唳多Π唰�-唳班唳ㄠ唳Σ唳�: 唳む唳む唳 唳栢Θ唰嵿Α

Sarat Chandra Chattopadhyay, Sarat Chandra Chattopadhyay

Rate this book

唳夃Κ唳ㄠ唳唳�:
唳多唳班唳曕唳ㄠ唳� 唳︵唳唳む唳 唳Π唰嵿Μ
唳椸唳灌Ζ唳距
唳唳唳ㄠ唳� 唳唳唰�
唳︵唳ㄠ-唳唳撪Θ唳�
唳ㄠΜ-唳唳о唳�

唳椸Σ唰嵿Κ:
唳涏Μ唳�
唳唳侧唳膏
唳唳Σ唳距Π 唳Σ
唳灌Π唳苦Σ唳曕唳粪
唳唰囙Χ
唳呧Ν唳距唰€唳� 唳膏唳Π唰嵿

唳ㄠ唳熰:
唳班Ξ唳�

唳唳班Μ唳ㄠ唳�, 唳呧Ν唳苦Ν唳距Ψ唳� 唳� 唳Δ唰嵿Π唳距Μ唳侧唳� 唳膏唳曕Σ唳� 唳椸唳班Θ唰嵿Ε:
唳膏唳Ζ唰囙Χ 唳� 唳膏唳灌唳む唳�
唳嗋Ξ唳距Π 唳曕Ε唳�
唳膏唳Π唳距 唳膏唳оΘ唳距Ο唳� 唳ㄠ唳班
唳多唳曕唳粪唳� 唳唳班唳�
唳膏唳唳む唳曕Ε唳�
唳呧Ν唳苦Θ唳ㄠ唳︵Θ
唳Μ唳苦Ψ唰嵿Ο唰� 唳唰嵿-唳膏唳灌唳む唳�
唳椸唳班-唳多唳粪唳� 唳膏唳唳�
唳膏唳灌唳む唳� 唳� 唳ㄠ唳む
唳膏唳灌唳む唳 唳嗋Π唰嵿 唳� 唳︵唳班唳ㄠ唳む
唳唳班Δ唰€唳 唳夃唰嵿 唳膏唰嵿唰€唳�
唳嗋Η唰佮Θ唳苦 唳膏唳灌唳む唳唳� 唳曕唳唳唳�
唳膏唳灌唳む唳唳� 唳班唳む 唳� 唳ㄠ唳む
唳呧Ν唳苦Ν唳距Ψ唳�
唳呧Ν唳苦Ν唳距Ψ唳�
唳Δ唰€唳ㄠ唳︵唳� 唳膏Ξ唰嵿Μ唳班唳оΘ唳�
唳多唳� 唳唳班Χ唰嵿Θ
唳班Μ唰赌唳ㄠ唳︵唳班Θ唳距Ε

唳椸唳班Θ唰嵿Ε 唳Π唳苦唳
唳多Π唰庎唳ㄠ唳︵唳班唳� 唳夃Σ唰嵿Σ唰囙唳唳椸唳� 唳溹唳Θ唳唰嵿唳�

798 pages, Hardcover

First published July 1, 2005

1 person is currently reading

31 people want to read

About the author

Sarat Chandra Chattopadhyay

214听books871听followers

Complete works of Sarat Chandra (唳多Π唰� 唳班唳ㄠ唳Σ唰€) is now available in this third party website:

Sarat Chandra Chattopadhyay (also spelt Saratchandra) (Bengali: 唳多Π唰庎唳ㄠ唳︵唳� 唳氞唰嵿唰嬥Κ唳距Η唰嵿Ο唳距Ο唳�) was a legendary Bengali novelist from India. He was one of the most popular Bengali novelists of the early 20th century.

His childhood and youth were spent in dire poverty as his father, Motilal Chattopadhyay, was an idler and dreamer and gave little security to his five children. Saratchandra received very little formal education but inherited something valuable from his father鈥攈is imagination and love of literature.

He started writing in his early teens and two stories written then have survived鈥斺€楰orel鈥� and 鈥楰ashinath鈥�. Saratchandra came to maturity at a time when the national movement was gaining momentum together with an awakening of social consciousness.

Much of his writing bears the mark of the resultant turbulence of society. A prolific writer, he found the novel an apt medium for depicting this and, in his hands, it became a powerful weapon of social and political reform.

Sensitive and daring, his novels captivated the hearts and minds of thousands of readers not only in Bengal but all over India.

Some of his best known novels are Palli Samaj (1916), Charitraheen (1917), Devdas (1917), Nishkriti (1917), Srikanta in four parts (1917, 1918, 1927 and 1933), Griha Daha (1920), Sesh Prasna (1929) and Sesher Parichay published posthumously (1939).

"My literary debt is not limited to my predecessors only. I'm forever indebted to the deprived, ordinary people who give this world everything they have and yet receive nothing in return, to the weak and oppressed people whose tears nobody bothers to notice and to the endlessly hassled, distressed (weighed down by life) and helpless people who don't even have a moment to think that: despite having everything, they have right to nothing. They made me start to speak. They inspired me to take up their case and plead for them. I have witnessed endless injustice to these people, unfair intolerable indiscriminate justice. It's true that springs do come to this world for some - full of beauty and wealth - with its sweet smelling breeze perfumed with newly bloomed flowers and spiced with cuckoo's song, but such good things remained well outside the sphere where my sight remained imprisoned. This poverty abounds in my writings."

What do you think?