The book applies a series of Taoist meditations (e.g., non-attachment; freedom from self; spontaneity; seeing beyond seeing; wandering without a goal; mindlessness; awaking the boundless, transpersonal universe) to photography. Drawing mainly from the writings of Chuang-tzu, Gross also quotes freely from Taoist popularizers Suzuki and Watts, and Daniel Goleman. He also quotes from well-known photographers whose photos Gross sees as embodying Taoist principles (whatever they might have thought). As Gross would have it, Taoist photography needs to construct, not represent. It needs to overcome barriers to seeing (e.g., conformity, discipleship, wanting to be famous, categorization, and 鈥渋ntolerance of ambiguity鈥�). 鈥淭aoist camerawork鈥� builds upon technical skills (鈥渓ittle understanding鈥�) and reaches for 鈥渦nconstricted awareness鈥� (鈥淕reat Understanding鈥�).
Early on, Gross took typical pictures until he saw that a picture of a door had won first prize in a photography contest that moved him to begin 鈥渢o pay closer attention to the ordinary.鈥� In a way, the various meditative reflections in his book could be reduced to this one, simple observation.
While many of the photographs in the book (Cartier-Bresson, Adams, and others) used to illustrate his points were good, I didn鈥檛 find Gross鈥檚 own pictures, content-wise, interesting.
The Tao of Photography is a book that tries to link Taoist philosophy and photographic artistry. The authors want to link creativity in photography with using Taoist philosophy to free awareness of the world around you. The book uses quotes from Taoist philosophers to illustrate how to open your mind to the creative opportunities around you. Instead of the usual formal techniques of photography, the authors discuss the barriers of your own thinking puts in the way of our awareness of our life and our photography. It is an interesting book and makes one think about being open to the world around us so we can experience all that we possibly can. You don't need to know much about Tao. The authors provide a basic background. And although the subject was about photography, these explanations can apply to any art form. It's a book I would recommend to anyone looking to improve their creativity.
I chose this book because of a post I read, while surfing for something about psychology and photography. (Don't ask me why, I now, don't remember). But I am glad, I did. It is good book, and probably deserves more than the three stars I have given it.
The Tao of Photography: Seeing Beyond Seeing is a book that may get easily misinterpreted as a book about photography technique. It does talk of camera work, method, and techniques. But it is not a book that teaches you photography. At all; if you ask me. The book provides a context to being a photographer in a Taoistic framework, if you will. The book is replete with references and quotes from famous photographers who have found the zen-like state as they took their photographs.
It is essentially a philosophy book, in the context of photography. And an important one, I would think, as more and more of photographic work becomes slave to micro and meta definition. While understanding the science and the technology of photograph is important (and the book makes a small case for it), photographers have an urgent need to get out of the rut of classification and belonging - as more and more photographs start looking the same, there are few that pierce your heart and ooze out emotion, the way they should. Of course, with so many photographs being clicked in the world - finding such photos has become very difficult indeed. But if you do understand this philosophy and are able to import it in your 'act of photography', you may find your self discovering things about your art - especially, if you feel stagnated in your work.
The book itself has a very interesting and varying showcase of work from some of the greats, which makes it an interesting read as visual context to the words is woven well. Some of the sections are repetitive - and I have now resigned to this form of writing by most contemporary writers of the non-fiction genre. It seems that constant reminders of the theme of the book is the new template and technique of the modern non-fiction.
If you would like to understand the mind and state of a good photographer, this is a very good book. If you expect tips and techniques to take good photographs, this is not a very good book. If you are willing to keep an open mind and be with the book and yourself, you might discover some interesting secrets about the art you love so much.
like a good tea it gets better with more consumption over frequent intervals interspersed with thought. this book is intended for its readers to spend time on the side thinking deeply about perception and the world around us. The insights gained come as much from the perspectives shared by the likes of Salgado and Bresson as they do from your own intuitions. It is a delightful read and a splendid interaction when you see its influence in each evolving frame that you capture ever after. HINT: get an old mechanical film camera and slow down the process to the pace of writing poetry by hand and you will get this books message! I wouldn't call it great literature by any means, and I cant consider it a functioning text book or manual for thinking and being, however as an interactive psychological tool to unlocking new thought processes and seeing under an emotive and connected context presented with prime examples and glimpses into the minds of great photographers it is something of brilliance. Thank you Mr Gross.
I would have liked to have seen some poetic references and works included rather than mentioned loosely but this is Taoism as it relates to photography. I just see the opportunity to relate a good deal more to Taoism with photography in the foreground.
The first section on Taoism and the Chuang-tau is wordy, boring and a stretch. Much of the content was said better and far more briefly by Stephen Shore in "The Nature of Photographs." The rest of this book is comprised largely of quotes from other photographers and artists. Hey, a collection of wisdom from the masters is great. Just don't market your book as something other than it is. The best part about this book is the photos selected to appear in it. They are strong samples of the great photographers.
This book is very light on actual techniques that can be used to unconstrict awareness and that's a little disappointing. But as a photography book the images are interesting and the comparison between Tao/mindfulness and the process of creating art is VERY cool.
It still doesn't change the fact that I'm a little disappointed with the books stated mission but, honestly, I've never read any book on Tao/Zen/Buddhism that gave me a step-by-step manual to follow so that I can free myself. Regardless, it's nice to know that there is a link, no matter the strength, between learning "the way" and photography.
What a great read, this is the book that every photographer from the hobbyist to the advanced enthusiast/professional should read. It will give you if anything, the guidelines to break free from the confines of rules that sometimes hinder our ability to see past or through the obvious. So if you fancy yourself as a bit of a break the rules kind of photographer, then read it you'll never be the same.
The best book I've read about making photographs. It uses Chuang Tzu's early Taoist texts as the starting point for examining how to make photographs and how to live. It includes images by the author and a who's who of twentieth-century photography: Henri Cartier Bresson, Edward Weston, Ansel Adams, etc.
I loved most of the pictures, but it didn't really inspire me or tell me how to be a better photographer really. And some of the pictures really were upheld in the eyes of the beholder because I didn't think some of them were that great.
I have read and re-read passages. Scribbled notes in margins and highlighted passages. This book speaks to the soul and binds thought with general technique. I loved this and know I'll refer to it time and again.
The photography was very inspiring. The content was great too. This has naturally been my approach to photography and art in general (I am not a very technical person) but it was good to read about this approach from a Taoist perspective.
This is one of my favorite photography books. I love the black and white photos and the quotes from famous photographers. The text is loosely built around aspects of the Chuang-Tzu. Highly recommended in your development of "Great Understanding" of photography and art in general.
It should be obvious that there is a profound connection between Zen and Photography. You just have to let it go and it will come. Read this little book with an open mind and it could change your life and your photography. If you let it.
This is a book on mindfulness that uses photography as a medium for practicing it. The theories are general and can be applied to every endeavor. I enjoyed the Maslow references, which gave scientific underpinning to the application of mindfulness to art and sport.
This is a helpful guide to seeing the world differently. It's interspersed throughout with insights from the Chuang Tzu and with quotes and photographs from famous photographers.
Got this from the library on a whim and will be purchasing it for my own collection. Wonderful concept of photography and seeing more than just the subject.
Stunning book with track-stopping photos from some of the world's most celebrated photogs, plus very interesting philosophy-meets-photography text. Loved.