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賮賷 賲爻鬲賵胤賳丞 丕賱毓賯丕亘
賷囟賲 賴匕丕 丕賱賰鬲丕亘 乇賵丕賷丞 賮乇丕賳夭 賰丕賮賰丕 丕賱卮賴賷乇丞 "賮賶 賲爻鬲賵胤賳丞 丕賱毓賯丕亘"
賵賯氐鬲賴 丕賱賯氐賷乇丞 丕賱賲孬賷乇丞 賱賱噩丿賱 : 亘賳丕鬲 丌賵賶 賵毓乇亘
賰丕賳 丕賱囟丕亘胤 賷賵噩賴 丕賱賲爻鬲賰卮賮 丕賱匕賷 賵氐賱 廿賱賶 丕賱噩夭賷乇丞 丕賱睾丕賲囟丞 賱鬲賮賯賾丿 丌賱丞 丕賱鬲毓匕賷亘 丕賱噩賴賳賲賷丞 賮賷 賳賵賮賷賱丕 賮乇丕賳夭 賰丕賮賰丕 賮賷 賲爻鬲賵胤賳丞 丕賱毓賯丕亘. 丕賱囟丕亘胤 賮賷 賴匕賴 丕賱賳賵賮賷賱丕 丕賱睾乇賷亘丞 賰丕賳 丌禺乇 爻賱丕賱丞 丕賱爻丕丿賷賷賳 賵賷鬲賲爻賾賰 亘丌賱鬲賴 丕賱鬲賷 賷丿賷賳賴丕 丕賱賯丕卅丿 丕賱噩丿賷丿 賵賷丨丕賵賱 廿亘胤丕賱 毓賯賵亘鬲賴丕 丕賱賵丨卮賷丞貙 丨賷孬 賷賵孬賯 丕賱賲丨賰賵賲 毓賱賷賴 賲胤乇賵丨丕賸 毓賱賶 賵噩賴賴 賮賷 噩夭卅賴丕 丕賱爻購賮賱賷貙 亘賷賳賲丕 賷鬲丨乇賾賰 丕賱噩夭亍 丕賱毓購賱賵賷 賱賷丨乇孬 亘丕賱廿亘乇 馗賴乇 丕賱囟丨賷丞 丨鬲賾賶 丕賱賲賵鬲貙 賵亘毓丿 匕賱賰 賷購賱賯賷 亘噩孬鬲賴 賮賷 丕賱丨賮乇丞 丕賱鬲賷 丕賲鬲賱兀鬲 亘丿賲丕卅賴 兀爻賮賱 丕賱丌賱丞.
丕賱賰丕鬲亘 丕賱匕賷 賰鬲亘 兀毓賲丕賱賴 賮賷 亘丿丕賷丞 丕賱賯乇賳 丕賱毓卮乇賷賳 賵鬲乇賰賴丕 賵氐賷賾丞 爻賽乇賷賾丞 賵賳亘丐丞 賱賲丕 爻賷噩乇賷 賲賳 賯賲毓 賮賷 賯乇賳 賲賵丨卮 亘丕賱丨乇亘 賵丕賱兀賷丿賷賵賱賵噩賷丕貙 賲囟賶 亘兀丨丿丕孬 賯氐鬲賴 丨鬲賾賶 兀賯丕賲 丕賱囟丨賷丞 賮賷 丕賱賱丨馗丞 丕賱兀禺賷乇丞貙 賵噩毓賱 丕賱囟丕亘胤 丕賱賷丕卅爻 賲賳 丕賱鬲兀賷賷丿 賷爻鬲賱賯賷 丿丕禺賱 丌賱鬲賴 賱賷賰賵賳 丌禺乇 囟丨丕賷丕賴丕 賵賷丿賮賳 廿賱賶 噩賵丕乇 賯丕卅丿賴 丕賱賲丐爻爻.
賵賱丕 鬲賳鬲賴賷 丕賱賯氐丞 亘賴匕賴 丕賱禺丕鬲賲丞 丕賱賲乇賷丨丞貙 賱兀賳 賰丕賮賰丕 賱賲 賷賳爻 兀賳 賷賳亘賴賳丕 廿賱賶 毓亘丕乇丞 賲賳賯賵卮丞 毓賱賶 亘丕亘 賯亘乇 乇丕卅丿 丕賱鬲毓匕賷亘 鬲鬲賳亘兀 亘兀賳賴 爻賵賮 賷毓賵丿 亘毓丿 毓丿丿 賲毓賷賾賳 賲賳 丕賱爻賳賷賳 賱賷賯賵丿 兀賳氐丕乇賴 賱丕爻鬲乇丿丕丿 丕賱賲爻鬲毓賲乇丞!
http://records.viu.ca/~johnstoi/kafka...
https://records.viu.ca/~Johnstoi/kafk...
賵賯氐鬲賴 丕賱賯氐賷乇丞 丕賱賲孬賷乇丞 賱賱噩丿賱 : 亘賳丕鬲 丌賵賶 賵毓乇亘
賰丕賳 丕賱囟丕亘胤 賷賵噩賴 丕賱賲爻鬲賰卮賮 丕賱匕賷 賵氐賱 廿賱賶 丕賱噩夭賷乇丞 丕賱睾丕賲囟丞 賱鬲賮賯賾丿 丌賱丞 丕賱鬲毓匕賷亘 丕賱噩賴賳賲賷丞 賮賷 賳賵賮賷賱丕 賮乇丕賳夭 賰丕賮賰丕 賮賷 賲爻鬲賵胤賳丞 丕賱毓賯丕亘. 丕賱囟丕亘胤 賮賷 賴匕賴 丕賱賳賵賮賷賱丕 丕賱睾乇賷亘丞 賰丕賳 丌禺乇 爻賱丕賱丞 丕賱爻丕丿賷賷賳 賵賷鬲賲爻賾賰 亘丌賱鬲賴 丕賱鬲賷 賷丿賷賳賴丕 丕賱賯丕卅丿 丕賱噩丿賷丿 賵賷丨丕賵賱 廿亘胤丕賱 毓賯賵亘鬲賴丕 丕賱賵丨卮賷丞貙 丨賷孬 賷賵孬賯 丕賱賲丨賰賵賲 毓賱賷賴 賲胤乇賵丨丕賸 毓賱賶 賵噩賴賴 賮賷 噩夭卅賴丕 丕賱爻購賮賱賷貙 亘賷賳賲丕 賷鬲丨乇賾賰 丕賱噩夭亍 丕賱毓購賱賵賷 賱賷丨乇孬 亘丕賱廿亘乇 馗賴乇 丕賱囟丨賷丞 丨鬲賾賶 丕賱賲賵鬲貙 賵亘毓丿 匕賱賰 賷購賱賯賷 亘噩孬鬲賴 賮賷 丕賱丨賮乇丞 丕賱鬲賷 丕賲鬲賱兀鬲 亘丿賲丕卅賴 兀爻賮賱 丕賱丌賱丞.
丕賱賰丕鬲亘 丕賱匕賷 賰鬲亘 兀毓賲丕賱賴 賮賷 亘丿丕賷丞 丕賱賯乇賳 丕賱毓卮乇賷賳 賵鬲乇賰賴丕 賵氐賷賾丞 爻賽乇賷賾丞 賵賳亘丐丞 賱賲丕 爻賷噩乇賷 賲賳 賯賲毓 賮賷 賯乇賳 賲賵丨卮 亘丕賱丨乇亘 賵丕賱兀賷丿賷賵賱賵噩賷丕貙 賲囟賶 亘兀丨丿丕孬 賯氐鬲賴 丨鬲賾賶 兀賯丕賲 丕賱囟丨賷丞 賮賷 丕賱賱丨馗丞 丕賱兀禺賷乇丞貙 賵噩毓賱 丕賱囟丕亘胤 丕賱賷丕卅爻 賲賳 丕賱鬲兀賷賷丿 賷爻鬲賱賯賷 丿丕禺賱 丌賱鬲賴 賱賷賰賵賳 丌禺乇 囟丨丕賷丕賴丕 賵賷丿賮賳 廿賱賶 噩賵丕乇 賯丕卅丿賴 丕賱賲丐爻爻.
賵賱丕 鬲賳鬲賴賷 丕賱賯氐丞 亘賴匕賴 丕賱禺丕鬲賲丞 丕賱賲乇賷丨丞貙 賱兀賳 賰丕賮賰丕 賱賲 賷賳爻 兀賳 賷賳亘賴賳丕 廿賱賶 毓亘丕乇丞 賲賳賯賵卮丞 毓賱賶 亘丕亘 賯亘乇 乇丕卅丿 丕賱鬲毓匕賷亘 鬲鬲賳亘兀 亘兀賳賴 爻賵賮 賷毓賵丿 亘毓丿 毓丿丿 賲毓賷賾賳 賲賳 丕賱爻賳賷賳 賱賷賯賵丿 兀賳氐丕乇賴 賱丕爻鬲乇丿丕丿 丕賱賲爻鬲毓賲乇丞!
http://records.viu.ca/~johnstoi/kafka...
https://records.viu.ca/~Johnstoi/kafk...
65 pages, Unknown Binding
First published October 1, 1918
695 people are currently reading
21.4k people want to read
About the author
Franz Kafka
3,241听books35.6k听followersPrague-born writer Franz Kafka wrote in German, and his stories, such as "
The Metamorphosis
" (1916), and posthumously published novels, including
The Trial
(1925), concern troubled individuals in a nightmarishly impersonal world.
Jewish middle-class family of this major fiction writer of the 20th century spoke German. People consider his unique body of much incomplete writing, mainly published posthumously, among the most influential in European literature.
His stories include "The Metamorphosis" (1912) and " In the Penal Colony " (1914), whereas his posthumous novels include The Trial (1925), The Castle (1926) and Amerika (1927).
Despite first language, Kafka also spoke fluent Czech. Later, Kafka acquired some knowledge of the French language and culture from Flaubert, one of his favorite authors.
Kafka first studied chemistry at the Charles-Ferdinand University of Prague but after two weeks switched to law. This study offered a range of career possibilities, which pleased his father, and required a longer course of study that gave Kafka time to take classes in German studies and art history. At the university, he joined a student club, named Lese- und Redehalle der Deutschen Studenten, which organized literary events, readings, and other activities. In the end of his first year of studies, he met Max Brod, a close friend of his throughout his life, together with the journalist Felix Weltsch, who also studied law. Kafka obtained the degree of doctor of law on 18 June 1906 and performed an obligatory year of unpaid service as law clerk for the civil and criminal courts.
Writing of Kafka attracted little attention before his death. During his lifetime, he published only a few short stories and never finished any of his novels except the very short "The Metamorphosis." Kafka wrote to Max Brod, his friend and literary executor: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread." Brod told Kafka that he intended not to honor these wishes, but Kafka, so knowing, nevertheless consequently gave these directions specifically to Brod, who, so reasoning, overrode these wishes. Brod in fact oversaw the publication of most of work of Kafka in his possession; these works quickly began to attract attention and high critical regard.
Max Brod encountered significant difficulty in compiling notebooks of Kafka into any chronological order as Kafka started writing in the middle of notebooks, from the last towards the first, et cetera.
Kafka wrote all his published works in German except several letters in Czech to Milena Jesensk谩.
Jewish middle-class family of this major fiction writer of the 20th century spoke German. People consider his unique body of much incomplete writing, mainly published posthumously, among the most influential in European literature.
His stories include "The Metamorphosis" (1912) and " In the Penal Colony " (1914), whereas his posthumous novels include The Trial (1925), The Castle (1926) and Amerika (1927).
Despite first language, Kafka also spoke fluent Czech. Later, Kafka acquired some knowledge of the French language and culture from Flaubert, one of his favorite authors.
Kafka first studied chemistry at the Charles-Ferdinand University of Prague but after two weeks switched to law. This study offered a range of career possibilities, which pleased his father, and required a longer course of study that gave Kafka time to take classes in German studies and art history. At the university, he joined a student club, named Lese- und Redehalle der Deutschen Studenten, which organized literary events, readings, and other activities. In the end of his first year of studies, he met Max Brod, a close friend of his throughout his life, together with the journalist Felix Weltsch, who also studied law. Kafka obtained the degree of doctor of law on 18 June 1906 and performed an obligatory year of unpaid service as law clerk for the civil and criminal courts.
Writing of Kafka attracted little attention before his death. During his lifetime, he published only a few short stories and never finished any of his novels except the very short "The Metamorphosis." Kafka wrote to Max Brod, his friend and literary executor: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread." Brod told Kafka that he intended not to honor these wishes, but Kafka, so knowing, nevertheless consequently gave these directions specifically to Brod, who, so reasoning, overrode these wishes. Brod in fact oversaw the publication of most of work of Kafka in his possession; these works quickly began to attract attention and high critical regard.
Max Brod encountered significant difficulty in compiling notebooks of Kafka into any chronological order as Kafka started writing in the middle of notebooks, from the last towards the first, et cetera.
Kafka wrote all his published works in German except several letters in Czech to Milena Jesensk谩.
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Displaying 1 - 30 of 2,154 reviews
November 27, 2024
There is often menace and even horror in Kafka's works, but not usually blood and gore, as this has. Nevertheless, in many ways, it is quintessential Kafka, featuring abuse of the law, the mental horror of a helpless and uniformed protagonist, an outsider, a degree of surrealism, and some dry asides.
The Harrowing Harrow
The plot is grim but simple. A traveller to a tropical penal colony is invited to watch their unique method of execution: a complex machine (the Harrow) engraves the words of the offence in an illegible script. The condemned man usually dies about 12 hours later, but as the words are drilled into him, he is supposed to experience a moment of revelation and regret.
The machine is explained in graphic detail by the officer who has devoted years to its upkeep and worships it almost as much as he worships the previous commander who invented it. The officer is despairing that the new commander is not enlightened enough to give full support to the method and fears the commander wants to abolish it.
I expect Orwell had this in mind in 1984: 鈥淚n the old days the heretic walked to the stake still a heretic鈥� But we make the brain perfect before we blow it out.鈥�
Although proud of the moment of enlightenment bestowed just before death, the officer's concern is mechanics, not morality. Was it madness that made him so obsessed, or his obsession that drove him to madness?
Does Inaction Make one Morally Culpable for Events?
The traveller is horrified, but is unsure whether or how he should intervene. He is an honoured guest, and from a country that is not the colonial power.
In this short story, there are three times when he considers acting. But he does not. "He knew what was going to happen but he had no right to hinder" because the officer was acting logically according to his own principles.
He does not even say farewell to the commandant. He just sails away. I'm reminded of Le Guin's chilling short story, The Ones Who Walked Away from Omelas, which I reviewed HERE.
Sacrifice
In a twist, the one who is sacrificed to the machine is the one who worships it. But even that is futile: the face of the dead officer showed "no sign of the promised deliverance... What all the others had found in the machine, the officer had not found."
Quintessentiallity
The particularly Kafkaesque elements are that the condemned man never knows his crime. It is a trumped up charge of "insubordination and insulting a senior officer", which arises from a pointless job at which success is almost impossible: he fell asleep, so failed to salute the (sleeping) captain's door on the hour, every hour, through the night.
Furthermore, the accused has had no opportunity to defend himself, does not initially know he is due to be executed, or how, and does not speak the language of the officer, traveller or guard. The officer is judge, jury and executioner, something he is proud of - after all, "guilt is always beyond question".
Resurgam
The more surprising and sinister aspect is the fact that the few remaining followers of the previous commander believe that one day he "will rise again" from his grave...
See also
鈥� See my Kafka-related bookshelf for other works by and about Kafka: HERE.
鈥� Another outsider viewing a strange tradition is the narrator of Shirley Jackson's equally disturbing short story, The Lottery, which I reviewed HERE.
鈥� There's a story in Daisy Johnson's Fen about someone's speech causing physical pain, but it's mystical, rather than gory. See my review HERE.
鈥� For a dystopian take on one person's language inflicting extreme physical pain on others, see Ben Marcus' The Flame Alphabet. See my review HERE.
鈥� For a brutal and beautiful alternative to the Harrow, see Yevgeny Zamyatin鈥檚 WE. See my review HERE.
鈥� See Bruce's excellent review for an interesting angle, seeing this as a metaphor for language and communication: .
鈥� There is/was an operatic adaptation, which is worth seeing if you have the chance.
Short story club
I read this again in Black Water: The Anthology of Fantastic Literature, by Alberto Manguel, from which I鈥檓 reading one story a week with The Short Story Club, starting 4 September 2023.
You can read this story .
You can join the group here.
The Harrowing Harrow
The plot is grim but simple. A traveller to a tropical penal colony is invited to watch their unique method of execution: a complex machine (the Harrow) engraves the words of the offence in an illegible script. The condemned man usually dies about 12 hours later, but as the words are drilled into him, he is supposed to experience a moment of revelation and regret.
The machine is explained in graphic detail by the officer who has devoted years to its upkeep and worships it almost as much as he worships the previous commander who invented it. The officer is despairing that the new commander is not enlightened enough to give full support to the method and fears the commander wants to abolish it.
I expect Orwell had this in mind in 1984: 鈥淚n the old days the heretic walked to the stake still a heretic鈥� But we make the brain perfect before we blow it out.鈥�
Although proud of the moment of enlightenment bestowed just before death, the officer's concern is mechanics, not morality. Was it madness that made him so obsessed, or his obsession that drove him to madness?
Does Inaction Make one Morally Culpable for Events?
The traveller is horrified, but is unsure whether or how he should intervene. He is an honoured guest, and from a country that is not the colonial power.
In this short story, there are three times when he considers acting. But he does not. "He knew what was going to happen but he had no right to hinder" because the officer was acting logically according to his own principles.
He does not even say farewell to the commandant. He just sails away. I'm reminded of Le Guin's chilling short story, The Ones Who Walked Away from Omelas, which I reviewed HERE.
Sacrifice
In a twist, the one who is sacrificed to the machine is the one who worships it. But even that is futile: the face of the dead officer showed "no sign of the promised deliverance... What all the others had found in the machine, the officer had not found."
Quintessentiallity
The particularly Kafkaesque elements are that the condemned man never knows his crime. It is a trumped up charge of "insubordination and insulting a senior officer", which arises from a pointless job at which success is almost impossible: he fell asleep, so failed to salute the (sleeping) captain's door on the hour, every hour, through the night.
Furthermore, the accused has had no opportunity to defend himself, does not initially know he is due to be executed, or how, and does not speak the language of the officer, traveller or guard. The officer is judge, jury and executioner, something he is proud of - after all, "guilt is always beyond question".
Resurgam
The more surprising and sinister aspect is the fact that the few remaining followers of the previous commander believe that one day he "will rise again" from his grave...
See also
鈥� See my Kafka-related bookshelf for other works by and about Kafka: HERE.
鈥� Another outsider viewing a strange tradition is the narrator of Shirley Jackson's equally disturbing short story, The Lottery, which I reviewed HERE.
鈥� There's a story in Daisy Johnson's Fen about someone's speech causing physical pain, but it's mystical, rather than gory. See my review HERE.
鈥� For a dystopian take on one person's language inflicting extreme physical pain on others, see Ben Marcus' The Flame Alphabet. See my review HERE.
鈥� For a brutal and beautiful alternative to the Harrow, see Yevgeny Zamyatin鈥檚 WE. See my review HERE.
鈥� See Bruce's excellent review for an interesting angle, seeing this as a metaphor for language and communication: .
鈥� There is/was an operatic adaptation, which is worth seeing if you have the chance.
Short story club
I read this again in Black Water: The Anthology of Fantastic Literature, by Alberto Manguel, from which I鈥檓 reading one story a week with The Short Story Club, starting 4 September 2023.
You can read this story .
You can join the group here.
August 29, 2021
In der Strafkolonie = In the Penal Settlement = In the Penal Colony, Franz Kafka
In the Penal Colony is a short story by Franz Kafka賵 written in German賵 in October 1914, revised in November 1918, and first published in October 1919.
The story is set in an unnamed penal colony.
Internal clues and the setting on an island suggest Octave Mirbeau's The Torture Garden as an influence.
As in some of Kafka's other writings, the narrator in this story seems detached from, or perhaps numbed by, events that one would normally expect to be registered with horror.
In the Penal Colony describes the last use of an elaborate torture and execution device that carves the sentence of the condemned prisoner on his skin before letting him die, all in the course of twelve hours.
As the plot unfolds, the reader learns more and more about the machine, including its origin and original justification.
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦诏乇賵賴 賲丨讴賵賲蹖賳 賵 倬蹖丕賲 讴丕賮讴丕禄貨 芦倬蹖丕賲 讴丕賮讴丕禄貨 賳賵蹖爻賳丿賴: 賮乇丕賳鬲爻 讴丕賮讴丕貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 爻丕賱賴丕蹖 1976貨 賵 爻丕賱1977賲蹖賱丕丿蹖
毓賳賵丕賳: 诏乇賵賴 賲丨讴賵賲蹖賳 賵 倬蹖丕賲 讴丕賮讴丕貨 賳賵蹖爻賳丿賴: 賮乇丕賳鬲爻 讴丕賮讴丕貨 賲鬲乇噩賲: 氐丕丿賯 賴丿丕蹖鬲貨 毓賳賵丕賳 丿蹖诏乇: 倬蹖丕賲 讴丕賮讴丕貨
毓賳賵丕賳: 倬蹖丕賲 讴丕賮讴丕: 賲鬲乇噩賲: 氐丕丿賯 賴丿丕蹖鬲貨 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貙 1342貨 毓賳賵丕賳 丿蹖诏乇 诏乇賵賴 賲丨讴賵賲蹖賳貨 賲鬲乇噩賲: 丨爻賳 賯丕卅賲蹖丕賳貨 丿乇 150氐貨 毓賳賵丕賳 丿蹖诏乇 诏乇賵賴 賲丨讴賵賲蹖賳 賵 讴丕賮讴丕貨 趩丕倬 趩賴丕乇賲 1384貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 趩讴 鬲亘丕乇 丌賱賲丕賳蹖 爻丿賴 20賲
丕蹖賳 丿賵 賳诏丕乇賴 乇丕貙 亘丕 毓賳賵丕賳: 芦诏乇賵賴 賲丨讴賵賲蹖賳 賵 倬蹖丕賲 讴丕賮讴丕禄貙 丕賳鬲卮丕乇丕鬲 芦噩丕賲賴 丿乇丕賳禄貨 丿乇 爻丕賱 1383賴噩乇蹖 禺賵乇卮蹖丿蹖貨 賵 丕賳鬲卮丕乇丕鬲 芦賳诏丕賴禄 賳蹖夭 丿乇 賴賲丕賳 爻丕賱貙 賲賳鬲卮乇 讴乇丿賴 丕賳丿貨 芦倬蹖丕賲 讴丕賮讴丕禄 鬲丨賱蹖賱蹖 丕夭 丌孬丕乇 芦賮乇丕賳鬲爻 讴丕賮讴丕禄貙 亘賴 賯賱賲 乇賵丕賳卮丕丿 芦氐丕丿賯 賴丿丕蹖鬲禄 丕爻鬲貙 讴賴 亘賴 賴賲乇丕賴 丿丕爻鬲丕賳 芦诏乇賵賴 賲丨讴賵賲蹖賳禄貙 丕孬乇: 芦讴丕賮讴丕禄貨 亘丕 鬲乇噩賲賴 蹖 噩賳丕亘 芦丨爻賳 賯丕卅賲蹖丕賳禄貙 賳禺爻鬲蹖賳 亘丕乇 亘賴 卮讴賱 讴鬲丕亘蹖 噩丿丕诏丕賳賴貙 丿乇 爻丕賱 1327賴噩乇蹖 禺賵乇卮蹖丿蹖貙 賲賳鬲卮乇 卮丿賴 丕爻鬲貨 丕賳诏蹖夭賴 蹖 賳诏丕乇卮 丕蹖賳 鬲丨賱蹖賱 乇丕貙 賲蹖鈥屫堌з� 丿乇 賴賲丿賱蹖 乇賵丕賳卮丕丿 芦賴丿丕蹖鬲禄貙 亘丕 芦讴丕賮讴丕禄 丿丕賳爻鬲貨 丕夭 賴賲丕賳 丌睾丕夭貙 芦賴丿丕蹖鬲禄貙 芦讴丕賮讴丕禄 乇丕貙 丿乇 夭賲乇賴 蹖 賳賵蹖爻賳丿诏丕賳 讴賲蹖丕亘貙 賯乇丕乇 賲蹖鈥屫囐嗀� 賵 鬲丕 倬丕蹖丕賳 毓賲乇貙 卮蹖賮鬲賴鈥� 賵丕乇貙 亘賴 亘蹖丕賳 丕賳丿蹖卮賴鈥� 賴丕貙 賵 毓賳丕氐乇 鬲卮讴蹖賱 丿賴賳丿賴 蹖 丌孬丕乇 丕蹖卮丕賳貙 賲蹖鈥屬矩必ж操嗀� 丿乇 丕蹖賳 賲賯丕賲貙 芦賴丿丕蹖鬲禄 亘賴 賵丕賯毓貙 毓乇囟賴鈥� 诏乇 丕賮讴丕乇貙 賵 丌乇丕蹖 禺賵丿 賳蹖夭 賴爻鬲賳丿貙 讴賴 亘丕 噩賴丕賳鈥� 亘蹖賳蹖 芦讴丕賮讴丕禄 賴賲爻賵蹖蹖 丿丕乇丿貨 賴賲蹖賳 鬲丨賱蹖賱貙 丿爻鬲 賲丕蹖賴 蹖 賳賯丿 亘爻蹖丕乇蹖 丕夭 賲賳鬲賯丿丕賳 丌孬丕乇 芦賴丿丕蹖鬲禄貙 賯乇丕乇 賲蹖鈥屭屫必� 賵 丕夭 丌賳 丿乇 丕乇夭蹖丕亘蹖 賳诏丕乇賴 賴丕蹖 丕蹖卮丕賳 蹖丕乇蹖 賲蹖鈥屫堐屬嗀�
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 29/06/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 06/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
In the Penal Colony is a short story by Franz Kafka賵 written in German賵 in October 1914, revised in November 1918, and first published in October 1919.
The story is set in an unnamed penal colony.
Internal clues and the setting on an island suggest Octave Mirbeau's The Torture Garden as an influence.
As in some of Kafka's other writings, the narrator in this story seems detached from, or perhaps numbed by, events that one would normally expect to be registered with horror.
In the Penal Colony describes the last use of an elaborate torture and execution device that carves the sentence of the condemned prisoner on his skin before letting him die, all in the course of twelve hours.
As the plot unfolds, the reader learns more and more about the machine, including its origin and original justification.
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦诏乇賵賴 賲丨讴賵賲蹖賳 賵 倬蹖丕賲 讴丕賮讴丕禄貨 芦倬蹖丕賲 讴丕賮讴丕禄貨 賳賵蹖爻賳丿賴: 賮乇丕賳鬲爻 讴丕賮讴丕貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 爻丕賱賴丕蹖 1976貨 賵 爻丕賱1977賲蹖賱丕丿蹖
毓賳賵丕賳: 诏乇賵賴 賲丨讴賵賲蹖賳 賵 倬蹖丕賲 讴丕賮讴丕貨 賳賵蹖爻賳丿賴: 賮乇丕賳鬲爻 讴丕賮讴丕貨 賲鬲乇噩賲: 氐丕丿賯 賴丿丕蹖鬲貨 毓賳賵丕賳 丿蹖诏乇: 倬蹖丕賲 讴丕賮讴丕貨
毓賳賵丕賳: 倬蹖丕賲 讴丕賮讴丕: 賲鬲乇噩賲: 氐丕丿賯 賴丿丕蹖鬲貨 鬲賴乇丕賳貙 丕賲蹖乇讴亘蹖乇貙 1342貨 毓賳賵丕賳 丿蹖诏乇 诏乇賵賴 賲丨讴賵賲蹖賳貨 賲鬲乇噩賲: 丨爻賳 賯丕卅賲蹖丕賳貨 丿乇 150氐貨 毓賳賵丕賳 丿蹖诏乇 诏乇賵賴 賲丨讴賵賲蹖賳 賵 讴丕賮讴丕貨 趩丕倬 趩賴丕乇賲 1384貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 趩讴 鬲亘丕乇 丌賱賲丕賳蹖 爻丿賴 20賲
丕蹖賳 丿賵 賳诏丕乇賴 乇丕貙 亘丕 毓賳賵丕賳: 芦诏乇賵賴 賲丨讴賵賲蹖賳 賵 倬蹖丕賲 讴丕賮讴丕禄貙 丕賳鬲卮丕乇丕鬲 芦噩丕賲賴 丿乇丕賳禄貨 丿乇 爻丕賱 1383賴噩乇蹖 禺賵乇卮蹖丿蹖貨 賵 丕賳鬲卮丕乇丕鬲 芦賳诏丕賴禄 賳蹖夭 丿乇 賴賲丕賳 爻丕賱貙 賲賳鬲卮乇 讴乇丿賴 丕賳丿貨 芦倬蹖丕賲 讴丕賮讴丕禄 鬲丨賱蹖賱蹖 丕夭 丌孬丕乇 芦賮乇丕賳鬲爻 讴丕賮讴丕禄貙 亘賴 賯賱賲 乇賵丕賳卮丕丿 芦氐丕丿賯 賴丿丕蹖鬲禄 丕爻鬲貙 讴賴 亘賴 賴賲乇丕賴 丿丕爻鬲丕賳 芦诏乇賵賴 賲丨讴賵賲蹖賳禄貙 丕孬乇: 芦讴丕賮讴丕禄貨 亘丕 鬲乇噩賲賴 蹖 噩賳丕亘 芦丨爻賳 賯丕卅賲蹖丕賳禄貙 賳禺爻鬲蹖賳 亘丕乇 亘賴 卮讴賱 讴鬲丕亘蹖 噩丿丕诏丕賳賴貙 丿乇 爻丕賱 1327賴噩乇蹖 禺賵乇卮蹖丿蹖貙 賲賳鬲卮乇 卮丿賴 丕爻鬲貨 丕賳诏蹖夭賴 蹖 賳诏丕乇卮 丕蹖賳 鬲丨賱蹖賱 乇丕貙 賲蹖鈥屫堌з� 丿乇 賴賲丿賱蹖 乇賵丕賳卮丕丿 芦賴丿丕蹖鬲禄貙 亘丕 芦讴丕賮讴丕禄 丿丕賳爻鬲貨 丕夭 賴賲丕賳 丌睾丕夭貙 芦賴丿丕蹖鬲禄貙 芦讴丕賮讴丕禄 乇丕貙 丿乇 夭賲乇賴 蹖 賳賵蹖爻賳丿诏丕賳 讴賲蹖丕亘貙 賯乇丕乇 賲蹖鈥屫囐嗀� 賵 鬲丕 倬丕蹖丕賳 毓賲乇貙 卮蹖賮鬲賴鈥� 賵丕乇貙 亘賴 亘蹖丕賳 丕賳丿蹖卮賴鈥� 賴丕貙 賵 毓賳丕氐乇 鬲卮讴蹖賱 丿賴賳丿賴 蹖 丌孬丕乇 丕蹖卮丕賳貙 賲蹖鈥屬矩必ж操嗀� 丿乇 丕蹖賳 賲賯丕賲貙 芦賴丿丕蹖鬲禄 亘賴 賵丕賯毓貙 毓乇囟賴鈥� 诏乇 丕賮讴丕乇貙 賵 丌乇丕蹖 禺賵丿 賳蹖夭 賴爻鬲賳丿貙 讴賴 亘丕 噩賴丕賳鈥� 亘蹖賳蹖 芦讴丕賮讴丕禄 賴賲爻賵蹖蹖 丿丕乇丿貨 賴賲蹖賳 鬲丨賱蹖賱貙 丿爻鬲 賲丕蹖賴 蹖 賳賯丿 亘爻蹖丕乇蹖 丕夭 賲賳鬲賯丿丕賳 丌孬丕乇 芦賴丿丕蹖鬲禄貙 賯乇丕乇 賲蹖鈥屭屫必� 賵 丕夭 丌賳 丿乇 丕乇夭蹖丕亘蹖 賳诏丕乇賴 賴丕蹖 丕蹖卮丕賳 蹖丕乇蹖 賲蹖鈥屫堐屬嗀�
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 29/06/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 06/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
December 1, 2024
The injustice of the procedure and inhumanity of the execution were incontestable
The very last words of In the Penal Colony move across my bewildered eyes, sitting in the Kafkaesque corner of my apartment, I feel numb since words refuse to come to my observant mind, the comatose feeling blinds my consciousness which fails to pick up words from cerebral saucepan. The prophetic fable of Kafka is full of Kafkaesque elements which would provide eerie dizzying delight to his fans. Set in a remote colonial outpost, it shows a state executioner demonstrating a dilapidated, death-dealing machine, which graphically inscribes the prisoner's sentence on his skin, to a bemused visitor.
The familiar world of Kafka engulfs the reader as soon the reader gets immersed in the prose, the man is condemned to exist in harrowing condition, he is supposed to show utmost sincerity to fulfill the senseless jobs such as saluting his senior and in this nonsensical endeavor, he deprives himself of his basic human needs such as sound sleep. We see the usual terrifying but the very real universe of Kafka wherein the life of a man may be doomed to death for a mere threat, such is the mockery of human existence, for his existence is ridiculed to zilch. The torturous causation of crime and punishment is awfully skewed in Kafka鈥檚 world wherein the prisoner doesn鈥檛 know about his punishment neither has any say in his judgment. It represents a chilling, dark world wherein human existence is reduced to nothingness so much so that people are reduced to just subject of horrific and horrendous acts of humanity, these acts take inspiration from the most harrowing and disgusting examples from human civilization such as wars, concentration camps, the game of thrones, religion and lust for power.
The execution machine symbolizes commandments of eternal justice which has to go on no matter what and at whatever price, even if maybe that of humanity, for humanity is for those who involve in silly games, for those who do real deeds, the devil oozes its hellish blessings uninitiated and uninterruptedly. And those who are being sacrificed in this ultimate advent of god should not be given a voice, for they may not be able to distinguish what is good for them from what is just. As justice is a concept conceptualized by those who never accord in the grand procession and more often than not, distract the world through their struggle for fad things such as equality, nature, existence. The world here demands eternal sacrifice which sometimes engulfs those who propagate it. The participants of Kafka鈥檚 world roam through unknown labyrinths in which human existence constantly struggles to come to terms with the absurd vagaries of life.
The labyrinth is perhaps like Dante鈥檚 hell where fire keeps burning the desire to maintain commandments as it should be, sometimes some immature, progressive people upsurge from its inferno to show the world about the injustice they have following without knowing however that doesn鈥檛 mean they will always be succeeded. What Kafka is saying is that a certain measure of decadence seems to be inevitably a part of civilization and that the "modern" ideals of rationality and liberalism tend to give way too easily to considerations of utility and to the whims of the people.
The progressive people shy away from raising their voice against injustice and sometimes get mesmerized by the dutiful but false conviction of those who sacrifice themselves feeling great but inhumane pride in it. These progressive people proclaim that they can neither help nor hinder the eternal procession because "interference is always touchy." They do not like the in-just system, however, their humanity is just a shield for their convenient relativism. So we come across a gruesome, harrowing, and disheartening realization that those so-called progressive and modern people who are manifestations of justice, empathy, and liberalism are not automatically superior to the seemingly regressive system. In fact, it represents a classical dilemma torturing humankind since the dawn of civilization, to find a balance between individual freedom and social obligations. Our history is self-sufficient evidence that many times human beings have to wander from one to other extremes as to feel humane and reformists, but only to realize that the vicious swing has repeated itself time and again and perhaps will follow the same path. And this ghastly acceptance leaves a bad taste to acknowledge that though the world must be humane and just the retrogressive system is perhaps the harsh and bitter truth of humanity.
It was as it had been in life; there was no trace of the promised transfiguration; the thing that all the others had found in the machine, the officer himself had failed to find; his lips were pressed together, his eyes were open, their expression was that of the living man, their look was firm and assure, and the point of the great iron spike had passed through the forehead.
The very last words of In the Penal Colony move across my bewildered eyes, sitting in the Kafkaesque corner of my apartment, I feel numb since words refuse to come to my observant mind, the comatose feeling blinds my consciousness which fails to pick up words from cerebral saucepan. The prophetic fable of Kafka is full of Kafkaesque elements which would provide eerie dizzying delight to his fans. Set in a remote colonial outpost, it shows a state executioner demonstrating a dilapidated, death-dealing machine, which graphically inscribes the prisoner's sentence on his skin, to a bemused visitor.
The familiar world of Kafka engulfs the reader as soon the reader gets immersed in the prose, the man is condemned to exist in harrowing condition, he is supposed to show utmost sincerity to fulfill the senseless jobs such as saluting his senior and in this nonsensical endeavor, he deprives himself of his basic human needs such as sound sleep. We see the usual terrifying but the very real universe of Kafka wherein the life of a man may be doomed to death for a mere threat, such is the mockery of human existence, for his existence is ridiculed to zilch. The torturous causation of crime and punishment is awfully skewed in Kafka鈥檚 world wherein the prisoner doesn鈥檛 know about his punishment neither has any say in his judgment. It represents a chilling, dark world wherein human existence is reduced to nothingness so much so that people are reduced to just subject of horrific and horrendous acts of humanity, these acts take inspiration from the most harrowing and disgusting examples from human civilization such as wars, concentration camps, the game of thrones, religion and lust for power.
The execution machine symbolizes commandments of eternal justice which has to go on no matter what and at whatever price, even if maybe that of humanity, for humanity is for those who involve in silly games, for those who do real deeds, the devil oozes its hellish blessings uninitiated and uninterruptedly. And those who are being sacrificed in this ultimate advent of god should not be given a voice, for they may not be able to distinguish what is good for them from what is just. As justice is a concept conceptualized by those who never accord in the grand procession and more often than not, distract the world through their struggle for fad things such as equality, nature, existence. The world here demands eternal sacrifice which sometimes engulfs those who propagate it. The participants of Kafka鈥檚 world roam through unknown labyrinths in which human existence constantly struggles to come to terms with the absurd vagaries of life.
The labyrinth is perhaps like Dante鈥檚 hell where fire keeps burning the desire to maintain commandments as it should be, sometimes some immature, progressive people upsurge from its inferno to show the world about the injustice they have following without knowing however that doesn鈥檛 mean they will always be succeeded. What Kafka is saying is that a certain measure of decadence seems to be inevitably a part of civilization and that the "modern" ideals of rationality and liberalism tend to give way too easily to considerations of utility and to the whims of the people.
The progressive people shy away from raising their voice against injustice and sometimes get mesmerized by the dutiful but false conviction of those who sacrifice themselves feeling great but inhumane pride in it. These progressive people proclaim that they can neither help nor hinder the eternal procession because "interference is always touchy." They do not like the in-just system, however, their humanity is just a shield for their convenient relativism. So we come across a gruesome, harrowing, and disheartening realization that those so-called progressive and modern people who are manifestations of justice, empathy, and liberalism are not automatically superior to the seemingly regressive system. In fact, it represents a classical dilemma torturing humankind since the dawn of civilization, to find a balance between individual freedom and social obligations. Our history is self-sufficient evidence that many times human beings have to wander from one to other extremes as to feel humane and reformists, but only to realize that the vicious swing has repeated itself time and again and perhaps will follow the same path. And this ghastly acceptance leaves a bad taste to acknowledge that though the world must be humane and just the retrogressive system is perhaps the harsh and bitter truth of humanity.
It was as it had been in life; there was no trace of the promised transfiguration; the thing that all the others had found in the machine, the officer himself had failed to find; his lips were pressed together, his eyes were open, their expression was that of the living man, their look was firm and assure, and the point of the great iron spike had passed through the forehead.
October 21, 2015
賵兀禺賷乇賸丕 賯乇兀鬲 賱賴匕丕 丕賱賰丕賮賰丕
丕賱亘毓囟 賷氐賮 兀丿亘賴 亘兀賳賴 賲兀爻丕賵賷 爻賵丿丕賵賷 賰卅賷亘.
丨賷賳 賯乇兀鬲 匕賱賰 丕賱毓賲賱 丕賱氐睾賷乇 鬲兀賰丿鬲 賲賳 匕賱賰
賱賰賳 丕賱兀禺胤乇貙 賴賵 兀賳 兀丿亘賴 賲乇毓亘
賴匕賴 丕賱乇賵丕賷丞 丕賱氐睾賷乇丞 賱丕 賷購賯丕賱 毓賳賴丕 爻賵賶 廿賳賴丕 賲購乇毓亘丞
賴賳丕賰 賮丕乇賯 賲丕 亘賷賳 乇賵丕賷丕鬲 丕賱乇毓亘 賵丕賱乇賵丕賷丕鬲 丕賱賲乇毓亘丞
乇賵丕賷丕鬲 丕賱乇毓亘 賲丕 賴賷 廿賱丕 丨丿賷孬 卮賷賯 毓賳 丕賱兀卮亘丕丨 賵丕賱毓賮丕乇賷鬲
賰賱賴丕 兀卮賷丕亍 賲丕 賵乇丕亍 毓丕賱賲賳丕 賵禺丕乇噩賴
乇亘賲丕 丨賷賳 賳賯乇兀賴丕 賳禺丕賮 兀賵 賳卮毓乇 亘丕賱兀孬丕乇丞貙 賱賰賳 匕賱賰 賷賳鬲賴賷 亘賳賴丕賷丞 丕賱賯氐丞
丕賱乇賵丕賷丕鬲 丕賱賲乇毓亘丞 賴賷 鬲賱賰 丕賱鬲賷 鬲睾賵氐 亘賰 賮賷 賵丨賱 賵丕賯毓賰
賮賷 爻賵丿丕賵賷丞 丕賱丨丕囟乇 賵乇毓亘 丕賱賲爻鬲賯亘賱
鬲禺卮賶 匕丕鬲 丕賱賲氐賷乇 丕賱匕賷 賷賱丕賯賷賴 丕賱亘胤賱貙 鬲禺卮賶 丨鬲賶 賲噩乇丿 丕賱鬲賮賰賷乇 賮賷 廿賲賰丕賳賷丞 丨丿賵孬 匕賱賰!
亘丕賱賳爻亘丞 賱賷賾貨 賴匕賴 鬲賯乇賷亘賸丕 孬丕賱孬 乇賵丕賷丞 賲乇毓亘丞- 亘毓丿 乇賵丕賷鬲賷 丕賱毓賲賶 賱噩賵夭賷丞 爻丕乇賲丕噩賵 賵丕賱噩賵毓 賱賰賳賵鬲 賴丕賲賳爻賵賳- 丕賯乇兀賴丕 賵兀禺卮賶 匕丕鬲 丕賱賲氐賷乇
賰賳鬲 兀賯卮毓乇 丨賷賳 賷爻賴亘 賰丕賮賰丕 賮賷 賵氐賮 丌賱賴 丕賱毓賯丕亘 賵賰賷賮 賷鬲賲 丕賱毓賯丕亘
賵丨賷賳 賷氐賮 丨丕賱 丕賱噩賳丿賷 丕賱賲購毓丕賯亘
鬲賲賳賷鬲 賱賵 賷鬲乇賰 賰賱 卮賷亍 賵賷鬲丨丿孬 毓賳 禺賵賮 賴匕丕 丕賱卮禺氐 賮賯胤
賴賵 賲賳 亘賷賳 賰賱 丕賱兀卮賷丕亍 賮賷 鬲賱賰 丕賱乇賵丕賷丞 丕賱氐睾賷乇丞貙 賲賳 賰丕賳 兀賵賱賶 亘丕賱賵氐賮 賵丕賱乇孬丕亍
鬲賲賳賷鬲 兀賳 賷丨丿孬賳賷 毓賳賴貙 賵毓賳 禺賵賮賴 賵乇賴亘鬲賴
鬲賲賳賷鬲 匕賱賰 賵禺卮賷鬲 賲賳賴!
丕賱廿賳爻丕賳 賴賵 兀賰孬乇 丕賱賲禺賱賵賯丕鬲 賵丨卮賷丞 毓賱賶 丕賱廿胤賱丕賯
乇亘賲丕 兀賰孬乇 賲賳 兀賰孬乇 丕賱丨賷賵丕賳丕鬲 賵丨卮賷丞 賵囟乇丕賵丞
丕賱丨賷賵丕賳丕鬲 賱丕 鬲賯鬲賱 賱賲噩乇丿 丕賱賯鬲賱貨 賴賷 賮賯胤 鬲賴丕噩賲 賵鬲賮鬲乇爻 賱鬲鬲睾匕賶 賵鬲毓賷卮
睾乇賷夭丞 丕賱胤毓丕賲 賵睾乇賷夭丞 丕賱亘賯丕亍
賱賰賳 丕賱廿賳爻丕賳 賷鬲睾匕賶 賲賳 丿賲 兀禺賷賴貙 賲賳 賱丨賲 兀禺賷賴
賷噩毓賱 賲賳 匕丕鬲賴 丕賱鬲丕賮賴丞 廿賱賴 賷購丨丕賰賲 賵賷購毓丕賯亘 兀賳丕爻 賲孬賱賴貙 賷禺胤卅賵賳 賲孬賱賴
賵乇亘賲丕 賰丕賳 賴賵 賷禺胤賷亍 兀賰孬乇 賲賳賴賲!
賵賲丕 賷噩毓賱賴 兀賰孬乇 賵丨卮賷丞 賵囟乇丕賵丞貨 賴賷 鬲賱賰 丕賱賳毓賲丞 丕賱賵丨賷丿丞 丕賱鬲賷 賲賷夭賴 亘賴丕 丕賱賱賴
丕賱毓賯賱..
賮賷鬲賮賳賳 賮賷 禺賱賯 丌賱丕賱丕鬲 賵丌賱賷丕鬲 賱鬲毓匕賷亘 賳賮爻賴 賵丕賱丌禺乇賷賳
賴賱 賴賳丕賰 丨賲丕賯丞 兀賰孬乇 賲賳 匕賱賰責
丕賱鬲乇噩賲丞 丕賱毓乇亘賷丞 鬲鬲囟賲賳 鬲乇噩賲丞 賱乇賵丕賷丞 "賮賷 賲爻鬲賵胤賳丞 丕賱毓賯丕亘" 賵賯氐丞 賯氐賷乇丞 亘毓賳賵丕賳 "亘賳丕鬲 丌賵賷 賵丕賱毓乇亘"
兀賮囟賱 兀賱丕 兀毓賱賯 毓賱賶 鬲賱賰 丕賱賯氐丞 賵兀賳 兀鬲噩丕賴賱 賵噩賵丿賴丕
賮賴賷 賯氐丞 毓亘孬賷丞 賱賲 兀賮賴賲 賲賳賴丕 卮賷卅賸丕
賵賱丕 兀毓乇賮 賲丕匕丕 賰丕賳 賴丿賮 賰丕賮賰丕 丨賷賳 賰鬲亘賴丕
乇亘賲丕 賴賷 賴夭賱賷丞 賮賯胤貙 兀賵 乇賲夭賷丞 賱賲 賷爻鬲賵毓亘賴丕 毓賯賱賷!
丕賱毓夭賷夭 賰丕賮賰丕貙 賴匕賴 賲氐丕賮丨丞 爻乇賷毓丞
爻賷賰賵賳 亘賷賳賳丕 賱賯丕亍丕鬲 兀禺乇賶 賰孬賷乇丞 賵賲胤賵賾賱丞
兀卮毓乇 兀賳賳丕 爻賳氐亘丨 兀氐丿賯丕亍 :)
鬲賲賾鬲
May 5, 2023
Kafka never fails to impress me. Strange, disturbing and fascinating. A visitor visits a penal colony to witness a demonstration of a strange and bloody punishment/torture method. The "executioner" presents his work with pride and serenity, in contrast with the barbaric procedure. The narrator also seems to be detached by the horror he describes. The usual Kafkaesque nonsensical world is present here as well together with themes of injustice, suppression, liberalism vs authoritarian society. Gory, stifling atmosphere.
September 29, 2023
- 賱丕 亘丿 賲賳 丕賱廿卮丕乇丞 丕賵賱丕賸 丕賱賶 丕賱鬲乇噩賲丞 丕賱毓賯賷賲丞貙 丕賱賲賯賷鬲丞 賱賴匕賴 丕賱賯氐丞貙 賵兀賳氐丨 丕賱兀氐丿賯丕亍 亘賯乇丕卅鬲賴丕 亘賱睾丞 丕禺乇賶 丕賵 鬲乇噩賲丞 丕禺乇賶. 賴匕丕 亘丕賱廿囟丕賮丞 丕賱賶 爻賮爻胤丞 丕賱賲賯丿賲丞 丕賱鬲賷 鬲卮賰賱 賳賲賵匕噩丕賸 賱賲賳賴噩丞 賵賯賵賳賳丞 丕賱鬲賮賰賷乇 賮賷 賴匕丕 丕賱噩夭亍 賲賳 丕賱毓丕賱賲.
- 兀噩賳亘賷 (丕賷 睾乇賷亘) 賷賵氐賮 亘兀賳賴 丕賱賲爻鬲賰卮賮 (丕賵 丕賱賲爻丕賮乇) 賯丕亘賱 丕賱賯丕卅丿 丕賱賲毓賷賾賳 丨丿賷孬賸丕賸 賱賲爻鬲毓賲乇丞 (賲爻鬲賵胤賳丞) 噩夭丕卅賷丞 (毓賯丕亘賷丞) 賮賷 噩夭賷乇丞 賲丕 禺丕乇噩 兀賵乇賵亘丕. 丕賱噩夭賷乇丞 賲賯賮乇丞 賵乇賲賱賷丞 賵丨丕乇丞. 賯丕賲 丕賱賯丕卅丿 亘丿毓賵丞 丕賱賲爻鬲賰卮賮 賱賲卮丕賴丿丞 毓賲賱賷丞 丕賱廿毓丿丕賲 丕賱鬲賷 賷賯賵賲賵賳 亘賴丕 賵丕賱鬲賷 賱丕 賷賵丕賮賯 毓賱賷賴丕 賱賰賳賴 賵乇孬賴丕 毓賳 爻賱賮賴. 賰丕賳 丕賱賴丿賮 丕賱賲賮鬲乇囟 亘兀賳 賷丐孬乇 丕賱賲爻鬲賰卮賮貙 亘胤乇賷賯丞 賲丕貙 毓賱賶 丌乇丕亍 丕賱丌禺乇賷賳 賮賷 丕賱賲噩鬲賲毓 丕賱賲丨賱賷 丨鬲賶 賷鬲禺賱賵丕 毓賳 賴賲噩賷鬲賴賲.
- 丕賱賯氐丞 鬲賳爻噩 賳賮爻賴丕 亘卮賰賱 乇卅賷爻賷 賮賷 賲賵賯毓 丕賱廿毓丿丕賲 丨賷孬 賷丨囟乇 丕賱賲爻鬲賰卮賮貙 丕賱囟丕亘胤貙 丕賱丨丕乇爻 賵丕賱賲丨賰賵賲. 丕賱囟丕亘胤 丕賱匕賷 賱丕 賷爻鬲爻賷睾 丌乇丕亍 賯丕卅丿賴 丕賱丨丕賱賷貙 賵賴賵 賲毓噩亘 賵賷賰賾賳 丕賱賵賱丕亍 賱賱賯丕卅丿 丕賱爻丕亘賯 丕賱匕賷 氐賲賲 丕賱賳馗丕賲 亘兀賰賲賱賴.
- 賮賷 賴匕丕 丕賱賲賰丕賳貙 丕賱賲鬲賴賲賵賳 賷噩賴賱賵賳 丕賱噩乇丕卅賲 丕賱鬲賷 賵噩賴鬲 廿賱賷賴賲: 賮賱丕 鬲賵噩丿 賲丨丕賰賲丞貙 賵丕賱丨賰賲 丕賱賵丨賷丿 丕賱氐丕丿乇 賴賵 "賲匕賳亘"貙 丕賲丕 鬲賳賮賷匕賴 賮賷賰賵賳 亘賵丕爻胤丞 鬲賱賰 丕賱丌賱丞 丕賱卮賷胤丕賳賷丞.
- 丨爻賳丕賸貙 賱賵 賰丕賳 丕賱賰丕鬲亘 睾賷乇 賰丕賮賰丕貙 賰丕賳鬲 爻鬲賰賵賳 丕賱賯氐丞 毓丕丿賷丞 乇睾賲 丿賲賵賷鬲賴丕 賵爻賵丿丕賵賷鬲賴丕貙 賱賰賳 丕賲丕賲 賰丕賮賰丕 賮丕賱賲毓賳賶 賷鬲毓丿賶 丕賱賰賱賲丕鬲貙 賵賷噩亘 賮賰 丕賱乇賲賵夭 賱賳鬲亘賷賳 賲丕 丕賱匕賷 賰丕賳 賷賯氐丿賴!:
- 丕賮鬲乇囟鬲 丕賵賱丕賸 丕賳 丕賱丌賱丞 賴賷 賰賳丕賷丞 毓賳 丕賱賲噩鬲賲毓 丕賱氐賳丕毓賷 丕賱匕賷 賷爻丨賯 丕賱亘卮乇貙 賵丕賱囟丕亘胤 賰賳丕賷丞 毓賳 丕賱賯賷賲賷賷賳 毓賳 賴匕丕 丕賱賲噩鬲賲毓貙 賵丕賱賲丨賰賵賲 賰賳丕賷丞 毓賳 丕賱亘卮乇賷丞 賱賰賳賷 丕賮鬲賯丿鬲 賱丿賵乇 丕賱賯丕卅丿 丕賱噩丿賷丿 賵丕賱賯丿賷賲 賮賷 賴匕丕 丕賱賲賳胤賵乇貙 賱匕賱賰 丕賮鬲乇囟鬲 丕賳 丕賱賲賯氐丿 賮賷 賲賰丕賳 丌禺乇!.
- 賯乇兀鬲賴丕 賲賳 賲賳馗賵乇 丿賷賳賷貙 賮賵噩丿鬲賴丕 丕賯乇亘 亘賰孬賷乇 賲賳 丕賱賲賳馗賵乇 丕賱爻丕亘賯貙 賮兀賳賳賷 賱兀毓鬲賯丿 丕賳賳丕 丕賲丕賲 賲賯丕乇賳丞 賰亘賷乇丞 賲丕 亘賷賳 丕賱毓賴丿 丕賱賯丿賷賲 賵丕賱毓賴丿 丕賱噩丿賷丿貙 丕賵 亘丕賱兀丨乇賶 亘賷賳 丕賱鬲毓丕賱賷賲 丕賱賷賴賵丿賷丞 賵丕賱鬲毓丕賱賷賲 丕賱賲爻賷丨賷丞: 丨賷孬 丕賱賯丕卅丿 丕賱賯丿賷賲 賴賵 賲賵爻賶貙 賵丕賱噩丿賷丿 賴賵 丕賱爻賷丿 丕賱賲爻賷丨貙 賵丕賱囟丕亘胤 賴賲 丕賱賷賴賵丿 賵丕賱賲丨賰賵賲 賴賲 丕賱亘卮乇 賵丕賱賲爻鬲賰卮賮 賴賵 "兀賳鬲" 丕賷 丕賱賯丕乇卅貙 賵賱賳兀禺匕 賲孬賱丕賸 賵賳氐亘賴 賮賷 賴匕丕 丕賱賯丕賱亘貙 賮丕賱賯丿賷賲 賯丿 賵囟毓 丕賱卮乇毓 丕賱噩丕賲丿 (丕賱夭丕賳賷丞 鬲乇噩賲 賲孬賱丕賸)貙 賵丕賱噩丿賷丿 禺丕賱賮賴 (賲賳 賲賳賰賲 亘丿賵賳 禺胤賷卅丞 賮賱賷乇噩賲賴丕 亘兀賵賱 丨噩乇)貙 賵丕賱亘卮乇 兀匕賱丕亍 賮賷 鬲賱賰 丕賱丨丕賱鬲賷賳 (賱兀賳賴賲 丕賲丕賲 鬲毓丕賱賷賲 爻賲丕賵賷丞 鈥� 丕賱賲賮鬲乇囟-) 賵丕賱賯丕乇卅 賱賴 丕賱丨賰賲 亘賷賳賴賲丕貙 乇睾賲 丕賳 賰丕賮賰丕 亘丕賱賳赖丕賷丞 丕夭賴賯 乇賵丨 丕賱賲鬲毓賱賯 亘丕賱卮乇毓 丕賱賯丿賷賲 賵賮鬲鬲 丕爻賳丕賳 匕賱賰 丕賱卮乇毓 (鬲丿賲賷乇 丕賱丌賱丞).
- 亘噩賲賷毓 丕賱兀丨賵丕賱貙 賮廿賳 賰丕賮賰丕 賲丨賷賾乇 賵氐毓亘貙 賱賰賳 丕賱乇賵丕賷丞 賰丕賳鬲 賲賲鬲丕夭丞.
- 丕賲丕 丕賱賯氐丞 丕賱孬丕賳賷丞貙 賮賴賱 亘賳丕鬲 丌賵賶 賷乇賲夭賳 賱賱賷賴賵丿責 賵賴賱 丕賱胤賱亘 丕賱賶 丕賱兀賵乇賵亘賷 亘賯鬲賱 丕賱毓乇亘賷 賵鬲胤賴賷乇 丕賱兀乇囟 賷乇賲夭 丕賱賶 賮賱爻胤賷賳 賵賵毓丿 亘賱賮賵乇責 賵賴賱 丕賱賲賯氐 賷乇賲夭 丕賱賶 丕賱賰匕亘丞 丕賱鬲丕乇賷禺賷丞 亘兀乇囟 丕賱賲賷毓丕丿責! 賱丕 丕丿乇賷...
- 兀噩賳亘賷 (丕賷 睾乇賷亘) 賷賵氐賮 亘兀賳賴 丕賱賲爻鬲賰卮賮 (丕賵 丕賱賲爻丕賮乇) 賯丕亘賱 丕賱賯丕卅丿 丕賱賲毓賷賾賳 丨丿賷孬賸丕賸 賱賲爻鬲毓賲乇丞 (賲爻鬲賵胤賳丞) 噩夭丕卅賷丞 (毓賯丕亘賷丞) 賮賷 噩夭賷乇丞 賲丕 禺丕乇噩 兀賵乇賵亘丕. 丕賱噩夭賷乇丞 賲賯賮乇丞 賵乇賲賱賷丞 賵丨丕乇丞. 賯丕賲 丕賱賯丕卅丿 亘丿毓賵丞 丕賱賲爻鬲賰卮賮 賱賲卮丕賴丿丞 毓賲賱賷丞 丕賱廿毓丿丕賲 丕賱鬲賷 賷賯賵賲賵賳 亘賴丕 賵丕賱鬲賷 賱丕 賷賵丕賮賯 毓賱賷賴丕 賱賰賳賴 賵乇孬賴丕 毓賳 爻賱賮賴. 賰丕賳 丕賱賴丿賮 丕賱賲賮鬲乇囟 亘兀賳 賷丐孬乇 丕賱賲爻鬲賰卮賮貙 亘胤乇賷賯丞 賲丕貙 毓賱賶 丌乇丕亍 丕賱丌禺乇賷賳 賮賷 丕賱賲噩鬲賲毓 丕賱賲丨賱賷 丨鬲賶 賷鬲禺賱賵丕 毓賳 賴賲噩賷鬲賴賲.
- 丕賱賯氐丞 鬲賳爻噩 賳賮爻賴丕 亘卮賰賱 乇卅賷爻賷 賮賷 賲賵賯毓 丕賱廿毓丿丕賲 丨賷孬 賷丨囟乇 丕賱賲爻鬲賰卮賮貙 丕賱囟丕亘胤貙 丕賱丨丕乇爻 賵丕賱賲丨賰賵賲. 丕賱囟丕亘胤 丕賱匕賷 賱丕 賷爻鬲爻賷睾 丌乇丕亍 賯丕卅丿賴 丕賱丨丕賱賷貙 賵賴賵 賲毓噩亘 賵賷賰賾賳 丕賱賵賱丕亍 賱賱賯丕卅丿 丕賱爻丕亘賯 丕賱匕賷 氐賲賲 丕賱賳馗丕賲 亘兀賰賲賱賴.
- 賮賷 賴匕丕 丕賱賲賰丕賳貙 丕賱賲鬲賴賲賵賳 賷噩賴賱賵賳 丕賱噩乇丕卅賲 丕賱鬲賷 賵噩賴鬲 廿賱賷賴賲: 賮賱丕 鬲賵噩丿 賲丨丕賰賲丞貙 賵丕賱丨賰賲 丕賱賵丨賷丿 丕賱氐丕丿乇 賴賵 "賲匕賳亘"貙 丕賲丕 鬲賳賮賷匕賴 賮賷賰賵賳 亘賵丕爻胤丞 鬲賱賰 丕賱丌賱丞 丕賱卮賷胤丕賳賷丞.
- 丨爻賳丕賸貙 賱賵 賰丕賳 丕賱賰丕鬲亘 睾賷乇 賰丕賮賰丕貙 賰丕賳鬲 爻鬲賰賵賳 丕賱賯氐丞 毓丕丿賷丞 乇睾賲 丿賲賵賷鬲賴丕 賵爻賵丿丕賵賷鬲賴丕貙 賱賰賳 丕賲丕賲 賰丕賮賰丕 賮丕賱賲毓賳賶 賷鬲毓丿賶 丕賱賰賱賲丕鬲貙 賵賷噩亘 賮賰 丕賱乇賲賵夭 賱賳鬲亘賷賳 賲丕 丕賱匕賷 賰丕賳 賷賯氐丿賴!:
- 丕賮鬲乇囟鬲 丕賵賱丕賸 丕賳 丕賱丌賱丞 賴賷 賰賳丕賷丞 毓賳 丕賱賲噩鬲賲毓 丕賱氐賳丕毓賷 丕賱匕賷 賷爻丨賯 丕賱亘卮乇貙 賵丕賱囟丕亘胤 賰賳丕賷丞 毓賳 丕賱賯賷賲賷賷賳 毓賳 賴匕丕 丕賱賲噩鬲賲毓貙 賵丕賱賲丨賰賵賲 賰賳丕賷丞 毓賳 丕賱亘卮乇賷丞 賱賰賳賷 丕賮鬲賯丿鬲 賱丿賵乇 丕賱賯丕卅丿 丕賱噩丿賷丿 賵丕賱賯丿賷賲 賮賷 賴匕丕 丕賱賲賳胤賵乇貙 賱匕賱賰 丕賮鬲乇囟鬲 丕賳 丕賱賲賯氐丿 賮賷 賲賰丕賳 丌禺乇!.
- 賯乇兀鬲賴丕 賲賳 賲賳馗賵乇 丿賷賳賷貙 賮賵噩丿鬲賴丕 丕賯乇亘 亘賰孬賷乇 賲賳 丕賱賲賳馗賵乇 丕賱爻丕亘賯貙 賮兀賳賳賷 賱兀毓鬲賯丿 丕賳賳丕 丕賲丕賲 賲賯丕乇賳丞 賰亘賷乇丞 賲丕 亘賷賳 丕賱毓賴丿 丕賱賯丿賷賲 賵丕賱毓賴丿 丕賱噩丿賷丿貙 丕賵 亘丕賱兀丨乇賶 亘賷賳 丕賱鬲毓丕賱賷賲 丕賱賷賴賵丿賷丞 賵丕賱鬲毓丕賱賷賲 丕賱賲爻賷丨賷丞: 丨賷孬 丕賱賯丕卅丿 丕賱賯丿賷賲 賴賵 賲賵爻賶貙 賵丕賱噩丿賷丿 賴賵 丕賱爻賷丿 丕賱賲爻賷丨貙 賵丕賱囟丕亘胤 賴賲 丕賱賷賴賵丿 賵丕賱賲丨賰賵賲 賴賲 丕賱亘卮乇 賵丕賱賲爻鬲賰卮賮 賴賵 "兀賳鬲" 丕賷 丕賱賯丕乇卅貙 賵賱賳兀禺匕 賲孬賱丕賸 賵賳氐亘賴 賮賷 賴匕丕 丕賱賯丕賱亘貙 賮丕賱賯丿賷賲 賯丿 賵囟毓 丕賱卮乇毓 丕賱噩丕賲丿 (丕賱夭丕賳賷丞 鬲乇噩賲 賲孬賱丕賸)貙 賵丕賱噩丿賷丿 禺丕賱賮賴 (賲賳 賲賳賰賲 亘丿賵賳 禺胤賷卅丞 賮賱賷乇噩賲賴丕 亘兀賵賱 丨噩乇)貙 賵丕賱亘卮乇 兀匕賱丕亍 賮賷 鬲賱賰 丕賱丨丕賱鬲賷賳 (賱兀賳賴賲 丕賲丕賲 鬲毓丕賱賷賲 爻賲丕賵賷丞 鈥� 丕賱賲賮鬲乇囟-) 賵丕賱賯丕乇卅 賱賴 丕賱丨賰賲 亘賷賳賴賲丕貙 乇睾賲 丕賳 賰丕賮賰丕 亘丕賱賳赖丕賷丞 丕夭賴賯 乇賵丨 丕賱賲鬲毓賱賯 亘丕賱卮乇毓 丕賱賯丿賷賲 賵賮鬲鬲 丕爻賳丕賳 匕賱賰 丕賱卮乇毓 (鬲丿賲賷乇 丕賱丌賱丞).
- 亘噩賲賷毓 丕賱兀丨賵丕賱貙 賮廿賳 賰丕賮賰丕 賲丨賷賾乇 賵氐毓亘貙 賱賰賳 丕賱乇賵丕賷丞 賰丕賳鬲 賲賲鬲丕夭丞.
- 丕賲丕 丕賱賯氐丞 丕賱孬丕賳賷丞貙 賮賴賱 亘賳丕鬲 丌賵賶 賷乇賲夭賳 賱賱賷賴賵丿責 賵賴賱 丕賱胤賱亘 丕賱賶 丕賱兀賵乇賵亘賷 亘賯鬲賱 丕賱毓乇亘賷 賵鬲胤賴賷乇 丕賱兀乇囟 賷乇賲夭 丕賱賶 賮賱爻胤賷賳 賵賵毓丿 亘賱賮賵乇責 賵賴賱 丕賱賲賯氐 賷乇賲夭 丕賱賶 丕賱賰匕亘丞 丕賱鬲丕乇賷禺賷丞 亘兀乇囟 丕賱賲賷毓丕丿責! 賱丕 丕丿乇賷...
April 7, 2022
In der Strafkolonie = In the Penal Colony = In the Penal Settlement, Franz Kafka
In the Penal Colony is a short story by Franz Kafka written in German in October 1914, revised in November 1918, and first published in October 1919.
The story is set in an unnamed penal colony. Internal clues and the setting on an island suggest Octave Mirbeau's The Torture Garden as an influence. As in some of Kafka's other writings, the narrator in this story seems detached from, or perhaps numbed by, events that one would normally expect to be registered with horror.
In the Penal Colony describes the last use of an elaborate torture and execution device that carves the sentence of the condemned prisoner on his skin before letting him die, all in the course of twelve hours. As the plot unfolds, the reader learns more and more about the machine, including its origin and original justification. ...
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 賲丕賴 丌賵乇蹖賱 爻丕賱1976貨 賵 亘丕乇 丿蹖诏乇 丿夭 賲丕賴 跇賵卅賳 爻丕賱1977賲蹖賱丕丿蹖 賵 亘丕乇賴丕蹖 丿蹖诏乇
毓賳賵丕賳: 诏乇賵賴 賲丨讴賵賲蹖賳 賵 倬蹖丕賲 讴丕賮讴丕貨 賳賵蹖爻賳丿賴: 賮乇丕賳鬲爻 讴丕賮讴丕貨 賲鬲乇噩賲: 氐丕丿賯 賴丿丕蹖鬲貨 毓賳賵丕賳 丿蹖诏乇: 倬蹖丕賲 讴丕賮讴丕貨 鬲賴乇丕賳貙 賯氐賴 诏賵貙 爻丕賱1379貨 丿乇152氐貨 爻丕亘讴9649146219貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賳诏丕賴貙 爻丕賱1383貨 丿乇111氐貨 趩丕倬 丿賵賲 爻丕賱1384貨 趩丕倬 丿蹖诏乇 丌夭丕丿賲賴乇貙 丕賱賲丕爻 倬丕乇爻蹖丕賳貙 爻丕賱1396貨 丿乇104氐貨 卮丕亘讴9789648477108貨 鬲賴乇丕賳: 丕賳鬲卮丕乇丕鬲 賲噩蹖丿鈥忊€�: 賳卮乇 亘賴鈥屫池嗏€€忊€� 爻丕賱1398貨 丿乇112氐貨 卮丕亘讴9789644531323貨 賵 趩丕倬賴丕蹖 亘爻蹖丕乇 丿蹖诏乇貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丌賱賲丕賳 - 爻丿賴20賲
毓賳賵丕賳: 诏乇賵賴 賲丨讴賵賲蹖賳貨 賳賵蹖爻賳丿賴: 賮乇丕賳鬲爻 讴丕賮讴丕貨 賲鬲乇噩賲: 氐丕丿賯 賴丿丕蹖鬲貨 丿乇106氐貨
诏乇賵賴 賲丨讴賵賲蹖賳 丕孬乇蹖 丕夭 芦賮乇丕賳鬲爻 讴丕賮讴丕禄貙 賳賵蹖爻賳丿賴 蹖 丕賴賱 芦趩讴禄 鈥屫ж池� 丿丕爻鬲丕賳 芦诏乇賵賴 賲丨讴賵賲蹖賳禄 乇丕貙 賳禺爻鬲蹖賳 亘丕乇 乇賵丕賳卮丕丿 芦氐丕丿賯 賴丿丕蹖鬲禄貙 鬲乇噩賲賴 讴乇丿賴 丕賳丿貨 丕賮爻乇丿诏蹖 賵 賳丕丕賲蹖丿 亘賵丿賳貙 丿乇 賳賵卮鬲賴鈥� 賴丕蹖 芦讴丕賮讴丕禄貙 賳賲丕丿蹖 丕夭 丕诏夭蹖爻鬲丕賳爻蹖丕賱蹖爻賲貙 賵 亘賴 爻禺乇賴 诏乇賮鬲賳 亘賵乇賵讴乇丕爻蹖 丕爻鬲貨 芦賰丕賮賰丕禄 丿乇 丕蹖賳 丕孬乇 爻乇诏匕卮鬲 賲丨讴賵賲 亘賵丿賳 丕賳爻丕賳賴丕 乇丕貙 亘賴 鈥屫焚堌� 卮诏賮鬲 丌賵乇蹖 丿乇 賯丕賱亘 賯氐賴 賳诏丕卮鬲賴 丕賳丿貨 爻乇夭賲蹖賳蹖 賰賴 賳賲丕丿 噩賴丕賳 丕爻鬲貨 丕賳爻丕賳賴丕 亘丕 賴賲賴 鈥屰� 讴賵卮卮鈥屬囏й屰� 賰賴 丿乇 賲爻蹖乇 夭賳丿诏蹖鈥� 賲蹖鈥屭┵嗁嗀� 爻乇丕賳噩丕賲 趩丕乇賴 丕蹖 噩夭 乇賵蹖丕乇賵蹖蹖 亘丕 賲乇诏 賳丿丕乇賳丿貨 賲丨賰賵賲蹖賳 丕蹖賳 爻乇夭賲蹖賳 丌丿賲蹖丕賳 賴爻鬲賳丿貙 賰賴 丿乇 倬丕蹖丕賳 亘丕蹖丿 亘乇 亘爻鬲乇 賲乇诏 亘禺賵丕亘賳丿貙 賵 亘蹖 丌賳賰賴 亘丿丕賳賳丿 噩乇賲卮丕賳 趩蹖爻鬲貙 亘丕蹖丿 鬲賳 亘賴 賲乇诏 丿賴賳丿貨 賲丨賰賵賲蹖賳 賴蹖趩诏丕賴 丕夭 賳賵毓 賲乇诏 禺賵丿貙 禺亘乇蹖 賳丿丕卮鬲賴貙 賵 鬲賳賴丕 丿乇 賵丕倬爻蹖賳 丿賲 夭賳丿诏蹖卮丕賳貙 丕夭 诏賳丕賴 賵 亘乇 賲乇诏 禺賵丿 丌诏丕賴 賲蹖鈥屭必嗀�
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 29/06/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 17/01/1401賴噩乇蹖 禺賵卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
In the Penal Colony is a short story by Franz Kafka written in German in October 1914, revised in November 1918, and first published in October 1919.
The story is set in an unnamed penal colony. Internal clues and the setting on an island suggest Octave Mirbeau's The Torture Garden as an influence. As in some of Kafka's other writings, the narrator in this story seems detached from, or perhaps numbed by, events that one would normally expect to be registered with horror.
In the Penal Colony describes the last use of an elaborate torture and execution device that carves the sentence of the condemned prisoner on his skin before letting him die, all in the course of twelve hours. As the plot unfolds, the reader learns more and more about the machine, including its origin and original justification. ...
鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 賲丕賴 丌賵乇蹖賱 爻丕賱1976貨 賵 亘丕乇 丿蹖诏乇 丿夭 賲丕賴 跇賵卅賳 爻丕賱1977賲蹖賱丕丿蹖 賵 亘丕乇賴丕蹖 丿蹖诏乇
毓賳賵丕賳: 诏乇賵賴 賲丨讴賵賲蹖賳 賵 倬蹖丕賲 讴丕賮讴丕貨 賳賵蹖爻賳丿賴: 賮乇丕賳鬲爻 讴丕賮讴丕貨 賲鬲乇噩賲: 氐丕丿賯 賴丿丕蹖鬲貨 毓賳賵丕賳 丿蹖诏乇: 倬蹖丕賲 讴丕賮讴丕貨 鬲賴乇丕賳貙 賯氐賴 诏賵貙 爻丕賱1379貨 丿乇152氐貨 爻丕亘讴9649146219貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賳诏丕賴貙 爻丕賱1383貨 丿乇111氐貨 趩丕倬 丿賵賲 爻丕賱1384貨 趩丕倬 丿蹖诏乇 丌夭丕丿賲賴乇貙 丕賱賲丕爻 倬丕乇爻蹖丕賳貙 爻丕賱1396貨 丿乇104氐貨 卮丕亘讴9789648477108貨 鬲賴乇丕賳: 丕賳鬲卮丕乇丕鬲 賲噩蹖丿鈥忊€�: 賳卮乇 亘賴鈥屫池嗏€€忊€� 爻丕賱1398貨 丿乇112氐貨 卮丕亘讴9789644531323貨 賵 趩丕倬賴丕蹖 亘爻蹖丕乇 丿蹖诏乇貨 賲賵囟賵毓 丿丕爻鬲丕賳賴丕蹖 賳賵蹖爻賳丿诏丕賳 丌賱賲丕賳 - 爻丿賴20賲
毓賳賵丕賳: 诏乇賵賴 賲丨讴賵賲蹖賳貨 賳賵蹖爻賳丿賴: 賮乇丕賳鬲爻 讴丕賮讴丕貨 賲鬲乇噩賲: 氐丕丿賯 賴丿丕蹖鬲貨 丿乇106氐貨
诏乇賵賴 賲丨讴賵賲蹖賳 丕孬乇蹖 丕夭 芦賮乇丕賳鬲爻 讴丕賮讴丕禄貙 賳賵蹖爻賳丿賴 蹖 丕賴賱 芦趩讴禄 鈥屫ж池� 丿丕爻鬲丕賳 芦诏乇賵賴 賲丨讴賵賲蹖賳禄 乇丕貙 賳禺爻鬲蹖賳 亘丕乇 乇賵丕賳卮丕丿 芦氐丕丿賯 賴丿丕蹖鬲禄貙 鬲乇噩賲賴 讴乇丿賴 丕賳丿貨 丕賮爻乇丿诏蹖 賵 賳丕丕賲蹖丿 亘賵丿賳貙 丿乇 賳賵卮鬲賴鈥� 賴丕蹖 芦讴丕賮讴丕禄貙 賳賲丕丿蹖 丕夭 丕诏夭蹖爻鬲丕賳爻蹖丕賱蹖爻賲貙 賵 亘賴 爻禺乇賴 诏乇賮鬲賳 亘賵乇賵讴乇丕爻蹖 丕爻鬲貨 芦賰丕賮賰丕禄 丿乇 丕蹖賳 丕孬乇 爻乇诏匕卮鬲 賲丨讴賵賲 亘賵丿賳 丕賳爻丕賳賴丕 乇丕貙 亘賴 鈥屫焚堌� 卮诏賮鬲 丌賵乇蹖 丿乇 賯丕賱亘 賯氐賴 賳诏丕卮鬲賴 丕賳丿貨 爻乇夭賲蹖賳蹖 賰賴 賳賲丕丿 噩賴丕賳 丕爻鬲貨 丕賳爻丕賳賴丕 亘丕 賴賲賴 鈥屰� 讴賵卮卮鈥屬囏й屰� 賰賴 丿乇 賲爻蹖乇 夭賳丿诏蹖鈥� 賲蹖鈥屭┵嗁嗀� 爻乇丕賳噩丕賲 趩丕乇賴 丕蹖 噩夭 乇賵蹖丕乇賵蹖蹖 亘丕 賲乇诏 賳丿丕乇賳丿貨 賲丨賰賵賲蹖賳 丕蹖賳 爻乇夭賲蹖賳 丌丿賲蹖丕賳 賴爻鬲賳丿貙 賰賴 丿乇 倬丕蹖丕賳 亘丕蹖丿 亘乇 亘爻鬲乇 賲乇诏 亘禺賵丕亘賳丿貙 賵 亘蹖 丌賳賰賴 亘丿丕賳賳丿 噩乇賲卮丕賳 趩蹖爻鬲貙 亘丕蹖丿 鬲賳 亘賴 賲乇诏 丿賴賳丿貨 賲丨賰賵賲蹖賳 賴蹖趩诏丕賴 丕夭 賳賵毓 賲乇诏 禺賵丿貙 禺亘乇蹖 賳丿丕卮鬲賴貙 賵 鬲賳賴丕 丿乇 賵丕倬爻蹖賳 丿賲 夭賳丿诏蹖卮丕賳貙 丕夭 诏賳丕賴 賵 亘乇 賲乇诏 禺賵丿 丌诏丕賴 賲蹖鈥屭必嗀�
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 29/06/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 17/01/1401賴噩乇蹖 禺賵卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
May 11, 2025
賮賷 賲爻鬲賵胤賳丞 丕賱毓賯丕亘 賷噩亘 鬲胤亘賷賯 丕賱廿噩乇丕亍丕鬲 丕賱毓爻賰乇賷丞 亘丨匕丕賮賷乇賴丕..
丕賱廿噩乇丕亍丕鬲 賴賳丕 賲禺鬲賱賮丞..賱丕 兀馗賳 爻鬲乇丕賴丕 賮賷 兀賷 賲賰丕賳 丌禺乇..
毓賲賱賷丞 廿毓丿丕賲 睾賷乇 廿賳爻丕賳賷丞 鬲囟賲賳 賱賱賲丨賰賵賲 毓賱賷賴 丕賱賲賵鬲 鬲丨鬲 丕賱鬲毓匕賷亘 丕賱亘胤卅...
賲丨丕賰賲丞 睾賷乇 毓丕丿賱丞..
賲鬲賴賲 賱丕 賷毓乇賮 丨鬲賷 廿賳賴 氐丿乇 賮賷 丨賯賴 丨賰賲 賵賱丕 鬲鬲賷丨 賱賴 賮乇氐丞 賱賱丿賮丕毓 毓賳 賳賮爻賴...
爻賱胤丞 賯賲毓賷丞 賵 囟亘丕胤 毓賳丿賴賲 賲賷賵賱 爻丕丿賷丞..
賰賱 賴匕丕 賵 兀賰孬乇 賲賵噩賵丿 賮賷 賲爻鬲賵胤賳丞 賰丕賮賰丕 賱賱毓賯丕亘...
毓亘賯乇賷丞 ...爻賵丿丕賵賷丞 賵 賱賰賳 賱賱兀爻賮 賲賳胤賯賷丞 賵 賲賵噩賵丿 賲孬賱 賴匕賴 丕賱賲爻鬲賵胤賳丞 賰鬲賷乇 噩丿丕賸 賮賷 亘賱丕丿賳丕 丕賱毓乇亘賷丞!
丕賱廿噩乇丕亍丕鬲 賴賳丕 賲禺鬲賱賮丞..賱丕 兀馗賳 爻鬲乇丕賴丕 賮賷 兀賷 賲賰丕賳 丌禺乇..
毓賲賱賷丞 廿毓丿丕賲 睾賷乇 廿賳爻丕賳賷丞 鬲囟賲賳 賱賱賲丨賰賵賲 毓賱賷賴 丕賱賲賵鬲 鬲丨鬲 丕賱鬲毓匕賷亘 丕賱亘胤卅...
賲丨丕賰賲丞 睾賷乇 毓丕丿賱丞..
賲鬲賴賲 賱丕 賷毓乇賮 丨鬲賷 廿賳賴 氐丿乇 賮賷 丨賯賴 丨賰賲 賵賱丕 鬲鬲賷丨 賱賴 賮乇氐丞 賱賱丿賮丕毓 毓賳 賳賮爻賴...
爻賱胤丞 賯賲毓賷丞 賵 囟亘丕胤 毓賳丿賴賲 賲賷賵賱 爻丕丿賷丞..
賰賱 賴匕丕 賵 兀賰孬乇 賲賵噩賵丿 賮賷 賲爻鬲賵胤賳丞 賰丕賮賰丕 賱賱毓賯丕亘...
毓亘賯乇賷丞 ...爻賵丿丕賵賷丞 賵 賱賰賳 賱賱兀爻賮 賲賳胤賯賷丞 賵 賲賵噩賵丿 賲孬賱 賴匕賴 丕賱賲爻鬲賵胤賳丞 賰鬲賷乇 噩丿丕賸 賮賷 亘賱丕丿賳丕 丕賱毓乇亘賷丞!
December 24, 2023
The Penal Colony
We ask ourselves a few questions on the second page of this novel. Once the reading finishes and several horizons are offered, we feel more than lost; we break our heads, and the questions only fulminate. What does the author mean? What does this penal colony represent in reality? It is only a question of a machine described as a modern guillotine. The device is doomed to all the praise from an officer who makes a maniacal presentation to the traveler, like a butcher who would expose his way to slaughter his animals. Does this object hide a political, ideological, or judicial plot? What kind of authority is behind the officer's character, who looks like an executioner, is bloodthirsty, loses his mind, and goes through it? And is the traveler God, the conscience, endowed with an equally manic impassibility? And the convict, a maniac-naive, is he the people or just a system? At least, inhumane practices are at the heart of this moving novel.
It is not easy reading, but we come out of there a little disturbed, although there is an absurdity, we say to ourselves, we have not read anything, and geniuses, the world has known them!
We ask ourselves a few questions on the second page of this novel. Once the reading finishes and several horizons are offered, we feel more than lost; we break our heads, and the questions only fulminate. What does the author mean? What does this penal colony represent in reality? It is only a question of a machine described as a modern guillotine. The device is doomed to all the praise from an officer who makes a maniacal presentation to the traveler, like a butcher who would expose his way to slaughter his animals. Does this object hide a political, ideological, or judicial plot? What kind of authority is behind the officer's character, who looks like an executioner, is bloodthirsty, loses his mind, and goes through it? And is the traveler God, the conscience, endowed with an equally manic impassibility? And the convict, a maniac-naive, is he the people or just a system? At least, inhumane practices are at the heart of this moving novel.
It is not easy reading, but we come out of there a little disturbed, although there is an absurdity, we say to ourselves, we have not read anything, and geniuses, the world has known them!
October 4, 2023
While reading this story I felt like something evil was coming at me. Kafka brings to the forefront the inevitability and irrationality of evil. Nothing can be done about it. No one can stop it. No one will save you.
If I had to summarize In the Penal Colony in just three words, they would be: frightening, depressing, and logically illogical. Well, it is four words instead of three, but hope you got the drift.
P.S. Better not read this story if you feel depressed or stressed out.
If I had to summarize In the Penal Colony in just three words, they would be: frightening, depressing, and logically illogical. Well, it is four words instead of three, but hope you got the drift.
P.S. Better not read this story if you feel depressed or stressed out.
December 5, 2021
"He doesn't know the sentence that has been passed on him?" "No," said the officer again, pausing a moment as if to let the explorer elaborate his question, and then said: "there would be no point in telling him. He'll learn it on his body."
Franz Kafka鈥檚 鈥淚n the Penal Colony,鈥� recounts the execution of a prisoner by means of an elaborate and strange machine that inscribes the broken law on the condemned man鈥檚 body. It is telling that there is never any explanation of the law that was broken. In that way, the government cannot be questioned. Instead, the officer in charge of the execution tells the traveler (who stands in for the reader) about the origins of the machine, and attempts to justify its continued use. He further tries to convince the traveler to speak in favor of this punishment. The fervor and belief of the officer are demonstrated in a conclusion that is both satisfying and unsettling.
Happier Kafka, of course, is an oxymoron!
December 16, 2016
廿賳賴 賰丕賮賰丕, 睾乇賷亘 丕賱兀胤賵丕乇 匕賵 丕賱毓賯賱 丕賱賲乇毓亘
In the Penal Colony
賯氐丞 賱賷爻鬲 胤賵賷賱丞,丨亘賰鬲賴丕 鬲毓鬲亘乇 噩賷丿丞 噩丿丕 亘丕賱賳爻亘丞 賱亘毓囟 丕賱賯氐氐 丕賱毓噩賷亘丞 丕賱兀禺乇賷 賱賰丕賮賰丕
賵賷馗賱 賵氐賮賴 丕賱亘卮毓 賱噩賴丕夭 丕賱兀毓丿丕賲 賲丕 噩毓賱賳賷 丕卮毓乇 亘鬲賱賰 丕賱賯卮毓乇賷乇丞 丕賱鬲賷 胤丕賱賲丕 兀氐丕亘鬲賳賷 毓賳丿 賲卮丕賴丿丞 爻賱爻賱丞 丕賱兀賮賱丕賲 丕賱卮賴賷乇丞
SAW 丕賱丿賲賵賷丞
丨賷孬 賷兀鬲賷 賲乇丕賯亘 賲賳 亘賱丿 丕噩賳亘賷丞 -毓賱賷 賲丕 賷亘丿賵- 賱賲爻鬲毓賲乇丞 亘賱丿 鬲亘丿賵 賲賳 鬲賱賰 匕丕鬲 丕賱丨賰賵賲丕鬲 丿賷賰鬲丕乇賵賷丞 丕賱賵丨卮賷丞 賮賷 毓賯丕亘賴丕 賱賱賲毓丕乇囟賷賳 ,賵匕賱賰 賱賷賮丨氐 賲毓 囟丕亘胤 丕爻賱賵亘 丕賱毓賯丕亘 丕賱睾乇賷亘 丕賱匕賷 鬲賲丕乇爻賴 丕賱丿賵賱丞 , 賵丕賱匕賷 亘丕賱乇睾賲 賲賳 丕賳賴賲 賷禺賮賮賵賳 賲爻賲丕賴 丕賱丕 丕賳賴 賮毓賱丕 丕毓丿丕賲 賵丨卮賷 亘胤卅 賵賱丕 卮卅 爻賵賷 匕賱賰 , 賱丕 乇丨賲丞 亘賴 賰賲丕 鬲丿賾毓賷 鬲賱賰 丕賱丨賰賵賲丞 丕賱賮丕爻丿丞
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丕賱乇賵丕賷丞 鬲毓賵丿 賱賲丕 賯亘賱 丕賱毓卮乇賷賳丕鬲 亘丕賱賯乇賳 丕賱賲丕囟賷 賵賯丿 兀爻鬲賱賴賲賴丕 賰丕賮賰丕 賲賳 賰賵丕亘賷爻 亘丿丕賷丕鬲 丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱兀賵賱賷 亘丕賱兀禺氐 賵丕賱乇毓亘 賮賷 鬲賱賰 丕賱賮鬲乇丞 亘丕賱兀禺氐 賮賷 兀賱賲丕賳賷丕..廿賱丕 兀賳 丕噩賴夭丞 賰賴匕賴 賮毓賱丕 賰丕賳鬲 賷賵噩丿 賲孬賷賱賴丕 賱丿賷 賰孬賷乇 賲賳 丕賱胤睾丕賴 爻賵丕亍 賱賱丨賰賲 兀賵 賱賱丿賷賳 賮賷 丕賱毓氐賵乇 丕賱賵爻胤賷 賵丨鬲賷 賲丕亘毓丿 丕賱乇賵丕賷丞 亘爻賳賵丕鬲 賰丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱孬丕賳賷丞, 賵賯丿 鬲賰賵賳 卮亘賷賴丞 賱賲丕 賮毓賱賴 賴鬲賱乇 賳賮爻賴 丕賱賳丕夭賷 丕賱兀賱賲丕賳賷
賵 賮賷 亘毓囟 丕賱丿賵賱 丕賱賳丕賲賷丞 丨鬲賷 丕賱兀賳 -亘毓丿 丕賱卮乇 毓賳丕 賷毓賳賷 - 賴賳丕賰 丕爻丕賱賷亘 鬲毓匕賷亘 賯丿 鬲賰賵賳 兀賯賱 鬲毓賯賷丿丕 賲賳 鬲賱賰 丕賱賲丕賰賷賳丞 丕賱乇賴賷亘丞 , 賵賱賰賳賴丕 亘丕賱鬲兀賰賷丿 兀賰孬乇 賵丨卮賷丞 賵丿賲賵賷丞 賵乇毓亘丕, 亘賮囟賱 丕賱賰賴乇亘丕亍 胤亘毓丕 ..賰賲 賴賵 毓馗賷賲 匕賱賰 丕賱胤丕睾賷 丕賱匕賷 兀噩丕丿 兀爻鬲禺丿丕賲 丕賱鬲賰賳賵賱賵噩賷丕 賮賷 賮賳賵賳賴
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丕賱賳赖丕賷丞
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丕毓鬲賯丿 丕賳 賱丿賷 賰丕賮賰丕 卮賷卅丕 賲丕 鬲噩丕賴 賰賷賮 賷賰鬲亘 賲卮丕賴丿 丕賱賳赖丕賷丞...賰丕賳鬲 睾乇賷亘丞 賰賲丕 賮賷 丕賱賲鬲丨賵賱..爻賱賷賲丞 賵賱賰賳..賱丕 丕毓乇賮,睾乇賷亘賴 賮丨爻亘
賵賱賰賳 丕賱兀賰賷丿 兀賳賴丕 .. 爻賵丿丕賵賷丞
賵鬲鬲賰乇乇 丿丕卅賲丕 毓賱賷 賲乇 丕賱毓氐賵乇
賲丨賲丿 丕賱毓乇亘賷
賲丕賷賵 2015
In the Penal Colony
賯氐丞 賱賷爻鬲 胤賵賷賱丞,丨亘賰鬲賴丕 鬲毓鬲亘乇 噩賷丿丞 噩丿丕 亘丕賱賳爻亘丞 賱亘毓囟 丕賱賯氐氐 丕賱毓噩賷亘丞 丕賱兀禺乇賷 賱賰丕賮賰丕
賵賷馗賱 賵氐賮賴 丕賱亘卮毓 賱噩賴丕夭 丕賱兀毓丿丕賲 賲丕 噩毓賱賳賷 丕卮毓乇 亘鬲賱賰 丕賱賯卮毓乇賷乇丞 丕賱鬲賷 胤丕賱賲丕 兀氐丕亘鬲賳賷 毓賳丿 賲卮丕賴丿丞 爻賱爻賱丞 丕賱兀賮賱丕賲 丕賱卮賴賷乇丞
SAW 丕賱丿賲賵賷丞
丨賷孬 賷兀鬲賷 賲乇丕賯亘 賲賳 亘賱丿 丕噩賳亘賷丞 -毓賱賷 賲丕 賷亘丿賵- 賱賲爻鬲毓賲乇丞 亘賱丿 鬲亘丿賵 賲賳 鬲賱賰 匕丕鬲 丕賱丨賰賵賲丕鬲 丿賷賰鬲丕乇賵賷丞 丕賱賵丨卮賷丞 賮賷 毓賯丕亘賴丕 賱賱賲毓丕乇囟賷賳 ,賵匕賱賰 賱賷賮丨氐 賲毓 囟丕亘胤 丕爻賱賵亘 丕賱毓賯丕亘 丕賱睾乇賷亘 丕賱匕賷 鬲賲丕乇爻賴 丕賱丿賵賱丞 , 賵丕賱匕賷 亘丕賱乇睾賲 賲賳 丕賳賴賲 賷禺賮賮賵賳 賲爻賲丕賴 丕賱丕 丕賳賴 賮毓賱丕 丕毓丿丕賲 賵丨卮賷 亘胤卅 賵賱丕 卮卅 爻賵賷 匕賱賰 , 賱丕 乇丨賲丞 亘賴 賰賲丕 鬲丿賾毓賷 鬲賱賰 丕賱丨賰賵賲丞 丕賱賮丕爻丿丞
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丕賱乇賵丕賷丞 鬲毓賵丿 賱賲丕 賯亘賱 丕賱毓卮乇賷賳丕鬲 亘丕賱賯乇賳 丕賱賲丕囟賷 賵賯丿 兀爻鬲賱賴賲賴丕 賰丕賮賰丕 賲賳 賰賵丕亘賷爻 亘丿丕賷丕鬲 丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱兀賵賱賷 亘丕賱兀禺氐 賵丕賱乇毓亘 賮賷 鬲賱賰 丕賱賮鬲乇丞 亘丕賱兀禺氐 賮賷 兀賱賲丕賳賷丕..廿賱丕 兀賳 丕噩賴夭丞 賰賴匕賴 賮毓賱丕 賰丕賳鬲 賷賵噩丿 賲孬賷賱賴丕 賱丿賷 賰孬賷乇 賲賳 丕賱胤睾丕賴 爻賵丕亍 賱賱丨賰賲 兀賵 賱賱丿賷賳 賮賷 丕賱毓氐賵乇 丕賱賵爻胤賷 賵丨鬲賷 賲丕亘毓丿 丕賱乇賵丕賷丞 亘爻賳賵丕鬲 賰丕賱丨乇亘 丕賱毓丕賱賲賷丞 丕賱孬丕賳賷丞, 賵賯丿 鬲賰賵賳 卮亘賷賴丞 賱賲丕 賮毓賱賴 賴鬲賱乇 賳賮爻賴 丕賱賳丕夭賷 丕賱兀賱賲丕賳賷
賵 賮賷 亘毓囟 丕賱丿賵賱 丕賱賳丕賲賷丞 丨鬲賷 丕賱兀賳 -亘毓丿 丕賱卮乇 毓賳丕 賷毓賳賷 - 賴賳丕賰 丕爻丕賱賷亘 鬲毓匕賷亘 賯丿 鬲賰賵賳 兀賯賱 鬲毓賯賷丿丕 賲賳 鬲賱賰 丕賱賲丕賰賷賳丞 丕賱乇賴賷亘丞 , 賵賱賰賳賴丕 亘丕賱鬲兀賰賷丿 兀賰孬乇 賵丨卮賷丞 賵丿賲賵賷丞 賵乇毓亘丕, 亘賮囟賱 丕賱賰賴乇亘丕亍 胤亘毓丕 ..賰賲 賴賵 毓馗賷賲 匕賱賰 丕賱胤丕睾賷 丕賱匕賷 兀噩丕丿 兀爻鬲禺丿丕賲 丕賱鬲賰賳賵賱賵噩賷丕 賮賷 賮賳賵賳賴
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丕賱賳赖丕賷丞
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丕毓鬲賯丿 丕賳 賱丿賷 賰丕賮賰丕 卮賷卅丕 賲丕 鬲噩丕賴 賰賷賮 賷賰鬲亘 賲卮丕賴丿 丕賱賳赖丕賷丞...賰丕賳鬲 睾乇賷亘丞 賰賲丕 賮賷 丕賱賲鬲丨賵賱..爻賱賷賲丞 賵賱賰賳..賱丕 丕毓乇賮,睾乇賷亘賴 賮丨爻亘
賵賱賰賳 丕賱兀賰賷丿 兀賳賴丕 .. 爻賵丿丕賵賷丞
賵鬲鬲賰乇乇 丿丕卅賲丕 毓賱賷 賲乇 丕賱毓氐賵乇
賲丨賲丿 丕賱毓乇亘賷
賲丕賷賵 2015
February 25, 2025
鈥�Capital punishment,鈥� wrote , is 鈥�the most premeditated of murders, to which no criminal's deed, however calculated it may be, can be compared.鈥� Camus, who was staunchly opposed to capital punishment, was also greatly influenced by the works of the great Franz Kafka. The Austrian-Czech writer made a lasting legacy from his works on the tangled web of bureaucracy, the violence of power, and the impenetrability of oppressive law and his short story In the Penal Colony is a prime example of these themes. Written in 1914 and published in 1919, In the Penal Colony is a brutal examination of public punishment used to control a populace, where 鈥�guilt is never to be doubted,鈥� the accused is denied a defence and 鈥�the injustice of the procedure and inhumanity of the execution were incontestable.鈥� At the heart of the story is an 鈥渁pparatus鈥� used deliver a spectacle of capital punishment that looks as if was asked to design a torture device for maximum drama at the cost of efficiency. And our narrator, a traveller to the penal colony, watches without action as the drama of punishment, the distrust of an officer, and the inhumanity of 鈥渏ustice鈥� play out in this horrific yet unforgettable tale.
鈥�As a reliable compass for orientating yourself in life nothing is more useful than to accustom yourself to regarding this world as a place of atonement, a sort of penal colony.鈥�
鈥�
Kafka dives into themes of justice, contrasting the old Commandant's brutal regime and the more 鈥減rogressive鈥� Commandant as a discourse on power dynamics. The officer, who serves as judge, jury, and executioner becomes symbolic of the injustice itself. This three-pronged duty towards death may also remind some readers of the conversations around police brutality and extrajudicial murder by officers in the United States. Kafka鈥檚 penal colony sentences people to death for even minor infractions, without even stating the crime, and there is no appeal allowed, which reminded me of writing in Between the World and Me about the horror where any minor infraction鈥攐r even suspicion of one鈥攃an suddenly be considered 鈥�a capital offense, rendered without trial, with the officer as judge and executioner.鈥� Coates asks 鈥�is that what we wish civilization to be?鈥� and, as we see world leaders consolidate power, turn blind eyes towards extrajudicial killings, weaponize language to demonize groups of people, and courts failing to hold perpetrators accountable, Kafka鈥檚 bleak society seems more and more what these leaders wish civilization to be. At the expense of all of us.
Which makes the inaction of the traveller all the more unsettling. 鈥�He knew what was going to happen but he had no right to hinder,鈥� we are told. He knows intervening could be dangerous to him but not acting registers almost more like condoning than anything else. warned of the 鈥� 鈥� where it does not take an evil person to commit mass acts of evil, just complacency, and we can detect this in Kafka鈥檚 story as well. But that is also part of the plan from those in power, to create an atmosphere of obedience. Look at how Kafka describes the prisoner about to be executed:
He is described like a dog (you may recall the conclusion of Kafka鈥檚 The Trial where Joseph K. is said to have died 鈥�like a dog鈥�), obedient to obdurate authority even against his own well-being. To instill this in a populace is critical for control. Part of the great inhumanity here is that one cannot even speak up against it without losing their life. Rebellion is squashed before it can even take root in the mind, for even a suspicion can get one sent to their death.
The cruelty of the apparatus nudges many of Kafka鈥檚 themes on absurdity as well. It keeps a person alive for at least twelve hours, turning them over, staunching blood, and providing nourishment to ensure the victim lives until the punishment is over. They are not told their crimes but it is assumed they will 鈥�decipher鈥� them from their 鈥�wounds鈥� like reading a violent set of tea leaves at the moment of life-ending agony. There is an assumption of a near-religious transcendence from the pain and cruelty, yet the face of the dead man at the end shows 鈥�no sign of the promised deliverance.鈥� This is intensely bleak in a society that does not consider rehabilitation an option.
There is a rather religious set of imagery in the story, however. The religious devotion to their system of justice impresses the traveller, which is alarming. But we also have a rather twisted parallel with Jesus鈥� crucifixion at play. There is the self-sacrifice that occurs switching places with the condemned but also the death at the end comes from a spike that parallels the spear put into Jesus鈥� side while hanging on the cross. Finally we have those who believe the Commandant 鈥�will rise again,鈥� which, whew, sounds not great!
鈥�There has never been a time in which I have been convinced from within myself that I am alive. You see, I have only such a fugitive awareness of things around me that I always feel they were once real and are now fleeting away. I have a constant longing, my dear sir, to catch a glimpse of things as they may have been before they show themselves to me.鈥�
Anxiety oozes through the frightening fable of Kafka鈥檚 In the Penal Colony which, while published in 1919, feels just as eerily relevant today. A quick read (you can actually read the whole thing ) but one that definitely sticks with you.
4.5/5
鈥�As a reliable compass for orientating yourself in life nothing is more useful than to accustom yourself to regarding this world as a place of atonement, a sort of penal colony.鈥�
鈥�
Kafka dives into themes of justice, contrasting the old Commandant's brutal regime and the more 鈥減rogressive鈥� Commandant as a discourse on power dynamics. The officer, who serves as judge, jury, and executioner becomes symbolic of the injustice itself. This three-pronged duty towards death may also remind some readers of the conversations around police brutality and extrajudicial murder by officers in the United States. Kafka鈥檚 penal colony sentences people to death for even minor infractions, without even stating the crime, and there is no appeal allowed, which reminded me of writing in Between the World and Me about the horror where any minor infraction鈥攐r even suspicion of one鈥攃an suddenly be considered 鈥�a capital offense, rendered without trial, with the officer as judge and executioner.鈥� Coates asks 鈥�is that what we wish civilization to be?鈥� and, as we see world leaders consolidate power, turn blind eyes towards extrajudicial killings, weaponize language to demonize groups of people, and courts failing to hold perpetrators accountable, Kafka鈥檚 bleak society seems more and more what these leaders wish civilization to be. At the expense of all of us.
Which makes the inaction of the traveller all the more unsettling. 鈥�He knew what was going to happen but he had no right to hinder,鈥� we are told. He knows intervening could be dangerous to him but not acting registers almost more like condoning than anything else. warned of the 鈥� 鈥� where it does not take an evil person to commit mass acts of evil, just complacency, and we can detect this in Kafka鈥檚 story as well. But that is also part of the plan from those in power, to create an atmosphere of obedience. Look at how Kafka describes the prisoner about to be executed:
鈥�[T]he condemned man looked so submissively doglike that it seemed as if he might have been allowed to run free on the slopes and would only need to be whistled for when the execution was due to begin.鈥�
He is described like a dog (you may recall the conclusion of Kafka鈥檚 The Trial where Joseph K. is said to have died 鈥�like a dog鈥�), obedient to obdurate authority even against his own well-being. To instill this in a populace is critical for control. Part of the great inhumanity here is that one cannot even speak up against it without losing their life. Rebellion is squashed before it can even take root in the mind, for even a suspicion can get one sent to their death.
The cruelty of the apparatus nudges many of Kafka鈥檚 themes on absurdity as well. It keeps a person alive for at least twelve hours, turning them over, staunching blood, and providing nourishment to ensure the victim lives until the punishment is over. They are not told their crimes but it is assumed they will 鈥�decipher鈥� them from their 鈥�wounds鈥� like reading a violent set of tea leaves at the moment of life-ending agony. There is an assumption of a near-religious transcendence from the pain and cruelty, yet the face of the dead man at the end shows 鈥�no sign of the promised deliverance.鈥� This is intensely bleak in a society that does not consider rehabilitation an option.
There is a rather religious set of imagery in the story, however. The religious devotion to their system of justice impresses the traveller, which is alarming. But we also have a rather twisted parallel with Jesus鈥� crucifixion at play. There is the self-sacrifice that occurs switching places with the condemned but also the death at the end comes from a spike that parallels the spear put into Jesus鈥� side while hanging on the cross. Finally we have those who believe the Commandant 鈥�will rise again,鈥� which, whew, sounds not great!
鈥�There has never been a time in which I have been convinced from within myself that I am alive. You see, I have only such a fugitive awareness of things around me that I always feel they were once real and are now fleeting away. I have a constant longing, my dear sir, to catch a glimpse of things as they may have been before they show themselves to me.鈥�
Anxiety oozes through the frightening fable of Kafka鈥檚 In the Penal Colony which, while published in 1919, feels just as eerily relevant today. A quick read (you can actually read the whole thing ) but one that definitely sticks with you.
4.5/5
June 22, 2023
No existe en la obra de Kafka, una narraci贸n tan pol茅mica, visceral y violenta como la que desarroll贸 en su relato En la colonia penitenciaria, que sigue causando el mismo revuelo que en aquel entonces. El texto fue dif铆cil de digerir en primer lugar por 茅l, cuando lo escribi贸 en los primeros meses de 1914 durante la escritura de El proceso, y en segundo t茅rmino para su editor Kurt Wolff y el resto de los amigos (Max Brod, Franz Werfel, Otto Pick) que debieron soportar esta narraci贸n tan chocante.
Kafka al parecer, hab铆a le铆do una novela llamada El jard铆n de los suplicios, escrita por el franc茅s Octave Mirbeau en 1899 que al parecer le sirvi贸 de inspiraci贸n para la historia de En la colonia penitenciaria que se publicar铆a reci茅n en el a帽o 1919.
Al parecer, tanto Kafka como Wolff no se pon铆an de acuerdo ni en el tenor truculento de la historia como en la indecisi贸n del editor de jugarse a publicar un relato as铆, adem谩s de que Kafka todav铆a ensayaba variaciones del final del relato entre el 7 y el 9 de 1917 en sus Diarios.
El 11 de octubre del a帽o 1916 le env铆a una carta a Wolff coincidiendo con la naturaleza de la historia: 芦Sus objeciones a todo lo desagradable coinciden por entero con mi opini贸n, que yo sin embargo tengo para todos mis escritos. Como explicaci贸n para esta narraci贸n, s贸lo quiero agregar que no solamente ella me resulta desagradable, sino que m谩s precisamente nuestra 茅poca en general, y especialmente la m铆a, fue y sigue siendo desagradable, e incluso que la m铆a ha sido y es desagradable por un tiempo m谩s prolongado que lo corriente禄.
En la tarde del 10 de noviembre de 1916, Kafka tiene una oportunidad hist贸rica: la de leer En la colonia penitenciaria para una audiencia que 茅l cre铆a que iba a ser mayor (tan solo unas 50 personas), en la librer铆a y galer铆a de pintura Golz de M煤nich (por primera vez fuera de Praga). Leer personalmente algo suyo le podr铆a abrir puertas, conocer colegas, publicar otros textos con m谩s asiduidad, pero nunca imagin贸 el desenlace, puesto que a medida que iba avanzando en la lectura de este relato, notaba que la gente se levantaba y hu铆a espantada. La naturaleza sangrienta de lo que all铆 se narraba era demasiado atroz para resistirla.
Reiner Stach, en su libro 驴Este es Kafka? 99 hallazgos, reproduce la escena que el escritor Max Pulver presenci贸 en la galer铆a esa tarde:
芦Un golpe sordo, una confusi贸n en la sala. Sacaron a una dama que se hab铆a desmayado. La descripci贸n, entre tanto, continu贸. Sus palabras dejaron tendidas de nuevo a dos personas que hab铆an perdido el conocimiento. Las filas de oyentes empezaron a clarear. Algunos huyeron en el 煤ltimo momento, antes de ser aplastados por la visi贸n del escritor. Jam谩s he presenciado un efecto semejante en una lectura p煤blica禄.
Max Brod intent贸 desmentir a Pulver pero lo cierto es que Kafka hab铆a logrado espantar a los oyentes ese d铆a. En una nota publicada en el diario M眉ncher Zeitung, Kafka fue descripto como un 鈥渧icioso del horror鈥�. Para ellos, En la colonia penitenciaria hab铆a cruzado un l铆mite.
Algunos afirman que este relato oficia a manera de extensi贸n de la novela El proceso dem谩s espec铆ficamente del tratamiento inflexible que Kafka hace de la Ley como adem谩s de asociar lo que sucede en cap铆tulo del flagelador que azota a los que informan a Josef K. de su detenci贸n en el primer cap铆tulo de esa novela. El flagelador tiene un rostro 芦tostado por el sol como un marinero y ten铆a un rostro salvaje y saludable禄. Pareciera que pertenece a la isla de este relato.
En una calurosa isla tropical, ubicada en alg煤n lugar rec贸ndito que el autor no se encarga de aclarar, un explorador le hace una visita a un oficial que proceder谩 a mostrarle una m谩quina que hace cumplir la ley a aquellos que la infringen a trav茅s de un m茅todo de tortura (seg煤n 茅l), ejemplar.
Kafka tampoco ahonda mucho aqu铆 ni a qu茅 pa铆s pertenece la isla en cuesti贸n ni por qu茅 se ha juzgado all铆 a tantos prisioneros. Lo que s铆 es incre铆blemente es el detalle del lugar donde est谩 instalado esta colonia penitenciaria y nuevamente nos preguntamos: 驴C贸mo hizo Kafka para adelantarse a lo que d茅cadas m谩s tarde se conoci贸 como la Prisi贸n de Guant谩namo en la isla de Cuba, en la que los Estados Unidos han mantenido (y torturado) a tanta gente? Hasta el calor y la ubicaci贸n tropical coinciden.
Puede ser tambi茅n que Kafka, inspir谩ndose en los m茅todos de tortura de la Inquisici贸n, haya desarrollado la naturaleza sangrienta que salpica esta narraci贸n anticipando adem谩s lo que le suceder铆a a su propio pueblo jud铆o por medio de las atrocidades que los nazis ejercieron sobre ellos en los campos de concentraci贸n.
La justificaci贸n del sistema por parte del oficial es aberrante: 芦Mi principio fundamental es este: la culpa es siempre indudable禄 y con esa premisa da rienda suelta para ejecutar sin condenar, puesto que se erige como juez y verdugo, que es lo que precisamente objeta el explorador. Retomamos aqu铆 la inflexibilidad t谩cita de una Ley que se hace respetar sin discusi贸n, porque siguiendo con el tono absurdo de El proceso, aunque en esa novela a Josef K. se le inicia un proceso judicial no se le dice por qu茅 y aqu铆 el condenado no conoce cu谩l es su condena hasta que se la marcan en su propia espalda con esta m谩quina infernal.
Es un dispositivo dise帽ado por el comandante anterior al oficial que ahora la utiliza y vanagloria y que consta de tres partes. En la parte inferior, una cama en la que acuestan desnudo al condenado que debe morder un trapo para soportar el dolor. Esta base se mueve para facilitar el trabajo de la rastra, que posee m煤ltiples agujas largas acompa帽adas de otras cortas que liberan agua para limpiar la sangre que sale de la espalda de la v铆ctima. En la parte superior de la m谩quina se encuentra el sistema dibujante que imprimir谩 a trav茅s de las agujas el texto de la sentencia que recibir谩 el cuerpo del condenado.
Para este caso, un soldado trae al condenado al que despojan de sus ropas. El castigo que se le aplicar谩 es la frase 鈥淗onrar谩s a tu superior鈥�. Al parecer el condenado se durmi贸 en su puesto de trabajo y cuando su superior lo despert贸, este le respondi贸 con agravios e insultos; acto seguido fue condenado. Kafka vuelve aqu铆 a ser tajante con el cumplimiento de la ley, puesto que en el texto del relato se lee 芦La injusticia del procedimiento y la inhumanidad de la ejecuci贸n quedaban fuera de toda duda禄.
Para ello y mediante la m谩quina, se le 鈥渆scribir谩鈥� con agujas la frase de la sentencia en la carne de su espalda. El oficial explica detalladamente y con 茅xtasis el procedimiento de cuando las agujas van desgarrando la carne, de la sangre chorreando por los costados de la m谩quina, de un despellejamiento que el condenado sufre durante 隆doce! horas. La descripci贸n de toda esta tortura se torna absolutamente aberrante y desagradable. Eso explica los desmayos, los v贸mitos y las huidas comentadas previamente: la gente de 1916 no estaba preparada para tanta violencia expl铆cita.
Lo que aqu铆 leemos remite en cierto modo una otra novela llamada El peregrino de las estrellas, escrita por Jack London, cuyo personaje principal sufre un terrible castigo corporal denominado el Jacket, que resumido en detalle es como un largo chaleco de fuerza que los guardias con suma crueldad, ajustan a trav茅s de correas y ganchos de bronce de una forma tan brutal y exagerada contra todo el torso, brazos y piernas del preso que no deja resquicio de aire para respirar, seguido por entumecimiento generalizado y desesperante de todo el cuerpo pr贸ximo al desmayo. En el relato de Kafka, la crueldad es a煤n peor.
Este es uno de los relatos m谩s at铆picos de toda la obra de Kafka y sale totalmente de la orientaci贸n que siempre les dio a sus escritos, pero no por ello es menos kafkiano, ya que en cierto modo funciona como una gran teor铆a del absurdo simbolizada en esa m谩quina de tortura infernal que cuando quiere aplicar la Ley como siempre lo hizo, parad贸jica e irremisiblemente鈥� falla.
Kafka al parecer, hab铆a le铆do una novela llamada El jard铆n de los suplicios, escrita por el franc茅s Octave Mirbeau en 1899 que al parecer le sirvi贸 de inspiraci贸n para la historia de En la colonia penitenciaria que se publicar铆a reci茅n en el a帽o 1919.
Al parecer, tanto Kafka como Wolff no se pon铆an de acuerdo ni en el tenor truculento de la historia como en la indecisi贸n del editor de jugarse a publicar un relato as铆, adem谩s de que Kafka todav铆a ensayaba variaciones del final del relato entre el 7 y el 9 de 1917 en sus Diarios.
El 11 de octubre del a帽o 1916 le env铆a una carta a Wolff coincidiendo con la naturaleza de la historia: 芦Sus objeciones a todo lo desagradable coinciden por entero con mi opini贸n, que yo sin embargo tengo para todos mis escritos. Como explicaci贸n para esta narraci贸n, s贸lo quiero agregar que no solamente ella me resulta desagradable, sino que m谩s precisamente nuestra 茅poca en general, y especialmente la m铆a, fue y sigue siendo desagradable, e incluso que la m铆a ha sido y es desagradable por un tiempo m谩s prolongado que lo corriente禄.
En la tarde del 10 de noviembre de 1916, Kafka tiene una oportunidad hist贸rica: la de leer En la colonia penitenciaria para una audiencia que 茅l cre铆a que iba a ser mayor (tan solo unas 50 personas), en la librer铆a y galer铆a de pintura Golz de M煤nich (por primera vez fuera de Praga). Leer personalmente algo suyo le podr铆a abrir puertas, conocer colegas, publicar otros textos con m谩s asiduidad, pero nunca imagin贸 el desenlace, puesto que a medida que iba avanzando en la lectura de este relato, notaba que la gente se levantaba y hu铆a espantada. La naturaleza sangrienta de lo que all铆 se narraba era demasiado atroz para resistirla.
Reiner Stach, en su libro 驴Este es Kafka? 99 hallazgos, reproduce la escena que el escritor Max Pulver presenci贸 en la galer铆a esa tarde:
芦Un golpe sordo, una confusi贸n en la sala. Sacaron a una dama que se hab铆a desmayado. La descripci贸n, entre tanto, continu贸. Sus palabras dejaron tendidas de nuevo a dos personas que hab铆an perdido el conocimiento. Las filas de oyentes empezaron a clarear. Algunos huyeron en el 煤ltimo momento, antes de ser aplastados por la visi贸n del escritor. Jam谩s he presenciado un efecto semejante en una lectura p煤blica禄.
Max Brod intent贸 desmentir a Pulver pero lo cierto es que Kafka hab铆a logrado espantar a los oyentes ese d铆a. En una nota publicada en el diario M眉ncher Zeitung, Kafka fue descripto como un 鈥渧icioso del horror鈥�. Para ellos, En la colonia penitenciaria hab铆a cruzado un l铆mite.
Algunos afirman que este relato oficia a manera de extensi贸n de la novela El proceso dem谩s espec铆ficamente del tratamiento inflexible que Kafka hace de la Ley como adem谩s de asociar lo que sucede en cap铆tulo del flagelador que azota a los que informan a Josef K. de su detenci贸n en el primer cap铆tulo de esa novela. El flagelador tiene un rostro 芦tostado por el sol como un marinero y ten铆a un rostro salvaje y saludable禄. Pareciera que pertenece a la isla de este relato.
En una calurosa isla tropical, ubicada en alg煤n lugar rec贸ndito que el autor no se encarga de aclarar, un explorador le hace una visita a un oficial que proceder谩 a mostrarle una m谩quina que hace cumplir la ley a aquellos que la infringen a trav茅s de un m茅todo de tortura (seg煤n 茅l), ejemplar.
Kafka tampoco ahonda mucho aqu铆 ni a qu茅 pa铆s pertenece la isla en cuesti贸n ni por qu茅 se ha juzgado all铆 a tantos prisioneros. Lo que s铆 es incre铆blemente es el detalle del lugar donde est谩 instalado esta colonia penitenciaria y nuevamente nos preguntamos: 驴C贸mo hizo Kafka para adelantarse a lo que d茅cadas m谩s tarde se conoci贸 como la Prisi贸n de Guant谩namo en la isla de Cuba, en la que los Estados Unidos han mantenido (y torturado) a tanta gente? Hasta el calor y la ubicaci贸n tropical coinciden.
Puede ser tambi茅n que Kafka, inspir谩ndose en los m茅todos de tortura de la Inquisici贸n, haya desarrollado la naturaleza sangrienta que salpica esta narraci贸n anticipando adem谩s lo que le suceder铆a a su propio pueblo jud铆o por medio de las atrocidades que los nazis ejercieron sobre ellos en los campos de concentraci贸n.
La justificaci贸n del sistema por parte del oficial es aberrante: 芦Mi principio fundamental es este: la culpa es siempre indudable禄 y con esa premisa da rienda suelta para ejecutar sin condenar, puesto que se erige como juez y verdugo, que es lo que precisamente objeta el explorador. Retomamos aqu铆 la inflexibilidad t谩cita de una Ley que se hace respetar sin discusi贸n, porque siguiendo con el tono absurdo de El proceso, aunque en esa novela a Josef K. se le inicia un proceso judicial no se le dice por qu茅 y aqu铆 el condenado no conoce cu谩l es su condena hasta que se la marcan en su propia espalda con esta m谩quina infernal.
Es un dispositivo dise帽ado por el comandante anterior al oficial que ahora la utiliza y vanagloria y que consta de tres partes. En la parte inferior, una cama en la que acuestan desnudo al condenado que debe morder un trapo para soportar el dolor. Esta base se mueve para facilitar el trabajo de la rastra, que posee m煤ltiples agujas largas acompa帽adas de otras cortas que liberan agua para limpiar la sangre que sale de la espalda de la v铆ctima. En la parte superior de la m谩quina se encuentra el sistema dibujante que imprimir谩 a trav茅s de las agujas el texto de la sentencia que recibir谩 el cuerpo del condenado.
Para este caso, un soldado trae al condenado al que despojan de sus ropas. El castigo que se le aplicar谩 es la frase 鈥淗onrar谩s a tu superior鈥�. Al parecer el condenado se durmi贸 en su puesto de trabajo y cuando su superior lo despert贸, este le respondi贸 con agravios e insultos; acto seguido fue condenado. Kafka vuelve aqu铆 a ser tajante con el cumplimiento de la ley, puesto que en el texto del relato se lee 芦La injusticia del procedimiento y la inhumanidad de la ejecuci贸n quedaban fuera de toda duda禄.
Para ello y mediante la m谩quina, se le 鈥渆scribir谩鈥� con agujas la frase de la sentencia en la carne de su espalda. El oficial explica detalladamente y con 茅xtasis el procedimiento de cuando las agujas van desgarrando la carne, de la sangre chorreando por los costados de la m谩quina, de un despellejamiento que el condenado sufre durante 隆doce! horas. La descripci贸n de toda esta tortura se torna absolutamente aberrante y desagradable. Eso explica los desmayos, los v贸mitos y las huidas comentadas previamente: la gente de 1916 no estaba preparada para tanta violencia expl铆cita.
Lo que aqu铆 leemos remite en cierto modo una otra novela llamada El peregrino de las estrellas, escrita por Jack London, cuyo personaje principal sufre un terrible castigo corporal denominado el Jacket, que resumido en detalle es como un largo chaleco de fuerza que los guardias con suma crueldad, ajustan a trav茅s de correas y ganchos de bronce de una forma tan brutal y exagerada contra todo el torso, brazos y piernas del preso que no deja resquicio de aire para respirar, seguido por entumecimiento generalizado y desesperante de todo el cuerpo pr贸ximo al desmayo. En el relato de Kafka, la crueldad es a煤n peor.
Este es uno de los relatos m谩s at铆picos de toda la obra de Kafka y sale totalmente de la orientaci贸n que siempre les dio a sus escritos, pero no por ello es menos kafkiano, ya que en cierto modo funciona como una gran teor铆a del absurdo simbolizada en esa m谩quina de tortura infernal que cuando quiere aplicar la Ley como siempre lo hizo, parad贸jica e irremisiblemente鈥� falla.
May 9, 2023
English:
Torture porn of the kafkaesque variety: A highly renowned explorer visits an island in order to do research on its peculiar legal system which revolves around an elaborate, monstruous execution machine that inscribes the (declared) wrongdoings of the condemned deeper and deeper into his skin until, after hours of torture, he finally dies. The officer who demonstrates the device to the explorer aims to convince him of the advantages and importance of the traditional machine which was designed and built by his old commander - the new commander, on the other hand, seems to be more sketipcal of its value. To underline his point, the officer makes the person who should be executed get out of the machine again and lets himself be strapped onto it - and then things get out of control...
I will not even try to fully decipher all levels of meaning Kafka offers us - at the end of the day, Kafka's riddles can't be solved, which is why he's a genius. But what stands out is of course that all characters remain unnamed, they are untterly defined by their function, and they outsource justice to a machine - a machine that finds everyone guilty, so it also tortures and kills everyone, there is no way out (needless to say, this legal system has de facto nothing to do with legality and justice). Check for a typical topic of this author: Helplessness. All this happens on an island, so there are ways in which the place is isolated. Aaaand: The machine is said to promise a form of deliverance, so there is also a religious theme going on.
Plus, hey: The thing tortures through writing. A non-human entitiy, built by a human, produces text and passes judgement, it inflicts pain by writing on the victim on whom it impresses meaning. It's a well-known fact that Kafka himself suffered when he couldn't write, that he explained that he felt physical pain in such instances. Has your head exploded yet? There's more: Kafka, a lawyer working for an insurance agency (who saw lots of reports on accidents with machines at the workplace), was a student of Robert Heindl, the lawyer and criminologist known for his advocacy of fingerprinting. Heindl also wrote a book called in which he talks about his travels to the penal colonies in the South Sea - there, he saw...you guessed it: An execution machine. Has Kafka read the book? That's a definite maybe.
Another attempt at decoding the text: Does Kafka talk about war? Mind you, this was written in 1914, two months after the start of WW I, so before the rise of industrialized warfare (WW I) and industrialized genocide (WW II). Still, the story can be read as a tale about totalitarianism, rationalization and dehumanisation - literary modernity, these are your hot topics. In this context, it's interesting to look at the characters and their behavior: The explorer is just standing by, he is not trying to stop the events while he himself is safe. The officer is defending the inventor of the torture machine with ideological furor and based on personal allegiance to his former commander. The simple soldier does what he is told to do, although he gets along well with the condemned. And the condemned? He doesn't matter. He's here to die, human material for the machine, and the text we read doesn't treat him any better.
A tricky, vicious, enigmatic, fascinating text - a typical Kafka.
Torture porn of the kafkaesque variety: A highly renowned explorer visits an island in order to do research on its peculiar legal system which revolves around an elaborate, monstruous execution machine that inscribes the (declared) wrongdoings of the condemned deeper and deeper into his skin until, after hours of torture, he finally dies. The officer who demonstrates the device to the explorer aims to convince him of the advantages and importance of the traditional machine which was designed and built by his old commander - the new commander, on the other hand, seems to be more sketipcal of its value. To underline his point, the officer makes the person who should be executed get out of the machine again and lets himself be strapped onto it - and then things get out of control...
I will not even try to fully decipher all levels of meaning Kafka offers us - at the end of the day, Kafka's riddles can't be solved, which is why he's a genius. But what stands out is of course that all characters remain unnamed, they are untterly defined by their function, and they outsource justice to a machine - a machine that finds everyone guilty, so it also tortures and kills everyone, there is no way out (needless to say, this legal system has de facto nothing to do with legality and justice). Check for a typical topic of this author: Helplessness. All this happens on an island, so there are ways in which the place is isolated. Aaaand: The machine is said to promise a form of deliverance, so there is also a religious theme going on.
Plus, hey: The thing tortures through writing. A non-human entitiy, built by a human, produces text and passes judgement, it inflicts pain by writing on the victim on whom it impresses meaning. It's a well-known fact that Kafka himself suffered when he couldn't write, that he explained that he felt physical pain in such instances. Has your head exploded yet? There's more: Kafka, a lawyer working for an insurance agency (who saw lots of reports on accidents with machines at the workplace), was a student of Robert Heindl, the lawyer and criminologist known for his advocacy of fingerprinting. Heindl also wrote a book called in which he talks about his travels to the penal colonies in the South Sea - there, he saw...you guessed it: An execution machine. Has Kafka read the book? That's a definite maybe.
Another attempt at decoding the text: Does Kafka talk about war? Mind you, this was written in 1914, two months after the start of WW I, so before the rise of industrialized warfare (WW I) and industrialized genocide (WW II). Still, the story can be read as a tale about totalitarianism, rationalization and dehumanisation - literary modernity, these are your hot topics. In this context, it's interesting to look at the characters and their behavior: The explorer is just standing by, he is not trying to stop the events while he himself is safe. The officer is defending the inventor of the torture machine with ideological furor and based on personal allegiance to his former commander. The simple soldier does what he is told to do, although he gets along well with the condemned. And the condemned? He doesn't matter. He's here to die, human material for the machine, and the text we read doesn't treat him any better.
A tricky, vicious, enigmatic, fascinating text - a typical Kafka.
June 23, 2020
丿毓賳丕 賳禺囟毓 丕賱賯氐丞 賱賱賲毓丕賷賷乇 丕賱賰丕賮賰丕賵賷丞:
爻賵丿丕賵賷丞: 賳毓賲
毓亘孬賷丞: 賳毓賲
賯丕亘賱丞 賱賱鬲兀賵賷賱 毓賱賶 兀賰孬乇 賲賳 賵噩賴: 賳毓賲
毓賳丕氐乇 睾賷乇 賲賳胤賯賷丞: 賳毓賲
丌賱丕賲 賮賵賯 丕丨鬲賲丕賱 丕賱亘卮乇: 賳毓賲
賯爻賵丞 丕賱廿賳爻丕賳: 賳毓賲
爻賱胤丞 賯賲毓賷丞: 賳毓賲.
丕噩鬲丕夭 賴匕丕 丕賱賲賳鬲噩 丕賱賰丕亘賵爻賷 噩賲賷毓 丕賱賮丨賵氐丕鬲 丕賱賲胤賱賵亘丞 賵丨氐賱 毓賱賶 丕賱卮賴丕丿丞 丕賱賰丕賮賰丕賵賷丞 賱賱賲賵丕氐賮丕鬲 賵丕賱賲賯丕賷賷爻.
賷賻丨賰賷 丕賱賳賯丕丿 毓賳 鬲兀孬賷乇 賵丕賱丿 賮乇丕賳鬲夭 賰丕賮賰丕 丕賱匕賷 毓購乇賮 亘氐賱賮賴 賵賯爻賵鬲賴 毓賱賶 丕賱賰丕鬲亘 丕賱鬲卮賷賰賷貙 賱匕丕 賮爻賳噩丿 兀賳 乇賲夭 丕賱爻賱胤丞 丕賱賯賴乇賷丞 孬賷賲丞 賲鬲賰乇乇丞 賮賷 賰鬲丕亘丕鬲賴. 賷賯丕賱 兀賷囟丕賸 兀賳賴 鬲兀孬乇 亘毓賲賱賴 賮賷 卮乇賰丕鬲 丕賱鬲兀賲賷賳 丨賷孬 丕賱亘賷乇賵賯乇丕胤賷丞 鬲賳賴賰 丕賱廿賳爻丕賳 亘廿噩乇丕亍丕鬲 毓亘孬賷丞 賲毓賯丿丞. 賳噩丿 賮賷 (賲爻鬲賵胤賳丞 丕賱毓賯丕亘) 賰賱 鬲賱賰 丕賱毓賳丕氐乇 亘噩賱丕亍 賲賲孬賱丞 亘丕賱賯賵賲賳丿丕賳 丕賱爻丕丿賷 賵廿噩乇丕亍丕鬲 丕賱廿毓丿丕賲 丕賱賲毓賯丿丞. 賱賰賳賳丕 賳賰乇乇 兀賳 兀毓賲丕賱 賰丕賮賰丕 丨賲賾丕賱丞 兀賵噩賴 廿賱賶 丿乇噩丞 兀賳賴 賷賲賰賳 丕爻鬲禺丿丕賲賴丕 賲孬賱 丕禺鬲亘丕乇 亘賯毓丞 丕賱丨亘乇 丕賱匕賷 賷爻鬲禺丿賲賴 丕賱賲丨賱賱賵賳 丕賱賳賮爻賷賵賳 賱賰卮賮 賲賰賳賵賳丕鬲 丕賱卮禺氐賷丞. 賴賳丕賰 鬲賮爻賷乇 丿賷賳賷 賱賱賯氐丞貙 賴賳丕賰 賲賳 爻賷乇亘胤賴丕 亘丕賱丕爻鬲毓賲丕乇 兀賵 丕賱賮丕卮賷丞貙 賵賴賳丕賰 賲賳 賷乇賶 賮賷賴丕 丕賳毓賰丕爻丕 賱賳馗乇丞 賰丕賮賰丕 丕賱爻賵丿丕賵賷丞 賵丕賱毓亘孬賷丞 賱丨賷丕鬲賳丕 毓賱賶 賴匕賴 丕賱兀乇囟. 賱丕 丨丿賵丿 賱賱鬲丨賱賷賱丕鬲 丕賱鬲賷 賷賲賰賳 兀賳 鬲購賲丿賾賴丕 亘賰 賴匕賴 丕賱賳氐賵氐 丕賱賲毓鬲賾賯丞.
賲丕賱賲爻鬲賴 賴賵 兀賳 賰丕賮賰丕 賲賴賵賵爻 亘賮賰乇丞 丕賱毓丿丕賱丞貙 鬲賱賰 丕賱賳爻禺丞 丕賱賲卮賵賴丞 丕賱鬲賷 鬲鬲丨乇賶 丕賱馗賱賲 兀賰孬乇 賲賳 兀賷 卮賷亍 丌禺乇. 賴賳丕賰 鬲賴賲丞 賲亘賴賲丞 賱賲 賷丨賯賯 賮賷賴丕 兀丨丿貙 賵賲鬲賴賲 賱賲 賷毓胤賴 兀丨丿 丕賱賮乇氐丞 亘丕賱丿賮丕毓 毓賳 賳賮爻賴. 賴匕丕 廿賱賶 噩丕賳亘 胤乇賷賯丞 鬲胤亘賷賯 丕賱丨賰賲 丕賱爻丕丿賷丞 丨丿 丕賱毓亘孬. 賳爻賲毓 丕賱囟丕亘胤 賷卮乇丨 毓賲賱 丕賱丌賱丞 丕賱亘卮毓丞 亘賰賱 鬲賮氐賷賱 賵卮睾賮貙 賮鬲馗賴乇 賮馗丕毓丞 丕賱廿賳爻丕賳 丕賱匕賷 丕爻鬲賲乇兀 丕賱賯爻賵丞 賮兀氐亘丨鬲 噩夭亍賸丕 毓丕丿賷賸丕 賲賳 乇賵鬲賷賳賴.
賮賷 丕賱丨賯賷賯丞 賴匕丕 丕賱囟丕亘胤 鬲噩爻賷丿 亘賱賷睾 賱賱卮禺氐賷丞 丕賱爻丕賷賰賵亘丕孬賷丞貙 賷賯賵賲 亘賲賲丕乇爻丕鬲 賵丨卮賷丞 丿賵賳 兀丿賳賶 鬲毓丕胤賮 孬賲 鬲乇丕賴 賷鬲丨丿孬 亘賰賱 賱亘丕賯丞 賲毓 囟賷賮賴 賵丨鬲賶 毓賳丿賲丕 賷氐丕亘 亘丕賱廿丨亘丕胤 賮賱丕 賷鬲噩丕賵夭 丨丿賵丿 丕賱兀丿亘. 匕賰乇鬲賳賷 賴匕賴 丕賱噩夭卅賷丞 亘丕賱丨丿賷孬 毓賳 噩賳乇丕賱丕鬲 丕賱鬲毓匕賷亘 丕賱匕賷賳 賷亘乇毓賵賳 賮賷 廿囟丨丕賰 丕賱兀胤賮丕賱 賵賷匕乇賮賵賳 丕賱丿賲賵毓 賱丿賶 賲卮丕賴丿丞 丕賱兀賮賱丕賲 丕賱毓丕胤賮賷丞. 賴匕丕 丕賱囟丕亘胤 賱賴 胤賲賵丨丕鬲賴 賵兀丨夭丕賳賴 丕賱禺丕氐丞 賷鬲丨丿孬 毓賳賴丕 亘賳亘乇丞 丨丕賱賲丞 亘賷賳賲丕 賴賷 丕賱賯亘丨 匕丕鬲賴 毓賳丿 丕賱廿賳爻丕賳 丕賱爻賵賷.
賷鬲丨丿孬 賰丕賮賰丕 兀賷囟丕賸 毓賳 丕賱賳賮丕賯貙 丨賷孬 賷氐亘丨 丨丿賷孬 爻賷丿丕鬲 丕賱賲噩鬲賲毓 賵乇兀賷 丕賱夭丕卅乇 丕賱兀噩賳亘賷 兀賰孬乇 兀賴賲賷丞 賲賳 丕賱丕毓鬲亘丕乇丕鬲 丕賱廿賳爻丕賳賷丞. 兀毓鬲賯丿 兀賳賳丕 賰毓乇亘 爻賳賮賴賲 賲賵囟賵毓 丕賱鬲噩賲賱 兀賲丕賲 丕賱夭丕卅乇 丕賱兀噩賳亘賷 賰孬賷乇賸丕. 賵賷毓乇噩 丕賱賳氐 兀賷囟丕賸 毓賱賶 丕賱賮乇賵賯 丕賱胤亘賯賷丞 賵毓丿賲 丕賱丕賳氐丕賮 賮賷 鬲賵夭賷毓 丕賱丕賲鬲賷丕夭丕鬲. 賵賵爻胤 賴匕丕 賰賱賴 賳噩丿 卮賷卅賸丕 賲賳 丕賱賰賵賲賷丿賷丕 丕賱爻賵丿丕亍 賴賳丕 賵賴賳丕賰貙 賰賷賮 賷賲賰賳 賱兀丿賷亘 兀賳 賷乇爻賲 賴匕丕 丕賱賳氐 丕賱丿丕賰賳 賵賷囟賮賷 毓賱賷賴 馗賱賸丕 爻丕禺乇賸丕責
賰賲丕 匕賰乇鬲 賮賷 賲乇丕噩毓鬲賷 賱賯氐丞 丕賱鬲丨賵賱貙 賳噩丿 氐賵鬲 賰丕賮賰丕 賴賳丕 賲鬲丿賮賯賸丕 賲賳 兀毓賲丕賯賴貙 爻賱爻丕賸 睾賷乇 賲鬲賰賱賮 賱丿乇噩丞 鬲噩毓賱賳賷 兀卮賰 賮賷 兀賳賴 賯氐丿 卮賷卅賸丕 賲毓賷賳賸丕 孬賲 兀賱亘爻賴 乇賲賵夭賸丕 賲賳鬲賯丕丞. 賮賯胤 丕賱噩夭亍 丕賱兀禺賷乇 賲賳 丕賱賯氐丞 賰丕賳 賲亘賴賲賸丕 賱丿乇噩丞 丿賮毓鬲賳賷 丕賱鬲賵賯賮 賵丕賱鬲賮賰賷乇 賮賷 丕賱賲賯氐丿貙 賵兀賳丕 賱丕 兀丨亘 兀賳 鬲夭賷丿 丕賱乇賲夭賷丞 毓賳 丨丿賴丕貙 廿賳 賰丕賳鬲 賴賳丕賰 乇賲夭賷丞 賲丨丿丿丞 賮賷 匕賱賰 丕賱賲賵囟毓. 賷噩丿乇 亘賷 丕賱廿卮丕乇丞 廿賱賶 兀賳 乇賵丕賷丞 丕賱賲丨丕賰賲丞 鬲卮鬲乇賰 賲毓 賲爻鬲賵胤賳丞 丕賱毓賯丕亘 賮賷 丕賱賰孬賷乇 賲賳 丕賱毓賳丕氐乇 賲賲丕 賷賰卮賮 賱賳丕 毓賲賾丕 賷毓丕賳賷賴 賰丕賮賰丕 賲賳 鬲氐丿毓 丿丕禺賱賷 噩乇賾丕亍 賴匕賴 丕賱賴賵丕噩爻.
賯氐丞 賱丕 鬲鬲噩丕賵夭 丕賱爻鬲賷賳 氐賮丨丞 賰鬲亘鬲購 毓賳賴丕 兀賰孬乇 賲賲丕 兀賰鬲亘賴 毓賳 亘毓囟 丕賱乇賵丕賷丕鬲貙 廿賳 賱賲 賷賮毓賱 賰丕賮賰丕 賴匕丕 亘賷 賮賲賳 廿匕賳 賷賮毓賱責
爻賵丿丕賵賷丞: 賳毓賲
毓亘孬賷丞: 賳毓賲
賯丕亘賱丞 賱賱鬲兀賵賷賱 毓賱賶 兀賰孬乇 賲賳 賵噩賴: 賳毓賲
毓賳丕氐乇 睾賷乇 賲賳胤賯賷丞: 賳毓賲
丌賱丕賲 賮賵賯 丕丨鬲賲丕賱 丕賱亘卮乇: 賳毓賲
賯爻賵丞 丕賱廿賳爻丕賳: 賳毓賲
爻賱胤丞 賯賲毓賷丞: 賳毓賲.
丕噩鬲丕夭 賴匕丕 丕賱賲賳鬲噩 丕賱賰丕亘賵爻賷 噩賲賷毓 丕賱賮丨賵氐丕鬲 丕賱賲胤賱賵亘丞 賵丨氐賱 毓賱賶 丕賱卮賴丕丿丞 丕賱賰丕賮賰丕賵賷丞 賱賱賲賵丕氐賮丕鬲 賵丕賱賲賯丕賷賷爻.
賷賻丨賰賷 丕賱賳賯丕丿 毓賳 鬲兀孬賷乇 賵丕賱丿 賮乇丕賳鬲夭 賰丕賮賰丕 丕賱匕賷 毓購乇賮 亘氐賱賮賴 賵賯爻賵鬲賴 毓賱賶 丕賱賰丕鬲亘 丕賱鬲卮賷賰賷貙 賱匕丕 賮爻賳噩丿 兀賳 乇賲夭 丕賱爻賱胤丞 丕賱賯賴乇賷丞 孬賷賲丞 賲鬲賰乇乇丞 賮賷 賰鬲丕亘丕鬲賴. 賷賯丕賱 兀賷囟丕賸 兀賳賴 鬲兀孬乇 亘毓賲賱賴 賮賷 卮乇賰丕鬲 丕賱鬲兀賲賷賳 丨賷孬 丕賱亘賷乇賵賯乇丕胤賷丞 鬲賳賴賰 丕賱廿賳爻丕賳 亘廿噩乇丕亍丕鬲 毓亘孬賷丞 賲毓賯丿丞. 賳噩丿 賮賷 (賲爻鬲賵胤賳丞 丕賱毓賯丕亘) 賰賱 鬲賱賰 丕賱毓賳丕氐乇 亘噩賱丕亍 賲賲孬賱丞 亘丕賱賯賵賲賳丿丕賳 丕賱爻丕丿賷 賵廿噩乇丕亍丕鬲 丕賱廿毓丿丕賲 丕賱賲毓賯丿丞. 賱賰賳賳丕 賳賰乇乇 兀賳 兀毓賲丕賱 賰丕賮賰丕 丨賲賾丕賱丞 兀賵噩賴 廿賱賶 丿乇噩丞 兀賳賴 賷賲賰賳 丕爻鬲禺丿丕賲賴丕 賲孬賱 丕禺鬲亘丕乇 亘賯毓丞 丕賱丨亘乇 丕賱匕賷 賷爻鬲禺丿賲賴 丕賱賲丨賱賱賵賳 丕賱賳賮爻賷賵賳 賱賰卮賮 賲賰賳賵賳丕鬲 丕賱卮禺氐賷丞. 賴賳丕賰 鬲賮爻賷乇 丿賷賳賷 賱賱賯氐丞貙 賴賳丕賰 賲賳 爻賷乇亘胤賴丕 亘丕賱丕爻鬲毓賲丕乇 兀賵 丕賱賮丕卮賷丞貙 賵賴賳丕賰 賲賳 賷乇賶 賮賷賴丕 丕賳毓賰丕爻丕 賱賳馗乇丞 賰丕賮賰丕 丕賱爻賵丿丕賵賷丞 賵丕賱毓亘孬賷丞 賱丨賷丕鬲賳丕 毓賱賶 賴匕賴 丕賱兀乇囟. 賱丕 丨丿賵丿 賱賱鬲丨賱賷賱丕鬲 丕賱鬲賷 賷賲賰賳 兀賳 鬲購賲丿賾賴丕 亘賰 賴匕賴 丕賱賳氐賵氐 丕賱賲毓鬲賾賯丞.
賲丕賱賲爻鬲賴 賴賵 兀賳 賰丕賮賰丕 賲賴賵賵爻 亘賮賰乇丞 丕賱毓丿丕賱丞貙 鬲賱賰 丕賱賳爻禺丞 丕賱賲卮賵賴丞 丕賱鬲賷 鬲鬲丨乇賶 丕賱馗賱賲 兀賰孬乇 賲賳 兀賷 卮賷亍 丌禺乇. 賴賳丕賰 鬲賴賲丞 賲亘賴賲丞 賱賲 賷丨賯賯 賮賷賴丕 兀丨丿貙 賵賲鬲賴賲 賱賲 賷毓胤賴 兀丨丿 丕賱賮乇氐丞 亘丕賱丿賮丕毓 毓賳 賳賮爻賴. 賴匕丕 廿賱賶 噩丕賳亘 胤乇賷賯丞 鬲胤亘賷賯 丕賱丨賰賲 丕賱爻丕丿賷丞 丨丿 丕賱毓亘孬. 賳爻賲毓 丕賱囟丕亘胤 賷卮乇丨 毓賲賱 丕賱丌賱丞 丕賱亘卮毓丞 亘賰賱 鬲賮氐賷賱 賵卮睾賮貙 賮鬲馗賴乇 賮馗丕毓丞 丕賱廿賳爻丕賳 丕賱匕賷 丕爻鬲賲乇兀 丕賱賯爻賵丞 賮兀氐亘丨鬲 噩夭亍賸丕 毓丕丿賷賸丕 賲賳 乇賵鬲賷賳賴.
賮賷 丕賱丨賯賷賯丞 賴匕丕 丕賱囟丕亘胤 鬲噩爻賷丿 亘賱賷睾 賱賱卮禺氐賷丞 丕賱爻丕賷賰賵亘丕孬賷丞貙 賷賯賵賲 亘賲賲丕乇爻丕鬲 賵丨卮賷丞 丿賵賳 兀丿賳賶 鬲毓丕胤賮 孬賲 鬲乇丕賴 賷鬲丨丿孬 亘賰賱 賱亘丕賯丞 賲毓 囟賷賮賴 賵丨鬲賶 毓賳丿賲丕 賷氐丕亘 亘丕賱廿丨亘丕胤 賮賱丕 賷鬲噩丕賵夭 丨丿賵丿 丕賱兀丿亘. 匕賰乇鬲賳賷 賴匕賴 丕賱噩夭卅賷丞 亘丕賱丨丿賷孬 毓賳 噩賳乇丕賱丕鬲 丕賱鬲毓匕賷亘 丕賱匕賷賳 賷亘乇毓賵賳 賮賷 廿囟丨丕賰 丕賱兀胤賮丕賱 賵賷匕乇賮賵賳 丕賱丿賲賵毓 賱丿賶 賲卮丕賴丿丞 丕賱兀賮賱丕賲 丕賱毓丕胤賮賷丞. 賴匕丕 丕賱囟丕亘胤 賱賴 胤賲賵丨丕鬲賴 賵兀丨夭丕賳賴 丕賱禺丕氐丞 賷鬲丨丿孬 毓賳賴丕 亘賳亘乇丞 丨丕賱賲丞 亘賷賳賲丕 賴賷 丕賱賯亘丨 匕丕鬲賴 毓賳丿 丕賱廿賳爻丕賳 丕賱爻賵賷.
賷鬲丨丿孬 賰丕賮賰丕 兀賷囟丕賸 毓賳 丕賱賳賮丕賯貙 丨賷孬 賷氐亘丨 丨丿賷孬 爻賷丿丕鬲 丕賱賲噩鬲賲毓 賵乇兀賷 丕賱夭丕卅乇 丕賱兀噩賳亘賷 兀賰孬乇 兀賴賲賷丞 賲賳 丕賱丕毓鬲亘丕乇丕鬲 丕賱廿賳爻丕賳賷丞. 兀毓鬲賯丿 兀賳賳丕 賰毓乇亘 爻賳賮賴賲 賲賵囟賵毓 丕賱鬲噩賲賱 兀賲丕賲 丕賱夭丕卅乇 丕賱兀噩賳亘賷 賰孬賷乇賸丕. 賵賷毓乇噩 丕賱賳氐 兀賷囟丕賸 毓賱賶 丕賱賮乇賵賯 丕賱胤亘賯賷丞 賵毓丿賲 丕賱丕賳氐丕賮 賮賷 鬲賵夭賷毓 丕賱丕賲鬲賷丕夭丕鬲. 賵賵爻胤 賴匕丕 賰賱賴 賳噩丿 卮賷卅賸丕 賲賳 丕賱賰賵賲賷丿賷丕 丕賱爻賵丿丕亍 賴賳丕 賵賴賳丕賰貙 賰賷賮 賷賲賰賳 賱兀丿賷亘 兀賳 賷乇爻賲 賴匕丕 丕賱賳氐 丕賱丿丕賰賳 賵賷囟賮賷 毓賱賷賴 馗賱賸丕 爻丕禺乇賸丕責
賰賲丕 匕賰乇鬲 賮賷 賲乇丕噩毓鬲賷 賱賯氐丞 丕賱鬲丨賵賱貙 賳噩丿 氐賵鬲 賰丕賮賰丕 賴賳丕 賲鬲丿賮賯賸丕 賲賳 兀毓賲丕賯賴貙 爻賱爻丕賸 睾賷乇 賲鬲賰賱賮 賱丿乇噩丞 鬲噩毓賱賳賷 兀卮賰 賮賷 兀賳賴 賯氐丿 卮賷卅賸丕 賲毓賷賳賸丕 孬賲 兀賱亘爻賴 乇賲賵夭賸丕 賲賳鬲賯丕丞. 賮賯胤 丕賱噩夭亍 丕賱兀禺賷乇 賲賳 丕賱賯氐丞 賰丕賳 賲亘賴賲賸丕 賱丿乇噩丞 丿賮毓鬲賳賷 丕賱鬲賵賯賮 賵丕賱鬲賮賰賷乇 賮賷 丕賱賲賯氐丿貙 賵兀賳丕 賱丕 兀丨亘 兀賳 鬲夭賷丿 丕賱乇賲夭賷丞 毓賳 丨丿賴丕貙 廿賳 賰丕賳鬲 賴賳丕賰 乇賲夭賷丞 賲丨丿丿丞 賮賷 匕賱賰 丕賱賲賵囟毓. 賷噩丿乇 亘賷 丕賱廿卮丕乇丞 廿賱賶 兀賳 乇賵丕賷丞 丕賱賲丨丕賰賲丞 鬲卮鬲乇賰 賲毓 賲爻鬲賵胤賳丞 丕賱毓賯丕亘 賮賷 丕賱賰孬賷乇 賲賳 丕賱毓賳丕氐乇 賲賲丕 賷賰卮賮 賱賳丕 毓賲賾丕 賷毓丕賳賷賴 賰丕賮賰丕 賲賳 鬲氐丿毓 丿丕禺賱賷 噩乇賾丕亍 賴匕賴 丕賱賴賵丕噩爻.
賯氐丞 賱丕 鬲鬲噩丕賵夭 丕賱爻鬲賷賳 氐賮丨丞 賰鬲亘鬲購 毓賳賴丕 兀賰孬乇 賲賲丕 兀賰鬲亘賴 毓賳 亘毓囟 丕賱乇賵丕賷丕鬲貙 廿賳 賱賲 賷賮毓賱 賰丕賮賰丕 賴匕丕 亘賷 賮賲賳 廿匕賳 賷賮毓賱責
May 6, 2023
Dup膬 o recitire a povestirii care d膬 titlul volumului, m膬 g卯ndeam c膬 ideea de a imprima Legea pe trupul condamna葲ilor i-a putut veni lui Kafka de la un obicei medieval. A fost practicat de francezi 葯i se numea pe limba lor 鈥瀎leurdeliser鈥�, de la numele florii de crin: fleur de lis. Vinovatul era 卯nfierat, dar, pentru ca mul葲imea s膬 re葲in膬 c膬 judec膬torul suprem este Regele, semnul p膬catului reprezenta o floare de crin. 脦n Cei trei muschetari, adultera Milady (fosta so葲ie a lui Athos) a primit pe unul din umeri floarea 卯n cauz膬.
Fire葯te, povestirea lui Franz Kafka sugereaz膬, mai degrab膬, fanatismul ofi葲erului. El este at卯t de m卯ndru de inven葲ia sa 卯nc卯t, pentru a-l convinge pe explorator de perfec葲iunea ei, este gata s膬 fac膬 el 卯nsu葯i o demonstra葲ie. Rezultatul deplorabil se 葯tie: 鈥濪eodat膬 grapa se deplas膬 lateral, cu trupul ofi牛erului 卯nfipt 卯n ace, cum se 卯nt卯mpla de obicei abia 卯n ceasul al doisprezecelea. S卯ngele curgea 卯n mii de 艧iroaie, dar nu era amestecat cu ap膬, 卯ntruc卯t de r卯ndul acesta 牛evi艧oarele de ap膬 nu func牛ionaser膬. Apoi d膬du gre艧 艧i ultimul act; trupul ofi牛erului nu se desprinse din acele lungi, ci r膬mase at卯rnat deasupra gropii, f膬r膬 s膬 cad膬 卯n ea, l膬s卯nd doar s膬 i se scurg膬 s卯ngele鈥�.
Asta e, a葯adar, recompensa oric膬rui fanatic al Legii. Din povestirile adunate 卯n volum, prefer 鈥濽n medic de 葲ar膬鈥�, 鈥灻巒 fa葲a Legii鈥� 葯i, desigur, 鈥濾erdictul鈥�.
P. S. 脦n romanul lui Nathaniel Hawthorne Litera stacojie, Hester Prynne 葯i pastorul Dimmesdale poart膬 un alt semn...
Fire葯te, povestirea lui Franz Kafka sugereaz膬, mai degrab膬, fanatismul ofi葲erului. El este at卯t de m卯ndru de inven葲ia sa 卯nc卯t, pentru a-l convinge pe explorator de perfec葲iunea ei, este gata s膬 fac膬 el 卯nsu葯i o demonstra葲ie. Rezultatul deplorabil se 葯tie: 鈥濪eodat膬 grapa se deplas膬 lateral, cu trupul ofi牛erului 卯nfipt 卯n ace, cum se 卯nt卯mpla de obicei abia 卯n ceasul al doisprezecelea. S卯ngele curgea 卯n mii de 艧iroaie, dar nu era amestecat cu ap膬, 卯ntruc卯t de r卯ndul acesta 牛evi艧oarele de ap膬 nu func牛ionaser膬. Apoi d膬du gre艧 艧i ultimul act; trupul ofi牛erului nu se desprinse din acele lungi, ci r膬mase at卯rnat deasupra gropii, f膬r膬 s膬 cad膬 卯n ea, l膬s卯nd doar s膬 i se scurg膬 s卯ngele鈥�.
Asta e, a葯adar, recompensa oric膬rui fanatic al Legii. Din povestirile adunate 卯n volum, prefer 鈥濽n medic de 葲ar膬鈥�, 鈥灻巒 fa葲a Legii鈥� 葯i, desigur, 鈥濾erdictul鈥�.
P. S. 脦n romanul lui Nathaniel Hawthorne Litera stacojie, Hester Prynne 葯i pastorul Dimmesdale poart膬 un alt semn...
July 6, 2016
I thought I was reading Edgar Allan Poe there for a moment. The torture/execution machine in this short story was worthy of Poe's imagination. What was it's purpose? To torture or to execute? Either one would be most cruel in it's application. But in this case it serves the dual purpose. It also had an Orwellian feel to it. Of course Kafka was sandwiched between these two writers so it's hard to say any influence existed.
January 20, 2024
I've revived my discarded review today. Because this book speaks a whole LIBRARY to those afflicted - like me - with Asperger's.
And to Christians as well.
If you're even slightly autistic, you value the way things Used to Be Done a lot more than the way they're done NOW.
That's why we don't like this postmodern world much. Similarly it doesn't like US. We are outcasts.
They have WAYS to make us agree with that.
When you're convicted nowadays, you're convicted. Never mind that your judges are a lot more morally odious than you.
They've learned The Subtle Art of Not Giving a F*ck.
Never mind, as John Cleese (and Philip Glass) would say, that "a nudge is as good as a wink" in their world, and amicable hypocrisy is, in the end, the name of their game.
So justice, then, becomes a game?
That, and ever more painful means of ensuring the convicted are kept at bay!
Justice, then, is blind to the truth?
Yes - if like Plato, you see the world as it is, sub specie eternitatus!
For our Eternal Judge nudges us, yes -
But He NEVER Winks. (At moral truth).
So now...
He is trampling out the vintage
Where the grapes of wrath are stored....
End Times on the Christian Calendar.
And He saves the Best Vintage for the LAST:
For the Last, at the End, shall be First!
And to Christians as well.
If you're even slightly autistic, you value the way things Used to Be Done a lot more than the way they're done NOW.
That's why we don't like this postmodern world much. Similarly it doesn't like US. We are outcasts.
They have WAYS to make us agree with that.
When you're convicted nowadays, you're convicted. Never mind that your judges are a lot more morally odious than you.
They've learned The Subtle Art of Not Giving a F*ck.
Never mind, as John Cleese (and Philip Glass) would say, that "a nudge is as good as a wink" in their world, and amicable hypocrisy is, in the end, the name of their game.
So justice, then, becomes a game?
That, and ever more painful means of ensuring the convicted are kept at bay!
Justice, then, is blind to the truth?
Yes - if like Plato, you see the world as it is, sub specie eternitatus!
For our Eternal Judge nudges us, yes -
But He NEVER Winks. (At moral truth).
So now...
He is trampling out the vintage
Where the grapes of wrath are stored....
End Times on the Christian Calendar.
And He saves the Best Vintage for the LAST:
For the Last, at the End, shall be First!
May 13, 2020
螠委伪 伪蠁萎纬畏蟽畏 魏伪蠁魏喂魏慰蠉 蠉蠁慰蠀蟼 蠁慰尾蔚蟻维 蟽蠀纬魏位慰谓喂蟽蟿喂魏萎 魏伪喂 蟽蟺伪蟻伪魏蟿喂魏维 尾伪蟽伪谓喂蟽蟿喂魏萎, 魏伪胃蠋蟼 伪谓伪蠁苇蟻蔚蟿伪喂
蟽蟿慰谓 蔚蟽蠅蟿蔚蟻喂魏蠈 蟿蟻蠈渭慰 蟺慰蠀 纬蔚谓谓喂苇蟿伪喂 渭苇蟽伪 渭伪蟼 蟽蟿伪 蟺慰位喂蟿蔚蠉渭伪蟿伪 蟿慰蠀 伪谓胃蟻蠋蟺喂谓慰蠀 蟺慰位喂蟿喂蟽渭慰蠉 魏伪喂 蟿畏蟼 蟿蔚蠂谓慰位慰纬喂魏萎蟼- 蔚蠀纬慰谓喂魏萎蟼 味蠅喂魏萎蟼 蔚尉苇位喂尉畏蟼.
螖蟻维蟽蟿蔚蟼 魏伪喂 伪未蟻伪谓蔚委蟼 蟿慰 委未喂慰 蟽蠀谓苇谓慰蠂慰喂 魏伪喂
蟽蠀谓蟿蔚位蔚蟽蟿苇蟼 蟽蟿畏谓 蟺蟻慰纬蟻伪渭渭伪蟿喂蟽渭苇谓畏
渭蔚 尾伪蟻尾伪蟻蠈蟿畏蟿伪 蔚蠀纬蔚谓喂魏萎 伪谓慰蠂萎 魏伪喂
蟽蟿慰 慰蟻胃慰位慰纬喂魏蠈 蔚纬蠂蔚委蟻畏渭伪 蔚魏蟿苇位蔚蟽畏蟼
蟿畏蟼 蟺蟻维尉畏蟼 蟿慰蠀 蔚纬魏位萎渭伪蟿慰蟼 魏伪喂 蟿畏蟼 伪蠀蟿慰蠂蔚喂蟻委伪蟼.
危蔚 魏维蟺慰喂伪 蟽蠅蠁蟻慰谓喂蟽蟿喂魏萎 伪蟺慰喂魏委伪 蟿畏蟼 螁蟺蠅 螒谓伪蟿慰位萎蟼 -蟺蟻慰蠁伪谓蠋蟼 魏维蟺慰喂慰 谓畏蟽委 蟿畏蟼 纬伪位位喂魏萎蟼 伪蟺慰喂魏委慰魏蟻伪蟿喂伪蟼 - 魏维蟺慰喂慰蟼 蟽蟿蟻伪蟿喂蠋蟿畏蟼 魏伪蟿伪未喂魏维味蔚蟿伪喂 渭蔚 蟽蠀谓慰蟺蟿喂魏苇蟼 未喂伪未喂魏伪蟽委蔚蟼 蟽蔚 胃维谓伪蟿慰,
芦螖喂蠈蟿喂 未蔚谓 蟽蠀谓蔚渭慰蟻蠁蠋胃畏谓 蟺蟻慰蟼 蟿伪蟼 蠀蟺慰未蔚委尉蔚喂蟼禄 魏伪喂 魏蟻委胃畏魏蔚 伪蟺蔚委胃伪蟻蠂慰蟼.
螚 蔚魏蟿苇位蔚蟽畏 蟿慰蠀 胃伪 蟺蟻伪纬渭伪蟿慰蟺慰喂畏胃蔚委 蟺维谓蠅 蟽蔚 渭委伪 渭畏蠂伪谓萎 蟿畏蟼 魏慰位维蟽蔚蠅蟼 蟺慰蠀 尾伪蟽伪谓委味蔚喂 渭苇蠂蟻喂 胃伪谓维蟿慰蠀 蟿慰 胃蠉渭伪 渭蔚 蟿畏谓 渭苇胃慰未慰 蟿畏蟼 芦纬蟻伪蠁萎蟼禄.
螛伪 蟺蟻苇蟺蔚喂 蟿慰 渭畏蠂维谓畏渭伪 谓伪 蔚纬蠂伪蟻维尉蔚喂 蟽蟿慰 纬蠀渭谓蠈 魏慰蟻渭委 蟿慰蠀 蟺伪蟻伪尾维蟿畏 渭蔚 魏伪位位喂蟿蔚蠂谓喂魏维 纬蟻维渭渭伪蟿伪 - 渭畏 伪谓伪纬谓蠅蟻委蟽喂渭伪 -
蟿畏谓 伪喂蟿委伪 蟿畏蟼 魏伪蟿伪未委魏畏蟼 蟿慰蠀: 芦韦委渭伪 蟿慰蠀蟼 伪谓蠅蟿苇蟻慰蠀蟼 蟽慰蠀禄.
螣 胃维谓伪蟿慰蟼 渭蔚 蟿畏谓 渭苇胃慰未慰 蟿畏蟼 纬蟻伪蠁萎蟼.
韦慰 纬蟻维蠄喂渭慰, 畏 蟽蠀纬纬蟻伪蠁萎 苇蟻纬蠅谓 渭喂伪蟼 蟽魏慰蟿蔚喂谓萎蟼 伪喂渭慰蟻蟻伪纬喂魏萎蟼 蠄蠀蠂萎蟼, 蟺伪蟻伪蟺苇渭蟺蔚喂 蟽蟿慰谓 委未喂慰
蟿慰谓 螝维蠁魏伪 蠈蟺慰蠀 蟿慰 纬蟻维蠄喂渭慰 萎蟿伪谓 纬喂鈥櫸毕呄勏屛� 伪蟺蔚位蔚蠀胃苇蟻蠅蟽畏 魏伪喂 蠂蔚喂蟻伪蠁苇蟿畏蟽畏, 蠈蠂喂 蔚纬魏位畏渭伪蟿喂魏萎 伪蠀蟿慰魏伪蟿伪蟽蟿蟻慰蠁萎.
螤伪蟻鈥櫸课晃� 伪蠀蟿维 魏伪渭委伪 蟽蠀纬纬蟻伪蠁喂魏萎 未蔚喂谓蠈蟿畏蟿伪 未蔚谓 魏伪蟿维蠁蔚蟻蔚 谓伪 蠀蟺慰魏伪蟿伪蟽蟿萎蟽蔚喂 蟿喂蟼 蟽伪蟻魏喂魏苇蟼 蔚蟺喂胃蠀渭委蔚蟼
蟺慰蠀 蟿蔚位喂魏维 蟿慰谓 慰未萎纬畏蟽伪谓 蟽蟿畏谓 魏伪蟿伪蟽蟿蟻慰蠁萎.
螘未蠋 慰 螝维蠁魏伪 未蔚谓 渭喂位维蔚喂, 未蔚谓 魏蟻委谓蔚喂, 未蔚谓 魏维谓蔚喂
伪蟺慰蟿委渭畏蟽畏 伪尉喂蠋谓 魏伪喂 畏胃喂魏蠋谓 伪蟻蠂蠋谓 魏伪喂 蟽蠀谓伪喂蟽胃畏渭维蟿蠅谓, 伪蟺位蠋蟼 未蔚委蠂谓蔚喂, 未蟻伪渭伪蟿慰蟺慰喂蔚委, 渭蔚 蟿蟻蠈蟺慰 渭慰谓伪未喂魏蠈 魏伪喂 渭蔚纬伪位蔚喂蠋未畏.
螖蔚谓 蠀蟺维蟻蠂蔚喂 魏伪渭委伪 伪蟺伪纬纬蔚位胃蔚委蟽伪 伪蟺蔚位蔚蠀胃苇蟻蠅蟽畏,
魏伪喂 味慰蠉渭蔚 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 渭委伪 蔚蟻渭畏谓蔚委伪 蟺伪蟻维 渭委伪 伪蠁萎纬畏蟽畏.
韦慰 蟿蟽蔚魏慰蠉蟻喂 蟿慰蠀 魏伪蠁魏喂魏慰蠉 蟺谓蔚蠉渭伪蟿慰蟼 未蔚谓 蟽蟺维蔚喂 蟿慰谓 蟺维纬慰 蟿畏蟼 伪未喂伪蠁慰蟻委伪蟼 蟺慰蠀 魏蟻蠉尾蔚蟿伪喂 蟺委蟽蠅 伪蟺慰 蔚蠀纬蔚谓喂魏苇蟼 蟺慰位喂蟿喂蟽蟿喂魏苇蟼 尾伪蟻尾伪蟻蠈蟿畏蟿蔚蟼.
螖蔚谓 魏蠈尾蔚喂 蟿喂蟼 伪位蠀蟽委未蔚蟼 蟺慰蠀 魏伪蟿伪蟿蟻蠋谓蔚 渭蔚 蟽魏慰蠀蟻喂维, 蟽蠀渭尾伪蟿喂魏蠈 未喂蟽蟿伪纬渭蠈 魏伪喂 蟽萎蠄畏 蟿慰 未委魏喂慰,伪蠀蟿蠈 蟺慰蠀 胃维尾蔚蟿伪喂 蠀蟺蠈 蟿慰 尾维蟻慰蟼 蟿蠅谓 魏蟻伪蟿喂魏蠋谓 渭畏蠂伪谓喂蟽渭蠋谓 慰蟻胃慰位慰纬喂蟽蟿喂魏萎蟼 位蔚喂蟿慰蠀蟻纬蔚委伪蟼 蟽蟿喂蟼 伪谓胃蟻蠅蟺喂蟽蟿喂魏维 蟽蠅蠁蟻慰谓喂蟽蟿喂魏苇蟼 魏慰喂谓蠅谓委蔚蟼.
螚 螖委魏畏 蟿慰蠀 螝. 渭蔚蟿伪蠁苇蟻蔚蟿伪喂 蟽蟿畏谓 蟽蠅蠁蟻慰谓喂蟽蟿喂魏萎 伪蟺慰喂魏委伪. 危蠂蔚未蠈谓 委未喂慰喂 慰喂 纬蟻委蠁慰喂 魏伪喂 慰喂 蔚蟽蠅蟿蔚蟻喂魏苇蟼 未喂蔚蟻纬伪蟽委蔚蟼 蟿慰蠀 魏慰蟽渭喂魏慰蠉 蟿蟻蠈渭慰蠀, 蟽蟿萎谓慰谓蟿伪喂 蟺苇蟻伪谓 蟺维蟽畏蟼 蔚蟻渭畏谓蔚委伪蟼 伪蟺慰 蟿慰 魏蟻维蟿慰蟼 未喂魏伪委慰蠀, 蟺慰蠀 蔚喂谓伪喂 蟺维谓蟿伪 蟺蟻慰尾位畏渭伪蟿喂魏蠈, 伪魏伪蟿伪谓蠈畏蟿慰 魏伪喂 蟺伪蟻维谓慰渭慰.
螒喂蟽胃萎渭伪蟿伪 蔚纬魏位蠅尾喂蟽渭慰蠉, 蟿伪蟺蔚委谓蠅蟽畏蟼, 蔚谓慰蠂萎蟼 魏伪喂 蟽蠅蠁蟻慰谓喂蟽蟿喂魏苇蟼 伪蟺慰喂魏委蔚蟼.
螒蟺慰喂魏喂伪魏苇蟼 未蠀谓维渭蔚喂蟼, 渭畏蠂维谓畏渭伪 纬蟻伪蠁萎蟼 渭蔚 伪魏委未蔚蟼
蟺慰蠀 纬蟻维蠁慰蠀谓 魏伪喂 纬蟻维蠁慰蠀谓 蟿慰谓 胃维谓伪蟿慰 蟽蟿喂蟼 蟺位维蟿蔚蟼 伪胃蠋蠅谓 魏伪喂 蔚谓蠈蠂蠅谓 蠀蟺慰蟿伪纬渭苇谓蠅谓 未慰蠀位慰蟺蟻蔚蟺蠋蟼 蟽蟿畏谓 喂蟽蠂蠉 蟺慰蠀 未蔚谓 纬谓蠅蟻委味蔚喂 魏伪谓苇谓伪 蠈蟻喂慰.
螝喂 蠈蟿伪谓 蟿慰 渭畏蠂维谓畏渭伪 未喂伪位蠉蔚蟿伪喂 魏伪喂 蟺伪蠉蔚喂 谓伪 伪蟺慰蟿蔚位蔚委 蠈蟺位慰 渭伪味喂魏萎蟼 未慰位慰蠁慰谓委伪蟼 未蔚谓 蔚委谓伪喂 蔚蟺蔚喂未萎 蟽蟿伪渭伪蟿维蔚喂 蟿慰 渭伪蟻蟿蠉蟻喂慰 位蠈纬蠅 魏慰喂谓蠅谓喂魏萎蟼 蔚尉苇纬蔚蟻蟽畏蟼,
位蠈纬蠅 蔚蟺伪谓维蟽蟿伪蟽畏蟼 纬喂伪 蟿伪 伪谓胃蟻蠋蟺喂谓伪 未喂魏伪喂蠋渭伪蟿伪.
螖蔚谓 蔚蟺蔚渭尾伪委谓蔚喂 慰 谓蠈渭慰蟼, 蟿慰 魏蟻维蟿慰蟼, 畏 蟺慰位喂蟿喂蟽渭苇谓畏 魏慰喂谓蠅谓委伪 纬喂伪 谓伪 蟿慰 蟽蟿伪渭伪蟿萎蟽慰蠀谓,
伪蟺位维, 位喂蟿维 魏伪喂 伪蟺苇蟻喂蟿蟿伪 未蔚谓 蠀蟺维蟻蠂慰蠀谓 伪谓蟿伪位位伪魏蟿喂魏维 蔚尉伪蟻蟿萎渭伪蟿伪 纬喂伪 蟿畏 渭畏蠂伪谓萎 蟺慰蠀 蟽魏慰蟿蠋谓蔚喂
纬蟻维蠁慰谓蟿伪蟼 魏伪喂 纬蟻维蠁慰谓蟿伪蟼 魏伪喂 慰 谓苇慰蟼 未喂慰喂魏畏蟿萎蟼 蟺慰蠀 蔚尉慰蠀蟽喂维味蔚喂 蟿畏 蟽蠅蠁蟻慰谓喂蟽蟿喂魏萎 伪蟺慰喂魏委伪 蔚委谓伪喂 蠁蠀蟽喂魏维 伪谓蟿委胃蔚蟿慰蟼 渭蔚 蟿慰谓 蟺蟻慰畏纬慰蠉渭蔚谓慰 蠅蟼 蟺蟻慰蟼 蟿畏谓 蠂蟻萎蟽畏 蟿慰蠀 胃伪谓维蟿慰蠀 伪位位维 蠅蟼 蔚魏蟽蠀纬蠂蟻慰谓喂蟽蟿萎蟼 魏伪喂 蟺慰位喂蟿喂蟽渭苇谓慰蟼 伪蟺位蠋蟼 伪谓苇蠂蔚蟿伪喂 蟿慰谓 蠁伪蟽喂蟽渭蠈 蟿慰蠀 伪尉喂蠅渭伪蟿喂魏慰蠉 魏伪喂 蟿慰 蠈蟻纬伪谓慰 渭蔚蟽伪喂蠅谓喂魏慰蠉 尾伪蟽伪谓喂蟽渭慰蠉, 蠄蠀蠂蟻维 魏伪喂 伪渭苇蟿慰蠂伪. 螌蟺蠅蟼 伪魏蟻喂尾蠋蟼 蟿伪 苇纬蟻伪蠄蔚 魏伪喂 慰 螝维蠁魏伪 蟿慰 未喂魏蠈 蟿慰蠀 伪渭蔚委位喂魏蟿慰, 蟽魏位畏蟻维 伪谓蟿喂魏蔚喂渭蔚谓喂魏蠈 魏伪喂 味慰蠁蔚蟻维 魏蟻蠀蟽蟿维位位喂谓慰 蠈谓蔚喂蟻慰 蟺慰蠀 未蔚谓 蔚委谓伪喂 蟽蠀纬魏蔚蠂蠀渭苇谓慰 伪位位维 魏伪胃伪蟻蠈, 维渭蔚蟽慰 魏伪喂 蟽伪蠁苇蟼.
螡蠈畏渭伪 蟽蔚 蟿慰蠉蟿畏 蟿畏谓 喂蟽蟿慰蟻委伪, 蟽蠀渭尾慰位喂蟽渭慰委, 渭蔚蟿伪蠁慰蟻苇蟼 魏伪喂 蔚尉畏纬萎蟽蔚喂蟼 胃蔚蠅蟻蠋 蟺蠅蟼 未蔚谓 蠀蟺维蟻蠂慰蠀谓, 蠂蠅蟻委蟼 谓伪 蔚委渭伪喂 魏伪喂 蟽委纬慰蠀蟻畏. 危委纬慰蠀蟻伪 未蔚谓 伪谓萎魏蔚喂 蟽蟿畏谓 蔚蟺慰蠂萎 蟿慰蠀.
螘委谓伪喂 蔚谓蟿蔚位蠋蟼 伪未喂伪谓蠈畏蟿慰 蟽伪谓 胃伪蠉渭伪 蟽蟿伪 渭维蟿喂伪 维蟺喂蟽蟿蠅谓. 螘喂谓伪喂 伪渭蠁委尾慰位慰 魏伪喂 纬蔚渭维蟿慰 伪谓伪蟺维谓蟿畏蟿伪 蔚蟻蠅蟿萎渭伪蟿伪.
螖蔚谓 慰未畏纬蔚委 蟺慰蠀胃蔚谓维. 螠蠀蟻委味蔚喂 渭慰蠉蠂位伪 魏伪喂 蔚纬魏位蠅尾喂蟽渭蠈, 尾蟻慰渭维蔚喂 渭慰谓伪尉喂维 魏伪喂 伪蟺伪尉委蠅蟽畏, 伪蟺慰蟺谓苇蔚喂 蟿慰 伪蟿蠈蠁喂慰 维蟻蠅渭伪 蟿慰蠀 维蟺位畏蟽蟿慰蠀 蔚渭渭慰谓喂魏慰蠉 蔚尉蔚蠀蟿蔚位喂蟽渭慰蠉. 螝伪喂 蟽魏慰蟿蔚喂谓维, 伪蟺蠈蟿慰渭伪 蟿蔚位蔚喂蠋谓蔚喂.
螘喂谓伪喂 畏 伪位位畏纬慰蟻委伪 蟺慰蠀 渭委蟽畏蟽蔚 慰 渭慰谓蟿蔚蟻谓喂蟽蟿萎蟼 魏伪位位喂蟿苇蠂谓畏蟼 蟿畏蟼 蟺蔚委谓伪蟼 伪蠀蟿蠈蟼 蟺慰蠀 伪蠁喂蔚蟻蠋胃畏魏蔚 蟽蟿畏谓 蟿苇蠂谓畏 蠂蠅蟻委蟼 蟺蟻慰胃苇蟽蔚喂蟼 魏伪喂 蔚渭蟺谓蔚蠉蟽蔚喂蟼 蟺慰蠀 蟺蟻慰蟽喂未喂维味慰蠀谓 魏伪喂 蟺蟻慰未喂魏维味慰蠀谓.
螘委谓伪喂 畏 谓蔚魏蟻慰位慰纬委伪 蟿慰蠀 螛蔚慰蠉 蟺慰蠀 蔚蟺苇蟿蟻蔚蠄蔚 蟿畏谓 魏蠀蟻喂伪蟻蠂委伪 蟿慰蠀 魏伪魏慰蠉. 螘委谓伪喂 慰 桅蟻维谓蟿蟼 螝维蠁魏伪.
馃拫馃挅馃拫
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
蟽蟿慰谓 蔚蟽蠅蟿蔚蟻喂魏蠈 蟿蟻蠈渭慰 蟺慰蠀 纬蔚谓谓喂苇蟿伪喂 渭苇蟽伪 渭伪蟼 蟽蟿伪 蟺慰位喂蟿蔚蠉渭伪蟿伪 蟿慰蠀 伪谓胃蟻蠋蟺喂谓慰蠀 蟺慰位喂蟿喂蟽渭慰蠉 魏伪喂 蟿畏蟼 蟿蔚蠂谓慰位慰纬喂魏萎蟼- 蔚蠀纬慰谓喂魏萎蟼 味蠅喂魏萎蟼 蔚尉苇位喂尉畏蟼.
螖蟻维蟽蟿蔚蟼 魏伪喂 伪未蟻伪谓蔚委蟼 蟿慰 委未喂慰 蟽蠀谓苇谓慰蠂慰喂 魏伪喂
蟽蠀谓蟿蔚位蔚蟽蟿苇蟼 蟽蟿畏谓 蟺蟻慰纬蟻伪渭渭伪蟿喂蟽渭苇谓畏
渭蔚 尾伪蟻尾伪蟻蠈蟿畏蟿伪 蔚蠀纬蔚谓喂魏萎 伪谓慰蠂萎 魏伪喂
蟽蟿慰 慰蟻胃慰位慰纬喂魏蠈 蔚纬蠂蔚委蟻畏渭伪 蔚魏蟿苇位蔚蟽畏蟼
蟿畏蟼 蟺蟻维尉畏蟼 蟿慰蠀 蔚纬魏位萎渭伪蟿慰蟼 魏伪喂 蟿畏蟼 伪蠀蟿慰蠂蔚喂蟻委伪蟼.
危蔚 魏维蟺慰喂伪 蟽蠅蠁蟻慰谓喂蟽蟿喂魏萎 伪蟺慰喂魏委伪 蟿畏蟼 螁蟺蠅 螒谓伪蟿慰位萎蟼 -蟺蟻慰蠁伪谓蠋蟼 魏维蟺慰喂慰 谓畏蟽委 蟿畏蟼 纬伪位位喂魏萎蟼 伪蟺慰喂魏委慰魏蟻伪蟿喂伪蟼 - 魏维蟺慰喂慰蟼 蟽蟿蟻伪蟿喂蠋蟿畏蟼 魏伪蟿伪未喂魏维味蔚蟿伪喂 渭蔚 蟽蠀谓慰蟺蟿喂魏苇蟼 未喂伪未喂魏伪蟽委蔚蟼 蟽蔚 胃维谓伪蟿慰,
芦螖喂蠈蟿喂 未蔚谓 蟽蠀谓蔚渭慰蟻蠁蠋胃畏谓 蟺蟻慰蟼 蟿伪蟼 蠀蟺慰未蔚委尉蔚喂蟼禄 魏伪喂 魏蟻委胃畏魏蔚 伪蟺蔚委胃伪蟻蠂慰蟼.
螚 蔚魏蟿苇位蔚蟽畏 蟿慰蠀 胃伪 蟺蟻伪纬渭伪蟿慰蟺慰喂畏胃蔚委 蟺维谓蠅 蟽蔚 渭委伪 渭畏蠂伪谓萎 蟿畏蟼 魏慰位维蟽蔚蠅蟼 蟺慰蠀 尾伪蟽伪谓委味蔚喂 渭苇蠂蟻喂 胃伪谓维蟿慰蠀 蟿慰 胃蠉渭伪 渭蔚 蟿畏谓 渭苇胃慰未慰 蟿畏蟼 芦纬蟻伪蠁萎蟼禄.
螛伪 蟺蟻苇蟺蔚喂 蟿慰 渭畏蠂维谓畏渭伪 谓伪 蔚纬蠂伪蟻维尉蔚喂 蟽蟿慰 纬蠀渭谓蠈 魏慰蟻渭委 蟿慰蠀 蟺伪蟻伪尾维蟿畏 渭蔚 魏伪位位喂蟿蔚蠂谓喂魏维 纬蟻维渭渭伪蟿伪 - 渭畏 伪谓伪纬谓蠅蟻委蟽喂渭伪 -
蟿畏谓 伪喂蟿委伪 蟿畏蟼 魏伪蟿伪未委魏畏蟼 蟿慰蠀: 芦韦委渭伪 蟿慰蠀蟼 伪谓蠅蟿苇蟻慰蠀蟼 蟽慰蠀禄.
螣 胃维谓伪蟿慰蟼 渭蔚 蟿畏谓 渭苇胃慰未慰 蟿畏蟼 纬蟻伪蠁萎蟼.
韦慰 纬蟻维蠄喂渭慰, 畏 蟽蠀纬纬蟻伪蠁萎 苇蟻纬蠅谓 渭喂伪蟼 蟽魏慰蟿蔚喂谓萎蟼 伪喂渭慰蟻蟻伪纬喂魏萎蟼 蠄蠀蠂萎蟼, 蟺伪蟻伪蟺苇渭蟺蔚喂 蟽蟿慰谓 委未喂慰
蟿慰谓 螝维蠁魏伪 蠈蟺慰蠀 蟿慰 纬蟻维蠄喂渭慰 萎蟿伪谓 纬喂鈥櫸毕呄勏屛� 伪蟺蔚位蔚蠀胃苇蟻蠅蟽畏 魏伪喂 蠂蔚喂蟻伪蠁苇蟿畏蟽畏, 蠈蠂喂 蔚纬魏位畏渭伪蟿喂魏萎 伪蠀蟿慰魏伪蟿伪蟽蟿蟻慰蠁萎.
螤伪蟻鈥櫸课晃� 伪蠀蟿维 魏伪渭委伪 蟽蠀纬纬蟻伪蠁喂魏萎 未蔚喂谓蠈蟿畏蟿伪 未蔚谓 魏伪蟿维蠁蔚蟻蔚 谓伪 蠀蟺慰魏伪蟿伪蟽蟿萎蟽蔚喂 蟿喂蟼 蟽伪蟻魏喂魏苇蟼 蔚蟺喂胃蠀渭委蔚蟼
蟺慰蠀 蟿蔚位喂魏维 蟿慰谓 慰未萎纬畏蟽伪谓 蟽蟿畏谓 魏伪蟿伪蟽蟿蟻慰蠁萎.
螘未蠋 慰 螝维蠁魏伪 未蔚谓 渭喂位维蔚喂, 未蔚谓 魏蟻委谓蔚喂, 未蔚谓 魏维谓蔚喂
伪蟺慰蟿委渭畏蟽畏 伪尉喂蠋谓 魏伪喂 畏胃喂魏蠋谓 伪蟻蠂蠋谓 魏伪喂 蟽蠀谓伪喂蟽胃畏渭维蟿蠅谓, 伪蟺位蠋蟼 未蔚委蠂谓蔚喂, 未蟻伪渭伪蟿慰蟺慰喂蔚委, 渭蔚 蟿蟻蠈蟺慰 渭慰谓伪未喂魏蠈 魏伪喂 渭蔚纬伪位蔚喂蠋未畏.
螖蔚谓 蠀蟺维蟻蠂蔚喂 魏伪渭委伪 伪蟺伪纬纬蔚位胃蔚委蟽伪 伪蟺蔚位蔚蠀胃苇蟻蠅蟽畏,
魏伪喂 味慰蠉渭蔚 蟺蔚蟻喂蟽蟽蠈蟿蔚蟻慰 渭委伪 蔚蟻渭畏谓蔚委伪 蟺伪蟻维 渭委伪 伪蠁萎纬畏蟽畏.
韦慰 蟿蟽蔚魏慰蠉蟻喂 蟿慰蠀 魏伪蠁魏喂魏慰蠉 蟺谓蔚蠉渭伪蟿慰蟼 未蔚谓 蟽蟺维蔚喂 蟿慰谓 蟺维纬慰 蟿畏蟼 伪未喂伪蠁慰蟻委伪蟼 蟺慰蠀 魏蟻蠉尾蔚蟿伪喂 蟺委蟽蠅 伪蟺慰 蔚蠀纬蔚谓喂魏苇蟼 蟺慰位喂蟿喂蟽蟿喂魏苇蟼 尾伪蟻尾伪蟻蠈蟿畏蟿蔚蟼.
螖蔚谓 魏蠈尾蔚喂 蟿喂蟼 伪位蠀蟽委未蔚蟼 蟺慰蠀 魏伪蟿伪蟿蟻蠋谓蔚 渭蔚 蟽魏慰蠀蟻喂维, 蟽蠀渭尾伪蟿喂魏蠈 未喂蟽蟿伪纬渭蠈 魏伪喂 蟽萎蠄畏 蟿慰 未委魏喂慰,伪蠀蟿蠈 蟺慰蠀 胃维尾蔚蟿伪喂 蠀蟺蠈 蟿慰 尾维蟻慰蟼 蟿蠅谓 魏蟻伪蟿喂魏蠋谓 渭畏蠂伪谓喂蟽渭蠋谓 慰蟻胃慰位慰纬喂蟽蟿喂魏萎蟼 位蔚喂蟿慰蠀蟻纬蔚委伪蟼 蟽蟿喂蟼 伪谓胃蟻蠅蟺喂蟽蟿喂魏维 蟽蠅蠁蟻慰谓喂蟽蟿喂魏苇蟼 魏慰喂谓蠅谓委蔚蟼.
螚 螖委魏畏 蟿慰蠀 螝. 渭蔚蟿伪蠁苇蟻蔚蟿伪喂 蟽蟿畏谓 蟽蠅蠁蟻慰谓喂蟽蟿喂魏萎 伪蟺慰喂魏委伪. 危蠂蔚未蠈谓 委未喂慰喂 慰喂 纬蟻委蠁慰喂 魏伪喂 慰喂 蔚蟽蠅蟿蔚蟻喂魏苇蟼 未喂蔚蟻纬伪蟽委蔚蟼 蟿慰蠀 魏慰蟽渭喂魏慰蠉 蟿蟻蠈渭慰蠀, 蟽蟿萎谓慰谓蟿伪喂 蟺苇蟻伪谓 蟺维蟽畏蟼 蔚蟻渭畏谓蔚委伪蟼 伪蟺慰 蟿慰 魏蟻维蟿慰蟼 未喂魏伪委慰蠀, 蟺慰蠀 蔚喂谓伪喂 蟺维谓蟿伪 蟺蟻慰尾位畏渭伪蟿喂魏蠈, 伪魏伪蟿伪谓蠈畏蟿慰 魏伪喂 蟺伪蟻维谓慰渭慰.
螒喂蟽胃萎渭伪蟿伪 蔚纬魏位蠅尾喂蟽渭慰蠉, 蟿伪蟺蔚委谓蠅蟽畏蟼, 蔚谓慰蠂萎蟼 魏伪喂 蟽蠅蠁蟻慰谓喂蟽蟿喂魏苇蟼 伪蟺慰喂魏委蔚蟼.
螒蟺慰喂魏喂伪魏苇蟼 未蠀谓维渭蔚喂蟼, 渭畏蠂维谓畏渭伪 纬蟻伪蠁萎蟼 渭蔚 伪魏委未蔚蟼
蟺慰蠀 纬蟻维蠁慰蠀谓 魏伪喂 纬蟻维蠁慰蠀谓 蟿慰谓 胃维谓伪蟿慰 蟽蟿喂蟼 蟺位维蟿蔚蟼 伪胃蠋蠅谓 魏伪喂 蔚谓蠈蠂蠅谓 蠀蟺慰蟿伪纬渭苇谓蠅谓 未慰蠀位慰蟺蟻蔚蟺蠋蟼 蟽蟿畏谓 喂蟽蠂蠉 蟺慰蠀 未蔚谓 纬谓蠅蟻委味蔚喂 魏伪谓苇谓伪 蠈蟻喂慰.
螝喂 蠈蟿伪谓 蟿慰 渭畏蠂维谓畏渭伪 未喂伪位蠉蔚蟿伪喂 魏伪喂 蟺伪蠉蔚喂 谓伪 伪蟺慰蟿蔚位蔚委 蠈蟺位慰 渭伪味喂魏萎蟼 未慰位慰蠁慰谓委伪蟼 未蔚谓 蔚委谓伪喂 蔚蟺蔚喂未萎 蟽蟿伪渭伪蟿维蔚喂 蟿慰 渭伪蟻蟿蠉蟻喂慰 位蠈纬蠅 魏慰喂谓蠅谓喂魏萎蟼 蔚尉苇纬蔚蟻蟽畏蟼,
位蠈纬蠅 蔚蟺伪谓维蟽蟿伪蟽畏蟼 纬喂伪 蟿伪 伪谓胃蟻蠋蟺喂谓伪 未喂魏伪喂蠋渭伪蟿伪.
螖蔚谓 蔚蟺蔚渭尾伪委谓蔚喂 慰 谓蠈渭慰蟼, 蟿慰 魏蟻维蟿慰蟼, 畏 蟺慰位喂蟿喂蟽渭苇谓畏 魏慰喂谓蠅谓委伪 纬喂伪 谓伪 蟿慰 蟽蟿伪渭伪蟿萎蟽慰蠀谓,
伪蟺位维, 位喂蟿维 魏伪喂 伪蟺苇蟻喂蟿蟿伪 未蔚谓 蠀蟺维蟻蠂慰蠀谓 伪谓蟿伪位位伪魏蟿喂魏维 蔚尉伪蟻蟿萎渭伪蟿伪 纬喂伪 蟿畏 渭畏蠂伪谓萎 蟺慰蠀 蟽魏慰蟿蠋谓蔚喂
纬蟻维蠁慰谓蟿伪蟼 魏伪喂 纬蟻维蠁慰谓蟿伪蟼 魏伪喂 慰 谓苇慰蟼 未喂慰喂魏畏蟿萎蟼 蟺慰蠀 蔚尉慰蠀蟽喂维味蔚喂 蟿畏 蟽蠅蠁蟻慰谓喂蟽蟿喂魏萎 伪蟺慰喂魏委伪 蔚委谓伪喂 蠁蠀蟽喂魏维 伪谓蟿委胃蔚蟿慰蟼 渭蔚 蟿慰谓 蟺蟻慰畏纬慰蠉渭蔚谓慰 蠅蟼 蟺蟻慰蟼 蟿畏谓 蠂蟻萎蟽畏 蟿慰蠀 胃伪谓维蟿慰蠀 伪位位维 蠅蟼 蔚魏蟽蠀纬蠂蟻慰谓喂蟽蟿萎蟼 魏伪喂 蟺慰位喂蟿喂蟽渭苇谓慰蟼 伪蟺位蠋蟼 伪谓苇蠂蔚蟿伪喂 蟿慰谓 蠁伪蟽喂蟽渭蠈 蟿慰蠀 伪尉喂蠅渭伪蟿喂魏慰蠉 魏伪喂 蟿慰 蠈蟻纬伪谓慰 渭蔚蟽伪喂蠅谓喂魏慰蠉 尾伪蟽伪谓喂蟽渭慰蠉, 蠄蠀蠂蟻维 魏伪喂 伪渭苇蟿慰蠂伪. 螌蟺蠅蟼 伪魏蟻喂尾蠋蟼 蟿伪 苇纬蟻伪蠄蔚 魏伪喂 慰 螝维蠁魏伪 蟿慰 未喂魏蠈 蟿慰蠀 伪渭蔚委位喂魏蟿慰, 蟽魏位畏蟻维 伪谓蟿喂魏蔚喂渭蔚谓喂魏蠈 魏伪喂 味慰蠁蔚蟻维 魏蟻蠀蟽蟿维位位喂谓慰 蠈谓蔚喂蟻慰 蟺慰蠀 未蔚谓 蔚委谓伪喂 蟽蠀纬魏蔚蠂蠀渭苇谓慰 伪位位维 魏伪胃伪蟻蠈, 维渭蔚蟽慰 魏伪喂 蟽伪蠁苇蟼.
螡蠈畏渭伪 蟽蔚 蟿慰蠉蟿畏 蟿畏谓 喂蟽蟿慰蟻委伪, 蟽蠀渭尾慰位喂蟽渭慰委, 渭蔚蟿伪蠁慰蟻苇蟼 魏伪喂 蔚尉畏纬萎蟽蔚喂蟼 胃蔚蠅蟻蠋 蟺蠅蟼 未蔚谓 蠀蟺维蟻蠂慰蠀谓, 蠂蠅蟻委蟼 谓伪 蔚委渭伪喂 魏伪喂 蟽委纬慰蠀蟻畏. 危委纬慰蠀蟻伪 未蔚谓 伪谓萎魏蔚喂 蟽蟿畏谓 蔚蟺慰蠂萎 蟿慰蠀.
螘委谓伪喂 蔚谓蟿蔚位蠋蟼 伪未喂伪谓蠈畏蟿慰 蟽伪谓 胃伪蠉渭伪 蟽蟿伪 渭维蟿喂伪 维蟺喂蟽蟿蠅谓. 螘喂谓伪喂 伪渭蠁委尾慰位慰 魏伪喂 纬蔚渭维蟿慰 伪谓伪蟺维谓蟿畏蟿伪 蔚蟻蠅蟿萎渭伪蟿伪.
螖蔚谓 慰未畏纬蔚委 蟺慰蠀胃蔚谓维. 螠蠀蟻委味蔚喂 渭慰蠉蠂位伪 魏伪喂 蔚纬魏位蠅尾喂蟽渭蠈, 尾蟻慰渭维蔚喂 渭慰谓伪尉喂维 魏伪喂 伪蟺伪尉委蠅蟽畏, 伪蟺慰蟺谓苇蔚喂 蟿慰 伪蟿蠈蠁喂慰 维蟻蠅渭伪 蟿慰蠀 维蟺位畏蟽蟿慰蠀 蔚渭渭慰谓喂魏慰蠉 蔚尉蔚蠀蟿蔚位喂蟽渭慰蠉. 螝伪喂 蟽魏慰蟿蔚喂谓维, 伪蟺蠈蟿慰渭伪 蟿蔚位蔚喂蠋谓蔚喂.
螘喂谓伪喂 畏 伪位位畏纬慰蟻委伪 蟺慰蠀 渭委蟽畏蟽蔚 慰 渭慰谓蟿蔚蟻谓喂蟽蟿萎蟼 魏伪位位喂蟿苇蠂谓畏蟼 蟿畏蟼 蟺蔚委谓伪蟼 伪蠀蟿蠈蟼 蟺慰蠀 伪蠁喂蔚蟻蠋胃畏魏蔚 蟽蟿畏谓 蟿苇蠂谓畏 蠂蠅蟻委蟼 蟺蟻慰胃苇蟽蔚喂蟼 魏伪喂 蔚渭蟺谓蔚蠉蟽蔚喂蟼 蟺慰蠀 蟺蟻慰蟽喂未喂维味慰蠀谓 魏伪喂 蟺蟻慰未喂魏维味慰蠀谓.
螘委谓伪喂 畏 谓蔚魏蟻慰位慰纬委伪 蟿慰蠀 螛蔚慰蠉 蟺慰蠀 蔚蟺苇蟿蟻蔚蠄蔚 蟿畏谓 魏蠀蟻喂伪蟻蠂委伪 蟿慰蠀 魏伪魏慰蠉. 螘委谓伪喂 慰 桅蟻维谓蟿蟼 螝维蠁魏伪.
馃拫馃挅馃拫
螝伪位萎 伪谓维纬谓蠅蟽畏.
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼.
November 4, 2021
Publicado em 1919, a novela de Kafka aborda temas ainda muito atuais, sobretudo em uma sociedade conservadora em que a ideia de fazer justi莽a 茅 vista como uma forma de entretenimento. J谩 na primeira p谩gina da obra, somos apresentados a uma m谩quina peculiar, um instrumento de execu莽茫o capaz de marcar na pele do condenado - ou da v铆tima - os crimes que ele teria supostamente cometido.
E digo supostamente porque, nesse 鈥渆spet谩culo鈥� que dura aproximadamente 12 horas at茅 a execu莽茫o, o condenado n茫o sabe direito por que est谩 l谩. N茫o lhe d茫o o direito a entender suas acusa莽玫es e, muito menos, um direito 脿 defesa. E o que mais choca o leitor 茅 que para o Oficial que opera a m谩quina, n茫o h谩 nada de errado, j谩 que provavelmente o acusado mentiria se pudesse se defender.
E tudo se passa em uma col么nia penal, como o pr贸prio t铆tulo da obra j谩 indica. No come莽o do s茅culo XX, as col么nias penais - pris玫es constru铆das em ilhas isoladas - eram ferramentas comumente utilizadas por diversos pa铆ses para remover da sociedade aqueles cidad茫os tidos como indesej谩veis. Sem qualquer controle externo, os prisioneiros eram submetidos a puni莽玫es e torturas.
Mas vale refletir: ainda que as col么nias penais tenham deixado de existir, ser谩 que nosso sistema prisional est谩 muito diferente? 脡 claro que a m谩quina mencionada na obra 茅 um extremo da injusta justi莽a feita pelas pr贸prias m茫os. Mas ser谩 que as nossas pris玫es superpopulosas, em condi莽玫es degradantes, n茫o revelam um sistema interessado unicamente em reprimir ao inv茅s de prevenir?
Apesar de a Constitui莽茫o assegurar a qualquer cidad茫o o direito de n茫o ser submetido a tortura ou a tratamento desumano, parte da sociedade aplaude a realidade em que sequer direitos m铆nimos ao prisioneiro s茫o assegurados. Por isso, o trabalho de Kafka, apesar de chocante, revela um problema extremamente atual e que n茫o pode ficar 脿 margem de uma ilha isolada, esquecida pelo debate pol铆tico e social.
Recomendo ler nessa edi莽茫o da @antofagica, com textos de apoio que v茫o contribuir para a compreens茫o da obra e das reflex玫es que ela desperta. Al茅m disso, as ilustra莽玫es enriquecem a experi锚ncia!
Nota 8,5/10
Leia mais resenhas em
E digo supostamente porque, nesse 鈥渆spet谩culo鈥� que dura aproximadamente 12 horas at茅 a execu莽茫o, o condenado n茫o sabe direito por que est谩 l谩. N茫o lhe d茫o o direito a entender suas acusa莽玫es e, muito menos, um direito 脿 defesa. E o que mais choca o leitor 茅 que para o Oficial que opera a m谩quina, n茫o h谩 nada de errado, j谩 que provavelmente o acusado mentiria se pudesse se defender.
E tudo se passa em uma col么nia penal, como o pr贸prio t铆tulo da obra j谩 indica. No come莽o do s茅culo XX, as col么nias penais - pris玫es constru铆das em ilhas isoladas - eram ferramentas comumente utilizadas por diversos pa铆ses para remover da sociedade aqueles cidad茫os tidos como indesej谩veis. Sem qualquer controle externo, os prisioneiros eram submetidos a puni莽玫es e torturas.
Mas vale refletir: ainda que as col么nias penais tenham deixado de existir, ser谩 que nosso sistema prisional est谩 muito diferente? 脡 claro que a m谩quina mencionada na obra 茅 um extremo da injusta justi莽a feita pelas pr贸prias m茫os. Mas ser谩 que as nossas pris玫es superpopulosas, em condi莽玫es degradantes, n茫o revelam um sistema interessado unicamente em reprimir ao inv茅s de prevenir?
Apesar de a Constitui莽茫o assegurar a qualquer cidad茫o o direito de n茫o ser submetido a tortura ou a tratamento desumano, parte da sociedade aplaude a realidade em que sequer direitos m铆nimos ao prisioneiro s茫o assegurados. Por isso, o trabalho de Kafka, apesar de chocante, revela um problema extremamente atual e que n茫o pode ficar 脿 margem de uma ilha isolada, esquecida pelo debate pol铆tico e social.
Recomendo ler nessa edi莽茫o da @antofagica, com textos de apoio que v茫o contribuir para a compreens茫o da obra e das reflex玫es que ela desperta. Al茅m disso, as ilustra莽玫es enriquecem a experi锚ncia!
Nota 8,5/10
Leia mais resenhas em
August 16, 2024
8.3/10
Franz Kafka, you either going to hate him or love him and in this case, i think it's the latter. Even if you have read something in the past and it was not your cup of tea (his style is unique to say the least) i think that you going to like this book.
A few kilometers away from a colony, in the middle of a desert, stands a killing machine. Near it there is a military officer, a soldier, a prisoner that is going to be executed soon ( for something he may have done ) and..... you. Well in the book says it's a traveler but soon you'll see that the one who stands there is you.
The officer narrates the origin of the machine and how it works and you'll realise that both, the machine and the officer, are horrible. Although i've got to say that he believes he's doing something right. ( something that will be proved by his actions )
A short story that will bring out every single feeling you have and will stick with you for a long time
Franz Kafka, you either going to hate him or love him and in this case, i think it's the latter. Even if you have read something in the past and it was not your cup of tea (his style is unique to say the least) i think that you going to like this book.
A few kilometers away from a colony, in the middle of a desert, stands a killing machine. Near it there is a military officer, a soldier, a prisoner that is going to be executed soon ( for something he may have done ) and..... you. Well in the book says it's a traveler but soon you'll see that the one who stands there is you.
The officer narrates the origin of the machine and how it works and you'll realise that both, the machine and the officer, are horrible. Although i've got to say that he believes he's doing something right. ( something that will be proved by his actions )
A short story that will bring out every single feeling you have and will stick with you for a long time
June 1, 2022
鈥庁堌池з嗁� 诏乇丕賳賯丿乇貙 丕蹖賳 丿丕爻鬲丕賳 賳蹖夭 賴賲趩賵賳 丿蹖诏乇 丿丕爻鬲丕賳賴丕蹖賽 芦讴丕賮讴丕禄 丿乇 丿賱賽 禺賵蹖卮 丕爻鬲毓丕乇賴 賴丕蹖蹖 丿丕乇丿 賵 賴乇讴爻 賲蹖鬲賵丕賳丿 亘乇丿丕卮鬲蹖 丕夭 丕蹖賳 丿丕爻鬲丕賳 丿丕卮鬲賴 亘丕卮丿 賵 賴賲趩賵賳 賴賲蹖卮賴 爻禺賳 丕夭 乇賳噩 讴卮蹖丿賳賽 丕賳爻丕賳賴丕 丿乇 夭賳丿诏蹖爻鬲.. 丿乇 賴乇 丨丕賱貙 丿丕爻鬲丕賳 丿乇 噩夭蹖乇賴 丕蹖 乇賵丕蹖鬲 賲蹖卮賵丿.. 噩夭蹖乇賴 丕蹖 丕夭 賲丨讴賵賲蹖賳 讴賴 亘丕 丿爻鬲诏丕賴 蹖丕 亘賴鬲乇 亘诏賵蹖賲 賲丕卮蹖賳蹖 毓噩蹖亘 亘賴 賳丕賲 丿丕乇禺賵蹖卮貙 賲噩丕夭丕鬲 賵 丕毓丿丕賲 賲蹖卮賵賳丿.. 賲丕卮蹖賳蹖 讴賴 丕夭 趩乇禺 丿賳丿賴 賴丕 賵 爻賵夭賳賴丕蹖賽 亘爻蹖丕乇 夭蹖丕丿蹖 鬲卮讴蹖賱 卮丿賴 丕爻鬲 賵 丿乇 胤賵賱賽 卮卮 爻丕毓鬲貙 丕蹖賳 爻賵夭賳賴丕 丿乇 賲乇丕丨賱賽 賲禺鬲賱賮 亘乇 亘丿賳賽 賲丨讴賵賲蹖賳 賮乇賵 乇賮鬲賴 賵 賴乇亘丕乇 噩賲賱丕鬲蹖 乇丕 亘乇 亘丿賳賽 丌賳賴丕 賴賲乇丕賴 亘丕 禺賵賳 丨讴 賲蹖讴賳丿... 爻蹖丕丨 蹖丕 賴賲丕賳 诏乇丿卮诏乇蹖 亘賴 丕蹖賳 噩夭蹖乇賴 丌賲丿賴 賵 丕賮爻乇蹖 丿乇 丨丕賱 卮乇丨 丿丕丿賳 趩诏賵賳诏蹖賽 讴丕乇讴乇丿賽 丕蹖賳 賲丕卮蹖賳 亘乇丕蹖 爻蹖丕丨 丕爻鬲
鈥庁驰屫ж� 毓賱丕賯賴 丕蹖 亘賴 丕蹖賳 噩賳丕蹖丕鬲 賳丿丕乇丿貙 賵賱蹖 丕夭 丌賳噩丕蹖蹖 讴賴 蹖讴 睾乇蹖亘賴 丕爻鬲貙 賳賲蹖鬲賵丕賳丿 丕毓鬲乇丕囟賽 禺賵蹖卮 乇丕 賳卮丕賳 丿賴丿... 毓夭蹖夭丕賳賲貙 亘賴鬲乇 丕爻鬲 禺賵丿鬲丕賳 丕蹖賳 丿丕爻鬲丕賳 乇丕 禺賵丕賳丿賴 賵 丕夭 爻乇賳賵卮鬲賽 丕賮爻乇 賵 丿爻鬲诏丕賴賽 丕毓丿丕賲卮 丌诏丕賴 卮賵蹖丿
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鈥庂呚嗁� 丕賳鬲禺丕亘 卮丿賴 丕夭 丕蹖賳 讴鬲丕亘
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鈥庁ㄙ嗀� 亘賴 蹖讴 倬蹖卮诏賵蹖蹖貙 倬爻 丕夭 趩賳丿爻丕賱賽 丿蹖诏乇貙 賮乇賲丕賳丿賴 丕蹖 丕夭 賲蹖丕賳賽 賲乇丿诏丕賳貙 乇爻鬲丕禺蹖夭 禺賵丕賴丿 讴乇丿 賵 賴賵丕禺賵丕賴丕賳賽 禺賵丿 乇丕 丿乇 丕蹖賳 禺丕賳賴 亘賴 诏乇丿賽 禺賵丿 禺賵丕賴丿 禺賵丕賳丿 賵 倬蹖卮丕倬蹖卮 丌賳賴丕 乇丕 亘乇丕蹖賽 鬲爻禺蹖乇賽 丿賵亘丕乇賴贁 爻乇夭賲蹖賳賽 賲丨讴賵賲蹖賳貙 丨乇讴鬲 禺賵丕賴丿 丿丕丿. 蹖賯蹖賳 丿丕卮鬲賴 亘丕卮蹖丿 賵 卮讴蹖亘丕蹖蹖 倬蹖卮賴 讴賳蹖丿
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鈥庁з呟屫堌ж辟� 丕蹖賳 乇蹖賵蹖賵 丿乇 噩賴鬲賽 丌卮賳丕蹖蹖 亘丕 丕蹖賳 讴鬲丕亘貙 讴丕賮蹖 賵 賲賮蹖丿 亘賵丿賴 亘丕卮賴
鈥幝聚屫辟堌� 亘丕卮蹖丿 賵 丕蹖乇丕賳蹖禄
鈥庁驰屫ж� 毓賱丕賯賴 丕蹖 亘賴 丕蹖賳 噩賳丕蹖丕鬲 賳丿丕乇丿貙 賵賱蹖 丕夭 丌賳噩丕蹖蹖 讴賴 蹖讴 睾乇蹖亘賴 丕爻鬲貙 賳賲蹖鬲賵丕賳丿 丕毓鬲乇丕囟賽 禺賵蹖卮 乇丕 賳卮丕賳 丿賴丿... 毓夭蹖夭丕賳賲貙 亘賴鬲乇 丕爻鬲 禺賵丿鬲丕賳 丕蹖賳 丿丕爻鬲丕賳 乇丕 禺賵丕賳丿賴 賵 丕夭 爻乇賳賵卮鬲賽 丕賮爻乇 賵 丿爻鬲诏丕賴賽 丕毓丿丕賲卮 丌诏丕賴 卮賵蹖丿
*
鈥庂呚嗁� 丕賳鬲禺丕亘 卮丿賴 丕夭 丕蹖賳 讴鬲丕亘
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鈥庁ㄙ嗀� 亘賴 蹖讴 倬蹖卮诏賵蹖蹖貙 倬爻 丕夭 趩賳丿爻丕賱賽 丿蹖诏乇貙 賮乇賲丕賳丿賴 丕蹖 丕夭 賲蹖丕賳賽 賲乇丿诏丕賳貙 乇爻鬲丕禺蹖夭 禺賵丕賴丿 讴乇丿 賵 賴賵丕禺賵丕賴丕賳賽 禺賵丿 乇丕 丿乇 丕蹖賳 禺丕賳賴 亘賴 诏乇丿賽 禺賵丿 禺賵丕賴丿 禺賵丕賳丿 賵 倬蹖卮丕倬蹖卮 丌賳賴丕 乇丕 亘乇丕蹖賽 鬲爻禺蹖乇賽 丿賵亘丕乇賴贁 爻乇夭賲蹖賳賽 賲丨讴賵賲蹖賳貙 丨乇讴鬲 禺賵丕賴丿 丿丕丿. 蹖賯蹖賳 丿丕卮鬲賴 亘丕卮蹖丿 賵 卮讴蹖亘丕蹖蹖 倬蹖卮賴 讴賳蹖丿
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鈥庁з呟屫堌ж辟� 丕蹖賳 乇蹖賵蹖賵 丿乇 噩賴鬲賽 丌卮賳丕蹖蹖 亘丕 丕蹖賳 讴鬲丕亘貙 讴丕賮蹖 賵 賲賮蹖丿 亘賵丿賴 亘丕卮賴
鈥幝聚屫辟堌� 亘丕卮蹖丿 賵 丕蹖乇丕賳蹖禄
September 28, 2021
One of my favorite Kafka stories. The nature of punishment and who punishes the punishers is a relevant issue today...one could argue that the relevancy of this issue has only grown as every country tries to deal with issues of terrorism and revolutionary movements.
March 28, 2015
賰丕賮賰丕貙 賴匕丕 丕賱賲噩賳賵賳貙 賰賲 兀丨亘賴.
August 13, 2016
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賮賷 賲爻鬲賵胤賳丞 丕賱毓賯丕亘貙 賯氐丞 賯氐賷乇丞 賰鬲亘賴丕 賰丕賮賰丕貙 丿丕卅賲丕 丨賷賳賲丕 賳賯乇兀 丕爻賲 賰丕賮賰丕 賳卮毓乇 亘丕賱鬲賴丿賷丿 賵兀賳賳丕 毓賱賶 賵卮賰 兀賳 賳賯乇兀 賳氐 賲購乇毓亘貙 丿丕卅賲丕 賴匕賴 丕賱賴丕賱丞 鬲購丨賷胤 亘丕爻賲賴 賱丿乇噩丞 兀賳 丕賱亘毓囟 賷氐賮 兀丿亘賴 亘兀賳賾賴 兀丿亘 爻賵丿丕賵賷 賵賰卅賷亘貙 亘丕賱賳爻亘丞 賱賷 兀丿亘 賰丕賮賰丕 毓亘賯乇賷 賵賲乇毓亘 亘胤乇賷賯丞 匕賰賷賾丞 .
賮賷 賲爻鬲毓賲乇丞 鬲購丿毓賶 賲爻鬲賵胤賳丞 丕賱毓賯丕亘貙 鬲賯毓 賮賷 賵爻胤 丕賱氐丨乇丕亍 鬲賵噩丿 丌賱丞 賲毓賯丿賾丞 鬲購爻鬲禺丿賲 賮賷 丕賱賯鬲賱 賵鬲丨賯賷賯 丕賱毓丿丕賱丞貙 賷購丿賷乇 賴匕賴 丕賱賲爻鬲賵胤賳丞 囟丕亘胤 賰丕賳 丕賱賷丿 丕賱賷購賲賳賶 賱賱賯丕卅丿 丕賱賯丿賷賲 丕賱賲購禺鬲乇毓 賱賴匕賴 丕賱丌賱丞貙 賵亘毓丿 兀賳 鬲賵賮賷 丕賱賯丕卅丿 兀氐亘丨 丕賱囟丕亘胤 賴賵 丕賱賵丨賷丿 丕賱匕賷 賷毓乇賮 賰賱 卮賷亍 賷禺氐 賴匕賴 丕賱丌賱丞 丕賱賮乇賷丿丞貙
賮賷 賷賵賲 賲賳 丕賱兀賷丕賲 賷購丿毓賶 賲爻鬲賰卮賮 -兀噩賳亘賷- 賱賷卮丕賴丿 賰賷賮賷丞 毓賲賱 丕賱丌賱丞貙 賵丕賱丌賱丞 亘丕賱胤亘毓 賴賷 丌賱丞 廿毓丿丕賲 賵賱賰賳賾賴丕 鬲丨鬲賵賷 毓賱賶 賲乇丕丨賱 鬲毓匕賷亘 睾乇賷亘丞 噩丿丕賸貙 賮丕賱亘丿丕賷丞 賷鬲賲 丕賱賰鬲丕亘丞 亘丕爻鬲禺丿丕賲 丕賱廿亘乇 毓賱賶 噩爻賲 丕賱賲購丿丕賳 亘丕賱匕賳亘 丕賱匕賷 丕賯鬲乇賮賴 賰賭丕賱賵卮賲貙 賵賷賲賰賳 賲卮丕賴丿丞 賴匕賴 丕賱毓賲賱賷丞 賲賳 禺賱丕賱 丕賱夭噩丕噩 賵亘毓丿賴丕 賷丨鬲丕噩 丕賱賲購丿丕賳 廿賱賶 12 爻丕毓丞 賱賷賮丕乇賯 丕賱丨賷丕丞貙 賵賮賷 賴匕賴 丕賱賮鬲乇丞 毓賱賷賴 兀賳 賷卮毓乇 亘丕賱賳丿賲 賵丕賱兀爻賮 毓賱賶 賲丕 賯丕賲 亘賴.
鬲賰賵賷賳丞 丕賱卮禺氐賷丕鬲 丕賱鬲賷 禺賱賯賴丕 賰丕賮賰丕 毓噩賷亘丞 噩丿丕貙 賴賳丕賰 丕賱囟丕亘胤 丕賱賲鬲丨賲爻貙 賵丕賱賲丐賲賳 亘兀賳 丌賱丞 丕賱賯鬲賱 賴賷 丌賱丞 丕賱毓丿丕賱丞貙 賵賴賳丕賰 丕賱賲丨賰賵賲 毓賱賷賴 兀賵 丕賱賲丿丕賳 賵賮囟賵賱賴 丨賵賱 賰賱 卮賷亍 賵噩賴賱賴 毓賲丕 賷丿賵乇 丨賵賱賴貙 賵賴賳丕賰 丕賱噩賳丿賷 丕賱賱丕賲亘丕賱賷 賵丕賱睾賷乇 賲賰鬲乇孬 亘賲丕 賷丨丿孬 賲賳 丨賵賱賴貙 賵亘丕賱胤亘毓 賴賳丕賰 丕賱賲爻鬲賰卮賮 丕賱匕賷 賵賯毓 賮賷 丨賷乇丞 賲賳 兀賲乇賴貙 賵賲賳 兀賲乇 丕賱丌賱丞 賵賲賳 兀賲乇 丕賱賲丨賰賵賲 毓賱賷賴.
賵賴賳丕賰 兀賳鬲貙 兀賳鬲 賵丕丨丿 賲賳 賴丐賱丕亍貙 廿賲賾丕 兀賳 鬲賰賵賳 賲賳 賮乇賷賯 丕賱賲丐賲賳賷賳 亘丌賱丕鬲 丕賱鬲毓匕賷亘 賵丕賱賯鬲賱貙 兀賵 鬲賰賵賳 囟丨賷丞 兀賵 鬲卮丕乇賰 亘胤乇賷賯丞 睾賷乇 賲亘丕賱賷丞 賮賷 鬲賳賮賷匕 賴匕賴 丕賱兀丨賰丕賲 兀賵 鬲賰賵賳 賲賳 賮乇賷賯 賲賳 賷乇賮囟賴丕 乇賮囟丕賸 賯丕胤毓丕賻 賵賱賰賳賾賰 賱丕 鬲毓賱賲 廿賳 賰丕賳 賱乇賮囟賰 兀賷 鬲兀孬賷乇.
胤亘賷毓丞 賲賲丕乇爻丞 丕賱毓丿丕賱丞貙 亘賷賳 丕賱卮毓賵亘 賵丕賱孬賯丕賮丕鬲 鬲禺鬲賱賮貙 賵賯丿 卮賴丿 丕賱鬲丕乇賷禺 亘兀賳賵丕毓 丕賱鬲毓匕賷亘 賵丕賱丌賱丕鬲 丕賱賲爻鬲禺丿賲丞 賮賷 丕賱賯鬲賱 賵丕賱廿毓丿丕賲貙 廿賱丕 兀賳 賴匕賴 丕賱丌賱丞 賮賷 毓丕賱賲 賰丕賮賰丕 賮乇賷丿丞 噩丿丕賸 賲賳 賳賵毓賴丕貙 賵亘丕賱廿囟丕賮丞 廿賱賶 兀賳 丕賱賲購丿丕賳 賷毓丕賯亘 賲亘丕卮乇丞 亘賱丕 賲丨丕賰賲丞 賵亘賱丕 丿賮丕毓貙 丨鬲賶 亘丿賵賳 鬲賵噩賷賴 丕賱鬲賴賲丞 廿賱賷賴貙 賷爻丨亘 賴賰匕丕 賵賷購賯鬲賱 亘丕爻鬲禺丿丕賲 丕賱丌賱丞 賵兀孬賳丕亍 丕賱毓賲賱賷賾丞 賮賯胤 賷毓乇賮 賲丕 丕賱卮賷亍 丕賱匕賷 賷丿賷賳賴貙 鬲氐賵乇 丨噩賲 丕賱丕爻鬲賷丕亍 賵丕賱賰丌亘丞 賮賷 兀賲乇 賯囟丕卅賷 賰賴匕丕 .
賱賵 賰購賳鬲 爻兀賯賷賲 丕賱賯氐丞 賵丨丿賴丕 爻賷賰賵賳 丕賱鬲賯賷賷賲 5 賳噩賲丕鬲貙 亘丕賱乇睾賲 賲賳 兀賳 丕賱賯氐丞 賯丕鬲賲丞 賵賲乇毓亘丞 廿賱丕 兀賳賾賴丕 鬲胤乇丨 賯囟賷賾丞 毓賲賷賯丞 噩丿丕貙 賰賲丕 兀賳賴丕 鬲胤乇丨 丕賱賰孬賷乇 賲賳 丕賱兀爻卅賱丞貙 賵丕賱爻丐丕賱 丕賱兀賴賲 丕賱匕賷 爻鬲丨鬲丕噩 兀賳 鬲噩賷亘 毓賱賷賴 賴賵貙 兀賳鬲 兀賷賾 卮禺氐賷賾丞 賲賳 丕賱卮禺氐賷賾丕鬲責!
賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭 賭 賭 賭
丕賱賯氐丞 丕賱孬丕賳賷丞 丕賱鬲賷 賷囟賲賴丕 丕賱賰鬲丕亘 賴賷 "亘賳丕鬲 丌賵賶 賵丕賱毓乇亘" 貙 鬲丨賰賷 毓賳 賲爻丕賮乇 兀噩賳亘賷 賷賯賵丿賴 賲乇卮丿 毓乇亘賷 賮賷 丕賱氐丨乇丕亍 賷賱鬲賯賷 亘亘賳丕鬲 丌賵賶 賷鬲丨丿孬賳貙 賵賷禺亘乇賳賴 兀賳賾賴 賴賵 丕賱賲禺鬲丕乇 丕賱匕賷 爻賷賳賴賷 丕賱毓乇丕賰 丕賱匕賷 賷賯爻賲 丕賱亘卮乇賷丞貙 丕賱賯氐丞 鬲賲賷賱 賱賱賴夭賱賷賾丞 賱賰賳賳賷 丨賯賷賯丞 賱賲 兀賮賴賲 賲睾夭丕賴丕貙 賵賱賲 兀噩丿 賱賴丕 兀賷 鬲賮爻賷乇 !
鬲賲賾鬲
賮賷 賲爻鬲賵胤賳丞 丕賱毓賯丕亘貙 賯氐丞 賯氐賷乇丞 賰鬲亘賴丕 賰丕賮賰丕貙 丿丕卅賲丕 丨賷賳賲丕 賳賯乇兀 丕爻賲 賰丕賮賰丕 賳卮毓乇 亘丕賱鬲賴丿賷丿 賵兀賳賳丕 毓賱賶 賵卮賰 兀賳 賳賯乇兀 賳氐 賲購乇毓亘貙 丿丕卅賲丕 賴匕賴 丕賱賴丕賱丞 鬲購丨賷胤 亘丕爻賲賴 賱丿乇噩丞 兀賳 丕賱亘毓囟 賷氐賮 兀丿亘賴 亘兀賳賾賴 兀丿亘 爻賵丿丕賵賷 賵賰卅賷亘貙 亘丕賱賳爻亘丞 賱賷 兀丿亘 賰丕賮賰丕 毓亘賯乇賷 賵賲乇毓亘 亘胤乇賷賯丞 匕賰賷賾丞 .
賮賷 賲爻鬲毓賲乇丞 鬲購丿毓賶 賲爻鬲賵胤賳丞 丕賱毓賯丕亘貙 鬲賯毓 賮賷 賵爻胤 丕賱氐丨乇丕亍 鬲賵噩丿 丌賱丞 賲毓賯丿賾丞 鬲購爻鬲禺丿賲 賮賷 丕賱賯鬲賱 賵鬲丨賯賷賯 丕賱毓丿丕賱丞貙 賷購丿賷乇 賴匕賴 丕賱賲爻鬲賵胤賳丞 囟丕亘胤 賰丕賳 丕賱賷丿 丕賱賷購賲賳賶 賱賱賯丕卅丿 丕賱賯丿賷賲 丕賱賲購禺鬲乇毓 賱賴匕賴 丕賱丌賱丞貙 賵亘毓丿 兀賳 鬲賵賮賷 丕賱賯丕卅丿 兀氐亘丨 丕賱囟丕亘胤 賴賵 丕賱賵丨賷丿 丕賱匕賷 賷毓乇賮 賰賱 卮賷亍 賷禺氐 賴匕賴 丕賱丌賱丞 丕賱賮乇賷丿丞貙
賮賷 賷賵賲 賲賳 丕賱兀賷丕賲 賷購丿毓賶 賲爻鬲賰卮賮 -兀噩賳亘賷- 賱賷卮丕賴丿 賰賷賮賷丞 毓賲賱 丕賱丌賱丞貙 賵丕賱丌賱丞 亘丕賱胤亘毓 賴賷 丌賱丞 廿毓丿丕賲 賵賱賰賳賾賴丕 鬲丨鬲賵賷 毓賱賶 賲乇丕丨賱 鬲毓匕賷亘 睾乇賷亘丞 噩丿丕賸貙 賮丕賱亘丿丕賷丞 賷鬲賲 丕賱賰鬲丕亘丞 亘丕爻鬲禺丿丕賲 丕賱廿亘乇 毓賱賶 噩爻賲 丕賱賲購丿丕賳 亘丕賱匕賳亘 丕賱匕賷 丕賯鬲乇賮賴 賰賭丕賱賵卮賲貙 賵賷賲賰賳 賲卮丕賴丿丞 賴匕賴 丕賱毓賲賱賷丞 賲賳 禺賱丕賱 丕賱夭噩丕噩 賵亘毓丿賴丕 賷丨鬲丕噩 丕賱賲購丿丕賳 廿賱賶 12 爻丕毓丞 賱賷賮丕乇賯 丕賱丨賷丕丞貙 賵賮賷 賴匕賴 丕賱賮鬲乇丞 毓賱賷賴 兀賳 賷卮毓乇 亘丕賱賳丿賲 賵丕賱兀爻賮 毓賱賶 賲丕 賯丕賲 亘賴.
鬲賰賵賷賳丞 丕賱卮禺氐賷丕鬲 丕賱鬲賷 禺賱賯賴丕 賰丕賮賰丕 毓噩賷亘丞 噩丿丕貙 賴賳丕賰 丕賱囟丕亘胤 丕賱賲鬲丨賲爻貙 賵丕賱賲丐賲賳 亘兀賳 丌賱丞 丕賱賯鬲賱 賴賷 丌賱丞 丕賱毓丿丕賱丞貙 賵賴賳丕賰 丕賱賲丨賰賵賲 毓賱賷賴 兀賵 丕賱賲丿丕賳 賵賮囟賵賱賴 丨賵賱 賰賱 卮賷亍 賵噩賴賱賴 毓賲丕 賷丿賵乇 丨賵賱賴貙 賵賴賳丕賰 丕賱噩賳丿賷 丕賱賱丕賲亘丕賱賷 賵丕賱睾賷乇 賲賰鬲乇孬 亘賲丕 賷丨丿孬 賲賳 丨賵賱賴貙 賵亘丕賱胤亘毓 賴賳丕賰 丕賱賲爻鬲賰卮賮 丕賱匕賷 賵賯毓 賮賷 丨賷乇丞 賲賳 兀賲乇賴貙 賵賲賳 兀賲乇 丕賱丌賱丞 賵賲賳 兀賲乇 丕賱賲丨賰賵賲 毓賱賷賴.
賵賴賳丕賰 兀賳鬲貙 兀賳鬲 賵丕丨丿 賲賳 賴丐賱丕亍貙 廿賲賾丕 兀賳 鬲賰賵賳 賲賳 賮乇賷賯 丕賱賲丐賲賳賷賳 亘丌賱丕鬲 丕賱鬲毓匕賷亘 賵丕賱賯鬲賱貙 兀賵 鬲賰賵賳 囟丨賷丞 兀賵 鬲卮丕乇賰 亘胤乇賷賯丞 睾賷乇 賲亘丕賱賷丞 賮賷 鬲賳賮賷匕 賴匕賴 丕賱兀丨賰丕賲 兀賵 鬲賰賵賳 賲賳 賮乇賷賯 賲賳 賷乇賮囟賴丕 乇賮囟丕賸 賯丕胤毓丕賻 賵賱賰賳賾賰 賱丕 鬲毓賱賲 廿賳 賰丕賳 賱乇賮囟賰 兀賷 鬲兀孬賷乇.
胤亘賷毓丞 賲賲丕乇爻丞 丕賱毓丿丕賱丞貙 亘賷賳 丕賱卮毓賵亘 賵丕賱孬賯丕賮丕鬲 鬲禺鬲賱賮貙 賵賯丿 卮賴丿 丕賱鬲丕乇賷禺 亘兀賳賵丕毓 丕賱鬲毓匕賷亘 賵丕賱丌賱丕鬲 丕賱賲爻鬲禺丿賲丞 賮賷 丕賱賯鬲賱 賵丕賱廿毓丿丕賲貙 廿賱丕 兀賳 賴匕賴 丕賱丌賱丞 賮賷 毓丕賱賲 賰丕賮賰丕 賮乇賷丿丞 噩丿丕賸 賲賳 賳賵毓賴丕貙 賵亘丕賱廿囟丕賮丞 廿賱賶 兀賳 丕賱賲購丿丕賳 賷毓丕賯亘 賲亘丕卮乇丞 亘賱丕 賲丨丕賰賲丞 賵亘賱丕 丿賮丕毓貙 丨鬲賶 亘丿賵賳 鬲賵噩賷賴 丕賱鬲賴賲丞 廿賱賷賴貙 賷爻丨亘 賴賰匕丕 賵賷購賯鬲賱 亘丕爻鬲禺丿丕賲 丕賱丌賱丞 賵兀孬賳丕亍 丕賱毓賲賱賷賾丞 賮賯胤 賷毓乇賮 賲丕 丕賱卮賷亍 丕賱匕賷 賷丿賷賳賴貙 鬲氐賵乇 丨噩賲 丕賱丕爻鬲賷丕亍 賵丕賱賰丌亘丞 賮賷 兀賲乇 賯囟丕卅賷 賰賴匕丕 .
賱賵 賰購賳鬲 爻兀賯賷賲 丕賱賯氐丞 賵丨丿賴丕 爻賷賰賵賳 丕賱鬲賯賷賷賲 5 賳噩賲丕鬲貙 亘丕賱乇睾賲 賲賳 兀賳 丕賱賯氐丞 賯丕鬲賲丞 賵賲乇毓亘丞 廿賱丕 兀賳賾賴丕 鬲胤乇丨 賯囟賷賾丞 毓賲賷賯丞 噩丿丕貙 賰賲丕 兀賳賴丕 鬲胤乇丨 丕賱賰孬賷乇 賲賳 丕賱兀爻卅賱丞貙 賵丕賱爻丐丕賱 丕賱兀賴賲 丕賱匕賷 爻鬲丨鬲丕噩 兀賳 鬲噩賷亘 毓賱賷賴 賴賵貙 兀賳鬲 兀賷賾 卮禺氐賷賾丞 賲賳 丕賱卮禺氐賷賾丕鬲責!
賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭賭 賭 賭 賭
丕賱賯氐丞 丕賱孬丕賳賷丞 丕賱鬲賷 賷囟賲賴丕 丕賱賰鬲丕亘 賴賷 "亘賳丕鬲 丌賵賶 賵丕賱毓乇亘" 貙 鬲丨賰賷 毓賳 賲爻丕賮乇 兀噩賳亘賷 賷賯賵丿賴 賲乇卮丿 毓乇亘賷 賮賷 丕賱氐丨乇丕亍 賷賱鬲賯賷 亘亘賳丕鬲 丌賵賶 賷鬲丨丿孬賳貙 賵賷禺亘乇賳賴 兀賳賾賴 賴賵 丕賱賲禺鬲丕乇 丕賱匕賷 爻賷賳賴賷 丕賱毓乇丕賰 丕賱匕賷 賷賯爻賲 丕賱亘卮乇賷丞貙 丕賱賯氐丞 鬲賲賷賱 賱賱賴夭賱賷賾丞 賱賰賳賳賷 丨賯賷賯丞 賱賲 兀賮賴賲 賲睾夭丕賴丕貙 賵賱賲 兀噩丿 賱賴丕 兀賷 鬲賮爻賷乇 !
鬲賲賾鬲
January 23, 2018
賳賵蹖爻賳丿诏丕賳 讴賲蹖丕亘賶 賴爻鬲賳丿 讴賴 亘乇丕賶 賳禺爻鬲蹖賳 亘丕乇貙 爻亘讴 賵 賮讴乇 賵 賲賵囟賵毓 鬲丕夭賴鈥屫з� 乇丕 亘賴 賲蹖丕賳 賲賶鈥屭┴促嗀� 亘賴鈥屫蒂堌� 賲毓賳賶 噩丿蹖丿賶 亘乇丕賶 夭賳丿诏賶 賲賶鈥屫①堌辟嗀� 讴賴 倬蹖卮 丕夭 丌賳賴丕 賵噩賵丿 賳丿丕卮鬲賴 丕爻鬲 賭賭 讴丕賮讴丕 蹖讴賶 丕夭 賴賳乇賲賳丿鬲乇蹖賳 賳賵蹖爻賳丿诏丕賳 丕蹖賳 丿爻鬲賴 亘賴鈥屫促呚ж� 賲賶鈥屫③屫�.
禺賵丕賳賳丿賴鈥屫з� 讴賴 亘丕 丿賳蹖丕賶 讴丕賮讴丕 爻乇賵讴丕乇 倬蹖丿丕 賲賶鈥屭┵嗀� 丿乇 丨丕賱賶 讴賴 禺乇丿 賵 禺蹖乇賴 卮丿賴貙 亘賴 爻賵蹖卮 讴卮蹖丿賴 賲賶鈥屫促堌�: 賴賲蹖賳 讴賴 丕夭 丌爻鬲丕賳賴鈥屬� 丿賳蹖丕蹖卮 诏匕卮鬲貙 鬲兀孬蹖乇 丌賳 乇丕 丿乇 夭賳丿诏賶 禺賵丿 丨爻 賲賶鈥屭┵嗀� 賵 倬賶 賲賶鈥屫ㄘ必� 讴賴 丿賳蹖丕 丌賳賯丿乇 亘賳鈥屫ㄘ池� 賴賲 賳亘賵丿賴 丕爻鬲. 讴丕賮讴丕 丕夭 丿賳蹖丕蹖賶 亘丕 賲丕 爻禺賳 賲賶鈥屭堐屫� 讴賴 鬲丕乇蹖讴 賵 丿乇賴賲 倬蹖趩蹖丿賴 賲賶鈥屬嗁呚й屫� 亘賴鈥屫焚堌辟� 讴賴 丿乇 賵賴賱賴鈥屬� 丕賵賱 賳賲賶鈥屫堌з嗃屬� 亘丕 賲賯蹖丕爻鈥屬囏з� 禺賵丿賲丕賳 丌賳 乇丕 亘爻賳噩蹖賲. 丿乇 丌賳 丕夭 趩賴 诏賮鬲诏賵 賲賶鈥屫促堌� 丕夭 賱丕蹖鬲賳丕賴賶責 禺丿丕責 噩賳 賵 倬乇賶! 賳賴貙 丕蹖賳 丨乇賮鈥屬囏� 丿乇 讴丕乇 賳蹖爻鬲. 賲賵囟賵毓鈥屬囏з� 亘爻蹖丕乇 爻丕丿賴 賵 倬蹖卮 倬丕丕賮鬲丕丿賴鈥屬� 夭賳丿诏賶 乇賵夭丕賳賴鈥屬� 禺賵丿賲丕賳 丕爻鬲: 亘丕 丌丿賲鈥屬囏з� 賲毓賲賵賱賶貙 亘丕 讴丕乇賲賳丿丕賳 丕丿丕乇賴 乇賵亘乇賵 賲賶鈥屫促堐屬� 讴賴 賴賲丕賳 賵爻賵丕爻鈥屬囏� 賵 诏乇賮鬲丕乇賶鈥屬囏з� 禺賵丿賲丕賳 乇丕 丿丕乇賳丿貨 亘賴 夭亘丕賳 賲丕 丨乇賮 賲賶鈥屫操嗁嗀� 賵 賴賲賴 趩蹖夭
噩乇蹖丕賳 胤亘蹖毓賶 禺賵丿 乇丕 爻蹖乇 賲賶鈥屭┵嗀�. 賵賱蹖讴賳貙 賳丕诏賴丕賳 丕丨爻丕爻 丿賱賴乇賴鈥屫①堌辟� 蹖禺賴鈥屬呚з� 乇丕 賲賶鈥屭屫必�! 賴賲賴鈥屬� 趩蹖夭賴丕蹖賶 讴賴 亘乇丕賶 賲丕 噩丿賶 賵 賲賳胤賯賶 賵 毓丕丿賶 亘賵丿貙 蹖讴亘丕乇賴 賲毓賳賶 禺賵丿 乇丕 诏賲 賲賶鈥屭┵嗁嗀� 毓賯乇亘讴 爻丕毓鬲 噩賵乇 丿蹖诏乇 亘賴鈥屭┴ж� 賲賶鈥屫з佖� 賲爻丕賮鬲鈥屬囏� 亘丕 丕賳丿丕夭賴鈥屭屫辟� 賲丕 噩賵乇 丿乇賳賲賶鈥屫③屫� 賴賵丕 乇賯蹖賯 賲賶鈥屫促堌� 賵 賳賮爻賲丕賳 倬爻 賲賶鈥屫操嗀�. 丌蹖丕 亘乇丕賶 丕蹖賳鈥屭┵� 賲賳胤賯賶 賳蹖爻鬲責 亘乇毓讴爻貨 賴賲賴 趩蹖夭 丿賱蹖賱 賵 亘乇賴丕賳 丿丕乇丿貙 蹖讴鈥屫堌� 丿賱蹖賱 賵丕乇賵賳賴貨 賲賳胤賯 丕賮爻丕乇诏爻蹖禺鬲賴鈥屫з� 讴賴 賳賲賶鈥屫促堌� 噩賱賵蹖卮 乇丕 诏乇賮鬲. 賭賭 丕賲丕 亘乇丕賶 丕蹖賳 丕爻鬲 讴賴 賲賶鈥屫ㄛ屬嗃屬� 賴賲賴鈥屬� 丕蹖賳 丌丿賲鈥屬囏з� 賲毓賲賵賱賶 爻乇 亘賴鈥屫槽屫� 讴賴 丿乇 讴丕乇 禺賵丿 丿賯蹖賯 亘賵丿賳丿 賵 亘丕 賲丕 賴賲丿乇丿賶 丿丕卮鬲賳丿 賵 賲孬賱 賲丕 賮讴乇 賲賶鈥屭┴必嗀� 賴賲賴 讴丕乇诏夭丕乇 賵 倬卮鬲蹖亘丕賳 芦倬賵趩禄 賲賶鈥屫ㄘж促嗀�. 賲丕卮蹖賳鈥屬囏з� 禺賵丿讴丕乇 亘丿亘禺鬲賶 賴爻鬲賳丿 讴賴 讴丕乇 丌賳賴丕 賴乇趩賴 噩丿賶鈥屫� 賵 賲賴賲鈥屫� 亘丕卮丿貙 賲囟丨讴鈥屫� 噩賱賵賴 賲賶鈥屭┵嗀�. 讴丕乇賴丕賶 乇賵夭丕賳賴 賵 丕賳噩丕賲 賵馗蹖賮賴 賵 鬲讴 賵丿賵賴丕 賵 賴賲賴鈥屬� 趩蹖夭賴丕蹖賶 讴賴 亘賴 丌賳 禺賵 讴乇丿賴 亘賵丿蹖賲 賵 亘乇丕蹖賲丕賳 丕賲賵乇賶 胤亘蹖毓賶 丕爻鬲貙 夭蹖乇 賯賱賲 讴丕賮讴丕 賲毓賳賶 賲囟丨讴 賵 倬賵趩 賵 诏丕賴賶 賴乇丕爻賳丕讴 亘賴鈥屫堌� 賲賶鈥屭屫必�.
丕夭 賲鬲賳 讴鬲丕亘:
丌丿賲蹖夭丕丿 蹖讴賴 賵 鬲賳賴丕 賵 亘蹖 倬卮鬲 賵 倬賳丕賴 丕爻鬲 賵 丿乇 爻乇夭賲蹖賳 賳丕爻丕夭诏丕乇 诏賲賳丕賲蹖 夭蹖爻鬲 賲蹖鈥屭┵嗀� 讴賴 夭丕丿 賵 亘賵賲 丕賵 賳蹖爻鬲貙 亘丕 賴蹖趩 讴爻 賳賲蹖鈥屫堌з嗀� 倬蹖賵賳丿 賵 賵丕亘爻鬲诏蹖 丿丕卮鬲賴 亘丕卮丿. 禺賵丿卮 賴賲 賲蹖鈥屫з嗀€� 賲蹖鈥屫堌з囏� 趩蹖夭蹖 乇丕 賱丕倬賵卮丕賳蹖 亘讴賳丿貙 禺賵丿卮 乇丕 亘賴 夭賵乇 噩丕 亘夭賳丿貙 诏蹖乇賲 賲趩卮 亘丕夭 賲蹖鈥屫促堌�: 賲蹖 丿丕賳丿 讴賴 夭蹖丕丿蹖 丕爻鬲. 丨鬲丕 丿乇 丕賳丿蹖卮賴 賵 鬲讴乇丕乇 賵 乇賮鬲丕乇卮 賴賲 丌夭丕丿 賳蹖爻鬲. 丕夭 丿蹖诏乇丕賳 乇賵丿乇亘丕爻鬲蹖 丿丕乇丿貙 賲蹖鈥屫堌з囏� 禺賵丿卮 乇丕 鬲亘乇卅賴 讴賳丿. 丿賱蹖賱 賲蹖鈥屫必ж簇� 丕夭 丿賱蹖賱蹖 亘賴 丿賱蹖賱 丿蹖诏乇 賲蹖鈥屭臂屫藏� 丕賲丕 丕爻蹖乇 禺賵丿卮 丕爻鬲貙 趩賵賳 丕夭 禺胤蹖 讴賴 亘賴 丿賵乇 丕賵 讴卮蹖丿賴 卮丿賴 賳賲蹖鈥屫堌з嗀� 倬丕蹖卮 乇丕 亘蹖乇賵賳 亘诏匕丕乇丿. 诏賲賳丕賲蹖 賴爻鬲蹖賲 丿乇 丿賳蹖丕蹖蹖 讴賴 丿丕賲鈥屬囏й� 亘蹖卮賲丕乇蹖 丿乇 倬蹖卮 賲丕 诏爻鬲乇丿賴鈥屫з嗀� 賵 賮賯胤 亘乇禺賵乇丿賲丕賳 亘丕 倬賵趩 丕爻鬲.
禺賵丕賳賳丿賴鈥屫з� 讴賴 亘丕 丿賳蹖丕賶 讴丕賮讴丕 爻乇賵讴丕乇 倬蹖丿丕 賲賶鈥屭┵嗀� 丿乇 丨丕賱賶 讴賴 禺乇丿 賵 禺蹖乇賴 卮丿賴貙 亘賴 爻賵蹖卮 讴卮蹖丿賴 賲賶鈥屫促堌�: 賴賲蹖賳 讴賴 丕夭 丌爻鬲丕賳賴鈥屬� 丿賳蹖丕蹖卮 诏匕卮鬲貙 鬲兀孬蹖乇 丌賳 乇丕 丿乇 夭賳丿诏賶 禺賵丿 丨爻 賲賶鈥屭┵嗀� 賵 倬賶 賲賶鈥屫ㄘ必� 讴賴 丿賳蹖丕 丌賳賯丿乇 亘賳鈥屫ㄘ池� 賴賲 賳亘賵丿賴 丕爻鬲. 讴丕賮讴丕 丕夭 丿賳蹖丕蹖賶 亘丕 賲丕 爻禺賳 賲賶鈥屭堐屫� 讴賴 鬲丕乇蹖讴 賵 丿乇賴賲 倬蹖趩蹖丿賴 賲賶鈥屬嗁呚й屫� 亘賴鈥屫焚堌辟� 讴賴 丿乇 賵賴賱賴鈥屬� 丕賵賱 賳賲賶鈥屫堌з嗃屬� 亘丕 賲賯蹖丕爻鈥屬囏з� 禺賵丿賲丕賳 丌賳 乇丕 亘爻賳噩蹖賲. 丿乇 丌賳 丕夭 趩賴 诏賮鬲诏賵 賲賶鈥屫促堌� 丕夭 賱丕蹖鬲賳丕賴賶責 禺丿丕責 噩賳 賵 倬乇賶! 賳賴貙 丕蹖賳 丨乇賮鈥屬囏� 丿乇 讴丕乇 賳蹖爻鬲. 賲賵囟賵毓鈥屬囏з� 亘爻蹖丕乇 爻丕丿賴 賵 倬蹖卮 倬丕丕賮鬲丕丿賴鈥屬� 夭賳丿诏賶 乇賵夭丕賳賴鈥屬� 禺賵丿賲丕賳 丕爻鬲: 亘丕 丌丿賲鈥屬囏з� 賲毓賲賵賱賶貙 亘丕 讴丕乇賲賳丿丕賳 丕丿丕乇賴 乇賵亘乇賵 賲賶鈥屫促堐屬� 讴賴 賴賲丕賳 賵爻賵丕爻鈥屬囏� 賵 诏乇賮鬲丕乇賶鈥屬囏з� 禺賵丿賲丕賳 乇丕 丿丕乇賳丿貨 亘賴 夭亘丕賳 賲丕 丨乇賮 賲賶鈥屫操嗁嗀� 賵 賴賲賴 趩蹖夭
噩乇蹖丕賳 胤亘蹖毓賶 禺賵丿 乇丕 爻蹖乇 賲賶鈥屭┵嗀�. 賵賱蹖讴賳貙 賳丕诏賴丕賳 丕丨爻丕爻 丿賱賴乇賴鈥屫①堌辟� 蹖禺賴鈥屬呚з� 乇丕 賲賶鈥屭屫必�! 賴賲賴鈥屬� 趩蹖夭賴丕蹖賶 讴賴 亘乇丕賶 賲丕 噩丿賶 賵 賲賳胤賯賶 賵 毓丕丿賶 亘賵丿貙 蹖讴亘丕乇賴 賲毓賳賶 禺賵丿 乇丕 诏賲 賲賶鈥屭┵嗁嗀� 毓賯乇亘讴 爻丕毓鬲 噩賵乇 丿蹖诏乇 亘賴鈥屭┴ж� 賲賶鈥屫з佖� 賲爻丕賮鬲鈥屬囏� 亘丕 丕賳丿丕夭賴鈥屭屫辟� 賲丕 噩賵乇 丿乇賳賲賶鈥屫③屫� 賴賵丕 乇賯蹖賯 賲賶鈥屫促堌� 賵 賳賮爻賲丕賳 倬爻 賲賶鈥屫操嗀�. 丌蹖丕 亘乇丕賶 丕蹖賳鈥屭┵� 賲賳胤賯賶 賳蹖爻鬲責 亘乇毓讴爻貨 賴賲賴 趩蹖夭 丿賱蹖賱 賵 亘乇賴丕賳 丿丕乇丿貙 蹖讴鈥屫堌� 丿賱蹖賱 賵丕乇賵賳賴貨 賲賳胤賯 丕賮爻丕乇诏爻蹖禺鬲賴鈥屫з� 讴賴 賳賲賶鈥屫促堌� 噩賱賵蹖卮 乇丕 诏乇賮鬲. 賭賭 丕賲丕 亘乇丕賶 丕蹖賳 丕爻鬲 讴賴 賲賶鈥屫ㄛ屬嗃屬� 賴賲賴鈥屬� 丕蹖賳 丌丿賲鈥屬囏з� 賲毓賲賵賱賶 爻乇 亘賴鈥屫槽屫� 讴賴 丿乇 讴丕乇 禺賵丿 丿賯蹖賯 亘賵丿賳丿 賵 亘丕 賲丕 賴賲丿乇丿賶 丿丕卮鬲賳丿 賵 賲孬賱 賲丕 賮讴乇 賲賶鈥屭┴必嗀� 賴賲賴 讴丕乇诏夭丕乇 賵 倬卮鬲蹖亘丕賳 芦倬賵趩禄 賲賶鈥屫ㄘж促嗀�. 賲丕卮蹖賳鈥屬囏з� 禺賵丿讴丕乇 亘丿亘禺鬲賶 賴爻鬲賳丿 讴賴 讴丕乇 丌賳賴丕 賴乇趩賴 噩丿賶鈥屫� 賵 賲賴賲鈥屫� 亘丕卮丿貙 賲囟丨讴鈥屫� 噩賱賵賴 賲賶鈥屭┵嗀�. 讴丕乇賴丕賶 乇賵夭丕賳賴 賵 丕賳噩丕賲 賵馗蹖賮賴 賵 鬲讴 賵丿賵賴丕 賵 賴賲賴鈥屬� 趩蹖夭賴丕蹖賶 讴賴 亘賴 丌賳 禺賵 讴乇丿賴 亘賵丿蹖賲 賵 亘乇丕蹖賲丕賳 丕賲賵乇賶 胤亘蹖毓賶 丕爻鬲貙 夭蹖乇 賯賱賲 讴丕賮讴丕 賲毓賳賶 賲囟丨讴 賵 倬賵趩 賵 诏丕賴賶 賴乇丕爻賳丕讴 亘賴鈥屫堌� 賲賶鈥屭屫必�.
丕夭 賲鬲賳 讴鬲丕亘:
丌丿賲蹖夭丕丿 蹖讴賴 賵 鬲賳賴丕 賵 亘蹖 倬卮鬲 賵 倬賳丕賴 丕爻鬲 賵 丿乇 爻乇夭賲蹖賳 賳丕爻丕夭诏丕乇 诏賲賳丕賲蹖 夭蹖爻鬲 賲蹖鈥屭┵嗀� 讴賴 夭丕丿 賵 亘賵賲 丕賵 賳蹖爻鬲貙 亘丕 賴蹖趩 讴爻 賳賲蹖鈥屫堌з嗀� 倬蹖賵賳丿 賵 賵丕亘爻鬲诏蹖 丿丕卮鬲賴 亘丕卮丿. 禺賵丿卮 賴賲 賲蹖鈥屫з嗀€� 賲蹖鈥屫堌з囏� 趩蹖夭蹖 乇丕 賱丕倬賵卮丕賳蹖 亘讴賳丿貙 禺賵丿卮 乇丕 亘賴 夭賵乇 噩丕 亘夭賳丿貙 诏蹖乇賲 賲趩卮 亘丕夭 賲蹖鈥屫促堌�: 賲蹖 丿丕賳丿 讴賴 夭蹖丕丿蹖 丕爻鬲. 丨鬲丕 丿乇 丕賳丿蹖卮賴 賵 鬲讴乇丕乇 賵 乇賮鬲丕乇卮 賴賲 丌夭丕丿 賳蹖爻鬲. 丕夭 丿蹖诏乇丕賳 乇賵丿乇亘丕爻鬲蹖 丿丕乇丿貙 賲蹖鈥屫堌з囏� 禺賵丿卮 乇丕 鬲亘乇卅賴 讴賳丿. 丿賱蹖賱 賲蹖鈥屫必ж簇� 丕夭 丿賱蹖賱蹖 亘賴 丿賱蹖賱 丿蹖诏乇 賲蹖鈥屭臂屫藏� 丕賲丕 丕爻蹖乇 禺賵丿卮 丕爻鬲貙 趩賵賳 丕夭 禺胤蹖 讴賴 亘賴 丿賵乇 丕賵 讴卮蹖丿賴 卮丿賴 賳賲蹖鈥屫堌з嗀� 倬丕蹖卮 乇丕 亘蹖乇賵賳 亘诏匕丕乇丿. 诏賲賳丕賲蹖 賴爻鬲蹖賲 丿乇 丿賳蹖丕蹖蹖 讴賴 丿丕賲鈥屬囏й� 亘蹖卮賲丕乇蹖 丿乇 倬蹖卮 賲丕 诏爻鬲乇丿賴鈥屫з嗀� 賵 賮賯胤 亘乇禺賵乇丿賲丕賳 亘丕 倬賵趩 丕爻鬲.
May 27, 2021
螣位伪 蟿伪 蟽蟿慰喂蠂蔚委伪 蟺慰蠀 蠂伪蟻伪魏蟿畏蟻委味慰蠀谓 蟿慰 苇蟻纬慰 蟿慰蠀 尾蟻委蟽魏慰谓蟿伪喂 蔚未蠋 - 苇蟽蟿蠅 蟽蔚 蟺蟻蠅蟿蠈位蔚喂伪 渭慰蟻蠁萎 伪蟺蠈 伪蠁畏纬畏渭伪蟿喂魏萎蟼 蟺位蔚蠀蟻维蟼.
螚 伪蟺蔚喂位萎 蠈渭蠅蟼 蟺伪蟻伪渭苇谓蔚喂 畏 委未喂伪. 螣蟺蠅蟼 魏伪喂 慰喂 蔚谓慰蠂苇蟼, 慰 蔚蠁喂维位蟿畏蟼 蟺慰蠀 魏伪蟻伪未慰魏蔚委...
螚 伪蟺蔚喂位萎 蠈渭蠅蟼 蟺伪蟻伪渭苇谓蔚喂 畏 委未喂伪. 螣蟺蠅蟼 魏伪喂 慰喂 蔚谓慰蠂苇蟼, 慰 蔚蠁喂维位蟿畏蟼 蟺慰蠀 魏伪蟻伪未慰魏蔚委...
October 11, 2018
Kafka is hard enough for me when I read him in my native language, let alone in German. And I'm not talking about the difficulties of reading in a foreign language, no. Although my German is definitely to be improved, this was not the problem. But I think that when you read him in the original the feelings created, that powerful sense of anguish and suffocation is magnified. The rhythm is steadier and the Kafkaesque absurdity more intense, I think.
Anyway, linguistic observations aside, the story in this book is settled in an unnamed colony, where people who have been found guilty for a crime are punished through a torture machine and finally let to die. The narrator is a foreigner, a traveler guided through the colony. The officer responsible for the tour explains the origin, the function and the justification for the machine to the traveler who is initially appalled by the spectacle and the rationalizations. I will say no more but this is the general outline of the story.
This book is short but also very compelling. The writing is flawless, as always, and I felt from the beginning completely overwhelmed by the irrationality and even the insanity of the justice and punitive system as described. I always feel that I do not have the stomach to read Kafka but I always come back for more and this is definitely one of the best books I have ever read.
Anyway, linguistic observations aside, the story in this book is settled in an unnamed colony, where people who have been found guilty for a crime are punished through a torture machine and finally let to die. The narrator is a foreigner, a traveler guided through the colony. The officer responsible for the tour explains the origin, the function and the justification for the machine to the traveler who is initially appalled by the spectacle and the rationalizations. I will say no more but this is the general outline of the story.
This book is short but also very compelling. The writing is flawless, as always, and I felt from the beginning completely overwhelmed by the irrationality and even the insanity of the justice and punitive system as described. I always feel that I do not have the stomach to read Kafka but I always come back for more and this is definitely one of the best books I have ever read.
December 14, 2019
I had no idea what this was about going into it. I found this short-story for free online and thought "why not?" But goodness. It's about torture, and I was not ready to read about something like that, right now. Plus, the writing is okay. But the story itself is nothing special and I probably wouldn't have read it if it wasn't free.
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