowing her the full intimacy a relationship requires, but not letting go of her completely, to the point of causing annoyance to one of the few people this strange genius ever felt some sort of closeness towards. And in time there is the engagement, which he so reluctantly agrees to that a relevant passage from his diary explains everything we need to know:
鈥淲as tied hand and foot like a criminal. Had they sat me down in a corner bound in real chains, placed policemen in front of me and let me look on simply like that, it could not have been worse. And that was my engagement.鈥�
The embarrassment was enhanced by the fact that his and Felice鈥檚 families were both present 鈥渨atching鈥�. An event that could possibly bring joy to someone was humiliating for him. When Kafka suffered humiliation, he suffered it so fully that the relief could come only in the feeling of being squashed like a bug. This personal metaphor is so famous now that it hardly requires further expounding, but Canetti makes an interesting observation, an observation so beautiful it illuminates the elusive source of where literature comes from. He suggests that Kafka鈥檚 engagement and K.鈥檚 arrest are synonymous. The absurd freedom of movement after the arrest in The Trial is suggestive of the shackled freedom of the engagement ring. Think about it! The entire essay is worth this single insight.
That he broke off the engagement and went on to achieve world-wide posthumous fame is just incidental, but if there was a faint ray of hope that could be traced in Kafka鈥檚 suffocating life and his equally suffocating parables, it was in the affection he sought at a calculated distance. Seen in this light, one can gain renewed pleasure from this unforgettable passage from The Trial:
鈥淗is glance fell on the top story of the house adjoining the quarry. With a flicker as of a light going up, the casements of a window there suddenly flew open; a human figure, faint and insubstantial at that distance and that height, leaned abruptly far forward and stretched both arms still farther. Who was it? A friend? A good man? Someone who sympathized? Someone who wanted to help? Was it one person only? Or was it mankind?鈥�
Canetti interprets Kafka鈥檚 elation thus: 鈥淗e was feeling what he needed to feel. Security somewhere far off, a source of strength sufficiently distant to leave his sensitivity lucid, not perturbed by too close a contact 鈥� a woman who was there for him, who did not expect more from him than his words.鈥� Elsewhere in the essay he observes: 鈥淔or Kafka, who seldom felt free in conversation, love came to being through his written word.鈥� His feelings for Felice came into being through letters.
Because Felice鈥檚 responses could not be saved in the balance of time, in so much as has been gauged from Kafka鈥檚 letters, she could take in his self-pity quite well, and this must have made him trust her more, to the extent that they also underwent an engagement. She was also abused during childhood, but except faint marks around her strong arms she was generally sturdier (both in body and mind) than Kafka, who could never in his lifetime overcome a sense of deep inherent damage. What is apparent in the early letters, notes Canetti, is that: 鈥淗e needs her strength, as a steady flow of sustenance for his work; yet she is not capable of comprehending who it is that she is sustaining with her letters.鈥� But not long after a realization dawns, which kafka summarizes to a friend in a letter: 鈥淚 yield not a particle of my demand for a fantastic life arranged solely in the interest of my work; she, indifferent to every mute request, wants the average: a comfortable home, an interest on my part in the factory, good food, bed at eleven, central heating鈥︹€�
Central heating, all things considered, may not be the bane of our existence, but it is essential, and it is not the comfort of a good life Kafka seems to be deriding, but his conflict is that of a genuine artist: he wants to pursue his writing with a dedication and perseverance that can be easily threatened by what you have to do to 鈥渕aintain鈥� the central heating. That is why he expects a calculated affection from Felice, an affection that has some distance in between, because in too much closeness with her he will lose his life-work. He tries to explain this to Felice in a letter that is so wonderful it can work as a pure statement on the writing life:
鈥淵ou once said you would like to sit beside me while I write. Listen, in that case I could not write鈥� For writing means revealing oneself to excess鈥� This is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough. This is why there is never enough time at one鈥檚 disposal, for the roads are long and it is easy to go astray鈥� I have often thought that the best mode of life for me would be to sit in the innermost room of a spacious locker seller with my writings and a lamp. Food would be brought and always put down far away from my room, outside the cellar鈥檚 outermost door. The walk to my food, in my dressing gown, through the vaulted cellars, would be my only exercise. I would then return to my table, eat slowly and with deliberation, then start writing again at once. And how I would write! From what depths I would drag it up!鈥�
Perhaps anyone who has to retire to their inner depths to drag things up are a difficult company to their partners. In almost funny sequences reminiscent of Kierkegaard, Kafka keeps Felice in a sort of orbit around him, not allowing her the full intimacy a relationship requires, but not letting go of her completely, to the point of causing annoyance to one of the few people this strange genius ever felt some sort of closeness towards. And in time there is the engagement, which he so reluctantly agrees to that a relevant passage from his diary explains everything we need to know:
鈥淲as tied hand and foot like a criminal. Had they sat me down in a corner bound in real chains, placed policemen in front of me and let me look on simply like that, it could not have been worse. And that was my engagement.鈥�
The embarrassment was enhanced by the fact that his and Felice鈥檚 families were both present 鈥渨atching鈥�. An event that could possibly bring joy to someone was humiliating for him. When Kafka suffered humiliation, he suffered it so fully that the relief could come only in the feeling of being squashed like a bug. This personal metaphor is so famous now that it hardly requires further expounding, but Canetti makes an interesting observation, an observation so beautiful it illuminates the elusive source of where literature comes from. He suggests that Kafka鈥檚 engagement and K.鈥檚 arrest are synonymous. The absurd freedom of movement after the arrest in The Trial is suggestive of the shackled freedom of the engagement ring. Think about it! The entire essay is worth this single insight.
That he broke off the engagement and went on to achieve world-wide posthumous fame is just incidental, but if there was a faint ray of hope that could be traced in Kafka鈥檚 suffocating life and his equally suffocating parables, it was in the affection he sought at a calculated distance. Seen in this light, one can gain renewed pleasure from this unforgettable passage from The Trial:
鈥淗is glance fell on the top story of the house adjoining the quarry. With a flicker as of a light going up, the casements of a window there suddenly flew open; a human figure, faint and insubstantial at that distance and that height, leaned abruptly far forward and stretched both arms still farther. Who was it? A friend? A good man? Someone who sympathized? Someone who wanted to help? Was it one person only? Or was it mankind?鈥�
October 29, 2018
賰賳鬲 丿賵賲賸丕 賲睾乇賲丞 亘賯乇丕亍丞 乇爻丕卅賱 丕賱丌禺乇賷賳 (毓亘乇 丕賱賰鬲亘) 賵賱賲 賷賳鬲亘賳賷 卮毓賵乇 亘丕賱匕賳亘 賵兀賳丕 兀賮毓賱 匕賱賰 兀亘丿賸丕貙 賵賰丕賳鬲 兀賵賱賶 丕賱賰鬲亘 丕賱鬲賷 賯乇兀鬲賴丕 賵鬲賯賵賲 毓賱賶 賮賰乇丞 丕賱乇爻丕卅賱 賲噩丿賵賱賷賳 (賲賳匕 毓賴丿 爻丨賷賯) 賵氐丕丨亘 丕賱馗賱 丕賱胤賵賷賱 Daddy Long Legs 賱噩賷賳 賵亘爻鬲乇貙 賵兀毓鬲賯丿 兀賳賳賷 賵賯毓鬲 賮賷 賴賵賶 丕賱乇爻丕卅賱 賲賳匕 匕賱賰 丕賱丨賷賳! 賱賲 兀噩丿 丨乇噩賸丕 賮賷 賯乇丕亍丞 丕賱乇爻丕卅賱 丕賱禺丕氐丞 亘賷賳 賰丕賮賰丕 賵賮賷賱爻 兀亘丿賸丕貙 亘賱 兀馗賳賳賷 丕賱鬲賴賲鬲賴丕 賵賵丿丿鬲 賱賵 賰丕賳鬲 乇爻丕卅賱 賰丕賲賱丞. 賷賯賵賱 賰丕賳賷鬲賷 廿賳賴丕 賱賲 鬲賰賳 乇爻丕卅賱 丨亘 亘丕賱賲毓賳賶 丕賱丿賯賷賯 賱賱賰賱賲丞貙 賵賱爻鬲 兀丿乇賷 賱賲賻 毓賱賶 乇爻丕卅賱 丕賱丨亘 兀賱丕 鬲鬲囟賲賳 卮賷卅賸丕 爻賵賶 丕賱毓賵丕胤賮責! 賴匕賴 丕賱乇爻丕卅賱 賴賷 賮乇氐丞 賰賷 兀鬲毓乇賮 賳賮爻賷 賵丕賱丌禺乇貙 兀氐乇丨 賮賷賴丕 毓賳 賲禺丕賵賮賷 賵卮賰賵賰賷 賵賯賳丕毓丕鬲賷 賵賲爻賱賲丕鬲賷.. 賵賰丕賮賰丕 賮毓賱 賰賱 匕賱賰貙 賱賰賳 亘丕賱賲賯丕亘賱 丨乇賲賳丕 賲賳 丕賱丕胤賱丕毓 毓賱賶 乇爻丕卅賱 賮賷賱爻 丕賱鬲賷 賰丕賳鬲 爻鬲賰卮賮 賱賳丕 卮禺氐賷鬲賴丕 亘丕賱賯丿乇 賳賮爻賴. 賮賷 亘丕丿卅 丕賱兀賲乇 賵噩丿鬲 丕賳丿賮丕毓 賰丕賮賰丕 賳丨賵賴丕 睾乇賷亘賸丕 賵賯丿 兀賵丨賶 賱賷 亘賴卮丕卮丞 賰丕賮賰丕 賵鬲毓賱賯賴 丕賱爻乇賷毓 亘丕賱兀卮禺丕氐貙 亘丿丕 賮鬲賶 毓匕乇賷賸丕 賮賷 丕賳噩匕丕亘賴 丕賱兀賵賱 賵丨賲丕爻賴 丕賱卮丿賷丿 賳丨賵 賮賷賱爻貙 賵賴賵 賲丕 賷賰卮賮 毓賳 賯賱賯賴貙 睾賷乇 賲鬲賷賯賳 丿賵賲丕賸 賲賲賳 賷丨亘貙 賱匕賱賰 鬲毓賱賯 亘氐丿賷賯丞 賮賷賱爻 爻乇賷毓賸丕 亘賲噩乇丿 兀賳 亘丕丿賱鬲賴 丕賱乇爻丕卅賱 賵亘丿鬲 賲胤賵丕毓丞 兀賰孬乇...
乇睾賲 賰乇賴 賰丕賮賰丕 賱賰賱 兀卮賰丕賱 丕賱爻賱胤丞 賵乇賮囟賴 賱賴丕 廿賱丕 兀賳賴 賰丕賳 賷賲丕乇爻賴丕 亘賳賵毓 賲賳 丕賱丕爻鬲亘丿丕丿 毓賱賶 賮賷賱爻貙 賰丕賳 賷丨丕賵賱 鬲睾賷賷乇賴丕 亘丿亍賸丕 亘賮乇囟 兀爻賲丕亍 賰鬲丕亘 賲丨丿丿賷賳 賵丕賳鬲賴丕亍 亘鬲禺賱賷氐賴丕 賲賳 亘乇噩賵丕夭賷鬲賴丕 丕賱賲賯賷鬲丞! 亘毓亘丕乇丞 兀禺乇賶 賰丕賳 賷賵丿 兀賳 賷噩毓賱 賲賳 賮賷賱爻 (賴賵) 賱丕 (兀賳鬲) 亘丨爻亘 孬賳丕卅賷丞 賲丕乇鬲賳 亘賵亘乇 丕賱匕賷 賷卮賷乇 廿賱賶 兀賳 丕賱孬賳丕卅賷丞 丕賱兀賳丕 丕賱兀賳鬲 鬲鬲賲賷夭 亘丕賱鬲亘丕丿賱賷丞 丕賱丨賵丕乇賷丞貙 賱賰賳 孬賳丕卅賷丞 丕賱兀賳丕- 丕賱賴賵 賱丕 鬲毓丿賵 賰賵賳賴丕 賳賵毓丕 賲賳 丕賱丨賵丕乇 丕賱丿丕禺賱賷 賲毓 丕賱匕丕鬲 "丕賱賲賵賳賵賱賵噩" 賵賴匕丕 賲丕 賰丕賳 賰丕賮賰丕 賷賮毓賱賴 丕賱兀賲乇 丕賱匕賷 兀賮賯丿賴 丕賱鬲賮丕毓賱 賲毓 丕賱丌禺乇貙 賲賯鬲乇亘賸丕 亘匕賱賰 賲賳 乇兀賷 爻丕乇鬲乇 亘兀賳 丕賱丌禺乇賷賳 賴賲 丕賱噩丨賷賲貙 賵囟賱 胤乇賷賯 丕賱賳毓賷賲 賵丕賱賴賳丕亍丞 丕賱匕賷 亘卮乇 亘賴 亘賵亘乇 亘丕賱鬲毓丕胤賷 賲毓 丕賱丌禺乇 毓賱賶 兀賳賴 (兀賳鬲). 兀毓鬲賯丿 兀賳 賰丕賮賰丕 賰爻乇 丕賱氐賵乇丞 丕賱賳賲胤賷丞 賱賱賰鬲丕亘 丕賱賯賱賯賷賳 丕賱匕賷賳 賱丕 賷馗賴乇賵賳 丕毓鬲賳丕亍 亘兀噩爻丕丿賴賲貙 賮賴賵 賷賲鬲賳毓 毓賳 丕賱鬲丿禺賷賳 賵丕賱賯賴賵丞 賵賷賲丕乇爻 丕賱乇賷丕囟丞 賲乇丕毓賷賸丕 噩爻丿賴 丕賱匕賷 賱賲 賷賰賳 賷丨亘賴 賰孬賷乇賸丕 賰賲丕 丕鬲囟丨 賱賳丕... 丌賲賱 兀賳 鬲乇賶 乇爻丕卅賱 賰丕賮賰丕 賰丕賲賱丞 丕賱賳賵乇 賮賷 賵賯鬲 賯乇賷亘 亘賲丕 賷乇囟賷 賳賴賲賳丕 噩賲賷毓賸丕.
乇睾賲 賰乇賴 賰丕賮賰丕 賱賰賱 兀卮賰丕賱 丕賱爻賱胤丞 賵乇賮囟賴 賱賴丕 廿賱丕 兀賳賴 賰丕賳 賷賲丕乇爻賴丕 亘賳賵毓 賲賳 丕賱丕爻鬲亘丿丕丿 毓賱賶 賮賷賱爻貙 賰丕賳 賷丨丕賵賱 鬲睾賷賷乇賴丕 亘丿亍賸丕 亘賮乇囟 兀爻賲丕亍 賰鬲丕亘 賲丨丿丿賷賳 賵丕賳鬲賴丕亍 亘鬲禺賱賷氐賴丕 賲賳 亘乇噩賵丕夭賷鬲賴丕 丕賱賲賯賷鬲丞! 亘毓亘丕乇丞 兀禺乇賶 賰丕賳 賷賵丿 兀賳 賷噩毓賱 賲賳 賮賷賱爻 (賴賵) 賱丕 (兀賳鬲) 亘丨爻亘 孬賳丕卅賷丞 賲丕乇鬲賳 亘賵亘乇 丕賱匕賷 賷卮賷乇 廿賱賶 兀賳 丕賱孬賳丕卅賷丞 丕賱兀賳丕 丕賱兀賳鬲 鬲鬲賲賷夭 亘丕賱鬲亘丕丿賱賷丞 丕賱丨賵丕乇賷丞貙 賱賰賳 孬賳丕卅賷丞 丕賱兀賳丕- 丕賱賴賵 賱丕 鬲毓丿賵 賰賵賳賴丕 賳賵毓丕 賲賳 丕賱丨賵丕乇 丕賱丿丕禺賱賷 賲毓 丕賱匕丕鬲 "丕賱賲賵賳賵賱賵噩" 賵賴匕丕 賲丕 賰丕賳 賰丕賮賰丕 賷賮毓賱賴 丕賱兀賲乇 丕賱匕賷 兀賮賯丿賴 丕賱鬲賮丕毓賱 賲毓 丕賱丌禺乇貙 賲賯鬲乇亘賸丕 亘匕賱賰 賲賳 乇兀賷 爻丕乇鬲乇 亘兀賳 丕賱丌禺乇賷賳 賴賲 丕賱噩丨賷賲貙 賵囟賱 胤乇賷賯 丕賱賳毓賷賲 賵丕賱賴賳丕亍丞 丕賱匕賷 亘卮乇 亘賴 亘賵亘乇 亘丕賱鬲毓丕胤賷 賲毓 丕賱丌禺乇 毓賱賶 兀賳賴 (兀賳鬲). 兀毓鬲賯丿 兀賳 賰丕賮賰丕 賰爻乇 丕賱氐賵乇丞 丕賱賳賲胤賷丞 賱賱賰鬲丕亘 丕賱賯賱賯賷賳 丕賱匕賷賳 賱丕 賷馗賴乇賵賳 丕毓鬲賳丕亍 亘兀噩爻丕丿賴賲貙 賮賴賵 賷賲鬲賳毓 毓賳 丕賱鬲丿禺賷賳 賵丕賱賯賴賵丞 賵賷賲丕乇爻 丕賱乇賷丕囟丞 賲乇丕毓賷賸丕 噩爻丿賴 丕賱匕賷 賱賲 賷賰賳 賷丨亘賴 賰孬賷乇賸丕 賰賲丕 丕鬲囟丨 賱賳丕... 丌賲賱 兀賳 鬲乇賶 乇爻丕卅賱 賰丕賮賰丕 賰丕賲賱丞 丕賱賳賵乇 賮賷 賵賯鬲 賯乇賷亘 亘賲丕 賷乇囟賷 賳賴賲賳丕 噩賲賷毓賸丕.
August 24, 2016
賯乇丕亍丞 囟賲賳 賳卮丕胤 賳丕丿賷 兀氐丿賯丕亍 賳賵亘賱 賱卮賴乇 兀睾爻胤爻 2016
賷丨賱賱 廿賱賷丕爻 賰丕賳賷鬲賷 卮禺氐賷丞 賮乇丕賳夭 賰丕賮賰丕 賲賳 禺賱丕賱 丕賱乇爻丕卅賱 丕賱賲鬲亘丕丿賱丞 亘賷賳 賰丕賮賰丕 賵禺胤賷亘鬲賴 丕賱爻丕亘賯丞 賮賷賱爻. 賷鬲囟丨 賱賳丕 賲賳 禺賱丕賱 賯乇丕亍丞 賴匕丕 丕賱賰鬲丕亘 丕賱鬲賳丕賯囟 丕賱賵丕囟丨 賵丕賱爻賵丿丕賵賷丞 -賵賮賷 兀丨賷丕賳 賰孬賷乇丞 丕爻鬲氐睾丕乇賴 賱賳賮爻賴- 賮賷 卮禺氐賷丞 賰丕賮賰丕 賵賰賷賮 丕賳毓賰爻 賴匕丕 賮賷 毓賱丕賯丕鬲賴 賲毓 兀賴賱賴貙 禺胤賷亘鬲賴貙 賵兀氐丿賯丕卅賴.
丕賱噩賷丿 賮賷 丕賱賲賵囟賵毓 兀賳 毓賱丕賯鬲賴 亘賮賷賱爻 兀賱賴賲鬲賴 賱賰鬲丕亘丞 兀毓賲丕賱 鬲毓鬲亘乇 賲賴賲丞 賲孬賱 "丕賱丨購賰賲" 賵"丕賱賲丨丕賰賲丞" 賵"丕賱賲爻禺/丕賱鬲丨賵賾賱". 賮賷 丕賱賲賯丕亘賱 賴賳丕賰 噩丕賳亘 爻賷亍 賮賷 丕賱賲賵囟賵毓 兀賳 賮賷賱爻 兀丨爻鬲 亘丕賱賲賱賱 賵丕賱丕爻鬲睾賱丕賱貙 丨丕賵賱鬲 兀賳 鬲鬲賯亘賱 賳夭毓鬲賴 丕賱鬲賲賱賾賰賷丞 賱賰賳 賮賷 丕賱賳賴丕賷丞 賱賲 鬲爻鬲胤毓 賰賲丕 兀賳賴 賴賵 亘賳賮爻賴 禺賱賯 兀毓匕丕乇丕賸 賱賮爻禺 丕賱禺胤亘丞 賵廿賳賴丕亍 丕賱毓賱丕賯丞.
賮賷 丕賱亘丿丕賷丞 卮毓乇鬲 亘兀賳賳賷 兀鬲胤賮賾賱 毓賱賶 丨賷丕丞 賰丕賮賰丕 賵賮賷賱爻 丕賱禺丕氐丞 賱賰賳 丕賱賮囟賵賱 丿賮毓賳賷 賱廿賳賴丕亍 丕賱賰鬲丕亘. 鬲賲賳賷鬲 賱賵 賰丕賳鬲 丕賱乇爻丕卅賱 丕賱兀氐賱賷丞 兀賵 毓賱賶 丕賱兀賯賱 噩夭亍 賲賳賴丕 賲乇賮賯 賮賷 丕賱賰鬲丕亘.
賷丨賱賱 廿賱賷丕爻 賰丕賳賷鬲賷 卮禺氐賷丞 賮乇丕賳夭 賰丕賮賰丕 賲賳 禺賱丕賱 丕賱乇爻丕卅賱 丕賱賲鬲亘丕丿賱丞 亘賷賳 賰丕賮賰丕 賵禺胤賷亘鬲賴 丕賱爻丕亘賯丞 賮賷賱爻. 賷鬲囟丨 賱賳丕 賲賳 禺賱丕賱 賯乇丕亍丞 賴匕丕 丕賱賰鬲丕亘 丕賱鬲賳丕賯囟 丕賱賵丕囟丨 賵丕賱爻賵丿丕賵賷丞 -賵賮賷 兀丨賷丕賳 賰孬賷乇丞 丕爻鬲氐睾丕乇賴 賱賳賮爻賴- 賮賷 卮禺氐賷丞 賰丕賮賰丕 賵賰賷賮 丕賳毓賰爻 賴匕丕 賮賷 毓賱丕賯丕鬲賴 賲毓 兀賴賱賴貙 禺胤賷亘鬲賴貙 賵兀氐丿賯丕卅賴.
丕賱噩賷丿 賮賷 丕賱賲賵囟賵毓 兀賳 毓賱丕賯鬲賴 亘賮賷賱爻 兀賱賴賲鬲賴 賱賰鬲丕亘丞 兀毓賲丕賱 鬲毓鬲亘乇 賲賴賲丞 賲孬賱 "丕賱丨購賰賲" 賵"丕賱賲丨丕賰賲丞" 賵"丕賱賲爻禺/丕賱鬲丨賵賾賱". 賮賷 丕賱賲賯丕亘賱 賴賳丕賰 噩丕賳亘 爻賷亍 賮賷 丕賱賲賵囟賵毓 兀賳 賮賷賱爻 兀丨爻鬲 亘丕賱賲賱賱 賵丕賱丕爻鬲睾賱丕賱貙 丨丕賵賱鬲 兀賳 鬲鬲賯亘賱 賳夭毓鬲賴 丕賱鬲賲賱賾賰賷丞 賱賰賳 賮賷 丕賱賳賴丕賷丞 賱賲 鬲爻鬲胤毓 賰賲丕 兀賳賴 賴賵 亘賳賮爻賴 禺賱賯 兀毓匕丕乇丕賸 賱賮爻禺 丕賱禺胤亘丞 賵廿賳賴丕亍 丕賱毓賱丕賯丞.
賮賷 丕賱亘丿丕賷丞 卮毓乇鬲 亘兀賳賳賷 兀鬲胤賮賾賱 毓賱賶 丨賷丕丞 賰丕賮賰丕 賵賮賷賱爻 丕賱禺丕氐丞 賱賰賳 丕賱賮囟賵賱 丿賮毓賳賷 賱廿賳賴丕亍 丕賱賰鬲丕亘. 鬲賲賳賷鬲 賱賵 賰丕賳鬲 丕賱乇爻丕卅賱 丕賱兀氐賱賷丞 兀賵 毓賱賶 丕賱兀賯賱 噩夭亍 賲賳賴丕 賲乇賮賯 賮賷 丕賱賰鬲丕亘.
February 16, 2012
"A person who thinks that he is empowered to separate his inner world from the outer one has no inner world from which something might be separable." p.65
September 26, 2015
卮毓乇鬲 兀賳賴丕 丕賯鬲亘丕爻丕鬲 乇爻丕卅賱 賵賱賷爻鬲 乇爻丕卅賱 亘丕賱賲毓賳賶 兀丿亘 丕賱乇爻丕卅賱 丕賱氐丨賷丨 賵丕賱賲毓鬲丕丿 毓賱賷賴 賵禺丕賳賳賷 丕賱毓賳賵丕賳
August 17, 2016
賮賷 丕賱亘丿丕賷丞 賯爻賲鬲 賯乇丕亍丞 丕賱賰鬲丕亘 毓賱賶 3 兀賷丕賲 , 賵賱丕賰賳 賲丕 兀賳 亘丿兀鬲 賮賷賴 賱賲 兀爻鬲胤毓 鬲乇賰賴 賵兀賳賴賷鬲 100 氐賮丨丞 賲賳賴 賮賷 賷賵賲 賵兀丨丿 賵賱賵 賱丕 兀賳賳賷 丕賳卮睾賱鬲 賱禺鬲賲鬲 丕賱賰鬲丕亘 賱賮乇胤 丨賲丕爻賷 ..
賴匕丕 丕賱賰鬲丕亘 兀賵賱 賯乇丕亍丞 賱賷 賲毓 賳丕丿賷 兀氐丿賯丕亍 賳賵亘賱 賵兀乇賷丿 兀賳 丕卮賰乇賴賲 毓賱賶 丕賱丕禺鬲賷丕乇 丕賱乇丕卅毓 ..
賲丨鬲賵賶 丕賱賰鬲丕亘 毓賳 丕賱乇爻丕卅賱 亘賷賳 賰丕賮賰丕 賵禺胤賷亘鬲賴 賮賷賱爻 賷丨賱賱 丕賱賰丕鬲亘 丕賱乇爻丕卅賱 賵丕賱丕孬乇 丕賱鬲賷 鬲乇賰鬲賴 賮賷賱爻 , 賲賳 丨賷孬 賰鬲丕亘丕鬲賴 丕賱兀丿亘賷丞 丨賷孬 兀賳賴 兀賳噩夭 丕賱賰孬賷乇 亘毓丿 賮鬲乇丞 賯氐賷乇丞 賲賳 亘丿丕賷鬲 丕賱賲乇丕爻賱丞 ,
兀賳賴丕 賰鬲丕亘賴 " 丕賱丨賰賲 " 賮賷 賱賷賱丞 賵丕丨丿丞 賵 "丕賱爻賰鬲丞" 亘毓丿 兀爻亘賵毓 賵兀賳噩夭 5 賮氐賵賱 賲賳 "丕賲賷乇賰丕" 賮賷 卮賴乇賷賳 賵"丕賱賲爻禺" 賮賷 賲丿丞 兀爻亘賵毓賷賳..
賳乇賶 兀賳 賮賷賱爻 兀毓胤鬲 賰丕賮賰丕 丕賱賯賵丞 賱賱賰鬲丕亘丞 亘賴匕丕 丕賱賯丿乇..
兀賷囟丕 賯賱丞 丕賱乇爻丕卅賱 賲賳 賮賷賱爻 賵鬲噩丕賴賱賴丕 亘毓囟 丕賱兀丨賷丕賳 兀孬乇鬲 毓賱賶 賮賷賱爻 賰孬賷乇丕 丨賷孬 鬲賵賯賮 毓賳 丕賱賰鬲丕亘丞 賱賮鬲乇丞..
賵夭丕丿鬲 毓賳丿賴 亘毓囟 丕賱賲卮丕毓乇 丕賱爻賱亘賷丞 兀鬲噩丕賴 賳賮爻賷鬲賴.. 賵兀賷丕 兀孬乇鬲 毓賱賷賴 賳丨丕賮鬲賴 賵匕賱賰 賳乇丕賴 賮賷 卮賰賵鬲賴 丕賱丿丕卅賲丞 毓賳 賳丨丕賮鬲賴 亘丕賱乇爻丕卅賱貙
賵亘丕賱乇睾賲 賲賳 兀賳 賮賷賱爻 賰丕賳鬲 鬲亘丕丿賱 賰丕賮賰丕 丕賱賲卮丕毓乇 丕賱丕 兀賳賴丕 鬲兀孬乇鬲 毓賱丕賯鬲賴賲 賰孬賷乇丕賸..
鬲乇噩賲丞 丕賱賰鬲丕亘 噩賷丿丞 噩丿丕 毓賱賶 丕賱乇睾賲 兀賳賴丕 賳賯賱鬲 賲賳 丕賱鬲乇噩賲丞 丕賱廿賳噩賱賷夭賷丞 賱賱睾丞 丕賱兀賱賲丕賳賷丞貙 丕賱丕 丕賳賴丕 賱賲 鬲賮賯丿 丕賱賳氐 丕賱丨賲丕爻丞 賵丕賱賲鬲毓丞..
鬲卮鬲鬲 賮賷 丕賱賰鬲丕亘 賲賳 賰孬乇丞 丕賱鬲賵丕乇賷禺 賮賷賴貙 賵兀賷囟丕 鬲賲賳賷鬲 賱賵 兀賳 兀乇賮賯鬲 丕賱乇爻丕卅賱 亘丕賱賰鬲丕亘 毓賱賶 丕賱兀賯賱 賱賷鬲爻賳賶 賱賳丕 賯乇丕亍鬲賴丕.
丕賱賰鬲丕亘 噩賲賷賱 兀賳氐丨 亘賴 賵禺氐賵氐丕 賱賱賲賴鬲賲賷賳 亘丨賷丕丞 賰丕賮賰丕
鬲賯賷賲賷 賱賱賰鬲丕亘 3.5/5
賴匕丕 丕賱賰鬲丕亘 兀賵賱 賯乇丕亍丞 賱賷 賲毓 賳丕丿賷 兀氐丿賯丕亍 賳賵亘賱 賵兀乇賷丿 兀賳 丕卮賰乇賴賲 毓賱賶 丕賱丕禺鬲賷丕乇 丕賱乇丕卅毓 ..
賲丨鬲賵賶 丕賱賰鬲丕亘 毓賳 丕賱乇爻丕卅賱 亘賷賳 賰丕賮賰丕 賵禺胤賷亘鬲賴 賮賷賱爻 賷丨賱賱 丕賱賰丕鬲亘 丕賱乇爻丕卅賱 賵丕賱丕孬乇 丕賱鬲賷 鬲乇賰鬲賴 賮賷賱爻 , 賲賳 丨賷孬 賰鬲丕亘丕鬲賴 丕賱兀丿亘賷丞 丨賷孬 兀賳賴 兀賳噩夭 丕賱賰孬賷乇 亘毓丿 賮鬲乇丞 賯氐賷乇丞 賲賳 亘丿丕賷鬲 丕賱賲乇丕爻賱丞 ,
兀賳賴丕 賰鬲丕亘賴 " 丕賱丨賰賲 " 賮賷 賱賷賱丞 賵丕丨丿丞 賵 "丕賱爻賰鬲丞" 亘毓丿 兀爻亘賵毓 賵兀賳噩夭 5 賮氐賵賱 賲賳 "丕賲賷乇賰丕" 賮賷 卮賴乇賷賳 賵"丕賱賲爻禺" 賮賷 賲丿丞 兀爻亘賵毓賷賳..
賳乇賶 兀賳 賮賷賱爻 兀毓胤鬲 賰丕賮賰丕 丕賱賯賵丞 賱賱賰鬲丕亘丞 亘賴匕丕 丕賱賯丿乇..
兀賷囟丕 賯賱丞 丕賱乇爻丕卅賱 賲賳 賮賷賱爻 賵鬲噩丕賴賱賴丕 亘毓囟 丕賱兀丨賷丕賳 兀孬乇鬲 毓賱賶 賮賷賱爻 賰孬賷乇丕 丨賷孬 鬲賵賯賮 毓賳 丕賱賰鬲丕亘丞 賱賮鬲乇丞..
賵夭丕丿鬲 毓賳丿賴 亘毓囟 丕賱賲卮丕毓乇 丕賱爻賱亘賷丞 兀鬲噩丕賴 賳賮爻賷鬲賴.. 賵兀賷丕 兀孬乇鬲 毓賱賷賴 賳丨丕賮鬲賴 賵匕賱賰 賳乇丕賴 賮賷 卮賰賵鬲賴 丕賱丿丕卅賲丞 毓賳 賳丨丕賮鬲賴 亘丕賱乇爻丕卅賱貙
賵亘丕賱乇睾賲 賲賳 兀賳 賮賷賱爻 賰丕賳鬲 鬲亘丕丿賱 賰丕賮賰丕 丕賱賲卮丕毓乇 丕賱丕 兀賳賴丕 鬲兀孬乇鬲 毓賱丕賯鬲賴賲 賰孬賷乇丕賸..
鬲乇噩賲丞 丕賱賰鬲丕亘 噩賷丿丞 噩丿丕 毓賱賶 丕賱乇睾賲 兀賳賴丕 賳賯賱鬲 賲賳 丕賱鬲乇噩賲丞 丕賱廿賳噩賱賷夭賷丞 賱賱睾丞 丕賱兀賱賲丕賳賷丞貙 丕賱丕 丕賳賴丕 賱賲 鬲賮賯丿 丕賱賳氐 丕賱丨賲丕爻丞 賵丕賱賲鬲毓丞..
鬲卮鬲鬲 賮賷 丕賱賰鬲丕亘 賲賳 賰孬乇丞 丕賱鬲賵丕乇賷禺 賮賷賴貙 賵兀賷囟丕 鬲賲賳賷鬲 賱賵 兀賳 兀乇賮賯鬲 丕賱乇爻丕卅賱 亘丕賱賰鬲丕亘 毓賱賶 丕賱兀賯賱 賱賷鬲爻賳賶 賱賳丕 賯乇丕亍鬲賴丕.
丕賱賰鬲丕亘 噩賲賷賱 兀賳氐丨 亘賴 賵禺氐賵氐丕 賱賱賲賴鬲賲賷賳 亘丨賷丕丞 賰丕賮賰丕
鬲賯賷賲賷 賱賱賰鬲丕亘 3.5/5
July 7, 2018
I found this book in which Elias Canetti uses the over 500 surviving letters that Franz Kafka wrote to Felice Bauer to tell the story of their exasperating romance to be tremendously entertaining. Canetti demonstrates enormous skills. His narrative is dynamic and his description of Kafka's tortured personality is sublime. Not having read the letters, I feel am unable to comment on either Canetti's scholarship or his fidelity to his source material.
The problem is that whenever one looks at the personal lives of writers, painters or other artists we find ourselves confronted by their defect as humans which undermines our ability to appreciate the greatness of their work. As Maurice Minnifield a character in the American television series "Northern Exposure" once observed, the effect of the exercise is to drag our heroes down to our own level. This is certainly what happens when one reads "Kafka's Other Trial." The great writer comes across as a very abject human being.
This novel was certainly fun to read but I fear that it told me more that I wanted to know about its subject.
The problem is that whenever one looks at the personal lives of writers, painters or other artists we find ourselves confronted by their defect as humans which undermines our ability to appreciate the greatness of their work. As Maurice Minnifield a character in the American television series "Northern Exposure" once observed, the effect of the exercise is to drag our heroes down to our own level. This is certainly what happens when one reads "Kafka's Other Trial." The great writer comes across as a very abject human being.
This novel was certainly fun to read but I fear that it told me more that I wanted to know about its subject.
September 14, 2016
乇睾賲 丿賯丞 鬲丨賱賷賱 賰丕賳賷鬲賷 廿賱丕 兀賳賳賷 賰乇賴鬲 賰丕賮賰丕 賵 賱賲 兀鬲毓丕胤賮 賲毓賴 ..
March 28, 2017
"賱賷爻 賴賳丕賰 賲丨丕賰賲丞 禺丕乇噩賷丞 賷毓鬲乇賮 亘賴丕 貙 賴賵 賳賮爻賴 -廿賱賶 丨丿 賰亘賷乇 - 賲丨賰賲鬲購賴 ( 賲丨賰賲丞 匕丕鬲賴) 賵 賴匕賴 丕賱賲丨賰賲丞 賱丕 鬲賳賮囟 兀亘丿丕賸 ."
"賷毓鬲亘乇 丕賱賰丕卅賳 丕賱亘卮乇賷 賳賮爻賴 賲毓賷丕乇 賰賱 卮賷亍 貙 賱賰賳賴 賴賵 匕丕鬲賴 賱丕賷夭丕賱 睾賷乇 賲毓乇賵賮 鬲賲丕賲丕 貙 鬲胤賵乇賴 賮賷 賲毓乇賮丞 匕丕鬲賴 賱丕賷夭丕賱 毓賳丿 丕賱丨丿 丕賱兀丿賳賶 貙 賰賱 賳馗乇賷丞 噩丿賷丿丞 鬲丨噩亘 兀賰孬乇 賲賲丕 鬲賵囟丨 賮賯胤 毓賳 胤乇賷賯 丕賱鬲賯氐賷 丕賱賮毓賱賷 丿賵賳賲丕 廿毓丕賯丞 賱兀賮乇丕丿 賲毓賷賳賷賳 貙 賴賵 丕賱匕賷 賷噩毓賱 丕賱鬲賯丿賲 丕賱鬲丿乇賷噩賷 賲賲賰賳丕 .丨賷孬 兀賳 賴匕丕 賴賵 丕賱賵囟毓 丕賱賯丕卅賲 賱賲丿丞 胤賵賷賱丞 貙 賵 兀賳賷乇 丕賱毓賯賵賱 賰丕賳鬲 丿賵賲丕 毓賱賶 毓賱賲 亘匕賱賰 貙賮丕賳爻丕賳 賷賯丿賲 賳賮爻賴 賱賱賲毓乇賮丞 鬲賯丿賷賲丕 鬲丕賲丕 貙 賴賵 賮賷 賰賱 丕賱馗乇賵賮 囟乇亘丞 丨馗 賱丕 賲孬賷賱 賱賴丕 . 賱賰賳 賮賷 丨丕賱丞 賰丕賮賰丕 賴賳丕賰 兀賰孬乇 賲賳 匕賱賰 貙賰賲丕 賷爻鬲胤賷毓 兀賳 賷卮毓乇 亘匕賱賰 賰賱 賲賳 賷賯鬲乇亘 賲賳 丨賷夭賴 丕賱禺丕氐 ..."
亘毓丿 賯乇丕亍鬲賷 賱賴匕丕 丕賱賰鬲丕亘 賰賳鬲 兀鬲爻丕亍賱 ..
賰丕賮賰丕 丕賱匕賷 賯丿賲 賳賮爻賴 (乇睾賲 丕賳鬲賮丕亍 丕賷 丕乇丕丿丞 賲賳賴 ) 賱賰賷 賳毓乇賮 賲賳 禺賱丕賱賴 禺亘丕賷丕 丕賱賳賮爻 丕賱亘卮乇賷丞 亘賴匕丕 丕賱賵囟賵丨 貙 廿賱賶 兀賷 丿乇噩丞 賰賳丕 爻賳亘賯賶 毓賱賶 噩賴賱 亘兀賰孬乇 鬲賯賱亘丕鬲賴 丨丿丞 賵 兀夭賲丕鬲賴 丕賱賳賮爻賷丞 丕賱鬲賷 賰孬賷乇丕 賲丕 鬲賰賵賳 賲乇丌丞 鬲毓賰爻 丿賵丕禺賱賳丕貙 賱賵 賱賲 賷賯丿賲 賱賳丕 賰丕賳賷鬲賷 賵 兀賲孬丕賱賴 賲賳 丕賱賳賯丕丿 賲孬賱 賴匕丕 丕賱毓賲賱 丕賱賮乇賷丿 !
賲賳 亘賷賳 丕賱賳賯丕胤 丕賱鬲賷 賱賮鬲鬲 丕賳鬲亘丕賴賷 賴賵 鬲丨賱賷賱 賰丕賳賷鬲賷 賱賭 賲丨丕賰賲丞 賰丕賮賰丕 丕賳胤賱丕賯丕 賲賲丕 賰丕賳 賷毓丕賳賷賴 賮賷 鬲賱賰 丕賱賮鬲乇丞 賲賳 囟睾賵胤丕鬲 賳賮爻賷丞 亘爻亘亘 禺胤亘鬲賴 賲賳 賮賷賱賷爻 賵 鬲乇鬲賷亘丕鬲 丕賱夭賵丕噩 丕賱匕賷 賰丕賳 爻賷卮賰賱 鬲睾賷乇 丨丕爻賲丕 賮賷 丨賷丕鬲賴 賱賲 賷賰賳 賴賵 匕丕鬲賴 賲爻鬲毓丿丕 賱賲賵丕噩賴鬲賴 亘賱 賰丕賳 賱丕卮毓賵乇賷丕 毓賱賶 乇賮囟 鬲丕賲 賱賴 賵 賴匕丕 賲丕 爻賷賲賳丨 "丕賱賲丨丕賰賲丞" -賰毓賲賱 兀丿亘賷 賷爻鬲毓氐賷 毓賱賶 丕賱鬲賮爻賷乇- 亘毓丿丕 賳賮爻賷丕 丌禺乇 賱丕 賷爻鬲賴丕賳 亘賴.
"賷毓鬲亘乇 丕賱賰丕卅賳 丕賱亘卮乇賷 賳賮爻賴 賲毓賷丕乇 賰賱 卮賷亍 貙 賱賰賳賴 賴賵 匕丕鬲賴 賱丕賷夭丕賱 睾賷乇 賲毓乇賵賮 鬲賲丕賲丕 貙 鬲胤賵乇賴 賮賷 賲毓乇賮丞 匕丕鬲賴 賱丕賷夭丕賱 毓賳丿 丕賱丨丿 丕賱兀丿賳賶 貙 賰賱 賳馗乇賷丞 噩丿賷丿丞 鬲丨噩亘 兀賰孬乇 賲賲丕 鬲賵囟丨 賮賯胤 毓賳 胤乇賷賯 丕賱鬲賯氐賷 丕賱賮毓賱賷 丿賵賳賲丕 廿毓丕賯丞 賱兀賮乇丕丿 賲毓賷賳賷賳 貙 賴賵 丕賱匕賷 賷噩毓賱 丕賱鬲賯丿賲 丕賱鬲丿乇賷噩賷 賲賲賰賳丕 .丨賷孬 兀賳 賴匕丕 賴賵 丕賱賵囟毓 丕賱賯丕卅賲 賱賲丿丞 胤賵賷賱丞 貙 賵 兀賳賷乇 丕賱毓賯賵賱 賰丕賳鬲 丿賵賲丕 毓賱賶 毓賱賲 亘匕賱賰 貙賮丕賳爻丕賳 賷賯丿賲 賳賮爻賴 賱賱賲毓乇賮丞 鬲賯丿賷賲丕 鬲丕賲丕 貙 賴賵 賮賷 賰賱 丕賱馗乇賵賮 囟乇亘丞 丨馗 賱丕 賲孬賷賱 賱賴丕 . 賱賰賳 賮賷 丨丕賱丞 賰丕賮賰丕 賴賳丕賰 兀賰孬乇 賲賳 匕賱賰 貙賰賲丕 賷爻鬲胤賷毓 兀賳 賷卮毓乇 亘匕賱賰 賰賱 賲賳 賷賯鬲乇亘 賲賳 丨賷夭賴 丕賱禺丕氐 ..."
亘毓丿 賯乇丕亍鬲賷 賱賴匕丕 丕賱賰鬲丕亘 賰賳鬲 兀鬲爻丕亍賱 ..
賰丕賮賰丕 丕賱匕賷 賯丿賲 賳賮爻賴 (乇睾賲 丕賳鬲賮丕亍 丕賷 丕乇丕丿丞 賲賳賴 ) 賱賰賷 賳毓乇賮 賲賳 禺賱丕賱賴 禺亘丕賷丕 丕賱賳賮爻 丕賱亘卮乇賷丞 亘賴匕丕 丕賱賵囟賵丨 貙 廿賱賶 兀賷 丿乇噩丞 賰賳丕 爻賳亘賯賶 毓賱賶 噩賴賱 亘兀賰孬乇 鬲賯賱亘丕鬲賴 丨丿丞 賵 兀夭賲丕鬲賴 丕賱賳賮爻賷丞 丕賱鬲賷 賰孬賷乇丕 賲丕 鬲賰賵賳 賲乇丌丞 鬲毓賰爻 丿賵丕禺賱賳丕貙 賱賵 賱賲 賷賯丿賲 賱賳丕 賰丕賳賷鬲賷 賵 兀賲孬丕賱賴 賲賳 丕賱賳賯丕丿 賲孬賱 賴匕丕 丕賱毓賲賱 丕賱賮乇賷丿 !
賲賳 亘賷賳 丕賱賳賯丕胤 丕賱鬲賷 賱賮鬲鬲 丕賳鬲亘丕賴賷 賴賵 鬲丨賱賷賱 賰丕賳賷鬲賷 賱賭 賲丨丕賰賲丞 賰丕賮賰丕 丕賳胤賱丕賯丕 賲賲丕 賰丕賳 賷毓丕賳賷賴 賮賷 鬲賱賰 丕賱賮鬲乇丞 賲賳 囟睾賵胤丕鬲 賳賮爻賷丞 亘爻亘亘 禺胤亘鬲賴 賲賳 賮賷賱賷爻 賵 鬲乇鬲賷亘丕鬲 丕賱夭賵丕噩 丕賱匕賷 賰丕賳 爻賷卮賰賱 鬲睾賷乇 丨丕爻賲丕 賮賷 丨賷丕鬲賴 賱賲 賷賰賳 賴賵 匕丕鬲賴 賲爻鬲毓丿丕 賱賲賵丕噩賴鬲賴 亘賱 賰丕賳 賱丕卮毓賵乇賷丕 毓賱賶 乇賮囟 鬲丕賲 賱賴 賵 賴匕丕 賲丕 爻賷賲賳丨 "丕賱賲丨丕賰賲丞" -賰毓賲賱 兀丿亘賷 賷爻鬲毓氐賷 毓賱賶 丕賱鬲賮爻賷乇- 亘毓丿丕 賳賮爻賷丕 丌禺乇 賱丕 賷爻鬲賴丕賳 亘賴.
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September 16, 2022"Do you know the joys of being alone, walking alone, lying in the sun alone?... Have you ever walked a long way by yourself? The ability to enjoy it presupposes a great deal of past misery as well as past joys. As a boy I was alone a lot, but it was more from force of circumstance, rarely from choice. Now, however, I rush toward being alone as rivers rush towards the sea." A膷i奴, Kafka<3
May 10, 2014
兀賳丕 賲禺賱賵賯 賰丕匕亘 貙亘丕賱賳爻亘丞 賱賷 賴匕賴 賴賷 丕賱賵爻賷賱丞 丕賱賵丨賷丿丞 賱賱賲丨丕賮馗丞 毓賱賶 鬲賵丕夭賳賷 貙賮賯丕乇亘賷 賴卮 "
卮禺氐賷丞 睾賷锘� 賲鬲賵丕夭賳丞 賵睾賷乇 胤亘賷毓賷丞 鬲禺賱賮 賱丿賷 卮毓賵乇丕 亘丕賳賷 賱賳 丕賰賵賳 亘禺賷乇 丕亘丿丕丕 丨賷賳 丕鬲賵丕噩丿 賲毓 卮禺氐賷丞 賰鬲賱賰 賮賷 睾乇賮丞 賵丕丨丿丞 ..
丕賱賰鬲丕亘 毓亘賯乇賷 丕囟丕賮 賱賷 賰丕賳鬲賷 丿乇爻 賰亘賷乇 賮賷 賮賴賲 丕賱賳氐賵氐 亘毓賲賯 賵 鬲丨賱賷賱賴丕 賯亘賱 賯亘賵賱 丕賱爻胤丨賷 賲賳賴丕丕 貙 丕爻鬲賳鬲丕噩鬲賷 丕賷囟丕 賰丕賳鬲 鬲卮丕乇賰 賰丕賳鬲賷 賱丕氐丿賲 賮賷 賲賵囟毓 賱丕丨賯 賱賴 亘乇丕賷賴 匕丕 丕賱胤丕亘毓 丕賱毓丕丕賲賷 賱 卮禺氐賷丞 丕賱賰丕鬲亘 丕賱丕賱賲丕賳賷 賰丕賮賰丕 丕賱賷賴賵丿賷 丕賱丕氐賱 丨爻賳丕 賴賵 丕賱丕毓乇賮 賴賳丕 ..
丕賴賲 賲丕丕囟丕賮 賱丿賷 賴賵 乇睾亘鬲賷 賮賷 丕賱賯乇丕亍丞 賱賷賵賲賷丕鬲賴 賵丕賷囟丕丕 賱丕毓賲丕賱賴 丕賱鬲賷 賱丕丕毓乇賮 賰賷賮 賮丕鬲賳賷 丕賯鬲賳丕卅賴丕.. 賲鬲卮賵賯丞 賱丕賯鬲賳賷賴丕 噩丿丕丕 ..
賱丕丕毓乇賮 賴賳丕 賴賱 丕禺氐 乇丕賷 亘賰丕賮賰丕 丕賲 賮賷賱賷爻 丕賲 亘 賰丕賳賷鬲賷 .. 丕賱匕賷 禺賱賮 賱丿賷 丕賳胤亘丕毓 噩賲賷賱 賵賲賲鬲丕夭 賱賰丕賮賰丕丕 丕賱鬲賷 賱賰鬲丕亘丞 賴匕丕 丕賱鬲丨賱賷賱 賱噩丕丕 丕賱賶 賷賵賲賷丕鬲 賰丕賮賰丕 賵賲賱丕丨馗丕鬲賴 丕賱噩丕賳亘賷丞 賵丕毓賲丕丕賱賴 丕賷囟丕 賵丕賱丕賰賷丿 丕賱乇爻丕卅賱 丕賱鬲賷 丨賮馗鬲賴丕 賮賷賱賷爻 ..
卮禺氐賷丞 睾賷锘� 賲鬲賵丕夭賳丞 賵睾賷乇 胤亘賷毓賷丞 鬲禺賱賮 賱丿賷 卮毓賵乇丕 亘丕賳賷 賱賳 丕賰賵賳 亘禺賷乇 丕亘丿丕丕 丨賷賳 丕鬲賵丕噩丿 賲毓 卮禺氐賷丞 賰鬲賱賰 賮賷 睾乇賮丞 賵丕丨丿丞 ..
丕賱賰鬲丕亘 毓亘賯乇賷 丕囟丕賮 賱賷 賰丕賳鬲賷 丿乇爻 賰亘賷乇 賮賷 賮賴賲 丕賱賳氐賵氐 亘毓賲賯 賵 鬲丨賱賷賱賴丕 賯亘賱 賯亘賵賱 丕賱爻胤丨賷 賲賳賴丕丕 貙 丕爻鬲賳鬲丕噩鬲賷 丕賷囟丕 賰丕賳鬲 鬲卮丕乇賰 賰丕賳鬲賷 賱丕氐丿賲 賮賷 賲賵囟毓 賱丕丨賯 賱賴 亘乇丕賷賴 匕丕 丕賱胤丕亘毓 丕賱毓丕丕賲賷 賱 卮禺氐賷丞 丕賱賰丕鬲亘 丕賱丕賱賲丕賳賷 賰丕賮賰丕 丕賱賷賴賵丿賷 丕賱丕氐賱 丨爻賳丕 賴賵 丕賱丕毓乇賮 賴賳丕 ..
丕賴賲 賲丕丕囟丕賮 賱丿賷 賴賵 乇睾亘鬲賷 賮賷 丕賱賯乇丕亍丞 賱賷賵賲賷丕鬲賴 賵丕賷囟丕丕 賱丕毓賲丕賱賴 丕賱鬲賷 賱丕丕毓乇賮 賰賷賮 賮丕鬲賳賷 丕賯鬲賳丕卅賴丕.. 賲鬲卮賵賯丞 賱丕賯鬲賳賷賴丕 噩丿丕丕 ..
賱丕丕毓乇賮 賴賳丕 賴賱 丕禺氐 乇丕賷 亘賰丕賮賰丕 丕賲 賮賷賱賷爻 丕賲 亘 賰丕賳賷鬲賷 .. 丕賱匕賷 禺賱賮 賱丿賷 丕賳胤亘丕毓 噩賲賷賱 賵賲賲鬲丕夭 賱賰丕賮賰丕丕 丕賱鬲賷 賱賰鬲丕亘丞 賴匕丕 丕賱鬲丨賱賷賱 賱噩丕丕 丕賱賶 賷賵賲賷丕鬲 賰丕賮賰丕 賵賲賱丕丨馗丕鬲賴 丕賱噩丕賳亘賷丞 賵丕毓賲丕丕賱賴 丕賷囟丕 賵丕賱丕賰賷丿 丕賱乇爻丕卅賱 丕賱鬲賷 丨賮馗鬲賴丕 賮賷賱賷爻 ..
April 22, 2015
賮賷 丕賱亘丿丕賷丞 兀氐丕亘鬲賳賷 丕賱禺賷亘丞 貙 鬲賵賯毓鬲 丕賳 賷丨鬲賵賷 丕賱賰鬲丕亘 毓賱賶 賳氐賵氐 丕賱乇爻丕卅賱 丕賱鬲賷 兀乇爻賱賴丕 賰丕賮賰丕 廿賱賶 禺胤賷亘鬲賴 貙 丕賵 乇爻丕卅賱賴 賵乇丿賵丿賴丕 毓賱賷賴賲貙 賮賱賴匕丕 丕賱爻亘亘 丕賯鬲賳賷鬲 丕賱賰鬲丕亘 賱賰賳賴 賱賲 賷丨鬲賵賷 睾賷乇 丕賯鬲亘丕爻丕鬲 丕毓噩亘鬲 丕賱賲丐賱賮 賵爻丕毓丿鬲賴 賮賷 賲丨丕賵賱鬲賴 賱鬲丨賱賷賱 卮禺氐賷丞 賰丕賮賰丕 毓亘乇 丕賱乇爻丕卅賱 丕賱鬲賷 賱賲 賷胤賱毓賳丕 毓賱賷賴丕貙 賵丕賱鬲賷 丕毓鬲亘乇 丕賳賴 丕爻丕亍 丕爻鬲賯乇丕亍 丕賱賰孬賷乇 賲賳賴丕 -亘丕賱丕爻鬲賳丕丿 廿賱賶 賲匕賰乇丕鬲 賰丕賮賰丕 胤亘毓丕- 賵賲毓馗賲賴丕 賱賲 賷賰賳 賲賯賳毓丕貙禺氐賵氐丕 丕賱鬲賮爻賷乇丕鬲 丕賱鬲賷 噩丕亍鬲 賮賷 丕賱亘丿丕賷丞.
賮賷 丕賱賲噩賲賱 丕賱賰鬲丕亘 爻賴賱 丕賱賯乇丕亍丞 賵賲賲鬲毓 廿賱賶 丨丿 賲丕 賵賱賰賳 賱賳 丕毓鬲賲丿 毓賱賶 鬲丨賱賷賱丕鬲 賲丐賱賮賴 賵賱賵 賯賱賷賱丕.
賮賷 丕賱賲噩賲賱 丕賱賰鬲丕亘 爻賴賱 丕賱賯乇丕亍丞 賵賲賲鬲毓 廿賱賶 丨丿 賲丕 賵賱賰賳 賱賳 丕毓鬲賲丿 毓賱賶 鬲丨賱賷賱丕鬲 賲丐賱賮賴 賵賱賵 賯賱賷賱丕.
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