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95 pages, Paperback
First published October 1, 1994
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About the author
³Û¨°ì´Ç Ogawa
148?books4,912?followers³Û¨°ì´Ç Ogawa () was born in Okayama, Okayama Prefecture, graduated from Waseda University, and lives in Ashiya. Since 1988, she has published more than twenty works of fiction and nonfiction. Her novel The Professor and his Beloved Equation has been made into a movie. In 2006 she co-authored ?An Introduction to the World's Most Elegant Mathematics¡° with Masahiko Fujiwara, a mathematician, as a dialogue on the extraordinary beauty of numbers.
A film in French, "L'Annulaire¡° (The Ringfinger), directed by Diane Bertrand, starring Olga Kurylenko and Marc Barb¨¦, was released in France in June 2005 and subsequently made the rounds of the international film festivals; the film, some of which is filmed in the Hamburg docks, is based in part on Ogawa's "Kusuriyubi no hy¨hon¡° (ËaÖ¸¤Î˜Ë±¾), translated into French as "L'Annulaire¡° (by Rose-Marie Makino-Fayolle who has translated numerous works by Ogawa, as well as works by Akira Yoshimura and by Ranpo Edogawa, into French).
Kenzabur¨ ?e has said, '³Û¨°ì´Ç Ogawa is able to give expression to the most subtle workings of human psychology in prose that is gentle yet penetrating.' The subtlety in part lies in the fact that Ogawa's characters often seem not to know why they are doing what they are doing. She works by accumulation of detail, a technique that is perhaps more successful in her shorter works; the slow pace of development in the longer works requires something of a deus ex machina to end them. The reader is presented with an acute description of what the protagonists, mostly but not always female, observe and feel and their somewhat alienated self-observations, some of which is a reflection of Japanese society and especially women's roles within in it. The tone of her works varies, across the works and sometimes within the longer works, from the surreal, through the grotesque and the--sometimes grotesquely--humorous, to the psychologically ambiguous and even disturbing.
A film in French, "L'Annulaire¡° (The Ringfinger), directed by Diane Bertrand, starring Olga Kurylenko and Marc Barb¨¦, was released in France in June 2005 and subsequently made the rounds of the international film festivals; the film, some of which is filmed in the Hamburg docks, is based in part on Ogawa's "Kusuriyubi no hy¨hon¡° (ËaÖ¸¤Î˜Ë±¾), translated into French as "L'Annulaire¡° (by Rose-Marie Makino-Fayolle who has translated numerous works by Ogawa, as well as works by Akira Yoshimura and by Ranpo Edogawa, into French).
Kenzabur¨ ?e has said, '³Û¨°ì´Ç Ogawa is able to give expression to the most subtle workings of human psychology in prose that is gentle yet penetrating.' The subtlety in part lies in the fact that Ogawa's characters often seem not to know why they are doing what they are doing. She works by accumulation of detail, a technique that is perhaps more successful in her shorter works; the slow pace of development in the longer works requires something of a deus ex machina to end them. The reader is presented with an acute description of what the protagonists, mostly but not always female, observe and feel and their somewhat alienated self-observations, some of which is a reflection of Japanese society and especially women's roles within in it. The tone of her works varies, across the works and sometimes within the longer works, from the surreal, through the grotesque and the--sometimes grotesquely--humorous, to the psychologically ambiguous and even disturbing.
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March 16, 2021
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March 15, 2021
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December 18, 2018
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September 30, 2016
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June 14, 2020
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June 27, 2021
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September 21, 2020
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February 28, 2021
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January 29, 2018
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June 16, 2023
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December 11, 2019
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March 30, 2020
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March 15, 2022
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May 17, 2012
L'eurocentrico e i cataloghi giapponesi
Premessa: sono un eurocentrico.
Mi piace essere un europeo occidentale vissuto a cavallo tra il XX e il XXI secolo.
Che cosa ci posso fare?
Il raccontino parte da un'idea interessante, che vale una stella di giudizio: c'¨¨ un edificio semi-abbandonato dove, senza che nessuno apparentemente ne sappia nulla, la gente lascia in deposito oggetti che incorporano ricordi, pensieri, paure, affanni delle loro vite. Forse per dimenticare, forse per esorcizzare.
Lo spunto ¨¨ interessante. Lo svolgimento ¨¨ irrilevante.
Non riesco a interessarmi a questa esasperata ricerca della stilizzazione, della rarefazione ad ogni costo, che parrebbe - almeno superficialmente - la cifra espressiva nipponica (anche al cinema, per dire).
La protagonista ¨¨ priva di qualsiasi individualit¨¤ o segno distintivo proprio.
Di lei sappiamo che ci ha rimesso l'anulare del titolo fabbricando gazzose in una ditta di bevande e che non ha una personalit¨¤ molto spiccata.
Se fossi una donna, non so se sarei entusiasta (ma anche qui, il Giappone, le geishe, i manga, la cultura millenaria, etc.: vedi alla voce "Eurocentrismo").
Anche l'insistenza sul feticismo, i fiocchetti delle scarpe, non mi fa nessun effetto se non quello di un robusto anestetico.
Molto altro non mi suggerisce questa lettura, a parte notare la curiosa ansia da catalogazione dei personaggi (lei che conta finestre e balconi dei palazzi mentre cammina, lui che coi cataloghi ci vive).
PS: la quarta di copertina mi avvertiva che "la scrittura di Ogawa Yoko colpisce nel segno, e fa s¨¬ che da queste pagine nessuno possa uscire indenne".
Citando Mark Twain, l'avvertenza appare di gran lunga esagerata.
Premessa: sono un eurocentrico.
Mi piace essere un europeo occidentale vissuto a cavallo tra il XX e il XXI secolo.
Che cosa ci posso fare?
Il raccontino parte da un'idea interessante, che vale una stella di giudizio: c'¨¨ un edificio semi-abbandonato dove, senza che nessuno apparentemente ne sappia nulla, la gente lascia in deposito oggetti che incorporano ricordi, pensieri, paure, affanni delle loro vite. Forse per dimenticare, forse per esorcizzare.
Lo spunto ¨¨ interessante. Lo svolgimento ¨¨ irrilevante.
Non riesco a interessarmi a questa esasperata ricerca della stilizzazione, della rarefazione ad ogni costo, che parrebbe - almeno superficialmente - la cifra espressiva nipponica (anche al cinema, per dire).
La protagonista ¨¨ priva di qualsiasi individualit¨¤ o segno distintivo proprio.
Di lei sappiamo che ci ha rimesso l'anulare del titolo fabbricando gazzose in una ditta di bevande e che non ha una personalit¨¤ molto spiccata.
Se fossi una donna, non so se sarei entusiasta (ma anche qui, il Giappone, le geishe, i manga, la cultura millenaria, etc.: vedi alla voce "Eurocentrismo").
Anche l'insistenza sul feticismo, i fiocchetti delle scarpe, non mi fa nessun effetto se non quello di un robusto anestetico.
Molto altro non mi suggerisce questa lettura, a parte notare la curiosa ansia da catalogazione dei personaggi (lei che conta finestre e balconi dei palazzi mentre cammina, lui che coi cataloghi ci vive).
PS: la quarta di copertina mi avvertiva che "la scrittura di Ogawa Yoko colpisce nel segno, e fa s¨¬ che da queste pagine nessuno possa uscire indenne".
Citando Mark Twain, l'avvertenza appare di gran lunga esagerata.
October 27, 2017
Probably for the first time in my life I can say it: thank god I'm not from an English-speaking Country, where Mrs. Ogawa's works have not been translated with the same enthusiasm and promptness as my own.
"The Ring Finger" was a quick read, but not at all bare of deep meaning.
A young girl in her twenties, whose name is not revelead, loses the tip of her ring finger in an accident while working in a lemonade factory and she watches helplessly as her flesh floats in the fizzy drink.
Soon after, she finds employment for a strange, extremely reserved scientist, whose job is to preserve people's personal mementos. Be it an object, a dead animal, a scar on a cheek, everything can be preserved in his huge lab and those who pay to leave it to him, can go back there to see what they left, whenever they feel like it.
Strangely though, nobody ever comes back...
The girl welcomes the customers, makes them feel at ease, makes sure of writing down the tag for the "memento"'s box and can explore the building, except for where the scientist actually carries on the preservation procedure.
The man shows an ambiguous interest toward the girl, and buys her a new pair of shoes, asking her to wear it every time she goes outside - be it to come to work or go grocery shopping. After giving her the present, they have sex, the girl never removing the boots.
From that point on, they start an awkward relationship, where the scientist decides whether they should have sex together, or not. She's completely happy to be at his mercy - literally - waiting for him to call her and have sex in the bathroom of the building, or just say goodbye and go back home.
This short story is actually a very powerful one. The mementos people pay the scientist to keep and preserve for them, are in reality the sad, heartbreaking memories they cannot bear to keep with them. Paying someone to relieve them of their burden, helps them getting free of the most depressing, upsetting moments of their lives and carry on.
The girl with her mutilated ring finger feels already like one of those things. Without a name, any dream for the future, any higher aspiration for her life, feels perfectly content to alienate her whole self to the man, waiting for him to tell her if he wants to fuck her or not, ordering her to keep the shoes on her feet, until it "becomes an indivisible part of her body".
All those tokens the customers bring to the scientist are related to death, and the girl herself is so willing to put an end to her own, that she hopes the man will make her his own "memento", giving her a meaning, making her important for someone.
It's a terribly melancholic and even tragic desire to have, but easily understandable. Who hasn't, at least once in their lives, wished to free themselves of the fears and most sad thoughts? To depend entirely on somebody else and just stop struggling?
Yoko Ogawa never disappoints and I'm genuinely a big fan of hers, now.
"The Ring Finger" was a quick read, but not at all bare of deep meaning.
A young girl in her twenties, whose name is not revelead, loses the tip of her ring finger in an accident while working in a lemonade factory and she watches helplessly as her flesh floats in the fizzy drink.
Soon after, she finds employment for a strange, extremely reserved scientist, whose job is to preserve people's personal mementos. Be it an object, a dead animal, a scar on a cheek, everything can be preserved in his huge lab and those who pay to leave it to him, can go back there to see what they left, whenever they feel like it.
Strangely though, nobody ever comes back...
The girl welcomes the customers, makes them feel at ease, makes sure of writing down the tag for the "memento"'s box and can explore the building, except for where the scientist actually carries on the preservation procedure.
The man shows an ambiguous interest toward the girl, and buys her a new pair of shoes, asking her to wear it every time she goes outside - be it to come to work or go grocery shopping. After giving her the present, they have sex, the girl never removing the boots.
From that point on, they start an awkward relationship, where the scientist decides whether they should have sex together, or not. She's completely happy to be at his mercy - literally - waiting for him to call her and have sex in the bathroom of the building, or just say goodbye and go back home.
This short story is actually a very powerful one. The mementos people pay the scientist to keep and preserve for them, are in reality the sad, heartbreaking memories they cannot bear to keep with them. Paying someone to relieve them of their burden, helps them getting free of the most depressing, upsetting moments of their lives and carry on.
The girl with her mutilated ring finger feels already like one of those things. Without a name, any dream for the future, any higher aspiration for her life, feels perfectly content to alienate her whole self to the man, waiting for him to tell her if he wants to fuck her or not, ordering her to keep the shoes on her feet, until it "becomes an indivisible part of her body".
All those tokens the customers bring to the scientist are related to death, and the girl herself is so willing to put an end to her own, that she hopes the man will make her his own "memento", giving her a meaning, making her important for someone.
It's a terribly melancholic and even tragic desire to have, but easily understandable. Who hasn't, at least once in their lives, wished to free themselves of the fears and most sad thoughts? To depend entirely on somebody else and just stop struggling?
Yoko Ogawa never disappoints and I'm genuinely a big fan of hers, now.
July 23, 2023
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¦¥¦Í? ¦Ç ¦É¦Ä?¦Á ¦Å?¦Í¦Á¦É ¦Ó?¦Ò¦Ï ¦Ð¦Ñ¦Ø¦Ó?¦Ó¦Ô¦Ð¦Ç,¦Ç ¦Ð¦Ï¦Ñ¦Å?¦Á ¦Ó?¦Ò¦Ï ¦Å¦Ô¦Ñ¦Ç¦Ì¦Á¦Ó¦É¦Ê? ,¦Ð¦Å¦Ñ¦Í?¦Å¦É ¦Á¦Ð? ¦Ä¦É?¦Õ¦Ï¦Ñ¦Å? ¦Õ?¦Ò¦Å¦É?, ¦Ð¦Ñ¦Ï¦Ê¦Á¦Ë¦Å? ¦Ò¦Ô¦Í¦Á¦É¦Ò¦È?¦Ì¦Á¦Ó¦Á,¦Á¦Ã¦Ø¦Í?¦Á, ¦Á¦Ð¦Ï¦Ñ?¦Å?, ?¦Ö¦Å¦É ?¦Í¦Á¦Í ¦Ó¦Ï¦Í¦Ï ¦Å¦Ñ¦Ø¦Ó¦É¦Ò¦Ì¦Ï?, ¦Õ¦Å¦Ó¦É¦Ö¦É¦Ò¦Ì¦Ï?, ¦Õ¦Á¦Í¦Ó¦Á¦Ò¦É?¦Ò¦Å¦Ø¦Í (¦Ö¦Ø¦Ñ?? ?¦Ì¦Ø? ¦Í¦Á ¦Å¦Ð¦Å¦Ê¦Ó¦Á¦È¦Å? ¦É¦Ä¦É¦Á?¦Ó¦Å¦Ñ¦Á ¦Ê¦Á¦É ¦Î¦Å¦Ê?¦È¦Á¦Ñ¦Á ¦Á¦Ë¦Ë? ¦Ð¦Å¦Ñ¦É¦Ò¦Ò?¦Ó¦Å¦Ñ¦Ï ¦Ô¦Ð¦Á¦É¦Í?¦Ò¦Ò¦Å¦Ó¦Á¦É ¦Ê¦Á¦É ¦Á¦Õ?¦Í¦Å¦É ¦Í¦Á ¦Å¦Í¦Í¦Ï¦Ç¦È¦Ï?¦Í)....¦Ó¦Å¦Ë¦É¦Ê? ¦Ä¦Å¦Í ?¦Ñ¦Ö¦Å¦Ó¦Á¦É ¦Ð¦Ï¦Ó? ¦Ç ¦Ê¦Ï¦Ñ?¦Õ¦Ø¦Ò¦Ç. ¦¥¦Ì?¦Í¦Á ¦Ð¦Ñ¦Ï¦Ò¦Ø¦Ð¦É¦Ê? ¦Ì¦Å ?¦Õ¦Ç¦Ò¦Å ¦Ì¦Å ¦Ó¦É? ¦Á¦Ð¦Ï¦Ñ?¦Å? ¦Á¦Ô¦Ó??......¦Â?¦Â¦Á¦É¦Á ¦Ê¦Á¦È?¦Í¦Á? ¦Ì¦Ð¦Ï¦Ñ¦Å? ¦Í¦Á ¦Õ¦Á¦Í¦Ó¦Á¦Ò¦Ó¦Å? ¦Ó¦Ï ¦Ä¦É¦Ê? ¦Ó¦Ï¦Ô ¦Ó?¦Ë¦Ï? ¦Ò¦Ó¦Ç¦Í ¦Ð¦Å¦Ñ?¦Å¦Ñ¦Ã¦Ç ¦Á¦Ô¦Ó? ¦Ô¦Ð?¦È¦Å¦Ò¦Ç! ?¦Ò¦Ø? ¦Ó¦Å¦Ë¦É¦Ê? ¦Í¦Á ¦Å?¦Í¦Á¦É ¦Á¦Ð? ¦Å¦Ê¦Å?¦Í¦Á ¦Ó¦Á ¦Â¦É¦Â¦Ë?¦Á ?¦Ð¦Ï¦Ô ¦Ë¦Å? ¦Ð¦Ø? ¦Ä¦Å¦Í ¦Ì¦Å¦Ó¦Ñ?¦Å¦É ¦Ó¦Ï ¦Ó?¦Ë¦Ï? ¦Á¦Ë¦Ë? ¦Ó¦Ï "¦Ó¦Á¦Î?¦Ä¦É" , ?¦Ì¦Ø? ¦Å¦Ã? ¦Ð¦Ñ¦Ï¦Ò¦Ø¦Ð¦É¦Ê? ?¦Í¦É¦Ø¦Ò¦Á ¦Ð¦Ø? ¦Ì¦Ï¦Ô ¦Ó¦Ï "?¦Ê¦Ï¦×¦Á¦Í" ¦Ð?¦Í¦Ø ¦Ò¦Ó¦Ï ¦Ê¦Á¦Ë?¦Ó¦Å¦Ñ¦Ï, ?¦Ð¦Ø? ¦Å¦Ê¦Å?¦Í¦Á ¦Ó¦Á ?¦Í¦Å¦É¦Ñ¦Á ¦Ð¦Ï¦Ô ¦Î¦Ô¦Ð¦Í?? ¦Ó¦Ç¦Í ¦Ð¦É¦Ï ¦Ê¦Ñ?¦Ò¦É¦Ì¦Ç ¦Ò¦Ó¦É¦Ã¦Ì? ¦Ê¦Á¦É ¦Ä¦Å¦Í ¦Ð¦Ñ¦Ï¦Ë¦Á¦Â¦Á¦É¦Í¦Å¦É? ¦Ð¦Ï¦Ó? ¦Í¦Á ¦Ì?¦È¦Å¦É? ¦Ó¦É ?¦Ã¦É¦Í¦Å! ¦¬?¦Ë¦Ë¦Ï¦Í ¦Ò¦Å ¦Á¦Ô¦Ó? ¦Ó¦Ç¦Í ¦Ð¦Å¦Ñ?¦Ð¦Ó¦Ø¦Ò¦Ç ¦È¦Á ¦Ð¦Ñ?¦Ð¦Å¦É ¦Í¦Á ¦Á¦Í¦Á¦Ë¦Ï¦Ã¦É¦Ò¦Ó¦Ï?¦Ì¦Å ¦Ó¦Ç¦Í ¦Ê¦Á¦Ó¦Á¦Ã¦Ø¦Ã? ¦Ó¦Ç? ¦Ò¦Ô¦Ã¦Ã¦Ñ¦Á¦Õ?¦Ø? ¦Ê¦Á¦É ¦Í¦Á ¦Á¦Ð¦Ï¦Ä?¦Ò¦Ï¦Ô¦Ì¦Å ¦Á¦Ô¦Ó? ¦Ó¦Ç ¦Ë¦É¦Ó?¦Ó¦Ç¦Ó¦Á ¦Å¦Ê¦Õ¦Ñ¦Á¦Ò¦Ç? ¦Ò¦Ó¦Ç¦Í ?¦Ë¦Ç ¦Ì¦É¦Í¦É¦Ì¦Á¦Ë¦É¦Ò¦Ó¦É¦Ê? ¦Ð¦Ñ¦Ï¦Ò?¦Ã¦Ã¦É¦Ò¦Ç ¦Ó¦Ç? ¦©¦Á¦Ð¦Ø¦Í¦É¦Ê?? ¦Ê¦Ï¦Ô¦Ë¦Ó¦Ï?¦Ñ¦Á?. ¦¨¦Á ¦Ó¦Ï ?¦È¦Å¦Ë¦Á ¦Ë?¦Ã¦Ï ¦Ð¦É¦Ï "¦Ð¦Ë¦Ç¦È¦Ø¦Ñ¦É¦Ê?"¦Ã¦É¦Á ¦Ó¦Á ¦Ä¦É¦Ê? ¦Ì¦Ï¦Ô ¦Ã¦Ï?¦Ò¦Ó¦Á ¦Ð?¦Í¦Ó¦Ï¦Ó¦Å !
July 4, 2021
Molto, molto particolare. Un po' orrorifico, un po' allegorico, permette al lettore di addentrarsi per bene nella psicologia della protagonista, con una scrittura semplice ed immediata. Anche le tematiche trattate risultano coinvolgenti, ammalianti, e la storia tiene con il fiato sospeso fino ad un finale in stile Shirley Jackson. Perch¨¦ quello che conta non ¨¨ il colpo di scena finale, ma quanto la tensione venga mantenuta durante tutto il racconto.
August 16, 2021
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January 24, 2022
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¦°¦Ñ?¦Ó¦Ç ¦Å¦Ð¦Á¦Õ? ¦Ì¦Å ¦Ó¦Ï ?¦Ñ¦Ã¦Ï ¦Ó¦Ç? Ogawa ¦Ê¦Á¦É ¦Ï¦Ð¦Ø¦Ò¦Ä?¦Ð¦Ï¦Ó¦Å ?¦Ö¦É ¦Ç ¦Ó¦Å¦Ë¦Å¦Ô¦Ó¦Á?¦Á!
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¦°¦Ñ?¦Ó¦Ç ¦Å¦Ð¦Á¦Õ? ¦Ì¦Å ¦Ó¦Ï ?¦Ñ¦Ã¦Ï ¦Ó¦Ç? Ogawa ¦Ê¦Á¦É ¦Ï¦Ð¦Ø¦Ò¦Ä?¦Ð¦Ï¦Ó¦Å ?¦Ö¦É ¦Ç ¦Ó¦Å¦Ë¦Å¦Ô¦Ó¦Á?¦Á!
May 6, 2018
Esemplari e fetish
Un racconto lungo che colpisce per
l'atmosfera ovattata, sospesa ,misteriosa
, sottilmente oppressiva ...
In un laboratorio sotterraneo ci sono degli "esemplari" accuratamente etichettati e conservati,
per essere definitivamente separati da chi li possedeva ,in una sorta di rituale liberatorio
La loro funzione ¨¨ quella di eliminare i ricordi dolorosi e traumatici legati ad un oggetto
Sembrava seguire uno schema prefissato.
Aveva il controllo assoluto della situazione.
Io stavo semplicemente in piedi immobile, con l'orecchio teso al rumore impercettibile di bottoni e ganci che venivano slacciati.
Alla fine mi ritrovai nuda. Avevo addosso solo le scarpe nere di pelle.
Un racconto lungo che colpisce per
l'atmosfera ovattata, sospesa ,misteriosa
, sottilmente oppressiva ...
In un laboratorio sotterraneo ci sono degli "esemplari" accuratamente etichettati e conservati,
per essere definitivamente separati da chi li possedeva ,in una sorta di rituale liberatorio
La loro funzione ¨¨ quella di eliminare i ricordi dolorosi e traumatici legati ad un oggetto
Sembrava seguire uno schema prefissato.
Aveva il controllo assoluto della situazione.
Io stavo semplicemente in piedi immobile, con l'orecchio teso al rumore impercettibile di bottoni e ganci che venivano slacciati.
Alla fine mi ritrovai nuda. Avevo addosso solo le scarpe nere di pelle.
February 25, 2022
¦«¦É¦Ó? ¦Ê¦É ¦Á¦Ð?¦Ñ¦É¦Ó¦Ó¦Ï, ¦Ó¦Ï ¦Â¦É¦Â¦Ë?¦Ï ¦Ó¦Ç? ¦¯¦Ã¦Ê?¦Ï¦Ô¦Á ¦Ä?¦Í¦Å¦É ¦Ó¦Ç¦Í ¦Ä¦É¦Ê? ¦Ó¦Ç? (¦Ì¦É¦Ê¦Ñ?, ¦Ä¦Ô¦Ò¦Ó¦Ô¦Ö??) ¦Å¦É¦Ê?¦Í¦Á ¦Ã¦É¦Á ¦Ó¦Ï¦Í ¦Å¦Ñ¦Ø¦Ó¦É¦Ò¦Ì?. ¦²?¦Í¦Ó¦Ï¦Ì¦Á ¦Ê¦Á¦É ¦Ð¦Å¦Ñ¦É¦Å¦Ê¦Ó¦É¦Ê?, ¦Á¦Õ¦Ç¦Ã¦Å?¦Ó¦Á¦É ¦Ó¦Ç¦Í ¦É¦Ò¦Ó¦Ï¦Ñ?¦Á ¦Ì?¦Á? ¦Í?¦Á? ¦Ê¦Ï¦Ð?¦Ë¦Á?, ¦Ð?? ¦Ê¦Á¦Ó?¦Ë¦Ç¦Î¦Å ?¦Ñ¦Ì¦Á¦É¦Ï ¦Å¦Í?? ?¦Í¦Ó¦Ñ¦Á, ¦Á¦Ë¦Ë? ¦Ê¦Á¦É ¦Ó¦Ø¦Í ¦Ä¦É¦Ê?¦Í ¦Ó¦Ç? ¦Å¦Ð¦É¦È¦Ô¦Ì¦É?¦Í.
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December 29, 2015
?,¦Ó¦É ¦Ð¦É¦Ï ¦Å¦Ñ¦Ø¦Ó¦É¦Ê? ¦Ä¦É?¦Â¦Á¦Ò¦Á ¦Ì?¦Ò¦Á ¦Ò¦Ó¦Ï 15, ¦Ò¦Å ¦Ë?¦Ã¦Å? ¦Ì?¦Í¦Ï ¦Ò¦Å¦Ë?¦Ä¦Å? ¦Ê¦Á¦É ¦Ö¦Ø¦Ñ?? ¦Ê¦Á¦Ì?¦Á ¦Å¦Ñ¦Ø¦Ó¦É¦Ê? ¦Ò¦Ê¦Ç¦Í?. ¦¡¦Ë¦Ë? ¦Ç Ogawa (¦Á¦É¦Ò¦È?¦Í¦Ï¦Ì¦Á¦É ¦Ó¦Ô¦Ö¦Å¦Ñ?? ¦Ð¦Ï¦Ô ¦Á¦Ã?¦Ñ¦Á¦Ò¦Á ¦Õ?¦Ó¦Ï? ?¦Ë¦Á ¦Ó¦Ç? ¦Ó¦Á ¦Â¦É¦Â¦Ë?¦Á ¦Á¦Ð? ¦Ó¦Ï ¦Ð¦Á¦Æ?¦Ñ¦É ¦Ó¦Ç? ?¦Ã¦Ñ¦Á?) ¦Ä¦Å¦Í ¦Ö¦Ñ¦Å¦É?¦Æ¦Å¦Ó¦Á¦É ¦Ò¦Ê¦Ç¦Í?? ¦Ò¦Å¦Î ¦Ò¦Ó¦Á ?¦Ñ¦Ã¦Á ¦Ó¦Ç?, ¦Ê?¦Í¦Å¦É ?¦Ñ¦Ø¦Ó¦Á ¦Ì¦Å ¦Ó¦É? ¦Ë?¦Î¦Å¦É?.
February 14, 2023
chiss¨¤ che esemplare andrei a lasciare io
January 8, 2021
¦§ ¦Á¦Õ¦Ç¦Ã?¦Ó¦Ñ¦É¦Á ¦Å?¦Í¦Á¦É ¦Ì¦É¦Á ¦Ê¦Ï¦Ð?¦Ë¦Á ¦Í¦Å¦Á¦Ñ? ¦Ò¦Å ¦Ç¦Ë¦É¦Ê?¦Á. ?¦Ö¦Å¦É ¦Ö?¦Ò¦Å¦É ?¦Í¦Á ¦Ê¦Ï¦Ì¦Ì?¦Ó¦É ¦Á¦Ð? ¦Ó¦Ï¦Í ¦Ð¦Á¦Ñ?¦Ì¦Å¦Ò? ¦Ó¦Ç? ¦Å¦Î¦Á¦É¦Ó?¦Á? ¦Ò¦Å ¦Ò¦Ô¦Ò¦Ê¦Å¦Ô¦Á¦Ò¦Ó?¦Ñ¦É¦Ï ¦Á¦Í¦Á¦×¦Ô¦Ê¦Ó¦É¦Ê?¦Í ?¦Ð¦Ï¦Ô ¦Ä¦Ï?¦Ë¦Å¦Ô¦Å. ¦¢¦Ñ?¦Ò¦Ê¦Å¦É ¦Å¦Ñ¦Ã¦Á¦Ò?¦Á ¦Ò' ?¦Í¦Á ¦Å¦Ñ¦Ã¦Á¦Ò¦Ó?¦Ñ¦É¦Ï ¦Ó¦Á¦Ñ?¦Ö¦Å¦Ô¦Ò¦Ç? ¦Á¦Í¦Á¦Ì¦Í?¦Ò¦Å¦Ø¦Í ¦Ê¦Á¦É ¦Ð¦Á¦Ñ¦Á¦Ò?¦Ñ¦Å¦Ó¦Á¦É ¦Ò' ?¦Í¦Á "¦Å¦Ñ¦Ø¦Ó¦É¦Ê?" ¦Ð¦Á¦É¦Ö¦Í?¦Ä¦É ¦Ì¦Å ¦Ó¦Ï¦Í ¦Ã¦Ï¦Ç¦Ó¦Å¦Ô¦Ó¦É¦Ê? ¦Ê¦Á¦É ¦Ò¦Ô¦Í?¦Ì¦Á ¦Í¦Ï¦Ò¦Ç¦Ñ? ¦Á¦Õ¦Å¦Í¦Ó¦É¦Ê? ¦Ó¦Ç? ¦¦Ó¦Å¦Ò¦É¦Ì?¦Ñ¦Ï¦Ô. ¦¯ "¦Ð¦Á¦Ñ?¦Ì¦Å¦Ò¦Ï?" ¦Å?¦Í¦Á¦É ¦Ó¦Ï ¦Ð¦Ñ?¦Ó¦Ï ¦Â¦É¦Â¦Ë?¦Ï ¦Ó¦Ç? Ogawa ¦Ð¦Ï¦Ô ¦Å¦Ê¦Ä?¦È¦Ç¦Ê¦Å ¦Ò¦Ó¦Ç¦Í ¦¥¦Ë¦Ë?¦Ä¦Á ¦Ó¦Ï 2000 ¦Ê¦Á¦É ¦Ó¦Ï ¦Ð¦Å¦Ñ¦Á¦Ò¦Ì?¦Í¦Ï ¦¤¦Å¦Ê?¦Ì¦Â¦Ñ¦Ç ?¦Ñ¦È¦Å ¦Á¦Ð? ¦Ó¦É? ¦Å¦Ê¦Ä?¦Ò¦Å¦É? ¦°¦Á¦Ó?¦Ê¦Ç "¦§ ¦Á¦Ò¦Ó¦Ô¦Í¦Ï¦Ì?¦Á ¦Ó¦Ç? ¦Ì¦Í?¦Ì¦Ç?". ¦ª¦Á¦É ¦Ò¦Ó¦Á ¦Ä?¦Ï ¦Â¦É¦Â¦Ë?¦Á ¦Ç ¦Ò¦Ô¦Ã¦Ã¦Ñ¦Á¦Õ?¦Á ?¦Ö¦Å¦É ¦È¦Å¦Ì¦Á¦Ó¦É¦Ê? ¦Ê¦Á¦É ¦Ð¦Ç¦Ã? ?¦Ì¦Ð¦Í¦Å¦Ô¦Ò¦Ç? ¦Ó¦É? ¦Á¦Í¦Á¦Ì¦Í?¦Ò¦Å¦É?. ?¦Ò¦Ø? ¦Á¦Ô¦Ó? ¦Å?¦Í¦Á¦É ¦Ê¦Á¦É ¦Ó¦Ï ¦Å¦Ô¦Á?¦Ò¦È¦Ç¦Ó¦Ï ¦Ò¦Ç¦Ì¦Å?¦Ï ¦Ó¦Ç? Ogawa...¦²¦Ó¦Ï¦Í "¦°¦Á¦Ñ?¦Ì¦Å¦Ò¦Ï" ¦Ï¦É ¦Ð¦Å¦Ë?¦Ó¦Å? ¦Ï¦É¦Ê¦Å¦É¦Ï¦È¦Å¦Ë?? ¦Ð¦Á¦Ñ¦Á¦Ä?¦Ä¦Ï¦Ô¦Í ¦Á¦Í¦Ó¦É¦Ê¦Å?¦Ì¦Å¦Í¦Á ¦Ð¦Ï¦Ô ¦Å?¦Í¦Á¦É ¦Ã¦É' ¦Á¦Ô¦Ó¦Ï?? ¦Ã¦Å¦Ì?¦Ó¦Ï ¦Á¦Í¦Á¦Ì¦Í?¦Ò¦Å¦É?. ¦²¦Ó¦Ç¦Í "¦¡¦Ò¦Ó¦Ô¦Í¦Ï¦Ì?¦Á ¦Ó¦Ç? ¦Ì¦Í?¦Ì¦Ç?" ¦Ç ¦Á¦Ò¦Ó¦Ô¦Í¦Ï¦Ì?¦Á ¦Å¦Î¦Á¦Õ¦Á¦Í?¦Æ¦Å¦É ¦Ó¦Á ¦Á¦Í¦Ó¦É¦Ê¦Å?¦Ì¦Å¦Í¦Á ¦Ê¦Á¦É ¦Ï¦É ¦Ê?¦Ó¦Ï¦É¦Ê¦Ï¦É ¦È?¦Ë¦Ï¦Ô¦Í ¦Í¦Á ¦È¦Ô¦Ì¦Ï?¦Í¦Ó¦Á¦É! ¦²¦Ó¦Ï ?¦Ñ¦Ã¦Ï ¦Á¦Ô¦Ó? ¦Ç ¦Ò¦Ô¦Ã¦Ã¦Ñ¦Á¦Õ?¦Á? ¦Å?¦Í¦Á¦É ¦Á¦É¦Í¦É¦Ã¦Ì¦Á¦Ó¦É¦Ê?. ¦ª?¦È¦Å ¦Á¦Í¦Á¦Ã¦Í?¦Ò¦Ó¦Ç? ¦Ê¦Á¦Ë¦Å?¦Ó¦Á¦É ¦Í¦Á ¦Ê¦Á¦Ó¦Á¦Í¦Ï?¦Ò¦Å¦É ¦Ì¦Å ¦Ó¦Ï¦Í ¦Ä¦É¦Ê? ¦Ó¦Ï¦Ô ¦Ó¦Ñ?¦Ð¦Ï ¦Ó¦Ç¦Í ¦Ï¦Ô¦Ò?¦Á ¦Ó¦Ç? ¦Í¦Ï¦Ô¦Â?¦Ë¦Á?. ¦¯ ¦É¦Á¦Ð¦Ø¦Í¦É¦Ê?? ¦Ó¦Ñ?¦Ð¦Ï? ¦Ò¦Ê?¦×¦Ç?, ¦Ó¦Ï¦Í ¦Å¦Ñ¦Ø¦Ó¦É¦Ò¦Ì?, ¦Ó¦Ï¦Í ¦Õ¦Å¦Ó¦É¦Ö¦É¦Ò¦Ì?, ¦Ó¦Ç¦Í ¦Ï¦É¦Ê¦Å¦É¦Ï¦È¦Å¦Ë? ¦Á¦Ð¦Ï¦Ô¦Ò?¦Á ¦Ó¦Ç? ¦Å¦Ë¦Å¦Ô¦È¦Å¦Ñ?¦Á? ¦Å?¦Í¦Á¦É ¦Ò¦Ó¦Ï¦É¦Ö¦Å?¦Á ¦Ð¦Ï¦Ô ¦Â¦Ñ?¦Ò¦Ê¦Ï¦Ô¦Ì¦Å ¦Ò¦Å ¦Á¦Ô¦Ó?? ¦Ó¦É? ¦Ò¦Å¦Ë?¦Ä¦Å?.
September 24, 2024
Un racconto magnetico, strano, inquietante. Primo approccio con l¡¯autrice che mi ha fatto venire voglia di recuperare tutto il resto.
March 29, 2019
¦§ ¦Ð¦Á¦Ñ?¦Î¦Å¦Í¦Ç ¦Á¦Ô¦Ó? ¦Í¦Ï¦Ô¦Â?¦Ë¦Á ¦Á¦Ð¦Ï¦Ó¦Å¦Ë¦Å? ¦Ó¦Ç¦Í ¦Ð¦Ñ?¦Ó¦Ç ¦Ì¦Ï¦Ô ¦Å¦Ð¦Á¦Õ? ¦Ì¦Å ¦Ó¦Ï ?¦Ñ¦Ã¦Ï ¦Ó¦Ç? ¦£¦É?¦Ê¦Ï ¦¯¦Ã¦Ê?¦Ï¦Ô¦Á. ¦«¦Ï¦É¦Ð?¦Í, ?¦Ò¦Ï ¦Å¦Ô¦Ê¦Ï¦Ë¦Ï¦Ä¦É?¦Â¦Á¦Ò¦Ó¦Ç, ¦Ò¦Ó¦Ñ¦Ø¦Ó? ¦Ê¦Á¦É ¦Õ¦Á¦É¦Í¦Ï¦Ì¦Å¦Í¦É¦Ê? ¦Á¦Ð¦Ë? ¦Å?¦Í¦Á¦É ¦Ç ¦Ã¦Ñ¦Á¦Õ? ¦Ó¦Ç? ¦¯¦Ã¦Ê?¦Ï¦Ô¦Á, ¦Ó?¦Ò¦Ï ¦É¦Ä¦É?¦Ñ¦Ñ¦Ô¦È¦Ì¦Ç ¦Å?¦Í¦Á¦É ¦Ç ¦É¦Ò¦Ó¦Ï¦Ñ?¦Á ¦Ê¦Á¦É ¦Ó?¦Ò¦Ï ¦Ð¦Á¦Ñ?¦Î¦Å¦Í¦Ç ¦Ç ?¦Ë¦Ç ¦Á¦Ó¦Ì?¦Ò¦Õ¦Á¦É¦Ñ¦Á. ?¦Ö¦Ï¦Ô¦Ì¦Å ¦Í¦Á ¦Ê?¦Í¦Ï¦Ô¦Ì¦Å ¦Ì¦Å ¦Ó¦Ç¦Í ¦©¦Á¦Ð¦Ø¦Í¦É¦Ê? ¦Ð¦Ñ¦Ï¦Ò?¦Ã¦Ã¦É¦Ò¦Ç ¦Ó¦Ï¦Ô ¦Å¦Ñ¦Ø¦Ó¦É¦Ò¦Ì¦Ï? ¦Ê¦Á¦É ¦Ó¦Ç? ¦Ò¦Å¦Î¦Ï¦Ô¦Á¦Ë¦É¦Ê?¦Ó¦Ç¦Ó¦Á?, ¦Ã¦Å¦Ì?¦Ó¦Ç ¦Ô¦Ð¦Á¦É¦Í¦É¦Ã¦Ì¦Ï?? ¦Ê¦Á¦É ¦Ò¦Ô¦Ì¦Â¦Ï¦Ë¦É¦Ò¦Ì¦Ï??, ¦Ì¦Å ?¦Ò¦Ø? ¦Ë?¦Ã¦Å? ¦Í?¦Ó¦Å? ¦Ó¦Ï¦Ô ¦Õ¦Á¦Í¦Ó¦Á¦Ò¦Ó¦É¦Ê¦Ï? ¦Ê¦Á¦É ¦Ó¦Ï¦Ô ¦Á¦Ë¦Ë?¦Ê¦Ï¦Ó¦Ï¦Ô. ¦¯ ¦Ñ¦Ô¦È¦Ì?? ¦Å?¦Í¦Á¦É ¦Ê?¦Ð¦Ø? ¦Á¦Ñ¦Ã?? ¦Ê¦Á¦É ?¦Ñ¦Å¦Ì¦Ï?, ¦Ö¦Ø¦Ñ?? ¦Å¦Î?¦Ñ¦Ò¦Å¦É?, ¦Ê¦Á¦Ó¦Á¦Õ?¦Ñ¦Í¦Å¦É ?¦Ì¦Ø? ¦Í¦Á ¦Ê¦Ñ¦Á¦Ó?¦Ò¦Å¦É ¦Ó¦Ï¦Í ¦Á¦Í¦Á¦Ã¦Í?¦Ò¦Ó¦Ç ¦Ò¦Å ¦Å¦Ã¦Ñ?¦Ã¦Ï¦Ñ¦Ò¦Ç. ¦³¦Ï ¦Ó?¦Ë¦Ï? ¦Ì¦Ð¦Ï¦Ñ¦Å? ¦Í¦Á ¦Î¦Á¦Õ¦Í¦É?¦Ò¦Å¦É, ¦Å¦Í? ¦È¦Á ?¦Ë¦Å¦Ã¦Á ?¦Ó¦É ¦Å?¦Í¦Á¦É ¦Á¦Ñ¦Ê¦Å¦Ó? ¦Á¦Í¦Ï¦É¦Ê¦Ó? ¦Ã¦É¦Á ¦Ä¦É¦Á¦Õ¦Ï¦Ñ¦Å¦Ó¦É¦Ê? ¦Ò¦Ô¦Ì¦Ð¦Å¦Ñ?¦Ò¦Ì¦Á¦Ó¦Á, ¦Á¦Í?¦Ë¦Ï¦Ã¦Á ¦Ì¦Å ¦Ó¦Ç¦Í ¦Ê¦Ñ?¦Ò¦Ç ¦Ê¦Á¦É ¦Ó¦Ç¦Í ¦Ï¦Ð¦Ó¦É¦Ê? ¦Ð¦Ï¦Ô ?¦Ö¦Å¦É ¦Ï ¦Ê?¦È¦Å ¦Á¦Í¦Á¦Ã¦Í?¦Ò¦Ó¦Ç?. ¦²?¦Ã¦Ï¦Ô¦Ñ¦Á ¦Ì?¦Ò¦Á ¦Ò¦Ó¦Ç ¦Ö¦Ñ¦Ï¦Í¦É? ¦È¦Á ¦Ä¦É¦Á¦Â?¦Ò¦Ø ¦Ê¦Á¦É ?¦Ë¦Ë¦Ï ¦Â¦É¦Â¦Ë?¦Ï ¦Ó¦Ç? ¦¯¦Ã¦Ê?¦Ï¦Ô¦Á.
September 6, 2021
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March 9, 2021
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January 22, 2023
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June 11, 2021
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