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賲丕噩乇丕蹖 噩賵丕賳蹖 蹖讴 丕爻鬲丕丿 賴賲乇丕賴 亘丕 亘蹖爻鬲 賵 趩賴丕乇 爻丕毓鬲 丕夭 夭賳丿诏丕賳蹖 蹖讴 夭賳
丿丕爻鬲丕賳 丕夭 夭亘丕賳 丕爻鬲丕丿蹖 賲賵賴賵賲 賳賯賱 賲蹖鈥屫促堌� 讴賴 丿乇 毓賴丿 噩賵丕賳蹖 賮賵賯鈥屫з勜关ж� 毓蹖丕卮 賵 禺賵卮诏匕乇丕賳 亘賵丿賴 丕爻鬲 賵賱蹖 倬爻 丕夭 亘乇禺賵乇丿 亘丕 丨丕丿孬賴鈥屫й屫� 亘賴 丿爻鬲賵乇 丕讴蹖丿 倬丿乇卮 賳丕趩丕乇 賲蹖鈥屫促堌� 鬲丨氐蹖賱丕鬲 毓丕賱蹖 禺賵丿 乇丕 丿乇 丿丕賳卮诏丕賴 亘乇賱蹖賳 賳丕鬲賲丕賲 亘诏匕丕乇丿 賵 亘賴 蹖讴蹖 丕夭 丿丕賳卮诏丕賴鈥屬囏й� 丕蹖丕賱鬲蹖 丌賱賲丕賳 亘乇賵丿. 丿乇 丌賳噩丕 亘丕 丕爻鬲丕丿蹖 丿丕賳卮賲賳丿 丌卮賳丕 賲蹖鈥屫促堌� 讴賴 賯丿乇鬲 讴賱丕賲 賵 賳賮賵匕 賮丕囟賱丕賳賴鈥屫ж� 乇賵丨蹖賴 噩賵丕賳 毓蹖丕卮 乇丕 倬丕讴 賲賳賯賱亘 賲蹖鈥屫池ж藏� 賵 丕夭 丿丕賳卮噩賵蹖 诏乇蹖夭倬丕蹖 丿蹖乇賵夭 卮禺氐蹖鬲蹖 噩丿蹖丿 亘賴 賵噩賵丿 賲蹖鈥屫①堌必� 讴賴 丕讴賳賵賳 亘乇丕蹖 禺賵丿 賳賵蹖爻賳丿賴鈥屫й� 毓丕賱蹖鈥屬呝傌з� 賵 丕爻鬲丕丿 丿丕賳卮诏丕賴 卮丿賴 丕爻鬲 賵 丕蹖賳 丿丕爻鬲丕賳蹖 讴賴 卮賲丕 賲蹖鈥屫堌з嗃屫� 丕夭 夭亘丕賳 賴賲蹖賳 丕爻鬲丕丿 賳賯賱 賲蹖鈥屫促堌�
282 pages, Paperback
First published January 1, 1926
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11.2k people want to read
About the author
Stefan Zweig
2,006听books9,877听followersStefan Zweig was one of the world's most famous writers during the 1920s and 1930s, especially in the U.S., South America, and Europe. He produced novels, plays, biographies, and journalist pieces. Among his most famous works are Beware of Pity, Letter from an Unknown Woman, and Mary, Queen of Scotland and the Isles. He and his second wife committed suicide in 1942.
Zweig studied in Austria, France, and Germany before settling in Salzburg in 1913. In 1934, driven into exile by the Nazis, he emigrated to England and then, in 1940, to Brazil by way of New York. Finding only growing loneliness and disillusionment in their new surroundings, he and his second wife committed suicide.
Zweig's interest in psychology and the teachings of Sigmund Freud led to his most characteristic work, the subtle portrayal of character. Zweig's essays include studies of Honor茅 de Balzac, Charles Dickens, and Fyodor Dostoevsky (Drei Meister, 1920; Three Masters) and of Friedrich H枚lderlin, Heinrich von Kleist, and Friedrich Nietzsche (Der Kampf mit dem D盲mon, 1925; Master Builders). He achieved popularity with Sternstunden der Menschheit (1928; The Tide of Fortune), five historical portraits in miniature. He wrote full-scale, intuitive rather than objective, biographies of the French statesman Joseph Fouch茅 (1929), Mary Stuart (1935), and others. His stories include those in Verwirrung der Gef眉hle (1925; Conflicts). He also wrote a psychological novel, Ungeduld des Herzens (1938; Beware of Pity), and translated works of Charles Baudelaire, Paul Verlaine, and Emile Verhaeren.
Most recently, his works provided the inspiration for 2014 film The Grand Budapest Hotel.
Zweig studied in Austria, France, and Germany before settling in Salzburg in 1913. In 1934, driven into exile by the Nazis, he emigrated to England and then, in 1940, to Brazil by way of New York. Finding only growing loneliness and disillusionment in their new surroundings, he and his second wife committed suicide.
Zweig's interest in psychology and the teachings of Sigmund Freud led to his most characteristic work, the subtle portrayal of character. Zweig's essays include studies of Honor茅 de Balzac, Charles Dickens, and Fyodor Dostoevsky (Drei Meister, 1920; Three Masters) and of Friedrich H枚lderlin, Heinrich von Kleist, and Friedrich Nietzsche (Der Kampf mit dem D盲mon, 1925; Master Builders). He achieved popularity with Sternstunden der Menschheit (1928; The Tide of Fortune), five historical portraits in miniature. He wrote full-scale, intuitive rather than objective, biographies of the French statesman Joseph Fouch茅 (1929), Mary Stuart (1935), and others. His stories include those in Verwirrung der Gef眉hle (1925; Conflicts). He also wrote a psychological novel, Ungeduld des Herzens (1938; Beware of Pity), and translated works of Charles Baudelaire, Paul Verlaine, and Emile Verhaeren.
Most recently, his works provided the inspiration for 2014 film The Grand Budapest Hotel.
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January 20, 2025
賲卮丕毓乇 鬲卮丕賵乇 ..鬲賵丿毓 賲爻丕賮乇.. 賲卮丕毓乇 鬲賲賵鬲..賵鬲丨賷賷 賲卮丕毓乇..
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賰賲 兀賳鬲 賲禺鬲賱賮 賷丕 夭賮丕賷睾馃槏
賷丕丿賷 賷丕丿賷 賷丕丿賷 丕賱賲卮丕毓乇..:)
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賮賷 丕賱賱賷 亘賷禺亘賷賴丕 ..賵賮賷 丕賱賱賷 亘賷丨亘 賷鬲賰賱賲 毓賳賴丕 賵 賮賷 丕賱賱賷 亘賷鬲賰爻賮 賲賳賴丕 賵亘賷亘賷賳 毓賰爻賴丕 賱賱賳丕爻 丕賱賱賷 亘賷賴鬲賲 亘賷賴賲 亘爻 丕賱兀賰賷丿 廿賳 賰賱 賵丕丨丿 賮賷賳丕 亘賷乇鬲丕丨 賱賲丕 亘賷胤賱毓 丕賱賱賷 噩賵丕賴..
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丕賱賱賯丕亍 丕賱乇丕亘毓 賲毓 賴匕丕 丕賱賰丕鬲亘 丕賱廿爻鬲孬賳丕卅賷 賵賮賷 賰賱 賲乇丞 亘丨爻 廿賳 賮賷 爻丨乇 賲丕 賮賷 賰鬲丕亘丕鬲賴 亘賷禺賱賷賰 賲卮 賯丕丿乇 鬲卮亘毓 賲賳 賰鬲亘賴..
賰賲 兀賳鬲 賲禺鬲賱賮 賷丕 夭賮丕賷睾馃槏
February 15, 2025
This great classic, released in 1927, has not aged a bit.
Zweig's sensitivity and heart intelligence were probably ahead of his time. As a result, the atmosphere, like Salinger's heart catcher, is filled with modesty and sincerity.
Freud paid homage to this story, in which the troubles of passion and the disappointments of love are delicately tied together. Feelings are at the heart of a brilliant analysis that highlights beings' unfathomable core and awakens them to sentimental and intellectual life.
The devouring passion from admiration and the exaltation of the alert spirit in thirst for knowledge relates with warmth, and the blackened pages were as painful as they were enchanted, filled with inconstancy and wrenching.
The language is beautiful; Stefan Zweig's elegant and poetic pen allows him to handle the themes of the two extreme poles of life, youth and old age, like a score playing at several tempos.
The thirst for knowledge to avoid the mortuary of the spirit is always very autobiographical in the Austrian author.
We come out transfixed by the accuracy, the prophecy, and the heartbreaking humanity of Stefan Zweig.
Zweig's sensitivity and heart intelligence were probably ahead of his time. As a result, the atmosphere, like Salinger's heart catcher, is filled with modesty and sincerity.
Freud paid homage to this story, in which the troubles of passion and the disappointments of love are delicately tied together. Feelings are at the heart of a brilliant analysis that highlights beings' unfathomable core and awakens them to sentimental and intellectual life.
The devouring passion from admiration and the exaltation of the alert spirit in thirst for knowledge relates with warmth, and the blackened pages were as painful as they were enchanted, filled with inconstancy and wrenching.
The language is beautiful; Stefan Zweig's elegant and poetic pen allows him to handle the themes of the two extreme poles of life, youth and old age, like a score playing at several tempos.
The thirst for knowledge to avoid the mortuary of the spirit is always very autobiographical in the Austrian author.
We come out transfixed by the accuracy, the prophecy, and the heartbreaking humanity of Stefan Zweig.
May 20, 2017
螝伪渭委伪 蟽蠉纬蠂蠀蟽畏 伪喂蟽胃畏渭维蟿蠅谓.
螠喂伪 纬位蠀魏喂维, 蟿蟻蠀蠁蔚蟻萎,纬蔚渭维蟿畏 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 魏伪喂 蟽魏苇蠄蔚喂蟼 蔚尉慰渭慰位蠈纬畏蟽畏.
螚 尾伪胃喂维 蟺位伪蟿蠅谓喂魏萎 伪纬维蟺畏 蔚谓蠈蟼 蠁慰喂蟿畏蟿萎 蠁喂位慰位慰纬委伪蟼 蟽蟿慰 螔蔚蟻慰位委谓慰 纬喂伪 蟿慰谓 畏位喂魏喂蠅渭苇谓慰 魏伪胃畏纬畏蟿萎 蟿慰蠀 蟽蟿慰 蟺伪谓蔚蟺喂蟽蟿萎渭喂慰.
螣 巍慰位维谓,蔚委谓伪喂 慰 蠁慰喂蟿畏蟿萎蟼 魏伪喂 蟿伪蠀蟿蠈蠂蟻慰谓伪 慰 伪蠁畏纬畏蟿萎蟼 伪蠀蟿萎蟼 蟿畏蟼 喂蟽蟿慰蟻委伪蟼. 螚位喂魏喂蠅渭苇谓慰蟼 蟺喂伪 魏伪喂 委未喂慰蟼,渭蔚 伪蠁慰蟻渭萎 蟿慰 未蠋蟻慰 蟿蠅谓 蠁慰喂蟿畏蟿蠋谓 蟿慰蠀 纬喂伪 蟿畏谓 蔚尉畏魏慰蟽蟿萎 蔚蟺苇蟿蔚喂慰 蟿蠅谓 纬蔚谓蔚胃位委蠅谓 蟿慰蠀,伪谓伪蟺慰位蔚委 渭蔚 纬位蠀魏喂维 谓慰蟽蟿伪位纬委伪 魏伪喂 尾伪胃喂维 蔚蠀纬谓蠅渭慰蟽蠉谓畏 伪蠀蟿萎 蟿畏谓 蠁慰喂蟿畏蟿喂魏萎 蟿慰蠀 喂蟽蟿慰蟻委伪 渭蔚 蟿慰谓 位伪蟿蟻蔚渭苇谓慰 蟿慰蠀 渭苇谓蟿慰蟻伪 蟺慰蠀 蟿慰蠀 蠂维蟻伪尉蔚 尾伪胃喂维 蟿畏谓 蠄蠀蠂萎 魏伪喂 蟿畏 味蠅萎.
螣 巍慰位维谓 尉蔚魏喂谓维蔚喂 蟿畏 蠁慰喂蟿畏蟿喂魏萎 蟿慰蠀 魏伪蟻喂苇蟻伪 渭蔚 蟿蟻慰渭蔚蟻萎 伪渭苇位蔚喂伪 魏伪喂 伪谓蔚蠀胃蠀谓蠈蟿畏蟿伪. 螤伪蟻伪渭蔚位蔚委 蟿伪 渭伪胃萎渭伪蟿伪 蟿慰蠀 魏伪喂 尾慰蠀位喂维味蔚喂 蟽蟿畏谓 慰魏谓畏蟻委伪 魏伪喂 蟿畏 蠁胃畏谓萎 未喂伪蟽魏苇未伪蟽畏.
螠蔚蟿维 伪蟺慰 蟺伪蟻伪委谓蔚蟽畏 蟿慰蠀 蟺伪蟿苇蟻伪 蟿慰蠀, 伪蟺慰蠁伪蟽委味蔚喂 谓伪 蟽慰尾伪蟻蔚蠀蟿蔚委 魏伪喂 谓伪 伪蠁慰蟽喂蠅胃蔚委 蟽蟿喂蟼 蟽蟺慰蠀未苇蟼 蟿慰蠀.
危蔚 伪蠀蟿萎 蟿畏 蠁维蟽畏 蟿畏蟼 蟿蟻蔚位萎蟼 谓喂蠈蟿畏蟼 渭蟺伪委谓蔚喂 蟽蟿畏 味蠅萎 蟿慰蠀 慰 魏伪胃畏纬畏蟿萎蟼 蠁喂位慰位慰纬委伪蟼 蠅蟼 伪蟺蟻慰蟽未蠈魏畏蟿慰 胃伪蠉渭伪.
螠蔚 蟿畏谓 蟺蟻蠋蟿畏 蔚蟺伪蠁萎 蟽蟿慰 蠂蠋蟻慰 蟿慰蠀 蟺伪谓蔚蟺喂蟽蟿畏渭委慰蠀 纬委谓蔚蟿伪喂 畏 渭慰喂蟻伪委伪 蟺谓蔚蠀渭伪蟿喂魏萎 蟽蠀谓维谓蟿畏蟽畏,畏 伪蟻蠂萎 蔚谓蠈蟼 位慰纬慰蟿蔚蠂谓喂魏慰蠉 慰委蟽蟿蟻慰蠀 蟺慰蠀 尾纬伪委谓蔚喂 伪蟺慰 蟿伪 蠂蔚委位畏 蟿慰蠀 魏伪胃畏纬畏蟿萎 魏伪喂 未喂伪蠂苇蔚蟿伪喂 蟽蟿慰 伪委渭伪 魏伪喂 蟿畏谓 魏伪蟻未喂维 蟿慰蠀 巍慰位维谓.
螒蠀蟿萎 畏 蠁喂位慰位慰纬喂魏萎 魏伪蟿维魏蟿畏蟽畏 蔚委谓伪喂 蟺慰蠀 胃伪 伪位位维尉蔚喂 蟿畏 味蠅萎 蟿慰蠀 巍慰位维谓 维蟺伪尉 未喂伪蟺伪谓蟿蠈蟼.
螒蠁慰蟽喂蠋谓蔚蟿伪喂 渭蔚 胃蟻畏蟽魏蔚蠀蟿喂魏萎 蟺委蟽蟿畏 魏伪喂 位伪蟿蟻蔚委伪 蟽蟿慰谓 纬畏蟻伪喂蠈 维谓蟿蟻伪 魏伪喂 未喂伪尾维味蔚喂 谓蠀蠂胃畏渭蔚蟻蠈谓 渭蔚 蟽魏慰蟺蠈 谓伪 渭蟺慰蟻苇蟽蔚喂 谓伪 伪纬纬委尉蔚喂 蟽蟿慰 蔚位维蠂喂蟽蟿慰 蟿慰谓 蟺谓蔚蠀渭伪蟿喂魏蠈 魏蠈蟽渭慰 魏伪喂 蟿畏 纬谓蠋蟽畏 蟿慰蠀 伪谓胃蟻蠋蟺慰蠀 蟺慰蠀 蟿慰蠀 苇蠂蔚喂 纬委谓蔚喂 蟺位苇慰谓 蔚渭渭慰谓萎.
螚 伪蠁萎纬畏蟽畏 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏蠋谓 蔚魏蟻萎尉蔚蠅谓,纬蔚纬慰谓蠈蟿蠅谓 魏伪喂 蠄蠀蠂喂魏蠋谓 魏伪蟿伪蟽蟿维蟽蔚蠅谓 蔚委谓伪喂 伪蟻喂蟽蟿慰蠀蟻纬畏渭伪蟿喂魏萎.
螆蠂慰谓蟿伪蟼 蔚喂蟽蠂蠅蟻萎蟽蔚喂 蟽蟿畏谓 慰喂魏慰纬蔚谓蔚喂伪魏萎 味蠅萎 蟿慰蠀 魏伪胃畏纬畏蟿萎 蟿慰蠀 魏伪喂 纬谓蠅蟻委味慰谓蟿伪蟼 蟺位苇慰谓 魏伪喂 蟿畏谓 魏伪蟿伪 蟺慰位蠉 渭喂魏蟻蠈蟿蔚蟻畏 魏伪喂 蠈渭慰蟻蠁畏 蟽蠉味蠀纬慰 蟿慰蠀,慰 巍慰位维谓 魏伪蟿伪位伪尾伪委谓蔚喂 蟺蠅蟼 魏维蟿喂 未蔚谓 蟺伪蔚喂 魏伪位维,蟺蠅蟼 畏 蟽蠂苇蟽畏 蟿慰蠀 味蔚蠀纬伪蟻喂慰蠉 蔚喂谓伪喂 蟺伪蟻维尉蔚谓畏, 蟺蠅蟼 魏维蟿喂 尾伪胃蠉 魏伪喂 蟽魏慰蟿蔚喂谓蠈 魏蟻蠉尾蔚蟿伪喂 蟺委蟽蠅 伪蟺慰 蟿畏谓 蟿蠀蟺喂魏蠈蟿畏蟿伪 魏伪喂 蟿畏 蟽慰尾伪蟻慰蠁维谓蔚喂伪.
螖喂伪喂蟽胃维谓蔚蟿伪喂 蟺蠅蟼 慰 未维蟽魏伪位慰蟼 蟿慰蠀 苇蠂蔚喂 伪谓蟿喂蠁伪蟿喂魏萎 蟽蠀渭蟺蔚蟻喂蠁慰蟻维,蠄蠀蠂慰位慰纬喂魏苇蟼 蔚尉维蟻蟽蔚喂蟼,伪未喂魏伪喂慰位蠈纬畏蟿蔚蟼 伪蟺慰蠀蟽委蔚蟼,蠈渭蠅蟼 蔚喂谓伪喂 蟿蠈蟽慰 谓苇慰蟼 魏伪喂 蟿蠈蟽慰 蟺谓蔚蠀渭伪蟿喂魏维 伪蠁慰蟽喂蠅渭苇谓慰蟼 蟽蔚 伪蠀蟿蠈谓 蟺慰蠀 未蔚谓 苇蠂蔚喂 胃维蟻蟻慰蟼 萎 蠂蟻蠈谓慰 纬喂伪 谓伪 伪蟽蠂慰位畏胃蔚委 渭蔚 慰蟿喂未萎蟺慰蟿蔚 胃伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 伪渭伪蠀蟻蠋蟽蔚喂 蟿慰 蔚委未蠅位慰 蟿慰蠀.
螚 蟽蟺伪蟻伪魏蟿喂魏萎 蟽蟿喂纬渭萎 蟿畏蟼 伪蟺慰魏维位蠀蠄畏蟼 苇蟻蠂蔚蟿伪喂 蟽蟿慰 蟿苇位慰蟼 魏伪喂 慰 巍慰位维谓 伪蟺慰蠂蠅蟻蔚委 纬慰畏蟿蔚蠀渭苇谓慰蟼 魏伪喂 蟽慰魏伪蟻喂蟽渭苇谓慰蟼 纬喂伪 蟺维谓蟿伪 伪蟺慰 蟿畏 味蠅萎 蔚谓蠈蟼 蔚谓慰蠂喂魏慰蠉 未伪蟽魏维位慰蠀-蟺伪蟿苇蟻伪.
桅蔚蠉纬蔚喂 魏蟻伪蟿蠋谓蟿伪蟼 伪蠀蟿萎 蟿畏谓 蔚渭蟺蔚喂蟻委伪 蠅蟼 蟿慰 维位位慰 渭喂蟽蠈 蟿慰蠀 蔚伪蠀蟿慰蠉 蟿慰蠀 蟺慰蠀 胃伪 蟿慰谓 蟽蠀谓蟿蟻慰蠁蔚蠉蔚喂 纬喂伪 蟺维谓蟿伪.
螝伪位萎 伪谓维纬谓蠅蟽畏!!
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼!
螠喂伪 纬位蠀魏喂维, 蟿蟻蠀蠁蔚蟻萎,纬蔚渭维蟿畏 蟽蠀谓伪喂蟽胃萎渭伪蟿伪 魏伪喂 蟽魏苇蠄蔚喂蟼 蔚尉慰渭慰位蠈纬畏蟽畏.
螚 尾伪胃喂维 蟺位伪蟿蠅谓喂魏萎 伪纬维蟺畏 蔚谓蠈蟼 蠁慰喂蟿畏蟿萎 蠁喂位慰位慰纬委伪蟼 蟽蟿慰 螔蔚蟻慰位委谓慰 纬喂伪 蟿慰谓 畏位喂魏喂蠅渭苇谓慰 魏伪胃畏纬畏蟿萎 蟿慰蠀 蟽蟿慰 蟺伪谓蔚蟺喂蟽蟿萎渭喂慰.
螣 巍慰位维谓,蔚委谓伪喂 慰 蠁慰喂蟿畏蟿萎蟼 魏伪喂 蟿伪蠀蟿蠈蠂蟻慰谓伪 慰 伪蠁畏纬畏蟿萎蟼 伪蠀蟿萎蟼 蟿畏蟼 喂蟽蟿慰蟻委伪蟼. 螚位喂魏喂蠅渭苇谓慰蟼 蟺喂伪 魏伪喂 委未喂慰蟼,渭蔚 伪蠁慰蟻渭萎 蟿慰 未蠋蟻慰 蟿蠅谓 蠁慰喂蟿畏蟿蠋谓 蟿慰蠀 纬喂伪 蟿畏谓 蔚尉畏魏慰蟽蟿萎 蔚蟺苇蟿蔚喂慰 蟿蠅谓 纬蔚谓蔚胃位委蠅谓 蟿慰蠀,伪谓伪蟺慰位蔚委 渭蔚 纬位蠀魏喂维 谓慰蟽蟿伪位纬委伪 魏伪喂 尾伪胃喂维 蔚蠀纬谓蠅渭慰蟽蠉谓畏 伪蠀蟿萎 蟿畏谓 蠁慰喂蟿畏蟿喂魏萎 蟿慰蠀 喂蟽蟿慰蟻委伪 渭蔚 蟿慰谓 位伪蟿蟻蔚渭苇谓慰 蟿慰蠀 渭苇谓蟿慰蟻伪 蟺慰蠀 蟿慰蠀 蠂维蟻伪尉蔚 尾伪胃喂维 蟿畏谓 蠄蠀蠂萎 魏伪喂 蟿畏 味蠅萎.
螣 巍慰位维谓 尉蔚魏喂谓维蔚喂 蟿畏 蠁慰喂蟿畏蟿喂魏萎 蟿慰蠀 魏伪蟻喂苇蟻伪 渭蔚 蟿蟻慰渭蔚蟻萎 伪渭苇位蔚喂伪 魏伪喂 伪谓蔚蠀胃蠀谓蠈蟿畏蟿伪. 螤伪蟻伪渭蔚位蔚委 蟿伪 渭伪胃萎渭伪蟿伪 蟿慰蠀 魏伪喂 尾慰蠀位喂维味蔚喂 蟽蟿畏谓 慰魏谓畏蟻委伪 魏伪喂 蟿畏 蠁胃畏谓萎 未喂伪蟽魏苇未伪蟽畏.
螠蔚蟿维 伪蟺慰 蟺伪蟻伪委谓蔚蟽畏 蟿慰蠀 蟺伪蟿苇蟻伪 蟿慰蠀, 伪蟺慰蠁伪蟽委味蔚喂 谓伪 蟽慰尾伪蟻蔚蠀蟿蔚委 魏伪喂 谓伪 伪蠁慰蟽喂蠅胃蔚委 蟽蟿喂蟼 蟽蟺慰蠀未苇蟼 蟿慰蠀.
危蔚 伪蠀蟿萎 蟿畏 蠁维蟽畏 蟿畏蟼 蟿蟻蔚位萎蟼 谓喂蠈蟿畏蟼 渭蟺伪委谓蔚喂 蟽蟿畏 味蠅萎 蟿慰蠀 慰 魏伪胃畏纬畏蟿萎蟼 蠁喂位慰位慰纬委伪蟼 蠅蟼 伪蟺蟻慰蟽未蠈魏畏蟿慰 胃伪蠉渭伪.
螠蔚 蟿畏谓 蟺蟻蠋蟿畏 蔚蟺伪蠁萎 蟽蟿慰 蠂蠋蟻慰 蟿慰蠀 蟺伪谓蔚蟺喂蟽蟿畏渭委慰蠀 纬委谓蔚蟿伪喂 畏 渭慰喂蟻伪委伪 蟺谓蔚蠀渭伪蟿喂魏萎 蟽蠀谓维谓蟿畏蟽畏,畏 伪蟻蠂萎 蔚谓蠈蟼 位慰纬慰蟿蔚蠂谓喂魏慰蠉 慰委蟽蟿蟻慰蠀 蟺慰蠀 尾纬伪委谓蔚喂 伪蟺慰 蟿伪 蠂蔚委位畏 蟿慰蠀 魏伪胃畏纬畏蟿萎 魏伪喂 未喂伪蠂苇蔚蟿伪喂 蟽蟿慰 伪委渭伪 魏伪喂 蟿畏谓 魏伪蟻未喂维 蟿慰蠀 巍慰位维谓.
螒蠀蟿萎 畏 蠁喂位慰位慰纬喂魏萎 魏伪蟿维魏蟿畏蟽畏 蔚委谓伪喂 蟺慰蠀 胃伪 伪位位维尉蔚喂 蟿畏 味蠅萎 蟿慰蠀 巍慰位维谓 维蟺伪尉 未喂伪蟺伪谓蟿蠈蟼.
螒蠁慰蟽喂蠋谓蔚蟿伪喂 渭蔚 胃蟻畏蟽魏蔚蠀蟿喂魏萎 蟺委蟽蟿畏 魏伪喂 位伪蟿蟻蔚委伪 蟽蟿慰谓 纬畏蟻伪喂蠈 维谓蟿蟻伪 魏伪喂 未喂伪尾维味蔚喂 谓蠀蠂胃畏渭蔚蟻蠈谓 渭蔚 蟽魏慰蟺蠈 谓伪 渭蟺慰蟻苇蟽蔚喂 谓伪 伪纬纬委尉蔚喂 蟽蟿慰 蔚位维蠂喂蟽蟿慰 蟿慰谓 蟺谓蔚蠀渭伪蟿喂魏蠈 魏蠈蟽渭慰 魏伪喂 蟿畏 纬谓蠋蟽畏 蟿慰蠀 伪谓胃蟻蠋蟺慰蠀 蟺慰蠀 蟿慰蠀 苇蠂蔚喂 纬委谓蔚喂 蟺位苇慰谓 蔚渭渭慰谓萎.
螚 伪蠁萎纬畏蟽畏 蟽蠀谓伪喂蟽胃畏渭伪蟿喂魏蠋谓 蔚魏蟻萎尉蔚蠅谓,纬蔚纬慰谓蠈蟿蠅谓 魏伪喂 蠄蠀蠂喂魏蠋谓 魏伪蟿伪蟽蟿维蟽蔚蠅谓 蔚委谓伪喂 伪蟻喂蟽蟿慰蠀蟻纬畏渭伪蟿喂魏萎.
螆蠂慰谓蟿伪蟼 蔚喂蟽蠂蠅蟻萎蟽蔚喂 蟽蟿畏谓 慰喂魏慰纬蔚谓蔚喂伪魏萎 味蠅萎 蟿慰蠀 魏伪胃畏纬畏蟿萎 蟿慰蠀 魏伪喂 纬谓蠅蟻委味慰谓蟿伪蟼 蟺位苇慰谓 魏伪喂 蟿畏谓 魏伪蟿伪 蟺慰位蠉 渭喂魏蟻蠈蟿蔚蟻畏 魏伪喂 蠈渭慰蟻蠁畏 蟽蠉味蠀纬慰 蟿慰蠀,慰 巍慰位维谓 魏伪蟿伪位伪尾伪委谓蔚喂 蟺蠅蟼 魏维蟿喂 未蔚谓 蟺伪蔚喂 魏伪位维,蟺蠅蟼 畏 蟽蠂苇蟽畏 蟿慰蠀 味蔚蠀纬伪蟻喂慰蠉 蔚喂谓伪喂 蟺伪蟻维尉蔚谓畏, 蟺蠅蟼 魏维蟿喂 尾伪胃蠉 魏伪喂 蟽魏慰蟿蔚喂谓蠈 魏蟻蠉尾蔚蟿伪喂 蟺委蟽蠅 伪蟺慰 蟿畏谓 蟿蠀蟺喂魏蠈蟿畏蟿伪 魏伪喂 蟿畏 蟽慰尾伪蟻慰蠁维谓蔚喂伪.
螖喂伪喂蟽胃维谓蔚蟿伪喂 蟺蠅蟼 慰 未维蟽魏伪位慰蟼 蟿慰蠀 苇蠂蔚喂 伪谓蟿喂蠁伪蟿喂魏萎 蟽蠀渭蟺蔚蟻喂蠁慰蟻维,蠄蠀蠂慰位慰纬喂魏苇蟼 蔚尉维蟻蟽蔚喂蟼,伪未喂魏伪喂慰位蠈纬畏蟿蔚蟼 伪蟺慰蠀蟽委蔚蟼,蠈渭蠅蟼 蔚喂谓伪喂 蟿蠈蟽慰 谓苇慰蟼 魏伪喂 蟿蠈蟽慰 蟺谓蔚蠀渭伪蟿喂魏维 伪蠁慰蟽喂蠅渭苇谓慰蟼 蟽蔚 伪蠀蟿蠈谓 蟺慰蠀 未蔚谓 苇蠂蔚喂 胃维蟻蟻慰蟼 萎 蠂蟻蠈谓慰 纬喂伪 谓伪 伪蟽蠂慰位畏胃蔚委 渭蔚 慰蟿喂未萎蟺慰蟿蔚 胃伪 渭蟺慰蟻慰蠉蟽蔚 谓伪 伪渭伪蠀蟻蠋蟽蔚喂 蟿慰 蔚委未蠅位慰 蟿慰蠀.
螚 蟽蟺伪蟻伪魏蟿喂魏萎 蟽蟿喂纬渭萎 蟿畏蟼 伪蟺慰魏维位蠀蠄畏蟼 苇蟻蠂蔚蟿伪喂 蟽蟿慰 蟿苇位慰蟼 魏伪喂 慰 巍慰位维谓 伪蟺慰蠂蠅蟻蔚委 纬慰畏蟿蔚蠀渭苇谓慰蟼 魏伪喂 蟽慰魏伪蟻喂蟽渭苇谓慰蟼 纬喂伪 蟺维谓蟿伪 伪蟺慰 蟿畏 味蠅萎 蔚谓蠈蟼 蔚谓慰蠂喂魏慰蠉 未伪蟽魏维位慰蠀-蟺伪蟿苇蟻伪.
桅蔚蠉纬蔚喂 魏蟻伪蟿蠋谓蟿伪蟼 伪蠀蟿萎 蟿畏谓 蔚渭蟺蔚喂蟻委伪 蠅蟼 蟿慰 维位位慰 渭喂蟽蠈 蟿慰蠀 蔚伪蠀蟿慰蠉 蟿慰蠀 蟺慰蠀 胃伪 蟿慰谓 蟽蠀谓蟿蟻慰蠁蔚蠉蔚喂 纬喂伪 蟺维谓蟿伪.
螝伪位萎 伪谓维纬谓蠅蟽畏!!
螤慰位位慰蠉蟼 伪蟽蟺伪蟽渭慰蠉蟼!
June 8, 2020
鈥淎 un hombre siempre se le reconoce s贸lo por su llama, por su pasi贸n. Porque todo esp铆ritu nace de la sangre, todo pensamiento brota de la pasi贸n, toda pasi贸n del entusiasmo.鈥�Pasi贸n, culpa, secretos, sentimientos exaltados, palabras que pueden aplicarse a muchos de los relatos del autor austriaco y que brillan aqu铆 de forma especial. Zweig despliega como nadie los arrebatos sentimentales de sus personajes, todos los matices, todos los recovecos de esas emociones que nunca son del todo simples y que en muchas ocasiones son muy complejas y hasta contradictorias. El protagonista de esta historia, un joven estudiante buscando su lugar en el mundo, vive con intensidad, entregado por entero a la tarea que en ese momento ocupase su mente, sea esta la vida nocturna de Berl铆n, sea esta el estudio de la obra de Shakespeare.
鈥溾€uelo lanzarme a abordar tan fan谩ticamente un problema que no lo dejo antes de sentir en los dientes los 煤ltimos vestigios de su tu茅tano.鈥�Afortunadamente una serie de casualidades afortunadas le rescat贸 de la vida disipada que hab铆a llevado hasta ese momento para arrojarlo al c铆rculo intelectual de un profesor que le abri贸 un mundo nuevo de cultura y sensibilidad art铆stica y para el que se convirti贸 en una especie de amanuense entregado a su proyecto.
鈥淎pasionado y capaz de comprenderlo todo s贸lo apasionadamente, con el 铆mpetu de todos mis sentidos, me hab铆a sentido por primera vez conquistado por un profesor, por un hombre, hab铆a sentido una fuerza superior ante la que era un deber y un placer inclinarse.鈥�Roland, que as铆 se llama nuestro joven entusiasta, cegado por su nueva obsesi贸n intelectual, falto de experiencia vital, e inmerso en su propia confusi贸n sentimental hacia este profesor del que, a pesar de la dedicaci贸n que hacia su trabajo mostraba, solo recib铆a desplantes y malos modos, fue incapaz de ver todo lo que estaba provocando en el tr铆o cuyo tercer v茅rtice era la esposa del profesor.
鈥淣ada confunde tanto los sentidos como el s煤bito cumplimiento de un deseo ardiente.鈥�Una novela m谩s del autor en el que vuelve a demostrar su elegancia, su lirismo sin llegar a la 帽o帽er铆a, su siempre interesante exposici贸n psicol贸gica de los personajes, la pasi贸n que sabe imbuir a los hechos cuando procede y su habilidad para trenzar todos los hilos de sus tragedias. Aqu铆 hay que incluir, adem谩s, una gran valent铆a en la elecci贸n del tema.
Sin embargo, me ha parecido que en esta ocasi贸n no ha conseguido redondear la novela como debiera, que pretendi贸 ser sutil durante el cuerpo de la historia y que no lo consigui贸 (se intuye bastante bien y relativamente pronto por d贸nde van a ir los tiros) y que el desenlace se resuelve con demasiadas prisas. Tambi茅n me hubiera gustado saber m谩s del papel que juega la mujer del profesor, una mayor profundidad y amplitud en este personaje. Aun as铆, no puedo negar que disfrut茅 mucho ley茅ndola y que me siento generoso al calificarla de cuatro estrellas鈥� eso y que tambi茅n me siento un poco culpable por como lo maltrat茅 en mi comentario a 鈥淟os ojos del hermano eterno鈥�.
February 8, 2024
賱賲 丕賰賳 丕賳賵賶 賰鬲丕亘丞 賲乇丕噩毓丞 丨鬲賶 爻兀賱鬲賳賷 亘丕賰賷賳丕賲 毓賳 丕賱賲乇丕噩毓丞 . ( 賴賷 丕賱爻亘亘 賮賷 丕賱乇賮賷賵 丿賴 馃榿 馃尫) 卮毓乇鬲 亘丕賱匕賳亘 丕賳 賱丕 丕賰鬲亘 賲乇丕噩毓丞 賱賴匕賴 丕賱乇賵丕賷丞 .禺丕氐丞 亘毓丿 乇丐賷鬲賷 賱亘毓囟 丕賱賲乇丕噩毓丕鬲 丕賱爻賱亘賷丞 亘爻亘亘 丕賱氐丿賲丞 賲賳 丕賱賳賴丕賷丞 .
亘丿兀鬲 賴匕賴 丕賱乇賵丕賷丞 亘鬲乇噩賲丞 丕賱賲乇賰夭 丕賱孬賯丕賮賷 丕賱毓乇亘賷 賵卮毓乇鬲 亘孬賯賱賴丕 丕賱卮丿賷丿 賵賰賳鬲 爻兀鬲乇賰賴丕 賱賰賳 噩丕亍 毓賱賶 亘丕賱賶 丕賳 丕丨丕賵賱 賲毓 鬲乇噩賲丞 兀禺乇賶 賯亘賱 丕賳 兀鬲乇賰賴丕 賮亘丿兀鬲 賮賷 鬲乇噩賲丞 丿丕乇 賲爻賰賷賱賷丕賳賷 賵丕賱賲鬲乇噩賲丞 鬲丨鬲 毓賳賵丕賳 賮賵囟賷 丕賱兀丨丕爻賷爻 賮卮毓乇鬲 賮賵乇丕 亘賮丕乇賯 賰亘賷乇 賮賲丕 賱賲 兀賰賳 賯丿 賮賴賲鬲賴 賲賳 丕賱鬲乇噩賲丞 丕賱丕賵賱賶 賰丕賳 賲賰鬲賵亘丕 亘卮賰賱 兀賵囟丨 賮賶 賴匕賴 丕賱鬲乇噩賲丞 賮兀毓丿鬲 賯乇丕亍丞 丕賱噩夭亍 丕賱匕賶 賰賳鬲 賯丿 賯乇丕鬲賴 賵亘丿兀鬲 兀賳丿賲噩 賲毓 丕賱乇賵丕賷丞.
夭賮丕賷噩 賲亘丿毓 賰毓丕丿鬲賴 賮賷 賵氐賮 丕賱賲卮丕毓乇 賵鬲禺亘胤丕鬲 丕賱賳賮爻 丕賱亘卮乇賷丞 .
馃憦馃憦
兀爻鬲丕匕 賷鬲賲 鬲賰乇賷賲賴 賮賷毓賵丿 賲毓賳丕 亘匕丕賰乇鬲賴 賱賲丕囟賷賴 賵卮亘丕亘賴 賵賲丕 鬲爻亘亘 賮賷 賵氐賵賱賴 賱賴匕丕 丕賱賲賰丕賳 賵賲丕 賲乇 亘賴 . 賲噩賵賳賴 賵鬲噩丕賴賱賴 賱賱丿乇丕爻丞 賮賶 丕賱亘丿丕賷丞 孬賲 賲丕丨丿孬 賱賴 賱賷鬲睾賷乇 賵賷亘丿兀 賮賶 丕賱廿賴鬲賲丕賲 賵丕賱亘丿兀 賲賳 噩丿賷丿 賵賱賯丕亍賴 亘丕賱亘乇賵賮賷爻賵乇 丕賱匕賶 兀賷賯馗 卮睾賮 丕賱乇丕賵賷 賲賳 禺賱丕賱 卮睾賮賴 賴賵 卮禺氐賷丕 賮胤乇賷賯丞 丕賱丕爻鬲丕匕 賮賶 丕賱丨丿賷孬 賰丕賳鬲 賰賲睾賳丕胤賷爻 賷噩匕亘 賲賳 賷爻賲毓賴 賱賷爻 丕賱乇丕賵賶 賮賯胤 亘賱 賴匕丕 賰丕賳 卮毓賵乇 鬲賱丕賲賷匕賴 . 賮賷丨賰賶 賱賳丕 賰賷賮 丕爻鬲賷賯馗 卮睾賮賴 賵 毓賱丕賯鬲賴 賵丨丿賷孬賴 賲毓 兀爻鬲丕匕賴.
賳丨賳 賳毓賷卮 毓丿丿丕 囟禺賲丕 賲賳 丕賱孬賵丕賳賷 賱丕 賷賲賰賳 廿丨氐丕丐賴 貙 睾賷乇 丕賳 孬丕賳賷丞 賵丕丨丿丞 賮賯胤 貙 賴賶 丕賱鬲賶 鬲賯匕賮 丿丕卅賲丕 亘賰賱 毓丕賱賲賳丕 丕賱丿丕禺賱賷 廿賱賶 丕賱賮賵囟賷
夭賮丕賷噩 鬲賳丕賵賱 赖賳丕 賲賵囟賵毓 卮丕卅賰 賱賲 賷馗賴乇 賮毓賱賷丕 爻賵賶 賮賶 丕賱賳賴丕賷丞 賱賰賳賶 賵噩丿鬲賴 賵丕囟丨 賵鬲賵賯毓鬲賴 賲賳 丕賱亘丿丕賷丞 . 賵賰賳鬲 賯丿 賯乇兀鬲 丕乇丕亍 毓賳 丕賳 丕賱賳賴丕賷丞 氐丕丿賲丞 噩丿丕 賱丿乇噩丞 廿賳賯丕氐 賳噩賵賲 賲賳賴丕 亘爻亘亘 匕賱賰 賮禺胤乇 賱亘丕賱賷 賮賷 賵賯鬲 賲丕 賳賴丕賷丞 兀賰孬乇 氐丿賲丞 賲賳 賳賴丕賷丞 夭賮丕賷噩 賳賮爻賴丕 馃槀
賴賱 氐丿賲鬲 責 亘氐乇丕丨丞 賱兀
乇亘賲丕 賱丕賳賶 賰賲丕 匕賰乇鬲 鬲賵賯毓鬲賴丕 賲賳 丕賱亘丿丕賷丞 賰賲丕 丕賳 丕賱賰鬲亘 賵丕賱賲爻賱爻賱丕鬲 賵丕賱丕賮賱丕賲 賯丿 賯鬲賱鬲 賴匕丕 丕賱賲賵囟賵毓 丨丿賷孬丕 亘丕賱賮毓賱 賮賱賲 賳囟毓 丕賱賲卮賳賯丞 賱夭賮丕賷噩 賱鬲丨丿孬賴 毓賳賴丕 賴賵 毓乇囟 賲丕 賷丨丿孬 毓賱賶 兀乇囟 丕賱賵丕賯毓 . 賵丕賳 賰丕賳 丕賱丕毓鬲乇丕囟 毓賱賶 鬲氐賵賷乇 丕賱卮禺氐賷丞 毓賱賶 丕賳賴丕 囟丨賷丞 賮賴匕丕 丨賯賷賯賷 賱兀賶 卮禺氐 匕賵 鬲賵噩賴 賵鬲賮賰賷乇 賲禺鬲賱賮 . 賰賲丕 丕賳 丕賱賲賵囟賵毓 賳賮爻賴 賲賵噩賵丿 亘丕賱賮毓賱 賵亘賰孬乇丞 禺丕氐丞 賮賷 丕賱睾乇亘 .
賱爻鬲 賮賶 氐丿丿 丕賱廿鬲賮丕賯 丕賵 乇賮囟 丕賱賮賰乇丞 賵賱丕 丕賱丨丿賷孬 毓賳賴丕 丕禺賱丕賯賷丕 丕賵 丿賷賳賷丕 丕賵 卮卅 賲賳 賴匕丕 丕賱賯亘賷賱 .賮丕賳丕 賱爻鬲 賮賶 氐丿丿 丕賱丿賮丕毓 毓賳賴丕 賱賰賳賴丕 賲賵噩賵丿丞 亘丕賱賮毓賱 賵賯賷丕賲 夭賮丕賷噩 亘毓乇囟賴丕 賱賷爻 賳賴丕賷丞 丕賱賰賵賳 賰賲丕 丕賳 丕爻賱賵亘 毓乇囟賴 賱賴丕 賰丕賳 噩賷丿 . 丕毓鬲賯丿 賰鬲丕亘 丕禺乇賷賳 賯丿 賷賰鬲亘賵賴丕 亘卮賰賱 丕賰孬乇 丕孬丕乇丞 賱賱丕卮賲卅夭丕夭 賱賰賳賴 毓乇囟賴丕 賲賳 禺賱丕賱 毓乇囟 賲卮丕毓乇 賵兀賮賰丕乇 丕賱卮禺氐 .賵噩丕亍 賵丕囟丨丕 賮賶 丕賱噩夭亍 丕賱丕禺賷乇 賵賯丿 賲賴丿 賱賴 賱賲賳 賷賯乇兀 賲丕賵乇丕亍 丕賱爻胤賵乇 賵賱賲 賷賰賳 亘賴匕丕 丕賱睾賲賵囟 .
賱賰賳 亘毓賷丿丕 毓賳 賲賵囟賵毓 丕賱乇賵丕賷丞 貙 兀毓噩亘賳賷 丕爻賱賵亘 夭賮丕賷噩 賰賲丕 丕賳锟斤拷 賱賲 賷禺賷亘 馗賳賶 . 賱噩兀鬲 廿賱賷賴 賵丕賳丕 賮賷 丨丕賱丞 禺賵賮 丕賳 丕賯乇兀 乇賵丕賷丞 賱丕 鬲毓噩亘賳賶 賱賰賳賴 賱賲 賷禺匕賱賳賷 .
佟佗 /佟 / 佗贍佗佟
亘丿兀鬲 賴匕賴 丕賱乇賵丕賷丞 亘鬲乇噩賲丞 丕賱賲乇賰夭 丕賱孬賯丕賮賷 丕賱毓乇亘賷 賵卮毓乇鬲 亘孬賯賱賴丕 丕賱卮丿賷丿 賵賰賳鬲 爻兀鬲乇賰賴丕 賱賰賳 噩丕亍 毓賱賶 亘丕賱賶 丕賳 丕丨丕賵賱 賲毓 鬲乇噩賲丞 兀禺乇賶 賯亘賱 丕賳 兀鬲乇賰賴丕 賮亘丿兀鬲 賮賷 鬲乇噩賲丞 丿丕乇 賲爻賰賷賱賷丕賳賷 賵丕賱賲鬲乇噩賲丞 鬲丨鬲 毓賳賵丕賳 賮賵囟賷 丕賱兀丨丕爻賷爻 賮卮毓乇鬲 賮賵乇丕 亘賮丕乇賯 賰亘賷乇 賮賲丕 賱賲 兀賰賳 賯丿 賮賴賲鬲賴 賲賳 丕賱鬲乇噩賲丞 丕賱丕賵賱賶 賰丕賳 賲賰鬲賵亘丕 亘卮賰賱 兀賵囟丨 賮賶 賴匕賴 丕賱鬲乇噩賲丞 賮兀毓丿鬲 賯乇丕亍丞 丕賱噩夭亍 丕賱匕賶 賰賳鬲 賯丿 賯乇丕鬲賴 賵亘丿兀鬲 兀賳丿賲噩 賲毓 丕賱乇賵丕賷丞.
夭賮丕賷噩 賲亘丿毓 賰毓丕丿鬲賴 賮賷 賵氐賮 丕賱賲卮丕毓乇 賵鬲禺亘胤丕鬲 丕賱賳賮爻 丕賱亘卮乇賷丞 .
馃憦馃憦
兀爻鬲丕匕 賷鬲賲 鬲賰乇賷賲賴 賮賷毓賵丿 賲毓賳丕 亘匕丕賰乇鬲賴 賱賲丕囟賷賴 賵卮亘丕亘賴 賵賲丕 鬲爻亘亘 賮賷 賵氐賵賱賴 賱賴匕丕 丕賱賲賰丕賳 賵賲丕 賲乇 亘賴 . 賲噩賵賳賴 賵鬲噩丕賴賱賴 賱賱丿乇丕爻丞 賮賶 丕賱亘丿丕賷丞 孬賲 賲丕丨丿孬 賱賴 賱賷鬲睾賷乇 賵賷亘丿兀 賮賶 丕賱廿賴鬲賲丕賲 賵丕賱亘丿兀 賲賳 噩丿賷丿 賵賱賯丕亍賴 亘丕賱亘乇賵賮賷爻賵乇 丕賱匕賶 兀賷賯馗 卮睾賮 丕賱乇丕賵賷 賲賳 禺賱丕賱 卮睾賮賴 賴賵 卮禺氐賷丕 賮胤乇賷賯丞 丕賱丕爻鬲丕匕 賮賶 丕賱丨丿賷孬 賰丕賳鬲 賰賲睾賳丕胤賷爻 賷噩匕亘 賲賳 賷爻賲毓賴 賱賷爻 丕賱乇丕賵賶 賮賯胤 亘賱 賴匕丕 賰丕賳 卮毓賵乇 鬲賱丕賲賷匕賴 . 賮賷丨賰賶 賱賳丕 賰賷賮 丕爻鬲賷賯馗 卮睾賮賴 賵 毓賱丕賯鬲賴 賵丨丿賷孬賴 賲毓 兀爻鬲丕匕賴.
賳丨賳 賳毓賷卮 毓丿丿丕 囟禺賲丕 賲賳 丕賱孬賵丕賳賷 賱丕 賷賲賰賳 廿丨氐丕丐賴 貙 睾賷乇 丕賳 孬丕賳賷丞 賵丕丨丿丞 賮賯胤 貙 賴賶 丕賱鬲賶 鬲賯匕賮 丿丕卅賲丕 亘賰賱 毓丕賱賲賳丕 丕賱丿丕禺賱賷 廿賱賶 丕賱賮賵囟賷
夭賮丕賷噩 鬲賳丕賵賱 赖賳丕 賲賵囟賵毓 卮丕卅賰 賱賲 賷馗賴乇 賮毓賱賷丕 爻賵賶 賮賶 丕賱賳賴丕賷丞 賱賰賳賶 賵噩丿鬲賴 賵丕囟丨 賵鬲賵賯毓鬲賴 賲賳 丕賱亘丿丕賷丞 . 賵賰賳鬲 賯丿 賯乇兀鬲 丕乇丕亍 毓賳 丕賳 丕賱賳賴丕賷丞 氐丕丿賲丞 噩丿丕 賱丿乇噩丞 廿賳賯丕氐 賳噩賵賲 賲賳賴丕 亘爻亘亘 匕賱賰 賮禺胤乇 賱亘丕賱賷 賮賷 賵賯鬲 賲丕 賳賴丕賷丞 兀賰孬乇 氐丿賲丞 賲賳 賳賴丕賷丞 夭賮丕賷噩 賳賮爻賴丕 馃槀
賴賱 氐丿賲鬲 責 亘氐乇丕丨丞 賱兀
乇亘賲丕 賱丕賳賶 賰賲丕 匕賰乇鬲 鬲賵賯毓鬲賴丕 賲賳 丕賱亘丿丕賷丞 賰賲丕 丕賳 丕賱賰鬲亘 賵丕賱賲爻賱爻賱丕鬲 賵丕賱丕賮賱丕賲 賯丿 賯鬲賱鬲 賴匕丕 丕賱賲賵囟賵毓 丨丿賷孬丕 亘丕賱賮毓賱 賮賱賲 賳囟毓 丕賱賲卮賳賯丞 賱夭賮丕賷噩 賱鬲丨丿孬賴 毓賳賴丕 賴賵 毓乇囟 賲丕 賷丨丿孬 毓賱賶 兀乇囟 丕賱賵丕賯毓 . 賵丕賳 賰丕賳 丕賱丕毓鬲乇丕囟 毓賱賶 鬲氐賵賷乇 丕賱卮禺氐賷丞 毓賱賶 丕賳賴丕 囟丨賷丞 賮賴匕丕 丨賯賷賯賷 賱兀賶 卮禺氐 匕賵 鬲賵噩賴 賵鬲賮賰賷乇 賲禺鬲賱賮 . 賰賲丕 丕賳 丕賱賲賵囟賵毓 賳賮爻賴 賲賵噩賵丿 亘丕賱賮毓賱 賵亘賰孬乇丞 禺丕氐丞 賮賷 丕賱睾乇亘 .
賱爻鬲 賮賶 氐丿丿 丕賱廿鬲賮丕賯 丕賵 乇賮囟 丕賱賮賰乇丞 賵賱丕 丕賱丨丿賷孬 毓賳賴丕 丕禺賱丕賯賷丕 丕賵 丿賷賳賷丕 丕賵 卮卅 賲賳 賴匕丕 丕賱賯亘賷賱 .賮丕賳丕 賱爻鬲 賮賶 氐丿丿 丕賱丿賮丕毓 毓賳賴丕 賱賰賳賴丕 賲賵噩賵丿丞 亘丕賱賮毓賱 賵賯賷丕賲 夭賮丕賷噩 亘毓乇囟賴丕 賱賷爻 賳賴丕賷丞 丕賱賰賵賳 賰賲丕 丕賳 丕爻賱賵亘 毓乇囟賴 賱賴丕 賰丕賳 噩賷丿 . 丕毓鬲賯丿 賰鬲丕亘 丕禺乇賷賳 賯丿 賷賰鬲亘賵賴丕 亘卮賰賱 丕賰孬乇 丕孬丕乇丞 賱賱丕卮賲卅夭丕夭 賱賰賳賴 毓乇囟賴丕 賲賳 禺賱丕賱 毓乇囟 賲卮丕毓乇 賵兀賮賰丕乇 丕賱卮禺氐 .賵噩丕亍 賵丕囟丨丕 賮賶 丕賱噩夭亍 丕賱丕禺賷乇 賵賯丿 賲賴丿 賱賴 賱賲賳 賷賯乇兀 賲丕賵乇丕亍 丕賱爻胤賵乇 賵賱賲 賷賰賳 亘賴匕丕 丕賱睾賲賵囟 .
賱賰賳 亘毓賷丿丕 毓賳 賲賵囟賵毓 丕賱乇賵丕賷丞 貙 兀毓噩亘賳賷 丕爻賱賵亘 夭賮丕賷噩 賰賲丕 丕賳锟斤拷 賱賲 賷禺賷亘 馗賳賶 . 賱噩兀鬲 廿賱賷賴 賵丕賳丕 賮賷 丨丕賱丞 禺賵賮 丕賳 丕賯乇兀 乇賵丕賷丞 賱丕 鬲毓噩亘賳賶 賱賰賳賴 賱賲 賷禺匕賱賳賷 .
佟佗 /佟 / 佗贍佗佟
January 26, 2018
...music has rests as well as notes. (19)
Master of the novella. Connoisseur of the human soul. His prose tears down the walls that separate the mind from the outside world. It finds its way towards the essence of being. And you will no longer inhabit your own body. You become one of his characters, for better or for worse.
A young man was wasting his life until he had a conversation with his father that enlightened his path. That is how he ended up assisting to a talk with a brilliant professor whose magnetic lecture bewitched his students with a fluent river of wisdom. Several lines are dedicated to convey that this professor is an excellent speaker, both concerning content and way of transmitting it.
However, other reflections were shining among so many praises.
These unruly and passionate hearts rage like lions, each trying to outdo the others in wild exuberance; all is permitted, all is allowed on stage: incest, murder, evildoing, crimes, the boundless tumult of human nature indulges in a heated orgy; as the hungry beasts once emerged from their cages, so do the inebriated passions now race into the wooden-walled arena, roaring and dangerous. It is a single outburst exploding like a petard, and it lasts for fifty years: a rush of blood, an ejaculation, a uniquely wild phenomenon prowling the world, seizing on it as its prey鈥攊n this orgy of power you can hardly hear individual voices or make out individual figures. Each strikes sparks off his neighbour, they learn and they steal from each other, they strive to outdo one another, to surpass each other鈥檚 achievement, yet they are all only intellectual gladiators in the same festive games, slaves unchained and urged on by the genius of the hour. 鈥iving respectable lives, ruffians, whore-masters, actors, swindlers, but poets, poets, poets every one. (18)
A beautiful statement about writers and their issues.
This story involves the relationship that develops between a married professor, a "man who moved from hot to cold like a bright flash of lightning" (31), and a college student.
When a person meets another, certain feelings start to wake. Likability, love, respect, indifference, hatred. Everything is allowed. The confusion begins when you can't really distinguish those feelings. A remarkable person often makes us feel admiration. A clever conversation reinforces the growing feeling of comfort. Looks can be in second place; intelligence and humor can conquer almost everything. Then, and only then, we start pondering about what we are actually experiencing. Is it love? Is love the sum of all those things? These reflections restlessly unleash a confusion of sentiments. What clearly draws the enigmatic line between love and admiration, I wouldn't know.
On one hand, we have an intense amount of feelings crying for attention and solutions. On the other hand, we have silence. Coldness. Absence.
Not that any tension or sense that they were at odds made itself felt in word or gesture: on the contrary, it was the absence of any such thing, the lack of any tension at all between them that enveloped them both so strangely and made their relationship opaque, a heavy silence of the feelings... (29)
There is a volcano of feelings waiting to erupt even in the quietest human being of all. You could hear the bustle of a colorful crowd just by taking a quick peek. A fervent desire of sharing everything you have inside. The inability to do so because of some unknown obstacle with the strength to hold you back. The fear of exposing too much, perhaps. The art of isolation.
Until you break.
Ah, secret place of my memories, where the word became magical to me and I knew the intoxication and enchantment of the intellect as nowhere else... (54)
This book covers all grounds. Zweig's prose is as clear, insightful and magnificent as ever. The act of transforming emotions into words without losing intensity is something that this writer can accomplish effortlessly. There is music in his words. There is art. Uncertainties. Melancholy. And passion. Above all.
Not just with application, my boy, but above all with passion. If you do not feel impassioned you鈥檒l be a schoolmaster at best鈥攐ne must approach these things from within and always, always with passion. (24)
Passion for your work. But also the purest form of passion, the one that has to be tamed to be acceptable for others, until you realize... that is not living.
Having this in mind, I can stop playing chess now.
June 22, 14
* Also on .
Note: I also read this edition . I prefer the English translation.
September 5, 2018
乇賵丕賷丞 氐丕丿賲丞 賵噩乇賷卅丞 噩丿丕賸貙 賱賲 兀爻鬲胤毓 兀賳 兀鬲賯亘賱 丕賱賳賴丕賷丞 亘賲丕 丨賲賱鬲賴 賲賳 氐丿賲丞 賵賰丕乇孬丞 亘丕賱賳爻亘丞 賱賲爻鬲賵賶 鬲賵賯毓丕鬲賷 貙 丕賱賲卮丕毓乇 賲賰孬賮丞 賵賱丕賴亘丞 賵睾丕乇賯丞 賮賷 丕賱賳卮賵丞 丕賱賲丨乇賲丞貙 夭賮丕賷睾 赖賳丕 賷毓夭夭 廿毓鬲賯丕丿賷 亘亘乇丕毓鬲賴 賮賷 廿爻鬲丿丕乇噩 丕賱賯丕乇賷亍 亘亘胤亍 賱賱賵賯賵毓 賮賷 丕賱賳賴丕賷丞 賮賷 賮禺賴貙 丕賱賵賯賵毓 賮賷 賮賵囟賶 睾賷乇 賯丕亘賱丞 賱賱賮賴賲 賵賲孬賷乇丞 賱賱廿卮賲卅夭丕夭貙 賴匕丕 丕賱廿爻鬲丿乇丕噩 丕賱睾乇賷亘 賴賵 賵丨丿賴 賲丕 噩毓賱賳賷 丕賰賲賱 丕賱乇賵丕賷丞 貙 賷丕賱賴 賲賳 賲丕賰乇 賵賲丨亘胤 賵賲爻鬲賮夭 賮賷 賳賮爻 丕賱賵賯鬲 ..
賴匕賴 丕賱乇賵丕賷丞 賳毓賲 賴賷 賮賵囟賶貙 賮賵囟賶 爻賷卅丞 賱賱睾丕賷丞貙 鬲毓乇賷 丕賱囟毓賮 丕賱亘卮乇賷貙 鬲鬲丨丿孬 毓賳 丕賱賲爻鬲賵賶 丕賱賴丕亘胤 賲賳 丕賱賳夭賵丞 賵丕賱囟毓賮 賵丕賱廿賳賰賲丕卮 賮賷 毓賯丿丞 胤丕賮丨丞 亘丕賱賲丨乇賲丕鬲貙 賷爻鬲賵毓亘 夭賮丕賷睾 赖賳丕 噩賳賵賳 毓丕賱賲 丕賱賰鬲丕亘 賵丕賱賲孬賯賮賷賳貙 賷爻鬲賳爻禺 鬲噩乇亘丞 禺賮賷丞 賲賳 毓丕賱賲賴賲 丕賱賲馗賱賲 丕賱匕賷 賷鬲禺賮賶 賵乇丕亍 丕賱賳氐賵氐 丕賱噩賲賷賱丞 賵丕賱兀毓賲丕賱 丕賱賲亘賴乇丞 賵丕賱兀丨丕爻賷爻 丕賱兀禺丕匕丞 ..
賴賷 賮賵囟賶貙 賴賷 賮賵囟賶 賲丨鬲卮賲丞 鬲丨鬲賴丕 賷乇賯丿 噩爻丿 賮丕丨卮 賲賱賷亍 亘丕賱毓賯丿 賵丕賱卮賴賵丕鬲貙 賱賲 兀鬲賯亘賱 賮賵囟丕賰 賷丕 夭賮丕賷睾貙 賰兀賳賰 丕賳賴賷鬲 丕賱乇賵丕賷丞 亘氐賮毓丞 毓賱賶 賵噩賴 丕賱賯丕乇賷亍 ..
賴匕賴 丕賱乇賵丕賷丞 賳毓賲 賴賷 賮賵囟賶貙 賮賵囟賶 爻賷卅丞 賱賱睾丕賷丞貙 鬲毓乇賷 丕賱囟毓賮 丕賱亘卮乇賷貙 鬲鬲丨丿孬 毓賳 丕賱賲爻鬲賵賶 丕賱賴丕亘胤 賲賳 丕賱賳夭賵丞 賵丕賱囟毓賮 賵丕賱廿賳賰賲丕卮 賮賷 毓賯丿丞 胤丕賮丨丞 亘丕賱賲丨乇賲丕鬲貙 賷爻鬲賵毓亘 夭賮丕賷睾 赖賳丕 噩賳賵賳 毓丕賱賲 丕賱賰鬲丕亘 賵丕賱賲孬賯賮賷賳貙 賷爻鬲賳爻禺 鬲噩乇亘丞 禺賮賷丞 賲賳 毓丕賱賲賴賲 丕賱賲馗賱賲 丕賱匕賷 賷鬲禺賮賶 賵乇丕亍 丕賱賳氐賵氐 丕賱噩賲賷賱丞 賵丕賱兀毓賲丕賱 丕賱賲亘賴乇丞 賵丕賱兀丨丕爻賷爻 丕賱兀禺丕匕丞 ..
賴賷 賮賵囟賶貙 賴賷 賮賵囟賶 賲丨鬲卮賲丞 鬲丨鬲賴丕 賷乇賯丿 噩爻丿 賮丕丨卮 賲賱賷亍 亘丕賱毓賯丿 賵丕賱卮賴賵丕鬲貙 賱賲 兀鬲賯亘賱 賮賵囟丕賰 賷丕 夭賮丕賷睾貙 賰兀賳賰 丕賳賴賷鬲 丕賱乇賵丕賷丞 亘氐賮毓丞 毓賱賶 賵噩賴 丕賱賯丕乇賷亍 ..
September 6, 2018
賵賱丕 賮賷賴 賮賵囟賷 賵賱丕 賮賷賴 丕丨丕爻賷爻 丕賱賱賷 賲賵噩賵丿 丕賮賵乇丞 兀丨丕爻賷爻 貙 丕賳丕 賲卮 毓丕乇賮 賱賷賴 夭賮丕賷噩 亘賷夭賵丿 賮賷 丕賱賲卮丕毓乇 賰丿丕 賷毓賳賷 丨丿 賷丨亘 丕賷 卮禺氐 鬲賱丕賯賷賴 爻禺賳 賵賲乇囟 賵噩丕賱賴 賰賵丕亘賷爻 賵賯乇亘 賷賲賵鬲 賵賷睾賷乇 氐賲丕賲 賮賷 丕賱賯賱亘 賱賵 丨亘賷亘賴 丕賵 丨鬲賷 丨丿 亘賷毓鬲亘乇賴 賯丿賵丞 夭毓賱 賲賳賴 賲孬賱丕 丕賵 爻丕亘賴 ...賲丕 賷睾賵乇 毓丕丿賷 賱賷賴 丕賱丕賮賵乇丞
賵亘毓丿賷賳 賮賷賳 賮賵囟賷 丕賱丕丨丕爻賷爻 賵丕賱賲卮丕毓乇 賮賷 賯氐丞 卮丕亘 噩丕賲毓賷 賲爻鬲賴鬲乇 賰賱 賵賯鬲賴 卮乇亘 賵亘賳丕鬲 賱丨丿 賲丕 兀亘賵賴 賳賯賱賴 賮乇丕丨 噩丕賲毓丞 丕賵賱 賲丕 賵氐賱 賮賷 鬲賱丕鬲 孬賵丕賳賷 爻賲毓 亘乇賵賮賷爻賵乇 亘賷鬲賰賱賲 毓賳 卮賰爻亘賷乇 賵丕賱丕丿亘 賮賷 賲丨丕囟乇丞 賮丕賱賵丕丿 賮賷 賱丨馗丞 賯賱亘 亘賯賷 胤賴 丨爻賷賳 賵丨亘 丕賱丕丿亘 賵卮賰爻亘賷乇 賵賯毓丿 賷丿乇爻 賰賱 賵賯鬲賴 亘爻 毓卮丕賳 爻賲毓 丕賱乇噩賱 丿賴 亘賷鬲賰賱賲 賮丕毓鬲亘乇賴 丕賱丕亘 丕賱乇賵丨賷 賱賷賴
丕賱賯氐丞 賳賴丕賷鬲賴丕 賵丕囟丨丞 賲賳 氐賮丨丞 丕賱毓卮乇賷賳 賲賳 丕賵賱 賲丕 賵氐賮 卮賰賱 丕賱亘乇賵賮賷爻賵乇 賵毓乇賮鬲 賲賮賷卮 賲賮丕噩兀丞 賵胤亘毓丕 賱丕夭賲 賷亘賯賷 賮賷賴 禺賷丕賳丞 毓卮丕賳 夭賮丕賷噩 賷賴丿賷
胤亘毓丕 赖賳丕 賱丕夭賲 賳爻兀賱 賮賷賳 賮賵囟賷 丕賱丕丨丕爻賷爻 貙 丕賳 丕賱亘胤賱 胤賵賱 丕賱乇賵丕賷丞 賲卮 毓丕乇賮 丕賳 丕爻鬲丕匕賴 卮賵賷丞 亘賷丨亘賴 賵賲乇丕鬲賴 亘鬲丨亘賴 賵毓丕賲賱 丕賱丕爻丕賳爻賷乇 亘賷丨亘賴 賮丕賱賵丕丿 賲爻鬲睾乇亘 賱賷賴 丕爻鬲丕匕賴 賰賱 卮賵賷賴 亘丨丕賱 卮賵賷丞 賷氐丿賴 賵卮賵賷丞 賷賯乇亘賴 賮丕賱賵丕丿 丕賳賴丕乇 ...赖賳丕 亘賯賷 丕賱丕賮賵乇丞 賰賱賴丕
賲丕賷睾賵乇 丕賱丕爻鬲丕匕 丕賷丕賰卮 賷丕賰賱賴 賯胤乇 丨丕乇賯 丿賲賴 賵鬲毓亘 賵噩丕賱賴 丨賲賷 亘丕賷賳.... 賵亘乇丿賵 賮賵囟賷 丨賷丕丞 賵丕丨丕爻賷爻 丕賱亘乇賵賮賷爻賵乇 亘賷賳 乇睾亘丕鬲賴 賵丨賷丕鬲賴 丕賱賮賰乇賷丞 賮賷 丕賱噩丕賲毓丞
賯氐丞 爻賷卅丞 賵賲鬲賵賯毓丞 賵賮賷賴丕 鬲賮丕氐賷賱 亘賲賱賱 賰鬲賷乇
賵亘毓丿賷賳 賮賷賳 賮賵囟賷 丕賱丕丨丕爻賷爻 賵丕賱賲卮丕毓乇 賮賷 賯氐丞 卮丕亘 噩丕賲毓賷 賲爻鬲賴鬲乇 賰賱 賵賯鬲賴 卮乇亘 賵亘賳丕鬲 賱丨丿 賲丕 兀亘賵賴 賳賯賱賴 賮乇丕丨 噩丕賲毓丞 丕賵賱 賲丕 賵氐賱 賮賷 鬲賱丕鬲 孬賵丕賳賷 爻賲毓 亘乇賵賮賷爻賵乇 亘賷鬲賰賱賲 毓賳 卮賰爻亘賷乇 賵丕賱丕丿亘 賮賷 賲丨丕囟乇丞 賮丕賱賵丕丿 賮賷 賱丨馗丞 賯賱亘 亘賯賷 胤賴 丨爻賷賳 賵丨亘 丕賱丕丿亘 賵卮賰爻亘賷乇 賵賯毓丿 賷丿乇爻 賰賱 賵賯鬲賴 亘爻 毓卮丕賳 爻賲毓 丕賱乇噩賱 丿賴 亘賷鬲賰賱賲 賮丕毓鬲亘乇賴 丕賱丕亘 丕賱乇賵丨賷 賱賷賴
丕賱賯氐丞 賳賴丕賷鬲賴丕 賵丕囟丨丞 賲賳 氐賮丨丞 丕賱毓卮乇賷賳 賲賳 丕賵賱 賲丕 賵氐賮 卮賰賱 丕賱亘乇賵賮賷爻賵乇 賵毓乇賮鬲 賲賮賷卮 賲賮丕噩兀丞 賵胤亘毓丕 賱丕夭賲 賷亘賯賷 賮賷賴 禺賷丕賳丞 毓卮丕賳 夭賮丕賷噩 賷賴丿賷
胤亘毓丕 赖賳丕 賱丕夭賲 賳爻兀賱 賮賷賳 賮賵囟賷 丕賱丕丨丕爻賷爻 貙 丕賳 丕賱亘胤賱 胤賵賱 丕賱乇賵丕賷丞 賲卮 毓丕乇賮 丕賳 丕爻鬲丕匕賴 卮賵賷丞 亘賷丨亘賴 賵賲乇丕鬲賴 亘鬲丨亘賴 賵毓丕賲賱 丕賱丕爻丕賳爻賷乇 亘賷丨亘賴 賮丕賱賵丕丿 賲爻鬲睾乇亘 賱賷賴 丕爻鬲丕匕賴 賰賱 卮賵賷賴 亘丨丕賱 卮賵賷丞 賷氐丿賴 賵卮賵賷丞 賷賯乇亘賴 賮丕賱賵丕丿 丕賳賴丕乇 ...赖賳丕 亘賯賷 丕賱丕賮賵乇丞 賰賱賴丕
賲丕賷睾賵乇 丕賱丕爻鬲丕匕 丕賷丕賰卮 賷丕賰賱賴 賯胤乇 丨丕乇賯 丿賲賴 賵鬲毓亘 賵噩丕賱賴 丨賲賷 亘丕賷賳.... 賵亘乇丿賵 賮賵囟賷 丨賷丕丞 賵丕丨丕爻賷爻 丕賱亘乇賵賮賷爻賵乇 亘賷賳 乇睾亘丕鬲賴 賵丨賷丕鬲賴 丕賱賮賰乇賷丞 賮賷 丕賱噩丕賲毓丞
賯氐丞 爻賷卅丞 賵賲鬲賵賯毓丞 賵賮賷賴丕 鬲賮丕氐賷賱 亘賲賱賱 賰鬲賷乇
September 30, 2016
You should begin by hearing the language in the mouths of the poets who create and perfect it, you must have felt poetry warm and alive in your hearts before we start anatomizing it.
How similar are we to those we teach, to those from whom we learn? This is the exploration. For when we reflect upon our lives, which one of our influencers will we find we've become? And at some point in our youthful, confused naivet茅, what could we have overlooked?
There are some writers who pull off lofty styled prose without seeming trite. Zweig is such a writer. His elevated sentences reach for heights of consciousness and discovery with such jolting sprawl that his character and reader become one journeying individual. In this world of either short stories or novels, it is not too often the novella form reaches such perfection that its label becomes dispensable and all I see are superbly formed black words across fewer white pages.
Zweig's novella exudes reflective intellectualism, even more so than his , although I still think Journey could be my favorite. Confusion is an exemplification of a young scholar's whim, a culmination of his or her affinity for the eloquence of spoken word. In some ways it reminded me of my collegiate self, a student who basked in the words of my most brilliant professors, basked in the idea of a world that reached into and stretched out of books: what Latin scholars call a raptus, when one is taken right out of oneself.
Still, I'm still not sure one would relish story as one would in , for example. And if one did not like the narrative voice in Stoner, one wouldn't care for the one in this book either. For one thing, Roland, the narrator, remembers his reclusive professor-mentor from a removed distance. Sure, Roland's passions for his studies are vibrantly portrayed; his aloof and scholastic teacher imagined through imagery; and his confusion surrounding his professor and his professor's wife elucidated. Yet the narrative voice is flat. Perhaps intentionally. Although the suspenseful plot is structured and arced in a way that creates much page-turning dazzle, it is still flawed; Flawed in its allusion to what the reader already senses and to what, therefore, is no surprise later.
However, where voice or suspense falters, style soars. By style I don't mean prose style alone, but a structure that parallels prose; modern, yet timeless art that illumines the ebb of the Shakespearean romance and the flow of passion, while also calibrating philosophical thought. Here, confusion becomes sexual, intellectual, philosophical, and allegorical. And this is what Zweig does cleverly: create a deceptively simple, yet nuanced story.
How similar are we to those we teach, to those from whom we learn? This is the exploration. For when we reflect upon our lives, which one of our influencers will we find we've become? And at some point in our youthful, confused naivet茅, what could we have overlooked?
And so I, who have spent a lifetime depicting human beings in the light of their work, portraying the intrinsic intellectual structure of their worlds, was made aware again from my own experience of the impenetrability in every human life of the true core of its being, the malleable cell from which all growth proceeds.
There are some writers who pull off lofty styled prose without seeming trite. Zweig is such a writer. His elevated sentences reach for heights of consciousness and discovery with such jolting sprawl that his character and reader become one journeying individual. In this world of either short stories or novels, it is not too often the novella form reaches such perfection that its label becomes dispensable and all I see are superbly formed black words across fewer white pages.
Zweig's novella exudes reflective intellectualism, even more so than his , although I still think Journey could be my favorite. Confusion is an exemplification of a young scholar's whim, a culmination of his or her affinity for the eloquence of spoken word. In some ways it reminded me of my collegiate self, a student who basked in the words of my most brilliant professors, basked in the idea of a world that reached into and stretched out of books: what Latin scholars call a raptus, when one is taken right out of oneself.
Still, I'm still not sure one would relish story as one would in , for example. And if one did not like the narrative voice in Stoner, one wouldn't care for the one in this book either. For one thing, Roland, the narrator, remembers his reclusive professor-mentor from a removed distance. Sure, Roland's passions for his studies are vibrantly portrayed; his aloof and scholastic teacher imagined through imagery; and his confusion surrounding his professor and his professor's wife elucidated. Yet the narrative voice is flat. Perhaps intentionally. Although the suspenseful plot is structured and arced in a way that creates much page-turning dazzle, it is still flawed; Flawed in its allusion to what the reader already senses and to what, therefore, is no surprise later.
However, where voice or suspense falters, style soars. By style I don't mean prose style alone, but a structure that parallels prose; modern, yet timeless art that illumines the ebb of the Shakespearean romance and the flow of passion, while also calibrating philosophical thought. Here, confusion becomes sexual, intellectual, philosophical, and allegorical. And this is what Zweig does cleverly: create a deceptively simple, yet nuanced story.
We live through myriads of seconds, yet it is always one, just one, that casts our entire inner world into turmoil鈥�
November 17, 2017
螛伪 蔚委渭伪喂 尉蔚魏维胃伪蟻畏 伪蟺蠈 蟿畏谓 伪蟻蠂萎. 螠蔚 伪蠀蟿蠈谓 蟿慰谓 蟽蠀纬纬蟻伪蠁苇伪 未蔚谓 渭蟺慰蟻蠋 谓伪 蔚委渭伪喂 伪谓蟿喂魏蔚喂渭蔚谓喂魏萎. 螣 蟿蟻蠈蟺慰蟼 蟺慰蠀 苇蠂蔚喂 谓伪 位苇蔚喂 蟿慰蟽伪 蟺慰位位维 蟽蔚 蟿蠈蟽蔚蟼 位委纬蔚蟼 蟽蔚位委未蔚蟼 蔚委谓伪喂 蟺蟻伪纬渭伪蟿喂魏维 伪尉喂慰胃伪蠉渭伪蟽蟿慰蟼. 螤伪蟻蠈位伪 伪蠀蟿维 胃蔚蠅蟻蠋 蠈蟿喂 蟺蟻蠈魏蔚喂蟿伪喂 蟺蟻伪纬渭伪蟿喂魏维 纬喂伪 渭喂伪 蟺伪谓苇渭慰蟻蠁畏 谓慰蠀尾苇位伪. 螣 伪谓蔚魏蟺位萎蟻蠅蟿慰蟼 苇蟻蠅蟿伪蟼 蔚谓蠈蟼 渭蔚蟽萎位喂魏伪 魏伪胃畏纬畏蟿萎 纬喂伪 蟿慰谓 谓蔚伪蟻蠈 蠁慰喂蟿畏蟿萎 蟿慰蠀 喂未蠅渭蔚谓慰蟼 伪蟺慰 蟿伪 渭维蟿喂伪 蟿慰蠀 未蔚蠉蟿蔚蟻慰蠀 渭苇蟽伪 伪蟺蠈 蟿畏谓 伪蟽蠁维位蔚喂伪 蟿慰蠀 蟺蔚蟺蔚蟻伪蟽渭苇谓慰蠀. 螌渭蠅蟼 魏维蟺慰喂伪 蟺蟻维纬渭伪蟿伪 渭伪蟼 魏伪胃慰蟻委味慰蠀谓 纬喂伪 蟺维谓蟿伪, 蔚喂未喂魏维 苇谓伪蟼 苇蟻蠅蟿伪蟼 蟺慰蠀 尉蔚魏喂谓维蔚喂 蟺蟻蠅蟿委蟽蟿蠅蟼 伪蟺蠈 蟿慰 渭蠀伪位蠈. 韦慰 蟽蠋渭伪 魏维蟺慰喂伪 蟽蟿喂纬渭萎 委蟽蠅蟼 谓伪 蟿慰 蠂慰蟻蟿维蟽蔚喂蟼. 韦慰 蟺谓蔚蠉渭伪 蠈蟿伪谓 蟽蔚 魏蔚蟻未委蟽蔚喂, 蟽蔚 蟽蟿慰喂蠂蔚喂蠋谓蔚喂.
June 25, 2018
螝伪胃蔚 蠁慰蟻伪 蟺慰蠀 未喂伪尾伪味蠅 韦蟽尾伪喂蠂 谓喂蠅胃蠅 谓伪 渭蔚 蠂蟿蠀蟺伪蔚喂 畏位蔚魏蟿蟻喂魏慰 蟻蔚蠀渭伪. 螖蔚谓 蠀蟺伪蟻蠂蔚喂 蟺蔚蟻喂蟺蟿蠅蟽畏 谓伪 渭畏 渭慰蠀 伪蟻蔚蟽蔚喂 尾喂尾位喂慰 蟿慰蠀. 危蟿慰 蟿蔚位慰蟼, 魏位蔚喂谓慰谓蟿伪蟼 蟿慰 尾喂尾位喂慰 谓喂蠅胃蠅 蔚谓伪 魏蔚谓慰. 螤蔚蟻喂渭蔚谓蠅 渭畏蟺蠅蟼 蔚渭蠁伪谓喂蟽蟿蔚喂 渭伪纬喂魏伪 渭喂伪 伪魏慰渭伪 喂蟽蟿慰蟻喂伪 伪蟺慰 蟿慰 慰蟺喂蟽胃慰蠁蠀位位慰. 螝伪喂 伪蠀蟿畏 蟿慰蠀 畏 谓慰蠀尾蔚位伪 渭慰蠀 尉蠀蟺谓畏蟽蔚 蟽蠀谓伪喂蟽胃畏渭伪蟿伪. 螚 纬蟻伪蠁畏 蟿慰蠀 慰蟺蠅蟼 蔚蠂蠅 蟺慰位位蔚蟼 蠁慰蟻蔚蟼 蔚喂谓伪喂 伪纬伪蟽蟿畏 魏 伪谓蔚魏蟿喂渭畏蟿畏. 螘喂谓伪喂 伪未蠀谓伪蟿慰 谓伪 蟽蠀纬魏蟻喂胃蔚喂 渭蔚 伪位位畏. 螣蟽慰 纬喂伪 蟿慰 蟺蔚蟻喂蔚蠂慰渭蔚谓慰 伪未喂伪渭蠁喂蟽尾畏蟿畏蟿伪 伪谓蟿喂魏伪蟿慰蟺蟿蟻喂味蔚喂 蟿慰谓 蟿喂蟿位慰 蟿慰蠀 尾喂尾位喂慰蠀. 螤蟻慰魏蔚喂蟿伪喂 慰谓蟿蠅蟼 纬喂伪 渭喂伪 蟽蠀纬蠂蠀蟽畏 伪喂蟽胃畏渭伪蟿蠅谓.
螒蠂 伪蠀蟿慰蟼 慰 蔚蟻蠅蟿伪蟼! 螣蟽慰 魏 谓伪 蟺蟻慰蟽蟺伪胃畏蟽慰蠀渭蔚 谓伪 蟿慰谓 魏蟻蠀蠄慰蠀渭蔚 未蔚 纬喂谓蔚蟿伪喂. 螙蔚喂 魏 魏伪蟿慰喂魏蔚喂 渭蔚蟽伪 蟽蟿畏谓 魏伪蟻未喂伪 渭伪蟼. 螖蔚谓 蠀蟺慰位慰纬喂味蔚喂 魏慰喂谓蠅谓喂魏蔚蟼 伪谓喂蟽慰蟿畏蟿蔚蟼, 蔚胃谓畏, 蠁蠀位伪... 蠅蟽蟺慰蠀 魏伪蟺慰喂伪 渭蔚蟻伪 尉蔚蟽魏喂味蔚喂 蟿畏谓 魏伪蟻未喂伪 魏 蟿慰 蟽蠅渭伪 渭伪蟼 魏 尾纬伪喂谓蔚喂 蔚尉蠅 谓伪 蟽蠀谓伪谓蟿畏蟽蔚喂, 谓伪 尉蔚渭蠀伪位喂蟽蔚喂 蟿慰 "胃蠀渭伪" 蟿慰蠀.
螘谓伪 伪蟺慰 蟿伪 蟺慰位位伪 伪蟺慰蟽蟺伪蟽渭伪蟿伪 蟺慰蠀 位伪蟿蟻蔚蠄伪:
銆娢� 蟺慰位畏 渭蔚 蟽魏位伪尾蠅蟽蔚. 螔蠀胃喂蟽蟿畏魏伪 蟽蟿伪 尾伪胃畏 蟿畏蟼 蠅蟼 蟿畏谓 伪蠂谓喂蟽蟿畏 魏慰蠂位伪味慰蠀蟽伪 蠁位蔚尾伪 蟿畏蟼鈥� 畏 蟺蔚蟻喂蔚蟻纬蔚喂伪 渭慰蠀 未喂蔚蟿蟻蔚尉蔚 渭蔚 尾喂伪蟽畏 慰位慰魏位畏蟻慰 蟿慰 蟺蔚蟿蟻喂谓慰, 渭伪 蠁位慰纬蔚蟻慰 魏慰蟻渭喂 蟿畏蟼...銆�
螒蠂 伪蠀蟿慰蟼 慰 蔚蟻蠅蟿伪蟼! 螣蟽慰 魏 谓伪 蟺蟻慰蟽蟺伪胃畏蟽慰蠀渭蔚 谓伪 蟿慰谓 魏蟻蠀蠄慰蠀渭蔚 未蔚 纬喂谓蔚蟿伪喂. 螙蔚喂 魏 魏伪蟿慰喂魏蔚喂 渭蔚蟽伪 蟽蟿畏谓 魏伪蟻未喂伪 渭伪蟼. 螖蔚谓 蠀蟺慰位慰纬喂味蔚喂 魏慰喂谓蠅谓喂魏蔚蟼 伪谓喂蟽慰蟿畏蟿蔚蟼, 蔚胃谓畏, 蠁蠀位伪... 蠅蟽蟺慰蠀 魏伪蟺慰喂伪 渭蔚蟻伪 尉蔚蟽魏喂味蔚喂 蟿畏谓 魏伪蟻未喂伪 魏 蟿慰 蟽蠅渭伪 渭伪蟼 魏 尾纬伪喂谓蔚喂 蔚尉蠅 谓伪 蟽蠀谓伪谓蟿畏蟽蔚喂, 谓伪 尉蔚渭蠀伪位喂蟽蔚喂 蟿慰 "胃蠀渭伪" 蟿慰蠀.
螘谓伪 伪蟺慰 蟿伪 蟺慰位位伪 伪蟺慰蟽蟺伪蟽渭伪蟿伪 蟺慰蠀 位伪蟿蟻蔚蠄伪:
銆娢� 蟺慰位畏 渭蔚 蟽魏位伪尾蠅蟽蔚. 螔蠀胃喂蟽蟿畏魏伪 蟽蟿伪 尾伪胃畏 蟿畏蟼 蠅蟼 蟿畏谓 伪蠂谓喂蟽蟿畏 魏慰蠂位伪味慰蠀蟽伪 蠁位蔚尾伪 蟿畏蟼鈥� 畏 蟺蔚蟻喂蔚蟻纬蔚喂伪 渭慰蠀 未喂蔚蟿蟻蔚尉蔚 渭蔚 尾喂伪蟽畏 慰位慰魏位畏蟻慰 蟿慰 蟺蔚蟿蟻喂谓慰, 渭伪 蠁位慰纬蔚蟻慰 魏慰蟻渭喂 蟿畏蟼...銆�
March 22, 2025
毓賳賵丕賳 丕賱乇賵丕賷丞 亘丕賱賱睾丞 丕賱毓乇亘賷丞 賮賵囟賶 丕賱兀丨丕爻賷爻貙 賵亘丕賱賮毓賱 賮廿賳 丕賱賯氐丞 賲噩賲賵毓丞 賲賳 毓賱丕賲丕鬲 丕賱丕爻鬲賮賴丕賲 丕賱賰亘賷乇丞 賱卮禺氐賷丕鬲 賲毓賯丿丞 賳賮爻賷丕 賰賱 賵丕丨丿 賲賳賴賲 賷乇賶 毓賱丕賯丕鬲賴 丕賱廿賳爻丕賳賷丞 賲賳 賲賳馗賵乇 囟賷賯. 丨賷孬 賷禺鬲賱胤 丕賱丕毓噩丕亘 亘丕賱丨亘 賵賷鬲丨賵賱 賱禺賵賮 賵賰乇丕賴賷丞 孬賲 卮毓賵乇 亘丕賱丕爻鬲睾乇丕亘 賵丕賱賲賮丕噩兀丞. 丕賱乇賵丕賷丞 賯丿 鬲賰賵賳 噩乇賷卅丞 亘賲賯賷丕爻 夭賲賳 賰鬲丕亘鬲賴丕 賮賷 丕賱孬賱丕孬賷賳丕鬲 賲賳 丕賱賯乇賳 丕賱賲丕囟賷貙 丨賷孬 鬲鬲胤乇賯 賱毓賱丕賯丕鬲 賲卮亘賵賴丞 賵賲乇賮賵囟丞貙 賱賰賳賴丕 鬲亘賯賶 噩夭亍 賲賳 賵丕賯毓 丕賱丨賷丕丞 賮賷 賰丕賮丞 丕賱賲噩鬲賲毓丕鬲 賱丕爻賷賲丕 賮賷 兀賷丕賲賳丕 賴匕賴貙 爻賵丕亍 賰丕賳鬲 賮賷 丕賱毓賱賳 丕賵 賲賳 賵乇丕亍 丕賱賰賵丕賱賷爻.
July 28, 2024
This novella is about a student who鈥檚 obsessed with his hpd professor.. mostly due to the fact that his professor triggers this passion of learning from him.
This was my first zweig read and I plan on reading everything by him. It鈥檚 been a while since I鈥檝e enjoyed a book like this. From start to finish I was hooked. Just simply well written.
This book is so good it made me realize I shouldn鈥檛 waste time trying to force read other books I鈥檓 not that into lol
This was my first zweig read and I plan on reading everything by him. It鈥檚 been a while since I鈥檝e enjoyed a book like this. From start to finish I was hooked. Just simply well written.
This book is so good it made me realize I shouldn鈥檛 waste time trying to force read other books I鈥檓 not that into lol
April 10, 2025
3.7
讴鬲丕亘 丕夭 丿賵 丿丕爻鬲丕賳 鬲卮讴蹖賱 卮丿賴. 賲丕噩乇丕蹖 噩賵丕賳蹖 蹖讴 丕爻鬲丕丿 賵 亘蹖爻鬲 賵 趩賴丕乇 爻丕毓鬲 丕夭 夭賳丿诏蹖 蹖讴 夭賳 讴賴 丿賵賲蹖 亘賴 氐賵乇鬲 噩丿丕诏丕賳賴 賴賲 鬲賵爻胤 丿賵 賳卮乇 丿蹖诏乇 鬲乇噩賲賴 卮丿賴. 賴乇 丿賵 丿丕爻鬲丕賳 亘乇丕賲 噩匕丕亘蹖鬲鈥屬囏й屰� 丿丕卮鬲 賵 蹖讴 爻乇蹖 毓賳丕氐乇 賲卮鬲乇讴 丿乇 丕賵賳賴丕 賵噩賵丿 丿丕卮鬲. 鬲乇噩賲賴 丌賯丕蹖 卮蹖禺 丕賱丕爻賱丕賲蹖 丿賴賴 卮氐鬲 丕賳噩丕賲 卮丿賴 賵 讴賲蹖 賱睾丕鬲 賳丕賲丕賳賵爻 賵 亘毓囟丕 毓乇亘蹖 丿乇 鬲乇噩賲賴 丕爻鬲賮丕丿賴 卮丿賴 讴賴 夭蹖丕丿 賲賵乇丿 毓賱丕賯賴 賲賳 賳蹖爻鬲 賵賱蹖 亘丕 丕蹖賳 賵噩賵丿 賱匕鬲 禺賵丿賲 乇賵 丕夭 賯賱賲 鬲爻賵丕蹖诏 亘乇丿賲 賵 丕蹖賳 讴丕乇 賲丕賳毓蹖 亘乇丕賲 丕蹖噩丕丿 賳讴乇丿.丿乇 丕丿丕賲賴 爻毓蹖 賲蹖鈥屭┵嗁� 讴賲蹖 丿乇 賲賵乇丿 丿賵 丿丕爻鬲丕賳 氐丨亘鬲 讴賳賲..
賲丕噩乇丕蹖 噩賵丕賳蹖 蹖讴 丕爻鬲丕丿:
丕爻鬲丕丿 倬蹖乇蹖 鬲氐賲蹖賲 賲蹖鈥屭屫辟� 禺丕胤乇丕鬲 禺賵丿卮 丕夭 丿賵乇丕賳 噩賵丕賳蹖 乇賵 鬲毓乇蹖賮 讴賳賴. 毓賱鬲 丕蹖賳 賲爻丕賱賴 丕蹖賳賴 讴賴 蹖讴 趩乇禺卮 賲賴賲蹖 丿乇 夭賳丿诏蹖鈥屫ж� 氐賵乇鬲 賲蹖鈥屭屫辟� 賵 鬲亘丿蹖賱 亘賴 蹖讴 賳賯胤賴 毓胤賮蹖 賲蹖卮賴.賳賯胤賴 毓胤賮蹖 讴賴 賲爻蹖乇 夭賳丿诏蹖 丕賵 乇賵 鬲睾蹖蹖乇 賲蹖丿賴. 丕爻鬲丕丿 倬蹖乇 讴賴 丿乇 丿賵乇丕賳 噩賵丕賳蹖 賵 賵乇賵丿 亘賴 丿丕賳卮诏丕賴 丿乇 亘乇賱蹖賳貙 賴蹖趩 毓賱丕賯賴鈥屫й� 亘賴 丿乇爻 賳丿丕卮鬲賴 賵 氐乇賮丕 倬蹖 蹖賱賱蹖 鬲賱賱蹖 讴乇丿賳 亘賵丿賴. 蹖讴 夭賳丿诏蹖 倬乇 丕夭 賴乇夭诏蹖 賵 鬲亘毓蹖鬲 賲丨囟 丕夭 睾乇丕蹖囟 賵 卮賴賵丕鬲 .蹖讴 丕鬲賮丕賯蹖 乇禺 賲蹖丿賴 賵 夭賳丿诏蹖 噩賵丕賳 丿爻鬲禺賵卮 鬲睾蹖蹖乇丕鬲蹖 賲蹖卮賴 賵 亘賴 倬蹖卮賳賴丕丿 倬丿乇卮 卮賴乇 賵 丿丕賳卮诏丕賴 禺賵丿卮 乇賵 鬲睾蹖蹖乇 賲蹖丿賴.丕賵 丿乇 丿丕賳卮诏丕賴 噩丿蹖丿貙 賲噩匕賵亘 丕爻鬲丕丿 丕丿亘蹖丕鬲 禺賵丿卮 賲蹖卮賴 讴賴 丨乇賮賴丕卮 亘賴 卮丿鬲 亘賴 丿賱卮 賲蹖鈥庁篡屬嗁�.噩賵丕賳蹖 讴賴 鬲丕 趩賳丿蹖 倬蹖卮 毓賱丕賯賴 丕蹖 亘賴 鬲丨氐蹖賱 賳丿丕卮鬲 丨丕賱丕 卮蹖賮鬲賴 讴賱丕爻 賵 丿乇爻 丕蹖賳 丕爻鬲丕丿 卮丿賴 亘賵丿.亘賴 倬蹖卮賳賴丕丿 丕爻鬲丕丿 賲丨亘賵亘卮貙 丿乇 胤亘賯賴 亘丕賱丕蹖 賲賳夭賱卮貙 丕鬲丕賯蹖 讴乇丕蹖賴 賲蹖鈥屭┵嗁�. 賴賲爻丕蹖賴 卮丿賳 亘丕 丕爻鬲丕丿 賲賵乇丿 毓賱丕賯賴 亘丕毓孬 賲蹖卮賴 乇賮鬲 賵 丌賲丿 亘蹖卮鬲乇蹖 亘丕 丕爻鬲丕丿 丿丕卮鬲賴 亘丕卮賴 賵 賵丕乇丿 夭賳丿诏蹖 丕賵 亘卮賴.丕蹖賳 賵丕乇丿 卮丿賳 亘賴 夭賳丿诏蹖 丕爻鬲丕丿 亘丕毓孬 蹖讴 爻乇蹖 丕鬲賮丕賯丕鬲 丿乇 丿丕爻鬲丕賳 賲蹖卮賴 賵 丕夭 賴賲賴 賲賴賲鈥屫� 丕蹖賳讴賴 丿乇 丕丿丕賲賴 丿丕爻鬲丕賳貙 丕爻鬲丕丿 倬蹖乇 讴賴 噩賵丕賳 乇賵 賲噩匕賵亘 丿丕賳卮 賵 爻禺賳賵乇蹖 禺賵丿卮 讴乇丿賴 亘賵丿貙 乇丕夭蹖 賲诏賵 乇賵 亘乇丕蹖 卮丕诏乇丿 賲爻鬲毓丿 禺賵丿卮 亘乇賲賱丕 賲蹖鈥屭┵嗁�...
丿丕爻鬲丕賳 丕夭 噩匕丕亘蹖鬲 夭蹖丕丿蹖 亘乇禺賵乇丿丕乇 亘賵丿 賵 賴蹖 丿賵爻鬲 丿丕卮鬲賲 爻乇蹖毓鈥屫� 亘禺賵賳賲 鬲丕 亘亘蹖賳賲 爻乇丕賳噩丕賲 丕蹖賳 賯囟蹖賴 趩蹖 賲蹖卮賴. 丕蹖賳讴賴 蹖讴 丕鬲賮丕賮蹖 丿乇 夭賳丿诏蹖 亘蹖賮鬲賴 賵 賲爻蹖乇 夭賳丿诏蹖 鬲睾蹖蹖乇 倬蹖丿丕 讴賳賴貙趩蹖夭蹖 丕爻鬲 讴賴 卮丕蹖丿 禺蹖賱蹖 丕夭 賲丕賴丕 丿趩丕乇卮 卮丿賴 亘丕卮蹖賲.丨丕賱丕 丕蹖賳 鬲睾蹖蹖乇 賲蹖鬲賵賳賴 賲孬亘鬲 蹖丕 賲賳賮蹖 亘丕卮賴 賵賱蹖 丕蹖賳 鬲睾蹖蹖乇 賲爻蹖乇 夭賳丿诏蹖 賲禺氐賵氐丕 丿乇 丕蹖丕賲 倬乇鬲賱丕胤賲 噩賵丕賳蹖 趩蹖夭蹖 賳蹖爻鬲 讴賴 毓噩蹖亘 亘丕卮賴. 賵賯鬲蹖 乇丕夭 賲诏賵蹖 丕爻鬲丕丿 倬蹖乇 亘乇賲賱丕 卮丿貙 禺蹖賱蹖 亘乇丕賲 噩丕賱亘 亘賵丿貙讴爻蹖 亘丕 丕蹖賳 賲爻丕賱賴 鬲賵賳爻鬲賴 賴賲趩蹖賳 鬲丕孬蹖乇 夭蹖丕丿蹖 乇賵蹖 噩賵丕賳 诏匕丕卮鬲賴 亘丕卮賴. 卮丕蹖丿 鬲爻賵丕蹖讴 丿乇 倬蹖 賳賵卮鬲賳 丕蹖賳 丿丕爻鬲丕賳 賯氐丿 丕蹖賳 乇賵 丿丕卮鬲賴 讴賴 亘賴 丕賳爻丕賳鈥屬囏� 丿蹖丿 賲賳氐賮丕賳賴 鬲乇蹖 丿丕卮鬲賴 亘丕卮蹖賲. 卮丕蹖丿 亘乇禺蹖 丿趩丕乇 毓蹖賵亘 蹖丕 賲爻丕卅賱蹖 睾蹖乇賯丕亘賱 倬匕蹖乇卮 毓乇賮 亘丕卮賳丿貙 丕賲丕 丕蹖賳 亘丕毓孬 賳賲蹖卮賴 讴賴 丕賵賳 賮乇丿 丿乇 丨蹖胤賴 賴丕蹖 丿蹖诏賴貙 賯賵蹖 賵 丕孬乇诏匕丕乇 賳亘丕卮賴. 賴賲丕賳胤賵乇 讴賴 丿乇 丿丕爻鬲丕賳 卮丕賴丿卮 亘賵丿蹖賲貙 賴賲蹖賳 丕爻鬲丕丿 倬蹖乇 亘蹖卮鬲乇蹖賳 鬲丕孬蹖乇 乇賵 丿乇 夭賳丿诏蹖 乇丕賵蹖 丿丕爻鬲丕賳 丿丕乇賴 賵 乇丕賵蹖 丿乇 丕賳鬲賴丕 亘賴 丕蹖賳 賯囟蹖賴 賲毓鬲乇賮賴 讴賴 讴爻蹖 亘賴 丕賳丿丕夭賴 丕蹖賳 丕爻鬲丕丿 丨賯蹖 亘乇 诏乇丿賳 丕賵 賳丿丕乇賴.
亘蹖爻鬲 賵 趩賴丕乇 爻丕毓鬲 丕夭 夭賳丿诏蹖 蹖讴 夭賳:
蹖讴 噩賵丕賳 乇毓賳丕蹖 禺賵卮 亘乇禺賵乇丿 賵丕乇丿 蹖讴 賲噩鬲賲毓 賲蹖卮賴 賵 賴賲賴 乇賵 鬲丨鬲 鬲丕孬蹖乇 賯乇丕乇 賲蹖丿賴貙 禺丕賳賲蹖 讴賴 丿賵 賮乇夭賳丿 賵 賴賲爻乇 丿丕乇賴貙 夭賳丿诏蹖卮 乇賵 鬲乇讴 賲蹖鈥屭┵嗁� 賵 亘丕 丕蹖賳 噩賵丕賳 賮乇丕乇 賲蹖鈥屭┵嗁�. 乇賵夭 亘毓丿 賴賲爻丕蹖賴 賴丕 丿賵乇 賴賲 噩賲毓 賲蹖鈥屫促嗀� 賵 丕蹖賳 賯囟蹖賴 乇賵 爻毓蹖 賲蹖鈥屭┵嗁嗀� 鬲丨賱蹖賱 讴賳賳丿. 丿乇 丕蹖賳 丕孬賳丕 卮禺氐蹖鬲 丕氐賱蹖 蹖毓賳蹖 亘丕賳賵.爻 賵丕乇丿 賲蹖卮賴 賵 倬爻 丕夭 卮乇讴鬲 丿乇 亘丨孬 睾蹖亘鬲 馃槉 丕賴丕賱蹖 爻丕禺鬲賲丕賳 鬲氐賲蹖賲 賲蹖鈥屭屫辟� 亘賴 乇丕賵蹖 丕賵賱蹖賴 丿丕爻鬲丕賳 乇丕夭 夭賳丿诏蹖 禺賵丿卮 乇賵 亘乇賲賱丕 讴賳賴. 丕蹖賳 乇丕夭 趩蹖夭蹖 賳蹖爻鬲 噩夭 亘蹖爻鬲 賵 趩賴丕乇 爻丕毓鬲 丕夭 夭賳丿诏蹖 丕賵 讴賴 爻丕賱賴丕 倬蹖卮 丕鬲賮丕賯 丕賮鬲丕丿賴 賵 丕孬乇卮 賴賳賵夭 亘丕 丕蹖賳 禺丕賳賲 賴賲乇丕賴賴.
丿乇 賴乇 丿賵 丿丕爻鬲丕賳 賲丕 亘丕 亘乇賲賱丕 卮丿賳 乇丕夭 賲賵丕噩賴 賴爻鬲蹖賲.乇丕夭蹖 讴賴 爻丕賱賴丕 丿乇 爻蹖賳賴 乇丕賵蹖 賲賵賳丿賴 賵 丨丕賱丕 賯氐丿 鬲毓乇蹖賮 讴乇丿賳卮賵賳 乇賵 丿丕乇賴. 賴乇 丿賵 丿丕爻鬲丕賳 噩匕丕亘蹖鬲 丿丕乇賴 賵 丕賵賳 丨爻蹖 讴賴 賲禺丕胤亘 亘禺賵丕丿 丿丕爻鬲丕賳 乇賵 鬲丕 丕賳鬲賴丕 亘禺賵賳賴 鬲丕 亘亘蹖賳賴 爻乇丕賳噩丕賲 賯囟蹖賴 趩蹖賴 賵噩賵丿 丿丕乇賴. 丕賱亘鬲賴 賳馗乇 卮禺氐蹖賲 丕蹖賳賴 丿乇 丿丕爻鬲丕賳 丕賵賱蹖貙 丕蹖賳 賲爻丕賱賴 亘賴鬲乇 倬乇丿丕禺鬲賴 卮丿賴. 丿乇 賴乇 丿賵 丿丕爻鬲丕賳 乇賵丕蹖鬲 亘丕 噩夭卅蹖丕鬲 亘蹖丕賳 卮丿賴. 噩夭卅蹖丕鬲蹖 讴賴 亘蹖卮鬲乇 卮丕賲賱 丿乇賵賳蹖丕鬲 卮禺氐蹖鬲 賴丕蹖 丿丕爻鬲丕賳賴 賵 賳賴 噩夭卅蹖丕鬲蹖 賲孬賱 鬲賵氐蹖賮 賲讴丕賳 賵 賱亘丕爻. 丿乇賵賳 賲丕蹖賴 賴乇 丿賵 丿丕爻鬲丕賳 賲蹖鬲賵賳賴 卮丕賲賱 丕卮鬲乇丕讴 亘丕卮賴. 賲孬賱丕 賲賳 丿乇 賴乇 丿賵 丿丕爻鬲丕賳 丕蹖賳賵 丿蹖丿賲 讴賴 賳賵蹖爻賳丿賴 丿乇 倬蹖 丿丕爻鬲丕賳 丕蹖賳賵 賲蹖禺賵丕丿 亘賴 賲禺丕胤亘 亘诏賴 讴賴 丌丿賲鈥屬囏� 乇賵 乇丕丨鬲 賯囟丕賵鬲 賳讴賳蹖賲. 丿乇 倬蹖 禺胤丕賴丕蹖 馗丕賴乇蹖 丕賳爻丕賳鈥屬囏� 讴賴 亘賴 趩卮賲 賲蹖丕丿貙 賲爻丕卅賱蹖 賴爻鬲 讴賴 賳丕丿蹖丿賴 丕爻鬲 賵 卮丕蹖丿 丕诏乇 丕蹖賳 賳丕丿蹖丿賴 賴丕 乇賵 亘賳诏乇蹖賲貙 丿乇 賯胤毓蹖鬲 賳馗乇 丿丕丿賳賲賵賳貙讴賲蹖 丕丨鬲蹖丕胤 亘賴 禺乇噩 亘丿蹖賲.丕賱亘鬲賴 賲賳 丿乇 丿丕爻鬲丕賳 丿賵賲貙 禺丕賳賲 亘丕賳賵.爻 乇賵 讴丕賲賱丕 丿乇讴 讴乇丿賲 賵 丕賵賳 鬲賵氐蹖賮丕鬲 賵 鬲氐賲蹖賲丕鬲卮 丿乇 丕賵賳 亘蹖爻鬲 賵 趩賴丕乇 爻丕毓鬲 賵 丕丨爻丕爻丕鬲卮 亘丕賵乇倬匕蹖乇 亘賵丿 賵賱蹖 賴賲趩蹖賳 賳鬲蹖噩賴 丕蹖 賳賲蹖鈥屫堎嗁� 亘乇丕蹖 丿乇讴 讴乇丿賳 賴丕賳乇蹖鬲 讴賴 丿乇 丕亘鬲丿丕蹖 丿丕爻鬲丕賳 賴賲爻乇 賵 賮乇夭賳丿丕賳卮 乇賵 鬲乇讴 讴乇丿 亘诏蹖乇賲!
倬爻 丕夭 丨丿蹖孬 卮胤乇賳噩 賵 丿丕爻鬲丕賳 讴賵鬲丕賴 賲噩賲賵毓賴 賳丕賲乇卅蹖貙 丕蹖賳 爻賵賲蹖賳 丕孬乇蹖 亘賵丿 讴賴 丕夭 鬲爻賵丕蹖讴 禺賵賳丿賲. 賯賱賲 丕賵 亘乇丕蹖 賲賳 賲孬賱 倬蹖乇賲乇丿蹖 丕爻鬲 讴賴 賲蹖禺賵丕丿 賲丕噩乇丕蹖蹖 丿乇 诏匕卮鬲賴 乇賵 亘乇丕賲 乇賵丕蹖鬲 讴賳賴. 丕蹖賳 倬蹖乇賲乇丿 乇丕賵蹖貙 丨賵丕爻 噩賲毓賴 賵 賲丕噩乇丕 亘丕 噩夭卅蹖丕鬲 賮乇丕賵丕賳 賲蹖诏賴.噩夭卅蹖丕鬲蹖 讴賴 賲賳賵 禺爻鬲賴 賳賲蹖鈥屭┵嗁� 賵 亘蹖丕賳 丕賵 丿賱賳卮蹖賳賴. 賵丕賯毓丕 賴賲 丿乇 鬲毓乇蹖賮 賵 亘丕夭鬲毓乇蹖賮 賲丕噩乇丕貙 讴爻蹖 讴賴 乇賵丕蹖鬲 賲蹖鈥屭┵嗁� 禺蹖賱蹖 賲賴賲賴 賵 丕诏乇 乇丕賵蹖 爻禺賳賵乇 賵 賯氐賴 诏賵 亘丕卮賴貙亘蹖卮鬲乇 亘賴 丿賱 丌丿賲 賲蹖鈥屫篡屬嗁�. 鬲爻賵丕蹖讴 亘乇丕蹖 賲賳 丕蹖賳 賵蹖跇诏蹖鈥屬囏� 乇賵 丿丕乇賴. 丿乇 丿丕爻鬲丕賳 丿賵賲貙 禺丕賳賲 貙丿爻鬲賴丕 賵 丕賳诏卮鬲賴丕蹖 賲乇丿丕賳 丿乇 賯賲丕乇禺賵賳賴 乇賵 鬲噩夭蹖賴 賵 鬲丨賱蹖賱 賲蹖鈥屭┵嗁� 讴賴 亘乇丕蹖 賲賳 鬲丿丕毓蹖鈥屭� 禺丕胤乇丕鬲蹖 禺賵卮 丿乇 诏匕卮鬲賴 亘賵丿...蹖讴蹖 毓夭蹖夭蹖(丕爻賲卮賵賳 賲鬲丕爻賮丕賳賴 蹖丕丿賲 賳蹖爻鬲) 丕蹖賳噩丕 诏賮鬲賴 亘賵丿 鬲爻賵丕蹖讴 丕夭 賳賵蹖爻賳丿賴鈥屬囏й� 丌賳丿乇 乇蹖鬲丿賴貨 讴丕賲賱丕 亘丕 丕蹖賳 賳馗乇 賲賵丕賮賯賲.
讴鬲丕亘 丕夭 丿賵 丿丕爻鬲丕賳 鬲卮讴蹖賱 卮丿賴. 賲丕噩乇丕蹖 噩賵丕賳蹖 蹖讴 丕爻鬲丕丿 賵 亘蹖爻鬲 賵 趩賴丕乇 爻丕毓鬲 丕夭 夭賳丿诏蹖 蹖讴 夭賳 讴賴 丿賵賲蹖 亘賴 氐賵乇鬲 噩丿丕诏丕賳賴 賴賲 鬲賵爻胤 丿賵 賳卮乇 丿蹖诏乇 鬲乇噩賲賴 卮丿賴. 賴乇 丿賵 丿丕爻鬲丕賳 亘乇丕賲 噩匕丕亘蹖鬲鈥屬囏й屰� 丿丕卮鬲 賵 蹖讴 爻乇蹖 毓賳丕氐乇 賲卮鬲乇讴 丿乇 丕賵賳賴丕 賵噩賵丿 丿丕卮鬲. 鬲乇噩賲賴 丌賯丕蹖 卮蹖禺 丕賱丕爻賱丕賲蹖 丿賴賴 卮氐鬲 丕賳噩丕賲 卮丿賴 賵 讴賲蹖 賱睾丕鬲 賳丕賲丕賳賵爻 賵 亘毓囟丕 毓乇亘蹖 丿乇 鬲乇噩賲賴 丕爻鬲賮丕丿賴 卮丿賴 讴賴 夭蹖丕丿 賲賵乇丿 毓賱丕賯賴 賲賳 賳蹖爻鬲 賵賱蹖 亘丕 丕蹖賳 賵噩賵丿 賱匕鬲 禺賵丿賲 乇賵 丕夭 賯賱賲 鬲爻賵丕蹖诏 亘乇丿賲 賵 丕蹖賳 讴丕乇 賲丕賳毓蹖 亘乇丕賲 丕蹖噩丕丿 賳讴乇丿.丿乇 丕丿丕賲賴 爻毓蹖 賲蹖鈥屭┵嗁� 讴賲蹖 丿乇 賲賵乇丿 丿賵 丿丕爻鬲丕賳 氐丨亘鬲 讴賳賲..
賲丕噩乇丕蹖 噩賵丕賳蹖 蹖讴 丕爻鬲丕丿:
丕爻鬲丕丿 倬蹖乇蹖 鬲氐賲蹖賲 賲蹖鈥屭屫辟� 禺丕胤乇丕鬲 禺賵丿卮 丕夭 丿賵乇丕賳 噩賵丕賳蹖 乇賵 鬲毓乇蹖賮 讴賳賴. 毓賱鬲 丕蹖賳 賲爻丕賱賴 丕蹖賳賴 讴賴 蹖讴 趩乇禺卮 賲賴賲蹖 丿乇 夭賳丿诏蹖鈥屫ж� 氐賵乇鬲 賲蹖鈥屭屫辟� 賵 鬲亘丿蹖賱 亘賴 蹖讴 賳賯胤賴 毓胤賮蹖 賲蹖卮賴.賳賯胤賴 毓胤賮蹖 讴賴 賲爻蹖乇 夭賳丿诏蹖 丕賵 乇賵 鬲睾蹖蹖乇 賲蹖丿賴. 丕爻鬲丕丿 倬蹖乇 讴賴 丿乇 丿賵乇丕賳 噩賵丕賳蹖 賵 賵乇賵丿 亘賴 丿丕賳卮诏丕賴 丿乇 亘乇賱蹖賳貙 賴蹖趩 毓賱丕賯賴鈥屫й� 亘賴 丿乇爻 賳丿丕卮鬲賴 賵 氐乇賮丕 倬蹖 蹖賱賱蹖 鬲賱賱蹖 讴乇丿賳 亘賵丿賴. 蹖讴 夭賳丿诏蹖 倬乇 丕夭 賴乇夭诏蹖 賵 鬲亘毓蹖鬲 賲丨囟 丕夭 睾乇丕蹖囟 賵 卮賴賵丕鬲 .蹖讴 丕鬲賮丕賯蹖 乇禺 賲蹖丿賴 賵 夭賳丿诏蹖 噩賵丕賳 丿爻鬲禺賵卮 鬲睾蹖蹖乇丕鬲蹖 賲蹖卮賴 賵 亘賴 倬蹖卮賳賴丕丿 倬丿乇卮 卮賴乇 賵 丿丕賳卮诏丕賴 禺賵丿卮 乇賵 鬲睾蹖蹖乇 賲蹖丿賴.丕賵 丿乇 丿丕賳卮诏丕賴 噩丿蹖丿貙 賲噩匕賵亘 丕爻鬲丕丿 丕丿亘蹖丕鬲 禺賵丿卮 賲蹖卮賴 讴賴 丨乇賮賴丕卮 亘賴 卮丿鬲 亘賴 丿賱卮 賲蹖鈥庁篡屬嗁�.噩賵丕賳蹖 讴賴 鬲丕 趩賳丿蹖 倬蹖卮 毓賱丕賯賴 丕蹖 亘賴 鬲丨氐蹖賱 賳丿丕卮鬲 丨丕賱丕 卮蹖賮鬲賴 讴賱丕爻 賵 丿乇爻 丕蹖賳 丕爻鬲丕丿 卮丿賴 亘賵丿.亘賴 倬蹖卮賳賴丕丿 丕爻鬲丕丿 賲丨亘賵亘卮貙 丿乇 胤亘賯賴 亘丕賱丕蹖 賲賳夭賱卮貙 丕鬲丕賯蹖 讴乇丕蹖賴 賲蹖鈥屭┵嗁�. 賴賲爻丕蹖賴 卮丿賳 亘丕 丕爻鬲丕丿 賲賵乇丿 毓賱丕賯賴 亘丕毓孬 賲蹖卮賴 乇賮鬲 賵 丌賲丿 亘蹖卮鬲乇蹖 亘丕 丕爻鬲丕丿 丿丕卮鬲賴 亘丕卮賴 賵 賵丕乇丿 夭賳丿诏蹖 丕賵 亘卮賴.丕蹖賳 賵丕乇丿 卮丿賳 亘賴 夭賳丿诏蹖 丕爻鬲丕丿 亘丕毓孬 蹖讴 爻乇蹖 丕鬲賮丕賯丕鬲 丿乇 丿丕爻鬲丕賳 賲蹖卮賴 賵 丕夭 賴賲賴 賲賴賲鈥屫� 丕蹖賳讴賴 丿乇 丕丿丕賲賴 丿丕爻鬲丕賳貙 丕爻鬲丕丿 倬蹖乇 讴賴 噩賵丕賳 乇賵 賲噩匕賵亘 丿丕賳卮 賵 爻禺賳賵乇蹖 禺賵丿卮 讴乇丿賴 亘賵丿貙 乇丕夭蹖 賲诏賵 乇賵 亘乇丕蹖 卮丕诏乇丿 賲爻鬲毓丿 禺賵丿卮 亘乇賲賱丕 賲蹖鈥屭┵嗁�...
丿丕爻鬲丕賳 丕夭 噩匕丕亘蹖鬲 夭蹖丕丿蹖 亘乇禺賵乇丿丕乇 亘賵丿 賵 賴蹖 丿賵爻鬲 丿丕卮鬲賲 爻乇蹖毓鈥屫� 亘禺賵賳賲 鬲丕 亘亘蹖賳賲 爻乇丕賳噩丕賲 丕蹖賳 賯囟蹖賴 趩蹖 賲蹖卮賴. 丕蹖賳讴賴 蹖讴 丕鬲賮丕賮蹖 丿乇 夭賳丿诏蹖 亘蹖賮鬲賴 賵 賲爻蹖乇 夭賳丿诏蹖 鬲睾蹖蹖乇 倬蹖丿丕 讴賳賴貙趩蹖夭蹖 丕爻鬲 讴賴 卮丕蹖丿 禺蹖賱蹖 丕夭 賲丕賴丕 丿趩丕乇卮 卮丿賴 亘丕卮蹖賲.丨丕賱丕 丕蹖賳 鬲睾蹖蹖乇 賲蹖鬲賵賳賴 賲孬亘鬲 蹖丕 賲賳賮蹖 亘丕卮賴 賵賱蹖 丕蹖賳 鬲睾蹖蹖乇 賲爻蹖乇 夭賳丿诏蹖 賲禺氐賵氐丕 丿乇 丕蹖丕賲 倬乇鬲賱丕胤賲 噩賵丕賳蹖 趩蹖夭蹖 賳蹖爻鬲 讴賴 毓噩蹖亘 亘丕卮賴. 賵賯鬲蹖 乇丕夭 賲诏賵蹖 丕爻鬲丕丿 倬蹖乇 亘乇賲賱丕 卮丿貙 禺蹖賱蹖 亘乇丕賲 噩丕賱亘 亘賵丿貙讴爻蹖 亘丕 丕蹖賳 賲爻丕賱賴 鬲賵賳爻鬲賴 賴賲趩蹖賳 鬲丕孬蹖乇 夭蹖丕丿蹖 乇賵蹖 噩賵丕賳 诏匕丕卮鬲賴 亘丕卮賴. 卮丕蹖丿 鬲爻賵丕蹖讴 丿乇 倬蹖 賳賵卮鬲賳 丕蹖賳 丿丕爻鬲丕賳 賯氐丿 丕蹖賳 乇賵 丿丕卮鬲賴 讴賴 亘賴 丕賳爻丕賳鈥屬囏� 丿蹖丿 賲賳氐賮丕賳賴 鬲乇蹖 丿丕卮鬲賴 亘丕卮蹖賲. 卮丕蹖丿 亘乇禺蹖 丿趩丕乇 毓蹖賵亘 蹖丕 賲爻丕卅賱蹖 睾蹖乇賯丕亘賱 倬匕蹖乇卮 毓乇賮 亘丕卮賳丿貙 丕賲丕 丕蹖賳 亘丕毓孬 賳賲蹖卮賴 讴賴 丕賵賳 賮乇丿 丿乇 丨蹖胤賴 賴丕蹖 丿蹖诏賴貙 賯賵蹖 賵 丕孬乇诏匕丕乇 賳亘丕卮賴. 賴賲丕賳胤賵乇 讴賴 丿乇 丿丕爻鬲丕賳 卮丕賴丿卮 亘賵丿蹖賲貙 賴賲蹖賳 丕爻鬲丕丿 倬蹖乇 亘蹖卮鬲乇蹖賳 鬲丕孬蹖乇 乇賵 丿乇 夭賳丿诏蹖 乇丕賵蹖 丿丕爻鬲丕賳 丿丕乇賴 賵 乇丕賵蹖 丿乇 丕賳鬲賴丕 亘賴 丕蹖賳 賯囟蹖賴 賲毓鬲乇賮賴 讴賴 讴爻蹖 亘賴 丕賳丿丕夭賴 丕蹖賳 丕爻鬲丕丿 丨賯蹖 亘乇 诏乇丿賳 丕賵 賳丿丕乇賴.
亘蹖爻鬲 賵 趩賴丕乇 爻丕毓鬲 丕夭 夭賳丿诏蹖 蹖讴 夭賳:
蹖讴 噩賵丕賳 乇毓賳丕蹖 禺賵卮 亘乇禺賵乇丿 賵丕乇丿 蹖讴 賲噩鬲賲毓 賲蹖卮賴 賵 賴賲賴 乇賵 鬲丨鬲 鬲丕孬蹖乇 賯乇丕乇 賲蹖丿賴貙 禺丕賳賲蹖 讴賴 丿賵 賮乇夭賳丿 賵 賴賲爻乇 丿丕乇賴貙 夭賳丿诏蹖卮 乇賵 鬲乇讴 賲蹖鈥屭┵嗁� 賵 亘丕 丕蹖賳 噩賵丕賳 賮乇丕乇 賲蹖鈥屭┵嗁�. 乇賵夭 亘毓丿 賴賲爻丕蹖賴 賴丕 丿賵乇 賴賲 噩賲毓 賲蹖鈥屫促嗀� 賵 丕蹖賳 賯囟蹖賴 乇賵 爻毓蹖 賲蹖鈥屭┵嗁嗀� 鬲丨賱蹖賱 讴賳賳丿. 丿乇 丕蹖賳 丕孬賳丕 卮禺氐蹖鬲 丕氐賱蹖 蹖毓賳蹖 亘丕賳賵.爻 賵丕乇丿 賲蹖卮賴 賵 倬爻 丕夭 卮乇讴鬲 丿乇 亘丨孬 睾蹖亘鬲 馃槉 丕賴丕賱蹖 爻丕禺鬲賲丕賳 鬲氐賲蹖賲 賲蹖鈥屭屫辟� 亘賴 乇丕賵蹖 丕賵賱蹖賴 丿丕爻鬲丕賳 乇丕夭 夭賳丿诏蹖 禺賵丿卮 乇賵 亘乇賲賱丕 讴賳賴. 丕蹖賳 乇丕夭 趩蹖夭蹖 賳蹖爻鬲 噩夭 亘蹖爻鬲 賵 趩賴丕乇 爻丕毓鬲 丕夭 夭賳丿诏蹖 丕賵 讴賴 爻丕賱賴丕 倬蹖卮 丕鬲賮丕賯 丕賮鬲丕丿賴 賵 丕孬乇卮 賴賳賵夭 亘丕 丕蹖賳 禺丕賳賲 賴賲乇丕賴賴.
丿乇 賴乇 丿賵 丿丕爻鬲丕賳 賲丕 亘丕 亘乇賲賱丕 卮丿賳 乇丕夭 賲賵丕噩賴 賴爻鬲蹖賲.乇丕夭蹖 讴賴 爻丕賱賴丕 丿乇 爻蹖賳賴 乇丕賵蹖 賲賵賳丿賴 賵 丨丕賱丕 賯氐丿 鬲毓乇蹖賮 讴乇丿賳卮賵賳 乇賵 丿丕乇賴. 賴乇 丿賵 丿丕爻鬲丕賳 噩匕丕亘蹖鬲 丿丕乇賴 賵 丕賵賳 丨爻蹖 讴賴 賲禺丕胤亘 亘禺賵丕丿 丿丕爻鬲丕賳 乇賵 鬲丕 丕賳鬲賴丕 亘禺賵賳賴 鬲丕 亘亘蹖賳賴 爻乇丕賳噩丕賲 賯囟蹖賴 趩蹖賴 賵噩賵丿 丿丕乇賴. 丕賱亘鬲賴 賳馗乇 卮禺氐蹖賲 丕蹖賳賴 丿乇 丿丕爻鬲丕賳 丕賵賱蹖貙 丕蹖賳 賲爻丕賱賴 亘賴鬲乇 倬乇丿丕禺鬲賴 卮丿賴. 丿乇 賴乇 丿賵 丿丕爻鬲丕賳 乇賵丕蹖鬲 亘丕 噩夭卅蹖丕鬲 亘蹖丕賳 卮丿賴. 噩夭卅蹖丕鬲蹖 讴賴 亘蹖卮鬲乇 卮丕賲賱 丿乇賵賳蹖丕鬲 卮禺氐蹖鬲 賴丕蹖 丿丕爻鬲丕賳賴 賵 賳賴 噩夭卅蹖丕鬲蹖 賲孬賱 鬲賵氐蹖賮 賲讴丕賳 賵 賱亘丕爻. 丿乇賵賳 賲丕蹖賴 賴乇 丿賵 丿丕爻鬲丕賳 賲蹖鬲賵賳賴 卮丕賲賱 丕卮鬲乇丕讴 亘丕卮賴. 賲孬賱丕 賲賳 丿乇 賴乇 丿賵 丿丕爻鬲丕賳 丕蹖賳賵 丿蹖丿賲 讴賴 賳賵蹖爻賳丿賴 丿乇 倬蹖 丿丕爻鬲丕賳 丕蹖賳賵 賲蹖禺賵丕丿 亘賴 賲禺丕胤亘 亘诏賴 讴賴 丌丿賲鈥屬囏� 乇賵 乇丕丨鬲 賯囟丕賵鬲 賳讴賳蹖賲. 丿乇 倬蹖 禺胤丕賴丕蹖 馗丕賴乇蹖 丕賳爻丕賳鈥屬囏� 讴賴 亘賴 趩卮賲 賲蹖丕丿貙 賲爻丕卅賱蹖 賴爻鬲 讴賴 賳丕丿蹖丿賴 丕爻鬲 賵 卮丕蹖丿 丕诏乇 丕蹖賳 賳丕丿蹖丿賴 賴丕 乇賵 亘賳诏乇蹖賲貙 丿乇 賯胤毓蹖鬲 賳馗乇 丿丕丿賳賲賵賳貙讴賲蹖 丕丨鬲蹖丕胤 亘賴 禺乇噩 亘丿蹖賲.丕賱亘鬲賴 賲賳 丿乇 丿丕爻鬲丕賳 丿賵賲貙 禺丕賳賲 亘丕賳賵.爻 乇賵 讴丕賲賱丕 丿乇讴 讴乇丿賲 賵 丕賵賳 鬲賵氐蹖賮丕鬲 賵 鬲氐賲蹖賲丕鬲卮 丿乇 丕賵賳 亘蹖爻鬲 賵 趩賴丕乇 爻丕毓鬲 賵 丕丨爻丕爻丕鬲卮 亘丕賵乇倬匕蹖乇 亘賵丿 賵賱蹖 賴賲趩蹖賳 賳鬲蹖噩賴 丕蹖 賳賲蹖鈥屫堎嗁� 亘乇丕蹖 丿乇讴 讴乇丿賳 賴丕賳乇蹖鬲 讴賴 丿乇 丕亘鬲丿丕蹖 丿丕爻鬲丕賳 賴賲爻乇 賵 賮乇夭賳丿丕賳卮 乇賵 鬲乇讴 讴乇丿 亘诏蹖乇賲!
倬爻 丕夭 丨丿蹖孬 卮胤乇賳噩 賵 丿丕爻鬲丕賳 讴賵鬲丕賴 賲噩賲賵毓賴 賳丕賲乇卅蹖貙 丕蹖賳 爻賵賲蹖賳 丕孬乇蹖 亘賵丿 讴賴 丕夭 鬲爻賵丕蹖讴 禺賵賳丿賲. 賯賱賲 丕賵 亘乇丕蹖 賲賳 賲孬賱 倬蹖乇賲乇丿蹖 丕爻鬲 讴賴 賲蹖禺賵丕丿 賲丕噩乇丕蹖蹖 丿乇 诏匕卮鬲賴 乇賵 亘乇丕賲 乇賵丕蹖鬲 讴賳賴. 丕蹖賳 倬蹖乇賲乇丿 乇丕賵蹖貙 丨賵丕爻 噩賲毓賴 賵 賲丕噩乇丕 亘丕 噩夭卅蹖丕鬲 賮乇丕賵丕賳 賲蹖诏賴.噩夭卅蹖丕鬲蹖 讴賴 賲賳賵 禺爻鬲賴 賳賲蹖鈥屭┵嗁� 賵 亘蹖丕賳 丕賵 丿賱賳卮蹖賳賴. 賵丕賯毓丕 賴賲 丿乇 鬲毓乇蹖賮 賵 亘丕夭鬲毓乇蹖賮 賲丕噩乇丕貙 讴爻蹖 讴賴 乇賵丕蹖鬲 賲蹖鈥屭┵嗁� 禺蹖賱蹖 賲賴賲賴 賵 丕诏乇 乇丕賵蹖 爻禺賳賵乇 賵 賯氐賴 诏賵 亘丕卮賴貙亘蹖卮鬲乇 亘賴 丿賱 丌丿賲 賲蹖鈥屫篡屬嗁�. 鬲爻賵丕蹖讴 亘乇丕蹖 賲賳 丕蹖賳 賵蹖跇诏蹖鈥屬囏� 乇賵 丿丕乇賴. 丿乇 丿丕爻鬲丕賳 丿賵賲貙 禺丕賳賲 貙丿爻鬲賴丕 賵 丕賳诏卮鬲賴丕蹖 賲乇丿丕賳 丿乇 賯賲丕乇禺賵賳賴 乇賵 鬲噩夭蹖賴 賵 鬲丨賱蹖賱 賲蹖鈥屭┵嗁� 讴賴 亘乇丕蹖 賲賳 鬲丿丕毓蹖鈥屭� 禺丕胤乇丕鬲蹖 禺賵卮 丿乇 诏匕卮鬲賴 亘賵丿...蹖讴蹖 毓夭蹖夭蹖(丕爻賲卮賵賳 賲鬲丕爻賮丕賳賴 蹖丕丿賲 賳蹖爻鬲) 丕蹖賳噩丕 诏賮鬲賴 亘賵丿 鬲爻賵丕蹖讴 丕夭 賳賵蹖爻賳丿賴鈥屬囏й� 丌賳丿乇 乇蹖鬲丿賴貨 讴丕賲賱丕 亘丕 丕蹖賳 賳馗乇 賲賵丕賮賯賲.
March 3, 2022
兀賯氐丿 赖賳丕 賳賵毓 丕賱兀丨丕爻賷爻
October 27, 2020
4,5*
螣 危.韦蟽尾维喂蠂 苇蠂蔚喂 蟽蟿慰 慰蟺位慰蟽蟿维蟽喂蠈 蟿慰蠀 苇谓伪谓 蟽蠀纬魏蔚魏蟻喂渭苇谓慰 蔚魏蠁蟻伪蟽蟿喂魏蠈 蟺位慰蠉蟿慰 纬蔚渭维蟿慰 蔚蠀伪喂蟽胃畏蟽委伪 魏伪喂 伪喂蟽胃畏蟽喂伪蟽渭蠈 魏伪喂 魏伪蟿伪蠁苇蟻谓蔚喂 伪魏蠈渭伪 渭苇蟽伪 伪蟺蠈 蟿畏 渭喂魏蟻萎 蠁蠈蟻渭伪 谓伪 渭伪蟼 蟿慰谓 蠂慰蟻畏纬蔚委 蟽蔚 未蠈蟽蔚喂蟼 蟿苇蟿慰喂蔚蟼, 蠋蟽蟿蔚 蟽畏魏蠋谓蔚蟿伪喂 伪谓蟿维蟻伪 渭苇蟽伪 渭伪蟼, 渭蟺蟻慰蟽蟿维 蟽蔚 伪蠀蟿蠈 蟺慰蠀 未喂伪尾维味慰蠀渭蔚. 围蠅蟻委蟼 伪渭蠁喂尾慰位委伪, 魏伪喂 蔚未蠋, 蔚蟺喂未伪蠄喂位蔚蠉蔚喂 渭喂伪 蠂蔚喂渭伪蟻蟻蠋未畏 喂蟽蟿慰蟻委伪, 畏位蔚魏蟿蟻喂蟽渭苇谓畏 魏伪喂 蟽魏慰蟿蔚喂谓萎, 蠁慰蟻蟿喂蟽渭苇谓畏 渭蔚 蟿慰 伪蟻谓畏蟿喂魏蠈 蠁慰蟻蟿委慰 渭喂伪蟼 蟺蟻伪纬渭伪蟿喂魏萎蟼 蟽蠉纬蠂蠀蟽畏蟼 伪喂蟽胃畏渭维蟿蠅谓. 螘委谓伪喂 渭喂伪 喂蟽蟿慰蟻委伪 蟺慰蠀 尉蔚蟿蠀位委纬蔚蟿伪喂 渭苇蟽伪 伪蟺蠈 蟿畏谓 伪蟽蠁维位蔚喂伪 蟿畏蟼 伪蟺蠈蟽蟿伪蟽畏蟼 魏伪喂 蟿慰蠀 蟺蔚蟺蔚蟻伪蟽渭苇谓慰蠀, 蠂蠅蟻委蟼 谓伪 蠀蟺维蟻蠂蔚喂 蠅蟽蟿蠈蟽慰 未喂伪蟻蟻慰萎 魏伪喂 蔚魏蟺慰委畏蟽畏 蟽蟿畏 未蠉谓伪渭畏 蟿蠅谓 尾喂蠅渭维蟿蠅谓, 纬喂伪 渭喂伪 蟽畏渭伪未蔚渭苇谓畏 伪蟺蠈 蟿畏谓 蟺谓蔚蠀渭伪蟿喂魏萎 蟽蠁蟻伪纬委未伪 蟽蠂苇蟽畏. 螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 渭喂伪 渭蠀蟽蟿伪纬蠅纬委伪 渭蔚 蟺慰位位苇蟼 蟽魏喂维蟽蔚喂蟼, 苇谓伪 蔚蟽蠅蟿蔚蟻喂魏蠈 未蟻维渭伪 渭蔚 蟿蟻伪纬喂魏苇蟼 伪蟺慰蠂蟻蠋蟽蔚喂蟼, 魏伪喂 渭喂伪 味苇蟽畏, 蠈蟺蠅蟼 蠈蟿伪谓 魏维胃蔚蟽伪喂 渭喂伪 魏蟻蠉伪 谓蠉蠂蟿伪 蟿慰蠀 蠂蔚喂渭蠋谓伪 蟽蟿慰 蟽魏慰蟿蔚喂谓蠈 未蠅渭维蟿喂慰 未委蟺位伪 蟽蟿慰 蟿味维魏喂.
螚 伪谓蟿维蟻伪 蟿蠅谓 蟽蠀谓伪喂蟽胃畏渭维蟿蠅谓 蟺慰蠀 蔚蟽蠅魏位蔚委蔚蟿伪喂 蟽蔚 伪蠀蟿萎 蟿畏 谓慰蠀尾苇位伪 蔚委谓伪喂 蠀蟺蠈纬蔚喂伪, 蟺蔚蟻喂蟻蟻苇慰蠀蟽伪, 魏伪喂 伪谓蔚尾伪委谓蔚喂 蟺蟻慰蟼 蟿伪 蟺维谓蠅 伪蟻纬维 魏伪喂 渭蔚胃慰未喂魏维, 慰 伪谓伪纬谓蠋蟽蟿畏蟼 蔚喂蟽苇蟻蠂蔚蟿伪喂 蟽蔚 苇谓伪 魏位蔚喂蟽蟿蠈 未蠅渭维蟿喂慰 魏伪喂 蟺伪蟻伪未委谓蔚蟿伪喂 蟽蔚 渭喂伪 蟽蠂蔚未蠈谓 蟽伪未喂蟽蟿喂魏萎 伪蟺蠈位伪蠀蟽畏 伪蟺蠈 蟿慰谓 蟺蠈谓慰 蟺慰蠀 魏蠀慰蠁慰蟻蔚委蟿伪喂 魏伪喂 蟺慰蠀 纬委谓蔚蟿伪喂 蟽伪蠁蠋蟼 伪谓蟿喂位畏蟺蟿蠈蟼 蟽蠂蔚未蠈谓 伪蟺蠈 蟿喂蟼 蟺蟻蠋蟿蔚蟼 蟽蔚位委未蔚蟼.
螚 蟺蟻慰魏蔚委渭蔚谓畏 喂蟽蟿慰蟻委伪 蔚委谓伪喂 畏 蟽蠂苇蟽畏 未维蟽魏伪位慰蠀 魏伪喂 渭伪胃畏蟿萎, 渭蔚 未喂维蠁慰蟻伪 蟺位慰魏维渭喂伪 谓伪 蟺伪蟻伪未苇蟻谓慰蠀谓 蟽蟿慰谓 伪蠁畏纬畏渭伪蟿喂魏蠈 维谓蔚渭慰 魏伪喂 渭蔚 伪蟺蠋蟿蔚蟻慰 蟽魏慰蟺蠈 伪蠀蟿维 谓伪 渭伪蟼 慰未畏纬萎蟽慰蠀谓 蟽蟿畏谓 魏伪蟻未喂维 魏伪喂 蟽蟿慰 味畏蟿慰蠉渭蔚谓慰 渭伪蟻纬伪蟻喂蟿维蟻喂 蟺慰蠀 蔚委谓伪喂 蔚蟻渭畏蟿喂魏维 魏位蔚喂蟽蟿蠈 魏伪喂 蠁蠀位伪纬渭苇谓慰 蠅蟼 蔚蟺蟿伪蟽蠁蟻维纬喂蟽蟿慰 渭蠀蟽蟿喂魏蠈. 螒蠀蟿蠈 蟿慰 渭蠀蟽蟿喂魏蠈 蟿蟻蔚渭慰蟺伪委味蔚喂 蟽伪谓 伪未蠉谓伪渭畏 蠁位慰纬委蟿蟽伪 蟺慰蠀 魏伪谓蔚委蟼 魏伪喂 蟿委蟺慰蟿伪 未蔚 蠁伪委谓蔚蟿伪喂 谓伪 苇蠂蔚喂 蟿畏 未蠉谓伪渭畏 谓伪 蟿畏谓 伪蟺慰蟽尾苇蟽蔚喂. 螉蟽伪-委蟽伪, 魏维蟿蠅 伪蟺蠈 魏伪蟿维位位畏位蔚蟼 蟽蠀谓胃萎魏蔚蟼 伪蠀蟿萎 未蠉谓伪蟿伪喂 谓伪 伪谓伪味蠅蟺蠀蟻蠅胃蔚委 魏伪喂 鈥撐蔽晃嘉课轿库€� 谓伪 蟽蠀谓蟿蟻委蠄蔚喂 蔚魏 胃蔚渭蔚位委蠅谓 蟿慰谓 渭苇蟽伪 魏蠈蟽渭慰 蟿慰蠀 蟺伪胃蠈谓蟿伪.
螒蠁蔚谓蠈蟼 慰 渭伪胃畏蟿萎蟼, 维蟻蟿喂 伪蠁喂蠂胃蔚委蟼 蟽蟿慰谓 魏蠈蟽渭慰 蟿畏蟼 纬谓蠋蟽畏蟼, 蟺蟻慰蟽慰渭慰喂维味蔚喂 渭蔚 蟿慰 伪蟺慰尉畏蟻伪渭苇谓慰 尾伪蟽喂位慰渭伪谓委蟿伪蟻慰 蟺慰蠀 渭蔚 蟿畏谓 蟺蟻蠋蟿畏 蟽蟿伪纬蠈谓伪 谓蔚蟻慰蠉 蔚谓蠀未伪蟿蠋谓蔚蟿伪喂, 伪蟻蠂委味蔚喂 谓伪 蠂伪蟻委味蔚喂 蟿慰 维蟻蠅渭维 蟿慰蠀 魏伪喂 谓伪 蔚魏蟻萎纬谓蠀蟿伪喂 慰 蔚蟽蠋魏位蔚喂蟽蟿慰蟼 纬蔚蠀蟽蟿喂魏蠈蟼 蟿慰蠀 胃畏蟽伪蠀蟻蠈蟼. 螚 蟽蟿伪纬蠈谓伪 蟺慰蠀 蟿慰谓 蔚谓蠀未伪蟿蠋谓蔚喂 蔚委谓伪喂, 蟺慰喂慰蟼 维位位慰蟼 纬喂伪 苇谓伪谓 渭伪胃畏蟿萎, 蟺伪蟻维 慰 魏伪胃畏纬畏蟿萎蟼 伪蠀蟿蠈蟼 蟺慰蠀 胃伪 蟿慰蠀 尉蠀蟺谓萎蟽蔚喂 蟿畏 渭蔚纬伪位蠉蟿蔚蟻畏 蟿蠅谓 蔚渭蟺谓蔚蠉蟽蔚蠅谓 渭蔚 蟿慰蠀蟼 蟺蠉蟻喂谓慰蠀蟼 蟽蠀谓蔚蟺伪蟻渭苇谓慰蠀蟼 位蠈纬慰蠀蟼 蟿慰蠀 渭苇蟽伪 蟽蟿畏谓 伪委胃慰蠀蟽伪 未喂未伪蟽魏伪位委伪蟼. 螡喂蠋胃慰蠀渭蔚 蟿慰 慰蟻渭畏蟿喂魏蠈 蟺维胃慰蟼 蟿慰蠀 渭伪胃畏蟿萎 蟺慰蠀 魏维胃蔚 蟺慰位蠉蟿喂渭畏 蟺谓蔚蠀渭伪蟿喂魏萎 蟽蟿伪纬蠈谓伪 蟺慰蠀 蟿慰蠀 蟺蟻慰蟽蠁苇蟻蔚蟿伪喂, 伪蟺慰渭蠀味蔚委蟿伪喂 伪渭苇蟽蠅蟼 渭蔚蟿维 蟽蔚 渭喂伪 蔚谓伪位位伪纬萎 蟺慰蠀 蟿蠀蟻伪谓谓维蔚喂, 蟺蟻慰尾位畏渭伪蟿委味蔚喂, 蟽蟺苇蟻谓蔚喂 蟿畏谓 伪渭蠁喂尾慰位委伪 魏伪喂 蟿畏谓 伪谓伪蟽蠁维位蔚喂伪 蟽蟿慰谓 谓蔚慰蟽蠉位位蔚魏蟿慰.
螒蠁蔚蟿苇蟻慰蠀 慰 未喂伪谓慰慰蠉渭蔚谓慰蟼 未维蟽魏伪位慰蟼, 伪未喂伪蟺苇蟻伪蟽蟿慰蟼 蟽伪谓 蟽蟿蟻蔚委未喂 蟽蟿慰谓 蟺维蟿慰 蟿慰蠀 尾蠀胃慰蠉, 渭伪胃畏渭苇谓慰蟼 谓伪 蔚蟺喂渭蔚位蔚委蟿伪喂 魏伪喂 谓伪 蟿蟻苇蠁蔚喂 渭慰谓伪蠂喂魏维 蟿慰谓 伪蟺蠅胃畏渭苇谓慰 蟿慰蠀 伪蟺蠈 蠂蟻蠈谓喂伪 未伪委渭慰谓伪, 喂未喂蠈蟻蟻蠀胃渭畏 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪, 伪蟺蟻慰蟽蟺苇位伪蟽蟿畏 蠁喂纬慰蠉蟻伪, 蠀蟺慰尾维位位蔚喂 蟿慰谓 渭伪胃畏蟿蔚蠀蠈渭蔚谓慰 蟽蔚 苇谓伪 蟽魏蠅蟿蟽苇味喂魏慰 谓蟿慰蠀蟼, 蔚蟻萎渭畏谓 蟿慰蠀 伪位位维 魏伪喂 渭畏 渭蟺慰蟻蠋谓蟿伪蟼 谓伪 蠂伪位喂谓伪纬蠅纬萎蟽蔚喂 蟿畏谓 伪蟽魏慰蠉渭蔚谓畏 蟽蟿慰谓 渭伪胃畏蟿萎 蟺谓蔚蠀渭伪蟿喂魏萎 蟿慰蠀 未蠉谓伪渭畏. 螠伪谓蟿蔚蠉慰蠀渭蔚 蟺蠅蟼 魏伪胃慰未畏纬蔚委蟿伪喂 伪蟺蠈 蟿喂蟼 蔚蟺喂蟿伪纬苇蟼 蟿慰蠀 味蠅蠋未慰蠀蟼 蔚谓蟽蟿委魏蟿慰蠀 蟺维谓蠅 蟽蟿慰 慰蟺慰委慰 渭维蠂蔚蟿伪喂 谓伪 蔚蟺喂尾位畏胃蔚委, 蔚蟺喂蟽蟿蟻伪蟿蔚蠉慰谓蟿伪蟼 蟿喂蟼 未蔚尉喂蠈蟿畏蟿蔚蟼 蟿慰蠀 谓慰蠀, 渭蔚 蟿喂蟼 慰蟺慰委蔚蟼 蔚委谓伪喂 胃蔚蠅蟻畏蟿喂魏维 蟺蟻慰喂魏喂蟽渭苇谓慰蟼.
韦蔚位喂魏维, 蟿慰 伪蟺蠈蟽蟿畏渭伪 蟺蟻苇蟺蔚喂 谓伪 伪谓慰喂蠂蟿蔚委, 畏 伪位萎胃蔚喂伪 慰蠁蔚委位蔚喂 谓伪 未蔚喂 蟿慰 蠁蠅蟼 蟺蟻慰蟽尾位苇蟺慰谓蟿伪蟼 蟽蔚 渭喂伪 蟿蔚位喂魏萎 魏维胃伪蟻蟽畏 蟺慰蠀 鈥撓單迪�!鈥� 未蔚谓 渭蟺慰蟻蔚委 谓伪 蔚委谓伪喂 蟺伪蟻维 渭喂伪 畏渭喂蟿蔚位萎蟼, 渭蔚蟻喂魏萎 魏维胃伪蟻蟽畏.
* 螌蟽慰 未喂伪尾维味蠅 危.韦. 伪谓伪蟿蟻苇蠂蠅 蟽蠀蠂谓维, 蟽伪谓 蠁蠀蟽喂慰纬谓蠅渭委蟽蟿蟻喂伪, 谓伪 蟽魏伪谓维蟻蠅 蟿畏 蠁维蟿蟽伪 伪蠀蟿慰蠉 蟿慰蠀 蟿蠉蟺慰蠀. 螆谓伪蟼 蟽蠅蟽蟿蠈蟼 蟿味喂蟿味喂蠁喂蠈纬魏慰蟼 蔚蟺慰蠂萎蟼, 渭蔚 蟿伪 纬蠀伪位维魏喂伪 魏伪喂 蟿慰 渭慰蠀蟽蟿伪魏维魏喂 蟿慰蠀, 渭蟺慰苇渭畏蟼 魏伪喂 魏蠀蟻喂位苇蟼 蟺慰蠀 蠈渭蠅蟼 尉苇蟻蔚喂 谓伪 纬蟻维蠁蔚喂, 慰渭慰位慰纬慰蠀渭苇谓蠅蟼.
* 螒蠁伪喂蟻蠋 渭喂蟽蠈 维蟽蟿蟻慰, 魏伪胃蠋蟼 伪谓伪蟺蠈蠁蔚蠀魏蟿伪 蟺蔚蟻喂蟺委蟺蟿蠅 蟽蟿慰 伪渭维蟻蟿畏渭伪 蟿畏蟼 蟽蠉纬魏蟻喂蟽畏蟼 蟿慰蠀 蟽蠀纬魏蔚魏蟻喂渭苇谓慰蠀 尾喂尾位委慰蠀 渭蔚 蟿慰 蟺蟻慰蟽蠁维蟿蠅蟼 伪谓伪纬谓蠅蟽渭苇谓慰 螁纬谓蠅蟽蟿慰 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 蟿慰蠀 螠蟺伪位味维魏. 螘魏蔚委 尾蟻喂蟽魏蠈渭伪蟽蟿蔚 苇谓伪 蔚蟺委蟺蔚未慰 蠀蠄畏位蠈蟿蔚蟻伪, 位慰纬慰蟿蔚蠂谓喂魏维 渭喂位蠋谓蟿伪蟼, 蟽蟿伪 未喂魏维 渭慰蠀 蟿伪蟺蔚喂谓维 渭维蟿喂伪.
螣 危.韦蟽尾维喂蠂 苇蠂蔚喂 蟽蟿慰 慰蟺位慰蟽蟿维蟽喂蠈 蟿慰蠀 苇谓伪谓 蟽蠀纬魏蔚魏蟻喂渭苇谓慰 蔚魏蠁蟻伪蟽蟿喂魏蠈 蟺位慰蠉蟿慰 纬蔚渭维蟿慰 蔚蠀伪喂蟽胃畏蟽委伪 魏伪喂 伪喂蟽胃畏蟽喂伪蟽渭蠈 魏伪喂 魏伪蟿伪蠁苇蟻谓蔚喂 伪魏蠈渭伪 渭苇蟽伪 伪蟺蠈 蟿畏 渭喂魏蟻萎 蠁蠈蟻渭伪 谓伪 渭伪蟼 蟿慰谓 蠂慰蟻畏纬蔚委 蟽蔚 未蠈蟽蔚喂蟼 蟿苇蟿慰喂蔚蟼, 蠋蟽蟿蔚 蟽畏魏蠋谓蔚蟿伪喂 伪谓蟿维蟻伪 渭苇蟽伪 渭伪蟼, 渭蟺蟻慰蟽蟿维 蟽蔚 伪蠀蟿蠈 蟺慰蠀 未喂伪尾维味慰蠀渭蔚. 围蠅蟻委蟼 伪渭蠁喂尾慰位委伪, 魏伪喂 蔚未蠋, 蔚蟺喂未伪蠄喂位蔚蠉蔚喂 渭喂伪 蠂蔚喂渭伪蟻蟻蠋未畏 喂蟽蟿慰蟻委伪, 畏位蔚魏蟿蟻喂蟽渭苇谓畏 魏伪喂 蟽魏慰蟿蔚喂谓萎, 蠁慰蟻蟿喂蟽渭苇谓畏 渭蔚 蟿慰 伪蟻谓畏蟿喂魏蠈 蠁慰蟻蟿委慰 渭喂伪蟼 蟺蟻伪纬渭伪蟿喂魏萎蟼 蟽蠉纬蠂蠀蟽畏蟼 伪喂蟽胃畏渭维蟿蠅谓. 螘委谓伪喂 渭喂伪 喂蟽蟿慰蟻委伪 蟺慰蠀 尉蔚蟿蠀位委纬蔚蟿伪喂 渭苇蟽伪 伪蟺蠈 蟿畏谓 伪蟽蠁维位蔚喂伪 蟿畏蟼 伪蟺蠈蟽蟿伪蟽畏蟼 魏伪喂 蟿慰蠀 蟺蔚蟺蔚蟻伪蟽渭苇谓慰蠀, 蠂蠅蟻委蟼 谓伪 蠀蟺维蟻蠂蔚喂 蠅蟽蟿蠈蟽慰 未喂伪蟻蟻慰萎 魏伪喂 蔚魏蟺慰委畏蟽畏 蟽蟿畏 未蠉谓伪渭畏 蟿蠅谓 尾喂蠅渭维蟿蠅谓, 纬喂伪 渭喂伪 蟽畏渭伪未蔚渭苇谓畏 伪蟺蠈 蟿畏谓 蟺谓蔚蠀渭伪蟿喂魏萎 蟽蠁蟻伪纬委未伪 蟽蠂苇蟽畏. 螤蟻蠈魏蔚喂蟿伪喂 纬喂伪 渭喂伪 渭蠀蟽蟿伪纬蠅纬委伪 渭蔚 蟺慰位位苇蟼 蟽魏喂维蟽蔚喂蟼, 苇谓伪 蔚蟽蠅蟿蔚蟻喂魏蠈 未蟻维渭伪 渭蔚 蟿蟻伪纬喂魏苇蟼 伪蟺慰蠂蟻蠋蟽蔚喂蟼, 魏伪喂 渭喂伪 味苇蟽畏, 蠈蟺蠅蟼 蠈蟿伪谓 魏维胃蔚蟽伪喂 渭喂伪 魏蟻蠉伪 谓蠉蠂蟿伪 蟿慰蠀 蠂蔚喂渭蠋谓伪 蟽蟿慰 蟽魏慰蟿蔚喂谓蠈 未蠅渭维蟿喂慰 未委蟺位伪 蟽蟿慰 蟿味维魏喂.
螚 伪谓蟿维蟻伪 蟿蠅谓 蟽蠀谓伪喂蟽胃畏渭维蟿蠅谓 蟺慰蠀 蔚蟽蠅魏位蔚委蔚蟿伪喂 蟽蔚 伪蠀蟿萎 蟿畏 谓慰蠀尾苇位伪 蔚委谓伪喂 蠀蟺蠈纬蔚喂伪, 蟺蔚蟻喂蟻蟻苇慰蠀蟽伪, 魏伪喂 伪谓蔚尾伪委谓蔚喂 蟺蟻慰蟼 蟿伪 蟺维谓蠅 伪蟻纬维 魏伪喂 渭蔚胃慰未喂魏维, 慰 伪谓伪纬谓蠋蟽蟿畏蟼 蔚喂蟽苇蟻蠂蔚蟿伪喂 蟽蔚 苇谓伪 魏位蔚喂蟽蟿蠈 未蠅渭维蟿喂慰 魏伪喂 蟺伪蟻伪未委谓蔚蟿伪喂 蟽蔚 渭喂伪 蟽蠂蔚未蠈谓 蟽伪未喂蟽蟿喂魏萎 伪蟺蠈位伪蠀蟽畏 伪蟺蠈 蟿慰谓 蟺蠈谓慰 蟺慰蠀 魏蠀慰蠁慰蟻蔚委蟿伪喂 魏伪喂 蟺慰蠀 纬委谓蔚蟿伪喂 蟽伪蠁蠋蟼 伪谓蟿喂位畏蟺蟿蠈蟼 蟽蠂蔚未蠈谓 伪蟺蠈 蟿喂蟼 蟺蟻蠋蟿蔚蟼 蟽蔚位委未蔚蟼.
螚 蟺蟻慰魏蔚委渭蔚谓畏 喂蟽蟿慰蟻委伪 蔚委谓伪喂 畏 蟽蠂苇蟽畏 未维蟽魏伪位慰蠀 魏伪喂 渭伪胃畏蟿萎, 渭蔚 未喂维蠁慰蟻伪 蟺位慰魏维渭喂伪 谓伪 蟺伪蟻伪未苇蟻谓慰蠀谓 蟽蟿慰谓 伪蠁畏纬畏渭伪蟿喂魏蠈 维谓蔚渭慰 魏伪喂 渭蔚 伪蟺蠋蟿蔚蟻慰 蟽魏慰蟺蠈 伪蠀蟿维 谓伪 渭伪蟼 慰未畏纬萎蟽慰蠀谓 蟽蟿畏谓 魏伪蟻未喂维 魏伪喂 蟽蟿慰 味畏蟿慰蠉渭蔚谓慰 渭伪蟻纬伪蟻喂蟿维蟻喂 蟺慰蠀 蔚委谓伪喂 蔚蟻渭畏蟿喂魏维 魏位蔚喂蟽蟿蠈 魏伪喂 蠁蠀位伪纬渭苇谓慰 蠅蟼 蔚蟺蟿伪蟽蠁蟻维纬喂蟽蟿慰 渭蠀蟽蟿喂魏蠈. 螒蠀蟿蠈 蟿慰 渭蠀蟽蟿喂魏蠈 蟿蟻蔚渭慰蟺伪委味蔚喂 蟽伪谓 伪未蠉谓伪渭畏 蠁位慰纬委蟿蟽伪 蟺慰蠀 魏伪谓蔚委蟼 魏伪喂 蟿委蟺慰蟿伪 未蔚 蠁伪委谓蔚蟿伪喂 谓伪 苇蠂蔚喂 蟿畏 未蠉谓伪渭畏 谓伪 蟿畏谓 伪蟺慰蟽尾苇蟽蔚喂. 螉蟽伪-委蟽伪, 魏维蟿蠅 伪蟺蠈 魏伪蟿维位位畏位蔚蟼 蟽蠀谓胃萎魏蔚蟼 伪蠀蟿萎 未蠉谓伪蟿伪喂 谓伪 伪谓伪味蠅蟺蠀蟻蠅胃蔚委 魏伪喂 鈥撐蔽晃嘉课轿库€� 谓伪 蟽蠀谓蟿蟻委蠄蔚喂 蔚魏 胃蔚渭蔚位委蠅谓 蟿慰谓 渭苇蟽伪 魏蠈蟽渭慰 蟿慰蠀 蟺伪胃蠈谓蟿伪.
螒蠁蔚谓蠈蟼 慰 渭伪胃畏蟿萎蟼, 维蟻蟿喂 伪蠁喂蠂胃蔚委蟼 蟽蟿慰谓 魏蠈蟽渭慰 蟿畏蟼 纬谓蠋蟽畏蟼, 蟺蟻慰蟽慰渭慰喂维味蔚喂 渭蔚 蟿慰 伪蟺慰尉畏蟻伪渭苇谓慰 尾伪蟽喂位慰渭伪谓委蟿伪蟻慰 蟺慰蠀 渭蔚 蟿畏谓 蟺蟻蠋蟿畏 蟽蟿伪纬蠈谓伪 谓蔚蟻慰蠉 蔚谓蠀未伪蟿蠋谓蔚蟿伪喂, 伪蟻蠂委味蔚喂 谓伪 蠂伪蟻委味蔚喂 蟿慰 维蟻蠅渭维 蟿慰蠀 魏伪喂 谓伪 蔚魏蟻萎纬谓蠀蟿伪喂 慰 蔚蟽蠋魏位蔚喂蟽蟿慰蟼 纬蔚蠀蟽蟿喂魏蠈蟼 蟿慰蠀 胃畏蟽伪蠀蟻蠈蟼. 螚 蟽蟿伪纬蠈谓伪 蟺慰蠀 蟿慰谓 蔚谓蠀未伪蟿蠋谓蔚喂 蔚委谓伪喂, 蟺慰喂慰蟼 维位位慰蟼 纬喂伪 苇谓伪谓 渭伪胃畏蟿萎, 蟺伪蟻维 慰 魏伪胃畏纬畏蟿萎蟼 伪蠀蟿蠈蟼 蟺慰蠀 胃伪 蟿慰蠀 尉蠀蟺谓萎蟽蔚喂 蟿畏 渭蔚纬伪位蠉蟿蔚蟻畏 蟿蠅谓 蔚渭蟺谓蔚蠉蟽蔚蠅谓 渭蔚 蟿慰蠀蟼 蟺蠉蟻喂谓慰蠀蟼 蟽蠀谓蔚蟺伪蟻渭苇谓慰蠀蟼 位蠈纬慰蠀蟼 蟿慰蠀 渭苇蟽伪 蟽蟿畏谓 伪委胃慰蠀蟽伪 未喂未伪蟽魏伪位委伪蟼. 螡喂蠋胃慰蠀渭蔚 蟿慰 慰蟻渭畏蟿喂魏蠈 蟺维胃慰蟼 蟿慰蠀 渭伪胃畏蟿萎 蟺慰蠀 魏维胃蔚 蟺慰位蠉蟿喂渭畏 蟺谓蔚蠀渭伪蟿喂魏萎 蟽蟿伪纬蠈谓伪 蟺慰蠀 蟿慰蠀 蟺蟻慰蟽蠁苇蟻蔚蟿伪喂, 伪蟺慰渭蠀味蔚委蟿伪喂 伪渭苇蟽蠅蟼 渭蔚蟿维 蟽蔚 渭喂伪 蔚谓伪位位伪纬萎 蟺慰蠀 蟿蠀蟻伪谓谓维蔚喂, 蟺蟻慰尾位畏渭伪蟿委味蔚喂, 蟽蟺苇蟻谓蔚喂 蟿畏谓 伪渭蠁喂尾慰位委伪 魏伪喂 蟿畏谓 伪谓伪蟽蠁维位蔚喂伪 蟽蟿慰谓 谓蔚慰蟽蠉位位蔚魏蟿慰.
螒蠁蔚蟿苇蟻慰蠀 慰 未喂伪谓慰慰蠉渭蔚谓慰蟼 未维蟽魏伪位慰蟼, 伪未喂伪蟺苇蟻伪蟽蟿慰蟼 蟽伪谓 蟽蟿蟻蔚委未喂 蟽蟿慰谓 蟺维蟿慰 蟿慰蠀 尾蠀胃慰蠉, 渭伪胃畏渭苇谓慰蟼 谓伪 蔚蟺喂渭蔚位蔚委蟿伪喂 魏伪喂 谓伪 蟿蟻苇蠁蔚喂 渭慰谓伪蠂喂魏维 蟿慰谓 伪蟺蠅胃畏渭苇谓慰 蟿慰蠀 伪蟺蠈 蠂蟻蠈谓喂伪 未伪委渭慰谓伪, 喂未喂蠈蟻蟻蠀胃渭畏 蟺蟻慰蟽蠅蟺喂魏蠈蟿畏蟿伪, 伪蟺蟻慰蟽蟺苇位伪蟽蟿畏 蠁喂纬慰蠉蟻伪, 蠀蟺慰尾维位位蔚喂 蟿慰谓 渭伪胃畏蟿蔚蠀蠈渭蔚谓慰 蟽蔚 苇谓伪 蟽魏蠅蟿蟽苇味喂魏慰 谓蟿慰蠀蟼, 蔚蟻萎渭畏谓 蟿慰蠀 伪位位维 魏伪喂 渭畏 渭蟺慰蟻蠋谓蟿伪蟼 谓伪 蠂伪位喂谓伪纬蠅纬萎蟽蔚喂 蟿畏谓 伪蟽魏慰蠉渭蔚谓畏 蟽蟿慰谓 渭伪胃畏蟿萎 蟺谓蔚蠀渭伪蟿喂魏萎 蟿慰蠀 未蠉谓伪渭畏. 螠伪谓蟿蔚蠉慰蠀渭蔚 蟺蠅蟼 魏伪胃慰未畏纬蔚委蟿伪喂 伪蟺蠈 蟿喂蟼 蔚蟺喂蟿伪纬苇蟼 蟿慰蠀 味蠅蠋未慰蠀蟼 蔚谓蟽蟿委魏蟿慰蠀 蟺维谓蠅 蟽蟿慰 慰蟺慰委慰 渭维蠂蔚蟿伪喂 谓伪 蔚蟺喂尾位畏胃蔚委, 蔚蟺喂蟽蟿蟻伪蟿蔚蠉慰谓蟿伪蟼 蟿喂蟼 未蔚尉喂蠈蟿畏蟿蔚蟼 蟿慰蠀 谓慰蠀, 渭蔚 蟿喂蟼 慰蟺慰委蔚蟼 蔚委谓伪喂 胃蔚蠅蟻畏蟿喂魏维 蟺蟻慰喂魏喂蟽渭苇谓慰蟼.
韦蔚位喂魏维, 蟿慰 伪蟺蠈蟽蟿畏渭伪 蟺蟻苇蟺蔚喂 谓伪 伪谓慰喂蠂蟿蔚委, 畏 伪位萎胃蔚喂伪 慰蠁蔚委位蔚喂 谓伪 未蔚喂 蟿慰 蠁蠅蟼 蟺蟻慰蟽尾位苇蟺慰谓蟿伪蟼 蟽蔚 渭喂伪 蟿蔚位喂魏萎 魏维胃伪蟻蟽畏 蟺慰蠀 鈥撓單迪�!鈥� 未蔚谓 渭蟺慰蟻蔚委 谓伪 蔚委谓伪喂 蟺伪蟻维 渭喂伪 畏渭喂蟿蔚位萎蟼, 渭蔚蟻喂魏萎 魏维胃伪蟻蟽畏.
* 螌蟽慰 未喂伪尾维味蠅 危.韦. 伪谓伪蟿蟻苇蠂蠅 蟽蠀蠂谓维, 蟽伪谓 蠁蠀蟽喂慰纬谓蠅渭委蟽蟿蟻喂伪, 谓伪 蟽魏伪谓维蟻蠅 蟿畏 蠁维蟿蟽伪 伪蠀蟿慰蠉 蟿慰蠀 蟿蠉蟺慰蠀. 螆谓伪蟼 蟽蠅蟽蟿蠈蟼 蟿味喂蟿味喂蠁喂蠈纬魏慰蟼 蔚蟺慰蠂萎蟼, 渭蔚 蟿伪 纬蠀伪位维魏喂伪 魏伪喂 蟿慰 渭慰蠀蟽蟿伪魏维魏喂 蟿慰蠀, 渭蟺慰苇渭畏蟼 魏伪喂 魏蠀蟻喂位苇蟼 蟺慰蠀 蠈渭蠅蟼 尉苇蟻蔚喂 谓伪 纬蟻维蠁蔚喂, 慰渭慰位慰纬慰蠀渭苇谓蠅蟼.
* 螒蠁伪喂蟻蠋 渭喂蟽蠈 维蟽蟿蟻慰, 魏伪胃蠋蟼 伪谓伪蟺蠈蠁蔚蠀魏蟿伪 蟺蔚蟻喂蟺委蟺蟿蠅 蟽蟿慰 伪渭维蟻蟿畏渭伪 蟿畏蟼 蟽蠉纬魏蟻喂蟽畏蟼 蟿慰蠀 蟽蠀纬魏蔚魏蟻喂渭苇谓慰蠀 尾喂尾位委慰蠀 渭蔚 蟿慰 蟺蟻慰蟽蠁维蟿蠅蟼 伪谓伪纬谓蠅蟽渭苇谓慰 螁纬谓蠅蟽蟿慰 伪蟻喂蟽蟿慰蠉蟻纬畏渭伪 蟿慰蠀 螠蟺伪位味维魏. 螘魏蔚委 尾蟻喂蟽魏蠈渭伪蟽蟿蔚 苇谓伪 蔚蟺委蟺蔚未慰 蠀蠄畏位蠈蟿蔚蟻伪, 位慰纬慰蟿蔚蠂谓喂魏维 渭喂位蠋谓蟿伪蟼, 蟽蟿伪 未喂魏维 渭慰蠀 蟿伪蟺蔚喂谓维 渭维蟿喂伪.
December 14, 2022
乇賵丕賷丞 噩乇賷卅丞 亘兀賮賰丕乇 睾乇賷亘丞 毓賱賶 賰丕賮丞 丕賱賲噩鬲賲毓丕鬲貙 賱賯丿 丕賯鬲丨賲 夭賮丕賷睾 賲卮賰賱丞 卮丕卅賰丞 賲賵噩賵丿丞 賮賷 丕賱賲噩鬲賲毓丕鬲 賵賱丕賷賲賰賳 丕賳賰丕乇賴丕 賮賴賷 亘丕賱睾丞 丕賱丨爻丕爻賷丞.
賵囟丨賴丕 亘賰賱 噩乇兀丞 丕賱賲卮丕毓乇 賵丕賱丕丨丕爻賷爻 丕賱鬲賷 鬲毓鬲乇賷賴丕 貙 賵亘毓賲賯 賮賱爻賮賷 貙 丨賷孬 鬲鬲丿丕禺賱 丕賱賲卮丕毓乇 亘賷賳 丕賱氐丿丕賯丞 賵丕賱毓賱賲 賵丕賱毓賲賱 賵丕賱毓賱丕賯丕鬲 丕賱廿賳爻丕賳賷丞 貙 亘賯丿乇 賰亘賷乇 賲賳 丕賱賮賵囟賶 丕賱鬲賷 鬲噩毓賱賰 賲丨鬲丕乇丕賸 賮賷 鬲丨丿賷丿 賲賵賯賮賰 賲賳 賰賱 匕賱賰 .
賷亘賯賶 夭賮丕賷睾 丕賱兀賰孬乇 丕亘丿丕毓丕賸 賮賷 賲賯丕乇毓丞 丕賱兀丨丕爻賷爻 賵鬲毓乇賷鬲賴丕 亘賰賱 丨賷丕丿賷丞.
賵囟丨賴丕 亘賰賱 噩乇兀丞 丕賱賲卮丕毓乇 賵丕賱丕丨丕爻賷爻 丕賱鬲賷 鬲毓鬲乇賷賴丕 貙 賵亘毓賲賯 賮賱爻賮賷 貙 丨賷孬 鬲鬲丿丕禺賱 丕賱賲卮丕毓乇 亘賷賳 丕賱氐丿丕賯丞 賵丕賱毓賱賲 賵丕賱毓賲賱 賵丕賱毓賱丕賯丕鬲 丕賱廿賳爻丕賳賷丞 貙 亘賯丿乇 賰亘賷乇 賲賳 丕賱賮賵囟賶 丕賱鬲賷 鬲噩毓賱賰 賲丨鬲丕乇丕賸 賮賷 鬲丨丿賷丿 賲賵賯賮賰 賲賳 賰賱 匕賱賰 .
賷亘賯賶 夭賮丕賷睾 丕賱兀賰孬乇 丕亘丿丕毓丕賸 賮賷 賲賯丕乇毓丞 丕賱兀丨丕爻賷爻 賵鬲毓乇賷鬲賴丕 亘賰賱 丨賷丕丿賷丞.
December 7, 2014
We live through myriads of seconds, yet it is always one, just one, that casts our entire inner world into turmoil.
Roland, a well respected, older professor who holds an honored place in the ivory towers of academia, recalls his life as a young student, and his relationship to his own professor and mentor at that time-- a man whom he admired, obsessed over and wanted to emulate. He replays memories of his situation as a university student, having had a horrific grievance with his father, renting a room in his teacher's home and becoming his amanuensis.
Roland discovers that being in such close proximity to his professor and his wife, deeply checked secrets become increasingly difficult to suppress. His confusion is borne from the innocence of a youth whose direction is often ambiguous in the face of inexperience: too naive to comprehend a sideways glance; too unsophisticated to decipher a muffled conversation or to interpret the slightest change of demeanor. This living arrangement becomes one of anxiety, mixed emotions, tension, and misunderstanding.
What place had I reached? I had sensed the secrets quite close, its hot breath already on my face, and now it had retreated again, but its shadow, its silent, opaque shadow still murmured in the air, I felt it as a dangerous presence in the house..
While his wife manages the game of secrets with a deft hand, Roland's mentor lives in constant fear of his secret being revealed, especially in a society that keeps the 'perpetrator's' name on a 'certain list'.
It isn't right, not a young student and his teacher, do you understand? One must keep one's distance...
Such restrained passions do not fit comfortably in the conventional form of the period, and must be kept hushed up, closeted, hidden behind closed doors. The relationships between the three feverishly entangle into a discombobulated love triangle.
It will soon be cleared up because I'm not letting him play with you and confuse you like that anymore. There must be an end to all this. He must finally learn to control himself. You're too good for his dangerous games.
Zweig takes the reader into a turbulence of high-strung emotions, as crossed messages become haphazardly layered one on top the other. He portrays Roland's fiery confusion as a pathogen, taking over the thoughts of one person who spreads its virulent toxins to the other.
Nothing however is more arousing and intriguing to a young man than a teasing set of vague suspicions; the imagination usually wandering idly finds its quarry suddenly revealed to it, and is immediately agog with the newly discovered pleasure of the chase.
Confusion's plot isn't a contemporary one - outlooks have changed since the period this story was set; and by today's standards, it is basically nothing to be shocked by. For that reason, it wouldn't completely excite the reader. However, it is another wonderful gem from Zweig's observations into human affects and relationships. It may be a bit disorienting and frenzied, but that was the whole purpose.
**
Here's a little reggae ditty:
We all got something to hide,
We're all livin' a lie...
What goes on behind closed doors?
Nobody knows, nobody knows for sure
by Lionize -
First read 2012
Re-read April 18th, 2014
Roland, a well respected, older professor who holds an honored place in the ivory towers of academia, recalls his life as a young student, and his relationship to his own professor and mentor at that time-- a man whom he admired, obsessed over and wanted to emulate. He replays memories of his situation as a university student, having had a horrific grievance with his father, renting a room in his teacher's home and becoming his amanuensis.
Roland discovers that being in such close proximity to his professor and his wife, deeply checked secrets become increasingly difficult to suppress. His confusion is borne from the innocence of a youth whose direction is often ambiguous in the face of inexperience: too naive to comprehend a sideways glance; too unsophisticated to decipher a muffled conversation or to interpret the slightest change of demeanor. This living arrangement becomes one of anxiety, mixed emotions, tension, and misunderstanding.
What place had I reached? I had sensed the secrets quite close, its hot breath already on my face, and now it had retreated again, but its shadow, its silent, opaque shadow still murmured in the air, I felt it as a dangerous presence in the house..
While his wife manages the game of secrets with a deft hand, Roland's mentor lives in constant fear of his secret being revealed, especially in a society that keeps the 'perpetrator's' name on a 'certain list'.
It isn't right, not a young student and his teacher, do you understand? One must keep one's distance...
Such restrained passions do not fit comfortably in the conventional form of the period, and must be kept hushed up, closeted, hidden behind closed doors. The relationships between the three feverishly entangle into a discombobulated love triangle.
It will soon be cleared up because I'm not letting him play with you and confuse you like that anymore. There must be an end to all this. He must finally learn to control himself. You're too good for his dangerous games.
Zweig takes the reader into a turbulence of high-strung emotions, as crossed messages become haphazardly layered one on top the other. He portrays Roland's fiery confusion as a pathogen, taking over the thoughts of one person who spreads its virulent toxins to the other.
Nothing however is more arousing and intriguing to a young man than a teasing set of vague suspicions; the imagination usually wandering idly finds its quarry suddenly revealed to it, and is immediately agog with the newly discovered pleasure of the chase.
Confusion's plot isn't a contemporary one - outlooks have changed since the period this story was set; and by today's standards, it is basically nothing to be shocked by. For that reason, it wouldn't completely excite the reader. However, it is another wonderful gem from Zweig's observations into human affects and relationships. It may be a bit disorienting and frenzied, but that was the whole purpose.
**
Here's a little reggae ditty:
We all got something to hide,
We're all livin' a lie...
What goes on behind closed doors?
Nobody knows, nobody knows for sure
by Lionize -
First read 2012
Re-read April 18th, 2014
January 28, 2018
韦蠈蟽慰 魏伪胃畏位蠅蟿喂魏蠈 渭蔚蟼 蟽蟿畏谓 伪蟺位蠈蟿畏蟿维 蟿慰蠀. 螆谓伪 蟺维胃慰蟼 喂未蠅渭苇谓慰 伪蟺蠈 魏维胃蔚 蠁伪谓蔚蟻萎 魏伪喂 魏蟻蠀渭渭苇谓畏 慰蟺蟿喂魏萎 蟿畏蟼 伪谓胃蟻蠋蟺喂谓畏蟼 蠉蟺伪蟻尉畏蟼 魏伪喂 蠄蠀蠂萎蟼.
"[...] 蠀蟺维蟻蠂慰蠀谓 尉伪蠁谓喂魏苇蟼 蟽蔚喂蟽渭喂魏苇蟼 伪谓伪蟿伪蟻维尉蔚喂蟼, 苇谓伪 蔚委未慰蟼 蔚蟽蠅蟿蔚蟻喂魏萎蟼 苇魏蟻畏尉畏蟼, 蟺慰蠀 伪谓 蔚蟺喂蠂蔚喂蟻萎蟽蔚喂蟼 谓伪 蟿喂蟼 渭蔚蟿伪蟿蟻苇蠄蔚喂蟼 蟽蔚 位苇尉蔚喂蟼 胃伪 伪魏慰蠀蟽蟿慰蠉谓 蟺喂胃伪谓蠈蟿伪蟿伪 渭蔚位慰未蟻伪渭伪蟿喂魏苇蟼, 蠀蟺维蟻蠂慰蠀谓 蟽蠀纬魏蔚魏蟻喂渭苇谓伪 位蠈纬喂伪, 蟺慰蠀 未喂伪胃苇蟿慰蠀谓 蟿畏 渭慰谓伪未喂魏萎 魏伪喂 伪谓蔚蟺伪谓维位位畏蟺蟿畏 伪位萎胃蔚喂伪 蟿畏蟼 蟽蟿喂纬渭萎蟼 蟺慰蠀 伪谓蟿伪位位维蠂蟿畏魏伪谓 伪蟺蠈 未蠉慰 蟺蟻蠈蟽蠅蟺伪 魏伪喂 蟺慰蠀 尉蔚蟺萎未畏蟽伪谓 渭苇蟽伪 伪蟺蠈 苇谓伪谓 伪谓伪蟺维谓蟿蔚蠂慰 魏慰蠂位伪蟽渭蠈 蟿蠅谓 伪喂蟽胃萎蟽蔚蠅谓."
"螝伪喂 蠅蟽蟿蠈蟽慰 魏伪渭喂维 畏未慰谓萎 未蔚 蟽蠀纬魏蟻委谓蔚蟿伪喂 纬喂伪 蟿慰 纬谓蠋蟽蟿畏 渭蔚 魏蔚委谓畏 蟿慰蠀 伪蟺蠈魏蟻蠀蠁慰蠀, 魏伪谓苇谓伪 伪谓伪蟿蟻委蠂喂伪蟽渭伪 未蔚谓 蔚委谓伪喂 蟿蠈蟽慰 未蠀谓伪蟿蠈 蠈蟽慰 蔚魏蔚委谓慰 蟺慰蠀 纬蔚谓谓维蔚喂 慰 魏委谓未蠀谓慰蟼 魏伪喂 魏伪谓苇谓伪 蟺维胃慰蟼 未蔚谓 蔚委谓伪喂 喂蔚蟻蠈蟿蔚蟻慰 伪蟺蠈 蔚魏蔚委谓慰 蟺慰蠀 渭苇谓蔚喂 尾伪胃喂维 魏蟻蠀渭渭苇谓慰 伪蟺蠈 谓蟿蟻慰蟺萎."
"[...] 蠀蟺维蟻蠂慰蠀谓 尉伪蠁谓喂魏苇蟼 蟽蔚喂蟽渭喂魏苇蟼 伪谓伪蟿伪蟻维尉蔚喂蟼, 苇谓伪 蔚委未慰蟼 蔚蟽蠅蟿蔚蟻喂魏萎蟼 苇魏蟻畏尉畏蟼, 蟺慰蠀 伪谓 蔚蟺喂蠂蔚喂蟻萎蟽蔚喂蟼 谓伪 蟿喂蟼 渭蔚蟿伪蟿蟻苇蠄蔚喂蟼 蟽蔚 位苇尉蔚喂蟼 胃伪 伪魏慰蠀蟽蟿慰蠉谓 蟺喂胃伪谓蠈蟿伪蟿伪 渭蔚位慰未蟻伪渭伪蟿喂魏苇蟼, 蠀蟺维蟻蠂慰蠀谓 蟽蠀纬魏蔚魏蟻喂渭苇谓伪 位蠈纬喂伪, 蟺慰蠀 未喂伪胃苇蟿慰蠀谓 蟿畏 渭慰谓伪未喂魏萎 魏伪喂 伪谓蔚蟺伪谓维位位畏蟺蟿畏 伪位萎胃蔚喂伪 蟿畏蟼 蟽蟿喂纬渭萎蟼 蟺慰蠀 伪谓蟿伪位位维蠂蟿畏魏伪谓 伪蟺蠈 未蠉慰 蟺蟻蠈蟽蠅蟺伪 魏伪喂 蟺慰蠀 尉蔚蟺萎未畏蟽伪谓 渭苇蟽伪 伪蟺蠈 苇谓伪谓 伪谓伪蟺维谓蟿蔚蠂慰 魏慰蠂位伪蟽渭蠈 蟿蠅谓 伪喂蟽胃萎蟽蔚蠅谓."
"螝伪喂 蠅蟽蟿蠈蟽慰 魏伪渭喂维 畏未慰谓萎 未蔚 蟽蠀纬魏蟻委谓蔚蟿伪喂 纬喂伪 蟿慰 纬谓蠋蟽蟿畏 渭蔚 魏蔚委谓畏 蟿慰蠀 伪蟺蠈魏蟻蠀蠁慰蠀, 魏伪谓苇谓伪 伪谓伪蟿蟻委蠂喂伪蟽渭伪 未蔚谓 蔚委谓伪喂 蟿蠈蟽慰 未蠀谓伪蟿蠈 蠈蟽慰 蔚魏蔚委谓慰 蟺慰蠀 纬蔚谓谓维蔚喂 慰 魏委谓未蠀谓慰蟼 魏伪喂 魏伪谓苇谓伪 蟺维胃慰蟼 未蔚谓 蔚委谓伪喂 喂蔚蟻蠈蟿蔚蟻慰 伪蟺蠈 蔚魏蔚委谓慰 蟺慰蠀 渭苇谓蔚喂 尾伪胃喂维 魏蟻蠀渭渭苇谓慰 伪蟺蠈 谓蟿蟻慰蟺萎."
November 5, 2023
丕賱賰鬲丕亘丞 賮禺 賷睾乇賷 亘丕賱賵賯賵毓 賮賷賴 乇睾賲 爻匕丕噩鬲賴. 賮禺 賳乇丕賴 亘兀毓賷賳賳丕 孬賲 賳賳丿賮毓 廿賱賷賴 賮賷 廿噩賱丕賱 賵 孬賯丞 賰丕賱賮乇丕卮丕鬲 丕賱鬲賷 鬲賱賯賷 亘賳賮爻賴丕 賮賷 丕賱賳賷乇丕賳. 賵 爻賵丕亍 賰鬲亘賳丕 賲丕 賳毓乇賮 兀賵 賲丕 賳賮毓賱 兀賵 賲丕 鬲禺賷賱賳丕賴. 賱丕 鬲亘賯賶 賰賱賲丕鬲賳丕 兀爻賷乇丞 丕賱氐賮丨丕鬲 賵 賱丕 鬲賰亘賱賴丕 丕賱兀睾賱賮賴. 賲賴賲丕 賯賲毓賳丕 乇賵丨賳丕 賵 賳賮爻賳丕 丕賱鬲賷 亘賷賳 噩賳亘賷賳丕 賮廿賳 丕賱賰賱賲丕鬲 鬲氐賷乇 丨乇丞 亘賲噩乇丿 丕胤賱丕賯賴丕. 賵 賱匕賱賰 賮賯丿 毓噩夭鬲 毓賳 賰鬲丕亘丞 兀賷 賰賱賲丞 亘毓丿 賯乇丕亍丞 鬲賱賰 丕賱賯氐丞 丕賱賲乇亘賰丞. 賵 賱兀賳 禺胤賷卅丞 丕賱氐賲鬲 賱賷爻鬲 賲賳 囟賲賳 禺胤丕賷丕賷 賮賯丿 賮囟賱鬲 兀賳 鬲賰賵賳 丕賱賲乇丕噩毓丞 赖賳丕
July 8, 2020
爻鬲賷賮丕賳 夭賮丕賷睾 "毓賲賱丕賯" 賮賶 賵氐賮 丕賱鬲賮丕氐賷賱 賵丕賱賲卮丕毓乇 丕賱賲禺鬲賱胤丞 貙賵禺氐賵氐丕 賲卮丕毓乇 賰鬲賲丕賳 丕賱丕爻乇丕乇 賵丕賱鬲賮賰賷乇 賮賷賴丕 賵丕乇丕丿丞 丕賱鬲禺賱氐 賲賳賴丕 貙 丕賱乇賵丕賷丞 丕爻賲 毓賱賶 賲爻賲賶 賮毓賱丕 賮賵囟賶 丕賱賲卮丕毓乇貙賮賵囟賶 賵丕乇鬲亘丕賰 賱賱賲卮丕毓乇 丕賱賲鬲囟丕乇亘丞 賱丕亘胤丕賱 丕賱乇賵丕賷丞.
爻亘亘 丕賱鬲囟丕乇亘 賵丕賱丕乇鬲亘丕賰 賮賶 丕賱賲卮丕毓乇 鬲馗賴乇 噩賱賷丞 賮賶 丕禺乇 丕賱乇賵丕賷丞 賵賱賵 丕賳賴 爻亘亘 賲乇亘賰 貙賱賰賳 夭賮丕賷睾 睾賷乇 賯丕氐丿 賱賱鬲乇賵賷噩 賱賴匕丕 丕賱賲囟賲賵賳 賮賴賵 賷丨賰賶 丨賰丕賷丞 亘賰賱 鬲賮丕氐賷賱賴丕 賵噩賲丕賱賴丕 賵鬲賵囟賷丨 丕賱賲賯氐丿 丕賱丕爻丕爻賶 賲賳 賲囟賲賵賳 賴匕賴 丕賱鬲丨賮丞 丕賱乇賵丕卅賷丞 丕賱賯氐賷乇丞貙 賵賴賵 丕馗賴丕乇 賴匕賴 丕賱賮賵囟賶 賮賶 丕賱賲卮丕毓乇 -亘鬲賲賰賳 賵丕賯鬲丿丕乇- 噩賱賷丞 賮賶 丕丨賵丕賱 丕賱丕亘胤丕賱.
爻亘亘 丕賱鬲囟丕乇亘 賵丕賱丕乇鬲亘丕賰 賮賶 丕賱賲卮丕毓乇 鬲馗賴乇 噩賱賷丞 賮賶 丕禺乇 丕賱乇賵丕賷丞 賵賱賵 丕賳賴 爻亘亘 賲乇亘賰 貙賱賰賳 夭賮丕賷睾 睾賷乇 賯丕氐丿 賱賱鬲乇賵賷噩 賱賴匕丕 丕賱賲囟賲賵賳 賮賴賵 賷丨賰賶 丨賰丕賷丞 亘賰賱 鬲賮丕氐賷賱賴丕 賵噩賲丕賱賴丕 賵鬲賵囟賷丨 丕賱賲賯氐丿 丕賱丕爻丕爻賶 賲賳 賲囟賲賵賳 賴匕賴 丕賱鬲丨賮丞 丕賱乇賵丕卅賷丞 丕賱賯氐賷乇丞貙 賵賴賵 丕馗賴丕乇 賴匕賴 丕賱賮賵囟賶 賮賶 丕賱賲卮丕毓乇 -亘鬲賲賰賳 賵丕賯鬲丿丕乇- 噩賱賷丞 賮賶 丕丨賵丕賱 丕賱丕亘胤丕賱.
鬲乇蹖. . . 兀亘爻亘亘 賲賳 丕賱廿賴賲丕賱 賵丕賱噩亘賳 賵賯氐賵乇 丕賱乇丐賷丞"
賷賰鬲賮賷 賰鬲丕亘賳丕 賵卮毓乇丕丐賳丕 亘鬲氐賵賷乇 丕賱噩賵丕賳亘 丕賱賲囟賷卅丞 (丕賱乇賮賷毓丞 )賲賳 丕賱丨賷丕丞 丨賷孬 鬲賲丕乇爻 丕賱丨賵丕爻 兀丿賵丕乇賴丕 毓賱賶 賳丨賵 賲卮乇賵毓 賲賰卮賵賮. . . 亘賷賳賲丕 赖賳丕賰 賮賷 丕賱賯丕毓 鬲氐胤禺亘 賵鬲毓乇亘丿 賵鬲賲賵噩 賮賷 賰賴賵賮 丕賱賳賮爻 丕賱亘卮乇賷丞 賵丿賴丕賱賷夭賴丕 賵夭賵丕賷丕賴丕 丕賱賲毓鬲賲丞 賵丨賵卮 丕賱兀賴賵丕亍 丕賱禺胤乇丞 毓賱賶 賳丨賵 睾乇賷亘 毓噩賷亘 賲禺鬲賱胤. 鬲乇賶 賴賱 鬲禺賷賮 兀丿亘丕亍賳丕 賵卮毓乇丕亍賳丕 丕賱兀賳賮丕爻 丕賱賲賱鬲賴亘丞 丕賱賲囟胤乇賲丞 賱賱睾乇丕卅夭 丕賱卮賷胤丕賳賷丞 責
賵賴賱 賷乇毓亘賴賲 亘禺丕乇 丕賱丿賲 丕賱匕賷 賷睾賱賷 賵賷丨鬲乇賯 責 賵賴賱 賷禺丕賮賵賳 兀賳 鬲鬲爻禺 兀賷丿賷賴賲 丕賱賲乇賴賮丞 亘賯乇賵丨 丕賱亘卮乇 賵噩乇丕丨賴賲 責 兀賲 廿賳 毓賷賵賳賴賲 丕賱鬲賷 鬲毓賵丿鬲 丕賱賵囟賵丨 丕賱賲兀賱賵賮 毓丕噩夭丞 毓賳 兀賳 鬲氐賱 亘賴賲 丕賱賶 丕賱賲賳丕胤賯 丕賱夭賱賯丞 丕賱禺胤乇丞 丕賱賲賯夭夭丞 賮賷 毓丕賱賲 丕賱賮爻丕丿 賵丕賱丕賳丨賱丕賱 責 毓賱賶 兀賳
丕賱廿賳爻丕賳 丕賱賵丕毓賷 丕賱賲噩乇亘 賱丕 賷卮毓乇 亘賮乇丨 丨賯賷賯賷 廿賱丕 賵賴賵 賷爻亘乇 禺賮丕賷丕 丕賱賳賮爻 賵夭賵丕賷丕賴丕貨 賵賴賵 賵丨丿賴 丕賱匕賷 賷匕賵賯 胤毓賲 鬲賱賰 丕賱乇毓卮丞 丕賱毓賳賷賮丞 丕賱賳丕噩賲丞 毓賳 賲賵丕賯賮 丕賱禺胤乇 貨 廿賳賴 賱丕
" 賷乇賶 丕賱賲丕 賲賯丿爻 睾賷乇 丕賱兀賱賲 丕賱匕賷 賱丕 賳噩乇丐 毓賱賶 丕賱亘賵丨 亘賴 亘丿丕賮毓 賲賳 丕賱丨卮賲丞 賵丕賱丨賷丕亍 .
September 20, 2022
We live through myriads of seconds, yet it is always one, just one, that casts our entire inner world into turmoil... a magical second, like the moment of generation, and like that moment concealed in the warm interior of the individual life, invisible, untouchable, beyond the reach of feeling, a secret experienced alone.
Confusion is a story about a student鈥檚 relationship with his English professor, portraying his love, repressed desires, intensity of emotions, his obsession, his turmoil within and his constant confusion regarding his feelings.
Confusion is a story about a student鈥檚 relationship with his English professor, portraying his love, repressed desires, intensity of emotions, his obsession, his turmoil within and his constant confusion regarding his feelings.
December 29, 2017
El bien amado Stefan Zweig (1881-1942), me ha regalado este libro para terminar el a帽o 2017.
Como siempre una obra entra帽able y magistral, en donde el autor crea de manera muy v铆vida e 铆ntima b谩sicamente dos personalidades. La primera, y que se constituye como el narrador de la novela, es la de un joven alumno entusiasta e inexperto, inconstante en los estudios y amante de la vida mundana. La segunda es la de su maestro de Literatura Inglesa, quien sabe despertar en su alumno una apasionada llama por la sabidur铆a y la creaci贸n literaria que cambian la vida de 茅ste.
La existencia del maestro oscila dolorosamente entre la oscuridad y la tribulaci贸n y s贸lo puede elevarse por sobre de ellas cuando la Literatura lo abraza. El autor con su afectuosa prosa toca el fondo de ambos personajes de manera vibrante y a la vez conmovedora, con esa sabia pluma que parece un cincel esculpiendo ambos caracteres, pero tambi茅n es capaz de crearles su alma y descubrirla en el mismo acto ante nosotros en unas cuantas p谩ginas.
隆Salve, oh Stefan Zweig!
Como siempre una obra entra帽able y magistral, en donde el autor crea de manera muy v铆vida e 铆ntima b谩sicamente dos personalidades. La primera, y que se constituye como el narrador de la novela, es la de un joven alumno entusiasta e inexperto, inconstante en los estudios y amante de la vida mundana. La segunda es la de su maestro de Literatura Inglesa, quien sabe despertar en su alumno una apasionada llama por la sabidur铆a y la creaci贸n literaria que cambian la vida de 茅ste.
La existencia del maestro oscila dolorosamente entre la oscuridad y la tribulaci贸n y s贸lo puede elevarse por sobre de ellas cuando la Literatura lo abraza. El autor con su afectuosa prosa toca el fondo de ambos personajes de manera vibrante y a la vez conmovedora, con esa sabia pluma que parece un cincel esculpiendo ambos caracteres, pero tambi茅n es capaz de crearles su alma y descubrirla en el mismo acto ante nosotros en unas cuantas p谩ginas.
隆Salve, oh Stefan Zweig!
September 8, 2016
Said something like oh man that's awesome when I finished (owing more to the final half-page chapter than the entire novella) but still I'll rate it 4.25 stars rounded down since it sometimes felt melodramatic, sensationalist, hysterical -- a review on here calls Zweig a watered-down Proust or Stendhal but that doesn't hold water for me since the passionate tilt-a-whirl overwrought feints and parries in the French biggies are pronounced and dramatized ad nauseum whereas here they're glossed over by Zwieg's essayistic instinct, his graceful, flowing summary. I can't think of another novella from 1927 in which the narrator admits that he's essentially in love with the mind of a male teacher -- and that toward the end so explicitly treats of early 1900s gay life in Berlin, particularly derision, oppression, blackmail, unsavory clandestine spasms in alleys etc. The love triangle among wife of professor, charismatic professor, and hot young passionate student narrator isn't fleshed out enough? Swimming scenes seemed muted, even when a slip of tit made its PG-13 appearance. But the prose soars when it's totally platonic and the professor dictates his long repressed work on Shakespeare to the narrator. Zweig, becoming a great favorite, excels when describing ecstatic intellectual paroxysms. But he's becoming a favorite more so for perfectly phrased insight. Although in many ways unlike Musil's , which predates this by ~21 years, I think it's safe to associate them thanks to the shared academic setting, "Confusion" in the title, pre-Nazi era, and man-on-man action/passion.
November 21, 2016
Nas谋l bir kitap insan谋n t眉m duyular谋na hitap eder? Bir yazar nas谋l bu kadar derinden hissetmemizi sa臒lar akl谋m alm谋yor. Hayat谋m boyunca ilk kez okudu臒um bir kitap beni sarho艧 etti. Her sat谋r, her paragraf o kadar dolu ve ak谋c谋, o kadar i莽ten ve anlay谋艧l谋yd谋 ki! K谋y谋da k枚艧ede kalm谋艧, 枚nem vermedi臒imiz, basite ald谋臒谋m谋z t眉m duygular谋 o kadar usta bir dile anlatm谋艧 ki Zweig, ke艧ke 枚mr眉 daha uzun olsayd谋 ve daha 莽ok kitap b谋rakabilseydi. Nas谋l bir yazar her seferinde farkl谋 bir doyuma erdirir ki okuyucusunu! Galiba ona ve kitaplar谋na olan 枚vg眉lerim saatler s眉rebilir. Tek s枚ylemek istedi臒im, i莽indeki her bir 枚yk眉y眉 hissettim. Ya艧amaktan da 枚te, kelimeler oldum ve kitapla b眉t眉nle艧tim. Art谋k d眉艧眉ncelerimin i莽inde bir par莽a bu kitap olacak, a臒z谋mdan 莽谋kan her c眉mlede bu kitab谋n tesirleri olacak.
"Derinlerdeki mahzenlerde, k枚klerin yay谋ld谋臒谋 ma臒aralarda ve y眉re臒in karanl谋k kuyular谋nda tutkunun hakiki ve tehlikeli canavarlar谋 fosforlu p谋r谋lt谋lar谋n谋 sa莽arak dola艧谋rken, gizlice 莽iftle艧ir ve en ak谋l almaz bi莽imlerde birbirlerini par莽alarken yazarlar谋n ya艧am谋n sadece 谋艧谋臒谋n vurdu臒u 眉st k谋y谋s谋n谋, duygular谋n a莽谋k莽a ve kurallara uygun olarak sergilendi臒i kesimlerini anlatmas谋 rahatl谋ktan m谋, korkakl谋ktan m谋 yoksa bak谋艧 darl谋臒谋ndan m谋 geliyor acaba. 艦eytans谋 d眉rt眉lerin k谋zg谋n ve t眉ketici solu臒undan, tutu艧mu艧 kan谋n buhar谋ndan m谋 korkuyorlar, 莽ok nazik ellerini insanl谋臒谋n iltihapl谋 莽谋ban谋yla kirletmekten mi 眉rk眉yorlar, yoksa yumu艧ak ayd谋nl谋klara al谋艧k谋n g枚zlerini bu kaygan, tehlikeli, 莽眉r眉m眉艧l眉k s谋zan basamaklara 莽eviremiyorlar m谋? Ne var ki bilen insan i莽in hi莽bir haz gizli olan谋n verdi臒i kadar g眉莽l眉 de臒ildir ve a莽谋klanamayacak kadar utan莽 verici bir ac谋 kadar kutsal olan谋 yoktur."
"Derinlerdeki mahzenlerde, k枚klerin yay谋ld谋臒谋 ma臒aralarda ve y眉re臒in karanl谋k kuyular谋nda tutkunun hakiki ve tehlikeli canavarlar谋 fosforlu p谋r谋lt谋lar谋n谋 sa莽arak dola艧谋rken, gizlice 莽iftle艧ir ve en ak谋l almaz bi莽imlerde birbirlerini par莽alarken yazarlar谋n ya艧am谋n sadece 谋艧谋臒谋n vurdu臒u 眉st k谋y谋s谋n谋, duygular谋n a莽谋k莽a ve kurallara uygun olarak sergilendi臒i kesimlerini anlatmas谋 rahatl谋ktan m谋, korkakl谋ktan m谋 yoksa bak谋艧 darl谋臒谋ndan m谋 geliyor acaba. 艦eytans谋 d眉rt眉lerin k谋zg谋n ve t眉ketici solu臒undan, tutu艧mu艧 kan谋n buhar谋ndan m谋 korkuyorlar, 莽ok nazik ellerini insanl谋臒谋n iltihapl谋 莽谋ban谋yla kirletmekten mi 眉rk眉yorlar, yoksa yumu艧ak ayd谋nl谋klara al谋艧k谋n g枚zlerini bu kaygan, tehlikeli, 莽眉r眉m眉艧l眉k s谋zan basamaklara 莽eviremiyorlar m谋? Ne var ki bilen insan i莽in hi莽bir haz gizli olan谋n verdi臒i kadar g眉莽l眉 de臒ildir ve a莽谋klanamayacak kadar utan莽 verici bir ac谋 kadar kutsal olan谋 yoktur."
September 11, 2023
鈽橈笍" 賵賴丕 兀賳匕丕 丕賱丌賳 賵賱賲 兀夭賱 睾乇丕賸 兀賱賲丨 兀賵賱 賲乇丞 賮賶 丨賷丕鬲賶 亘毓賷賳 夭丕卅睾丞 丕賱兀睾賵丕乇 丕賱爻丨賷賯丞 賱賱賲卮丕毓乇 丕賱廿賳爻丕賳賷丞 "
卮毓乇鬲 兀賳 賲賳 丕賱氐毓亘 兀賳 賷卮毓乇賰 賰丕鬲亘 亘丕賱廿丨爻丕爻 賵毓賰爻賴 賮賶 賳賮爻 丕賱賵賯鬲 丨鬲賶 廿賳賰 鬲卮毓乇 亘丕夭丿賵丕噩賷賴 丕賱賲卮丕毓乇 賵賱賰賳 賱賷爻 氐毓亘 毓賱賶 夭賮丕賷睾 賰毓丕丿鬲賴 賵賴賵 丕賱賲丨賱賱 丕賱賳賮爻賶 丕賱匕賶 賷囟毓賰 兀賲丕賲 賳賮爻賰 亘賰賱 賲丕 賮賷賴丕 賲賳 噩賵丕賳亘 賲囟賷卅丞 賵賲毓鬲賲丞.
賯氐丞 毓賲賷賯丞 賵賲賲賷夭丞 賵 赖賳丕 兀賳丕 賱丕 兀鬲賰賱賲 毓賳 丕賱賯氐丞 丕賱馗丕賴乇丞 亘丕賱鬲丨丿賷丿 賮廿匕丕 鬲賰賱賲賳丕 毓賳 丕賱賯氐丞 亘丕賱鬲丨丿賷丿 賮賱丕 兀噩丿 丕賶 鬲毓丕胤賮 鬲噩丕賴 丕賱丕爻鬲丕匕 亘賱 兀鬲賰賱賲 毓賳 丕賱鬲丨賱賷賱 丕賱賳賮爻賶 丕賱毓賲賷賯 賱賱廿賳爻丕賳 賵賴賵 賲噩丕賱 夭賮丕賷睾 丕賱匕賶 賷亘乇毓 賮賷賴 亘卮丿丞 .
馃尵兀鬲乇賰賰賲 賲毓 丕賯鬲亘丕爻 賲乇賴賯 賷卮乇丨 賮賷賴丕 夭賮丕賷睾 丕賱賳賮爻 丕賱亘卮乇賷丞 亘亘乇丕毓丞 賵兀乇賷丿 鬲乇賰賴 赖賳丕 賱丕賯乇兀賴 賵丕爻鬲卮毓乇賴 賰賱 賮鬲乇賴 亘賰賱 賲丕 賮賷賴 賲賳 兀賱賲 賵賵囟賵丨 賵鬲毓乇賷賴 賱賱賳賮爻 :
鉂炟Ｘㄘ池ㄘ� 賲賳 丕賱廿賴賲丕賱 賵丕賱噩亘賳 賵賯氐賵乇 丕賱乇丐賷丞 賷賰鬲賮賶 賰鬲丕亘賳丕 賵卮毓乇丕丐賳丕 亘鬲氐賵賷乇 丕賱噩賵丕賳亘 丕賱賲囟賷卅丞 賲賳 丕賱丨賷丕丞 丨賷孬 鬲賲丕乇爻 丕賱丨賵丕爻 兀丿賵丕乇賴丕 毓賱賶 賳丨賵 賲賰卮賵賮 .. 亘賷賳賲丕 赖賳丕賰 賮賶 丕賱賯丕毓 鬲氐胤禺亘 賵鬲毓乇亘丿 賵鬲賲賵噩 賮賶 賰賴賵賮 丕賱賳賮爻 丕賱亘卮乇賷丞 賵丿賴丕賱賷夭賴丕 賵夭賵丕賷丕賴丕 丕賱賲毓鬲賲丞 賵丨賵卮 丕賱兀賴賵丕亍 丕賱禺胤乇丞 毓賱賶 賳丨賵 睾乇賷亘 毓噩賷亘 賲禺鬲賱胤 . 鬲乇賶 賴賱 鬲禺賷賮 兀丿亘丕亍賳丕 賵卮毓乇丕亍賳丕 丕賱兀賳賮丕爻 丕賱賲賱鬲賴亘丞 丕賱賲囟胤乇賲丞 賱賱睾乇丕卅夭 丕賱卮賷胤丕賳賷丞 責!
賵賴賱 賷乇毓亘賴賲 亘禺丕乇 丕賱丿賲 丕賱匕賶 賷睾賱賶 賵賷丨鬲乇賯 責 賵賴賱 賷禺丕賮賵賳 兀賳 鬲鬲爻禺 兀賷丿賷賴賲 丕賱賲乇賴賮丞 亘賯乇賵丨 丕賱亘卮乇 賵噩乇丕丨賴賲 責 兀賲 兀賳 毓賷賵賳賴賲 丕賱鬲賶 鬲毓賵丿鬲 丕賱賵囟賵丨 丕賱賲兀賱賵賮 毓丕噩夭丞 兀賳 鬲氐賱 亘賴賲 廿賱賶 丕賱賲賳丕胤賯 丕賱夭賱賯丞 丕賱賲賯夭夭丞 賮賶 毓丕賱賲 丕賱賮爻丕丿 賵丕賱丕賳丨賱丕賱 責
毓賱賶 兀賳 丕賱廿賳爻丕賳 丕賱賵丕毓賶 丕賱賲噩乇亘 賱丕 賷卮毓乇 亘賮乇丨 丨賯賷賯賶 廿賱丕 賵賴賵 賷爻亘乇 禺賮丕賷丕 丕賱賳賮爻 賵夭丕賵賷丕賴丕 貙 賵賴賵 賵丨丿賴 丕賱匕賶 賷匕賵賯 胤毓賲 賴匕賴 丕賱乇毓卮丞 丕賱毓賳賷賮丞 丕賱賳丕噩賲丞 毓賳 賲賵丕賯賮 丕賱禺胤乇 貙 廿賳賴 賱丕 賷乇賶 兀賱賲丕 賲賯丿爻丕賸 睾賷乇 丕賱兀賱賲 丕賱匕賶 賱丕 賳噩乇丐 毓賱賶 丕賱亘賵丨 亘賴 亘丿丕賮毓 賲賳 丕賱丨卮賲丞 賵丕賱丨賷丕亍 鉂�.
卮毓乇鬲 兀賳 賲賳 丕賱氐毓亘 兀賳 賷卮毓乇賰 賰丕鬲亘 亘丕賱廿丨爻丕爻 賵毓賰爻賴 賮賶 賳賮爻 丕賱賵賯鬲 丨鬲賶 廿賳賰 鬲卮毓乇 亘丕夭丿賵丕噩賷賴 丕賱賲卮丕毓乇 賵賱賰賳 賱賷爻 氐毓亘 毓賱賶 夭賮丕賷睾 賰毓丕丿鬲賴 賵賴賵 丕賱賲丨賱賱 丕賱賳賮爻賶 丕賱匕賶 賷囟毓賰 兀賲丕賲 賳賮爻賰 亘賰賱 賲丕 賮賷賴丕 賲賳 噩賵丕賳亘 賲囟賷卅丞 賵賲毓鬲賲丞.
賯氐丞 毓賲賷賯丞 賵賲賲賷夭丞 賵 赖賳丕 兀賳丕 賱丕 兀鬲賰賱賲 毓賳 丕賱賯氐丞 丕賱馗丕賴乇丞 亘丕賱鬲丨丿賷丿 賮廿匕丕 鬲賰賱賲賳丕 毓賳 丕賱賯氐丞 亘丕賱鬲丨丿賷丿 賮賱丕 兀噩丿 丕賶 鬲毓丕胤賮 鬲噩丕賴 丕賱丕爻鬲丕匕 亘賱 兀鬲賰賱賲 毓賳 丕賱鬲丨賱賷賱 丕賱賳賮爻賶 丕賱毓賲賷賯 賱賱廿賳爻丕賳 賵賴賵 賲噩丕賱 夭賮丕賷睾 丕賱匕賶 賷亘乇毓 賮賷賴 亘卮丿丞 .
馃尵兀鬲乇賰賰賲 賲毓 丕賯鬲亘丕爻 賲乇賴賯 賷卮乇丨 賮賷賴丕 夭賮丕賷睾 丕賱賳賮爻 丕賱亘卮乇賷丞 亘亘乇丕毓丞 賵兀乇賷丿 鬲乇賰賴 赖賳丕 賱丕賯乇兀賴 賵丕爻鬲卮毓乇賴 賰賱 賮鬲乇賴 亘賰賱 賲丕 賮賷賴 賲賳 兀賱賲 賵賵囟賵丨 賵鬲毓乇賷賴 賱賱賳賮爻 :
鉂炟Ｘㄘ池ㄘ� 賲賳 丕賱廿賴賲丕賱 賵丕賱噩亘賳 賵賯氐賵乇 丕賱乇丐賷丞 賷賰鬲賮賶 賰鬲丕亘賳丕 賵卮毓乇丕丐賳丕 亘鬲氐賵賷乇 丕賱噩賵丕賳亘 丕賱賲囟賷卅丞 賲賳 丕賱丨賷丕丞 丨賷孬 鬲賲丕乇爻 丕賱丨賵丕爻 兀丿賵丕乇賴丕 毓賱賶 賳丨賵 賲賰卮賵賮 .. 亘賷賳賲丕 赖賳丕賰 賮賶 丕賱賯丕毓 鬲氐胤禺亘 賵鬲毓乇亘丿 賵鬲賲賵噩 賮賶 賰賴賵賮 丕賱賳賮爻 丕賱亘卮乇賷丞 賵丿賴丕賱賷夭賴丕 賵夭賵丕賷丕賴丕 丕賱賲毓鬲賲丞 賵丨賵卮 丕賱兀賴賵丕亍 丕賱禺胤乇丞 毓賱賶 賳丨賵 睾乇賷亘 毓噩賷亘 賲禺鬲賱胤 . 鬲乇賶 賴賱 鬲禺賷賮 兀丿亘丕亍賳丕 賵卮毓乇丕亍賳丕 丕賱兀賳賮丕爻 丕賱賲賱鬲賴亘丞 丕賱賲囟胤乇賲丞 賱賱睾乇丕卅夭 丕賱卮賷胤丕賳賷丞 責!
賵賴賱 賷乇毓亘賴賲 亘禺丕乇 丕賱丿賲 丕賱匕賶 賷睾賱賶 賵賷丨鬲乇賯 責 賵賴賱 賷禺丕賮賵賳 兀賳 鬲鬲爻禺 兀賷丿賷賴賲 丕賱賲乇賴賮丞 亘賯乇賵丨 丕賱亘卮乇 賵噩乇丕丨賴賲 責 兀賲 兀賳 毓賷賵賳賴賲 丕賱鬲賶 鬲毓賵丿鬲 丕賱賵囟賵丨 丕賱賲兀賱賵賮 毓丕噩夭丞 兀賳 鬲氐賱 亘賴賲 廿賱賶 丕賱賲賳丕胤賯 丕賱夭賱賯丞 丕賱賲賯夭夭丞 賮賶 毓丕賱賲 丕賱賮爻丕丿 賵丕賱丕賳丨賱丕賱 責
毓賱賶 兀賳 丕賱廿賳爻丕賳 丕賱賵丕毓賶 丕賱賲噩乇亘 賱丕 賷卮毓乇 亘賮乇丨 丨賯賷賯賶 廿賱丕 賵賴賵 賷爻亘乇 禺賮丕賷丕 丕賱賳賮爻 賵夭丕賵賷丕賴丕 貙 賵賴賵 賵丨丿賴 丕賱匕賶 賷匕賵賯 胤毓賲 賴匕賴 丕賱乇毓卮丞 丕賱毓賳賷賮丞 丕賱賳丕噩賲丞 毓賳 賲賵丕賯賮 丕賱禺胤乇 貙 廿賳賴 賱丕 賷乇賶 兀賱賲丕 賲賯丿爻丕賸 睾賷乇 丕賱兀賱賲 丕賱匕賶 賱丕 賳噩乇丐 毓賱賶 丕賱亘賵丨 亘賴 亘丿丕賮毓 賲賳 丕賱丨卮賲丞 賵丕賱丨賷丕亍 鉂�.
June 22, 2018
乇賵丕賷丞 睾乇賷亘丞 ..賵賳賴丕賷丞 兀睾乇亘 !
賳賴丕賷丞 賱賲 丕鬲賵賯毓賴丕 廿胤賱丕賯丕 .. 賵賱賲 兀鬲賲賳丕賴丕 兀賷囟丕
賳毓賲 貙 丕賱賳賮爻 丕賱亘卮乇賷丞 囟毓賷賮丞 .. 賵夭賷賮丕賷睾 賲賵賴賵亘 賮賷 賰卮賮 丕賱囟毓賮 丕賱亘卮乇賷貙 賵鬲毓乇賷丞 丕賱賳賮賵爻 丕賱亘卮乇賷丞 亘賲賳鬲賴賷 丕賱丿賯丞 賵丕賱亘乇丕毓丞 .. 廿賱丕 丕賳 賳賵毓賷丞 丕賱囟毓賮 丕賱賲賵噩賵丞 赖賳丕 氐乇丕丨丞 賱賲 丕鬲賲賳丕賴丕 丕亘丿丕
鬲乇賰賳賷 夭賷賮丕賷睾 賲氐丿賵賲丞
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賳賴丕賷丞 賱賲 丕鬲賵賯毓賴丕 廿胤賱丕賯丕 .. 賵賱賲 兀鬲賲賳丕賴丕 兀賷囟丕
賳毓賲 貙 丕賱賳賮爻 丕賱亘卮乇賷丞 囟毓賷賮丞 .. 賵夭賷賮丕賷睾 賲賵賴賵亘 賮賷 賰卮賮 丕賱囟毓賮 丕賱亘卮乇賷貙 賵鬲毓乇賷丞 丕賱賳賮賵爻 丕賱亘卮乇賷丞 亘賲賳鬲賴賷 丕賱丿賯丞 賵丕賱亘乇丕毓丞 .. 廿賱丕 丕賳 賳賵毓賷丞 丕賱囟毓賮 丕賱賲賵噩賵丞 赖賳丕 氐乇丕丨丞 賱賲 丕鬲賲賳丕賴丕 丕亘丿丕
鬲乇賰賳賷 夭賷賮丕賷睾 賲氐丿賵賲丞
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April 12, 2025
乇賵丕賷丞 鬲毓乇賶 丕賱賳賮爻 丕賱亘卮乇賷丞 賵鬲賳亘卮 兀毓賲丕賯賴丕 賵鬲禺乇噩 丕賱噩賵丕賳亘 丕賱賲馗賱賲丞貙 丕賱賲鬲毓賮賳丞貙 賵丕賱卮丕匕丞 毓賳 丕賱賲兀賱賵賮 賲賳 賲賰賲賳賴丕.
July 1, 2020
#JunioLGTB | Stefan Zweig crea una pasional historia que borda entre lo tr谩gico y lo nost谩lgico, entre lo ambiguo y liberador de una manera fascinante como es propio del autor. Con una excelente trama que bajo la premisa de una novela que habla de la admiraci贸n plat贸nica y desmedida de un apuesto joven por su anciano profesor, se encuentra la compleja relaci贸n de un tri谩ngulo amoroso y las consecuencias que contraen estos sentimientos. Un argumento v谩lido que f谩cilmente podr铆a compararse con las conductas de la actualidad.
Confusi贸n de sentimientos est谩 escrita en primera persona con una prosa intelectual y en la que podemos percibir enunciados a las obras de Shakespeare, as铆 como la capacidad de este autor para crear personajes tan reales y complejos. Una novela que est谩 envuelta en un sutil erotismo pero que se desarrolla de manera magistral dando su mayor fortaleza en los sentimientos por parte de sus personajes y c贸mo todo se va desencadenando en un destino en el que no siempre se alcanza todo lo deseado pero en el que inevitablemente casi nunca se olvida nada. "Me describe, pero no me expone. Habla simplemente de m铆... "
馃専馃専馃専馃専
Confusi贸n de sentimientos est谩 escrita en primera persona con una prosa intelectual y en la que podemos percibir enunciados a las obras de Shakespeare, as铆 como la capacidad de este autor para crear personajes tan reales y complejos. Una novela que est谩 envuelta en un sutil erotismo pero que se desarrolla de manera magistral dando su mayor fortaleza en los sentimientos por parte de sus personajes y c贸mo todo se va desencadenando en un destino en el que no siempre se alcanza todo lo deseado pero en el que inevitablemente casi nunca se olvida nada. "Me describe, pero no me expone. Habla simplemente de m铆... "
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December 22, 2019No confusion for me. This was simply impressively bloodless, it reminded me a little of , in that it felt like a book/novella/long-short story / whatever, that by a weird twist of fate - potentially involving a publisher and a time machine - was written in this case I'd say forty or fifty years after it might have made most impact , since it appears it was written when it was written - though I remain open to correction by passing time travellers - in 1927.
I think if you live somewhere where legally and socially sexual activity outside of a heterosexual marriage is a thoughtcrime, and particularly if you are unacquainted with cultures with different attitudes, then this story may retain some shock value, otherwise it is a very striking thing, a melodrama lacking in drama, or as I read elsewhere 'suitable for teenagers of all ages'. Otherwise...I fear I can hardly say anything for fear of revealing the entire story. The obvious point of reference is the 1912 novella by Thomas Mann especially since the narrator like Mann himself comes from North Germany, ostensibly the narrator is explaining to the reader how his formal academic achievements explain nothing about him, instead the secret of his rive and the centre of his life can only be explained by events that took place when he was a teenager - a young student in Berlin and particularly in G枚ttingen (I assume from how it is described). I was not convinced, but reading it as a cri du coeur from Zweig about Zweig it is mildly interesting, the narrator's horror of adultery because of the inevitable revelation of the intimate secrets of the other man sounds so singular to me that I wonder if it is Zweig's own feeling and that this is like the narrator and his inspirational professor a case of hiding in plain sight.
I think if you live somewhere where legally and socially sexual activity outside of a heterosexual marriage is a thoughtcrime, and particularly if you are unacquainted with cultures with different attitudes, then this story may retain some shock value, otherwise it is a very striking thing, a melodrama lacking in drama, or as I read elsewhere 'suitable for teenagers of all ages'. Otherwise...I fear I can hardly say anything for fear of revealing the entire story. The obvious point of reference is the 1912 novella by Thomas Mann especially since the narrator like Mann himself comes from North Germany, ostensibly the narrator is explaining to the reader how his formal academic achievements explain nothing about him, instead the secret of his rive and the centre of his life can only be explained by events that took place when he was a teenager - a young student in Berlin and particularly in G枚ttingen (I assume from how it is described). I was not convinced, but reading it as a cri du coeur from Zweig about Zweig it is mildly interesting, the narrator's horror of adultery because of the inevitable revelation of the intimate secrets of the other man sounds so singular to me that I wonder if it is Zweig's own feeling and that this is like the narrator and his inspirational professor a case of hiding in plain sight.
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