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176 pages, Paperback
First published November 1, 2010
兀賳 鬲賰賵賳 乇賵丕卅賷丕 賴賵 丕賱丕亘丿丕毓 賮賷 兀賳 鬲賰賵賳 爻丕匕噩丕 賵丨爻丕爻丕 賮賷 丕賱賵賯鬲 賳賮爻賴
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亘丕賱賳爻亘丞 賱賳丕 賷賰賮賷 兀賳 賳賱丕丨馗 亘兀賳 卮賷賱乇 丕爻鬲禺丿賲 丕賱賰賱賲丞
sentimentalisch
賱賵氐賮 丨丕賱丞 丕賱毓賯賱 丕賱匕賷 丕賳丨乇賮 毓賳 亘爻丕胤丞 賵賯賵丞 丕賱胤亘賷毓丞 賵兀氐亘丨 賲丨氐賵乇丕 噩丿丕 賮賷 毓賵丕胤賮賴 賵兀賮賰丕乇賴 丕賱禺丕氐丞
賴丿賮賷 賴賳丕 賴賵 丕賱賵氐賵賱 廿賱賶 賲賮賴賵賲 兀毓賲賯 賱賲賯丕賱 卮賷賱乇
丕賱賲賯丕賱 丕賱匕賷 卮購睾賮鬲 亘賴 賲賳匕 卮亘丕亘賷
賵賮賷 賳賮爻 丕賱賵賯鬲 鬲賵囟賷丨 兀賮賰丕乇賷 丨賵賱 賮賳 丕賱乇賵丕賷丞 賲賳 禺賱丕賱 賲賯丕賱 卮賷賱乇 (賮毓賱鬲 匕賱賰 丿賵賲丕) 賵賱賱鬲毓亘賷乇 毓賳賴丕 亘丿賯丞
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丕賱賲鬲毓丞 丕賱丨賯賷賯賷丞 賮賷 賯乇丕亍丞 丕賱乇賵丕賷丞 鬲亘丿兀 賲賳 賯丕亘賱賷丞 乇丐賷丞 丕賱毓丕賱賲 賱賷爻 賲賳 丕賱禺丕乇噩
賵賱賰賳 賲賳 禺賱丕賱 毓賷賵賳 丕賱卮禺氐賷丕鬲 丕賱鬲賷 鬲爻鬲賵胤賳 匕賱賰 丕賱毓丕賱賲
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Let us use the word 鈥渘aive鈥� to describe this type of sensibility, this type of novelist and novel reader鈥攖hose who are not at all concerned with the artificial aspects of writing and reading a novel. And let us use the term 鈥渞eflective鈥� to describe precisely the opposite sensibility: in other words, the readers and writers who are fascinated by the artificiality of the text and its failure to attain reality, and who pay close attention to the methods used in writing novels and to the way our mind works as we read. Being a novelist is the art of being both naive and reflective at the same time....he then goes on to privilege the visual in the novel at the expense of language, content over form, and Lukacs over...well, he doesn't even mention Brecht or his modernist dispute with the Hungarian master's celebration of 19th C realism.
Novels can address people of the modern era, indeed all humanity, because they are three dimensional fictions. They can speak of personal experience, the knowledge we acquire through our senses, and at the same time they can provide a fragment of knowledge, an intuition, a clue about the deepest thing - in other words, the center, or what Tolstoy would call the meaning of life ( or however we refer to it), that difficult-to-reach place we optimistically think exists.
The na茂ve poet doesn't differentiate much between his perception of the world and the world itself. But the modern reflective sentimental-reflective poet questions everything he perceives, even his very senses.