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讴噩丕 賲蹖鈥屫辟堐屫�
丕蹖賳 讴鬲丕亘 乇賵丕蹖鬲诏乇 毓卮賯蹖 丕賳爻丕賳鈥屫池ж� 賵 乇賵卮賳诏乇 亘蹖賳 爻乇丿丕乇蹖 亘賳丕賲 賲丕乇讴賵爻 賵蹖賳趩蹖賵爻 賵 卮丕賴夭丕丿賴 禺丕賳賲蹖 丕夭 爻乇夭賲蹖賳 賱蹖跇蹖賳 亘賴 賳丕賲 讴丕賱蹖賳丕 讴賴 丿乇 亘蹖卮鬲乇 氐賮丨丕鬲 讴鬲丕亘 賲丕 丕賵 乇丕 亘賴 賳丕賲 賱蹖跇蹖丕 賲蹖卮賳丕爻蹖賲貙 丕爻鬲 賵 丿乇 禺賱丕賱 丕蹖賳 噩乇蹖丕賳 丕賵囟丕毓 丕噩鬲賲丕毓蹖 賵 爻蹖丕爻蹖 丨丕讴賲 亘乇 乇賵賲 亘丕爻鬲丕賳 丿乇 夭賲丕賳 丨讴賲乇丕賳蹖 賳乇賵賳 亘蹖丕賳 賲蹖诏乇丿丿. 賲丕乇讴賵爻 賵 賱蹖跇蹖丕 亘乇禺賱丕賮 亘爻蹖丕乇蹖 丕賮乇丕丿 丿蹖诏乇 丿乇 丕蹖賳 讴鬲丕亘貙 賴乇丿賵 丕夭 卮禺氐蹖鬲賴丕蹖 睾蹖乇賵丕賯毓蹖 賵 爻丕禺鬲诏蹖鈥屫з嗀�. 禺賵丕賳賳丿賴 亘賴 禺賵亘蹖 丿乇 爻蹖乇 丿丕爻鬲丕賳 丿乇賲蹖鈥屰屫жㄘ� 讴賴 趩诏賵賳賴 毓卮賯 亘賴 毓賳賵丕賳 蹖讴蹖 丕夭 賲馗丕賴乇 夭蹖亘丕蹖蹖貙 爻乇丿丕乇 氐丕丨亘 賲賳氐亘 賵 噩丕賴 賵 賲賯丕賲蹖 乇丕 丕夭 诏匕卮鬲賴 倬乇 夭乇賯 賵亘乇賯卮 噩丿丕 賲蹖鈥屭┵嗀� 賵 夭賳丿诏蹖 丕賵 乇丕 丕诏乇趩賴 丌賲蹖禺鬲賴 亘丕 丿乇丿 賵賱蹖 夭蹖亘丕 賲蹖鈥屫池ж藏� 賵 丕夭 倬蹖賱賴 夭賳丿诏蹖 賲丕丿蹖 賵蹖 賲賵噩賵丿 讴丕賲賱蹖 亘蹖乇賵賳 賲蹖鈥屫①堌必�.
亘毓囟蹖 賲賳鬲賯丿丕賳 賲毓鬲賯丿賳丿 讴賴 賳賵蹖爻賳丿賴 亘丕 鬲氐賵蹖乇爻丕夭蹖 賮囟丕蹖 丨丕讴賲 亘乇 乇賵賲 亘丕爻鬲丕賳 賵 亘丕夭诏賵蹖蹖 噩賳丕蹖丕鬲 賳乇賵賳 -丿蹖讴鬲丕鬲賵乇 禺賵賳禺賵丕乇 丕蹖賳 丿賵乇丕賳 賵 鬲賲丕賲 丿賵乇丕賳鈥屬囏й� 鬲丕乇蹖禺 亘卮乇蹖- 丿乇賵丕賯毓 賮囟丕蹖 倬乇 丕夭 禺賮賯丕賳 賵 賲賲賱賵 丕夭 賲乇诏 賵 噩賳丕蹖鬲 丨丕讴賲 亘乇 賱賴爻鬲丕賳賽 鬲丨鬲 爻蹖胤乇賴 卮賵乇賵蹖賽 丌賳 夭賲丕賳 乇丕 鬲賵氐蹖賮 賲蹖鈥屭┵嗀� 賵 丕毓鬲乇丕囟 禺賵丿 乇丕 亘賴 賮囟丕蹖 乇毓亘 賵 賵丨卮鬲 亘蹖丕賳 賲蹖鈥屫ж必�.
夭蹖亘丕鬲乇蹖賳 亘禺卮 讴鬲丕亘 噩丕蹖蹖 丕爻鬲 讴賴 禺賵丕賳賳丿賴 賮賱爻賮賴 賳丕賲 讴鬲丕亘 乇丕 丿乇賲蹖鈥屰屫жㄘ�. 賳乇賵賳 丿乇 丌禺乇蹖賳 賲丕賴鈥屬囏й� 賮乇賲丕賳乇賵丕蹖蹖鈥屫ж� 倬爻 丕夭 丕蹖賳讴賴 亘丕 卮賯丕賵鬲 賵 爻賳诏丿賱蹖 賵 亘丿賵賳 賴蹖趩 丿賱蹖賱 賯丕賳毓鈥屭┵嗁嗀団€屫й� 賴夭丕乇丕賳 賲爻蹖丨蹖 亘蹖鈥屭嗀з� 丕夭 夭賳 賵 賲乇丿 賵 讴賵丿讴 乇丕 亘賴 賯鬲賱 賲蹖鈥屫必池з嗀� 亘乇丕蹖 乇蹖卮賴 讴賳 讴乇丿賳 賲匕賴亘 賲爻蹖丨 鬲氐賲蹖賲 賲蹖鈥屭屫必� 亘賴 賴乇 賯蹖賲鬲蹖 乇賴亘乇丕賳 賲爻蹖丨蹖 乇丕 丿爻鬲诏蹖乇 賵 賯亘賱 丕夭 丿蹖诏乇丕賳 倬胤乇爻 乇丕 賲氐賱賵亘 讴賳丿. 丕蹖賳 禺亘乇 亘賴 丨賵丕乇蹖 賲蹖乇爻丿 賵 亘賴 丕賵 倬蹖卮賳賴丕丿 賲蹖鈥屫促堌� 卮賴乇 賲禺賵賮 乇賲 乇丕 鬲乇讴 讴賳丿. 亘賴 賴賳诏丕賲 爻倬蹖丿賴鈥屫呚� 丿乇 噩丕丿賴 丌賱亘蹖丕賳 亘乇 乇賵蹖 蹖讴蹖 丕夭 賴賮鬲 鬲倬賴 卮賴乇 乇賵賲貙 倬蹖乇蹖 賮乇鬲賵鬲貙 毓氐丕夭賳丕賳 賵 禺爻鬲賴鈥屫з� 亘賴 賴賲乇丕賴 讴賵丿讴蹖 禺乇丿爻丕賱 亘賴 爻賵蹖 讴丕賲倬丕賳蹖丕 倬蹖卮 賲蹖鈥屫辟佖�. 倬蹖乇貙 倬胤乇賵爻 丨賵丕乇蹖 賵 讴賵丿讴 禺乇丿爻丕賱 賳丕賲卮 賳丕夭丕乇蹖賵爻 亘賵丿. 丿乇 丌賳 爻倬蹖丿賴鈥屫� 賳禺爻鬲蹖賳 賲丕賴 倬丕蹖蹖夭 爻丕賱 鄱鄹 賲蹖賱丕丿蹖貙 賳丕诏賴丕賳 亘乇賯蹖 丿乇 丌爻賲丕賳 丿乇禺卮蹖丿 賵 鬲氐賵蹖乇蹖 乇賵卮賳 賵 鬲丕亘賳丕讴 丿乇 亘乇丕亘乇 倬蹖乇 賲鬲噩賱蹖 卮丿. 賳賵乇蹖 讴賴 賳丕夭丕乇蹖賵爻 賯丕丿乇 亘賴 丿乇讴 丌賳 賳亘賵丿. 倬蹖乇 賳丕诏賴丕賳 丕蹖爻鬲丕丿 賵 夭丕賳賵 亘乇 夭賲蹖賳 夭丿 賵 亘丕 氐丿丕蹖蹖 賲乇鬲毓卮 賮乇蹖丕丿 亘乇丌賵乇丿: 芦丕蹖 禺丿丕賵賳丿 賲賳! 亘賴 讴噩丕 賲蹖鈥屫辟堐屫熉� 丌賵丕蹖蹖 丌爻賲丕賳蹖 賵 丨夭賳鈥屫з嗂屫� 丿乇 诏賵卮 賵丕毓馗 乇賵卮賳丿賱 诏賮鬲: 芦丕蹖 倬胤乇賵爻貙 丨丕賱 讴賴 鬲賵 倬蹖乇賵丕賳 賲乇丕 鬲乇讴 賲蹖鈥屭┵嗃� 賵 丕夭 丕蹖賳 丿蹖丕乇 賲蹖鈥屫辟堐屫� 賲賳 亘賴 乇賲 亘丕夭 賲蹖鈥屭必� 鬲丕 亘乇丕蹖 亘丕乇 丿賵賲 賲氐賱賵亘 卮賵賲.禄 倬胤乇賵爻 亘賴 倬丕蹖鬲禺鬲 亘丕夭賲蹖鈥屭必� 賵 丿蹖乇蹖 賳賲蹖鈥屭柏必� 讴賴 丿跇禺蹖賲丕賳 賳乇賵賳 賵蹖 乇丕 亘乇 乇賵蹖 鬲倬賴鈥屫й� 讴賴 賳丕賲卮 賵丕鬲蹖讴丕賳 亘賵丿 亘乇 氐賱蹖亘 讴乇丿賴 賵 賲氐賱賵亘卮 賲蹖鈥屫池ж操嗀�. 丕賲乇賵夭 賳蹖夭 丿乇 賴賲蹖賳 賲丨賱 亘夭乇诏鈥屫臂屬� 賵 夭蹖亘丕鬲乇蹖賳 讴賱蹖爻丕蹖 噩賴丕賳 賵噩賵丿 丿丕乇丿. 丕蹖賳 乇賵丕蹖鬲 鬲丕乇蹖禺蹖 賲亘賳丕蹖 賳诏丕乇卮 讴鬲丕亘 讴噩丕 賲蹖鈥屫辟堐� 爻蹖賳讴蹖賵蹖趩 賲蹖鈥屫促堌�.
亘毓囟蹖 賲賳鬲賯丿丕賳 賲毓鬲賯丿賳丿 讴賴 賳賵蹖爻賳丿賴 亘丕 鬲氐賵蹖乇爻丕夭蹖 賮囟丕蹖 丨丕讴賲 亘乇 乇賵賲 亘丕爻鬲丕賳 賵 亘丕夭诏賵蹖蹖 噩賳丕蹖丕鬲 賳乇賵賳 -丿蹖讴鬲丕鬲賵乇 禺賵賳禺賵丕乇 丕蹖賳 丿賵乇丕賳 賵 鬲賲丕賲 丿賵乇丕賳鈥屬囏й� 鬲丕乇蹖禺 亘卮乇蹖- 丿乇賵丕賯毓 賮囟丕蹖 倬乇 丕夭 禺賮賯丕賳 賵 賲賲賱賵 丕夭 賲乇诏 賵 噩賳丕蹖鬲 丨丕讴賲 亘乇 賱賴爻鬲丕賳賽 鬲丨鬲 爻蹖胤乇賴 卮賵乇賵蹖賽 丌賳 夭賲丕賳 乇丕 鬲賵氐蹖賮 賲蹖鈥屭┵嗀� 賵 丕毓鬲乇丕囟 禺賵丿 乇丕 亘賴 賮囟丕蹖 乇毓亘 賵 賵丨卮鬲 亘蹖丕賳 賲蹖鈥屫ж必�.
夭蹖亘丕鬲乇蹖賳 亘禺卮 讴鬲丕亘 噩丕蹖蹖 丕爻鬲 讴賴 禺賵丕賳賳丿賴 賮賱爻賮賴 賳丕賲 讴鬲丕亘 乇丕 丿乇賲蹖鈥屰屫жㄘ�. 賳乇賵賳 丿乇 丌禺乇蹖賳 賲丕賴鈥屬囏й� 賮乇賲丕賳乇賵丕蹖蹖鈥屫ж� 倬爻 丕夭 丕蹖賳讴賴 亘丕 卮賯丕賵鬲 賵 爻賳诏丿賱蹖 賵 亘丿賵賳 賴蹖趩 丿賱蹖賱 賯丕賳毓鈥屭┵嗁嗀団€屫й� 賴夭丕乇丕賳 賲爻蹖丨蹖 亘蹖鈥屭嗀з� 丕夭 夭賳 賵 賲乇丿 賵 讴賵丿讴 乇丕 亘賴 賯鬲賱 賲蹖鈥屫必池з嗀� 亘乇丕蹖 乇蹖卮賴 讴賳 讴乇丿賳 賲匕賴亘 賲爻蹖丨 鬲氐賲蹖賲 賲蹖鈥屭屫必� 亘賴 賴乇 賯蹖賲鬲蹖 乇賴亘乇丕賳 賲爻蹖丨蹖 乇丕 丿爻鬲诏蹖乇 賵 賯亘賱 丕夭 丿蹖诏乇丕賳 倬胤乇爻 乇丕 賲氐賱賵亘 讴賳丿. 丕蹖賳 禺亘乇 亘賴 丨賵丕乇蹖 賲蹖乇爻丿 賵 亘賴 丕賵 倬蹖卮賳賴丕丿 賲蹖鈥屫促堌� 卮賴乇 賲禺賵賮 乇賲 乇丕 鬲乇讴 讴賳丿. 亘賴 賴賳诏丕賲 爻倬蹖丿賴鈥屫呚� 丿乇 噩丕丿賴 丌賱亘蹖丕賳 亘乇 乇賵蹖 蹖讴蹖 丕夭 賴賮鬲 鬲倬賴 卮賴乇 乇賵賲貙 倬蹖乇蹖 賮乇鬲賵鬲貙 毓氐丕夭賳丕賳 賵 禺爻鬲賴鈥屫з� 亘賴 賴賲乇丕賴 讴賵丿讴蹖 禺乇丿爻丕賱 亘賴 爻賵蹖 讴丕賲倬丕賳蹖丕 倬蹖卮 賲蹖鈥屫辟佖�. 倬蹖乇貙 倬胤乇賵爻 丨賵丕乇蹖 賵 讴賵丿讴 禺乇丿爻丕賱 賳丕賲卮 賳丕夭丕乇蹖賵爻 亘賵丿. 丿乇 丌賳 爻倬蹖丿賴鈥屫� 賳禺爻鬲蹖賳 賲丕賴 倬丕蹖蹖夭 爻丕賱 鄱鄹 賲蹖賱丕丿蹖貙 賳丕诏賴丕賳 亘乇賯蹖 丿乇 丌爻賲丕賳 丿乇禺卮蹖丿 賵 鬲氐賵蹖乇蹖 乇賵卮賳 賵 鬲丕亘賳丕讴 丿乇 亘乇丕亘乇 倬蹖乇 賲鬲噩賱蹖 卮丿. 賳賵乇蹖 讴賴 賳丕夭丕乇蹖賵爻 賯丕丿乇 亘賴 丿乇讴 丌賳 賳亘賵丿. 倬蹖乇 賳丕诏賴丕賳 丕蹖爻鬲丕丿 賵 夭丕賳賵 亘乇 夭賲蹖賳 夭丿 賵 亘丕 氐丿丕蹖蹖 賲乇鬲毓卮 賮乇蹖丕丿 亘乇丌賵乇丿: 芦丕蹖 禺丿丕賵賳丿 賲賳! 亘賴 讴噩丕 賲蹖鈥屫辟堐屫熉� 丌賵丕蹖蹖 丌爻賲丕賳蹖 賵 丨夭賳鈥屫з嗂屫� 丿乇 诏賵卮 賵丕毓馗 乇賵卮賳丿賱 诏賮鬲: 芦丕蹖 倬胤乇賵爻貙 丨丕賱 讴賴 鬲賵 倬蹖乇賵丕賳 賲乇丕 鬲乇讴 賲蹖鈥屭┵嗃� 賵 丕夭 丕蹖賳 丿蹖丕乇 賲蹖鈥屫辟堐屫� 賲賳 亘賴 乇賲 亘丕夭 賲蹖鈥屭必� 鬲丕 亘乇丕蹖 亘丕乇 丿賵賲 賲氐賱賵亘 卮賵賲.禄 倬胤乇賵爻 亘賴 倬丕蹖鬲禺鬲 亘丕夭賲蹖鈥屭必� 賵 丿蹖乇蹖 賳賲蹖鈥屭柏必� 讴賴 丿跇禺蹖賲丕賳 賳乇賵賳 賵蹖 乇丕 亘乇 乇賵蹖 鬲倬賴鈥屫й� 讴賴 賳丕賲卮 賵丕鬲蹖讴丕賳 亘賵丿 亘乇 氐賱蹖亘 讴乇丿賴 賵 賲氐賱賵亘卮 賲蹖鈥屫池ж操嗀�. 丕賲乇賵夭 賳蹖夭 丿乇 賴賲蹖賳 賲丨賱 亘夭乇诏鈥屫臂屬� 賵 夭蹖亘丕鬲乇蹖賳 讴賱蹖爻丕蹖 噩賴丕賳 賵噩賵丿 丿丕乇丿. 丕蹖賳 乇賵丕蹖鬲 鬲丕乇蹖禺蹖 賲亘賳丕蹖 賳诏丕乇卮 讴鬲丕亘 讴噩丕 賲蹖鈥屫辟堐� 爻蹖賳讴蹖賵蹖趩 賲蹖鈥屫促堌�.
541 pages, Unknown Binding
First published January 1, 1896
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About the author
Henryk Sienkiewicz
1,110听books688听followersHenryk Adam Aleksander Pius Sienkiewicz (also known as "Litwos"; May 5, 1846鈥揘ovember 15, 1916) was a Polish journalist and Nobel Prize-winning novelist. He was one of the most popular Polish writers at the turn of the 19th and 20th centuries, and received the Nobel Prize in Literature in 1905 for his "outstanding merits as an epic writer."
Born into an impoverished gentry family in the Podlasie village of Wola Okrzejska, in Russian-ruled Poland, Sienkiewicz wrote historical novels set during the Rzeczpospolita (Polish Republic, or Commonwealth). His works were noted for their negative portrayal of the Teutonic Order in The Teutonic Knights (Krzy偶acy), which was remarkable as a significant portion of his readership lived under German rule. Many of his novels were first serialized in newspapers, and even today are still in print. In Poland, he is best known for his historical novels "With Fire and Sword", "The Deluge", and "Fire in the Steppe" (The Trilogy) set during the 17th-century Polish-Lithuanian Commonwealth, while internationally he is best known for Quo Vadis, set in Nero's Rome. Quo Vadis has been filmed several times, most notably the 1951 version.
Sienkiewicz was meticulous in attempting to recreate the authenticity of historical language. In his Trilogy, for instance, he had his characters use the Polish language as he imagined it was spoken in the seventeenth century (in reality it was far more similar to 19th-century Polish than he imagined). In The Teutonic Knights, which relates to the Battle of Grunwald in 1410, he even had his characters speak a variety of medieval Polish which he recreated in part from archaic expressions then still common among the highlanders of Podhale.
In 1881, Sienkiewicz married Maria Szetkiewicz (1854-1885). They had two children, Henryk J贸zef (1882-1959) and Jadwiga Maria (1883鈥�1969).
Born into an impoverished gentry family in the Podlasie village of Wola Okrzejska, in Russian-ruled Poland, Sienkiewicz wrote historical novels set during the Rzeczpospolita (Polish Republic, or Commonwealth). His works were noted for their negative portrayal of the Teutonic Order in The Teutonic Knights (Krzy偶acy), which was remarkable as a significant portion of his readership lived under German rule. Many of his novels were first serialized in newspapers, and even today are still in print. In Poland, he is best known for his historical novels "With Fire and Sword", "The Deluge", and "Fire in the Steppe" (The Trilogy) set during the 17th-century Polish-Lithuanian Commonwealth, while internationally he is best known for Quo Vadis, set in Nero's Rome. Quo Vadis has been filmed several times, most notably the 1951 version.
Sienkiewicz was meticulous in attempting to recreate the authenticity of historical language. In his Trilogy, for instance, he had his characters use the Polish language as he imagined it was spoken in the seventeenth century (in reality it was far more similar to 19th-century Polish than he imagined). In The Teutonic Knights, which relates to the Battle of Grunwald in 1410, he even had his characters speak a variety of medieval Polish which he recreated in part from archaic expressions then still common among the highlanders of Podhale.
In 1881, Sienkiewicz married Maria Szetkiewicz (1854-1885). They had two children, Henryk J贸zef (1882-1959) and Jadwiga Maria (1883鈥�1969).
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September 26, 2021
(Book 795 from 1001 books) - Quo Vadis: A Narrative of the Time of Nero = Quo Vadis, Henryk Sienkiewicz
Quo Vadis: A Narrative of the Time of Nero, commonly known as Quo Vadis, is a historical novel written by Henryk Sienkiewicz in Polish. "Quo vadis, Domine?" is Latin for "Where are you going, Lord?" and appears in Chapter 69 of the novel in a retelling of a story from the apocryphal Acts of Peter, in which Peter flees Rome but on his way meets Jesus and asks him why he is going to Rome. Jesus says, "If thou desertest my people, I am going to Rome to be crucified a second time", which shames Peter into going back to Rome to accept martyrdom.
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦賴賵爻賴丕蹖 丕賲倬乇丕胤賵乇禄貨 芦賴賵爻賴丕蹖 丕賲倬乇丕鬲賵乇貙 讴噩丕 賲蹖鈥屫辟堐� - 夭賳丿诏蹖 倬乇賲丕噩乇丕蹖 賳乇賵賳禄貨 芦讴噩丕 賲蹖乇賵蹖禄貨 賳賵蹖爻賳丿賴: 賴賳乇蹖讴 爻蹖賳讴賵蹖趩貨 丕賳鬲卮丕乇丕鬲蹖賴丕: (丕胤賱丕毓丕鬲貙 丕賲蹖乇讴亘蹖乇貙 賳卮乇 爻賲蹖乇貨 賳卮乇 賲丕賴蹖)貨 丕丿亘蹖丕鬲 爻丿賴 19賲蹖賱丕丿蹖 讴卮賵乇 賱賴爻鬲丕賳貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮 乇賵夭 丿賴賲 賲丕賴 丌賵乇蹖賱 爻丕賱 1971賲蹖賱丕丿蹖
毓賳賵丕賳: 賴賵爻賴丕蹖 丕賲倬乇丕胤賵乇 - (讴噩丕 賲蹖乇賵蹖責)貨 賳賵蹖爻賳丿賴: 賴賳乇蹖讴 爻蹖賳讴賵蹖趩貨 亘乇诏乇丿丕賳: 丨爻賳 卮賴亘丕夭貙 鬲賴乇丕賳貙 丕胤賱丕毓丕鬲貙 1332貨 丿乇 475氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貙 1333貙 丿乇 475氐貨 趩丕倬 爻賵賲 1339貨 趩丕倬 趩賴丕乇賲 1353貨 丿乇 543氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賲丕賴蹖貙 1389貙 丿乇 687氐貨 卮丕亘讴9789649971575貨 趩丕倬 亘毓丿蹖 1390貨 趩丕倬 趩賴丕乇賲 賲丕賴蹖 1392貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貙 1395貨 丿乇 711氐貨 卮丕亘讴9789640017166 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 賱賴爻鬲丕賳蹖 - 爻丿賴 19賲
毓賳賵丕賳: 賴賵爻賴丕蹖 丕賲倬乇丕鬲賵乇貨 賳賵蹖爻賳丿賴: 賴賳乇蹖讴 爻蹖賳讴賵蹖趩貨 亘乇诏乇丿丕賳: 亘賴乇丕賲 丕賮乇丕爻蹖丕亘蹖貙 鬲賴乇丕賳貙 爻禺賳貙 1370貨 丿乇 580氐貨 趩丕倬 趩賴丕乇賲 1373貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賲賴乇賮丕賲貙 1382貙 卮丕亘讴 9649436472貨
毓賳賵丕賳: 讴噩丕 賲蹖鈥屫辟堐屫� 賳賵蹖爻賳丿賴: 賴賳乇蹖讴 爻蹖賳讴賵蹖趩貨 亘乇诏乇丿丕賳 賲賴丿蹖 毓賱賵蹖貨 鬲賴乇丕賳貙 賳卮乇 爻賲蹖乇貙 1380貨 丿乇 137氐貨 卮丕亘讴 9646552080貨
乇賵丕蹖鬲诏乇 毓卮賯蹖 丕爻鬲 丕賳爻丕賳鈥屫池ж� 賵 乇賵卮賳诏乇貙 亘蹖賳 爻乇丿丕乇蹖 亘賴 賳丕賲 芦賲丕乇讴賵爻 賵蹖賳趩蹖賵爻禄貨 賵 卮丕賴夭丕丿賴 禺丕賳賲蹖 丕夭 爻乇夭賲蹖賳 芦賱蹖跇蹖賳禄貨 亘賴 賳丕賲 芦讴丕賱蹖賳丕禄 讴賴 丿乇 亘蹖卮鬲乇 氐賮丨丕鬲 讴鬲丕亘貙 丕賵 乇丕 亘賴 賳丕賲 芦賱蹖跇蹖丕禄 賲蹖卮賳丕爻蹖賲貙 賵 丿乇 禺賱丕賱 丕蹖賳 噩乇蹖丕賳貙 丕賵囟丕毓 丕噩鬲賲丕毓蹖 賵 爻蹖丕爻蹖 丨丕讴賲 亘乇 芦乇賲禄 亘丕爻鬲丕賳貨 丿乇 夭賲丕賳 丨讴賲乇丕賳蹖 芦賳乇賵賳禄貙 亘蹖丕賳 賲蹖卮賵丿.貨 芦賲丕乇讴賵爻禄 賵 芦賱蹖跇蹖丕禄貙 亘乇 禺賱丕賮 丿蹖诏乇丕賳蹖 讴賴 丿乇 讴鬲丕亘 丨囟賵乇 丿丕乇賳丿貙 賴乇 丿賵 丕夭 卮禺氐蹖鬲賴丕蹖 禺蹖丕賱蹖貙 賵 爻丕禺鬲诏蹖鈥� 賴爻鬲賳丿貨 禺賵丕賳卮诏乇 丿乇 爻蹖乇 丿丕爻鬲丕賳 丿乇賲蹖鈥屰屫жㄘ� 讴賴 趩诏賵賳賴 毓卮賯貙 亘賴 毓賳賵丕賳 蹖讴蹖 丕夭 賲馗丕賴乇 夭蹖亘丕蹖蹖貙 爻乇丿丕乇 氐丕丨亘 賲賳氐亘 賵 賲賯丕賲 乇丕貙 丕夭 诏匕卮鬲賴 蹖 倬乇 夭乇賯 賵 亘乇賯 禺賵蹖卮貙 噩丿丕 賲蹖鈥屭┵嗀� 賵 夭賳丿诏蹖 丕賵 乇丕 丕诏乇趩賴 丌賲蹖禺鬲賴 亘丕 丿乇丿貙 賵賱蹖 夭蹖亘丕 賲蹖鈥屫池ж藏� 賵 丕夭 倬蹖賱賴 蹖 夭賳丿诏蹖 賵蹖貙 賲賵噩賵丿蹖 讴丕賲賱 亘蹖乇賵賳 賲蹖鈥屫①堌必�.貨 芦讴賱丕丿蹖賵爻 爻夭丕乇 丿乇賵爻賵爻 诏乇賲丕賳蹖讴賵爻禄貙 賳丕賲丿丕乇 亘賴 芦賳乇賵賳禄貙 亘賴 卮賴丕丿鬲 鬲丕乇蹖禺鈥� 賳賵蹖爻丕賳貙 蹖讴蹖 丕夭 亘蹖鈥� 乇丨賲鬲乇蹖賳 賵 爻賮丕讴鈥屫臂屬� 丨丕讴賲丕賳 亘賵丿賴貨 讴賴 丕夭 丌睾丕夭 丌賮乇蹖賳卮貙 鬲丕乇蹖禺 讴賲鬲乇 賴賲丕賳賳丿 丕賵 乇丕 亘賴 禺賵丿 丿蹖丿賴 丕爻鬲
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 17/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 03/07/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Quo Vadis: A Narrative of the Time of Nero, commonly known as Quo Vadis, is a historical novel written by Henryk Sienkiewicz in Polish. "Quo vadis, Domine?" is Latin for "Where are you going, Lord?" and appears in Chapter 69 of the novel in a retelling of a story from the apocryphal Acts of Peter, in which Peter flees Rome but on his way meets Jesus and asks him why he is going to Rome. Jesus says, "If thou desertest my people, I am going to Rome to be crucified a second time", which shames Peter into going back to Rome to accept martyrdom.
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦賴賵爻賴丕蹖 丕賲倬乇丕胤賵乇禄貨 芦賴賵爻賴丕蹖 丕賲倬乇丕鬲賵乇貙 讴噩丕 賲蹖鈥屫辟堐� - 夭賳丿诏蹖 倬乇賲丕噩乇丕蹖 賳乇賵賳禄貨 芦讴噩丕 賲蹖乇賵蹖禄貨 賳賵蹖爻賳丿賴: 賴賳乇蹖讴 爻蹖賳讴賵蹖趩貨 丕賳鬲卮丕乇丕鬲蹖賴丕: (丕胤賱丕毓丕鬲貙 丕賲蹖乇讴亘蹖乇貙 賳卮乇 爻賲蹖乇貨 賳卮乇 賲丕賴蹖)貨 丕丿亘蹖丕鬲 爻丿賴 19賲蹖賱丕丿蹖 讴卮賵乇 賱賴爻鬲丕賳貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮 乇賵夭 丿賴賲 賲丕賴 丌賵乇蹖賱 爻丕賱 1971賲蹖賱丕丿蹖
毓賳賵丕賳: 賴賵爻賴丕蹖 丕賲倬乇丕胤賵乇 - (讴噩丕 賲蹖乇賵蹖責)貨 賳賵蹖爻賳丿賴: 賴賳乇蹖讴 爻蹖賳讴賵蹖趩貨 亘乇诏乇丿丕賳: 丨爻賳 卮賴亘丕夭貙 鬲賴乇丕賳貙 丕胤賱丕毓丕鬲貙 1332貨 丿乇 475氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貙 1333貙 丿乇 475氐貨 趩丕倬 爻賵賲 1339貨 趩丕倬 趩賴丕乇賲 1353貨 丿乇 543氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賲丕賴蹖貙 1389貙 丿乇 687氐貨 卮丕亘讴9789649971575貨 趩丕倬 亘毓丿蹖 1390貨 趩丕倬 趩賴丕乇賲 賲丕賴蹖 1392貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貙 1395貨 丿乇 711氐貨 卮丕亘讴9789640017166 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 賱賴爻鬲丕賳蹖 - 爻丿賴 19賲
毓賳賵丕賳: 賴賵爻賴丕蹖 丕賲倬乇丕鬲賵乇貨 賳賵蹖爻賳丿賴: 賴賳乇蹖讴 爻蹖賳讴賵蹖趩貨 亘乇诏乇丿丕賳: 亘賴乇丕賲 丕賮乇丕爻蹖丕亘蹖貙 鬲賴乇丕賳貙 爻禺賳貙 1370貨 丿乇 580氐貨 趩丕倬 趩賴丕乇賲 1373貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賲賴乇賮丕賲貙 1382貙 卮丕亘讴 9649436472貨
毓賳賵丕賳: 讴噩丕 賲蹖鈥屫辟堐屫� 賳賵蹖爻賳丿賴: 賴賳乇蹖讴 爻蹖賳讴賵蹖趩貨 亘乇诏乇丿丕賳 賲賴丿蹖 毓賱賵蹖貨 鬲賴乇丕賳貙 賳卮乇 爻賲蹖乇貙 1380貨 丿乇 137氐貨 卮丕亘讴 9646552080貨
乇賵丕蹖鬲诏乇 毓卮賯蹖 丕爻鬲 丕賳爻丕賳鈥屫池ж� 賵 乇賵卮賳诏乇貙 亘蹖賳 爻乇丿丕乇蹖 亘賴 賳丕賲 芦賲丕乇讴賵爻 賵蹖賳趩蹖賵爻禄貨 賵 卮丕賴夭丕丿賴 禺丕賳賲蹖 丕夭 爻乇夭賲蹖賳 芦賱蹖跇蹖賳禄貨 亘賴 賳丕賲 芦讴丕賱蹖賳丕禄 讴賴 丿乇 亘蹖卮鬲乇 氐賮丨丕鬲 讴鬲丕亘貙 丕賵 乇丕 亘賴 賳丕賲 芦賱蹖跇蹖丕禄 賲蹖卮賳丕爻蹖賲貙 賵 丿乇 禺賱丕賱 丕蹖賳 噩乇蹖丕賳貙 丕賵囟丕毓 丕噩鬲賲丕毓蹖 賵 爻蹖丕爻蹖 丨丕讴賲 亘乇 芦乇賲禄 亘丕爻鬲丕賳貨 丿乇 夭賲丕賳 丨讴賲乇丕賳蹖 芦賳乇賵賳禄貙 亘蹖丕賳 賲蹖卮賵丿.貨 芦賲丕乇讴賵爻禄 賵 芦賱蹖跇蹖丕禄貙 亘乇 禺賱丕賮 丿蹖诏乇丕賳蹖 讴賴 丿乇 讴鬲丕亘 丨囟賵乇 丿丕乇賳丿貙 賴乇 丿賵 丕夭 卮禺氐蹖鬲賴丕蹖 禺蹖丕賱蹖貙 賵 爻丕禺鬲诏蹖鈥� 賴爻鬲賳丿貨 禺賵丕賳卮诏乇 丿乇 爻蹖乇 丿丕爻鬲丕賳 丿乇賲蹖鈥屰屫жㄘ� 讴賴 趩诏賵賳賴 毓卮賯貙 亘賴 毓賳賵丕賳 蹖讴蹖 丕夭 賲馗丕賴乇 夭蹖亘丕蹖蹖貙 爻乇丿丕乇 氐丕丨亘 賲賳氐亘 賵 賲賯丕賲 乇丕貙 丕夭 诏匕卮鬲賴 蹖 倬乇 夭乇賯 賵 亘乇賯 禺賵蹖卮貙 噩丿丕 賲蹖鈥屭┵嗀� 賵 夭賳丿诏蹖 丕賵 乇丕 丕诏乇趩賴 丌賲蹖禺鬲賴 亘丕 丿乇丿貙 賵賱蹖 夭蹖亘丕 賲蹖鈥屫池ж藏� 賵 丕夭 倬蹖賱賴 蹖 夭賳丿诏蹖 賵蹖貙 賲賵噩賵丿蹖 讴丕賲賱 亘蹖乇賵賳 賲蹖鈥屫①堌必�.貨 芦讴賱丕丿蹖賵爻 爻夭丕乇 丿乇賵爻賵爻 诏乇賲丕賳蹖讴賵爻禄貙 賳丕賲丿丕乇 亘賴 芦賳乇賵賳禄貙 亘賴 卮賴丕丿鬲 鬲丕乇蹖禺鈥� 賳賵蹖爻丕賳貙 蹖讴蹖 丕夭 亘蹖鈥� 乇丨賲鬲乇蹖賳 賵 爻賮丕讴鈥屫臂屬� 丨丕讴賲丕賳 亘賵丿賴貨 讴賴 丕夭 丌睾丕夭 丌賮乇蹖賳卮貙 鬲丕乇蹖禺 讴賲鬲乇 賴賲丕賳賳丿 丕賵 乇丕 亘賴 禺賵丿 丿蹖丿賴 丕爻鬲
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 17/08/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 03/07/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
March 30, 2024
Roman Emperor Nero is a singer of beautiful songs his first love, he himself composes if you don't like them better keep your opinions unsaid, you'll live a longer life. Nero has killed his mother, wife, brother all his family, and many former friends. Only unlimited praise the mighty Caesar enjoys ( but though he is terrible his voice and music, are a small sacrifice for his friendship and the vast benefits, he showers) ... Petronius the "Arbiter of Elegance" and close friend of the vicious ruler, has much influence in the court. A well educated and secret writer of The Satyricon the first novel, with poetry. He doesn't take credit as the author, Petronius likes to live in Rome not exiled, as others have been. The book ridicules certain Roman patricians their society, both he is part of ! In the arts nobody knows more than he. Marcus Vinicius a military tribune, his nephew back from a war in Asia Minor, informs his uncle in the opulent steamy Roman Baths, that he has fallen madly in love with a pretty maiden. While recovering from an injury in the house of Aulus Plautius, a retired and honored general, who helped in conquering Britain. The girl is the daughter of a foreign king a Roman hostage, now living in the home of the General's and Pomponia Graecina the wife of Aulus she becomes very fond of her, treated like a daughter. Since all her relatives perished Lygia, now considers them her new family. The young patrician soldier must have her as his concubine but Lygia, is a secret Christian and though she loves him, will not accept that. Marcus seeks his uncle's influence to get the girl away from her loved ones. Nero has Lygia come to his palace to be examined, the Emperor likes attractive women but the noble, clever, arbiter of elegance tells him, she is too narrow in the hips not true, and a compliment today still it saves the lady. Poppaea the Emperor's cruel new wife, hates the maiden naturally, Tigellinus ambitious head of the Praetorian Guard, he likes to kill hates Petronius his arch- rival. Given to Marcus however with the help of Ursus, Lygia's devoted servant as big as a giant and as strong as an ox, escapes easily before reaching the tribune's house . Which so angers the lovesick Marcus nothing else matters, needs only to recover his prize, greatly effecting his health. With the assistance of Christians, including St. Peter and Paul she is well hidden. Fires break out soon after in the vast city, countless building are incinerated the illustrious capital of the world, is tumbling down. People are perishing in its flames, shooting high into the night sky, bright now as daylight, crowds are streaming out of the infernal the thick smoke , chokes the heat and flames, killing thousands winds spreading the insatiable fires. Everyone but Marcus the soldier flee, in a desperate effort to rescue his beloved enters the doomed town staggering in the hopeless search, hardly able to breath, falling but getting up he must continue the quest or die trying ... The frightened Nero, afraid of the people's wrath blames the obscure Christians for the disaster, many will bravely die in the bloody arena. The Roman masses must be appeased ! A surprisingly enchanting book which never fails to entertain the reader...
January 31, 2023
丨賷賳賲丕 亘丿兀鬲 賮賷 賯乇丕亍丞 丕賱乇賵丕賷丞 賱賲 兀賰賳 兀鬲氐賵乇 兀賳 鬲賵噩丿 乇賵丕賷丞 鬲丕乇賷禺賷丞 亘賴匕丕 丕賱噩賲丕賱 賵丕賱乇賵毓丞 賵丕賱賰賲丕賱 丕賱兀丿亘賷貙 賱賲 兀賰賳 兀鬲賵賯毓 兀賳 鬲禺亘卅 賱賷 賴匕賴 丕賱乇賵丕賷丞 匕丕鬲 丕賱 侉贍贍 氐賮丨丞 兀噩賲賱 賯氐丞 丨亘賾 賯乇兀鬲賴丕 匕丕鬲 賷賵賲 賵兀氐賮賶 丿乇噩丕鬲 丕賱毓卮賯貙 賯賱鬲 賱賳賮爻賷 丨賷賳 賮鬲丨鬲 丕賱乇賵丕賷丞 賱賱鬲賵 賰賷賮 爻兀賳賴賷 侉贍贍 氐賮丨丞貙 爻兀氐丕亘 亘丕賱賲賲賱 亘賱丕 卮賰 賵乇亘賲丕 爻兀鬲賵賯賮 毓賳 賯乇丕亍鬲賴丕 賯亘賱 兀賳 兀賳賴賷賴丕貙 廿賱丕 兀賳 丕賱毓賰爻 丨丿孬 鬲賲丕賲丕賸貙 兀賳賴賷鬲 賴匕賴 丕賱乇賵丕賷丞 丕賱賰亘賷乇丞 賮賷 兀賯賱 賲賳 禺賲爻丞 兀賷丕賲貙 賵兀賰丕丿 兀賯賵賱 兀賳賳賷 賰賳鬲 兀賳賴亘 丕賱氐賮丨丕鬲 賳賴亘丕賸貙 賱賲 兀卮毓乇 亘丕賱賲賱賱 毓賱賶 丕賱廿胤賱丕賯 貙賱賲 鬲噩乇丨 丕賱乇賵丕賷丞 匕丕卅賯鬲賷 賵賱丕 氐亘乇賷 賵賱賲 兀卮毓乇 亘兀賷 囟賷賯 亘賴匕賴 丕賱賰賲賷丞 丕賱賲賴賵賱丞 賲賳 丕賱氐賮丨丕鬲貙 兀賷 賲鬲毓丞 賵兀賷 噩賳賵賳 賵兀賷 亘匕禺 賵兀爻賱賵亘 毓馗賷賲 賷賰賳賴 賴匕丕 丕賱賰丕鬲亘 賱賱賯丕乇卅貙 賴匕丕 丕賱賰丕鬲亘 丕賱毓馗賷賲 賷丨鬲乇賲 丕賱賯丕乇卅 兀賷賲丕 丕丨鬲乇丕賲貙 鬲卮毓乇 兀賳 賰賱 賲丕 賲賰鬲賵亘 賮賷 丕賱乇賵丕賷丞 賲賰鬲賵亘 亘乇卮丕賯丞 賵亘噩賲丕賱 氐丕賮賺貙 賵亘乇賵賷丞 賵亘兀鬲賯丕賳 賱丕 賲孬賷賱 賱賴賲丕貙 賵亘兀賲丕賳丞 乇賵丕卅賷丞 賵乇睾亘丞 賲賳賴 毓賱賶 丕鬲賲丕賲 卮賷亍 賲丕貙 乇睾亘丞 賮賷 丕賱賵氐賵賱 廿賱賶 丕賱匕乇賵丞 丿丕卅賲丕賸 貙 卮毓乇鬲 兀賳 丕賱賰鬲丕亘 賯丿 賵賴亘 丨賷丕鬲賴 賵賵賯鬲賴 賵乇賵丨賴 賱賴匕賴 丕賱乇賵丕賷丞貙 賰賱 卮賷亍貙 丨鬲賶 丕賱鬲賮丕氐賷賱 丕賱鬲賷 賯丿 賱丕 鬲乇賵賯 賱賷 賮賷 乇賵丕賷丞 兀禺乇賶 亘丿鬲 賱賷 卮賴賷丞 賴賳丕貙 賲毓鬲賯丞 亘丕賱噩賲丕賱 丕賱亘丕匕禺貙 亘丕賱乇賵賳賯 丕賱鬲丕乇賷禺賷貙 亘兀爻丕胤賷乇貙 亘丌賱賴丞貙 亘兀亘胤丕賱 賵亘賲噩丕賳賷賳 賵亘兀亘丕胤乇丞 賯爻丕丞 賵亘毓卮丕賯 賵亘丕賱賯丿賷爻賷賳 賵亘毓丕賱賲 乇賵賲丕賳賷 賱丕 賲孬賷賱 賱賴貙 乇賵丕賷丞 兀乇丕丿 賱賴丕 丕賱賰丕鬲亘 兀賳 鬲賰賵賳 賲賴賷亘丞 鬲丨卮丿 兀賰亘乇 賯丿乇 賲賳 丕賱乇賵毓丞 丕賱兀丿亘賷丞 賵丕賱賯氐氐賷丞貙 賷賰鬲亘 賱賳丕 賲賱丨賲丞 氐丕禺亘丞 賲噩賳賵賳丞 貙 賯丿乇丞 亘賱賷睾丞 毓賱賶 爻乇丿 ..
賯氐丞 賯丿 鬲亘丿賵 毓丕丿賷丞 賵賯丿 丨賰丕賴丕 賱賳丕 丕賱鬲丕乇賷禺 賲賳 賯亘賱貙 賵賱賰賳 亘氐賵乇丞 賲丿賴卮丞 噩毓賱鬲賳賷 賮賷 賯賱亘 丕賱丨丿孬 賵賮賷 毓賲賯 匕賱賰 丕賱鬲丕乇賷禺 丕賱匕賷 賷丨賰賷 毓賳賴貙 兀丿賴卮鬲賳賷 丕賱鬲賮丕氐賷賱 賵丕賱兀賲丕賰賳 賵丕賱丨賵丕乇丕鬲貙 兀丿賴卮賳賷 乇爻賲 卮禺氐賷丕鬲 鬲丕乇賷禺賷丞 亘賴匕丕 丕賱毓賲賯 賵鬲賱賰 丕賱丨賵丕乇丕鬲 丕賱鬲賷 鬲噩乇賷 毓賱賶 兀賱爻賳鬲賴丕貙 兀丿賴卮賳賷 爻乇丿 賵賯丕卅毓 丕賱乇賵丕賷丞 賵乇亘胤賴丕 亘兀賲賵乇 鬲丕乇賷禺賷丞 丨氐賱鬲 亘丕賱賮毓賱貙 賲孬賱 丨乇賯 (賳賷乇賵賳) 賱乇賵賲丕 賵鬲毓匕賷亘 丕賱賲爻賷丨賷賷賳 賲賳 賯亘賱 丕賱乇賵賲丕賳 賵氐賱亘 丕賱丨賵丕乇賷 (亘胤乇爻) 賵丕賱賰孬賷乇 賲賲丕 噩乇賶 賮賷 鬲賱賰 丕賱丨賯亘丞 丕賱鬲丕乇賷禺賷丞貙 賷丨賰賷賴丕 丕賱賰丕鬲亘 賴賳丕 亘賰賱 乇賵毓丞 賵賰兀賳賴 賯丿 毓丕氐乇 噩賷賱 丕賱乇賵賲丕賳 匕丕賰貙 賵賰兀賳賴 賯丿 丿禺賱 賵賰乇 丕賱賲爻賷丨賷賷賳 賵兀禺鬲亘兀 賲賳 噩亘乇賵鬲 賳賷乇賵賳 賵卮乇丕乇丞 賳賷乇丕賳 乇賵賲丕 賵賯爻賵丞 丕賱卮毓亘 丕賱賲鬲丨囟乇貙 賵賰兀賳賴 毓丕卮 賯氐丞 丕賱丨亘 鬲賱賰貙 賵噩賱爻 賲毓 賰亘丕乇 丕賱乇賵賲丕賳 賵丨囟乇 丕賱賲賵丕卅丿 賵鬲丨丿孬 賲毓 賳賷乇賵賳 賵毓丕氐乇 丕賱賵賯丕卅毓 賵丕賱兀賲賰賳丞 賵丕賱兀爻賵丕賯 賵噩賱爻 賷賰鬲亘 賵賴賵 毓賱賶 兀丨丿 鬲賱丕賱 乇賵賲丕 賴匕賴 丕賱賯氐丞 丕賱賲賱丨賲賷丞貙 賱丕 兀賰丕丿 兀氐丿賯 兀賳 賰丕鬲亘丕賸 賯丿 毓丕卮 賮賷 賳賴丕賷丞 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇 賯丕丿乇 毓賱賶 廿毓丕丿丞 禺賱賯 乇賵賲丕 毓賱賶 丕賱賵乇賯 賰賲丕 賮毓賱 賴匕丕 丕賱賰丕鬲亘貙 賲賳 兀乇丕丿 兀賳 賷賯乇兀 賴匕賴 丕賱乇賵丕賷丞 賮毓賱賷賴 兀賳 賷爻鬲卮毓乇 亘賯賵丞 丕賱爻乇丿 賵丕賱丨賵丕乇丕鬲 賵丕賱兀丨丿丕孬 賵丕賱鬲賮丕氐賷賱貙 賴匕丕 丕賱賰丕鬲亘 賷賰鬲亘 毓賳 毓氐乇 賱賲 賷毓卮 賮賷賴貙 賱賲 賷鬲匕賵賯 乇丕卅丨丞 賴賵丕亍賴 賵胤毓丕賲賴貙 毓賱賶 丕賱賯丕乇卅 兀賳 賷鬲匕賵賯 賴匕丕 丕賱毓氐乇 亘賰賱 噩賲丕賱賴 賵噩賳賵賳賴 賵賲噩賵賳賴 賵兀丨夭丕賳賴 賵賰賵丕乇孬賴 賵毓匕丕亘丕鬲賴 丕賱鬲賷 鬲賯胤毓 丕賱賯賱亘 鬲丨鬲 爻賷丕胤 丕賱賯爻賵丞貙 乇賵丕賷丞 賰賵賮丕丿賷爻 賴賷 賱毓亘丞 鬲丕乇賷禺賷丞 亘丕鬲賯丕賳貙 賱賵丨丞 兀丿亘賷丞 賲賳 毓丕賱賲 丌禺乇貙 氐賳毓 賲賳 賮賳丕賳 兀乇丕丿 兀賳 賷賰鬲亘 丕賱鬲丕乇賷禺 賲賳 噩丿賷丿 亘鬲賮丕氐賷賱賴 賵亘兀丨丿丕孬賴 賵亘鬲噩爻賷丿 賲匕賴賱 賵賯丕爻賺 賵丿爻賲 賱匕賱賰 丕賱毓氐乇..
鬲噩乇賷 兀丨丿丕孬 丕賱乇賵丕賷丞 賮賷 毓氐乇 丕賱乇賵賲丕賳 亘毓丿 賵賱丕丿丞 丕賱賲爻賷丨 毓賱賷賴 丕賱爻賱丕賲 亘丨賵丕賱賷 佴贍 爻賳丞貙 賯氐丞 丨亘 噩丕賲丨丞 亘賷賳 卮丕亘 乇賵賲丕賳賷 賷丿毓賶 (賮賷賳賷賰賵爻) 賲賳 毓賱賷丞 丕賱賯賵賲貙 賵賮鬲丕丞 賲爻賷丨賷丞 賵賴賷 (賱賷賮賷丕)貙 鬲禺賮賷 兀賷賲丕賳賴丕 賮賷 毓氐乇賺 賰丕賳 丕賱丿賷賳 丕賱賲爻賷丨賷 賲丨乇賲丕賸 賮賷 丕賱丿賵賱丞 丕賱乇賵賲丕賳賷丞貙 ( 賮賷賳賷賰賵爻) 卮丕亘 乇賵賲丕賳賷 胤丕卅卮 賷賯毓 賮賷 丨亘 賮鬲丕丞 胤丕賴乇丞 亘乇賷卅丞 賷丨丕賵賱 兀賳 賷鬲禺匕賴丕 廿丨丿賶 毓卮賷賯丕鬲賴 賮廿匕丕 亘賴丕 鬲氐丿賴 賵鬲賲賳毓賴 毓賳 賳賮爻賴丕貙 亘賱 賵鬲賯賵賲 (賱賷賮賷丕) 亘丕賱賴乇亘 賲賳 (賮賷賳賷賰賵爻) 賮賷胤賷乇 賱亘賴 賵賷噩賳 賵賷亘丨孬 毓賳賴丕 亘賰賱 丕賱胤乇賯 賵賷爻鬲丿毓賷 賰賱 賲毓丕乇賮賴 賵胤丕賯丕鬲賴 廿賱丕 兀賳賴 賷賮卮賱 賮卮賱丕賸 匕乇賷毓丕賸 賮賷 廿賷噩丕丿賴丕 廿賱丕 兀賳 賷賰鬲卮賮 亘兀賳賴丕 賲賳 丿賷賳 丌禺乇 賵賱丕 鬲丐賲賳 亘丌賱賴鬲賴貙 賮賷夭丿丕丿 賰乇賴賴 賱賱丿賷賳 丕賱賲爻賷丨賷 賵賷賰乇賴 丕賱賲爻賷丨 賲賳 賯賱亘賴 賱兀賳賴 丨爻亘 馗賳賴 賴賵 賲賳 丨乇賲賴 賲賳 毓卮賯 丕賱賮鬲丕丞 賵丕賱丨氐賵賱 毓賱賷賴丕貙 賮賷孬賵乇 毓賱賶 賰賱 丕賱賲爻賷丨賷賳 賵賷噩丿丿 丕賱亘丨孬 廿賱賶 兀賳 鬲賯毓 丨丕丿孬丞 睾乇賷亘丞 鬲睾賷賷乇 賰賱 賲丕 賮賷 賳賮爻 丕賱賮鬲賶 鬲噩丕賴 丕賱丿賷賳 丕賱賲爻賷丨賷 賵賷睾賷乇 賲賳 賯賳丕毓丕鬲賴 亘賱 賵賷氐賷乇 賲賳丿賴卮丕賸 賲賳 賯丿乇丞 賴匕丕 丕賱丿賷賳 丕賱噩丿賷丿 毓賱賶 夭乇毓 丕賱丨亘 賵丕賱爻賱丕賲 賵丕賱胤賲兀賳賷賳丞 賮賷 賯賱賵亘 丕賱賳丕爻貙 丨賷孬 賯丕賲 賮賷 兀丨丿 丕賱兀賷丕賲 亘廿賷噩丕丿 (賱賷賮賷丕) 賵兀賯鬲丨賲 亘賷鬲賴丕 賮廿匕丕 亘禺丕丿賲 丕賱賮鬲丕丞 賷賲爻賰 亘丕賱賮鬲賶 丕賱毓丕卮賯 賵賷囟乇亘賴 亘丨噩乇 毓賱賶 乇兀爻賴 賵賷賴賷賲 亘賯鬲賱賴 賮廿匕丕 亘 (賱賷賮賷丕) 鬲賲賳毓賴 賲賳 賯賱鬲賴貙 亘賱 賵賷兀鬲賷 丕賱賲爻賷丨賷賵賳 賵賷丿丕賵賵賳賴 賵賷卮乇賮賵賳 毓賱賶 氐丨鬲賴 亘丕賱乇睾賲 賲賳 賰賱 賲丕 賮毓賱貙 賵賷賱鬲賯賷 賴賳丕賰 亘兀丨丿 丨賵丕乇賷 丕賱賲爻賷丨 毓賱賷賴 丕賱爻賱丕賲 賵賴賵 (亘胤乇爻) 賵賲賳 賴賳丕 鬲亘丿兀 丕賱卮乇丕乇丞 丕賱兀賵賱賶 賮賷 賯賱亘賴 賱丨亘 丕賱賲爻賷丨 賵丕賱賯亘賵賱 亘丕賱丿賷賳 丕賱噩丿賷丿 賵丕禺鬲賱丕賮 賳馗乇鬲賴 賱賱丨亘 賲賳 賳馗乇丞 噩爻丿賷丞 亘丨鬲賴 廿賱賶 丨亘 噩丿賷丿 賷鬲噩丕賵夭 丕賱噩爻丿 賵賷賱丕賲爻 乇賵丨賴 賱兀賵賱 賲乇丞貙 賮賷氐亘丨 毓丕卮賯丕賸 賱 (賱賷賮賷丕) 賲丨亘丕賸 賱賱賲爻賷丨賷賳 賵 賱 (亘胤乇爻) 鬲鬲睾賷乇 胤亘丕毓賴 賵賷賳賮乇 賲賳 丕賱賲噩鬲賲毓 丕賱乇賵賲丕賳賷 丕賱匕賷 賰丕賳 賲亘賳賷丕賸 毓賱賶 丕賱賮噩賵乇 賵丕賱禺賱丕毓丞 賵丕賱丕賳丨胤丕胤 ..
廿賱丕 兀賳 賷賯丿乇 賱賲 賷卮兀 兀賳 賷鬲乇賰 賱賴 賱賷賮賷丕 貙 賮廿匕丕 亘 丕賱賯賷氐乇 丕賱賲噩賳賵賳 (賳賷乇賵賳) 賷賯賵賲 亘兀亘卮毓 丕賱兀賮毓丕賱 賮賷 丕賱鬲丕乇賷禺 賵賴賵 丨乇賯 乇賵賲丕貙 賱賷爻 賱卮賷亍 爻賵賶 賱兀賳賴 賷乇賷丿 兀賳 賷賰鬲亘 賯氐賷丿丞 鬲乇丕噩賷丿賷丕 賮賷 馗賱丕賱 丕賱賲丿賷賳丞 丕賱賱賴亘丞貙 賱賯丿 兀丨乇賯 丕賱賲丿賷賳丞 丕賱賴丕卅賱丞 賱賲噩乇丿 賳夭賵丞 賰鬲丕亘賷丞 兀乇丕丿 賲賳 禺賱丕賱賴丕 兀賳 賷賰鬲亘 丕賱卮毓乇 賵賷賳丕賮爻 賴賵賲賷乇賵爻 賮賷 賲賱丨賲鬲賴 丕賱廿賱賷丕匕賷丞 賵賴賵 賷氐賮 賲丿賷賳丞 胤乇賵丕丿丞 丕賱賲丨鬲乇賯丞貙 鬲丨氐賱 丕賱丨乇丕卅賯 賵賷賲賵鬲 丕賱毓丿丿 丕賱匕賷 賱丕 賷丨氐賶 賲賳 丕賱賳丕爻 賵鬲丨鬲乇賯 賰賱 丕賱兀亘賳賷丞 丕賱噩賲賷賱丞 賮賷 丕賱賲丿賷賳丞 賵賷禺鬲賳賯 丕賱賳丕爻 賮賷 賲卮賴丿 賷卮亘賴 丕賱噩丨賷賲貙 賷氐乇禺 丕賱賳丕爻 賵賷賴乇亘賵賳 賵賷鬲賴賲賵賳 (賳賷乇賵賳) 亘兀丨乇丕賯 丕賱賲丿賷賳丞貙 賲丕 賰丕賳 賲賳 賳賷乇賵賳 廿賱丕 兀賳 兀噩鬲賲毓 亘賯丕丿鬲賴 賵賲爻鬲卮丕乇賷賴 賵丕賯鬲乇丨賵丕 毓賱賷賴 賰丨賱 亘丿賷賱 賱睾囟亘 丕賱賳丕爻 賵賳賯賲鬲賴賲 毓賱賷賴 兀賳 賷乇賲賷 丕賱鬲賴賲丞 毓賱賶 丕賱賲爻賷丨賷賷賳 亘丕毓鬲亘丕乇賴賲 賴賲 賲賳 賯丕賲 亘兀卮毓丕賱 丕賱賳丕乇 賮孬 丕賱賲丿賷賳丞 賵兀賳 丿賷賳賴賲 賷丨孬賴賲 毓賱賶 匕賱賰貙 胤亘毓丕賸 賳賷乇賵賳 賰丕賳 兀賳 賷氐丿賯 兀賳賴 賱賲 賷賮毓賱賴丕 賱賰孬乇丞 賲丕 夭賷賳 賱賴 兀鬲亘丕毓賴 丕賱丨噩丞 丕賱賯丕卅賲丞 毓賱賶 廿賱賯丕亍 丕賱鬲賴賲丞 毓賱賶 賰丕賴賱 丕賱賲爻賷丨賷賷賳 丕賱鬲毓爻丕亍貙 賮賯丕賲鬲 丨賲賱丕鬲 鬲毓匕賷亘 卮賳毓丕亍 丕爻鬲毓賲賱 賮賷賴丕 賰賱 賲丕 賷鬲禺賷賱 丕賱賲乇亍 賲賳 賯爻賵丞 賵亘卮丕毓丞 賵噩賳賵賳 囟丿 賰賱 賲賳 賷孬亘鬲 毓賱賷賴 兀賳賴 賲爻賷丨賷貙 賮鬲賲 丕毓鬲賯丕賱 丕賱賳丕爻 賵丕賱夭噩 亘賴賲 賮賷 丕賱爻噩賵賳 賵乇賲賷賴賲 兀丨賷丕亍 賱賱兀爻賵丿 賵丕賱賰賱丕亘 賵氐賱亘賴賲 貙 賵賰賱 賴匕丕 賮賷 丕賱賲賷丿丕賳 丕賱乇賷丕囟賷 賵丕賱賳丕爻 賷鬲賱匕匕賵賳 亘賲丕 賷噩乇賷 賲賳 毓賯丕亘 毓賱賶 賲賳 賷毓鬲賯丿賵賳 兀賳賴賲 賰丕賳賵丕 丕賱爻亘亘 賮賷 丕丨乇丕賯 丕賱賲丿賷賳丞..
賵賴賳丕賰 賷囟乇亘 丕賱賯丿乇 囟乇亘鬲賴 賲噩丿丿丕賸 毓賱賶 丕賱毓丕卮賯賷賳 賮鬲鬲賵賴 亘賷賳賴賲丕 丕賱賲爻丕賮丕鬲 賵賷胤賵賱 丕賱賷兀爻 賵鬲氐賱 丕賱賲丨賳 廿賱賶 匕乇賵鬲賴丕 賵賷毓賷卮 丕賱賯丕乇卅 賮賷 賳賴丕賷丞 丕賱乇賵丕賷丞 賱丨馗丕鬲 毓氐亘賷丞 賵賷亘賯賶 賲卮丿賵丿 丕賱兀毓氐丕亘 賲賳鬲馗乇丕賸 賰賱 賱丨馗丞 賲丕 爻賷丨丿孬 賱賱囟丨丕賷丕貙 賰賷賮 爻賷鬲賵賯賮 丕賱噩賱丕丿 賵兀賷賳 爻賷氐亘 睾囟亘賴 賴匕賴 丕賱賲乇丞貙 丕賱乇賵丕賷丞 爻鬲亘丿賵 賯丕爻賷丞 賮賷 賳賴丕賷鬲賴丕貙 賲丐賱賲丞 亘賲丕 鬲丨賲賱賴 賮賷 胤賷丕鬲賴丕 賲賳 毓匕丕亘丕鬲 賵氐乇丕禺 賵丿賲丕亍 賵賰兀賳 丕賱毓丕賱賲 毓賱賶 賵卮賰 丕賱丕賳鬲賴丕亍貙 鬲毓匕賷亘 賵丨卮賷 賵賯鬲賱 亘賱丕 兀賷 乇丨賲丞貙 丕賱毓丕賱賲 丕賱乇賵賲丕賳賷 丕賱賯丿賷賲 亘兀亘卮毓 鬲噩賱賷丕鬲賴 賵賯爻賵鬲賴 賵毓賳賵丕賳 丕賱廿賳爻丕賳 丨賷賳匕丕賰貙 丨賷孬 兀賳 乇賵賲丕 賰丕賳鬲 鬲毓鬲賯丿 兀賳賴丕 爻賷丿丞 丕賱毓丕賱賲 賵兀賳 亘賵爻毓賴丕 兀賳 鬲鬲禺匕 賲賳 丕賱賳丕爻 噩賲賷毓丕賸 毓亘賷丿丕賸 賵賲丨乇賯丞 賱兀噩賱 兀賳 賷乇囟賶 丕賱賯賷氐乇 丕賱乇賵賲丕賳賷 丕賱賲鬲賵丨卮貙 丕賱賲鬲毓胤卮 賱賱丿賲丕亍貙 賱兀噩賱 鬲乇丕噩賷丿賷丕 賷丨爻 亘賴丕 兀賵 兀睾賳賷丞 丨夭賷賳丞 賷鬲睾賳賶 亘賴丕 兀賲丕賲 卮毓亘賴貙 囟乇亘 丕賱賰丕鬲亘 賮賷 丕賱賳賴丕賷丞 賰賱 兀賵鬲丕乇 丕賱賵噩毓貙 氐禺亘 賵丿賲丕亍 賵丨乇丕卅賯 賵賵丨賵卮 亘卮乇賷丞 賱丕 鬲毓乇賮 爻賵賶 丕賱賯鬲賱 賵丕賱丿賲丕亍 賵丕賱鬲賱匕匕 亘丿賲丕亍 丕賱囟丨丕賷丕 賵丕賱兀亘乇賷丕亍貙 賮賷 丕賱賰賵賱賵爻賷賵賲 鬲噩乇賷 丕賱賳夭丕賱丕鬲 丕賱賲毓乇賵賮丞貙 賱賷爻 亘賷賳 丕賱兀亘胤丕賱貙 亘賱 亘賷賳 兀賳丕爻 兀亘乇賷丕亍 賵賵丨賵卮 丨賷賵丕賳賷丞 賵亘卮乇賷丞貙 賵丕賱卮毓亘 賷氐賮賯 賵賴賵 賷乇賶 噩孬孬 丕賱兀胤賮丕賱 賵丕賱賳爻丕亍 賵丕賱乇噩丕賱 鬲賯胤毓 賮賷 賲卮賴丿 賷亘丿賵 毓亘孬賷丕賸 賵賲丿毓丕丞 賱賱丕卮賲卅夭丕夭貙 丕賱卮毓亘 丕賱匕賷 鬲丨賵賱 廿賱賶 胤丕睾賷丞 兀賰亘乇 賲賳 丕賱賯賷氐乇 賳賮爻賴貙 丕賱卮毓亘 丕賱匕賷 亘丕毓 賳賮爻賴 賱賱賵賴賲 賵乇囟賶 兀賳 賷購賯鬲賱 兀賳丕爻 賰孬乇 賮賯胤 賱兀賳 丿賷賳賴賲 睾賷乇 丿賷賳 丕賱賯氐乇 賵賱兀賳賴賲 賱賲 賷乇賰毓賵丕 賱噩亘丕乇 乇賵賲丕 賵賱賲 賷毓賷卮賵丕 丨賷丕丞 丕賱賲噩賵賳 賵丕賱丕賳丨胤丕胤 丕賱乇賵賲丕賳賷貙 卮毓亘 賲賲爻賵禺 賷亘丿賵 兀賳賴 鬲丨賵賱 賲賳 噩賷賱 廿賱賶 噩賷賱 賱賵丨卮 賮鬲丕賰 賷亘乇乇 賰賱 丕賱噩乇丕卅賲 賵賷鬲賱匕匕 亘丕賱賲賵鬲 賰賲丕 賷鬲賱匕匕 丕賱賯賷氐乇 賳賮爻賴 賵賴賵 賷賲丕乇爻 丿賵乇 丕賱乇亘貙 賮賷賯鬲賱 賲賳 賷卮丕亍 賵賷毓賮賵 毓賲賳 賷卮丕亍..
乇賵丕賷丞 丿爻賲丞 賵卮賷賯丞 鬲丨賲賱 丕賱賰孬賷乇 賲賳 丕賱賲丐賳 丕賱兀丿亘賷丞貙 丕賱乇爻丕卅賱貙 丕賱鬲賮丕氐賷賱貙 賯氐丞 丨亘 乇丕卅毓丞貙 乇賵賲丕賳爻賷丞 亘丕匕禺丞貙 卮丕毓乇賷丞 丨賱賵丞 賵丨賵丕乇丕鬲 賴賷 丕賱兀賲鬲毓貙 鬲丨賲賱 丕賱乇賵丕賷丕鬲 賮賷 胤賷丕鬲賴丕 丕賱賰孬賷乇 賲賳 丕賱鬲賯賱亘丕鬲 賵丕賱賲賵噩丕鬲 丕賱賲鬲氐丕毓丿丞 賲賳 丕賱丨夭賳 賵丕賱賯爻賵丞 賵丕賱噩賳賵賳貙 丕爻鬲胤丕毓 賰丕鬲亘賴丕 兀賳 賷賲丕乇爻 丿賵乇 丕賱囟丨賷丞 賵丕賱噩賱丕丿 賵丕賱毓丕卮賯 賵丕賱賯賷氐乇 賵兀賳 賷丿禺賱賳丕 廿賱賶 丨丕乇丕鬲 乇賵賲丕 賵丨丿丕卅賯 丕賱賯氐賵乇 賵毓賱賶 丕賱賲賵丕卅丿 賵丕賱卮乇賮丕鬲 賵兀賳賮丕賯 丕賱賲丿賷賳丞 賵丿賴丕賱賷夭賴丕貙 賵賰賱賲丕 賲乇鬲 丕賱氐賮丨丕鬲 賵丕夭丕丿鬲 丕賱兀丨丿丕孬 賱賴賷亘丕賸貙 鬲賯賵賱 (賰賵賮丕 丿賷爻) 兀賷 亘丕賱賱睾丞 丕賱乇賵賲丕賳賷丞 (廿賱賶 兀賷賳) 貙 賵賴賳丕 賱賳 鬲賳鬲賴賷 丕賱丨賰丕賷丞貙 賵賱賳 賷禺亘賵 丕賱乇賲丕丿貙 賱兀賳 丕賱賯丕乇卅 賲丕 賷夭丕賱 毓胤卮丕賸 賱廿乇賵丕亍 賮囟賵賱 丕賱丨賰賷 賵乇睾亘丞 丕賱鬲噩賵賱 賮賷 毓丕賱賲 賲鬲賳丕賯囟 賵賮噩 賵睾乇賷亘 賵丨賱賵貙 賴匕丕 丕賱毓丕賱賲 丕賱匕賷 賱賲 賷毓丿 賲賵噩賵丿丕賸 ..
兀乇卮丨賴丕 賵亘賰賱 孬賯丞 賱賲賳 賷丨亘賵賳 丕賱乇賵丕賷丕鬲 丕賱鬲丕乇賷禺賷丞 賵賷爻鬲賲鬲毓賵賳 亘賴匕丕 丕賱賳賵毓 賲賳 丕賱兀丿亘.
賲賱丕丨馗丞 兀禺賷乇丞 : 丕賱鬲乇噩賲丞 噩賷丿丞 廿賱丕 兀賳 賴匕賴 丕賱胤亘毓丞 賲賳 丿丕乇 丕賱賲丿賶 鬲毓丕賳賷 賲賳 兀禺胤丕亍 賲胤亘毓賷丞 賮馗賷毓丞 鬲賲鬲賱兀 亘賴丕 丕賱氐賮丨丕鬲貙 賮鬲亘丿賵 丕賱賰孬賷乇 賲賳 丕賱賰賱賲丕鬲 賲賳賮氐賱丞 賵賲鬲亘丕毓丿丞 毓賳 亘毓囟賴丕 亘卮賰賱 睾乇賷亘.. 賵乇睾賲 匕賱賰 賱賲 賷賲賳毓賳賷 賴匕丕 丕賱兀賲乇 亘丕賱丕爻鬲賲鬲丕毓 亘丕賱乇賵丕賷丞 賵噩賵丿丞 鬲乇噩賲鬲賴丕 賵兀賳丕賯丞 賰丕鬲亘賴丕..
賯氐丞 賯丿 鬲亘丿賵 毓丕丿賷丞 賵賯丿 丨賰丕賴丕 賱賳丕 丕賱鬲丕乇賷禺 賲賳 賯亘賱貙 賵賱賰賳 亘氐賵乇丞 賲丿賴卮丞 噩毓賱鬲賳賷 賮賷 賯賱亘 丕賱丨丿孬 賵賮賷 毓賲賯 匕賱賰 丕賱鬲丕乇賷禺 丕賱匕賷 賷丨賰賷 毓賳賴貙 兀丿賴卮鬲賳賷 丕賱鬲賮丕氐賷賱 賵丕賱兀賲丕賰賳 賵丕賱丨賵丕乇丕鬲貙 兀丿賴卮賳賷 乇爻賲 卮禺氐賷丕鬲 鬲丕乇賷禺賷丞 亘賴匕丕 丕賱毓賲賯 賵鬲賱賰 丕賱丨賵丕乇丕鬲 丕賱鬲賷 鬲噩乇賷 毓賱賶 兀賱爻賳鬲賴丕貙 兀丿賴卮賳賷 爻乇丿 賵賯丕卅毓 丕賱乇賵丕賷丞 賵乇亘胤賴丕 亘兀賲賵乇 鬲丕乇賷禺賷丞 丨氐賱鬲 亘丕賱賮毓賱貙 賲孬賱 丨乇賯 (賳賷乇賵賳) 賱乇賵賲丕 賵鬲毓匕賷亘 丕賱賲爻賷丨賷賷賳 賲賳 賯亘賱 丕賱乇賵賲丕賳 賵氐賱亘 丕賱丨賵丕乇賷 (亘胤乇爻) 賵丕賱賰孬賷乇 賲賲丕 噩乇賶 賮賷 鬲賱賰 丕賱丨賯亘丞 丕賱鬲丕乇賷禺賷丞貙 賷丨賰賷賴丕 丕賱賰丕鬲亘 賴賳丕 亘賰賱 乇賵毓丞 賵賰兀賳賴 賯丿 毓丕氐乇 噩賷賱 丕賱乇賵賲丕賳 匕丕賰貙 賵賰兀賳賴 賯丿 丿禺賱 賵賰乇 丕賱賲爻賷丨賷賷賳 賵兀禺鬲亘兀 賲賳 噩亘乇賵鬲 賳賷乇賵賳 賵卮乇丕乇丞 賳賷乇丕賳 乇賵賲丕 賵賯爻賵丞 丕賱卮毓亘 丕賱賲鬲丨囟乇貙 賵賰兀賳賴 毓丕卮 賯氐丞 丕賱丨亘 鬲賱賰貙 賵噩賱爻 賲毓 賰亘丕乇 丕賱乇賵賲丕賳 賵丨囟乇 丕賱賲賵丕卅丿 賵鬲丨丿孬 賲毓 賳賷乇賵賳 賵毓丕氐乇 丕賱賵賯丕卅毓 賵丕賱兀賲賰賳丞 賵丕賱兀爻賵丕賯 賵噩賱爻 賷賰鬲亘 賵賴賵 毓賱賶 兀丨丿 鬲賱丕賱 乇賵賲丕 賴匕賴 丕賱賯氐丞 丕賱賲賱丨賲賷丞貙 賱丕 兀賰丕丿 兀氐丿賯 兀賳 賰丕鬲亘丕賸 賯丿 毓丕卮 賮賷 賳賴丕賷丞 丕賱賯乇賳 丕賱鬲丕爻毓 毓卮乇 賯丕丿乇 毓賱賶 廿毓丕丿丞 禺賱賯 乇賵賲丕 毓賱賶 丕賱賵乇賯 賰賲丕 賮毓賱 賴匕丕 丕賱賰丕鬲亘貙 賲賳 兀乇丕丿 兀賳 賷賯乇兀 賴匕賴 丕賱乇賵丕賷丞 賮毓賱賷賴 兀賳 賷爻鬲卮毓乇 亘賯賵丞 丕賱爻乇丿 賵丕賱丨賵丕乇丕鬲 賵丕賱兀丨丿丕孬 賵丕賱鬲賮丕氐賷賱貙 賴匕丕 丕賱賰丕鬲亘 賷賰鬲亘 毓賳 毓氐乇 賱賲 賷毓卮 賮賷賴貙 賱賲 賷鬲匕賵賯 乇丕卅丨丞 賴賵丕亍賴 賵胤毓丕賲賴貙 毓賱賶 丕賱賯丕乇卅 兀賳 賷鬲匕賵賯 賴匕丕 丕賱毓氐乇 亘賰賱 噩賲丕賱賴 賵噩賳賵賳賴 賵賲噩賵賳賴 賵兀丨夭丕賳賴 賵賰賵丕乇孬賴 賵毓匕丕亘丕鬲賴 丕賱鬲賷 鬲賯胤毓 丕賱賯賱亘 鬲丨鬲 爻賷丕胤 丕賱賯爻賵丞貙 乇賵丕賷丞 賰賵賮丕丿賷爻 賴賷 賱毓亘丞 鬲丕乇賷禺賷丞 亘丕鬲賯丕賳貙 賱賵丨丞 兀丿亘賷丞 賲賳 毓丕賱賲 丌禺乇貙 氐賳毓 賲賳 賮賳丕賳 兀乇丕丿 兀賳 賷賰鬲亘 丕賱鬲丕乇賷禺 賲賳 噩丿賷丿 亘鬲賮丕氐賷賱賴 賵亘兀丨丿丕孬賴 賵亘鬲噩爻賷丿 賲匕賴賱 賵賯丕爻賺 賵丿爻賲 賱匕賱賰 丕賱毓氐乇..
鬲噩乇賷 兀丨丿丕孬 丕賱乇賵丕賷丞 賮賷 毓氐乇 丕賱乇賵賲丕賳 亘毓丿 賵賱丕丿丞 丕賱賲爻賷丨 毓賱賷賴 丕賱爻賱丕賲 亘丨賵丕賱賷 佴贍 爻賳丞貙 賯氐丞 丨亘 噩丕賲丨丞 亘賷賳 卮丕亘 乇賵賲丕賳賷 賷丿毓賶 (賮賷賳賷賰賵爻) 賲賳 毓賱賷丞 丕賱賯賵賲貙 賵賮鬲丕丞 賲爻賷丨賷丞 賵賴賷 (賱賷賮賷丕)貙 鬲禺賮賷 兀賷賲丕賳賴丕 賮賷 毓氐乇賺 賰丕賳 丕賱丿賷賳 丕賱賲爻賷丨賷 賲丨乇賲丕賸 賮賷 丕賱丿賵賱丞 丕賱乇賵賲丕賳賷丞貙 ( 賮賷賳賷賰賵爻) 卮丕亘 乇賵賲丕賳賷 胤丕卅卮 賷賯毓 賮賷 丨亘 賮鬲丕丞 胤丕賴乇丞 亘乇賷卅丞 賷丨丕賵賱 兀賳 賷鬲禺匕賴丕 廿丨丿賶 毓卮賷賯丕鬲賴 賮廿匕丕 亘賴丕 鬲氐丿賴 賵鬲賲賳毓賴 毓賳 賳賮爻賴丕貙 亘賱 賵鬲賯賵賲 (賱賷賮賷丕) 亘丕賱賴乇亘 賲賳 (賮賷賳賷賰賵爻) 賮賷胤賷乇 賱亘賴 賵賷噩賳 賵賷亘丨孬 毓賳賴丕 亘賰賱 丕賱胤乇賯 賵賷爻鬲丿毓賷 賰賱 賲毓丕乇賮賴 賵胤丕賯丕鬲賴 廿賱丕 兀賳賴 賷賮卮賱 賮卮賱丕賸 匕乇賷毓丕賸 賮賷 廿賷噩丕丿賴丕 廿賱丕 兀賳 賷賰鬲卮賮 亘兀賳賴丕 賲賳 丿賷賳 丌禺乇 賵賱丕 鬲丐賲賳 亘丌賱賴鬲賴貙 賮賷夭丿丕丿 賰乇賴賴 賱賱丿賷賳 丕賱賲爻賷丨賷 賵賷賰乇賴 丕賱賲爻賷丨 賲賳 賯賱亘賴 賱兀賳賴 丨爻亘 馗賳賴 賴賵 賲賳 丨乇賲賴 賲賳 毓卮賯 丕賱賮鬲丕丞 賵丕賱丨氐賵賱 毓賱賷賴丕貙 賮賷孬賵乇 毓賱賶 賰賱 丕賱賲爻賷丨賷賳 賵賷噩丿丿 丕賱亘丨孬 廿賱賶 兀賳 鬲賯毓 丨丕丿孬丞 睾乇賷亘丞 鬲睾賷賷乇 賰賱 賲丕 賮賷 賳賮爻 丕賱賮鬲賶 鬲噩丕賴 丕賱丿賷賳 丕賱賲爻賷丨賷 賵賷睾賷乇 賲賳 賯賳丕毓丕鬲賴 亘賱 賵賷氐賷乇 賲賳丿賴卮丕賸 賲賳 賯丿乇丞 賴匕丕 丕賱丿賷賳 丕賱噩丿賷丿 毓賱賶 夭乇毓 丕賱丨亘 賵丕賱爻賱丕賲 賵丕賱胤賲兀賳賷賳丞 賮賷 賯賱賵亘 丕賱賳丕爻貙 丨賷孬 賯丕賲 賮賷 兀丨丿 丕賱兀賷丕賲 亘廿賷噩丕丿 (賱賷賮賷丕) 賵兀賯鬲丨賲 亘賷鬲賴丕 賮廿匕丕 亘禺丕丿賲 丕賱賮鬲丕丞 賷賲爻賰 亘丕賱賮鬲賶 丕賱毓丕卮賯 賵賷囟乇亘賴 亘丨噩乇 毓賱賶 乇兀爻賴 賵賷賴賷賲 亘賯鬲賱賴 賮廿匕丕 亘 (賱賷賮賷丕) 鬲賲賳毓賴 賲賳 賯賱鬲賴貙 亘賱 賵賷兀鬲賷 丕賱賲爻賷丨賷賵賳 賵賷丿丕賵賵賳賴 賵賷卮乇賮賵賳 毓賱賶 氐丨鬲賴 亘丕賱乇睾賲 賲賳 賰賱 賲丕 賮毓賱貙 賵賷賱鬲賯賷 賴賳丕賰 亘兀丨丿 丨賵丕乇賷 丕賱賲爻賷丨 毓賱賷賴 丕賱爻賱丕賲 賵賴賵 (亘胤乇爻) 賵賲賳 賴賳丕 鬲亘丿兀 丕賱卮乇丕乇丞 丕賱兀賵賱賶 賮賷 賯賱亘賴 賱丨亘 丕賱賲爻賷丨 賵丕賱賯亘賵賱 亘丕賱丿賷賳 丕賱噩丿賷丿 賵丕禺鬲賱丕賮 賳馗乇鬲賴 賱賱丨亘 賲賳 賳馗乇丞 噩爻丿賷丞 亘丨鬲賴 廿賱賶 丨亘 噩丿賷丿 賷鬲噩丕賵夭 丕賱噩爻丿 賵賷賱丕賲爻 乇賵丨賴 賱兀賵賱 賲乇丞貙 賮賷氐亘丨 毓丕卮賯丕賸 賱 (賱賷賮賷丕) 賲丨亘丕賸 賱賱賲爻賷丨賷賳 賵 賱 (亘胤乇爻) 鬲鬲睾賷乇 胤亘丕毓賴 賵賷賳賮乇 賲賳 丕賱賲噩鬲賲毓 丕賱乇賵賲丕賳賷 丕賱匕賷 賰丕賳 賲亘賳賷丕賸 毓賱賶 丕賱賮噩賵乇 賵丕賱禺賱丕毓丞 賵丕賱丕賳丨胤丕胤 ..
廿賱丕 兀賳 賷賯丿乇 賱賲 賷卮兀 兀賳 賷鬲乇賰 賱賴 賱賷賮賷丕 貙 賮廿匕丕 亘 丕賱賯賷氐乇 丕賱賲噩賳賵賳 (賳賷乇賵賳) 賷賯賵賲 亘兀亘卮毓 丕賱兀賮毓丕賱 賮賷 丕賱鬲丕乇賷禺 賵賴賵 丨乇賯 乇賵賲丕貙 賱賷爻 賱卮賷亍 爻賵賶 賱兀賳賴 賷乇賷丿 兀賳 賷賰鬲亘 賯氐賷丿丞 鬲乇丕噩賷丿賷丕 賮賷 馗賱丕賱 丕賱賲丿賷賳丞 丕賱賱賴亘丞貙 賱賯丿 兀丨乇賯 丕賱賲丿賷賳丞 丕賱賴丕卅賱丞 賱賲噩乇丿 賳夭賵丞 賰鬲丕亘賷丞 兀乇丕丿 賲賳 禺賱丕賱賴丕 兀賳 賷賰鬲亘 丕賱卮毓乇 賵賷賳丕賮爻 賴賵賲賷乇賵爻 賮賷 賲賱丨賲鬲賴 丕賱廿賱賷丕匕賷丞 賵賴賵 賷氐賮 賲丿賷賳丞 胤乇賵丕丿丞 丕賱賲丨鬲乇賯丞貙 鬲丨氐賱 丕賱丨乇丕卅賯 賵賷賲賵鬲 丕賱毓丿丿 丕賱匕賷 賱丕 賷丨氐賶 賲賳 丕賱賳丕爻 賵鬲丨鬲乇賯 賰賱 丕賱兀亘賳賷丞 丕賱噩賲賷賱丞 賮賷 丕賱賲丿賷賳丞 賵賷禺鬲賳賯 丕賱賳丕爻 賮賷 賲卮賴丿 賷卮亘賴 丕賱噩丨賷賲貙 賷氐乇禺 丕賱賳丕爻 賵賷賴乇亘賵賳 賵賷鬲賴賲賵賳 (賳賷乇賵賳) 亘兀丨乇丕賯 丕賱賲丿賷賳丞貙 賲丕 賰丕賳 賲賳 賳賷乇賵賳 廿賱丕 兀賳 兀噩鬲賲毓 亘賯丕丿鬲賴 賵賲爻鬲卮丕乇賷賴 賵丕賯鬲乇丨賵丕 毓賱賷賴 賰丨賱 亘丿賷賱 賱睾囟亘 丕賱賳丕爻 賵賳賯賲鬲賴賲 毓賱賷賴 兀賳 賷乇賲賷 丕賱鬲賴賲丞 毓賱賶 丕賱賲爻賷丨賷賷賳 亘丕毓鬲亘丕乇賴賲 賴賲 賲賳 賯丕賲 亘兀卮毓丕賱 丕賱賳丕乇 賮孬 丕賱賲丿賷賳丞 賵兀賳 丿賷賳賴賲 賷丨孬賴賲 毓賱賶 匕賱賰貙 胤亘毓丕賸 賳賷乇賵賳 賰丕賳 兀賳 賷氐丿賯 兀賳賴 賱賲 賷賮毓賱賴丕 賱賰孬乇丞 賲丕 夭賷賳 賱賴 兀鬲亘丕毓賴 丕賱丨噩丞 丕賱賯丕卅賲丞 毓賱賶 廿賱賯丕亍 丕賱鬲賴賲丞 毓賱賶 賰丕賴賱 丕賱賲爻賷丨賷賷賳 丕賱鬲毓爻丕亍貙 賮賯丕賲鬲 丨賲賱丕鬲 鬲毓匕賷亘 卮賳毓丕亍 丕爻鬲毓賲賱 賮賷賴丕 賰賱 賲丕 賷鬲禺賷賱 丕賱賲乇亍 賲賳 賯爻賵丞 賵亘卮丕毓丞 賵噩賳賵賳 囟丿 賰賱 賲賳 賷孬亘鬲 毓賱賷賴 兀賳賴 賲爻賷丨賷貙 賮鬲賲 丕毓鬲賯丕賱 丕賱賳丕爻 賵丕賱夭噩 亘賴賲 賮賷 丕賱爻噩賵賳 賵乇賲賷賴賲 兀丨賷丕亍 賱賱兀爻賵丿 賵丕賱賰賱丕亘 賵氐賱亘賴賲 貙 賵賰賱 賴匕丕 賮賷 丕賱賲賷丿丕賳 丕賱乇賷丕囟賷 賵丕賱賳丕爻 賷鬲賱匕匕賵賳 亘賲丕 賷噩乇賷 賲賳 毓賯丕亘 毓賱賶 賲賳 賷毓鬲賯丿賵賳 兀賳賴賲 賰丕賳賵丕 丕賱爻亘亘 賮賷 丕丨乇丕賯 丕賱賲丿賷賳丞..
賵賴賳丕賰 賷囟乇亘 丕賱賯丿乇 囟乇亘鬲賴 賲噩丿丿丕賸 毓賱賶 丕賱毓丕卮賯賷賳 賮鬲鬲賵賴 亘賷賳賴賲丕 丕賱賲爻丕賮丕鬲 賵賷胤賵賱 丕賱賷兀爻 賵鬲氐賱 丕賱賲丨賳 廿賱賶 匕乇賵鬲賴丕 賵賷毓賷卮 丕賱賯丕乇卅 賮賷 賳賴丕賷丞 丕賱乇賵丕賷丞 賱丨馗丕鬲 毓氐亘賷丞 賵賷亘賯賶 賲卮丿賵丿 丕賱兀毓氐丕亘 賲賳鬲馗乇丕賸 賰賱 賱丨馗丞 賲丕 爻賷丨丿孬 賱賱囟丨丕賷丕貙 賰賷賮 爻賷鬲賵賯賮 丕賱噩賱丕丿 賵兀賷賳 爻賷氐亘 睾囟亘賴 賴匕賴 丕賱賲乇丞貙 丕賱乇賵丕賷丞 爻鬲亘丿賵 賯丕爻賷丞 賮賷 賳賴丕賷鬲賴丕貙 賲丐賱賲丞 亘賲丕 鬲丨賲賱賴 賮賷 胤賷丕鬲賴丕 賲賳 毓匕丕亘丕鬲 賵氐乇丕禺 賵丿賲丕亍 賵賰兀賳 丕賱毓丕賱賲 毓賱賶 賵卮賰 丕賱丕賳鬲賴丕亍貙 鬲毓匕賷亘 賵丨卮賷 賵賯鬲賱 亘賱丕 兀賷 乇丨賲丞貙 丕賱毓丕賱賲 丕賱乇賵賲丕賳賷 丕賱賯丿賷賲 亘兀亘卮毓 鬲噩賱賷丕鬲賴 賵賯爻賵鬲賴 賵毓賳賵丕賳 丕賱廿賳爻丕賳 丨賷賳匕丕賰貙 丨賷孬 兀賳 乇賵賲丕 賰丕賳鬲 鬲毓鬲賯丿 兀賳賴丕 爻賷丿丞 丕賱毓丕賱賲 賵兀賳 亘賵爻毓賴丕 兀賳 鬲鬲禺匕 賲賳 丕賱賳丕爻 噩賲賷毓丕賸 毓亘賷丿丕賸 賵賲丨乇賯丞 賱兀噩賱 兀賳 賷乇囟賶 丕賱賯賷氐乇 丕賱乇賵賲丕賳賷 丕賱賲鬲賵丨卮貙 丕賱賲鬲毓胤卮 賱賱丿賲丕亍貙 賱兀噩賱 鬲乇丕噩賷丿賷丕 賷丨爻 亘賴丕 兀賵 兀睾賳賷丞 丨夭賷賳丞 賷鬲睾賳賶 亘賴丕 兀賲丕賲 卮毓亘賴貙 囟乇亘 丕賱賰丕鬲亘 賮賷 丕賱賳賴丕賷丞 賰賱 兀賵鬲丕乇 丕賱賵噩毓貙 氐禺亘 賵丿賲丕亍 賵丨乇丕卅賯 賵賵丨賵卮 亘卮乇賷丞 賱丕 鬲毓乇賮 爻賵賶 丕賱賯鬲賱 賵丕賱丿賲丕亍 賵丕賱鬲賱匕匕 亘丿賲丕亍 丕賱囟丨丕賷丕 賵丕賱兀亘乇賷丕亍貙 賮賷 丕賱賰賵賱賵爻賷賵賲 鬲噩乇賷 丕賱賳夭丕賱丕鬲 丕賱賲毓乇賵賮丞貙 賱賷爻 亘賷賳 丕賱兀亘胤丕賱貙 亘賱 亘賷賳 兀賳丕爻 兀亘乇賷丕亍 賵賵丨賵卮 丨賷賵丕賳賷丞 賵亘卮乇賷丞貙 賵丕賱卮毓亘 賷氐賮賯 賵賴賵 賷乇賶 噩孬孬 丕賱兀胤賮丕賱 賵丕賱賳爻丕亍 賵丕賱乇噩丕賱 鬲賯胤毓 賮賷 賲卮賴丿 賷亘丿賵 毓亘孬賷丕賸 賵賲丿毓丕丞 賱賱丕卮賲卅夭丕夭貙 丕賱卮毓亘 丕賱匕賷 鬲丨賵賱 廿賱賶 胤丕睾賷丞 兀賰亘乇 賲賳 丕賱賯賷氐乇 賳賮爻賴貙 丕賱卮毓亘 丕賱匕賷 亘丕毓 賳賮爻賴 賱賱賵賴賲 賵乇囟賶 兀賳 賷購賯鬲賱 兀賳丕爻 賰孬乇 賮賯胤 賱兀賳 丿賷賳賴賲 睾賷乇 丿賷賳 丕賱賯氐乇 賵賱兀賳賴賲 賱賲 賷乇賰毓賵丕 賱噩亘丕乇 乇賵賲丕 賵賱賲 賷毓賷卮賵丕 丨賷丕丞 丕賱賲噩賵賳 賵丕賱丕賳丨胤丕胤 丕賱乇賵賲丕賳賷貙 卮毓亘 賲賲爻賵禺 賷亘丿賵 兀賳賴 鬲丨賵賱 賲賳 噩賷賱 廿賱賶 噩賷賱 賱賵丨卮 賮鬲丕賰 賷亘乇乇 賰賱 丕賱噩乇丕卅賲 賵賷鬲賱匕匕 亘丕賱賲賵鬲 賰賲丕 賷鬲賱匕匕 丕賱賯賷氐乇 賳賮爻賴 賵賴賵 賷賲丕乇爻 丿賵乇 丕賱乇亘貙 賮賷賯鬲賱 賲賳 賷卮丕亍 賵賷毓賮賵 毓賲賳 賷卮丕亍..
乇賵丕賷丞 丿爻賲丞 賵卮賷賯丞 鬲丨賲賱 丕賱賰孬賷乇 賲賳 丕賱賲丐賳 丕賱兀丿亘賷丞貙 丕賱乇爻丕卅賱貙 丕賱鬲賮丕氐賷賱貙 賯氐丞 丨亘 乇丕卅毓丞貙 乇賵賲丕賳爻賷丞 亘丕匕禺丞貙 卮丕毓乇賷丞 丨賱賵丞 賵丨賵丕乇丕鬲 賴賷 丕賱兀賲鬲毓貙 鬲丨賲賱 丕賱乇賵丕賷丕鬲 賮賷 胤賷丕鬲賴丕 丕賱賰孬賷乇 賲賳 丕賱鬲賯賱亘丕鬲 賵丕賱賲賵噩丕鬲 丕賱賲鬲氐丕毓丿丞 賲賳 丕賱丨夭賳 賵丕賱賯爻賵丞 賵丕賱噩賳賵賳貙 丕爻鬲胤丕毓 賰丕鬲亘賴丕 兀賳 賷賲丕乇爻 丿賵乇 丕賱囟丨賷丞 賵丕賱噩賱丕丿 賵丕賱毓丕卮賯 賵丕賱賯賷氐乇 賵兀賳 賷丿禺賱賳丕 廿賱賶 丨丕乇丕鬲 乇賵賲丕 賵丨丿丕卅賯 丕賱賯氐賵乇 賵毓賱賶 丕賱賲賵丕卅丿 賵丕賱卮乇賮丕鬲 賵兀賳賮丕賯 丕賱賲丿賷賳丞 賵丿賴丕賱賷夭賴丕貙 賵賰賱賲丕 賲乇鬲 丕賱氐賮丨丕鬲 賵丕夭丕丿鬲 丕賱兀丨丿丕孬 賱賴賷亘丕賸貙 鬲賯賵賱 (賰賵賮丕 丿賷爻) 兀賷 亘丕賱賱睾丞 丕賱乇賵賲丕賳賷丞 (廿賱賶 兀賷賳) 貙 賵賴賳丕 賱賳 鬲賳鬲賴賷 丕賱丨賰丕賷丞貙 賵賱賳 賷禺亘賵 丕賱乇賲丕丿貙 賱兀賳 丕賱賯丕乇卅 賲丕 賷夭丕賱 毓胤卮丕賸 賱廿乇賵丕亍 賮囟賵賱 丕賱丨賰賷 賵乇睾亘丞 丕賱鬲噩賵賱 賮賷 毓丕賱賲 賲鬲賳丕賯囟 賵賮噩 賵睾乇賷亘 賵丨賱賵貙 賴匕丕 丕賱毓丕賱賲 丕賱匕賷 賱賲 賷毓丿 賲賵噩賵丿丕賸 ..
兀乇卮丨賴丕 賵亘賰賱 孬賯丞 賱賲賳 賷丨亘賵賳 丕賱乇賵丕賷丕鬲 丕賱鬲丕乇賷禺賷丞 賵賷爻鬲賲鬲毓賵賳 亘賴匕丕 丕賱賳賵毓 賲賳 丕賱兀丿亘.
賲賱丕丨馗丞 兀禺賷乇丞 : 丕賱鬲乇噩賲丞 噩賷丿丞 廿賱丕 兀賳 賴匕賴 丕賱胤亘毓丞 賲賳 丿丕乇 丕賱賲丿賶 鬲毓丕賳賷 賲賳 兀禺胤丕亍 賲胤亘毓賷丞 賮馗賷毓丞 鬲賲鬲賱兀 亘賴丕 丕賱氐賮丨丕鬲貙 賮鬲亘丿賵 丕賱賰孬賷乇 賲賳 丕賱賰賱賲丕鬲 賲賳賮氐賱丞 賵賲鬲亘丕毓丿丞 毓賳 亘毓囟賴丕 亘卮賰賱 睾乇賷亘.. 賵乇睾賲 匕賱賰 賱賲 賷賲賳毓賳賷 賴匕丕 丕賱兀賲乇 亘丕賱丕爻鬲賲鬲丕毓 亘丕賱乇賵丕賷丞 賵噩賵丿丞 鬲乇噩賲鬲賴丕 賵兀賳丕賯丞 賰丕鬲亘賴丕..
December 18, 2017
Superb.
You must have read this novel.
Gripping and full steam to the heart.
A wonderfull book, dont miss it.
I love it so much, I cant say accuratetly how I enyoyed it.
You must have read this novel.
Gripping and full steam to the heart.
A wonderfull book, dont miss it.
I love it so much, I cant say accuratetly how I enyoyed it.
August 28, 2022
2,3
Nazwanie obsesji Winicjusza na punkcie Ligii ogromn膮, to du偶e niedom贸wienie XDDD
Nazwanie obsesji Winicjusza na punkcie Ligii ogromn膮, to du偶e niedom贸wienie XDDD
October 19, 2023
芦乇賲 賲蹖爻賵禺鬲貙 賲蹖丿丕賳 賲毓馗賲 賵 倬乇卮讴賵賴 賲丕诏夭蹖賲賵爻 讴賴 乇賵夭诏丕乇蹖 丕夭 夭蹖亘丕鬲乇蹖賳 賲蹖丿丕賳 賴丕蹖 賲鬲賲丿賳 亘賴 卮賲丕乇 賲蹖 丌賲丿貙 丕讴賳賵賳 噩夭 賵蹖乇丕賳賴鈥屰� 賵丨卮鬲賳丕讴蹖 亘賴 賳馗乇 賳賲蹖乇爻蹖丿.禄
芦讴噩丕 賲蹖乇賵蹖禄乇賵丕蹖鬲蹖 丿賱賳卮蹖賳 丕夭 噩賵丕賳蹖 丿乇 鬲亘 賲毓卮賵賯貙 馗賴賵乇 賲爻蹖丨蹖鬲 丿乇 丿賱 乇賲 賵 丕賲倬乇丕胤賵乇蹖蹖 賯丿乇鬲賲賳丿 亘賴 丿爻鬲 賳乇賵賳 噩亘丕乇 賲蹖亘丕卮丿
賲丕乇讴賵爻 噩賵丕賳蹖 丕卮乇丕賮 夭丕丿賴貙 丿賱蹖乇 趩賵 卮蹖乇 賵 噩賳诏丕賵乇蹖 鬲賵丕賳丕 讴賴 丿賱亘丕禺鬲賴鈥屰� 丿禺鬲乇 禺賵丕賳丿賴鈥屰� 禺丕賳賵丕丿賴 丕蹖 丕卮乇丕賮蹖 卮丿賴 丕賲丕 丕賵 賳賲蹖丿丕賳丿 讴賴 丿乇 倬蹖 丕蹖賳 毓卮賯 趩賴 爻禺鬲蹖 賴丕 賵 賲卮賯鬲 賴丕蹖蹖 丿乇 爻乇 乇丕賴 丕賵 丿丕賲賳 诏爻鬲乇丿賴.
亘禺卮 賴丕蹖 亘蹖卮鬲乇 讴鬲丕亘 卮丕蹖丿 亘卮賴 诏賮鬲 鄱郯 丿乇氐丿 乇賵丕蹖鬲 诏乇 丿丕爻鬲丕賳蹖 毓丕卮賯丕賳賴貙 賴乇趩賳丿 丿乇 讴卮賲讴卮 乇丕 乇賵丕蹖鬲 賲蹖讴賳丿貙 賴賲趩賳蹖賳 丿乇 倬蹖 丕蹖賳 乇賵丕蹖丕鬲 賮乇賴賳诏 賲乇丿賲丕賳 乇賵賲蹖 賵 夭賳丿诏丕賳蹖 丌賳 賴丕 乇丕 賳蹖夭 賲蹖亘蹖賳蹖賲.
亘丕 卮禺氐蹖鬲 賴丕蹖 鬲丕乇蹖禺蹖 賲鬲賳賵毓 丕夭 賮乇賲丕賳丿賴丕賳 賳馗丕賲蹖 鬲丕 爻蹖丕爻鬲賲丿丕乇丕賳 賵 丨鬲蹖 賮蹖賱爻賵賮丕賳蹖 趩賵賳鈥� 爻賳賴鈥屭┴� 乇丕 賳蹖夭 丿乇 诏賵卮賴 讴賳丕乇 丿丕爻鬲丕賳 丿乇 倬蹖 夭賳丿诏蹖 賴丕蹖 禺賵蹖卮 賲卮丕賴丿賴 賲蹖讴賳蹖賲.
丕蹖賳 讴鬲丕亘 毓賱丕賵賴 亘乇 丕蹖賳讴賴 乇賲丕賳蹖 毓丕卮賯丕賳賴 丕爻鬲 卮乇丨 賵賯丕蹖毓蹖 禺賵亘 丕夭 乇賵夭诏丕乇 乇賵賲 丿乇 丿賵乇賴 丨讴賵賲鬲 芦賳乇賵賳禄 賲蹖亘丕卮丿 讴賴 乇賮鬲賴 乇賮鬲賴 丕蹖賳 鬲亘 賵 鬲丕亘 毓丕卮賯蹖 噩丕蹖 禺賵丿 乇丕 亘賴 卮乇丨 賵賯丕蹖毓 亘夭乇诏 鬲丕乇蹖禺蹖 賲蹖丿賴丿.
賳乇賵賳:芦賵丿丕毓貙 丕蹖 倬丕蹖鬲禺鬲 亘丕爻鬲丕賳蹖 賵 丕蹖 夭蹖亘丕鬲乇蹖賳 卮賴乇 噩賴丕賳禄
賳乇賵賳 丕賲倬乇丕胤賵乇蹖 讴賴 丨鬲蹖 亘賴 賲丕丿乇 禺賵丿 賳蹖夭 乇丨賲 賳讴乇丿賴 賵 丕賵乇丕 亘賴 賯鬲賱 乇爻丕賳丿賴貙 丨丕賱 爻毓蹖 亘乇 爻乇倬賵卮 诏匕丕卮鬲賳 亘乇 噩賳丕蹖丕鬲 禺賵丿 亘丕 賮丿丕 讴乇丿賳 賲爻蹖丨蹖丕賳 丌賵丕乇賴 賲蹖亘丕卮丿.
趩賴 亘爻丕 賴賲蹖賳 賯鬲賱 毓丕賲 賲爻蹖丨蹖丕賳 讴賴 亘賴 胤乇夭 賵丨卮鬲賳丕讴蹖 氐賵乇鬲 賲蹖诏蹖乇丿 睾賲 賵 丕賳丿賵賴 禺丿丕賳丕亘丕賵乇丕賳 乇賵賲蹖 乇丕 賳蹖夭 亘乇賲蹖鈥屫з嗂屫藏� 趩乇丕 讴賴 丕蹖賳 噩賳丕蹖丕鬲 噩丿丕 丕夭 丿蹖賳 賵 亘丕賵乇 卮禺氐蹖 賵 賲鬲賮丕賵鬲 丌丿賲蹖貙 丕賳爻丕賳蹖鬲 乇丕 亘乇賲蹖鈥屫з嗂屫藏� 鬲丕 丿乇 賲賯丕亘賱 馗賱賲 賵 爻鬲賲 賯丿 毓賱賲 讴賳賳丿.
賮蹖賱爻賵賮 丌賵丕乇賴 賵 賲讴丕乇蹖 讴賴 亘賴 賴賲诏丕賳 亘丿 讴乇丿賴 賵 毓丕賲賱 鬲爻乇蹖毓 噩賳丕蹖丕鬲 賵 丿蹖賵丕賳诏蹖 賳乇賵賳 丿乇 賯鬲賱 毓丕賲 賲爻蹖丨蹖丕賳 丕爻鬲 丨丕賱 丿乇 賲賯丕亘賱 倬夭卮讴 賲爻蹖丨蹖 讴賴 丿乇 丨丕賱 爻賵禺鬲賳 丕爻鬲 亘賴 夭丕賳賵 丿乇丌賲丿賴 賵 胤賱亘 亘禺卮卮 賲蹖讴賳丿 賵 賮乇丿 丿乇丨丕賱蹖 讴賴 丿乇 丌鬲卮 賲蹖爻賵夭丿 亘丕 氐丿丕蹖蹖 讴賴 爻禺鬲 卮賳蹖丿賴 賲蹖卮賵丿 賲蹖诏賵蹖丿 芦鬲賵 乇丕 賲蹖亘禺卮賲禄
賮丿丕 卮丿賳 丨賵丕乇蹖賵賳 賲爻蹖丨貙 丕卮丕毓賴 丿蹖賳 丕賵 亘賴 胤亘毓 卮賯丕賵鬲 賴丕 賵 爻丕蹖乇 賲爻丕卅賱 賳蹖夭 丕夭 噩匕丕亘蹖鬲 賴丕蹖 丿蹖诏乇 丕蹖賳 乇賲丕賳 賲蹖亘丕卮丿.
丿賵賲蹖鬲賵爻:芦 鬲賵 亘诏賵! 賲爻蹖丨蹖丕賳 丿乇 诏賵卮賴 丕賮賯 賵 賴賳诏丕賲 賲乇诏 趩賴 賲蹖亘蹖賳賳丿責 鬲賵 亘賴鬲乇 亘丕 賲匕賴亘 丌賳 賴丕 丌卮賳丕蹖蹖.禄
趩蹖賱賵 丿乇丨丕賱蹖 讴賴 亘賴 爻禺鬲蹖 氐丿丕卮 卮賳蹖丿賴 賲蹖卮丿. 诏賮鬲:芦 丌賳 賴丕 乇爻鬲丕禺蹖夭 乇丕 賲蹖亘蹖賳賳丿! 乇爻鬲丕禺蹖夭 亘夭乇诏蹖 讴賴 丿蹖乇 蹖丕 夭賵丿 丿丕賲賳賴鈥屰� 丌賳 丕賲倬乇丕胤賵乇蹖 乇賵賲 乇丕 丿乇 亘乇 禺賵丕賴丿 诏乇賮鬲禄
芦讴噩丕 賲蹖乇賵蹖禄乇賵丕蹖鬲蹖 丿賱賳卮蹖賳 丕夭 噩賵丕賳蹖 丿乇 鬲亘 賲毓卮賵賯貙 馗賴賵乇 賲爻蹖丨蹖鬲 丿乇 丿賱 乇賲 賵 丕賲倬乇丕胤賵乇蹖蹖 賯丿乇鬲賲賳丿 亘賴 丿爻鬲 賳乇賵賳 噩亘丕乇 賲蹖亘丕卮丿
賲丕乇讴賵爻 噩賵丕賳蹖 丕卮乇丕賮 夭丕丿賴貙 丿賱蹖乇 趩賵 卮蹖乇 賵 噩賳诏丕賵乇蹖 鬲賵丕賳丕 讴賴 丿賱亘丕禺鬲賴鈥屰� 丿禺鬲乇 禺賵丕賳丿賴鈥屰� 禺丕賳賵丕丿賴 丕蹖 丕卮乇丕賮蹖 卮丿賴 丕賲丕 丕賵 賳賲蹖丿丕賳丿 讴賴 丿乇 倬蹖 丕蹖賳 毓卮賯 趩賴 爻禺鬲蹖 賴丕 賵 賲卮賯鬲 賴丕蹖蹖 丿乇 爻乇 乇丕賴 丕賵 丿丕賲賳 诏爻鬲乇丿賴.
亘禺卮 賴丕蹖 亘蹖卮鬲乇 讴鬲丕亘 卮丕蹖丿 亘卮賴 诏賮鬲 鄱郯 丿乇氐丿 乇賵丕蹖鬲 诏乇 丿丕爻鬲丕賳蹖 毓丕卮賯丕賳賴貙 賴乇趩賳丿 丿乇 讴卮賲讴卮 乇丕 乇賵丕蹖鬲 賲蹖讴賳丿貙 賴賲趩賳蹖賳 丿乇 倬蹖 丕蹖賳 乇賵丕蹖丕鬲 賮乇賴賳诏 賲乇丿賲丕賳 乇賵賲蹖 賵 夭賳丿诏丕賳蹖 丌賳 賴丕 乇丕 賳蹖夭 賲蹖亘蹖賳蹖賲.
亘丕 卮禺氐蹖鬲 賴丕蹖 鬲丕乇蹖禺蹖 賲鬲賳賵毓 丕夭 賮乇賲丕賳丿賴丕賳 賳馗丕賲蹖 鬲丕 爻蹖丕爻鬲賲丿丕乇丕賳 賵 丨鬲蹖 賮蹖賱爻賵賮丕賳蹖 趩賵賳鈥� 爻賳賴鈥屭┴� 乇丕 賳蹖夭 丿乇 诏賵卮賴 讴賳丕乇 丿丕爻鬲丕賳 丿乇 倬蹖 夭賳丿诏蹖 賴丕蹖 禺賵蹖卮 賲卮丕賴丿賴 賲蹖讴賳蹖賲.
丕蹖賳 讴鬲丕亘 毓賱丕賵賴 亘乇 丕蹖賳讴賴 乇賲丕賳蹖 毓丕卮賯丕賳賴 丕爻鬲 卮乇丨 賵賯丕蹖毓蹖 禺賵亘 丕夭 乇賵夭诏丕乇 乇賵賲 丿乇 丿賵乇賴 丨讴賵賲鬲 芦賳乇賵賳禄 賲蹖亘丕卮丿 讴賴 乇賮鬲賴 乇賮鬲賴 丕蹖賳 鬲亘 賵 鬲丕亘 毓丕卮賯蹖 噩丕蹖 禺賵丿 乇丕 亘賴 卮乇丨 賵賯丕蹖毓 亘夭乇诏 鬲丕乇蹖禺蹖 賲蹖丿賴丿.
賳乇賵賳:芦賵丿丕毓貙 丕蹖 倬丕蹖鬲禺鬲 亘丕爻鬲丕賳蹖 賵 丕蹖 夭蹖亘丕鬲乇蹖賳 卮賴乇 噩賴丕賳禄
賳乇賵賳 丕賲倬乇丕胤賵乇蹖 讴賴 丨鬲蹖 亘賴 賲丕丿乇 禺賵丿 賳蹖夭 乇丨賲 賳讴乇丿賴 賵 丕賵乇丕 亘賴 賯鬲賱 乇爻丕賳丿賴貙 丨丕賱 爻毓蹖 亘乇 爻乇倬賵卮 诏匕丕卮鬲賳 亘乇 噩賳丕蹖丕鬲 禺賵丿 亘丕 賮丿丕 讴乇丿賳 賲爻蹖丨蹖丕賳 丌賵丕乇賴 賲蹖亘丕卮丿.
趩賴 亘爻丕 賴賲蹖賳 賯鬲賱 毓丕賲 賲爻蹖丨蹖丕賳 讴賴 亘賴 胤乇夭 賵丨卮鬲賳丕讴蹖 氐賵乇鬲 賲蹖诏蹖乇丿 睾賲 賵 丕賳丿賵賴 禺丿丕賳丕亘丕賵乇丕賳 乇賵賲蹖 乇丕 賳蹖夭 亘乇賲蹖鈥屫з嗂屫藏� 趩乇丕 讴賴 丕蹖賳 噩賳丕蹖丕鬲 噩丿丕 丕夭 丿蹖賳 賵 亘丕賵乇 卮禺氐蹖 賵 賲鬲賮丕賵鬲 丌丿賲蹖貙 丕賳爻丕賳蹖鬲 乇丕 亘乇賲蹖鈥屫з嗂屫藏� 鬲丕 丿乇 賲賯丕亘賱 馗賱賲 賵 爻鬲賲 賯丿 毓賱賲 讴賳賳丿.
賮蹖賱爻賵賮 丌賵丕乇賴 賵 賲讴丕乇蹖 讴賴 亘賴 賴賲诏丕賳 亘丿 讴乇丿賴 賵 毓丕賲賱 鬲爻乇蹖毓 噩賳丕蹖丕鬲 賵 丿蹖賵丕賳诏蹖 賳乇賵賳 丿乇 賯鬲賱 毓丕賲 賲爻蹖丨蹖丕賳 丕爻鬲 丨丕賱 丿乇 賲賯丕亘賱 倬夭卮讴 賲爻蹖丨蹖 讴賴 丿乇 丨丕賱 爻賵禺鬲賳 丕爻鬲 亘賴 夭丕賳賵 丿乇丌賲丿賴 賵 胤賱亘 亘禺卮卮 賲蹖讴賳丿 賵 賮乇丿 丿乇丨丕賱蹖 讴賴 丿乇 丌鬲卮 賲蹖爻賵夭丿 亘丕 氐丿丕蹖蹖 讴賴 爻禺鬲 卮賳蹖丿賴 賲蹖卮賵丿 賲蹖诏賵蹖丿 芦鬲賵 乇丕 賲蹖亘禺卮賲禄
賮丿丕 卮丿賳 丨賵丕乇蹖賵賳 賲爻蹖丨貙 丕卮丕毓賴 丿蹖賳 丕賵 亘賴 胤亘毓 卮賯丕賵鬲 賴丕 賵 爻丕蹖乇 賲爻丕卅賱 賳蹖夭 丕夭 噩匕丕亘蹖鬲 賴丕蹖 丿蹖诏乇 丕蹖賳 乇賲丕賳 賲蹖亘丕卮丿.
丿賵賲蹖鬲賵爻:芦 鬲賵 亘诏賵! 賲爻蹖丨蹖丕賳 丿乇 诏賵卮賴 丕賮賯 賵 賴賳诏丕賲 賲乇诏 趩賴 賲蹖亘蹖賳賳丿責 鬲賵 亘賴鬲乇 亘丕 賲匕賴亘 丌賳 賴丕 丌卮賳丕蹖蹖.禄
趩蹖賱賵 丿乇丨丕賱蹖 讴賴 亘賴 爻禺鬲蹖 氐丿丕卮 卮賳蹖丿賴 賲蹖卮丿. 诏賮鬲:芦 丌賳 賴丕 乇爻鬲丕禺蹖夭 乇丕 賲蹖亘蹖賳賳丿! 乇爻鬲丕禺蹖夭 亘夭乇诏蹖 讴賴 丿蹖乇 蹖丕 夭賵丿 丿丕賲賳賴鈥屰� 丌賳 丕賲倬乇丕胤賵乇蹖 乇賵賲 乇丕 丿乇 亘乇 禺賵丕賴丿 诏乇賮鬲禄
September 9, 2021
賲賱丨賲丞 鬲丕乇賷禺賷丞 毓馗賷賲丞. 賲賳 禺賱丕賱 賯氐丞 丨亘 毓賳賷賮丞 亘賷賳 丕賱賯丕卅丿 丕賱卮丕亘 賲丕乇賰賵爻 賮賷賳賷賰賵爻 賵丕賱廿睾乇賷賯賷丞 賱賷賮賷丕 丕亘賳丞 賲賱賰 丕賱賱賷睾賵爻 (賵囟毓賴丕 兀亘賵賴丕 乇賴賷賳丞 賱丿賶 乇賵賲丕) 賳爻鬲賲鬲毓 亘乇賵丕賷丞 乇賵賲丕賳爻賷丞 噩賲賷賱丞貙 賷賰丿賾乇賴丕 賳賷乇賵賳 賯賷氐乇 乇賵賲丕!.
鬲鬲丿丕禺賱 丕賱爻賷丕爻丞 賵丕賱賲賳丕賮爻丞 賱賳賷賱 丕賱丨馗賵丞 賱丿賶 賯賷氐乇 乇賵賲丕 亘賷賳 丕賱賲丨賷胤賷賳 賵丕賱賲賯乇亘賷賳 賲賳賴 亘丕賱鬲賲賱賯 賵丕賱賳賮丕賯 賵賰賷丿 丕賱丿爻丕卅爻貙 爻賵丕亍賸 賲賳 賯亘賱 丕賱賯丕丿丞 兀賵 丕賱賳爻丕亍 兀賵 丕賱賷賴賵丿.
賰丕賳 賳賷乇賵賳 賰亘賷乇 丕賱賰賴賳丞貙 賵丕賱廿賱賴貙 賵丕賱噩丕丨丿 亘丕賱丌賱賴丞 賮賷 卮禺氐 賵丕丨丿. 賰丕賳 賲睾乇賵乇丕 胤丕睾賷丞 賵賲噩賳賵賳. 賱丕 賮乇賯 亘賷賳 噩賳賵賳賴賽 賵賲噩賵賳賴賽 賵卮毓亘賴貙 噩賲賷毓賴賲 賲賳睾賲爻賷賳 賮賷 丕賱賱賴賵 賵丕賱賲賱匕丕鬲 賵丕賱賲噩賵賳 賵丕賱鬲丿賲賷乇 賵爻賮賰 丕賱丿賲丕亍.
賳鬲毓乇賮 賮賷 丕賱乇賵丕賷丞 毓賱賶 亘丿丕賷丞 丕賳鬲卮丕乇 丕賱丿賷賳 丕賱賲爻賷丨賷 賮賷 乇賵賲丕貙 賲賳 禺賱丕賱 丕賱丨賵丕乇賷賷賳 亘胤乇爻 賵亘賵賱爻 丕賱匕賷賳 賰丕賳賵 賷丨孬賾賵賳 丕賱賳丕爻 毓賱賶 丕鬲亘丕毓 丕賱丿賷賳 丕賱賲爻賷丨賷. 丕囟胤賴丕丿 乇賵賲丕 賱賴賲 賵賱賰賱 賲賳 丌賲賳 亘丕賱賲爻賷丨 毓賱賷賴 丕賱爻賱丕賲. 亘毓丿 丕鬲賴丕賲賴賲 馗賱賲賸丕 兀賳賴賲 賲賳 兀丨乇賯賵丕 乇賵賲丕.
丕賱賯丕卅丿 亘鬲乇賵賳賷賵爻 賯乇賷亘 賮賷賳賷賰賵爻 賰丕賳 賲賱賰 丕賱匕賵賯 賵丕賱兀丿亘 賵丕賱卮毓乇貙 賷丨亘 丕賱噩賲丕賱 賵亘匕禺 丕賱丨賷丕丞 賵廿賳氐丕賮 丕賱丌禺乇賷賳. 賰丕賳 賳丕賯丿賸丕 賲鬲賲賱賯賸丕 賱卮毓乇 賵睾賳丕亍 賳賷乇賵賳貙 賵賮賷 鬲賳丕賮爻 丿丕卅賲 賲毓 鬲賷賮丕賱賳賷賵爻 賯丕卅丿 丕賱丨乇爻 毓丿賵賴 丕賱賱卅賷賲. 鬲賷賮丕賱賳賷賵爻 賴賵 丕賱匕賷 兀卮丕乇 賱賯賷氐乇 乇賵賲丕 賳賷乇賵賳貙 亘廿丨乇丕賯 乇賵賲丕 鬲賱亘賷丞賸 賱胤賲賵丨賴賽 賵噩賳賵賳賴賽 賰賷 賷爻鬲賱賴賲 丕賱卮毓乇 賱賰鬲丕亘丞 丕賱賯氐丕卅丿 丕賱賲賱丨賲賷丞.
卮賷賱賵賳 丕賱賷賴賵丿賷 丕賱賷賵賳丕賳賷貙 鬲賲 鬲賯丿賷賲賴 賱賱賯賷氐乇 賲賳 賯亘賱 丨丕禺丕賲丕賳 賲賳 丕賱賷賴賵丿. 亘毓丿 兀賳 兀賰丿丕 賱賳賷乇賵賳 兀賳 丕賱賲爻賷丨賷賷賳 賰丕賳賵 賷賴丿丿賵賳 賲賳匕 夭賲賳 胤賵賷賱 亘廿丨乇丕賯 乇賵賲丕貙 賵兀賳 丕賱卮丕賴丿 卮賷賱賵賳 丕賱匕賷 賷毓乇賮賴賲 鬲賲丕賲 丕賱賲毓乇賮丞 賷丐賰丿 賰賱丕賲賴賲. 賵賴賳丕 賷乇賵賷 賱賳丕 丕賱賰丕鬲亘 氐賵乇丞 賵丕囟丨丞 毓賳 丿爻丕卅爻 丕賱賷賴賵丿 賵賲賰乇賴賲 囟丿 丕賱賲爻賷丨賷賷賳貙 丕賱匕賷 賱賵賱丕 丿爻丕卅爻賴賲 賱賲丕 丕爻鬲胤丕毓 賳賷乇賵賳 兀賳 賷賱氐賯 亘賴賲 鬲賴賲丞 丨乇賯 乇賵賲丕.
賷爻乇丿 丕賱賰鬲丕亘 賮氐賵賱 賰丕賲賱丞 毓賳 丕賱賮馗丕卅毓 丕賱鬲賷 丕乇鬲賰亘鬲 囟丿 丕賱賲爻賷丨賷賷賳 賮賷 毓賴丿 賳賷乇賵賳. 賮囟丕卅毓 賵丕賳鬲賴丕賰丕鬲 賲丐賱賲丞 賵賯丕爻賷丞. 乇賲賷 丕賱賲爻賷丨賷賷賳 丿丕禺賱 丕賱丨賱亘丞 賲毓 丕賱丨賷賵丕賳丕鬲 丕賱賲賮鬲乇爻丞 丕賱鬲賷 鬲賲 噩賱亘賴丕 賲賳 噩賲賷毓 兀賳丨丕亍 丕賱賲毓賲賵乇賷丞 賱鬲賳賴卮 兀噩爻丕丿賴賲 丕賱亘乇賷卅丞 賵丕賱賲爻丕賱賲丞. 賵賲賳 孬賲 賯鬲賱 丕賱丨賷賵丕賳丕鬲 亘毓丿 兀賳 卮亘毓鬲 亘毓丿 噩賵毓 賲賳 丕賱兀噩爻丕丿 賵丕乇鬲賵鬲 亘毓丿 丕賱毓胤卮 亘丕賱丿賲丕亍. 賵賮賷 丕賱兀禺賷乇 氐賱亘 賲丕 鬲亘賯賶 賲賳 丕賱賲爻賷丨賷賷賳. 賰賱 匕賱賰 賷丨丿孬 兀賲丕賲 丕賱卮毓亘 丕賱賲亘鬲賴噩 賵丕賱賲鬲毓胤卮 賱賱丿賲丕亍 賰毓胤卮 賯賷氐乇賴賲 賱賱賲賳丕馗乇 丕賱賵丨卮賷丞 丕賱鬲賷 鬲賵丨賷 賱賴 亘賰鬲丕亘丞 丕賱賯氐丕卅丿 丕賱卮毓乇賷丞 賵丕賱睾賳丕亍. 丕爻鬲丨賲 賯賷氐乇 亘丕賱丿賲貙 賵乇賵賲丕貙 賵丕賱卮毓亘 亘兀爻乇賴貙 丕賱噩賲賷毓 兀氐丕亘賴賲 丕賱噩賳賵賳 賵丕賱禺亘賱 賵毓胤卮 丕賱丿賲丕亍.
乇賵丕賷丞 噩賲賷賱丞 賵賲丐孬乇丞 賵兀爻賱賵亘 丕賱賰丕鬲亘 噩賲賷賱 爻賱爻 賵卮賷賯貙 賵氐賮 丕賱兀賲丕賰賳 賰丕賳 亘丿賷毓賸丕 賵丿賯賷賯丕貙 賲賲丕 噩毓賱賳賷 兀毓賷卮 亘賷賳 卮禺氐賷丕鬲 丕賱乇賵丕賷丞 賵賰兀賳賳賷 兀卮丕賴丿 賮賷賱賲賸丕 爻賷賳賲丕卅賷賸丕 兀賲丕賲賷.
丕賯鬲亘丕爻丕鬲
賲丕 丿丕賲 丕賱毓丕賱賲 賷賯賵賲 毓賱賶 丕賱禺丿丕毓. 丕賱丨賷丕丞 禺丕卅亘丞貙 賵賲孬賱賴丕 丕賱乇賵丨. 賵賱賷爻 毓賱賶 丕賱廿賳爻丕賳 丕賱丕 兀賳 賷鬲賲鬲毓 亘賯丿乇 賲賳 丕賱毓賯賱 賷賲賰賳賴 賲賳 丕賱鬲賮乇賷賯 亘賷賳 丕賱禺賷亘丕鬲 丕賱禺亘賷孬丞貙 賵丕賱禺賷亘丕鬲 丕賱丨賲賷丿丞.
賱賷爻 賳賷乇賵賳 賲賳 賷爻賷胤乇 毓賱賶 丕賱毓丕賱賲 亘賱 丕賱賱賴.
- 兀賳鬲 廿匕賳 賱丕 鬲丐賲賳賷賳 亘丕賱丌賱賴丞 賷丕 亘賵賲亘賵賳賷丕責
- 兀賳丕 兀丐賲賳 亘丕賱廿賱賴 丕賱賵丕丨丿 丕賱丨賯 丕賱賰賱賷 丕賱賯丿乇丞.
丕賱乇購禺丕賲貙 丨鬲賶 賱賵 賰丕賳 丕賱兀孬賲賳貙 賱丕 賷爻丕賵賷 卮賷卅賸丕 亘匕丕鬲賴貙 賵賯賷賲鬲賴 丕賱丨賯賷賯賷丞 賰丕賲賳丞 亘賷賳 賷丿賷 丕賱賳丨丕鬲 丕賱匕賷 賷丨賵賱賴 廿賱賶 鬲丨賮丞 賮賳賷賾丞. 賮賰賳 兀賳鬲 丕賱賳丨丕鬲. 賱丕 賷賰賮賷 兀賳 賳丨亘貙 毓賱賷賳丕 兀賳 賳毓乇賮 賰賷賮 賳丨亘貙 賵賳毓乇賮 兀賳 賳毓賱賾賲 丕賱丌禺乇賷賳 丕賱丨亘.
廿賳 賰丕賳 丕賱賲乇亍 亘賷賳 丕賱賲噩丕賳賷賳 爻賷氐亘丨 賲噩賳賵賳賸丕 賲孬賱賴賲貙 賵賷乇賶 賮賷 丕賱噩賳賵賳 爻丨乇賸丕 賲毓賷賾賳賸丕.
丕賱賲乇兀丞 丕賱噩賲賷賱丞 鬲爻丕賵賷 孬購賯賱賴丕 匕賴亘賸丕. 賱賰賳 丕賱賲乇兀丞 丕賱鬲賷 鬲購丨賽亘賰 兀賷囟賸丕 廿賱賶 噩丕賳亘 賲丕 鬲鬲賲鬲毓 亘賴 賲賳 噩賲丕賱 兀禺賾丕匕貙 賱丕 鬲購賯丿賾乇 亘賽孬賲賳. 賵賱賷爻 亘賲賯丿賵乇賰 兀賳 鬲卮鬲乇賷 賵丕丨賽丿丞 賲孬賱賴丕 亘賽賰購賱賾 賰賳賵夭 丕賱丿賳賷丕.
鬲兀孬賷乇 丕賱丨亘 賷禺鬲賱賮 賲賳 卮禺氐 廿賱賶 丌禺乇. 賯丿 賷丐孬乇 賮賷 兀丨丿賴賲 鬲兀孬賷乇賸丕 賮丕卅賯賸丕貙 賵賷賰賵賳 鬲兀孬賷乇賴 賮賷 兀丨丿賺 丌禺乇 囟毓賷賮賸丕. 賵兀賳丕 賲賲賳 賯丿 兀孬乇 賮賷賴賲 丕賱丨亘.
賰賷賮 鬲丨賲賱 丕賱兀乇囟 毓賱賷賴丕 賮賷 夭賲賳 賵丕丨丿 兀賲孬丕賱 亘胤乇爻 賵亘賵賱爻 賵丕賱賯賷氐乇責
賲賳 賱丕 賷睾丕賲乇貙 賱丕 賷賮賯丿 孬乇賵鬲賴貙 賵乇睾賲 匕賱賰 鬲乇賶 丕賱亘卮乇 賷丿賮毓賵賳 亘兀賳賮爻賴賲 廿锟斤拷賶 兀鬲賵賳 丕賱賲睾丕賲乇丞貙 賱賲丕 賮賷 匕賱賰 賲賳 賲鬲毓丞 賵爻賱賵賶.
丕賱丨賷丕丞 賯丕卅賲丞 賲賳 兀噩賱 丕賱丨賷丕丞 賵賱賷爻 丕賱賲賵鬲.
氐丨賷丨 兀賳 賮賷 丕賱丨賷丕丞 丕賱毓丿賷丿 賲賳 丕賱兀賲賵乇 丕賱噩賲賷賱丞貙 賱賰賳 丕賱睾丕賱亘賷丞 丕賱毓馗賲賶 賲賳 丕賱亘卮乇 賴賷 賲賳 丕賱賯匕丕乇丞 亘丨賷孬 賱丕 賷噩丿乇 亘賳丕 兀賳 賳兀爻賮 毓賱賶 丕賱丨賷丕丞. 賲賳 賷噩賷丿 丕賱丨賷丕丞 賷噩賷丿 丕賱賲賵鬲.
賱賷爻 賲噩丿賷賸丕 丕賱鬲賮賰賷乇 亘丕賱賲賵鬲貙 賱兀賳賴 賴賵 丕賱匕賷 賷賮賰乇 亘賳丕 丨鬲賶 丿賵賳 丕賱乇噩賵毓 廿賱賷賳丕.
兀賱賷爻 賱賱賲賵鬲 兀賷囟賸丕 乇賵丨 丨丕乇爻丞 亘噩賳丕丨賷賳貙 賵賮賷賴 賲賳 丕賱噩賲丕賱 賲丕 賷卮亘丞 丕賱丨賱賲責
丕賱賵賷賱 賱賰 賷丕 賯丕鬲賱 兀賲賰! 丕賱賵賷賱 賱賰 賷丕 賯丕鬲賱 丕賱夭賵噩丞貙 賵丕賱兀禺貙 丕賱賵賷賱 賱賰 賷丕 毓丿賵 丕賱賲爻賷丨! 爻鬲賳卮賯 丕賱兀乇囟 賲賳 鬲丨鬲賰貙 賵爻賷賮鬲丨 賱賰 丕賱賲賵鬲 匕乇丕毓賷賴貙 鬲賳鬲馗乇賰 丨賮乇丞 丕賱賯亘乇貙 兀賷賴丕 丕賱噩孬丞 丕賱丨賷賾丞貙 賱兀賳賰 爻鬲賲賵鬲 賲賳 丕賱賴賱毓貙 賵爻鬲賱毓賳 廿賱賶 兀亘丿 丕賱丌亘丿賷賳.
丕賱賵賷賱 賱賰 兀賷賴丕 丕賱賲噩乇賲! 賱賯丿 胤賮丨 丕賱賰賷賱貙 賵丨丕賳鬲 爻丕毓鬲賰!.
鬲鬲丿丕禺賱 丕賱爻賷丕爻丞 賵丕賱賲賳丕賮爻丞 賱賳賷賱 丕賱丨馗賵丞 賱丿賶 賯賷氐乇 乇賵賲丕 亘賷賳 丕賱賲丨賷胤賷賳 賵丕賱賲賯乇亘賷賳 賲賳賴 亘丕賱鬲賲賱賯 賵丕賱賳賮丕賯 賵賰賷丿 丕賱丿爻丕卅爻貙 爻賵丕亍賸 賲賳 賯亘賱 丕賱賯丕丿丞 兀賵 丕賱賳爻丕亍 兀賵 丕賱賷賴賵丿.
賰丕賳 賳賷乇賵賳 賰亘賷乇 丕賱賰賴賳丞貙 賵丕賱廿賱賴貙 賵丕賱噩丕丨丿 亘丕賱丌賱賴丞 賮賷 卮禺氐 賵丕丨丿. 賰丕賳 賲睾乇賵乇丕 胤丕睾賷丞 賵賲噩賳賵賳. 賱丕 賮乇賯 亘賷賳 噩賳賵賳賴賽 賵賲噩賵賳賴賽 賵卮毓亘賴貙 噩賲賷毓賴賲 賲賳睾賲爻賷賳 賮賷 丕賱賱賴賵 賵丕賱賲賱匕丕鬲 賵丕賱賲噩賵賳 賵丕賱鬲丿賲賷乇 賵爻賮賰 丕賱丿賲丕亍.
賳鬲毓乇賮 賮賷 丕賱乇賵丕賷丞 毓賱賶 亘丿丕賷丞 丕賳鬲卮丕乇 丕賱丿賷賳 丕賱賲爻賷丨賷 賮賷 乇賵賲丕貙 賲賳 禺賱丕賱 丕賱丨賵丕乇賷賷賳 亘胤乇爻 賵亘賵賱爻 丕賱匕賷賳 賰丕賳賵 賷丨孬賾賵賳 丕賱賳丕爻 毓賱賶 丕鬲亘丕毓 丕賱丿賷賳 丕賱賲爻賷丨賷. 丕囟胤賴丕丿 乇賵賲丕 賱賴賲 賵賱賰賱 賲賳 丌賲賳 亘丕賱賲爻賷丨 毓賱賷賴 丕賱爻賱丕賲. 亘毓丿 丕鬲賴丕賲賴賲 馗賱賲賸丕 兀賳賴賲 賲賳 兀丨乇賯賵丕 乇賵賲丕.
丕賱賯丕卅丿 亘鬲乇賵賳賷賵爻 賯乇賷亘 賮賷賳賷賰賵爻 賰丕賳 賲賱賰 丕賱匕賵賯 賵丕賱兀丿亘 賵丕賱卮毓乇貙 賷丨亘 丕賱噩賲丕賱 賵亘匕禺 丕賱丨賷丕丞 賵廿賳氐丕賮 丕賱丌禺乇賷賳. 賰丕賳 賳丕賯丿賸丕 賲鬲賲賱賯賸丕 賱卮毓乇 賵睾賳丕亍 賳賷乇賵賳貙 賵賮賷 鬲賳丕賮爻 丿丕卅賲 賲毓 鬲賷賮丕賱賳賷賵爻 賯丕卅丿 丕賱丨乇爻 毓丿賵賴 丕賱賱卅賷賲. 鬲賷賮丕賱賳賷賵爻 賴賵 丕賱匕賷 兀卮丕乇 賱賯賷氐乇 乇賵賲丕 賳賷乇賵賳貙 亘廿丨乇丕賯 乇賵賲丕 鬲賱亘賷丞賸 賱胤賲賵丨賴賽 賵噩賳賵賳賴賽 賰賷 賷爻鬲賱賴賲 丕賱卮毓乇 賱賰鬲丕亘丞 丕賱賯氐丕卅丿 丕賱賲賱丨賲賷丞.
卮賷賱賵賳 丕賱賷賴賵丿賷 丕賱賷賵賳丕賳賷貙 鬲賲 鬲賯丿賷賲賴 賱賱賯賷氐乇 賲賳 賯亘賱 丨丕禺丕賲丕賳 賲賳 丕賱賷賴賵丿. 亘毓丿 兀賳 兀賰丿丕 賱賳賷乇賵賳 兀賳 丕賱賲爻賷丨賷賷賳 賰丕賳賵 賷賴丿丿賵賳 賲賳匕 夭賲賳 胤賵賷賱 亘廿丨乇丕賯 乇賵賲丕貙 賵兀賳 丕賱卮丕賴丿 卮賷賱賵賳 丕賱匕賷 賷毓乇賮賴賲 鬲賲丕賲 丕賱賲毓乇賮丞 賷丐賰丿 賰賱丕賲賴賲. 賵賴賳丕 賷乇賵賷 賱賳丕 丕賱賰丕鬲亘 氐賵乇丞 賵丕囟丨丞 毓賳 丿爻丕卅爻 丕賱賷賴賵丿 賵賲賰乇賴賲 囟丿 丕賱賲爻賷丨賷賷賳貙 丕賱匕賷 賱賵賱丕 丿爻丕卅爻賴賲 賱賲丕 丕爻鬲胤丕毓 賳賷乇賵賳 兀賳 賷賱氐賯 亘賴賲 鬲賴賲丞 丨乇賯 乇賵賲丕.
賷爻乇丿 丕賱賰鬲丕亘 賮氐賵賱 賰丕賲賱丞 毓賳 丕賱賮馗丕卅毓 丕賱鬲賷 丕乇鬲賰亘鬲 囟丿 丕賱賲爻賷丨賷賷賳 賮賷 毓賴丿 賳賷乇賵賳. 賮囟丕卅毓 賵丕賳鬲賴丕賰丕鬲 賲丐賱賲丞 賵賯丕爻賷丞. 乇賲賷 丕賱賲爻賷丨賷賷賳 丿丕禺賱 丕賱丨賱亘丞 賲毓 丕賱丨賷賵丕賳丕鬲 丕賱賲賮鬲乇爻丞 丕賱鬲賷 鬲賲 噩賱亘賴丕 賲賳 噩賲賷毓 兀賳丨丕亍 丕賱賲毓賲賵乇賷丞 賱鬲賳賴卮 兀噩爻丕丿賴賲 丕賱亘乇賷卅丞 賵丕賱賲爻丕賱賲丞. 賵賲賳 孬賲 賯鬲賱 丕賱丨賷賵丕賳丕鬲 亘毓丿 兀賳 卮亘毓鬲 亘毓丿 噩賵毓 賲賳 丕賱兀噩爻丕丿 賵丕乇鬲賵鬲 亘毓丿 丕賱毓胤卮 亘丕賱丿賲丕亍. 賵賮賷 丕賱兀禺賷乇 氐賱亘 賲丕 鬲亘賯賶 賲賳 丕賱賲爻賷丨賷賷賳. 賰賱 匕賱賰 賷丨丿孬 兀賲丕賲 丕賱卮毓亘 丕賱賲亘鬲賴噩 賵丕賱賲鬲毓胤卮 賱賱丿賲丕亍 賰毓胤卮 賯賷氐乇賴賲 賱賱賲賳丕馗乇 丕賱賵丨卮賷丞 丕賱鬲賷 鬲賵丨賷 賱賴 亘賰鬲丕亘丞 丕賱賯氐丕卅丿 丕賱卮毓乇賷丞 賵丕賱睾賳丕亍. 丕爻鬲丨賲 賯賷氐乇 亘丕賱丿賲貙 賵乇賵賲丕貙 賵丕賱卮毓亘 亘兀爻乇賴貙 丕賱噩賲賷毓 兀氐丕亘賴賲 丕賱噩賳賵賳 賵丕賱禺亘賱 賵毓胤卮 丕賱丿賲丕亍.
乇賵丕賷丞 噩賲賷賱丞 賵賲丐孬乇丞 賵兀爻賱賵亘 丕賱賰丕鬲亘 噩賲賷賱 爻賱爻 賵卮賷賯貙 賵氐賮 丕賱兀賲丕賰賳 賰丕賳 亘丿賷毓賸丕 賵丿賯賷賯丕貙 賲賲丕 噩毓賱賳賷 兀毓賷卮 亘賷賳 卮禺氐賷丕鬲 丕賱乇賵丕賷丞 賵賰兀賳賳賷 兀卮丕賴丿 賮賷賱賲賸丕 爻賷賳賲丕卅賷賸丕 兀賲丕賲賷.
丕賯鬲亘丕爻丕鬲
賲丕 丿丕賲 丕賱毓丕賱賲 賷賯賵賲 毓賱賶 丕賱禺丿丕毓. 丕賱丨賷丕丞 禺丕卅亘丞貙 賵賲孬賱賴丕 丕賱乇賵丨. 賵賱賷爻 毓賱賶 丕賱廿賳爻丕賳 丕賱丕 兀賳 賷鬲賲鬲毓 亘賯丿乇 賲賳 丕賱毓賯賱 賷賲賰賳賴 賲賳 丕賱鬲賮乇賷賯 亘賷賳 丕賱禺賷亘丕鬲 丕賱禺亘賷孬丞貙 賵丕賱禺賷亘丕鬲 丕賱丨賲賷丿丞.
賱賷爻 賳賷乇賵賳 賲賳 賷爻賷胤乇 毓賱賶 丕賱毓丕賱賲 亘賱 丕賱賱賴.
- 兀賳鬲 廿匕賳 賱丕 鬲丐賲賳賷賳 亘丕賱丌賱賴丞 賷丕 亘賵賲亘賵賳賷丕責
- 兀賳丕 兀丐賲賳 亘丕賱廿賱賴 丕賱賵丕丨丿 丕賱丨賯 丕賱賰賱賷 丕賱賯丿乇丞.
丕賱乇購禺丕賲貙 丨鬲賶 賱賵 賰丕賳 丕賱兀孬賲賳貙 賱丕 賷爻丕賵賷 卮賷卅賸丕 亘匕丕鬲賴貙 賵賯賷賲鬲賴 丕賱丨賯賷賯賷丞 賰丕賲賳丞 亘賷賳 賷丿賷 丕賱賳丨丕鬲 丕賱匕賷 賷丨賵賱賴 廿賱賶 鬲丨賮丞 賮賳賷賾丞. 賮賰賳 兀賳鬲 丕賱賳丨丕鬲. 賱丕 賷賰賮賷 兀賳 賳丨亘貙 毓賱賷賳丕 兀賳 賳毓乇賮 賰賷賮 賳丨亘貙 賵賳毓乇賮 兀賳 賳毓賱賾賲 丕賱丌禺乇賷賳 丕賱丨亘.
廿賳 賰丕賳 丕賱賲乇亍 亘賷賳 丕賱賲噩丕賳賷賳 爻賷氐亘丨 賲噩賳賵賳賸丕 賲孬賱賴賲貙 賵賷乇賶 賮賷 丕賱噩賳賵賳 爻丨乇賸丕 賲毓賷賾賳賸丕.
丕賱賲乇兀丞 丕賱噩賲賷賱丞 鬲爻丕賵賷 孬購賯賱賴丕 匕賴亘賸丕. 賱賰賳 丕賱賲乇兀丞 丕賱鬲賷 鬲購丨賽亘賰 兀賷囟賸丕 廿賱賶 噩丕賳亘 賲丕 鬲鬲賲鬲毓 亘賴 賲賳 噩賲丕賱 兀禺賾丕匕貙 賱丕 鬲購賯丿賾乇 亘賽孬賲賳. 賵賱賷爻 亘賲賯丿賵乇賰 兀賳 鬲卮鬲乇賷 賵丕丨賽丿丞 賲孬賱賴丕 亘賽賰購賱賾 賰賳賵夭 丕賱丿賳賷丕.
鬲兀孬賷乇 丕賱丨亘 賷禺鬲賱賮 賲賳 卮禺氐 廿賱賶 丌禺乇. 賯丿 賷丐孬乇 賮賷 兀丨丿賴賲 鬲兀孬賷乇賸丕 賮丕卅賯賸丕貙 賵賷賰賵賳 鬲兀孬賷乇賴 賮賷 兀丨丿賺 丌禺乇 囟毓賷賮賸丕. 賵兀賳丕 賲賲賳 賯丿 兀孬乇 賮賷賴賲 丕賱丨亘.
賰賷賮 鬲丨賲賱 丕賱兀乇囟 毓賱賷賴丕 賮賷 夭賲賳 賵丕丨丿 兀賲孬丕賱 亘胤乇爻 賵亘賵賱爻 賵丕賱賯賷氐乇責
賲賳 賱丕 賷睾丕賲乇貙 賱丕 賷賮賯丿 孬乇賵鬲賴貙 賵乇睾賲 匕賱賰 鬲乇賶 丕賱亘卮乇 賷丿賮毓賵賳 亘兀賳賮爻賴賲 廿锟斤拷賶 兀鬲賵賳 丕賱賲睾丕賲乇丞貙 賱賲丕 賮賷 匕賱賰 賲賳 賲鬲毓丞 賵爻賱賵賶.
丕賱丨賷丕丞 賯丕卅賲丞 賲賳 兀噩賱 丕賱丨賷丕丞 賵賱賷爻 丕賱賲賵鬲.
氐丨賷丨 兀賳 賮賷 丕賱丨賷丕丞 丕賱毓丿賷丿 賲賳 丕賱兀賲賵乇 丕賱噩賲賷賱丞貙 賱賰賳 丕賱睾丕賱亘賷丞 丕賱毓馗賲賶 賲賳 丕賱亘卮乇 賴賷 賲賳 丕賱賯匕丕乇丞 亘丨賷孬 賱丕 賷噩丿乇 亘賳丕 兀賳 賳兀爻賮 毓賱賶 丕賱丨賷丕丞. 賲賳 賷噩賷丿 丕賱丨賷丕丞 賷噩賷丿 丕賱賲賵鬲.
賱賷爻 賲噩丿賷賸丕 丕賱鬲賮賰賷乇 亘丕賱賲賵鬲貙 賱兀賳賴 賴賵 丕賱匕賷 賷賮賰乇 亘賳丕 丨鬲賶 丿賵賳 丕賱乇噩賵毓 廿賱賷賳丕.
兀賱賷爻 賱賱賲賵鬲 兀賷囟賸丕 乇賵丨 丨丕乇爻丞 亘噩賳丕丨賷賳貙 賵賮賷賴 賲賳 丕賱噩賲丕賱 賲丕 賷卮亘丞 丕賱丨賱賲責
丕賱賵賷賱 賱賰 賷丕 賯丕鬲賱 兀賲賰! 丕賱賵賷賱 賱賰 賷丕 賯丕鬲賱 丕賱夭賵噩丞貙 賵丕賱兀禺貙 丕賱賵賷賱 賱賰 賷丕 毓丿賵 丕賱賲爻賷丨! 爻鬲賳卮賯 丕賱兀乇囟 賲賳 鬲丨鬲賰貙 賵爻賷賮鬲丨 賱賰 丕賱賲賵鬲 匕乇丕毓賷賴貙 鬲賳鬲馗乇賰 丨賮乇丞 丕賱賯亘乇貙 兀賷賴丕 丕賱噩孬丞 丕賱丨賷賾丞貙 賱兀賳賰 爻鬲賲賵鬲 賲賳 丕賱賴賱毓貙 賵爻鬲賱毓賳 廿賱賶 兀亘丿 丕賱丌亘丿賷賳.
丕賱賵賷賱 賱賰 兀賷賴丕 丕賱賲噩乇賲! 賱賯丿 胤賮丨 丕賱賰賷賱貙 賵丨丕賳鬲 爻丕毓鬲賰!.
December 12, 2021
wiesz co heniek? zosta艅my mo偶e lepiej przy latarniku
September 3, 2015
Quo Vadis
Henry Sienkiewicz`s "Quo Vadis" is a truly great book. Unfortunately, I know best how to explain its greatness to those who like me were young in thehe 60s and 70s. If you are not part of this group, this review may not be terribly helpful.
To those of you of my generation, I will say that Quo Vadis is a wonderful novel about the Roman Empire in the First Century of the modern era when Rome was entering its decadent era. It is better than anything written by Robert Graves who still must considered an outstanding writer. In places, it is as lurid as the Fellini's Satyricon.
Published in 1895, Quo Vadis addressed the great question that had been raging in academia for the previous half century: "Why had Christianity succeeded?" Christianity was a schism of Judaism that arrived in Rome in the first half of the First Century AD and within less than three hundred years, became the official religion of the Roman Empire. Its pacifist teachings seemed entirely inappropriate for a military empire. It lacked any literature and relied entirely upon personal testimony to spread its ideas in a society that was dominated by the rich classical heritage of Plato, Aristotle and other philosophers that we continue to revere until this day. In the context of the Roman Empire, Christianity's success seemed improbable and required explanation.
Sienkiewicz's explanation was that while Rome was rich and militarily powerful, the level of immorality was intolerable. The rich entertained themselves with drunken orgies while the masses went to the arenas where human beings where killed for their entertainment.
Sienkiewicz might seem to be a simplistic moralizer especially to anyone who has had the misfortune to see any of the movies based on Quo Vadis. However, in Quo Vadis he shows great subtlety and an excellent knowledge of the Latin literature of the eras.
Sienkiewicz's critics might argue that he too readily accepted the versions of Suetonius and Tacitus on Nero during whose reign the events of Quo Vadis take place. Suetonius and Tacitus both came from senatorial families that had suffered badly under the reign of the Nero. Hence they have been accused of exaggerating the evil nature and mental instability of Nero. Sienkiewicz, however, accepts Suetonius and Tacitus without reservation. Since these two authors are the only sources for the era, he perhaps ought not to be criticized too heavily for having done so.
However, Sienkiewicz's brilliance did not come from his use of Tacitus and Suetonius but rather of Petronius Arbiter the author of the Satyricon a book generally thought to be a paean to the decadent life style. Under, Sienkiewicz's pen, Petronius becomes a man with a profound understanding of classical philosophy and a fellow traveller with the Christians.
Petronius is one of Nero's courtiers. He makes the mistake of thinking that he can control Nero. Like the moth who gets too close to the flame, he perishes for being too close to the tyrant. Petronius is a profoundly sympathetic character. He is driven at all times by his love for his nephew Vinicius who falls in love with a Christian, converts and marries her.
Petronius respects the Christians for their virtue but ultimately rejects Christianity because he feels that Christianity is opposed to human pleasure. Like Socrates who drinks the hemlock, Arbiter will choose the unchristian means of suicide to die when he falls out of favour with Nero and realizes that he is about to be executed. Quo Vadis then is a great novel about the tension between classical thought and the Christian religion. Strangely enough it is the pagan stoic Petronius not the Christian Vinicius who gets the last word in the novel.
The problem for many readers of the 21st century is that the second half of the novel is filled with descriptions of Chrisitans being devoured by lions and massacred by gladiators in the Roman Forum. Tales of Christian martyrdom are simply considered to be in dreadful taste in today's world even if the historical record confirms that they did in fact take place.
Many cultured individuals in today's Western society feel that our society should be examining its conscience about its sins: imperialism, slavery, anti-Semitism, etc. To individuals of this frame of mind, discussion of persecution of Christians appears like a self-serving way to divert attention from the many sins perpetrated by Christian societies. I personally feel that Christians should be allowed to honour their own martyrs if this done without claiming virtues for our societies that they do not possess.
As a final thought, I would like to point out for non-Catholic Christians that Quo Vadis rigorously presents Christianity in its pre-Roman Catholic form. Although, Sienkiewicz was a strong adherent of the Roman Catholic Church its present form, he goes to great pains to show that early Christianity was much different. There are no priests or clergy in Quo Vadis. The early Christians simply endeavoured to follow Christ. They had beliefs but no theology. In a word, Christians of any stripe will enjoy Quo Vadis.
I recommend this book highly. However, I think that one should read Petronius Arbiter's "Satyricon" first and either the "Annales" by Tacitus or the "Twelve Ceasars" by Suetonius. Without such a preparation Quo Vadis risks becoming a melodramatic tale of Christian virtue opposed to Pagan gore.
Henry Sienkiewicz`s "Quo Vadis" is a truly great book. Unfortunately, I know best how to explain its greatness to those who like me were young in thehe 60s and 70s. If you are not part of this group, this review may not be terribly helpful.
To those of you of my generation, I will say that Quo Vadis is a wonderful novel about the Roman Empire in the First Century of the modern era when Rome was entering its decadent era. It is better than anything written by Robert Graves who still must considered an outstanding writer. In places, it is as lurid as the Fellini's Satyricon.
Published in 1895, Quo Vadis addressed the great question that had been raging in academia for the previous half century: "Why had Christianity succeeded?" Christianity was a schism of Judaism that arrived in Rome in the first half of the First Century AD and within less than three hundred years, became the official religion of the Roman Empire. Its pacifist teachings seemed entirely inappropriate for a military empire. It lacked any literature and relied entirely upon personal testimony to spread its ideas in a society that was dominated by the rich classical heritage of Plato, Aristotle and other philosophers that we continue to revere until this day. In the context of the Roman Empire, Christianity's success seemed improbable and required explanation.
Sienkiewicz's explanation was that while Rome was rich and militarily powerful, the level of immorality was intolerable. The rich entertained themselves with drunken orgies while the masses went to the arenas where human beings where killed for their entertainment.
Sienkiewicz might seem to be a simplistic moralizer especially to anyone who has had the misfortune to see any of the movies based on Quo Vadis. However, in Quo Vadis he shows great subtlety and an excellent knowledge of the Latin literature of the eras.
Sienkiewicz's critics might argue that he too readily accepted the versions of Suetonius and Tacitus on Nero during whose reign the events of Quo Vadis take place. Suetonius and Tacitus both came from senatorial families that had suffered badly under the reign of the Nero. Hence they have been accused of exaggerating the evil nature and mental instability of Nero. Sienkiewicz, however, accepts Suetonius and Tacitus without reservation. Since these two authors are the only sources for the era, he perhaps ought not to be criticized too heavily for having done so.
However, Sienkiewicz's brilliance did not come from his use of Tacitus and Suetonius but rather of Petronius Arbiter the author of the Satyricon a book generally thought to be a paean to the decadent life style. Under, Sienkiewicz's pen, Petronius becomes a man with a profound understanding of classical philosophy and a fellow traveller with the Christians.
Petronius is one of Nero's courtiers. He makes the mistake of thinking that he can control Nero. Like the moth who gets too close to the flame, he perishes for being too close to the tyrant. Petronius is a profoundly sympathetic character. He is driven at all times by his love for his nephew Vinicius who falls in love with a Christian, converts and marries her.
Petronius respects the Christians for their virtue but ultimately rejects Christianity because he feels that Christianity is opposed to human pleasure. Like Socrates who drinks the hemlock, Arbiter will choose the unchristian means of suicide to die when he falls out of favour with Nero and realizes that he is about to be executed. Quo Vadis then is a great novel about the tension between classical thought and the Christian religion. Strangely enough it is the pagan stoic Petronius not the Christian Vinicius who gets the last word in the novel.
The problem for many readers of the 21st century is that the second half of the novel is filled with descriptions of Chrisitans being devoured by lions and massacred by gladiators in the Roman Forum. Tales of Christian martyrdom are simply considered to be in dreadful taste in today's world even if the historical record confirms that they did in fact take place.
Many cultured individuals in today's Western society feel that our society should be examining its conscience about its sins: imperialism, slavery, anti-Semitism, etc. To individuals of this frame of mind, discussion of persecution of Christians appears like a self-serving way to divert attention from the many sins perpetrated by Christian societies. I personally feel that Christians should be allowed to honour their own martyrs if this done without claiming virtues for our societies that they do not possess.
As a final thought, I would like to point out for non-Catholic Christians that Quo Vadis rigorously presents Christianity in its pre-Roman Catholic form. Although, Sienkiewicz was a strong adherent of the Roman Catholic Church its present form, he goes to great pains to show that early Christianity was much different. There are no priests or clergy in Quo Vadis. The early Christians simply endeavoured to follow Christ. They had beliefs but no theology. In a word, Christians of any stripe will enjoy Quo Vadis.
I recommend this book highly. However, I think that one should read Petronius Arbiter's "Satyricon" first and either the "Annales" by Tacitus or the "Twelve Ceasars" by Suetonius. Without such a preparation Quo Vadis risks becoming a melodramatic tale of Christian virtue opposed to Pagan gore.
January 24, 2025
"Qua Vadis" by Henryk Sienkiewicz is a captivating historical novel set in ancient Rome that beautifully intertwines love, faith, and the struggle between good and evil. The story revolves around the passionate romance between a Roman patrician, Marcus Vinicius, and a Christian woman, Lygia, against the backdrop of Nero's tyrannical reign. Sienkiewicz's vivid descriptions and deep character development make the historical setting come alive, immersing readers in a world of intrigue and moral dilemmas. The themes of sacrifice, redemption, and the power of love resonate throughout the narrative, leaving a lasting impact. This timeless classic is a profound exploration of humanity and faith, making it a must-read for lovers of historical fiction.
August 21, 2020
(賵賻廿賽匕邸 賯賻丕賱賻 乇賻亘購賾賰賻 賱賽賱邸賲賻賱賻賭侔郅賶賽贂賰賻丞賽 廿賽賳賽賾蹖 噩賻丕毓賽賱啵� 賮賽蹖 俦賱邸兀賻乇邸囟賽 禺賻賱賽蹖賮賻丞啵佰� 賯賻丕賱購賵郅丕蹮 兀賻鬲賻噩邸毓賻賱購 賮賽蹖賴賻丕 賲賻賳 蹖購賮邸爻賽丿購 賮賽蹖賴賻丕 賵賻蹖賻爻邸賮賽賰購 俦賱丿賽賾賲賻丕郅亍賻 賵賻賳賻丨邸賳購 賳購爻賻亘賽賾丨購 亘賽丨賻賲邸丿賽賰賻 賵賻賳購賯賻丿賽賾爻購 賱賻賰賻蹡 賯賻丕賱賻 廿賽賳賽賾蹖郅 兀賻毓邸賱賻賲購 賲賻丕 賱賻丕 鬲賻毓邸賱賻賲購賵賳賻)
賲賳匕 亘丿亍 丕賱禺賱賯貙 賵 丕亘賳 丌丿賲 卮賷賲鬲賴 爻賮賰 丕賱丿賲丕亍貙 賵丕賱賲毓丕丿丕丞貙 毓賱賶 乇睾賲 賲賳 鬲賰乇賷賲賴 賱賰賵賳賴 禺賱賷賮丞購 丕賱賱賴 賮賷 兀乇囟賴賽貙 廿賱丕 兀賳賾賴購 亘卮賰賱 兀賵 亘丌禺乇 賲賱兀 丕賱兀乇囟 亘丿賲丕亍 廿禺賵鬲賴 !
~賱丕 兀爻鬲胤賷毓 鬲賲丕賱賰 兀賳賮丕爻賷 亘毓丿 鬲賱賰 丕賱乇丨賱丞 丕賱胤賵賷賱丞 丕賱鬲賷 兀禺匕鬲賳賷 賲賳 賷丿賷 廿賱賶 賴賳丕賰貙 乇賵賲丕貙 丨賷孬 丕賱噩賲丕賱 賵丕賱毓馗賲丞貙 賵丕賱賮賳 賵丕賱賲賵爻賷賯賶..
賵 丨賷孬 賴賳丕賰 氐丕丨亘 丕賱賱丨賷丞 丕賱丨賲乇丕亍貙 丕賱賲噩賳賵賳"賳賷乇賵賳" 丕賱匕賷 賱賲 賷鬲乇賰 賮丕噩毓丞 兀賵 禺胤賷卅丞 廿賱丕 賵 丕乇鬲賰亘賴丕 賴賵 賵丨丕卮賷鬲賴.
**賯氐丞 丨亘 氐丕賮賷丞 乇丕卅賯丞 賳亘鬲鬲 亘賷賳 賱賷賮賷丕 賵 賮賷賳賷賰賵爻 賴夭賻賾 賯賱亘賷 氐賮丕亍 兀丨丕丿賷孬賴賲丕貙 賵毓匕亘 丨賳丕賳賴賲丕貙 賵 乇賯丞 賳馗乇丕鬲賴賲丕貙 賮禺丕囟賻 賲賳 禺賱丕賱賴丕 丕賱賰丕鬲亘 賮賷 匕賱賰 丕賱夭賲賳貙 亘氐丨亘丞 鬲賱賰 丕賱兀爻丕胤賷乇 丕賱乇賵賲丕賳賷丞.
**丕賱乇賵丕賷丞 鬲丨賰賷 兀賷囟賸丕 毓賳 丕賱鬲亘卮賷乇 亘丕賱賲爻賷丨賷丞貙 賵 丕賱丨賵丕乇賷 亘胤乇爻 賵 亘賵賱爻貨 賵賲丕 賱丕賯賵賴 丕賱賲爻賷丨賷賳 賲賳 鬲毓匕賷亘 賵丕囟胤賴丕丿 賲賳 賯賽亘賱 丕賱賯賷氐乇 丕賱乇賵賲丕賳賷!
賵廿賳 賱匕賱賰 兀賮夭毓賳賷貙 賵兀亘賰丕賳賷貙 賱賲 賷賰鬲賮賵丕 賮賯胤 亘鬲毓匕賷亘賴賲貙 賵廿賳賲丕 賲孬賻賾賱賵丕 亘賴賲 賮賷 毓乇賵囟 賲爻乇丨賷丞貙 賵睾乇賽賯鬲 丕賱亘賱丕丿購 賮賷 丕賱丿賲丕亍貙 賵丕亘鬲賴噩鬲 丕賱賵噩賵賴 亘卮丕卮丞賸!
"賷丕乇亘 賷丕 乇丨賷賲".. 賰賳鬲購 兀乇丿丿賴丕 賮賷 賰賱 賱丨馗丞 兀鬲禺賷賱購 兀賳 鬲亘賱睾 卮乇丕爻丞 毓亘丿賴 匕賱賰 丕賱賲丿賶貙 賱賰賳賴丕 丕賱爻賱胤丞 賵 丕賱賯爻賵丞 鬲購丨賷賱丕賳 丕賱賯賱亘 廿賱賶 丨噩丕乇丞 兀賵 兀卮丿 氐賱丕亘丞賸 !
亘賰賷鬲購 賰孬賷乇賸丕..
**丕賱爻乇丿購 賰賱丕爻賷賰賷 賱賱睾丕賷丞貙 丿賯賷賯貙 賲購賮氐賱貙 乇亘賲丕 賷賰爻賵賴 亘毓囟 丕賱賲賱賱 賳馗乇賸丕 賱賱廿爻賴丕亘 亘賴丕貙 賵 兀賷囟賸丕 賴賳丕賰 亘毓囟 丕賱兀禺胤丕亍 丕賱賲胤亘毓賷丞.
~賮賷 丕賱賲噩賲賱貨 乇賵丕賷丞賹 噩賷丿丞 賱賱睾丕賷丞 爻乇賯鬲 毓賯賱賷 賱兀賷丕賲賺 胤賵賷賱丞貙 賵爻丨亘鬲 兀賳賮丕爻賷貙 賵賱賰賳 兀賳賴賷鬲賴丕 賵 兀毓賱賲購 噩賷丿賸丕 兀賳賻賾 賴賵賱 賲丕 賯乇兀鬲 賱賳 賷睾賷亘 毓賳 亘丕賱賷 爻乇賷毓賸丕.
~爻兀賮鬲賯丿賴賲 噩賲賷毓賸丕..亘丨賰丕賷丕鬲賴賲..
鬲賲鬲 兀禺賷乇賸丕..
賲賳匕 亘丿亍 丕賱禺賱賯貙 賵 丕亘賳 丌丿賲 卮賷賲鬲賴 爻賮賰 丕賱丿賲丕亍貙 賵丕賱賲毓丕丿丕丞貙 毓賱賶 乇睾賲 賲賳 鬲賰乇賷賲賴 賱賰賵賳賴 禺賱賷賮丞購 丕賱賱賴 賮賷 兀乇囟賴賽貙 廿賱丕 兀賳賾賴購 亘卮賰賱 兀賵 亘丌禺乇 賲賱兀 丕賱兀乇囟 亘丿賲丕亍 廿禺賵鬲賴 !
~賱丕 兀爻鬲胤賷毓 鬲賲丕賱賰 兀賳賮丕爻賷 亘毓丿 鬲賱賰 丕賱乇丨賱丞 丕賱胤賵賷賱丞 丕賱鬲賷 兀禺匕鬲賳賷 賲賳 賷丿賷 廿賱賶 賴賳丕賰貙 乇賵賲丕貙 丨賷孬 丕賱噩賲丕賱 賵丕賱毓馗賲丞貙 賵丕賱賮賳 賵丕賱賲賵爻賷賯賶..
賵 丨賷孬 賴賳丕賰 氐丕丨亘 丕賱賱丨賷丞 丕賱丨賲乇丕亍貙 丕賱賲噩賳賵賳"賳賷乇賵賳" 丕賱匕賷 賱賲 賷鬲乇賰 賮丕噩毓丞 兀賵 禺胤賷卅丞 廿賱丕 賵 丕乇鬲賰亘賴丕 賴賵 賵丨丕卮賷鬲賴.
**賯氐丞 丨亘 氐丕賮賷丞 乇丕卅賯丞 賳亘鬲鬲 亘賷賳 賱賷賮賷丕 賵 賮賷賳賷賰賵爻 賴夭賻賾 賯賱亘賷 氐賮丕亍 兀丨丕丿賷孬賴賲丕貙 賵毓匕亘 丨賳丕賳賴賲丕貙 賵 乇賯丞 賳馗乇丕鬲賴賲丕貙 賮禺丕囟賻 賲賳 禺賱丕賱賴丕 丕賱賰丕鬲亘 賮賷 匕賱賰 丕賱夭賲賳貙 亘氐丨亘丞 鬲賱賰 丕賱兀爻丕胤賷乇 丕賱乇賵賲丕賳賷丞.
**丕賱乇賵丕賷丞 鬲丨賰賷 兀賷囟賸丕 毓賳 丕賱鬲亘卮賷乇 亘丕賱賲爻賷丨賷丞貙 賵 丕賱丨賵丕乇賷 亘胤乇爻 賵 亘賵賱爻貨 賵賲丕 賱丕賯賵賴 丕賱賲爻賷丨賷賳 賲賳 鬲毓匕賷亘 賵丕囟胤賴丕丿 賲賳 賯賽亘賱 丕賱賯賷氐乇 丕賱乇賵賲丕賳賷!
賵廿賳 賱匕賱賰 兀賮夭毓賳賷貙 賵兀亘賰丕賳賷貙 賱賲 賷賰鬲賮賵丕 賮賯胤 亘鬲毓匕賷亘賴賲貙 賵廿賳賲丕 賲孬賻賾賱賵丕 亘賴賲 賮賷 毓乇賵囟 賲爻乇丨賷丞貙 賵睾乇賽賯鬲 丕賱亘賱丕丿購 賮賷 丕賱丿賲丕亍貙 賵丕亘鬲賴噩鬲 丕賱賵噩賵賴 亘卮丕卮丞賸!
"賷丕乇亘 賷丕 乇丨賷賲".. 賰賳鬲購 兀乇丿丿賴丕 賮賷 賰賱 賱丨馗丞 兀鬲禺賷賱購 兀賳 鬲亘賱睾 卮乇丕爻丞 毓亘丿賴 匕賱賰 丕賱賲丿賶貙 賱賰賳賴丕 丕賱爻賱胤丞 賵 丕賱賯爻賵丞 鬲購丨賷賱丕賳 丕賱賯賱亘 廿賱賶 丨噩丕乇丞 兀賵 兀卮丿 氐賱丕亘丞賸 !
亘賰賷鬲購 賰孬賷乇賸丕..
**丕賱爻乇丿購 賰賱丕爻賷賰賷 賱賱睾丕賷丞貙 丿賯賷賯貙 賲購賮氐賱貙 乇亘賲丕 賷賰爻賵賴 亘毓囟 丕賱賲賱賱 賳馗乇賸丕 賱賱廿爻賴丕亘 亘賴丕貙 賵 兀賷囟賸丕 賴賳丕賰 亘毓囟 丕賱兀禺胤丕亍 丕賱賲胤亘毓賷丞.
~賮賷 丕賱賲噩賲賱貨 乇賵丕賷丞賹 噩賷丿丞 賱賱睾丕賷丞 爻乇賯鬲 毓賯賱賷 賱兀賷丕賲賺 胤賵賷賱丞貙 賵爻丨亘鬲 兀賳賮丕爻賷貙 賵賱賰賳 兀賳賴賷鬲賴丕 賵 兀毓賱賲購 噩賷丿賸丕 兀賳賻賾 賴賵賱 賲丕 賯乇兀鬲 賱賳 賷睾賷亘 毓賳 亘丕賱賷 爻乇賷毓賸丕.
~爻兀賮鬲賯丿賴賲 噩賲賷毓賸丕..亘丨賰丕賷丕鬲賴賲..
鬲賲鬲 兀禺賷乇賸丕..
August 16, 2024
Qu艒 v膩dis?
毓亘丕乇丞 賱丕鬲賷賳賷丞 鬲毓賳賷 廿賱賶 兀賷賳 兀賳鬲 匕丕賴亘責
丿毓賳賷 兀禺亘乇賰 亘賯氐丞 賴匕賴 丕賱噩賲賱丞.
賰丕賳鬲 乇賵賲丕 賴賷 丕賱賲賯氐丿 賱鬲氐亘丨 賲賳丕乇丞 丕賱賲爻賷丨賷丞 賱賱毓丕賱賲貙 賵毓賳丿賲丕 丕卮鬲丿 丕賱丕囟胤賴丕丿 賮賷 毓賴丿 賳賷乇賵賳 賲丿賲乇 乇賵賲丕貙 胤賱亘 丕賱賲爻賷丨賷賵賳 賲賳 丕賱丨賵丕乇賷 亘胤乇爻 丕賱賴乇亘 賵丕賱賳噩丕丞 賱賰賷 賱丕 鬲囟賷毓 丕賱鬲毓丕賱賷賲 丕賱賲爻賷丨賷丞貙 乇噩賵賴 兀賳 賷賴乇亘 亘毓賷丿丕賸 毓賳 丕賱賲賵鬲 賵丕賱噩孬孬 丕賱賲氐賱賵亘丞 賵丕賱賲賳賴賵卮丞 賲賳 丕賱賵丨賵卮. 亘丕賱賮毓賱 乇囟禺 亘胤乇爻 賱賲胤丕賱亘賴賲 賵毓賳丿賲丕 鬲禺胤賶 亘賵丕亘丞 乇賵賲丕 馗賴乇 賱賴 丕賱爻賷丿 丕賱賲爻賷丨 賮賷 乇丐賷丕 賷賲乇 亘賴 賲鬲噩賴 廿賱賶 乇賵賲丕貙 爻兀賱賴 亘胤乇爻 " 廿賱賶 兀賷賳 兀賳鬲 匕丕賴亘 責 Qu艒 v膩dis " 賮兀噩丕亘 丕賱賲爻賷丨 "爻賵賮 兀匕賴亘 廿賱賶 乇賵賲丕 賱兀氐賱亘 賲賳 噩丿賷丿." 賵賳鬲賷噩丞 賱賴匕賴 丕賱乇丐賷丞 禺噩賱 亘胤乇爻 賲賳 賴乇賵亘賴 賵毓丕丿 兀丿乇丕噩賴 廿賱賶 兀乇囟 乇賵賲丕 亘丐乇丞 丕賱賮爻丕丿 賵賲賯亘乇丞 丕賱賲爻賷丨賷賷賳 丕賱兀賵丕卅賱 賱賷購氐賱亘 賮賷賴丕.
賳賷乇賵賳 責 賲丿賲乇 乇賵賲丕 責 噩孬孬 賲賳賴賵卮丞 責 亘胤乇爻 責
兀毓鬲匕乇鈥� 賱賳毓賵丿 丕賱賶 丕賱禺賱賮 賯賱賷賱丕..
賳賷乇賵賳 賰丕賳 丕賱賯賷氐乇 丕賱兀禺賷乇 賱乇賵賲丕貙 丕卮鬲賴乇 亘賯丕鬲賱 兀賲賴 賵夭賵噩鬲賴 賵丕賱毓丿賷丿 賲賳 丕賱丕睾鬲賷丕賱丕鬲 賵賴賵爻賴 亘丕賱賯鬲賱 賵丕賱丿賲丕亍 賵賱賰賳 卮賴乇鬲賴 丕賱丨賯賷賯賷丞 丕賰鬲爻亘賴丕 毓賳丿賲丕 賯乇乇 廿丨乇丕賯 乇賵賲丕.
賳賷乇賵賳 賰丕賳 賲睾賳賷 賲夭毓噩 賵賲賲孬賱 賮丕卮賱 賵賲賴乇噩 孬賯賷賱 丕賱丿賲.
丨賱賲 賳賷乇賵賳 丿丕卅賲丕 亘廿毓丕丿丞 亘賳丕亍 乇賵賲丕 賵賰鬲丕亘丞 賲賱丨賲丞 卮毓乇賷丞 禺丕賱丿丞 賵賱賰賷 賷鬲丨賯賯 賱賴 丕賱兀賲乇 丕賱兀賵賱 賰丕賳 毓賱賷賴 賴丿賲 乇賵賲丕 兀賲丕 丕賱兀賲乇 丕賱孬丕賳賷 賮毓賱賶 丕賱卮丕毓乇 丕賱丨賯 兀賳 賷鬲賲 廿賱賴丕賲賴 亘丨丿孬 賯賵賷 賲丿賲乇 賷賴夭 賰賷丕賳賴 賵賷噩毓賱 丕賱賰賱賲丕鬲 鬲鬲賴丕賵賶 毓賱賶 賱爻丕賳賴.. 賮賰丕賳鬲 賮賰乇丞 丕賱丨乇賷賯.. 丨乇賷賯 乇賵賲丕.
賴賱賰 賮賷 賴匕丕 丕賱丨乇賷賯 丕賱丌賱丕賮 賲賳 爻賰丕賳 乇賵賲丕 賵兀卮丕乇鬲 兀氐丕亘毓 丕賱丕鬲賴丕賲 廿賱賶 賳賷乇賵賳 賵丨丕卮賷鬲賴 賵丕賳鬲卮乇鬲 丕賱兀賯丕賵賷賱 亘賮毓賱鬲賴 丕賱卮賳賷毓丞 賵鬲夭丕賷丿鬲 丕賱賰乇丕賴賷丞 廿賱賶 丨丿 廿賲賰丕賳賷丞 賯賷丕賲 丕賳賯賱丕亘 毓賱賷賴 賵賱賰賳 賱丿賴丕亍 丨丕卮賷鬲賴 毓賱賲賵丕 兀賳賴賲 亘丨丕噩丞 廿賱賶 賰亘卮 賮丿丕亍 賵賱兀賳 兀賴賱 乇賵賲丕 丿賵賲丕賸 賲鬲毓胤卮賷賳 廿賱賶 丕賱賯鬲丕賱 賵丿賲丕亍 丕賱賲噩丕賱丿賷賳 賮賯丿 丕賳亘孬賯鬲 丕賱賮賰乇丞 丕賱丿賲賵賷丞 亘廿賯丕賲丞 丨賮賱丕鬲 賯鬲賱 噩賲丕毓賷丞 賵賱賰賳 毓賱賶 賲賳 賷賯毓 丕賱丕禺鬲賷丕乇 責 丕賱賷賴賵丿 兀賲 丕賱賲爻賷丨賷賷賳責
賱丨爻賳 丨馗 丕賱賷賴賵丿 兀賳賴賲 鬲丨鬲 丨賲丕賷丞 賵丕丨丿丞 賲賳 毓卮賷賯丕鬲 賳賷乇賵賳 兀賲丕 丕賱賲爻賷丨賷丞 賮賰丕賳鬲 丿賷丕賳丞 噩丿賷丿丞 賲賰乇賵賴丞 賲賳 噩賲賷毓 丕賱丿賷丕賳丕鬲 丕賱兀禺乇賶 賵賷噩亘 丕賱賯囟丕亍 毓賱賷賴丕. 賵賲賳 賴賳丕 亘丿兀鬲 丕賱賲兀爻丕丞.
" 賵賲丕 囟賷乇 匕賱賰 賲丕 丿丕賲 丕賱毓丕賱賲 賷賯賵賲 毓賱賶 丕賱禺丿丕毓 責 丕賱丨賷丕丞 禺丕卅亘丞 賵賲孬賱賴丕 丕賱乇賵丨.."
鬲丿賵乇 丕賱乇賵丕賷丞 丨賵賱 賯氐丞 丨亘 亘賷賳 賱賷賮賷丕 丕賱兀爻賷乇丞 丕賱兀賲賷乇丞 丕賱賲丐賲賳丞 亘丕賱賲爻賷丨 賵丕賱賲賯丕鬲賱 丕賱毓爻賰乇賷 丕賱乇賵賲丕賳賷 丕賱卮丕亘 賮賷賳賷賰賵爻貙 賮鬲丕丞 兀賯乇亘 廿賱賶 丕賱賲賱丕賰 賲丐賲賳丞 亘丕賱丨亘 賵丕賱鬲爻丕賲丨 賵丕賱亘毓孬貙 賵卮丕亘 賯賵賷 卮噩丕毓 賲丐賲賳 亘乇睾亘丕鬲 丕賱噩爻丿 賵賲賱匕丕鬲 丕賱丨賷丕丞 賵賱賰賳 賰丕賳 賱賱丨亘 賵丕賱丿賷賳 乇兀賷 丌禺乇 賮賷 賴匕賴 丕賱毓賱丕賯丞.
" 兀賷 丨亘 賴匕丕 丕賱匕賷 賷噩毓賱賴丕 鬲賮囟賱 丕賱賴乇賵亘貙 賵丕賱亘丐爻貙 賵丕賱睾丿 丕賱賲噩賴賵賱貙 亘賱 丨鬲賶 丕賱賲賵鬲 丕賱亘丕卅爻貙 毓賱賶 丕賱賲賳夭賱 丕賱賲賰賱賱 亘丕賱睾氐賵賳貙 丨賷孬 賷賳鬲馗乇賴丕 丨亘賷亘賴丕 毓賱賶 丕賱賲兀丿亘丞! 兀賷 丨亘 賴匕丕 丕賱匕賷 賷禺丕賮 丕賱賲鬲毓丞貙 賵賷賵賱丿 丕賱兀賱賲責 丕賱毓丕丿丞 兀賳 丕賱丨亘 賷賵賴亘 賵賷毓胤賷貙 賱丕 賷爻賱亘貙 賵賱丕 賷爻鬲睾賳賶 毓賳賴. 丕賱兀賮囟賱 毓丿賲 爻賲丕毓 賲孬賱 賴匕賴 丕賱鬲乇賴丕鬲 賱兀賳賴丕 賲亘毓孬 毓賱賶 丕賱禺亘賱 賵丕賱噩賳賵賳. "
" 丕賳馗乇 廿賱賷賳丕 毓賱賶 兀賳 賱丕 兀賱賲 賱丿賷賳丕 賵賱丕 賲毓丕賳丕丞. 賵丨鬲賶 賱賵 賵噩丿丕 賮爻賷爻鬲丨賷賱丕賳 廿賱賶 爻毓丕丿丞. 兀賲丕 丕賱賲賵鬲 丕賱匕賷 鬲毓鬲亘乇賵賳賴 賳賴丕賷丞 賱賱丨賷丕丞貙 賮賴賵 亘丿丕賷丞 丕賱丨賷丕丞 亘丕賱賳爻亘丞 賱賳丕. 爻毓丕丿丞 賲賳 丿乇噩丞 兀丿賳賶 丕爻鬲丨丕賱鬲 廿賱賶 丿乇噩丞 兀毓賱賶. 爻毓丕丿丞 賲卮賵亘丞 亘賯賱賷賱 賲賳 丕賱胤賲兀賳賷賳丞 丕爻鬲丨丕賱鬲 廿賱賶 爻毓丕丿丞 賰賱賴丕 胤賲兀賳賷賳丞貙 廿賱賶 爻毓丕丿丞 丕亘丿賷丞. "
丕賱卮禺氐賷丞 丕賱賲孬賷乇丞 賱賱噩丿賱 賰丕賳鬲 亘鬲乇賵賳賷賵爻 賵賴賵 賯乇賷亘 賱賮賷賳賷賰賵爻 賵賱賴 爻賱胤丞 毓賱賶 賳賷乇賵賳 氐丕丨亘 丕賱賱丨賷丞 丕賱丨賲乇丕亍貙 亘鬲乇賵賳賷賵爻 匕賵丕賯丞 賮賳丕賳 兀氐賷賱 賮賷賱爻賵賮 賷乇賶 丕賱噩賲丕賱 賮賷 賰賱 卮賷亍 囟賱賷毓 賮賷 丕賱兀丿亘 賵賰丕賳 賴匕丕 賲賳 兀賴賲 兀爻亘丕亘 鬲毓賱賯 賳賷乇賵賳 亘賴.
" 賲丕 丕賱爻亘亘 兀賳 丕賱卮乇貙 賰賱賲丕 賰丕賳 囟禺賲丕 賰丕賱賯賷氐乇 賲孬賱丕貙 賵乇睾賲 孬賯鬲賴 亘兀賳賴 爻賷亘賯賶 睾賷乇 賲丿丕賳貙 賮廿賳賴 賷爻毓賶 廿賱賶 兀賳 賷囟賮賷 毓賱賶 賳賮爻賴 氐亘睾丞 賲賳 丕賱毓丿丕賱丞 賵丕賱丨賯 賵丕賱賮囟賷賱丞責 賱賲 賰賱 賴匕丕 丕賱毓賳丕亍責 賱賲 鬲噩乇賷 丕賱兀賲賵乇 賴賰匕丕責 睾乇賷亘 賴匕丕 丕賱賵賱丕亍 丕賱毓賮賵賷 賱賱卮乇 賮賷 賲賵丕噩賴丞 丕賱賮囟賷賱丞. 兀鬲丿乇賷 賲丕 噩賵丕亘賷責 賱兀賳 丕賱卮乇 賯亘賷丨. 賵丕賱賮囟賷賱丞 噩賲賷賱丞. 廿賳 丕賱賮賳丕賳 丕賱丨賯 賮丕囟賱 亘丕賱囟乇賵乇丞. "
" 鬲禺胤賶亍 廿匕丕 賲丕 丕毓鬲賯丿鬲 兀賳 賴匕丕 丕賱丿賷賳 賮丕賱丨. 丕賱賮丕賱丨 賵丕賱氐丕賱丨 賲丕 賷丨賯賯 丕賱爻毓丕丿丞 賱賱亘卮乇貙 賲孬賱 丕賱噩賲丕賱貙 丕賱丨亘貙 賵丕賱賯賵丞貙 賵賴賲 賷爻賲賵賳 賰賱 賴匕賴 禺胤賷卅丞 賵鬲禺胤卅 兀賷囟丕賸 廿匕丕 賲丕 馗賳賳鬲賴賲 賲丨賯賷賳 賵 毓丕丿賱賷賳貙 賮廿匕丕 賲丕 賰賳丕 爻賳乇丿 毓賱賶 丕賱廿爻丕亍丞 亘丕賱丨爻賳 賮亘賲丕匕丕 賳乇丿 毓賱賶 丕賱丨爻賳責 賵廿賳 賰丕賳 丕賱乇丿 毓賱賶 丕賱賵噩賴賷賳 賴賵 賳賮爻賴貙 賮賱賲 賷囟胤乇 丕賱亘卮乇 兀賳 賷賰賵賳賵丕 禺賷乇賷賳責 "
賳鬲毓乇賮 賲賳 禺賱丕賱 丕賱乇賵丕賷丞 毓賱賶 乇賵賲丕 丕賱爻賷丕爻賷丞 賵丕賱丕噩鬲賲丕毓賷丞 賮賷 毓賴丿 賳賷乇賵賳 丕賱賲賴乇噩 丕賱賯丕鬲賱貙 賵丕賳鬲卮丕乇 丕賱丿賷丕賳丞 丕賱賲爻賷丨賷丞 毓賱賶 賷丿 亘賵賱爻 賵亘胤乇爻 賵氐賵賱丕賸 廿賱賶 丕賱賲噩丕夭乇 丕賱賵丨卮賷丞 丕賱鬲賷 兀賯賷賲鬲 賱賱賲爻賷丨賷賷賳 賱鬲爻賱賷丞 卮毓亘 乇賵賲丕.
" 賲賳夭賱 丕賱賯賷氐乇 賲睾丕乇丞 賱賱毓丕乇貙 賵丕賱卮乇賵乇貙 賵丕賱廿孬賲貙 賴匕丕 賴賵 賵丕賯毓 丕賱丨丕賱. 賵丕賱兀賰孬乇 噩丿丕乇丞 賴賵 賲賳 賷禺乇噩 賲賳 亘丐乇丞 丕賱賮爻丕丿 亘賰丕賲賱 賳賯丕卅賴. 丕賱兀乇囟 鬲卮亘賴 亘丐乇丞 賮爻丕丿貙 賵丕賱丨賷丕丞 毓賱賷賴丕 賱丨爻賳 丕賱丨馗貙 賲噩乇丿 睾賲囟丞 毓賷賳貙 賵賱丕 賷賲賰賳 丕賱丕賳亘毓丕孬 廿賱丕 賲賳 丕賱賯亘乇 丕賱匕賷 賱丕 爻賱胤丕賳 毓賱賷賴 賱賳賷乇賵賳貙 亘賱 賱賱賯丿乇丞 丕賱乇丐賵賲 丕賱鬲賷 鬲賲賳丨 丕賱爻毓丕丿丞 賵丕賱爻乇賵乇 亘丿賱丕 賲賳 丕賱兀賱賲 賵丕賱丿賲賵毓. "
鬲賮賳賳 賳賷乇賵賳 賮賷 鬲毓匕賷亘 賵賯鬲賱 丕賱賲爻賷丨賷賷賳 賲賳 氐賱亘 賵丨乇賯 賵廿胤賱丕賯 丕賱兀爻賵丿 賵丕賱賵丨賵卮 賵丕賱賲噩丕賱丿賷賳 毓賱賷賴賲.
賳賯丕亘賱 賮賷 丕賱乇賵丕賷丞 丕賱毓丿賷丿 賲賳 丕賱賳夭丕毓丕鬲 丕賱賳賮爻賷丞 亘賷賳 丨賷丕丞 丕賱乇賵賲丕賳賷 賵丨賷丕丞 丕賱賲爻賷丨賷貙 亘賷賳 丕賱鬲賲鬲毓 亘丕賱卮乇丕亘 賵丕賱賲丕賱 賵丕賱賳爻丕亍 丨賷丕丞 賲賱賷卅丞 亘丕賱禺丿丕毓 賵丨賷丕丞 鬲購丐爻爻 毓賱賶 丕賱鬲囟丨賷丞 賵丕賱鬲爻丕賲丨 賵丕賱丕爻鬲睾賳丕亍 賵丕賱乇囟丕 亘丕賱賯賱賷賱.
" 兀賷鬲賴丕 丕賱丌賱賴丞 賴賱 賲賳 毓丿丕賱丞 賮賷 賴匕丕 丕賱毓丕賱賲責 兀賳丕 兀丨亘 鬲毓丕賱賷賲賴賲 賱兀賳賴丕 鬲丨馗乇 丕賱賯鬲賱貙 賵鬲丨乇賲 丕賱爻乇賯丞 賵丕賱睾卮貙 賵卮賴丕丿丞 丕賱夭賵乇. 賵賲賳 鬲毓丕賱賷賲賴賲 丕賱賲賵鬲 亘卮乇賮貙 賵丨亘 丕賱丨賷丕丞. 廿匕丕 賲丕 鬲丨爻賳鬲 兀丨賵丕賱賷 賮賷 賷賵賲貙 賵氐乇鬲 兀賲賱賰 賲賳夭賱丕 賵兀乇賯丕亍 賮賯丿 兀氐賷乇 賲爻賷丨賷丕貙 賵丕爻鬲賲乇 賮賷 丕毓鬲賳丕賯 賴匕丕 丕賱賲毓鬲賯丿 賲丕丿丕賲 賷毓賵丿 毓賱賷 亘丕賱賮丕卅丿丞. 賱兀賳 丕賱卮禺氐 丕賱孬乇賷 賷亘賷丨 賱賳賮爻賴 賰賱 卮賷亍貙 丨鬲賶 丕賱賮囟賷賱丞 賵丕賱兀禺賱丕賯. 兀噩賱. 廿賳賴 丿賷賳 丕賱兀孬乇賷丕亍. 賵廿賳 賰賳鬲 賱丕 兀賮賴賲 爻亘亘丕賸 賱賵噩賵丿 賰孬賷乇 賲賳 丕賱賮賯乇丕亍 亘賷賳賴賲. 賲丕 丕賱賮丕卅丿丞 丕賱鬲賷 賷乇噩賵賳賴丕 賲賳 賰賵賳賴賲 兀賵賱賷 賮囟賷賱丞責 賵賱賲丕匕丕 賷丨鬲賲賱賵賳 賲賳 丕賱賮囟賷賱丞 兀賳 鬲賰亘賱 兀賷丿賷賴賲責 "
" 賲丨亘丞 丕賱亘卮乇賷丞 噩賲毓丕亍 賴賷 兀爻丕爻 丕賱賲丨亘丞. 賱丕 賷賰賮賷 兀賳 賳丨亘 丕賱氐丕賱丨賷賳貙 亘賱 丕賱兀卮乇丕乇 賰匕賱賰. 賱兀賳賳丕 亘丕賱賲丨亘丞 賵丨丿賴丕 賷賲賰賳 賱賳丕 丕賳鬲夭丕毓 丕賱卮乇 賲賳 賳賮賵爻賴賲.
兀賷 廿賱賴責 賵兀賷丞 鬲毓丕賱賷賲責 賵兀賷 卮毓亘 賴匕丕責 賰賱賲丕 爻賲毓賴 賱丕 賯賷賲丞 賱賴 廿賱丕 賮賷 賳賮賵爻 賴丐賱丕亍. 兀賲丕 亘丕賱賳爻亘丞 廿賱賷賴 賮賱賷爻 爻賵賶 賴乇丕亍貙 賵賲丕 毓賱賷賴 丕賱丌賳 廿賱丕 兀賳 賷鬲禺賱賶 鬲賲丕賲丕 毓賳 胤乇賷賯鬲賴 賮賷 丕賱鬲賮賰賷乇貙 賵毓賳 毓丕丿丕鬲賴貙 賵胤亘毓賴 丕賱匕賷 賳卮兀 毓賱賷賴貙 賵賷噩爻乇 毓賱賶 亘丿亍 丨賷丕丞 噩丿賷丿丞貙 賵丕賱鬲丨賱賷 亘乇賵丨 賲禺鬲賱賮丞 賰賱賷丕. 卮毓乇 兀賳 鬲毓丕賱賷賲 丕賱賲丨亘丞 賵丕賱鬲爻丕賲丨 賲毓 兀毓丿丕卅賴貙 賵丕賱乇丿 毓賱賶 兀匕賷鬲賴賲 亘胤賷亘丞 丕賱賯賱亘貙 賲丕賴賷 廿賱丕 囟乇亘 賲賳 丕賱噩賳賵賳. 廿賱丕 兀賳賴 賵噩丿 賮賷 賴匕丕 丕賱噩賳賵賳 卮賷卅丕 兀毓馗賲 賲賳 賰賱 賲丕 噩丕亍鬲 亘賴 丕賱賮賱爻賮丞 丨鬲賶 丕賱丌賳. 賵亘丨賰賲 兀賳賴丕 鬲毓丕賱賷賲 賲噩賳賵賳丞 賮賴賷 廿匕賳 睾賷乇 賯丕亘賱丞 賱賱鬲丨賯賷賯. 賵毓丿賲 賯丕亘賱賷鬲賴丕 賱賱鬲丨賯賷賯 賷噩毓賱賴丕 乇亘丕賳賷丞. 卮毓乇 亘毓胤乇 禺賮賷 賷賮賵丨 賮賷 乇賵丨賴貙 賵鬲胤賮賵 賮賵賯賴 胤亘賯丞 賲賳 毓亘賯 丕賱夭賴賵乇 廿匕丕 賲丕 丕卮鬲賲賴 丕賱賲乇亍 賷賳爻賶 賰賱 卮賷亍. 卮毓乇 兀賳 賱丕 卮賷亍 丨賯賷賯賷丕賸 賮賷 賴匕賴 丕賱鬲毓丕賱賷賲貙 賱賰賳 賰賱 丕賱丨賯丕卅賯 廿匕丕 賲丕 賯賵乇賳鬲 亘賴丕貙 鬲囟丨賶 亘賱丕 賳賮毓 賵賱丕 賲毓賳賶 賱賴丕. 賷丕 賱賴匕賴 丕賱毓賵丕賱賲 丕賱噩丿賷丿丞貙 賵丕賱賮囟丕亍丕鬲 丕賱賴丕卅賱丞貙 賵丕賱睾賲丕卅賲 丕賱鬲賷 兀丨丕胤鬲 亘賴貙 賵賱賲 賷賰賳 賷毓乇賮 毓賳賴丕 卮賷卅丕賸 丨鬲賶 丕賱丌賳. 賴匕賴 丕賱賲賯亘乇丞 亘丕鬲鬲 賮賷 賳馗乇賴 賲賰丕賳丕賸 賱丕噩鬲賲丕毓 丕賱賲噩丕賳賷賳貙 賵賱賰賳賴 賲賰丕賳 賲禺賷賮貙 鬲賰鬲賳賮賴 丕賱禺賮丕賷丕貙 賵鬲賵賱丿 賮賷賴 毓噩丕卅亘 賱賲 賷毓乇賮賴丕 丕賱毓丕賱賲 廿賱賶 丕賱丌賳. 賵賲乇丞 兀禺乇賶 丕爻鬲乇噩毓 賲丕 賯丕賱賴 丕賱賰丕賴賳 丨賵賱 丕賱丨賷丕丞 賵丕賱毓丿丕賱丞 賵丕賱賲丨亘丞 賵丕賱賱賴貙 賮丕賳亘賴乇鬲 丕賮賰丕乇賴 賰賲丕 賷賳亘賴乇 丕賱亘氐乇 亘丕賱亘乇賯. "
" 兀賱賷爻 賰賵賳 丕賱賲爻賷丨賷賷賳 胤賷亘賷賳 賵乇丨賲丕亍 孬亘丕鬲丕賸 賮賷 賵丕賯毓 丕賱丨丕賱 毓賱賶 賮噩丕噩丞 乇賵丨賴賲貙 賵丕賮鬲賯丕乇賴賲 廿賱賶 丕賱賲乇丕爻. 卮毓乇 兀賳 丕賱兀賯賵賷丕亍 匕賵賷 丕賱氐賱丕亘丞 賱丕 賷毓乇賮賵賳 賴匕賴 丕賱丿乇噩丞 賲賳 丕賱鬲爻丕賲丨. 賵賱賲毓 賮賷 匕賴賳賴 兀賳 乇賵丨賴 丕賱乇賵賲丕賳賷丞 賵噩丿鬲 爻亘亘丕 賰丕賮賷丕 賱賳賮賵乇賴丕 賲賳 匕賱賰 丕賱丿賷賳. " 賲毓乇賮丞 丕賱丨賷丕丞 賵丕賱賲賵鬲 " 賴匕丕 賲丕 賯丕賱賴 亘鬲乇賵賳賷賵爻. 兀賲丕 賴賲責 廿賳賴賲 賱丕 賷毓乇賮賵賳 廿賱丕 丕賱賲爻丕賲丨丞 賵賷噩賴賱賵賳 丕賱丨亘 丕賱丨賯賷賯賷貙 賵丕賱賰乇賴 丕賱丨賯賷賯賷. "
" 賰兀賳 丕賱匕賰乇賶 賳丿賲貙 兀賵 鬲亘賰賷鬲 囟賲賷乇.. "
乇賵丕賷丞 丿爻賲丞 亘丕賱兀丨丿丕孬 賵賱賰賳 賷毓賷亘賴丕 鬲乇噩賲鬲賴丕 丕賱爻賷卅丞貙 兀鬲賲賳賶 廿毓丕丿丞 鬲乇噩賲鬲賴丕 賱兀賳賴丕 鬲爻鬲毓乇囟 毓賴丿丕 賲丐賱賲丕 賵毓氐乇丕 丿賲賵賷丕 賮賷 乇賵賲丕 丕賱賯丿賷賲丞.
鬲賲 賲賳丨 丕賱賲丐賱賮 噩丕卅夭丞 賳賵亘賱 毓賳 賲賱丨賲鬲賴 賰賵賮丕丿賷爻 毓丕賲 1905.
鬲丨賵賱鬲 丕賱乇賵丕賷丞 廿賱賶 賮賷賱賲 乇賵丕卅賷 賮賷 毓丕賲 1912 賵 鬲賲 廿毓丕丿丞 廿賳鬲丕噩賴 毓丿丞 賲乇丕鬲 丌禺乇賴丕 賮賷 毓丕賲 195.
丕爻鬲賲鬲毓賵丕 ...
丿賲鬲賲 賯乇丕亍 鉂わ笍鉂わ笍鉂わ笍
July 18, 2023
丕孬乇賶 丿賵乇 丕夭 丕賳鬲馗丕乇 賵睾賷乇 賯丕亘賱 亘丕賵乇 亘毓賳賵丕賳 乇賲丕賳賶 賰賴 亘乇丕賶 賳賵賷爻賳丿賴 貙賴賳乇賷賰 爻賷賳賷賰賷賵賷趩 賱賴爻鬲丕賳賶 賷賰賶 丕夭 丕賵賱賷賳 噩丕賷夭賴 賴丕賶 鬲丕乇賷禺 賳賵亘賱 丕丿亘賷丕鬲 乇丕 亘賴 賷丕丿诏丕乇 诏匕丕卮鬲賴 丕爻鬲.
'賰噩丕 賲賶 乇賵賶' 亘乇禺賱丕賮 丌賳 趩賷夭賶 賰賴 丿乇 賲賯丿賲賴 賰鬲丕亘 匕賰乇 诏乇丿賷丿賴 賵 亘賴 毓賳賵丕賳 夭賳丿诏賶 賳丕賲賴 賳乇賵賳 貙倬丕丿卮丕賴 爻賮丕賰 乇賵賲 丿乇賯乇賳 賷賰賲 賲賷賱丕丿賶 賵噩賳丕賷丕鬲 丕賵 毓賱賷賴 賲爻賷丨賷鬲 賳丕賲 诏乇賮鬲賴 丕爻鬲貨丨賰丕賷鬲 毓卮賯 賵丿賱丿丕丿诏賶 爻乇丿丕乇 乇賵賲賶 丕爻鬲 亘賴 丿禺鬲乇賶 賰賴 丿乇 乇賵夭诏丕乇丕賳 賯丿賷賲貙卮丕賴夭丕丿賴 爻乇夭賲賷賳 丿賷诏乇賶 亘賵丿賴 丕爻鬲.
毓卮賯賶 丌賳趩賳丕賳 賯賵賶 賵 禺丕賱氐馃ゴ 賰賴 爻乇丿丕乇 賲睾乇賵乇 賵 賲鬲賰亘乇 乇賵賲賶 乇丕 亘賴 亘賳丿賴 丕賶 賲賵賲賳 賵 亘丕 丕賷賲丕賳 亘賴 賲爻賷丨 賵禺丿丕賶 賲爻賷丨 鬲亘丿賷賱 賲賶 賰賳丿 賵 賳賵賷爻賳丿賴 亘丕 卮乇丨 鬲睾賷賷乇 乇賮鬲丕乇 賵丌丿丕亘 賲乇丿 毓丕卮賯 亘丕 鬲丕孬賷乇 倬匕賷乇賶 丕夭 丕賷賲丕賳 貙鬲賯賵丕 賵毓賲賱 氐丕賱丨 馃槵丿賷诏乇 賲爻賷丨賷丕賳 賵丕賱亘鬲賴 亘丕賳賵貨 賲乇丕丨賱 鬲亘丿賷賱 毓卮賯 夭賲賷賳賶 亘賴 丌爻賲丕賳賶 賵丕賱賴賶 乇丕 亘賷丕賳 賲賶 賰賳丿貙鬲丕 丌賳噩丕 賰賴 禺賵丕賳賳丿賴 卮賰 賲賶 賰賳丿 賰賴 賲亘丕丿丕 賳賵賷爻賳丿賴 丕賷賳 賰鬲丕亘 亘賰賶 丕夭 丌賲賵夭诏丕乇丕賳(亘丕 丕丨鬲乇丕賲 賵 丿乇賵丿 賳爻亘鬲 亘賴 丕賷賳 賯卮乇 夭丨賲鬲賰卮 賵 卮乇賷賮 丕賳爻丕賳 爻丕夭)丿乇賵爻 鬲毓賱賷賲丕鬲 丿賷賳賶 賵賯乇丌賳 丿賵乇丕賳 鬲丨氐賷賱 賵賲丿乇爻賴 禺賵丿 亘丕卮丿.
賳賵賷爻賳丿賴 賰賴 亘賷卮鬲乇 賮囟丕賶 乇賲丕賳 賵賲丨鬲賵丕賶 丕氐賱賶 丌賳 乇丕 亘賴 鬲賵氐賷賮 賵 卮乇丨 賵氐丕賱 丕賷賳 夭賵噩 毓丕卮賯 倬乇丿丕禺鬲賴 丿乇 亘禺卮 賴丕賷賷 丕夭 乇賲丕賳 诏匕乇賶 亘賴 夭賳丿诏賶 賵 丕丨賵丕賱 賷賰賶 丕夭 賲卮丕賵乇丕賳 賰丕乇丌賲丿 賵 亘乇噩爻鬲賴 賳乇賵賳 丿丕卮鬲賴 貙賴賲乇丕賴 賵賲卮丕賵乇賶 賰賴 鬲賲丕賲 孬丕賳賷賴 賴丕 賵丿賯丕賷賯 夭賳丿诏賶 乇丕 丿乇 禺賵卮賶 賵爻毓丕丿鬲 夭賲賷賳賶 诏匕乇丕賳丿賴 賵 趩卮賲丿丕卮鬲賶 亘賴 夭賳丿诏賶 賵夭賳丿賴 亘賵丿賳 賳丿丕乇丿 賵 亘丿賵賳 鬲乇爻 賵賵丕賴賲賴 丕賶 爻乇丕賳噩丕賲 丕賵 賴賲 賯乇亘丕賳賶 鬲氐賲賷賲丕鬲 噩賳賵賳 丌賲賷夭 賵 禺賵丿賰丕賲诏賶 賳乇賵賳 賲賶 卮賵丿.
賵賰賱丕丿賷賵爻 爻夭丕乇 丿乇賵爻賵爻 诏乇賲丕賳賷賰賵爻 賲賯賱亘 亘賴 賳乇賵賳貙賯賷氐乇 鬲賰乇丕乇 賳卮丿賳賶 賵禺賵賳 禺賵丕乇 鬲丕乇賷禺 賰賴 亘禺卮 賴丕賶 倬丕賷丕賳賶 賰鬲丕亘 賴賲趩賵賳 賲鬲賳 匕賷賱貨
{丨讴賵賲鬲 噩丕亘乇丕賳賴鈥屰� 賳乇賵賳 乇賵夭 亘賴 乇賵夭 賲賵丨卮鈥屫� 賵 胤丕賯鬲鈥屬佖必池ж� 賲蹖鈥屫簇�. 噩賵乇 賵 亘蹖丿丕丿賴丕蹖 丕賵 賵 丕胤乇丕賮蹖丕賳卮 亘賴 噩丕蹖蹖 乇爻蹖丿賴 亘賵丿 讴賴 丿蹖诏乇 丿乇 爻乇丕爻乇 賯賱賲乇賵 乇賵賲 讴爻蹖 鬲丕賲蹖賳 噩丕賳蹖 蹖丕 賲丕賱蹖 賳丿丕卮鬲. 賯丕賳賵賳 賲胤賱賯丕賸 乇禺鬲 亘乇亘爻鬲賴 賵 丨讴賵賲鬲 賲胤賱賯鈥屫з勜官嗀з嗃� 噩丕蹖诏夭蹖賳 丌賳 卮丿賴 亘賵丿. 卮禺氐蹖鬲 賵 賲賯丕賲 丕賳賮乇丕丿蹖 賵 丨賯賵賯 丕噩鬲賲丕毓蹖 賴賲賴 亘賴 夭蹖乇 倬丕蹖 賲丕賲賵乇蹖賳 丿蹖賵丕賳賴鈥屰� 丕賲倬乇丕鬲賵乇 賱诏丿賲丕賱 卮丿賴 賵 丕毓鬲賲丕丿貙 丕氐賲蹖賳丕賳貙 丕賲賳蹖鬲 賵 丌爻丕蹖卮 亘賴鈥屭┵勠� 丕夭 賲蹖丕賳 乇賮鬲賴 亘賵丿..}
賳賵賷爻賳丿賴 亘賴 禺賵亘賶 丕孬乇 賲爻鬲賶 賯丿乇鬲 賵禺賵丿賰丕賲诏賶 乇丕 丿乇 鬲氐賲賷賲丕鬲 賵 夭賲丕賲丿丕乇賶 丕賷賳 丨丕賰賲 賲丕丿乇 賰購卮 亘賴 禺賵亘賶 亘賴 鬲氐賵賷乇 賰卮賷丿賴 丕爻鬲.乇賵夭诏丕乇 賵丕爻鬲亘丿丕丿賶 亘賴 賯丿賲鬲 亘賷爻鬲 賯乇賳 丿乇 乇賵賶 賰乇賴 夭賲賷賳 賵 爻乇夭賲賷賳 賴丕賶 賲禺鬲賱賮 賰賴 賴賲趩賳丕賳 丕丿丕賲賴 丿丕乇丿.
'賰噩丕 賲賶 乇賵賶' 亘乇禺賱丕賮 丌賳 趩賷夭賶 賰賴 丿乇 賲賯丿賲賴 賰鬲丕亘 匕賰乇 诏乇丿賷丿賴 賵 亘賴 毓賳賵丕賳 夭賳丿诏賶 賳丕賲賴 賳乇賵賳 貙倬丕丿卮丕賴 爻賮丕賰 乇賵賲 丿乇賯乇賳 賷賰賲 賲賷賱丕丿賶 賵噩賳丕賷丕鬲 丕賵 毓賱賷賴 賲爻賷丨賷鬲 賳丕賲 诏乇賮鬲賴 丕爻鬲貨丨賰丕賷鬲 毓卮賯 賵丿賱丿丕丿诏賶 爻乇丿丕乇 乇賵賲賶 丕爻鬲 亘賴 丿禺鬲乇賶 賰賴 丿乇 乇賵夭诏丕乇丕賳 賯丿賷賲貙卮丕賴夭丕丿賴 爻乇夭賲賷賳 丿賷诏乇賶 亘賵丿賴 丕爻鬲.
毓卮賯賶 丌賳趩賳丕賳 賯賵賶 賵 禺丕賱氐馃ゴ 賰賴 爻乇丿丕乇 賲睾乇賵乇 賵 賲鬲賰亘乇 乇賵賲賶 乇丕 亘賴 亘賳丿賴 丕賶 賲賵賲賳 賵 亘丕 丕賷賲丕賳 亘賴 賲爻賷丨 賵禺丿丕賶 賲爻賷丨 鬲亘丿賷賱 賲賶 賰賳丿 賵 賳賵賷爻賳丿賴 亘丕 卮乇丨 鬲睾賷賷乇 乇賮鬲丕乇 賵丌丿丕亘 賲乇丿 毓丕卮賯 亘丕 鬲丕孬賷乇 倬匕賷乇賶 丕夭 丕賷賲丕賳 貙鬲賯賵丕 賵毓賲賱 氐丕賱丨 馃槵丿賷诏乇 賲爻賷丨賷丕賳 賵丕賱亘鬲賴 亘丕賳賵貨 賲乇丕丨賱 鬲亘丿賷賱 毓卮賯 夭賲賷賳賶 亘賴 丌爻賲丕賳賶 賵丕賱賴賶 乇丕 亘賷丕賳 賲賶 賰賳丿貙鬲丕 丌賳噩丕 賰賴 禺賵丕賳賳丿賴 卮賰 賲賶 賰賳丿 賰賴 賲亘丕丿丕 賳賵賷爻賳丿賴 丕賷賳 賰鬲丕亘 亘賰賶 丕夭 丌賲賵夭诏丕乇丕賳(亘丕 丕丨鬲乇丕賲 賵 丿乇賵丿 賳爻亘鬲 亘賴 丕賷賳 賯卮乇 夭丨賲鬲賰卮 賵 卮乇賷賮 丕賳爻丕賳 爻丕夭)丿乇賵爻 鬲毓賱賷賲丕鬲 丿賷賳賶 賵賯乇丌賳 丿賵乇丕賳 鬲丨氐賷賱 賵賲丿乇爻賴 禺賵丿 亘丕卮丿.
賳賵賷爻賳丿賴 賰賴 亘賷卮鬲乇 賮囟丕賶 乇賲丕賳 賵賲丨鬲賵丕賶 丕氐賱賶 丌賳 乇丕 亘賴 鬲賵氐賷賮 賵 卮乇丨 賵氐丕賱 丕賷賳 夭賵噩 毓丕卮賯 倬乇丿丕禺鬲賴 丿乇 亘禺卮 賴丕賷賷 丕夭 乇賲丕賳 诏匕乇賶 亘賴 夭賳丿诏賶 賵 丕丨賵丕賱 賷賰賶 丕夭 賲卮丕賵乇丕賳 賰丕乇丌賲丿 賵 亘乇噩爻鬲賴 賳乇賵賳 丿丕卮鬲賴 貙賴賲乇丕賴 賵賲卮丕賵乇賶 賰賴 鬲賲丕賲 孬丕賳賷賴 賴丕 賵丿賯丕賷賯 夭賳丿诏賶 乇丕 丿乇 禺賵卮賶 賵爻毓丕丿鬲 夭賲賷賳賶 诏匕乇丕賳丿賴 賵 趩卮賲丿丕卮鬲賶 亘賴 夭賳丿诏賶 賵夭賳丿賴 亘賵丿賳 賳丿丕乇丿 賵 亘丿賵賳 鬲乇爻 賵賵丕賴賲賴 丕賶 爻乇丕賳噩丕賲 丕賵 賴賲 賯乇亘丕賳賶 鬲氐賲賷賲丕鬲 噩賳賵賳 丌賲賷夭 賵 禺賵丿賰丕賲诏賶 賳乇賵賳 賲賶 卮賵丿.
賵賰賱丕丿賷賵爻 爻夭丕乇 丿乇賵爻賵爻 诏乇賲丕賳賷賰賵爻 賲賯賱亘 亘賴 賳乇賵賳貙賯賷氐乇 鬲賰乇丕乇 賳卮丿賳賶 賵禺賵賳 禺賵丕乇 鬲丕乇賷禺 賰賴 亘禺卮 賴丕賶 倬丕賷丕賳賶 賰鬲丕亘 賴賲趩賵賳 賲鬲賳 匕賷賱貨
{丨讴賵賲鬲 噩丕亘乇丕賳賴鈥屰� 賳乇賵賳 乇賵夭 亘賴 乇賵夭 賲賵丨卮鈥屫� 賵 胤丕賯鬲鈥屬佖必池ж� 賲蹖鈥屫簇�. 噩賵乇 賵 亘蹖丿丕丿賴丕蹖 丕賵 賵 丕胤乇丕賮蹖丕賳卮 亘賴 噩丕蹖蹖 乇爻蹖丿賴 亘賵丿 讴賴 丿蹖诏乇 丿乇 爻乇丕爻乇 賯賱賲乇賵 乇賵賲 讴爻蹖 鬲丕賲蹖賳 噩丕賳蹖 蹖丕 賲丕賱蹖 賳丿丕卮鬲. 賯丕賳賵賳 賲胤賱賯丕賸 乇禺鬲 亘乇亘爻鬲賴 賵 丨讴賵賲鬲 賲胤賱賯鈥屫з勜官嗀з嗃� 噩丕蹖诏夭蹖賳 丌賳 卮丿賴 亘賵丿. 卮禺氐蹖鬲 賵 賲賯丕賲 丕賳賮乇丕丿蹖 賵 丨賯賵賯 丕噩鬲賲丕毓蹖 賴賲賴 亘賴 夭蹖乇 倬丕蹖 賲丕賲賵乇蹖賳 丿蹖賵丕賳賴鈥屰� 丕賲倬乇丕鬲賵乇 賱诏丿賲丕賱 卮丿賴 賵 丕毓鬲賲丕丿貙 丕氐賲蹖賳丕賳貙 丕賲賳蹖鬲 賵 丌爻丕蹖卮 亘賴鈥屭┵勠� 丕夭 賲蹖丕賳 乇賮鬲賴 亘賵丿..}
賳賵賷爻賳丿賴 亘賴 禺賵亘賶 丕孬乇 賲爻鬲賶 賯丿乇鬲 賵禺賵丿賰丕賲诏賶 乇丕 丿乇 鬲氐賲賷賲丕鬲 賵 夭賲丕賲丿丕乇賶 丕賷賳 丨丕賰賲 賲丕丿乇 賰購卮 亘賴 禺賵亘賶 亘賴 鬲氐賵賷乇 賰卮賷丿賴 丕爻鬲.乇賵夭诏丕乇 賵丕爻鬲亘丿丕丿賶 亘賴 賯丿賲鬲 亘賷爻鬲 賯乇賳 丿乇 乇賵賶 賰乇賴 夭賲賷賳 賵 爻乇夭賲賷賳 賴丕賶 賲禺鬲賱賮 賰賴 賴賲趩賳丕賳 丕丿丕賲賴 丿丕乇丿.
April 11, 2008
Great book for a retreat! Spiritually invigorating, makes one excited about the Catholic faith. It is fiction with references to standard Catholic tradition, and is set in the time of the Christian persecutions in Rome during the reign of Nero. The focus of the novel is a love story between a Roman centurion and a beautiful Christian princess-in-exile. The story's central conflict takes place in the person of the centurion's friend, who also happens to be a cultural lackey in the court of Nero. And there is great action provided by the princesses personal bodyguard, who probably would have been competitive in the WWF.
Sienkiewicz's view of Christianity is strikingly progressive for his time. While he makes a remarkably strong effort to unite sexual desire into conversion and Christian love, there remain strong hints of 19th century romanticism.
In the end we find out that Sienkiewicz's ultimate goal is not necessarily spiritual but historical. The climax of the book has St Peter making eye contact with Nero, the great transition in history marking the passing of the old worldly order to a new other-worldly order. Yes, Saints Peter and Paul do make several cameos in this story.
I liked it very much.
Sienkiewicz's view of Christianity is strikingly progressive for his time. While he makes a remarkably strong effort to unite sexual desire into conversion and Christian love, there remain strong hints of 19th century romanticism.
In the end we find out that Sienkiewicz's ultimate goal is not necessarily spiritual but historical. The climax of the book has St Peter making eye contact with Nero, the great transition in history marking the passing of the old worldly order to a new other-worldly order. Yes, Saints Peter and Paul do make several cameos in this story.
I liked it very much.
February 10, 2017
乇賵丕賷丞 #賰賵賮丕丿賷爻 #賴賳乇賷賰_卮賳賰賵賮賷鬲卮
賯乇丕亍丞 #兀賷賲賳_丕賱毓鬲賵賲
乇賵丕賷丞 丿賻爻賽賲丞貙 賲賱賷卅丞 亘丕賱兀丨丿丕孬貙 賲購丿賴賽卮丞貙 丨丕乇賯丞貙 賵賯丕丿乇丞 毓賱賶 兀賳 鬲丨鬲賮馗 亘兀賳賮丕爻賽賰賻 丕賱賱丕賴孬丞 賲賳 兀賵賾賱賴丕 廿賱賶 丌禺乇賴丕 毓亘乇賻 乇丨賱丞賺 賲賱賷卅丞賺 亘丕賱賲購睾丕賲乇丕鬲 鬲爻鬲賲乇賾 賲丕 賷賯乇亘 賲賳 800 氐賮丨丞. 氐丕丿乇丞 毓賳 丿丕乇 丕賱賲丿賶 賮賷 亘賷乇賵鬲 賵亘睾丿丕丿 賮賷 胤亘毓鬲賴丕 丕賱兀賵賱賶 毓丕賲 2016賲.
丕賱賲賵囟賵毓 丕賱乇賾卅賷爻 丕賱賾匕賷 丕鬲賾禺匕賴 丕賱賰丕鬲亘 丕賱亘賵賱賵賳賷 卮賳賰賵賮賷鬲卮 賴賵 賯氐賾丞 丕賱丨亘賾 丕賱賾鬲賷 賯丕賲鬲賿 亘賷賳 (賱賷賮賷丕) 丕賱賾鬲賷 鬲噩乇賷 賮賷賴丕 丿賲丕亍 賲賱賰賷賾丞 賵鬲丐賲賳 亘丕賱賲爻賷丨 賵亘賷賳 (賮賷賳賷賰賵爻) 丕賱賯丕卅丿 丕賱乇賾賵賲丕賳賷 丕賱賾匕賷 禺丕囟賻 丨乇賵亘賸丕 毓丿賷丿丞賸 賵丕賳鬲氐乇 賮賷賴丕. 賮賷賳賷賰賵爻 賱賲 賷賰賳賿 賷丐賲賳 亘丕賱賲爻賷丨賷賾丞貙 賵賱賲 賷賰賳賿 賷毓乇賮購 賲賳 丕賱丨亘賾 睾賷乇賻 丕賱噩爻丿貙 賵賱賲 賷毓乇賮 賲賳 丕賱丨賷丕丞賽 睾賷乇賻 丕賱爻賾賷賮 鬲丨賵賾賱 鬲丿乇賷噩賷賾丕 毓亘乇賻 爻賽丨乇 丕賱丨亘賾 賵鬲兀孬賷乇賴 廿賱賶 賲丐賲賳賺 亘丕賱賲爻賷丨 賯丕丿乇賺 毓賱賶 兀賳賿 賷毓賷卮賻 丿賷賳賻賴賲 亘賰賱賾 賲丕 賮賷賴 賲賳 賲丨亘賾丞 賵鬲爻丕賲購丨.
亘鬲乇賵賳賷賵爻 兀丨丿 兀賴賲賾 卮禺氐賷賾丕鬲 丕賱乇賾賵丕賷丞貙 鬲乇亘胤賴 亘賮賷賳賷賰賵爻 毓賱丕賯丞 賯乇丕亘丞貙 賵鬲乇亘胤賴 亘賳賷乇賵賳 (丕賱賯賷氐乇 丕賱乇賾賵賲丕賳賷賾) 毓賱丕賯丞 丨購賰賲貙 廿匕賿 賷購毓丿賾 賴賵 賵(鬲賷賮丕賱賷賳賵爻) 兀賴賲賾 乇賻噩購賱賻賷賳 賮賷 亘賱丕胤賽 丕賱賯賷氐乇. 賷鬲賲賷賾夭 亘鬲乇賵賳賷賵爻 亘兀賳賾賴 丕賱賳賾丕賯丿 丕賱噩賻賲丕賱賷賾 賱兀毓賲丕賱 (賳賷乇賵賳) 賵賰丕賳 毓丕賱賽賲賸丕 亘丕賱兀丿亘 賵丕賱卮賾毓乇 賵丕賱賲賵爻賷賯賶貙 亘丕賱廿囟丕賮丞 廿賱賶 兀賳賾賴 賰丕鬲亘賹 賵賯丕乇卅賹 賷丨乇氐購 毓賱賶 賲鬲丕亘毓丞 丕賱兀毓賲丕賱 丕賱賾鬲賷 鬲氐丿乇 丨丿賷孬賸丕. 兀賲賾丕 (亘鬲乇賵賳賷賵爻) 賮賱賲 賷賰賳賿 賲賳 賲丐賴賾賱賺 賱賴 賷購賰爻賽亘賴 丕賱丨購馗賵丞賻 賱丿賶 (賳賷乇賵賳) 廿賱丕賾 禺賱賮賷賾鬲賴 丕賱毓爻賰乇賷賾丞 廿匕賿 賰丕賳 賯丕卅丿 丕賱丨乇爻 丕賱廿賲亘乇丕胤賵乇賷賾 賱丿賷賴. 賵賰孬賷乇賸丕 賲丕 賰丕賳鬲賿 鬲賳卮兀 丕賱賲賳丕賮爻丞 亘賷賳 丕賱丕孬賳賻賷賳 毓賱賶 賯賱亘 丕賱賯賷氐賻乇. 賰丕賳賻 鬲賷賮丕賱賷賳賵爻 賷購毓賵賾囟 賯賱賾丞 孬賯丕賮鬲賴 亘賯賵賾鬲賴 丕賱毓爻賰乇賷賾丞 亘鬲賴丿賷丿賴 亘丕賱亘胤卮 亘賰賱賾 賲毓丕乇囟賷 丕賱賯賷氐乇貙 亘丕賱廿囟丕賮丞 廿賱賶 亘匕禺賴 賮賷 廿賯丕賲丞 丕賱賲丌丿亘 賱丕爻鬲賲丕賱丞 丕賱賯賷氐乇 賵丨丕卮賷鬲賴.
賰丕賳 (賳賷乇賵賳) 賰賲丕 賰卮賮鬲賽 丕賱乇賾賵丕賷丞 賮賷 賲賵丕囟毓 賰孬賷乇丞 卮丕毓乇賸丕 賮丕卮賽賱丕賸锟斤拷 賵賲賲孬賾賱丕賸 賲爻乇丨賷賸賾丕 亘丕卅爻賸丕貙 賵毓丕夭賽賮賸丕 賲賸囟噩賽乇賸丕... 賵賰丕賳 亘鬲乇賵賳賷賵爻 賷購賳丕賮賽賯 賱賴 兀丨賷丕賳賸丕 賲毓 丕爻鬲賽禺丿丕賲賴 亘毓囟 丕賱囟賾乇亘丕鬲 丕賱賳賾賯丿賷賾丞 丕賱賲購賵噩賽毓丞 賱賰鬲丕亘丕鬲賴 賱賰賷 賷兀賲賳 卮乇賾賴 賲乇賾丞貙 賵賱賰賷 賷丨賯賾賯 賲賳賮毓丞 賱賴 賵賱賯乇賷亘賴 賮賷賳賷賰賵爻 賮賷賲丕 賷禺氐賾 丨亘賷亘丞賻 丕賱兀禺賷乇 賵賴賷 (賱賷賮賷丕).
賰卮賮鬲 丕賱乇賾賵丕賷丞 兀賷囟賸丕 賲丿賶 丕賱乇賾賵丨 丕賱廿噩乇丕賲賷賾丞 丕賱賲購乇毓賽亘丞 丕賱賾鬲賷 賷鬲賲鬲賾毓 亘賴丕 (賳賷乇賵賳)貙 賰丕賳 賴匕丕 丕賱胤賾丕睾賷丞 賯丕丿乇賸丕 毓賱賶 丕賱賯鬲賱 賵丕賱氐賾賱亘 賵丕賱匕賾亘丨 賵丕賱丨賻乇賯 亘兀毓氐丕亘賺 亘丕乇丿丞賺貙 賵毓丕夭賽賲賸丕 鈥� 賮賷 賳賴丕賷丞 丕賱乇賾賵丕賷丞 鈥� 毓賱賶 廿氐丿丕乇 丨購賰賲 亘廿毓丿丕賲 賰賱賾 賲爻賷丨賷賾 賮賷 乇賵賲丕貙 賵賮鬲丨 丕賱賲丿乇賾噩丕鬲 賵丕賱廿爻鬲丕丿賷賵賲 賱賰賷 鬲賳賴卮賻 丕賱賵丨賵卮購 賱丨賵賲賴賲貙 賵鬲賻睾賽賱賻 賮賷 丿賲丕卅賴賲!!
(賱賷賮賷丕) 丕賱賾鬲賷 丕爻鬲賯乇賾鬲賿 毓賳丿賻 毓丕卅賱丞 兀賵賱賵爻 賵亘賵賲亘賷賳丕貙 廿匕 賰丕賳 丕賱兀賵賾賱 賯丕卅丿賸丕 丨乇亘賷賸賾丕 毓噩賵夭賸丕 丕爻鬲賯乇賾鬲賿 毓賳丿賴 賱賷賮賷丕 亘毓丿賻 鬲賯丕毓丿賴 賲賳 丕賱丨乇亘貙 賵賰丕賳鬲賿 賱賷賮賷丕 乇賴賷賳丞賸 賲賳丨賴丕 賱賴 丕賱賯賷氐乇 賳賮爻賴貙賭 賵乇丌賴丕 毓賳丿賴 (賮賷賳賷賰賵爻) 賮兀丨亘賾賴丕貙 賵匕丕亘賻 亘賴丕 賴購賷丕賲賸丕貙 賵賴賷 亘丿乇賵賴丕 賵賴賷 賱賲 鬲亘賱睾 丕賱禺丕賲爻丞賻 毓卮乇丞賻 乇亘賾賲丕 賲賳 毓賲乇賴丕 賯丿 賵賯毓鬲賿 賮賷 睾乇丕賲 賴匕丕 丕賱亘胤賱 丕賱禺丕乇賯 (賮賷賳賷賰賵爻)貙 賵廿賳賿 賰丕賳賻 丨購亘賸賾丕 胤丕賴賽乇賸丕 賲丨賰賵賲賸丕 亘賯賵丕毓丿 丕賱賲爻賷丨賷賾丞 丕賱胤丕賴乇丞 賱丕 亘賯賵丕毓丿 丕賱乇賾賵賲丕賳 丕賱賮丕噩乇丞!!
爻賻毓賻賶 (賮賷賳賷賰賵爻) 廿賱賶 丕賱賮賵夭 亘賱賷賮賷丕 賰賲丨馗賷賾丞 賲賳 賲丨馗賷賾丕鬲賴 賱兀賳賾賴 賯丿 兀丨亘賾 噩爻丿賴丕 丕賱噩賲賷賱 丕賱乇賾丕卅毓貙 兀賲賾丕 賴賷 賮馗賳賾鬲賿 兀賳賾賴 賷乇賷丿賴丕 夭賵噩丞賸貙 賵賱賲賾丕 丕賰鬲卮賮鬲賿 賳賵丕賷丕賴 丕賱匕賾卅亘賷賾丞 賮賷 兀賵賾賱 賲兀丿亘丞賺 鬲丨囟乇賴丕 賲毓 賮賷賳賷賰賵爻 賵亘鬲乇賵賳賷賵爻 賮賷 賯氐乇 丕賱賯賷氐乇.
丕賱賰丕鬲亘 賮賷 丕賱丨賯賷賯丞 兀亘丿毓 賮賷 賵氐賮 丕賱賲噩賵賳 丕賱匕賷 鬲禺賱賾賱 賴匕賴 丕賱賲兀丿亘丞 丕賱賯賷氐乇賷賾丞貙 賵丕賱賲丌丿亘 丕賱賱丕賾丨賯丞. 賮賷 丕賱賱賾丨馗丞賽 丕賱鬲賷 賰丕賳賻 (賮賷賳賷賰賵爻) 丕賱孬賻賾賲賽賱 賲賳 丕賱卮賾乇丕亘 賷賲賷賱 鈥� 賵賴賵 丕賱噩丕賱爻 亘噩丕賳亘 賱賷賮賷丕 鈥� 毓賱賷賴丕 賱賷賳丕賱 賲賳賴丕 賯亘賱丞賸貙 賮夭毓鬲賿 賲賳賴 亘亘乇丕亍鬲賴丕 賵賰乇賴鬲賿賴 亘毓丿賻 兀賳賿 丿禺賱賻 賯賱亘賻賴丕 亘乇賵賲丕賳爻賷賾鬲賴 賮賷 丨丿賷賯丞 兀賵賱賵爻 (兀亘賷賴丕 亘丕賱鬲賾亘賳賾賷) 丨賷賳賻 夭丕乇賴丕 賴賳丕賰. 囟賻睾賻胤 亘爻丕毓丿賷賴 丕賱賯賵賾賷鬲賷賳 毓賱賷賴丕貙 賱賰賳賾賴 鬲賮丕噩兀 亘兀賳賾 毓賽賲賱丕賯賸丕 賷賮賵賯賴 賯賵賾丞 賵賯丿丞賸 賵賴賵 (兀乇爻賵爻) 賷賳鬲夭毓賴丕 賲賳 亘賷賳 賷丿賻賷賴貙 賵賷禺乇噩 亘賴丕 賲賳 丕賱賲兀丿亘丞貙 賵賷禺鬲賮賷 賴賵 賵廿賷賾丕賴丕.
毓乇賮賻 (賮賷賳賷賰賵爻) 賲賳 禺賱丕賱 丕賱丨賵丕乇丕鬲 丕賱爻賾丕亘賽賯丞 兀賳賾 兀賵賱賵爻 賵亘賵賲亘賷賳賷丕 賵丕亘賳鬲賴賲丕 賱賷賮賷丕 賵卮賯賷賯賴丕 兀賵賱賵爻 丕賱氐賾睾賷乇 賴賲 賲賳 丕賱賲爻賷丨賷賾賷賳 丕賱匕賷賳 賷丐賲賳賵賳 亘丕賱廿賱賴 丕賱兀賵丨丿 賰賱賾賷賾 丕賱賯購丿乇丞. 賵亘丿兀鬲賿 賲賳 賴賳丕賰 乇丨賱丞 丕賱亘丨孬 毓賳 賱賷賮賷丕貨 丨賷孬購 氐賲賾賲 賱睾囟亘賴 丕賱卮賾丿賷丿 賲賳 丕賱賲賵賯賮 丕賱賾匕賷 鬲噩乇兀 賮賷賴 毓亘丿賹 賲噩賴賵賱 賵賴賵 (兀乇爻賵爻) 毓賱賷賴貨 氐賲賾賲 兀賳 賷購毓賷丿賴丕 賵賷賳丕賱賻 噩爻丿賴丕貙 賵賷噩賱丿賴丕貙 賵賷購毓匕賾亘賴丕.
丕爻鬲毓丕賳賻 賮賷 丕賱亘丨孬 毓賳賴丕 亘乇噩賱賺 賷丿賾毓賷 丕賱賮賱爻賮丞 丕爻賲賴 (卮賷賱賵賳)貙 丕爻鬲胤丕毓 兀賳 賷丿賱賾賴 賴賵 賵亘鬲乇賵賳賷賵爻 毓賱賶 賲賰丕賳 丕禺鬲亘丕卅賴丕 賲毓 兀乇爻賵爻 賵賰賱丕賵爻賷賵爻 (丕賱胤亘賷亘) 賵丌禺乇賷賳. 賵賷爻賵賯 丕賱賰丕鬲亘 賲卮賴丿賷賾丞 丕賱馗賾賴賵乇 丕賱兀賵賾賱 賱賱丨賵丕乇賷賾 (亘胤乇爻) 兀賵 (爻賲毓丕賳 亘胤乇爻) 鬲賱賲賷匕 丕賱賲爻賷丨貙 賵丕賱氐賾賷賾丕丿 丕賱賾匕賷 賯丕賱 賱賴 丕賱賲爻賷丨 丨賷賳賻 丕賱鬲賯丕賴 兀賵賾賱 賲乇賾丞貙 鬲毓丕賱 賲毓賷 賵爻鬲氐賷丿購 賯賱賵亘賻 丕賱賳賾丕爻賽 亘丿賱丕賸 賲賳 丕賱爻賾賲賰: "16賵賻賮賽賷賲賻丕 賴購賵賻 賷賻賲賿卮賽賷 毓賽賳賿丿賻 亘賻丨賿乇賽 丕賱賿噩賻賱賽賷賱賽 兀賻亘賿氐賻乇賻 爻賽賲賿毓賻丕賳賻 賵賻兀賻賳賿丿賻乇賻丕賵購爻賻 兀賻禺賻丕賴購 賷購賱賿賯賽賷賻丕賳賽 卮賻亘賻賰賻丞賸 賮賽賷 丕賱賿亘賻丨賿乇賽貙 賮賻廿賽賳賻賾賴購賲賻丕 賰賻丕賳賻丕 氐賻賷賻賾丕丿賻賷賿賳賽. 17賮賻賯賻丕賱賻 賱賻賴購賲賻丕 賷賻爻購賵毓購:芦賴賻賱購賲賻賾 賵賻乇賻丕卅賽賷 賮賻兀賻噩賿毓賻賱購賰購賲賻丕 鬲賻氐賽賷乇賻丕賳賽 氐賻賷賻賾丕丿賻賷賽 丕賱賳賻賾丕爻賽禄. (賲乇賯爻: 1 : 16-17) 廿匕 馗賴乇 兀賵賾賱 賲乇賾丞 賮賷 賯亘賵賺 鬲丨鬲 賲賯亘乇丞賺 賮賷 兀胤乇丕賮 乇賵賲丕貙 鬲噩賲賾毓 丨賵賱賴 丕賱賲爻賷丨賷賾賵賳 賵賰丕賳賵丕 亘兀毓丿丕丿賺 賴丕卅賱丞貙 賰丕賳賵丕 賷丿禺賱賵賳 賲賳 亘賵賾丕亘丞 丕賱賲賯亘乇丞 亘亘胤丕賯丕鬲 丿禺賵賱 禺丕氐賾丞貙 賵賷氐胤賮賾賵賳 賮賷 氐賮賵賮 賲賳鬲馗賲丞 賵丕賱賲卮丕毓賱 賮賷 兀賷丿賷賴賲 賵爻胤賻 馗賱丕賲賺 賰孬賷賮賺 賱賲 鬲購亘丿賾丿 丕賱賲卮丕毓賱 賰丕賲賱 馗購賱賲鬲賴貙 賵賰丕賳賻 賲賽賲賾丕 賵毓馗賴賲 亘賴: "兀賵氐丕賴賲 亘丕賱丕亘鬲賽毓丕丿 毓賳 丕賱廿爻乇丕賮 賵丕賱賲購鬲賻毓貙 賵亘賲丨亘賾丞 丕賱賮賯乇貙 賵丕賱鬲賽夭丕賲 丕賱賳賾賯丕亍 丕賱禺賱賯賷賾貙 賵丕賱毓丿丕賱丞 賵丕賱胤賾丕毓丞貙 賵丨匕賾乇賴賲 賲賳 丕賱禺賷丕賳丞 賵丕賱睾卮賾 賵丕賱賰匕亘. 賵兀賳賿 賷賰賵賳賻 賰購賱購賾 賲賳賴賲 賯購丿賵丞賸 兀賲丕賲 兀禺賷賴 賵賲賽孬丕賱丕賸 賷購丨鬲賻匕賶...". 丕賱乇賾賵丕賷丞 氐 241.
亘丿兀鬲賽 丕賱賲爻賷丨賷賾丞 鬲賳鬲卮乇 賮賷 乇賵賲丕 丕賳鬲賽卮丕乇賸丕 爻乇賷毓賸丕... 賮賷 兀孬賳丕亍賽 亘丨孬 賮賷賳賷賰賵爻 毓 賱賷賮賷丕 丕爻鬲胤丕毓 兀賳 賷噩丿賴丕 亘賲爻丕毓丿丞 (卮賷賱賵賳) 賵亘賲乇丕賮賯丞 丕賱賲購噩丕賱賽丿 賵丕賱賲購氐丕乇賽毓 丕賱賲卮賴賵乇 (賰乇賵鬲賵賳) 賮賷 兀丨丿 丕賱兀丨賷丕亍 賵丕賱毓賲丕乇丕鬲 丕賱賮賯賷乇丞. 馗賱賾 卮賷賱賵賳 賮賷 丕賱禺丕乇噩 賷囟胤乇亘 賯賱亘購賴 乇毓亘賸丕貙 賰丕賳 賮賷賳賷賰賵爻 賲鬲兀賰賾丿賸丕 賲賳 兀賳賾 毓賲賱賷賾丞 丕禺鬲賽胤丕賮 賱賷賮賷丕 毓賲賱賷賾丞 爻賴賱丞貙 賵禺丕氐賾丞 兀賳賾賴 兀丨囟乇 兀丨丿 兀賯賵賶 賲購氐丕乇賽毓賷 乇賵賲丕貙 賵丕賱匕賷 賷爻鬲胤賷毓 兀賳 賷爻丨賯 兀賷賾 賲購氐丕乇賽毓賺 賷賯賮購 兀賲丕賲賴貙 亘丕賱廿囟丕賮丞 廿賱賶 兀賳賾 賮賷賳賷賰賵爻 賳賮爻賴 賲賯丕鬲賱 卮賻乇賽爻賹 賵亘胤賱賹 賯賵賲賷賾 丨賯賾賯 丕賳鬲氐丕乇丕鬲 賰亘賷乇丞... 賱賰賳賾 丕賱賾匕賷 丨丿孬 賴賵 丕賱毓賻賰爻貨 廿匕 丨賷賳賲丕 丿賻禺賻賱丕 廿賱賶 丕賱爻賾丕丨丞 丕賱賾鬲賷 鬲鬲賵夭賾毓 丕賱睾乇賮丞 丕賱賾鬲賷 賷購毓鬲賻賯賻丿 兀賳賾 賱賷賮賷丕 丿丕禺賽賱賴丕 賲賳 丨賵賱賴丕貙 馗賴乇 兀乇爻賵爻 丕賱賾匕賷 兀賳賯匕賴丕 兀賵賾賱 賲乇丞 賲賳 賮賷賳賷賰賵爻 毓賱賶 丕賱賲兀丿亘丞貙 賮鬲氐丿賾賶 賱賴 賰乇賵鬲賵賳 賱賷爻丨賯賴貙 兀賲賾丕 賮賷賳賷賰賵爻 賮賯丿 鬲乇賰賴賲丕 賷鬲氐丕乇毓丕賳 賵賴賵 賱丕 賷卮賰賾 賮賷 兀賳賾 丕賱睾賱亘丞 賱賰乇賵鬲賵賳貙 孬賲賾 賵賱噩 廿賱賶 丕賱睾乇賮丞 丕賱賾鬲賷 鬲兀賵賷 廿賱賷賴丕 賱賷賮賷丕貙 賵丕賳丿賮毓 賳丨賵賴丕 賵丕禺鬲胤賮賴丕貙 賵丨賷賳賻 禺乇噩 廿賱賶 丕賱爻賾丕丨丞 乇兀丞 (賰乇賵鬲賵賳) 賷睾乇賯 賮賷 丿賲丕卅賴 賵賯丿 賯鬲賱賴 兀乇爻賵爻貙 賮丕賲賾丕 乇丌賴 丕賱兀禺賷乇 賵賮賷 賷丿賷賴 賱賷賮賷丕 賴噩賲 毓賱賷賴 賯丕卅賽賱丕賸: "噩丕亍賰賻 丕賱賲賵鬲"貙 賱賰賳賾 賱賷賮賷丕 氐乇禺鬲賿 亘兀乇爻賵爻: "丿賻毓賴貨 賱丕 鬲賯鬲賱賴"貨 賮鬲乇賰賴 亘毓丿 兀賳賿 兀丨丿孬賻 賰爻賿乇賸丕 賮賷 匕乇丕毓賴貙 賵兀氐丕亘賴 亘噩乇賵丨賺 毓賽丿賾丞. 賲賰孬賻 (賮賷賳賷賰賵爻) 賮賷 亘賷鬲賽 賱賷賮賷丕 丕賱亘爻賷胤 賵亘賯賷丞 丕賱賲爻賷丨賷賾賳貙 賵賯丕賲賻 賰賱丕賵爻賵爻 丕賱胤賾亘賷亘 亘毓賱丕噩賴貙 賵噩賱爻鬲賿 (賱賷賷丕) 廿賱賶 噩丕賳亘賴 鬲爻賴乇 毓賱賶 乇丕丨鬲賴貙 賵鬲丿丕賵賷賴貙 賵鬲爻賯賷賴 賲丕 賷賰鬲亘賴 賱賴 丕賱胤賾亘賷亘 賲賳 賵氐賮丕鬲... 賵賲賳 賴賳丕... 亘毓丿賻 兀賳賿 賯丕亘賱鬲賿 (賱賷賮賷丕) 廿爻丕亍丞 賮賷賳賷賰賵爻 廿賱賷賴丕 亘賴匕丕 丕賱廿丨爻丕賳 丕賱卮賾丿賷丿 鬲亘毓賸丕 賱鬲毓丕賱賷賲賴丕 丕賱賲爻賷丨賷賾丞貙 賲賳 賴賳丕 亘丿兀 賷購丨亘賾賴丕 丕賱丨亘賾 丕賱丨賯賷賯賷賾... 丕賱丨亘賾 丕賱賾匕賷 鬲丨賵賾賱 賮賷 丕賱賳賾賴丕賷丞 廿賱賶 丕爻鬲毓丿丕丿賴 亘丕賱鬲賾囟丨賷丞 亘賰賱賾 卮賷亍賺 賲賳 兀噩賱賴丕貨 賵賯丿 賮毓賱.
孬賲賾 鬲鬲賵丕賱賻賶 丕賱兀丨丿丕孬貙 賵賷毓賵丿 丕賱賰丕鬲亘 賱賷購爻賱賾胤賻 丕賱囟賾賵亍 毓賱賶 丨賷丕丞賽 丕賱賯賷氐乇 丕賱賲噩賳賵賳貙 賵賮賷 睾賲乇丞 鬲兀賱賷賮賴 賱賱卮賾毓乇 賵廿賱賯丕卅賴 賱賴貙 鬲賲賳賾賶 兀賳 賷購毓丕賷賽賳賻 亘賳賮爻賴 丨乇賷賯賸丕 賲孬賱 丨乇賷賯 胤乇賵丕丿丞 賱賷毓賷卮賻 丕賱丨丿孬 賵賷賰鬲亘 毓賳賴 亘卮賰賱賺 兀賰孬乇賻 氐賽丿賯賸丕貨 賰丕賳鬲 賴匕賴 丕賱乇賾睾亘丞購 賲禺賮賷賾丞 廿賱賶 兀賳賿 氐乇禺賻 鬲賷賮丕賱賷賳賵爻 賯丕卅賽賱丕賸: 賲購乇賳賷 兀賳 兀丨乇賯賻 乇賵賲丕 賲賳 兀噩賱 兀賳賿 鬲賰鬲亘賻 賮賷 丕賱丨乇賷賯 賯氐賷丿丞賸 鬲賱賷賯購 亘賲賯丕賲賽 賮賳賾賰 賵爻鬲噩丿賴丕 賮賷 爻丕毓丕鬲賺 賯丿 鬲丨賵賾賱鬲賿 廿賱賶 乇賲丕丿賺.
馗賱賾鬲賿 乇睾亘丞 丕賱賯賷氐乇 賲賰鬲賵賲丞賸 廿賱賶 兀賳 噩丕亍 丕賱賷賵賲賽 丕賱賾匕賷 丕丨鬲乇賯鬲賿 賮賷賴 乇賵賲丕貙 賵亘丿丕 兀賳賾 丕賱丨乇賷賯賻 賲購丿亘賾乇 賲賳 禺賱丕賱 廿賱賯丕亍 亘毓囟賽 噩賳賵丿 賮賷丕賱賯 鬲賷賮丕賱賵賳賷爻 丕賱卮賾毓賱 丕賱賲賱鬲賴亘丞 毓賱賶 丕賱兀亘賳賷丞貙 賵賲賻賳賿毓 丕賱賳賾丕爻賽 賲賳 廿胤賮丕亍 丕賱丨乇賷賯貙 賵鬲賴丿賷丿賴賲 賱賴賲 亘丕賱賯鬲賱 廿匕丕 賲丕 兀胤賮丐賵賴... 亘丿兀 丕賱丨乇賷賯 亘丕賱爻賷乇賰 賵丕賳鬲卮乇 亘毓丿賻 匕賱賰 賮賷 兀乇噩丕亍賽 乇賵賲丕貙 賵賯丿 賯丿賾賲賴 丕賱賰丕鬲亘 亘兀爻賱賵亘 賲購丿賴賽卮 乇亘賾賲丕 賷鬲賮賵賾賯 毓賱賶 丕賱丨賯賷賯丞賽 賳賮爻賽賴丕!!
丕鬲購賾賴賽賲賻 丕賱賲爻賷丨賷賾賵賳 賲亘丕卮乇丞賸 亘兀賳賾賴賲 賴賲 賲賻賳賿 賯丕賲賵丕 亘廿丨乇丕賯 乇賵賲丕貙 賵賲賳 賯亘賱購 賰丕賳賵丕 賯丿賽 丕鬲購賾賴賽賲賵丕 亘兀賳賾賴賲 賷賯鬲賱賵賳 丕賱兀胤賮丕賱 賵賷卮乇亘賵賳 賲賳 丿賲丕卅賴賲貙 賵賷爻賲賾賲賵賳 丕賱賲賷丕賴貙 賵賷毓賷孬賵賳 賮賷 丕賱兀乇囟賽 賮爻丕丿賸丕... 賵亘丿兀 丕賱毓賯丕亘 丕賱賯賷氐乇賷賾 丕賱賲購乇毓賽亘 賱賱賲爻丨賷賾賷賳 亘卮賰賱賺 賱丕 賷購氐丿賻賾賯... 兀購胤賱賽賯鬲賽 丕賱兀爻賵丿 賵丕賱賵丨賵卮 賱賳賴卮賽 賱丨賵賲賽 丕賱賲爻賷丨賷賾賷賳 丕賱賾匕賷賳 賰丕賳賳賵丕 賷乇賲毓賵賳 賮賷 賴賷卅丕鬲 丕爻鬲賽爻賱丕賲賷賾丞 賵賷乇賮毓賵賳 兀賷丿賷賴賲 廿賱賶 丕賱爻賾賲丕亍 賵賷賴鬲賮賵賳 亘丕爻賲 丕賱賲爻賷丨... 兀賲賾丕 丕賱毓賽賯丕亘 丕賱賾匕賷 亘丿丕 兀賳賾賴 賱賷爻賻 亘卮乇賷賸賾丕貙 賮賰丕賳 廿囟丕亍賻丞 丨丿賷賯丞 丕賱賯賷氐賻乇 賲賳 禺賱丕賱 廿賯丕賲丞 丌賱丕賮 丕賱兀毓賲丿丞 丕賱禺卮亘賷匕丞 賲胤賱賷賾丞 亘丕賱賯賻胤賽乇丕賳 賵氐賻賱賿亘賽 丕賱賲爻賷丨賷賾賷賳 賮賵賯賴丕 賵廿囟乇賻丕賲 丕賱賳賾賷乇丕賳 賮賷賴丕貙 賰丕賳賻 兀賰孬乇購 賴匕賴 丕賱賲賵丕賯賮 亘購賰丕卅賷賾丞 賴賵 賲卮賴賻丿 丨賻乇賿賯賽 丕賱胤賾亘賷亘 賰賱丕賵爻賷賵爻 丕賱匕賷 卮丕賴丿賴 卮賷賱賵賳貨 卮賷賱賵賳 丕賱匕賷 賰丕賳 亘賵卮丕賷鬲賴 爻亘亘 毓匕丕亘丕鬲 丕賱賲爻賷丨賷賾賷賳 賴匕賴: "噩丕亍鬲賴 賳馗乇丞賹 賲賳 丕賱胤賾亘賷亘 賰賱丕賵爻賷賵爻 賮賵賯賻 丕賱賯丕卅賲 丕賱賲購卮鬲毓賱. 賲丕 夭丕賱 丨賻賷賸賾丕. 兀丨賳賻賶 賵噩賴賴 丕賱賲購鬲賵噩賽賾毓 賰兀賳賾賲丕 兀乇丕丿賻 兀賳賿 賷購賱賯賽賷 賳賻馗乇丞賸 兀禺賷乇丞賸 毓賱賶 噩賻賱丕賾丿賽賴賽 丕賱賾匕賶 賵賻卮賻賶 亘賴貙 賵賻丨賻乇賻賲賻賴 賲賳 夭賵噩鬲賴 賵兀賵賱丕丿賴貙 賵兀乇爻賱賻 廿賱賷賴 賲賻賳賿 賷睾鬲丕賱賴貙 賵賲賽賳 孬賻賲賻賾 丨賷賳賻 氐賻賮賻丨賵丕 毓賳賴 亘丕爻賲賽 丕賱賲爻賷丨 賱賲 賷賻鬲賻賵丕賳賻 毓賳 鬲爻賱賷賲賴 賱賴丐賱丕亍 丕賱噩賻賱丕賾丿賷賳. 丕賱廿賳爻丕賳 賱賲 賷購賵丕噩賽賴 廿賳爻丕賳賸丕 兀亘丿賸丕 亘賲孬賱賽 賴匕丕 丕賱兀匕賶 丕賱丿賾賲賵賷賾 丕賱兀毓賳賮 賲賳 賳賵毓賴". (丕賱乇賾賵丕賷丞 氐 682). 孬賲賾 丿亘賾 丕賱乇賾毓亘 賮賷 兀賵氐丕賱 卮賷賱賵賳 賲賳 卮賳丕毓丞 賮賽毓賱鬲賴貙 賵賯丿 噩賲賾丿 丕賱匕賾毓乇 丕賱丿賾賲賻 賮賷 毓乇賵賯賴貙 賮賴鬲賮賻 亘氐賵鬲賺 賲購乇毓賽亘: "賰賱丕賵爻賷賵爻 亘丕爻賲 丕賱賲爻賷丨 爻丕賲賽丨賳賷". 鬲丨乇賾賰鬲賿 乇丕爻購 丕賱卮賾賴賷丿 毓賱賶 賳賻丨賵賺 賱丕 賷購賱丕丨賻馗貙 賵氐丿乇鬲賿 賲賳 兀毓賱賶 丕賱賯丕卅賲 毓亘丕乇丞賹 毓賱賶 賴賷卅丞賽 鬲賳賴賷丿丞賺: "爻丕賲賻丨鬲購賰...". 毓賳丿 匕丕賰賻 賱賲 賷鬲賲丕賱賻賰 卮賷賱賵賳 賳賮爻賴 賵氐乇禺賻 賮賷 丕賱噩賲丕賴賷乇 丕賱賲購丨鬲卮丿丞 亘丕賱丌賱丕賮: "賷丕 卮毓亘賻 乇賵賲丕 兀購賯爻賽賲 亘賲賵鬲賷 兀賳賾 賰購賱賻賾 賲賻賳賿 賷購亘丕丿賵賳 賴賳丕 亘乇賷卅賵賳貙 賱兀賳賾 賲賻賳賿 兀丨乇賯賻 丕賱賲丿賷賳丞賻 賴購賵 賴匕丕.. 賵兀卮丕乇賻 亘廿氐亘毓賴 賳丨賵 賳賷乇賵賳". 賵賰丕賳鬲賽 丕賱賮丕噩賽毓丞貙 賵亘丿丕賷丞 丕賱孬賾賵乇丞. 亘毓丿賻賴丕 賯丕賲賻 鬲賷賮丕賱賵賳賷爻 丨賷賳賻 賮卮賱賻 賮賷 廿賯賳丕毓 卮賷賱賵賳 亘爻丨亘賽 丕毓鬲乇丕賮賴... 賯丕賲賻 亘賯胤毓 賱賽爻丕賳賴貙 賵鬲賲夭賷賯賽 噩爻丿賴.
鬲鬲毓乇賾囟 丕賱乇賾賵丕賷丞 賰匕賱賰 賱毓賲賱賷賾丞 氐賻賱賿亘賽 賰購賱賽賾 賲賳 丕賱丨賵丕乇賷賾 (亘胤乇爻) 賵丕賱乇賾爻賵賱 (亘賵賱爻)貙 賵噩毓賱 賲卮賴丿賷賾丞 賯賻鬲賿賱賽賴賲丕 爻乇賷毓丞賸 賱賲 賷購賮氐賾賱 賮賷賴丕 賰賲丕 賮賷 亘賯賷賾丞 丕賱賲卮丕賴丿... 賵賷兀鬲賷 賮賷 丕賱賳賾賴丕賷丞 毓賱賶 賳賴丕賷丞 丕賱賯賷氐乇 丕賱賾匕賷 賷賳亘胤丨 毓賱賶 馗賴乇賴貙賭 賵賷胤賱亘 賲賳賴賲 兀賳 賷丨賮乇賵丕 賯亘乇賴貙 孬購賲賾 賷賯乇賾亘 丕賱禺賳噩乇 賲賳 毓賳賯賴 賱賷胤毓賳賻 賳賮爻賴貙 賱賰賳賾 噩購亘賳賴 賷賲賳毓賴 賲賳 匕賱賰 賵賷噩乇丨 賳賮爻賴 噩乇丨賸丕 亘爻賷胤賸鬲貙 賮賷賯賵賲 兀丨丿購 噩賳賵丿賴 亘丕賱囟賾睾胤 亘賯賵賾丞 毓賱賶 賷丿賴 丕賱賾鬲賷 鬲丨賲賱 丕賱禺賳噩乇 賮賷賳孬毓亘 丕賱丿賾賲 賲賳 毓賳賯賴 賮賵賾丕乇賸丕貙 賵賷囟乇亘購 丕賱賯賷氐乇 丕賱兀乇囟 亘乇噩賱賻賷賴 賱賷購毓賱賽賳賻 毓賳 賲賵鬲賴.
賱賷 亘毓囟 丕賱賲購賱丕丨賻馗丕鬲 毓賱賶 丕賱乇賾賵丕賷丞貙 賲賳賴丕 賲孬賱丕賸 兀賳賾賴 賯丕賱 廿賳賾 亘賵賱爻 賰丕賳 賷丐賲賳 亘廿賱賴 賵丕丨丿賺 兀丨丿賺貙 賱賰賳賾 丕賱丨賯賷賯丞賻 兀賳賾 亘賵賱爻 賴賵 兀賵賾賱 賲賳 乇爻賾禺 毓賯賷丿丞賻 丕賱鬲賾孬賱賷孬 毓賳丿賻 丕賱賲爻丨賷賾賷賳貙 賵兀賵賾賱 賲賻賳賿 賯丕賱 亘賮賰乇丞 丕賱鬲賾噩爻賷丿貙 賮兀馗賴乇賴 亘睾賷乇賽 氐賵乇鬲賴 丕賱賾鬲賷 鬲乇賵賷賴丕 賰鬲亘 丕賱鬲賾丕乇賷禺 丕賱賲爻賷丨賷賾.
毓賱賶 噩丕賳亘賺 丌禺賻乇 兀毓鬲乇賮 亘兀賳賾賴 賱賲 賷賲乇賾 毓賱賷賾 乇賵丕卅賷賾 賵賻氐賾丕賮 亘賯丿乇丞賽 賴匕丕 丕賱乇賾賵丕卅賷賾 丕賱賲購丿賴賽卮貙 廿賳賾 丨乇賮賻賴 賯丕丿賽乇賹 毓賱賶 兀賳賿 賷賰賵賳賻 毓丿爻丞賸 丿賯賷賯丞賸 鬲購馗賴賽乇購 卮丕卮丞賸 賵丕囟賽丨丞 鬲噩毓賱賰賻 鬲毓賷卮購 丕賱賲卮賴丿賻 亘賰丕賲賱 鬲賮丕氐賷賱賴.
亘賯賷 兀賳 兀賯賵賱: 廿賳賾賳賷 丕賳氐丨購 亘賯乇丕亍丞 丕賱乇賾賵丕賷丞貙 賱賽賲賻賳賿 兀乇丕丿賻 兀賳 賷毓乇賮賻 鬲丕乇賷禺 乇賵賲丕 鬲丨鬲 丨購賰賲 賳賷乇賵賳貙 賵鬲丕乇賷禺 丕賱賲爻賷丨賷賾賷賳 賮賷 毓氐乇賴.
賯乇丕亍丞 #兀賷賲賳_丕賱毓鬲賵賲
乇賵丕賷丞 丿賻爻賽賲丞貙 賲賱賷卅丞 亘丕賱兀丨丿丕孬貙 賲購丿賴賽卮丞貙 丨丕乇賯丞貙 賵賯丕丿乇丞 毓賱賶 兀賳 鬲丨鬲賮馗 亘兀賳賮丕爻賽賰賻 丕賱賱丕賴孬丞 賲賳 兀賵賾賱賴丕 廿賱賶 丌禺乇賴丕 毓亘乇賻 乇丨賱丞賺 賲賱賷卅丞賺 亘丕賱賲購睾丕賲乇丕鬲 鬲爻鬲賲乇賾 賲丕 賷賯乇亘 賲賳 800 氐賮丨丞. 氐丕丿乇丞 毓賳 丿丕乇 丕賱賲丿賶 賮賷 亘賷乇賵鬲 賵亘睾丿丕丿 賮賷 胤亘毓鬲賴丕 丕賱兀賵賱賶 毓丕賲 2016賲.
丕賱賲賵囟賵毓 丕賱乇賾卅賷爻 丕賱賾匕賷 丕鬲賾禺匕賴 丕賱賰丕鬲亘 丕賱亘賵賱賵賳賷 卮賳賰賵賮賷鬲卮 賴賵 賯氐賾丞 丕賱丨亘賾 丕賱賾鬲賷 賯丕賲鬲賿 亘賷賳 (賱賷賮賷丕) 丕賱賾鬲賷 鬲噩乇賷 賮賷賴丕 丿賲丕亍 賲賱賰賷賾丞 賵鬲丐賲賳 亘丕賱賲爻賷丨 賵亘賷賳 (賮賷賳賷賰賵爻) 丕賱賯丕卅丿 丕賱乇賾賵賲丕賳賷 丕賱賾匕賷 禺丕囟賻 丨乇賵亘賸丕 毓丿賷丿丞賸 賵丕賳鬲氐乇 賮賷賴丕. 賮賷賳賷賰賵爻 賱賲 賷賰賳賿 賷丐賲賳 亘丕賱賲爻賷丨賷賾丞貙 賵賱賲 賷賰賳賿 賷毓乇賮購 賲賳 丕賱丨亘賾 睾賷乇賻 丕賱噩爻丿貙 賵賱賲 賷毓乇賮 賲賳 丕賱丨賷丕丞賽 睾賷乇賻 丕賱爻賾賷賮 鬲丨賵賾賱 鬲丿乇賷噩賷賾丕 毓亘乇賻 爻賽丨乇 丕賱丨亘賾 賵鬲兀孬賷乇賴 廿賱賶 賲丐賲賳賺 亘丕賱賲爻賷丨 賯丕丿乇賺 毓賱賶 兀賳賿 賷毓賷卮賻 丿賷賳賻賴賲 亘賰賱賾 賲丕 賮賷賴 賲賳 賲丨亘賾丞 賵鬲爻丕賲購丨.
亘鬲乇賵賳賷賵爻 兀丨丿 兀賴賲賾 卮禺氐賷賾丕鬲 丕賱乇賾賵丕賷丞貙 鬲乇亘胤賴 亘賮賷賳賷賰賵爻 毓賱丕賯丞 賯乇丕亘丞貙 賵鬲乇亘胤賴 亘賳賷乇賵賳 (丕賱賯賷氐乇 丕賱乇賾賵賲丕賳賷賾) 毓賱丕賯丞 丨購賰賲貙 廿匕賿 賷購毓丿賾 賴賵 賵(鬲賷賮丕賱賷賳賵爻) 兀賴賲賾 乇賻噩購賱賻賷賳 賮賷 亘賱丕胤賽 丕賱賯賷氐乇. 賷鬲賲賷賾夭 亘鬲乇賵賳賷賵爻 亘兀賳賾賴 丕賱賳賾丕賯丿 丕賱噩賻賲丕賱賷賾 賱兀毓賲丕賱 (賳賷乇賵賳) 賵賰丕賳 毓丕賱賽賲賸丕 亘丕賱兀丿亘 賵丕賱卮賾毓乇 賵丕賱賲賵爻賷賯賶貙 亘丕賱廿囟丕賮丞 廿賱賶 兀賳賾賴 賰丕鬲亘賹 賵賯丕乇卅賹 賷丨乇氐購 毓賱賶 賲鬲丕亘毓丞 丕賱兀毓賲丕賱 丕賱賾鬲賷 鬲氐丿乇 丨丿賷孬賸丕. 兀賲賾丕 (亘鬲乇賵賳賷賵爻) 賮賱賲 賷賰賳賿 賲賳 賲丐賴賾賱賺 賱賴 賷購賰爻賽亘賴 丕賱丨購馗賵丞賻 賱丿賶 (賳賷乇賵賳) 廿賱丕賾 禺賱賮賷賾鬲賴 丕賱毓爻賰乇賷賾丞 廿匕賿 賰丕賳 賯丕卅丿 丕賱丨乇爻 丕賱廿賲亘乇丕胤賵乇賷賾 賱丿賷賴. 賵賰孬賷乇賸丕 賲丕 賰丕賳鬲賿 鬲賳卮兀 丕賱賲賳丕賮爻丞 亘賷賳 丕賱丕孬賳賻賷賳 毓賱賶 賯賱亘 丕賱賯賷氐賻乇. 賰丕賳賻 鬲賷賮丕賱賷賳賵爻 賷購毓賵賾囟 賯賱賾丞 孬賯丕賮鬲賴 亘賯賵賾鬲賴 丕賱毓爻賰乇賷賾丞 亘鬲賴丿賷丿賴 亘丕賱亘胤卮 亘賰賱賾 賲毓丕乇囟賷 丕賱賯賷氐乇貙 亘丕賱廿囟丕賮丞 廿賱賶 亘匕禺賴 賮賷 廿賯丕賲丞 丕賱賲丌丿亘 賱丕爻鬲賲丕賱丞 丕賱賯賷氐乇 賵丨丕卮賷鬲賴.
賰丕賳 (賳賷乇賵賳) 賰賲丕 賰卮賮鬲賽 丕賱乇賾賵丕賷丞 賮賷 賲賵丕囟毓 賰孬賷乇丞 卮丕毓乇賸丕 賮丕卮賽賱丕賸锟斤拷 賵賲賲孬賾賱丕賸 賲爻乇丨賷賸賾丕 亘丕卅爻賸丕貙 賵毓丕夭賽賮賸丕 賲賸囟噩賽乇賸丕... 賵賰丕賳 亘鬲乇賵賳賷賵爻 賷購賳丕賮賽賯 賱賴 兀丨賷丕賳賸丕 賲毓 丕爻鬲賽禺丿丕賲賴 亘毓囟 丕賱囟賾乇亘丕鬲 丕賱賳賾賯丿賷賾丞 丕賱賲購賵噩賽毓丞 賱賰鬲丕亘丕鬲賴 賱賰賷 賷兀賲賳 卮乇賾賴 賲乇賾丞貙 賵賱賰賷 賷丨賯賾賯 賲賳賮毓丞 賱賴 賵賱賯乇賷亘賴 賮賷賳賷賰賵爻 賮賷賲丕 賷禺氐賾 丨亘賷亘丞賻 丕賱兀禺賷乇 賵賴賷 (賱賷賮賷丕).
賰卮賮鬲 丕賱乇賾賵丕賷丞 兀賷囟賸丕 賲丿賶 丕賱乇賾賵丨 丕賱廿噩乇丕賲賷賾丞 丕賱賲購乇毓賽亘丞 丕賱賾鬲賷 賷鬲賲鬲賾毓 亘賴丕 (賳賷乇賵賳)貙 賰丕賳 賴匕丕 丕賱胤賾丕睾賷丞 賯丕丿乇賸丕 毓賱賶 丕賱賯鬲賱 賵丕賱氐賾賱亘 賵丕賱匕賾亘丨 賵丕賱丨賻乇賯 亘兀毓氐丕亘賺 亘丕乇丿丞賺貙 賵毓丕夭賽賲賸丕 鈥� 賮賷 賳賴丕賷丞 丕賱乇賾賵丕賷丞 鈥� 毓賱賶 廿氐丿丕乇 丨購賰賲 亘廿毓丿丕賲 賰賱賾 賲爻賷丨賷賾 賮賷 乇賵賲丕貙 賵賮鬲丨 丕賱賲丿乇賾噩丕鬲 賵丕賱廿爻鬲丕丿賷賵賲 賱賰賷 鬲賳賴卮賻 丕賱賵丨賵卮購 賱丨賵賲賴賲貙 賵鬲賻睾賽賱賻 賮賷 丿賲丕卅賴賲!!
(賱賷賮賷丕) 丕賱賾鬲賷 丕爻鬲賯乇賾鬲賿 毓賳丿賻 毓丕卅賱丞 兀賵賱賵爻 賵亘賵賲亘賷賳丕貙 廿匕 賰丕賳 丕賱兀賵賾賱 賯丕卅丿賸丕 丨乇亘賷賸賾丕 毓噩賵夭賸丕 丕爻鬲賯乇賾鬲賿 毓賳丿賴 賱賷賮賷丕 亘毓丿賻 鬲賯丕毓丿賴 賲賳 丕賱丨乇亘貙 賵賰丕賳鬲賿 賱賷賮賷丕 乇賴賷賳丞賸 賲賳丨賴丕 賱賴 丕賱賯賷氐乇 賳賮爻賴貙賭 賵乇丌賴丕 毓賳丿賴 (賮賷賳賷賰賵爻) 賮兀丨亘賾賴丕貙 賵匕丕亘賻 亘賴丕 賴購賷丕賲賸丕貙 賵賴賷 亘丿乇賵賴丕 賵賴賷 賱賲 鬲亘賱睾 丕賱禺丕賲爻丞賻 毓卮乇丞賻 乇亘賾賲丕 賲賳 毓賲乇賴丕 賯丿 賵賯毓鬲賿 賮賷 睾乇丕賲 賴匕丕 丕賱亘胤賱 丕賱禺丕乇賯 (賮賷賳賷賰賵爻)貙 賵廿賳賿 賰丕賳賻 丨購亘賸賾丕 胤丕賴賽乇賸丕 賲丨賰賵賲賸丕 亘賯賵丕毓丿 丕賱賲爻賷丨賷賾丞 丕賱胤丕賴乇丞 賱丕 亘賯賵丕毓丿 丕賱乇賾賵賲丕賳 丕賱賮丕噩乇丞!!
爻賻毓賻賶 (賮賷賳賷賰賵爻) 廿賱賶 丕賱賮賵夭 亘賱賷賮賷丕 賰賲丨馗賷賾丞 賲賳 賲丨馗賷賾丕鬲賴 賱兀賳賾賴 賯丿 兀丨亘賾 噩爻丿賴丕 丕賱噩賲賷賱 丕賱乇賾丕卅毓貙 兀賲賾丕 賴賷 賮馗賳賾鬲賿 兀賳賾賴 賷乇賷丿賴丕 夭賵噩丞賸貙 賵賱賲賾丕 丕賰鬲卮賮鬲賿 賳賵丕賷丕賴 丕賱匕賾卅亘賷賾丞 賮賷 兀賵賾賱 賲兀丿亘丞賺 鬲丨囟乇賴丕 賲毓 賮賷賳賷賰賵爻 賵亘鬲乇賵賳賷賵爻 賮賷 賯氐乇 丕賱賯賷氐乇.
丕賱賰丕鬲亘 賮賷 丕賱丨賯賷賯丞 兀亘丿毓 賮賷 賵氐賮 丕賱賲噩賵賳 丕賱匕賷 鬲禺賱賾賱 賴匕賴 丕賱賲兀丿亘丞 丕賱賯賷氐乇賷賾丞貙 賵丕賱賲丌丿亘 丕賱賱丕賾丨賯丞. 賮賷 丕賱賱賾丨馗丞賽 丕賱鬲賷 賰丕賳賻 (賮賷賳賷賰賵爻) 丕賱孬賻賾賲賽賱 賲賳 丕賱卮賾乇丕亘 賷賲賷賱 鈥� 賵賴賵 丕賱噩丕賱爻 亘噩丕賳亘 賱賷賮賷丕 鈥� 毓賱賷賴丕 賱賷賳丕賱 賲賳賴丕 賯亘賱丞賸貙 賮夭毓鬲賿 賲賳賴 亘亘乇丕亍鬲賴丕 賵賰乇賴鬲賿賴 亘毓丿賻 兀賳賿 丿禺賱賻 賯賱亘賻賴丕 亘乇賵賲丕賳爻賷賾鬲賴 賮賷 丨丿賷賯丞 兀賵賱賵爻 (兀亘賷賴丕 亘丕賱鬲賾亘賳賾賷) 丨賷賳賻 夭丕乇賴丕 賴賳丕賰. 囟賻睾賻胤 亘爻丕毓丿賷賴 丕賱賯賵賾賷鬲賷賳 毓賱賷賴丕貙 賱賰賳賾賴 鬲賮丕噩兀 亘兀賳賾 毓賽賲賱丕賯賸丕 賷賮賵賯賴 賯賵賾丞 賵賯丿丞賸 賵賴賵 (兀乇爻賵爻) 賷賳鬲夭毓賴丕 賲賳 亘賷賳 賷丿賻賷賴貙 賵賷禺乇噩 亘賴丕 賲賳 丕賱賲兀丿亘丞貙 賵賷禺鬲賮賷 賴賵 賵廿賷賾丕賴丕.
毓乇賮賻 (賮賷賳賷賰賵爻) 賲賳 禺賱丕賱 丕賱丨賵丕乇丕鬲 丕賱爻賾丕亘賽賯丞 兀賳賾 兀賵賱賵爻 賵亘賵賲亘賷賳賷丕 賵丕亘賳鬲賴賲丕 賱賷賮賷丕 賵卮賯賷賯賴丕 兀賵賱賵爻 丕賱氐賾睾賷乇 賴賲 賲賳 丕賱賲爻賷丨賷賾賷賳 丕賱匕賷賳 賷丐賲賳賵賳 亘丕賱廿賱賴 丕賱兀賵丨丿 賰賱賾賷賾 丕賱賯購丿乇丞. 賵亘丿兀鬲賿 賲賳 賴賳丕賰 乇丨賱丞 丕賱亘丨孬 毓賳 賱賷賮賷丕貨 丨賷孬購 氐賲賾賲 賱睾囟亘賴 丕賱卮賾丿賷丿 賲賳 丕賱賲賵賯賮 丕賱賾匕賷 鬲噩乇兀 賮賷賴 毓亘丿賹 賲噩賴賵賱 賵賴賵 (兀乇爻賵爻) 毓賱賷賴貨 氐賲賾賲 兀賳 賷購毓賷丿賴丕 賵賷賳丕賱賻 噩爻丿賴丕貙 賵賷噩賱丿賴丕貙 賵賷購毓匕賾亘賴丕.
丕爻鬲毓丕賳賻 賮賷 丕賱亘丨孬 毓賳賴丕 亘乇噩賱賺 賷丿賾毓賷 丕賱賮賱爻賮丞 丕爻賲賴 (卮賷賱賵賳)貙 丕爻鬲胤丕毓 兀賳 賷丿賱賾賴 賴賵 賵亘鬲乇賵賳賷賵爻 毓賱賶 賲賰丕賳 丕禺鬲亘丕卅賴丕 賲毓 兀乇爻賵爻 賵賰賱丕賵爻賷賵爻 (丕賱胤亘賷亘) 賵丌禺乇賷賳. 賵賷爻賵賯 丕賱賰丕鬲亘 賲卮賴丿賷賾丞 丕賱馗賾賴賵乇 丕賱兀賵賾賱 賱賱丨賵丕乇賷賾 (亘胤乇爻) 兀賵 (爻賲毓丕賳 亘胤乇爻) 鬲賱賲賷匕 丕賱賲爻賷丨貙 賵丕賱氐賾賷賾丕丿 丕賱賾匕賷 賯丕賱 賱賴 丕賱賲爻賷丨 丨賷賳賻 丕賱鬲賯丕賴 兀賵賾賱 賲乇賾丞貙 鬲毓丕賱 賲毓賷 賵爻鬲氐賷丿購 賯賱賵亘賻 丕賱賳賾丕爻賽 亘丿賱丕賸 賲賳 丕賱爻賾賲賰: "16賵賻賮賽賷賲賻丕 賴購賵賻 賷賻賲賿卮賽賷 毓賽賳賿丿賻 亘賻丨賿乇賽 丕賱賿噩賻賱賽賷賱賽 兀賻亘賿氐賻乇賻 爻賽賲賿毓賻丕賳賻 賵賻兀賻賳賿丿賻乇賻丕賵購爻賻 兀賻禺賻丕賴購 賷購賱賿賯賽賷賻丕賳賽 卮賻亘賻賰賻丞賸 賮賽賷 丕賱賿亘賻丨賿乇賽貙 賮賻廿賽賳賻賾賴購賲賻丕 賰賻丕賳賻丕 氐賻賷賻賾丕丿賻賷賿賳賽. 17賮賻賯賻丕賱賻 賱賻賴購賲賻丕 賷賻爻購賵毓購:芦賴賻賱購賲賻賾 賵賻乇賻丕卅賽賷 賮賻兀賻噩賿毓賻賱購賰購賲賻丕 鬲賻氐賽賷乇賻丕賳賽 氐賻賷賻賾丕丿賻賷賽 丕賱賳賻賾丕爻賽禄. (賲乇賯爻: 1 : 16-17) 廿匕 馗賴乇 兀賵賾賱 賲乇賾丞 賮賷 賯亘賵賺 鬲丨鬲 賲賯亘乇丞賺 賮賷 兀胤乇丕賮 乇賵賲丕貙 鬲噩賲賾毓 丨賵賱賴 丕賱賲爻賷丨賷賾賵賳 賵賰丕賳賵丕 亘兀毓丿丕丿賺 賴丕卅賱丞貙 賰丕賳賵丕 賷丿禺賱賵賳 賲賳 亘賵賾丕亘丞 丕賱賲賯亘乇丞 亘亘胤丕賯丕鬲 丿禺賵賱 禺丕氐賾丞貙 賵賷氐胤賮賾賵賳 賮賷 氐賮賵賮 賲賳鬲馗賲丞 賵丕賱賲卮丕毓賱 賮賷 兀賷丿賷賴賲 賵爻胤賻 馗賱丕賲賺 賰孬賷賮賺 賱賲 鬲購亘丿賾丿 丕賱賲卮丕毓賱 賰丕賲賱 馗購賱賲鬲賴貙 賵賰丕賳賻 賲賽賲賾丕 賵毓馗賴賲 亘賴: "兀賵氐丕賴賲 亘丕賱丕亘鬲賽毓丕丿 毓賳 丕賱廿爻乇丕賮 賵丕賱賲購鬲賻毓貙 賵亘賲丨亘賾丞 丕賱賮賯乇貙 賵丕賱鬲賽夭丕賲 丕賱賳賾賯丕亍 丕賱禺賱賯賷賾貙 賵丕賱毓丿丕賱丞 賵丕賱胤賾丕毓丞貙 賵丨匕賾乇賴賲 賲賳 丕賱禺賷丕賳丞 賵丕賱睾卮賾 賵丕賱賰匕亘. 賵兀賳賿 賷賰賵賳賻 賰購賱購賾 賲賳賴賲 賯購丿賵丞賸 兀賲丕賲 兀禺賷賴 賵賲賽孬丕賱丕賸 賷購丨鬲賻匕賶...". 丕賱乇賾賵丕賷丞 氐 241.
亘丿兀鬲賽 丕賱賲爻賷丨賷賾丞 鬲賳鬲卮乇 賮賷 乇賵賲丕 丕賳鬲賽卮丕乇賸丕 爻乇賷毓賸丕... 賮賷 兀孬賳丕亍賽 亘丨孬 賮賷賳賷賰賵爻 毓 賱賷賮賷丕 丕爻鬲胤丕毓 兀賳 賷噩丿賴丕 亘賲爻丕毓丿丞 (卮賷賱賵賳) 賵亘賲乇丕賮賯丞 丕賱賲購噩丕賱賽丿 賵丕賱賲購氐丕乇賽毓 丕賱賲卮賴賵乇 (賰乇賵鬲賵賳) 賮賷 兀丨丿 丕賱兀丨賷丕亍 賵丕賱毓賲丕乇丕鬲 丕賱賮賯賷乇丞. 馗賱賾 卮賷賱賵賳 賮賷 丕賱禺丕乇噩 賷囟胤乇亘 賯賱亘購賴 乇毓亘賸丕貙 賰丕賳 賮賷賳賷賰賵爻 賲鬲兀賰賾丿賸丕 賲賳 兀賳賾 毓賲賱賷賾丞 丕禺鬲賽胤丕賮 賱賷賮賷丕 毓賲賱賷賾丞 爻賴賱丞貙 賵禺丕氐賾丞 兀賳賾賴 兀丨囟乇 兀丨丿 兀賯賵賶 賲購氐丕乇賽毓賷 乇賵賲丕貙 賵丕賱匕賷 賷爻鬲胤賷毓 兀賳 賷爻丨賯 兀賷賾 賲購氐丕乇賽毓賺 賷賯賮購 兀賲丕賲賴貙 亘丕賱廿囟丕賮丞 廿賱賶 兀賳賾 賮賷賳賷賰賵爻 賳賮爻賴 賲賯丕鬲賱 卮賻乇賽爻賹 賵亘胤賱賹 賯賵賲賷賾 丨賯賾賯 丕賳鬲氐丕乇丕鬲 賰亘賷乇丞... 賱賰賳賾 丕賱賾匕賷 丨丿孬 賴賵 丕賱毓賻賰爻貨 廿匕 丨賷賳賲丕 丿賻禺賻賱丕 廿賱賶 丕賱爻賾丕丨丞 丕賱賾鬲賷 鬲鬲賵夭賾毓 丕賱睾乇賮丞 丕賱賾鬲賷 賷購毓鬲賻賯賻丿 兀賳賾 賱賷賮賷丕 丿丕禺賽賱賴丕 賲賳 丨賵賱賴丕貙 馗賴乇 兀乇爻賵爻 丕賱賾匕賷 兀賳賯匕賴丕 兀賵賾賱 賲乇丞 賲賳 賮賷賳賷賰賵爻 毓賱賶 丕賱賲兀丿亘丞貙 賮鬲氐丿賾賶 賱賴 賰乇賵鬲賵賳 賱賷爻丨賯賴貙 兀賲賾丕 賮賷賳賷賰賵爻 賮賯丿 鬲乇賰賴賲丕 賷鬲氐丕乇毓丕賳 賵賴賵 賱丕 賷卮賰賾 賮賷 兀賳賾 丕賱睾賱亘丞 賱賰乇賵鬲賵賳貙 孬賲賾 賵賱噩 廿賱賶 丕賱睾乇賮丞 丕賱賾鬲賷 鬲兀賵賷 廿賱賷賴丕 賱賷賮賷丕貙 賵丕賳丿賮毓 賳丨賵賴丕 賵丕禺鬲胤賮賴丕貙 賵丨賷賳賻 禺乇噩 廿賱賶 丕賱爻賾丕丨丞 乇兀丞 (賰乇賵鬲賵賳) 賷睾乇賯 賮賷 丿賲丕卅賴 賵賯丿 賯鬲賱賴 兀乇爻賵爻貙 賮丕賲賾丕 乇丌賴 丕賱兀禺賷乇 賵賮賷 賷丿賷賴 賱賷賮賷丕 賴噩賲 毓賱賷賴 賯丕卅賽賱丕賸: "噩丕亍賰賻 丕賱賲賵鬲"貙 賱賰賳賾 賱賷賮賷丕 氐乇禺鬲賿 亘兀乇爻賵爻: "丿賻毓賴貨 賱丕 鬲賯鬲賱賴"貨 賮鬲乇賰賴 亘毓丿 兀賳賿 兀丨丿孬賻 賰爻賿乇賸丕 賮賷 匕乇丕毓賴貙 賵兀氐丕亘賴 亘噩乇賵丨賺 毓賽丿賾丞. 賲賰孬賻 (賮賷賳賷賰賵爻) 賮賷 亘賷鬲賽 賱賷賮賷丕 丕賱亘爻賷胤 賵亘賯賷丞 丕賱賲爻賷丨賷賾賳貙 賵賯丕賲賻 賰賱丕賵爻賵爻 丕賱胤賾亘賷亘 亘毓賱丕噩賴貙 賵噩賱爻鬲賿 (賱賷賷丕) 廿賱賶 噩丕賳亘賴 鬲爻賴乇 毓賱賶 乇丕丨鬲賴貙 賵鬲丿丕賵賷賴貙 賵鬲爻賯賷賴 賲丕 賷賰鬲亘賴 賱賴 丕賱胤賾亘賷亘 賲賳 賵氐賮丕鬲... 賵賲賳 賴賳丕... 亘毓丿賻 兀賳賿 賯丕亘賱鬲賿 (賱賷賮賷丕) 廿爻丕亍丞 賮賷賳賷賰賵爻 廿賱賷賴丕 亘賴匕丕 丕賱廿丨爻丕賳 丕賱卮賾丿賷丿 鬲亘毓賸丕 賱鬲毓丕賱賷賲賴丕 丕賱賲爻賷丨賷賾丞貙 賲賳 賴賳丕 亘丿兀 賷購丨亘賾賴丕 丕賱丨亘賾 丕賱丨賯賷賯賷賾... 丕賱丨亘賾 丕賱賾匕賷 鬲丨賵賾賱 賮賷 丕賱賳賾賴丕賷丞 廿賱賶 丕爻鬲毓丿丕丿賴 亘丕賱鬲賾囟丨賷丞 亘賰賱賾 卮賷亍賺 賲賳 兀噩賱賴丕貨 賵賯丿 賮毓賱.
孬賲賾 鬲鬲賵丕賱賻賶 丕賱兀丨丿丕孬貙 賵賷毓賵丿 丕賱賰丕鬲亘 賱賷購爻賱賾胤賻 丕賱囟賾賵亍 毓賱賶 丨賷丕丞賽 丕賱賯賷氐乇 丕賱賲噩賳賵賳貙 賵賮賷 睾賲乇丞 鬲兀賱賷賮賴 賱賱卮賾毓乇 賵廿賱賯丕卅賴 賱賴貙 鬲賲賳賾賶 兀賳 賷購毓丕賷賽賳賻 亘賳賮爻賴 丨乇賷賯賸丕 賲孬賱 丨乇賷賯 胤乇賵丕丿丞 賱賷毓賷卮賻 丕賱丨丿孬 賵賷賰鬲亘 毓賳賴 亘卮賰賱賺 兀賰孬乇賻 氐賽丿賯賸丕貨 賰丕賳鬲 賴匕賴 丕賱乇賾睾亘丞購 賲禺賮賷賾丞 廿賱賶 兀賳賿 氐乇禺賻 鬲賷賮丕賱賷賳賵爻 賯丕卅賽賱丕賸: 賲購乇賳賷 兀賳 兀丨乇賯賻 乇賵賲丕 賲賳 兀噩賱 兀賳賿 鬲賰鬲亘賻 賮賷 丕賱丨乇賷賯 賯氐賷丿丞賸 鬲賱賷賯購 亘賲賯丕賲賽 賮賳賾賰 賵爻鬲噩丿賴丕 賮賷 爻丕毓丕鬲賺 賯丿 鬲丨賵賾賱鬲賿 廿賱賶 乇賲丕丿賺.
馗賱賾鬲賿 乇睾亘丞 丕賱賯賷氐乇 賲賰鬲賵賲丞賸 廿賱賶 兀賳 噩丕亍 丕賱賷賵賲賽 丕賱賾匕賷 丕丨鬲乇賯鬲賿 賮賷賴 乇賵賲丕貙 賵亘丿丕 兀賳賾 丕賱丨乇賷賯賻 賲購丿亘賾乇 賲賳 禺賱丕賱 廿賱賯丕亍 亘毓囟賽 噩賳賵丿 賮賷丕賱賯 鬲賷賮丕賱賵賳賷爻 丕賱卮賾毓賱 丕賱賲賱鬲賴亘丞 毓賱賶 丕賱兀亘賳賷丞貙 賵賲賻賳賿毓 丕賱賳賾丕爻賽 賲賳 廿胤賮丕亍 丕賱丨乇賷賯貙 賵鬲賴丿賷丿賴賲 賱賴賲 亘丕賱賯鬲賱 廿匕丕 賲丕 兀胤賮丐賵賴... 亘丿兀 丕賱丨乇賷賯 亘丕賱爻賷乇賰 賵丕賳鬲卮乇 亘毓丿賻 匕賱賰 賮賷 兀乇噩丕亍賽 乇賵賲丕貙 賵賯丿 賯丿賾賲賴 丕賱賰丕鬲亘 亘兀爻賱賵亘 賲購丿賴賽卮 乇亘賾賲丕 賷鬲賮賵賾賯 毓賱賶 丕賱丨賯賷賯丞賽 賳賮爻賽賴丕!!
丕鬲購賾賴賽賲賻 丕賱賲爻賷丨賷賾賵賳 賲亘丕卮乇丞賸 亘兀賳賾賴賲 賴賲 賲賻賳賿 賯丕賲賵丕 亘廿丨乇丕賯 乇賵賲丕貙 賵賲賳 賯亘賱購 賰丕賳賵丕 賯丿賽 丕鬲購賾賴賽賲賵丕 亘兀賳賾賴賲 賷賯鬲賱賵賳 丕賱兀胤賮丕賱 賵賷卮乇亘賵賳 賲賳 丿賲丕卅賴賲貙 賵賷爻賲賾賲賵賳 丕賱賲賷丕賴貙 賵賷毓賷孬賵賳 賮賷 丕賱兀乇囟賽 賮爻丕丿賸丕... 賵亘丿兀 丕賱毓賯丕亘 丕賱賯賷氐乇賷賾 丕賱賲購乇毓賽亘 賱賱賲爻丨賷賾賷賳 亘卮賰賱賺 賱丕 賷購氐丿賻賾賯... 兀購胤賱賽賯鬲賽 丕賱兀爻賵丿 賵丕賱賵丨賵卮 賱賳賴卮賽 賱丨賵賲賽 丕賱賲爻賷丨賷賾賷賳 丕賱賾匕賷賳 賰丕賳賳賵丕 賷乇賲毓賵賳 賮賷 賴賷卅丕鬲 丕爻鬲賽爻賱丕賲賷賾丞 賵賷乇賮毓賵賳 兀賷丿賷賴賲 廿賱賶 丕賱爻賾賲丕亍 賵賷賴鬲賮賵賳 亘丕爻賲 丕賱賲爻賷丨... 兀賲賾丕 丕賱毓賽賯丕亘 丕賱賾匕賷 亘丿丕 兀賳賾賴 賱賷爻賻 亘卮乇賷賸賾丕貙 賮賰丕賳 廿囟丕亍賻丞 丨丿賷賯丞 丕賱賯賷氐賻乇 賲賳 禺賱丕賱 廿賯丕賲丞 丌賱丕賮 丕賱兀毓賲丿丞 丕賱禺卮亘賷匕丞 賲胤賱賷賾丞 亘丕賱賯賻胤賽乇丕賳 賵氐賻賱賿亘賽 丕賱賲爻賷丨賷賾賷賳 賮賵賯賴丕 賵廿囟乇賻丕賲 丕賱賳賾賷乇丕賳 賮賷賴丕貙 賰丕賳賻 兀賰孬乇購 賴匕賴 丕賱賲賵丕賯賮 亘購賰丕卅賷賾丞 賴賵 賲卮賴賻丿 丨賻乇賿賯賽 丕賱胤賾亘賷亘 賰賱丕賵爻賷賵爻 丕賱匕賷 卮丕賴丿賴 卮賷賱賵賳貨 卮賷賱賵賳 丕賱匕賷 賰丕賳 亘賵卮丕賷鬲賴 爻亘亘 毓匕丕亘丕鬲 丕賱賲爻賷丨賷賾賷賳 賴匕賴: "噩丕亍鬲賴 賳馗乇丞賹 賲賳 丕賱胤賾亘賷亘 賰賱丕賵爻賷賵爻 賮賵賯賻 丕賱賯丕卅賲 丕賱賲購卮鬲毓賱. 賲丕 夭丕賱 丨賻賷賸賾丕. 兀丨賳賻賶 賵噩賴賴 丕賱賲購鬲賵噩賽賾毓 賰兀賳賾賲丕 兀乇丕丿賻 兀賳賿 賷購賱賯賽賷 賳賻馗乇丞賸 兀禺賷乇丞賸 毓賱賶 噩賻賱丕賾丿賽賴賽 丕賱賾匕賶 賵賻卮賻賶 亘賴貙 賵賻丨賻乇賻賲賻賴 賲賳 夭賵噩鬲賴 賵兀賵賱丕丿賴貙 賵兀乇爻賱賻 廿賱賷賴 賲賻賳賿 賷睾鬲丕賱賴貙 賵賲賽賳 孬賻賲賻賾 丨賷賳賻 氐賻賮賻丨賵丕 毓賳賴 亘丕爻賲賽 丕賱賲爻賷丨 賱賲 賷賻鬲賻賵丕賳賻 毓賳 鬲爻賱賷賲賴 賱賴丐賱丕亍 丕賱噩賻賱丕賾丿賷賳. 丕賱廿賳爻丕賳 賱賲 賷購賵丕噩賽賴 廿賳爻丕賳賸丕 兀亘丿賸丕 亘賲孬賱賽 賴匕丕 丕賱兀匕賶 丕賱丿賾賲賵賷賾 丕賱兀毓賳賮 賲賳 賳賵毓賴". (丕賱乇賾賵丕賷丞 氐 682). 孬賲賾 丿亘賾 丕賱乇賾毓亘 賮賷 兀賵氐丕賱 卮賷賱賵賳 賲賳 卮賳丕毓丞 賮賽毓賱鬲賴貙 賵賯丿 噩賲賾丿 丕賱匕賾毓乇 丕賱丿賾賲賻 賮賷 毓乇賵賯賴貙 賮賴鬲賮賻 亘氐賵鬲賺 賲購乇毓賽亘: "賰賱丕賵爻賷賵爻 亘丕爻賲 丕賱賲爻賷丨 爻丕賲賽丨賳賷". 鬲丨乇賾賰鬲賿 乇丕爻購 丕賱卮賾賴賷丿 毓賱賶 賳賻丨賵賺 賱丕 賷購賱丕丨賻馗貙 賵氐丿乇鬲賿 賲賳 兀毓賱賶 丕賱賯丕卅賲 毓亘丕乇丞賹 毓賱賶 賴賷卅丞賽 鬲賳賴賷丿丞賺: "爻丕賲賻丨鬲購賰...". 毓賳丿 匕丕賰賻 賱賲 賷鬲賲丕賱賻賰 卮賷賱賵賳 賳賮爻賴 賵氐乇禺賻 賮賷 丕賱噩賲丕賴賷乇 丕賱賲購丨鬲卮丿丞 亘丕賱丌賱丕賮: "賷丕 卮毓亘賻 乇賵賲丕 兀購賯爻賽賲 亘賲賵鬲賷 兀賳賾 賰購賱賻賾 賲賻賳賿 賷購亘丕丿賵賳 賴賳丕 亘乇賷卅賵賳貙 賱兀賳賾 賲賻賳賿 兀丨乇賯賻 丕賱賲丿賷賳丞賻 賴購賵 賴匕丕.. 賵兀卮丕乇賻 亘廿氐亘毓賴 賳丨賵 賳賷乇賵賳". 賵賰丕賳鬲賽 丕賱賮丕噩賽毓丞貙 賵亘丿丕賷丞 丕賱孬賾賵乇丞. 亘毓丿賻賴丕 賯丕賲賻 鬲賷賮丕賱賵賳賷爻 丨賷賳賻 賮卮賱賻 賮賷 廿賯賳丕毓 卮賷賱賵賳 亘爻丨亘賽 丕毓鬲乇丕賮賴... 賯丕賲賻 亘賯胤毓 賱賽爻丕賳賴貙 賵鬲賲夭賷賯賽 噩爻丿賴.
鬲鬲毓乇賾囟 丕賱乇賾賵丕賷丞 賰匕賱賰 賱毓賲賱賷賾丞 氐賻賱賿亘賽 賰購賱賽賾 賲賳 丕賱丨賵丕乇賷賾 (亘胤乇爻) 賵丕賱乇賾爻賵賱 (亘賵賱爻)貙 賵噩毓賱 賲卮賴丿賷賾丞 賯賻鬲賿賱賽賴賲丕 爻乇賷毓丞賸 賱賲 賷購賮氐賾賱 賮賷賴丕 賰賲丕 賮賷 亘賯賷賾丞 丕賱賲卮丕賴丿... 賵賷兀鬲賷 賮賷 丕賱賳賾賴丕賷丞 毓賱賶 賳賴丕賷丞 丕賱賯賷氐乇 丕賱賾匕賷 賷賳亘胤丨 毓賱賶 馗賴乇賴貙賭 賵賷胤賱亘 賲賳賴賲 兀賳 賷丨賮乇賵丕 賯亘乇賴貙 孬購賲賾 賷賯乇賾亘 丕賱禺賳噩乇 賲賳 毓賳賯賴 賱賷胤毓賳賻 賳賮爻賴貙 賱賰賳賾 噩購亘賳賴 賷賲賳毓賴 賲賳 匕賱賰 賵賷噩乇丨 賳賮爻賴 噩乇丨賸丕 亘爻賷胤賸鬲貙 賮賷賯賵賲 兀丨丿購 噩賳賵丿賴 亘丕賱囟賾睾胤 亘賯賵賾丞 毓賱賶 賷丿賴 丕賱賾鬲賷 鬲丨賲賱 丕賱禺賳噩乇 賮賷賳孬毓亘 丕賱丿賾賲 賲賳 毓賳賯賴 賮賵賾丕乇賸丕貙 賵賷囟乇亘購 丕賱賯賷氐乇 丕賱兀乇囟 亘乇噩賱賻賷賴 賱賷購毓賱賽賳賻 毓賳 賲賵鬲賴.
賱賷 亘毓囟 丕賱賲購賱丕丨賻馗丕鬲 毓賱賶 丕賱乇賾賵丕賷丞貙 賲賳賴丕 賲孬賱丕賸 兀賳賾賴 賯丕賱 廿賳賾 亘賵賱爻 賰丕賳 賷丐賲賳 亘廿賱賴 賵丕丨丿賺 兀丨丿賺貙 賱賰賳賾 丕賱丨賯賷賯丞賻 兀賳賾 亘賵賱爻 賴賵 兀賵賾賱 賲賳 乇爻賾禺 毓賯賷丿丞賻 丕賱鬲賾孬賱賷孬 毓賳丿賻 丕賱賲爻丨賷賾賷賳貙 賵兀賵賾賱 賲賻賳賿 賯丕賱 亘賮賰乇丞 丕賱鬲賾噩爻賷丿貙 賮兀馗賴乇賴 亘睾賷乇賽 氐賵乇鬲賴 丕賱賾鬲賷 鬲乇賵賷賴丕 賰鬲亘 丕賱鬲賾丕乇賷禺 丕賱賲爻賷丨賷賾.
毓賱賶 噩丕賳亘賺 丌禺賻乇 兀毓鬲乇賮 亘兀賳賾賴 賱賲 賷賲乇賾 毓賱賷賾 乇賵丕卅賷賾 賵賻氐賾丕賮 亘賯丿乇丞賽 賴匕丕 丕賱乇賾賵丕卅賷賾 丕賱賲購丿賴賽卮貙 廿賳賾 丨乇賮賻賴 賯丕丿賽乇賹 毓賱賶 兀賳賿 賷賰賵賳賻 毓丿爻丞賸 丿賯賷賯丞賸 鬲購馗賴賽乇購 卮丕卮丞賸 賵丕囟賽丨丞 鬲噩毓賱賰賻 鬲毓賷卮購 丕賱賲卮賴丿賻 亘賰丕賲賱 鬲賮丕氐賷賱賴.
亘賯賷 兀賳 兀賯賵賱: 廿賳賾賳賷 丕賳氐丨購 亘賯乇丕亍丞 丕賱乇賾賵丕賷丞貙 賱賽賲賻賳賿 兀乇丕丿賻 兀賳 賷毓乇賮賻 鬲丕乇賷禺 乇賵賲丕 鬲丨鬲 丨購賰賲 賳賷乇賵賳貙 賵鬲丕乇賷禺 丕賱賲爻賷丨賷賾賷賳 賮賷 毓氐乇賴.
October 9, 2022
Winner of the Nobel Prize for Literature in 1905, Henryk Sienkiewicz [pronounced as Shen-kay-ay-vich] (1846-1916) is a giant of Polish, and indeed world, letters, best known worldwide for this novel, published in 1896. It had long been a book I considered a must-read, so I was highly pleased when it was picked for a common read in a group I'm in. It proved to be every bit as rewarding as I hoped it would be!
Like Lew Wallace's 1880 novel Ben Hur (which may well have influenced Sienkiewicz, since it was widely translated into European languages), which inaugurated this subset of the genre, Quo Vadis is historical fiction set in biblical times and with New Testament figures among its characters. It is, however, set slightly later than Wallace's novel, primarily in 66 A.D., and centers thematically around an event not actually described in the book of Acts (but well-documented by Roman historians), Nero's bloody persecution of the Christians in Rome. This doesn't actually get under way until about the last third of the book, however; there's a substantial and well-crafted build-up that introduces the characters and delineates the issues at stake.
Historical fiction was the author's characteristic genre. To do it really well, a writer needs to handle the historical setting accurately, in a way that faithfully reflects rather than violates known history, even while spinning a fictional elaboration of it. That usually requires serious research. But beyond this, since the primary object of fiction is to entertain, the writer also needs to create an actual story set in the past which will engage the reader, and which presents the historical details as part of the story rather than as detached lectures dumped in here and there. This book is a stellar example of obviously deep research presented with impeccable accuracy as the perfect backdrop for an involving, immersive tale about people the reader comes to care about greatly. (Or, in some cases, greatly detest.) First-century Rome comes to vivid life here. A number of the characters, including the Apostles Peter and Paul, Nero's freedwoman Acte and his wife Poppea, and especially the cynical aesthete Petronius and the thoroughly mad and ultra-dangerous Nero himself, were real-life historical figures; and they're depicted in three-dimensional portrayals totally consistent with the way in which their contemporaries saw them. But others, and particularly our main characters --Petronius' nephew, the young patrician army officer Vinicius, and Christian convert Lygia, daughter of a far-away barbarian king, and handed over to the Romans by her father years ago as a hostage-- are fictional. These, though, are depicted in no less life-like a fashion than those characters who actually did live. Around these people, the author weaves a plot that's redolent with drama, tension and danger, suspense, and ultimately romance.
But the great fiction of the Western tradition has always been about more than storytelling with those elements, stirring as they can be. It goes beyond this to engage with serious spiritual, moral, social and/or philosophical questions. This novel is no exception. Grounded in and imbued with Sienkiewicz's own Christian faith, it's first and foremost a powerful, gripping depiction of the first-century clash of worldviews between newly-minted Christianity, with its love ethic and its total allegiance to a transcendent God, vs. the ideology of hedonistic self-interest, self-deification and total orientation to the concerns of the material world that underlies the Roman regime and everything it represents in practice 鈥揳 clash that continues to resonate and shape our world some 20 centuries later. These characters may wear togas and travel in litters; but though their material culture doesn't much resemble ours, the questions each of them has to answer or evade are exactly the same ones that confront each of us: what we see as the meaning of life, what we think is the place 鈥搃f any-- of God in our lives, how we intend to treat our fellow humans, what sex means to us, how far we're prepared to ignore our conscience in order to get 鈥渁head鈥� in the world (and how much getting 鈥渁head鈥� in those terms is really worth) and ultimately whether or not we have a faith that we're prepared to die for, perhaps horribly and painfully. Where novels written well over a century ago are concerned, readers often are inclined to ask if they still retain their original relevance. Ironically, this one has only become more relevant in the years since it was published. Average Euro-American readers in 1896, or even in the world of my childhood and tween years, might have naively imagined that the clash of worldviews was settled and that they were living in a 鈥淐hristian鈥� society, might even have been smug and complacent about designating themselves as 鈥淐hristians鈥� on that basis, and certainly didn't imagine that it would ever be a possibility that they could be killed for their faith by their own government. As the intervening decades have stripped away the entire veneer of superficial 鈥淐hristian鈥� rhetoric and the vestigal influence of Christian morality from the secular society, and the latter has been revealed as essentially still pagan Rome in its mentality but now endowed with WMDs and the Internet, it's become a whole lot easier to identify with the Christian characters here, and to recognize their conflict here as our own.
While the characters here are life-like, they're not always likable, and that can true of major ones. Several of them are dynamic rather than static, but that doesn't mean the direction is always positive; and the point they're starting from may be pretty grungy. But this is a novel that takes seriously the moral and spiritual power of Christian conversion, and of forgiveness (Divine and human). The descriptions (which are drawn from contemporary accounts) of gladiatorial combats in the arena, and of the executions by torture of Christian men, women, and children are extensive, prominent, and not for the squeamish. The author doesn't make these any more graphic than he has to make you aware of the full horror of what happened 鈥�-but he does make you aware, so potential readers had better be warned. As a staunchly Roman Catholic writer, Sienkiewicz occasionally projects distinctly Catholic ideas back into the first century, but that's really not a very prominent feature here; essentially, his portrayal of Rome's Christian community is pretty consistent with the picture of Christianity painted in the New Testament. This is, IMO, a novel that Christian readers of all denominations can appreciate.
I read this in the 1955 Great Illustrated Classics printing by Dodd, Mead and Co., which uses the first English translation, done by Jeremiah Curtin soon after the Polish publication. Curtin's prose is dignified and serious, but highly readable. This edition has a spoiler-free short (three pages) Introduction by an Allen Klots Jr., which is basically just a short biography of the author. It has 16 black-and-white (actually sort of sepia-tinted) illustrations, which vary in provenance and quality.
Like Lew Wallace's 1880 novel Ben Hur (which may well have influenced Sienkiewicz, since it was widely translated into European languages), which inaugurated this subset of the genre, Quo Vadis is historical fiction set in biblical times and with New Testament figures among its characters. It is, however, set slightly later than Wallace's novel, primarily in 66 A.D., and centers thematically around an event not actually described in the book of Acts (but well-documented by Roman historians), Nero's bloody persecution of the Christians in Rome. This doesn't actually get under way until about the last third of the book, however; there's a substantial and well-crafted build-up that introduces the characters and delineates the issues at stake.
Historical fiction was the author's characteristic genre. To do it really well, a writer needs to handle the historical setting accurately, in a way that faithfully reflects rather than violates known history, even while spinning a fictional elaboration of it. That usually requires serious research. But beyond this, since the primary object of fiction is to entertain, the writer also needs to create an actual story set in the past which will engage the reader, and which presents the historical details as part of the story rather than as detached lectures dumped in here and there. This book is a stellar example of obviously deep research presented with impeccable accuracy as the perfect backdrop for an involving, immersive tale about people the reader comes to care about greatly. (Or, in some cases, greatly detest.) First-century Rome comes to vivid life here. A number of the characters, including the Apostles Peter and Paul, Nero's freedwoman Acte and his wife Poppea, and especially the cynical aesthete Petronius and the thoroughly mad and ultra-dangerous Nero himself, were real-life historical figures; and they're depicted in three-dimensional portrayals totally consistent with the way in which their contemporaries saw them. But others, and particularly our main characters --Petronius' nephew, the young patrician army officer Vinicius, and Christian convert Lygia, daughter of a far-away barbarian king, and handed over to the Romans by her father years ago as a hostage-- are fictional. These, though, are depicted in no less life-like a fashion than those characters who actually did live. Around these people, the author weaves a plot that's redolent with drama, tension and danger, suspense, and ultimately romance.
But the great fiction of the Western tradition has always been about more than storytelling with those elements, stirring as they can be. It goes beyond this to engage with serious spiritual, moral, social and/or philosophical questions. This novel is no exception. Grounded in and imbued with Sienkiewicz's own Christian faith, it's first and foremost a powerful, gripping depiction of the first-century clash of worldviews between newly-minted Christianity, with its love ethic and its total allegiance to a transcendent God, vs. the ideology of hedonistic self-interest, self-deification and total orientation to the concerns of the material world that underlies the Roman regime and everything it represents in practice 鈥揳 clash that continues to resonate and shape our world some 20 centuries later. These characters may wear togas and travel in litters; but though their material culture doesn't much resemble ours, the questions each of them has to answer or evade are exactly the same ones that confront each of us: what we see as the meaning of life, what we think is the place 鈥搃f any-- of God in our lives, how we intend to treat our fellow humans, what sex means to us, how far we're prepared to ignore our conscience in order to get 鈥渁head鈥� in the world (and how much getting 鈥渁head鈥� in those terms is really worth) and ultimately whether or not we have a faith that we're prepared to die for, perhaps horribly and painfully. Where novels written well over a century ago are concerned, readers often are inclined to ask if they still retain their original relevance. Ironically, this one has only become more relevant in the years since it was published. Average Euro-American readers in 1896, or even in the world of my childhood and tween years, might have naively imagined that the clash of worldviews was settled and that they were living in a 鈥淐hristian鈥� society, might even have been smug and complacent about designating themselves as 鈥淐hristians鈥� on that basis, and certainly didn't imagine that it would ever be a possibility that they could be killed for their faith by their own government. As the intervening decades have stripped away the entire veneer of superficial 鈥淐hristian鈥� rhetoric and the vestigal influence of Christian morality from the secular society, and the latter has been revealed as essentially still pagan Rome in its mentality but now endowed with WMDs and the Internet, it's become a whole lot easier to identify with the Christian characters here, and to recognize their conflict here as our own.
While the characters here are life-like, they're not always likable, and that can true of major ones. Several of them are dynamic rather than static, but that doesn't mean the direction is always positive; and the point they're starting from may be pretty grungy. But this is a novel that takes seriously the moral and spiritual power of Christian conversion, and of forgiveness (Divine and human). The descriptions (which are drawn from contemporary accounts) of gladiatorial combats in the arena, and of the executions by torture of Christian men, women, and children are extensive, prominent, and not for the squeamish. The author doesn't make these any more graphic than he has to make you aware of the full horror of what happened 鈥�-but he does make you aware, so potential readers had better be warned. As a staunchly Roman Catholic writer, Sienkiewicz occasionally projects distinctly Catholic ideas back into the first century, but that's really not a very prominent feature here; essentially, his portrayal of Rome's Christian community is pretty consistent with the picture of Christianity painted in the New Testament. This is, IMO, a novel that Christian readers of all denominations can appreciate.
I read this in the 1955 Great Illustrated Classics printing by Dodd, Mead and Co., which uses the first English translation, done by Jeremiah Curtin soon after the Polish publication. Curtin's prose is dignified and serious, but highly readable. This edition has a spoiler-free short (three pages) Introduction by an Allen Klots Jr., which is basically just a short biography of the author. It has 16 black-and-white (actually sort of sepia-tinted) illustrations, which vary in provenance and quality.
June 17, 2023
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丕诏乇 亘禺賵丕賴賲 亘賴 氐賵乇鬲 禺賱丕氐賴 亘賴 丿丕爻鬲丕賳 讴鬲丕亘 鬲賳賴鈥屫й� 亘夭賳賲 亘丕蹖丿 毓丕乇囟 卮賵賲 讴賴 芦讴噩丕 賲蹖鈥屫辟堐屫熉回� 乇賵丕蹖鬲诏乇 毓卮賯蹖 丕賳爻丕賳鈥屫池ж� 賵 乇賵卮賳诏乇 亘蹖賳 爻乇丿丕乇蹖 亘賴 賳丕賲 賲丕乇讴賵爻 賵蹖賳蹖趩蹖賵爻 賵 卮丕賴夭丕丿賴 禺丕賳賲蹖 丕夭 爻乇夭賲蹖賳 賱蹖跇蹖 亘賴 賳丕賲 讴丕賱蹖賳丕爻鬲貙 賵 丿乇 禺賱丕賱 丕蹖賳 噩乇蹖丕賳 丕賵囟丕毓 丕噩鬲賲丕毓蹖 賵 爻蹖丕爻蹖 丨丕讴賲 亘乇 乇賵賲 亘丕爻鬲丕賳 丿乇 夭賲丕賳 丨讴賲乇丕賳蹖 賳乇賵賳 賳蹖夭 亘蹖丕賳 賲蹖鈥屭必�. 乇賵賳丿 鬲睾蹖蹖乇 卮禺氐蹖鬲鈥屬囏� 亘賴 賵丕爻胤賴 毓卮賯 賵 丿乇 賲賵丕乇丿蹖 毓丿賲 鬲睾蹖蹖乇 卮禺氐蹖鬲鈥屬囏� 亘賴 賵丕爻胤賴 丌賳 丕夭 亘賴鬲乇蹖賳 亘禺卮鈥屬囏й� 讴鬲丕亘 亘賵丿 讴賴 賲蹖鈥屫堌з嗁� 亘賴 丌賳 丕卮丕乇賴 讴賳賲.
賱丨馗賴鈥屫й� 讴賴 芦讴噩丕 賲蹖鈥屫辟堐屫熉� 丿乇爻鬲 噩賱賵蹖 趩卮賲丕賳賲 丕夭 蹖讴 讴鬲丕亘 氐乇賮丕 賯丕亘賱鈥屫堌� 亘賴 爻胤丨賽 丨蹖乇鬲鈥屫①堌辟� 賲鬲毓丕賱蹖 丿蹖诏乇蹖 氐毓賵丿 讴乇丿 乇丕 禺賵亘 亘賴 蹖丕丿 賲蹖鈥屫①堌辟呚� 丕蹖賳 賱丨馗賴 讴賴 丕孬乇賽 賳丕卮蹖 丕夭 賱匕鬲賽 讴賵丿讴丕賳賴鈥屰� 賵丕賮乇卮 亘賴鈥屫蹿┵勠� 賳丕夭丿賵丿賳蹖 乇賵蹖 匕賴賳賲 丨讴丕讴蹖 卮丿賴 丕爻鬲貙 賳賴 丿乇 丕賵丕蹖賱 讴鬲丕亘 丕鬲賮丕賯 賲蹖鈥屫з徺佖� 賳賴 丿乇 丕賵丕爻胤 讴鬲丕亘 賵 丨鬲蹖 賳賴 丿乇 丕賵丕禺乇 讴鬲丕亘. 丕蹖賳 賱丨馗賴 丿乇 乇賵夭賴丕蹖 亘毓丿 禺賵丕賳丿賳 讴鬲丕亘 亘乇丕蹖賲 丕鬲賮丕賯 丕賮鬲丕丿貙 賱丨馗賴鈥屫й� 讴賴 丕诏賴 禺賵丕賳丿賳 讴鬲丕亘蹖 胤賵賱丕賳蹖 乇丕 亘賴 亘丕賱丕 乇賮鬲賳 丕夭 亘賱賳丿鬲乇蹖賳 賯賱賴鈥屰� 噩賴丕賳 鬲賵氐蹖賮 讴賳蹖賲貙 賳诏丕賴 讴乇丿賳 丕夭 賳賵讴 賯賱賴 亘賴 倬丕蹖蹖賳 乇丕 丿乇 趩卮賲丕賳賲 蹖丕丿丌賵乇 賲蹖鈥屫促堌� 丌賳噩丕爻鬲 讴賴 毓馗賲鬲 賵丕賯毓蹖 丕孬乇蹖 讴賴 禺賵丕賳丿蹖賲 丿乇 趩卮賲丕賳賲丕賳 丨賯蹖賯鬲 賲蹖鈥屰屫жㄘ�.
賳賵蹖爻賳丿賴 讴鬲丕亘貙 氐乇賮丕賸 鬲夭蹖 鬲禺蹖賱蹖 丕夭 丿賵乇丕賳 丕爻鬲亘丿丕丿 蹖讴蹖 丕夭 賲亘鬲匕賱鈥屫臂屬� 賮乇賲丕賳乇賵丕蹖丕賳 乇賵賲 乇丕 丕乇丕卅賴 賳丿丕丿賴 丕爻鬲貙 爻蹖賳讴蹖賵蹖趩 賯亘賱 丕夭 亘賴 鬲丨乇蹖乇 丿乇 丌賵乇丿賳 讴鬲丕亘 亘賴 氐賵乇鬲 賲賮氐賱蹖 鬲丕乇蹖禺 丕賲倬乇丕胤賵乇蹖 乇賵賲 乇丕 亘賴 賲賳馗賵乇 丕爻鬲禺乇丕噩 賵賯丕蹖毓 丿賯蹖賯 賵 卮禺氐蹖鬲鈥屬囏й� 賵丕賯毓蹖 丌賳 丿賵乇丕賳 賲賵乇丿 賲胤丕賱毓賴 賯乇丕乇 丿丕丿賴 丕爻鬲. 賵 亘賴 亘賴鬲乇蹖賳 卮讴賱 丕夭 賴賲蹖賳 丕胤賱丕毓丕鬲 丿乇 丿丕爻鬲丕賳 禺賵丿 丕爻鬲賮丕丿賴 賲蹖鈥屭┵嗀�.
乇賵丕蹖鬲 讴鬲丕亘 賴賲丕賳诏賵賳賴 讴賴 亘丕蹖丿 亘丕卮丿 丕爻鬲貙 賳賴 丌賳賯丿乇 讴賳丿 丕爻鬲 讴賴 丿蹖賵丕賳賴 卮賵蹖丿 賵 賳賴 丌賳賯丿乇 爻乇蹖毓 丕爻鬲 讴賴 亘丕 禺賵丿 亘诏賵蹖蹖丿: 芦丕賱丕賳 趩賴 夭賴乇賲丕乇蹖 丕鬲賮丕賯 丕賮鬲丕丿!禄貨 爻蹖賳讴蹖賵蹖趩 丕丨鬲賲丕賱丕賸 丕夭 倬蹖乇賵丕賳 賲讴鬲亘 丕爻鬲賮丕丿賴 丕夭 爻乇毓鬲 乇賵丕蹖鬲 賲賳胤賯蹖 丕爻鬲貙 賲爻卅賱賴鈥屫й� 亘賴 賳丕賲 爻乇毓鬲 乇賵丕蹖鬲 爻賱蹖賯賴鈥屫й� 賵噩賵丿 賳丿丕乇丿貙 賳賵蹖爻賳丿賴 讴鬲丕亘 蹖丕 丌賳賯丿乇 賳亘賵睾 丿丕乇丿 讴賴 囟乇亘鈥屫①囐嗂� 讴鬲丕亘 禺賵丿 乇丕 亘賴 诏賵賳賴鈥屫й� 鬲賳馗蹖賲 讴賳丿 讴賴 賲禺丕胤亘 丕夭 禺賵丕賳丿賳 讴鬲丕亘 禺爻鬲賴 賳卮賵丿貙 蹖丕 亘賴 爻丕丿诏蹖 賮丕賯丿 丌賳 丕爻鬲.
丿丕爻鬲丕賳 讴鬲丕亘 亘丕 倬蹖卮鈥屫操呟屬嗁団€屫й� 鬲丕乇蹖禺蹖 丿乇 賲乇讴夭蹖鬲 丕賲倬乇丕胤賵乇蹖 丿蹖賵丕賳賴 賵 夭賵噩蹖 賲噩賳賵賳 噩乇蹖丕賳 丿丕乇丿貨 丕賱亘鬲賴 毓卮賯鈥屫ㄘж槽� 讴鬲丕亘 亘丕 亘毓囟蹖 丕夭 賮讴鬲鈥屬囏й� 鬲丕乇蹖禺蹖 亘賴 卮蹖胤賵賳蹖鈥屬囏й� 賳乇賵賳 禺鬲賲 賳賲蹖鈥屫促堌� 賲爻蹖丨蹖丕賳 賵 趩賳丿蹖 丕夭 丨賵丕乇蹖鈥屬囏й� 賳丕賲鈥屸€屫⒇促嗀� 丿乇 诏賵卮賴 賵 讴賳丕乇 讴鬲丕亘 噩賵賱丕賳 賲蹖鈥屫囐嗀� 賵 乇賵丕蹖鬲蹖 丕夭 丿賵乇丕賳 丕亘鬲丿丕蹖蹖 賲丨亘賵亘蹖鬲 賲爻蹖丨蹖鬲 賵 丕賱亘鬲賴 夭賲丕賳賴 爻禺鬲蹖 讴賴 丿乇 讴卮丕賯賵爻 丕賲倬乇丕胤賵乇蹖 賳乇賵賳 丿丕卮鬲賴鈥屫з嗀� 乇丕 亘賴 禺賵亘蹖 亘賴 賵乇胤賴 賳賲丕蹖卮 賲蹖鈥屭柏ж必�.
氐丨亘鬲 讴乇丿賳 乇丕噩毓 亘賴 讴鬲丕亘 賵 亘蹖乇賵賳 乇蹖禺鬲賳 亘禺卮鈥屬囏й� 賲禺鬲賱賮 丌賳 禺蹖賱蹖 禺賵亘 丕爻鬲 賵賱蹖 賱賵 丿丕丿賳 亘禺卮鈥屬囏й� 賲禺鬲賱賮 丌賳 诏賳丕賴 讴亘蹖乇賴鈥屫й� 亘蹖卮 賳蹖爻鬲貙 亘丕 丕蹖賳讴賴 讴鬲丕亘 賲賵乇丿 賳馗乇 鬲丕乇蹖禺蹖 丕爻鬲 賵賱蹖 賲賳 丕氐賱 乇丕 亘乇 賴賲蹖賳 賲蹖鈥屭柏ж辟� 讴賴 卮賲丕 賳蹖夭 亘賴 賲丕賳賳丿 賲賳 丕夭 禺蹖賱蹖 賵賯丕蹖毓 夭賲丕賳賴 賳乇賵賳 丕胤賱丕毓蹖 賳丿丕乇蹖丿 賵 賱匕鬲 賲囟丕毓賮蹖 丕夭 讴鬲丕亘 禺賵丕賴蹖丿 亘乇丿 賵 賴蹖趩 賲爻卅賱賴鈥屫й� 乇丕 丿賵爻鬲 賳丿丕乇賲 賮丕卮 亘讴賳賲!
氐乇賮丕賸 賴賲蹖賳 賳讴鬲賴 乇丕 亘诏賲 讴賴 卮禺氐蹖鬲 芦倬胤乇賵賳蹖賵爻禄 讴賴 丿乇 讴鬲丕亘 蹖讴蹖 丕夭 毓丕賱蹖鈥屫臂屬� 賲卮丕賵乇丕賳 賳乇賵賳 賵 毓賲賵蹖 賲丕乇讴賵爻貙 蹖讴蹖 丕夭 卮禺氐蹖鬲鈥屬囏й� 丕氐賱蹖 讴鬲丕亘 丕爻鬲 乇丕 趩賴丕乇 趩卮賲蹖 亘賳诏乇蹖丿 賵 丿乇爻 夭賳丿诏蹖 亘诏蹖乇蹖丿. 賴賲趩蹖賳 卮禺氐蹖鬲鈥屬囏й屰� 賴爻鬲賳丿 讴賴 賲乇丕 亘賴 丿乇賳賵乇丿蹖丿賳賽 賲丨丿賵丿蹖鬲鈥屬囏й� 丿爻鬲鈥屬堚€屬矩и屫� 丿賳蹖丕蹖 賵丕賯毓蹖 亘乇丕蹖 丕亘乇丕夭賽 賯賵賴鈥屰� 禺蹖丕賱鈥屬矩必ж槽屸€屸€屫з� 丿乇 丕睾乇丕賯鈥屫簇団€屫臂屬� 賵 乇丕賲鈥屬嗀簇団€屫臂屬� 丨丕賱鬲賽 賲賲讴賳 鬲乇睾蹖亘 賲蹖鈥屭┵嗁嗀� 賵 蹖讴蹖 丕夭 丿賱丕蹖賱 丕氐賱蹖 毓卮賯 賵 毓賱丕賯賴鈥屫з� 亘賴 讴鬲丕亘鈥屬囏� 賴爻鬲賳丿.
诏乇趩賴 芦讴噩丕 賲蹖鈥屫辟堐屫熉� 亘賴 禺丕胤乇 乇賵丕蹖鬲賽 賲賳爻噩賲 賵 噩夭蹖蹖鈥屬嗂必з嗁団€屫ж� 爻鬲賵丿賴 賲蹖鈥屫促堌� 丕賲丕 丕蹖賳 丿丕爻鬲丕賳 亘乇 亘賳蹖丕賳 賲丨讴賲蹖 丕夭 卮禺氐蹖鬲鈥屬囏й� 賲鬲賳賵毓 亘賳丕 卮丿賴 丕爻鬲貨 卮禺氐蹖鬲鈥屬囏й屰� 讴賴 讴鬲丕亘 亘丿賵賳 丕蹖賳讴賴 丌賳賴丕 乇丕 亘賴 亘賱賳丿诏賵賴丕蹖蹖 亘乇丕蹖 丕爻鬲賮乇丕睾 讴乇丿賳賽 鬲賲鈥屬囏й� 賮賱爻賮蹖 禺丕賲卮 鬲賳夭賱 亘丿賴丿貙 鬲賲鈥屬囏й屫� 乇丕 亘賴鈥屫坟必� 賳丕賲丨爻賵爻 賵 亘爻蹖丕乇 丕購乇诏丕賳蹖讴蹖 丿乇賵賳 鬲丕乇 賵 倬賵丿賽 讴卮賲讴卮鈥屬囏й� 卮禺氐蹖鬲鈥屬囏й屫� 亘丕賮鬲賴 丕爻鬲. 亘丕 丕蹖賳讴賴 丿丕爻鬲丕賳 讴鬲丕亘 乇賵丕蹖鬲蹖 毓賲賱丕賸 爻丕丿賴 丕爻鬲貙 賲蹖鈥屫堌з嗃屬� 亘丕 讴賳丕乇 夭丿賳 倬賵卮丕賱鈥屬囏й� 丌賳 亘賴 賱丕蹖賴鈥屬囏й� 毓賲蹖賯鈥屫臂� 賳蹖夭 亘乇爻蹖賲 賵 賲賳馗賵乇 賳賵蹖爻賳丿賴 丕夭 賳诏丕乇卮 賴賲趩蹖賳 讴鬲丕亘蹖 乇丕 丿乇 丿乇噩丕鬲 丿乇賵賳蹖鈥屫臂� 亘乇乇爻蹖 讴賳蹖賲.
*卮丕蹖丿 賲賳馗賵乇 讴鬲丕亘 丿乇 賳賴丕蹖鬲 賴賲蹖賳 丕爻鬲 讴賴 賴蹖趩 丿蹖讴鬲丕鬲賵乇蹖 鬲丕 丕亘丿 亘丕賯蹖 賳賲蹖鈥屬呚з嗀€�.
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趩賳丿 賳讴鬲賴 丌禺乇 乇丕噩毓 亘賴 讴鬲丕亘 賴爻鬲 讴賴 亘丕蹖丿 亘诏賵蹖賲 賵诏乇賳賴 賯賱亘賲 丌乇丕賲 賳賲蹖鈥屭屫必� 丿丕爻鬲丕賳鈥屭堐屰屸€� 丕夭 胤乇蹖賯 賳丕賲賴鈥屫池必й屰� 賵 賳丕賲賴鈥屬嗂ж臂� 讴丕乇蹖 賴爻鬲 讴賴 賴賳乇蹖讴 爻蹖賳讴蹖賵蹖趩 丿乇 丌賳 亘賴 讴賲丕賱 乇爻蹖丿賴 丕爻鬲貙 鬲睾蹖蹖乇 夭丕賵蹖賴 丿蹖丿 讴鬲丕亘 賵 乇賵卮賳 讴乇丿賳 夭賵丕蹖丕 賲禺鬲賱賮 丿丕爻鬲丕賳蹖 丕夭 胤乇蹖賯 賳丕賲賴鈥屸€屬嗂ж臂� 卮禺氐蹖鬲鈥屬囏� 亘丕 禺賵丿卮丕賳 丿乇 丿丕賲賳賴 鬲賵倬禺丕賳賴 賲噩賴夭 賳賵蹖爻賳丿賴 趩賳丕賳 賲蹖鈥屫必簇� 讴賴 丕賳诏丕乇 禺賵乇卮蹖丿 丕爻鬲. 賳丕賲賴鈥屬囏й� 讴噩丕 賲蹖鈥屫辟堐� 丕蹖賳賯丿乇 禺賵亘 賴爻鬲賳丿 讴賴 禺賵丿卮丕賳 賲蹖鈥屫堌з嗁嗀� 鬲亘丿蹖賱 亘賴 讴鬲丕亘 噩丿丕诏丕賳賴鈥屫й� 卮賵賳丿 讴賴 丌賳 賴賲 丕丨鬲賲丕賱丕賸 噩丕蹖夭賴 賳賵亘賱 乇丕 亘乇丕蹖 賳賵蹖爻賳丿賴 亘賴 丕乇賲睾丕賳 賲蹖鈥屫①堌必�.
賲賳 芦讴噩丕 賲蹖鈥屫辟堐屫熉� 乇丕 亘賴 鬲乇噩賲賴 禺賵丕賳丿賲貙 鬲乇噩賲賴 賮丕乇爻蹖 丌賳 亘賴 卮讴賱 賮丕禺乇蹖 鬲賵爻胤 丌賯丕蹖 卮賴亘丕夭 丕乇丕卅賴 卮丿賴 亘賵丿貙 丕夭 丌賳噩丕蹖蹖 讴賴 賱賴爻鬲丕賳蹖 亘賱丿 賳蹖爻鬲賲 賵 鬲乇噩賲賴鈥屸€屬囏й� 丕賳诏賱蹖爻蹖 讴鬲丕亘 乇丕 賳蹖夭 趩讴 賳讴乇丿賴鈥屫з� 丕夭 賲蹖夭丕賳 爻丕賳爻賵乇 鬲乇噩賲賴 禺亘乇丿丕乇 賳蹖爻鬲賲貙 賵賱蹖 丕夭 賳馗乇 馗乇丕賮鬲鈥屬囏й� 賲鬲賳蹖貙 賯丕賳賵賳 賵 丿爻鬲賵乇賴丕蹖 夭亘丕賳 賮丕乇爻蹖貙 賵蹖乇丕爻鬲丕乇蹖 氐丨蹖丨 夭亘丕賳蹖 賵 丕丿亘蹖貙 賵 丕爻鬲賮丕丿賴 丕夭 賲毓丕丿賱鈥屬囏й� 賲賳丕爻亘貙 鬲乇噩賲賴 讴鬲丕亘 鬲賯乇蹖亘丕賸 亘蹖鈥屬嗁傌� 丕爻鬲貨 趩乇丕 賲蹖鈥屭堐屬� 鬲賯乇蹖亘丕賸 亘蹖鈥屬嗁傌地� 丿乇 賳爻禺賴 鬲乇噩賲賴鈥屰� 丕賲蹖乇 讴亘蹖乇 讴賴 氐丿 丕賱亘鬲賴 亘爻蹖丕乇 賯丿蹖賲蹖鈥屫� 丕夭 賳爻禺賴 賳卮乇 賲丕賴蹖 丕爻鬲貙 丕夭 趩賳丿 賲毓丕丿賱 毓乇亘蹖 賵 讴丕賲賱丕賸 賲賳爻賵禺 丕爻鬲賮丕丿賴 卮丿賴 讴賴 丕胤賲蹖賳丕賳 亘丕賱丕蹖蹖 丿丕乇賲 讴賴 丿乇 趩丕倬 噩丿蹖丿 丌賳 鬲賵爻胤 賵蹖乇丕爻鬲丕乇丕賳 讴丕乇亘賱丿 賳卮乇 賲丕賴蹖 丕氐賱丕丨 卮丿賴 丕爻鬲.
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賳賵蹖爻賳丿賴 讴鬲丕亘貙 氐乇賮丕賸 鬲夭蹖 鬲禺蹖賱蹖 丕夭 丿賵乇丕賳 丕爻鬲亘丿丕丿 蹖讴蹖 丕夭 賲亘鬲匕賱鈥屫臂屬� 賮乇賲丕賳乇賵丕蹖丕賳 乇賵賲 乇丕 丕乇丕卅賴 賳丿丕丿賴 丕爻鬲貙 爻蹖賳讴蹖賵蹖趩 賯亘賱 丕夭 亘賴 鬲丨乇蹖乇 丿乇 丌賵乇丿賳 讴鬲丕亘 亘賴 氐賵乇鬲 賲賮氐賱蹖 鬲丕乇蹖禺 丕賲倬乇丕胤賵乇蹖 乇賵賲 乇丕 亘賴 賲賳馗賵乇 丕爻鬲禺乇丕噩 賵賯丕蹖毓 丿賯蹖賯 賵 卮禺氐蹖鬲鈥屬囏й� 賵丕賯毓蹖 丌賳 丿賵乇丕賳 賲賵乇丿 賲胤丕賱毓賴 賯乇丕乇 丿丕丿賴 丕爻鬲. 賵 亘賴 亘賴鬲乇蹖賳 卮讴賱 丕夭 賴賲蹖賳 丕胤賱丕毓丕鬲 丿乇 丿丕爻鬲丕賳 禺賵丿 丕爻鬲賮丕丿賴 賲蹖鈥屭┵嗀�.
乇賵丕蹖鬲 讴鬲丕亘 賴賲丕賳诏賵賳賴 讴賴 亘丕蹖丿 亘丕卮丿 丕爻鬲貙 賳賴 丌賳賯丿乇 讴賳丿 丕爻鬲 讴賴 丿蹖賵丕賳賴 卮賵蹖丿 賵 賳賴 丌賳賯丿乇 爻乇蹖毓 丕爻鬲 讴賴 亘丕 禺賵丿 亘诏賵蹖蹖丿: 芦丕賱丕賳 趩賴 夭賴乇賲丕乇蹖 丕鬲賮丕賯 丕賮鬲丕丿!禄貨 爻蹖賳讴蹖賵蹖趩 丕丨鬲賲丕賱丕賸 丕夭 倬蹖乇賵丕賳 賲讴鬲亘 丕爻鬲賮丕丿賴 丕夭 爻乇毓鬲 乇賵丕蹖鬲 賲賳胤賯蹖 丕爻鬲貙 賲爻卅賱賴鈥屫й� 亘賴 賳丕賲 爻乇毓鬲 乇賵丕蹖鬲 爻賱蹖賯賴鈥屫й� 賵噩賵丿 賳丿丕乇丿貙 賳賵蹖爻賳丿賴 讴鬲丕亘 蹖丕 丌賳賯丿乇 賳亘賵睾 丿丕乇丿 讴賴 囟乇亘鈥屫①囐嗂� 讴鬲丕亘 禺賵丿 乇丕 亘賴 诏賵賳賴鈥屫й� 鬲賳馗蹖賲 讴賳丿 讴賴 賲禺丕胤亘 丕夭 禺賵丕賳丿賳 讴鬲丕亘 禺爻鬲賴 賳卮賵丿貙 蹖丕 亘賴 爻丕丿诏蹖 賮丕賯丿 丌賳 丕爻鬲.
丿丕爻鬲丕賳 讴鬲丕亘 亘丕 倬蹖卮鈥屫操呟屬嗁団€屫й� 鬲丕乇蹖禺蹖 丿乇 賲乇讴夭蹖鬲 丕賲倬乇丕胤賵乇蹖 丿蹖賵丕賳賴 賵 夭賵噩蹖 賲噩賳賵賳 噩乇蹖丕賳 丿丕乇丿貨 丕賱亘鬲賴 毓卮賯鈥屫ㄘж槽� 讴鬲丕亘 亘丕 亘毓囟蹖 丕夭 賮讴鬲鈥屬囏й� 鬲丕乇蹖禺蹖 亘賴 卮蹖胤賵賳蹖鈥屬囏й� 賳乇賵賳 禺鬲賲 賳賲蹖鈥屫促堌� 賲爻蹖丨蹖丕賳 賵 趩賳丿蹖 丕夭 丨賵丕乇蹖鈥屬囏й� 賳丕賲鈥屸€屫⒇促嗀� 丿乇 诏賵卮賴 賵 讴賳丕乇 讴鬲丕亘 噩賵賱丕賳 賲蹖鈥屫囐嗀� 賵 乇賵丕蹖鬲蹖 丕夭 丿賵乇丕賳 丕亘鬲丿丕蹖蹖 賲丨亘賵亘蹖鬲 賲爻蹖丨蹖鬲 賵 丕賱亘鬲賴 夭賲丕賳賴 爻禺鬲蹖 讴賴 丿乇 讴卮丕賯賵爻 丕賲倬乇丕胤賵乇蹖 賳乇賵賳 丿丕卮鬲賴鈥屫з嗀� 乇丕 亘賴 禺賵亘蹖 亘賴 賵乇胤賴 賳賲丕蹖卮 賲蹖鈥屭柏ж必�.
氐丨亘鬲 讴乇丿賳 乇丕噩毓 亘賴 讴鬲丕亘 賵 亘蹖乇賵賳 乇蹖禺鬲賳 亘禺卮鈥屬囏й� 賲禺鬲賱賮 丌賳 禺蹖賱蹖 禺賵亘 丕爻鬲 賵賱蹖 賱賵 丿丕丿賳 亘禺卮鈥屬囏й� 賲禺鬲賱賮 丌賳 诏賳丕賴 讴亘蹖乇賴鈥屫й� 亘蹖卮 賳蹖爻鬲貙 亘丕 丕蹖賳讴賴 讴鬲丕亘 賲賵乇丿 賳馗乇 鬲丕乇蹖禺蹖 丕爻鬲 賵賱蹖 賲賳 丕氐賱 乇丕 亘乇 賴賲蹖賳 賲蹖鈥屭柏ж辟� 讴賴 卮賲丕 賳蹖夭 亘賴 賲丕賳賳丿 賲賳 丕夭 禺蹖賱蹖 賵賯丕蹖毓 夭賲丕賳賴 賳乇賵賳 丕胤賱丕毓蹖 賳丿丕乇蹖丿 賵 賱匕鬲 賲囟丕毓賮蹖 丕夭 讴鬲丕亘 禺賵丕賴蹖丿 亘乇丿 賵 賴蹖趩 賲爻卅賱賴鈥屫й� 乇丕 丿賵爻鬲 賳丿丕乇賲 賮丕卮 亘讴賳賲!
氐乇賮丕賸 賴賲蹖賳 賳讴鬲賴 乇丕 亘诏賲 讴賴 卮禺氐蹖鬲 芦倬胤乇賵賳蹖賵爻禄 讴賴 丿乇 讴鬲丕亘 蹖讴蹖 丕夭 毓丕賱蹖鈥屫臂屬� 賲卮丕賵乇丕賳 賳乇賵賳 賵 毓賲賵蹖 賲丕乇讴賵爻貙 蹖讴蹖 丕夭 卮禺氐蹖鬲鈥屬囏й� 丕氐賱蹖 讴鬲丕亘 丕爻鬲 乇丕 趩賴丕乇 趩卮賲蹖 亘賳诏乇蹖丿 賵 丿乇爻 夭賳丿诏蹖 亘诏蹖乇蹖丿. 賴賲趩蹖賳 卮禺氐蹖鬲鈥屬囏й屰� 賴爻鬲賳丿 讴賴 賲乇丕 亘賴 丿乇賳賵乇丿蹖丿賳賽 賲丨丿賵丿蹖鬲鈥屬囏й� 丿爻鬲鈥屬堚€屬矩и屫� 丿賳蹖丕蹖 賵丕賯毓蹖 亘乇丕蹖 丕亘乇丕夭賽 賯賵賴鈥屰� 禺蹖丕賱鈥屬矩必ж槽屸€屸€屫з� 丿乇 丕睾乇丕賯鈥屫簇団€屫臂屬� 賵 乇丕賲鈥屬嗀簇団€屫臂屬� 丨丕賱鬲賽 賲賲讴賳 鬲乇睾蹖亘 賲蹖鈥屭┵嗁嗀� 賵 蹖讴蹖 丕夭 丿賱丕蹖賱 丕氐賱蹖 毓卮賯 賵 毓賱丕賯賴鈥屫з� 亘賴 讴鬲丕亘鈥屬囏� 賴爻鬲賳丿.
诏乇趩賴 芦讴噩丕 賲蹖鈥屫辟堐屫熉� 亘賴 禺丕胤乇 乇賵丕蹖鬲賽 賲賳爻噩賲 賵 噩夭蹖蹖鈥屬嗂必з嗁団€屫ж� 爻鬲賵丿賴 賲蹖鈥屫促堌� 丕賲丕 丕蹖賳 丿丕爻鬲丕賳 亘乇 亘賳蹖丕賳 賲丨讴賲蹖 丕夭 卮禺氐蹖鬲鈥屬囏й� 賲鬲賳賵毓 亘賳丕 卮丿賴 丕爻鬲貨 卮禺氐蹖鬲鈥屬囏й屰� 讴賴 讴鬲丕亘 亘丿賵賳 丕蹖賳讴賴 丌賳賴丕 乇丕 亘賴 亘賱賳丿诏賵賴丕蹖蹖 亘乇丕蹖 丕爻鬲賮乇丕睾 讴乇丿賳賽 鬲賲鈥屬囏й� 賮賱爻賮蹖 禺丕賲卮 鬲賳夭賱 亘丿賴丿貙 鬲賲鈥屬囏й屫� 乇丕 亘賴鈥屫坟必� 賳丕賲丨爻賵爻 賵 亘爻蹖丕乇 丕購乇诏丕賳蹖讴蹖 丿乇賵賳 鬲丕乇 賵 倬賵丿賽 讴卮賲讴卮鈥屬囏й� 卮禺氐蹖鬲鈥屬囏й屫� 亘丕賮鬲賴 丕爻鬲. 亘丕 丕蹖賳讴賴 丿丕爻鬲丕賳 讴鬲丕亘 乇賵丕蹖鬲蹖 毓賲賱丕賸 爻丕丿賴 丕爻鬲貙 賲蹖鈥屫堌з嗃屬� 亘丕 讴賳丕乇 夭丿賳 倬賵卮丕賱鈥屬囏й� 丌賳 亘賴 賱丕蹖賴鈥屬囏й� 毓賲蹖賯鈥屫臂� 賳蹖夭 亘乇爻蹖賲 賵 賲賳馗賵乇 賳賵蹖爻賳丿賴 丕夭 賳诏丕乇卮 賴賲趩蹖賳 讴鬲丕亘蹖 乇丕 丿乇 丿乇噩丕鬲 丿乇賵賳蹖鈥屫臂� 亘乇乇爻蹖 讴賳蹖賲.
*卮丕蹖丿 賲賳馗賵乇 讴鬲丕亘 丿乇 賳賴丕蹖鬲 賴賲蹖賳 丕爻鬲 讴賴 賴蹖趩 丿蹖讴鬲丕鬲賵乇蹖 鬲丕 丕亘丿 亘丕賯蹖 賳賲蹖鈥屬呚з嗀€�.
鬲賳卮鈥屬囏й� 乇賵賲丕賳鬲蹖讴 丿丕爻鬲丕賳 賵賯鬲蹖 亘丕賱丕禺乇賴 亘毓丿 丕夭 噩丕賳 亘賴 賱亘 讴乇丿賳 賲禺丕胤亘 丕鬲賮丕賯 賲蹖鈥屫з佖嗀� 亘賴 诏賵賳賴鈥屫й� 賴爻鬲 讴賴 賲賯丕賵賲鬲 丿乇 亘乇丕亘乇 鬲乇讴蹖丿賳 丕噩鬲賳丕亘鈥屬嗀з矩佰屫� 亘睾囟鈥屬呚з� 亘蹖賴賵丿賴鈥屫臂屬� 讴丕乇蹖 賴爻鬲 讴賴 賲蹖鈥屫堌з嗃屬� 丕賳噩丕賲 丿賴蹖賲貙 賴乇趩賳丿 讴賴 亘禺卮 乇賲丕賳鬲蹖讴 丿丕爻鬲丕賳 賵 賱蹖賱蹖 賲噩賳賵賳鈥屫ㄘж槽屸€屫必①堌必� 卮禺氐蹖鬲鈥屬囏� 賲賲讴賳 丕爻鬲 亘乇丕蹖 賴賲诏丕賳 噩匕丕亘 賳亘丕卮丿 賵賱蹖 夭賵丕蹖丕 賲禺鬲賱賮 丿丕爻鬲丕賳 丌賳賯丿乇 亘賴鈥屬囐呪€屫嗃屫� 賵 鬲賵丿乇鬲賵 賴爻鬲 讴賴 趩丕乇賴鈥屫й� 賳丿丕乇蹖丿 禺賵丿 乇丕 亘丕 丌睾賵卮 亘丕夭 倬匕蹖乇丕蹖 亘禺卮 毓丕卮賯丕賳賴 讴鬲丕亘 賯乇丕乇 丿賴蹖丿.
趩賳丿 賳讴鬲賴 丌禺乇 乇丕噩毓 亘賴 讴鬲丕亘 賴爻鬲 讴賴 亘丕蹖丿 亘诏賵蹖賲 賵诏乇賳賴 賯賱亘賲 丌乇丕賲 賳賲蹖鈥屭屫必� 丿丕爻鬲丕賳鈥屭堐屰屸€� 丕夭 胤乇蹖賯 賳丕賲賴鈥屫池必й屰� 賵 賳丕賲賴鈥屬嗂ж臂� 讴丕乇蹖 賴爻鬲 讴賴 賴賳乇蹖讴 爻蹖賳讴蹖賵蹖趩 丿乇 丌賳 亘賴 讴賲丕賱 乇爻蹖丿賴 丕爻鬲貙 鬲睾蹖蹖乇 夭丕賵蹖賴 丿蹖丿 讴鬲丕亘 賵 乇賵卮賳 讴乇丿賳 夭賵丕蹖丕 賲禺鬲賱賮 丿丕爻鬲丕賳蹖 丕夭 胤乇蹖賯 賳丕賲賴鈥屸€屬嗂ж臂� 卮禺氐蹖鬲鈥屬囏� 亘丕 禺賵丿卮丕賳 丿乇 丿丕賲賳賴 鬲賵倬禺丕賳賴 賲噩賴夭 賳賵蹖爻賳丿賴 趩賳丕賳 賲蹖鈥屫必簇� 讴賴 丕賳诏丕乇 禺賵乇卮蹖丿 丕爻鬲. 賳丕賲賴鈥屬囏й� 讴噩丕 賲蹖鈥屫辟堐� 丕蹖賳賯丿乇 禺賵亘 賴爻鬲賳丿 讴賴 禺賵丿卮丕賳 賲蹖鈥屫堌з嗁嗀� 鬲亘丿蹖賱 亘賴 讴鬲丕亘 噩丿丕诏丕賳賴鈥屫й� 卮賵賳丿 讴賴 丌賳 賴賲 丕丨鬲賲丕賱丕賸 噩丕蹖夭賴 賳賵亘賱 乇丕 亘乇丕蹖 賳賵蹖爻賳丿賴 亘賴 丕乇賲睾丕賳 賲蹖鈥屫①堌必�.
賲賳 芦讴噩丕 賲蹖鈥屫辟堐屫熉� 乇丕 亘賴 鬲乇噩賲賴 禺賵丕賳丿賲貙 鬲乇噩賲賴 賮丕乇爻蹖 丌賳 亘賴 卮讴賱 賮丕禺乇蹖 鬲賵爻胤 丌賯丕蹖 卮賴亘丕夭 丕乇丕卅賴 卮丿賴 亘賵丿貙 丕夭 丌賳噩丕蹖蹖 讴賴 賱賴爻鬲丕賳蹖 亘賱丿 賳蹖爻鬲賲 賵 鬲乇噩賲賴鈥屸€屬囏й� 丕賳诏賱蹖爻蹖 讴鬲丕亘 乇丕 賳蹖夭 趩讴 賳讴乇丿賴鈥屫з� 丕夭 賲蹖夭丕賳 爻丕賳爻賵乇 鬲乇噩賲賴 禺亘乇丿丕乇 賳蹖爻鬲賲貙 賵賱蹖 丕夭 賳馗乇 馗乇丕賮鬲鈥屬囏й� 賲鬲賳蹖貙 賯丕賳賵賳 賵 丿爻鬲賵乇賴丕蹖 夭亘丕賳 賮丕乇爻蹖貙 賵蹖乇丕爻鬲丕乇蹖 氐丨蹖丨 夭亘丕賳蹖 賵 丕丿亘蹖貙 賵 丕爻鬲賮丕丿賴 丕夭 賲毓丕丿賱鈥屬囏й� 賲賳丕爻亘貙 鬲乇噩賲賴 讴鬲丕亘 鬲賯乇蹖亘丕賸 亘蹖鈥屬嗁傌� 丕爻鬲貨 趩乇丕 賲蹖鈥屭堐屬� 鬲賯乇蹖亘丕賸 亘蹖鈥屬嗁傌地� 丿乇 賳爻禺賴 鬲乇噩賲賴鈥屰� 丕賲蹖乇 讴亘蹖乇 讴賴 氐丿 丕賱亘鬲賴 亘爻蹖丕乇 賯丿蹖賲蹖鈥屫� 丕夭 賳爻禺賴 賳卮乇 賲丕賴蹖 丕爻鬲貙 丕夭 趩賳丿 賲毓丕丿賱 毓乇亘蹖 賵 讴丕賲賱丕賸 賲賳爻賵禺 丕爻鬲賮丕丿賴 卮丿賴 讴賴 丕胤賲蹖賳丕賳 亘丕賱丕蹖蹖 丿丕乇賲 讴賴 丿乇 趩丕倬 噩丿蹖丿 丌賳 鬲賵爻胤 賵蹖乇丕爻鬲丕乇丕賳 讴丕乇亘賱丿 賳卮乇 賲丕賴蹖 丕氐賱丕丨 卮丿賴 丕爻鬲.
丿乇 賳賴丕蹖鬲 亘丿賵賳 賴蹖趩诏賵賳賴 丕睾賲丕囟貙 賳丕丿蹖丿賴鈥屭辟佖� 賵 丿乇蹖丕賮鬲 倬賵賱 丕夭 亘賳蹖丕丿 賲禺賮蹖 賮乇丕賲丕爻賵賳乇蹖 芦賴賳乇蹖讴 爻蹖賳讴蹖賵蹖趩禄 倬賳噩 爻鬲丕乇賴 乇丕 亘乇丕蹖 讴鬲丕亘 芦讴噩丕 賲蹖鈥屫辟堐屫熉� 丿乇 賳馗乇 诏乇賮鬲賲.
July 3, 2015
乇賲丕賳 賴丕蹖 鬲丕乇蹖禺蹖 :丕丿亘蹖丕鬲 丿乇 讴賳丕乇 鬲丕乇蹖禺 賯乇丕乇 賲蹖 诏蹖乇丿 賵 丿乇 賴賲 賲蹖 丌賲蹖夭賳丿 賵 禺賵丕賳賳丿賴 賯乇賳 賴丕 賯亘賱 乇丕 亘乇 倬乇丿賴 禺蹖丕賱 賲蹖 賳诏乇丿
丿乇 讴鬲丕亘 "爻賷賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳" 禺賵丕賳丿賲 賰賴 丕賳爻丕賳 賴丕 毓賵囟 賳賲賷 卮賵賳丿 賵 賴賲賷卮賴 鬲丕乇賷禺 鬲賰乇丕乇 賲賷 卮賵丿
賴賷鬲賱乇 賵 氐丿丕賲 丨爻蹖賳 賵 丿蹖诏乇 丿蹖讴鬲丕鬲賵乇賴丕 賳賲賵賳賴 賴丕蹖 丿蹖诏乇蹖 丕夭 賳乇賵賳 賵 禺賵卮賷賮鬲诏賷 賵 噩賳丕賷丕鬲卮 賴爻鬲賳丿
:丕蹖賳 噩賲賱賴 讴賴 賳賲蹖丿丕賳賲 丕夭 讴蹖爻鬲 賵丕賯毓丕 毓丕賱蹖賴
賲賱鬲蹖 讴賴 丕夭 鬲丕乇蹖禺 丿乇爻 賳诏蹖乇賳丿 亘丕蹖丿 鬲賲丕賲 丌賳 乇丕 鬲噩乇亘賴 讴賳賳丿
蹖讴蹖 丕夭 丕蹖賳 乇賲丕賳 賴丕蹖 鬲丕乇蹖禺蹖 讴賴 禺賵丕賳丿賳卮 亘乇丕賲 賱匕鬲 亘禺卮 亘賵丿 讴鬲丕亘 "讴噩丕 賲蹖乇賵蹖責" 丕孬乇 賴賳乇蹖讴 爻蹖賳讴蹖賵蹖趩 讴賴 丿乇 丕蹖乇丕賳 亘丕 賳丕賲 賴賵爻 賴丕蹖 丕賲倬乇丕胤賵乇 賴賲 趩丕倬 卮丿賴 丕爻鬲
丕胤賱丕毓丕鬲 夭賷丕丿賷 丿乇 賲賵乇丿 賳乇賵賳 丕賲倬乇丕胤賵乇 丿蹖賵丕賳賴 乇賵賲 丌賲丿賴 賰賴 禺蹖賱蹖 亘丿賳亘丕賱 丌賳 亘賵丿賲.賳乇賵賳 丿乇 噩賵丕賳賷 丌丿賲 禺賵亘賷 亘賵丿賴 賵賱賷 丿乇亘丕乇 賵 丿乇亘丕乇賷丕賳 亘丕 丿乇賵睾 賴丕賷卮丕賳 丿乇 鬲毓乇蹖賮 丕夭 丕賵貙丕禺賱丕賯 賵賷 乇丕 亘賴 賮爻丕丿 賰卮賷丿賳丿
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賳賯丕卮蹖 夭蹖乇 "倬卮蹖賲丕賳蹖 賳乇賵賳 倬爻 丕夭 賯鬲賱 賲丕丿乇卮" 丕孬乇 "噩丕賳 賵蹖賱蹖丕賲 賵丕鬲乇賴丕賵爻" 賴爻鬲卮
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丕蹖賳 倬丕丿卮丕賴 丿賷賵丕賳賴 貙 卮賴乇賷 乇丕 亘乇丕賷 倬蹖丿丕 讴乇丿賳 丨爻 爻乇賵丿賳 賷賰 賯胤毓賴 卮毓乇 丌鬲卮 夭丿 賵 丿賱賷賱卮 賵丕賯毓丕 噩丕賱亘 亘賵丿貙 趩賵賳 賴賵賲乇 亘丕 丿賷丿賳 賵賷乇丕賳 卮丿賳 鬲乇賵丕 亘賵丿 賰賴 胤亘毓 卮毓乇卮 诏賱 讴乇丿 賵 丕賷賱賷丕丿 賵 丕丿蹖爻賴 乇賵 爻乇賵丿
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賲賴賲丕賳賷 賴丕賷 卮亘丕賳賴 丕賲倬乇丕胤賵乇 亘丕 鬲乇爻 賴賲乇丕賴 賲蹖卮丿. 賴乇 卮亘 賳賷夭賴 丕賷 亘丿爻鬲 賵 亘丕 趩卮賲丕賳 亘爻鬲賴 倬乇鬲丕亘 賲賷 賰乇丿 賵 賷賰 亘丿亘禺鬲 夭賲賷賳 賲賷 丕賮鬲丕丿 賵 丿乇 禺賵賳卮 賲蹖 睾賱鬲蹖丿
賳乇賵賳 丿乇 讴賳丕乇 賳丕乇爻蹖爻 蹖讴蹖 丕夭 賳賲丕丿賴丕蹖 禺賵丿卮賷賮鬲诏賷 丕爻鬲 賵 毓賱鬲 丕氐賱賷 丌賳 賴賲 丕胤乇丕賮賷丕賳 趩丕亘賱賵爻卮 亘賵丿賳丿 讴賴 亘丕 趩丕倬賱賵爻蹖 賵 鬲賲賱賯 賵 鬲毓乇蹖賮 賴丕蹖 亘丿賵乇 丕夭 賵丕賯毓蹖鬲貙賲乇丿蹖 乇丕 丿乇 鬲賵賴賲 禺丿丕 亘賵丿賳 賯乇丕乇 丿丕丿賳丿 讴賴 丿乇 禺蹖丕賱 禺賵丿 賮讴 賲蹖讴乇丿 賴乇 讴丕乇蹖
賲蹖讴賳丿 丿乇爻鬲 丕爻鬲 賵 丨鬲蹖 氐丿丕卮 亘賴鬲乇蹖賳 氐丿丕蹖 噩賴丕賳 賵 卮毓乇賴丕蹖卮 賮乇丕鬲乇 丕夭 賴賵賲乇 賵 ... 賲蹖 亘丕卮丿
賵夭賷乇 丕賵 倬鬲乇賳賷賵爻 卮禺氐賷鬲 噩丕賱亘賷 丿丕乇丿 賵 賳丕賲賴 丌禺乇 丕賵 亘賴 賳乇賵賳 毓丕賱蹖 亘賵丿 賵 亘丕乇賴丕 禺賵丕賳丿賲卮.
蹖丕丿賲賴 丿乇 讴鬲丕亘蹖 蹖丕 爻丕蹖鬲蹖 禺賵丕賳丿賲 讴賴 丕蹖賳 讴鬲丕亘 丕賯鬲亘丕爻蹖 丕夭 讴鬲丕亘 丕賱讴爻丕賳丿乇 丿賵賲丕 賲蹖亘丕卮丿.丕爻賲 讴鬲丕亘 丿賵賲丕 禺丕胤乇賲 賳蹖爻鬲 賮讴 讴賳賲 亘賴 丕爻賲 賴賲爻乇 丕賵賱 賳乇賵賳 亘賵丿
诏賮鬲賴 賲蹖 卮賵丿 賴賳乇蹖讴 爻蹖賳讴賵賵蹖趩 噩丕蹖夭賴 賳賵亘賱 丿乇 爻丕賱 1904 乇丕 亘蹖卮鬲乇 亘禺丕胤乇 丕蹖賳 讴鬲丕亘 亘乇丿賴 丕爻鬲
丿乇 讴鬲丕亘 "爻賷賳賵賴賴 倬夭卮讴 賲禺氐賵氐 賮乇毓賵賳" 禺賵丕賳丿賲 賰賴 丕賳爻丕賳 賴丕 毓賵囟 賳賲賷 卮賵賳丿 賵 賴賲賷卮賴 鬲丕乇賷禺 鬲賰乇丕乇 賲賷 卮賵丿
賴賷鬲賱乇 賵 氐丿丕賲 丨爻蹖賳 賵 丿蹖诏乇 丿蹖讴鬲丕鬲賵乇賴丕 賳賲賵賳賴 賴丕蹖 丿蹖诏乇蹖 丕夭 賳乇賵賳 賵 禺賵卮賷賮鬲诏賷 賵 噩賳丕賷丕鬲卮 賴爻鬲賳丿
:丕蹖賳 噩賲賱賴 讴賴 賳賲蹖丿丕賳賲 丕夭 讴蹖爻鬲 賵丕賯毓丕 毓丕賱蹖賴
賲賱鬲蹖 讴賴 丕夭 鬲丕乇蹖禺 丿乇爻 賳诏蹖乇賳丿 亘丕蹖丿 鬲賲丕賲 丌賳 乇丕 鬲噩乇亘賴 讴賳賳丿
蹖讴蹖 丕夭 丕蹖賳 乇賲丕賳 賴丕蹖 鬲丕乇蹖禺蹖 讴賴 禺賵丕賳丿賳卮 亘乇丕賲 賱匕鬲 亘禺卮 亘賵丿 讴鬲丕亘 "讴噩丕 賲蹖乇賵蹖責" 丕孬乇 賴賳乇蹖讴 爻蹖賳讴蹖賵蹖趩 讴賴 丿乇 丕蹖乇丕賳 亘丕 賳丕賲 賴賵爻 賴丕蹖 丕賲倬乇丕胤賵乇 賴賲 趩丕倬 卮丿賴 丕爻鬲
丕胤賱丕毓丕鬲 夭賷丕丿賷 丿乇 賲賵乇丿 賳乇賵賳 丕賲倬乇丕胤賵乇 丿蹖賵丕賳賴 乇賵賲 丌賲丿賴 賰賴 禺蹖賱蹖 亘丿賳亘丕賱 丌賳 亘賵丿賲.賳乇賵賳 丿乇 噩賵丕賳賷 丌丿賲 禺賵亘賷 亘賵丿賴 賵賱賷 丿乇亘丕乇 賵 丿乇亘丕乇賷丕賳 亘丕 丿乇賵睾 賴丕賷卮丕賳 丿乇 鬲毓乇蹖賮 丕夭 丕賵貙丕禺賱丕賯 賵賷 乇丕 亘賴 賮爻丕丿 賰卮賷丿賳丿
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賳賯丕卮蹖 夭蹖乇 "倬卮蹖賲丕賳蹖 賳乇賵賳 倬爻 丕夭 賯鬲賱 賲丕丿乇卮" 丕孬乇 "噩丕賳 賵蹖賱蹖丕賲 賵丕鬲乇賴丕賵爻" 賴爻鬲卮
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丕蹖賳 倬丕丿卮丕賴 丿賷賵丕賳賴 貙 卮賴乇賷 乇丕 亘乇丕賷 倬蹖丿丕 讴乇丿賳 丨爻 爻乇賵丿賳 賷賰 賯胤毓賴 卮毓乇 丌鬲卮 夭丿 賵 丿賱賷賱卮 賵丕賯毓丕 噩丕賱亘 亘賵丿貙 趩賵賳 賴賵賲乇 亘丕 丿賷丿賳 賵賷乇丕賳 卮丿賳 鬲乇賵丕 亘賵丿 賰賴 胤亘毓 卮毓乇卮 诏賱 讴乇丿 賵 丕賷賱賷丕丿 賵 丕丿蹖爻賴 乇賵 爻乇賵丿
!!!
賲賴賲丕賳賷 賴丕賷 卮亘丕賳賴 丕賲倬乇丕胤賵乇 亘丕 鬲乇爻 賴賲乇丕賴 賲蹖卮丿. 賴乇 卮亘 賳賷夭賴 丕賷 亘丿爻鬲 賵 亘丕 趩卮賲丕賳 亘爻鬲賴 倬乇鬲丕亘 賲賷 賰乇丿 賵 賷賰 亘丿亘禺鬲 夭賲賷賳 賲賷 丕賮鬲丕丿 賵 丿乇 禺賵賳卮 賲蹖 睾賱鬲蹖丿
賳乇賵賳 丿乇 讴賳丕乇 賳丕乇爻蹖爻 蹖讴蹖 丕夭 賳賲丕丿賴丕蹖 禺賵丿卮賷賮鬲诏賷 丕爻鬲 賵 毓賱鬲 丕氐賱賷 丌賳 賴賲 丕胤乇丕賮賷丕賳 趩丕亘賱賵爻卮 亘賵丿賳丿 讴賴 亘丕 趩丕倬賱賵爻蹖 賵 鬲賲賱賯 賵 鬲毓乇蹖賮 賴丕蹖 亘丿賵乇 丕夭 賵丕賯毓蹖鬲貙賲乇丿蹖 乇丕 丿乇 鬲賵賴賲 禺丿丕 亘賵丿賳 賯乇丕乇 丿丕丿賳丿 讴賴 丿乇 禺蹖丕賱 禺賵丿 賮讴 賲蹖讴乇丿 賴乇 讴丕乇蹖
賲蹖讴賳丿 丿乇爻鬲 丕爻鬲 賵 丨鬲蹖 氐丿丕卮 亘賴鬲乇蹖賳 氐丿丕蹖 噩賴丕賳 賵 卮毓乇賴丕蹖卮 賮乇丕鬲乇 丕夭 賴賵賲乇 賵 ... 賲蹖 亘丕卮丿
賵夭賷乇 丕賵 倬鬲乇賳賷賵爻 卮禺氐賷鬲 噩丕賱亘賷 丿丕乇丿 賵 賳丕賲賴 丌禺乇 丕賵 亘賴 賳乇賵賳 毓丕賱蹖 亘賵丿 賵 亘丕乇賴丕 禺賵丕賳丿賲卮.
蹖丕丿賲賴 丿乇 讴鬲丕亘蹖 蹖丕 爻丕蹖鬲蹖 禺賵丕賳丿賲 讴賴 丕蹖賳 讴鬲丕亘 丕賯鬲亘丕爻蹖 丕夭 讴鬲丕亘 丕賱讴爻丕賳丿乇 丿賵賲丕 賲蹖亘丕卮丿.丕爻賲 讴鬲丕亘 丿賵賲丕 禺丕胤乇賲 賳蹖爻鬲 賮讴 讴賳賲 亘賴 丕爻賲 賴賲爻乇 丕賵賱 賳乇賵賳 亘賵丿
诏賮鬲賴 賲蹖 卮賵丿 賴賳乇蹖讴 爻蹖賳讴賵賵蹖趩 噩丕蹖夭賴 賳賵亘賱 丿乇 爻丕賱 1904 乇丕 亘蹖卮鬲乇 亘禺丕胤乇 丕蹖賳 讴鬲丕亘 亘乇丿賴 丕爻鬲
March 25, 2013
This book was pretty terrible. As a classicist, I am deeply offended by the wooden, stereotypical rendering of Romans, even Romans during Nero's time. As a reader, I am deeply offended by the fact that very little actually happens. Sienkiewicz tells us about plenty of things, but he shows us very little. For instance, in the last third of the book, Petronius, who has been watching his nephew's slow conversion to Christianity with ironic detachment, writes him a letter talking about how much these Christian teachings are affecting him. Why, he can hardly bring himself to beat his slaves anymore! And he even pities them sometimes! A competent author would have conveyed this information by having Petronius and his nephew, or maybe even someone else, it doesn't matter, sitting around talking. A slave walks out with a tray of eels or something and drops it. Petronius helps him clean it. His guest asks him why he didn't have the slave whipped, and the reply is something about how maybe there's something to this Christian idea of "hey, don't be a dick to people." But, unfortunately for us, Sienkiewicz was not a competent author, so we're stuck with this drivel instead.
September 8, 2023
Henryk Adam Aleksander Pius Sienkiewicz lived from 1846-1916. A famous Polish novelist he won international fame for "Quo Vadis".
"Quo Vadis" means "Where are you going?", though the full phrase is "Quo Vadis, Domine?" or "Where are you going, Lord?". It is a novel about the time of Nero. The main point of the story is the love between Lygia and Vinicius. Lygia is the daughter of a Roman Client King and is in Rome as a hostage. Vinicius is a Roman Tribune. If that isn't enough of an issue, Lydia is a Christian.
This then is the story of Nero's madness, the rise of Christianity and the eventual burning of Rome and the persecution of the Christians. With this as the background, the two lovers must overcome a great deal of difficulty to survive the purges of Nero.
The story is vast and I enjoyed the way the story started. While the entire story is well written and a pleasure to read, the entire book is very pro-Christian (though in this case, it'd be Catholic). To the point it can get annoying reading pages devoted to the "love of Christ". It is ironic that the underpinnings of Christianity are no more real than the Roman gods, the devotion level is not the same. The sheer silliness of the logic- Peter saw Jesus and the miracles ad Peter said it so it must be true. Not to mention the endless bloviation on the benefits of Christianity and how the world's troubles will go away as soon as worldly rulers are Christian. Uh-Huh. Sure.
But, it is idiotic to expect a Polish writer of the late 1800's NOT being heavily Catholic. Thus do factor that in. Lygia is not much of a character other than being used as a foil to promote Christianity. Vinicius is a dolt. A terrible person who converts to get the girl and I think it's doubtful he would have stayed converted if Lygia had died.
But it is in the figure of Gaius Petronius the "Arbiter of Elegance", where I found a historical figure that I loved. In real history he is considered the author of "Satyricon" and was known as the "arbiter elegantiarum" or "Arbiter of Elegance". Petronius' intellect, as well as his superb "devil may care" attitude is praiseworthy. By far the most interesting of the characters, save mad Nero himself. In comparison to the mental disorders of Nero, the religious fanaticism and nuttery of the Christians and the general corruption of Rome- he stands apart. Both in character and diction, his love of the good things yet tastefully is inspirational. I found his passionate refutal of Christianity and why he has no desire to indulge in it prior to his death, stands as far more testament to humanity than the feeble gibbering lies of the Christian characters.
A very interesting tale and a well written one. The overwhelming level of Chritianity, this reads almost like a Cathloic pamphlet, can be offputting, but the book is truly an interesting pleasure. I shall explore more of Sienkiewicz's works such as his trilogy on Polish history and his book on the Teutonic Knights.
"Quo Vadis" means "Where are you going?", though the full phrase is "Quo Vadis, Domine?" or "Where are you going, Lord?". It is a novel about the time of Nero. The main point of the story is the love between Lygia and Vinicius. Lygia is the daughter of a Roman Client King and is in Rome as a hostage. Vinicius is a Roman Tribune. If that isn't enough of an issue, Lydia is a Christian.
This then is the story of Nero's madness, the rise of Christianity and the eventual burning of Rome and the persecution of the Christians. With this as the background, the two lovers must overcome a great deal of difficulty to survive the purges of Nero.
The story is vast and I enjoyed the way the story started. While the entire story is well written and a pleasure to read, the entire book is very pro-Christian (though in this case, it'd be Catholic). To the point it can get annoying reading pages devoted to the "love of Christ". It is ironic that the underpinnings of Christianity are no more real than the Roman gods, the devotion level is not the same. The sheer silliness of the logic- Peter saw Jesus and the miracles ad Peter said it so it must be true. Not to mention the endless bloviation on the benefits of Christianity and how the world's troubles will go away as soon as worldly rulers are Christian. Uh-Huh. Sure.
But, it is idiotic to expect a Polish writer of the late 1800's NOT being heavily Catholic. Thus do factor that in. Lygia is not much of a character other than being used as a foil to promote Christianity. Vinicius is a dolt. A terrible person who converts to get the girl and I think it's doubtful he would have stayed converted if Lygia had died.
But it is in the figure of Gaius Petronius the "Arbiter of Elegance", where I found a historical figure that I loved. In real history he is considered the author of "Satyricon" and was known as the "arbiter elegantiarum" or "Arbiter of Elegance". Petronius' intellect, as well as his superb "devil may care" attitude is praiseworthy. By far the most interesting of the characters, save mad Nero himself. In comparison to the mental disorders of Nero, the religious fanaticism and nuttery of the Christians and the general corruption of Rome- he stands apart. Both in character and diction, his love of the good things yet tastefully is inspirational. I found his passionate refutal of Christianity and why he has no desire to indulge in it prior to his death, stands as far more testament to humanity than the feeble gibbering lies of the Christian characters.
A very interesting tale and a well written one. The overwhelming level of Chritianity, this reads almost like a Cathloic pamphlet, can be offputting, but the book is truly an interesting pleasure. I shall explore more of Sienkiewicz's works such as his trilogy on Polish history and his book on the Teutonic Knights.
May 4, 2023
henryk pojeba艂o ci臋?
October 30, 2022
W KO艃CU
January 11, 2009
Near the end of Quo Vadis Petronius (Arbiter) writes a letter in reply to his nephew Vicinius who has fled Rome with his bride, Ligia. In the letter Petronius discusses his philosophy and his fate contrasting it with the Christian belief that Vicinius has accepted. He says:
"There are only two philosophers that I care about, Pyrrho and Anacreon. You know what they stand for. The rest, along with the new Greek schools and all the Roman Stoics, you can have for the price of beans. Truth lives somewhere so high that even the gods can't see it from Olympus."(QV, p. 566)
It is interesting to note that Pyrrho is noted for a philosophy of skepticism that claims the impossibility of knowledge. For him our own ignorance or doubt should induce us to withdraw into ourselves, avoiding the stress and emotion which belong to the contest of vain imaginings. This theory of the impossibility of knowledge suggests a sort of agnosticism and its ethical implications may be compared with the ideal tranquility of the Stoics and Epicureans (who were more popular among Romans). This certainly contrasts with the Christian spiritual view that emphasizes belief in the supernatural. It is a philosophy that, at least for Petronius, lets him face death unequivocally with a sort of stoicism that provides a potent example in opposition to the Christian view. It also is an example of the breadth of beliefs shown by Sienkiewicz in his portrayal of the culture and character of the Roman world.
This contrast of philosophies underlies the novel and made it more interesting to me than the simple love story that it also presents. In Quo Vadis we are presented with an historical novel of depth that shows us the corruption and depravity of Nero's Rome while it presents the worlds of aesthetics and skepticism represented by Petronius and that of the young Christian sect whose believers include Peter and Paul, of biblical fame, and Ligia, the barbarian princess who becomes the focus of young Vicinius' amour. It is perhaps not a coincidence that the nineteenth century had several writers (Bulwer-Lytton, Kingsley, and Wallace) including Sienkiewicz who reacted to the prevalence of anti-christian views among the romantics (Shelley, et. al.). This is seen in the pronounced admiration for the poor Christians and the sensational nature of the culmination of the story involving the Neronic destruction of many of the Christians in terrifically brutal games. In spite of this Sienkiewicz through vivid detail creates a believable historical setting for his love story; and overcoming his biased portrayal of the Christians and the contrast with the irrationality and evil of Nero, he succeeds in telling a moving and thoughtful portrayal of Rome in the first century A.D.
"There are only two philosophers that I care about, Pyrrho and Anacreon. You know what they stand for. The rest, along with the new Greek schools and all the Roman Stoics, you can have for the price of beans. Truth lives somewhere so high that even the gods can't see it from Olympus."(QV, p. 566)
It is interesting to note that Pyrrho is noted for a philosophy of skepticism that claims the impossibility of knowledge. For him our own ignorance or doubt should induce us to withdraw into ourselves, avoiding the stress and emotion which belong to the contest of vain imaginings. This theory of the impossibility of knowledge suggests a sort of agnosticism and its ethical implications may be compared with the ideal tranquility of the Stoics and Epicureans (who were more popular among Romans). This certainly contrasts with the Christian spiritual view that emphasizes belief in the supernatural. It is a philosophy that, at least for Petronius, lets him face death unequivocally with a sort of stoicism that provides a potent example in opposition to the Christian view. It also is an example of the breadth of beliefs shown by Sienkiewicz in his portrayal of the culture and character of the Roman world.
This contrast of philosophies underlies the novel and made it more interesting to me than the simple love story that it also presents. In Quo Vadis we are presented with an historical novel of depth that shows us the corruption and depravity of Nero's Rome while it presents the worlds of aesthetics and skepticism represented by Petronius and that of the young Christian sect whose believers include Peter and Paul, of biblical fame, and Ligia, the barbarian princess who becomes the focus of young Vicinius' amour. It is perhaps not a coincidence that the nineteenth century had several writers (Bulwer-Lytton, Kingsley, and Wallace) including Sienkiewicz who reacted to the prevalence of anti-christian views among the romantics (Shelley, et. al.). This is seen in the pronounced admiration for the poor Christians and the sensational nature of the culmination of the story involving the Neronic destruction of many of the Christians in terrifically brutal games. In spite of this Sienkiewicz through vivid detail creates a believable historical setting for his love story; and overcoming his biased portrayal of the Christians and the contrast with the irrationality and evil of Nero, he succeeds in telling a moving and thoughtful portrayal of Rome in the first century A.D.
January 19, 2020
鈥榃hy does crime, even when as powerful as C忙sar, and assured of being beyond punishment, strive always for the appearances of truth, justice, and virtue? Why does it take the trouble? ... Why is this? What a marvelous, involuntary homage paid to virtue by evil! And know what strikes me? This, that it is done because transgression is ugly and virtue is beautiful.鈥�
Usually stories about extremes of beauty and ugliness, great good and terrible evil tend to make us roll our eyes and squirm in our chairs. We think, 鈥榥obody is that _________ (fill in the virtue) or that __________ (fill in the vice). However, there are times in history when people have had total power over their fellows and we see clearly, 鈥楶ower corrupts and absolute power corrupts absolutely.鈥� Virtue is the only check on power. Either the virtue of the head or the virtues of those they govern. That is the appeal of this novel and why despite the extremes, it is so well-loved.
Quo Vadis takes place in Ancient Rome in the time of the musically-mad Emperor Nero. It primarily concerns the pagan, Marcus Vinicius, who has fallen madly in love with Lygia, raised in the house of Aulus Plautius (a general of British fame), and his wife Pomponia Graecina, as their daughter, though she was originally a Lygian captive. Unbeknownst to Vinicius, Lygia is also a Christian, a new sect at that time, though not well-understood. Wild rumors circulate concerning Christian practices.
Petronius, Marcus鈥� uncle, tries to help Vinicius secure Lygia for his concubine, though the younger man would have been willing to marry her, he is so completely besotted with her. This misguided effort sets off a series of unfortunate events which drive the two young people farther and farther apart. Meanwhile, we are introduced to the debaucheries of Nero鈥檚 鈥榗ourt鈥�, his 鈥榓ssembly of ruffians and scoundrels鈥�, buffoons, and so-called friends, including Petronius. We are also made aware of the growing presence of Christians in the Roman capital, mostly fictional, but also the real Sts. Peter and Paul.
The novel thrives on irony, some subtle, some blatant. Petronius is the master manipulator. He alone seems to know how to 鈥榓ppreciate鈥� Nero鈥檚 verses, his musical 鈥榞enius鈥� and compliment him in a way so ridiculously fawning only Nero鈥檚 ego could possibly believe such praise. One particular example:
Yes, it is a romance, but so much more. A glimpse of early Christianity, Roman life, and a close-up portrait of Nero and his reign. Excellent dialogue, history, a great classic!
November 15, 2005: One of my favorite works of historical fiction...I just wish I remembered the entirety of the story better. Guess I need to reread.
Usually stories about extremes of beauty and ugliness, great good and terrible evil tend to make us roll our eyes and squirm in our chairs. We think, 鈥榥obody is that _________ (fill in the virtue) or that __________ (fill in the vice). However, there are times in history when people have had total power over their fellows and we see clearly, 鈥楶ower corrupts and absolute power corrupts absolutely.鈥� Virtue is the only check on power. Either the virtue of the head or the virtues of those they govern. That is the appeal of this novel and why despite the extremes, it is so well-loved.
Quo Vadis takes place in Ancient Rome in the time of the musically-mad Emperor Nero. It primarily concerns the pagan, Marcus Vinicius, who has fallen madly in love with Lygia, raised in the house of Aulus Plautius (a general of British fame), and his wife Pomponia Graecina, as their daughter, though she was originally a Lygian captive. Unbeknownst to Vinicius, Lygia is also a Christian, a new sect at that time, though not well-understood. Wild rumors circulate concerning Christian practices.
Petronius, Marcus鈥� uncle, tries to help Vinicius secure Lygia for his concubine, though the younger man would have been willing to marry her, he is so completely besotted with her. This misguided effort sets off a series of unfortunate events which drive the two young people farther and farther apart. Meanwhile, we are introduced to the debaucheries of Nero鈥檚 鈥榗ourt鈥�, his 鈥榓ssembly of ruffians and scoundrels鈥�, buffoons, and so-called friends, including Petronius. We are also made aware of the growing presence of Christians in the Roman capital, mostly fictional, but also the real Sts. Peter and Paul.
The novel thrives on irony, some subtle, some blatant. Petronius is the master manipulator. He alone seems to know how to 鈥榓ppreciate鈥� Nero鈥檚 verses, his musical 鈥榞enius鈥� and compliment him in a way so ridiculously fawning only Nero鈥檚 ego could possibly believe such praise. One particular example:
Nero, however, inquired in a honeyed voice, in which more or less deeply wounded vanity was quivering,鈥� 鈥淲hat defect dost thou find in them?鈥� 鈥淒o not believe them,鈥� said Petronius, attacking him, and pointing to those present; 鈥渢hey understand nothing. Thou hast asked what defect there is in thy verses. If thou desire truth, I will tell thee. Thy verses would be worthy of Virgil, of Ovid, even of Homer, but they are not worthy of thee. Thou art not free to write such. The conflagration described by thee does not blaze enough; thy fire is not hot enough. Listen not to Lucan鈥檚 flatteries. Had he written those verses, I should acknowledge him a genius, but thy case is different. And know thou why? Thou art greater than they. From him who is gifted of the gods as thou art, more is demanded. But thou art slothful,鈥攖hou wouldst rather sleep after dinner than sit to wrinkles. Thou canst create a work such as the world has not heard of to this day; hence I tell thee to thy eyes, write better!鈥� And he said this carelessly, as if bantering and also chiding; but C忙sar鈥檚 eyes were mist-covered from delight.鈥�For all that I enjoyed Petronius, Chilo was still the most interesting character study. He is thoroughly despicable in the beginning鈥攊n every way imaginable. His weaselly, groveling lies are despicably admirable; even more to see him caught in them. Then as the story progresses, and he seems to reach new levels of depravity something of the evil miasma all around him begins to have its affect, or was it the remembered kindness the Christians showed him? Chilo is worth watching.
Yes, it is a romance, but so much more. A glimpse of early Christianity, Roman life, and a close-up portrait of Nero and his reign. Excellent dialogue, history, a great classic!
November 15, 2005: One of my favorite works of historical fiction...I just wish I remembered the entirety of the story better. Guess I need to reread.
November 29, 2020
鈥� E incominci貌 a pensare che una societ脿 basata sulla superiorit脿 della forza, su crudelt脿 sconosciute anche ai barbari, su delitti spaventevoli e su una depravazione pazza e furiosa, non poteva durare a lungo. Roma dominava il mondo, ma ne era anche l鈥檜lcera.鈥�
Pubblicato prima a puntate nel 1894 e, poi, in un unico volume nel 1896, 鈥淨uo vadis鈥� 猫 un grande romanzo storico che vale tutte le trasposizioni cinematografiche prodotte.
Coinvolgente per l鈥檌ntreccio tra un solido impianto storico e la parte fantasiosa creata dallo scrittore polacco Henryk Sienkiewicz che, dopo pochi anni (1905), fu premiato con il Nobel.
La storia si svolge a Roma nel 64 d.C., epoca in cui domina Nerone di cui si sono narrate nefandezze di ogni genere e che, solo recentemente, gli storici stanno riabilitando.
In ogni caso, qui Sienkiewicz si basa fondamentalmente su 鈥淎nnali鈥� di Tacito, opera da cui trae moltissimo materiale per mettere in scena la societ脿 romana ed i suoi personaggi.
In particolare Petronio che 猫 tra i protagonisti principali ed 猫 il primo a d esserci presentato proprio ricalcando la descrizione fatta da Tacito: e che si riassume con l鈥檈piteto arbiter elegantiarum. ossia, maestro di raffinatezza.
鈥� Petronio si svegli貌 solo verso mezzogiorno, e, come al solito, prostrato e annoiato. La sera prima egli era stato alla festa di Nerone, la quale si era protratta fino a tarda ora della notte.鈥�
Cos矛 si apre il romanzo.
Petronio si dedica al rituale del bagno ed 猫 in questa situazione che riceve l鈥檌mmaginario nipote Marco Vinicio di ritorno da una guerra coi Parti.
La visita si rivela come richiesta di aiuto: Marco Vinicio si 猫 follemente innamorato di una fanciulla e deve assolutamente averla.
Il su nome 猫 Licia figlia di un re del nord.
Arrivata a Roma come ostaggio 猫 stata accolta ed ospitata da una conosciuta famiglia patrizia.
Questo avvio crea una storia di fantasia dove, almeno inizialmente, Marco Vinicio, aderisce in pieno alla tradizione patrizia di ottenere anche con la forza ci貌 che si desidera.
Quello che il giovane Vinicio ancora non sa 猫 che Licia 猫 stata iniziata ad una nuova fede religiosa.
La storia, infatti, s鈥檌nserisce in un momento storico cruciale, ossia quello in cui il cristianesimo sta prendendo forma e forza.
Roma, citt脿 notoriamente liberale, in materia religiosa (i culti ammessi erano centinaia) non ha emesso editti particolari contro questo nuovo (sono passati poco pi霉 di trent鈥檃nni dalla crocefissione di Cristo) culto orientale ma sono le voci che corrono a prendere forza e sono voci che indicano i cristiani come malvagi e capaci di azioni crudeli.
Il romanzo riesce bene ad inquadrare la posizione rivoluzionaria che ebbe il cristianesimo all鈥檌nterno di una societ脿 che basava la sua morale sul salomonico 鈥渙cchio per occhio鈥� e godeva ad assistere alla ferocia degli spettacoli circensi.
I cristiani bisbigliano una parola nuova che si chiama 鈥減erdono鈥� ma come ogni movimento radicale e nuovo non tardano a diventare capri espiatori delle manovre politiche.
L鈥檌ncendio di Roma 猫 descritto in modo strepitoso:
l鈥檃utore ci porta a galoppo con Marco Vinicio che da Anzio ritorna a Roma e con lui il lettore si addentra nel fuoco divoratore.
Grande lettura che calibra perfettamente Storia e fantasia creando personaggi indimenticabili come quell'eroe involontario di nome Ursus.
鈥滶 cos矛 Nerone 猫 passato come un turbine, come una tempesta, come un incendio, come passa la guerra o la morte. Ma la basilica di Pietro, dall'alto del Vaticano, domina ancora la citt脿 e il mondo.
Vicino all'antica porta Capena, ancora oggi si vede una piccola cappella, coll'iscrizione alquanto logorata: Quo vadis, Domine?鈥�
Pubblicato prima a puntate nel 1894 e, poi, in un unico volume nel 1896, 鈥淨uo vadis鈥� 猫 un grande romanzo storico che vale tutte le trasposizioni cinematografiche prodotte.
Coinvolgente per l鈥檌ntreccio tra un solido impianto storico e la parte fantasiosa creata dallo scrittore polacco Henryk Sienkiewicz che, dopo pochi anni (1905), fu premiato con il Nobel.
La storia si svolge a Roma nel 64 d.C., epoca in cui domina Nerone di cui si sono narrate nefandezze di ogni genere e che, solo recentemente, gli storici stanno riabilitando.
In ogni caso, qui Sienkiewicz si basa fondamentalmente su 鈥淎nnali鈥� di Tacito, opera da cui trae moltissimo materiale per mettere in scena la societ脿 romana ed i suoi personaggi.
In particolare Petronio che 猫 tra i protagonisti principali ed 猫 il primo a d esserci presentato proprio ricalcando la descrizione fatta da Tacito: e che si riassume con l鈥檈piteto arbiter elegantiarum. ossia, maestro di raffinatezza.
鈥� Petronio si svegli貌 solo verso mezzogiorno, e, come al solito, prostrato e annoiato. La sera prima egli era stato alla festa di Nerone, la quale si era protratta fino a tarda ora della notte.鈥�
Cos矛 si apre il romanzo.
Petronio si dedica al rituale del bagno ed 猫 in questa situazione che riceve l鈥檌mmaginario nipote Marco Vinicio di ritorno da una guerra coi Parti.
La visita si rivela come richiesta di aiuto: Marco Vinicio si 猫 follemente innamorato di una fanciulla e deve assolutamente averla.
Il su nome 猫 Licia figlia di un re del nord.
Arrivata a Roma come ostaggio 猫 stata accolta ed ospitata da una conosciuta famiglia patrizia.
Questo avvio crea una storia di fantasia dove, almeno inizialmente, Marco Vinicio, aderisce in pieno alla tradizione patrizia di ottenere anche con la forza ci貌 che si desidera.
Quello che il giovane Vinicio ancora non sa 猫 che Licia 猫 stata iniziata ad una nuova fede religiosa.
La storia, infatti, s鈥檌nserisce in un momento storico cruciale, ossia quello in cui il cristianesimo sta prendendo forma e forza.
Roma, citt脿 notoriamente liberale, in materia religiosa (i culti ammessi erano centinaia) non ha emesso editti particolari contro questo nuovo (sono passati poco pi霉 di trent鈥檃nni dalla crocefissione di Cristo) culto orientale ma sono le voci che corrono a prendere forza e sono voci che indicano i cristiani come malvagi e capaci di azioni crudeli.
Il romanzo riesce bene ad inquadrare la posizione rivoluzionaria che ebbe il cristianesimo all鈥檌nterno di una societ脿 che basava la sua morale sul salomonico 鈥渙cchio per occhio鈥� e godeva ad assistere alla ferocia degli spettacoli circensi.
I cristiani bisbigliano una parola nuova che si chiama 鈥減erdono鈥� ma come ogni movimento radicale e nuovo non tardano a diventare capri espiatori delle manovre politiche.
L鈥檌ncendio di Roma 猫 descritto in modo strepitoso:
l鈥檃utore ci porta a galoppo con Marco Vinicio che da Anzio ritorna a Roma e con lui il lettore si addentra nel fuoco divoratore.
Grande lettura che calibra perfettamente Storia e fantasia creando personaggi indimenticabili come quell'eroe involontario di nome Ursus.
鈥滶 cos矛 Nerone 猫 passato come un turbine, come una tempesta, come un incendio, come passa la guerra o la morte. Ma la basilica di Pietro, dall'alto del Vaticano, domina ancora la citt脿 e il mondo.
Vicino all'antica porta Capena, ancora oggi si vede una piccola cappella, coll'iscrizione alquanto logorata: Quo vadis, Domine?鈥�
December 16, 2018
This is actually my second time reading this awesome timeless masterpice!!!
Here you have a great lovestory, then also a historic novel and also a political thriller ..
Let me put it this way: "Quo Vadis" will blow you away!!!
Also it's not a cliche that I say: I coud not put it down..
This novel simple is indeed so good that I had to get on reading even although with itching eyes and tired!!!
"Quo Vadis" will enhance and inspire your faith as a christian, but even if you are not yet a christian you shoudn't ommit this literary jewel and bereave yourself in this way!!!
At the end of the day it's up to you, but let me tell you that if you want to advance your literary skills and at the same time are willing to let you sweep away by this powerful narration, then you have clearly only one choice to make: read it!!!
For my part I can say that I was raptured to another estrange and perilous world, Nero and his delusions.. a murder and also an antichrist, his hands full of innocent blood!!!
This novel, like the "Titanic" is also an allegory to our present time in various levels and ways..
Our society sadly to say is also marked by a chronic injustice and much bloodshed !!
Also we have the so called elite which live in their delusions and artificial world!!!
So, yes!!! a great novel indeed.. it hasn't lost the power of his voice to our present reality..
I want to conclude by saying that I love "Quo Vadis" by Sienkiewicz, this novel it's much more than a mere classic, it's an event with the inner dwelling power of transforming your consciosness and awareness..
After reading "Quo Vadis" you will see things in different ways because of your growing realization and awareness!!!
So, yes, five stars and to all my goodreads friends:
Happy reading..l!!!
Dean;D
Here you have a great lovestory, then also a historic novel and also a political thriller ..
Let me put it this way: "Quo Vadis" will blow you away!!!
Also it's not a cliche that I say: I coud not put it down..
This novel simple is indeed so good that I had to get on reading even although with itching eyes and tired!!!
"Quo Vadis" will enhance and inspire your faith as a christian, but even if you are not yet a christian you shoudn't ommit this literary jewel and bereave yourself in this way!!!
At the end of the day it's up to you, but let me tell you that if you want to advance your literary skills and at the same time are willing to let you sweep away by this powerful narration, then you have clearly only one choice to make: read it!!!
For my part I can say that I was raptured to another estrange and perilous world, Nero and his delusions.. a murder and also an antichrist, his hands full of innocent blood!!!
This novel, like the "Titanic" is also an allegory to our present time in various levels and ways..
Our society sadly to say is also marked by a chronic injustice and much bloodshed !!
Also we have the so called elite which live in their delusions and artificial world!!!
So, yes!!! a great novel indeed.. it hasn't lost the power of his voice to our present reality..
I want to conclude by saying that I love "Quo Vadis" by Sienkiewicz, this novel it's much more than a mere classic, it's an event with the inner dwelling power of transforming your consciosness and awareness..
After reading "Quo Vadis" you will see things in different ways because of your growing realization and awareness!!!
So, yes, five stars and to all my goodreads friends:
Happy reading..l!!!
Dean;D
March 27, 2023
henryk jara艂 jak pisa艂
September 16, 2018
Technically, the rating I would give Quo Vadis is 3.5, but I feel like 4 full stars would be misleading.
I've been living in Poland for a year now, and Quo Vadis is certainly the most famous piece of literature that came out of this country. Despite being written in 1894, this book is as much in line with the Polish mindset, as it was 124 years ago. That is to say, Quo Vadis, in its essence is a praise to Christianity in its most basic and purest form.
Sienkiewicz is undoubtedly a great writer. The style of Quo Vadis is very sophisticated without being overly philosophical and complicated. Both the writing and the ideas of the book are easily accessible to any reader, and yet, the writing is very beautiful and poetical.
On the other hand, I see that this book would appeal to a certain type of crowd and it might not be as enthralling for others. I started reading it without knowing anything about the theme, and therefore, I did not have the opportunity to feel prejudiced or doubtful. Now, as I mentioned, Quo Vadis is a book which leans heavily on religion. It glorifies and idealizes Christianity to a point it might become burdensome to a reader who is not as engaged with religion. And the issue here is not that the book lies, or preaches fake morale, on the contrary, it spreads the original version of the New Testament Christianity - love to all, forgiveness for all, good deeds and compassion. It would be a lie if I said that Sienkiewicz urges people to do anything else, because he really does underline the importance of the goodness in people.
However, a critical mind can't help but take not only the contents of the book, but also the reality of religion in consideration. Yes, in terms of this book, the author does not say anything of the bad things which have emerged from Christianity, and yes, maybe the world would be a better place if Christians actually followed the true pillars of their religion. But this experiment has been going on for 2000 years, and just as the followers of the Greek and Roman gods, who are greatly demonized in Quo Vadis, have done bad deeds, so have Christians. In fact, no other religion has ever been deadlier.
Therefore, I would just accept the sermons in the book without mentioning them, if the book itself was written at a time no one knew where this religion would ultimately lead. Unfortunately, Quo Vadis was written in the 19th century, and Sienkiewicz knew very well that just as Nero was torturing Christians in his book, so did Christians torture, maim and kill countless people in the times of the Crusades, the Inquisition and the witch hunts, even up to our times, and not to even mention issues such as molestation, abortion, and so on. And I know that it might be unjust to bring this up in terms of this particular book, but this is the context of the philosophy of the book, and no matter how much I wished it was possible to take everything out of context, because it would be so much clear, that is not the situation, and when we form an opinion about something, we need to look into the background, as well.
That set aside, I would say that Quo Vadis, as a narrative and story, was very engaging and even enticing, because one could anticipate historical events which were made part of the book. Most of all, I enjoyed the final scene of St Peter, as the historical event was beautifully interwoven within the book and as a glimpse both at the future of Nero, but also at the future of Italy and the Vatican much, much later. Actually it was St Peter that was my favourite character in the book overall. He stood aside the romantic events of Vinicius and Lygia's lives and was the symbol of the purest form of faith that one can have. As I mentioned above, if Christians did believe, as he did, wholeheartedly and with absolute devotion, the world but be amazing, wouldn't it?
December 15, 2011
I know this should be obvious, but the "Da Vinci Code" fury requires that I do mention this: these kinds of books ought to be read for what they are, novels, works of fiction, and not narrative-style histories. If books are read according to their genre, they'll be far more enjoyable and less likely to stir stupid controversy.
"Quo Vadis" isn't a history, then, but a work of historical fiction. If you're familiar with the 1951 film starring Deborah Kerr, Robert Taylor and Peter Ustinov, you should most definitely acquaint yourself with the book. It's the story of a Roman patrician, Marcus Vinicius, who falls madly in love with Lygia, a hostage of Rome adopted as the daughter of a Roman general. The story takes place against the backdrop of Nero's bloody reign as emperor and the initial rise of Christianity in the first century. The film largely focuses on the individual love story. However, the book's particular focus is on the spiritual journey of Vinicius from typical pleasure-loving Roman to new believer in Christ.
The portrayal of Christians and Christianity in the book is largely through a Roman Catholic filter, as would be expected from the book's Polish author. It's a fascinating, brutal portrayal of early Christianity as a growing, but deeply suspicious movement. While every other aspect of the book is highly romanticized, the portrayal of Christianity is very serious and void of romanticism. I particularly recommend it to any evangelical reader of contemporary Christian fiction: I think it's serious treatment of the problem of evil, why God doesn't always answer every single prayer, and other issues usually avoided by saccharine, sentimentalized evangelicalism. I think people unfamiliar with Christianity might enjoy it as well, but I particularly recommend it to people who - whether believers or non-believers - think they have the Church and Christianity entirely figured out already.
There's no hard-hitting, in-your-face agenda in a way that sacrifices story for ideology. The book is not trying to make a Christian out of everybody, though it's pretty clear that the author highly encourages those who think they know everything about this religion to think again.
"Quo Vadis" isn't a history, then, but a work of historical fiction. If you're familiar with the 1951 film starring Deborah Kerr, Robert Taylor and Peter Ustinov, you should most definitely acquaint yourself with the book. It's the story of a Roman patrician, Marcus Vinicius, who falls madly in love with Lygia, a hostage of Rome adopted as the daughter of a Roman general. The story takes place against the backdrop of Nero's bloody reign as emperor and the initial rise of Christianity in the first century. The film largely focuses on the individual love story. However, the book's particular focus is on the spiritual journey of Vinicius from typical pleasure-loving Roman to new believer in Christ.
The portrayal of Christians and Christianity in the book is largely through a Roman Catholic filter, as would be expected from the book's Polish author. It's a fascinating, brutal portrayal of early Christianity as a growing, but deeply suspicious movement. While every other aspect of the book is highly romanticized, the portrayal of Christianity is very serious and void of romanticism. I particularly recommend it to any evangelical reader of contemporary Christian fiction: I think it's serious treatment of the problem of evil, why God doesn't always answer every single prayer, and other issues usually avoided by saccharine, sentimentalized evangelicalism. I think people unfamiliar with Christianity might enjoy it as well, but I particularly recommend it to people who - whether believers or non-believers - think they have the Church and Christianity entirely figured out already.
There's no hard-hitting, in-your-face agenda in a way that sacrifices story for ideology. The book is not trying to make a Christian out of everybody, though it's pretty clear that the author highly encourages those who think they know everything about this religion to think again.
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