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賲蹠乇诏蹖 鬲丕賯丕賳蹠蹖 丿賵賵蹠賲
乇賲丕賳 芦賲乇诏 鬲讴 賮乇夭賳丿 丿賵賲禄 乇賵丕蹖鬲蹖 丕夭 夭亘丕賳 卮丕賴丿丕賳 賲丕噩乇丕蹖 蹖讴 賯鬲賱 丕爻鬲. 丕蹖賳 乇賲丕賳 丿乇亘丕乇賴鈥� 賮乇夭賳丿 丿賵賲 夭賳蹖 丕爻鬲 讴賴 賲乇丿賲 丕賵 乇丕 亘賴鈥屫池辟� 賵 亘賴鈥屫促堌� 鬲讴鈥屬佖必操嗀� 丿賵賲 賲蹖鈥屬嗀з呝嗀� 賵 亘毓丿 丕夭 亘賴 賯鬲賱 乇爻丕賳丿賳 倬爻乇貙 賴乇蹖讴 亘禺卮蹖 丕夭 賲丕噩乇丕蹖 賯鬲賱 賲乇诏 鬲讴鈥屬佖必操嗀� 丿賵賲 乇丕 乇賵丕蹖鬲 賲蹖鈥屭┵嗁嗀�.
亘禺鬲蹖丕乇 毓賱蹖 亘乇丕蹖 禺賱賯 丕蹖賳 丿丕爻鬲丕賳 亘賴 乇賵丕蹖鬲鈥屬囏й� 诏賵賳丕诏賵賳 卮丕賴丿丕賳 蹖讴 賲丕噩乇丕蹖 賵丕丨丿 亘賴乇賴 诏乇賮鬲賴 丕爻鬲. 丿乇 賵丕賯毓 亘賴鈥屫й� 丕蹖賳鈥屭┵� 亘丕 丿丕賳丕蹖 讴賱 趩賴 亘賴鈥屫蹿┵勝� 賲丨丿賵丿 賵 趩賴 卮讴賱 賳丕賲丨丿賵丿 乇賵鈥屫ㄙ団€屫辟� 亘丕卮蹖賲 亘丕 夭丕賵蹖賴 丿蹖丿 丕賵賱鈥屫簇� 賲鬲讴孬乇 丿乇 賲乇丿賲 賲賵丕噩賴 賴爻鬲蹖賲.
亘禺鬲蹖丕乇 毓賱蹖 亘乇丕蹖 禺賱賯 丕蹖賳 丿丕爻鬲丕賳 亘賴 乇賵丕蹖鬲鈥屬囏й� 诏賵賳丕诏賵賳 卮丕賴丿丕賳 蹖讴 賲丕噩乇丕蹖 賵丕丨丿 亘賴乇賴 诏乇賮鬲賴 丕爻鬲. 丿乇 賵丕賯毓 亘賴鈥屫й� 丕蹖賳鈥屭┵� 亘丕 丿丕賳丕蹖 讴賱 趩賴 亘賴鈥屫蹿┵勝� 賲丨丿賵丿 賵 趩賴 卮讴賱 賳丕賲丨丿賵丿 乇賵鈥屫ㄙ団€屫辟� 亘丕卮蹖賲 亘丕 夭丕賵蹖賴 丿蹖丿 丕賵賱鈥屫簇� 賲鬲讴孬乇 丿乇 賲乇丿賲 賲賵丕噩賴 賴爻鬲蹖賲.
- GenresRoman
133 pages, Paperback
First published January 1, 1997
6 people are currently reading
72 people want to read
About the author
Bachtyar Ali
35听books449听followersBachtyar Ali Muhammed, also spelled as Bakhtiyar Ali or Bakhtyar Ali, (Kurdish: Bextyar El卯 -亘蹠禺鬲蹖丕乇 毓蹠賱蹖) Ali was born in the city of Slemani (also spelt as Sulaimani or Sulaymaniy), in Iraqi Kurdistan (also referred to as southern Kurdistan) in 1960. He is a Kurdish novelist and intellectual. He is also a prolific literary critic, essayist and poet. Ali started out as a poet and essayist, but has established himself as an influential novelist from the mid-1990s. He has published six novels, several poetry collections as well as essay books. He has been living in Germany since the mid-1990s (Frankfurt, Cologne and most recently Bonn). In his academic essays, he has dealt with various subjects, such as the 1988 Saddam-era Anfal genocide campaign, the relationship between the power and intellectuals and other philosophical issues. He often employs western philosophical concepts to interpret an issue in Kurdish society, but often modifies or adapts them to his context.
Based on interviews with the writer, he wrote his first prominent piece of writing in 1983, a long poem called Nishtiman "The Homeland" (Kurdish; 賳蹖卮鬲賲丕賳). His first article, entitled "In the margin of silence; la parawezi bedangi da" in Pashkoy Iraq newspaper in 1989. But he only truly came to prominence and started to publish and hold seminars after the 1991 uprising against the Iraqi government, as the Kurds started to establish a de facto semi-autonomous region in parts of Iraqi Kurdistan and enjoy a degree of freedom of speech. He could not have published most of his work before 1991 because of strict political censorship under Saddam. Along with several other writers of his generation - most notably Mariwan Wirya Qani, Rebin Hardi and Sherzad Hasan - they started a new intellectual movement in Kurdistan, mainly through holding seminars. The same group in 1991 started publishing a philosophical journal - Azadi "Freedom" [Kurdish:卅丕夭丕丿蹖] -, of which only five issues were published, and then Rahand "Dimension" [Kurdish:乇蹠賴蹠賳丿]. ().
In 1992, he published his first book, a poetry collection entitled Gunah w Karnaval "Sin and the Carnival" [Kurdish:诏賵賳丕賴 賵 讴蹠跁賳蹠冥丕賱]. It contained several long poems, some which were written in the late 1980s. Prominent Kurdish poet Sherko Bekas immediately hailed him as a new powerful voice. His first novel, Margi Taqanay Dwam "The death of the second only child" [Kurdish:賲蹠乇诏蹖 鬲丕賯丕賳蹠蹖 丿賵賵蹠賲], was published in 1997, the first draft of which was written in the late 1980s.
Based on interviews with the writer, he wrote his first prominent piece of writing in 1983, a long poem called Nishtiman "The Homeland" (Kurdish; 賳蹖卮鬲賲丕賳). His first article, entitled "In the margin of silence; la parawezi bedangi da" in Pashkoy Iraq newspaper in 1989. But he only truly came to prominence and started to publish and hold seminars after the 1991 uprising against the Iraqi government, as the Kurds started to establish a de facto semi-autonomous region in parts of Iraqi Kurdistan and enjoy a degree of freedom of speech. He could not have published most of his work before 1991 because of strict political censorship under Saddam. Along with several other writers of his generation - most notably Mariwan Wirya Qani, Rebin Hardi and Sherzad Hasan - they started a new intellectual movement in Kurdistan, mainly through holding seminars. The same group in 1991 started publishing a philosophical journal - Azadi "Freedom" [Kurdish:卅丕夭丕丿蹖] -, of which only five issues were published, and then Rahand "Dimension" [Kurdish:乇蹠賴蹠賳丿]. ().
In 1992, he published his first book, a poetry collection entitled Gunah w Karnaval "Sin and the Carnival" [Kurdish:诏賵賳丕賴 賵 讴蹠跁賳蹠冥丕賱]. It contained several long poems, some which were written in the late 1980s. Prominent Kurdish poet Sherko Bekas immediately hailed him as a new powerful voice. His first novel, Margi Taqanay Dwam "The death of the second only child" [Kurdish:賲蹠乇诏蹖 鬲丕賯丕賳蹠蹖 丿賵賵蹠賲], was published in 1997, the first draft of which was written in the late 1980s.
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Displaying 1 - 9 of 9 reviews
January 14, 2023
賲乇诏 鬲讴 賮乇夭賳丿 丿賵賲 乇賵丕蹖鬲 卮丕賴丿丕賳 賯鬲賱 倬爻乇蹖 丕爻鬲 讴賴 倬丿乇卮 賲卮禺氐 賳蹖爻鬲. 卮丕賴丿丕賳蹖 讴賴 賴乇 蹖讴 亘乇 丨爻亘 丿蹖丿賴鈥屬囏� 賵 丕丨爻丕爻丕鬲 禺賵丿 丿丕爻鬲丕賳 乇丕 鬲毓乇蹖賮 賲蹖讴賳賳丿. 丿乇賵賳 賲丕蹖賴鈥屰� 丿丕爻鬲丕賳 丨爻 賵 丨丕賱 丕爻鬲亘丿丕丿 丿乇 毓乇丕賯 夭賲丕賳 氐丿丕賲 乇賵 丿乇 禺賵丿卮 丿丕乇賴 賵 丿乇 讴賱 丿丕爻鬲丕賳 噩丕賱亘 賵 禺賵亘蹖賴鈥屬�
July 20, 2023
I鈥檝e always wanted to read Bachtyar Ali鈥檚 books and then I decided to read from his very first book which is this one. I鈥檝e heard a lot of people who give negative feedbacks on this book but the thing is this book is not for normal readers, it is for focused and deep readers, the story which is narrated by lots of characters and point of views, and it鈥檚 not easy to identify who is the narrator unless you read it with a good memory of what happened in the previous chapters and how the story is being narrated. to understand it, i wrote notes and also names of characters and most importantly i focused on the narrators and identified who he/she was, and wrote the name on a annotation sticker label, which helped me get into the book鈥檚 flow and finally enjoying it! Though the story wasn鈥檛 really impressive and was more of a clich茅, but what made it enjoyable to read was the writer鈥檚 technique of changing narrators and the beautiful vocabulary, symbolism and other writing techniques!
I recommend this book to readers who love to read a complex and mixed story narrated from different viewpoints and by different narrators.
I recommend this book to readers who love to read a complex and mixed story narrated from different viewpoints and by different narrators.
May 16, 2015
賲賵囟賵毓 讴鬲丕亘 賵氐賮 乇賵夭 賲乇诏 丕卮乇賮貙 賯賴乇賲丕賳 丿丕爻鬲丕賳 丕爻鬲. 丿乇 讴鬲丕亘 蹖讴蹖-丿賵 賲賵賳賵賱賵诏 丕夭 夭亘丕賳 禺賵丿 丕卮乇賮 賳賯賱 賲蹖鈥屫促堌� 賵 亘賯蹖賴贁 賲賵賳賵賱賵诏鈥屬囏� 丕夭 夭亘丕賳 爻丕蹖乇 卮禺氐蹖鬲鈥屬囏� 禺胤丕亘 亘賴 賲丕丿乇 丕卮乇賮 (蹖丕 賴賲丕賳鈥屫焚堌� 讴賴 亘賯蹖賴 賲蹖鈥屭堐屬嗀� 賲丕丿乇亘夭乇诏) 丕爻鬲. 爻亘讴 讴鬲丕亘 乇卅丕賱蹖爻賲 噩丕丿賵蹖蹖 丕爻鬲.
賲賳 丕夭 禺賵丕賳丿賳 讴鬲丕亘 賱匕鬲 亘乇丿賲. 讴鬲丕亘 讴賲鈥屭┵� 賵丕賯毓蹖丕鬲 乇丕 亘丕夭诏賵 賲蹖鈥屭┵嗀� 賵 鬲賯乇蹖亘賳 丿乇 丕賵丕禺乇 丿丕爻鬲丕賳 丕爻鬲 讴賴 賲蹖鈥屬佡囐呟屬� 丿賱蹖賱 讴卮鬲賳 丕卮乇賮 趩賴 亘賵丿賴 賵 趩诏賵賳賴 丿賵爻鬲 氐賲蹖賲蹖鈥屫ж� 亘賴 丕賵 禺蹖丕賳鬲 讴乇丿賴 丕爻鬲. 賴乇趩賳丿 卮丕蹖丿 鬲毓丿丕丿 禺胤丕亘鈥屬囏й屰� 讴賴 亘賴 賲丕丿乇亘夭乇诏 丿乇 賲賵賳賵賱賵诏鈥屬囏ж池� 亘毓丿 丕夭 乇丿讴乇丿賳 賳氐賮 讴鬲丕亘 禺爻鬲賴鈥屭┵嗁嗀� 亘賴 賳馗乇 亘乇爻丿貙 丕賲丕 讴鬲丕亘 讴卮卮 禺丕氐 禺賵丿 乇丕 丿丕乇丿. 禺賵丕賳丿賳 讴鬲丕亘鈥屬囏� 乇丕 亘賴 賴賲賴 鬲賵氐蹖賴 賲蹖鈥屭┵嗁�.
賲賳 丕夭 禺賵丕賳丿賳 讴鬲丕亘 賱匕鬲 亘乇丿賲. 讴鬲丕亘 讴賲鈥屭┵� 賵丕賯毓蹖丕鬲 乇丕 亘丕夭诏賵 賲蹖鈥屭┵嗀� 賵 鬲賯乇蹖亘賳 丿乇 丕賵丕禺乇 丿丕爻鬲丕賳 丕爻鬲 讴賴 賲蹖鈥屬佡囐呟屬� 丿賱蹖賱 讴卮鬲賳 丕卮乇賮 趩賴 亘賵丿賴 賵 趩诏賵賳賴 丿賵爻鬲 氐賲蹖賲蹖鈥屫ж� 亘賴 丕賵 禺蹖丕賳鬲 讴乇丿賴 丕爻鬲. 賴乇趩賳丿 卮丕蹖丿 鬲毓丿丕丿 禺胤丕亘鈥屬囏й屰� 讴賴 亘賴 賲丕丿乇亘夭乇诏 丿乇 賲賵賳賵賱賵诏鈥屬囏ж池� 亘毓丿 丕夭 乇丿讴乇丿賳 賳氐賮 讴鬲丕亘 禺爻鬲賴鈥屭┵嗁嗀� 亘賴 賳馗乇 亘乇爻丿貙 丕賲丕 讴鬲丕亘 讴卮卮 禺丕氐 禺賵丿 乇丕 丿丕乇丿. 禺賵丕賳丿賳 讴鬲丕亘鈥屬囏� 乇丕 亘賴 賴賲賴 鬲賵氐蹖賴 賲蹖鈥屭┵嗁�.
June 16, 2015
Xozga Baxtiyar Ali kati ham xwenar u ham xoy bam ktebawa sarf nakrdaya!
AWFUL, MEANINGLESS, REPETITIVE SCENES. TOO MUCH DETAIL OR NO DETAIL AT ALL. after 133 pages I didnt understand how many POV were there! I kept rolling my eyes. I dont understand how almost every kurdish reader worships this man for writing such great books! He is a good writer with no original ideas.
AWFUL, MEANINGLESS, REPETITIVE SCENES. TOO MUCH DETAIL OR NO DETAIL AT ALL. after 133 pages I didnt understand how many POV were there! I kept rolling my eyes. I dont understand how almost every kurdish reader worships this man for writing such great books! He is a good writer with no original ideas.
September 4, 2022
Although I find the magic realism elements of the novelette interesting, the dark gloomy side of politics outweigh them. I mean the book is overtly political, which is not necessarily a bad thing, but it some how repels me. In later novels, Bakhtiar Ali succeeded in changing the narrative toward the more compelling storytelling, turning into a Kurdish Scheherazade, who I am drawn to.
However, one can see the recurring motifs of his later novels in here too; political corruption, internal wars, familial conflicts, smells, wind, corpse, to name a few.
I am really looking forward to read The Angels' Ship, but it hasn't been translated to Farsi yet.
However, one can see the recurring motifs of his later novels in here too; political corruption, internal wars, familial conflicts, smells, wind, corpse, to name a few.
I am really looking forward to read The Angels' Ship, but it hasn't been translated to Farsi yet.
October 8, 2018
诏乇丿亘丕丿!
诏乇丿亘丕丿 芦賲乇诏 鬲讴 賮乇夭賳丿 丿賵賲禄 丕夭 賳禺爻鬲蹖賳 氐賮丨賴 蹖 讴鬲丕亘 丌睾丕夭 賲蹖 卮賵丿 賵 鬲丕 倬丕蹖丕賳 賳蹖賲賴 蹖 丕賵賱 丌賳 鬲賯乇蹖亘丕 賴賲賴 趩蹖夭 乇丕 賲蹖 诏乇丿丕賳丿 賵 賲蹖 诏乇丿丕賳丿 賵 賲蹖 诏乇丿丕賳丿: 丕爻丕賲蹖貙 鬲毓丿丿 乇丕賵蹖丕賳 賵 賳丕賲卮禺氐 亘賵丿賳 丌賳 賴丕貙 鬲賵丕賱蹖 丕鬲賮丕賯丕鬲貙 丌卮賳丕蹖蹖 夭丿丕蹖蹖 賴丕蹖 倬蹖 丿乇 倬蹖 丿乇 亘蹖丕賳 丨爻 賴丕蹖蹖 讴賴 賳丕 賴賲禺賵丕賳賳丿( 氐丿丕蹖 禺賵賳/ 亘賵蹖 鬲乇爻 賵...)貙 鬲讴乇丕乇 賲爻賱爻賱賵丕乇 賳丕賲 賲丕丿乇亘夭乇诏 賵 鬲丕夭蹖 賵 趩賴 賵 趩賴 貨 趩賳丕賳 禺賵丕賳賳丿賴 乇丕 丿乇 丕亘賴丕賲 賮乇賵 賲蹖 亘乇丿 讴賴 诏賵蹖蹖 賲賯丕亘賱卮 讴鬲丕亘蹖 乇丕 诏卮賵丿賴 讴賴 诏乇丿亘丕丿蹖 鬲賲丕賲 亘賳丿賴丕 賵 讴賱賲丕鬲卮 乇丕 丿乇 賴賲 丌賲蹖禺鬲賴 丕爻鬲!
賳蹖賲賴 蹖 丿賵賲 讴鬲丕亘貙 丕賳诏丕乇 丿賵乇賴 蹖 倬爻 丕夭 胤賵賮丕賳 丕爻鬲 賵 賵賯鬲 亘丕夭爻丕夭蹖 賵 丨賱 賲毓賲丕賴丕... 賯氐賴 蹖 丕夭賱蹖 賵 丕亘丿蹖賽 賯丕亘蹖賱 賵 賴丕亘蹖賱 賵 卮睾丕丿 賵 乇爻鬲賲... 賯氐賴 蹖 亘乇丕丿乇讴卮蹖... 賵賱蹖... 丌賳趩賴 丿乇 鬲賲丕賲 乇賲丕賳 賵 亘賴 禺氐賵氐 丿乇 倬丕乇賴 蹖 丿賵賲 丌賳 賵 賲禺氐賵氐丕 丿乇 賳蹖賲賴 蹖 倬丕蹖丕賳蹖賽 亘禺卮 丿賵賲 賳賲賵丿 丿丕乇丿 噩賳亘賴 蹖 丕爻鬲毓丕乇蹖 賵 爻賲亘賱蹖讴 賲丕噩乇丕 賵 卮禺氐蹖鬲 賴丕爻鬲! 賮囟丕蹖 禺賮賯丕賳 賵 禺賵 诏乇賮鬲賳 蹖讴 賲賱鬲 亘丕 丌賳! 讴賴 賳卮丕賳賲丕賳 賲蹖 丿賴丿 讴賴 丕蹖賳 賲賱鬲賽 鬲丨鬲 禺賮賯丕賳 丕诏乇趩賴 丕賳亘丕乇 亘丕乇賵鬲 丕賳丿 賵 亘丕 噩乇賯賴 丕蹖- 賲孬賱 賯鬲賱 蹖讴 賲丨亘賵亘- 賲蹖 鬲賵丕賳賳丿 噩賳亘卮蹖 賴賵賱賳丕讴 亘蹖丕賮乇蹖賳賳丿 丕賲丕 禺賵 讴乇丿賳 亘賴 爻鬲賲 賵 倬匕蹖乇卮 丌賳 賲蹖 鬲賵丕賳丿 夭賲蹖賳賴 蹖 賳賲 讴卮蹖丿賳 丕賳亘丕乇 亘丕乇賵鬲 賵 亘賴 丕賳丨乇丕賮 讴卮蹖丿賴 卮丿賳 丨乇讴鬲 噩賲毓蹖 亘乇丕蹖 丕蹖噩丕丿 蹖讴 噩乇蹖丕賳賽 賲賵孬乇賽 囟丿 馗賱賲 乇丕 賮乇丕賴賲 丌賵乇丿.
诏乇丿亘丕丿 芦賲乇诏 鬲讴 賮乇夭賳丿 丿賵賲禄 丕夭 賳禺爻鬲蹖賳 氐賮丨賴 蹖 讴鬲丕亘 丌睾丕夭 賲蹖 卮賵丿 賵 鬲丕 倬丕蹖丕賳 賳蹖賲賴 蹖 丕賵賱 丌賳 鬲賯乇蹖亘丕 賴賲賴 趩蹖夭 乇丕 賲蹖 诏乇丿丕賳丿 賵 賲蹖 诏乇丿丕賳丿 賵 賲蹖 诏乇丿丕賳丿: 丕爻丕賲蹖貙 鬲毓丿丿 乇丕賵蹖丕賳 賵 賳丕賲卮禺氐 亘賵丿賳 丌賳 賴丕貙 鬲賵丕賱蹖 丕鬲賮丕賯丕鬲貙 丌卮賳丕蹖蹖 夭丿丕蹖蹖 賴丕蹖 倬蹖 丿乇 倬蹖 丿乇 亘蹖丕賳 丨爻 賴丕蹖蹖 讴賴 賳丕 賴賲禺賵丕賳賳丿( 氐丿丕蹖 禺賵賳/ 亘賵蹖 鬲乇爻 賵...)貙 鬲讴乇丕乇 賲爻賱爻賱賵丕乇 賳丕賲 賲丕丿乇亘夭乇诏 賵 鬲丕夭蹖 賵 趩賴 賵 趩賴 貨 趩賳丕賳 禺賵丕賳賳丿賴 乇丕 丿乇 丕亘賴丕賲 賮乇賵 賲蹖 亘乇丿 讴賴 诏賵蹖蹖 賲賯丕亘賱卮 讴鬲丕亘蹖 乇丕 诏卮賵丿賴 讴賴 诏乇丿亘丕丿蹖 鬲賲丕賲 亘賳丿賴丕 賵 讴賱賲丕鬲卮 乇丕 丿乇 賴賲 丌賲蹖禺鬲賴 丕爻鬲!
賳蹖賲賴 蹖 丿賵賲 讴鬲丕亘貙 丕賳诏丕乇 丿賵乇賴 蹖 倬爻 丕夭 胤賵賮丕賳 丕爻鬲 賵 賵賯鬲 亘丕夭爻丕夭蹖 賵 丨賱 賲毓賲丕賴丕... 賯氐賴 蹖 丕夭賱蹖 賵 丕亘丿蹖賽 賯丕亘蹖賱 賵 賴丕亘蹖賱 賵 卮睾丕丿 賵 乇爻鬲賲... 賯氐賴 蹖 亘乇丕丿乇讴卮蹖... 賵賱蹖... 丌賳趩賴 丿乇 鬲賲丕賲 乇賲丕賳 賵 亘賴 禺氐賵氐 丿乇 倬丕乇賴 蹖 丿賵賲 丌賳 賵 賲禺氐賵氐丕 丿乇 賳蹖賲賴 蹖 倬丕蹖丕賳蹖賽 亘禺卮 丿賵賲 賳賲賵丿 丿丕乇丿 噩賳亘賴 蹖 丕爻鬲毓丕乇蹖 賵 爻賲亘賱蹖讴 賲丕噩乇丕 賵 卮禺氐蹖鬲 賴丕爻鬲! 賮囟丕蹖 禺賮賯丕賳 賵 禺賵 诏乇賮鬲賳 蹖讴 賲賱鬲 亘丕 丌賳! 讴賴 賳卮丕賳賲丕賳 賲蹖 丿賴丿 讴賴 丕蹖賳 賲賱鬲賽 鬲丨鬲 禺賮賯丕賳 丕诏乇趩賴 丕賳亘丕乇 亘丕乇賵鬲 丕賳丿 賵 亘丕 噩乇賯賴 丕蹖- 賲孬賱 賯鬲賱 蹖讴 賲丨亘賵亘- 賲蹖 鬲賵丕賳賳丿 噩賳亘卮蹖 賴賵賱賳丕讴 亘蹖丕賮乇蹖賳賳丿 丕賲丕 禺賵 讴乇丿賳 亘賴 爻鬲賲 賵 倬匕蹖乇卮 丌賳 賲蹖 鬲賵丕賳丿 夭賲蹖賳賴 蹖 賳賲 讴卮蹖丿賳 丕賳亘丕乇 亘丕乇賵鬲 賵 亘賴 丕賳丨乇丕賮 讴卮蹖丿賴 卮丿賳 丨乇讴鬲 噩賲毓蹖 亘乇丕蹖 丕蹖噩丕丿 蹖讴 噩乇蹖丕賳賽 賲賵孬乇賽 囟丿 馗賱賲 乇丕 賮乇丕賴賲 丌賵乇丿.
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March 2, 2016鬲蹠賳蹖丕 讴丕鬲 亘蹠賮蹖乇蹎丿丕賳蹠 賵 爻蹠乇趩丕賵賲 亘蹠禺賵丕 诏賵賳丕丨蹠 卮蹠卮 噩丕乇 賱蹠 趩丕倬丿乇丕賵蹠
October 21, 2022
禺蹎夭诏蹠 亘蹠禺鬲蹖丕乇 毓蹠賱蹖 禺丕賵蹠賳蹖 卅蹠賲 跁蹎賲丕賳蹠 賳蹠亘賵丕蹖蹠.
爻蹖賳丕乇蹖蹎蹖蹠讴蹖 賱丕賵丕夭 賵 亘蹘 倬蹠蹖丕賲 賵 亘蹘夭丕乇讴蹠乇. 丿賵亘丕乇蹠讴乇丿賳蹠賵蹠蹖 夭蹎乇. 讴丕乇蹠讴鬲蹠乇蹠讴丕賳 鬲蹘讴蹠诘 賵 倬蹘讴蹠诘 讴乇丕賵賳 賵 爻蹠乇鬲 賱蹘 鬲蹘讴 卅蹠趩蹖 讴蹘 趩蹖 卅蹠诘蹘鬲. 鬲蹠賳丕賳蹠鬲 卅蹠诏蹠乇 亘蹠 鬲蹠乇讴蹖夭蹘讴蹖 夭蹎乇蹠賵蹠 亘蹖禺賵蹘賳蹖鬲蹠賵蹠貙 賴蹘卮鬲丕 賱蹠 夭蹎乇 卮賵蹘賳 爻蹠乇鬲 賱蹘 鬲蹘讴卅蹠趩蹘鬲 讴蹘 讴蹠爻蹖 賯爻蹠讴蹠乇蹠.
鬲蹠讴賳蹖讴蹖 鬲蹘讴蹠诘 讴乇丿賳蹖 讴丕乇蹠讴鬲蹠乇蹠讴丕賳 賵 賯爻蹠讴丕賳 賵 鬲蹘讴蹠诘 讴乇丿賳蹖 夭蹠賲丕賳 賵 讴丕鬲 賵 卮賵蹘賳 卮鬲蹘讴蹖 賳賵蹘 賳蹖蹖蹠 賵 賱蹠 夭蹎乇 亘蹠乇賴蹠賲蹖 鬲乇 爻蹠乇讴蹠賵鬲賵賵丕賳蹠 亘賵賵賳蹖丕賳 賴蹠蹖蹠貙 亘蹠诘丕賲 賳賵賵爻蹠乇 賱蹠賲 讴鬲蹘亘蹠蹖丕 賱蹠 亘蹠讴丕乇賴蹘賳丕賳蹖 卅蹠賵 鬲蹠讴賳蹖讴蹠 爻蹠乇讴蹠賵鬲賵賵 賳蹠亘賵賵蹠 亘蹠 亘蹎趩賵賵賳蹖 賲賳.
爻蹖賳丕乇蹖蹎蹖蹠讴蹖 賱丕賵丕夭 賵 亘蹘 倬蹠蹖丕賲 賵 亘蹘夭丕乇讴蹠乇. 丿賵亘丕乇蹠讴乇丿賳蹠賵蹠蹖 夭蹎乇. 讴丕乇蹠讴鬲蹠乇蹠讴丕賳 鬲蹘讴蹠诘 賵 倬蹘讴蹠诘 讴乇丕賵賳 賵 爻蹠乇鬲 賱蹘 鬲蹘讴 卅蹠趩蹖 讴蹘 趩蹖 卅蹠诘蹘鬲. 鬲蹠賳丕賳蹠鬲 卅蹠诏蹠乇 亘蹠 鬲蹠乇讴蹖夭蹘讴蹖 夭蹎乇蹠賵蹠 亘蹖禺賵蹘賳蹖鬲蹠賵蹠貙 賴蹘卮鬲丕 賱蹠 夭蹎乇 卮賵蹘賳 爻蹠乇鬲 賱蹘 鬲蹘讴卅蹠趩蹘鬲 讴蹘 讴蹠爻蹖 賯爻蹠讴蹠乇蹠.
鬲蹠讴賳蹖讴蹖 鬲蹘讴蹠诘 讴乇丿賳蹖 讴丕乇蹠讴鬲蹠乇蹠讴丕賳 賵 賯爻蹠讴丕賳 賵 鬲蹘讴蹠诘 讴乇丿賳蹖 夭蹠賲丕賳 賵 讴丕鬲 賵 卮賵蹘賳 卮鬲蹘讴蹖 賳賵蹘 賳蹖蹖蹠 賵 賱蹠 夭蹎乇 亘蹠乇賴蹠賲蹖 鬲乇 爻蹠乇讴蹠賵鬲賵賵丕賳蹠 亘賵賵賳蹖丕賳 賴蹠蹖蹠貙 亘蹠诘丕賲 賳賵賵爻蹠乇 賱蹠賲 讴鬲蹘亘蹠蹖丕 賱蹠 亘蹠讴丕乇賴蹘賳丕賳蹖 卅蹠賵 鬲蹠讴賳蹖讴蹠 爻蹠乇讴蹠賵鬲賵賵 賳蹠亘賵賵蹠 亘蹠 亘蹎趩賵賵賳蹖 賲賳.
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October 29, 2021丿賵賵 跁蹎跇賲 亘蹠賮蹖跁蹎丿丕 亘蹠禺卮蹖賲 亘蹠賲 讴鬲蹘亘蹠 馃し鈥嶁檧锔�
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