In this mesmerizing new novel, Anne Rice demonstrates once again her gift for spellbinding storytelling and the creation of myth and magic, as she weaves together two of her most compelling worlds? those of the Vampire Chronicles and the Mayfair witches.
Anne Rice (born Howard Allen Frances O'Brien) was a best-selling American author of gothic, supernatural, historical, erotica, and later religious themed books. Best known for , her prevailing thematic focus is on love, death, immortality, existentialism, and the human condition. She was married to poet Stan Rice for 41 years until his death in 2002. Her books have sold nearly 100 million copies, making her one of the most widely read authors in modern history.
Anne Rice passed on December 11, 2021 due to complications from a stroke. She was eighty years old at the time of her death.
She uses the pseudonym for adult-themed fiction (i.e., erotica) and for fiction featuring sexually explicit sado-masochism.
OMFG this one was so good. It was a breath of fresh air from the usually Victorian or New Orleans settings of her other novels. We get to go to the jungle AND we get so see some ghost shit through a jade mask? Are you friggin' kidding me, that's awesome! I'm glad Rice finally touched on a non-caucasian character, because her character lineup thus far seemed whiter than milk.
Read this. Seriously. I am not even joking. Don't make me cut you. Kidding. [Not kidding]
I think this tries to unite the two major series by Anne Rice. For people like me, who are more familiar with the vampires than the witches, I needed more gay energy.
Disappointing, truly. First, almost nothing actually happens within the present timeline in which the book is written. It's a string of stories told over a glass of rum. As a result, it reads like a "best-of clips" episode of a sit com (and is about as interesting).
You get to hear all about Oncle Vervain, Cold Sandra, Great Nannane, and Oncle Julien. This could have been interesting, but because Rice never managed to make me care about any of these characters before plunging into these droning stories, it came across like an old drunk woman you've met at the bus stop telling you her life story for no reason known to you.
The premise of this book held so much potential, but Anne Rice has managed to realize absolutely none of it. The most powerful witch known to the Talamasca being made into a vampire by the most powerful vampire in the realm? Sounds brilliant, right? Well, none of the things that spring to mind with that description come to fruition in Merrick. It's emphasized repeatedly and in many ways how powerful a witch Merrick is; but she never really does anything much more than reading minds (a trick which even the weakest vampires could achieve with the Mind Gift).
That aside, it's heralded as the "blending of the stories of the mayfairs and the vampires," but neither story is really present in this book. Have you noticed that some lists show Merrick in the Vampire Chronicles, and some lists do not? That's because this novel is of absolutely no consequence to the saga. In fact, while Merrick is technically related to the Mayfairs you've come to know before this book, she makes it a point not to involve herself with them, so hers is an entirely different story, really.
And once again, Rice falls into purple prose (surprised?). You get countless descriptions of her imbibing of rum, of the texture of the fabric on her bodice, of her breasts and hair; and suddenly you realize you must backtrack to remember what's going on in the story.
That said, I'd advise you to skip this book and move on to Blood and Gold (which is well worth the read). As I've said, none of the proceedings of this book are of any consequence, so skipping this book will not diminish your understanding of future installments.
De estos libros yo solo puedo decir cosas buenas, me encanta el estilo y la trama que tienen y este que nos relata de historia de las brujas que practican el vudú y todo ese universo me cautivó. Merrick me pareció fascinante y la manera en que los hilos se unen para que las crónicas se liguen a partir de este tomo con las brujas de mayfair fue lo mejor. Ambas sagas son buenisÃmas y el que tus personajes se encuentren y ahora sean parte de la misma historia es un sueño hecho realidad.
What mysteries we are, human, vampire, monster, mortal, that we can love and hate simultaneously, and that emotions of all sorts might not parade for what they are not. ~~
I've decided to revisit my past by diving ~~ once more ~~ into The Vampire Chronicles
When died, I was incredibly sad. I first read at 13 ~~ soon I devoured everything of hers that she had written. Rice shaped me not only as a reader, but as a person. She unlocked an entirely new world for me as I traveled with Lestat and Amadeo. Rice put into words how I secretly felt.
I read the Vampire Chronicles in order ~~ Lives of the Mayfair Witches too. Interspersed among these reads, I read ¸é¾±³¦±ð’s stand alone novels. The best of these was , now a lesser known work of ¸é¾±³¦±ð’s. In fact, it may be ¸é¾±³¦±ð’s best work.
Later, when she turned her back on horror and made her highly publicized return to Catholicism, I tried to read ¸é¾±³¦±ð’sThe Songs of the Seraphim series, but they were terrible. The magic was gone. The writing had become preachy. And just like that she abandoned Christianity and returned horror. I read but sadly, Rice was simply repeating herself. Then, Rice began to harass her critics, encouraging her fans to publicly attack those who poorly reviewed her books. Her fans terrorized her detractors. Lastly, she began to focus more and more on promoting her son's work as she slowly withdrew from the world. I had outgrown Anne Rice. Despite all this, I feel like a part of my youth had been taken from me with her passing.
And now, back to
... what to make of ... The book centers on the witch and voodoo priestess Merrick & Talamasca investigator turned VampireDavid Talbot. The first 2/3 of center on an adventure the two take together. The problem here is that neither character is interesting enough to anchor an entire novel. really only comes alive with the appearance of the Holy Triumvirate of the damned, Lestat, Louis & Claudia. Yes, that Claudia.
In , Rice authors an emotional, well-detailed story of black magic, intrigue and forbidden love, that never seems to find its voice.
Merrick should be a compelling character ~~ a Talamasca scholar, a native of New Orleans, descended from Haitian slaves and the white Mayfair clan ~~ yes, those Mayfairs.Merrick is haunted by her own tragic past and quite vengeful, Merrick turns the world of the Immortals on its ear with a scheme of her own, revealing the secret motivations of Claudia and causing the Talamasca to go to war with the damned. With this as her backstory, you'd think Merrick would be one of the most exciting characters introduced by Rice ~~ she's not.
In the end, it is apparent is a transitional book in the Vampire Chronicles. Sadly, is not riveting ~~ even if it is well-realized.
So, is an essential read in this series ~~ yes. What does is pave the way for one of the most interesting stories has yet to tell.
After the abominations that were Lasher and The Vampire Armand, I had almost decided to give up on Anne Rice. Seriously. Though she has written some of my favorite books, she’s also penned some stinkers (then again, what author hasn’t?). But I’m lowkey obsessive compulsive, and I want to finish the Vampire Chronicles. I finally decided to solider on with 2000’s Merrick, and... color me shocked! This short tale of voodoo and spirits stands with the best in ¸é¾±³¦±ð’s most famous work.
Acting as a shake-up in this long series, this book introduces in full the reader to Merrick, a young woman with an interesting past and a talent for witchcraft. The narrator of this novel is David Talbot, one of my favorite Rice characters. I enjoyed spending time in his head, and I enjoyed his interactions with Louis � a character I’ve not particular enjoyed, as he tends to whine. Rice does a good job of fully rounding him out, finally making him sympathetic (at least, to me). Though this novel severely lacks Lestat de Lioncourt, that is made up for with the interactions between David and Louis, and Merrick too.
I simply had a helluva good time with this book. On display are some of ¸é¾±³¦±ð’s scarier moments, from the scenes in the jungle to the return of a certain deceased character. I was on edge, and mystified, and in awe of the literary talent. I cannot wait to continue with the Chronicles.
This is definitely my least favourite in the Vampire Chronicles series by so far. Not much happened until much later in the book.
This, the 7th installment, introduces us to Merrick, a witch descended from the Mayfair line of witches. David Talbot, newly turned vampire, recounts his meeting and subsequent relationship with Merrick, while he was a member of the Talamasca.
The novel outlines Merrick's family history and her powers, while dealing with the present day: Louis is miserable because others have seen the spirit of Claudia, his erstwhile vampire child, and he has not. He is worried that she is a lost spirit unable to find rest. He asks David to request Merrick to conjure the spirit of Claudia so that he may see for himself.
I was quite excited when I saw that witches would be involved in the story, but was disappointed with how boring it was. Merrick also didn't come across as the alluring and amazing character she was meant to be in my opinion.
The pace of the story did pick up near the end at least, but in general I don't think it adds much to the series.
I think I'll take a break from the series for a while.
Please note: This review contains discussion of pedophilia.
David Talbot is doing something he never thought he would do: making contact with Merrick Mayfair, the beautiful witch who came to the Talamasca as a child. Now a vampire, David is afraid of the temptation of turning her as well, but he has been asked by Louis de Pointe du Lac to approach Merrick and ask if she will summon Claudia, the child vampire killed so long ago. Merrick is up to the task, but first, David recounts the tale of Merrick's life to Louis, in the hopes that he will understand just how precious she is, and how important it is not to ruin her life with their vampirism. All three of them are drawn together by memories of the past, hopeful for answers and fearful of what remembrance might bring.
Merrick is not very popular amongst the Vampire Chronicles fandom. Regardless, I was eager to give this a try, interested particularly in the character of Merrick Mayfair, who is a biracial witch related to the white Mayfairs who have their own book series. Unfortunately, though, as I got closer and closer to the end, I realized why this book remains so infamously disliked amongst fellow fans, and why I see so little discussion of it entirely. The deadliest crime here is that, simply put, Merrick is largely boring. As always, there are moments of truly beautiful writing, particularly when it comes to the sections that take place in the Guatemalan jungle, but as a whole, it suffers from a strange lack of magic when compared to the rest of the books in the series.
Although Merrick is an interesting character, she suffers from the same problem that challenges most of Rice's female characters: compared to their male counterparts, they are often underdeveloped, feeling like little more than springboards meant for the male cast to use in their own journeys. There are a few exceptions, of course; namely, Gabrielle, who commands each page she is on with little effort. But as a whole, it just feels as if Rice isn't as interested in female characters as she is in the male ones. Merrick acts as a sort of test of David's character, both when he is a mortal man and as a vampire. In fact, I want to discuss this in more detail.
Once again, as we see with Marius, David is an unrepentant creep. There's no other way to put it. He is canonically a pedophile; several other characters make mention of it in this book, and David essentially just states it as a fact. Though he usually likes boys (gag), he is obsessed and captivated by Merrick, whom he meets as a girl of fourteen, if I'm remembering correctly. He often says she is not a child, which is baffling. How is this little girl not a child? This plays into the weird racism that surrounds Merrick throughout the book. Not only is she called exotic again and again, but she's also cast as a "temptress," seductive even in her adolescence. Many young black girls are seen as more "mature" and are sexualized in ways that white girls are not. It's gross, and it leaves you feeling icky, like you need a bath.
So, as you can imagine, it's pretty much impossible to like David. Louis, who I adore, is actually in this book very fleetingly. The relationship between Merrick and Louis is not particularly interesting, and though I am first and foremost a lover of Louis and Lestat together, I don't usually mind when they take on other lovers, as this is just part of vampiric nature -- nearly all of them are polyamorous in some form or another. But, Merrick and Louis just feel... boring. He forgives her for something quite awful, too, and all of it was just strange. And not in a good way.
With all of this being said, I'm sure you can tell that I was not a fan. Not recommended; honestly, if you're a fan of the books, I think you could skip this one without missing much. The scenes with Claudia also feel like an afterthought, so if that's your main motivation for reading this, I'd still skip it.
Pontos Positivos: Gostei da mescla entre as Crônicas Vampirescas e a saga das Bruxas Mayfair (que, na minha opinião, são os melhores livros da Anne Rice) e a narrativa do David traz um perspectiva revigorante às crônicas, principalmente depois de inúmeros volumes tendo o Lestat como protagonista.
This is a shout out to my Twin. Heard she didn't think I'd write this review. Yeah yeah, that hurt me, I'll admit Forget that twin, read this shit.
Now you'd think I would've read books 1-6 before I dove into this bad boy.. and you would be completely wrong. Yeah, nope - that didn't happen one freaking bit. Mostly because of a challenge.. where I needed this specific book for it. After reading Merrick I can't honestly tell you if I will ever dive into books 1-6... I just can't commit to that right now. Maybe later in life (like before I die - if I have time).
The one thing I never thought I would get in a vampire book.. would be a visit to the jungle? I mean, it's absurd and something I would never put two and two together. This random visit is probably why I was intrigued in the first place. However, not intrigued enough to visit the rest of the series.
Besides the setting, the characters were okay. I didn't hate them but I also didn't love them. I feel like something was lacking/missing for them which if I knew what that was.. I would say it. I don't because I can't form words at the moment.. just know, they were missing that something extra to make them unique and likable (again, in my eyes).
Overall, I'm glad I took a chance on this book. It was interesting to a point.
rare is the book (or really any experience) that makes me oscillate wildly between apathy and total investment. so i guess i should say good job, merrick, for being that book. it also induced a kind of blind rage in me! that part’s important too.
what i loved was the long shadow cast by claudia over the story, the characters - especially louis - and the narrative of the chronicles as a whole. her diary entries moved me to tears; since i read interview i’ve caught myself in quiet moments thinking about her and these additional snippets of her voice are always welcomed. i love the interactions between louis and lestat; tenderness and care have never been more obvious between them and it’s wonderful. the atmosphere was entirely present in this book - from the jungles of south america to her beloved new orleans, rice always excels at evocative and hypnotizing descriptions of setting.
what i just didn’t give a single flying fuck about was merrick mayfair, and for that matter, david talbot. their past felt out of place and shoved oddly into the narrative; i enjoyed the imagery of their trip to south america and such but i just found myself scratching my head and going WHAT does this have to do with vampirism or claudia or the actual wildly interesting story happening here?? and when david was revealed to be of a . pedophilic nature, i sighed so loudly. i genuinely enjoyed his character in qotd and ttotbt and i am so frustrated at this apparent switch. also, i liked him, but not as a narrator - he was BORING (as old people tend to be).
oh, and as for what made me mad? [spoilers ahead]
i find it absolutely ridiculous that louis accepted the blood of lestat. and frankly, this choice devastated me. i have grown to love him more since reading iwtv because he is such a wonderful contrast to the other vampires, who eschew the trappings of humanity or seek to rise above in one way or another. his inability to use the mind gift was charming, his weakness refreshing; every time someone refers to him as “the most human of us� i smile a little. his apparent refusal of maharet’s blood at the book’s beginning only added to my love for him. and for rice to throw this away? it feels out of character, somewhat forced, and extremely frustrating. i had to get this out of my system - when i read these scenes i felt the urge to throw my copy across the room. refraining had more to do with my friends� safety than any lapse in my anger. ugh
I am aware that there is a series by Rice focussing on the Mayfair witches and I really look forward to reading it but some part of me wants to finish the existing books in her Vampire Chronicles first. To those who read both series: Does this make sense or should I read them in another order?
However, I was happy to see that the Mayfair family played a significant role in this one. It was a little difficult to wrap my head around Merrick and her relationship to the (mostly male) people around her at first. Probably because the story starts with her being rather young. However, I loved to read about her and her family later. Yes, some of the characters seemed a little flat and I hope there will be more information on them in other books.
Since this is the 7th book in a series it's rather difficult to say something about its content without spoiling anything. Let me just state that I loved the different setting - going from New Orleans to a Central American jungle was pure fun. It was great to read something different for a change as the series seemed to be a little repetitive in the last books.
All in all, the book managed to hold my interest as I loved the look back at Claudia's story. I am also a fan of the story of Merrick and her sister. It also further sparked my interest in the Mayfair storyline and I might pick up a little sooner than expected. I am glad that I continued the series despite a few rather difficult to read/way too religiously influenced stories in its middle.
At Louis� request David gets back in touch with Merrick Mayfair, a powerful witch and member of the Talamasca. He has known her since she joined the order as a child and knows her long, powerful and often frightening history.
But that history may be why she can do what Louis needs and call on Claudia’s ghost to confirm for him whether the child vampire has reached a peaceful afterlife or suffers as a ghost. And David’s connection to Merrick may be why she’d want to do it.
Though Merrick may be playing her own game
So, Louis wants to get in touch with Claudia’s ghost because the angst monster needs fuel for his eternal mope. To do this he contacts David who in turn calls on a contact he has in the Talamasca, Merrick.
And then tells us her life story in excruciating detail
I think it’s a good thing vampires don’t eat, because every time they ordered a pizza they’d have to pause to have an epic monologue on the delivery boy’s history. I’d actually be wary of working with these vampires simply because if you do anything for them they demand a full biography � which they then apparently put into print and share with the world. It’s one of the unknown vampire afflictions � can’t go out in the sunlight, blood diet and compulsive biography writing. Honestly, I do not even remotely understand the need to tell extremely long, irrelevant back stories to characters that we know nothing about and have little, or no, reason to care about.
I need an aside on the Talamasca � since I’ve previously called them the Talastalkers. Their motto is “We watch and we’re always there.� I presume this is because “We Know Where you Live and Where Your Children Go to School� and “We’re In The House!� were both already taken.
When I first saw that David was the narrator of this I celebrated. For a brief, deeply frightening moment, I thought Louis was going to be the POV and we would have lots of whining. At least David doesn’t whine� oh how wrong I was. No, because now David has thrown his hat in the ring � he too will compete for the title of whiniest one of all!
Between the moping, excessive descriptions and unnecessary art references (honestly, I do not understand authors who try to shoe-horn in these references to show us how knowledgeable they are) there was a surprising lack of philosophising to a degree. But it does seem that everything Lestat learned and we endured during Memnoch the Devil has been forgotten. There was even one interesting philosophical point of Louis refusing to upgrade his power level, even if he would then not have to kill so often, because that way he is capable of suicide, capable of dying which inherently makes him more human than, say, Lestat or David who wouldn’t know how to kill themselves even if they tried.
After the first 3 books in the Vampire Chronicles, Merrick is the next dearest tale to my heart. Tying together her beloved vampires and beloved witches, producing such a gorgeous, full and sensuous story. To see my Louis again, to watch his doomed love affair with Merrick unfold was absolutely exquisite! I tore through this book, I was so voracious in my adoration. An all-time favorite, for sure!
I just can’t connect with these books anymore. Am I going to keep reading them? Of course. Am i going to regret it? Probably. But I already own them all so I have to keep going.
I know this would insert three books in the middle of the Vampire Chornicles, but you are really going to need them in order to understand and the novels that follow.
I promise it won't be painful! The Mayfair Witches series is a good one as well, and frankly (IMHO) the break from the vampires for a while will be welcomed.�
Hmn. On the one hand, I think the writing, the prose itself, in Merrick is a return to form. Rice is known for her insanely purple prose, and I think it works in this one as it did in Interview. I didn't cringe at the writing as I did through Armand. Merrick's flow felt natural and lush. Perfect Rice. I also love the framing plot, with Louis and David approaching a witch to help raise Claudia' ghost. I didn't even mind that 90% of the book was Merrick's backstory that you might or might not care about. Overall, I think it's just fine as a standalone book. On the other hand... if you have any investment in the characters as they were portrayed prior to this book, then you will probably be left somewhat befuddled. Characters, particularly Louis, Lestat, and David (you know, the ones you actually care about), actively subvert their previous characterizations, which I found frustrating. There were revelations about David and Louis (and Claudia) that I really question. Also, I don't know why the world's gayest vampires are all so obsessed with Merrick's breasts to the point of mentioning them every other paragraph-- not an exaggeration. Okay, so the writing isn't perfect and, yes, Anne, even you need an editor. I could have bought and maybe even liked the new love story if more effort had been given to developing it. I wish more of the book had been given to developing the framing plot, period.
It's definitely not one of Rice's best and in hindsight, it's even a toss-up as to why this book was written, other than more royalties for Rice, because it doesn't add anything valuable to the overall plot of the Vampire Chronicles. Much of the book delves into reminiscing about the past and the last three hundred pages or so, it finally tried to lurch into action and falls flat on its face, like a flan in a cupboard.
You don't feel for the main characters either - all of the known characters act terribly out of their usual canon, or are exaggerated to extremes. One doesn't really feel for Merrick and I'm not even certain which emotions Rice wished to provoke from the reader. Sympathy? Or hatred? It is hard to say, because at first glance, she seems to be one dimensional - just something that has to set the wheels in motion.
And that failed.
What Rice did manage convey in this particular book, is her love for New Orleans and the 'exotic'.
Long story short, 'Merrick' could have been more. Much more. In hindsight, for some, it was also an early peek at the Mayfair family, and it would have been wise for Rice to have delved more into this, rather than what she did in the first place.
In this book the Mayfair witches, and the Vampires come together at last through Merrick a very powerful witch. This is fast paced, and I love that we get to spend a little bit of time with Louis whom I love so much! This truly is a great read!
Sto per dirvi una cosa che certamente vi sorprenderà ma cerchiamo di contestualizzare il tutto e darle un senso. Come ben sapete i vampiri sono il mio pane quotidiano, la mia comfort zone, la mia creatura preferia in assoluto nel grande mondo del fantasy. Infatti sono spesso protagonisti delle storie che leggo/guardo e presenti nei miei consigli di lettuara.
Anne Rice non è la regina del settore a caso, la è stata e la sarà sempre. Nessuno come lei li ha dipinti in modo migliore. Le cronache dei Vampiri sono casa per me ma questo libro: Merrick la Strega, 7 volume di questa splendida saga NON MI E� PIAIUTO, per niente. Un enorme scivolone da parte dell’autrice.
Quando ho letto la trama (che trovate sopra) onestamente avevo già intuito che non mi sarei innamorata di questa storia come delle altre. Scavare nel passato facendo tornare a parlare la defunta e ormai in pace Claudia con l’eterno infelice e tormentato Louis per riportare alla luce il disprezzo di cui eravamo già a conoscenza, non ha arricchito i personaggi.
Personaggi che in verità sono stati snaturati in diversi modi, a partire da David che senza averla mai nominata nei precedenti volumi ci preseta Merrick come parte fondamentale della sua vita anche con racconti che lo fanno passare come un vecchio viscido. Parliamo anche di Louis e Lestat che si innamorano perdutamente di questa strega appena conosciuta. Ripeto: LOUIS e LESTAT, li conosciamo abbastanza bene per sapere che questo è impossibile.
Merrick la Strega è disturbante e non voglio considerarlo parte di questo mondo, questa non è Anne Rice.
I really wanted to like this book more than I did, and I really wanted to give this book 4 stars instead of 3. I just couldn't find it in my heart to give it that high of a rating. creep - factor gets an A. raising the dead from a spot of blood, severed limbs, burnt flesh, and the revival of life from being burned is all pretty creepy. there's a good amount in here. Anne Rice ' s witches: an A- here. I love Anne's witch chronicles and the further development of Merrick was great, but the magic of the witch chronicles was lost. Louis wanting to call Claudia up from the dead...meh. once again I slumbered through a majority of this due to the immense amount of description. (Anne loves to describe old Victorian decor.) I was hoping for the ending to pack a heavy punch like Anne has done in previous works. This punch was merely a small slap.
Imagine you have tickets to see a Rolling Stones concert and you discover they'll be doing it with Korn. Now, you may like Korn or not but you are going to be there for the Stones. This has perhaps blinded you to the fact it's advertised as a Korn concert and when you get there, there's one song by the Stones at the end and 90% Korn. This is roughly how I feel about Merrick, which is a book which contains the plot of Louis confronting Claudia's ghost.
That forms roughly 1% of the book when I'm pretty sure all Vampire Chronicle fans wanted it to be 99% of the book. The rest of the book is about Merick and David Talbot, who are a strange flamboyant pair of people who get to know one another while tying the Vampire Chronicles to the Mayfair Witches. The problem is Merrick and even David aren't that interesting compared to Louis. Really, the most interesting part of the book is the Louis parts and you realize you'd rather it be from his perspective again.
So, it's a nice Korn concert book but I was hoping for the Stones.
Ooooops! I read every Rice vampire novel (and others) way back in the day, and I even went to see her speak and sign one of my books! All this before Å·±¦ÓéÀÖ came into my life! Now thinking I ought to add them. Right?