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丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲
爻賱蹖賳噩乇 鬲賳賴丕 賳賵蹖爻賳丿賴鈥屰� 倬爻 丕夭 噩賳诏 丿乇 丕賲乇蹖讴丕爻鬲 讴賴 丌孬丕乇卮 賲賵乇丿 丕爻鬲賯亘丕賱 賴賲诏丕賳 賯乇丕乇 诏乇賮鬲賴. 丕蹖賳 丕爻鬲賯亘丕賱 賳賵毓蹖 毓賯亘鈥屬嗀篡屬嗃� 丕丿亘蹖 丕夭 丌孬丕乇 賳賵蹖爻賳丿诏丕賳 亘夭乇诏蹖 趩賵賳 賴乇賲丕賳 賲賱賵蹖賱貙 賴賳乇蹖 噩蹖賲夭 賵 賵蹖賱蹖丕賲 賮丕讴賳乇 丕爻鬲. 夭蹖乇丕 讴賴 丌丿賲鈥屬囏й� 丌孬丕乇 爻賱蹖賳噩乇 亘蹖卮鬲乇 丿乇賵賳鈥屭必й屫з嗃� 賴爻鬲賳丿 讴賴 禺賵丕賳賳丿賴 亘賴 丌爻丕賳蹖 賲蹖鈥屫堌з嗀� 鬲氐賵蹖乇 禺賵丿 賵 賲毓丕氐乇丕賳 禺賵丿 乇丕 丿乇 丌蹖賳賴鈥屰� 丌賳鈥屬囏� 亘丕夭 卮賳丕爻丿.
爻賱蹖賳噩乇 丿乇 毓蹖賳 丨丕賱 亘賴 鬲賯丕亘賱 讴賵丿讴蹖 賵 亘夭乇诏爻丕賱蹖 丿爻鬲 賲蹖鈥屫操嗀� 亘賴 鬲賯丕亘賱 亘蹖鈥屭嗀з囒� 賵 倬賱蹖丿蹖貙 丕賲蹖丿 賵 賳賵賲蹖丿蹖 賵 丨賯蹖賯鬲 賵 丿睾賱鈥屭┴ж臂�. 賲賵丕噩賴賴鈥屰� 賮爻丕丿 丌丿賲鈥屬囏� 賵 丕丿乇丕讴 讴賵丿讴 賲賵囟賵毓蹖 亘讴乇 丿乇 丿丕爻鬲丕賳鈥屬嗁堐屫驰� 丕賲乇賵夭 丕爻鬲. 丕蹖賳 讴賵丿讴 讴賴 賴賲 賯乇亘丕賳蹖 丿睾賱鈥屭┴ж臂屸€屬囏й� 賲丕爻鬲 賵 賴賲 賳噩丕鬲鈥屫囐嗀囏� 亘丕 趩卮賲丕賳 賳诏乇丕賳 禺賵丿 丿乇 丕讴孬乇 丿丕爻鬲丕賳鈥屬囏й� 爻賱蹖賳噩乇 丨囟賵乇 丿丕乇丿.
賳賴 丿丕爻鬲丕賳 爻賱蹖賳噩乇 讴賴 丨讴丕蹖鬲 鬲賳賴丕蹖蹖 丿乇 丌夭丕丿蹖 丕爻鬲 蹖讴蹖 丕夭 丿賴 讴鬲丕亘 讴賱丕爻蹖讴 賲丿乇賳 噩賴丕賳 卮賲乇丿賴 卮丿賴 丕爻鬲.
毓賳丕賵蹖賳 丿賱爻鬲丕賳鈥屬囏�:
蹖讴 乇賵夭 禺賵卮 亘乇丕蹖 賲賵夭賲丕賴蹖
毓賲賵 賵蹖诏蹖賱蹖 丿乇 讴丕賳賽賴鈥屫屸€屭┵愗�
倬蹖卮 丕夭 噩賳诏 亘丕 丕爻讴蹖賲賵賴丕
賲乇丿 禺賳丿丕賳
丕賳毓讴丕爻 丌賮鬲丕亘 亘乇 鬲禺鬲賴鈥屬囏й� 亘丕乇丕賻賳丿丕夭 (倬丕蹖蹖賳貙 丿乇 賯丕蹖賯 鬲賮乇蹖丨蹖)
鬲賯丿蹖賲 亘賴 丕賽夭賲賴 亘丕 毓卮賯 賵 賳讴亘鬲
丿賴丕賳賲 夭蹖亘丕 賵 趩卮賲丕賳賲 爻亘夭
丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲 (丿賵乇丕賳賽 丌亘蹖賽 丿賵 丿賲蹖賴-丕爻賲蹖鬲)
鬲赛丿蹖
爻賱蹖賳噩乇 丿乇 毓蹖賳 丨丕賱 亘賴 鬲賯丕亘賱 讴賵丿讴蹖 賵 亘夭乇诏爻丕賱蹖 丿爻鬲 賲蹖鈥屫操嗀� 亘賴 鬲賯丕亘賱 亘蹖鈥屭嗀з囒� 賵 倬賱蹖丿蹖貙 丕賲蹖丿 賵 賳賵賲蹖丿蹖 賵 丨賯蹖賯鬲 賵 丿睾賱鈥屭┴ж臂�. 賲賵丕噩賴賴鈥屰� 賮爻丕丿 丌丿賲鈥屬囏� 賵 丕丿乇丕讴 讴賵丿讴 賲賵囟賵毓蹖 亘讴乇 丿乇 丿丕爻鬲丕賳鈥屬嗁堐屫驰� 丕賲乇賵夭 丕爻鬲. 丕蹖賳 讴賵丿讴 讴賴 賴賲 賯乇亘丕賳蹖 丿睾賱鈥屭┴ж臂屸€屬囏й� 賲丕爻鬲 賵 賴賲 賳噩丕鬲鈥屫囐嗀囏� 亘丕 趩卮賲丕賳 賳诏乇丕賳 禺賵丿 丿乇 丕讴孬乇 丿丕爻鬲丕賳鈥屬囏й� 爻賱蹖賳噩乇 丨囟賵乇 丿丕乇丿.
賳賴 丿丕爻鬲丕賳 爻賱蹖賳噩乇 讴賴 丨讴丕蹖鬲 鬲賳賴丕蹖蹖 丿乇 丌夭丕丿蹖 丕爻鬲 蹖讴蹖 丕夭 丿賴 讴鬲丕亘 讴賱丕爻蹖讴 賲丿乇賳 噩賴丕賳 卮賲乇丿賴 卮丿賴 丕爻鬲.
毓賳丕賵蹖賳 丿賱爻鬲丕賳鈥屬囏�:
蹖讴 乇賵夭 禺賵卮 亘乇丕蹖 賲賵夭賲丕賴蹖
毓賲賵 賵蹖诏蹖賱蹖 丿乇 讴丕賳賽賴鈥屫屸€屭┵愗�
倬蹖卮 丕夭 噩賳诏 亘丕 丕爻讴蹖賲賵賴丕
賲乇丿 禺賳丿丕賳
丕賳毓讴丕爻 丌賮鬲丕亘 亘乇 鬲禺鬲賴鈥屬囏й� 亘丕乇丕賻賳丿丕夭 (倬丕蹖蹖賳貙 丿乇 賯丕蹖賯 鬲賮乇蹖丨蹖)
鬲賯丿蹖賲 亘賴 丕賽夭賲賴 亘丕 毓卮賯 賵 賳讴亘鬲
丿賴丕賳賲 夭蹖亘丕 賵 趩卮賲丕賳賲 爻亘夭
丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲 (丿賵乇丕賳賽 丌亘蹖賽 丿賵 丿賲蹖賴-丕爻賲蹖鬲)
鬲赛丿蹖
263 pages, Paperback
First published April 6, 1953
3,932 people are currently reading
87.2k people want to read
About the author
J.D. Salinger
183听books15.8k听followersWorks, most notably novel
The Catcher in the Rye
(1951), of American writer Jerome David Salinger often concern troubled, sensitive adolescents.
People well know this author for his reclusive nature. He published his last original work in 1965 and gave his last interview in 1980. Reared in city of New York, Salinger began short stories in secondary school and published several stories in the early 1940s before serving in World War II. In 1948, he published the critically acclaimed story "A Perfect Day for Bananafish" in The New Yorker, his subsequent home magazine. He released an immediate popular success. His depiction of adolescent alienation and loss of innocence in the protagonist Holden Caulfield especially influenced adolescent readers. Widely read and controversial, sells a quarter-million copies a year.
The success led to public attention and scrutiny: reclusive, he published new work less frequently. He followed with a short story collection, Nine Stories (1953), of a novella and a short story, Franny and Zooey (1961), and a collection of two novellas, Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963). His last published work, a novella entitled "Hapworth 16, 1924", appeared in The New Yorker on June 19, 1965.
Afterward, Salinger struggled with unwanted attention, including a legal battle in the 1980s with biographer Ian Hamilton. In the late 1990s, Joyce Maynard, a close ex-lover, and Margaret Salinger, his daughter, wrote and released his memoirs. In 1996, a small publisher announced a deal with Salinger to publish "Hapworth 16, 1924" in book form, but the ensuing publicity indefinitely delayed the release.
Another writer used one of his characters, resulting in copyright infringement; he filed a lawsuit against this writer and afterward made headlines around the globe in June 2009. Salinger died of natural causes at his home in Cornish, New Hampshire.
People well know this author for his reclusive nature. He published his last original work in 1965 and gave his last interview in 1980. Reared in city of New York, Salinger began short stories in secondary school and published several stories in the early 1940s before serving in World War II. In 1948, he published the critically acclaimed story "A Perfect Day for Bananafish" in The New Yorker, his subsequent home magazine. He released an immediate popular success. His depiction of adolescent alienation and loss of innocence in the protagonist Holden Caulfield especially influenced adolescent readers. Widely read and controversial, sells a quarter-million copies a year.
The success led to public attention and scrutiny: reclusive, he published new work less frequently. He followed with a short story collection, Nine Stories (1953), of a novella and a short story, Franny and Zooey (1961), and a collection of two novellas, Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963). His last published work, a novella entitled "Hapworth 16, 1924", appeared in The New Yorker on June 19, 1965.
Afterward, Salinger struggled with unwanted attention, including a legal battle in the 1980s with biographer Ian Hamilton. In the late 1990s, Joyce Maynard, a close ex-lover, and Margaret Salinger, his daughter, wrote and released his memoirs. In 1996, a small publisher announced a deal with Salinger to publish "Hapworth 16, 1924" in book form, but the ensuing publicity indefinitely delayed the release.
Another writer used one of his characters, resulting in copyright infringement; he filed a lawsuit against this writer and afterward made headlines around the globe in June 2009. Salinger died of natural causes at his home in Cornish, New Hampshire.
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Displaying 1 - 30 of 6,386 reviews
October 8, 2009
i know of three people who are totally obsessed with j.d. salinger:
john hinckley
mark david chapman
goodreads david
i know of four reasons why i (must) love this book:
1) because i don't want to see a list that looks like this:
ronald reagan
john lennon
goodreads brian
2) because in the early 80s salinger was a huge fan of the sitcom mr. merlin which was based on the premise -- wait for it鈥� wait for it... -- that merlin (yeah, that merlin) is alive and well in san francisco and working as a mechanic.
and it gets better: salinger became totally obsessed with elaine joyce, the lead actress from the show, and came out of hiding to track her down and date her.
joyce could later be seen on just about every single game show and鈥� well, just watch this clip:
(yeah, you really gotta love charles nelson reilly)
i imagine salinger, lonely, smelly, the bottom of his too large t-shirt hard with encrusted sperm, top of it soft with drool鈥� beard stubble, cat hair, spoiled milk, stale danish, waiting all week for the chance to tug at his old man penis to 23 minutes of mr. merlin, hoarsely shouting in anger and frustration as he鈥檚 about to ejaculate and they abruptly cut away from joyce to merlin. (thank god for tivo and being able to freeze frame or slo-mo marisa tomei without having to hoarsely shout at ethan hawke and phillip seymour hoffman)
so, it鈥檚 very funny, of course, but also incredibly human and poignant and tragic. and while the tendency is to ridicule salinger for falling for a third-rate sitcom actress, it can鈥檛 help but humanize and endear him to any of us who have totally, completely, and inexplicably fallen for someone鈥�
3) because i'm a shameless contrarian and all you fuckers love to rag on the man. so i really wanted to love this book. and it wasn't difficult.
4) because it's great. these stories are great. and they don鈥檛 even feel like stories, but like nine strange impressionist sketches. i almost feel that each story should have started and ended with an ellipse... you kind of flow from one weird, fragmented sketch to the next -- from the laughing man, which makes you feel more like a child than any story you鈥檝e ever read, into bananafish which is loaded with more stunning and surreal imagery than should be allowed in one story, and then to Teddy鈥檚 strange world of cruise ships and fate and genius children鈥�
get in the ring, motherfuckers!
john hinckley
mark david chapman
goodreads david
i know of four reasons why i (must) love this book:
1) because i don't want to see a list that looks like this:
ronald reagan
john lennon
goodreads brian
2) because in the early 80s salinger was a huge fan of the sitcom mr. merlin which was based on the premise -- wait for it鈥� wait for it... -- that merlin (yeah, that merlin) is alive and well in san francisco and working as a mechanic.
and it gets better: salinger became totally obsessed with elaine joyce, the lead actress from the show, and came out of hiding to track her down and date her.
joyce could later be seen on just about every single game show and鈥� well, just watch this clip:
(yeah, you really gotta love charles nelson reilly)
i imagine salinger, lonely, smelly, the bottom of his too large t-shirt hard with encrusted sperm, top of it soft with drool鈥� beard stubble, cat hair, spoiled milk, stale danish, waiting all week for the chance to tug at his old man penis to 23 minutes of mr. merlin, hoarsely shouting in anger and frustration as he鈥檚 about to ejaculate and they abruptly cut away from joyce to merlin. (thank god for tivo and being able to freeze frame or slo-mo marisa tomei without having to hoarsely shout at ethan hawke and phillip seymour hoffman)
so, it鈥檚 very funny, of course, but also incredibly human and poignant and tragic. and while the tendency is to ridicule salinger for falling for a third-rate sitcom actress, it can鈥檛 help but humanize and endear him to any of us who have totally, completely, and inexplicably fallen for someone鈥�
3) because i'm a shameless contrarian and all you fuckers love to rag on the man. so i really wanted to love this book. and it wasn't difficult.
4) because it's great. these stories are great. and they don鈥檛 even feel like stories, but like nine strange impressionist sketches. i almost feel that each story should have started and ended with an ellipse... you kind of flow from one weird, fragmented sketch to the next -- from the laughing man, which makes you feel more like a child than any story you鈥檝e ever read, into bananafish which is loaded with more stunning and surreal imagery than should be allowed in one story, and then to Teddy鈥檚 strange world of cruise ships and fate and genius children鈥�
get in the ring, motherfuckers!
August 27, 2021
Nine Stories = For 贰蝉尘茅 - with Love and Squalor, and Other Stories, J.D. Salinger
Nine Stories (1953) is a collection of short stories by American fiction writer J. D. Salinger published in April 1953.
It includes two of his most famous short stories, A Perfect Day for Bananafish and For 贰蝉尘茅 鈥� with Love and Squalor.
Nine Stories is the U.S. title; the book is published in many other countries as For 贰蝉尘茅 - with Love and Squalor, and Other Stories.
Nine Stories:
A Perfect Day for Bananafish (1948),
Uncle Wiggily in Connecticut (1948),
Just Before the War with the Eskimos (1948),
The Laughing Man (1949),
Down at the Dinghy (1949),
For 贰蝉尘茅 鈥� with Love and Squalor (1950),
Pretty Mouth and Green My Eyes (1951),
De Daumier-Smith's Blue Period (1952),
and Teddy (1953).
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲 (賳賴 丿丕爻鬲丕賳)禄貨 芦賳賴 丿丕爻鬲丕賳禄貨 賳賵蹖爻賳丿賴: 噩蹖.丿蹖 爻丕賱蹖賳噩乇 (爻賱蹖賳噩乇)貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 丿乇 賲丕賴 爻倬鬲丕賲亘乇 爻丕賱 1998賲蹖賱丕丿蹖
毓賳賵丕賳: 丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲 (賳賴 丿丕爻鬲丕賳)貨 賳賵蹖爻賳丿賴: 噩蹖.丿蹖 爻丕賱蹖賳噩乇 (爻賱蹖賳噩乇)貨 賲鬲乇噩賲: 丕丨賲丿 诏賱卮蹖乇蹖貨 鬲賴乇丕賳貙 倬丕倬蹖乇賵爻貙 1364貨 丿乇263氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賯賯賳賵爻貙 1377貨 趩丕倬 爻賵賲 1380貨 趩賴丕乇賲 1381貨 倬賳噩賲 1382貨 賴賮鬲賲 1385貨 賳賴賲 1386貨 丿賴賲 1387貨 蹖丕夭丿賴賲 1388貨 丿賵丕夭丿賴賲 1389貨 卮丕亘讴 9789643111564貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 賳賵蹖爻賳丿诏丕賳 丕蹖丕賱丕鬲 賲鬲丨丿賴 丌賲乇蹖讴丕 - 爻丿賴 20賲
毓賳賵丕賳: 賳賴 丿丕爻鬲丕賳貨 賳賵蹖爻賳丿賴: 噩蹖.丿蹖 爻丕賱蹖賳噩乇 (爻賱蹖賳噩乇)貨 賲鬲乇噩賲: 丌爻蹖賴 卮賴亘丕夭蹖貨 鬲賴乇丕賳貙 丌賵丕蹖 賲讴鬲賵亘貙 1394貨 丿乇 224氐貨 卮丕亘讴9786007364246貨
丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲貙 蹖丕 芦賳賴 丿丕爻鬲丕賳禄 丿乇 毓賳賵丕賳 丕賳诏賱蹖爻蹖 讴鬲丕亘貨 賳丕賲 賲噩賲賵毓賴 丕蹖 丕夭 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 芦噩乇賵賲 丿蹖賵蹖丿 爻賱蹖賳噩乇禄貙 賵 卮丕賲賱 賳賴 丿丕爻鬲丕賳 讴賵鬲丕賴 丕爻鬲貨 毓賳賵丕賳 丕氐賱蹖 讴鬲丕亘 蹖丕 賴賲丕賳 芦賳賴 丿丕爻鬲丕賳禄 亘賴 芦丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲禄 鬲睾蹖蹖乇 丿丕丿賴 卮丿賴 丕爻鬲貨
毓賳賵丕賳 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 賲噩賲賵毓賴 亘賴 鬲乇鬲蹖亘 毓亘丕乇鬲賳丿 丕夭: (芦蹖讴 乇賵夭 禺賵卮 亘乇丕蹖 賲賵夭 賲丕賴蹖禄貙 芦毓賲賵 賵蹖诏蹖賱蹖 丿乇 讴丕賳賴 鬲蹖 讴鬲禄貙 芦倬蹖卮 丕夭 噩賳诏 亘丕 丕爻讴蹖賲賵賴丕禄貙 芦賲乇丿 禺賳丿丕賳禄貙 芦丕賳毓讴丕爻 丌賮鬲丕亘 亘乇 鬲禺鬲賴 賴丕蹖 亘丕乇丕賳丿丕夭禄貙 芦鬲賯丿蹖賲 亘賴 丕夭賲賴 亘丕 毓卮賯 賵 賳讴亘鬲禄貙 芦丿賴丕賳賲 夭蹖亘丕 賵 趩卮賲丕賳賲 爻亘夭禄貙 芦丿賱鬲賳诏蹖賴丕蹖 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲禄貙 賵 芦鬲丿蹖禄)貨
亘乇丕蹖 賳禺爻鬲蹖賳 亘丕乇 亘丕 鬲乇噩賲賴 蹖 噩賳丕亘 丌賯丕蹖 芦丕丨賲丿 诏賱卮蹖乇蹖禄貙 丿乇 爻丕賱 1364賴噩乇蹖 禺賵乇卮蹖丿蹖貙 賵 鬲賵爻胤 丕賳鬲卮丕乇丕鬲 芦賯賯賳賵爻禄貙 亘賴 趩丕倬 乇爻蹖丿貨 爻倬爻 丿乇 爻丕賱 1381賴噩乇蹖 禺賵乇卮蹖丿蹖貙 亘乇丕蹖 亘丕乇 趩賴丕乇賲貙 賵 爻丕賱賴丕蹖 倬爻 丕夭 丌賳 賳蹖夭 亘丕乇賴丕 鬲噩丿蹖丿 趩丕倬 卮丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 29/06/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 04/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
Nine Stories (1953) is a collection of short stories by American fiction writer J. D. Salinger published in April 1953.
It includes two of his most famous short stories, A Perfect Day for Bananafish and For 贰蝉尘茅 鈥� with Love and Squalor.
Nine Stories is the U.S. title; the book is published in many other countries as For 贰蝉尘茅 - with Love and Squalor, and Other Stories.
Nine Stories:
A Perfect Day for Bananafish (1948),
Uncle Wiggily in Connecticut (1948),
Just Before the War with the Eskimos (1948),
The Laughing Man (1949),
Down at the Dinghy (1949),
For 贰蝉尘茅 鈥� with Love and Squalor (1950),
Pretty Mouth and Green My Eyes (1951),
De Daumier-Smith's Blue Period (1952),
and Teddy (1953).
毓賳賵丕賳賴丕蹖 趩丕倬 卮丿賴 丿乇 丕蹖乇丕賳: 芦丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲 (賳賴 丿丕爻鬲丕賳)禄貨 芦賳賴 丿丕爻鬲丕賳禄貨 賳賵蹖爻賳丿賴: 噩蹖.丿蹖 爻丕賱蹖賳噩乇 (爻賱蹖賳噩乇)貨 鬲丕乇蹖禺 賳禺爻鬲蹖賳 禺賵丕賳卮: 丿乇 賲丕賴 爻倬鬲丕賲亘乇 爻丕賱 1998賲蹖賱丕丿蹖
毓賳賵丕賳: 丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲 (賳賴 丿丕爻鬲丕賳)貨 賳賵蹖爻賳丿賴: 噩蹖.丿蹖 爻丕賱蹖賳噩乇 (爻賱蹖賳噩乇)貨 賲鬲乇噩賲: 丕丨賲丿 诏賱卮蹖乇蹖貨 鬲賴乇丕賳貙 倬丕倬蹖乇賵爻貙 1364貨 丿乇263氐貨 趩丕倬 丿蹖诏乇 鬲賴乇丕賳貙 賯賯賳賵爻貙 1377貨 趩丕倬 爻賵賲 1380貨 趩賴丕乇賲 1381貨 倬賳噩賲 1382貨 賴賮鬲賲 1385貨 賳賴賲 1386貨 丿賴賲 1387貨 蹖丕夭丿賴賲 1388貨 丿賵丕夭丿賴賲 1389貨 卮丕亘讴 9789643111564貨 賲賵囟賵毓: 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 賳賵蹖爻賳丿诏丕賳 丕蹖丕賱丕鬲 賲鬲丨丿賴 丌賲乇蹖讴丕 - 爻丿賴 20賲
毓賳賵丕賳: 賳賴 丿丕爻鬲丕賳貨 賳賵蹖爻賳丿賴: 噩蹖.丿蹖 爻丕賱蹖賳噩乇 (爻賱蹖賳噩乇)貨 賲鬲乇噩賲: 丌爻蹖賴 卮賴亘丕夭蹖貨 鬲賴乇丕賳貙 丌賵丕蹖 賲讴鬲賵亘貙 1394貨 丿乇 224氐貨 卮丕亘讴9786007364246貨
丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲貙 蹖丕 芦賳賴 丿丕爻鬲丕賳禄 丿乇 毓賳賵丕賳 丕賳诏賱蹖爻蹖 讴鬲丕亘貨 賳丕賲 賲噩賲賵毓賴 丕蹖 丕夭 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 芦噩乇賵賲 丿蹖賵蹖丿 爻賱蹖賳噩乇禄貙 賵 卮丕賲賱 賳賴 丿丕爻鬲丕賳 讴賵鬲丕賴 丕爻鬲貨 毓賳賵丕賳 丕氐賱蹖 讴鬲丕亘 蹖丕 賴賲丕賳 芦賳賴 丿丕爻鬲丕賳禄 亘賴 芦丿賱鬲賳诏蹖鈥屬囏й� 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲禄 鬲睾蹖蹖乇 丿丕丿賴 卮丿賴 丕爻鬲貨
毓賳賵丕賳 丿丕爻鬲丕賳賴丕蹖 讴賵鬲丕賴 賲噩賲賵毓賴 亘賴 鬲乇鬲蹖亘 毓亘丕乇鬲賳丿 丕夭: (芦蹖讴 乇賵夭 禺賵卮 亘乇丕蹖 賲賵夭 賲丕賴蹖禄貙 芦毓賲賵 賵蹖诏蹖賱蹖 丿乇 讴丕賳賴 鬲蹖 讴鬲禄貙 芦倬蹖卮 丕夭 噩賳诏 亘丕 丕爻讴蹖賲賵賴丕禄貙 芦賲乇丿 禺賳丿丕賳禄貙 芦丕賳毓讴丕爻 丌賮鬲丕亘 亘乇 鬲禺鬲賴 賴丕蹖 亘丕乇丕賳丿丕夭禄貙 芦鬲賯丿蹖賲 亘賴 丕夭賲賴 亘丕 毓卮賯 賵 賳讴亘鬲禄貙 芦丿賴丕賳賲 夭蹖亘丕 賵 趩卮賲丕賳賲 爻亘夭禄貙 芦丿賱鬲賳诏蹖賴丕蹖 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲禄貙 賵 芦鬲丿蹖禄)貨
亘乇丕蹖 賳禺爻鬲蹖賳 亘丕乇 亘丕 鬲乇噩賲賴 蹖 噩賳丕亘 丌賯丕蹖 芦丕丨賲丿 诏賱卮蹖乇蹖禄貙 丿乇 爻丕賱 1364賴噩乇蹖 禺賵乇卮蹖丿蹖貙 賵 鬲賵爻胤 丕賳鬲卮丕乇丕鬲 芦賯賯賳賵爻禄貙 亘賴 趩丕倬 乇爻蹖丿貨 爻倬爻 丿乇 爻丕賱 1381賴噩乇蹖 禺賵乇卮蹖丿蹖貙 亘乇丕蹖 亘丕乇 趩賴丕乇賲貙 賵 爻丕賱賴丕蹖 倬爻 丕夭 丌賳 賳蹖夭 亘丕乇賴丕 鬲噩丿蹖丿 趩丕倬 卮丿
鬲丕乇蹖禺 亘賴賳诏丕賲 乇爻丕賳蹖 29/06/1399賴噩乇蹖 禺賵乇卮蹖丿蹖貨 04/06/1400賴噩乇蹖 禺賵乇卮蹖丿蹖貨 丕. 卮乇亘蹖丕賳蹖
May 10, 2022
Post-war stories full of post-war syndromes鈥� Psychologically subtle stories of grownups and children鈥� And all the tales are rich in irony鈥�
A Perfect Day for Bananafish is about traumatic post-war mental disorder鈥�
In Uncle Wiggily in Connecticut two young women 鈥� old college friends 鈥� meet and get drunk鈥�
Just Before the War with the Eskimos is about strange workings of an adolescent girl鈥檚 consciousness鈥�
The Laughing Man is a pre-war tale about the team of young boys and their adult chief, and also it is a story within story鈥�
Down at the Dinghy is an account of the mother and her capricious son鈥�
For 贰蝉尘茅 鈥� with Love and Squalor is a case of the wartime nervous breakdown鈥�
In Pretty Mouth and Green My Eyes we meet an unfaithful wife and her lover, De Daumier-Smith鈥檚 Blue Period is about a brief touch of an aspiring young artist with the world of fine art and Teddy is tale of a whizz kid who is some kind of a spiritual freak鈥�
Children live in their own imaginary world. Grownups live in their own illusory world.
A Perfect Day for Bananafish is about traumatic post-war mental disorder鈥�
鈥淢iss Carpenter. Please. I know my business,鈥� the young man said. 鈥淵ou just keep your eyes open for any bananafish. This is a perfect day for bananafish.鈥�
鈥淚 don鈥檛 see any,鈥� Sybil said.
鈥淭hat鈥檚 understandable. Their habits are very peculiar. Very peculiar.鈥� He kept pushing the float. The water was not quite up to his chest. 鈥淭hey lead a very tragic life鈥︹€�
In Uncle Wiggily in Connecticut two young women 鈥� old college friends 鈥� meet and get drunk鈥�
Eloise had left college in the middle of her sophomore year, in 1942, a week after she had been caught with a soldier in a closed elevator on the third floor of her residence hall. Mary Jane had left 鈥� same year, same class, almost the same month 鈥� to marry an aviation cadet stationed in Jacksonville, Florida, a lean, air-minded boy from Dill, Mississippi, who had spent two of the three months Mary Jane had been married to him in jail for stabbing an M.P.
Just Before the War with the Eskimos is about strange workings of an adolescent girl鈥檚 consciousness鈥�
The Laughing Man is a pre-war tale about the team of young boys and their adult chief, and also it is a story within story鈥�
Down at the Dinghy is an account of the mother and her capricious son鈥�
The swinging door opened from the dining room and Boo Boo Tannenbaum, the lady of the house, came into the kitchen. She was a small, almost hipless girl of twenty-five, with styleless, colorless, brittle hair pushed back behind her ears, which were very large. She was dressed in knee-length jeans, a black turtleneck pullover, and socks and loafers. Her joke of a name aside, her general unprettiness aside, she was 鈥� in terms of permanently memorable, immoderately perceptive, small-area faces 鈥� a stunning and final girl. She went directly to the refrigerator and opened it. As she peered inside, with her legs apart and her hands on her knees, she whistled, unmelodically, through her teeth, keeping time with a little uninhibited, pendulum action of her rear end.
For 贰蝉尘茅 鈥� with Love and Squalor is a case of the wartime nervous breakdown鈥�
鈥淣o, you know the reason I took a pot shot at it, Loretta says? She says I was temporarily insane. No kidding. From the shelling and all.鈥�
X threaded his fingers, once, through his dirty hair, then shielded his eyes against the light again. 鈥淵ou weren鈥檛 insane. You were simply doing your duty. You killed that pussycat in as manly a way as anybody could鈥檝e, under the circumstances.鈥�
Clay looked at him suspiciously. 鈥淲hat the hell are you talkin鈥� about?鈥�
鈥淭hat cat was a spy. You had to take a pot shot at it. It was a very clever German midget dressed up in a cheap fur coat. So there was absolutely nothing brutal, or cruel, or dirty, or even 鈥撯€�
In Pretty Mouth and Green My Eyes we meet an unfaithful wife and her lover, De Daumier-Smith鈥檚 Blue Period is about a brief touch of an aspiring young artist with the world of fine art and Teddy is tale of a whizz kid who is some kind of a spiritual freak鈥�
Children live in their own imaginary world. Grownups live in their own illusory world.
February 26, 2009
If I can get serious for a moment, and cast aside the brittle, smartassed, persona that the social networking aspect of goodreads tends to bring out, I'd like to try to express what it is that drives me in this life. It is the following belief, instilled primarily by my mother, an exceptionally smart woman who never suffered fools gladly, but had the mitigating grace to be one of the warmest, most generous women you could ever hope to meet, as well as having one of the greatest voices you can imagine
Here's the main thing she taught me: each of us has an inescapable responsibility to take whatever talent we have been given on this earth, and to develop it as far and as well as life allows.
This is so deeply ingrained in my beliefs that I can pretty much trace every major decision I've made in my life back to it.
What does this have to do with the price of eggs? Well, it's the reason Jerome David Salinger makes me as mad as all get out. Because I can certainly understand why, given the perfection of the stories in this collection, any writer might not want to risk spoiling his reputation by following up with work that might not reach the same level. Hell, nothing could possibly reach the perfection of the stories, "For Esme - with Love and Squalor", "The Laughing Man", "Down by the Dinghy", or "Just Before the War with the Eskimos". And while I'm not really a great fan of Seymour Glass, "A Perfect Day for Bananafish" is pretty damned awesome as well.
So, yeah, J.D. - after those stories, it's hard to imagine anything better. Even anything comparable.
But that's still no excuse for not trying, you arrogant egotistical bastard. You were dealt a monumental, unimaginable, talent. And for you to squat there in-fucking-communicado in your bloody bunker in New England, resting on your admittedly golden freaking laurels, is an act of unconscionable, unpardonable, selfishness. I could almost convince myself that your genius crossing over into madness was the explanation for your lack of output, but you seem craftily able to sic your lawyers on anyone perceived to encroach on your goddamned "privacy".
So, while I can understand the impulse of not wanting to risk your reputation, I sure as hell can't forgive it. You were granted an incredible gift. You should be using it.
And, sorry folks, it's far beyond me to locate exactly where the genius lies in the particular stories mentioned. You really just need to read them for yourselves.
Here's the main thing she taught me: each of us has an inescapable responsibility to take whatever talent we have been given on this earth, and to develop it as far and as well as life allows.
This is so deeply ingrained in my beliefs that I can pretty much trace every major decision I've made in my life back to it.
What does this have to do with the price of eggs? Well, it's the reason Jerome David Salinger makes me as mad as all get out. Because I can certainly understand why, given the perfection of the stories in this collection, any writer might not want to risk spoiling his reputation by following up with work that might not reach the same level. Hell, nothing could possibly reach the perfection of the stories, "For Esme - with Love and Squalor", "The Laughing Man", "Down by the Dinghy", or "Just Before the War with the Eskimos". And while I'm not really a great fan of Seymour Glass, "A Perfect Day for Bananafish" is pretty damned awesome as well.
So, yeah, J.D. - after those stories, it's hard to imagine anything better. Even anything comparable.
But that's still no excuse for not trying, you arrogant egotistical bastard. You were dealt a monumental, unimaginable, talent. And for you to squat there in-fucking-communicado in your bloody bunker in New England, resting on your admittedly golden freaking laurels, is an act of unconscionable, unpardonable, selfishness. I could almost convince myself that your genius crossing over into madness was the explanation for your lack of output, but you seem craftily able to sic your lawyers on anyone perceived to encroach on your goddamned "privacy".
So, while I can understand the impulse of not wanting to risk your reputation, I sure as hell can't forgive it. You were granted an incredible gift. You should be using it.
And, sorry folks, it's far beyond me to locate exactly where the genius lies in the particular stories mentioned. You really just need to read them for yourselves.
February 13, 2025
The most difficult genre is the short story. There is no 100-page warm-up. There is no carefully planting seeds that will take shape 75 pages later.
And it is almost an impossible task to stir up the soul while being limited to so few words and an even more daunting task if the author isn鈥檛 going to resort to cheap tricks for sympathy but rather earning those tears and emotions.
Salinger certainly delivers. And these stores are distinctly Salinger from the use of italics to the abundant use of dialogue to the sea of memorable quotes even before the age of Twitter and Instagram. These stories almost pulse with a backstory, begging to be told, leaving the reader always desperately hungry for more. And the whisper of F. Scott Fitzgerald can be heard faintly if you lean into this work. For example, in For Esme 鈥� With Love and Squalor, Esme says, 鈥淚鈥檓 quite communicative for my age.鈥� 鈥楥ommunicative鈥� isn鈥檛 a word that naturally rolls off the tongue. Yet, it is vaguely familiar, because this word appears in the third sentence of The Great Gatsby, 鈥淗e didn鈥檛 say any more, but we鈥檝e always been unusually communicative in a reserved way鈥︹€�.
Additionally, as part of the study The American Novel Since 1945, we read Salinger鈥檚 Franny and Zooey who are part of The Glass Family. Nine Stories includes more adventures with The Glass Family, going into greater depth with siblings Seymour, Boo Boo, and Walt.
Although the two most famous stories are A Perfect Day for Bananafish and For Esme 鈥� With Love and Squalor, my two favorite stories are the last two 鈥� De-Daumier-Smith鈥檚 Blue Period and Teddy.
De-Daumier-Smith鈥檚 Blue Period is about a young man who becomes an art instructor at a correspondence art school. The vibes. The ambiance. It is laugh-out-loud funny. There is also mention of a dummy, and I wonder if this was the creative seed that planted the dummy in A Prayer for Owen Meany by John Irving.
Teddy appears to be a precursor to Franny and Zooey as there are parallels between the two works, for example, the use of confined spaces and discussion of meditation, emptying the mind, and education. Page 297, 鈥淚t鈥檚 time for him to take everything out of his head instead of putting more stuff in,鈥� parallels page 65 of Franny and Zooey, 鈥溾€ducation by any name would smell as sweet, and maybe much sweeter if it didn鈥檛 begin with a quest for knowledge at all but with a quest, as Zen would put it, for no-knowledge.鈥�
The Green Light at the End of the Dock (How much I spent):
Hardcover Text 鈥� $89.40 for a 2010 Boxed Set of Hardcover Salinger Books on Mercari
Connect With Me!
And it is almost an impossible task to stir up the soul while being limited to so few words and an even more daunting task if the author isn鈥檛 going to resort to cheap tricks for sympathy but rather earning those tears and emotions.
Salinger certainly delivers. And these stores are distinctly Salinger from the use of italics to the abundant use of dialogue to the sea of memorable quotes even before the age of Twitter and Instagram. These stories almost pulse with a backstory, begging to be told, leaving the reader always desperately hungry for more. And the whisper of F. Scott Fitzgerald can be heard faintly if you lean into this work. For example, in For Esme 鈥� With Love and Squalor, Esme says, 鈥淚鈥檓 quite communicative for my age.鈥� 鈥楥ommunicative鈥� isn鈥檛 a word that naturally rolls off the tongue. Yet, it is vaguely familiar, because this word appears in the third sentence of The Great Gatsby, 鈥淗e didn鈥檛 say any more, but we鈥檝e always been unusually communicative in a reserved way鈥︹€�.
Additionally, as part of the study The American Novel Since 1945, we read Salinger鈥檚 Franny and Zooey who are part of The Glass Family. Nine Stories includes more adventures with The Glass Family, going into greater depth with siblings Seymour, Boo Boo, and Walt.
Although the two most famous stories are A Perfect Day for Bananafish and For Esme 鈥� With Love and Squalor, my two favorite stories are the last two 鈥� De-Daumier-Smith鈥檚 Blue Period and Teddy.
De-Daumier-Smith鈥檚 Blue Period is about a young man who becomes an art instructor at a correspondence art school. The vibes. The ambiance. It is laugh-out-loud funny. There is also mention of a dummy, and I wonder if this was the creative seed that planted the dummy in A Prayer for Owen Meany by John Irving.
Teddy appears to be a precursor to Franny and Zooey as there are parallels between the two works, for example, the use of confined spaces and discussion of meditation, emptying the mind, and education. Page 297, 鈥淚t鈥檚 time for him to take everything out of his head instead of putting more stuff in,鈥� parallels page 65 of Franny and Zooey, 鈥溾€ducation by any name would smell as sweet, and maybe much sweeter if it didn鈥檛 begin with a quest for knowledge at all but with a quest, as Zen would put it, for no-knowledge.鈥�
The Green Light at the End of the Dock (How much I spent):
Hardcover Text 鈥� $89.40 for a 2010 Boxed Set of Hardcover Salinger Books on Mercari
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August 11, 2018
賯亘賱丕 賳丕鬲賵乇 丿卮鬲 乇賵 禺賵賳丿賴 亘賵丿賲 賵 丨丕賱賲 丕夭 卮禺氐蹖鬲 賴賵賱丿賳 亘賴賲 禺賵乇丿賴 亘賵丿 賵 亘丕 禺賵丿賲 毓賴丿 讴乇丿賴 亘賵丿賲 丿蹖诏賴 丿賳亘丕賱 讴鬲丕亘 賴丕蹖蹖 丕夭 丕蹖賳 賳賵蹖爻賳丿賴 賳乇賲 讴賴 丕氐賵賱丕 噩賵 诏蹖乇賴丕 鬲賵蹖 賵亘賱丕诏 賴丕卮賵賳 亘丕 丌亘 賵 鬲丕亘 賲蹖诏賳 毓丕賱蹖賴 ! 賴乇趩賳丿 丿賵亘丕乇賴 鬲丨鬲 鬲丕孬蹖乇 噩賵 丕蹖賳 讴鬲丕亘 乇賵 卮乇賵毓 讴乇丿賲 賵 丕賵丕蹖賱卮 亘賴 禺賵丿賲 賲蹖诏賮鬲賲 讴賴 亘丕夭 賵賯鬲鬲 亘丕 蹖賴 讴鬲丕亘 賳丕賲賳丕爻亘 丨乇賵賲 卮丿 貨 丕賲丕 亘丕 禺賵賳丿賳 趩賳丿鬲丕 丿丕爻鬲丕賳 丿蹖诏賴 鬲丕夭賴 丿爻鬲賲 丕賵賲丿 爻賱蹖賳噩乇 爻亘讴卮 趩胤賵乇蹖賴 賵 蹖讴 丨丕賱鬲 爻賵蹖蹖趩 亘蹖賳 讴賵丿讴蹖 賵 亘夭乇诏爻丕賱蹖 爻乇 鬲丕 爻乇 丿丕爻鬲丕賳 賴丕卮 亘賴 趩卮賲 賲蹖禺賵乇丿 丨丕賱丕 蹖丕 亘賴 氐賵乇鬲 賲丨爻賵爻 蹖丕 賳丕 賲丨爻賵爻 . 丿丕爻鬲丕賳 賴丕蹖 "鬲賯丿蹖賲 亘賴 丕夭賲賴 亘丕 毓卮賯 賵 賳讴亘鬲" 賵 "丿賱鬲賳诏蹖 賴丕蹖 賳賯丕卮 禺蹖丕亘丕賳 趩賴賱 賵 賴卮鬲賲" 賵 "鬲丿蹖" ! 禺氐賵氐丕 丿丕爻鬲丕賳 "鬲丿蹖" 賲賵乇丿 毓賱丕賯賴 蹖 賲賳 亘賵丿 ... 禺賵丿 丿丕爻鬲丕賳 鬲丿蹖 亘賴 丕賳丿丕夭賴 讴丕賮蹖 丕乇夭卮 鬲讴 禺賵賳丿賴 卮丿賳 乇賵 丿丕乇賴 賵 賲賮丕賴蹖賲卮 賵 诏賳噩賵賳丿賳 亘夭乇诏蹖 蹖讴 乇賵丨 丿乇 蹖讴 讴賵丿讴 丿賴 爻丕賱賴 鬲賵爻胤 爻賱蹖賳噩乇 亘乇丕賲 禺蹖賱蹖 噩丕賱亘 亘賵丿 賵 賳馗乇賲 丿乇 賲賵乇丿 丕蹖賳 賳賵蹖爻賳丿賴 丨丕賱丕 讴賲蹖 亘賴鬲乇賴 貙 丕賲蹖丿賵丕乇賲 丕诏乇 亘丕夭 讴鬲丕亘蹖 丕夭卮 亘賴 丿爻鬲賲 乇爻蹖丿 丕蹖賳 賳馗乇 鬲賯乇蹖亘丕 賲孬亘鬲賲 倬爻 乇賮鬲 賳讴賳賴 亘賱讴賴 丕夭 胤乇賮丿丕乇賴丕卮 賴賲 亘卮賲 貙 丕賱亘鬲賴 丕賲蹖丿賵丕乇賲 ...
February 6, 2025
Each of his phrases was rather like a little ancient island, inundated by a miniature sea of whiskey.
~~~
Oh Mr. Salinger, why couldn鈥檛 you have published more of these amazing stories in your life time???
-- a collection of brilliant short stories from J.D. Salinger. It is in this collection where the Glass family, the main constituents of Franny and Zooey, is first introduced. In the next eight stories, we meet and get to know characters with an assortment of mental and physical ailments, and self-discoveries.
This is my second journey with Salinger after . My favorites here are To Esme 鈥� With Love and Squalor, The Laughing Man, De Daumier-Smith鈥檚 Blue Period, and Teddy. A shared thread through all nine stories is the mood of desperation, of frustration, and of higgledy-piggledy identities. The characters are very real; these are real people with real issues starting to overspill into their everyday lives.
These stories haunt me. I found To Esme 鈥� With Love and Squalor a story about the effects of war on an individual stayed with me for days. It鈥檚 so simply written, and yet, packs so much emotion and observation on the state of war and the mental and physical drain it can take on one person. From the one line note about a twitch on the face, to a shaky hand, the subtle differences from the first half of the story to the second half create an overall dreadful vision.
What is De Daumier-Smith鈥檚 Blue Period -- loneliness, isolation, misrepresentation, reinvention, escape, connection? Who is Jean De Daumier-Smith -- we never really know since this the name the narrator calls himself. The fact that we never know Jean鈥檚 real name is significant; it serves to highlight the idea of misrepresentation and reinvention. Jean appears to be uncomfortable with who he is and by changing his name Salinger allows Jean to reinvent himself. The trigger for Jean wishing to reinvent himself stems from the loneliness and isolation that he feels possibly due to his mother鈥檚 death. By reinventing himself, Jean is able to escape from the painful realities of the world around him. We, all of us, can relate.
This collection of stories should be read over and over again. When I next read these stories I鈥檒l discover something new about one of the characters or catch a new allusion or reference. What insights will I glean about the Glass family?
I could go on forever about the themes here. I could write pages about these people. I wonder where Esme is now. What will become of Teddy? Does the Chief find love and is he actually The Laughing Man?
It's what's left unsaid here that really intrigues. Words may go unuttered, but still one hopes ...
~~~
Oh Mr. Salinger, why couldn鈥檛 you have published more of these amazing stories in your life time???
-- a collection of brilliant short stories from J.D. Salinger. It is in this collection where the Glass family, the main constituents of Franny and Zooey, is first introduced. In the next eight stories, we meet and get to know characters with an assortment of mental and physical ailments, and self-discoveries.
This is my second journey with Salinger after . My favorites here are To Esme 鈥� With Love and Squalor, The Laughing Man, De Daumier-Smith鈥檚 Blue Period, and Teddy. A shared thread through all nine stories is the mood of desperation, of frustration, and of higgledy-piggledy identities. The characters are very real; these are real people with real issues starting to overspill into their everyday lives.
These stories haunt me. I found To Esme 鈥� With Love and Squalor a story about the effects of war on an individual stayed with me for days. It鈥檚 so simply written, and yet, packs so much emotion and observation on the state of war and the mental and physical drain it can take on one person. From the one line note about a twitch on the face, to a shaky hand, the subtle differences from the first half of the story to the second half create an overall dreadful vision.
What is De Daumier-Smith鈥檚 Blue Period -- loneliness, isolation, misrepresentation, reinvention, escape, connection? Who is Jean De Daumier-Smith -- we never really know since this the name the narrator calls himself. The fact that we never know Jean鈥檚 real name is significant; it serves to highlight the idea of misrepresentation and reinvention. Jean appears to be uncomfortable with who he is and by changing his name Salinger allows Jean to reinvent himself. The trigger for Jean wishing to reinvent himself stems from the loneliness and isolation that he feels possibly due to his mother鈥檚 death. By reinventing himself, Jean is able to escape from the painful realities of the world around him. We, all of us, can relate.
This collection of stories should be read over and over again. When I next read these stories I鈥檒l discover something new about one of the characters or catch a new allusion or reference. What insights will I glean about the Glass family?
I could go on forever about the themes here. I could write pages about these people. I wonder where Esme is now. What will become of Teddy? Does the Chief find love and is he actually The Laughing Man?
It's what's left unsaid here that really intrigues. Words may go unuttered, but still one hopes ...
September 12, 2017
This is as good of a short story collection that one could hope to find. Salinger was a heck of a writer, certainly well known for his classic, , but there is much more out there, like this little jewel for example. I give this 5 stars on the strength of two stories alone, but they all were good. The two stories I mention are , and . Both have themes involving troubled soldiers returning from World War II. Salinger's experiences in the war certainly influenced his writing, and may have been partly responsible for his reclusiveness for the last 45 years of his life.
Update: September 2017 is the release of the movie "Rebel in The Rye", which is based on the autobiography by . I look forward to reading the book and seeing the movie to learn more about this interesting man.
Update: September 2017 is the release of the movie "Rebel in The Rye", which is based on the autobiography by . I look forward to reading the book and seeing the movie to learn more about this interesting man.
April 17, 2021
No todos, es cierto, pero cu谩nto me han gustado algunos, casi todos, de estos nueve cuentos: Un d铆a perfecto para el pez banana, El t铆o Wiggly en Conecticut, Justo antes de la guerra con los esquimales, El hombre que r铆e, Para 贰蝉尘茅, con amor y sordidez, Linda boquita y verdes mis ojos.
Me gustan las ambig眉edades que se encuentran en cada relato, lo no dicho, lo tan solo insinuado; me gustan sus di谩logos y como retratan a los personajes; me gusta, me parece fascinante, como con tan poco nos hace sentir tanto sobre los hombres y mujeres que viven en sus cuentos, sus angustias, sus penas, sus carencias, su soledad, el horror de la guerra; me gusta la inteligencia de contar algo relatando otra cosa; me gusta el tratamiento de los ni帽os y sus relaciones con los adultos; me gusta Salinger y prometo desde ya una relectura de su, para m铆 muy lejano, 鈥淓l guardi谩n entre el centeno鈥� que, tras la lectura de estos cuentos, seguramente no supe valorar como se merece.
May 20, 2022
I bought this collection in college after an overnight work shift, having not even realized it existed until I saw it on the shelf at the Borders Books and Music (RIP, amazing book chain) near my apartment. I was thrilled and texted a bunch of people all naively saying "did you know Salinger wrote a short story book!?" They all did, of course, but the weird part was that when I woke up to all the reply texts after having fallen asleep reading the book, they were all saying "woah, he actually just died today."
So I've always felt like Salinger was so outraged by my Salinger ignorance that he up and died. Sorry all.
But this is a fantastic collection. To Esme 鈥� With Love and Squalor and The Laughing Man were the big standouts to me. Much of his best writing is in here and the collection is a perfect catalyst to his themes across a collection of beautiful gems that flow thematically.
So I've always felt like Salinger was so outraged by my Salinger ignorance that he up and died. Sorry all.
But this is a fantastic collection. To Esme 鈥� With Love and Squalor and The Laughing Man were the big standouts to me. Much of his best writing is in here and the collection is a perfect catalyst to his themes across a collection of beautiful gems that flow thematically.
December 30, 2010
If kidnappers had snatched up J D Salinger some time in the early 1970s, driven like madmen through the night and the next day too and imprisoned him in a small but pleasant room somewhere near Boise, furnished him with with all mod cons, and told him he wasn't going anyplace soon until he'd finished at the very least another nine stories, and at best three or four complete novels; and if the kidnappers - due to an endearing cocktail of naivete and compassion (because you know they were just literature fans like you and me, not blank-eyed killers, and they weren't entirely convinced about this whole caper to begin with let it be said) let JD go for long walks (to get inspiration, but really to beat on a nearby farmhouse door and call the cops); and if they were then rounded up (not too hard, said the cops) and put on trial - not a jury in the land would have convicted them.
When the prosecution rested and the defence opened, their lawyer would simply have issued a copy of Nine Stories to all 12 jurors and said "Ladies and gentlemen, I rest my case."
This is not to say that each of the Nine is such a great golden glowing nugget of controlled power, insight and wisdom (some are) but that the whole is such eloquent proof of the perspicacity, intelligence and all-round humanbeingness of JDS that reading this collection is very bittersweet - how lovely it all is, and how very little of it there is, when duller, pudgier-fingered writers type on, and on, and publish, and publish.
Anyone who has encountered comments by myself on Ye Olde Catcher in Ye Rye will now accuse me of inconsistency, or at least, be expecting me to accuse JDS of the same. How can I hate the novel for its unbearable whine and Johnny-one-note somebody-shut-him-up-please tiresomeness and yet enjoy all the rest of JDS as I do? They're cut from the same cloth, it's not like Picasso's blue period and Picasso the cubist which could have been different guys, or the Velvet Underground's first and third albums which could have been a different band. But I've come across this in different areas of the universe - can't stand Tom Waits until Swordfishtrombones, think he's a genius for three albums, then can't stand him again. Shakespeare's tragedies - oui! Shakespeare's comedies - er, non! So maybe not that unusual.
JDS famously published all his stuff between 1951 and 1963 and then STOPPED. (Which is why the kidnappers pounced, they gave him a good ten year rest and that was ENOUGH to their way of thinking.) And he stopped just as things were getting really interesting. He writes of the murderous conformities of American educated middle-class life and of the outcasts and especially young kids who either subvert this button-down world or bail out swiftly. Just as he stopped publishing things began to change. the 60s began swinging, and the youthquake (as it has been termed) was upon us. Just the very stuff that you might have thought would have fascinated JD. What do the kids do when they try to make their own rules up? I feel the absence of JDS throughout the 60s and 70s, as i feel the absence of another American writer who STOPPED in 1963, Sylvia Plath. I want to know what these two clever clogs would have made of the tumultuous ten years which followed the self-stilling of their voices.
But back to the Nine Stories - and to steal a fellow reviewer's catch-phrase:
Is it a classic?
Answer : Yes. Goddamn!
PS : I realise I also speculated upon the advisability of kidnapping Thomas Bernhard elsewhere but that was to save the world from any further novels like Extinction, whereas the JD Salinger kidnap is for the opposite reason. But I would like to publicly state that I do not condone the imprisonment of any writers for any reasons, so please don't try this at home.
When the prosecution rested and the defence opened, their lawyer would simply have issued a copy of Nine Stories to all 12 jurors and said "Ladies and gentlemen, I rest my case."
This is not to say that each of the Nine is such a great golden glowing nugget of controlled power, insight and wisdom (some are) but that the whole is such eloquent proof of the perspicacity, intelligence and all-round humanbeingness of JDS that reading this collection is very bittersweet - how lovely it all is, and how very little of it there is, when duller, pudgier-fingered writers type on, and on, and publish, and publish.
Anyone who has encountered comments by myself on Ye Olde Catcher in Ye Rye will now accuse me of inconsistency, or at least, be expecting me to accuse JDS of the same. How can I hate the novel for its unbearable whine and Johnny-one-note somebody-shut-him-up-please tiresomeness and yet enjoy all the rest of JDS as I do? They're cut from the same cloth, it's not like Picasso's blue period and Picasso the cubist which could have been different guys, or the Velvet Underground's first and third albums which could have been a different band. But I've come across this in different areas of the universe - can't stand Tom Waits until Swordfishtrombones, think he's a genius for three albums, then can't stand him again. Shakespeare's tragedies - oui! Shakespeare's comedies - er, non! So maybe not that unusual.
JDS famously published all his stuff between 1951 and 1963 and then STOPPED. (Which is why the kidnappers pounced, they gave him a good ten year rest and that was ENOUGH to their way of thinking.) And he stopped just as things were getting really interesting. He writes of the murderous conformities of American educated middle-class life and of the outcasts and especially young kids who either subvert this button-down world or bail out swiftly. Just as he stopped publishing things began to change. the 60s began swinging, and the youthquake (as it has been termed) was upon us. Just the very stuff that you might have thought would have fascinated JD. What do the kids do when they try to make their own rules up? I feel the absence of JDS throughout the 60s and 70s, as i feel the absence of another American writer who STOPPED in 1963, Sylvia Plath. I want to know what these two clever clogs would have made of the tumultuous ten years which followed the self-stilling of their voices.
But back to the Nine Stories - and to steal a fellow reviewer's catch-phrase:
Is it a classic?
Answer : Yes. Goddamn!
PS : I realise I also speculated upon the advisability of kidnapping Thomas Bernhard elsewhere but that was to save the world from any further novels like Extinction, whereas the JD Salinger kidnap is for the opposite reason. But I would like to publicly state that I do not condone the imprisonment of any writers for any reasons, so please don't try this at home.
December 29, 2024
Tot ce-a scris mai bun Salinger...
Nici un prozator n-a f膬cut mai pu葲in pentru gloria de care a avut parte. Unii au publicat zeci de c膬r葲i, J.D. Salinger s-a oprit la patru. Ultima lui carte (antum膬), tip膬rit膬 卯n 1963, con葲ine dou膬 povestiri compuse 卯n anii 50. Gloria autorului a fost instantanee 葯i, dup膬 1965, s-a hr膬nit din speran葲a tenace a admiratorilor c膬 Salinger scrie, scrie, scrie, chiar dac膬 a renun葲at s膬 mai publice. Joyce Maynard a vorbit de un seif 卯n care s-ar g膬si manuscrise destinate unei public膬ri postume. 脦nsu葯i Salinger s-a jurat c膬 nu a renun葲at niciodat膬 la scris.
Cele nou膬 povestiri mi-au pl膬cut dintotdeauna. Tonul lor vine din Cehov, Joyce - Oameni din Dublin - 葯i Hemingway. Naratorul men葲ioneaz膬 doar gesturile 葯i faptele personajelor. Nu spune niciodat膬 ce g卯ndesc cu adev膬rat, nu men葲ioneaz膬 motivele. Dup膬 ce discut膬 cu Sybil 葯i 卯noat膬 pe mare, abulicul Seymour Glass 卯葯i trage un glonte 卯n cap. Nimic nu preveste葯te acest deznod膬m卯nt:
Sigur, putem formula ipoteze 卯n leg膬tur膬 cu gestul lui 鈥瀏ratuit鈥�. Seymour Glass tocmai s-a 卯ntors din r膬zboi, acolo s-a petrecut ceva r膬u, nu afl膬m ce, nici naratorul nu 葯tie. So葲ia, prietenii 葯i rudele 卯l privesc cu ne卯ncredere, Seymour s-a schimbat 卯n chip v膬dit, nu mai e omul de odinioar膬: poate ar fi nevoie de un medic, sugereaz膬 mama lui Muriel 卯ntr-o discu葲ie la telefon.
Nu 葯tiu dac膬 a葲i remarcat, 卯n povestirle lui J.D. Salinger (publicate 卯ntre 1948 葯i 1953), copiii s卯nt mai inteligen葲i dec卯t adul葲ii. Conversa葲iile decurg firesc, descrierile s卯nt minu葲ioase, 鈥瀗eobi葯nuit de precise, complete, intense 葯i persistente鈥�. S膬 mai spun? Povestirea mea preferat膬 r膬m卯ne 鈥濸entru 贰蝉尘茅, cu dragoste 葯i abjec葲ie鈥�...
Nici un prozator n-a f膬cut mai pu葲in pentru gloria de care a avut parte. Unii au publicat zeci de c膬r葲i, J.D. Salinger s-a oprit la patru. Ultima lui carte (antum膬), tip膬rit膬 卯n 1963, con葲ine dou膬 povestiri compuse 卯n anii 50. Gloria autorului a fost instantanee 葯i, dup膬 1965, s-a hr膬nit din speran葲a tenace a admiratorilor c膬 Salinger scrie, scrie, scrie, chiar dac膬 a renun葲at s膬 mai publice. Joyce Maynard a vorbit de un seif 卯n care s-ar g膬si manuscrise destinate unei public膬ri postume. 脦nsu葯i Salinger s-a jurat c膬 nu a renun葲at niciodat膬 la scris.
Cele nou膬 povestiri mi-au pl膬cut dintotdeauna. Tonul lor vine din Cehov, Joyce - Oameni din Dublin - 葯i Hemingway. Naratorul men葲ioneaz膬 doar gesturile 葯i faptele personajelor. Nu spune niciodat膬 ce g卯ndesc cu adev膬rat, nu men葲ioneaz膬 motivele. Dup膬 ce discut膬 cu Sybil 葯i 卯noat膬 pe mare, abulicul Seymour Glass 卯葯i trage un glonte 卯n cap. Nimic nu preveste葯te acest deznod膬m卯nt:
鈥濧runc膬 o privire spre t卯n膬ra femeie care dormea 卯ntins膬 pe unul din cele dou膬 paturi al膬turate. Se 卯ndrept膬 apoi spre un geamantan, 卯l deschise 葯i scoase de sub un mald膬r de chilo葲i 葯i tricouri un revolver de calibru 7, 65. Trase afar膬 magazia de cartu葯e, o cercet膬 葯i apoi o b膬g膬 la loc. Ridic膬 piedica pistolului. Se duse apoi 葯i se a葯ez膬 pe patul neocupat, privi spre so葲ia lui, potrivi pistolul 葯i-葯i desc膬rc膬 un glonte 卯n t卯mpla dreapt膬!鈥�.
Sigur, putem formula ipoteze 卯n leg膬tur膬 cu gestul lui 鈥瀏ratuit鈥�. Seymour Glass tocmai s-a 卯ntors din r膬zboi, acolo s-a petrecut ceva r膬u, nu afl膬m ce, nici naratorul nu 葯tie. So葲ia, prietenii 葯i rudele 卯l privesc cu ne卯ncredere, Seymour s-a schimbat 卯n chip v膬dit, nu mai e omul de odinioar膬: poate ar fi nevoie de un medic, sugereaz膬 mama lui Muriel 卯ntr-o discu葲ie la telefon.
Nu 葯tiu dac膬 a葲i remarcat, 卯n povestirle lui J.D. Salinger (publicate 卯ntre 1948 葯i 1953), copiii s卯nt mai inteligen葲i dec卯t adul葲ii. Conversa葲iile decurg firesc, descrierile s卯nt minu葲ioase, 鈥瀗eobi葯nuit de precise, complete, intense 葯i persistente鈥�. S膬 mai spun? Povestirea mea preferat膬 r膬m卯ne 鈥濸entru 贰蝉尘茅, cu dragoste 葯i abjec葲ie鈥�...
December 30, 2018
Adverbs. It's all because of adverbs that I read this collection. I asked a wonderful teacher of mine about adverbs (whether to use them, and all that), and the main gist of his answer was: "Read Nine Stories by J.D. Salinger. He's the master of the adverb."
Good lord, he is. The almost 200 page collection is positively (see what I did there?) LITTERED with them. One beautifully (ha!) placed adverb after the next. In one paragraph I counted five. Five gorgeous adverbs in a single, solitary paragraph. And it works - oh, how it works - magnificently. (Take that, Stephen King.)
Besides the adverbs, I found two of the most incredible short stories I've ever read: A Perfect Day for Bananafish and For 贰蝉尘茅 - with Love and Squalor. Both of these stories left me with a catch in my throat, my pulse racing (and not just because of the adverbs), and a compulsion to peel the pages back and re-experience the power and emotions through this man's cunningly chosen words. I tried to explain 贰蝉尘茅 to my mother and found myself choking up with tears.
Interestingly (I could do this all day), both stories are similar, though one is devastating and the other hopeful. Both involve a post WWII soldier suffering from PTSD. Both involve the absolute delightful innocence of a child. Both feature the most perfect dialogue. Actually, all of the nine stories feature dialogue. I'm going to have to re-read this one day, just to study the dialogue. One of the stories is almost 100% one side of a telephone call. I mean, this guy was brilliant. I just wish he'd written more.
Not all the stories contain the potency of the two I mentioned. But each story deserves to be read thoughtfully and enjoyed fully, methodically, even reverently.
5 stars, for 贰蝉尘茅.
Good lord, he is. The almost 200 page collection is positively (see what I did there?) LITTERED with them. One beautifully (ha!) placed adverb after the next. In one paragraph I counted five. Five gorgeous adverbs in a single, solitary paragraph. And it works - oh, how it works - magnificently. (Take that, Stephen King.)
Besides the adverbs, I found two of the most incredible short stories I've ever read: A Perfect Day for Bananafish and For 贰蝉尘茅 - with Love and Squalor. Both of these stories left me with a catch in my throat, my pulse racing (and not just because of the adverbs), and a compulsion to peel the pages back and re-experience the power and emotions through this man's cunningly chosen words. I tried to explain 贰蝉尘茅 to my mother and found myself choking up with tears.
Interestingly (I could do this all day), both stories are similar, though one is devastating and the other hopeful. Both involve a post WWII soldier suffering from PTSD. Both involve the absolute delightful innocence of a child. Both feature the most perfect dialogue. Actually, all of the nine stories feature dialogue. I'm going to have to re-read this one day, just to study the dialogue. One of the stories is almost 100% one side of a telephone call. I mean, this guy was brilliant. I just wish he'd written more.
Not all the stories contain the potency of the two I mentioned. But each story deserves to be read thoughtfully and enjoyed fully, methodically, even reverently.
5 stars, for 贰蝉尘茅.
February 6, 2020
If I were more put together, I鈥檇 have nine tiny one-sentence reviews for this and talk about each story, but I鈥檓 not, and so as is it鈥檚 a miracle that I have any notes on it at all and also am writing this less than three months after reading it.
I always know if I REALLY like a book that is of VERY high quality if it makes me miss being in literature classes. This one, for example, made me desperately wish I were in one so I could debate 鈥淧retty Mouth and Green My Eyes鈥� for at LEAST one million years.
But alas, I am a genius and therefore no longer in college.
Plus I don鈥檛 think I ever would have read this in any class anyway.
Some of these stories didn鈥檛 work for me but I REALLY liked some of them, as indicated above. Salinger writes so gorgeously, and there are some truly lovely characters here - 贰蝉尘茅 and Charles, Teddy, the Glass family.
It is a very small book of very small stories that I liked very much.
Bottom line: What I just said!
---------
earlier, i stated that i am J.D. Salinger trash.
this statement is confirmed.
review to come / 4 stars
I always know if I REALLY like a book that is of VERY high quality if it makes me miss being in literature classes. This one, for example, made me desperately wish I were in one so I could debate 鈥淧retty Mouth and Green My Eyes鈥� for at LEAST one million years.
But alas, I am a genius and therefore no longer in college.
Plus I don鈥檛 think I ever would have read this in any class anyway.
Some of these stories didn鈥檛 work for me but I REALLY liked some of them, as indicated above. Salinger writes so gorgeously, and there are some truly lovely characters here - 贰蝉尘茅 and Charles, Teddy, the Glass family.
It is a very small book of very small stories that I liked very much.
Bottom line: What I just said!
---------
earlier, i stated that i am J.D. Salinger trash.
this statement is confirmed.
review to come / 4 stars
December 14, 2018
Nine Stories by J.D Salinger "There are nine deep, enigmatic narratives. It is always about the motives of childlike innocence, the adult world and the invaders of war in the lives of individuals and the isolation of a traumatized man. I was surprised that some stories bored me, although literary quality can be no doubt. Salinger's dialogues are fabulous, the course of the stories consistent. It's the portrait of an absolutely static Society.
3,5/5
3,5/5
March 6, 2007
Salinger's "Nine Stories" should be renamed "How to Write Short Stories." While many hold up "Catcher in the Rye" as the zenith of his achievements for me it will always be this wistful and brave little book. I re-read it two or three times or year. I love it that much.
To be honest out of the nine stories collected here I would say that only a third are Salinger's best. "Perfect Day for Banafish," "For Esme - With Love and Squalor," and "The Laughing Man" are to me the peaks of short fiction. Everything that Salinger does best he does in these three tales. Nobody wrote children better than him. They leap off the page at you right into your lap. Esme, her brother, Seymour's little friend and the narrator of "Laughing Man" are so vivid and real you feel like running them all down the street for ice cream and cake. They are that true to life.
Same goes for Seymour in "Banana Fish" and the narrator of "For Esme." Nobody got into the heads of brilliant but troubled young people better than Salinger. What we hear about Seymour as opposed to what we see creates a palpable (and beautiful)tension. The narrator of "For Esme"'s war inflicted emotional problems are drawn with such artistry as to flood over you as you read.
"Uncle Wiggly in Connecticut," "Daumier-Smith's Blue Period," and "War with the Eskimos" to me fall into the "damn entertaining but not great" category. These stories are beautifully observed, funny, poignant and always a pleasure to read but lack that magic the first three have to spare. Of course that being said even being good but not great Salinger makes them better than most.
Finally "Teddy," "Down in the Dinghy" and "Pretty Mouth Green My Eyes" are good stories but I feel they suffer from being collected in the same book as the others. Each alone is enthralling but not a one of them is a patch on "Esme," or "Bananafish." Where the other stories feel like a full meal these come off more like snacks. Tasty but not quite filling.
If you like Salinger and want to read something by him that won't make you want to shoot a president or a sixties rock star this my friend is the book for you.
To be honest out of the nine stories collected here I would say that only a third are Salinger's best. "Perfect Day for Banafish," "For Esme - With Love and Squalor," and "The Laughing Man" are to me the peaks of short fiction. Everything that Salinger does best he does in these three tales. Nobody wrote children better than him. They leap off the page at you right into your lap. Esme, her brother, Seymour's little friend and the narrator of "Laughing Man" are so vivid and real you feel like running them all down the street for ice cream and cake. They are that true to life.
Same goes for Seymour in "Banana Fish" and the narrator of "For Esme." Nobody got into the heads of brilliant but troubled young people better than Salinger. What we hear about Seymour as opposed to what we see creates a palpable (and beautiful)tension. The narrator of "For Esme"'s war inflicted emotional problems are drawn with such artistry as to flood over you as you read.
"Uncle Wiggly in Connecticut," "Daumier-Smith's Blue Period," and "War with the Eskimos" to me fall into the "damn entertaining but not great" category. These stories are beautifully observed, funny, poignant and always a pleasure to read but lack that magic the first three have to spare. Of course that being said even being good but not great Salinger makes them better than most.
Finally "Teddy," "Down in the Dinghy" and "Pretty Mouth Green My Eyes" are good stories but I feel they suffer from being collected in the same book as the others. Each alone is enthralling but not a one of them is a patch on "Esme," or "Bananafish." Where the other stories feel like a full meal these come off more like snacks. Tasty but not quite filling.
If you like Salinger and want to read something by him that won't make you want to shoot a president or a sixties rock star this my friend is the book for you.
December 9, 2022
Having been put off reading 鈥楢 Catcher in the Rye鈥�, I thought this was a good way to sample J.D. Salinger, and what a thoroughly satisfying collection of short stories to ruminate and reflect on. To appraise, commend, and to even reason with. A book where all the characters and their stories felt real 鈥� too real which makes this collection all the more unforgettable.
A truly sobering read but a triumph of a book for its exploration of the flawed human mind portrayed alongside real and powerful themes, accompanied by some superb characters to deliver many hard-hitting, important, but also simple messages.
In each of the nine stories, no emotion is spared, no sentiment is over or under stated, as the trials and tribulations of life are laid bare in simple texts with some strong and poignant themes running through all of them.
My favourites are 'For 贰蝉尘茅 - with Love and Squalor', the story the book takes its title from. The most disturbing was the first story 鈥� 'A Perfect Day for Bananafish' which left me a little shocked at the ending. Also wonderful are 鈥楧own at the Dinghy鈥� about a mother trying to coach her son in dealing with fear, and 鈥楾别诲诲测鈥� which explores multiple encounters onboard a luxury liner. All superbly written.
My least favourite was 鈥楾he Laughing Man鈥� and 鈥楯ust before the war with Eskimos鈥�, mainly because the ending felt flat in both.
Each story is unique with the constant call for awareness, understanding and appreciation of the human mind, the internal conflict many wrestle with and how innocence can see beyond the furs and glitz to focus on what really matters 鈥� kindness and understanding.
The themes are endless, depression, suicide, loneliness, death, infidelity, greed, PTSD, love, and highlights the consequences of not seeing the obvious signs or not looking beyond yourself. For example, the wife in A Perfect Day for Bananafish jokes about her husband鈥檚 solemn mood not seeing the suicidal behaviour nor hearing the desperation in his words.
In 鈥楩or Esme 鈥� with love and Squalor鈥� Esme is a young girl who meets an American soldier before he goes off to war. Despondent and battle weary the soldier has one of the most innocent but affecting conversations which helps pull him back from his current depressive state. The child then gifts her father鈥檚 watch and writes that this is on loan to help the sergeant through the war. Full of hope, innocence, touching and written with such simplicity and beauty.
However, this book is an experience and will take you on an emotional journey where the reader will experience a fusion of hope and hopelessness, sympathy, empathy, and despondency. Also kindness, and generosity of spirit, and even a sense of frustration at the many self-destructive and / or selfish acts. Most of all, we shine a light on 鈥榗hoice, understanding, acceptance and kindness鈥� and what a beautiful way to explore these themes through 9 short stories. Brilliant.
A truly sobering read but a triumph of a book for its exploration of the flawed human mind portrayed alongside real and powerful themes, accompanied by some superb characters to deliver many hard-hitting, important, but also simple messages.
In each of the nine stories, no emotion is spared, no sentiment is over or under stated, as the trials and tribulations of life are laid bare in simple texts with some strong and poignant themes running through all of them.
My favourites are 'For 贰蝉尘茅 - with Love and Squalor', the story the book takes its title from. The most disturbing was the first story 鈥� 'A Perfect Day for Bananafish' which left me a little shocked at the ending. Also wonderful are 鈥楧own at the Dinghy鈥� about a mother trying to coach her son in dealing with fear, and 鈥楾别诲诲测鈥� which explores multiple encounters onboard a luxury liner. All superbly written.
My least favourite was 鈥楾he Laughing Man鈥� and 鈥楯ust before the war with Eskimos鈥�, mainly because the ending felt flat in both.
Each story is unique with the constant call for awareness, understanding and appreciation of the human mind, the internal conflict many wrestle with and how innocence can see beyond the furs and glitz to focus on what really matters 鈥� kindness and understanding.
The themes are endless, depression, suicide, loneliness, death, infidelity, greed, PTSD, love, and highlights the consequences of not seeing the obvious signs or not looking beyond yourself. For example, the wife in A Perfect Day for Bananafish jokes about her husband鈥檚 solemn mood not seeing the suicidal behaviour nor hearing the desperation in his words.
In 鈥楩or Esme 鈥� with love and Squalor鈥� Esme is a young girl who meets an American soldier before he goes off to war. Despondent and battle weary the soldier has one of the most innocent but affecting conversations which helps pull him back from his current depressive state. The child then gifts her father鈥檚 watch and writes that this is on loan to help the sergeant through the war. Full of hope, innocence, touching and written with such simplicity and beauty.
However, this book is an experience and will take you on an emotional journey where the reader will experience a fusion of hope and hopelessness, sympathy, empathy, and despondency. Also kindness, and generosity of spirit, and even a sense of frustration at the many self-destructive and / or selfish acts. Most of all, we shine a light on 鈥榗hoice, understanding, acceptance and kindness鈥� and what a beautiful way to explore these themes through 9 short stories. Brilliant.
November 1, 2021
Nine Stories by J.D. Salinger may be one of the best collections of short stories that I have read. It was clear from the opening story, A Perfect Day for Bananafish, followed by Uncle Wiggly in Connecticut, that this was the writing of probably one of the greatest authors of the twentieth century. And my favorite was For Esme--with Love and Squalor.
Quite a few years ago, when I became interested in the literary works of J.D. Salinger, I read what was touted as the definitive biography by David Shields, Salinger. I found the book riveting, particularly the graphic portrayals of Salinger's experiences during World War II, including the landing on Utah Beach in Normandy on D-Day, June 6, 1944, and all that ensued. Salinger also fought in the Battle of the Bulge near the end of the war and was also among the first soldiers to enter the recently liberated concentration camp at Dachau, Germany. Salinger, like so many others, was deeply affected by his experiences during the war and suffered from post-traumatic stress disorder. The effects of this PTSD informed his writing from then on. And never was it so striking as in this treasure of short stories, many of them written for The New Yorker.
This was such a compelling book by one of our master literary authors of the twentieth century. A humble salute, not only to J.D. Salinger's literary expertise but to his humanity and service to our country. I was so touched by his writing in a foxhole while the bombs were falling all around. And I know that one of his favorite authors was Ernest Hemingway, who we know had a typewriter in his foxhole as they both gave us some of the greatest literature of the twentieth century. Thank you.
Quite a few years ago, when I became interested in the literary works of J.D. Salinger, I read what was touted as the definitive biography by David Shields, Salinger. I found the book riveting, particularly the graphic portrayals of Salinger's experiences during World War II, including the landing on Utah Beach in Normandy on D-Day, June 6, 1944, and all that ensued. Salinger also fought in the Battle of the Bulge near the end of the war and was also among the first soldiers to enter the recently liberated concentration camp at Dachau, Germany. Salinger, like so many others, was deeply affected by his experiences during the war and suffered from post-traumatic stress disorder. The effects of this PTSD informed his writing from then on. And never was it so striking as in this treasure of short stories, many of them written for The New Yorker.
This was such a compelling book by one of our master literary authors of the twentieth century. A humble salute, not only to J.D. Salinger's literary expertise but to his humanity and service to our country. I was so touched by his writing in a foxhole while the bombs were falling all around. And I know that one of his favorite authors was Ernest Hemingway, who we know had a typewriter in his foxhole as they both gave us some of the greatest literature of the twentieth century. Thank you.
December 22, 2017
賳賲丿賵賳賲 鬲乇噩賲賴 蹖賴 賳丕乇爻丕蹖蹖鈥屬囏й屰� 丿丕卮鬲 賵丕賯毓丕賸 蹖丕 賳賴貙 賵賱蹖 賵蹖乇丕蹖卮卮 蹖賴鈥屸€屭┵� 丕毓氐丕亘賲賵 禺乇丿 賲蹖鈥屭┴必�. 讴鬲丕亘蹖 讴賴 丕蹖賳賯丿 鬲噩丿蹖丿 趩丕倬 卮丿賴 丕賵賳賲. 爻賱蹖賳噩乇 丕賵賳賲. 丿丕爻鬲丕賳鈥屭┵堌з囏ж� 丕賵賳賲. 爻賱蹖賳噩乇 亘乇丕 賲賳 蹖賴 噩賵乇丕蹖蹖 賲孬 丿賵丕 卮丿賴. 賴乇丕夭诏丕賴蹖 亘丕蹖丿 蹖賴 趩蹖夭蹖 丕夭卮 亘禺賵賳賲 讴賴 丿賵亘丕乇賴 乇蹖讴丕賵乇蹖 亘卮賲. 趩賳丿鬲丕 丕夭 丿丕爻鬲丕賳鈥屬囏й� 丕蹖賳 賲噩賲賵毓賴 乇賵 賯亘賱丕賸 賴賲 禺賵賳丿賴 亘賵丿賲(賲孬賱 蹖讴 乇賵夭 禺賵卮 亘乇丕蹖 賲賵夭 賲丕賴蹖 賵 丿賴丕賳賲 賮賱丕賳 賵 趩卮賲丕賳賲 趩賳丕賳 :賴賲乇: 禺丿丕蹖蹖 趩賴 賲賳丕爻亘鬲蹖 丿丕卮鬲 丕蹖賳 丕爻賲 賲賳 賳賮賴賲蹖丿賲!) 賵 讴賱丕賸 丿賵爻鬲 丿丕卮鬲賲. 亘丕夭賲 丕蹖賳賵 禺賵丕賴賲 禺賵賳丿. 賵賱蹖 賳賴 丕蹖賳胤賵乇 倬卮鬲 爻乇 賴賲. 賴乇 丿丕爻鬲丕賳賵 丿蹖诏賴 賲蹖鈥屭┴促� 賲蹖鈥屫辟� 賲蹖鈥屫堎嗁�. 賲孬賱丕賸 鬲丿蹖 乇賵 賲蹖鈥屫堎嗁� 丿蹖乇蹖 賳賲蹖鈥屭柏辟� 讴賴 賲蹖鈥屫辟� 亘丕夭 賲蹖鈥屫堎嗁�. 毓噩亘 賮囟丕蹖蹖 丿丕卮鬲.
February 24, 2023
协谢芯懈蟹邪 袙械薪谐谢械褉 鈥� 胁薪械褕薪械 褍褋锌械褕薪邪褟 卸械薪褖懈薪邪, 褍写邪褔薪芯 胁褘褕械写褕邪褟 蟹邪屑褍卸, 卸懈胁褍褖邪褟 胁 斜芯谐邪褌芯屑 芯褋芯斜薪褟泻械. 袝泄 薪械 薪褍卸薪芯 褉邪斜芯褌邪褌褜, 褍 薪械械 械褋褌褜 锌褉懈褋谢褍谐邪, 锌芯褝褌芯屑褍 写芯屑芯屑 芯薪邪 褌芯卸械 薪械 蟹邪薪懈屑邪械褌褋褟. 袨薪邪 屑邪械褌褋褟 斜械蟹写械谢褜械屑. 袝械 卸懈蟹薪褜 锌褍褋褌邪, 懈 芯薪邪 锌褘褌邪械褌褋褟 蟹邪锌芯谢薪懈褌褜 械械 胁褋褌褉械褔邪屑懈 褋 锌芯写褉褍谐芯泄 锌芯 泻芯谢谢械写卸褍, 胁褘锌懈胁泻芯泄 懈 鈥� 胁芯褋锌芯屑懈薪邪薪懈褟屑懈 芯 锌褉械卸薪懈褏 褉邪蟹胁械褋械谢褘褏 写薪褟褏 懈 褋胁芯械泄 谢褞斜胁懈 泻 校芯谢褌褍, 泻芯褌芯褉褘泄 锌芯谐懈斜 薪邪 胁芯泄薪械. 袨薪邪 褝谐芯褑械薪褌褉懈褔薪邪, 褉邪胁薪芯写褍褕薪邪 泻 褋胁芯械泄 写芯褔械褉懈 袪邪屑芯薪械, 芯薪邪 斜械蟹褍褔邪褋褌薪邪 泻 锌褉芯褋褜斜械 褋谢褍卸邪薪泻械 锌芯蟹胁芯谢懈褌褜 械械 屑褍卸褍 锌械褉械薪芯褔械胁邪褌褜 胁 械械 泻芯屑薪邪褌械薪泻械. 袙 芯斜褖械屑, 胁 薪械泄 薪械褌 薪懈褔械谐芯, 褔褌芯 胁褘蟹褘胁邪谢芯 斜褘 褏芯褌褜 泻邪泻褍褞-褌芯 褋懈屑锌邪褌懈褞. 袧邪锌褉芯褌懈胁, 薪邪褕懈 褋懈屑锌邪褌懈懈 懈 褋芯卸邪谢械薪懈械 胁褘蟹褘胁邪械褌 械械 写芯褔泻邪, 泻芯褌芯褉邪褟 卸懈胁械褌 胁 胁芯芯斜褉邪卸邪械屑芯屑 屑懈褉械 懈 锌芯写 褉邪褋褋锌褉芯褋邪屑懈 屑邪褌械褉懈, 泻芯褌芯褉褘械 褌邪 蟹邪写邪械褌 写谢褟 褋屑械褏邪, 褉邪褋褋泻邪蟹褘胁邪械褌 袦褝褉懈 袛卸械泄薪 芯 褋胁芯械屑 薪械胁懈写懈屑芯屑 写褉褍谐械 袛卸懈屑屑懈. 协褌芯 锌芯泻懈薪褍褌褘泄, 芯写懈薪芯泻懈泄 褉械斜械薪芯泻, 薪械薪褍卸薪褘泄 褋胁芯械泄 屑邪褌械褉懈, 薪械 懈屑械褞褖懈泄 写褉褍蟹械泄 懈 锌褉懈写褍屑邪胁褕懈泄 褋械斜械 胁芯芯斜褉邪卸邪械屑褘泄 屑懈褉. 袧芯鈥� 芯泻邪蟹邪谢芯褋褜, 褔褌芯 褝褌芯褌 胁芯芯斜褉邪卸邪械屑褘泄 屑懈褉 鈥� 锌褉芯械泻褑懈褟 屑懈褉邪 械械 屑邪褌械褉懈. 袙械写褜 协谢芯懈蟹邪 胁 褋胁芯械屑 斜械蟹写械谢懈懈 懈 薪懈褔械谐芯薪械写械谢邪薪懈懈 卸懈胁械褌 胁芯褋锌芯屑懈薪邪薪懈褟屑懈 芯 校芯谢褌械 鈥� 褝褌芯 褌芯卸械 胁芯芯斜褉邪卸邪械屑褘泄 写褉褍谐. 袧邪 褝褌芯 薪邪褌邪谢泻懈胁邪械褌 褌芯, 褔褌芯 袪邪屑芯薪邪 蟹邪褟胁谢褟械褌, 褔褌芯 袛卸懈屑屑懈 褍屑械褉, 锌芯锌邪胁 锌芯写 屑邪褕懈薪褍 懈 褌械锌械褉褜 褍 薪械械 薪芯胁褘泄 薪械胁懈写懈屑褘泄 写褉褍谐 鈥� 袦懈泻泻懈. 协谢芯懈蟹邪 锌褉械泻褉邪褋薪芯 芯褋芯蟹薪邪械褌, 泻邪泻 芯薪邪 胁褘谐谢褟写懈褌 胁 谐谢邪蟹邪褏 谢褞写械泄, 懈 胁 褎懈薪邪谢械 芯薪邪 褍屑芯谢褟褞褖懈屑 谐芯谢芯褋芯屑 褋锌褉邪褕懈胁邪械褌 锌芯写褉褍谐褍: 芦袙械写褜 褟 卸械 斜褘谢邪 褏芯褉芯褕邪褟?禄. 袣芯谐写邪 芯薪邪 褋褌邪谢邪 芦锌谢芯褏芯泄禄 鈥� 褌芯谐写邪, 泻芯谐写邪 锌芯褌械褉褟谢邪 谢褞斜芯胁褜? 袠 泻邪泻 卸懈褌褜 褔械谢芯胁械泻褍, 泻芯褌芯褉褘泄 锌芯褌械褉褟谢 褋胁芯褞 谢褞斜芯胁褜? 小屑芯卸械褌 谢懈 芯薪邪 褋褌邪褌褜 褋薪芯胁邪 芦褏芯褉芯褕械泄禄? 袟邪胁懈褋懈褌 谢懈 褌芯, 褔褌芯 褔械谢芯胁械泻 褋褌邪薪芯胁懈褌褋褟 褏芯褉芯褕懈屑, 泻芯谐写邪 谢褞斜懈褌 懈谢懈 泻芯谐写邪 褋褔邪褋褌谢懈胁? 袙芯褌 褌邪泻懈械 胁芯锌褉芯褋褘 褋褌邪胁懈褌 锌械褉械写 薪邪屑懈 小褝谢懈薪写卸械褉.
"袛械胁褟褌褜 褉邪褋褋泻邪蟹芯胁" - 褝褌芯 褋斜芯褉薪懈泻, 泻褍写邪 胁褏芯写懈褌 懈 褉邪褋褋泻邪蟹 "袥邪锌邪-褉邪褋褌褟锌邪".
袦芯懈 芯斜蟹芯褉褘 锌芯 写褉褍谐懈屑 褉邪褋褋泻邪蟹邪屑 懈 锌芯胁械褋褌褟屑 屑芯卸薪芯 锌芯褋屑芯褌褉械褌褜 锌芯 褋褋褘谢泻邪屑:
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"袛械胁褟褌褜 褉邪褋褋泻邪蟹芯胁" - 褝褌芯 褋斜芯褉薪懈泻, 泻褍写邪 胁褏芯写懈褌 懈 褉邪褋褋泻邪蟹 "袥邪锌邪-褉邪褋褌褟锌邪".
袦芯懈 芯斜蟹芯褉褘 锌芯 写褉褍谐懈屑 褉邪褋褋泻邪蟹邪屑 懈 锌芯胁械褋褌褟屑 屑芯卸薪芯 锌芯褋屑芯褌褉械褌褜 锌芯 褋褋褘谢泻邪屑:
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June 2, 2018
Bir s眉redir kitap se莽imlerimden yana olduk莽a 艧ansl谋 oldu臒umu hissediyorum. Ama yine de itiraf etmek gerekirse, uzun bir s眉redir beni bu kadar etkileyen, 莽iviyle yerime 莽akan 枚yk眉ler okumam谋艧t谋m.
Y谋llard谋r rafta okunmay谋 bekleyen kitaplardan biriydi Salinger鈥櫮眓 Dokuz 脰yk眉s眉. 陌yi ki beklemi艧. Benim gibi 枚yk眉 delisi biri i莽in, baz谋 枚yk眉lerin, baz谋 atmosferlerin do臒ru zaman谋 var gibi geliyor hep. Mesela 10 y谋l 枚nce okumu艧 olsam araya gidebilecek bir kitapt谋 benim i莽in bu, o nedenle tam da 艧u g眉nlerde okumu艧 olmaktan 莽ok memnunum.
Ayr谋nt谋larda bo臒ulabilece臒i, kolayl谋kla ajite edebilece臒i her konuyu ve sahneyi 枚yle g眉zel g枚臒眉slemi艧 ki hayran olmamak elde de臒il. 脰yk眉lerin i莽ine yerle艧tirdi臒i 枚nemsiz g枚z眉ken ufac谋k bir an谋n, g枚z k谋rpan bir ayr谋nt谋n谋n, d枚n眉p dola艧谋p muhte艧em sona hizmet edecek sa臒lam birer yap谋 ta艧谋na d枚n眉艧mesi, okuyucu olarak tam bir doyum sa臒lad谋 bende. Her 枚yk眉n眉n bitiminde arad谋臒谋m谋 hem verdi hem de pe艧inden ko艧turttu Salinger. Ya艧ad谋臒谋m谋 hissettirdi k谋saca.
Dokuz 枚yk眉n眉n hemen hepsinde, 莽ocuk ve yeti艧kin perspektifi var. Kar艧谋l谋kl谋 diyaloglar ger莽ek莽i ve o kadar vurucu ki haf谋zaya kaz谋n谋yor. 脟ocuklar谋n oldu臒u her yerde kendili臒inden ortaya 莽谋kan 鈥渟afl谋k鈥� ve sava艧谋n oldu臒u her yerde yine kendili臒inden ka莽谋n谋lmaz olarak meydana gelen 鈥測谋k谋m, huzursuzluk, kirlenme鈥� s谋rt s谋rta ilerliyor 枚yk眉lerde. Bu kontrast kurguyu dipdiri tutuyor. 脰yk眉lerin bel kemi臒ini g眉莽lendiriyor.
Ve en g眉zeli de, hemen hemen 9 枚yk眉n眉n hepsinde de unutulmayacak karakterler yaratm谋艧 Salinger. Ben art谋k aradan y谋llar da ge莽se, y眉zlerce kitap da okusam, binlerce kahramanla da tan谋艧sam Esme, Seymour, Teddy, Eloise, De-Daumier Smith ve Ginnie鈥檡i unutamam mesela, bundan eminim.
陌yi metin okumak isteyenlere kesinlikle tavsiye edece臒im bir kitap Salinger鈥檇an Dokuz 脰yk眉.
10/10
Y谋llard谋r rafta okunmay谋 bekleyen kitaplardan biriydi Salinger鈥櫮眓 Dokuz 脰yk眉s眉. 陌yi ki beklemi艧. Benim gibi 枚yk眉 delisi biri i莽in, baz谋 枚yk眉lerin, baz谋 atmosferlerin do臒ru zaman谋 var gibi geliyor hep. Mesela 10 y谋l 枚nce okumu艧 olsam araya gidebilecek bir kitapt谋 benim i莽in bu, o nedenle tam da 艧u g眉nlerde okumu艧 olmaktan 莽ok memnunum.
Ayr谋nt谋larda bo臒ulabilece臒i, kolayl谋kla ajite edebilece臒i her konuyu ve sahneyi 枚yle g眉zel g枚臒眉slemi艧 ki hayran olmamak elde de臒il. 脰yk眉lerin i莽ine yerle艧tirdi臒i 枚nemsiz g枚z眉ken ufac谋k bir an谋n, g枚z k谋rpan bir ayr谋nt谋n谋n, d枚n眉p dola艧谋p muhte艧em sona hizmet edecek sa臒lam birer yap谋 ta艧谋na d枚n眉艧mesi, okuyucu olarak tam bir doyum sa臒lad谋 bende. Her 枚yk眉n眉n bitiminde arad谋臒谋m谋 hem verdi hem de pe艧inden ko艧turttu Salinger. Ya艧ad谋臒谋m谋 hissettirdi k谋saca.
Dokuz 枚yk眉n眉n hemen hepsinde, 莽ocuk ve yeti艧kin perspektifi var. Kar艧谋l谋kl谋 diyaloglar ger莽ek莽i ve o kadar vurucu ki haf谋zaya kaz谋n谋yor. 脟ocuklar谋n oldu臒u her yerde kendili臒inden ortaya 莽谋kan 鈥渟afl谋k鈥� ve sava艧谋n oldu臒u her yerde yine kendili臒inden ka莽谋n谋lmaz olarak meydana gelen 鈥測谋k谋m, huzursuzluk, kirlenme鈥� s谋rt s谋rta ilerliyor 枚yk眉lerde. Bu kontrast kurguyu dipdiri tutuyor. 脰yk眉lerin bel kemi臒ini g眉莽lendiriyor.
Ve en g眉zeli de, hemen hemen 9 枚yk眉n眉n hepsinde de unutulmayacak karakterler yaratm谋艧 Salinger. Ben art谋k aradan y谋llar da ge莽se, y眉zlerce kitap da okusam, binlerce kahramanla da tan谋艧sam Esme, Seymour, Teddy, Eloise, De-Daumier Smith ve Ginnie鈥檡i unutamam mesela, bundan eminim.
陌yi metin okumak isteyenlere kesinlikle tavsiye edece臒im bir kitap Salinger鈥檇an Dokuz 脰yk眉.
10/10
January 13, 2025
I've yet to read a Salinger story that wasn't written with a purpose in mind, a theme speaking quietly within the paragraphs, or loudly with an abrupt ending. It's rare that his exact intention is actually immediately clear to me, but the struggle adds interest, and I don't believe any could be said to have a single meaning anyway. If it meant this to me, it may mean that to another, and maybe we'd both be right.
This past summer, I read Franny and Zooey. My thought in saying this is that if I'd owned a copy of Nine Stories at the time, I would have read it first. Here's the thing: I now know reading Franny and Zooey was the better route for me in understanding the significance of the Glass Family to Salinger's catalog. If I'd read the short stories first, I'd probably have missed the meaning of their names and connections because they really do flash by in an instant. Two of these nine stories are obvious to them, 鈥淎 Perfect Day for Bananafish鈥� (earliest Glass story by Salinger) most especially, and 鈥淒own at the Dinghy鈥�. Another two stories are related as well, but I only understood this after researching after finishing. Reading these stories are like seeing marked events, and never understanding the whole. It is elusive. Even when not writing of this family, Salinger's stories touch on coming of age, loss of innocence, the effects of war, etc. Makes me think about not only those matters, but also Salinger himself and why he wrote.
This past summer, I read Franny and Zooey. My thought in saying this is that if I'd owned a copy of Nine Stories at the time, I would have read it first. Here's the thing: I now know reading Franny and Zooey was the better route for me in understanding the significance of the Glass Family to Salinger's catalog. If I'd read the short stories first, I'd probably have missed the meaning of their names and connections because they really do flash by in an instant. Two of these nine stories are obvious to them, 鈥淎 Perfect Day for Bananafish鈥� (earliest Glass story by Salinger) most especially, and 鈥淒own at the Dinghy鈥�. Another two stories are related as well, but I only understood this after researching after finishing. Reading these stories are like seeing marked events, and never understanding the whole. It is elusive. Even when not writing of this family, Salinger's stories touch on coming of age, loss of innocence, the effects of war, etc. Makes me think about not only those matters, but also Salinger himself and why he wrote.
January 22, 2023
This collection of stories sent me back. I read them long ago and half expected to be "sent back" by memory cells saying, "Oh, yeah. I recall this one," but, no. Not a one. Past the sleepy town of Vague, even.
What sent me back was time and place. Can't say if it's ME when I read them (at so young an age) or the stories, which struck me as being paradoxically quaint yet sophisticated at the same time. I made an update saying it reminded me of black and white film. All those dates from the 50s. My earliest recollections are the early 60s, but that's close enough. The Zapruder film and other footage of JFK's Dallas visit looks like another planet. All those hats and librarian-like cat glasses. Thin ties. Thin people (processed food and sugar still hadn't caught up with us).
Even the later 60s bother me. The grainy color footage of people waving goodbye to the train carrying RFK. My God. How Salinger gets mixed up in all THIS is beyond me.
The stories, though. Dialogue is Salinger's 尘茅迟颈别谤 (which I think is French for "favorite way to show off"). His characters talk, therefore they are. And they say things like wudja and whatcha and things like that. And, as I noted in his other book, Salinger italicizes to prove the mettle of his ear. "What do you expect?"
Sometimes, instead of describing an action, Salinger will have his characters react to the action, leaving it to the reader to infer. Often he'll populate the stories with children, some bratty (advisable) and some precocious (less so). Only Teddy in the last story grates a bit. And the interactions between adults and children in the first and last story seem naive by today's "stranger danger" standards. That's a bit of lost innocence, too, given that the adults in these stories have only good intentions.
Coolest of all is how J.D. is at ease with most any kind of protagonist -- male, female, little girl, little boy. He can do the flashback. He can do chronology. He can get philosophical in a Buddhist kind of way. He can use the news (such as wartime stories), he can be funny, and he can be shocking (first story, "A Perfect Day for Bananafish" being a perfect day for examples).
So maybe I was ready. In the right mood to revisit this particular book. Maybe, in its meditative way, it took me back to simpler times -- even though both Salinger and I know those times were no more simple than our own tortured times.
Whatever. Glad I impulse-picked it up. The itch met its scratch.
Until next time, Nine Stories. Maybe in 2051, if you're not doing anything and I'm not on my Teddy-like 53rd reincarnation.
What sent me back was time and place. Can't say if it's ME when I read them (at so young an age) or the stories, which struck me as being paradoxically quaint yet sophisticated at the same time. I made an update saying it reminded me of black and white film. All those dates from the 50s. My earliest recollections are the early 60s, but that's close enough. The Zapruder film and other footage of JFK's Dallas visit looks like another planet. All those hats and librarian-like cat glasses. Thin ties. Thin people (processed food and sugar still hadn't caught up with us).
Even the later 60s bother me. The grainy color footage of people waving goodbye to the train carrying RFK. My God. How Salinger gets mixed up in all THIS is beyond me.
The stories, though. Dialogue is Salinger's 尘茅迟颈别谤 (which I think is French for "favorite way to show off"). His characters talk, therefore they are. And they say things like wudja and whatcha and things like that. And, as I noted in his other book, Salinger italicizes to prove the mettle of his ear. "What do you expect?"
Sometimes, instead of describing an action, Salinger will have his characters react to the action, leaving it to the reader to infer. Often he'll populate the stories with children, some bratty (advisable) and some precocious (less so). Only Teddy in the last story grates a bit. And the interactions between adults and children in the first and last story seem naive by today's "stranger danger" standards. That's a bit of lost innocence, too, given that the adults in these stories have only good intentions.
Coolest of all is how J.D. is at ease with most any kind of protagonist -- male, female, little girl, little boy. He can do the flashback. He can do chronology. He can get philosophical in a Buddhist kind of way. He can use the news (such as wartime stories), he can be funny, and he can be shocking (first story, "A Perfect Day for Bananafish" being a perfect day for examples).
So maybe I was ready. In the right mood to revisit this particular book. Maybe, in its meditative way, it took me back to simpler times -- even though both Salinger and I know those times were no more simple than our own tortured times.
Whatever. Glad I impulse-picked it up. The itch met its scratch.
Until next time, Nine Stories. Maybe in 2051, if you're not doing anything and I'm not on my Teddy-like 53rd reincarnation.
May 31, 2023
I am rereading Nine Stories by J.D. Salinger, titled by an English publisher For Esme: With Love and Squalor, reviewing my favorites separately along the way. 鈥淓sme鈥� is one of those stories. The collection focuses on how the US was doing post WWII. Salinger was a veteran, having fought at the Battle of the Bulge and other famous battles. He also worked in counter-intelligence as well. When he was at the Battle of the Bulge he was carrying six chapters of the Catcher in the Rye, and he also wrote as many as twenty short stories during the war.
I have already reviewed "A Perfect Day for Bananafish" and "Uncle Wiggily in Connecticut" separately from the collection. See links below. "Esme" is also one of my three favorites of the collection.
鈥淓sme鈥� is one of his most intimate and seemingly personal stories in Nine Stories. It features a Sergeant X that bears a close resemblance to Salinger and his war experience, and a little girl named Esme (see also the little girl in 鈥淎 Perfect Day for Bananafish鈥� and Catcher). Esme only talks to him for about a half hour but sets up a writing correspondence with X; she asks him to write a book with 鈥渟qualor鈥� in it, and in the story (see title) he obliges, as in the second half of the story X is hospitalized with 鈥渂attle fatigue,鈥� or PTSD, or a nervous breakdown, all labels for a condition experienced by millions of soldiers traumatized by combat.
Salinger suffered from PTSD and it may have affected him the rest of his life as he within several years dropped out of society and became a recluse. Salinger thought the escapist and almost exclusively celebratory post-war America failed to acknowledge the horrors of war. The story was intended as an act of healing for his fellow vets.
Salinger hated the cover of the story collection named by his British publisher as Esme, not Nine Stories, and Salinger detested the cover that featured what he saw as a 鈥渄ishy鈥� blonde. Esme for him represented the innocence of childhood that for many had been destroyed by the war for veterans. I find it very moving, not without humor or sweetness.
In 1963 a film version was in the works; Salinger insisted the part of Esme be played by New Yorker humorist writer Peter DeVries's daughter Jan, but it never worked out.
In 1963, film and TV director Peter Tewksbury approached Salinger about making a film version of the story. Salinger agreed, on condition that he himself cast the role of 贰蝉尘茅. He had in mind for the role Jan de Vries, the young daughter of his friend, the writer Peter de Vries (and yes, I am well aware of Salinger's interest in younger women, including Joyce Maynard, who lived with him when she was eighteen--I read that book and liked it, but my view is that the stories in this collection and in Catcher--Holden's sister--feature young girls as somewhat idealized symbols of childhood goodness).
鈥淚 Fought in a War鈥� by Belle & Sebastian, inspired by this story:
Briefly, on a couple of the other stories:
"Just Before the War with the Eskimos" is a story about two girls who just played tennis. They go to prep school together. Ginnie, goes to Selena's house, asking for money she is owed, and talks to two guys there who change her mind make her more empathetic.
"Pretty Mouth and Green My Eyes"--See all the light and whimsical titles? There is a kind of quirky humor in the stories, ala James Thurber, Peter DeVries, Tom Robbins, Richard Brautigan, but the difference with Salinger is a layer of melancholy/dysfunction in part connected to the war and the conditions of naive postwar America. "Pretty Mouth" is basically a conversation between a guy and his drunken friend that reminds me of Raymond Carver and John Cheever, a fifties eversion of endless booze stories.
"De Daumier-Smith's Blue Period" is mostly a romp, with lots of jokes, where Seymour teaches art through a correspondence school. This reminds me of Peter DeVries.
"Teddy" is about Seymour's little brother Teddy on a cruise. Teddy is ten, seen as brilliant, Buddhist, infused with some of Salinger's own exploration of western vs. eastern notions of spirituality.
My review of "A Perfect Day for Bananafish" can be found here:
/review/show...
My review of "Uncle Wiggily in Connecticut" can be found here:
/review/show...
I have already reviewed "A Perfect Day for Bananafish" and "Uncle Wiggily in Connecticut" separately from the collection. See links below. "Esme" is also one of my three favorites of the collection.
鈥淓sme鈥� is one of his most intimate and seemingly personal stories in Nine Stories. It features a Sergeant X that bears a close resemblance to Salinger and his war experience, and a little girl named Esme (see also the little girl in 鈥淎 Perfect Day for Bananafish鈥� and Catcher). Esme only talks to him for about a half hour but sets up a writing correspondence with X; she asks him to write a book with 鈥渟qualor鈥� in it, and in the story (see title) he obliges, as in the second half of the story X is hospitalized with 鈥渂attle fatigue,鈥� or PTSD, or a nervous breakdown, all labels for a condition experienced by millions of soldiers traumatized by combat.
Salinger suffered from PTSD and it may have affected him the rest of his life as he within several years dropped out of society and became a recluse. Salinger thought the escapist and almost exclusively celebratory post-war America failed to acknowledge the horrors of war. The story was intended as an act of healing for his fellow vets.
Salinger hated the cover of the story collection named by his British publisher as Esme, not Nine Stories, and Salinger detested the cover that featured what he saw as a 鈥渄ishy鈥� blonde. Esme for him represented the innocence of childhood that for many had been destroyed by the war for veterans. I find it very moving, not without humor or sweetness.
In 1963 a film version was in the works; Salinger insisted the part of Esme be played by New Yorker humorist writer Peter DeVries's daughter Jan, but it never worked out.
In 1963, film and TV director Peter Tewksbury approached Salinger about making a film version of the story. Salinger agreed, on condition that he himself cast the role of 贰蝉尘茅. He had in mind for the role Jan de Vries, the young daughter of his friend, the writer Peter de Vries (and yes, I am well aware of Salinger's interest in younger women, including Joyce Maynard, who lived with him when she was eighteen--I read that book and liked it, but my view is that the stories in this collection and in Catcher--Holden's sister--feature young girls as somewhat idealized symbols of childhood goodness).
鈥淚 Fought in a War鈥� by Belle & Sebastian, inspired by this story:
Briefly, on a couple of the other stories:
"Just Before the War with the Eskimos" is a story about two girls who just played tennis. They go to prep school together. Ginnie, goes to Selena's house, asking for money she is owed, and talks to two guys there who change her mind make her more empathetic.
"Pretty Mouth and Green My Eyes"--See all the light and whimsical titles? There is a kind of quirky humor in the stories, ala James Thurber, Peter DeVries, Tom Robbins, Richard Brautigan, but the difference with Salinger is a layer of melancholy/dysfunction in part connected to the war and the conditions of naive postwar America. "Pretty Mouth" is basically a conversation between a guy and his drunken friend that reminds me of Raymond Carver and John Cheever, a fifties eversion of endless booze stories.
"De Daumier-Smith's Blue Period" is mostly a romp, with lots of jokes, where Seymour teaches art through a correspondence school. This reminds me of Peter DeVries.
"Teddy" is about Seymour's little brother Teddy on a cruise. Teddy is ten, seen as brilliant, Buddhist, infused with some of Salinger's own exploration of western vs. eastern notions of spirituality.
My review of "A Perfect Day for Bananafish" can be found here:
/review/show...
My review of "Uncle Wiggily in Connecticut" can be found here:
/review/show...
January 29, 2010
I was sitting at my cube farm today, moving numbers from one spreadsheet to another, cursing the internet tracking that keeps me from daytime Goodreading and daydreaming of pixies and unicorns when I received an email from my wife that utterly rocked my world. ":( Salinger's dead," read the short missive, and with that my world grew a little more gray. Normally news of celebrity death does little but placate my immense Schadenfreude, but Salinger's death is a serious blow to me and I feel compelled to emote all over my computer screen (don't worry, I have tissues).
Who remembers the moment when they first fell passionately in love with reading? I'm not talking about when you realized that reading was enjoyable, or a good distraction from your family, or a great way to spend a sunny day in the park. I'm talking about when you realized that this was it: life could throw anything at you and, as long as you had reading, you could cope and move on. That rather than simply entertaining, your world could be expanded and fleshed out by what you glean through a page- that this great human fuck-up can best be understood by placing yourself within the head of strangers and seeing the world through their eyes for a time.
I can chart the exact instant this thought struck me- when I first finished reading Salinger's Nine Stories, particularly the utterly heart-breaking "A Perfect Day for Bananafish." To this day this book is still my favorite of his limited oeuvre and a surefire contender for Top 5 favorites of all time. While he is deservedly renowned for Holden Caulfield's teen angst, it is the subtle pathos of Nine Stories that marks him as an author without equal.
The alienated Seymour Glass, who I always pictured as a stand-in for Salinger himself, and his tragic inability to connect with anyone but young children. The prescient Teddy, whose thinly-veiled Buddhism came years before the Beats began reading Suzuki. Esme, Charles and the damaged Sergeant X- all three of whom I feel an unceasing tenderness for. The idolized Chief and the heartbreak of Mary Hudson. All of these stories I can return to again and again, myself changed by the passing of time, and find something new and rewarding to take from them. Whether it is his absolutely perfect dialogue (I know of no other author who so accurately captures the rhythm and cadence of speech), his impulse (need?) to include a death in nearly all of his stories as if to remind us that even imaginary friends can get hit by buses, his endless attempts to put into words the passive disconnection from the rest of humankind that we all, at one point or other, feel overwhelmed by. There is more literary merit in this slim volume than the whole New York Times bestseller list.
I've often harbored the dream of hanging out in Salinger's tiny New Hampshire village and somehow attracting the eye of the reclusive author- carrying groceries across the street or some such menial chore. We would get to talking and he would offer to read some of my meager works and, wonder of wonders, offer a few words of advice. You know, Daydreaming 101. Sadly this will never be. If there is a bright side to this tragic passing, it is that hopefully he鈥檚 been writing feverishly for the past 60 years and his estate will begin posthumously publishing. This is the only real kind of immortality available, and hopefully Salinger's words will be read for centuries to come.
Who remembers the moment when they first fell passionately in love with reading? I'm not talking about when you realized that reading was enjoyable, or a good distraction from your family, or a great way to spend a sunny day in the park. I'm talking about when you realized that this was it: life could throw anything at you and, as long as you had reading, you could cope and move on. That rather than simply entertaining, your world could be expanded and fleshed out by what you glean through a page- that this great human fuck-up can best be understood by placing yourself within the head of strangers and seeing the world through their eyes for a time.
I can chart the exact instant this thought struck me- when I first finished reading Salinger's Nine Stories, particularly the utterly heart-breaking "A Perfect Day for Bananafish." To this day this book is still my favorite of his limited oeuvre and a surefire contender for Top 5 favorites of all time. While he is deservedly renowned for Holden Caulfield's teen angst, it is the subtle pathos of Nine Stories that marks him as an author without equal.
The alienated Seymour Glass, who I always pictured as a stand-in for Salinger himself, and his tragic inability to connect with anyone but young children. The prescient Teddy, whose thinly-veiled Buddhism came years before the Beats began reading Suzuki. Esme, Charles and the damaged Sergeant X- all three of whom I feel an unceasing tenderness for. The idolized Chief and the heartbreak of Mary Hudson. All of these stories I can return to again and again, myself changed by the passing of time, and find something new and rewarding to take from them. Whether it is his absolutely perfect dialogue (I know of no other author who so accurately captures the rhythm and cadence of speech), his impulse (need?) to include a death in nearly all of his stories as if to remind us that even imaginary friends can get hit by buses, his endless attempts to put into words the passive disconnection from the rest of humankind that we all, at one point or other, feel overwhelmed by. There is more literary merit in this slim volume than the whole New York Times bestseller list.
I've often harbored the dream of hanging out in Salinger's tiny New Hampshire village and somehow attracting the eye of the reclusive author- carrying groceries across the street or some such menial chore. We would get to talking and he would offer to read some of my meager works and, wonder of wonders, offer a few words of advice. You know, Daydreaming 101. Sadly this will never be. If there is a bright side to this tragic passing, it is that hopefully he鈥檚 been writing feverishly for the past 60 years and his estate will begin posthumously publishing. This is the only real kind of immortality available, and hopefully Salinger's words will be read for centuries to come.
October 10, 2018
Didnt enjoy any of the short stories and didnt enjoy getting to know the characters in any.
Seemed to have a theme of wealthy people in solitude in someway or another.
Seemed to have a theme of wealthy people in solitude in someway or another.
October 7, 2023
L鈥檌ntenzione 猫 quella di rileggerli, ma non prima di aver studiato.
笔别谤肠丑茅?
Perch茅 ne percepisco la potenza, il fatto che per alcuni la perfezione sia gi脿 evidente da subito, mentre per altri ho bisogno di saperne di pi霉 e di contestualizzarli per poterli apprezzare appieno.
Sono quattro stelle intermittenti, dunque, perch茅 gi脿 so che a una seconda lettura saranno cinque fisse.
La perfezione dei dialoghi, quella s矛, 猫 evidente da subito.
Il miei preferiti, ora, d鈥檌mpulso, Un giorno speciale per i pescibanana: l鈥檈co di quel colpo rimbomba ancora qui, fra me e la risacca, terribile, solare, liquido e allo stesso tempo denso come il piombo, e Il periodo blu di De Daumier-Smith : semplicemente non riuscivo a smettere di leggerlo, dovevo assolutamente arrivare alla fine per sciogliere il mistero.
Rilettura per #Lit il GdL della Mc Musa.
Mi ha molto colpita, questa volta, L鈥檜omo ghignante, di cui ho trovato in rete questa splendida recensione
笔别谤肠丑茅?
Perch茅 ne percepisco la potenza, il fatto che per alcuni la perfezione sia gi脿 evidente da subito, mentre per altri ho bisogno di saperne di pi霉 e di contestualizzarli per poterli apprezzare appieno.
Sono quattro stelle intermittenti, dunque, perch茅 gi脿 so che a una seconda lettura saranno cinque fisse.
La perfezione dei dialoghi, quella s矛, 猫 evidente da subito.
Il miei preferiti, ora, d鈥檌mpulso, Un giorno speciale per i pescibanana: l鈥檈co di quel colpo rimbomba ancora qui, fra me e la risacca, terribile, solare, liquido e allo stesso tempo denso come il piombo, e Il periodo blu di De Daumier-Smith : semplicemente non riuscivo a smettere di leggerlo, dovevo assolutamente arrivare alla fine per sciogliere il mistero.
Rilettura per #Lit il GdL della Mc Musa.
Mi ha molto colpita, questa volta, L鈥檜omo ghignante, di cui ho trovato in rete questa splendida recensione
July 28, 2021
丿禺鬲乇 诏賮鬲 卮賲丕 賲蹖鈥屫堎嗃屫� 賳讴亘鬲 趩蹖賴責
诏賮鬲賲 诏賲賵賳賲 賴乇乇賵夭 丿丕乇賲 亘蹖卮鬲乇 亘丕賴丕卮 丌卮賳丕 賲蹖卮賲
诏賮鬲: 禺丿丕丨丕賮馗貙 丕賲蹖丿賵丕乇賲 鬲賵 噩賳诏 乇賵丨鬲賵賳 爻丕賱賲 亘賲賵賳賴
丨鬲賲丕 鬲氐丕賵蹖乇賽 丕毓夭丕賲 爻乇亘丕夭丕賳 亘賴 噩賳诏 乇丕 丿蹖丿賴鈥屫й屫�. 爻乇亘丕夭丕賳 爻賵丕乇 亘乇 賯胤丕乇 賵 夭賳丕賳 丿乇 氐賮 賴丕蹖蹖 亘賱賳丿 賵 倬賴賳 亘乇丕蹖卮丕賳 丿爻鬲 鬲讴丕賳 賲蹖鈥屫囐嗀� 鬲丕 卮噩丕毓鈥屫必簇з� 讴賳賳丿 賵 鬲乇爻 乇丕 丕夭 丌賳賴丕 丿賵乇 讴賳賳丿.
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丕賲丕 丌賳趩賴 讴賴 亘毓丿賴丕 丕鬲賮丕賯 賲蹖鈥屫з佖� 賮乇賯 夭蹖丕丿蹖 丿丕乇丿!!
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爻丕賱蹖賳噩乇 丿乇 趩賳丿 丿丕爻鬲丕賳 丕夭 丕蹖賳 讴鬲丕亘 亘賴 夭賳丿诏蹖賽 睾賲 丕賳诏蹖夭 爻乇亘丕夭丕賳賽 噩賳诏 倬乇丿丕禺鬲賴貨 亘賴 胤乇丿 卮丿诏蹖 賵 丕蹖賳讴賴 趩賯丿 丿賵亘丕乇賴 卮丕賳爻 丕蹖賳 乇丕 丿丕乇賳丿 讴賵丿讴 丿乇賵賳卮丕賳 夭賳丿賴 卮賵丿!責
诏賮鬲賲 诏賲賵賳賲 賴乇乇賵夭 丿丕乇賲 亘蹖卮鬲乇 亘丕賴丕卮 丌卮賳丕 賲蹖卮賲
诏賮鬲: 禺丿丕丨丕賮馗貙 丕賲蹖丿賵丕乇賲 鬲賵 噩賳诏 乇賵丨鬲賵賳 爻丕賱賲 亘賲賵賳賴
丨鬲賲丕 鬲氐丕賵蹖乇賽 丕毓夭丕賲 爻乇亘丕夭丕賳 亘賴 噩賳诏 乇丕 丿蹖丿賴鈥屫й屫�. 爻乇亘丕夭丕賳 爻賵丕乇 亘乇 賯胤丕乇 賵 夭賳丕賳 丿乇 氐賮 賴丕蹖蹖 亘賱賳丿 賵 倬賴賳 亘乇丕蹖卮丕賳 丿爻鬲 鬲讴丕賳 賲蹖鈥屫囐嗀� 鬲丕 卮噩丕毓鈥屫必簇з� 讴賳賳丿 賵 鬲乇爻 乇丕 丕夭 丌賳賴丕 丿賵乇 讴賳賳丿.
丿乇 丌賳 賱丨馗賴 卮丕蹖丿 爻乇亘丕夭 亘丕 賱亘蹖 禺賳丿丕賳 亘賴 亘丕夭诏卮鬲蹖 丕賮鬲禺丕乇丌賲蹖夭 賲蹖鈥屫з嗀屫簇� 讴賴 賲毓卮賵賯卮 亘乇丕蹖 丕賵 丌睾賵卮 禺賵丕賴丿 诏卮賵丿 賵 賲乇丿賲 亘乇 爻乇卮丕賳 诏賱 禺賵丕賴賳丿 乇蹖禺鬲.
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May 25, 2022
I haven't read any Salinger in many years and this was on my shelf for over a year before I actually read it. I'm so glad I finally picked it up.
Each story was a good length, entertaining and clever. Overall these were my kinds of short stories
I also liked how they related to Salingers other work including
Each story was a good length, entertaining and clever. Overall these were my kinds of short stories
I also liked how they related to Salingers other work including
November 28, 2009
This is one of "those" books. The ones where I turn the final page and sigh and wonder how I can convince other people that it's worth reading. Consider this: There are 30,520 ratings for this book here on Good Reads. The average of all those ratings is 4.18. Nothing I could say would be more convincing than that. Read it and marvel.
My two favorite stories are For Esme--With Love and Squalor, and Down at the Dinghy. I think I liked these best because I love the way Salinger writes about children. Tender and charming without ever being cutesy. I fell in love with the precocious Esme within the space of a few pages. I wanted a whole book about her!
Down at the Dinghy features a sensitive little boy in self-exile on the family dinghy, and the way his mother gently coaxes him to come back up to the house. This is Salinger's true genius---creating perfect word pictures of ordinary events.
Nine Stories should be required study for every creative writing program. An unpretentious, seemingly effortless, utterly original voice. If I could write just ONE story comparable to these, I'd be so puffed up with pride I'd bust right outta my corset!
NB: The first story, A Perfect Day for Bananafish, can be quite jarring if you're not familiar with the Glass family featured in the novel Franny and Zooey. Seymour is the eldest child of that family, and always referred to in the past tense or at a remove in Salinger's other works. This is your one chance to see him while he's still alive. His sweet, gentle nuttiness with the little girl on the beach is especially touching.
My two favorite stories are For Esme--With Love and Squalor, and Down at the Dinghy. I think I liked these best because I love the way Salinger writes about children. Tender and charming without ever being cutesy. I fell in love with the precocious Esme within the space of a few pages. I wanted a whole book about her!
Down at the Dinghy features a sensitive little boy in self-exile on the family dinghy, and the way his mother gently coaxes him to come back up to the house. This is Salinger's true genius---creating perfect word pictures of ordinary events.
Nine Stories should be required study for every creative writing program. An unpretentious, seemingly effortless, utterly original voice. If I could write just ONE story comparable to these, I'd be so puffed up with pride I'd bust right outta my corset!
NB: The first story, A Perfect Day for Bananafish, can be quite jarring if you're not familiar with the Glass family featured in the novel Franny and Zooey. Seymour is the eldest child of that family, and always referred to in the past tense or at a remove in Salinger's other works. This is your one chance to see him while he's still alive. His sweet, gentle nuttiness with the little girl on the beach is especially touching.
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